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Speaker 1: How important were movies to you when you were growing up.

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Speaker 1: Did your family go to the movies and stuff?

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Speaker 2: Yes, I love the movies. First of all.

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Speaker 3: One of my favorite things that my dad is obsessed

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Speaker 3: with is popcorn.

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Speaker 2: It's his jam.

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Speaker 3: I mean, I get him a giant thing of different

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Speaker 3: kinds of popcorn every year for Christmas and his birthday,

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Speaker 3: Like he loves popcorn.

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Speaker 4: Have you ordered the specialty stuff from Chicago? No.

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Speaker 1: So there's a place in the Chicago Airport. I mean

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Speaker 1: it's part of Chicago. But they have a big stand

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Speaker 1: at Kiosk at the airport where there's like a line

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Speaker 1: of people and you go there at the airport just.

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Speaker 2: Because I'm gonna be there in like a couple of weeks.

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Speaker 1: There you go, So go to the popcorn stand. They

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Speaker 1: have like nineteen different flavors. But it's like famous Chicago popcorn.

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Speaker 3: And is it like one hundred dollars because everything's one

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Speaker 3: hundred dollars nowadays.

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Speaker 1: Everything I told you I fund with I am without

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Speaker 1: even knowing it and end up funding the Boy Scouts

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Speaker 1: for the next nine years by buying two tubs of popcorn.

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Speaker 2: Seriously, Oh my gosh, I know.

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Speaker 3: My dad is the guy that gets the giant popcorn,

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Speaker 3: eats as much as he can and then gets a

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Speaker 3: refill on it.

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Speaker 4: Yes, I love that. Does he like popcorn balls?

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Speaker 2: I don't know. I don't know if he's had one

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Speaker 2: or not.

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Speaker 3: I'm sure if he has, Yes, he loves them, because

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Speaker 3: he any kind of popcorn.

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Speaker 4: Is his jam.

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Speaker 3: But yeah, movies have always been such a big thing.

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Speaker 3: We made a huge deal of taking Monroe to her

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Speaker 3: first one.

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Speaker 2: Ledger's not there yet. He can't sit through a movie

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Speaker 2: theater just yet.

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Speaker 3: But oh yeah, and it's one of my favorite date

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Speaker 3: nights still, like, I love it, And I love the

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Speaker 3: upgraded movie theaters now where.

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Speaker 2: You can like order it's like a bar.

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Speaker 3: Yeah, you can order food to your like yeah, wishy,

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Speaker 3: I mean. But that's the bad thing is I I

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Speaker 3: fall asleep very easy in a comfy chair in a

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Speaker 3: dark room, so I can't even in a movie theater,

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Speaker 3: especially in a movie theater like the big chairs that

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Speaker 3: can like lean back and recline.

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Speaker 2: Now, oh, it's a death it's a death bled for me.

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Speaker 3: I am comfy, I am good, I've got Jordan's arm

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Speaker 3: and I'm snoozing probably forty minutes.

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Speaker 4: Oh god. Yeah, I can't. I can't.

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Speaker 1: I cannot fall asleep watching a movie. I just have

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Speaker 1: to know how it ends.

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Speaker 4: Anyway. Yeah, we were big. We were big movie go

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Speaker 4: to the movies all the time as.

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Speaker 3: A family, like as a family, all you all three

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Speaker 3: boys and everything.

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Speaker 4: Yep, as a family.

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Speaker 1: And because I was the youngest, my brothers want to

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Speaker 1: go see stuff that I shouldn't see. So my mom

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Speaker 1: just got you know, perfect at covering my eyes or

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Speaker 1: my ears or both, okay for certain parts of movies.

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Speaker 4: Yeah.

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Speaker 1: So because my brothers are older, so I wanted to

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Speaker 1: go see stuff, and they're like, well, you can't not

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Speaker 1: bring your brother. We can't not go as a family,

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Speaker 1: so right, and we're not going to make a seventeen

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Speaker 1: year old sit through something Disney. So it's like I

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Speaker 1: was seeing a ready movies when I was young and

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Speaker 1: just having my eyes covered most of the time.

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Speaker 2: Do you remember what your first movie was?

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Speaker 1: My first movie ever in the theater, I believe was

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Speaker 1: Empire Strikes.

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Speaker 4: Back in Wow four. Yeah, I was for you Wow. Yeah.

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Speaker 2: I have no idea.

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Speaker 3: I cannot remember what my first movie wasn't that's so sad.

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Speaker 1: Yeah, you know what's really sad is when you find

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Speaker 1: out somebody that you like and admire, that you work

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Speaker 1: with has never seen the Star Wars movies.

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Speaker 4: Isn't that crazy? Have you seen the Star Wars movies? Sure?

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Speaker 4: Oh wait, have you not? I'm talking about Mikayla. Have

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Speaker 4: you not seen the Star Wars movies? Oh my god?

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Speaker 4: What is wrong with you?

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Speaker 2: I'm definitely not in a theater. Definitely not in the theater.

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Speaker 2: That had been a waste of time for my family.

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Speaker 4: I can't do I can't do this with you anymore.

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Speaker 4: I think I can't do it.

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Speaker 3: I've seen them. My dad's a pretty big fan. But

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Speaker 3: I can't tell you which is one. First of all,

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Speaker 3: there's like so many of them, and I can't tell

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Speaker 3: you which one I like.

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Speaker 2: I get them.

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Speaker 3: Mixed with like Planet of the Apes like I honestly,

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Speaker 3: I am not sorry. I know it's killing you softly,

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Speaker 3: just like one word at a time.

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Speaker 4: I just what.

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Speaker 3: I go into the Star Wars Land at Disneyland.

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Speaker 2: I'm lost. I have no idea what any of this

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Speaker 2: stuff is. It looks cool, it's big. I go on

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Speaker 2: the rides. I don't get it.

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Speaker 3: I think it seems like Star Tours is pretty much

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Speaker 3: the same thing.

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Speaker 2: I really did you just leave? He just turned? He

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Speaker 2: turned his video.

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Speaker 4: Are we now?

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Speaker 1: Are?

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Speaker 2: I'm sorry, it's true.

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Speaker 3: I I know I've seen them because my dad liked them,

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Speaker 3: but I don't.

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Speaker 2: I couldn't tell you, which is what.

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Speaker 4: Do you know what a sith is?

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Speaker 2: That sounds like an STD.

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Speaker 1: I went to the doctor yesterday. It turns out I

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Speaker 1: have sith. Yeah, no, the sith. All right, we're not kidding.

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Speaker 1: This is a whole nother podcast. Oh my god, that

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Speaker 1: was a shot at Mikayla. I figured you'd be like,

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Speaker 1: of course, I've seen Star Wars. I'm a normal person now.

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Speaker 3: No Rise of the Resistance is okay. So she's at

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Speaker 3: least saying she loves the land at Tisney.

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Speaker 2: Mikayla, I don't think that's going to get you back.

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Speaker 1: No, this is just so wrong. Producer Lisa. We will

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Speaker 1: go hang out as friends.

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Speaker 2: As I knew Lisa would be upset about.

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Speaker 4: It, because she's awesome. That's the problem is with the

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Speaker 4: rest of you. Anyway.

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Speaker 1: Welcome back to Magical Rewind, the show that makes you

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Speaker 1: want to grab your friends, your PJS, and your popcorn

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Speaker 1: and go back to your time when all the houses

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Speaker 1: were smart.

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Speaker 4: The waves, tsunamis and all your friends didn't suck.

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Speaker 2: I'm will for no man, I'm Sabrina Bryan.

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Speaker 1: This week we're throwing a big celebrity premiere for our

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Speaker 1: newest d com. Line up at your local movie theater

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Speaker 1: and make sure the popcorn is fresh and get it

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Speaker 1: one on the way out. Apparently as well get it refilled,

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Speaker 1: because it's time to review two thousand's Phantom of the Megaplex,

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Speaker 1: released on November tenth of two thousand. As the title

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Speaker 1: might suggest, this movie is loosely based on the nineteen

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Speaker 1: ten novel by Gaston Lero that later morphed into a

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Speaker 1: Broadway mega blockbuster and many many movies, Phantom of the Opera.

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Speaker 4: Did you assume that was the.

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Speaker 1: Case, Sabrina, when you saw the title, that Phantom of

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Speaker 1: the Megaplex was gonna be Phantom of the Opera? And

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Speaker 1: have you seen Phantom of the Opera or do you

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Speaker 1: throw that on the pile with Star Wars.

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Speaker 2: I've seen Phantom of the Opera. M No.

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Speaker 3: I didn't honestly didn't even really put that in either

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Speaker 3: together at all at all, not even a little. But

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Speaker 3: I was thinking, we're going to watch a scary movie

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Speaker 3: Spooky Season, and I'm.

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Speaker 1: In that's what I thought too, And then we watched

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Speaker 1: this one. Yeah, many of the fans of Phantom of

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Speaker 1: the Megaplex, sorry, any fans of Phantom of the Megaplex,

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Speaker 1: call it the PG Disney Channel version of Scream, the

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Speaker 1: meta Halloween horror hit of the nineties, but others might

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Speaker 1: notice similaris to Scooby Doo. And truthfully, both of those

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Speaker 1: things are correct, and both are also wrong. But I

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Speaker 1: think maybe we expected a bit more scary hearing those comparisons,

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Speaker 1: Like this wasn't scary.

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Speaker 3: I mean, there was a moment where I'm like, Okay,

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Speaker 3: I'm glad I didn't. I was gonna have Monroe watch

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Speaker 3: it with me. But I'm just really nervous about getting

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Speaker 3: her into scary movies, just because I don't know what's

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Speaker 3: gonna trigger her to like dreams, and I don't want starting.

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Speaker 1: With a scary d coom is probably the way to go,

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Speaker 1: as opposed to like, this's Nightmare on Elm Street.

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Speaker 3: Like it's in our interview with someone, we were talking about,

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Speaker 3: you know, doing Hocus Focus, and someone was like, oh,

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Speaker 3: that's kind of scary, and I was like it is.

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Speaker 3: So it's like I gotta watch I gotta watch it first.

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Speaker 4: I still haven't seen it, still haven't seen it.

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Speaker 1: While watching these older dcoms, we frequently run into small

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Speaker 1: elements that have become pretty dated since the release. Whether

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Speaker 1: it's a flip phone, a beeper, or a neon scrunchy,

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Speaker 1: it can stand out at times.

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Speaker 4: But here this movie, it's kind.

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Speaker 1: Of the entire concept of the film because it's the

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Speaker 1: movie theater. So you said you you went growing up,

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Speaker 1: I went growing up. But movie theaters are completely different things.

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Speaker 1: Most people aren't going at all.

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Speaker 4: I know, kind of sucks because they were the.

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Speaker 3: I mean, it's like to the point where it used

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Speaker 3: to be you had to get your tickets early for

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Speaker 3: some mega movies, right, like you had to go and

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Speaker 3: get them, not on an app.

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Speaker 2: You had to go.

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Speaker 3: To the theater and sit in line and get a

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Speaker 3: ticket to like the big weekend of the opening that

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Speaker 3: you see.

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Speaker 4: And wait in line and wait in line and wait

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Speaker 4: in line. Yep.

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Speaker 3: And I'm telling you and now that the theaters are

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Speaker 3: so grand and have, like like I said, the easy,

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Speaker 3: easy seating type things, like the lazy boy type things

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Speaker 3: in the service, they're smaller, right, there's not as many

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Speaker 3: seats packed in them, and it's still like crickets and

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Speaker 3: it's like it's they're still not selling out, Like I

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Speaker 3: don't think I've been to a movie theater that was

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Speaker 3: packed in years.

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Speaker 1: Yeah, it's also it's one of those things where every

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Speaker 1: everybody knows that it's like, okay, am I going to

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Speaker 1: go out do everything I gotta do, get the movie,

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Speaker 1: go to that stuff.

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Speaker 4: When in a.

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Speaker 1: Week it's going to be streams, it's going to be

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Speaker 1: available on it's like so wid so this this entire

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Speaker 1: movie is kind of like not the thing.

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Speaker 4: Yeah, it's I know, it.

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Speaker 3: Felt it felt dated, even though it's not like it

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Speaker 3: felt dated, just purely on the fact that it's the movie.

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Speaker 4: I agree one hundred percent.

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Speaker 1: Also worth noting there is a payphone used in this

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Speaker 1: movie for a crucial plot point, and those don't even

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Speaker 1: exist anymore.

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Speaker 4: Do you remember how much payphones were.

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Speaker 3: Twenty five cents? See they were and then it went

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Speaker 3: up to thirty five.

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Speaker 4: You know how much they were in Connecticut? What a dime?

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Speaker 2: A dime?

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Speaker 1: It was ten cents to make a phone call in Connecticut,

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Speaker 1: and everybody to the point where everybody when I came

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Speaker 1: out to La thought I was lying when I said

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Speaker 1: that in like twenty five cents, because so the very

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Speaker 1: quick payphone story. It's my favorite payphone story ever, and

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Speaker 1: I've got a lot of them. When I booked Boy

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Speaker 1: Meets World, I was in Los Angeles, obviously, first screen

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Speaker 1: test with my dad. My dad and I flew out

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Speaker 1: and I walked out of the audition saying, this, man,

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Speaker 1: that was a horrible audition. I can't believe I didn't

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Speaker 1: get it. I so wanted it. That's terrible. My dad

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Speaker 1: looked at me, he could see it in my face.

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Speaker 1: He goes, so, where where do you want to go?

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Speaker 4: What do you want to do?

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Speaker 1: And I'd only been here a couple of times I

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Speaker 1: was sixteen. I was like, I want to go to

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Speaker 1: the Ripley's Believe it or Not Museum in Hollywood and

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Speaker 1: then go like walk around Hollywood.

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Speaker 4: My Dad's like, fine, let's go do that.

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Speaker 1: So we drive into Hollywood and we're walking around the museum.

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Speaker 1: But right before we were like about to go in, though,

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Speaker 1: there's a bank of payphones right across the street.

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Speaker 4: My dad goes, why don't you just call your age?

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Speaker 2: What's a bank of payphones mean?

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Speaker 1: What does that mean like the bank, like the phones

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Speaker 1: in the in the movie you just saw, there's like

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Speaker 1: ten of them in a row. That's called a phone bank. Okay,

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Speaker 1: there would be a bank of phones. So there's like

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Speaker 1: multiple payphones together.

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Speaker 4: Oh that's so Scottish.

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Speaker 1: And so he goes, why don't you just go and

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Speaker 1: call your agent because nobody had cell phones wasn't such

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Speaker 1: a thing because nineteen ninety three. So I walked a

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Speaker 1: cromoped and walked across the street and picked up the payphone,

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Speaker 1: put in the change, called my agent in New York

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Speaker 1: and he wait, you got it. And that bank of

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Speaker 1: phones was there until like two years ago.

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Speaker 4: Oh, and they finally took it.

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Speaker 1: I literally drove by about a week and a half ago, Susan,

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Speaker 1: and we looked over and there's still like an imprint

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Speaker 1: of where we were, and that's where I was standing

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Speaker 1: when I found out I got.

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Speaker 4: So it was there forever. So payphones very important to me.

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Speaker 2: Yes, that is awesome.

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Speaker 3: I mean I remember, you know, having to stop while

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Speaker 3: I was out auditioning with my dad, you know, and

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Speaker 3: they always seem to be at like at or by

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Speaker 3: like gas stations too.

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Speaker 2: They were always kind of like.

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Speaker 4: They're always a little bit gross. Was going on. Everybody's

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Speaker 4: using them.

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Speaker 3: Everyone just treated them terribly, graffiti on them, spilt.

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Speaker 2: Like yes, sodas or whatever.

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Speaker 4: But I miss him.

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Speaker 1: I do.

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Speaker 2: Oh man.

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Speaker 1: Now, I know we've mentioned this movie in the past,

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Speaker 1: but we always asked this. Did you know anything about

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Speaker 1: this movie going in?

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Speaker 2: No, never saw. This is the first time for me.

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Speaker 1: Nope, same, same, same, same. All right, well the synopsis

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Speaker 1: before we roll midnight Mayhem.

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Speaker 4: Let's talk about what this movie is about.

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Speaker 1: Yes, when a massive movie theater duplex prepares for a

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Speaker 1: big Hollywood premiere, a string of spooky events makes employees

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Speaker 1: suspect the theater is haunted. Team manager and training Peaked

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Speaker 1: must solve the mystery before the big event is ruined.

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Speaker 4: And I was wishing it was hatching Peak, but it's not.

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Speaker 1: And as per usual, you can watch Phantom of the

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Speaker 1: Megaplex right now in Disney Plush not Disney Minus though,

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Speaker 1: don't even buy that one. It's just filled with unboxing

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Speaker 1: videos and the sound of a sad bassoon. M They're

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Speaker 1: probably gonna put in a sad bassoon sound, but I

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Speaker 1: imagine it's gonna sound like.

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Speaker 4: That because I could do a pretty good, Sad Bassoon.

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Speaker 4: What did you think of the movie? Early thoughts? What

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Speaker 4: did you think?

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Speaker 2: I had great hopes for this movie. I was ready

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Speaker 2: to watch a fun, spooky movie and then we watched this.

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Speaker 3: I watched it and it was it went down pretty

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Speaker 3: quickly like the Titanic.

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Speaker 2: It was, uh, the Titanic.

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Speaker 5: I'm going to go down in this movie to watch

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Speaker 5: and I've you know, I'm ready to see like a

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Speaker 5: really good one, so I can't wait to I feel

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Speaker 5: like I haven't been floored.

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Speaker 1: Yeah, Halloween Town two was okay, it was it was not.

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Speaker 4: It was not bad.

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Speaker 1: It brought us back into that world. But we've had

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Speaker 1: a couple stinkers now in a row. This was not

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Speaker 1: a good movie.

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Speaker 2: And Halloween the Halloween Town too.

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Speaker 3: I feel like a lot of times we see the

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Speaker 3: second Disney, like you know, of the of the brand,

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Speaker 3: you know in these movies, the second ones tend to

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Speaker 3: have been better, and it wasn't. That's the only thing

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Speaker 3: that was kind of like, I was ready for a

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Speaker 3: t even better than the first one, and that was

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Speaker 3: ye case, this was even worse.

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Speaker 4: Yeah, this is not. This was not a good one, and.

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Speaker 3: I felt bad. I had like I said, I was

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Speaker 3: excited to watch it me too. I heard so much

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Speaker 3: about it, but a lot of people kind of bring

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Speaker 3: this one up.

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Speaker 4: Yeah, I'm not sure why.

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Speaker 1: I feel like we're One of the things that I'm

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Speaker 1: starting to notice is every time it kind of says

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Speaker 1: this a movie is from two thousand or ninety nine

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Speaker 1: or even two thousand and one up to say Cheetah Girls,

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Speaker 1: this is kind of a weird time in the Channel

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Speaker 1: when it comes to movies. It seems like they're really

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Speaker 1: trying to find They're not doing Brink and they're not

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Speaker 1: doing high school musical right, So it's like there's there's

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Speaker 1: some weirdness in like the end of ninety nine two

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Speaker 1: thousand era. Yeah, that it's kind of like they're not

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Speaker 1: really knowing what they are right now.

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Speaker 3: And I know I've said this before, but I also

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Speaker 3: think it's because this was the era of the Channel

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Speaker 3: that was putting these out every month.

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Speaker 4: Right, so just bumping them out.

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Speaker 3: So I feel like a little bit like they're the

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Speaker 3: bar is not that high because it doesn't really matter.

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Speaker 3: They're doing them so often that it's not like I

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Speaker 3: feel like once you started getting the Cheetah Girls and

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Speaker 3: you started getting into.

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Speaker 2: The High School Musical.

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Speaker 3: They were taking a lot more time, investing a lot

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Speaker 3: more into the scripts and the writers and the sets

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Speaker 3: and stuff. It seems like they were just pumping them

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Speaker 3: out just to pump them out, and.

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Speaker 4: It feels like that.

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Speaker 1: I don't know, but it's just it just feels like

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Speaker 1: they're trying to find themselves in the dcom world at

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Speaker 1: this era.

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Speaker 3: They haven't hit that that that token, this is a

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Speaker 3: this is a decom type right.

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Speaker 1: But the Xenons and the Brinks and the stuff before

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Speaker 1: this all were great, and they kind of went into

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Speaker 1: this lull and then Cheetah Girls came and I think

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Speaker 1: that kind of changed the whole ball game again, where

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Speaker 1: they're like.

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Speaker 4: Oh, this is what we have to do. So yeah,

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Speaker 4: I think this is just a bit of the law.

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Speaker 1: This is like the uh Anthony Michael Hall season of

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Speaker 1: SNL where people kind of forget that it's like, oh, yeah,

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Speaker 1: that's right, he was on it too.

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Speaker 4: That's kind of that's kind of the dcoms we're doing

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Speaker 4: right now. Anyway. This movie was directed by Blair True.

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Speaker 1: We talked about Blair, a Utah local, during our recup

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Speaker 1: of Wish upon a Star, a movie he also directed.

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Speaker 1: He's a BYU graduate who started his Hollywood journey as

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Speaker 1: an assistant to senior VP at Disney, then got his

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Speaker 1: first movie for the studio in nineteen ninety three, Just

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Speaker 1: Like Dad, starring Nick Cassavettis and Wallace Sean.

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Speaker 4: It conceivable he'd go on.

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Speaker 1: To direct another Disney movie, The Paper Brigade, and direct

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Speaker 1: some episodes of TV, but over the past ten years

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Speaker 1: he's focused mostly on Mormon and BYU content, and the

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Speaker 1: movie stars Taylor Hanley as Pete Riley. This was one

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Speaker 1: of Taylor's first jobs as a kid. He also appeared

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Speaker 1: in TV shows like Fraser Dawson's Creek and The OC,

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Speaker 1: and he stayed a very busy actor ever since, in

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Speaker 1: shows like Griselda, movies like the Texas Chainsaw Masker remake,

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Speaker 1: and most recently, he was in the critically beloved series

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Speaker 1: Mayor of Kingstown alongside Jerry Renner and Diane Weistkrinn Boer

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Speaker 1: plays Julie Riley I'm hoping that's how I say it,

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Speaker 1: and Krinn was also a very busy actor in movies

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Speaker 1: like They Call Me Bruce, Joysticks and Police Academy four,

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Speaker 1: Citizens on Patrol as well as TV shows like Friends,

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Speaker 1: Mister Show, and Veronica Mars. But Magic Rewinders will most

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Speaker 1: definitely recognize her from Under Wraps, where she played the mom,

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Speaker 1: and they have Caitlin wax is Karen Riley. Some of

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Speaker 1: you may know her as a frequent collaborator with a

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Speaker 1: Hollywood legend of the screen air Bud. Yes, she was

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Speaker 1: in Airbud World Pup and Airbud Seventh Inning, Fetch Wo,

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Speaker 1: as well as movies that don't star a canine sports

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Speaker 1: stars such as The Divine Secret of the ya Ya

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Speaker 1: Sisterhood and the straight to video sequel To Inspect her Gadget.

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Speaker 1: She appears to have left the business, though her last

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Speaker 1: credit is from twenty fourteen.

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Speaker 4: And we have Jacob Smith who plays Brian Riley.

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Speaker 1: Jacob's best known as Owen Salinger and Party of Five,

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Speaker 1: and he played Jake in the Cheaper by the Dust movies.

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00:17:25,080 --> 00:17:28,280
Speaker 1: And we have rick Maybe playing Ricky. Ricky has become

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Speaker 1: a frequent seth Rogen and Jay Barshell collaborator over the years,

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Speaker 1: seen in movies like Zach and Mury, Make a Porno Goon, Preacher,

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Speaker 1: Future Man, and most recently the new record holder for

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Speaker 1: the most Emmys in a night the studio, and I'd

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Speaker 1: like to point out, because of course this is a

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Speaker 1: podcast and it's not on video most of it. Sabrina

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Speaker 1: giggled over the word porno, and in the Dabney Redditch

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Speaker 1: she's giggling right now. And in the Dabney Reynolds share,

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Speaker 1: it's a big one, people, and that has nothing to

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Speaker 1: do with his size, because he is a legend. We've

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Speaker 1: got five foot two inch Hollywood man himself, Mickey Rooney

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Speaker 1: as movie made. Mickey's career spanned nine decades, that's ninety years.

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Speaker 1: People bursting out of the scene as a child actor

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Speaker 1: in the twenties, he'd later become a major box office

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Speaker 1: draw for MGM Studios, known for his loud personality and size,

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Speaker 1: eventually starring in movies like Babes and Arms and Boystown.

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Speaker 1: He'd earn an honorary Oscar as well as multiple Emmy

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Speaker 1: and Tony nominations. He was a true star for as

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Speaker 1: long as there was a Hollywood. Rooney died in twenty

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Speaker 1: fourteen at the age of ninety four. Serena, did you

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Speaker 1: know who Mickey Rooney was? Yes, he was just a legend.

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Speaker 1: It was always like Judy Garland and Mickey Rooney. I

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Speaker 1: mean these were like the original, original, original people.

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Speaker 2: And that were Yeah, he was my favorite part of

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Speaker 2: this movie.

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Speaker 4: I don't disagree.

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Speaker 2: Literally loved him, do not disagree all ever he.

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Speaker 3: Was on the screen. I was big smile, loved it.

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Speaker 3: I think he's absolutely adorable. He is that like Grandpa

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Speaker 3: that you just want to give, like the biggest hug.

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Speaker 4: Too, and just a true legend.

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Speaker 2: You know, he'll pull out like a legend. He'll do

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Speaker 2: the or with the ear type.

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Speaker 3: Yeah, you know, it just seems like that, like you know,

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Speaker 3: always that's like candy to give.

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Speaker 2: He just seems amazing.

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Speaker 4: He was the man.

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Speaker 1: And sure, this all sounds well and good, but let's

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Speaker 1: hope the movie runs less than the ninety four years

443
00:19:13,359 --> 00:19:14,359
Speaker 1: that Rooney lived.

444
00:19:15,160 --> 00:19:18,879
Speaker 4: Okay, here we go, Phantom of the Megaplex. Clock's in it.

445
00:19:19,800 --> 00:19:22,399
Speaker 1: Eighty nine minutes, people one away from the target and

446
00:19:22,440 --> 00:19:25,359
Speaker 1: sitting on the right side of history. Beautiful, almost a

447
00:19:25,400 --> 00:19:27,919
Speaker 1: perfect landing. I'm thrilled for everyone involved, and I'd like

448
00:19:27,960 --> 00:19:28,760
Speaker 1: to thank my family.

449
00:19:28,920 --> 00:19:32,240
Speaker 4: I'd like to thank my friends. I'm sorry I'm being played.

450
00:19:31,960 --> 00:19:34,240
Speaker 1: Off and this should come as absolutely no surprise, but

451
00:19:34,280 --> 00:19:34,959
Speaker 1: guess who wrote it.

452
00:19:35,000 --> 00:19:35,440
Speaker 4: That's right.

453
00:19:35,520 --> 00:19:39,480
Speaker 1: It's the d com daddy himself, Stu Krieger, a friend

454
00:19:39,480 --> 00:19:41,160
Speaker 1: of the show and a true Disney icon.

455
00:19:41,960 --> 00:19:48,680
Speaker 4: Hey Serena, Yeah, poor No, there we go works every time.

456
00:19:50,840 --> 00:19:52,760
Speaker 3: Eight year old I can't hell of it is just

457
00:19:53,000 --> 00:19:56,400
Speaker 3: like so out of them, like what are we talking about?

458
00:19:56,480 --> 00:19:58,000
Speaker 4: Right on this? I love it.

459
00:19:58,400 --> 00:20:00,800
Speaker 1: Creaker is the most writing credits in d Calm history,

460
00:20:00,880 --> 00:20:02,920
Speaker 1: clocking in titles like cow Bells, Going to the Matt,

461
00:20:02,960 --> 00:20:06,040
Speaker 1: True Confessions, Gotta Kick It Up, the poof Point, Smart House,

462
00:20:06,119 --> 00:20:09,720
Speaker 1: and the Xenons, God Mate stew Then He Threw Away

463
00:20:09,720 --> 00:20:10,359
Speaker 1: the Mold.

464
00:20:15,880 --> 00:20:19,200
Speaker 6: Halloween is around the corner, and your favorite podcasters serving

465
00:20:19,280 --> 00:20:22,920
Speaker 6: up episodes that are so good it's actually scary. Sex

466
00:20:22,960 --> 00:20:25,679
Speaker 6: and the City meet Severance when Adam Scott joins Kristin

467
00:20:25,760 --> 00:20:29,320
Speaker 6: Davis to discuss the haunting relationship between Big and Natasha

468
00:20:29,400 --> 00:20:31,040
Speaker 6: on Are You a Charlotte?

469
00:20:31,240 --> 00:20:32,000
Speaker 4: And nine one one?

470
00:20:32,000 --> 00:20:34,480
Speaker 6: What's Your Emergency? The new episode of Call It What

471
00:20:34,560 --> 00:20:36,360
Speaker 6: It Is? Of course nine to one to one.

472
00:20:36,440 --> 00:20:37,480
Speaker 2: Nashville co star.

473
00:20:37,400 --> 00:20:41,720
Speaker 6: Kimberly Williams Paisley joins Jessica Capshaw and Camilla Ludington to

474
00:20:41,800 --> 00:20:45,000
Speaker 6: talk about her health scare her superstar Hubby Brad Paisley

475
00:20:45,280 --> 00:20:47,240
Speaker 6: and her memories on the set of Father of the

476
00:20:47,280 --> 00:20:51,119
Speaker 6: Bride with the legendary Diane Keaton oscar winner Bree Larsen

477
00:20:51,240 --> 00:20:54,040
Speaker 6: is a work in progress. Sophia Bush finds out why

478
00:20:54,160 --> 00:20:57,480
Speaker 6: and waltz right over to daniel With because Danielle Fischel

479
00:20:57,520 --> 00:21:00,240
Speaker 6: has fellow Dancing with the Stars contestant Dylan Efron on

480
00:21:00,520 --> 00:21:03,480
Speaker 6: to talk about the ballroom, the leaderboard and more. Listen

481
00:21:03,520 --> 00:21:06,679
Speaker 6: now on the iHeartRadio app, Apple Podcasts, or wherever you

482
00:21:06,720 --> 00:21:07,639
Speaker 6: get your podcast.

483
00:21:16,200 --> 00:21:19,520
Speaker 1: So let's hide the monster inflatables because even tied down

484
00:21:19,560 --> 00:21:20,600
Speaker 1: we can't promise anything.

485
00:21:20,680 --> 00:21:24,040
Speaker 4: It's time to learn about Phantom of the Megaplex. We

486
00:21:24,080 --> 00:21:24,520
Speaker 4: open with.

487
00:21:24,600 --> 00:21:26,720
Speaker 1: Spooky organ music, which is a great way to start

488
00:21:26,760 --> 00:21:29,200
Speaker 1: any movie if you ask me. We see old timey

489
00:21:29,200 --> 00:21:31,159
Speaker 1: footage or the Phantom of the Opera, with some narration

490
00:21:31,240 --> 00:21:35,159
Speaker 1: from Pete about how history sometimes can really be boring,

491
00:21:35,240 --> 00:21:37,360
Speaker 1: but every once in a while it can blow your mind, which,

492
00:21:37,400 --> 00:21:39,119
Speaker 1: by the way, is completely false.

493
00:21:39,200 --> 00:21:41,840
Speaker 4: History is the best. I love it so much.

494
00:21:42,000 --> 00:21:44,879
Speaker 1: We get our title treatment as the organ gets louder

495
00:21:44,920 --> 00:21:47,480
Speaker 1: while the grainy black and white footage and narration continues.

496
00:21:47,600 --> 00:21:49,280
Speaker 4: He explains that the first movie theater.

497
00:21:49,480 --> 00:21:51,960
Speaker 1: The Grand Theater with a nice extra E on the end,

498
00:21:51,960 --> 00:21:54,760
Speaker 1: so it's like Grande opened in nineteen twenty five and

499
00:21:54,920 --> 00:21:58,120
Speaker 1: Phantom of the Opera was the first film it showed. Eventually,

500
00:21:58,119 --> 00:22:00,639
Speaker 1: as times changed, the theater was condemned, with a rumor

501
00:22:00,680 --> 00:22:03,600
Speaker 1: that one of the theatergoers was actually still inside when

502
00:22:03,640 --> 00:22:07,200
Speaker 1: it exploded. Some even say he survived in some fashion,

503
00:22:07,240 --> 00:22:09,840
Speaker 1: and I was like, Oh, it's going to be spooky,

504
00:22:10,040 --> 00:22:13,040
Speaker 1: and then it wasn't. Now in modern day, a new,

505
00:22:13,160 --> 00:22:15,200
Speaker 1: huge movie theater was built in its place, and the

506
00:22:15,280 --> 00:22:19,040
Speaker 1: legend of the condemned patron grew. Seventeen year old Pete

507
00:22:19,119 --> 00:22:21,600
Speaker 1: Riley works at the Grand Theater as the youngest assistant

508
00:22:21,640 --> 00:22:24,280
Speaker 1: manager ever, and every time a light flickers or something breaks,

509
00:22:24,320 --> 00:22:27,560
Speaker 1: they blame this theater Phantom. Then we meet Sean McGibbon,

510
00:22:27,640 --> 00:22:31,000
Speaker 1: the stuffy senior manager. He's freaking out because the theater owner,

511
00:22:31,119 --> 00:22:35,800
Speaker 1: Wolfgang Niedermeier great name, scored a big Hollywood style movie

512
00:22:35,800 --> 00:22:38,320
Speaker 1: premiere for Midnight Mayhem, a flick that filmed nearby.

513
00:22:38,880 --> 00:22:42,160
Speaker 4: When they meet Ricky aka Ricky Rules. Now bear with.

514
00:22:42,080 --> 00:22:44,160
Speaker 1: Me, people, because this is where we get just a

515
00:22:44,160 --> 00:22:47,840
Speaker 1: ton of akas. And it was a little much for me.

516
00:22:47,920 --> 00:22:51,160
Speaker 1: We meet Ricky aka Ricky Rules. He's an employee who

517
00:22:51,200 --> 00:22:53,399
Speaker 1: knows all the rules and does everything by the book.

518
00:22:53,640 --> 00:22:58,360
Speaker 1: There's also Terry Torta, also known as Scary Terry. She's

519
00:22:58,400 --> 00:23:00,919
Speaker 1: always telling stories that ended death the destruction. Then you've

520
00:23:00,960 --> 00:23:04,680
Speaker 1: got Hillary aka Hillary Honey. She's a grandma, a teene's body,

521
00:23:04,760 --> 00:23:06,800
Speaker 1: always making sure the staff is eating enough and wearing

522
00:23:06,840 --> 00:23:10,400
Speaker 1: a jacket if it's cold. And Mark aka question Mark.

523
00:23:10,680 --> 00:23:13,560
Speaker 1: He seems to only answer anything asked of him with

524
00:23:13,680 --> 00:23:16,720
Speaker 1: a question. But after that, Pete also runs into Lacey

525
00:23:16,800 --> 00:23:20,200
Speaker 1: Ling or Racy Lacey, who is an overachiever who works

526
00:23:20,240 --> 00:23:22,080
Speaker 1: at rapid speed. Yes, there are a ton of people

527
00:23:22,119 --> 00:23:24,040
Speaker 1: we're meeting now. They're barely in the movie, and for

528
00:23:24,080 --> 00:23:26,600
Speaker 1: some reason, they're all named like their garbage pail kids.

529
00:23:27,119 --> 00:23:29,040
Speaker 1: It was really weird.

530
00:23:30,520 --> 00:23:33,360
Speaker 2: There was so many. I mean, you love them, Hillary

531
00:23:33,440 --> 00:23:36,879
Speaker 2: Honey like Lacey Ling, but you love those names.

532
00:23:36,880 --> 00:23:40,560
Speaker 3: I'm like, oh my gosh, but how many of them

533
00:23:40,600 --> 00:23:41,960
Speaker 3: are and they just.

534
00:23:41,920 --> 00:23:44,120
Speaker 4: Don't kind of don't matter to the movie. And it's

535
00:23:44,119 --> 00:23:44,680
Speaker 4: really weird.

536
00:23:44,800 --> 00:23:48,600
Speaker 3: Honestly, Well, we'll get to it, but no one really matters.

537
00:23:48,760 --> 00:23:52,200
Speaker 4: No, I still don't know who who the star of

538
00:23:52,240 --> 00:23:53,640
Speaker 4: this movie is. I still have no idea.

539
00:23:54,640 --> 00:23:57,399
Speaker 1: Then there's the head projectionist, Merle, who's a bit older

540
00:23:57,400 --> 00:23:59,560
Speaker 1: and very much into the technical details of his quickly

541
00:23:59,600 --> 00:24:02,359
Speaker 1: disappear job. And then we've got, of course, movie Mason,

542
00:24:02,359 --> 00:24:04,800
Speaker 1: played by the great Mickey Rooney. Mason doesn't even work

543
00:24:04,800 --> 00:24:07,320
Speaker 1: at the theater. He just pretends he does. His family

544
00:24:07,359 --> 00:24:09,320
Speaker 1: opened the original theater back in the twenties, and he

545
00:24:09,400 --> 00:24:11,520
Speaker 1: just loves movies, and every week he writes up his

546
00:24:11,520 --> 00:24:14,800
Speaker 1: own schedule and then just shows up. Pete also mentions

547
00:24:14,880 --> 00:24:19,119
Speaker 1: Caitlyn Kerrigan, who Caitlyn his big school crush. To score points,

548
00:24:19,119 --> 00:24:21,200
Speaker 1: he got her and her friend's two passes to an

549
00:24:21,240 --> 00:24:24,000
Speaker 1: early movie and the premiere, so everything's got to be

550
00:24:24,000 --> 00:24:26,320
Speaker 1: one hundred percent perfect for the night, a point Sean

551
00:24:26,400 --> 00:24:29,280
Speaker 1: emphasizes during an all out staff meeting. He wants the

552
00:24:29,320 --> 00:24:32,000
Speaker 1: Hollywood big wigs to see greatness from their humble theater.

553
00:24:32,400 --> 00:24:35,280
Speaker 1: People's jobs are on the line here, everybody and on cue.

554
00:24:35,320 --> 00:24:38,760
Speaker 1: Owner Wolfgang Niedermayer calls with some news he's hired his

555
00:24:38,920 --> 00:24:41,920
Speaker 1: son in law as a new general manager, which visibly

556
00:24:41,960 --> 00:24:44,359
Speaker 1: hurt Sean, but Sean puts on a good face. And

557
00:24:44,359 --> 00:24:47,119
Speaker 1: gets back to work, even praising Pete about his future

558
00:24:47,160 --> 00:24:49,720
Speaker 1: in the organization, but also he says if anything goes

559
00:24:49,760 --> 00:24:50,640
Speaker 1: wrong tonight.

560
00:24:50,600 --> 00:24:52,400
Speaker 4: He'll be to blame. That sounds fair.

561
00:24:53,320 --> 00:24:55,680
Speaker 1: Once home, Pete walks into an argument between his sister

562
00:24:55,760 --> 00:24:57,879
Speaker 1: Karen and their mom Julie. Karen is being asked to

563
00:24:57,880 --> 00:24:59,600
Speaker 1: babysit their little brother while she goes out with her

564
00:24:59,600 --> 00:25:03,160
Speaker 1: boyfriend George tonight. Pete wonders if she's gonna propose soon,

565
00:25:03,359 --> 00:25:06,320
Speaker 1: and it seems they really really like this guy. Karen

566
00:25:06,400 --> 00:25:08,960
Speaker 1: and the youngest brother, Brian, seem to relate everything to movies,

567
00:25:09,240 --> 00:25:11,680
Speaker 1: and ironically, Pete, the guy whose entire life is spent

568
00:25:11,680 --> 00:25:13,560
Speaker 1: in a movie theater, lives more in reality.

569
00:25:13,760 --> 00:25:15,280
Speaker 4: He's all about.

570
00:25:14,960 --> 00:25:17,920
Speaker 1: The money, which, of course you know as a kid

571
00:25:17,960 --> 00:25:21,240
Speaker 1: you want money, you work in the theater. Brian wants

572
00:25:21,280 --> 00:25:23,680
Speaker 1: to see Farmer Brown goes to town, while Karen wants

573
00:25:23,680 --> 00:25:26,400
Speaker 1: to see the horror flick University of Death with friends,

574
00:25:26,640 --> 00:25:29,359
Speaker 1: but Julie thinks University of Death is too gory for Karen,

575
00:25:29,400 --> 00:25:31,520
Speaker 1: who now hates her life because she isn't allowed to

576
00:25:31,560 --> 00:25:33,680
Speaker 1: see it. They end up compromising, though the two young

577
00:25:33,760 --> 00:25:36,159
Speaker 1: kids can go see Farmer Brown. But Pete has to

578
00:25:36,240 --> 00:25:38,680
Speaker 1: drive them home on his dinner break, which feels an

579
00:25:38,680 --> 00:25:41,800
Speaker 1: awful lot of responsibility put on the shoulders of a

580
00:25:41,800 --> 00:25:43,600
Speaker 1: seventeen year old kid who's also working at a job

581
00:25:43,720 --> 00:25:45,920
Speaker 1: just so his mom can go out with her boyfriend.

582
00:25:46,800 --> 00:25:49,000
Speaker 1: It seems a little It's like, really, how about you

583
00:25:49,040 --> 00:25:50,600
Speaker 1: take care of the kids while I go to work?

584
00:25:51,400 --> 00:25:51,680
Speaker 4: Great?

585
00:25:51,800 --> 00:25:55,880
Speaker 2: Oh man, I let the lady have a.

586
00:25:55,960 --> 00:26:00,480
Speaker 3: Date night occasionally, but come on, I also like, can't

587
00:26:00,520 --> 00:26:01,840
Speaker 3: you just like get a sitter.

588
00:26:02,040 --> 00:26:05,600
Speaker 4: I mean, it's big Hollywood career night. It's like a

589
00:26:05,680 --> 00:26:07,200
Speaker 4: huge night in my career, big.

590
00:26:07,160 --> 00:26:10,840
Speaker 2: Night, and he's at work. I've how long is this break?

591
00:26:10,960 --> 00:26:15,560
Speaker 3: I don't know anyone that gets like like what I mean, oh,

592
00:26:15,640 --> 00:26:18,120
Speaker 3: by these them all the way back home and then

593
00:26:18,200 --> 00:26:18,680
Speaker 3: get back.

594
00:26:18,760 --> 00:26:23,520
Speaker 1: Now you're seventeen years old, you're running the theater on

595
00:26:23,600 --> 00:26:26,560
Speaker 1: the lunch break that they give you. You can't eat

596
00:26:26,680 --> 00:26:29,040
Speaker 1: or take any time to yourself. Drive your brother and

597
00:26:29,080 --> 00:26:31,639
Speaker 1: sister back home because I'm going out with George to

598
00:26:31,720 --> 00:26:33,520
Speaker 1: get some strange No, I don't think so.

599
00:26:34,800 --> 00:26:36,800
Speaker 3: I don't mind that she's on a date. Let the

600
00:26:36,880 --> 00:26:39,640
Speaker 3: lady live her life. But I get it, but you

601
00:26:39,640 --> 00:26:41,280
Speaker 3: need to get somebody else to help you.

602
00:26:41,520 --> 00:26:43,920
Speaker 1: Yeah, on this night of all nights, it's like Bob, Yeah,

603
00:26:43,960 --> 00:26:45,400
Speaker 1: go out with George tomorrow.

604
00:26:45,440 --> 00:26:47,440
Speaker 4: He's not going anywhere. Go out with George tomorrow.

605
00:26:47,720 --> 00:26:49,920
Speaker 2: Pick him up, pick him up and take him back.

606
00:26:50,000 --> 00:26:50,719
Speaker 4: How hard is that?

607
00:26:51,720 --> 00:26:52,200
Speaker 2: Jeez?

608
00:26:52,400 --> 00:26:55,520
Speaker 1: Anyway, inside, Pete's eating cereal from a bowl bigger than

609
00:26:55,560 --> 00:26:57,600
Speaker 1: his head. Julian forms him of the plan for tonight,

610
00:26:57,640 --> 00:26:59,840
Speaker 1: and he is bummed. He thinks the kids will cramp

611
00:27:00,080 --> 00:27:00,919
Speaker 1: style with Caitlin.

612
00:27:01,080 --> 00:27:01,520
Speaker 4: They will.

613
00:27:02,040 --> 00:27:04,040
Speaker 1: They also reminisce about his dad, who is a movie

614
00:27:04,119 --> 00:27:07,359
Speaker 1: lover and yes, appears to be dead, a rarity in

615
00:27:07,480 --> 00:27:09,680
Speaker 1: d coms, where again, what do they say?

616
00:27:09,720 --> 00:27:13,040
Speaker 4: One D is good divorced, the other D dead not good.

617
00:27:13,600 --> 00:27:16,280
Speaker 1: Now, keep in mind this is something else that never

618
00:27:16,359 --> 00:27:19,680
Speaker 1: comes up again, Thank you very much. Right, Yeah, they

619
00:27:19,720 --> 00:27:22,080
Speaker 1: mention it, they move on. I get it, but it's strange.

620
00:27:22,440 --> 00:27:26,080
Speaker 1: Why not just make George's debt anyway? Julie does wonder

621
00:27:26,119 --> 00:27:28,000
Speaker 1: if that's why Pete works at the megaplex, but he

622
00:27:28,080 --> 00:27:29,760
Speaker 1: quickly insists he's not there for the movies.

623
00:27:29,800 --> 00:27:32,880
Speaker 4: He's there for the cold, hard cash. But either way,

624
00:27:32,920 --> 00:27:34,320
Speaker 4: his mom thinks he's working too much.

625
00:27:34,560 --> 00:27:36,720
Speaker 1: Well, maybe it's because you're giving him all the chores

626
00:27:36,760 --> 00:27:39,840
Speaker 1: while you're out doing what you do, Ma, But he

627
00:27:39,920 --> 00:27:43,320
Speaker 1: swears he doesn't need time away, especially because tonight's premiere

628
00:27:43,400 --> 00:27:45,080
Speaker 1: is going to be fun and he's not nervous about

629
00:27:45,080 --> 00:27:46,920
Speaker 1: it at all. And then we get what we call

630
00:27:46,960 --> 00:27:49,800
Speaker 1: on podmeats World. It's become famous. There's even a shirt

631
00:27:49,840 --> 00:27:53,520
Speaker 1: made about it, optical flip. It's a total disaster At

632
00:27:53,520 --> 00:27:55,440
Speaker 1: the theater. Half of the staff is called in sick,

633
00:27:55,520 --> 00:27:58,760
Speaker 1: and Niedermeyer has been checking in all day long, so

634
00:27:59,320 --> 00:28:01,440
Speaker 1: we find out that at all lunch and dinner breaks

635
00:28:01,440 --> 00:28:05,760
Speaker 1: have been canceled. Ricky Rules AKA knows that that's a

636
00:28:05,800 --> 00:28:08,399
Speaker 1: violation of union rules, but admits there's nothing that can

637
00:28:08,440 --> 00:28:10,720
Speaker 1: be done about it. Back at the Riley House, Karen

638
00:28:10,800 --> 00:28:12,479
Speaker 1: is trying to make a sneaky plan so she can

639
00:28:12,520 --> 00:28:15,080
Speaker 1: still see the forbidden University of Death, but you'll need

640
00:28:15,119 --> 00:28:18,520
Speaker 1: Brian's assistance and that could cause even more problems. We're

641
00:28:18,520 --> 00:28:20,719
Speaker 1: now back at the theater. Movie Mason is greeting visitors.

642
00:28:20,720 --> 00:28:23,520
Speaker 1: The concession stand is busy, and there's also a very

643
00:28:23,560 --> 00:28:26,000
Speaker 1: weird setup where people can try to win a prize

644
00:28:26,359 --> 00:28:29,240
Speaker 1: by pulling a sword out. It was an asteroid, right,

645
00:28:29,359 --> 00:28:31,000
Speaker 1: it was like it was like for a science movie

646
00:28:31,080 --> 00:28:32,640
Speaker 1: or was it pulling the sword out of the stone

647
00:28:32,720 --> 00:28:34,720
Speaker 1: like ex Caliber.

648
00:28:34,280 --> 00:28:36,000
Speaker 2: But Excalibur situation.

649
00:28:36,320 --> 00:28:39,000
Speaker 1: Yeah, but so you can pull the sword out of

650
00:28:39,000 --> 00:28:42,760
Speaker 1: the stone to win a prize. Okay, that's when we

651
00:28:42,800 --> 00:28:46,600
Speaker 1: meet Pete's bully, Donnie Holly, who shows up just because

652
00:28:46,600 --> 00:28:49,640
Speaker 1: he heard that Caitlin was coming. Yes, it turns out

653
00:28:49,680 --> 00:28:51,160
Speaker 1: that this guy is what they used to call in

654
00:28:51,160 --> 00:28:55,440
Speaker 1: two thousand eight blocking Jerk. Pete ignores them, but his

655
00:28:55,520 --> 00:28:58,200
Speaker 1: cage seems rattled by the better looking, cooler.

656
00:28:57,920 --> 00:28:59,720
Speaker 4: Donnie, which I didn't get at all.

657
00:29:00,400 --> 00:29:03,680
Speaker 1: I thought Pete was better looking, he's taller, he's in

658
00:29:03,800 --> 00:29:06,880
Speaker 1: charge any thing like what that guy?

659
00:29:07,000 --> 00:29:07,280
Speaker 4: Come on?

660
00:29:07,640 --> 00:29:10,240
Speaker 3: I know, but it just plays right into like just

661
00:29:10,400 --> 00:29:13,520
Speaker 3: like Jerk skits so much attention from girls, which it

662
00:29:13,600 --> 00:29:14,720
Speaker 3: is sad but true.

663
00:29:14,880 --> 00:29:15,280
Speaker 4: They do.

664
00:29:15,600 --> 00:29:19,440
Speaker 1: Nice guy's finish last, so sad. That's why George isn't gonna.

665
00:29:19,240 --> 00:29:21,680
Speaker 4: Get any of the night. It's true.

666
00:29:21,800 --> 00:29:24,520
Speaker 1: Outside Karen and Brian are dropped off by their overprotective

667
00:29:24,560 --> 00:29:27,000
Speaker 1: mom and George. The theater is very backed up, and

668
00:29:27,040 --> 00:29:29,920
Speaker 1: not even movie Mason can help, especially since he isn't

669
00:29:29,920 --> 00:29:32,160
Speaker 1: taking tickets for the movie. He thinks are a waste

670
00:29:32,160 --> 00:29:35,080
Speaker 1: of time and money. So yeah, he's ripping tickets and

671
00:29:35,160 --> 00:29:37,040
Speaker 1: telling the people they shouldn't go to these crappy movies,

672
00:29:37,040 --> 00:29:39,680
Speaker 1: which actually thought was pretty funny. As movie goers continue

673
00:29:39,720 --> 00:29:42,000
Speaker 1: to line up on the door, GM Sean pulls him

674
00:29:42,040 --> 00:29:45,240
Speaker 1: off of his post and kicks the movie Mason man

675
00:29:45,320 --> 00:29:48,600
Speaker 1: himself out of the theater. He's called an insurance liability,

676
00:29:48,600 --> 00:29:50,720
Speaker 1: so Movie Mason finally walks out.

677
00:29:51,120 --> 00:29:53,080
Speaker 4: Can't believe it because it's so close to his heart,

678
00:29:53,080 --> 00:29:54,680
Speaker 4: this beautiful theater he has to leave.

679
00:29:56,080 --> 00:29:57,920
Speaker 1: Karen and Brian eventually meet up with their brother, who

680
00:29:57,960 --> 00:30:00,440
Speaker 1: is still assuring them he hates movies, and then he

681
00:30:00,520 --> 00:30:03,920
Speaker 1: sees Caitlin Kerrigan and runs off to say hi. Brian

682
00:30:04,000 --> 00:30:06,200
Speaker 1: makes a bee line for the candy dispenser and accidentally

683
00:30:06,200 --> 00:30:09,800
Speaker 1: breaks the handle off. Then, alongside Pete's bully Donnie, they

684
00:30:09,880 --> 00:30:12,920
Speaker 1: spill thousands of gumballs onto the floor, causing customers to

685
00:30:13,040 --> 00:30:15,440
Speaker 1: violently slip over and over again.

686
00:30:15,240 --> 00:30:16,000
Speaker 4: Like they're marbles.

687
00:30:16,440 --> 00:30:18,840
Speaker 1: But I don't if your feet are on the ground

688
00:30:19,600 --> 00:30:22,760
Speaker 1: and the things anyway, it's a Disney movie, and so

689
00:30:22,800 --> 00:30:26,560
Speaker 1: they were falling over the gumballs, which happens Donnie tries

690
00:30:26,600 --> 00:30:29,240
Speaker 1: to blame Brian, but Brian points out it's the Phantom,

691
00:30:29,360 --> 00:30:31,880
Speaker 1: And that's when I realized the first time that the

692
00:30:31,880 --> 00:30:34,240
Speaker 1: Phantom has been mentioned in this movie at all, essentially

693
00:30:34,240 --> 00:30:36,480
Speaker 1: that they're talking about him doing something, is twenty five

694
00:30:36,520 --> 00:30:39,600
Speaker 1: minutes into the movie, right, twenty five minutes.

695
00:30:39,360 --> 00:30:42,280
Speaker 2: In lots of backstory, lots of.

696
00:30:42,280 --> 00:30:46,520
Speaker 4: Stuff, lots of akao, lots of as.

697
00:30:45,960 --> 00:30:51,120
Speaker 1: Lots of akas. This is such a really weird element

698
00:30:51,160 --> 00:30:53,200
Speaker 1: of the movie. The Phantom doesn't do terrible things at all.

699
00:30:53,360 --> 00:30:56,600
Speaker 1: They're just kind of little inconveniences, Like I thought the

700
00:30:56,640 --> 00:30:59,680
Speaker 1: people would be disappearing, or somebody's guts would be somewhere

701
00:30:59,800 --> 00:31:04,120
Speaker 1: or turned into something, or abducted or injured, or dropping lights.

702
00:31:04,160 --> 00:31:07,480
Speaker 4: I mean something that like if a light fell next.

703
00:31:07,240 --> 00:31:09,000
Speaker 1: To somebody, like it doesn't hit anybody, but like it

704
00:31:09,080 --> 00:31:11,480
Speaker 1: falls and it smashes. It's like, oh my god, there's

705
00:31:11,520 --> 00:31:15,640
Speaker 1: real danger. But instead it's like the gumball machine breaks

706
00:31:15,720 --> 00:31:18,440
Speaker 1: and there's some more popcorn than we can have and.

707
00:31:18,440 --> 00:31:21,360
Speaker 4: The movie is skipping. It's like there's no danger.

708
00:31:21,440 --> 00:31:23,320
Speaker 2: Water water in the balloons.

709
00:31:23,560 --> 00:31:23,760
Speaker 7: Yeah.

710
00:31:23,760 --> 00:31:27,800
Speaker 2: I wasn't expecting it to be like dangerous.

711
00:31:27,000 --> 00:31:27,160
Speaker 3: But.

712
00:31:28,800 --> 00:31:29,800
Speaker 2: Yeah, it did.

713
00:31:30,120 --> 00:31:31,040
Speaker 4: They threw in brink.

714
00:31:31,120 --> 00:31:34,800
Speaker 1: They threw ten kids down a mountain on roller blades

715
00:31:35,600 --> 00:31:38,120
Speaker 1: and they're like knocking each other aside like that and

716
00:31:38,160 --> 00:31:43,240
Speaker 1: this one they're like that popcor in Machines broadcast. It's like,

717
00:31:43,600 --> 00:31:45,440
Speaker 1: give us, give us some I mean like even in

718
00:31:45,480 --> 00:31:50,080
Speaker 1: Halloween Town people are turning gray, you know, like magic

719
00:31:50,200 --> 00:31:53,040
Speaker 1: is dying. There's like real steaks. This is like you

720
00:31:53,160 --> 00:31:54,160
Speaker 1: got to clean up.

721
00:31:54,880 --> 00:32:02,520
Speaker 3: Yes, and the yeah, there was, it wasn't it didn't.

722
00:32:02,560 --> 00:32:05,480
Speaker 3: It could have gone and pushed a little bit more

723
00:32:05,560 --> 00:32:07,280
Speaker 3: towards the scary side.

724
00:32:07,520 --> 00:32:07,840
Speaker 4: Something.

725
00:32:07,960 --> 00:32:12,280
Speaker 1: Just give us some some consequence, like people could get hurt,

726
00:32:12,360 --> 00:32:15,040
Speaker 1: people could disappear, the little boy goes missing. I mean,

727
00:32:15,080 --> 00:32:19,000
Speaker 1: like something right where it's you know, but this is

728
00:32:19,080 --> 00:32:20,880
Speaker 1: just these were.

729
00:32:20,200 --> 00:32:23,040
Speaker 4: This phantom gave us mild inconveniences.

730
00:32:24,200 --> 00:32:27,200
Speaker 3: It was like everyone seemed to be able to very

731
00:32:27,280 --> 00:32:30,200
Speaker 3: quickly get over it exactly.

732
00:32:30,920 --> 00:32:35,080
Speaker 7: Even when we get to like the balloons situation, it's like, oh,

733
00:32:35,960 --> 00:32:39,880
Speaker 7: dry off, we're good, let's go, and it's like, you know,

734
00:32:40,360 --> 00:32:41,760
Speaker 7: it didn't ruin anything.

735
00:32:41,960 --> 00:32:43,800
Speaker 2: No, so terrible phantom.

736
00:32:44,480 --> 00:32:48,760
Speaker 1: Yes, the phantom of the making things slightly inconvenient for you.

737
00:32:49,800 --> 00:32:51,400
Speaker 4: Yeah, it was weird.

738
00:32:51,560 --> 00:32:54,080
Speaker 1: Pete Leaves Caitlyn to help clean up by using a

739
00:32:54,160 --> 00:32:57,680
Speaker 1: nearby hockey stick to swat the gumballs.

740
00:32:57,720 --> 00:32:59,320
Speaker 4: You know, a hockey sticks are always just sitting around

741
00:32:59,360 --> 00:32:59,880
Speaker 4: movie theaters.

742
00:33:00,160 --> 00:33:02,640
Speaker 1: Sorry, he grabbed the what they call movie theater hockey

743
00:33:02,640 --> 00:33:05,160
Speaker 1: stick and he used that to clean up a single

744
00:33:05,200 --> 00:33:10,320
Speaker 1: gumball at a time. Why not use a broom, you idiot?

745
00:33:10,640 --> 00:33:15,160
Speaker 3: You know this, And to be honest though, like this

746
00:33:15,200 --> 00:33:17,680
Speaker 3: is when I started to get irritated too, Like.

747
00:33:17,640 --> 00:33:23,280
Speaker 2: I'm just kind of like, okay, this is yeah, it.

748
00:33:23,120 --> 00:33:27,200
Speaker 4: Was you know, yeah, so yeah, so he's using that.

749
00:33:27,360 --> 00:33:29,480
Speaker 1: But during the ten seconds he was focused on his job,

750
00:33:29,640 --> 00:33:32,480
Speaker 1: Donnie comes in and steals Caitlin away.

751
00:33:32,760 --> 00:33:33,080
Speaker 4: Wow.

752
00:33:33,240 --> 00:33:36,040
Speaker 1: What. Karen is ready to see her horror movie, but

753
00:33:36,080 --> 00:33:38,760
Speaker 1: first sets up Ryan in the kiddie movie. She explains

754
00:33:38,800 --> 00:33:41,120
Speaker 1: if Pete CoP's looking for just say she's in the restroom.

755
00:33:41,400 --> 00:33:43,720
Speaker 1: And this is when we hear about the cinema sitter,

756
00:33:43,960 --> 00:33:45,840
Speaker 1: which apparently was a job back in the day, which

757
00:33:45,880 --> 00:33:47,520
Speaker 1: I don't remember at all. In this case, it's an

758
00:33:47,560 --> 00:33:50,600
Speaker 1: old lady walking theater to theater to make sure everyone's behaving.

759
00:33:50,680 --> 00:33:52,520
Speaker 4: Did you had you heard of this a cinema sitter?

760
00:33:52,560 --> 00:33:55,120
Speaker 1: It must be a thing I guess where somebody would

761
00:33:55,120 --> 00:33:56,120
Speaker 1: go and sit with my kid.

762
00:33:56,160 --> 00:33:57,560
Speaker 4: I had never heard of the No.

763
00:33:57,720 --> 00:34:00,800
Speaker 3: I'd never heard this, and that's I don't. I don't

764
00:34:00,800 --> 00:34:01,760
Speaker 3: believe it was ever a thing.

765
00:34:02,000 --> 00:34:02,600
Speaker 4: Maybe it wasn't.

766
00:34:02,600 --> 00:34:04,400
Speaker 1: I don't. I never heard of it either. It's an

767
00:34:04,440 --> 00:34:06,720
Speaker 1: interesting character possibility because you.

768
00:34:06,960 --> 00:34:09,920
Speaker 2: Again, she comes out of nowhere.

769
00:34:09,719 --> 00:34:11,759
Speaker 4: And disappears, and then disappears.

770
00:34:11,800 --> 00:34:14,480
Speaker 3: We never see her again. This is when I'm starting

771
00:34:14,480 --> 00:34:18,000
Speaker 3: to catch on, like, who are the characters? I'm questioning,

772
00:34:18,040 --> 00:34:19,040
Speaker 3: who are the characters that?

773
00:34:19,160 --> 00:34:19,680
Speaker 2: Actually?

774
00:34:20,000 --> 00:34:22,279
Speaker 4: Who do about? Who came?

775
00:34:22,520 --> 00:34:22,640
Speaker 5: Right?

776
00:34:25,280 --> 00:34:28,520
Speaker 3: Okay, so no, now we've got the sitter. She could

777
00:34:28,560 --> 00:34:30,200
Speaker 3: be a really fun character to play with.

778
00:34:30,440 --> 00:34:32,040
Speaker 4: Right. He also could have been the Phantom.

779
00:34:32,480 --> 00:34:34,879
Speaker 3: She could have been the Phantom. Yeah, And it's kind

780
00:34:34,880 --> 00:34:36,920
Speaker 3: of like but it doesn't matter. I didn't need to

781
00:34:36,920 --> 00:34:37,680
Speaker 3: worry about it too.

782
00:34:37,640 --> 00:34:39,839
Speaker 4: Much because I never saw her again, never saw her again.

783
00:34:39,960 --> 00:34:42,319
Speaker 1: Don't have to don't have to follow your backstory, man,

784
00:34:42,520 --> 00:34:45,600
Speaker 1: I don't know who you are, nor do I.

785
00:34:45,520 --> 00:34:47,440
Speaker 4: Care about you even slightly.

786
00:34:47,680 --> 00:34:50,840
Speaker 1: Cinema sitter lady, And so Karen makes her way to

787
00:34:50,960 --> 00:34:54,080
Speaker 1: University of Death, avoiding that cinema sitter, while Pete reunites

788
00:34:54,080 --> 00:34:56,239
Speaker 1: with Caitlin. In her theater, promising that her and her

789
00:34:56,239 --> 00:34:58,919
Speaker 1: friend will get to meet hot celebs at the premiere later.

790
00:34:59,440 --> 00:35:01,960
Speaker 1: She's impressed with his power, especially when he announces he

791
00:35:02,000 --> 00:35:05,680
Speaker 1: may even get a promotion tonight again. Is this movie

792
00:35:05,680 --> 00:35:08,360
Speaker 1: about a phantom or just the inner workings of a

793
00:35:08,360 --> 00:35:08,879
Speaker 1: movie theater?

794
00:35:09,320 --> 00:35:10,960
Speaker 4: I don't don't know what it is.

795
00:35:10,960 --> 00:35:14,760
Speaker 2: I don't know. I'm starting to get a little irritated.

796
00:35:15,200 --> 00:35:17,839
Speaker 4: That was the problem with this movie. What was I

797
00:35:17,840 --> 00:35:20,680
Speaker 4: didn't get the tone? Is it supposed to be? Is

798
00:35:20,719 --> 00:35:24,040
Speaker 4: it a rom com? Is it? Is it a scary,

799
00:35:24,640 --> 00:35:26,520
Speaker 4: no Halloween to kind of movie?

800
00:35:27,719 --> 00:35:28,120
Speaker 3: What is it?

801
00:35:28,280 --> 00:35:28,640
Speaker 4: Mida?

802
00:35:28,920 --> 00:35:31,360
Speaker 3: I think it would be more towards that. It's definitely

803
00:35:31,400 --> 00:35:34,600
Speaker 3: not a rom com. We don't even like Did you

804
00:35:34,680 --> 00:35:35,920
Speaker 3: care about the love interest?

805
00:35:36,160 --> 00:35:37,560
Speaker 4: Nope? No, No.

806
00:35:38,080 --> 00:35:39,879
Speaker 1: One second she was with one dude, the next second

807
00:35:39,920 --> 00:35:42,279
Speaker 1: shoes with another. They don't kiss, they don't really touch,

808
00:35:42,320 --> 00:35:42,919
Speaker 1: they don't care.

809
00:35:43,120 --> 00:35:45,920
Speaker 2: She doesn't have any lines. I know, he literally doesn't

810
00:35:45,920 --> 00:35:47,400
Speaker 2: have any lines this whole movie.

811
00:35:47,480 --> 00:35:50,080
Speaker 1: I think she says two things and yeah, one of

812
00:35:50,080 --> 00:35:51,120
Speaker 1: them is what movie is this?

813
00:35:51,200 --> 00:35:54,400
Speaker 4: And why am I in it? Yeah? Very strange.

814
00:35:54,560 --> 00:35:57,240
Speaker 1: So Bully Donnie breaks up the flirt fast and says

815
00:35:57,239 --> 00:35:59,680
Speaker 1: that the popcorn machine in the lobby won't stop popping.

816
00:36:00,320 --> 00:36:02,840
Speaker 1: When Pete gets there, It's overflowing onto the snack counter.

817
00:36:02,960 --> 00:36:05,239
Speaker 1: Even turning it off won't help. So finally in this

818
00:36:05,280 --> 00:36:06,640
Speaker 1: movie we have something that could be the work of

819
00:36:06,680 --> 00:36:09,319
Speaker 1: the Phantom. But no, because Pete just unplugs it and

820
00:36:09,400 --> 00:36:13,279
Speaker 1: it stops. So once again, I'm there. The Phantom of

821
00:36:13,400 --> 00:36:17,120
Speaker 1: the Slight inconvenience. Yeah, doesn't roll off the tongue.

822
00:36:16,920 --> 00:36:20,960
Speaker 4: Does it? But sorry, Phantom of the Apple. They're great,

823
00:36:21,080 --> 00:36:26,160
Speaker 4: slowly gently popcorn, it will stop popping. Uh yeah, But.

824
00:36:26,200 --> 00:36:27,960
Speaker 1: When one of the movies in the theater is out

825
00:36:28,000 --> 00:36:29,960
Speaker 1: of focus, Oh, now we're getting crazy.

826
00:36:30,040 --> 00:36:31,640
Speaker 4: Sean or Pete cannot be found.

827
00:36:31,960 --> 00:36:34,359
Speaker 1: Pete's with his brother in theater seventeen, concerned that their

828
00:36:34,400 --> 00:36:36,880
Speaker 1: sister is supposedly in the restroom for this long but

829
00:36:36,920 --> 00:36:39,160
Speaker 1: still Brian is quick to blame the focus issues on

830
00:36:39,400 --> 00:36:40,080
Speaker 1: the Phantom.

831
00:36:40,440 --> 00:36:41,759
Speaker 4: He explains that the Monster.

832
00:36:41,520 --> 00:36:43,640
Speaker 1: Doesn't like this big Hollywood premiere coming to his home,

833
00:36:44,120 --> 00:36:46,120
Speaker 1: even if they can't agree on why it's happening. Little

834
00:36:46,120 --> 00:36:48,799
Speaker 1: Brian hears an evil, devilish laugh in the hallway, but

835
00:36:48,880 --> 00:36:51,080
Speaker 1: no one's around. When he runs off in fear, we

836
00:36:51,120 --> 00:36:54,160
Speaker 1: see that the Farmer Brown movie stand Up Eyes are moving.

837
00:36:54,320 --> 00:36:56,640
Speaker 1: Now in the University of Death Theater, Karen and her

838
00:36:56,640 --> 00:36:59,280
Speaker 1: friends play a game of doubledare, causing your friend Ashley

839
00:36:59,280 --> 00:37:02,000
Speaker 1: to stand up in yell I Love Paul Dalton, the

840
00:37:02,040 --> 00:37:03,880
Speaker 1: star of the movie, also adding that her name is

841
00:37:03,960 --> 00:37:04,720
Speaker 1: Karen Riley.

842
00:37:05,000 --> 00:37:07,320
Speaker 4: To avoid any more embarrassment, Karen leaves.

843
00:37:07,040 --> 00:37:10,359
Speaker 1: To check on Brian, but he's disappeared and she's caught

844
00:37:10,360 --> 00:37:12,960
Speaker 1: the attention of the cinema sitter. She quickly takes her

845
00:37:12,960 --> 00:37:15,359
Speaker 1: seat in Farmer Brown and hopes her brother returns soon.

846
00:37:16,360 --> 00:37:18,480
Speaker 1: And we're back at the snack counter. It's still packed,

847
00:37:18,680 --> 00:37:21,799
Speaker 1: Shawn is still Mia and mister Niedermeyer keeps calling for him.

848
00:37:22,120 --> 00:37:24,520
Speaker 4: And now there's a disaster in theater twenty one. The

849
00:37:24,640 --> 00:37:28,160
Speaker 4: lights on the projector are out. The projectionist Master Merle

850
00:37:28,239 --> 00:37:30,960
Speaker 4: has no idea why it's happening. He thinks someone or

851
00:37:31,000 --> 00:37:34,279
Speaker 4: something is trying to sabotage their big night. They need

852
00:37:34,320 --> 00:37:35,040
Speaker 4: to find Sean.

853
00:37:35,480 --> 00:37:37,799
Speaker 1: Obviously, Little Brian thinks this is the Phantom again and

854
00:37:37,840 --> 00:37:40,640
Speaker 1: wants to help Pete solve the mystery. Meanwhile, Hillary and

855
00:37:40,760 --> 00:37:43,680
Speaker 1: Scary Terry remember them from the beginning of the movie,

856
00:37:43,719 --> 00:37:47,400
Speaker 1: remember them see someone in a flowy black cape running.

857
00:37:47,120 --> 00:37:47,640
Speaker 2: In the halls.

858
00:37:47,680 --> 00:37:50,640
Speaker 4: But nothing is more concerning than what Pete and Brian find.

859
00:37:50,440 --> 00:37:53,840
Speaker 1: In the basement. It's manager Sean tied up and gagged.

860
00:37:54,000 --> 00:37:55,880
Speaker 1: He didn't see who did it, but he was attacked

861
00:37:55,960 --> 00:37:56,840
Speaker 1: by the phantom.

862
00:37:57,360 --> 00:37:58,319
Speaker 4: We're now back on the job.

863
00:37:58,400 --> 00:38:00,719
Speaker 1: Sean finally picks up Niedermeyer's call, all the owners set

864
00:38:00,719 --> 00:38:03,560
Speaker 1: to arrive in an hour. The Riley kids finally reunite

865
00:38:03,600 --> 00:38:06,720
Speaker 1: on an escalator just says it breaks down more phantom. Brian,

866
00:38:06,960 --> 00:38:09,040
Speaker 1: you know he thinks so, by the way, And one

867
00:38:09,080 --> 00:38:13,320
Speaker 1: of my favorite jokes ever is Mitch Heedberg, who just

868
00:38:13,360 --> 00:38:17,719
Speaker 1: says escalators can never break, they can only become stairs.

869
00:38:18,719 --> 00:38:23,680
Speaker 1: And that's exactly what happened, So that's true. The littles

870
00:38:23,680 --> 00:38:26,080
Speaker 1: are set back to Farmer Brown while Pete continues to

871
00:38:26,080 --> 00:38:29,040
Speaker 1: try and solve this big phantom mess. Their dad always

872
00:38:29,120 --> 00:38:30,920
Speaker 1: used to say that watching a movie can teach you

873
00:38:31,000 --> 00:38:34,320
Speaker 1: lessons about life, but Pete is more pragmatic. But Brian

874
00:38:34,400 --> 00:38:37,000
Speaker 1: points out one of the big similarities between all the

875
00:38:37,120 --> 00:38:41,160
Speaker 1: Night's issues in the movie Glimpse of Gwenevere. In that theater,

876
00:38:41,239 --> 00:38:43,720
Speaker 1: the projection was out of focus in the theater, showing

877
00:38:43,760 --> 00:38:44,520
Speaker 1: cut to black.

878
00:38:44,800 --> 00:38:46,359
Speaker 4: The projector's lights went off.

879
00:38:46,560 --> 00:38:49,920
Speaker 1: The titles are matching the problem well except the popcorn

880
00:38:50,000 --> 00:38:51,160
Speaker 1: and the gumballs and.

881
00:38:51,080 --> 00:38:55,840
Speaker 4: The escalator and all the other stuff keeping score.

882
00:38:56,040 --> 00:38:56,439
Speaker 2: I'm out.

883
00:38:57,080 --> 00:38:58,759
Speaker 1: Yeah, I was kind of by this point too. I

884
00:38:58,800 --> 00:39:01,520
Speaker 1: was just like, I say, what's happening. I don't understand

885
00:39:01,520 --> 00:39:03,640
Speaker 1: what's happening, and it just every time they said Pete,

886
00:39:03,719 --> 00:39:05,360
Speaker 1: it made me long for hatching Pete.

887
00:39:05,640 --> 00:39:06,960
Speaker 4: I know, got it.

888
00:39:07,080 --> 00:39:09,880
Speaker 1: Somebody would put on a chicken costume into a dance

889
00:39:10,080 --> 00:39:13,440
Speaker 1: for the love of God. Karen and Brian need to

890
00:39:13,440 --> 00:39:15,520
Speaker 1: figure out where this bad guy will strike next, and

891
00:39:15,560 --> 00:39:18,120
Speaker 1: they figure it out quick. He's placed a massive than

892
00:39:18,320 --> 00:39:21,160
Speaker 1: in the theater for cyclone summer, causing customers to run

893
00:39:21,200 --> 00:39:23,760
Speaker 1: for their lives or get pelted by debris. After everyone

894
00:39:23,800 --> 00:39:27,080
Speaker 1: felt the thrust of the g forces, Pete finally turns

895
00:39:27,080 --> 00:39:29,040
Speaker 1: the fan off, but the damage has been done.

896
00:39:29,360 --> 00:39:29,759
Speaker 4: Kind of.

897
00:39:30,280 --> 00:39:32,160
Speaker 1: On the other side of town, George and Julie's big

898
00:39:32,239 --> 00:39:34,799
Speaker 1: date is bust when they lost their first reservations. Now

899
00:39:34,800 --> 00:39:36,680
Speaker 1: the second restaurant they plan to go to went out

900
00:39:36,680 --> 00:39:39,120
Speaker 1: of business. It's a tough economy, even in the Phantom

901
00:39:39,160 --> 00:39:42,719
Speaker 1: of the Megaplex. Julie keeps dropping awkward hints that she

902
00:39:42,800 --> 00:39:45,600
Speaker 1: wants to get married, but it also seemed like she

903
00:39:45,719 --> 00:39:49,319
Speaker 1: didn't want to get married, but George seems hesitant as well.

904
00:39:49,520 --> 00:39:51,680
Speaker 1: They use this metaphor of plants to deal with it,

905
00:39:51,719 --> 00:39:53,840
Speaker 1: and in the end agreeing that when they know, they'll know.

906
00:39:54,040 --> 00:39:56,799
Speaker 1: And I found this whole thing to be really odd

907
00:39:56,840 --> 00:39:58,719
Speaker 1: because didn't it sound like she was kind of like,

908
00:39:59,480 --> 00:40:01,560
Speaker 1: see those two plants, they're in separate pots.

909
00:40:01,840 --> 00:40:06,240
Speaker 4: They seem really happy. Don't touch me, right.

910
00:40:06,800 --> 00:40:09,799
Speaker 2: She didn't seem into it. He didn't seem into it.

911
00:40:10,120 --> 00:40:12,279
Speaker 3: By the end of the movie, I completely forgot that

912
00:40:12,320 --> 00:40:14,960
Speaker 3: they were ever even talking about anyone getting married of

913
00:40:15,000 --> 00:40:19,560
Speaker 3: any sort. Like, I don't know, I didn't understand. Again,

914
00:40:19,560 --> 00:40:23,200
Speaker 3: I didn't understand what or why it mattered.

915
00:40:23,960 --> 00:40:26,120
Speaker 4: It didn't because they want the big ending.

916
00:40:26,200 --> 00:40:27,719
Speaker 1: That was the joke, is that they said, like, oh,

917
00:40:27,760 --> 00:40:30,600
Speaker 1: and now we need a big Hollywood ending, so he proposes, right,

918
00:40:30,840 --> 00:40:35,520
Speaker 1: But it was so tacked on weird.

919
00:40:35,880 --> 00:40:37,160
Speaker 4: Yes, pointless.

920
00:40:37,520 --> 00:40:39,680
Speaker 1: It also seemed like, at least in the first scene,

921
00:40:39,680 --> 00:40:41,160
Speaker 1: if you go back and you watch the first scene,

922
00:40:41,680 --> 00:40:47,719
Speaker 1: George's entire scene, all of his dialogue was dubbed, like

923
00:40:47,800 --> 00:40:50,000
Speaker 1: I thought they brought in another actor to dub him,

924
00:40:50,080 --> 00:40:51,840
Speaker 1: and later I was like, Okay, it seems to be

925
00:40:51,880 --> 00:40:53,920
Speaker 1: really his voice. But the first scene if that, the

926
00:40:53,960 --> 00:40:57,799
Speaker 1: first two completely dubbed. There was a lot of vo

927
00:40:57,880 --> 00:40:58,319
Speaker 1: work in this.

928
00:40:58,239 --> 00:41:00,560
Speaker 3: C I was gonna say that that was one of

929
00:41:00,560 --> 00:41:03,520
Speaker 3: my Sabrina seas like, this is probably the worst of

930
00:41:03,600 --> 00:41:07,120
Speaker 3: the sound, like even I mean, you know, obviously we're

931
00:41:07,120 --> 00:41:09,399
Speaker 3: watching it on Disney Plus, but then these movies aired

932
00:41:09,440 --> 00:41:12,520
Speaker 3: there were commercial breaks or you know, right, have commercials

933
00:41:12,560 --> 00:41:14,160
Speaker 3: on the channel, but whatever.

934
00:41:14,160 --> 00:41:16,919
Speaker 4: But this movie was clearly shot with commercial breaks and there.

935
00:41:16,840 --> 00:41:20,600
Speaker 3: Was Yeah, and it's like the sound is so harsh,

936
00:41:20,760 --> 00:41:24,040
Speaker 3: like it and it comes back and it sounds so

937
00:41:24,280 --> 00:41:25,840
Speaker 3: different than when it was before.

938
00:41:26,360 --> 00:41:28,640
Speaker 2: The audio in this was really kind of just all

939
00:41:28,640 --> 00:41:29,160
Speaker 2: over the place.

940
00:41:29,239 --> 00:41:30,120
Speaker 4: I agree, one hundred percent.

941
00:41:30,120 --> 00:41:30,319
Speaker 1: It was.

942
00:41:30,440 --> 00:41:32,840
Speaker 4: It was noticeably weird the audio. Yeah, to the.

943
00:41:32,840 --> 00:41:35,760
Speaker 3: Point where I think even anyone who was watching Obviously

944
00:41:35,840 --> 00:41:38,439
Speaker 3: we're kind of critiquing stuff and whatever, but I think

945
00:41:38,480 --> 00:41:43,200
Speaker 3: anyone that was watching noticed the audio is very strange.

946
00:41:43,440 --> 00:41:46,640
Speaker 1: One hundred percent. So yeah, they'll know when it's time

947
00:41:46,680 --> 00:41:48,600
Speaker 1: to get married. But right then, Julie gets a page

948
00:41:48,600 --> 00:41:50,880
Speaker 1: from a number she doesn't recognize. It's Pete from the

949
00:41:50,880 --> 00:41:53,600
Speaker 1: theater's pay phone. He informs his mom that the dinner

950
00:41:53,600 --> 00:41:55,840
Speaker 1: break was canceled, so he can't take his siblings home anymore,

951
00:41:56,000 --> 00:41:58,080
Speaker 1: and since the dates gone to it anyway, she can

952
00:41:58,120 --> 00:42:01,320
Speaker 1: now pick them up no problem. But guess why George's

953
00:42:01,440 --> 00:42:04,800
Speaker 1: car won't start? Is it the phantom spoiler?

954
00:42:04,840 --> 00:42:05,120
Speaker 4: It's not.

955
00:42:05,200 --> 00:42:07,080
Speaker 1: By listening to it, it was definitely the starter motor,

956
00:42:07,160 --> 00:42:09,920
Speaker 1: so that was the problem. Back at the theater, Sean

957
00:42:10,520 --> 00:42:12,640
Speaker 1: says to Pete he thinks he knows who's behind all

958
00:42:12,640 --> 00:42:15,319
Speaker 1: of this. It's Movie Mason's doing. The old man is

959
00:42:15,360 --> 00:42:17,719
Speaker 1: mad he got kicked out and now he's seeking revenge.

960
00:42:17,880 --> 00:42:19,719
Speaker 1: But Karen and Brian say he'd never do that, but

961
00:42:20,360 --> 00:42:23,080
Speaker 1: Pete and the manager aren't so sure. So he needs

962
00:42:23,080 --> 00:42:25,200
Speaker 1: his siblings to sit and wait for their mom while

963
00:42:25,239 --> 00:42:27,600
Speaker 1: he goes and figures it all out. And then, while

964
00:42:27,600 --> 00:42:29,520
Speaker 1: just sitting there picking the gum off of his shoe,

965
00:42:29,640 --> 00:42:32,840
Speaker 1: Brian finds Mason's quote unquote work schedule and it is

966
00:42:33,040 --> 00:42:35,800
Speaker 1: very interesting. He runs off to find where this weirdo

967
00:42:35,920 --> 00:42:40,200
Speaker 1: takes his supposed breaks during the day. Outside the premiere

968
00:42:40,200 --> 00:42:42,600
Speaker 1: prep is in full swing. Prest and fans are everywhere,

969
00:42:42,640 --> 00:42:45,200
Speaker 1: and one employee tells Pete they saw Mason an hour ago.

970
00:42:45,520 --> 00:42:47,959
Speaker 1: He bought a ticket to see Merlin on Mars, which,

971
00:42:48,000 --> 00:42:50,680
Speaker 1: considering he was kicked out like an hour ago, sounds

972
00:42:50,719 --> 00:42:51,759
Speaker 1: pretty psychotic.

973
00:42:52,400 --> 00:42:54,000
Speaker 4: Karen and Brian are on their own mission to find

974
00:42:54,000 --> 00:42:54,520
Speaker 4: movie Mason.

975
00:42:54,560 --> 00:42:56,360
Speaker 1: They're in the back staircase on their way to the

976
00:42:56,400 --> 00:43:00,920
Speaker 1: basement when they see that same character, that weird shadowy

977
00:43:00,960 --> 00:43:03,880
Speaker 1: figure lurking in the background. Karen wants to leave, but

978
00:43:03,920 --> 00:43:06,920
Speaker 1: Brian wants to finally unmask this phantom, so she follows

979
00:43:06,920 --> 00:43:09,640
Speaker 1: his lead. Pete, having found no sign of Mason, returns

980
00:43:09,640 --> 00:43:12,439
Speaker 1: for his brother and sister and realizes they're gone. Things

981
00:43:12,480 --> 00:43:14,320
Speaker 1: aren't necessarily going great for him right now, but he

982
00:43:14,320 --> 00:43:16,279
Speaker 1: thinks there's a chance that maybe his mom picked him up,

983
00:43:16,280 --> 00:43:18,279
Speaker 1: and it's like, finally, at least one thing is going right.

984
00:43:18,760 --> 00:43:19,480
Speaker 4: Of course, that's not.

985
00:43:19,400 --> 00:43:23,080
Speaker 1: What happened, and boyfriend George, this guy is useless. Dude

986
00:43:23,120 --> 00:43:25,279
Speaker 1: is still having trouble with his car, so any plan

987
00:43:25,320 --> 00:43:27,600
Speaker 1: to pick up the kids is very delayed, especially when

988
00:43:27,640 --> 00:43:29,759
Speaker 1: she calls the theater's payphone and finds out no one

989
00:43:29,920 --> 00:43:32,480
Speaker 1: is waiting for her anymore. And I guess that makes

990
00:43:32,520 --> 00:43:34,480
Speaker 1: sense because Karen and Brian are deep in the bowels

991
00:43:34,520 --> 00:43:37,319
Speaker 1: of the theater, is scared by the darkness and the tons.

992
00:43:37,000 --> 00:43:38,719
Speaker 4: Of creepy props that they find.

993
00:43:38,880 --> 00:43:41,120
Speaker 1: They stumble at a long tunnel leading them to an

994
00:43:41,120 --> 00:43:45,480
Speaker 1: office filled with expensive items and pictures of the Phantom

995
00:43:45,600 --> 00:43:48,760
Speaker 1: of the Opera, and that's when they get an actual

996
00:43:48,800 --> 00:43:52,400
Speaker 1: jump scare from the movie There was One. It's movie Mason.

997
00:43:52,920 --> 00:43:55,640
Speaker 1: He greets them and rattles off some very ominous bs.

998
00:43:55,920 --> 00:43:58,320
Speaker 1: The kids ask if he's the Phantom of a megaplex,

999
00:43:58,320 --> 00:44:00,879
Speaker 1: and he takes a second to respond. He's spewing off

1000
00:44:00,880 --> 00:44:03,960
Speaker 1: even more nonsense about magic and babies with butterflies and

1001
00:44:04,000 --> 00:44:06,760
Speaker 1: a toddler in the bath. He explains that true wonder

1002
00:44:06,840 --> 00:44:08,760
Speaker 1: is hard to come by, but there'll always be magic

1003
00:44:08,800 --> 00:44:10,759
Speaker 1: at the movies, and no, he doesn't actually answer them

1004
00:44:10,840 --> 00:44:12,800
Speaker 1: at all. Right, then he actually sounds a bit like

1005
00:44:12,880 --> 00:44:15,520
Speaker 1: Nicole Kidman and those AMC commercials just making no sense.

1006
00:44:15,800 --> 00:44:19,240
Speaker 1: But Mason obviously loves movies and finally says he could

1007
00:44:19,280 --> 00:44:22,400
Speaker 1: never negatively affect a movie going experience for someone, so

1008
00:44:22,520 --> 00:44:26,240
Speaker 1: he is definitely not the Phantom of the Megaplex. Shawn

1009
00:44:26,280 --> 00:44:28,600
Speaker 1: is still missing, and now Pete can't find Caitlin. The

1010
00:44:28,640 --> 00:44:30,799
Speaker 1: staff thinks they should just cancel the premiere, but Pete

1011
00:44:30,800 --> 00:44:32,640
Speaker 1: ain't having it. This is the biggest thing that's ever

1012
00:44:32,680 --> 00:44:35,080
Speaker 1: happened at the Grand and they are sticking to it.

1013
00:44:35,520 --> 00:44:37,359
Speaker 1: And that's when a woman in a professional yellow suit

1014
00:44:37,400 --> 00:44:40,239
Speaker 1: in sunglasses comes looking for Sean. They stall and find

1015
00:44:40,239 --> 00:44:42,920
Speaker 1: out that she is a publicist or some big time

1016
00:44:42,960 --> 00:44:45,880
Speaker 1: celebrities waiting in their limos. Angered by the confusion and

1017
00:44:45,920 --> 00:44:48,560
Speaker 1: the delay of everything going on tonight, she needs things

1018
00:44:48,600 --> 00:44:51,160
Speaker 1: to start soon or her clients will return.

1019
00:44:50,800 --> 00:44:52,040
Speaker 4: To La at once.

1020
00:44:52,480 --> 00:44:54,799
Speaker 1: And if that's not enough, Donnie pulls the sword out

1021
00:44:54,840 --> 00:44:57,160
Speaker 1: of the stone the media or whatever, and now he

1022
00:44:57,239 --> 00:45:00,480
Speaker 1: wants premiere tickets for his prize, and consider he's still

1023
00:45:00,480 --> 00:45:01,839
Speaker 1: with Caitlin, that would make it a date.

1024
00:45:02,640 --> 00:45:05,280
Speaker 4: Let's just say there's a lot going on at this point.

1025
00:45:05,960 --> 00:45:09,400
Speaker 1: Very confusing, Pete promises that he'll get Donnie his tickets

1026
00:45:09,440 --> 00:45:11,680
Speaker 1: later and threatens to kick him out, And just as

1027
00:45:11,680 --> 00:45:14,160
Speaker 1: they're starting to stand nose to nose, a bell goes off.

1028
00:45:14,200 --> 00:45:18,480
Speaker 1: It's the fire sprinklers. They've soaked a theater full of people. Again,

1029
00:45:19,080 --> 00:45:22,480
Speaker 1: horribly inconvenient. He promises refunds and tries to get them

1030
00:45:22,480 --> 00:45:24,600
Speaker 1: out of the lobby because the premiere starts in just

1031
00:45:24,719 --> 00:45:27,399
Speaker 1: an hour. This movie should have been called Guy Who

1032
00:45:27,440 --> 00:45:29,319
Speaker 1: Runs a Theater, just going through each theater going I'll

1033
00:45:29,320 --> 00:45:31,200
Speaker 1: give you a refund, it's no prob We'll start the

1034
00:45:31,200 --> 00:45:31,760
Speaker 1: movie again.

1035
00:45:31,960 --> 00:45:35,040
Speaker 4: Like at this movie is just watching a dude work

1036
00:45:35,080 --> 00:45:35,759
Speaker 4: in a movie theater.

1037
00:45:36,160 --> 00:45:39,400
Speaker 3: Yes, I know, and truly like this movie theater is

1038
00:45:39,440 --> 00:45:46,160
Speaker 3: making no money, no giving everyone free tickets constantly.

1039
00:45:46,800 --> 00:45:47,719
Speaker 2: I mean, it is just a.

1040
00:45:47,719 --> 00:45:50,440
Speaker 4: Mess, not weird. This was weird.

1041
00:45:50,840 --> 00:45:53,799
Speaker 2: This movie, like a lot of theaters nowadays, is going under.

1042
00:45:54,040 --> 00:45:57,560
Speaker 1: Yes, exactly, this is what they Thank you, Pete, you've

1043
00:45:57,640 --> 00:45:58,680
Speaker 1: killed movie theaters.

1044
00:46:00,000 --> 00:46:00,160
Speaker 4: Well.

1045
00:46:00,160 --> 00:46:02,320
Speaker 1: He finally spots Karen and Brian, who returned to the

1046
00:46:02,320 --> 00:46:04,200
Speaker 1: bench to wait for their mom, and tell Pete they've

1047
00:46:04,239 --> 00:46:07,919
Speaker 1: identified the phantom. Brian at sure it's Merle the projectionist,

1048
00:46:08,040 --> 00:46:10,680
Speaker 1: because technology is passing him by and the theater won't

1049
00:46:10,719 --> 00:46:13,360
Speaker 1: need him soon. And this theory seems validated when a

1050
00:46:13,360 --> 00:46:15,960
Speaker 1: scary trailer runs over and over in one of the theaters,

1051
00:46:16,160 --> 00:46:17,400
Speaker 1: and something like that could.

1052
00:46:17,239 --> 00:46:19,319
Speaker 4: Only happen with Merle's expertise.

1053
00:46:19,840 --> 00:46:21,759
Speaker 1: The Rileys rushed to the booth to catch Mrrele, but

1054
00:46:21,800 --> 00:46:24,440
Speaker 1: he vehemently denies he's the phantom and promises he's actually

1055
00:46:24,440 --> 00:46:26,919
Speaker 1: trying to turn the trailer off. He has no idea

1056
00:46:26,960 --> 00:46:28,960
Speaker 1: how it's happening, and that's when they see the cloaked

1057
00:46:28,960 --> 00:46:31,720
Speaker 1: man inside the theater fidgeting with some tubing.

1058
00:46:32,239 --> 00:46:34,440
Speaker 4: He's scary and good at home improvements.

1059
00:46:34,440 --> 00:46:37,560
Speaker 1: Apparently it's now obviously not Merle, so they run off

1060
00:46:37,560 --> 00:46:39,680
Speaker 1: to try to catch him, and then the tubing starts

1061
00:46:39,719 --> 00:46:42,839
Speaker 1: letting out smoke filling the theater until the kids turn

1062
00:46:42,880 --> 00:46:44,399
Speaker 1: it off, so they literally.

1063
00:46:44,080 --> 00:46:46,839
Speaker 4: Just have to walk down and turn it off.

1064
00:46:47,440 --> 00:46:49,840
Speaker 1: And now thanks to the movies, the three siblings know

1065
00:46:49,880 --> 00:46:52,120
Speaker 1: exactly where to look to finally catch whoever's doing this.

1066
00:46:52,600 --> 00:46:55,560
Speaker 1: They're gonna look at this new thing called the intranet.

1067
00:46:55,960 --> 00:46:57,759
Speaker 1: He asks if the building is set up for it,

1068
00:46:57,800 --> 00:46:59,759
Speaker 1: and that is the most two thousand question a human

1069
00:46:59,800 --> 00:47:00,960
Speaker 1: being can ask in a movie?

1070
00:47:01,320 --> 00:47:07,040
Speaker 4: Is this building set up for the Intranet?

1071
00:47:10,520 --> 00:47:12,880
Speaker 1: And back on the street, a mechanic has finally started

1072
00:47:12,920 --> 00:47:14,960
Speaker 1: working on Georgia's car and Julie still can't get a

1073
00:47:14,960 --> 00:47:17,319
Speaker 1: hold of her kids at the theater. She's scared they're

1074
00:47:17,320 --> 00:47:19,799
Speaker 1: all dead, but they aren't dead. They're on their way

1075
00:47:19,840 --> 00:47:22,120
Speaker 1: to Sean's computer. Now joined by Kaitlin, they search for

1076
00:47:22,120 --> 00:47:24,840
Speaker 1: the plot of Midnight Mayhem on a movie spoiler site.

1077
00:47:25,040 --> 00:47:27,080
Speaker 1: That way they'll know exactly what the phantom plans to

1078
00:47:27,120 --> 00:47:29,600
Speaker 1: do to sabotage it. Now, this is also very two thousands,

1079
00:47:29,600 --> 00:47:30,960
Speaker 1: and I know this is kind of before your time,

1080
00:47:30,960 --> 00:47:32,600
Speaker 1: but do you remember movie spoiler sites?

1081
00:47:33,239 --> 00:47:36,399
Speaker 2: Yes? Yes, I mean I don't think I ever went

1082
00:47:36,440 --> 00:47:37,040
Speaker 2: on them, but.

1083
00:47:37,080 --> 00:47:39,080
Speaker 4: I know you I wouldn't want the movie spoiled.

1084
00:47:39,480 --> 00:47:42,399
Speaker 2: Yeah, I don't think I ever, but I remember for sure.

1085
00:47:42,600 --> 00:47:45,000
Speaker 4: Yes, yeah, yeah, I remember them too. And I was like,

1086
00:47:45,040 --> 00:47:46,759
Speaker 4: why would anybody want to ruin the movie?

1087
00:47:46,760 --> 00:47:49,480
Speaker 2: Why do that? I know, it's so weird.

1088
00:47:49,719 --> 00:47:51,759
Speaker 3: Yeah, but that was like one of the first things

1089
00:47:51,800 --> 00:47:54,240
Speaker 3: I remember being like, oh, I hate the Internet because

1090
00:47:54,280 --> 00:47:55,200
Speaker 3: of that kind of stuff.

1091
00:47:55,320 --> 00:47:57,200
Speaker 1: Right, Well, it's just there's people out there that are

1092
00:47:57,239 --> 00:47:59,239
Speaker 1: just poles, that just want to ruin stuff for other people.

1093
00:47:59,280 --> 00:48:02,080
Speaker 1: That's their whole point is just yeah, yeah.

1094
00:48:02,120 --> 00:48:02,960
Speaker 4: I mean, people suck.

1095
00:48:03,840 --> 00:48:06,239
Speaker 1: Now in Shawn's office, the group tiptoes in only to

1096
00:48:06,239 --> 00:48:08,879
Speaker 1: find Sean with his mouth taped hanging on the back

1097
00:48:08,880 --> 00:48:10,960
Speaker 1: of the door. This was actually kind of scary where

1098
00:48:10,960 --> 00:48:16,320
Speaker 1: he's like, wow, he's like taped up there how though, we'll.

1099
00:48:16,080 --> 00:48:16,560
Speaker 4: Get into that.

1100
00:48:16,640 --> 00:48:17,960
Speaker 2: I'll bring that up later.

1101
00:48:18,200 --> 00:48:21,000
Speaker 1: Yeah, and he's not dead. They're running out of suspects.

1102
00:48:21,040 --> 00:48:23,799
Speaker 1: Just as Niedermeyer arrives with the film's director, Sean makes

1103
00:48:23,800 --> 00:48:26,359
Speaker 1: sure no one mentions anything about the Phantom, then greets him,

1104
00:48:26,480 --> 00:48:29,320
Speaker 1: and just as things are coming together, Lacy innocently pulls

1105
00:48:29,400 --> 00:48:32,000
Speaker 1: a cord and hundreds of water balloons come crashing down

1106
00:48:32,040 --> 00:48:35,240
Speaker 1: to the floor, dousing the entire group. A true nightmare

1107
00:48:35,280 --> 00:48:38,799
Speaker 1: prank from the Phantom and over the Internet thing, the

1108
00:48:38,800 --> 00:48:41,960
Speaker 1: Internet Machine, Brian learns the plot of Midnight Mayhem and

1109
00:48:42,040 --> 00:48:45,880
Speaker 1: involves a kid. Okay, so he's like, from what I understood,

1110
00:48:45,920 --> 00:48:49,319
Speaker 1: he builds a balloon so big inside of a room

1111
00:48:49,360 --> 00:48:51,080
Speaker 1: that it sucks all the air out of the room.

1112
00:48:52,520 --> 00:48:54,480
Speaker 1: I think is what it is. So yeah, maybe we

1113
00:48:54,520 --> 00:48:55,680
Speaker 1: should have watched that movie instead.

1114
00:48:55,680 --> 00:48:56,040
Speaker 4: I don't know.

1115
00:48:56,320 --> 00:48:58,920
Speaker 1: But in the lobby, everyone is toweling off because again

1116
00:48:59,160 --> 00:49:03,719
Speaker 1: the Phantom of the slide inconvenience, and Niedermeyer reveals that

1117
00:49:03,760 --> 00:49:07,120
Speaker 1: someone has stolen the huge Midnight Mayhem monster inflatable that

1118
00:49:07,160 --> 00:49:09,160
Speaker 1: was on the roof of the building. He wants answers,

1119
00:49:09,160 --> 00:49:11,920
Speaker 1: and so does the snooty publicism earlier, who is now

1120
00:49:11,960 --> 00:49:14,200
Speaker 1: ready to leave and take her clients with her. But

1121
00:49:14,360 --> 00:49:16,759
Speaker 1: Niedermeyer doesn't want her to leave. He demands Sean open

1122
00:49:16,800 --> 00:49:17,360
Speaker 1: the doors.

1123
00:49:17,120 --> 00:49:18,520
Speaker 4: And let the festivities begin.

1124
00:49:19,000 --> 00:49:21,520
Speaker 1: Pete leaves to find out what happened to that inflatable monster,

1125
00:49:21,880 --> 00:49:25,920
Speaker 1: and outside it is a zoo filled with busy premiere traffic.

1126
00:49:25,960 --> 00:49:28,719
Speaker 1: Movie Mason has once again just slid into the non job,

1127
00:49:28,800 --> 00:49:32,320
Speaker 1: welcoming guests and singing Hooray to Hollywood, Hooray for Hollywood

1128
00:49:32,360 --> 00:49:32,840
Speaker 1: to fans.

1129
00:49:33,080 --> 00:49:34,760
Speaker 4: The crowd loves it, but Sean doesn't.

1130
00:49:34,880 --> 00:49:36,759
Speaker 1: He wants to know what that little weirdo is still

1131
00:49:36,760 --> 00:49:38,799
Speaker 1: doing there at the grand after he kicked him out.

1132
00:49:38,960 --> 00:49:41,319
Speaker 1: Sean gets aggressive, and a nearby woman asks what the

1133
00:49:41,360 --> 00:49:45,680
Speaker 1: problem is. Came from movie superstar Madison Ashley mets. She

1134
00:49:45,840 --> 00:49:48,080
Speaker 1: exits her limo and jumps to the defense of Mason.

1135
00:49:48,239 --> 00:49:51,560
Speaker 1: Apparently they're old friends, because of course they are, because

1136
00:49:51,600 --> 00:49:53,640
Speaker 1: Ashley used to come to the theater as a kid

1137
00:49:53,680 --> 00:49:55,840
Speaker 1: and he was the first person to encourage her to act.

1138
00:49:56,200 --> 00:49:58,919
Speaker 1: Sean now looks very stupid as Madison walks Mason into

1139
00:49:58,920 --> 00:50:03,200
Speaker 1: the premiere as her scored, and then George and Julie finally,

1140
00:50:03,400 --> 00:50:05,920
Speaker 1: you know, finish what they're doing ahu.

1141
00:50:05,920 --> 00:50:08,399
Speaker 4: And make it to the theater. By that, by the way,

1142
00:50:08,400 --> 00:50:09,319
Speaker 4: I meant fix the car.

1143
00:50:10,239 --> 00:50:14,160
Speaker 1: And they're focused still on finding Karen and Brian, but

1144
00:50:14,239 --> 00:50:16,120
Speaker 1: they are still on a mission now. With Pete and

1145
00:50:16,239 --> 00:50:18,239
Speaker 1: a key that they found on the ground, they rushed

1146
00:50:18,280 --> 00:50:21,160
Speaker 1: to the roof to learn more about this missing monster balloon,

1147
00:50:21,480 --> 00:50:23,680
Speaker 1: but all that's left is a rope, and while they

1148
00:50:23,680 --> 00:50:25,879
Speaker 1: contemplate who could have taken it, they have a nice

1149
00:50:25,920 --> 00:50:28,600
Speaker 1: little moment of teamwork and compassion and come together as

1150
00:50:28,600 --> 00:50:32,280
Speaker 1: a family, because why not at this point in the movie,

1151
00:50:32,600 --> 00:50:35,120
Speaker 1: just as our hearts are with family connection, the shadowy figure,

1152
00:50:35,200 --> 00:50:37,279
Speaker 1: who can now see is also wearing a silver mask,

1153
00:50:37,360 --> 00:50:40,320
Speaker 1: lurks behind him, and after a few seconds, the phantom pounces,

1154
00:50:40,360 --> 00:50:42,560
Speaker 1: engulfing them in a blanket and tying them together with

1155
00:50:42,600 --> 00:50:43,120
Speaker 1: a rope.

1156
00:50:43,280 --> 00:50:44,800
Speaker 4: Things just got serious.

1157
00:50:45,480 --> 00:50:48,040
Speaker 1: The phantom laughs in his evil tone, and the kids scream.

1158
00:50:48,280 --> 00:50:50,800
Speaker 1: The monster eventually runs off, happy with himself, leaving the

1159
00:50:50,880 --> 00:50:54,720
Speaker 1: Rileys alone and scared on the roof. George and Julie

1160
00:50:54,719 --> 00:50:56,719
Speaker 1: continue to check the lobby for any signs of her kids.

1161
00:50:56,760 --> 00:50:59,800
Speaker 1: They've only seen Katie Sigal and LeVar Burton, which was

1162
00:50:59,840 --> 00:51:03,920
Speaker 1: a nice nod to another d com that Daddy ste wrote,

1163
00:51:03,960 --> 00:51:06,560
Speaker 1: Smart House. The Riley kids are still on the roof now,

1164
00:51:06,600 --> 00:51:09,799
Speaker 1: shuffling together as a tied team, trying to do anything

1165
00:51:09,840 --> 00:51:12,600
Speaker 1: they can to escape, And this was another one of

1166
00:51:12,640 --> 00:51:15,040
Speaker 1: those I could tell that they had to dub something

1167
00:51:15,040 --> 00:51:17,719
Speaker 1: in because they're obviously covered, and they start to move

1168
00:51:17,760 --> 00:51:20,040
Speaker 1: as a unit, and then they eighty yard a line

1169
00:51:20,040 --> 00:51:21,960
Speaker 1: where they go, well, don't worry, we won't fall off

1170
00:51:22,000 --> 00:51:25,759
Speaker 1: the roof because there's obviously handrails. Like they said, they

1171
00:51:25,800 --> 00:51:28,600
Speaker 1: had to point out that they were like barriers, so

1172
00:51:28,640 --> 00:51:30,000
Speaker 1: the kids couldn't fall off the roof.

1173
00:51:30,360 --> 00:51:34,240
Speaker 3: Yeah, because everything is safe in the Disney world.

1174
00:51:34,360 --> 00:51:38,719
Speaker 4: Yep. So they're like dubing in after there's rails. Were fine.

1175
00:51:40,120 --> 00:51:43,080
Speaker 1: Yeah, So they're on the roof shuffling together as a team,

1176
00:51:43,200 --> 00:51:45,359
Speaker 1: trying to escape. And then Pete has an idea he

1177
00:51:45,520 --> 00:51:47,799
Speaker 1: saw it in a movie. Maybe he doesn't hate the

1178
00:51:47,840 --> 00:51:50,280
Speaker 1: cinema as much as we thought. Back at the midnight

1179
00:51:50,320 --> 00:51:52,520
Speaker 1: Mayhem premiere, everyone is taking their seats and Julie is

1180
00:51:52,560 --> 00:51:55,520
Speaker 1: scouring the audience. Niedermeyer welcomes everyone to the event and

1181
00:51:55,520 --> 00:51:57,560
Speaker 1: brings up the director, who thanks everyone for coming out

1182
00:51:57,600 --> 00:51:59,280
Speaker 1: so late. And that's when it hit me. Of course

1183
00:51:59,320 --> 00:52:03,640
Speaker 1: it's at night, so Julie now has lost Brian past midnight.

1184
00:52:04,120 --> 00:52:05,160
Speaker 4: I feel like this is a.

1185
00:52:05,120 --> 00:52:07,360
Speaker 1: Bit of a child Protective Service issue at this point,

1186
00:52:07,400 --> 00:52:09,080
Speaker 1: and somebody should be calling CPS.

1187
00:52:09,080 --> 00:52:09,880
Speaker 4: But that's what it is.

1188
00:52:10,960 --> 00:52:13,440
Speaker 2: And just to the point where I could care less.

1189
00:52:13,320 --> 00:52:16,399
Speaker 4: I couldn't either. It was so I just it was like,

1190
00:52:16,560 --> 00:52:18,080
Speaker 4: can we please just out.

1191
00:52:19,600 --> 00:52:19,920
Speaker 3: Yes?

1192
00:52:20,440 --> 00:52:21,799
Speaker 2: Exactly, Yeah, it was.

1193
00:52:21,880 --> 00:52:26,239
Speaker 3: I know, I obviously know who this villain is, Like, yes,

1194
00:52:26,360 --> 00:52:27,200
Speaker 3: it's kind of.

1195
00:52:27,120 --> 00:52:30,800
Speaker 4: Like and the villain isn't even there's no danger. No,

1196
00:52:30,920 --> 00:52:32,240
Speaker 4: there's no danger.

1197
00:52:32,960 --> 00:52:35,600
Speaker 1: It's and there's that's not even like fun wacky stuff happening,

1198
00:52:35,680 --> 00:52:38,440
Speaker 1: like make it a weird like almost like an Abbot

1199
00:52:38,560 --> 00:52:42,319
Speaker 1: Costello or or a three Stooges kind of movie where

1200
00:52:42,360 --> 00:52:43,279
Speaker 1: wacky stuff is happening.

1201
00:52:43,320 --> 00:52:44,480
Speaker 4: They could have gone that way. They did it with

1202
00:52:44,520 --> 00:52:46,840
Speaker 4: the gumballs and all this, but then they tried to

1203
00:52:46,880 --> 00:52:49,799
Speaker 4: go scary, but without going scary, did this movie did

1204
00:52:49,880 --> 00:52:50,600
Speaker 4: not know what it was?

1205
00:52:51,000 --> 00:52:51,120
Speaker 8: Uh?

1206
00:52:51,160 --> 00:52:51,719
Speaker 4: Uh No?

1207
00:52:52,760 --> 00:52:55,080
Speaker 1: And just as he accused the movie to begin, a

1208
00:52:55,160 --> 00:52:57,440
Speaker 1: large rumbling starts from the balcony. Everyone looks up to

1209
00:52:57,440 --> 00:52:59,960
Speaker 1: see the commotion, and it's a huge monster. The out

1210
00:53:00,080 --> 00:53:03,880
Speaker 1: side one, the inflatable thing that's slowly inflating. It eventually

1211
00:53:03,880 --> 00:53:05,919
Speaker 1: gets so big it starts seeping out into the main theater,

1212
00:53:06,040 --> 00:53:08,520
Speaker 1: falling on the crowd, almost like Godzilla onto a terrified

1213
00:53:08,560 --> 00:53:09,320
Speaker 1: Japanese city.

1214
00:53:09,760 --> 00:53:11,840
Speaker 4: The audience tries to fight back, but the balloon is

1215
00:53:11,960 --> 00:53:12,520
Speaker 4: just too much.

1216
00:53:12,520 --> 00:53:17,200
Speaker 1: Because balloon, eventually it's open mouth devours the director. Everyone's

1217
00:53:17,239 --> 00:53:20,120
Speaker 1: running in different directions, summending up luckier than others, and

1218
00:53:20,160 --> 00:53:22,960
Speaker 1: then one of the exits becomes blocked by another inflatable monster,

1219
00:53:23,040 --> 00:53:25,320
Speaker 1: this time it's King Kong, and then the other exit

1220
00:53:25,320 --> 00:53:28,040
Speaker 1: gets blocked by a pink female King Kong. The phantom

1221
00:53:28,120 --> 00:53:31,160
Speaker 1: is thought of everything except making this movie good, and

1222
00:53:31,280 --> 00:53:34,359
Speaker 1: has unlimited access to all of these inflatables.

1223
00:53:34,840 --> 00:53:37,600
Speaker 3: I legit do not think that I would have even

1224
00:53:37,640 --> 00:53:40,040
Speaker 3: moved out of my seat. I would now looking around, like,

1225
00:53:40,080 --> 00:53:41,279
Speaker 3: what is happening right now?

1226
00:53:41,400 --> 00:53:43,919
Speaker 4: This is a giant balloon. It seems like premiere. Yeah,

1227
00:53:44,000 --> 00:53:45,479
Speaker 4: yeah it took What would you say?

1228
00:53:45,560 --> 00:53:49,200
Speaker 2: It wasn't scary, it wasn't anything, It was just like annoying.

1229
00:53:49,640 --> 00:53:54,040
Speaker 1: Yes it was again the Phantom of the Slight Inconvenience

1230
00:53:55,480 --> 00:53:57,800
Speaker 1: on the roof. The Rileys are still wrestling in the blanket,

1231
00:53:57,840 --> 00:54:00,680
Speaker 1: shuffling to a valve to untie the rope, which they've

1232
00:54:00,680 --> 00:54:04,320
Speaker 1: eventually accomplished, but now they must block the Phantom's big finale,

1233
00:54:04,560 --> 00:54:07,160
Speaker 1: so they sprint to the theater. Pete also announces he

1234
00:54:07,160 --> 00:54:09,239
Speaker 1: knows the Phantom's true identity, but it doesn't matter because

1235
00:54:09,239 --> 00:54:11,880
Speaker 1: the inflatables have blocked every doorway, so they pivot to

1236
00:54:11,920 --> 00:54:16,399
Speaker 1: the balcony. Pivot pivot to the balcony and see true

1237
00:54:16,480 --> 00:54:20,000
Speaker 1: chaos below. Someone could die. And then Movie Mason appears.

1238
00:54:20,000 --> 00:54:22,080
Speaker 1: He's got an idea. He tells Pete to go pulls

1239
00:54:22,080 --> 00:54:23,600
Speaker 1: the sword from the media in the lobby, but Pete

1240
00:54:23,640 --> 00:54:27,439
Speaker 1: knows it takes ten thousand tugs. I had too many

1241
00:54:27,480 --> 00:54:29,040
Speaker 1: jokes going through my head, so I'm just gonna go

1242
00:54:29,080 --> 00:54:32,200
Speaker 1: past this, and he doesn't have the time, and then

1243
00:54:32,400 --> 00:54:36,799
Speaker 1: Projector Merle appears and also reveals himself, what do you

1244
00:54:36,840 --> 00:54:38,520
Speaker 1: read about? What are you laughing about? You didn't even

1245
00:54:38,520 --> 00:54:40,880
Speaker 1: know what I was talking about. He also appears and

1246
00:54:40,920 --> 00:54:43,560
Speaker 1: reveals himself that he's totally innocent. He turns off the

1247
00:54:44,000 --> 00:54:47,000
Speaker 1: display and shows Pete how to get his weapons.

1248
00:54:47,200 --> 00:54:48,120
Speaker 4: Pete hurries back to.

1249
00:54:48,080 --> 00:54:50,200
Speaker 1: The premiere, where George and his mom are now pinned

1250
00:54:50,200 --> 00:54:52,680
Speaker 1: against the wall alongside other customers, and then from the

1251
00:54:52,760 --> 00:54:54,719
Speaker 1: highest part of the balcony, Pete takes a big, deep

1252
00:54:54,719 --> 00:54:57,799
Speaker 1: breath and jumps spread eagles sword out onto the back

1253
00:54:57,840 --> 00:55:00,560
Speaker 1: of the giant lizard. He stumbles, but eventually he slices

1254
00:55:00,560 --> 00:55:02,719
Speaker 1: a monster with a sword, stabbing it multiple times and

1255
00:55:02,760 --> 00:55:05,640
Speaker 1: deflating it just in the nick of time for some reason.

1256
00:55:05,680 --> 00:55:11,120
Speaker 4: And you're laughing as I'm just saying, what happened.

1257
00:55:13,320 --> 00:55:17,440
Speaker 3: This entire time he's on this monster, I'm thinking, like

1258
00:55:17,640 --> 00:55:22,040
Speaker 3: putting myself in his position filming this right, Like how

1259
00:55:22,960 --> 00:55:25,200
Speaker 3: lame do you feel like he thought he was, Like

1260
00:55:26,800 --> 00:55:28,719
Speaker 3: if he did have a crush on this girl that.

1261
00:55:28,800 --> 00:55:32,000
Speaker 4: Was his las's over over done.

1262
00:55:31,680 --> 00:55:36,520
Speaker 2: Like just like just like do you know when you do?

1263
00:55:36,680 --> 00:55:36,920
Speaker 4: You know?

1264
00:55:37,040 --> 00:55:39,960
Speaker 3: Like I have several things that I've done, A lot

1265
00:55:40,000 --> 00:55:43,040
Speaker 3: of them ended up being around the third Cheetah Girls.

1266
00:55:42,640 --> 00:55:48,520
Speaker 2: Of like embarrassing, this is so embarrassing, Like I can't.

1267
00:55:48,320 --> 00:55:49,560
Speaker 4: Wait to see the third Cheeta Girl.

1268
00:55:49,600 --> 00:55:52,040
Speaker 3: Well it's not the movie itself, it was the like

1269
00:55:52,360 --> 00:55:55,440
Speaker 3: things that we did for promoting and like having to

1270
00:55:55,520 --> 00:55:58,280
Speaker 3: say lines and doing this, Like that's.

1271
00:55:58,040 --> 00:56:00,320
Speaker 4: Why I wanted another reason. I could never do Answer

1272
00:56:00,320 --> 00:56:02,040
Speaker 4: with the Stars. I see all this Duff Danielle has

1273
00:56:02,080 --> 00:56:05,920
Speaker 4: to do and it's like, come on, oh, it's like, hi,

1274
00:56:06,080 --> 00:56:11,160
Speaker 4: I'm here tonight to dance. Couldn't do it. Yeah, I

1275
00:56:11,320 --> 00:56:14,080
Speaker 4: couldn't do it anyway.

1276
00:56:14,120 --> 00:56:16,640
Speaker 3: I just that's all I could think of watching this

1277
00:56:16,880 --> 00:56:21,280
Speaker 3: scene was he's a older kid, right, he's.

1278
00:56:21,360 --> 00:56:24,040
Speaker 4: Supposed to seventeen, eighteen years old, you know, eighteen years.

1279
00:56:23,920 --> 00:56:29,799
Speaker 3: Old whatever, and having to like manhandle this thick lizard's

1280
00:56:30,000 --> 00:56:30,840
Speaker 3: what's happening.

1281
00:56:31,239 --> 00:56:33,680
Speaker 4: That's making a joke, like like, what the hell is

1282
00:56:33,719 --> 00:56:34,160
Speaker 4: going on?

1283
00:56:34,400 --> 00:56:35,160
Speaker 2: Oh man?

1284
00:56:35,840 --> 00:56:36,480
Speaker 4: And he wasn't.

1285
00:56:36,560 --> 00:56:39,319
Speaker 3: He wasn't like a Shilah buff doing something like this

1286
00:56:39,480 --> 00:56:40,040
Speaker 3: right correct.

1287
00:56:40,160 --> 00:56:41,840
Speaker 4: He was playing it very real.

1288
00:56:42,280 --> 00:56:44,560
Speaker 2: Yeah.

1289
00:56:44,640 --> 00:56:46,560
Speaker 1: Yeah, it's like can you mad now? Shy it in

1290
00:56:46,560 --> 00:56:47,880
Speaker 1: this totally different movie.

1291
00:56:47,880 --> 00:56:51,359
Speaker 3: Totally different totally It's just oh man, it was just

1292
00:56:51,360 --> 00:56:52,200
Speaker 3: so funny to watch.

1293
00:56:52,200 --> 00:56:53,919
Speaker 2: I was just like, oh man, you know, this kid

1294
00:56:54,000 --> 00:56:57,560
Speaker 2: is just going okay. It was where the channel?

1295
00:56:58,080 --> 00:56:58,239
Speaker 4: Right?

1296
00:56:58,480 --> 00:56:59,839
Speaker 1: It is one of my big this is my big

1297
00:57:00,200 --> 00:57:05,560
Speaker 1: I'm seventeen. It's like the first thing I'm doing. But wow, Yeah, anyway,

1298
00:57:05,880 --> 00:57:10,360
Speaker 1: all right, So everyone applauds, but the hidden phantom looks peeved.

1299
00:57:10,560 --> 00:57:13,520
Speaker 1: Brian quickly spots him, forcing the guy back into the darkness.

1300
00:57:13,680 --> 00:57:16,160
Speaker 1: While the inflatables are being taken care of, Pete rushes

1301
00:57:16,200 --> 00:57:18,919
Speaker 1: after the Phantom, eventually running into him behind the big

1302
00:57:18,960 --> 00:57:22,600
Speaker 1: screen where everyone can see their silhouettes fighting. It is

1303
00:57:22,640 --> 00:57:25,760
Speaker 1: a back and forth battle, with everyone watching what baited breath.

1304
00:57:25,960 --> 00:57:27,760
Speaker 1: The organ continues to play, and just when it looks

1305
00:57:27,800 --> 00:57:30,000
Speaker 1: like the Phantom's gonna get away, Pete holds onto the

1306
00:57:30,000 --> 00:57:31,840
Speaker 1: bad guy with all of his strength. They end up

1307
00:57:31,840 --> 00:57:33,720
Speaker 1: swinging on a rope from one side of the stage

1308
00:57:33,720 --> 00:57:36,520
Speaker 1: to the other as the crowd gasps in fear. Eventually

1309
00:57:36,520 --> 00:57:39,080
Speaker 1: they change direction and come barreling through the screen, ripping

1310
00:57:39,120 --> 00:57:41,120
Speaker 1: it in half. They fall to the ground and Pete

1311
00:57:41,160 --> 00:57:43,920
Speaker 1: grabs the phantom. He wrestles with him, hoping to take

1312
00:57:43,920 --> 00:57:46,960
Speaker 1: the mask off, and when he does, he finally reveals it's.

1313
00:57:48,000 --> 00:57:50,320
Speaker 4: Did you know who it was? Instead? Like well before

1314
00:57:50,320 --> 00:57:50,880
Speaker 4: any of.

1315
00:57:50,960 --> 00:57:54,400
Speaker 3: Course, except for there's some holes that it doesn't quite

1316
00:57:54,440 --> 00:57:56,040
Speaker 3: make sense that of course not.

1317
00:57:56,520 --> 00:57:59,840
Speaker 1: He ties up and everything. Yeah, he's like hanging on

1318
00:57:59,880 --> 00:58:01,560
Speaker 1: the back of the door. How the hell did you

1319
00:58:01,600 --> 00:58:06,720
Speaker 1: do that, Bro, Like not? Yes? So it was Sean,

1320
00:58:07,440 --> 00:58:10,240
Speaker 1: whoa the man who's been missing for the entire movie

1321
00:58:10,280 --> 00:58:13,600
Speaker 1: basically right right. Kniederbayer escorts him out, saying there's no

1322
00:58:13,640 --> 00:58:16,320
Speaker 1: time to have him arrested because of the impending premiere,

1323
00:58:16,480 --> 00:58:19,120
Speaker 1: but he promises he'll make the former manager's life miserable.

1324
00:58:19,560 --> 00:58:20,920
Speaker 4: He's fired and banned.

1325
00:58:20,680 --> 00:58:22,600
Speaker 1: From the premises for life, which honestly feels like he

1326
00:58:22,720 --> 00:58:25,160
Speaker 1: just got away unscathed after doing all the stuff he

1327
00:58:25,160 --> 00:58:26,160
Speaker 1: should be going to jail.

1328
00:58:26,280 --> 00:58:27,360
Speaker 4: But whatever.

1329
00:58:28,840 --> 00:58:32,080
Speaker 1: As far as motive, Sean has clearly overworked and mad

1330
00:58:32,080 --> 00:58:34,520
Speaker 1: about being passed over for the promotion. But even with

1331
00:58:34,560 --> 00:58:38,080
Speaker 1: that in mind, I think becoming a phantom was a

1332
00:58:38,120 --> 00:58:41,600
Speaker 1: bit of an overreaction. Shaan get another job as a

1333
00:58:41,640 --> 00:58:43,280
Speaker 1: manager at another movie theater, Bro.

1334
00:58:43,440 --> 00:58:47,760
Speaker 4: Not that big a deal. Yeah, I mean the you're good, Seriously,

1335
00:58:48,520 --> 00:58:49,160
Speaker 4: go manage.

1336
00:58:49,040 --> 00:58:52,160
Speaker 1: McDonald's or something like a restaurant. So you've got management experience,

1337
00:58:52,200 --> 00:58:53,320
Speaker 1: now go do something else.

1338
00:58:53,360 --> 00:58:53,560
Speaker 4: Bro.

1339
00:58:54,080 --> 00:58:56,040
Speaker 1: That the idea of putting on a silver mask and

1340
00:58:56,120 --> 00:58:59,160
Speaker 1: slightly inconveniencing people just doesn't seem the way to go.

1341
00:59:00,280 --> 00:59:01,560
Speaker 2: Just irritating.

1342
00:59:02,520 --> 00:59:09,240
Speaker 4: Exactly is not how you should do it. Yikes. But

1343
00:59:09,480 --> 00:59:12,600
Speaker 4: okay yeh. Another weird development.

1344
00:59:13,040 --> 00:59:15,840
Speaker 1: After he tells off Pietermeier, the director of Midnight Mayhem,

1345
00:59:16,000 --> 00:59:19,240
Speaker 1: rushes after Sean to talk about making his life story

1346
00:59:19,440 --> 00:59:20,320
Speaker 1: into a movie.

1347
00:59:20,680 --> 00:59:23,560
Speaker 4: Phantom of the Megaplex. This Sean mcgibbons story.

1348
00:59:23,840 --> 00:59:26,240
Speaker 1: He invites him to la and Sean accepts and luckily

1349
00:59:26,280 --> 00:59:27,960
Speaker 1: Sean certainly won't.

1350
00:59:27,800 --> 00:59:29,120
Speaker 4: Be the craziest person in Hollywood.

1351
00:59:29,240 --> 00:59:32,040
Speaker 1: Yeah, but that was like, I want to make your

1352
00:59:32,080 --> 00:59:36,320
Speaker 1: movie a manager who gets upset about being fired so

1353
00:59:36,640 --> 00:59:40,440
Speaker 1: slightly inconveniences people. Ooh, it's going to be a blockbuster.

1354
00:59:40,560 --> 00:59:42,680
Speaker 1: I see Tim Cruse starring in it. Yes, I said

1355
00:59:42,680 --> 00:59:47,160
Speaker 1: that properly, Tim CRUs starring in it. Now, Pete, alone

1356
00:59:47,200 --> 00:59:49,760
Speaker 1: with his brother and sister, admits he's ready to lighten

1357
00:59:49,840 --> 00:59:51,720
Speaker 1: up a bit and enjoy his teenage years.

1358
00:59:51,720 --> 00:59:53,080
Speaker 4: He doesn't need to work twenty four to seven.

1359
00:59:53,320 --> 00:59:55,439
Speaker 1: Brian says, all they need now is their Hollywood ending,

1360
00:59:55,440 --> 00:59:56,840
Speaker 1: and that's when George speaks up.

1361
00:59:56,880 --> 00:59:58,920
Speaker 4: Remember George, this guy.

1362
00:59:59,040 --> 01:00:01,720
Speaker 1: He uses another plant analogy to get on one knee

1363
01:00:01,760 --> 01:00:03,880
Speaker 1: to ask Julie to marry him. He doesn't have a ring,

1364
01:00:03,960 --> 01:00:06,080
Speaker 1: but movie Mason chimes in with a proper ring he

1365
01:00:06,160 --> 01:00:07,600
Speaker 1: keeps in case of emergencies.

1366
01:00:08,640 --> 01:00:10,240
Speaker 4: Yeah, Julie says.

1367
01:00:10,080 --> 01:00:13,919
Speaker 1: Yes, but kind of like yes, like she's not still

1368
01:00:13,960 --> 01:00:16,200
Speaker 1: into it, like we need we just had.

1369
01:00:16,080 --> 01:00:18,200
Speaker 4: This conversation in your busted ass car.

1370
01:00:18,720 --> 01:00:22,400
Speaker 2: Yeah, like she is really not pumped about this.

1371
01:00:22,720 --> 01:00:28,800
Speaker 1: No, No, ironically, I think they can both do better. Yes, so,

1372
01:00:29,040 --> 01:00:32,080
Speaker 1: but of course the lobby celebrates. Niederbayer says he needs

1373
01:00:32,120 --> 01:00:34,240
Speaker 1: a new manager and it pays a lot. He asked

1374
01:00:34,280 --> 01:00:36,840
Speaker 1: Pete to take the position, and the inspiring employee immediately

1375
01:00:36,880 --> 01:00:39,800
Speaker 1: says he'd be honored, which again, now you're managing this thing.

1376
01:00:39,880 --> 01:00:43,040
Speaker 1: You could be seventeen years old making what fifty sixty

1377
01:00:43,080 --> 01:00:43,720
Speaker 1: grand a year?

1378
01:00:44,320 --> 01:00:45,240
Speaker 2: Take that job.

1379
01:00:45,760 --> 01:00:47,560
Speaker 1: But then he takes a second to think about it.

1380
01:00:47,600 --> 01:00:49,280
Speaker 1: He sees the reaction of his family and knows he

1381
01:00:49,320 --> 01:00:50,800
Speaker 1: has to make a change with his life.

1382
01:00:50,880 --> 01:00:53,000
Speaker 4: Why he says he can't take the job.

1383
01:00:53,040 --> 01:00:54,640
Speaker 1: He wants to spend more time with his family and

1384
01:00:54,680 --> 01:00:57,919
Speaker 1: apparently Caitlin, who's now hanging all over him. Yeah, of course,

1385
01:00:57,960 --> 01:01:00,480
Speaker 1: because he's he just killed the fake dime or I

1386
01:01:00,480 --> 01:01:01,200
Speaker 1: can't either.

1387
01:01:01,080 --> 01:01:03,000
Speaker 3: And I realized I don't even know what her voice

1388
01:01:03,000 --> 01:01:05,840
Speaker 3: sounds like, because I don't think she really said anything.

1389
01:01:06,000 --> 01:01:07,040
Speaker 4: I ate the whole thing.

1390
01:01:07,120 --> 01:01:09,840
Speaker 1: Yeah, he asked for the night off to see a movie,

1391
01:01:10,440 --> 01:01:12,520
Speaker 1: and not only does Niederbayer give Hi permission, but he

1392
01:01:12,520 --> 01:01:18,440
Speaker 1: throws in fifty bucks to take her to breakfast to Brexil. Apparently,

1393
01:01:18,480 --> 01:01:22,440
Speaker 1: he's like, after you bang her tonight, which you're gonna

1394
01:01:22,600 --> 01:01:26,360
Speaker 1: go take her to breakfast.

1395
01:01:25,480 --> 01:01:30,480
Speaker 2: Like the premiere was at midnight. I get it to Denny's.

1396
01:01:30,680 --> 01:01:32,920
Speaker 4: I know, he said, it's like, go get her some

1397
01:01:32,960 --> 01:01:34,600
Speaker 4: breakfast in the morning. I know.

1398
01:01:35,040 --> 01:01:38,000
Speaker 3: It was so strange, but not the strangest thing in

1399
01:01:38,040 --> 01:01:38,760
Speaker 3: this movie though.

1400
01:01:38,880 --> 01:01:39,600
Speaker 4: That's the thing.

1401
01:01:39,960 --> 01:01:42,000
Speaker 1: By this point I was I was just kind of

1402
01:01:42,080 --> 01:01:45,120
Speaker 1: lying on my couch going to sespie over. Soon it's

1403
01:01:45,120 --> 01:01:48,000
Speaker 1: got to end with that, Everyone piles back into the

1404
01:01:48,040 --> 01:01:51,120
Speaker 1: new theater to enjoy the show. The Rileys regroup and

1405
01:01:51,200 --> 01:01:53,160
Speaker 1: Julie tells the littles it's time to go home, but

1406
01:01:53,160 --> 01:01:55,120
Speaker 1: Pete keeps his promise and begs his mom to let

1407
01:01:55,160 --> 01:01:57,200
Speaker 1: them stay for the movie. It's late, but it's also

1408
01:01:57,280 --> 01:02:00,120
Speaker 1: summer and their detective work helped crack the case. What

1409
01:02:00,160 --> 01:02:01,920
Speaker 1: better place for the whole family to get together than

1410
01:02:01,960 --> 01:02:04,520
Speaker 1: at the movies. Julia grees and gives in. They entered

1411
01:02:04,560 --> 01:02:07,000
Speaker 1: the theater together greeted by movie Bason, who's once again

1412
01:02:07,040 --> 01:02:10,360
Speaker 1: working for free, breaking numerous labor laws and seeming totally creepy.

1413
01:02:10,560 --> 01:02:12,400
Speaker 1: He tells Pete he never used to believe in the

1414
01:02:12,400 --> 01:02:15,320
Speaker 1: Phantom of the Megaplex. But the Werewolf of the Megaplex,

1415
01:02:15,440 --> 01:02:18,000
Speaker 1: that's a different story. We hear the howling of a

1416
01:02:18,040 --> 01:02:29,120
Speaker 1: wolf and that's our movie. Oh, thankfully it was done done.

1417
01:02:31,000 --> 01:02:32,280
Speaker 4: Can we do some real reviews?

1418
01:02:32,560 --> 01:02:37,360
Speaker 1: I think, uh, Saburna, you've got the one star review

1419
01:02:37,400 --> 01:02:37,760
Speaker 1: this week.

1420
01:02:38,080 --> 01:02:42,160
Speaker 3: Your ne brion has it. The name of this reviewer

1421
01:02:42,360 --> 01:02:44,600
Speaker 3: is in name and blood.

1422
01:02:45,000 --> 01:02:47,280
Speaker 2: Okay, I'm nervous already.

1423
01:02:47,360 --> 01:02:47,960
Speaker 4: Yeah, I am too.

1424
01:02:48,720 --> 01:02:51,560
Speaker 3: I woke up one day with a bad hangover, switched

1425
01:02:51,600 --> 01:02:54,840
Speaker 3: on the TV and this came on. It had fresh

1426
01:02:54,880 --> 01:02:59,080
Speaker 3: face teens, it had fresh face Mickey Rooney, and it

1427
01:02:59,160 --> 01:03:03,960
Speaker 3: had a giant, a giant inflatable monster that somehow chases

1428
01:03:04,040 --> 01:03:07,800
Speaker 3: people around. All of that was fantastic, as was the

1429
01:03:07,880 --> 01:03:09,960
Speaker 3: amusing side story about some.

1430
01:03:15,440 --> 01:03:18,240
Speaker 2: But I found the whole story too complicated.

1431
01:03:18,680 --> 01:03:20,840
Speaker 3: I was lying in my bed eating a couple of

1432
01:03:20,880 --> 01:03:24,600
Speaker 3: sausage rolls, trying to frantically write down clues that could

1433
01:03:24,680 --> 01:03:27,640
Speaker 3: lead me to guess who the phantom was. I really

1434
01:03:27,640 --> 01:03:29,400
Speaker 3: thought it was the mom's new boyfriend.

1435
01:03:30,160 --> 01:03:34,040
Speaker 4: I mean, one star, such a weird review.

1436
01:03:33,800 --> 01:03:37,480
Speaker 3: Such a weird review, and how how would it have

1437
01:03:37,560 --> 01:03:39,960
Speaker 3: been the boyfriend when he was with the moms.

1438
01:03:39,960 --> 01:03:41,000
Speaker 4: There the whole time?

1439
01:03:41,080 --> 01:03:42,720
Speaker 1: The best part about that is I just want a

1440
01:03:42,760 --> 01:03:44,520
Speaker 1: sausage roll because they're great.

1441
01:03:44,840 --> 01:03:47,280
Speaker 3: And I had a bad hangover, so I switched on

1442
01:03:47,520 --> 01:03:48,560
Speaker 3: the Disney Channel.

1443
01:03:48,680 --> 01:03:49,720
Speaker 4: What okay?

1444
01:03:50,280 --> 01:03:50,840
Speaker 2: All right?

1445
01:03:51,240 --> 01:03:53,400
Speaker 1: Yes, I have the five star this week and it's

1446
01:03:53,440 --> 01:03:54,960
Speaker 1: from Des Warren d. S.

1447
01:03:55,000 --> 01:03:57,720
Speaker 4: Warren. This is the funniest movie that I've ever seen.

1448
01:03:58,040 --> 01:04:00,720
Speaker 1: Who needs Oscar winners when you have David Johnston and

1449
01:04:00,760 --> 01:04:03,320
Speaker 1: Mickey Rooney. How this movie disappeared off the face of

1450
01:04:03,320 --> 01:04:05,680
Speaker 1: the earth. I have no idea good thing. I filled

1451
01:04:05,680 --> 01:04:08,440
Speaker 1: twelve six hour tapes with this movie in case eleven

1452
01:04:08,440 --> 01:04:09,560
Speaker 1: are destroyed or something.

1453
01:04:10,000 --> 01:04:12,280
Speaker 4: I don't sleep. I just watched this movie.

1454
01:04:12,400 --> 01:04:14,840
Speaker 1: How can I bathe, eat, or re enter society when

1455
01:04:14,880 --> 01:04:16,920
Speaker 1: I can watch this twenty four to seven. I'm watching

1456
01:04:17,000 --> 01:04:19,560
Speaker 1: it right now. Granted my skin is gray from lack

1457
01:04:19,560 --> 01:04:22,160
Speaker 1: of sunlight and my leg muscles of atropeed, but I

1458
01:04:22,200 --> 01:04:22,800
Speaker 1: can't get.

1459
01:04:22,720 --> 01:04:24,520
Speaker 4: Enough of it. Five stars.

1460
01:04:25,080 --> 01:04:27,720
Speaker 1: I think that was ironic. I think that was ironic.

1461
01:04:27,760 --> 01:04:31,080
Speaker 1: I don't think that was real. Well, now, of course

1462
01:04:31,120 --> 01:04:33,440
Speaker 1: we come to our favorite portion of the program, and

1463
01:04:33,520 --> 01:04:37,320
Speaker 1: that is when producer Jensen tries to stump us with

1464
01:04:37,440 --> 01:04:42,160
Speaker 1: weird questions. In this one, this little side game is

1465
01:04:42,200 --> 01:04:46,040
Speaker 1: called movie in a movie. In Phantom of the Megaplex,

1466
01:04:46,040 --> 01:04:48,600
Speaker 1: we find ourselves watching characters in a movie whose main

1467
01:04:48,640 --> 01:04:51,840
Speaker 1: goal is to also watch a movie. In their case,

1468
01:04:51,880 --> 01:04:54,960
Speaker 1: it's called midnight mayhem. This is a common thing in metafilms.

1469
01:04:55,000 --> 01:04:56,800
Speaker 1: So we're gonna be given a movie and a list

1470
01:04:56,840 --> 01:04:59,640
Speaker 1: of possible titles to choose from, hoping to pick the

1471
01:04:59,680 --> 01:05:03,480
Speaker 1: movie that is inside of the other movie.

1472
01:05:03,880 --> 01:05:06,439
Speaker 4: Does that make sense? So three out of five wins.

1473
01:05:06,440 --> 01:05:07,880
Speaker 1: So we're gonna get the name of a movie, and

1474
01:05:07,920 --> 01:05:09,960
Speaker 1: we have to talk about the movie that they're.

1475
01:05:09,760 --> 01:05:11,440
Speaker 4: Seeing in that movie.

1476
01:05:11,880 --> 01:05:14,560
Speaker 1: Okay, uh, who do we have with I don't think

1477
01:05:14,600 --> 01:05:15,880
Speaker 1: we have producer Jensen with us today.

1478
01:05:15,880 --> 01:05:17,360
Speaker 4: So who do we have with us today is gonna

1479
01:05:17,360 --> 01:05:18,160
Speaker 4: be helping us out?

1480
01:05:18,520 --> 01:05:20,880
Speaker 2: You have producer Lisa because she's seen Star Wars.

1481
01:05:20,920 --> 01:05:24,160
Speaker 1: Oh thank god, producer Lisa, someone who speaks my language,

1482
01:05:24,160 --> 01:05:27,560
Speaker 1: which is human that's the language my oh, my heart.

1483
01:05:27,640 --> 01:05:28,080
Speaker 4: Here we go.

1484
01:05:28,600 --> 01:05:31,439
Speaker 1: So number one or number one movie is Scream two,

1485
01:05:32,240 --> 01:05:35,280
Speaker 1: so ins which I've never seen. In Scream two was

1486
01:05:35,320 --> 01:05:39,520
Speaker 1: the movie they were watching. Slash A slash, B cut,

1487
01:05:39,800 --> 01:05:42,120
Speaker 1: C stab or D slice?

1488
01:05:42,480 --> 01:05:42,800
Speaker 4: What do you go?

1489
01:05:42,960 --> 01:05:44,400
Speaker 2: I think it's a slash.

1490
01:05:44,800 --> 01:05:46,440
Speaker 4: I'm gonna I'm gonna agree with you. I'm gonna say

1491
01:05:46,440 --> 01:05:47,240
Speaker 4: a slash.

1492
01:05:48,160 --> 01:05:49,680
Speaker 2: You've never seen the Scream movies?

1493
01:05:49,680 --> 01:05:49,919
Speaker 4: Will?

1494
01:05:50,080 --> 01:05:52,919
Speaker 1: I saw the first one. I'm not a horror guy.

1495
01:05:52,960 --> 01:05:53,520
Speaker 1: They're scared.

1496
01:05:53,800 --> 01:05:56,320
Speaker 2: Still got a point. I see all the Scream movies.

1497
01:05:57,000 --> 01:05:57,880
Speaker 2: It is C stab.

1498
01:05:58,280 --> 01:06:02,360
Speaker 4: Oh well then you saw I'm Sabriae. Never trust Sabrina.

1499
01:06:02,440 --> 01:06:04,960
Speaker 3: I've never seen the movie stab, so I honestly that

1500
01:06:05,080 --> 01:06:06,200
Speaker 3: was just a shot in the dark for me.

1501
01:06:06,280 --> 01:06:08,160
Speaker 1: Well, no, I think STAB is the fake movie they're

1502
01:06:08,160 --> 01:06:09,800
Speaker 1: watching in Scream that's the whole point.

1503
01:06:10,080 --> 01:06:12,680
Speaker 3: Yeah, and Scream two, it's the movie that is made

1504
01:06:12,720 --> 01:06:16,800
Speaker 3: about what happened in Scream one. Oh, and they're watching

1505
01:06:16,840 --> 01:06:18,720
Speaker 3: it at like okay, yeah, gotcha.

1506
01:06:19,120 --> 01:06:22,120
Speaker 1: Number two Home Alone is the movie he's watching. A

1507
01:06:22,440 --> 01:06:26,240
Speaker 1: Demons without a conscience, B Saints with a heart see

1508
01:06:26,320 --> 01:06:30,680
Speaker 1: Heavenly Devils tonight or d Angels with filthy souls.

1509
01:06:31,000 --> 01:06:33,400
Speaker 2: Oh, I don't know. I have no idea.

1510
01:06:33,680 --> 01:06:36,400
Speaker 1: I think it's D Angels with Filthy Souls, because doesn't

1511
01:06:36,400 --> 01:06:39,760
Speaker 1: he say, like, here's some hot for a filthy animal.

1512
01:06:39,880 --> 01:06:41,120
Speaker 4: I think it's Angels.

1513
01:06:40,840 --> 01:06:43,560
Speaker 2: With filthy all right, I'll go with D two it

1514
01:06:43,680 --> 01:06:44,640
Speaker 2: is D yes.

1515
01:06:45,640 --> 01:06:49,360
Speaker 1: Number three, The Big Lebowski is the movie they're watching.

1516
01:06:49,480 --> 01:06:54,480
Speaker 1: A log Jamin, B woodstuff in C stick Hunting or

1517
01:06:54,600 --> 01:06:55,960
Speaker 1: D rod Hiding.

1518
01:06:56,960 --> 01:07:01,480
Speaker 4: What do you got Sabrina with BwOs.

1519
01:07:01,800 --> 01:07:05,160
Speaker 1: I'm going with the correct answer, which is A long Jamin.

1520
01:07:05,680 --> 01:07:06,520
Speaker 2: That is correct.

1521
01:07:06,920 --> 01:07:11,560
Speaker 1: Yeah, that's one of the best porno titles ever. Number

1522
01:07:11,600 --> 01:07:15,480
Speaker 1: four south Park, Bigger, Longer, and Uncut are the movie

1523
01:07:15,520 --> 01:07:19,720
Speaker 1: they're watching. Is it A the Fire, B prostate of Power?

1524
01:07:19,960 --> 01:07:23,840
Speaker 1: See butt Cracked or D Super Sphincter, But he got.

1525
01:07:23,720 --> 01:07:30,640
Speaker 2: Sabrina going with B prostate of Power.

1526
01:07:30,920 --> 01:07:33,360
Speaker 4: I am once again going with the correct answer.

1527
01:07:33,080 --> 01:07:36,240
Speaker 2: A the Fire It's correct.

1528
01:07:37,400 --> 01:07:39,360
Speaker 4: Have you seen South Park, Bigger, Longer on cut?

1529
01:07:39,520 --> 01:07:39,800
Speaker 3: No?

1530
01:07:40,080 --> 01:07:45,120
Speaker 4: Oh god, it's it is genius. It is literally genius.

1531
01:07:45,120 --> 01:07:49,920
Speaker 1: As they're watching fire and number five adaptation never seen it.

1532
01:07:50,120 --> 01:07:54,160
Speaker 1: Are they watching A fire, rain, B vandal Eyes, see

1533
01:07:54,280 --> 01:08:01,160
Speaker 1: Haunting Hope or D Racing Heart. Uh A, I'm gonna

1534
01:08:01,160 --> 01:08:03,320
Speaker 1: say bee vandalize No idea.

1535
01:08:03,360 --> 01:08:03,880
Speaker 2: It is B.

1536
01:08:05,560 --> 01:08:08,960
Speaker 4: He wow. I win great.

1537
01:08:09,440 --> 01:08:11,720
Speaker 1: Can we thank you so much Producer Lisa for just

1538
01:08:11,760 --> 01:08:14,240
Speaker 1: being awesome and having seen Star Wars.

1539
01:08:14,240 --> 01:08:14,920
Speaker 4: May the Force be.

1540
01:08:14,920 --> 01:08:17,040
Speaker 2: With you seeing everything? I love it?

1541
01:08:17,320 --> 01:08:19,400
Speaker 4: So can we do a sabritaseas.

1542
01:08:22,680 --> 01:08:23,200
Speaker 2: We can.

1543
01:08:24,040 --> 01:08:27,000
Speaker 3: I didn't see a lot because I really saw so much.

1544
01:08:27,439 --> 01:08:31,120
Speaker 3: Found myself not paying attention very often in this movie.

1545
01:08:31,160 --> 01:08:34,400
Speaker 3: I'm going to be honest, Yes, I had just kind

1546
01:08:34,439 --> 01:08:36,679
Speaker 3: of more so I guess questions, and in a movie

1547
01:08:36,720 --> 01:08:39,960
Speaker 3: like this where we are just constantly confused, I think

1548
01:08:40,000 --> 01:08:41,360
Speaker 3: it's more of the questions.

1549
01:08:42,720 --> 01:08:45,120
Speaker 2: For instance, the gunball moment.

1550
01:08:45,479 --> 01:08:50,759
Speaker 3: Okay, so we have our bully right who For a second,

1551
01:08:50,800 --> 01:08:53,200
Speaker 3: I'm like, oh, wait, do we like him? Because at

1552
01:08:53,200 --> 01:08:57,120
Speaker 3: first he kind of helps the little brother, like oh,

1553
01:08:57,160 --> 01:08:59,160
Speaker 3: you just got to put it right back on, like right,

1554
01:08:59,320 --> 01:09:02,639
Speaker 3: super kind of nice, right yeah, And then of course

1555
01:09:03,040 --> 01:09:05,240
Speaker 3: it breaks, he doesn't want to take ownership of it

1556
01:09:05,280 --> 01:09:07,439
Speaker 3: and he becomes a jerk again. But like kind of

1557
01:09:07,479 --> 01:09:09,400
Speaker 3: just like a weird to me that just wrote it down,

1558
01:09:09,479 --> 01:09:11,600
Speaker 3: So it was like such a weird little moment like

1559
01:09:11,640 --> 01:09:15,080
Speaker 3: he was nice out of like, yeah, a bully with

1560
01:09:15,080 --> 01:09:19,040
Speaker 3: a heart, right of course, the sean tied up just

1561
01:09:19,280 --> 01:09:20,080
Speaker 3: drove me nuts.

1562
01:09:20,200 --> 01:09:23,479
Speaker 2: I'm like there's just no way, you know.

1563
01:09:24,160 --> 01:09:30,280
Speaker 3: I get the first one, yes, but no, like no,

1564
01:09:30,400 --> 01:09:35,439
Speaker 3: and I feel like he Then then again it was

1565
01:09:35,520 --> 01:09:38,160
Speaker 3: like but then he was in the area with the balloons,

1566
01:09:38,240 --> 01:09:42,519
Speaker 3: like when they had the water balloons. Also with the balloons, Lacy,

1567
01:09:43,160 --> 01:09:44,200
Speaker 3: Pete seemed to I.

1568
01:09:44,240 --> 01:09:48,439
Speaker 2: Almost that is Pete the phantom, because he.

1569
01:09:48,479 --> 01:09:52,280
Speaker 3: Knew that that that string was gonna release the balloons.

1570
01:09:52,280 --> 01:09:55,080
Speaker 1: And he was like, Lacy, no, see, I think he

1571
01:09:55,200 --> 01:09:57,880
Speaker 1: just thought the balloon drop was going to be for

1572
01:09:57,960 --> 01:09:59,760
Speaker 1: later in the in the night for the premiere, so

1573
01:09:59,840 --> 01:10:02,120
Speaker 1: he I want to just release the regular balloons. I

1574
01:10:02,120 --> 01:10:04,400
Speaker 1: don't think he knew they were full of water. Okay,

1575
01:10:04,479 --> 01:10:06,200
Speaker 1: would be my guess of how they explain that.

1576
01:10:06,280 --> 01:10:06,720
Speaker 2: Well, I knew.

1577
01:10:06,840 --> 01:10:10,479
Speaker 3: Yeah, it was really strange. That whole of it was

1578
01:10:10,560 --> 01:10:14,040
Speaker 3: so weird. Then we get into the girlfriend. She drove

1579
01:10:14,120 --> 01:10:18,320
Speaker 3: me crazy, not needed a character that in no way

1580
01:10:18,479 --> 01:10:24,479
Speaker 3: was necessary at all. The girl, the little sister's friends

1581
01:10:24,520 --> 01:10:26,880
Speaker 3: were more needed than this girlfriend's situation.

1582
01:10:27,320 --> 01:10:30,799
Speaker 2: So weird. She was not involved in anything.

1583
01:10:31,120 --> 01:10:35,360
Speaker 3: Yeah, and then there was a moment after the bully

1584
01:10:35,479 --> 01:10:40,440
Speaker 3: gets the you know, the ex caliber thing, he like disappeared,

1585
01:10:40,720 --> 01:10:43,800
Speaker 3: We like then never saw him after again. No, so

1586
01:10:43,920 --> 01:10:46,479
Speaker 3: he was kind of the only character in my sense

1587
01:10:46,520 --> 01:10:49,240
Speaker 3: of leading up to that had any kind of significance.

1588
01:10:49,360 --> 01:10:52,920
Speaker 3: He was trying to ruin you know, Pete's day in

1589
01:10:52,960 --> 01:10:55,400
Speaker 3: his night like he was also adding in his like

1590
01:10:55,640 --> 01:10:57,840
Speaker 3: I'm gonna make this you know, I'm gonna get your girl.

1591
01:10:57,920 --> 01:10:59,960
Speaker 4: I'm also gonna make it slightly inconvenient.

1592
01:11:00,280 --> 01:11:02,759
Speaker 2: Yeah, I was going to make it slightly and convenient.

1593
01:11:03,680 --> 01:11:05,400
Speaker 3: And so I was kind of like, I mean, maybe

1594
01:11:05,400 --> 01:11:07,280
Speaker 3: it would be good for him to be the phantom

1595
01:11:07,520 --> 01:11:10,640
Speaker 3: because he like kind of just disappeared, But then he

1596
01:11:10,720 --> 01:11:13,400
Speaker 3: wasn't and it wasn't anything, So there was just a

1597
01:11:13,479 --> 01:11:18,280
Speaker 3: lot of questions of like, where did he go? Why

1598
01:11:18,400 --> 01:11:21,480
Speaker 3: was this character in this movie at all? Like the girlfriend,

1599
01:11:22,439 --> 01:11:25,200
Speaker 3: even the relationship with the mom and the soon to

1600
01:11:25,240 --> 01:11:28,440
Speaker 3: be stepdad was just kind of like I didn't understand

1601
01:11:28,479 --> 01:11:31,360
Speaker 3: why there didn't make a lot of sense to have

1602
01:11:31,840 --> 01:11:35,080
Speaker 3: so many of these characters that we got to know

1603
01:11:35,720 --> 01:11:39,320
Speaker 3: and didn't need, like the theater sitter, who I don't

1604
01:11:39,360 --> 01:11:40,120
Speaker 3: believe is a thing.

1605
01:11:41,160 --> 01:11:42,639
Speaker 2: Where did she go?

1606
01:11:43,880 --> 01:11:44,800
Speaker 4: And why do we care?

1607
01:11:45,240 --> 01:11:47,880
Speaker 2: Why did we care? I don't know, I don't know

1608
01:11:47,880 --> 01:11:48,719
Speaker 2: what's happening.

1609
01:11:48,840 --> 01:11:52,559
Speaker 3: So strange and weird because I feel like we've done.

1610
01:11:52,640 --> 01:11:54,240
Speaker 3: We don't really say this about a lot of is

1611
01:11:54,320 --> 01:11:57,479
Speaker 3: like Stu's movies. His movies are always so thought out,

1612
01:11:57,520 --> 01:11:59,800
Speaker 3: and it was like, but again, I think this was

1613
01:12:00,040 --> 01:12:02,920
Speaker 3: during the time that they were just cranking out movies

1614
01:12:02,960 --> 01:12:05,880
Speaker 3: one after another and not spending the kind of time

1615
01:12:06,000 --> 01:12:08,639
Speaker 3: that a xenon had, right you know what I mean,

1616
01:12:09,400 --> 01:12:11,519
Speaker 3: or whatever, or bring those kinds of movies.

1617
01:12:11,800 --> 01:12:13,639
Speaker 1: I would like to talk to him too, because I'll

1618
01:12:13,680 --> 01:12:16,479
Speaker 1: bet you he was If we talked to Stu again,

1619
01:12:16,560 --> 01:12:19,280
Speaker 1: he'd be like, oh oh, when I first wrote it,

1620
01:12:19,280 --> 01:12:21,719
Speaker 1: it was like lights falling and their kids were in danger,

1621
01:12:21,920 --> 01:12:23,439
Speaker 1: and Disney was like, no, no, no, you got to you

1622
01:12:23,479 --> 01:12:25,040
Speaker 1: got to bring all that back. You got to Disney

1623
01:12:25,040 --> 01:12:28,200
Speaker 1: find I'll bet you he had a draft where it

1624
01:12:28,320 --> 01:12:29,840
Speaker 1: wasn't slightly inconveniencing people.

1625
01:12:29,840 --> 01:12:36,320
Speaker 4: It was like danger danger ye yeah, yeah.

1626
01:12:35,000 --> 01:12:38,519
Speaker 2: Yeah, or or this was a movie that.

1627
01:12:38,720 --> 01:12:40,960
Speaker 3: You know, he said he was kind of their ringer

1628
01:12:41,640 --> 01:12:45,439
Speaker 3: that came in later on and rewrote stuff, so I

1629
01:12:45,479 --> 01:12:46,519
Speaker 3: wonder if he like.

1630
01:12:46,760 --> 01:12:49,559
Speaker 1: Had that's my guest too, But he also produced this movie.

1631
01:12:49,600 --> 01:12:50,479
Speaker 1: He was one of the producers.

1632
01:12:50,680 --> 01:12:53,360
Speaker 2: So then no, yeah, I don't know, I don't know.

1633
01:12:53,520 --> 01:12:55,599
Speaker 4: This was a very rare.

1634
01:12:55,680 --> 01:12:57,840
Speaker 3: Miss I want to say when we talked to him,

1635
01:12:58,160 --> 01:13:00,479
Speaker 3: one of the times we've gotten a chance to interview

1636
01:13:00,560 --> 01:13:02,559
Speaker 3: him twice, I want to say he brought up this

1637
01:13:02,640 --> 01:13:05,519
Speaker 3: movie because I feel like that that's the first time

1638
01:13:05,560 --> 01:13:08,759
Speaker 3: I heard of the Yeah, the movie title.

1639
01:13:08,920 --> 01:13:10,479
Speaker 4: All right, we'll go check it out. It up.

1640
01:13:10,520 --> 01:13:12,200
Speaker 2: I don't know, I'll have to listen to.

1641
01:13:12,200 --> 01:13:13,920
Speaker 4: Yeah, we'll go. We'll go listen to the interviews again.

1642
01:13:13,960 --> 01:13:14,960
Speaker 4: You should as well.

1643
01:13:14,960 --> 01:13:18,320
Speaker 1: Thank you, Sabrina. And now it's time to rate our film.

1644
01:13:18,439 --> 01:13:20,120
Speaker 1: I'm not even to do the joke about one or ten.

1645
01:13:20,200 --> 01:13:22,080
Speaker 1: One's gonna be the worst, ten is gonna be the best.

1646
01:13:22,080 --> 01:13:23,920
Speaker 1: I'm guessing it's going to be closer to one than ten.

1647
01:13:24,320 --> 01:13:28,720
Speaker 1: Are options this week one out of ten grands with

1648
01:13:28,960 --> 01:13:35,519
Speaker 1: extra e tons of unused characters, humongous cereal bowls, one

1649
01:13:35,520 --> 01:13:42,200
Speaker 1: at at Tend, Little Phantom Inconveniences, cinema sitters hot Premiere celebs,

1650
01:13:42,280 --> 01:13:46,760
Speaker 1: one out of ten tough dcon economies, one out of

1651
01:13:46,760 --> 01:13:49,719
Speaker 1: ten babies with butterflies, or one out of ten movie

1652
01:13:49,760 --> 01:13:52,640
Speaker 1: spoiler sites. I think I picked this week, don't I.

1653
01:13:52,640 --> 01:13:58,280
Speaker 1: I'm going to say Little Phantom Inconveniences perfect. Obviously, I

1654
01:13:58,320 --> 01:13:59,679
Speaker 1: forget who goes first? Who goes first?

1655
01:13:59,680 --> 01:14:00,080
Speaker 4: You were me?

1656
01:14:01,439 --> 01:14:03,160
Speaker 2: I think it's my turn to go all right, what

1657
01:14:03,160 --> 01:14:05,559
Speaker 2: are you okay to do that one?

1658
01:14:07,120 --> 01:14:11,759
Speaker 3: You know? I, like I said, I am really looking

1659
01:14:11,800 --> 01:14:14,519
Speaker 3: forward to watching a movie that I like, come out going.

1660
01:14:14,960 --> 01:14:18,679
Speaker 2: I love this movie. Yes, I love to love d coms.

1661
01:14:18,720 --> 01:14:22,800
Speaker 3: It's like the best and most exciting thing of this

1662
01:14:23,040 --> 01:14:23,760
Speaker 3: the week for me.

1663
01:14:23,920 --> 01:14:28,839
Speaker 7: Sometimes that's saying a whole lot, right, I give.

1664
01:14:28,680 --> 01:14:30,280
Speaker 2: This mom a good movie.

1665
01:14:31,040 --> 01:14:34,000
Speaker 4: She works hard, she deserves it.

1666
01:14:34,160 --> 01:14:35,880
Speaker 2: Damn it deserves a good time.

1667
01:14:37,240 --> 01:14:41,639
Speaker 3: This wasn't it, though, this this movie. I again, I

1668
01:14:41,800 --> 01:14:45,040
Speaker 3: like scary movies. I'm here for a Disney one because

1669
01:14:45,040 --> 01:14:48,400
Speaker 3: I don't love to get too scared. I'd love to

1670
01:14:48,439 --> 01:14:50,920
Speaker 3: find the first kind of scary movie I'm gonna like

1671
01:14:51,520 --> 01:14:52,799
Speaker 3: get in front of my daughter.

1672
01:14:54,160 --> 01:14:57,360
Speaker 2: And this wasn't it. It was such a miss for me.

1673
01:14:57,640 --> 01:15:02,599
Speaker 3: I like I said, I fell out of interest time

1674
01:15:02,640 --> 01:15:06,400
Speaker 3: and time again through this movie. So it's probably it

1675
01:15:06,439 --> 01:15:10,080
Speaker 3: wasn't I don't. I don't want to say it wasn't

1676
01:15:10,120 --> 01:15:12,920
Speaker 3: like the worst movie. It just was like, Okay, it

1677
01:15:13,000 --> 01:15:14,680
Speaker 3: was kind of an eye roll for me, right, And

1678
01:15:14,720 --> 01:15:17,040
Speaker 3: I hate saying that, sorry, because I love stew.

1679
01:15:17,439 --> 01:15:21,280
Speaker 2: This was a four. What do we say, Little.

1680
01:15:21,000 --> 01:15:24,160
Speaker 4: Phantom, Little Phantom Inconveniences four?

1681
01:15:24,800 --> 01:15:31,320
Speaker 2: I think fuzz Bucket was higher than this one.

1682
01:15:31,479 --> 01:15:34,120
Speaker 1: Yeah, I would watch fuzz Bucket a thousand times in

1683
01:15:34,160 --> 01:15:34,479
Speaker 1: a row.

1684
01:15:36,080 --> 01:15:39,920
Speaker 4: Fuzz Bucket was short. It was funny because it was crazy.

1685
01:15:40,320 --> 01:15:42,400
Speaker 4: It was so insane. It was like an acid trip,

1686
01:15:42,479 --> 01:15:45,519
Speaker 4: Like I would watch that all every day. Compared to

1687
01:15:45,600 --> 01:15:46,080
Speaker 4: this movie.

1688
01:15:46,360 --> 01:15:51,000
Speaker 1: Yeah, I you literally agree with you on hundred percent.

1689
01:15:51,040 --> 01:15:53,120
Speaker 1: This exact number I was going to go for is four.

1690
01:15:53,560 --> 01:15:57,519
Speaker 1: Hot for Little Phantom Inconveniences. This movie did not know

1691
01:15:57,520 --> 01:16:00,799
Speaker 1: what it was a very very rare miss. I'm Stu Krieger.

1692
01:16:01,360 --> 01:16:04,559
Speaker 1: My guess is he knows there's some story behind it,

1693
01:16:04,600 --> 01:16:06,400
Speaker 1: because this is not a stuw. This does not read

1694
01:16:06,479 --> 01:16:09,760
Speaker 1: like a stew The characters made no sense. A lot

1695
01:16:09,760 --> 01:16:11,479
Speaker 1: of them didn't have any reason to be there. There

1696
01:16:11,520 --> 01:16:15,880
Speaker 1: was no actual stakes that it was. It was weird.

1697
01:16:15,960 --> 01:16:16,960
Speaker 4: This was just a.

1698
01:16:16,800 --> 01:16:19,760
Speaker 1: Weird, weird movie all the way around, and not good weird,

1699
01:16:19,800 --> 01:16:23,479
Speaker 1: not Fuzzbucket weird, just like bad movie weird.

1700
01:16:23,520 --> 01:16:25,400
Speaker 4: So yes, I couldn't agree with you more.

1701
01:16:25,479 --> 01:16:29,639
Speaker 1: I love finding these little gems, like if I sit

1702
01:16:29,720 --> 01:16:32,320
Speaker 1: down and I watch it going to the mat or

1703
01:16:32,360 --> 01:16:34,000
Speaker 1: I watch there's times I will stop the movie and

1704
01:16:34,000 --> 01:16:35,519
Speaker 1: be like, Sue, you got to come watch this, Like

1705
01:16:36,200 --> 01:16:38,080
Speaker 1: Color of Friends and stuff, it's like you got to

1706
01:16:38,160 --> 01:16:40,519
Speaker 1: check this out. Even the Xenons and Cheetah Girls too.

1707
01:16:40,600 --> 01:16:43,519
Speaker 1: I mean, there have been great movies where it's you.

1708
01:16:43,840 --> 01:16:45,880
Speaker 1: Even if they're not great movies, you still walk out

1709
01:16:45,920 --> 01:16:48,719
Speaker 1: going like, all right, High School Musical two was fun.

1710
01:16:48,920 --> 01:16:52,320
Speaker 1: You know, Yes, him on the golf course is absurd

1711
01:16:52,840 --> 01:16:55,400
Speaker 1: and singing to himself in the pond is absurd, but

1712
01:16:55,439 --> 01:16:56,040
Speaker 1: it's fun.

1713
01:16:56,040 --> 01:16:59,200
Speaker 4: And Ashley Tisdale's great. It doesn't take itself too seriously.

1714
01:16:59,600 --> 01:17:00,439
Speaker 4: And then you.

1715
01:17:00,320 --> 01:17:02,280
Speaker 1: Watch movies like this where it's just like I don't

1716
01:17:02,400 --> 01:17:05,760
Speaker 1: know what this is. Yeah, Like this was like Dad

1717
01:17:05,840 --> 01:17:07,400
Speaker 1: napped to where it was just kind of like, what,

1718
01:17:07,400 --> 01:17:09,280
Speaker 1: what's right actually happening here?

1719
01:17:09,280 --> 01:17:13,040
Speaker 2: And to be fair, the kids their acting was great.

1720
01:17:13,080 --> 01:17:14,639
Speaker 2: To me, it was good.

1721
01:17:14,840 --> 01:17:18,599
Speaker 3: It wasn't fine, it was it was just literally the

1722
01:17:18,640 --> 01:17:23,559
Speaker 3: storylineers and the didn't The mount of characters that were

1723
01:17:23,680 --> 01:17:26,520
Speaker 3: in that didn't matter were so strange.

1724
01:17:26,640 --> 01:17:30,080
Speaker 1: And if there is ever a movie that should be

1725
01:17:30,120 --> 01:17:34,600
Speaker 1: remade by Disney, Phantom of the Megaplex made a musical

1726
01:17:34,840 --> 01:17:38,640
Speaker 1: like Phantom of the Opera with actual steaks would be

1727
01:17:38,680 --> 01:17:42,800
Speaker 1: a great deco. Yeah, so they write all new music

1728
01:17:42,880 --> 01:17:44,760
Speaker 1: for it. Just take it off a Phantom of the

1729
01:17:44,840 --> 01:17:45,760
Speaker 1: Opera again, do.

1730
01:17:45,680 --> 01:17:49,240
Speaker 2: It would slay this what I'm saying.

1731
01:17:49,280 --> 01:17:51,800
Speaker 4: Thank god, that's what I'm saying. Do Phantom of the

1732
01:17:51,800 --> 01:17:54,759
Speaker 4: Opera for kids. That's a great kid. But this is sure.

1733
01:17:54,960 --> 01:17:56,240
Speaker 4: This isn't it. This isn't it.

1734
01:17:56,400 --> 01:17:59,280
Speaker 1: Oh yeah, Well, thank you everybody so much for joining

1735
01:17:59,360 --> 01:18:00,280
Speaker 1: us our next movie.

1736
01:18:00,280 --> 01:18:01,080
Speaker 4: Hopefully we'll find it.

1737
01:18:01,120 --> 01:18:03,719
Speaker 1: Hopefully we'll find the Diamond and the Rough again because

1738
01:18:03,720 --> 01:18:04,519
Speaker 1: we need a good one.

1739
01:18:04,800 --> 01:18:07,680
Speaker 4: Brought the first Ta Come ever back to the forefront.

1740
01:18:07,720 --> 01:18:10,519
Speaker 4: That's right. We are still in Boooky season.

1741
01:18:11,560 --> 01:18:15,040
Speaker 1: So we are watching the remake now of under Wraps,

1742
01:18:15,080 --> 01:18:17,200
Speaker 1: released in twenty twenty one. It is on Disney Plus

1743
01:18:17,200 --> 01:18:19,679
Speaker 1: to stream, so maybe get a head start what I'm

1744
01:18:19,680 --> 01:18:21,960
Speaker 1: sure will be a very fun episode. And this week

1745
01:18:21,960 --> 01:18:24,640
Speaker 1: our Parkopper episode keeps us in the theater for an

1746
01:18:24,640 --> 01:18:27,439
Speaker 1: after credit scene because we're chatting with Ricky Maybe from

1747
01:18:27,479 --> 01:18:30,360
Speaker 1: Phantom of the Megaplex. He's got some great Mickey Rooney

1748
01:18:30,360 --> 01:18:32,160
Speaker 1: stories and we talked to him all about his work

1749
01:18:32,160 --> 01:18:32,840
Speaker 1: with Seth Rogan.

1750
01:18:33,160 --> 01:18:35,800
Speaker 4: Let's listen to a little snippet right now.

1751
01:18:36,600 --> 01:18:41,519
Speaker 8: And the great thing about this project personally was it

1752
01:18:41,600 --> 01:18:44,160
Speaker 8: all pretty much takes place over one day, so yeah,

1753
01:18:44,240 --> 01:18:48,400
Speaker 8: we were always in the same wardrobe. Yeah, which, as

1754
01:18:48,520 --> 01:18:52,439
Speaker 8: fellow actors like that is just when you don't have

1755
01:18:52,479 --> 01:18:55,280
Speaker 8: to do wardrog changes all day and you can kind

1756
01:18:55,280 --> 01:18:57,280
Speaker 8: of just like kick it on set.

1757
01:18:58,720 --> 01:18:59,599
Speaker 4: He was hilarious.

1758
01:18:59,600 --> 01:19:02,040
Speaker 1: So make sure to subscribe to the dedicated Magical Rewine

1759
01:19:02,080 --> 01:19:04,439
Speaker 1: feed today and listen to all the interviews that we've

1760
01:19:04,439 --> 01:19:07,920
Speaker 1: done with some incredible people, exclusive cast members, some crew,

1761
01:19:08,000 --> 01:19:10,519
Speaker 1: everybody from Disney Channel, Like we've talked to everybody, So

1762
01:19:10,600 --> 01:19:14,120
Speaker 1: go and listen to it, my friends, and for more info,

1763
01:19:14,240 --> 01:19:16,160
Speaker 1: you can follow us at that internet thing I was

1764
01:19:16,200 --> 01:19:19,719
Speaker 1: talking about at Magical Rewind Pod on the Instagram machine

1765
01:19:20,200 --> 01:19:25,719
Speaker 1: by everybody