WEBVTT - Girls Girling: Nightlife (Bonus)

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<v Speaker 1>I love the idea of being bleeped. It sounds so chic,

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<v Speaker 1>Hi gay not that. No, no, no, we've beaten that

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<v Speaker 1>joke to death. It must stop. Likes that's better. Hello,

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<v Speaker 1>my fellow trans is um, yeah, I I feel like that.

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<v Speaker 1>I love Meg's daughter. She's amazing and also this new

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<v Speaker 1>season of Hacks like very fun to watch her. You know. No, no, no,

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<v Speaker 1>we are not talking about any media because peeling back

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<v Speaker 1>the curtain a little bit on the real lives of

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<v Speaker 1>myself and Ms Frangela Toronto Angela, we are spending them

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<v Speaker 1>on apart frants in New York. I'm still in Los Angeles,

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<v Speaker 1>and you know, it's pride and we should be closer

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<v Speaker 1>than ever. So we decided that, you know, we wanted

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<v Speaker 1>to spend a little time together catching up over zoom

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<v Speaker 1>and figured like, why not record it and make content

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<v Speaker 1>out of it since that is what we've done with

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<v Speaker 1>our entire relationship. Well, you know, obviously we protect a

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<v Speaker 1>lot of our friendship as well, but like, this is

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<v Speaker 1>a moment where we're like, as a gift to the virgins,

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<v Speaker 1>we want to bestow on you because it's a pride gift.

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<v Speaker 1>And we talked about like what this could look like,

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<v Speaker 1>and we mutually agreed. Even though I violated the agreement immediately,

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<v Speaker 1>we mutually agreed that this would be a non news discussion.

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<v Speaker 1>This is a key, Okay, this is we are just

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<v Speaker 1>like two sisters catching up talking about our lives in

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<v Speaker 1>a way that is very different from the other podcast

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<v Speaker 1>in which we usually catch up and talk about our lives. Yeah, exactly. Well,

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<v Speaker 1>the thing about having a key is, UM, you have

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<v Speaker 1>to like go out and do stuff so you can

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<v Speaker 1>later talk about it. And that's going to be really

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<v Speaker 1>a bit of it. Make it. I didn't say it.

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<v Speaker 1>I wasn't gonna be the one to say it, but

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<v Speaker 1>you hope that you it was implied because it wasn't fled.

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<v Speaker 1>It wasn't fling. But like I, thankfully, thankfully, I've had

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<v Speaker 1>a very eventful week emotionally saying saying I And we're

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<v Speaker 1>also in UM. This is usually the time when I

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<v Speaker 1>would be in therapy. So I'm going to use this

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<v Speaker 1>as an excuse to um, you know, pour out personally

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<v Speaker 1>details for thousands of people to listen. Yes, I'm happy

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<v Speaker 1>to be your therapist. This is a lovely update in

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<v Speaker 1>our relationship. Can we talk about the power of adderall

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<v Speaker 1>because so I'm trying to find a psychiatrist because like

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<v Speaker 1>I've been feeling very unfocused. I'm working on a book

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<v Speaker 1>right now, and I need an adderall prescription. Hopefully none

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<v Speaker 1>of my potential psychiatrists are listening to this podcast, and

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<v Speaker 1>we'll know that. I've been getting m P and France

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<v Speaker 1>to give me uh samples, a sample sample, And the

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<v Speaker 1>other day I slammed an adderall. And when I tell you,

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<v Speaker 1>I have never felt I mean obviously like I've used

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<v Speaker 1>adderall before. I by vans like everything, but I forgot

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<v Speaker 1>just the power of like when you have something you

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<v Speaker 1>need to get done, taking an adderall and just like

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<v Speaker 1>sitting down and just fucking blowing through it and knowing

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<v Speaker 1>the whole time that you were a genius. Genius. No

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<v Speaker 1>one in the world is more creatively talented than I was.

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<v Speaker 1>I was like, right, I was writing a couple of

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<v Speaker 1>chapters of the book I'm working on, and as I

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<v Speaker 1>was writing, I was like speaking it and like typing

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<v Speaker 1>the words. That's like a good process for me. And

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<v Speaker 1>when I would finish a chapter, I would like read

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<v Speaker 1>it all back and I'd be like, oh my god,

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<v Speaker 1>you are fucking Joan Didian, you are jk rowling like

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<v Speaker 1>you are. It isn't it amazing when you use adderall

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<v Speaker 1>for it's like defined purpose as opposed to, you know,

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<v Speaker 1>recreationally like snorting it at parties. Well, the first time,

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<v Speaker 1>the first time I ever did adderall was also the

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<v Speaker 1>first I ever did cocaine, which you chicely hate. I

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<v Speaker 1>hate cocaine, But the first time I ever did both

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<v Speaker 1>of them. I was in college and there was this

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<v Speaker 1>kid I went to school with who did have an

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<v Speaker 1>overdose our first semester of college. He survived, but one

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<v Speaker 1>night he just like came over to my dorm room.

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<v Speaker 1>We lived across the hall from each other. It was like,

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<v Speaker 1>do you want to do cocaine? And I was like, okay,

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<v Speaker 1>I've never done it before. And so we did a

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<v Speaker 1>bunch of lines of cocaine and mixed with adderall, and

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<v Speaker 1>then he put on these ruby slipper platform shoes that

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<v Speaker 1>he had and we just walked around the block that

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<v Speaker 1>our dorm was on for like six hours. Oh my god,

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<v Speaker 1>that is honestly, that makes me nervous. I I I

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<v Speaker 1>don't even know the first time I took adderall. It

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<v Speaker 1>was actually my prescription adderall, so I don't have like

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<v Speaker 1>a kind of crazy story, but I'm trying to think

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<v Speaker 1>up the first time I did cocaine, I did feel

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<v Speaker 1>like my heart was going to explode, which I also

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<v Speaker 1>the summer Out for Local original recipe existed when it

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<v Speaker 1>was when it was like before before they literally had

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<v Speaker 1>to change the formula because it was getting people like

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<v Speaker 1>too drunk into hype. My friends and I used to

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<v Speaker 1>like slam to four locals into an eight ball of

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<v Speaker 1>cocaine just to like go out or just like hang

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<v Speaker 1>out and like talk. And you know when you do that,

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<v Speaker 1>like that cocaine talk where you're like, oh my god,

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<v Speaker 1>I love you. See, we are the best friends in

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<v Speaker 1>the world. We're gonna be friends until our nine You

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<v Speaker 1>are my sister Molly talk. But also a little coke talk.

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<v Speaker 1>I guess it's it's fast talk. It's fast talking. You're

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<v Speaker 1>just like exchanging ideas very fear ferociously, like sitting in

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<v Speaker 1>someone's bedroom lit by a single like lamp and just

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<v Speaker 1>talking about like rolling in the deep which would just

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<v Speaker 1>come out um and talking about it for like eight hours.

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<v Speaker 1>I think the first time I ever did coke was

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<v Speaker 1>at the Diamond Tor shoe and they used to do

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<v Speaker 1>this amazing plub kid party that I can't remember the name. Yes,

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<v Speaker 1>pretty ugly. That was, like, I mean, this is back

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<v Speaker 1>when I really was I did count myself amongst a

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<v Speaker 1>class of men who date men um and that really

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<v Speaker 1>it really was like a fucking men party, but they

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<v Speaker 1>were at least like clubs. That was also when I

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<v Speaker 1>counted myself as a class of men. Yes, not multile

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<v Speaker 1>not multi level marketing schemes, but mm um yeah, but

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<v Speaker 1>I I I think I remember really loving that party

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<v Speaker 1>because you know, we got to turn looks and like that.

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<v Speaker 1>The looks were like really really good. But I think

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<v Speaker 1>the venue is no longer called the Diamond Horseshoe. It's

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<v Speaker 1>called like the Samsung Galaxy Arena or something stupid like

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<v Speaker 1>the Yeah, every iconic venue is slowly going to be

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<v Speaker 1>turned into you know, cryptocurrency dot com or whatever. Like

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<v Speaker 1>every single venue is getting like you know, they get

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<v Speaker 1>bought by a corporation with a really ugly name that

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<v Speaker 1>you don't want to have to say all the time

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<v Speaker 1>when you say meet me at the zok doc you

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<v Speaker 1>know bar or whatever. I mean, that's why nightlife has

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<v Speaker 1>changed so much, because like At the time when I

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<v Speaker 1>was working in nightlife and was throwing parties, it was

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<v Speaker 1>a time when there were a lot of venues and

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<v Speaker 1>there were all these d i y spaces that you

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<v Speaker 1>could rent for a night if you like had you know,

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<v Speaker 1>a couple of thousand dollars and you could throw like

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<v Speaker 1>a disgusting you know, queer rave at. And now like

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<v Speaker 1>if you want to throw parties on that scale, like

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<v Speaker 1>they have to be a level of like corpora tized. Yeah,

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<v Speaker 1>and exactly it's and people getting paid, like like club

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<v Speaker 1>kids like submitting W two's to get paid. And let

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<v Speaker 1>me tell you, getting club kids to submit W two's,

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<v Speaker 1>I can tell you from experience impossible. Getting a drag

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<v Speaker 1>queen to fill out one single form. You might as

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<v Speaker 1>well like she might as well be dead. Like it's

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<v Speaker 1>it's not going to happen for you, Um, but that

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<v Speaker 1>is it really does. That's something that really sucks about nightlife,

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<v Speaker 1>the gentrification of nightlife, the kind of collapse of financial

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<v Speaker 1>infrastructure and nightlife is like in order to have like

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<v Speaker 1>a really successful party, it has to either cater to

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<v Speaker 1>white men or charge you know, thirty five dollars to enter.

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<v Speaker 1>And it's and that sucks because like night let people

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<v Speaker 1>in night life deserve to make a living. This deserves

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<v Speaker 1>to be a viable job, and everyone gets should be

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<v Speaker 1>paid their due um, except for like the scammers and

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<v Speaker 1>the abusers, of which in nightlife there are many um.

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<v Speaker 1>But like I I just I don't know. It makes

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<v Speaker 1>me depressed sometimes. Yeah, it really does come down to

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<v Speaker 1>like who has the ability to fund space? And I

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<v Speaker 1>guess at the time when I was throwing parties, it

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<v Speaker 1>was just like a little easier to make that happen.

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<v Speaker 1>But also when I think about it, like the people

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<v Speaker 1>who were like renting venues and like did it because

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<v Speaker 1>they had some kind of top at all, or like

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<v Speaker 1>some kind of hustle. Because there weren't a lot of

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<v Speaker 1>like permanent venues. There was the spectrum, which you know,

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<v Speaker 1>like r I P went through, went through so many iterations.

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<v Speaker 1>Actually I was gonna say, I said rest in peace,

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<v Speaker 1>but it's really more rest in chaos like that that

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<v Speaker 1>unless you're doing it at a really big scale or

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<v Speaker 1>like has some kind of like backers or whatever, it's

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<v Speaker 1>really hard to make money and night I mean trying

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<v Speaker 1>to do gorgeous, gorgeous this party in l A, which

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<v Speaker 1>is by the way, on the tenth at the Resident

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<v Speaker 1>in downtown Los Angeles, you can get tickets, you know

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<v Speaker 1>if you just check out my social Like this party,

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<v Speaker 1>it involves so much planning from the four of us, UM, DJ,

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<v Speaker 1>Louis La la Omar and myself, and yet like we

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<v Speaker 1>are barely breaking even because we want to pay talent

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<v Speaker 1>and we want to pay hosts, like everyone wants to

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<v Speaker 1>be paid, And I fucking hate parties that don't pay people,

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<v Speaker 1>Like there are still, especially in West Hollywood, parties that

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<v Speaker 1>are like literally not paying hosts, being like you get

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<v Speaker 1>to drink tickets and your name on a poster and

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<v Speaker 1>that's that. And it's like it's like that is that's gross.

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<v Speaker 1>That's gross, I know, And that hasn't changed since I

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<v Speaker 1>was working a nightlife and I started, like I started

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<v Speaker 1>throwing parties ten years ago. Yeah, I love the Poppy

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<v Speaker 1>Juice model because I think when I hosted like a

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<v Speaker 1>few prides ago, they paid me I think like three

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<v Speaker 1>hundred dollars, which is like a lot for a host

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<v Speaker 1>in my opinion, But and also like they emailed me

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<v Speaker 1>and they were like, you know, you don't have any responsibilities,

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<v Speaker 1>like here's the poster assets, but like you don't have

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<v Speaker 1>to like bring twenty people. We just want you to

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<v Speaker 1>have fun, Like your job is to show up and

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<v Speaker 1>have fun, and like you know, like bringing people thing.

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<v Speaker 1>The first party I ever hosted, we used to get

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<v Speaker 1>paid per head of people scam scan. This is an

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<v Speaker 1>m l M MLM and MLM Lally, there were nights

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<v Speaker 1>when I like, I only brought to people and you know,

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<v Speaker 1>so I would make like like or what I where

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<v Speaker 1>it was. I remember one nay I hosted this Susanne

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<v Speaker 1>barsh party and I was there for literally forty five minutes,

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<v Speaker 1>and then I like went to her. I was like

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<v Speaker 1>because I had another party that I had to work

0:11:10.720 --> 0:11:12.480
<v Speaker 1>that night, and I was like, hey, babe, like I

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<v Speaker 1>have to go, and she was like, oh hold on,

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<v Speaker 1>let me let me write you a check. And then

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<v Speaker 1>she had her assistant in the middle of the dance sport.

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<v Speaker 1>She wrote me a check on her assistance back and

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<v Speaker 1>gave it to me, And I made I made more

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<v Speaker 1>in like forty five minutes of being that party that

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<v Speaker 1>I did like in a week at my full time

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<v Speaker 1>office job. That is iconic. That is like I love

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<v Speaker 1>Susanne bar so much. Um that reminds me of the

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<v Speaker 1>SNL sketch Checks, you know with Sandra and Oh my God,

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<v Speaker 1>and it's written by Bowen and Julio. Is one of

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<v Speaker 1>the funniest SNL sketches of all times. Like Checks, Well,

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<v Speaker 1>Susanne barsh is very they never speak of this again.

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<v Speaker 1>She said she still pays everyone by check. She has

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<v Speaker 1>an a o L email address. Of course, she lives

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<v Speaker 1>at the Chelsea Hotel. Like that is the only person

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<v Speaker 1>to this day to live the Chelsea Hotel because it

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<v Speaker 1>used to be like an artist residency where a lot

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<v Speaker 1>of different kind of long types of people like maple

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<v Speaker 1>Thorpe and Um Patty Smith. I actually UM had like

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<v Speaker 1>an affair with someone who by affair, I mean like

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<v Speaker 1>I picked someone up at Nowhere Bar and like spend

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<v Speaker 1>a night with him. But that's an affair, that's a

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<v Speaker 1>Brooklyn affair. Yeah, he was in town, like he was

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<v Speaker 1>a tourist and he was staying at the Chelsea Hotel.

0:12:28.520 --> 0:12:31.240
<v Speaker 1>And this was right after the summer that I read

0:12:31.320 --> 0:12:35.000
<v Speaker 1>Just Kids. It was like such a quintessential New York

0:12:35.000 --> 0:12:38.199
<v Speaker 1>experience book is so perfect it is, I like picked

0:12:38.240 --> 0:12:41.000
<v Speaker 1>this guy up, we went and got pizza and went

0:12:41.000 --> 0:12:43.520
<v Speaker 1>back to the Chelsea Hotel and fucked all night, and

0:12:43.559 --> 0:12:47.440
<v Speaker 1>I was like, I am Patty Smith, I am Robert Thorpe,

0:12:47.920 --> 0:12:50.280
<v Speaker 1>I am all I am Well oh my god, Okay, wait,

0:12:50.320 --> 0:12:52.720
<v Speaker 1>you just dug up so much for me. I used

0:12:52.760 --> 0:12:55.840
<v Speaker 1>to host this other party at Beauty and Essex. Do

0:12:55.880 --> 0:12:58.920
<v Speaker 1>you remember that place? It's like I used to live

0:12:58.920 --> 0:13:01.360
<v Speaker 1>her on the corner front, so non non New Yorkers.

0:13:01.360 --> 0:13:04.520
<v Speaker 1>Beauty and Essex is a speak easy style um bar

0:13:04.920 --> 0:13:09.200
<v Speaker 1>wherein you go through an instrument repair shop to a

0:13:09.280 --> 0:13:11.960
<v Speaker 1>secret kind of bar that's like covered in red velvet.

0:13:11.960 --> 0:13:14.440
<v Speaker 1>It's very sexy and sleep but it's also like garbage.

0:13:14.440 --> 0:13:17.800
<v Speaker 1>And the worst people in Manhattan thrive in Beauty and Essex.

0:13:18.160 --> 0:13:21.000
<v Speaker 1>And I would ascend this velvet staircase pastor rope if

0:13:21.040 --> 0:13:23.000
<v Speaker 1>you like, you know, said the name Fran at the door,

0:13:23.040 --> 0:13:25.000
<v Speaker 1>and I remember I felt like so sheet. But it

0:13:25.040 --> 0:13:28.480
<v Speaker 1>was all produced by Michael, who's this like cereal like

0:13:28.880 --> 0:13:32.600
<v Speaker 1>horrible person. Honestly, a lot of party promoters are horrible people,

0:13:32.640 --> 0:13:34.960
<v Speaker 1>Like I mean not to name drop people. Actually we

0:13:34.960 --> 0:13:37.080
<v Speaker 1>can just we can. We can bleep it, but we'll

0:13:37.080 --> 0:13:52.160
<v Speaker 1>bliep it up. You do start feeling when you work

0:13:52.280 --> 0:13:55.840
<v Speaker 1>enough of those parties that like you, like you understand

0:13:56.040 --> 0:14:00.280
<v Speaker 1>that you are there to provide atmosphere for the people

0:14:00.320 --> 0:14:03.600
<v Speaker 1>who were actually paying to be there, who are paying

0:14:03.679 --> 0:14:06.520
<v Speaker 1>you to be there, and there is a very fine

0:14:06.600 --> 0:14:10.480
<v Speaker 1>line of feeling very valued and very disposable. Like I mean,

0:14:10.480 --> 0:14:13.600
<v Speaker 1>this is like a like totally stupid whatever example. But

0:14:14.000 --> 0:14:17.000
<v Speaker 1>at Holy Mountain, the Lady Fag party that I hosted,

0:14:17.080 --> 0:14:19.280
<v Speaker 1>like from the beginning of it, I don't know if

0:14:19.280 --> 0:14:22.120
<v Speaker 1>you ever went, but it was at Sleep and in

0:14:22.160 --> 0:14:26.080
<v Speaker 1>the main room, the Obsidian Room City, and there was

0:14:26.120 --> 0:14:28.760
<v Speaker 1>that booth in the back that like for the whole

0:14:28.760 --> 0:14:32.080
<v Speaker 1>maybe like first year, was where all the hosts hung

0:14:32.080 --> 0:14:34.080
<v Speaker 1>out on that floor, you know, and it felt very

0:14:34.200 --> 0:14:38.760
<v Speaker 1>like we were in there, like feeling fabulous, looking down

0:14:38.760 --> 0:14:41.440
<v Speaker 1>on everybody and like would do drugs in there and

0:14:41.480 --> 0:14:45.920
<v Speaker 1>like whatever. And then there was one night where Erica

0:14:46.080 --> 0:14:51.080
<v Speaker 1>Jane and we got kicked and we got kicked out

0:14:51.080 --> 0:14:53.960
<v Speaker 1>of the booth. And then from then on it was

0:14:54.040 --> 0:14:57.080
<v Speaker 1>like very clear that that booth was for actual v

0:14:57.160 --> 0:14:59.680
<v Speaker 1>i p s and not to the people who were

0:14:59.680 --> 0:15:03.480
<v Speaker 1>worked the part that fucking sucks, and that honestly is

0:15:03.520 --> 0:15:07.160
<v Speaker 1>a testament to how ugly queer spaces can be when

0:15:07.200 --> 0:15:11.040
<v Speaker 1>they prioritize people based on class or eliteness and not

0:15:11.120 --> 0:15:14.640
<v Speaker 1>actually usually people were like coming in, we're coming into

0:15:14.680 --> 0:15:17.560
<v Speaker 1>like do like a little Safari moment where they're seeing

0:15:17.560 --> 0:15:20.680
<v Speaker 1>the sights for the night. That booth at Holy Mountain

0:15:21.320 --> 0:15:25.880
<v Speaker 1>ended one of my relationships literally, yes, how so so

0:15:26.120 --> 0:15:29.120
<v Speaker 1>I dated this ballet dancer briefly. He is, unfortunately one

0:15:29.240 --> 0:15:32.120
<v Speaker 1>of I think six ballet dancers I have dated or

0:15:32.160 --> 0:15:35.160
<v Speaker 1>hooked up, which is honestly, like that needs to be

0:15:35.360 --> 0:15:37.600
<v Speaker 1>I'm investigated. I mean, it's just it's just that I

0:15:37.640 --> 0:15:41.920
<v Speaker 1>like pretty pretty girls. I love bone structure and huge thighs.

0:15:42.200 --> 0:15:46.120
<v Speaker 1>But anyways, this guy was like he was rich, That's

0:15:46.120 --> 0:15:49.160
<v Speaker 1>what I'll say. He was rich. He was young, so

0:15:49.400 --> 0:15:51.520
<v Speaker 1>he was a brat. But he was hot and a

0:15:51.560 --> 0:15:54.160
<v Speaker 1>ballet dancer, so I didn't care. And one time I

0:15:54.200 --> 0:15:56.000
<v Speaker 1>was like, let's go to Holy Mountain UM. But we

0:15:56.040 --> 0:15:58.360
<v Speaker 1>didn't go together for whatever reason I can't remember. I

0:15:58.400 --> 0:16:01.840
<v Speaker 1>think he was coming with friends and I wasn't hosting.

0:16:02.080 --> 0:16:05.840
<v Speaker 1>But I had been invited to like sit a mandelaport's

0:16:05.920 --> 0:16:08.400
<v Speaker 1>table in the booth or whatever, the area where you

0:16:08.400 --> 0:16:10.400
<v Speaker 1>like look down on the rest of the venue, and

0:16:10.440 --> 0:16:13.920
<v Speaker 1>so when this guy came, I was already in the

0:16:13.920 --> 0:16:16.000
<v Speaker 1>booth and looking down to people, and I texted him.

0:16:16.040 --> 0:16:17.600
<v Speaker 1>I was like, come up to the booth, come up

0:16:17.600 --> 0:16:19.720
<v Speaker 1>to the booth, like let's hang, let's let's drink, and

0:16:19.760 --> 0:16:21.760
<v Speaker 1>blah blah blah. And I was very in my jug

0:16:22.240 --> 0:16:25.960
<v Speaker 1>and he never ever came up at any point like

0:16:26.000 --> 0:16:28.120
<v Speaker 1>I would have been able to let him in. And

0:16:28.160 --> 0:16:30.240
<v Speaker 1>I was like, wait, what's going on? And I was

0:16:30.280 --> 0:16:32.560
<v Speaker 1>like should I go down and find him? Like I

0:16:32.600 --> 0:16:35.000
<v Speaker 1>don't really, he wasn't really texting me back, and like

0:16:35.400 --> 0:16:38.680
<v Speaker 1>when I finally like met up with him, I think

0:16:38.680 --> 0:16:40.880
<v Speaker 1>he was like I'm leaving and I was like what.

0:16:40.960 --> 0:16:43.080
<v Speaker 1>And so we went outside and proceeded to have like

0:16:43.120 --> 0:16:49.280
<v Speaker 1>a cigarette infused argument about yes, there out outside the

0:16:49.280 --> 0:16:51.640
<v Speaker 1>barber girl. We were both tourists, which is like a

0:16:51.720 --> 0:16:54.480
<v Speaker 1>key component of like why this didn't work out, And

0:16:55.120 --> 0:16:56.920
<v Speaker 1>he was like you were up there in the booth

0:16:56.960 --> 0:16:59.520
<v Speaker 1>like fully just like in your and like you just

0:16:59.560 --> 0:17:01.480
<v Speaker 1>think you're better than everyone else. And it was such

0:17:01.520 --> 0:17:03.840
<v Speaker 1>a power play and like I felt it like blah blah,

0:17:03.880 --> 0:17:06.719
<v Speaker 1>And I was like a power play, mama, Like how

0:17:06.760 --> 0:17:10.280
<v Speaker 1>insecure are you? That also mean it kind of was.

0:17:10.920 --> 0:17:14.960
<v Speaker 1>It's not power play to say come join me, but

0:17:15.119 --> 0:17:17.600
<v Speaker 1>they do. But I'm sure there was part of it

0:17:17.640 --> 0:17:22.080
<v Speaker 1>that was if you got him to see you in

0:17:22.119 --> 0:17:26.960
<v Speaker 1>that context of like but being being a special person

0:17:27.680 --> 0:17:30.840
<v Speaker 1>in this space. But of course I do like why,

0:17:31.040 --> 0:17:33.760
<v Speaker 1>like what I need to feel bad at? I totally

0:17:33.760 --> 0:17:36.280
<v Speaker 1>get that there was there was. There was nothing more

0:17:36.280 --> 0:17:41.920
<v Speaker 1>exhilarating to me than arriving at a party, walking past

0:17:42.119 --> 0:17:45.679
<v Speaker 1>the line, waiting to get inside, going up to the

0:17:45.720 --> 0:17:49.840
<v Speaker 1>door person and saying Hi, I'm on the list, or

0:17:49.920 --> 0:17:53.399
<v Speaker 1>like hi, I'm hosting tonight, or like working. It's the

0:17:53.400 --> 0:17:56.320
<v Speaker 1>best feeling ever. I mean, the worst feeling ever is

0:17:56.359 --> 0:17:59.040
<v Speaker 1>when you do that and your name isn't on the list,

0:17:59.240 --> 0:18:02.200
<v Speaker 1>oh my, and you have to either like stand there

0:18:02.240 --> 0:18:06.200
<v Speaker 1>and wait while they like confirm with someone or get

0:18:06.240 --> 0:18:08.479
<v Speaker 1>turned away, which I mean I would never has not

0:18:08.720 --> 0:18:10.440
<v Speaker 1>has not happened to me. I would never take no

0:18:10.560 --> 0:18:12.920
<v Speaker 1>for an answer. I would just argue until their resistance

0:18:13.000 --> 0:18:15.919
<v Speaker 1>was weekend like I although that did happen to me

0:18:16.000 --> 0:18:18.520
<v Speaker 1>one time, but it was in Berlin. There was this

0:18:18.520 --> 0:18:20.280
<v Speaker 1>this party that I was going to with a bunch

0:18:20.320 --> 0:18:24.480
<v Speaker 1>of locals, and they all got in because they were

0:18:24.560 --> 0:18:27.520
<v Speaker 1>friends with the door girl and I because I was

0:18:27.560 --> 0:18:29.680
<v Speaker 1>like the tourist I did, I like didn't know them well.

0:18:29.720 --> 0:18:31.600
<v Speaker 1>I like I had met them through friends of friends.

0:18:32.000 --> 0:18:35.520
<v Speaker 1>And Berlin is very like not that kind of city,

0:18:35.600 --> 0:18:38.680
<v Speaker 1>Like they make people wait and so they all got

0:18:38.760 --> 0:18:42.000
<v Speaker 1>in and I had to wait in line, and like

0:18:42.119 --> 0:18:44.160
<v Speaker 1>I eventually got to cut the line, but I did

0:18:44.200 --> 0:18:47.399
<v Speaker 1>wait for like two hours. I mean everyone else waited

0:18:47.440 --> 0:18:53.240
<v Speaker 1>for like five hours. But it was humiliated. I it

0:18:53.359 --> 0:18:57.200
<v Speaker 1>reminds me, honestly of the Madonna party at the Boom

0:18:57.200 --> 0:18:59.520
<v Speaker 1>Moon Room that kicked off Pride last summer, which is

0:18:59.560 --> 0:19:02.320
<v Speaker 1>too long of a story for me to tell now,

0:19:02.359 --> 0:19:04.080
<v Speaker 1>but maybe I'll tell it for a future for a

0:19:04.080 --> 0:19:06.680
<v Speaker 1>future key, because I do actually have to tell you

0:19:06.720 --> 0:19:08.560
<v Speaker 1>about what I did last night and why I am

0:19:08.840 --> 0:19:11.840
<v Speaker 1>severely hungover right now. Okay, wait, I do want it.

0:19:11.920 --> 0:19:15.040
<v Speaker 1>One thing though, is when you are working the door,

0:19:15.240 --> 0:19:18.200
<v Speaker 1>which I have done a couple of time's never done

0:19:18.240 --> 0:19:22.440
<v Speaker 1>that before. I used to fill in for um for

0:19:22.480 --> 0:19:26.800
<v Speaker 1>Amy at the door Westgate occasionally, and the one night

0:19:26.840 --> 0:19:29.520
<v Speaker 1>I did was the night that is Zalia Banks performed

0:19:29.520 --> 0:19:33.080
<v Speaker 1>at Westgate. So the worst people on the planet are kind,

0:19:33.480 --> 0:19:36.399
<v Speaker 1>but but a girl That night was the night I

0:19:36.480 --> 0:19:41.080
<v Speaker 1>was taking bribes to get in and I made on

0:19:41.200 --> 0:19:43.160
<v Speaker 1>top of what I was getting paid to work the door,

0:19:43.600 --> 0:19:46.679
<v Speaker 1>I made like four hundred dollars that in bribes the

0:19:46.720 --> 0:19:49.040
<v Speaker 1>people who just wanted to get in and cut the line.

0:19:49.160 --> 0:19:51.720
<v Speaker 1>That's iconic. That's and then I and then I got

0:19:51.760 --> 0:19:54.920
<v Speaker 1>to like go upstairs to the booth and watch Zonias.

0:19:55.119 --> 0:19:58.960
<v Speaker 1>What's a good bribe? Like twenty bucks? Fifty bucks? Um?

0:19:58.960 --> 0:20:01.760
<v Speaker 1>Fifty was like the baseline. That's what I was gonna say.

0:20:01.800 --> 0:20:05.639
<v Speaker 1>I feel like it would have to be fifty um. Okay, um,

0:20:05.680 --> 0:20:09.280
<v Speaker 1>that is iconic. Azially Banks does draw some really some

0:20:09.560 --> 0:20:13.919
<v Speaker 1>really um terrifying crowds. As someone who's been in multiple

0:20:13.960 --> 0:20:17.280
<v Speaker 1>Assally Banks crowds before. Um, but I have to tell you, Okay,

0:20:17.320 --> 0:20:19.359
<v Speaker 1>so last night I went to this coach party which

0:20:19.359 --> 0:20:21.960
<v Speaker 1>was at the Monster. Do you remember the Monster? Yes,

0:20:22.119 --> 0:20:25.480
<v Speaker 1>I haven't really have spent a few quite a few

0:20:25.760 --> 0:20:29.640
<v Speaker 1>um nights that I would I would rather forget. It's

0:20:29.640 --> 0:20:32.040
<v Speaker 1>a it's a really I really love it, but it

0:20:32.119 --> 0:20:36.879
<v Speaker 1>is kind of a lost dingy gay bar. In the

0:20:36.960 --> 0:20:39.080
<v Speaker 1>last time I was like the Monster was when I

0:20:39.240 --> 0:20:45.920
<v Speaker 1>performed the Cell Blocked Tango from Chicago with Charlene Slater,

0:20:46.080 --> 0:20:50.080
<v Speaker 1>g S. Dring and um Amber Alert and a couple

0:20:50.160 --> 0:20:53.200
<v Speaker 1>other girls. That sounds we had like we had done

0:20:53.200 --> 0:20:56.520
<v Speaker 1>it one night at Straight Acting, I think, and then

0:20:56.600 --> 0:20:59.640
<v Speaker 1>like kind of toward it around a few different parties.

0:21:00.680 --> 0:21:03.639
<v Speaker 1>We did it at the Monster. We did it at

0:21:03.680 --> 0:21:09.280
<v Speaker 1>the party that Frankie Sharp used to throw at the Jane. Yeah, anyway,

0:21:09.520 --> 0:21:14.440
<v Speaker 1>that's so wait, wait, that's so funny. I um, I wait,

0:21:14.520 --> 0:21:17.080
<v Speaker 1>I have to know that, I think video if I

0:21:17.280 --> 0:21:19.560
<v Speaker 1>still have it on my phone, I will send it. Okay,

0:21:19.560 --> 0:21:22.800
<v Speaker 1>I'm dying to see. I have to know where you pop?

0:21:22.880 --> 0:21:26.480
<v Speaker 1>Were you cioa, where you lipshits? I don't actually remember, Rose,

0:21:26.560 --> 0:21:29.679
<v Speaker 1>how can you not remember? I don't know, but I

0:21:29.720 --> 0:21:32.240
<v Speaker 1>will I will. I will find it and send it

0:21:32.280 --> 0:21:34.520
<v Speaker 1>to you. And then he ran into my knife. That

0:21:34.520 --> 0:21:36.840
<v Speaker 1>would be you, that's my guess. No, I don't think

0:21:36.880 --> 0:21:40.000
<v Speaker 1>that was me. I think I was. I was. I

0:21:40.040 --> 0:21:46.400
<v Speaker 1>was not Velma because that was shar obviously. M Well,

0:21:46.400 --> 0:21:47.920
<v Speaker 1>we'll figure it out, we'll figure it out. We'll figure

0:21:47.920 --> 0:21:50.919
<v Speaker 1>it out. Um okay, like so yeah, coach had it.

0:21:50.920 --> 0:21:53.440
<v Speaker 1>It was like in collaboration with the Monster, which I

0:21:53.480 --> 0:21:56.639
<v Speaker 1>think is cool. It's like a historic queer bar. And

0:21:57.480 --> 0:22:01.359
<v Speaker 1>Daniel Rasmussen, who did the pr for this, like pulled

0:22:01.760 --> 0:22:06.320
<v Speaker 1>the most amazing crowd for this coach party, and like I, I,

0:22:06.520 --> 0:22:08.560
<v Speaker 1>you know, I'm not a I'm not a fashion girl,

0:22:09.000 --> 0:22:11.159
<v Speaker 1>so I kind of had low expectations for it. I

0:22:11.200 --> 0:22:12.960
<v Speaker 1>was like, oh, you know, if I'm invited, like then

0:22:13.000 --> 0:22:14.480
<v Speaker 1>I don't know who's going to be there. It was

0:22:14.520 --> 0:22:17.800
<v Speaker 1>like everyone. It was like everyone who organized Brook Liberation

0:22:17.880 --> 0:22:20.520
<v Speaker 1>with me. It was the cast of Fire Island. It

0:22:20.800 --> 0:22:23.680
<v Speaker 1>Rajah was there and when I walked in, I immediately

0:22:23.720 --> 0:22:26.000
<v Speaker 1>saw Mark Jacobs, like it was just like the who's

0:22:26.040 --> 0:22:29.440
<v Speaker 1>who of like New York queer scenes and like Um

0:22:29.480 --> 0:22:33.720
<v Speaker 1>Aquaria djade Um as well as oscar Enia from Poppy Juice.

0:22:34.119 --> 0:22:37.240
<v Speaker 1>And there was some performance by Saucy Santana which was

0:22:37.640 --> 0:22:43.720
<v Speaker 1>so good. But Rose I got blitzed and I don't

0:22:43.760 --> 0:22:46.560
<v Speaker 1>know why, but I was like, I'm gonna drink champagne

0:22:46.560 --> 0:22:48.879
<v Speaker 1>tonight because like champagne is on the open bar and

0:22:48.920 --> 0:22:52.640
<v Speaker 1>I'm guzzling champagne. At some point someone hands me extra

0:22:52.640 --> 0:22:54.439
<v Speaker 1>glasses of champagne. I walked away from the bar with

0:22:54.440 --> 0:22:56.399
<v Speaker 1>two glasses every time because it was so difficult to

0:22:56.400 --> 0:22:59.680
<v Speaker 1>get to the bar, and I got so so smashed.

0:23:00.240 --> 0:23:02.320
<v Speaker 1>At a certain point of the night, a neon sign

0:23:02.440 --> 0:23:05.040
<v Speaker 1>caught on fire because of some of the tinsel that

0:23:05.119 --> 0:23:09.120
<v Speaker 1>was behind it, and Willie Norris, Willie Norris takes everyone's

0:23:09.160 --> 0:23:10.800
<v Speaker 1>like throwing water on it. We're all faggots, so we

0:23:10.960 --> 0:23:12.240
<v Speaker 1>don't know what to do. We're like, how do we

0:23:12.240 --> 0:23:14.000
<v Speaker 1>fix this fire? The things on fire? Oh my god?

0:23:14.160 --> 0:23:18.240
<v Speaker 1>And Willie Norris comes out of nowhere with an extinguisher,

0:23:19.200 --> 0:23:22.440
<v Speaker 1>like full glam, like putting this fucking fire out. I'm

0:23:22.480 --> 0:23:24.479
<v Speaker 1>still looking for footage of it, if and if anybody

0:23:24.480 --> 0:23:27.240
<v Speaker 1>can find footage and send it to me. Um, but like,

0:23:27.600 --> 0:23:33.720
<v Speaker 1>my god, like this party was crazy, and unfortunately Matt

0:23:33.880 --> 0:23:39.600
<v Speaker 1>fucking Rogers was like, let's do shots. Rose. Why did

0:23:39.640 --> 0:23:41.840
<v Speaker 1>I do shots? Matt Rogers? Why did you make us

0:23:41.880 --> 0:23:45.720
<v Speaker 1>do shots? I'm very angry about this because putting a

0:23:45.760 --> 0:23:49.480
<v Speaker 1>shot on top of a belly of champagne is basically

0:23:49.800 --> 0:23:52.600
<v Speaker 1>does me. And I'm out for the night. My stomach

0:23:52.680 --> 0:23:56.119
<v Speaker 1>just turned. I do not remember the rest of the night,

0:23:56.160 --> 0:23:58.959
<v Speaker 1>but I remember having a ton of fun. But unfortunately

0:23:59.760 --> 0:24:03.040
<v Speaker 1>I did have sex planned after this party, um with

0:24:03.119 --> 0:24:05.919
<v Speaker 1>someone with like an ex who I have like a

0:24:05.960 --> 0:24:11.000
<v Speaker 1>really wonderful relationship with now and um, I basically like

0:24:11.119 --> 0:24:12.960
<v Speaker 1>I I like called them a voice momitor. I don't

0:24:12.960 --> 0:24:15.120
<v Speaker 1>even remember, but I was just like just a very warning.

0:24:15.440 --> 0:24:19.040
<v Speaker 1>I'm blitzed, like I'm so sorry. I did not plan

0:24:19.160 --> 0:24:22.200
<v Speaker 1>to be this drunk and I was so drunk that

0:24:22.240 --> 0:24:26.760
<v Speaker 1>we couldn't have sex. I literally was incapable, and it

0:24:26.800 --> 0:24:28.280
<v Speaker 1>was I mean, we know each other well enough that

0:24:28.320 --> 0:24:30.760
<v Speaker 1>it was fine, but I was still embarrassed and I

0:24:30.800 --> 0:24:34.160
<v Speaker 1>was like, God, like this this sucks. And also while

0:24:34.160 --> 0:24:36.119
<v Speaker 1>I was blitzed, I don't know why they did this,

0:24:36.320 --> 0:24:38.840
<v Speaker 1>but like while I was like ship faced on my

0:24:38.880 --> 0:24:41.240
<v Speaker 1>bed and we're like talking and like laughing about like

0:24:41.280 --> 0:24:43.120
<v Speaker 1>how drunk I am and how we can't even hook up,

0:24:43.320 --> 0:24:45.520
<v Speaker 1>they decided to take that moment to be like, hey,

0:24:45.600 --> 0:24:47.480
<v Speaker 1>you sub tweeted me the other day and it really

0:24:47.520 --> 0:24:49.520
<v Speaker 1>bothered me and here's why I hurt my feelings. And

0:24:49.520 --> 0:24:53.359
<v Speaker 1>I was like no, like because I was like it

0:24:53.440 --> 0:24:55.359
<v Speaker 1>was something that I shouldn't have done. It was it was,

0:24:55.400 --> 0:24:56.840
<v Speaker 1>it was not it was not a nice thing to

0:24:56.880 --> 0:24:59.960
<v Speaker 1>tweet um, but but they brought it up in that moment.

0:25:00.000 --> 0:25:01.680
<v Speaker 1>It and also they don't have Twitter, so I didn't

0:25:01.680 --> 0:25:03.840
<v Speaker 1>think they were ever going to see but someone sent

0:25:03.920 --> 0:25:06.960
<v Speaker 1>it to them, which is like, don't be a fucking cops. Sorry, um,

0:25:07.000 --> 0:25:09.359
<v Speaker 1>but they literally were like, um, hurt my feelings. And

0:25:09.400 --> 0:25:11.359
<v Speaker 1>I was like, I, you know, I want to do

0:25:11.480 --> 0:25:13.440
<v Speaker 1>right by you and I want to be accountable for

0:25:13.480 --> 0:25:15.879
<v Speaker 1>my behavior, but not in this state of mind I

0:25:15.920 --> 0:25:18.640
<v Speaker 1>am in right now. I mean, that's what happens when

0:25:18.640 --> 0:25:21.720
<v Speaker 1>you're that sucked up, as you go from sucking to processing,

0:25:21.840 --> 0:25:36.679
<v Speaker 1>like immediately. Well, I think since we've been you know,

0:25:36.760 --> 0:25:39.280
<v Speaker 1>catching up and being a little more personal, a little

0:25:39.280 --> 0:25:43.040
<v Speaker 1>more vulnerable, why don't we like try telling each other

0:25:43.080 --> 0:25:47.159
<v Speaker 1>a secret? A secret? Oh? Yes, I think we should

0:25:47.160 --> 0:25:49.800
<v Speaker 1>try and do a little game of truth or truth

0:25:50.000 --> 0:25:52.840
<v Speaker 1>when we do these little keys. Yes, and if I'm

0:25:52.840 --> 0:25:56.240
<v Speaker 1>telling the truth, these secrets were actually prepared by producer

0:25:56.280 --> 0:26:00.800
<v Speaker 1>Phoebe as we've been, who wrote some really juicy question yeah,

0:26:00.880 --> 0:26:03.400
<v Speaker 1>some of which we absolutely will not be answering when

0:26:03.440 --> 0:26:06.240
<v Speaker 1>there's a microphone recording our responses, and some of which

0:26:06.359 --> 0:26:09.200
<v Speaker 1>are a drag like many of them are a read

0:26:09.320 --> 0:26:12.359
<v Speaker 1>in and of themselves. Yes, I do feel like we

0:26:12.359 --> 0:26:15.679
<v Speaker 1>are being live sub treated by Phoebe um, as we

0:26:15.760 --> 0:26:18.399
<v Speaker 1>often are while we record as it should be. Yeah,

0:26:18.440 --> 0:26:21.240
<v Speaker 1>so so yeah for in which of these questions do

0:26:21.280 --> 0:26:26.240
<v Speaker 1>you want to answer? Well, one of them is, uh,

0:26:26.359 --> 0:26:29.120
<v Speaker 1>as people with public personalities, what is your favorite thing

0:26:29.200 --> 0:26:33.240
<v Speaker 1>you lie about to your fallowers? Which is like now

0:26:33.280 --> 0:26:36.719
<v Speaker 1>they're gonna know. But the thing about podcasting is like

0:26:36.920 --> 0:26:39.679
<v Speaker 1>this stuff never like you know, catch us fire like

0:26:39.760 --> 0:26:42.920
<v Speaker 1>gets transcribed, and so we can say anything we want

0:26:42.920 --> 0:26:44.760
<v Speaker 1>and honestly, no one will ever know about it except

0:26:44.800 --> 0:26:47.119
<v Speaker 1>for the you know, small select people, a group of

0:26:47.160 --> 0:26:50.240
<v Speaker 1>people that listen to this pod. Okay, I'm going to

0:26:50.359 --> 0:26:54.119
<v Speaker 1>have kind of, um a boring answer because it's not

0:26:54.160 --> 0:26:56.639
<v Speaker 1>a lie. I feel like I'm actually pretty honest with

0:26:56.680 --> 0:26:59.639
<v Speaker 1>the way I present myself online except meybe like the

0:26:59.760 --> 0:27:02.880
<v Speaker 1>law I have like face tune, which I don't use anymore.

0:27:03.280 --> 0:27:07.560
<v Speaker 1>But I think I try to engage with social media

0:27:07.640 --> 0:27:09.840
<v Speaker 1>in a way that feels very like I don't care

0:27:09.880 --> 0:27:12.439
<v Speaker 1>about any of this, like I could take this or

0:27:12.480 --> 0:27:15.400
<v Speaker 1>leave this, I could delete my Twitter tomorrow, um, when

0:27:15.400 --> 0:27:18.720
<v Speaker 1>in fact, like I actually receive a lot of validation

0:27:19.320 --> 0:27:22.159
<v Speaker 1>from the attention I get on social media, and so

0:27:22.240 --> 0:27:25.880
<v Speaker 1>like the casual nous of it is the lie can

0:27:25.920 --> 0:27:28.040
<v Speaker 1>we talk about this for a second, because when we

0:27:28.080 --> 0:27:31.879
<v Speaker 1>spent a few New Years ago together, you know, before

0:27:31.920 --> 0:27:34.000
<v Speaker 1>we went to this like random party, we were laying

0:27:34.000 --> 0:27:36.440
<v Speaker 1>in bed and you showed me like at the time,

0:27:36.520 --> 0:27:40.480
<v Speaker 1>how you like photoshopped your photos, and my jaw dropped.

0:27:40.520 --> 0:27:42.200
<v Speaker 1>I was like, what have I been missing out on

0:27:42.359 --> 0:27:45.080
<v Speaker 1>this whole time? Because I, you know, used to photoshop

0:27:45.080 --> 0:27:47.679
<v Speaker 1>my photos a lot too, and now I don't. But

0:27:47.720 --> 0:27:50.200
<v Speaker 1>I had never used face tune before or whatever app

0:27:50.240 --> 0:27:51.920
<v Speaker 1>that was. It was like, really like it was face

0:27:52.280 --> 0:27:54.840
<v Speaker 1>It was a lot. I know, I was a really

0:27:54.920 --> 0:27:58.840
<v Speaker 1>heavy handed face tune user, and like nothing nod it

0:27:58.880 --> 0:28:03.200
<v Speaker 1>looked unnatural. It no, it was it was really like

0:28:03.520 --> 0:28:07.199
<v Speaker 1>I wanted to look the way that I looked if

0:28:07.240 --> 0:28:11.239
<v Speaker 1>I took like the perfect photo of myself or you know,

0:28:11.359 --> 0:28:14.120
<v Speaker 1>just like twisting the things that I don't like about

0:28:14.160 --> 0:28:16.719
<v Speaker 1>my face or like whatever. And it was also at

0:28:16.720 --> 0:28:19.120
<v Speaker 1>a time when I was just like posting a lot more,

0:28:19.320 --> 0:28:22.280
<v Speaker 1>was like much more visible on social mediaw you're back

0:28:22.320 --> 0:28:25.399
<v Speaker 1>to being visible. So maybe it's uh, but your but

0:28:25.440 --> 0:28:27.560
<v Speaker 1>your thirst traps are one up to now you don't

0:28:27.560 --> 0:28:30.719
<v Speaker 1>have to use the face tune. I don't post like

0:28:30.800 --> 0:28:34.320
<v Speaker 1>that anymore. So I don't find myself needing to use

0:28:34.359 --> 0:28:36.760
<v Speaker 1>face tune. But then again, like that is the lie.

0:28:36.840 --> 0:28:40.320
<v Speaker 1>Like I do want the validation that comes from posting

0:28:40.360 --> 0:28:43.520
<v Speaker 1>a lot, but I am like so cognizant of wanting

0:28:43.560 --> 0:28:47.320
<v Speaker 1>to do this performance of not caring about social media.

0:28:47.520 --> 0:28:49.960
<v Speaker 1>But like to be fair, we both have very low

0:28:49.960 --> 0:28:54.520
<v Speaker 1>self esteem, like we were very insecure. I'll speak for

0:28:54.560 --> 0:28:57.400
<v Speaker 1>myself at least, like I'm very insecure, and like I

0:28:57.520 --> 0:28:59.680
<v Speaker 1>you know, a lot of this is reparative work, Okay,

0:28:59.720 --> 0:29:02.479
<v Speaker 1>I'm trying to grab the compliments that, like, you know,

0:29:02.520 --> 0:29:04.800
<v Speaker 1>to make up for lost time of like telling myself

0:29:04.880 --> 0:29:06.960
<v Speaker 1>that I was ugly for like you know, twenty years

0:29:07.000 --> 0:29:10.000
<v Speaker 1>or whatever, thirty years. And I feel like, um, I mean,

0:29:10.120 --> 0:29:12.600
<v Speaker 1>I luckily don't photoshop anymore either, but I used to

0:29:12.640 --> 0:29:18.320
<v Speaker 1>like make my ass bigger, which is so embarrassing. So

0:29:18.360 --> 0:29:21.680
<v Speaker 1>but obviously, I mean, James Charles doesn't need photoshop. But

0:29:21.720 --> 0:29:24.120
<v Speaker 1>you know, she she's she's got the real deal, I

0:29:24.160 --> 0:29:27.080
<v Speaker 1>mean real in air quotes. Um. But like I I mean,

0:29:27.120 --> 0:29:30.640
<v Speaker 1>now my are obsessed with James Charles. I am, I am,

0:29:30.680 --> 0:29:32.920
<v Speaker 1>I won't stop talking about her. Um, but like I

0:29:33.000 --> 0:29:36.800
<v Speaker 1>literally yeah him say his name. Yeah, So what's what's

0:29:36.840 --> 0:29:41.360
<v Speaker 1>your lie? Your followers? I mean, honestly, I this is

0:29:41.400 --> 0:29:43.680
<v Speaker 1>like a white lie, and I think it's relatable. I

0:29:43.680 --> 0:29:45.200
<v Speaker 1>think a lot of people do this, but like I

0:29:45.280 --> 0:29:49.720
<v Speaker 1>always say, like, I'm from Chicago, but the realty is

0:29:50.600 --> 0:29:53.800
<v Speaker 1>I was born on the South Side of Chicago, which

0:29:53.840 --> 0:29:56.600
<v Speaker 1>is Chicago, Chicago. But then like when I was five

0:29:56.680 --> 0:30:00.280
<v Speaker 1>or six, my parents moved into a suburb and so worried.

0:30:00.400 --> 0:30:04.040
<v Speaker 1>It's so barring. Can we can we can we each

0:30:04.080 --> 0:30:08.280
<v Speaker 1>tell each other what we think the answer should be. Okay, okay, yeah, yeah, okay.

0:30:08.520 --> 0:30:11.479
<v Speaker 1>So the lie that I think is that you are

0:30:11.520 --> 0:30:16.400
<v Speaker 1>not as nice as you present on that and I

0:30:16.440 --> 0:30:19.680
<v Speaker 1>mean that as a compliment. Is a compliment, But you are.

0:30:19.960 --> 0:30:23.680
<v Speaker 1>You are fucking queer mother Teresa on social media. You

0:30:23.720 --> 0:30:27.080
<v Speaker 1>are hey babies, I love you so much. You are

0:30:27.120 --> 0:30:30.360
<v Speaker 1>holding space for everyone, and you are not that nice,

0:30:31.080 --> 0:30:35.720
<v Speaker 1>not straight. You are my sister, but you you are

0:30:35.960 --> 0:30:39.880
<v Speaker 1>much you are And this is again I mean this

0:30:39.960 --> 0:30:42.520
<v Speaker 1>as a compliment. You are much meaner I r L

0:30:42.640 --> 0:30:45.280
<v Speaker 1>than you than you present online. I take that as

0:30:45.280 --> 0:30:47.920
<v Speaker 1>a compliment and I will own it because with my friends,

0:30:47.960 --> 0:30:50.800
<v Speaker 1>I'm a very tough lover I'm very direct. I don't

0:30:50.800 --> 0:30:52.959
<v Speaker 1>spend a lot of time coddling. I just tell you

0:30:52.960 --> 0:30:55.080
<v Speaker 1>how it is. If you are coming to me to vent,

0:30:55.480 --> 0:30:57.400
<v Speaker 1>I'm usually not the right person to do it. I'm like,

0:30:57.560 --> 0:31:00.640
<v Speaker 1>let's problem solve, you know what I mean? Um, but

0:31:00.680 --> 0:31:03.600
<v Speaker 1>if I don't know you, God help you. Like, I

0:31:03.640 --> 0:31:06.520
<v Speaker 1>don't have a poker face, so I immediately turn off

0:31:06.560 --> 0:31:08.440
<v Speaker 1>if I'm not interested in conversation with you, And it's

0:31:08.520 --> 0:31:11.920
<v Speaker 1>very apparent that, like I don't care about this conversation. Um.

0:31:12.000 --> 0:31:14.640
<v Speaker 1>And I also just like if someone crosses me, like,

0:31:14.720 --> 0:31:17.440
<v Speaker 1>I have no problem being like, um, excuse me, I'm

0:31:17.480 --> 0:31:21.440
<v Speaker 1>worth more, you know. Um? But yeah, as I should.

0:31:21.520 --> 0:31:24.240
<v Speaker 1>But yes, what do you think? What do you think?

0:31:24.280 --> 0:31:28.320
<v Speaker 1>My lie? Is? I think you're a lie? I think

0:31:28.360 --> 0:31:32.480
<v Speaker 1>you're a lie? Is that all your tweets are sublime

0:31:32.480 --> 0:31:34.400
<v Speaker 1>moments of genius that happened on the spot, when in

0:31:34.440 --> 0:31:39.480
<v Speaker 1>reality you test drive them on me first. I definitely

0:31:39.480 --> 0:31:43.160
<v Speaker 1>do test drive them a lot. A lot of things

0:31:43.240 --> 0:31:45.480
<v Speaker 1>I tweet are things that I say in real life,

0:31:45.600 --> 0:31:47.840
<v Speaker 1>and then if someone laughs at them, I'm like I

0:31:47.880 --> 0:31:51.360
<v Speaker 1>should tweet that, yes, yeah, and I experienced that a lot,

0:31:51.520 --> 0:31:53.320
<v Speaker 1>like I'll be you know, I'll do my kind of

0:31:53.320 --> 0:31:56.120
<v Speaker 1>my semi regular like checking on your Twitter, and I'll

0:31:56.120 --> 0:31:57.840
<v Speaker 1>be scrolling and I'll be like, oh, yeah, Rose said

0:31:57.840 --> 0:31:59.560
<v Speaker 1>that to me the other day, So I guess it

0:31:59.600 --> 0:32:02.040
<v Speaker 1>makes sense. But you know, like it's it works out

0:32:02.080 --> 0:32:05.600
<v Speaker 1>for me because, as you know, I forget absolutely everything

0:32:05.640 --> 0:32:07.200
<v Speaker 1>I say to you as soon as I say it.

0:32:07.320 --> 0:32:09.720
<v Speaker 1>So to me. When I'm tweeting these things, they're brand new.

0:32:09.920 --> 0:32:12.680
<v Speaker 1>It's really just a journal, a diarrhe of sorts. Yeah,

0:32:12.800 --> 0:32:15.320
<v Speaker 1>just making sure you don't think I don't think I'm

0:32:15.440 --> 0:32:18.000
<v Speaker 1>lying by tweeting things like, it's not like I'm saying,

0:32:18.000 --> 0:32:19.960
<v Speaker 1>oh I just had It's not like every tweet to

0:32:20.000 --> 0:32:22.120
<v Speaker 1>have I I preface it by saying, oh, I just

0:32:22.160 --> 0:32:24.520
<v Speaker 1>had this amazing thought for the first time, and I

0:32:24.560 --> 0:32:27.440
<v Speaker 1>can't wait to share it with all forty four thousand

0:32:27.520 --> 0:32:31.960
<v Speaker 1>of you who follow me. Yeah exactly, Oh my god. Wow. Well,

0:32:32.040 --> 0:32:35.680
<v Speaker 1>now that we've exposed each other, I feel like this

0:32:35.800 --> 0:32:40.760
<v Speaker 1>has yeah, rosen Frand exposed. So we just asked each

0:32:40.800 --> 0:32:43.960
<v Speaker 1>other this, you know, like extremely personal question. Just tried

0:32:44.000 --> 0:32:47.120
<v Speaker 1>to expose each other. Ask a secret um for the

0:32:47.120 --> 0:32:49.800
<v Speaker 1>next the next couple of weeks. As we're doing these

0:32:49.880 --> 0:32:53.840
<v Speaker 1>you know, Girls are Girling episodes. If you have a

0:32:53.960 --> 0:32:56.680
<v Speaker 1>question that you want to ask us, want us to

0:32:56.720 --> 0:33:01.280
<v Speaker 1>ask each other something very vulnerable, personal, vulnerable on Maine. UM,

0:33:01.360 --> 0:33:03.960
<v Speaker 1>slide into our d M s at like a virgin

0:33:04.040 --> 0:33:10.000
<v Speaker 1>for UM, and you know, pitch some questions and we

0:33:10.040 --> 0:33:22.320
<v Speaker 1>will answer them on air. And as always, please you know,

0:33:22.480 --> 0:33:28.240
<v Speaker 1>follow our finsta, UM, follow us UM at roads damn

0:33:28.280 --> 0:33:30.560
<v Speaker 1>you and you can follow me at Franz Squish Co

0:33:30.840 --> 0:33:36.000
<v Speaker 1>anywhere you want. Much thanks to our producer Phoebe who

0:33:36.400 --> 0:33:38.520
<v Speaker 1>really took in stride that we decided, Hey, let's do

0:33:38.600 --> 0:33:41.520
<v Speaker 1>four extra episodes this month, UM and create more work

0:33:41.560 --> 0:33:44.080
<v Speaker 1>for you and of course UM, thank you everyone at

0:33:44.080 --> 0:33:47.760
<v Speaker 1>i Heeart. This is an i Heeart Media production. Happy Pride,

0:33:47.840 --> 0:33:50.080
<v Speaker 1>Thank you corporation. Bye gay