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Speaker 1: I am all in.

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Speaker 2: You.

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Speaker 3: I am all in with Scott Patterson and iHeart Radio podcast.

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Speaker 1: Hey everybody, Scott Patterson, iimill and podcasts. I Heart Radio

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Speaker 1: one eleven productions. I'm joined by my intrepid cru Tara Sued,

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Speaker 1: Susanne French, the new kid on the Block, and Stalwart.

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Speaker 1: You know where you love her? Sometimes you don't love

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Speaker 1: her so much as you really do.

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Speaker 3: Love her lately, Yes.

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Speaker 1: But lately we really love her and everybody does and should.

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Speaker 1: Sugar and Amy has a little titbit of infromation. Yes,

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Speaker 1: thank you on Warmer colleagues.

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Speaker 4: Danielle Queen Danielle. The baby. The baby's great, about eight pounds, adorable, amazing.

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Speaker 4: I won't reveal the baby's real name. We'll let her

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Speaker 4: do that when she comes back. But I do know

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Speaker 4: the Gilmore girl's name that the baby almost got.

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Speaker 3: Oh I guess.

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Speaker 4: I yeah, send your guesses because I will reveal it

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Speaker 4: at the end of this episode. Ah gosh, Tara, what

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Speaker 4: is your guess? And I'm gonna have a poker face.

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Speaker 3: Okay, I think Gilmore related. It was gonna be Milo.

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Speaker 1: Milo Romo.

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Speaker 5: Moreno, it's Moo, She's Romo's her Mabelo Moreno.

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Speaker 4: Do you have a guess.

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Speaker 2: I hadn't thought about it, but I'm gonna guess Logan

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Speaker 2: stalking Moreno.

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Speaker 1: I think it's because Moreno. I think it's with Moreno.

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Speaker 4: We'll all find out at the end of this episode.

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Speaker 4: Do I sound like after the break exactly?

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Speaker 1: I thought he walked in? What's weird? How'd you do

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Speaker 1: that after the break?

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Speaker 6: Yeah?

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Speaker 4: You do it better.

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Speaker 1: We'll find out the baby's nine. No, right, I don't

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Speaker 1: do access.

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Speaker 4: I'll have the big reveal.

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Speaker 1: Well, that's that's great. Anyway, I hope everybody caught the

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Speaker 1: first episode of Sullivan's crossing. We got a nice number.

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Speaker 1: C W is very excited. It's going to be Wednesday nights,

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Speaker 1: eight o'clock seven.

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Speaker 4: Good rating.

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Speaker 1: Thanks, Yeah, yeah, we were. CW's really over the moon

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Speaker 1: over it. And uh, we'll just keep building and building

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Speaker 1: and keep making episodes right up here doing that very thing. Anyway,

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Speaker 1: let's get into this U season so far always a godmother,

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Speaker 1: never a god What do we think?

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Speaker 4: Well, I know people just really turn on season six

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Speaker 4: so far totally good.

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Speaker 1: It's great.

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Speaker 7: It's just see this is where I turn even this

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Speaker 7: episode tre Yeah, this is where I I don't know,

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Speaker 7: it's just I kind of agree with I'm kind of

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Speaker 7: with the fans on this one.

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Speaker 3: It's this is where I'm just like, it's not Rory.

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Speaker 4: That's actually pretty true.

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Speaker 3: That's my only issue, by the way, Like I feel

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Speaker 3: like the rest is fine, it's just the Rory storyline.

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Speaker 4: Yeah, yeah, she isn't being rory ish well sometimes but not.

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Speaker 3: I think it's just hard to accept when people grow

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Speaker 3: up and change, you know, and when you're used to

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Speaker 3: five seasons of a character and then she really flipped,

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Speaker 3: like it was like complete flip.

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Speaker 4: You know.

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Speaker 3: So yeah, I mean I still enjoy it, but that's

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Speaker 3: definitely where I kind of start falling off.

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Speaker 1: All right, Well, Susanne, you want to synopsize for him?

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Speaker 2: I would love to synopsize.

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Speaker 1: He's been waiting to synopsize, and you can see you

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Speaker 1: can see it in her face.

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Speaker 2: I didn't get to do it last time because I

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Speaker 2: had a conflict, so I now I've been waiting to synopsize.

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Speaker 1: I know, I think I had to do it. I

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Speaker 1: don't know what my ratings were, but no, actually, Suzanne

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Speaker 1: texted me and she says, if I if I don't synopsize,

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Speaker 1: I'm gonna hunt you down. I'm going to end you.

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Speaker 1: So go ahead. This is this is a synopsisation, and

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Speaker 1: I give you, ladies and gentlemen.

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Speaker 2: Susanne French well By, thank you for that kind introduction.

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Speaker 2: Season six, episode four, Always a Godmother, Never a God.

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Speaker 2: This aired on October fourth, two thousand and five. Jackson's

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Speaker 2: quirky family is in town for his children's baptisms. Suki

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Speaker 2: asks Lorelayah and Rory to be gone my others and

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Speaker 2: lore I suspects it's a ploy to get them together. Also,

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Speaker 2: Luke freaks out when Brian and Zach spend all of

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Speaker 2: the band's tour money.

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Speaker 4: Mm hmm, so okay, I'll just throw it out there.

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Speaker 4: The tour money thing bugged. But we can talk about that.

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Speaker 4: But Nick Offerman, he look licking the.

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Speaker 1: Key was so cringe and so great.

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Speaker 4: I mean, wow, it licks her. Luke, Now we're both wet.

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Speaker 1: No, let's get out. It looks his thumb touches her

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Speaker 1: touches himself.

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Speaker 4: Is awesome.

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Speaker 2: My whole episode is like one long favorite line like this.

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Speaker 1: It really is right. There's so many Oh god.

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Speaker 4: But man, can we just get it out of the way.

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Speaker 4: Dumb recording equipment stuff. I literally was like, can we

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Speaker 4: move on from this? Like this is so annoying. I

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Speaker 4: feel why would they take nine thousand dollars and buy

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Speaker 4: broke ass equipment?

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Speaker 1: Oh?

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Speaker 4: Did you like? Was it amusing or am I the

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Speaker 4: only one that was just like.

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Speaker 1: It just it just falls flat, you know, it's uh it.

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Speaker 1: I liked the scene in the diner that yes, that

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Speaker 1: was good. Yeah, I like that stuff, you know it

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Speaker 1: really yeah, I flat. I threw a flag on that

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Speaker 1: one too flat.

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Speaker 4: Great guy, he was a great guy. Like there sales associated.

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Speaker 3: I'm just right right, yeah, Suzanne, like it just dragged,

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Speaker 3: like we could have kept that diner scene and then

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Speaker 3: that was it, like we didn't need everything. And then

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Speaker 3: like they didn't get it was like they didn't get changed.

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Speaker 3: It was like you just spent all the month. Like

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Speaker 3: I was like, you guys aren't like five years old

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Speaker 3: buying a toy.

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Speaker 2: You know, spent nine thousand dollars because this guy was

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Speaker 2: really cool?

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Speaker 3: You think I was gonna make it also nine thousand

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Speaker 3: dollars in two thousand and.

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Speaker 4: Five, right, you know I spent like twenty thousand dollars

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Speaker 4: Like that was annoying and come on, they're not really

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Speaker 4: doing that, you know what I mean, Like those guys

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Speaker 4: aren't criminals that are gonna steal the band money and

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Speaker 4: not talk Elaine about it or poor Gil like come on, yeah, dumb,

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Speaker 4: but the rest pretty into. I have a few criticisms,

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Speaker 4: but right from the start, I always like how they

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Speaker 4: I think they do this well. Scott Luke's off camera

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Speaker 4: and you hear him off camera, you know, like about

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Speaker 4: the base boards, even though it was so dated, the

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Speaker 4: videotapes because I had that.

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Speaker 1: I had it too.

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Speaker 2: I still have boxes of vhs stake, you know what.

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Speaker 3: I kind of was with her when she was like,

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Speaker 3: but you get to watch the original commercials, Like, I

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Speaker 3: kind of get it.

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Speaker 4: Scott, did you to like record your work on video tapes?

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Speaker 1: I never recorded my work. I never wanted to say it.

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Speaker 4: When Gilmore Girls was out, there were DVDs obviously because

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Speaker 4: they're at the end too, but I think I still

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Speaker 4: definitely had a ton of my videos.

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Speaker 3: It was like the end of it, right, like two

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Speaker 3: thousand and four or five was the end of recording

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Speaker 3: on vhs.

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Speaker 1: Well, thanks changing that.

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Speaker 4: I miss videos and I lost a few. But the

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Speaker 4: fact that we all don't have to have all that

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Speaker 4: crap is really nice, like all those DVDs and all

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Speaker 4: the vhs, the set tapes kind of nice that it's

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Speaker 4: all just like in your phone.

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Speaker 1: Well, I don't know about that, really, I don't agree

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Speaker 1: with I don't know if I agree with you about that.

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Speaker 4: You liked having it on the like something you could touch.

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Speaker 1: Well, is this a different conversation?

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Speaker 4: Really? Are you a record guy? You like you?

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Speaker 3: Oh?

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Speaker 1: God?

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Speaker 4: Yeah, you've got records?

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Speaker 1: I do. I have lots of them. I love that

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Speaker 1: records are that is the portal into that world, and

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Speaker 1: it's a physical square, and the record itself is round

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Speaker 1: portal into their brains, that band's brain. They've got the

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Speaker 1: liner notes, you can read all that stuff. Who worked

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Speaker 1: on the album, who produced the album? You got the lyrics,

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Speaker 1: you got the photography inside the liner, You've got stories,

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Speaker 1: You've got all kinds of things. I mean, it's an

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Speaker 1: accompaniment to why when you put the headphones on and

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Speaker 1: listen to the album from start to finish, I'm telling you,

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Speaker 1: I'm about to go on. I'm gonna have a Scott rant.

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Speaker 1: Steve Jobs ruined music when he convinced when he convinced

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Speaker 1: the top artists to simply release singles, stop releasing albums.

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Speaker 1: You can put them on my platform. We'll take thirty percent,

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Speaker 1: you get seventy.

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Speaker 4: Do you think he did it? It wasn't just his idea,

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Speaker 4: It was his idea.

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Speaker 3: Yeah, listen, Oh sure, I never listened to I'm with Scott,

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Speaker 3: Like I was not for DVDs and movies like those

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Speaker 3: can stay on my streaming platforms. But I loved like

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Speaker 3: the case in my car, like you know it used

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Speaker 3: to flip through that case and like behind me actually

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Speaker 3: in this like this little thing behind me, it's all records,

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Speaker 3: like I collect vinyl now, right, So yeah, like I

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Speaker 3: love that stuff. But DVDs and movies, I'm fine with

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Speaker 3: it being on streaming.

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Speaker 1: But but but right, But your album collection was a

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Speaker 1: point of pride. What do you have to find? You? Who?

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Speaker 1: What do you have in your album collection? You know,

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Speaker 1: you have Jazz Records, You've got McCoy tyner, you've got

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Speaker 1: Herbie Hancock, you've got the Beatles, You've got this, you've

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Speaker 1: got that. You know, you've got all these great bands.

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Speaker 1: And and the cover art and the and the liner

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Speaker 1: art was just so interesting, you know it just this

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Speaker 1: that album cover alone provided so many jobs. You know.

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Speaker 1: Now it's all kind of gone. That experience is gone

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Speaker 1: for people, and it's just sort of these singles in

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Speaker 1: the cloud and you know what tactile thing, what thing

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Speaker 1: that you can touch, you know that you buy the

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Speaker 1: music with connects you to that music. I don't know

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Speaker 1: what it is. It's it's something electronic and sort of

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Speaker 1: you know, the cloud again. So it takes this further

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Speaker 1: away from the human experience, which I objected. That's my

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Speaker 1: personal failing.

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Speaker 4: I really admire your passion for it too. It's like

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Speaker 4: I didn't think of any of this. I just thought

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Speaker 4: of it as like crap in my cab.

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Speaker 1: Well, it's like one person's crap is another person's gold, right,

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Speaker 1: So yeah.

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Speaker 4: I did admire her random DVDs though, them PI not

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Speaker 4: Landing twenty one Jump Street, Like, there was some good

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Speaker 4: sort of shout outs to old stuff.

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Speaker 1: So I think those VHS tapes reminded larel I of herself.

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Speaker 1: She was outdated now.

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Speaker 3: Right, Oh interesting.

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Speaker 1: Deep symbolism. Whoa like Rory's putting you in a box.

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Speaker 4: And we will get to this too.

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Speaker 1: Mm hmmm.

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Speaker 4: The decor of Rory's room at in the Poolhouse. Oh

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Speaker 4: my gosh, it's literally phenomenal. It's phenomenal. It's a lot

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Speaker 4: of fabrics and a lot of colors and a lot

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Speaker 4: of mixed match things, and I am in amazing. Did

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Speaker 4: you guys see paul Anka just sitting on the chair too?

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Speaker 1: And I think the best group scene with the light

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Speaker 1: Light Light and Death Brigade, I think that was one

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Speaker 1: of the best scenes they've ever done.

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Speaker 4: With the light in the poolhouse A girl, Oh my god, wait,

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Speaker 4: we have to talk about it all. Malamar's got a

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Speaker 4: shout out too.

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Speaker 3: I say, I heard that.

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Speaker 4: And it's right around the time, right when do Malamars

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Speaker 4: come back? It's I think it's full Yeah, I think so.

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Speaker 3: I think last year.

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Speaker 2: At them in California, I've never had a Malamar.

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Speaker 4: Oh, Suzanne, welcome, Welcome to the show. So I can't

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Speaker 4: remember if it was last year or the year before.

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Speaker 4: We've been through this. It was last year. We found them,

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Speaker 4: I believe at Target, and I think they just came

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Speaker 4: from Target. We ordered them, but I think they could

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Speaker 4: be at any Target. It's just only a few certain

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Speaker 4: months of the year. We'll get them for you.

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Speaker 2: I knew that they were seasonal, but I've never seen them.

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Speaker 4: I'll get them for you. We'll do it again. We'll

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Speaker 4: do the Malamar round up again. Yeah. Look, if we

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Speaker 4: can do anything for you, it's get you. A Malamar.

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Speaker 1: Does and works at the airport. He can get me anything.

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Speaker 4: They're actually quite tasty. I can't remember if somebody they're.

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Speaker 2: Covered in chocolate. You can't go wrong, right.

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Speaker 4: Yeah, I think they have sort of like a Graham

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Speaker 4: crackery thing going on. Some White Marshalls. They were. They

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Speaker 4: were quite tasty. Someone said, freezo or we will have

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Speaker 4: to get into it. We'll make some recipes.

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Speaker 1: Thanks for tuning into the I am all in with

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Speaker 1: Scom Patterson Malamar division.

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Speaker 4: And it'll never leave us because we did have a

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Speaker 4: whole Malamar edition last year and you can't. You can't

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Speaker 4: escape it. No, no, as soon as we get off,

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Speaker 4: I'm going on Target dot com to find them.

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Speaker 1: They must be dealt with.

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Speaker 2: You also mentioned red vines, and red vines are quite controversial.

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Speaker 2: A lot of people are like, no, no, no, it

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Speaker 2: has to be.

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Speaker 1: No twizzler guy right here.

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Speaker 3: No Twizzlers are.

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Speaker 5: Disgusting, Twiddlers too stupid.

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Speaker 1: All the way. Red what.

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Speaker 2: Tastes plastic?

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Speaker 1: I agree, taste like pure sugar. It's just sugar. At

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Speaker 1: least at least twizzlers have some some I don't know,

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Speaker 1: they've got some bite in them. If somebody was like Jewy.

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Speaker 4: I'd say no. If someone offered me a Twizzler, I'd

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Speaker 4: say no. But if they offer me ready, I'd say yes.

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Speaker 1: I'm generation invented sugar daddies off.

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Speaker 2: I don't wait.

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Speaker 4: Does anyone like have their Halloween candy?

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Speaker 3: And I have Twizzlers in my little We went to

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Speaker 3: Target the other day and bought like the little like

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Speaker 3: variety packs.

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Speaker 4: I got mine Target to I get treats. Oh my gosh, wait,

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Speaker 4: I almost.

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Speaker 3: Are you gonna ask us if we got trigger Tree?

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Speaker 4: No, I was gonna ask them. Celebrate Canada, I don't know.

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Speaker 1: That's a good question. I don't know what right, I

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Speaker 1: don't know.

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Speaker 3: I don't know.

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Speaker 4: It's an American thing. I don't know they do can

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Speaker 4: somebody Thanksgiving?

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Speaker 1: Thanksgiving was yesterday in Canada.

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Speaker 4: Leave for real?

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Speaker 1: For real?

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Speaker 4: What's it called Thanksgiving?

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Speaker 3: Apparently they do. Halloween is celebrating Canada, and although it's

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Speaker 3: not a public holiday, it's a very popular celebration that's

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Speaker 3: considered the second largest commercially successful holiday in Canada, no way.

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Speaker 4: Great stuff stuff. Well, so we go into her closet.

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Speaker 4: She's in her candy striping outfit, which they don't call

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Speaker 4: it candy striping anymore. What do they call it? My

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Speaker 4: niece is one, Oh, it has it's different name. It's

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Speaker 4: not called candy stripping. But anyway, she's got the wallpaper.

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Speaker 4: They're like taking out her summer things. The closet's amazing,

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Speaker 4: phone ring in, Emily's on. I mean, I'm still in

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Speaker 4: like nothing's the whole episode so far is still like good.

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Speaker 4: I mean the clothes bit was kind of dumb, like

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Speaker 4: she's so hashtag rid, she's got to get rid of

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Speaker 4: her summer things. But you know, well, now the maid.

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Speaker 2: The maid makes a comment to Rory about how Emily

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Speaker 2: is trying to correct her wardrobe. So you you see

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Speaker 2: how Emily is, you know, trying to control Rory's direction

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Speaker 2: and put her in that mold of what she thinks

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Speaker 2: Rory should be.

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Speaker 4: Well that brings me to my question. Do you guys

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Speaker 4: think Emily was actually stuck in Helsinki or did she

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Speaker 4: intentionally get stuck in Helsinki so that Rory had to

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Speaker 4: take over the party.

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Speaker 1: Fill in for her m I think she was actually

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Speaker 1: stuck in hell Sink. I'm gonna go with that, Yeah, don't.

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Speaker 2: I don't think she would have wanted Rory to just

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Speaker 2: jump in with both feet like that. She would have

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Speaker 2: wanted to be with her the first time she hosted something.

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Speaker 1: I think.

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Speaker 2: I don't think it was intentional.

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Speaker 3: This was also me just thinking that she wasn't available

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Speaker 3: for the episode. Yeah literally, like that was like the

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Speaker 3: only thing that went through my head for me.

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Speaker 2: I heard wasn't in it at all?

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Speaker 4: Yeah, correct, But they are loaded, she could She's not

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Speaker 4: gonna be stuck in Helsinki. They can fly out, like,

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Speaker 4: they can get a different flight, they get a first

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Speaker 4: class flight. Like I'm sort of inclined to think maybe maybe.

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Speaker 2: It was weather or something.

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Speaker 3: I don't know, well, knowing the episode that follows this,

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Speaker 3: you might have a point.

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Speaker 4: Amy, Thank you, thank you.

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Speaker 1: It's hell Sinky.

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Speaker 4: Where is hell Sinki been?

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Speaker 1: Like?

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Speaker 4: Is there weather in October in Helsinki?

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Speaker 1: Of course there's weather in October in Helsinky.

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Speaker 3: It's just California, where it's one hundred degrees in October.

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Speaker 4: And normally seventy. We just have so much seventy, not a.

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Speaker 1: Lot of ninety five. Though, what are you talking about

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Speaker 1: seventy where you are?

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Speaker 4: Well, no, it's been one hundred here, it's been one

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Speaker 4: hundred and Pebble.

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Speaker 1: Beach at sixty degrees every day. It doesn't matter.

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Speaker 4: That's what I'm saying. That's insane. In Santa Monica, it's

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Speaker 4: usually just seventy ninety.

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Speaker 1: Oh yeah, yeah, so hell Sinky to hell sinkyas could

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Speaker 1: have n I might.

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Speaker 4: Just be like a conspiracy theorist, but I felt like

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Speaker 4: maybe she was just kind of shoving Rory into it

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Speaker 4: to get to see if she could get her claws

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Speaker 4: and in her.

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Speaker 1: I think that that would have been too delicious a

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Speaker 1: storyline not to write scenes for.

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Speaker 4: So truth truth, what's a cannot pay anybody? We should

355
00:19:51,200 --> 00:19:51,639
Speaker 4: look that up.

356
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Speaker 1: It's like an app, like an order, like a two

357
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Speaker 1: headed hummingbird?

358
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Speaker 4: Is it the same as an order? Let's look up.

359
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Speaker 2: I think it's a subset.

360
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Speaker 4: It's a type of order, A small prepared and offering

361
00:20:05,280 --> 00:20:09,080
Speaker 4: decorative food, small piece of bread or cracker topped with

362
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Speaker 4: some savory food. Oh wow, they look delicious.

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Speaker 1: I mean, if you had lunch.

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Speaker 4: No, I'm starving.

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Speaker 1: I know. I can tell.

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Speaker 4: Everything's been about foods. So much so, now we go

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Speaker 4: to the baptism, go to the baptism. Suki and Jackson

368
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Speaker 4: are what kind of.

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Speaker 1: Food were they serving at the baptism? Let's get into that.

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Speaker 4: Oh my god, did you see that spread after in

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Speaker 4: the towns where I was like, unbelievable.

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Speaker 1: Literally, Yeah, we're at the correct guys, everybody's she's very hungry.

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Speaker 4: We're going to start talking about the baptism, getting that

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Speaker 4: that we're learning that there needs to be a baptism,

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Speaker 4: and Suki and Jackson are sort of fighting about it.

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Speaker 4: And for me, the funniest part, and we all know

377
00:20:58,720 --> 00:21:04,680
Speaker 4: we're not good at math either, I was like, I

378
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Speaker 4: can't do it.

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00:21:05,840 --> 00:21:10,320
Speaker 1: That was great, I thought. McCarthy Melissa McCarthy hit it

380
00:21:10,359 --> 00:21:13,800
Speaker 1: out of the park in this episode. Yeah, she was

381
00:21:13,880 --> 00:21:19,560
Speaker 1: if she stole it from me. She featured actress, really

382
00:21:19,720 --> 00:21:26,159
Speaker 1: terrific stuff, all of her comedic weapons, yeah, brought to

383
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Speaker 1: bear in this one.

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Speaker 5: Yeah.

385
00:21:29,480 --> 00:21:33,240
Speaker 4: The baptism thing was great for me. The whole trajectory

386
00:21:33,359 --> 00:21:36,440
Speaker 4: of it, from explaining they were having it, to the

387
00:21:36,560 --> 00:21:39,399
Speaker 4: family staying at the end, to the family showing up

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Speaker 4: at the end, to the actual baptism.

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Speaker 1: Clayton can kiss my ass yeah.

390
00:21:44,119 --> 00:21:48,120
Speaker 4: The nick Offerman stuff, the Rory versus Loralai, even the reverend.

391
00:21:48,080 --> 00:21:51,440
Speaker 1: That all to me was like great, were good to

392
00:21:51,920 --> 00:21:54,040
Speaker 1: pause when they asked you to renounce Satan, Laurela.

393
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Speaker 3: I also love when Laurelai was like, oh yeah, and

394
00:21:59,640 --> 00:22:01,800
Speaker 3: the and and the part the after party to kind

395
00:22:01,800 --> 00:22:05,560
Speaker 3: of like get Suky excited. It's like, oh food, Like

396
00:22:05,640 --> 00:22:07,840
Speaker 3: it's a get her mind off of like the whole

397
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Speaker 3: family coming to.

398
00:22:09,040 --> 00:22:11,840
Speaker 4: Make her summer salads. Yeah, and then there's the full

399
00:22:11,920 --> 00:22:14,960
Speaker 4: callback when she's like, the salads are great. They are.

400
00:22:21,400 --> 00:22:25,280
Speaker 4: This whole episode is so much food because then we

401
00:22:25,440 --> 00:22:29,240
Speaker 4: go to the reception and I want to know what

402
00:22:29,320 --> 00:22:32,280
Speaker 4: y'all think of Rory at this thing? But the salmon puffs,

403
00:22:33,280 --> 00:22:34,639
Speaker 4: So what did you guys think of Rory?

404
00:22:36,560 --> 00:22:39,600
Speaker 2: She was Emily's mini me. She just fell right into

405
00:22:39,680 --> 00:22:41,280
Speaker 2: that role and went for it.

406
00:22:42,760 --> 00:22:45,919
Speaker 4: Stagger their release, We.

407
00:22:46,040 --> 00:22:47,040
Speaker 2: Have Garnish on it.

408
00:22:48,240 --> 00:22:50,119
Speaker 3: I just I don't know if I'm going to get

409
00:22:50,160 --> 00:22:52,520
Speaker 3: hate for this, but I think it's just so awkward,

410
00:22:52,800 --> 00:22:56,480
Speaker 3: like it's so not natural, and it was like it's

411
00:22:56,480 --> 00:22:59,879
Speaker 3: sometimes cringey to watch her speak that way. I'm like,

412
00:23:00,520 --> 00:23:02,080
Speaker 3: I don't I just don't buy it.

413
00:23:02,560 --> 00:23:06,960
Speaker 2: Yeah, and I wrote she was screaming, somebody makes some

414
00:23:07,080 --> 00:23:08,439
Speaker 2: coffee like it.

415
00:23:08,600 --> 00:23:09,000
Speaker 1: Just it was.

416
00:23:09,720 --> 00:23:12,200
Speaker 3: It was was kind of like someone said this was

417
00:23:12,200 --> 00:23:14,520
Speaker 3: supposed to be Emily's line and now Rory read it.

418
00:23:15,000 --> 00:23:19,080
Speaker 3: Oh wow, Tara, Yeah, I'm being a little mean, but no, no.

419
00:23:19,280 --> 00:23:23,760
Speaker 4: No, I mean it's fine. I wrote she's so something

420
00:23:24,200 --> 00:23:26,840
Speaker 4: because I don't know what to how to describe her.

421
00:23:26,920 --> 00:23:30,680
Speaker 4: I just said she's being so something like in quotes

422
00:23:30,760 --> 00:23:32,000
Speaker 4: like what's wrong with her?

423
00:23:34,040 --> 00:23:40,600
Speaker 1: He's acting like she's taken on the role of hosting

424
00:23:41,040 --> 00:23:43,520
Speaker 1: a party for the fundraiser or whatever it was for

425
00:23:43,640 --> 00:23:44,840
Speaker 1: the d d A R.

426
00:23:45,760 --> 00:23:50,359
Speaker 4: Right, But even Rory, the Rory we've known, would have

427
00:23:50,480 --> 00:23:52,080
Speaker 4: done it, would have done a good job with it,

428
00:23:52,200 --> 00:23:54,200
Speaker 4: but would have had a lot of sarcasm with it.

429
00:23:54,760 --> 00:23:55,000
Speaker 6: Yeah.

430
00:23:55,600 --> 00:23:57,639
Speaker 3: Yeah, had a little bit of Laura I in her.

431
00:23:58,400 --> 00:24:01,440
Speaker 4: Yeah, I didn't realize that.

432
00:24:01,480 --> 00:24:03,800
Speaker 1: I don't know, I think, but I think that's the point, right,

433
00:24:04,000 --> 00:24:09,360
Speaker 1: that's because she's separated from her mother, right, that she's

434
00:24:09,400 --> 00:24:16,000
Speaker 1: dropped the sarcasm. Wow, Scott, Yeah, maybe maybe the sarcasm

435
00:24:16,080 --> 00:24:18,439
Speaker 1: isn't something that she wants to carry around on her

436
00:24:18,480 --> 00:24:21,119
Speaker 1: back because she doesn't have that frustration or hostility.

437
00:24:21,880 --> 00:24:22,160
Speaker 4: Wow.

438
00:24:22,560 --> 00:24:25,640
Speaker 1: Because that's what sarcasm is. Right, Maybe she doesn't want

439
00:24:25,680 --> 00:24:26,399
Speaker 1: to be that person.

440
00:24:28,080 --> 00:24:31,880
Speaker 4: That's interesting because both had a tiny little I don't

441
00:24:31,880 --> 00:24:35,320
Speaker 4: want to put words about tiny little issue with the

442
00:24:35,560 --> 00:24:40,240
Speaker 4: constant sarcasm, right, So I.

443
00:24:40,280 --> 00:24:43,639
Speaker 1: Think, I know, I think, I think it's loralized character,

444
00:24:43,680 --> 00:24:47,320
Speaker 1: and I think it's the sole you know, it's sort

445
00:24:47,320 --> 00:24:52,280
Speaker 1: of the manufacturing facility for the humor and the jokey

446
00:24:52,400 --> 00:24:55,240
Speaker 1: jokes and all the great stuff. So it serves a

447
00:24:55,560 --> 00:24:59,880
Speaker 1: you know, dual purpose. But it also does define care,

448
00:25:00,960 --> 00:25:03,680
Speaker 1: that defines personality. And maybe that's just an aspect that

449
00:25:04,520 --> 00:25:08,159
Speaker 1: that Rory does not or no longer finds appealing, and

450
00:25:08,240 --> 00:25:10,280
Speaker 1: that she doesn't want to carry it around. She doesn't

451
00:25:10,320 --> 00:25:13,920
Speaker 1: have it in her too. She doesn't have that rage,

452
00:25:13,960 --> 00:25:16,480
Speaker 1: she doesn't have that anger toward her parents she does

453
00:25:17,400 --> 00:25:20,120
Speaker 1: maybe you want to separate a little bit. She maybe

454
00:25:20,160 --> 00:25:22,720
Speaker 1: wants to separate a little bit from from Laurel. I

455
00:25:22,760 --> 00:25:23,720
Speaker 1: have don't mean she hates her.

456
00:25:25,000 --> 00:25:28,200
Speaker 4: It's really interesting that you notice that, because maybe that's

457
00:25:28,240 --> 00:25:31,480
Speaker 4: what's missing for me. She's not funny right now, she's

458
00:25:31,720 --> 00:25:37,960
Speaker 4: just so something she does later do the funny line,

459
00:25:38,640 --> 00:25:40,560
Speaker 4: what will match the baby thing is?

460
00:25:40,680 --> 00:25:43,159
Speaker 1: That's what makes Laurela I laurel Ey. Laurela is going

461
00:25:43,240 --> 00:25:45,159
Speaker 1: to be in that situation with the d R and

462
00:25:45,280 --> 00:25:48,320
Speaker 1: the jokes are coming and the sarcasms coming and all

463
00:25:48,359 --> 00:25:51,080
Speaker 1: the putdowns and all the funny, all that stuff that's

464
00:25:51,160 --> 00:25:57,800
Speaker 1: not Rory. Rory isn't that person. She doesn't. She wouldn't

465
00:25:57,840 --> 00:26:00,320
Speaker 1: do that. She would be It would be out of

466
00:26:00,440 --> 00:26:01,320
Speaker 1: character for her.

467
00:26:01,359 --> 00:26:01,760
Speaker 5: To do that.

468
00:26:03,119 --> 00:26:06,840
Speaker 4: Really good note because I was like, what is she missing?

469
00:26:06,920 --> 00:26:08,439
Speaker 4: But she's missing being funny.

470
00:26:09,359 --> 00:26:12,640
Speaker 1: She's a decent She's a decent person. I'm not saying

471
00:26:12,720 --> 00:26:18,320
Speaker 1: Laurla isn't a decent person, but you know, that character,

472
00:26:18,680 --> 00:26:21,000
Speaker 1: as I said, has the burden of that dual purpose.

473
00:26:21,960 --> 00:26:24,880
Speaker 1: You know that sarcasm is the fuel of the show.

474
00:26:25,960 --> 00:26:28,080
Speaker 4: Was I the only idiot that didn't realize they were

475
00:26:28,119 --> 00:26:31,000
Speaker 4: at the house until they went out to side. I

476
00:26:31,119 --> 00:26:32,800
Speaker 4: was like, oh my god, the party's at the house

477
00:26:32,920 --> 00:26:34,560
Speaker 4: like I thought it was down at the wherever the

478
00:26:34,640 --> 00:26:38,000
Speaker 4: daar is. I was like, whoa. So that was sort

479
00:26:38,040 --> 00:26:40,119
Speaker 4: of I don't know, maybe I was just out of it.

480
00:26:40,280 --> 00:26:43,960
Speaker 1: And then even it logan you're talking about you're talking

481
00:26:44,000 --> 00:26:44,920
Speaker 1: about Emily's house.

482
00:26:45,240 --> 00:26:47,600
Speaker 4: Yeah, I didn't realize. I was so dumb. I didn't

483
00:26:47,600 --> 00:26:49,560
Speaker 4: realize the party was at Emily's.

484
00:26:49,960 --> 00:26:52,880
Speaker 3: I didn't feel like it didn't feel like it until

485
00:26:52,920 --> 00:26:54,320
Speaker 3: they walked until they went to the Like.

486
00:26:55,760 --> 00:26:59,080
Speaker 1: Yeah, I didn't. I didn't recognize it as Emily's kind.

487
00:26:58,920 --> 00:27:02,560
Speaker 2: Of the paintings were by the stairs, so when they

488
00:27:02,640 --> 00:27:06,840
Speaker 2: were talking to the I can't Nora, I think over

489
00:27:06,880 --> 00:27:08,840
Speaker 2: by the paintings the stairs were in the background.

490
00:27:08,960 --> 00:27:15,760
Speaker 4: Yeah, I recognized Washington portrait. Yeah yeah, Yeah, that threw

491
00:27:15,840 --> 00:27:19,080
Speaker 4: me off. But then I thought Logan was acting so

492
00:27:19,280 --> 00:27:22,880
Speaker 4: weird that I was like, he's not even being polite,

493
00:27:22,960 --> 00:27:25,960
Speaker 4: Like Logan knows how to fake it better. So that

494
00:27:26,200 --> 00:27:28,320
Speaker 4: was a little weird to me. I'm like, this guy.

495
00:27:28,320 --> 00:27:30,760
Speaker 1: Somebody, But he just had an ass chewing from his

496
00:27:30,960 --> 00:27:35,720
Speaker 1: dad obviously, right, yes, do you imagine the meeting that

497
00:27:35,840 --> 00:27:38,520
Speaker 1: he just had with his dad before he came to Rory.

498
00:27:39,359 --> 00:27:42,120
Speaker 1: You'll never amount that screaming at the top of his lungs.

499
00:27:43,400 --> 00:27:46,879
Speaker 1: You will inherit the mantle. You will get an MBA,

500
00:27:47,200 --> 00:27:50,119
Speaker 1: you will take over this company. I've built this for you.

501
00:27:50,119 --> 00:27:54,840
Speaker 1: You will not, you know, fly off to the pier

502
00:27:55,000 --> 00:27:58,040
Speaker 1: for the weekend and be irresponsible and buy clothes for

503
00:27:58,160 --> 00:28:01,680
Speaker 1: your girls. You won't do that. You won't be that guy,

504
00:28:02,400 --> 00:28:04,560
Speaker 1: because that's what a lot of the wealthy kids do.

505
00:28:04,760 --> 00:28:11,040
Speaker 1: They they I've never I have to compliment this show

506
00:28:11,440 --> 00:28:17,600
Speaker 1: for really illuminating and I'm not expecting anybody listening on

507
00:28:17,720 --> 00:28:20,639
Speaker 1: it is to feel sorry for people, because I know

508
00:28:20,800 --> 00:28:23,760
Speaker 1: they don't and they never will. But imagine having a

509
00:28:23,880 --> 00:28:29,399
Speaker 1: life where you don't get to make any choices. And

510
00:28:29,520 --> 00:28:32,879
Speaker 1: I know it's hard for people to imagine that. You know,

511
00:28:34,520 --> 00:28:35,840
Speaker 1: but that's not the life he wanted.

512
00:28:36,040 --> 00:28:38,480
Speaker 4: No, I don't disagree with you, right if you're not

513
00:28:38,560 --> 00:28:38,880
Speaker 4: the life.

514
00:28:39,560 --> 00:28:41,360
Speaker 1: That's why he was in a bad mood. It's like

515
00:28:41,720 --> 00:28:43,440
Speaker 1: I don't get to live my own life. I have

516
00:28:43,600 --> 00:28:46,320
Speaker 1: to I have to live the you know, boohooy, poor

517
00:28:46,400 --> 00:28:48,600
Speaker 1: guy is going to be a billionaire. We feel so sorry.

518
00:28:48,600 --> 00:28:52,040
Speaker 1: You got to work your daddy's empire, right, You've got

519
00:28:52,120 --> 00:28:58,400
Speaker 1: to take over your daddy's empire. But as he not

520
00:28:58,520 --> 00:28:59,920
Speaker 1: what he wants, I.

521
00:29:00,080 --> 00:29:01,520
Speaker 4: Still think he would have faked it and not been

522
00:29:01,640 --> 00:29:03,600
Speaker 4: rude to those ladies. Well.

523
00:29:03,680 --> 00:29:08,600
Speaker 3: I think also Rory, being so much like Emily, also did.

524
00:29:09,000 --> 00:29:11,520
Speaker 3: There was so many of those awkward pauses, like if

525
00:29:11,880 --> 00:29:14,480
Speaker 3: if she had the Laura lie in her like that answer,

526
00:29:14,600 --> 00:29:17,440
Speaker 3: she would have like filled those gaps. And I think

527
00:29:17,600 --> 00:29:21,520
Speaker 3: that's what also made this scene even more awkward for me,

528
00:29:21,800 --> 00:29:23,880
Speaker 3: was like when that Logan part came and I was like,

529
00:29:23,960 --> 00:29:27,200
Speaker 3: all right, we're getting nowhere with this scene, you know.

530
00:29:27,680 --> 00:29:29,960
Speaker 4: Yeah, and then we have the same thing comes up,

531
00:29:30,000 --> 00:29:33,160
Speaker 4: which we'll talk about with Lane and Rory. At first,

532
00:29:33,200 --> 00:29:33,640
Speaker 4: I'm like, but.

533
00:29:34,040 --> 00:29:35,720
Speaker 1: Let me let me go back to Logan at the

534
00:29:35,800 --> 00:29:39,280
Speaker 1: party and his apparent rudeness. I think that was him

535
00:29:40,480 --> 00:29:43,640
Speaker 1: obviously not wanting to be in the presence of all

536
00:29:43,720 --> 00:29:44,760
Speaker 1: these phonies.

537
00:29:45,120 --> 00:29:47,280
Speaker 4: Of course, Yeah, agree, I agree with you.

538
00:29:47,880 --> 00:29:51,840
Speaker 1: He just and his jam man. He's not interested in

539
00:29:52,280 --> 00:29:53,240
Speaker 1: pretending anymore.

540
00:29:53,760 --> 00:29:57,920
Speaker 4: He's like Laura Lai. It's like they have more in

541
00:29:58,120 --> 00:30:01,760
Speaker 4: common an anyone really has acknowledged yet.

542
00:30:03,000 --> 00:30:03,120
Speaker 6: Oh.

543
00:30:03,240 --> 00:30:04,640
Speaker 3: I actually never thought of it that way.

544
00:30:04,800 --> 00:30:05,000
Speaker 1: Yeah.

545
00:30:05,320 --> 00:30:08,960
Speaker 4: Yeah, because he doesn't. He wants his own thing, and

546
00:30:09,120 --> 00:30:13,600
Speaker 4: he's totally controlled by his parents, just like she was,

547
00:30:14,320 --> 00:30:15,240
Speaker 4: unlike Rory.

548
00:30:15,800 --> 00:30:18,959
Speaker 3: Now, I think that's why Laura I doesn't like Logan.

549
00:30:20,200 --> 00:30:24,440
Speaker 4: I think she doesn't know yet. Yeah.

550
00:30:25,520 --> 00:30:28,880
Speaker 2: I think at first she still sees him as part

551
00:30:28,960 --> 00:30:32,760
Speaker 2: of that world and doesn't really know yet that he's

552
00:30:33,640 --> 00:30:34,560
Speaker 2: rebelling against it.

553
00:30:34,760 --> 00:30:36,520
Speaker 4: Also, Yeah, but I don't.

554
00:30:36,600 --> 00:30:39,480
Speaker 1: I think what she doesn't like is the obvious partying

555
00:30:39,600 --> 00:30:42,800
Speaker 1: and the drinking and the stealing. The Yeah, but I

556
00:30:42,880 --> 00:30:44,720
Speaker 1: think that's the part I think. I think if he was,

557
00:30:45,280 --> 00:30:50,760
Speaker 1: you know, Logan two point zero, who was had his

558
00:30:50,920 --> 00:30:53,520
Speaker 1: act together and was you know, all in on the

559
00:30:53,640 --> 00:30:55,600
Speaker 1: family business, I don't think Laura I would have a

560
00:30:55,640 --> 00:30:56,160
Speaker 1: problem with it.

561
00:30:56,800 --> 00:31:01,080
Speaker 4: I wonder if you could ask Laura I which team

562
00:31:01,400 --> 00:31:05,640
Speaker 4: she is like now this many years later, not Lauren

563
00:31:05,720 --> 00:31:07,440
Speaker 4: but Laura LI. If you're like Laura, who do you

564
00:31:07,640 --> 00:31:09,040
Speaker 4: think Rory should have ended up with?

565
00:31:10,240 --> 00:31:10,400
Speaker 1: Who?

566
00:31:10,520 --> 00:31:14,760
Speaker 4: She would say? I'm not sure she would like Logan

567
00:31:15,400 --> 00:31:19,760
Speaker 4: in the movies. I do, but there's some definite I.

568
00:31:19,760 --> 00:31:21,760
Speaker 3: Don't think she was there. I think she still has

569
00:31:21,800 --> 00:31:26,400
Speaker 3: an issue with everyone. Yeah, like each each person has

570
00:31:26,480 --> 00:31:27,280
Speaker 3: its own issue.

571
00:31:27,480 --> 00:31:27,680
Speaker 1: Yeah.

572
00:31:28,240 --> 00:31:32,520
Speaker 4: Yeah. So then there's a sad scene. I mean, I'm

573
00:31:32,520 --> 00:31:35,040
Speaker 4: not gonna lie, this actually was rough. So she goes

574
00:31:35,200 --> 00:31:37,840
Speaker 4: We're back at Laura's house and she's feeding Paul Incoln

575
00:31:38,000 --> 00:31:41,000
Speaker 4: backing out of the room in the dark, and then

576
00:31:41,040 --> 00:31:44,960
Speaker 4: she's eating in bed, watching the video or deciding what

577
00:31:45,120 --> 00:31:48,920
Speaker 4: video she wants to watch, and calls Rory's phone and

578
00:31:49,040 --> 00:31:52,280
Speaker 4: the numbers disconnected and that was I literally just wrote

579
00:31:52,280 --> 00:31:55,240
Speaker 4: in my notes, well, that's awful, Offul.

580
00:31:55,280 --> 00:31:58,640
Speaker 1: You know what, you know, what's really great about that character,

581
00:31:58,840 --> 00:32:03,640
Speaker 1: that Laura like character is that even though yeah, it

582
00:32:03,720 --> 00:32:08,200
Speaker 1: was a sad scene and all that, she gave that

583
00:32:08,480 --> 00:32:11,640
Speaker 1: dog the comfort and the space it needed to eat

584
00:32:11,680 --> 00:32:17,960
Speaker 1: that food in the dark. And that's her character. She respects.

585
00:32:19,960 --> 00:32:23,800
Speaker 1: She's in tune with just about everybody, right, and she

586
00:32:24,000 --> 00:32:26,880
Speaker 1: accepts people for who they are. She loves their quirks,

587
00:32:27,280 --> 00:32:30,360
Speaker 1: she loves them for who they are, and she's willing

588
00:32:30,520 --> 00:32:35,240
Speaker 1: to nurture and support them for who they are. And

589
00:32:35,320 --> 00:32:37,680
Speaker 1: I think that's one of the elements why people love

590
00:32:37,800 --> 00:32:44,960
Speaker 1: that character. So, yeah, she's a way right right exactly,

591
00:32:46,080 --> 00:32:49,280
Speaker 1: but she really isn't judgmental at all on that level.

592
00:32:49,880 --> 00:32:55,320
Speaker 1: She's very accepting of everyone. And you know that it's

593
00:32:55,520 --> 00:32:59,680
Speaker 1: raw material for her Joki jokes, that's that's another French

594
00:33:00,040 --> 00:33:02,840
Speaker 1: fit of that. But she doesn't cut herself off from

595
00:33:02,920 --> 00:33:05,280
Speaker 1: the world. She accepts everybody. It's kind of yeah.

596
00:33:05,880 --> 00:33:08,800
Speaker 4: And you know, on that same note, a lot of

597
00:33:08,880 --> 00:33:15,000
Speaker 4: people wouldn't allow the space between them and their daughter, right.

598
00:33:15,600 --> 00:33:19,280
Speaker 4: They would have either worked it out or you know,

599
00:33:20,720 --> 00:33:24,680
Speaker 4: you know, or sort of you will talk to me,

600
00:33:24,880 --> 00:33:28,440
Speaker 4: you will you know, like she's sort of able and

601
00:33:28,520 --> 00:33:31,520
Speaker 4: you have to be fairly confident to do that, to

602
00:33:31,720 --> 00:33:36,880
Speaker 4: say okay, like we won't speak right now, and maybe

603
00:33:37,000 --> 00:33:39,200
Speaker 4: she's capable of that because of the relationship she has

604
00:33:39,280 --> 00:33:40,000
Speaker 4: with her parents.

605
00:33:41,800 --> 00:33:44,440
Speaker 2: I couldn't do She said that to Luke in that

606
00:33:44,600 --> 00:33:46,920
Speaker 2: in that kitchen conversation, She's like, Rory has to go

607
00:33:47,120 --> 00:33:51,360
Speaker 2: through this and come out the other end, because Luke

608
00:33:51,480 --> 00:33:53,120
Speaker 2: was saying like, aren't you going to do something about this,

609
00:33:53,200 --> 00:33:55,520
Speaker 2: and she was saying no, She's I'm just gonna let

610
00:33:55,560 --> 00:33:57,959
Speaker 2: her experience this. So I think that's kind of how

611
00:33:58,040 --> 00:33:59,960
Speaker 2: it plays out over the next couple episod.

612
00:34:00,000 --> 00:34:02,160
Speaker 4: So she's like, all right, this is what you chose.

613
00:34:02,840 --> 00:34:05,400
Speaker 4: You lived with this for a while and see how

614
00:34:05,480 --> 00:34:09,440
Speaker 4: it goes, and that would be hard. I have to

615
00:34:09,480 --> 00:34:12,120
Speaker 4: sort of commend her ability to do that. I couldn't.

616
00:34:12,640 --> 00:34:17,120
Speaker 3: Yeah, but in the past, like you know, when they

617
00:34:17,280 --> 00:34:20,200
Speaker 3: got into an argument and then Laura would kind of

618
00:34:20,239 --> 00:34:22,239
Speaker 3: just like call it like kind of like what she

619
00:34:22,440 --> 00:34:24,480
Speaker 3: wanted to do, Colin just be like, hey, remember when

620
00:34:24,520 --> 00:34:27,080
Speaker 3: we watched that one movie or you know, And I

621
00:34:27,280 --> 00:34:31,560
Speaker 3: think that if her phone wasn't disconnected, this would have

622
00:34:32,320 --> 00:34:34,840
Speaker 3: we would have had that Laura I or maybe a

623
00:34:34,920 --> 00:34:37,960
Speaker 3: little bit of it Loralai and Rory moment. And so

624
00:34:38,120 --> 00:34:41,800
Speaker 3: I think for us the viewer seeing that not be

625
00:34:41,960 --> 00:34:46,320
Speaker 3: able to happen is like it's just like gut wrenching,

626
00:34:46,480 --> 00:34:48,680
Speaker 3: you know, like yeah, you feel bad?

627
00:34:48,800 --> 00:34:49,560
Speaker 1: Yeah, yeah.

628
00:34:49,880 --> 00:34:52,880
Speaker 2: So what do we think would have happened if the

629
00:34:52,960 --> 00:34:56,640
Speaker 2: phone wasn't disconnected? Like what if Rory had answered the phone?

630
00:34:56,719 --> 00:35:00,440
Speaker 2: Would she have blown Loralai off and like, Hey, I've

631
00:35:00,480 --> 00:35:04,200
Speaker 2: got this new life now? Or would they have reconnected.

632
00:35:04,640 --> 00:35:08,480
Speaker 3: I think that she would have engaged, but not fully

633
00:35:08,800 --> 00:35:12,080
Speaker 3: jump back into Laurla Rory mode. I think she still

634
00:35:12,080 --> 00:35:15,880
Speaker 3: would be like standoffish, but but would have engaged in

635
00:35:15,960 --> 00:35:19,480
Speaker 3: the conversation about whatever Laura I want to talk to

636
00:35:19,520 --> 00:35:19,920
Speaker 3: her about.

637
00:35:21,080 --> 00:35:23,920
Speaker 4: Yeah. I think they're both like sort of getting ready

638
00:35:24,000 --> 00:35:27,520
Speaker 4: to like get over this somehow.

639
00:35:28,360 --> 00:35:31,200
Speaker 1: Yeah, it feels like it's coming to an end.

640
00:35:32,000 --> 00:35:34,279
Speaker 4: The question I guess is if Laura could get over

641
00:35:34,360 --> 00:35:40,000
Speaker 4: it even if Rory doesn't make life changes right, I

642
00:35:40,040 --> 00:35:40,920
Speaker 4: don't know, because.

643
00:35:40,719 --> 00:35:43,480
Speaker 2: Then Laura I would have to compromise on what she

644
00:35:43,719 --> 00:35:48,840
Speaker 2: thinks and just accept that this is what Rory is choosing,

645
00:35:48,880 --> 00:35:50,640
Speaker 2: that she's not going back to Yale. That would be

646
00:35:50,680 --> 00:35:52,560
Speaker 2: hard for her to handle.

647
00:35:53,000 --> 00:35:54,959
Speaker 4: I think if you called your kid and their phone

648
00:35:55,040 --> 00:35:57,480
Speaker 4: was disconnected and you're already kind of estranged from them,

649
00:35:57,600 --> 00:35:59,200
Speaker 4: you would have a full panic attack.

650
00:35:59,280 --> 00:36:02,520
Speaker 1: Oh yeah, yeah, that's that's a bad sign. Yeah.

651
00:36:03,080 --> 00:36:04,520
Speaker 3: I don't know how much we want to jump ahead.

652
00:36:04,600 --> 00:36:07,000
Speaker 3: But that's the issue I had with Suki.

653
00:36:09,320 --> 00:36:12,880
Speaker 4: Did Suk know I don't know that Suki knew Lauraai

654
00:36:13,000 --> 00:36:14,279
Speaker 4: didn't have the number.

655
00:36:14,440 --> 00:36:19,000
Speaker 3: Suke, but Suki called the new number or gosh, the

656
00:36:19,080 --> 00:36:19,880
Speaker 3: new number.

657
00:36:20,440 --> 00:36:24,000
Speaker 4: Right, but she called Emily or she called the house

658
00:36:24,080 --> 00:36:27,160
Speaker 4: or called Emily, got the number, But we don't know

659
00:36:27,320 --> 00:36:30,640
Speaker 4: that she didn't know that Loralai didn't have the number.

660
00:36:30,719 --> 00:36:33,320
Speaker 4: How would Suki know that Rory or Emily didn't just

661
00:36:33,320 --> 00:36:34,800
Speaker 4: say hey, here's the new number.

662
00:36:35,200 --> 00:36:37,560
Speaker 3: But then also you have the scene with Suki and

663
00:36:37,719 --> 00:36:42,439
Speaker 3: Luke saying, well, like here's you know, the wedding topper part,

664
00:36:42,960 --> 00:36:45,440
Speaker 3: and then she's like, well can't you can't they figure

665
00:36:45,440 --> 00:36:48,760
Speaker 3: it out? Like I think Suki is the best friend.

666
00:36:49,719 --> 00:36:53,400
Speaker 3: I think she's slacking because she should have given Loralai

667
00:36:53,920 --> 00:36:55,920
Speaker 3: her daughter's new number, or at least been like, hey,

668
00:36:55,960 --> 00:36:58,160
Speaker 3: did you hear Rory has a new number, knowing that

669
00:36:58,239 --> 00:37:00,520
Speaker 3: they haven't talked, and then also, why are you going

670
00:37:00,560 --> 00:37:03,840
Speaker 3: to Luke to say when's the wedding date when you

671
00:37:04,080 --> 00:37:08,160
Speaker 3: know that Laura hasn't resolved anything with Rory, and Suki's

672
00:37:08,200 --> 00:37:10,600
Speaker 3: kind of just like sitting back and not helping situation.

673
00:37:11,000 --> 00:37:13,360
Speaker 4: I don't know. I feel like I kind of disagree

674
00:37:13,360 --> 00:37:15,440
Speaker 4: with you. I think Suki's doing what she can do.

675
00:37:16,320 --> 00:37:20,960
Speaker 4: She's totally orchestrated them to each be the godmother so

676
00:37:21,200 --> 00:37:23,799
Speaker 4: that they can be reunited. I'm not sure Suki has

677
00:37:23,880 --> 00:37:26,640
Speaker 4: all the information you have, meaning I don't know that

678
00:37:26,760 --> 00:37:32,160
Speaker 4: she knows. First of all, we don't. She's told Luke,

679
00:37:32,320 --> 00:37:34,440
Speaker 4: I'm not going to plan the wedding until it's worked out.

680
00:37:34,520 --> 00:37:38,800
Speaker 4: I think Suki's aware of that, so Suki sort of

681
00:37:38,880 --> 00:37:42,239
Speaker 4: should respect that. And if Suki doesn't know that, then

682
00:37:42,320 --> 00:37:42,880
Speaker 4: someone needs to.

683
00:37:42,960 --> 00:37:45,360
Speaker 3: Tell her that there was a part that she was like,

684
00:37:45,440 --> 00:37:47,440
Speaker 3: I know, like when is it going to get resolved?

685
00:37:47,520 --> 00:37:50,839
Speaker 4: So that's right, So she's almost just once the wedding

686
00:37:50,960 --> 00:37:54,080
Speaker 4: planned for herself, like she know a girl let them

687
00:37:54,160 --> 00:37:54,719
Speaker 4: worked it out.

688
00:37:55,480 --> 00:37:58,640
Speaker 2: I felt like she went to the diner and talked

689
00:37:58,640 --> 00:38:02,800
Speaker 2: to Luke and found out that Luke doesn't really know

690
00:38:03,000 --> 00:38:06,000
Speaker 2: anything more about this Rory Laurel situation either, and that

691
00:38:06,120 --> 00:38:08,000
Speaker 2: there's no end in sight. And then that's when she

692
00:38:08,120 --> 00:38:10,239
Speaker 2: kind of decided, like, all right, I'm just gonna take

693
00:38:10,280 --> 00:38:12,880
Speaker 2: this into my own hands and ask them both to

694
00:38:12,920 --> 00:38:16,360
Speaker 2: be godmothers and make them come back together. Like I

695
00:38:16,400 --> 00:38:18,919
Speaker 2: feel like she made that decision after she had gone

696
00:38:18,960 --> 00:38:23,400
Speaker 2: to Luke's and realized that, yeah, yeah, she's still knowing.

697
00:38:23,880 --> 00:38:28,880
Speaker 4: Yeah, I think she's trying. I think she's trying her hardest.

698
00:38:32,840 --> 00:38:34,719
Speaker 4: I'm not even mad at her. I'm not mad at

699
00:38:34,760 --> 00:38:36,880
Speaker 4: her for even orchestrating it. And even if she has

700
00:38:36,960 --> 00:38:39,600
Speaker 4: the phone number, I don't care that she called. Like

701
00:38:40,200 --> 00:38:43,799
Speaker 4: she doesn't have to disown Rory just because Lorla I did,

702
00:38:45,080 --> 00:38:48,479
Speaker 4: do you know what I mean? It's like, is Luke

703
00:38:48,600 --> 00:38:49,880
Speaker 4: not supposed to talk to Rory?

704
00:38:52,080 --> 00:38:52,120
Speaker 1: No?

705
00:38:52,280 --> 00:38:54,080
Speaker 3: I guess I wish as the best friend she just

706
00:38:54,200 --> 00:38:56,360
Speaker 3: maybe like helped a little more. But now me have

707
00:38:56,440 --> 00:38:59,520
Speaker 3: a point, like the whole godmother thing was a way

708
00:38:59,560 --> 00:39:04,080
Speaker 3: of her or orchestrating it somewhat for them to reunite.

709
00:39:05,080 --> 00:39:06,800
Speaker 4: Yeah, and I think she's almost kind of doing it

710
00:39:06,880 --> 00:39:10,000
Speaker 4: with a win. It's not like She's even surprise attack,

711
00:39:10,239 --> 00:39:13,480
Speaker 4: like she kind of told them they both know.

712
00:39:15,200 --> 00:39:17,960
Speaker 3: Yeah, because Rory also woke up that next morning and said,

713
00:39:17,960 --> 00:39:18,879
Speaker 3: I have to go see my mother.

714
00:39:25,360 --> 00:39:29,000
Speaker 4: So before we get to that, Scott's favorite scene, Scott.

715
00:39:29,880 --> 00:39:34,520
Speaker 6: So then we go into the Foolhouse and calling and

716
00:39:34,800 --> 00:39:39,520
Speaker 6: the whole fin and the whole deal, and it's totally funny,

717
00:39:39,640 --> 00:39:42,320
Speaker 6: with my favorite line being Rory, any chance you're breaking

718
00:39:42,440 --> 00:39:43,799
Speaker 6: up with Logan in the next one?

719
00:39:43,920 --> 00:39:56,040
Speaker 1: Yeah, exactly, such a great line, Oh you forgot your milkmaid.

720
00:39:59,200 --> 00:40:03,520
Speaker 4: The is like, I don't know why those guys because

721
00:40:03,640 --> 00:40:07,200
Speaker 4: you could easily hate those guys, and yet I like

722
00:40:07,640 --> 00:40:09,920
Speaker 4: want more of them. I could have done and more

723
00:40:10,000 --> 00:40:14,279
Speaker 4: of those scenes. And no Zach and Brian. Oh you

724
00:40:14,560 --> 00:40:15,440
Speaker 4: like Zach and Brian.

725
00:40:15,920 --> 00:40:18,240
Speaker 2: Yeah, I was a good comic relief.

726
00:40:19,760 --> 00:40:23,879
Speaker 4: Oh yeah, it's funny. I'm surprised they didn't use them more.

727
00:40:24,160 --> 00:40:26,600
Speaker 4: Do you know what I'm saying? Like if you if

728
00:40:26,640 --> 00:40:28,920
Speaker 4: you were like asking and I said to you, who's

729
00:40:28,960 --> 00:40:32,320
Speaker 4: bigger character on Gilmore Girls, Zach and Brian or Colin

730
00:40:32,440 --> 00:40:34,879
Speaker 4: and Finn, who would you say?

731
00:40:37,440 --> 00:40:41,480
Speaker 1: Well? I think I think Zach and Brian are bigger characters,

732
00:40:41,600 --> 00:40:46,240
Speaker 1: but I think Colin and Finn are delivering more laughs.

733
00:40:46,920 --> 00:40:50,160
Speaker 1: I agree, I would have like it's like their delight

734
00:40:50,400 --> 00:40:51,520
Speaker 1: every time you see them.

735
00:40:52,640 --> 00:40:53,799
Speaker 5: Uh, And.

736
00:40:55,360 --> 00:41:00,320
Speaker 1: I know I think that Zach. Maybe I don't don't know.

737
00:41:00,440 --> 00:41:02,280
Speaker 1: Do we want to spend a lot of time breaking

738
00:41:02,360 --> 00:41:06,759
Speaker 1: down why Zach and Brian aren't popping aren't funny? I mean,

739
00:41:06,880 --> 00:41:09,160
Speaker 1: it's just the chemistry between those two. Who knows, you know,

740
00:41:09,239 --> 00:41:10,120
Speaker 1: it could be as simple as that.

741
00:41:10,520 --> 00:41:13,680
Speaker 4: Well, that's a great thought, Scott, because Colin and Finn

742
00:41:13,920 --> 00:41:17,880
Speaker 4: and Logan, all three of them have great chemistry. And

743
00:41:18,640 --> 00:41:20,880
Speaker 4: it's when Rory is kind of at her best in

744
00:41:20,960 --> 00:41:25,759
Speaker 4: this episode because she's sort of it's not annoying when

745
00:41:25,840 --> 00:41:30,279
Speaker 4: she's the straight man with them. I don't need her

746
00:41:30,320 --> 00:41:33,239
Speaker 4: to be funny or sort of amusing. She sort of

747
00:41:33,360 --> 00:41:35,239
Speaker 4: is the straight man. I don't know. That whole scene

748
00:41:35,280 --> 00:41:37,320
Speaker 4: to me was the best in the show too. I

749
00:41:37,440 --> 00:41:37,759
Speaker 4: loved it.

750
00:41:39,239 --> 00:41:39,560
Speaker 6: I don't know.

751
00:41:39,760 --> 00:41:45,120
Speaker 1: Maybe it's the Brian casting, Maybe the character itself isn't

752
00:41:45,760 --> 00:41:49,480
Speaker 1: as well conceived as we think it could have been.

753
00:41:50,760 --> 00:41:53,400
Speaker 4: This seems like a little bit dorky, right.

754
00:41:53,560 --> 00:41:56,600
Speaker 1: But what if they made a character even more spaced

755
00:41:56,640 --> 00:42:00,359
Speaker 1: out than Zach. You know, I don't know. I think

756
00:42:00,719 --> 00:42:03,200
Speaker 1: something that would have made Zach popmore, because I think

757
00:42:03,320 --> 00:42:06,520
Speaker 1: Zach has some really good stuff. Yeah, I like it still,

758
00:42:06,760 --> 00:42:09,200
Speaker 1: and I think Todd does a really great job with it,

759
00:42:10,040 --> 00:42:12,080
Speaker 1: and I don't know that he has a lot to

760
00:42:12,120 --> 00:42:15,720
Speaker 1: play off of with with that Brian character.

761
00:42:16,000 --> 00:42:19,239
Speaker 4: Right, how good can you make buying a bunch of equipment?

762
00:42:19,920 --> 00:42:21,439
Speaker 3: Well, I was going to say, I think it's also

763
00:42:21,520 --> 00:42:26,680
Speaker 3: the storyline, like it's just spending nine thousand dollars on equipment.

764
00:42:26,800 --> 00:42:28,680
Speaker 3: I just we kind of went nowhere with it, Like,

765
00:42:29,440 --> 00:42:30,840
Speaker 3: I don't know if they had much to play with

766
00:42:31,239 --> 00:42:34,840
Speaker 3: when like Colin and Finn have this great line of

767
00:42:35,400 --> 00:42:37,479
Speaker 3: are you bringing up with Logan in the next twenty minute?

768
00:42:37,520 --> 00:42:39,520
Speaker 4: You know, it's just like he is the random girl

769
00:42:39,600 --> 00:42:42,160
Speaker 4: and him on the phone trying to get a girl, yeah,

770
00:42:42,200 --> 00:42:44,839
Speaker 4: and then Logan saying, no, you don't need to change

771
00:42:44,880 --> 00:42:47,040
Speaker 4: your clothes. I'm into the hot librarian thing. The whole

772
00:42:47,040 --> 00:42:50,600
Speaker 4: thing was sort of it's very collogy and it's very amusing.

773
00:42:51,040 --> 00:42:55,400
Speaker 3: Yeah, and it's that's what the band is kind of lacking.

774
00:42:56,600 --> 00:42:59,320
Speaker 2: I think the punchline of the band thing was not

775
00:42:59,520 --> 00:43:04,520
Speaker 2: so much that that Zach and Brian went out and

776
00:43:04,640 --> 00:43:09,000
Speaker 2: did that. It was more Lane's reaction to it. It

777
00:43:09,160 --> 00:43:11,920
Speaker 2: was supposed to be like the hit point in that storyline,

778
00:43:11,920 --> 00:43:16,400
Speaker 2: but I think it fell a little flat. Yeah, Like

779
00:43:16,480 --> 00:43:18,479
Speaker 2: I think it just stretched out too long. It didn't

780
00:43:18,480 --> 00:43:22,400
Speaker 2: need to be like a whole scene, yeah, or five scenes.

781
00:43:22,440 --> 00:43:29,840
Speaker 4: But so Scott, here comes the topic. Take a deep.

782
00:43:29,719 --> 00:43:32,520
Speaker 1: Breath, Yes, the topic I'm breathing.

783
00:43:32,640 --> 00:43:36,959
Speaker 4: Yes, deeply, very interesting in this show. Yes, they really

784
00:43:37,080 --> 00:43:38,600
Speaker 4: won't let your butt go.

785
00:43:40,600 --> 00:43:42,640
Speaker 1: Yeah. I don't want to get into it. It's just

786
00:43:42,840 --> 00:43:53,759
Speaker 1: let's not dig deep into my butt. Let's okay, let's

787
00:43:53,920 --> 00:43:57,680
Speaker 1: uh yeah, it's just it's like, you know.

788
00:43:58,520 --> 00:44:02,200
Speaker 4: Is this a recurring it's.

789
00:44:01,520 --> 00:44:05,400
Speaker 1: A compliment Suki's obsessed with Luke's but.

790
00:44:05,920 --> 00:44:07,120
Speaker 3: Yeah, it's only from Suki.

791
00:44:07,960 --> 00:44:12,359
Speaker 4: True, it's so true. I also had a question.

792
00:44:12,400 --> 00:44:15,400
Speaker 1: It would have been an interesting storyline, right they pursued that.

793
00:44:15,640 --> 00:44:19,319
Speaker 1: Oh god, why not just go for it? Right?

794
00:44:19,520 --> 00:44:22,560
Speaker 4: I hate to throw it out there. That becomes a

795
00:44:22,760 --> 00:44:24,560
Speaker 4: totally different show. Certainly, it's.

796
00:44:26,040 --> 00:44:27,799
Speaker 1: I mean, if they're gonna if they're going to objectify

797
00:44:27,920 --> 00:44:30,600
Speaker 1: the character to that degree, just go for it, right,

798
00:44:30,840 --> 00:44:34,400
Speaker 1: Just just go ahead and have a butt of thon. Right.

799
00:44:34,719 --> 00:44:37,799
Speaker 4: The best line, the best line is when you say

800
00:44:38,160 --> 00:44:42,520
Speaker 4: me and my butt are staying out of it. Okay, here,

801
00:44:42,600 --> 00:44:44,560
Speaker 4: I've never been a restaurant server.

802
00:44:44,920 --> 00:44:50,160
Speaker 1: But wait a minute, weren't you especially what's the word

803
00:44:50,239 --> 00:44:56,440
Speaker 1: saliva salvating? Salivating salivatory with all of those wonderful dishes

804
00:44:56,480 --> 00:44:57,000
Speaker 1: that Luke was.

805
00:44:58,360 --> 00:45:01,359
Speaker 4: Yes, so here's my question. Has any raise your hand

806
00:45:01,400 --> 00:45:03,080
Speaker 4: if you've been a waiter? I worked in an ice

807
00:45:03,120 --> 00:45:03,680
Speaker 4: cream store.

808
00:45:03,880 --> 00:45:04,879
Speaker 1: Oh sure, I've been a waiter.

809
00:45:05,280 --> 00:45:09,920
Speaker 4: Is it common to be like turkey with Swiss, you know,

810
00:45:10,200 --> 00:45:13,439
Speaker 4: burger with cheddar, like he really calls out the order.

811
00:45:13,719 --> 00:45:17,279
Speaker 1: Yes, I think that that used to be. They still

812
00:45:17,320 --> 00:45:18,120
Speaker 1: do it today.

813
00:45:18,239 --> 00:45:20,680
Speaker 4: Like in a diner. Yeah, I feel like in a

814
00:45:20,760 --> 00:45:25,080
Speaker 4: diner yeah yeah, maybe b l T with fries, but

815
00:45:25,280 --> 00:45:27,719
Speaker 4: like in a fancy restaurant. I don't remember them ever

816
00:45:27,800 --> 00:45:29,440
Speaker 4: being like limb chops.

817
00:45:29,600 --> 00:45:32,560
Speaker 1: Yeah, a fancy restaurant. They're not slinging hash of course not.

818
00:45:32,719 --> 00:45:33,239
Speaker 1: They're not like.

819
00:45:39,239 --> 00:45:41,680
Speaker 3: Sometimes they do. It just depends where you are.

820
00:45:42,200 --> 00:45:45,279
Speaker 1: There's an over hearing of that.

821
00:45:45,440 --> 00:45:47,439
Speaker 4: Let me pour that and that one. They're just still

822
00:45:47,480 --> 00:45:54,320
Speaker 4: like with a Swiss like I was like, you know, Looke.

823
00:45:54,280 --> 00:45:57,919
Speaker 1: Does how to run a diner. It's it's a nice

824
00:45:58,000 --> 00:46:00,560
Speaker 1: it's a nice introduction. To your your meal.

825
00:46:01,160 --> 00:46:10,759
Speaker 4: It gets blt up. Dang order up. I also love

826
00:46:11,360 --> 00:46:13,239
Speaker 4: Stoopy left her mother in law in the car.

827
00:46:13,920 --> 00:46:16,240
Speaker 2: Oh yeah, I should have cracked the window.

828
00:46:16,360 --> 00:46:16,600
Speaker 6: Amy.

829
00:46:16,680 --> 00:46:19,880
Speaker 1: For some reason, I cannot imagine you being a waitress

830
00:46:20,040 --> 00:46:20,600
Speaker 1: and a diner.

831
00:46:21,680 --> 00:46:25,279
Speaker 4: I worked at an ice cream store. I just I'm sorry, No,

832
00:46:25,440 --> 00:46:27,600
Speaker 4: I don't think so. I think, yeah, it's okay. I

833
00:46:27,640 --> 00:46:29,560
Speaker 4: don't think it's I just don't know.

834
00:46:30,120 --> 00:46:32,640
Speaker 1: I can't imagine you being the only waitress in the

835
00:46:32,719 --> 00:46:33,719
Speaker 1: diner and handling it.

836
00:46:36,560 --> 00:46:39,120
Speaker 4: I don't think I could balance all those plates, and

837
00:46:39,200 --> 00:46:42,920
Speaker 4: I think I'd get irritated, would you. I'm not I

838
00:46:42,960 --> 00:46:45,800
Speaker 4: don't know. I can be kind of smiley, like we

839
00:46:45,920 --> 00:46:48,400
Speaker 4: have to do that at events and stuff, very smiley,

840
00:46:49,080 --> 00:46:51,319
Speaker 4: and then I'm real over it, like I just would

841
00:46:51,440 --> 00:46:53,080
Speaker 4: keep going back in the kitchen and being.

842
00:46:53,000 --> 00:46:57,440
Speaker 1: Like, oh, like the rest of the world.

843
00:46:58,719 --> 00:47:01,160
Speaker 4: Does everybody go back in the kitchen, Like I hate.

844
00:47:01,680 --> 00:47:03,440
Speaker 3: You, Like you turn around and you're just like like

845
00:47:04,040 --> 00:47:07,600
Speaker 3: like your smile becomes just like a frown, like your

846
00:47:07,640 --> 00:47:08,920
Speaker 3: face were smiling.

847
00:47:09,040 --> 00:47:10,840
Speaker 4: But irols hermanent.

848
00:47:10,920 --> 00:47:13,280
Speaker 1: Irol I'll tell you when I when I was waiting,

849
00:47:13,320 --> 00:47:17,800
Speaker 1: When I was a waiter, I was genuinely charming. Mm hmmm,

850
00:47:18,600 --> 00:47:19,719
Speaker 1: so I have that gone that.

851
00:47:19,840 --> 00:47:20,239
Speaker 3: I guess.

852
00:47:20,640 --> 00:47:23,400
Speaker 1: I once got a quarter as a tip and went

853
00:47:23,440 --> 00:47:26,520
Speaker 1: outside and I threw it at the Were you bad?

854
00:47:27,160 --> 00:47:28,520
Speaker 4: Like did you deserve the quarter?

855
00:47:28,800 --> 00:47:33,040
Speaker 1: No? I did not. I deserved a real tip. I

856
00:47:33,239 --> 00:47:35,839
Speaker 1: wasn't rude. I was. I was a wonderful waiter.

857
00:47:36,400 --> 00:47:37,080
Speaker 4: They were rude.

858
00:47:37,840 --> 00:47:38,879
Speaker 1: Yeah, I give it back.

859
00:47:38,960 --> 00:47:41,680
Speaker 4: I give a great tip even with bad service. I always,

860
00:47:41,920 --> 00:47:43,920
Speaker 4: I always give a great tip, even if the person's

861
00:47:43,920 --> 00:47:47,359
Speaker 4: a disaster. I'm like, you know what a bad day

862
00:47:47,960 --> 00:47:51,240
Speaker 4: like here, I'm just gonna shower you with kindness.

863
00:47:51,440 --> 00:47:54,200
Speaker 1: Not all the time, not all the time, I always do.

864
00:47:54,520 --> 00:47:54,839
Speaker 6: I give.

865
00:47:55,360 --> 00:47:59,239
Speaker 4: I love being a big tipper. And I'm not like

866
00:47:59,360 --> 00:48:02,080
Speaker 4: some celebrity that tips a thousand dollars, but I always,

867
00:48:02,200 --> 00:48:05,200
Speaker 4: and now since the pandemic, twenty five percent. I try

868
00:48:05,239 --> 00:48:09,040
Speaker 4: to do twenty five percent. But I don't go to

869
00:48:09,120 --> 00:48:11,640
Speaker 4: like thousand dollars meals. I mean twenty five percent when you're.

870
00:48:11,680 --> 00:48:13,759
Speaker 1: I give big tips when I get when I or

871
00:48:13,840 --> 00:48:15,840
Speaker 1: when I when I order for takeout.

872
00:48:16,719 --> 00:48:20,000
Speaker 4: Yeah, me too. Yeah. And people are real mad about

873
00:48:20,040 --> 00:48:21,240
Speaker 4: that iPad, but I'm.

874
00:48:21,080 --> 00:48:23,719
Speaker 3: Like, you know what, well, I will say the iPad thing.

875
00:48:24,040 --> 00:48:26,920
Speaker 3: I I was at a concert and I picked up

876
00:48:26,960 --> 00:48:29,680
Speaker 3: the shirt and held it up against me, and then

877
00:48:29,719 --> 00:48:31,000
Speaker 3: they asked for a tip, and I was just like,

878
00:48:32,640 --> 00:48:34,000
Speaker 3: but I picked up the shirt.

879
00:48:35,560 --> 00:48:38,319
Speaker 4: Sure is a little weird, know what you're saying.

880
00:48:38,480 --> 00:48:41,000
Speaker 1: Yeah, you know what you say? What did you want

881
00:48:41,040 --> 00:48:43,520
Speaker 1: to tip? Plant your corner early?

882
00:48:45,320 --> 00:48:48,240
Speaker 2: Oh, that's that's dad, sit on any cold benches.

883
00:48:49,560 --> 00:48:52,400
Speaker 4: But like a Macy's, if they're suddenly asking me for tips,

884
00:48:52,480 --> 00:48:53,799
Speaker 4: that's going to be uncomfortable.

885
00:48:53,920 --> 00:48:56,000
Speaker 3: Yeah, like restaurants, I'm buying, but if you're like at

886
00:48:56,040 --> 00:48:58,360
Speaker 3: a concert or like, you know, Macy's.

887
00:48:57,960 --> 00:49:00,359
Speaker 1: It's like, yeah, it's become a thing. Because the cost

888
00:49:00,400 --> 00:49:03,960
Speaker 1: of living is so high that people are not getting

889
00:49:04,040 --> 00:49:07,200
Speaker 1: by on their on their way, they have to enhance

890
00:49:07,280 --> 00:49:07,879
Speaker 1: it with a tip.

891
00:49:08,120 --> 00:49:10,600
Speaker 4: That's why sometimes a Macy's they helped me more than

892
00:49:10,880 --> 00:49:12,000
Speaker 4: when I'm getting a sandwich.

893
00:49:12,320 --> 00:49:15,160
Speaker 3: Well, my mom works in retail and she gets commissioned

894
00:49:15,280 --> 00:49:16,440
Speaker 3: so sandwiches.

895
00:49:16,680 --> 00:49:18,160
Speaker 1: You can order a sandwich at Macy's.

896
00:49:18,840 --> 00:49:21,120
Speaker 4: Know what I'm saying. When I'm if I'm at macy

897
00:49:21,320 --> 00:49:23,439
Speaker 4: sometimes that person.

898
00:49:23,600 --> 00:49:25,840
Speaker 1: I like that sweater and could I have a cheeseburger?

899
00:49:27,200 --> 00:49:29,760
Speaker 4: That would be amazing. By the way, mem and Marcus.

900
00:49:29,840 --> 00:49:32,719
Speaker 1: They do have a Does do these shoots come with

901
00:49:32,880 --> 00:49:34,640
Speaker 1: Fries's combine it?

902
00:49:36,040 --> 00:49:39,000
Speaker 4: They should do that. They should give you like snacks

903
00:49:39,040 --> 00:49:40,640
Speaker 4: while you walk around and shop, and.

904
00:49:40,719 --> 00:49:46,200
Speaker 1: Like Target at the really high end places they have champagne. True,

905
00:49:46,880 --> 00:49:48,600
Speaker 1: they try to get your hammered, so you just keep

906
00:49:48,640 --> 00:49:50,000
Speaker 1: buying pretty woman boutiques.

907
00:49:51,440 --> 00:49:55,000
Speaker 4: Did Did anyone even find it amusing that they went

908
00:49:55,080 --> 00:49:58,120
Speaker 4: in her underwear drawer and all that bit with Lane

909
00:49:58,960 --> 00:49:59,760
Speaker 4: when she locked?

910
00:50:00,000 --> 00:50:02,560
Speaker 1: I think, listen, can we just agree nothing about that

911
00:50:02,640 --> 00:50:03,400
Speaker 1: scene was funny?

912
00:50:03,719 --> 00:50:07,520
Speaker 4: Yeah we can, so, Okay. Then we go to sort

913
00:50:07,560 --> 00:50:09,880
Speaker 4: of the library room of the inn and they're putting

914
00:50:09,880 --> 00:50:12,759
Speaker 4: away the games, which I noticed were Monopoly in Life

915
00:50:13,120 --> 00:50:15,520
Speaker 4: and the DVDs which I tried to see as many

916
00:50:15,560 --> 00:50:18,080
Speaker 4: as I could. My friend Lady Accidental tourists. I think

917
00:50:18,200 --> 00:50:21,680
Speaker 4: Rudy was in there. That was kind of like just

918
00:50:21,920 --> 00:50:23,040
Speaker 4: to me. I didn't even I don't even know what

919
00:50:23,040 --> 00:50:25,120
Speaker 4: they talked about because I was so obsessed with the background.

920
00:50:25,160 --> 00:50:26,879
Speaker 4: I was like, what can I see? What can I see?

921
00:50:28,560 --> 00:50:31,480
Speaker 4: And then oh my god, wait is it? Oh no,

922
00:50:31,640 --> 00:50:34,520
Speaker 4: so this is where has the family come in yet?

923
00:50:34,600 --> 00:50:36,799
Speaker 4: I don't think they have no So this is where

924
00:50:36,840 --> 00:50:42,080
Speaker 4: we see Uh, Suki's got her binder. She's got a

925
00:50:42,160 --> 00:50:46,320
Speaker 4: binder that says like favorite recipes. Oh, and this is

926
00:50:46,360 --> 00:50:48,040
Speaker 4: where we learn they're both going to be the godmothers.

927
00:50:48,160 --> 00:50:51,040
Speaker 4: That's what it is that Suki wants them. They're sitting

928
00:50:51,080 --> 00:50:54,400
Speaker 4: on the tall couch with the dragonfly pillows and she

929
00:50:54,600 --> 00:50:56,040
Speaker 4: talks about them being godmothers.

930
00:50:56,680 --> 00:51:00,160
Speaker 2: Thoughts, I thought that was funny when laurla I was

931
00:51:00,280 --> 00:51:02,200
Speaker 2: trying to come up with all these other people that

932
00:51:02,320 --> 00:51:06,360
Speaker 2: could do it instead, and Suki had all these excuses.

933
00:51:06,920 --> 00:51:09,880
Speaker 8: Why all these different people? Oh she moved yesterday to Peru.

934
00:51:14,239 --> 00:51:17,759
Speaker 8: Wait when forgive me with my notes? When does the

935
00:51:17,920 --> 00:51:18,800
Speaker 8: family come in?

936
00:51:20,080 --> 00:51:20,239
Speaker 6: Well?

937
00:51:20,280 --> 00:51:24,400
Speaker 3: It was when, wasn't it when they said that Bo

938
00:51:24,680 --> 00:51:26,120
Speaker 3: thinks laurelize an info.

939
00:51:26,600 --> 00:51:28,280
Speaker 4: Yes, but like why.

940
00:51:30,480 --> 00:51:31,600
Speaker 3: We kind of jumped around?

941
00:51:32,040 --> 00:51:35,759
Speaker 4: Did I not? Where is that scene? Did I miss that?

942
00:51:36,239 --> 00:51:40,040
Speaker 3: That's like right after Oh yeah, because we.

943
00:51:40,440 --> 00:51:43,400
Speaker 4: Did skip that. You guys, I'm so sorry because we

944
00:51:43,640 --> 00:51:48,520
Speaker 4: started to talk about the butt scene and the family's

945
00:51:48,520 --> 00:51:50,480
Speaker 4: already there because the mother in law's in the car,

946
00:51:50,680 --> 00:51:55,799
Speaker 4: so we must talk about that scene. When the family rolls.

947
00:51:55,560 --> 00:52:01,879
Speaker 3: In, Michelle's just like so it doesn't want to be there.

948
00:52:03,360 --> 00:52:07,440
Speaker 4: The nick Offerman stuff, and I thought Laurela I was

949
00:52:07,600 --> 00:52:10,640
Speaker 4: hilarious and or Lauren with that.

950
00:52:13,160 --> 00:52:13,480
Speaker 1: Just like.

951
00:52:17,239 --> 00:52:20,600
Speaker 4: He was just my favorite favorite part of the whole thing.

952
00:52:20,880 --> 00:52:23,680
Speaker 2: Yeah, for sure, he stole all of those scenes.

953
00:52:23,960 --> 00:52:25,760
Speaker 4: Oh my god, he's so amazing.

954
00:52:27,160 --> 00:52:31,239
Speaker 1: All right, So a minute, what about Sukie walking up

955
00:52:31,400 --> 00:52:34,839
Speaker 1: to laurl I saying, Uncle Louis hugged me too long.

956
00:52:37,719 --> 00:52:43,680
Speaker 4: Well, when they're both like, we're so so sorry apologizing for.

957
00:52:43,960 --> 00:52:47,480
Speaker 1: Then Michelle had a great line when he said he'll

958
00:52:47,560 --> 00:52:50,080
Speaker 1: be going to the family's coming, I'll be going to

959
00:52:50,760 --> 00:52:51,840
Speaker 1: nail down the furniture.

960
00:52:52,280 --> 00:52:52,520
Speaker 6: Yeah.

961
00:52:53,800 --> 00:52:56,319
Speaker 3: All of his lines, honestly in that scene were great.

962
00:52:56,880 --> 00:53:01,360
Speaker 4: Yeah, Michelle's lines totally just hilarious. The whole thing that

963
00:53:01,520 --> 00:53:10,319
Speaker 4: was just all hilarious for me. So then we sort

964
00:53:10,320 --> 00:53:13,319
Speaker 4: of have the parallel scenes. So we have the two

965
00:53:13,480 --> 00:53:18,359
Speaker 4: scenes Luke and Loralai waking up, alarms going off, she's

966
00:53:18,400 --> 00:53:20,719
Speaker 4: holding up the dresses, and we have the exact same

967
00:53:20,840 --> 00:53:25,200
Speaker 4: scene basically with Logan and Rory. So I would love

968
00:53:25,239 --> 00:53:26,920
Speaker 4: to hear from you guys what you thought about that

969
00:53:27,120 --> 00:53:30,759
Speaker 4: technique of like the same exact scene.

970
00:53:33,880 --> 00:53:39,840
Speaker 1: Even though they're not talking. DNA's destiny.

971
00:53:42,239 --> 00:53:44,239
Speaker 2: Yeah, I thought it kind of showed that maybe they're

972
00:53:44,480 --> 00:53:48,360
Speaker 2: not as far apart as they seem to be, Like

973
00:53:48,480 --> 00:53:53,120
Speaker 2: they're still on parallel tracks. They just have to come

974
00:53:53,520 --> 00:53:56,719
Speaker 2: back together because they're not really as different as they

975
00:53:56,800 --> 00:53:57,440
Speaker 2: seem right now.

976
00:53:58,440 --> 00:54:01,560
Speaker 4: And those scenes were fine. Those scenes were fine.

977
00:54:01,880 --> 00:54:03,840
Speaker 3: Yeah, So then we get to.

978
00:54:06,840 --> 00:54:07,240
Speaker 4: Lane's.

979
00:54:08,080 --> 00:54:08,799
Speaker 6: To me, this was so.

980
00:54:08,840 --> 00:54:11,080
Speaker 4: Awkward and I couldn't figure out why. Why were Lane

981
00:54:11,120 --> 00:54:13,600
Speaker 4: and Rory just so awkward? Then they kind of get

982
00:54:13,640 --> 00:54:16,360
Speaker 4: in their group, but I was like, this is awful.

983
00:54:16,640 --> 00:54:18,839
Speaker 3: I think it's because of the equipment.

984
00:54:18,480 --> 00:54:21,080
Speaker 1: Talk, right, because it wasn't funny.

985
00:54:21,600 --> 00:54:22,440
Speaker 4: It wasn't funny.

986
00:54:22,840 --> 00:54:26,120
Speaker 2: Yeah, and Rory felt weird being back in town and

987
00:54:26,640 --> 00:54:29,520
Speaker 2: it just yeah, the whole thing was kind of off

988
00:54:29,600 --> 00:54:29,920
Speaker 2: killed her.

989
00:54:30,280 --> 00:54:33,880
Speaker 1: It's like, here's it's like two characters trying to be

990
00:54:34,000 --> 00:54:38,400
Speaker 1: earnest with each other, yeah, without humor, and that's not

991
00:54:38,520 --> 00:54:43,120
Speaker 1: the show. It seemed like a different show, right, And.

992
00:54:43,280 --> 00:54:47,160
Speaker 4: Was it supposed to be awkward? Like were we supposed

993
00:54:47,200 --> 00:54:48,919
Speaker 4: to be like, oh, it's so awkward. They haven't seen

994
00:54:48,920 --> 00:54:50,680
Speaker 4: each other in a bit and they just or was

995
00:54:50,719 --> 00:54:52,960
Speaker 4: it just bad at writing? Like what was going on?

996
00:54:53,160 --> 00:54:55,200
Speaker 1: If she's been if they haven't seen each other since

997
00:54:55,239 --> 00:54:58,319
Speaker 1: she before the tour. It's been a couple of months, right, yeah,

998
00:54:58,880 --> 00:55:01,640
Speaker 1: all right, so you usually they handle stuff like that

999
00:55:01,800 --> 00:55:05,239
Speaker 1: in the show, where you know, they plan to get

1000
00:55:05,280 --> 00:55:07,600
Speaker 1: together and then Lane shows up or Rory shows up,

1001
00:55:07,640 --> 00:55:09,359
Speaker 1: and they jump up and down, they hug each other

1002
00:55:09,440 --> 00:55:15,560
Speaker 1: and they're right easy. But I think it's it's depicting

1003
00:55:16,200 --> 00:55:22,040
Speaker 1: that Rory has somewhat broken ties with stars hollow Lane.

1004
00:55:23,080 --> 00:55:25,279
Speaker 1: It's like she's moving attempting to.

1005
00:55:25,440 --> 00:55:30,800
Speaker 4: Move on great point everybody.

1006
00:55:31,120 --> 00:55:35,040
Speaker 1: And the awkwardness was you know, the star of the scene,

1007
00:55:35,840 --> 00:55:39,920
Speaker 1: the awkwardness with Laurel. I that's a new element that

1008
00:55:40,040 --> 00:55:42,200
Speaker 1: we have to deal with. This is the reality of

1009
00:55:42,480 --> 00:55:45,040
Speaker 1: you know, breaking up with a mother, breaking up with

1010
00:55:45,120 --> 00:55:48,400
Speaker 1: a friend, and breaking up with a town and embracing

1011
00:55:48,520 --> 00:55:50,719
Speaker 1: her new life and her new self because it's like,

1012
00:55:51,560 --> 00:55:56,840
Speaker 1: you know, it's like uh uh, you know, yeah, Butterfly

1013
00:55:57,040 --> 00:55:57,640
Speaker 1: coming out of the.

1014
00:55:57,680 --> 00:56:01,360
Speaker 5: Christmas right herk still pulled it off, But is it

1015
00:56:01,400 --> 00:56:05,320
Speaker 5: a butterfly? Is it a buttercut Kirk was funny. That

1016
00:56:05,440 --> 00:56:10,640
Speaker 5: was fun Yeah, I'm wearing this, she's all.

1017
00:56:13,400 --> 00:56:16,040
Speaker 4: I've done some high fives and some peak a boo sessions,

1018
00:56:19,480 --> 00:56:23,960
Speaker 4: a bizarre Melissa McCarthy got a real new haircut for

1019
00:56:24,040 --> 00:56:28,400
Speaker 4: the baptism too. That looked like a brand new haircut

1020
00:56:28,440 --> 00:56:28,600
Speaker 4: to me.

1021
00:56:29,320 --> 00:56:31,440
Speaker 2: My husband noticed that too. I didn't pick up on that.

1022
00:56:32,000 --> 00:56:34,360
Speaker 1: I was like, yeah, and.

1023
00:56:34,640 --> 00:56:37,520
Speaker 4: I'll always give a shout out to lorealized fashion. Her

1024
00:56:37,600 --> 00:56:38,800
Speaker 4: fashion is unbelievable.

1025
00:56:38,960 --> 00:56:39,480
Speaker 1: Oh my god.

1026
00:56:40,200 --> 00:56:42,080
Speaker 4: But and I know we need to talk about the

1027
00:56:42,120 --> 00:56:45,680
Speaker 4: scene with the Reverend. The biggest stress for me, literally

1028
00:56:47,840 --> 00:56:54,200
Speaker 4: massive stress, very massive stress. The baby with her necklace,

1029
00:56:55,960 --> 00:56:59,879
Speaker 4: Like I was like, this is so bad, Like those

1030
00:57:00,160 --> 00:57:03,200
Speaker 4: not rubber babies, those were real babies. My baby was

1031
00:57:03,280 --> 00:57:07,120
Speaker 4: like gonna choke and die on that necklace. I was like,

1032
00:57:07,640 --> 00:57:08,880
Speaker 4: are you guys doing.

1033
00:57:10,560 --> 00:57:10,600
Speaker 1: That?

1034
00:57:10,800 --> 00:57:12,520
Speaker 2: Was all I could see in that scene was the

1035
00:57:12,640 --> 00:57:16,360
Speaker 2: baby with the fistful of necklace. I'm like, beads break off,

1036
00:57:16,680 --> 00:57:18,760
Speaker 2: Like it was stressful.

1037
00:57:21,600 --> 00:57:24,840
Speaker 4: I was like, oh my god, like somebody's got to

1038
00:57:24,920 --> 00:57:28,520
Speaker 4: help that baby, not that necklace, Like, oh my get

1039
00:57:28,560 --> 00:57:30,960
Speaker 4: a beaded necklace that wasn't that that looked like it

1040
00:57:31,000 --> 00:57:34,920
Speaker 4: could have choked. I was beyond So. I also couldn't

1041
00:57:34,960 --> 00:57:37,400
Speaker 4: figure out at first why Laura I was so mad,

1042
00:57:37,960 --> 00:57:40,480
Speaker 4: you know when and we learn it's because of the phone,

1043
00:57:41,920 --> 00:57:45,280
Speaker 4: But she was doing face acting of mad and I'm like,

1044
00:57:45,360 --> 00:57:49,640
Speaker 4: what is she so mad about? Did you guys know that?

1045
00:57:50,000 --> 00:57:52,440
Speaker 2: That was kind of a cringey scene for me, just

1046
00:57:52,560 --> 00:57:58,040
Speaker 2: the way I mean, like you're at a baby's baptism, like,

1047
00:57:58,280 --> 00:58:01,200
Speaker 2: just suck it up for twelve litil this is over.

1048
00:58:01,400 --> 00:58:04,400
Speaker 2: Like I couldn't believe she walked out with with.

1049
00:58:04,560 --> 00:58:06,240
Speaker 3: The kids in the middle of the whole.

1050
00:58:07,960 --> 00:58:11,280
Speaker 1: Yeah, and then gets irate with a tiny baby in

1051
00:58:11,320 --> 00:58:14,160
Speaker 1: her arm and that baby picking up all the negative

1052
00:58:14,240 --> 00:58:19,920
Speaker 1: vibes there. That's that's traumatizing for a child. Yeah, not great.

1053
00:58:20,960 --> 00:58:23,280
Speaker 4: I'm kind of like, really, you're mad at her for

1054
00:58:23,520 --> 00:58:27,600
Speaker 4: calling Rory, like she didn't know that you didn't have

1055
00:58:27,680 --> 00:58:29,320
Speaker 4: the phone number, Like, stop it.

1056
00:58:30,160 --> 00:58:33,080
Speaker 1: I was just I don't know.

1057
00:58:33,440 --> 00:58:36,160
Speaker 4: The scene with the Reverend to go back was funny.

1058
00:58:36,640 --> 00:58:43,120
Speaker 1: It was classic Mary Mary is my homie t shirts

1059
00:58:43,160 --> 00:58:44,080
Speaker 1: and marries my homie.

1060
00:58:45,320 --> 00:58:51,880
Speaker 4: I like, good for evil. Wait, what was with Nick

1061
00:58:51,960 --> 00:58:56,880
Speaker 4: Offerman dropping all the change? What was that? I don't

1062
00:58:56,920 --> 00:58:57,560
Speaker 4: know what was that?

1063
00:58:59,280 --> 00:59:02,520
Speaker 1: Was the offering? It was at his offerings to what

1064
00:59:02,680 --> 00:59:03,160
Speaker 1: was he doing?

1065
00:59:03,720 --> 00:59:08,240
Speaker 2: I just think it was him being uncouth and not knowing.

1066
00:59:08,920 --> 00:59:14,080
Speaker 1: To change, and he stuck everybody's face first.

1067
00:59:14,120 --> 00:59:15,760
Speaker 4: I thought it was so he could bed over in

1068
00:59:15,840 --> 00:59:16,640
Speaker 4: front of Laura. I.

1069
00:59:17,080 --> 00:59:19,760
Speaker 1: I was, I bet you, it's an homage to an

1070
00:59:19,800 --> 00:59:23,880
Speaker 1: old movie that we're not aware, you know what I'm saying.

1071
00:59:25,560 --> 00:59:27,520
Speaker 1: We just don't know the reference that they were.

1072
00:59:30,040 --> 00:59:30,680
Speaker 6: To sell.

1073
00:59:36,880 --> 00:59:39,920
Speaker 4: It was even way better than he was the last

1074
00:59:39,960 --> 00:59:40,640
Speaker 4: time he was on.

1075
00:59:43,000 --> 00:59:43,200
Speaker 1: Yeah.

1076
00:59:43,440 --> 00:59:47,000
Speaker 3: Yeah. This time was yeah, I agree, Oh my god,

1077
00:59:47,120 --> 00:59:47,680
Speaker 3: it's so good.

1078
00:59:47,720 --> 00:59:52,680
Speaker 4: And that the after party of the baptism, like I

1079
00:59:53,160 --> 00:59:55,920
Speaker 4: want to be invited to that. It would be so stoked.

1080
00:59:56,040 --> 00:59:59,960
Speaker 4: The food, it beautiful weather out there in the town

1081
01:00:00,080 --> 01:00:02,680
Speaker 4: on square, Like I just was like, I love it.

1082
01:00:04,960 --> 01:00:05,160
Speaker 6: Then.

1083
01:00:05,520 --> 01:00:07,960
Speaker 4: First of all, always uncomfortable to see someone talking on

1084
01:00:08,040 --> 01:00:09,240
Speaker 4: their cell phone while driving.

1085
01:00:10,280 --> 01:00:13,000
Speaker 1: I thought that that was a big mistake.

1086
01:00:14,080 --> 01:00:15,680
Speaker 4: They didn't back then though.

1087
01:00:16,680 --> 01:00:18,320
Speaker 3: Everyone Yeah, people did it back then.

1088
01:00:18,440 --> 01:00:20,800
Speaker 4: You were just everybody was just gabbing on their cell

1089
01:00:20,840 --> 01:00:21,800
Speaker 4: phones while driving.

1090
01:00:22,320 --> 01:00:25,560
Speaker 1: But everybody everybody knew it was a bad idea. People

1091
01:00:25,720 --> 01:00:28,400
Speaker 1: just did it because it wasn't what They weren't getting

1092
01:00:28,440 --> 01:00:30,840
Speaker 1: busted for it, but everybody knew it was distracting and

1093
01:00:30,920 --> 01:00:35,280
Speaker 1: a bad idea. That scene didn't age well under the category,

1094
01:00:35,440 --> 01:00:36,920
Speaker 1: didn't age well totally.

1095
01:00:36,920 --> 01:00:40,360
Speaker 4: I was like, oh, that is so she's on her

1096
01:00:40,440 --> 01:00:44,000
Speaker 4: phone dialing while driving right, I'm like on that itty

1097
01:00:44,080 --> 01:00:45,080
Speaker 4: bitty phone like.

1098
01:00:45,280 --> 01:00:45,760
Speaker 6: Oh god.

1099
01:00:47,480 --> 01:00:49,840
Speaker 4: And then off they go to the airport to catch

1100
01:00:49,920 --> 01:00:53,440
Speaker 4: the helicopter, which I was like, oh, that's kind of cute.

1101
01:00:53,680 --> 01:00:54,320
Speaker 1: What else.

1102
01:00:55,760 --> 01:00:59,400
Speaker 3: I mean, it's just very like I don't know this

1103
01:00:59,520 --> 01:01:01,919
Speaker 3: whole so for me, like Rory is just not Rory,

1104
01:01:03,640 --> 01:01:05,160
Speaker 3: Like I don't think she. I mean, well, now she's

1105
01:01:05,200 --> 01:01:07,480
Speaker 3: not in school, so she can go wherever she wants,

1106
01:01:07,560 --> 01:01:10,560
Speaker 3: but like, well, Rory just like she would barely go

1107
01:01:10,760 --> 01:01:12,000
Speaker 3: to New York with Jess?

1108
01:01:12,960 --> 01:01:16,080
Speaker 1: Right, how did how did we fall in love with Rory?

1109
01:01:16,280 --> 01:01:16,440
Speaker 6: Right?

1110
01:01:16,600 --> 01:01:20,320
Speaker 1: Part of it was how she was in relationship with Dean,

1111
01:01:21,200 --> 01:01:23,640
Speaker 1: part of it was how she was in a relationship

1112
01:01:23,720 --> 01:01:29,160
Speaker 1: with Jess, And now she's with a hard drinking, wealthy

1113
01:01:29,400 --> 01:01:33,720
Speaker 1: kid who drowns a sorrow and a couple of glasses

1114
01:01:33,760 --> 01:01:38,400
Speaker 1: of whiskey and gets her on the family helicopter of

1115
01:01:38,400 --> 01:01:42,000
Speaker 1: the Pierre for the weekend. It's not it's unrecognizable. You're right,

1116
01:01:42,760 --> 01:01:46,080
Speaker 1: it is. She is unrecognizable. We do not recognize this

1117
01:01:46,240 --> 01:01:50,000
Speaker 1: person anymore. She's been she's transformed out of all recognition

1118
01:01:50,160 --> 01:01:56,080
Speaker 1: at this point. Yeah, but you know that's that happens.

1119
01:01:57,080 --> 01:01:58,920
Speaker 2: Can I throw in one quick question.

1120
01:01:59,680 --> 01:02:00,880
Speaker 1: Sorry we don't have time.

1121
01:02:01,000 --> 01:02:01,960
Speaker 4: Yeah, thanks for coming.

1122
01:02:03,880 --> 01:02:04,720
Speaker 1: I really appreciate it.

1123
01:02:06,960 --> 01:02:10,600
Speaker 2: What did you guys think about the scene where Rory

1124
01:02:10,840 --> 01:02:14,480
Speaker 2: comes up to Laurel Lion says offers her her phone number,

1125
01:02:14,600 --> 01:02:16,680
Speaker 2: and Laurel lies like, oh thanks.

1126
01:02:16,880 --> 01:02:17,600
Speaker 4: That was weird.

1127
01:02:18,280 --> 01:02:27,080
Speaker 3: It was right, she's upset, so like, why don't you

1128
01:02:27,280 --> 01:02:31,160
Speaker 3: just now it's this game of like how long can

1129
01:02:31,240 --> 01:02:34,440
Speaker 3: they be at part? Like yeah, you know what I mean,

1130
01:02:34,520 --> 01:02:36,240
Speaker 3: like just just take the phone number, Like you don't

1131
01:02:36,240 --> 01:02:37,640
Speaker 3: have to call her if you don't want to, but like,

1132
01:02:38,080 --> 01:02:40,080
Speaker 3: it is your daughter. What if there's an emergency and

1133
01:02:40,160 --> 01:02:40,880
Speaker 3: you want to call her.

1134
01:02:42,520 --> 01:02:48,240
Speaker 1: But here's the thing this, even though she's trying to separate,

1135
01:02:49,440 --> 01:02:53,600
Speaker 1: even though Rory lacks the hostility and the sarcasm, right,

1136
01:02:54,880 --> 01:02:58,480
Speaker 1: she's still her mother's daughter. So what she does have

1137
01:03:00,240 --> 01:03:05,360
Speaker 1: is her stiff upper lip and and she's stubborn, just

1138
01:03:05,520 --> 01:03:09,800
Speaker 1: like Laurla yea, Laura didn't back down, Rory didn't back down.

1139
01:03:10,320 --> 01:03:10,760
Speaker 3: Mm hm.

1140
01:03:12,520 --> 01:03:18,160
Speaker 1: Hm. That's where they're similar. Yeah, agreed, Yeah, comfortable to watch,

1141
01:03:18,240 --> 01:03:22,280
Speaker 1: but it was true. It was true to character, I thought.

1142
01:03:23,400 --> 01:03:25,960
Speaker 1: But yes, kinda like whoa.

1143
01:03:27,640 --> 01:03:29,000
Speaker 4: No mm hmm.

1144
01:03:29,200 --> 01:03:30,600
Speaker 1: Nobody's given an inch there.

1145
01:03:31,880 --> 01:03:35,520
Speaker 2: Yeah, it was, yeah, because at first you think, well,

1146
01:03:35,560 --> 01:03:37,760
Speaker 2: maybe the baptism will bring them a little bit closer,

1147
01:03:37,800 --> 01:03:40,760
Speaker 2: and then when that phone number thing happened, and you're like, okay, never.

1148
01:03:40,680 --> 01:03:50,400
Speaker 1: Mind, dashed all hope. Right, yes, now I don't It

1149
01:03:50,640 --> 01:03:53,320
Speaker 1: was the Rosio O'Donnell film at the end, right, that

1150
01:03:53,440 --> 01:03:57,280
Speaker 1: was the very last You couldn't have had a better ending,

1151
01:03:57,360 --> 01:03:57,680
Speaker 1: I think.

1152
01:03:59,320 --> 01:04:03,440
Speaker 4: And then she says, it's not the same, It's not right.

1153
01:04:04,800 --> 01:04:07,840
Speaker 1: Do you think the roso o'donald stuff make it Obviously

1154
01:04:07,920 --> 01:04:09,800
Speaker 1: it lightened it up, but did it make it even

1155
01:04:09,840 --> 01:04:13,920
Speaker 1: more tragic or sad? I don't want that's not say tragic,

1156
01:04:14,000 --> 01:04:17,280
Speaker 1: it's sad. It's a natural rhythm in the in the

1157
01:04:17,440 --> 01:04:19,880
Speaker 1: life and the relationship of a mother and a daughter

1158
01:04:19,960 --> 01:04:22,240
Speaker 1: to sort of separate a little bit. Right.

1159
01:04:22,320 --> 01:04:24,520
Speaker 4: It's hard for me because I wish I could remember

1160
01:04:25,080 --> 01:04:29,400
Speaker 4: I remember that movie coming out. It's hard for me

1161
01:04:29,520 --> 01:04:34,720
Speaker 4: because I don't think it endured in pop culture the

1162
01:04:34,840 --> 01:04:37,080
Speaker 4: way other things maybe would have.

1163
01:04:38,520 --> 01:04:41,919
Speaker 1: So what are you talking about that the rose o'donnald movie?

1164
01:04:42,960 --> 01:04:47,240
Speaker 4: Because the clip took me out of the scene. I

1165
01:04:47,440 --> 01:04:50,720
Speaker 4: was so sort of hyper focused on the rose o'donald

1166
01:04:50,800 --> 01:04:56,840
Speaker 4: clip and sort of that performance that I'm like, I

1167
01:04:58,320 --> 01:04:59,560
Speaker 4: lost the real a little bit.

1168
01:05:00,040 --> 01:05:04,440
Speaker 1: Don't you think it had more impact because that because

1169
01:05:04,480 --> 01:05:08,520
Speaker 1: it made you laugh a little bit and then we go, oh,

1170
01:05:09,280 --> 01:05:12,720
Speaker 1: we realize now we're in this state of LORELEI is

1171
01:05:13,120 --> 01:05:16,160
Speaker 1: like nothing, not even that can make Laurel I laugh.

1172
01:05:16,960 --> 01:05:17,840
Speaker 1: It's making us.

1173
01:05:17,840 --> 01:05:23,800
Speaker 4: Laugh well, and not even random pop culture because they're

1174
01:05:23,840 --> 01:05:28,200
Speaker 4: not watching Top Gun, right, They're not watching like something

1175
01:05:28,280 --> 01:05:29,880
Speaker 4: that it's very they love this.

1176
01:05:29,920 --> 01:05:32,959
Speaker 1: It's not the same because my daughter and I would

1177
01:05:33,000 --> 01:05:35,880
Speaker 1: watch this movie and roll on the floor with laughter

1178
01:05:36,760 --> 01:05:38,880
Speaker 1: or at least chip away at a comment on it.

1179
01:05:39,000 --> 01:05:40,640
Speaker 1: She can't do it alone, right, right. I think she's

1180
01:05:40,640 --> 01:05:41,600
Speaker 1: trying to do it alone.

1181
01:05:42,320 --> 01:05:48,439
Speaker 4: Right, I think that commenting on it, yeah, because yeah,

1182
01:05:48,520 --> 01:05:51,720
Speaker 4: I don't know. It made it a little bit more

1183
01:05:51,840 --> 01:05:55,200
Speaker 4: sad to me too, Like justugh.

1184
01:05:55,800 --> 01:05:58,600
Speaker 3: I think I personally didn't know what movie it was,

1185
01:05:58,680 --> 01:05:59,720
Speaker 3: so it took me out of it. I was like,

1186
01:05:59,880 --> 01:06:02,360
Speaker 3: is Rosie o'donald like it? For me as someone who

1187
01:06:02,400 --> 01:06:04,960
Speaker 3: didn't know the movie, I was just like, hmm.

1188
01:06:05,480 --> 01:06:07,560
Speaker 4: I think it didn't do well that movie it had it.

1189
01:06:07,760 --> 01:06:10,600
Speaker 4: It was a sort of very talked about what movie was?

1190
01:06:10,680 --> 01:06:12,760
Speaker 4: It wasn't it riding and.

1191
01:06:14,040 --> 01:06:16,560
Speaker 2: Riding the bus with my sister. Yeah, I think it

1192
01:06:16,640 --> 01:06:17,600
Speaker 2: was familiar with it either.

1193
01:06:18,200 --> 01:06:21,880
Speaker 4: I remember it, and it's very their kind of movie.

1194
01:06:21,920 --> 01:06:23,880
Speaker 4: You know, they watched The Brady Brides and like sort

1195
01:06:23,880 --> 01:06:30,600
Speaker 4: of these random things that weren't huge. So yeah, it's

1196
01:06:30,680 --> 01:06:34,880
Speaker 4: something that she wouldn't watch alone. Yeah, riding the bus

1197
01:06:34,960 --> 01:06:35,520
Speaker 4: with my sister.

1198
01:06:36,080 --> 01:06:39,280
Speaker 1: Well, all right, so what are you giving the episode?

1199
01:06:39,320 --> 01:06:39,600
Speaker 1: What do you do?

1200
01:06:39,720 --> 01:06:43,600
Speaker 4: So do I reveal Danielle's not baby name before we

1201
01:06:43,720 --> 01:06:46,240
Speaker 4: give the reviews? Are the ratings of the episode? Or

1202
01:06:46,320 --> 01:06:47,920
Speaker 4: do we do the ratings of the episode?

1203
01:06:47,960 --> 01:06:49,800
Speaker 1: No? Do it now? Do it now? We're tired of

1204
01:06:49,960 --> 01:06:53,440
Speaker 1: actually kind of tired of waiting for it. Let's go. Really,

1205
01:06:53,600 --> 01:06:54,360
Speaker 1: it's like, can you just.

1206
01:06:54,400 --> 01:06:57,280
Speaker 4: Say, almost named her baby, which I love that she

1207
01:06:57,440 --> 01:07:03,400
Speaker 4: didn't do it. She almost named the baby Milo, nice?

1208
01:07:03,800 --> 01:07:07,240
Speaker 1: Really my little Moreno.

1209
01:07:08,640 --> 01:07:11,200
Speaker 4: So almost happened. So when she comes back she can

1210
01:07:11,240 --> 01:07:12,880
Speaker 4: tell everybody the name she did choose.

1211
01:07:13,520 --> 01:07:15,360
Speaker 3: Oh, I randomly just thought about that when we were

1212
01:07:15,360 --> 01:07:17,040
Speaker 3: talking about it in the beginning.

1213
01:07:17,320 --> 01:07:19,760
Speaker 4: So, so what does everybody give this episode?

1214
01:07:22,040 --> 01:07:25,520
Speaker 2: Is that I'm going to give this nine point five

1215
01:07:27,000 --> 01:07:27,840
Speaker 2: salmon puffs?

1216
01:07:28,400 --> 01:07:31,160
Speaker 1: Nice, Nice, Tara.

1217
01:07:33,360 --> 01:07:39,320
Speaker 3: I'm going to give it a six point five hs take,

1218
01:07:42,360 --> 01:07:46,000
Speaker 3: I just dropped down. I just Rory really bugged me

1219
01:07:46,080 --> 01:07:48,000
Speaker 3: in this episode. I just thought it wasn't genuine.

1220
01:07:48,360 --> 01:07:53,000
Speaker 4: Okay, all right, eight point nine, but tato salads.

1221
01:08:04,080 --> 01:08:09,640
Speaker 1: I'm gonna give it. Uh huh. I enjoyed the heck

1222
01:08:09,680 --> 01:08:12,040
Speaker 1: out of this. I'm gonna I'm gonna give it a

1223
01:08:12,160 --> 01:08:22,320
Speaker 1: nine point seven. Uh uh. Kirk suits that his father's

1224
01:08:22,960 --> 01:08:26,680
Speaker 1: was buried in That's what I'm gonna give it.

1225
01:08:27,760 --> 01:08:28,599
Speaker 3: Wait, what was the number?

1226
01:08:29,920 --> 01:08:34,320
Speaker 1: Nine point seven? Yeah? Yeah, because I don't care, like

1227
01:08:34,520 --> 01:08:37,040
Speaker 1: like when the when the Zach Bryan Lane stuff comes on,

1228
01:08:37,120 --> 01:08:41,720
Speaker 1: I don't care. It's fine and it doesn't irritate me,

1229
01:08:41,800 --> 01:08:44,000
Speaker 1: it doesn't bother me. I sort of enjoy that too,

1230
01:08:44,760 --> 01:08:46,640
Speaker 1: But I know, I just kind of know I'm not

1231
01:08:46,680 --> 01:08:47,960
Speaker 1: going to get a big laugh. If I get a

1232
01:08:48,000 --> 01:08:50,639
Speaker 1: big laugh, then that's great. And I did with from

1233
01:08:50,760 --> 01:08:55,360
Speaker 1: Zach with the yeah that's stuff. I thought it was good.

1234
01:08:55,520 --> 01:08:58,439
Speaker 1: All right, everybody, that's gonna wrap it up for this one.

1235
01:08:59,479 --> 01:09:03,160
Speaker 1: Next Step episode, Season six, episode five, We've got magic

1236
01:09:03,240 --> 01:09:08,120
Speaker 1: to do. Thank you, ladies, uh Susanne French, Tara sued

1237
01:09:08,320 --> 01:09:15,120
Speaker 1: Amy Sugarman. Remember we I a'm all in Stay safe,

1238
01:09:15,160 --> 01:09:45,840
Speaker 1: We see you next time. Hey everybody, and don't forget

1239
01:09:45,920 --> 01:09:49,920
Speaker 1: Follow us on Instagram at i Am All In Podcast

1240
01:09:50,040 --> 01:09:54,439
Speaker 1: and email us at Gilmore at iHeartRadio dot com