WEBVTT - #86 - Bas

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<v Speaker 1>All right, welcome, we got a new podcast. Alert Boss

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<v Speaker 1>from Dreamville is on the show Ladies and Gentlemen. First

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<v Speaker 1>of all, he just showed his ass on the off season,

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<v Speaker 1>showed his ass on Revenge of the Dreamers three, and

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<v Speaker 1>he just dropped his new single, the Jackie feature in

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<v Speaker 1>Little TJ and J Cole. That's going crazy, so I

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<v Speaker 1>had to have the homie pull up. And let me

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<v Speaker 1>tell you something. This guy's got some records in the

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<v Speaker 1>vault that are crazy. So shout out to my dog Boss.

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<v Speaker 1>Before we get into that, the shout out to our

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<v Speaker 1>All right, let's get into the Boss interview. Shout out

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<v Speaker 1>on my Dreamville heads. Let's do it Yo boutlet, Cavs

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<v Speaker 1>show special guests in here. My guy boss is here. Man,

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<v Speaker 1>what going on? Bro? Appreciate you? Yes, sir man, it's

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<v Speaker 1>been a You've had a hell of a year so far.

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<v Speaker 1>For real, we're kind of just getting this started. But

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<v Speaker 1>you know, like all years, there's a lot of plot

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<v Speaker 1>and involved beforehand, one hundred percent. Man, talk about like,

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<v Speaker 1>you know, first of all, Milky Way. It feels like

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<v Speaker 1>it's been a few years. When would Milkyway come out

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<v Speaker 1>twenty eighteen? Twenty eighteen? Yeah, so it's been like I mean,

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<v Speaker 1>obviously you've been active since then, you know, uh the

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<v Speaker 1>Dream album. Yeah, so it's not like you ain't been

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<v Speaker 1>you know, But but I'm sure this body of work

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<v Speaker 1>that you're cooking up has got to be worth the

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<v Speaker 1>way you know you're taking it's always trying to like

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<v Speaker 1>evolve and grow and bring something new with every project.

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<v Speaker 1>So I think, you know, obviously everyone had a year

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<v Speaker 1>where we had to take a step back. But I

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<v Speaker 1>kind of put that to Youston and just try to

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<v Speaker 1>keep reinvaying my style and keep adding, you know, keep

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<v Speaker 1>adding new levels to it. Yeah. It's crazy because on

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<v Speaker 1>Cole's album, like when I first press played, I don't

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<v Speaker 1>think you could see the features on there. When I

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<v Speaker 1>don't know, however, I was listening, I couldn't see any

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<v Speaker 1>of the features, right, So I was just pressing play,

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<v Speaker 1>And then I went on Twitter and I was like, Yo,

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<v Speaker 1>that was Boss on the like yeah, dipping into your

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<v Speaker 1>melody bag, you know what I'm saying. Yeah, yeah, yeah,

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<v Speaker 1>you know, just trying to go out the comfort zone.

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<v Speaker 1>I was down there with Cole. That's one thing, you know,

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<v Speaker 1>we were kind of preaching, and throughout that whole process

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<v Speaker 1>we actually did the Jackie. Like those same like three

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<v Speaker 1>four days that I was down there working on on

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<v Speaker 1>that record happened during the off season sessions. Yeah. Yeah.

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<v Speaker 1>It was like Cole has like a very set time

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<v Speaker 1>he'd be in the studio, so he got a lot

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<v Speaker 1>of other things going on. So we had like thirty

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<v Speaker 1>minutes left. I think we had just finished doing like

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<v Speaker 1>some background vocals on one of the records. Might have

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<v Speaker 1>been like let go my hand, and he was like, yo,

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<v Speaker 1>let's pull up a beat and just like do something

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<v Speaker 1>in like thirty. So you pulled up a T minus folder.

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<v Speaker 1>First beat he played was the Jackie and we just

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<v Speaker 1>looked at each other like yeah, like say less like

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<v Speaker 1>pull that one up, got on the mic, and you know,

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<v Speaker 1>just challenging ourselves not to to feel some things, you

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<v Speaker 1>know what I mean, as opposed to like be so

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<v Speaker 1>clinical with the writing and just trying to push yourself

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<v Speaker 1>out of that comfort zone like I usually the type

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<v Speaker 1>of sit there and like get all my words right

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<v Speaker 1>and the be like all right, you know, I'm ready

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<v Speaker 1>to do my verse. And it was like, you know

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<v Speaker 1>whatnot just get on there and do what you feel,

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<v Speaker 1>you know what I mean, do like what comes to

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<v Speaker 1>you like naturally, and then you know, you can refine

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<v Speaker 1>it from there and go back and work on how

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<v Speaker 1>clever you want to make and whatnot. But there's certain

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<v Speaker 1>things you can't replace, you know. And that's something like

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<v Speaker 1>I'll even watch like some of the some of the

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<v Speaker 1>younger kids, Now that's all they do, you know, that's

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<v Speaker 1>all they do. They'll just go fill out the beat

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<v Speaker 1>and the booth, yeah, and worry about feeling in the

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<v Speaker 1>lyrics and later yeah, right right right, and there's there's

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<v Speaker 1>you know, I feel like there's something learn from everyone's

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<v Speaker 1>process for sure, and now something I was able to

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<v Speaker 1>kind of apply to myself, like, you know, just just

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<v Speaker 1>let loose a little bit, like don't even think about it, like,

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<v Speaker 1>what's the melody that comes to you? What? You know

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<v Speaker 1>what I mean, what's the feeling that comes to you?

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<v Speaker 1>And you know, we did the Jackie in like thirty minutes,

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<v Speaker 1>so that's kind of new for your process. Usually you

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<v Speaker 1>would just like, yeah, I'm gonna write some ill shit, right,

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<v Speaker 1>I'm gonna go as hard as I can, right, even

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<v Speaker 1>if I have the melody, Like I'll sit there and

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<v Speaker 1>I'll write the song out, you know, and then I'll

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<v Speaker 1>go like lay it down. And this was just more

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<v Speaker 1>like all right, what are these first four bars? Boom?

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<v Speaker 1>What are the next four bars? Okay? Now, how do

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<v Speaker 1>we you know, take it somewhere different, you know for

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<v Speaker 1>the listener? How do we keep it dynamic? Right? It

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<v Speaker 1>was a It was a fun process for sure, and

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<v Speaker 1>Cole was there the whole time, like just like you know,

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<v Speaker 1>trying to keep pushing me out my comfort zone. That's

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<v Speaker 1>how we did a lot of his records, and then

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<v Speaker 1>it just kind of spilled over into the yn't say

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<v Speaker 1>like like for his records, like was did he have

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<v Speaker 1>like a vision for where you were like fitting in

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<v Speaker 1>on the joint? Yeah. So I did this song called

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<v Speaker 1>Risk with FKJ french Q we juice shout out. My

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<v Speaker 1>guy did that like probably year and a half ago.

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<v Speaker 1>And on that I was doing a lot of those

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<v Speaker 1>melodies and stacking my vocals and you know, doing a

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<v Speaker 1>bunch of that stuff. And when we came in to

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<v Speaker 1>work on Col's album, he was like I want that

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<v Speaker 1>buyas you know, He's like I want to I want

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<v Speaker 1>you to work on that more and like bring that

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<v Speaker 1>energy to these songs. So me and me and k Quick,

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<v Speaker 1>who records me. He's a producer, engineer, all that, but

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<v Speaker 1>he's also like an incredible vocalist, you know, so he's

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<v Speaker 1>really good at kind of pointing out certain things or

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<v Speaker 1>you know, try it in this tone, try it in

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<v Speaker 1>that tone. We just sat there every night and we

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<v Speaker 1>figured it out. Like whatever song Cole gave us, we

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<v Speaker 1>would just sit in the room and be like, okay,

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<v Speaker 1>like let's bring the wave to it. Yeah, It's crazy

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<v Speaker 1>because the one thing that I took like from like

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<v Speaker 1>the process for off season that I really appreciated about

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<v Speaker 1>somebody who's as big as Cole is on the mount

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<v Speaker 1>right now, you know, like, was it seemed like he

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<v Speaker 1>really was extremely dedicated to making sure he was better

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<v Speaker 1>at wrapping this go round, like you know, Like I

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<v Speaker 1>watched the documentary, I was like, Yo, this fool was

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<v Speaker 1>like really like almost like in the gym, like in

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<v Speaker 1>both ways, because he was training in the gym as well,

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<v Speaker 1>but like on some bar shit as well. Like I

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<v Speaker 1>feel like this is the sharpest he's ever been on

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<v Speaker 1>like lyrically, and it's crazy to say that so so

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<v Speaker 1>so many years in. But did that inspire you and

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<v Speaker 1>like your album or like the way you're kind of

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<v Speaker 1>approaching I mean, yeah, it definitely, especially when I had

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<v Speaker 1>spent most of the year just working at the crib

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<v Speaker 1>by myself, and I'm a very collaborative artist, so it's

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<v Speaker 1>good to get in again with Bro. And then also

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<v Speaker 1>just to see like, you know, here's here's a dude

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<v Speaker 1>who has the world and he's like so focused every

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<v Speaker 1>day on getting better, you know what I mean, Like,

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<v Speaker 1>what's your excuse? Yeah, that'll definitely like just light a

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<v Speaker 1>fire under your or know, just make you feel like

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<v Speaker 1>I can and I should be doing more. One hundred man,

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<v Speaker 1>do we have there's the speculation that you're supposed to

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<v Speaker 1>announce your album with Elliott One. This is gonna come

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<v Speaker 1>out after that? Oh no, you are you announcing an

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<v Speaker 1>album or Okay, I'm saying we're talking with Yeah, I'm

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<v Speaker 1>not announcing, but we're getting any album before the end

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<v Speaker 1>of the year, of course. Yeah, before the end of

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<v Speaker 1>the year. Yeah, for sure. I've just been in the

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<v Speaker 1>zone though, honestly, where I try to be intentional with

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<v Speaker 1>everything I do, and when I look at it and

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<v Speaker 1>I'm like, you know, I'm very proud of the albums

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<v Speaker 1>I've made and and when I look at the challenges

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<v Speaker 1>that I've set for myself. It was a song like

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<v Speaker 1>the Jackie. You know, I got another single in the

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<v Speaker 1>works that I'm really excited about, and I'm just kind

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<v Speaker 1>of challenging myself to make bigger records. Even like what

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<v Speaker 1>we said earlier about the energy is different around this one.

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<v Speaker 1>You feel me it's like trying to challenge myself, like

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<v Speaker 1>what is the next frontier in my own career? What

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<v Speaker 1>is the next you know, what are the next levels?

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<v Speaker 1>I want to hear? What of the next thing is?

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<v Speaker 1>I want to challenge myself as an artist to create,

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<v Speaker 1>you know what I mean. So it's like I feel

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<v Speaker 1>like I'm always going to be in love with making

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<v Speaker 1>a cohesive body of work. You know, that's going to

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<v Speaker 1>give you like my mentality. But a lot of what

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<v Speaker 1>I've been challenging myself to do is like make make

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<v Speaker 1>these big records. How do you elevate exactly? So that's

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<v Speaker 1>that's been like a major focus on mine. I've tried

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<v Speaker 1>to really stay intentional with that. Yeah, No, I think

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<v Speaker 1>like I you know, I think you're you have an

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<v Speaker 1>incredible fan base, but I still think in terms of

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<v Speaker 1>like the grand scheme of who gets talked about your

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<v Speaker 1>slept on Still yeah, absolutely, I agree, you know what

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<v Speaker 1>I mean, There's not a lot of people who have

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<v Speaker 1>an album better than Too High a Riot. You know

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<v Speaker 1>what I'm saying. Thank you, But like I think that

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<v Speaker 1>I mean that You're right, like you gotta like, yo,

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<v Speaker 1>you gotta get some people to come to the park.

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<v Speaker 1>You know, you can't a lot to yourself. You gotta

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<v Speaker 1>look at where you are, where you want to be

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<v Speaker 1>and the things you gotta achieve to get there, you know.

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<v Speaker 1>And then and the beauty of it is like the

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<v Speaker 1>art of it is doing it, you know, within your sound,

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<v Speaker 1>within like all the songs I make and even the

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<v Speaker 1>Jaggie like my fan base don't hear that and be

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<v Speaker 1>like what the hell? Yeah, like what is he doing? Man?

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<v Speaker 1>It sold out? Not for sure? If you heard Milky Way,

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<v Speaker 1>it's kind of like a direct like percnding of of

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<v Speaker 1>that kind of sound and that vibe and that energy.

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<v Speaker 1>So it's like that's the fun part of it. It's like, okay,

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<v Speaker 1>like I know my sound. I figured out my sound,

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<v Speaker 1>you know, and that's the fun part of the artistry

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<v Speaker 1>is just to keep expanding what you can do and

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<v Speaker 1>what you can achieve, you know. So that was like

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<v Speaker 1>the next frontier for me. I'm like, you know what,

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<v Speaker 1>like I want to make some hits. How good did

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<v Speaker 1>it feel to get your first solo plaque? Incredible? I

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<v Speaker 1>got caught a couple. But because tribaling gold right, Tribal

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<v Speaker 1>platinum platinum? Yeah, that's my job. Night job went gold.

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<v Speaker 1>I don't see down bad is platinum and Costa Rican

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<v Speaker 1>now I think too, that's huge man, Yeah, thank you, bro.

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<v Speaker 1>You pull it to the crib. You got your your own,

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<v Speaker 1>your own plaques. Yeah, that's it's definitely. It's a blessing, bro,

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<v Speaker 1>It's a blessing. Like shout out to the whole team.

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<v Speaker 1>You know, we've been at it for a minute and

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<v Speaker 1>it you know, I'm somewhere where people really believe in

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<v Speaker 1>that artists development. You know, you gotta get ship is

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<v Speaker 1>a beautiful thing because you know a lot of labels

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<v Speaker 1>they're not you know what it is, man, They're they're

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<v Speaker 1>looking for that well, and they're also looking for something

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<v Speaker 1>that's already on fire so they can just put some

0:10:29.320 --> 0:10:33.079
<v Speaker 1>gasoline right, something that's already viral. Yeah, dream Dreamville. I

0:10:33.120 --> 0:10:36.840
<v Speaker 1>feel like it's done a superb job of growing each artist,

0:10:37.000 --> 0:10:38.920
<v Speaker 1>you know what I'm saying. It yourself or Ari or

0:10:39.040 --> 0:10:41.959
<v Speaker 1>cars Like, it's like, man, it's like you see your

0:10:42.000 --> 0:10:45.560
<v Speaker 1>guys is just come up. Yeah. Everybody's got a touring base.

0:10:45.800 --> 0:10:48.960
<v Speaker 1>You know, everyone's got an album naked tour, several albums

0:10:48.960 --> 0:10:53.280
<v Speaker 1>they can tour. You know, we're kind of like in

0:10:53.360 --> 0:10:55.880
<v Speaker 1>phase two now. It's like Marvel, you know what I mean.

0:10:55.920 --> 0:10:57.959
<v Speaker 1>It's the MCU. It's just going in the phase two.

0:10:57.960 --> 0:11:01.920
<v Speaker 1>Everybody's trying. It's crazy. It's a good a good comparison. Yeah.

0:11:01.520 --> 0:11:03.760
<v Speaker 1>Uh you mentioned like being a home a lot during

0:11:03.760 --> 0:11:06.679
<v Speaker 1>the pandemic, and shit, like how did that affect you?

0:11:06.760 --> 0:11:08.560
<v Speaker 1>Just you know, because some people I know fucked with

0:11:08.559 --> 0:11:11.200
<v Speaker 1>their mental like especially being an artist, you're not able

0:11:11.240 --> 0:11:13.760
<v Speaker 1>to you know, you probably would have been a road

0:11:13.960 --> 0:11:16.200
<v Speaker 1>like there would have probably been some sort of Dreamville tour,

0:11:16.520 --> 0:11:18.360
<v Speaker 1>right for sure, you know what I'm saying, Like, you

0:11:18.400 --> 0:11:21.199
<v Speaker 1>know what I think creatively, it helped me tap into

0:11:22.600 --> 0:11:27.440
<v Speaker 1>some very like introspective raps that I was I was

0:11:27.640 --> 0:11:30.560
<v Speaker 1>missing in a sense because my life prior to that

0:11:30.720 --> 0:11:33.320
<v Speaker 1>was like six seven years on the road and kind

0:11:33.320 --> 0:11:37.240
<v Speaker 1>of ingesting all these road experiences and they're coming out

0:11:37.360 --> 0:11:39.160
<v Speaker 1>and just gave me a lot of time to just

0:11:39.200 --> 0:11:43.280
<v Speaker 1>sit back and reflect and like dig deeper on things

0:11:43.280 --> 0:11:45.720
<v Speaker 1>I wanted to say. But you know, in the same token,

0:11:46.600 --> 0:11:48.319
<v Speaker 1>I was missing the other side of it. I really

0:11:48.360 --> 0:11:52.760
<v Speaker 1>like traveling is like probably the biggest part of inspiration,

0:11:53.480 --> 0:11:57.040
<v Speaker 1>one of these other country cities whatever, liking with people collaborating.

0:11:58.120 --> 0:12:00.240
<v Speaker 1>So I missed that a lot. I missed out a lot.

0:12:00.280 --> 0:12:02.800
<v Speaker 1>But you know, I think you just got to make

0:12:02.880 --> 0:12:06.599
<v Speaker 1>use of every situation. So for me, it was like,

0:12:06.600 --> 0:12:08.200
<v Speaker 1>all right, how do I dig deeper? How do I

0:12:08.280 --> 0:12:11.040
<v Speaker 1>talk about what's really on my mind? How do I

0:12:11.080 --> 0:12:13.600
<v Speaker 1>talk about the things I know, you know, other people

0:12:13.600 --> 0:12:18.120
<v Speaker 1>are going through right now, just being isolated and feeling stagnant,

0:12:18.240 --> 0:12:20.280
<v Speaker 1>you know what I mean? Yeah, man, shit, I mean

0:12:20.320 --> 0:12:22.120
<v Speaker 1>I have my fucking kids and my wife, and I

0:12:22.160 --> 0:12:25.240
<v Speaker 1>still feel like this shit sucks. Yeah, especially being in LA,

0:12:25.280 --> 0:12:28.600
<v Speaker 1>because LA was like super shut the fuck down. Were

0:12:28.600 --> 0:12:30.600
<v Speaker 1>you out here most of the pandemic? Yeah, most of it.

0:12:30.880 --> 0:12:32.320
<v Speaker 1>I was gonna go to New York. I was gonna

0:12:32.320 --> 0:12:34.120
<v Speaker 1>go back home. But every time I'm called IM just

0:12:34.160 --> 0:12:36.480
<v Speaker 1>be like, bro, like, don't even do it. So like

0:12:36.520 --> 0:12:38.240
<v Speaker 1>I flew my parents out here and had them out

0:12:38.280 --> 0:12:40.520
<v Speaker 1>here for like a couple of months. I mean, that's dope.

0:12:40.520 --> 0:12:43.559
<v Speaker 1>You probably got to spend some time at your parents. Yeah,

0:12:43.640 --> 0:12:48.240
<v Speaker 1>my nephews, like you know, they're like two and like one,

0:12:48.679 --> 0:12:50.200
<v Speaker 1>and shit like forced you to hang out with your

0:12:50.200 --> 0:12:53.360
<v Speaker 1>family more for sure, for real for sure, and even

0:12:53.360 --> 0:12:56.559
<v Speaker 1>like your close friends, you start to realize, like them,

0:12:56.559 --> 0:12:58.160
<v Speaker 1>there's a lot of things we don't even talk about,

0:12:58.880 --> 0:13:00.679
<v Speaker 1>you know what I mean. Like I learned more about

0:13:01.200 --> 0:13:03.760
<v Speaker 1>some of the dudes I've known fifteen twenty years in

0:13:03.840 --> 0:13:08.680
<v Speaker 1>the past year that I did knowing them like you

0:13:08.720 --> 0:13:11.680
<v Speaker 1>know most of my life. It was just people were

0:13:11.679 --> 0:13:15.079
<v Speaker 1>in like a more vulnerable mental state and you feel me, like,

0:13:15.840 --> 0:13:18.880
<v Speaker 1>but you know, it's why you gotta support system facts. Man.

0:13:18.960 --> 0:13:21.000
<v Speaker 1>Now It's crazy because like outside of just getting fat

0:13:21.040 --> 0:13:24.320
<v Speaker 1>as fucked during the pandemic, I just just trying shit.

0:13:24.400 --> 0:13:27.920
<v Speaker 1>Bro was like I tried mushrooms during the pandemic. The

0:13:28.080 --> 0:13:30.160
<v Speaker 1>hell yeah, I was just had a good ass, a

0:13:30.200 --> 0:13:33.720
<v Speaker 1>few good ass and trips. Yeah yeah, yeah, like that

0:13:33.760 --> 0:13:36.680
<v Speaker 1>shit is you know, I think, like you said, like

0:13:36.720 --> 0:13:39.400
<v Speaker 1>there was pluses and minuses, and it just depends on

0:13:39.440 --> 0:13:41.439
<v Speaker 1>your perspective, cause some people let that shit really like

0:13:42.480 --> 0:13:44.720
<v Speaker 1>just take them out, you know what I'm saying, Yeah,

0:13:45.040 --> 0:13:47.800
<v Speaker 1>take them off the map. Yeah nah, I mean you

0:13:47.880 --> 0:13:49.559
<v Speaker 1>just you know, like we say, you gott keeping perspect

0:13:49.640 --> 0:13:51.719
<v Speaker 1>Everybody was going through the same thing, you know what

0:13:51.800 --> 0:13:54.240
<v Speaker 1>I mean those times where, like I said, you have

0:13:54.360 --> 0:13:56.520
<v Speaker 1>all these plans and all these thoughts and all these

0:13:56.559 --> 0:14:00.920
<v Speaker 1>goals and you gotta realize, like nothing's advanced for anybody

0:14:01.000 --> 0:14:04.440
<v Speaker 1>right now, like just chill, enjoy this moment. I even

0:14:04.480 --> 0:14:06.920
<v Speaker 1>started thinking we need like once a decade, if it's

0:14:06.920 --> 0:14:09.200
<v Speaker 1>not a pandemic something like that, just give people like

0:14:09.240 --> 0:14:12.040
<v Speaker 1>six months off. Feel me, like, let everyone work from

0:14:12.040 --> 0:14:14.439
<v Speaker 1>home for six months and everybody regroup, you know what

0:14:14.480 --> 0:14:18.080
<v Speaker 1>I mean? Get a bad idea though, once a decade. Yeah,

0:14:18.080 --> 0:14:20.320
<v Speaker 1>for sure. You say you had some some so you

0:14:21.000 --> 0:14:25.600
<v Speaker 1>you fuck with the psychedelics? Yeah? Acid as a mushrooms?

0:14:25.920 --> 0:14:27.600
<v Speaker 1>What is? I've never done acid? I heard it's like

0:14:27.640 --> 0:14:31.000
<v Speaker 1>more like extremely visual. Yeah, I feel like so it

0:14:31.120 --> 0:14:33.440
<v Speaker 1>lasts a good bit longer than mushrooms. You're high, Its

0:14:33.480 --> 0:14:37.600
<v Speaker 1>probably twice as long the trip. But I feel like

0:14:38.640 --> 0:14:40.920
<v Speaker 1>sometimes with mushrooms you could kind of get into like

0:14:40.960 --> 0:14:44.760
<v Speaker 1>a dark spot in the trip where you're like facing

0:14:44.800 --> 0:14:48.200
<v Speaker 1>these these demons or whatever you've been running for, and

0:14:48.200 --> 0:14:50.280
<v Speaker 1>then you know, usually come out the other side of

0:14:50.320 --> 0:14:53.880
<v Speaker 1>a better person for it. With acid, like you always

0:14:53.920 --> 0:14:56.720
<v Speaker 1>know it's the drugs. You know, like you'll start tweeting like, oh,

0:14:56.720 --> 0:15:00.400
<v Speaker 1>it's the drugs. Man on to the next. I would

0:15:00.400 --> 0:15:02.760
<v Speaker 1>be like questioning your whole life's purpose. Take too much,

0:15:02.880 --> 0:15:04.920
<v Speaker 1>just some moments where you really have to look yourself

0:15:04.960 --> 0:15:08.360
<v Speaker 1>in the mirror. Acid is more like I'm gonna take

0:15:08.360 --> 0:15:11.200
<v Speaker 1>some ass I can go to the bar. Yeah, I'm saying,

0:15:11.200 --> 0:15:12.880
<v Speaker 1>you go to the bar, you can go around strangers.

0:15:12.880 --> 0:15:15.920
<v Speaker 1>I could have a full, like intellectual ass convo with

0:15:16.280 --> 0:15:18.400
<v Speaker 1>a random stranger on that. So the mushals, I kind

0:15:18.400 --> 0:15:21.040
<v Speaker 1>of just want to be with my core group for sure. Yeah.

0:15:21.080 --> 0:15:23.320
<v Speaker 1>And I had a bad trip and I was in

0:15:23.360 --> 0:15:26.520
<v Speaker 1>Texas tripping the fuck out, man, when I decided to

0:15:26.520 --> 0:15:28.120
<v Speaker 1>go bar hopping after I ate a whole bunch of

0:15:28.120 --> 0:15:31.120
<v Speaker 1>shrooms and an an edible yeah, bold, worst decision in

0:15:31.160 --> 0:15:34.760
<v Speaker 1>my life, you bowld. I was freaking fuck out. It

0:15:34.800 --> 0:15:36.800
<v Speaker 1>was a start looking at people in the bar like

0:15:36.960 --> 0:15:39.400
<v Speaker 1>this dough faced or something crazy. No, there was a

0:15:39.480 --> 0:15:43.240
<v Speaker 1>lady dancing and her face looked like you remember on

0:15:43.360 --> 0:15:44.880
<v Speaker 1>cops back in the day they used to have their

0:15:44.920 --> 0:15:49.360
<v Speaker 1>faces scrambled. And there was this bitch dancing in front

0:15:49.400 --> 0:15:52.360
<v Speaker 1>of us, and uh, I was with I was with

0:15:52.360 --> 0:15:55.840
<v Speaker 1>Freddi Gibbs, and I was like, yo, friend, is is

0:15:55.880 --> 0:15:58.440
<v Speaker 1>that bitch just we're both on shrooms. I was like,

0:15:58.560 --> 0:16:01.600
<v Speaker 1>is you see her face? And he's like, we saw

0:16:01.640 --> 0:16:05.440
<v Speaker 1>the same thing. He's like, Nah, it's all fucked up, bro,

0:16:06.400 --> 0:16:09.080
<v Speaker 1>And then some dudes came in. I was paring as fuck. Bro.

0:16:09.120 --> 0:16:11.040
<v Speaker 1>I thought, bro, I was, I was. It was a

0:16:11.040 --> 0:16:14.360
<v Speaker 1>bad look that I'm never doing shrooms ever again in

0:16:14.440 --> 0:16:17.320
<v Speaker 1>like a social area. It ain't that. But you could

0:16:17.440 --> 0:16:21.720
<v Speaker 1>do acid. You can do d MT nah. I have

0:16:21.880 --> 0:16:24.040
<v Speaker 1>so much of it in my freezer that my homie

0:16:24.560 --> 0:16:26.800
<v Speaker 1>got me on my birthday. You have a bunch of

0:16:26.840 --> 0:16:28.840
<v Speaker 1>your freezer. I have a bunch of my freezer right now.

0:16:29.320 --> 0:16:31.280
<v Speaker 1>You're don't have to get a crack pipe, you know that, right,

0:16:32.000 --> 0:16:34.320
<v Speaker 1>I'm like trying to trying to you know, I like

0:16:34.360 --> 0:16:38.160
<v Speaker 1>to do psychedelics, like when I when I'm either reached

0:16:38.200 --> 0:16:41.200
<v Speaker 1>a certain like usually like if I wrap up a project,

0:16:41.880 --> 0:16:43.440
<v Speaker 1>you know what I mean, Like it seems like I'm

0:16:43.440 --> 0:16:46.400
<v Speaker 1>putting a bowl on like a moment in life, you

0:16:46.440 --> 0:16:48.160
<v Speaker 1>know what I mean. I like to pick my moments

0:16:48.480 --> 0:16:51.760
<v Speaker 1>or maybe if I'm starting a project kind of deal,

0:16:52.600 --> 0:16:55.360
<v Speaker 1>so I like to pick. You gotta pick and choose

0:16:55.360 --> 0:16:57.640
<v Speaker 1>that ship because yeah, it's almost like you you do

0:16:57.680 --> 0:16:59.320
<v Speaker 1>it as as you like when you feel like you

0:16:59.360 --> 0:17:02.720
<v Speaker 1>need it exactly, like maybe if there's a wall or

0:17:02.760 --> 0:17:04.679
<v Speaker 1>something or that you can try to break through, or

0:17:04.800 --> 0:17:07.000
<v Speaker 1>you know what, right right, or if it's like all right,

0:17:07.080 --> 0:17:09.679
<v Speaker 1>what's next? Right? Exactly? Like, give me a little bit

0:17:09.680 --> 0:17:11.520
<v Speaker 1>of clarity. Where am I going with this? This guy

0:17:11.520 --> 0:17:13.639
<v Speaker 1>got a freezer for a DMT I do right now?

0:17:13.920 --> 0:17:16.840
<v Speaker 1>Just that moment hasn't hit me yet. That shouldn't hit me.

0:17:16.920 --> 0:17:18.800
<v Speaker 1>That sh it's like I heard it. I've never done DMT.

0:17:19.040 --> 0:17:20.480
<v Speaker 1>I want to do it. I just can't get my

0:17:20.480 --> 0:17:22.359
<v Speaker 1>fucking hands on any of it. But oh shit, I

0:17:22.359 --> 0:17:25.560
<v Speaker 1>got you. I say you got some. But also I'm

0:17:25.600 --> 0:17:27.840
<v Speaker 1>like scared because that's what I'm saying. That's where I'm

0:17:27.880 --> 0:17:29.840
<v Speaker 1>at with it too, Like I don't know, you literally

0:17:29.920 --> 0:17:32.439
<v Speaker 1>have to freebase that ship. And then I heard for

0:17:32.480 --> 0:17:35.480
<v Speaker 1>like fifteen minutes, you're just gone. Yeah, I don't even

0:17:35.520 --> 0:17:37.879
<v Speaker 1>want no one around with you, like you're gone. Like

0:17:37.920 --> 0:17:39.840
<v Speaker 1>I had a homie who said he he had like

0:17:39.880 --> 0:17:43.040
<v Speaker 1>a six month like like lived out six months of

0:17:43.080 --> 0:17:45.600
<v Speaker 1>his life and his DMT trip and then woke up

0:17:45.640 --> 0:17:47.480
<v Speaker 1>and it was only fifteen minutes long. He said he

0:17:47.520 --> 0:17:49.720
<v Speaker 1>had a girlfriend, he had a job, all kinds of shit.

0:17:50.200 --> 0:17:52.800
<v Speaker 1>That's crazy. So that's why I'm like, damn do I

0:17:52.800 --> 0:17:56.760
<v Speaker 1>I don't do I want to just I don't. I'm

0:17:56.840 --> 0:17:59.000
<v Speaker 1>exactly where you at with it, Like I want to

0:17:59.040 --> 0:18:00.840
<v Speaker 1>do it, sitting there. You know what I mean, I'll

0:18:00.880 --> 0:18:02.639
<v Speaker 1>be opened up my fridge and get some ice and

0:18:02.680 --> 0:18:05.520
<v Speaker 1>that's just be staring at me. But I'm like, I

0:18:05.520 --> 0:18:07.240
<v Speaker 1>don't know. I don't know if I'm ready. I don't

0:18:07.240 --> 0:18:08.880
<v Speaker 1>know if I'm ready. I don't know if I'm ready

0:18:08.880 --> 0:18:11.240
<v Speaker 1>to maybe when I put this next album out, Okay,

0:18:11.359 --> 0:18:13.280
<v Speaker 1>you know what I mean? And the Jackie going crazy

0:18:13.680 --> 0:18:15.920
<v Speaker 1>and I can say, you know what, let's let's let's

0:18:15.960 --> 0:18:18.600
<v Speaker 1>go on this. Yeah, let's go. Let's go melt my

0:18:18.640 --> 0:18:21.240
<v Speaker 1>face off for twenty minutes. Yea, Hey, what up? Man?

0:18:21.400 --> 0:18:23.800
<v Speaker 1>How to interrupt the Boutlet Cap podcast to tell you

0:18:23.880 --> 0:18:27.160
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0:18:27.320 --> 0:18:29.840
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0:18:30.000 --> 0:18:35.480
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<v Speaker 1>bootleg keV save twenty percent checkout fake me later. How

0:19:18.000 --> 0:19:21.200
<v Speaker 1>is your album done? No, it's not done yet. It's so,

0:19:21.240 --> 0:19:23.520
<v Speaker 1>it's not done yet. It's not done yet, but I

0:19:23.560 --> 0:19:28.040
<v Speaker 1>mean it could be, but I just got bigger plans

0:19:28.040 --> 0:19:29.480
<v Speaker 1>for it. You know when you say you're working on

0:19:29.520 --> 0:19:32.960
<v Speaker 1>another single that's gonna be big as well? Yeah, can

0:19:33.000 --> 0:19:36.639
<v Speaker 1>you give us a little bit of insight. It's me

0:19:36.680 --> 0:19:40.560
<v Speaker 1>and Gunna. Oh all right, you know, another little collab

0:19:40.600 --> 0:19:43.320
<v Speaker 1>people wouldn't really expect. That's true. I've been trying to

0:19:43.359 --> 0:19:45.920
<v Speaker 1>find people like that and just kind of sonically bringing

0:19:45.960 --> 0:19:48.080
<v Speaker 1>them into my world, even like how we did with TJ.

0:19:48.440 --> 0:19:51.200
<v Speaker 1>For sure. You know what I mean. I'm a huge

0:19:51.200 --> 0:19:54.320
<v Speaker 1>Gunner fan. So you heard it first, you know what

0:19:54.359 --> 0:19:57.159
<v Speaker 1>I mean. So that would be a Gunner Boss record.

0:19:57.160 --> 0:19:58.640
<v Speaker 1>You know, it's crazy because I think gunn Is, who

0:19:58.720 --> 0:20:01.480
<v Speaker 1>kind of like low key top baby had a rap

0:20:02.240 --> 0:20:05.840
<v Speaker 1>for real. Yeah, man, I love what all those Atlanta

0:20:06.320 --> 0:20:08.080
<v Speaker 1>dudes do for each Yeah. I think a little baby,

0:20:08.760 --> 0:20:12.520
<v Speaker 1>a little baby lyrically somehow has like became like a monster,

0:20:13.040 --> 0:20:14.440
<v Speaker 1>because like three or four years ago, when I was

0:20:14.440 --> 0:20:15.480
<v Speaker 1>first year in little Bit, I was like, oh, this

0:20:15.480 --> 0:20:17.320
<v Speaker 1>ship is cool. You know some Atlanta young boys ship.

0:20:17.440 --> 0:20:21.199
<v Speaker 1>Like this motherfucker is wrapping circles around everybody right now.

0:20:21.240 --> 0:20:23.960
<v Speaker 1>He's crazy. Yeah, it's crazy. How was it like being

0:20:24.040 --> 0:20:27.520
<v Speaker 1>in the studio with Gunner or was that like it

0:20:27.560 --> 0:20:29.720
<v Speaker 1>was an email thing? It was like in the midst

0:20:29.800 --> 0:20:32.760
<v Speaker 1>of you know, COVID, so no one was really like

0:20:32.840 --> 0:20:35.479
<v Speaker 1>linking up at the studio like that. But yo, I

0:20:35.520 --> 0:20:39.760
<v Speaker 1>heard during first of all, obviously the the Dreamville sessions

0:20:39.840 --> 0:20:43.840
<v Speaker 1>or legendary at this point everybody who got flown into town.

0:20:44.000 --> 0:20:47.560
<v Speaker 1>And but I heard that Chris Bosh. Chris Bosh pulled up.

0:20:47.680 --> 0:20:50.840
<v Speaker 1>Chris pulled up and made some beats. Yeah he's he's

0:20:50.920 --> 0:20:53.000
<v Speaker 1>kind of hard too. I ain't gonna lie. He was

0:20:53.040 --> 0:20:56.080
<v Speaker 1>in there with like with Cole and T minus and

0:20:56.280 --> 0:20:58.760
<v Speaker 1>and Diesel shout out the bros. Was that like the

0:20:58.800 --> 0:21:02.439
<v Speaker 1>most random dude to pull up. No, nah, who's the

0:21:02.440 --> 0:21:07.679
<v Speaker 1>most random? Random dudes? Chris Bosh Making beats is pretty random,

0:21:07.760 --> 0:21:10.480
<v Speaker 1>Chris Bosher. I mean that is kind of up there

0:21:10.520 --> 0:21:13.439
<v Speaker 1>on the random scale. But like a Conn was in

0:21:13.520 --> 0:21:16.560
<v Speaker 1>there at some point with like his family, like just

0:21:16.640 --> 0:21:21.840
<v Speaker 1>chilling the whole Milwaukee Bucks. Joannis was there. Ye came

0:21:21.880 --> 0:21:25.280
<v Speaker 1>through nice. Not making any beats though, Nah, but they

0:21:25.320 --> 0:21:27.680
<v Speaker 1>catered like a whole dinner for us. Oh shit, yeah

0:21:27.720 --> 0:21:29.359
<v Speaker 1>yeah yeah. It was a love shout out to the

0:21:29.400 --> 0:21:32.440
<v Speaker 1>bucks Man for real. I mean, I got issues right now,

0:21:32.480 --> 0:21:35.320
<v Speaker 1>but we're up to one right now. You know what's

0:21:35.359 --> 0:21:36.919
<v Speaker 1>crazy about the Bucks is I was telling this to

0:21:36.960 --> 0:21:38.639
<v Speaker 1>my homie. Were at the game of Game two, like

0:21:39.040 --> 0:21:41.960
<v Speaker 1>earlier this week or whatever it was, and I was like, damn,

0:21:42.960 --> 0:21:45.280
<v Speaker 1>you know, I hated people on the Clippers right, like

0:21:45.359 --> 0:21:47.760
<v Speaker 1>you know Sports eight, which is not the same as

0:21:47.800 --> 0:21:51.679
<v Speaker 1>like actual hate, right. I couldn't stand fucking Yokic on

0:21:51.680 --> 0:21:57.480
<v Speaker 1>the Nuggets. Uh. You know, I'm a Lebron fan, so

0:21:57.560 --> 0:21:59.359
<v Speaker 1>I kind of was indifferent about the Lakers series. I

0:21:59.400 --> 0:22:01.720
<v Speaker 1>was like, look, worse case scenario, Lebron wins. He's my

0:22:01.720 --> 0:22:04.120
<v Speaker 1>favorite player, even though I've hated the Lakers my whole

0:22:04.119 --> 0:22:06.520
<v Speaker 1>life because I'm from Phoenix. When Lebron went over there,

0:22:06.520 --> 0:22:09.120
<v Speaker 1>I looked the other way for my sports. I feel

0:22:09.160 --> 0:22:11.439
<v Speaker 1>you on that. But the Bucks I got nobody to

0:22:11.600 --> 0:22:15.520
<v Speaker 1>like hate, Like I really fuck with Yanni's. PJ Tucker

0:22:15.920 --> 0:22:18.359
<v Speaker 1>used to be a son. Yeah, you know what I'm saying,

0:22:18.440 --> 0:22:20.960
<v Speaker 1>Like I like how Drew Holliday Drew Holidays dope, Like

0:22:21.000 --> 0:22:23.760
<v Speaker 1>he's very humble, you don't talk shit. Chris Middleton is

0:22:23.800 --> 0:22:26.000
<v Speaker 1>like someone who like has come up in the league

0:22:26.040 --> 0:22:27.800
<v Speaker 1>has been so crazy. I'm like, Damn, I don't even

0:22:27.880 --> 0:22:30.119
<v Speaker 1>I can't even. I want a chance fuck the Bucks

0:22:30.119 --> 0:22:32.600
<v Speaker 1>at the game, but I can't. I don't feel it.

0:22:32.600 --> 0:22:34.080
<v Speaker 1>You know what I'm saying. I feel you on that.

0:22:34.160 --> 0:22:36.200
<v Speaker 1>They definitely got that kind of makeup. Like you're like,

0:22:36.240 --> 0:22:39.200
<v Speaker 1>who hates Gianni's He's like the nicest dude. He stayed down,

0:22:39.240 --> 0:22:42.000
<v Speaker 1>he re signed. You know what I'm saying, Like, it's crazy,

0:22:42.040 --> 0:22:45.000
<v Speaker 1>what what are you? A Nick fan? For sure? So,

0:22:45.080 --> 0:22:47.320
<v Speaker 1>I mean, shit, man, the Knicks fucking you know that

0:22:47.440 --> 0:22:52.200
<v Speaker 1>was unexpected. I don't even you know Nixon six. I mean,

0:22:52.520 --> 0:22:54.800
<v Speaker 1>I'm not gonna lie when when y'all won that one

0:22:54.840 --> 0:22:57.919
<v Speaker 1>game in the series and acted like it was the championship.

0:22:57.960 --> 0:23:00.680
<v Speaker 1>Outside I knew it was over, it was, I know,

0:23:00.880 --> 0:23:05.239
<v Speaker 1>but the city needed it this series. The city needed it.

0:23:05.280 --> 0:23:06.920
<v Speaker 1>But you know what I mean, that's that's about as

0:23:06.920 --> 0:23:09.720
<v Speaker 1>good as we've been. Oh for sure sometimes so you

0:23:09.760 --> 0:23:11.600
<v Speaker 1>know the city I riled up, and then it was

0:23:11.920 --> 0:23:16.280
<v Speaker 1>it was reopening. It was like the perfect timing. Everybody was, yeah, yeah,

0:23:16.280 --> 0:23:19.280
<v Speaker 1>they brought all the all that COVID energy outside. Have

0:23:19.400 --> 0:23:22.200
<v Speaker 1>you been, because I've noticed a lot of my Nick

0:23:22.320 --> 0:23:26.760
<v Speaker 1>friends they've transferred to the nets, which I've now, first

0:23:26.760 --> 0:23:29.520
<v Speaker 1>of all, shout Kate's my dog. I don't hate on

0:23:29.560 --> 0:23:31.320
<v Speaker 1>the nets. I'm not one of those Knicks fans that

0:23:31.400 --> 0:23:33.439
<v Speaker 1>hates on the nets because I you know, I know

0:23:33.520 --> 0:23:35.640
<v Speaker 1>some players on the team and I rock with them,

0:23:35.680 --> 0:23:38.080
<v Speaker 1>so personally, I just want to see them be great.

0:23:38.119 --> 0:23:41.200
<v Speaker 1>You feel me? But nah, I'm still a Knicks fan.

0:23:41.680 --> 0:23:44.480
<v Speaker 1>But you noticed a lot of people like going over

0:23:44.560 --> 0:23:47.480
<v Speaker 1>to the side. Yeah, yeah, my sports chaff I showed

0:23:47.480 --> 0:23:49.520
<v Speaker 1>you our sports chat right now. That's that's a big

0:23:49.880 --> 0:23:52.400
<v Speaker 1>that's a big point of argument. That ship is crazy.

0:23:52.520 --> 0:23:55.120
<v Speaker 1>I imagine if like the Clippers want to ring this year,

0:23:55.480 --> 0:23:58.639
<v Speaker 1>and you started to notice like what I will say

0:24:00.359 --> 0:24:02.240
<v Speaker 1>because it would be the Brooklyn niggas you feel me.

0:24:02.359 --> 0:24:05.080
<v Speaker 1>So it's like if you're from Brooklyn and you're like,

0:24:05.080 --> 0:24:07.120
<v Speaker 1>like co Vane's talking to me, like yo, the Nets,

0:24:07.119 --> 0:24:09.000
<v Speaker 1>You're gonna get your sons in the finals, And I'm like, bro,

0:24:09.119 --> 0:24:14.359
<v Speaker 1>you're what you a Knicks fan? Fight? Like what from Brooklyn? Okay? See, yeah,

0:24:14.600 --> 0:24:16.400
<v Speaker 1>so you gotta give you gotta give them a past

0:24:16.440 --> 0:24:19.040
<v Speaker 1>because if a team pops up in your backyard, you

0:24:19.080 --> 0:24:22.560
<v Speaker 1>know kind of got to just ride with him. That's fair. Whatere?

0:24:22.560 --> 0:24:26.119
<v Speaker 1>Are you from Queens? Queens is? I feel like Queens

0:24:26.160 --> 0:24:27.840
<v Speaker 1>is one of the more interesting boroughs in all New

0:24:27.920 --> 0:24:30.880
<v Speaker 1>York because because it's like everything is there. Yeah, it's

0:24:30.960 --> 0:24:33.480
<v Speaker 1>it's the most diverse county. So diverse in the world.

0:24:34.040 --> 0:24:36.320
<v Speaker 1>Is it in the world in the world? Yeap, that

0:24:36.359 --> 0:24:38.840
<v Speaker 1>ship's crazy. Yeah, we got a little bit of everything

0:24:40.000 --> 0:24:44.440
<v Speaker 1>and and quite possibly I always like, you know, what's

0:24:44.480 --> 0:24:49.240
<v Speaker 1>the better burrow hip hop all time? Is it Brooklyn?

0:24:49.320 --> 0:24:55.280
<v Speaker 1>Is it? I think it's I personally Queens is a

0:24:55.800 --> 0:25:01.360
<v Speaker 1>certain brand of rappers too, Like I mean Ship Nas Mob, Deeps,

0:25:01.560 --> 0:25:08.840
<v Speaker 1>fifty Tribe Run dmc ll no nor He's not from Queens.

0:25:08.880 --> 0:25:14.840
<v Speaker 1>Norie's from Queens. Norse, he is from Yeah yeah, list,

0:25:14.920 --> 0:25:17.240
<v Speaker 1>the list goes on. Man, Brooklyn is just very top

0:25:17.240 --> 0:25:19.800
<v Speaker 1>heavy though, and we claimed Cold too. Don't forget that.

0:25:19.800 --> 0:25:22.239
<v Speaker 1>That's fair. Cold Cole came up and got busy with us.

0:25:22.240 --> 0:25:25.640
<v Speaker 1>So that's another queen's rabbit, you know. By way of

0:25:25.840 --> 0:25:27.920
<v Speaker 1>I think that's cheating man, how he sounded like a

0:25:28.000 --> 0:25:31.240
<v Speaker 1>queen's rabbit listening to Cold, he sounds like he's from Queens.

0:25:31.280 --> 0:25:33.760
<v Speaker 1>He's from Vyeville. Bro. I'm just saying though, But you

0:25:33.760 --> 0:25:36.600
<v Speaker 1>know he came up when he was with eighteen seven.

0:25:36.640 --> 0:25:39.480
<v Speaker 1>That's fair. That's fair. That's fair we claim. We claim

0:25:39.520 --> 0:25:42.440
<v Speaker 1>with you know, like half that are Is there any discussion?

0:25:42.760 --> 0:25:44.840
<v Speaker 1>By the way, shout out to Eve for I you know,

0:25:44.880 --> 0:25:47.080
<v Speaker 1>I had to hit him when the Dreamville project came

0:25:47.119 --> 0:25:49.840
<v Speaker 1>out because I know that he kind of helped arrange

0:25:49.880 --> 0:25:53.560
<v Speaker 1>that and and it was such a cohesive project and

0:25:53.600 --> 0:25:56.000
<v Speaker 1>I know how hard that is to do with all

0:25:56.040 --> 0:25:58.639
<v Speaker 1>the moving parts, and I'm sure the pull of songs

0:25:58.640 --> 0:26:01.400
<v Speaker 1>to choose from had to be crazy, and it just

0:26:01.560 --> 0:26:04.840
<v Speaker 1>it just it was. It played so well fronts of

0:26:04.920 --> 0:26:09.760
<v Speaker 1>back Yeah, I was like, bro, you killed this ship.

0:26:09.840 --> 0:26:12.600
<v Speaker 1>The sequencing that like everything was like even just like

0:26:12.640 --> 0:26:14.399
<v Speaker 1>some of the artists that you wouldn't even expect when

0:26:14.400 --> 0:26:17.160
<v Speaker 1>you see the track, look like what what like wop

0:26:17.280 --> 0:26:21.280
<v Speaker 1>dads on this album? Yeah? No, you know what I'm saying, Like,

0:26:21.800 --> 0:26:24.479
<v Speaker 1>I just thought it was such a great uh you know,

0:26:24.880 --> 0:26:28.919
<v Speaker 1>it almost feels like an impossible feat to have a

0:26:28.920 --> 0:26:33.280
<v Speaker 1>compilation be so just front to back. That's you know,

0:26:33.320 --> 0:26:35.080
<v Speaker 1>there's been dope compilations and hip I even think of

0:26:35.119 --> 0:26:38.000
<v Speaker 1>like Diplomatic Community. There was some ship on there that

0:26:38.040 --> 0:26:40.639
<v Speaker 1>I skipped. I think this too was the one that

0:26:40.760 --> 0:26:43.440
<v Speaker 1>was like most of the skips, you know, the Dreamville

0:26:43.440 --> 0:26:45.359
<v Speaker 1>ship was so crazy. Has there been any discussion of

0:26:45.400 --> 0:26:48.280
<v Speaker 1>like doing it doing a Volume four in the future,

0:26:48.520 --> 0:26:51.760
<v Speaker 1>For sure, we gotta do that. I feel like three

0:26:51.880 --> 0:26:54.080
<v Speaker 1>kind of, you know, opened a lot of people's eyes too,

0:26:55.119 --> 0:26:58.240
<v Speaker 1>because the first two were super slept on. Yeah, very

0:26:58.320 --> 0:27:01.720
<v Speaker 1>much so. Yeah, but you know, everything happens for a

0:27:01.760 --> 0:27:04.199
<v Speaker 1>reason and you know, within its timing. I feel like

0:27:04.720 --> 0:27:08.200
<v Speaker 1>when three came around, we had a lot of artists

0:27:08.240 --> 0:27:10.679
<v Speaker 1>on the label to have reached just new levels on

0:27:10.720 --> 0:27:14.240
<v Speaker 1>their whether it was myself, ri Jed Earth Gang, we

0:27:14.320 --> 0:27:19.760
<v Speaker 1>said Cozon and Loop and then going back to what

0:27:19.800 --> 0:27:21.720
<v Speaker 1>you said about how cohesive it was, I think that's

0:27:21.720 --> 0:27:24.400
<v Speaker 1>because we did it all in those ten eleven days

0:27:24.760 --> 0:27:28.000
<v Speaker 1>that we together. Yeah, everyone was together. It was like, Okay,

0:27:28.000 --> 0:27:31.119
<v Speaker 1>I'm walking into this session, all right. You guys already

0:27:31.160 --> 0:27:32.840
<v Speaker 1>got like two verses in the hook. Let me do

0:27:32.880 --> 0:27:35.399
<v Speaker 1>a bridge or you know, I'm walking into this session,

0:27:35.400 --> 0:27:37.439
<v Speaker 1>all right, you know you guys need a hook. Let

0:27:37.520 --> 0:27:40.080
<v Speaker 1>me try this hook idea, you know what I mean.

0:27:40.440 --> 0:27:43.399
<v Speaker 1>As opposed to like sending tracks back and forth and

0:27:43.520 --> 0:27:45.480
<v Speaker 1>trying to put this piece of it was just literally

0:27:45.480 --> 0:27:48.200
<v Speaker 1>like who's in the room. Who stumbled into the room,

0:27:48.400 --> 0:27:51.040
<v Speaker 1>Like you know, some of those tracks are like eight

0:27:51.040 --> 0:27:53.639
<v Speaker 1>people on them. That's real, you feel me? So all right,

0:27:53.680 --> 0:27:56.600
<v Speaker 1>well just keep it the eight bars. We ain't all

0:27:56.640 --> 0:27:59.879
<v Speaker 1>doing sixteens on this. It was a lot of that,

0:28:00.160 --> 0:28:02.359
<v Speaker 1>and it was cool to see people's just process. You know,

0:28:02.480 --> 0:28:06.240
<v Speaker 1>artists have such a wide range of creative processes. Like

0:28:06.560 --> 0:28:08.359
<v Speaker 1>some people don't want no one around, and then you

0:28:08.480 --> 0:28:11.240
<v Speaker 1>see those people like come out of that show, yeah,

0:28:11.280 --> 0:28:13.520
<v Speaker 1>because they almost have no choice. Like imagine being the

0:28:13.560 --> 0:28:15.639
<v Speaker 1>guy that goes all the way to Atlanta, right, I

0:28:15.640 --> 0:28:19.080
<v Speaker 1>hate everybody. Yeah, that wasn't gonna happen, right, you know.

0:28:20.080 --> 0:28:22.639
<v Speaker 1>So it was cool to see people just adapt to

0:28:22.680 --> 0:28:25.719
<v Speaker 1>each other's creative process. Nah, I think it was. It was.

0:28:25.760 --> 0:28:27.720
<v Speaker 1>It was done to I mean Volume four. Hast gotta

0:28:27.960 --> 0:28:30.399
<v Speaker 1>gotta be I mean Volume three. It just performed so

0:28:30.480 --> 0:28:38.280
<v Speaker 1>well too, like such a big deal. Man. Besides Jackie,

0:28:38.600 --> 0:28:40.720
<v Speaker 1>which has Little TJ and Colon and you just mentioned

0:28:40.760 --> 0:28:43.160
<v Speaker 1>the gun. Is there anybody who's not on your album

0:28:43.240 --> 0:28:47.720
<v Speaker 1>yet who you would love to get a verse from what?

0:28:50.080 --> 0:28:53.560
<v Speaker 1>There's a lot of people. Let me think I got

0:28:53.560 --> 0:28:57.160
<v Speaker 1>this record. I really want Sway Leon. I want to

0:28:57.160 --> 0:29:03.440
<v Speaker 1>get Snow. I like snows Amazing. He's incredible. Yeah. I

0:29:03.480 --> 0:29:06.240
<v Speaker 1>would love to get a whiz Kid on the album. Yeah,

0:29:06.440 --> 0:29:08.160
<v Speaker 1>whiz Kid. It might have the song in the Summer. Man.

0:29:08.240 --> 0:29:10.640
<v Speaker 1>What that album? That album got me through the whole pandemic.

0:29:10.720 --> 0:29:12.960
<v Speaker 1>Honestly made it legos that got me through the whole

0:29:13.400 --> 0:29:17.320
<v Speaker 1>the whole pandemic. I was running that. Let's see, man,

0:29:17.320 --> 0:29:20.560
<v Speaker 1>there's a there's a lot honestly that these songs I'm making,

0:29:20.640 --> 0:29:23.480
<v Speaker 1>Like like I said, I'm making him from that standpoint,

0:29:23.600 --> 0:29:26.200
<v Speaker 1>like how do I make these joints? Like how do

0:29:26.280 --> 0:29:31.800
<v Speaker 1>I make these like major joints. So I'm doing things

0:29:31.800 --> 0:29:34.440
<v Speaker 1>that I'm always hearing somebody on. So I want to

0:29:34.440 --> 0:29:36.320
<v Speaker 1>get Routy on the record. I really want to get

0:29:37.000 --> 0:29:41.800
<v Speaker 1>on the record. That'd be crazy. Yeah, I'm working man.

0:29:41.960 --> 0:29:44.400
<v Speaker 1>Hopefully those people I named when the album come out,

0:29:44.880 --> 0:29:46.800
<v Speaker 1>we can look back and see you've also been like

0:29:47.000 --> 0:29:49.000
<v Speaker 1>I feel like you've also haven't been like greedy with

0:29:49.120 --> 0:29:51.520
<v Speaker 1>like doing like collapse like you know you, I saw

0:29:51.560 --> 0:29:54.040
<v Speaker 1>you you were on that record where that Wakota and

0:29:54.080 --> 0:29:58.920
<v Speaker 1>I think Joey was on that. What what are some

0:29:59.120 --> 0:30:03.160
<v Speaker 1>like like like you mentioned whiz Kid album on the

0:30:03.200 --> 0:30:05.280
<v Speaker 1>hip hop side, where is like the ship that you've

0:30:05.280 --> 0:30:08.760
<v Speaker 1>really been just that's on repeat in the whip for

0:30:08.800 --> 0:30:14.880
<v Speaker 1>you on Spotify a lot of like the Brooklyn drill scene. Honestly,

0:30:15.560 --> 0:30:17.320
<v Speaker 1>that shit's going up, man. I just I just went

0:30:17.320 --> 0:30:20.200
<v Speaker 1>and hung out with Dusty Locine and Canarsi and yeah yeah, yeah,

0:30:20.320 --> 0:30:23.880
<v Speaker 1>and who else we were hanging out with Ross Wish. Yeah,

0:30:24.240 --> 0:30:26.080
<v Speaker 1>that ship is going crazy. As far as like the

0:30:26.160 --> 0:30:29.520
<v Speaker 1>hip hop I've been been running through all those catch

0:30:30.040 --> 0:30:36.040
<v Speaker 1>the drill yet crazy Yeah to Gez, I know, like

0:30:36.200 --> 0:30:39.160
<v Speaker 1>they got that's a problem. Definitely, Like everybody got their issues.

0:30:39.200 --> 0:30:41.840
<v Speaker 1>But bro, I had no neutral party. I'm over here

0:30:41.920 --> 0:30:45.640
<v Speaker 1>listening to all that, Like, I had no idea how

0:30:45.720 --> 0:30:50.560
<v Speaker 1>crazy that ship was, like the Woo's and the Chows

0:30:50.680 --> 0:30:54.200
<v Speaker 1>or whatever in New York. Yeah, yeah, it's going up. Yeah,

0:30:54.200 --> 0:30:56.120
<v Speaker 1>we went We went to New York for like a week.

0:30:56.520 --> 0:30:58.960
<v Speaker 1>We went to Buffalo and chill with Griselda and then

0:30:59.240 --> 0:31:03.160
<v Speaker 1>like I'm doing some original content almost like some hip

0:31:03.160 --> 0:31:06.800
<v Speaker 1>hop Anthony Boardaine ship with Empire. So we like we

0:31:06.880 --> 0:31:09.760
<v Speaker 1>did a bunch of stuff with the Drill guys, and

0:31:09.800 --> 0:31:11.880
<v Speaker 1>we were just in the hotel room like like let's

0:31:11.880 --> 0:31:14.040
<v Speaker 1>see what's going on, you know, and watch this whole

0:31:14.080 --> 0:31:17.120
<v Speaker 1>documentary about that whole ship. I'm like, this ship is crazy.

0:31:17.120 --> 0:31:18.720
<v Speaker 1>That's why they wouldn't let No Wady do that Rolling

0:31:18.760 --> 0:31:21.400
<v Speaker 1>Loud a couple of years ago. Remember that was Yeah,

0:31:22.040 --> 0:31:25.760
<v Speaker 1>that's when they took Yeah. Yeah, that shit's crazy, though,

0:31:26.600 --> 0:31:28.720
<v Speaker 1>I had like no idea, bro, Like I think it

0:31:28.760 --> 0:31:31.040
<v Speaker 1>was a chef was a chef you either got stabbed,

0:31:31.440 --> 0:31:33.800
<v Speaker 1>you got stabbed in the head or some ship. Yeah

0:31:33.880 --> 0:31:36.000
<v Speaker 1>it was damn. I don't even know all that. Yeah, shi,

0:31:36.040 --> 0:31:40.480
<v Speaker 1>it is nuts. Like meanwhile, but they're making really good music.

0:31:40.520 --> 0:31:43.960
<v Speaker 1>They're making great music. You know, you gotta hope. Yeah,

0:31:44.160 --> 0:31:46.360
<v Speaker 1>you know, everybody matures to the level past that. But

0:31:46.400 --> 0:31:48.520
<v Speaker 1>you know that's ship that we don't even know about,

0:31:48.680 --> 0:31:50.960
<v Speaker 1>you know what I mean, that's just like shit they've

0:31:50.960 --> 0:31:54.720
<v Speaker 1>all been dealing with. I imagine imagine Bozz doing a

0:31:54.800 --> 0:31:56.600
<v Speaker 1>drill record though. You know what I'm saying that I

0:31:56.640 --> 0:31:58.760
<v Speaker 1>got something in the tuck that'd be so random. I got,

0:31:59.000 --> 0:32:01.600
<v Speaker 1>Oh it's coming, come, don't even worry about it. Okay,

0:32:01.640 --> 0:32:05.120
<v Speaker 1>I don't worry about it. How you feeling, you know,

0:32:05.120 --> 0:32:07.000
<v Speaker 1>obviously you're a big basketball guy. How do you feeling

0:32:06.960 --> 0:32:09.600
<v Speaker 1>about my Phoenix Suns man? You know, Book is my dude.

0:32:10.320 --> 0:32:12.880
<v Speaker 1>Book Book Book is like you say, he's your dude,

0:32:12.880 --> 0:32:15.440
<v Speaker 1>like he's your friend. Yeah, somebody been rocking with drink

0:32:15.960 --> 0:32:21.600
<v Speaker 1>from like early, like early, like I remember, I think

0:32:21.600 --> 0:32:23.720
<v Speaker 1>it was in Vegas once and like Book wasn't even

0:32:23.720 --> 0:32:26.120
<v Speaker 1>twenty one yet. You know, the Vegas clubs don't play that, right,

0:32:26.800 --> 0:32:28.920
<v Speaker 1>So like he's a he's a dude that been like

0:32:29.320 --> 0:32:32.640
<v Speaker 1>just supporting us from jump. So I really want to

0:32:32.640 --> 0:32:36.800
<v Speaker 1>see him win and CP three. But then I'll see

0:32:36.840 --> 0:32:38.280
<v Speaker 1>you know, we got a lot of homies on it. Mean,

0:32:38.320 --> 0:32:41.800
<v Speaker 1>obviously they've catered you guys dinner, and Devin Booker didn't

0:32:41.800 --> 0:32:44.600
<v Speaker 1>come to your fucking session. Yeah you're right, You're right.

0:32:44.640 --> 0:32:47.520
<v Speaker 1>That's a good point. I mean, so you're you're just

0:32:47.560 --> 0:32:49.760
<v Speaker 1>kind of like whoever wins, you're cool with. You know what,

0:32:50.120 --> 0:32:52.640
<v Speaker 1>I do want to see Chris Paul get one because

0:32:52.640 --> 0:32:57.040
<v Speaker 1>I think out of everyone playing, his legacy would gain

0:32:57.080 --> 0:33:00.560
<v Speaker 1>the most solidified. It'd be so solidified. Top five point guard.

0:33:00.640 --> 0:33:02.840
<v Speaker 1>I think he's the top five point guard already, but

0:33:03.600 --> 0:33:06.320
<v Speaker 1>that nobody can say, especially the way he's led that

0:33:06.400 --> 0:33:09.840
<v Speaker 1>team and the way he's made those pieces. Like even

0:33:09.920 --> 0:33:13.440
<v Speaker 1>like last year on the Thunder, they were a five seed, bro,

0:33:13.680 --> 0:33:16.080
<v Speaker 1>they thought they were gonna tank and be in the lottery,

0:33:16.760 --> 0:33:19.880
<v Speaker 1>and Chris Paul had them their motherfuckers playing bro. He's

0:33:19.920 --> 0:33:23.480
<v Speaker 1>what year sixteen now, So like that window, it is shringing.

0:33:23.480 --> 0:33:26.560
<v Speaker 1>So you know, I'm I'm ruining. I'm ruined for the Suns.

0:33:27.080 --> 0:33:28.959
<v Speaker 1>But you know, I think Giannice is gonna get his.

0:33:29.360 --> 0:33:32.280
<v Speaker 1>I think they're gonna have their time. Yeah Nice is

0:33:32.320 --> 0:33:34.560
<v Speaker 1>still young man, exactly. I want. I want to see

0:33:34.640 --> 0:33:37.160
<v Speaker 1>Chris Wall get one before it's so Yeah, CP three

0:33:37.240 --> 0:33:39.200
<v Speaker 1>is that guy who would you consider to be the

0:33:39.200 --> 0:33:43.360
<v Speaker 1>CP three of rap, the CP three of rap. Somebody

0:33:43.360 --> 0:33:46.240
<v Speaker 1>who's like, maybe doesn't get that acknowledgement, but it's like

0:33:46.280 --> 0:33:47.960
<v Speaker 1>an all time great and what they do? You know

0:33:48.000 --> 0:33:51.720
<v Speaker 1>what I'm saying. That's a great that's a great one.

0:33:51.840 --> 0:33:53.680
<v Speaker 1>I'm trying to think, who's the Chris paul a Rap?

0:33:54.480 --> 0:33:58.720
<v Speaker 1>Who is right? You got to answer that one? Because

0:33:58.760 --> 0:34:01.400
<v Speaker 1>also Chris Wall makes everyone around him better. I'm trying

0:34:01.440 --> 0:34:05.440
<v Speaker 1>to think of that person too, you know, I don't know.

0:34:05.480 --> 0:34:11.000
<v Speaker 1>That's a tough one. That is really tough. Night Train.

0:34:11.040 --> 0:34:16.719
<v Speaker 1>You ain't got nobody Cole, he said, Cole Cold got

0:34:16.760 --> 0:34:19.000
<v Speaker 1>his rings. Though Cold got his rings. Man, you got

0:34:19.040 --> 0:34:22.240
<v Speaker 1>a few of them rings. Yeah, I got them rings.

0:34:22.400 --> 0:34:24.160
<v Speaker 1>You had the rings. Yeah. I'm trying to think of

0:34:24.200 --> 0:34:28.200
<v Speaker 1>someone who might be like less appreciated. Yeah, maybe, like

0:34:29.760 --> 0:34:35.120
<v Speaker 1>I don't know, maybe somebody like he forty, You do

0:34:35.160 --> 0:34:39.320
<v Speaker 1>he make the bay forty made the big jump for real?

0:34:39.600 --> 0:34:41.480
<v Speaker 1>Yeah that's hard. I like that. That's not a bad

0:34:41.480 --> 0:34:44.640
<v Speaker 1>one for Yeah, I'll let you have that, man, I'll

0:34:44.719 --> 0:34:46.600
<v Speaker 1>let you have that. Yeah. Yeah, I'll let you have that.

0:34:46.640 --> 0:34:48.920
<v Speaker 1>Barrier over there. This guy tried to tell me mag

0:34:49.000 --> 0:34:52.520
<v Speaker 1>Dre was the most influential rapper of all time. No no, no, no,

0:34:52.560 --> 0:34:54.319
<v Speaker 1>you didn't say one of them. No no, no no, no no,

0:34:54.320 --> 0:34:57.600
<v Speaker 1>no said no he said no, no, no, you didn't

0:34:57.600 --> 0:35:00.719
<v Speaker 1>say that when we now you're saying that because no,

0:35:01.000 --> 0:35:07.080
<v Speaker 1>he said the most influential rapper ever. You're fucking on

0:35:07.200 --> 0:35:09.719
<v Speaker 1>drugs whatever they're smoking on in the bay. We got

0:35:09.840 --> 0:35:12.560
<v Speaker 1>to talk about he on d M T for sure.

0:35:12.760 --> 0:35:14.880
<v Speaker 1>You know what I'm saying, Shout out to mac dre,

0:35:15.040 --> 0:35:16.839
<v Speaker 1>rest in peace. He's a legend, you know what I'm saying,

0:35:17.120 --> 0:35:21.480
<v Speaker 1>icon in your area for sure. But he is one

0:35:21.480 --> 0:35:23.000
<v Speaker 1>of those dudes though, Like as you know, as a

0:35:23.040 --> 0:35:25.920
<v Speaker 1>New Yorker, like when you're thinking of Babe, you think

0:35:25.960 --> 0:35:31.040
<v Speaker 1>of mac dre, you're thinking of Madre. Like nobody in

0:35:31.080 --> 0:35:35.120
<v Speaker 1>New York's playing it on. Yeah, in a certain part

0:35:35.160 --> 0:35:37.319
<v Speaker 1>of the country, they go crazy, But you can't say

0:35:37.320 --> 0:35:43.720
<v Speaker 1>he's the single most influential rapper ever for the region. Okay,

0:35:44.320 --> 0:35:47.839
<v Speaker 1>are you accepting defeat in the argument? So he's more

0:35:49.040 --> 0:35:51.600
<v Speaker 1>I mean, he's got on, you know, So he's more

0:35:51.600 --> 0:35:57.120
<v Speaker 1>influential than Hove or Tupac or fucking rock him. You

0:35:57.120 --> 0:35:59.400
<v Speaker 1>didn't say that, though, Funk out of here, bro, You

0:35:59.400 --> 0:36:03.320
<v Speaker 1>didn't say that now you say Little Wings more influential.

0:36:03.360 --> 0:36:06.480
<v Speaker 1>Come on, bro anyway, Well look hopefully in any timeline

0:36:06.480 --> 0:36:08.239
<v Speaker 1>when we're gonna get the album. Besides just before the

0:36:08.320 --> 0:36:16.560
<v Speaker 1>end of the year, I'm hoping for like Q four Okay, Yeah,

0:36:17.640 --> 0:36:19.399
<v Speaker 1>things I want to I want to get out. There

0:36:20.400 --> 0:36:22.520
<v Speaker 1>is everyone working, like everyone on the team right now

0:36:22.560 --> 0:36:25.880
<v Speaker 1>working on on on projects d O d O D

0:36:26.239 --> 0:36:29.239
<v Speaker 1>everybody everybody going crazy. Yeah, I thought it was super

0:36:29.239 --> 0:36:31.160
<v Speaker 1>dope to see Earth Gang have like one of them

0:36:31.200 --> 0:36:36.040
<v Speaker 1>records that like did well on radio options, did it? Gang? Uh?

0:36:36.360 --> 0:36:39.840
<v Speaker 1>Ghetto guys on the way, And you know, obviously Jedd

0:36:40.560 --> 0:36:42.520
<v Speaker 1>j I D is one of the He's an alien.

0:36:42.560 --> 0:36:45.240
<v Speaker 1>I always say there's like certain people are like uh

0:36:45.400 --> 0:36:50.000
<v Speaker 1>jedis and hip hop and he's like lyrically a Jedi. Yeah. Yeah,

0:36:50.600 --> 0:36:52.920
<v Speaker 1>that record he put out with Conway's fucking crazy. He

0:36:53.000 --> 0:36:56.520
<v Speaker 1>went crazy on it. So he's working on his ship. Obviously,

0:36:56.560 --> 0:37:02.200
<v Speaker 1>Cole's probably relaxing right now. I'd assume I don't even know.

0:37:02.360 --> 0:37:04.200
<v Speaker 1>You never know what cold You just never know, right,

0:37:04.280 --> 0:37:06.879
<v Speaker 1>You never know what Cole he got. You know, he's

0:37:06.920 --> 0:37:08.600
<v Speaker 1>on that path to the fall off. I think he's

0:37:08.600 --> 0:37:10.759
<v Speaker 1>trying to get everything off his chest that he wants to.

0:37:10.960 --> 0:37:12.759
<v Speaker 1>I want to see I want to see Cause and

0:37:12.840 --> 0:37:16.279
<v Speaker 1>Reason do album together. Man, me too, me too. I

0:37:16.280 --> 0:37:18.560
<v Speaker 1>would love it. I would love that. I really love that.

0:37:18.600 --> 0:37:21.160
<v Speaker 1>Lambo Truck is like such a great like it was

0:37:21.200 --> 0:37:24.640
<v Speaker 1>like such a perfectly executed concept. I was like, yo,

0:37:24.920 --> 0:37:26.600
<v Speaker 1>y'all got to do the album. It was on somebody

0:37:26.600 --> 0:37:28.719
<v Speaker 1>how to rob Ship, but like the West Coast version,

0:37:28.880 --> 0:37:30.799
<v Speaker 1>they got to do an album. Bro, they I think

0:37:30.960 --> 0:37:33.759
<v Speaker 1>I know Reason said he's down. I think you know

0:37:33.760 --> 0:37:37.759
<v Speaker 1>obviously there's two teparate camps. Well not even I think

0:37:37.760 --> 0:37:40.320
<v Speaker 1>it's feasible if you know, if those two made the music,

0:37:41.000 --> 0:37:42.919
<v Speaker 1>I don't think anybody would stay. It would be the

0:37:43.080 --> 0:37:45.320
<v Speaker 1>col and Kendrick album we never got, but on a

0:37:45.400 --> 0:37:48.680
<v Speaker 1>lesser scale, you know what I'm saying. Yeah, I feel that, Yeah,

0:37:48.960 --> 0:37:50.879
<v Speaker 1>I think that that's what it would be. Who would

0:37:50.880 --> 0:37:53.200
<v Speaker 1>you if you could do a collap album with, Like, like,

0:37:53.239 --> 0:37:55.160
<v Speaker 1>anybody who you got real chemistry with, who you really

0:37:55.200 --> 0:37:56.960
<v Speaker 1>funck with? Like, who would you do a collab project with?

0:37:57.640 --> 0:37:59.279
<v Speaker 1>I'm not saying it's gonna happen. I'm saying like, if

0:37:59.520 --> 0:38:01.719
<v Speaker 1>you have me, the easiest colla project will probably be

0:38:01.760 --> 0:38:04.640
<v Speaker 1>with Cold because we just got we already damn there

0:38:04.719 --> 0:38:09.000
<v Speaker 1>got one. If I got to pick anybody, yeah, Cold

0:38:09.000 --> 0:38:13.439
<v Speaker 1>would be a layup. That's easy though, for real, for real. Yeah,

0:38:13.440 --> 0:38:15.440
<v Speaker 1>but like I want him rapping on a skateboard p

0:38:15.760 --> 0:38:20.919
<v Speaker 1>yeah yeah, not just on the production side, like there

0:38:20.920 --> 0:38:22.880
<v Speaker 1>it is man. Well look, hey boss, I appreciate you

0:38:22.880 --> 0:38:25.439
<v Speaker 1>pulling up. Hopefully we get this album sooner than later. Yeah,

0:38:25.480 --> 0:38:28.440
<v Speaker 1>the song Jackie is out. Let's get it. It's going crazy.

0:38:29.000 --> 0:38:32.040
<v Speaker 1>It's air congratulations. I think it's already like five million

0:38:32.040 --> 0:38:34.680
<v Speaker 1>on Spotify. Just been out for like a week. Yeah,

0:38:34.960 --> 0:38:37.880
<v Speaker 1>and it's going up. Shout out everybody supporting all the DJs.

0:38:38.400 --> 0:38:40.719
<v Speaker 1>keV appreciate you. The Homie Box