1 00:00:06,120 --> 00:00:12,719 Speaker 1: All right, welcome, we got a new podcast. Alert Boss 2 00:00:12,760 --> 00:00:17,160 Speaker 1: from Dreamville is on the show Ladies and Gentlemen. First 3 00:00:17,160 --> 00:00:19,799 Speaker 1: of all, he just showed his ass on the off season, 4 00:00:20,280 --> 00:00:23,360 Speaker 1: showed his ass on Revenge of the Dreamers three, and 5 00:00:23,480 --> 00:00:25,560 Speaker 1: he just dropped his new single, the Jackie feature in 6 00:00:25,600 --> 00:00:28,360 Speaker 1: Little TJ and J Cole. That's going crazy, so I 7 00:00:28,400 --> 00:00:30,360 Speaker 1: had to have the homie pull up. And let me 8 00:00:30,360 --> 00:00:32,040 Speaker 1: tell you something. This guy's got some records in the 9 00:00:32,080 --> 00:00:35,000 Speaker 1: vault that are crazy. 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But 28 00:01:25,880 --> 00:01:28,040 Speaker 1: you know, like all years, there's a lot of plot 29 00:01:28,040 --> 00:01:32,240 Speaker 1: and involved beforehand, one hundred percent. Man, talk about like, 30 00:01:32,959 --> 00:01:35,520 Speaker 1: you know, first of all, Milky Way. It feels like 31 00:01:35,560 --> 00:01:37,360 Speaker 1: it's been a few years. When would Milkyway come out 32 00:01:37,400 --> 00:01:40,319 Speaker 1: twenty eighteen? Twenty eighteen? Yeah, so it's been like I mean, 33 00:01:40,400 --> 00:01:42,800 Speaker 1: obviously you've been active since then, you know, uh the 34 00:01:42,880 --> 00:01:46,120 Speaker 1: Dream album. Yeah, so it's not like you ain't been 35 00:01:46,240 --> 00:01:48,720 Speaker 1: you know, But but I'm sure this body of work 36 00:01:48,760 --> 00:01:51,640 Speaker 1: that you're cooking up has got to be worth the 37 00:01:51,680 --> 00:01:55,640 Speaker 1: way you know you're taking it's always trying to like 38 00:01:55,760 --> 00:01:58,800 Speaker 1: evolve and grow and bring something new with every project. 39 00:01:58,880 --> 00:02:02,200 Speaker 1: So I think, you know, obviously everyone had a year 40 00:02:02,200 --> 00:02:04,200 Speaker 1: where we had to take a step back. But I 41 00:02:04,280 --> 00:02:07,200 Speaker 1: kind of put that to Youston and just try to 42 00:02:07,640 --> 00:02:10,280 Speaker 1: keep reinvaying my style and keep adding, you know, keep 43 00:02:10,320 --> 00:02:14,399 Speaker 1: adding new levels to it. Yeah. It's crazy because on 44 00:02:14,639 --> 00:02:16,680 Speaker 1: Cole's album, like when I first press played, I don't 45 00:02:16,680 --> 00:02:18,160 Speaker 1: think you could see the features on there. When I 46 00:02:18,240 --> 00:02:19,960 Speaker 1: don't know, however, I was listening, I couldn't see any 47 00:02:19,960 --> 00:02:22,000 Speaker 1: of the features, right, So I was just pressing play, 48 00:02:22,000 --> 00:02:23,240 Speaker 1: And then I went on Twitter and I was like, Yo, 49 00:02:23,320 --> 00:02:26,560 Speaker 1: that was Boss on the like yeah, dipping into your 50 00:02:26,600 --> 00:02:29,200 Speaker 1: melody bag, you know what I'm saying. Yeah, yeah, yeah, 51 00:02:29,200 --> 00:02:30,880 Speaker 1: you know, just trying to go out the comfort zone. 52 00:02:30,919 --> 00:02:34,120 Speaker 1: I was down there with Cole. That's one thing, you know, 53 00:02:34,160 --> 00:02:37,480 Speaker 1: we were kind of preaching, and throughout that whole process 54 00:02:37,480 --> 00:02:39,720 Speaker 1: we actually did the Jackie. Like those same like three 55 00:02:39,760 --> 00:02:42,360 Speaker 1: four days that I was down there working on on 56 00:02:42,600 --> 00:02:45,720 Speaker 1: that record happened during the off season sessions. Yeah. Yeah. 57 00:02:45,880 --> 00:02:48,799 Speaker 1: It was like Cole has like a very set time 58 00:02:48,880 --> 00:02:50,720 Speaker 1: he'd be in the studio, so he got a lot 59 00:02:50,720 --> 00:02:53,120 Speaker 1: of other things going on. So we had like thirty 60 00:02:53,120 --> 00:02:55,480 Speaker 1: minutes left. I think we had just finished doing like 61 00:02:55,560 --> 00:02:58,120 Speaker 1: some background vocals on one of the records. Might have 62 00:02:58,160 --> 00:03:01,680 Speaker 1: been like let go my hand, and he was like, yo, 63 00:03:01,720 --> 00:03:03,360 Speaker 1: let's pull up a beat and just like do something 64 00:03:03,400 --> 00:03:06,040 Speaker 1: in like thirty. So you pulled up a T minus folder. 65 00:03:06,639 --> 00:03:08,840 Speaker 1: First beat he played was the Jackie and we just 66 00:03:08,840 --> 00:03:11,400 Speaker 1: looked at each other like yeah, like say less like 67 00:03:11,560 --> 00:03:15,280 Speaker 1: pull that one up, got on the mic, and you know, 68 00:03:15,720 --> 00:03:19,440 Speaker 1: just challenging ourselves not to to feel some things, you 69 00:03:19,440 --> 00:03:21,440 Speaker 1: know what I mean, as opposed to like be so 70 00:03:21,600 --> 00:03:24,600 Speaker 1: clinical with the writing and just trying to push yourself 71 00:03:24,600 --> 00:03:26,560 Speaker 1: out of that comfort zone like I usually the type 72 00:03:26,600 --> 00:03:29,080 Speaker 1: of sit there and like get all my words right 73 00:03:29,120 --> 00:03:30,560 Speaker 1: and the be like all right, you know, I'm ready 74 00:03:30,560 --> 00:03:31,840 Speaker 1: to do my verse. And it was like, you know 75 00:03:31,880 --> 00:03:34,680 Speaker 1: whatnot just get on there and do what you feel, 76 00:03:35,120 --> 00:03:36,680 Speaker 1: you know what I mean, do like what comes to 77 00:03:36,720 --> 00:03:39,000 Speaker 1: you like naturally, and then you know, you can refine 78 00:03:39,000 --> 00:03:41,400 Speaker 1: it from there and go back and work on how 79 00:03:41,440 --> 00:03:43,720 Speaker 1: clever you want to make and whatnot. But there's certain 80 00:03:43,760 --> 00:03:46,760 Speaker 1: things you can't replace, you know. And that's something like 81 00:03:46,840 --> 00:03:48,800 Speaker 1: I'll even watch like some of the some of the 82 00:03:48,880 --> 00:03:51,560 Speaker 1: younger kids, Now that's all they do, you know, that's 83 00:03:51,600 --> 00:03:53,440 Speaker 1: all they do. They'll just go fill out the beat 84 00:03:53,480 --> 00:03:55,840 Speaker 1: and the booth, yeah, and worry about feeling in the 85 00:03:55,920 --> 00:03:58,360 Speaker 1: lyrics and later yeah, right right right, and there's there's 86 00:03:58,520 --> 00:04:00,880 Speaker 1: you know, I feel like there's something learn from everyone's 87 00:04:00,920 --> 00:04:03,200 Speaker 1: process for sure, and now something I was able to 88 00:04:03,440 --> 00:04:05,640 Speaker 1: kind of apply to myself, like, you know, just just 89 00:04:06,040 --> 00:04:08,120 Speaker 1: let loose a little bit, like don't even think about it, like, 90 00:04:08,160 --> 00:04:10,280 Speaker 1: what's the melody that comes to you? What? You know 91 00:04:10,320 --> 00:04:11,920 Speaker 1: what I mean, what's the feeling that comes to you? 92 00:04:12,640 --> 00:04:14,800 Speaker 1: And you know, we did the Jackie in like thirty minutes, 93 00:04:15,200 --> 00:04:17,160 Speaker 1: so that's kind of new for your process. Usually you 94 00:04:17,200 --> 00:04:20,600 Speaker 1: would just like, yeah, I'm gonna write some ill shit, right, 95 00:04:20,680 --> 00:04:22,640 Speaker 1: I'm gonna go as hard as I can, right, even 96 00:04:22,680 --> 00:04:24,560 Speaker 1: if I have the melody, Like I'll sit there and 97 00:04:24,600 --> 00:04:27,880 Speaker 1: I'll write the song out, you know, and then I'll 98 00:04:27,920 --> 00:04:29,520 Speaker 1: go like lay it down. And this was just more 99 00:04:29,600 --> 00:04:33,120 Speaker 1: like all right, what are these first four bars? Boom? 100 00:04:33,160 --> 00:04:35,039 Speaker 1: What are the next four bars? Okay? Now, how do 101 00:04:35,080 --> 00:04:38,120 Speaker 1: we you know, take it somewhere different, you know for 102 00:04:38,200 --> 00:04:42,080 Speaker 1: the listener? How do we keep it dynamic? Right? It 103 00:04:42,120 --> 00:04:44,080 Speaker 1: was a It was a fun process for sure, and 104 00:04:44,120 --> 00:04:46,520 Speaker 1: Cole was there the whole time, like just like you know, 105 00:04:46,680 --> 00:04:48,480 Speaker 1: trying to keep pushing me out my comfort zone. That's 106 00:04:48,480 --> 00:04:50,920 Speaker 1: how we did a lot of his records, and then 107 00:04:50,920 --> 00:04:53,080 Speaker 1: it just kind of spilled over into the yn't say 108 00:04:53,120 --> 00:04:56,839 Speaker 1: like like for his records, like was did he have 109 00:04:57,000 --> 00:04:59,719 Speaker 1: like a vision for where you were like fitting in 110 00:04:59,760 --> 00:05:03,039 Speaker 1: on the joint? Yeah. So I did this song called 111 00:05:03,120 --> 00:05:06,200 Speaker 1: Risk with FKJ french Q we juice shout out. My 112 00:05:06,279 --> 00:05:08,680 Speaker 1: guy did that like probably year and a half ago. 113 00:05:09,360 --> 00:05:13,080 Speaker 1: And on that I was doing a lot of those 114 00:05:13,120 --> 00:05:16,200 Speaker 1: melodies and stacking my vocals and you know, doing a 115 00:05:16,200 --> 00:05:19,040 Speaker 1: bunch of that stuff. And when we came in to 116 00:05:19,080 --> 00:05:20,720 Speaker 1: work on Col's album, he was like I want that 117 00:05:20,800 --> 00:05:23,000 Speaker 1: buyas you know, He's like I want to I want 118 00:05:23,040 --> 00:05:24,960 Speaker 1: you to work on that more and like bring that 119 00:05:25,120 --> 00:05:29,039 Speaker 1: energy to these songs. So me and me and k Quick, 120 00:05:29,240 --> 00:05:33,359 Speaker 1: who records me. He's a producer, engineer, all that, but 121 00:05:33,400 --> 00:05:36,880 Speaker 1: he's also like an incredible vocalist, you know, so he's 122 00:05:36,920 --> 00:05:39,800 Speaker 1: really good at kind of pointing out certain things or 123 00:05:40,160 --> 00:05:41,960 Speaker 1: you know, try it in this tone, try it in 124 00:05:41,960 --> 00:05:43,760 Speaker 1: that tone. We just sat there every night and we 125 00:05:43,839 --> 00:05:46,920 Speaker 1: figured it out. Like whatever song Cole gave us, we 126 00:05:46,960 --> 00:05:48,839 Speaker 1: would just sit in the room and be like, okay, 127 00:05:49,360 --> 00:05:52,120 Speaker 1: like let's bring the wave to it. Yeah, It's crazy 128 00:05:52,160 --> 00:05:54,200 Speaker 1: because the one thing that I took like from like 129 00:05:54,320 --> 00:05:56,760 Speaker 1: the process for off season that I really appreciated about 130 00:05:56,800 --> 00:05:59,800 Speaker 1: somebody who's as big as Cole is on the mount 131 00:06:00,440 --> 00:06:02,960 Speaker 1: right now, you know, like, was it seemed like he 132 00:06:03,040 --> 00:06:09,480 Speaker 1: really was extremely dedicated to making sure he was better 133 00:06:09,520 --> 00:06:12,440 Speaker 1: at wrapping this go round, like you know, Like I 134 00:06:12,440 --> 00:06:14,160 Speaker 1: watched the documentary, I was like, Yo, this fool was 135 00:06:14,200 --> 00:06:17,360 Speaker 1: like really like almost like in the gym, like in 136 00:06:17,400 --> 00:06:19,839 Speaker 1: both ways, because he was training in the gym as well, 137 00:06:20,320 --> 00:06:23,560 Speaker 1: but like on some bar shit as well. Like I 138 00:06:23,560 --> 00:06:26,840 Speaker 1: feel like this is the sharpest he's ever been on 139 00:06:27,160 --> 00:06:30,320 Speaker 1: like lyrically, and it's crazy to say that so so 140 00:06:30,320 --> 00:06:32,560 Speaker 1: so many years in. But did that inspire you and 141 00:06:32,720 --> 00:06:34,719 Speaker 1: like your album or like the way you're kind of 142 00:06:34,720 --> 00:06:37,680 Speaker 1: approaching I mean, yeah, it definitely, especially when I had 143 00:06:37,920 --> 00:06:40,240 Speaker 1: spent most of the year just working at the crib 144 00:06:40,279 --> 00:06:43,280 Speaker 1: by myself, and I'm a very collaborative artist, so it's 145 00:06:43,320 --> 00:06:45,599 Speaker 1: good to get in again with Bro. And then also 146 00:06:45,720 --> 00:06:48,599 Speaker 1: just to see like, you know, here's here's a dude 147 00:06:48,600 --> 00:06:52,320 Speaker 1: who has the world and he's like so focused every 148 00:06:52,400 --> 00:06:54,320 Speaker 1: day on getting better, you know what I mean, Like, 149 00:06:54,320 --> 00:06:58,640 Speaker 1: what's your excuse? Yeah, that'll definitely like just light a 150 00:06:58,680 --> 00:07:01,200 Speaker 1: fire under your or know, just make you feel like 151 00:07:01,520 --> 00:07:04,880 Speaker 1: I can and I should be doing more. One hundred man, 152 00:07:05,480 --> 00:07:08,960 Speaker 1: do we have there's the speculation that you're supposed to 153 00:07:08,960 --> 00:07:10,920 Speaker 1: announce your album with Elliott One. This is gonna come 154 00:07:10,960 --> 00:07:13,720 Speaker 1: out after that? Oh no, you are you announcing an 155 00:07:13,720 --> 00:07:17,760 Speaker 1: album or Okay, I'm saying we're talking with Yeah, I'm 156 00:07:17,800 --> 00:07:20,000 Speaker 1: not announcing, but we're getting any album before the end 157 00:07:20,000 --> 00:07:22,080 Speaker 1: of the year, of course. Yeah, before the end of 158 00:07:22,120 --> 00:07:23,760 Speaker 1: the year. Yeah, for sure. I've just been in the 159 00:07:23,840 --> 00:07:26,320 Speaker 1: zone though, honestly, where I try to be intentional with 160 00:07:26,360 --> 00:07:28,800 Speaker 1: everything I do, and when I look at it and 161 00:07:28,840 --> 00:07:31,240 Speaker 1: I'm like, you know, I'm very proud of the albums 162 00:07:31,280 --> 00:07:34,760 Speaker 1: I've made and and when I look at the challenges 163 00:07:34,760 --> 00:07:37,560 Speaker 1: that I've set for myself. It was a song like 164 00:07:37,600 --> 00:07:41,080 Speaker 1: the Jackie. You know, I got another single in the 165 00:07:41,160 --> 00:07:44,760 Speaker 1: works that I'm really excited about, and I'm just kind 166 00:07:44,800 --> 00:07:48,160 Speaker 1: of challenging myself to make bigger records. Even like what 167 00:07:48,280 --> 00:07:51,080 Speaker 1: we said earlier about the energy is different around this one. 168 00:07:51,160 --> 00:07:55,080 Speaker 1: You feel me it's like trying to challenge myself, like 169 00:07:55,120 --> 00:07:58,120 Speaker 1: what is the next frontier in my own career? What 170 00:07:58,200 --> 00:08:00,800 Speaker 1: is the next you know, what are the next levels? 171 00:08:00,800 --> 00:08:01,760 Speaker 1: I want to hear? What of the next thing is? 172 00:08:01,800 --> 00:08:04,080 Speaker 1: I want to challenge myself as an artist to create, 173 00:08:04,640 --> 00:08:06,720 Speaker 1: you know what I mean. So it's like I feel 174 00:08:06,800 --> 00:08:10,000 Speaker 1: like I'm always going to be in love with making 175 00:08:10,040 --> 00:08:13,240 Speaker 1: a cohesive body of work. You know, that's going to 176 00:08:13,280 --> 00:08:16,640 Speaker 1: give you like my mentality. But a lot of what 177 00:08:16,720 --> 00:08:20,240 Speaker 1: I've been challenging myself to do is like make make 178 00:08:20,280 --> 00:08:24,080 Speaker 1: these big records. How do you elevate exactly? So that's 179 00:08:24,160 --> 00:08:27,120 Speaker 1: that's been like a major focus on mine. I've tried 180 00:08:27,120 --> 00:08:29,720 Speaker 1: to really stay intentional with that. Yeah, No, I think 181 00:08:29,800 --> 00:08:33,520 Speaker 1: like I you know, I think you're you have an 182 00:08:33,640 --> 00:08:37,720 Speaker 1: incredible fan base, but I still think in terms of 183 00:08:37,800 --> 00:08:41,679 Speaker 1: like the grand scheme of who gets talked about your 184 00:08:41,679 --> 00:08:44,000 Speaker 1: slept on Still yeah, absolutely, I agree, you know what 185 00:08:44,000 --> 00:08:45,800 Speaker 1: I mean, There's not a lot of people who have 186 00:08:45,840 --> 00:08:48,240 Speaker 1: an album better than Too High a Riot. You know 187 00:08:48,280 --> 00:08:50,680 Speaker 1: what I'm saying. Thank you, But like I think that 188 00:08:51,880 --> 00:08:54,600 Speaker 1: I mean that You're right, like you gotta like, yo, 189 00:08:54,840 --> 00:08:56,199 Speaker 1: you gotta get some people to come to the park. 190 00:08:56,559 --> 00:08:58,079 Speaker 1: You know, you can't a lot to yourself. You gotta 191 00:08:58,080 --> 00:08:59,640 Speaker 1: look at where you are, where you want to be 192 00:09:00,320 --> 00:09:03,160 Speaker 1: and the things you gotta achieve to get there, you know. 193 00:09:03,240 --> 00:09:05,920 Speaker 1: And then and the beauty of it is like the 194 00:09:06,040 --> 00:09:08,880 Speaker 1: art of it is doing it, you know, within your sound, 195 00:09:09,240 --> 00:09:11,719 Speaker 1: within like all the songs I make and even the 196 00:09:11,800 --> 00:09:13,800 Speaker 1: Jaggie like my fan base don't hear that and be 197 00:09:13,840 --> 00:09:15,440 Speaker 1: like what the hell? Yeah, like what is he doing? Man? 198 00:09:15,480 --> 00:09:17,560 Speaker 1: It sold out? Not for sure? If you heard Milky Way, 199 00:09:17,640 --> 00:09:21,080 Speaker 1: it's kind of like a direct like percnding of of 200 00:09:21,160 --> 00:09:23,280 Speaker 1: that kind of sound and that vibe and that energy. 201 00:09:23,520 --> 00:09:25,480 Speaker 1: So it's like that's the fun part of it. It's like, okay, 202 00:09:25,640 --> 00:09:27,760 Speaker 1: like I know my sound. I figured out my sound, 203 00:09:28,160 --> 00:09:30,320 Speaker 1: you know, and that's the fun part of the artistry 204 00:09:30,440 --> 00:09:33,640 Speaker 1: is just to keep expanding what you can do and 205 00:09:33,640 --> 00:09:36,000 Speaker 1: what you can achieve, you know. So that was like 206 00:09:36,040 --> 00:09:37,839 Speaker 1: the next frontier for me. I'm like, you know what, 207 00:09:38,000 --> 00:09:39,679 Speaker 1: like I want to make some hits. How good did 208 00:09:39,679 --> 00:09:44,440 Speaker 1: it feel to get your first solo plaque? Incredible? I 209 00:09:44,440 --> 00:09:49,680 Speaker 1: got caught a couple. But because tribaling gold right, Tribal 210 00:09:49,679 --> 00:09:52,880 Speaker 1: platinum platinum? Yeah, that's my job. Night job went gold. 211 00:09:54,120 --> 00:09:57,160 Speaker 1: I don't see down bad is platinum and Costa Rican 212 00:09:57,160 --> 00:10:01,080 Speaker 1: now I think too, that's huge man, Yeah, thank you, bro. 213 00:10:01,160 --> 00:10:02,839 Speaker 1: You pull it to the crib. You got your your own, 214 00:10:03,000 --> 00:10:08,160 Speaker 1: your own plaques. Yeah, that's it's definitely. It's a blessing, bro, 215 00:10:08,280 --> 00:10:11,600 Speaker 1: It's a blessing. Like shout out to the whole team. 216 00:10:11,679 --> 00:10:13,320 Speaker 1: You know, we've been at it for a minute and 217 00:10:13,360 --> 00:10:16,800 Speaker 1: it you know, I'm somewhere where people really believe in 218 00:10:16,800 --> 00:10:19,360 Speaker 1: that artists development. You know, you gotta get ship is 219 00:10:19,480 --> 00:10:21,720 Speaker 1: a beautiful thing because you know a lot of labels 220 00:10:21,760 --> 00:10:24,880 Speaker 1: they're not you know what it is, man, They're they're 221 00:10:24,880 --> 00:10:27,280 Speaker 1: looking for that well, and they're also looking for something 222 00:10:27,320 --> 00:10:29,280 Speaker 1: that's already on fire so they can just put some 223 00:10:29,320 --> 00:10:33,079 Speaker 1: gasoline right, something that's already viral. Yeah, dream Dreamville. I 224 00:10:33,120 --> 00:10:36,840 Speaker 1: feel like it's done a superb job of growing each artist, 225 00:10:37,000 --> 00:10:38,920 Speaker 1: you know what I'm saying. It yourself or Ari or 226 00:10:39,040 --> 00:10:41,959 Speaker 1: cars Like, it's like, man, it's like you see your 227 00:10:42,000 --> 00:10:45,560 Speaker 1: guys is just come up. Yeah. Everybody's got a touring base. 228 00:10:45,800 --> 00:10:48,960 Speaker 1: You know, everyone's got an album naked tour, several albums 229 00:10:48,960 --> 00:10:53,280 Speaker 1: they can tour. You know, we're kind of like in 230 00:10:53,360 --> 00:10:55,880 Speaker 1: phase two now. It's like Marvel, you know what I mean. 231 00:10:55,920 --> 00:10:57,959 Speaker 1: It's the MCU. It's just going in the phase two. 232 00:10:57,960 --> 00:11:01,920 Speaker 1: Everybody's trying. It's crazy. It's a good a good comparison. Yeah. 233 00:11:01,520 --> 00:11:03,760 Speaker 1: Uh you mentioned like being a home a lot during 234 00:11:03,760 --> 00:11:06,679 Speaker 1: the pandemic, and shit, like how did that affect you? 235 00:11:06,760 --> 00:11:08,560 Speaker 1: Just you know, because some people I know fucked with 236 00:11:08,559 --> 00:11:11,200 Speaker 1: their mental like especially being an artist, you're not able 237 00:11:11,240 --> 00:11:13,760 Speaker 1: to you know, you probably would have been a road 238 00:11:13,960 --> 00:11:16,200 Speaker 1: like there would have probably been some sort of Dreamville tour, 239 00:11:16,520 --> 00:11:18,360 Speaker 1: right for sure, you know what I'm saying, Like, you 240 00:11:18,400 --> 00:11:21,199 Speaker 1: know what I think creatively, it helped me tap into 241 00:11:22,600 --> 00:11:27,440 Speaker 1: some very like introspective raps that I was I was 242 00:11:27,640 --> 00:11:30,560 Speaker 1: missing in a sense because my life prior to that 243 00:11:30,720 --> 00:11:33,320 Speaker 1: was like six seven years on the road and kind 244 00:11:33,320 --> 00:11:37,240 Speaker 1: of ingesting all these road experiences and they're coming out 245 00:11:37,360 --> 00:11:39,160 Speaker 1: and just gave me a lot of time to just 246 00:11:39,200 --> 00:11:43,280 Speaker 1: sit back and reflect and like dig deeper on things 247 00:11:43,280 --> 00:11:45,720 Speaker 1: I wanted to say. But you know, in the same token, 248 00:11:46,600 --> 00:11:48,319 Speaker 1: I was missing the other side of it. I really 249 00:11:48,360 --> 00:11:52,760 Speaker 1: like traveling is like probably the biggest part of inspiration, 250 00:11:53,480 --> 00:11:57,040 Speaker 1: one of these other country cities whatever, liking with people collaborating. 251 00:11:58,120 --> 00:12:00,240 Speaker 1: So I missed that a lot. I missed out a lot. 252 00:12:00,280 --> 00:12:02,800 Speaker 1: But you know, I think you just got to make 253 00:12:02,880 --> 00:12:06,599 Speaker 1: use of every situation. So for me, it was like, 254 00:12:06,600 --> 00:12:08,200 Speaker 1: all right, how do I dig deeper? How do I 255 00:12:08,280 --> 00:12:11,040 Speaker 1: talk about what's really on my mind? How do I 256 00:12:11,080 --> 00:12:13,600 Speaker 1: talk about the things I know, you know, other people 257 00:12:13,600 --> 00:12:18,120 Speaker 1: are going through right now, just being isolated and feeling stagnant, 258 00:12:18,240 --> 00:12:20,280 Speaker 1: you know what I mean? Yeah, man, shit, I mean 259 00:12:20,320 --> 00:12:22,120 Speaker 1: I have my fucking kids and my wife, and I 260 00:12:22,160 --> 00:12:25,240 Speaker 1: still feel like this shit sucks. Yeah, especially being in LA, 261 00:12:25,280 --> 00:12:28,600 Speaker 1: because LA was like super shut the fuck down. Were 262 00:12:28,600 --> 00:12:30,600 Speaker 1: you out here most of the pandemic? Yeah, most of it. 263 00:12:30,880 --> 00:12:32,320 Speaker 1: I was gonna go to New York. I was gonna 264 00:12:32,320 --> 00:12:34,120 Speaker 1: go back home. But every time I'm called IM just 265 00:12:34,160 --> 00:12:36,480 Speaker 1: be like, bro, like, don't even do it. So like 266 00:12:36,520 --> 00:12:38,240 Speaker 1: I flew my parents out here and had them out 267 00:12:38,280 --> 00:12:40,520 Speaker 1: here for like a couple of months. I mean, that's dope. 268 00:12:40,520 --> 00:12:43,559 Speaker 1: You probably got to spend some time at your parents. Yeah, 269 00:12:43,640 --> 00:12:48,240 Speaker 1: my nephews, like you know, they're like two and like one, 270 00:12:48,679 --> 00:12:50,200 Speaker 1: and shit like forced you to hang out with your 271 00:12:50,200 --> 00:12:53,360 Speaker 1: family more for sure, for real for sure, and even 272 00:12:53,360 --> 00:12:56,559 Speaker 1: like your close friends, you start to realize, like them, 273 00:12:56,559 --> 00:12:58,160 Speaker 1: there's a lot of things we don't even talk about, 274 00:12:58,880 --> 00:13:00,679 Speaker 1: you know what I mean. Like I learned more about 275 00:13:01,200 --> 00:13:03,760 Speaker 1: some of the dudes I've known fifteen twenty years in 276 00:13:03,840 --> 00:13:08,680 Speaker 1: the past year that I did knowing them like you 277 00:13:08,720 --> 00:13:11,680 Speaker 1: know most of my life. It was just people were 278 00:13:11,679 --> 00:13:15,079 Speaker 1: in like a more vulnerable mental state and you feel me, like, 279 00:13:15,840 --> 00:13:18,880 Speaker 1: but you know, it's why you gotta support system facts. Man. 280 00:13:18,960 --> 00:13:21,000 Speaker 1: Now It's crazy because like outside of just getting fat 281 00:13:21,040 --> 00:13:24,320 Speaker 1: as fucked during the pandemic, I just just trying shit. 282 00:13:24,400 --> 00:13:27,920 Speaker 1: Bro was like I tried mushrooms during the pandemic. The 283 00:13:28,080 --> 00:13:30,160 Speaker 1: hell yeah, I was just had a good ass, a 284 00:13:30,200 --> 00:13:33,720 Speaker 1: few good ass and trips. Yeah yeah, yeah, like that 285 00:13:33,760 --> 00:13:36,680 Speaker 1: shit is you know, I think, like you said, like 286 00:13:36,720 --> 00:13:39,400 Speaker 1: there was pluses and minuses, and it just depends on 287 00:13:39,440 --> 00:13:41,439 Speaker 1: your perspective, cause some people let that shit really like 288 00:13:42,480 --> 00:13:44,720 Speaker 1: just take them out, you know what I'm saying, Yeah, 289 00:13:45,040 --> 00:13:47,800 Speaker 1: take them off the map. Yeah nah, I mean you 290 00:13:47,880 --> 00:13:49,559 Speaker 1: just you know, like we say, you gott keeping perspect 291 00:13:49,640 --> 00:13:51,719 Speaker 1: Everybody was going through the same thing, you know what 292 00:13:51,800 --> 00:13:54,240 Speaker 1: I mean those times where, like I said, you have 293 00:13:54,360 --> 00:13:56,520 Speaker 1: all these plans and all these thoughts and all these 294 00:13:56,559 --> 00:14:00,920 Speaker 1: goals and you gotta realize, like nothing's advanced for anybody 295 00:14:01,000 --> 00:14:04,440 Speaker 1: right now, like just chill, enjoy this moment. I even 296 00:14:04,480 --> 00:14:06,920 Speaker 1: started thinking we need like once a decade, if it's 297 00:14:06,920 --> 00:14:09,200 Speaker 1: not a pandemic something like that, just give people like 298 00:14:09,240 --> 00:14:12,040 Speaker 1: six months off. Feel me, like, let everyone work from 299 00:14:12,040 --> 00:14:14,439 Speaker 1: home for six months and everybody regroup, you know what 300 00:14:14,480 --> 00:14:18,080 Speaker 1: I mean? Get a bad idea though, once a decade. Yeah, 301 00:14:18,080 --> 00:14:20,320 Speaker 1: for sure. You say you had some some so you 302 00:14:21,000 --> 00:14:25,600 Speaker 1: you fuck with the psychedelics? Yeah? Acid as a mushrooms? 303 00:14:25,920 --> 00:14:27,600 Speaker 1: What is? I've never done acid? I heard it's like 304 00:14:27,640 --> 00:14:31,000 Speaker 1: more like extremely visual. Yeah, I feel like so it 305 00:14:31,120 --> 00:14:33,440 Speaker 1: lasts a good bit longer than mushrooms. You're high, Its 306 00:14:33,480 --> 00:14:37,600 Speaker 1: probably twice as long the trip. But I feel like 307 00:14:38,640 --> 00:14:40,920 Speaker 1: sometimes with mushrooms you could kind of get into like 308 00:14:40,960 --> 00:14:44,760 Speaker 1: a dark spot in the trip where you're like facing 309 00:14:44,800 --> 00:14:48,200 Speaker 1: these these demons or whatever you've been running for, and 310 00:14:48,200 --> 00:14:50,280 Speaker 1: then you know, usually come out the other side of 311 00:14:50,320 --> 00:14:53,880 Speaker 1: a better person for it. With acid, like you always 312 00:14:53,920 --> 00:14:56,720 Speaker 1: know it's the drugs. You know, like you'll start tweeting like, oh, 313 00:14:56,720 --> 00:15:00,400 Speaker 1: it's the drugs. Man on to the next. I would 314 00:15:00,400 --> 00:15:02,760 Speaker 1: be like questioning your whole life's purpose. Take too much, 315 00:15:02,880 --> 00:15:04,920 Speaker 1: just some moments where you really have to look yourself 316 00:15:04,960 --> 00:15:08,360 Speaker 1: in the mirror. Acid is more like I'm gonna take 317 00:15:08,360 --> 00:15:11,200 Speaker 1: some ass I can go to the bar. Yeah, I'm saying, 318 00:15:11,200 --> 00:15:12,880 Speaker 1: you go to the bar, you can go around strangers. 319 00:15:12,880 --> 00:15:15,920 Speaker 1: I could have a full, like intellectual ass convo with 320 00:15:16,280 --> 00:15:18,400 Speaker 1: a random stranger on that. So the mushals, I kind 321 00:15:18,400 --> 00:15:21,040 Speaker 1: of just want to be with my core group for sure. Yeah. 322 00:15:21,080 --> 00:15:23,320 Speaker 1: And I had a bad trip and I was in 323 00:15:23,360 --> 00:15:26,520 Speaker 1: Texas tripping the fuck out, man, when I decided to 324 00:15:26,520 --> 00:15:28,120 Speaker 1: go bar hopping after I ate a whole bunch of 325 00:15:28,120 --> 00:15:31,120 Speaker 1: shrooms and an an edible yeah, bold, worst decision in 326 00:15:31,160 --> 00:15:34,760 Speaker 1: my life, you bowld. I was freaking fuck out. It 327 00:15:34,800 --> 00:15:36,800 Speaker 1: was a start looking at people in the bar like 328 00:15:36,960 --> 00:15:39,400 Speaker 1: this dough faced or something crazy. No, there was a 329 00:15:39,480 --> 00:15:43,240 Speaker 1: lady dancing and her face looked like you remember on 330 00:15:43,360 --> 00:15:44,880 Speaker 1: cops back in the day they used to have their 331 00:15:44,920 --> 00:15:49,360 Speaker 1: faces scrambled. And there was this bitch dancing in front 332 00:15:49,400 --> 00:15:52,360 Speaker 1: of us, and uh, I was with I was with 333 00:15:52,360 --> 00:15:55,840 Speaker 1: Freddi Gibbs, and I was like, yo, friend, is is 334 00:15:55,880 --> 00:15:58,440 Speaker 1: that bitch just we're both on shrooms. I was like, 335 00:15:58,560 --> 00:16:01,600 Speaker 1: is you see her face? And he's like, we saw 336 00:16:01,640 --> 00:16:05,440 Speaker 1: the same thing. He's like, Nah, it's all fucked up, bro, 337 00:16:06,400 --> 00:16:09,080 Speaker 1: And then some dudes came in. I was paring as fuck. Bro. 338 00:16:09,120 --> 00:16:11,040 Speaker 1: I thought, bro, I was, I was. It was a 339 00:16:11,040 --> 00:16:14,360 Speaker 1: bad look that I'm never doing shrooms ever again in 340 00:16:14,440 --> 00:16:17,320 Speaker 1: like a social area. It ain't that. But you could 341 00:16:17,440 --> 00:16:21,720 Speaker 1: do acid. You can do d MT nah. I have 342 00:16:21,880 --> 00:16:24,040 Speaker 1: so much of it in my freezer that my homie 343 00:16:24,560 --> 00:16:26,800 Speaker 1: got me on my birthday. You have a bunch of 344 00:16:26,840 --> 00:16:28,840 Speaker 1: your freezer. I have a bunch of my freezer right now. 345 00:16:29,320 --> 00:16:31,280 Speaker 1: You're don't have to get a crack pipe, you know that, right, 346 00:16:32,000 --> 00:16:34,320 Speaker 1: I'm like trying to trying to you know, I like 347 00:16:34,360 --> 00:16:38,160 Speaker 1: to do psychedelics, like when I when I'm either reached 348 00:16:38,200 --> 00:16:41,200 Speaker 1: a certain like usually like if I wrap up a project, 349 00:16:41,880 --> 00:16:43,440 Speaker 1: you know what I mean, Like it seems like I'm 350 00:16:43,440 --> 00:16:46,400 Speaker 1: putting a bowl on like a moment in life, you 351 00:16:46,440 --> 00:16:48,160 Speaker 1: know what I mean. I like to pick my moments 352 00:16:48,480 --> 00:16:51,760 Speaker 1: or maybe if I'm starting a project kind of deal, 353 00:16:52,600 --> 00:16:55,360 Speaker 1: so I like to pick. You gotta pick and choose 354 00:16:55,360 --> 00:16:57,640 Speaker 1: that ship because yeah, it's almost like you you do 355 00:16:57,680 --> 00:16:59,320 Speaker 1: it as as you like when you feel like you 356 00:16:59,360 --> 00:17:02,720 Speaker 1: need it exactly, like maybe if there's a wall or 357 00:17:02,760 --> 00:17:04,679 Speaker 1: something or that you can try to break through, or 358 00:17:04,800 --> 00:17:07,000 Speaker 1: you know what, right right, or if it's like all right, 359 00:17:07,080 --> 00:17:09,679 Speaker 1: what's next? Right? Exactly? Like, give me a little bit 360 00:17:09,680 --> 00:17:11,520 Speaker 1: of clarity. Where am I going with this? This guy 361 00:17:11,520 --> 00:17:13,639 Speaker 1: got a freezer for a DMT I do right now? 362 00:17:13,920 --> 00:17:16,840 Speaker 1: Just that moment hasn't hit me yet. That shouldn't hit me. 363 00:17:16,920 --> 00:17:18,800 Speaker 1: That sh it's like I heard it. I've never done DMT. 364 00:17:19,040 --> 00:17:20,480 Speaker 1: I want to do it. I just can't get my 365 00:17:20,480 --> 00:17:22,359 Speaker 1: fucking hands on any of it. But oh shit, I 366 00:17:22,359 --> 00:17:25,560 Speaker 1: got you. I say you got some. But also I'm 367 00:17:25,600 --> 00:17:27,840 Speaker 1: like scared because that's what I'm saying. That's where I'm 368 00:17:27,880 --> 00:17:29,840 Speaker 1: at with it too, Like I don't know, you literally 369 00:17:29,920 --> 00:17:32,439 Speaker 1: have to freebase that ship. And then I heard for 370 00:17:32,480 --> 00:17:35,480 Speaker 1: like fifteen minutes, you're just gone. Yeah, I don't even 371 00:17:35,520 --> 00:17:37,879 Speaker 1: want no one around with you, like you're gone. Like 372 00:17:37,920 --> 00:17:39,840 Speaker 1: I had a homie who said he he had like 373 00:17:39,880 --> 00:17:43,040 Speaker 1: a six month like like lived out six months of 374 00:17:43,080 --> 00:17:45,600 Speaker 1: his life and his DMT trip and then woke up 375 00:17:45,640 --> 00:17:47,480 Speaker 1: and it was only fifteen minutes long. He said he 376 00:17:47,520 --> 00:17:49,720 Speaker 1: had a girlfriend, he had a job, all kinds of shit. 377 00:17:50,200 --> 00:17:52,800 Speaker 1: That's crazy. So that's why I'm like, damn do I 378 00:17:52,800 --> 00:17:56,760 Speaker 1: I don't do I want to just I don't. I'm 379 00:17:56,840 --> 00:17:59,000 Speaker 1: exactly where you at with it, Like I want to 380 00:17:59,040 --> 00:18:00,840 Speaker 1: do it, sitting there. You know what I mean, I'll 381 00:18:00,880 --> 00:18:02,639 Speaker 1: be opened up my fridge and get some ice and 382 00:18:02,680 --> 00:18:05,520 Speaker 1: that's just be staring at me. But I'm like, I 383 00:18:05,520 --> 00:18:07,240 Speaker 1: don't know. I don't know if I'm ready. I don't 384 00:18:07,240 --> 00:18:08,880 Speaker 1: know if I'm ready. I don't know if I'm ready 385 00:18:08,880 --> 00:18:11,240 Speaker 1: to maybe when I put this next album out, Okay, 386 00:18:11,359 --> 00:18:13,280 Speaker 1: you know what I mean? And the Jackie going crazy 387 00:18:13,680 --> 00:18:15,920 Speaker 1: and I can say, you know what, let's let's let's 388 00:18:15,960 --> 00:18:18,600 Speaker 1: go on this. Yeah, let's go. Let's go melt my 389 00:18:18,640 --> 00:18:21,240 Speaker 1: face off for twenty minutes. Yea, Hey, what up? Man? 390 00:18:21,400 --> 00:18:23,800 Speaker 1: How to interrupt the Boutlet Cap podcast to tell you 391 00:18:23,880 --> 00:18:27,160 Speaker 1: about our good friends at odd Socks. 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They got, including these draws. I love 402 00:19:02,320 --> 00:19:04,720 Speaker 1: these draws. I got some all right now, so listen. 403 00:19:04,800 --> 00:19:07,800 Speaker 1: Tap in with odd Socks. Go to odd socksofficial dot com. 404 00:19:08,080 --> 00:19:10,600 Speaker 1: Use the keyword bootleg keV, and you will save twenty 405 00:19:10,720 --> 00:19:14,200 Speaker 1: percent off of checkout. So odd socksofficial dot com keyword 406 00:19:14,200 --> 00:19:17,880 Speaker 1: bootleg keV save twenty percent checkout fake me later. How 407 00:19:18,000 --> 00:19:21,200 Speaker 1: is your album done? No, it's not done yet. It's so, 408 00:19:21,240 --> 00:19:23,520 Speaker 1: it's not done yet. It's not done yet, but I 409 00:19:23,560 --> 00:19:28,040 Speaker 1: mean it could be, but I just got bigger plans 410 00:19:28,040 --> 00:19:29,480 Speaker 1: for it. You know when you say you're working on 411 00:19:29,520 --> 00:19:32,960 Speaker 1: another single that's gonna be big as well? Yeah, can 412 00:19:33,000 --> 00:19:36,639 Speaker 1: you give us a little bit of insight. It's me 413 00:19:36,680 --> 00:19:40,560 Speaker 1: and Gunna. Oh all right, you know, another little collab 414 00:19:40,600 --> 00:19:43,320 Speaker 1: people wouldn't really expect. That's true. I've been trying to 415 00:19:43,359 --> 00:19:45,920 Speaker 1: find people like that and just kind of sonically bringing 416 00:19:45,960 --> 00:19:48,080 Speaker 1: them into my world, even like how we did with TJ. 417 00:19:48,440 --> 00:19:51,200 Speaker 1: For sure. You know what I mean. I'm a huge 418 00:19:51,200 --> 00:19:54,320 Speaker 1: Gunner fan. So you heard it first, you know what 419 00:19:54,359 --> 00:19:57,159 Speaker 1: I mean. So that would be a Gunner Boss record. 420 00:19:57,160 --> 00:19:58,640 Speaker 1: You know, it's crazy because I think gunn Is, who 421 00:19:58,720 --> 00:20:01,480 Speaker 1: kind of like low key top baby had a rap 422 00:20:02,240 --> 00:20:05,840 Speaker 1: for real. Yeah, man, I love what all those Atlanta 423 00:20:06,320 --> 00:20:08,080 Speaker 1: dudes do for each Yeah. I think a little baby, 424 00:20:08,760 --> 00:20:12,520 Speaker 1: a little baby lyrically somehow has like became like a monster, 425 00:20:13,040 --> 00:20:14,440 Speaker 1: because like three or four years ago, when I was 426 00:20:14,440 --> 00:20:15,480 Speaker 1: first year in little Bit, I was like, oh, this 427 00:20:15,480 --> 00:20:17,320 Speaker 1: ship is cool. You know some Atlanta young boys ship. 428 00:20:17,440 --> 00:20:21,199 Speaker 1: Like this motherfucker is wrapping circles around everybody right now. 429 00:20:21,240 --> 00:20:23,960 Speaker 1: He's crazy. Yeah, it's crazy. How was it like being 430 00:20:24,040 --> 00:20:27,520 Speaker 1: in the studio with Gunner or was that like it 431 00:20:27,560 --> 00:20:29,720 Speaker 1: was an email thing? It was like in the midst 432 00:20:29,800 --> 00:20:32,760 Speaker 1: of you know, COVID, so no one was really like 433 00:20:32,840 --> 00:20:35,479 Speaker 1: linking up at the studio like that. But yo, I 434 00:20:35,520 --> 00:20:39,760 Speaker 1: heard during first of all, obviously the the Dreamville sessions 435 00:20:39,840 --> 00:20:43,840 Speaker 1: or legendary at this point everybody who got flown into town. 436 00:20:44,000 --> 00:20:47,560 Speaker 1: And but I heard that Chris Bosh. Chris Bosh pulled up. 437 00:20:47,680 --> 00:20:50,840 Speaker 1: Chris pulled up and made some beats. Yeah he's he's 438 00:20:50,920 --> 00:20:53,000 Speaker 1: kind of hard too. I ain't gonna lie. He was 439 00:20:53,040 --> 00:20:56,080 Speaker 1: in there with like with Cole and T minus and 440 00:20:56,280 --> 00:20:58,760 Speaker 1: and Diesel shout out the bros. Was that like the 441 00:20:58,800 --> 00:21:02,439 Speaker 1: most random dude to pull up. No, nah, who's the 442 00:21:02,440 --> 00:21:07,679 Speaker 1: most random? Random dudes? Chris Bosh Making beats is pretty random, 443 00:21:07,760 --> 00:21:10,480 Speaker 1: Chris Bosher. I mean that is kind of up there 444 00:21:10,520 --> 00:21:13,439 Speaker 1: on the random scale. But like a Conn was in 445 00:21:13,520 --> 00:21:16,560 Speaker 1: there at some point with like his family, like just 446 00:21:16,640 --> 00:21:21,840 Speaker 1: chilling the whole Milwaukee Bucks. Joannis was there. Ye came 447 00:21:21,880 --> 00:21:25,280 Speaker 1: through nice. Not making any beats though, Nah, but they 448 00:21:25,320 --> 00:21:27,680 Speaker 1: catered like a whole dinner for us. Oh shit, yeah 449 00:21:27,720 --> 00:21:29,359 Speaker 1: yeah yeah. It was a love shout out to the 450 00:21:29,400 --> 00:21:32,440 Speaker 1: bucks Man for real. I mean, I got issues right now, 451 00:21:32,480 --> 00:21:35,320 Speaker 1: but we're up to one right now. You know what's 452 00:21:35,359 --> 00:21:36,919 Speaker 1: crazy about the Bucks is I was telling this to 453 00:21:36,960 --> 00:21:38,639 Speaker 1: my homie. Were at the game of Game two, like 454 00:21:39,040 --> 00:21:41,960 Speaker 1: earlier this week or whatever it was, and I was like, damn, 455 00:21:42,960 --> 00:21:45,280 Speaker 1: you know, I hated people on the Clippers right, like 456 00:21:45,359 --> 00:21:47,760 Speaker 1: you know Sports eight, which is not the same as 457 00:21:47,800 --> 00:21:51,679 Speaker 1: like actual hate, right. I couldn't stand fucking Yokic on 458 00:21:51,680 --> 00:21:57,480 Speaker 1: the Nuggets. Uh. You know, I'm a Lebron fan, so 459 00:21:57,560 --> 00:21:59,359 Speaker 1: I kind of was indifferent about the Lakers series. I 460 00:21:59,400 --> 00:22:01,720 Speaker 1: was like, look, worse case scenario, Lebron wins. He's my 461 00:22:01,720 --> 00:22:04,120 Speaker 1: favorite player, even though I've hated the Lakers my whole 462 00:22:04,119 --> 00:22:06,520 Speaker 1: life because I'm from Phoenix. When Lebron went over there, 463 00:22:06,520 --> 00:22:09,120 Speaker 1: I looked the other way for my sports. I feel 464 00:22:09,160 --> 00:22:11,439 Speaker 1: you on that. But the Bucks I got nobody to 465 00:22:11,600 --> 00:22:15,520 Speaker 1: like hate, Like I really fuck with Yanni's. PJ Tucker 466 00:22:15,920 --> 00:22:18,359 Speaker 1: used to be a son. Yeah, you know what I'm saying, 467 00:22:18,440 --> 00:22:20,960 Speaker 1: Like I like how Drew Holliday Drew Holidays dope, Like 468 00:22:21,000 --> 00:22:23,760 Speaker 1: he's very humble, you don't talk shit. Chris Middleton is 469 00:22:23,800 --> 00:22:26,000 Speaker 1: like someone who like has come up in the league 470 00:22:26,040 --> 00:22:27,800 Speaker 1: has been so crazy. I'm like, Damn, I don't even 471 00:22:27,880 --> 00:22:30,119 Speaker 1: I can't even. I want a chance fuck the Bucks 472 00:22:30,119 --> 00:22:32,600 Speaker 1: at the game, but I can't. I don't feel it. 473 00:22:32,600 --> 00:22:34,080 Speaker 1: You know what I'm saying. I feel you on that. 474 00:22:34,160 --> 00:22:36,200 Speaker 1: They definitely got that kind of makeup. Like you're like, 475 00:22:36,240 --> 00:22:39,200 Speaker 1: who hates Gianni's He's like the nicest dude. He stayed down, 476 00:22:39,240 --> 00:22:42,000 Speaker 1: he re signed. You know what I'm saying, Like, it's crazy, 477 00:22:42,040 --> 00:22:45,000 Speaker 1: what what are you? A Nick fan? For sure? So, 478 00:22:45,080 --> 00:22:47,320 Speaker 1: I mean, shit, man, the Knicks fucking you know that 479 00:22:47,440 --> 00:22:52,200 Speaker 1: was unexpected. I don't even you know Nixon six. I mean, 480 00:22:52,520 --> 00:22:54,800 Speaker 1: I'm not gonna lie when when y'all won that one 481 00:22:54,840 --> 00:22:57,919 Speaker 1: game in the series and acted like it was the championship. 482 00:22:57,960 --> 00:23:00,680 Speaker 1: Outside I knew it was over, it was, I know, 483 00:23:00,880 --> 00:23:05,239 Speaker 1: but the city needed it this series. The city needed it. 484 00:23:05,280 --> 00:23:06,920 Speaker 1: But you know what I mean, that's that's about as 485 00:23:06,920 --> 00:23:09,720 Speaker 1: good as we've been. Oh for sure sometimes so you 486 00:23:09,760 --> 00:23:11,600 Speaker 1: know the city I riled up, and then it was 487 00:23:11,920 --> 00:23:16,280 Speaker 1: it was reopening. It was like the perfect timing. Everybody was, yeah, yeah, 488 00:23:16,280 --> 00:23:19,280 Speaker 1: they brought all the all that COVID energy outside. Have 489 00:23:19,400 --> 00:23:22,200 Speaker 1: you been, because I've noticed a lot of my Nick 490 00:23:22,320 --> 00:23:26,760 Speaker 1: friends they've transferred to the nets, which I've now, first 491 00:23:26,760 --> 00:23:29,520 Speaker 1: of all, shout Kate's my dog. I don't hate on 492 00:23:29,560 --> 00:23:31,320 Speaker 1: the nets. I'm not one of those Knicks fans that 493 00:23:31,400 --> 00:23:33,439 Speaker 1: hates on the nets because I you know, I know 494 00:23:33,520 --> 00:23:35,640 Speaker 1: some players on the team and I rock with them, 495 00:23:35,680 --> 00:23:38,080 Speaker 1: so personally, I just want to see them be great. 496 00:23:38,119 --> 00:23:41,200 Speaker 1: You feel me? But nah, I'm still a Knicks fan. 497 00:23:41,680 --> 00:23:44,480 Speaker 1: But you noticed a lot of people like going over 498 00:23:44,560 --> 00:23:47,480 Speaker 1: to the side. Yeah, yeah, my sports chaff I showed 499 00:23:47,480 --> 00:23:49,520 Speaker 1: you our sports chat right now. That's that's a big 500 00:23:49,880 --> 00:23:52,400 Speaker 1: that's a big point of argument. That ship is crazy. 501 00:23:52,520 --> 00:23:55,120 Speaker 1: I imagine if like the Clippers want to ring this year, 502 00:23:55,480 --> 00:23:58,639 Speaker 1: and you started to notice like what I will say 503 00:24:00,359 --> 00:24:02,240 Speaker 1: because it would be the Brooklyn niggas you feel me. 504 00:24:02,359 --> 00:24:05,080 Speaker 1: So it's like if you're from Brooklyn and you're like, 505 00:24:05,080 --> 00:24:07,120 Speaker 1: like co Vane's talking to me, like yo, the Nets, 506 00:24:07,119 --> 00:24:09,000 Speaker 1: You're gonna get your sons in the finals, And I'm like, bro, 507 00:24:09,119 --> 00:24:14,359 Speaker 1: you're what you a Knicks fan? Fight? Like what from Brooklyn? Okay? See, yeah, 508 00:24:14,600 --> 00:24:16,400 Speaker 1: so you gotta give you gotta give them a past 509 00:24:16,440 --> 00:24:19,040 Speaker 1: because if a team pops up in your backyard, you 510 00:24:19,080 --> 00:24:22,560 Speaker 1: know kind of got to just ride with him. That's fair. Whatere? 511 00:24:22,560 --> 00:24:26,119 Speaker 1: Are you from Queens? Queens is? I feel like Queens 512 00:24:26,160 --> 00:24:27,840 Speaker 1: is one of the more interesting boroughs in all New 513 00:24:27,920 --> 00:24:30,880 Speaker 1: York because because it's like everything is there. Yeah, it's 514 00:24:30,960 --> 00:24:33,480 Speaker 1: it's the most diverse county. So diverse in the world. 515 00:24:34,040 --> 00:24:36,320 Speaker 1: Is it in the world in the world? Yeap, that 516 00:24:36,359 --> 00:24:38,840 Speaker 1: ship's crazy. Yeah, we got a little bit of everything 517 00:24:40,000 --> 00:24:44,440 Speaker 1: and and quite possibly I always like, you know, what's 518 00:24:44,480 --> 00:24:49,240 Speaker 1: the better burrow hip hop all time? Is it Brooklyn? 519 00:24:49,320 --> 00:24:55,280 Speaker 1: Is it? I think it's I personally Queens is a 520 00:24:55,800 --> 00:25:01,360 Speaker 1: certain brand of rappers too, Like I mean Ship Nas Mob, Deeps, 521 00:25:01,560 --> 00:25:08,840 Speaker 1: fifty Tribe Run dmc ll no nor He's not from Queens. 522 00:25:08,880 --> 00:25:14,840 Speaker 1: Norie's from Queens. Norse, he is from Yeah yeah, list, 523 00:25:14,920 --> 00:25:17,240 Speaker 1: the list goes on. Man, Brooklyn is just very top 524 00:25:17,240 --> 00:25:19,800 Speaker 1: heavy though, and we claimed Cold too. Don't forget that. 525 00:25:19,800 --> 00:25:22,239 Speaker 1: That's fair. Cold Cole came up and got busy with us. 526 00:25:22,240 --> 00:25:25,640 Speaker 1: So that's another queen's rabbit, you know. By way of 527 00:25:25,840 --> 00:25:27,920 Speaker 1: I think that's cheating man, how he sounded like a 528 00:25:28,000 --> 00:25:31,240 Speaker 1: queen's rabbit listening to Cold, he sounds like he's from Queens. 529 00:25:31,280 --> 00:25:33,760 Speaker 1: He's from Vyeville. Bro. I'm just saying though, But you 530 00:25:33,760 --> 00:25:36,600 Speaker 1: know he came up when he was with eighteen seven. 531 00:25:36,640 --> 00:25:39,480 Speaker 1: That's fair. That's fair. That's fair we claim. We claim 532 00:25:39,520 --> 00:25:42,440 Speaker 1: with you know, like half that are Is there any discussion? 533 00:25:42,760 --> 00:25:44,840 Speaker 1: By the way, shout out to Eve for I you know, 534 00:25:44,880 --> 00:25:47,080 Speaker 1: I had to hit him when the Dreamville project came 535 00:25:47,119 --> 00:25:49,840 Speaker 1: out because I know that he kind of helped arrange 536 00:25:49,880 --> 00:25:53,560 Speaker 1: that and and it was such a cohesive project and 537 00:25:53,600 --> 00:25:56,000 Speaker 1: I know how hard that is to do with all 538 00:25:56,040 --> 00:25:58,639 Speaker 1: the moving parts, and I'm sure the pull of songs 539 00:25:58,640 --> 00:26:01,400 Speaker 1: to choose from had to be crazy, and it just 540 00:26:01,560 --> 00:26:04,840 Speaker 1: it just it was. It played so well fronts of 541 00:26:04,920 --> 00:26:09,760 Speaker 1: back Yeah, I was like, bro, you killed this ship. 542 00:26:09,840 --> 00:26:12,600 Speaker 1: The sequencing that like everything was like even just like 543 00:26:12,640 --> 00:26:14,399 Speaker 1: some of the artists that you wouldn't even expect when 544 00:26:14,400 --> 00:26:17,160 Speaker 1: you see the track, look like what what like wop 545 00:26:17,280 --> 00:26:21,280 Speaker 1: dads on this album? Yeah? No, you know what I'm saying, Like, 546 00:26:21,800 --> 00:26:24,479 Speaker 1: I just thought it was such a great uh you know, 547 00:26:24,880 --> 00:26:28,919 Speaker 1: it almost feels like an impossible feat to have a 548 00:26:28,920 --> 00:26:33,280 Speaker 1: compilation be so just front to back. That's you know, 549 00:26:33,320 --> 00:26:35,080 Speaker 1: there's been dope compilations and hip I even think of 550 00:26:35,119 --> 00:26:38,000 Speaker 1: like Diplomatic Community. There was some ship on there that 551 00:26:38,040 --> 00:26:40,639 Speaker 1: I skipped. I think this too was the one that 552 00:26:40,760 --> 00:26:43,440 Speaker 1: was like most of the skips, you know, the Dreamville 553 00:26:43,440 --> 00:26:45,359 Speaker 1: ship was so crazy. Has there been any discussion of 554 00:26:45,400 --> 00:26:48,280 Speaker 1: like doing it doing a Volume four in the future, 555 00:26:48,520 --> 00:26:51,760 Speaker 1: For sure, we gotta do that. I feel like three 556 00:26:51,880 --> 00:26:54,080 Speaker 1: kind of, you know, opened a lot of people's eyes too, 557 00:26:55,119 --> 00:26:58,240 Speaker 1: because the first two were super slept on. Yeah, very 558 00:26:58,320 --> 00:27:01,720 Speaker 1: much so. Yeah, but you know, everything happens for a 559 00:27:01,760 --> 00:27:04,199 Speaker 1: reason and you know, within its timing. I feel like 560 00:27:04,720 --> 00:27:08,200 Speaker 1: when three came around, we had a lot of artists 561 00:27:08,240 --> 00:27:10,679 Speaker 1: on the label to have reached just new levels on 562 00:27:10,720 --> 00:27:14,240 Speaker 1: their whether it was myself, ri Jed Earth Gang, we 563 00:27:14,320 --> 00:27:19,760 Speaker 1: said Cozon and Loop and then going back to what 564 00:27:19,800 --> 00:27:21,720 Speaker 1: you said about how cohesive it was, I think that's 565 00:27:21,720 --> 00:27:24,400 Speaker 1: because we did it all in those ten eleven days 566 00:27:24,760 --> 00:27:28,000 Speaker 1: that we together. Yeah, everyone was together. It was like, Okay, 567 00:27:28,000 --> 00:27:31,119 Speaker 1: I'm walking into this session, all right. You guys already 568 00:27:31,160 --> 00:27:32,840 Speaker 1: got like two verses in the hook. Let me do 569 00:27:32,880 --> 00:27:35,399 Speaker 1: a bridge or you know, I'm walking into this session, 570 00:27:35,400 --> 00:27:37,439 Speaker 1: all right, you know you guys need a hook. Let 571 00:27:37,520 --> 00:27:40,080 Speaker 1: me try this hook idea, you know what I mean. 572 00:27:40,440 --> 00:27:43,399 Speaker 1: As opposed to like sending tracks back and forth and 573 00:27:43,520 --> 00:27:45,480 Speaker 1: trying to put this piece of it was just literally 574 00:27:45,480 --> 00:27:48,200 Speaker 1: like who's in the room. Who stumbled into the room, 575 00:27:48,400 --> 00:27:51,040 Speaker 1: Like you know, some of those tracks are like eight 576 00:27:51,040 --> 00:27:53,639 Speaker 1: people on them. That's real, you feel me? So all right, 577 00:27:53,680 --> 00:27:56,600 Speaker 1: well just keep it the eight bars. We ain't all 578 00:27:56,640 --> 00:27:59,879 Speaker 1: doing sixteens on this. It was a lot of that, 579 00:28:00,160 --> 00:28:02,359 Speaker 1: and it was cool to see people's just process. You know, 580 00:28:02,480 --> 00:28:06,240 Speaker 1: artists have such a wide range of creative processes. Like 581 00:28:06,560 --> 00:28:08,359 Speaker 1: some people don't want no one around, and then you 582 00:28:08,480 --> 00:28:11,240 Speaker 1: see those people like come out of that show, yeah, 583 00:28:11,280 --> 00:28:13,520 Speaker 1: because they almost have no choice. Like imagine being the 584 00:28:13,560 --> 00:28:15,639 Speaker 1: guy that goes all the way to Atlanta, right, I 585 00:28:15,640 --> 00:28:19,080 Speaker 1: hate everybody. Yeah, that wasn't gonna happen, right, you know. 586 00:28:20,080 --> 00:28:22,639 Speaker 1: So it was cool to see people just adapt to 587 00:28:22,680 --> 00:28:25,719 Speaker 1: each other's creative process. Nah, I think it was. It was. 588 00:28:25,760 --> 00:28:27,720 Speaker 1: It was done to I mean Volume four. Hast gotta 589 00:28:27,960 --> 00:28:30,399 Speaker 1: gotta be I mean Volume three. It just performed so 590 00:28:30,480 --> 00:28:38,280 Speaker 1: well too, like such a big deal. Man. Besides Jackie, 591 00:28:38,600 --> 00:28:40,720 Speaker 1: which has Little TJ and Colon and you just mentioned 592 00:28:40,760 --> 00:28:43,160 Speaker 1: the gun. Is there anybody who's not on your album 593 00:28:43,240 --> 00:28:47,720 Speaker 1: yet who you would love to get a verse from what? 594 00:28:50,080 --> 00:28:53,560 Speaker 1: There's a lot of people. Let me think I got 595 00:28:53,560 --> 00:28:57,160 Speaker 1: this record. I really want Sway Leon. I want to 596 00:28:57,160 --> 00:29:03,440 Speaker 1: get Snow. I like snows Amazing. He's incredible. Yeah. I 597 00:29:03,480 --> 00:29:06,240 Speaker 1: would love to get a whiz Kid on the album. Yeah, 598 00:29:06,440 --> 00:29:08,160 Speaker 1: whiz Kid. It might have the song in the Summer. Man. 599 00:29:08,240 --> 00:29:10,640 Speaker 1: What that album? That album got me through the whole pandemic. 600 00:29:10,720 --> 00:29:12,960 Speaker 1: Honestly made it legos that got me through the whole 601 00:29:13,400 --> 00:29:17,320 Speaker 1: the whole pandemic. I was running that. Let's see, man, 602 00:29:17,320 --> 00:29:20,560 Speaker 1: there's a there's a lot honestly that these songs I'm making, 603 00:29:20,640 --> 00:29:23,480 Speaker 1: Like like I said, I'm making him from that standpoint, 604 00:29:23,600 --> 00:29:26,200 Speaker 1: like how do I make these joints? Like how do 605 00:29:26,280 --> 00:29:31,800 Speaker 1: I make these like major joints. So I'm doing things 606 00:29:31,800 --> 00:29:34,440 Speaker 1: that I'm always hearing somebody on. So I want to 607 00:29:34,440 --> 00:29:36,320 Speaker 1: get Routy on the record. I really want to get 608 00:29:37,000 --> 00:29:41,800 Speaker 1: on the record. That'd be crazy. Yeah, I'm working man. 609 00:29:41,960 --> 00:29:44,400 Speaker 1: Hopefully those people I named when the album come out, 610 00:29:44,880 --> 00:29:46,800 Speaker 1: we can look back and see you've also been like 611 00:29:47,000 --> 00:29:49,000 Speaker 1: I feel like you've also haven't been like greedy with 612 00:29:49,120 --> 00:29:51,520 Speaker 1: like doing like collapse like you know you, I saw 613 00:29:51,560 --> 00:29:54,040 Speaker 1: you you were on that record where that Wakota and 614 00:29:54,080 --> 00:29:58,920 Speaker 1: I think Joey was on that. What what are some 615 00:29:59,120 --> 00:30:03,160 Speaker 1: like like like you mentioned whiz Kid album on the 616 00:30:03,200 --> 00:30:05,280 Speaker 1: hip hop side, where is like the ship that you've 617 00:30:05,280 --> 00:30:08,760 Speaker 1: really been just that's on repeat in the whip for 618 00:30:08,800 --> 00:30:14,880 Speaker 1: you on Spotify a lot of like the Brooklyn drill scene. Honestly, 619 00:30:15,560 --> 00:30:17,320 Speaker 1: that shit's going up, man. I just I just went 620 00:30:17,320 --> 00:30:20,200 Speaker 1: and hung out with Dusty Locine and Canarsi and yeah yeah, yeah, 621 00:30:20,320 --> 00:30:23,880 Speaker 1: and who else we were hanging out with Ross Wish. Yeah, 622 00:30:24,240 --> 00:30:26,080 Speaker 1: that ship is going crazy. As far as like the 623 00:30:26,160 --> 00:30:29,520 Speaker 1: hip hop I've been been running through all those catch 624 00:30:30,040 --> 00:30:36,040 Speaker 1: the drill yet crazy Yeah to Gez, I know, like 625 00:30:36,200 --> 00:30:39,160 Speaker 1: they got that's a problem. Definitely, Like everybody got their issues. 626 00:30:39,200 --> 00:30:41,840 Speaker 1: But bro, I had no neutral party. I'm over here 627 00:30:41,920 --> 00:30:45,640 Speaker 1: listening to all that, Like, I had no idea how 628 00:30:45,720 --> 00:30:50,560 Speaker 1: crazy that ship was, like the Woo's and the Chows 629 00:30:50,680 --> 00:30:54,200 Speaker 1: or whatever in New York. Yeah, yeah, it's going up. Yeah, 630 00:30:54,200 --> 00:30:56,120 Speaker 1: we went We went to New York for like a week. 631 00:30:56,520 --> 00:30:58,960 Speaker 1: We went to Buffalo and chill with Griselda and then 632 00:30:59,240 --> 00:31:03,160 Speaker 1: like I'm doing some original content almost like some hip 633 00:31:03,160 --> 00:31:06,800 Speaker 1: hop Anthony Boardaine ship with Empire. So we like we 634 00:31:06,880 --> 00:31:09,760 Speaker 1: did a bunch of stuff with the Drill guys, and 635 00:31:09,800 --> 00:31:11,880 Speaker 1: we were just in the hotel room like like let's 636 00:31:11,880 --> 00:31:14,040 Speaker 1: see what's going on, you know, and watch this whole 637 00:31:14,080 --> 00:31:17,120 Speaker 1: documentary about that whole ship. I'm like, this ship is crazy. 638 00:31:17,120 --> 00:31:18,720 Speaker 1: That's why they wouldn't let No Wady do that Rolling 639 00:31:18,760 --> 00:31:21,400 Speaker 1: Loud a couple of years ago. Remember that was Yeah, 640 00:31:22,040 --> 00:31:25,760 Speaker 1: that's when they took Yeah. Yeah, that shit's crazy, though, 641 00:31:26,600 --> 00:31:28,720 Speaker 1: I had like no idea, bro, Like I think it 642 00:31:28,760 --> 00:31:31,040 Speaker 1: was a chef was a chef you either got stabbed, 643 00:31:31,440 --> 00:31:33,800 Speaker 1: you got stabbed in the head or some ship. Yeah 644 00:31:33,880 --> 00:31:36,000 Speaker 1: it was damn. I don't even know all that. Yeah, shi, 645 00:31:36,040 --> 00:31:40,480 Speaker 1: it is nuts. Like meanwhile, but they're making really good music. 646 00:31:40,520 --> 00:31:43,960 Speaker 1: They're making great music. You know, you gotta hope. Yeah, 647 00:31:44,160 --> 00:31:46,360 Speaker 1: you know, everybody matures to the level past that. But 648 00:31:46,400 --> 00:31:48,520 Speaker 1: you know that's ship that we don't even know about, 649 00:31:48,680 --> 00:31:50,960 Speaker 1: you know what I mean, that's just like shit they've 650 00:31:50,960 --> 00:31:54,720 Speaker 1: all been dealing with. I imagine imagine Bozz doing a 651 00:31:54,800 --> 00:31:56,600 Speaker 1: drill record though. You know what I'm saying that I 652 00:31:56,640 --> 00:31:58,760 Speaker 1: got something in the tuck that'd be so random. I got, 653 00:31:59,000 --> 00:32:01,600 Speaker 1: Oh it's coming, come, don't even worry about it. Okay, 654 00:32:01,640 --> 00:32:05,120 Speaker 1: I don't worry about it. How you feeling, you know, 655 00:32:05,120 --> 00:32:07,000 Speaker 1: obviously you're a big basketball guy. How do you feeling 656 00:32:06,960 --> 00:32:09,600 Speaker 1: about my Phoenix Suns man? You know, Book is my dude. 657 00:32:10,320 --> 00:32:12,880 Speaker 1: Book Book Book is like you say, he's your dude, 658 00:32:12,880 --> 00:32:15,440 Speaker 1: like he's your friend. Yeah, somebody been rocking with drink 659 00:32:15,960 --> 00:32:21,600 Speaker 1: from like early, like early, like I remember, I think 660 00:32:21,600 --> 00:32:23,720 Speaker 1: it was in Vegas once and like Book wasn't even 661 00:32:23,720 --> 00:32:26,120 Speaker 1: twenty one yet. You know, the Vegas clubs don't play that, right, 662 00:32:26,800 --> 00:32:28,920 Speaker 1: So like he's a he's a dude that been like 663 00:32:29,320 --> 00:32:32,640 Speaker 1: just supporting us from jump. So I really want to 664 00:32:32,640 --> 00:32:36,800 Speaker 1: see him win and CP three. But then I'll see 665 00:32:36,840 --> 00:32:38,280 Speaker 1: you know, we got a lot of homies on it. Mean, 666 00:32:38,320 --> 00:32:41,800 Speaker 1: obviously they've catered you guys dinner, and Devin Booker didn't 667 00:32:41,800 --> 00:32:44,600 Speaker 1: come to your fucking session. Yeah you're right, You're right. 668 00:32:44,640 --> 00:32:47,520 Speaker 1: That's a good point. I mean, so you're you're just 669 00:32:47,560 --> 00:32:49,760 Speaker 1: kind of like whoever wins, you're cool with. You know what, 670 00:32:50,120 --> 00:32:52,640 Speaker 1: I do want to see Chris Paul get one because 671 00:32:52,640 --> 00:32:57,040 Speaker 1: I think out of everyone playing, his legacy would gain 672 00:32:57,080 --> 00:33:00,560 Speaker 1: the most solidified. It'd be so solidified. Top five point guard. 673 00:33:00,640 --> 00:33:02,840 Speaker 1: I think he's the top five point guard already, but 674 00:33:03,600 --> 00:33:06,320 Speaker 1: that nobody can say, especially the way he's led that 675 00:33:06,400 --> 00:33:09,840 Speaker 1: team and the way he's made those pieces. Like even 676 00:33:09,920 --> 00:33:13,440 Speaker 1: like last year on the Thunder, they were a five seed, bro, 677 00:33:13,680 --> 00:33:16,080 Speaker 1: they thought they were gonna tank and be in the lottery, 678 00:33:16,760 --> 00:33:19,880 Speaker 1: and Chris Paul had them their motherfuckers playing bro. He's 679 00:33:19,920 --> 00:33:23,480 Speaker 1: what year sixteen now, So like that window, it is shringing. 680 00:33:23,480 --> 00:33:26,560 Speaker 1: So you know, I'm I'm ruining. I'm ruined for the Suns. 681 00:33:27,080 --> 00:33:28,959 Speaker 1: But you know, I think Giannice is gonna get his. 682 00:33:29,360 --> 00:33:32,280 Speaker 1: I think they're gonna have their time. Yeah Nice is 683 00:33:32,320 --> 00:33:34,560 Speaker 1: still young man, exactly. I want. I want to see 684 00:33:34,640 --> 00:33:37,160 Speaker 1: Chris Wall get one before it's so Yeah, CP three 685 00:33:37,240 --> 00:33:39,200 Speaker 1: is that guy who would you consider to be the 686 00:33:39,200 --> 00:33:43,360 Speaker 1: CP three of rap, the CP three of rap. Somebody 687 00:33:43,360 --> 00:33:46,240 Speaker 1: who's like, maybe doesn't get that acknowledgement, but it's like 688 00:33:46,280 --> 00:33:47,960 Speaker 1: an all time great and what they do? You know 689 00:33:48,000 --> 00:33:51,720 Speaker 1: what I'm saying. That's a great that's a great one. 690 00:33:51,840 --> 00:33:53,680 Speaker 1: I'm trying to think, who's the Chris paul a Rap? 691 00:33:54,480 --> 00:33:58,720 Speaker 1: Who is right? You got to answer that one? Because 692 00:33:58,760 --> 00:34:01,400 Speaker 1: also Chris Wall makes everyone around him better. I'm trying 693 00:34:01,440 --> 00:34:05,440 Speaker 1: to think of that person too, you know, I don't know. 694 00:34:05,480 --> 00:34:11,000 Speaker 1: That's a tough one. That is really tough. Night Train. 695 00:34:11,040 --> 00:34:16,719 Speaker 1: You ain't got nobody Cole, he said, Cole Cold got 696 00:34:16,760 --> 00:34:19,000 Speaker 1: his rings. Though Cold got his rings. Man, you got 697 00:34:19,040 --> 00:34:22,240 Speaker 1: a few of them rings. Yeah, I got them rings. 698 00:34:22,400 --> 00:34:24,160 Speaker 1: You had the rings. Yeah. I'm trying to think of 699 00:34:24,200 --> 00:34:28,200 Speaker 1: someone who might be like less appreciated. Yeah, maybe, like 700 00:34:29,760 --> 00:34:35,120 Speaker 1: I don't know, maybe somebody like he forty, You do 701 00:34:35,160 --> 00:34:39,320 Speaker 1: he make the bay forty made the big jump for real? 702 00:34:39,600 --> 00:34:41,480 Speaker 1: Yeah that's hard. I like that. That's not a bad 703 00:34:41,480 --> 00:34:44,640 Speaker 1: one for Yeah, I'll let you have that, man, I'll 704 00:34:44,719 --> 00:34:46,600 Speaker 1: let you have that. Yeah. Yeah, I'll let you have that. 705 00:34:46,640 --> 00:34:48,920 Speaker 1: Barrier over there. This guy tried to tell me mag 706 00:34:49,000 --> 00:34:52,520 Speaker 1: Dre was the most influential rapper of all time. No no, no, no, 707 00:34:52,560 --> 00:34:54,319 Speaker 1: you didn't say one of them. No no, no no, no no, 708 00:34:54,320 --> 00:34:57,600 Speaker 1: no said no he said no, no, no, you didn't 709 00:34:57,600 --> 00:35:00,719 Speaker 1: say that when we now you're saying that because no, 710 00:35:01,000 --> 00:35:07,080 Speaker 1: he said the most influential rapper ever. You're fucking on 711 00:35:07,200 --> 00:35:09,719 Speaker 1: drugs whatever they're smoking on in the bay. We got 712 00:35:09,840 --> 00:35:12,560 Speaker 1: to talk about he on d M T for sure. 713 00:35:12,760 --> 00:35:14,880 Speaker 1: You know what I'm saying, Shout out to mac dre, 714 00:35:15,040 --> 00:35:16,839 Speaker 1: rest in peace. He's a legend, you know what I'm saying, 715 00:35:17,120 --> 00:35:21,480 Speaker 1: icon in your area for sure. But he is one 716 00:35:21,480 --> 00:35:23,000 Speaker 1: of those dudes though, Like as you know, as a 717 00:35:23,040 --> 00:35:25,920 Speaker 1: New Yorker, like when you're thinking of Babe, you think 718 00:35:25,960 --> 00:35:31,040 Speaker 1: of mac dre, you're thinking of Madre. Like nobody in 719 00:35:31,080 --> 00:35:35,120 Speaker 1: New York's playing it on. Yeah, in a certain part 720 00:35:35,160 --> 00:35:37,319 Speaker 1: of the country, they go crazy, But you can't say 721 00:35:37,320 --> 00:35:43,720 Speaker 1: he's the single most influential rapper ever for the region. Okay, 722 00:35:44,320 --> 00:35:47,839 Speaker 1: are you accepting defeat in the argument? So he's more 723 00:35:49,040 --> 00:35:51,600 Speaker 1: I mean, he's got on, you know, So he's more 724 00:35:51,600 --> 00:35:57,120 Speaker 1: influential than Hove or Tupac or fucking rock him. You 725 00:35:57,120 --> 00:35:59,400 Speaker 1: didn't say that, though, Funk out of here, bro, You 726 00:35:59,400 --> 00:36:03,320 Speaker 1: didn't say that now you say Little Wings more influential. 727 00:36:03,360 --> 00:36:06,480 Speaker 1: Come on, bro anyway, Well look hopefully in any timeline 728 00:36:06,480 --> 00:36:08,239 Speaker 1: when we're gonna get the album. Besides just before the 729 00:36:08,320 --> 00:36:16,560 Speaker 1: end of the year, I'm hoping for like Q four Okay, Yeah, 730 00:36:17,640 --> 00:36:19,399 Speaker 1: things I want to I want to get out. There 731 00:36:20,400 --> 00:36:22,520 Speaker 1: is everyone working, like everyone on the team right now 732 00:36:22,560 --> 00:36:25,880 Speaker 1: working on on on projects d O d O D 733 00:36:26,239 --> 00:36:29,239 Speaker 1: everybody everybody going crazy. Yeah, I thought it was super 734 00:36:29,239 --> 00:36:31,160 Speaker 1: dope to see Earth Gang have like one of them 735 00:36:31,200 --> 00:36:36,040 Speaker 1: records that like did well on radio options, did it? Gang? Uh? 736 00:36:36,360 --> 00:36:39,840 Speaker 1: Ghetto guys on the way, And you know, obviously Jedd 737 00:36:40,560 --> 00:36:42,520 Speaker 1: j I D is one of the He's an alien. 738 00:36:42,560 --> 00:36:45,240 Speaker 1: I always say there's like certain people are like uh 739 00:36:45,400 --> 00:36:50,000 Speaker 1: jedis and hip hop and he's like lyrically a Jedi. Yeah. Yeah, 740 00:36:50,600 --> 00:36:52,920 Speaker 1: that record he put out with Conway's fucking crazy. He 741 00:36:53,000 --> 00:36:56,520 Speaker 1: went crazy on it. So he's working on his ship. Obviously, 742 00:36:56,560 --> 00:37:02,200 Speaker 1: Cole's probably relaxing right now. I'd assume I don't even know. 743 00:37:02,360 --> 00:37:04,200 Speaker 1: You never know what cold You just never know, right, 744 00:37:04,280 --> 00:37:06,879 Speaker 1: You never know what Cole he got. You know, he's 745 00:37:06,920 --> 00:37:08,600 Speaker 1: on that path to the fall off. I think he's 746 00:37:08,600 --> 00:37:10,759 Speaker 1: trying to get everything off his chest that he wants to. 747 00:37:10,960 --> 00:37:12,759 Speaker 1: I want to see I want to see Cause and 748 00:37:12,840 --> 00:37:16,279 Speaker 1: Reason do album together. Man, me too, me too. I 749 00:37:16,280 --> 00:37:18,560 Speaker 1: would love it. I would love that. I really love that. 750 00:37:18,600 --> 00:37:21,160 Speaker 1: Lambo Truck is like such a great like it was 751 00:37:21,200 --> 00:37:24,640 Speaker 1: like such a perfectly executed concept. I was like, yo, 752 00:37:24,920 --> 00:37:26,600 Speaker 1: y'all got to do the album. It was on somebody 753 00:37:26,600 --> 00:37:28,719 Speaker 1: how to rob Ship, but like the West Coast version, 754 00:37:28,880 --> 00:37:30,799 Speaker 1: they got to do an album. Bro, they I think 755 00:37:30,960 --> 00:37:33,759 Speaker 1: I know Reason said he's down. I think you know 756 00:37:33,760 --> 00:37:37,759 Speaker 1: obviously there's two teparate camps. Well not even I think 757 00:37:37,760 --> 00:37:40,320 Speaker 1: it's feasible if you know, if those two made the music, 758 00:37:41,000 --> 00:37:42,919 Speaker 1: I don't think anybody would stay. It would be the 759 00:37:43,080 --> 00:37:45,320 Speaker 1: col and Kendrick album we never got, but on a 760 00:37:45,400 --> 00:37:48,680 Speaker 1: lesser scale, you know what I'm saying. Yeah, I feel that, Yeah, 761 00:37:48,960 --> 00:37:50,879 Speaker 1: I think that that's what it would be. Who would 762 00:37:50,880 --> 00:37:53,200 Speaker 1: you if you could do a collap album with, Like, like, 763 00:37:53,239 --> 00:37:55,160 Speaker 1: anybody who you got real chemistry with, who you really 764 00:37:55,200 --> 00:37:56,960 Speaker 1: funck with? Like, who would you do a collab project with? 765 00:37:57,640 --> 00:37:59,279 Speaker 1: I'm not saying it's gonna happen. I'm saying like, if 766 00:37:59,520 --> 00:38:01,719 Speaker 1: you have me, the easiest colla project will probably be 767 00:38:01,760 --> 00:38:04,640 Speaker 1: with Cold because we just got we already damn there 768 00:38:04,719 --> 00:38:09,000 Speaker 1: got one. If I got to pick anybody, yeah, Cold 769 00:38:09,000 --> 00:38:13,439 Speaker 1: would be a layup. That's easy though, for real, for real. Yeah, 770 00:38:13,440 --> 00:38:15,440 Speaker 1: but like I want him rapping on a skateboard p 771 00:38:15,760 --> 00:38:20,919 Speaker 1: yeah yeah, not just on the production side, like there 772 00:38:20,920 --> 00:38:22,880 Speaker 1: it is man. Well look, hey boss, I appreciate you 773 00:38:22,880 --> 00:38:25,439 Speaker 1: pulling up. Hopefully we get this album sooner than later. Yeah, 774 00:38:25,480 --> 00:38:28,440 Speaker 1: the song Jackie is out. Let's get it. It's going crazy. 775 00:38:29,000 --> 00:38:32,040 Speaker 1: It's air congratulations. I think it's already like five million 776 00:38:32,040 --> 00:38:34,680 Speaker 1: on Spotify. Just been out for like a week. Yeah, 777 00:38:34,960 --> 00:38:37,880 Speaker 1: and it's going up. Shout out everybody supporting all the DJs. 778 00:38:38,400 --> 00:38:40,719 Speaker 1: keV appreciate you. The Homie Box