1 00:00:07,880 --> 00:00:11,319 Speaker 1: Previously on the Princess of South Beach, my long lost 2 00:00:11,320 --> 00:00:14,360 Speaker 1: twin Maria del Garman has usurped my life and joined 3 00:00:14,400 --> 00:00:18,040 Speaker 1: forces with the Caldon family made est to get revenge 4 00:00:18,040 --> 00:00:20,960 Speaker 1: on my fake parents Luisa and Stevan, who murdered our 5 00:00:21,000 --> 00:00:24,159 Speaker 1: mother and stole me as a baby. Oh and we 6 00:00:24,280 --> 00:00:28,080 Speaker 1: discovered that my boyfriend Raoul purposefully got me pregnant and 7 00:00:28,160 --> 00:00:32,199 Speaker 1: maybe because the accident that killed me and Notcho and 8 00:00:32,360 --> 00:00:35,360 Speaker 1: Esteban are having a secret affair, which is ironic since 9 00:00:35,400 --> 00:00:37,960 Speaker 1: the Stevan is running for mayor as a conservative candidate 10 00:00:37,960 --> 00:00:41,720 Speaker 1: and has been funding anti gay camps for years. These 11 00:00:41,760 --> 00:00:45,440 Speaker 1: recaps keep getting harder and harder. When we last left 12 00:00:45,520 --> 00:00:48,360 Speaker 1: Estrea and Maria del Garmin, they were hiding in a 13 00:00:48,400 --> 00:00:51,959 Speaker 1: pantry listening in on a conversation between Luisa and Estevan 14 00:00:52,280 --> 00:00:59,320 Speaker 1: that was more heartbreaking than a Nicholas Sparks novel. Okay, 15 00:00:59,760 --> 00:01:02,280 Speaker 1: at think Louisa is out for the night. Okay, so 16 00:01:02,520 --> 00:01:04,399 Speaker 1: can we get out of the pantry now? That was 17 00:01:04,440 --> 00:01:09,240 Speaker 1: a very productive spy session. Wow, that's a darkness, a 18 00:01:09,319 --> 00:01:12,679 Speaker 1: dark pantry that wasn't so bad right at all? Except 19 00:01:12,720 --> 00:01:14,560 Speaker 1: when you kicked me. You sorry, I thought you were 20 00:01:14,560 --> 00:01:18,840 Speaker 1: a rat. So is this all you do? You know, spying? 21 00:01:19,080 --> 00:01:21,639 Speaker 1: Do you ever do like made stuff? Well? I watched 22 00:01:21,640 --> 00:01:23,840 Speaker 1: a bunch of Tella novellas for research, and from what 23 00:01:24,000 --> 00:01:26,880 Speaker 1: I could tell, the job is fifty listening to conversations 24 00:01:26,880 --> 00:01:30,679 Speaker 1: you're not supposed to and opening other people's mail, giving 25 00:01:30,680 --> 00:01:33,520 Speaker 1: that advice nobody asked for, and vacuum in once in 26 00:01:33,520 --> 00:01:36,160 Speaker 1: a while. That explains by the house is so dirty. 27 00:01:37,840 --> 00:01:42,039 Speaker 1: We know this was fun, but I think I gotta 28 00:01:42,040 --> 00:01:45,840 Speaker 1: go to bed. It's time to strategize. How can we 29 00:01:45,920 --> 00:01:48,480 Speaker 1: use what we just heard to our advantage? These two 30 00:01:48,520 --> 00:01:51,520 Speaker 1: are ready to crack one in the morning and plotting 31 00:01:51,560 --> 00:01:55,760 Speaker 1: out your inevitable revenge. Wait until tomorrow. Fine, I guess 32 00:01:55,800 --> 00:01:58,720 Speaker 1: I still have three episodes of Los Rico to catch 33 00:01:58,800 --> 00:02:02,440 Speaker 1: up on, but tomorrow it's on. Just don't forget why 34 00:02:02,520 --> 00:02:05,440 Speaker 1: we're doing this, of course, not for Gabby and for 35 00:02:05,600 --> 00:02:13,760 Speaker 1: your real mom. Get your beauty rested, because tomorrow is 36 00:02:13,800 --> 00:02:17,080 Speaker 1: your first real day of being me, And I promise 37 00:02:17,160 --> 00:02:22,239 Speaker 1: you it's not as easy as it looks. When the 38 00:02:22,440 --> 00:02:29,560 Speaker 1: aria let what were you watching me? Sleep? A little? 39 00:02:30,280 --> 00:02:32,519 Speaker 1: But not to be creepy, It's just that I was 40 00:02:32,600 --> 00:02:36,359 Speaker 1: very excited to start planning our sabotage. It's like Christmas morning, 41 00:02:36,400 --> 00:02:41,640 Speaker 1: except instead of presents, it's revenge. Do we have to 42 00:02:41,919 --> 00:02:45,760 Speaker 1: meet so early? Can'tus wait until after breakfast? Great idea, 43 00:02:46,280 --> 00:02:48,919 Speaker 1: Let's go out for breakfast. It's best to plan sabotage 44 00:02:49,120 --> 00:02:51,840 Speaker 1: outside of the house. You mean go out to eat, 45 00:02:51,919 --> 00:02:54,760 Speaker 1: like to a restaurant. Why are you saying it like that? 46 00:02:55,520 --> 00:02:57,600 Speaker 1: Have you never been to a restaurant. I'm an orphan 47 00:02:57,680 --> 00:03:00,120 Speaker 1: raised in a poor convent. When would I have not 48 00:03:00,320 --> 00:03:03,680 Speaker 1: to eat esterday? Fair enough? Oh? My god? Can we 49 00:03:03,680 --> 00:03:05,880 Speaker 1: go to a fancy one like an apple Bee's. Oh? 50 00:03:05,919 --> 00:03:12,280 Speaker 1: I always see those commercials, mayhaw, that's McDonald's. Come on, look, 51 00:03:12,320 --> 00:03:15,440 Speaker 1: I'll tell you somewhere better than an apple Bee's. Gloria 52 00:03:15,520 --> 00:03:17,720 Speaker 1: got that on? Can't be seen in a restaurant that 53 00:03:17,800 --> 00:03:30,120 Speaker 1: has a clown. So let me get this straight. I 54 00:03:30,160 --> 00:03:34,400 Speaker 1: can order any of the things on this menu. That's 55 00:03:34,400 --> 00:03:36,800 Speaker 1: how many works. Yes, sorry, I don't think we're ready 56 00:03:36,840 --> 00:03:39,720 Speaker 1: to order just yet. Can you give us a minute? Okay, 57 00:03:40,480 --> 00:03:44,320 Speaker 1: I don't get paid enough for this. Hey, I think 58 00:03:44,320 --> 00:03:50,080 Speaker 1: that's this is amazing, but I don't have money. How 59 00:03:50,080 --> 00:03:53,080 Speaker 1: are we gonna pay? Don't worry. I brought glorious purse. 60 00:03:53,680 --> 00:03:55,960 Speaker 1: I don't think she needs it even more, God rest 61 00:03:56,000 --> 00:03:59,320 Speaker 1: her soul. Oh they have sprite. I've never had a 62 00:03:59,440 --> 00:04:02,040 Speaker 1: sprite on a good day. The sisters want to give 63 00:04:02,120 --> 00:04:04,680 Speaker 1: us hot water with lime. That was the fun drink. 64 00:04:05,000 --> 00:04:09,280 Speaker 1: Every time you tell me something new is somehow sadder. Okay, ma, look, 65 00:04:09,320 --> 00:04:12,120 Speaker 1: look look at me. Focus. I'm gonna need you to 66 00:04:12,240 --> 00:04:15,360 Speaker 1: really focus. But don't forget why we're here. We need 67 00:04:15,400 --> 00:04:18,400 Speaker 1: to make a plan to find Gabby and avenge your parents. 68 00:04:18,440 --> 00:04:21,320 Speaker 1: I've never been to a place that has a table cloth. 69 00:04:22,160 --> 00:04:24,680 Speaker 1: Do you feel this table cloth? It must be the 70 00:04:24,760 --> 00:04:28,279 Speaker 1: softest material in the world. Mia, it's just cotton. Put 71 00:04:28,320 --> 00:04:31,080 Speaker 1: it back. And these forks. I could see my reflection 72 00:04:31,160 --> 00:04:33,520 Speaker 1: in the fork. Look at you, you look so pretty. 73 00:04:33,720 --> 00:04:37,800 Speaker 1: Oh my god. We have the Mexican little mermaid. Just look. 74 00:04:37,839 --> 00:04:40,000 Speaker 1: Make a little salt and pepper. They're not supposed to 75 00:04:40,000 --> 00:04:43,719 Speaker 1: make salt and pepper. That's small. But everybody is looking 76 00:04:43,760 --> 00:04:48,080 Speaker 1: at us. They have waffles. Okay, okay, sorry, you're right. 77 00:04:48,560 --> 00:04:51,560 Speaker 1: But first, there is one thing I already explained what 78 00:04:51,600 --> 00:04:54,000 Speaker 1: a drive through is. No, no, no, no, it's not 79 00:04:54,040 --> 00:04:56,239 Speaker 1: that I I need to talk to her Mana Claudia. 80 00:04:56,600 --> 00:04:58,400 Speaker 1: I told her I was going to tell the truth, 81 00:04:58,440 --> 00:05:00,640 Speaker 1: and if I'm not going to do that, then she 82 00:05:00,760 --> 00:05:03,680 Speaker 1: deserves to know why your kindness is making this take forever. 83 00:05:04,040 --> 00:05:08,719 Speaker 1: I need to talk to her. Can I borrow your phone? Yeah? Fine, here, okay, 84 00:05:08,760 --> 00:05:11,880 Speaker 1: I'll be right back. Order me some waffles, a sprite, 85 00:05:12,440 --> 00:05:15,279 Speaker 1: some grapefruit juice, and the lobster oh oh, and the 86 00:05:15,360 --> 00:05:18,640 Speaker 1: Malibu Bahama dollar rama. I don't know what that is, 87 00:05:18,680 --> 00:05:21,799 Speaker 1: but I need it. I better order some pepto bismo too. 88 00:05:24,360 --> 00:05:27,600 Speaker 1: Er Manita, I think you might be enjoying my life 89 00:05:27,600 --> 00:05:30,640 Speaker 1: a little too much. And I don't think ed Mana 90 00:05:30,680 --> 00:05:37,719 Speaker 1: Claudia will be too happy about this. Buenos Dias, this 91 00:05:37,880 --> 00:05:47,920 Speaker 1: is it's me. How are you? Are you on your 92 00:05:47,960 --> 00:05:52,880 Speaker 1: way back? Do you feel better after telling the truth? Actually, 93 00:05:52,960 --> 00:05:56,119 Speaker 1: I wanted to talk to you about that. Don't tell 94 00:05:56,240 --> 00:05:59,560 Speaker 1: me you haven't told them. I've decided not to tell 95 00:05:59,600 --> 00:06:03,159 Speaker 1: the truth yet I do smell money a bit about 96 00:06:04,600 --> 00:06:06,760 Speaker 1: Don't you know that you can't cover the sun with 97 00:06:06,920 --> 00:06:10,120 Speaker 1: one finger? I please don't speak in parables right now, 98 00:06:10,520 --> 00:06:14,480 Speaker 1: but what are you thinking to keep one lie alive? 99 00:06:14,760 --> 00:06:18,640 Speaker 1: You'll drown in a sea of a thousand others. Listen. 100 00:06:19,240 --> 00:06:21,000 Speaker 1: I know this isn't what we talked about, but hear 101 00:06:21,040 --> 00:06:23,520 Speaker 1: me out. I think God put me in the situation 102 00:06:23,600 --> 00:06:26,559 Speaker 1: for a reason. You think God wants you to lie? 103 00:06:27,600 --> 00:06:32,120 Speaker 1: I know, God, Maria, I'm ann God hates lying. I 104 00:06:32,200 --> 00:06:35,680 Speaker 1: know that. But and Mana, this feels like my chance 105 00:06:35,720 --> 00:06:38,919 Speaker 1: to do something important, to find my real family, to 106 00:06:38,960 --> 00:06:41,520 Speaker 1: help us, to find her friend, to do some good 107 00:06:41,560 --> 00:06:44,640 Speaker 1: in the world. Yeah. And I imagine you're not particularly 108 00:06:44,680 --> 00:06:48,440 Speaker 1: bothered by the money, the fame, being the center of attention. 109 00:06:49,000 --> 00:06:51,880 Speaker 1: That's not what this is about. And Manna, you know me, 110 00:06:52,240 --> 00:06:56,240 Speaker 1: I wouldn't do I know you the Maria, I know 111 00:06:56,640 --> 00:07:01,440 Speaker 1: I would never lie about who she is, mark my words. 112 00:07:02,520 --> 00:07:05,279 Speaker 1: We're being tempted, like even the garden, like Jesus in 113 00:07:05,320 --> 00:07:07,640 Speaker 1: the desert, like Brad on the set of Mr. And 114 00:07:07,760 --> 00:07:12,440 Speaker 1: Mrs Smith. What you're tempted by the comfort and material 115 00:07:12,560 --> 00:07:15,000 Speaker 1: life can offer you. So I have to be poor 116 00:07:15,080 --> 00:07:17,680 Speaker 1: to be a good person. What's so bad about living 117 00:07:17,720 --> 00:07:21,880 Speaker 1: a little more comfortably? Yes, I admit this life is nice, Okay. 118 00:07:21,960 --> 00:07:24,440 Speaker 1: The beds are softer, the clothes are cuter, and you 119 00:07:24,480 --> 00:07:27,560 Speaker 1: can get as many Malibu Bahammad al Arama as you want. 120 00:07:28,000 --> 00:07:31,480 Speaker 1: What the point is. I don't see why I can't 121 00:07:31,520 --> 00:07:34,840 Speaker 1: have both. Why can't use all this money and power 122 00:07:34,920 --> 00:07:38,400 Speaker 1: to do something good? Because it's all based on a lie. 123 00:07:39,160 --> 00:07:41,920 Speaker 1: This isn't your life. If I had been born a 124 00:07:42,040 --> 00:07:44,960 Speaker 1: second earlier, this would have been my life. Because of 125 00:07:45,000 --> 00:07:48,600 Speaker 1: a second, I grew up with no family, no money, nothing. 126 00:07:49,400 --> 00:07:53,680 Speaker 1: I don't want to be a poor orphan anymore. I 127 00:07:53,680 --> 00:07:58,560 Speaker 1: didn't know that your life with me was such a disappointment. Well, 128 00:07:58,680 --> 00:08:01,920 Speaker 1: I didn't hear it like that, Manna. You know. I'll 129 00:08:02,040 --> 00:08:04,840 Speaker 1: always be grateful for what you did for me. But 130 00:08:04,920 --> 00:08:08,280 Speaker 1: I didn't choose to live like that. And now I 131 00:08:08,360 --> 00:08:10,880 Speaker 1: have a chance at a better life, one where I 132 00:08:10,880 --> 00:08:15,080 Speaker 1: can make a difference. Sorry, but I didn't call you 133 00:08:15,120 --> 00:08:17,800 Speaker 1: to get your permission. I called you to tell you 134 00:08:17,840 --> 00:08:21,000 Speaker 1: my decision. And you'll see. I'm going to be a 135 00:08:21,000 --> 00:08:25,280 Speaker 1: better Gloria than Gloria ever was. That's a pity, because 136 00:08:27,760 --> 00:08:33,240 Speaker 1: he's the best person I knew. Just be careful. The 137 00:08:33,280 --> 00:08:37,360 Speaker 1: worst lies we tell are the ones we tell ourselves. 138 00:08:37,800 --> 00:08:45,120 Speaker 1: I have to go goodbye and Mona, Gloria, goodbye. Good 139 00:08:45,160 --> 00:08:47,280 Speaker 1: for you. Where the money eat them, soak it in. 140 00:08:47,720 --> 00:08:51,440 Speaker 1: I always enjoyed the lux life, that is until I died, 141 00:08:52,360 --> 00:08:55,280 Speaker 1: While Maria del Garneman enjoys her time in the spotlight 142 00:08:56,200 --> 00:08:59,560 Speaker 1: and Nacho are enjoying a little game of squash. It's 143 00:08:59,559 --> 00:09:03,559 Speaker 1: like tennis, but with a trust fund. Speaking of trust funds, 144 00:09:12,960 --> 00:09:19,320 Speaker 1: heyt lovers, it's me Tatiana. Obviously, boy do we have 145 00:09:19,480 --> 00:09:25,640 Speaker 1: a juicy scoop for you on the next Tea with Tatiana. 146 00:09:26,880 --> 00:09:30,120 Speaker 1: On the next Tea with Tatiana, we'll talk with a 147 00:09:30,200 --> 00:09:34,480 Speaker 1: mental health specialist who has worked with one of the Calderon's. 148 00:09:35,240 --> 00:09:38,440 Speaker 1: I won't say which Calderone, but I'll give you a hint. 149 00:09:38,880 --> 00:09:43,760 Speaker 1: Her name starts with an L and rhymes with visa. Also, 150 00:09:43,880 --> 00:09:48,520 Speaker 1: we'll talk about this mystery Calderon's happy place. Spoiler alert, 151 00:09:48,800 --> 00:09:54,200 Speaker 1: it's her Lincoln Aviator g T. All Right, that's it 152 00:09:54,280 --> 00:09:56,720 Speaker 1: for now, but be sure to tune in next time 153 00:09:56,760 --> 00:10:01,240 Speaker 1: for more scandalous rumors about the Caldero On the next 154 00:10:01,360 --> 00:10:20,920 Speaker 1: team with Tatiana, good for you, where to mon eat 155 00:10:20,960 --> 00:10:24,400 Speaker 1: them soak it in. I always enjoyed the lux life, 156 00:10:24,760 --> 00:10:28,840 Speaker 1: that is until I died. While Maria del Garnaman enjoys 157 00:10:28,880 --> 00:10:32,280 Speaker 1: her time in the spotlight and Nacho are enjoying a 158 00:10:32,320 --> 00:10:35,800 Speaker 1: little game of squash. It's like tennis, but with a 159 00:10:35,800 --> 00:10:44,679 Speaker 1: trust fund. Speaking of trust funds, you've got a lot 160 00:10:44,760 --> 00:10:47,760 Speaker 1: better since the last time we played. See what the 161 00:10:47,840 --> 00:10:52,920 Speaker 1: last time was eleven years I was lower. Well here 162 00:10:52,960 --> 00:11:01,840 Speaker 1: we are now. Oh you okay, you seem you seem 163 00:11:01,880 --> 00:11:06,640 Speaker 1: out of it. It's just I've been thinking about what 164 00:11:06,679 --> 00:11:10,720 Speaker 1: you said, you know, about keeping Gloria happy, and ever 165 00:11:10,760 --> 00:11:13,240 Speaker 1: since the accident, she and I have barely seen each other. 166 00:11:13,920 --> 00:11:17,199 Speaker 1: Between the doctor's appointments and press conferences, we haven't really 167 00:11:17,240 --> 00:11:19,439 Speaker 1: had any one on one time, you know, And I 168 00:11:19,480 --> 00:11:22,240 Speaker 1: don't know. She's just she seems different now, and I 169 00:11:22,280 --> 00:11:26,360 Speaker 1: feel like I'm losing her. Thank you for over sherring. 170 00:11:28,120 --> 00:11:30,040 Speaker 1: I don't need to remind you how important it is 171 00:11:30,080 --> 00:11:34,000 Speaker 1: for us to be on good terms with the cart Yes, Poppy, 172 00:11:34,040 --> 00:11:36,400 Speaker 1: I know, and that's exactly why I need to do 173 00:11:36,440 --> 00:11:39,200 Speaker 1: something big, Okay, something to remind her, while we're the 174 00:11:39,200 --> 00:11:41,840 Speaker 1: perfect couple, what we are meant for each other. Yeah. 175 00:11:41,880 --> 00:11:44,240 Speaker 1: Why do I feel you're going to ask me for something, Poppy? 176 00:11:44,320 --> 00:11:47,000 Speaker 1: I have an idea. Okay, here it goes. You know 177 00:11:47,080 --> 00:11:50,280 Speaker 1: how much Gloria loves grand gestures. Well, she lost her 178 00:11:50,280 --> 00:11:52,120 Speaker 1: engagement ring in the accident. So what if I buy 179 00:11:52,120 --> 00:11:54,360 Speaker 1: her a new one, a better one, a bigger one. 180 00:11:54,480 --> 00:11:58,440 Speaker 1: Huh mark carrots, something obscenely expensive, and there it is, 181 00:11:58,559 --> 00:11:59,720 Speaker 1: and I could take her to the place for I 182 00:11:59,720 --> 00:12:01,840 Speaker 1: propose to her, right, really do it up? How are 183 00:12:01,840 --> 00:12:03,920 Speaker 1: your musicians? And give her a second proposal with a 184 00:12:03,920 --> 00:12:07,600 Speaker 1: new ring. It will be so romantic she's gonna freak. 185 00:12:07,760 --> 00:12:11,440 Speaker 1: And how exactly do you plan on paying for all this? Well, 186 00:12:11,600 --> 00:12:13,400 Speaker 1: I know you mentioned some money is she's but how 187 00:12:13,440 --> 00:12:15,480 Speaker 1: bad could they be? Right, It's not like we're flat 188 00:12:15,520 --> 00:12:23,760 Speaker 1: broke exactly. Look like a little complicated situation. I mean, 189 00:12:24,080 --> 00:12:25,960 Speaker 1: I know you borrowed some money out of my trust fund, 190 00:12:25,960 --> 00:12:29,360 Speaker 1: but you said that was temporary, right, puppy, Why is 191 00:12:29,360 --> 00:12:33,040 Speaker 1: your right eye doing that twitch thing? Let both of 192 00:12:33,040 --> 00:12:37,400 Speaker 1: them are doing it? You need it's it's allergies. I 193 00:12:37,440 --> 00:12:40,920 Speaker 1: may have borrowed a bit more money than initially thought 194 00:12:40,960 --> 00:12:45,360 Speaker 1: I would need, and and to um, uh puppy, that 195 00:12:45,440 --> 00:12:47,280 Speaker 1: money is mine And who do you think put that 196 00:12:47,320 --> 00:12:54,840 Speaker 1: money there in the first place? Look, look, look, I'm sorry, 197 00:12:54,840 --> 00:12:57,280 Speaker 1: but funds are a little tight right now. And I 198 00:12:57,280 --> 00:13:01,200 Speaker 1: promise you I'm working on a solution. But for the moment, Well, 199 00:13:01,480 --> 00:13:04,120 Speaker 1: we will just have to make do with less. And remember, 200 00:13:04,160 --> 00:13:06,680 Speaker 1: as soon as you're married to Claudia, we will never 201 00:13:06,800 --> 00:13:10,200 Speaker 1: have to ask anybody for money ever. Again, you just 202 00:13:10,240 --> 00:13:13,600 Speaker 1: have to find a less expensive way to win her back, 203 00:13:14,480 --> 00:13:19,079 Speaker 1: do you understand? I mean not really, but I trust you, puppy, Okay, 204 00:13:19,360 --> 00:13:25,160 Speaker 1: I'll find some other way, Porraoul looks like you're balling 205 00:13:25,200 --> 00:13:28,240 Speaker 1: on a budget for now. Lucky for you, I'm sure 206 00:13:28,240 --> 00:13:31,760 Speaker 1: Maria del Garneman Stace aren't as refined as mine. So 207 00:13:32,160 --> 00:13:35,800 Speaker 1: after that call with edmana Claudia, that might be changing. 208 00:13:37,600 --> 00:13:41,040 Speaker 1: If you're enjoying Princess of South Beach, please subscribe, rate, 209 00:13:41,120 --> 00:13:44,320 Speaker 1: and review our show wherever you're listening. The Princess of 210 00:13:44,320 --> 00:13:47,240 Speaker 1: South Beach is a production of I Hearts, Michael Podcast 211 00:13:47,280 --> 00:13:51,440 Speaker 1: Network and Sonoro, Created and directed by Jasmine Romero, written 212 00:13:51,440 --> 00:13:55,160 Speaker 1: by Jasmine Romero and Joanna Houseman, with help from Daniels Arkis, 213 00:13:55,360 --> 00:14:00,560 Speaker 1: Monisa Hendrix, and Christian had That. Produced by Luiso Executive 214 00:14:00,559 --> 00:14:03,280 Speaker 1: produced by Conald Verne and Gizelle Bances for I Heart 215 00:14:03,679 --> 00:14:07,360 Speaker 1: by Joanna Housman, and by Jasmine Romero and Joshua Weinstein 216 00:14:07,520 --> 00:14:12,079 Speaker 1: for Sonoro performances in this episode by Rachel Zegler, Danny Pino, 217 00:14:12,480 --> 00:14:17,559 Speaker 1: Yvonne cole X Mayo, and Andy Bustillos. Our production manager 218 00:14:17,679 --> 00:14:21,400 Speaker 1: is Getting Such Titis. Recording and engineering by Emiliano Quintanar, 219 00:14:21,680 --> 00:14:26,400 Speaker 1: with sound designed by Edwin irigoyen Ca Sandraina Hero, Andres Biena, 220 00:14:26,600 --> 00:14:30,880 Speaker 1: Diego Medina and Andres Coronaldo. Assistant sound designed by Eric Santano. 221 00:14:31,120 --> 00:14:35,440 Speaker 1: Casting and coordination by Andres Chitis. Folly by Samantha Gonzalez 222 00:14:35,480 --> 00:14:38,880 Speaker 1: Phong our theme song and original music by Rodrigo Garcia 223 00:14:39,000 --> 00:14:40,600 Speaker 1: Roles and Charlie Hernandez.