1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:06,559 --> 00:00:16,280 Speaker 2: Oh, let's guess you. 3 00:00:17,280 --> 00:00:22,880 Speaker 1: I am all in again with Scott Patterson and iHeartRadio podcast. 4 00:00:23,360 --> 00:00:29,120 Speaker 3: Mister Dean Armstrong, Scott Patterson and uh Dean. You know 5 00:00:29,240 --> 00:00:31,600 Speaker 3: Dean from? 6 00:00:31,760 --> 00:00:37,760 Speaker 1: What do we know you from? Well, we can't go there, 7 00:00:38,720 --> 00:00:40,320 Speaker 1: but let's. 8 00:00:40,800 --> 00:00:42,879 Speaker 2: I'm trying to pick up what you're laying down with 9 00:00:42,920 --> 00:00:43,680 Speaker 2: the sign language. 10 00:00:43,880 --> 00:00:47,080 Speaker 1: What what do you? What are you doing now? What 11 00:00:47,200 --> 00:00:47,720 Speaker 1: show are you on? 12 00:00:47,760 --> 00:00:47,879 Speaker 3: Now? 13 00:00:47,880 --> 00:00:50,760 Speaker 1: Aren't you on a big on a big show right now? 14 00:00:51,600 --> 00:00:55,960 Speaker 2: Yeah, it's called the Scott Patterson Podcast right now, that's 15 00:00:55,960 --> 00:00:58,080 Speaker 2: called the I Am all in with Scott Patterson. 16 00:00:58,120 --> 00:01:02,280 Speaker 1: I am, I am all in. I guess that wrong. 17 00:01:02,320 --> 00:01:04,800 Speaker 3: But we've we've been cows for a couple of years 18 00:01:04,840 --> 00:01:08,240 Speaker 3: now and nows for a few years and and you 19 00:01:08,319 --> 00:01:11,039 Speaker 3: were good enough to come by holidays made here. 20 00:01:11,040 --> 00:01:12,119 Speaker 1: What are your impressions? 21 00:01:12,120 --> 00:01:15,360 Speaker 3: You came last year with your daughter Ryan Ryan Kiera 22 00:01:15,520 --> 00:01:20,160 Speaker 3: Armstrong as your daughter, the up and coming super talented. 23 00:01:20,560 --> 00:01:22,160 Speaker 2: Clips me at ten years of age. 24 00:01:22,520 --> 00:01:25,520 Speaker 3: She eclipsed everybody you know. I think she's gonna win 25 00:01:25,560 --> 00:01:29,360 Speaker 3: an oscar by the time she's twenty. And she's what 26 00:01:29,520 --> 00:01:35,160 Speaker 3: fifteen now, and she's coming into town tomorrow. You have 27 00:01:35,280 --> 00:01:38,080 Speaker 3: done a fantastic job with her. She came by and 28 00:01:38,120 --> 00:01:41,720 Speaker 3: did an interview with her last year in the VIP lounge. 29 00:01:42,520 --> 00:01:47,200 Speaker 3: Tell Us, tell us about your impressions of this experience, 30 00:01:47,280 --> 00:01:49,920 Speaker 3: This Gilmore Girls holidays made here experience. 31 00:01:50,000 --> 00:01:55,920 Speaker 2: Well, my impressions, honestly are really correlated with her experience 32 00:01:56,080 --> 00:02:01,160 Speaker 2: in the show. So I hadn't got on that Gilmore 33 00:02:01,200 --> 00:02:05,080 Speaker 2: Girls train when it aired for a lot of reasons. 34 00:02:05,120 --> 00:02:07,960 Speaker 2: I didn't have a TV. I didn't know what TV was, 35 00:02:09,480 --> 00:02:11,359 Speaker 2: but i'd heard of it and I knew that there 36 00:02:11,440 --> 00:02:17,239 Speaker 2: was storytelling on this box. But no, I came to 37 00:02:18,320 --> 00:02:23,280 Speaker 2: fall in love with the show watching the show with 38 00:02:23,440 --> 00:02:28,040 Speaker 2: my daughter. So the resurrection that this series has had, 39 00:02:28,080 --> 00:02:32,000 Speaker 2: and you've talked about it so many times, it's cross 40 00:02:32,280 --> 00:02:40,880 Speaker 2: general across, the cross generational impact that it's had in storytelling, 41 00:02:40,960 --> 00:02:47,160 Speaker 2: about relationship dynamics that Scott cannot keep it together. He 42 00:02:47,200 --> 00:02:52,320 Speaker 2: has often said, Dean, you were ridiculous. I don't like 43 00:02:52,400 --> 00:02:54,079 Speaker 2: looking at you because when I do. 44 00:02:54,000 --> 00:02:54,400 Speaker 1: I laugh. 45 00:02:55,280 --> 00:03:03,639 Speaker 2: But the reality is Scott and I have a very 46 00:03:03,680 --> 00:03:08,280 Speaker 2: close relationship. It's based predominantly on farts and laughter. 47 00:03:10,080 --> 00:03:20,200 Speaker 3: But so you bought you You're you're saying part of 48 00:03:20,760 --> 00:03:24,400 Speaker 3: if I can extract some of the nuggets from this 49 00:03:24,600 --> 00:03:25,919 Speaker 3: golden throat of yours. 50 00:03:26,840 --> 00:03:30,000 Speaker 2: Golden Actually, you know what this is. This reminds me 51 00:03:30,040 --> 00:03:33,079 Speaker 2: of So Scott and I met on another series, and 52 00:03:33,280 --> 00:03:37,920 Speaker 2: the very first day that we worked together, I was 53 00:03:38,160 --> 00:03:40,480 Speaker 2: locked in. I was loaded. 54 00:03:40,840 --> 00:03:41,640 Speaker 1: This was the. 55 00:03:41,520 --> 00:03:45,680 Speaker 2: First day that I was going to meet the extraordinary, 56 00:03:46,280 --> 00:03:52,040 Speaker 2: most incredible talent, Scott Patterson, and I showed up on set. 57 00:03:52,040 --> 00:03:54,560 Speaker 2: I had not met Scott yet, Scott had not met me. 58 00:03:55,280 --> 00:04:01,040 Speaker 2: We were at the beginning of this showingly, you know, 59 00:04:01,200 --> 00:04:04,680 Speaker 2: friendly with one another, but we grow to be antagonists, 60 00:04:05,280 --> 00:04:08,400 Speaker 2: you know, opposite one another over the course of this 61 00:04:08,400 --> 00:04:12,280 Speaker 2: this this, this, this series. But I'll never forget this. 62 00:04:12,720 --> 00:04:16,200 Speaker 2: But I met Scott and I shook his hand and 63 00:04:16,240 --> 00:04:20,599 Speaker 2: we started the rehearsal, and I again was locked in. 64 00:04:20,880 --> 00:04:23,600 Speaker 2: I'm on very different sides of my personality. By the way, 65 00:04:24,240 --> 00:04:27,080 Speaker 2: what you guys have seen has not been the serious side. 66 00:04:27,160 --> 00:04:30,280 Speaker 2: But I was there and I was locked in. And 67 00:04:30,720 --> 00:04:32,920 Speaker 2: I started doing the scene with Scott and he goes 68 00:04:33,320 --> 00:04:38,359 Speaker 2: it would come to his line and he'd be like, 69 00:04:38,839 --> 00:04:42,080 Speaker 2: he's really good. He's like, he's totally throwing me off. 70 00:04:42,520 --> 00:04:46,800 Speaker 2: He's like, you're so serious, You're so into all right, 71 00:04:46,839 --> 00:04:49,680 Speaker 2: and he kept trying to ground himself in the rehearsals. 72 00:04:49,920 --> 00:04:54,000 Speaker 1: Not true, true, This is a very true story. You 73 00:04:54,120 --> 00:04:55,240 Speaker 1: forget this bull. 74 00:04:56,960 --> 00:05:00,760 Speaker 2: The point is God had been doing this for a 75 00:05:00,880 --> 00:05:04,159 Speaker 2: minute now and I showed up and he had some 76 00:05:04,200 --> 00:05:06,920 Speaker 2: grievances over the goose. We were talking about it's a. 77 00:05:06,839 --> 00:05:09,800 Speaker 1: Bunch of bulls, chats. We were talking. 78 00:05:09,400 --> 00:05:13,000 Speaker 2: About some of these core New York actors that make 79 00:05:13,080 --> 00:05:17,560 Speaker 2: up the stable structure of any good cast. But what 80 00:05:17,640 --> 00:05:23,880 Speaker 2: had Clinton called them? The la what the hacks? Knuckleheads? 81 00:05:23,880 --> 00:05:26,400 Speaker 2: That's what it was, the knuckleheads. So I don't know. 82 00:05:26,560 --> 00:05:29,160 Speaker 2: Scott may have been working with some people that he 83 00:05:29,760 --> 00:05:33,680 Speaker 2: was maybe having a challenge being challenged, But I stepped 84 00:05:33,760 --> 00:05:37,559 Speaker 2: up there and I challenged him and he was thrown 85 00:05:37,680 --> 00:05:41,279 Speaker 2: and he lapsed and we were best friends ever since. 86 00:05:42,600 --> 00:05:46,080 Speaker 2: But coming back to your show that we were here 87 00:05:46,120 --> 00:05:50,719 Speaker 2: today to celebrate, I fell in love with the show 88 00:05:51,440 --> 00:05:53,320 Speaker 2: after I had met you. 89 00:05:53,839 --> 00:05:58,400 Speaker 1: So funny, see this is what happened on. 90 00:05:58,400 --> 00:05:59,520 Speaker 2: Day one of Sullivans. 91 00:06:00,320 --> 00:06:01,200 Speaker 1: This is what it was. 92 00:06:03,000 --> 00:06:06,480 Speaker 2: So afterwards then I, you know, my daughter's like, oh, 93 00:06:06,520 --> 00:06:09,599 Speaker 2: you're working with Scott, And I said, I am JeOS. 94 00:06:10,040 --> 00:06:11,840 Speaker 2: I love Scott I said, how do you know Scott? 95 00:06:11,960 --> 00:06:14,119 Speaker 2: I watch him on The Gilmore Goes. I never watched 96 00:06:14,120 --> 00:06:15,960 Speaker 2: The Gilmore Girls, and he said, well, you have to 97 00:06:15,960 --> 00:06:18,080 Speaker 2: watch the Gilmore Girls with me, and then I really 98 00:06:18,120 --> 00:06:24,000 Speaker 2: fell in love with you. But to that end, the 99 00:06:24,160 --> 00:06:27,800 Speaker 2: journey started on the show. We shared to my daughter's 100 00:06:27,839 --> 00:06:29,919 Speaker 2: love of the show, which she passed on to me. 101 00:06:38,200 --> 00:06:46,680 Speaker 2: Where's my twenty dollars? Where's my twenty dollars? These are 102 00:06:46,760 --> 00:06:51,080 Speaker 2: actually true stats. So Scott was kind enough because we 103 00:06:51,200 --> 00:06:56,960 Speaker 2: developed this friendship non friendship where he's he thought it 104 00:06:56,960 --> 00:07:00,680 Speaker 2: would be cool to have Ryan and I come to 105 00:07:01,040 --> 00:07:03,560 Speaker 2: this very investive event. 106 00:07:03,400 --> 00:07:05,599 Speaker 1: Last year, Holidays made here. 107 00:07:05,720 --> 00:07:13,040 Speaker 2: What's it called? So the Holidays made here and it 108 00:07:13,200 --> 00:07:19,400 Speaker 2: made our holiday to see so many people celebrate this 109 00:07:19,520 --> 00:07:28,480 Speaker 2: show that has been resurrected from the debts a former 110 00:07:28,560 --> 00:07:34,760 Speaker 2: fan love, but now current, which is amazing. Every shows 111 00:07:34,760 --> 00:07:35,800 Speaker 2: can say that they've done this. 112 00:07:35,960 --> 00:07:36,840 Speaker 1: It's never died. 113 00:07:37,080 --> 00:07:41,040 Speaker 2: I didn't say it died. I just resurrected. Jesus never 114 00:07:41,120 --> 00:07:48,520 Speaker 2: died either. It's a great example. For example, here we 115 00:07:48,560 --> 00:07:51,640 Speaker 2: are celebrating Christmas, which is the birth of our Lord. 116 00:07:52,160 --> 00:07:56,000 Speaker 2: It's all full circle when you think about it. I 117 00:07:56,160 --> 00:07:59,280 Speaker 2: just put that together, it's gold. I know how to 118 00:07:59,320 --> 00:08:00,440 Speaker 2: package this now next year. 119 00:08:05,520 --> 00:08:08,760 Speaker 1: I knew this was a good idea. Yeah. 120 00:08:08,800 --> 00:08:14,440 Speaker 3: Anyway, So continuing on with with Ryan and yes, coming 121 00:08:14,480 --> 00:08:19,520 Speaker 3: here last year and experiencing this, elaborate a little bit 122 00:08:19,640 --> 00:08:22,440 Speaker 3: on that, and you know her takeaway. 123 00:08:22,000 --> 00:08:26,720 Speaker 2: From well, she didn't want to come this sh she's 124 00:08:26,760 --> 00:08:33,760 Speaker 2: not here last I checked, so, uh, Ryan couldn't be here. 125 00:08:33,800 --> 00:08:36,600 Speaker 2: She was very sad. I will say this. When I 126 00:08:36,720 --> 00:08:41,280 Speaker 2: joined you with the tree lighting thing, the opening last Thursday, 127 00:08:41,520 --> 00:08:44,920 Speaker 2: you had a cast member that was a love interest 128 00:08:45,200 --> 00:08:45,760 Speaker 2: on the show. 129 00:08:45,960 --> 00:08:48,240 Speaker 1: Correct logan is the character is correct? 130 00:08:48,559 --> 00:08:53,760 Speaker 2: I pay attention. So I took a picture because again 131 00:08:53,800 --> 00:08:57,080 Speaker 2: and sent it to Ryan in real time, and she 132 00:08:57,440 --> 00:09:01,600 Speaker 2: lost her mind. She was why this year? Why not 133 00:09:01,800 --> 00:09:06,600 Speaker 2: last year? Will he be coming back? I'm mad at you? Right? 134 00:09:06,640 --> 00:09:08,800 Speaker 2: Should I blame you for the distance that's now been 135 00:09:08,840 --> 00:09:11,400 Speaker 2: created that has not having her here with me today 136 00:09:11,679 --> 00:09:13,520 Speaker 2: I'm going to be celebrating Christmas alone. It's kind of 137 00:09:13,520 --> 00:09:17,560 Speaker 2: sad because of that exclusion. 138 00:09:17,679 --> 00:09:18,640 Speaker 1: That's what she was coming. 139 00:09:19,160 --> 00:09:21,480 Speaker 2: She's coming. She shall be here tomorrow. 140 00:09:25,160 --> 00:09:26,679 Speaker 1: But that's not a great story. 141 00:09:27,760 --> 00:09:29,280 Speaker 2: No, it's not good. So that's why I said it 142 00:09:29,280 --> 00:09:32,880 Speaker 2: the other way. It's more interesting. That's more interesting, that's 143 00:09:32,920 --> 00:09:33,400 Speaker 2: more interesting. 144 00:09:34,960 --> 00:09:37,960 Speaker 3: Now that you've had this is your second you're kind 145 00:09:37,960 --> 00:09:42,640 Speaker 3: of a veteran in the holidays made here experience, So 146 00:09:42,800 --> 00:09:47,960 Speaker 3: tell us about how that experience has changed your view 147 00:09:48,040 --> 00:09:51,120 Speaker 3: on things, changed. 148 00:09:50,800 --> 00:09:51,760 Speaker 2: My view on things. 149 00:09:52,920 --> 00:09:54,120 Speaker 1: That was the question. 150 00:09:55,480 --> 00:09:59,600 Speaker 2: People keep coming back. You know, that's really important to 151 00:09:59,640 --> 00:10:03,959 Speaker 2: acknowl there's a lot of uh, there's a lot of 152 00:10:04,160 --> 00:10:08,000 Speaker 2: there's a lot of there's a lot of money behind this. 153 00:10:08,360 --> 00:10:12,400 Speaker 2: There's a lot of people behind this to support the 154 00:10:13,040 --> 00:10:19,120 Speaker 2: unsatisfiable lust and need that you know. Clint used the 155 00:10:19,120 --> 00:10:21,760 Speaker 2: word orgasmic earlier, and I would like to echo that 156 00:10:21,760 --> 00:10:24,640 Speaker 2: same sentiment. But like to see the love of people 157 00:10:24,720 --> 00:10:29,200 Speaker 2: dressing up in your clothes, men and women the same 158 00:10:29,240 --> 00:10:31,720 Speaker 2: like I've seen women wear your clothes and men wear 159 00:10:31,760 --> 00:10:38,520 Speaker 2: your clothes. I have, and to see that extraordinary wanting 160 00:10:38,559 --> 00:10:42,600 Speaker 2: to get inside of you is one of the things 161 00:10:42,920 --> 00:10:46,960 Speaker 2: that you know, not a lot of people can say. 162 00:10:47,080 --> 00:10:49,720 Speaker 2: I saw one girl who had your tattoo. I don't 163 00:10:49,720 --> 00:10:52,320 Speaker 2: know if she saw you. She had a tattoo of 164 00:10:52,320 --> 00:10:57,160 Speaker 2: your face on her shoulder. That was fast, Like, how 165 00:10:57,360 --> 00:11:01,000 Speaker 2: like to go to that extent put your face on 166 00:11:01,080 --> 00:11:04,840 Speaker 2: your shoulder from a show that was resurrected from the 167 00:11:05,000 --> 00:11:10,000 Speaker 2: depths is something she didn't. She didn't get rid of it, 168 00:11:10,679 --> 00:11:12,840 Speaker 2: you know, she didn't have it lasered off. It was 169 00:11:12,880 --> 00:11:15,800 Speaker 2: still there, right, and so listen, all I can say 170 00:11:15,880 --> 00:11:20,000 Speaker 2: is to come back like the show came back, and 171 00:11:20,480 --> 00:11:24,760 Speaker 2: experience it again for a second time, like the second 172 00:11:24,800 --> 00:11:30,360 Speaker 2: Coming of Christ. I would say that this show could 173 00:11:30,400 --> 00:11:34,199 Speaker 2: go on for as far as I can see. I'm 174 00:11:34,240 --> 00:11:36,240 Speaker 2: pretty sure, so I can't see that far. But if 175 00:11:36,280 --> 00:11:39,840 Speaker 2: I was on the Warner Brothers water tower, I could 176 00:11:39,840 --> 00:11:44,280 Speaker 2: see further. And I think that I, if I was 177 00:11:44,400 --> 00:11:46,360 Speaker 2: to guess, this could keep going for as long as 178 00:11:46,360 --> 00:11:48,480 Speaker 2: you wanted it to keep going. And that to me 179 00:11:49,320 --> 00:11:52,160 Speaker 2: is the root of it all, the core of it, 180 00:11:52,400 --> 00:11:55,600 Speaker 2: which is the fans, which is based upon the stories 181 00:11:55,600 --> 00:11:58,040 Speaker 2: you guys told, and the relatability of those stories, which 182 00:11:58,080 --> 00:11:59,160 Speaker 2: are timeless. 183 00:12:00,200 --> 00:12:00,760 Speaker 1: Assessment. 184 00:12:00,920 --> 00:12:05,240 Speaker 3: I think that deserves a round of applause from our honest. 185 00:12:12,840 --> 00:12:15,440 Speaker 4: Are you a Gilmore Girls fan looking for the perfect 186 00:12:15,440 --> 00:12:20,160 Speaker 4: holiday gift? Well, we smell snow Come. Behind the scenes 187 00:12:20,200 --> 00:12:24,800 Speaker 4: the Stars Hollow Luke himself, Scott Patterson interviews Matt Zuker, 188 00:12:24,880 --> 00:12:27,880 Speaker 4: who played Logan, Emily Carota, who played Missus Kim, and 189 00:12:28,040 --> 00:12:32,040 Speaker 4: so many more. You'll see everything the Diner, Miss Patty's, 190 00:12:32,200 --> 00:12:36,120 Speaker 4: the Dragonfly In and Laurelize House, the Jeep, the Snow, 191 00:12:36,240 --> 00:12:40,120 Speaker 4: the Gazebo, and Al's Pancake World. The I Am all 192 00:12:40,160 --> 00:12:43,040 Speaker 4: In event is streaming starting December twenty second at five 193 00:12:43,080 --> 00:12:46,480 Speaker 4: pm Pacific time for nineteen ninety nine and with your 194 00:12:46,520 --> 00:12:49,280 Speaker 4: purchase you can rewatch for seven days after the event. 195 00:12:49,600 --> 00:12:53,520 Speaker 4: For tickets, visit beeps dot events slash I Am all 196 00:12:53,559 --> 00:12:56,439 Speaker 4: In and you can watch all the stars Hollow Magic 197 00:12:56,480 --> 00:13:00,840 Speaker 4: from our December eighteenth event beeps dot Events slash I 198 00:13:00,880 --> 00:13:01,760 Speaker 4: Am all In. 199 00:13:03,880 --> 00:13:07,559 Speaker 3: You got a series regular role on Reacher, right, Yes, sir, 200 00:13:07,640 --> 00:13:08,840 Speaker 3: tell us a little bit about that. 201 00:13:09,880 --> 00:13:11,880 Speaker 2: Well, you just told everybody. 202 00:13:13,559 --> 00:13:15,720 Speaker 1: Just what's your freaking role? 203 00:13:18,520 --> 00:13:23,920 Speaker 2: I Did you watch the Monty Python's Quest for the 204 00:13:23,920 --> 00:13:27,240 Speaker 2: Holy Grail movie? Yes, it's a good movie, funny movie. 205 00:13:27,880 --> 00:13:32,400 Speaker 2: There is a scene in that movie near the beginning 206 00:13:32,400 --> 00:13:36,280 Speaker 2: when Arthur is trying to get people to join his 207 00:13:36,440 --> 00:13:41,280 Speaker 2: quest and they gallop across the land with coconuts as 208 00:13:41,400 --> 00:13:45,480 Speaker 2: the horses correct and then they come across this night 209 00:13:46,000 --> 00:13:49,600 Speaker 2: and he's in battle with somebody and he decimates him 210 00:13:49,600 --> 00:13:52,560 Speaker 2: and he stands because he's guarding this bridge. I'm going 211 00:13:52,559 --> 00:13:58,000 Speaker 2: somewhere with this story. And Arthur's like, join me, your valiant, 212 00:13:58,600 --> 00:14:04,280 Speaker 2: good night off, I'm paraphrasic, but join me on my 213 00:14:04,360 --> 00:14:07,440 Speaker 2: quest to find the grail. And he doesn't say anything. 214 00:14:07,800 --> 00:14:09,959 Speaker 2: And he's like, but join me, sir, good join me, 215 00:14:10,040 --> 00:14:12,120 Speaker 2: join me. He doesn't say anything. Tries to sims it 216 00:14:12,120 --> 00:14:14,840 Speaker 2: doesn't say anything. All right, whatever. He decides to cross 217 00:14:14,880 --> 00:14:17,840 Speaker 2: the bridge with his posse and the Knight says, no 218 00:14:18,160 --> 00:14:23,120 Speaker 2: man shall pass. He's like, but now he talks and anyway, 219 00:14:23,160 --> 00:14:26,840 Speaker 2: they get into a battle and Arthur cuts one of 220 00:14:26,840 --> 00:14:31,880 Speaker 2: his arms off and blood shoots out the arm and 221 00:14:31,960 --> 00:14:33,400 Speaker 2: he's like, all right now I'm going to pass the 222 00:14:33,400 --> 00:14:37,000 Speaker 2: bridge and Arthur the guys the Knights, like no man 223 00:14:37,080 --> 00:14:38,840 Speaker 2: shall pass. He's but I just cut your arm off. 224 00:14:38,880 --> 00:14:41,080 Speaker 2: He said, no, you didn't. It's a flesh wound. And 225 00:14:41,120 --> 00:14:42,840 Speaker 2: he keeps battling with one hand and then he cuts 226 00:14:42,840 --> 00:14:44,840 Speaker 2: his other arm off right then he cuts his legs 227 00:14:44,840 --> 00:14:47,400 Speaker 2: off to the point where he's then just a torso. 228 00:14:47,640 --> 00:14:52,800 Speaker 1: I know how he feels, and keep going. 229 00:14:53,920 --> 00:14:58,640 Speaker 2: He's just a torso. And he shouts after Arthur, who 230 00:14:58,680 --> 00:15:03,320 Speaker 2: crosses the bridge without permission, get back here, and I'll 231 00:15:03,320 --> 00:15:05,360 Speaker 2: bite your knee caps on exactly. 232 00:15:05,600 --> 00:15:07,000 Speaker 1: I say this story. 233 00:15:06,680 --> 00:15:09,320 Speaker 2: Because my character is the main c I a dude 234 00:15:09,440 --> 00:15:13,000 Speaker 2: after reach of this season, and I go through many 235 00:15:13,520 --> 00:15:22,720 Speaker 2: many platoons, many many platoons of of of guys like 236 00:15:22,880 --> 00:15:27,080 Speaker 2: CIA dudes, and they all get killed and but I don't. 237 00:15:27,120 --> 00:15:31,280 Speaker 2: But every in every episode, I get this crap beat 238 00:15:31,360 --> 00:15:31,760 Speaker 2: out of me. 239 00:15:32,280 --> 00:15:33,760 Speaker 1: See what I sense for myself? 240 00:15:35,000 --> 00:15:39,240 Speaker 2: That's that's that's a slippery crap also known as diarrhea. 241 00:15:40,360 --> 00:15:45,400 Speaker 2: But I every episode I get punished terribly, and it 242 00:15:45,440 --> 00:15:50,160 Speaker 2: gets worse and worse and worse over the course of 243 00:15:50,200 --> 00:15:54,760 Speaker 2: the season. And that's what audiences can wait with baited 244 00:15:54,800 --> 00:15:57,480 Speaker 2: breath to watch me get I'm sure no one will 245 00:15:57,560 --> 00:16:00,480 Speaker 2: enjoy it more than you to see me received this 246 00:16:00,600 --> 00:16:03,760 Speaker 2: level of torture. But that's how I describe my character. 247 00:16:03,800 --> 00:16:06,520 Speaker 2: I went up to some of the writers and I said, 248 00:16:06,560 --> 00:16:08,800 Speaker 2: I told him the story. They went, that's exactly where 249 00:16:08,840 --> 00:16:11,040 Speaker 2: your character is. And I thought that was a really 250 00:16:11,120 --> 00:16:12,160 Speaker 2: great comparative. 251 00:16:13,080 --> 00:16:16,120 Speaker 3: And this is season four, season four. I know you 252 00:16:16,160 --> 00:16:17,360 Speaker 3: coming back for season five. 253 00:16:17,480 --> 00:16:18,200 Speaker 2: Can't tell you that? 254 00:16:18,960 --> 00:16:19,320 Speaker 1: Why not? 255 00:16:20,360 --> 00:16:23,320 Speaker 2: I can't. I signed the thing that had the thing 256 00:16:23,320 --> 00:16:25,200 Speaker 2: about the other thing that said, don't tell. 257 00:16:25,080 --> 00:16:28,920 Speaker 3: Scott, don't tell people that you're coming back on just you? 258 00:16:29,200 --> 00:16:34,160 Speaker 3: And why was that just miss? I really don't he's 259 00:16:34,160 --> 00:16:36,000 Speaker 3: second on Helium lately. What's going on? 260 00:16:37,880 --> 00:16:41,640 Speaker 2: When my voice goes up here, it's usually a lie. 261 00:16:44,160 --> 00:16:46,680 Speaker 2: This is a fun fact. Fun fact. 262 00:16:48,920 --> 00:16:50,960 Speaker 1: Great, haven't you? 263 00:16:55,680 --> 00:16:57,160 Speaker 2: We can talk more about my daughter? 264 00:16:57,960 --> 00:16:58,160 Speaker 4: Oh? 265 00:16:58,360 --> 00:17:02,360 Speaker 3: Yes, right, go ahead. And so what's Ryan doing these days? 266 00:17:02,600 --> 00:17:05,040 Speaker 3: She's one of the biggest Gilmore fans in the year. 267 00:17:05,840 --> 00:17:08,719 Speaker 3: She really is, right, tell us what she's doing now? 268 00:17:08,760 --> 00:17:09,480 Speaker 3: She's doing a lot. 269 00:17:11,160 --> 00:17:15,800 Speaker 2: Ryan's Ryan started her career kind of in around the 270 00:17:15,840 --> 00:17:19,840 Speaker 2: same time Clinton started. She's my daughter's really old. They 271 00:17:19,880 --> 00:17:23,200 Speaker 2: started at the same time. I don't even I'm questioning 272 00:17:23,240 --> 00:17:25,240 Speaker 2: now as I say it, if she has even my daughter. 273 00:17:27,480 --> 00:17:30,440 Speaker 2: I don't know the math on that. But either way, 274 00:17:30,720 --> 00:17:34,760 Speaker 2: my daughter was six when she started, and she had 275 00:17:34,760 --> 00:17:38,359 Speaker 2: a kind of kind of a cool story, which is 276 00:17:38,480 --> 00:17:42,679 Speaker 2: very different than a lot of folks. But her first 277 00:17:42,840 --> 00:17:46,439 Speaker 2: edition was her first three years on a TV series, 278 00:17:47,160 --> 00:17:50,640 Speaker 2: and so she hasn't known. I think she has got 279 00:17:50,680 --> 00:17:52,560 Speaker 2: like thirty credits on her resume, and she may have 280 00:17:52,560 --> 00:17:56,200 Speaker 2: auditioned thirty eight times in her life. So she's only 281 00:17:56,320 --> 00:18:00,480 Speaker 2: kind of known this back to back momentum him from 282 00:18:00,640 --> 00:18:05,000 Speaker 2: a really young age, which is really cool. She's been 283 00:18:05,040 --> 00:18:09,680 Speaker 2: the face of many studio pictures. She has been a 284 00:18:09,760 --> 00:18:12,840 Speaker 2: lead in Star Wars. She is an action figure. I 285 00:18:13,200 --> 00:18:16,480 Speaker 2: kind of am jealous of that. I thought, at the 286 00:18:16,560 --> 00:18:21,000 Speaker 2: very least because I gave I didn't give birth to her, 287 00:18:21,040 --> 00:18:24,320 Speaker 2: but I was part of it. You know. I thought 288 00:18:24,480 --> 00:18:27,200 Speaker 2: they could, at the very least just make it an 289 00:18:27,240 --> 00:18:31,119 Speaker 2: action figure of the dad Star Wars action dat figure, 290 00:18:31,600 --> 00:18:32,760 Speaker 2: just being regular. 291 00:18:32,400 --> 00:18:36,639 Speaker 3: Perfectly reasonable request. I thought, yeah, request, I'm sure they 292 00:18:36,680 --> 00:18:37,600 Speaker 3: took it very seriously. 293 00:18:38,600 --> 00:18:43,240 Speaker 2: They didn't. Anyway, I'm working on it. She's been a 294 00:18:43,320 --> 00:18:47,800 Speaker 2: leading Star Wars. She worked with actually Clinton and the 295 00:18:48,520 --> 00:18:51,400 Speaker 2: three of us, the five of us all met doing 296 00:18:52,200 --> 00:18:54,600 Speaker 2: a movie in Montana together with Nick Cage. It was 297 00:18:54,680 --> 00:18:57,760 Speaker 2: Nick Cage's first Western. Clint's phenomenal in it. It was 298 00:18:57,760 --> 00:19:00,119 Speaker 2: actually the first movie I actually did with Ryan. And 299 00:19:00,280 --> 00:19:03,160 Speaker 2: also I think they felt sorry for me they heard 300 00:19:03,240 --> 00:19:08,919 Speaker 2: me talking about action figures and stuff. But my daughter 301 00:19:09,240 --> 00:19:13,720 Speaker 2: just came off of an incredibly wonderful fun series called 302 00:19:13,720 --> 00:19:17,239 Speaker 2: The Lowdown with Ethan Hawk, which I think is going 303 00:19:17,280 --> 00:19:20,480 Speaker 2: to clean up this emy season. She's lovely in it, 304 00:19:20,840 --> 00:19:25,240 Speaker 2: and she is currently She shot the pilot this past year, 305 00:19:26,040 --> 00:19:34,280 Speaker 2: the new Leads, the newest Slayer in the Buffy the Vampires. 306 00:19:34,359 --> 00:19:38,080 Speaker 1: She's a new Buffy, She's the new Slayers. 307 00:19:38,200 --> 00:19:42,000 Speaker 3: I will never forget the time that you showed me 308 00:19:43,000 --> 00:19:47,600 Speaker 3: her audition for Star Wars Skeleton Crew when she was 309 00:19:47,640 --> 00:19:51,280 Speaker 3: eleven years old. Right, she was eleven years old, and 310 00:19:51,320 --> 00:19:55,480 Speaker 3: you showed me a five minute monologue that she did, 311 00:19:56,600 --> 00:19:59,399 Speaker 3: and it blew my socks off and I wanted to 312 00:19:59,480 --> 00:20:03,760 Speaker 3: quit act at that moment because I just thought, this 313 00:20:04,160 --> 00:20:07,720 Speaker 3: is something. This is like watching Merle Straight before she 314 00:20:07,880 --> 00:20:12,600 Speaker 3: was Merle Straight. The choices, the command, the depth, it 315 00:20:12,640 --> 00:20:17,720 Speaker 3: was just scary. Actually, it's kind of scary. She's she 316 00:20:18,000 --> 00:20:21,240 Speaker 3: is a natural. She was born to do this. 317 00:20:21,320 --> 00:20:22,520 Speaker 2: You've got a lot of it for me. 318 00:20:22,760 --> 00:20:25,879 Speaker 3: I mean, like I said, when she was born to 319 00:20:25,960 --> 00:20:39,240 Speaker 3: be honest. You are a much sought after acting coach, 320 00:20:39,280 --> 00:20:42,040 Speaker 3: you have, you train a lot of actors. I mean, 321 00:20:42,040 --> 00:20:44,080 Speaker 3: it's like it's a bit it's a good side hustle 322 00:20:44,080 --> 00:20:45,880 Speaker 3: for you. It's kind of your used to be your 323 00:20:45,920 --> 00:20:48,240 Speaker 3: main hustle. Now it's kind of a side hustle because 324 00:20:48,280 --> 00:20:53,239 Speaker 3: you're you're working more and more as people are discovering, uh, 325 00:20:53,680 --> 00:20:54,800 Speaker 3: the depth of your talent. 326 00:20:55,440 --> 00:20:57,440 Speaker 2: Well, it's it's kind of a like I I went 327 00:20:57,480 --> 00:20:59,880 Speaker 2: to school to be a lawyer, and I got into 328 00:20:59,920 --> 00:21:04,159 Speaker 2: the business in my late twenties, not even an entertainment lawyer. 329 00:21:04,200 --> 00:21:07,159 Speaker 2: I was wanted to be an environmental lawyer, way before 330 00:21:07,200 --> 00:21:10,639 Speaker 2: it was cool to say I'm into trees and water, right, 331 00:21:10,880 --> 00:21:13,720 Speaker 2: Like that's what that was my jam, right, And so 332 00:21:14,560 --> 00:21:17,240 Speaker 2: that's what I went to school for and then decided 333 00:21:17,800 --> 00:21:19,679 Speaker 2: somewhere along the way that I was going to go 334 00:21:19,680 --> 00:21:25,679 Speaker 2: into the entertainment industry as an actor. And everybody in 335 00:21:25,720 --> 00:21:27,800 Speaker 2: the world told me again, I was in my mid 336 00:21:27,840 --> 00:21:30,160 Speaker 2: late twenties. Everyone's told me I would never work because 337 00:21:30,200 --> 00:21:34,320 Speaker 2: I didn't have any experience. And two and a half 338 00:21:34,400 --> 00:21:37,240 Speaker 2: years later, I was starring on Broadway in rent and 339 00:21:37,320 --> 00:21:41,879 Speaker 2: I don't sing. So that's kind of weird. It sounds 340 00:21:41,960 --> 00:21:44,960 Speaker 2: like a bit and it's actually the truth. 341 00:21:45,040 --> 00:21:45,639 Speaker 1: That's weird. 342 00:21:45,800 --> 00:21:48,280 Speaker 2: So I had auditioned for Broadway. Once I did the 343 00:21:48,359 --> 00:21:50,199 Speaker 2: show for two and a half years, that was my 344 00:21:50,800 --> 00:21:51,840 Speaker 2: only experience. 345 00:21:51,840 --> 00:21:54,720 Speaker 1: So wait a minute, hang on a second. It was 346 00:21:54,800 --> 00:21:55,600 Speaker 1: just what. 347 00:21:57,520 --> 00:22:00,720 Speaker 3: Those are like top level singers and dance or that 348 00:22:00,880 --> 00:22:03,479 Speaker 3: there are in those shows, and there's they churn them 349 00:22:03,480 --> 00:22:04,720 Speaker 3: out like link sausages. 350 00:22:04,920 --> 00:22:06,440 Speaker 2: A lot of people didn't like me on that show. 351 00:22:08,200 --> 00:22:11,320 Speaker 2: With all due respect, how on joined the show? 352 00:22:11,720 --> 00:22:14,760 Speaker 1: But do you dance? And I know you are a singer. 353 00:22:14,800 --> 00:22:17,200 Speaker 3: No, I know you're a singer, and you you got 354 00:22:17,240 --> 00:22:20,080 Speaker 3: some pipes on you. You know I've heard you singing rock 355 00:22:20,160 --> 00:22:23,200 Speaker 3: and roll. Yeah, but the dancing I was not. 356 00:22:23,720 --> 00:22:28,439 Speaker 2: Rent if you've saw it, there's not a lot of dance. 357 00:22:28,840 --> 00:22:32,040 Speaker 2: My character on top of that, didn't dance. So because 358 00:22:32,080 --> 00:22:35,560 Speaker 2: I can't dance, I would also argue that I'm not 359 00:22:35,640 --> 00:22:39,400 Speaker 2: a singer, but I could I when I hear things 360 00:22:39,400 --> 00:22:44,159 Speaker 2: and I can kind of recreate it all right, pretty 361 00:22:44,280 --> 00:22:44,840 Speaker 2: pretty well? 362 00:22:45,040 --> 00:22:46,400 Speaker 1: Well, well, I mean the show. 363 00:22:46,720 --> 00:22:49,080 Speaker 3: There must be you know, the gift that you passed 364 00:22:49,080 --> 00:22:52,360 Speaker 3: on to Ryan, There's got to be something there. 365 00:22:52,480 --> 00:22:56,720 Speaker 2: Both had really good luck. We did. We like. My 366 00:22:56,920 --> 00:23:00,720 Speaker 2: first foray into the professional industry landed me in New York, 367 00:23:00,960 --> 00:23:03,920 Speaker 2: which was kind of the top of the game by 368 00:23:04,280 --> 00:23:09,000 Speaker 2: whatever stretch and whatever miracle. At the same time, I 369 00:23:09,040 --> 00:23:12,280 Speaker 2: had booked a two episode contract on my first TV gig, 370 00:23:12,720 --> 00:23:15,360 Speaker 2: which was a series called Queer's Folk, and that two 371 00:23:15,359 --> 00:23:18,480 Speaker 2: episode contract became five years for me on that show, 372 00:23:19,840 --> 00:23:22,280 Speaker 2: and I was juggling for a good chunk of it, 373 00:23:22,520 --> 00:23:24,720 Speaker 2: flying back and forth between New York and Toronto where 374 00:23:24,720 --> 00:23:28,320 Speaker 2: they shot Queersfolk for a long period. And then at 375 00:23:28,400 --> 00:23:31,280 Speaker 2: the peak of all of that, I kind of pulled 376 00:23:31,280 --> 00:23:34,399 Speaker 2: the rug out from underneath myself right and started building 377 00:23:34,440 --> 00:23:37,920 Speaker 2: my studio. And the studio in Toronto, which is called 378 00:23:38,000 --> 00:23:42,879 Speaker 2: Armstrong Acting Studios, has seen to date over thirty thousand actors. Wow, 379 00:23:44,800 --> 00:23:48,520 Speaker 2: we've had that explains the yacht. That explains the yacht? 380 00:23:48,600 --> 00:23:52,760 Speaker 3: Yeah, yep, yeah, Paul signs suckers. 381 00:23:53,640 --> 00:24:04,000 Speaker 2: Yeah, wow, Wow, No, not suckers, I have Uh, you know, 382 00:24:04,160 --> 00:24:07,879 Speaker 2: I I put Miley Cyrus onto her for stuff. This 383 00:24:07,960 --> 00:24:10,960 Speaker 2: is a true st I work with her dad, Billy, 384 00:24:11,080 --> 00:24:13,280 Speaker 2: on a TV series called Doc and that's where I 385 00:24:13,280 --> 00:24:17,280 Speaker 2: met Miley and I shoed her right through that whole thing. 386 00:24:17,359 --> 00:24:20,240 Speaker 2: Ne A dough brev I found put her onto a 387 00:24:20,240 --> 00:24:23,800 Speaker 2: lot of shows, but then Vampire Diaries and Nice. I've 388 00:24:23,840 --> 00:24:27,399 Speaker 2: got a pretty insane list of people that I've found 389 00:24:28,200 --> 00:24:33,439 Speaker 2: and that I built and then launched, and that for 390 00:24:33,520 --> 00:24:39,280 Speaker 2: a good decade before my daughter was born. I you know, 391 00:24:39,480 --> 00:24:43,680 Speaker 2: when you have your own business, it's hard to grow, 392 00:24:43,960 --> 00:24:48,360 Speaker 2: because you know, you can't pay people. When I look 393 00:24:48,359 --> 00:24:50,760 Speaker 2: at how much money I make an hour to talk 394 00:24:50,800 --> 00:24:54,600 Speaker 2: about suckers, it's probably two cents an hour when I. 395 00:24:54,640 --> 00:24:58,000 Speaker 1: When I you know, I'm just ribbing your bodies. It's 396 00:24:58,240 --> 00:25:00,240 Speaker 1: the complete opposite. 397 00:25:00,080 --> 00:25:04,399 Speaker 2: Right, suckers. But no, No, the reality is, you know, 398 00:25:04,440 --> 00:25:06,719 Speaker 2: there was ten years where I made zero money and 399 00:25:06,760 --> 00:25:10,639 Speaker 2: the whole goal of me building this studio was to 400 00:25:10,760 --> 00:25:15,040 Speaker 2: create an infrastructure and platform for talent, but also for 401 00:25:15,119 --> 00:25:17,399 Speaker 2: me to have a passive income later on down the 402 00:25:17,440 --> 00:25:21,479 Speaker 2: road when I could pass off the responsibilities of the studio. 403 00:25:21,480 --> 00:25:23,840 Speaker 2: I mean, today the studio has a combined faculty and 404 00:25:23,840 --> 00:25:27,080 Speaker 2: staff of six people. Really, we have about thirteen hundred 405 00:25:27,080 --> 00:25:30,800 Speaker 2: actors that go through every year. Wow, which is amazing. 406 00:25:30,800 --> 00:25:32,680 Speaker 2: But I haven't been at the studio for at least 407 00:25:32,680 --> 00:25:35,199 Speaker 2: a decade. I have a smaller boutique studio here in 408 00:25:35,320 --> 00:25:38,600 Speaker 2: Los Angeles. I've got about one hundred and twenty clients. 409 00:25:38,640 --> 00:25:40,919 Speaker 3: So you did the thing that I was trying to 410 00:25:41,000 --> 00:25:45,960 Speaker 3: do back before I got Gilmour. My idea was because 411 00:25:46,000 --> 00:25:48,399 Speaker 3: I was teaching, and my idea was to build a 412 00:25:48,440 --> 00:25:52,000 Speaker 3: studio and build it out, Yeah, and have a couple 413 00:25:52,080 --> 00:25:54,040 Speaker 3: locations or many locations. 414 00:25:54,040 --> 00:25:57,240 Speaker 2: Well, here's what happens. So the goal was to put 415 00:25:57,280 --> 00:26:00,720 Speaker 2: all this time and energy and love into something that 416 00:26:00,720 --> 00:26:02,960 Speaker 2: would enable me to then come back to the thing 417 00:26:03,040 --> 00:26:05,720 Speaker 2: that I originally fell in love with, which was acting. 418 00:26:06,600 --> 00:26:10,320 Speaker 2: But then my daughter was born. So what ended up 419 00:26:10,320 --> 00:26:14,199 Speaker 2: happening was I hung up yet my hat again to 420 00:26:14,320 --> 00:26:17,359 Speaker 2: be there for her, which I remember. The first time 421 00:26:17,560 --> 00:26:20,359 Speaker 2: that she booked her first five month job, people are like, 422 00:26:20,440 --> 00:26:23,040 Speaker 2: how how are you going to hang up everything in 423 00:26:23,040 --> 00:26:25,760 Speaker 2: the studio and you know, are you going to get 424 00:26:25,760 --> 00:26:28,480 Speaker 2: back into acting whatever? Whatever, whatever? How are you going 425 00:26:28,560 --> 00:26:31,040 Speaker 2: to do this for five months? I went, five months 426 00:26:31,160 --> 00:26:33,840 Speaker 2: is nothing, I said. I think most parents would agree 427 00:26:33,840 --> 00:26:36,919 Speaker 2: that they would give their lives for their children, So 428 00:26:37,119 --> 00:26:40,480 Speaker 2: what is five months? But then five months became ten 429 00:26:40,560 --> 00:26:45,280 Speaker 2: years for her, and we're just at that juncture now 430 00:26:45,400 --> 00:26:49,800 Speaker 2: where she's turning sixteen and she's writing her California proficiency 431 00:26:49,840 --> 00:26:53,560 Speaker 2: test to be legal eighteen. So I can actually, all 432 00:26:53,600 --> 00:26:56,680 Speaker 2: of these years later go back to the thing that 433 00:26:57,359 --> 00:27:00,960 Speaker 2: made me the happiest when I first on the stage 434 00:27:00,960 --> 00:27:03,120 Speaker 2: in New York, And now she can do her thing 435 00:27:03,400 --> 00:27:03,840 Speaker 2: without me. 436 00:27:04,040 --> 00:27:07,640 Speaker 3: Yeah, well she's coming into town. You'll be reunited it's 437 00:27:07,680 --> 00:27:12,640 Speaker 3: gonna be a lovely thing. And uh gosh, come back, 438 00:27:13,320 --> 00:27:15,000 Speaker 3: you come back tomorrow. 439 00:27:15,000 --> 00:27:17,480 Speaker 2: I'm actually already on the list tomorrow. 440 00:27:17,920 --> 00:27:20,920 Speaker 1: Oh during the big like. 441 00:27:20,920 --> 00:27:23,160 Speaker 2: Eight ages come there's a lot of rain coming. You're 442 00:27:23,160 --> 00:27:24,159 Speaker 2: gonna get great seats. 443 00:27:24,200 --> 00:27:25,119 Speaker 1: You could bring the yacht. 444 00:27:25,280 --> 00:27:28,160 Speaker 2: They said you're gonna have the You're gonna have free 445 00:27:28,200 --> 00:27:32,719 Speaker 2: reign on the lot. Is that something I meant after 446 00:27:33,320 --> 00:27:35,800 Speaker 2: you get there, you're going to be here. Yeah, okay, 447 00:27:35,840 --> 00:27:38,080 Speaker 2: yeah yeah, so but I mean, I know you want 448 00:27:38,080 --> 00:27:42,080 Speaker 2: to go being host. Is this like Adam Sandler on 449 00:27:42,760 --> 00:27:44,439 Speaker 2: Sprinklers go off and he gets soaked? 450 00:27:44,600 --> 00:27:48,000 Speaker 3: No, no, nothing, nothing like it. You're she's coming in. 451 00:27:48,080 --> 00:27:51,679 Speaker 3: You're gonna go off and do a vacation right with Ryan. 452 00:27:51,920 --> 00:27:55,199 Speaker 2: Yes, we're gonna go to Joshua try okay for the 453 00:27:55,240 --> 00:27:58,600 Speaker 2: New Year's Okay, to the house okay, and then you're 454 00:27:58,640 --> 00:28:03,240 Speaker 2: returning when the second Okay, So come on the second 455 00:28:03,359 --> 00:28:04,439 Speaker 2: or third or the fourth. 456 00:28:04,840 --> 00:28:07,520 Speaker 1: Dean, thanks for stopping by. The studio. 457 00:28:08,880 --> 00:28:09,400 Speaker 2: Trailer. 458 00:28:12,920 --> 00:28:14,080 Speaker 1: It's a pretty nice trailer. 459 00:28:14,240 --> 00:28:18,480 Speaker 3: Nice trailer. Yeah, I've seen I've got a studio. I've 460 00:28:18,480 --> 00:28:21,240 Speaker 3: got but the recording studio. I meant this studio. 461 00:28:21,320 --> 00:28:23,000 Speaker 2: I thought it was a karaoke machine, and I thought, 462 00:28:23,000 --> 00:28:25,440 Speaker 2: you're bringing me up here to sing. No final last fact, 463 00:28:25,560 --> 00:28:29,879 Speaker 2: Scott is a phenomenal singer. No, no, no, I'm not kidding. 464 00:28:30,119 --> 00:28:33,159 Speaker 2: I love your voice. I do, and he's he's an 465 00:28:33,200 --> 00:28:37,359 Speaker 2: amazing guitar player, I'm not joking. And he's an even 466 00:28:37,480 --> 00:28:40,880 Speaker 2: better song writer than all of those things. The combination 467 00:28:41,200 --> 00:28:46,959 Speaker 2: fire is fantastic. But Scott happened to see that I 468 00:28:47,480 --> 00:28:49,600 Speaker 2: because we didn't. He didn't know I sang any. I 469 00:28:49,600 --> 00:28:51,280 Speaker 2: don't know how. It came up at some point, and 470 00:28:51,320 --> 00:28:53,360 Speaker 2: then I don't think he believed me, and then later 471 00:28:53,400 --> 00:28:57,640 Speaker 2: he believed me, and then later he said, I got 472 00:28:57,640 --> 00:29:01,120 Speaker 2: some songs that I wrote, and I went over and 473 00:29:01,160 --> 00:29:04,640 Speaker 2: I listened to him play these songs, and they're incredible, 474 00:29:04,800 --> 00:29:08,200 Speaker 2: honestly incredible. I do mean this, it's not joke. And 475 00:29:08,480 --> 00:29:12,200 Speaker 2: we had talked about doing a performing them together, yeah, 476 00:29:12,240 --> 00:29:16,080 Speaker 2: and doing a show, which I hope isn't dead. Elaine. 477 00:29:16,680 --> 00:29:18,920 Speaker 3: Yeah, because I want him. I want him to sing. 478 00:29:19,240 --> 00:29:21,760 Speaker 3: I want I don't want to sing. I want him 479 00:29:21,760 --> 00:29:24,320 Speaker 3: to sing. I don't know why, because he's he's a 480 00:29:24,480 --> 00:29:27,040 Speaker 3: natural front man. He can he can get out there 481 00:29:27,120 --> 00:29:30,880 Speaker 3: and like really entertain and and well away, you know 482 00:29:30,960 --> 00:29:31,760 Speaker 3: I don't want to do that. 483 00:29:32,200 --> 00:29:33,000 Speaker 1: Yeah. 484 00:29:33,040 --> 00:29:38,480 Speaker 2: Anyway, we did talk about it, and then we he 485 00:29:38,560 --> 00:29:41,960 Speaker 2: gets crazy busy, and get it. We all get crazy busy. 486 00:29:42,080 --> 00:29:45,680 Speaker 2: But maybe one day all of us can celebrate backstage 487 00:29:45,800 --> 00:29:50,440 Speaker 2: after a performance of The Scott and Dean Show. We 488 00:29:50,520 --> 00:29:54,840 Speaker 2: call it an S T D S T D S 489 00:29:55,520 --> 00:30:01,840 Speaker 2: D D S T T stands for Trouble Scott and 490 00:30:01,880 --> 00:30:07,440 Speaker 2: we'll be back after these words with chemical X. This 491 00:30:07,520 --> 00:30:09,440 Speaker 2: was a real pleasure. Thank you so much for having 492 00:30:09,440 --> 00:30:15,200 Speaker 2: me on your trailer show, Trailer talk, Trailer talk Talk, 493 00:30:16,040 --> 00:30:21,120 Speaker 2: Dean Armstrong, It's a pleasure, good friend, good many Love 494 00:30:21,160 --> 00:30:50,800 Speaker 2: you too, everybody, and 495 00:30:50,880 --> 00:30:54,480 Speaker 3: Don't forget Follow us on Instagram at I Am all 496 00:30:54,520 --> 00:31:04,760 Speaker 3: In podcast and email us at Gilmour at iHeartRadio dot com.