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Speaker 1: It's time for the Bobby Bones Post Show.

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Speaker 2: Here's your host, Bobby Bones.

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Speaker 1: Take you guys on a journey with me right now

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Speaker 1: with the show. And if you're listening to this or

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Speaker 1: watching this on Facebook, we do feel like you're like

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Speaker 1: a second level, like you're deeper with us, and we

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Speaker 1: appreciate that. So we do reveal a lot of things

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Speaker 1: on the post show. That not that we don't want

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Speaker 1: to reveal on the radio show, but it's just like

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Speaker 1: we only have a certain amount of time, so we

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Speaker 1: don't get in the weeds that much. We just want

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Speaker 1: to entertain you, hit you with it, get out right here.

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Speaker 1: I can actually say what's happening with some stuff. So

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Speaker 1: we did talk about on the show today we had

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Speaker 1: to send somebody to get Richard Marx. Now we just

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Speaker 1: finished the interview. It won't air till next week. You'll

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Speaker 1: hear some of the stuff that happened before and after,

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Speaker 1: but we just want to give you an idea of

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Speaker 1: what's happened in the past hour because it's freaking hilarious.

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Speaker 1: So Richard Marx, for example, a massive star in the eighties,

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Speaker 1: play right here, waiting wherever you go. So we first

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Speaker 1: have a line of communication. Because Abby sings his song

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Speaker 1: on Instagram stories. We message him say, hey, will you

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Speaker 1: critique her singing it? He comes on, he's hilarious. We

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Speaker 1: do a little cartoon of me and him talking. We

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Speaker 1: posted a bit. Do you guys remember that? Yeah? Oh yeah.

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Speaker 1: So he's in town. Abby messages and began, hey, will

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Speaker 1: you come up and do the show? He doesn't really

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Speaker 1: need to promote anything, but he's like why not? So

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Speaker 1: him and Abby buds like, was Abby in there? Abby?

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Speaker 1: Have you guy spoken at all since the last bit?

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Speaker 3: No? Okay, see, I mean I think we are good buds.

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Speaker 1: Though you don't like hit him up and be like

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Speaker 1: that's a funny video.

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Speaker 3: No, but I might you never know.

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Speaker 1: Yeah, no, I'm just kidding out. He's cool though, he's

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Speaker 1: super cool. Yeah right, So Abby's like will you come up?

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Speaker 1: And he just said yes? So who answered the DM?

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Speaker 4: So I actually emailed his manager that I was talking

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Speaker 4: to last time, and I was like, Hey, is he

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Speaker 4: going to be in town? And he was like, he

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Speaker 4: actually is? And I was like, okay, do you think

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Speaker 4: he'll come down?

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Speaker 1: And the day before his show too, the day before yes,

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Speaker 1: even the day before so and how long until they

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Speaker 1: said he.

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Speaker 4: I mean it was a media Their whole team is amazing,

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Speaker 4: like they are on it.

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Speaker 1: So they say yeah, cool. And so the question is

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Speaker 1: how does he get He doesn't live here, and most

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Speaker 1: people that come in live here and say they just

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Speaker 1: drive their own car or they have a label. But

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Speaker 1: Richard mars is like, his manager's like, hey, we send

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Speaker 1: a car to get him. We don't have a car

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Speaker 1: to get him. So Abby was like, I'll just pay

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Speaker 1: for an Uber black, which is gonna be nice. And

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Speaker 1: that was very nice of you to say you were

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Speaker 1: going to pay for that, because we all know the

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Speaker 1: company at paying for crap. Yeah. So instead of that,

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Speaker 1: I'm like no, And this was on the air this morning.

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Speaker 1: We had this conversation, let's just send him. We debated

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Speaker 1: whose car. There were a few good choices. In the end,

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Speaker 1: we sent my car with our driver lunchbox. And why

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Speaker 1: do we pick him? I don't know. He wanted to

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Speaker 1: do it. He wanted to drive my car.

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Speaker 5: See, he wanted to it's important here.

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Speaker 1: So Richard Marx comes in and it's an excellent interview

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Speaker 1: and he's got a guitar and he's playing, and we're

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Speaker 1: about to wrap up the interview, but you won't be

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Speaker 1: able to hear the whole interview on the radio show.

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Speaker 1: We'll probably it's I mean it's forty five fifty minutes.

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Speaker 1: We'll probably end up, but just putting it up, the

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Speaker 1: whole thing up as a Bobby cast. Now you think

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Speaker 1: I was like the whole thing. But we'll play some

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Speaker 1: up in here on the show. When he's performing and stuff,

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Speaker 1: and he's like, well, let me bring up this uh

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Speaker 1: driving situation. He goes first, he said there's gonna be

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Speaker 1: a uber and then they're like, never mind. They were

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Speaker 1: going to send Abby and Alexis. And I don't know

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Speaker 1: how Abby or a LEXI. I don't think anybody here

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Speaker 1: has that interesting. Does anybody have a Lexus to work here?

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Speaker 3: No?

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Speaker 1: Oh Abby drives a Lexus? H oh, you're gonna get

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Speaker 1: in your car?

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Speaker 4: Yeahs I brought my nice car because I still have

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Speaker 4: my Camra or.

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Speaker 1: Oh hold on wait, you have multiple cars?

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Speaker 3: Well, yeah, that's why I have confused. I normally only Cara.

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Speaker 1: I thought the Alexus was like him, just getting confused

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Speaker 1: about it.

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Speaker 3: No, No, I brought my nice car, Todace.

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Speaker 1: How do you have two cars?

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Speaker 4: I had an impulse by about five years ago. I

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Speaker 4: was like, I want something really nice.

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Speaker 3: No, I mean it's no six ton of miles.

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Speaker 1: Let me ask you a question, are you secretly do

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Speaker 1: you have me have money?

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Speaker 4: No? No, I'm just good with my money, I guess.

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Speaker 4: But I just wanted like a reliable, nice car.

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Speaker 1: And so so you were going to go get him

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Speaker 1: in the Lexus.

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Speaker 4: Yeah.

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Speaker 1: I thought that was a misunderstanding, didn't you, guys? Yeah,

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Speaker 1: alexis things I didn't know Adam had multiple cars there.

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Speaker 4: It's it's my backup that I wouldn't get any money

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Speaker 4: for it.

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Speaker 1: Your back No, my other car. I don't you have

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Speaker 1: a backup because I wouldn't.

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Speaker 3: Get anything for my car if you were to sell

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Speaker 3: the the your car.

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Speaker 4: Yes, it's an O six it has like two hundred

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Speaker 4: thousand miles.

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Speaker 3: My first car.

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Speaker 4: Yeah, my my CAMRASD more than commercial that. No, so

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Speaker 4: it's it's probably not exactly reliable. So I just kept

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Speaker 4: it when I got my new car in case, you know,

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Speaker 4: because I'm not going to get any money for it.

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Speaker 1: So then it went from Uber to Abbey's Lexus to

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Speaker 1: my car, and he's bringing it up and he goes

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Speaker 1: and he even says lunchbox is real name, which you

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Speaker 1: can find. It's easy. We don't whatever, and he's is

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Speaker 1: laughing about it because they keeps going from one car

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Speaker 1: to the next. And then we finished the show. But

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Speaker 1: Lunchbox never looked at him, and he wanted to do this. Ever,

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Speaker 1: he's the one who asked to do it. I want

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Speaker 1: to drive Richard Mark. He didn't look at him, He

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Speaker 1: didn't say a word, he didn't even raise his head

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Speaker 1: up to not just look at it but look in

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Speaker 1: his general direction. It's like he was hiding from him.

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Speaker 1: So it's over and Luckebok has his headphones on, he's

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Speaker 1: not moving for some reason, and Richard Marx is walking out,

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Speaker 1: like Lunchbox, you gotta take him back, and he's like,

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Speaker 1: I do what's he gonna do? So he Lunchbox is

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Speaker 1: gone right now. Yeah, And I'm so curious about that,

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Speaker 1: right me too. I'm so curious because the but it's

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Speaker 1: not a theater, the the Symphony Center, Symphony it's not

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Speaker 1: that far away. Did you text him and to see

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Speaker 1: it by the ETA, because well.

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Speaker 5: He did say he wanted to take him kind of

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Speaker 5: around Broadway.

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Speaker 1: Can you imagine if he has a sight scene to

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Speaker 1: taking to some celebrity houses a god, No, no, I

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Speaker 1: would love for him to get back during this to

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Speaker 1: hear what's going on, and then you guys can hear

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Speaker 1: the whole bit next week when we air it.

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Speaker 5: This used to be George Jones's house right here on

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Speaker 5: the left, him and Tammy.

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Speaker 3: I saw Sam Hunt over here.

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Speaker 1: I saw Sam and his wife walking her dog, but

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Speaker 1: nobody even knew they were back together.

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Speaker 5: Faith Hill the shops, she grocery shops right in there.

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Speaker 3: So Kidman's filming a movie right here.

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Speaker 1: It's just funny because he wanted to do it, and

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Speaker 1: people will go, why do you guys pick on Lunchbox. No,

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Speaker 1: he wanted to do it, He was begging us to

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Speaker 1: do it, and then he just reacts so weirdly once

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Speaker 1: he gets to do it.

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Speaker 5: So so I wonder if the ride to pick him

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Speaker 5: up and bring him here was so awkward that he

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Speaker 5: didn't want to relive that again.

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Speaker 1: Yeah, what if Richard Mark's like, I hate doing the show.

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Speaker 1: I saw all about these guys.

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Speaker 5: What if Lunchbox was just driving so badly that Richard

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Speaker 5: Marks was.

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Speaker 1: Like, Hey, why what are you doing? If he gets

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Speaker 1: back in the next few we'll definitely get the debrief

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Speaker 1: axent scuba hopefully yeah huh, probably driving, Yeah, hopefully he

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Speaker 1: doesn't text all driving. It's too funny. So that's been

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Speaker 1: what's happening here. That's very funny, And that's the deal. Okay,

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Speaker 1: everybody good there. Yeah, he just wanted to do it

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Speaker 1: and then it just turns so sour.

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Speaker 5: But you know, as far as the eye contact thing,

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Speaker 5: it's really weird. When we have guests in here, he

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Speaker 5: won't make eye contact with him while they're just talking.

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Speaker 5: I mean, especially when they're playing music. He will not

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Speaker 5: look up and watch them play music. So I see

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Speaker 5: him on his computer and he gets on websites and

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Speaker 5: he just scrolls up and scrolls down, scrolls up and.

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Speaker 1: Scrolls it's like just being looking busy, trying to stay

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Speaker 1: busy because he doesn't want to make eye contact with

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Speaker 1: the artists.

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Speaker 3: What does he do a crossword.

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Speaker 6: Then?

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Speaker 5: Because he's just doing busy where he's not even reading

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Speaker 5: the article. It's probably an article he already read, but

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Speaker 5: he's just kind of circling, moving the mouse up.

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Speaker 1: And do you think is happening with him in that situation?

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Speaker 1: I think he's I feel like he's always been like.

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Speaker 3: He's that way with Like if Boss Julie is here,

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Speaker 3: he'll he'll be talking to her but not looking at her.

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Speaker 5: Or he'll when we're having real, like deep conversations.

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Speaker 1: And he's five minutes out okay, and.

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Speaker 5: He's arguing with me, like arguing with me, he looks

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Speaker 5: at Amy to argue with me.

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Speaker 1: It's very strong.

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Speaker 3: I always feel he's trying to get me to agree.

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Speaker 3: Watch that next time it does happen.

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Speaker 1: What do you think is happening? I don't know. It's

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Speaker 1: got to be hereditary because.

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Speaker 3: It's or it's a it's a it's a socially awkward thing.

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Speaker 1: But he's like the he claims to be the least

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Speaker 1: socially awkward person. He just hohds up and parties.

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Speaker 5: Yeah, all mister social, and then a lot for the party.

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Speaker 1: He says, he'll come in and be like that ain't true.

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Speaker 3: I mean it was one of the first things that

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Speaker 3: when I first joined the show way back and notice

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Speaker 3: that no it wasn't it wasn't even really me. But

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Speaker 3: whenever Ben met him for the first time, that's one

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Speaker 3: of the first things he said, like he's like what

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Speaker 3: he's like that, he doesn't what what guy doesn't look

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Speaker 3: another guy in the face.

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Speaker 1: It was sort of a guy just looking at the

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Speaker 1: guy in the eyes. I remember that, Yeah, I do.

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Speaker 5: Guys, I just had a discovery. What remember the his feud?

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Speaker 5: The feud was you never look a man in the

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Speaker 5: in the eyes? What fud you remember that?

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Speaker 1: Lunchboxes beef? Remember he has We talked about that. Who's

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Speaker 1: your enemy? Are you sick?

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Speaker 3: Oh? Yes, yes, yes, okay, were sick that.

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Speaker 1: I think you were here because you have hereout.

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Speaker 3: Oh yeah, yeah, you tried to make some No, I didn't.

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Speaker 1: Try to make something hap you you had one. You

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Speaker 1: had one, and we remember it. And don't try to

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Speaker 1: deny what's happened. Don't be a denier. Okay, it was

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Speaker 1: uh yeah, yeah, yeah, exactly, you know, and we're only

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Speaker 1: not saying it because you had one. Say who it is?

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Speaker 1: Do you know who? You don't? Okay, don't show me

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Speaker 1: on camera. You're gonna go, oh so much. You're gonna

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Speaker 1: go oh, and then you're gonna go like, oh, not really,

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Speaker 1: but then you're you're gonna get it.

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Speaker 3: Oh no, I.

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Speaker 1: Tell you the guy that is not.

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Speaker 3: Didn't camera not okay, there's no.

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Speaker 1: And there's another one.

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Speaker 3: No, no, I bet I know what you're gonna say,

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Speaker 3: and it's not. It's totally not.

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Speaker 1: And people blame me for this one.

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Speaker 3: But it's you interesting.

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Speaker 1: Here we go, I'm off camera, That's what I got.

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Speaker 3: Yes, why would I like, Yes, I knew you were

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Speaker 3: going to write that?

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Speaker 1: Is that real? And people it is not real? People

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Speaker 1: blame me for that one.

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Speaker 3: Why Why?

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Speaker 1: Because I if any of you guys, regardless of what's happening,

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Speaker 1: if and even on the air, to fight on the

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Speaker 1: air at each other on the air, it's on the

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Speaker 1: air because if we lived our lives sometimes like we

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Speaker 1: get into it on the air, we couldn't work together.

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Speaker 1: It's a team. We just couldn't work together. I wouldn't

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Speaker 1: have it. I would just cut whomever that being said

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Speaker 1: on the air. We do get into it sometimes and

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Speaker 1: but I still if you're beefing with somebody, I'm beefing

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Speaker 1: with them period. Eddie has a problem with somebody that

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Speaker 1: I mean to him, I got a problem with that

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Speaker 1: person because they got a problem with Eddie. Amy's got

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Speaker 1: a problem with somebody. I got problem with him. They

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Speaker 1: have a problem with the Amy. Same thing with Lunchbox,

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Speaker 1: I got they got a problem lunchbox. They got a

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Speaker 1: problem with me. That's We're all in this this together. Now,

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Speaker 1: Amy's from That's what I haven't. I'm a booked this person.

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Speaker 3: It's a misunderstanding.

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Speaker 1: You know. It's true. I love you. Yeah, okay, so

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Speaker 1: that's why I haven't. But people think that I have

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Speaker 1: this issue and I don't.

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Speaker 3: I don't either.

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Speaker 1: Well, what's the deal with me? Do you? That's it?

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Speaker 1: So yeah, Amy's got a couple talk to you about that.

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Speaker 1: Who me? That's a good one. This college bowling assistant

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Speaker 1: coach got fired. This story, it's the story. And if

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Speaker 1: there weren't so many, we spent a bunch time day

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Speaker 1: talking about the submarine. This was the next one up.

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Speaker 3: Okay, I don't even know it.

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Speaker 1: So do tell an assistant woman's bowling coach Stephen F.

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Speaker 1: Austin University Lumberjacks.

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Speaker 3: Isn't that where you went?

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Speaker 1: No, the same he's of state, the rival. Yeah, two

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Speaker 1: different dudes.

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Speaker 3: But I went to high school.

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Speaker 1: So the assistant woman's bowling coach, his wife is the

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Speaker 1: head coach. Head coach wife, assistant coach husband. He had

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Speaker 1: an affairly member of the team, the bowling team. He

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Speaker 1: was the assistant coach of that his wife's the head

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Speaker 1: coach of His name is Steve. He was married to

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Speaker 1: the head coach. He resigned from the program. He said,

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Speaker 1: I knew it was kind of a no no, but

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Speaker 1: there was no rules saying it can't have on No,

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Speaker 1: that was excuse. And it's also his wife's the head coach,

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Speaker 1: and he cheated on his wife, messed up. It's the

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Speaker 1: same team. He's not wrong, right, like, there's no law,

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Speaker 1: there's there's no up. There's no law. But it's double right.

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Speaker 1: You can't work up with someone on the team. You shouldn't.

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Speaker 1: I don't know the rule you shouldn't. But you also

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Speaker 1: that your wife's the head coach. Right, But he's saying

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Speaker 1: there's no rule. He said, there's not a law saying

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Speaker 1: now I'm going to go to jail for something like this.

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Speaker 1: There's nothing in stone, I mean as an ethics code,

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Speaker 1: like we frown upon it. But there's no rule. There's

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Speaker 1: not a law broken. Yeah, Steven Amber since file for divorce.

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Speaker 1: But it's so multi layered because one is just a

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Speaker 1: dude who is hooking up with a person on the team.

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Speaker 1: That's level one, a coach and a player. Ooh bad.

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Speaker 1: Number two, dude just cheats on his wife. Oh bad,

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Speaker 1: dude cheats on his wife. Who is they're working together,

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Speaker 1: she's his boss. O. Dude cheats with somebody on the

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Speaker 1: team that his wife coaches, that she's the boss of him.

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Speaker 1: Oh it's messed up.

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Speaker 3: How old is he? How's the player?

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Speaker 1: I would assume that college age because it's a college team,

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Speaker 1: so probably twenties against. I'll repeat what he said. He

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Speaker 1: poignantly said, they're not a law saying I'm going to

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Speaker 1: jail for something like this. There's nothing at stone. I mean,

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Speaker 1: it's an ethics code, like we've frown upon it. But

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Speaker 1: there's no rule being broken. And the way you read

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Speaker 1: it is exactly how I read it. Yeah, there's no

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Speaker 1: rule already on law. I mentioned Kevin Costner. Here's another one.

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Speaker 1: Oh no, this never ends. Christine Bumganner is asking for

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Speaker 1: two undred forty eight thousand bucks a month for child support.

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Speaker 1: How much to forty eight months? Two and forty eight

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Speaker 1: thousand a months?

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Speaker 5: I mean, well, like what the groceries? That's the cost

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Speaker 5: of groceries and rent.

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Speaker 1: No, but here's the thing about child support. You can't

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Speaker 1: This is my interpretation of the law. I don't have kids.

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Speaker 1: I have kids that have gone through some This is

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Speaker 1: not Amy. I'm not saying this is Amy either. It's

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Speaker 1: not you. I promise you. You weren't even looking at her.

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Speaker 1: I was not, But I can be talking about her

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Speaker 1: if I was lunchbox. That's where it gets confusing. Yes,

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Speaker 1: you're post to have an opportunity for the kids to

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Speaker 1: keep a lifestyle that's similar. So it shouldn't be that

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Speaker 1: dad's broke and mom is super rich. So it's like, well,

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Speaker 1: we hate going to dad's because he doesn't have good food.

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Speaker 1: So where a lot of that child support comes in,

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Speaker 1: it's not just because it costs that much to keep

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Speaker 1: the kid clothed and fed. It's to keep a lifestyle similar.

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Speaker 1: Oh my goodness. So they don't yes, have a huge

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Speaker 1: drop off because it will affect a relationship with that parent.

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Speaker 3: There's a calculator for it per state by state, like

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Speaker 3: a based on what you make.

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Speaker 1: I feel like you're pretty educated on this, now you

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Speaker 1: jumping in, Okay, come on, I.

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Speaker 3: Just feel like at that point though, that's like a

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Speaker 3: it's got a you know, max out at some point.

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Speaker 1: But they say that two hundred six a five thousand

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Speaker 1: bucks a month that she's asking for is not even

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Speaker 1: really the most she could ask for.

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Speaker 3: Wow, Yeah, because I just don't know where. But they

349
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Speaker 3: are celebrity there. They're in a different land than anything.

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Speaker 3: I I wasn't coming to you at all, I know,

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Speaker 3: I mean, we don't what would you like? There's just

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Speaker 3: things you learn when you're in that process. And yes,

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Speaker 3: it's the.

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Speaker 1: Somewhat accurate in my description.

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Speaker 3: Yeah, whether it's child support or in some people's cases,

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Speaker 3: it may be alimony, like the the the lifestyle in

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Speaker 3: which they are accustomed to they have, you know, they

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Speaker 3: get to keep living that way for a certain amount

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Speaker 3: of time.

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Speaker 1: There.

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Speaker 3: It just depends on your agreement, like it might be

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Speaker 3: I mean till the kids are eighteen, and then the

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Speaker 3: alimony might be you know, set number of years or whatever.

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Speaker 1: So what do they live? Very humble?

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Speaker 5: They got a lot of money, but they live very simple.

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Speaker 1: I think that's a different animal because.

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Speaker 3: Well, you have to make an itemized list of all

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Speaker 3: of your.

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Speaker 1: Expenses same more. Yeah.

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Speaker 3: So yeah, I mean if you're humble, Well there's.

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Speaker 1: I just want to say one more time, my initial

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Speaker 1: reactions to jump in and protect her honestly, guys, Yeah,

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Speaker 1: I know I.

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Speaker 3: Don't know this information because my no, no.

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Speaker 1: No, you know it, though we all know why you

376
00:17:02,040 --> 00:17:03,920
Speaker 1: know it. But that's okay. I just want everybody to

377
00:17:03,960 --> 00:17:06,560
Speaker 1: know I'm annoying because I come into to save Amy

378
00:17:06,760 --> 00:17:08,080
Speaker 1: and I do and I don't want her to have

379
00:17:08,119 --> 00:17:10,600
Speaker 1: to feel like she's pressured in anything. But when you do,

380
00:17:10,720 --> 00:17:13,640
Speaker 1: go oh, I love it, and then I go, please

381
00:17:13,680 --> 00:17:18,119
Speaker 1: tell us more. But I I'm just thank you, and

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Speaker 1: I'm gonna stop doing that now.

383
00:17:19,840 --> 00:17:24,159
Speaker 3: So your lawyer may give you a form or like

384
00:17:24,200 --> 00:17:27,720
Speaker 3: a and it's a you know, every single thing that

385
00:17:27,800 --> 00:17:32,399
Speaker 3: you spend money on is for calculating, right, no track

386
00:17:32,440 --> 00:17:34,600
Speaker 3: it for like you know, it's called discovery.

387
00:17:35,040 --> 00:17:36,960
Speaker 1: Well then why did you want to buy nothing? Right?

388
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Speaker 3: Kind of?

389
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Speaker 1: I can go a Gandhi hunger strike.

390
00:17:39,680 --> 00:17:42,360
Speaker 3: Well, but then they can look at past.

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Speaker 1: I thought you said they don't.

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Speaker 3: All kinds of m I didn't say that.

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Speaker 1: Well, you said itemized.

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Speaker 3: From then on they could look they want you to

395
00:17:49,240 --> 00:17:51,200
Speaker 3: to track it, but they can also look at past spending,

396
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Speaker 3: just like they look at past W two's and like

397
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Speaker 3: you can't because then you could and they look at

398
00:17:56,080 --> 00:17:58,720
Speaker 3: what bank accounts you have and during discovery you cannot

399
00:17:58,760 --> 00:18:01,960
Speaker 3: open any new bank accounts. You cannot make any large purchases.

400
00:18:02,000 --> 00:18:06,320
Speaker 3: You cannot do anything, because then you would whoever, like

401
00:18:06,400 --> 00:18:10,280
Speaker 3: say you and Eddie are married and you're yeah, I

402
00:18:10,320 --> 00:18:13,200
Speaker 3: mean all right, then and then you're in discovery because

403
00:18:13,200 --> 00:18:17,520
Speaker 3: you're getting divorced whatever, and then you go you realize like, oh, okay,

404
00:18:17,640 --> 00:18:19,440
Speaker 3: everything in our bank account is about to go fifty

405
00:18:19,440 --> 00:18:21,880
Speaker 3: to fifty and I'm about to We're not divorced yet,

406
00:18:21,880 --> 00:18:23,840
Speaker 3: and I'm about to make this money and this money

407
00:18:23,880 --> 00:18:25,280
Speaker 3: and this money, well, I don't want it to go

408
00:18:25,320 --> 00:18:27,000
Speaker 3: in the pot that's going to get split in half.

409
00:18:27,840 --> 00:18:29,520
Speaker 3: So I'm going to go ahead and open this secret

410
00:18:29,520 --> 00:18:32,159
Speaker 3: bank account over here and start depositing that money. And

411
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Speaker 3: that's why they don't.

412
00:18:33,520 --> 00:18:35,520
Speaker 1: Let you because you're not call she didn't do this,

413
00:18:35,560 --> 00:18:36,800
Speaker 1: because you're not call me and say, hey, would you

414
00:18:36,840 --> 00:18:38,199
Speaker 1: open this account and I'm going to get you this

415
00:18:38,280 --> 00:18:39,080
Speaker 1: money and then you put it.

416
00:18:39,280 --> 00:18:43,200
Speaker 3: I mean, you could probably finagle however you're earning the money.

417
00:18:43,240 --> 00:18:47,119
Speaker 3: You could potentially say hey, I'm going to do this

418
00:18:47,200 --> 00:18:49,359
Speaker 3: work or whatever. Could you go ahead and pay me

419
00:18:49,400 --> 00:18:53,760
Speaker 3: on you know, August whatever, you know, the divorce might

420
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Speaker 3: be if people do that. Final I have no idea.

421
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Speaker 1: We still growing up, be like, hey, I'm gonna write

422
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Speaker 1: your check, but can you not cash it until a

423
00:18:59,000 --> 00:19:01,800
Speaker 1: certain point? Different, but the same, Like, I got no

424
00:19:01,800 --> 00:19:03,359
Speaker 1: money in my account and I right this checkup, promise

425
00:19:03,400 --> 00:19:05,040
Speaker 1: you'll be there by this point, so don't cash it

426
00:19:05,119 --> 00:19:06,440
Speaker 1: until then. But that would be the opposite. You don't

427
00:19:06,440 --> 00:19:08,080
Speaker 1: even pay me until I'm clear.

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00:19:08,240 --> 00:19:10,200
Speaker 5: Yeah, but whenever you say the words will you open

429
00:19:10,240 --> 00:19:11,240
Speaker 5: an account for me?

430
00:19:11,640 --> 00:19:14,159
Speaker 1: I think that is like shady. Don't say the words

431
00:19:14,160 --> 00:19:15,160
Speaker 1: give me two winks and then.

432
00:19:15,160 --> 00:19:17,480
Speaker 5: Note that means that had a buddy of mine that

433
00:19:17,520 --> 00:19:18,840
Speaker 5: did that and you got went to jail.

434
00:19:18,920 --> 00:19:21,280
Speaker 1: What prison? He opened an account for some kind of

435
00:19:21,320 --> 00:19:24,240
Speaker 1: shady stuff. That's shady. This is Amy being shady. You're

436
00:19:24,280 --> 00:19:27,399
Speaker 1: talking about something illegal. No, he just opened up an account. No,

437
00:19:27,440 --> 00:19:32,000
Speaker 1: that's not true, no account to our buddy for what. Hey,

438
00:19:32,040 --> 00:19:34,800
Speaker 1: it's not illegal. I mean ethics code. But they were.

439
00:19:34,640 --> 00:19:36,320
Speaker 5: Doing a pyramid scheme. But he was like, He's like,

440
00:19:36,359 --> 00:19:37,720
Speaker 5: I'll just open the account for you, Okay.

441
00:19:37,760 --> 00:19:40,120
Speaker 1: But still that's on him. If Amy said, hey, would

442
00:19:40,119 --> 00:19:42,240
Speaker 1: you can I use one of your accounts to put money?

443
00:19:42,359 --> 00:19:44,560
Speaker 1: That's shady already. I didn't say it wasn't shady. But

444
00:19:44,720 --> 00:19:47,000
Speaker 1: like the guy said in the Bowling, hey, man, ethics,

445
00:19:47,600 --> 00:19:47,919
Speaker 1: I don't know.

446
00:19:47,960 --> 00:19:50,280
Speaker 3: I feel like people probably do it. Like I think

447
00:19:50,280 --> 00:19:51,240
Speaker 3: there's probably.

448
00:19:50,920 --> 00:19:53,199
Speaker 1: So many hy do people buy stuff for me?

449
00:19:53,280 --> 00:19:56,919
Speaker 3: People that do this all the time. Yes, well you

450
00:19:56,960 --> 00:19:59,840
Speaker 3: can't inherit money. No, it's not.

451
00:20:00,119 --> 00:20:02,880
Speaker 1: No, it's not. Stop saying things that's laundy.

452
00:20:03,480 --> 00:20:07,040
Speaker 3: So inheritance cannot get touched. That's the only thing that's

453
00:20:07,080 --> 00:20:11,679
Speaker 3: not that the other spouse does not have access to

454
00:20:11,800 --> 00:20:12,520
Speaker 3: fifty to fifty.

455
00:20:13,400 --> 00:20:15,200
Speaker 1: If you would have said, hey.

456
00:20:15,480 --> 00:20:17,920
Speaker 3: They they can even have access to your four O

457
00:20:18,000 --> 00:20:18,480
Speaker 3: one K.

458
00:20:19,000 --> 00:20:21,639
Speaker 1: Yeah, I mean that's one. That's it.

459
00:20:22,280 --> 00:20:25,840
Speaker 3: Yeah right, I mean then and I kept ours respect,

460
00:20:25,880 --> 00:20:27,680
Speaker 3: like he has his savings for like.

461
00:20:30,760 --> 00:20:33,160
Speaker 1: This is ak but this is good though.

462
00:20:33,240 --> 00:20:35,480
Speaker 3: We can move on to the his socialdia.

463
00:20:35,560 --> 00:20:36,800
Speaker 1: Yeah yeah, Hey, so how do to go?

464
00:20:37,440 --> 00:20:37,600
Speaker 5: Man?

465
00:20:37,600 --> 00:20:38,040
Speaker 7: It's good.

466
00:20:38,080 --> 00:20:39,560
Speaker 3: I talked to him about it.

467
00:20:39,640 --> 00:20:41,080
Speaker 2: I couldn't figure out how to turn on the radio,

468
00:20:41,080 --> 00:20:42,320
Speaker 2: so we had to chat the whole time.

469
00:20:43,080 --> 00:20:46,119
Speaker 1: And you liked me, how did it go? And you

470
00:20:46,160 --> 00:20:46,760
Speaker 1: picked him up?

471
00:20:48,240 --> 00:20:52,240
Speaker 2: Well, I pulled up and the valet came up, was

472
00:20:52,280 --> 00:20:54,240
Speaker 2: like oh, and I was like no, just picking up.

473
00:20:54,160 --> 00:20:56,480
Speaker 1: Man and cool like that. Did you look him in

474
00:20:56,520 --> 00:20:57,240
Speaker 1: the eye telling.

475
00:20:57,119 --> 00:20:59,600
Speaker 2: Yeah, he's like really like your shirt and I was like, thanks, dude.

476
00:21:00,560 --> 00:21:04,000
Speaker 2: And then that Richard guy came out.

477
00:21:05,119 --> 00:21:06,160
Speaker 1: Did you recognize him?

478
00:21:06,320 --> 00:21:08,760
Speaker 7: No? No, no, no, you look.

479
00:21:08,600 --> 00:21:10,040
Speaker 1: Him up in your Instagram like I did.

480
00:21:10,040 --> 00:21:12,040
Speaker 2: I looked at a picture and I was like, okay, cool,

481
00:21:12,440 --> 00:21:14,960
Speaker 2: kind of thought he was going to look like Barry Manilow.

482
00:21:15,720 --> 00:21:17,359
Speaker 1: How would you know what Barry Manolo looks like.

483
00:21:18,119 --> 00:21:21,000
Speaker 2: I've seen a picture, okay, and that picture Abby showed me.

484
00:21:21,040 --> 00:21:23,280
Speaker 2: She was like this is him, and I was like, okay,

485
00:21:23,920 --> 00:21:27,400
Speaker 2: and I think she showed me Barry Manilow on accident and.

486
00:21:27,840 --> 00:21:29,879
Speaker 1: Richard Marks is really good looking though he said he's

487
00:21:29,920 --> 00:21:33,879
Speaker 1: almost sixty czy, he's crazy good looking to be sixty

488
00:21:33,960 --> 00:21:34,320
Speaker 1: years old.

489
00:21:34,480 --> 00:21:36,720
Speaker 2: And so then he came walking up and he's like,

490
00:21:36,880 --> 00:21:38,560
Speaker 2: you're here to get me, and I was like, yeah,

491
00:21:38,560 --> 00:21:39,720
Speaker 2: I get on in, mister Marks.

492
00:21:39,720 --> 00:21:41,840
Speaker 1: Did you get an open the door for him? No? No,

493
00:21:42,000 --> 00:21:43,200
Speaker 1: Do you know how to unlock the door because it

494
00:21:43,240 --> 00:21:44,120
Speaker 1: could be tricking in that car?

495
00:21:44,440 --> 00:21:46,359
Speaker 7: Oh yeah, I just hit it unlocked. I mean I

496
00:21:46,400 --> 00:21:47,399
Speaker 7: was unlocked when he got it.

497
00:21:47,440 --> 00:21:50,160
Speaker 1: And he pushed park and then it because.

498
00:21:50,000 --> 00:21:51,879
Speaker 2: Yeah, that's what it did, is I put it in

499
00:21:51,960 --> 00:21:53,280
Speaker 2: park because I was going to get out because I

500
00:21:53,280 --> 00:21:54,040
Speaker 2: was like, I didn't see him.

501
00:21:54,040 --> 00:21:55,480
Speaker 7: So I was going to walk in the lobby and be.

502
00:21:55,400 --> 00:21:59,479
Speaker 1: Like Richard dick dick marks.

503
00:22:00,520 --> 00:22:02,440
Speaker 2: And so he got in. I was like, you want

504
00:22:02,440 --> 00:22:04,639
Speaker 2: to take this fast? You want or slow? Or you

505
00:22:04,640 --> 00:22:05,480
Speaker 2: want to go fast?

506
00:22:06,440 --> 00:22:10,680
Speaker 1: And he was like you said that, yeah, do you

507
00:22:10,720 --> 00:22:12,560
Speaker 1: want to go faster? Do you want to go slow? Yeah?

508
00:22:13,119 --> 00:22:13,840
Speaker 1: Trying to make love to.

509
00:22:14,040 --> 00:22:17,720
Speaker 7: There's and he goes, you want to rough? And he goes,

510
00:22:18,240 --> 00:22:18,560
Speaker 7: and you.

511
00:22:18,480 --> 00:22:19,800
Speaker 1: Want to sensual? You want to rough?

512
00:22:19,800 --> 00:22:21,480
Speaker 5: Mister Mark, that's weird. That's the weird question.

513
00:22:21,520 --> 00:22:21,680
Speaker 3: Man.

514
00:22:21,720 --> 00:22:23,320
Speaker 2: No, no, because you know you got a fast call.

515
00:22:23,359 --> 00:22:25,159
Speaker 2: And he was like, I mean, can just go to

516
00:22:25,200 --> 00:22:28,720
Speaker 2: speed limit? And I was like, all right, cool, let

517
00:22:28,720 --> 00:22:31,919
Speaker 2: me start talking about you know what did you what

518
00:22:32,080 --> 00:22:32,600
Speaker 2: comes up?

519
00:22:32,800 --> 00:22:33,000
Speaker 1: Ah?

520
00:22:33,119 --> 00:22:33,879
Speaker 7: We talked about.

521
00:22:34,000 --> 00:22:36,040
Speaker 2: I said, so you just chill because you don't play

522
00:22:36,160 --> 00:22:38,159
Speaker 2: till tomorrow. He's like, yeah, man, we're gonna go to

523
00:22:38,560 --> 00:22:40,480
Speaker 2: dinner and he said some restaurant.

524
00:22:40,480 --> 00:22:43,439
Speaker 7: He goes, you ever been there? And he goes, it's delicious.

525
00:22:43,480 --> 00:22:44,680
Speaker 7: I was like, no, I've never been there. Man. I

526
00:22:44,760 --> 00:22:46,359
Speaker 7: got three kids. He goes, how old are they? And

527
00:22:46,400 --> 00:22:48,280
Speaker 7: I told him four or three? In one. He goes, oh, yeah,

528
00:22:48,320 --> 00:22:49,680
Speaker 7: you can only go to Applepe's right now.

529
00:22:50,000 --> 00:22:50,520
Speaker 1: That's funny.

530
00:22:50,680 --> 00:22:52,760
Speaker 2: And I was like yeah, and he goes, but trust me,

531
00:22:52,760 --> 00:22:54,280
Speaker 2: he goes. A couple of years, your kids are gonna

532
00:22:54,280 --> 00:22:56,080
Speaker 2: be buying you beers. I got three sons and we

533
00:22:56,119 --> 00:22:58,239
Speaker 2: are best friends. We hang out all the time. They

534
00:22:58,320 --> 00:23:00,399
Speaker 2: buy me drinks. If I want something good, I have

535
00:23:00,480 --> 00:23:03,399
Speaker 2: to buy it myself. And then we just talked about that.

536
00:23:03,480 --> 00:23:06,000
Speaker 2: And then on the way back, I said, man, you're

537
00:23:06,040 --> 00:23:06,680
Speaker 2: coming a big deal.

538
00:23:06,800 --> 00:23:07,399
Speaker 7: Huh.

539
00:23:07,840 --> 00:23:10,200
Speaker 2: So I didn't really know who you were. You said that, Yeah,

540
00:23:10,240 --> 00:23:11,960
Speaker 2: I said, I don't really follow music, so I didn't

541
00:23:12,000 --> 00:23:12,320
Speaker 2: know you were.

542
00:23:12,440 --> 00:23:14,320
Speaker 1: Is at all not a brand. It's hype music music

543
00:23:14,320 --> 00:23:15,080
Speaker 1: at all, yeah.

544
00:23:15,119 --> 00:23:16,720
Speaker 2: Said And I said, and you were telling you know,

545
00:23:16,800 --> 00:23:18,119
Speaker 2: I said, oh about Lionel Richard.

546
00:23:18,240 --> 00:23:19,479
Speaker 1: Let me ask you a question though, before you get

547
00:23:19,520 --> 00:23:21,560
Speaker 1: on this. Did he know that you were part of

548
00:23:21,560 --> 00:23:23,000
Speaker 1: the show and you picked him up or did you

549
00:23:23,040 --> 00:23:26,520
Speaker 1: just think you were a driver or like, hey, when

550
00:23:26,520 --> 00:23:27,920
Speaker 1: you walked in, could you just sat in the glass

551
00:23:27,960 --> 00:23:29,439
Speaker 1: You stood in the glass room for a minute, then

552
00:23:29,440 --> 00:23:30,840
Speaker 1: he came in and sat down, and then you walked

553
00:23:30,880 --> 00:23:32,600
Speaker 1: to your seat and sat down. Then you never looked

554
00:23:32,600 --> 00:23:35,919
Speaker 1: at him, so we wondered what that understanding was.

555
00:23:36,440 --> 00:23:37,320
Speaker 7: No, I have no idea.

556
00:23:37,640 --> 00:23:39,879
Speaker 2: Okay, I've looked at him for a minute, but then

557
00:23:40,400 --> 00:23:41,520
Speaker 2: I started doing something I.

558
00:23:41,440 --> 00:23:44,040
Speaker 1: Don't know, okay, and then we know what you were doing.

559
00:23:44,640 --> 00:23:46,440
Speaker 1: What was I doing yesterday? You were looking at some

560
00:23:46,720 --> 00:23:49,360
Speaker 1: weightlifting chick at eat seven meals a day and it's

561
00:23:49,400 --> 00:23:50,120
Speaker 1: like in a bikini.

562
00:23:50,280 --> 00:23:51,720
Speaker 2: Yeah, because I was going to send to you guys

563
00:23:51,760 --> 00:23:53,760
Speaker 2: and say hot or not. I don't want to play

564
00:23:53,800 --> 00:23:54,120
Speaker 2: a game.

565
00:23:55,320 --> 00:23:58,880
Speaker 1: I don't know. Go ahead, So you're taking it back

566
00:23:58,880 --> 00:24:00,639
Speaker 1: and you didn't leave to get up. We had to

567
00:24:00,680 --> 00:24:02,680
Speaker 1: tell you to take him back.

568
00:24:02,760 --> 00:24:03,679
Speaker 7: Oh yeah, I didn't know.

569
00:24:04,119 --> 00:24:07,880
Speaker 2: And so then we and I had to back out

570
00:24:07,880 --> 00:24:10,399
Speaker 2: because he can't really fit in the car, like because

571
00:24:10,480 --> 00:24:12,520
Speaker 2: Eddie parks a little bit over the line, so you

572
00:24:12,520 --> 00:24:13,920
Speaker 2: can't really open the passenger door.

573
00:24:14,160 --> 00:24:15,280
Speaker 7: So I had to back out and then he had

574
00:24:15,280 --> 00:24:15,600
Speaker 7: to get in.

575
00:24:15,800 --> 00:24:16,320
Speaker 1: Was that awkward?

576
00:24:16,400 --> 00:24:16,960
Speaker 7: It was a little weird.

577
00:24:17,040 --> 00:24:18,480
Speaker 1: Yeah, he's getting it back up in front.

578
00:24:18,280 --> 00:24:19,720
Speaker 2: Now front because he kept trying to reach for it,

579
00:24:19,720 --> 00:24:21,080
Speaker 2: and I kept backing up a little bit because I

580
00:24:21,119 --> 00:24:24,280
Speaker 2: was trying to and so I told him tries to

581
00:24:24,280 --> 00:24:27,720
Speaker 2: get You know how you did that with your friends

582
00:24:28,920 --> 00:24:29,720
Speaker 2: drive on a little bit.

583
00:24:29,760 --> 00:24:30,760
Speaker 7: So I did that a little bit.

584
00:24:30,840 --> 00:24:31,440
Speaker 1: You did do that?

585
00:24:31,560 --> 00:24:34,159
Speaker 7: Yeah, when I was reversal, I don't know.

586
00:24:34,520 --> 00:24:36,359
Speaker 1: Oh that's funny. Okay.

587
00:24:37,040 --> 00:24:39,119
Speaker 2: So then we start talking about that, you know, like

588
00:24:39,520 --> 00:24:41,200
Speaker 2: just him being famous. I was like, and so, what's

589
00:24:41,240 --> 00:24:43,360
Speaker 2: it like, I said, because I'm kind of going through

590
00:24:43,359 --> 00:24:45,320
Speaker 2: that with now, Like, how did you handle your kids

591
00:24:45,960 --> 00:24:47,639
Speaker 2: relating to him? I was like, you know, with your

592
00:24:47,720 --> 00:24:50,000
Speaker 2: kids and being in the spotlight and like, and he

593
00:24:50,119 --> 00:24:52,040
Speaker 2: was like, oh, we're real protective, like no one was

594
00:24:52,040 --> 00:24:54,080
Speaker 2: allowed to take pictures of my kids until they were

595
00:24:54,080 --> 00:24:55,760
Speaker 2: old enough to agree that, Hey, if they want to

596
00:24:55,800 --> 00:24:57,880
Speaker 2: take my picture, they can take my picture. But he goes, yeah.

597
00:24:58,000 --> 00:24:59,680
Speaker 2: I was like, yeah, that's what I'm kind of dealing

598
00:24:59,680 --> 00:25:01,080
Speaker 2: with right now. I was like, how to handle the

599
00:25:01,119 --> 00:25:02,159
Speaker 2: kids situation.

600
00:25:01,880 --> 00:25:03,760
Speaker 1: In that social media there were his kids back there exactly.

601
00:25:03,880 --> 00:25:06,960
Speaker 2: Yeah, And so yeah, we just talked about that, and

602
00:25:07,040 --> 00:25:08,960
Speaker 2: we talked about Lionel Richie.

603
00:25:09,280 --> 00:25:11,080
Speaker 1: Telling me Lona rich was really boring when you saw him.

604
00:25:11,160 --> 00:25:12,680
Speaker 2: Yeah, you did tell them that, I did, I said, Man,

605
00:25:13,080 --> 00:25:15,400
Speaker 2: I went to go see Tina and Lionel Richie in concert,

606
00:25:15,400 --> 00:25:17,040
Speaker 2: and let me tell you, Lionel open for it, and

607
00:25:17,080 --> 00:25:18,399
Speaker 2: I was like, this guy is so boring.

608
00:25:18,440 --> 00:25:20,120
Speaker 7: Get him off the stage. You said that after?

609
00:25:20,240 --> 00:25:22,760
Speaker 2: Yeah, yeah, and he was like, no, he goes, I go,

610
00:25:22,840 --> 00:25:25,400
Speaker 2: I can see how when they went on tour together.

611
00:25:25,400 --> 00:25:27,560
Speaker 2: He goes, I didn't really understand that because Lionel's show

612
00:25:27,720 --> 00:25:30,480
Speaker 2: is a little more like just kind of slow and

613
00:25:30,600 --> 00:25:33,240
Speaker 2: Tina say womb And then he told me he toured

614
00:25:33,240 --> 00:25:35,600
Speaker 2: with Tina back in nineteen ninety in Germany.

615
00:25:36,080 --> 00:25:38,160
Speaker 1: Asking questions about that, yeah, and he was like, and just.

616
00:25:38,119 --> 00:25:40,600
Speaker 2: Watching her from side stage was just the most unbelievable

617
00:25:40,640 --> 00:25:41,240
Speaker 2: thing I.

618
00:25:41,240 --> 00:25:41,679
Speaker 7: Ever got to.

619
00:25:41,800 --> 00:25:44,440
Speaker 2: He was like, it was just a breathtaking and he goes,

620
00:25:44,520 --> 00:25:46,199
Speaker 2: it's really cool. You got to see her live. She

621
00:25:46,359 --> 00:25:46,960
Speaker 2: was amazing.

622
00:25:47,680 --> 00:25:49,800
Speaker 1: That's super cool. You're one degree from Tina Turner's.

623
00:25:50,040 --> 00:25:52,399
Speaker 2: Yeah, And so that's what we talked about.

624
00:25:52,600 --> 00:25:54,640
Speaker 1: And then what about when he left?

625
00:25:54,640 --> 00:25:55,320
Speaker 7: What happened?

626
00:25:55,600 --> 00:25:57,320
Speaker 2: He got he opened the door, He's like, hey, man,

627
00:25:57,359 --> 00:25:59,840
Speaker 2: have a good one, enjoy those kids. And I was like,

628
00:26:00,000 --> 00:26:02,359
Speaker 2: all right, take it easy, man, and I was like,

629
00:26:02,359 --> 00:26:03,359
Speaker 2: we'll grab drinks later.

630
00:26:03,760 --> 00:26:05,119
Speaker 7: But he didn't respond.

631
00:26:05,240 --> 00:26:05,960
Speaker 1: He just made a joke.

632
00:26:06,160 --> 00:26:07,200
Speaker 7: Yeah, he didn't respond.

633
00:26:07,240 --> 00:26:11,560
Speaker 1: No number exchanges, no, nothing like that. A freaking story though,

634
00:26:13,160 --> 00:26:13,440
Speaker 1: is cool?

635
00:26:14,000 --> 00:26:15,360
Speaker 7: So cool? I mean all over.

636
00:26:15,680 --> 00:26:17,359
Speaker 1: I would have wanted I'd have taken an extra left

637
00:26:17,640 --> 00:26:18,520
Speaker 1: just to ask more questions.

638
00:26:18,560 --> 00:26:20,159
Speaker 5: Yeah, you said you were gonna take him down Broadway.

639
00:26:20,200 --> 00:26:20,719
Speaker 1: You didn't do that.

640
00:26:21,160 --> 00:26:24,080
Speaker 2: No, because the Broadway they have the bridge closed, and

641
00:26:24,160 --> 00:26:27,000
Speaker 2: so I would have had to go real traffic was

642
00:26:27,000 --> 00:26:27,840
Speaker 2: getting pretty hairy.

643
00:26:28,480 --> 00:26:30,680
Speaker 1: What first time to drive an electric car?

644
00:26:30,760 --> 00:26:35,080
Speaker 2: Now, Yeah, that was weird. It was kind of crazy,

645
00:26:35,680 --> 00:26:37,040
Speaker 2: like I put it in reverse and that's how it

646
00:26:37,080 --> 00:26:38,600
Speaker 2: turned on. I was like, whoa good, Yeah, you don't

647
00:26:38,600 --> 00:26:39,159
Speaker 2: turn it on and off.

648
00:26:39,160 --> 00:26:40,960
Speaker 1: It's like when I drive a cart like the Bronco

649
00:26:41,040 --> 00:26:44,359
Speaker 1: is not electric obviously, so something that leave it all

650
00:26:44,359 --> 00:26:46,760
Speaker 1: on and get out. I'm so used to it. Im

651
00:26:46,760 --> 00:26:48,680
Speaker 1: be like, oh god, I gotta I have just got

652
00:26:48,680 --> 00:26:49,639
Speaker 1: to go turn the thing off.

653
00:26:49,760 --> 00:26:51,720
Speaker 2: I did call Scoop and say, hey, man, I can't

654
00:26:51,720 --> 00:26:53,040
Speaker 2: really go in the lobby of the hotel and look

655
00:26:53,040 --> 00:26:54,159
Speaker 2: for him because I don't know how to turn the

656
00:26:54,200 --> 00:26:56,040
Speaker 2: car off. But then once I put it in the park,

657
00:26:56,080 --> 00:26:56,560
Speaker 2: it turned off.

658
00:26:56,600 --> 00:26:59,919
Speaker 7: I didn't realize that, not quite.

659
00:27:00,040 --> 00:27:04,399
Speaker 1: Oh really, make sure it's off. Oh boy, did you

660
00:27:04,440 --> 00:27:05,439
Speaker 1: go fast? No?

661
00:27:05,600 --> 00:27:07,119
Speaker 2: Because I asked him, if you want to go fast,

662
00:27:08,480 --> 00:27:11,000
Speaker 2: you went to get him. No, because there was traffic.

663
00:27:11,040 --> 00:27:12,240
Speaker 2: I mean there were so many stoplights.

664
00:27:12,240 --> 00:27:13,679
Speaker 7: It was stupid. I didn't get to open it up

665
00:27:13,720 --> 00:27:14,240
Speaker 7: on the highway.

666
00:27:14,280 --> 00:27:15,200
Speaker 1: Wou'd you have gone fast?

667
00:27:15,280 --> 00:27:16,879
Speaker 7: Yeah? I mean you can feel the power.

668
00:27:16,920 --> 00:27:18,080
Speaker 1: I've never gone fast in it.

669
00:27:18,200 --> 00:27:18,600
Speaker 7: Yeah.

670
00:27:18,640 --> 00:27:20,200
Speaker 2: And then what else did we talk about? We talked

671
00:27:20,200 --> 00:27:22,520
Speaker 2: about there's some other interestings. Oh, he was going on tour.

672
00:27:22,560 --> 00:27:24,360
Speaker 2: He's going to uh Japan and.

673
00:27:24,760 --> 00:27:27,800
Speaker 1: That on the show. Yet No, no, remember that on the show.

674
00:27:27,960 --> 00:27:28,639
Speaker 7: You're not listening.

675
00:27:28,640 --> 00:27:32,040
Speaker 2: I didn't know he said that exactly, and I was like, man,

676
00:27:32,040 --> 00:27:33,680
Speaker 2: what's it? Do you love it over there? He goes

677
00:27:34,160 --> 00:27:37,680
Speaker 2: some cities I like other cities. Nah, But he says

678
00:27:37,800 --> 00:27:39,440
Speaker 2: he just has a huge following over there, and he's

679
00:27:39,440 --> 00:27:40,760
Speaker 2: going to go over there for like three weeks.

680
00:27:40,920 --> 00:27:43,880
Speaker 7: That's pretty cool. That's about all we talked about. We talked.

681
00:27:43,920 --> 00:27:46,160
Speaker 2: I talked about Chicago because that's where my parents grew up.

682
00:27:46,800 --> 00:27:48,240
Speaker 1: He sounds like I had a bunch of conversation. He

683
00:27:48,280 --> 00:27:50,600
Speaker 1: goes nothing and then all of a sudden. My meme

684
00:27:50,680 --> 00:27:52,720
Speaker 1: yesterday that was like MOLM was like, I asked my

685
00:27:52,800 --> 00:27:55,280
Speaker 1: kindergartener how school was today, if she did anything, and

686
00:27:55,280 --> 00:27:56,600
Speaker 1: she said, we didn't do anything, and then she saw

687
00:27:56,640 --> 00:27:58,160
Speaker 1: a picture of it on Instagram like an hour later,

688
00:27:58,160 --> 00:28:01,680
Speaker 1: hold an alligator exactly. That's kind of what this is here.

689
00:28:01,720 --> 00:28:03,440
Speaker 1: He's like, Oh, he didn't really say anything. He's got

690
00:28:03,520 --> 00:28:04,640
Speaker 1: nine great stories here.

691
00:28:04,760 --> 00:28:08,400
Speaker 7: Yeah. But yeah, he was cool, dude, you like him? Yeah?

692
00:28:08,400 --> 00:28:09,919
Speaker 2: And I was like, so do you just go out Like?

693
00:28:10,119 --> 00:28:12,199
Speaker 2: I was like, like, do you get mobbed in public?

694
00:28:12,560 --> 00:28:14,200
Speaker 2: He goes, not anymore. He goes he used to be

695
00:28:14,240 --> 00:28:15,000
Speaker 2: where I get mobbed.

696
00:28:15,040 --> 00:28:15,920
Speaker 7: He goes.

697
00:28:15,920 --> 00:28:17,760
Speaker 2: It was all pretty cool because there was a couple

698
00:28:17,760 --> 00:28:19,520
Speaker 2: of times he got a little harry where there's too

699
00:28:19,520 --> 00:28:19,920
Speaker 2: many people.

700
00:28:19,960 --> 00:28:20,200
Speaker 1: He goes.

701
00:28:20,200 --> 00:28:21,919
Speaker 2: But I mean, you just gotta understand. I was twenty three,

702
00:28:22,040 --> 00:28:24,160
Speaker 2: twenty four. It was awesome back then.

703
00:28:24,480 --> 00:28:24,800
Speaker 7: He goes.

704
00:28:24,840 --> 00:28:27,760
Speaker 2: Now, maybe one person will be like, oh, you're that

705
00:28:27,800 --> 00:28:28,879
Speaker 2: guy that sings a song.

706
00:28:29,640 --> 00:28:31,320
Speaker 7: And he's like, and I said, what do you doing?

707
00:28:31,720 --> 00:28:32,280
Speaker 7: What are you gonna do?

708
00:28:32,440 --> 00:28:34,040
Speaker 2: He goes, I'll be in my probably go get some

709
00:28:34,119 --> 00:28:35,440
Speaker 2: lunch and maybe go for a hike.

710
00:28:35,720 --> 00:28:38,000
Speaker 3: You know who he's married to, right, No, Daisy Flint

711
00:28:38,160 --> 00:28:41,200
Speaker 3: is what he is?

712
00:28:41,280 --> 00:28:44,400
Speaker 1: That crazy? What if you would have known.

713
00:28:44,280 --> 00:28:46,280
Speaker 2: That, Oh my god, I'd have been like, you're married

714
00:28:46,320 --> 00:28:51,000
Speaker 2: to her? She was singled out right on MTV.

715
00:28:51,640 --> 00:28:52,400
Speaker 3: She was on MTV.

716
00:28:53,000 --> 00:28:56,160
Speaker 1: He was that car. She was on the name MTV

717
00:28:56,280 --> 00:28:57,760
Speaker 1: for sure. I don't know if I have singled out,

718
00:28:57,800 --> 00:28:59,920
Speaker 1: but she was MTV for sure. I didn't know that.

719
00:29:00,280 --> 00:29:03,360
Speaker 3: He used to be married to the girl from Dirty Dancing.

720
00:29:03,560 --> 00:29:06,640
Speaker 3: She was Jennifer Grey, No, Cynthia Rhodes I think was

721
00:29:06,680 --> 00:29:09,440
Speaker 3: her name, but in the movie she's she's the one

722
00:29:09,440 --> 00:29:11,520
Speaker 3: that baby had to get her dad.

723
00:29:11,680 --> 00:29:13,440
Speaker 2: Man, how great would that have been if Daisy Flint

724
00:29:13,520 --> 00:29:14,200
Speaker 2: has gone in the car?

725
00:29:14,320 --> 00:29:15,360
Speaker 3: Yeah?

726
00:29:15,560 --> 00:29:17,120
Speaker 1: How great? What would you have done? Like?

727
00:29:17,320 --> 00:29:18,760
Speaker 7: Whoa your Daisy Flinter?

728
00:29:19,200 --> 00:29:20,160
Speaker 1: And that had been true?

729
00:29:20,880 --> 00:29:21,800
Speaker 7: Daisy's fifty six?

730
00:29:21,880 --> 00:29:22,840
Speaker 1: Now you really nailed that.

731
00:29:24,120 --> 00:29:24,760
Speaker 7: I didn't know that.

732
00:29:24,880 --> 00:29:28,400
Speaker 1: Yeah, okay, well it's fun. That's fun day. Huh? And

733
00:29:28,400 --> 00:29:30,240
Speaker 1: what are this? What air the intervi? The interviews that

734
00:29:30,320 --> 00:29:32,120
Speaker 1: back next week. I'm sure get into this all. But

735
00:29:32,800 --> 00:29:34,320
Speaker 1: that's behind the scenes. So you want to ask him

736
00:29:34,320 --> 00:29:38,480
Speaker 1: the question? Oh yeah, you guys told me I didn't

737
00:29:38,480 --> 00:29:38,680
Speaker 1: know this.

738
00:29:40,400 --> 00:29:41,040
Speaker 5: I'll ask him.

739
00:29:41,120 --> 00:29:43,440
Speaker 1: So what's the By the way, I didn't know this.

740
00:29:43,720 --> 00:29:44,640
Speaker 1: I didn't bring it up.

741
00:29:45,200 --> 00:29:45,600
Speaker 7: We look at me.

742
00:29:46,400 --> 00:29:47,640
Speaker 1: Thanks, what I didn't know this?

743
00:29:47,920 --> 00:29:49,800
Speaker 2: I was trying to see what Daisy he was just

744
00:29:49,800 --> 00:29:50,600
Speaker 2: scrolling up and down, like.

745
00:29:50,600 --> 00:29:52,760
Speaker 1: Yeah, I didn't know this, they brought it up. I

746
00:29:52,800 --> 00:29:55,120
Speaker 1: have nothing to say. This is not me, but go ahead, Eddie.

747
00:29:55,720 --> 00:29:59,479
Speaker 5: So we've noticed, Lunchbox that for you, you have a

748
00:29:59,520 --> 00:30:03,360
Speaker 5: hard time I'm making eye contact with people, Like, for example,

749
00:30:03,480 --> 00:30:05,560
Speaker 5: when we have artists or whatever in here, you don't

750
00:30:05,600 --> 00:30:07,240
Speaker 5: look at them. You just kind of get on your computers,

751
00:30:07,240 --> 00:30:08,280
Speaker 5: scroll up, scroll down.

752
00:30:08,320 --> 00:30:11,640
Speaker 2: Because I mean, I don't I don't really need to

753
00:30:11,640 --> 00:30:12,360
Speaker 2: hear what they're saying.

754
00:30:12,880 --> 00:30:14,160
Speaker 1: But why are you looking at the chair now like

755
00:30:14,160 --> 00:30:17,080
Speaker 1: they're in it. They're not talking to me now, literally

756
00:30:17,120 --> 00:30:18,400
Speaker 1: looking at the chair staring at it, right.

757
00:30:18,520 --> 00:30:21,200
Speaker 2: But you couldn't do that while there was an artist there.

758
00:30:21,240 --> 00:30:22,520
Speaker 2: I looked at him for a minute and then I

759
00:30:22,560 --> 00:30:23,800
Speaker 2: was like, all right, he's talking too much.

760
00:30:23,840 --> 00:30:24,760
Speaker 7: I'm gonna move on.

761
00:30:25,040 --> 00:30:27,200
Speaker 5: And then like, if you and I are having an

762
00:30:27,280 --> 00:30:29,880
Speaker 5: argument over something, you will look at amy while you're

763
00:30:29,960 --> 00:30:30,520
Speaker 5: arguing with me.

764
00:30:31,000 --> 00:30:33,200
Speaker 2: Well, it's hard for me to turn my body to

765
00:30:33,240 --> 00:30:35,360
Speaker 2: look at the ethical things. Yeah, Like it's just hard,

766
00:30:35,400 --> 00:30:38,440
Speaker 2: Like you have a better angle than me to look

767
00:30:38,640 --> 00:30:41,120
Speaker 2: like this. My mic is over here on my right side,

768
00:30:41,240 --> 00:30:42,880
Speaker 2: and so I have to turn my whole body to

769
00:30:42,920 --> 00:30:44,440
Speaker 2: look back at you interesting?

770
00:30:44,480 --> 00:30:45,360
Speaker 1: I mean, do you like.

771
00:30:45,320 --> 00:30:47,720
Speaker 2: I can look at I can look this way a

772
00:30:47,720 --> 00:30:49,080
Speaker 2: lot easier than I can look to my left.

773
00:30:49,080 --> 00:30:51,640
Speaker 3: What about an example of like I think of our

774
00:30:51,680 --> 00:30:55,520
Speaker 3: boss Julie when she comes to town. If when I've

775
00:30:55,520 --> 00:30:57,480
Speaker 3: seen you talk to her, you can't look at her

776
00:30:57,520 --> 00:30:58,560
Speaker 3: and you don't look at her.

777
00:30:58,760 --> 00:30:59,680
Speaker 7: I don't really talk to her.

778
00:31:00,000 --> 00:31:01,440
Speaker 1: I've heard of other bosses to be like, why does

779
00:31:01,440 --> 00:31:02,680
Speaker 1: the left look at me in the face on the

780
00:31:04,520 --> 00:31:06,600
Speaker 1: I don't know I talked to the face is ugly.

781
00:31:07,800 --> 00:31:10,160
Speaker 1: I mean, does it feel awkward to look at someone

782
00:31:10,160 --> 00:31:10,600
Speaker 1: in the eyes.

783
00:31:10,840 --> 00:31:12,480
Speaker 7: No, I'd look at people in the eyes.

784
00:31:12,280 --> 00:31:15,000
Speaker 1: And someone This is what it all boiled down to.

785
00:31:15,320 --> 00:31:17,840
Speaker 1: I didn't know this. They're they're saying it. I'm the

786
00:31:17,840 --> 00:31:19,160
Speaker 1: only one had your bag. For the record, go back

787
00:31:19,160 --> 00:31:24,800
Speaker 1: and listen to it. Probably won't if you wanted and

788
00:31:24,840 --> 00:31:26,360
Speaker 1: they weren't not having your back. I was just like

789
00:31:26,400 --> 00:31:28,959
Speaker 1: I never noticed that. I was just staying it bat.

790
00:31:29,440 --> 00:31:31,640
Speaker 7: It's just like Eddie like, no, but even.

791
00:31:31,440 --> 00:31:34,560
Speaker 5: When we're not on MIC's like, you will look at

792
00:31:34,560 --> 00:31:36,080
Speaker 5: someone else while you're talking to me.

793
00:31:36,280 --> 00:31:37,959
Speaker 3: It maybe is one of those things where you know

794
00:31:38,280 --> 00:31:39,680
Speaker 3: you don't know that you do it.

795
00:31:39,920 --> 00:31:43,920
Speaker 1: Yeah, all that to say. Then one of them said.

796
00:31:44,040 --> 00:31:45,720
Speaker 7: Probably Eddie because the way he laugh.

797
00:31:45,800 --> 00:31:47,400
Speaker 1: I don't think it is because it wasn't making fun

798
00:31:47,440 --> 00:31:47,680
Speaker 1: of you.

799
00:31:49,240 --> 00:31:50,720
Speaker 5: I didn't talk about your shoulders.

800
00:31:50,920 --> 00:31:52,720
Speaker 1: Ye know, it's it wasn't like he can't do makin

801
00:31:53,000 --> 00:31:55,840
Speaker 1: you know. Isn't that about that? They said, maybe his

802
00:31:56,000 --> 00:31:58,320
Speaker 1: feud will not say who it is. But your feud,

803
00:31:58,560 --> 00:32:01,680
Speaker 1: right is because you don't look at people in the eye.

804
00:32:02,080 --> 00:32:04,160
Speaker 1: And this feud happened because look at me the eye

805
00:32:04,280 --> 00:32:05,200
Speaker 1: when you meet a man.

806
00:32:05,560 --> 00:32:07,000
Speaker 7: No, no, that wasn't what happened.

807
00:32:07,240 --> 00:32:10,120
Speaker 2: The feud was you don't walk by another man and

808
00:32:10,160 --> 00:32:10,960
Speaker 2: not shake their hands.

809
00:32:10,960 --> 00:32:13,040
Speaker 1: Got it again, I was the only one to had

810
00:32:13,040 --> 00:32:13,840
Speaker 1: your back is.

811
00:32:13,880 --> 00:32:16,120
Speaker 7: Different and totally different.

812
00:32:16,320 --> 00:32:18,080
Speaker 1: It's a member. But yeah, maybe I'll log you with

813
00:32:18,120 --> 00:32:18,640
Speaker 1: you to your face.

814
00:32:18,680 --> 00:32:21,160
Speaker 2: But when you look over at Morgan over there.

815
00:32:21,240 --> 00:32:26,120
Speaker 5: Sure of course, if I'm talking to someone, I look

816
00:32:26,160 --> 00:32:27,360
Speaker 5: at them in the That's.

817
00:32:27,200 --> 00:32:30,040
Speaker 2: True because like when we're on air, usually you're talking

818
00:32:30,120 --> 00:32:31,560
Speaker 2: like if even if you're talking about.

819
00:32:31,680 --> 00:32:35,720
Speaker 1: Talking about on air, I'm talking talking about in person.

820
00:32:35,960 --> 00:32:38,360
Speaker 2: In person, I talked to people in their eyes, in

821
00:32:38,480 --> 00:32:40,200
Speaker 2: their eyes, Yeah, I'm looking at their e whatever you

822
00:32:40,200 --> 00:32:40,640
Speaker 2: want to call it.

823
00:32:40,640 --> 00:32:41,440
Speaker 7: I look at their eyes.

824
00:32:42,000 --> 00:32:43,880
Speaker 1: I've never I don't know that you don't.

825
00:32:44,440 --> 00:32:46,000
Speaker 2: I mean every once in a while, may be distracted

826
00:32:46,000 --> 00:32:47,560
Speaker 2: by my phone while I'm talking to you or something,

827
00:32:47,800 --> 00:32:49,880
Speaker 2: or I'm just looking for a way to get out.

828
00:32:50,160 --> 00:32:51,680
Speaker 7: Yeah, like with the bosses.

829
00:32:51,720 --> 00:32:53,640
Speaker 1: I mean, Ray, what do you want to say about this?

830
00:32:53,760 --> 00:32:57,320
Speaker 1: Because you are close, but you're not in the room,

831
00:32:57,360 --> 00:32:59,240
Speaker 1: so you're not doing the microphone. But your's real life

832
00:32:59,240 --> 00:32:59,720
Speaker 1: with him.

833
00:33:00,000 --> 00:33:03,400
Speaker 6: He does do that oddly sometimes not with me, for

834
00:33:03,480 --> 00:33:05,400
Speaker 6: whatever reasons. He looks me in the eyes. But I

835
00:33:05,400 --> 00:33:07,320
Speaker 6: have noticed, and we've gotten in disagreements. Back in the

836
00:33:07,360 --> 00:33:09,960
Speaker 6: day with sore losers, he would just look at a wall.

837
00:33:11,600 --> 00:33:14,160
Speaker 1: With you on the air. They were off, off the air,

838
00:33:14,200 --> 00:33:20,520
Speaker 1: off the wall. It's interesting, man, it's interesting.

839
00:33:21,120 --> 00:33:21,880
Speaker 3: It's not bad.

840
00:33:22,160 --> 00:33:23,840
Speaker 1: No, I've never noticed it.

841
00:33:23,880 --> 00:33:24,760
Speaker 7: I've never said it's bad.

842
00:33:25,000 --> 00:33:27,120
Speaker 2: Yeah, the other one I keeps saying it's not bad,

843
00:33:27,240 --> 00:33:28,840
Speaker 2: like you're trying to justify it.

844
00:33:28,880 --> 00:33:30,239
Speaker 3: I just want to make sure you know we're not

845
00:33:30,320 --> 00:33:32,280
Speaker 3: like it's just all have our things.

846
00:33:32,640 --> 00:33:33,400
Speaker 1: They didn't have your back.

847
00:33:34,520 --> 00:33:35,800
Speaker 7: You guys act like I'm worried about it.

848
00:33:36,720 --> 00:33:38,400
Speaker 1: I know you're not worried about it. About it dang

849
00:33:39,360 --> 00:33:42,600
Speaker 1: this guy here? Yeah nothing, all good. Ain't worried about

850
00:33:42,600 --> 00:33:45,720
Speaker 1: a dang? Yeah, no to be worried about. But this

851
00:33:45,760 --> 00:33:46,080
Speaker 1: ain't it.

852
00:33:46,920 --> 00:33:48,320
Speaker 2: Maybe I'll do it my wife like when I get

853
00:33:48,360 --> 00:33:49,959
Speaker 2: an argument, because I'm just like, all right, I'm annoyed

854
00:33:49,960 --> 00:33:51,040
Speaker 2: with this, I'll just look at the wall.

855
00:33:51,080 --> 00:33:53,400
Speaker 1: Like all right, we don't started looking at the wall?

856
00:33:53,400 --> 00:33:55,080
Speaker 2: Oh yeah, no, no, I started talking about looking at her,

857
00:33:55,120 --> 00:33:56,840
Speaker 2: and then if we say the same thing twice, I'm like,

858
00:33:56,840 --> 00:33:57,960
Speaker 2: all right, I'm gonna look at the wall.

859
00:33:58,160 --> 00:34:00,120
Speaker 3: Oh yeah, it's interesting. I wonder what she would.

860
00:34:00,240 --> 00:34:01,440
Speaker 1: And what does the wall do for you?

861
00:34:02,240 --> 00:34:02,400
Speaker 3: Well?

862
00:34:02,440 --> 00:34:04,360
Speaker 2: She gets mad, She's like, why can't you I'm I

863
00:34:04,360 --> 00:34:05,400
Speaker 2: I'm done talking about it.

864
00:34:06,520 --> 00:34:08,359
Speaker 1: Can't you look at me? Is that what she says?

865
00:34:09,760 --> 00:34:11,160
Speaker 2: She goes, You're not even looking at me. I'm like, well,

866
00:34:11,160 --> 00:34:12,319
Speaker 2: I've already said what I need to.

867
00:34:12,280 --> 00:34:14,160
Speaker 1: Say, But what does that have to do with your eyes?

868
00:34:14,560 --> 00:34:15,160
Speaker 7: What's what I'm saying?

869
00:34:15,360 --> 00:34:17,239
Speaker 2: But she's going to say the same thing she just said.

870
00:34:17,280 --> 00:34:19,040
Speaker 2: So it's like, all right, well, I don't need to

871
00:34:19,040 --> 00:34:20,320
Speaker 2: look at you to hear the exact.

872
00:34:20,080 --> 00:34:25,839
Speaker 1: SAME's the problems is the want of them? Okay, got

873
00:34:25,880 --> 00:34:29,760
Speaker 1: I got like three quick things I want to say, Yeah,

874
00:34:29,840 --> 00:34:31,040
Speaker 1: what a day though, huh.

875
00:34:30,880 --> 00:34:32,600
Speaker 5: A Greade day grade day?

876
00:34:32,719 --> 00:34:35,799
Speaker 7: What a day? Just texted me, Oh.

877
00:34:35,800 --> 00:34:39,680
Speaker 1: Yeah, he's like, hey, wherever you are? No, you want

878
00:34:39,680 --> 00:34:41,000
Speaker 1: to come MI like with me and my Does I

879
00:34:41,080 --> 00:34:41,680
Speaker 1: have your number?

880
00:34:41,760 --> 00:34:43,560
Speaker 7: Well maybe he has school before it, but it's go.

881
00:34:43,719 --> 00:34:48,000
Speaker 1: To Richard Marks as fallnchbox is number. No you did not, Okay, Okay,

882
00:34:48,000 --> 00:34:50,000
Speaker 1: today's last day. If you want to get some pimp

883
00:34:50,040 --> 00:34:53,719
Speaker 1: and joy stuff to have for for for the July,

884
00:34:53,800 --> 00:34:55,560
Speaker 1: you can have it any time. But we don't keep

885
00:34:55,560 --> 00:34:57,439
Speaker 1: any of the money, and it's going for United States

886
00:34:57,560 --> 00:35:00,600
Speaker 1: Marine Corps Corporal Aaron Mankin building a home for heroes.

887
00:35:00,719 --> 00:35:02,560
Speaker 1: We're trying to build him a home. All the money

888
00:35:02,560 --> 00:35:05,640
Speaker 1: will go to him. He's had seventy surgeries throughout his recovery,

889
00:35:05,680 --> 00:35:08,080
Speaker 1: but that that's up at Bobbybones dot com. I do

890
00:35:08,200 --> 00:35:10,520
Speaker 1: want to mention this quickly because this is the story

891
00:35:10,520 --> 00:35:12,239
Speaker 1: I've tried to get to. But we've just been I mean,

892
00:35:12,280 --> 00:35:14,399
Speaker 1: without I'm being honest with you. I don't say this often.

893
00:35:15,480 --> 00:35:17,640
Speaker 1: We've been rocking this week. It's been funny as crap.

894
00:35:18,719 --> 00:35:21,400
Speaker 1: In some weeks. I haven't been sick and he's been sick. Too,

895
00:35:21,440 --> 00:35:23,480
Speaker 1: but I still feel like they've been some I've left

896
00:35:23,520 --> 00:35:27,680
Speaker 1: here going, man, that's funny today that it doesn't matter.

897
00:35:28,040 --> 00:35:30,879
Speaker 1: There's just some segment on No, it's about it, it's

898
00:35:30,880 --> 00:35:34,520
Speaker 1: not about you. Oh probably probably it literally wasn't about you.

899
00:35:34,640 --> 00:35:36,520
Speaker 2: It was probably a segment that I was contributed to.

900
00:35:36,520 --> 00:35:39,440
Speaker 1: The funny you contribute all segments of this. I'm saying, no,

901
00:35:39,520 --> 00:35:41,719
Speaker 1: but it wasn't going to anyway I wanted.

902
00:35:42,360 --> 00:35:44,040
Speaker 2: You didn't want to make them feel bad by pointing

903
00:35:44,080 --> 00:35:44,839
Speaker 2: out how funny I had.

904
00:35:45,040 --> 00:35:46,160
Speaker 5: Definitely that's not a problem.

905
00:35:46,160 --> 00:35:51,279
Speaker 1: No, it regardless. There's the new AIRBNBA fashion they're calling it.

906
00:35:51,320 --> 00:35:52,640
Speaker 1: There's a new app that wants to help you run

907
00:35:52,680 --> 00:35:54,400
Speaker 1: out your closet and save the planet. That people can

908
00:35:54,440 --> 00:35:57,040
Speaker 1: rent you have pictures stuff. I like that twenty bucks

909
00:35:57,040 --> 00:35:57,560
Speaker 1: they wear it.

910
00:35:57,920 --> 00:35:58,439
Speaker 7: That's cool.

911
00:35:59,040 --> 00:35:59,759
Speaker 1: You should do that.

912
00:36:00,080 --> 00:36:02,120
Speaker 3: Gosh, it's like rent the Runway, but.

913
00:36:01,840 --> 00:36:03,120
Speaker 1: Butch Perier to peer.

914
00:36:03,400 --> 00:36:04,359
Speaker 7: I'll run it for you.

915
00:36:04,840 --> 00:36:06,960
Speaker 1: I'm not doing this if you should, totally do I

916
00:36:06,960 --> 00:36:11,280
Speaker 1: don't people come to my house nor probably have a spot.

917
00:36:11,719 --> 00:36:13,000
Speaker 1: I had a red hoodie in my car.

918
00:36:13,160 --> 00:36:16,279
Speaker 7: I don't know mayor Mayor Richard took it.

919
00:36:16,840 --> 00:36:19,680
Speaker 1: How hilarious that Richard's wearing my red hoodie. Hey, but

920
00:36:19,760 --> 00:36:22,640
Speaker 1: did you get a hoodie out of my car? Okay?

921
00:36:23,280 --> 00:36:24,760
Speaker 1: Oh no? Mom? Like went golf clubs?

922
00:36:29,080 --> 00:36:32,399
Speaker 5: I don't know, it's for sure. Those clubs are still wet,

923
00:36:32,520 --> 00:36:32,839
Speaker 5: for sure.

924
00:36:32,840 --> 00:36:34,279
Speaker 1: And that's a brand new I just got it and

925
00:36:34,360 --> 00:36:38,280
Speaker 1: opening this morning. Do you have the keys?

926
00:36:38,760 --> 00:36:38,840
Speaker 3: No?

927
00:36:38,960 --> 00:36:39,600
Speaker 7: I got the keys?

928
00:36:39,600 --> 00:36:42,040
Speaker 1: Man, would you go? You haven't given them? Did you

929
00:36:42,080 --> 00:36:44,440
Speaker 1: just pull it out of there? I was gonna wear that.

930
00:36:44,480 --> 00:36:45,880
Speaker 1: I was gonna wear that somewhere right after this, I'm

931
00:36:45,920 --> 00:36:50,239
Speaker 1: gonna switch shirts. So there's a new app and what

932
00:36:50,280 --> 00:36:51,960
Speaker 1: that's what they want to do. It's called by rotation.

933
00:36:52,400 --> 00:36:54,000
Speaker 1: It's in the UK, but they're gonna do it here.

934
00:36:54,280 --> 00:36:57,719
Speaker 1: And so it's it's that if you see it, you

935
00:36:57,760 --> 00:36:59,160
Speaker 1: want to get it, you can go get it, rent

936
00:36:59,160 --> 00:37:01,440
Speaker 1: it from them. You have put your credit card down

937
00:37:01,440 --> 00:37:02,200
Speaker 1: because if you ruin.

938
00:37:02,080 --> 00:37:04,880
Speaker 3: It, you don't bring it back, or you don't bring

939
00:37:04,960 --> 00:37:05,239
Speaker 3: it back.

940
00:37:05,840 --> 00:37:07,600
Speaker 1: I think that's pretty that's pretty smart.

941
00:37:08,600 --> 00:37:12,719
Speaker 2: Oh yeah, all those clothes you gave Eddie's gonna start running.

942
00:37:12,719 --> 00:37:13,960
Speaker 5: I mean I was thinking about I got a lot

943
00:37:13,960 --> 00:37:14,800
Speaker 5: of golf shirts.

944
00:37:15,239 --> 00:37:16,600
Speaker 1: I don't think that would be a thing. So now

945
00:37:17,040 --> 00:37:18,960
Speaker 1: no one golf for a quick nine.

946
00:37:19,480 --> 00:37:22,239
Speaker 3: They're gonna come Okay, yeah, you can rent, lend.

947
00:37:22,040 --> 00:37:26,480
Speaker 1: Or sell, all right, that's that. What is lind borrow?

948
00:37:27,239 --> 00:37:28,919
Speaker 7: Why would you lend it if you can charge?

949
00:37:29,040 --> 00:37:32,040
Speaker 1: Maybe maybe maybe it's like a barter thing, like you

950
00:37:32,120 --> 00:37:33,799
Speaker 1: lend something and then you have like a lend point

951
00:37:33,800 --> 00:37:35,040
Speaker 1: and you get you can.

952
00:37:35,719 --> 00:37:40,440
Speaker 3: So Shiro's slogan for my Instagram that she wants to

953
00:37:40,480 --> 00:37:44,000
Speaker 3: run adding links. She says she's helping the followers. She

954
00:37:44,040 --> 00:37:47,040
Speaker 3: goes if they click on the links, that helps her.

955
00:37:47,200 --> 00:37:49,000
Speaker 3: She's like, you help me, I help you.

956
00:37:49,400 --> 00:37:52,160
Speaker 1: I did. I replied to it and said, yes, you

957
00:37:52,239 --> 00:37:56,239
Speaker 1: help me. More justice to shares what I said, yes. Uh.

958
00:37:56,280 --> 00:38:00,560
Speaker 1: And then finally today, uh, we did yes yesterday for

959
00:38:01,320 --> 00:38:05,280
Speaker 1: comedically inspirational tickets, and we're doing They may they're putting

960
00:38:05,320 --> 00:38:08,000
Speaker 1: up new Nashville ones at least by tomorrow morning. This

961
00:38:08,040 --> 00:38:11,600
Speaker 1: is what Morgan Won just said. They just released those

962
00:38:11,640 --> 00:38:16,960
Speaker 1: fifty Nashville O s tick oh tickets, but there's a

963
00:38:17,040 --> 00:38:21,440
Speaker 1: que lots of traffic, such a cute people can't buy them.

964
00:38:21,480 --> 00:38:22,880
Speaker 1: I don't know if that's for my tickets or not.

965
00:38:23,040 --> 00:38:24,520
Speaker 1: I don't know if I'm going full Taylor swip on

966
00:38:24,560 --> 00:38:26,880
Speaker 1: them and something tells me the site just got a

967
00:38:26,880 --> 00:38:29,040
Speaker 1: problem more than it is people fighting to get those tickets.

968
00:38:29,239 --> 00:38:31,040
Speaker 1: But they should be up at some point today if

969
00:38:31,080 --> 00:38:33,000
Speaker 1: you want to get them. It's the last fifty tickets

970
00:38:33,040 --> 00:38:34,480
Speaker 1: usually we hold. I just don't want to hold them

971
00:38:34,600 --> 00:38:37,040
Speaker 1: because I don't need them. But yeah, this ticket's going

972
00:38:37,080 --> 00:38:41,720
Speaker 1: sell tomorrow. So there's that ten am local time. Okay,

973
00:38:41,760 --> 00:38:46,439
Speaker 1: that's it. Everybody good? Yeah, okay, lunchbox, thank you, Yeah,

974
00:38:46,440 --> 00:38:52,000
Speaker 1: you're welcome. Definitely close your ears, lunchbox. Hey, Mike, close

975
00:38:52,000 --> 00:38:54,160
Speaker 1: your ears, dude, big employee. The month points today, just

976
00:38:54,200 --> 00:38:59,239
Speaker 1: unlet's this keep ticking. I'm plug your ears, lunchbox. But huh,

977
00:39:00,360 --> 00:39:02,239
Speaker 1: what do you say? What in the world you know

978
00:39:02,280 --> 00:39:03,319
Speaker 1: if she took his mask off?

979
00:39:04,360 --> 00:39:07,000
Speaker 3: He said your ears on, and I'm like, your ears

980
00:39:07,080 --> 00:39:08,719
Speaker 3: Dan when he.

981
00:39:08,719 --> 00:39:11,920
Speaker 1: Calls it your name, I don't call munch fox anything

982
00:39:11,920 --> 00:39:14,880
Speaker 1: but unch like Clark Clark can huh? And then you

983
00:39:14,960 --> 00:39:17,440
Speaker 1: walked out in Reg's well. Richard just pulled kp off.

984
00:39:17,520 --> 00:39:18,400
Speaker 1: Lunchbox didn't.

985
00:39:19,120 --> 00:39:20,160
Speaker 7: Yeah, that was weird.

986
00:39:20,800 --> 00:39:24,760
Speaker 3: It was so weird.

987
00:39:25,840 --> 00:39:27,080
Speaker 1: Who was picking up? Why not be Jason?

988
00:39:27,160 --> 00:39:28,360
Speaker 7: I don't know, I don't know why Scooba.

989
00:39:28,880 --> 00:39:31,680
Speaker 3: He maybe told his l a people, But.

990
00:39:31,560 --> 00:39:33,920
Speaker 1: Why not say lunchbox? I guess maybe you don't want

991
00:39:33,960 --> 00:39:36,160
Speaker 1: lunchbox coming your driver that it's like we're sending t

992
00:39:36,280 --> 00:39:39,920
Speaker 1: bone over to pick up your boy. We're sending over.

993
00:39:40,120 --> 00:39:42,200
Speaker 1: We're sending over a guy. Jocket. She'll be there too,

994
00:39:43,800 --> 00:39:44,279
Speaker 1: are some of.

995
00:39:44,239 --> 00:39:47,040
Speaker 3: Your other characters Gibbles.

996
00:39:46,200 --> 00:39:50,480
Speaker 2: What would you prefer that lunchbox?

997
00:39:50,560 --> 00:39:52,799
Speaker 7: And then if not Jason gibblesas and Gibbles for your.

998
00:39:52,800 --> 00:39:54,400
Speaker 1: Human name and somebody like that.

999
00:39:54,320 --> 00:39:58,279
Speaker 2: Yeah, okay, or you know Nico Jackson Nico, but then.

1000
00:39:58,200 --> 00:40:00,520
Speaker 1: You have to that's all right, right, I'm should pick

1001
00:40:00,560 --> 00:40:05,239
Speaker 1: up Richie. Richard Mark is here. Hello? Is your name?

1002
00:40:05,320 --> 00:40:07,400
Speaker 1: Richard Mark. We're just gonna.

1003
00:40:07,200 --> 00:40:08,959
Speaker 7: Drive right up this road right here.

1004
00:40:09,680 --> 00:40:11,960
Speaker 1: We're gonna go all right, Thank you guys. We'll see

1005
00:40:12,000 --> 00:40:12,920
Speaker 1: you tomorrow. Bye, buddy,