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Speaker 1: Of Course. Love Supreme is a production of iHeartRadio. This

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Speaker 1: classic episode was produced by the team at Pandora.

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Speaker 2: What Up.

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Speaker 3: This is unpaid bill for West Love Supreme. Check out

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Speaker 3: singer songwriter and produce your tie dollars sign as you share.

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Speaker 3: Some of his words of wisdom too were growing up

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Speaker 3: in the LA music scene. He's created process and working

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Speaker 3: with everyone from Babyfacing, scrill X to Up and comber

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Speaker 3: Tish Hyman. This is a QLs classic The tie Dollars

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Speaker 3: sign from January seventeenth, twenty eighteen.

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Speaker 2: Let nigga Loody Washington.

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Speaker 1: How do you know his name?

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Speaker 4: I'd be Supreme Supremo, roll call Suprema Suck Suck Supremo,

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Speaker 4: roll call SUPREMEA suck Suck Supremo, roll call Supreme Up

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Speaker 4: suck Suck Supremo ROA. See one of my girls in

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Speaker 4: the club, Da, two of my girls in the club

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Speaker 4: baby three.

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Speaker 5: Oh God, Suprema, Suprema, Suprema, Supremo role.

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Speaker 6: My name is Fante. Yeah, this is how we start. Yeah,

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Speaker 6: be cause I'm stealing. Yeah, all these bitches hard.

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Speaker 7: Oh Supremo, Suprema role called Suprema Supremo role called.

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Speaker 2: My name is sugar Yeah, and sugar's fine. Yeah, like

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Speaker 2: the almighty yeah dollar signing ro.

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Speaker 7: Call Suprema something Suprema role called Suprema so supreme a role.

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Speaker 8: It's like, yeah, feeling like a batty Yeah.

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Speaker 7: Yeah, Suprema Son Sun, Suprema role called Suprema southing son,

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Speaker 7: Suprema role.

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Speaker 9: Called my name is Tar Yeah, dollar yeah, beach house

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Speaker 9: three Yeah, in stores now.

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Speaker 7: Sun Supremo, roll call Suprema Son Sun Supremo, roll Suprema

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Speaker 7: Sun Sun Supremo roll call Suprema Son Sun Supremo roll.

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Speaker 1: Wow.

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Speaker 9: Hey.

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Speaker 1: First of all, let me just say Todd, thank you

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Speaker 1: for your understated ad libs, because we've had a few.

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Speaker 6: Seanie Wilson was running. Wilson went, went Ham Jarney and

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Speaker 6: chicken and dressing.

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Speaker 1: He did the did the moaning, the plantation, moaning about

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Speaker 1: to happen at midnight. Moaning Ladies and gentlemen. Welcome to

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Speaker 1: another edition of Quest Love Supreme Court Love. We have

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Speaker 1: a team Supremia. Are we still here?

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Speaker 6: We're still here? We we we We're like we cut

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Speaker 6: down a little bit, tem Supreme.

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Speaker 1: We got post holiday Supreme. We got a fun ticcolo

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Speaker 1: in the house for something all how you doing we

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Speaker 1: have Ah, it's all you and sugar, Steve. I never

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Speaker 1: missed a show. This is true.

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Speaker 8: That is true.

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Speaker 6: That is true, Steve. He's only one of us has

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Speaker 6: perfect attendance. Other than no, I'm not.

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Speaker 1: I wasn't technically there for this picnic. Oh.

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Speaker 2: I mean, I mean you showed up a little bit

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Speaker 2: in and out.

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Speaker 1: Yeah, you know I showed up. But you know you

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Speaker 1: do that attendance and everything. Yeah, okay, well I'll make

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Speaker 1: sure you get it. The first step and everything is

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Speaker 1: showing up.

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Speaker 8: So we learned in elementary school.

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Speaker 1: If necessarily hit me with this, I'm sorry. I forgot.

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Speaker 1: Forgive me, y'all.

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Speaker 2: That's me.

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Speaker 9: Anyway, Today I love this show already.

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Speaker 1: Today we got singing song writer producer Los Angeles Nate

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Speaker 1: Still Los Angeles name correct. Okay, is everything fine? You know,

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Speaker 1: because I think.

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Speaker 9: I mean, there's a big fire going on right I'm

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Speaker 9: saying some of the homies have had to evacuate.

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Speaker 1: But are you fine at the moment?

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Speaker 9: Yeah, I'm fine.

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Speaker 1: Okay, My life is my house is yeah, yeah, okay good.

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Speaker 1: Just want to be sure. Uh, the Lineage Royalty, we

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Speaker 1: have a Todd Dallas sign in the house Today, he's

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Speaker 1: going to talk about his life journey for making on

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Speaker 1: the ground mixtapes to singing over some of the notableducers

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Speaker 1: that we all love on the show, Matt Lib, Black Milk, Dylan,

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Speaker 1: even even with I created a partner as one of

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Speaker 1: my fate. Oh my god, it's almost ten years and

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Speaker 1: really that's almost half old school when something is not?

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Speaker 1: Is this a classic? Now?

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Speaker 6: Yeah, I guess fifteen years of old school? You know what,

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Speaker 6: know the way music moves now, like five years is

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Speaker 6: damn in old school.

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Speaker 8: I mean it's you probably got to ask the youngest

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Speaker 8: one in the room about that. Would you say to

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Speaker 8: what's man?

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Speaker 9: The way the way my little homies is talking three

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Speaker 9: years is old.

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Speaker 1: That sounds about right true anyway, you know.

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Speaker 9: Like you're you're the o G homie.

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Speaker 10: Uh.

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Speaker 1: And right now he's here promoting his latest effort, Beach

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Speaker 1: House three, and we would like to welcome Ty Donalds.

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Speaker 1: Signed the question Man, happy.

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Speaker 9: To be here, happy to be in all of your presence.

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Speaker 1: Coming're happy to happy, We're happy to have you for sure.

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Speaker 9: So yeah, Beach House three is out one of my

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Speaker 9: favorite projects up to date. I got John Mayrow on

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Speaker 9: my project. Man that's like a big life goal for me.

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Speaker 9: One of my favorite musicians out there, you know. And

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Speaker 9: uh my next project, I'm gonna have quest love You

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Speaker 9: feel me putting that absolutely?

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Speaker 1: Why not? You don't have to put it out.

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Speaker 9: It was work.

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Speaker 1: I'm down. We only worked one. Well, you came on

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Speaker 1: the show once, uh what like twenty thirteen, I think, yeah, yeah,

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Speaker 1: you came through.

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Speaker 11: That was the first time you've been on National TV

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Speaker 11: on foul remember my first time together.

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Speaker 1: Yeah.

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Speaker 9: Man, the work time to getting that lab though.

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Speaker 1: So you're all right. So you were born in Los Angeles.

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Speaker 9: I was born in Los Angeles, raised in Los Angeles.

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Speaker 9: I'm not like like when people come to l A

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Speaker 9: and they have like bad things to say about l A.

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Speaker 9: I feel like, you know what y'all have been like

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Speaker 9: on the other side of Wilshire, like meaning Hollywood and

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Speaker 9: like you know, like where all the out of towners

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Speaker 9: be at. Like I'm talking about the other side of Wilshire,

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Speaker 9: like the real LA That's where I'm from. You know,

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Speaker 9: it's a good Inglewood south Central like Midtown like Inglewood,

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Speaker 9: like Compton, like Long Beach, like.

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Speaker 1: So what do you what would you consider what would

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Speaker 1: you consider Pasadena, Altadena.

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Speaker 9: That's like, it's that's I mean, it's some homies from

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Speaker 9: over there too. You know, you gotta you gotta a

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Speaker 9: Pasadena guy in the in the booth right now, my

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Speaker 9: security Brown.

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Speaker 1: I'm quasi Pasadena. I probably did like two or three years.

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Speaker 11: And when I as a kid as.

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Speaker 1: Well, I was also three, So it's not much I

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Speaker 1: think you needed it at that point. No, So it's

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Speaker 1: if I don't know, like I'm one of these people

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Speaker 1: that you know, because I'm in the industry and I

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Speaker 1: have a lot of industry peeps, I will say that

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Speaker 1: I think it's almost by default or fashionable for people

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Speaker 1: to sort of disavow or disassociate themselves from LA. But

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Speaker 1: for me, like I mean, whatever side you're on, either

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Speaker 1: the hood side or the Hollywood side or whatever, there's

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Speaker 1: always this thing of like, you know, LA is not real,

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Speaker 1: it's superficial, it's fake and da da da da da.

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Speaker 1: But you know, I'll say for myself, LA is like

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Speaker 1: probably one of four places that I still get excited

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Speaker 1: to go to. You know, Like now that I live

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Speaker 1: in New York, it's like I live here, so the

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Speaker 1: mystery's going up. Oh I'm going to New York. That

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Speaker 1: used to be a thing coming from Philly. But for me,

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Speaker 1: I've always loved everything about going to LA and never

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Speaker 1: understood people that were sort of like cao whatever about it.

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Speaker 8: Yeah, it depends on where you're from.

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Speaker 11: That's why the song that you did about La that

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Speaker 11: was like the perfect way to describe it, like the

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Speaker 11: feeling like everything. But I think a lot of East

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Speaker 11: Coast people sometimes they come to La feeling in some

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Speaker 11: tipe of way because it moves slower.

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Speaker 8: It's the opposite. It's kind of like the opposite.

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Speaker 2: It's more laid back.

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Speaker 6: Like one thing I wanted to ask you is I

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Speaker 6: was talking This has been a couple of weeks ago.

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Speaker 6: I was talking to Terrys Martin and he was like, Yo, man,

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Speaker 6: you gotta come to La. You gotta come out here.

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Speaker 6: Like the air is different out here. That was the

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Speaker 6: exact quote.

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Speaker 2: He's like, Yo, the air is just different out here.

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Speaker 2: You need to come and lit's get in.

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Speaker 9: Like Creative is always going to give you one of

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Speaker 9: them famous you know, terrorist quotes, legendary quotes. Yo.

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Speaker 6: Man, that was his There is different, So like creatively,

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Speaker 6: what is it for you?

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Speaker 9: I mean for me, it's there like you said, it's

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Speaker 9: just like when I'm here, it's one vibe. Actually, when

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Speaker 9: I made that song La, it was here me and Kendrick.

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Speaker 9: We both did up versus out here. But when you're

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Speaker 9: out there, it's definitely like a different vibe that you get.

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Speaker 8: The beach makes a difference too.

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Speaker 9: For sure. For sure, even though all the studios ain't

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Speaker 9: nowhere near to be right.

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Speaker 1: So what do you what are your views on New York?

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Speaker 1: Like when as an LA native, when you're traveling to

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Speaker 1: New York or whatever.

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Speaker 9: Do you it's the same exact feeling that you you said.

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Speaker 9: I think like I'm excited. I can't wait to get

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Speaker 9: out there and just touch the city. And you know,

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Speaker 9: so you're the energy seven eight. I was out here,

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Speaker 9: me and my boy Parker, and you know, I was

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Speaker 9: like in the studios trying to, you know, see who

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Speaker 9: I could get a beat placed on it. At that time,

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Speaker 9: I was just doing a lot of beats and I

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Speaker 9: sung and all that, but I wasn't like it was

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Speaker 9: more so like focused focusing on beats and all that.

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Speaker 9: And that didn't work out. So I ended up going

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Speaker 9: back to l A mean, why g linked up? We

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Speaker 9: made Toted and booted and then you know everything from there.

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Speaker 1: So I guess you should be noted that your father

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Speaker 1: as a member of Lakeside. Yeah, and like just growing

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Speaker 1: up in that he was was he original member in the.

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Speaker 9: Group, He was an original memory he came later when

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Speaker 9: was his spirit all through the eighties, nineties, okay, two

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Speaker 9: thousands so around Like I guess when Outrageous was Yeah

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Speaker 9: by the time because he toured with that, Yeah it was, yes.

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Speaker 1: Okay, So were you a backstage kid as far as.

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Speaker 9: Like, yeah, for sure, backstage kids, studio kids.

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Speaker 1: Just to sall that period, Like what were you seeing

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Speaker 1: at in your formative young years.

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Speaker 9: Young years coming up? Just you know Pops is, Homies,

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Speaker 9: Earth Wind and fire Shallamar, all the people from back then.

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Speaker 9: I remember them all, like you know, they would come

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Speaker 9: to the house sometimes when they would throw parties whatever,

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Speaker 9: studios you know. I remember like when when my homies

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Speaker 9: around me started you know, smoking me or whatever. I

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Speaker 9: remembered that smell from when I was young. I'm like,

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Speaker 9: I always thought it was cigarettes because I'll see the

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Speaker 9: little roaches, but like it wasn't. Yeah, out of that did.

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Speaker 1: You have even as a young as in your young years,

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Speaker 1: Like did you have any desires to get into music

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Speaker 1: or you just.

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Speaker 9: Observed, like I was just observing really, but like hearing

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Speaker 9: like them figure out songs and like, uh, you know,

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Speaker 9: writing songs together, and then me going and touching the

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Speaker 9: piano or touching the guitar and being being able to

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Speaker 9: like play that same melody that I just heard by ear.

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Speaker 9: I was like to start. And once I figured that out,

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Speaker 9: then my pop's uh and to buy me an NPC,

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Speaker 9: and then from there I got a in Sonic TS ten,

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Speaker 9: and I learned how to MIDI and then I learned

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Speaker 9: the uh, the ad ads and all that.

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Speaker 1: Wow, when you started like ten, I'm gonna say that's

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Speaker 1: a little unusual. Like, yeah, I just wanted a drum set.

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Speaker 1: I didn't want a damn studio quick. Look.

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Speaker 9: I always wanted the drum set. But they never would

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Speaker 9: buy me the drum set, I guess because it was

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Speaker 9: that made too much my mom's excuse. So you know,

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Speaker 9: I wanted to be you.

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Speaker 8: Bro diud you play right? You play drums?

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Speaker 9: Yeah? I played drums, but like not like him, but

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Speaker 9: I played drums.

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Speaker 1: Though, So that's actually smart for parents to buy kids

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Speaker 1: NPCs instead of drum kids headphones and stuff. Keep it

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Speaker 1: real quiet in the house. See, my parents brought me

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Speaker 1: drum set because they wanted to know I was envy

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Speaker 1: basement monitoring. Yes, exactly.

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Speaker 9: Like I met this other kid writer. His name was Troy,

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Speaker 9: and his dad was and their brothers Johnson, and he

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Speaker 9: knew how to make beats George Johnson.

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Speaker 1: Yeah.

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Speaker 9: Yeah, So Troy taught me like what to do you

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Speaker 9: know what I mean, from like young and then after

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Speaker 9: that it just we went off.

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Speaker 1: So growing up, like because we these are people that

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Speaker 1: we idolized, Like is this I mean everyone always says like, oh,

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Speaker 1: you're just dad to me, You're not like like did

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Speaker 1: you really that your your particular situation was just a

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Speaker 1: little bit different then your peers around the way or

253
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Speaker 1: did that not phase you at all?

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Speaker 9: I mean it's great like everything.

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Speaker 1: Like how do your friends, I'm sorry, how do you

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Speaker 1: how do your friends at least in that in that

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Speaker 1: time of your life? How do they accept your existence?

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Speaker 1: Like because you're experiencing things that they don't. You get

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Speaker 1: to meet.

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Speaker 9: Yeah, like people like you know, friends from the neighborhood

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Speaker 9: would think it was like cool and all that, but like,

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Speaker 9: really I used to want to keep it separate, so

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Speaker 9: people wouldn't like, uh, I think it's kind of like

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Speaker 9: what my daughter goes through now. If I if I

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Speaker 9: go to her school and she doesn't want me to

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Speaker 9: like get out and you know, come get her like that,

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Speaker 9: because everybody would be like, oh, she's a teenager twelve now,

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Speaker 9: so like.

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Speaker 1: Oh my god, like it's crazy.

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Speaker 10: So you know what I mean.

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Speaker 9: And she's in middle school, so if I get out,

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Speaker 9: then all the kids will come running like, oh, let

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Speaker 9: me get a picture of time dollars sign, and then

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Speaker 9: she doesn't get to like, you know, being at school.

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Speaker 9: So I never wanted people to you know, know about

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Speaker 9: that really or like you know, be around me for that.

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Speaker 9: So that's how that was.

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Speaker 1: You know what I'm saying, Well, what kind of car

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Speaker 1: are you pulling up? Pulling up to the school.

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Speaker 9: I've been blessed. I like to take my I like

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Speaker 9: to take my driver mad up there in the suburban

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Speaker 9: and uh oh.

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Speaker 2: No, a suburban is pretty I like to take.

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Speaker 9: I got to give them respect, you know, shout out

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Speaker 9: to mat.

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Speaker 6: Yeah, you pull up in a f animal some shit,

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Speaker 6: and the it's like I'm looking for attention.

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Speaker 2: But the suburban is that's pretty standard.

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Speaker 11: Twelve year old daughter changes everything, not even just like

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Speaker 11: that whole aspect. I'm just thinking it's just in twenty

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Speaker 11: seventeen having the door to being Tied Dollar Sign.

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Speaker 8: It's like you know what I'm saying, Like.

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Speaker 9: She listened to like over the last two years. Like

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Speaker 9: then it started getting real like after ten, like where

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Speaker 9: it's like, okay, she's got the phone. I'm like, play

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Speaker 9: your music, play whatever you want to play, just hoping

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Speaker 9: the play put whatever you're listening to on and like

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Speaker 9: I can tell she's like, yeah, she's getting there. So

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Speaker 9: I'm like, wow, I like that song you put out, Dad,

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Speaker 9: I like that new song. Oh I like that Okay okay.

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Speaker 9: So's when three came, it was like all right, I'm

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Speaker 9: not gonna like the studio you have. You have like yes, Snapchat,

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Speaker 9: Oh she has a Snapchat Okay, so I gotta like,

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Speaker 9: you know, she doesn't have an Insta yet. So I

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Speaker 9: got like, I don't know how much more time I got.

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Speaker 5: Old.

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Speaker 9: Yeah, you guys will you guys will be saying much

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Speaker 9: more Dad, my bio Tied.

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Speaker 6: Dollar Radio Edits so like as a kid, it's gonna

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Speaker 6: get better, though, I promise you so I would be

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Speaker 6: one thing I would to ask you is as a kid,

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Speaker 6: So it was your pops. He was he played, he

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Speaker 6: was played with Lakeside, it's your mom. Does she have

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Speaker 6: any musical talent?

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Speaker 9: She doesn't do music at all. And then of course

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Speaker 9: after pops and moms broke up, she didn't want me

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Speaker 9: to do music. Grandpaps didn't want me to do music.

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Speaker 9: Nobody from that side was like a fan of the music. So,

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Speaker 9: you know, when when life started to happen more and

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Speaker 9: I started to feel like, you know, I know everything,

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Speaker 9: and you know I could do everything on my own.

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Speaker 9: You know, I was like in the back of my

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Speaker 9: grandmother's crib on my dad's side, you know, working and

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Speaker 9: shout out to her because her birthday's coming up this weekend,

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Speaker 9: and you know, everybody in the family's texting me. And

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Speaker 9: I even go on Instagram Live earlier and one of

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Speaker 9: my cousins gets on there like, yo, are you coming

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Speaker 9: this week? Like what like my grandmama birthday? You already

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Speaker 9: know I'm gonna be there, like the whole family going.

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Speaker 9: She's about to be ninety two.

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Speaker 1: So so you're still close to your family.

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Speaker 9: Hell yeah, man?

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Speaker 1: Is it slightly different though, it's.

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Speaker 9: Slightly different for sure, like you know with certain people,

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Speaker 9: but like the real ones, like yeah, the immediate family

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00:18:19,440 --> 00:18:22,240
Speaker 9: is always regular good adjustment.

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Speaker 6: Like new cousins like rights get new on you, old

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00:18:28,080 --> 00:18:29,119
Speaker 6: cousins getting new on you.

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Speaker 1: Yeah, that's you know, like how do you how do

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00:18:33,119 --> 00:18:35,320
Speaker 1: you adjust to that? Because that's one of the I

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00:18:35,320 --> 00:18:38,480
Speaker 1: feel like that's one of the hardest transitions that one

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Speaker 1: can go through when you're like in an isolated situation

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Speaker 1: and you get meteoric success and then yeah, it's like

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Speaker 1: it's our thing, right.

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Speaker 9: Yeah, I've learned with like all issues. I'll like, just

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00:18:54,320 --> 00:18:56,680
Speaker 9: if I really, really, you know, mess with you, I'll

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00:18:56,720 --> 00:18:59,080
Speaker 9: give you a couple of explanations if it takes that

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Speaker 9: many times, and then I'll just go quiet for a

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00:19:01,880 --> 00:19:06,480
Speaker 9: minute to let you figure it out yourself. And it

350
00:19:06,560 --> 00:19:10,960
Speaker 9: seems it's been working pretty well. Get it people like

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00:19:11,080 --> 00:19:13,360
Speaker 9: ended up figuring it out. You know, it's meant to be.

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Speaker 1: As I had to. Sorry, I feel certain way.

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Speaker 8: I just got this.

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Speaker 11: Sorry, Hey did your mother when did she turn the

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Speaker 11: cheek and go you know what?

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Speaker 10: Son?

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00:19:33,720 --> 00:19:35,280
Speaker 8: You may have something with this.

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00:19:38,760 --> 00:19:44,280
Speaker 9: When you know I came back at her and no, no,

359
00:19:44,720 --> 00:19:47,760
Speaker 9: she's always like supported me. She just wanted me to

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Speaker 9: figure it out. But it was definitely that time where

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00:19:51,440 --> 00:19:55,720
Speaker 9: she was like, yo, so you know your videos out,

362
00:19:56,520 --> 00:19:59,040
Speaker 9: your songs on the radio, but where's the money?

363
00:20:00,119 --> 00:20:07,120
Speaker 8: My mom? I just had ton, but.

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Speaker 9: You know, she was just asking where it is. She

365
00:20:13,040 --> 00:20:15,720
Speaker 9: just always cares for sure. She wants to see make

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Speaker 9: sure I'm on the right path. And I wasted my time.

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Speaker 9: So I figured it out and it just took you know, consistency,

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00:20:25,840 --> 00:20:27,080
Speaker 9: and we met. It happen.

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Speaker 2: What was the How did you and Corey link up?

370
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Speaker 9: Corey? Me and Corey linked up through this random dude

371
00:20:37,200 --> 00:20:40,359
Speaker 9: that I met at the Guitar Center name et Cetera,

372
00:20:41,440 --> 00:20:46,400
Speaker 9: and et Cetera heard me playing bass and he was like, yo,

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Speaker 9: I made music too. I got some I want to

374
00:20:48,840 --> 00:20:52,000
Speaker 9: play you and we went outside and it was like

375
00:20:52,040 --> 00:20:53,959
Speaker 9: some rap music and it was dope. He was from

376
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Speaker 9: New York and and I told him I would come

377
00:20:57,480 --> 00:21:00,080
Speaker 9: out here because I met somebody online that I was

378
00:21:00,080 --> 00:21:02,320
Speaker 9: going to sell a be two at the time, and

379
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Speaker 9: I ended up coming out here. I linked up with

380
00:21:04,800 --> 00:21:07,040
Speaker 9: him and when I went to his crib, it was

381
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Speaker 9: in bedstide and Corey was in the living room and

382
00:21:12,480 --> 00:21:16,639
Speaker 9: he was making music on the laptop or whatever at

383
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Speaker 9: the time, the desktop at the time, and he sounded

384
00:21:19,440 --> 00:21:21,280
Speaker 9: like Raphael sa Dik a little bit like I had

385
00:21:21,320 --> 00:21:23,160
Speaker 9: a little vibe to him, and I'm like, oh, that's

386
00:21:23,240 --> 00:21:25,119
Speaker 9: kind of crazy, Let's make a song. We end up

387
00:21:25,160 --> 00:21:28,040
Speaker 9: making like three songs that same day right there, and

388
00:21:28,119 --> 00:21:33,160
Speaker 9: then we met back up at the sun Dance Film

389
00:21:33,200 --> 00:21:36,240
Speaker 9: Festival in Utah because I was like doing some music

390
00:21:36,280 --> 00:21:40,560
Speaker 9: for some little film at the time, and we ended

391
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Speaker 9: up linking up at this dude Parker's crib, which Parker

392
00:21:44,840 --> 00:21:47,159
Speaker 9: became my best friend and he still lives with me

393
00:21:47,240 --> 00:21:52,760
Speaker 9: right now. It's crazy, but me and Corey ended up

394
00:21:52,760 --> 00:21:56,360
Speaker 9: making like a whole little project in a week at

395
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Speaker 9: this dude Parker's crib and it was called Ron Banging one.

396
00:22:00,480 --> 00:22:04,760
Speaker 9: And we made ron Banging too, and ended up linking

397
00:22:04,760 --> 00:22:07,080
Speaker 9: with who I Am in Timberlake and made a little

398
00:22:07,119 --> 00:22:12,120
Speaker 9: situation and met all these different people and that's all

399
00:22:12,160 --> 00:22:16,919
Speaker 9: that did. And then I ended up going back to

400
00:22:17,080 --> 00:22:19,119
Speaker 9: LA that's at the time when I was living in

401
00:22:19,160 --> 00:22:21,600
Speaker 9: New York too. Then I ended up going back in

402
00:22:21,800 --> 00:22:26,320
Speaker 9: LA and you know, end up going back to my

403
00:22:26,400 --> 00:22:30,520
Speaker 9: hood just you know, making beats and you know, making

404
00:22:30,520 --> 00:22:33,919
Speaker 9: songs for homies around the neighborhood. And my big homie

405
00:22:33,920 --> 00:22:37,720
Speaker 9: from my hood was like, yo, I'm managing this new

406
00:22:37,920 --> 00:22:39,840
Speaker 9: little dude. I think you should mess with him. He

407
00:22:39,920 --> 00:22:42,760
Speaker 9: got compted on lock and all that. I'm like, all right.

408
00:22:42,800 --> 00:22:45,200
Speaker 9: So I listened to it and it's this like jerk music,

409
00:22:45,240 --> 00:22:48,600
Speaker 9: and it's like, I don't know, bro, like that's not

410
00:22:48,680 --> 00:22:51,520
Speaker 9: what I'm on like, but he's like, bro, I promise you.

411
00:22:51,680 --> 00:22:53,760
Speaker 9: He brings them to the house and I make this

412
00:22:53,880 --> 00:22:58,520
Speaker 9: beat and instituted and booty beat, and I had sampled

413
00:23:00,160 --> 00:23:06,240
Speaker 9: the group called the I can't think of it right now.

414
00:23:06,800 --> 00:23:09,560
Speaker 9: I just sampled this record. My homie Cords just pulled

415
00:23:09,600 --> 00:23:12,199
Speaker 9: it out and like I sampled it and did the

416
00:23:12,240 --> 00:23:15,360
Speaker 9: little drums, and he came in. I mean my other

417
00:23:15,520 --> 00:23:19,600
Speaker 9: cousin TC forty eight hundred little TC that's out there.

418
00:23:19,720 --> 00:23:22,040
Speaker 9: Him and Nana was like, make a song called Tutor

419
00:23:22,119 --> 00:23:23,680
Speaker 9: and boodh. I'm like, what does that mean? They like

420
00:23:23,760 --> 00:23:26,080
Speaker 9: hit it and go. I'm like all right, So I

421
00:23:26,240 --> 00:23:29,840
Speaker 9: just come up with the hook and YG does his verse,

422
00:23:30,600 --> 00:23:34,119
Speaker 9: TC does his verse. We make a video with the

423
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Speaker 9: homie h.

424
00:23:36,520 --> 00:23:39,200
Speaker 1: James right, James Followoyd.

425
00:23:38,960 --> 00:23:44,080
Speaker 9: Nah by James fo Roy, my other homie James. And

426
00:23:44,160 --> 00:23:46,159
Speaker 9: right now, James is like an actor and all that,

427
00:23:46,200 --> 00:23:48,080
Speaker 9: but at that at the time, like he was shooting

428
00:23:48,240 --> 00:23:50,960
Speaker 9: videos and all that and uh like on this old

429
00:23:51,040 --> 00:23:54,399
Speaker 9: cheap camera. So we went to dark Waller Beach shot

430
00:23:54,440 --> 00:23:57,800
Speaker 9: the video. It came out tie dollar sign feature on

431
00:23:57,960 --> 00:24:01,359
Speaker 9: YG and TC forty. Next thing, you know, there was

432
00:24:01,400 --> 00:24:03,800
Speaker 9: a MENI views up there like in a month and

433
00:24:03,840 --> 00:24:07,760
Speaker 9: then Depth Jam starts calling and they're like, yo, we

434
00:24:07,800 --> 00:24:14,200
Speaker 9: want to sign y G. I'm like, all right, let's

435
00:24:14,200 --> 00:24:16,679
Speaker 9: get it. Like however, however is supposed to come, Like,

436
00:24:16,800 --> 00:24:19,520
Speaker 9: let's get it, and of course they wanted Tutor and

437
00:24:19,520 --> 00:24:23,680
Speaker 9: Buddha is the single and I'm like cool, so we're

438
00:24:23,720 --> 00:24:25,760
Speaker 9: gonna do a reshoot of the video. Right. It's with

439
00:24:25,880 --> 00:24:27,040
Speaker 9: Colin Tilly who.

440
00:24:27,320 --> 00:24:30,240
Speaker 1: Came came from Jam. You know Max cous Okay.

441
00:24:30,160 --> 00:24:36,000
Speaker 9: Yeah, shout out to Max. So, uh, this dude, Colin,

442
00:24:36,320 --> 00:24:38,960
Speaker 9: Colin Tilly is shooting the videos like his first video,

443
00:24:39,200 --> 00:24:42,639
Speaker 9: like right before he got huge. He's like one of

444
00:24:42,680 --> 00:24:46,720
Speaker 9: the biggest directors out there now. Right, and the video

445
00:24:46,800 --> 00:24:50,320
Speaker 9: drops and it says YG tutored and Booty I am

446
00:24:50,359 --> 00:24:53,680
Speaker 9: in the video. But it says nothing about tie dollar sign, right,

447
00:24:54,000 --> 00:24:58,480
Speaker 9: So I'm like, all right, cool, like it's time to

448
00:24:58,600 --> 00:25:00,520
Speaker 9: keep on. That's what my mom's talking talking that like

449
00:25:00,600 --> 00:25:03,919
Speaker 9: yeah everywhere, like where's the money? Next thing? You know,

450
00:25:06,320 --> 00:25:08,480
Speaker 9: the guy who I produced with a lot, his name

451
00:25:08,560 --> 00:25:12,399
Speaker 9: is Jacasso. He ends up getting killed. And when he

452
00:25:12,440 --> 00:25:16,320
Speaker 9: got killed, that like made me just like not even

453
00:25:16,359 --> 00:25:18,240
Speaker 9: want to do beats no more. I was just discouraged

454
00:25:18,280 --> 00:25:21,120
Speaker 9: from life, Like I felt like why him out of everybody,

455
00:25:21,280 --> 00:25:23,679
Speaker 9: was like one of the best people I know on earth.

456
00:25:24,040 --> 00:25:29,199
Speaker 9: So you know, YG's doing shows and he's having me

457
00:25:29,280 --> 00:25:34,400
Speaker 9: come through and we started like making money. So he's

458
00:25:34,600 --> 00:25:36,879
Speaker 9: getting ten thousand to come perform at little, you know,

459
00:25:36,920 --> 00:25:39,680
Speaker 9: little clubs in LA. He'll give me four hundred dollars

460
00:25:39,720 --> 00:25:44,040
Speaker 9: for coming to do the hook. He'll get wanted. J

461
00:25:44,520 --> 00:25:46,639
Speaker 9: Mustle doesn't do beats at this time either.

462
00:25:46,840 --> 00:25:49,720
Speaker 1: And you knew Master pre beats.

463
00:25:49,840 --> 00:25:53,040
Speaker 9: Yeah, he was just like the DJ from you know,

464
00:25:53,640 --> 00:25:56,520
Speaker 9: like the little homie that dj His uncle DJ T

465
00:25:57,119 --> 00:26:00,000
Speaker 9: was the one who was DJing during our high school period,

466
00:26:00,640 --> 00:26:03,159
Speaker 9: like you know, when I went to Dorty for a second.

467
00:26:03,560 --> 00:26:08,479
Speaker 9: And it's crazy because now like you know, his nephew's

468
00:26:08,560 --> 00:26:13,040
Speaker 9: DJing or whatever. So we have him, and you know,

469
00:26:13,520 --> 00:26:18,200
Speaker 9: Jacazo gets killed. They need somebody because like now def

470
00:26:18,320 --> 00:26:20,919
Speaker 9: jam sign YG and I'm not trying to do the

471
00:26:20,960 --> 00:26:23,680
Speaker 9: beats no more. And Muster comes to and he's like, yo,

472
00:26:23,760 --> 00:26:26,119
Speaker 9: let me get some sounds, like because he's watching me

473
00:26:26,160 --> 00:26:28,479
Speaker 9: the whole time, and I'm not even like paying attention

474
00:26:28,560 --> 00:26:32,439
Speaker 9: that he's watching, but yeah, I give him the sounds.

475
00:26:32,440 --> 00:26:35,280
Speaker 9: And he's linked up with this other dude, Mike Free,

476
00:26:35,320 --> 00:26:38,080
Speaker 9: and he knows how to work reason, so he's teaching

477
00:26:38,160 --> 00:26:40,719
Speaker 9: Mustard how to work reason. And you know, next thing,

478
00:26:40,760 --> 00:26:42,440
Speaker 9: you know, Mustard pulls up on me on the bread

479
00:26:42,440 --> 00:26:45,120
Speaker 9: in twenty first, like a month later, like I'm about

480
00:26:45,119 --> 00:26:48,000
Speaker 9: to pass you up on these beats. I'm like, yeah,

481
00:26:48,119 --> 00:26:48,760
Speaker 9: all right.

482
00:26:52,480 --> 00:26:55,399
Speaker 1: I'm trying to marinate on that. Like I'm thinking, like

483
00:26:55,480 --> 00:26:58,480
Speaker 1: in my head, because I've only talked to Mustard once,

484
00:26:58,520 --> 00:27:01,080
Speaker 1: but in my head, I'm thinking like it's just like

485
00:27:01,200 --> 00:27:04,880
Speaker 1: Dexter in the lab, like some science lab, like he's

486
00:27:04,880 --> 00:27:08,480
Speaker 1: going to revolutionize and and all this stuff, and you're

487
00:27:08,560 --> 00:27:11,280
Speaker 1: just like he just picked it up one day and.

488
00:27:11,320 --> 00:27:14,479
Speaker 9: Yeah, like seriously though, like I gave him these sounds

489
00:27:14,520 --> 00:27:18,720
Speaker 9: and then he made Rack City and after rack City.

490
00:27:18,720 --> 00:27:22,080
Speaker 9: It was like two chains, I'm different and it was

491
00:27:22,119 --> 00:27:23,880
Speaker 9: like Whygi's hod tape and like.

492
00:27:23,880 --> 00:27:25,160
Speaker 1: So those are all your patches?

493
00:27:25,560 --> 00:27:34,000
Speaker 9: Yeah man, and my brother nade millions off of it

494
00:27:31,240 --> 00:27:36,600
Speaker 9: and with the stars on the cylind shout out to Mustard. Man.

495
00:27:37,359 --> 00:27:40,720
Speaker 9: It was so good to just see like somebody like

496
00:27:41,240 --> 00:27:45,840
Speaker 9: go from the guy that's like joking about moms and

497
00:27:46,320 --> 00:27:48,480
Speaker 9: you know, shooting dice and just being like a young

498
00:27:48,520 --> 00:27:51,919
Speaker 9: asshole and to turn it into like, you know, a

499
00:27:52,040 --> 00:27:55,280
Speaker 9: super millionaire and like Mustard y g all of all

500
00:27:55,320 --> 00:27:58,160
Speaker 9: of us, like we all just like you know, it's

501
00:27:58,200 --> 00:28:01,600
Speaker 9: just like where my mom's crib and making songs in

502
00:28:01,600 --> 00:28:03,399
Speaker 9: that back room and then all of a sudden, like

503
00:28:03,480 --> 00:28:05,199
Speaker 9: we're all like we all got our own cribs.

504
00:28:05,240 --> 00:28:06,640
Speaker 1: You know what we all got to say?

505
00:28:06,760 --> 00:28:09,760
Speaker 2: What was your weapon of choice? In terms of production?

506
00:28:10,119 --> 00:28:14,400
Speaker 9: MP and uh I ended up getting all the keyboards

507
00:28:16,080 --> 00:28:19,840
Speaker 9: bogs to which MP two thousand xcel.

508
00:28:21,040 --> 00:28:26,520
Speaker 1: Yeah, yeah, that's when you got this. People still make

509
00:28:26,560 --> 00:28:28,879
Speaker 1: fun of me for not letting go of that, but

510
00:28:29,119 --> 00:28:29,520
Speaker 1: I love it.

511
00:28:29,800 --> 00:28:34,080
Speaker 9: I love it and I still use it. You still, yeah, but.

512
00:28:34,320 --> 00:28:40,160
Speaker 1: Hang on, like James Poison, hear that it's still usable Anywayrette.

513
00:28:39,720 --> 00:28:43,840
Speaker 9: And what else fruity loops? I like foody loops. Now

514
00:28:46,800 --> 00:28:50,160
Speaker 9: you still use fruity Yeah. Sometimes, like if I'm on

515
00:28:50,160 --> 00:28:52,160
Speaker 9: the plane and I just have my laptop and I

516
00:28:52,160 --> 00:28:54,400
Speaker 9: feel like making music and not watching the movie, which

517
00:28:55,680 --> 00:28:58,920
Speaker 9: I'm not like a TV movie watcher guy like that,

518
00:28:59,040 --> 00:28:59,800
Speaker 9: unless I'm like.

519
00:29:00,400 --> 00:29:01,280
Speaker 1: Gotta be productive.

520
00:29:01,680 --> 00:29:01,920
Speaker 9: Yeah.

521
00:29:01,960 --> 00:29:06,840
Speaker 1: Productive. Wait, So as okay, forget my ignorance. I would

522
00:29:06,880 --> 00:29:09,600
Speaker 1: assume that fruity Loops has updated since the days of

523
00:29:09,720 --> 00:29:10,680
Speaker 1: Little Brother, right.

524
00:29:10,960 --> 00:29:15,760
Speaker 2: I think so the last time, nine, oh, thank you

525
00:29:15,760 --> 00:29:16,080
Speaker 2: so much.

526
00:29:16,200 --> 00:29:16,840
Speaker 1: I appreciate it.

527
00:29:16,960 --> 00:29:19,120
Speaker 6: Yeah, nine, he sent me a bat. I mean, this

528
00:29:19,200 --> 00:29:23,080
Speaker 6: has been God. This was like twenty thirteen fourteen. He

529
00:29:23,120 --> 00:29:25,080
Speaker 6: had went back on fruity loops because for a while

530
00:29:25,840 --> 00:29:29,360
Speaker 6: Knife was using the MP. He left and he went back,

531
00:29:29,400 --> 00:29:31,640
Speaker 6: he went to the MP. Then he went back to

532
00:29:31,680 --> 00:29:33,640
Speaker 6: fruity loops, and so he had sent me a fruity

533
00:29:33,680 --> 00:29:37,720
Speaker 6: some fruit loops batch. And now I think he's strictly

534
00:29:37,760 --> 00:29:41,040
Speaker 6: on machine. That machine is kind of like what everybody is.

535
00:29:41,200 --> 00:29:44,120
Speaker 6: I mean, that's the thing now, which is kind of

536
00:29:44,160 --> 00:29:46,800
Speaker 6: it emulates the MP a lot, But that's I think

537
00:29:46,800 --> 00:29:49,240
Speaker 6: that's what he's on now. But I think, yeah, the

538
00:29:49,280 --> 00:29:51,160
Speaker 6: interface has updated a lot.

539
00:29:51,800 --> 00:29:52,200
Speaker 1: Oh two.

540
00:29:52,440 --> 00:29:55,120
Speaker 6: I mean when we were doing it on a compact,

541
00:29:55,160 --> 00:29:59,200
Speaker 6: I mean shit, I would hope this shit didn't upgraded

542
00:29:59,240 --> 00:29:59,640
Speaker 6: since then.

543
00:30:00,480 --> 00:30:05,000
Speaker 1: So you so and in making beats? Who were you

544
00:30:05,080 --> 00:30:08,840
Speaker 1: looking up to when you were well? First of all, when.

545
00:30:09,560 --> 00:30:12,000
Speaker 9: I was looking up to Dyla, I was looking up

546
00:30:12,040 --> 00:30:17,480
Speaker 9: to Mad Live East Swift from the alcoholicst. I was

547
00:30:17,480 --> 00:30:24,920
Speaker 9: looking looking up to Black Milk, Doctor Dre Dads, Dillinger.

548
00:30:27,560 --> 00:30:29,480
Speaker 9: There's so many people, man, did.

549
00:30:29,320 --> 00:30:33,040
Speaker 1: You ever get to meet and idolized to.

550
00:30:33,400 --> 00:30:37,440
Speaker 9: Damn all of them? Except for Mad that I talked

551
00:30:37,480 --> 00:30:39,200
Speaker 9: to him on the phone and we were supposed to

552
00:30:39,240 --> 00:30:41,520
Speaker 9: link and then the day came and then he didn't answer.

553
00:30:42,280 --> 00:30:48,480
Speaker 1: That's cool, he just he goes, I want to work

554
00:30:48,520 --> 00:30:50,720
Speaker 1: with him one day, and like he's probably one of

555
00:30:50,800 --> 00:30:52,040
Speaker 1: my favorite ever.

556
00:30:54,240 --> 00:30:57,479
Speaker 9: Well, like yeah, everybody, I've been meeting him and it's

557
00:30:57,520 --> 00:30:58,200
Speaker 9: been a blessed So.

558
00:30:58,200 --> 00:31:02,320
Speaker 1: You are a real head or to the boom?

559
00:31:02,400 --> 00:31:06,120
Speaker 9: Yeah? Yeah, I like all kinds of music though, for sure.

560
00:31:06,480 --> 00:31:10,840
Speaker 1: Like you know, I mean, what's your childhood recollection looking

561
00:31:10,840 --> 00:31:13,760
Speaker 1: like compared to now? Which is more playless base?

562
00:31:14,080 --> 00:31:19,200
Speaker 9: Yeah? Everything I said, plus like you know, the singing

563
00:31:19,200 --> 00:31:24,040
Speaker 9: is the singing and stuff as well. One of my

564
00:31:24,080 --> 00:31:26,040
Speaker 9: favorite singers ever Stokely.

565
00:31:25,880 --> 00:31:28,160
Speaker 1: From in Condition Still.

566
00:31:29,280 --> 00:31:32,040
Speaker 9: I like a lot of gospel. I like Kim Barell,

567
00:31:32,360 --> 00:31:37,760
Speaker 9: that's my favorite female singer ever. I played in church.

568
00:31:37,920 --> 00:31:43,840
Speaker 9: I played bass, and like I was learning watching everybody,

569
00:31:44,720 --> 00:31:46,760
Speaker 9: what was that that you did? Like on the keys?

570
00:31:46,840 --> 00:31:49,560
Speaker 9: What was that chord on the order?

571
00:31:49,720 --> 00:31:50,080
Speaker 1: Okay?

572
00:31:50,800 --> 00:31:54,600
Speaker 9: Then watching the choir director and how they like, you know,

573
00:31:54,920 --> 00:31:57,200
Speaker 9: come up with these harmonies and give them to people,

574
00:31:57,240 --> 00:31:59,560
Speaker 9: and like that's how like I do my harmonies when

575
00:31:59,600 --> 00:32:00,240
Speaker 9: I'm singing.

576
00:32:01,440 --> 00:32:04,040
Speaker 6: Yeah, I think that's really an underrated part about you.

577
00:32:04,320 --> 00:32:07,480
Speaker 6: I really dig your vocal arrangers mans dope.

578
00:32:07,680 --> 00:32:10,440
Speaker 9: So I definitely studied like everywhere I went and like

579
00:32:10,560 --> 00:32:11,960
Speaker 9: picked up something.

580
00:32:11,720 --> 00:32:14,840
Speaker 6: And all your music like your self taught like you

581
00:32:14,920 --> 00:32:17,080
Speaker 6: never took formal lessons on any of the instruments.

582
00:32:17,240 --> 00:32:21,080
Speaker 9: No, not really. I did take like a class in

583
00:32:21,120 --> 00:32:25,640
Speaker 9: the ninth grade, like just piano, and it really to

584
00:32:25,720 --> 00:32:28,240
Speaker 9: me it was just like, Okay, now I know how

585
00:32:28,240 --> 00:32:31,600
Speaker 9: to read a little bit, but I can figure it

586
00:32:31,640 --> 00:32:33,080
Speaker 9: out anyway, so it's not going to really.

587
00:32:33,560 --> 00:32:36,000
Speaker 8: I love your answer. When I asked Ty what instrum?

588
00:32:36,040 --> 00:32:37,120
Speaker 8: How many instruments does he play?

589
00:32:37,120 --> 00:32:40,720
Speaker 11: He was like well, if it has strings and you.

590
00:32:40,680 --> 00:32:42,600
Speaker 8: Know, you can play it with some sticks, and what

591
00:32:42,720 --> 00:32:45,680
Speaker 8: was the other one that you said? It's keys and keys.

592
00:32:45,160 --> 00:32:46,480
Speaker 2: I'm hitting it.

593
00:32:48,160 --> 00:32:48,680
Speaker 9: Exactly.

594
00:32:48,920 --> 00:32:50,360
Speaker 8: Did you guys ever get to me because I know

595
00:32:50,400 --> 00:32:51,600
Speaker 8: he's like one of.

596
00:32:51,520 --> 00:32:53,960
Speaker 9: Your I shook his hair one time at a party

597
00:32:54,280 --> 00:32:59,760
Speaker 9: late night in LA And then one time I went

598
00:32:59,800 --> 00:33:04,200
Speaker 9: to the Saturday Night Live after party with Yay and

599
00:33:06,040 --> 00:33:08,160
Speaker 9: all of a sudden, Prince hoped on You were DJing

600
00:33:08,200 --> 00:33:10,760
Speaker 9: that night, and all of a sudden, Prince hoped on

601
00:33:10,880 --> 00:33:14,000
Speaker 9: stage and Taylor Swift right.

602
00:33:14,000 --> 00:33:19,280
Speaker 1: What ye not? Taylor? I'm trying to who was it, Yike,

603
00:33:19,600 --> 00:33:20,320
Speaker 1: I'm trying to.

604
00:33:21,920 --> 00:33:24,440
Speaker 8: Age it was a lot of Prince parties.

605
00:33:25,120 --> 00:33:29,840
Speaker 1: I know, I know, I know, I know. Oh at

606
00:33:29,880 --> 00:33:32,800
Speaker 1: the forty forty? You at the forty Yeah?

607
00:33:32,920 --> 00:33:33,760
Speaker 8: Is that like the forty four?

608
00:33:33,840 --> 00:33:34,040
Speaker 2: Yeah?

609
00:33:34,040 --> 00:33:38,280
Speaker 1: We need Okay, No, No Saturday Night Live, because in

610
00:33:38,280 --> 00:33:40,120
Speaker 1: my mind I was like, oh God, he thinks I'm

611
00:33:40,160 --> 00:33:44,120
Speaker 1: someone else I know, and I was like, wait a minute,

612
00:33:44,200 --> 00:33:46,720
Speaker 1: this does sound familiar. No, Saturday Night Live had their

613
00:33:46,760 --> 00:33:51,080
Speaker 1: fortieth anniversary and that's why, you know what's weird because

614
00:33:51,200 --> 00:33:56,400
Speaker 1: the freaking NBA All Star Game was the same day. Yeah,

615
00:33:56,520 --> 00:34:00,520
Speaker 1: so I planned on going to the Saturday Night Live

616
00:34:00,560 --> 00:34:04,040
Speaker 1: fortieth Anniversary special. Yeah, but I also had the dj

617
00:34:04,960 --> 00:34:07,680
Speaker 1: the NBA All Star thing at New York, so I did,

618
00:34:07,800 --> 00:34:10,120
Speaker 1: like up until halftime, I had to DJ something and

619
00:34:10,160 --> 00:34:13,279
Speaker 1: then run to thirty Rocks. So I totally missed the

620
00:34:13,320 --> 00:34:18,799
Speaker 1: fact that Kanye was the musical guests at SNL forty. Yeah,

621
00:34:19,160 --> 00:34:21,040
Speaker 1: what do he was on his back? I forgot what

622
00:34:21,120 --> 00:34:23,560
Speaker 1: song he performed wolves? Was it Wolf? Yeah? Again, he

623
00:34:23,600 --> 00:34:26,359
Speaker 1: did wolve. He laid on his Yeah, he did something

624
00:34:26,360 --> 00:34:28,880
Speaker 1: where he laid on the ground. Okay, yeah, I came

625
00:34:28,920 --> 00:34:31,520
Speaker 1: in like right when I was getting getting done, but

626
00:34:31,560 --> 00:34:32,440
Speaker 1: I totally forgot that.

627
00:34:33,080 --> 00:34:35,040
Speaker 9: Yeah, that was my only time ever getting to see

628
00:34:35,080 --> 00:34:37,880
Speaker 9: him perform, but he just got on. I think was

629
00:34:37,920 --> 00:34:39,240
Speaker 9: that random or was that planned?

630
00:34:40,360 --> 00:34:44,080
Speaker 1: Oh? That was super random, Like everything that happened that night,

631
00:34:44,560 --> 00:34:49,160
Speaker 1: I didn't even know that. Yeah, okay, people just ghosted

632
00:34:49,239 --> 00:34:52,280
Speaker 1: and ghost out, but no, none, none of it was planned.

633
00:34:52,440 --> 00:34:59,160
Speaker 1: And yeah, that that night was super magical. Like Prince basically,

634
00:34:59,239 --> 00:35:03,359
Speaker 1: Jimmy just said I think Dave Chappelle, WHI spining Jimmy's air,

635
00:35:03,520 --> 00:35:06,560
Speaker 1: Like I think I just saw Prince walked in and

636
00:35:06,600 --> 00:35:08,200
Speaker 1: it was just like I think he just walked in

637
00:35:08,239 --> 00:35:11,480
Speaker 1: and they willed it and then Prince like floated to

638
00:35:11,520 --> 00:35:16,560
Speaker 1: the stage. He just floated to the stage. He did

639
00:35:16,640 --> 00:35:22,200
Speaker 1: Let's Go Crazy for ten minutes and then floated out

640
00:35:22,239 --> 00:35:24,120
Speaker 1: of there just as quick as he came in.

641
00:35:24,680 --> 00:35:32,840
Speaker 6: Yeah, how did you the connection with Sarah come about?

642
00:35:33,800 --> 00:35:37,040
Speaker 6: Because you because the end of joint like, that's I mean,

643
00:35:37,280 --> 00:35:38,000
Speaker 6: I love that record.

644
00:35:38,040 --> 00:35:42,640
Speaker 9: I appreciate it so chords Mahomie. He was like, uh,

645
00:35:42,880 --> 00:35:45,200
Speaker 9: he played it for me one day and then I

646
00:35:45,360 --> 00:35:54,080
Speaker 9: ended up meeting them through Steve Thundercat and uh, we

647
00:35:54,200 --> 00:35:56,440
Speaker 9: just went over to the Saurah House that was like

648
00:35:56,520 --> 00:36:00,200
Speaker 9: up in Silver Lake and we just vibed and we

649
00:36:00,280 --> 00:36:02,879
Speaker 9: just kept on making like song after song after song

650
00:36:03,520 --> 00:36:07,959
Speaker 9: Me Shafique tass O Mas and they end up using

651
00:36:07,960 --> 00:36:11,880
Speaker 9: those two and as many those are just the big homies.

652
00:36:11,880 --> 00:36:12,040
Speaker 1: Man.

653
00:36:12,040 --> 00:36:12,960
Speaker 9: They just taught me a lot.

654
00:36:13,040 --> 00:36:13,200
Speaker 1: You know.

655
00:36:14,520 --> 00:36:18,360
Speaker 9: They took me on my first Europe run. That was

656
00:36:18,360 --> 00:36:19,319
Speaker 9: how I first met year.

657
00:36:21,040 --> 00:36:31,320
Speaker 2: Was that where they took the picture.

658
00:36:28,160 --> 00:36:30,400
Speaker 9: And that's crazy.

659
00:36:30,440 --> 00:36:32,640
Speaker 1: Man.

660
00:36:34,480 --> 00:36:36,680
Speaker 11: You've been in some situations that make you go I mean,

661
00:36:36,719 --> 00:36:39,080
Speaker 11: even though you were born into you know, musical royalty,

662
00:36:39,280 --> 00:36:42,120
Speaker 11: at some point you got to look around and go whoa, Yeah,

663
00:36:42,120 --> 00:36:42,720
Speaker 11: it's crazy.

664
00:36:42,920 --> 00:36:43,120
Speaker 1: Yeah.

665
00:36:43,160 --> 00:36:44,880
Speaker 2: The thing I know is about your journey.

666
00:36:44,920 --> 00:36:47,480
Speaker 6: Like for you, you say that you were mainly focused

667
00:36:47,480 --> 00:36:50,880
Speaker 6: on making beats. When did it become clear to you

668
00:36:51,000 --> 00:36:53,600
Speaker 6: that you're singing really was the thing.

669
00:36:53,680 --> 00:36:56,000
Speaker 1: I guess that was gonna take you on top.

670
00:36:56,840 --> 00:37:02,640
Speaker 9: I just had to get confident in it. Uh that

671
00:37:02,719 --> 00:37:07,759
Speaker 9: one situation to get back to it. When Ygi got

672
00:37:07,800 --> 00:37:09,960
Speaker 9: his first like ten bands and gave me four and

673
00:37:10,000 --> 00:37:14,200
Speaker 9: gave Musty four and I saw him walk away with

674
00:37:14,239 --> 00:37:15,960
Speaker 9: the rest of that money, it did something to me.

675
00:37:16,040 --> 00:37:18,719
Speaker 9: You know. I felt like, all right, it's time to

676
00:37:18,760 --> 00:37:21,239
Speaker 9: like get out here and like figure it out and

677
00:37:21,239 --> 00:37:24,360
Speaker 9: do my own artist thing. So I put out The

678
00:37:24,400 --> 00:37:26,640
Speaker 9: House on the Hill, which was my first solo tape,

679
00:37:27,200 --> 00:37:31,080
Speaker 9: and that had this song called All Star Wars. My

680
00:37:31,160 --> 00:37:34,720
Speaker 9: homie Fuego had sampled Swedish House Mafia and we flipped

681
00:37:34,719 --> 00:37:37,640
Speaker 9: it on some like la like drums and you know,

682
00:37:37,719 --> 00:37:40,880
Speaker 9: tempo or whatever, and I did a straight smash to

683
00:37:40,960 --> 00:37:45,040
Speaker 9: it and it took off like on the radio stations

684
00:37:45,080 --> 00:37:49,480
Speaker 9: like from you know, the whole California, Arizona, moving on

685
00:37:49,560 --> 00:37:52,319
Speaker 9: to Texas, and then it got shut down. We got

686
00:37:52,360 --> 00:37:56,520
Speaker 9: sued for putting it on iTunes without clearing it with

687
00:37:56,560 --> 00:37:59,239
Speaker 9: Swedish house Mafia, which I thought it was clear, but

688
00:38:00,160 --> 00:38:01,120
Speaker 9: somebody lied.

689
00:38:01,239 --> 00:38:03,319
Speaker 1: And you know, I was going to say, how are

690
00:38:03,360 --> 00:38:09,360
Speaker 1: you able to move mixtape stuff to mainstream radio level on?

691
00:38:09,640 --> 00:38:11,919
Speaker 9: Because I already had tutored and booted and already had

692
00:38:12,200 --> 00:38:15,040
Speaker 9: by this time, already had all the DJs now because

693
00:38:15,440 --> 00:38:20,359
Speaker 9: from tutor and Booted, I'm performing at all the any

694
00:38:20,400 --> 00:38:23,640
Speaker 9: event whatever, we're there, like we're just pulling up to

695
00:38:23,680 --> 00:38:25,320
Speaker 9: make them everybody.

696
00:38:24,920 --> 00:38:27,640
Speaker 1: Who's your who's your god? Like when when when you

697
00:38:27,680 --> 00:38:29,600
Speaker 1: when you got a new jowin that you're ready to

698
00:38:29,960 --> 00:38:32,719
Speaker 1: yeah put out? I mean now it's different because you're

699
00:38:32,719 --> 00:38:36,160
Speaker 1: an established you know, who's the person.

700
00:38:36,920 --> 00:38:40,160
Speaker 9: For l A? Like who who? I always tell everyone,

701
00:38:40,280 --> 00:38:42,160
Speaker 9: like who changed it for us? And like who gave

702
00:38:42,239 --> 00:38:44,040
Speaker 9: us another chance? Because when you look at it, like

703
00:38:44,840 --> 00:38:48,840
Speaker 9: after the game, there was no l A. You know

704
00:38:48,840 --> 00:38:55,279
Speaker 9: what I'm saying on radio period. So DJ Charisma my

705
00:38:55,360 --> 00:38:59,280
Speaker 9: homegirl out there, she is the one, like who got

706
00:38:59,320 --> 00:39:03,320
Speaker 9: like everybody's music played. I feel like shout out to

707
00:39:03,360 --> 00:39:07,279
Speaker 9: everybody else, but definitely DJ Charisma, He's.

708
00:39:07,160 --> 00:39:08,440
Speaker 1: The one who did it for She's the one who

709
00:39:08,440 --> 00:39:13,480
Speaker 1: different everybody. So that's important to you for LA just

710
00:39:13,560 --> 00:39:16,759
Speaker 1: still have an identity, to still have a sound, to

711
00:39:16,840 --> 00:39:23,520
Speaker 1: still have a figurehead representing because I just feel like, now,

712
00:39:24,719 --> 00:39:30,799
Speaker 1: you know, between at least for my prime era where

713
00:39:30,800 --> 00:39:33,920
Speaker 1: it was dangerous, between nine and no, it was life

714
00:39:33,960 --> 00:39:35,919
Speaker 1: ThReD and you know, it's like east coast, West coast,

715
00:39:35,960 --> 00:39:39,759
Speaker 1: you know, and then suddenly, you know, after after two

716
00:39:39,760 --> 00:39:42,560
Speaker 1: thousand and two, just stop being so regional. And I

717
00:39:42,640 --> 00:39:46,919
Speaker 1: know that the game's arrival. Yeah, the the Internet made

718
00:39:46,920 --> 00:39:53,040
Speaker 1: everything regional or not regional anymore, and so you know,

719
00:39:53,120 --> 00:39:55,520
Speaker 1: I know that's why the game was really being celebrated

720
00:39:55,560 --> 00:39:57,520
Speaker 1: because it was just like, okay, we're still you know,

721
00:39:59,640 --> 00:40:04,879
Speaker 1: but for the generation that you represent, even though you're

722
00:40:04,920 --> 00:40:09,319
Speaker 1: kind of more like heartwise because you came in so young,

723
00:40:09,360 --> 00:40:13,840
Speaker 1: you're you're ahead on our level, but you also representing

724
00:40:13,880 --> 00:40:16,080
Speaker 1: the next generation millennials or whatnot.

725
00:40:16,320 --> 00:40:16,480
Speaker 12: Like.

726
00:40:17,920 --> 00:40:21,080
Speaker 1: Is that still an important thing to have?

727
00:40:23,440 --> 00:40:26,560
Speaker 9: Like yeah, I think it's important to be yourself wherever

728
00:40:26,560 --> 00:40:31,560
Speaker 9: you're from and to definitely represent your sound and your

729
00:40:31,600 --> 00:40:34,640
Speaker 9: people and like, no, we're not all the same just

730
00:40:34,640 --> 00:40:36,879
Speaker 9: because the Internet is like no, like I ain't trying

731
00:40:36,880 --> 00:40:38,919
Speaker 9: to hear that. Like if you come from New York.

732
00:40:38,920 --> 00:40:40,799
Speaker 9: You're supposed to sound like you're from New York, Like,

733
00:40:41,680 --> 00:40:44,080
Speaker 9: why would you sound like you're from l Atlantic because

734
00:40:44,120 --> 00:40:48,520
Speaker 9: we all have the Internet or Atlanta. That's corny in

735
00:40:48,560 --> 00:40:49,239
Speaker 9: the streets.

736
00:40:50,239 --> 00:40:54,000
Speaker 1: I was happy because at least for when you came out,

737
00:40:54,920 --> 00:40:58,200
Speaker 1: I was shocked that. I mean, your your your first

738
00:40:58,320 --> 00:41:03,240
Speaker 1: major single was like ninety eight beats per minute, which

739
00:41:04,160 --> 00:41:06,520
Speaker 1: as a deep you know, just during the period between

740
00:41:06,680 --> 00:41:11,480
Speaker 1: like two thousand and six and kind of now, uh,

741
00:41:11,680 --> 00:41:15,239
Speaker 1: you know, everything was you know, trap level seventy b

742
00:41:15,360 --> 00:41:20,240
Speaker 1: pre pms and slower, and so I felt like, Okay,

743
00:41:20,320 --> 00:41:26,000
Speaker 1: you're defiantly going against what mainstream expectations are and you're

744
00:41:26,080 --> 00:41:27,799
Speaker 1: keeping it at that level. I mean, I'm just at

745
00:41:27,840 --> 00:41:30,680
Speaker 1: a place where it's like ninety five to one hundred

746
00:41:30,719 --> 00:41:31,040
Speaker 1: and ten.

747
00:41:30,960 --> 00:41:34,120
Speaker 6: By like cookout jams, like it's like you get two

748
00:41:34,160 --> 00:41:34,759
Speaker 6: step two it.

749
00:41:34,760 --> 00:41:37,080
Speaker 1: It was. It was actually danceable, you know what I mean.

750
00:41:37,160 --> 00:41:41,879
Speaker 9: Yeah, that's always been you know. I guess like when

751
00:41:41,880 --> 00:41:44,640
Speaker 9: you think about the LA sound, it would be doctor

752
00:41:44,760 --> 00:41:48,319
Speaker 9: dre Quick, you know, when you think back back then

753
00:41:48,680 --> 00:41:52,279
Speaker 9: and now for us, you know, we had to like

754
00:41:52,840 --> 00:41:54,720
Speaker 9: when you're in the when you go to these LA parties,

755
00:41:54,760 --> 00:41:58,040
Speaker 9: when you go to these Like I would say one

756
00:41:58,040 --> 00:42:00,480
Speaker 9: of the things that runs the cultures to to this

757
00:42:00,560 --> 00:42:04,200
Speaker 9: day has always been Timmy the Clown, right, and Tommy

758
00:42:04,200 --> 00:42:07,239
Speaker 9: to Clown is like this guy that comes through with

759
00:42:07,440 --> 00:42:11,920
Speaker 9: like this uh you know van or whatever and has

760
00:42:12,000 --> 00:42:13,799
Speaker 9: speakers on it and these clowns get out and their

761
00:42:13,800 --> 00:42:19,440
Speaker 9: clown dance. It's like everybody's music still yeah, still started

762
00:42:20,000 --> 00:42:23,560
Speaker 9: when I was a kid, Like, hm, there's always been.

763
00:42:23,480 --> 00:42:25,440
Speaker 8: Tommy the Clown going to parties out there.

764
00:42:25,560 --> 00:42:25,799
Speaker 1: Yeah.

765
00:42:26,000 --> 00:42:28,680
Speaker 9: Then wait then that that that ended up going into

766
00:42:29,280 --> 00:42:32,759
Speaker 9: the what do you call that? The crump crumping and

767
00:42:32,840 --> 00:42:39,600
Speaker 9: like they had a movie for it. Yeah, and if

768
00:42:39,640 --> 00:42:41,960
Speaker 9: you pay attention, like they just speed up everything and

769
00:42:42,000 --> 00:42:44,880
Speaker 9: like that's the LA sound. And then like even like

770
00:42:44,920 --> 00:42:47,480
Speaker 9: the Bay, like their sound is the same thing, like

771
00:42:47,600 --> 00:42:50,520
Speaker 9: sped up. Like, so that's where we come from. You

772
00:42:51,480 --> 00:42:52,960
Speaker 9: there's that music too, you know.

773
00:42:53,880 --> 00:42:56,000
Speaker 11: But it must make you proud R and B wise,

774
00:42:56,000 --> 00:42:58,880
Speaker 11: because it feels like the West Coast are really taking

775
00:42:58,960 --> 00:43:02,120
Speaker 11: chances with R and B. You know, between you Anderson,

776
00:43:02,200 --> 00:43:05,080
Speaker 11: you mentioned Dundeecat, like do you feel that do you

777
00:43:05,080 --> 00:43:06,799
Speaker 11: feel like an R and B and soul music?

778
00:43:06,840 --> 00:43:06,920
Speaker 1: Did?

779
00:43:06,960 --> 00:43:09,000
Speaker 11: Y'all are kind of doing things a little differently over there,

780
00:43:09,080 --> 00:43:09,880
Speaker 11: and it's working.

781
00:43:10,400 --> 00:43:13,399
Speaker 9: I feel like we're all doing different things. Anderson is

782
00:43:13,840 --> 00:43:17,320
Speaker 9: a movie. Shout out, shout out to I'm so proud

783
00:43:17,320 --> 00:43:20,040
Speaker 9: of like him and everything that he's doing. That he's

784
00:43:20,040 --> 00:43:22,440
Speaker 9: sticking to his stuff, emon o'mari.

785
00:43:22,920 --> 00:43:24,799
Speaker 1: Yeah, that's why, man, I love you. That's my bro.

786
00:43:24,960 --> 00:43:29,839
Speaker 9: He's sticking to his stuff and like killing it so

787
00:43:29,880 --> 00:43:30,440
Speaker 9: many people.

788
00:43:30,480 --> 00:43:33,480
Speaker 1: Man. So as far as.

789
00:43:33,360 --> 00:43:35,719
Speaker 9: The guy Miguel, shout out to, Miguel, the album is a.

790
00:43:35,680 --> 00:43:41,279
Speaker 1: Movie, so how okay? So for the title R and B,

791
00:43:41,640 --> 00:43:44,640
Speaker 1: which today is so blurred, I mean because you know,

792
00:43:44,719 --> 00:43:48,040
Speaker 1: now even when Chris Brown is in the news and

793
00:43:48,239 --> 00:43:51,600
Speaker 1: depends on which news wire is reporting rap star Chris Brown. Yeah,

794
00:43:51,600 --> 00:43:53,439
Speaker 1: I don't say rapper Chris Brown, the pop star.

795
00:43:54,040 --> 00:43:56,399
Speaker 9: After the next game last night to put rapper Tie

796
00:43:56,480 --> 00:43:57,440
Speaker 9: Dollands on the screen.

797
00:43:57,719 --> 00:43:59,600
Speaker 1: Well, that's why I was going to ask, like, how,

798
00:44:00,400 --> 00:44:03,760
Speaker 1: because I just feel that black culture has just gotten

799
00:44:04,840 --> 00:44:09,640
Speaker 1: sort of golf defaulted into rap culture. Everybody's app Do

800
00:44:09,680 --> 00:44:14,680
Speaker 1: you feel as though, even though I mean, your music

801
00:44:14,920 --> 00:44:20,360
Speaker 1: is as edgy as you know it's it's so immersed

802
00:44:20,360 --> 00:44:24,400
Speaker 1: in hip hop, but you're clearly singer, like do you

803
00:44:24,440 --> 00:44:26,839
Speaker 1: still feel like you need to hold that flag for

804
00:44:27,080 --> 00:44:29,359
Speaker 1: R and B or what it represents.

805
00:44:30,480 --> 00:44:35,319
Speaker 9: Or is it just feel like I feel like there's

806
00:44:35,360 --> 00:44:38,520
Speaker 9: real rappers out here and like they deserve to be

807
00:44:39,160 --> 00:44:40,480
Speaker 9: like called rappers, not me.

808
00:44:41,040 --> 00:44:41,680
Speaker 1: You know what I'm saying.

809
00:44:42,480 --> 00:44:46,239
Speaker 9: I don't even deserve to be in that conversation. I

810
00:44:46,320 --> 00:44:50,200
Speaker 9: sing for show for show, and I would love if

811
00:44:50,239 --> 00:44:54,160
Speaker 9: people would just recognize that. But my boy, Rosenborg Rosenberg,

812
00:44:54,280 --> 00:44:56,080
Speaker 9: he told me, he was like, Yo, your name is

813
00:44:56,120 --> 00:44:57,480
Speaker 9: like kind of rap people.

814
00:44:59,440 --> 00:45:04,719
Speaker 11: Real guy, and if you just take a picture and

815
00:45:04,719 --> 00:45:07,799
Speaker 11: you're like R and B do no, he could be,

816
00:45:07,920 --> 00:45:08,319
Speaker 11: he could be.

817
00:45:10,239 --> 00:45:12,080
Speaker 1: You could be the way wigans two point Oh.

818
00:45:16,560 --> 00:45:18,239
Speaker 9: Yeah, man, I was. I was coming out of this

819
00:45:18,280 --> 00:45:22,200
Speaker 9: smoke shop the other day, this like old bald white dude,

820
00:45:22,760 --> 00:45:25,920
Speaker 9: like he's bringing the boxes off of a truck and

821
00:45:25,960 --> 00:45:28,440
Speaker 9: the trucks are like this juice. I'm like, yo, what's

822
00:45:28,480 --> 00:45:30,360
Speaker 9: in there? Because it says Sangria but it looks like

823
00:45:30,360 --> 00:45:31,840
Speaker 9: a kid's drink. He was like, nah, it is a

824
00:45:31,920 --> 00:45:35,040
Speaker 9: kid's drink. It's just that's the company. I'm like, all right.

825
00:45:35,280 --> 00:45:37,319
Speaker 9: He was like, you know what, you look like? You

826
00:45:37,400 --> 00:45:40,560
Speaker 9: look like that star like them guys from the eighties

827
00:45:40,560 --> 00:45:43,760
Speaker 9: that were singing that song that they weren't really singing,

828
00:45:43,840 --> 00:45:55,279
Speaker 9: and he was talking about that they were singers, right,

829
00:45:55,360 --> 00:46:01,680
Speaker 9: so I look they're like, look like.

830
00:46:03,680 --> 00:46:07,319
Speaker 6: They actually put out another If we're really gonna they

831
00:46:07,320 --> 00:46:11,960
Speaker 6: were would go off without a hitch today like it

832
00:46:12,000 --> 00:46:13,719
Speaker 6: would be. Yeah, they died for.

833
00:46:13,719 --> 00:46:20,399
Speaker 11: Us everything, Manny, Because I was gonna ask time, since

834
00:46:20,440 --> 00:46:22,960
Speaker 11: everybody's doing the nineties thing, is it certain groups that

835
00:46:23,000 --> 00:46:25,279
Speaker 11: you just don't touch? I was thinking was one of those,

836
00:46:25,320 --> 00:46:28,160
Speaker 11: like musically since people are borrowing so much and you

837
00:46:28,200 --> 00:46:29,200
Speaker 11: know you do what with.

838
00:46:29,200 --> 00:46:34,799
Speaker 9: Jack because like I think my old manager calls he

839
00:46:34,880 --> 00:46:36,120
Speaker 9: wrote that song for them.

840
00:46:36,200 --> 00:46:37,640
Speaker 2: Yeah, we had him on the show.

841
00:46:39,040 --> 00:46:41,560
Speaker 6: He told us that whole story like crazy. He was

842
00:46:41,560 --> 00:46:44,880
Speaker 6: like whull circle girl and the ship was on TV.

843
00:46:45,400 --> 00:46:47,840
Speaker 1: The radio came on. He was in bed what you

844
00:46:47,960 --> 00:46:48,640
Speaker 1: can man?

845
00:46:50,200 --> 00:46:53,160
Speaker 6: Yeah, so you like following U He was saying about

846
00:46:53,160 --> 00:46:56,640
Speaker 6: the nineties. So on the I'm I'm tripping. I can't

847
00:46:56,640 --> 00:46:59,799
Speaker 6: remember the temele, but that's the one you simple only

848
00:46:59,840 --> 00:47:01,440
Speaker 6: you U?

849
00:47:01,960 --> 00:47:04,600
Speaker 9: Oh yeah, my new song on the X feature on

850
00:47:05,800 --> 00:47:11,640
Speaker 9: Yeah Only by one twelve it's funny Bongo and hit maker.

851
00:47:12,280 --> 00:47:17,640
Speaker 9: They they sent me this song and the beat it

852
00:47:17,760 --> 00:47:22,000
Speaker 9: sounded like sounded like mustard, did it? You know what

853
00:47:22,040 --> 00:47:24,600
Speaker 9: I mean. I'm like, bro, if I want a mustard.

854
00:47:24,800 --> 00:47:27,880
Speaker 1: I was going to say, wait, all right, I'm so

855
00:47:28,000 --> 00:47:31,399
Speaker 1: glad you said that because when I first got it,

856
00:47:32,200 --> 00:47:34,960
Speaker 1: I was waiting for his tag, right because usually when

857
00:47:35,000 --> 00:47:39,600
Speaker 1: I DJ, like when I DJ, I always go like

858
00:47:39,680 --> 00:47:42,360
Speaker 1: two counts before mystle on the beat, and I was looking.

859
00:47:42,600 --> 00:47:45,080
Speaker 1: I spent at least three minutes looking for the tag, like, oh,

860
00:47:45,160 --> 00:47:47,080
Speaker 1: maybe I missed it, Maybe I missed it. And then

861
00:47:47,120 --> 00:47:50,560
Speaker 1: it just hit me, oh maybe he didn't do it. Man.

862
00:47:51,480 --> 00:47:55,399
Speaker 9: So I'm like, you know, if I want a must beat,

863
00:47:55,400 --> 00:47:58,120
Speaker 9: I'll go get a mustard beat, like I don't want it.

864
00:47:58,200 --> 00:48:01,400
Speaker 9: But then I ended up, you know, according to it,

865
00:48:01,440 --> 00:48:04,239
Speaker 9: and I started loving it. And then I'm like, all right,

866
00:48:04,560 --> 00:48:07,000
Speaker 9: just take off the mustard drums, bro, Like, let's just

867
00:48:07,000 --> 00:48:08,400
Speaker 9: bring back the original.

868
00:48:08,000 --> 00:48:09,520
Speaker 1: Original joint, you know, a joint.

869
00:48:10,080 --> 00:48:14,400
Speaker 6: And yeah, I'm curious about how because as someone that

870
00:48:14,719 --> 00:48:17,120
Speaker 6: grew up in the nineties, I always thought of the

871
00:48:17,200 --> 00:48:20,040
Speaker 6: nineties as an era where it's almost kind of like

872
00:48:20,040 --> 00:48:21,399
Speaker 6: you had to be there, you know what I mean.

873
00:48:21,440 --> 00:48:23,400
Speaker 6: Like I just like KNW Jack swing as much as

874
00:48:23,440 --> 00:48:27,640
Speaker 6: I loved it. I didn't think it translated into now,

875
00:48:27,880 --> 00:48:30,040
Speaker 6: like you know what I mean, it's just like versus

876
00:48:30,080 --> 00:48:32,799
Speaker 6: like the seventies when Castle sampling seventies, shit, I got it,

877
00:48:32,920 --> 00:48:35,120
Speaker 6: when Castle sampling eighty shit, I got that. But the

878
00:48:35,200 --> 00:48:38,560
Speaker 6: nineties just seemed like the most unlikely eraror to be sampled.

879
00:48:38,600 --> 00:48:41,400
Speaker 2: But yeah, but like y'all, I'm doing.

880
00:48:41,200 --> 00:48:43,120
Speaker 9: It like it's kind of hard to like sample it

881
00:48:43,160 --> 00:48:45,200
Speaker 9: because the swing that's when they was using that word

882
00:48:45,320 --> 00:48:48,440
Speaker 9: as like you said, Jack say, it's like a little

883
00:48:48,600 --> 00:48:53,520
Speaker 9: Corney baseline exactly, So like that is not going to

884
00:48:53,880 --> 00:48:57,160
Speaker 9: work right now, I don't think. But the hook melodies

885
00:48:57,200 --> 00:48:58,719
Speaker 9: and like you know.

886
00:48:59,080 --> 00:49:02,200
Speaker 2: So that's what is drawing people generation to it.

887
00:49:03,400 --> 00:49:09,360
Speaker 11: Okay, the harmonies in my head, I'm okay, yeah, okay,

888
00:49:09,440 --> 00:49:10,880
Speaker 11: I got it now, Yeah.

889
00:49:10,760 --> 00:49:12,520
Speaker 6: Because I heard you. I mean I was listening to

890
00:49:12,560 --> 00:49:14,000
Speaker 6: it and I was like, he's singing over only you.

891
00:49:14,120 --> 00:49:16,600
Speaker 6: But I'm like, man, like that's I never would have

892
00:49:16,600 --> 00:49:19,520
Speaker 6: thought that that could be reappropriated into now. I mean,

893
00:49:19,680 --> 00:49:21,000
Speaker 6: but I mean, the ship is dope.

894
00:49:21,040 --> 00:49:25,160
Speaker 11: Though somebody will figure it out, I still appreciate the

895
00:49:25,239 --> 00:49:29,480
Speaker 11: Jack didn I think I think I've read.

896
00:49:31,800 --> 00:49:35,520
Speaker 1: At one point I didn't realize this that were you

897
00:49:35,680 --> 00:49:41,839
Speaker 1: not almost going to sign which chea sounds uh. At

898
00:49:41,840 --> 00:49:47,040
Speaker 1: the time, I think Dominic Trenier had a label he

899
00:49:47,160 --> 00:49:50,480
Speaker 1: used to manage D'Angelo or someone associated with Venus Brown.

900
00:49:50,920 --> 00:49:54,560
Speaker 1: Was he was part of that label or whatever? Like

901
00:49:54,600 --> 00:49:57,960
Speaker 1: were you at not? At one point in the Okay,

902
00:49:58,200 --> 00:49:58,919
Speaker 1: then there was.

903
00:49:58,920 --> 00:50:03,319
Speaker 6: A rumor yeah, yeah, I was curious to know. So,

904
00:50:03,800 --> 00:50:05,520
Speaker 6: I mean, because you kind of cover a lot of

905
00:50:05,520 --> 00:50:10,799
Speaker 6: ground in genres, So how did you decide on Well,

906
00:50:10,800 --> 00:50:12,560
Speaker 6: first of all, how did you and whiz Lin c

907
00:50:12,560 --> 00:50:16,560
Speaker 6: Cup and how did you decide on the label that

908
00:50:17,440 --> 00:50:20,000
Speaker 6: could say, Okay, this kid does this, he does this,

909
00:50:20,080 --> 00:50:22,560
Speaker 6: he does this, he does this. And they were like, Okay,

910
00:50:22,640 --> 00:50:25,160
Speaker 6: we can figure out how to market this because I mean,

911
00:50:25,200 --> 00:50:26,839
Speaker 6: you can do R and B, you can do hip hop,

912
00:50:26,920 --> 00:50:28,360
Speaker 6: you can do like house or whatever.

913
00:50:28,840 --> 00:50:29,560
Speaker 1: And for a.

914
00:50:29,480 --> 00:50:32,040
Speaker 6: Lot of labels, whereas as a music fan, for us,

915
00:50:32,120 --> 00:50:34,319
Speaker 6: that's like Wonderland, but for a label that shit can

916
00:50:34,320 --> 00:50:35,040
Speaker 6: be a kiss of death.

917
00:50:35,400 --> 00:50:36,879
Speaker 1: Say, like, what the fuck do we do with all this?

918
00:50:36,960 --> 00:50:46,040
Speaker 9: So after after the House of the Hill, I go

919
00:50:46,120 --> 00:50:50,200
Speaker 9: to death Jam back to Jeff Jam right, and at

920
00:50:50,200 --> 00:50:54,560
Speaker 9: the time there's Karen Quack. I think Maxicu's just left,

921
00:50:54,840 --> 00:51:01,279
Speaker 9: says Karen Quack. And there's Chris and Akute right and

922
00:51:01,680 --> 00:51:04,440
Speaker 9: I played in my record and.

923
00:51:04,239 --> 00:51:05,560
Speaker 2: You're playing Beach House.

924
00:51:05,520 --> 00:51:08,399
Speaker 9: Beach House right right before I drop it, the first one. Yeah,

925
00:51:08,920 --> 00:51:11,200
Speaker 9: I mean House on the Hill before I drop it.

926
00:51:11,560 --> 00:51:14,759
Speaker 9: And they're like, Yo, it's incredible, it's dope. You got

927
00:51:14,760 --> 00:51:16,960
Speaker 9: some crazy songs. But it's like, Yo, you got a

928
00:51:17,000 --> 00:51:19,799
Speaker 9: house record here, you got you know this, you know

929
00:51:20,000 --> 00:51:22,319
Speaker 9: slow song, you got this l a song here you got.

930
00:51:22,520 --> 00:51:24,319
Speaker 9: It's like, you got so many things. Bring me back

931
00:51:24,360 --> 00:51:27,840
Speaker 9: a project that's just like cohesive, like one thing, you know.

932
00:51:28,520 --> 00:51:33,480
Speaker 9: So I go and make Beach House one. But when

933
00:51:33,480 --> 00:51:37,920
Speaker 9: I make Beach House one, I I get cool with

934
00:51:37,920 --> 00:51:43,080
Speaker 9: this dude, Sean Barn and Atlantic, and there's this one

935
00:51:43,160 --> 00:51:45,120
Speaker 9: song that I didn't include on Beach House one, and

936
00:51:45,160 --> 00:51:49,799
Speaker 9: it was called Fumble, and I end up giving, and

937
00:51:51,000 --> 00:51:53,200
Speaker 9: since that song went and they ended up making a single,

938
00:51:53,640 --> 00:51:57,360
Speaker 9: ended up going up. Atlantic was like, all right, you know,

939
00:51:58,200 --> 00:52:03,279
Speaker 9: let's talk. So then I have Paranoid and you know

940
00:52:03,520 --> 00:52:06,200
Speaker 9: or not, and everything went crazy. Beach House one, Beach

941
00:52:06,200 --> 00:52:10,640
Speaker 9: House two. Okay, So Beach House one, Wiz calls he

942
00:52:11,040 --> 00:52:13,600
Speaker 9: DMS me on the Twitter, and he's like, mind, you

943
00:52:13,640 --> 00:52:19,200
Speaker 9: already met him through Terrace Martin during the after the

944
00:52:19,280 --> 00:52:23,000
Speaker 9: time Corey days, but back to making beats, trying to

945
00:52:23,000 --> 00:52:28,200
Speaker 9: figure it out. He hits me on the DM on

946
00:52:28,320 --> 00:52:30,879
Speaker 9: Twitter and he's like, Yo, we've been playing Beach House

947
00:52:30,920 --> 00:52:33,120
Speaker 9: one on this tour, the whole tour, meeting the guys.

948
00:52:33,360 --> 00:52:35,440
Speaker 9: When I get back to La, let's work. He ends

949
00:52:35,520 --> 00:52:37,920
Speaker 9: up coming back and we make like eleven songs in

950
00:52:37,960 --> 00:52:39,200
Speaker 9: one night and.

951
00:52:39,239 --> 00:52:42,960
Speaker 1: Uh twenty four hours, yeah, like less.

952
00:52:42,760 --> 00:52:43,560
Speaker 9: Than twenty four hours.

953
00:52:43,600 --> 00:52:44,840
Speaker 1: How do you work that test?

954
00:52:45,480 --> 00:52:50,600
Speaker 9: Cuz like literally literally, like if you have a like

955
00:52:50,640 --> 00:52:54,839
Speaker 9: a pack right now in your laptop and we put

956
00:52:54,880 --> 00:52:56,640
Speaker 9: on the mic, I'm gonna just lay hook after hook

957
00:52:56,680 --> 00:52:58,799
Speaker 9: after hook after hook after hook after hook after hook

958
00:52:58,800 --> 00:53:01,319
Speaker 9: after then we're gonna come back. I'm gonna see which

959
00:53:01,320 --> 00:53:05,000
Speaker 9: one is worthy of a you know, a verse, you know.

960
00:53:05,520 --> 00:53:08,600
Speaker 1: And then so that's your songwriting process, Like you listen

961
00:53:08,680 --> 00:53:10,480
Speaker 1: to the beat and then you'll concentrate on what the

962
00:53:10,520 --> 00:53:11,520
Speaker 1: hook is first.

963
00:53:11,400 --> 00:53:14,360
Speaker 9: Your hook or verse like whatever just comes out, like

964
00:53:14,480 --> 00:53:17,640
Speaker 9: just put it on. I'm going there, just you know,

965
00:53:17,760 --> 00:53:21,560
Speaker 9: blaze up and figure it out. And then some are great,

966
00:53:21,880 --> 00:53:25,239
Speaker 9: some are good and worthy of like selling to a

967
00:53:25,280 --> 00:53:26,160
Speaker 9: feature and.

968
00:53:26,320 --> 00:53:29,000
Speaker 1: Are all right, give me so give me an example

969
00:53:29,080 --> 00:53:32,360
Speaker 1: for a song like Paranoid. Yeah, you're first hearing the

970
00:53:32,400 --> 00:53:34,480
Speaker 1: beat and you're just at a live mike.

971
00:53:35,960 --> 00:53:39,879
Speaker 9: A Paranoid. That was like the third song I made

972
00:53:39,960 --> 00:53:42,080
Speaker 9: on that beat. I knew that beat was so hard

973
00:53:42,640 --> 00:53:44,480
Speaker 9: and like certain times you'll make a song that's just

974
00:53:44,520 --> 00:53:47,600
Speaker 9: like whatever, but you feel like that beat is so

975
00:53:47,719 --> 00:53:49,960
Speaker 9: crazy that I need to give it another, you know,

976
00:53:50,320 --> 00:53:52,839
Speaker 9: another swing. And then I was like the third one

977
00:53:53,280 --> 00:53:56,040
Speaker 9: I did on that and I just knew it.

978
00:53:56,040 --> 00:53:59,000
Speaker 1: It felt like the beat felt epic enough that you

979
00:53:59,040 --> 00:54:00,080
Speaker 1: had to put yeah.

980
00:54:00,080 --> 00:54:02,719
Speaker 9: Like when I when then when that hook came, it

981
00:54:02,760 --> 00:54:04,319
Speaker 9: reminded me of when I was a kid and I

982
00:54:04,400 --> 00:54:09,279
Speaker 9: first heard like Poison by BBB. I felt like I

983
00:54:09,320 --> 00:54:13,759
Speaker 9: tapped into the this is hard, but I'm singing you

984
00:54:13,800 --> 00:54:16,160
Speaker 9: know what I'm saying. Like it didn't feel R and B.

985
00:54:16,320 --> 00:54:18,560
Speaker 9: It didn't feel like you had to feel like how

986
00:54:18,600 --> 00:54:20,399
Speaker 9: when you say you look at me and it's like, yo,

987
00:54:20,480 --> 00:54:22,319
Speaker 9: you look this way, but you're supposed to be R

988
00:54:22,320 --> 00:54:24,359
Speaker 9: and B. Like I felt like, yeah, I can look

989
00:54:24,440 --> 00:54:27,120
Speaker 9: like this and still sing and like be me.

990
00:54:27,280 --> 00:54:30,080
Speaker 8: By the way that was me, I see whatever you

991
00:54:30,080 --> 00:54:30,879
Speaker 8: want to be black man?

992
00:54:38,560 --> 00:54:43,680
Speaker 1: So how long will you let the how many minutes

993
00:54:44,680 --> 00:54:48,600
Speaker 1: or days or whatever will you let time go by

994
00:54:48,719 --> 00:54:50,640
Speaker 1: before you're just like, it's not coming to me. Let

995
00:54:50,680 --> 00:54:51,640
Speaker 1: me go to the next track.

996
00:54:52,200 --> 00:54:55,680
Speaker 9: And then as soon as it's just as soon as

997
00:54:55,680 --> 00:54:58,359
Speaker 9: it's not coming, then I go to the next track.

998
00:54:58,760 --> 00:55:01,080
Speaker 9: That doesn't mean it's like not a good track, it's

999
00:55:01,120 --> 00:55:04,279
Speaker 9: just just not right at that second, it just wasn't

1000
00:55:04,320 --> 00:55:04,719
Speaker 9: meant to be.

1001
00:55:05,280 --> 00:55:09,040
Speaker 8: That's what I felt, like, are we doing to order?

1002
00:55:09,080 --> 00:55:11,200
Speaker 11: I just had I have such a Horses in the

1003
00:55:11,239 --> 00:55:12,319
Speaker 11: Stable questions.

1004
00:55:12,719 --> 00:55:15,600
Speaker 1: Horses in the Stable? Yeah, okay, that's.

1005
00:55:15,440 --> 00:55:18,640
Speaker 2: A title you mean, oh the song?

1006
00:55:18,680 --> 00:55:22,200
Speaker 11: Okay, okay, yeah, the sight of the fact that, yeah,

1007
00:55:22,239 --> 00:55:25,920
Speaker 11: I thought, I know, sometimes get mad, we break the lineage.

1008
00:55:25,880 --> 00:55:27,520
Speaker 8: I know we was going beach house and keep going.

1009
00:55:27,520 --> 00:55:31,120
Speaker 11: But I have conversations because I was thinking at a

1010
00:55:31,200 --> 00:55:33,880
Speaker 11: random thought about horses in the stable and coming up

1011
00:55:33,920 --> 00:55:35,880
Speaker 11: with that, and I was thinking to myself on the

1012
00:55:35,920 --> 00:55:39,239
Speaker 11: back of the twelve year old daughter conversation, I was like,

1013
00:55:39,360 --> 00:55:43,720
Speaker 11: in twenty eighteen with horses in the stable still, so.

1014
00:55:45,160 --> 00:55:52,840
Speaker 9: What I've recorded is still now. The song is so great.

1015
00:55:53,719 --> 00:55:57,759
Speaker 9: You know what My Homegirl tis Hymen came at the

1016
00:55:57,880 --> 00:56:01,160
Speaker 9: end of the album cycle of GC and she was like,

1017
00:56:01,200 --> 00:56:02,680
Speaker 9: I got this song. I wrote it for you and

1018
00:56:02,719 --> 00:56:05,319
Speaker 9: I think, like you should record it. And I'm like, yo,

1019
00:56:05,719 --> 00:56:06,200
Speaker 9: I'm done.

1020
00:56:06,520 --> 00:56:07,480
Speaker 8: That's her, that's her song.

1021
00:56:07,520 --> 00:56:09,719
Speaker 9: Yeah, I'm like I'm done, Like but like, let me

1022
00:56:09,760 --> 00:56:11,920
Speaker 9: hear it. And she played it and it was so

1023
00:56:12,040 --> 00:56:15,440
Speaker 9: hard that they're mixing in the other room and I'm like,

1024
00:56:15,520 --> 00:56:17,960
Speaker 9: you know what, just get me a mic in here,

1025
00:56:18,000 --> 00:56:19,600
Speaker 9: and I go on the vocal booth, set up my

1026
00:56:19,680 --> 00:56:23,560
Speaker 9: laptop and like the little protuls and recorded it and

1027
00:56:23,600 --> 00:56:25,880
Speaker 9: like added my own little thing to it and it

1028
00:56:25,960 --> 00:56:27,560
Speaker 9: was it. I'm like, I'm putting it on the album,

1029
00:56:27,680 --> 00:56:30,640
Speaker 9: just like clear, get it clear, like however, and like

1030
00:56:30,680 --> 00:56:33,600
Speaker 9: they got it clear and it's one of my favorite songs.

1031
00:56:33,640 --> 00:56:35,600
Speaker 9: I think the people love it. But guess what. I

1032
00:56:35,680 --> 00:56:39,120
Speaker 9: walk in the main meeting at Atlantic to where it's

1033
00:56:39,160 --> 00:56:46,360
Speaker 9: like the three bosses are Craig Calman, Julie and Kaiser. So, Julie,

1034
00:56:47,680 --> 00:56:53,640
Speaker 9: what the are you referring to women as horse as.

1035
00:56:53,719 --> 00:56:56,640
Speaker 11: Listen because you don't know the songs like horses to

1036
00:56:56,719 --> 00:56:58,960
Speaker 11: the stable. But I can't ride, But you can't say

1037
00:56:59,000 --> 00:56:59,480
Speaker 11: you can't.

1038
00:56:59,320 --> 00:57:02,239
Speaker 9: Ride listen to it again. It's not like as bad

1039
00:57:02,280 --> 00:57:06,600
Speaker 9: as you think it is, like, but shout out to

1040
00:57:06,680 --> 00:57:10,759
Speaker 9: Julie and you know, Dalla is not a misogynist. Dollar

1041
00:57:10,880 --> 00:57:13,239
Speaker 9: does not hate women like I love women and like

1042
00:57:13,280 --> 00:57:14,120
Speaker 9: I love my daughter.

1043
00:57:14,719 --> 00:57:15,280
Speaker 8: It's weird.

1044
00:57:15,440 --> 00:57:17,840
Speaker 1: Do you have a lot of lasses with Julian's world

1045
00:57:17,840 --> 00:57:19,760
Speaker 1: famous for those.

1046
00:57:20,480 --> 00:57:21,400
Speaker 9: For that, you know.

1047
00:57:21,520 --> 00:57:23,640
Speaker 8: But it's a weird time though, right, because it's kind of.

1048
00:57:23,600 --> 00:57:27,120
Speaker 11: Like you're right, like especially now because it's an independent

1049
00:57:27,160 --> 00:57:28,960
Speaker 11: woman and everything. But I still like a good you know,

1050
00:57:29,120 --> 00:57:30,800
Speaker 11: n w A you know, don't matter, just don't bite

1051
00:57:30,840 --> 00:57:31,280
Speaker 11: it or whatever.

1052
00:57:32,480 --> 00:57:35,920
Speaker 8: So my head.

1053
00:57:35,760 --> 00:57:42,840
Speaker 6: I'm sorry, I roll like that's the song.

1054
00:57:43,120 --> 00:57:46,680
Speaker 1: That's all you've been that was that was.

1055
00:57:46,640 --> 00:57:48,160
Speaker 8: My go to it.

1056
00:57:48,160 --> 00:57:51,600
Speaker 11: It's all good, okay, the world's biggest I think it's

1057
00:57:51,640 --> 00:57:54,000
Speaker 11: just like a but you still want to make a.

1058
00:57:53,960 --> 00:57:56,920
Speaker 9: Culture thing like our songs, like like just on some

1059
00:57:58,000 --> 00:58:01,600
Speaker 9: you know, that's just how we'll be talking. It's nothing

1060
00:58:01,640 --> 00:58:04,840
Speaker 9: that bad. It is kind of bad, but exactly what.

1061
00:58:04,920 --> 00:58:07,400
Speaker 8: You learn because it is what it is. Culture is

1062
00:58:07,480 --> 00:58:09,080
Speaker 8: kind of like this.

1063
00:58:08,680 --> 00:58:12,480
Speaker 9: What you learn, like but a lot of people, yeah,

1064
00:58:12,520 --> 00:58:15,520
Speaker 9: it is, so that's cool though, I'm happy for the

1065
00:58:15,520 --> 00:58:16,040
Speaker 9: next chapter.

1066
00:58:16,960 --> 00:58:20,040
Speaker 1: Beach Out four, right, yeah, my sister.

1067
00:58:21,600 --> 00:58:23,680
Speaker 2: Man, please don't go hotep on Beach Out four.

1068
00:58:23,760 --> 00:58:24,520
Speaker 1: Please keep it.

1069
00:58:24,520 --> 00:58:30,560
Speaker 6: Ratchet hole tep down. You collaborated with on the stealing Joints.

1070
00:58:30,680 --> 00:58:33,320
Speaker 6: I mentioned it in my role call. But how did

1071
00:58:33,360 --> 00:58:35,440
Speaker 6: you record that because the vocals on it, it sounds

1072
00:58:35,480 --> 00:58:37,880
Speaker 6: like it was separate, yeah or what.

1073
00:58:38,040 --> 00:58:39,360
Speaker 2: I don't know if it was separate. It sounds like

1074
00:58:39,360 --> 00:58:41,160
Speaker 2: you were just in an open room.

1075
00:58:41,240 --> 00:58:43,840
Speaker 9: And it's just this is one studio in Burdbank called

1076
00:58:44,160 --> 00:58:51,840
Speaker 9: Wayman sound don't steal my studio anyway, Wayman. I can't remember.

1077
00:58:51,840 --> 00:58:53,200
Speaker 1: I think I've been at the studio.

1078
00:58:53,760 --> 00:58:56,200
Speaker 9: It's right there on Bird like nineteen oh eight, Burbank.

1079
00:58:56,520 --> 00:58:57,960
Speaker 1: I think I know what you're talking about.

1080
00:58:57,960 --> 00:59:03,200
Speaker 9: To get paid, but like it's a solo like one

1081
00:59:03,240 --> 00:59:06,000
Speaker 9: man's studio. Only one artist can be there in there

1082
00:59:06,000 --> 00:59:08,480
Speaker 9: at a time because there's only one room. And I

1083
00:59:08,600 --> 00:59:14,120
Speaker 9: like that because certain studios in LA, like people will

1084
00:59:14,600 --> 00:59:16,160
Speaker 9: find out you there because me, I don't even put

1085
00:59:16,200 --> 00:59:18,720
Speaker 9: my name on the door anymore. It just says private session.

1086
00:59:18,760 --> 00:59:20,400
Speaker 9: But people will find out you're in there and just

1087
00:59:20,400 --> 00:59:24,400
Speaker 9: feel entitled, like oh that's the yeah, Like I hate that.

1088
00:59:24,600 --> 00:59:27,040
Speaker 9: So now you know I have to pay for a

1089
00:59:27,080 --> 00:59:29,160
Speaker 9: security guard to be out there, which is booth Like.

1090
00:59:29,440 --> 00:59:32,160
Speaker 9: I don't have to spend that extra money for security

1091
00:59:32,200 --> 00:59:36,720
Speaker 9: standing out here. I'm not Michael nobody like that, but

1092
00:59:36,880 --> 00:59:39,560
Speaker 9: i have to because I like my privacy when I'm

1093
00:59:39,560 --> 00:59:41,640
Speaker 9: working so I can get things done, you know what

1094
00:59:41,640 --> 00:59:41,960
Speaker 9: I'm saying.

1095
00:59:42,000 --> 00:59:43,919
Speaker 2: And is that you playing acoustic on that one?

1096
00:59:44,880 --> 00:59:49,880
Speaker 9: Nah? That Was's Homeboy who you know she originally made that.

1097
00:59:49,840 --> 00:59:50,640
Speaker 1: Song with Okay?

1098
00:59:50,720 --> 00:59:54,120
Speaker 2: And is that you on the or is that Babyface playing.

1099
00:59:55,520 --> 00:59:56,560
Speaker 9: Solid?

1100
00:59:58,360 --> 01:00:05,880
Speaker 1: Yeah? Gotcha, I'll let our audience know that. Uh, I'm

1101
01:00:06,000 --> 01:00:11,840
Speaker 1: kind of considering. I mean, Tis is definitely going to

1102
01:00:11,920 --> 01:00:14,000
Speaker 1: play a major, major role in this next.

1103
01:00:16,960 --> 01:00:19,080
Speaker 9: Amazing. It's amazing.

1104
01:00:19,280 --> 01:00:21,439
Speaker 1: I mean we did, we did. We did a good

1105
01:00:23,400 --> 01:00:27,640
Speaker 1: I mean we had like a mammoth five day like

1106
01:00:27,920 --> 01:00:32,040
Speaker 1: twenty four hour street just sleepover at Electric Ladies Studios

1107
01:00:32,080 --> 01:00:35,920
Speaker 1: like sometime last year, in which how many songs are

1108
01:00:35,920 --> 01:00:37,640
Speaker 1: on the hard drive like at least three hundred?

1109
01:00:38,320 --> 01:00:41,880
Speaker 3: Well, yeah, there's like one hundred and twenty five like

1110
01:00:42,000 --> 01:00:42,600
Speaker 3: full songs.

1111
01:00:42,880 --> 01:00:45,120
Speaker 1: Yeah, I mean I just mean sketches or whatever. Yeah,

1112
01:00:45,200 --> 01:00:48,200
Speaker 1: another two hundred sketches or something. Yeah, so it's like

1113
01:00:48,480 --> 01:00:54,720
Speaker 1: three hundred total. But is definitely gonna you know, she

1114
01:00:54,840 --> 01:00:57,240
Speaker 1: will be a major presence. I love her.

1115
01:00:57,720 --> 01:01:01,360
Speaker 9: I love Gray, human being, great soul all that.

1116
01:01:01,680 --> 01:01:03,880
Speaker 11: Can we talk about you as you mentioned him, but

1117
01:01:03,960 --> 01:01:05,640
Speaker 11: you kind of did it fast and we actually interviewed

1118
01:01:05,640 --> 01:01:07,640
Speaker 11: baby Face and I asked him about doing a song

1119
01:01:07,680 --> 01:01:10,280
Speaker 11: with you because I just thought, WHOA, I was surprised,

1120
01:01:10,360 --> 01:01:12,560
Speaker 11: not you know, just not super surprised, but a pleasantly

1121
01:01:12,640 --> 01:01:17,000
Speaker 11: surprised on your side. How do you can you tell

1122
01:01:17,000 --> 01:01:18,760
Speaker 11: a story of that and where you're scary? You just

1123
01:01:18,840 --> 01:01:20,440
Speaker 11: was like, I want baby Face, and that's what it is.

1124
01:01:20,520 --> 01:01:24,480
Speaker 9: Yeah, man, the story of time Babyface is super legend.

1125
01:01:25,280 --> 01:01:31,800
Speaker 9: Did I came in? It was, you know, already set up.

1126
01:01:32,240 --> 01:01:34,720
Speaker 9: He's there by himself, him and his other boy, and

1127
01:01:34,720 --> 01:01:37,520
Speaker 9: then his other boy leaves and we're chilling like he's

1128
01:01:37,560 --> 01:01:40,720
Speaker 9: just playing guitar riffs. I'm like, that's dope, just freestyling.

1129
01:01:41,480 --> 01:01:45,640
Speaker 9: And who else is in there with me? I think

1130
01:01:45,800 --> 01:01:50,000
Speaker 9: my sister, my assistant at the time or whatever. So no, Nate, Nate,

1131
01:01:50,160 --> 01:01:53,680
Speaker 9: my homie, Nate Nate three D. So Nate's rolling up

1132
01:01:53,720 --> 01:01:57,400
Speaker 9: for me and I'm just freestyling and ship he passes

1133
01:01:57,440 --> 01:02:00,840
Speaker 9: me the joint I lighted all was setting me and

1134
01:02:00,920 --> 01:02:02,840
Speaker 9: face was just vib okay. That's the one. That's the

1135
01:02:02,840 --> 01:02:05,400
Speaker 9: one right there. He starts, he starts to play solid

1136
01:02:05,640 --> 01:02:10,400
Speaker 9: and I start coming up with the hook, and all

1137
01:02:10,440 --> 01:02:12,880
Speaker 9: of a sudden, his boy walks in and he's like, yo, yo, yo,

1138
01:02:13,000 --> 01:02:16,720
Speaker 9: y face, don't want you to smoke. He was like,

1139
01:02:17,480 --> 01:02:19,080
Speaker 9: you know, just come out here, come out here. I'm like,

1140
01:02:19,120 --> 01:02:22,120
Speaker 9: wait a minute, I'm sitting here in the man's face

1141
01:02:22,520 --> 01:02:24,600
Speaker 9: and he didn't saying nothing. So I'm like, how the

1142
01:02:24,640 --> 01:02:27,760
Speaker 9: fuck did he like sitting on this dude Like he

1143
01:02:27,840 --> 01:02:30,040
Speaker 9: had like telepathic powers or something.

1144
01:02:30,440 --> 01:02:33,400
Speaker 1: So he like sits on his left shoulder with a bad.

1145
01:02:33,240 --> 01:02:36,200
Speaker 9: Time, and like called him in there and he told

1146
01:02:36,240 --> 01:02:38,080
Speaker 9: me don't smoke. But that was cool, you know his

1147
01:02:38,240 --> 01:02:41,520
Speaker 9: face like all all respect, I just like had a

1148
01:02:41,560 --> 01:02:45,080
Speaker 9: non smoking session and the song came out cool.

1149
01:02:44,920 --> 01:02:46,760
Speaker 2: And he had nothing but great things to say about

1150
01:02:46,800 --> 01:02:47,320
Speaker 2: your inview.

1151
01:02:47,480 --> 01:02:49,760
Speaker 9: Yeah he's amazing. And then like he shouted up to

1152
01:02:49,800 --> 01:02:53,560
Speaker 9: the video in a stretched limo, what was this old?

1153
01:02:54,240 --> 01:02:58,280
Speaker 8: Yeah, Like and y'all was in a desert now we.

1154
01:02:58,080 --> 01:03:01,640
Speaker 9: Was like by the beach somewhere like off of Ventura County.

1155
01:03:01,680 --> 01:03:04,720
Speaker 9: But like that was his only requirement to send him

1156
01:03:04,880 --> 01:03:08,640
Speaker 9: you know, stress straight face like.

1157
01:03:09,200 --> 01:03:10,960
Speaker 11: And it was never any thought to have him sing

1158
01:03:10,960 --> 01:03:12,880
Speaker 11: at all because I always thought that was interesting too, Like.

1159
01:03:12,960 --> 01:03:15,880
Speaker 9: I wanted him to, but he felt like I think

1160
01:03:15,880 --> 01:03:18,600
Speaker 9: he did backgrounds on there. He did, but he just

1161
01:03:18,640 --> 01:03:20,840
Speaker 9: wanted me to just do my thing. He was like, Yo,

1162
01:03:20,920 --> 01:03:23,320
Speaker 9: that's it. And I couldn't believe he was like loving

1163
01:03:23,360 --> 01:03:27,680
Speaker 9: my lines and he recorded me and everything like like

1164
01:03:28,120 --> 01:03:30,040
Speaker 9: I'm like trying to get him the vocal produce me

1165
01:03:30,120 --> 01:03:34,320
Speaker 9: and making a big face song, but he was just

1166
01:03:34,360 --> 01:03:37,600
Speaker 9: loving everything I did. So we got back in to

1167
01:03:37,680 --> 01:03:40,280
Speaker 9: work on Beach House three. I didn't end up using

1168
01:03:40,280 --> 01:03:42,560
Speaker 9: that song, but we're gonna get back in again. I

1169
01:03:42,600 --> 01:03:44,440
Speaker 9: love working with him, he loves working with me.

1170
01:03:49,680 --> 01:03:51,440
Speaker 2: How did the Jacketed session come about?

1171
01:03:51,440 --> 01:03:56,760
Speaker 9: The US jacket Edge? Straight up, I've known h jagget

1172
01:03:56,880 --> 01:04:06,840
Speaker 9: Edge through uh Me poond. Yeah, you're from at.

1173
01:04:07,200 --> 01:04:09,919
Speaker 8: I went to college, so.

1174
01:04:12,200 --> 01:04:16,920
Speaker 1: She's from every show. It's crazy.

1175
01:04:17,320 --> 01:04:22,920
Speaker 9: Yeah. So once I got that song done, there was

1176
01:04:22,960 --> 01:04:26,080
Speaker 9: just like one line that I said about Jagged Edge

1177
01:04:26,520 --> 01:04:29,960
Speaker 9: and you know, one of them on the song. So

1178
01:04:30,080 --> 01:04:31,800
Speaker 9: I called him just like to see if we can

1179
01:04:31,880 --> 01:04:34,200
Speaker 9: make it happen. And next thing you know, they sent it.

1180
01:04:34,200 --> 01:04:36,280
Speaker 8: Back like it was all their kids.

1181
01:04:36,400 --> 01:04:40,720
Speaker 11: Was like, Daddy, you gotta.

1182
01:04:40,480 --> 01:04:40,680
Speaker 2: Wow.

1183
01:04:40,840 --> 01:04:43,640
Speaker 6: I once read a friend of mine, she's interviewed a

1184
01:04:43,640 --> 01:04:45,760
Speaker 6: couple of times, re Becca Haye coach, she's right, La,

1185
01:04:46,200 --> 01:04:48,720
Speaker 6: And I read the joint you did with her. I

1186
01:04:48,760 --> 01:04:50,840
Speaker 6: guess it's maybe like years ago, but you were talking

1187
01:04:50,840 --> 01:04:55,840
Speaker 6: about how you understand your pops more now that you

1188
01:04:55,920 --> 01:05:00,440
Speaker 6: have a daughter. Yeah, what's that journey been like for you?

1189
01:05:00,560 --> 01:05:02,920
Speaker 6: Like your relationship with your dad as a.

1190
01:05:03,000 --> 01:05:05,720
Speaker 2: Kid, Like.

1191
01:05:07,880 --> 01:05:11,840
Speaker 9: Say, if your parents break up and mom's is always

1192
01:05:11,920 --> 01:05:15,680
Speaker 9: like talking down like you know everything wrong about him,

1193
01:05:15,720 --> 01:05:17,680
Speaker 9: and it just makes you hate him more and more

1194
01:05:17,680 --> 01:05:21,520
Speaker 9: and more and more and more. And then I have

1195
01:05:21,760 --> 01:05:25,080
Speaker 9: a daughter, and then the difference between me and her mother,

1196
01:05:25,320 --> 01:05:28,600
Speaker 9: like and everything she's saying, and I'm sure she's sang

1197
01:05:28,720 --> 01:05:31,280
Speaker 9: like all kinds of crazy stuff, but like, yet I've

1198
01:05:31,360 --> 01:05:34,160
Speaker 9: been able to hold a you know, cool relationship with

1199
01:05:34,200 --> 01:05:37,840
Speaker 9: my daughter. But just seeing that, I figured out, like, oh, okay,

1200
01:05:38,720 --> 01:05:43,000
Speaker 9: this is why I was like, you know, listening to her,

1201
01:05:43,160 --> 01:05:46,240
Speaker 9: it wasn't really like how it was between us. So

1202
01:05:46,840 --> 01:05:50,080
Speaker 9: that's why that's why I said that. But I was wrong,

1203
01:05:50,400 --> 01:05:53,240
Speaker 9: and my pops definitely is the reason why I'm here

1204
01:05:53,240 --> 01:05:55,960
Speaker 9: today and shout out to my Pops. I couldn't have

1205
01:05:56,000 --> 01:05:56,600
Speaker 9: done it without you.

1206
01:05:56,720 --> 01:05:57,680
Speaker 2: What's your relationship?

1207
01:05:57,720 --> 01:05:57,800
Speaker 9: Like?

1208
01:05:57,880 --> 01:05:58,120
Speaker 1: Now?

1209
01:05:59,280 --> 01:06:03,880
Speaker 9: We're great. He's always you know, put me onto different

1210
01:06:03,920 --> 01:06:06,600
Speaker 9: things he's into, and I'm putting him onto all the

1211
01:06:06,600 --> 01:06:12,760
Speaker 9: new stuff and any questions about you know, his you know,

1212
01:06:12,800 --> 01:06:15,680
Speaker 9: the old stuff, he can always be right there to answer.

1213
01:06:15,880 --> 01:06:19,480
Speaker 9: Like the other day, I was looking for that tonight

1214
01:06:19,600 --> 01:06:22,600
Speaker 9: is the night that Betty right, and I couldn't figure

1215
01:06:22,600 --> 01:06:25,280
Speaker 9: it out who it was and called him like, who's

1216
01:06:25,280 --> 01:06:28,960
Speaker 9: that song with that? What is that singing? I'm like,

1217
01:06:29,000 --> 01:06:34,200
Speaker 9: you know, want to be like good love, oh Betty right?

1218
01:06:34,320 --> 01:06:37,800
Speaker 9: Like see, so Pops is always there like for those

1219
01:06:37,880 --> 01:06:40,680
Speaker 9: moments and for you know, just being a dad.

1220
01:06:41,560 --> 01:06:47,280
Speaker 6: On your records, you got TC. So just to clarify,

1221
01:06:47,320 --> 01:06:50,760
Speaker 6: we were speaking offline like before. So little t C

1222
01:06:50,960 --> 01:06:53,480
Speaker 6: that's your cousin that is with you now, and then

1223
01:06:53,520 --> 01:06:58,000
Speaker 6: big TC that's your brother that's locked up. He's on well,

1224
01:06:58,040 --> 01:07:00,120
Speaker 6: he's on he's on campaign and he's on free he

1225
01:07:00,200 --> 01:07:00,919
Speaker 6: see as well.

1226
01:07:01,200 --> 01:07:03,040
Speaker 2: And that's him singing.

1227
01:07:04,520 --> 01:07:05,560
Speaker 1: How is he? First?

1228
01:07:05,680 --> 01:07:06,320
Speaker 2: Is he a older brother?

1229
01:07:06,440 --> 01:07:06,959
Speaker 1: Younger brother?

1230
01:07:07,600 --> 01:07:11,800
Speaker 2: He's younger? Did y'all? I don't know when he got Like,

1231
01:07:12,160 --> 01:07:14,600
Speaker 2: how did y'all ever clad when he was out?

1232
01:07:15,080 --> 01:07:19,880
Speaker 9: Yeah? We uh always like just sung around the house

1233
01:07:19,960 --> 01:07:24,080
Speaker 9: and like recorded songs together and like just tried to,

1234
01:07:24,200 --> 01:07:26,320
Speaker 9: you know, makee groups. He would have this thing. I

1235
01:07:26,320 --> 01:07:29,000
Speaker 9: would have my thing, and you know, when my parents

1236
01:07:29,040 --> 01:07:31,520
Speaker 9: broke up, he went his way. I went my way.

1237
01:07:32,360 --> 01:07:37,920
Speaker 9: And it's like, it's definitely important to who you hang around, man,

1238
01:07:37,960 --> 01:07:39,600
Speaker 9: because I felt like if he would have been hanging

1239
01:07:39,600 --> 01:07:42,640
Speaker 9: around the people I was hanging around, and I would

1240
01:07:42,640 --> 01:07:44,880
Speaker 9: have hang hanged around the people he was hanging around,

1241
01:07:44,920 --> 01:07:45,200
Speaker 9: it might.

1242
01:07:45,200 --> 01:07:48,120
Speaker 6: Have been you know, because he's a I mean, I

1243
01:07:48,280 --> 01:07:51,680
Speaker 6: really like his voice and super talented. Y'all sound like brothers,

1244
01:07:51,680 --> 01:07:54,600
Speaker 6: like he sounds like you. But y'all it's dope, Like

1245
01:07:54,720 --> 01:07:56,520
Speaker 6: it's y'all sound definitely like each other.

1246
01:07:56,840 --> 01:07:59,920
Speaker 9: He might be better than me, man, shout out to bro.

1247
01:08:01,080 --> 01:08:04,760
Speaker 12: Is getting worse before is getting better.

1248
01:08:05,280 --> 01:08:05,760
Speaker 9: It's like the.

1249
01:08:05,720 --> 01:08:10,480
Speaker 12: People got a curse. Can nobody stay together? I can

1250
01:08:10,600 --> 01:08:17,760
Speaker 12: get my people down. It's killing off each other. No,

1251
01:08:18,160 --> 01:08:19,680
Speaker 12: ain't no justice for the brothers.

1252
01:08:20,040 --> 01:08:24,600
Speaker 9: No, he's fighting a life Susans for something that he

1253
01:08:24,680 --> 01:08:28,360
Speaker 9: didn't do. So with free TC if if if anything

1254
01:08:29,000 --> 01:08:32,240
Speaker 9: you know, we rose awareness for sure around the world

1255
01:08:32,240 --> 01:08:36,080
Speaker 9: for the social injustice and everything that's going on. And

1256
01:08:37,600 --> 01:08:39,840
Speaker 9: like I said, I took every bit of the money

1257
01:08:39,880 --> 01:08:41,559
Speaker 9: I made for that project and put it back into

1258
01:08:41,640 --> 01:08:44,479
Speaker 9: his case. So God willing, you know, we're gonna get

1259
01:08:44,479 --> 01:08:48,719
Speaker 9: some results real soon. Uh d Lok, who was also

1260
01:08:48,760 --> 01:08:51,760
Speaker 9: featured on Free TC. He was right next you know,

1261
01:08:51,840 --> 01:08:54,599
Speaker 9: he was with my brother and he's out now he's

1262
01:08:54,640 --> 01:08:57,120
Speaker 9: out here with us. I started my label, the Movement,

1263
01:08:57,280 --> 01:09:00,559
Speaker 9: and I got d Look, I got TC, I got

1264
01:09:00,640 --> 01:09:02,960
Speaker 9: twenty four hours, I got Joe Moses, I got Tish

1265
01:09:03,400 --> 01:09:04,120
Speaker 9: and we are here.

1266
01:09:04,560 --> 01:09:09,720
Speaker 6: So the No Justice record was that and the autobiography

1267
01:09:09,840 --> 01:09:12,560
Speaker 6: is that? Like what happened with what he's singing and

1268
01:09:12,600 --> 01:09:13,240
Speaker 6: what you're singing?

1269
01:09:13,479 --> 01:09:17,679
Speaker 9: Yeah, we definitely suck up on it.

1270
01:09:19,040 --> 01:09:20,799
Speaker 6: Yeah, I mean, I know you have to be sensitive

1271
01:09:20,800 --> 01:09:22,320
Speaker 6: about what you can say. But I was listening to it.

1272
01:09:22,400 --> 01:09:23,560
Speaker 6: I was like, hold up, do you know do you

1273
01:09:23,640 --> 01:09:25,960
Speaker 6: niggas sound like they telln't truth? It don't sound like

1274
01:09:26,040 --> 01:09:27,840
Speaker 6: just something a song, you know what I mean. I'm like,

1275
01:09:27,880 --> 01:09:28,599
Speaker 6: it sounds real.

1276
01:09:29,120 --> 01:09:34,960
Speaker 9: Yeah. Man, it was crazy. Like once I feel like

1277
01:09:35,000 --> 01:09:36,840
Speaker 9: once they get on you, they're just be on you

1278
01:09:36,920 --> 01:09:39,960
Speaker 9: and like they don't want to look stupid for being

1279
01:09:40,000 --> 01:09:41,880
Speaker 9: on you still figure out a way to like just

1280
01:09:42,000 --> 01:09:46,519
Speaker 9: make it solid, you know, without it even being solid,

1281
01:09:47,640 --> 01:09:51,400
Speaker 9: and he got, you know, put in the twist. But

1282
01:09:51,600 --> 01:09:53,719
Speaker 9: like I said, we're working on it, and God willing

1283
01:09:54,360 --> 01:09:56,280
Speaker 9: it's gonna happen. I swear we're working on it. That

1284
01:09:56,360 --> 01:09:59,479
Speaker 9: song is everything and free TC went gold finally, So

1285
01:09:59,640 --> 01:10:02,559
Speaker 9: shout out to Team Dollan and everybody that streamed it

1286
01:10:02,600 --> 01:10:08,280
Speaker 9: and bought it and hopefully purchase We're going to free TC.

1287
01:10:08,800 --> 01:10:14,880
Speaker 1: Yeah, that's the most important part running running a team. Now. Actually,

1288
01:10:14,880 --> 01:10:16,080
Speaker 1: I want to I want to bring this back to

1289
01:10:16,160 --> 01:10:20,960
Speaker 1: Sarah because I'll say that for me, one of the

1290
01:10:21,000 --> 01:10:26,280
Speaker 1: major most major disappointments I've ever had was watching their

1291
01:10:26,320 --> 01:10:32,240
Speaker 1: situation implode because for me, I always felt as though,

1292
01:10:34,080 --> 01:10:39,200
Speaker 1: UH tribes people people that move, people that move together

1293
01:10:41,000 --> 01:10:46,200
Speaker 1: UH can get to their destination faster than just individual artists.

1294
01:10:47,080 --> 01:10:49,400
Speaker 1: And if you look at the history, especially with hip hop,

1295
01:10:50,200 --> 01:10:54,240
Speaker 1: tribes move together. In other words, I mean Wu Tang Clan,

1296
01:10:54,680 --> 01:10:56,920
Speaker 1: you have to associate it with the individual artists method

1297
01:10:56,920 --> 01:11:02,200
Speaker 1: Man Redman, Yeah, like all of them as individual artists

1298
01:11:02,200 --> 01:11:04,639
Speaker 1: movement as a unit, and even for people that are

1299
01:11:04,680 --> 01:11:08,639
Speaker 1: not part of a movement necessarily, Like look at look

1300
01:11:08,640 --> 01:11:10,920
Speaker 1: at Puff's era. You might call the Jiggy era or whatever,

1301
01:11:11,000 --> 01:11:13,200
Speaker 1: but you still think of Flossie Rappers, you think of

1302
01:11:13,280 --> 01:11:17,120
Speaker 1: j you think of Puff, Fossy Kim like, and they

1303
01:11:17,200 --> 01:11:21,080
Speaker 1: all moved together the same with Native tongues, which was

1304
01:11:21,160 --> 01:11:24,559
Speaker 1: groups of groups tribe. They lost so old jungle brothers.

1305
01:11:25,000 --> 01:11:29,000
Speaker 1: And so when when Sarah came along, especially with them

1306
01:11:29,000 --> 01:11:33,880
Speaker 1: and their association with Jay Davey Georgia, Yeah, with Georgia

1307
01:11:33,920 --> 01:11:35,200
Speaker 1: Ann and all that stuff, I.

1308
01:11:35,120 --> 01:11:37,639
Speaker 9: Was like, I was just listening to Georgia like all

1309
01:11:37,720 --> 01:11:40,639
Speaker 9: Morning's amazing, man.

1310
01:11:41,080 --> 01:11:44,160
Speaker 1: Yeah, and it's like for me, I was so elated

1311
01:11:44,160 --> 01:11:48,439
Speaker 1: because I was just like great, Like someone gets the

1312
01:11:48,479 --> 01:11:53,000
Speaker 1: whole like gathering of the tribes together and and move

1313
01:11:53,040 --> 01:11:57,400
Speaker 1: it along. And then like, I mean, I have my

1314
01:11:57,520 --> 01:12:02,840
Speaker 1: thoughts on why who I mean, I'm not you know,

1315
01:12:03,160 --> 01:12:07,679
Speaker 1: like my fear was that because when I saw their approach,

1316
01:12:07,720 --> 01:12:09,920
Speaker 1: I was like, yo, they're so fresh. But I also knew,

1317
01:12:11,320 --> 01:12:16,040
Speaker 1: you know, like post j there's well sweat well swagger

1318
01:12:16,160 --> 01:12:19,600
Speaker 1: Jack and sort of became legal in terms of I

1319
01:12:19,600 --> 01:12:21,640
Speaker 1: mean you could say swagger Jack or whatever, but like

1320
01:12:22,160 --> 01:12:25,439
Speaker 1: where you just drink someone's milkshake and you know, they fresh,

1321
01:12:25,520 --> 01:12:26,880
Speaker 1: let me, let me see what they got going on,

1322
01:12:27,360 --> 01:12:31,040
Speaker 1: and then you know what I'm saying. And for me,

1323
01:12:31,760 --> 01:12:33,800
Speaker 1: I was like, and I told them, I said, yo,

1324
01:12:33,960 --> 01:12:35,599
Speaker 1: just I went you all to concentrate that a lot

1325
01:12:35,640 --> 01:12:37,840
Speaker 1: of people are gonna look at y'all like, yo, y'all

1326
01:12:37,840 --> 01:12:39,439
Speaker 1: the new thing out. I want to be down. I

1327
01:12:39,479 --> 01:12:42,000
Speaker 1: wouldn't be down. And I was like, just ignore it,

1328
01:12:42,200 --> 01:12:45,559
Speaker 1: get to the goal post first, and then branch start

1329
01:12:45,840 --> 01:12:50,360
Speaker 1: your associations and that bill and then kind of when

1330
01:12:50,439 --> 01:12:52,800
Speaker 1: Ya came along, I was afraid. I was like, oh man,

1331
01:12:54,400 --> 01:12:59,839
Speaker 1: I'm afraid. And I called what happened. I called what happened,

1332
01:13:00,080 --> 01:13:03,280
Speaker 1: and it's like they got excited and then and that

1333
01:13:03,360 --> 01:13:06,280
Speaker 1: album for three years and then yeah, I'm not gonna

1334
01:13:06,280 --> 01:13:09,800
Speaker 1: say the same. Also with uh with with uh, well,

1335
01:13:10,040 --> 01:13:13,040
Speaker 1: what would have been the odd future movement and that

1336
01:13:13,080 --> 01:13:18,599
Speaker 1: whole thing. So watching that situation implode, first of all,

1337
01:13:18,640 --> 01:13:20,439
Speaker 1: how did that affect you?

1338
01:13:20,479 --> 01:13:20,639
Speaker 10: Really?

1339
01:13:21,120 --> 01:13:22,760
Speaker 1: Just like, uh, well, if that did, weren't, let me

1340
01:13:22,960 --> 01:13:25,760
Speaker 1: move on and you know, start my own thing, Like

1341
01:13:25,800 --> 01:13:28,479
Speaker 1: how do you keep your tribe and your family together

1342
01:13:30,240 --> 01:13:32,639
Speaker 1: and working and active?

1343
01:13:32,800 --> 01:13:36,960
Speaker 9: You see, like I've been through many tribes. Man, I've

1344
01:13:36,960 --> 01:13:40,600
Speaker 9: been through many tribes. I had to just keep on

1345
01:13:40,760 --> 01:13:43,880
Speaker 9: working when other people like give up and feel like,

1346
01:13:44,040 --> 01:13:46,080
Speaker 9: you know what, I put my all into this, I'm

1347
01:13:46,120 --> 01:13:48,479
Speaker 9: not about to do it again. Like I still have

1348
01:13:48,680 --> 01:13:51,880
Speaker 9: some more you know what I'm saying. Yeah, So now

1349
01:13:52,040 --> 01:13:54,679
Speaker 9: I found like the right drive, like the right team,

1350
01:13:54,760 --> 01:13:57,280
Speaker 9: and like that's that's important.

1351
01:13:57,439 --> 01:14:00,200
Speaker 6: Now because I mean your stuff, man, Like I want

1352
01:14:00,360 --> 01:14:01,880
Speaker 6: I was going to ask you was just like with

1353
01:14:02,080 --> 01:14:05,360
Speaker 6: the time Corey stuff, with that situation not working out.

1354
01:14:05,760 --> 01:14:07,160
Speaker 6: I know a lot of casts that would have called

1355
01:14:07,200 --> 01:14:09,559
Speaker 6: it quits right then, like because y'all were making some

1356
01:14:09,560 --> 01:14:12,760
Speaker 6: cool shit and a lot of times the thing that

1357
01:14:12,800 --> 01:14:14,400
Speaker 6: I want people to just I guess I kind of

1358
01:14:14,439 --> 01:14:17,840
Speaker 6: understand about your story. Like a big reason why we

1359
01:14:17,840 --> 01:14:19,080
Speaker 6: want to get you on the show is because I

1360
01:14:19,080 --> 01:14:20,760
Speaker 6: think like a lot of people don't really know it,

1361
01:14:20,800 --> 01:14:23,120
Speaker 6: Like they just see you as like the hit maker

1362
01:14:23,240 --> 01:14:25,960
Speaker 6: that where you are now, but they really don't know

1363
01:14:26,040 --> 01:14:28,080
Speaker 6: your grind. And like I remember the first time I

1364
01:14:28,120 --> 01:14:30,680
Speaker 6: played I played and diff for like a friend of

1365
01:14:30,720 --> 01:14:32,240
Speaker 6: mine and I'm like, yo, you know who that is?

1366
01:14:32,320 --> 01:14:32,559
Speaker 1: Right?

1367
01:14:32,800 --> 01:14:36,960
Speaker 6: He's like I'm like, Yo, that's tied do I'm like, no,

1368
01:14:37,040 --> 01:14:39,840
Speaker 6: that's Todd. That was before he was who he is.

1369
01:14:39,920 --> 01:14:42,840
Speaker 6: But this has been a process. You know what I'm saying,

1370
01:14:43,640 --> 01:14:48,480
Speaker 6: it's been it's been a grinds. It's really been a grind.

1371
01:14:48,479 --> 01:14:53,400
Speaker 1: So how did you not get discouraged to? Because I

1372
01:14:53,840 --> 01:14:58,679
Speaker 1: knew people now that even on their fifth attempt at

1373
01:14:58,760 --> 01:15:01,439
Speaker 1: climbing mountain they can't you.

1374
01:15:01,479 --> 01:15:04,840
Speaker 9: Know where I fucked up? Because like I put so

1375
01:15:05,000 --> 01:15:09,200
Speaker 9: much time into like doing music and learning music and

1376
01:15:09,280 --> 01:15:12,120
Speaker 9: only caring about music that that's like what I knew

1377
01:15:12,120 --> 01:15:14,040
Speaker 9: how to do, so that if I didn't do this,

1378
01:15:14,120 --> 01:15:18,040
Speaker 9: and it was like all right, okay, I'm selling weed

1379
01:15:18,120 --> 01:15:20,240
Speaker 9: and I'm doing all that, but like this doesn't really

1380
01:15:20,240 --> 01:15:22,000
Speaker 9: make me happy. I really have to kick it around

1381
01:15:22,000 --> 01:15:23,479
Speaker 9: these weirdos.

1382
01:15:22,880 --> 01:15:24,519
Speaker 1: Like like.

1383
01:15:26,240 --> 01:15:28,720
Speaker 9: You know, so I just stuck to this. And then

1384
01:15:28,760 --> 01:15:34,559
Speaker 9: once once YG's things started taking off, that was like

1385
01:15:34,600 --> 01:15:39,400
Speaker 9: so inspiring and then like all right, I don't want

1386
01:15:39,400 --> 01:15:42,960
Speaker 9: to make pizza anymore. Jacazo died then must have started

1387
01:15:43,000 --> 01:15:45,439
Speaker 9: taking off, and that was some inspiring. It's like, oh shit,

1388
01:15:45,800 --> 01:15:49,240
Speaker 9: we could do this. Like it was timing, Like I

1389
01:15:49,320 --> 01:15:52,040
Speaker 9: just came in at the right time, and you know.

1390
01:15:52,400 --> 01:15:56,960
Speaker 1: So technically all right, just treat me like a five

1391
01:15:57,040 --> 01:16:04,439
Speaker 1: year old with this question. Uh yeah, I'm lieing no.

1392
01:16:04,600 --> 01:16:10,720
Speaker 1: But in my head, like I thought that Mustard was

1393
01:16:12,160 --> 01:16:17,000
Speaker 1: starting a crust of a new movement. Yeah, but is

1394
01:16:17,000 --> 01:16:21,040
Speaker 1: he still rolling with the original cast of characters that

1395
01:16:21,240 --> 01:16:23,439
Speaker 1: came in the door with him, with YG, with you

1396
01:16:23,520 --> 01:16:26,720
Speaker 1: and anyone else that was associated with all of his

1397
01:16:27,720 --> 01:16:31,479
Speaker 1: sonic assault of twenty thirteen coming in the door? Like,

1398
01:16:31,520 --> 01:16:35,519
Speaker 1: are you still going to work continue to Yeah?

1399
01:16:35,560 --> 01:16:38,519
Speaker 9: I think like the sonics are changing and like everything is.

1400
01:16:38,960 --> 01:16:44,640
Speaker 9: You know, Mustard got his whatever he's doing YG. You

1401
01:16:44,640 --> 01:16:47,280
Speaker 9: know he's got four hundred Mustard's ten summers. I got

1402
01:16:47,280 --> 01:16:51,240
Speaker 9: the movement, and we come together as full hundred summers

1403
01:16:51,240 --> 01:16:57,280
Speaker 9: the movement. We're gonna work, Ygi and Mustard working right now.

1404
01:16:58,360 --> 01:17:00,640
Speaker 9: I just said, wyt GI's some new music. When I

1405
01:17:00,680 --> 01:17:04,920
Speaker 9: was out in Dubai like two weeks ago, me and

1406
01:17:05,000 --> 01:17:07,559
Speaker 9: Neil linked up and we just like made songs for

1407
01:17:07,600 --> 01:17:10,080
Speaker 9: a week. We said, wy G something.

1408
01:17:10,560 --> 01:17:14,400
Speaker 6: So what's your creative presence? Like do you write and

1409
01:17:14,479 --> 01:17:17,160
Speaker 6: record every day? Is it just kind of when you

1410
01:17:16,640 --> 01:17:17,479
Speaker 6: feel it?

1411
01:17:18,120 --> 01:17:20,400
Speaker 9: Like whenever I see something like this, I get excited.

1412
01:17:20,439 --> 01:17:24,840
Speaker 8: Man, Like the people, the room.

1413
01:17:24,720 --> 01:17:28,280
Speaker 9: The people, everything, like it's like this a couple million

1414
01:17:28,320 --> 01:17:32,000
Speaker 9: dollars right here, you know. Well besides that, like he

1415
01:17:32,160 --> 01:17:32,680
Speaker 9: was like.

1416
01:17:32,840 --> 01:17:36,400
Speaker 6: Oh man, I could we look at it? Like man,

1417
01:17:37,600 --> 01:17:42,120
Speaker 6: right right, man? You do most of your recordings still

1418
01:17:42,120 --> 01:17:45,240
Speaker 6: at the crib. What's your setup at setup?

1419
01:17:45,680 --> 01:17:50,080
Speaker 9: Home? Setup? Is uh the setups everywhere? So now, like

1420
01:17:50,160 --> 01:17:52,200
Speaker 9: I finally bought a drum set and like I got

1421
01:17:52,200 --> 01:17:55,599
Speaker 9: it fully miked, and I got a baby grand and

1422
01:17:55,840 --> 01:18:01,160
Speaker 9: it's fully miked, And I've been buying a little drums

1423
01:18:01,160 --> 01:18:03,160
Speaker 9: from everywhere I go. I just came back from Kenya

1424
01:18:03,240 --> 01:18:04,360
Speaker 9: about to bring something back.

1425
01:18:06,080 --> 01:18:10,839
Speaker 2: You're performing in King just I want can I tell y'all.

1426
01:18:10,920 --> 01:18:15,160
Speaker 1: The like Live Nation is really planning their feet in

1427
01:18:15,280 --> 01:18:17,400
Speaker 1: the African market now, So like.

1428
01:18:17,400 --> 01:18:20,600
Speaker 9: I'm wondering why they've been so late, But it's cool

1429
01:18:21,120 --> 01:18:23,760
Speaker 9: late why they've been so late on bringing me there

1430
01:18:23,800 --> 01:18:25,560
Speaker 9: because I know I had that many fans, Like it

1431
01:18:25,680 --> 01:18:27,799
Speaker 9: was like five thousand people out there going.

1432
01:18:29,120 --> 01:18:31,880
Speaker 1: It was just like initially, I mean there's always been

1433
01:18:31,920 --> 01:18:34,479
Speaker 1: a desire for artists to go over there, but you

1434
01:18:34,520 --> 01:18:36,920
Speaker 1: would have to have a lot of money. Like there

1435
01:18:36,960 --> 01:18:39,400
Speaker 1: was a point where I think, like when mis education

1436
01:18:39,600 --> 01:18:43,040
Speaker 1: was really popping, like Lauren and the roots. We're going

1437
01:18:43,040 --> 01:18:47,400
Speaker 1: to tour Africa like in ninety, nineteen thousand whatever. But

1438
01:18:47,880 --> 01:18:52,000
Speaker 1: because there wasn't a Live Nation, there's not a promoter

1439
01:18:52,120 --> 01:18:53,120
Speaker 1: there and.

1440
01:18:53,120 --> 01:18:55,639
Speaker 6: The governments real money.

1441
01:18:55,960 --> 01:19:01,760
Speaker 1: Yeah, there's a lot of funny money over there. Something happened, right,

1442
01:19:02,479 --> 01:19:06,040
Speaker 1: It was like a lot of scamage going on. Let's

1443
01:19:06,080 --> 01:19:06,759
Speaker 1: just be a PC.

1444
01:19:08,080 --> 01:19:10,799
Speaker 2: But give me a soci security Mber Prince.

1445
01:19:12,600 --> 01:19:16,040
Speaker 1: If I can tell you like the six closed Minosa

1446
01:19:16,080 --> 01:19:18,919
Speaker 1: Gar moments we had with Africa. But then like suddenly,

1447
01:19:19,120 --> 01:19:21,800
Speaker 1: like I guess like two thousand and nine, like all

1448
01:19:21,800 --> 01:19:24,160
Speaker 1: of a sudden, like Buster was constantly going to Africa.

1449
01:19:24,200 --> 01:19:26,120
Speaker 1: I'm like, what you know that we don't know? And

1450
01:19:26,320 --> 01:19:30,360
Speaker 1: suddenly like Live Nation has reps over there and they

1451
01:19:30,439 --> 01:19:34,920
Speaker 1: come back. So now, yeah, like Africa is now an

1452
01:19:34,960 --> 01:19:36,559
Speaker 1: option for artists to go to now.

1453
01:19:36,920 --> 01:19:40,920
Speaker 8: Employing people, not just flying people in the best energy ever?

1454
01:19:41,120 --> 01:19:43,080
Speaker 1: Contin have you done South Africa yet?

1455
01:19:43,760 --> 01:19:47,360
Speaker 9: I haven't, Man, they want it, so I'll be out there,

1456
01:19:47,439 --> 01:19:48,360
Speaker 9: so y'all don't.

1457
01:19:48,479 --> 01:19:50,519
Speaker 2: Now you'll kill it over there there. They'll love you.

1458
01:19:50,920 --> 01:19:51,400
Speaker 9: We're going to.

1459
01:19:54,040 --> 01:20:01,000
Speaker 13: Legos and different You gotta you gotta go visit the

1460
01:20:01,040 --> 01:20:02,920
Speaker 13: shrine if you if you go to legos you gotta

1461
01:20:02,960 --> 01:20:06,360
Speaker 13: go to to fail out shrine like it's still very

1462
01:20:06,400 --> 01:20:07,240
Speaker 13: active and.

1463
01:20:07,360 --> 01:20:10,480
Speaker 1: Still a musical, spiritual experience.

1464
01:20:10,560 --> 01:20:15,360
Speaker 8: So are familiar. I just want to hear you were.

1465
01:20:16,880 --> 01:20:19,799
Speaker 6: What's your what's your micael choice like at the crib,

1466
01:20:19,880 --> 01:20:21,280
Speaker 6: like what might you like to use?

1467
01:20:21,800 --> 01:20:26,559
Speaker 9: I have a Yeah, my voice is like hell, the

1468
01:20:26,600 --> 01:20:32,120
Speaker 9: bottom heavy, so that brings the brightness out. But I

1469
01:20:32,120 --> 01:20:34,240
Speaker 9: have every mic I got the noimans just in case

1470
01:20:34,240 --> 01:20:39,800
Speaker 9: whoever comes over. I'm a gear head for sure. Then

1471
01:20:39,840 --> 01:20:43,320
Speaker 9: I got the old way of pro tools where everybody

1472
01:20:43,320 --> 01:20:45,840
Speaker 9: feels like you need the full rack. Then I have

1473
01:20:46,040 --> 01:20:49,640
Speaker 9: the laptop with the duet, and of course like what

1474
01:20:49,760 --> 01:20:52,080
Speaker 9: I like to record on the quick way because you

1475
01:20:52,120 --> 01:20:53,479
Speaker 9: get the same You just take it to the big

1476
01:20:53,520 --> 01:20:55,439
Speaker 9: studio and put whatever you want to put on it.

1477
01:20:55,560 --> 01:20:55,760
Speaker 1: You know.

1478
01:20:58,680 --> 01:20:59,280
Speaker 9: That's about it.

1479
01:20:59,320 --> 01:21:01,600
Speaker 2: When do you think you you mentioned earlier.

1480
01:21:02,600 --> 01:21:08,240
Speaker 9: Eight guitars acoustics. Yeah, we can have fun, man, all right,

1481
01:21:08,520 --> 01:21:10,120
Speaker 9: I want to buy a roads next. I don't have one.

1482
01:21:11,720 --> 01:21:16,040
Speaker 6: Yeah, I'm buying the roads. That's that's so crazy, because

1483
01:21:16,040 --> 01:21:19,360
Speaker 6: like you're moving Like all my homies that are keyboard players,

1484
01:21:19,360 --> 01:21:22,040
Speaker 6: they swear by like all the virtual entries. I'm gettings

1485
01:21:22,439 --> 01:21:26,599
Speaker 6: like I just got a Crodles Wait, yeah, like they

1486
01:21:26,640 --> 01:21:29,880
Speaker 6: I was watching video with a Fred Fred Greg filling

1487
01:21:29,960 --> 01:21:33,120
Speaker 6: games and he was playing it was some new virtual

1488
01:21:33,200 --> 01:21:35,519
Speaker 6: joint and he says that's like his main thing now,

1489
01:21:35,680 --> 01:21:39,040
Speaker 6: like the roads like they Well, it's so difference.

1490
01:21:39,040 --> 01:21:43,320
Speaker 1: What's so dope is that the patches on these keyboards

1491
01:21:43,400 --> 01:21:50,599
Speaker 1: now are song titles. I saw, yeah story, but yesterday

1492
01:21:50,680 --> 01:21:54,080
Speaker 1: I'm still this is this is four weeks after I

1493
01:21:54,080 --> 01:21:57,639
Speaker 1: did that. I g story, Like the song titles are endless,

1494
01:21:57,640 --> 01:22:00,800
Speaker 1: Like I was only in one uh what do you

1495
01:22:00,840 --> 01:22:04,439
Speaker 1: call it? One channel? I didn't realize that it's letters

1496
01:22:04,479 --> 01:22:07,640
Speaker 1: A through G. I was only in the letter. So

1497
01:22:08,000 --> 01:22:10,439
Speaker 1: yesterday I was in C and it was like, I

1498
01:22:10,479 --> 01:22:14,120
Speaker 1: mean they had the funky They literally had funky worm

1499
01:22:14,360 --> 01:22:20,559
Speaker 1: Chris Cross. I'm sorry, Chris Cross jump patch, but literally

1500
01:22:21,040 --> 01:22:24,920
Speaker 1: g thing but matching it, matching it no for I mean,

1501
01:22:25,280 --> 01:22:29,480
Speaker 1: it makes it'll put programmers out. Well, not that programmers

1502
01:22:29,520 --> 01:22:33,400
Speaker 1: like Stevie Wonder's guys are yeah, it's not like they're

1503
01:22:33,520 --> 01:22:36,479
Speaker 1: they're in business to program anymore. But now it's like

1504
01:22:36,640 --> 01:22:40,040
Speaker 1: there's literally no excuse for you to not find the song.

1505
01:22:40,120 --> 01:22:42,760
Speaker 1: You just type in the song title and you know

1506
01:22:43,040 --> 01:22:45,000
Speaker 1: what it is? You got your patches.

1507
01:22:45,479 --> 01:22:47,960
Speaker 6: I was reading that you were saying, we're working on

1508
01:22:48,000 --> 01:22:49,880
Speaker 6: Beach House three. There was a lot of records you

1509
01:22:49,880 --> 01:22:52,559
Speaker 6: had to turn down in order to get it, and

1510
01:22:52,800 --> 01:22:55,439
Speaker 6: I was curious to know, how do you how do

1511
01:22:55,479 --> 01:22:59,120
Speaker 6: you determine what is for you versus what if for

1512
01:22:59,200 --> 01:23:01,479
Speaker 6: someone else? Or or like, how do you make that

1513
01:23:01,560 --> 01:23:07,200
Speaker 6: determination of this song? This feature is worth my time versus.

1514
01:23:07,000 --> 01:23:09,519
Speaker 2: You know what fuck that I'm gonna do this it's.

1515
01:23:09,360 --> 01:23:11,479
Speaker 9: All and how it makes me feel at the time

1516
01:23:12,920 --> 01:23:18,200
Speaker 9: and what I'm on And for Beach House three, I

1517
01:23:18,240 --> 01:23:21,479
Speaker 9: started with Message in a Bottle, which is the last song,

1518
01:23:21,520 --> 01:23:23,640
Speaker 9: which a lot of the homies be like, yo, you

1519
01:23:23,720 --> 01:23:28,599
Speaker 9: tapped into the time Corey vibes, thanks man. So anyway,

1520
01:23:30,040 --> 01:23:32,200
Speaker 9: I started with that, so I felt like everything had

1521
01:23:32,240 --> 01:23:34,479
Speaker 9: to be as good as that, and I knew I

1522
01:23:34,479 --> 01:23:37,439
Speaker 9: wanted to do a lot more singing so I could

1523
01:23:37,720 --> 01:23:41,200
Speaker 9: like get this hold the rapper tie dollar sign thing

1524
01:23:42,000 --> 01:23:48,920
Speaker 9: you know away from me. What came next after Message

1525
01:23:48,920 --> 01:23:55,600
Speaker 9: in a Bottle, we did saw My Okay, saw My

1526
01:23:55,960 --> 01:23:59,920
Speaker 9: Famous and side effects. That's all my homies. Poo Bear,

1527
01:24:00,600 --> 01:24:05,320
Speaker 9: yeah from fifteen hundred, He's not fifteen. He's just like solo,

1528
01:24:05,439 --> 01:24:09,840
Speaker 9: but he's amazing. I've known him for a while. He's

1529
01:24:09,840 --> 01:24:11,400
Speaker 9: been in the game for a minute as well. He

1530
01:24:11,439 --> 01:24:13,880
Speaker 9: wrote Peaches and Cream for one twelve Back of the

1531
01:24:13,960 --> 01:24:18,040
Speaker 9: Day okay, and like he also wrote justin Biebers versus

1532
01:24:18,040 --> 01:24:18,840
Speaker 9: on Desko.

1533
01:24:19,680 --> 01:24:26,080
Speaker 1: Oh he's good for a minute.

1534
01:24:26,000 --> 01:24:26,200
Speaker 9: Yeah.

1535
01:24:26,720 --> 01:24:27,040
Speaker 1: Wow.

1536
01:24:27,720 --> 01:24:28,599
Speaker 9: Shout out to Poober.

1537
01:24:28,760 --> 01:24:32,479
Speaker 6: What was the difference between the like the campaign and

1538
01:24:33,040 --> 01:24:37,320
Speaker 6: uh and beat outs? Because at first Campaign was a

1539
01:24:37,360 --> 01:24:40,479
Speaker 6: mixtape and then Atlantic put it out, Like how do

1540
01:24:40,520 --> 01:24:43,800
Speaker 6: you differentiate between what's a tape and what's an official album.

1541
01:24:43,800 --> 01:24:45,559
Speaker 9: I would have loved it to count as the album.

1542
01:24:46,479 --> 01:24:49,360
Speaker 2: That's some of my favorite shit is on campaign, But.

1543
01:24:49,400 --> 01:24:52,719
Speaker 9: I guess I didn't do my business right at the time.

1544
01:24:52,840 --> 01:24:57,880
Speaker 9: I'm learning teachers. Okay, you have to like go through

1545
01:24:57,920 --> 01:24:59,960
Speaker 9: the album cycle with the lawyers and all that, but

1546
01:25:00,000 --> 01:25:01,680
Speaker 9: before you can't just give them a record and be

1547
01:25:01,760 --> 01:25:03,879
Speaker 9: like this is the album whatever?

1548
01:25:04,960 --> 01:25:05,320
Speaker 1: All right?

1549
01:25:05,320 --> 01:25:05,599
Speaker 9: Cool?

1550
01:25:05,680 --> 01:25:09,120
Speaker 1: So so you basically said here and they were like,

1551
01:25:09,160 --> 01:25:09,960
Speaker 1: no mixtape.

1552
01:25:10,400 --> 01:25:12,639
Speaker 9: Yeah, Like because I wanted to drop it immediately, and

1553
01:25:12,720 --> 01:25:13,479
Speaker 9: like they.

1554
01:25:13,400 --> 01:25:15,240
Speaker 11: Were like, if you want to drop it immediately, you

1555
01:25:15,280 --> 01:25:16,439
Speaker 11: have to do the mixtape, you know.

1556
01:25:16,680 --> 01:25:18,800
Speaker 9: Yeah, Like it just couldn't get cleared in time or

1557
01:25:18,800 --> 01:25:21,439
Speaker 9: whatever the case. So you know, it came out as

1558
01:25:21,439 --> 01:25:26,080
Speaker 9: a tape and still I had campaign on it and

1559
01:25:26,200 --> 01:25:29,599
Speaker 9: Zaddy and you know some songs that people love so

1560
01:25:29,640 --> 01:25:32,200
Speaker 9: shout out everybody the stream campaign.

1561
01:25:33,160 --> 01:25:37,280
Speaker 1: But does but does that also mean uh that you

1562
01:25:37,320 --> 01:25:42,960
Speaker 1: get to control your uh mixtapes? Like do they own

1563
01:25:43,000 --> 01:25:46,040
Speaker 1: the master to the mixtape? Or is it just like like,

1564
01:25:46,120 --> 01:25:48,920
Speaker 1: how how is that I've never released a mixtape?

1565
01:25:49,120 --> 01:25:51,679
Speaker 8: Wow, that's fascinating. Maybe it's time.

1566
01:25:51,600 --> 01:25:55,280
Speaker 2: That's a different eraror it's just yeah, that's that's the movement.

1567
01:25:55,600 --> 01:25:58,559
Speaker 1: Yeah, yeah it is. But I meant like, do you

1568
01:25:58,640 --> 01:26:04,479
Speaker 1: get to own your masters and everything if it's a mixtape? Yeah, okay,

1569
01:26:04,960 --> 01:26:08,080
Speaker 1: but they'll promote it for you, yeah, just so that okay.

1570
01:26:08,120 --> 01:26:09,920
Speaker 1: So it's sort of like them handing out the flyer

1571
01:26:09,920 --> 01:26:12,200
Speaker 1: at the end of the night, right helping you out.

1572
01:26:12,280 --> 01:26:12,880
Speaker 1: I see that.

1573
01:26:12,960 --> 01:26:17,720
Speaker 11: So by now I imagine that you're wishless for working producers,

1574
01:26:17,760 --> 01:26:20,800
Speaker 11: musicians and artists. Is kind of being chopped down, right,

1575
01:26:20,880 --> 01:26:22,479
Speaker 11: because you just said you walked in here and you're like,

1576
01:26:22,600 --> 01:26:24,120
Speaker 11: should I got John Mayer this album?

1577
01:26:24,520 --> 01:26:24,720
Speaker 9: Yeah?

1578
01:26:25,000 --> 01:26:27,640
Speaker 8: I mean you got John Mayer? You got score Like

1579
01:26:27,680 --> 01:26:29,320
Speaker 8: you got future, you got everybody like you, baby face,

1580
01:26:29,560 --> 01:26:30,360
Speaker 8: So let's.

1581
01:26:31,840 --> 01:26:35,080
Speaker 9: Yeah, who's Cuddy I want to work with? Y'all?

1582
01:26:35,640 --> 01:26:37,679
Speaker 1: Done? That seems okay?

1583
01:26:37,880 --> 01:26:40,320
Speaker 2: Yeah, yeah, it's like a no brainer.

1584
01:26:41,160 --> 01:26:43,880
Speaker 9: We'll get together soon. There's a lot of people I

1585
01:26:43,920 --> 01:26:44,840
Speaker 9: still want to work with.

1586
01:26:47,000 --> 01:26:51,320
Speaker 11: Are there any other the Jagged Edges type of people

1587
01:26:51,360 --> 01:26:52,120
Speaker 11: that you want to work.

1588
01:26:54,000 --> 01:26:55,960
Speaker 1: Considered? Nineties? Whatever? Yeah?

1589
01:26:57,800 --> 01:27:00,240
Speaker 9: Yeah, you know, the song would just have to come

1590
01:27:00,320 --> 01:27:03,840
Speaker 9: up first. You hear it, hear it and feel it,

1591
01:27:04,160 --> 01:27:07,320
Speaker 9: get it done. You will seeing me and Charlie Wilson

1592
01:27:07,320 --> 01:27:09,240
Speaker 9: had a song too that could have went on Beach

1593
01:27:09,240 --> 01:27:14,360
Speaker 9: House three, but uh uh, the song is amazing. We'll see,

1594
01:27:14,439 --> 01:27:17,720
Speaker 9: we'll see what happens with it here.

1595
01:27:17,760 --> 01:27:22,320
Speaker 1: First, would you consider doing any Yiddish folk songs on.

1596
01:27:24,200 --> 01:27:26,439
Speaker 9: I don't think I'm gonna make a beach house for Actually,

1597
01:27:26,640 --> 01:27:29,840
Speaker 9: I'm gonna, you know, think of a new.

1598
01:27:29,680 --> 01:27:33,080
Speaker 1: Time the houses beach houses.

1599
01:27:34,000 --> 01:27:37,639
Speaker 2: You're a lot closer to it now. I'd imagine, yeah, yeah.

1600
01:27:38,360 --> 01:27:40,280
Speaker 9: I got a long beach beach house, but like, it's

1601
01:27:40,280 --> 01:27:42,759
Speaker 9: not the one that I know you want. I'm gonna

1602
01:27:42,760 --> 01:27:46,280
Speaker 9: still like, where's the dream? To get the dream one?

1603
01:27:46,800 --> 01:27:51,879
Speaker 9: It could probably be a you know, Malibu, Star Island

1604
01:27:52,000 --> 01:27:55,439
Speaker 9: and Miami or you know there's many There's gonna be

1605
01:27:55,439 --> 01:27:59,200
Speaker 9: many beach houses. You know, the way my life is looking.

1606
01:28:00,240 --> 01:28:10,880
Speaker 10: Say that that was wise.

1607
01:28:11,120 --> 01:28:14,320
Speaker 6: When do you think you when do you think you

1608
01:28:14,360 --> 01:28:17,760
Speaker 6: gained confidence as a singer, because you're saying early, you

1609
01:28:17,800 --> 01:28:19,160
Speaker 6: know you weren't really confident in it.

1610
01:28:19,400 --> 01:28:25,240
Speaker 9: I gained confidence when I seen YG walk away with

1611
01:28:25,320 --> 01:28:30,080
Speaker 9: the rest of that break. Yet. Yeah, we talked about it.

1612
01:28:30,200 --> 01:28:30,680
Speaker 1: I said it.

1613
01:28:30,720 --> 01:28:31,840
Speaker 9: I said it a couple of times.

1614
01:28:32,080 --> 01:28:32,880
Speaker 1: Motivated men.

1615
01:28:32,960 --> 01:28:34,280
Speaker 8: He said you got one more time to mention that

1616
01:28:34,280 --> 01:28:34,799
Speaker 8: in an interview.

1617
01:28:35,439 --> 01:28:39,599
Speaker 9: Yeah, well for sure, definitely. That will definitely change you, man,

1618
01:28:39,640 --> 01:28:42,320
Speaker 9: when you see it's possible, like when you guys have

1619
01:28:42,439 --> 01:28:46,160
Speaker 9: just been working in the back, you know, of Grandma's crib,

1620
01:28:46,200 --> 01:28:48,120
Speaker 9: and then all of a sudden you can go get

1621
01:28:48,120 --> 01:28:51,360
Speaker 9: paid for real people want to pay for this. Let's

1622
01:28:51,360 --> 01:28:52,120
Speaker 9: go get it there.

1623
01:28:54,720 --> 01:28:55,840
Speaker 1: That's that's really words.

1624
01:28:56,680 --> 01:28:57,479
Speaker 2: It really is hell.

1625
01:28:57,560 --> 01:28:59,280
Speaker 6: Yeah, you see a niggas you walk over a four

1626
01:28:59,320 --> 01:29:01,040
Speaker 6: hundred dollars walking up with ten thousand.

1627
01:29:01,680 --> 01:29:03,519
Speaker 2: Yeah, I'll be a singing ass, right.

1628
01:29:04,920 --> 01:29:09,120
Speaker 1: Man. We thank you for coming on the show today, Yeah, pleasure,

1629
01:29:09,240 --> 01:29:12,719
Speaker 1: thank you everywhere.

1630
01:29:12,720 --> 01:29:14,959
Speaker 9: This is not mine. I actually stole it from the back.

1631
01:29:15,120 --> 01:29:17,479
Speaker 8: And you hear that, James, make sure you.

1632
01:29:17,520 --> 01:29:17,840
Speaker 10: Put it that.

1633
01:29:20,200 --> 01:29:23,200
Speaker 6: No, man, we thank you very much on Behalf of

1634
01:29:23,200 --> 01:29:27,439
Speaker 6: a Sugar. Hold up, damn, we forgot real quick, Master Teacher.

1635
01:29:29,080 --> 01:29:31,960
Speaker 6: You can't forget that the original original.

1636
01:29:33,000 --> 01:29:33,920
Speaker 1: How did that come about?

1637
01:29:35,760 --> 01:29:39,799
Speaker 9: We were just uh viving up Red Shopeak's house. Georgia.

1638
01:29:41,240 --> 01:29:44,840
Speaker 9: That's a gang of people on that song. Georgia Bla,

1639
01:29:45,000 --> 01:29:48,320
Speaker 9: the whole family, everybody.

1640
01:29:48,720 --> 01:29:50,519
Speaker 1: It was just a vip there.

1641
01:29:50,880 --> 01:29:53,439
Speaker 9: Yeah. I just did like me and Corey did one

1642
01:29:53,479 --> 01:29:54,040
Speaker 9: part on there.

1643
01:29:54,640 --> 01:29:54,920
Speaker 1: Wow.

1644
01:29:55,040 --> 01:29:57,840
Speaker 9: And you know Georgia did apart, and this person did

1645
01:29:57,880 --> 01:29:59,320
Speaker 9: a part of this person did apart, and then you

1646
01:29:59,400 --> 01:30:03,000
Speaker 9: have Master Teacher Stay Woke album?

1647
01:30:03,080 --> 01:30:04,400
Speaker 2: Is that on America?

1648
01:30:04,439 --> 01:30:12,080
Speaker 1: America? Can we officially say that she was better that

1649
01:30:12,200 --> 01:30:15,519
Speaker 1: term I stay woke? Be careful. That was the first place.

1650
01:30:15,840 --> 01:30:17,160
Speaker 1: That's the first place I ever heard it.

1651
01:30:17,240 --> 01:30:20,400
Speaker 8: Yeah, I'm gonna just say down right now, I'm gonna

1652
01:30:20,400 --> 01:30:20,800
Speaker 8: just say that.

1653
01:30:20,840 --> 01:30:24,759
Speaker 6: Oh hell no, no, no, no, he definitely got Okay, Damn.

1654
01:30:24,880 --> 01:30:26,200
Speaker 6: I think she might she might have.

1655
01:30:26,560 --> 01:30:28,120
Speaker 9: I don't even want to say bit it. He might

1656
01:30:28,160 --> 01:30:30,680
Speaker 9: have just found out, but he found out.

1657
01:30:30,680 --> 01:30:33,360
Speaker 1: It was a great for those that listened to that for.

1658
01:30:33,320 --> 01:30:35,880
Speaker 8: That song that has nothing to do with staying woke.

1659
01:30:38,400 --> 01:30:39,599
Speaker 9: I hate when people do that.

1660
01:30:39,840 --> 01:30:41,120
Speaker 8: I didn't thank you.

1661
01:30:41,200 --> 01:30:43,439
Speaker 9: Not not you. I'm just saying, like when artists do

1662
01:30:43,479 --> 01:30:45,439
Speaker 9: that and be like, oh, you bid me, like.

1663
01:30:47,840 --> 01:30:49,160
Speaker 1: You know it's up in the air.

1664
01:30:49,760 --> 01:30:53,520
Speaker 9: I didn't have like many songs like when I made Saved,

1665
01:30:53,920 --> 01:30:56,160
Speaker 9: like J Cole had a song like about the same

1666
01:30:56,240 --> 01:31:01,000
Speaker 9: thing at the same time, and I'm like, no, I

1667
01:31:01,040 --> 01:31:03,400
Speaker 9: mean I put out another song where I did this

1668
01:31:03,640 --> 01:31:08,519
Speaker 9: or no that was I didn't. I didn't try to

1669
01:31:08,520 --> 01:31:10,840
Speaker 9: say people bid me. I just had the best or no.

1670
01:31:11,479 --> 01:31:13,840
Speaker 1: And then yes, you have the.

1671
01:31:15,400 --> 01:31:19,880
Speaker 9: Thank you. There's been many songs like that with me

1672
01:31:19,920 --> 01:31:24,080
Speaker 9: and Chris Brown and uh who else. We put out

1673
01:31:24,080 --> 01:31:28,519
Speaker 9: the Meek Mill with the Tony Tony Tony sample, and

1674
01:31:28,560 --> 01:31:30,840
Speaker 9: there was like some other song that had the Tony

1675
01:31:30,880 --> 01:31:34,840
Speaker 9: Tony sample. They thought we copied them or whatever.

1676
01:31:34,880 --> 01:31:39,080
Speaker 1: Come on, man, hey man, like there's only twelve who

1677
01:31:39,120 --> 01:31:39,800
Speaker 1: doesn't loud Us.

1678
01:31:40,040 --> 01:31:44,160
Speaker 11: Yeah, storm in every city loud Us.

1679
01:31:44,320 --> 01:31:46,640
Speaker 6: But nah, man, just thank thank you for coming and

1680
01:31:46,840 --> 01:31:48,360
Speaker 6: just I mean for us to sit here. I just

1681
01:31:48,360 --> 01:31:50,519
Speaker 6: want to say I'm a fan and I really just

1682
01:31:50,520 --> 01:31:52,640
Speaker 6: to have watched your journey and with no way you

1683
01:31:52,640 --> 01:31:53,519
Speaker 6: started the way you've taken.

1684
01:31:53,520 --> 01:31:55,400
Speaker 1: It's crazy because I'm a big fan of you, like,

1685
01:31:55,640 --> 01:31:56,200
Speaker 1: thank you brother.

1686
01:31:56,320 --> 01:32:00,160
Speaker 9: Like in my old web right, I had you know how,

1687
01:32:00,200 --> 01:32:03,160
Speaker 9: we all had CD cases ship like the big giant

1688
01:32:03,160 --> 01:32:08,160
Speaker 9: logic and I had all your all your joints, right,

1689
01:32:08,560 --> 01:32:10,960
Speaker 9: and then somebody broke in my ship and took all

1690
01:32:11,000 --> 01:32:13,920
Speaker 9: of my CDs and I just never went and got CDs. Well,

1691
01:32:14,000 --> 01:32:16,240
Speaker 9: I have the cases still at the christ but the

1692
01:32:16,320 --> 01:32:19,559
Speaker 9: actual CDs were in that book, and like, it just

1693
01:32:19,640 --> 01:32:21,639
Speaker 9: pisses me off every time I look at the cases.

1694
01:32:23,000 --> 01:32:25,479
Speaker 1: Remind me of the late nineties early arts where you

1695
01:32:25,680 --> 01:32:28,479
Speaker 1: had to have like the travel cases. Yeah, the big

1696
01:32:28,520 --> 01:32:32,240
Speaker 1: case with like fifty CD changes in the back.

1697
01:32:32,400 --> 01:32:35,640
Speaker 6: Oh yeah, they would have it in the trunk. You

1698
01:32:35,680 --> 01:32:38,240
Speaker 6: had the CD change in the trunk. Jesus man, that

1699
01:32:38,320 --> 01:32:40,960
Speaker 6: was the original on demand.

1700
01:32:41,760 --> 01:32:46,760
Speaker 1: It was anyway on behalf of Sugar Steve Fanticcolo. It's

1701
01:32:46,880 --> 01:32:52,640
Speaker 1: like yeah, and unpaid and boss bills any last words.

1702
01:32:52,360 --> 01:32:55,600
Speaker 6: You absent bills, absentee bills.

1703
01:32:56,640 --> 01:32:58,760
Speaker 1: Anyway, thank you very much for coming on the show.

1704
01:32:58,800 --> 01:33:01,360
Speaker 1: This is question man, courts Love Supreme. We will see

1705
01:33:01,360 --> 01:33:14,320
Speaker 1: you on the next go round. Only one Pandora Court

1706
01:33:14,360 --> 01:33:18,320
Speaker 1: Love Supreme is a production of iHeartRadio. This classic episode

1707
01:33:18,400 --> 01:33:25,839
Speaker 1: was produced by the team at Pandora. For more podcasts

1708
01:33:25,840 --> 01:33:30,200
Speaker 1: from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or wherever

1709
01:33:30,240 --> 01:33:31,559
Speaker 1: you listen to your favorite shows.