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Speaker 1: The last two days. It's just been just a series

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Speaker 1: of unfortunate events, you know what I mean? Just like

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Speaker 1: I woke up kids off, nothing was working. It's just

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Speaker 1: been a day.

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Speaker 2: How are you a b It's like a Monday, but

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Speaker 2: it's not a Monday. It's a Tuesday.

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Speaker 1: Oh my yep.

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Speaker 2: Did you know it was Tuesday?

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Speaker 1: I probably did, and it probably crossed my mind at

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Speaker 1: some point today, But then there was the reminder, just now,

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Speaker 1: you're right, it is a Tuesday. Yeah, we have very

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Speaker 1: Monday energy. It is.

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Speaker 2: It is very Monday energy. But that's okay. Are we wait?

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Speaker 2: Are we going? Are we recording?

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Speaker 1: This was our pre show chatter? Don't we do free

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Speaker 1: show chatter? Do what I didn't? You know what?

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Speaker 2: I didn't take the one, two, three, But that's fine,

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Speaker 2: that's fine.

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Speaker 1: I should want be three. We're going.

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Speaker 2: Okay, now now I'm here. Now, I'm here, I'm here,

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Speaker 2: and I'm we're here.

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Speaker 1: I'm sorry you okay. Prior to that, you were just like,

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Speaker 1: are you going to shut up so we can start

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Speaker 1: doing this show? I'm sorry.

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Speaker 2: This is just a it's a tick that I have,

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Speaker 2: but no, I'm doing You're doing great.

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Speaker 1: Take those out with Tweezers, you know, very very technics. No,

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Speaker 1: I yeah, I'm sorry. I I just I showed up

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Speaker 1: ill prepared and in frazzled energy, and I have I've

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Speaker 1: brought it to you.

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Speaker 2: No, that's okay, welcome. I'm still recovering from nineties Gone,

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Speaker 2: so I know, I know, I know we're going to

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Speaker 2: do a special episode about that. So yeah, we don't

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Speaker 2: get into too much detail, but no, yeah, no, it's

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Speaker 2: it's that was the weekend to remember.

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Speaker 1: Yeah, a weekend, and I definitely feel like I totally

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Speaker 1: have been fighting off something. My sinuses are a mess,

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Speaker 1: like I definitely I think I returned with the cold.

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Speaker 1: So oh yeah, well I'm feeling greed either.

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Speaker 2: I got full on COVID I'm calling I'm great renaming

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Speaker 2: it COVID CONU COVID con.

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Speaker 1: I mean, it was very it was people.

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Speaker 2: There was like forty thousand people there. I'm like, well,

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Speaker 2: all right, yeah, I knew it was a possibility, so yeah,

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Speaker 2: that's all right.

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Speaker 1: That's all right. You'll have to listen to our special

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Speaker 1: nineties Con episode though, where we recount all of the

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Speaker 1: fun and all of the details and AB and I's

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Speaker 1: travels and adventures.

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Speaker 2: Together it was so fun, and it was so fun

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Speaker 2: meeting all the fans of this podcast. Like I was

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Speaker 2: born away.

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Speaker 1: I was so excited, so many people coming through the line,

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Speaker 1: but I would say, like ninety percent, we're like, oh

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Speaker 1: my god, I love you. And Andrea's podcast, Howard tan

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Speaker 1: Rito's is great. It's so funny. I love your stories.

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Speaker 2: They love it.

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Speaker 1: I was so yeah, thank you, thank you, thank you

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Speaker 1: guys so much. Seriously, I'm so glad that you all

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Speaker 1: are enjoying the show. And to any new listeners out there,

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Speaker 1: I hope you enjoy your first episode. Go back and

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Speaker 1: catch the rest of them. Make sure you subscribe so

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Speaker 1: you know when they're coming out, because we're gonna be

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Speaker 1: putting out some fun little like minisodes too.

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Speaker 2: You know. It was great. And the end, the fans

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Speaker 2: brought receipts too, because we apparently have gotten a lot

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Speaker 2: of facts wrong.

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Speaker 1: So seriously, you know, I next time I do one

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Speaker 1: of these, I'm just gonna sit there with a notebook

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Speaker 1: and uh and just be like, hold on, let me

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Speaker 1: write down what I got wrong.

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Speaker 2: Yeh yeah, because there was there was a lot and

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Speaker 2: they were like they brought they brought evidence. They were

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Speaker 2: just like look, yep, you got this wrong and this wrong.

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Speaker 2: I'm like, okay, so this is now a fiction podcast,

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Speaker 2: and yes, we're just making it up.

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Speaker 1: We're just making it up as we go. Well, you know,

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Speaker 1: I did. I was. I've been listening to all the

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Speaker 1: episodes and it. You know, it's funny though, how much

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Speaker 1: I wish I could like remember so much more of

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Speaker 1: the behind the scenes stuff like I can about Fuller,

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Speaker 1: you know what I mean, where it's like I was

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Speaker 1: an adult and I you know, although a lot of

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Speaker 1: those memories were like just so seriously burned into my head,

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Speaker 1: but I know there was so much else going on.

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Speaker 1: And you know, when you're a kid, you not really

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Speaker 1: paying attention to the world around you absolutely or is

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Speaker 1: that just my kids, just my that's my kids, it's

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Speaker 1: me still at age forty seven.

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Speaker 2: It's not always paying a that's.

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Speaker 1: Well attention disorder. And and you know, selfishness or you

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Speaker 1: are no selfish person.

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Speaker 2: I know, No, No, you're right, I am just yeah,

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Speaker 2: And that was pretty selfish of you to say, of course,

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Speaker 2: oh yeah.

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Speaker 1: No it was. It was really fun and now it's

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Speaker 1: all I want to talk about. But I'm like, now

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Speaker 1: I'm very excited for our nineties kin episode, our Little Miniso.

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Speaker 1: Because I have so much fun, so many fun stories.

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Speaker 2: I can't wait. I can't wait. I've been writing stuff

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Speaker 2: down and I didn't realize how many people like the

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Speaker 2: little song the Little Doddy Sweetened like.

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Speaker 1: They love it. Yep, they do.

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Speaker 2: I added me to like sing their names in the line.

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Speaker 2: It's just like okay, okay, like so cute.

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Speaker 1: Right, it was great.

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Speaker 2: I just you know, the little things that we don't

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Speaker 2: think are are funny or important, like people love that stuff.

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Speaker 2: I love the feedback. That's my meat to the TLDR, too,

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Speaker 2: loved the feedback. Thank you everyone for the wonderful feedback.

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Speaker 2: What the TLDR too long didn't read? Well, you've never

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Speaker 2: heard that, Jody Sweeten.

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Speaker 1: I see TLDR all the time, but I just I didn't.

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Speaker 1: I don't read it.

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Speaker 2: Because too long didn't read. So you just don't read it.

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Speaker 2: You don't even read, like you don't even read the TL.

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Speaker 1: All of me not getting TLDR is hilarious because everyone

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Speaker 1: knows if you ask me more than three questions in

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Speaker 1: a text, really more than one question, it is the

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Speaker 1: second two are getting answered because TLDR. Oh, I didn't

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Speaker 1: know what that stood for too long, didn't what I

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Speaker 1: even thought it stood for.

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Speaker 2: This makes sense because you you miss a lot. You

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Speaker 2: don't like, there's stuff in our chats that like you

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Speaker 2: just never read. And so I'm like, all right, it

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Speaker 2: was too long.

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Speaker 1: She didn't read. I do, but but that's I know.

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Speaker 1: I read it. But then I get to the end

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Speaker 1: and that is the thing that sticks. So it's really

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Speaker 1: all about the most recent interaction.

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Speaker 2: Okay, So I need to just text you short sentences

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Speaker 2: one at a time and not like long paragraphs or anything.

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Speaker 1: Well, I don't know about that, because then then then

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Speaker 1: it feels like an overwhelming barrage of information. I'm very

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Speaker 1: sensitive in my in in how I take in my information,

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Speaker 1: and sometimes I take it all in and sometimes you know, TLDR.

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Speaker 2: So see you used it correctly. Okay, But I'm so excited, so.

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Speaker 1: Excited that I have learned something new today and I

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Speaker 1: now am just gonna like torment my kids texting them TLDR, TLDR.

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Speaker 2: It's see, you're one of the cool kids. Now You're

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Speaker 2: definitely gonna impress them with this knowledge.

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Speaker 1: I'm so well, should we.

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Speaker 2: Uh maybe get into today's episode let's do it.

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Speaker 1: Let's get into today's episode since that is not too long,

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Speaker 1: and we did watch it, so yeah, we did.

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Speaker 2: We did. Welcome back to how Rude Tanner Ritos. I

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Speaker 2: am Andrea.

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Speaker 1: Barber and I am Jodi Sweeden, and.

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Speaker 2: Today we are discussing season one in episode ten, titled

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Speaker 2: Joey's Place, It originally aired on December third, nineteen eighty seven,

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Speaker 2: and it goes a little something like this. Joey feels

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Speaker 2: expendable when he prepares for a two week comedy tour

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Speaker 2: and the family starts acting like he's gone before he

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Speaker 2: even leaves. I know, poor Joey. It was directed by

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Speaker 2: Don Barnhardt and it was written by Jeff Franklin, Russell

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Speaker 2: Marcus and Leonard Rips. Lenny Rips, Oh, I know, love

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Speaker 2: Lenny Rips. Yes. But the guest stars, the guest stars

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Speaker 2: joe I mean, of which there are many. There's like

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Speaker 2: seven guest stars.

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Speaker 1: There's like seven guest stars, but two of them are

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Speaker 1: particularly important.

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Speaker 2: Two maybe even three, but two for sure.

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Speaker 1: Yes.

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Speaker 2: So first we have Joan Leesman as she plays one

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Speaker 2: of the moms named Joony, and then we have Barbara

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Speaker 2: Cameron playing the role of Barbara.

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Speaker 1: It might be someone Candace.

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Speaker 2: Is mom mom, and and Janice Janice. When I say,

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Speaker 2: I screamed and hollered and jumped up off the couch.

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Speaker 2: I was so excited to see your mom.

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Speaker 1: I remember, you know it's funny. And I'll send I'll

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Speaker 1: send the pictures that I have. But I have my

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Speaker 1: mom and Barbara in hair and maca getting ready for

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Speaker 1: this episode.

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Speaker 2: I've never seen those.

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Speaker 1: They're great. I'll send them along and we can post

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Speaker 1: them up on the on the Instagram.

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Speaker 2: But yeah, I.

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Speaker 1: I love those pictures and I will just I remember

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Speaker 1: my mom being terrified.

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Speaker 2: Oh, I can only imagine terrified.

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Speaker 1: I didn't remember it being actually this early in the

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Speaker 1: show that that my mom and Barbara were on it,

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Speaker 1: and I thought Sherry was in it too.

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Speaker 2: Well, no, that comes later, when later in the episode,

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Speaker 2: so she wouldn't have yeah, right, but when there's there's

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Speaker 2: like a Bachelor auction or something in a later season, right,

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Speaker 2: and then I think all three moms I know my

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Speaker 2: mom for sure, but I think all three moms were

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Speaker 2: in that episode as well, bidding on them the Bachelor's

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Speaker 2: that's right, that's right.

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Speaker 1: Yes, our moms have made a few appearances, but yeah,

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Speaker 1: that's part of the part of the guest cast is

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Speaker 1: pretty awesome.

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Speaker 2: But how did okay, so, how did this come about?

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Speaker 2: Did Jeff Franklin ask them, Hey, we need some we

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Speaker 2: need some background actors, we need some you know what,

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Speaker 2: like what, how did do you remember?

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Speaker 1: No, you know what. I think it was one of

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Speaker 1: those things where it was like, we need some moms

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Speaker 1: to walk in the door. Hey, we've got some moms here.

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Speaker 2: How convenient they're right there.

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Speaker 1: Right, And I think it was I don't know if

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Speaker 1: it was more of a like, oh, let's not do

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Speaker 1: actra or it was I think it was just also

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Speaker 1: like fun, let's include the moms, like Barbara and janis what.

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Speaker 1: And I feel like Barbara was way more excited about

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Speaker 1: it than my mom was. Really okay, my mom is

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Speaker 1: not a person who likes the attention, the you know,

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Speaker 1: like any of that. She is like, no, thank you.

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Speaker 1: And I think Barbara was like super excited and comfortable

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Speaker 1: and like you know, and I could tell my mom

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Speaker 1: on yeah, like terrified, but it was really cute. But yeah,

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Speaker 1: I think they just wanted to like include the moms.

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Speaker 1: I have no idea who the kids were though. Yeah,

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Speaker 1: no idea where we found those kids. No, they I

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Speaker 1: don't know who Benji and Dustin and Ryan were. And Robbie,

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Speaker 1: I'm sure that they were also related to someone on.

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Speaker 2: Set, possibly possibly, Well, you know who Benji is. I'll

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Speaker 2: just continue down this guest star list here. Benji Shwimmer

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Speaker 2: as Benji.

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Speaker 1: Became David Swimmer. No, No, he's.

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Speaker 2: From He's the dancer from So You Think you Can Dance.

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Speaker 2: I think he won like season two or three or

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Speaker 2: something like that. I'm I'm almost positive it's him because

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Speaker 2: I got I looked up a current picture of him

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Speaker 2: and compared it to the kid on the screen, and

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Speaker 2: there's a resembling way. So I somebody please fact check

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Speaker 2: me some fan out there, we need our phone a fan.

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Speaker 2: But I believe that Benji Swimmer in this episode is

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Speaker 2: the same Benji Swimmer, the dancer who now choreographs and directs.

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Speaker 2: And he's just a he's a very he's a very

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Speaker 2: great answer. Yeah, I know. I was very excited about that. Okay,

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Speaker 2: and he does a fantastic job as a four year

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Speaker 2: old boy in this episode.

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Speaker 1: Which I have comments on. But we'll get there. We

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Speaker 1: haven't even gone.

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Speaker 2: Good King Iry, Sorry, we're taking our time people. Okay.

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Speaker 2: So also guest starring Dustin Autumn as Dustin, Ryan, Christopher

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Speaker 2: as Ryan, and Robert Lucas as Robbie.

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Speaker 1: So clearly they've got very creative with the names.

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Speaker 2: There's like what's your name?

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Speaker 1: Okay, that's also your character, what's your name?

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Speaker 2: Yeah?

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Speaker 1: Uh.

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Speaker 2: So we open in the kitchen where Joey is ironing

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Speaker 2: and he's humming the theme song from a Space Odyssey

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Speaker 2: movie from two thousand and one, Dum dum duh, and

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Speaker 2: he's pretending that the Iron is a space.

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Speaker 1: Wait, isn't it Isn't it isn't the movie a space

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Speaker 1: Isn't it like two thousand and one? Art of the

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Speaker 1: title that's the title is two thousand and one is

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Speaker 1: Space Odyssey. He didn't come out in.

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Speaker 2: Two thousand and one because that would be weird.

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Speaker 1: This is nineteen eighty seven. So unless Joey's also an

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Speaker 1: a tile traveler.

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Speaker 2: You'll learn So you learned TLDR. I learned about the

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Speaker 2: official title of this of this movie. Okay, Okay. So

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Speaker 2: he's pretending that the Iron is a spaceship, and when

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Speaker 2: Stephanie and DJ come downstairs, Stephanie asks if his behavior

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Speaker 2: is normal, and DJ says, well, for Joey, it is.

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Speaker 2: Joey teases the girls with huge news, but then tells

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Speaker 2: them that they have to wait to hear it until

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Speaker 2: everyone is home. Jesse comes up from the basement wearing

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Speaker 2: his exterminator uniform and asks the girls for a kiss,

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Speaker 2: and then tells them don't ever kill bugs for a living?

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Speaker 1: Well does he? He comes in the house in his

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Speaker 1: uniform though, Like, doesn't that have best?

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Speaker 2: Well, he doesn't seem sanitary. Yeah, there's got to be something.

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Speaker 1: I wouldn't go kiss children in the suit I've just killed.

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Speaker 2: I don't want to take that right off and put

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Speaker 2: it in the hamper. But it's Jesse. He has different standards.

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Speaker 1: True, it's true, but also fair to mention the amazing

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Speaker 1: three D shirt.

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Speaker 2: Oh yeah, but I have a shirt that you're wearing.

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Speaker 1: Three D shirts were very big in the eighties. Like,

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Speaker 1: and by three D I mean like actual pockets with

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Speaker 1: like little oh sown things on it and like actual

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Speaker 1: hair coming off of like a picture. Yeah, it was so,

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Speaker 1: it was. It was a three D experience. It was

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Speaker 1: like the ugly christmasweaters that you see, but just for

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Speaker 1: all the time.

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Speaker 2: Oh man, that must have been so fun as it

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Speaker 2: was around those weird sweatshirt and then you get to

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Speaker 2: touch them and feel them.

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Speaker 1: Yeah yeah, yeah right, and you need playing when you

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Speaker 1: know that's.

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Speaker 2: Distracting but fun as a five year old, I'm assuming,

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Speaker 2: oh for sure, for sure. So Joey again teases that

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Speaker 2: he's excited to share his big news of the day,

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Speaker 2: which the girls are finding us very tortuous. Oh right,

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Speaker 2: it's like, come on, just spill it. Danny enters the

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Speaker 2: kitchen coming home from work, and he's wearing that stellar

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Speaker 2: gold San Francisco forty nine ers jacket, which he's worn

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Speaker 2: before in a previous episode, which is pretty awesome, fantastic,

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Speaker 2: pretty awesome, And apparently this jacket is still worth like

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Speaker 2: three hundred dollars, four hundred dollars these days, Like, yeah.

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Speaker 1: The original ones, for sure, I have, I have one somewhere.

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Speaker 1: Oh I think, so keep that safe, I think I do. Yeah.

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Speaker 2: So Danny gives the girls a big hug, and the

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Speaker 2: girls rush away from Danny back to Joey and say, okay,

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Speaker 2: we're all here, now spill it. Joey says, I have

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Speaker 2: been chosen as one of the hot up and coming

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Speaker 2: comics to go on a two week sixteen college tour. Yes,

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Speaker 2: everyone cheers, and DJ touches him with her finger and

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Speaker 2: makes a sizzle noise, saying, ooh, the man is hot,

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Speaker 2: which is a great delivery by Candace.

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Speaker 1: I remember her saying that, but you do, oh the

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Speaker 1: man is hot. Yeah, I just I just.

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Speaker 2: Remember her like little personality saying I think it comes back.

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Speaker 2: I think that sounds familiar to me, and I wasn't

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Speaker 2: in this episode, so I think there was back in

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Speaker 2: other episodes.

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Speaker 1: Yeah, I think there was a couple of times that

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Speaker 1: she did it, because I remember that was like kind

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Speaker 1: of a little, a little thing that she had.

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Speaker 2: Oh, it's so cute. So Joey continues to iron the

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Speaker 2: piles of folded clothes, which is so weird.

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Speaker 1: Terrible at ironing. And I say this as someone who

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Speaker 1: is also terrible at ironing and didn't even I didn't.

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Speaker 2: I just suck at it.

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Speaker 1: But I'm pretty sure that you can't iron folded stacks of.

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Speaker 2: The stacks they're stacked on. But he's he's like he's

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Speaker 2: not actually ironing anything, but he's still like making the movements, so.

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Speaker 1: Right, I mean, it's at least the laundry's done.

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Speaker 2: You know, at least the laundry's folded. You know, who

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Speaker 2: cares if it's wrinkled?

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Speaker 1: Yeah? I don't. Yeah.

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Speaker 2: The ironing, whatever's got time to iron?

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Speaker 1: Who was ironing?

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Speaker 2: An entire households full of clothes? Right, baby clothes too,

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Speaker 2: Like the baby's gonna spit up on this thing in

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Speaker 2: two point five seconds. There's no need to iron baby clothes.

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Speaker 2: Pleats need to be tight. So then Joey tells everyone

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Speaker 2: he's not sure if he's gonna go on this comedy

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Speaker 2: tour because he made a commitment to help with the

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Speaker 2: girls when he moved in, and both Danny and Jesse work,

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Speaker 2: so he can't just take off like that. But the

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Speaker 2: guys encourage him to go, and DJ says, we'll go

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Speaker 2: with you, and Stephanie chimes in, it's never too early

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Speaker 2: to look at colleges.

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Speaker 1: Yeah, go for a little college tour.

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Speaker 2: Jesse responds that he will fill in for Joey by

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Speaker 2: taking a couple of weeks off of the bug biz,

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Speaker 2: and he can do that because his dad owns the business.

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Speaker 1: You mean our grandpa, Yeah, Grandpa Cochran, Grandpa co right Cochran.

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Speaker 2: At this point, anyways, right, So Joey hugs everyone, including Jesse,

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Speaker 2: who responds not so enthusiastically with an odd geez her. Huh, yeah,

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Speaker 2: I do love that bit. So the next scene, we

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Speaker 2: are in the living room and Joey is practicing his

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Speaker 2: stand up routine with a penguin joke, and he has

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Speaker 2: this laugh noise maker.

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Speaker 1: But a penguin joke and a joke about George Bush senior.

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Speaker 1: Oh you know, he said something about he's a penguin

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Speaker 1: and George Bush whatever. But but but senior because that

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Speaker 1: we were in the first because that's where we were.

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Speaker 2: We were in the senior Bush year. Yeah.

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Speaker 1: Yeah, yeah, So it was funny cause I was like,

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Speaker 1: oh yeah, oh no, not that older.

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Speaker 2: Yeah yeah, this is like a little this episode is

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Speaker 2: like a little time capsule here.

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Speaker 1: Yes, it is, for sure.

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Speaker 2: So Joey has this laugh noise maker that he turns

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Speaker 2: on at the end of his jokes to make it

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Speaker 2: sound like the audience is laughing at him.

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Speaker 1: Well, that's actually the same machine that they used for

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Speaker 1: Full House. Sometimes they would just play that in the back.

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Speaker 1: It sounded a.

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Speaker 2: Lot more life like that, you know, it kind of does.

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Speaker 1: It's amazing what they can do with just a little

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Speaker 1: like sweetening in a studio, you know.

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Speaker 2: Oh that canned laughter. Gotta love it. So the alcove

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Speaker 2: is messier than usual, and it's all of Joey's stuff

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Speaker 2: is now bleeding out into the living room and onto

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Speaker 2: the gage.

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Speaker 1: It's yeah, Joey's I mean, he's really the alcove is

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Speaker 1: now the whole living room.

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Speaker 2: Oh yeah, he's just taken over the whole room.

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Speaker 1: Which I mean, you know, poor guy, can you blame me.

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Speaker 1: He's basically living on a small bench inside the room, so,

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Speaker 1: you know, it's it's hard.

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Speaker 2: It makes sense that, you know, he doesn't have enough space.

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Speaker 2: And as Joey is speaking to his imaginary audience, Danny

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Speaker 2: walks in carrying what looks like VHS tapes. No talk

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Speaker 2: had a time capsule.

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Speaker 1: Right, be kind rewind mm hmm, and.

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Speaker 2: He tells Joey that there seems to have been an

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Speaker 2: explosion in the alcove, which has hurled most of your

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Speaker 2: possessions to the four corners of the living room. Joey

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Speaker 2: responds with his laugh maker and assures Danny that he

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Speaker 2: will clean up. Don't even worry. Danny exits upstairs to

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Speaker 2: work on his basketball Blooper Reel. Now, I know this

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00:19:01,440 --> 00:19:03,840
Speaker 2: was too early for America's Funniest Tone Videos because that

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Speaker 2: came a few years later, but this reminded me of

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Speaker 2: when Bob would go upstairs, yes, to work on the

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Speaker 2: blooper reels and to write his commentary and his jokes

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Speaker 2: in his dressing room.

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Speaker 1: Yes, they would come over and uh and they would

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Speaker 1: sit and bo and that was like older seasons. And

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Speaker 1: I remember, like the last season, I would go in

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00:19:22,880 --> 00:19:24,600
Speaker 1: there sometimes because it was you know, we were finally

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Speaker 1: like the older kids. We were allowed to go in there.

403
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Speaker 1: And Yeah, Bob writing jokes for America's Funniest Home Videos,

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Speaker 1: many of which definitely didn't make it on the air,

405
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Speaker 1: but the really funny ones that that he would give

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Speaker 1: upon first viewing of those videos was amazing.

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Speaker 2: He was genuinely excited about these videos. He'd be like, guys,

408
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Speaker 2: come in, come in, you gotta see you gotta see this.

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Speaker 1: This is ridiculous.

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Speaker 2: Can we talk about the one with the monkey, Like,

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Speaker 2: I don't know if this made it to the air,

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Speaker 2: but then can we talk about that on air?

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Speaker 1: You can talk go for it. Yes, Bob talked about

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Speaker 1: it all the time. Okay, that was like the one

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Speaker 1: that he that he remembered was the love.

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Speaker 2: That Yeah, I think it was his favorite woman.

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Speaker 1: I think. Yeah, the monkey that's smells his own butt.

418
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Speaker 2: The monkey was scratching his butt. The monkey was scratching

419
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Speaker 2: his butt, and then he puts his hand to his

420
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Speaker 2: nose and smells it and then falls.

421
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Speaker 1: On it, falls and falls out of the tree. And

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Speaker 1: Bob thought that became a bit it was I mean

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Speaker 1: it was a bit of decades, yes, decades long, was

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Speaker 1: that with the thing? But yeah, Bob and the VHS tapes.

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00:20:25,840 --> 00:20:29,359
Speaker 2: Yeah, that brought back such a sweet memory, all of

426
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Speaker 2: those moments. Oh you know, Okay, well back to the show.

427
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Speaker 2: As Danny exits, Stephanie comes in the room full force

428
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Speaker 2: in her honeybee costume, which is still so cute.

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Speaker 1: Yes, the antenna though on that thing were so it

430
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Speaker 1: was you know, they'd flop over and I have a

431
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Speaker 1: very tiny little head, you do, like a peanut head, Yeah,

432
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Speaker 1: you do, and so they had to like I mean,

433
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Speaker 1: if you see it, it's so pinned into my head

434
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Speaker 1: because it kept wopping over with the antenna and it

435
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Speaker 1: was yeah.

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Speaker 2: It's the whole thing. Yeah, I'm sure the hair department

437
00:21:04,480 --> 00:21:07,320
Speaker 2: practic we need more pin.

438
00:21:07,400 --> 00:21:10,119
Speaker 1: I can move now. Yeah.

439
00:21:10,240 --> 00:21:13,240
Speaker 2: So Stephanie's dancing around the living room to the flight

440
00:21:13,359 --> 00:21:16,720
Speaker 2: of the Bumblebee. She dances around Joey until he stops

441
00:21:16,760 --> 00:21:18,640
Speaker 2: her and says, what are you doing, and she says,

442
00:21:18,680 --> 00:21:22,120
Speaker 2: I'm practicing for my Honeybee meeting. Joey says, well, yeah,

443
00:21:22,119 --> 00:21:25,159
Speaker 2: but I'm trying to rehearse, and steph says, go ahead,

444
00:21:25,320 --> 00:21:28,000
Speaker 2: it won't bother me, and she returns to running around

445
00:21:28,000 --> 00:21:32,560
Speaker 2: and playing music. Ah, yes, oh Jody. Yeah.

446
00:21:32,720 --> 00:21:34,080
Speaker 1: It's like my kids when they come in here and

447
00:21:34,080 --> 00:21:35,440
Speaker 1: I'm like trying to get something down. They're like, no,

448
00:21:35,480 --> 00:21:36,960
Speaker 1: that's fine, I'm just gonna sit here and like watch

449
00:21:37,000 --> 00:21:41,600
Speaker 1: tiktoks loudly in the background. You're like, no, no, there's.

450
00:21:41,480 --> 00:21:45,159
Speaker 2: No awareness of what's going on with the adults. In

451
00:21:45,200 --> 00:21:47,639
Speaker 2: the next scene, we're in the upstairs hallway. Joey is

452
00:21:47,640 --> 00:21:51,040
Speaker 2: coming upstairs and he goes right into Jesse's room and

453
00:21:51,080 --> 00:21:53,160
Speaker 2: he says, hey, I'm looking for a place to rehearse,

454
00:21:53,320 --> 00:21:56,040
Speaker 2: and Jesse tells him good luck because he's he's jamming

455
00:21:56,080 --> 00:21:58,840
Speaker 2: away on the guitar. Then dj opens the door and

456
00:21:58,840 --> 00:22:01,720
Speaker 2: tells Jesse she's trying to do her homework. Can you

457
00:22:01,800 --> 00:22:04,000
Speaker 2: keep it down because he's still he's riffing on this guitar.

458
00:22:04,720 --> 00:22:08,520
Speaker 2: Joey thinks to himself, hmm, Michelle, And he goes into

459
00:22:08,560 --> 00:22:11,600
Speaker 2: Michelle's room to try and find a quiet place to rehearse,

460
00:22:12,040 --> 00:22:12,640
Speaker 2: and Jesse.

461
00:22:12,520 --> 00:22:15,240
Speaker 1: Could close the door too, but also he was playing

462
00:22:15,280 --> 00:22:15,520
Speaker 1: with the.

463
00:22:15,920 --> 00:22:20,560
Speaker 2: Door, like, honestly, Jesse, come on. So Joey finds Michelle

464
00:22:20,600 --> 00:22:23,160
Speaker 2: in her crib and she's making baby noises that are

465
00:22:23,400 --> 00:22:27,640
Speaker 2: repeated back to her by a toy parrot. Although the first.

466
00:22:27,400 --> 00:22:30,000
Speaker 1: So there was a couple of genuine baby noises in there,

467
00:22:30,080 --> 00:22:33,280
Speaker 1: but the first that first baby noise when he like

468
00:22:33,320 --> 00:22:35,560
Speaker 1: walks into the room and you hear like a baby

469
00:22:35,640 --> 00:22:39,119
Speaker 1: voice or something. Yeah, that is definitely like a like

470
00:22:39,160 --> 00:22:41,520
Speaker 1: a baby voice actor the voice or maybe it was

471
00:22:41,600 --> 00:22:44,959
Speaker 1: day I don't know, but it sounded like yeah. I

472
00:22:45,000 --> 00:22:46,840
Speaker 1: was like, oh, that's that's not actual baby.

473
00:22:46,920 --> 00:22:48,280
Speaker 2: Yeah, yeah, that's not a genuine.

474
00:22:48,000 --> 00:22:49,840
Speaker 1: But then there words. But they're getting to the point

475
00:22:49,840 --> 00:22:53,040
Speaker 1: where we start seeing actually Mary Kate talking more and

476
00:22:53,080 --> 00:22:54,920
Speaker 1: like babbling more and all this kind of stuff. So

477
00:22:54,920 --> 00:22:57,200
Speaker 1: they're trying to you know, incorporate that a little bit

478
00:22:57,200 --> 00:22:59,560
Speaker 1: with like the talking parrot and things like that, it's.

479
00:22:59,440 --> 00:23:01,920
Speaker 2: Great, so great, and you could tell she really likes

480
00:23:01,960 --> 00:23:05,440
Speaker 2: this parrot toy. It's adorable. So Joey says, I see

481
00:23:05,480 --> 00:23:08,879
Speaker 2: you have company, and he excuses himself. So next we

482
00:23:09,000 --> 00:23:12,680
Speaker 2: find Joey in the garage and he's practicing his stand

483
00:23:12,720 --> 00:23:16,320
Speaker 2: up routine with his fake laugh player, and for some reason,

484
00:23:16,320 --> 00:23:20,399
Speaker 2: he's now wearing a striped cardigan over this like geometric

485
00:23:20,520 --> 00:23:21,879
Speaker 2: tex mex suret.

486
00:23:21,640 --> 00:23:26,160
Speaker 1: Well, because the garage is cold, so he needs a sweater.

487
00:23:26,400 --> 00:23:27,679
Speaker 1: That's the implication.

488
00:23:27,840 --> 00:23:29,600
Speaker 2: That's why. Okay, I was wondering, I'm like, why did

489
00:23:29,680 --> 00:23:30,720
Speaker 2: you put on this this? Miss?

490
00:23:31,000 --> 00:23:33,560
Speaker 1: Yeh's sort of not it's it that's kind of the

491
00:23:33,800 --> 00:23:35,560
Speaker 1: Well then I think it's mentioned that it's like, oh

492
00:23:35,560 --> 00:23:37,560
Speaker 1: my god, you're down here in the cold garage or whatever.

493
00:23:37,880 --> 00:23:40,080
Speaker 1: I also this, I never even knew Joey had a car.

494
00:23:40,400 --> 00:23:42,040
Speaker 2: Yeah, right, is the.

495
00:23:41,960 --> 00:23:44,680
Speaker 1: First and only time we've ever seen Joey's car. You're right,

496
00:23:44,760 --> 00:23:46,240
Speaker 1: you're right, A little yellow bug.

497
00:23:47,160 --> 00:23:50,080
Speaker 2: Yeah, well, and also a storage closet, as we're about

498
00:23:50,080 --> 00:23:50,560
Speaker 2: to find out.

499
00:23:50,680 --> 00:23:56,119
Speaker 1: Yeah, it's got a frunk, a fronk, a fronk like

500
00:23:56,280 --> 00:23:58,479
Speaker 1: on electric cars when they don't have an engine, they

501
00:23:58,520 --> 00:23:59,640
Speaker 1: have a front true.

502
00:24:00,080 --> 00:24:04,119
Speaker 2: Oh yes, front truck. Love it. Hey you learned TLDR.

503
00:24:04,240 --> 00:24:09,760
Speaker 2: I learned fronk. This is a very educational podcast. So

504
00:24:09,840 --> 00:24:13,120
Speaker 2: Joey's holding a glass of water filled to the brim

505
00:24:13,280 --> 00:24:16,080
Speaker 2: and he does this bit. He calls ode to a fountain.

506
00:24:16,720 --> 00:24:19,199
Speaker 2: He drinks the water and then strikes a pose like

507
00:24:19,240 --> 00:24:23,080
Speaker 2: a statue and starts spitting out a steady stream of water.

508
00:24:24,320 --> 00:24:28,119
Speaker 1: He Jay's impressive, by the way, because he continued doing

509
00:24:28,160 --> 00:24:29,480
Speaker 1: that for quite a long time.

510
00:24:29,600 --> 00:24:32,840
Speaker 2: Oh, he holds it. I counted, it's like thirty five seconds.

511
00:24:32,880 --> 00:24:37,719
Speaker 2: He holds this, this stream of water bit. Yeah. No,

512
00:24:37,960 --> 00:24:40,280
Speaker 2: And there's not very many like quick camera cuts too,

513
00:24:40,320 --> 00:24:43,440
Speaker 2: so I think he legitimately did this for over thirty seconds.

514
00:24:43,720 --> 00:24:47,080
Speaker 2: Very impressive. So DJ comes down the stairs in the

515
00:24:47,080 --> 00:24:49,760
Speaker 2: middle of this impression and he keeps spitting water the

516
00:24:49,920 --> 00:24:52,919
Speaker 2: entire time. He pretends to wash the car, and then

517
00:24:52,920 --> 00:24:55,320
Speaker 2: he spits water on the wind shield of the car.

518
00:24:55,440 --> 00:24:59,119
Speaker 2: So DJ catches on and turns on the windshield wipers

519
00:24:59,160 --> 00:25:02,959
Speaker 2: to off the water. This is great. The audience loves it.

520
00:25:03,040 --> 00:25:08,840
Speaker 1: The audience applauds and legitimate out of your mouth and yeah.

521
00:25:08,560 --> 00:25:11,639
Speaker 2: Yeah, it's a cute bit. It's a very cute, very

522
00:25:11,680 --> 00:25:15,119
Speaker 2: cute bit. So DJ came down stairs to tell him

523
00:25:15,160 --> 00:25:17,480
Speaker 2: that she's done with her homework if he still wants

524
00:25:17,560 --> 00:25:20,879
Speaker 2: to use her room to rehearse upstairs, Joey says he

525
00:25:21,000 --> 00:25:24,280
Speaker 2: likes the garage and oh, DJ responds that it's freezing. Okay,

526
00:25:24,280 --> 00:25:26,840
Speaker 2: you're right, he writes. The sweater hans the sweater. Okay,

527
00:25:26,920 --> 00:25:27,920
Speaker 2: you were so right.

528
00:25:28,359 --> 00:25:31,360
Speaker 1: See and then the sweater leads into him opening the trunk.

529
00:25:31,160 --> 00:25:33,800
Speaker 2: The front frunk, the fronk. Okay, so Joey opens the

530
00:25:33,800 --> 00:25:35,680
Speaker 2: frounk of his yellow vote.

531
00:25:35,760 --> 00:25:40,200
Speaker 1: Sounds like a like a parliament and the Funkadelic song

532
00:25:40,280 --> 00:25:42,159
Speaker 1: or something like open up the frunk.

533
00:25:42,600 --> 00:25:45,000
Speaker 2: The frunk, Yeah you get down.

534
00:25:44,800 --> 00:25:48,000
Speaker 1: I just yeah, yeah, I can see George Clinton vibe

535
00:25:48,040 --> 00:25:48,560
Speaker 1: into it now.

536
00:25:48,760 --> 00:25:52,440
Speaker 2: Okay, So he opens the frunk to display his clothes,

537
00:25:52,520 --> 00:25:55,600
Speaker 2: and he gives DJ a jacket. He explains to DJ

538
00:25:55,720 --> 00:25:57,960
Speaker 2: that the worst thing about Levin and the Alcove isn't

539
00:25:58,000 --> 00:26:02,560
Speaker 2: the lack of space, but the lack of privacy. DJ says, oh,

540
00:26:02,760 --> 00:26:04,080
Speaker 2: she understands.

541
00:26:03,920 --> 00:26:07,040
Speaker 1: By the way that leather jacket, that brown leather jacket.

542
00:26:07,200 --> 00:26:09,960
Speaker 2: Yeah, Dave wore it all the time.

543
00:26:10,320 --> 00:26:13,240
Speaker 1: Oh, I think that was like one of his jackets.

544
00:26:13,640 --> 00:26:15,040
Speaker 2: I I know.

545
00:26:15,280 --> 00:26:17,320
Speaker 1: I mean, maybe it's just him in water, but I

546
00:26:17,440 --> 00:26:21,000
Speaker 1: know I've seen him in that because when he pulled

547
00:26:21,040 --> 00:26:23,080
Speaker 1: it out and it was like the inner lining that

548
00:26:23,200 --> 00:26:24,520
Speaker 1: was like a map or something.

549
00:26:24,600 --> 00:26:26,200
Speaker 2: Oh yeah yeah, and it.

550
00:26:26,200 --> 00:26:29,560
Speaker 1: Was like a brown like I remember Dave wearing that

551
00:26:29,640 --> 00:26:32,480
Speaker 1: jacket in his personal life. I would not be said

552
00:26:32,480 --> 00:26:34,600
Speaker 1: that was like his jacket. So when I saw that

553
00:26:34,680 --> 00:26:38,119
Speaker 1: come out of the the you know, the fronk, I

554
00:26:38,200 --> 00:26:40,920
Speaker 1: was like, I know that jacket and I'm going to

555
00:26:41,000 --> 00:26:44,480
Speaker 1: search through. I know I can find a picture of

556
00:26:44,520 --> 00:26:45,440
Speaker 1: him in it somewhere.

557
00:26:45,760 --> 00:26:48,200
Speaker 2: Yeah, that's your mission. That's your mission, find a picture,

558
00:26:48,640 --> 00:26:51,520
Speaker 2: because it doesn't look like a very Joey esque jacket.

559
00:26:51,520 --> 00:26:52,359
Speaker 2: It does look it's a.

560
00:26:52,440 --> 00:26:53,760
Speaker 1: Very day jack jacket.

561
00:26:53,840 --> 00:26:55,359
Speaker 2: Yeah yeah, yeah, you're right.

562
00:26:55,560 --> 00:26:57,399
Speaker 1: It's like a pile, like a bomber jacket, sort of

563
00:26:57,440 --> 00:26:58,399
Speaker 1: like a pilot jacket.

564
00:26:58,520 --> 00:27:03,200
Speaker 2: Yeah yeah, oh good attention to detail. Jody DJ says

565
00:27:03,240 --> 00:27:06,400
Speaker 2: she understands about this lack of privacy because she lives

566
00:27:06,400 --> 00:27:08,520
Speaker 2: with a five year old who thinks DJ was born

567
00:27:08,640 --> 00:27:12,320
Speaker 2: to be her playmate. Joey reminisces of an earlier time

568
00:27:12,359 --> 00:27:14,840
Speaker 2: when he had his own place, and DJ says she

569
00:27:14,880 --> 00:27:17,600
Speaker 2: remembers a time when her banana ram or poster didn't

570
00:27:17,600 --> 00:27:21,640
Speaker 2: have to share a wall with Rainbow Bright blasphemy.

571
00:27:22,040 --> 00:27:24,840
Speaker 1: Rainbow Bright is amazing and I had a rainbow bright

572
00:27:24,880 --> 00:27:26,040
Speaker 1: birthday party and I.

573
00:27:26,040 --> 00:27:27,879
Speaker 2: Love rainbow brick did all.

574
00:27:28,080 --> 00:27:30,359
Speaker 1: Oh yeah, but when I was I think my third

575
00:27:30,359 --> 00:27:31,919
Speaker 1: birthday party was rainbow Bright thing.

576
00:27:32,600 --> 00:27:36,040
Speaker 2: Yeah, I gotta find a picture of that too. Oh, Jent,

577
00:27:36,119 --> 00:27:36,600
Speaker 2: let's hit up.

578
00:27:36,960 --> 00:27:40,120
Speaker 1: I need to go. I I okay, I'm gonna I'm

579
00:27:40,119 --> 00:27:42,159
Speaker 1: gonna forget to write this down, but I'm telling you

580
00:27:42,160 --> 00:27:43,280
Speaker 1: that I'm gonna write it down, So.

581
00:27:43,400 --> 00:27:46,919
Speaker 2: I'll write it down for you. Pictures great, got it? Uh?

582
00:27:46,960 --> 00:27:50,119
Speaker 2: They both say, well, not that we're complaining, and Joey

583
00:27:50,119 --> 00:27:53,080
Speaker 2: tells her, I know they're not complaining. They're just you know, shares,

584
00:27:53,160 --> 00:27:54,359
Speaker 2: they're swapping stories.

585
00:27:54,800 --> 00:27:57,760
Speaker 1: But they are complaining and it's sad, like we're DJ

586
00:27:58,200 --> 00:28:01,440
Speaker 1: had her little sister move in and know her mom's

587
00:28:01,520 --> 00:28:05,160
Speaker 1: gone and the picture perfect pumpkin pie and it's been

588
00:28:05,200 --> 00:28:08,320
Speaker 1: a rough yea, Joey, his closet's a frunk. It's just

589
00:28:08,800 --> 00:28:11,159
Speaker 1: there's a lot of emotions happening, and I kind of

590
00:28:11,200 --> 00:28:14,080
Speaker 1: feel bad. Yeah, I feel you do feel bad for them,

591
00:28:14,119 --> 00:28:15,280
Speaker 1: as Scott Weinger would.

592
00:28:15,080 --> 00:28:19,520
Speaker 2: Say, I feel bad. I feel bad, Yes, but they're

593
00:28:19,560 --> 00:28:21,439
Speaker 2: they're bonding over this. This is what they are.

594
00:28:21,520 --> 00:28:22,760
Speaker 1: It's it's really sweet.

595
00:28:22,840 --> 00:28:24,280
Speaker 2: It's I love scene.

596
00:28:24,560 --> 00:28:26,359
Speaker 1: I love this scene. And I love that DJ is

597
00:28:26,400 --> 00:28:30,800
Speaker 1: the one that really like she knows that it's hard

598
00:28:30,920 --> 00:28:33,600
Speaker 1: to share a room, but like she's really thinking of Joey.

599
00:28:33,640 --> 00:28:35,720
Speaker 1: It's just that it's just a sweet storyline. I forgot

600
00:28:35,760 --> 00:28:38,880
Speaker 1: that she's the one that really kind of connects with

601
00:28:38,920 --> 00:28:40,680
Speaker 1: him on that and like advocates for him to.

602
00:28:41,280 --> 00:28:46,600
Speaker 2: Have his space. It's very empathetic for a ten year old. Seriously, Yeah,

603
00:28:46,640 --> 00:28:48,840
Speaker 2: it's great. I wish my kid's at ten years old.

604
00:28:48,960 --> 00:28:51,240
Speaker 1: Right, they would be like, oh, I should get that

605
00:28:51,320 --> 00:28:53,280
Speaker 1: room in the basement, right, Like you know, who should

606
00:28:53,360 --> 00:28:54,240
Speaker 1: leave all these people?

607
00:28:54,400 --> 00:28:58,960
Speaker 2: Right? So Joey tells DJ, if she really wants to

608
00:28:59,000 --> 00:29:01,040
Speaker 2: do something for him, you can go get him a

609
00:29:01,040 --> 00:29:03,160
Speaker 2: glass of water so that he can finish washing the

610
00:29:03,200 --> 00:29:06,760
Speaker 2: rest of his car. DJ exits with a sweet glance

611
00:29:06,880 --> 00:29:09,600
Speaker 2: back at Joey and they share this sweet moment. It's

612
00:29:09,640 --> 00:29:12,800
Speaker 2: just it's such a great scene. So now we are

613
00:29:12,840 --> 00:29:16,680
Speaker 2: in Michelle's room, Danny and Jesse are changing Michelle's diaper,

614
00:29:16,760 --> 00:29:19,680
Speaker 2: while DJ explains how sad it was to see Joey

615
00:29:19,720 --> 00:29:22,400
Speaker 2: in the garage telling his jokes to no one.

616
00:29:23,280 --> 00:29:25,960
Speaker 1: Dan, Wow, well, when you put it there, yes, yeah, cursing.

617
00:29:26,040 --> 00:29:29,040
Speaker 1: It's not like he's that's all he can get. You know,

618
00:29:29,120 --> 00:29:31,760
Speaker 1: he's pursing for a door, not just standing there telling

619
00:29:31,880 --> 00:29:34,120
Speaker 1: jokes in the garage and spitting on his own car.

620
00:29:34,280 --> 00:29:34,520
Speaker 1: You know.

621
00:29:34,680 --> 00:29:37,880
Speaker 2: Yeah, it's sad when you when you put it like that,

622
00:29:38,000 --> 00:29:41,280
Speaker 2: you're like, wow, that is pretty it's pretty pathetic. It's

623
00:29:41,360 --> 00:29:45,719
Speaker 2: very pathetic. And Danny agrees, Yeah, this is sad. Jesse says, well,

624
00:29:45,720 --> 00:29:49,160
Speaker 2: at least we didn't have to watch it, of course, Jesse.

625
00:29:49,680 --> 00:29:52,120
Speaker 1: Oh, just so much. It's so much emotion.

626
00:29:52,280 --> 00:29:54,720
Speaker 2: Yeah, DJ has more empathy than Jesse at this point,

627
00:29:54,760 --> 00:29:58,600
Speaker 2: which is saying something. Danny says, well, what Joey needs

628
00:29:58,720 --> 00:30:03,280
Speaker 2: is his own room, and we get another great unscripted

629
00:30:03,280 --> 00:30:06,040
Speaker 2: baby moment when Michelle grins and she points at Jesse

630
00:30:06,280 --> 00:30:10,240
Speaker 2: and the audience collapse. It's just yeah, so cute, so cute.

631
00:30:10,480 --> 00:30:14,240
Speaker 1: And also you see those antenna that I was speaking

632
00:30:14,240 --> 00:30:14,760
Speaker 1: of before.

633
00:30:15,040 --> 00:30:17,680
Speaker 2: Yes, okay, I was gonna say, because it's so distracting

634
00:30:18,480 --> 00:30:20,560
Speaker 2: because you can't really see you, but you can see

635
00:30:20,560 --> 00:30:22,400
Speaker 2: then just the stupid little intenna.

636
00:30:22,760 --> 00:30:26,640
Speaker 1: We don't know why. I wasn't like I was waiting

637
00:30:26,640 --> 00:30:30,640
Speaker 1: for my cue to come in and apparently was oblivious

638
00:30:30,680 --> 00:30:33,320
Speaker 1: to anything else going on behind me that there was

639
00:30:33,360 --> 00:30:35,640
Speaker 1: a scene and I was just me and my little

640
00:30:35,640 --> 00:30:38,640
Speaker 1: antenna were like waiting to enter, just bopping around behind

641
00:30:38,840 --> 00:30:43,760
Speaker 1: you know. Oh no, wait, it's no, it makes sense.

642
00:30:43,840 --> 00:30:47,280
Speaker 2: You're the lookout. That's why I thought the same thing.

643
00:30:47,280 --> 00:30:49,520
Speaker 2: I thought, Wow, Jody really screwed this up her interest.

644
00:30:49,720 --> 00:30:52,240
Speaker 1: I thought that, that's what I thought, And then literally

645
00:30:52,280 --> 00:30:53,760
Speaker 1: I was like, Oh, that's my head. Why am I there?

646
00:30:53,800 --> 00:30:57,240
Speaker 1: Blah blah blah, And then I literally wrote two sentences later,

647
00:30:57,280 --> 00:30:59,800
Speaker 1: I wrote, Oh, I'm the lookout. But I just got

648
00:30:59,840 --> 00:31:01,680
Speaker 1: to of my own notes and I was like, yeah,

649
00:31:01,720 --> 00:31:02,880
Speaker 1: what am I doing? Oh that's right?

650
00:31:02,960 --> 00:31:05,640
Speaker 2: Yeah no. But but at this at this moment in

651
00:31:05,680 --> 00:31:07,080
Speaker 2: this scene, is just a distraction.

652
00:31:08,240 --> 00:31:10,800
Speaker 1: Maybe they were trying to make it so that you

653
00:31:10,840 --> 00:31:13,000
Speaker 1: could see that Steph was there, but instead it just

654
00:31:13,000 --> 00:31:15,360
Speaker 1: looked like, what are those things bobbing around in the background.

655
00:31:15,440 --> 00:31:17,960
Speaker 2: Yeah, I think the director should have, you know, adjusted

656
00:31:17,960 --> 00:31:19,960
Speaker 2: the camera so that we could kind of see a

657
00:31:19,960 --> 00:31:21,720
Speaker 2: little more of you and not so much.

658
00:31:21,840 --> 00:31:26,480
Speaker 1: Well, you know, the five were directing at five.

659
00:31:28,000 --> 00:31:31,560
Speaker 2: Ye, what would I do? What would you do? So

660
00:31:31,560 --> 00:31:35,000
Speaker 2: Stephanie finally comes into this room and says Joey is

661
00:31:35,200 --> 00:31:39,040
Speaker 2: not coming. Danny kindly explains to her that what she

662
00:31:39,120 --> 00:31:41,120
Speaker 2: really needs to do is let them know when Joey

663
00:31:41,360 --> 00:31:44,360
Speaker 2: is coming. He tells her to yeah, he tells her

664
00:31:44,400 --> 00:31:47,640
Speaker 2: to use the secret code the duck flies at midnight.

665
00:31:48,200 --> 00:31:50,920
Speaker 2: Stephanie responds that she should be paid for this job.

666
00:31:52,600 --> 00:31:56,200
Speaker 2: Always trying to work it girl. DJ starts to try

667
00:31:56,200 --> 00:31:58,400
Speaker 2: and come up with solutions to give Joey more space,

668
00:31:58,680 --> 00:32:02,760
Speaker 2: including moving Stephanie to a tent in the backyard or

669
00:32:02,960 --> 00:32:03,760
Speaker 2: putting bunk.

670
00:32:03,520 --> 00:32:05,400
Speaker 1: Bed I thought that was her first. That's a very

671
00:32:05,440 --> 00:32:08,040
Speaker 1: big sister thing to do. Like, I've got an idea. Yeah,

672
00:32:08,120 --> 00:32:08,920
Speaker 1: move that one out.

673
00:32:09,640 --> 00:32:11,760
Speaker 2: You can have your own private tent, remember in the

674
00:32:11,800 --> 00:32:16,360
Speaker 2: back right, she can be away from me. Yeah. So

675
00:32:16,400 --> 00:32:18,680
Speaker 2: then she suggests that she could put bunk beds in

676
00:32:18,800 --> 00:32:22,200
Speaker 2: Jesse's room, and then both Jesse and Stephanie are just like,

677
00:32:22,480 --> 00:32:26,719
Speaker 2: I don't think so, yeah, this is yeah, so right

678
00:32:26,760 --> 00:32:30,400
Speaker 2: at this moment, Joey walks in and startled. Stephanie yells,

679
00:32:30,680 --> 00:32:35,440
Speaker 2: the duck, the turtle, the chicken drives to seven eleven

680
00:32:35,480 --> 00:32:40,960
Speaker 2: at midnight. She botched this entire than.

681
00:32:41,040 --> 00:32:44,320
Speaker 1: You know what that's it's what I pictured was like

682
00:32:44,440 --> 00:32:47,120
Speaker 1: a turducan in an old beat up car driving to

683
00:32:47,160 --> 00:32:51,640
Speaker 1: seven eleven, the duck, turkey or the whatever, like the turtle,

684
00:32:51,720 --> 00:32:53,720
Speaker 1: the chicken. I was like a turnducan.

685
00:32:55,160 --> 00:32:57,720
Speaker 2: Whatever comes out? Yeah, whatever, yeah whatever.

686
00:32:58,480 --> 00:33:00,800
Speaker 1: Why didn't they just tell the kid, hey, Joey's here

687
00:33:01,840 --> 00:33:04,760
Speaker 1: right the duck. The duck flies at midnight? Is it

688
00:33:04,840 --> 00:33:05,160
Speaker 1: is good?

689
00:33:05,360 --> 00:33:06,480
Speaker 2: Yeah? Well good?

690
00:33:06,480 --> 00:33:08,120
Speaker 1: If I could have remembered it, if you could could

691
00:33:08,160 --> 00:33:10,720
Speaker 1: hurdle the chicken or driving to seven eleven at midnight,

692
00:33:10,800 --> 00:33:13,040
Speaker 1: and all you know, hell has broken.

693
00:33:12,800 --> 00:33:14,280
Speaker 2: The same same, the same thing.

694
00:33:14,360 --> 00:33:19,120
Speaker 1: It's it's like it's seven eleven, the way I had

695
00:33:19,120 --> 00:33:22,000
Speaker 1: your liven E seven eleven.

696
00:33:22,280 --> 00:33:27,959
Speaker 2: So cute, Jody. So Joey is suspicious and he asks

697
00:33:28,040 --> 00:33:31,840
Speaker 2: what is going on here? Jesse tries to cover by saying, oh, well,

698
00:33:31,840 --> 00:33:34,280
Speaker 2: we have this new family ritual where we all sing

699
00:33:34,320 --> 00:33:37,800
Speaker 2: Michelle to sleep. Joey asks, well, why wasn't I invited?

700
00:33:38,040 --> 00:33:40,480
Speaker 2: And Jesse tells him because well, it's a four part

701
00:33:40,520 --> 00:33:43,920
Speaker 2: harmony thing, and then they all start awkwardly singing different

702
00:33:44,000 --> 00:33:47,920
Speaker 2: songs like Lullaby or Farmer in the Dell. It just

703
00:33:48,840 --> 00:33:49,560
Speaker 2: it was a hot morse.

704
00:33:49,680 --> 00:33:51,840
Speaker 1: I mean, gotta have singing. It's continuing, the.

705
00:33:52,000 --> 00:33:57,160
Speaker 2: It continues, the streak. Yes, it does. It counts. So

706
00:33:57,280 --> 00:33:59,920
Speaker 2: Joey leaves the room and when he pops back in

707
00:34:00,200 --> 00:34:03,960
Speaker 2: for a second Stephanie screams the duck, the duck, and

708
00:34:04,120 --> 00:34:08,400
Speaker 2: Joey leaves the room. You're so close, Jody, You're so

709
00:34:08,600 --> 00:34:14,920
Speaker 2: close almost almost. So the next scene, we're in the

710
00:34:15,000 --> 00:34:18,320
Speaker 2: kitchen and Jesse is making breakfast while Joey is trying

711
00:34:18,320 --> 00:34:21,480
Speaker 2: to explain the household schedule he put together and color

712
00:34:21,520 --> 00:34:23,600
Speaker 2: coded with note cards on a corkboard.

713
00:34:24,440 --> 00:34:27,319
Speaker 1: Now, I had this was one of those moments where,

714
00:34:27,360 --> 00:34:31,480
Speaker 1: you know, we've talked about sort of Danny developing through

715
00:34:31,600 --> 00:34:36,440
Speaker 1: the years this like organization style and like, you know,

716
00:34:36,520 --> 00:34:39,239
Speaker 1: the neatness and all this kind of stuff. Now we

717
00:34:39,280 --> 00:34:42,120
Speaker 1: know Joey's not a neat freak, no, correct what he's

718
00:34:42,160 --> 00:34:45,040
Speaker 1: starting to come up with this like organizational chart. Right,

719
00:34:46,360 --> 00:34:52,319
Speaker 1: do we think that Joey actually influenced Danny in that

720
00:34:52,440 --> 00:34:56,919
Speaker 1: regard with the organization stuff, because these are because because

721
00:34:56,960 --> 00:34:59,359
Speaker 1: because these are skills that Joey is showing, right, but

722
00:34:59,400 --> 00:35:02,279
Speaker 1: not necessarily really, Danny, you're right, because so is it

723
00:35:02,360 --> 00:35:06,000
Speaker 1: over time that Danny picked these up from Joey. Maybe

724
00:35:06,640 --> 00:35:11,560
Speaker 1: maybe Joey's not like like tidy, but he's like mentally

725
00:35:11,680 --> 00:35:13,879
Speaker 1: organized and can you know, move things around.

726
00:35:13,960 --> 00:35:16,920
Speaker 2: Yeah, he's he's he's he's got he's doing the mental load,

727
00:35:17,200 --> 00:35:18,600
Speaker 2: you know, the things that we do to run that

728
00:35:18,719 --> 00:35:23,120
Speaker 2: emotional load. That's what he's carrying, the mental load. And yeah,

729
00:35:23,160 --> 00:35:25,799
Speaker 2: he's folded laundry, he's tried to iron it, he's got

730
00:35:25,800 --> 00:35:28,839
Speaker 2: a schedule. Yeah, maybe he's Maybe this is the organ

731
00:35:28,960 --> 00:35:30,319
Speaker 2: This is another origin we love.

732
00:35:30,320 --> 00:35:33,640
Speaker 1: We see Joey really loving this new role, and I

733
00:35:33,760 --> 00:35:36,600
Speaker 1: feel like he maybe taught Danny a few things.

734
00:35:37,320 --> 00:35:40,440
Speaker 2: I like this theory. I am buying into this theory.

735
00:35:40,840 --> 00:35:43,920
Speaker 2: I like it. Everybody to chime in and tell us

736
00:35:43,920 --> 00:35:47,120
Speaker 2: if you agree with this. Did Joey start the cleaning trend?

737
00:35:47,200 --> 00:35:50,239
Speaker 1: Right? I'm just I'm watching. I'm just watching sort of

738
00:35:50,400 --> 00:35:51,640
Speaker 1: things as they go, you.

739
00:35:51,560 --> 00:35:54,319
Speaker 2: Know, just take just take like a mental note and

740
00:35:54,360 --> 00:35:56,640
Speaker 2: just be like, okay, I've clocked to that, all right.

741
00:35:56,719 --> 00:36:00,359
Speaker 1: Yeah, I feel like this is you know, uh, a

742
00:36:00,480 --> 00:36:04,959
Speaker 1: bulletin board of appointments is just a few years away

743
00:36:05,000 --> 00:36:05,759
Speaker 1: from clipboard of.

744
00:36:05,800 --> 00:36:11,320
Speaker 2: Fund Oh you're blowing my mind here, Sweeten.

745
00:36:12,200 --> 00:36:16,400
Speaker 1: Right, well, useless things that I think about.

746
00:36:16,200 --> 00:36:19,680
Speaker 2: That This is you excel at that, no doubt. Wait,

747
00:36:20,960 --> 00:36:24,160
Speaker 2: I'm just kidding. That's a compliment, right, So Danny and

748
00:36:24,200 --> 00:36:26,319
Speaker 2: the girls enter from upstairs and take a seat at

749
00:36:26,320 --> 00:36:29,600
Speaker 2: the kitchen table, while Jesse starts spouting off everything that

750
00:36:29,640 --> 00:36:33,239
Speaker 2: he has prepared for breakfast, including the morning paper with

751
00:36:33,360 --> 00:36:38,800
Speaker 2: the sports section right on top. Wowing it what service.

752
00:36:39,000 --> 00:36:42,080
Speaker 2: I know, he's really stepping up. Both of the guys

753
00:36:42,080 --> 00:36:43,280
Speaker 2: are really stepping up.

754
00:36:43,480 --> 00:36:45,399
Speaker 1: Right, who Yeah, I'd move in.

755
00:36:45,680 --> 00:36:49,240
Speaker 2: Yeah, And Danny says it looks like Jesse. It sounds

756
00:36:49,280 --> 00:36:53,759
Speaker 2: like Jesse. I think I'll keep him. So Jesse asks, hey,

757
00:36:53,800 --> 00:36:59,000
Speaker 2: how is breakfast? And girls say, mmm, we want seconds. Joey, concerned,

758
00:36:59,080 --> 00:37:02,160
Speaker 2: asks well, why doesn't anyone ever want seconds? When I

759
00:37:02,239 --> 00:37:07,759
Speaker 2: cook eggs? Nobody answers who's Hazel? By the way, I

760
00:37:07,760 --> 00:37:10,680
Speaker 2: don't know which is why I didn't say this part. Well,

761
00:37:10,719 --> 00:37:12,719
Speaker 2: I know, but that it was a question for me.

762
00:37:12,880 --> 00:37:15,520
Speaker 1: It was to me, it's probably it's it's definitely a

763
00:37:15,560 --> 00:37:20,600
Speaker 1: television reference that was probably like seventies or maybe early

764
00:37:20,640 --> 00:37:23,200
Speaker 1: eighties that I I was like, I actually didn't get

765
00:37:23,200 --> 00:37:23,480
Speaker 1: this one.

766
00:37:23,719 --> 00:37:27,200
Speaker 2: Yeah, I don't. I don't. I don't know. And I

767
00:37:27,200 --> 00:37:29,800
Speaker 2: thought maybe I just heard the word because he's no.

768
00:37:29,880 --> 00:37:32,680
Speaker 1: I'm pretty I think it was. It was probably from

769
00:37:32,760 --> 00:37:35,160
Speaker 1: another sitcom or another like you know, they make a

770
00:37:35,320 --> 00:37:37,759
Speaker 1: leave It to Beaver reference, and probably another sort of

771
00:37:37,840 --> 00:37:40,640
Speaker 1: housewife or you know whatever. But I wondered if you knew,

772
00:37:40,640 --> 00:37:41,480
Speaker 1: because I was.

773
00:37:41,480 --> 00:37:44,320
Speaker 2: Like, who's Hazel. I'm clueless. I have no idea. Okay,

774
00:37:44,360 --> 00:37:49,200
Speaker 2: all right, it's a mystery remains to be seen. Yeah,

775
00:37:49,280 --> 00:37:51,799
Speaker 2: so okay. So Joey's like, why doesn't why don't people

776
00:37:51,800 --> 00:37:54,800
Speaker 2: want seconds when I cook? And nobody answers. It's very awkward.

777
00:37:55,480 --> 00:37:58,040
Speaker 2: Danny asks Jesse if Michelle has eaten yet, and Jesse

778
00:37:58,200 --> 00:38:01,520
Speaker 2: responds yes, and she's slack it off, and Danny is

779
00:38:01,640 --> 00:38:05,440
Speaker 2: very impressed with how helpful Jesse has been. Danny gets

780
00:38:05,480 --> 00:38:07,439
Speaker 2: up to leave for work and wishes Joey good luck

781
00:38:07,440 --> 00:38:10,359
Speaker 2: on his comedy tour. He then takes Jesse aside and

782
00:38:10,480 --> 00:38:13,960
Speaker 2: asks if he's thought any more about the alcove problem

783
00:38:14,040 --> 00:38:14,560
Speaker 2: for Joey.

784
00:38:15,239 --> 00:38:17,840
Speaker 1: Jesse's because the best place to have this conversation is

785
00:38:17,880 --> 00:38:20,080
Speaker 1: six feet away from the person that you're talking, right.

786
00:38:20,040 --> 00:38:22,400
Speaker 2: Isn't this such a This is such a sitcom things.

787
00:38:23,120 --> 00:38:25,560
Speaker 1: It's such a like, I mean, we see it all

788
00:38:25,560 --> 00:38:27,719
Speaker 1: the time in TV and movies, and you know that

789
00:38:28,600 --> 00:38:31,680
Speaker 1: just by cutting people out of a shot or putting

790
00:38:31,760 --> 00:38:34,279
Speaker 1: them in the background, it looks like they're so far

791
00:38:34,360 --> 00:38:36,759
Speaker 1: away that there's no way that they would ever hear

792
00:38:36,840 --> 00:38:39,280
Speaker 1: you in the room and you're obviously having a private

793
00:38:39,280 --> 00:38:41,959
Speaker 1: conversation when in reality you would be like six feet

794
00:38:41,960 --> 00:38:43,640
Speaker 1: from each other, and it'd be super awkward if you

795
00:38:43,640 --> 00:38:43,960
Speaker 1: were like.

796
00:38:44,160 --> 00:38:46,799
Speaker 2: Hey, come here, so that guy you know?

797
00:38:48,000 --> 00:38:50,600
Speaker 1: And of course, right, and like everyone else just like, dude, dude,

798
00:38:50,600 --> 00:38:51,160
Speaker 1: we don't hear.

799
00:38:51,080 --> 00:38:53,360
Speaker 2: Any of course, the girls are oblivious and not hearing

800
00:38:53,480 --> 00:38:54,200
Speaker 2: what's going on.

801
00:38:54,160 --> 00:38:56,520
Speaker 1: The magic of movies, right, I love it. You're just

802
00:38:56,520 --> 00:38:59,400
Speaker 1: a little blurry in the background. Obviously you can't.

803
00:38:59,040 --> 00:39:01,440
Speaker 2: Well, there's no time to do a scene change and

804
00:39:01,480 --> 00:39:04,080
Speaker 2: move to a different set. There's no God, no.

805
00:39:04,040 --> 00:39:06,239
Speaker 1: I wouldn't. No, that's like a single camera in the

806
00:39:06,280 --> 00:39:08,480
Speaker 1: next scene and then no, no, I don't mean like

807
00:39:08,520 --> 00:39:11,200
Speaker 1: it's just it's one of those things that I like

808
00:39:12,000 --> 00:39:15,280
Speaker 1: thinking about because it is. It's such a TV movie

809
00:39:15,280 --> 00:39:20,640
Speaker 1: thing where you can just create the idea of privacy

810
00:39:20,760 --> 00:39:23,759
Speaker 1: or the idea of a like a more private conversation

811
00:39:24,440 --> 00:39:28,440
Speaker 1: in a way that you like never could before. Also

812
00:39:28,760 --> 00:39:31,960
Speaker 1: fact check from our amazing producer Jensit fact check Hazel

813
00:39:32,280 --> 00:39:34,400
Speaker 1: was a nineteen sixties family sitcomb.

814
00:39:34,560 --> 00:39:38,400
Speaker 2: Oh really, so there we go. Yeah, the more you know,

815
00:39:40,120 --> 00:39:41,759
Speaker 2: never saw it, never heard of it. This is the

816
00:39:41,760 --> 00:39:46,280
Speaker 2: first time I've ever heard of this me either. Okay, Well,

817
00:39:46,320 --> 00:39:49,680
Speaker 2: back to this private conversation six feet away from the family,

818
00:39:50,600 --> 00:39:53,160
Speaker 2: Jesse says that he has stayed up all night thinking

819
00:39:53,200 --> 00:39:55,759
Speaker 2: about the alcove problem that Danny says, well, I thought

820
00:39:55,760 --> 00:39:58,920
Speaker 2: you had a date, and Jesse replies, well, I stayed

821
00:39:58,960 --> 00:40:00,960
Speaker 2: up all night. Wink wank.

822
00:40:01,520 --> 00:40:02,479
Speaker 1: It sounds like that.

823
00:40:03,200 --> 00:40:05,319
Speaker 2: You know, at least he didn't describe the date. I

824
00:40:05,400 --> 00:40:07,440
Speaker 2: know he has to talk about a girl or a

825
00:40:07,520 --> 00:40:09,680
Speaker 2: date every episode, but at least he didn't describe it.

826
00:40:09,719 --> 00:40:11,319
Speaker 2: And at least it's not in front of the girl.

827
00:40:11,400 --> 00:40:13,440
Speaker 1: It's true, it was. Yeah, yeah, it was in a

828
00:40:13,440 --> 00:40:15,520
Speaker 1: private conversation, so obviously none of the kids could hear.

829
00:40:15,600 --> 00:40:17,120
Speaker 2: Yes, it's improvement, this is improvement.

830
00:40:17,239 --> 00:40:19,600
Speaker 1: It's for Jesse yeah, he wasn't. He didn't stick his

831
00:40:19,640 --> 00:40:21,439
Speaker 1: tongue down anyone's throat when they walked in the door.

832
00:40:21,600 --> 00:40:24,600
Speaker 2: So there we go a first soundary.

833
00:40:24,680 --> 00:40:26,480
Speaker 1: Yeah.

834
00:40:26,520 --> 00:40:28,920
Speaker 2: So the bus horn honks and the girls get up

835
00:40:28,920 --> 00:40:31,319
Speaker 2: to leave for school. Joey says he forgot to pack

836
00:40:31,360 --> 00:40:34,080
Speaker 2: their lunches, but Jesse pulls out a lunch pail and

837
00:40:34,120 --> 00:40:37,200
Speaker 2: a brown sack lunch, saying he already took care of it.

838
00:40:37,840 --> 00:40:40,800
Speaker 2: The girls kissed Joey goodbye and wish him luck. Stephanie

839
00:40:40,800 --> 00:40:43,640
Speaker 2: exits by saying see you in a month, and Joey

840
00:40:43,640 --> 00:40:47,240
Speaker 2: reminds her, well, wait, it's only two weeks. Joey starts

841
00:40:47,239 --> 00:40:49,720
Speaker 2: to remind Jesse about the chor chart when Jesse interrupts

842
00:40:49,760 --> 00:40:51,920
Speaker 2: and says, we got it, we can take care of it.

843
00:40:52,000 --> 00:40:55,479
Speaker 2: We don't need you, and Jesse ushers him out the door.

844
00:40:56,200 --> 00:40:58,719
Speaker 2: Joey goes into the living room and he goes to

845
00:40:58,719 --> 00:41:02,040
Speaker 2: say goodbye to Michelle, who is in her playpen and

846
00:41:02,200 --> 00:41:05,680
Speaker 2: alone alone always. Why is this child always alone in rooms?

847
00:41:07,600 --> 00:41:09,640
Speaker 2: I mean, at least she has a parrot or something to.

848
00:41:09,480 --> 00:41:11,960
Speaker 1: Top upon rooms with a toppler.

849
00:41:11,760 --> 00:41:16,080
Speaker 2: Don't she's in the company right?

850
00:41:16,200 --> 00:41:17,680
Speaker 1: Well, the parrot makes all the difference.

851
00:41:18,040 --> 00:41:23,879
Speaker 2: Yeah. So Joey starts unloading on this baby and he says,

852
00:41:24,000 --> 00:41:27,640
Speaker 2: something weird is going on. They're having family rituals without me.

853
00:41:28,239 --> 00:41:30,440
Speaker 2: I can be replaced like that by a rock and

854
00:41:30,520 --> 00:41:34,960
Speaker 2: roll exterminator. Maybe they don't need me. The baby seems

855
00:41:35,000 --> 00:41:38,920
Speaker 2: to say why, and Joey says, exactly, You're the only

856
00:41:38,960 --> 00:41:43,080
Speaker 2: one who seems to care. He asks Michelle for a kiss,

857
00:41:43,160 --> 00:41:46,200
Speaker 2: and then he leaves to go on tour with Sad

858
00:41:46,239 --> 00:41:49,799
Speaker 2: full House Music. Sad. It's very sad. He feels that

859
00:41:49,840 --> 00:41:50,799
Speaker 2: actually got I was.

860
00:41:50,800 --> 00:41:54,200
Speaker 1: Like, oh man, like this whole episode, like, I just

861
00:41:54,239 --> 00:41:55,960
Speaker 1: felt really bad for Joey.

862
00:41:56,080 --> 00:41:58,960
Speaker 2: I did too. I did too. Like I's tugging on

863
00:41:59,000 --> 00:42:02,239
Speaker 2: the heart strings. Yeah for Joey. So we have a

864
00:42:02,239 --> 00:42:04,680
Speaker 2: sad commercial break, and when we come back, we're still

865
00:42:04,719 --> 00:42:07,400
Speaker 2: in the living room, but Jesse is folding laundry and

866
00:42:07,480 --> 00:42:13,680
Speaker 2: yelling at the daytime TV judge Wapner judge remember from

867
00:42:13,719 --> 00:42:17,520
Speaker 2: People's Court, but yeah, more we judge Judy did more. Importantly,

868
00:42:17,840 --> 00:42:24,120
Speaker 2: who's doing the voice Brian Calerian Cale, our dialogue coach,

869
00:42:24,320 --> 00:42:28,839
Speaker 2: also the reporter from the boxing episode. Yep, he's back

870
00:42:28,920 --> 00:42:29,719
Speaker 2: with the voiceover.

871
00:42:30,440 --> 00:42:32,520
Speaker 1: Yes, he get did a lot of voiceovers.

872
00:42:32,880 --> 00:42:35,839
Speaker 2: He has a great voice, So I'm I'm glad they

873
00:42:35,880 --> 00:42:36,680
Speaker 2: made use of it.

874
00:42:36,960 --> 00:42:39,640
Speaker 1: Well, it us all the diction that we practiced, all

875
00:42:39,840 --> 00:42:40,480
Speaker 1: the diction.

876
00:42:41,080 --> 00:42:47,120
Speaker 2: Yes, love that diction. Michelle is sitting on Sorry was

877
00:42:47,160 --> 00:42:49,239
Speaker 2: it that that could have gone?

878
00:42:49,760 --> 00:42:50,320
Speaker 1: Never mind?

879
00:42:50,440 --> 00:42:53,480
Speaker 2: No, yeah, we'll just let's move on. Let's just move on.

880
00:42:54,239 --> 00:42:55,719
Speaker 1: Look at that, Michelle, Look at that.

881
00:42:56,040 --> 00:42:59,560
Speaker 2: Look Michelle is sitting on Jesse's lap, and she's wearing

882
00:43:00,320 --> 00:43:03,520
Speaker 2: this cool hat. This this's got this vintage script forty

883
00:43:03,600 --> 00:43:04,480
Speaker 2: nine ers.

884
00:43:05,160 --> 00:43:05,719
Speaker 1: It's so cute.

885
00:43:05,760 --> 00:43:07,160
Speaker 2: She's wearing it backwards.

886
00:43:07,520 --> 00:43:10,840
Speaker 1: Another probably very expensive vintage sports memorabilia piece.

887
00:43:10,920 --> 00:43:13,880
Speaker 2: Oh yeah, it's I hope that the Tanner saved all

888
00:43:13,920 --> 00:43:15,879
Speaker 2: of these items and sold them later.

889
00:43:16,000 --> 00:43:17,960
Speaker 1: Well they did, I mean that's yeah. They you know,

890
00:43:18,080 --> 00:43:20,359
Speaker 1: times were rough sometimes, so they that's how they paid rent,

891
00:43:20,440 --> 00:43:23,719
Speaker 1: was just selling off the ridiculous amounts of sports memorabilia.

892
00:43:23,880 --> 00:43:26,160
Speaker 1: Well Danny just got it for free. He's a sports reporter.

893
00:43:26,640 --> 00:43:29,000
Speaker 2: True, maybe he got it for free.

894
00:43:29,280 --> 00:43:32,040
Speaker 1: They had so much forty nine er stuff they were like, yeah,

895
00:43:32,200 --> 00:43:33,040
Speaker 1: we're just yeah.

896
00:43:33,160 --> 00:43:35,040
Speaker 2: I bet they still sold it off though, because how

897
00:43:35,040 --> 00:43:37,839
Speaker 2: else could they afford that rent? In San Francisco.

898
00:43:38,840 --> 00:43:40,799
Speaker 1: Well, Jody is doing a two week comedy tour, and

899
00:43:40,800 --> 00:43:42,400
Speaker 1: I don't know if you know anything about comedy, but

900
00:43:42,480 --> 00:43:44,960
Speaker 1: that is at least seventy five.

901
00:43:46,560 --> 00:43:52,160
Speaker 2: Well, there you go. Problems solved done. So the doorbell

902
00:43:52,239 --> 00:43:56,680
Speaker 2: rings and Jesse answers it. It's a mom who's there

903
00:43:56,719 --> 00:43:59,600
Speaker 2: to drop off her kids because it's Joey's day to

904
00:43:59,680 --> 00:44:00,640
Speaker 2: watch the kids.

905
00:44:01,160 --> 00:44:01,920
Speaker 1: Jesse Willy.

906
00:44:02,880 --> 00:44:04,399
Speaker 2: Jonie. That's her name, that's right, that's her mom.

907
00:44:04,680 --> 00:44:06,360
Speaker 1: That's the mom's name, right, The mom's.

908
00:44:06,160 --> 00:44:08,719
Speaker 2: Name is Jonie. Yes, Okay, she looked super familiar, by

909
00:44:08,719 --> 00:44:11,640
Speaker 2: the way, was she? I think she comes back in

910
00:44:12,239 --> 00:44:14,960
Speaker 2: later seasons and not as Joni though. I think she

911
00:44:15,040 --> 00:44:19,560
Speaker 2: comes back as a different character, same actors. Because she

912
00:44:19,600 --> 00:44:21,960
Speaker 2: looked familiar. She had maybe or something.

913
00:44:23,320 --> 00:44:23,719
Speaker 1: I don't know.

914
00:44:23,800 --> 00:44:26,799
Speaker 2: Anyway, she must have been she must have made an

915
00:44:26,800 --> 00:44:29,399
Speaker 2: impression because they brought her back. But in this moment,

916
00:44:29,520 --> 00:44:31,920
Speaker 2: she's there to drop off her kids for the free babysitting,

917
00:44:33,239 --> 00:44:36,239
Speaker 2: and Jesse's like, what huh? Nobody told me about this?

918
00:44:36,920 --> 00:44:41,160
Speaker 2: So more moms show up with their kids, including not

919
00:44:41,239 --> 00:44:43,719
Speaker 2: just any mom, not just any mom's, but canvas Is

920
00:44:43,800 --> 00:44:47,879
Speaker 2: Mom Barbara and Jodie's mom Janice. Oh, this is.

921
00:44:47,920 --> 00:44:50,160
Speaker 1: Just Jannah Sweeten live and in person.

922
00:44:50,280 --> 00:44:53,960
Speaker 2: It is so great. And your moms are so engaging,

923
00:44:54,040 --> 00:44:57,080
Speaker 2: like they're into it. They were just like they're calling

924
00:44:57,120 --> 00:44:59,960
Speaker 2: the kids by their names. They're saying hi to Jess.

925
00:45:00,040 --> 00:45:02,359
Speaker 1: See when she first walked in, though I thought she

926
00:45:02,360 --> 00:45:06,960
Speaker 1: said Hi Jody because she says Hi Joni. Oh. I

927
00:45:07,080 --> 00:45:09,920
Speaker 1: listened to it like three times because I'm like, wait,

928
00:45:10,320 --> 00:45:12,040
Speaker 1: I'm not in the scene. Did moms grew up and

929
00:45:12,040 --> 00:45:14,080
Speaker 1: get like so nervous that she said Hi Jody? And

930
00:45:14,080 --> 00:45:15,239
Speaker 1: I was like, no, they would have caught it, but

931
00:45:15,280 --> 00:45:16,040
Speaker 1: it was And I was like.

932
00:45:16,000 --> 00:45:18,279
Speaker 2: Oh, Joanie, okay, that yeah what I was?

933
00:45:18,360 --> 00:45:18,840
Speaker 1: Hi Joni?

934
00:45:19,200 --> 00:45:22,600
Speaker 2: Yeah? Oh well, I was very impressed with their performances

935
00:45:22,640 --> 00:45:24,520
Speaker 2: like they were. They were not phoning it in like

936
00:45:24,560 --> 00:45:26,400
Speaker 2: they I don't know if they were coached or if

937
00:45:26,440 --> 00:45:28,920
Speaker 2: they just had this natural ability to.

938
00:45:28,880 --> 00:45:31,960
Speaker 1: Be agage like they were moms and knew what it's

939
00:45:32,000 --> 00:45:34,560
Speaker 1: like to drop a kid off somewhere. Yeah, it's it

940
00:45:34,680 --> 00:45:36,959
Speaker 1: was unreal. The method acting that went into it must

941
00:45:36,960 --> 00:45:38,799
Speaker 1: have been just incredible.

942
00:45:39,400 --> 00:45:42,520
Speaker 2: It's so great. And you know, I mean, Barbara naturally

943
00:45:42,560 --> 00:45:44,920
Speaker 2: is a talent because she was a talent agent. I

944
00:45:44,920 --> 00:45:46,880
Speaker 2: think at the time, but your mom I knew. I

945
00:45:46,920 --> 00:45:49,919
Speaker 2: knew your mom was probably terrified to be on TV.

946
00:45:50,080 --> 00:45:51,440
Speaker 2: But she did so good.

947
00:45:51,640 --> 00:45:54,080
Speaker 1: Yeah, every time she did like a little background, she

948
00:45:54,160 --> 00:45:55,319
Speaker 1: was like, I don't ever want to I don't want

949
00:45:55,320 --> 00:45:56,480
Speaker 1: the game to see you. I don't want to be here.

950
00:45:56,560 --> 00:45:57,680
Speaker 1: This is I don't know how you do it. This

951
00:45:57,719 --> 00:45:58,360
Speaker 1: is terrifying.

952
00:45:58,719 --> 00:46:00,640
Speaker 2: Yes she was, and she was like that, and my

953
00:46:00,719 --> 00:46:03,000
Speaker 2: mom was like that to ride up until Fuller House

954
00:46:03,160 --> 00:46:05,800
Speaker 2: when they all three moms appeared on the on the

955
00:46:06,200 --> 00:46:09,080
Speaker 2: nineties or the seventies cruise episode seventies. Yeah, yeah, and

956
00:46:09,120 --> 00:46:11,759
Speaker 2: again Janice and my mom Sherry were like, oh my god,

957
00:46:12,040 --> 00:46:13,000
Speaker 2: do we really have to do that.

958
00:46:13,040 --> 00:46:15,640
Speaker 1: I love the tradition though that from the beginning our

959
00:46:15,719 --> 00:46:19,480
Speaker 1: mom from episode ten, moms have been appearing in the

960
00:46:19,520 --> 00:46:20,400
Speaker 1: show and they have.

961
00:46:20,760 --> 00:46:21,680
Speaker 2: I just I love that.

962
00:46:22,160 --> 00:46:25,640
Speaker 1: It really did. It shows you know, again, like how

963
00:46:25,719 --> 00:46:29,319
Speaker 1: much of a family, not just the cast was, but

964
00:46:29,960 --> 00:46:33,680
Speaker 1: our families were a family together, an extended family, and

965
00:46:34,239 --> 00:46:36,319
Speaker 1: you know, cast and crew. I'm sure the kids that

966
00:46:36,400 --> 00:46:39,120
Speaker 1: were there were probably you know, kids of ads or

967
00:46:39,160 --> 00:46:42,080
Speaker 1: sound people or whoever. You know. Yeah, it was just

968
00:46:42,080 --> 00:46:42,839
Speaker 1: always really fun.

969
00:46:42,960 --> 00:46:45,520
Speaker 2: Wow, it's such a it's such a fun perk to

970
00:46:45,560 --> 00:46:48,040
Speaker 2: get to do these little cameos, and it's it's so special.

971
00:46:48,080 --> 00:46:51,000
Speaker 2: It's like a little insider insider baseball for yeah, for

972
00:46:51,080 --> 00:46:52,520
Speaker 2: those of us, and I just love it.

973
00:46:52,719 --> 00:46:54,400
Speaker 1: But not the kind that you bet on where like

974
00:46:54,440 --> 00:46:56,279
Speaker 1: you then get removed from the Hall of Fame, because

975
00:46:56,280 --> 00:46:56,680
Speaker 1: that's bad.

976
00:46:57,600 --> 00:47:00,480
Speaker 2: Correct, Thank you for clarifying.

977
00:47:01,719 --> 00:47:03,359
Speaker 1: That kind of insider baseball is not good.

978
00:47:03,400 --> 00:47:06,360
Speaker 2: No, no, no, not at all. So Jesse shoes the

979
00:47:06,400 --> 00:47:08,960
Speaker 2: moms out the door, which, unfortunately this is the end

980
00:47:09,040 --> 00:47:12,120
Speaker 2: of the cameo of Barbara and Janice. But that's okay.

981
00:47:12,160 --> 00:47:14,280
Speaker 2: They'll be back in a future episode.

982
00:47:14,320 --> 00:47:14,680
Speaker 1: It's true.

983
00:47:14,760 --> 00:47:18,880
Speaker 2: Stay tuned. And now Jesse is left holding Michelle and

984
00:47:18,880 --> 00:47:22,319
Speaker 2: he has four more kids to babysit. The kids are

985
00:47:22,360 --> 00:47:24,879
Speaker 2: staring at him with their arms crossed, and Jesse starts

986
00:47:24,920 --> 00:47:29,279
Speaker 2: to make a speech. Attention all crumb gobblers. Joseph is

987
00:47:29,320 --> 00:47:31,960
Speaker 2: out of town and now Big Jay is in charge.

988
00:47:32,160 --> 00:47:34,280
Speaker 2: I can be your best friend or your worst enemy.

989
00:47:34,400 --> 00:47:38,759
Speaker 2: The choice is yours. One of the kids yells to introduce.

990
00:47:38,440 --> 00:47:40,279
Speaker 1: Yourself to children, by the way, is to be like

991
00:47:40,440 --> 00:47:46,040
Speaker 1: I could be terrifying. Well you know he's no, I'm serious.

992
00:47:46,040 --> 00:47:48,120
Speaker 1: It is it's great. Just be like, I could really

993
00:47:48,120 --> 00:47:49,799
Speaker 1: scare you, and then don't say anything else.

994
00:47:49,840 --> 00:47:53,160
Speaker 2: That's on brand for Jesse. Yeah, I'm going to scare

995
00:47:53,200 --> 00:47:54,200
Speaker 2: these kids into submission.

996
00:47:54,320 --> 00:47:57,920
Speaker 1: The last comment he makes, I was like, ooh.

997
00:47:57,280 --> 00:47:59,680
Speaker 2: So one of the kids yells laundry fight, and all

998
00:47:59,719 --> 00:48:03,600
Speaker 2: the kid start throwing clothes on Jesse and he ends, well,

999
00:48:03,640 --> 00:48:06,200
Speaker 2: ironed laundry, all of it, it's all a waste. And

1000
00:48:06,239 --> 00:48:10,720
Speaker 2: he ends by saying, what would Cosby do? We really

1001
00:48:10,800 --> 00:48:18,799
Speaker 2: just don't want to know what. Well, for sure, Yeah,

1002
00:48:18,880 --> 00:48:22,600
Speaker 2: moving on, moving on, moving on. In the kitchen, DJ

1003
00:48:22,719 --> 00:48:25,279
Speaker 2: and Stephanie are sitting at the kitchen island saying that

1004
00:48:25,320 --> 00:48:28,920
Speaker 2: they miss Joey. Stephanie suggests that they start eating without

1005
00:48:28,960 --> 00:48:32,640
Speaker 2: Danny because sometimes he's home late from work. Jesse, who's

1006
00:48:32,680 --> 00:48:35,600
Speaker 2: wearing an apron and fixing dinner, says, no, we gotta wait,

1007
00:48:35,719 --> 00:48:39,560
Speaker 2: because a family eats together. DJ says, can we start

1008
00:48:39,560 --> 00:48:43,120
Speaker 2: on some vegetables, and then stops herself to say vegetables.

1009
00:48:43,480 --> 00:48:44,800
Speaker 2: I must be starving.

1010
00:48:45,560 --> 00:48:48,600
Speaker 1: Seriously, my kids go for vegetables. There's something's wrong.

1011
00:48:48,920 --> 00:48:53,080
Speaker 2: Something is seriously wrong. Danny enters the kitchen and says, hi, honey,

1012
00:48:53,080 --> 00:48:55,760
Speaker 2: I'm home and starts to explain why he is late.

1013
00:48:56,040 --> 00:48:59,160
Speaker 2: Jesse interrupts to say, give me a break, and then

1014
00:48:59,200 --> 00:49:02,360
Speaker 2: he reads in the right act like a frustrated housewife.

1015
00:49:02,920 --> 00:49:03,960
Speaker 1: This was so funny.

1016
00:49:04,120 --> 00:49:05,160
Speaker 2: It was such a great read.

1017
00:49:05,360 --> 00:49:06,879
Speaker 1: Oh yeah, he's such a great read.

1018
00:49:07,000 --> 00:49:08,359
Speaker 2: And I'm not going to do it justice, but I'm

1019
00:49:08,360 --> 00:49:11,319
Speaker 2: gonna try. You walk in twenty five minutes late and

1020
00:49:11,360 --> 00:49:15,600
Speaker 2: expect sympathy. I have cleaned the house and washed an iron,

1021
00:49:15,640 --> 00:49:19,799
Speaker 2: your clothes and ran a daycare for socially deviant munchkins

1022
00:49:19,880 --> 00:49:23,080
Speaker 2: and missed Oprah. And he's doing this as he slops

1023
00:49:23,200 --> 00:49:26,120
Speaker 2: mashed potatoes on each dinner plate for emphasis.

1024
00:49:26,239 --> 00:49:32,000
Speaker 1: Yeah. Yeah, mashed potatoes are a great tool to really

1025
00:49:32,239 --> 00:49:33,680
Speaker 1: just flop down on.

1026
00:49:33,680 --> 00:49:35,759
Speaker 2: A plate because they've got some weight to them and.

1027
00:49:36,640 --> 00:49:40,160
Speaker 1: They splatter a little bit, right. They perfect emphasis when

1028
00:49:40,160 --> 00:49:41,280
Speaker 1: you're just a little bit angry.

1029
00:49:41,360 --> 00:49:44,799
Speaker 2: It was great, perfect prop for this moment. Danny tries

1030
00:49:44,800 --> 00:49:47,920
Speaker 2: to apologize, but Jesse ain't having it. Do you realize

1031
00:49:47,960 --> 00:49:52,640
Speaker 2: my chicken ted Truzini is ruined? And he pulls it

1032
00:49:52,640 --> 00:49:55,640
Speaker 2: out of the oven. So wait, but did I say

1033
00:49:55,640 --> 00:49:56,000
Speaker 2: it wrong?

1034
00:49:56,360 --> 00:49:58,200
Speaker 1: No? No, didn't you said it right? But it reminded

1035
00:49:58,239 --> 00:49:59,879
Speaker 1: me of tetris, which was also big.

1036
00:50:00,239 --> 00:50:02,440
Speaker 2: Oh sorry, no that No, that's a non sequitars.

1037
00:50:02,440 --> 00:50:05,560
Speaker 1: That's a chicken tetris zenie tetras ruined tetrazini.

1038
00:50:05,640 --> 00:50:07,799
Speaker 2: I don't think I've ever said that word before until now.

1039
00:50:08,600 --> 00:50:10,800
Speaker 2: So Jesse pulls this out of the oven to show Danny,

1040
00:50:10,800 --> 00:50:14,080
Speaker 2: and did you catch this? That this is hysterical. Jesse

1041
00:50:14,239 --> 00:50:18,040
Speaker 2: initially grabs potholders to retrieve this chicken dish, but then

1042
00:50:18,080 --> 00:50:20,719
Speaker 2: he ends up just grabbing the dish bare handed and

1043
00:50:20,800 --> 00:50:24,400
Speaker 2: carries it over to the kitchen table like it's.

1044
00:50:24,600 --> 00:50:27,520
Speaker 1: Well, because it's ruined, because it's been it's cold.

1045
00:50:28,480 --> 00:50:30,200
Speaker 2: Oh so it's not hot anymore.

1046
00:50:30,400 --> 00:50:31,840
Speaker 1: Oh okay, it's not hot.

1047
00:50:31,920 --> 00:50:34,480
Speaker 2: I thought it was like burned or I didn't know.

1048
00:50:34,760 --> 00:50:36,040
Speaker 2: I thought I was just lay it.

1049
00:50:36,520 --> 00:50:38,880
Speaker 1: Actually, I'm I'm just trying to make up a reason

1050
00:50:38,880 --> 00:50:41,600
Speaker 1: why that made sense. No, it that was just someone

1051
00:50:41,640 --> 00:50:44,440
Speaker 1: forgot to keep the potholes some one, John John that

1052
00:50:44,480 --> 00:50:47,880
Speaker 1: maybe it was maybe maybe, or maybe it was because

1053
00:50:48,000 --> 00:50:48,680
Speaker 1: now it's cold.

1054
00:50:48,880 --> 00:50:50,480
Speaker 2: Yeah, okay, we'll go with that. We'll go with that.

1055
00:50:50,520 --> 00:50:53,120
Speaker 1: Either way, the chicken tetrazini has gone done.

1056
00:50:53,160 --> 00:50:57,000
Speaker 2: It's done. Nobody's eating that chicken. Nope, Jesse is still

1057
00:50:57,000 --> 00:51:00,800
Speaker 2: continuing this tirade before he stops himself suddenly and says,

1058
00:51:01,080 --> 00:51:06,239
Speaker 2: what is happening, I'm turning into June Cleaver. Danny tells

1059
00:51:06,280 --> 00:51:09,280
Speaker 2: everyone that he spoke to a contractor and to solve

1060
00:51:09,360 --> 00:51:13,120
Speaker 2: this Alcove problem, they're gonna build Joey his own bedroom

1061
00:51:13,120 --> 00:51:16,840
Speaker 2: while he's gone for these two weeks. DJ says, great idea,

1062
00:51:17,280 --> 00:51:20,160
Speaker 2: and Jesse looks up and says, oh great, another room

1063
00:51:20,239 --> 00:51:26,200
Speaker 2: for me to clean. Relatable. Relatable. DJ says, the chicken's

1064
00:51:26,200 --> 00:51:29,080
Speaker 2: pretty good, and Stephanie chimes in, yeah, it's just a

1065
00:51:29,120 --> 00:51:34,600
Speaker 2: little dry, and then she kisses Jesse on the lips.

1066
00:51:34,600 --> 00:51:36,440
Speaker 2: And it's such a sweet little moment.

1067
00:51:37,120 --> 00:51:41,480
Speaker 1: I have pictures of me and John from like a

1068
00:51:41,520 --> 00:51:43,360
Speaker 1: moment back, so like it's like a Christmas party or

1069
00:51:43,360 --> 00:51:45,640
Speaker 1: something like giving him a big gizz. It was super cute.

1070
00:51:45,960 --> 00:51:48,480
Speaker 1: But that was like his thing. He was always so

1071
00:51:48,640 --> 00:51:50,760
Speaker 1: kind and sweet and generous to us. That was another

1072
00:51:50,840 --> 00:51:52,200
Speaker 1: like unscripted little moment.

1073
00:51:52,320 --> 00:51:55,120
Speaker 2: Well that's so sweet.

1074
00:51:55,360 --> 00:51:57,360
Speaker 1: Yeah, yeah, we would just add in like little moments

1075
00:51:57,360 --> 00:51:59,680
Speaker 1: of affection at the end, or with the babies or

1076
00:51:59,680 --> 00:52:01,680
Speaker 1: with the you know, that just kind of happened naturally

1077
00:52:01,760 --> 00:52:05,399
Speaker 1: and again. It was those things that built that real

1078
00:52:05,440 --> 00:52:08,080
Speaker 1: family vibe because they were just real moments between.

1079
00:52:08,040 --> 00:52:11,799
Speaker 2: Yeah, oh, I love it. I love it. So next

1080
00:52:11,800 --> 00:52:14,239
Speaker 2: we're in the living room. It's about two weeks later,

1081
00:52:14,320 --> 00:52:18,160
Speaker 2: and Joey, in his cool leather jacket, opens the door

1082
00:52:18,200 --> 00:52:21,120
Speaker 2: and says, I'm back. He walks into the living room

1083
00:52:21,160 --> 00:52:23,640
Speaker 2: and tosses his bag into the alcove, when suddenly he

1084
00:52:23,719 --> 00:52:27,680
Speaker 2: notices all of his stuff is missing. Stephanie peeks through

1085
00:52:27,680 --> 00:52:30,200
Speaker 2: the kitchen door. She sees Joey, and she runs back

1086
00:52:30,200 --> 00:52:33,600
Speaker 2: into the kitchen, yelling, the dog flies at midnight. I

1087
00:52:33,800 --> 00:52:38,960
Speaker 2: got it finally, you finally got it right, And I

1088
00:52:39,000 --> 00:52:41,240
Speaker 2: can tell that Stephanie is just so proud of herself.

1089
00:52:41,440 --> 00:52:43,960
Speaker 1: It's true. It's like when I finally get our recordings

1090
00:52:43,960 --> 00:52:46,879
Speaker 1: put into the drug. Yes I did. Yeah, get very

1091
00:52:46,880 --> 00:52:48,680
Speaker 1: excited over small things.

1092
00:52:49,480 --> 00:52:52,160
Speaker 2: Danny tells everyone to be cool when Joey comes in

1093
00:52:52,480 --> 00:52:55,160
Speaker 2: and they're all playing this game of Monopoly at the table.

1094
00:52:55,120 --> 00:52:57,439
Speaker 1: The calmest Monopoly game I've ever seen a family play.

1095
00:52:57,600 --> 00:52:59,440
Speaker 2: Right, Yeah, we were.

1096
00:53:00,520 --> 00:53:02,759
Speaker 1: My mom made us put Monopoly away at the house

1097
00:53:02,800 --> 00:53:03,800
Speaker 1: and she's like, you get.

1098
00:53:03,680 --> 00:53:06,120
Speaker 2: Every flake because it just would get to here.

1099
00:53:06,280 --> 00:53:08,360
Speaker 1: Oh or I'd be the banker and forget and just

1100
00:53:08,400 --> 00:53:10,280
Speaker 1: start dealing money for myself.

1101
00:53:09,920 --> 00:53:12,080
Speaker 2: Out of them. It's stressful being in the banker. No,

1102
00:53:12,239 --> 00:53:14,800
Speaker 2: I always hated being the banker. It's too much stress

1103
00:53:15,239 --> 00:53:15,800
Speaker 2: making change.

1104
00:53:15,840 --> 00:53:17,360
Speaker 1: But I'd always be like, I want to be the banker.

1105
00:53:17,719 --> 00:53:18,600
Speaker 2: You like the control?

1106
00:53:19,480 --> 00:53:20,600
Speaker 1: Yeah? Yeah.

1107
00:53:20,640 --> 00:53:24,880
Speaker 2: So Joey walks into the kitchen and goes hello. The

1108
00:53:24,920 --> 00:53:27,719
Speaker 2: family nonchalantly says hello back and ask him if he

1109
00:53:27,760 --> 00:53:30,680
Speaker 2: had a good tour. Joey asks, where's all my stuff?

1110
00:53:30,920 --> 00:53:33,600
Speaker 2: And they say, oh, it's in the garage. Joey starts

1111
00:53:33,640 --> 00:53:36,520
Speaker 2: this angry rant because he thinks they forgot about him

1112
00:53:36,840 --> 00:53:40,239
Speaker 2: and don't want him there anymore. He says, am I

1113
00:53:40,280 --> 00:53:42,440
Speaker 2: still getting mail here? Or did you forward it to

1114
00:53:42,480 --> 00:53:46,080
Speaker 2: the gutter? He walks downstairs to the garage, still ranting

1115
00:53:46,200 --> 00:53:48,279
Speaker 2: about all of this. He says, I volunteered to help

1116
00:53:48,320 --> 00:53:51,480
Speaker 2: out in this house. But suddenly he sees that he

1117
00:53:51,719 --> 00:53:56,080
Speaker 2: is in his new room that they have built inside

1118
00:53:56,160 --> 00:53:59,440
Speaker 2: the garage. Joey is stunned, and then he calls himself

1119
00:53:59,480 --> 00:54:02,000
Speaker 2: an idiot, Oh this room.

1120
00:54:03,960 --> 00:54:06,759
Speaker 1: First of all, get me that contractor's number, because two

1121
00:54:06,800 --> 00:54:10,960
Speaker 1: weeks for a full bathroom and turning a garage conversion

1122
00:54:11,080 --> 00:54:14,160
Speaker 1: into it was great historic San Francis going home, I

1123
00:54:14,160 --> 00:54:16,400
Speaker 1: mean incredible, incredibly.

1124
00:54:16,280 --> 00:54:20,480
Speaker 2: So impressive, very well done. So Joey with the family's

1125
00:54:20,520 --> 00:54:23,040
Speaker 2: following him, and Joey explores the room. He's got his

1126
00:54:23,120 --> 00:54:26,440
Speaker 2: own bathroom, his own bed, and all of his stuff,

1127
00:54:26,560 --> 00:54:30,160
Speaker 2: including his mannequin, which we find out the name.

1128
00:54:30,320 --> 00:54:32,200
Speaker 1: Manny Manny the mannequin.

1129
00:54:32,600 --> 00:54:36,440
Speaker 2: Very appropriate name. I love this. Danny tells him you

1130
00:54:36,640 --> 00:54:39,480
Speaker 2: deserve it. Joey asks, well, hey, but where are we

1131
00:54:39,480 --> 00:54:43,200
Speaker 2: gonna park our cars? And Stephanie says the street, which,

1132
00:54:43,400 --> 00:54:43,960
Speaker 2: of course.

1133
00:54:43,719 --> 00:54:48,520
Speaker 1: It's San Francisco because just street parking, duh, Like it's

1134
00:54:48,640 --> 00:54:51,279
Speaker 1: just yeah, there's plenty of parking for seventeen people in

1135
00:54:51,320 --> 00:54:53,200
Speaker 1: one house on the street. It's gonna be great.

1136
00:54:53,480 --> 00:54:55,520
Speaker 2: And we would know because we drove our Hyundai Tucson

1137
00:54:56,239 --> 00:54:57,560
Speaker 2: through the past that house.

1138
00:54:57,640 --> 00:54:57,960
Speaker 1: We did.

1139
00:54:59,400 --> 00:55:01,680
Speaker 2: We did, we did manage to find parking at least

1140
00:55:01,719 --> 00:55:02,520
Speaker 2: one actually.

1141
00:55:02,320 --> 00:55:04,160
Speaker 1: We did find parking in front of that house in

1142
00:55:04,200 --> 00:55:06,800
Speaker 1: San Francisco, so it's not as bad as some other places.

1143
00:55:06,840 --> 00:55:08,440
Speaker 2: It's true, maybe there was, you.

1144
00:55:08,480 --> 00:55:10,480
Speaker 1: Know, plenty of parking for all of the vintage cars

1145
00:55:10,480 --> 00:55:12,000
Speaker 1: and motorcycles that this family had.

1146
00:55:12,120 --> 00:55:18,520
Speaker 2: Okay, okay, it tracks, so Joey says Danny, this must

1147
00:55:18,560 --> 00:55:21,520
Speaker 2: have cost a fortune, and Danny says, you're my best friend,

1148
00:55:21,719 --> 00:55:24,279
Speaker 2: and you're doing me the biggest favor by helping me

1149
00:55:24,440 --> 00:55:27,400
Speaker 2: raise my girls. This is our way of saying thanks.

1150
00:55:28,200 --> 00:55:31,319
Speaker 2: Joey says, no one has ever done anything like this

1151
00:55:31,400 --> 00:55:34,160
Speaker 2: for me before, and he says that what's even better

1152
00:55:34,200 --> 00:55:36,640
Speaker 2: than his new room is the fact that the family

1153
00:55:36,800 --> 00:55:41,440
Speaker 2: really wants him there. Danny says, your family, you're a

1154
00:55:41,480 --> 00:55:45,839
Speaker 2: Tanner now, and they hug. Jesse says, welcome home, and

1155
00:55:45,880 --> 00:55:49,399
Speaker 2: tomorrow you're on the day shift. Is so sweet. This

1156
00:55:49,480 --> 00:55:53,359
Speaker 2: is just really oh, I just love this, so many

1157
00:55:53,440 --> 00:55:55,800
Speaker 2: warm fuzzies. Such a wonderful Tanner moment.

1158
00:55:56,239 --> 00:55:59,320
Speaker 1: It is. It's a great like family moment when we realize.

1159
00:55:59,360 --> 00:56:02,360
Speaker 1: But it also makes it very permanent because Danny's like,

1160
00:56:02,880 --> 00:56:06,799
Speaker 1: I've felt you, I've turned my garage into a room

1161
00:56:06,800 --> 00:56:10,360
Speaker 1: for you, So you're here permanently now, I think is

1162
00:56:10,560 --> 00:56:11,400
Speaker 1: also the message.

1163
00:56:11,600 --> 00:56:13,719
Speaker 2: Yeah, and I know we didn't know it at the time,

1164
00:56:13,760 --> 00:56:15,080
Speaker 2: but it's like, no, that we got to get our

1165
00:56:15,080 --> 00:56:16,799
Speaker 2: money's worth out of this room. We're going for eight

1166
00:56:16,840 --> 00:56:18,719
Speaker 2: seasons people, right, Yeah, we are.

1167
00:56:18,800 --> 00:56:21,200
Speaker 1: We built this room you were here for eight years

1168
00:56:21,200 --> 00:56:23,799
Speaker 1: of your life. You're never Yeah, you're never leaving on

1169
00:56:23,800 --> 00:56:25,000
Speaker 1: a two week comedy tour again.

1170
00:56:25,320 --> 00:56:28,960
Speaker 2: Yes, so Joey thanks everyone again, and they all jump

1171
00:56:29,000 --> 00:56:31,480
Speaker 2: on the bed and dog pile on top of Joey

1172
00:56:31,680 --> 00:56:37,560
Speaker 2: and that is our show. Oh yeah, great, so great.

1173
00:56:37,600 --> 00:56:39,640
Speaker 1: And now I didn't remember that it was this early

1174
00:56:39,680 --> 00:56:42,880
Speaker 1: in the show that that Joey got his own room.

1175
00:56:43,320 --> 00:56:45,520
Speaker 2: Yeah, I thought the alcove. I thought him living in

1176
00:56:45,520 --> 00:56:47,719
Speaker 2: the alcove lasted a lot longer.

1177
00:56:47,800 --> 00:56:49,840
Speaker 1: I did too, I thought that lasted a lot longer.

1178
00:56:50,920 --> 00:56:54,479
Speaker 1: But I also have to say, you know that room

1179
00:56:54,719 --> 00:56:59,719
Speaker 1: in the basement. I was surprised. I was like, so,

1180
00:56:59,800 --> 00:57:02,440
Speaker 1: Dan me, you build a room in the basement for Joey.

1181
00:57:03,120 --> 00:57:05,719
Speaker 1: But why couldn't we have turned this into a room.

1182
00:57:06,560 --> 00:57:08,480
Speaker 1: I mean, I feel like Joey and Jesse could have

1183
00:57:08,560 --> 00:57:11,200
Speaker 1: shared that it's a large room in their own bathroom,

1184
00:57:11,760 --> 00:57:15,000
Speaker 1: Jef and DJ Michelle each could have had their own room.

1185
00:57:15,040 --> 00:57:18,560
Speaker 1: I'm just saying, you, Stuid, but you know what, as adults,

1186
00:57:18,600 --> 00:57:20,479
Speaker 1: if they're going to be living there, it's fine, it's fine.

1187
00:57:20,800 --> 00:57:21,800
Speaker 1: It's a lovely room.

1188
00:57:22,600 --> 00:57:24,760
Speaker 2: I would love.

1189
00:57:24,560 --> 00:57:27,720
Speaker 1: For someone to build a little you know, Adu in

1190
00:57:27,760 --> 00:57:30,800
Speaker 1: the back of their property for me. That would be lovely,

1191
00:57:30,840 --> 00:57:32,600
Speaker 1: That would be a very kind gesture.

1192
00:57:32,520 --> 00:57:35,040
Speaker 2: That would be great. Well, I think this is this.

1193
00:57:35,080 --> 00:57:36,920
Speaker 1: I mean yeah, when Joey says, like, nobody's ever done

1194
00:57:36,960 --> 00:57:40,400
Speaker 1: that for me, I wouldn't think so. I wouldn't. I

1195
00:57:40,480 --> 00:57:43,680
Speaker 1: wouldn't assume that your best friend has remodeled their entire home.

1196
00:57:43,560 --> 00:57:46,200
Speaker 2: For you before, you know. That's pretty rare. That's pretty

1197
00:57:46,240 --> 00:57:46,880
Speaker 2: pretty rare.

1198
00:57:47,800 --> 00:57:50,400
Speaker 1: I just got of hand it to Danny tanner Man.

1199
00:57:50,480 --> 00:57:54,160
Speaker 1: He is really doing big things with being a sportscaster

1200
00:57:54,280 --> 00:57:57,960
Speaker 1: here in San Francisco and building this little Tanner Cochrane

1201
00:57:58,000 --> 00:58:00,240
Speaker 1: slash Cassopolis Gladstone.

1202
00:57:59,720 --> 00:58:03,840
Speaker 2: Family and showing his appreciation for his best friend. Yeah,

1203
00:58:03,840 --> 00:58:09,240
Speaker 2: and his brother in law for ye doing him a solid. Yeah. Well,

1204
00:58:09,320 --> 00:58:12,120
Speaker 2: let's do our everywhere you look moments? Do I have?

1205
00:58:12,320 --> 00:58:15,160
Speaker 2: I have? I have one? Okay, what's your switchers?

1206
00:58:15,320 --> 00:58:20,040
Speaker 1: Okay? So my everywhere you look moments, which is always fun,

1207
00:58:20,160 --> 00:58:23,640
Speaker 1: little tidbits of things that we see and notice around

1208
00:58:24,040 --> 00:58:25,600
Speaker 1: on the set or with people.

1209
00:58:26,320 --> 00:58:27,960
Speaker 2: This week, I.

1210
00:58:27,760 --> 00:58:33,400
Speaker 1: Noticed in the scene where it's in the kitchen and

1211
00:58:33,760 --> 00:58:37,120
Speaker 1: we're all sitting around the table and DJ's talking about

1212
00:58:37,120 --> 00:58:39,360
Speaker 1: how she misses Joey already and Jesse agrees and all

1213
00:58:39,360 --> 00:58:41,440
Speaker 1: that stuff. Kennas kind of has her hand up like this,

1214
00:58:41,560 --> 00:58:45,440
Speaker 1: and you see she's got friendship bracelets on. And I

1215
00:58:45,440 --> 00:58:47,480
Speaker 1: think you see him in another earlier scene maybe too.

1216
00:58:48,040 --> 00:58:52,520
Speaker 1: But we used to make friendship bracelets backstage. I don't

1217
00:58:52,560 --> 00:58:54,360
Speaker 1: know if those I don't think those were ones like

1218
00:58:54,400 --> 00:58:56,440
Speaker 1: I made or anything, but we would, I remember, like

1219
00:58:56,560 --> 00:58:59,920
Speaker 1: her and her sisters and Adria like that was kind

1220
00:58:59,920 --> 00:59:04,680
Speaker 1: of of our little in between activity, was making friendship bracelets.

1221
00:59:04,880 --> 00:59:06,760
Speaker 1: It's like a little crap and she yeah, and she

1222
00:59:06,840 --> 00:59:09,320
Speaker 1: had like I remember, Candas would. They would do like

1223
00:59:09,360 --> 00:59:12,000
Speaker 1: all the little designs. It was like lanyards and knots,

1224
00:59:12,000 --> 00:59:15,960
Speaker 1: and it's basically like tiny little versions of what do

1225
00:59:16,000 --> 00:59:17,480
Speaker 1: you call it, the stuff that you do.

1226
00:59:17,440 --> 00:59:21,479
Speaker 2: With rope, oh, loom, macrime, macroma, oh.

1227
00:59:21,480 --> 00:59:23,080
Speaker 1: You know what I mean, but like the tiny, like

1228
00:59:23,160 --> 00:59:26,520
Speaker 1: cool little things. But she had some of those those

1229
00:59:26,880 --> 00:59:29,480
Speaker 1: bracelets on in that scene, and uh yeah, I just

1230
00:59:29,560 --> 00:59:30,560
Speaker 1: I remembered making them.

1231
00:59:30,880 --> 00:59:32,840
Speaker 2: I did not notice. I'm gonna have to go back

1232
00:59:32,920 --> 00:59:33,280
Speaker 2: and look.

1233
00:59:33,360 --> 00:59:33,600
Speaker 1: Yep.

1234
00:59:33,720 --> 00:59:36,440
Speaker 2: That's why I love these everywhere you look moments, because

1235
00:59:36,560 --> 00:59:39,800
Speaker 2: you catch things that I don't that's so great. Well,

1236
00:59:39,840 --> 00:59:42,160
Speaker 2: I was your every well mine. I just want to

1237
00:59:42,160 --> 00:59:45,000
Speaker 2: talk about Joey's new room and all the things that

1238
00:59:45,160 --> 00:59:45,680
Speaker 2: are in the room.

1239
00:59:45,760 --> 00:59:47,640
Speaker 1: There's so many, so much.

1240
00:59:47,520 --> 00:59:49,400
Speaker 2: Going on in this room, Like not only do we

1241
00:59:49,440 --> 00:59:52,880
Speaker 2: have mannequin Manny, but we've got all the solar systems.

1242
00:59:53,480 --> 00:59:54,840
Speaker 2: We've got his hockey skates and.

1243
00:59:54,920 --> 00:59:57,440
Speaker 1: The solar system. There's one planet.

1244
00:59:57,800 --> 01:00:02,760
Speaker 2: Okay, there's the planets in the solar system.

1245
01:00:03,560 --> 01:00:06,560
Speaker 1: I wondered. I always wondered what the plant the solar

1246
01:00:06,560 --> 01:00:10,040
Speaker 1: system tie in though? Was Is it just wacky? I

1247
01:00:10,160 --> 01:00:11,600
Speaker 1: like science or planets?

1248
01:00:11,760 --> 01:00:12,680
Speaker 2: That's a good questions.

1249
01:00:12,720 --> 01:00:13,120
Speaker 1: Interesting.

1250
01:00:13,440 --> 01:00:16,360
Speaker 2: Well, there's also a parrot which was in the alcove,

1251
01:00:16,440 --> 01:00:18,400
Speaker 2: and now it's downstairs in Joey's room.

1252
01:00:18,440 --> 01:00:20,560
Speaker 1: So I don't I don't know what Joey's Apparently I

1253
01:00:20,600 --> 01:00:22,120
Speaker 1: thought joe was just the house parrot.

1254
01:00:22,840 --> 01:00:28,000
Speaker 2: It's Joey's. He brought it. It's the dart board is

1255
01:00:28,040 --> 01:00:31,160
Speaker 2: still there, the hockey. It was a dart board. Where

1256
01:00:31,240 --> 01:00:33,320
Speaker 2: is the dart board. There's a dart board. I thought

1257
01:00:33,320 --> 01:00:35,000
Speaker 2: it was in the I thought it was in the alcove,

1258
01:00:35,400 --> 01:00:37,400
Speaker 2: just like it's on one of the sidewalls, so you

1259
01:00:37,400 --> 01:00:40,400
Speaker 2: don't see it's not prominently displayed. Got it, got it?

1260
01:00:40,640 --> 01:00:42,840
Speaker 2: But I did notice it in the in the garage,

1261
01:00:43,560 --> 01:00:47,600
Speaker 2: the hockey skates and of course the mannequin's dressed in

1262
01:00:47,680 --> 01:00:51,040
Speaker 2: a hockey uniform Detroit red Wings, red Wings, which is

1263
01:00:51,080 --> 01:00:55,280
Speaker 2: a great nod to Dave Kolier who Detroit and like

1264
01:00:55,480 --> 01:00:59,800
Speaker 2: hockey red Wings fan, huge hock fan. Yes, absolutely, and

1265
01:01:00,160 --> 01:01:02,000
Speaker 2: there's weird. The only thing I didn't understand is this

1266
01:01:02,080 --> 01:01:07,400
Speaker 2: Groucho Marx art, of which there's several, like posters a comedian.

1267
01:01:07,760 --> 01:01:11,760
Speaker 1: Why he Groucho Marx was like the og the Marx Brothers.

1268
01:01:11,800 --> 01:01:15,640
Speaker 2: Oh okay, so it's a it's an ode or a nod. Yeah, yeah, Groucho.

1269
01:01:15,800 --> 01:01:19,400
Speaker 1: Harpo and oh my gosh, why can't I Gratcho Harpo?

1270
01:01:19,560 --> 01:01:23,320
Speaker 1: And I'm ashamed of myself that I can't think of

1271
01:01:23,360 --> 01:01:26,040
Speaker 1: the third anyway. Yeah, that was all of that stuff

1272
01:01:26,120 --> 01:01:29,479
Speaker 1: was That was like very you know, big comedy stuff,

1273
01:01:29,520 --> 01:01:32,840
Speaker 1: comedy ogs of comedy, and and Dave is a huge,

1274
01:01:33,160 --> 01:01:35,720
Speaker 1: uh Marx Brothers fan. Why he always used to talk

1275
01:01:35,760 --> 01:01:38,439
Speaker 1: about like Marx Brothers, old school comedy, Laurel and there's

1276
01:01:38,440 --> 01:01:42,360
Speaker 1: some Laurel and Hardy also, I believe in in the

1277
01:01:43,040 --> 01:01:47,240
Speaker 1: uh basement bedroom, but yeah, he always used to talk

1278
01:01:47,800 --> 01:01:51,560
Speaker 1: old comedy with Uh, like Rich Carrel and all the

1279
01:01:51,600 --> 01:01:54,400
Speaker 1: old producers and stuff. Yeah, it's I mean, it's part

1280
01:01:54,400 --> 01:01:58,720
Speaker 1: of what comedy history. I learned was listening to like

1281
01:01:58,800 --> 01:02:00,760
Speaker 1: Bob and Dave and you know, asking who people on

1282
01:02:00,800 --> 01:02:01,800
Speaker 1: the posters were and stuff.

1283
01:02:02,600 --> 01:02:06,280
Speaker 2: Yeah, I love how much of Dave is in this

1284
01:02:06,320 --> 01:02:08,240
Speaker 2: new room. It's just it's so great.

1285
01:02:08,440 --> 01:02:10,800
Speaker 1: It's definitely all of us, like we I remember when

1286
01:02:10,800 --> 01:02:14,920
Speaker 1: they would would design our rooms, they asked us, like

1287
01:02:15,160 --> 01:02:17,480
Speaker 1: set deck and stuff, would ask us what what are

1288
01:02:17,480 --> 01:02:19,160
Speaker 1: the things that you're kind of into and what are

1289
01:02:19,200 --> 01:02:22,720
Speaker 1: the things that you know would make this room yours?

1290
01:02:23,560 --> 01:02:27,080
Speaker 1: And they've always done that throughout the show, both shows,

1291
01:02:27,800 --> 01:02:30,240
Speaker 1: and we were able to have like a real say

1292
01:02:30,280 --> 01:02:34,520
Speaker 1: so it does have elements of not only what we

1293
01:02:34,600 --> 01:02:36,800
Speaker 1: think should be in there as our characters, but sort

1294
01:02:36,800 --> 01:02:40,640
Speaker 1: of little little bits of ourselves too, which I think

1295
01:02:40,720 --> 01:02:42,560
Speaker 1: that's kind of always how it's been for all the

1296
01:02:42,640 --> 01:02:46,479
Speaker 1: characters on this show. The characters are us, and we

1297
01:02:46,680 --> 01:02:49,320
Speaker 1: are them, they're you know, there's so much of us

1298
01:02:49,360 --> 01:02:53,960
Speaker 1: that informs who they are and and vice versa. So

1299
01:02:54,280 --> 01:02:56,160
Speaker 1: except with Kimmy, you were you were the only one

1300
01:02:56,160 --> 01:03:00,200
Speaker 1: that I was always like, you're definitely opposite. Every thing

1301
01:03:00,240 --> 01:03:02,040
Speaker 1: that Andrew Barber was Kimmy was not.

1302
01:03:03,120 --> 01:03:09,920
Speaker 3: Thank goodness, Yes, yes, Chico Marx, that's there we go, Ah, Chico,

1303
01:03:10,600 --> 01:03:16,840
Speaker 3: Harpo and Bingo no Cheapo, never mind, there's three of them.

1304
01:03:17,080 --> 01:03:17,680
Speaker 1: You know what I'm saying.

1305
01:03:19,600 --> 01:03:21,640
Speaker 2: Well, this has ended brilliantly.

1306
01:03:22,000 --> 01:03:26,800
Speaker 1: This is I mean so professional, it's ended the way

1307
01:03:26,920 --> 01:03:30,200
Speaker 1: endings do. Cheap but yeah, cheap o marks. That was Mars,

1308
01:03:30,560 --> 01:03:37,320
Speaker 1: cheap o Mars. He was a very successful producer. Actually, yeah,

1309
01:03:37,360 --> 01:03:41,760
Speaker 1: so my, oh my, oh. It's so cool though to see,

1310
01:03:41,800 --> 01:03:45,240
Speaker 1: like again going back to this and watching when Joey

1311
01:03:45,280 --> 01:03:49,440
Speaker 1: gets his own room and that you know, when before

1312
01:03:49,520 --> 01:03:52,360
Speaker 1: Danny was organized, and when all of these things, when

1313
01:03:52,440 --> 01:03:56,080
Speaker 1: you know Jesse was Cochrane and not Catsopolis, and just

1314
01:03:56,120 --> 01:03:59,600
Speaker 1: the evolution of all of these things that I didn't

1315
01:03:59,640 --> 01:04:02,720
Speaker 1: really I thought happens either later in the timeline or

1316
01:04:02,760 --> 01:04:05,360
Speaker 1: just differently. So it's like going back and relearning your

1317
01:04:05,400 --> 01:04:06,520
Speaker 1: own family history.

1318
01:04:06,760 --> 01:04:10,240
Speaker 2: Yeah that's true, it is, but in a more fun

1319
01:04:10,280 --> 01:04:13,440
Speaker 2: way than just like looking at right.

1320
01:04:13,960 --> 01:04:17,000
Speaker 1: But like what terrible things have been passed down from generators?

1321
01:04:17,080 --> 01:04:19,080
Speaker 1: More like oh yeah, look at these fun things that

1322
01:04:19,120 --> 01:04:25,600
Speaker 1: we've created with characters. Yeah, yeah, well Abe I Andrew

1323
01:04:25,680 --> 01:04:31,600
Speaker 1: Barber Sweeten. Yeah, I love this episode. It was very

1324
01:04:31,640 --> 01:04:35,200
Speaker 1: fun and I'm excited to talk about our nineties con

1325
01:04:35,240 --> 01:04:38,960
Speaker 1: in our little minisode. And if you guys are loving

1326
01:04:39,000 --> 01:04:42,760
Speaker 1: the podcast, make sure you are subscribing, make sure you rate, review,

1327
01:04:43,320 --> 01:04:44,960
Speaker 1: share it. You know all the fun things that you

1328
01:04:45,000 --> 01:04:47,080
Speaker 1: do with the podcast that you love. And if you

1329
01:04:47,120 --> 01:04:49,000
Speaker 1: want to get a hold of us, you can email

1330
01:04:49,120 --> 01:04:52,920
Speaker 1: us at how Rude podcast at gmail dot com, or

1331
01:04:52,960 --> 01:04:57,720
Speaker 1: you can follow us on Instagram at how Rude, how

1332
01:04:57,800 --> 01:05:00,120
Speaker 1: Rude podcast. Oh my god, it just blanked. Yeah, you

1333
01:05:00,120 --> 01:05:00,360
Speaker 1: got it?

1334
01:05:00,400 --> 01:05:04,080
Speaker 2: Why why do I think Howard pod now podcast? You

1335
01:05:04,160 --> 01:05:04,800
Speaker 2: got it? Dude?

1336
01:05:06,440 --> 01:05:16,440
Speaker 1: Wow, how rude? Well until next week, my friend.

1337
01:05:17,080 --> 01:05:21,000
Speaker 2: The the world is small, but the house is full. Indeed,

1338
01:05:21,920 --> 01:05:23,800
Speaker 2: Bye bye