WEBVTT - Stolen People on Stolen Land

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<v Speaker 1>You're listening and waiting on reparations the production of iHeart

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<v Speaker 1>Radio and non reparations. Way, none reparations all you motherfucker's

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<v Speaker 1>about you looking eavy hey and fraid none reparations. Yeo,

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<v Speaker 1>I got so much ship in the camp. I ain't

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<v Speaker 1>tipping my hand in my career. Why I stand it's

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<v Speaker 1>probably indigenous land. And then my superhero posed, but my

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<v Speaker 1>fist in the sand, I ain't seen nothing, Officer like,

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<v Speaker 1>I'm resisting the man. Which I did it again. I

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<v Speaker 1>popped like a fish in the pan. Make you rewind

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<v Speaker 1>the ship and try to listen again. It stove knife.

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<v Speaker 1>I'm rhyming reckless. Your whole mind is feckless. I roll

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<v Speaker 1>the blutt and then I smoke or drinking wine for breakfast.

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<v Speaker 1>This is the forty five mark. I'll give it ninety seconds.

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<v Speaker 1>Then I'll keep your cardio straight. You never found me breathless.

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<v Speaker 1>I called it vintage. You can say I got a

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<v Speaker 1>funny flow. You're talking to a stack of books. You're

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<v Speaker 1>talking to your money. Though, I really need a snack.

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<v Speaker 1>I eat a wrapper like a honey roll. It was

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<v Speaker 1>gonna give the stimulus, but now the fucking money froze

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<v Speaker 1>juxtaposed just supposed that I'm just the bro. No one's

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<v Speaker 1>home was my clothes. Oh, it's just the road. Hey,

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<v Speaker 1>my name is Lingua Franca. I'm dope night on remations.

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<v Speaker 1>Oh my god, that's perfect. I feel like that prevalent

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<v Speaker 1>capitulate swear. This week, it's been. It's been a heck

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<v Speaker 1>of a week. It definitely happens. So, I mean, what's

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<v Speaker 1>gone on this week? We took last week off, as

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<v Speaker 1>you guys don't know, um, but what has happened? Oh?

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<v Speaker 1>I got stopped by the cops when I was canvasing.

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<v Speaker 1>That was fun. That was fun. We were canvasing. I

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<v Speaker 1>don't even want to say it was a pro Trump neighborhood.

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<v Speaker 1>There was definitely a lot more Trump signs than I

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<v Speaker 1>had seen in a lot of the places we had

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<v Speaker 1>been at. But you know, we're walking through and I

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<v Speaker 1>just had a feeling, you know, And then the next

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<v Speaker 1>thing I know, we hear somebody and they're like, hey,

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<v Speaker 1>can I talked to you guys around? It's like a

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<v Speaker 1>loan cop. We're like, oh word. We I automatically was

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<v Speaker 1>putting together what happened. But the ship that was the

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<v Speaker 1>surprising part. Was like the three other dragon Neet squad

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<v Speaker 1>cars that like pulled up, like the dudes popping out

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<v Speaker 1>as if there was some ship already going on. So

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<v Speaker 1>that was cool. I love that. Love getting a racially

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<v Speaker 1>profiled while trying to just get people to vote. I mean,

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<v Speaker 1>I don't even know if it was racially profile I

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<v Speaker 1>think it was like straight up attempted murder, you know,

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<v Speaker 1>because whoever called the cop, whoever called the cops, they

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<v Speaker 1>saw us like talking to their neighbors before they called

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<v Speaker 1>the cops. So it's not even like a situation where

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<v Speaker 1>we were just like some sketchy black dudes and like

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<v Speaker 1>okay talking to people. Yeah, the moment we rolled in,

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<v Speaker 1>we were talking to people, you know what I'm saying.

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<v Speaker 1>So they saw us talking and smiling and that we

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<v Speaker 1>were handing out uh you know, literature and ship and

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<v Speaker 1>you know, I'm pretty sure they in that neighborhood know

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<v Speaker 1>who's the Biden people who's not, because it's not like

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<v Speaker 1>we're knocking up not Biden people, but who's for we're

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<v Speaker 1>knocking also who's not. And it's not like we were

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<v Speaker 1>knocking on doors at random, you know what I'm saying,

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<v Speaker 1>Like we're going to Yeah, we we, I mean our

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<v Speaker 1>and we've been targeting low propensity Democratic voters. So folks that, like,

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<v Speaker 1>according to their voting records are Democrats, but like don't

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<v Speaker 1>usually get out and vote and like runoffs or special

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<v Speaker 1>elections or things like that. Yeah, so that was whack. Yeah,

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<v Speaker 1>I mean I've been through that before. But yeah, we

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<v Speaker 1>did get a new kitten. Though we did get new

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<v Speaker 1>kitten that's bringing some joy into the household. You know,

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<v Speaker 1>doesn't replace eggs. I still miss eggs. And he's like,

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<v Speaker 1>so you know that the surly face he's always had,

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<v Speaker 1>he always looked mad, but then he kicked him up

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<v Speaker 1>and like spin him around and flop his head and

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<v Speaker 1>he would just like love it. And even though he

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<v Speaker 1>looked mad a whole things like that, I still miss X.

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<v Speaker 1>But you know, is adorable. He is. I'm sure he'll

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<v Speaker 1>be big enough to be cause in ruck as while

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<v Speaker 1>we're recording. And yeah, and I would like the world

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<v Speaker 1>to know that his name Sinks are a combination of

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<v Speaker 1>future Congresswoman Nita Turner and the fictional movie gangster Nino

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<v Speaker 1>Brown from New Jack City. So we've both got to

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<v Speaker 1>like do have part of our you know, nerdiness reflected

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<v Speaker 1>in the cat's name. And there's mad incriminating pictures of

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<v Speaker 1>me being sweet and adorable with the cat. Listeners, Listeners,

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<v Speaker 1>check this out, mac love for this cat is so pure.

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<v Speaker 1>We're just saying, such a grown ass man, this crumble

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<v Speaker 1>at the feet of tiny. We can't let any of

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<v Speaker 1>that imagery get out there. I'm a rapper, don't used

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<v Speaker 1>to wrap this funny cat. Yeah, all these three credits

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<v Speaker 1>done so Oh as if I had any street cred

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<v Speaker 1>to begin with. But now that's gonna kill. That's gonna

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<v Speaker 1>kill a little there was. Yeah, well, um, so what

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<v Speaker 1>are we What are we talking about today? We're revisiting

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<v Speaker 1>an interview that we did several months ago with an activist,

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<v Speaker 1>an indigenous activist from New Mexico named La La june Um.

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<v Speaker 1>I had a really insightful conversation with her about the

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<v Speaker 1>ways that indigeneity influences her political organizing and worldview. And

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<v Speaker 1>I just feel like, especially in the in like the

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<v Speaker 1>wake of our recent conversation with Daniel Blackman about a

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<v Speaker 1>Great New Deal, I thought these perspectives on the environmental

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<v Speaker 1>injustice and you know, equally sustainability and land stewardship could

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<v Speaker 1>be like a cool follow up for that. No, I agree,

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<v Speaker 1>nout Um. We're also gonna be talking about how COVID

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<v Speaker 1>does disproportionately affecting Indigenous communities. And for the music discussion,

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<v Speaker 1>we've got a real dope crop of Indigenous Native artists

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<v Speaker 1>that we're gonna check out. It also comes on the

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<v Speaker 1>tail of a reason. Uh, I don't even want to

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<v Speaker 1>call it snapoo, but our current Georgia Republican Senators Kelly

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<v Speaker 1>Leffler and David Purdue came out with a strong statement

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<v Speaker 1>in support of the name of the Atlanta Braves, as

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<v Speaker 1>if there's nothing more important to be if you know,

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<v Speaker 1>they're you know, going back and forth between science is

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<v Speaker 1>the most important election of a lifetime. While meanwhile, taking

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<v Speaker 1>a break from the campaign trail to staunchly stand behind colonialists,

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<v Speaker 1>uh garbage. They put out a statement, this is a

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<v Speaker 1>per CBS News. They said, we adamantly oppose any effort

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<v Speaker 1>to rename the Atlanta Braves, one of our state's most

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<v Speaker 1>storied and successful sport franchises. They said this on Monday,

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<v Speaker 1>so this would have been last Monday when we took

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<v Speaker 1>the week off, not on we are the Braves Georgia

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<v Speaker 1>institution with the history spanning fifty four years in Atlanta,

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<v Speaker 1>they are an American institution. I did not know the

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<v Speaker 1>Atlanta Braves were this fucking important to Ship outside of

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<v Speaker 1>baseball until I just read that statement an American institution.

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<v Speaker 1>You know what else was a story in American institution,

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<v Speaker 1>Uh Native tribes that like who this land belongs to

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<v Speaker 1>thousands of years before we were and who were genocided

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<v Speaker 1>by uh colonialist maniacs. But oh, let's let's not let's

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<v Speaker 1>you know, make sure to put that aside. For the

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<v Speaker 1>fifty four year history of the Atlanta Atlanta Braves, it's

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<v Speaker 1>pretty much just right wing virtue signaling at this point.

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<v Speaker 1>I mean, Ship, it's just reaching out to the you know,

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<v Speaker 1>to whatever unactivated racist or left in Georgia. Like a guys,

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<v Speaker 1>don't forget we don't think too much about Native Americans. Also,

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<v Speaker 1>do you understand you here? Just in case you're mistaken

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<v Speaker 1>thinking it's all about rack socialism and antiva what them engines,

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<v Speaker 1>there's parity of themselves at this point. So um, anyway, Yeah,

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<v Speaker 1>wherever you are, where you'rever, you're listening kick back. I'm

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<v Speaker 1>about to light went up and we're gonna get into

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<v Speaker 1>it after the job. And so something that I drew

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<v Speaker 1>a lot from in my talk with Lather that you

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<v Speaker 1>all are going to hear in a little bit UM

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<v Speaker 1>was kind of thinking about the ways that the federal

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<v Speaker 1>government's attempts to prescribe indigeneity kind of parallel and if

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<v Speaker 1>it's sometimes impacted um, black people living in this land

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<v Speaker 1>is well. And that led me to kind of do

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<v Speaker 1>a little bit of research about what blood quantums are

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<v Speaker 1>and you know, how they have impacted Native American communities

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<v Speaker 1>as well as Black folks. Surprisingly, so if you're not

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<v Speaker 1>familiar with the idea, um, blood quantums is this measurement

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<v Speaker 1>of how much Indian Native American blood did you have

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<v Speaker 1>in your body as a way of determining your rightful

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<v Speaker 1>belonging to a tribe and duste how much the federal

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<v Speaker 1>government you know, like how big, how big the tribe is?

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<v Speaker 1>You know, whether or not you qualify for programs that

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<v Speaker 1>are specifically for Native people's things like that. It can

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<v Speaker 1>affect your identity, your relationships, and whether or not you

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<v Speaker 1>or your children, um can become a citizen of your tribe. UM.

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<v Speaker 1>So many Native nations, including the Navajo Nation and the

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<v Speaker 1>Turnital Mountain band of the Chippewa Indians still use it

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<v Speaker 1>as citizenship requirements, although among like American uh Native communities,

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<v Speaker 1>there's a lot of disagreement about the ways that blood

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<v Speaker 1>quantums kind of like contradicts or runs contrary to like

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<v Speaker 1>their conceptions of what makes one native um. Some tribes accepted,

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<v Speaker 1>others go with more of a linear lineal um determination

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<v Speaker 1>of you know, if you belong to the tribe, and

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<v Speaker 1>some others have sort of thrown out the metric entirely

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<v Speaker 1>because it's just it's imposed upon them by the federal government,

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<v Speaker 1>not it's not like something they even want. Yeah. Um,

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<v Speaker 1>the Navajo Nation requires a minimum of Navajo blood, and

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<v Speaker 1>Turtle Mountain requires a minimum of of any Indian blood

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<v Speaker 1>as long as it's a combination with some Turtle Mountain. Yeah.

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<v Speaker 1>So different tribes kind of do it in different ways,

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<v Speaker 1>and ultimately it kind of restricts who can be a

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<v Speaker 1>citizen of the tribe if you've got, for example, you know,

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<v Speaker 1>nate Navajo blood. According to that tribes bloo quantum standards,

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<v Speaker 1>if you have children with someone who has a lower

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<v Speaker 1>blood quantum, maybe someone who is only an eighth Navajo,

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<v Speaker 1>or maybe someone's not Navajo at all. Technically your children

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<v Speaker 1>wouldn't be able to enroll as members of the Navajo nation.

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<v Speaker 1>So the federal government, this is what it just gets

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<v Speaker 1>really under my skin and find kind of creepy um issues.

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<v Speaker 1>Was called a certified degree of Indian blood. There's a

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<v Speaker 1>card similar to an ID card um that shows you

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<v Speaker 1>know whether or not you are technically of a certain

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<v Speaker 1>tribe and um. It's usually calculated using you know, your

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<v Speaker 1>blood quantums calculated by using tribal documents, official tribal documents

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<v Speaker 1>or government official um ortin sorry, so usually it's like

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<v Speaker 1>a tribal official or government official that calculates it for me,

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<v Speaker 1>for you. But one of the major problems with blood

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<v Speaker 1>quantum is that a lot of times the people who

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<v Speaker 1>were taking the federal taking the roles for the federal government,

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<v Speaker 1>we're unfamiliar with Native ways of defining their own communities.

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<v Speaker 1>And so you have people come in who would just

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<v Speaker 1>look around, just look at folks and say you look

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<v Speaker 1>pretty Navajo. U so I the white guy, UM say

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<v Speaker 1>you're so Tho's actually former black slaves who are living

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<v Speaker 1>as just fully like incorporated members of Indian tribes um

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<v Speaker 1>who you know, when the government officials will come in

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<v Speaker 1>and take the rules were they would take one look

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<v Speaker 1>at them. I was like this, this Nigga is clearly

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<v Speaker 1>a nigga um and so you are not of this tribe.

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<v Speaker 1>And they would get excluded, even um and even those

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<v Speaker 1>with mixed heritage if they were black in indiand if

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<v Speaker 1>they look black, they would get um listed on the

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<v Speaker 1>separate role. And so today the ramification is that they

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<v Speaker 1>don't have the original. They don't have that original unrollly

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<v Speaker 1>in their past, so they don't have enough blood quantum

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<v Speaker 1>to be extended tribal membership, even though in every way

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<v Speaker 1>cultural and social they might be fully incorporated into the tribe. Now,

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<v Speaker 1>the one drop rule is similar to the one drop

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<v Speaker 1>rules I think listeners would probably be more familiar with.

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<v Speaker 1>But yeah, go ahead and tell them about them. Oh

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<v Speaker 1>about the one So the one drop rule is measured

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<v Speaker 1>by the amount of black blood that black people had

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<v Speaker 1>in society, and that ensured that every person who had

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<v Speaker 1>at least one drop would be considered black and would

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<v Speaker 1>be covered under the would be covered under these discriminatory laws.

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<v Speaker 1>And even in the earlier days, enslaves so yeah, this

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<v Speaker 1>is a part of this legacy of the federal government

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<v Speaker 1>needing to inscribe racial rules onto people, sometimes to provision services,

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<v Speaker 1>but also in a certain sense to limit the scope

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<v Speaker 1>of those services, because like, well, if we're able to

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<v Speaker 1>whittle down the number of people we say are a

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<v Speaker 1>part of this tribe, that means we don't have to

0:13:49.960 --> 0:13:54.880
<v Speaker 1>ensure services to as many folks. Yeah. On the flip side,

0:13:54.920 --> 0:13:58.040
<v Speaker 1>with African Americans, you know, if you have one drop

0:13:58.080 --> 0:14:01.719
<v Speaker 1>of black blood, if we're able to like quantify and

0:14:01.800 --> 0:14:07.160
<v Speaker 1>therefore categorize you racially, uh, then we can also we

0:14:07.200 --> 0:14:10.720
<v Speaker 1>can discriminate against you. It's just this weird, this weird

0:14:10.840 --> 0:14:13.880
<v Speaker 1>thing the federal government does. So Yeah, the same way

0:14:13.920 --> 0:14:18.840
<v Speaker 1>that like, uh, one drop was enough to classify as

0:14:18.880 --> 0:14:21.800
<v Speaker 1>black blood, quantum emerges a way to measure Indian this

0:14:22.760 --> 0:14:25.920
<v Speaker 1>um and also serve as a way to ensure that

0:14:25.960 --> 0:14:29.680
<v Speaker 1>Indians would literally breed themselves out of existence and read

0:14:29.720 --> 0:14:33.600
<v Speaker 1>the federal government of their legal responsibility to uphold treaty obligations.

0:14:33.640 --> 0:14:35.720
<v Speaker 1>And technically there are no longer members of the tribe

0:14:35.760 --> 0:14:39.560
<v Speaker 1>because all of their descendants have married into people of

0:14:39.600 --> 0:14:42.120
<v Speaker 1>other races and no one has high enough blood wants

0:14:42.160 --> 0:14:44.120
<v Speaker 1>them to qualify as a member of the tribe. So

0:14:44.200 --> 0:14:47.160
<v Speaker 1>it was all of this stuff like UM pushed by

0:14:47.200 --> 0:14:51.640
<v Speaker 1>the federal government. So the actual tribes themselves had nothing

0:14:51.680 --> 0:14:54.360
<v Speaker 1>to do with these determinations. I mean, some tribes, it

0:14:54.440 --> 0:14:58.680
<v Speaker 1>sounds like, do it in different ways, but to me,

0:14:58.760 --> 0:15:00.800
<v Speaker 1>it still seems like it was impos most upon them

0:15:00.800 --> 0:15:05.280
<v Speaker 1>and it's something their own, uh sense of identity and worldview.

0:15:05.320 --> 0:15:08.800
<v Speaker 1>It wasn't It wasn't like endogenous to these communities. There's

0:15:08.840 --> 0:15:11.880
<v Speaker 1>one tribe I recall in my research that actually UM

0:15:12.240 --> 0:15:15.920
<v Speaker 1>somewhere in Canada that did away with all sorts of

0:15:16.160 --> 0:15:19.640
<v Speaker 1>lineal or blood quantum requirements entirely. Anyone can be a

0:15:19.680 --> 0:15:24.800
<v Speaker 1>member of the tribe. They just said, anybody, you're in UM.

0:15:24.960 --> 0:15:28.640
<v Speaker 1>And so it really varies from tribe to tribe. But UM,

0:15:28.680 --> 0:15:31.480
<v Speaker 1>I just like you know, we were sure about hip hop.

0:15:31.560 --> 0:15:34.560
<v Speaker 1>We talk about black issues a lot, but moments to

0:15:34.640 --> 0:15:37.880
<v Speaker 1>sort of pause and consider the ways our struggles intersect

0:15:38.440 --> 0:15:44.280
<v Speaker 1>and UM are impacted by similar vehicles of policy, like

0:15:44.760 --> 0:15:50.760
<v Speaker 1>similar public policy vehicles through like federal, state and local governments. UM.

0:15:50.800 --> 0:15:53.480
<v Speaker 1>I think it's always interesting kind of helps build solidarity.

0:15:53.520 --> 0:15:55.480
<v Speaker 1>And so I found this way, I found this like

0:15:56.000 --> 0:15:59.760
<v Speaker 1>really fruitful for like thinking more deeply about um, just

0:16:00.040 --> 0:16:02.520
<v Speaker 1>like what our shared battles are and how we can

0:16:02.560 --> 0:16:05.120
<v Speaker 1>sort of come together to fight fight off all these

0:16:05.120 --> 0:16:07.280
<v Speaker 1>ways that people try to define who we are for us.

0:16:08.080 --> 0:16:10.720
<v Speaker 1>Have you ever have you ever thought about or have

0:16:10.800 --> 0:16:14.120
<v Speaker 1>you already like tried to look into what your native

0:16:14.160 --> 0:16:18.880
<v Speaker 1>roots are? I mean, I'm I'm I'm aware of UM,

0:16:18.920 --> 0:16:22.680
<v Speaker 1>I'm Native American. UM. I talked a little bit about

0:16:22.760 --> 0:16:24.960
<v Speaker 1>this in my interview with Lila, But I grew up

0:16:24.960 --> 0:16:28.560
<v Speaker 1>going to like pow wows on the reservation and other

0:16:28.600 --> 0:16:31.680
<v Speaker 1>than that though not really participating in any ceremonies or

0:16:31.720 --> 0:16:35.800
<v Speaker 1>learning about the culture whatsoever. But like, um, yeah, like

0:16:35.920 --> 0:16:38.520
<v Speaker 1>every time I drive home, there's like, you know, the

0:16:38.560 --> 0:16:42.000
<v Speaker 1>tribal we passed the tribal government office and like you know,

0:16:42.120 --> 0:16:44.680
<v Speaker 1>reading the newspaper about the chiefs and what's going on

0:16:44.720 --> 0:16:48.200
<v Speaker 1>with the tribe, and there you know, decision like legislation,

0:16:48.360 --> 0:16:51.280
<v Speaker 1>decisions are making for the community. Uh. And I think

0:16:51.280 --> 0:16:53.360
<v Speaker 1>it's really interesting and something I've grappled with a lot.

0:16:53.400 --> 0:16:57.680
<v Speaker 1>It's an adult is that because of the one drop

0:16:57.800 --> 0:17:00.360
<v Speaker 1>rule and things like this, And I guess as well

0:17:00.400 --> 0:17:03.720
<v Speaker 1>to a lesser degree than was like, um obvious to

0:17:03.760 --> 0:17:06.439
<v Speaker 1>me growing up or in my like I don't know

0:17:06.560 --> 0:17:11.919
<v Speaker 1>political transformation as a young adult. Um uh an account

0:17:11.960 --> 0:17:13.919
<v Speaker 1>of like the way that blood quantum has also worked,

0:17:14.200 --> 0:17:16.679
<v Speaker 1>uh the one drop rules, so that like if you

0:17:16.760 --> 0:17:18.840
<v Speaker 1>are like a little bit black, you're black. Doesn't matter.

0:17:18.840 --> 0:17:22.160
<v Speaker 1>If you're Mexican doesn't matter, if you're Filipino, doesn't matter,

0:17:22.200 --> 0:17:26.600
<v Speaker 1>if you are um whatever. Well, like if you got

0:17:26.640 --> 0:17:28.680
<v Speaker 1>a little bit black, you're black. And so, like I've grown,

0:17:28.680 --> 0:17:31.000
<v Speaker 1>I was raised a black person despite the fact that

0:17:31.040 --> 0:17:35.679
<v Speaker 1>like my like grandfather was the chief of the tribe. Okay,

0:17:35.680 --> 0:17:38.439
<v Speaker 1>so you're so that's so as far as your roots go.

0:17:38.520 --> 0:17:42.560
<v Speaker 1>So your great grandfather was fully Native American. Yeah, I mean,

0:17:42.600 --> 0:17:44.439
<v Speaker 1>I don't know. Well, I mean, and that's the thing, fully,

0:17:44.480 --> 0:17:47.439
<v Speaker 1>what do you mean by that? Because like from everybody,

0:17:47.600 --> 0:17:50.480
<v Speaker 1>everybody like, well, I guess what I would mean is

0:17:50.480 --> 0:17:53.159
<v Speaker 1>like a pretty light skinned person, and like where I

0:17:53.280 --> 0:17:55.600
<v Speaker 1>come from, everybody looks like me. Where it's like you

0:17:55.600 --> 0:17:58.360
<v Speaker 1>would probably lump them into the category of black because

0:17:58.359 --> 0:17:59.959
<v Speaker 1>of the way that the race is made of binary

0:18:00.040 --> 0:18:02.760
<v Speaker 1>in the United States. But like we're all Native Americans

0:18:02.800 --> 0:18:05.440
<v Speaker 1>and we're all members of the tribe, even though maybe

0:18:05.440 --> 0:18:10.560
<v Speaker 1>there's some you know, some European American mix in, etcetera.

0:18:10.640 --> 0:18:14.840
<v Speaker 1>But like it's more of a cultural um affinity and

0:18:14.920 --> 0:18:18.440
<v Speaker 1>cultural affiliation than it is so like like well, well

0:18:18.440 --> 0:18:22.679
<v Speaker 1>who was your daddy pure blood or anything like that.

0:18:22.720 --> 0:18:26.280
<v Speaker 1>It's just about like we're a community and if you're

0:18:26.320 --> 0:18:29.919
<v Speaker 1>from here, this is a part of who you are. UM,

0:18:30.040 --> 0:18:32.959
<v Speaker 1>And so trying to nap our own sense of who

0:18:33.040 --> 0:18:37.720
<v Speaker 1>we are as a people onto like this greater cultural

0:18:38.680 --> 0:18:43.720
<v Speaker 1>um framework that that like just like it's tries to

0:18:43.760 --> 0:18:48.080
<v Speaker 1>compartmentalize people in ways that just doesn't work. Um is

0:18:48.119 --> 0:18:49.920
<v Speaker 1>the struggle and something I'm trying to learn how to

0:18:49.960 --> 0:18:52.800
<v Speaker 1>resist as they get older, Like on my forms, trying

0:18:52.840 --> 0:18:55.040
<v Speaker 1>to like, you know, check that I am Alti Native

0:18:55.040 --> 0:18:58.200
<v Speaker 1>American because time I didn't, because that's not why people

0:18:58.440 --> 0:19:01.720
<v Speaker 1>from the outside told me that I was when they

0:19:01.800 --> 0:19:06.720
<v Speaker 1>look at me. Um. The basketball player Kyrie Irving a

0:19:06.760 --> 0:19:11.160
<v Speaker 1>couple of years ago went to the Standing Rock Reservation

0:19:11.440 --> 0:19:14.560
<v Speaker 1>to get in touch with his Sioux heritage. I guess

0:19:14.560 --> 0:19:17.159
<v Speaker 1>his mother was born into the Sioux tribe before she

0:19:17.280 --> 0:19:21.080
<v Speaker 1>was adopted, and he's been going on a little bit

0:19:21.119 --> 0:19:25.520
<v Speaker 1>of a you know, finding his inner self journey the

0:19:25.560 --> 0:19:29.000
<v Speaker 1>last few years and reconnecting with that part of his

0:19:29.080 --> 0:19:32.119
<v Speaker 1>heritage seems to be doing the trick a little bit. Yeah,

0:19:32.200 --> 0:19:34.399
<v Speaker 1>so and and and Lylon, Lylon and I talked a

0:19:34.440 --> 0:19:36.520
<v Speaker 1>little bit about this in the episode in the interview,

0:19:36.640 --> 0:19:40.159
<v Speaker 1>so hopefully for other for other people were interested in

0:19:40.200 --> 0:19:44.240
<v Speaker 1>this for themselves. Um, I think you'll find this really

0:19:44.280 --> 0:19:46.480
<v Speaker 1>insightful and hopefully helpful for you in your journey and

0:19:46.480 --> 0:19:51.119
<v Speaker 1>reconnecting with your native roots. So let's actually go to

0:19:51.960 --> 0:19:54.320
<v Speaker 1>the Leila interview right now and check that out. So

0:19:54.480 --> 0:19:58.520
<v Speaker 1>this is my interview with Lela June, environmental justice activists,

0:19:58.520 --> 0:20:01.760
<v Speaker 1>spoken word artists, and warmer candidate for house in the

0:20:01.800 --> 0:20:04.639
<v Speaker 1>state of New Mexico. With forgiveness as my bow and

0:20:04.760 --> 0:20:07.320
<v Speaker 1>my prayers as my animals pull them back and let

0:20:07.480 --> 0:20:13.320
<v Speaker 1>go and fly like sparrows have ho So, Lyla, tell

0:20:13.400 --> 0:20:15.200
<v Speaker 1>us a little bit about yourself, how you got here,

0:20:15.240 --> 0:20:17.359
<v Speaker 1>and how hip hop and spoken word have played a

0:20:17.440 --> 0:20:21.280
<v Speaker 1>role in your life. Well, I always wanted to share

0:20:21.320 --> 0:20:24.800
<v Speaker 1>my message with the world as an Indigenous woman, because

0:20:25.880 --> 0:20:29.280
<v Speaker 1>much of our story has never been told to the

0:20:29.320 --> 0:20:33.920
<v Speaker 1>non native world in our own voice. And so I stopped.

0:20:34.320 --> 0:20:38.600
<v Speaker 1>I stumbled upon spoken word when I was in high school, um,

0:20:38.640 --> 0:20:42.440
<v Speaker 1>and I won a bunch of national poetry slams and

0:20:42.680 --> 0:20:45.840
<v Speaker 1>things of things like that. And hip hop, of course

0:20:46.000 --> 0:20:49.840
<v Speaker 1>is uh an incredible tool that I'm forever indebted to

0:20:50.000 --> 0:20:54.679
<v Speaker 1>the African American population, and a lot of marginalized communities

0:20:54.720 --> 0:20:58.200
<v Speaker 1>are indebted to the African American population for giving us

0:20:58.320 --> 0:21:01.920
<v Speaker 1>that tool to not to elevate their communities, but they

0:21:01.960 --> 0:21:05.520
<v Speaker 1>gave it to many marginalized communities to help us elevate

0:21:05.840 --> 0:21:08.480
<v Speaker 1>our communities as well. And so it's been a real

0:21:08.600 --> 0:21:12.200
<v Speaker 1>joy to use these tools also as a musician with

0:21:12.240 --> 0:21:17.240
<v Speaker 1>my guitar and singer songwriter to elevate my my story

0:21:17.400 --> 0:21:20.919
<v Speaker 1>so that we can increase visibility for indigenous peoples and

0:21:21.080 --> 0:21:23.199
<v Speaker 1>our struggles. Can you talk a little bit about your

0:21:23.200 --> 0:21:26.520
<v Speaker 1>earliest exposures to hip hop? Wow? Well, I think my

0:21:26.640 --> 0:21:29.439
<v Speaker 1>earliest exposures to hip hop and I don't know if

0:21:29.440 --> 0:21:33.879
<v Speaker 1>i'd call it hip hop, but was mainstream pop music, uh,

0:21:33.920 --> 0:21:36.640
<v Speaker 1>And I never really resonated with that because a lot

0:21:36.640 --> 0:21:42.240
<v Speaker 1>of it was degrading women and and encouraging what I've

0:21:42.280 --> 0:21:46.840
<v Speaker 1>viewed as unhealthy things, and so I've never really understood

0:21:46.840 --> 0:21:49.520
<v Speaker 1>that hip hop was more than just a tool of

0:21:49.600 --> 0:21:52.239
<v Speaker 1>oppression that if you used it correctly, it could be

0:21:52.280 --> 0:21:56.560
<v Speaker 1>a tool of liberation. And so once once I discovered that,

0:21:56.640 --> 0:21:59.359
<v Speaker 1>I think the first person I don't know if you

0:21:59.359 --> 0:22:01.720
<v Speaker 1>know Blackly just, but he was probably the first person

0:22:01.800 --> 0:22:05.200
<v Speaker 1>who opened my eyes to how this UM tool could

0:22:05.200 --> 0:22:08.399
<v Speaker 1>be used to elevate all people. Yeah. Yeah, I had

0:22:08.400 --> 0:22:10.480
<v Speaker 1>a similar journey with hip hop as a young person,

0:22:10.720 --> 0:22:12.840
<v Speaker 1>kind of not really identifying with it when I was

0:22:12.960 --> 0:22:16.840
<v Speaker 1>an adolescent because of its misogyny and in its mainstream incarnations,

0:22:16.880 --> 0:22:21.920
<v Speaker 1>and later finding artists that were inspiring that UM kind

0:22:21.920 --> 0:22:23.320
<v Speaker 1>of brought me around to see how it could be

0:22:23.400 --> 0:22:25.560
<v Speaker 1>used as a tool proliberation. So I feel you a

0:22:25.560 --> 0:22:28.520
<v Speaker 1>lot on UM, I'll feel you a lot on that. UM.

0:22:28.600 --> 0:22:30.720
<v Speaker 1>Do you see an advantage to using hip hop in

0:22:30.760 --> 0:22:33.600
<v Speaker 1>particular to get certain message and points across more effectively

0:22:33.640 --> 0:22:37.800
<v Speaker 1>than in other medium's? Absolutely? Um. Well, you know we

0:22:37.920 --> 0:22:41.800
<v Speaker 1>learn our A B c's through song, right, because when

0:22:42.080 --> 0:22:45.880
<v Speaker 1>you're learning something through song and rhythm, you remember it

0:22:46.040 --> 0:22:49.240
<v Speaker 1>much more easily. I remember learning songs when I was

0:22:49.400 --> 0:22:52.840
<v Speaker 1>very very young, and I still remember them as a

0:22:52.840 --> 0:22:56.639
<v Speaker 1>thirty year old woman. And I remember commercials. You know,

0:22:57.000 --> 0:22:59.720
<v Speaker 1>industries used that against us, and they get us to

0:22:59.760 --> 0:23:03.440
<v Speaker 1>member arize their slogans and the names of their brands

0:23:03.440 --> 0:23:06.399
<v Speaker 1>with song, you know. And so we can utilize song

0:23:07.000 --> 0:23:11.880
<v Speaker 1>too and rhythm to translate messages to people that they

0:23:11.880 --> 0:23:14.240
<v Speaker 1>can keep, that they can remember, that they can carry

0:23:14.240 --> 0:23:17.160
<v Speaker 1>with them throughout their lives. And as a Denay woman,

0:23:17.200 --> 0:23:20.080
<v Speaker 1>as an indigenous woman or as some people call it,

0:23:20.200 --> 0:23:23.119
<v Speaker 1>Native American woman, which we think that term is problematic,

0:23:23.160 --> 0:23:26.639
<v Speaker 1>but um, yeah, all of our are. A lot of

0:23:26.640 --> 0:23:31.400
<v Speaker 1>our cultural knowledge was passed down to generation and generation

0:23:31.480 --> 0:23:34.719
<v Speaker 1>through song, and so our wisdom and our way of

0:23:34.760 --> 0:23:37.840
<v Speaker 1>life was encoded in song. And so I think hip

0:23:37.880 --> 0:23:41.679
<v Speaker 1>hop is another iteration of the natural human inclination to

0:23:41.880 --> 0:23:48.440
<v Speaker 1>share information via song, and I think it's incredibly effective. Yeah, absolutely, Yeah.

0:23:48.480 --> 0:23:50.840
<v Speaker 1>I think that the way that song can kind of

0:23:50.880 --> 0:23:53.600
<v Speaker 1>act as a mnemonic in a certain sense for making

0:23:53.640 --> 0:23:57.840
<v Speaker 1>a message become embedded in your mind is really powerful too.

0:23:57.880 --> 0:24:00.639
<v Speaker 1>And as I think a lot of my dariences with

0:24:00.840 --> 0:24:04.760
<v Speaker 1>performing also helped prepare me for speaking out for public service.

0:24:04.800 --> 0:24:07.879
<v Speaker 1>Do you feel the same about your the linkages between

0:24:07.920 --> 0:24:11.440
<v Speaker 1>your music experience and your experience of public service. Now,

0:24:11.840 --> 0:24:14.480
<v Speaker 1>you know, that's a very interesting question that I haven't

0:24:14.520 --> 0:24:17.560
<v Speaker 1>thought about, but now that I reflect on it, absolutely,

0:24:17.920 --> 0:24:21.159
<v Speaker 1>I mean getting in front of crowd after crowd after crowd,

0:24:21.200 --> 0:24:24.040
<v Speaker 1>starting at age fourteen as a spoken word artist, you

0:24:24.160 --> 0:24:28.440
<v Speaker 1>really learned to soak up the nervousness and the awkwardness

0:24:28.440 --> 0:24:32.120
<v Speaker 1>and the fear that comes with public speaking and and

0:24:32.200 --> 0:24:37.960
<v Speaker 1>metabolize that that raw, energetic moment where you everyone is

0:24:38.000 --> 0:24:41.239
<v Speaker 1>hanging on every word you say, and you turn that

0:24:41.520 --> 0:24:45.159
<v Speaker 1>from a place of fear and doubt into a place

0:24:45.240 --> 0:24:49.199
<v Speaker 1>of beauty and even even control to a certain extent,

0:24:49.280 --> 0:24:52.840
<v Speaker 1>and leveraging that control with a lot of integrity and

0:24:52.920 --> 0:24:56.840
<v Speaker 1>gentleness to the crowd. So that UM as a spoken

0:24:56.840 --> 0:25:00.040
<v Speaker 1>word artist and as a musician who's spoken in and

0:25:00.240 --> 0:25:04.520
<v Speaker 1>crowds of anything from twenty people to uh six thousand people,

0:25:04.800 --> 0:25:10.400
<v Speaker 1>UM recently did a speech at the um My First Arena,

0:25:10.920 --> 0:25:13.639
<v Speaker 1>you know, and so we're we're in that situation where

0:25:14.440 --> 0:25:18.119
<v Speaker 1>we have that experience and that doesn't daunt us. And

0:25:18.200 --> 0:25:20.000
<v Speaker 1>so now that you think about it, I think that

0:25:20.080 --> 0:25:23.440
<v Speaker 1>absolutely helps and and helps me kind of own the stage.

0:25:23.480 --> 0:25:26.920
<v Speaker 1>Throughout the campaign trip, I've struggled a lot as I've

0:25:26.960 --> 0:25:29.280
<v Speaker 1>come to become an adult and realized how little I

0:25:29.320 --> 0:25:31.760
<v Speaker 1>know about my native heritage, despite the fact that like

0:25:32.240 --> 0:25:34.480
<v Speaker 1>growing up it was symnthathized to me that like we

0:25:34.520 --> 0:25:36.440
<v Speaker 1>did have this part of us, but like my parents

0:25:36.720 --> 0:25:39.360
<v Speaker 1>didn't pass down to me those traditions, like figuring out

0:25:39.359 --> 0:25:41.800
<v Speaker 1>how to get back in touch with my roots, get

0:25:41.840 --> 0:25:44.199
<v Speaker 1>back in tou touch with my culture, especially living away

0:25:44.240 --> 0:25:48.040
<v Speaker 1>from our lands. Now my people are from North Carolina.

0:25:48.080 --> 0:25:51.040
<v Speaker 1>I'm here in Georgia, and so having that physical distance

0:25:51.080 --> 0:25:54.880
<v Speaker 1>between like the tribal lands and like myself now, like

0:25:54.920 --> 0:25:57.119
<v Speaker 1>what is it what would you say to someone like

0:25:57.200 --> 0:26:00.200
<v Speaker 1>myself that you know, I given given the way at

0:26:00.280 --> 0:26:02.640
<v Speaker 1>race works in America and like the one drop rule

0:26:02.720 --> 0:26:05.959
<v Speaker 1>and the binarization of race, have grown up thinking, you know,

0:26:06.440 --> 0:26:09.040
<v Speaker 1>myself as African American, Like, what would you say as

0:26:09.400 --> 0:26:15.840
<v Speaker 1>would be my first steps into recovering my ancestral identity. Well,

0:26:16.119 --> 0:26:18.840
<v Speaker 1>I think you need help from people like me who

0:26:18.920 --> 0:26:23.080
<v Speaker 1>quote unquote look native and quote unquote are our native

0:26:23.200 --> 0:26:26.080
<v Speaker 1>and are are connected to our roots. We need to

0:26:26.200 --> 0:26:30.080
<v Speaker 1>validate people's indigenous identity, and we need to say we

0:26:30.119 --> 0:26:33.160
<v Speaker 1>need to give people permission to say yes, claim that

0:26:33.640 --> 0:26:38.080
<v Speaker 1>because all of this uh politics of oh well you're

0:26:38.080 --> 0:26:40.919
<v Speaker 1>not you're not really native you're just a thirty sixth

0:26:41.000 --> 0:26:45.439
<v Speaker 1>Cherokee that needs to go because people are Native and

0:26:45.480 --> 0:26:49.840
<v Speaker 1>if we block them and shame them from claiming that,

0:26:50.240 --> 0:26:52.520
<v Speaker 1>then they don't even need to do genocide on us.

0:26:52.560 --> 0:26:54.840
<v Speaker 1>We're doing it to ourselves. We do it to each other.

0:26:55.640 --> 0:26:58.280
<v Speaker 1>And so it's very important, I think, for my folks

0:26:58.640 --> 0:27:00.680
<v Speaker 1>who kind of have the brown's in and the brown

0:27:00.680 --> 0:27:02.800
<v Speaker 1>eyes and the brown hair and and we still know

0:27:02.880 --> 0:27:05.840
<v Speaker 1>the songs and the ceremonies, etcetera, to really look at

0:27:05.840 --> 0:27:08.760
<v Speaker 1>our counterparts who are not just African American, but also

0:27:08.800 --> 0:27:11.199
<v Speaker 1>those who look white, and say, listen, we want you

0:27:11.240 --> 0:27:13.240
<v Speaker 1>to honor who you are, and we need you to

0:27:13.280 --> 0:27:15.000
<v Speaker 1>honor who you are because that's the only way we're

0:27:15.000 --> 0:27:16.920
<v Speaker 1>going to get out of this mess. So that's number.

0:27:16.920 --> 0:27:19.960
<v Speaker 1>What Number two is, um if no one gives you

0:27:19.960 --> 0:27:22.720
<v Speaker 1>permission to claim it, just go on and claim it yourself.

0:27:23.080 --> 0:27:25.880
<v Speaker 1>We don't need someone's permission to claim it. To know

0:27:25.960 --> 0:27:29.160
<v Speaker 1>who you are and and take that, take hold of that.

0:27:29.480 --> 0:27:33.560
<v Speaker 1>And number three is be sensitive to place. You know,

0:27:33.640 --> 0:27:36.080
<v Speaker 1>if you're in Georgia now, then you are in the

0:27:36.119 --> 0:27:39.639
<v Speaker 1>homeland of a different nation and that's okay. And so

0:27:39.840 --> 0:27:43.320
<v Speaker 1>find the nation who you are standing on their land,

0:27:43.640 --> 0:27:46.959
<v Speaker 1>which in your case they might be relocated to Oklahoma,

0:27:47.040 --> 0:27:52.119
<v Speaker 1>but nevertheless, there's always repatriation work going on where they're

0:27:52.160 --> 0:27:54.960
<v Speaker 1>giving land back to indigenous peoples and if there isn't,

0:27:55.200 --> 0:27:58.600
<v Speaker 1>become a part of that. And my personal feeling is

0:27:58.920 --> 0:28:03.240
<v Speaker 1>wherever land you're standing on, uplift the nations who used

0:28:03.240 --> 0:28:06.240
<v Speaker 1>to take care of those lands, because those are the songs,

0:28:06.640 --> 0:28:10.439
<v Speaker 1>those are the ceremonies, those are the traditional ecological knowledge

0:28:10.480 --> 0:28:14.679
<v Speaker 1>bases that are suited to that specific biome, that specific

0:28:14.760 --> 0:28:18.159
<v Speaker 1>ecological context, and those are the ones who have the

0:28:18.160 --> 0:28:21.040
<v Speaker 1>answers of how to become sovereign in terms of food

0:28:21.040 --> 0:28:25.920
<v Speaker 1>security right there in that place. Yeah, that's really valuable.

0:28:25.960 --> 0:28:29.600
<v Speaker 1>I appreciate it from a personal from a personal place. Um,

0:28:29.680 --> 0:28:31.479
<v Speaker 1>I'll definitely keep all of that mind as well as

0:28:31.480 --> 0:28:33.760
<v Speaker 1>in my policy making and thinking about repatriation and like

0:28:33.800 --> 0:28:35.679
<v Speaker 1>what that might look for us, look like for us

0:28:35.680 --> 0:28:38.320
<v Speaker 1>as a local government. Thank you for all the work

0:28:38.400 --> 0:28:41.960
<v Speaker 1>you do, and again, thank you for honoring your indigenous ancestry.

0:28:42.360 --> 0:28:46.120
<v Speaker 1>It's been really fun to be a part of supporting that.

0:28:46.240 --> 0:28:49.240
<v Speaker 1>I lived in Alabama for about a year once and

0:28:49.520 --> 0:28:54.480
<v Speaker 1>all the people I met were indigenous from some community somewhere.

0:28:54.760 --> 0:28:57.560
<v Speaker 1>Most of them, i'd say a good whether they look

0:28:57.600 --> 0:28:59.640
<v Speaker 1>black or they look white. We're a lot of us

0:28:59.680 --> 0:29:02.440
<v Speaker 1>are shirring that. And so my last message I'll just

0:29:02.520 --> 0:29:04.840
<v Speaker 1>leave us with is, you know, please honor that and

0:29:04.840 --> 0:29:07.680
<v Speaker 1>and research that and and give yourself permission to carry

0:29:07.680 --> 0:29:10.440
<v Speaker 1>that with you wherever you go. Okay, great, all right,

0:29:10.520 --> 0:29:12.880
<v Speaker 1>Well I know where to find you. I'm following you.

0:29:12.920 --> 0:29:17.320
<v Speaker 1>I just bought your album, uh to the people's knowledge

0:29:17.480 --> 0:29:21.480
<v Speaker 1>on band campus, that cloud Instagram, it's just Lila June Twitter.

0:29:21.520 --> 0:29:24.720
<v Speaker 1>It's Lila June for in Him And yeah, thank you

0:29:24.800 --> 0:29:26.920
<v Speaker 1>so much for having me. This is a very interesting

0:29:27.240 --> 0:29:30.400
<v Speaker 1>and beautiful conversation, and I hope it inspires many many

0:29:30.440 --> 0:29:35.000
<v Speaker 1>listeners out there, whether they're you know, seasoned politicians or

0:29:35.080 --> 0:29:38.320
<v Speaker 1>everyday citizens like us, you know, to stand up and

0:29:38.320 --> 0:29:40.960
<v Speaker 1>and run for office and know and believe in yourself

0:29:41.000 --> 0:29:44.120
<v Speaker 1>that you're completely worthy of doing so. Thank you so much.

0:29:44.160 --> 0:29:46.520
<v Speaker 1>Have a great rest of your day. All right, thanks

0:29:46.520 --> 0:30:01.160
<v Speaker 1>for your time, guys. Bye, just right now. As with

0:30:01.320 --> 0:30:03.800
<v Speaker 1>like a lot of other aspects of society, one of

0:30:03.840 --> 0:30:06.720
<v Speaker 1>the clearest ways to see the inequalities and hardships that

0:30:06.760 --> 0:30:10.920
<v Speaker 1>face indigenous populations is through the COVID lens. Now it's

0:30:10.960 --> 0:30:14.080
<v Speaker 1>well known that people of color face greater greater risk

0:30:14.120 --> 0:30:16.880
<v Speaker 1>than others from the deadly virus, and that risk only

0:30:16.960 --> 0:30:21.400
<v Speaker 1>increases with Indigenous folk. We came across a really dope

0:30:21.480 --> 0:30:25.800
<v Speaker 1>article in The Atlantic by University of Oregon history professor

0:30:26.880 --> 0:30:32.280
<v Speaker 1>Jeffrey Ostler, titled Disease has Never been Just disease for

0:30:32.360 --> 0:30:36.360
<v Speaker 1>Native Americans. It references virgin soil epidemics, which is a

0:30:36.440 --> 0:30:40.600
<v Speaker 1>theory popularized by Jared Diamonds, Guns, Germs, and Steel that

0:30:40.640 --> 0:30:43.800
<v Speaker 1>when Europeans arrived in the Western hemisphere, they brought diseases,

0:30:43.880 --> 0:30:48.320
<v Speaker 1>particularly things like smallpox and measles, that Indigenous people had

0:30:48.360 --> 0:30:52.440
<v Speaker 1>never experienced before. Because we had no immunity to these diseases,

0:30:52.480 --> 0:30:55.720
<v Speaker 1>the resulting epidemic took the lives of or more of

0:30:55.760 --> 0:31:00.360
<v Speaker 1>the native of population throughout the America's However, new search

0:31:00.400 --> 0:31:04.520
<v Speaker 1>has shown that centuries after the Europeans came post contact,

0:31:04.600 --> 0:31:08.600
<v Speaker 1>effects of diseases devastated indigenous peoples, not because of the

0:31:08.680 --> 0:31:11.479
<v Speaker 1>lack of immunity, but due to the conditions created by

0:31:11.520 --> 0:31:15.880
<v Speaker 1>the Europeans and US colonialisms. It made commute native communities

0:31:15.920 --> 0:31:18.480
<v Speaker 1>more vulnerable to this, The article goes on to state

0:31:18.880 --> 0:31:21.520
<v Speaker 1>to understand how dire the COVID nineteen the situation is

0:31:21.520 --> 0:31:24.280
<v Speaker 1>becoming for these communities. Consider the situation and folding for

0:31:24.280 --> 0:31:27.640
<v Speaker 1>the Navajo Nation people with homelands in Arizona, New Mexico,

0:31:27.640 --> 0:31:32.840
<v Speaker 1>and Utah. As of a sixty infections and fifty dats

0:31:32.880 --> 0:31:35.360
<v Speaker 1>have been reported among the Navajo reservations a hundred and

0:31:35.360 --> 0:31:40.120
<v Speaker 1>seventy thousand people a mortality rate of thirty thousands. Only

0:31:40.400 --> 0:31:46.920
<v Speaker 1>six states have a higher per capita toll. That's nuts, yeah, um. Now,

0:31:47.000 --> 0:31:50.400
<v Speaker 1>part part of what making what makes combating COVID so

0:31:50.480 --> 0:31:56.120
<v Speaker 1>difficult UH are the ongoing effects of colonialism. So the Navajo,

0:31:56.400 --> 0:32:01.440
<v Speaker 1>they already have a high incidence of conditions like diabetes, hypertension,

0:32:01.520 --> 0:32:04.680
<v Speaker 1>lung disease that increase their chances of getting gravely ill

0:32:04.720 --> 0:32:07.600
<v Speaker 1>from the virus. That in the lack of access to

0:32:07.680 --> 0:32:11.560
<v Speaker 1>clean water, hand sanitizer, hospital beds, and medical personnel. It

0:32:11.600 --> 0:32:15.120
<v Speaker 1>all helps like spread and compact and compound the whole situation.

0:32:15.640 --> 0:32:19.640
<v Speaker 1>Racial misclassification and exclusion of Indigenous communities from data sets

0:32:19.640 --> 0:32:22.640
<v Speaker 1>and analysis that are used to make public health policies

0:32:22.680 --> 0:32:26.360
<v Speaker 1>also play a role in this. So Trump appropriated ten

0:32:26.480 --> 0:32:31.040
<v Speaker 1>billion dollars to travel governments after initially resisting but um

0:32:31.080 --> 0:32:34.040
<v Speaker 1>as of now, the Treasury Department tasks but distributing these

0:32:34.040 --> 0:32:37.400
<v Speaker 1>funds has failed to disperse them properly. The CDC initially

0:32:37.400 --> 0:32:42.000
<v Speaker 1>denied tribal epidemiology centers, including the Urban Indian Health Institute,

0:32:42.320 --> 0:32:46.000
<v Speaker 1>access to data about testing and confirmed to COVID nineteen cases,

0:32:46.320 --> 0:32:49.240
<v Speaker 1>even though it was making those data available to states.

0:32:49.760 --> 0:32:52.480
<v Speaker 1>Data collected by tribes, local and state health departments, and

0:32:52.600 --> 0:32:57.760
<v Speaker 1>national agencies are also often inconsistent. The social demographer for

0:32:57.800 --> 0:33:01.160
<v Speaker 1>the University of California and Los Angeles and citizen of

0:33:01.200 --> 0:33:05.480
<v Speaker 1>the Northern Cheyenne Nation, Desis Rodriguez Lone Bear. He said,

0:33:05.720 --> 0:33:08.400
<v Speaker 1>for so long data has been used against our people.

0:33:08.720 --> 0:33:12.120
<v Speaker 1>For example, the U S Census, which begins seventeen ninety,

0:33:12.200 --> 0:33:16.560
<v Speaker 1>excluded American Indians until eighteen sixty and didn't count those

0:33:16.600 --> 0:33:20.120
<v Speaker 1>living on reservations until the nineteen hundreds. The census data

0:33:20.200 --> 0:33:23.240
<v Speaker 1>was then used to justify the invasion of settlements and

0:33:23.320 --> 0:33:26.000
<v Speaker 1>supposedly empty land. And so I feel like again we're

0:33:26.040 --> 0:33:33.720
<v Speaker 1>saying this like this, this uh eurocentric colonialist desire and

0:33:33.880 --> 0:33:38.080
<v Speaker 1>impulse to quantify things and to reduce things into data

0:33:38.280 --> 0:33:41.440
<v Speaker 1>and to like, uh, to be able to you know,

0:33:41.600 --> 0:33:46.360
<v Speaker 1>put things on a fucking biograph as used implicitly as

0:33:46.360 --> 0:33:49.120
<v Speaker 1>a tool for the destruction of people who fall outside

0:33:49.120 --> 0:33:51.960
<v Speaker 1>of that, who don't who don't subscribe to those world views.

0:33:52.320 --> 0:33:54.160
<v Speaker 1>And then if you go off of like the logic

0:33:54.200 --> 0:33:57.840
<v Speaker 1>of blood quantums, it's like, as folks continue to marry

0:33:58.040 --> 0:34:03.120
<v Speaker 1>outside of their tribes or you know, reduce those quantifiable

0:34:03.600 --> 0:34:08.719
<v Speaker 1>like that quantified aple indigenuity among their descendants, are fewer

0:34:08.800 --> 0:34:11.799
<v Speaker 1>and fewer people that technically count as stative American And

0:34:11.840 --> 0:34:14.960
<v Speaker 1>so this thing we're like, oh, you know, since this

0:34:15.080 --> 0:34:17.880
<v Speaker 1>data were used to justify the invagement and settlement of

0:34:17.920 --> 0:34:20.720
<v Speaker 1>these lands because they were supposedly empty, it's like, well, also,

0:34:21.200 --> 0:34:23.840
<v Speaker 1>there's no one to worry about because there are fewer natives,

0:34:23.880 --> 0:34:28.719
<v Speaker 1>because folks, because because according to this uh measurement, there's

0:34:28.760 --> 0:34:30.680
<v Speaker 1>just fewer people that count as members of the tribe.

0:34:30.680 --> 0:34:33.719
<v Speaker 1>And so there's all these ways that like so it's

0:34:33.760 --> 0:34:36.440
<v Speaker 1>like all backhanded, sneaky ship to get out of what

0:34:36.520 --> 0:34:43.640
<v Speaker 1>they owe. There is like sneaky genocide. Damn a whole

0:34:43.640 --> 0:34:51.400
<v Speaker 1>a new flavor genocide, the sneaky brand. Ohleness generess. Okay,

0:34:51.560 --> 0:34:54.040
<v Speaker 1>I'm so sorry. I descride the fact that I like

0:34:54.640 --> 0:34:58.520
<v Speaker 1>grew up around Native cultures in you know, rural North Carolina.

0:34:58.880 --> 0:35:02.120
<v Speaker 1>A watershed moment for me and my sense of solidarity

0:35:02.239 --> 0:35:07.799
<v Speaker 1>with indigenous movements for land protection and tribal sovereignty. Uh

0:35:07.840 --> 0:35:12.040
<v Speaker 1>and for many people UM was the Dapple protests back

0:35:12.040 --> 0:35:17.839
<v Speaker 1>in Yeah, um and so uh. A number of hip

0:35:17.880 --> 0:35:20.799
<v Speaker 1>hop artists also were a part of that movement. UM.

0:35:20.800 --> 0:35:23.800
<v Speaker 1>At the height of standoff between protesters and security police

0:35:23.800 --> 0:35:27.400
<v Speaker 1>forces over the Dakota Access Pipeline, a collection of artists

0:35:27.440 --> 0:35:31.080
<v Speaker 1>in public figures, most of whom are native UM released

0:35:31.080 --> 0:35:33.759
<v Speaker 1>a song and video titled Stand Up, Standing Rock and

0:35:33.800 --> 0:35:36.680
<v Speaker 1>Support of the Movement UM. It was organized by Black

0:35:36.680 --> 0:35:39.080
<v Speaker 1>Eyed Peas or no. It was organized by Taboo of

0:35:39.120 --> 0:35:41.680
<v Speaker 1>the Black Eyed Peas who has sho showny heritage, and

0:35:41.719 --> 0:35:44.239
<v Speaker 1>the song was to promote awareness as well as stand

0:35:44.280 --> 0:35:47.319
<v Speaker 1>as an anthem for Indigenous people across the country. So.

0:35:47.880 --> 0:35:50.440
<v Speaker 1>Some of the artists featured on the track are Flute,

0:35:50.880 --> 0:35:54.160
<v Speaker 1>m c One, Djesus among others. And we're going to

0:35:54.200 --> 0:35:58.319
<v Speaker 1>be checking out a song from Jesus later. So UM.

0:35:58.360 --> 0:36:01.080
<v Speaker 1>From what I gathered from what I was seeing there.

0:36:01.120 --> 0:36:05.120
<v Speaker 1>The most that I could find was like Chance the

0:36:05.239 --> 0:36:08.440
<v Speaker 1>Rapper and some other celebrities. I mean, there were some

0:36:08.440 --> 0:36:11.040
<v Speaker 1>celebrities who were commenting about it, but as far as

0:36:11.080 --> 0:36:13.160
<v Speaker 1>some hip hop ship goes, I think Chance the Rapper

0:36:13.239 --> 0:36:15.120
<v Speaker 1>might have commented on it, but there wasn't too much

0:36:15.160 --> 0:36:20.880
<v Speaker 1>noise being made from the non indigenous rap community. And

0:36:20.920 --> 0:36:25.040
<v Speaker 1>that's a problem. I mean, yeah, we're like we are

0:36:25.080 --> 0:36:29.040
<v Speaker 1>stolen people on stolen land. Like we're all subjects to

0:36:29.080 --> 0:36:35.440
<v Speaker 1>colonialism and our cultural arrature and subjugation, and like we

0:36:35.560 --> 0:36:37.880
<v Speaker 1>got a band together and fight back. I mean, like

0:36:38.600 --> 0:36:41.200
<v Speaker 1>the same people that are telling us to go back

0:36:41.239 --> 0:36:44.879
<v Speaker 1>to Africa, it's like you should go back to you know, man,

0:36:44.960 --> 0:36:49.320
<v Speaker 1>like like we all I don't know, I just feel

0:36:49.320 --> 0:36:51.200
<v Speaker 1>like we all got to get free and so like

0:36:51.320 --> 0:36:56.600
<v Speaker 1>getting Native folks their sovereignty back, like and also you know,

0:36:56.760 --> 0:36:59.719
<v Speaker 1>getting Actually this is something we weren't even gonna get

0:36:59.719 --> 0:37:02.319
<v Speaker 1>into the show. But like there was this woman that

0:37:02.400 --> 0:37:06.120
<v Speaker 1>ran for Congress in Georgia's sixth district by the name

0:37:06.160 --> 0:37:11.080
<v Speaker 1>of Brenda Lopez, who, when asked on a endorsement questionnaire,

0:37:11.080 --> 0:37:13.680
<v Speaker 1>I think for like our revolution or something. Um if

0:37:13.680 --> 0:37:16.359
<v Speaker 1>she's reported reparation. She was like, yeah, as long as

0:37:16.400 --> 0:37:19.279
<v Speaker 1>it includes Native people. They literally had never thought about

0:37:19.320 --> 0:37:23.520
<v Speaker 1>that before. Her Land back is like a movement one

0:37:23.560 --> 0:37:25.880
<v Speaker 1>that I need to learn more about, frankly, but like

0:37:26.000 --> 0:37:30.320
<v Speaker 1>the idea of like the the other forms of loss

0:37:30.440 --> 0:37:35.359
<v Speaker 1>that these folks have incurred, and um, thinking about what

0:37:35.440 --> 0:37:39.200
<v Speaker 1>that means in terms of giving, you know, repairing then

0:37:40.080 --> 0:37:43.799
<v Speaker 1>reparating that. Uh, you know, it makes sense to me.

0:37:43.840 --> 0:37:45.840
<v Speaker 1>It makes sense what that looks like and whether or

0:37:45.880 --> 0:37:50.480
<v Speaker 1>not there is a strong movement for that, like in

0:37:50.120 --> 0:37:53.480
<v Speaker 1>in the in in business communities, Um, what do you

0:37:53.480 --> 0:37:55.680
<v Speaker 1>think down to fight together? I'm going to have you

0:37:55.760 --> 0:37:58.279
<v Speaker 1>back to get your representations too, Like let's do this,

0:37:59.400 --> 0:38:02.040
<v Speaker 1>Like in the hypothetical situation, let's say that it was

0:38:02.080 --> 0:38:04.759
<v Speaker 1>like the government was like, all right, we are going

0:38:04.800 --> 0:38:10.920
<v Speaker 1>to spend the next like three or four years setting

0:38:11.040 --> 0:38:14.600
<v Speaker 1>up the infrastructure to where we can repay some some

0:38:14.680 --> 0:38:18.760
<v Speaker 1>form of restitute of reparations to the Native American community.

0:38:18.800 --> 0:38:20.759
<v Speaker 1>Like do you think that that would open up the

0:38:20.760 --> 0:38:24.160
<v Speaker 1>floodgates for I don't mean floodgates in a bad way,

0:38:24.200 --> 0:38:25.920
<v Speaker 1>but I just mean do you think that would start

0:38:26.040 --> 0:38:30.880
<v Speaker 1>that would like start a new era of Um, I

0:38:30.880 --> 0:38:33.200
<v Speaker 1>guess this reconciliation the right word for it. But do

0:38:33.239 --> 0:38:37.120
<v Speaker 1>you think that like black reparations would be next there,

0:38:37.160 --> 0:38:39.919
<v Speaker 1>American descendants of slave reparations would be next. And then

0:38:40.480 --> 0:38:47.160
<v Speaker 1>like with the domino effect happened in the crackn Be released. Yeah,

0:38:47.320 --> 0:38:49.200
<v Speaker 1>you know what I honestly think would happen if they

0:38:49.239 --> 0:38:53.600
<v Speaker 1>started talking about reparations for indigenous people. Black people would

0:38:53.760 --> 0:38:58.480
<v Speaker 1>torpedo it. Damn. I kind of think you're ready, we

0:38:58.520 --> 0:39:01.080
<v Speaker 1>would go. We would all finding into each other about

0:39:01.080 --> 0:39:03.600
<v Speaker 1>who should get it first, should get it first, and

0:39:05.719 --> 0:39:08.759
<v Speaker 1>the you know, all this quantifying of who we are

0:39:09.000 --> 0:39:13.520
<v Speaker 1>racially based on the one drop and has been so

0:39:13.560 --> 0:39:16.400
<v Speaker 1>effective and in the ways that in the media and

0:39:16.440 --> 0:39:20.359
<v Speaker 1>in our discourse we talk about race has been so

0:39:20.360 --> 0:39:23.640
<v Speaker 1>so effective in dividing us. Like I can't even blame

0:39:23.680 --> 0:39:26.040
<v Speaker 1>people who are wanting to fight each other, because like

0:39:26.160 --> 0:39:28.640
<v Speaker 1>that should have been programmed from on high to the

0:39:28.680 --> 0:39:31.800
<v Speaker 1>point that it's straight up weaved into the fabric of

0:39:31.840 --> 0:39:34.520
<v Speaker 1>the culture. That's by design, Because if we didn't know,

0:39:34.560 --> 0:39:38.480
<v Speaker 1>if we come together, they're fucked. If all of us,

0:39:38.520 --> 0:39:42.279
<v Speaker 1>if the white working class and the gays and all

0:39:42.320 --> 0:39:46.440
<v Speaker 1>of the immigrants and the indigenous folks and we banded

0:39:46.480 --> 0:39:49.440
<v Speaker 1>together and rose up. They would be fucked well, didn't

0:39:49.480 --> 0:39:54.000
<v Speaker 1>want that, so they're like, well, you know, and with that,

0:39:54.360 --> 0:39:57.640
<v Speaker 1>let's uh, let's talk some RAPPI rap rap ship. Let's

0:39:57.680 --> 0:40:12.680
<v Speaker 1>get into the music. So the first rapper up is

0:40:12.920 --> 0:40:17.200
<v Speaker 1>jjesus Uh. He is a Indigenous rapper who's a member

0:40:17.200 --> 0:40:21.759
<v Speaker 1>with the First Nation's Tribe. He's an activist in Calgary, Alberta.

0:40:22.200 --> 0:40:24.560
<v Speaker 1>He gained a good deal of notoriety with the release

0:40:24.600 --> 0:40:27.280
<v Speaker 1>of his two thousand and fourteen album Indian war Path.

0:40:27.760 --> 0:40:30.160
<v Speaker 1>And this is his track war Path. Let's check it

0:40:30.200 --> 0:40:33.640
<v Speaker 1>out and head slide alone and then me let's stab

0:40:33.880 --> 0:40:37.600
<v Speaker 1>funk just through the strongest a death in Genesi. I think, like,

0:40:37.719 --> 0:40:39.960
<v Speaker 1>for me, like the cool thing about it is, I

0:40:40.040 --> 0:40:44.200
<v Speaker 1>like how he's going in about like his culture and

0:40:44.320 --> 0:40:49.600
<v Speaker 1>his heritage and his pupil and ship. But stylistically, stylistically,

0:40:49.640 --> 0:40:52.280
<v Speaker 1>he's doing it as if he was like rapping his set,

0:40:52.719 --> 0:40:54.200
<v Speaker 1>you know what I'm saying. So it's like if you're

0:40:54.239 --> 0:40:57.160
<v Speaker 1>listening to like a rapper who's like a like heavy

0:40:57.239 --> 0:40:59.399
<v Speaker 1>like crip rapper or something like that. Like the way

0:40:59.400 --> 0:41:01.360
<v Speaker 1>that they would be going off for their crew is

0:41:01.400 --> 0:41:03.480
<v Speaker 1>like how he's like going in for his tribe and

0:41:03.520 --> 0:41:06.440
<v Speaker 1>ship in the song I really did that. Yeah, It's

0:41:06.480 --> 0:41:10.239
<v Speaker 1>it's equal parts like commentary on the oppressive conditions that

0:41:10.280 --> 0:41:13.480
<v Speaker 1>they have to deal with as well as like celebration

0:41:13.600 --> 0:41:16.440
<v Speaker 1>of like the arrowheads and the buckskins and the in

0:41:16.480 --> 0:41:19.520
<v Speaker 1>the faith painting and the head dresses and like does

0:41:19.600 --> 0:41:22.120
<v Speaker 1>it does? It does in so many way It's like

0:41:22.960 --> 0:41:26.520
<v Speaker 1>perfectly fit the mold of like modern American hip hop,

0:41:26.760 --> 0:41:31.480
<v Speaker 1>like win sense of like analysis and uplift of like yo,

0:41:31.880 --> 0:41:34.439
<v Speaker 1>while people out here k eat but like we're looking

0:41:34.440 --> 0:41:39.800
<v Speaker 1>at in the real Yeah, I would really admire that. Actually,

0:41:40.320 --> 0:41:43.960
<v Speaker 1>well ship, I mean there's the next one kind of

0:41:44.000 --> 0:41:46.919
<v Speaker 1>takes that concept that you just brought up and kind

0:41:46.920 --> 0:41:51.040
<v Speaker 1>of takes it to the next level. This is um

0:41:51.200 --> 0:41:55.560
<v Speaker 1>by the Snotty Nose rez Kids. This is a track

0:41:55.680 --> 0:41:59.360
<v Speaker 1>called Bougie Natives. Now. The Snotty Nose Red res Kids

0:41:59.360 --> 0:42:01.920
<v Speaker 1>are another kid Nadian group there from the First Nation

0:42:01.920 --> 0:42:06.160
<v Speaker 1>as well. They're hip hop duo composed of Hasler Rapper,

0:42:06.440 --> 0:42:10.520
<v Speaker 1>Young d and Young Tribes. Yeah, they're currently banks in Vancouver.

0:42:12.360 --> 0:42:15.520
<v Speaker 1>He's not the tych movie spelled the Spirit Live Me

0:42:15.600 --> 0:42:19.640
<v Speaker 1>since I was, I mean I love it because like

0:42:19.760 --> 0:42:22.239
<v Speaker 1>the visuals, like you've got all these different kinds of

0:42:22.280 --> 0:42:26.680
<v Speaker 1>people in like in native dress. Some folks look more

0:42:26.800 --> 0:42:34.799
<v Speaker 1>like like typically North American fancy. There're thing going on,

0:42:34.960 --> 0:42:39.719
<v Speaker 1>and they facially look different with regards to the variety

0:42:39.719 --> 0:42:43.640
<v Speaker 1>of different ways to look native like condition to dress.

0:42:44.640 --> 0:42:48.600
<v Speaker 1>I just think that it's really dope representationally because like

0:42:48.680 --> 0:42:51.399
<v Speaker 1>it's not you know, the last video it was sort

0:42:51.440 --> 0:42:54.319
<v Speaker 1>of like there riding horses, they're hanging out in front

0:42:54.320 --> 0:42:57.600
<v Speaker 1>of a h t P. They're like, you know, sator

0:42:57.680 --> 0:43:01.560
<v Speaker 1>of the fire. There's a lot of like there's a

0:43:01.600 --> 0:43:05.919
<v Speaker 1>lot of like ancient uh Native like references and ship

0:43:05.960 --> 0:43:09.880
<v Speaker 1>like the arrowhead and word. But like, you know, it's okay,

0:43:10.040 --> 0:43:12.719
<v Speaker 1>Like I feel like this video is giving license to

0:43:12.840 --> 0:43:15.680
<v Speaker 1>like yo, it's I if you're indigenous and also being

0:43:15.920 --> 0:43:19.800
<v Speaker 1>part of the modern world, you're you're gauge where your gauges,

0:43:19.960 --> 0:43:22.160
<v Speaker 1>and you're you know, like making your tea in a

0:43:22.160 --> 0:43:26.279
<v Speaker 1>little can X boiler thing. I don't know what those

0:43:26.280 --> 0:43:28.680
<v Speaker 1>things are called, you know, I mean listeners, I know

0:43:28.719 --> 0:43:30.000
<v Speaker 1>you know what I'm talking about. I know what you're

0:43:30.040 --> 0:43:34.840
<v Speaker 1>talking about. That. I also, as a linguist, really enjoyed

0:43:34.920 --> 0:43:38.719
<v Speaker 1>what I would. I what I think was like native slang. Yeah,

0:43:38.760 --> 0:43:40.760
<v Speaker 1>I think he was putting a lot of native slang

0:43:40.920 --> 0:43:44.960
<v Speaker 1>and even just some like native words were dispersed through

0:43:44.960 --> 0:43:46.600
<v Speaker 1>the verse and stuff like that. Like he was saying,

0:43:46.680 --> 0:43:49.720
<v Speaker 1>he kept referencing Nietzsche and then he said Netzi please.

0:43:50.320 --> 0:43:53.600
<v Speaker 1>Yeah that made me chuckle. Yeah, Yeah, that's a cool

0:43:53.719 --> 0:43:58.600
<v Speaker 1>it's a cool mixture. I love it when it's gonna

0:43:58.640 --> 0:44:01.400
<v Speaker 1>sound fucked up. But I'm not a linguist like you,

0:44:01.480 --> 0:44:04.560
<v Speaker 1>so I can't word it the same way. But I

0:44:04.640 --> 0:44:11.880
<v Speaker 1>like it when hip hop is appropriated correctly into different cultures,

0:44:11.920 --> 0:44:14.160
<v Speaker 1>you know what I'm saying, Because it's like I don't know,

0:44:14.200 --> 0:44:17.719
<v Speaker 1>it's just like that's just like me that either there's

0:44:17.760 --> 0:44:21.120
<v Speaker 1>certain sorts of like ways of appropriating it into different

0:44:21.160 --> 0:44:24.760
<v Speaker 1>contexts and not even I know the term appropriation is neative,

0:44:25.640 --> 0:44:28.839
<v Speaker 1>different ways of like you know, remixing. I mean hip

0:44:28.880 --> 0:44:31.959
<v Speaker 1>hop it's all about remixing things, and so there's certain

0:44:32.000 --> 0:44:36.920
<v Speaker 1>ways to appropriate to to remix cultural conventions while like

0:44:37.080 --> 0:44:41.080
<v Speaker 1>honoring and like while showing that you are like well

0:44:41.200 --> 0:44:43.520
<v Speaker 1>versed in them. Yeah, exactly what I mean. Like there's

0:44:43.560 --> 0:44:46.480
<v Speaker 1>there's appreparation where it's like you clearly don't know what

0:44:46.520 --> 0:44:49.759
<v Speaker 1>you're talking about exactly. I never felt the preparation was like,

0:44:49.760 --> 0:44:54.120
<v Speaker 1>oh no, you fucking no what what it's good? You

0:44:54.160 --> 0:44:57.000
<v Speaker 1>know me? Or it's like, oh, you remixing ship and

0:44:57.040 --> 0:45:00.839
<v Speaker 1>you clearly love the craft like you know me and

0:45:00.880 --> 0:45:02.799
<v Speaker 1>you know the type of hip hop that I just

0:45:02.920 --> 0:45:05.919
<v Speaker 1>generally listened to for leisure, like the sort of stuff

0:45:05.960 --> 0:45:09.920
<v Speaker 1>that I'm into personally. So that song was definitely a

0:45:09.920 --> 0:45:13.600
<v Speaker 1>bit a bit lighter than the usual ship that I

0:45:13.680 --> 0:45:17.359
<v Speaker 1>like to listen to. But I never felt like I

0:45:17.400 --> 0:45:20.160
<v Speaker 1>was in the hands of posers while it was on.

0:45:20.239 --> 0:45:22.360
<v Speaker 1>You know what I'm saying, Like, the beat is jamming,

0:45:22.880 --> 0:45:26.360
<v Speaker 1>the flow is solid, and it's just like when you

0:45:27.360 --> 0:45:31.080
<v Speaker 1>when you use hip hop to like empower yourself and

0:45:31.160 --> 0:45:34.319
<v Speaker 1>your own identity. I think that's when hip hop is

0:45:34.400 --> 0:45:37.240
<v Speaker 1>like truly like at its peak, you know what I'm saying.

0:45:37.320 --> 0:45:40.080
<v Speaker 1>And they just owned that ship. So I love that.

0:45:40.080 --> 0:45:43.439
<v Speaker 1>That was the dope. Our last song is from JB

0:45:43.640 --> 0:45:47.000
<v Speaker 1>the first lady who helped found the Indigenous hip Hop

0:45:47.040 --> 0:45:50.200
<v Speaker 1>Collective in East Vancouver. There was a key part of

0:45:50.200 --> 0:45:52.600
<v Speaker 1>the growing force of Canadian Indigenous women who are using

0:45:52.680 --> 0:45:55.879
<v Speaker 1>hip hop to standing their power JB. The First Lady

0:45:55.920 --> 0:45:58.640
<v Speaker 1>has songs about suicide and murder of Indigenous women, which

0:45:58.640 --> 0:46:02.400
<v Speaker 1>is a huge issue, know um, particularly in Canada, missing

0:46:02.400 --> 0:46:07.759
<v Speaker 1>and murdered Indigenous women. Like it's just like incredibly disproportioned

0:46:07.800 --> 0:46:10.480
<v Speaker 1>and not being taken seriously by the Canadian government. But

0:46:10.560 --> 0:46:17.000
<v Speaker 1>listens her song still Here. It's truth baden coobiden and shading,

0:46:17.280 --> 0:46:23.560
<v Speaker 1>but you're here. That shows I I really think that

0:46:23.560 --> 0:46:27.600
<v Speaker 1>that is an effective use of a song to bring

0:46:28.360 --> 0:46:32.960
<v Speaker 1>like awareness to a particular issue. Like the refrain of

0:46:33.440 --> 0:46:35.720
<v Speaker 1>the hook is crazy, ye know, the hook is crazy

0:46:35.880 --> 0:46:39.799
<v Speaker 1>and like the whole like it again, like remixes the

0:46:39.920 --> 0:46:43.879
<v Speaker 1>hip hop traditions of like of of critique, but like

0:46:44.080 --> 0:46:46.439
<v Speaker 1>a sense of resilience at the same time, where she's

0:46:46.480 --> 0:46:50.080
<v Speaker 1>like we're still here, drinking water. They are here, we

0:46:50.160 --> 0:46:52.359
<v Speaker 1>have missing mothers and others, but like we still here,

0:46:52.440 --> 0:46:54.600
<v Speaker 1>Like that is the hip the hip hop is ship.

0:46:54.719 --> 0:46:57.960
<v Speaker 1>I never heard, Like there really is no difference in

0:46:58.000 --> 0:47:01.600
<v Speaker 1>the sentiment that she's getting across, like we ain't go

0:47:02.000 --> 0:47:08.320
<v Speaker 1>with nowhere, we go nowhere, same same ship, you know,

0:47:08.480 --> 0:47:11.319
<v Speaker 1>I know, I know that, Like it's gonna sound like

0:47:11.360 --> 0:47:14.359
<v Speaker 1>this is somewhat sexist or something, but I really mean

0:47:14.440 --> 0:47:17.520
<v Speaker 1>this in a purely like a purely craft way, and

0:47:17.560 --> 0:47:20.520
<v Speaker 1>not because they're both women, but her cadence really gave

0:47:20.520 --> 0:47:23.160
<v Speaker 1>me a no name five in the best way, and

0:47:23.239 --> 0:47:27.440
<v Speaker 1>that super unpredictable, like she doesn't have to adhere to

0:47:27.480 --> 0:47:32.040
<v Speaker 1>any sort of like prescribe sense of meter or yeah,

0:47:32.440 --> 0:47:34.640
<v Speaker 1>like or like, I feel like Lila's flow is like

0:47:34.680 --> 0:47:37.240
<v Speaker 1>that too, went in it just did her thing. Doesn't

0:47:37.320 --> 0:47:40.279
<v Speaker 1>Lilas flow feel like it's like that too? Yeah? No,

0:47:40.480 --> 0:47:43.880
<v Speaker 1>that was that was dope. Um, we have one more

0:47:43.920 --> 0:47:45.680
<v Speaker 1>that wasn't the last one. We do have one more

0:47:46.000 --> 0:47:48.719
<v Speaker 1>that I want to get to. This last joint is

0:47:48.840 --> 0:47:53.240
<v Speaker 1>by lightning Cloud. There's a track walk Alone Now. Lightning

0:47:53.280 --> 0:47:55.640
<v Speaker 1>Cloud is an l A based native hip hop duo

0:47:55.719 --> 0:48:01.399
<v Speaker 1>consisting of Christie Lightning and MC red Out. I've known

0:48:01.520 --> 0:48:04.880
<v Speaker 1>about red Cloud for years, Like as a freestyler, he's

0:48:04.920 --> 0:48:08.440
<v Speaker 1>he you know, he's put out some videos that definitely

0:48:08.480 --> 0:48:12.040
<v Speaker 1>from cats who freestyle in battle and ship like that.

0:48:12.160 --> 0:48:15.440
<v Speaker 1>You know, he's definitely has attention to those cats. But

0:48:15.480 --> 0:48:17.560
<v Speaker 1>I didn't know that he was in this group and

0:48:17.600 --> 0:48:20.240
<v Speaker 1>what type of music he made outside of that scene

0:48:20.280 --> 0:48:28.799
<v Speaker 1>in that context. So here's walk Alone. My mom like yo,

0:48:29.239 --> 0:48:38.640
<v Speaker 1>that that beat fucking knacks the vocal intonation like his

0:48:39.040 --> 0:48:41.880
<v Speaker 1>his vocal styling because they're just ill. It reminds us

0:48:41.920 --> 0:48:46.120
<v Speaker 1>of a friend of ours, friend of the show zero.

0:48:47.160 --> 0:48:49.719
<v Speaker 1>But yeah, they have a similar I don't even I

0:48:49.719 --> 0:48:52.400
<v Speaker 1>think it's not even necessarily the cadence, but it's the voice,

0:48:52.560 --> 0:48:56.120
<v Speaker 1>like they're they're coming from the same register. Whisper. Yeah,

0:48:56.239 --> 0:48:59.480
<v Speaker 1>it's like that, that whiskey and cigarettes voice. I don't

0:48:59.520 --> 0:49:03.600
<v Speaker 1>even think. So she smokes Tom Waits was from like

0:49:03.680 --> 0:49:08.680
<v Speaker 1>you know Thompton. Yeah, that's a good one. Besides, she's

0:49:08.680 --> 0:49:11.879
<v Speaker 1>gonna love that ship. But no, that that song was dope.

0:49:11.880 --> 0:49:14.960
<v Speaker 1>It seemed to be like sort of almost a p

0:49:15.120 --> 0:49:18.520
<v Speaker 1>s A about homelessness. And from what I could tell

0:49:18.560 --> 0:49:22.680
<v Speaker 1>from the video was was that Las Vegas look like

0:49:22.760 --> 0:49:26.279
<v Speaker 1>Vegas to me. But yeah, it could have been l

0:49:26.320 --> 0:49:28.680
<v Speaker 1>a that could have been good around that is true. Well,

0:49:29.040 --> 0:49:30.960
<v Speaker 1>before we wrap it up, I do just want to

0:49:31.000 --> 0:49:35.520
<v Speaker 1>give like a little honorable mentions list of some other

0:49:35.840 --> 0:49:38.920
<v Speaker 1>indigenous hip hop artist just because we don't have enough

0:49:38.960 --> 0:49:41.719
<v Speaker 1>time to go through everybody to do a snippet of everybody,

0:49:41.760 --> 0:49:44.919
<v Speaker 1>but shout out you guys should check out deaf One

0:49:45.840 --> 0:49:52.680
<v Speaker 1>Helen Back, West Coast Grizz Superman um an illustrated mess

0:49:53.320 --> 0:49:58.640
<v Speaker 1>uh phrase complexity. Lots of fresh Indigenous artists out there

0:49:58.680 --> 0:50:01.560
<v Speaker 1>for you all to check out. But that's gonna wrap

0:50:01.600 --> 0:50:04.640
<v Speaker 1>it up for us this week. I think we are

0:50:04.719 --> 0:50:08.000
<v Speaker 1>going to close this off a little bit more of

0:50:08.000 --> 0:50:12.240
<v Speaker 1>a special way since you guys hear us enough. Instead

0:50:12.239 --> 0:50:14.719
<v Speaker 1>of us giving you guys that wraps the close off

0:50:14.719 --> 0:50:17.759
<v Speaker 1>the show, We're gonna bring back Lila June to do

0:50:17.800 --> 0:50:20.879
<v Speaker 1>one of her acapella pieces for y'all. And so Nope,

0:50:20.920 --> 0:50:29.600
<v Speaker 1>I'm super excited for y'all. Hear it, yo hit us? Yes? Okay, Um,

0:50:29.760 --> 0:50:35.000
<v Speaker 1>hopefully my beatbox doesn't sound weird in this little microphone. Um.

0:50:41.000 --> 0:50:44.000
<v Speaker 1>We were all given sacred duties to this land. Take

0:50:44.080 --> 0:50:46.640
<v Speaker 1>care of Mother Earth, and she will help you understand

0:50:46.719 --> 0:50:49.680
<v Speaker 1>that everything we need is in the palm of her hand.

0:50:49.760 --> 0:50:53.560
<v Speaker 1>No need to drill, mind, conquer or extract. With faith

0:50:53.600 --> 0:50:55.839
<v Speaker 1>in the Creator, we will blaze a brand new path

0:50:55.960 --> 0:50:58.520
<v Speaker 1>when we let go a through the greed turns into

0:50:58.680 --> 0:51:02.040
<v Speaker 1>left unity of all people. That is what we're after.

0:51:02.200 --> 0:51:04.560
<v Speaker 1>I'm cruising down the Red Road with sweet grass on

0:51:04.600 --> 0:51:07.320
<v Speaker 1>my dashboard. Used to drug and drink but now I'm sober.

0:51:07.400 --> 0:51:10.440
<v Speaker 1>Now I'm faster, sharp as attack. He told me, can't

0:51:10.440 --> 0:51:18.760
<v Speaker 1>hold me back now. Yeah, I just want to build

0:51:18.760 --> 0:51:21.920
<v Speaker 1>a new world for my children with love, prayer and unity.

0:51:22.000 --> 0:51:25.640
<v Speaker 1>This nation is rebuilding up from the ash of genocide

0:51:25.680 --> 0:51:29.440
<v Speaker 1>and division. Red, black, yellow, white, as one. That's the vision.

0:51:29.760 --> 0:51:34.160
<v Speaker 1>Every race participates in this new beginning. Sacred is the masculine,

0:51:34.200 --> 0:51:39.120
<v Speaker 1>and sacred is the feminine, infinite, indigenous, continuous, deliberate. Nothing

0:51:39.200 --> 0:51:41.800
<v Speaker 1>can stop the people once they got their intentions that.

0:51:42.120 --> 0:51:47.320
<v Speaker 1>Some people say that the land can be owned. Trip

0:51:48.280 --> 0:51:54.120
<v Speaker 1>Some people say that the land can be owned. But

0:51:54.400 --> 0:51:57.280
<v Speaker 1>deep in our hearts, we know that isn't so, because

0:51:57.440 --> 0:52:00.160
<v Speaker 1>we don't even own this flesh, show this bone. No,

0:52:00.320 --> 0:52:03.120
<v Speaker 1>we can't take it with us on the soul's journey home. No,

0:52:03.280 --> 0:52:05.680
<v Speaker 1>the only thing we own is the lessons that we

0:52:05.719 --> 0:52:08.560
<v Speaker 1>know when we wake from the slumber to remember we

0:52:08.640 --> 0:52:12.279
<v Speaker 1>are one, one beautiful people, under one beautiful son. We

0:52:12.400 --> 0:52:15.520
<v Speaker 1>must also release all claims to the earth, because she

0:52:15.600 --> 0:52:22.200
<v Speaker 1>don't belong to us, should we belong to her? That

0:52:22.400 --> 0:52:27.200
<v Speaker 1>is Dope super Fresh, Thanks for tuning in on'm Lingua Franca,

0:52:27.680 --> 0:52:31.239
<v Speaker 1>I'm dope knife, and we are waiting on reparations for

0:52:31.320 --> 0:52:35.200
<v Speaker 1>our native brothers and sisters too, So hurry out and

0:52:35.280 --> 0:52:41.040
<v Speaker 1>see y'all next week. M hmm. Waiting on Reparations as

0:52:41.080 --> 0:52:43.759
<v Speaker 1>a production of I Heart Radio. Listen to Waiting on

0:52:43.840 --> 0:52:47.279
<v Speaker 1>Reparations on the I heart Radio app, Apple Podcasts, or

0:52:47.280 --> 0:52:48.719
<v Speaker 1>wherever you get your podcasts.