1
00:00:04,240 --> 00:00:08,880
Speaker 1: My heart will be blessed with a sound of music.

2
00:00:10,480 --> 00:00:17,280
Speaker 1: Are you wading with your show? I'm blah blah blah

3
00:00:17,280 --> 00:00:20,560
Speaker 1: blah blah. I wake up to you every morning, morning, morning.

4
00:00:21,120 --> 00:00:24,639
Speaker 1: Thank you for being a great host in a time

5
00:00:24,680 --> 00:00:27,000
Speaker 1: when a lot of people need it. Whoa, This is

6
00:00:27,080 --> 00:00:31,120
Speaker 1: Mr Michael Uppenheimer. Believe along. What are you looking at

7
00:00:31,280 --> 00:00:36,200
Speaker 1: right now? Go pink ball? Why are you wearing Captain

8
00:00:36,280 --> 00:00:45,800
Speaker 1: douced coggles? This customer? You guys ready for your day?

9
00:00:45,920 --> 00:00:50,080
Speaker 1: I'm ready, I'm ready. Story. And in the Morning Show,

10
00:00:53,360 --> 00:00:59,000
Speaker 1: this is Elvis Dry in the Morning Show. Whom Ferrari's

11
00:00:59,000 --> 00:01:01,880
Speaker 1: head out front? Now mine? It's either a Ferrari or

12
00:01:01,880 --> 00:01:04,600
Speaker 1: a Lambo. It looks cool that I wasn't too big

13
00:01:04,640 --> 00:01:07,120
Speaker 1: of a hurry to get in the guy who works

14
00:01:07,160 --> 00:01:08,679
Speaker 1: the front desk of the building and said, is that yours?

15
00:01:08,720 --> 00:01:10,000
Speaker 1: He said, no, man, it's not mine. I said, what

16
00:01:10,000 --> 00:01:12,160
Speaker 1: if you need for me to wash it? I will.

17
00:01:12,840 --> 00:01:15,759
Speaker 1: Yesterday there was the car outside that had the doors

18
00:01:15,800 --> 00:01:18,280
Speaker 1: that went up. Oh yeah, the gold gold Wing, Oh

19
00:01:18,319 --> 00:01:20,120
Speaker 1: my gosh. And some guy was sitting in there. I

20
00:01:20,160 --> 00:01:23,040
Speaker 1: don't know who he was, but let's call art. He

21
00:01:23,040 --> 00:01:27,120
Speaker 1: could be Charlemagne's car. Could, dude, we're on the air.

22
00:01:27,160 --> 00:01:30,760
Speaker 1: Don't cuss. Is that your car out front? No, sadly,

23
00:01:30,760 --> 00:01:33,880
Speaker 1: I'm running late. I'm just plumbing up. Whose car is that?

24
00:01:35,080 --> 00:01:36,840
Speaker 1: I don't know what kind of cars it's. It's either

25
00:01:36,880 --> 00:01:40,040
Speaker 1: a Lambou or Ferrari one are those cars I can't afford? Now,

26
00:01:40,160 --> 00:01:42,120
Speaker 1: you know I would that was spend my money or

27
00:01:42,120 --> 00:01:44,319
Speaker 1: nothing like that. I want to woultan Clan target T

28
00:01:44,440 --> 00:01:48,400
Speaker 1: shirt right now, Charlemagne, have a great show man. We

29
00:01:48,480 --> 00:01:51,640
Speaker 1: love you. Yeah, you know you pull into this building

30
00:01:52,320 --> 00:01:54,200
Speaker 1: and there's so many people that make so much money

31
00:01:54,240 --> 00:01:56,360
Speaker 1: in radio, and I you know, I drive what I have?

32
00:01:56,400 --> 00:01:59,520
Speaker 1: A Kia? What do I have? I don't know what

33
00:01:59,520 --> 00:02:01,760
Speaker 1: do you have? This? I don't know. I drive a

34
00:02:01,760 --> 00:02:03,280
Speaker 1: hond I don't know about I know you got and

35
00:02:03,280 --> 00:02:04,960
Speaker 1: you got it for free. I didn't. No, I did

36
00:02:05,080 --> 00:02:07,640
Speaker 1: not at Lesa. But and my Lisa is up this year.

37
00:02:07,680 --> 00:02:11,720
Speaker 1: But yeah, anyway, scary scary drives he drives a Beamer. Beamer.

38
00:02:11,800 --> 00:02:20,919
Speaker 1: Maybe that's scary. Not my car, not my rory for like, no,

39
00:02:25,480 --> 00:02:29,359
Speaker 1: m favorite, how we do it, I'll never come awack

40
00:02:30,120 --> 00:02:34,639
Speaker 1: go chat. All right, So we still don't know who

41
00:02:34,639 --> 00:02:43,880
Speaker 1: owns the expensive car out front? Is it your rits

42
00:02:43,880 --> 00:02:47,200
Speaker 1: great tea? Go find out who owns that car? Straight

43
00:02:47,320 --> 00:02:53,000
Speaker 1: up from the west side. It could be DJ Envy's

44
00:02:53,040 --> 00:02:55,680
Speaker 1: car totally. I mean that guy's got all sorts of

45
00:02:55,680 --> 00:02:59,639
Speaker 1: wheels he loves. Yeah, I don't know. Angela, Ye is

46
00:02:59,680 --> 00:03:05,160
Speaker 1: that her? I don't think so, Angela Parks Park. Who

47
00:03:05,240 --> 00:03:07,239
Speaker 1: could it be? Is that Covey or Carolyn another album?

48
00:03:09,400 --> 00:03:13,720
Speaker 1: It's not the people from light FM. It's Christine car. No,

49
00:03:13,840 --> 00:03:18,480
Speaker 1: they don't drive that. Is that Lynn Berman's car? And

50
00:03:18,520 --> 00:03:22,280
Speaker 1: ask him? I don't know, Coaster boy, Josh, I don't know.

51
00:03:22,440 --> 00:03:23,960
Speaker 1: I was in such a hurry. I don't. I think

52
00:03:23,960 --> 00:03:25,640
Speaker 1: it's a Ferrari. I'm not Maybe it's a Lamb, but

53
00:03:25,680 --> 00:03:27,400
Speaker 1: I don't know. I don't know. It's like when you

54
00:03:27,400 --> 00:03:31,119
Speaker 1: walk into work, you know, to work for the man,

55
00:03:31,680 --> 00:03:34,240
Speaker 1: the man who makes all the money you work for.

56
00:03:35,840 --> 00:03:37,840
Speaker 1: There's a car like dad downstairs? Is that at least?

57
00:03:37,880 --> 00:03:39,800
Speaker 1: Did they get that from Budget rental? Are you sure

58
00:03:39,880 --> 00:03:42,840
Speaker 1: the man maybe isn't in the building. No, I don't

59
00:03:42,880 --> 00:03:44,240
Speaker 1: know who owns it. All right, we'll figure it out.

60
00:03:44,320 --> 00:03:45,640
Speaker 1: Let's go talk to our first call or the day.

61
00:03:45,680 --> 00:03:51,720
Speaker 1: It's Brittany Hi Brittany, Hello, lady, what are you doing today?

62
00:03:51,760 --> 00:03:53,000
Speaker 1: Are you? You're on your way to the to the

63
00:03:53,040 --> 00:03:56,240
Speaker 1: airport right now, Right now, we're literally pulling up to

64
00:03:56,280 --> 00:04:02,520
Speaker 1: the terminal right now. Friends to Orleans for the week's fun? Wait? Wait,

65
00:04:02,560 --> 00:04:04,800
Speaker 1: you're going to New Orleans for the week. Yeah, for

66
00:04:04,840 --> 00:04:06,720
Speaker 1: the week with my four best friends. Let me tell

67
00:04:06,760 --> 00:04:09,360
Speaker 1: you something. New Orleans is fun, but for a week, girl,

68
00:04:09,480 --> 00:04:11,240
Speaker 1: you're asking for it. That's a long time to be

69
00:04:11,280 --> 00:04:13,440
Speaker 1: in New Orleans. Did you bring plenty of beads with

70
00:04:13,480 --> 00:04:18,440
Speaker 1: you and stuff for flashing? We packed it all. Yeah.

71
00:04:18,480 --> 00:04:20,040
Speaker 1: New Orleans is one of those towns you get there

72
00:04:20,080 --> 00:04:21,760
Speaker 1: in the first two or three nights is just a blur.

73
00:04:21,960 --> 00:04:23,440
Speaker 1: It's a lot of fun, and then like by the

74
00:04:23,480 --> 00:04:27,120
Speaker 1: fourth day you're like, get me out of here, all right,

75
00:04:27,120 --> 00:04:29,200
Speaker 1: we may come save you. So that's not your Lamborghini

76
00:04:29,320 --> 00:04:32,600
Speaker 1: or your Ferrari downstairs in our building. No it's not.

77
00:04:32,680 --> 00:04:34,520
Speaker 1: We couldn't pick ours up from the airport today. We

78
00:04:34,560 --> 00:04:37,960
Speaker 1: was goldn't get the lambs. So so you're going away

79
00:04:37,960 --> 00:04:39,680
Speaker 1: with your best friends to New Orleans? How much fun?

80
00:04:39,720 --> 00:04:41,320
Speaker 1: It's one of my favorite cities. Don't forget to go

81
00:04:41,360 --> 00:04:43,960
Speaker 1: to port Oa. Call for a Hamburger on Esplanade. It's

82
00:04:43,960 --> 00:04:47,320
Speaker 1: one of the best places ever. Okay, now, why are

83
00:04:47,360 --> 00:04:50,120
Speaker 1: you going down there? What's going on? So? Actually we're

84
00:04:50,160 --> 00:04:54,680
Speaker 1: physical therapy students, right, it's gonna be like sixteen thousand

85
00:04:54,760 --> 00:04:59,240
Speaker 1: physical therapists in New Orleans for a week, touching each

86
00:04:59,240 --> 00:05:06,360
Speaker 1: other without We're gonna send some reinforcement vodka. Well, look,

87
00:05:06,560 --> 00:05:08,919
Speaker 1: have a great time. Don't drink those hurricanes. They're so

88
00:05:09,040 --> 00:05:11,560
Speaker 1: they're so sweet, I'll make you sick. Okay, Okay, we'll

89
00:05:11,600 --> 00:05:13,840
Speaker 1: take the morning. We're gonna send you an Elvis Duran

90
00:05:13,920 --> 00:05:15,440
Speaker 1: shirt so by the time you get out of jail

91
00:05:15,520 --> 00:05:19,360
Speaker 1: in your back home, we'll have it work for you. Alright,

92
00:05:19,480 --> 00:05:21,280
Speaker 1: have fun. Thanks for being our first caller of the day.

93
00:05:21,279 --> 00:05:24,120
Speaker 1: Hold on a second, New Orleans, could you kind getting

94
00:05:24,120 --> 00:05:27,920
Speaker 1: a massage like that? Let me tell you something. The

95
00:05:27,960 --> 00:05:30,880
Speaker 1: devil lives on the streets of New Orleans. Let's go

96
00:05:30,920 --> 00:05:34,440
Speaker 1: around the room. We'll start in beautiful South Florida with Froggy. Froggy,

97
00:05:34,440 --> 00:05:36,200
Speaker 1: you've got so much going on. We're gonna talk about

98
00:05:36,200 --> 00:05:38,599
Speaker 1: your show you're doing later on. Froggy is doing a

99
00:05:38,760 --> 00:05:43,880
Speaker 1: very very very cool news talk show tonight. I know

100
00:05:43,920 --> 00:05:45,159
Speaker 1: we'll get into that in a minute. What's on your

101
00:05:45,200 --> 00:05:47,839
Speaker 1: mind today? Frog? You know Elvis? I think the dress

102
00:05:47,880 --> 00:05:50,560
Speaker 1: code deal is way out of line. So I have

103
00:05:51,000 --> 00:05:53,600
Speaker 1: finally been invited to a party and I looked at

104
00:05:53,600 --> 00:06:01,799
Speaker 1: the dress code and it is smart chic. It's okay.

105
00:06:02,360 --> 00:06:06,000
Speaker 1: So I went online and I looked up smart chic.

106
00:06:06,920 --> 00:06:09,840
Speaker 1: What why can't we just tell people what they need

107
00:06:09,880 --> 00:06:12,599
Speaker 1: to wear? Smart chic, I think is a that's a

108
00:06:12,640 --> 00:06:17,840
Speaker 1: bit obnoxious, nose stupid, Like is it casual, festive, formal, casual, dressy,

109
00:06:17,960 --> 00:06:22,080
Speaker 1: casual chic, Miami chic, dressy, resort black tie, black tie

110
00:06:22,080 --> 00:06:24,720
Speaker 1: option and it's so stupid. Just tell people what they

111
00:06:24,720 --> 00:06:26,960
Speaker 1: need to wear. Please. I beg they should send you

112
00:06:27,000 --> 00:06:28,880
Speaker 1: like a picture of a guy who's wearing something like

113
00:06:28,920 --> 00:06:31,400
Speaker 1: they want you to wear that. They should thank you.

114
00:06:31,560 --> 00:06:33,880
Speaker 1: I'll tell you what during the show, during our adventure today,

115
00:06:33,880 --> 00:06:38,320
Speaker 1: we'll figure out what smart chic means. You hear that one? No,

116
00:06:38,440 --> 00:06:40,800
Speaker 1: that's a new one for me, Daniel. What's on your mind? So?

117
00:06:40,960 --> 00:06:42,880
Speaker 1: I want to apologize to the guy who I was

118
00:06:42,920 --> 00:06:45,680
Speaker 1: in the elevator with. I have on shoes today without

119
00:06:45,760 --> 00:06:49,680
Speaker 1: socks because it's gorgeous in New York it's gone two degrees.

120
00:06:50,040 --> 00:06:52,440
Speaker 1: And I said, I'm not wearing socks, but my shoes

121
00:06:52,480 --> 00:06:54,560
Speaker 1: are squeaking and it sounds like I've ripped a real

122
00:06:54,640 --> 00:06:58,880
Speaker 1: big fart and I didn't, and I went, oh my god,

123
00:06:59,120 --> 00:07:01,920
Speaker 1: that's so sounded bad. And I didn't say anything to him.

124
00:07:02,080 --> 00:07:04,200
Speaker 1: But as I'm walking down the hallway here, guys, I'm

125
00:07:04,240 --> 00:07:08,000
Speaker 1: just telling you it's my shoes. Could you recognize me if? Yeah, totally,

126
00:07:08,240 --> 00:07:12,240
Speaker 1: so I apologize he got off on the fourteen floor. Sorry,

127
00:07:12,360 --> 00:07:16,240
Speaker 1: maybe that's the guy with a Ferrario from I'm not

128
00:07:16,280 --> 00:07:19,800
Speaker 1: getting right. You gave him a right on the elevator.

129
00:07:21,760 --> 00:07:24,440
Speaker 1: I think East Coast people could learn a lot from

130
00:07:24,480 --> 00:07:27,800
Speaker 1: West Coast people. I was in California over the weekend

131
00:07:27,880 --> 00:07:29,920
Speaker 1: and I was in an Uber and I wanted to

132
00:07:29,960 --> 00:07:33,120
Speaker 1: bite the steering wheel for my uber driver because I

133
00:07:33,120 --> 00:07:36,880
Speaker 1: couldn't believe everyone's going so slow and I'm like, aren't

134
00:07:36,880 --> 00:07:39,560
Speaker 1: you going around the guy? And I'm thinking, like, oh

135
00:07:39,560 --> 00:07:42,200
Speaker 1: my god, that's just the entire vibe out here, And

136
00:07:42,240 --> 00:07:44,800
Speaker 1: you know what, I think, maybe I'm just a little

137
00:07:44,840 --> 00:07:47,520
Speaker 1: too high strung. I think. Let me tell you, I

138
00:07:47,560 --> 00:07:49,560
Speaker 1: was in an uber last night here in Manhattan. I

139
00:07:49,600 --> 00:07:51,560
Speaker 1: thought we were going to die. I was. I only

140
00:07:51,600 --> 00:07:54,840
Speaker 1: went maybe maybe thirty blocks, and I thought we were

141
00:07:54,840 --> 00:07:57,520
Speaker 1: gonna die. People right, guy hit us and lost his bumper.

142
00:07:57,840 --> 00:08:00,679
Speaker 1: All these skateboarders were like zooming around to some circles

143
00:08:00,720 --> 00:08:04,160
Speaker 1: and banging on the hood. I'm like, what the hell. Yeah,

144
00:08:04,240 --> 00:08:06,000
Speaker 1: we're a little high strung in New York. Can you tell?

145
00:08:08,160 --> 00:08:10,720
Speaker 1: All right? We have a special edition of the Horoscopes

146
00:08:10,760 --> 00:08:18,040
Speaker 1: today the Brooklyn Boys are doing the Horoscope. It sounds

147
00:08:18,040 --> 00:08:24,560
Speaker 1: like it's out of phase. That yeah, boys, all right

148
00:08:29,000 --> 00:08:33,440
Speaker 1: are superstars from the Brooklyn Boys. It's brody and scary,

149
00:08:33,160 --> 00:08:38,600
Speaker 1: scary and scary. With the first scope, it's Capricorn. Makes

150
00:08:38,679 --> 00:08:41,480
Speaker 1: some time to go outside, keep your mind focused on

151
00:08:41,520 --> 00:08:44,760
Speaker 1: something positive and enjoy being one with nature. Your day

152
00:08:44,840 --> 00:08:47,920
Speaker 1: attend Aquarius. That's both of us. Life may feel like

153
00:08:47,960 --> 00:08:50,559
Speaker 1: a roller coaster ride, but it's more gentle than scary.

154
00:08:50,960 --> 00:08:53,559
Speaker 1: Focus on the highs and ride that wave of positivity

155
00:08:53,880 --> 00:08:57,520
Speaker 1: your days and eight Pisces. Your imagination is going wild.

156
00:08:57,679 --> 00:09:00,720
Speaker 1: Don't worry about reaching your destination because you might already

157
00:09:00,760 --> 00:09:03,480
Speaker 1: be there your day of nine aries. Don't make me

158
00:09:03,559 --> 00:09:05,800
Speaker 1: tell you twice. It's the perfect time of the year

159
00:09:05,840 --> 00:09:08,079
Speaker 1: to kick back and take some time out for yourself.

160
00:09:08,400 --> 00:09:12,240
Speaker 1: Listen to your thoughts and emotions. Your day is innate Taurus.

161
00:09:12,679 --> 00:09:14,800
Speaker 1: Your social life is going to become a source of

162
00:09:14,880 --> 00:09:18,120
Speaker 1: great happiness today. Keep your connections strong. Your day at

163
00:09:18,160 --> 00:09:21,960
Speaker 1: ten Gemini. Rather than comparing your accomplishments to anyone else's,

164
00:09:22,240 --> 00:09:25,200
Speaker 1: give yourself credit for any job well done. Your day

165
00:09:25,280 --> 00:09:28,280
Speaker 1: is a nine and cancer. Sharing your ideas can move

166
00:09:28,280 --> 00:09:30,760
Speaker 1: you closer to your dreams coming true. Listen to the

167
00:09:30,800 --> 00:09:33,640
Speaker 1: feedback and make it happen. Your day isn't eight Leo.

168
00:09:33,920 --> 00:09:37,439
Speaker 1: That's you Elvis. Focused on fulfilling your curiosity like whose

169
00:09:37,480 --> 00:09:40,559
Speaker 1: lambo is outside? Happiness will follow and your senses will

170
00:09:40,559 --> 00:09:45,120
Speaker 1: be satisfied. Your day is at ten Virgo. Pursue round

171
00:09:45,120 --> 00:09:49,600
Speaker 1: nosing Virgo by pursuing your dreams maybe a good distraction

172
00:09:49,640 --> 00:09:52,000
Speaker 1: from your regular routine. Don't be afraid to go after

173
00:09:52,080 --> 00:09:55,480
Speaker 1: your fantasies. Your day of nine Labor. You're closer to

174
00:09:55,480 --> 00:09:57,600
Speaker 1: your goal now that you realize. It may take time,

175
00:09:58,000 --> 00:10:00,200
Speaker 1: but you'll be surprised when you see the progress you've aid.

176
00:10:00,559 --> 00:10:03,760
Speaker 1: Your day is also a nine and Scorpios. Be sure

177
00:10:03,800 --> 00:10:07,079
Speaker 1: to move beyond the repetitive routine of your daily grind

178
00:10:07,120 --> 00:10:10,120
Speaker 1: by sharing your dreams with those you love. Inspiration is

179
00:10:10,200 --> 00:10:14,080
Speaker 1: everywhere your day attend, Sagittarius, looking back on your memories

180
00:10:14,160 --> 00:10:17,200
Speaker 1: is most useful when you also look ahead. Remember to

181
00:10:17,280 --> 00:10:19,679
Speaker 1: use life lessons for the present moment. Your day is

182
00:10:19,720 --> 00:10:22,120
Speaker 1: a three and then a backwards three, so it's an eight,

183
00:10:22,360 --> 00:10:25,080
Speaker 1: and those are your Wednesday morning horoscopes from the Brooklyn Boys.

184
00:10:25,800 --> 00:10:28,160
Speaker 1: Backwards three isn't an eight. It's like a mirror image

185
00:10:28,160 --> 00:10:29,400
Speaker 1: of a three. You put it with a three, it's

186
00:10:29,400 --> 00:10:30,840
Speaker 1: an eight. What did you just say an eight? Well,

187
00:10:30,880 --> 00:10:33,320
Speaker 1: I wanted to give some suspense. I was kind of

188
00:10:33,320 --> 00:10:36,840
Speaker 1: disappointed that because I've expected you guys to talk like

189
00:10:36,920 --> 00:10:39,440
Speaker 1: this one away from the Bronx. You didn't. You didn't

190
00:10:39,440 --> 00:10:44,360
Speaker 1: act like the Brooklyn Boys straight. So you want it

191
00:10:44,400 --> 00:10:46,920
Speaker 1: more like Aquarius, don't make me tell you twice, I

192
00:10:46,920 --> 00:10:49,199
Speaker 1: will hit you in the head. Life maybe like a

193
00:10:49,280 --> 00:10:51,559
Speaker 1: roller coaster rod, you know, like in Coney Island, like

194
00:10:51,600 --> 00:10:54,640
Speaker 1: the cyclone that that's the Brooklyn Boys. You had your

195
00:10:54,679 --> 00:10:57,920
Speaker 1: opportunity and you blew it. It's weird about the weather

196
00:10:57,960 --> 00:11:00,160
Speaker 1: today because it's gonna be like seventies something degree here

197
00:11:00,160 --> 00:11:02,200
Speaker 1: in New York. Froggy, Yeah, but I just got a

198
00:11:02,200 --> 00:11:05,920
Speaker 1: text from Indianapolis. They're only like rainy and thirty eight degrees.

199
00:11:05,960 --> 00:11:07,880
Speaker 1: I mean it's like it's colder in places where it's

200
00:11:07,960 --> 00:11:09,960
Speaker 1: usually warmer. But I think tomorrow is going to be

201
00:11:09,960 --> 00:11:17,240
Speaker 1: cold here right. The Brooklyn Boys podcast with Scary and Brodie.

202
00:11:17,240 --> 00:11:19,760
Speaker 1: That's not with Brody and Scar. I'm Scary, you're Brody.

203
00:11:19,840 --> 00:11:22,000
Speaker 1: It's the Brooklyn Boys podcast. But it's not about Brooklyn.

204
00:11:22,040 --> 00:11:24,520
Speaker 1: It's about us. We're from Brooklyn. We talk about everything,

205
00:11:24,559 --> 00:11:26,360
Speaker 1: and we debate a lot of things. We don't we

206
00:11:26,440 --> 00:11:30,679
Speaker 1: debate everything. Stop yelling. I'm not yelling. Are you're getting loud?

207
00:11:33,880 --> 00:11:37,200
Speaker 1: The Brooklyn Boys podcast on the I Heart Radio app

208
00:11:37,360 --> 00:11:44,240
Speaker 1: at least to rand in the morning shows zero one

209
00:11:44,280 --> 00:11:48,040
Speaker 1: hundred in the morning show. All right, day number two.

210
00:11:48,240 --> 00:11:50,680
Speaker 1: And even though Bethany is not here, I must remind

211
00:11:50,720 --> 00:11:53,160
Speaker 1: you about something. Someone just sent a text in about

212
00:11:53,200 --> 00:11:57,280
Speaker 1: the Acquired Taste podcast that's still going on, that is

213
00:11:57,320 --> 00:12:01,240
Speaker 1: still gonna happen, and Brooklyn Boys still happen. I was

214
00:12:01,240 --> 00:12:03,520
Speaker 1: talking to you know, that's really sad, Danielle. I was

215
00:12:03,559 --> 00:12:06,679
Speaker 1: talking about the Acquired Taste podcast. Brody gives me a

216
00:12:06,720 --> 00:12:09,360
Speaker 1: dirty look, like, what about our podcast? It. Really. You

217
00:12:09,360 --> 00:12:11,319
Speaker 1: can't get all that, You can't get all the love.

218
00:12:11,480 --> 00:12:13,400
Speaker 1: It's not all about you. Well, actually I was gave

219
00:12:13,440 --> 00:12:15,480
Speaker 1: you the look because I'm yeah yeah, yeah. So here's

220
00:12:15,480 --> 00:12:18,040
Speaker 1: the deal. What you gotta do is just keep listening.

221
00:12:18,120 --> 00:12:22,280
Speaker 1: All of our podcasts are alive and happening. There you go.

222
00:12:22,960 --> 00:12:25,120
Speaker 1: We have what's this right here? Oh that's the prize

223
00:12:25,160 --> 00:12:29,440
Speaker 1: for today's it's time for It's not the game of games,

224
00:12:29,520 --> 00:12:36,880
Speaker 1: it's the game of the day. Where Where where are you? Greg?

225
00:12:36,920 --> 00:12:41,880
Speaker 1: Where are you? Where is he? Gregg Tea? Where are you?

226
00:12:42,080 --> 00:12:48,040
Speaker 1: Is he paying attention? Hear me? Oh you're on the phone. Okay,

227
00:12:48,040 --> 00:12:52,200
Speaker 1: so this is complicated. I have the phone. Yeah I know.

228
00:12:52,280 --> 00:12:56,839
Speaker 1: I hear you on the phone. Okay, so where's the microphone?

229
00:12:56,840 --> 00:12:59,720
Speaker 1: Come up on the board? Where are you give me?

230
00:12:59,800 --> 00:13:07,480
Speaker 1: Let me listen. Don't you yell at me? That is

231
00:13:08,760 --> 00:13:14,240
Speaker 1: not gonna happen. I just swapped the phone system like

232
00:13:14,240 --> 00:13:17,760
Speaker 1: a fly. Let me be very clear. Don't you yell

233
00:13:17,800 --> 00:13:20,760
Speaker 1: at me? That is not Don't you ever yell at me?

234
00:13:20,800 --> 00:13:27,280
Speaker 1: Do you understand that? Don't don't you tell me? I

235
00:13:27,760 --> 00:13:31,160
Speaker 1: pull your pants down at spank your bare ass. I

236
00:13:31,240 --> 00:13:34,400
Speaker 1: walk in the studio today and there's a wire. There's

237
00:13:34,400 --> 00:13:36,400
Speaker 1: a wire going out of the studio down the hall.

238
00:13:36,440 --> 00:13:39,400
Speaker 1: I don't know where he goes. I don't know he's

239
00:13:39,440 --> 00:13:41,240
Speaker 1: in another room somewhere, and no one will tell me.

240
00:13:41,280 --> 00:13:44,880
Speaker 1: Now I'm gonna go to where is he? Okay, have

241
00:13:45,000 --> 00:13:48,720
Speaker 1: you calmed yourself? Okay, okay, okay. Here you're on a microphone.

242
00:13:48,720 --> 00:13:50,800
Speaker 1: Where's that? Okay? Here it is here? It is Okay,

243
00:13:50,800 --> 00:13:53,160
Speaker 1: you're on the microphone. I need you to put the

244
00:13:53,240 --> 00:13:56,520
Speaker 1: whole to put the phone on hold. All right, The

245
00:13:56,520 --> 00:13:59,000
Speaker 1: phone is on hold. All right, so now I can

246
00:13:59,080 --> 00:14:02,120
Speaker 1: hear you. Let me be very clear. I will always

247
00:14:02,160 --> 00:14:04,200
Speaker 1: be polite to you. But don't you started on me.

248
00:14:04,600 --> 00:14:07,480
Speaker 1: Do you understand that it has been very stressful. I

249
00:14:07,480 --> 00:14:11,560
Speaker 1: don't have to clean a toilet prepared. Where are you?

250
00:14:11,920 --> 00:14:14,640
Speaker 1: I'm in the men's room down the hall. Well, you

251
00:14:14,679 --> 00:14:17,480
Speaker 1: have to be here to spin the wheel. This is

252
00:14:17,520 --> 00:14:22,360
Speaker 1: a remote wheel today. It's right here from the bathroom.

253
00:14:22,480 --> 00:14:27,280
Speaker 1: It's right here in front of you. The wheel. All right,

254
00:14:27,280 --> 00:14:31,560
Speaker 1: it's the wheel of games. Which game we're going to play?

255
00:14:31,840 --> 00:14:35,120
Speaker 1: One of the games is toilet tuols. So if it

256
00:14:35,240 --> 00:14:37,680
Speaker 1: lands on toilet tunes, I need to be in a

257
00:14:37,760 --> 00:14:42,800
Speaker 1: bathroom why not. But what if it doesn't land on

258
00:14:43,000 --> 00:14:45,240
Speaker 1: I just landed on toilet tunes. That's the strangest thing

259
00:14:47,320 --> 00:14:49,760
Speaker 1: the wheel. The wheel is weighted. How did you plan

260
00:14:49,880 --> 00:14:51,960
Speaker 1: on the wheel landing on toilet tunes for the game

261
00:14:52,240 --> 00:14:54,640
Speaker 1: the game of the day. I just kind of figured

262
00:14:54,960 --> 00:14:57,440
Speaker 1: that you might want to play toilet tunes, So the

263
00:14:57,480 --> 00:15:01,760
Speaker 1: wheel is weighted in that direction. We cannot we cannot

264
00:15:01,880 --> 00:15:05,720
Speaker 1: rig contest. We get they fire people for that. Well,

265
00:15:05,760 --> 00:15:09,320
Speaker 1: no it's not. We're not rigging the contest. We're rigging

266
00:15:10,120 --> 00:15:13,520
Speaker 1: the game that we would play for the contact. You're

267
00:15:13,600 --> 00:15:19,480
Speaker 1: rigging the contest. It's not tomato tomato alright. So okay,

268
00:15:19,480 --> 00:15:21,040
Speaker 1: so we spun the wheel. Let me let me spind

269
00:15:21,040 --> 00:15:23,080
Speaker 1: it again. I bet it doesn't land on the toilet tunes.

270
00:15:23,320 --> 00:15:25,400
Speaker 1: So you're in the bathroom because you assume it's gonna

271
00:15:25,480 --> 00:15:28,560
Speaker 1: land on toilet tunes as your game, right, because I

272
00:15:28,600 --> 00:15:30,560
Speaker 1: think you would enjoy that. What if it lands on

273
00:15:30,760 --> 00:15:34,360
Speaker 1: name my Huha or butt bucks? Well, that's goes those

274
00:15:34,360 --> 00:15:38,520
Speaker 1: always good ones. Oh my god, it's landing on toilet tunes.

275
00:15:41,760 --> 00:15:48,960
Speaker 1: I can't all right, it's great tease toilet tunes for

276
00:15:49,000 --> 00:15:50,600
Speaker 1: the game of the day. Why do you even want

277
00:15:50,640 --> 00:15:52,720
Speaker 1: to do this game, You actually subverte your head into

278
00:15:52,760 --> 00:15:55,880
Speaker 1: a toilet. Well, it's not that I want to do it,

279
00:15:55,880 --> 00:15:59,360
Speaker 1: it's that I have no choice to do it. Okay,

280
00:16:00,040 --> 00:16:02,240
Speaker 1: let's just move on because this is all sorts of stupid.

281
00:16:03,480 --> 00:16:05,280
Speaker 1: You had a choice, You actually knew you were going

282
00:16:05,280 --> 00:16:06,920
Speaker 1: to do it, because you're down in the bathroom. If

283
00:16:06,960 --> 00:16:10,680
Speaker 1: you already set it up. Yep, it's not really like that.

284
00:16:10,800 --> 00:16:13,280
Speaker 1: I mean, if I don't do it, then what will

285
00:16:13,320 --> 00:16:17,120
Speaker 1: I do today? All right, let's go talk to your contestant. Hello, Alyssa,

286
00:16:17,160 --> 00:16:19,200
Speaker 1: good morning, Welcome to toilet Tuos, the game of the

287
00:16:19,280 --> 00:16:22,120
Speaker 1: day with great tea, live from the bathroom. Good morning,

288
00:16:22,520 --> 00:16:26,280
Speaker 1: good morning, so nervous. Well yeah, you shouldn't be nervous.

289
00:16:26,280 --> 00:16:28,360
Speaker 1: You don't have to put your head under the toilet water,

290
00:16:29,640 --> 00:16:32,800
Speaker 1: Thank goodness. So what's your day all about? Today? On?

291
00:16:33,160 --> 00:16:36,200
Speaker 1: What are you doing? I just want to make sure

292
00:16:36,200 --> 00:16:39,280
Speaker 1: I got a clean bowl? A, Lissa? What are you

293
00:16:39,360 --> 00:16:42,440
Speaker 1: doing today, Alyssa? I'm getting ready for work. I'm a

294
00:16:42,440 --> 00:16:46,440
Speaker 1: school teacher. Oh my gosh, we shall love you. We

295
00:16:46,600 --> 00:16:49,040
Speaker 1: love school teachers. Who do you teach? And what are

296
00:16:49,080 --> 00:16:54,240
Speaker 1: they learning? I teach eighth grade? Yeah, they're ready to

297
00:16:54,240 --> 00:16:57,440
Speaker 1: get out for high school. What do you teach in

298
00:16:57,480 --> 00:17:01,600
Speaker 1: eighth grade? I'm self education. Well good, look, you're doing

299
00:17:01,640 --> 00:17:03,640
Speaker 1: great things. We love our teachers, as you know. And

300
00:17:03,640 --> 00:17:05,600
Speaker 1: we're gonna talk about that a little more later this morning.

301
00:17:05,800 --> 00:17:09,840
Speaker 1: But let's get into the toilet tunes stall. Now, Gregg,

302
00:17:09,880 --> 00:17:11,760
Speaker 1: he's gonna put his head under the water for the

303
00:17:11,840 --> 00:17:14,919
Speaker 1: toilet and he's going to sing a song that we

304
00:17:14,960 --> 00:17:16,639
Speaker 1: play on our show. If you guess what song it is,

305
00:17:16,640 --> 00:17:22,600
Speaker 1: you win. Okay, Gregory, Yes, sir, you're ready. Yes, I'm ready. Okay.

306
00:17:22,720 --> 00:17:25,000
Speaker 1: I have to put the phone down for a second

307
00:17:25,280 --> 00:17:27,560
Speaker 1: so I can stick my head in the toilet. Okay,

308
00:17:28,040 --> 00:17:32,000
Speaker 1: said said all of our best friends. Okay, tell you what.

309
00:17:32,040 --> 00:17:34,119
Speaker 1: I'll put you on speaker phones. I can hear. It's

310
00:17:34,119 --> 00:17:36,879
Speaker 1: still okay. We could get away. There you are on

311
00:17:37,000 --> 00:17:39,760
Speaker 1: speaker phone. All right, we're on speaker phone. Okay, So

312
00:17:39,800 --> 00:17:44,760
Speaker 1: here we go. Oh what, uh, Jim Carr just walked

313
00:17:44,760 --> 00:17:49,200
Speaker 1: in him. You can come in. It's all right, Jim, Jim,

314
00:17:49,320 --> 00:17:52,080
Speaker 1: I'm sorry. All right, he's he doesn't want any party.

315
00:17:52,240 --> 00:17:54,159
Speaker 1: I'll be done in a second. Alright, greg let's just

316
00:17:54,240 --> 00:17:55,920
Speaker 1: go do this. Let's get your toilet tunes on here

317
00:17:55,920 --> 00:17:58,960
Speaker 1: we Go. Okay, he's going under the water, clearing out

318
00:17:58,960 --> 00:18:01,520
Speaker 1: his throat, just in case there's something clogging up his pipes.

319
00:18:02,200 --> 00:18:19,160
Speaker 1: One two. I don't even know what that is. Doesn't

320
00:18:19,160 --> 00:18:20,600
Speaker 1: even know what that have no idea? Do you know

321
00:18:20,640 --> 00:18:24,560
Speaker 1: what that song is, Alyssa? Unfortunately I don't think so. Okay,

322
00:18:24,680 --> 00:18:26,800
Speaker 1: let's let's give him some more. That's not enough, one

323
00:18:26,800 --> 00:18:30,320
Speaker 1: more time, head back in the toilet, here we go?

324
00:18:30,680 --> 00:18:47,159
Speaker 1: Is this what we do for a living? Alright? It

325
00:18:47,359 --> 00:18:49,360
Speaker 1: is alright, alright? Right? Do you know what it is? Alyssa?

326
00:18:50,200 --> 00:18:53,520
Speaker 1: Is it wack? So I post most is that it? Yeah?

327
00:18:53,560 --> 00:19:04,959
Speaker 1: That's it? Yeah, post postmone one would be so so honored. Coulations.

328
00:19:05,040 --> 00:19:09,160
Speaker 1: Tell Elissa what she wins. Congratulations, Alyssa. You just want

329
00:19:09,160 --> 00:19:12,320
Speaker 1: a trip for two to attend an exclusive last supper

330
00:19:12,359 --> 00:19:15,480
Speaker 1: at the Sanctuary. We're talking about the Walking Looking Dead

331
00:19:15,480 --> 00:19:22,240
Speaker 1: in Atlanta. You're going there, are you? Big Walking Dead fan? Alissa? Yeah,

332
00:19:22,960 --> 00:19:24,919
Speaker 1: You're gonna be up and close and personal with some

333
00:19:25,000 --> 00:19:28,080
Speaker 1: of the undead, and make sure you watch The Walking Dead.

334
00:19:28,119 --> 00:19:30,399
Speaker 1: It returns to Sunday night at nine Central on a

335
00:19:30,680 --> 00:19:34,679
Speaker 1: m C. That's nice, you know, Danielle has been to

336
00:19:34,680 --> 00:19:37,520
Speaker 1: one of these parties, right, yeah, they do it, They

337
00:19:37,600 --> 00:19:40,280
Speaker 1: really do it well. There are zombies walking zombies walkers

338
00:19:40,320 --> 00:19:45,800
Speaker 1: walking around and they just make the fans feel so amazing. Brodie.

339
00:19:45,840 --> 00:19:49,280
Speaker 1: Was that the last one? Right? Yeah? The Walking Dead

340
00:19:49,320 --> 00:19:51,359
Speaker 1: returns Sunday night at nine eight Central only on AMC.

341
00:19:51,480 --> 00:19:53,720
Speaker 1: Make sure you check out the Walkers and Talkers podcast.

342
00:19:53,760 --> 00:19:57,480
Speaker 1: They recorded in another one on iHeart Radio. You're gonna

343
00:19:57,480 --> 00:20:00,800
Speaker 1: have so much fun. Thanks Alyssa, Thank you guys. You

344
00:20:00,960 --> 00:20:02,520
Speaker 1: have a good day of school. Thank you. Hold on

345
00:20:02,520 --> 00:20:07,399
Speaker 1: one second, what are you doing? What are you doing? No,

346
00:20:07,520 --> 00:20:09,840
Speaker 1: I don't know. One of the sales people just finished

347
00:20:09,880 --> 00:20:13,640
Speaker 1: up and walked out. All right, thank you for toilet tunes. Gregory, okay, man,

348
00:20:13,680 --> 00:20:15,719
Speaker 1: you not have to have a meeting. What I do

349
00:20:15,800 --> 00:20:19,600
Speaker 1: now that because you're being on like a little little jerk.

350
00:20:20,240 --> 00:20:24,320
Speaker 1: I was under stressed. I apologize. You're putting your head

351
00:20:24,320 --> 00:20:27,160
Speaker 1: in a toilet and making money. I mean, that's your

352
00:20:28,160 --> 00:20:31,840
Speaker 1: under stress, your underwater. It was my fault that I apologize.

353
00:20:31,920 --> 00:20:33,400
Speaker 1: No that's not no, no, no, You're not gonna get

354
00:20:33,400 --> 00:20:38,080
Speaker 1: off that easy. You're wrong. You have to set you

355
00:20:38,119 --> 00:20:40,159
Speaker 1: have to admit that you're wrong. I think We have

356
00:20:40,160 --> 00:20:41,520
Speaker 1: a whole list of things for you to do today,

357
00:20:41,520 --> 00:20:44,000
Speaker 1: so you gotta get back in here. I really can't

358
00:20:44,040 --> 00:20:47,199
Speaker 1: today not be on the show today. Why I have

359
00:20:47,280 --> 00:20:49,160
Speaker 1: a lot of work to do behind the scenes. For real?

360
00:20:49,240 --> 00:20:55,560
Speaker 1: Are you overworked? Your face looks looks flush. Walkers and

361
00:20:55,640 --> 00:21:00,679
Speaker 1: Talkers a podcast for Walking Dead fans. You say anything

362
00:21:00,760 --> 00:21:05,880
Speaker 1: but he had no Stop. It recaps the latest news

363
00:21:05,920 --> 00:21:09,000
Speaker 1: and interviews with members of the cast, hosted by David

364
00:21:09,000 --> 00:21:12,560
Speaker 1: Brody and his co host Jamie Walkers and Talkers listen

365
00:21:12,640 --> 00:21:15,000
Speaker 1: on the I Heart Radio app Elvis Duran in the

366
00:21:15,000 --> 00:21:18,280
Speaker 1: Morning Show. Everybody Loves to come Back. Even dry hair

367
00:21:18,440 --> 00:21:22,159
Speaker 1: can have one to with new Lvive Extraordinary Oil l

368
00:21:22,240 --> 00:21:24,920
Speaker 1: Vive Revibes dry Hair and just one News leaving your

369
00:21:24,920 --> 00:21:28,240
Speaker 1: hair healthier, shinier, and ten times more nourished from Loreal Paris,

370
00:21:28,440 --> 00:21:31,359
Speaker 1: available at your local retailer. Well, thank you, Daniel, You're welcome.

371
00:21:31,440 --> 00:21:34,760
Speaker 1: So let's talk about Zip recruit her. I know it's

372
00:21:34,800 --> 00:21:36,160
Speaker 1: early in the morning. I wanted to catch you before

373
00:21:36,160 --> 00:21:37,960
Speaker 1: you go to work on your list of things to

374
00:21:38,000 --> 00:21:42,840
Speaker 1: do today. Hire someone new. Somebody actually sent me a

375
00:21:42,880 --> 00:21:45,800
Speaker 1: Twitter tweet yesterday saying I'm going on Zip recruiter today.

376
00:21:45,840 --> 00:21:48,280
Speaker 1: Wish me luck. Oh you know what it's gonna happen.

377
00:21:48,600 --> 00:21:52,680
Speaker 1: You know. ZIP recruiters great if you're hiring, because look,

378
00:21:52,680 --> 00:21:54,240
Speaker 1: you know, when you put the ad out there, you

379
00:21:54,240 --> 00:21:56,480
Speaker 1: have all these phone calls, a mountain of phone calls,

380
00:21:56,520 --> 00:21:58,960
Speaker 1: all this email, and you're like, oh god, I gotta

381
00:21:59,000 --> 00:22:02,760
Speaker 1: shift through all this. ZIP recruiter uses their technology to

382
00:22:02,880 --> 00:22:05,480
Speaker 1: get in there and figure out which applicants are best

383
00:22:05,520 --> 00:22:07,760
Speaker 1: for your job, and then they give you their information

384
00:22:07,800 --> 00:22:09,760
Speaker 1: and then you contact them. It's pretty cool how they

385
00:22:09,800 --> 00:22:12,359
Speaker 1: do this, Zip recruiters, How you get in there the

386
00:22:12,440 --> 00:22:16,199
Speaker 1: right candidates. They're there with hundreds of job sites with

387
00:22:16,400 --> 00:22:18,200
Speaker 1: the click of one button. All you do is is

388
00:22:18,240 --> 00:22:20,240
Speaker 1: click once and your ad goes out over all these

389
00:22:20,240 --> 00:22:22,600
Speaker 1: websites and all these job sites. And I want you

390
00:22:22,640 --> 00:22:24,440
Speaker 1: to use it for free. You'll see that we're talking

391
00:22:24,560 --> 00:22:27,760
Speaker 1: what we're talking about. Zip recruiter, dot com, slash elvis

392
00:22:28,119 --> 00:22:31,120
Speaker 1: use it for free. Eighty percent of employers who post

393
00:22:31,119 --> 00:22:33,720
Speaker 1: a job on zip recruiter get a quality candidate and

394
00:22:33,840 --> 00:22:38,280
Speaker 1: just one day, would you like to have that just done? Alright?

395
00:22:38,400 --> 00:22:42,600
Speaker 1: Hiring person, Zip recruiter dot com, slash elvis use it

396
00:22:42,640 --> 00:22:52,359
Speaker 1: for free. Zip recruiter dot com slaft show. Alright, so

397
00:22:52,400 --> 00:22:58,600
Speaker 1: Froggy was invited to a party and under the where

398
00:22:58,600 --> 00:23:04,840
Speaker 1: it says attire, it's a smart chic, right, what f

399
00:23:05,160 --> 00:23:07,479
Speaker 1: is that? I even looked at it. I googled it.

400
00:23:07,560 --> 00:23:11,040
Speaker 1: What is smart cheek? There's no real answer. What can

401
00:23:11,080 --> 00:23:14,240
Speaker 1: we call the people who sent you that invitation? Yeah?

402
00:23:14,480 --> 00:23:18,920
Speaker 1: You it's to the Bobby Flay event on Saturday night?

403
00:23:19,720 --> 00:23:25,080
Speaker 1: What's called Bobby Flay? Hold on a second, interesting question? No,

404
00:23:25,119 --> 00:23:34,280
Speaker 1: I didn't ask a question. Understand, call Bobby Flay? Calling

405
00:23:34,400 --> 00:23:37,840
Speaker 1: Bobby Flay? Yes, what is smart cheek? He never picks

406
00:23:37,920 --> 00:23:43,240
Speaker 1: up system? All right, we'll ask you a question. Okay,

407
00:23:43,280 --> 00:23:49,359
Speaker 1: never mind, I just all right, did we just fix that? Okay,

408
00:23:49,640 --> 00:23:52,479
Speaker 1: we'll move on now. So the question is what is

409
00:23:52,600 --> 00:23:57,360
Speaker 1: smart cheek? I don't know. I don't I think if

410
00:23:57,359 --> 00:24:00,320
Speaker 1: you just look nice. I feel like when they put

411
00:24:00,400 --> 00:24:03,600
Speaker 1: these things out there, it's more for the men, because

412
00:24:03,640 --> 00:24:05,920
Speaker 1: I feel like a lot of times guys dressed down

413
00:24:05,960 --> 00:24:09,080
Speaker 1: more than women do, and women just get it. You know,

414
00:24:09,760 --> 00:24:13,000
Speaker 1: as long as you look nice, you look you know, presentable,

415
00:24:14,040 --> 00:24:16,240
Speaker 1: I think you're fine. They don't probably want you to

416
00:24:16,240 --> 00:24:18,879
Speaker 1: show up in shorts. Frog well, like kenn Of wear

417
00:24:18,960 --> 00:24:21,680
Speaker 1: jeans like that's always my first quesson. I wear jeans,

418
00:24:21,880 --> 00:24:24,359
Speaker 1: jeans and a nice tea, a nice shirt with a

419
00:24:24,480 --> 00:24:27,200
Speaker 1: nice blazer. That would look awesome because I'm wearing a suit,

420
00:24:27,359 --> 00:24:28,960
Speaker 1: but I'm hosting. Yeah, I don't think you have to

421
00:24:29,000 --> 00:24:32,600
Speaker 1: wear a suit. Smart cheek is not a suit, it

422
00:24:32,640 --> 00:24:35,720
Speaker 1: says here when you google it smart casual or smart

423
00:24:35,800 --> 00:24:38,879
Speaker 1: cheek the art of being well dressed in a casual style,

424
00:24:39,560 --> 00:24:43,399
Speaker 1: it says, usually consist of chinos, khakis, are well fitting jeans,

425
00:24:43,840 --> 00:24:46,160
Speaker 1: an open collar dress shirt and a or a button

426
00:24:46,240 --> 00:24:49,120
Speaker 1: down shirt, polo style shirt and a sport coadere. You guys,

427
00:24:49,160 --> 00:24:51,280
Speaker 1: what I just said. You don't wear a polo style

428
00:24:51,359 --> 00:24:53,640
Speaker 1: shirt and a sport so don't wear polos souse shirt

429
00:24:53,680 --> 00:24:55,280
Speaker 1: with the jack. If you're gonna do that, you have

430
00:24:55,320 --> 00:24:58,720
Speaker 1: to wear like the phone on your belt buckle. Don't

431
00:24:58,760 --> 00:25:01,199
Speaker 1: do it, but wear like a nice button down with

432
00:25:01,200 --> 00:25:05,440
Speaker 1: the jacket or even a cool, trendy nice shirt. You

433
00:25:06,800 --> 00:25:08,159
Speaker 1: do have to tuck my shirt in or can't? I

434
00:25:08,240 --> 00:25:10,520
Speaker 1: leave it out? I would leave it down. I don't know,

435
00:25:10,600 --> 00:25:13,880
Speaker 1: and I'm gonna to judge this. It's a button down.

436
00:25:13,920 --> 00:25:15,639
Speaker 1: You may want to tuck it in. Let's let's get

437
00:25:15,680 --> 00:25:19,560
Speaker 1: back to this. There's no real answer. I'm gonna find out.

438
00:25:19,920 --> 00:25:24,240
Speaker 1: I'm gonna find out what smart chic is. Alright, we're

439
00:25:24,240 --> 00:25:26,160
Speaker 1: gonna get to the bottom of this. I think when

440
00:25:26,160 --> 00:25:28,439
Speaker 1: they put dress codes on an imitation, it should tell

441
00:25:28,480 --> 00:25:30,080
Speaker 1: you what the hell they want you to wear. Just

442
00:25:30,400 --> 00:25:36,040
Speaker 1: be specific. No, that's Rodie's. Rodi's holding up a picture

443
00:25:36,119 --> 00:25:41,520
Speaker 1: of a chek. I got the iron cheek. He's a

444
00:25:41,560 --> 00:25:45,520
Speaker 1: smart sheek. Show that to show that to straight Nate.

445
00:25:45,680 --> 00:25:50,280
Speaker 1: Here's a sheet that's smart sheet, the iron cheek. All right,

446
00:25:50,320 --> 00:25:53,760
Speaker 1: let's get into the Danielle Report. Daniel. Alright, by the way,

447
00:25:53,800 --> 00:25:59,720
Speaker 1: everyone's saying they hear clicking noises to really what Okay,

448
00:25:59,840 --> 00:26:03,639
Speaker 1: it's special clicking for just for z New York gets clicking.

449
00:26:03,680 --> 00:26:06,960
Speaker 1: It's it's an exclusive for those live in New York.

450
00:26:07,520 --> 00:26:09,320
Speaker 1: Lucky that it's such a loud city that no one

451
00:26:09,359 --> 00:26:12,080
Speaker 1: hears a quicking except for people with headphones. Alright, alright,

452
00:26:12,080 --> 00:26:14,960
Speaker 1: into the daniel Report, Daniel. So. Lindsay Vaughan took home

453
00:26:15,040 --> 00:26:18,040
Speaker 1: the bronze in what might be her last Olympics downhill

454
00:26:18,160 --> 00:26:20,639
Speaker 1: race of her career. She was very emotional, and she

455
00:26:20,680 --> 00:26:22,919
Speaker 1: said she doesn't think her body can take four more years.

456
00:26:23,280 --> 00:26:25,720
Speaker 1: She still broke a record. She's now the oldest female

457
00:26:25,720 --> 00:26:29,280
Speaker 1: alpine skiered to ever medal in the Olympics. So congratulations there.

458
00:26:29,560 --> 00:26:34,480
Speaker 1: Netflix is airing a British reality special. It's called The Push,

459
00:26:34,520 --> 00:26:38,840
Speaker 1: but it's not a fictional show. It's a reality show

460
00:26:39,160 --> 00:26:41,800
Speaker 1: or a documentary or whatever you think you want to

461
00:26:41,840 --> 00:26:44,240
Speaker 1: call it. And it features a whole bunch of actors

462
00:26:44,800 --> 00:26:47,920
Speaker 1: and one guy who doesn't know that it's all put

463
00:26:47,960 --> 00:26:51,600
Speaker 1: on and they basically lead this guy through a series

464
00:26:51,640 --> 00:26:54,960
Speaker 1: of events and finally put this guy in a situation

465
00:26:54,960 --> 00:26:59,200
Speaker 1: where he feels like killing another man. This is show

466
00:26:59,280 --> 00:27:01,800
Speaker 1: that they aired in the UK in two thousand sixteen,

467
00:27:01,880 --> 00:27:06,239
Speaker 1: and February they are bringing it to Netflix. Yeah, very

468
00:27:06,560 --> 00:27:08,359
Speaker 1: in this day and age, it's kind of interesting to

469
00:27:08,400 --> 00:27:13,240
Speaker 1: do something like that. I don't know, Yeah, let's do sude.

470
00:27:13,280 --> 00:27:14,640
Speaker 1: I'm going to guess at the end of the show

471
00:27:14,640 --> 00:27:17,360
Speaker 1: he doesn't kill anybody. Let's hope. Can you what if

472
00:27:17,400 --> 00:27:19,679
Speaker 1: this what we're doing right now, is that what if

473
00:27:19,720 --> 00:27:21,560
Speaker 1: all of us have been hired as actors, Daniel, and

474
00:27:21,640 --> 00:27:23,159
Speaker 1: you're the only one that thinks this is real? And

475
00:27:23,200 --> 00:27:27,280
Speaker 1: that would suck. That would really suck. I went, but

476
00:27:27,400 --> 00:27:29,840
Speaker 1: let's move on. There's a new study that's saying medical

477
00:27:29,960 --> 00:27:33,720
Speaker 1: dramas like Gray's Anatomy can give people unrealistic expectation when

478
00:27:33,760 --> 00:27:36,600
Speaker 1: it comes to their real life medical care, treatment and recovery.

479
00:27:36,600 --> 00:27:39,760
Speaker 1: I'll give you an example. So trauma patients who survive

480
00:27:39,840 --> 00:27:42,240
Speaker 1: on Grey's Anatomy, they tend to go home a lot

481
00:27:42,320 --> 00:27:45,760
Speaker 1: sooner than those go home in real life. So if

482
00:27:45,800 --> 00:27:48,520
Speaker 1: you are in the hospital, don't expect your recovery to

483
00:27:48,560 --> 00:27:50,920
Speaker 1: be as quick as it is on Gray's Anatomy. Okay

484
00:27:51,480 --> 00:27:54,320
Speaker 1: Kesha had to postpone her tour to have knee surgery.

485
00:27:54,440 --> 00:27:56,600
Speaker 1: She tore her a c l during a recent performance.

486
00:27:56,880 --> 00:27:59,280
Speaker 1: She is heartbroken. It's her biggest joy to share her

487
00:27:59,359 --> 00:28:01,879
Speaker 1: music with her fans, but he has to postpone. The

488
00:28:01,920 --> 00:28:04,040
Speaker 1: final leg of the Rainbow tour was set to visit

489
00:28:04,520 --> 00:28:08,639
Speaker 1: a whole bunch of plays. Is mar A and he Ledgers.

490
00:28:08,720 --> 00:28:12,080
Speaker 1: Joker tops the list of the twenty five best movie Supervillains.

491
00:28:12,240 --> 00:28:14,679
Speaker 1: Tonight on television, you get Big Brother Celebrity Edition, The

492
00:28:14,720 --> 00:28:16,560
Speaker 1: Amazing Races on, and of course we have some more

493
00:28:16,560 --> 00:28:20,120
Speaker 1: Olympic coverage for you and next hour, I've got some

494
00:28:20,200 --> 00:28:23,320
Speaker 1: walking dead news for you. Could somebody be leaving the

495
00:28:23,320 --> 00:28:27,000
Speaker 1: show due to contract negotiations. Don't say that, all right?

496
00:28:27,080 --> 00:28:31,119
Speaker 1: Hi Larry, Hey, good morning, Larry, good morning. So okay,

497
00:28:31,160 --> 00:28:35,159
Speaker 1: so hello lady by the way, Hello lady, long time listener.

498
00:28:35,480 --> 00:28:38,400
Speaker 1: Thank you, man sou so. The party we're throwing for

499
00:28:38,520 --> 00:28:41,120
Speaker 1: Bobby Flay, it's as smart chic is the dress of

500
00:28:41,160 --> 00:28:44,160
Speaker 1: the night. What is that to you? That's a bugey

501
00:28:44,200 --> 00:28:51,200
Speaker 1: way of saying business, casual, business cas nice jeans is acceptable? Right? Um,

502
00:28:51,320 --> 00:28:54,160
Speaker 1: I mean I'm around Elvis's age. So I in the

503
00:28:54,280 --> 00:28:56,240
Speaker 1: day we used to say, you know, doctors in a

504
00:28:56,280 --> 00:29:00,080
Speaker 1: polo shirt. But it's okay, yeah, I don't know. I

505
00:29:00,120 --> 00:29:02,160
Speaker 1: don't wear doctors, but but you know you can wear

506
00:29:02,280 --> 00:29:05,160
Speaker 1: you know whatever. But here's the thing someone was saying

507
00:29:05,160 --> 00:29:07,560
Speaker 1: on the text messages, Larry, that smart cheek is when

508
00:29:07,560 --> 00:29:10,280
Speaker 1: a guy wraps the sweater around his shoulders and ties

509
00:29:10,280 --> 00:29:15,680
Speaker 1: it in a knot on his chest and then you

510
00:29:15,720 --> 00:29:21,400
Speaker 1: need a white belt, do go bie not do? All right? Well,

511
00:29:21,400 --> 00:29:25,280
Speaker 1: thank you forever. I would love to send you. One

512
00:29:25,280 --> 00:29:27,400
Speaker 1: man hold On was like, hey, your red can you

513
00:29:27,400 --> 00:29:29,480
Speaker 1: send Larry one of the fighter shirts? You can find

514
00:29:29,840 --> 00:29:34,520
Speaker 1: go pick one off the shirt tree, not a what's up?

515
00:29:35,000 --> 00:29:37,720
Speaker 1: I thought that a Smart Casual would be jeans and

516
00:29:37,760 --> 00:29:39,920
Speaker 1: a T shirt, and Smart Chek could be jeans and

517
00:29:39,960 --> 00:29:42,360
Speaker 1: a T shirt with a blazer on top. Usually Smart

518
00:29:42,440 --> 00:29:47,160
Speaker 1: Casual is not a colorless shirt, is it. I don't know.

519
00:29:47,280 --> 00:29:49,320
Speaker 1: I don't know. You know what. Here's the thing. I

520
00:29:49,360 --> 00:29:51,800
Speaker 1: think it's different things for different people. So you're gonna

521
00:29:51,800 --> 00:29:54,000
Speaker 1: show up at this thing Friday or Saturday night. You're

522
00:29:54,000 --> 00:29:55,840
Speaker 1: gonna look like however you want to look. It's gonna

523
00:29:55,840 --> 00:29:57,240
Speaker 1: be a room full of people that just don't care

524
00:29:57,240 --> 00:29:59,160
Speaker 1: so to stress how you want when you go. When

525
00:29:59,200 --> 00:30:01,120
Speaker 1: you go to a wedding, I feel like even nowadays,

526
00:30:01,120 --> 00:30:03,840
Speaker 1: at a wedding, this is black tie. People just you know,

527
00:30:03,960 --> 00:30:07,040
Speaker 1: coming over now there's black tie, black tie optional, black

528
00:30:07,040 --> 00:30:10,960
Speaker 1: tie casual, creative black tie. I'm like, just why, in

529
00:30:11,000 --> 00:30:13,640
Speaker 1: my head black tie optional means you better have a

530
00:30:13,640 --> 00:30:17,120
Speaker 1: black tie out. Yeah, it's optional, then it shouldn't it

531
00:30:17,120 --> 00:30:23,240
Speaker 1: shouldn't you know? Hello? Hello, Hi Alex, I'm calling Alex. Hello,

532
00:30:23,280 --> 00:30:29,720
Speaker 1: love of my life. Has the clicking stopped? Yes it did.

533
00:30:29,760 --> 00:30:32,160
Speaker 1: I was driving to work listening to you, and I'm like, oh,

534
00:30:32,200 --> 00:30:36,760
Speaker 1: my god, this car is a pos Yeah, it's a

535
00:30:36,800 --> 00:30:39,240
Speaker 1: brand new car. So you blame me. You can blame

536
00:30:39,240 --> 00:30:42,360
Speaker 1: me the car for the clicking noise and the speakers

537
00:30:42,440 --> 00:30:45,840
Speaker 1: in the car. And I heard the clicking of like, oh,

538
00:30:45,880 --> 00:30:49,960
Speaker 1: I gotta bring it into the shop. That's funny. They

539
00:30:49,960 --> 00:30:51,680
Speaker 1: gotta put your car upon the rat because there's a

540
00:30:51,720 --> 00:30:54,680
Speaker 1: clicking in the speakers. All right, now, it was us.

541
00:30:54,720 --> 00:30:57,440
Speaker 1: Apparently we have a problem here, you know, because our

542
00:30:57,480 --> 00:31:01,000
Speaker 1: studio is downtown in Tribeca and the transmitter is at

543
00:31:01,000 --> 00:31:03,240
Speaker 1: the Empire State Building. Are you listening on sm X

544
00:31:03,360 --> 00:31:07,680
Speaker 1: M A M or whatever it is? What is it? Okay?

545
00:31:07,720 --> 00:31:10,200
Speaker 1: So somewhere between here and the Empire State Building, we

546
00:31:10,240 --> 00:31:14,959
Speaker 1: we we we sprung a leak. I don't know. All right,

547
00:31:15,440 --> 00:31:19,840
Speaker 1: all right, we gotta go the clicking stop though? Right Hey, Alex, Alex,

548
00:31:19,880 --> 00:31:21,760
Speaker 1: if you get invited to a party that said that

549
00:31:21,920 --> 00:31:27,800
Speaker 1: the attire is smart chic, what are you gonna do? Um?

550
00:31:27,800 --> 00:31:30,760
Speaker 1: He won't go put on a nightcare of pants, button

551
00:31:30,800 --> 00:31:33,520
Speaker 1: down shirt and splodcoat. All right, all right, all right,

552
00:31:33,560 --> 00:31:37,320
Speaker 1: I love you, gonna stay stay home party, all right?

553
00:31:37,560 --> 00:31:41,520
Speaker 1: You know what I'm laughing at here? Froggy was begging

554
00:31:41,720 --> 00:31:44,160
Speaker 1: to be invited to this thing. He couldn't wait, and

555
00:31:44,280 --> 00:31:47,920
Speaker 1: now he's bitching and folded because I don't know what

556
00:31:48,040 --> 00:31:50,720
Speaker 1: to wear and I can't wear my my snooks, my

557
00:31:50,840 --> 00:31:54,080
Speaker 1: shorts and my golf shirt. Kick me out, look at you.

558
00:31:54,520 --> 00:31:56,040
Speaker 1: I love this text. I'm going to a wedding and

559
00:31:56,360 --> 00:31:59,680
Speaker 1: they're calling for a dressy casual dress code. What is that?

560
00:32:00,120 --> 00:32:04,240
Speaker 1: Dressy cashle? Don't know. I think the same as smart cheek.

561
00:32:04,400 --> 00:32:12,800
Speaker 1: Anything goes a dressy cashuble. We've lost our mind casual flip. Alright, Well,

562
00:32:12,840 --> 00:32:14,840
Speaker 1: we can't find Bobby Flay because he just doesn't care.

563
00:32:15,920 --> 00:32:19,760
Speaker 1: Maybe he's sleeping Elvis why not, No, he never sleeps.

564
00:32:20,600 --> 00:32:24,320
Speaker 1: He's he's some sort of vampire. Yeah, no, he sleeps

565
00:32:24,400 --> 00:32:27,600
Speaker 1: with his eyes open. All right, let's take a break.

566
00:32:28,000 --> 00:32:29,440
Speaker 1: We have a brand new phone tap coming up in

567
00:32:29,480 --> 00:32:31,240
Speaker 1: like thirty minutes. Scary, Who does it know? It's way

568
00:32:31,240 --> 00:32:35,840
Speaker 1: back Wednesday, isn't it? Yes? What are you eating? An app? Alright?

569
00:32:35,880 --> 00:32:41,400
Speaker 1: So who does the phone tap today? Scary? Scary? You

570
00:32:41,520 --> 00:32:44,560
Speaker 1: never know what will happen in the Mercedes Bands interview lounge.

571
00:32:44,680 --> 00:32:46,680
Speaker 1: Chadwick Boseman, of course, to start with the movie Black

572
00:32:46,720 --> 00:32:49,400
Speaker 1: Panther is here. Do you have Time magazine? Did you

573
00:32:49,880 --> 00:32:51,600
Speaker 1: How did it make you feel to see you on

574
00:32:51,720 --> 00:32:56,960
Speaker 1: the cover of Time magazine? Man, that's crazy. It's crazy

575
00:32:57,040 --> 00:33:01,600
Speaker 1: every time I'll look at it. That Now the Mercedes

576
00:33:01,680 --> 00:33:04,760
Speaker 1: Benz E Class with a suite of innovative technologies. It's

577
00:33:04,800 --> 00:33:07,160
Speaker 1: one of the most intelligent cars on the road. Visit

578
00:33:07,200 --> 00:33:09,920
Speaker 1: your local dealership to schedule your test drive today. Elvis

579
00:33:10,000 --> 00:33:13,640
Speaker 1: Duran in the Morning show. So American Express and Hilton

580
00:33:13,760 --> 00:33:16,720
Speaker 1: have great new cards with awesome benefits for card members,

581
00:33:16,960 --> 00:33:18,560
Speaker 1: and they want to give someone a trip to New

582
00:33:18,640 --> 00:33:21,840
Speaker 1: York to see Charlie Pooth live. Visit Elvis duran dot

583
00:33:21,880 --> 00:33:24,280
Speaker 1: com to enter and get rules and check out card benefits.

584
00:33:24,560 --> 00:33:35,880
Speaker 1: Terms apply. So the reason we're asking about this smart

585
00:33:36,040 --> 00:33:39,360
Speaker 1: cheek thing that was on the envite. So there's a

586
00:33:39,440 --> 00:33:42,360
Speaker 1: tribute dinner for Bobby Flay at the South Beach Wine

587
00:33:42,400 --> 00:33:45,920
Speaker 1: and Food Festival which is this weekend, and I'm hosting.

588
00:33:46,960 --> 00:33:49,560
Speaker 1: And I gotta tell you, I thought it'd be really

589
00:33:49,560 --> 00:33:52,040
Speaker 1: funny to get up and tell some racy jokes about Bobby.

590
00:33:52,280 --> 00:33:54,560
Speaker 1: I think it'd be very funny. Well, the people of

591
00:33:54,600 --> 00:33:58,040
Speaker 1: the organizers told me in on our conference call, we'd

592
00:33:58,120 --> 00:34:01,440
Speaker 1: rather you not do that. But why so Well, I

593
00:34:01,520 --> 00:34:03,360
Speaker 1: think they wanted to be more of a respectful thing.

594
00:34:03,400 --> 00:34:06,680
Speaker 1: And it's not. Well I thought it was. You would

595
00:34:06,680 --> 00:34:10,200
Speaker 1: think a chef likes a roast. I'm saying, it's another

596
00:34:10,200 --> 00:34:14,640
Speaker 1: reason to use the oven. I agree, roasted this, roasted that. Anyway,

597
00:34:14,680 --> 00:34:16,759
Speaker 1: So they've asked for me just to be polite to

598
00:34:16,920 --> 00:34:18,759
Speaker 1: Mr Flay, and he deserves it. I mean, the man

599
00:34:18,840 --> 00:34:20,719
Speaker 1: has worked his ass off for so many years. He's

600
00:34:20,719 --> 00:34:23,200
Speaker 1: accomplished so many great things. It's a tribute dinner. It's

601
00:34:23,239 --> 00:34:25,799
Speaker 1: not a let's make fun of Bobby Flay right now,

602
00:34:25,880 --> 00:34:28,879
Speaker 1: it's dinner. So but anyway, Brody wrote some pretty good

603
00:34:28,920 --> 00:34:30,920
Speaker 1: jokes for this thing, so maybe you can save them

604
00:34:30,960 --> 00:34:33,920
Speaker 1: for the roast. What I'm gonna do, Brodie? And by

605
00:34:33,960 --> 00:34:35,080
Speaker 1: the way, do I have to pay you for that?

606
00:34:35,200 --> 00:34:36,680
Speaker 1: How much? Does? How much do you pay a guy

607
00:34:36,760 --> 00:34:38,680
Speaker 1: to write jokes? Because I know that's what you do

608
00:34:38,760 --> 00:34:41,399
Speaker 1: for a living. Listen, you're always very generous. I'm sure

609
00:34:41,400 --> 00:34:44,480
Speaker 1: if you if you buy me lunch or something else, No, no, no, no, no,

610
00:34:44,520 --> 00:34:47,520
Speaker 1: I'd rather pay you. Well. I jokingly said yesterday I'd

611
00:34:47,520 --> 00:34:49,560
Speaker 1: like five Hamilton's tickets. But that's not gonna happen, not

612
00:34:49,600 --> 00:34:52,160
Speaker 1: gonna happen, right, whatever you do is fine, all right.

613
00:34:52,360 --> 00:34:56,120
Speaker 1: So they wanted to be a respectful tribute to Bobby Flay.

614
00:34:56,200 --> 00:34:58,480
Speaker 1: So I can't tell these you wrote some great jokes though.

615
00:34:58,560 --> 00:35:00,799
Speaker 1: You said we were roasting Bobby Flay. So I went

616
00:35:00,880 --> 00:35:03,120
Speaker 1: home and roasted Bobby Flax. I thought we were, but

617
00:35:03,360 --> 00:35:06,640
Speaker 1: I was told no, he was. He was told no,

618
00:35:06,960 --> 00:35:11,680
Speaker 1: I don't like compliments. You don't watch that straight name what. Okay,

619
00:35:12,000 --> 00:35:14,160
Speaker 1: they're about Bobby Flay. But if you take Bobby Flay

620
00:35:14,200 --> 00:35:16,080
Speaker 1: out of the joke and say it's about another person,

621
00:35:16,160 --> 00:35:19,000
Speaker 1: say it's about Scary No, no, no they are they

622
00:35:19,040 --> 00:35:25,680
Speaker 1: are and his personal life and stuff. When don't be

623
00:35:25,719 --> 00:35:27,800
Speaker 1: funny to hear you joke about Scary when you actually

624
00:35:27,840 --> 00:35:30,600
Speaker 1: know it's about Bobby. Tell one like that. Okay, So,

625
00:35:30,960 --> 00:35:33,839
Speaker 1: so Scary Jones has closed more restaurants than the Border health.

626
00:35:35,640 --> 00:35:40,200
Speaker 1: It doesn't work. I don't think respect. There's some bad words.

627
00:35:40,840 --> 00:35:42,640
Speaker 1: He just sent a text back. I said, what does

628
00:35:42,680 --> 00:35:45,960
Speaker 1: smart cheek thing say? Think? What does smart cheek mean?

629
00:35:46,040 --> 00:35:49,040
Speaker 1: He says, no idea, Bobby. Usually he gives me one

630
00:35:49,080 --> 00:35:52,000
Speaker 1: word answers. Today I got to no idea anyway, so

631
00:35:52,080 --> 00:35:54,279
Speaker 1: we're gonna make it respectful. I'm gonna be a good boy.

632
00:35:54,360 --> 00:35:59,279
Speaker 1: I'm not gonna you know, no, no, none of that. No,

633
00:35:59,360 --> 00:36:02,680
Speaker 1: I'll pay you. But whatever, I'm gonna take the jokes.

634
00:36:02,800 --> 00:36:04,239
Speaker 1: Here's what I'm gonna do. I'm gonna stand at the

635
00:36:04,280 --> 00:36:06,719
Speaker 1: podium and go, hey, well, I originally was going to

636
00:36:06,760 --> 00:36:09,360
Speaker 1: come up here and you don tell some roasty type,

637
00:36:09,880 --> 00:36:12,719
Speaker 1: you know, fun like jabbing jokes, but they asked me

638
00:36:12,840 --> 00:36:14,840
Speaker 1: not to. I brought the jokes just in case, so

639
00:36:14,920 --> 00:36:19,480
Speaker 1: when the crowd starts to screams jokes, then we'll do it.

640
00:36:20,920 --> 00:36:26,919
Speaker 1: If they don't anyway, they won't. Scary is upset because

641
00:36:26,920 --> 00:36:29,520
Speaker 1: he can't get into this dinner Friday Saturday. I mean

642
00:36:30,600 --> 00:36:33,080
Speaker 1: to get you in. We know the man, Well, I

643
00:36:33,200 --> 00:36:36,680
Speaker 1: have this expired Bar American gift card because it closed.

644
00:36:37,040 --> 00:36:38,600
Speaker 1: I was wondering if I can use my Bar American

645
00:36:38,719 --> 00:36:40,840
Speaker 1: gift card to get into this dinner. I don't know.

646
00:36:41,440 --> 00:36:44,319
Speaker 1: You gotta know somebody scared. Did you get in? I'll

647
00:36:44,320 --> 00:36:46,000
Speaker 1: tell you how I got in. A friend of ours,

648
00:36:46,360 --> 00:36:49,239
Speaker 1: Andy Stewart from Norwegian Cruise Line. He actually called me

649
00:36:49,320 --> 00:36:50,759
Speaker 1: and said, hey, I have two extra tickets with you

650
00:36:50,800 --> 00:36:52,840
Speaker 1: and your wife like to go, oh, so wait, you

651
00:36:52,920 --> 00:36:54,920
Speaker 1: just pulled us scary and dropped a name. I did

652
00:36:56,480 --> 00:36:59,680
Speaker 1: a lot better than you, all right, And I was thinking,

653
00:36:59,719 --> 00:37:01,080
Speaker 1: I'm hosting, I should be able to get you in.

654
00:37:01,200 --> 00:37:03,399
Speaker 1: I can't even ticket. They don't even then, it won't

655
00:37:03,400 --> 00:37:05,279
Speaker 1: even let me. And I'm hosting. I don't even I

656
00:37:05,320 --> 00:37:07,759
Speaker 1: don't have a ticket. Anyway, I know, Scary, We'll we'll

657
00:37:07,800 --> 00:37:09,879
Speaker 1: figure it out. I know you. Calm down, honey, we'll

658
00:37:09,920 --> 00:37:12,239
Speaker 1: move on, Scary. Maybe if you stand outside and make

659
00:37:12,280 --> 00:37:18,200
Speaker 1: a puppy face, we'll get it done. Hey, So do

660
00:37:18,320 --> 00:37:21,800
Speaker 1: you find okay? Okay? If we talk about accents, you

661
00:37:21,880 --> 00:37:23,880
Speaker 1: got to keep in mind what it could be. An

662
00:37:23,880 --> 00:37:26,200
Speaker 1: accent to you may not be an accent to someone else.

663
00:37:26,440 --> 00:37:28,520
Speaker 1: For instance, a lot of people say, Danielle has a

664
00:37:28,600 --> 00:37:30,640
Speaker 1: bronx accent. Yeah, I don't think I have an accent

665
00:37:30,680 --> 00:37:34,880
Speaker 1: at all, exactly. But to you, we have the accent. Yes,

666
00:37:34,960 --> 00:37:36,480
Speaker 1: to me, you have an accent. I don't really have

667
00:37:36,480 --> 00:37:38,560
Speaker 1: an accent. I've kind of you've gotten rid of it,

668
00:37:38,760 --> 00:37:40,279
Speaker 1: kind of doosed it all. A lot of people have

669
00:37:40,360 --> 00:37:43,800
Speaker 1: accents according to me exactly. So if like I'm from Texas,

670
00:37:43,800 --> 00:37:45,960
Speaker 1: for instance, So if some of my people call up.

671
00:37:46,040 --> 00:37:48,000
Speaker 1: You think they have an accent. I love their accent,

672
00:37:48,280 --> 00:37:50,400
Speaker 1: see but they but to them, they don't have the

673
00:37:50,440 --> 00:37:55,320
Speaker 1: accent you have the they have the accent. Okay, so accents.

674
00:37:56,760 --> 00:38:00,200
Speaker 1: According to a new global survey, the American act cent

675
00:38:01,320 --> 00:38:06,720
Speaker 1: is the eighth sexiest accent. What is the American accent?

676
00:38:07,200 --> 00:38:09,319
Speaker 1: I guess they kind of lump us into one thing

677
00:38:09,360 --> 00:38:11,840
Speaker 1: because there's a lot of what would you say, dialects

678
00:38:12,000 --> 00:38:15,120
Speaker 1: of American. There's dialects of yeah, yeah, I guess you

679
00:38:15,200 --> 00:38:20,520
Speaker 1: could say that, but they're saying okay. If you've ever

680
00:38:20,800 --> 00:38:23,680
Speaker 1: by the way, if you've ever wondered what people overseas

681
00:38:23,760 --> 00:38:27,080
Speaker 1: think the American accent is. Is it Texas, Deep South, Midwest,

682
00:38:27,120 --> 00:38:30,719
Speaker 1: New England, Valley girl, Bronx, or just a blend of everything? Well,

683
00:38:30,760 --> 00:38:33,719
Speaker 1: whatever it is, we don't know. They think it's number

684
00:38:33,800 --> 00:38:39,560
Speaker 1: eight on the list of sexy accents. Number one was

685
00:38:40,200 --> 00:38:44,040
Speaker 1: the British accent. Yes, that's why I married one. Number

686
00:38:44,120 --> 00:38:48,320
Speaker 1: two was the French accent. I could see that. Number

687
00:38:48,360 --> 00:38:52,000
Speaker 1: three Italian. I find the Italian to be most most beautiful.

688
00:38:52,640 --> 00:38:59,480
Speaker 1: Who's that calling? Well, and I'm talking about accents, Hello you.

689
00:39:00,000 --> 00:39:04,800
Speaker 1: I'll go about sixty. You need to talk to Chevle.

690
00:39:05,440 --> 00:39:09,759
Speaker 1: How do you done? His accent comes in? What number?

691
00:39:10,360 --> 00:39:14,239
Speaker 1: We'll wait? What are you? Are you French? Don't know

692
00:39:15,320 --> 00:39:22,280
Speaker 1: what it come in at No. Number one? You're not Fritish.

693
00:39:23,280 --> 00:39:28,000
Speaker 1: Hu is not French? Who knows? Not French now? And

694
00:39:28,080 --> 00:39:32,040
Speaker 1: you're not British either. That's number one British the world,

695
00:39:32,360 --> 00:39:37,200
Speaker 1: you know. I just I love all the accents my

696
00:39:38,120 --> 00:39:42,360
Speaker 1: evernywhere I don't know what you're saying. Okay, so English?

697
00:39:42,440 --> 00:39:45,280
Speaker 1: The English? British accent is number one. Number two is French,

698
00:39:45,360 --> 00:39:49,120
Speaker 1: which is right number two right next door? You do

699
00:39:49,800 --> 00:39:54,000
Speaker 1: to me number one, the land of the day. Chelet

700
00:39:54,640 --> 00:39:57,680
Speaker 1: your number one, Let me finish the list. Hold on

701
00:39:58,640 --> 00:40:08,600
Speaker 1: and by the way, it's Latin, not Latti. Are you?

702
00:40:08,800 --> 00:40:11,920
Speaker 1: What are you? What are you drinking? Hold on? Okay?

703
00:40:12,040 --> 00:40:14,920
Speaker 1: So French accent number two after British, number three, Italian,

704
00:40:14,960 --> 00:40:18,640
Speaker 1: which I loved, Number four, Irish, number five, is Spanish,

705
00:40:19,400 --> 00:40:24,000
Speaker 1: number six, Scottish number seven, Australian number eight, the American

706
00:40:24,120 --> 00:40:27,840
Speaker 1: whatever that is number nine Brazilian and number ten Japanese.

707
00:40:29,200 --> 00:40:32,399
Speaker 1: So I mean, they're all beautiful accents. And I guess

708
00:40:32,480 --> 00:40:34,400
Speaker 1: the best way to sum it up is someone who

709
00:40:34,680 --> 00:40:36,640
Speaker 1: sounds different than you and the people you hang out with.

710
00:40:36,800 --> 00:40:39,560
Speaker 1: It can be sexy, kind of exotic. I love that.

711
00:40:39,880 --> 00:40:43,520
Speaker 1: So in your role play with your significant other, have

712
00:40:43,680 --> 00:40:48,000
Speaker 1: you ever done it while using another accent? All straight?

713
00:40:49,320 --> 00:40:52,319
Speaker 1: You do? You use your eerie Pennsylvania? No, I use

714
00:40:52,400 --> 00:40:54,880
Speaker 1: a fake Irish accents? You love it? What do you mean?

715
00:40:55,160 --> 00:40:57,239
Speaker 1: I talked like this and she really gets uh, she

716
00:40:57,320 --> 00:40:59,040
Speaker 1: really gets hot and bothered when I talked like this.

717
00:41:00,040 --> 00:41:01,880
Speaker 1: She really does, I say, But I was calling. I

718
00:41:01,880 --> 00:41:05,600
Speaker 1: don't get hot, I get bothered. Sorry, Chilt, what are

719
00:41:05,600 --> 00:41:12,880
Speaker 1: you doing? I'm not single again? You know you're not single? Like, okay,

720
00:41:13,000 --> 00:41:21,919
Speaker 1: all right, did you guys get married last week? You're

721
00:41:21,920 --> 00:41:26,360
Speaker 1: not married? And she hasn't returned your call since I

722
00:41:26,440 --> 00:41:32,040
Speaker 1: gotta go. You're just starting goodbye? All right? Anyway, So

723
00:41:32,760 --> 00:41:35,080
Speaker 1: I think that's kind of cool. I love an accent,

724
00:41:35,160 --> 00:41:37,960
Speaker 1: and there's something about that accent. Like I said, it's exotic.

725
00:41:38,160 --> 00:41:40,400
Speaker 1: It's something out of the norm for you, and they

726
00:41:40,440 --> 00:41:43,200
Speaker 1: could curse and it still sounds sexy because it's in

727
00:41:43,320 --> 00:41:47,320
Speaker 1: that accent. Doesn't matter. Alex has a nice Staten Island

728
00:41:47,360 --> 00:41:52,839
Speaker 1: access that one. I like his accent to me, it's

729
00:41:52,880 --> 00:41:54,719
Speaker 1: not an accent. He gets mad at me when I

730
00:41:54,880 --> 00:41:58,200
Speaker 1: when I try to sound like him. Yeah you don't,

731
00:41:58,640 --> 00:42:02,160
Speaker 1: but he never says that. But you have your Bronx accent. Yeah,

732
00:42:02,239 --> 00:42:04,480
Speaker 1: but to me, it's not an accent today. To me,

733
00:42:04,560 --> 00:42:08,040
Speaker 1: it's how I you know, my people, you're not doing

734
00:42:08,080 --> 00:42:09,680
Speaker 1: it now, but you can actually turn it on. Oh

735
00:42:09,760 --> 00:42:13,720
Speaker 1: my gosh, yeah, turn it on. Stop being so stupid, Elvis,

736
00:42:13,880 --> 00:42:17,640
Speaker 1: come over here and shut the hell up. Exactly. It's

737
00:42:17,680 --> 00:42:22,160
Speaker 1: just so beautiful, it's so it's so sing song. I

738
00:42:22,280 --> 00:42:24,600
Speaker 1: love that. And then then you have the Brooklyn boys.

739
00:42:24,640 --> 00:42:28,400
Speaker 1: They have their accents, and Brooklyn accent really isn't an accent.

740
00:42:28,520 --> 00:42:32,800
Speaker 1: It's just screaming. Yeah, they start yelling like like Brody

741
00:42:32,880 --> 00:42:35,719
Speaker 1: for instance. You you guys, you start yelling, and we

742
00:42:35,800 --> 00:42:41,680
Speaker 1: don't yell at everything just yet, I'm talking. You gotta

743
00:42:41,680 --> 00:42:45,759
Speaker 1: talk over, don't talk over? So can we imagine living

744
00:42:45,800 --> 00:42:49,000
Speaker 1: with that? We're going to here? What all right? Thank you?

745
00:42:49,280 --> 00:42:52,279
Speaker 1: When Scary talks, everybody always says he yells so much.

746
00:42:52,320 --> 00:42:54,760
Speaker 1: I don't know, he's not yelling, that's just how talks.

747
00:42:55,120 --> 00:42:58,160
Speaker 1: And the Froggy Froggy still has a Southern accent a

748
00:42:58,640 --> 00:43:03,040
Speaker 1: little bit it. I would use words like fixing. I'm

749
00:43:03,120 --> 00:43:06,279
Speaker 1: fixing to go to the grocery store and what are

750
00:43:06,320 --> 00:43:09,000
Speaker 1: we what are we having for supper? Yeah? Exactly. So

751
00:43:09,080 --> 00:43:11,400
Speaker 1: that's where I'm from. You know, you should hear recordings

752
00:43:11,440 --> 00:43:13,520
Speaker 1: of me when I was starting out in radio. I

753
00:43:13,960 --> 00:43:17,560
Speaker 1: have a Texas accent, which isn't really Southern, but it's

754
00:43:17,640 --> 00:43:21,640
Speaker 1: sort of southern. Cute takes talking like this, you know,

755
00:43:22,000 --> 00:43:24,520
Speaker 1: some of them not I'm not doing a blanket statement,

756
00:43:24,600 --> 00:43:29,680
Speaker 1: not doing it. But when we go to Brooklyn, we

757
00:43:29,760 --> 00:43:38,120
Speaker 1: have scanty meatballs. You got some of those meatballs. And

758
00:43:38,160 --> 00:43:39,480
Speaker 1: as I've told you before, if you want to talk

759
00:43:39,480 --> 00:43:41,840
Speaker 1: about contection, you're just gonna get your teeth like this.

760
00:43:42,360 --> 00:43:44,680
Speaker 1: You just don't do your teeth. Your teeth to have

761
00:43:44,800 --> 00:43:54,759
Speaker 1: to touch each other. I'm sorry, by the way, And

762
00:43:54,760 --> 00:43:56,480
Speaker 1: if you're a texting, you're offended, and I'm sorry. I

763
00:43:56,520 --> 00:43:59,359
Speaker 1: don't I don't mean to offend. Hello, Matt, how are you? Hey?

764
00:43:59,440 --> 00:44:02,000
Speaker 1: How's it going? Guys? Good morning? Hold on, I hear

765
00:44:02,000 --> 00:44:04,759
Speaker 1: an accent. Where are you from? I'm from Boston, man.

766
00:44:05,200 --> 00:44:12,879
Speaker 1: There you go, you say, you know that's the that's

767
00:44:12,880 --> 00:44:16,480
Speaker 1: the thing. Everyone from Boston Park, Harvard Yard must have

768
00:44:16,600 --> 00:44:20,000
Speaker 1: lots of parking spaces. Man, you get me for that.

769
00:44:20,640 --> 00:44:24,040
Speaker 1: Should listen to you? Well, I know what proceed to you.

770
00:44:24,640 --> 00:44:27,120
Speaker 1: You have no accent to you, but you we have

771
00:44:27,239 --> 00:44:28,560
Speaker 1: an accent. You know what I'm saying. You know you

772
00:44:28,640 --> 00:44:32,320
Speaker 1: get that carcent right. I spent eleven years in Kansas City, Missouri,

773
00:44:32,920 --> 00:44:34,600
Speaker 1: and I'll tell you when I first got out there,

774
00:44:34,600 --> 00:44:37,000
Speaker 1: I thought they all have Southern swing, but they'll pronounced

775
00:44:37,000 --> 00:44:40,360
Speaker 1: everything properly. Kansas City is not a Southern sound, but

776
00:44:40,520 --> 00:44:44,120
Speaker 1: to you, it is. It south of Boston. You do

777
00:44:44,200 --> 00:44:50,080
Speaker 1: have that. I will thank you, Matt, you Poket, Cody. Absolutely,

778
00:44:50,120 --> 00:44:57,840
Speaker 1: you guys have a great day. Find Uh where's Adam here?

779
00:44:57,840 --> 00:45:01,239
Speaker 1: He is? Hi, Adam? Hello? Well, so you've lived in

780
00:45:01,320 --> 00:45:05,000
Speaker 1: Wisconsin all your life and you're saying that women love

781
00:45:05,120 --> 00:45:08,520
Speaker 1: your Wisconsin accent. Well, I did four years in the

782
00:45:08,600 --> 00:45:12,560
Speaker 1: Navy UM and I was stationed down in Florida. And

783
00:45:12,960 --> 00:45:15,360
Speaker 1: you know, as soon as I got down to Florida,

784
00:45:16,160 --> 00:45:18,600
Speaker 1: women were all over me. And I loved it because

785
00:45:18,640 --> 00:45:22,520
Speaker 1: you sound different than I came back to Wisconsin and

786
00:45:22,800 --> 00:45:24,719
Speaker 1: was expecting the women to be all over me. I'm like,

787
00:45:24,880 --> 00:45:26,840
Speaker 1: you don't like my accent? Like everybody else, and like

788
00:45:26,960 --> 00:45:31,839
Speaker 1: what accent? It's true now, Adam. You see, I lived

789
00:45:31,880 --> 00:45:34,600
Speaker 1: in Philly for many years, and Philly has a different

790
00:45:34,640 --> 00:45:37,719
Speaker 1: accent than New Yorkers, and it's it's so funny, but

791
00:45:37,760 --> 00:45:39,960
Speaker 1: they're so close. But if you're from Wisconsin, you think

792
00:45:40,000 --> 00:45:41,840
Speaker 1: of Philly accent and a New York accent is the

793
00:45:41,880 --> 00:45:44,200
Speaker 1: same thing. But I bet there are different parts of

794
00:45:44,239 --> 00:45:46,600
Speaker 1: Wisconsin that have different types of accents. You can tell

795
00:45:46,640 --> 00:45:50,600
Speaker 1: the difference of the dialects, right, Yes, people up from

796
00:45:50,719 --> 00:45:54,200
Speaker 1: Green Bay, you can definitely tell them. I'm from kind

797
00:45:54,239 --> 00:45:58,440
Speaker 1: of central the Portage area, a little north of Madison exactly.

798
00:45:58,640 --> 00:46:03,480
Speaker 1: That's kind of a more Germanish Everyone's it sounds different even,

799
00:46:03,840 --> 00:46:05,680
Speaker 1: don't you know, Even in England. If you listen to

800
00:46:05,760 --> 00:46:07,840
Speaker 1: all the different Spice girls talk, I hope we use

801
00:46:07,880 --> 00:46:10,239
Speaker 1: them as an example, you can tell they actually have

802
00:46:10,400 --> 00:46:14,399
Speaker 1: different dialects of the British accent. And my husband will

803
00:46:14,400 --> 00:46:16,600
Speaker 1: tell you exactly where each one of them is from,

804
00:46:16,680 --> 00:46:18,640
Speaker 1: in which part I couldn't tell, but he can because

805
00:46:18,640 --> 00:46:21,719
Speaker 1: he's British. Here in New York, Adam Long Island has

806
00:46:21,760 --> 00:46:24,239
Speaker 1: a different accent. In Staten Island, which is sort of

807
00:46:24,320 --> 00:46:26,480
Speaker 1: close to it was very close to Brooklyn, but nothing

808
00:46:26,600 --> 00:46:29,879
Speaker 1: like the Bronx. Yeah, if you're in Fleet week. Oh yeah,

809
00:46:29,920 --> 00:46:33,720
Speaker 1: you heard it then you did. Sorry, all right, Adam,

810
00:46:33,840 --> 00:46:37,200
Speaker 1: have a nice day, don't you know. That's all we know,

811
00:46:37,360 --> 00:46:41,920
Speaker 1: don't you know? Is this Natalia? Yes? So you met

812
00:46:42,000 --> 00:46:47,120
Speaker 1: your boyfriend and a music festival right, yes, here in Miami? Right?

813
00:46:47,320 --> 00:46:50,200
Speaker 1: And uh, what music festival was it? I'm a little curious.

814
00:46:52,160 --> 00:46:54,799
Speaker 1: Oh yeah, so you were banging out of your mind.

815
00:46:54,840 --> 00:46:56,320
Speaker 1: I mean as far as like you're you were like

816
00:46:56,400 --> 00:47:01,120
Speaker 1: messed up. It was. It was me on. It was

817
00:47:01,200 --> 00:47:03,600
Speaker 1: pretty good before you put that weird candy in your mouth.

818
00:47:04,080 --> 00:47:06,960
Speaker 1: They do that anyway. So you met you met, You

819
00:47:07,040 --> 00:47:09,360
Speaker 1: met a guy at the at Ultra Music festival and

820
00:47:09,520 --> 00:47:13,359
Speaker 1: you thought he had an Australian accent. Yes. I thought

821
00:47:13,400 --> 00:47:16,560
Speaker 1: it was the sexiest thing I've ever heard. And I

822
00:47:16,760 --> 00:47:18,439
Speaker 1: was with a friend and we were like, oh, let's

823
00:47:18,440 --> 00:47:20,960
Speaker 1: hank around this guys. They seem, you know, so exotic.

824
00:47:21,680 --> 00:47:23,960
Speaker 1: And when we got to know them, it turned out

825
00:47:24,000 --> 00:47:27,640
Speaker 1: they were from Pittsburgh and we had never heard Pittsburgh acting.

826
00:47:27,960 --> 00:47:31,040
Speaker 1: So you're saying, so you thought the Pittsburgh accent to you,

827
00:47:31,480 --> 00:47:35,080
Speaker 1: you thought was an Australian accent. Yep, Well maybe they did.

828
00:47:35,200 --> 00:47:38,920
Speaker 1: Maybe they were putting on Australian accent. When you're from Pittsburgh,

829
00:47:38,920 --> 00:47:42,120
Speaker 1: you've got to do something. It was just really weird

830
00:47:42,200 --> 00:47:45,000
Speaker 1: to understand them. And we're still dating, and I go

831
00:47:45,080 --> 00:47:47,680
Speaker 1: to Pittsburgh all the time, and every time I hear

832
00:47:47,800 --> 00:47:50,960
Speaker 1: somebody with a really thick accent, I just, um, I

833
00:47:51,080 --> 00:47:56,000
Speaker 1: think Australia now exactly. You feel like you're in Sydney exactly. Natia,

834
00:47:56,080 --> 00:47:57,600
Speaker 1: thank you for listening. I hope you have the best

835
00:47:57,680 --> 00:48:00,920
Speaker 1: day ever. Thank you. You guys are amazing. Thank you,

836
00:48:01,520 --> 00:48:05,719
Speaker 1: thank you. You have a great day. So tonight a

837
00:48:05,920 --> 00:48:09,359
Speaker 1: very important night. Froggy is going to be uh he's

838
00:48:09,360 --> 00:48:12,240
Speaker 1: going to be on a different radio station, two different

839
00:48:12,320 --> 00:48:15,040
Speaker 1: radio stations. He's not gonna be on right Frog. No,

840
00:48:15,120 --> 00:48:17,320
Speaker 1: it'll be on A six ten w I O D

841
00:48:17,480 --> 00:48:19,680
Speaker 1: the AM station, and on Big one oh five nine

842
00:48:19,840 --> 00:48:22,560
Speaker 1: are classic rock station here in Miami. So tell everyone

843
00:48:22,560 --> 00:48:24,759
Speaker 1: what you're doing. This is just a really great thing

844
00:48:24,800 --> 00:48:27,520
Speaker 1: you're doing. So to night at nine o'clock, CNN is

845
00:48:27,760 --> 00:48:30,920
Speaker 1: doing a stand up town hall with these students from

846
00:48:31,080 --> 00:48:34,240
Speaker 1: Marjorie Stoneman Douglas High School here in South Florida about

847
00:48:34,320 --> 00:48:36,600
Speaker 1: last week's events. It was a week ago this afternoon,

848
00:48:37,160 --> 00:48:39,279
Speaker 1: and so we're doing a pre show from seven pm

849
00:48:39,320 --> 00:48:41,800
Speaker 1: to nine pm, inviting people to call in, let's have

850
00:48:41,880 --> 00:48:44,640
Speaker 1: a conversation about change, let's talk about what's going on,

851
00:48:45,280 --> 00:48:47,080
Speaker 1: and we will be leading all the way up to

852
00:48:47,120 --> 00:48:48,799
Speaker 1: the town hall and then we will carry the town

853
00:48:48,880 --> 00:48:51,400
Speaker 1: hall live as it happens from nine to eleven tonight.

854
00:48:51,480 --> 00:48:53,759
Speaker 1: I tell you, I worked with Froggy on w io D,

855
00:48:53,880 --> 00:48:57,160
Speaker 1: the news talk station, during the hurricane, Yeah, during IRMA,

856
00:48:57,320 --> 00:48:59,320
Speaker 1: and you know, it's so different. It's such a departure

857
00:48:59,600 --> 00:49:01,759
Speaker 1: from what we typically do. I mean, we're sitting here

858
00:49:01,800 --> 00:49:06,080
Speaker 1: talking about smart chic attire on an invitation in accent. There.

859
00:49:06,160 --> 00:49:09,120
Speaker 1: You you got to really talk about the facts and

860
00:49:09,200 --> 00:49:10,840
Speaker 1: you have to open up like people really talk. And

861
00:49:10,880 --> 00:49:12,920
Speaker 1: I think it's such a great thing an honor to

862
00:49:12,960 --> 00:49:14,480
Speaker 1: be able to do that. So I'm so so proud

863
00:49:14,520 --> 00:49:16,800
Speaker 1: that you're doing that and representing us tonight. Thanks. I

864
00:49:16,920 --> 00:49:19,080
Speaker 1: was surprised when they called me yesterday. I'm like, um,

865
00:49:19,400 --> 00:49:21,680
Speaker 1: what did you ask like seventeen other people, and they

866
00:49:21,719 --> 00:49:23,879
Speaker 1: said no, They're like no, no, no, we definitely want

867
00:49:23,960 --> 00:49:25,160
Speaker 1: want we want you to do it. We want you

868
00:49:25,239 --> 00:49:27,759
Speaker 1: to drive the ship and uh and and talk to

869
00:49:27,840 --> 00:49:29,680
Speaker 1: South Florida and see what's going on. So that's what

870
00:49:29,800 --> 00:49:34,040
Speaker 1: we're doing. Oh really Yeah, because you're not like telling

871
00:49:34,160 --> 00:49:37,280
Speaker 1: fart jokes for a minute, like you're being serious telling

872
00:49:37,360 --> 00:49:40,440
Speaker 1: the facts, and like you sound like a smart individual.

873
00:49:41,000 --> 00:49:42,960
Speaker 1: I'll sound that way tonight yet, but then tomorrow I'll

874
00:49:42,960 --> 00:49:45,840
Speaker 1: go back to the telepart. No, you're both your versatile.

875
00:49:46,200 --> 00:49:48,800
Speaker 1: Now now, will we be able to listen online to

876
00:49:49,000 --> 00:49:51,439
Speaker 1: w io D tonight? Yes, if you can either listen

877
00:49:51,520 --> 00:49:54,040
Speaker 1: online at six ten w io D dot com or

878
00:49:54,239 --> 00:49:56,040
Speaker 1: on the I Heart Radio app. All right, your phone

879
00:49:56,080 --> 00:49:59,239
Speaker 1: tap coming up next to I just started listening to

880
00:49:59,280 --> 00:50:01,800
Speaker 1: all like I think about three months ago. And I

881
00:50:02,080 --> 00:50:07,640
Speaker 1: love you guys. This is Elvis Durand in the Morning Show.

882
00:50:09,120 --> 00:50:12,000
Speaker 1: So American Express and Hilton have great new cards with

883
00:50:12,160 --> 00:50:14,680
Speaker 1: awesome benefits for card members and they want to give

884
00:50:14,719 --> 00:50:17,239
Speaker 1: someone a trip to New York to see Charlie Pooth live.

885
00:50:17,719 --> 00:50:20,080
Speaker 1: Visit Elvis duran dot com to enter and get rules

886
00:50:20,120 --> 00:50:29,120
Speaker 1: and check out card benefits. Terms apply in the morning show.

887
00:50:30,200 --> 00:50:32,600
Speaker 1: All right, we're about to get into your way back Wednesday.

888
00:50:32,640 --> 00:50:42,279
Speaker 1: Phone taps happening asked the question. I didn't ask you

889
00:50:42,280 --> 00:50:43,840
Speaker 1: a question. I said, we're about to get into our

890
00:50:43,880 --> 00:50:46,200
Speaker 1: way back Wednesday. Phone tap. You said you're about to

891
00:50:46,239 --> 00:50:48,680
Speaker 1: get into our way back wedesday phone tap. So I said, no,

892
00:50:48,840 --> 00:50:56,600
Speaker 1: I didn't. I really didn't. But that's okay. But Scarce, Uh,

893
00:50:56,920 --> 00:50:58,760
Speaker 1: it's really funny. We have a we have a system

894
00:50:58,760 --> 00:51:01,480
Speaker 1: here where we can see frog in our South Florida

895
00:51:01,520 --> 00:51:05,680
Speaker 1: studios crop. But it's a camera on his laptop. He

896
00:51:05,800 --> 00:51:08,760
Speaker 1: keeps it, he closes it, and it's like it's aiming

897
00:51:08,800 --> 00:51:12,040
Speaker 1: at his crotch. Would you please to go back to

898
00:51:12,120 --> 00:51:16,480
Speaker 1: your face? Man? What are you doing there? You are cutous,

899
00:51:17,239 --> 00:51:22,400
Speaker 1: You're adorable. Hi, I was trying to show you my

900
00:51:22,560 --> 00:51:26,560
Speaker 1: crot Hey, just to let you know that Lucky Charms

901
00:51:26,600 --> 00:51:29,640
Speaker 1: any any of fans of Lucky Charms, they've added a

902
00:51:29,680 --> 00:51:34,320
Speaker 1: new marshmallow. Is it the magical unicorn? That's so cool?

903
00:51:34,520 --> 00:51:37,720
Speaker 1: What does it look like? I wonder? It's white and blue,

904
00:51:37,840 --> 00:51:44,480
Speaker 1: purple swirls on the unicorn. You're really excited about this magic?

905
00:51:44,680 --> 00:51:46,480
Speaker 1: Am I taking some of your food news away from you?

906
00:51:46,560 --> 00:51:49,319
Speaker 1: Froggy marsh You know what, I was going to put

907
00:51:49,360 --> 00:51:50,640
Speaker 1: that in food news, But you can have it that's

908
00:51:50,880 --> 00:51:55,720
Speaker 1: there's other things. That's okay. I'm sorry about that anyway.

909
00:51:56,080 --> 00:51:59,000
Speaker 1: Uh do you know the colors of the marshmallows and

910
00:51:59,120 --> 00:52:03,080
Speaker 1: lucky charms? You pink harts, pink harts, yellow moons, yeah,

911
00:52:03,840 --> 00:52:09,759
Speaker 1: green clovery, blue diamond, orange stars, blue diamonds. I'm asking,

912
00:52:09,960 --> 00:52:16,400
Speaker 1: And of course a rainbow colored unicorn and purple horseshoes.

913
00:52:16,680 --> 00:52:19,440
Speaker 1: Purple horseshoes. All right, just just wondering. Oh, the unicorn

914
00:52:19,560 --> 00:52:21,920
Speaker 1: is so cute. Let me see it's a little head. Oh,

915
00:52:21,960 --> 00:52:23,759
Speaker 1: I want to eat him. Look, I want to eat

916
00:52:23,800 --> 00:52:28,160
Speaker 1: that unicorn. That's so cool. Uh. Did you know it

917
00:52:28,400 --> 00:52:32,520
Speaker 1: was one year ago today that Chester Bennington was on

918
00:52:32,600 --> 00:52:36,000
Speaker 1: our show? Wow, there was one year ago today. Coming

919
00:52:36,040 --> 00:52:37,279
Speaker 1: up in just a few minutes, one to play some

920
00:52:37,360 --> 00:52:39,320
Speaker 1: sound from the morning he visited us, and he was

921
00:52:39,400 --> 00:52:40,759
Speaker 1: in such a great mood. He was, he was in

922
00:52:40,840 --> 00:52:43,000
Speaker 1: a great space that day. Yeah, we were so happy

923
00:52:43,080 --> 00:52:44,640
Speaker 1: to have him here and so great to know him.

924
00:52:44,680 --> 00:52:47,000
Speaker 1: And here is music. We'll get into that later, but

925
00:52:47,200 --> 00:52:49,239
Speaker 1: right now, let's get into your way back Wednesday phone

926
00:52:49,239 --> 00:52:54,680
Speaker 1: Tap starring Scary Elvis, Elvis Durant, Elvis Durant Phone Tap.

927
00:52:55,239 --> 00:52:58,000
Speaker 1: The letter comes in says Dear Elvis, My friend Pam

928
00:52:58,080 --> 00:53:00,359
Speaker 1: and I went snowboarding with a bunch of other people

929
00:53:00,400 --> 00:53:03,960
Speaker 1: in the Poconos last weekend. Pam has been on pins

930
00:53:04,040 --> 00:53:07,640
Speaker 1: and needles about getting the house deposit back in fear

931
00:53:07,719 --> 00:53:10,680
Speaker 1: that we might have broken or screwed up something. We

932
00:53:10,840 --> 00:53:13,279
Speaker 1: did party like a bunch of crazy weirdos, but rest

933
00:53:13,320 --> 00:53:15,960
Speaker 1: assured we cleaned up after our sales. Wouldn't it be

934
00:53:16,040 --> 00:53:18,120
Speaker 1: funny if you called as the owner of the house

935
00:53:18,600 --> 00:53:21,000
Speaker 1: and called her out on leaving the place a mess.

936
00:53:21,719 --> 00:53:24,040
Speaker 1: She's a really good liar. Let's watch her try to

937
00:53:24,080 --> 00:53:26,000
Speaker 1: wiggle out of this one. All the best from Janine.

938
00:53:26,040 --> 00:53:28,680
Speaker 1: All right, Janine, we're gonna phone tap your friend Pam

939
00:53:29,200 --> 00:53:31,200
Speaker 1: Scary is going to play the part of the owner

940
00:53:31,239 --> 00:53:33,839
Speaker 1: of the house up at the Poconos, and Janine will

941
00:53:33,840 --> 00:53:41,399
Speaker 1: be listening in as we phone tapped Pam. Hello, Pam, Please, Pam,

942
00:53:41,480 --> 00:53:45,600
Speaker 1: how worry? This is Brian mcater. Hello. You guys stayed

943
00:53:45,600 --> 00:53:48,000
Speaker 1: over at the house last weekend? Right, Yes, there's a

944
00:53:48,080 --> 00:53:49,879
Speaker 1: lot of things that are kind of out of place.

945
00:53:49,960 --> 00:53:53,279
Speaker 1: I was wondering maybe you could explain some of it. Um,

946
00:53:53,640 --> 00:53:56,680
Speaker 1: somebody in your group must have left a condom rapper

947
00:53:57,440 --> 00:54:01,600
Speaker 1: that clogged the outdoor hot tub drain. Shut up? Are

948
00:54:01,640 --> 00:54:04,360
Speaker 1: you serious? Yes, A lot of a lot of the

949
00:54:04,480 --> 00:54:08,920
Speaker 1: couples that were with us are either married or engaged condoms.

950
00:54:09,000 --> 00:54:11,239
Speaker 1: I really don't think they would be using to you

951
00:54:11,320 --> 00:54:14,560
Speaker 1: know what I'm saying. Some way to rationalize that. I mean,

952
00:54:14,840 --> 00:54:16,160
Speaker 1: you know you're not going to use the condom with

953
00:54:16,200 --> 00:54:18,279
Speaker 1: your wife, Okay, you know. I mean that's where I'm

954
00:54:18,320 --> 00:54:20,239
Speaker 1: looking at it. So that's kind of like I don't know,

955
00:54:20,400 --> 00:54:23,640
Speaker 1: but I'll ask. Not only that, but the chandelier looks

956
00:54:23,680 --> 00:54:26,319
Speaker 1: like it had come out of the ceiling. We didn't

957
00:54:26,360 --> 00:54:29,279
Speaker 1: remove it. We didn't remove the chandelier. Okay, maybe maybe

958
00:54:29,360 --> 00:54:33,000
Speaker 1: somebody was swinging on it or something. Are you sure

959
00:54:33,000 --> 00:54:35,440
Speaker 1: about that? You get eighteen year old and nineteen year

960
00:54:35,440 --> 00:54:37,400
Speaker 1: olds hanging from a chandelier, you don't get thirty year

961
00:54:37,400 --> 00:54:40,400
Speaker 1: olds hanging from a chandelier. Well, regardless, I have to

962
00:54:40,800 --> 00:54:42,600
Speaker 1: take your deposit that I was supposed to give you

963
00:54:42,680 --> 00:54:45,399
Speaker 1: back and buy a new one with that money. Why

964
00:54:45,560 --> 00:54:47,000
Speaker 1: what's wrong with the one you have there? It was

965
00:54:47,000 --> 00:54:49,160
Speaker 1: working when we left. Well, I figure it's you know,

966
00:54:49,239 --> 00:54:51,040
Speaker 1: it was taken out of the ceiling. Why can't you

967
00:54:51,040 --> 00:54:53,160
Speaker 1: put it back? In the ceiling. Well I could. It's

968
00:54:53,239 --> 00:54:55,120
Speaker 1: kind of ugly though, so I could just go out

969
00:54:55,160 --> 00:54:56,600
Speaker 1: and buy a new one with the money you're gonna

970
00:54:56,600 --> 00:54:58,440
Speaker 1: give me. So you're gonna you're gonna charge me two

971
00:54:59,120 --> 00:55:00,560
Speaker 1: for a brand new chandel Aaron, what are you going

972
00:55:00,640 --> 00:55:02,319
Speaker 1: to do with that chandelier? Put it in your house?

973
00:55:02,800 --> 00:55:04,800
Speaker 1: Where I put it is none of your business. You

974
00:55:04,840 --> 00:55:08,279
Speaker 1: don't need to buy another two hundred chandelier. You know

975
00:55:08,320 --> 00:55:11,000
Speaker 1: you're Nicol and dining me? Here are Nicol and di'mon me?

976
00:55:11,080 --> 00:55:13,279
Speaker 1: Where you're saying that when we left, we didn't touch

977
00:55:13,320 --> 00:55:16,040
Speaker 1: that in the chandelier? Who are responsible for everything in

978
00:55:16,120 --> 00:55:18,400
Speaker 1: the house? So you don't need to buy a brand

979
00:55:18,480 --> 00:55:21,000
Speaker 1: new chandelier. You know what, you guys get drunk, have sex,

980
00:55:21,239 --> 00:55:23,080
Speaker 1: and you know you think everything is like that, you

981
00:55:23,160 --> 00:55:25,640
Speaker 1: forget about it the next morning. We has nothing to

982
00:55:25,680 --> 00:55:28,880
Speaker 1: do with that. I sense gross neglect of my my house. Okay,

983
00:55:29,000 --> 00:55:31,080
Speaker 1: there was nothing going on in that house that wasn't

984
00:55:31,520 --> 00:55:34,440
Speaker 1: wasn't proper. And what happened to my six ball from

985
00:55:34,480 --> 00:55:36,640
Speaker 1: the pool table? Did you guys like take that home

986
00:55:36,680 --> 00:55:39,000
Speaker 1: as a souvenir um? You know, we actually had one

987
00:55:39,040 --> 00:55:40,800
Speaker 1: couple that were the only one playing with us, So

988
00:55:40,960 --> 00:55:44,040
Speaker 1: maybe they have it, or maybe they maybe they decided

989
00:55:44,120 --> 00:55:46,520
Speaker 1: to use it as a prop in their sexual escapades

990
00:55:46,560 --> 00:55:50,080
Speaker 1: in the hot tub. You know what, what, I'm getting

991
00:55:50,160 --> 00:55:51,920
Speaker 1: very upset with the way that you're speaking to me

992
00:55:52,120 --> 00:55:55,040
Speaker 1: right now. Excuse you? You know what? Can you send

993
00:55:55,080 --> 00:55:58,000
Speaker 1: me how my slawyer get ahold of you? Okay, don't

994
00:55:58,480 --> 00:56:06,600
Speaker 1: talk to me like that. I'm not finished with you,

995
00:56:06,760 --> 00:56:09,560
Speaker 1: little listen. I'm not finished with you. Know. I just

996
00:56:09,640 --> 00:56:11,480
Speaker 1: want to know that this phone call is recorded and

997
00:56:11,560 --> 00:56:13,920
Speaker 1: it's going to the cops because you aren't talking to

998
00:56:14,000 --> 00:56:16,640
Speaker 1: me in a very sexual manner that I do not appreciate.

999
00:56:16,719 --> 00:56:21,279
Speaker 1: Okay what I don't appreciate you talking about picking up

1000
00:56:21,280 --> 00:56:23,640
Speaker 1: an april and use it in sex scabades in a

1001
00:56:23,840 --> 00:56:26,279
Speaker 1: cuz I don't know what you guys did up there

1002
00:56:26,360 --> 00:56:28,920
Speaker 1: this weekend. You do not speak to somebody like this,

1003
00:56:29,000 --> 00:56:32,239
Speaker 1: because you know what, you're using derogatory remarks towards me.

1004
00:56:32,520 --> 00:56:35,040
Speaker 1: You are speaking to me in a childish manner. I

1005
00:56:35,120 --> 00:56:38,440
Speaker 1: am not a child. Sorry, obviously, you can't take responsibility.

1006
00:56:38,600 --> 00:56:40,239
Speaker 1: Do not call my house anymore because if you do,

1007
00:56:40,280 --> 00:56:42,239
Speaker 1: I will call the cops for harassment. And I just

1008
00:56:42,320 --> 00:56:43,600
Speaker 1: want you to know that I'm going to the police

1009
00:56:43,640 --> 00:56:45,840
Speaker 1: department right now and a following the lawsuit, because I

1010
00:56:45,960 --> 00:56:48,320
Speaker 1: was trying to be nice to you in the beginning,

1011
00:56:48,640 --> 00:56:50,719
Speaker 1: writing all this stuff down to talk to the nine

1012
00:56:50,760 --> 00:56:53,000
Speaker 1: other people that were involved in the house, trying to

1013
00:56:53,080 --> 00:56:55,440
Speaker 1: get a normal thing of what's going on. Get back

1014
00:56:55,520 --> 00:56:57,840
Speaker 1: to you, get money from everybody and settle it so

1015
00:56:57,920 --> 00:56:59,680
Speaker 1: that you can buy your new stuff too. And the

1016
00:56:59,760 --> 00:57:01,920
Speaker 1: dollar is to buy a new chandelier because it's out

1017
00:57:01,960 --> 00:57:04,440
Speaker 1: of place. You've got to be kidding me. I am

1018
00:57:04,520 --> 00:57:07,799
Speaker 1: not an idiot. Don't patronize me on this. That's how

1019
00:57:07,880 --> 00:57:10,040
Speaker 1: we make our money sometime. You know what you make

1020
00:57:10,120 --> 00:57:13,000
Speaker 1: your money. That's perfectly fine. Okay, then you send me

1021
00:57:13,080 --> 00:57:15,320
Speaker 1: a bill. I'm not going to say this anymore because

1022
00:57:15,320 --> 00:57:16,720
Speaker 1: I'm getting in my car and I'm going to the

1023
00:57:16,760 --> 00:57:19,120
Speaker 1: police station right now. Ma'am, you're getting all wound up

1024
00:57:19,160 --> 00:57:21,400
Speaker 1: like a clock for no reason. What did I do?

1025
00:57:22,000 --> 00:57:26,240
Speaker 1: You're talking about using pool balls at six objects and acouzy, sir,

1026
00:57:26,440 --> 00:57:29,640
Speaker 1: do you realize this or that? Stupid that you don't

1027
00:57:29,680 --> 00:57:32,640
Speaker 1: realize what's coming out of your mouth. Allegedly, I'm not

1028
00:57:32,880 --> 00:57:35,960
Speaker 1: saying that that Allegedly, I don't know what you do

1029
00:57:36,160 --> 00:57:38,360
Speaker 1: for a living, but you have no coups about yourself

1030
00:57:38,440 --> 00:57:42,400
Speaker 1: at all. I apologize for that. I don't watch you apologize.

1031
00:57:42,480 --> 00:57:45,320
Speaker 1: You already hurt my feelings and that's the most important. Okay,

1032
00:57:45,560 --> 00:57:47,920
Speaker 1: why didn't mean to hurt your feelings? Because you've been

1033
00:57:48,040 --> 00:57:52,240
Speaker 1: phone tapped? Janine put us up to it. I love you.

1034
00:57:53,920 --> 00:58:02,280
Speaker 1: Janine's played a phone tap el Durant phone tapp. Have

1035
00:58:02,360 --> 00:58:04,600
Speaker 1: an idea for a phone tap? Go to Elvis Durand

1036
00:58:04,640 --> 00:58:06,760
Speaker 1: dot com, click on the phone tap tab. Tell us

1037
00:58:06,840 --> 00:58:10,400
Speaker 1: what you want to do. Is prerecorded with permission granted

1038
00:58:10,440 --> 00:58:14,720
Speaker 1: by all participates. The Elvis Durand phone tab were on

1039
00:58:14,880 --> 00:58:20,200
Speaker 1: Elvis Durand in the morning show. This is Elvis Durand

1040
00:58:20,360 --> 00:58:24,280
Speaker 1: in the morning show. I'm telling you, if you use

1041
00:58:24,600 --> 00:58:28,880
Speaker 1: Ways or any of these GPS systems to get you

1042
00:58:28,960 --> 00:58:31,480
Speaker 1: from point A to point B in your car, be careful.

1043
00:58:31,560 --> 00:58:34,600
Speaker 1: There was a Chinese food delivery guy here in New

1044
00:58:34,680 --> 00:58:37,560
Speaker 1: York City. He was using Ways navigation app on his

1045
00:58:37,720 --> 00:58:42,720
Speaker 1: bicycle and for some reason, it led him right into

1046
00:58:42,760 --> 00:58:46,840
Speaker 1: the Lincoln Tunnel. And I don't know if you're familiar

1047
00:58:46,880 --> 00:58:48,560
Speaker 1: with you know New York City in Manhattan, but you

1048
00:58:48,600 --> 00:58:50,520
Speaker 1: know the tunnels. You can. You're not supposed to ride

1049
00:58:50,520 --> 00:58:53,640
Speaker 1: your bicycle in the tunnel. You don't want to. It's

1050
00:58:53,640 --> 00:58:56,080
Speaker 1: just something you don't do. He wrote his bicycle down

1051
00:58:56,160 --> 00:58:59,560
Speaker 1: into the tunnel, and I think they arrested him, didn't

1052
00:58:59,560 --> 00:59:04,680
Speaker 1: they They were like, yeah, it wasn't good. And by

1053
00:59:04,680 --> 00:59:07,560
Speaker 1: the way, his name is Bruce Lee. Okay, not the

1054
00:59:07,680 --> 00:59:13,720
Speaker 1: same Bruce Lee. Thanks for asking, though there's confusion. He said, look,

1055
00:59:13,760 --> 00:59:15,800
Speaker 1: you know they pulled him out, is it What are

1056
00:59:15,800 --> 00:59:17,840
Speaker 1: you doing? He said, no, my nav system told me

1057
00:59:17,920 --> 00:59:21,800
Speaker 1: to go into the Lincoln Tunnel. And well, what episode

1058
00:59:22,000 --> 00:59:26,480
Speaker 1: of The Office was it? Where he was following his napsystum,

1059
00:59:28,200 --> 00:59:30,400
Speaker 1: Michael Scott went right into a lake because he said

1060
00:59:30,440 --> 00:59:31,840
Speaker 1: make a left. He went to the lake. Has your

1061
00:59:31,920 --> 00:59:37,800
Speaker 1: NAV system ever has it ever steered you wrong? Yeah? Really, yeah, Samantha,

1062
00:59:37,880 --> 00:59:41,120
Speaker 1: one way I did, like I went into it and

1063
00:59:41,160 --> 00:59:43,040
Speaker 1: then I did that quick loopsie where you could have

1064
00:59:43,120 --> 00:59:45,520
Speaker 1: ruined everyone's day. But so maybe it was not one

1065
00:59:45,560 --> 00:59:47,400
Speaker 1: way at one time, and they made it one one.

1066
00:59:48,240 --> 00:59:50,120
Speaker 1: I feel like mine never knows where I am when

1067
00:59:50,120 --> 00:59:51,840
Speaker 1: I'm driving around New York City, and I think it's

1068
00:59:51,840 --> 00:59:55,160
Speaker 1: because the big buildings kind of blocked the signals. Sometimes

1069
00:59:55,520 --> 00:59:57,560
Speaker 1: it doesn't know what street I'm on, it doesn't know

1070
00:59:57,600 --> 01:00:00,480
Speaker 1: where I should turn left. I'm like, really, this is ridiculous.

1071
01:00:00,560 --> 01:00:04,240
Speaker 1: We were driving through Philly trying to get to a

1072
01:00:04,280 --> 01:00:07,120
Speaker 1: friend's house. I know Philly really well, but it's a

1073
01:00:07,160 --> 01:00:09,640
Speaker 1: part of town I hadn't been in, so let's use

1074
01:00:09,640 --> 01:00:12,880
Speaker 1: a nap we were We ended up in this alleyway

1075
01:00:13,320 --> 01:00:16,080
Speaker 1: and I felt like I felt like I was about

1076
01:00:16,080 --> 01:00:18,240
Speaker 1: to be in the middle of a gang war. They

1077
01:00:18,280 --> 01:00:22,480
Speaker 1: were going to come out, the Jets and the Sharks.

1078
01:00:25,400 --> 01:00:36,080
Speaker 1: What's that song from that? Exactly? Brina Mareno to come

1079
01:00:36,080 --> 01:00:39,360
Speaker 1: out anyway. So I'm stuck in the middle of this

1080
01:00:39,480 --> 01:00:43,280
Speaker 1: alley because because you know, my, my, my, whatever NAV

1081
01:00:43,440 --> 01:00:45,800
Speaker 1: took me there, and there's no way to get out.

1082
01:00:46,480 --> 01:00:50,040
Speaker 1: There's no way to get out. These sons of bitches

1083
01:00:50,640 --> 01:00:52,640
Speaker 1: what are they doing? So you've got to be careful.

1084
01:00:52,680 --> 01:00:54,600
Speaker 1: So I want to hear, like, what weird place did

1085
01:00:54,680 --> 01:00:59,920
Speaker 1: your NAV system send you? Call me out? What's that scary?

1086
01:01:00,280 --> 01:01:03,080
Speaker 1: I was driving somewhere in the suburb and my ways

1087
01:01:03,200 --> 01:01:06,680
Speaker 1: led me onto a dirt road and the road became unfinished,

1088
01:01:06,760 --> 01:01:08,560
Speaker 1: and it was I wanted me to go straight I'm like,

1089
01:01:08,840 --> 01:01:13,200
Speaker 1: this is like dangerous danger. You know the bridges out,

1090
01:01:13,640 --> 01:01:16,920
Speaker 1: keep driving and keep on going. What's up? Steers me

1091
01:01:17,360 --> 01:01:20,600
Speaker 1: because people are so reliant on their GPS systems. They're

1092
01:01:20,600 --> 01:01:22,400
Speaker 1: sitting in the car when you know you need to

1093
01:01:22,440 --> 01:01:25,520
Speaker 1: go in the left lane, and you'll be sitting there

1094
01:01:25,560 --> 01:01:28,160
Speaker 1: and the GPS is saying, okay, keep going straight, Okay,

1095
01:01:28,600 --> 01:01:31,760
Speaker 1: you're listening to a computer like me. I wait for

1096
01:01:31,840 --> 01:01:35,160
Speaker 1: the computer for the GPS to say, dumbs. You made

1097
01:01:35,200 --> 01:01:41,680
Speaker 1: a mistake, hope, So producer Sam Samantha's in here. You

1098
01:01:41,880 --> 01:01:47,120
Speaker 1: told me that you were out shopping for bridesmaid dresses yesterday. Yes,

1099
01:01:47,280 --> 01:01:50,040
Speaker 1: I am a bridesmaid and it was my first experience

1100
01:01:50,080 --> 01:01:52,240
Speaker 1: shopping and I don't think I'm cut out for this

1101
01:01:52,440 --> 01:01:55,400
Speaker 1: traditional crop that you actually said that you want to

1102
01:01:55,520 --> 01:01:58,560
Speaker 1: wear like you want to wear pants. I would love

1103
01:01:58,600 --> 01:02:00,560
Speaker 1: to wear a pant suit if it were up to me.

1104
01:02:01,120 --> 01:02:04,680
Speaker 1: I was frills and tools and you're not a filly

1105
01:02:04,720 --> 01:02:07,439
Speaker 1: tooly person, thank you. I'm not. And I think pants

1106
01:02:07,480 --> 01:02:09,960
Speaker 1: suits are chic. I love those on women. Yeah, but

1107
01:02:10,120 --> 01:02:11,800
Speaker 1: I was like, I love a pant suit on me,

1108
01:02:13,080 --> 01:02:16,360
Speaker 1: statement piece. I was really kind of being looked at

1109
01:02:16,440 --> 01:02:18,680
Speaker 1: by the other girls there who are kind of princessy

1110
01:02:18,720 --> 01:02:21,480
Speaker 1: because I was just making jokes and saying, what is

1111
01:02:21,560 --> 01:02:23,560
Speaker 1: this crap? Like, oh, we all look like we're seven,

1112
01:02:23,680 --> 01:02:26,080
Speaker 1: and they did not like me. There, I don't like doylies.

1113
01:02:26,480 --> 01:02:28,280
Speaker 1: I'll tell you what coming up in about ten fifty minutes.

1114
01:02:28,280 --> 01:02:30,080
Speaker 1: I want to get into this. I want to because

1115
01:02:30,120 --> 01:02:32,640
Speaker 1: we're guys. We don't understand it. Make us understand what's

1116
01:02:32,680 --> 01:02:34,880
Speaker 1: going on. Okay, you got it. I think it'd be

1117
01:02:34,920 --> 01:02:39,520
Speaker 1: awesome to wear like a really really chic pants. Yeah,

1118
01:02:39,560 --> 01:02:41,080
Speaker 1: but it's pans on the bride. You have to do

1119
01:02:41,160 --> 01:02:46,480
Speaker 1: with the pride. Okay, let's get back to GPS. Okay, hello, Sarah,

1120
01:02:46,560 --> 01:02:48,240
Speaker 1: give me fifteen minutes. We'll get into that. Don't go away,

1121
01:02:48,280 --> 01:02:53,720
Speaker 1: don't go too far. Okay, Hi, Sarah. So here's she there?

1122
01:02:53,840 --> 01:02:57,000
Speaker 1: She is? I'm sorry, Hi, Sarah? Hi are you hi?

1123
01:02:57,200 --> 01:02:59,480
Speaker 1: Obviously my GPS told me to take the wrong direction

1124
01:02:59,520 --> 01:03:02,960
Speaker 1: and you weren't here. But anyway, so you're following your GPS.

1125
01:03:03,000 --> 01:03:06,920
Speaker 1: Where was your GPS directing you? So? I was delivering

1126
01:03:06,960 --> 01:03:09,480
Speaker 1: a part from my job and I'm going to a

1127
01:03:09,840 --> 01:03:12,439
Speaker 1: bridge and it took me. It told me to take

1128
01:03:12,480 --> 01:03:15,320
Speaker 1: a left over the bridge. Like in the middle of

1129
01:03:15,360 --> 01:03:19,040
Speaker 1: the bridge. Y did you do it? You haven't work

1130
01:03:19,080 --> 01:03:23,520
Speaker 1: out well. I took a list on the way after

1131
01:03:23,640 --> 01:03:25,800
Speaker 1: and it told me to sit that you turn and

1132
01:03:25,880 --> 01:03:28,240
Speaker 1: go back on the on the bridge to take a ride.

1133
01:03:28,280 --> 01:03:30,120
Speaker 1: Oh my god. And you know and you know how

1134
01:03:30,160 --> 01:03:33,520
Speaker 1: it is, Sarah when your GPS says, when possible, please

1135
01:03:33,600 --> 01:03:36,840
Speaker 1: make a U turn. But what she's telling you is

1136
01:03:36,920 --> 01:03:38,640
Speaker 1: you're a dumbass. You didn't hear what I told you

1137
01:03:38,760 --> 01:03:41,640
Speaker 1: to do, right, make it? You try to make it.

1138
01:03:41,680 --> 01:03:46,280
Speaker 1: You try to drive off the bridge exactly exactly at

1139
01:03:46,400 --> 01:03:48,480
Speaker 1: the time, on the worst day ever. And then they

1140
01:03:48,520 --> 01:03:51,160
Speaker 1: told me, do you think your day was bad? Then?

1141
01:03:51,440 --> 01:03:53,160
Speaker 1: How bad would have enage you driven up a bridge?

1142
01:03:53,680 --> 01:03:55,280
Speaker 1: But yeah, but Nate's right, if you think about it,

1143
01:03:55,320 --> 01:03:57,120
Speaker 1: we're not listening to a human being. We're listening to

1144
01:03:57,200 --> 01:04:00,640
Speaker 1: a computer, just like burping out directions. Don't know where

1145
01:04:00,720 --> 01:04:02,560
Speaker 1: we are. I think they know, I mean and I

1146
01:04:03,040 --> 01:04:05,240
Speaker 1: we all rely on it. It's isn't it programmed to

1147
01:04:05,280 --> 01:04:08,360
Speaker 1: know everything? It's opposed to I don't know, Sarah, Thanks

1148
01:04:08,400 --> 01:04:11,120
Speaker 1: for calling. I appreciate it. Hello, Nina, welcome to the show.

1149
01:04:11,160 --> 01:04:13,440
Speaker 1: How are you hi there? I'm doing well. How are

1150
01:04:13,480 --> 01:04:15,960
Speaker 1: you doing well. So you're driving around with your your

1151
01:04:16,080 --> 01:04:18,320
Speaker 1: NAV is telling you already go in in Vermont, mounting

1152
01:04:18,360 --> 01:04:21,440
Speaker 1: your own business. And what happened? Um? So, yeah, Vermont,

1153
01:04:21,520 --> 01:04:22,920
Speaker 1: we have a lot of back roads, a lot of

1154
01:04:23,000 --> 01:04:25,440
Speaker 1: dirt roads. Um. So I'm driving along going to a

1155
01:04:25,520 --> 01:04:28,760
Speaker 1: friend's house, and it leads me onto what we call

1156
01:04:28,840 --> 01:04:31,360
Speaker 1: a Class four road, which is only for a t

1157
01:04:31,520 --> 01:04:36,400
Speaker 1: VS dirt but snowmobiles in the winter. I'm all of

1158
01:04:36,480 --> 01:04:39,160
Speaker 1: a sudden, I mean, it went right from a regular

1159
01:04:39,240 --> 01:04:42,080
Speaker 1: dirt road to class four road. I'm in two feet

1160
01:04:42,080 --> 01:04:44,920
Speaker 1: of mud. Um you know, the whole bottom of my

1161
01:04:45,040 --> 01:04:49,160
Speaker 1: car is scraping. I have can can't turn around because

1162
01:04:49,280 --> 01:04:51,120
Speaker 1: you're you know, it's as wife as an a t V.

1163
01:04:51,280 --> 01:04:53,720
Speaker 1: And there's woods on both sides of you, and you

1164
01:04:53,760 --> 01:04:56,520
Speaker 1: thought you could trust him. Is it a guy voice

1165
01:04:56,600 --> 01:04:59,840
Speaker 1: or a woman's voice? I have? I have a male

1166
01:05:00,200 --> 01:05:03,600
Speaker 1: um from the UK. Get rid of him? Yeah, put

1167
01:05:03,640 --> 01:05:07,479
Speaker 1: a woman in there with with with an American you can't.

1168
01:05:08,600 --> 01:05:11,520
Speaker 1: I'm finally able to back away, back back, all the

1169
01:05:11,560 --> 01:05:14,560
Speaker 1: way down, and I'm so far out into the woods

1170
01:05:14,600 --> 01:05:17,280
Speaker 1: here in Vermont that it will not reroute me. So

1171
01:05:17,360 --> 01:05:19,560
Speaker 1: I have to stop some random guys, it doesn't know

1172
01:05:19,600 --> 01:05:22,840
Speaker 1: where you are. I don't know where you are, deliverance.

1173
01:05:23,680 --> 01:05:25,640
Speaker 1: I know you know you don't. Whatever you do, don't

1174
01:05:25,640 --> 01:05:27,160
Speaker 1: get out of the car. I love when your your

1175
01:05:27,280 --> 01:05:31,560
Speaker 1: NAV system sends you into quicksand well, thank you, but

1176
01:05:31,920 --> 01:05:35,439
Speaker 1: I wouldn't be surprised nine if eventually the GPS says

1177
01:05:35,480 --> 01:05:38,200
Speaker 1: I'm sorry, I don't know where you are. It really

1178
01:05:38,200 --> 01:05:40,160
Speaker 1: should I can't at this point. I can't even help you.

1179
01:05:40,320 --> 01:05:44,880
Speaker 1: We can't find you. We're sorry. Hello, Anthony, good morning,

1180
01:05:44,920 --> 01:05:48,280
Speaker 1: how are you? Good morning? Sir? What happened with your nav? So?

1181
01:05:48,440 --> 01:05:51,000
Speaker 1: I was on the Atlantic City boardwalk, just walking down

1182
01:05:51,080 --> 01:05:53,040
Speaker 1: the middle of the summer, and I heard a car

1183
01:05:53,200 --> 01:05:57,680
Speaker 1: horn beat and um, somebody board pulled up. Yeah, somebody

1184
01:05:57,720 --> 01:05:59,560
Speaker 1: pulled up the access ramp and sort of driving down

1185
01:05:59,560 --> 01:06:03,360
Speaker 1: the boardwalk. Crick nat, that's what their nas. Trivel on

1186
01:06:03,360 --> 01:06:08,760
Speaker 1: the boardwalk. It's a beautiful day on the Atlantic City

1187
01:06:08,800 --> 01:06:18,680
Speaker 1: board blab god, oh my god, we gotta traffic jab

1188
01:06:18,760 --> 01:06:26,400
Speaker 1: out there on the boardwalk. Oh good lord, hell's coming on?

1189
01:06:26,600 --> 01:06:29,160
Speaker 1: Oh my god. So I just right into Live Tell

1190
01:06:29,240 --> 01:06:34,280
Speaker 1: to War on Good God. I love that. I love

1191
01:06:34,320 --> 01:06:38,120
Speaker 1: sound effects. Thanks thanks for giving us that opportunity. The

1192
01:06:38,200 --> 01:06:41,160
Speaker 1: police want crazy. He pulled them out and uh, the

1193
01:06:41,240 --> 01:06:43,440
Speaker 1: guys were pointing at their GPS. They told us to

1194
01:06:43,480 --> 01:06:46,120
Speaker 1: come up here. So I mean to get out of

1195
01:06:46,200 --> 01:06:47,919
Speaker 1: it by saying it was the g Can you blame

1196
01:06:47,960 --> 01:06:51,120
Speaker 1: the can't GPS for that? Do you think the police

1197
01:06:51,240 --> 01:06:53,600
Speaker 1: believe you at that point? They just think, really, come on,

1198
01:06:54,680 --> 01:06:58,439
Speaker 1: They were pretty angry. So right, all the board walk

1199
01:06:58,880 --> 01:07:02,880
Speaker 1: the Gods J park Way. There's an easy pass getting

1200
01:07:02,880 --> 01:07:08,720
Speaker 1: in the men's road. So stupid. Well, all right, thank

1201
01:07:08,760 --> 01:07:10,760
Speaker 1: you very much for listening to us. And that's that's funny.

1202
01:07:10,760 --> 01:07:12,280
Speaker 1: I would love to have seen that. What sound scary.

1203
01:07:12,760 --> 01:07:15,439
Speaker 1: My GPS was supposed to take me to Red Robin.

1204
01:07:15,480 --> 01:07:17,720
Speaker 1: I ended up in a subdivision of someone's driveway, thirty

1205
01:07:17,800 --> 01:07:21,280
Speaker 1: miles from the closest Red Robin lived in Vermont. We

1206
01:07:21,320 --> 01:07:23,320
Speaker 1: recently had a new story where someone actually drove into

1207
01:07:23,360 --> 01:07:25,920
Speaker 1: the lake because they followed their navigation. You really should

1208
01:07:26,080 --> 01:07:28,720
Speaker 1: keep your eyes on the road. I love the wrong

1209
01:07:28,800 --> 01:07:31,880
Speaker 1: way through Central Park, but that wasn't because of my navigation.

1210
01:07:32,120 --> 01:07:34,360
Speaker 1: That's because of my own stupidity. There you go, your

1211
01:07:34,440 --> 01:07:38,720
Speaker 1: lack of navigation exactly. Hi Barbara, Hey, where did your

1212
01:07:38,960 --> 01:07:42,680
Speaker 1: GPS send you my GPS. I was on my way

1213
01:07:42,760 --> 01:07:47,760
Speaker 1: to the Killer's concert, so this is very recent and they,

1214
01:07:48,480 --> 01:07:51,440
Speaker 1: my GPS, took me to this new tunnel that we

1215
01:07:51,560 --> 01:07:54,040
Speaker 1: they built here in Miami that goes to the Port

1216
01:07:54,120 --> 01:07:59,840
Speaker 1: of Miami, which goes under water. And it was really

1217
01:08:00,040 --> 01:08:02,440
Speaker 1: late at night, and it was probably the scariest experience

1218
01:08:02,520 --> 01:08:05,480
Speaker 1: of my life. What happened no other cars on the road, right,

1219
01:08:06,680 --> 01:08:09,280
Speaker 1: I pretty much envisioned like a scene out of a

1220
01:08:09,360 --> 01:08:14,560
Speaker 1: movie where they the bolts come popping out of the

1221
01:08:15,160 --> 01:08:18,120
Speaker 1: side of the I don't understand you what happened in

1222
01:08:18,160 --> 01:08:21,960
Speaker 1: the in the tunnel. Well, in the tunnel, it was

1223
01:08:22,000 --> 01:08:24,519
Speaker 1: telling me to take a U turn and it was

1224
01:08:24,600 --> 01:08:28,040
Speaker 1: really only two lanes, so that wasn't really an option,

1225
01:08:28,120 --> 01:08:29,680
Speaker 1: and I had no idea what was waiting for me

1226
01:08:29,760 --> 01:08:32,320
Speaker 1: on the other side. And then I ended up having

1227
01:08:32,360 --> 01:08:34,280
Speaker 1: to reverse part of the way through the tunnel. It

1228
01:08:34,400 --> 01:08:38,200
Speaker 1: was a mess, and I was that wasn't gonna find me.

1229
01:08:39,360 --> 01:08:41,840
Speaker 1: I don't know, It's just that's what they do. I mean,

1230
01:08:41,880 --> 01:08:43,519
Speaker 1: I feel like that. I feel like this show is

1231
01:08:44,040 --> 01:08:46,040
Speaker 1: following GPS and we just ran off into the water.

1232
01:08:46,720 --> 01:08:50,560
Speaker 1: It happened. Hold on one second, it's it's true. What's that?

1233
01:08:51,120 --> 01:08:53,920
Speaker 1: What's that? Brody? Would you say that your NEV told

1234
01:08:53,920 --> 01:08:58,040
Speaker 1: you to take that call? Oh, I'm sorry, I see

1235
01:08:58,760 --> 01:09:00,360
Speaker 1: Look it's the middle of the night. You you're in

1236
01:09:00,400 --> 01:09:03,559
Speaker 1: a tunnel and there's water everywhere. Like I have pulled

1237
01:09:03,600 --> 01:09:05,120
Speaker 1: over to the side of the road because I couldn't

1238
01:09:05,160 --> 01:09:08,559
Speaker 1: get a signal and honestly cried for fifteen minutes because

1239
01:09:08,560 --> 01:09:10,439
Speaker 1: I didn't know how to get home because my gee

1240
01:09:10,520 --> 01:09:13,880
Speaker 1: because wouldn't go on terribly, because you really do rely

1241
01:09:14,000 --> 01:09:16,720
Speaker 1: on the day, depend on. Edgar was in Puerto Rico

1242
01:09:16,800 --> 01:09:20,880
Speaker 1: following your GPS and what did it tell you to do? Edgar? Hello, lady, Yeah,

1243
01:09:20,880 --> 01:09:23,360
Speaker 1: what did it tell you to do? Um? So we

1244
01:09:23,479 --> 01:09:26,800
Speaker 1: were going to the National Rainforest, um and you'll get

1245
01:09:27,439 --> 01:09:29,840
Speaker 1: and it told me to make a lap turn and

1246
01:09:30,080 --> 01:09:32,680
Speaker 1: it legit told me to like go over to the

1247
01:09:32,720 --> 01:09:39,080
Speaker 1: cleft the cliff. Do it. No, I'm here, thank god, Okay,

1248
01:09:39,120 --> 01:09:44,920
Speaker 1: thank goodness, thank you for not doing oh man. So

1249
01:09:45,439 --> 01:09:49,639
Speaker 1: in closing, in closing, it's supposed to be an aid

1250
01:09:49,840 --> 01:09:52,679
Speaker 1: to help you get where you want to go. Sometimes

1251
01:09:52,920 --> 01:09:55,200
Speaker 1: it thinks it knows it doesn't, but that's not good

1252
01:09:55,280 --> 01:09:56,920
Speaker 1: because when you don't know where the hell you're going,

1253
01:09:57,080 --> 01:09:59,720
Speaker 1: you need to rely on it, right. It's okay when

1254
01:09:59,760 --> 01:10:02,160
Speaker 1: you're a place where you live and you're just turning

1255
01:10:02,200 --> 01:10:03,960
Speaker 1: it on maybe to get around traffic, whatever, But when

1256
01:10:03,960 --> 01:10:05,759
Speaker 1: you go to a city where you know nothing about,

1257
01:10:05,880 --> 01:10:08,439
Speaker 1: that's your whole way of getting around. I really wish

1258
01:10:08,479 --> 01:10:11,200
Speaker 1: we could get navigation on the show. It could drive

1259
01:10:11,280 --> 01:10:16,479
Speaker 1: us around bad moments. What I don't know, just say it.

1260
01:10:17,360 --> 01:10:20,320
Speaker 1: So it was one year ago today Chester Bennington was here.

1261
01:10:20,560 --> 01:10:23,800
Speaker 1: Remember when he walked in that door. What an amazing man.

1262
01:10:24,160 --> 01:10:27,160
Speaker 1: You know what, Not only is he very talented artist

1263
01:10:27,240 --> 01:10:30,479
Speaker 1: and writer, performer, but Chester Bennington, of course with Lincoln

1264
01:10:30,479 --> 01:10:32,720
Speaker 1: Park of some of the best councert I've ever been to.

1265
01:10:33,240 --> 01:10:35,720
Speaker 1: But the day he walked into our studio one year

1266
01:10:35,760 --> 01:10:38,080
Speaker 1: ago today, he was in great spirits. He was in

1267
01:10:38,120 --> 01:10:40,479
Speaker 1: a good space that day. I remember he made us

1268
01:10:40,640 --> 01:10:43,679
Speaker 1: feel like he was lucky to be here. We felt

1269
01:10:43,720 --> 01:10:45,240
Speaker 1: we were so lucky to be talking to him, and

1270
01:10:45,360 --> 01:10:47,920
Speaker 1: he made us feel the opposite. And what a loss,

1271
01:10:48,080 --> 01:10:50,200
Speaker 1: what a loss for the universe when when he took

1272
01:10:50,240 --> 01:10:53,799
Speaker 1: his own life. But many of the very very incredible

1273
01:10:53,840 --> 01:10:56,840
Speaker 1: things he talked about. One one of my favorite and

1274
01:10:56,920 --> 01:10:58,479
Speaker 1: you have to listen to it. That's why you'll hear

1275
01:10:58,520 --> 01:11:01,000
Speaker 1: in this sound. I asked him to repeat it. I said,

1276
01:11:01,320 --> 01:11:05,160
Speaker 1: can you repeat that again? That we are bigger than

1277
01:11:05,320 --> 01:11:12,559
Speaker 1: our roles, Like, who are you a radio person? Right?

1278
01:11:12,880 --> 01:11:15,600
Speaker 1: So you're bigger than his point is this, Listen to this.

1279
01:11:15,800 --> 01:11:17,479
Speaker 1: The last thing that we want to do in life

1280
01:11:17,640 --> 01:11:20,200
Speaker 1: is like is become subject to the rules we place

1281
01:11:20,280 --> 01:11:23,960
Speaker 1: ourselves in. You know, Um, we're all so much. Everyone

1282
01:11:24,040 --> 01:11:26,880
Speaker 1: in the world is bigger than the role that they

1283
01:11:26,960 --> 01:11:29,479
Speaker 1: think they need to play. Say that again, and I

1284
01:11:29,520 --> 01:11:33,840
Speaker 1: want everyone to hear what you just said. Yeah, of course,

1285
01:11:34,040 --> 01:11:36,240
Speaker 1: can you find that brain stif I think I've got

1286
01:11:36,320 --> 01:11:39,840
Speaker 1: that one, unlock do it again. Basically, I think that

1287
01:11:40,000 --> 01:11:42,960
Speaker 1: you know, everyone in the world is is capable of

1288
01:11:43,120 --> 01:11:46,400
Speaker 1: living outside the role or beyond the rules that they

1289
01:11:46,479 --> 01:11:50,439
Speaker 1: placed themselves in. Um, no matter what it is, you know, uh,

1290
01:11:51,200 --> 01:11:53,400
Speaker 1: you're not just a dad, You're not just a banker.

1291
01:11:53,560 --> 01:11:58,799
Speaker 1: You're not just a brother or a son or a convict.

1292
01:11:59,040 --> 01:12:03,799
Speaker 1: It doesn't matter. Like everyone is bigger, much bigger, infinitely

1293
01:12:03,840 --> 01:12:06,720
Speaker 1: bigger than the roles they place themselves in, and is

1294
01:12:06,800 --> 01:12:10,839
Speaker 1: capable of reaching potential greater than anything they could imagine.

1295
01:12:11,000 --> 01:12:13,240
Speaker 1: Most of the time people sell themselves short on their goals.

1296
01:12:13,320 --> 01:12:16,160
Speaker 1: If we go down a list, do you sell yourself short? Sometimes,

1297
01:12:16,479 --> 01:12:20,120
Speaker 1: like every day. That's the human condition, you know. We

1298
01:12:20,320 --> 01:12:22,599
Speaker 1: just we think we're we think we have a ceiling

1299
01:12:23,760 --> 01:12:26,920
Speaker 1: um when it comes to our potential and the and

1300
01:12:27,040 --> 01:12:29,040
Speaker 1: the real and the truth is that there is no ceiling.

1301
01:12:29,760 --> 01:12:32,759
Speaker 1: One year ago today, Chester Bennington said those words sitting

1302
01:12:32,800 --> 01:12:36,880
Speaker 1: in this chair right here. What incredible music he left us,

1303
01:12:36,920 --> 01:12:41,519
Speaker 1: the legacy amazing. We were so lucky to have the

1304
01:12:41,600 --> 01:12:44,760
Speaker 1: gift of his visit that day Elvis Durrain in the

1305
01:12:44,840 --> 01:12:48,519
Speaker 1: Morning Show. So American Express and Hilton have great new

1306
01:12:48,640 --> 01:12:51,479
Speaker 1: cards with awesome benefits for card members, and they want

1307
01:12:51,479 --> 01:12:53,200
Speaker 1: to give someone a trip to New York to see

1308
01:12:53,280 --> 01:12:56,479
Speaker 1: Charlie Pooth live. Visit Elvis duran dot com to enter

1309
01:12:56,520 --> 01:12:59,160
Speaker 1: and get rules and check out card benefits. Terms apply.

1310
01:13:03,320 --> 01:13:07,879
Speaker 1: My heart will be blessed with a sound of music.

1311
01:13:09,560 --> 01:13:16,400
Speaker 1: Are you wing much your show? I'm blah blah blah

1312
01:13:16,400 --> 01:13:18,800
Speaker 1: blah blah. I wake up to you every Mornay morning morning.

1313
01:13:20,200 --> 01:13:23,719
Speaker 1: Thank you for being a great host in a time

1314
01:13:23,760 --> 01:13:26,080
Speaker 1: when a lot of people need it. WHOA this is

1315
01:13:26,200 --> 01:13:30,000
Speaker 1: Mr Michael Uppenheimer. Believe the long what are you looking

1316
01:13:30,080 --> 01:13:34,920
Speaker 1: at right now? Go pink ball? Why are you wearing

1317
01:13:34,960 --> 01:13:44,560
Speaker 1: Captain deuced cockles? This is customer You guys ready for

1318
01:13:44,600 --> 01:13:49,120
Speaker 1: your day. I'm ready. I'm ready. Durian in the Morning Show.

1319
01:13:52,479 --> 01:13:56,559
Speaker 1: This is Elvis Green in the Morning Show. So much

1320
01:13:56,600 --> 01:14:00,320
Speaker 1: going on, We've got so much to talk about. Producer

1321
01:14:00,360 --> 01:14:03,439
Speaker 1: Sam Samantha's here. We're gonna talk about her shopping for

1322
01:14:03,640 --> 01:14:10,240
Speaker 1: bridesmaid dresses yesterday. I'm so sorry. We'll get into that

1323
01:14:10,320 --> 01:14:12,360
Speaker 1: in a second. Also sound with a very good American

1324
01:14:12,400 --> 01:14:15,800
Speaker 1: Garrett's High garrettod morning, Daniel, my lover, good morning. We're

1325
01:14:15,800 --> 01:14:17,080
Speaker 1: about to go around the room. I hope you have

1326
01:14:17,160 --> 01:14:18,840
Speaker 1: some pearls of wisdoms to share. I don't know if

1327
01:14:18,840 --> 01:14:21,840
Speaker 1: they're farls of wisdom. Tonight on CNNs are doing a

1328
01:14:21,920 --> 01:14:25,240
Speaker 1: town meeting and uh town hall meeting, and they're doing

1329
01:14:25,280 --> 01:14:27,880
Speaker 1: it live from BB and T Center in beautiful Sunrise,

1330
01:14:28,680 --> 01:14:30,720
Speaker 1: of course, where we have our jingle Ball concerts. It's

1331
01:14:30,760 --> 01:14:32,759
Speaker 1: gonna be a very important night starting at nine o'clock

1332
01:14:32,800 --> 01:14:35,559
Speaker 1: tonight with students and of course teachers and parents. It's

1333
01:14:35,560 --> 01:14:38,120
Speaker 1: going to be an incredible two hours, I believe, two

1334
01:14:38,200 --> 01:14:41,840
Speaker 1: hours starting at nine o'clock, but before that, Froggy is

1335
01:14:41,880 --> 01:14:44,960
Speaker 1: going to be on w io D, our news talk

1336
01:14:45,040 --> 01:14:49,439
Speaker 1: station in Miami, and he's hosting two hours on his own.

1337
01:14:49,479 --> 01:14:51,559
Speaker 1: That's gonna be incredible. You've got you've got other people

1338
01:14:51,600 --> 01:14:53,280
Speaker 1: with you though, right yes, it'll be a couple of

1339
01:14:53,360 --> 01:14:55,320
Speaker 1: the people with me, Papa Keith from one oh three

1340
01:14:55,400 --> 01:14:57,160
Speaker 1: five to Beat here in South Florida, as well as

1341
01:14:57,240 --> 01:14:59,040
Speaker 1: Doc Rino from Big one oh five nine, and we'll

1342
01:14:59,040 --> 01:15:02,639
Speaker 1: be taking your call and listening to conversations on how

1343
01:15:02,800 --> 01:15:05,800
Speaker 1: we can affect change, how we can move forward, and

1344
01:15:05,920 --> 01:15:08,800
Speaker 1: do everybody do their own little piece to make sure

1345
01:15:08,840 --> 01:15:11,160
Speaker 1: that something like this does not happen again here in

1346
01:15:11,240 --> 01:15:14,160
Speaker 1: South Florida or anywhere in our country. Is that amazing?

1347
01:15:14,880 --> 01:15:17,360
Speaker 1: We're so proud of you, Froggy. So that's gonna be

1348
01:15:17,400 --> 01:15:19,160
Speaker 1: tonight on w io D. If you don't live in

1349
01:15:19,240 --> 01:15:21,880
Speaker 1: South Florida, you can go to w io D dot

1350
01:15:21,960 --> 01:15:25,400
Speaker 1: com and listen to Froggy or in your heart radio

1351
01:15:25,400 --> 01:15:27,599
Speaker 1: app right on right on there as well. Well, it's

1352
01:15:27,680 --> 01:15:29,640
Speaker 1: right the I R radio app is w io D

1353
01:15:29,760 --> 01:15:31,800
Speaker 1: on it. So that starts at seven o'clock East Coast

1354
01:15:31,840 --> 01:15:35,240
Speaker 1: time tonight now Friday night. There's a benefit concert for

1355
01:15:35,439 --> 01:15:39,400
Speaker 1: Marjorie Stoneman. It's at Revolution Live in Fort Lauderdale. I

1356
01:15:39,479 --> 01:15:41,840
Speaker 1: know it starts around six Tickets are only the twenty

1357
01:15:41,880 --> 01:15:44,479
Speaker 1: dollars you can go to ticketmaster dot com and by these,

1358
01:15:44,520 --> 01:15:46,960
Speaker 1: of course, all proceeds go to people who are affected

1359
01:15:47,000 --> 01:15:50,000
Speaker 1: by that awful tragedy. And you know what we're talking about.

1360
01:15:50,760 --> 01:15:54,360
Speaker 1: The conversation continues now through music, of course, as we

1361
01:15:54,479 --> 01:15:58,160
Speaker 1: all agree, music is the ultimate healer. And I don't

1362
01:15:58,200 --> 01:16:00,920
Speaker 1: know if they've officially announced the lineup. I know who's

1363
01:16:00,920 --> 01:16:02,479
Speaker 1: gonna be on stage. It's gonna be a great show,

1364
01:16:02,560 --> 01:16:05,360
Speaker 1: just trust me. Yeah, we've announced two of the access Okay,

1365
01:16:05,400 --> 01:16:08,720
Speaker 1: so so far you've announced Jack and Jack right and

1366
01:16:08,880 --> 01:16:11,679
Speaker 1: Austin Mahone. And I know you're working on Wait, that's three,

1367
01:16:11,920 --> 01:16:15,679
Speaker 1: Jack and then Jack. I think they're one. Think yeah,

1368
01:16:15,680 --> 01:16:19,400
Speaker 1: I think that comes as one. Yeah, Jack and Jack

1369
01:16:19,439 --> 01:16:22,519
Speaker 1: will be there, Austin Mahone of course, Austin Mahone local.

1370
01:16:23,160 --> 01:16:25,160
Speaker 1: And of course this other guy we're trying to get

1371
01:16:25,280 --> 01:16:28,920
Speaker 1: who's from that area. I was texting with him last night.

1372
01:16:29,160 --> 01:16:31,599
Speaker 1: So I'm doing everything I can to be at that benefit.

1373
01:16:32,080 --> 01:16:35,400
Speaker 1: And that is Friday night. The uh, if you're gonna

1374
01:16:35,439 --> 01:16:38,640
Speaker 1: go to ticketmaster dot com again. Do that. It's the

1375
01:16:38,680 --> 01:16:43,360
Speaker 1: benefit concert for Marjorie Stoneman and let's see. Hold on,

1376
01:16:43,520 --> 01:16:45,680
Speaker 1: we're gonna live. I'm sorry, I'm not prepared. It's a

1377
01:16:45,720 --> 01:16:49,080
Speaker 1: revolution live in Fort Lauderdale. Twenty bucks a ticket and

1378
01:16:49,240 --> 01:16:54,160
Speaker 1: every single dollar goes to uh the go fund me

1379
01:16:54,160 --> 01:16:56,080
Speaker 1: account that at this point, I believe it's well over

1380
01:16:56,160 --> 01:16:58,400
Speaker 1: one point five million dollars. And all you have to

1381
01:16:58,439 --> 01:17:00,519
Speaker 1: do is go without coffee for like two days and

1382
01:17:00,600 --> 01:17:03,360
Speaker 1: then you can afford the ticket, especially if you buy Starbucks. Yeah,

1383
01:17:03,360 --> 01:17:06,320
Speaker 1: almost like one day. It's such a great it's gonna

1384
01:17:06,320 --> 01:17:08,120
Speaker 1: be a great night. So I'm doing everything I can

1385
01:17:08,200 --> 01:17:11,120
Speaker 1: to get down there for that. And gosh, yesterday the

1386
01:17:11,200 --> 01:17:14,439
Speaker 1: stars were coming out donating half a million dollars each.

1387
01:17:14,520 --> 01:17:17,880
Speaker 1: I know that. Did you see the story George George

1388
01:17:19,400 --> 01:17:21,439
Speaker 1: George Clooney actually says he's going to be there for

1389
01:17:21,520 --> 01:17:25,960
Speaker 1: the for the benefit and also whether that's a different thing. Yeah,

1390
01:17:26,560 --> 01:17:29,479
Speaker 1: they're they're walking. I mean they're walking, they're marching, they're walking,

1391
01:17:29,520 --> 01:17:34,240
Speaker 1: and everyone's doing everything. These kids are so so inspiring.

1392
01:17:35,000 --> 01:17:37,680
Speaker 1: When I was in high school, I was I had

1393
01:17:37,760 --> 01:17:42,639
Speaker 1: no reason to focus on anything of anything worthwhile, anyway,

1394
01:17:43,479 --> 01:17:45,840
Speaker 1: and these are our there. I don't even want to

1395
01:17:45,840 --> 01:17:48,960
Speaker 1: call them leaders of tomorrow, their leaders now totally, and

1396
01:17:49,040 --> 01:17:51,840
Speaker 1: we're so so proud of them. And George Clooney says

1397
01:17:51,880 --> 01:17:53,639
Speaker 1: that he's going to be in Washington with his family

1398
01:17:53,680 --> 01:17:58,240
Speaker 1: on March for the gun control rally, and then Clooney, Oprah,

1399
01:17:58,320 --> 01:18:01,800
Speaker 1: Steven Spielberg, Jeffrey Katson, they've each pledged five hundred thousand

1400
01:18:01,840 --> 01:18:04,640
Speaker 1: dollars to the programs. That's so, that's already one and

1401
01:18:04,680 --> 01:18:10,120
Speaker 1: a half million dollars Hollywood's coming up with, which takes

1402
01:18:10,160 --> 01:18:13,240
Speaker 1: me to our teachers and our educators and our schools.

1403
01:18:13,840 --> 01:18:16,920
Speaker 1: The other day we set up an Elvis page at

1404
01:18:16,960 --> 01:18:19,960
Speaker 1: donors choose dot org. There are teachers all around the country.

1405
01:18:20,040 --> 01:18:23,080
Speaker 1: In your town, there are teachers who need money. They

1406
01:18:23,120 --> 01:18:28,440
Speaker 1: need money to help fund UH projects in their classrooms.

1407
01:18:28,840 --> 01:18:33,440
Speaker 1: Some of them need music, they need instruments, they need pencils,

1408
01:18:33,640 --> 01:18:39,519
Speaker 1: they need some people, they need like bucks. So I

1409
01:18:39,640 --> 01:18:42,040
Speaker 1: just I sat down with a Okay, I'll tell you

1410
01:18:42,120 --> 01:18:43,840
Speaker 1: what I did. I sat down with a bottle of

1411
01:18:43,920 --> 01:18:46,920
Speaker 1: wine in my living room and I went to donors

1412
01:18:47,000 --> 01:18:50,640
Speaker 1: choose dot org. And we originally, we originally said we

1413
01:18:50,720 --> 01:18:53,000
Speaker 1: were going to donate ten thousand dollars and to spread

1414
01:18:53,040 --> 01:18:56,599
Speaker 1: it out across teachers across the country. I looked up

1415
01:18:56,640 --> 01:18:59,800
Speaker 1: and I thought I was running around ten thousand. It

1416
01:18:59,920 --> 01:19:05,320
Speaker 1: was twenty dollars. And I'm like, no, I know, I

1417
01:19:05,479 --> 01:19:08,000
Speaker 1: have a little buzz going on, but I didn't. I

1418
01:19:08,120 --> 01:19:11,880
Speaker 1: did not donate twenty thousand dollars. Come to find out,

1419
01:19:11,960 --> 01:19:13,960
Speaker 1: Greg t was on the same account that I gave

1420
01:19:14,040 --> 01:19:16,759
Speaker 1: him the password too. He was donating on my behalf.

1421
01:19:17,240 --> 01:19:19,960
Speaker 1: So now I'm I got a pony up twenty thousand dollars.

1422
01:19:20,240 --> 01:19:23,160
Speaker 1: We'll find it, we'll get it, no problem. As of

1423
01:19:23,320 --> 01:19:25,479
Speaker 1: right now. If you go to donors choose dot org

1424
01:19:25,760 --> 01:19:31,920
Speaker 1: slash elvis. That's donors choose dot org slash Elvis. One

1425
01:19:32,040 --> 01:19:35,360
Speaker 1: hundred and eight projects have been funded in the past

1426
01:19:35,560 --> 01:19:40,920
Speaker 1: four or five days. Ten thousand, nine hundred and nineties

1427
01:19:41,000 --> 01:19:44,560
Speaker 1: students have been helped from these projects. Please go to

1428
01:19:44,880 --> 01:19:48,080
Speaker 1: donors choose dot org slash Elvis and get whatever you can.

1429
01:19:48,160 --> 01:19:51,960
Speaker 1: Of course, it's tax deductible. So don't you see this

1430
01:19:52,160 --> 01:19:55,680
Speaker 1: is It started with a with a tragic day at

1431
01:19:55,720 --> 01:19:59,680
Speaker 1: school for these kids, and it's turned into marches on Washington,

1432
01:20:00,479 --> 01:20:06,679
Speaker 1: It's turned into future Leaders of America at rallies calling bs.

1433
01:20:07,920 --> 01:20:11,080
Speaker 1: So the way things are being done now, we're raising

1434
01:20:11,120 --> 01:20:14,040
Speaker 1: money for teachers and students around the world out of

1435
01:20:14,200 --> 01:20:18,439
Speaker 1: something that was probably definitely the saddest day and so

1436
01:20:18,520 --> 01:20:21,640
Speaker 1: many people's lives. We see the sun starting to come

1437
01:20:21,680 --> 01:20:24,320
Speaker 1: out and warm the earth and do good things. So,

1438
01:20:24,800 --> 01:20:28,080
Speaker 1: you know what, do good things. It's so simple, and

1439
01:20:28,120 --> 01:20:30,240
Speaker 1: we're giving you plenty opportunity to do that. Samantha, why

1440
01:20:30,240 --> 01:20:31,840
Speaker 1: are you crying over there? You? Okay, yeah, I'm an

1441
01:20:31,840 --> 01:20:35,160
Speaker 1: easy tip over what canna say? I was watching them

1442
01:20:35,240 --> 01:20:36,840
Speaker 1: on TV you know this this week, and I was

1443
01:20:36,880 --> 01:20:39,040
Speaker 1: watching the kids, the kids. I don't like saying that,

1444
01:20:39,160 --> 01:20:41,599
Speaker 1: but I was watching the students affected talk on Sunday morning,

1445
01:20:41,960 --> 01:20:44,840
Speaker 1: and I felt so empowered and proud. And I had

1446
01:20:44,880 --> 01:20:46,479
Speaker 1: no reason to feel proud. I had nothing to do

1447
01:20:46,600 --> 01:20:49,200
Speaker 1: with these guys, but I was just so happy to

1448
01:20:50,280 --> 01:20:53,080
Speaker 1: see these parents who raise these kids, who can experience

1449
01:20:53,160 --> 01:20:55,000
Speaker 1: this and then so quickly put their fist down and

1450
01:20:55,080 --> 01:20:58,880
Speaker 1: say enough and do something. Oprah actually was comparing them

1451
01:20:58,960 --> 01:21:01,840
Speaker 1: to the freedom writers of the nineteen sixties. So if

1452
01:21:01,840 --> 01:21:04,280
Speaker 1: you don't know what that is, google it. I don't

1453
01:21:04,320 --> 01:21:06,760
Speaker 1: even know what that is. We're the freedom writers. What

1454
01:21:06,920 --> 01:21:09,280
Speaker 1: they do. Hold on, I don't want to tell you

1455
01:21:09,400 --> 01:21:11,559
Speaker 1: the wrong thing, so I'm going to look it up.

1456
01:21:11,800 --> 01:21:17,800
Speaker 1: Google's never wrong. You wrong how much I make? If

1457
01:21:17,800 --> 01:21:21,200
Speaker 1: you want to go to Wikipedia, that's where it's wrong typically,

1458
01:21:21,320 --> 01:21:24,479
Speaker 1: But any anyway, so you have it. Yeah, freedom writers,

1459
01:21:24,840 --> 01:21:27,400
Speaker 1: here we go. Hold on, it was a civil rights thing.

1460
01:21:27,479 --> 01:21:29,839
Speaker 1: I know that were groups of white and African American

1461
01:21:29,920 --> 01:21:33,080
Speaker 1: civil rights activists who participated in freedom rights bus trips

1462
01:21:33,120 --> 01:21:35,759
Speaker 1: through the American South in n sixty one to protest

1463
01:21:36,080 --> 01:21:40,240
Speaker 1: segregated bus terminals. Absolutely yeah, and they freedom Writers tried

1464
01:21:40,320 --> 01:21:42,800
Speaker 1: to use whites only restrooms and lunch counters of bus

1465
01:21:42,880 --> 01:21:45,760
Speaker 1: stations in Alabama, South Carolina and other Southern states. And

1466
01:21:45,840 --> 01:21:48,880
Speaker 1: the groups were confronted by arresting police officers, all kinds

1467
01:21:48,880 --> 01:21:51,400
Speaker 1: of violence along the routes, but they always stood up

1468
01:21:51,400 --> 01:21:54,280
Speaker 1: for what they believed in, so you know they would

1469
01:21:54,520 --> 01:21:56,679
Speaker 1: they would hop onto buses and head to the South

1470
01:21:57,400 --> 01:21:59,960
Speaker 1: to do all sorts of things help get black people

1471
01:22:00,080 --> 01:22:03,559
Speaker 1: registered to vote. I mean, there were so many important

1472
01:22:03,680 --> 01:22:06,400
Speaker 1: civil rights movements back in the sixties. That was one

1473
01:22:06,479 --> 01:22:09,400
Speaker 1: of many important ones. So this Oprah says is the

1474
01:22:09,479 --> 01:22:13,840
Speaker 1: modern day version by the way uh if you follow

1475
01:22:13,960 --> 01:22:21,439
Speaker 1: spirituality and the history of of h religion in America.

1476
01:22:21,560 --> 01:22:27,960
Speaker 1: Billy Graham, known as America's pastor, passed away nine years old.

1477
01:22:30,000 --> 01:22:32,599
Speaker 1: He has served as counsel or minister to a dozen

1478
01:22:32,720 --> 01:22:35,840
Speaker 1: US presidents. He preached to two million people in a

1479
01:22:35,920 --> 01:22:38,960
Speaker 1: hundred and eighty five countries around the world during his life.

1480
01:22:39,640 --> 01:22:41,920
Speaker 1: Billy Graham and I know, I think his son is

1481
01:22:42,200 --> 01:22:46,559
Speaker 1: carrying on his his legacy. But anyway, he passed away

1482
01:22:46,720 --> 01:22:49,880
Speaker 1: just announced at the age of If not you, your

1483
01:22:49,920 --> 01:22:53,560
Speaker 1: parents or your grandparents may be very familiar. He was

1484
01:22:53,600 --> 01:22:57,120
Speaker 1: also UH an advisor, a spiritual advisor to the Queen

1485
01:22:57,160 --> 01:23:02,360
Speaker 1: of England. Yeah, these are all important stories and things

1486
01:23:02,400 --> 01:23:06,400
Speaker 1: that you need to be googling. It didn't all start

1487
01:23:06,439 --> 01:23:07,920
Speaker 1: the day you were born. There was stuff going on

1488
01:23:08,800 --> 01:23:12,280
Speaker 1: got us to that point. You know that, right, It's

1489
01:23:12,360 --> 01:23:15,840
Speaker 1: it's good to learn. Hello, Jennifer, how are you Hi?

1490
01:23:16,080 --> 01:23:18,720
Speaker 1: How are you? Oh? Oh, I just learned you're calling

1491
01:23:18,720 --> 01:23:22,600
Speaker 1: from Parkland, Florida. What's going on? I am wow. I

1492
01:23:22,640 --> 01:23:24,679
Speaker 1: didn't expect to speak with you, guys. I was actually

1493
01:23:24,760 --> 01:23:27,000
Speaker 1: just calling to thank you for talking about this. You're

1494
01:23:27,000 --> 01:23:29,080
Speaker 1: just bringing your count to you know, all of your

1495
01:23:29,160 --> 01:23:33,599
Speaker 1: listeners about what's going on here, because it's just well,

1496
01:23:33,640 --> 01:23:36,840
Speaker 1: I tell you, I mean, I'm thinking our listeners are

1497
01:23:37,320 --> 01:23:39,760
Speaker 1: the smarter listeners. They know what's going on there, you know,

1498
01:23:39,880 --> 01:23:42,960
Speaker 1: and we're just here to remind them of different organizations

1499
01:23:43,000 --> 01:23:45,720
Speaker 1: who are doing something to move forward. And how are you,

1500
01:23:46,160 --> 01:23:49,080
Speaker 1: being a member of the community in Parkland, Florida, how

1501
01:23:49,120 --> 01:23:50,519
Speaker 1: are you and your family and your friends and your

1502
01:23:50,520 --> 01:23:55,040
Speaker 1: neighbors doing. Um, I mean it's as well as we

1503
01:23:55,120 --> 01:23:57,840
Speaker 1: could be. It's just, you know, no one expects something

1504
01:23:57,920 --> 01:24:01,000
Speaker 1: like this to happen in our hometown. Ironically, part of

1505
01:24:01,320 --> 01:24:03,679
Speaker 1: just ring the number one safe the city in Florida

1506
01:24:03,800 --> 01:24:06,479
Speaker 1: to day before the shooting. Um, you know, people move

1507
01:24:06,560 --> 01:24:08,719
Speaker 1: here for the school, people move here for the community,

1508
01:24:08,760 --> 01:24:11,240
Speaker 1: people move here for the safety, and then something like

1509
01:24:11,360 --> 01:24:15,640
Speaker 1: this happened. So it's shocking, it's devastating, it's heartbreaking. And

1510
01:24:16,040 --> 01:24:19,160
Speaker 1: it's such a small community. Everybody here knows everybody, so

1511
01:24:19,240 --> 01:24:23,240
Speaker 1: we're all connected, we're all united, and we're all suffered together.

1512
01:24:23,400 --> 01:24:27,080
Speaker 1: So and um, I know, since you're so close to it,

1513
01:24:27,200 --> 01:24:30,600
Speaker 1: I'm sure it's it's still very painful. So does that

1514
01:24:30,720 --> 01:24:33,280
Speaker 1: bother you to hear us on the show going out

1515
01:24:33,320 --> 01:24:35,519
Speaker 1: of something so tragic, good things are starting to happen.

1516
01:24:35,600 --> 01:24:37,559
Speaker 1: Is it too early for you to see good things happen?

1517
01:24:37,640 --> 01:24:42,720
Speaker 1: Do you need more time to be in Greece? No,

1518
01:24:43,120 --> 01:24:45,720
Speaker 1: the times now, I mean people need to take action now.

1519
01:24:45,840 --> 01:24:47,720
Speaker 1: People need to talk about this now and do it

1520
01:24:47,760 --> 01:24:51,400
Speaker 1: while it's all still fresh. You know. Unfortunately with tragedy

1521
01:24:51,520 --> 01:24:53,800
Speaker 1: like time goes on and people heal and people just

1522
01:24:53,960 --> 01:24:57,080
Speaker 1: get back to normal life. But I'm not sure that

1523
01:24:57,720 --> 01:25:01,439
Speaker 1: that is, um something that happened so soon here after

1524
01:25:01,560 --> 01:25:03,400
Speaker 1: something like this, But it's now that we need to

1525
01:25:03,439 --> 01:25:06,519
Speaker 1: do something. Um So, No, it doesn't bother me. I

1526
01:25:06,560 --> 01:25:08,640
Speaker 1: I think it's amazing. I think people need to keep

1527
01:25:08,680 --> 01:25:10,519
Speaker 1: talking about it. I think people need to keep getting

1528
01:25:10,560 --> 01:25:13,160
Speaker 1: fired up about it and keep doing something. I think

1529
01:25:13,240 --> 01:25:15,719
Speaker 1: this is something that we can't like, you know, brush

1530
01:25:15,760 --> 01:25:17,599
Speaker 1: to the side. You know how many times things happen

1531
01:25:17,640 --> 01:25:19,640
Speaker 1: and then after a while it's like okay, and then

1532
01:25:19,720 --> 01:25:22,320
Speaker 1: you brush into the side. This cannot be brushed to

1533
01:25:22,360 --> 01:25:25,519
Speaker 1: the side. This has to keep moving forward. And it

1534
01:25:25,600 --> 01:25:29,360
Speaker 1: feels different this time. Different. Yeah, you know, I keep

1535
01:25:29,400 --> 01:25:32,000
Speaker 1: on saying that, I keep on saying that. I I

1536
01:25:32,040 --> 01:25:33,639
Speaker 1: don't know if it's because I live here. I don't

1537
01:25:33,680 --> 01:25:35,800
Speaker 1: know if it's because I'm still immersing what's going on,

1538
01:25:35,960 --> 01:25:39,000
Speaker 1: but it really feels different. Just attraction that is like

1539
01:25:39,760 --> 01:25:42,000
Speaker 1: going on right now with the celebrity is coming out

1540
01:25:42,120 --> 01:25:45,640
Speaker 1: with our amazing and poise and brave students that are

1541
01:25:45,720 --> 01:25:50,640
Speaker 1: speaking um to these news outlets. It's just it's really incredible.

1542
01:25:50,760 --> 01:25:52,280
Speaker 1: And as a mom, I have a side who just

1543
01:25:52,320 --> 01:25:56,200
Speaker 1: started kindergarten this year. I mean, this is just something

1544
01:25:56,360 --> 01:25:59,360
Speaker 1: that hits so close to home. We wanted you just now.

1545
01:25:59,479 --> 01:26:01,320
Speaker 1: We want our kids to be seefe and we want

1546
01:26:01,320 --> 01:26:04,439
Speaker 1: to change things. So you know, this is the future

1547
01:26:04,439 --> 01:26:06,800
Speaker 1: of our country. Are these kids we need? We need

1548
01:26:06,840 --> 01:26:10,000
Speaker 1: to have helped them act on their behalf? Well, thank

1549
01:26:10,040 --> 01:26:13,200
Speaker 1: you and you put that, you put that so perfectly,

1550
01:26:13,320 --> 01:26:15,400
Speaker 1: And yeah, it does feel very close to home for

1551
01:26:15,439 --> 01:26:17,960
Speaker 1: you because you are there. And I do think this

1552
01:26:18,080 --> 01:26:20,920
Speaker 1: one is different because it is on top of a

1553
01:26:21,040 --> 01:26:24,559
Speaker 1: foundation of other stories like it. You know, there are

1554
01:26:24,640 --> 01:26:27,040
Speaker 1: there were other shootings and other schools around the around

1555
01:26:27,080 --> 01:26:29,439
Speaker 1: the country that just helped build to where we are

1556
01:26:29,640 --> 01:26:32,400
Speaker 1: with how we feel, so they're all equally as important

1557
01:26:32,600 --> 01:26:35,760
Speaker 1: as far as let's make some change happen. Jennifer, Thank

1558
01:26:35,800 --> 01:26:38,519
Speaker 1: you have a beautiful day to day and uh, we

1559
01:26:38,800 --> 01:26:41,160
Speaker 1: we're looking forward to being down there for the benefit

1560
01:26:41,240 --> 01:26:44,519
Speaker 1: concert Friday night in Fort lauder Day. Okay, thank you

1561
01:26:44,600 --> 01:26:47,120
Speaker 1: so much, thank you, thank you. I want to hear

1562
01:26:47,120 --> 01:26:48,920
Speaker 1: from more people like her tonight when we're doing the

1563
01:26:49,120 --> 01:26:51,040
Speaker 1: pre show from seven to nine on w I O D.

1564
01:26:51,760 --> 01:26:54,640
Speaker 1: And meanwhile, I'm looking at texts and I see a

1565
01:26:54,720 --> 01:26:58,120
Speaker 1: police officer in Mobile, Alabama was shot and killed. Our

1566
01:26:58,160 --> 01:27:07,920
Speaker 1: first responders, you know, students, teachers, first responders, all of us, everyone, librarians, doctors,

1567
01:27:09,200 --> 01:27:12,320
Speaker 1: everyone is on the front line. You never know when

1568
01:27:12,400 --> 01:27:15,559
Speaker 1: something's going to happen and in your life is taken.

1569
01:27:16,120 --> 01:27:21,280
Speaker 1: Justin Billa Bila Bia from Mobile, Alabama, his family and

1570
01:27:21,479 --> 01:27:25,040
Speaker 1: his his co workers on the force. We're thinking about you.

1571
01:27:25,600 --> 01:27:28,040
Speaker 1: So anyway, I know this is kind of a very

1572
01:27:28,200 --> 01:27:32,080
Speaker 1: very moving, touching break, and I know we're usually just like, hey, buddy,

1573
01:27:33,720 --> 01:27:36,160
Speaker 1: let's let's talk about you know, what's what's real now?

1574
01:27:36,960 --> 01:27:40,599
Speaker 1: Tost and it makes the it makes the fun moments

1575
01:27:40,640 --> 01:27:42,800
Speaker 1: even more fun. It makes you want to taste great

1576
01:27:42,840 --> 01:27:45,439
Speaker 1: tastes and do fun things. What's up, Garrett. You know,

1577
01:27:45,720 --> 01:27:48,559
Speaker 1: voting is very important and it we have mid term

1578
01:27:48,600 --> 01:27:50,760
Speaker 1: elections coming up next year. So I was just reading

1579
01:27:50,800 --> 01:27:53,360
Speaker 1: which is kind of interesting, and especially in Florida, any

1580
01:27:53,479 --> 01:27:57,160
Speaker 1: seventeen year old who will be eighteen by November is

1581
01:27:57,240 --> 01:27:59,840
Speaker 1: eligible to register to vote in the crucial mid term

1582
01:27:59,880 --> 01:28:02,800
Speaker 1: of action. So if you're pretty much a senior down

1583
01:28:02,840 --> 01:28:04,640
Speaker 1: in Florida and you feel like you want to be

1584
01:28:04,720 --> 01:28:08,120
Speaker 1: a part of that change, go out and register to vote. Yeah,

1585
01:28:08,280 --> 01:28:10,600
Speaker 1: sign up, I get it done, all right. Look, we

1586
01:28:10,680 --> 01:28:12,280
Speaker 1: have a lot of things that we have to table

1587
01:28:12,320 --> 01:28:15,719
Speaker 1: to move to the front burner next break, including sound.

1588
01:28:15,760 --> 01:28:19,120
Speaker 1: We've got to talk to Samantha about her friend's wedding

1589
01:28:19,160 --> 01:28:23,760
Speaker 1: on the way. Uh, everything we've been saying we were

1590
01:28:23,760 --> 01:28:26,000
Speaker 1: going to do for the past hour, we're actually going

1591
01:28:26,080 --> 01:28:30,640
Speaker 1: to try to do it coming up next. People that

1592
01:28:30,760 --> 01:28:33,479
Speaker 1: run radio stags like you boys need to get your

1593
01:28:33,600 --> 01:28:40,120
Speaker 1: act together. Don't you have like a plan? No, The

1594
01:28:40,200 --> 01:28:42,639
Speaker 1: only strategy we have is we just struggle to try

1595
01:28:42,680 --> 01:28:45,680
Speaker 1: to do the right thing. I don't know when people say, so,

1596
01:28:45,840 --> 01:28:49,479
Speaker 1: what are your meetings like and who preps? How are

1597
01:28:49,520 --> 01:28:52,960
Speaker 1: your you have to get in super early to plan

1598
01:28:53,080 --> 01:28:57,640
Speaker 1: the show? What? What show? We haven't are we on

1599
01:28:57,720 --> 01:29:02,040
Speaker 1: the radio? I don't think I talked to Elvis this morning.

1600
01:29:02,080 --> 01:29:03,960
Speaker 1: It was five fifty seven. He's like, oh, do you

1601
01:29:04,000 --> 01:29:07,880
Speaker 1: know what time it is? He was walking to work.

1602
01:29:08,120 --> 01:29:09,840
Speaker 1: I'm I can't look at my phone because I don't

1603
01:29:09,840 --> 01:29:13,200
Speaker 1: want I'm on the phone so straight. And Nate, you

1604
01:29:13,240 --> 01:29:15,599
Speaker 1: know this doesn't bode well for you. And because you're

1605
01:29:15,640 --> 01:29:18,479
Speaker 1: the senior executive, pretty sure you're the one that their

1606
01:29:18,600 --> 01:29:21,400
Speaker 1: bosses listening. Don't tell them about ineffective. I am at

1607
01:29:21,439 --> 01:29:24,080
Speaker 1: my job. You're ineffective. I'm just saying there's really no

1608
01:29:24,240 --> 01:29:28,120
Speaker 1: job for you here. We just think that's the beauty

1609
01:29:28,160 --> 01:29:30,679
Speaker 1: of this show. I right. I mean it's like it's

1610
01:29:31,000 --> 01:29:36,919
Speaker 1: I'm the traffic cop at a eight way intersection eight eight, ten, fifteen,

1611
01:29:37,280 --> 01:29:41,920
Speaker 1: and we're all like, hey, blank you. All I do

1612
01:29:42,080 --> 01:29:44,679
Speaker 1: is just make sure there's no accidents. That's doing an interview,

1613
01:29:44,800 --> 01:29:46,640
Speaker 1: like saying artist is in here. And Nate wants us

1614
01:29:46,640 --> 01:29:48,120
Speaker 1: to shut up. But he comes over to each of

1615
01:29:48,200 --> 01:29:50,200
Speaker 1: us and he taps us on the shoulder and that's

1616
01:29:50,240 --> 01:29:52,160
Speaker 1: the note. That's the little sign to say, Okay, we're

1617
01:29:52,160 --> 01:29:53,840
Speaker 1: gonna wrap this. Yeah, let me tell you what I get.

1618
01:29:53,880 --> 01:29:57,559
Speaker 1: I get the I get the middle finger emojing. That's

1619
01:29:57,600 --> 01:30:00,240
Speaker 1: more effective for you. But it managed people to friendly

1620
01:30:00,560 --> 01:30:03,600
Speaker 1: we really have to take it. It's scary. Remember that

1621
01:30:03,760 --> 01:30:06,280
Speaker 1: one time when that big time consultant came in here

1622
01:30:06,320 --> 01:30:08,920
Speaker 1: and he put this grid together and said, okay, from

1623
01:30:09,040 --> 01:30:11,360
Speaker 1: six ten to six thirteen, you're going to talk about that.

1624
01:30:12,320 --> 01:30:15,280
Speaker 1: We've got a new bit. It's called the Battle of

1625
01:30:15,360 --> 01:30:23,479
Speaker 1: the Sexual exactly six, not six twelve or six eighteen.

1626
01:30:23,520 --> 01:30:26,120
Speaker 1: It's gonna be six. You've got a man gets the web,

1627
01:30:27,479 --> 01:30:30,720
Speaker 1: who could win in the Battle of the section. This

1628
01:30:30,880 --> 01:30:32,760
Speaker 1: is gonna be off by seven o'clock. I said, you've

1629
01:30:32,760 --> 01:30:37,080
Speaker 1: got the war off, the rulest war. This is gonna

1630
01:30:37,160 --> 01:30:44,000
Speaker 1: catapult you to rating here story. Thank you, scary. Sit

1631
01:30:44,040 --> 01:30:47,920
Speaker 1: over there now, let's take a break, and when we

1632
01:30:48,000 --> 01:30:50,000
Speaker 1: come back, we may do a lot of the stuff

1633
01:30:50,040 --> 01:30:52,320
Speaker 1: that we've been promising we're gonna do. We may not.

1634
01:30:52,400 --> 01:30:58,080
Speaker 1: Don't hold it against So sorry, I'm just sorry. We're sorry.

1635
01:30:58,840 --> 01:31:00,680
Speaker 1: From now on, if anyone has a I'm gonna say

1636
01:31:00,680 --> 01:31:04,400
Speaker 1: I'm sorry. That doesn't sound like you're really sorry. I'm not.

1637
01:31:06,320 --> 01:31:09,000
Speaker 1: I'm not sorry. I'm not sorry. We'll be back and

1638
01:31:09,040 --> 01:31:12,839
Speaker 1: we'll do something. We don't know what it is. Elvis

1639
01:31:12,960 --> 01:31:16,880
Speaker 1: Duran in the Morning show. So American Express in Hilton

1640
01:31:16,960 --> 01:31:19,960
Speaker 1: have great new cards with awesome benefits for card members,

1641
01:31:20,200 --> 01:31:21,800
Speaker 1: and they want to give someone a trip to New

1642
01:31:21,880 --> 01:31:25,080
Speaker 1: York to see Charlie Pooth live. Visit elvis duran dot

1643
01:31:25,120 --> 01:31:27,519
Speaker 1: com to enter and get rules and check out card benefits.

1644
01:31:27,760 --> 01:31:37,479
Speaker 1: Terms apply. Never again will I accept anyone who says

1645
01:31:37,560 --> 01:31:41,080
Speaker 1: I'm bougie because they're all making fun of me because

1646
01:31:42,720 --> 01:31:47,640
Speaker 1: we didn't have oreos growing up. We had hydro al right,

1647
01:31:48,360 --> 01:31:52,479
Speaker 1: we didn't have regular colas. We had check well, yeah

1648
01:31:52,479 --> 01:31:56,760
Speaker 1: there was was it was it shasta or arc or not.

1649
01:31:57,320 --> 01:32:00,840
Speaker 1: That's a good that's a good cola. Anyway, we ate

1650
01:32:00,880 --> 01:32:03,240
Speaker 1: the cookies that were a little cheaper than the neighbor's cookies.

1651
01:32:03,320 --> 01:32:05,600
Speaker 1: That's okay, what's wrong with that? Because these guys are

1652
01:32:05,680 --> 01:32:08,880
Speaker 1: destroying me over here. I remember my grandma go to

1653
01:32:08,920 --> 01:32:11,679
Speaker 1: her house. She had toasted rice. I'm like, Grandma, can't

1654
01:32:11,680 --> 01:32:15,400
Speaker 1: you just buy rice crispiece? Oh it's too expensive, my grandma,

1655
01:32:15,840 --> 01:32:17,800
Speaker 1: It's toasted rice is not the same. Just get the

1656
01:32:17,920 --> 01:32:20,880
Speaker 1: rice crispies. It's the same thing. No, it didn't taste

1657
01:32:20,920 --> 01:32:23,560
Speaker 1: the same, right, snap, crackle pop. They weren't there in

1658
01:32:23,600 --> 01:32:27,559
Speaker 1: the bowl with it. No I needed them. I mean,

1659
01:32:27,640 --> 01:32:31,360
Speaker 1: I like I prefer OREO. Gotta be honest. I don't

1660
01:32:31,400 --> 01:32:34,600
Speaker 1: know anybody that ever bought a hydrock and like it

1661
01:32:34,880 --> 01:32:38,120
Speaker 1: and like probviously they sell because they're still around. Yeah,

1662
01:32:38,240 --> 01:32:40,680
Speaker 1: it's by I think Sunshine Bakery eaves or something that

1663
01:32:42,360 --> 01:32:44,120
Speaker 1: you give me a chance. When you go to the

1664
01:32:44,160 --> 01:32:46,360
Speaker 1: grocery store and you get like you don't want to

1665
01:32:46,439 --> 01:32:49,160
Speaker 1: get the you know, fruity pebbles. They have like the

1666
01:32:49,720 --> 01:32:53,000
Speaker 1: you know, the store brand in a bag that taste

1667
01:32:53,000 --> 01:32:58,320
Speaker 1: the same. They're called sweet rocks. Does taste the same

1668
01:33:00,160 --> 01:33:06,240
Speaker 1: same breakfast? Ohs right, it's okay. I think they do

1669
01:33:06,400 --> 01:33:11,639
Speaker 1: taste the same. Come off your high horse there. Instead

1670
01:33:11,680 --> 01:33:19,559
Speaker 1: of like sugar smacks, they're like cub smacks, Aunt, Millie

1671
01:33:19,720 --> 01:33:27,920
Speaker 1: Buys Market pantry, chocolate sandwich cream. You guys really are

1672
01:33:27,920 --> 01:33:30,599
Speaker 1: booge Okay, okay, I promise we would do some things.

1673
01:33:30,640 --> 01:33:34,200
Speaker 1: We have to get into sound with Garrett. Also, Samantha's here,

1674
01:33:34,240 --> 01:33:36,479
Speaker 1: so you your friends getting married when she's getting married

1675
01:33:36,560 --> 01:33:39,320
Speaker 1: October next this year. Actually, wow, oh you better get going.

1676
01:33:39,840 --> 01:33:41,720
Speaker 1: So you all so, how many of you went out

1677
01:33:42,640 --> 01:33:47,479
Speaker 1: bridesmaid shopping? Yess? Oh god? Okay, so this is unusual. Good,

1678
01:33:47,840 --> 01:33:49,640
Speaker 1: that's a lot. I think, but I'm just like the

1679
01:33:50,439 --> 01:33:52,639
Speaker 1: the one in the group that should not be there.

1680
01:33:52,800 --> 01:33:54,920
Speaker 1: So you're the only one that wants to wear pants

1681
01:33:55,000 --> 01:33:57,839
Speaker 1: and not address the only pain in the ass. It's basically,

1682
01:33:58,040 --> 01:34:00,720
Speaker 1: I think, what's new with my life? What is wrong with?

1683
01:34:01,120 --> 01:34:03,720
Speaker 1: Hear me out, brides, hear me out, brides debate what

1684
01:34:03,880 --> 01:34:08,320
Speaker 1: is wrong with maybe giving your bridesmaid a color scheme

1685
01:34:08,560 --> 01:34:12,599
Speaker 1: or a shade and say, okay, don't outdo me. Go, well,

1686
01:34:12,680 --> 01:34:14,680
Speaker 1: that's what Dina is doing, the Dina who does our

1687
01:34:14,720 --> 01:34:17,519
Speaker 1: hair and make up here for after Elvis, she is

1688
01:34:17,640 --> 01:34:20,760
Speaker 1: giving her bridesmaids um rent the Runway. So rent the

1689
01:34:20,800 --> 01:34:24,080
Speaker 1: Runway now actually has bridesmaid's dresses that you can rent.

1690
01:34:24,160 --> 01:34:26,679
Speaker 1: So she has a certain color scheme and she picked

1691
01:34:26,760 --> 01:34:29,679
Speaker 1: she picked out a whole bunch of different dresses. And basically,

1692
01:34:29,680 --> 01:34:31,600
Speaker 1: as long as you stay within the color scheme and

1693
01:34:31,800 --> 01:34:34,160
Speaker 1: a bunch of those dresses, people can wear different dress

1694
01:34:34,360 --> 01:34:36,400
Speaker 1: a great idea, and then you can't return them. So

1695
01:34:36,560 --> 01:34:39,000
Speaker 1: what happened yesterday, Well, she put me in one color

1696
01:34:39,160 --> 01:34:42,280
Speaker 1: because there's seven colors and each color will be worn twice.

1697
01:34:42,479 --> 01:34:43,720
Speaker 1: So she picked the color and put me in and

1698
01:34:43,760 --> 01:34:46,360
Speaker 1: she goes, you look beautiful and I'm like, girl, hell no,

1699
01:34:47,479 --> 01:34:49,040
Speaker 1: and I was, you know, I was the only one

1700
01:34:49,080 --> 01:34:51,080
Speaker 1: who is difficult. So she goes, okay and put me

1701
01:34:51,120 --> 01:34:52,800
Speaker 1: in another color and she goes, oh my god, this

1702
01:34:52,880 --> 01:34:57,160
Speaker 1: looks so much better. And I'm like, no, it was

1703
01:34:57,240 --> 01:35:00,240
Speaker 1: called latte, but it really looks like runny cream. Like

1704
01:35:00,360 --> 01:35:05,519
Speaker 1: it was. It was a washed color. Sound like something

1705
01:35:05,960 --> 01:35:10,719
Speaker 1: what happened at the physical All right, now, I'm sorry.

1706
01:35:10,760 --> 01:35:12,519
Speaker 1: So you've got we've got to admit you. Now you

1707
01:35:12,680 --> 01:35:20,760
Speaker 1: have doctor, doctor, please get over here. Runny cream? All right?

1708
01:35:20,840 --> 01:35:23,320
Speaker 1: So but what about the style of the of the

1709
01:35:23,400 --> 01:35:27,519
Speaker 1: runny cream dress? There was so much cool and frilly

1710
01:35:27,800 --> 01:35:30,160
Speaker 1: and when she started to pick another color for me,

1711
01:35:30,560 --> 01:35:32,760
Speaker 1: it's not me, but it doesn't. But here's the thing.

1712
01:35:32,840 --> 01:35:35,400
Speaker 1: Most of the time bridemaid dresses aren't you. It's what

1713
01:35:35,520 --> 01:35:38,680
Speaker 1: the bride. So is it sort of an understood thing

1714
01:35:38,720 --> 01:35:41,560
Speaker 1: the bride wants you to look like? Crap? Is that

1715
01:35:41,640 --> 01:35:43,920
Speaker 1: basically what it is? I'm hoping not, but it really

1716
01:35:44,200 --> 01:35:46,760
Speaker 1: it's like if that's what she wants. You know. The

1717
01:35:46,840 --> 01:35:48,960
Speaker 1: only thing I don't agree with is different people have

1718
01:35:49,040 --> 01:35:51,160
Speaker 1: different body types, and so you can't get that one

1719
01:35:51,280 --> 01:35:53,400
Speaker 1: dress that you know has to look. It has to

1720
01:35:53,439 --> 01:35:55,760
Speaker 1: look on an everybody type, not on like you know,

1721
01:35:55,880 --> 01:35:59,080
Speaker 1: some people are bigger, some people are smaller. Girl. But

1722
01:35:59,160 --> 01:36:01,200
Speaker 1: if you're going to make me where something, and again,

1723
01:36:01,240 --> 01:36:03,240
Speaker 1: I'm here for you. I accepted your invite, Love you

1724
01:36:03,360 --> 01:36:06,720
Speaker 1: to the grave. Still don't want to wear spend so

1725
01:36:06,800 --> 01:36:08,639
Speaker 1: much money on something I hate. So if you're gonna

1726
01:36:08,640 --> 01:36:09,960
Speaker 1: put me in something I'm going to frown at and

1727
01:36:10,000 --> 01:36:11,800
Speaker 1: get drunk at the wedding, just pay for the dress. Well,

1728
01:36:11,920 --> 01:36:16,920
Speaker 1: you know, when you say yes to the bride to be,

1729
01:36:17,680 --> 01:36:22,439
Speaker 1: you are giving up rights. No, it's true. They you

1730
01:36:22,720 --> 01:36:28,360
Speaker 1: are now in the court. She is royalty. That's really

1731
01:36:28,400 --> 01:36:31,000
Speaker 1: how it's they think it works. Hold on, here's Kevin.

1732
01:36:31,320 --> 01:36:35,360
Speaker 1: Kevin knows. Hey Kevin, what's going on? So at your wedding,

1733
01:36:35,960 --> 01:36:39,920
Speaker 1: what did your wife do for the bridesmaids? Okay, so

1734
01:36:40,040 --> 01:36:42,400
Speaker 1: she told the bridesmaids as long as they wear I

1735
01:36:42,439 --> 01:36:44,519
Speaker 1: guess it was the Hunter Green. I can't remember what

1736
01:36:44,640 --> 01:36:47,240
Speaker 1: shade it was. She didn't care what style address they

1737
01:36:47,280 --> 01:36:50,080
Speaker 1: wore because everybody had a different body type. So you

1738
01:36:50,120 --> 01:36:53,360
Speaker 1: were to pick one particular style, it may not have

1739
01:36:53,880 --> 01:36:58,559
Speaker 1: made her bridesmaids comfortable the entire night. So um, everybody

1740
01:36:58,600 --> 01:37:01,160
Speaker 1: got to pick their own style address and everybody was happy.

1741
01:37:01,280 --> 01:37:05,800
Speaker 1: There was absolutely zero drama for the entire time. For

1742
01:37:05,960 --> 01:37:09,719
Speaker 1: some reason, Ken, your wife is fabulous. But for some reason,

1743
01:37:09,840 --> 01:37:12,679
Speaker 1: some brides really have been dreaming about this day since

1744
01:37:12,680 --> 01:37:14,599
Speaker 1: they were little girls and when they were a little

1745
01:37:15,000 --> 01:37:16,519
Speaker 1: as a matter of fact, when they were little girls,

1746
01:37:16,600 --> 01:37:18,760
Speaker 1: whatever dress was in then they want them to wear

1747
01:37:18,800 --> 01:37:21,120
Speaker 1: now because I've been dreaming about it ever since then.

1748
01:37:21,680 --> 01:37:23,519
Speaker 1: So do you think that the bride might choose like

1749
01:37:23,600 --> 01:37:26,000
Speaker 1: really ugly bridem maid's dresses to make sure that bride's

1750
01:37:26,040 --> 01:37:28,280
Speaker 1: dress is the most beautiful one there. That's what I'm thinking.

1751
01:37:28,400 --> 01:37:31,360
Speaker 1: I bet some people. Do you put this burlapped bag on?

1752
01:37:33,640 --> 01:37:37,000
Speaker 1: You look like a big tall frog. By the way,

1753
01:37:37,040 --> 01:37:38,880
Speaker 1: I love you guys, this being years since I've talked

1754
01:37:38,920 --> 01:37:41,080
Speaker 1: with you, and I just love you guys so much. Kevin,

1755
01:37:41,439 --> 01:37:44,240
Speaker 1: thank you so much and appreciate you listening oak here.

1756
01:37:44,600 --> 01:37:46,920
Speaker 1: So what did you end up doing? I kicked and

1757
01:37:46,960 --> 01:37:49,880
Speaker 1: screamed until she picked another color and another material. So

1758
01:37:50,000 --> 01:37:54,200
Speaker 1: you're the only one that a bowl of fourteen I'm me.

1759
01:37:55,680 --> 01:37:57,760
Speaker 1: So you got something you like? Now I got something

1760
01:37:57,840 --> 01:38:00,559
Speaker 1: that I'm the most okay with. How about that, Yeah,

1761
01:38:00,560 --> 01:38:02,600
Speaker 1: because also you get stuck with the dress. So like

1762
01:38:03,560 --> 01:38:05,080
Speaker 1: a lot of times, if you get a long one,

1763
01:38:05,120 --> 01:38:06,720
Speaker 1: you can cut it afterwards and it can be a

1764
01:38:06,800 --> 01:38:09,720
Speaker 1: cute little cocktail dress if it's cute, But sometimes it's

1765
01:38:09,760 --> 01:38:12,479
Speaker 1: just you know, in your closet, you wind up donating

1766
01:38:14,000 --> 01:38:16,840
Speaker 1: for somebody else has to walk around and would donate

1767
01:38:16,880 --> 01:38:20,519
Speaker 1: it to the trash can right after, right after the reception. Now,

1768
01:38:20,680 --> 01:38:22,760
Speaker 1: no one of those what's that service you can use?

1769
01:38:22,920 --> 01:38:26,880
Speaker 1: You can actually rent the runway that's a fabinous and

1770
01:38:26,920 --> 01:38:29,559
Speaker 1: they and they do bridesmaid dresses now, so you your

1771
01:38:29,600 --> 01:38:32,280
Speaker 1: whole bridal party can rench from them and then return it,

1772
01:38:32,600 --> 01:38:33,920
Speaker 1: you know, and they don't have to keep it. And

1773
01:38:33,960 --> 01:38:37,120
Speaker 1: there's so many options available. Wow, look at this. Tell

1774
01:38:37,200 --> 01:38:40,360
Speaker 1: Sam to suck it up. This text text message says,

1775
01:38:40,520 --> 01:38:42,559
Speaker 1: I don't know. They're saying I kind of agree. When

1776
01:38:42,600 --> 01:38:45,120
Speaker 1: you say yes to the bride to me, yes to

1777
01:38:45,200 --> 01:38:48,200
Speaker 1: the dress, you're you're saying you're giving up your rights.

1778
01:38:48,240 --> 01:38:49,840
Speaker 1: I want to say, I don't disagree. I still have

1779
01:38:49,920 --> 01:38:54,639
Speaker 1: a big mouth. That's a problem. Uh, let's see. Yeah,

1780
01:38:54,680 --> 01:38:57,400
Speaker 1: I bet some of these brides to be uh have

1781
01:38:57,600 --> 01:39:00,439
Speaker 1: weird rules, like Mandy, what your cousins be married, and

1782
01:39:00,479 --> 01:39:03,200
Speaker 1: what did she tell you? She told me we can't

1783
01:39:03,200 --> 01:39:05,679
Speaker 1: have colors in our hair because I have an umbre,

1784
01:39:05,920 --> 01:39:08,080
Speaker 1: I have two tones in my hair. She told us

1785
01:39:08,160 --> 01:39:12,439
Speaker 1: we can't have colors like bright colors or anything drastic.

1786
01:39:12,520 --> 01:39:15,360
Speaker 1: And so she wants you to dye your hair just

1787
01:39:15,560 --> 01:39:19,200
Speaker 1: for her wedding. Um, I guess I'm so sorry I

1788
01:39:19,240 --> 01:39:21,439
Speaker 1: can't be in that. You know what? It sounds that

1789
01:39:21,520 --> 01:39:24,320
Speaker 1: she wants you all to look like the same. I mean,

1790
01:39:24,680 --> 01:39:28,160
Speaker 1: you might as well all buy those marshmallow helmets you

1791
01:39:28,520 --> 01:39:32,640
Speaker 1: have to be and want. I want everyone in my

1792
01:39:32,720 --> 01:39:35,640
Speaker 1: wedding party to be unrecognizable. I want you all to

1793
01:39:35,680 --> 01:39:37,439
Speaker 1: wear like a hood over your head. She don't want

1794
01:39:37,439 --> 01:39:39,400
Speaker 1: to know who you are. My God? All right, Mandy,

1795
01:39:39,439 --> 01:39:41,280
Speaker 1: sorry about that. Sorry that you can't be you at

1796
01:39:41,320 --> 01:39:45,920
Speaker 1: your friends or your cousin's wedding. I don't think I

1797
01:39:45,960 --> 01:39:48,559
Speaker 1: would say yes to that extra. I know I'm a problem,

1798
01:39:48,640 --> 01:39:51,360
Speaker 1: but that's a problem. That's crazy. Hi, Kathy, you were

1799
01:39:51,439 --> 01:39:55,640
Speaker 1: told what, No, I'm actually a bride to be? Oh

1800
01:39:55,800 --> 01:39:58,840
Speaker 1: what did you tell them? Um? I did? Actually, I'm

1801
01:39:58,960 --> 01:40:02,280
Speaker 1: very laid back, really agree with you know, having to

1802
01:40:02,439 --> 01:40:05,160
Speaker 1: do the whole bloody boot camp or change your hair,

1803
01:40:05,600 --> 01:40:08,559
Speaker 1: or even for my girls. I mean I picked one dress.

1804
01:40:08,640 --> 01:40:11,040
Speaker 1: Actually I didn't even pick it. I took my brides maids.

1805
01:40:11,200 --> 01:40:14,600
Speaker 1: They've picked the dress and they liked the dress. I

1806
01:40:14,760 --> 01:40:16,880
Speaker 1: just had urgency as the color, and I was like,

1807
01:40:16,960 --> 01:40:18,559
Speaker 1: do whatever you want with your hair, do it. Oh

1808
01:40:18,600 --> 01:40:20,840
Speaker 1: my gosh, you should be Sam's friend. Sam needs you,

1809
01:40:20,960 --> 01:40:23,439
Speaker 1: just like you know what, don't even go buy shoes.

1810
01:40:23,560 --> 01:40:25,560
Speaker 1: If you have like a nude pair of heels, just

1811
01:40:25,840 --> 01:40:29,640
Speaker 1: wear that and then change in the sneakers. Which was saying, hey,

1812
01:40:29,760 --> 01:40:31,200
Speaker 1: you know what, I'm going to ask you to be

1813
01:40:31,240 --> 01:40:33,280
Speaker 1: in my wedding. And the reason why is because I

1814
01:40:33,439 --> 01:40:36,000
Speaker 1: love you. You're a good friend. I love you because

1815
01:40:36,040 --> 01:40:39,240
Speaker 1: of everything you are and what makes you. You bring

1816
01:40:39,400 --> 01:40:42,120
Speaker 1: you to my wedding and you be you. Well, you

1817
01:40:42,200 --> 01:40:45,479
Speaker 1: have to be conscientious that you're asking someone to spend

1818
01:40:46,360 --> 01:40:49,439
Speaker 1: money that you know what, Yes, it's a dress for them,

1819
01:40:49,520 --> 01:40:51,720
Speaker 1: but ultimately you want to pick something that and I

1820
01:40:51,800 --> 01:40:54,200
Speaker 1: know every bride says it, and I know that probably

1821
01:40:54,240 --> 01:40:57,160
Speaker 1: their friends say yeah, I'll wear again, but I genuinely

1822
01:40:57,240 --> 01:40:59,679
Speaker 1: wanted to pick a dress that they would wear again,

1823
01:40:59,720 --> 01:41:01,400
Speaker 1: and it's you don't. Then you know what, cut it,

1824
01:41:01,520 --> 01:41:03,519
Speaker 1: use it for another event, make it shorter, make it,

1825
01:41:03,960 --> 01:41:06,080
Speaker 1: you know whatever. But you have to think about You're

1826
01:41:06,120 --> 01:41:10,000
Speaker 1: asking people to spend money three four five hundred dollars

1827
01:41:10,080 --> 01:41:13,960
Speaker 1: on hair, makeup, shoes, nails, and then you're so obscated

1828
01:41:14,040 --> 01:41:16,080
Speaker 1: to give you not I'm not obligated, because I would

1829
01:41:16,080 --> 01:41:18,040
Speaker 1: never want anyone to feel like they have to give.

1830
01:41:18,720 --> 01:41:21,040
Speaker 1: But I agree you have to think about it. Hold

1831
01:41:21,080 --> 01:41:23,639
Speaker 1: on a second. I'm calling Alex. I have an idea

1832
01:41:23,680 --> 01:41:27,960
Speaker 1: for our weddings. Wedding we haven't we haven't asked each

1833
01:41:27,960 --> 01:41:29,960
Speaker 1: other to marry. There's no invites yet. He's not going

1834
01:41:30,040 --> 01:41:31,439
Speaker 1: to pick up because he hears me calling. I think

1835
01:41:31,479 --> 01:41:35,759
Speaker 1: we should all wear kilts. Kathy, We're wearing kilt our wedding.

1836
01:41:36,439 --> 01:41:38,560
Speaker 1: I mean, whatever works. I mean, it's your wedding. You

1837
01:41:38,600 --> 01:41:42,040
Speaker 1: gotta do it, kilter, easy access to I'm wearing a

1838
01:41:42,080 --> 01:41:44,080
Speaker 1: pants all right. Well, thank you, Kathy. We gotta run.

1839
01:41:44,520 --> 01:41:46,880
Speaker 1: Have a great day. I know, I know I'm not

1840
01:41:46,920 --> 01:41:49,400
Speaker 1: going to say the name, but I know somebody who

1841
01:41:50,520 --> 01:41:53,200
Speaker 1: told their bridesmaids you have to lose weight or you

1842
01:41:53,320 --> 01:41:59,880
Speaker 1: can't be Thankfully, the bridesmaid said, then I don't need

1843
01:41:59,920 --> 01:42:03,639
Speaker 1: to be in your wedding. Yeah, goodbye, you just gave

1844
01:42:03,680 --> 01:42:05,000
Speaker 1: me the best gift. Effer. I don't have to be

1845
01:42:05,000 --> 01:42:06,760
Speaker 1: in your wedding. We spend the money. We got to

1846
01:42:06,760 --> 01:42:08,639
Speaker 1: get into sounds with Garrett. Garrett, let's do it. Let's

1847
01:42:08,640 --> 01:42:11,200
Speaker 1: all right. The Voice starts back up next Monday, and

1848
01:42:11,280 --> 01:42:13,920
Speaker 1: new coach Kelly Clarkson's a part of the crew along

1849
01:42:13,960 --> 01:42:16,360
Speaker 1: with Alicia Keys. They just put out Feeling Good as

1850
01:42:16,400 --> 01:42:25,320
Speaker 1: a promo for NBC. It sounds awesome. Wow, they both

1851
01:42:25,360 --> 01:42:28,640
Speaker 1: sound so good. Yes, Kelly Clarkson and Alicia Keys. The

1852
01:42:28,720 --> 01:42:32,679
Speaker 1: Bachelor Winter Games last night, very crappy show on ABC,

1853
01:42:33,000 --> 01:42:35,160
Speaker 1: just to offset the Winter Olympics that are going on.

1854
01:42:35,600 --> 01:42:38,600
Speaker 1: So Yuki is a contestant. She was very upset that

1855
01:42:38,760 --> 01:42:40,840
Speaker 1: Ben was leaving the show last night. And this is

1856
01:42:40,920 --> 01:42:51,880
Speaker 1: what she sounded like. Yes, she's very upset. She sounds

1857
01:42:51,920 --> 01:42:57,920
Speaker 1: like she's someone else, was very familiar. She sounds like

1858
01:42:57,960 --> 01:43:00,840
Speaker 1: Chewbonka Chubaka. Also very upset Ben was leaving the show

1859
01:43:00,920 --> 01:43:04,479
Speaker 1: last night. Benedict Cumber batches doing an Amaze campaign to

1860
01:43:04,560 --> 01:43:06,800
Speaker 1: raise money for children in Africa, where you can have

1861
01:43:06,960 --> 01:43:09,719
Speaker 1: tea with him and go to the premiere of Avengers

1862
01:43:09,760 --> 01:43:13,640
Speaker 1: Infinity war, but in uh to to get ready for that,

1863
01:43:14,000 --> 01:43:20,840
Speaker 1: he did. I'm a little teapot, sultry, sultry. I'm a

1864
01:43:20,920 --> 01:43:29,240
Speaker 1: little teapot short and stout. This is my handle and

1865
01:43:29,439 --> 01:43:33,400
Speaker 1: this is my spout. I don't find that sexy. You

1866
01:43:33,439 --> 01:43:36,880
Speaker 1: should never use the word short and stout. We're trying

1867
01:43:36,880 --> 01:43:38,240
Speaker 1: to turn me on all right now. We turned to

1868
01:43:38,400 --> 01:43:41,240
Speaker 1: ABC thirteen Houston, Texas. So a plane had to make

1869
01:43:41,240 --> 01:43:43,920
Speaker 1: an emergency landing. It was going from Dubai to the Netherlands,

1870
01:43:44,160 --> 01:43:47,920
Speaker 1: but it landed because someone wouldn't stop farting on the plane.

1871
01:43:48,240 --> 01:43:49,920
Speaker 1: And I love how to report it. I was forced

1872
01:43:49,960 --> 01:43:52,160
Speaker 1: to make an emergency landing after a fight broke out

1873
01:43:52,479 --> 01:43:57,240
Speaker 1: because a man allegedly would not stop passing gas. Two

1874
01:43:57,320 --> 01:44:01,080
Speaker 1: passengers on the Transavia flight from Buy to the Netherlands

1875
01:44:01,360 --> 01:44:04,000
Speaker 1: asked the man to stop, you know what, but he

1876
01:44:04,080 --> 01:44:06,760
Speaker 1: refused and he continued to pass gas. That's when the

1877
01:44:06,840 --> 01:44:09,360
Speaker 1: fight broke out and the plane was diverted to Viennam.

1878
01:44:09,800 --> 01:44:13,040
Speaker 1: Four people were removed from the flight. Two of those

1879
01:44:13,080 --> 01:44:15,320
Speaker 1: people are suing, claiming they weren't the ones who were

1880
01:44:16,080 --> 01:44:18,479
Speaker 1: f A R T I nging. All four have been

1881
01:44:18,560 --> 01:44:21,160
Speaker 1: banned from the airline after that fight over an f

1882
01:44:21,320 --> 01:44:23,839
Speaker 1: a r T spelling it because he can't say farting.

1883
01:44:23,920 --> 01:44:26,680
Speaker 1: He can't say he just said it. You can't say

1884
01:44:26,760 --> 01:44:28,600
Speaker 1: f a r t. He was only he was f

1885
01:44:28,680 --> 01:44:31,240
Speaker 1: a r t. H really can't say fart on the

1886
01:44:31,720 --> 01:44:33,479
Speaker 1: people like, people are talking like, wait, what did he

1887
01:44:33,560 --> 01:44:42,559
Speaker 1: just smell? Can You're good? America? That was great? South,

1888
01:44:42,640 --> 01:44:46,400
Speaker 1: Thank I gotta go to I just wanted to say,

1889
01:44:46,400 --> 01:44:50,240
Speaker 1: I love you guys so much. You're fabulous. Durand in

1890
01:44:50,320 --> 01:44:59,280
Speaker 1: the Morning show, Why are you freaking out? Two zero

1891
01:44:59,360 --> 01:45:04,920
Speaker 1: one hundred, Lady is Elvis Durant in the Morning show?

1892
01:45:05,040 --> 01:45:06,960
Speaker 1: Oh you want to go back to wedding news for

1893
01:45:07,200 --> 01:45:09,439
Speaker 1: just a quick second. By the way, Alex called and said,

1894
01:45:09,439 --> 01:45:11,599
Speaker 1: what are you doing? Why are you calling me? I said,

1895
01:45:11,640 --> 01:45:13,200
Speaker 1: I said, if we ever get married, I want to

1896
01:45:13,200 --> 01:45:16,799
Speaker 1: wear kilts. He said. There was a silence and he said, okay, goodbye,

1897
01:45:16,840 --> 01:45:21,400
Speaker 1: I gotta go. He didn't say no, no, he was like, okay.

1898
01:45:22,920 --> 01:45:29,400
Speaker 1: So there was a couple in Cheshire, England. They got

1899
01:45:29,439 --> 01:45:31,680
Speaker 1: married back in June, or Cheshire. How do you say it?

1900
01:45:33,520 --> 01:45:35,400
Speaker 1: They were getting married and they got it so excited.

1901
01:45:35,400 --> 01:45:37,639
Speaker 1: When they're getting their wedding photos back and they looked

1902
01:45:37,640 --> 01:45:42,400
Speaker 1: through them and the photographer hadn't really captured the key

1903
01:45:42,479 --> 01:45:44,559
Speaker 1: moments of the day they wanted the photographer to catch.

1904
01:45:44,640 --> 01:45:47,160
Speaker 1: At their wedding, he didn't get any pictures of their

1905
01:45:47,200 --> 01:45:50,240
Speaker 1: parents as wonder of fact, there were only eleven photos

1906
01:45:50,320 --> 01:45:53,559
Speaker 1: that even had the groom in them. Instead, he mostly

1907
01:45:53,640 --> 01:45:59,600
Speaker 1: photographed two of the bridesmaids boobs and butts, and he

1908
01:45:59,680 --> 01:46:02,400
Speaker 1: said into them, I wonder if he didn't even realize

1909
01:46:02,400 --> 01:46:05,960
Speaker 1: it at first, like, wouldn't need to see what he's sending.

1910
01:46:07,040 --> 01:46:10,720
Speaker 1: I don't know that interesting. Oh man, I hope she

1911
01:46:10,760 --> 01:46:16,519
Speaker 1: didn't pay for those pictures. I mean there's a time.

1912
01:46:16,600 --> 01:46:18,880
Speaker 1: I mean, you really got to turn your purv off

1913
01:46:18,920 --> 01:46:22,760
Speaker 1: when you're when you're taking photos. I told you my

1914
01:46:22,880 --> 01:46:26,160
Speaker 1: son was videoing Dancing with the Stars and I came

1915
01:46:26,200 --> 01:46:28,320
Speaker 1: back because I had missed one of those songs. I

1916
01:46:28,360 --> 01:46:30,439
Speaker 1: was in the bathroom. He goes here at his mom. No,

1917
01:46:30,640 --> 01:46:34,439
Speaker 1: it was from the waist down, and I'm like, what, honey,

1918
01:46:34,520 --> 01:46:37,960
Speaker 1: what did you take nothing? I'm like, this, where's your focus?

1919
01:46:38,320 --> 01:46:40,280
Speaker 1: He's a twelve year old boy. I guess he's doing

1920
01:46:40,320 --> 01:46:41,840
Speaker 1: what he's supposed to be doing, what we're supposed to

1921
01:46:41,840 --> 01:46:46,000
Speaker 1: be doing. Um, I know we're seeing Black Panthers this weekend.

1922
01:46:46,080 --> 01:46:47,760
Speaker 1: Can't wait. We try to go see it there in

1923
01:46:47,800 --> 01:46:49,760
Speaker 1: the day, just couldn't get near it. You couldn't get

1924
01:46:49,840 --> 01:46:51,400
Speaker 1: into the theater. The other if you didn't buy it

1925
01:46:51,439 --> 01:46:53,439
Speaker 1: ahead of time, forget it. Which is I think a

1926
01:46:53,520 --> 01:46:58,040
Speaker 1: great thing. Yeah, Black Panther is, uh, it's it's really

1927
01:46:58,160 --> 01:47:01,960
Speaker 1: really causing a lot of great waves in many ways,

1928
01:47:02,640 --> 01:47:08,040
Speaker 1: not only um, a serious shift in black representation in

1929
01:47:08,160 --> 01:47:13,920
Speaker 1: a major, totally game changing superhero movie, but also women.

1930
01:47:15,200 --> 01:47:18,439
Speaker 1: I've heard that the women in Black Panther, Are you

1931
01:47:18,479 --> 01:47:22,040
Speaker 1: saw it, Brody? Yeah, they don't take on traditional roles,

1932
01:47:22,080 --> 01:47:25,400
Speaker 1: so they play like the lead warriors, the head scientist.

1933
01:47:25,960 --> 01:47:28,639
Speaker 1: They play very prominent, important roles. And it's not made

1934
01:47:28,680 --> 01:47:31,519
Speaker 1: to look like it's uh. They're not there to exist

1935
01:47:31,600 --> 01:47:33,280
Speaker 1: for the male characters. You're not there to look pretty.

1936
01:47:33,320 --> 01:47:35,160
Speaker 1: That they had to be fierce and to do and

1937
01:47:35,280 --> 01:47:37,400
Speaker 1: to beat the crap out of people, and to also

1938
01:47:37,479 --> 01:47:39,519
Speaker 1: be bright and noble. It's a great movie. That's what

1939
01:47:39,640 --> 01:47:41,920
Speaker 1: Chadwick Boseman, who plays Black Panther, was saying when he

1940
01:47:42,000 --> 01:47:44,120
Speaker 1: was here. He was saying the same kind of thing

1941
01:47:44,160 --> 01:47:45,800
Speaker 1: that you were saying. But he said, at the same time,

1942
01:47:46,040 --> 01:47:49,080
Speaker 1: they look damn good doing it. Of course, you can

1943
01:47:49,120 --> 01:47:50,800
Speaker 1: be a you can be a superhero, and you can

1944
01:47:50,800 --> 01:47:54,080
Speaker 1: be a crime fighter, and you can look fantastic. I

1945
01:47:54,200 --> 01:47:56,559
Speaker 1: was in Target yesterday and they like the black Panther

1946
01:47:56,720 --> 01:47:58,920
Speaker 1: merchandise was almost all sold out. They have the coolest

1947
01:47:58,960 --> 01:48:01,519
Speaker 1: like the action figure yours and dolls and even a

1948
01:48:01,560 --> 01:48:04,519
Speaker 1: little Lego set and they almost also wait, hold on,

1949
01:48:04,640 --> 01:48:08,679
Speaker 1: there's a black pants or Lego. It's so I can't

1950
01:48:08,720 --> 01:48:11,720
Speaker 1: wait to step on those with my bare feet. I

1951
01:48:11,880 --> 01:48:14,519
Speaker 1: love that well. I love that this film is just

1952
01:48:14,640 --> 01:48:17,400
Speaker 1: more than just a you know, a superhero film. It's

1953
01:48:17,400 --> 01:48:20,080
Speaker 1: just it has so many positive statements and we could

1954
01:48:20,160 --> 01:48:22,160
Speaker 1: use a lot more of those right now. So I'm

1955
01:48:22,240 --> 01:48:24,280
Speaker 1: hoping I'm gonna have to go like to the six

1956
01:48:24,400 --> 01:48:26,400
Speaker 1: thirty a m. Showing so I can get in. You

1957
01:48:26,520 --> 01:48:30,200
Speaker 1: better buy the tickets now. Oh gosh. Anyway, we got

1958
01:48:30,240 --> 01:48:31,920
Speaker 1: food News with Froggy on the way. Are you ready

1959
01:48:31,960 --> 01:48:34,559
Speaker 1: to go, Frog? I'm ready to go. All right, here

1960
01:48:34,640 --> 01:48:42,680
Speaker 1: we comes it's food new. We all love chips, right,

1961
01:48:42,720 --> 01:48:45,559
Speaker 1: we all love potato chips. I want you to understand

1962
01:48:45,640 --> 01:48:50,000
Speaker 1: that Ruffles is changing the game. Their latest is mozzarella

1963
01:48:50,120 --> 01:48:55,840
Speaker 1: and marian Nera doesn't taste it yet. No, they're fried

1964
01:48:55,920 --> 01:49:00,920
Speaker 1: appetizer mozzarella stick tasting potato chips taking their way to US.

1965
01:49:00,960 --> 01:49:05,120
Speaker 1: Grocery stores in early Walmart in safe Way will be

1966
01:49:05,200 --> 01:49:07,080
Speaker 1: your first places to get them. Like how the Brooklyn

1967
01:49:07,120 --> 01:49:10,320
Speaker 1: Boys are shaking their heads if Daniel calls them mutsie

1968
01:49:10,360 --> 01:49:13,679
Speaker 1: stick potato chips. Exactly. Okay, moving along? What else you have? Also,

1969
01:49:13,880 --> 01:49:17,519
Speaker 1: with the winner Olympics in full swing, as much as

1970
01:49:17,600 --> 01:49:19,840
Speaker 1: it is about watching the events, it's also about what

1971
01:49:19,960 --> 01:49:23,240
Speaker 1: you're eating during the events, and Cheetos has now come

1972
01:49:23,320 --> 01:49:25,320
Speaker 1: up with a way for you to watch the Olmpics

1973
01:49:25,360 --> 01:49:29,400
Speaker 1: and celebrate them. They've just released limited edition flavor Cheetos

1974
01:49:29,760 --> 01:49:34,200
Speaker 1: Winter White Cheddar Curls, so you get what's curling and

1975
01:49:34,360 --> 01:49:37,280
Speaker 1: eat your curls. They're white Cheddar curl Cheetos. They're very,

1976
01:49:37,400 --> 01:49:40,720
Speaker 1: very good. They're available for purchase prety, limited time. It

1977
01:49:41,520 --> 01:49:46,439
Speaker 1: also McDonald's I guess this is pronounced sketchewan sauce. It's

1978
01:49:46,439 --> 01:49:50,400
Speaker 1: been gone sechwan sechwan has been gone for so long.

1979
01:49:50,840 --> 01:49:55,120
Speaker 1: Tomorrow they will announce where we can get McDonald's sechwan sauce.

1980
01:49:55,200 --> 01:49:57,720
Speaker 1: You know again when it was out before everyone had

1981
01:49:57,760 --> 01:50:00,720
Speaker 1: to have it. It's one of the best best. It's

1982
01:50:00,760 --> 01:50:04,200
Speaker 1: basically putting candy on your food. It's like liquid candy.

1983
01:50:05,520 --> 01:50:10,080
Speaker 1: To Thursday, McDonald's will tell us when, where, and how

1984
01:50:10,240 --> 01:50:12,280
Speaker 1: much of the sauce will be returning to the world.

1985
01:50:16,600 --> 01:50:20,160
Speaker 1: All right, Danielle has your update coming up? With daniel Update?

1986
01:50:20,160 --> 01:50:22,600
Speaker 1: What do you have coming up? Daniel Update? One of

1987
01:50:22,640 --> 01:50:26,000
Speaker 1: our family members will be on American Idol, Bobby Bones.

1988
01:50:27,560 --> 01:50:31,120
Speaker 1: I'm so happy for him. That's why do I bother?

1989
01:50:31,360 --> 01:50:34,160
Speaker 1: Can I give another tea? Yeah? Yeah? What else you have? Okay?

1990
01:50:34,320 --> 01:50:37,519
Speaker 1: Somebody very cool that everybody loves will be hosting s

1991
01:50:37,600 --> 01:50:41,240
Speaker 1: and l don't say I don't know? Okay, Okay, did

1992
01:50:41,280 --> 01:50:43,599
Speaker 1: you miss part of today's show. Let's back to truck

1993
01:50:43,680 --> 01:50:45,639
Speaker 1: up a little bit. Open the I Heart Radio app

1994
01:50:45,720 --> 01:50:48,479
Speaker 1: and here everything you missed with Elvis Duran on demand.

1995
01:50:48,680 --> 01:50:51,920
Speaker 1: We call us a teachable moment. Full versions of every

1996
01:50:52,040 --> 01:50:56,439
Speaker 1: show posted every day. Just search Kelvis durand on demand

1997
01:50:56,640 --> 01:50:59,519
Speaker 1: only on the I Heart Radio app Elvis Duran in

1998
01:50:59,560 --> 01:51:04,000
Speaker 1: the Morning. Sixty nine of singles are looking for something serious?

1999
01:51:04,120 --> 01:51:06,400
Speaker 1: Are you dating and still looking for someone special? For

2000
01:51:06,560 --> 01:51:09,240
Speaker 1: our listeners, only. Everyone that goes to match dot com

2001
01:51:09,320 --> 01:51:13,639
Speaker 1: slash Elvis will get seven days free search, view photos,

2002
01:51:13,720 --> 01:51:17,240
Speaker 1: and connect for free only at match dot com slash Elvis,

2003
01:51:19,280 --> 01:51:23,479
Speaker 1: el Elvis Durant Elvis Durant. Phone tap, the letter comes in,

2004
01:51:23,680 --> 01:51:26,920
Speaker 1: says dear Elvis, my friend Pam and I went snowboarding

2005
01:51:26,960 --> 01:51:29,479
Speaker 1: with a bunch of other people in the Poconos last weekend.

2006
01:51:30,120 --> 01:51:32,840
Speaker 1: Pam has been on pins and needles about getting the

2007
01:51:32,960 --> 01:51:36,200
Speaker 1: house deposit back in fear that we might have broken

2008
01:51:36,360 --> 01:51:39,439
Speaker 1: or screwed up something. We did party like a bunch

2009
01:51:39,479 --> 01:51:42,120
Speaker 1: of crazy weirdos, but rest assured we cleaned up after

2010
01:51:42,240 --> 01:51:44,680
Speaker 1: our sales. Wouldn't it be funny if you called as

2011
01:51:44,720 --> 01:51:47,080
Speaker 1: the owner of the house and called her out on

2012
01:51:47,200 --> 01:51:50,400
Speaker 1: leaving the place a mess. She's a really good liar.

2013
01:51:50,680 --> 01:51:52,519
Speaker 1: Let's watch or try to wiggle out of this one.

2014
01:51:52,560 --> 01:51:54,920
Speaker 1: All the best from Janine. All right, Janine, we're gonna

2015
01:51:55,000 --> 01:51:57,920
Speaker 1: phone tap your friend Pam Scary is going to play

2016
01:51:57,960 --> 01:51:59,840
Speaker 1: the part of the owner of the house up at

2017
01:51:59,880 --> 01:52:02,200
Speaker 1: the Poconos, and Janine will be listening in as we

2018
01:52:02,360 --> 01:52:09,479
Speaker 1: phone tapped Pam. Hello Pa, Please Pam, how are you?

2019
01:52:09,560 --> 01:52:13,439
Speaker 1: This is Brian Mater. Hello you guys stayed over at

2020
01:52:13,479 --> 01:52:15,880
Speaker 1: the house last weekend. Right, Yes, there's a lot of

2021
01:52:16,000 --> 01:52:17,680
Speaker 1: things that are kind of out of place. I was

2022
01:52:17,720 --> 01:52:21,679
Speaker 1: wondering maybe you could explain some of it. Um, somebody

2023
01:52:21,720 --> 01:52:25,080
Speaker 1: in your group must have left a condom wrapper that

2024
01:52:25,280 --> 01:52:30,200
Speaker 1: clogged the outdoor hot tub drain. Shut up, are you serious? Yes,

2025
01:52:30,760 --> 01:52:32,800
Speaker 1: a lot of a lot of the couples that were

2026
01:52:32,880 --> 01:52:37,160
Speaker 1: with us are either married or engaged condoms. I really

2027
01:52:37,200 --> 01:52:39,439
Speaker 1: don't think they would be using, to know what I'm saying,

2028
01:52:39,800 --> 01:52:42,760
Speaker 1: some way to rationalize that. I mean, you know, you're

2029
01:52:42,800 --> 01:52:44,639
Speaker 1: not going to use a condom with your wife. Okay,

2030
01:52:44,760 --> 01:52:46,360
Speaker 1: you know. I mean That's where I'm looking at it.

2031
01:52:46,479 --> 01:52:48,559
Speaker 1: So that's kind of like I don't know, but I'll ask.

2032
01:52:48,840 --> 01:52:51,920
Speaker 1: Not only that, but the chandelier looks like it had

2033
01:52:52,240 --> 01:52:54,479
Speaker 1: come out of the ceiling. We didn't remove it. We

2034
01:52:54,560 --> 01:52:57,839
Speaker 1: didn't remove the chandelier. Okay, maybe maybe somebody was swinging

2035
01:52:57,880 --> 01:53:00,920
Speaker 1: on it or something. No, are you sure about that?

2036
01:53:01,120 --> 01:53:03,439
Speaker 1: You get eighteen year olds and nineteen year olds hanging

2037
01:53:03,439 --> 01:53:05,360
Speaker 1: from a chandelier, you don't get thirty year olds hanging

2038
01:53:05,400 --> 01:53:08,760
Speaker 1: from a chandelier. Well, regardless, I have to take your

2039
01:53:08,800 --> 01:53:11,000
Speaker 1: deposit that I was supposed to give you back and

2040
01:53:11,160 --> 01:53:13,519
Speaker 1: buy a new one with that money. Why what's wrong

2041
01:53:13,520 --> 01:53:15,040
Speaker 1: with the one you have there? It was working when

2042
01:53:15,040 --> 01:53:16,960
Speaker 1: we left. Well I figure it's you know, it was

2043
01:53:17,080 --> 01:53:18,800
Speaker 1: taken out of the ceiling. Why can't you put it

2044
01:53:18,840 --> 01:53:21,559
Speaker 1: back in the ceiling? Well I could. It's kind of ugly, though,

2045
01:53:22,000 --> 01:53:23,280
Speaker 1: so I could just go out and buy a new

2046
01:53:23,320 --> 01:53:24,720
Speaker 1: one with the money you're gonna give me. So you're

2047
01:53:24,760 --> 01:53:27,000
Speaker 1: gonna you're gonna charge me two d for a brand

2048
01:53:27,040 --> 01:53:28,439
Speaker 1: new chandelier. And what are you going to do with

2049
01:53:28,520 --> 01:53:30,920
Speaker 1: that chandelier? Put it in your house? Where I put

2050
01:53:31,000 --> 01:53:32,920
Speaker 1: it is none of your business. You don't need to

2051
01:53:33,000 --> 01:53:36,320
Speaker 1: buy another two hundred chandelier. So you know you're Nicol

2052
01:53:36,400 --> 01:53:39,040
Speaker 1: and dining me? Here are Nicolin? Di'mon me Where you're

2053
01:53:39,040 --> 01:53:41,000
Speaker 1: saying that when we left, we didn't touch that in

2054
01:53:41,040 --> 01:53:44,120
Speaker 1: the chandelier? Who are responsible for everything in the house.

2055
01:53:44,280 --> 01:53:46,759
Speaker 1: But you don't need to buy a brand new chandelier.

2056
01:53:46,800 --> 01:53:48,840
Speaker 1: You know what? You guys get drunk, have sex and

2057
01:53:49,400 --> 01:53:50,960
Speaker 1: you know you think everything is ok that you forget

2058
01:53:50,960 --> 01:53:53,280
Speaker 1: about it the next morning. We has nothing to do

2059
01:53:53,400 --> 01:53:56,439
Speaker 1: with that. I sense gross neglect of my my house. Okay,

2060
01:53:56,560 --> 01:53:58,639
Speaker 1: there was nothing going on in that house that wasn't

2061
01:53:59,080 --> 01:54:02,000
Speaker 1: wasn't proper, And what happened to my six ball from

2062
01:54:02,040 --> 01:54:04,200
Speaker 1: the pool table? Did you guys like take that home

2063
01:54:04,240 --> 01:54:06,559
Speaker 1: as a souvenir um? You know, we actually had one

2064
01:54:06,600 --> 01:54:08,360
Speaker 1: couple that were the only one playing with us, so

2065
01:54:08,520 --> 01:54:11,639
Speaker 1: maybe they have it, or maybe they maybe they decided

2066
01:54:11,680 --> 01:54:14,080
Speaker 1: to use it as a prop in their sexual escapades

2067
01:54:14,120 --> 01:54:17,639
Speaker 1: in the hot tub. You know what, what, I'm getting

2068
01:54:17,720 --> 01:54:19,519
Speaker 1: very upset with the way that you're speaking to me

2069
01:54:19,680 --> 01:54:22,599
Speaker 1: right now. Excuse you, you know what? Can you send

2070
01:54:22,640 --> 01:54:25,120
Speaker 1: me a bit on how my lawyer get ahold of you? Okay,

2071
01:54:26,040 --> 01:54:34,160
Speaker 1: talk to me like that. I'm not finished with you,

2072
01:54:34,240 --> 01:54:36,960
Speaker 1: a little dog. Listen, I'm not finished with you. I

2073
01:54:37,080 --> 01:54:38,960
Speaker 1: just want to know that this phone call is recorded

2074
01:54:39,000 --> 01:54:41,440
Speaker 1: and it's going to the cops because you are talking

2075
01:54:41,440 --> 01:54:43,400
Speaker 1: to me in a very sexual manner that I do

2076
01:54:43,520 --> 01:54:47,800
Speaker 1: not appreciate. Okay, appreciate what. I don't appreciate you talking

2077
01:54:47,840 --> 01:54:50,240
Speaker 1: about taking up an april and use it in sex

2078
01:54:50,440 --> 01:54:53,240
Speaker 1: escapades in the US. I don't know what you guys

2079
01:54:53,320 --> 01:54:55,760
Speaker 1: did up there this weekend. You do not speak to

2080
01:54:55,880 --> 01:54:58,800
Speaker 1: somebody like this, because you know what, you're using derogatory

2081
01:54:58,960 --> 01:55:01,440
Speaker 1: remarks towards me. You are speaking to me in a

2082
01:55:01,560 --> 01:55:04,560
Speaker 1: childish manner. I am not a child, sir. Obviously you

2083
01:55:04,640 --> 01:55:07,560
Speaker 1: can't take responsibility. Do not call my house anymore because

2084
01:55:07,560 --> 01:55:09,280
Speaker 1: if you do, I will call the cops for harassment.

2085
01:55:09,480 --> 01:55:10,720
Speaker 1: And I just want you to know that I'm going

2086
01:55:10,800 --> 01:55:12,440
Speaker 1: to the police department right now and are following the

2087
01:55:12,520 --> 01:55:14,800
Speaker 1: lawsuit because I was trying to be nice to you

2088
01:55:15,160 --> 01:55:17,720
Speaker 1: in the beginning, writing all this stuff down to talk

2089
01:55:17,800 --> 01:55:19,960
Speaker 1: to the nine other people that were involved in the house,

2090
01:55:20,280 --> 01:55:22,240
Speaker 1: trying to get a normal thing of what's going on.

2091
01:55:22,600 --> 01:55:25,200
Speaker 1: Get back to you, get money from everybody, and settle

2092
01:55:25,240 --> 01:55:27,000
Speaker 1: it so that you can buy your new stuff. Two

2093
01:55:27,040 --> 01:55:29,480
Speaker 1: hundred dollars to buy a new chandelier because it's out

2094
01:55:29,520 --> 01:55:32,000
Speaker 1: of place. You've got to be kidding me. I am

2095
01:55:32,080 --> 01:55:35,360
Speaker 1: not an idiot. Don't patronize me on this. That's how

2096
01:55:35,440 --> 01:55:37,640
Speaker 1: we make our money. So you know what you make

2097
01:55:37,680 --> 01:55:40,560
Speaker 1: your money. That's perfectly fine. Okay, then you send me

2098
01:55:40,640 --> 01:55:43,040
Speaker 1: a bill. I'm not gonna say this anymore because I'm

2099
01:55:43,080 --> 01:55:44,560
Speaker 1: getting in my car and I'm going to the police

2100
01:55:44,560 --> 01:55:46,760
Speaker 1: station right now. Ma'am. You're getting all wound up like

2101
01:55:46,840 --> 01:55:49,760
Speaker 1: a clock for no reason. What did I do? You're

2102
01:55:49,840 --> 01:55:53,800
Speaker 1: talking about using pool balls at six objects and Jacouzy, sir,

2103
01:55:54,040 --> 01:55:56,880
Speaker 1: do you realize this? Or you that stupid that you

2104
01:55:57,000 --> 01:56:00,160
Speaker 1: don't realize what's coming out of your mouth? Allegedly, I'm

2105
01:56:00,200 --> 01:56:03,360
Speaker 1: not saying that that allegedly. I don't know what you

2106
01:56:03,480 --> 01:56:05,520
Speaker 1: do for a living, but you have no cruth about

2107
01:56:05,560 --> 01:56:09,080
Speaker 1: yourself at all. I apologize for that. I don't want

2108
01:56:09,120 --> 01:56:11,840
Speaker 1: to apologize. You already hurt my feelings and that's the

2109
01:56:11,880 --> 01:56:14,760
Speaker 1: most important. Okay, why didn't mean to hurt your feelings?

2110
01:56:14,760 --> 01:56:19,160
Speaker 1: Because you've been phone tapped? Janine put us up to it.

2111
01:56:19,360 --> 01:56:29,160
Speaker 1: I love you. Janine played a phone tap, phone tap,

2112
01:56:29,760 --> 01:56:31,520
Speaker 1: I have an idea for a phone tab. Go to

2113
01:56:31,640 --> 01:56:33,960
Speaker 1: Ellis Duran dot com. Click on the phone tap tab,

2114
01:56:34,080 --> 01:56:36,280
Speaker 1: tell us what you want to do. This phone table

2115
01:56:36,360 --> 01:56:40,760
Speaker 1: was prerecorded with permission granted by all parts Ellie s Duran.

2116
01:56:40,880 --> 01:56:44,160
Speaker 1: Phone tab were on Ellie Duran in the Morning Show.

2117
01:56:47,440 --> 01:56:49,600
Speaker 1: One more look at the Danielle Report. All right, daniel

2118
01:56:49,640 --> 01:56:51,280
Speaker 1: already working on all right. First of all, we are

2119
01:56:51,480 --> 01:56:55,680
Speaker 1: so excited for our friend Bobby Bones because he is

2120
01:56:55,760 --> 01:56:58,200
Speaker 1: doining American Idol this season. He gets to be a

2121
01:56:58,240 --> 01:57:01,120
Speaker 1: mentor to all top twenty four essence, and he's just

2122
01:57:01,680 --> 01:57:04,480
Speaker 1: he on his Instagram, Mr Bobby Bones, he's talking about it.

2123
01:57:04,520 --> 01:57:07,720
Speaker 1: I'm so I congratulations and let me tell you something.

2124
01:57:07,760 --> 01:57:10,360
Speaker 1: They're lucky to have him. Yeah, he's amazing. We love him.

2125
01:57:10,400 --> 01:57:13,040
Speaker 1: Sorry that I ruined your teath. That's okay, Sterling Kay Brown.

2126
01:57:13,160 --> 01:57:15,320
Speaker 1: You know him from S and Well. You will know

2127
01:57:15,480 --> 01:57:17,600
Speaker 1: him from SNL that gave away my story. You know

2128
01:57:17,840 --> 01:57:20,000
Speaker 1: him from This is Us. You also know him from

2129
01:57:20,040 --> 01:57:23,520
Speaker 1: Black Panther. He will be hosting Saturday Night Live for

2130
01:57:23,600 --> 01:57:27,600
Speaker 1: the very first time. He will star March tenth, So

2131
01:57:28,000 --> 01:57:30,360
Speaker 1: get ready put that down in your I'm gonna put

2132
01:57:30,360 --> 01:57:31,760
Speaker 1: it in my calendar. Put it in your calendar. You

2133
01:57:31,800 --> 01:57:34,360
Speaker 1: know you you always say that, you know it's put

2134
01:57:34,400 --> 01:57:36,600
Speaker 1: that in your calendar. They never put TV shows on

2135
01:57:36,680 --> 01:57:39,160
Speaker 1: your calendar. I do all the time when Walking Dead

2136
01:57:39,240 --> 01:57:41,240
Speaker 1: comes back, So I know and I remember. A new

2137
01:57:41,280 --> 01:57:44,280
Speaker 1: study says medical dramas like Gray's Anatomy can give people

2138
01:57:44,360 --> 01:57:47,840
Speaker 1: unrealistic expectations when it comes to their real life medical care, treatment,

2139
01:57:47,880 --> 01:57:50,760
Speaker 1: and recovery. So trauma patients who survive on the show,

2140
01:57:51,000 --> 01:57:52,800
Speaker 1: they tend to go home a lot sooner than they

2141
01:57:52,840 --> 01:57:57,360
Speaker 1: would go home in real life f y. I thank you,

2142
01:57:57,480 --> 01:58:01,880
Speaker 1: Daniel Youlous. We're doing it again. Okay, let's do it again,

2143
01:58:01,920 --> 01:58:07,440
Speaker 1: so kesh I have to Let's look okay by Elvis Elvis,

2144
01:58:07,640 --> 01:58:11,480
Speaker 1: Elvis Hio, Elvis Doran in the Morning Show