WEBVTT - #299 - On Time with Bobby Bones: Gary Levox On Why Rascal Flatts Called It Quits + His New Solo Album (Performance) + Lainey Wilson On Getting Recognized In Her Hometown + Live Performances! + Intro to "The Biztape

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<v Speaker 1>What's Happen to Friends? Hello, welcome to another edition of

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<v Speaker 1>On Time with Me Bobby Bones. I am your host,

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<v Speaker 1>Bobby Bones. I have been described for those of you

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<v Speaker 1>that don't know me as he's what you get if

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<v Speaker 1>you were to take Clay Aikin and Weezer and put

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<v Speaker 1>them together and subtract all the talent. That's me And

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<v Speaker 1>I'm no treat by myself. That's probably not why you're

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<v Speaker 1>watching this. But I've got some amazing people stopping by

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<v Speaker 1>the show. We have my friend Gary Lavox of Rascal

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<v Speaker 1>Flat stopping by. He's gonna play this song. We also

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<v Speaker 1>have new artists Laney Wilson stopping by. She's gonna play

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<v Speaker 1>some music too. She's also on the way to becoming

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<v Speaker 1>a big old star. So we have music, we have guests.

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<v Speaker 1>We're gonna play some games. You guys can also write

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<v Speaker 1>questions in the box and I'll ask some of them too.

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<v Speaker 1>So and if you're really lucky, I'll show you guys

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<v Speaker 1>my third nipple. See you'll even learn some things about me.

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<v Speaker 1>But when we get to our guests, I was like

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<v Speaker 1>to kick things off with the shortest monologue and all

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<v Speaker 1>the land just wham bam, thank you for the question.

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<v Speaker 1>Thank you for the joke. Man. It's three quick jokes.

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<v Speaker 1>We've appropately titled three jokes for the folks. Here we

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<v Speaker 1>go home. Joke number one, Scientists are warning us that

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<v Speaker 1>it's time to bust out the year plugs, as trillions

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<v Speaker 1>of cicadas are emerging from their seventeen year long hibernation

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<v Speaker 1>to mate seventeen years. That's not so bad, Listen, it's

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<v Speaker 1>been forty one for me. I haven't made it yet.

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<v Speaker 1>You don't see me s forming all over the place.

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<v Speaker 1>Sam saving that from a wedding night. It's just a

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<v Speaker 1>sexy wink. Moving on to joke number two, it's being

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<v Speaker 1>reported in Canada fans are being contacted by profiles pretending

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<v Speaker 1>to be Chad Kroger, the lead singer of Nickelback. Some

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<v Speaker 1>have said the fake profile has asked them for money

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<v Speaker 1>in the form of bitcoin or iTunes gift cards. As

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<v Speaker 1>if Nickelback fans didn't have it roughen up already, wait

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<v Speaker 1>till they realize it is actually Chad Kroger of Nickelback.

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<v Speaker 1>That's right. And finally, joke number three, Target announced they

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<v Speaker 1>will stop the sale of Pokemon cards after a man

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<v Speaker 1>pulled a gun during a fight over trading cards in

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<v Speaker 1>their parking lot. They described the event as the nerdiest

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<v Speaker 1>felony in the history of American crime. He actually asked

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<v Speaker 1>the police, can I my mommy come pick me up

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<v Speaker 1>from jail. Gotta love America, the only place where it's

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<v Speaker 1>easy to buy a gun in the store but impossible

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<v Speaker 1>to buy Pokemon cards. That's right. Hit that music there

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<v Speaker 1>it is? Those are three jokes for the folks. Thank

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<v Speaker 1>you very much. Is music still going? Or am I

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<v Speaker 1>just making the music all right? Before we get to

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<v Speaker 1>our first musical guest. Let me check in with my

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<v Speaker 1>fiance Caitlin. That's right here she comes. You can follow

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<v Speaker 1>her on Instagram at kate cy Parker. And later I

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<v Speaker 1>go check out our episode of running Wild with bear

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<v Speaker 1>Grills that we did. She's gonna walk through that door

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<v Speaker 1>at anytime. There she is. Thank you, Come on in,

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<v Speaker 1>have a seat. Thank you. How are you pretty good?

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<v Speaker 1>How how's your day been? And what did you do

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<v Speaker 1>this after and in this afternoon? What time does that start?

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<v Speaker 1>I don't know. It's a good question. The afternoon four

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<v Speaker 1>five oh? I went to a spin class. How did

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<v Speaker 1>that five? Great? When we spin and I'm beside you.

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<v Speaker 1>Do you watch how fast I'm going? Do you compare

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<v Speaker 1>the output that you feel like you're putting out versus mine?

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<v Speaker 1>Because I feel like you dominate me. I'll be honest,

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<v Speaker 1>I feel like that as well, but I don't really

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<v Speaker 1>watch you that much. Well, you're not doing the moves.

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<v Speaker 1>I don't do the dance moves because I can't keep

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<v Speaker 1>up right here, Here's what I've learned about this spin class.

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<v Speaker 1>I put my grind on too hard, and when I'm

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<v Speaker 1>peddling hard, I can't do the dance moves with my

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<v Speaker 1>arms on the right pace. And so as you guys

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<v Speaker 1>are all nailing them, I'm off. But I'm still getting

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<v Speaker 1>pretty your workout's choice there? How did interesting analogy? How

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<v Speaker 1>did class go today? That's great? Yeah? Good instructor? High

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<v Speaker 1>energy was packed and I got to ride next to

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<v Speaker 1>someone I know. Should I like? It's fun? Did you

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<v Speaker 1>see Gary l Box in the waiting room? I did,

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<v Speaker 1>and I waved at him. I had to come in here.

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<v Speaker 1>I would have loved to stop buying and chatted for

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<v Speaker 1>a bit, but um, I just got a quick wave in.

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<v Speaker 1>And how did you get right in here? For my interview?

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<v Speaker 1>She feel solid about the wave. I think he liked it,

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<v Speaker 1>he smiled. Yeah, it was like, you know, it's awkward

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<v Speaker 1>because you're like I think you probably know who I

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<v Speaker 1>am like, but you just never know, so I didn't

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<v Speaker 1>want to be too like he hung out at the house.

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<v Speaker 1>He's a big star. He has a big star. Is

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<v Speaker 1>there anything you want me to ask him when he

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<v Speaker 1>comes in? Any question? He's a big starme. You want

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<v Speaker 1>to ask him off camera? Yeah? Something I'll text I'm

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<v Speaker 1>on camera, I'll text it to you. Does it have

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<v Speaker 1>to do with him being naked? No? Last night we

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<v Speaker 1>watched our episode of Running Wild with Bear Girls, which

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<v Speaker 1>people can still watch right now at National Geographic dot Com.

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<v Speaker 1>How did you feel about your performance? My performance? Like

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<v Speaker 1>how I did on camera? How you came off? He

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<v Speaker 1>didn't love it. I mean, I just don't like to

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<v Speaker 1>watch myself, so I didn't love it. But I am

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<v Speaker 1>very proud of myself for doing it. So I think

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<v Speaker 1>those are two different things. How did I feel about

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<v Speaker 1>my performance? How did I feel about what I accomplished?

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<v Speaker 1>What was it like doing that episode? Awful? Scary, um, cold, scary, terrifying.

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<v Speaker 1>It really wasn't fun right, No, there wasn't one bit

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<v Speaker 1>of it that was fun. The only good thing about

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<v Speaker 1>the actual time there was Bear because he is the

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<v Speaker 1>greatest right in the moment, the only the only good

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<v Speaker 1>thing was there after it. It's all good, it's all fun,

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<v Speaker 1>it's all great memory. Happy we did it. People loved it,

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<v Speaker 1>though I felt there was a good spots. I guess, yeah,

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<v Speaker 1>you were the star of the show, bell of the ball.

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<v Speaker 1>It's not the star of the show in the parade. No,

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<v Speaker 1>people just see you a lot and they don't see

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<v Speaker 1>me a lot. So that's why I'm sure you're feeling

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<v Speaker 1>that way. I loved it. I thought that I should

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<v Speaker 1>have just been you next season you go alone. Oh

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<v Speaker 1>I don't want that because you really like Bear. No, No,

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<v Speaker 1>I I don't want to go alone. But I I'm

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<v Speaker 1>happy I did it. I'm happy that I stood up

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<v Speaker 1>to a fear of mine. I was actually I'll just

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<v Speaker 1>tell you story. Today. I was in spin and my

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<v Speaker 1>instructor was talking about kind of how she started her

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<v Speaker 1>spin class. And I know this is probably cliche, and

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<v Speaker 1>we all know I'll know this saying, but she was saying, um,

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<v Speaker 1>when you feel scared about something, just do it. Scared

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<v Speaker 1>and that's what I want to do from now on.

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<v Speaker 1>I just want to do it scared, regardless of what

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<v Speaker 1>it is. I don't need to work up courage to

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<v Speaker 1>do it. I just need to do it scared. And

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<v Speaker 1>that's what I did the whole time during Bear Girls. Sorry,

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<v Speaker 1>I got distracted because Mike was taking a picture and

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<v Speaker 1>I was like, oh, Mike, do you look at you? Oh? Good? Okay,

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<v Speaker 1>So anyway, for any of you that are actually watching this,

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<v Speaker 1>whatever you're thinking that you want to do, but you

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<v Speaker 1>don't feel like you have the courage, and you're like,

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<v Speaker 1>maybe I'll have the courage in a week. Maybe I'll

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<v Speaker 1>have the courage in a couple of weeks. You won't,

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<v Speaker 1>So do it scared. That's okay. You don't have to

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<v Speaker 1>have the courage. Sometimes you only get couraged by fighting

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<v Speaker 1>through fear. Sure, yeah, thank you. Um. I like how

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<v Speaker 1>you just addressed the camera, just you just totally take

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<v Speaker 1>over and you turn right to the camera. Them Like,

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<v Speaker 1>don't know if I could help anybody. My idea has

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<v Speaker 1>written some questions for me to ask. Would you like

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<v Speaker 1>to answer them? What? I? Yeah? What kind of sleeper

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<v Speaker 1>is Bobby? Um? A flailer? Elaborate that kind of a

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<v Speaker 1>thing like that, or like I was talking your sleep,

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<v Speaker 1>or you wake up and you request me to hug you.

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<v Speaker 1>Sometimes I do that. I wake up and I'm like,

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<v Speaker 1>I can't go to sleep, but you hug me. No,

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<v Speaker 1>he goes like, he goes me. Mike's giggling. I do,

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<v Speaker 1>and then she's big spoon and a little spoon. I

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<v Speaker 1>don't care. It's the only way I get the only

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<v Speaker 1>way I get to sleep. I don't let her put

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<v Speaker 1>her hand on my stomach though, or near my stomach,

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<v Speaker 1>because I'm embarrassing my stomach because he has body dysmorphia

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<v Speaker 1>and we're working through that. So she can put her

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<v Speaker 1>arm over me, but it it has to be like up here. Yeah,

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<v Speaker 1>it's got to be shoulder or like pit. Yeah and pit.

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<v Speaker 1>That ends up not with a great smell in the

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<v Speaker 1>morning on your hand. What song do you love to

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<v Speaker 1>sing in the car? Me? What song do I love

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<v Speaker 1>to sing in the car? Um? I'll tell you right now,

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<v Speaker 1>come on drives last as last. No, that's so two

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<v Speaker 1>months ago, okay, if it was all right now? Well,

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<v Speaker 1>my staple really is Adore You by Harry Styles. But

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<v Speaker 1>Olivia Rodrigo actually has a new song out called good

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<v Speaker 1>for you, and it's really good. Check it out. Did

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<v Speaker 1>you ever consider changing your last name to bones even

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<v Speaker 1>on Instagram? Not one time? And final question, what's the

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<v Speaker 1>one thing you learned about Bobby in the last week?

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<v Speaker 1>In the last week, Mike that stuff? What did I

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<v Speaker 1>learn about you in the last week? Um, that you

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<v Speaker 1>are very willing to help me with wedding things such

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<v Speaker 1>as meetings, if I will just ask you. Yeah, And

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<v Speaker 1>we went to Crane Barrel and did some boop boop

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<v Speaker 1>on the board where we went to register. But we're

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<v Speaker 1>out of gifts at this point, like people have sucked

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<v Speaker 1>them all and now my parents have nothing to get us,

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<v Speaker 1>so we need to chill out on the details. But um, okay,

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<v Speaker 1>thank you. Yeah, I was pretty good at the said right,

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<v Speaker 1>you were great? Yeah, scanned boo boops? Did you scan

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<v Speaker 1>your stuff? Mike? You did rettert online. She went back

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<v Speaker 1>and did some registering online and as soon as we've finished,

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<v Speaker 1>she went right to the registered and Eddie already bought

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<v Speaker 1>us a juicer before we even got so generous, like

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<v Speaker 1>the oh my gosh, wait time out, can you send

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<v Speaker 1>me where you're like, we don't have a gift for

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<v Speaker 1>you yet, because I've asked him to ask you, I

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<v Speaker 1>know he hasn't, and I didn't want to ask Kelsey

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<v Speaker 1>because I know she has like nine thousand things on

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<v Speaker 1>her plate. So can you send? All right there? She

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<v Speaker 1>is my fiance and yours just just mine, Caitlin Parker. Everybody,

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<v Speaker 1>thank you, thank you for always being our first guest.

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<v Speaker 1>Only three more episodes to go by. Yeah we're doing

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<v Speaker 1>it's a six pack. Yeah yeah, yeah, all right, you

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<v Speaker 1>go over in the chat. We got a lot of

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<v Speaker 1>people over here that are like, uh, is this where

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<v Speaker 1>Gary Lavox is gonna be on? It is momentarily. That's

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<v Speaker 1>from Cat McQueen um kells Zack said, Gary put the

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<v Speaker 1>wrong year all on Facebook, so people are going to

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<v Speaker 1>something else. I don't know. All right, here we go.

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<v Speaker 1>Let's welcome my first guest, well musical guest. He's the

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<v Speaker 1>lead singer of Rascal Flats and will soon be releasing

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<v Speaker 1>his first ever Christian solo album. He has the voice

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<v Speaker 1>of an angel and the only guy know who works

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<v Speaker 1>out in full camouflage. I've seen it with my own eyes.

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<v Speaker 1>Welcome to the show. Gary Levox, thank you, thank you.

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<v Speaker 1>What do you what's in your hand? That's true. Did

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<v Speaker 1>you did you grab it from out there? Really? I

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<v Speaker 1>really did? Nice? Do me sign that for you? Yes,

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<v Speaker 1>that's why I brought it nice nice Okay. Oh, by

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<v Speaker 1>the way, Gary brought merch for me. They are what

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<v Speaker 1>these are? There's a branded Lavox wear. Yea. He broke

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<v Speaker 1>really struggling and you need to Yeah. Yeah, I'm just

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<v Speaker 1>trying to with the Yeah, but these are. I do

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<v Speaker 1>love the logo. Thanks, Like what who designed this? He did? Yeah?

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<v Speaker 1>I did. Really, Here's Freedom Farms. What's Spreedom Farms? That's

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<v Speaker 1>that's my farm outside of Nashville. I will I will

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<v Speaker 1>wear this black one. Yeah. Good, I brought him for you.

0:11:50.559 --> 0:11:52.640
<v Speaker 1>You'll sell many and you'll be able to pay your mortgage,

0:11:52.800 --> 0:11:55.440
<v Speaker 1>which is the goal. You're even wearing a wristband? Now?

0:11:55.480 --> 0:11:59.000
<v Speaker 1>Why a wristband in the evening on a internet talk show? Well,

0:11:59.080 --> 0:12:01.280
<v Speaker 1>you know what? It just I know how you have

0:12:01.320 --> 0:12:03.000
<v Speaker 1>to turn all the air conditioners off and it gets

0:12:03.040 --> 0:12:08.080
<v Speaker 1>hot and so I adap okay, you know because you

0:12:08.120 --> 0:12:10.920
<v Speaker 1>maybe we're makeup and things and it's like a dap

0:12:11.200 --> 0:12:14.760
<v Speaker 1>I do okay. Um onto the real questions at hand. Here,

0:12:16.160 --> 0:12:20.080
<v Speaker 1>Why a solo album and why a why did you

0:12:20.080 --> 0:12:24.440
<v Speaker 1>start with a Christian album? Why a solo album? Because

0:12:25.320 --> 0:12:28.560
<v Speaker 1>Jodan came to us one day and said that he

0:12:29.040 --> 0:12:30.960
<v Speaker 1>wanted to be home war said he was burnt and

0:12:30.960 --> 0:12:35.040
<v Speaker 1>he's burnt out? Are you serious? And so that kind

0:12:35.040 --> 0:12:38.360
<v Speaker 1>of we're like, okay, all right, we respect that. And

0:12:38.400 --> 0:12:41.480
<v Speaker 1>so I had already kind of planned on doing one

0:12:42.000 --> 0:12:43.960
<v Speaker 1>and didn't really know when it was gonna happen, because

0:12:43.960 --> 0:12:46.680
<v Speaker 1>you know, Flats, we've been a thousand miles a minute

0:12:46.679 --> 0:12:50.440
<v Speaker 1>for twenty years. And so when Jodon told us that,

0:12:50.480 --> 0:12:54.040
<v Speaker 1>we're like, okay, well, that opens it up. And I

0:12:54.080 --> 0:12:56.520
<v Speaker 1>always want to do a gospel record. I always did,

0:12:56.840 --> 0:12:59.360
<v Speaker 1>and um it just all of it kind of came

0:12:59.400 --> 0:13:02.720
<v Speaker 1>together and here we go. And then Friday at uh

0:13:02.720 --> 0:13:06.160
<v Speaker 1>it drops the EP drops. Were you shocked? And I

0:13:06.200 --> 0:13:07.439
<v Speaker 1>do want to get to the peaks that heard a

0:13:07.480 --> 0:13:09.120
<v Speaker 1>lot of it. Hecky played some unreleas stuff in my

0:13:09.200 --> 0:13:11.360
<v Speaker 1>house like three months ago. So so so I've kind of,

0:13:11.520 --> 0:13:14.680
<v Speaker 1>you know, been to the process. But were you Did

0:13:14.679 --> 0:13:16.520
<v Speaker 1>you expect Jodan to come and be like, hey, guys,

0:13:16.679 --> 0:13:20.360
<v Speaker 1>we gotta take a break. No, I really didn't, I mean,

0:13:20.840 --> 0:13:25.040
<v Speaker 1>you know, not really because it was that was year nineteen,

0:13:25.080 --> 0:13:26.840
<v Speaker 1>and we had a lot of things booked for the

0:13:26.880 --> 0:13:29.720
<v Speaker 1>twenty year and everything else with trying to put the

0:13:29.720 --> 0:13:32.400
<v Speaker 1>farewell tour together, and we had a lot of things

0:13:32.400 --> 0:13:36.160
<v Speaker 1>set up with, uh, you know, the Grammys and c

0:13:36.360 --> 0:13:38.080
<v Speaker 1>m As and all this kind of kind of just

0:13:38.120 --> 0:13:40.360
<v Speaker 1>celebrate the twenty years that we had together, you know,

0:13:40.400 --> 0:13:42.480
<v Speaker 1>and all the accomplishments that we've done. And then the

0:13:42.520 --> 0:13:44.760
<v Speaker 1>pandemic hit. So no, it was kind of out of

0:13:44.840 --> 0:13:48.200
<v Speaker 1>left field, and uh, you know, but what can you do?

0:13:48.360 --> 0:13:51.199
<v Speaker 1>Did you and j Ever go, hey, we'll just do

0:13:51.280 --> 0:13:54.600
<v Speaker 1>this as a duo? Was it even a conversation? It

0:13:54.720 --> 0:13:59.000
<v Speaker 1>was a conversation. And but Joe j had started, uh

0:13:59.120 --> 0:14:02.560
<v Speaker 1>that a little Christian label, the independent label called Red

0:14:02.559 --> 0:14:04.480
<v Speaker 1>Street Records, and he wanted to make a go with that,

0:14:04.600 --> 0:14:07.640
<v Speaker 1>and I was like, well that's cool. So I was like,

0:14:07.679 --> 0:14:11.599
<v Speaker 1>you know, I still I feel like my platform is

0:14:11.679 --> 0:14:14.240
<v Speaker 1>the stage, and I still had so much music to make,

0:14:14.280 --> 0:14:17.720
<v Speaker 1>and so I just stayed on my artists route, and

0:14:17.880 --> 0:14:20.240
<v Speaker 1>I mean, it's stick with what you're good at, and

0:14:20.240 --> 0:14:22.280
<v Speaker 1>that's what I wanted to do. And did you feel

0:14:22.280 --> 0:14:23.920
<v Speaker 1>like you needed a break for a bit though after this,

0:14:23.960 --> 0:14:25.840
<v Speaker 1>where you like, I need to just kind of recalibrate.

0:14:25.880 --> 0:14:28.160
<v Speaker 1>I did not expect this. I spent the last twenty

0:14:28.200 --> 0:14:32.360
<v Speaker 1>years being a flat Did you have any nights we

0:14:32.400 --> 0:14:34.000
<v Speaker 1>are like wait, what is about to happen? Or were

0:14:34.000 --> 0:14:36.000
<v Speaker 1>you like, Okay, this actually gives me an opportunity to

0:14:36.000 --> 0:14:39.080
<v Speaker 1>go chase this solo record. It was both. Actually it

0:14:39.160 --> 0:14:42.480
<v Speaker 1>was kind of it was sad, it was disheartening, it

0:14:42.560 --> 0:14:45.760
<v Speaker 1>was exciting, it was you know, it was kind of

0:14:45.800 --> 0:14:48.280
<v Speaker 1>everything at once because everything I've known for half of

0:14:48.360 --> 0:14:50.720
<v Speaker 1>my life is now going to be changed and can

0:14:50.800 --> 0:14:53.000
<v Speaker 1>gonna be different. So but it gave me, you know,

0:14:53.040 --> 0:14:56.080
<v Speaker 1>it gave me the time to to really lock in

0:14:56.160 --> 0:14:58.520
<v Speaker 1>and um, you know, not only did I do a

0:14:58.560 --> 0:15:01.640
<v Speaker 1>gospel record, but I already recorded a solo country record

0:15:01.680 --> 0:15:03.400
<v Speaker 1>that comes out in the fall. So I just gave it.

0:15:03.440 --> 0:15:05.720
<v Speaker 1>I just kind of just threw myself into my music

0:15:05.800 --> 0:15:08.760
<v Speaker 1>and just let it be. Let you know, you gotta

0:15:08.800 --> 0:15:10.960
<v Speaker 1>play the hands that are dealt sometimes. So the record

0:15:10.960 --> 0:15:14.960
<v Speaker 1>comes out Friday. It's called One on One? Why why

0:15:15.120 --> 0:15:20.440
<v Speaker 1>one on one? Well, it's kind of I think, just

0:15:20.560 --> 0:15:24.360
<v Speaker 1>me doing a gospel record, just me and my my

0:15:24.360 --> 0:15:27.640
<v Speaker 1>my faith walk with the Lord. And it's the first

0:15:27.680 --> 0:15:29.640
<v Speaker 1>time that it's just been me. I mean, I've been

0:15:29.680 --> 0:15:32.160
<v Speaker 1>the face of Flats for twenty years and now it's

0:15:32.200 --> 0:15:34.600
<v Speaker 1>just one on one, me and him and me and

0:15:34.720 --> 0:15:37.760
<v Speaker 1>the fans. So just kind of made sense. Do you

0:15:37.800 --> 0:15:41.760
<v Speaker 1>plan to go out and play any of these songs live? Yeah? Yeah,

0:15:41.800 --> 0:15:44.560
<v Speaker 1>I'll be doing all the flat stuff. And that's the question, right,

0:15:45.160 --> 0:15:47.960
<v Speaker 1>So you're gonna sing the flat stuff? I think you should.

0:15:48.440 --> 0:15:50.120
<v Speaker 1>I think if I went out, I'd want to hear

0:15:50.400 --> 0:15:52.480
<v Speaker 1>some of the new stuff. But if I'm going to see,

0:15:52.800 --> 0:15:55.000
<v Speaker 1>you know, the face of the Flats, dang it sing

0:15:55.000 --> 0:15:57.160
<v Speaker 1>the flats. Yeah, I'm gonna do it. So what do

0:15:57.160 --> 0:15:58.800
<v Speaker 1>you do as far as a band? You just get

0:15:59.040 --> 0:16:01.480
<v Speaker 1>your buddies that know of the songs. No, it's it's

0:16:01.480 --> 0:16:05.240
<v Speaker 1>actually the same. It's it's actually all the Rascal Flats band,

0:16:05.320 --> 0:16:08.200
<v Speaker 1>Jim Riley, it's my drummer, Travis Toyo plays steel and

0:16:08.240 --> 0:16:11.160
<v Speaker 1>everything else. He's still with me, and so it's the

0:16:11.200 --> 0:16:14.200
<v Speaker 1>actual the actual Flatspan just minus Jane Jodan gotta do

0:16:14.240 --> 0:16:16.800
<v Speaker 1>bass player and um, you know my keyboard players sings

0:16:16.800 --> 0:16:18.920
<v Speaker 1>all the hot stuff to it on sing and so

0:16:18.960 --> 0:16:21.120
<v Speaker 1>it's the same band, just minus Jane general. I mean

0:16:21.120 --> 0:16:22.560
<v Speaker 1>we'd really get the full experience if you kind of

0:16:22.640 --> 0:16:24.440
<v Speaker 1>dressed them up to look like them and we know

0:16:24.440 --> 0:16:27.280
<v Speaker 1>they're not, but you know you still like color, the hair,

0:16:27.560 --> 0:16:29.400
<v Speaker 1>you know, maybe even throw them back to old school

0:16:29.400 --> 0:16:31.520
<v Speaker 1>one night Jo, you know he had the long yeah,

0:16:31.600 --> 0:16:35.160
<v Speaker 1>I mean, no sleeves. Yeah, just just maybe just a vest.

0:16:35.320 --> 0:16:37.920
<v Speaker 1>But yeah, yeah, because when you look back, I was

0:16:37.960 --> 0:16:40.560
<v Speaker 1>looking at the multiple pictures of you guys. I mean,

0:16:40.840 --> 0:16:45.600
<v Speaker 1>you guys were now it's normal, but style wise, you

0:16:45.640 --> 0:16:49.160
<v Speaker 1>were extremely different than the format. Were you guys getting

0:16:49.880 --> 0:16:52.280
<v Speaker 1>a lot of the pushback from the old school Nashville

0:16:52.320 --> 0:16:54.400
<v Speaker 1>folks at the time. Yeah, I mean I think everything

0:16:54.640 --> 0:16:57.640
<v Speaker 1>anything new and country, I think you always do. Plus

0:16:57.680 --> 0:16:59.720
<v Speaker 1>we came in at the tail into the whole boy

0:16:59.760 --> 0:17:02.880
<v Speaker 1>band thing and so all that kind of played into it.

0:17:02.920 --> 0:17:06.000
<v Speaker 1>But you know, I mean we're sitting there like, you

0:17:06.040 --> 0:17:09.439
<v Speaker 1>know what we're not. We're not cowboys, you know, I

0:17:09.480 --> 0:17:12.160
<v Speaker 1>mean we live that lifestyle, you know. I mean, I'm

0:17:12.359 --> 0:17:15.520
<v Speaker 1>his country as corn breads with which is crazy because

0:17:15.560 --> 0:17:21.199
<v Speaker 1>you are. But I mean you Gary legitimately is significantly

0:17:21.240 --> 0:17:23.520
<v Speaker 1>more country. And it's usually the opposite, right, people will

0:17:23.520 --> 0:17:26.000
<v Speaker 1>come and act a little show a little more country

0:17:26.000 --> 0:17:29.600
<v Speaker 1>than they really are. It's like you're the opposite. Like

0:17:29.640 --> 0:17:31.679
<v Speaker 1>you come out, you're straight ahead, jel, you put that

0:17:31.760 --> 0:17:34.400
<v Speaker 1>your hair product in, you sing. But when we're done here,

0:17:34.440 --> 0:17:36.600
<v Speaker 1>he's in Camo and he's like, hey, man, come out

0:17:36.640 --> 0:17:38.240
<v Speaker 1>to the farm. And I'm like, that's an hour and

0:17:38.280 --> 0:17:40.399
<v Speaker 1>a half away. He's like, no man would have sit

0:17:40.480 --> 0:17:43.359
<v Speaker 1>on the porch and like spitting cows. And I'm like,

0:17:43.359 --> 0:17:46.000
<v Speaker 1>what's what are you? What are you talking about? Your

0:17:46.000 --> 0:17:48.920
<v Speaker 1>getting the box? So, but you do live and you

0:17:49.119 --> 0:17:52.280
<v Speaker 1>hunt constantly. Yeah, I mean it's just the way I

0:17:52.320 --> 0:17:55.359
<v Speaker 1>grew up. But you know, it's it's like they're but

0:17:55.440 --> 0:17:57.000
<v Speaker 1>it's just who I am. You know, I just gotta

0:17:57.000 --> 0:17:59.600
<v Speaker 1>be real to who you are. And you know, but

0:17:59.680 --> 0:18:03.439
<v Speaker 1>it's like I've never wrote it, Calf, you know, I

0:18:03.560 --> 0:18:05.120
<v Speaker 1>saw it while I'm not gonna sit out and put

0:18:05.119 --> 0:18:08.119
<v Speaker 1>a cowboy hat on and try to play up to

0:18:08.320 --> 0:18:11.240
<v Speaker 1>something that I'm not. You know. So I wasn't here

0:18:11.280 --> 0:18:15.760
<v Speaker 1>in Nashville when you guys broke and when you guys

0:18:15.800 --> 0:18:19.320
<v Speaker 1>were winning the it's the Grammys, Like I wasn't here

0:18:19.320 --> 0:18:23.359
<v Speaker 1>and I was actually, I mean probably twenties and we

0:18:23.400 --> 0:18:25.399
<v Speaker 1>would watch on TV. It was a fan and we

0:18:25.440 --> 0:18:27.600
<v Speaker 1>would start to play. I was working in Pop Radio

0:18:27.640 --> 0:18:29.560
<v Speaker 1>two at the time. We're playing some of your stuff

0:18:29.600 --> 0:18:33.240
<v Speaker 1>over there, So I'm I missed the impact you guys

0:18:33.280 --> 0:18:36.240
<v Speaker 1>had on Nashville. Were you guys king dingling of the

0:18:36.280 --> 0:18:41.040
<v Speaker 1>talent for a while? It? For yeah, we really had

0:18:41.200 --> 0:18:44.400
<v Speaker 1>just kind of held the torchs for yeah. I mean

0:18:44.440 --> 0:18:46.880
<v Speaker 1>a long time. Really. I mean it's I mean, two

0:18:46.880 --> 0:18:49.399
<v Speaker 1>thousand and six, we outsold everybody in the world that

0:18:49.440 --> 0:18:51.679
<v Speaker 1>put a record out in any genre music, you know.

0:18:52.359 --> 0:18:54.639
<v Speaker 1>So and I remember being at the Grammy's up against

0:18:54.640 --> 0:18:58.800
<v Speaker 1>Beyonce and Mary J. Blige and Kanye and jay Z,

0:18:59.000 --> 0:19:01.679
<v Speaker 1>and we're like, it doesn't matter if we win or not.

0:19:01.800 --> 0:19:04.640
<v Speaker 1>We outsold everybody in this room. That's you can't even

0:19:04.840 --> 0:19:08.120
<v Speaker 1>fathom that kind of stuff. So, I mean, we had

0:19:08.119 --> 0:19:11.040
<v Speaker 1>a you know, I mean, it's made the Guinness Book

0:19:11.080 --> 0:19:14.120
<v Speaker 1>with you know, seven consecutive c M a vocal group.

0:19:14.359 --> 0:19:16.760
<v Speaker 1>I mean, all that stuff is just mind blowing. We

0:19:16.800 --> 0:19:19.639
<v Speaker 1>had the We're kind of top dog there for a

0:19:19.680 --> 0:19:23.960
<v Speaker 1>minute for sure. Were you in Entertainer of the Year member,

0:19:23.960 --> 0:19:27.000
<v Speaker 1>which which is crazy to me because I was gonna

0:19:27.040 --> 0:19:28.280
<v Speaker 1>let you answer no, because I knew the answer. I

0:19:28.280 --> 0:19:31.760
<v Speaker 1>looked it up. The fact that you weren't allowed or

0:19:31.840 --> 0:19:34.320
<v Speaker 1>they didn't put you in that when you were the

0:19:34.760 --> 0:19:38.760
<v Speaker 1>actual entertainers of not just country music, but you said it.

0:19:38.760 --> 0:19:41.920
<v Speaker 1>You're out telling everybody. I think even as the success

0:19:41.960 --> 0:19:44.760
<v Speaker 1>was happening, I still would have had some sort of resentment, like, hey,

0:19:44.800 --> 0:19:47.440
<v Speaker 1>why aren't you guys putting us because we're not when

0:19:47.480 --> 0:19:50.320
<v Speaker 1>Cowboy has? Is that why we're upset about it? We were?

0:19:50.440 --> 0:19:52.719
<v Speaker 1>We thought it was well deserved. I mean it's like,

0:19:53.119 --> 0:19:55.320
<v Speaker 1>you know, we're the first band to ever play Wrigley Field,

0:19:55.480 --> 0:19:59.240
<v Speaker 1>first country concert to ever play Wrigley I mean at

0:19:59.240 --> 0:20:02.040
<v Speaker 1>that time, it's like we've sold out four different tours

0:20:02.119 --> 0:20:05.480
<v Speaker 1>at Madison Square Garden, and hey, we were doing big stuff,

0:20:05.520 --> 0:20:07.880
<v Speaker 1>and it was like every year we weren't an entertainer

0:20:07.920 --> 0:20:11.119
<v Speaker 1>and was like what how does that even happen? You know,

0:20:11.200 --> 0:20:13.560
<v Speaker 1>It's like and then you go and it's like you

0:20:13.960 --> 0:20:16.000
<v Speaker 1>start thinking about that stuff, and then the hand your

0:20:16.040 --> 0:20:19.440
<v Speaker 1>plaque for ten million tickets sold and you know, all

0:20:19.480 --> 0:20:22.159
<v Speaker 1>that stuff. It kind of it sits with you. Not

0:20:22.240 --> 0:20:25.359
<v Speaker 1>that we weren't you know, grateful, but you know you

0:20:25.600 --> 0:20:28.119
<v Speaker 1>kind of just sit and scratch your head, like, uh,

0:20:28.240 --> 0:20:30.480
<v Speaker 1>there's not really anything else we can do, Like I

0:20:30.520 --> 0:20:34.600
<v Speaker 1>would have been again, I would have resented the people

0:20:34.640 --> 0:20:37.479
<v Speaker 1>that make those decisions because it's such an inside bubble

0:20:37.600 --> 0:20:39.720
<v Speaker 1>decision that's being made. And I would think you guys

0:20:39.720 --> 0:20:42.040
<v Speaker 1>were so successful. And I've seen other this happened to

0:20:42.040 --> 0:20:45.040
<v Speaker 1>other people in town too. Uh. Sam Hunt for example,

0:20:45.040 --> 0:20:46.680
<v Speaker 1>he had a couple of years where he was crushing,

0:20:47.119 --> 0:20:49.399
<v Speaker 1>not at the level you guys worked, but he and

0:20:49.440 --> 0:20:52.880
<v Speaker 1>he wasn't be nominated for anything. And it's like, Wow,

0:20:53.000 --> 0:20:55.159
<v Speaker 1>why are we so out of touch? Why do we

0:20:55.200 --> 0:20:59.280
<v Speaker 1>have to to to make it that only a certain

0:20:59.320 --> 0:21:03.040
<v Speaker 1>type of sin that we deem which removes the power

0:21:03.080 --> 0:21:05.119
<v Speaker 1>from the people. And I felt like they removed that

0:21:05.200 --> 0:21:07.480
<v Speaker 1>with you guys. Yeah, I feel the same way. I

0:21:07.480 --> 0:21:10.280
<v Speaker 1>think like Single of the Year, take the top five

0:21:10.359 --> 0:21:13.480
<v Speaker 1>singles with the most spins or whatever, and that should

0:21:13.520 --> 0:21:15.320
<v Speaker 1>be your top five, you know. I mean it seems

0:21:15.320 --> 0:21:17.960
<v Speaker 1>easy to me, but that's not the politics of the game,

0:21:18.080 --> 0:21:23.920
<v Speaker 1>you know. And as you guys are achieving superstardom, did

0:21:23.920 --> 0:21:27.879
<v Speaker 1>it ever get to where it was eagles like like

0:21:27.880 --> 0:21:29.639
<v Speaker 1>we have own dressing rooms, were just coming out and

0:21:29.640 --> 0:21:31.800
<v Speaker 1>meeting on stage or was there was there ever a

0:21:31.840 --> 0:21:34.239
<v Speaker 1>phase like that. No. You know, the only time there

0:21:34.280 --> 0:21:36.960
<v Speaker 1>was a phase like that was when it was like

0:21:37.000 --> 0:21:38.800
<v Speaker 1>we were like no, because we spent every night on

0:21:38.840 --> 0:21:41.400
<v Speaker 1>the dressing rooms together and all that. But it was busses,

0:21:41.480 --> 0:21:44.679
<v Speaker 1>you know, because we started having kids and all of that.

0:21:44.560 --> 0:21:46.439
<v Speaker 1>But that was the only time. But it was like,

0:21:46.880 --> 0:21:49.960
<v Speaker 1>all right, I'm not picking up your socks, I'm not

0:21:50.000 --> 0:21:54.480
<v Speaker 1>picking up your food. We're grown men in this place

0:21:54.520 --> 0:21:57.000
<v Speaker 1>that we're not doing it. So we all got separate

0:21:57.040 --> 0:21:58.920
<v Speaker 1>busses and everything was great. But now we spent every

0:21:58.960 --> 0:22:01.840
<v Speaker 1>night in the dress room together. Was there ever, Because

0:22:01.880 --> 0:22:04.960
<v Speaker 1>once you start making big money, you start flying private

0:22:05.080 --> 0:22:06.920
<v Speaker 1>from shows. Was there ever one of you guys? I

0:22:06.960 --> 0:22:08.200
<v Speaker 1>was like, I don't want to spend the Flats money

0:22:08.200 --> 0:22:09.840
<v Speaker 1>on a plane. Let's take a bus. Did that ever,

0:22:10.720 --> 0:22:15.680
<v Speaker 1>You're almost let's go, Dan. What do you get recognized

0:22:15.760 --> 0:22:18.919
<v Speaker 1>more for the lead singer of the Flats or the

0:22:18.960 --> 0:22:22.760
<v Speaker 1>guy who's faces on the moving trucks? Flats for sure,

0:22:25.840 --> 0:22:29.680
<v Speaker 1>Flats for sure, black Time movie. It's funny. I get

0:22:29.720 --> 0:22:32.240
<v Speaker 1>a lot of people around town stuff. I get more

0:22:32.320 --> 0:22:35.720
<v Speaker 1>pictures of people like sitting in traffic and something says

0:22:35.720 --> 0:22:38.879
<v Speaker 1>black Time moving to my face on there and We're like, dude,

0:22:38.920 --> 0:22:43.320
<v Speaker 1>what but no flats for sure? Um a question that

0:22:43.520 --> 0:22:45.240
<v Speaker 1>I was gonna ask. I know the answer to it,

0:22:45.240 --> 0:22:46.800
<v Speaker 1>because Michael was like, hey, ask him this question, but

0:22:46.960 --> 0:22:48.720
<v Speaker 1>I'll also help with the answer. He says, do you

0:22:48.720 --> 0:22:50.080
<v Speaker 1>ever just show up random me to a house that

0:22:50.160 --> 0:22:53.399
<v Speaker 1>your company is working on? Let me answer, Let me

0:22:53.400 --> 0:22:56.320
<v Speaker 1>answer this one. And I don't know if he does randomly,

0:22:57.000 --> 0:22:59.800
<v Speaker 1>but I hired Black Time Moving to move me in here.

0:23:00.280 --> 0:23:02.080
<v Speaker 1>And I get a call going, hey, man, where you yet,

0:23:02.240 --> 0:23:03.480
<v Speaker 1>I'm like at them at the house. He goes, hey'

0:23:03.520 --> 0:23:05.040
<v Speaker 1>truck So I'm about to show up and he drives

0:23:05.080 --> 0:23:08.320
<v Speaker 1>up right beside his truck and he came over and

0:23:08.400 --> 0:23:09.879
<v Speaker 1>we hung out for like an hour and he was

0:23:09.920 --> 0:23:12.400
<v Speaker 1>like all right, and that was it. No way broke

0:23:12.440 --> 0:23:14.800
<v Speaker 1>anything the end of it. And he was in a

0:23:14.840 --> 0:23:17.280
<v Speaker 1>white tie. He wore the tuxedo to It was the

0:23:17.280 --> 0:23:21.920
<v Speaker 1>whole thing I mentioned. And we'll get to some music

0:23:21.960 --> 0:23:23.560
<v Speaker 1>in a second, but I mentioned and it's a true story.

0:23:23.560 --> 0:23:25.560
<v Speaker 1>It's my favorite story because it was before I knew

0:23:25.600 --> 0:23:28.960
<v Speaker 1>you um as a person. But we lived in the

0:23:29.000 --> 0:23:31.800
<v Speaker 1>same neighborhood and there's a little gym in the neighborhood

0:23:31.840 --> 0:23:33.159
<v Speaker 1>and I was working out and when I don't wear

0:23:33.240 --> 0:23:34.800
<v Speaker 1>my glasses, I can't see anything. And I was doing

0:23:34.840 --> 0:23:38.160
<v Speaker 1>some cardio and I just there's some guy that kind

0:23:38.160 --> 0:23:39.919
<v Speaker 1>of waved at me. But he was in full camo.

0:23:40.400 --> 0:23:42.719
<v Speaker 1>He was on a bike in full camo. I was like,

0:23:43.560 --> 0:23:45.720
<v Speaker 1>and so I put my glasses on and then full camo,

0:23:45.760 --> 0:23:52.520
<v Speaker 1>full turkey hunting gear. Is Gary going? Are you doing? Dumbbellans?

0:23:55.520 --> 0:23:57.800
<v Speaker 1>Would you you have an interesting family? I know your

0:23:57.880 --> 0:24:00.760
<v Speaker 1>daughter when your daughter a little bit too? Um? Would

0:24:00.760 --> 0:24:03.520
<v Speaker 1>you guys ever? Do you know a show a family

0:24:03.840 --> 0:24:07.679
<v Speaker 1>show like Jay did? Uh? No, No, I don't. Like

0:24:08.440 --> 0:24:10.359
<v Speaker 1>I wouldn't want to live with cameras all the time.

0:24:10.720 --> 0:24:12.959
<v Speaker 1>You know. It's like you, you know, I wouldn't want

0:24:13.000 --> 0:24:15.560
<v Speaker 1>cameras around me all the time. By way, you know

0:24:15.920 --> 0:24:17.280
<v Speaker 1>how you know how you take a break and you

0:24:17.320 --> 0:24:20.280
<v Speaker 1>don't you know me, I take a lot of breaks. Um, okay,

0:24:20.280 --> 0:24:21.600
<v Speaker 1>two things I want to bring up and then we're

0:24:21.600 --> 0:24:23.520
<v Speaker 1>gonna get to the because it's just things it's better

0:24:23.520 --> 0:24:27.399
<v Speaker 1>to bring up on camera. Um. It was who like

0:24:27.480 --> 0:24:31.320
<v Speaker 1>one in the morning, maybe like three weeks ago. I

0:24:31.359 --> 0:24:33.520
<v Speaker 1>got a text from you at one in the morning.

0:24:33.840 --> 0:24:36.520
<v Speaker 1>It's like, hey, get in my clubhouse room, and I

0:24:36.600 --> 0:24:38.200
<v Speaker 1>was like, I can't get in your club. I don't

0:24:38.200 --> 0:24:39.479
<v Speaker 1>even know what you were talking. You're talking about something

0:24:39.520 --> 0:24:42.560
<v Speaker 1>like foreign money bitcoin. I thought it would be like

0:24:42.800 --> 0:24:44.959
<v Speaker 1>so I I go, okay, I said, I can't. I'm

0:24:45.000 --> 0:24:47.320
<v Speaker 1>gonna get in trouble because Caitlin's all sleep next to me, like,

0:24:47.359 --> 0:24:49.320
<v Speaker 1>just get in the room. It's like going in your

0:24:49.359 --> 0:24:53.760
<v Speaker 1>room and it's like how to jeopardize bitcoins transactional and

0:24:53.760 --> 0:24:55.399
<v Speaker 1>I'm like, I don't even know what this is. I

0:24:55.440 --> 0:24:57.400
<v Speaker 1>thought we were talking about the history of the flats.

0:24:58.359 --> 0:25:00.480
<v Speaker 1>So I get out a text the next day and

0:25:00.520 --> 0:25:01.600
<v Speaker 1>I was like, what were you doing up? You're like,

0:25:01.640 --> 0:25:03.400
<v Speaker 1>oh man, we're writing until like one we got into

0:25:03.440 --> 0:25:05.639
<v Speaker 1>clubhouse to like five in the more like you you

0:25:05.720 --> 0:25:08.560
<v Speaker 1>go hard, but in a different way. Now yeah, I

0:25:08.680 --> 0:25:11.879
<v Speaker 1>just yeah, because you know, just getting motive. I have

0:25:12.000 --> 0:25:13.840
<v Speaker 1>nothing to do the next day, so now I can

0:25:13.840 --> 0:25:15.199
<v Speaker 1>stay up on that. It's not like I have to

0:25:15.200 --> 0:25:17.520
<v Speaker 1>go to work the next day. My second favorite story

0:25:17.560 --> 0:25:20.160
<v Speaker 1>just recently happened. Or I text Gary and I said, hey,

0:25:20.400 --> 0:25:21.840
<v Speaker 1>you have an arst to Pete to the wedding yet

0:25:21.880 --> 0:25:23.640
<v Speaker 1>and Caitlin' kind of on I've never had a wedding before.

0:25:23.680 --> 0:25:25.480
<v Speaker 1>She's like, hey, because apparently have to pick out what

0:25:25.520 --> 0:25:28.200
<v Speaker 1>people eat, like people have to go hey. I said, hey,

0:25:28.359 --> 0:25:30.880
<v Speaker 1>Arst to the wedding, and you said you were coming.

0:25:30.880 --> 0:25:32.000
<v Speaker 1>I was like, just make it easy on me so

0:25:32.040 --> 0:25:35.359
<v Speaker 1>I don't have to. And I send the text and nothing,

0:25:36.040 --> 0:25:38.040
<v Speaker 1>no response, And I'm like, well, that's interesting, Gary. We're

0:25:38.080 --> 0:25:39.840
<v Speaker 1>usally pretty quick with text with each other and no,

0:25:39.840 --> 0:25:41.960
<v Speaker 1>no problem. Who knows what you're doing, right, you could

0:25:41.960 --> 0:25:44.600
<v Speaker 1>probably be like doing some charitable work. I don't know.

0:25:46.040 --> 0:25:49.560
<v Speaker 1>I look over on Instagram and he's selling hats. He's

0:25:49.560 --> 0:25:52.879
<v Speaker 1>selling Gary Lavox hats and I'm like, I'm watching. You

0:25:52.880 --> 0:25:55.520
<v Speaker 1>can't return to text. You gotta make eight bucks selling

0:25:55.520 --> 0:25:59.360
<v Speaker 1>one of these hats. I'm like, hey, yeah, I'm Arst.

0:25:59.800 --> 0:26:01.960
<v Speaker 1>I just sign. It was weird because I had to

0:26:02.000 --> 0:26:04.320
<v Speaker 1>sign those hats because we were leaving for Florida in

0:26:04.359 --> 0:26:08.240
<v Speaker 1>like two hours, so I just in the fifteen seconds

0:26:08.240 --> 0:26:10.160
<v Speaker 1>and just the respond of the text would have totally shifted.

0:26:10.880 --> 0:26:12.720
<v Speaker 1>But I did that. I wasn't I was in I

0:26:12.800 --> 0:26:16.240
<v Speaker 1>was in motion. You know, how do we okay in

0:26:16.280 --> 0:26:18.800
<v Speaker 1>these hats? Here? I'm gonna wear this one too, But

0:26:18.880 --> 0:26:21.120
<v Speaker 1>how do we get this hat. Just go to Gary

0:26:21.200 --> 0:26:25.000
<v Speaker 1>Lavox dot com yep, and it's got all shirts and

0:26:25.040 --> 0:26:28.199
<v Speaker 1>hats and grisp all all the oxwear stuff. I do

0:26:28.240 --> 0:26:30.320
<v Speaker 1>want to try that. I went to the post office

0:26:30.320 --> 0:26:33.199
<v Speaker 1>today to find a phone book because I don't have

0:26:33.240 --> 0:26:37.159
<v Speaker 1>actual Yes, because you know how they say Gary can

0:26:37.160 --> 0:26:38.720
<v Speaker 1>sing the phone book and make it good. You've heard

0:26:38.760 --> 0:26:41.120
<v Speaker 1>that phrase, right. I went There was no phone book.

0:26:41.119 --> 0:26:42.720
<v Speaker 1>They looked at me like I was stupid. They're like,

0:26:42.720 --> 0:26:43.879
<v Speaker 1>why do you want a phone book? I was like, well,

0:26:43.880 --> 0:26:46.359
<v Speaker 1>gear to the boxes coming to the house. I'd like

0:26:46.359 --> 0:26:48.040
<v Speaker 1>to hear him sing the phone book. And they were like,

0:26:48.080 --> 0:26:50.239
<v Speaker 1>I'm sorry, we don't have a phone book. However I

0:26:50.280 --> 0:26:53.639
<v Speaker 1>had this, Well, maybe it's just a couple of lines.

0:26:53.680 --> 0:26:55.879
<v Speaker 1>This is stock investing for dummies. It's the closest thing

0:26:55.920 --> 0:26:57.879
<v Speaker 1>I had to a phone book. Maybe open it up

0:26:57.960 --> 0:27:01.800
<v Speaker 1>sing it's a few lines, all right, So why don't

0:27:01.840 --> 0:27:07.400
<v Speaker 1>you choose a promise singing sector? Just select large cap

0:27:07.480 --> 0:27:16.719
<v Speaker 1>companies that are financially strong, earning a prophet, have a

0:27:16.720 --> 0:27:25.680
<v Speaker 1>load death and our market lead. Oh, this entire book

0:27:25.720 --> 0:27:31.720
<v Speaker 1>shows you how to choose just than Yeah. However, you

0:27:31.760 --> 0:27:36.600
<v Speaker 1>may not like the idea of buying stocks directly. No, no, no,

0:27:36.920 --> 0:27:41.640
<v Speaker 1>don't buy stocks directly. There is fantastic which, by the way,

0:27:41.640 --> 0:27:43.040
<v Speaker 1>I believe that's what I was hearing you talk about

0:27:43.040 --> 0:27:45.280
<v Speaker 1>in the clubhouse room singing it the same way, and

0:27:45.440 --> 0:27:47.520
<v Speaker 1>let's bring your guys in. Let's do it. I gotta

0:27:47.560 --> 0:27:49.239
<v Speaker 1>Gary had some players there. Just bring them on in.

0:27:49.320 --> 0:27:52.119
<v Speaker 1>I was talking with them earlier. What is that instrument

0:27:52.480 --> 0:27:55.439
<v Speaker 1>with the funny strings. It's a guitar. Yeah, it's a

0:27:55.520 --> 0:27:59.120
<v Speaker 1>it's a dough bro. It's a doughe bro. Got it

0:27:59.160 --> 0:28:04.440
<v Speaker 1>sounds like a like a steel guitar, slash guitar. It's

0:28:04.560 --> 0:28:06.800
<v Speaker 1>very loud. The ones that I've seen are very loud.

0:28:06.880 --> 0:28:16.800
<v Speaker 1>Come on, hey guys, Andy Wood, Travis Toy, everybody. Hey guys,

0:28:18.240 --> 0:28:20.720
<v Speaker 1>So let me let me say this again because this

0:28:20.760 --> 0:28:22.760
<v Speaker 1>will obviously it's seen now, this is gonna be up.

0:28:22.800 --> 0:28:24.119
<v Speaker 1>We're gonna put it up in a lot of places.

0:28:24.480 --> 0:28:28.960
<v Speaker 1>Your new record, your gospel record, one to one, one

0:28:28.960 --> 0:28:33.760
<v Speaker 1>on one, one on one, is out Friday. How many

0:28:33.800 --> 0:28:39.640
<v Speaker 1>tracks five? So it's an EP, it's gospel EP and

0:28:39.680 --> 0:28:42.320
<v Speaker 1>the singles out now, Yeah, called the Distance. I saw

0:28:42.360 --> 0:28:44.520
<v Speaker 1>the video like in a field. Yeah, that was at

0:28:44.520 --> 0:28:47.800
<v Speaker 1>the Love I love a good field. Yes, and also

0:28:47.840 --> 0:28:49.160
<v Speaker 1>you have stop telling Caylo we need to come to

0:28:49.160 --> 0:28:51.920
<v Speaker 1>the farm because you won't leave me alone about it. No. No,

0:28:52.080 --> 0:28:54.160
<v Speaker 1>she's like, she's like Gary literally wants us to come,

0:28:54.200 --> 0:28:57.560
<v Speaker 1>and I'm like, Gary's fancy Hollywood. He just says stuff. No, no,

0:28:57.960 --> 0:29:00.320
<v Speaker 1>come on, Okay, what are we gonna play here? So

0:29:00.360 --> 0:29:02.560
<v Speaker 1>we'll play the distance. We'll play the first single off

0:29:02.560 --> 0:29:04.720
<v Speaker 1>po All right, here we go. Get the box you guys,

0:29:05.000 --> 0:29:07.280
<v Speaker 1>check out the record. Let's hear a song. See the

0:29:07.480 --> 0:29:12.520
<v Speaker 1>road of life we travel has speed, bumps, cracks and

0:29:12.600 --> 0:29:18.240
<v Speaker 1>detours when you go left of centner. Just look up

0:29:18.480 --> 0:29:23.160
<v Speaker 1>and thence your sund even though you want to quit

0:29:23.520 --> 0:29:27.920
<v Speaker 1>in the agen and says to give in, but I

0:29:28.160 --> 0:29:33.400
<v Speaker 1>frist with God, you can go to distance. Except the

0:29:33.560 --> 0:29:39.320
<v Speaker 1>challenge for everybody on that's before you. Wos not a lost,

0:29:39.640 --> 0:29:43.760
<v Speaker 1>it's found on a cross and all the strain to

0:29:44.000 --> 0:29:47.880
<v Speaker 1>push sight through. You can make it up the lintel,

0:29:49.000 --> 0:29:54.560
<v Speaker 1>you can throw it downing who lit up bold and

0:29:54.680 --> 0:29:59.760
<v Speaker 1>feel les because with God you can go that this

0:30:00.040 --> 0:30:16.840
<v Speaker 1>her Lord, don't give up staying on your faith. Finish

0:30:16.960 --> 0:30:23.120
<v Speaker 1>the race and break the tame and go the distance.

0:30:23.240 --> 0:30:30.040
<v Speaker 1>Except the challenge for everybody amounts before you pulps not first.

0:30:30.200 --> 0:30:34.880
<v Speaker 1>It's fun at home and on the stream to push

0:30:35.000 --> 0:30:39.600
<v Speaker 1>on through. You can take it out the mortam. You

0:30:39.680 --> 0:30:46.120
<v Speaker 1>can do it doing and live a pool and fills

0:30:46.200 --> 0:30:58.560
<v Speaker 1>couse with God. You can go the distance. You can

0:30:59.120 --> 0:31:07.520
<v Speaker 1>go oh the dust. One on One is available Friday,

0:31:07.600 --> 0:31:11.360
<v Speaker 1>May one. You can actually pre order at the link

0:31:11.400 --> 0:31:14.840
<v Speaker 1>in his Instagram bio. You can follow Gary on Instagram

0:31:14.880 --> 0:31:17.400
<v Speaker 1>at Gary Lavox. That's his only account because every third

0:31:17.440 --> 0:31:19.040
<v Speaker 1>post is him going this is a fake account and

0:31:19.040 --> 0:31:21.560
<v Speaker 1>pointing out a fake account. Most of his feet is

0:31:21.600 --> 0:31:26.120
<v Speaker 1>just him showing fake accounts. Get a life, people. His

0:31:26.280 --> 0:31:29.719
<v Speaker 1>new album, One on One is available this Friday. Again preorder.

0:31:29.960 --> 0:31:31.880
<v Speaker 1>Hey listen, I love you. You know that all seriousness?

0:31:32.080 --> 0:31:39.600
<v Speaker 1>My guy there, he is Gary J Joe. Don check

0:31:39.640 --> 0:31:43.040
<v Speaker 1>out the record. I'm excited and I listen, I've heard

0:31:43.120 --> 0:31:45.800
<v Speaker 1>this record. I've heard none of the country record. I

0:31:45.840 --> 0:31:49.160
<v Speaker 1>am excited for you to to be fulfilled by this

0:31:49.880 --> 0:31:51.760
<v Speaker 1>and then hit us with that country record in the

0:31:51.840 --> 0:31:54.200
<v Speaker 1>fall is coming. That's what I'm talking about. All Right,

0:31:54.240 --> 0:31:56.320
<v Speaker 1>We're gonna take a quick break, Gary Levox. You guys

0:31:56.360 --> 0:31:58.040
<v Speaker 1>check out the record and we're back in just a minute.

0:31:58.080 --> 0:32:06.320
<v Speaker 1>Thank you back, Caitlin's back in Gary's great Huh yeah

0:32:06.400 --> 0:32:09.800
<v Speaker 1>did you ask him? Oh? I got nervous? Why'd you

0:32:09.840 --> 0:32:13.280
<v Speaker 1>get nervous? So we have we're gonna make the band

0:32:13.280 --> 0:32:18.720
<v Speaker 1>in our wedding learn a song? Would sing it? Gary?

0:32:20.120 --> 0:32:29.040
<v Speaker 1>He's going? You called? No? You you said it? Gary?

0:32:29.840 --> 0:32:36.680
<v Speaker 1>Hi happening. Let's say, let's say we happen to teach

0:32:36.680 --> 0:32:38.360
<v Speaker 1>the band one of your songs at our wedding and

0:32:38.400 --> 0:32:40.800
<v Speaker 1>they happen to play it at the reception, but the

0:32:40.840 --> 0:32:46.720
<v Speaker 1>singer happened to be in the bathroom. Who would step up? No?

0:32:48.720 --> 0:32:55.680
<v Speaker 1>It was not the answer. Amazing, What what song do

0:32:55.680 --> 0:33:04.800
<v Speaker 1>you want us to make the band learn? Oh? Thank you? No,

0:33:05.720 --> 0:33:11.720
<v Speaker 1>I'm humiliated. It does not know my wish, broken rods anything,

0:33:11.760 --> 0:33:17.680
<v Speaker 1>It's not that one, not that one anyway. I did

0:33:17.680 --> 0:33:20.560
<v Speaker 1>a conversation for another time, but probably my wish. Huh. Yeah,

0:33:20.640 --> 0:33:23.000
<v Speaker 1>that's beautiful. That's beautiful because you probably be broken all

0:33:23.000 --> 0:33:28.000
<v Speaker 1>the time. Everyone will be unique. Yeah alright there, Oh

0:33:28.280 --> 0:33:30.080
<v Speaker 1>take me there? So you know what I really like?

0:33:30.600 --> 0:33:37.000
<v Speaker 1>I see a desk trail following in Nova baby blue Eyes. Yeah,

0:33:37.000 --> 0:33:41.600
<v Speaker 1>harmonized with the Gary. Okay, I'm sorry they called you

0:33:41.560 --> 0:33:45.640
<v Speaker 1>about Herry. Wait, baby, you don't move there. It is

0:33:46.320 --> 0:33:58.720
<v Speaker 1>t shirt right, Okay, alright, alright, thank you guys. You

0:33:58.840 --> 0:34:05.840
<v Speaker 1>don't like to say her best and Sunset riverback first?

0:34:06.600 --> 0:34:10.200
<v Speaker 1>Yeah you know okay, he of course he knows it. Okay,

0:34:10.440 --> 0:34:13.000
<v Speaker 1>both of you. Thank you, Gary, Caitlin, thank you very right.

0:34:13.000 --> 0:34:16.880
<v Speaker 1>You're both out of here about kicked out? Okay, okay,

0:34:16.880 --> 0:34:20.360
<v Speaker 1>I need to bring my next guest in because okay,

0:34:20.680 --> 0:34:22.800
<v Speaker 1>um up next, I want to welcome to artist that

0:34:22.920 --> 0:34:26.440
<v Speaker 1>is destined to be a superstar. Not only she just awesome.

0:34:26.520 --> 0:34:28.719
<v Speaker 1>She's our country on the verge. Artists are selling things

0:34:28.719 --> 0:34:30.240
<v Speaker 1>a man, I don't know us climbing up the country

0:34:30.280 --> 0:34:32.840
<v Speaker 1>charts right now. She describes her music as country with

0:34:32.880 --> 0:34:35.840
<v Speaker 1>the flare. She is the best handed Montana personator that

0:34:35.920 --> 0:34:43.080
<v Speaker 1>I know. Welcome Landy Wilson, everybody. Hil Do you get

0:34:43.080 --> 0:34:45.000
<v Speaker 1>a chance to meet Gary? Had you met him before

0:34:45.080 --> 0:34:48.480
<v Speaker 1>you met Gary? Pretty cool today? Yeah, just so normal.

0:34:49.160 --> 0:34:51.360
<v Speaker 1>Well normal is not the word I would use, but

0:34:51.440 --> 0:34:54.160
<v Speaker 1>it's so approachable and friendly. Gosh, make just sat down

0:34:54.160 --> 0:34:56.080
<v Speaker 1>on the couch and we just started talking about a

0:34:56.120 --> 0:34:59.120
<v Speaker 1>little bit everything. So it's interesting to see you now

0:34:59.200 --> 0:35:01.520
<v Speaker 1>becoming the star. I always felt you would be because

0:35:01.560 --> 0:35:08.040
<v Speaker 1>we met years ago. I was watching Blanco Brown's going

0:35:08.120 --> 0:35:12.080
<v Speaker 1>to do the two step and yeah, so I messaged you.

0:35:12.400 --> 0:35:14.680
<v Speaker 1>I messaged Laney on Instagram and was like hey, because

0:35:14.719 --> 0:35:18.080
<v Speaker 1>you were doing the dance with him, and I said, hey,

0:35:18.200 --> 0:35:21.680
<v Speaker 1>can you teach me this? And Laney's like yeah, sure,

0:35:21.760 --> 0:35:23.520
<v Speaker 1>she goes, I mean I'll come over. I say, we'll

0:35:23.520 --> 0:35:25.200
<v Speaker 1>put you in the video, and well you can teach us,

0:35:25.239 --> 0:35:28.359
<v Speaker 1>and you said I'll call Blanco and I was like, well,

0:35:28.400 --> 0:35:30.880
<v Speaker 1>that's extremely nice to her because I was saying, hey,

0:35:30.920 --> 0:35:32.040
<v Speaker 1>you could do and you're like, no, we'll do one.

0:35:32.080 --> 0:35:34.400
<v Speaker 1>Now we're gonna get the real deal involved. And then

0:35:34.440 --> 0:35:36.520
<v Speaker 1>you and Blanco came into the house and then you

0:35:36.560 --> 0:35:37.840
<v Speaker 1>don't even You're like, I don't need to be in

0:35:37.840 --> 0:35:40.440
<v Speaker 1>the video. And I was like wow, heng Now, I

0:35:40.480 --> 0:35:42.640
<v Speaker 1>was like, people who really know it, y'all get accurate.

0:35:42.640 --> 0:35:44.680
<v Speaker 1>I'm just here to kind of help the siltate. But

0:35:44.719 --> 0:35:47.520
<v Speaker 1>it was it just showed me just how awesome of

0:35:47.560 --> 0:35:50.560
<v Speaker 1>a person you were, and that you also knew that

0:35:50.840 --> 0:35:53.080
<v Speaker 1>your time was coming, that wasn't gonna be your time.

0:35:53.560 --> 0:35:56.160
<v Speaker 1>You had your own reason. Yeah. It's funny too, though,

0:35:56.239 --> 0:35:58.640
<v Speaker 1>Like we put that video up on YouTube and I

0:35:58.760 --> 0:36:01.800
<v Speaker 1>put so many dangs. You was a me singing on YouTube,

0:36:02.040 --> 0:36:04.399
<v Speaker 1>and of course I put one of me dancing. The

0:36:04.440 --> 0:36:06.840
<v Speaker 1>thing goes viral and I'm like, shoot, I should have

0:36:06.840 --> 0:36:10.719
<v Speaker 1>been dancing. So now to see you, you know, blow up.

0:36:10.960 --> 0:36:13.280
<v Speaker 1>It's been crazy because we did the our Raging Idiot

0:36:13.320 --> 0:36:16.120
<v Speaker 1>Show last year, no two years oh, because the pandemic,

0:36:16.160 --> 0:36:17.880
<v Speaker 1>we didn't have it. And you came out and did

0:36:17.880 --> 0:36:20.720
<v Speaker 1>Fat Bottom Girls by Queen and and you crushed so hard.

0:36:21.200 --> 0:36:23.839
<v Speaker 1>The crowd didn't know you at the time, but when

0:36:23.840 --> 0:36:26.000
<v Speaker 1>you were done, they loved you. I couldn't get them

0:36:26.040 --> 0:36:28.200
<v Speaker 1>to stop clapping. It was wild. That was my first

0:36:28.200 --> 0:36:31.160
<v Speaker 1>time playing the rhyman. I mean, I will never forget it.

0:36:31.360 --> 0:36:32.919
<v Speaker 1>And got up there and of course I think fat

0:36:32.920 --> 0:36:35.680
<v Speaker 1>Bottom Girl, but I just remember you crushing it so

0:36:35.719 --> 0:36:38.839
<v Speaker 1>hard that the crowd was like, we don't know her yet,

0:36:38.880 --> 0:36:41.439
<v Speaker 1>but we think we're going to know her. That's the goal.

0:36:41.520 --> 0:36:43.080
<v Speaker 1>Every time I get up there, I'm like, they don't

0:36:43.120 --> 0:36:45.120
<v Speaker 1>know me from Adam, but when I get done with this,

0:36:45.280 --> 0:36:47.239
<v Speaker 1>they don't know me. So what's the difference now in

0:36:47.239 --> 0:36:50.120
<v Speaker 1>the feeling of when you have a song climbing the charts?

0:36:50.200 --> 0:36:53.719
<v Speaker 1>Right now. It's so strange. I mean, actually, I was

0:36:53.880 --> 0:36:56.960
<v Speaker 1>at home in Louisiana not too long ago that tractor supply,

0:36:57.600 --> 0:36:59.680
<v Speaker 1>and uh, this guy came up to me was like,

0:36:59.719 --> 0:37:01.480
<v Speaker 1>are you that girl that sings that song about what

0:37:01.520 --> 0:37:04.680
<v Speaker 1>a man out? So he recognized you. Yeah, and I

0:37:04.719 --> 0:37:06.759
<v Speaker 1>was like, yeah, you work at tractor supply, So I

0:37:06.760 --> 0:37:08.319
<v Speaker 1>guess you do know a few things that mayn't ought

0:37:08.320 --> 0:37:11.919
<v Speaker 1>to know. But it's been it's been interesting. It's uh,

0:37:12.160 --> 0:37:14.560
<v Speaker 1>it's just like you, like you said a minute ago,

0:37:14.640 --> 0:37:18.240
<v Speaker 1>I've always just kind of felt like my time was coming. Um,

0:37:18.280 --> 0:37:20.560
<v Speaker 1>I've never had a plan. B So at some point

0:37:20.600 --> 0:37:23.480
<v Speaker 1>in time, this gotta work and used to drive back

0:37:23.480 --> 0:37:25.400
<v Speaker 1>and forth and used to tour like you would go

0:37:25.480 --> 0:37:28.440
<v Speaker 1>home like you'd be here and try to make it,

0:37:28.520 --> 0:37:30.040
<v Speaker 1>but then you you had to pay the bills, so

0:37:30.080 --> 0:37:32.480
<v Speaker 1>you would just drive home and play shows down there. Yep.

0:37:32.640 --> 0:37:35.200
<v Speaker 1>So I was living at a camper, and I lived

0:37:35.200 --> 0:37:36.560
<v Speaker 1>in the camp for in the first three years I

0:37:36.600 --> 0:37:39.360
<v Speaker 1>was here, and I was living in a studio parking

0:37:39.360 --> 0:37:41.120
<v Speaker 1>lot somebody who was just letting me live in their

0:37:41.200 --> 0:37:43.759
<v Speaker 1>yard basically and let me bumb you know, their water

0:37:43.800 --> 0:37:46.440
<v Speaker 1>and WiFi. So I didn't have a whole lot of bills,

0:37:46.520 --> 0:37:49.040
<v Speaker 1>you know. I mean I had to buy groceries and

0:37:49.040 --> 0:37:51.399
<v Speaker 1>gas money and stuff like that. So I go home

0:37:51.400 --> 0:37:54.680
<v Speaker 1>to Louisiana or Mississippi and just play as many shows

0:37:54.680 --> 0:37:57.799
<v Speaker 1>as I could and just try to make ends meete. Yep,

0:37:58.560 --> 0:38:00.680
<v Speaker 1>was there ever a time where you saw it? Man,

0:38:00.719 --> 0:38:02.200
<v Speaker 1>I just don't know if I can do this, and

0:38:02.239 --> 0:38:04.440
<v Speaker 1>I'm I don't think I'm gonna do this. What's crazy

0:38:04.600 --> 0:38:08.000
<v Speaker 1>is no, like, I'm I have to be a little

0:38:08.000 --> 0:38:11.280
<v Speaker 1>borderline crazy because there there were times in my life

0:38:11.480 --> 0:38:14.560
<v Speaker 1>where I should have packed my stuff and went home absolutely,

0:38:15.200 --> 0:38:18.960
<v Speaker 1>But um, you know, I've just I'm a little hard headed,

0:38:19.600 --> 0:38:22.279
<v Speaker 1>and I just kind of always felt like, you know,

0:38:22.320 --> 0:38:23.680
<v Speaker 1>I mean, this is what I was, I was born

0:38:23.719 --> 0:38:25.440
<v Speaker 1>to do, and I will figure out one way or another.

0:38:25.480 --> 0:38:29.680
<v Speaker 1>And I got really supportive parents. And my daddy's a farmer,

0:38:30.000 --> 0:38:32.480
<v Speaker 1>and I've seen him like get up every single day

0:38:32.560 --> 0:38:34.520
<v Speaker 1>and just do the dame thing, you know, I mean,

0:38:34.600 --> 0:38:38.080
<v Speaker 1>like work his fingers to the bone and it's his

0:38:38.160 --> 0:38:41.719
<v Speaker 1>livelihood and he has bad years, good years, but at

0:38:41.719 --> 0:38:43.480
<v Speaker 1>the end of the day, like, if you love it,

0:38:44.360 --> 0:38:47.080
<v Speaker 1>you do it. So are they so proud of you? Oh,

0:38:47.160 --> 0:38:50.600
<v Speaker 1>they're so tickled. I mean to for them to turn

0:38:50.640 --> 0:38:53.480
<v Speaker 1>on their local country station and hear their daughter on

0:38:53.480 --> 0:38:56.480
<v Speaker 1>the radio. What what does that do for them? Well, actually,

0:38:56.560 --> 0:38:59.319
<v Speaker 1>Daddy was righting the tractor the other day and um,

0:38:59.520 --> 0:39:02.400
<v Speaker 1>they just finished playing corn and he called me, and

0:39:02.440 --> 0:39:04.480
<v Speaker 1>it was really a full circle thing for me. It

0:39:04.520 --> 0:39:06.880
<v Speaker 1>was just wild because any time I ever wanted to

0:39:06.920 --> 0:39:08.560
<v Speaker 1>spend time with him, I'd have to go right the

0:39:08.560 --> 0:39:11.160
<v Speaker 1>tractor with him because he was just always at it.

0:39:11.680 --> 0:39:14.359
<v Speaker 1>So he called me, and I don't remember what I

0:39:14.400 --> 0:39:17.000
<v Speaker 1>was doing, but he just said, hey, I'm out here,

0:39:17.800 --> 0:39:19.800
<v Speaker 1>just you know, I'm on the tractor out in the field,

0:39:19.800 --> 0:39:20.920
<v Speaker 1>and I just wanted to let you know I just

0:39:20.960 --> 0:39:24.600
<v Speaker 1>heard you on the countdown and I was like, well,

0:39:24.600 --> 0:39:27.840
<v Speaker 1>now I'm about to school. So it was just you

0:39:27.840 --> 0:39:29.279
<v Speaker 1>could just hear in his voice. He don't have to

0:39:29.280 --> 0:39:32.359
<v Speaker 1>tell me that he's proud of me, but he is. Man,

0:39:32.360 --> 0:39:33.920
<v Speaker 1>that's so cool. Have you played a show? And I

0:39:33.920 --> 0:39:37.000
<v Speaker 1>guess you probably haven't played a show back home since

0:39:37.360 --> 0:39:39.120
<v Speaker 1>you know, the pandemic, because you really there hasn't been

0:39:39.160 --> 0:39:40.799
<v Speaker 1>a lot of shows. Well, you know, just now, are

0:39:40.840 --> 0:39:41.799
<v Speaker 1>you starting to go out at all? Have you been

0:39:41.800 --> 0:39:43.640
<v Speaker 1>out at all? To play anything. Yeah, so we've done

0:39:43.680 --> 0:39:48.440
<v Speaker 1>some stuff out West Idaho, Wyoming. We've got some stuff. Shoot,

0:39:48.480 --> 0:39:50.799
<v Speaker 1>where are we going this weekend? And see, that's the

0:39:50.840 --> 0:39:53.880
<v Speaker 1>best thing is when you start because you're you're getting

0:39:53.920 --> 0:39:56.040
<v Speaker 1>some when you forget where you're going, because you're just

0:39:56.080 --> 0:39:57.799
<v Speaker 1>like a hundred miles an hour, things are coming at

0:39:57.800 --> 0:40:00.520
<v Speaker 1>you like congratulations. Because when I I saw you go

0:40:00.680 --> 0:40:03.279
<v Speaker 1>where are we going? Like that's the first step and

0:40:03.880 --> 0:40:06.640
<v Speaker 1>just making it like thank God, you get to go.

0:40:07.120 --> 0:40:09.360
<v Speaker 1>I'm running so hard and I'm so tired that I

0:40:09.360 --> 0:40:12.719
<v Speaker 1>can't remember that's the greatest blessing. I'm so pumped, like

0:40:13.000 --> 0:40:15.600
<v Speaker 1>I cannot get out there quick enough. I mean, yeah,

0:40:15.600 --> 0:40:19.600
<v Speaker 1>we're we're in uh Austin and Decatur, Illinois this weekend.

0:40:19.640 --> 0:40:23.040
<v Speaker 1>And it's just nice to see people. Yeah, the first

0:40:23.080 --> 0:40:25.799
<v Speaker 1>time you play a show back home, you're gonna be

0:40:26.080 --> 0:40:32.240
<v Speaker 1>just so moved. To have your people seeing your music

0:40:32.280 --> 0:40:36.680
<v Speaker 1>bag is going to be another milestone for you. Here

0:40:36.719 --> 0:40:39.160
<v Speaker 1>and there. Like I've seen like in a few different places,

0:40:39.160 --> 0:40:42.400
<v Speaker 1>like we played somewhere in Arizona and I saw some

0:40:42.440 --> 0:40:44.600
<v Speaker 1>people singing a lot of the songs, and I mean

0:40:44.600 --> 0:40:47.680
<v Speaker 1>I've never seen that, and it did make me feel

0:40:47.800 --> 0:40:50.160
<v Speaker 1>all warm and fuzzy, and I was like, Wow, this

0:40:50.280 --> 0:40:52.759
<v Speaker 1>is like what you work so hard for, you know,

0:40:52.880 --> 0:40:55.880
<v Speaker 1>for people to just connect and latch onto something. And

0:40:55.920 --> 0:40:58.360
<v Speaker 1>I mean that's a songwriter's dream, you know. So my

0:40:58.400 --> 0:41:02.080
<v Speaker 1>hometown seven hundred people. Your hometown baskets three hundred, you know.

0:41:03.200 --> 0:41:04.920
<v Speaker 1>I mean, apparently I live in the big city compared

0:41:04.920 --> 0:41:08.080
<v Speaker 1>to Baskan. Apparently I'm New York City. What what what

0:41:08.120 --> 0:41:10.279
<v Speaker 1>we have the um um shop and a gas station?

0:41:10.320 --> 0:41:12.440
<v Speaker 1>We know, how many traffic lights? What's Basking like? We

0:41:12.520 --> 0:41:15.719
<v Speaker 1>have like a gas station and a half I guess

0:41:15.760 --> 0:41:17.440
<v Speaker 1>you have. I mean it's literally like I don't even

0:41:17.480 --> 0:41:19.960
<v Speaker 1>know if it's a gas station anymore. We have caution light,

0:41:20.360 --> 0:41:23.640
<v Speaker 1>a bunch of cornfields. That's about it. It's actually called

0:41:23.640 --> 0:41:27.520
<v Speaker 1>the Village of Basking. What makes it a village? Heck

0:41:27.520 --> 0:41:30.200
<v Speaker 1>if I know. Every time I'm like, I'm from the

0:41:30.239 --> 0:41:32.360
<v Speaker 1>town of Basket, my parents correct me and they're like, no,

0:41:32.440 --> 0:41:34.680
<v Speaker 1>it's the Village of Basking. That's just what it says

0:41:34.719 --> 0:41:37.839
<v Speaker 1>on the Welcome to the Village of Basking sign. You're

0:41:37.880 --> 0:41:41.120
<v Speaker 1>gonna tour with Jason al Dean. How did that come

0:41:41.200 --> 0:41:44.000
<v Speaker 1>to you? Did you hear from him what happened. It's

0:41:44.040 --> 0:41:47.319
<v Speaker 1>just so crazy. I know. So we're you know, we're

0:41:47.360 --> 0:41:49.880
<v Speaker 1>at the same label, and I know a lot of

0:41:49.920 --> 0:41:51.360
<v Speaker 1>the people over there have been like sending to my

0:41:51.440 --> 0:41:54.719
<v Speaker 1>music for a while. And m and his manager called

0:41:54.719 --> 0:41:57.000
<v Speaker 1>my manager and said, y'all know that girl. Y'all been

0:41:57.000 --> 0:42:00.680
<v Speaker 1>bugging us about for two years now. Jason wants her

0:42:00.680 --> 0:42:03.200
<v Speaker 1>to be on on the road with him. I was like,

0:42:04.719 --> 0:42:06.440
<v Speaker 1>what in the world now, My people back at home

0:42:06.480 --> 0:42:09.600
<v Speaker 1>really think I'm doing something with my life. That's something

0:42:09.680 --> 0:42:13.120
<v Speaker 1>long enough, Okay, Laney, you're gonna play a song, a

0:42:13.120 --> 0:42:16.439
<v Speaker 1>couple of songs for us. Okay, we bring in some

0:42:16.480 --> 0:42:19.640
<v Speaker 1>stuff in all. You guys check out Landy on Instagram

0:42:19.640 --> 0:42:21.160
<v Speaker 1>whether they get on all this stuff. You can follow

0:42:21.200 --> 0:42:25.200
<v Speaker 1>Laney on Instagram. It's at Laney Wilson Music, and you

0:42:25.239 --> 0:42:28.439
<v Speaker 1>guys check out her album saying what I'm thinking, that's

0:42:28.480 --> 0:42:30.399
<v Speaker 1>the record. You can go stream things a man out

0:42:30.440 --> 0:42:34.200
<v Speaker 1>to know wherever you listen to music. And she's fantastic.

0:42:34.239 --> 0:42:36.640
<v Speaker 1>I've been a fan for literally years and to see

0:42:36.640 --> 0:42:40.480
<v Speaker 1>her blow up is extremely gratifying for me to see

0:42:40.520 --> 0:42:42.000
<v Speaker 1>someone that has just been grinding it out, and it

0:42:42.080 --> 0:42:45.560
<v Speaker 1>is also so good, so thank you for having me

0:42:45.600 --> 0:42:48.799
<v Speaker 1>all right here there here she is Lanny Wilson. So

0:42:49.120 --> 0:42:52.200
<v Speaker 1>this is about where I'm from. When I moved here,

0:42:52.520 --> 0:42:55.279
<v Speaker 1>I told everybody I was from l A. I thought

0:42:55.280 --> 0:42:57.960
<v Speaker 1>I was talking about Hollywood, but I was talking about Louisyanna.

0:43:06.400 --> 0:43:11.040
<v Speaker 1>My name ain't on every list, but they see I'm

0:43:11.120 --> 0:43:18.359
<v Speaker 1>where the parties. I drive a beamer through the money. Well,

0:43:18.400 --> 0:43:23.360
<v Speaker 1>I've kind of reading a college wood. When you say helly,

0:43:23.960 --> 0:43:30.120
<v Speaker 1>I fin't lousy had a lower Atabama starts a bunness sky,

0:43:31.960 --> 0:43:38.239
<v Speaker 1>and I being a California, we're too far from Georgia's.

0:43:38.239 --> 0:43:54.040
<v Speaker 1>But one day, my but there's moral us around from

0:43:54.040 --> 0:43:59.760
<v Speaker 1>what every name, same small town Gucci, lace can dress

0:43:59.840 --> 0:44:06.040
<v Speaker 1>it up, but country is his country does When you

0:44:06.120 --> 0:44:13.319
<v Speaker 1>say I think losy a lower Obama stars a beIN

0:44:13.440 --> 0:44:20.520
<v Speaker 1>the sky, and I being a California, went too far

0:44:20.640 --> 0:44:38.440
<v Speaker 1>from Georgia. But one day, but one day, when you say, well,

0:44:38.520 --> 0:44:46.520
<v Speaker 1>I think lose he don't burry on in Dix Cup's

0:44:46.880 --> 0:44:53.040
<v Speaker 1>kinda redneck Hollywood jobber meets now On Jude kinda redneck.

0:44:54.800 --> 0:44:58.120
<v Speaker 1>You're so good, You're just so good and you're loud

0:44:58.160 --> 0:44:59.560
<v Speaker 1>at the same time, and it's hard to be good

0:44:59.560 --> 0:45:03.720
<v Speaker 1>and loud old and you do both. Yeah, Landy Wilson,

0:45:03.760 --> 0:45:07.280
<v Speaker 1>you guys as she retunes, follow her at Landy Wilson Music.

0:45:07.320 --> 0:45:09.279
<v Speaker 1>If you see her come into town, go support or

0:45:09.480 --> 0:45:11.520
<v Speaker 1>buy or any merch up right now. Oh yeah, we

0:45:11.560 --> 0:45:14.359
<v Speaker 1>got our kind of merge where on my website Landy

0:45:14.360 --> 0:45:18.399
<v Speaker 1>Wilson dot com. That's how you can support a new artist. Like, yeah,

0:45:18.440 --> 0:45:20.120
<v Speaker 1>honest to god, that's that's it. People are like, how

0:45:20.120 --> 0:45:21.959
<v Speaker 1>do I support a new artists? Sure you can stream

0:45:22.000 --> 0:45:25.719
<v Speaker 1>the songs, but help help out buy cool merch that

0:45:25.840 --> 0:45:29.239
<v Speaker 1>she has. So um, also subscribe to this channel control Music.

0:45:29.239 --> 0:45:31.040
<v Speaker 1>If you guys see it, hit subscribe. Come to have

0:45:31.160 --> 0:45:34.439
<v Speaker 1>so much good stuff on this channel. So um we

0:45:34.440 --> 0:45:36.440
<v Speaker 1>we too. I was just vamping. Basically, we tuned up,

0:45:36.480 --> 0:45:38.360
<v Speaker 1>got ready to go. All right, tell us what we

0:45:38.400 --> 0:45:41.399
<v Speaker 1>got here. We're gonna play the single. By the way,

0:45:41.480 --> 0:45:45.520
<v Speaker 1>this is this is my right Hayman Aslin makes me

0:45:45.560 --> 0:45:50.040
<v Speaker 1>sound good. Um, so this is gonna be golly. I'm

0:45:50.080 --> 0:45:53.360
<v Speaker 1>I'm just so proud of this song, how it's connecting

0:45:53.400 --> 0:45:56.960
<v Speaker 1>to people and people are latching onto it. And I mean,

0:45:57.000 --> 0:46:00.040
<v Speaker 1>this song ain't about changing the tire or starting to

0:46:00.120 --> 0:46:03.120
<v Speaker 1>fire me and YouTube all out. At the end of

0:46:03.120 --> 0:46:05.920
<v Speaker 1>the day, this song is just about treating people right.

0:46:06.160 --> 0:46:08.920
<v Speaker 1>It's about having a good character, something that my parents

0:46:09.000 --> 0:46:12.640
<v Speaker 1>really tried to teach me and uh, stay in firm on.

0:46:12.760 --> 0:46:14.279
<v Speaker 1>So it's something that every single one of us ought

0:46:14.280 --> 0:46:17.160
<v Speaker 1>to know. Here's things a man out of new one.

0:46:30.800 --> 0:46:33.880
<v Speaker 1>I can look a trailer on a two inch chitch,

0:46:37.400 --> 0:46:43.000
<v Speaker 1>I can shoot a shock gun, I can catch a fish,

0:46:43.719 --> 0:46:46.480
<v Speaker 1>and I can change the tire on the side of

0:46:46.560 --> 0:46:52.600
<v Speaker 1>the rock. Yeah, I don't want feed things a man

0:46:52.880 --> 0:47:11.920
<v Speaker 1>on a how to know when it's love, how to

0:47:12.040 --> 0:47:18.520
<v Speaker 1>say when it's time, how to chance forever down the driveway,

0:47:19.239 --> 0:47:22.560
<v Speaker 1>how to never let it get there in the first place.

0:47:23.360 --> 0:47:28.200
<v Speaker 1>And yeah I got the boy, he gave up and

0:47:28.400 --> 0:47:33.440
<v Speaker 1>got it wrong. If you're a little woman, you don't

0:47:33.600 --> 0:47:39.919
<v Speaker 1>let her go. Yeah, I don't. A few things a

0:47:39.920 --> 0:47:46.520
<v Speaker 1>man are no. Yeah, I don't A few things a

0:47:46.719 --> 0:48:06.719
<v Speaker 1>man are no. So good Landy Wilson just a plus man.

0:48:06.920 --> 0:48:10.000
<v Speaker 1>Just love everything about your your your your voice and

0:48:10.080 --> 0:48:11.839
<v Speaker 1>not just just singing voice, like what you stand for

0:48:12.560 --> 0:48:15.279
<v Speaker 1>and your style and so just it's just so cool

0:48:15.320 --> 0:48:17.879
<v Speaker 1>to see and make that make that next jump. Thank

0:48:17.880 --> 0:48:21.400
<v Speaker 1>you for I love to see it tired. Oh my gosh,

0:48:21.520 --> 0:48:23.239
<v Speaker 1>Like that's the that's the great. You should be you

0:48:23.280 --> 0:48:28.200
<v Speaker 1>should they should be running you so hard, can't ye exciting? Yeah?

0:48:28.239 --> 0:48:31.279
<v Speaker 1>Of course you get your own mental health health time

0:48:31.320 --> 0:48:34.120
<v Speaker 1>soon enough, But right now you're all good. All right,

0:48:34.200 --> 0:48:36.799
<v Speaker 1>there is Landy Wilson. You guys, get some you can

0:48:36.800 --> 0:48:38.480
<v Speaker 1>help her out, just get a shirt off her website.

0:48:38.600 --> 0:48:41.839
<v Speaker 1>Landy Wilson dot com really helps the new artists. Um,

0:48:41.920 --> 0:48:44.760
<v Speaker 1>and that's it. That's our show and so thank you guys,

0:48:45.160 --> 0:48:47.480
<v Speaker 1>Thanks to Twitch Control Music and all of our crew

0:48:47.520 --> 0:48:49.200
<v Speaker 1>here to help with the show on. Most importantly, thanks

0:48:49.239 --> 0:48:51.440
<v Speaker 1>to you guys for watching and spending your Tuesday night

0:48:51.480 --> 0:48:53.279
<v Speaker 1>with me. You could have been youw moere in the world,

0:48:53.440 --> 0:48:55.600
<v Speaker 1>but you're right here with me and I appreciate that.

0:48:55.920 --> 0:48:57.959
<v Speaker 1>So I'll leave you with this piece of wisdom that

0:48:58.320 --> 0:48:59.959
<v Speaker 1>you know I've talked about forever. You know, the best

0:49:00.160 --> 0:49:02.680
<v Speaker 1>time to plan a tree was twenty years ago. If

0:49:02.680 --> 0:49:04.279
<v Speaker 1>you haven't done it already, well, the second best time

0:49:04.360 --> 0:49:06.359
<v Speaker 1>is now. What does that mean? It means that if

0:49:06.360 --> 0:49:08.960
<v Speaker 1>you want success in life, you gotta at right now.

0:49:09.760 --> 0:49:11.760
<v Speaker 1>You can't get better at something if you're not putting,

0:49:11.800 --> 0:49:14.440
<v Speaker 1>putting effort in and trying listen. I failed time after time,

0:49:14.520 --> 0:49:17.680
<v Speaker 1>was rejected by everybody radio stations, book publishers, TV stations,

0:49:17.719 --> 0:49:19.440
<v Speaker 1>on and on and on. Had to beg, Lanny, just

0:49:19.520 --> 0:49:21.120
<v Speaker 1>come to the show. It's rejecting me nine times to

0:49:21.120 --> 0:49:23.040
<v Speaker 1>even be here today. So if you feel like the

0:49:23.080 --> 0:49:26.799
<v Speaker 1>world is passing, you buy and that you can't keep

0:49:26.880 --> 0:49:29.440
<v Speaker 1>up with the Joneses or the Kardashians or the TikTok

0:49:29.440 --> 0:49:31.600
<v Speaker 1>stars or whoever that gen Z looks up to these days.

0:49:31.719 --> 0:49:33.840
<v Speaker 1>It is never too late to get started and try.

0:49:34.239 --> 0:49:35.920
<v Speaker 1>You can be someone they look up to. You can

0:49:35.960 --> 0:49:37.960
<v Speaker 1>change the narrative. Have a great night. I'll see you

0:49:37.960 --> 0:49:39.400
<v Speaker 1>next time here on the show that we call on

0:49:39.440 --> 0:49:41.960
<v Speaker 1>Time with Bobby Bones. Don't forget be excellent to each other.

0:49:42.200 --> 0:49:45.279
<v Speaker 1>Party on good night everybody. I guess Hey, this is

0:49:45.360 --> 0:49:50.040
<v Speaker 1>Joe from the Biz Tape podcast, a podcast that serves

0:49:50.120 --> 0:49:52.880
<v Speaker 1>as a catchall for music, business and media news of

0:49:52.960 --> 0:49:55.200
<v Speaker 1>the week. Srib and listen to the Biz Tape on

0:49:55.239 --> 0:49:57.880
<v Speaker 1>the I Heart Radio app, Apple Podcasts, or wherever you

0:49:57.920 --> 0:50:02.640
<v Speaker 1>get your podcasts. So d m X sadly passed away

0:50:02.640 --> 0:50:05.799
<v Speaker 1>at fifty years old, like on April nine. I mean,

0:50:05.840 --> 0:50:07.799
<v Speaker 1>it was a real bummer. My friend group was really

0:50:07.840 --> 0:50:10.600
<v Speaker 1>in the DMX, so like they were all very you know,

0:50:10.680 --> 0:50:12.400
<v Speaker 1>sad and about it, and I listened to a lot

0:50:12.480 --> 0:50:15.440
<v Speaker 1>of his music, so I was kind of sad about everything.

0:50:15.680 --> 0:50:18.359
<v Speaker 1>But the real question now is like, what's going on

0:50:18.440 --> 0:50:20.680
<v Speaker 1>with this the state? You know what I mean? He's

0:50:20.680 --> 0:50:23.920
<v Speaker 1>had all these records and stuff in his fifteen children

0:50:24.040 --> 0:50:28.520
<v Speaker 1>would also like to know. Yeah, oh my god, fifteen children.

0:50:28.760 --> 0:50:32.120
<v Speaker 1>No shame at having fifteen children, but splitting something fifteen ways,

0:50:32.160 --> 0:50:34.960
<v Speaker 1>it's really hard to do. How many kids that Bob

0:50:35.000 --> 0:50:37.680
<v Speaker 1>Marley have? Just for comparison, I don't know. Let's see

0:50:37.719 --> 0:50:40.800
<v Speaker 1>what it is here, Let's look it up. What is uh,

0:50:41.200 --> 0:50:43.480
<v Speaker 1>let's see let's see what Joe looks that up. We're

0:50:43.480 --> 0:50:45.520
<v Speaker 1>gonna play this game where basically I'm gonna get you

0:50:45.600 --> 0:50:48.360
<v Speaker 1>all to guess how much you think d m x

0:50:48.480 --> 0:50:52.000
<v Speaker 1>is royalties are and all defined royalties here in a minute, Joe,

0:50:52.040 --> 0:50:55.600
<v Speaker 1>you got anything? Yeah, okay, Just for comparison, Bob Marley

0:50:55.880 --> 0:51:00.000
<v Speaker 1>um has eleven kids. Okay, So d m X beat him,

0:51:00.120 --> 0:51:04.960
<v Speaker 1>all right? So also that also bitter bitter estate battle

0:51:05.040 --> 0:51:08.080
<v Speaker 1>in there too, so this is gonna get rough. Um,

0:51:08.080 --> 0:51:10.520
<v Speaker 1>But Billboard did a fun thing where they tried to

0:51:10.640 --> 0:51:14.840
<v Speaker 1>guess using some calculations which I'll get into in a second, um,

0:51:14.880 --> 0:51:17.879
<v Speaker 1>how much kind of his catalog of music is worth.

0:51:18.440 --> 0:51:21.719
<v Speaker 1>So this revenue is coming from his master recordings and

0:51:21.800 --> 0:51:25.160
<v Speaker 1>his publishing. And this is all speculative, like they have

0:51:25.280 --> 0:51:27.840
<v Speaker 1>like some kind of comments that they base off and

0:51:27.880 --> 0:51:32.080
<v Speaker 1>all the fine don't right. And for you know viewers

0:51:32.160 --> 0:51:34.880
<v Speaker 1>that may not know, we're talking about master recording royalties,

0:51:34.920 --> 0:51:36.680
<v Speaker 1>which is the money that the label makes him for

0:51:36.760 --> 0:51:40.880
<v Speaker 1>quote unquote exploiting records. So this is like streaming CDs

0:51:40.960 --> 0:51:44.600
<v Speaker 1>and stuff like that, the actual recordings and exploiting in

0:51:44.640 --> 0:51:49.480
<v Speaker 1>the good way of that's just how every label contract

0:51:49.480 --> 0:51:52.600
<v Speaker 1>will say, we get to exploit your master recording. Then

0:51:52.640 --> 0:51:55.160
<v Speaker 1>the other side of the money is the publishing money,

0:51:55.239 --> 0:51:58.319
<v Speaker 1>the publishing royalties, and that's money paid to the songwriter,

0:51:58.640 --> 0:52:00.960
<v Speaker 1>which is DMX in this is for copies of his

0:52:01.080 --> 0:52:04.480
<v Speaker 1>song that are made. So we're talking about streaming CDs,

0:52:04.560 --> 0:52:07.680
<v Speaker 1>but this also includes sinc deals and anything else that

0:52:07.760 --> 0:52:10.799
<v Speaker 1>you actually need publishing rights for. Also, this can be

0:52:11.640 --> 0:52:15.440
<v Speaker 1>you know, made smaller by co writers, so keep that

0:52:15.480 --> 0:52:18.160
<v Speaker 1>in mind. So, Joe, I'm gonna give you some notable

0:52:18.239 --> 0:52:21.040
<v Speaker 1>d m X facts. And with this information, I want

0:52:21.080 --> 0:52:24.000
<v Speaker 1>you to guess I will give you. I would say this,

0:52:24.120 --> 0:52:27.480
<v Speaker 1>let's start out. It's obviously more than zero, so the

0:52:27.560 --> 0:52:32.120
<v Speaker 1>easy one there for you. Um, and it's less than

0:52:32.200 --> 0:52:34.280
<v Speaker 1>your high ball when we were talking about it earlier,

0:52:34.280 --> 0:52:37.839
<v Speaker 1>which Joe still doesn't know the fifty million dollars. It's

0:52:37.840 --> 0:52:40.120
<v Speaker 1>in between zero and fifty million if you're keeping it

0:52:40.120 --> 0:52:42.919
<v Speaker 1>at home. So here's some fun facts that may raise

0:52:43.040 --> 0:52:46.480
<v Speaker 1>or lower your guests. On the Billboard Top one hundred,

0:52:46.560 --> 0:52:50.600
<v Speaker 1>he has appeared sixteen times, eleven times as a lead artist,

0:52:50.680 --> 0:52:54.400
<v Speaker 1>but only has beat the top forty three times, with

0:52:54.520 --> 0:52:58.080
<v Speaker 1>the highest at seventeen. Okay, so we're you know, he

0:52:58.160 --> 0:52:59.920
<v Speaker 1>had some He had a lot of hits, but nothing

0:53:00.080 --> 0:53:02.240
<v Speaker 1>like crazy, didn't have a number one, didn't have anything

0:53:02.280 --> 0:53:05.920
<v Speaker 1>like that, most notably, which is nuts. And most people

0:53:05.920 --> 0:53:08.759
<v Speaker 1>will be like, I think blindside of this, because I was.

0:53:09.400 --> 0:53:12.000
<v Speaker 1>He is the first artist ever to have their first

0:53:12.239 --> 0:53:16.640
<v Speaker 1>five albums go number one on the Billboard two five

0:53:16.719 --> 0:53:20.440
<v Speaker 1>in a row. That has never been done before debut

0:53:20.600 --> 0:53:23.840
<v Speaker 1>and the first and the next four we're number one.

0:53:24.040 --> 0:53:28.920
<v Speaker 1>So yeah, alright, this calculation was made assuming he has

0:53:28.960 --> 0:53:33.040
<v Speaker 1>a fifty fifty publishing deal with a publishing entity. So

0:53:33.120 --> 0:53:36.680
<v Speaker 1>he's basically splitting his royalty of publishing money in half

0:53:37.320 --> 0:53:40.839
<v Speaker 1>on top, like I was saying earlier, of having other

0:53:40.960 --> 0:53:43.279
<v Speaker 1>songs that could have co writers, which then he'd have

0:53:43.320 --> 0:53:47.080
<v Speaker 1>to split it even more. So, just keep in mind,

0:53:47.160 --> 0:53:50.920
<v Speaker 1>is publishing money is fifty assuming because we're assuming he

0:53:50.960 --> 0:53:54.799
<v Speaker 1>had a publishing deal, and then the calculation for his

0:53:54.920 --> 0:53:58.160
<v Speaker 1>master recording royalty was made that he gets an eight

0:53:58.920 --> 0:54:04.000
<v Speaker 1>royalty on physical old sales and on digital sales. And

0:54:04.040 --> 0:54:06.879
<v Speaker 1>then I didn't add this in here, Joel, but we're

0:54:06.920 --> 0:54:09.680
<v Speaker 1>assuming that he's on that he's recouped. He doesn't owe

0:54:09.719 --> 0:54:12.760
<v Speaker 1>anything to the label, He doesn't have anything from publishing

0:54:12.840 --> 0:54:15.960
<v Speaker 1>or anything like that, so this would be so just

0:54:16.040 --> 0:54:19.480
<v Speaker 1>to be clear, this is the money that he's pocketing.

0:54:19.719 --> 0:54:22.960
<v Speaker 1>This is the money he's pocketing after after this, after

0:54:23.000 --> 0:54:26.360
<v Speaker 1>the labels cuts, after this publishing entity cut, and after

0:54:26.600 --> 0:54:29.799
<v Speaker 1>you know, co writers are taking cuts of stuff. This

0:54:29.880 --> 0:54:32.560
<v Speaker 1>is the evaluation of all of that money. How much

0:54:32.600 --> 0:54:34.880
<v Speaker 1>money do you think this money is worth? Again? Between

0:54:35.080 --> 0:54:39.040
<v Speaker 1>zero and fifty million. Here, I'll get it fun. I

0:54:39.040 --> 0:54:42.480
<v Speaker 1>will give you, I'll give you one guess, and I'll

0:54:42.480 --> 0:54:45.919
<v Speaker 1>tell you higher or lower and then you get another guess. Okay, okay, okay,

0:54:46.360 --> 0:54:49.640
<v Speaker 1>So don't look at the word document because I'll okay,

0:54:49.719 --> 0:54:53.879
<v Speaker 1>I got to look away. Um. So I'm thinking, um

0:54:53.920 --> 0:54:56.759
<v Speaker 1>because like with any artists like this, when whenever they

0:54:56.800 --> 0:55:00.880
<v Speaker 1>pass away, they do have a spike and S's streams

0:55:01.000 --> 0:55:05.399
<v Speaker 1>very smart, and I think maybe it's valued higher now

0:55:06.080 --> 0:55:08.400
<v Speaker 1>than what it could be maybe three year or four

0:55:08.480 --> 0:55:11.920
<v Speaker 1>years down the line. Um. But i'm gonna say you

0:55:12.000 --> 0:55:16.040
<v Speaker 1>said less than fifty million, less than fifty million, Okay,

0:55:16.200 --> 0:55:19.520
<v Speaker 1>I'm gonna say, I'm gonna highball it. Still, I'm gonna say, like,

0:55:19.719 --> 0:55:23.960
<v Speaker 1>I'm gonna say, like thirty five million, lower, lower than

0:55:24.000 --> 0:55:30.640
<v Speaker 1>that lower? Oh god, yeah, man, okay, also lower than

0:55:30.680 --> 0:55:33.600
<v Speaker 1>thirty five million. This man, isn't you know zero dollars?

0:55:33.719 --> 0:55:35.920
<v Speaker 1>This is a very going to be insane as you're

0:55:36.040 --> 0:55:39.400
<v Speaker 1>gonna be a stupid number. I don't think it's stupid.

0:55:39.560 --> 0:55:42.359
<v Speaker 1>I think it makes sense based on what I told you.

0:55:42.400 --> 0:55:46.160
<v Speaker 1>But it's okay, I'm gonna people, Okay, I'm gonna go

0:55:46.239 --> 0:55:48.279
<v Speaker 1>the obstruction. I'm gonna go pretty well, I'm gonna say

0:55:48.280 --> 0:55:52.480
<v Speaker 1>ten million, okay, Well, it's actually half of your first number.

0:55:52.520 --> 0:55:57.680
<v Speaker 1>Basically it is seventeen point seven million dollars. Oh man,

0:55:57.880 --> 0:55:59.840
<v Speaker 1>that has to get split up in between fifteen he

0:55:59.880 --> 0:56:03.919
<v Speaker 1>had five number one He had five number one albums,

0:56:04.000 --> 0:56:07.200
<v Speaker 1>which is kind of important in this case. Um, alright,

0:56:07.239 --> 0:56:09.560
<v Speaker 1>so I want to open this up. So first off,

0:56:09.600 --> 0:56:13.719
<v Speaker 1>this estate is going to be a nightmare because there's

0:56:13.719 --> 0:56:19.040
<v Speaker 1>so many kids. Fifteen people have claims to this money,

0:56:19.280 --> 0:56:23.520
<v Speaker 1>and not to mention that they have to pay lawyer fees. Um,

0:56:23.560 --> 0:56:26.120
<v Speaker 1>if maybe he has debt or anything like that, they

0:56:26.160 --> 0:56:29.000
<v Speaker 1>have to get that together and everything. This money is

0:56:29.120 --> 0:56:31.440
<v Speaker 1>up there like the Michael Jackson the state and being

0:56:32.000 --> 0:56:35.279
<v Speaker 1>fought over in princes of state and being fought over

0:56:35.320 --> 0:56:37.640
<v Speaker 1>and trying to figure out what's going on with this

0:56:37.719 --> 0:56:41.759
<v Speaker 1>money years, and like the point is is that the

0:56:41.840 --> 0:56:44.680
<v Speaker 1>longer they wait on this money, you know what I mean,

0:56:44.719 --> 0:56:49.239
<v Speaker 1>It's like the longer they wait, the more fees get

0:56:49.320 --> 0:56:52.120
<v Speaker 1>taken out. They gotta pay place. You know, if he

0:56:52.160 --> 0:56:54.960
<v Speaker 1>has property, they gotta pay the property if they's got

0:56:55.000 --> 0:56:56.840
<v Speaker 1>you know, the longer the lawyer has to work, the

0:56:56.840 --> 0:57:01.239
<v Speaker 1>more money that is. And then again fifteen times times,

0:57:01.280 --> 0:57:04.560
<v Speaker 1>so like this is a big deal. I mean, and

0:57:04.640 --> 0:57:06.520
<v Speaker 1>I literally was talking to a friend of ours who's

0:57:06.520 --> 0:57:09.839
<v Speaker 1>a lawyer, and she was like, man, I would love

0:57:09.880 --> 0:57:13.799
<v Speaker 1>to see those documents. Like so, I mean see it

0:57:13.920 --> 0:57:15.440
<v Speaker 1>or work on it. I feel like working on it

0:57:15.480 --> 0:57:18.240
<v Speaker 1>would be insanely do not work. I would not want

0:57:18.240 --> 0:57:20.480
<v Speaker 1>to work on it unless they were like, we will

0:57:20.480 --> 0:57:23.960
<v Speaker 1>give you our portion of the seventeen million, which like

0:57:24.160 --> 0:57:26.400
<v Speaker 1>and he had he had no will or anything. Um,

0:57:26.520 --> 0:57:30.360
<v Speaker 1>I don't know about that yet. They haven't really specified specifically.

0:57:30.840 --> 0:57:33.280
<v Speaker 1>But even then with a will, it can be contested,

0:57:33.840 --> 0:57:36.720
<v Speaker 1>it can have issues with that. I mean, okay, first off,

0:57:36.760 --> 0:57:39.080
<v Speaker 1>I just did the calculation. If we evenly split it

0:57:39.160 --> 0:57:43.760
<v Speaker 1>seventeen fifteen ways, it's one point one eight mill Wow. Okay.

0:57:43.800 --> 0:57:46.320
<v Speaker 1>And then here's the other part that we're completely forgetting.

0:57:47.040 --> 0:57:50.440
<v Speaker 1>This isn't liquid money. So this is like money that

0:57:50.520 --> 0:57:54.000
<v Speaker 1>can come in and grow in value. Which is funny

0:57:54.040 --> 0:57:55.680
<v Speaker 1>that you said that you think it will go down

0:57:55.800 --> 0:57:58.640
<v Speaker 1>because Rolling Stone, I'm not rolling So Billboard actually has

0:57:58.680 --> 0:58:02.280
<v Speaker 1>the opposite. For an interesting reason for our listeners is

0:58:02.320 --> 0:58:07.960
<v Speaker 1>because they think the publishing money will grow because traditionally

0:58:08.120 --> 0:58:11.200
<v Speaker 1>rock and roll music has the highest kind of publishing

0:58:11.280 --> 0:58:14.920
<v Speaker 1>rate because it's very songwriter focused. But there's been an

0:58:14.920 --> 0:58:17.320
<v Speaker 1>increase in the industry and Billboard predicted this and I've

0:58:17.320 --> 0:58:21.280
<v Speaker 1>seen this in other places that raps publishing revenue will

0:58:21.360 --> 0:58:24.960
<v Speaker 1>increase over time due to the fan base becoming larger

0:58:25.000 --> 0:58:27.960
<v Speaker 1>people who you know, since rock and roll older and older,

0:58:28.160 --> 0:58:31.080
<v Speaker 1>since the fan base of rock and roll diminishes as

0:58:31.120 --> 0:58:34.200
<v Speaker 1>it you know, becomes less of a primary genre, and

0:58:34.240 --> 0:58:36.640
<v Speaker 1>then the you know, kids that grew up specifically with

0:58:36.800 --> 0:58:38.920
<v Speaker 1>just rap and hip hop as the main genre grow,

0:58:39.480 --> 0:58:43.800
<v Speaker 1>then you could see that getting more expensive. Um, it's

0:58:43.800 --> 0:58:47.280
<v Speaker 1>actually interesting because if you compare the two genres, there's

0:58:47.320 --> 0:58:49.880
<v Speaker 1>a lot of similarities and in how they grew and

0:58:50.320 --> 0:58:54.920
<v Speaker 1>where they are in their in their place basically, like

0:58:54.960 --> 0:58:58.560
<v Speaker 1>even even it's almost like one to one time frame

0:58:58.600 --> 0:59:01.680
<v Speaker 1>of like between know, some dude in his basement to

0:59:01.960 --> 0:59:06.840
<v Speaker 1>now it's it's like mainstream arena tours happening. So it yeah,

0:59:06.880 --> 0:59:09.720
<v Speaker 1>that is very interesting and I actually never thought about that. Yeah,

0:59:09.760 --> 0:59:11.600
<v Speaker 1>isn't that It's such a weird thing to think about,

0:59:11.680 --> 0:59:13.800
<v Speaker 1>but you know, I mean it makes it makes sense.

0:59:14.040 --> 0:59:17.000
<v Speaker 1>But so that publishing money, you know, assuming that they're

0:59:17.040 --> 0:59:20.240
<v Speaker 1>going to keep that rate going and everything, then uh,

0:59:20.400 --> 0:59:23.280
<v Speaker 1>that could be that could be just increasing in value.

0:59:23.680 --> 0:59:26.960
<v Speaker 1>So that's the thing is like who needs this money,

0:59:27.080 --> 0:59:29.640
<v Speaker 1>you know, especially if it's publishing money and they have

0:59:29.760 --> 0:59:32.200
<v Speaker 1>rights of it, and it's like, fifteen people have to

0:59:32.240 --> 0:59:35.240
<v Speaker 1>get together and figure out are we selling our publishing rights?

0:59:36.120 --> 0:59:39.040
<v Speaker 1>That's a problem. Like that's just gonna be hard to do,

0:59:39.520 --> 0:59:41.520
<v Speaker 1>and I'm sure somebody will be you know what i mean.

0:59:41.600 --> 0:59:45.080
<v Speaker 1>Like if some publishing company came up to them and

0:59:45.160 --> 0:59:47.920
<v Speaker 1>was like, oh, we would like to buy the remainder

0:59:47.960 --> 0:59:50.360
<v Speaker 1>of the publishing split, you have to go clear that

0:59:50.400 --> 0:59:54.200
<v Speaker 1>with fifteen people, you know, fifteen or do you would you?

0:59:54.600 --> 0:59:57.000
<v Speaker 1>I guess depending if they have is like you wouldn't

0:59:57.000 --> 0:59:59.680
<v Speaker 1>get you wouldn't it wouldn't be split up, depending if

0:59:59.680 --> 1:00:02.800
<v Speaker 1>they have legitimacy of the rights. Also, like again this

1:00:02.880 --> 1:00:05.439
<v Speaker 1>is what I'm wondering with the will and stuff like that.

1:00:05.760 --> 1:00:08.640
<v Speaker 1>I mean, if one kid had like one album and

1:00:08.680 --> 1:00:11.600
<v Speaker 1>the other kid that would be hilarious. Well, I mean

1:00:11.960 --> 1:00:14.360
<v Speaker 1>it's just more of like it depends on his will

1:00:14.440 --> 1:00:16.840
<v Speaker 1>and everything and how that is. And like we've seen.

1:00:17.160 --> 1:00:19.560
<v Speaker 1>The crazy partis we've seen celebrities with no will. Prince

1:00:19.640 --> 1:00:22.560
<v Speaker 1>had no will at all. That's still nuts to me.

1:00:22.600 --> 1:00:25.320
<v Speaker 1>No will, and so like I have no idea, you know,

1:00:25.360 --> 1:00:27.640
<v Speaker 1>it's up in the air, if he had a will

1:00:27.680 --> 1:00:29.360
<v Speaker 1>and had that like all put together, and if that

1:00:29.400 --> 1:00:32.080
<v Speaker 1>will is legitimate to be used. And finally, my point

1:00:32.160 --> 1:00:36.600
<v Speaker 1>is is Joe may remember from our MTSU days, recapturing

1:00:36.960 --> 1:00:39.680
<v Speaker 1>of works is up on the table. So if you

1:00:39.680 --> 1:00:43.640
<v Speaker 1>don't know about this, uh, Basically, to summarize this way down,

1:00:44.000 --> 1:00:46.280
<v Speaker 1>there is a policy and copyright law where you can

1:00:46.320 --> 1:00:50.800
<v Speaker 1>recapture ownership of your songs basically um and then and

1:00:51.160 --> 1:00:53.400
<v Speaker 1>that can be the publishing money and the songwriter money.

1:00:53.440 --> 1:00:56.640
<v Speaker 1>It's the master recordings and stuff like that. It's a

1:00:56.760 --> 1:00:59.200
<v Speaker 1>very long process. You have to wait, I believe thirty

1:00:59.240 --> 1:01:02.439
<v Speaker 1>five years to do it. Now the thirty five years

1:01:02.440 --> 1:01:06.200
<v Speaker 1>for DMX for like recordings which are like the beginning

1:01:06.240 --> 1:01:09.480
<v Speaker 1>of the really valuable recordings of his career, would become

1:01:09.920 --> 1:01:14.000
<v Speaker 1>could come into ownership as soon as twenty three. But

1:01:14.480 --> 1:01:18.720
<v Speaker 1>it's an extensive filing process to get all that together.

1:01:19.080 --> 1:01:20.360
<v Speaker 1>You have to be on the ball with it. You

1:01:20.400 --> 1:01:23.440
<v Speaker 1>have to file ten years before. So they would have

1:01:23.440 --> 1:01:27.440
<v Speaker 1>to file in and then that enables them to have

1:01:27.520 --> 1:01:30.560
<v Speaker 1>full ownership of those recordings. So their old label that

1:01:30.640 --> 1:01:33.320
<v Speaker 1>he was under would not have ownership of those recordings

1:01:33.640 --> 1:01:35.640
<v Speaker 1>if they get it to do right. We've seen like

1:01:36.000 --> 1:01:38.600
<v Speaker 1>a passing story even the other day where Dwight Yoakum

1:01:38.680 --> 1:01:40.600
<v Speaker 1>is getting denied his rights because he might have been

1:01:40.640 --> 1:01:46.080
<v Speaker 1>five days late because of the label not seeing it,

1:01:46.480 --> 1:01:48.160
<v Speaker 1>like not sending it a time not to go in

1:01:48.200 --> 1:01:51.160
<v Speaker 1>another story, but just as proof of like you know this,

1:01:51.160 --> 1:01:54.880
<v Speaker 1>this is messy. Yeah, it gets very messy. So um.

1:01:54.920 --> 1:01:57.360
<v Speaker 1>If they get that though, then they can renegotiate to

1:01:57.440 --> 1:02:00.720
<v Speaker 1>have those records exploited with another company and then maybe

1:02:00.720 --> 1:02:02.200
<v Speaker 1>you can get a better deal you know what I mean,

1:02:02.320 --> 1:02:04.640
<v Speaker 1>and make more money. And then usually when you make

1:02:04.640 --> 1:02:06.480
<v Speaker 1>a deal like that with a big catalog, they might

1:02:07.080 --> 1:02:08.840
<v Speaker 1>give you an advance, you know what I mean, or

1:02:08.880 --> 1:02:09.440
<v Speaker 1>something like that.