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Speaker 1: What's Happen to Friends? Hello, welcome to another edition of

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Speaker 1: On Time with Me Bobby Bones. I am your host,

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Speaker 1: Bobby Bones. I have been described for those of you

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Speaker 1: that don't know me as he's what you get if

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Speaker 1: you were to take Clay Aikin and Weezer and put

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Speaker 1: them together and subtract all the talent. That's me And

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Speaker 1: I'm no treat by myself. That's probably not why you're

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Speaker 1: watching this. But I've got some amazing people stopping by

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Speaker 1: the show. We have my friend Gary Lavox of Rascal

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Speaker 1: Flat stopping by. He's gonna play this song. We also

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Speaker 1: have new artists Laney Wilson stopping by. She's gonna play

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Speaker 1: some music too. She's also on the way to becoming

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Speaker 1: a big old star. So we have music, we have guests.

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Speaker 1: We're gonna play some games. You guys can also write

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Speaker 1: questions in the box and I'll ask some of them too.

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Speaker 1: So and if you're really lucky, I'll show you guys

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Speaker 1: my third nipple. See you'll even learn some things about me.

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Speaker 1: But when we get to our guests, I was like

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Speaker 1: to kick things off with the shortest monologue and all

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Speaker 1: the land just wham bam, thank you for the question.

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Speaker 1: Thank you for the joke. Man. It's three quick jokes.

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Speaker 1: We've appropately titled three jokes for the folks. Here we

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Speaker 1: go home. Joke number one, Scientists are warning us that

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Speaker 1: it's time to bust out the year plugs, as trillions

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Speaker 1: of cicadas are emerging from their seventeen year long hibernation

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Speaker 1: to mate seventeen years. That's not so bad, Listen, it's

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Speaker 1: been forty one for me. I haven't made it yet.

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Speaker 1: You don't see me s forming all over the place.

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Speaker 1: Sam saving that from a wedding night. It's just a

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Speaker 1: sexy wink. Moving on to joke number two, it's being

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Speaker 1: reported in Canada fans are being contacted by profiles pretending

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Speaker 1: to be Chad Kroger, the lead singer of Nickelback. Some

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Speaker 1: have said the fake profile has asked them for money

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Speaker 1: in the form of bitcoin or iTunes gift cards. As

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Speaker 1: if Nickelback fans didn't have it roughen up already, wait

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Speaker 1: till they realize it is actually Chad Kroger of Nickelback.

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Speaker 1: That's right. And finally, joke number three, Target announced they

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Speaker 1: will stop the sale of Pokemon cards after a man

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Speaker 1: pulled a gun during a fight over trading cards in

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Speaker 1: their parking lot. They described the event as the nerdiest

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Speaker 1: felony in the history of American crime. He actually asked

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Speaker 1: the police, can I my mommy come pick me up

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Speaker 1: from jail. Gotta love America, the only place where it's

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Speaker 1: easy to buy a gun in the store but impossible

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Speaker 1: to buy Pokemon cards. That's right. Hit that music there

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Speaker 1: it is? Those are three jokes for the folks. Thank

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Speaker 1: you very much. Is music still going? Or am I

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Speaker 1: just making the music all right? Before we get to

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Speaker 1: our first musical guest. Let me check in with my

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Speaker 1: fiance Caitlin. That's right here she comes. You can follow

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Speaker 1: her on Instagram at kate cy Parker. And later I

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Speaker 1: go check out our episode of running Wild with bear

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Speaker 1: Grills that we did. She's gonna walk through that door

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Speaker 1: at anytime. There she is. Thank you, Come on in,

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Speaker 1: have a seat. Thank you. How are you pretty good?

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Speaker 1: How how's your day been? And what did you do

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Speaker 1: this after and in this afternoon? What time does that start?

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Speaker 1: I don't know. It's a good question. The afternoon four

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Speaker 1: five oh? I went to a spin class. How did

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Speaker 1: that five? Great? When we spin and I'm beside you.

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Speaker 1: Do you watch how fast I'm going? Do you compare

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Speaker 1: the output that you feel like you're putting out versus mine?

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Speaker 1: Because I feel like you dominate me. I'll be honest,

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Speaker 1: I feel like that as well, but I don't really

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Speaker 1: watch you that much. Well, you're not doing the moves.

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Speaker 1: I don't do the dance moves because I can't keep

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Speaker 1: up right here, Here's what I've learned about this spin class.

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Speaker 1: I put my grind on too hard, and when I'm

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Speaker 1: peddling hard, I can't do the dance moves with my

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Speaker 1: arms on the right pace. And so as you guys

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Speaker 1: are all nailing them, I'm off. But I'm still getting

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Speaker 1: pretty your workout's choice there? How did interesting analogy? How

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Speaker 1: did class go today? That's great? Yeah? Good instructor? High

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Speaker 1: energy was packed and I got to ride next to

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Speaker 1: someone I know. Should I like? It's fun? Did you

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Speaker 1: see Gary l Box in the waiting room? I did,

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Speaker 1: and I waved at him. I had to come in here.

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Speaker 1: I would have loved to stop buying and chatted for

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Speaker 1: a bit, but um, I just got a quick wave in.

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Speaker 1: And how did you get right in here? For my interview?

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Speaker 1: She feel solid about the wave. I think he liked it,

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Speaker 1: he smiled. Yeah, it was like, you know, it's awkward

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Speaker 1: because you're like I think you probably know who I

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Speaker 1: am like, but you just never know, so I didn't

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Speaker 1: want to be too like he hung out at the house.

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Speaker 1: He's a big star. He has a big star. Is

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Speaker 1: there anything you want me to ask him when he

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Speaker 1: comes in? Any question? He's a big starme. You want

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Speaker 1: to ask him off camera? Yeah? Something I'll text I'm

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Speaker 1: on camera, I'll text it to you. Does it have

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Speaker 1: to do with him being naked? No? Last night we

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Speaker 1: watched our episode of Running Wild with Bear Girls, which

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Speaker 1: people can still watch right now at National Geographic dot Com.

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Speaker 1: How did you feel about your performance? My performance? Like

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Speaker 1: how I did on camera? How you came off? He

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Speaker 1: didn't love it. I mean, I just don't like to

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Speaker 1: watch myself, so I didn't love it. But I am

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Speaker 1: very proud of myself for doing it. So I think

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Speaker 1: those are two different things. How did I feel about

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Speaker 1: my performance? How did I feel about what I accomplished?

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Speaker 1: What was it like doing that episode? Awful? Scary, um, cold, scary, terrifying.

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Speaker 1: It really wasn't fun right, No, there wasn't one bit

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Speaker 1: of it that was fun. The only good thing about

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Speaker 1: the actual time there was Bear because he is the

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Speaker 1: greatest right in the moment, the only the only good

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Speaker 1: thing was there after it. It's all good, it's all fun,

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Speaker 1: it's all great memory. Happy we did it. People loved it,

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Speaker 1: though I felt there was a good spots. I guess, yeah,

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Speaker 1: you were the star of the show, bell of the ball.

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Speaker 1: It's not the star of the show in the parade. No,

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Speaker 1: people just see you a lot and they don't see

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Speaker 1: me a lot. So that's why I'm sure you're feeling

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Speaker 1: that way. I loved it. I thought that I should

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Speaker 1: have just been you next season you go alone. Oh

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Speaker 1: I don't want that because you really like Bear. No, No,

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Speaker 1: I I don't want to go alone. But I I'm

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Speaker 1: happy I did it. I'm happy that I stood up

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Speaker 1: to a fear of mine. I was actually I'll just

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Speaker 1: tell you story. Today. I was in spin and my

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Speaker 1: instructor was talking about kind of how she started her

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Speaker 1: spin class. And I know this is probably cliche, and

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Speaker 1: we all know I'll know this saying, but she was saying, um,

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Speaker 1: when you feel scared about something, just do it. Scared

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Speaker 1: and that's what I want to do from now on.

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Speaker 1: I just want to do it scared, regardless of what

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Speaker 1: it is. I don't need to work up courage to

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Speaker 1: do it. I just need to do it scared. And

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Speaker 1: that's what I did the whole time during Bear Girls. Sorry,

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Speaker 1: I got distracted because Mike was taking a picture and

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Speaker 1: I was like, oh, Mike, do you look at you? Oh? Good? Okay,

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Speaker 1: So anyway, for any of you that are actually watching this,

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Speaker 1: whatever you're thinking that you want to do, but you

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Speaker 1: don't feel like you have the courage, and you're like,

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Speaker 1: maybe I'll have the courage in a week. Maybe I'll

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Speaker 1: have the courage in a couple of weeks. You won't,

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Speaker 1: So do it scared. That's okay. You don't have to

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Speaker 1: have the courage. Sometimes you only get couraged by fighting

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Speaker 1: through fear. Sure, yeah, thank you. Um. I like how

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Speaker 1: you just addressed the camera, just you just totally take

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Speaker 1: over and you turn right to the camera. Them Like,

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Speaker 1: don't know if I could help anybody. My idea has

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Speaker 1: written some questions for me to ask. Would you like

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Speaker 1: to answer them? What? I? Yeah? What kind of sleeper

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Speaker 1: is Bobby? Um? A flailer? Elaborate that kind of a

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Speaker 1: thing like that, or like I was talking your sleep,

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Speaker 1: or you wake up and you request me to hug you.

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Speaker 1: Sometimes I do that. I wake up and I'm like,

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Speaker 1: I can't go to sleep, but you hug me. No,

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Speaker 1: he goes like, he goes me. Mike's giggling. I do,

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Speaker 1: and then she's big spoon and a little spoon. I

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Speaker 1: don't care. It's the only way I get the only

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Speaker 1: way I get to sleep. I don't let her put

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Speaker 1: her hand on my stomach though, or near my stomach,

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Speaker 1: because I'm embarrassing my stomach because he has body dysmorphia

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Speaker 1: and we're working through that. So she can put her

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Speaker 1: arm over me, but it it has to be like up here. Yeah,

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Speaker 1: it's got to be shoulder or like pit. Yeah and pit.

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Speaker 1: That ends up not with a great smell in the

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Speaker 1: morning on your hand. What song do you love to

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Speaker 1: sing in the car? Me? What song do I love

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Speaker 1: to sing in the car? Um? I'll tell you right now,

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Speaker 1: come on drives last as last. No, that's so two

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Speaker 1: months ago, okay, if it was all right now? Well,

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Speaker 1: my staple really is Adore You by Harry Styles. But

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Speaker 1: Olivia Rodrigo actually has a new song out called good

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Speaker 1: for you, and it's really good. Check it out. Did

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Speaker 1: you ever consider changing your last name to bones even

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Speaker 1: on Instagram? Not one time? And final question, what's the

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Speaker 1: one thing you learned about Bobby in the last week?

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Speaker 1: In the last week, Mike that stuff? What did I

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Speaker 1: learn about you in the last week? Um, that you

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Speaker 1: are very willing to help me with wedding things such

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Speaker 1: as meetings, if I will just ask you. Yeah, And

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Speaker 1: we went to Crane Barrel and did some boop boop

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Speaker 1: on the board where we went to register. But we're

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Speaker 1: out of gifts at this point, like people have sucked

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Speaker 1: them all and now my parents have nothing to get us,

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Speaker 1: so we need to chill out on the details. But um, okay,

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Speaker 1: thank you. Yeah, I was pretty good at the said right,

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Speaker 1: you were great? Yeah, scanned boo boops? Did you scan

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Speaker 1: your stuff? Mike? You did rettert online. She went back

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Speaker 1: and did some registering online and as soon as we've finished,

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Speaker 1: she went right to the registered and Eddie already bought

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Speaker 1: us a juicer before we even got so generous, like

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Speaker 1: the oh my gosh, wait time out, can you send

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Speaker 1: me where you're like, we don't have a gift for

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Speaker 1: you yet, because I've asked him to ask you, I

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Speaker 1: know he hasn't, and I didn't want to ask Kelsey

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Speaker 1: because I know she has like nine thousand things on

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Speaker 1: her plate. So can you send? All right there? She

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Speaker 1: is my fiance and yours just just mine, Caitlin Parker. Everybody,

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Speaker 1: thank you, thank you for always being our first guest.

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Speaker 1: Only three more episodes to go by. Yeah we're doing

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Speaker 1: it's a six pack. Yeah yeah, yeah, all right, you

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Speaker 1: go over in the chat. We got a lot of

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Speaker 1: people over here that are like, uh, is this where

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Speaker 1: Gary Lavox is gonna be on? It is momentarily. That's

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Speaker 1: from Cat McQueen um kells Zack said, Gary put the

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Speaker 1: wrong year all on Facebook, so people are going to

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Speaker 1: something else. I don't know. All right, here we go.

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Speaker 1: Let's welcome my first guest, well musical guest. He's the

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Speaker 1: lead singer of Rascal Flats and will soon be releasing

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Speaker 1: his first ever Christian solo album. He has the voice

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Speaker 1: of an angel and the only guy know who works

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Speaker 1: out in full camouflage. I've seen it with my own eyes.

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Speaker 1: Welcome to the show. Gary Levox, thank you, thank you.

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Speaker 1: What do you what's in your hand? That's true. Did

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Speaker 1: you did you grab it from out there? Really? I

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Speaker 1: really did? Nice? Do me sign that for you? Yes,

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Speaker 1: that's why I brought it nice nice Okay. Oh, by

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Speaker 1: the way, Gary brought merch for me. They are what

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Speaker 1: these are? There's a branded Lavox wear. Yea. He broke

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Speaker 1: really struggling and you need to Yeah. Yeah, I'm just

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Speaker 1: trying to with the Yeah, but these are. I do

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Speaker 1: love the logo. Thanks, Like what who designed this? He did? Yeah?

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Speaker 1: I did. Really, Here's Freedom Farms. What's Spreedom Farms? That's

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Speaker 1: that's my farm outside of Nashville. I will I will

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Speaker 1: wear this black one. Yeah. Good, I brought him for you.

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Speaker 1: You'll sell many and you'll be able to pay your mortgage,

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Speaker 1: which is the goal. You're even wearing a wristband? Now?

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Speaker 1: Why a wristband in the evening on a internet talk show? Well,

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Speaker 1: you know what? It just I know how you have

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Speaker 1: to turn all the air conditioners off and it gets

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Speaker 1: hot and so I adap okay, you know because you

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Speaker 1: maybe we're makeup and things and it's like a dap

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Speaker 1: I do okay. Um onto the real questions at hand. Here,

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Speaker 1: Why a solo album and why a why did you

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Speaker 1: start with a Christian album? Why a solo album? Because

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Speaker 1: Jodan came to us one day and said that he

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Speaker 1: wanted to be home war said he was burnt and

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Speaker 1: he's burnt out? Are you serious? And so that kind

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Speaker 1: of we're like, okay, all right, we respect that. And

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Speaker 1: so I had already kind of planned on doing one

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Speaker 1: and didn't really know when it was gonna happen, because

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Speaker 1: you know, Flats, we've been a thousand miles a minute

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Speaker 1: for twenty years. And so when Jodon told us that,

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Speaker 1: we're like, okay, well, that opens it up. And I

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Speaker 1: always want to do a gospel record. I always did,

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Speaker 1: and um it just all of it kind of came

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Speaker 1: together and here we go. And then Friday at uh

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Speaker 1: it drops the EP drops. Were you shocked? And I

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Speaker 1: do want to get to the peaks that heard a

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Speaker 1: lot of it. Hecky played some unreleas stuff in my

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Speaker 1: house like three months ago. So so so I've kind of,

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Speaker 1: you know, been to the process. But were you Did

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Speaker 1: you expect Jodan to come and be like, hey, guys,

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Speaker 1: we gotta take a break. No, I really didn't, I mean,

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Speaker 1: you know, not really because it was that was year nineteen,

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Speaker 1: and we had a lot of things booked for the

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Speaker 1: twenty year and everything else with trying to put the

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Speaker 1: farewell tour together, and we had a lot of things

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Speaker 1: set up with, uh, you know, the Grammys and c

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Speaker 1: m As and all this kind of kind of just

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Speaker 1: celebrate the twenty years that we had together, you know,

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Speaker 1: and all the accomplishments that we've done. And then the

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Speaker 1: pandemic hit. So no, it was kind of out of

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Speaker 1: left field, and uh, you know, but what can you do?

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Speaker 1: Did you and j Ever go, hey, we'll just do

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Speaker 1: this as a duo? Was it even a conversation? It

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Speaker 1: was a conversation. And but Joe j had started, uh

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Speaker 1: that a little Christian label, the independent label called Red

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Speaker 1: Street Records, and he wanted to make a go with that,

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Speaker 1: and I was like, well that's cool. So I was like,

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Speaker 1: you know, I still I feel like my platform is

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Speaker 1: the stage, and I still had so much music to make,

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Speaker 1: and so I just stayed on my artists route, and

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Speaker 1: I mean, it's stick with what you're good at, and

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Speaker 1: that's what I wanted to do. And did you feel

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Speaker 1: like you needed a break for a bit though after this,

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Speaker 1: where you like, I need to just kind of recalibrate.

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Speaker 1: I did not expect this. I spent the last twenty

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Speaker 1: years being a flat Did you have any nights we

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Speaker 1: are like wait, what is about to happen? Or were

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Speaker 1: you like, Okay, this actually gives me an opportunity to

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Speaker 1: go chase this solo record. It was both. Actually it

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Speaker 1: was kind of it was sad, it was disheartening, it

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Speaker 1: was exciting, it was you know, it was kind of

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Speaker 1: everything at once because everything I've known for half of

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Speaker 1: my life is now going to be changed and can

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Speaker 1: gonna be different. So but it gave me, you know,

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Speaker 1: it gave me the time to to really lock in

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Speaker 1: and um, you know, not only did I do a

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Speaker 1: gospel record, but I already recorded a solo country record

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Speaker 1: that comes out in the fall. So I just gave it.

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Speaker 1: I just kind of just threw myself into my music

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Speaker 1: and just let it be. Let you know, you gotta

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Speaker 1: play the hands that are dealt sometimes. So the record

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Speaker 1: comes out Friday. It's called One on One? Why why

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Speaker 1: one on one? Well, it's kind of I think, just

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Speaker 1: me doing a gospel record, just me and my my

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Speaker 1: my faith walk with the Lord. And it's the first

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Speaker 1: time that it's just been me. I mean, I've been

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Speaker 1: the face of Flats for twenty years and now it's

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Speaker 1: just one on one, me and him and me and

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Speaker 1: the fans. So just kind of made sense. Do you

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Speaker 1: plan to go out and play any of these songs live? Yeah? Yeah,

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Speaker 1: I'll be doing all the flat stuff. And that's the question, right,

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Speaker 1: So you're gonna sing the flat stuff? I think you should.

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Speaker 1: I think if I went out, I'd want to hear

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Speaker 1: some of the new stuff. But if I'm going to see,

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Speaker 1: you know, the face of the Flats, dang it sing

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Speaker 1: the flats. Yeah, I'm gonna do it. So what do

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Speaker 1: you do as far as a band? You just get

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Speaker 1: your buddies that know of the songs. No, it's it's

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Speaker 1: actually the same. It's it's actually all the Rascal Flats band,

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Speaker 1: Jim Riley, it's my drummer, Travis Toyo plays steel and

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Speaker 1: everything else. He's still with me, and so it's the

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Speaker 1: actual the actual Flatspan just minus Jane Jodan gotta do

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Speaker 1: bass player and um, you know my keyboard players sings

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Speaker 1: all the hot stuff to it on sing and so

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Speaker 1: it's the same band, just minus Jane general. I mean

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Speaker 1: we'd really get the full experience if you kind of

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Speaker 1: dressed them up to look like them and we know

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Speaker 1: they're not, but you know you still like color, the hair,

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Speaker 1: you know, maybe even throw them back to old school

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Speaker 1: one night Jo, you know he had the long yeah,

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Speaker 1: I mean, no sleeves. Yeah, just just maybe just a vest.

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Speaker 1: But yeah, yeah, because when you look back, I was

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Speaker 1: looking at the multiple pictures of you guys. I mean,

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Speaker 1: you guys were now it's normal, but style wise, you

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Speaker 1: were extremely different than the format. Were you guys getting

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Speaker 1: a lot of the pushback from the old school Nashville

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Speaker 1: folks at the time. Yeah, I mean I think everything

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Speaker 1: anything new and country, I think you always do. Plus

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Speaker 1: we came in at the tail into the whole boy

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Speaker 1: band thing and so all that kind of played into it.

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Speaker 1: But you know, I mean we're sitting there like, you

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Speaker 1: know what we're not. We're not cowboys, you know, I

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Speaker 1: mean we live that lifestyle, you know. I mean, I'm

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Speaker 1: his country as corn breads with which is crazy because

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Speaker 1: you are. But I mean you Gary legitimately is significantly

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Speaker 1: more country. And it's usually the opposite, right, people will

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Speaker 1: come and act a little show a little more country

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Speaker 1: than they really are. It's like you're the opposite. Like

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Speaker 1: you come out, you're straight ahead, jel, you put that

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Speaker 1: your hair product in, you sing. But when we're done here,

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Speaker 1: he's in Camo and he's like, hey, man, come out

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Speaker 1: to the farm. And I'm like, that's an hour and

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Speaker 1: a half away. He's like, no man would have sit

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Speaker 1: on the porch and like spitting cows. And I'm like,

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Speaker 1: what's what are you? What are you talking about? Your

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Speaker 1: getting the box? So, but you do live and you

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Speaker 1: hunt constantly. Yeah, I mean it's just the way I

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Speaker 1: grew up. But you know, it's it's like they're but

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Speaker 1: it's just who I am. You know, I just gotta

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Speaker 1: be real to who you are. And you know, but

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Speaker 1: it's like I've never wrote it, Calf, you know, I

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Speaker 1: saw it while I'm not gonna sit out and put

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Speaker 1: a cowboy hat on and try to play up to

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Speaker 1: something that I'm not. You know. So I wasn't here

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Speaker 1: in Nashville when you guys broke and when you guys

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Speaker 1: were winning the it's the Grammys, Like I wasn't here

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Speaker 1: and I was actually, I mean probably twenties and we

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Speaker 1: would watch on TV. It was a fan and we

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Speaker 1: would start to play. I was working in Pop Radio

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Speaker 1: two at the time. We're playing some of your stuff

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Speaker 1: over there, So I'm I missed the impact you guys

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Speaker 1: had on Nashville. Were you guys king dingling of the

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Speaker 1: talent for a while? It? For yeah, we really had

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Speaker 1: just kind of held the torchs for yeah. I mean

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Speaker 1: a long time. Really. I mean it's I mean, two

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Speaker 1: thousand and six, we outsold everybody in the world that

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Speaker 1: put a record out in any genre music, you know.

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Speaker 1: So and I remember being at the Grammy's up against

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Speaker 1: Beyonce and Mary J. Blige and Kanye and jay Z,

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Speaker 1: and we're like, it doesn't matter if we win or not.

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Speaker 1: We outsold everybody in this room. That's you can't even

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Speaker 1: fathom that kind of stuff. So, I mean, we had

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Speaker 1: a you know, I mean, it's made the Guinness Book

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Speaker 1: with you know, seven consecutive c M a vocal group.

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Speaker 1: I mean, all that stuff is just mind blowing. We

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Speaker 1: had the We're kind of top dog there for a

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Speaker 1: minute for sure. Were you in Entertainer of the Year member,

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Speaker 1: which which is crazy to me because I was gonna

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Speaker 1: let you answer no, because I knew the answer. I

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Speaker 1: looked it up. The fact that you weren't allowed or

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Speaker 1: they didn't put you in that when you were the

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Speaker 1: actual entertainers of not just country music, but you said it.

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Speaker 1: You're out telling everybody. I think even as the success

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Speaker 1: was happening, I still would have had some sort of resentment, like, hey,

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Speaker 1: why aren't you guys putting us because we're not when

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Speaker 1: Cowboy has? Is that why we're upset about it? We were?

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Speaker 1: We thought it was well deserved. I mean it's like,

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Speaker 1: you know, we're the first band to ever play Wrigley Field,

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Speaker 1: first country concert to ever play Wrigley I mean at

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Speaker 1: that time, it's like we've sold out four different tours

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Speaker 1: at Madison Square Garden, and hey, we were doing big stuff,

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Speaker 1: and it was like every year we weren't an entertainer

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Speaker 1: and was like what how does that even happen? You know,

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Speaker 1: It's like and then you go and it's like you

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Speaker 1: start thinking about that stuff, and then the hand your

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Speaker 1: plaque for ten million tickets sold and you know, all

393
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Speaker 1: that stuff. It kind of it sits with you. Not

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Speaker 1: that we weren't you know, grateful, but you know you

395
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Speaker 1: kind of just sit and scratch your head, like, uh,

396
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Speaker 1: there's not really anything else we can do, Like I

397
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Speaker 1: would have been again, I would have resented the people

398
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Speaker 1: that make those decisions because it's such an inside bubble

399
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Speaker 1: decision that's being made. And I would think you guys

400
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Speaker 1: were so successful. And I've seen other this happened to

401
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Speaker 1: other people in town too. Uh. Sam Hunt for example,

402
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Speaker 1: he had a couple of years where he was crushing,

403
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Speaker 1: not at the level you guys worked, but he and

404
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Speaker 1: he wasn't be nominated for anything. And it's like, Wow,

405
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Speaker 1: why are we so out of touch? Why do we

406
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Speaker 1: have to to to make it that only a certain

407
00:20:59,320 --> 00:21:03,040
Speaker 1: type of sin that we deem which removes the power

408
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Speaker 1: from the people. And I felt like they removed that

409
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Speaker 1: with you guys. Yeah, I feel the same way. I

410
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Speaker 1: think like Single of the Year, take the top five

411
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Speaker 1: singles with the most spins or whatever, and that should

412
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Speaker 1: be your top five, you know. I mean it seems

413
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Speaker 1: easy to me, but that's not the politics of the game,

414
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Speaker 1: you know. And as you guys are achieving superstardom, did

415
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Speaker 1: it ever get to where it was eagles like like

416
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Speaker 1: we have own dressing rooms, were just coming out and

417
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Speaker 1: meeting on stage or was there was there ever a

418
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Speaker 1: phase like that. No. You know, the only time there

419
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Speaker 1: was a phase like that was when it was like

420
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Speaker 1: we were like no, because we spent every night on

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Speaker 1: the dressing rooms together and all that. But it was busses,

422
00:21:41,480 --> 00:21:44,679
Speaker 1: you know, because we started having kids and all of that.

423
00:21:44,560 --> 00:21:46,439
Speaker 1: But that was the only time. But it was like,

424
00:21:46,880 --> 00:21:49,960
Speaker 1: all right, I'm not picking up your socks, I'm not

425
00:21:50,000 --> 00:21:54,480
Speaker 1: picking up your food. We're grown men in this place

426
00:21:54,520 --> 00:21:57,000
Speaker 1: that we're not doing it. So we all got separate

427
00:21:57,040 --> 00:21:58,920
Speaker 1: busses and everything was great. But now we spent every

428
00:21:58,960 --> 00:22:01,840
Speaker 1: night in the dress room together. Was there ever, Because

429
00:22:01,880 --> 00:22:04,960
Speaker 1: once you start making big money, you start flying private

430
00:22:05,080 --> 00:22:06,920
Speaker 1: from shows. Was there ever one of you guys? I

431
00:22:06,960 --> 00:22:08,200
Speaker 1: was like, I don't want to spend the Flats money

432
00:22:08,200 --> 00:22:09,840
Speaker 1: on a plane. Let's take a bus. Did that ever,

433
00:22:10,720 --> 00:22:15,680
Speaker 1: You're almost let's go, Dan. What do you get recognized

434
00:22:15,760 --> 00:22:18,919
Speaker 1: more for the lead singer of the Flats or the

435
00:22:18,960 --> 00:22:22,760
Speaker 1: guy who's faces on the moving trucks? Flats for sure,

436
00:22:25,840 --> 00:22:29,680
Speaker 1: Flats for sure, black Time movie. It's funny. I get

437
00:22:29,720 --> 00:22:32,240
Speaker 1: a lot of people around town stuff. I get more

438
00:22:32,320 --> 00:22:35,720
Speaker 1: pictures of people like sitting in traffic and something says

439
00:22:35,720 --> 00:22:38,879
Speaker 1: black Time moving to my face on there and We're like, dude,

440
00:22:38,920 --> 00:22:43,320
Speaker 1: what but no flats for sure? Um a question that

441
00:22:43,520 --> 00:22:45,240
Speaker 1: I was gonna ask. I know the answer to it,

442
00:22:45,240 --> 00:22:46,800
Speaker 1: because Michael was like, hey, ask him this question, but

443
00:22:46,960 --> 00:22:48,720
Speaker 1: I'll also help with the answer. He says, do you

444
00:22:48,720 --> 00:22:50,080
Speaker 1: ever just show up random me to a house that

445
00:22:50,160 --> 00:22:53,399
Speaker 1: your company is working on? Let me answer, Let me

446
00:22:53,400 --> 00:22:56,320
Speaker 1: answer this one. And I don't know if he does randomly,

447
00:22:57,000 --> 00:22:59,800
Speaker 1: but I hired Black Time Moving to move me in here.

448
00:23:00,280 --> 00:23:02,080
Speaker 1: And I get a call going, hey, man, where you yet,

449
00:23:02,240 --> 00:23:03,480
Speaker 1: I'm like at them at the house. He goes, hey'

450
00:23:03,520 --> 00:23:05,040
Speaker 1: truck So I'm about to show up and he drives

451
00:23:05,080 --> 00:23:08,320
Speaker 1: up right beside his truck and he came over and

452
00:23:08,400 --> 00:23:09,879
Speaker 1: we hung out for like an hour and he was

453
00:23:09,920 --> 00:23:12,400
Speaker 1: like all right, and that was it. No way broke

454
00:23:12,440 --> 00:23:14,800
Speaker 1: anything the end of it. And he was in a

455
00:23:14,840 --> 00:23:17,280
Speaker 1: white tie. He wore the tuxedo to It was the

456
00:23:17,280 --> 00:23:21,920
Speaker 1: whole thing I mentioned. And we'll get to some music

457
00:23:21,960 --> 00:23:23,560
Speaker 1: in a second, but I mentioned and it's a true story.

458
00:23:23,560 --> 00:23:25,560
Speaker 1: It's my favorite story because it was before I knew

459
00:23:25,600 --> 00:23:28,960
Speaker 1: you um as a person. But we lived in the

460
00:23:29,000 --> 00:23:31,800
Speaker 1: same neighborhood and there's a little gym in the neighborhood

461
00:23:31,840 --> 00:23:33,159
Speaker 1: and I was working out and when I don't wear

462
00:23:33,240 --> 00:23:34,800
Speaker 1: my glasses, I can't see anything. And I was doing

463
00:23:34,840 --> 00:23:38,160
Speaker 1: some cardio and I just there's some guy that kind

464
00:23:38,160 --> 00:23:39,919
Speaker 1: of waved at me. But he was in full camo.

465
00:23:40,400 --> 00:23:42,719
Speaker 1: He was on a bike in full camo. I was like,

466
00:23:43,560 --> 00:23:45,720
Speaker 1: and so I put my glasses on and then full camo,

467
00:23:45,760 --> 00:23:52,520
Speaker 1: full turkey hunting gear. Is Gary going? Are you doing? Dumbbellans?

468
00:23:55,520 --> 00:23:57,800
Speaker 1: Would you you have an interesting family? I know your

469
00:23:57,880 --> 00:24:00,760
Speaker 1: daughter when your daughter a little bit too? Um? Would

470
00:24:00,760 --> 00:24:03,520
Speaker 1: you guys ever? Do you know a show a family

471
00:24:03,840 --> 00:24:07,679
Speaker 1: show like Jay did? Uh? No, No, I don't. Like

472
00:24:08,440 --> 00:24:10,359
Speaker 1: I wouldn't want to live with cameras all the time.

473
00:24:10,720 --> 00:24:12,959
Speaker 1: You know. It's like you, you know, I wouldn't want

474
00:24:13,000 --> 00:24:15,560
Speaker 1: cameras around me all the time. By way, you know

475
00:24:15,920 --> 00:24:17,280
Speaker 1: how you know how you take a break and you

476
00:24:17,320 --> 00:24:20,280
Speaker 1: don't you know me, I take a lot of breaks. Um, okay,

477
00:24:20,280 --> 00:24:21,600
Speaker 1: two things I want to bring up and then we're

478
00:24:21,600 --> 00:24:23,520
Speaker 1: gonna get to the because it's just things it's better

479
00:24:23,520 --> 00:24:27,399
Speaker 1: to bring up on camera. Um. It was who like

480
00:24:27,480 --> 00:24:31,320
Speaker 1: one in the morning, maybe like three weeks ago. I

481
00:24:31,359 --> 00:24:33,520
Speaker 1: got a text from you at one in the morning.

482
00:24:33,840 --> 00:24:36,520
Speaker 1: It's like, hey, get in my clubhouse room, and I

483
00:24:36,600 --> 00:24:38,200
Speaker 1: was like, I can't get in your club. I don't

484
00:24:38,200 --> 00:24:39,479
Speaker 1: even know what you were talking. You're talking about something

485
00:24:39,520 --> 00:24:42,560
Speaker 1: like foreign money bitcoin. I thought it would be like

486
00:24:42,800 --> 00:24:44,959
Speaker 1: so I I go, okay, I said, I can't. I'm

487
00:24:45,000 --> 00:24:47,320
Speaker 1: gonna get in trouble because Caitlin's all sleep next to me, like,

488
00:24:47,359 --> 00:24:49,320
Speaker 1: just get in the room. It's like going in your

489
00:24:49,359 --> 00:24:53,760
Speaker 1: room and it's like how to jeopardize bitcoins transactional and

490
00:24:53,760 --> 00:24:55,399
Speaker 1: I'm like, I don't even know what this is. I

491
00:24:55,440 --> 00:24:57,400
Speaker 1: thought we were talking about the history of the flats.

492
00:24:58,359 --> 00:25:00,480
Speaker 1: So I get out a text the next day and

493
00:25:00,520 --> 00:25:01,600
Speaker 1: I was like, what were you doing up? You're like,

494
00:25:01,640 --> 00:25:03,400
Speaker 1: oh man, we're writing until like one we got into

495
00:25:03,440 --> 00:25:05,639
Speaker 1: clubhouse to like five in the more like you you

496
00:25:05,720 --> 00:25:08,560
Speaker 1: go hard, but in a different way. Now yeah, I

497
00:25:08,680 --> 00:25:11,879
Speaker 1: just yeah, because you know, just getting motive. I have

498
00:25:12,000 --> 00:25:13,840
Speaker 1: nothing to do the next day, so now I can

499
00:25:13,840 --> 00:25:15,199
Speaker 1: stay up on that. It's not like I have to

500
00:25:15,200 --> 00:25:17,520
Speaker 1: go to work the next day. My second favorite story

501
00:25:17,560 --> 00:25:20,160
Speaker 1: just recently happened. Or I text Gary and I said, hey,

502
00:25:20,400 --> 00:25:21,840
Speaker 1: you have an arst to Pete to the wedding yet

503
00:25:21,880 --> 00:25:23,640
Speaker 1: and Caitlin' kind of on I've never had a wedding before.

504
00:25:23,680 --> 00:25:25,480
Speaker 1: She's like, hey, because apparently have to pick out what

505
00:25:25,520 --> 00:25:28,200
Speaker 1: people eat, like people have to go hey. I said, hey,

506
00:25:28,359 --> 00:25:30,880
Speaker 1: Arst to the wedding, and you said you were coming.

507
00:25:30,880 --> 00:25:32,000
Speaker 1: I was like, just make it easy on me so

508
00:25:32,040 --> 00:25:35,359
Speaker 1: I don't have to. And I send the text and nothing,

509
00:25:36,040 --> 00:25:38,040
Speaker 1: no response, And I'm like, well, that's interesting, Gary. We're

510
00:25:38,080 --> 00:25:39,840
Speaker 1: usally pretty quick with text with each other and no,

511
00:25:39,840 --> 00:25:41,960
Speaker 1: no problem. Who knows what you're doing, right, you could

512
00:25:41,960 --> 00:25:44,600
Speaker 1: probably be like doing some charitable work. I don't know.

513
00:25:46,040 --> 00:25:49,560
Speaker 1: I look over on Instagram and he's selling hats. He's

514
00:25:49,560 --> 00:25:52,879
Speaker 1: selling Gary Lavox hats and I'm like, I'm watching. You

515
00:25:52,880 --> 00:25:55,520
Speaker 1: can't return to text. You gotta make eight bucks selling

516
00:25:55,520 --> 00:25:59,360
Speaker 1: one of these hats. I'm like, hey, yeah, I'm Arst.

517
00:25:59,800 --> 00:26:01,960
Speaker 1: I just sign. It was weird because I had to

518
00:26:02,000 --> 00:26:04,320
Speaker 1: sign those hats because we were leaving for Florida in

519
00:26:04,359 --> 00:26:08,240
Speaker 1: like two hours, so I just in the fifteen seconds

520
00:26:08,240 --> 00:26:10,160
Speaker 1: and just the respond of the text would have totally shifted.

521
00:26:10,880 --> 00:26:12,720
Speaker 1: But I did that. I wasn't I was in I

522
00:26:12,800 --> 00:26:16,240
Speaker 1: was in motion. You know, how do we okay in

523
00:26:16,280 --> 00:26:18,800
Speaker 1: these hats? Here? I'm gonna wear this one too, But

524
00:26:18,880 --> 00:26:21,120
Speaker 1: how do we get this hat. Just go to Gary

525
00:26:21,200 --> 00:26:25,000
Speaker 1: Lavox dot com yep, and it's got all shirts and

526
00:26:25,040 --> 00:26:28,199
Speaker 1: hats and grisp all all the oxwear stuff. I do

527
00:26:28,240 --> 00:26:30,320
Speaker 1: want to try that. I went to the post office

528
00:26:30,320 --> 00:26:33,199
Speaker 1: today to find a phone book because I don't have

529
00:26:33,240 --> 00:26:37,159
Speaker 1: actual Yes, because you know how they say Gary can

530
00:26:37,160 --> 00:26:38,720
Speaker 1: sing the phone book and make it good. You've heard

531
00:26:38,760 --> 00:26:41,120
Speaker 1: that phrase, right. I went There was no phone book.

532
00:26:41,119 --> 00:26:42,720
Speaker 1: They looked at me like I was stupid. They're like,

533
00:26:42,720 --> 00:26:43,879
Speaker 1: why do you want a phone book? I was like, well,

534
00:26:43,880 --> 00:26:46,359
Speaker 1: gear to the boxes coming to the house. I'd like

535
00:26:46,359 --> 00:26:48,040
Speaker 1: to hear him sing the phone book. And they were like,

536
00:26:48,080 --> 00:26:50,239
Speaker 1: I'm sorry, we don't have a phone book. However I

537
00:26:50,280 --> 00:26:53,639
Speaker 1: had this, Well, maybe it's just a couple of lines.

538
00:26:53,680 --> 00:26:55,879
Speaker 1: This is stock investing for dummies. It's the closest thing

539
00:26:55,920 --> 00:26:57,879
Speaker 1: I had to a phone book. Maybe open it up

540
00:26:57,960 --> 00:27:01,800
Speaker 1: sing it's a few lines, all right, So why don't

541
00:27:01,840 --> 00:27:07,400
Speaker 1: you choose a promise singing sector? Just select large cap

542
00:27:07,480 --> 00:27:16,719
Speaker 1: companies that are financially strong, earning a prophet, have a

543
00:27:16,720 --> 00:27:25,680
Speaker 1: load death and our market lead. Oh, this entire book

544
00:27:25,720 --> 00:27:31,720
Speaker 1: shows you how to choose just than Yeah. However, you

545
00:27:31,760 --> 00:27:36,600
Speaker 1: may not like the idea of buying stocks directly. No, no, no,

546
00:27:36,920 --> 00:27:41,640
Speaker 1: don't buy stocks directly. There is fantastic which, by the way,

547
00:27:41,640 --> 00:27:43,040
Speaker 1: I believe that's what I was hearing you talk about

548
00:27:43,040 --> 00:27:45,280
Speaker 1: in the clubhouse room singing it the same way, and

549
00:27:45,440 --> 00:27:47,520
Speaker 1: let's bring your guys in. Let's do it. I gotta

550
00:27:47,560 --> 00:27:49,239
Speaker 1: Gary had some players there. Just bring them on in.

551
00:27:49,320 --> 00:27:52,119
Speaker 1: I was talking with them earlier. What is that instrument

552
00:27:52,480 --> 00:27:55,439
Speaker 1: with the funny strings. It's a guitar. Yeah, it's a

553
00:27:55,520 --> 00:27:59,120
Speaker 1: it's a dough bro. It's a doughe bro. Got it

554
00:27:59,160 --> 00:28:04,440
Speaker 1: sounds like a like a steel guitar, slash guitar. It's

555
00:28:04,560 --> 00:28:06,800
Speaker 1: very loud. The ones that I've seen are very loud.

556
00:28:06,880 --> 00:28:16,800
Speaker 1: Come on, hey guys, Andy Wood, Travis Toy, everybody. Hey guys,

557
00:28:18,240 --> 00:28:20,720
Speaker 1: So let me let me say this again because this

558
00:28:20,760 --> 00:28:22,760
Speaker 1: will obviously it's seen now, this is gonna be up.

559
00:28:22,800 --> 00:28:24,119
Speaker 1: We're gonna put it up in a lot of places.

560
00:28:24,480 --> 00:28:28,960
Speaker 1: Your new record, your gospel record, one to one, one

561
00:28:28,960 --> 00:28:33,760
Speaker 1: on one, one on one, is out Friday. How many

562
00:28:33,800 --> 00:28:39,640
Speaker 1: tracks five? So it's an EP, it's gospel EP and

563
00:28:39,680 --> 00:28:42,320
Speaker 1: the singles out now, Yeah, called the Distance. I saw

564
00:28:42,360 --> 00:28:44,520
Speaker 1: the video like in a field. Yeah, that was at

565
00:28:44,520 --> 00:28:47,800
Speaker 1: the Love I love a good field. Yes, and also

566
00:28:47,840 --> 00:28:49,160
Speaker 1: you have stop telling Caylo we need to come to

567
00:28:49,160 --> 00:28:51,920
Speaker 1: the farm because you won't leave me alone about it. No. No,

568
00:28:52,080 --> 00:28:54,160
Speaker 1: she's like, she's like Gary literally wants us to come,

569
00:28:54,200 --> 00:28:57,560
Speaker 1: and I'm like, Gary's fancy Hollywood. He just says stuff. No, no,

570
00:28:57,960 --> 00:29:00,320
Speaker 1: come on, Okay, what are we gonna play here? So

571
00:29:00,360 --> 00:29:02,560
Speaker 1: we'll play the distance. We'll play the first single off

572
00:29:02,560 --> 00:29:04,720
Speaker 1: po All right, here we go. Get the box you guys,

573
00:29:05,000 --> 00:29:07,280
Speaker 1: check out the record. Let's hear a song. See the

574
00:29:07,480 --> 00:29:12,520
Speaker 1: road of life we travel has speed, bumps, cracks and

575
00:29:12,600 --> 00:29:18,240
Speaker 1: detours when you go left of centner. Just look up

576
00:29:18,480 --> 00:29:23,160
Speaker 1: and thence your sund even though you want to quit

577
00:29:23,520 --> 00:29:27,920
Speaker 1: in the agen and says to give in, but I

578
00:29:28,160 --> 00:29:33,400
Speaker 1: frist with God, you can go to distance. Except the

579
00:29:33,560 --> 00:29:39,320
Speaker 1: challenge for everybody on that's before you. Wos not a lost,

580
00:29:39,640 --> 00:29:43,760
Speaker 1: it's found on a cross and all the strain to

581
00:29:44,000 --> 00:29:47,880
Speaker 1: push sight through. You can make it up the lintel,

582
00:29:49,000 --> 00:29:54,560
Speaker 1: you can throw it downing who lit up bold and

583
00:29:54,680 --> 00:29:59,760
Speaker 1: feel les because with God you can go that this

584
00:30:00,040 --> 00:30:16,840
Speaker 1: her Lord, don't give up staying on your faith. Finish

585
00:30:16,960 --> 00:30:23,120
Speaker 1: the race and break the tame and go the distance.

586
00:30:23,240 --> 00:30:30,040
Speaker 1: Except the challenge for everybody amounts before you pulps not first.

587
00:30:30,200 --> 00:30:34,880
Speaker 1: It's fun at home and on the stream to push

588
00:30:35,000 --> 00:30:39,600
Speaker 1: on through. You can take it out the mortam. You

589
00:30:39,680 --> 00:30:46,120
Speaker 1: can do it doing and live a pool and fills

590
00:30:46,200 --> 00:30:58,560
Speaker 1: couse with God. You can go the distance. You can

591
00:30:59,120 --> 00:31:07,520
Speaker 1: go oh the dust. One on One is available Friday,

592
00:31:07,600 --> 00:31:11,360
Speaker 1: May one. You can actually pre order at the link

593
00:31:11,400 --> 00:31:14,840
Speaker 1: in his Instagram bio. You can follow Gary on Instagram

594
00:31:14,880 --> 00:31:17,400
Speaker 1: at Gary Lavox. That's his only account because every third

595
00:31:17,440 --> 00:31:19,040
Speaker 1: post is him going this is a fake account and

596
00:31:19,040 --> 00:31:21,560
Speaker 1: pointing out a fake account. Most of his feet is

597
00:31:21,600 --> 00:31:26,120
Speaker 1: just him showing fake accounts. Get a life, people. His

598
00:31:26,280 --> 00:31:29,719
Speaker 1: new album, One on One is available this Friday. Again preorder.

599
00:31:29,960 --> 00:31:31,880
Speaker 1: Hey listen, I love you. You know that all seriousness?

600
00:31:32,080 --> 00:31:39,600
Speaker 1: My guy there, he is Gary J Joe. Don check

601
00:31:39,640 --> 00:31:43,040
Speaker 1: out the record. I'm excited and I listen, I've heard

602
00:31:43,120 --> 00:31:45,800
Speaker 1: this record. I've heard none of the country record. I

603
00:31:45,840 --> 00:31:49,160
Speaker 1: am excited for you to to be fulfilled by this

604
00:31:49,880 --> 00:31:51,760
Speaker 1: and then hit us with that country record in the

605
00:31:51,840 --> 00:31:54,200
Speaker 1: fall is coming. That's what I'm talking about. All Right,

606
00:31:54,240 --> 00:31:56,320
Speaker 1: We're gonna take a quick break, Gary Levox. You guys

607
00:31:56,360 --> 00:31:58,040
Speaker 1: check out the record and we're back in just a minute.

608
00:31:58,080 --> 00:32:06,320
Speaker 1: Thank you back, Caitlin's back in Gary's great Huh yeah

609
00:32:06,400 --> 00:32:09,800
Speaker 1: did you ask him? Oh? I got nervous? Why'd you

610
00:32:09,840 --> 00:32:13,280
Speaker 1: get nervous? So we have we're gonna make the band

611
00:32:13,280 --> 00:32:18,720
Speaker 1: in our wedding learn a song? Would sing it? Gary?

612
00:32:20,120 --> 00:32:29,040
Speaker 1: He's going? You called? No? You you said it? Gary?

613
00:32:29,840 --> 00:32:36,680
Speaker 1: Hi happening. Let's say, let's say we happen to teach

614
00:32:36,680 --> 00:32:38,360
Speaker 1: the band one of your songs at our wedding and

615
00:32:38,400 --> 00:32:40,800
Speaker 1: they happen to play it at the reception, but the

616
00:32:40,840 --> 00:32:46,720
Speaker 1: singer happened to be in the bathroom. Who would step up? No?

617
00:32:48,720 --> 00:32:55,680
Speaker 1: It was not the answer. Amazing, What what song do

618
00:32:55,680 --> 00:33:04,800
Speaker 1: you want us to make the band learn? Oh? Thank you? No,

619
00:33:05,720 --> 00:33:11,720
Speaker 1: I'm humiliated. It does not know my wish, broken rods anything,

620
00:33:11,760 --> 00:33:17,680
Speaker 1: It's not that one, not that one anyway. I did

621
00:33:17,680 --> 00:33:20,560
Speaker 1: a conversation for another time, but probably my wish. Huh. Yeah,

622
00:33:20,640 --> 00:33:23,000
Speaker 1: that's beautiful. That's beautiful because you probably be broken all

623
00:33:23,000 --> 00:33:28,000
Speaker 1: the time. Everyone will be unique. Yeah alright there, Oh

624
00:33:28,280 --> 00:33:30,080
Speaker 1: take me there? So you know what I really like?

625
00:33:30,600 --> 00:33:37,000
Speaker 1: I see a desk trail following in Nova baby blue Eyes. Yeah,

626
00:33:37,000 --> 00:33:41,600
Speaker 1: harmonized with the Gary. Okay, I'm sorry they called you

627
00:33:41,560 --> 00:33:45,640
Speaker 1: about Herry. Wait, baby, you don't move there. It is

628
00:33:46,320 --> 00:33:58,720
Speaker 1: t shirt right, Okay, alright, alright, thank you guys. You

629
00:33:58,840 --> 00:34:05,840
Speaker 1: don't like to say her best and Sunset riverback first?

630
00:34:06,600 --> 00:34:10,200
Speaker 1: Yeah you know okay, he of course he knows it. Okay,

631
00:34:10,440 --> 00:34:13,000
Speaker 1: both of you. Thank you, Gary, Caitlin, thank you very right.

632
00:34:13,000 --> 00:34:16,880
Speaker 1: You're both out of here about kicked out? Okay, okay,

633
00:34:16,880 --> 00:34:20,360
Speaker 1: I need to bring my next guest in because okay,

634
00:34:20,680 --> 00:34:22,800
Speaker 1: um up next, I want to welcome to artist that

635
00:34:22,920 --> 00:34:26,440
Speaker 1: is destined to be a superstar. Not only she just awesome.

636
00:34:26,520 --> 00:34:28,719
Speaker 1: She's our country on the verge. Artists are selling things

637
00:34:28,719 --> 00:34:30,240
Speaker 1: a man, I don't know us climbing up the country

638
00:34:30,280 --> 00:34:32,840
Speaker 1: charts right now. She describes her music as country with

639
00:34:32,880 --> 00:34:35,840
Speaker 1: the flare. She is the best handed Montana personator that

640
00:34:35,920 --> 00:34:43,080
Speaker 1: I know. Welcome Landy Wilson, everybody. Hil Do you get

641
00:34:43,080 --> 00:34:45,000
Speaker 1: a chance to meet Gary? Had you met him before

642
00:34:45,080 --> 00:34:48,480
Speaker 1: you met Gary? Pretty cool today? Yeah, just so normal.

643
00:34:49,160 --> 00:34:51,360
Speaker 1: Well normal is not the word I would use, but

644
00:34:51,440 --> 00:34:54,160
Speaker 1: it's so approachable and friendly. Gosh, make just sat down

645
00:34:54,160 --> 00:34:56,080
Speaker 1: on the couch and we just started talking about a

646
00:34:56,120 --> 00:34:59,120
Speaker 1: little bit everything. So it's interesting to see you now

647
00:34:59,200 --> 00:35:01,520
Speaker 1: becoming the star. I always felt you would be because

648
00:35:01,560 --> 00:35:08,040
Speaker 1: we met years ago. I was watching Blanco Brown's going

649
00:35:08,120 --> 00:35:12,080
Speaker 1: to do the two step and yeah, so I messaged you.

650
00:35:12,400 --> 00:35:14,680
Speaker 1: I messaged Laney on Instagram and was like hey, because

651
00:35:14,719 --> 00:35:18,080
Speaker 1: you were doing the dance with him, and I said, hey,

652
00:35:18,200 --> 00:35:21,680
Speaker 1: can you teach me this? And Laney's like yeah, sure,

653
00:35:21,760 --> 00:35:23,520
Speaker 1: she goes, I mean I'll come over. I say, we'll

654
00:35:23,520 --> 00:35:25,200
Speaker 1: put you in the video, and well you can teach us,

655
00:35:25,239 --> 00:35:28,359
Speaker 1: and you said I'll call Blanco and I was like, well,

656
00:35:28,400 --> 00:35:30,880
Speaker 1: that's extremely nice to her because I was saying, hey,

657
00:35:30,920 --> 00:35:32,040
Speaker 1: you could do and you're like, no, we'll do one.

658
00:35:32,080 --> 00:35:34,400
Speaker 1: Now we're gonna get the real deal involved. And then

659
00:35:34,440 --> 00:35:36,520
Speaker 1: you and Blanco came into the house and then you

660
00:35:36,560 --> 00:35:37,840
Speaker 1: don't even You're like, I don't need to be in

661
00:35:37,840 --> 00:35:40,440
Speaker 1: the video. And I was like wow, heng Now, I

662
00:35:40,480 --> 00:35:42,640
Speaker 1: was like, people who really know it, y'all get accurate.

663
00:35:42,640 --> 00:35:44,680
Speaker 1: I'm just here to kind of help the siltate. But

664
00:35:44,719 --> 00:35:47,520
Speaker 1: it was it just showed me just how awesome of

665
00:35:47,560 --> 00:35:50,560
Speaker 1: a person you were, and that you also knew that

666
00:35:50,840 --> 00:35:53,080
Speaker 1: your time was coming, that wasn't gonna be your time.

667
00:35:53,560 --> 00:35:56,160
Speaker 1: You had your own reason. Yeah. It's funny too, though,

668
00:35:56,239 --> 00:35:58,640
Speaker 1: Like we put that video up on YouTube and I

669
00:35:58,760 --> 00:36:01,800
Speaker 1: put so many dangs. You was a me singing on YouTube,

670
00:36:02,040 --> 00:36:04,399
Speaker 1: and of course I put one of me dancing. The

671
00:36:04,440 --> 00:36:06,840
Speaker 1: thing goes viral and I'm like, shoot, I should have

672
00:36:06,840 --> 00:36:10,719
Speaker 1: been dancing. So now to see you, you know, blow up.

673
00:36:10,960 --> 00:36:13,280
Speaker 1: It's been crazy because we did the our Raging Idiot

674
00:36:13,320 --> 00:36:16,120
Speaker 1: Show last year, no two years oh, because the pandemic,

675
00:36:16,160 --> 00:36:17,880
Speaker 1: we didn't have it. And you came out and did

676
00:36:17,880 --> 00:36:20,720
Speaker 1: Fat Bottom Girls by Queen and and you crushed so hard.

677
00:36:21,200 --> 00:36:23,839
Speaker 1: The crowd didn't know you at the time, but when

678
00:36:23,840 --> 00:36:26,000
Speaker 1: you were done, they loved you. I couldn't get them

679
00:36:26,040 --> 00:36:28,200
Speaker 1: to stop clapping. It was wild. That was my first

680
00:36:28,200 --> 00:36:31,160
Speaker 1: time playing the rhyman. I mean, I will never forget it.

681
00:36:31,360 --> 00:36:32,919
Speaker 1: And got up there and of course I think fat

682
00:36:32,920 --> 00:36:35,680
Speaker 1: Bottom Girl, but I just remember you crushing it so

683
00:36:35,719 --> 00:36:38,839
Speaker 1: hard that the crowd was like, we don't know her yet,

684
00:36:38,880 --> 00:36:41,439
Speaker 1: but we think we're going to know her. That's the goal.

685
00:36:41,520 --> 00:36:43,080
Speaker 1: Every time I get up there, I'm like, they don't

686
00:36:43,120 --> 00:36:45,120
Speaker 1: know me from Adam, but when I get done with this,

687
00:36:45,280 --> 00:36:47,239
Speaker 1: they don't know me. So what's the difference now in

688
00:36:47,239 --> 00:36:50,120
Speaker 1: the feeling of when you have a song climbing the charts?

689
00:36:50,200 --> 00:36:53,719
Speaker 1: Right now. It's so strange. I mean, actually, I was

690
00:36:53,880 --> 00:36:56,960
Speaker 1: at home in Louisiana not too long ago that tractor supply,

691
00:36:57,600 --> 00:36:59,680
Speaker 1: and uh, this guy came up to me was like,

692
00:36:59,719 --> 00:37:01,480
Speaker 1: are you that girl that sings that song about what

693
00:37:01,520 --> 00:37:04,680
Speaker 1: a man out? So he recognized you. Yeah, and I

694
00:37:04,719 --> 00:37:06,759
Speaker 1: was like, yeah, you work at tractor supply, So I

695
00:37:06,760 --> 00:37:08,319
Speaker 1: guess you do know a few things that mayn't ought

696
00:37:08,320 --> 00:37:11,919
Speaker 1: to know. But it's been it's been interesting. It's uh,

697
00:37:12,160 --> 00:37:14,560
Speaker 1: it's just like you, like you said a minute ago,

698
00:37:14,640 --> 00:37:18,240
Speaker 1: I've always just kind of felt like my time was coming. Um,

699
00:37:18,280 --> 00:37:20,560
Speaker 1: I've never had a plan. B So at some point

700
00:37:20,600 --> 00:37:23,480
Speaker 1: in time, this gotta work and used to drive back

701
00:37:23,480 --> 00:37:25,400
Speaker 1: and forth and used to tour like you would go

702
00:37:25,480 --> 00:37:28,440
Speaker 1: home like you'd be here and try to make it,

703
00:37:28,520 --> 00:37:30,040
Speaker 1: but then you you had to pay the bills, so

704
00:37:30,080 --> 00:37:32,480
Speaker 1: you would just drive home and play shows down there. Yep.

705
00:37:32,640 --> 00:37:35,200
Speaker 1: So I was living at a camper, and I lived

706
00:37:35,200 --> 00:37:36,560
Speaker 1: in the camp for in the first three years I

707
00:37:36,600 --> 00:37:39,360
Speaker 1: was here, and I was living in a studio parking

708
00:37:39,360 --> 00:37:41,120
Speaker 1: lot somebody who was just letting me live in their

709
00:37:41,200 --> 00:37:43,759
Speaker 1: yard basically and let me bumb you know, their water

710
00:37:43,800 --> 00:37:46,440
Speaker 1: and WiFi. So I didn't have a whole lot of bills,

711
00:37:46,520 --> 00:37:49,040
Speaker 1: you know. I mean I had to buy groceries and

712
00:37:49,040 --> 00:37:51,399
Speaker 1: gas money and stuff like that. So I go home

713
00:37:51,400 --> 00:37:54,680
Speaker 1: to Louisiana or Mississippi and just play as many shows

714
00:37:54,680 --> 00:37:57,799
Speaker 1: as I could and just try to make ends meete. Yep,

715
00:37:58,560 --> 00:38:00,680
Speaker 1: was there ever a time where you saw it? Man,

716
00:38:00,719 --> 00:38:02,200
Speaker 1: I just don't know if I can do this, and

717
00:38:02,239 --> 00:38:04,440
Speaker 1: I'm I don't think I'm gonna do this. What's crazy

718
00:38:04,600 --> 00:38:08,000
Speaker 1: is no, like, I'm I have to be a little

719
00:38:08,000 --> 00:38:11,280
Speaker 1: borderline crazy because there there were times in my life

720
00:38:11,480 --> 00:38:14,560
Speaker 1: where I should have packed my stuff and went home absolutely,

721
00:38:15,200 --> 00:38:18,960
Speaker 1: But um, you know, I've just I'm a little hard headed,

722
00:38:19,600 --> 00:38:22,279
Speaker 1: and I just kind of always felt like, you know,

723
00:38:22,320 --> 00:38:23,680
Speaker 1: I mean, this is what I was, I was born

724
00:38:23,719 --> 00:38:25,440
Speaker 1: to do, and I will figure out one way or another.

725
00:38:25,480 --> 00:38:29,680
Speaker 1: And I got really supportive parents. And my daddy's a farmer,

726
00:38:30,000 --> 00:38:32,480
Speaker 1: and I've seen him like get up every single day

727
00:38:32,560 --> 00:38:34,520
Speaker 1: and just do the dame thing, you know, I mean,

728
00:38:34,600 --> 00:38:38,080
Speaker 1: like work his fingers to the bone and it's his

729
00:38:38,160 --> 00:38:41,719
Speaker 1: livelihood and he has bad years, good years, but at

730
00:38:41,719 --> 00:38:43,480
Speaker 1: the end of the day, like, if you love it,

731
00:38:44,360 --> 00:38:47,080
Speaker 1: you do it. So are they so proud of you? Oh,

732
00:38:47,160 --> 00:38:50,600
Speaker 1: they're so tickled. I mean to for them to turn

733
00:38:50,640 --> 00:38:53,480
Speaker 1: on their local country station and hear their daughter on

734
00:38:53,480 --> 00:38:56,480
Speaker 1: the radio. What what does that do for them? Well, actually,

735
00:38:56,560 --> 00:38:59,319
Speaker 1: Daddy was righting the tractor the other day and um,

736
00:38:59,520 --> 00:39:02,400
Speaker 1: they just finished playing corn and he called me, and

737
00:39:02,440 --> 00:39:04,480
Speaker 1: it was really a full circle thing for me. It

738
00:39:04,520 --> 00:39:06,880
Speaker 1: was just wild because any time I ever wanted to

739
00:39:06,920 --> 00:39:08,560
Speaker 1: spend time with him, I'd have to go right the

740
00:39:08,560 --> 00:39:11,160
Speaker 1: tractor with him because he was just always at it.

741
00:39:11,680 --> 00:39:14,359
Speaker 1: So he called me, and I don't remember what I

742
00:39:14,400 --> 00:39:17,000
Speaker 1: was doing, but he just said, hey, I'm out here,

743
00:39:17,800 --> 00:39:19,800
Speaker 1: just you know, I'm on the tractor out in the field,

744
00:39:19,800 --> 00:39:20,920
Speaker 1: and I just wanted to let you know I just

745
00:39:20,960 --> 00:39:24,600
Speaker 1: heard you on the countdown and I was like, well,

746
00:39:24,600 --> 00:39:27,840
Speaker 1: now I'm about to school. So it was just you

747
00:39:27,840 --> 00:39:29,279
Speaker 1: could just hear in his voice. He don't have to

748
00:39:29,280 --> 00:39:32,359
Speaker 1: tell me that he's proud of me, but he is. Man,

749
00:39:32,360 --> 00:39:33,920
Speaker 1: that's so cool. Have you played a show? And I

750
00:39:33,920 --> 00:39:37,000
Speaker 1: guess you probably haven't played a show back home since

751
00:39:37,360 --> 00:39:39,120
Speaker 1: you know, the pandemic, because you really there hasn't been

752
00:39:39,160 --> 00:39:40,799
Speaker 1: a lot of shows. Well, you know, just now, are

753
00:39:40,840 --> 00:39:41,799
Speaker 1: you starting to go out at all? Have you been

754
00:39:41,800 --> 00:39:43,640
Speaker 1: out at all? To play anything. Yeah, so we've done

755
00:39:43,680 --> 00:39:48,440
Speaker 1: some stuff out West Idaho, Wyoming. We've got some stuff. Shoot,

756
00:39:48,480 --> 00:39:50,799
Speaker 1: where are we going this weekend? And see, that's the

757
00:39:50,840 --> 00:39:53,880
Speaker 1: best thing is when you start because you're you're getting

758
00:39:53,920 --> 00:39:56,040
Speaker 1: some when you forget where you're going, because you're just

759
00:39:56,080 --> 00:39:57,799
Speaker 1: like a hundred miles an hour, things are coming at

760
00:39:57,800 --> 00:40:00,520
Speaker 1: you like congratulations. Because when I I saw you go

761
00:40:00,680 --> 00:40:03,279
Speaker 1: where are we going? Like that's the first step and

762
00:40:03,880 --> 00:40:06,640
Speaker 1: just making it like thank God, you get to go.

763
00:40:07,120 --> 00:40:09,360
Speaker 1: I'm running so hard and I'm so tired that I

764
00:40:09,360 --> 00:40:12,719
Speaker 1: can't remember that's the greatest blessing. I'm so pumped, like

765
00:40:13,000 --> 00:40:15,600
Speaker 1: I cannot get out there quick enough. I mean, yeah,

766
00:40:15,600 --> 00:40:19,600
Speaker 1: we're we're in uh Austin and Decatur, Illinois this weekend.

767
00:40:19,640 --> 00:40:23,040
Speaker 1: And it's just nice to see people. Yeah, the first

768
00:40:23,080 --> 00:40:25,799
Speaker 1: time you play a show back home, you're gonna be

769
00:40:26,080 --> 00:40:32,240
Speaker 1: just so moved. To have your people seeing your music

770
00:40:32,280 --> 00:40:36,680
Speaker 1: bag is going to be another milestone for you. Here

771
00:40:36,719 --> 00:40:39,160
Speaker 1: and there. Like I've seen like in a few different places,

772
00:40:39,160 --> 00:40:42,400
Speaker 1: like we played somewhere in Arizona and I saw some

773
00:40:42,440 --> 00:40:44,600
Speaker 1: people singing a lot of the songs, and I mean

774
00:40:44,600 --> 00:40:47,680
Speaker 1: I've never seen that, and it did make me feel

775
00:40:47,800 --> 00:40:50,160
Speaker 1: all warm and fuzzy, and I was like, Wow, this

776
00:40:50,280 --> 00:40:52,759
Speaker 1: is like what you work so hard for, you know,

777
00:40:52,880 --> 00:40:55,880
Speaker 1: for people to just connect and latch onto something. And

778
00:40:55,920 --> 00:40:58,360
Speaker 1: I mean that's a songwriter's dream, you know. So my

779
00:40:58,400 --> 00:41:02,080
Speaker 1: hometown seven hundred people. Your hometown baskets three hundred, you know.

780
00:41:03,200 --> 00:41:04,920
Speaker 1: I mean, apparently I live in the big city compared

781
00:41:04,920 --> 00:41:08,080
Speaker 1: to Baskan. Apparently I'm New York City. What what what

782
00:41:08,120 --> 00:41:10,279
Speaker 1: we have the um um shop and a gas station?

783
00:41:10,320 --> 00:41:12,440
Speaker 1: We know, how many traffic lights? What's Basking like? We

784
00:41:12,520 --> 00:41:15,719
Speaker 1: have like a gas station and a half I guess

785
00:41:15,760 --> 00:41:17,440
Speaker 1: you have. I mean it's literally like I don't even

786
00:41:17,480 --> 00:41:19,960
Speaker 1: know if it's a gas station anymore. We have caution light,

787
00:41:20,360 --> 00:41:23,640
Speaker 1: a bunch of cornfields. That's about it. It's actually called

788
00:41:23,640 --> 00:41:27,520
Speaker 1: the Village of Basking. What makes it a village? Heck

789
00:41:27,520 --> 00:41:30,200
Speaker 1: if I know. Every time I'm like, I'm from the

790
00:41:30,239 --> 00:41:32,360
Speaker 1: town of Basket, my parents correct me and they're like, no,

791
00:41:32,440 --> 00:41:34,680
Speaker 1: it's the Village of Basking. That's just what it says

792
00:41:34,719 --> 00:41:37,839
Speaker 1: on the Welcome to the Village of Basking sign. You're

793
00:41:37,880 --> 00:41:41,120
Speaker 1: gonna tour with Jason al Dean. How did that come

794
00:41:41,200 --> 00:41:44,000
Speaker 1: to you? Did you hear from him what happened. It's

795
00:41:44,040 --> 00:41:47,319
Speaker 1: just so crazy. I know. So we're you know, we're

796
00:41:47,360 --> 00:41:49,880
Speaker 1: at the same label, and I know a lot of

797
00:41:49,920 --> 00:41:51,360
Speaker 1: the people over there have been like sending to my

798
00:41:51,440 --> 00:41:54,719
Speaker 1: music for a while. And m and his manager called

799
00:41:54,719 --> 00:41:57,000
Speaker 1: my manager and said, y'all know that girl. Y'all been

800
00:41:57,000 --> 00:42:00,680
Speaker 1: bugging us about for two years now. Jason wants her

801
00:42:00,680 --> 00:42:03,200
Speaker 1: to be on on the road with him. I was like,

802
00:42:04,719 --> 00:42:06,440
Speaker 1: what in the world now, My people back at home

803
00:42:06,480 --> 00:42:09,600
Speaker 1: really think I'm doing something with my life. That's something

804
00:42:09,680 --> 00:42:13,120
Speaker 1: long enough, Okay, Laney, you're gonna play a song, a

805
00:42:13,120 --> 00:42:16,439
Speaker 1: couple of songs for us. Okay, we bring in some

806
00:42:16,480 --> 00:42:19,640
Speaker 1: stuff in all. You guys check out Landy on Instagram

807
00:42:19,640 --> 00:42:21,160
Speaker 1: whether they get on all this stuff. You can follow

808
00:42:21,200 --> 00:42:25,200
Speaker 1: Laney on Instagram. It's at Laney Wilson Music, and you

809
00:42:25,239 --> 00:42:28,439
Speaker 1: guys check out her album saying what I'm thinking, that's

810
00:42:28,480 --> 00:42:30,399
Speaker 1: the record. You can go stream things a man out

811
00:42:30,440 --> 00:42:34,200
Speaker 1: to know wherever you listen to music. And she's fantastic.

812
00:42:34,239 --> 00:42:36,640
Speaker 1: I've been a fan for literally years and to see

813
00:42:36,640 --> 00:42:40,480
Speaker 1: her blow up is extremely gratifying for me to see

814
00:42:40,520 --> 00:42:42,000
Speaker 1: someone that has just been grinding it out, and it

815
00:42:42,080 --> 00:42:45,560
Speaker 1: is also so good, so thank you for having me

816
00:42:45,600 --> 00:42:48,799
Speaker 1: all right here there here she is Lanny Wilson. So

817
00:42:49,120 --> 00:42:52,200
Speaker 1: this is about where I'm from. When I moved here,

818
00:42:52,520 --> 00:42:55,279
Speaker 1: I told everybody I was from l A. I thought

819
00:42:55,280 --> 00:42:57,960
Speaker 1: I was talking about Hollywood, but I was talking about Louisyanna.

820
00:43:06,400 --> 00:43:11,040
Speaker 1: My name ain't on every list, but they see I'm

821
00:43:11,120 --> 00:43:18,359
Speaker 1: where the parties. I drive a beamer through the money. Well,

822
00:43:18,400 --> 00:43:23,360
Speaker 1: I've kind of reading a college wood. When you say helly,

823
00:43:23,960 --> 00:43:30,120
Speaker 1: I fin't lousy had a lower Atabama starts a bunness sky,

824
00:43:31,960 --> 00:43:38,239
Speaker 1: and I being a California, we're too far from Georgia's.

825
00:43:38,239 --> 00:43:54,040
Speaker 1: But one day, my but there's moral us around from

826
00:43:54,040 --> 00:43:59,760
Speaker 1: what every name, same small town Gucci, lace can dress

827
00:43:59,840 --> 00:44:06,040
Speaker 1: it up, but country is his country does When you

828
00:44:06,120 --> 00:44:13,319
Speaker 1: say I think losy a lower Obama stars a beIN

829
00:44:13,440 --> 00:44:20,520
Speaker 1: the sky, and I being a California, went too far

830
00:44:20,640 --> 00:44:38,440
Speaker 1: from Georgia. But one day, but one day, when you say, well,

831
00:44:38,520 --> 00:44:46,520
Speaker 1: I think lose he don't burry on in Dix Cup's

832
00:44:46,880 --> 00:44:53,040
Speaker 1: kinda redneck Hollywood jobber meets now On Jude kinda redneck.

833
00:44:54,800 --> 00:44:58,120
Speaker 1: You're so good, You're just so good and you're loud

834
00:44:58,160 --> 00:44:59,560
Speaker 1: at the same time, and it's hard to be good

835
00:44:59,560 --> 00:45:03,720
Speaker 1: and loud old and you do both. Yeah, Landy Wilson,

836
00:45:03,760 --> 00:45:07,280
Speaker 1: you guys as she retunes, follow her at Landy Wilson Music.

837
00:45:07,320 --> 00:45:09,279
Speaker 1: If you see her come into town, go support or

838
00:45:09,480 --> 00:45:11,520
Speaker 1: buy or any merch up right now. Oh yeah, we

839
00:45:11,560 --> 00:45:14,359
Speaker 1: got our kind of merge where on my website Landy

840
00:45:14,360 --> 00:45:18,399
Speaker 1: Wilson dot com. That's how you can support a new artist. Like, yeah,

841
00:45:18,440 --> 00:45:20,120
Speaker 1: honest to god, that's that's it. People are like, how

842
00:45:20,120 --> 00:45:21,959
Speaker 1: do I support a new artists? Sure you can stream

843
00:45:22,000 --> 00:45:25,719
Speaker 1: the songs, but help help out buy cool merch that

844
00:45:25,840 --> 00:45:29,239
Speaker 1: she has. So um, also subscribe to this channel control Music.

845
00:45:29,239 --> 00:45:31,040
Speaker 1: If you guys see it, hit subscribe. Come to have

846
00:45:31,160 --> 00:45:34,439
Speaker 1: so much good stuff on this channel. So um we

847
00:45:34,440 --> 00:45:36,440
Speaker 1: we too. I was just vamping. Basically, we tuned up,

848
00:45:36,480 --> 00:45:38,360
Speaker 1: got ready to go. All right, tell us what we

849
00:45:38,400 --> 00:45:41,399
Speaker 1: got here. We're gonna play the single. By the way,

850
00:45:41,480 --> 00:45:45,520
Speaker 1: this is this is my right Hayman Aslin makes me

851
00:45:45,560 --> 00:45:50,040
Speaker 1: sound good. Um, so this is gonna be golly. I'm

852
00:45:50,080 --> 00:45:53,360
Speaker 1: I'm just so proud of this song, how it's connecting

853
00:45:53,400 --> 00:45:56,960
Speaker 1: to people and people are latching onto it. And I mean,

854
00:45:57,000 --> 00:46:00,040
Speaker 1: this song ain't about changing the tire or starting to

855
00:46:00,120 --> 00:46:03,120
Speaker 1: fire me and YouTube all out. At the end of

856
00:46:03,120 --> 00:46:05,920
Speaker 1: the day, this song is just about treating people right.

857
00:46:06,160 --> 00:46:08,920
Speaker 1: It's about having a good character, something that my parents

858
00:46:09,000 --> 00:46:12,640
Speaker 1: really tried to teach me and uh, stay in firm on.

859
00:46:12,760 --> 00:46:14,279
Speaker 1: So it's something that every single one of us ought

860
00:46:14,280 --> 00:46:17,160
Speaker 1: to know. Here's things a man out of new one.

861
00:46:30,800 --> 00:46:33,880
Speaker 1: I can look a trailer on a two inch chitch,

862
00:46:37,400 --> 00:46:43,000
Speaker 1: I can shoot a shock gun, I can catch a fish,

863
00:46:43,719 --> 00:46:46,480
Speaker 1: and I can change the tire on the side of

864
00:46:46,560 --> 00:46:52,600
Speaker 1: the rock. Yeah, I don't want feed things a man

865
00:46:52,880 --> 00:47:11,920
Speaker 1: on a how to know when it's love, how to

866
00:47:12,040 --> 00:47:18,520
Speaker 1: say when it's time, how to chance forever down the driveway,

867
00:47:19,239 --> 00:47:22,560
Speaker 1: how to never let it get there in the first place.

868
00:47:23,360 --> 00:47:28,200
Speaker 1: And yeah I got the boy, he gave up and

869
00:47:28,400 --> 00:47:33,440
Speaker 1: got it wrong. If you're a little woman, you don't

870
00:47:33,600 --> 00:47:39,919
Speaker 1: let her go. Yeah, I don't. A few things a

871
00:47:39,920 --> 00:47:46,520
Speaker 1: man are no. Yeah, I don't A few things a

872
00:47:46,719 --> 00:48:06,719
Speaker 1: man are no. So good Landy Wilson just a plus man.

873
00:48:06,920 --> 00:48:10,000
Speaker 1: Just love everything about your your your your voice and

874
00:48:10,080 --> 00:48:11,839
Speaker 1: not just just singing voice, like what you stand for

875
00:48:12,560 --> 00:48:15,279
Speaker 1: and your style and so just it's just so cool

876
00:48:15,320 --> 00:48:17,879
Speaker 1: to see and make that make that next jump. Thank

877
00:48:17,880 --> 00:48:21,400
Speaker 1: you for I love to see it tired. Oh my gosh,

878
00:48:21,520 --> 00:48:23,239
Speaker 1: Like that's the that's the great. You should be you

879
00:48:23,280 --> 00:48:28,200
Speaker 1: should they should be running you so hard, can't ye exciting? Yeah?

880
00:48:28,239 --> 00:48:31,279
Speaker 1: Of course you get your own mental health health time

881
00:48:31,320 --> 00:48:34,120
Speaker 1: soon enough, But right now you're all good. All right,

882
00:48:34,200 --> 00:48:36,799
Speaker 1: there is Landy Wilson. You guys, get some you can

883
00:48:36,800 --> 00:48:38,480
Speaker 1: help her out, just get a shirt off her website.

884
00:48:38,600 --> 00:48:41,839
Speaker 1: Landy Wilson dot com really helps the new artists. Um,

885
00:48:41,920 --> 00:48:44,760
Speaker 1: and that's it. That's our show and so thank you guys,

886
00:48:45,160 --> 00:48:47,480
Speaker 1: Thanks to Twitch Control Music and all of our crew

887
00:48:47,520 --> 00:48:49,200
Speaker 1: here to help with the show on. Most importantly, thanks

888
00:48:49,239 --> 00:48:51,440
Speaker 1: to you guys for watching and spending your Tuesday night

889
00:48:51,480 --> 00:48:53,279
Speaker 1: with me. You could have been youw moere in the world,

890
00:48:53,440 --> 00:48:55,600
Speaker 1: but you're right here with me and I appreciate that.

891
00:48:55,920 --> 00:48:57,959
Speaker 1: So I'll leave you with this piece of wisdom that

892
00:48:58,320 --> 00:48:59,959
Speaker 1: you know I've talked about forever. You know, the best

893
00:49:00,160 --> 00:49:02,680
Speaker 1: time to plan a tree was twenty years ago. If

894
00:49:02,680 --> 00:49:04,279
Speaker 1: you haven't done it already, well, the second best time

895
00:49:04,360 --> 00:49:06,359
Speaker 1: is now. What does that mean? It means that if

896
00:49:06,360 --> 00:49:08,960
Speaker 1: you want success in life, you gotta at right now.

897
00:49:09,760 --> 00:49:11,760
Speaker 1: You can't get better at something if you're not putting,

898
00:49:11,800 --> 00:49:14,440
Speaker 1: putting effort in and trying listen. I failed time after time,

899
00:49:14,520 --> 00:49:17,680
Speaker 1: was rejected by everybody radio stations, book publishers, TV stations,

900
00:49:17,719 --> 00:49:19,440
Speaker 1: on and on and on. Had to beg, Lanny, just

901
00:49:19,520 --> 00:49:21,120
Speaker 1: come to the show. It's rejecting me nine times to

902
00:49:21,120 --> 00:49:23,040
Speaker 1: even be here today. So if you feel like the

903
00:49:23,080 --> 00:49:26,799
Speaker 1: world is passing, you buy and that you can't keep

904
00:49:26,880 --> 00:49:29,440
Speaker 1: up with the Joneses or the Kardashians or the TikTok

905
00:49:29,440 --> 00:49:31,600
Speaker 1: stars or whoever that gen Z looks up to these days.

906
00:49:31,719 --> 00:49:33,840
Speaker 1: It is never too late to get started and try.

907
00:49:34,239 --> 00:49:35,920
Speaker 1: You can be someone they look up to. You can

908
00:49:35,960 --> 00:49:37,960
Speaker 1: change the narrative. Have a great night. I'll see you

909
00:49:37,960 --> 00:49:39,400
Speaker 1: next time here on the show that we call on

910
00:49:39,440 --> 00:49:41,960
Speaker 1: Time with Bobby Bones. Don't forget be excellent to each other.

911
00:49:42,200 --> 00:49:45,279
Speaker 1: Party on good night everybody. I guess Hey, this is

912
00:49:45,360 --> 00:49:50,040
Speaker 1: Joe from the Biz Tape podcast, a podcast that serves

913
00:49:50,120 --> 00:49:52,880
Speaker 1: as a catchall for music, business and media news of

914
00:49:52,960 --> 00:49:55,200
Speaker 1: the week. Srib and listen to the Biz Tape on

915
00:49:55,239 --> 00:49:57,880
Speaker 1: the I Heart Radio app, Apple Podcasts, or wherever you

916
00:49:57,920 --> 00:50:02,640
Speaker 1: get your podcasts. So d m X sadly passed away

917
00:50:02,640 --> 00:50:05,799
Speaker 1: at fifty years old, like on April nine. I mean,

918
00:50:05,840 --> 00:50:07,799
Speaker 1: it was a real bummer. My friend group was really

919
00:50:07,840 --> 00:50:10,600
Speaker 1: in the DMX, so like they were all very you know,

920
00:50:10,680 --> 00:50:12,400
Speaker 1: sad and about it, and I listened to a lot

921
00:50:12,480 --> 00:50:15,440
Speaker 1: of his music, so I was kind of sad about everything.

922
00:50:15,680 --> 00:50:18,359
Speaker 1: But the real question now is like, what's going on

923
00:50:18,440 --> 00:50:20,680
Speaker 1: with this the state? You know what I mean? He's

924
00:50:20,680 --> 00:50:23,920
Speaker 1: had all these records and stuff in his fifteen children

925
00:50:24,040 --> 00:50:28,520
Speaker 1: would also like to know. Yeah, oh my god, fifteen children.

926
00:50:28,760 --> 00:50:32,120
Speaker 1: No shame at having fifteen children, but splitting something fifteen ways,

927
00:50:32,160 --> 00:50:34,960
Speaker 1: it's really hard to do. How many kids that Bob

928
00:50:35,000 --> 00:50:37,680
Speaker 1: Marley have? Just for comparison, I don't know. Let's see

929
00:50:37,719 --> 00:50:40,800
Speaker 1: what it is here, Let's look it up. What is uh,

930
00:50:41,200 --> 00:50:43,480
Speaker 1: let's see let's see what Joe looks that up. We're

931
00:50:43,480 --> 00:50:45,520
Speaker 1: gonna play this game where basically I'm gonna get you

932
00:50:45,600 --> 00:50:48,360
Speaker 1: all to guess how much you think d m x

933
00:50:48,480 --> 00:50:52,000
Speaker 1: is royalties are and all defined royalties here in a minute, Joe,

934
00:50:52,040 --> 00:50:55,600
Speaker 1: you got anything? Yeah, okay, Just for comparison, Bob Marley

935
00:50:55,880 --> 00:51:00,000
Speaker 1: um has eleven kids. Okay, So d m X beat him,

936
00:51:00,120 --> 00:51:04,960
Speaker 1: all right? So also that also bitter bitter estate battle

937
00:51:05,040 --> 00:51:08,080
Speaker 1: in there too, so this is gonna get rough. Um,

938
00:51:08,080 --> 00:51:10,520
Speaker 1: But Billboard did a fun thing where they tried to

939
00:51:10,640 --> 00:51:14,840
Speaker 1: guess using some calculations which I'll get into in a second, um,

940
00:51:14,880 --> 00:51:17,879
Speaker 1: how much kind of his catalog of music is worth.

941
00:51:18,440 --> 00:51:21,719
Speaker 1: So this revenue is coming from his master recordings and

942
00:51:21,800 --> 00:51:25,160
Speaker 1: his publishing. And this is all speculative, like they have

943
00:51:25,280 --> 00:51:27,840
Speaker 1: like some kind of comments that they base off and

944
00:51:27,880 --> 00:51:32,080
Speaker 1: all the fine don't right. And for you know viewers

945
00:51:32,160 --> 00:51:34,880
Speaker 1: that may not know, we're talking about master recording royalties,

946
00:51:34,920 --> 00:51:36,680
Speaker 1: which is the money that the label makes him for

947
00:51:36,760 --> 00:51:40,880
Speaker 1: quote unquote exploiting records. So this is like streaming CDs

948
00:51:40,960 --> 00:51:44,600
Speaker 1: and stuff like that, the actual recordings and exploiting in

949
00:51:44,640 --> 00:51:49,480
Speaker 1: the good way of that's just how every label contract

950
00:51:49,480 --> 00:51:52,600
Speaker 1: will say, we get to exploit your master recording. Then

951
00:51:52,640 --> 00:51:55,160
Speaker 1: the other side of the money is the publishing money,

952
00:51:55,239 --> 00:51:58,319
Speaker 1: the publishing royalties, and that's money paid to the songwriter,

953
00:51:58,640 --> 00:52:00,960
Speaker 1: which is DMX in this is for copies of his

954
00:52:01,080 --> 00:52:04,480
Speaker 1: song that are made. So we're talking about streaming CDs,

955
00:52:04,560 --> 00:52:07,680
Speaker 1: but this also includes sinc deals and anything else that

956
00:52:07,760 --> 00:52:10,799
Speaker 1: you actually need publishing rights for. Also, this can be

957
00:52:11,640 --> 00:52:15,440
Speaker 1: you know, made smaller by co writers, so keep that

958
00:52:15,480 --> 00:52:18,160
Speaker 1: in mind. So, Joe, I'm gonna give you some notable

959
00:52:18,239 --> 00:52:21,040
Speaker 1: d m X facts. And with this information, I want

960
00:52:21,080 --> 00:52:24,000
Speaker 1: you to guess I will give you. I would say this,

961
00:52:24,120 --> 00:52:27,480
Speaker 1: let's start out. It's obviously more than zero, so the

962
00:52:27,560 --> 00:52:32,120
Speaker 1: easy one there for you. Um, and it's less than

963
00:52:32,200 --> 00:52:34,280
Speaker 1: your high ball when we were talking about it earlier,

964
00:52:34,280 --> 00:52:37,839
Speaker 1: which Joe still doesn't know the fifty million dollars. It's

965
00:52:37,840 --> 00:52:40,120
Speaker 1: in between zero and fifty million if you're keeping it

966
00:52:40,120 --> 00:52:42,919
Speaker 1: at home. So here's some fun facts that may raise

967
00:52:43,040 --> 00:52:46,480
Speaker 1: or lower your guests. On the Billboard Top one hundred,

968
00:52:46,560 --> 00:52:50,600
Speaker 1: he has appeared sixteen times, eleven times as a lead artist,

969
00:52:50,680 --> 00:52:54,400
Speaker 1: but only has beat the top forty three times, with

970
00:52:54,520 --> 00:52:58,080
Speaker 1: the highest at seventeen. Okay, so we're you know, he

971
00:52:58,160 --> 00:52:59,920
Speaker 1: had some He had a lot of hits, but nothing

972
00:53:00,080 --> 00:53:02,240
Speaker 1: like crazy, didn't have a number one, didn't have anything

973
00:53:02,280 --> 00:53:05,920
Speaker 1: like that, most notably, which is nuts. And most people

974
00:53:05,920 --> 00:53:08,759
Speaker 1: will be like, I think blindside of this, because I was.

975
00:53:09,400 --> 00:53:12,000
Speaker 1: He is the first artist ever to have their first

976
00:53:12,239 --> 00:53:16,640
Speaker 1: five albums go number one on the Billboard two five

977
00:53:16,719 --> 00:53:20,440
Speaker 1: in a row. That has never been done before debut

978
00:53:20,600 --> 00:53:23,840
Speaker 1: and the first and the next four we're number one.

979
00:53:24,040 --> 00:53:28,920
Speaker 1: So yeah, alright, this calculation was made assuming he has

980
00:53:28,960 --> 00:53:33,040
Speaker 1: a fifty fifty publishing deal with a publishing entity. So

981
00:53:33,120 --> 00:53:36,680
Speaker 1: he's basically splitting his royalty of publishing money in half

982
00:53:37,320 --> 00:53:40,839
Speaker 1: on top, like I was saying earlier, of having other

983
00:53:40,960 --> 00:53:43,279
Speaker 1: songs that could have co writers, which then he'd have

984
00:53:43,320 --> 00:53:47,080
Speaker 1: to split it even more. So, just keep in mind,

985
00:53:47,160 --> 00:53:50,920
Speaker 1: is publishing money is fifty assuming because we're assuming he

986
00:53:50,960 --> 00:53:54,799
Speaker 1: had a publishing deal, and then the calculation for his

987
00:53:54,920 --> 00:53:58,160
Speaker 1: master recording royalty was made that he gets an eight

988
00:53:58,920 --> 00:54:04,000
Speaker 1: royalty on physical old sales and on digital sales. And

989
00:54:04,040 --> 00:54:06,879
Speaker 1: then I didn't add this in here, Joel, but we're

990
00:54:06,920 --> 00:54:09,680
Speaker 1: assuming that he's on that he's recouped. He doesn't owe

991
00:54:09,719 --> 00:54:12,760
Speaker 1: anything to the label, He doesn't have anything from publishing

992
00:54:12,840 --> 00:54:15,960
Speaker 1: or anything like that, so this would be so just

993
00:54:16,040 --> 00:54:19,480
Speaker 1: to be clear, this is the money that he's pocketing.

994
00:54:19,719 --> 00:54:22,960
Speaker 1: This is the money he's pocketing after after this, after

995
00:54:23,000 --> 00:54:26,360
Speaker 1: the labels cuts, after this publishing entity cut, and after

996
00:54:26,600 --> 00:54:29,799
Speaker 1: you know, co writers are taking cuts of stuff. This

997
00:54:29,880 --> 00:54:32,560
Speaker 1: is the evaluation of all of that money. How much

998
00:54:32,600 --> 00:54:34,880
Speaker 1: money do you think this money is worth? Again? Between

999
00:54:35,080 --> 00:54:39,040
Speaker 1: zero and fifty million. Here, I'll get it fun. I

1000
00:54:39,040 --> 00:54:42,480
Speaker 1: will give you, I'll give you one guess, and I'll

1001
00:54:42,480 --> 00:54:45,919
Speaker 1: tell you higher or lower and then you get another guess. Okay, okay, okay,

1002
00:54:46,360 --> 00:54:49,640
Speaker 1: So don't look at the word document because I'll okay,

1003
00:54:49,719 --> 00:54:53,879
Speaker 1: I got to look away. Um. So I'm thinking, um

1004
00:54:53,920 --> 00:54:56,759
Speaker 1: because like with any artists like this, when whenever they

1005
00:54:56,800 --> 00:55:00,880
Speaker 1: pass away, they do have a spike and S's streams

1006
00:55:01,000 --> 00:55:05,399
Speaker 1: very smart, and I think maybe it's valued higher now

1007
00:55:06,080 --> 00:55:08,400
Speaker 1: than what it could be maybe three year or four

1008
00:55:08,480 --> 00:55:11,920
Speaker 1: years down the line. Um. But i'm gonna say you

1009
00:55:12,000 --> 00:55:16,040
Speaker 1: said less than fifty million, less than fifty million, Okay,

1010
00:55:16,200 --> 00:55:19,520
Speaker 1: I'm gonna say, I'm gonna highball it. Still, I'm gonna say, like,

1011
00:55:19,719 --> 00:55:23,960
Speaker 1: I'm gonna say, like thirty five million, lower, lower than

1012
00:55:24,000 --> 00:55:30,640
Speaker 1: that lower? Oh god, yeah, man, okay, also lower than

1013
00:55:30,680 --> 00:55:33,600
Speaker 1: thirty five million. This man, isn't you know zero dollars?

1014
00:55:33,719 --> 00:55:35,920
Speaker 1: This is a very going to be insane as you're

1015
00:55:36,040 --> 00:55:39,400
Speaker 1: gonna be a stupid number. I don't think it's stupid.

1016
00:55:39,560 --> 00:55:42,359
Speaker 1: I think it makes sense based on what I told you.

1017
00:55:42,400 --> 00:55:46,160
Speaker 1: But it's okay, I'm gonna people, Okay, I'm gonna go

1018
00:55:46,239 --> 00:55:48,279
Speaker 1: the obstruction. I'm gonna go pretty well, I'm gonna say

1019
00:55:48,280 --> 00:55:52,480
Speaker 1: ten million, okay, Well, it's actually half of your first number.

1020
00:55:52,520 --> 00:55:57,680
Speaker 1: Basically it is seventeen point seven million dollars. Oh man,

1021
00:55:57,880 --> 00:55:59,840
Speaker 1: that has to get split up in between fifteen he

1022
00:55:59,880 --> 00:56:03,919
Speaker 1: had five number one He had five number one albums,

1023
00:56:04,000 --> 00:56:07,200
Speaker 1: which is kind of important in this case. Um, alright,

1024
00:56:07,239 --> 00:56:09,560
Speaker 1: so I want to open this up. So first off,

1025
00:56:09,600 --> 00:56:13,719
Speaker 1: this estate is going to be a nightmare because there's

1026
00:56:13,719 --> 00:56:19,040
Speaker 1: so many kids. Fifteen people have claims to this money,

1027
00:56:19,280 --> 00:56:23,520
Speaker 1: and not to mention that they have to pay lawyer fees. Um,

1028
00:56:23,560 --> 00:56:26,120
Speaker 1: if maybe he has debt or anything like that, they

1029
00:56:26,160 --> 00:56:29,000
Speaker 1: have to get that together and everything. This money is

1030
00:56:29,120 --> 00:56:31,440
Speaker 1: up there like the Michael Jackson the state and being

1031
00:56:32,000 --> 00:56:35,279
Speaker 1: fought over in princes of state and being fought over

1032
00:56:35,320 --> 00:56:37,640
Speaker 1: and trying to figure out what's going on with this

1033
00:56:37,719 --> 00:56:41,759
Speaker 1: money years, and like the point is is that the

1034
00:56:41,840 --> 00:56:44,680
Speaker 1: longer they wait on this money, you know what I mean,

1035
00:56:44,719 --> 00:56:49,239
Speaker 1: It's like the longer they wait, the more fees get

1036
00:56:49,320 --> 00:56:52,120
Speaker 1: taken out. They gotta pay place. You know, if he

1037
00:56:52,160 --> 00:56:54,960
Speaker 1: has property, they gotta pay the property if they's got

1038
00:56:55,000 --> 00:56:56,840
Speaker 1: you know, the longer the lawyer has to work, the

1039
00:56:56,840 --> 00:57:01,239
Speaker 1: more money that is. And then again fifteen times times,

1040
00:57:01,280 --> 00:57:04,560
Speaker 1: so like this is a big deal. I mean, and

1041
00:57:04,640 --> 00:57:06,520
Speaker 1: I literally was talking to a friend of ours who's

1042
00:57:06,520 --> 00:57:09,839
Speaker 1: a lawyer, and she was like, man, I would love

1043
00:57:09,880 --> 00:57:13,799
Speaker 1: to see those documents. Like so, I mean see it

1044
00:57:13,920 --> 00:57:15,440
Speaker 1: or work on it. I feel like working on it

1045
00:57:15,480 --> 00:57:18,240
Speaker 1: would be insanely do not work. I would not want

1046
00:57:18,240 --> 00:57:20,480
Speaker 1: to work on it unless they were like, we will

1047
00:57:20,480 --> 00:57:23,960
Speaker 1: give you our portion of the seventeen million, which like

1048
00:57:24,160 --> 00:57:26,400
Speaker 1: and he had he had no will or anything. Um,

1049
00:57:26,520 --> 00:57:30,360
Speaker 1: I don't know about that yet. They haven't really specified specifically.

1050
00:57:30,840 --> 00:57:33,280
Speaker 1: But even then with a will, it can be contested,

1051
00:57:33,840 --> 00:57:36,720
Speaker 1: it can have issues with that. I mean, okay, first off,

1052
00:57:36,760 --> 00:57:39,080
Speaker 1: I just did the calculation. If we evenly split it

1053
00:57:39,160 --> 00:57:43,760
Speaker 1: seventeen fifteen ways, it's one point one eight mill Wow. Okay.

1054
00:57:43,800 --> 00:57:46,320
Speaker 1: And then here's the other part that we're completely forgetting.

1055
00:57:47,040 --> 00:57:50,440
Speaker 1: This isn't liquid money. So this is like money that

1056
00:57:50,520 --> 00:57:54,000
Speaker 1: can come in and grow in value. Which is funny

1057
00:57:54,040 --> 00:57:55,680
Speaker 1: that you said that you think it will go down

1058
00:57:55,800 --> 00:57:58,640
Speaker 1: because Rolling Stone, I'm not rolling So Billboard actually has

1059
00:57:58,680 --> 00:58:02,280
Speaker 1: the opposite. For an interesting reason for our listeners is

1060
00:58:02,320 --> 00:58:07,960
Speaker 1: because they think the publishing money will grow because traditionally

1061
00:58:08,120 --> 00:58:11,200
Speaker 1: rock and roll music has the highest kind of publishing

1062
00:58:11,280 --> 00:58:14,920
Speaker 1: rate because it's very songwriter focused. But there's been an

1063
00:58:14,920 --> 00:58:17,320
Speaker 1: increase in the industry and Billboard predicted this and I've

1064
00:58:17,320 --> 00:58:21,280
Speaker 1: seen this in other places that raps publishing revenue will

1065
00:58:21,360 --> 00:58:24,960
Speaker 1: increase over time due to the fan base becoming larger

1066
00:58:25,000 --> 00:58:27,960
Speaker 1: people who you know, since rock and roll older and older,

1067
00:58:28,160 --> 00:58:31,080
Speaker 1: since the fan base of rock and roll diminishes as

1068
00:58:31,120 --> 00:58:34,200
Speaker 1: it you know, becomes less of a primary genre, and

1069
00:58:34,240 --> 00:58:36,640
Speaker 1: then the you know, kids that grew up specifically with

1070
00:58:36,800 --> 00:58:38,920
Speaker 1: just rap and hip hop as the main genre grow,

1071
00:58:39,480 --> 00:58:43,800
Speaker 1: then you could see that getting more expensive. Um, it's

1072
00:58:43,800 --> 00:58:47,280
Speaker 1: actually interesting because if you compare the two genres, there's

1073
00:58:47,320 --> 00:58:49,880
Speaker 1: a lot of similarities and in how they grew and

1074
00:58:50,320 --> 00:58:54,920
Speaker 1: where they are in their in their place basically, like

1075
00:58:54,960 --> 00:58:58,560
Speaker 1: even even it's almost like one to one time frame

1076
00:58:58,600 --> 00:59:01,680
Speaker 1: of like between know, some dude in his basement to

1077
00:59:01,960 --> 00:59:06,840
Speaker 1: now it's it's like mainstream arena tours happening. So it yeah,

1078
00:59:06,880 --> 00:59:09,720
Speaker 1: that is very interesting and I actually never thought about that. Yeah,

1079
00:59:09,760 --> 00:59:11,600
Speaker 1: isn't that It's such a weird thing to think about,

1080
00:59:11,680 --> 00:59:13,800
Speaker 1: but you know, I mean it makes it makes sense.

1081
00:59:14,040 --> 00:59:17,000
Speaker 1: But so that publishing money, you know, assuming that they're

1082
00:59:17,040 --> 00:59:20,240
Speaker 1: going to keep that rate going and everything, then uh,

1083
00:59:20,400 --> 00:59:23,280
Speaker 1: that could be that could be just increasing in value.

1084
00:59:23,680 --> 00:59:26,960
Speaker 1: So that's the thing is like who needs this money,

1085
00:59:27,080 --> 00:59:29,640
Speaker 1: you know, especially if it's publishing money and they have

1086
00:59:29,760 --> 00:59:32,200
Speaker 1: rights of it, and it's like, fifteen people have to

1087
00:59:32,240 --> 00:59:35,240
Speaker 1: get together and figure out are we selling our publishing rights?

1088
00:59:36,120 --> 00:59:39,040
Speaker 1: That's a problem. Like that's just gonna be hard to do,

1089
00:59:39,520 --> 00:59:41,520
Speaker 1: and I'm sure somebody will be you know what i mean.

1090
00:59:41,600 --> 00:59:45,080
Speaker 1: Like if some publishing company came up to them and

1091
00:59:45,160 --> 00:59:47,920
Speaker 1: was like, oh, we would like to buy the remainder

1092
00:59:47,960 --> 00:59:50,360
Speaker 1: of the publishing split, you have to go clear that

1093
00:59:50,400 --> 00:59:54,200
Speaker 1: with fifteen people, you know, fifteen or do you would you?

1094
00:59:54,600 --> 00:59:57,000
Speaker 1: I guess depending if they have is like you wouldn't

1095
00:59:57,000 --> 00:59:59,680
Speaker 1: get you wouldn't it wouldn't be split up, depending if

1096
00:59:59,680 --> 01:00:02,800
Speaker 1: they have legitimacy of the rights. Also, like again this

1097
01:00:02,880 --> 01:00:05,439
Speaker 1: is what I'm wondering with the will and stuff like that.

1098
01:00:05,760 --> 01:00:08,640
Speaker 1: I mean, if one kid had like one album and

1099
01:00:08,680 --> 01:00:11,600
Speaker 1: the other kid that would be hilarious. Well, I mean

1100
01:00:11,960 --> 01:00:14,360
Speaker 1: it's just more of like it depends on his will

1101
01:00:14,440 --> 01:00:16,840
Speaker 1: and everything and how that is. And like we've seen.

1102
01:00:17,160 --> 01:00:19,560
Speaker 1: The crazy partis we've seen celebrities with no will. Prince

1103
01:00:19,640 --> 01:00:22,560
Speaker 1: had no will at all. That's still nuts to me.

1104
01:00:22,600 --> 01:00:25,320
Speaker 1: No will, and so like I have no idea, you know,

1105
01:00:25,360 --> 01:00:27,640
Speaker 1: it's up in the air, if he had a will

1106
01:00:27,680 --> 01:00:29,360
Speaker 1: and had that like all put together, and if that

1107
01:00:29,400 --> 01:00:32,080
Speaker 1: will is legitimate to be used. And finally, my point

1108
01:00:32,160 --> 01:00:36,600
Speaker 1: is is Joe may remember from our MTSU days, recapturing

1109
01:00:36,960 --> 01:00:39,680
Speaker 1: of works is up on the table. So if you

1110
01:00:39,680 --> 01:00:43,640
Speaker 1: don't know about this, uh, Basically, to summarize this way down,

1111
01:00:44,000 --> 01:00:46,280
Speaker 1: there is a policy and copyright law where you can

1112
01:00:46,320 --> 01:00:50,800
Speaker 1: recapture ownership of your songs basically um and then and

1113
01:00:51,160 --> 01:00:53,400
Speaker 1: that can be the publishing money and the songwriter money.

1114
01:00:53,440 --> 01:00:56,640
Speaker 1: It's the master recordings and stuff like that. It's a

1115
01:00:56,760 --> 01:00:59,200
Speaker 1: very long process. You have to wait, I believe thirty

1116
01:00:59,240 --> 01:01:02,439
Speaker 1: five years to do it. Now the thirty five years

1117
01:01:02,440 --> 01:01:06,200
Speaker 1: for DMX for like recordings which are like the beginning

1118
01:01:06,240 --> 01:01:09,480
Speaker 1: of the really valuable recordings of his career, would become

1119
01:01:09,920 --> 01:01:14,000
Speaker 1: could come into ownership as soon as twenty three. But

1120
01:01:14,480 --> 01:01:18,720
Speaker 1: it's an extensive filing process to get all that together.

1121
01:01:19,080 --> 01:01:20,360
Speaker 1: You have to be on the ball with it. You

1122
01:01:20,400 --> 01:01:23,440
Speaker 1: have to file ten years before. So they would have

1123
01:01:23,440 --> 01:01:27,440
Speaker 1: to file in and then that enables them to have

1124
01:01:27,520 --> 01:01:30,560
Speaker 1: full ownership of those recordings. So their old label that

1125
01:01:30,640 --> 01:01:33,320
Speaker 1: he was under would not have ownership of those recordings

1126
01:01:33,640 --> 01:01:35,640
Speaker 1: if they get it to do right. We've seen like

1127
01:01:36,000 --> 01:01:38,600
Speaker 1: a passing story even the other day where Dwight Yoakum

1128
01:01:38,680 --> 01:01:40,600
Speaker 1: is getting denied his rights because he might have been

1129
01:01:40,640 --> 01:01:46,080
Speaker 1: five days late because of the label not seeing it,

1130
01:01:46,480 --> 01:01:48,160
Speaker 1: like not sending it a time not to go in

1131
01:01:48,200 --> 01:01:51,160
Speaker 1: another story, but just as proof of like you know this,

1132
01:01:51,160 --> 01:01:54,880
Speaker 1: this is messy. Yeah, it gets very messy. So um.

1133
01:01:54,920 --> 01:01:57,360
Speaker 1: If they get that though, then they can renegotiate to

1134
01:01:57,440 --> 01:02:00,720
Speaker 1: have those records exploited with another company and then maybe

1135
01:02:00,720 --> 01:02:02,200
Speaker 1: you can get a better deal you know what I mean,

1136
01:02:02,320 --> 01:02:04,640
Speaker 1: and make more money. And then usually when you make

1137
01:02:04,640 --> 01:02:06,480
Speaker 1: a deal like that with a big catalog, they might

1138
01:02:07,080 --> 01:02:08,840
Speaker 1: give you an advance, you know what I mean, or

1139
01:02:08,880 --> 01:02:09,440
Speaker 1: something like that.