WEBVTT - Tomorrowland

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<v Speaker 1>Pushkin. Imagine there's a place in our world where the

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<v Speaker 1>known things go, shelves stocked with proof, and all around

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<v Speaker 1>a clutter of clues. At this point, it's worse than

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<v Speaker 1>a clutter. It's closer to chaos. On the mantel, there's

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<v Speaker 1>a clock. Its hands are racing, its works, ticking too fast.

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<v Speaker 1>It's like a heart about to burst. A phonograph won't stop.

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<v Speaker 1>And who let all these birds in? It's time to

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<v Speaker 1>get out of here. Rush through the door and out

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<v Speaker 1>into a cornfield in the middle of Illinois in the

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<v Speaker 1>year nineteen thirty nine, the American heartland. Holy wow, they've

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<v Speaker 1>got an explosion in the cornfield. Who the devil himself

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<v Speaker 1>broke a loose down in our cornfield? He came a

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<v Speaker 1>roar and a rampagron right up from the fiery pit,

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<v Speaker 1>blowing smoke out of his mouth and fire out of

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<v Speaker 1>his eyes. What is going on? Pulpe science fiction? Is what?

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<v Speaker 1>This is? A bananas story called The Warning from the Past.

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<v Speaker 1>Not enough trouble to have the radio st client his

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<v Speaker 1>full head off right in the middle of my favorite program.

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<v Speaker 1>The Warning from the Past was published in the magazine

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<v Speaker 1>Thrilling Wonder Stories in nineteen thirty nine. Here's what happens.

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<v Speaker 1>After the explosion in the cornfield. The farmer's wife calls

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<v Speaker 1>the police. The reporters call scientists. The scientists discovered that

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<v Speaker 1>the explosion had come from a gigantic time capsule. It

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<v Speaker 1>is buried twenty feet under the ground, constructed of rust

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<v Speaker 1>resistant metal. The size cannot be determined as yet, but

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<v Speaker 1>it is at least thirty feet in diameter. The top

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<v Speaker 1>of the capsule was blown off by an explosion. Apparently

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<v Speaker 1>the light, the smoke, and the radio signals were designed

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<v Speaker 1>to call attention to the time capsule. I guess the

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<v Speaker 1>people who built the time capsule were worried that unless

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<v Speaker 1>the thing literally blew its top off, known would ever

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<v Speaker 1>notice it was there? Who will be left unopened its

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<v Speaker 1>mysteries Unknown myths and legends surviving from pre primitive times

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<v Speaker 1>indicate that a civilization may have existed on Earth prior

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<v Speaker 1>to the present, but this is the first definite proof

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<v Speaker 1>of their existence ever found. In the story, a group

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<v Speaker 1>of brave men prior open the time capsule's giant door

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<v Speaker 1>and make their way inside. Their entrance triggers a projector

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<v Speaker 1>and a film starts playing it turns out that the

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<v Speaker 1>time capsule was built by ancient Earthlings after their planet

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<v Speaker 1>was invaded by aliens. They made this little film about

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<v Speaker 1>what happened to them, and then they buried it in

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<v Speaker 1>a time capsule. I first ran across this story Warning

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<v Speaker 1>from the Past in January twenty twenty. I was really

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<v Speaker 1>into the time Capsule, so goofy. But there was another

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<v Speaker 1>part of the plot that didn't seem as important to

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<v Speaker 1>me at the time. It's this The aliens didn't destroy

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<v Speaker 1>the Earthlings with lasers or ray guns. Now they let

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<v Speaker 1>loose a virus, the common cold, a coronavirus, and everyone died.

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<v Speaker 1>Time Capsule indeed, welcome to the Last Archive. They show

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<v Speaker 1>about how we know what we know and why it

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<v Speaker 1>seems lately as if we don't know anything at all.

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<v Speaker 1>This is the last episode of the season. All along,

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<v Speaker 1>I've been making an argument about the history of evidence,

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<v Speaker 1>arguing that our elemental unit of knowledge has changed from

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<v Speaker 1>mysteries to facts, to numbers to data. But the age

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<v Speaker 1>of data is also a return to the age of miss,

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<v Speaker 1>a world in which we can't know anything. Only machines

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<v Speaker 1>can know things, mysterious godlike machines. All season long I've

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<v Speaker 1>been trying to figure out who killed truth, what a

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<v Speaker 1>time capsules have to do with it. Weirdly, they're a

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<v Speaker 1>clue to me as a historian. Chronology is like gravity

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<v Speaker 1>a law. A time capsule tries to break that law.

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<v Speaker 1>That's like a rocket from the past blasted into the

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<v Speaker 1>future by being buried in the ground. Sometimes I get

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<v Speaker 1>the feeling we're all trapped in someone else's time capsule.

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<v Speaker 1>In nineteen thirty nine, the world seemed to be coming apart.

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<v Speaker 1>The world was coming apart. Pulp science fiction aliens from

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<v Speaker 1>outer space would have been a relief compared to what

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<v Speaker 1>was actually happening. Germany has invaded Poland and has bombed

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<v Speaker 1>many times. General mobiliza has been ordered in Britain and France.

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<v Speaker 1>It felt unreal, dream like a nightmare. But over in

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<v Speaker 1>the United States, in New York, the World's Fare was

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<v Speaker 1>opening a fair called the World of Tomorrow. The World's

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<v Speaker 1>Fair was held on hundreds of acres and queens. There

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<v Speaker 1>were all kinds of exhibits, Mainly they involved traveling to

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<v Speaker 1>the future. You could visit Democracity, a sort of imagined

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<v Speaker 1>Jetson style city of the Future, the Future of Democracy,

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<v Speaker 1>the nation's foremost companies present the magic of today that

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<v Speaker 1>paves the way while the miracles of tomorrow. Or you

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<v Speaker 1>could check out preparations for a time capsule, the kind

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<v Speaker 1>of thing that inspired that thrilling wonder story. We've been

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<v Speaker 1>reading a lot about the time capsule. Could we take

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<v Speaker 1>a look at it? Why? Sure, we can get to

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<v Speaker 1>it this way. Time Capsule of Cupola deposited on the

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<v Speaker 1>side of the New York World's Fair on September twenty third,

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<v Speaker 1>nineteen thirty eight, by the Westinghouse Electric and Manufacturing Company.

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<v Speaker 1>If anyone should come upon this capsule before the year A. D.

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<v Speaker 1>Sixty nine thirty nine, let him not wanting they disturb it,

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<v Speaker 1>or to do so would be to deprive the people

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<v Speaker 1>of that era of a legacy here left them. This

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<v Speaker 1>weirdness is a scene from a promotional film about the

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<v Speaker 1>World's Fair, in which in all American family visits the

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<v Speaker 1>world of tomorrow. The time capsule down there is actually

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<v Speaker 1>a message from our time to those those who opened

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<v Speaker 1>and study it. Will they're more about us than any

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<v Speaker 1>man living today. Well, what I'm wondering is how anybody

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<v Speaker 1>will know how to find it in the year What

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<v Speaker 1>was he sixty nine thirty nine. Not quite in sixty

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<v Speaker 1>nine thirty nine, but in the last quarantine free days

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<v Speaker 1>of twenty twenty, I headed out to Queens to look

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<v Speaker 1>for the time capsule buried there in nineteen thirty nine.

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<v Speaker 1>What did the people who buried it mean to say

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<v Speaker 1>about the world of tomorrow? Could we go back in

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<v Speaker 1>time and heed that war from the past? I went

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<v Speaker 1>with my producer Ben and with Olivia Oldham, who works

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<v Speaker 1>for the podcast. We had an appointment with Liz Sevchenko,

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<v Speaker 1>a historian of New York and of memory. She's the

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<v Speaker 1>director of the Humanity's Action Lab. Anyway, if you've seen

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<v Speaker 1>Men in Black, you've seen the place where we met,

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<v Speaker 1>where Will Smith got vomited back out in a giant

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<v Speaker 1>spray of demon goo. The sight of the nineteen thirty

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<v Speaker 1>nine World Tomorrow. It's pretty close to LaGuardia Airport. It's

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<v Speaker 1>got all these remnants of the fair, these monumental, huge

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<v Speaker 1>rusting structures, gigantic abandon spires, a massive metal sphere. It

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<v Speaker 1>looks like a graveyard of the future. We're also really

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<v Speaker 1>close too, as I understand it. Fact check please, but

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<v Speaker 1>the you know, birthplace of our dear President so this

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<v Speaker 1>is like where it all started, yea of the future

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<v Speaker 1>exactly when Donald Trump was born near here in nineteen

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<v Speaker 1>forty six. His father, Fred was the owner of a

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<v Speaker 1>construction business in Queens. The Trump's had gotten married in

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<v Speaker 1>nineteen thirty six, and by the time The World Tomorrow

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<v Speaker 1>opened they already had two kids. Probably they came to

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<v Speaker 1>the fair. Fred Trump rented a giant billboard near the

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<v Speaker 1>fair for his Trump homes. It called them the Home

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<v Speaker 1>of Tomorrow. When I tell people I'm working on a

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<v Speaker 1>podcast that asks the question who killed truth, they usually say,

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<v Speaker 1>isn't the answer obvious? The murderer is Donald Trump? Okay, fair,

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<v Speaker 1>But all season long I've been avoiding the usual suspects.

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<v Speaker 1>I think they're just a little too easy. Also, I

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<v Speaker 1>don't quite buy it. I think Trump might be a

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<v Speaker 1>red herring. God knows, the man's a liar, a colossal,

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<v Speaker 1>dangerous liar. But it takes a whole lot more than

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<v Speaker 1>one man to undermine an entire system of knowledge. Anyway,

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<v Speaker 1>we had a different mission in Queens. Find that time capsule,

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<v Speaker 1>I think you need to ask. I mean, there was

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<v Speaker 1>a very understated, little sort of like memorial looking thing

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<v Speaker 1>back there. I don't know if we've a was it

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<v Speaker 1>like a cylinder or like a low silm like every stump. Yes,

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<v Speaker 1>we'd asked Sevchenko along to help us think about memorials

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<v Speaker 1>and monuments and whether they contain truth or really just

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<v Speaker 1>containers of myths. She's written brilliantly about that stuff. We

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<v Speaker 1>also thought she could probably help us find the time capsule.

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<v Speaker 1>Not that that bolder thing, but like where those bushes are. Okay, wait,

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<v Speaker 1>this is it. It's like a flattened smushed something like

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<v Speaker 1>if it were an obelisk that a giant stepped on

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<v Speaker 1>and it went splat. It feels kind of self defeating

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<v Speaker 1>because if you want something to be found five thousand

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<v Speaker 1>years in the future, why would you make it so

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<v Speaker 1>low key and everything else about it. I shouldn't be

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<v Speaker 1>like a giant space needle spike putting out of it. Yeah,

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<v Speaker 1>it's like a kind of dimple or like a nipple

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<v Speaker 1>on the top of this pine. It looks like it's

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<v Speaker 1>a button. Should be able to press it rise out

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<v Speaker 1>like a coffee maker or something. If we press and

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<v Speaker 1>just ruin the whole, there's like a lip or what's

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<v Speaker 1>the opposite of a lip, because like there's a little

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<v Speaker 1>gutter underneath, right, Maybe that's where you're supposed to fry from.

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<v Speaker 1>I'd break my nails, honey, I'm not gonna do that.

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<v Speaker 1>If you went to the World's Fair in nineteen thirty nine,

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<v Speaker 1>you could see some of the contents of the time

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<v Speaker 1>capsule behind a big glass display. Who stuff the logical

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<v Speaker 1>illage in a committee? Aided by a thought? He's in

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<v Speaker 1>every field of science on the os. It's a complete

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<v Speaker 1>record of our civilization. A complete record of our civilization,

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<v Speaker 1>brought to you by Westinghouse. Section one. Small articles of

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<v Speaker 1>common use alarm clock, can opener, eyeglasses, bifocals, fountain pen,

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<v Speaker 1>Mazda electric lamp, mechanical pencil, miniature camera, nail file, padlocking keys,

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<v Speaker 1>and a safety food. I like the lamp socket. They

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<v Speaker 1>have an electrical lamp socket there. It was just like

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<v Speaker 1>outside the context of a house. How are you ever

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<v Speaker 1>going to figure out what that was? For? Our guide

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<v Speaker 1>in Queens Lives of Chenko direct some of the world's

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<v Speaker 1>most powerful public memory projects. Our project about American prisons

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<v Speaker 1>called States of Incarceration, another called the Guantanamo Public Memory Project.

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<v Speaker 1>After I read the list of the Time Capsule's contents.

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<v Speaker 1>She got this look on her face. I just think,

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<v Speaker 1>I mean, there's this weird sense in which they're speaking

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<v Speaker 1>to an ignorant future population, like assuming they don't know anything,

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<v Speaker 1>and they're so excited to like educate them. It struck

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<v Speaker 1>us all as a weird and creepy kind of arrogance.

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<v Speaker 1>We just couldn't puzzle the thing out. It was also

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<v Speaker 1>strange that it had so few markings. We kept looking

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<v Speaker 1>for text, a plaque, anything, Oh what is that? Oh?

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<v Speaker 1>I can't read it. It says, I think it's the

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<v Speaker 1>stamp of the granite, the you know, the it's a

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<v Speaker 1>company symbol of westings I think it's either the Westinghouse

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<v Speaker 1>or the concrete. It does look like that's a W

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<v Speaker 1>though I think it's no. It says Rock of Right,

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<v Speaker 1>you can see what the Rock of Ages. There's a go,

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<v Speaker 1>this is the Rock of Ages. Holy Moses. This season

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<v Speaker 1>started in episode one with a crime scene in Barry, Vermont,

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<v Speaker 1>a place whose best known quarry is called the Rock

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<v Speaker 1>of Ages. And Jesus turned out that they'd supplied the

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<v Speaker 1>granite that made the lid to close the time capsule.

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<v Speaker 1>Now we'd left the last archive. We were in the

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<v Speaker 1>Twilight Zone. Honestly, it really freaked me out. The Rock

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<v Speaker 1>of Ages is the name of the quarry, but it's

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<v Speaker 1>also the title of an eighteenth century hymn, The Rock

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<v Speaker 1>of Ages is Jesus Christ, so weird. Also, I haven't

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<v Speaker 1>talked very much about religion in this podcast, but a

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<v Speaker 1>certain feeling just then as we read the words Rock

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<v Speaker 1>of Ages engraved into stone, that feeling that some unknown

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<v Speaker 1>and mysterious forces in control of our lives for better

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<v Speaker 1>or worse. That feeling is how humans came to believe

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<v Speaker 1>in gods, Zeus, Saphrodite, Mars in the coronavirus crisis. That

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<v Speaker 1>feelings everywhere. We left Queens and Tomorrowland for the origins

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<v Speaker 1>of another future in the Valley of the Gods, Silicon Valley.

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<v Speaker 1>It's like we could be being pulled by also right now,

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<v Speaker 1>except it would sail then. I actually think we In

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<v Speaker 1>February of twenty twenty, we went to California. It was

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<v Speaker 1>a few weeks before the whole state shutdown, shelter in place,

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<v Speaker 1>locked down, before people were even talking about those things,

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<v Speaker 1>we were blissfully ignorant. We rented a car, got on

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<v Speaker 1>the highway, me and my producer Ben and my son

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<v Speaker 1>Oliver go West. Young man. Oliver is fifteen, Cherry read

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<v Speaker 1>twenty seventeen Camaro convertible top down, of course, chrome wheels.

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<v Speaker 1>It was Oliver's birthday, and so I rented a car

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<v Speaker 1>that is exactly not the right car for a podcast.

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<v Speaker 1>But Oliver had never been to California. What are your

0:14:54.396 --> 0:14:59.396
<v Speaker 1>impressions of California? Um, it's beautiful. It looks exactly like

0:14:59.436 --> 0:15:04.996
<v Speaker 1>it did in Watchdogs Too. Every street go down, Oliver says,

0:15:05.036 --> 0:15:07.396
<v Speaker 1>I've already driven down the street. I've driven down here,

0:15:07.436 --> 0:15:12.636
<v Speaker 1>guns blazing. Watch Dogs Too is a video game set

0:15:12.636 --> 0:15:15.116
<v Speaker 1>in a perfect stimulation of the city of San Francisco.

0:15:16.316 --> 0:15:18.876
<v Speaker 1>Playing watch Dogs Too, you're part of an elite crew

0:15:18.876 --> 0:15:21.556
<v Speaker 1>of hackers who are trying to catch the guy who

0:15:21.716 --> 0:15:25.316
<v Speaker 1>killed Truth. Its plot is disturbingly like ours at the

0:15:25.356 --> 0:15:28.516
<v Speaker 1>last archive. In the video game. The guy who kills

0:15:28.516 --> 0:15:31.516
<v Speaker 1>Truth is basically Mark Zuckerberg, the head of a Silicon

0:15:31.596 --> 0:15:35.396
<v Speaker 1>Valley data company called Bloom Bloom CTOs, is like a

0:15:35.396 --> 0:15:39.636
<v Speaker 1>giant spider whim endlessly gathering data. They're making backroom deals

0:15:39.676 --> 0:15:42.876
<v Speaker 1>to trade our private information. We have to stop this.

0:15:43.436 --> 0:15:47.396
<v Speaker 1>We're talking data manipulation on a massive scale, ricked elections,

0:15:47.596 --> 0:15:52.076
<v Speaker 1>weapons programs, spying into people's homes, all of it controlled

0:15:52.116 --> 0:15:54.956
<v Speaker 1>by one man. Whenever I told anyone I was working

0:15:54.996 --> 0:15:56.796
<v Speaker 1>on a podcast that was trying to find out who

0:15:56.916 --> 0:16:01.076
<v Speaker 1>killed Truth, almost everyone's first answer was Donald Trump, and

0:16:01.196 --> 0:16:05.076
<v Speaker 1>almost everyone's second answer was Mark Zuckerberg. And fair enough.

0:16:05.436 --> 0:16:08.396
<v Speaker 1>He's an obvious suspect, though, so I've been avoiding him

0:16:08.436 --> 0:16:11.436
<v Speaker 1>too easy. I mean, he's the villain in a video game,

0:16:11.516 --> 0:16:15.996
<v Speaker 1>for Christ's sakes. Anyway, when my son Oliver plays Watchdogs Too,

0:16:16.316 --> 0:16:18.836
<v Speaker 1>he has to drive simulated fast cars all over a

0:16:18.916 --> 0:16:22.076
<v Speaker 1>simulated San Francisco. And here I was taking him on

0:16:22.076 --> 0:16:24.356
<v Speaker 1>a trip, a birthday trip to a thrilling new city.

0:16:24.796 --> 0:16:27.556
<v Speaker 1>But everywhere we went he would be all, oh, yeah,

0:16:27.596 --> 0:16:29.836
<v Speaker 1>I've been here. There's a donut shop on the next block,

0:16:30.436 --> 0:16:33.956
<v Speaker 1>and there would be this looks literally exactly Save's Watchops. Mom.

0:16:33.956 --> 0:16:37.276
<v Speaker 1>I'm gonna have you play some Washdogs later. Okay. I

0:16:37.396 --> 0:16:40.476
<v Speaker 1>look at California. I don't see the superimposed dystopia of

0:16:40.556 --> 0:16:44.436
<v Speaker 1>Watchdogs Too. No, I'm too old for that future. My

0:16:44.596 --> 0:16:47.676
<v Speaker 1>California future, the one stuck in my mind comes straight

0:16:47.716 --> 0:16:51.716
<v Speaker 1>from the Monorail and Disneyland and it done. It's way now,

0:16:51.836 --> 0:16:54.716
<v Speaker 1>leaving frontier Land at going one hundred years into the

0:16:54.716 --> 0:17:02.316
<v Speaker 1>future to tomorrow Land. That's Ronald Reagan at the opening

0:17:02.356 --> 0:17:06.076
<v Speaker 1>of Disneyland in nineteen fifty five. The nineteen thirty nine

0:17:06.076 --> 0:17:09.596
<v Speaker 1>World's Fair was nothing compared to its successor. While Disneys

0:17:09.676 --> 0:17:12.876
<v Speaker 1>Tomorrowland built at the height of the Cold War. The

0:17:12.956 --> 0:17:16.076
<v Speaker 1>future as a space age future is an invention of

0:17:16.076 --> 0:17:19.996
<v Speaker 1>the Cold War because Cold War scientists understood themselves as

0:17:20.036 --> 0:17:23.756
<v Speaker 1>engaged in a battle for the future. Would capitalism prevail

0:17:23.956 --> 0:17:28.276
<v Speaker 1>or communism? Only science could tell. If scientists could predict

0:17:28.316 --> 0:17:32.756
<v Speaker 1>the future, then they could build it. Yes, this is Tomorrowland,

0:17:32.956 --> 0:17:35.156
<v Speaker 1>and it's not a stylized dream of the future, but

0:17:35.236 --> 0:17:39.956
<v Speaker 1>a scientifically planned projection of future techniques by leading space

0:17:40.076 --> 0:17:44.956
<v Speaker 1>experts and science. You find yourself living predictions of things

0:17:45.036 --> 0:17:49.236
<v Speaker 1>to come. A lot of Tomorrowlands popped up in California

0:17:49.276 --> 0:17:51.756
<v Speaker 1>in the nineteen fifties, not just the one at Disneyland.

0:17:52.756 --> 0:17:56.116
<v Speaker 1>California was like a future factory, full of think tanks

0:17:56.196 --> 0:18:00.356
<v Speaker 1>charged with coming up with a general theory of the future, psychologists,

0:18:00.356 --> 0:18:03.796
<v Speaker 1>political scientists. They were trying to predict human behavior by

0:18:03.796 --> 0:18:07.356
<v Speaker 1>way of endless computer simulations by the middle of the

0:18:07.396 --> 0:18:11.316
<v Speaker 1>nineteen fifties. When people pictured there, they usually pictured computers,

0:18:11.436 --> 0:18:14.836
<v Speaker 1>and they usually pictured California, where the computer industry was born.

0:18:15.916 --> 0:18:19.076
<v Speaker 1>So we drove our cherry red Camaro down Highway one

0:18:19.156 --> 0:18:22.396
<v Speaker 1>oh one to the Computer History Museum. It's in Mountain View,

0:18:22.436 --> 0:18:24.676
<v Speaker 1>a couple of blocks from the Google Blox, not too

0:18:24.756 --> 0:18:27.636
<v Speaker 1>far from Facebook. We went into museum not to look

0:18:27.636 --> 0:18:32.156
<v Speaker 1>at old computers, but to use them. So now I'm

0:18:32.196 --> 0:18:34.956
<v Speaker 1>going to hit load and it's going to start reading

0:18:35.036 --> 0:18:49.156
<v Speaker 1>the cards. That's the sound of those little shoes or

0:18:49.236 --> 0:18:53.196
<v Speaker 1>knips grabbing the cards and sliding them in. Carl Claunch

0:18:53.276 --> 0:18:55.516
<v Speaker 1>is a volunteer at the Computer History Museum. He was

0:18:55.516 --> 0:18:57.396
<v Speaker 1>showing us a punch card reader that's part of an

0:18:57.396 --> 0:19:01.236
<v Speaker 1>IBM fourteen oh one, a computer first manufactured in nineteen

0:19:01.276 --> 0:19:04.396
<v Speaker 1>fifty nine. This computer is the size of a room,

0:19:04.436 --> 0:19:08.316
<v Speaker 1>a big room, say, an elementary school classroom. I asked Claunch,

0:19:08.476 --> 0:19:11.076
<v Speaker 1>what school it's thought when they visited it? Do they

0:19:11.196 --> 0:19:14.116
<v Speaker 1>recognize this as a computer? Like? Are they just baffled

0:19:14.116 --> 0:19:16.916
<v Speaker 1>by it? Yeah? That they The docents have to tell

0:19:16.956 --> 0:19:20.036
<v Speaker 1>a story that takes them back to the nineteen fifties

0:19:20.116 --> 0:19:24.636
<v Speaker 1>and they're constantly contrasting it. So, for example, there's a

0:19:24.636 --> 0:19:27.796
<v Speaker 1>piece of core memory that's used to speed up the printer,

0:19:28.436 --> 0:19:32.116
<v Speaker 1>and it's entire contents of this big block or one tweet. Yeah,

0:19:32.156 --> 0:19:34.556
<v Speaker 1>it's sort of like Honey, I shrunk the kids. Like opposite,

0:19:35.236 --> 0:19:37.916
<v Speaker 1>it's like Honey, I enlarged the computer, like it's actually

0:19:37.916 --> 0:19:40.636
<v Speaker 1>a thing they know about, but blown up to this

0:19:40.956 --> 0:19:45.236
<v Speaker 1>giant proportion, like we're a little Fusians, we're inside a computer.

0:19:45.436 --> 0:19:47.436
<v Speaker 1>Like the idea of using like a reference from the

0:19:47.436 --> 0:19:49.876
<v Speaker 1>early two thousands, or really in the nineteen nineties to

0:19:49.956 --> 0:19:52.436
<v Speaker 1>explain a machine from the nineteen sixties to kids in

0:19:55.276 --> 0:20:00.196
<v Speaker 1>it wasn't Carl Clenched. He's a sweetheart, and he's also

0:20:00.356 --> 0:20:02.956
<v Speaker 1>very modest, but he's much more than a volunteer at

0:20:02.956 --> 0:20:07.476
<v Speaker 1>the museum. Carl computer archaeologist. I don't have my hat.

0:20:09.116 --> 0:20:10.476
<v Speaker 1>Bunch had done a whole lot of the work getting

0:20:10.516 --> 0:20:13.316
<v Speaker 1>this computer from nineteen fifty nine up and running. In

0:20:13.356 --> 0:20:15.556
<v Speaker 1>his garage, he's got an old punch card reader that

0:20:15.596 --> 0:20:17.676
<v Speaker 1>can handle punch cards that are bent and even a

0:20:17.676 --> 0:20:21.036
<v Speaker 1>little tattered. And as it happens, I had some old,

0:20:21.076 --> 0:20:26.956
<v Speaker 1>screwed up punch cards that needed reading. If you've ever

0:20:27.036 --> 0:20:29.076
<v Speaker 1>punched in at work, like I used to do, that's

0:20:29.076 --> 0:20:31.996
<v Speaker 1>a punch card. Their papers the size of a business

0:20:31.996 --> 0:20:36.116
<v Speaker 1>on flope, popped up with tiny rectangular holes. Before the cloud,

0:20:36.156 --> 0:20:39.276
<v Speaker 1>before thumb drives, before hard disks and floppy disks, they

0:20:39.316 --> 0:20:42.556
<v Speaker 1>were punch cards. He stored information for a computer by

0:20:42.636 --> 0:20:46.076
<v Speaker 1>encoding it in these tiny holes. We can still read

0:20:46.116 --> 0:20:49.756
<v Speaker 1>ancient parchments thousands of years later, but old punch cards

0:20:49.796 --> 0:20:53.076
<v Speaker 1>are useless after just a few decades because hardly anyone

0:20:53.116 --> 0:20:55.476
<v Speaker 1>has the machines you need to read them. The past

0:20:55.636 --> 0:20:58.276
<v Speaker 1>is getting shorter and shorter, and this matters to the

0:20:58.276 --> 0:21:01.476
<v Speaker 1>work I do as a historian. A few years ago

0:21:01.516 --> 0:21:04.476
<v Speaker 1>I found thousands of really interesting punch cards. The cards

0:21:04.476 --> 0:21:06.916
<v Speaker 1>were boxed in the files of this one company, a

0:21:07.036 --> 0:21:10.676
<v Speaker 1>very early startup called the similar Madox Corporation, and I

0:21:10.716 --> 0:21:14.156
<v Speaker 1>was writing a book about them. Simomatics was founded in

0:21:14.236 --> 0:21:17.756
<v Speaker 1>nineteen fifty nine, a big year for computing. The name

0:21:17.796 --> 0:21:21.796
<v Speaker 1>was a mashup of simulation and automatic, and Simomatics wound

0:21:21.876 --> 0:21:24.396
<v Speaker 1>up being kind of like the Cambridge Analytica of the

0:21:24.436 --> 0:21:29.036
<v Speaker 1>presidential election of nineteen sixty. MTS Archives held the Symbiomatics

0:21:29.076 --> 0:21:32.476
<v Speaker 1>punch cards, but might couldn't read them, so they ended

0:21:32.516 --> 0:21:35.156
<v Speaker 1>up shipping the cards for me to the Computer History Museum,

0:21:35.196 --> 0:21:40.556
<v Speaker 1>where Carl ran them through his ancient machine. Here's the

0:21:40.596 --> 0:21:43.796
<v Speaker 1>backstory on simiomatics, some of what you've already heard if

0:21:43.796 --> 0:21:46.916
<v Speaker 1>you've been a steadfast listener to the last archive. He

0:21:47.036 --> 0:21:49.516
<v Speaker 1>might remember in episode five, how we talked about the

0:21:49.596 --> 0:21:52.996
<v Speaker 1>nineteen fifty two election, where CBS hired a computer called

0:21:53.116 --> 0:21:56.796
<v Speaker 1>Univac to predict the results on election night. Well, a

0:21:56.876 --> 0:22:00.756
<v Speaker 1>Madison Avenue admin named Ed Greenfield, learning about the UNIVAC,

0:22:01.116 --> 0:22:03.436
<v Speaker 1>got the idea of helping the candidate win an election

0:22:03.756 --> 0:22:07.076
<v Speaker 1>by building a massive computer simulation that could predict how

0:22:07.116 --> 0:22:10.236
<v Speaker 1>people would vote. And then, four years later, in nineteen

0:22:10.316 --> 0:22:13.316
<v Speaker 1>fifty six, Greenfield got a contract from the Adlai Stephenson

0:22:13.356 --> 0:22:17.196
<v Speaker 1>campaign when Stephenson was trying once again to beat Eisenhower,

0:22:17.636 --> 0:22:24.956
<v Speaker 1>a man who can believe Ah yeah, Well, first, Stephenson

0:22:24.996 --> 0:22:27.636
<v Speaker 1>had to win the Democratic nomination, and to do that

0:22:27.676 --> 0:22:29.996
<v Speaker 1>he had to win the California primary, a big state

0:22:30.036 --> 0:22:33.956
<v Speaker 1>whose population was booming. Greenfield hired a bunch of people

0:22:33.996 --> 0:22:38.316
<v Speaker 1>in California, including two political scientists, and helped Stephenson win

0:22:38.396 --> 0:22:42.276
<v Speaker 1>the state's primary and then the nomination, but he couldn't

0:22:42.276 --> 0:22:46.116
<v Speaker 1>help Stephenson win the election. As evening returns come in,

0:22:46.156 --> 0:22:49.476
<v Speaker 1>the trend is unmistakable. It's Eisenhower by a landslide with

0:22:49.596 --> 0:22:52.876
<v Speaker 1>four hundred and fifty seven electoral votes to seventy four

0:22:53.116 --> 0:22:57.236
<v Speaker 1>or Stephenson. The admen and their computers couldn't save Adlai

0:22:57.236 --> 0:23:00.556
<v Speaker 1>Stevenson in nineteen fifty six, but his loss didn't slow

0:23:00.596 --> 0:23:03.396
<v Speaker 1>them down. Ed Greenfield started gearing up for the election

0:23:03.396 --> 0:23:07.036
<v Speaker 1>of nineteen sixty. He hired people who'd done psychological warfare

0:23:07.076 --> 0:23:12.356
<v Speaker 1>for the military, driving people to traction targeting messages, attention manipulation.

0:23:12.916 --> 0:23:16.276
<v Speaker 1>One of those guys was the mathematician Alex Bernstein. There's

0:23:16.276 --> 0:23:19.836
<v Speaker 1>a great film from nineteen fifty nine called Thinking Machines.

0:23:20.156 --> 0:23:22.836
<v Speaker 1>What can we learn about Thinking from a game of Chess?

0:23:23.356 --> 0:23:26.356
<v Speaker 1>It shows a bespectacled Bernstein playing chess against a room

0:23:26.396 --> 0:23:30.076
<v Speaker 1>sized computer. All it takes her some printers, magnetic tape,

0:23:30.396 --> 0:23:34.436
<v Speaker 1>and a chessboard. Mister Bernstein and his collaborators prepared a

0:23:34.516 --> 0:23:38.596
<v Speaker 1>chess playing program for the IBM seven O four, a

0:23:38.636 --> 0:23:42.556
<v Speaker 1>digital computer that has performed one billion calculations in a

0:23:42.636 --> 0:23:46.476
<v Speaker 1>single day. It's never absent minded and never makes an

0:23:46.476 --> 0:23:50.036
<v Speaker 1>obvious plunder. Bernstein helped create a field that became known

0:23:50.116 --> 0:23:54.596
<v Speaker 1>as artificial intelligence. For the presidential campaign of nineteen sixty,

0:23:54.956 --> 0:23:58.156
<v Speaker 1>he and Ed Greenfield at Cymblematics, they built this thing

0:23:58.196 --> 0:24:01.276
<v Speaker 1>called a People Machine who was programmed with punch cards

0:24:01.276 --> 0:24:05.276
<v Speaker 1>in very early for Tran, an ancient computer language. There

0:24:05.276 --> 0:24:08.156
<v Speaker 1>were data cards too. Each card the cards I found

0:24:08.156 --> 0:24:11.036
<v Speaker 1>in the archives. The cards only Carl Quanch could now read.

0:24:11.436 --> 0:24:17.716
<v Speaker 1>Each represented an imaginary American age, place of residence, economic class, race, gender,

0:24:17.796 --> 0:24:23.036
<v Speaker 1>political persuasion. Here was a Similematox Company's vision of the future.

0:24:23.476 --> 0:24:26.116
<v Speaker 1>One day computers would be able to predict human behavior

0:24:26.156 --> 0:24:28.276
<v Speaker 1>and manipulate it. There'd be a lot of money to

0:24:28.316 --> 0:24:30.596
<v Speaker 1>be made. There'd be a lot of power to accumulate.

0:24:31.156 --> 0:24:34.356
<v Speaker 1>Greenfield thought Dlea. Stevenson would run again in nineteen sixty,

0:24:34.556 --> 0:24:38.116
<v Speaker 1>and he wanted Stephenson to use his People Machine. And here,

0:24:38.276 --> 0:24:40.556
<v Speaker 1>just here is a snag in the fabric of time.

0:24:41.556 --> 0:24:44.316
<v Speaker 1>First of all, Stephenson did not run for a third time.

0:24:44.676 --> 0:24:47.876
<v Speaker 1>He only almost ran. But also some of the people

0:24:47.916 --> 0:24:51.596
<v Speaker 1>who got Greenfield's confidential memo about the People Machine, they

0:24:51.636 --> 0:24:55.596
<v Speaker 1>thought christ On toast this thing should be illegal. One

0:24:55.636 --> 0:24:58.436
<v Speaker 1>of the people Greenfield sent this proposal too was Stevenson's

0:24:58.476 --> 0:25:02.036
<v Speaker 1>law partner, Newton Minnow. Minnow is a really important person

0:25:02.076 --> 0:25:03.676
<v Speaker 1>because he'd go on to be the chairman of the

0:25:03.756 --> 0:25:09.116
<v Speaker 1>FCC under the Kennedy administration. Greenfield's proposal freaked Minnow out.

0:25:09.636 --> 0:25:14.476
<v Speaker 1>Dear Arthur, do you remember ed Greenfield? Minno wrote a

0:25:14.516 --> 0:25:17.156
<v Speaker 1>letter to the very eminent Pultzer Prize winning Harvard historian

0:25:17.476 --> 0:25:23.196
<v Speaker 1>Arthur Slessinger Junior about Greenfield's dangerous idea. Without prejudicing your judgment,

0:25:23.836 --> 0:25:27.556
<v Speaker 1>my own opinion is that such a thing A cannot work,

0:25:27.916 --> 0:25:33.596
<v Speaker 1>b is immoral, c should be declared illegal. Please advise

0:25:34.316 --> 0:25:40.476
<v Speaker 1>best regards, Newton n Minnow. Slessinger wrote right back, Dear Newt,

0:25:40.876 --> 0:25:44.276
<v Speaker 1>I have pretty much your feelings. I shudder at the

0:25:44.316 --> 0:25:48.396
<v Speaker 1>implications for public leadership of the nation. On the other hand,

0:25:48.436 --> 0:25:51.036
<v Speaker 1>I do believe in science and don't like to be

0:25:51.116 --> 0:25:56.676
<v Speaker 1>a party to choking off new ideas. Yours ever, Arthur Slessinger,

0:25:57.476 --> 0:26:00.996
<v Speaker 1>The People Machine, needless to say, was not declared illegal.

0:26:01.156 --> 0:26:04.996
<v Speaker 1>It went ahead. The Democratic National Committee hired Sineomatics, and

0:26:05.076 --> 0:26:08.116
<v Speaker 1>when John F. Kennedy won the nomination, the Kennedy campaign

0:26:08.236 --> 0:26:12.956
<v Speaker 1>hired Cineomatics and then unexpectedly delayed climax saw sent to

0:26:13.036 --> 0:26:15.716
<v Speaker 1>Kennedy the victor with a clear margin of Electromo vote.

0:26:16.996 --> 0:26:20.756
<v Speaker 1>Years and years later, I found symblematics original punch cards,

0:26:20.916 --> 0:26:23.836
<v Speaker 1>the punch cards it used to simulate the nineteen sixty election.

0:26:24.316 --> 0:26:26.956
<v Speaker 1>I figured if I could read them, or rather get

0:26:27.036 --> 0:26:30.716
<v Speaker 1>Carl Claunch computer archaeologists to read them, I could understand

0:26:30.716 --> 0:26:34.476
<v Speaker 1>how this thing worked and know whether it worked. So

0:26:34.956 --> 0:26:37.476
<v Speaker 1>Carl read the cards on his ancient equipment. But we

0:26:37.556 --> 0:26:40.236
<v Speaker 1>hit another snag. We got the data off the cards,

0:26:40.276 --> 0:26:42.476
<v Speaker 1>but then we couldn't get the Fortran program to run.

0:26:44.276 --> 0:26:48.556
<v Speaker 1>Knowledge on computer's decays becomes obsolete. You find your grandmother's

0:26:48.596 --> 0:26:50.916
<v Speaker 1>photo albums in aerratic. You can look at the photographs.

0:26:51.156 --> 0:26:54.276
<v Speaker 1>You don't need a special program. Will your grandchildren never

0:26:54.316 --> 0:26:56.116
<v Speaker 1>be able to see the photographs you've got stored on

0:26:56.156 --> 0:26:59.356
<v Speaker 1>your computer. Not likely, They'll have been lost in a

0:26:59.436 --> 0:27:03.156
<v Speaker 1>forgotten sludge of obsolete file name extensions and hard drives

0:27:03.156 --> 0:27:08.396
<v Speaker 1>and operating systems and disused connectors. There's a weird foreshortening

0:27:08.396 --> 0:27:11.116
<v Speaker 1>of history going on. I think that's one reason people,

0:27:11.276 --> 0:27:13.716
<v Speaker 1>or at least people like me. Why would get obsessed

0:27:13.716 --> 0:27:17.356
<v Speaker 1>with time capsules? Everything just seems to be slipping away

0:27:17.356 --> 0:27:21.316
<v Speaker 1>all the time. If data has replaced facts is the

0:27:21.356 --> 0:27:25.756
<v Speaker 1>elemental unit of knowledge. That's a problem, because data it's

0:27:25.876 --> 0:27:30.836
<v Speaker 1>unbelievably shoddy. It just doesn't last anyway. Even with my

0:27:30.876 --> 0:27:34.036
<v Speaker 1>punch cards read, I couldn't get the Symbiomatics program to run.

0:27:34.516 --> 0:27:37.996
<v Speaker 1>I was sad. But fortunately I had more reliable and

0:27:38.076 --> 0:27:42.796
<v Speaker 1>durable evidence than punch cards. I had newspapers, stock certificates,

0:27:42.796 --> 0:27:45.316
<v Speaker 1>and letters, so I was able to figure out what

0:27:45.476 --> 0:27:48.876
<v Speaker 1>happened next. John F. Kennedy settles into office as a

0:27:48.956 --> 0:27:52.076
<v Speaker 1>thirty fifth President of the United States, the youngest man

0:27:52.156 --> 0:27:54.996
<v Speaker 1>on the first Roman Catholic ever elected to the office.

0:27:55.436 --> 0:27:58.556
<v Speaker 1>After Kennedy was inaugurated, Simiomatics went public with a big,

0:27:58.756 --> 0:28:02.516
<v Speaker 1>splashy vision for changing the world. The company proposes to

0:28:02.556 --> 0:28:06.556
<v Speaker 1>engage principally in estimating probable human behavior by the use

0:28:06.596 --> 0:28:11.036
<v Speaker 1>of computer technology. For this purpose, it may utilize information

0:28:11.076 --> 0:28:14.316
<v Speaker 1>derived from public opinion polls and other sources concerning the

0:28:14.316 --> 0:28:18.356
<v Speaker 1>composition and attitudes of the group understudy that summer. Summer

0:28:18.356 --> 0:28:21.716
<v Speaker 1>of nineteen sixty one, the scientists of the Cymomatics Corporation

0:28:21.916 --> 0:28:24.396
<v Speaker 1>met on a beach on Long Island, where they worked

0:28:24.436 --> 0:28:27.236
<v Speaker 1>beneath a geodesic dome that looked as if it had

0:28:27.276 --> 0:28:29.956
<v Speaker 1>come from the future and crashed half buried in the

0:28:29.996 --> 0:28:33.996
<v Speaker 1>sand like a time capsule. They were perfecting their people

0:28:33.996 --> 0:28:37.356
<v Speaker 1>machine to predict and manipulate all sorts of human behavior,

0:28:37.556 --> 0:28:40.556
<v Speaker 1>not just voting, but things like buying a dishwasher too.

0:28:42.756 --> 0:28:47.636
<v Speaker 1>The scientists are preparing to work with electronic computers the

0:28:47.756 --> 0:28:51.716
<v Speaker 1>Giant question answering devices in use for some years, but

0:28:51.796 --> 0:28:56.316
<v Speaker 1>are using social and economic data and their own knowledge

0:28:56.436 --> 0:29:04.276
<v Speaker 1>to work out new programs for computer simulation. Facebook, Palenteer, Amazon,

0:29:04.556 --> 0:29:08.556
<v Speaker 1>the Internet research agency Google. It's as if each of

0:29:08.556 --> 0:29:11.476
<v Speaker 1>these companies emerged out of that time capsule that was

0:29:11.516 --> 0:29:15.596
<v Speaker 1>buried so long ago by the scientists of the Sinemomatics Corporation.

0:29:17.156 --> 0:29:20.836
<v Speaker 1>One Guy Eugene, political scientist from UC Berkeley, who'd worked

0:29:20.836 --> 0:29:25.436
<v Speaker 1>on the Stephenson campaign, refused to join Sinmomatics. Instead, he

0:29:25.516 --> 0:29:29.236
<v Speaker 1>became its fiercest critic. In nineteen sixty four, he called

0:29:29.236 --> 0:29:32.596
<v Speaker 1>the corporation a new underworld. Most of these people are

0:29:32.676 --> 0:29:36.036
<v Speaker 1>highly educated, many of them are PhDs, and none that

0:29:36.076 --> 0:29:39.956
<v Speaker 1>I've met of malignant political designs on the American public.

0:29:40.756 --> 0:29:46.076
<v Speaker 1>They may, however, radically reconstruct the American political system, build

0:29:46.116 --> 0:29:51.276
<v Speaker 1>a new politics, and even modify revered and venerable American institutions,

0:29:51.716 --> 0:29:56.676
<v Speaker 1>facts of which they are blissfully innocent. The scientists of

0:29:56.676 --> 0:30:01.356
<v Speaker 1>cinematics invented our data mad future. If the world daily

0:30:01.396 --> 0:30:04.676
<v Speaker 1>life sometimes feels unreal to you, it feels that way

0:30:04.676 --> 0:30:09.796
<v Speaker 1>to me, maybe especially lately, so simulated, and you you're

0:30:09.916 --> 0:30:14.916
<v Speaker 1>very self so targeted. Remember sinmomatics and when and how

0:30:15.076 --> 0:30:20.436
<v Speaker 1>this started with a people machine. Forget Donald Trump and

0:30:20.476 --> 0:30:22.716
<v Speaker 1>Mark Zuckerberg and the rest of them, at least for

0:30:22.716 --> 0:30:27.316
<v Speaker 1>a minute, because I wonder, did the sinehomatics guys, these

0:30:27.396 --> 0:30:33.276
<v Speaker 1>masters of simulation, did they kill truth by accident? We

0:30:33.276 --> 0:30:35.636
<v Speaker 1>had one more stop on our road trip to find out.

0:30:46.476 --> 0:30:48.876
<v Speaker 1>Califorida just always looks to me like a playmo city,

0:30:49.356 --> 0:30:53.076
<v Speaker 1>like a playmobile city, Like there's like one of every vehicle.

0:30:54.076 --> 0:30:57.076
<v Speaker 1>The roads are really clean and straight, the hills are green.

0:30:57.916 --> 0:31:00.556
<v Speaker 1>I love the hills though, they like looking at a

0:31:00.636 --> 0:31:04.236
<v Speaker 1>street and just seeing like and then like all the

0:31:04.396 --> 0:31:06.916
<v Speaker 1>houses that like are like seemed to be above each other.

0:31:08.036 --> 0:31:10.356
<v Speaker 1>Oliver Ben and I love Mountain View and the computer

0:31:10.436 --> 0:31:13.836
<v Speaker 1>History Museum, and I headed back to San Francisco. On

0:31:13.876 --> 0:31:16.236
<v Speaker 1>that drive, we sort of stumbled into the third most

0:31:16.236 --> 0:31:18.996
<v Speaker 1>streequent answer I get when I ask people who killed truth?

0:31:19.556 --> 0:31:22.516
<v Speaker 1>Some people say Trump, some people say Zuckerberg, and then

0:31:22.556 --> 0:31:27.236
<v Speaker 1>some people say, poh. Postmodernism slightly less obvious, but still

0:31:27.276 --> 0:31:32.796
<v Speaker 1>a prime suspect. So I've been avoiding postmodernism. Postmodernism, nothing

0:31:32.876 --> 0:31:35.756
<v Speaker 1>is real. Everything refers to something else. But then it's

0:31:35.836 --> 0:31:38.796
<v Speaker 1>references all the way down, and at the bottom there's

0:31:38.876 --> 0:31:41.876
<v Speaker 1>really nothing. I don't think of myself as someone with

0:31:41.916 --> 0:31:45.396
<v Speaker 1>a postmodern sensibility. Do you watch the streets of San Francisco?

0:31:46.076 --> 0:31:50.036
<v Speaker 1>The streets of San Francisco, except, of course I do

0:31:50.116 --> 0:31:55.476
<v Speaker 1>have a postmodern sensibility, Like San Francisco is gold Russian mining. No,

0:31:55.836 --> 0:32:02.796
<v Speaker 1>my god, it's very young, beautiful Michael Douglas, Carl Walden, Yeah,

0:32:02.796 --> 0:32:05.836
<v Speaker 1>it was prospectors, you know my people. Well, anyway, in

0:32:05.836 --> 0:32:08.716
<v Speaker 1>the streets of San Francisco. So Michael Douglas plays this

0:32:08.876 --> 0:32:12.316
<v Speaker 1>young University of California Berkeley, either graduate or drop out,

0:32:12.436 --> 0:32:17.116
<v Speaker 1>and Karl Malden is this kind of grizzled older detective

0:32:17.876 --> 0:32:20.356
<v Speaker 1>and he always just calls them college boy. And he's

0:32:20.556 --> 0:32:25.276
<v Speaker 1>kind of got this gritty voice, and their partners and

0:32:25.356 --> 0:32:30.316
<v Speaker 1>they solve crimes. Sounds terrible. And there you go driving

0:32:30.316 --> 0:32:32.556
<v Speaker 1>around all the time. They're always in these car chases,

0:32:32.596 --> 0:32:34.956
<v Speaker 1>and it kind of like gets lofted all the time

0:32:34.996 --> 0:32:36.956
<v Speaker 1>when they go over the hills because they're going so fast.

0:32:37.236 --> 0:32:38.876
<v Speaker 1>This is exactly the kind of thing that happens in

0:32:38.916 --> 0:32:42.236
<v Speaker 1>Midtown Madness. Oh yeah, so maybe I think that's Drive

0:32:42.396 --> 0:32:46.836
<v Speaker 1>and watch Dogs Too. Okay. On that drive, we got

0:32:46.836 --> 0:32:49.356
<v Speaker 1>into something of an argument about which was the best

0:32:49.436 --> 0:32:53.436
<v Speaker 1>simulation of San Francisco, watch Dogs Too, or another video

0:32:53.476 --> 0:32:58.236
<v Speaker 1>game that Ben likes called Midtown Madness, or My Beloved

0:32:58.276 --> 0:33:01.556
<v Speaker 1>Streets of San Francisco, which got us in a roundabout

0:33:01.596 --> 0:33:05.476
<v Speaker 1>way to postmodernism. They're currently following the New Matrix in

0:33:05.556 --> 0:33:10.076
<v Speaker 1>San Francisco. Wow. The Matrix, of course, is a film

0:33:10.116 --> 0:33:13.196
<v Speaker 1>about how we're all living in a computer simulation. In

0:33:13.276 --> 0:33:15.436
<v Speaker 1>an early scene in the film, our hero played by

0:33:15.556 --> 0:33:18.716
<v Speaker 1>Keanu Reeves, hides a computer disc in a holiday copy

0:33:18.756 --> 0:33:22.596
<v Speaker 1>of a book by the French postmodernist Jean Beaudriard. The

0:33:22.636 --> 0:33:27.916
<v Speaker 1>book is called Simulacra and Simulation. Baudriard writes the simulacrum

0:33:27.996 --> 0:33:30.036
<v Speaker 1>is never that which conceals the truth. It is the

0:33:30.076 --> 0:33:34.316
<v Speaker 1>truth which conceals that there is none. Apparently this book

0:33:34.436 --> 0:33:38.356
<v Speaker 1>was the filmmaker's gospel. The Matrix is everywhere, It is

0:33:38.356 --> 0:33:42.036
<v Speaker 1>all around us. It is the world that has been

0:33:42.076 --> 0:33:47.396
<v Speaker 1>pulled over your eyes to blind you from the truth. Yeah, yeah, yeah,

0:33:47.476 --> 0:33:51.716
<v Speaker 1>blah blah blah. This stuff drives me bonkers. Also, don't

0:33:51.756 --> 0:33:54.636
<v Speaker 1>sue me, but the Matrix is totally derivative of a

0:33:54.716 --> 0:33:58.036
<v Speaker 1>nineteen seventy three movie called World un Awire that was

0:33:58.076 --> 0:34:01.316
<v Speaker 1>an adaptation of a nineteen sixty four novel called Simulacron

0:34:01.396 --> 0:34:07.316
<v Speaker 1>three that was about simblematics. So everything is about the

0:34:07.316 --> 0:34:10.476
<v Speaker 1>simulation of reality. We were in a simulation of a

0:34:10.556 --> 0:34:15.756
<v Speaker 1>simulation of a simulation and the look, I admit it.

0:34:15.756 --> 0:34:18.716
<v Speaker 1>We had gone to California mainly out of desperation. You

0:34:18.956 --> 0:34:21.796
<v Speaker 1>try answering the question who killed Truth in ten episodes.

0:34:22.556 --> 0:34:25.036
<v Speaker 1>Plus it was winter back home and California is so

0:34:25.116 --> 0:34:28.196
<v Speaker 1>beautiful and warm. But it turned out we really did

0:34:28.236 --> 0:34:31.196
<v Speaker 1>find a lot of answers in California. Everything did seem

0:34:31.236 --> 0:34:35.556
<v Speaker 1>somehow to be coming together like magic. History often works

0:34:35.596 --> 0:34:37.796
<v Speaker 1>that way. He lined things up on a timeline, and

0:34:37.916 --> 0:34:42.356
<v Speaker 1>suddenly things make sense, because chronology really is like gravity.

0:34:43.836 --> 0:34:46.516
<v Speaker 1>Here's the timeline of tomorrow as I was starting to

0:34:46.516 --> 0:34:50.396
<v Speaker 1>see it. In the nineteen fifties, all Tomorrowlands were happy

0:34:50.396 --> 0:34:54.116
<v Speaker 1>tomorrow Lands. By the nineteen sixties, they were happy tomorrow

0:34:54.156 --> 0:34:58.996
<v Speaker 1>Lands and unhappy tomorrow Lands. By the nineteen seventies, Tomorrowland

0:34:59.396 --> 0:35:02.916
<v Speaker 1>didn't look like such a happy place after all. One book,

0:35:03.156 --> 0:35:06.396
<v Speaker 1>Future Shock, a bestseller by a futurist named Alvin Toffler,

0:35:06.676 --> 0:35:12.156
<v Speaker 1>said it best Future Shock. There's a sickness which comes

0:35:12.156 --> 0:35:16.516
<v Speaker 1>from too much change, too short of time. Worse and

0:35:16.596 --> 0:35:19.556
<v Speaker 1>Wells narrated the movie version. It's the reaction to change

0:35:19.596 --> 0:35:23.876
<v Speaker 1>that didn't happened so fast that the cat saw of them.

0:35:24.036 --> 0:35:31.236
<v Speaker 1>It's the premature arrival at the future. Driving around California

0:35:31.316 --> 0:35:34.676
<v Speaker 1>and ridiculous red convertible, we were suffering from plenty of

0:35:34.716 --> 0:35:38.516
<v Speaker 1>future shock. We had one more stop, stop number three

0:35:38.836 --> 0:35:41.196
<v Speaker 1>started the bull on the right are here now? It's

0:35:41.236 --> 0:35:45.556
<v Speaker 1>like a little ways up on the right. Okay, I've

0:35:45.556 --> 0:35:48.916
<v Speaker 1>got a hardy going there. Your destination is on the right.

0:35:51.676 --> 0:35:54.716
<v Speaker 1>I don't know what the museum now. I think we're

0:35:54.716 --> 0:35:59.356
<v Speaker 1>going to the office office Bow. We pulled up outside

0:35:59.396 --> 0:36:03.076
<v Speaker 1>the Internet Archive near Golden Gate Park. I thought maybe

0:36:03.116 --> 0:36:05.796
<v Speaker 1>this archive would have some kind of antidote to future shock.

0:36:06.516 --> 0:36:09.076
<v Speaker 1>It's hard to think of any place else that's done

0:36:09.196 --> 0:36:11.916
<v Speaker 1>so much to use technology to preserve our digital past

0:36:12.276 --> 0:36:16.156
<v Speaker 1>instead of just letting it disintegrates. They were walking into

0:36:16.156 --> 0:36:21.236
<v Speaker 1>it looks like a church, monitor church. It's huge. Yeah,

0:36:21.676 --> 0:36:35.876
<v Speaker 1>these large columns out front. Yeah, welcome. I'm Brewster. Brewster

0:36:35.996 --> 0:36:38.396
<v Speaker 1>Kill is a digital librarian and founder of the Internet

0:36:38.516 --> 0:36:42.436
<v Speaker 1>Archive Archives. Everything you want old time radio dramas, they've

0:36:42.436 --> 0:36:44.996
<v Speaker 1>got them. You want video of Alex Bernstein playing chess

0:36:44.996 --> 0:36:47.876
<v Speaker 1>against a computer, they've got it. You want old video

0:36:47.916 --> 0:36:50.756
<v Speaker 1>games and the systems they're played on, Grateful Dead recordings,

0:36:50.836 --> 0:36:54.836
<v Speaker 1>Russian audiobooks, tractor manuals, the issue of thrilling wonder stories

0:36:54.876 --> 0:36:57.356
<v Speaker 1>where we read warning from the past. They've got it

0:36:57.396 --> 0:37:01.116
<v Speaker 1>all in digital form. Kill showed us around the lobby.

0:37:01.316 --> 0:37:04.956
<v Speaker 1>So you want to crank it up? Yeah? So what

0:37:05.196 --> 0:37:07.836
<v Speaker 1>is this from this Victor? This is a Victor talking machine.

0:37:07.836 --> 0:37:14.156
<v Speaker 1>Five yep. So we undo this break and we put

0:37:14.156 --> 0:37:32.276
<v Speaker 1>down the needle. Sounds pretty good, huh. That front room

0:37:32.316 --> 0:37:34.956
<v Speaker 1>looked like the entrance to a post office, A post

0:37:34.956 --> 0:37:38.676
<v Speaker 1>office with old phonographs and also old video games. We

0:37:38.716 --> 0:37:45.636
<v Speaker 1>look at some city. Yeah, there's some city. Uh, name

0:37:45.716 --> 0:37:51.116
<v Speaker 1>your city. The last archive, last archive, let's put it

0:37:51.236 --> 0:37:54.796
<v Speaker 1>in an earthquake zone. Yeah. Then call brought us upstairs

0:37:54.796 --> 0:37:56.756
<v Speaker 1>into the main hall of the church. There was a

0:37:56.756 --> 0:37:59.316
<v Speaker 1>beautiful altar in the front, and in the back in

0:37:59.396 --> 0:38:06.396
<v Speaker 1>the nave giant servers. Oliver, those are those are servers

0:38:07.196 --> 0:38:09.996
<v Speaker 1>of the two hundredth most popular web site in the world.

0:38:11.156 --> 0:38:14.756
<v Speaker 1>It's about fifteen petabytes out of the sixty petabytes are

0:38:14.756 --> 0:38:18.956
<v Speaker 1>the ones on the other side. Here wee archive dot org.

0:38:19.916 --> 0:38:22.276
<v Speaker 1>So every time a light blink is somebody uploading something

0:38:22.356 --> 0:38:26.076
<v Speaker 1>or downloading something to the Internet archive. So it's actually

0:38:26.436 --> 0:38:29.836
<v Speaker 1>you never get to see somebody's servers, right. The ideas

0:38:29.836 --> 0:38:31.996
<v Speaker 1>to try to put kind of a human face on

0:38:32.116 --> 0:38:35.796
<v Speaker 1>what it is we're building, because that way we'll actually

0:38:35.916 --> 0:38:39.236
<v Speaker 1>want to preserve it and keep it going. We stood

0:38:39.236 --> 0:38:41.556
<v Speaker 1>there for a bit, watching the lights flicker, the archive

0:38:41.636 --> 0:38:45.636
<v Speaker 1>growing vaster. Then we headed downstairs to the basement to

0:38:45.676 --> 0:38:48.196
<v Speaker 1>the main office and sat down with Kale in a

0:38:48.236 --> 0:38:50.756
<v Speaker 1>conference room. I told him we've been thinking a lot

0:38:50.756 --> 0:38:54.676
<v Speaker 1>about simulated worlds and time capsules, prophecies of the future.

0:38:55.316 --> 0:38:58.636
<v Speaker 1>He doesn't have much use for time capsules. It's libraries

0:38:58.636 --> 0:39:01.756
<v Speaker 1>are all about having new things discovered such they're worthy

0:39:01.756 --> 0:39:04.476
<v Speaker 1>of being put in a library. Time capsule is a

0:39:05.916 --> 0:39:10.276
<v Speaker 1>vanity project of a particular time. Really actually probably doesn't

0:39:10.276 --> 0:39:13.196
<v Speaker 1>even intend to be opened, or who cares if it's opened.

0:39:13.196 --> 0:39:16.276
<v Speaker 1>It's all about the people being photographed with it at

0:39:16.276 --> 0:39:20.076
<v Speaker 1>the time. Aren't they important? Right? Who cares? No one

0:39:20.076 --> 0:39:24.796
<v Speaker 1>will care. Most time capsules get forgotten. Also, who locks

0:39:24.836 --> 0:39:29.076
<v Speaker 1>away knowledge? Who buries knowledge? It's kind of nuts. The

0:39:29.156 --> 0:39:32.036
<v Speaker 1>Internet archive is something very different. The vision of the

0:39:32.076 --> 0:39:33.836
<v Speaker 1>Internet that I signed on too is to try to

0:39:33.876 --> 0:39:37.716
<v Speaker 1>build the Library of Everything, the digital Library of Alexandria,

0:39:37.796 --> 0:39:41.716
<v Speaker 1>the universal access to all knowledge. This show is about

0:39:41.756 --> 0:39:44.756
<v Speaker 1>why it seems so hard lately to know things, but

0:39:44.836 --> 0:39:47.396
<v Speaker 1>of course it should be so much easier lately to

0:39:47.476 --> 0:39:51.356
<v Speaker 1>know things, not least because of the Internet. This giant

0:39:51.516 --> 0:39:56.316
<v Speaker 1>free library. Books can last for centuries. The average life

0:39:56.316 --> 0:39:58.956
<v Speaker 1>of the webpage, though, is just one hundred days. And

0:39:58.956 --> 0:40:03.076
<v Speaker 1>then poof so Kale built this thing called the wayback Machine.

0:40:03.516 --> 0:40:07.076
<v Speaker 1>It takes a snapshot of the entire Internet constantly. It

0:40:07.236 --> 0:40:11.196
<v Speaker 1>is literally a last archive. It's now, oh, I don't

0:40:11.236 --> 0:40:17.476
<v Speaker 1>eight hundred billion. URL's four hundred billion pages. It's used

0:40:17.476 --> 0:40:21.836
<v Speaker 1>by hundreds of thousands of people every day. As Kale

0:40:21.836 --> 0:40:23.716
<v Speaker 1>sees that, the Internet was meant to be one thing,

0:40:23.796 --> 0:40:27.196
<v Speaker 1>a library, and it's still that, but with a rise

0:40:27.196 --> 0:40:30.476
<v Speaker 1>of social media, it became something else. It became a

0:40:30.516 --> 0:40:33.916
<v Speaker 1>people machine designed to capture and hold your attention, to

0:40:34.076 --> 0:40:38.676
<v Speaker 1>substitute a simulation of reality for the actual thing. I think,

0:40:38.716 --> 0:40:41.716
<v Speaker 1>really yeah, it's maybe the sort of late nineties, early

0:40:41.756 --> 0:40:47.276
<v Speaker 1>two thousands when when we've talked about these great terms

0:40:47.276 --> 0:40:50.396
<v Speaker 1>like eyeballs, right, what you really need is eyeballs for

0:40:50.516 --> 0:40:53.436
<v Speaker 1>your service, and we need sticky eyeballs right to go.

0:40:55.436 --> 0:40:58.756
<v Speaker 1>It is just gross. And there's another problem, a problem

0:40:58.876 --> 0:41:02.556
<v Speaker 1>Kale hasn't solved, a problem no one has solved. When

0:41:02.596 --> 0:41:05.596
<v Speaker 1>you search on the Internet, you don't search. A machine

0:41:05.636 --> 0:41:09.316
<v Speaker 1>searches how people want new things. How you found out

0:41:09.316 --> 0:41:12.396
<v Speaker 1>truth was he did your own searching. But on the

0:41:12.436 --> 0:41:15.116
<v Speaker 1>Internet it's too big. You can't do your own searching.

0:41:15.836 --> 0:41:19.396
<v Speaker 1>Google co founder Larry Page once predicted that eventually you'll

0:41:19.436 --> 0:41:21.836
<v Speaker 1>have this implant where if you think about a fact,

0:41:21.876 --> 0:41:24.916
<v Speaker 1>it will just tell you the answer. But that's not thinking,

0:41:25.356 --> 0:41:27.236
<v Speaker 1>and it's a part, even if it's only a little

0:41:27.276 --> 0:41:29.956
<v Speaker 1>part of why. It sometimes feels as though the world

0:41:30.596 --> 0:41:35.236
<v Speaker 1>he isn't quite real. We say goodbye to the archivists

0:41:35.236 --> 0:41:37.436
<v Speaker 1>of the Internet, feeling a little like Neo in the

0:41:37.476 --> 0:41:42.036
<v Speaker 1>matrix when he first gets unplugged. We're like orson Welles

0:41:42.316 --> 0:41:47.636
<v Speaker 1>suffering from future shock. The impact of future shock does

0:41:47.676 --> 0:41:51.956
<v Speaker 1>not depend on the nature of its victims. They are

0:41:52.036 --> 0:41:57.196
<v Speaker 1>everywhere future shock. That's crap. We aren't victims of the future,

0:41:57.916 --> 0:42:00.956
<v Speaker 1>stuck in some lunatic tomorrow land or locked in a

0:42:01.036 --> 0:42:05.036
<v Speaker 1>time capsule. Even if we're quarantined in our houses. The

0:42:05.116 --> 0:42:08.436
<v Speaker 1>future isn't something that happens to us. It's something we make.

0:42:09.356 --> 0:42:12.796
<v Speaker 1>Who killed truth? Who decided it was okay to ignore

0:42:12.796 --> 0:42:15.436
<v Speaker 1>the past, to erase the past, or let it become unreadable,

0:42:16.116 --> 0:42:19.756
<v Speaker 1>to make everything about the future and simulation and prediction.

0:42:20.996 --> 0:42:24.196
<v Speaker 1>I had one more place to look. We headed home,

0:42:24.796 --> 0:42:28.436
<v Speaker 1>all the way home, back to where we started, a

0:42:28.516 --> 0:42:32.356
<v Speaker 1>short walk from my office, just when everything began to

0:42:32.356 --> 0:42:37.516
<v Speaker 1>shut down. Okay, little anticlimactic, like just a dorm room. Yeah,

0:42:37.876 --> 0:42:41.276
<v Speaker 1>the students just moved out of here. There's no just

0:42:41.356 --> 0:42:45.996
<v Speaker 1>the sort of prefabricated dorm room furniture like slightly higher

0:42:46.036 --> 0:42:51.556
<v Speaker 1>quality than cinder block wall. Not such good light. But

0:42:51.676 --> 0:42:54.316
<v Speaker 1>this is where it happened. This is where Facebook was born.

0:42:54.676 --> 0:42:59.676
<v Speaker 1>For face smash, Are you hotter? Are you not? We'd

0:42:59.716 --> 0:43:02.836
<v Speaker 1>gone to Mark Zuckerberg's old Harvard dorm room. All the

0:43:02.916 --> 0:43:08.636
<v Speaker 1>dorms were emptied out, the students all gone evacuated. So

0:43:08.796 --> 0:43:10.996
<v Speaker 1>what what was your what was your grand vision for

0:43:11.236 --> 0:43:14.276
<v Speaker 1>bringing us here? I thought there would be flames, like

0:43:14.396 --> 0:43:20.356
<v Speaker 1>licking the walls of veneer of Hell. I don't know,

0:43:20.556 --> 0:43:23.236
<v Speaker 1>I just you know, I think about that moment of

0:43:25.596 --> 0:43:31.316
<v Speaker 1>ditching your education to go make piles of money always

0:43:31.356 --> 0:43:33.756
<v Speaker 1>troubles me, Like if you could go back in time,

0:43:36.796 --> 0:43:40.236
<v Speaker 1>was there a different route? But I guess ryans aren't

0:43:40.236 --> 0:43:49.476
<v Speaker 1>supposed to ask those questions. Those counterfactuals addresser but a

0:43:49.556 --> 0:43:52.676
<v Speaker 1>little desk that nobody uses because everybody sets a laptop.

0:43:54.316 --> 0:43:56.916
<v Speaker 1>This is weird. I don't remember this door being here

0:43:56.956 --> 0:44:02.636
<v Speaker 1>when we came in. Did you see this dark green door? No? No?

0:44:02.756 --> 0:44:06.316
<v Speaker 1>And everything else is just that bland security deposit white?

0:44:07.996 --> 0:44:09.956
<v Speaker 1>Why aren't there? We are in the middle of the

0:44:10.556 --> 0:44:26.196
<v Speaker 1>hallway to this dorm room. Can we go through? Okay? Oh? No,

0:44:27.396 --> 0:44:31.356
<v Speaker 1>wait a minute, what has happened? How are we? How

0:44:31.356 --> 0:44:34.796
<v Speaker 1>did we get back here? Is this the last archive?

0:44:36.916 --> 0:44:40.196
<v Speaker 1>There's a secret passageway from Mark zucker Brook's old dorm

0:44:40.276 --> 0:44:43.396
<v Speaker 1>room into the West Archive. Oh my god, thank god,

0:44:43.436 --> 0:44:49.916
<v Speaker 1>we're Jesus. It's like we're in clue. Here. We are

0:44:50.716 --> 0:44:52.636
<v Speaker 1>back in the place in our world where the known

0:44:52.756 --> 0:44:56.556
<v Speaker 1>things go. Shelves stocked with proof, and all around the

0:44:56.636 --> 0:45:01.916
<v Speaker 1>clutter of clues, a rock quarried in Vermont, reels and

0:45:02.036 --> 0:45:06.116
<v Speaker 1>reels of tape, an old punch card reader, all this

0:45:06.156 --> 0:45:09.196
<v Speaker 1>stuff from all the old episodes. It's laid out on

0:45:09.276 --> 0:45:12.316
<v Speaker 1>a big oak library table. It's like I'm in a

0:45:12.396 --> 0:45:15.276
<v Speaker 1>museum exhibit, but the hours are only midnight to two am,

0:45:15.316 --> 0:45:17.836
<v Speaker 1>and there's no marketing budget or gift shop, and no

0:45:17.836 --> 0:45:20.916
<v Speaker 1>one will ever come or believe I was here. I

0:45:20.996 --> 0:45:23.516
<v Speaker 1>wish they had like tote bags or something. No one

0:45:23.516 --> 0:45:26.396
<v Speaker 1>ever believes me about this place, and I think all

0:45:26.436 --> 0:45:28.676
<v Speaker 1>along I could have just gone out that other weird

0:45:28.756 --> 0:45:36.636
<v Speaker 1>green door. Zuckerberg isn't the killer this case. It's like

0:45:36.916 --> 0:45:43.636
<v Speaker 1>murder on the Orient Express. Everyone's the killer, all of us, Zuckerberg, Trump, Postmodernism.

0:45:44.476 --> 0:45:48.396
<v Speaker 1>I blame them for a lot for opportunism and cynicism

0:45:48.396 --> 0:45:51.916
<v Speaker 1>and nihilism. But with this crime, the killing of truth,

0:45:52.716 --> 0:45:57.236
<v Speaker 1>there's plenty of blame to go around. You need people

0:45:57.476 --> 0:46:02.436
<v Speaker 1>to know things, You need a collective commitment to empiricism.

0:46:02.596 --> 0:46:09.116
<v Speaker 1>We hold these truths. That's why people invented democracy. Any

0:46:09.116 --> 0:46:11.036
<v Speaker 1>One who gives up on the idea that people together

0:46:11.236 --> 0:46:15.716
<v Speaker 1>can share a world is killing truth. In an age

0:46:15.716 --> 0:46:20.116
<v Speaker 1>of global pandemics, it's obvious how killing truth kills people.

0:46:21.956 --> 0:46:24.956
<v Speaker 1>Democracy is a pain in the ass. It can be

0:46:24.996 --> 0:46:27.556
<v Speaker 1>hard to be certain about anything when everyone has a voice.

0:46:28.316 --> 0:46:30.476
<v Speaker 1>But the point of living with other people, the purpose

0:46:30.596 --> 0:46:34.836
<v Speaker 1>of democracy, like the purpose of a university, is that

0:46:34.836 --> 0:46:38.476
<v Speaker 1>no one has all the answers. You've got to inquire.

0:46:38.836 --> 0:46:41.356
<v Speaker 1>You can't believe in someone else's time capsule version of

0:46:41.396 --> 0:46:45.836
<v Speaker 1>the past or the future. You've got somehow to get

0:46:45.836 --> 0:46:49.356
<v Speaker 1>out into the world and talk to people, and especially

0:46:50.036 --> 0:46:57.476
<v Speaker 1>you've got to listen mystery, fact, number data. Truth isn't

0:46:57.476 --> 0:46:59.836
<v Speaker 1>any one of those things. It's in all of those

0:46:59.876 --> 0:47:02.876
<v Speaker 1>things together. And to really understand what the hell is

0:47:02.916 --> 0:47:05.676
<v Speaker 1>going on, you probably also need to read some poetry

0:47:06.236 --> 0:47:09.556
<v Speaker 1>or a book like Silent Spring. And I like to

0:47:09.556 --> 0:47:11.876
<v Speaker 1>think you've got to study some history. You've got to

0:47:11.916 --> 0:47:15.276
<v Speaker 1>love the places that make that knowledge, that keep it fragile.

0:47:15.316 --> 0:47:20.116
<v Speaker 1>Place is worth protecting, the last Archive and the next one.

0:47:24.676 --> 0:47:28.716
<v Speaker 1>I've got to lock this place up now until next season.

0:47:29.436 --> 0:47:37.476
<v Speaker 1>A season of doubt. Wait wait, laate. This is a

0:47:37.516 --> 0:47:40.956
<v Speaker 1>show about truth. We can't end without confessing. We did

0:47:40.956 --> 0:47:45.036
<v Speaker 1>not actually go to Mark Zuckerberg's dorm room. I'm a professor.

0:47:45.076 --> 0:47:47.316
<v Speaker 1>I'd never go to someone's dorm room. Even after the

0:47:47.356 --> 0:47:52.156
<v Speaker 1>dorms it emptied out. That was a simulation, forgive us.

0:47:53.476 --> 0:47:56.236
<v Speaker 1>The Last Archive is produced by Sophie Crane, mckibbon and

0:47:56.276 --> 0:47:59.196
<v Speaker 1>Ben Natt of Haafrey. Our editor is Julia Barton, and

0:47:59.276 --> 0:48:03.196
<v Speaker 1>our executive producer is Emil Abell. Jason Gambrel and Martine

0:48:03.236 --> 0:48:07.716
<v Speaker 1>Gonzalez are engineers. Fact checking by Amy Gaines. Original music

0:48:07.796 --> 0:48:11.556
<v Speaker 1>by Matthias Bossi and John Evans of Stellwagen Symfinett. Many

0:48:11.556 --> 0:48:13.636
<v Speaker 1>of her sound effects are from Harry Janette Junior and

0:48:13.676 --> 0:48:17.916
<v Speaker 1>The Star Janette Foundation. Our Foolproof players are Barlow, Adamson,

0:48:18.036 --> 0:48:21.996
<v Speaker 1>Daniel Burger, Jones, Jesse Henson, John Kuntz, Becca A. Lewis

0:48:22.196 --> 0:48:25.556
<v Speaker 1>and Maurice Emmanuel Parent. The Last Archive is brought to

0:48:25.556 --> 0:48:29.116
<v Speaker 1>you by Pushkin Industries. Special thanks to Ryan McKittrick in

0:48:29.156 --> 0:48:32.636
<v Speaker 1>the American Repertory Theater, to Guy Fedorco, and to Simon

0:48:32.716 --> 0:48:37.316
<v Speaker 1>Leake at Pushkin. Thanks to Heather Fane, Maya Knig, Carli Mgliori,

0:48:37.436 --> 0:48:41.796
<v Speaker 1>Emily Rostek, Eric Sandler, Maggie Taylor, and Jacob Weisberg. Our

0:48:41.836 --> 0:48:47.396
<v Speaker 1>research assistants are Michellegau, Olivia Oldham, Henrietta O'Reilly, Olive Riskin Kutz,

0:48:47.476 --> 0:48:51.716
<v Speaker 1>and Emily Spector. I'm Joe Lapoor. If you're interested in

0:48:51.756 --> 0:48:54.636
<v Speaker 1>reading the history of the Simomatics Corporation, you could check

0:48:54.636 --> 0:48:58.396
<v Speaker 1>out my book if then available September fifteenth. Wherever books

0:48:58.396 --> 0:49:01.876
<v Speaker 1>are sold, visit simomatics dot com to learn more.