WEBVTT - The Swap

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<v Speaker 1>Well, I don't know where this is going to fall

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<v Speaker 1>in the actual order of what they're going to throw

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<v Speaker 1>up on our feed, because I never know once we

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<v Speaker 1>record it when it actually airs. But Happy New Year,

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<v Speaker 1>maybe issually possibly, I don't know what's aired already.

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<v Speaker 2>So happy New Year, Sabri.

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<v Speaker 3>Said, New Year for us? Will I love it? Another

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<v Speaker 3>year of magic?

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<v Speaker 1>It is? Remember when the year You might not because

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<v Speaker 1>you were a child at the time, but I was

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<v Speaker 1>gonna say, remember when the.

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<v Speaker 4>Year two thousand was like the craziest thing.

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<v Speaker 5>In the world.

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<v Speaker 2>I do.

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<v Speaker 3>I was in high school at that time, so yes,

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<v Speaker 3>I do remember. I remember thinking the world was possibly

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<v Speaker 3>going to end.

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<v Speaker 1>Why I didn't remember why?

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<v Speaker 3>Two can literally nothing happened.

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<v Speaker 1>No, nothing, nothing at all happened. It was like three

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<v Speaker 1>two one. And now it's the time.

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<v Speaker 3>Yeah, so oh okay, we're good.

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<v Speaker 1>Now it's twenty twenty five.

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<v Speaker 3>I know I can't even crazy crazy.

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<v Speaker 4>How do you like to ring in the new year?

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<v Speaker 1>And if your answer is not by watching a d com,

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<v Speaker 1>then we probably don't have much more to talk about.

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<v Speaker 3>It depends for twenty twenty four. I fell asleep by

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<v Speaker 3>nine o'clock. I did not watch the ball drop we

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<v Speaker 3>were up in Big Bear just having a really nice

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<v Speaker 3>relaxing weekend, the four of us, my littles and my

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<v Speaker 3>husband and I and that was it. This year, we

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<v Speaker 3>actually had a very fun New Year's. Our friend it's

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<v Speaker 3>her birthday. Her birthday's on the first, okay, so her

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<v Speaker 3>boyfriend through a big party for her, so it was

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<v Speaker 3>a birthday. We did New Year's countdown, then we sang

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<v Speaker 3>Happy Birthday, and then he dropped to one D the

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<v Speaker 3>end proposed to her. So it was a magical New

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<v Speaker 3>Year's for me.

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<v Speaker 1>In the night when she said no, I did a little.

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<v Speaker 3>Bit, but we kept just you know, we just took

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<v Speaker 3>a drink. It just went oh man, it was such

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<v Speaker 3>a huge night. It was really fun. So I like

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<v Speaker 3>doing both. Honestly, it's really fun. You know, the kids

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<v Speaker 3>go to bed so early, so it's not like they're

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<v Speaker 3>too young to like have them stay up till down,

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<v Speaker 3>So we're not doing that yet. Eventually we'll get there,

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<v Speaker 3>and I look forward to that. So it's either just

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<v Speaker 3>like a nice evening with the two of us, or

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<v Speaker 3>it's a banger and we're champagne and and and dancing,

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<v Speaker 3>you know whatever. We're you know, we're even bou what

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<v Speaker 3>about you? What do you guys do?

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<v Speaker 1>We stayed up till I'm always up till midnight, so

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<v Speaker 1>what my wife stayed up till midnight and we we Well,

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<v Speaker 1>I mean, I stay up till midnight most nights. I'm alive.

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<v Speaker 1>So yeah, I would stay up till three o'clock in

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<v Speaker 1>the morning if I could. I'm very much a night owl.

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<v Speaker 1>Oh but that my wife doesn't like that.

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<v Speaker 4>So uh but no, stayed out. She was dozing by

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<v Speaker 4>about eleven thirty.

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<v Speaker 1>But we did our kiss and and wished each other

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<v Speaker 1>a happy New Year, and that was it.

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<v Speaker 3>So yeah, pretty nice. Dad and mom do black eyed peas,

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<v Speaker 3>greens and corn bread. That's supposed to be a.

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<v Speaker 1>Real it's a tough band of book on New Year's Yeah.

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<v Speaker 3>No, they make that and it's a it's a tradition

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<v Speaker 3>that brings like love, wealth, happiness. There's cool, a whole

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<v Speaker 3>like good aura that comes when you have that dinner

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<v Speaker 3>for New Year's Eve's.

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<v Speaker 1>Well, hopefully you saved me Tomali's from from New Year

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<v Speaker 1>from from you said.

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<v Speaker 3>You said I got it one, I got it, I

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<v Speaker 3>got you get to pick beef for chicken, So which whatever.

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<v Speaker 1>Figured it out? Speaking of that, Congratulations to your friends

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<v Speaker 1>and at their wedding, please tell them I will have

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<v Speaker 1>the beef and my wife will have the chicken. Thank

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<v Speaker 1>you very much, and welcome back to Magical Rewind, the

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<v Speaker 1>show that makes you want to grab your friends, your PJS,

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<v Speaker 1>and your popcorn and go back to a time and

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<v Speaker 1>all the houses are smart, the waves, tsunamis, and the

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<v Speaker 1>high School's musical. I'm Wilfred Ell.

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<v Speaker 3>And I'm Sabrina Bryan.

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<v Speaker 1>Oh, here we go, Here we go yet again, twenty

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<v Speaker 1>twenty five, often running because on Magical Rewind, we've already

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<v Speaker 1>dealt with competitive dance, and we've already dealt with hockey.

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<v Speaker 1>But have we dealt with swapping competitive dance and hockey

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<v Speaker 1>because of a magical text message, No we haven't. Well

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<v Speaker 1>we're gonna now because it's twenty sixteen's coming of age

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<v Speaker 1>dcom dramedy, The Swap, and I'll be honest, this was

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<v Speaker 1>not what I thought this movie was gonna be about.

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<v Speaker 1>I was pleasantly surprised that this was not about a

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<v Speaker 1>bunch of swingers. The Swap originally aired on October seventh,

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<v Speaker 1>twenty sixteen, and was based on a novel of the

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<v Speaker 1>same name from author Megan schul released right when the

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<v Speaker 1>dcom already started production, so of course they must have

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<v Speaker 1>bought the book right before it was even officially released,

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<v Speaker 1>which is rare but not unheard of. Schuhl is an

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<v Speaker 1>accomplished writer in the young adult genre and has released

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<v Speaker 1>a few books, even optioned another one in twenty twenty

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<v Speaker 1>for Start Jojo Siwa, but that one got stuck in

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<v Speaker 1>development hell or possibly was affected by the slap heard

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<v Speaker 1>cross the World old since it was produced by Will Smith,

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<v Speaker 1>or was supposed to be anyway, the swap marked the

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<v Speaker 1>one hundred and first decom ever made right off the

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<v Speaker 1>coattails of the hundredth, which was Adventures in Babysitting starring

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<v Speaker 1>a young Sabrina Carpenter, which I'm sure we will get into.

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<v Speaker 4>I have not seen it, but the original Adventures of.

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<v Speaker 1>Babysitting with Elizabeth Shoe one of the best movies ever

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<v Speaker 1>Still in Love with Her. The swap benefited from getting

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<v Speaker 1>a teaser promo aired during the debut broadcast of Adventures

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<v Speaker 1>of Babysitting, So that's some impressive Disney synergy or disneer

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<v Speaker 1>g if you will and if you won't completely understand

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<v Speaker 1>I barely did myself. The movie filmed in good old Canada,

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<v Speaker 1>split in time between Toronto and Ontario, and had quite

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<v Speaker 1>the quick turnaround. The decom aired on the Disney Channel

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<v Speaker 1>just six months after it wrapped filming very quick. It's

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<v Speaker 1>like you and if anybody who knows anything about the

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<v Speaker 1>entertainment industry, usually the film isn't even edited in six months.

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<v Speaker 1>I mean, you're going back and forth. And that's a

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<v Speaker 1>very quick turnaround.

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<v Speaker 5>Now.

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<v Speaker 1>As I said, this aired on October seventh, and because

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<v Speaker 1>that is the spookiest month of the year, it was

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<v Speaker 1>part of the network's Monstober event, which included New Descendants,

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<v Speaker 1>animated shorts, reruns of Twitches, My Babysitters, A Vampire.

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<v Speaker 2>And Halloween Town Too, and.

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<v Speaker 1>The premiere of ra al Stein's Monsterville Cabinet of Souls.

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<v Speaker 1>Now I get all those I get all those airrings,

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<v Speaker 1>But how is the swap a Halloween movie? Did this?

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<v Speaker 2>Was this Halloween need to you at all?

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<v Speaker 3>Not at all?

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<v Speaker 2>Not all?

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<v Speaker 3>In any way this finding this information out, couldn't put

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<v Speaker 3>the pieces together, didn't make sense. But it seemed like

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<v Speaker 3>they were excited about this movie. Maybe that's what it was.

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<v Speaker 3>There there must have been a reason of, like, you know,

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<v Speaker 3>just wanting to get either these new stars out. It'd

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<v Speaker 3>be interesting to know how, you know, where they were

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<v Speaker 3>involved in the Disney Channel and maybe how that made sense.

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<v Speaker 3>But it's there's nothing about this movie that I mean,

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<v Speaker 3>the swap happens as like mystical that kind off and

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<v Speaker 3>we'll get into that ends, right, yeah, where it starts

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<v Speaker 3>and ends.

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<v Speaker 1>Maybe they were trying to come off of the success

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<v Speaker 1>of some of the other d coms that they had

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<v Speaker 1>based on other young novels like your Friend who wrote

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<v Speaker 1>the one My My Diary became a Yeah, which was

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<v Speaker 1>became readed in Weep. So those were successful, so maybe

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<v Speaker 1>that helped. But man, that was quick. But I don't

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<v Speaker 1>see anything halloweeny about it. But anyway, even without the

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<v Speaker 1>clear scary tie in, it debuted in October to two

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<v Speaker 1>point six four million viewers. I know, that's seems like

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<v Speaker 1>a small number compared to some of the numbers we've

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<v Speaker 1>been throwing out with High School Musical and stuff. You

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<v Speaker 1>have to keep in mind this is now twenty sixteen,

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<v Speaker 1>so that's actually a nice number for the era, and

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<v Speaker 1>it had a great reception on the watch Disney app,

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<v Speaker 1>the streaming service's name at the time. Now, speaking of that,

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<v Speaker 1>you can watch the swap on Disney Plus, which is

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<v Speaker 1>the name of their streaming service now in twenty twenty five.

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<v Speaker 1>So take the time to watch it before we get

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<v Speaker 1>into it, or just flip those instructions and live on

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<v Speaker 1>the wild side. No one is going to know unless

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<v Speaker 1>you tell them, And if you do, how about a

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<v Speaker 1>little secrecy amongst friends you blabber Serena.

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<v Speaker 4>Are you a fan of body swap movies?

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<v Speaker 1>In general? It's a very well represented genre, especially in

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<v Speaker 1>movies for kids and young adults. You know, You've got

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<v Speaker 1>thirteen going on thirty, Like Father, Like Son, seventeen again,

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<v Speaker 1>Freaky Friday, Face Off, Big, I mean, there's one after

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<v Speaker 1>another where these kind of your jam at all growing up.

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<v Speaker 3>Yes, I think Big is one of the best movies

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<v Speaker 3>of all times.

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<v Speaker 1>I ever.

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<v Speaker 3>Literally love that movie. Could watch it any day. Yeah,

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<v Speaker 3>Freaky Friday was amazing. Face Off is obviously a very

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<v Speaker 3>different kind of one different, but it is such a

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<v Speaker 3>good movie. I love it all of those kinds of movies.

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<v Speaker 3>I think it's a really fun idea to be in

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<v Speaker 3>a body that doesn't feel like yours and experience life

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<v Speaker 3>through a whole new set of eyes and shoes, and yeah,

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<v Speaker 3>you know this one was. I mean, I can't imagine

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<v Speaker 3>the idea of being in a guy's body myself, Like,

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<v Speaker 3>oh my gosh, you know, I just watched the movie

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<v Speaker 3>Jumanji where one of the characters is.

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<v Speaker 1>Yeah, oh you watched the second Jumanji.

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<v Speaker 4>Oh no, the first one or the.

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<v Speaker 3>Second one, the second one with one of the characters

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<v Speaker 3>is Jack Black, And she's like, she kept going, this

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<v Speaker 3>thing is awesome.

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<v Speaker 1>Oh my god, I've got to handle How am I

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<v Speaker 1>not instagramming this?

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<v Speaker 3>Yeah, it's like a whole thing where you just like

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<v Speaker 3>that idea is such a fun idea of bad and

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<v Speaker 3>good that comes your way of seeing stuff like that.

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<v Speaker 3>So I am a full fan of this.

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<v Speaker 1>I am too. I could not agree with you more

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<v Speaker 1>and again, I would love to see Face Off recut

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<v Speaker 1>as a d com to see like, you know, when

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<v Speaker 1>Tom when he woke up in the mall and then

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<v Speaker 1>they took their fate. Oh, that would be just the

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<v Speaker 1>funniest thing ever. Oh man, did you know had you

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<v Speaker 1>heard of this movie before we hit the.

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<v Speaker 3>I will say the title instantly made me think because

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<v Speaker 3>Jordan asked me, what movie are you watching for this

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<v Speaker 3>next episode? And I said the Swap and he goes, oh,

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<v Speaker 3>I don't think i've seen that one. I go, I

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<v Speaker 3>haven't either, but I'm assuming it's like parent trap type situation.

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<v Speaker 3>It's like, yeah, that's what I would think too, And

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<v Speaker 3>it wasn't necessarily parent trap, but it was kind of similar.

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<v Speaker 2>So yeah, it was interesting.

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<v Speaker 3>Yeah, the title makes for the movie for sure, not

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<v Speaker 3>one of those you know, random titles that don't make

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<v Speaker 3>any sense.

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<v Speaker 1>We always go to thirteenth year where we're just of course,

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<v Speaker 1>that means that's when you turn into a merman, like wait,

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<v Speaker 1>what anyway? Of course again twenty twenty five starting not

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<v Speaker 1>with a bang. So let's see. Did I know anything

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<v Speaker 1>about this.

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<v Speaker 2>Movie before we went in?

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<v Speaker 4>Yeah?

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<v Speaker 1>I did. I knew everything about this film. No, I

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<v Speaker 1>had never heard of this movie. I never heard of

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<v Speaker 1>any of these movies except for a few select ones. Anyway,

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<v Speaker 1>before you text us your wish, let's make it happen.

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<v Speaker 1>But first the synopsis. Ellie, a rhythmic gymnast, and Jack,

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<v Speaker 1>a tough guy hockey player, accidentally switch bodies after a

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<v Speaker 1>texting mishap as they navigate each other's lives, they learn

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<v Speaker 1>valuable lessons about empathy, teamwork, and their true selves. A

0:10:56.760 --> 0:10:59.800
<v Speaker 1>texting mishap, so we'll get into that. It might just

0:10:59.800 --> 0:11:03.360
<v Speaker 1>be the most unbelievable plot mechanism we have seen yet.

0:11:03.600 --> 0:11:08.280
<v Speaker 4>Did you buy the premise of that at all? No,

0:11:08.360 --> 0:11:09.280
<v Speaker 4>not really.

0:11:10.679 --> 0:11:15.120
<v Speaker 3>I you know, I think it's a way And we

0:11:15.320 --> 0:11:20.920
<v Speaker 3>usually love Disney being ahead of the jam, like as

0:11:20.920 --> 0:11:24.880
<v Speaker 3>far as what that new like tech or device would be.

0:11:24.960 --> 0:11:28.480
<v Speaker 3>So if they had some really cool new phones at

0:11:28.520 --> 0:11:30.680
<v Speaker 3>the time or whatever, like, it just kind of was

0:11:30.760 --> 0:11:34.160
<v Speaker 3>like something And at first I was already going, why

0:11:34.440 --> 0:11:36.920
<v Speaker 3>the blurbs of the day right? And I know where

0:11:37.000 --> 0:11:39.800
<v Speaker 3>this synopsis? That was like why are they doing that?

0:11:39.880 --> 0:11:41.680
<v Speaker 3>And then it's like, I guess that's the only way

0:11:41.720 --> 0:11:43.480
<v Speaker 3>when I look back how they brought in the.

0:11:43.440 --> 0:11:46.680
<v Speaker 1>Two They got the texting, which again I'm okay with that.

0:11:46.720 --> 0:11:48.880
<v Speaker 1>I mean, texting and social media now have become such

0:11:48.920 --> 0:11:50.640
<v Speaker 1>the norm that they have to be when you're writing

0:11:50.679 --> 0:11:53.520
<v Speaker 1>a film. Texting is a big thing. So how do

0:11:53.559 --> 0:11:55.439
<v Speaker 1>you show texting? You can either show an insert of

0:11:55.480 --> 0:11:57.360
<v Speaker 1>the phone or you show the bubbles. I get that,

0:11:58.000 --> 0:12:00.600
<v Speaker 1>but then it's like your Disney channel come up with

0:12:00.640 --> 0:12:01.359
<v Speaker 1>a better.

0:12:03.200 --> 0:12:06.160
<v Speaker 3>For I know now we've got them on this, Like Disney,

0:12:06.200 --> 0:12:09.160
<v Speaker 3>tell me what's actually gonna happen in twenty thirty twenty

0:12:09.200 --> 0:12:12.120
<v Speaker 3>thirty five, Like we now know that you did Smart House,

0:12:12.280 --> 0:12:15.880
<v Speaker 3>so you know everything clearly. Why is it just a

0:12:15.960 --> 0:12:16.440
<v Speaker 3>text mess?

0:12:16.600 --> 0:12:17.280
<v Speaker 2>I also just mean.

0:12:17.360 --> 0:12:19.920
<v Speaker 1>I also just mean magic wise, like Wizards of Waverley,

0:12:19.960 --> 0:12:20.679
<v Speaker 1>place it a little bit.

0:12:20.679 --> 0:12:21.920
<v Speaker 4>If you want to make it a totem, make it

0:12:21.920 --> 0:12:22.400
<v Speaker 4>a totem.

0:12:22.400 --> 0:12:25.320
<v Speaker 1>But is the phone inhabited by the spirit of a

0:12:25.400 --> 0:12:26.320
<v Speaker 1>blah blah blah?

0:12:26.520 --> 0:12:28.280
<v Speaker 3>Yeah, I like go a little deeper.

0:12:28.400 --> 0:12:30.640
<v Speaker 1>Yeah, they did one line, well, if you hold your

0:12:30.640 --> 0:12:32.240
<v Speaker 1>object too long that oh my god.

0:12:32.520 --> 0:12:35.320
<v Speaker 4>Yeah, anyway, so let's just get it early.

0:12:35.320 --> 0:12:35.600
<v Speaker 1>Thoughts.

0:12:35.600 --> 0:12:36.520
<v Speaker 2>Did you like the movie?

0:12:36.960 --> 0:12:41.160
<v Speaker 3>I did? I did, I I was in it. I

0:12:41.480 --> 0:12:44.520
<v Speaker 3>like I got there emotionally. I don't know if it's

0:12:44.520 --> 0:12:46.959
<v Speaker 3>because I just missed you guys so much. Well you're

0:12:47.000 --> 0:12:50.680
<v Speaker 3>on medical rework, but I was like, ugh, I love

0:12:50.760 --> 0:12:53.480
<v Speaker 3>my job. This is such a cute movie. I haven't

0:12:53.480 --> 0:12:57.040
<v Speaker 3>seen it before. These kids are adorable. I think they're great.

0:12:57.200 --> 0:13:00.000
<v Speaker 3>I literally loved it. It took me a teeny bit

0:13:00.080 --> 0:13:02.400
<v Speaker 3>longer than what it usually does to get into it,

0:13:02.440 --> 0:13:03.199
<v Speaker 3>but once I was.

0:13:03.160 --> 0:13:04.920
<v Speaker 1>In You're in hook.

0:13:04.760 --> 0:13:08.559
<v Speaker 3>Lions Tinker interesting. Okay, Okay, you not so much, I'm

0:13:08.600 --> 0:13:10.600
<v Speaker 3>assuming by the look on your face.

0:13:11.840 --> 0:13:15.080
<v Speaker 1>Actually I really liked it, Oh good I did. It's

0:13:15.120 --> 0:13:17.400
<v Speaker 1>not the best movie we've ever seen. It had some

0:13:17.559 --> 0:13:21.760
<v Speaker 1>serious plot holes. I thought the cast was great. We'll

0:13:21.800 --> 0:13:23.839
<v Speaker 1>get into We'll get into the cast. The acting was

0:13:23.880 --> 0:13:27.800
<v Speaker 1>really good, and Disney did what Disney does sometimes We're

0:13:27.840 --> 0:13:30.360
<v Speaker 1>out of nowhere again. I want a smack whoever came

0:13:30.440 --> 0:13:32.319
<v Speaker 1>up with the magical system, just because I'm a nerd.

0:13:32.720 --> 0:13:35.760
<v Speaker 1>But the emotional stuff of the movie I thought was

0:13:35.840 --> 0:13:39.280
<v Speaker 1>done very very well. Yes, they had me in with

0:13:39.320 --> 0:13:41.240
<v Speaker 1>the emotional stuff, the loss of the parent. Well, we'll

0:13:41.240 --> 0:13:42.120
<v Speaker 1>get into all of that.

0:13:42.200 --> 0:13:45.520
<v Speaker 3>So anyway, so much goodness in this movie. I can't

0:13:45.559 --> 0:13:48.000
<v Speaker 3>really talk about all of it because there is just

0:13:48.160 --> 0:13:53.800
<v Speaker 3>so so many small details that really shone like they

0:13:53.800 --> 0:13:56.960
<v Speaker 3>are really shined throughout so much of this movie. And

0:13:57.000 --> 0:13:58.200
<v Speaker 3>I loved it.

0:13:58.480 --> 0:14:01.959
<v Speaker 1>Do not disagree. So The Swap was directed by Jay

0:14:02.280 --> 0:14:04.200
<v Speaker 1>I think it's Caris. I hope I'm saying that right

0:14:04.880 --> 0:14:08.160
<v Speaker 1>as Carris, a director who cut his teeth comedically for

0:14:08.280 --> 0:14:11.480
<v Speaker 1>dozens of stand up specials from Bill Burr to Bob Saget.

0:14:11.720 --> 0:14:14.800
<v Speaker 1>He also directed sketch programs and MTV Award shows and

0:14:14.840 --> 0:14:17.800
<v Speaker 1>has since become a premier name in TV directing for

0:14:17.880 --> 0:14:21.480
<v Speaker 1>titles like Superstore, Workaholics, Parks and rec So Help Me,

0:14:21.600 --> 0:14:26.560
<v Speaker 1>Todd and The Beloved Abbot Elementary. The movie stars Peyton

0:14:26.640 --> 0:14:29.240
<v Speaker 1>Liszt as Ellie O'Brien. Peyton began her career at just

0:14:29.680 --> 0:14:32.720
<v Speaker 1>three years old, featured in the background of Spider Man two.

0:14:32.840 --> 0:14:35.200
<v Speaker 1>This time it's personal. That's of course what we call

0:14:35.320 --> 0:14:38.240
<v Speaker 1>every single one. That's just regular Spider Man two, and

0:14:38.280 --> 0:14:40.600
<v Speaker 1>would go on to star as Emma Ross on Jesse

0:14:40.760 --> 0:14:43.560
<v Speaker 1>and then spin off the roll for Bunked, two shows

0:14:43.800 --> 0:14:46.080
<v Speaker 1>that had her spending ten years of her life on

0:14:46.120 --> 0:14:49.400
<v Speaker 1>the channel. And you know her now as the badass

0:14:49.960 --> 0:14:53.400
<v Speaker 1>Tory Nichols on the breakout Netflix hit Cobra Kai.

0:14:54.120 --> 0:14:55.160
<v Speaker 4>I assume, because.

0:14:54.880 --> 0:14:57.160
<v Speaker 1>This is a little later, you didn't do any Disney

0:14:57.160 --> 0:14:58.000
<v Speaker 1>stuff with her, did you.

0:14:58.520 --> 0:14:58.960
<v Speaker 3>I did not.

0:14:59.360 --> 0:15:01.360
<v Speaker 1>Yeah, I figured because you guys are in different different

0:15:01.360 --> 0:15:03.800
<v Speaker 1>Disney generations, as you and I were in different Disney

0:15:03.840 --> 0:15:07.800
<v Speaker 1>general I know. Unfortunately, on the other side, we've got

0:15:07.880 --> 0:15:09.840
<v Speaker 1>Jacob Bertrand as Jack Malloy.

0:15:10.080 --> 0:15:12.960
<v Speaker 4>Jacob is another TV that starting his career at.

0:15:12.800 --> 0:15:15.720
<v Speaker 1>Just seven years old with appearances on House, Parenthood and

0:15:15.760 --> 0:15:17.920
<v Speaker 1>The Cape, but he is best known as both the

0:15:18.000 --> 0:15:21.800
<v Speaker 1>voice of Gil on Bubble Guppies and as Kirby Buckets

0:15:21.800 --> 0:15:25.720
<v Speaker 1>on the show Kirby Buckets. Also, as unbelievable as it seems,

0:15:25.800 --> 0:15:29.120
<v Speaker 1>Jacob would go on to star as Eli Hawk Moskowitz

0:15:29.800 --> 0:15:32.840
<v Speaker 1>on the Netflix hit show Cobra Kai, again creating a

0:15:32.840 --> 0:15:35.800
<v Speaker 1>bit of a swapp reunion, even if it wasn't a

0:15:35.800 --> 0:15:37.880
<v Speaker 1>purpose at all. But at the same time, I just

0:15:38.040 --> 0:15:40.560
<v Speaker 1>wanted to see them break into karate fighting with everybody,

0:15:41.120 --> 0:15:42.840
<v Speaker 1>but unfortunately I didn't. That's the only thing could have

0:15:42.840 --> 0:15:45.520
<v Speaker 1>made this movie better is tons of karate fighting. The

0:15:45.560 --> 0:15:48.200
<v Speaker 1>movie is also filled with a lot of established Canadian actors,

0:15:48.200 --> 0:15:51.600
<v Speaker 1>but let's also talk about a few zombies who found

0:15:51.600 --> 0:15:55.280
<v Speaker 1>themselves on the set. First up, James Godfrey is Hockey

0:15:55.280 --> 0:15:58.120
<v Speaker 1>Bully Porter and we know James as Bonzo, the grunting

0:15:58.240 --> 0:16:01.680
<v Speaker 1>jock monster in the Zombies franchise. He basically plays the

0:16:01.720 --> 0:16:03.560
<v Speaker 1>same character in this movie, with a little bit more

0:16:03.920 --> 0:16:07.240
<v Speaker 1>dialogue and stuff to do. But he's really funny and

0:16:07.320 --> 0:16:10.160
<v Speaker 1>he's not alone. We've got Naomi Ooh. I said this

0:16:10.240 --> 0:16:12.800
<v Speaker 1>last time, everybody out there, as we did Zombies. I'm

0:16:12.800 --> 0:16:14.320
<v Speaker 1>gonna try to say it again because I always get

0:16:14.320 --> 0:16:17.960
<v Speaker 1>it wrong. I think it's sneakest as Coach Carroll. She

0:16:18.080 --> 0:16:20.240
<v Speaker 1>was known as Principal Lee in the Zombies franchise, and

0:16:20.280 --> 0:16:22.240
<v Speaker 1>it's a nice little origin story for these two actors

0:16:22.240 --> 0:16:24.960
<v Speaker 1>on the channel. They were both great, very funny, the

0:16:25.120 --> 0:16:26.920
<v Speaker 1>entire like laugh out loud funny for a lot of it.

0:16:27.400 --> 0:16:30.800
<v Speaker 1>The movie is, oh first drum roll of twenty twenty five,

0:16:30.840 --> 0:16:36.080
<v Speaker 1>please ninety one minutes long, folks, one minute away from

0:16:36.080 --> 0:16:39.000
<v Speaker 1>the target, which, honestly, we could have easily been cut

0:16:39.240 --> 0:16:41.440
<v Speaker 1>a minute out. Maybe just take one hockey shot away

0:16:41.480 --> 0:16:43.040
<v Speaker 1>or something could have made it happen if they wanted.

0:16:43.120 --> 0:16:43.880
<v Speaker 4>But a minute over.

0:16:44.000 --> 0:16:46.200
<v Speaker 1>We're gonna be honest, We're not gonna complain about that.

0:16:46.240 --> 0:16:48.680
<v Speaker 1>It was kind of right on the money, but not quite.

0:16:48.520 --> 0:16:50.080
<v Speaker 3>Right in the money.

0:16:50.160 --> 0:16:51.960
<v Speaker 1>It was written by the original books author who we

0:16:52.000 --> 0:16:54.440
<v Speaker 1>talked about, alongside two screenwriters.

0:16:54.120 --> 0:16:56.880
<v Speaker 4>Charlie Shahanion and Sherry Simpson.

0:16:56.920 --> 0:16:59.320
<v Speaker 1>I hope I am saying that right, and I'm gonna

0:16:59.320 --> 0:17:01.480
<v Speaker 1>say that for a lot of news again. I was

0:17:01.520 --> 0:17:04.520
<v Speaker 1>born Wilfredell. Nobody knows that I'm freedo to everybody else.

0:17:12.560 --> 0:17:15.040
<v Speaker 1>We all know why we're here, people for twenty twenty five,

0:17:15.119 --> 0:17:18.760
<v Speaker 1>So let's get to the swap. We open with Me Too,

0:17:18.880 --> 0:17:21.760
<v Speaker 1>by pop star Meghan Trainer, a modern move by Disney,

0:17:21.760 --> 0:17:24.600
<v Speaker 1>including a mainstream artist on the soundtrack. It's an opening

0:17:24.640 --> 0:17:27.960
<v Speaker 1>credits montage, and we see the rhythmic dance team girls

0:17:28.200 --> 0:17:31.760
<v Speaker 1>with hula hoops and batons, intermixed with well some hardcore

0:17:31.840 --> 0:17:32.680
<v Speaker 1>hockey footage.

0:17:32.960 --> 0:17:33.960
<v Speaker 4>We get some very.

0:17:33.840 --> 0:17:37.080
<v Speaker 1>Limber girls and some successful shots on goal, focusing mostly

0:17:37.119 --> 0:17:40.119
<v Speaker 1>on our main characters, high school sophomores Ellie O'Brien and

0:17:40.240 --> 0:17:44.159
<v Speaker 1>Jack molloy exhibiting their respective sports skills. Now you know

0:17:44.160 --> 0:17:46.800
<v Speaker 1>where I'm going with this, Sabrina, because we always talk

0:17:46.840 --> 0:17:50.240
<v Speaker 1>about this. You are our dance and cheerleading expert. How

0:17:50.240 --> 0:17:54.320
<v Speaker 1>do we rate the realism and everything happening with whatever

0:17:54.400 --> 0:17:58.320
<v Speaker 1>the hell these young women are doing in the opening montage?

0:17:58.400 --> 0:18:02.480
<v Speaker 3>So rhythmic gymnastics. This is a totally different genre that

0:18:02.840 --> 0:18:06.439
<v Speaker 3>what I've I'm really attuned to in the sense of

0:18:06.840 --> 0:18:10.679
<v Speaker 3>knowing their technical skills. I do love it during the Olympics,

0:18:10.840 --> 0:18:14.399
<v Speaker 3>I do love watching it anytime it is on, but

0:18:14.440 --> 0:18:18.600
<v Speaker 3>I don't know it as well. So the main thing

0:18:18.680 --> 0:18:20.760
<v Speaker 3>is they need to be very limber, and from the

0:18:20.800 --> 0:18:23.600
<v Speaker 3>shots that you saw, that is exactly what you got

0:18:23.640 --> 0:18:27.879
<v Speaker 3>as a viewer, as you saw girls with extreme flexibility,

0:18:28.720 --> 0:18:31.080
<v Speaker 3>and I think they shot a lot of the stuff

0:18:31.160 --> 0:18:34.199
<v Speaker 3>really well. If they did use doubles, I couldn't see him,

0:18:34.400 --> 0:18:37.919
<v Speaker 3>So I felt like if that was if there were

0:18:37.960 --> 0:18:41.040
<v Speaker 3>doubles thrown in there, I couldn't see him. Otherwise, they

0:18:41.080 --> 0:18:43.680
<v Speaker 3>somehow cast girls. The girls that were in the background

0:18:43.720 --> 0:18:47.040
<v Speaker 3>and filled out the team definitely were actual rhythmic dancers.

0:18:47.280 --> 0:18:50.399
<v Speaker 3>But even the girls that had main main parts looked

0:18:50.600 --> 0:18:53.280
<v Speaker 3>very very good to me, So I thought it was great.

0:18:53.600 --> 0:18:56.679
<v Speaker 1>And again, I know the rhythmic gymnastic community or the

0:18:56.760 --> 0:18:59.199
<v Speaker 1>rhythms as I like to call them, are probably going

0:18:59.240 --> 0:19:01.439
<v Speaker 1>to come after me for this, but it seems like

0:19:01.480 --> 0:19:04.919
<v Speaker 1>it's a combination of circus performer and gymnasts.

0:19:05.920 --> 0:19:09.040
<v Speaker 3>It's yes, it is. It's it's gymnastics for sure. And

0:19:09.080 --> 0:19:13.600
<v Speaker 3>then yes, the the extreme level of extensions that they

0:19:13.600 --> 0:19:15.680
<v Speaker 3>can do and the way their body is like it's

0:19:15.680 --> 0:19:21.240
<v Speaker 3>like contortionists is where you're thinking like circus sol type stuff.

0:19:21.400 --> 0:19:24.119
<v Speaker 3>So it definitely is a nice blend of it. I

0:19:24.160 --> 0:19:27.360
<v Speaker 3>think when you're talking to a rhythmic gymnast, though, the

0:19:27.400 --> 0:19:30.520
<v Speaker 3>finesse that they have versus just like the tricks of

0:19:30.600 --> 0:19:33.720
<v Speaker 3>showing how much they can bend is different. And that's

0:19:33.720 --> 0:19:36.040
<v Speaker 3>what I will say is the only time I could tell,

0:19:36.080 --> 0:19:40.000
<v Speaker 3>okay that she obviously isn't an actual rhythmic gymnast is

0:19:40.520 --> 0:19:45.280
<v Speaker 3>by their feet, like their feet are crazy pointed over extended.

0:19:45.600 --> 0:19:47.720
<v Speaker 3>So that's the only thing that I would say, like

0:19:47.800 --> 0:19:51.080
<v Speaker 3>stood out with the actual actors is you could tell

0:19:51.119 --> 0:19:53.760
<v Speaker 3>just by their point tote like their toe point. Their

0:19:53.880 --> 0:19:58.760
<v Speaker 3>point their toe point is ridiculous. So okay, yeah, you're right, though,

0:19:58.760 --> 0:20:00.720
<v Speaker 3>it is a nice mix between mean what you see

0:20:00.720 --> 0:20:03.640
<v Speaker 3>in a circus delight act and gymnastics.

0:20:03.680 --> 0:20:06.160
<v Speaker 1>I love how you you so casually said when you're

0:20:06.200 --> 0:20:08.720
<v Speaker 1>talking to a rhythmic gymnast, as if that's ever going

0:20:08.760 --> 0:20:10.920
<v Speaker 1>to happen in my life. But I appreciate you you're

0:20:10.920 --> 0:20:11.959
<v Speaker 1>saying that you never know.

0:20:12.359 --> 0:20:14.920
<v Speaker 2>I could also learn tomorrow. I don't know that either.

0:20:15.000 --> 0:20:18.640
<v Speaker 3>Any slender woman that you come across in.

0:20:18.560 --> 0:20:20.560
<v Speaker 1>Your life just say excuse me, or your rhythmic.

0:20:20.880 --> 0:20:23.880
<v Speaker 3>Be a rhythmic gymnast.

0:20:23.960 --> 0:20:25.760
<v Speaker 4>Okay, well that's gonna be my new life.

0:20:25.640 --> 0:20:27.920
<v Speaker 3>I think they have tattoos across their forehead that make

0:20:27.960 --> 0:20:30.080
<v Speaker 3>you know that you never know. Uh.

0:20:30.119 --> 0:20:33.199
<v Speaker 1>The montage then ends and it is Thursday at the

0:20:33.240 --> 0:20:36.400
<v Speaker 1>Covey High School Sportsplex. The hockey team is practicing, and

0:20:36.520 --> 0:20:38.920
<v Speaker 1>Jack Bloy is trying his hardest to make varsity to

0:20:39.040 --> 0:20:42.280
<v Speaker 1>join his two rambunctious brothers and his dad, who is

0:20:42.280 --> 0:20:45.920
<v Speaker 1>the hard nosed coach who also looks exactly like Jason Sudeikis.

0:20:45.960 --> 0:20:48.479
<v Speaker 1>But that doesn't matter. Jack's dad breaks it to him

0:20:48.480 --> 0:20:50.440
<v Speaker 1>he still has some serious work to do if he

0:20:50.480 --> 0:20:53.280
<v Speaker 1>thinks he's making the roster, but his twin brothers encourage him.

0:20:53.400 --> 0:20:55.640
<v Speaker 1>They think he's been doing great, and they know all

0:20:55.680 --> 0:20:59.919
<v Speaker 1>about his quote unquote list of goals, which includes making far.

0:21:00.800 --> 0:21:02.920
<v Speaker 1>But he'll need to keep his eyes on quirky, tough

0:21:03.000 --> 0:21:06.080
<v Speaker 1>kid Porter, another student at the tryouts who's been trying

0:21:06.080 --> 0:21:08.320
<v Speaker 1>to move up from junior varsity for years and will

0:21:08.320 --> 0:21:11.040
<v Speaker 1>do anything to get there. We are now on the

0:21:11.080 --> 0:21:15.359
<v Speaker 1>other side of campus. Ellie notices her bestie Sassy, is

0:21:15.480 --> 0:21:17.959
<v Speaker 1>buddy buddy with new girl Aspen, and oh man, if

0:21:17.960 --> 0:21:20.000
<v Speaker 1>you don't think Sassy and Aspen are great names, just

0:21:20.040 --> 0:21:20.600
<v Speaker 1>wait for it.

0:21:20.880 --> 0:21:22.720
<v Speaker 4>Who is from Buffalo, New York.

0:21:22.760 --> 0:21:24.600
<v Speaker 1>But hey, it's still New York, she says, And they

0:21:24.600 --> 0:21:29.159
<v Speaker 1>apparently went to Fashionista camp together. Please tell me what

0:21:29.320 --> 0:21:31.960
<v Speaker 1>Fashionista Gland camp is and how the hell do I

0:21:31.960 --> 0:21:33.560
<v Speaker 1>sign up? Because I wanted to just see what that

0:21:33.600 --> 0:21:34.359
<v Speaker 1>world is like.

0:21:34.760 --> 0:21:37.960
<v Speaker 3>No, I ge this was like, where are we going

0:21:38.000 --> 0:21:40.480
<v Speaker 3>with this? Why is this so over the top right now?

0:21:40.640 --> 0:21:44.639
<v Speaker 3>It's too many weird names happening in the beginning, like

0:21:44.680 --> 0:21:48.560
<v Speaker 3>you're throwing me off. I'm trying to like understand what's happening.

0:21:48.600 --> 0:21:50.840
<v Speaker 3>It's a lot of information that's getting thrown so I'm

0:21:50.880 --> 0:21:54.479
<v Speaker 3>assuming it all means something huge, and it ends up

0:21:54.520 --> 0:21:56.920
<v Speaker 3>really not meaning anything except for they just they could

0:21:56.920 --> 0:22:00.080
<v Speaker 3>have just they went to Gymnast camp.

0:22:00.040 --> 0:22:03.080
<v Speaker 1>Anything, it's anything else. I'm sorry, are you really saying

0:22:03.160 --> 0:22:06.880
<v Speaker 1>that Sassy and Aspen at Fashionisa Glam Camp is too

0:22:06.880 --> 0:22:08.879
<v Speaker 1>many weird words together, Sabrina.

0:22:08.760 --> 0:22:14.800
<v Speaker 3>Like what, yes, please stop? I already got theirs.

0:22:15.000 --> 0:22:17.760
<v Speaker 1>I know you're supposed to do, so it's working. But

0:22:17.800 --> 0:22:21.159
<v Speaker 1>we also meet the dance team coach Carol, who is

0:22:21.200 --> 0:22:24.520
<v Speaker 1>making some changes. She puts new pals Aspen and Sasse,

0:22:24.640 --> 0:22:25.919
<v Speaker 1>which is how I'm gonna say it from now on

0:22:26.040 --> 0:22:29.720
<v Speaker 1>Aspin and Sasse together, which of course infuriates Ellie. Her

0:22:29.760 --> 0:22:33.080
<v Speaker 1>and Sasse have been practice partners since kindergarten, but the

0:22:33.080 --> 0:22:36.399
<v Speaker 1>coach stands by our decision. They're just a better physical match.

0:22:36.880 --> 0:22:40.600
<v Speaker 1>And coach Carol confirms some true rumors, also known as truemers.

0:22:40.720 --> 0:22:42.040
<v Speaker 1>I love when they do that because I do this

0:22:42.040 --> 0:22:44.760
<v Speaker 1>stuff all the time or all the team. No, I

0:22:44.800 --> 0:22:46.840
<v Speaker 1>don't know. I didn't even know where to go that true.

0:22:46.920 --> 0:22:51.520
<v Speaker 1>Of course, of course, the school is making budget cuts

0:22:51.600 --> 0:22:54.879
<v Speaker 1>and is eliminating a sports team. They're deciding between the

0:22:54.920 --> 0:22:57.680
<v Speaker 1>badminton team and the dance squad, so if they don't

0:22:57.720 --> 0:23:00.440
<v Speaker 1>win big on Sunday, they will demote them to a

0:23:00.520 --> 0:23:03.560
<v Speaker 1>club like they play chess, or they're the stem club

0:23:03.640 --> 0:23:05.840
<v Speaker 1>or there. I couldn't even say this out loud.

0:23:06.119 --> 0:23:08.040
<v Speaker 4>Thespians, yuck.

0:23:08.680 --> 0:23:11.800
<v Speaker 1>Were you in any clubs in high school? No, because

0:23:11.800 --> 0:23:12.720
<v Speaker 1>you danced and head friends.

0:23:12.720 --> 0:23:13.600
<v Speaker 3>Because I was on a team.

0:23:13.920 --> 0:23:15.280
<v Speaker 4>Yeah, exactly, nice.

0:23:15.960 --> 0:23:18.680
<v Speaker 1>I was in the outdoors club and that was just

0:23:18.760 --> 0:23:21.320
<v Speaker 1>an excuse to climb mountains and smoke pot with my friends.

0:23:21.640 --> 0:23:23.280
<v Speaker 2>Okay, but it was a club.

0:23:23.440 --> 0:23:28.480
<v Speaker 3>It was official club, believe it or not. With your school.

0:23:28.720 --> 0:23:29.960
<v Speaker 2>God, we were able.

0:23:29.760 --> 0:23:32.720
<v Speaker 3>To get through by you with so much our school.

0:23:33.520 --> 0:23:34.520
<v Speaker 3>Oh my god.

0:23:34.920 --> 0:23:37.800
<v Speaker 1>But Carol thinks the squad is going to be fine.

0:23:38.440 --> 0:23:41.159
<v Speaker 1>Ellie is just the old powerhouse and Aspen is the

0:23:41.200 --> 0:23:43.080
<v Speaker 1>new powerhouse, so how can they lose?

0:23:43.480 --> 0:23:44.920
<v Speaker 4>The pressure is on, by the way.

0:23:45.280 --> 0:23:48.359
<v Speaker 1>Uh, They've established Ellie as the leader of the team

0:23:48.480 --> 0:23:50.680
<v Speaker 1>and she's been the like she says, the old workhorse

0:23:50.760 --> 0:23:53.280
<v Speaker 1>the entire time. We don't know anything of Aspen, but

0:23:53.359 --> 0:23:55.840
<v Speaker 1>apparently she's the new workhorse and nobody how does the

0:23:55.840 --> 0:23:58.119
<v Speaker 1>coach know that? Anyway? I'm not gonna overthink it, not

0:23:58.160 --> 0:23:58.800
<v Speaker 1>gonna overthink it.

0:23:59.280 --> 0:24:00.520
<v Speaker 4>We are back the rink.

0:24:00.680 --> 0:24:02.960
<v Speaker 1>Jack is trying his hardest, but while trying to follow

0:24:03.000 --> 0:24:07.359
<v Speaker 1>his dad's never ending commands, he is leveled by Porter,

0:24:07.680 --> 0:24:09.600
<v Speaker 1>but instead of staying down, he gets up like you're

0:24:09.600 --> 0:24:12.400
<v Speaker 1>supposed to and ends up scoring. Jack wants that final

0:24:12.480 --> 0:24:14.920
<v Speaker 1>varsity spot. Coach Dad explains to make the team, you

0:24:15.000 --> 0:24:17.679
<v Speaker 1>must be a plus on and off the eyes, no

0:24:17.760 --> 0:24:20.399
<v Speaker 1>horse playing, and no unsportsman like Shenanigan in in in,

0:24:20.560 --> 0:24:23.920
<v Speaker 1>which is literally how he says it. The hockey team

0:24:23.960 --> 0:24:26.200
<v Speaker 1>and dan squad just have one thing to do now,

0:24:26.680 --> 0:24:29.280
<v Speaker 1>not blow it, and they all say it in you know,

0:24:29.440 --> 0:24:31.639
<v Speaker 1>they say it together whatever, unison, that's the word I

0:24:31.640 --> 0:24:34.399
<v Speaker 1>was looking for, Thank you very much. It is now

0:24:34.440 --> 0:24:37.159
<v Speaker 1>the next day, Friday, and the Maloys are practicing street

0:24:37.160 --> 0:24:39.760
<v Speaker 1>hockey outside their house. The twins, who are obviously fraternal

0:24:39.800 --> 0:24:42.080
<v Speaker 1>twins because they look nothing alike at all, are telling

0:24:42.240 --> 0:24:46.160
<v Speaker 1>Jack to cut his hockey mullet, which is maybe arguably

0:24:46.200 --> 0:24:49.200
<v Speaker 1>the worst wig in the history of d COM's.

0:24:49.240 --> 0:24:51.800
<v Speaker 4>And that's saying a lot after we saw Descendants.

0:24:51.960 --> 0:24:57.880
<v Speaker 1>When I notice how bad it is, Sabrina.

0:24:56.280 --> 0:24:59.960
<v Speaker 3>It is my third Sabrina sees and here is my line.

0:25:01.119 --> 0:25:07.840
<v Speaker 3>Oh my god, Oh my god, his wig? How why

0:25:07.880 --> 0:25:08.640
<v Speaker 3>it's awful?

0:25:09.440 --> 0:25:10.159
<v Speaker 2>And of course it was.

0:25:10.240 --> 0:25:12.680
<v Speaker 1>It was integral to the story. I get why they

0:25:12.680 --> 0:25:15.560
<v Speaker 1>did it. It was, it was clever. But damn, that

0:25:15.640 --> 0:25:17.119
<v Speaker 1>was we have seen.

0:25:17.200 --> 0:25:22.200
<v Speaker 3>So okay, this is not that long ago. No, it's

0:25:22.359 --> 0:25:27.040
<v Speaker 3>not that long ago. We just covered Duck in the suburbs.

0:25:27.080 --> 0:25:32.080
<v Speaker 3>And no, they had individual extensions on him to have

0:25:32.200 --> 0:25:35.680
<v Speaker 3>his hair long, which looked much better. Oh yeah, this

0:25:36.119 --> 0:25:39.119
<v Speaker 3>was I mean, I thought this was so bad. I

0:25:39.160 --> 0:25:42.240
<v Speaker 3>thought we were going to discover in his storyline that

0:25:42.320 --> 0:25:44.360
<v Speaker 3>he was wearing a wig that was.

0:25:44.320 --> 0:25:45.840
<v Speaker 1>Part of it, like his brothers made him wear a

0:25:45.840 --> 0:25:46.800
<v Speaker 1>wig for some reason or.

0:25:46.720 --> 0:25:50.720
<v Speaker 3>Something, or like he there was a situation down under

0:25:50.880 --> 0:25:53.560
<v Speaker 3>that we needed to like cover up or something.

0:25:54.040 --> 0:25:57.679
<v Speaker 1>And that was Australia. I would imagine that's what you're

0:25:57.680 --> 0:26:00.880
<v Speaker 1>talking about yet, right, yeah, yeah, because it.

0:26:00.840 --> 0:26:02.080
<v Speaker 3>Was so bad.

0:26:02.560 --> 0:26:03.040
<v Speaker 1>It was bad.

0:26:03.119 --> 0:26:05.440
<v Speaker 3>Literally, oh my god, oh my god, his wig?

0:26:05.680 --> 0:26:07.840
<v Speaker 1>How why?

0:26:08.080 --> 0:26:09.200
<v Speaker 2>Like why why?

0:26:09.240 --> 0:26:09.400
<v Speaker 1>Why?

0:26:09.440 --> 0:26:09.640
<v Speaker 3>Why?

0:26:09.720 --> 0:26:10.400
<v Speaker 2>Oh my god?

0:26:10.400 --> 0:26:13.560
<v Speaker 1>It was bad. But anyway, after bad wig and all

0:26:13.600 --> 0:26:15.920
<v Speaker 1>being knocked to the ground with a slap shot, Jack

0:26:16.080 --> 0:26:19.199
<v Speaker 1>cracks his phone screen and breaks his iPhone.

0:26:19.320 --> 0:26:20.600
<v Speaker 4>We are now over at Ellie's house.

0:26:20.600 --> 0:26:23.520
<v Speaker 1>She gets a text message from Aspen, who sure is

0:26:23.720 --> 0:26:26.760
<v Speaker 1>very confident for the new transfer exchange student. She tells

0:26:26.760 --> 0:26:29.720
<v Speaker 1>the dance girls that today is skirt Day flirt day,

0:26:29.840 --> 0:26:33.160
<v Speaker 1>which sucks for Ellie, who is in pants and likes

0:26:33.160 --> 0:26:35.640
<v Speaker 1>the old tradition, which is track suits before a meet.

0:26:36.040 --> 0:26:39.240
<v Speaker 1>She compromises by putting a skirt over her jumpsuit, which

0:26:39.280 --> 0:26:42.639
<v Speaker 1>looks undeniably awful. And again when I notice fashion and

0:26:42.640 --> 0:26:45.080
<v Speaker 1>you know it's bad. We are now back at Jack's

0:26:45.240 --> 0:26:48.040
<v Speaker 1>brother got him a replacement phone, but it's bedazzled pink,

0:26:48.119 --> 0:26:49.639
<v Speaker 1>and I was like, where are we going with this?

0:26:50.040 --> 0:26:53.159
<v Speaker 1>He says, coach, who remember is his dad, couldn't get

0:26:53.240 --> 0:26:56.600
<v Speaker 1>himself to disconnect it because it's too hard. And this

0:26:56.640 --> 0:26:59.040
<v Speaker 1>is where we learned that their mom has recently died

0:26:59.320 --> 0:27:02.120
<v Speaker 1>and this was her phone. But no time to talk

0:27:02.160 --> 0:27:04.280
<v Speaker 1>this out right now. He sprints out of the house

0:27:04.280 --> 0:27:06.840
<v Speaker 1>for one on one time with Coach aaka Dad. But

0:27:07.400 --> 0:27:13.080
<v Speaker 1>they had these nice, occasional quiet little beats, just the

0:27:13.160 --> 0:27:16.080
<v Speaker 1>brothers who by the way, I loved his brothers in

0:27:16.119 --> 0:27:19.760
<v Speaker 1>this movie. They were the best one episode.

0:27:19.800 --> 0:27:22.120
<v Speaker 3>We have to give out awards, we need to have

0:27:22.200 --> 0:27:26.800
<v Speaker 3>like an entire awards episode, and these two twin brothers

0:27:27.600 --> 0:27:33.600
<v Speaker 3>win it. For siblings, we usually see siblings horrible siblings,

0:27:33.960 --> 0:27:37.919
<v Speaker 3>mean siblings, or annoying siblings. These two guys could not

0:27:38.040 --> 0:27:41.760
<v Speaker 3>have been like the most perfect that's what you hope

0:27:41.920 --> 0:27:49.440
<v Speaker 3>your oldest Oh god, yeah, seriously like guys and they

0:27:49.520 --> 0:27:53.000
<v Speaker 3>do it over and over and over again in this movie,

0:27:53.160 --> 0:27:54.119
<v Speaker 3>and I loved it.

0:27:54.240 --> 0:27:55.919
<v Speaker 1>I was still there for that too. I could not

0:27:56.280 --> 0:27:58.520
<v Speaker 1>I could not agree with you more. They were like

0:27:58.840 --> 0:28:01.440
<v Speaker 1>they're That relationship was like my favorite part of the movie.

0:28:01.440 --> 0:28:04.680
<v Speaker 3>It was just it was these boys were so sweet

0:28:04.920 --> 0:28:09.840
<v Speaker 3>and just the best.

0:28:13.720 --> 0:28:15.720
<v Speaker 1>So Ellie is now ready for school, and gets a

0:28:15.760 --> 0:28:18.600
<v Speaker 1>ride from her excited spiritual mom, who has feng shwaded

0:28:18.680 --> 0:28:21.040
<v Speaker 1>the car for good luck. Obviously, they're trying to tell

0:28:21.080 --> 0:28:22.879
<v Speaker 1>us exactly who this person is right off the bat.

0:28:23.080 --> 0:28:25.240
<v Speaker 4>She also wants to get her daughter a new phone.

0:28:25.560 --> 0:28:27.479
<v Speaker 1>The one she got from her dad is ancient and

0:28:27.520 --> 0:28:30.920
<v Speaker 1>she's attached too much emotion to it. It's become a

0:28:31.040 --> 0:28:34.280
<v Speaker 1>totem keep this in mind, people and can have control

0:28:34.359 --> 0:28:36.040
<v Speaker 1>over her. And this is where we learned that her

0:28:36.040 --> 0:28:38.920
<v Speaker 1>father left her family for another woman. So somebody else

0:28:39.040 --> 0:28:41.880
<v Speaker 1>dealing with the loss of a parent, different type of loss,

0:28:42.000 --> 0:28:45.920
<v Speaker 1>but lost nonetheless. Also, her mom encourages her to find

0:28:46.040 --> 0:28:49.800
<v Speaker 1>a new best friend, since Sassy appears to be trying

0:28:50.040 --> 0:28:52.560
<v Speaker 1>to find some new energy. So this is where I

0:28:52.600 --> 0:28:55.440
<v Speaker 1>was like, eh, we might have another bad mom decom

0:28:55.480 --> 0:28:59.000
<v Speaker 1>alert coming up here. She's obviously cares about her daughter,

0:28:59.440 --> 0:29:04.640
<v Speaker 1>but buckling her in huge helicopter parent Yeah, maybe knowing

0:29:04.800 --> 0:29:07.240
<v Speaker 1>way too many Like how do you already know that

0:29:07.320 --> 0:29:09.760
<v Speaker 1>her best friend is looking for another best friend? This

0:29:09.880 --> 0:29:13.160
<v Speaker 1>is kind of intrusive to know this much this quick.

0:29:13.520 --> 0:29:16.520
<v Speaker 3>No, but it reminded me of my mom. My belief

0:29:16.880 --> 0:29:22.120
<v Speaker 3>was so intuitive of things that were going on. I

0:29:22.120 --> 0:29:24.840
<v Speaker 3>don't know if she was outside my room while I'm

0:29:24.880 --> 0:29:28.160
<v Speaker 3>on the phone or what, but I'm telling you, she

0:29:29.520 --> 0:29:32.280
<v Speaker 3>could help steer me in the direction that I needed to,

0:29:32.520 --> 0:29:34.840
<v Speaker 3>especially when it came to friends, and I had a

0:29:34.880 --> 0:29:38.719
<v Speaker 3>friend that was so awful to me, and she was

0:29:39.840 --> 0:29:42.840
<v Speaker 3>just she wouldn't outright say it. She would just say,

0:29:42.680 --> 0:29:45.880
<v Speaker 3>why don't you think about hanging out with so and so?

0:29:46.320 --> 0:29:48.520
<v Speaker 3>She seems really not, you know, And she just would

0:29:48.680 --> 0:29:50.920
<v Speaker 3>kind of help steer me towards other directions. And I'm

0:29:50.960 --> 0:29:53.640
<v Speaker 3>so grateful that she did because she didn't outright tell me,

0:29:53.680 --> 0:29:55.920
<v Speaker 3>because if she did, I would have been like, real, nope,

0:29:56.000 --> 0:29:56.680
<v Speaker 3>even closer.

0:29:56.680 --> 0:29:59.320
<v Speaker 1>Now you're not friends with that horrible anymore, are you?

0:29:59.360 --> 0:30:03.120
<v Speaker 3>No? And I did get away from them in high school,

0:30:03.200 --> 0:30:05.040
<v Speaker 3>you know, and I'm grateful for that. But this is

0:30:05.080 --> 0:30:08.200
<v Speaker 3>what the house moms have, this weird.

0:30:08.000 --> 0:30:09.160
<v Speaker 2>Yeah, that's true trigger.

0:30:09.400 --> 0:30:11.120
<v Speaker 3>And I don't know if again, I don't know how

0:30:11.120 --> 0:30:12.920
<v Speaker 3>she did it. I'm like gonna have to ask her

0:30:12.960 --> 0:30:15.800
<v Speaker 3>for a class on it for it's to.

0:30:15.720 --> 0:30:16.280
<v Speaker 1>Figure it out.

0:30:16.320 --> 0:30:19.840
<v Speaker 3>But there's this weird trigger where, especially with friends, moms

0:30:19.920 --> 0:30:24.320
<v Speaker 3>know how to like gracefully try to help, Okay, get you.

0:30:24.560 --> 0:30:26.360
<v Speaker 4>Then maybe she was them. Maybe she's a great mom.

0:30:26.400 --> 0:30:28.240
<v Speaker 1>By the way, when we do have our award show,

0:30:28.840 --> 0:30:30.800
<v Speaker 1>I'm going to give you an award for not only

0:30:30.920 --> 0:30:33.560
<v Speaker 1>the Cheetah Girls, but also for whitest white part of

0:30:33.600 --> 0:30:35.680
<v Speaker 1>the eye ever. You still have the whitest white part

0:30:35.680 --> 0:30:37.360
<v Speaker 1>of the eye I've ever of anybody I've ever met.

0:30:37.600 --> 0:30:39.080
<v Speaker 1>So we got to make sure, Yeah, we got to

0:30:39.080 --> 0:30:41.400
<v Speaker 1>make sure that that we get your an award because

0:30:41.400 --> 0:30:43.440
<v Speaker 1>it's it's a great award and it's gonna be.

0:30:43.440 --> 0:30:45.040
<v Speaker 3>A big eye trophy, that's right.

0:30:45.080 --> 0:30:46.800
<v Speaker 1>Yeah, and just think about who you want to think,

0:30:47.480 --> 0:30:49.040
<v Speaker 1>Just think about who you want to thank. But I

0:30:49.120 --> 0:30:51.720
<v Speaker 1>want to thank Vizine for my white part of the eye. Yeah,

0:30:51.720 --> 0:30:53.800
<v Speaker 1>it's great. Anyway, it's blink.

0:30:54.240 --> 0:30:55.719
<v Speaker 2>Okay, there you go.

0:30:55.920 --> 0:30:59.440
<v Speaker 1>Blink. It's a different one. We are now back at

0:30:59.440 --> 0:31:01.520
<v Speaker 1>the high school and co ed Claire sends out a

0:31:01.560 --> 0:31:05.640
<v Speaker 1>text she's throwing a Paris themed house party weird, and

0:31:05.680 --> 0:31:07.440
<v Speaker 1>Aspen is already trying to figure out a way to

0:31:07.640 --> 0:31:12.080
<v Speaker 1>uninvite Ellie. That makes it awkward. When Ellie joins her

0:31:12.080 --> 0:31:16.000
<v Speaker 1>teammates Sassy Aspen and the gang because they've taken over

0:31:16.080 --> 0:31:19.080
<v Speaker 1>and it is now mean girl Central, they laugh at

0:31:19.120 --> 0:31:21.520
<v Speaker 1>her skirt over her jumpsuit look, which honestly they should

0:31:21.520 --> 0:31:24.520
<v Speaker 1>because it looks terrible. But also Ellie learns that Sasse

0:31:25.720 --> 0:31:28.400
<v Speaker 1>likes Jack. She didn't even know that, but Aspen did,

0:31:28.440 --> 0:31:32.400
<v Speaker 1>causing even more friction. Aspen convinces Sassy to approach Jack,

0:31:32.720 --> 0:31:38.320
<v Speaker 1>where she gives him an exaggerated hey, Jack, but he

0:31:38.440 --> 0:31:42.880
<v Speaker 1>is too nervous to even respond. Despite the massive fumble,

0:31:43.120 --> 0:31:46.120
<v Speaker 1>coach Dad texts Jack more inspirational quotes. And now we

0:31:46.160 --> 0:31:49.040
<v Speaker 1>have this Dad entered the DCM Bad Parent Hall of Fame.

0:31:50.840 --> 0:31:51.840
<v Speaker 4>I'm going to hold off.

0:31:51.680 --> 0:31:56.440
<v Speaker 1>On putting him there yet because while I got that

0:31:56.480 --> 0:32:00.440
<v Speaker 1>he was a bad parent here, I also knew he

0:32:00.560 --> 0:32:03.800
<v Speaker 1>was hiding something. You could just tell. This was not

0:32:06.480 --> 0:32:09.320
<v Speaker 1>dad where it was like, okay, they're gonna have a

0:32:09.360 --> 0:32:11.200
<v Speaker 1>thing at the end, but the dad is going through

0:32:12.040 --> 0:32:14.120
<v Speaker 1>this was like you knew this guy was trying to

0:32:14.120 --> 0:32:15.840
<v Speaker 1>put on a front. So I'm gonna hold off on

0:32:15.880 --> 0:32:18.400
<v Speaker 1>putting him in that hall of fame yet if a

0:32:18.960 --> 0:32:19.600
<v Speaker 1>same thing.

0:32:19.480 --> 0:32:23.120
<v Speaker 3>It's like he's you could tell, and knowing that we

0:32:23.240 --> 0:32:28.200
<v Speaker 3>get that information about his wife, their mom early on,

0:32:29.120 --> 0:32:32.200
<v Speaker 3>you instantly have a little bit more empathy and give

0:32:32.320 --> 0:32:34.840
<v Speaker 3>him a little bit more grace because he's dealing with

0:32:35.040 --> 0:32:39.640
<v Speaker 3>three high school boys, and how do you navigate that

0:32:39.840 --> 0:32:44.239
<v Speaker 3>as a dad by yourself with also not just you know,

0:32:44.800 --> 0:32:48.440
<v Speaker 3>not saying there's not there, it's not easy, or that

0:32:48.480 --> 0:32:51.040
<v Speaker 3>it's easy with a divorce, but that the mom is

0:32:51.080 --> 0:32:54.640
<v Speaker 3>really gone gone sure, how do you navigate that? And

0:32:55.040 --> 0:32:59.240
<v Speaker 3>also how do you work through that yourself as an

0:32:59.280 --> 0:33:02.800
<v Speaker 3>adult and as like your your loss. So I gave

0:33:02.840 --> 0:33:04.880
<v Speaker 3>him a lot of grace, even yes, he was starting

0:33:04.920 --> 0:33:09.160
<v Speaker 3>to irritate me. And I also am like alert calms

0:33:09.160 --> 0:33:11.120
<v Speaker 3>for me if if I ever get in a position

0:33:11.120 --> 0:33:14.640
<v Speaker 3>where I'm coaching Monroe, like, I'm so scared that I'm

0:33:14.680 --> 0:33:18.600
<v Speaker 3>gonna be this kind of like dance dance, dance, Yeah.

0:33:18.640 --> 0:33:19.160
<v Speaker 4>Can't do that.

0:33:19.240 --> 0:33:20.840
<v Speaker 1>Don't be that mom.

0:33:21.080 --> 0:33:23.600
<v Speaker 3>Don't be a stage my worst night for him. I'm

0:33:23.720 --> 0:33:26.239
<v Speaker 3>so scary for me to never be that for her.

0:33:26.360 --> 0:33:29.440
<v Speaker 1>Well then you haven't asked, but yes, I will coach

0:33:29.480 --> 0:33:31.959
<v Speaker 1>Monroe and okay, perfect, thank you. That'll take a lot

0:33:31.960 --> 0:33:33.240
<v Speaker 1>of the on you anyway.

0:33:33.360 --> 0:33:33.719
<v Speaker 3>Stress.

0:33:34.160 --> 0:33:37.280
<v Speaker 1>Uh, if things couldn't even get any worse, Porter catches

0:33:37.920 --> 0:33:41.080
<v Speaker 1>our boy here in the hallway. He I don't this

0:33:41.200 --> 0:33:44.240
<v Speaker 1>scene anyway, catches him in the halls and bullies him,

0:33:44.600 --> 0:33:47.520
<v Speaker 1>pushing him into the lockers and antagonizing him to fight

0:33:47.840 --> 0:33:49.920
<v Speaker 1>so he can video it and hand it over to

0:33:49.960 --> 0:33:53.080
<v Speaker 1>his dad, all an attempt to get Jack disqualified from varsity.

0:33:55.240 --> 0:33:57.480
<v Speaker 1>He doesn't really he First, he pushes him down, so

0:33:57.520 --> 0:33:59.640
<v Speaker 1>he's filming him on the ground, so obviously he didn't

0:33:59.640 --> 0:34:00.280
<v Speaker 1>start the fight.

0:34:00.760 --> 0:34:04.240
<v Speaker 4>Second, I love that Jack wants to make varsity.

0:34:03.880 --> 0:34:08.040
<v Speaker 1>But this guy is fourteen feet and three hundred pounds

0:34:08.200 --> 0:34:10.719
<v Speaker 1>bigger than him, So make this guy varsity for God's sakes.

0:34:10.719 --> 0:34:13.000
<v Speaker 1>Even if you just put him on skates and sand

0:34:13.040 --> 0:34:15.680
<v Speaker 1>him there, there needed to be more of.

0:34:15.640 --> 0:34:21.520
<v Speaker 3>An equalizers is as as the villain of the story,

0:34:21.560 --> 0:34:25.600
<v Speaker 3>because this just didn't make sense dynamic. Well, he's not

0:34:25.719 --> 0:34:29.120
<v Speaker 3>just taller, he looks he looks like he's out of

0:34:29.160 --> 0:34:32.440
<v Speaker 3>high school. We're gonna he looks like. I love James,

0:34:32.520 --> 0:34:36.279
<v Speaker 3>I'm a fan of phenomenal. But at the same time,

0:34:36.440 --> 0:34:39.960
<v Speaker 3>like there there needed to be it needed to be

0:34:40.000 --> 0:34:44.680
<v Speaker 3>casted somebody closer to the same size and not as

0:34:44.760 --> 0:34:48.080
<v Speaker 3>old looking. You got that he was a senior trying

0:34:48.080 --> 0:34:50.520
<v Speaker 3>to make the team, like, you get that right, but older.

0:34:50.600 --> 0:34:52.719
<v Speaker 1>It looked like he was a senior in college. Who

0:34:52.760 --> 0:34:54.800
<v Speaker 1>has also been left back nine years.

0:34:55.040 --> 0:34:57.880
<v Speaker 3>Yeah, it was. There was just no there was no.

0:34:57.760 --> 0:35:02.800
<v Speaker 1>Chance that acting wise have any other agreed and acting

0:35:02.880 --> 0:35:09.600
<v Speaker 1>wise great casting, but looks wise, it was weird on screen.

0:35:09.719 --> 0:35:11.560
<v Speaker 1>They just they look like two. It's like, oh my god,

0:35:11.600 --> 0:35:13.200
<v Speaker 1>he could have been his babysitter or his dad. They

0:35:13.239 --> 0:35:15.040
<v Speaker 1>could have cast him as his coach dad.

0:35:15.880 --> 0:35:16.320
<v Speaker 4>Anyway.

0:35:16.520 --> 0:35:18.719
<v Speaker 1>Later in the day, Ellie notices that she has a

0:35:18.840 --> 0:35:21.640
<v Speaker 1>chocolate milk mustache and has since lunch, and it looks

0:35:21.680 --> 0:35:23.440
<v Speaker 1>like she's just been eating a bowl of poop. She

0:35:23.600 --> 0:35:26.640
<v Speaker 1>should be concerned because she should have wiped that off,

0:35:27.520 --> 0:35:29.439
<v Speaker 1>and while trying to clean the feces off her face,

0:35:29.480 --> 0:35:33.960
<v Speaker 1>she overhears Aspen and Sassy enter and trash talker once again.

0:35:34.960 --> 0:35:37.840
<v Speaker 1>While she hides in the stall, Aspen says life is

0:35:37.880 --> 0:35:39.759
<v Speaker 1>going to get so much worse for her. They even

0:35:39.800 --> 0:35:42.280
<v Speaker 1>mentioned her deadbeat dad and her antique phone.

0:35:42.480 --> 0:35:42.800
<v Speaker 5>Awful.

0:35:43.320 --> 0:35:45.759
<v Speaker 1>Sassy doesn't actually want to hurt her feelings, which is

0:35:45.800 --> 0:35:48.440
<v Speaker 1>a little late to say after all this, but Aspen

0:35:48.520 --> 0:35:53.120
<v Speaker 1>offers Ellie one more chance socially to come at Claire's party,

0:35:53.200 --> 0:35:56.560
<v Speaker 1>but only if she's a little less Ellie, and if

0:35:56.560 --> 0:35:59.839
<v Speaker 1>she blows that it's flatline. The mean girls leave and

0:36:00.080 --> 0:36:02.040
<v Speaker 1>all this makes Ellie's lip quiver, the one that's not

0:36:02.080 --> 0:36:05.279
<v Speaker 1>covered in poo, like she's gonna cry, which she does

0:36:05.280 --> 0:36:07.240
<v Speaker 1>off camera because it's very hard acting.

0:36:07.280 --> 0:36:09.399
<v Speaker 4>Can you cry and cue mm hmm.

0:36:09.920 --> 0:36:13.680
<v Speaker 1>That's impressive. I can't. I mean I can, but not

0:36:13.719 --> 0:36:14.600
<v Speaker 1>really anyway.

0:36:14.719 --> 0:36:17.520
<v Speaker 3>I have to like work myself into it, Like I

0:36:17.560 --> 0:36:20.120
<v Speaker 3>can't just like cry. I when I had to do

0:36:20.160 --> 0:36:23.160
<v Speaker 3>it for scenes, I have to, Like, I can't like it.

0:36:23.400 --> 0:36:25.760
<v Speaker 3>It's not like I'm at the you know, the snack

0:36:25.880 --> 0:36:28.080
<v Speaker 3>station and you chat it up and then I get

0:36:28.080 --> 0:36:29.719
<v Speaker 3>on camera. No, I mean I have to. But I

0:36:30.080 --> 0:36:31.640
<v Speaker 3>can definitely do that.

0:36:31.640 --> 0:36:36.320
<v Speaker 1>That's very impressive. Yeah, yeah, anyway, I'm not going to

0:36:36.320 --> 0:36:37.359
<v Speaker 1>tell you what I have to think about to cry

0:36:37.360 --> 0:36:40.440
<v Speaker 1>because it's very very sad. It's the toughest episode of

0:36:40.440 --> 0:36:42.920
<v Speaker 1>G I Joe you'll ever watch. Anyway, So we see

0:36:43.000 --> 0:36:45.640
<v Speaker 1>Ellie run off to the nurse's office, where she joins Jack,

0:36:45.680 --> 0:36:48.920
<v Speaker 1>who's having had a bloody nose somehow, even though he

0:36:49.040 --> 0:36:52.840
<v Speaker 1>was pushed down on his back and we're not gonna

0:36:52.840 --> 0:36:53.239
<v Speaker 1>we like him.

0:36:53.280 --> 0:36:53.880
<v Speaker 5>So it's okay.

0:36:54.080 --> 0:36:56.279
<v Speaker 1>The nurse is another character actor and we're saying Now,

0:36:56.360 --> 0:36:58.719
<v Speaker 1>the adults in this movie are great, and we're given

0:36:58.719 --> 0:37:00.400
<v Speaker 1>an awful lot of room to be funny, which is

0:37:00.400 --> 0:37:03.360
<v Speaker 1>something that happened more and more the later d Cooms,

0:37:03.719 --> 0:37:05.360
<v Speaker 1>which I like was the adults were allowed to go

0:37:05.360 --> 0:37:07.040
<v Speaker 1>off a little bit more on their own comedy, which

0:37:07.040 --> 0:37:08.960
<v Speaker 1>is how it should be. Even if they had very

0:37:08.960 --> 0:37:11.480
<v Speaker 1>small parts, they were great. Jack and Ellie, now alone

0:37:11.480 --> 0:37:14.080
<v Speaker 1>with their pain, argue over the expectations placed on boys

0:37:14.080 --> 0:37:16.560
<v Speaker 1>and girls and who has it harder. The nurse, sick

0:37:16.560 --> 0:37:19.080
<v Speaker 1>of the bickering, suggests they text each other like every

0:37:19.080 --> 0:37:22.160
<v Speaker 1>other teenager and just keep quiet. She gives back their

0:37:22.160 --> 0:37:25.239
<v Speaker 1>hand me down phones and the fighting continues. Just now,

0:37:25.320 --> 0:37:28.800
<v Speaker 1>it's continuing very quietly over text bubbles. They both admit

0:37:28.840 --> 0:37:31.200
<v Speaker 1>that they do anything to trade lives, and facetiously they

0:37:31.200 --> 0:37:35.560
<v Speaker 1>make a trade. But that's when the two text bubbles

0:37:35.600 --> 0:37:39.040
<v Speaker 1>become Ghostbuster protons. They twist together in the air and

0:37:39.200 --> 0:37:42.239
<v Speaker 1>blow up, throwing them both to the floor, and just

0:37:42.320 --> 0:37:46.279
<v Speaker 1>like that, they have swapped bodies. It's the swap that's

0:37:46.320 --> 0:37:51.359
<v Speaker 1>the name of the movie. You're Dead I wanted more

0:37:51.440 --> 0:37:53.880
<v Speaker 1>than Hey, we've sent a text and now our phones

0:37:53.880 --> 0:37:58.279
<v Speaker 1>are totems like coumped something, something more inhabited by the

0:37:58.280 --> 0:38:01.960
<v Speaker 1>spirit of whatever they did, something the spirit of her

0:38:02.040 --> 0:38:03.280
<v Speaker 1>mom said, I'm.

0:38:03.120 --> 0:38:03.600
<v Speaker 2>Gonna leave that.

0:38:03.680 --> 0:38:05.640
<v Speaker 4>I mean something to make this.

0:38:05.480 --> 0:38:07.400
<v Speaker 1>More than just We texted at each other and now

0:38:07.400 --> 0:38:10.719
<v Speaker 1>we swapped bodies. Yeah, but I liked everything else. The

0:38:10.760 --> 0:38:13.279
<v Speaker 1>two screaming each other, quickly realizing what has happened. Ellie,

0:38:13.320 --> 0:38:16.280
<v Speaker 1>who is now Jack suggests slapping each other back to reality,

0:38:16.280 --> 0:38:19.120
<v Speaker 1>but that doesn't work. Jack. Now Ellie is confused why

0:38:19.160 --> 0:38:22.160
<v Speaker 1>she's so smelly in weird places. I don't recall smelling

0:38:22.160 --> 0:38:23.880
<v Speaker 1>this much as a teenage boy, but apparently that was

0:38:23.880 --> 0:38:24.160
<v Speaker 1>the thing.

0:38:24.239 --> 0:38:25.920
<v Speaker 3>Guys can't smell it, that's why.

0:38:26.160 --> 0:38:28.120
<v Speaker 1>Oh, maybe that's what it is. You could be right,

0:38:28.640 --> 0:38:29.319
<v Speaker 1>You could be right.

0:38:29.440 --> 0:38:30.200
<v Speaker 3>It can't smell.

0:38:30.239 --> 0:38:32.239
<v Speaker 1>Well, maybe that's what it is. Do we smell that

0:38:32.320 --> 0:38:33.560
<v Speaker 1>bad as teenage boys?

0:38:33.800 --> 0:38:37.200
<v Speaker 3>Well, it's that or the what is it now? It

0:38:37.280 --> 0:38:39.920
<v Speaker 3>used to be When I was in junior high in

0:38:40.000 --> 0:38:42.880
<v Speaker 3>high school, it was cool. Water was the like fragrance

0:38:42.920 --> 0:38:44.000
<v Speaker 3>that you guys chose to Oh.

0:38:43.960 --> 0:38:47.040
<v Speaker 1>Are you talking about axe axe bodies? Ray?

0:38:47.280 --> 0:38:50.400
<v Speaker 3>It's like, Oh my gosh. I walk on campus sometimes

0:38:50.400 --> 0:38:53.719
<v Speaker 3>and it is mind boggling how much these guys don't

0:38:53.719 --> 0:38:55.839
<v Speaker 3>know how a little goes so long.

0:38:55.920 --> 0:38:58.399
<v Speaker 1>Like it's not only that, but if you can buy

0:38:58.440 --> 0:39:01.400
<v Speaker 1>your fragrance at a gas station and get a begger fragrance,

0:39:01.680 --> 0:39:04.280
<v Speaker 1>Like seriously, if you can get a slurpy and axe

0:39:04.320 --> 0:39:06.040
<v Speaker 1>bodies pray, you're in the wrong place.

0:39:06.440 --> 0:39:08.920
<v Speaker 3>But yeah, I know you guys, do you guys just

0:39:09.040 --> 0:39:12.120
<v Speaker 3>kind of smell like so fair enough. I guess it's

0:39:12.160 --> 0:39:15.560
<v Speaker 3>better than the odor that happens the axes.

0:39:15.200 --> 0:39:17.640
<v Speaker 1>But I don't know kind of. I always, by the way,

0:39:17.680 --> 0:39:19.839
<v Speaker 1>smelled like roses, and still this day, I'm the best

0:39:19.880 --> 0:39:20.720
<v Speaker 1>smelling person I've.

0:39:20.560 --> 0:39:24.040
<v Speaker 3>Ever met because you were on here in your uh.

0:39:24.520 --> 0:39:27.560
<v Speaker 1>Hey, sometimes smell like weed is a wonderful thing to smell, like,

0:39:27.640 --> 0:39:28.320
<v Speaker 1>let's be honest.

0:39:28.920 --> 0:39:35.239
<v Speaker 6>Uh Anyway, they figure out that the texts that they

0:39:35.320 --> 0:39:37.800
<v Speaker 6>just sent are what caused the switch, because, like Ellie's

0:39:37.800 --> 0:39:40.640
<v Speaker 6>mom said, both phones have become have become totems with

0:39:40.719 --> 0:39:41.640
<v Speaker 6>special powers.

0:39:42.120 --> 0:39:44.520
<v Speaker 1>They try to wish their bodies back via text, but

0:39:44.560 --> 0:39:48.880
<v Speaker 1>of course that does not work. Okay, I'm in that's fine.

0:39:49.239 --> 0:39:51.399
<v Speaker 1>Eventually they agree they have to make this work for now.

0:39:51.520 --> 0:39:53.440
<v Speaker 1>Jack tells Ellie all about his life, and I love

0:39:53.440 --> 0:39:55.000
<v Speaker 1>how they're like all right, we gotta do a crash course,

0:39:55.080 --> 0:39:57.720
<v Speaker 1>this is my life, this is your life, including calling

0:39:57.840 --> 0:40:00.279
<v Speaker 1>dad coach and the stress of hockey. Ellie talk about

0:40:00.280 --> 0:40:04.040
<v Speaker 1>her mom and how she specializes in ribbon in rhythmic gymnastics.

0:40:04.360 --> 0:40:06.600
<v Speaker 1>I how did you think they were kind of playing

0:40:06.640 --> 0:40:08.760
<v Speaker 1>each other? I actually thought it was pretty good.

0:40:09.160 --> 0:40:14.000
<v Speaker 3>I did too, honestly. I that is something that I

0:40:14.000 --> 0:40:18.239
<v Speaker 3>instantly went wow. I did see a total switch for

0:40:18.360 --> 0:40:21.359
<v Speaker 3>each actor when they took on this new character, right,

0:40:21.520 --> 0:40:24.439
<v Speaker 3>the being a girl and a guy's I mean, they,

0:40:24.760 --> 0:40:26.880
<v Speaker 3>to me did a great job with it. I really

0:40:27.080 --> 0:40:29.480
<v Speaker 3>really thought they did. I think that is one of

0:40:29.520 --> 0:40:32.160
<v Speaker 3>the best parts of the movie that really pulls it off,

0:40:32.200 --> 0:40:35.440
<v Speaker 3>as you do believe it is a guy in a

0:40:35.480 --> 0:40:38.279
<v Speaker 3>girl's body and vice versa. Yeah, really it was good.

0:40:38.320 --> 0:40:41.319
<v Speaker 1>I really did. Then immediately, of course, oh god, I same.

0:40:41.360 --> 0:40:43.880
<v Speaker 1>I have to say him again. Aspin and sassy approach

0:40:43.960 --> 0:40:46.480
<v Speaker 1>Ellie and Jack or Jack and Ellie or however you

0:40:46.520 --> 0:40:47.960
<v Speaker 1>see them. Now, Okay, you know what, Let's go with

0:40:48.160 --> 0:40:52.120
<v Speaker 1>swapped Ellie, which is actually Jack and swapped Jack. There,

0:40:52.320 --> 0:40:56.040
<v Speaker 1>Ellie is everybody on board and break The exchange with

0:40:56.080 --> 0:40:57.960
<v Speaker 1>the mean girls is an awkward mess. They are not

0:40:58.040 --> 0:41:01.440
<v Speaker 1>helping each other here, and unfortunately Porter is back. He

0:41:01.560 --> 0:41:04.160
<v Speaker 1>is taking his little videotape of whatever fight or whatever

0:41:04.160 --> 0:41:05.960
<v Speaker 1>the hell he thinks he caught to the coach, but

0:41:06.040 --> 0:41:09.239
<v Speaker 1>that videotape doesn't really show anything anyway, what the coach

0:41:09.280 --> 0:41:12.040
<v Speaker 1>see is he using AI anyway, We're gonna it's okay.

0:41:12.160 --> 0:41:14.680
<v Speaker 4>He's blackmailing him. Swapped.

0:41:14.680 --> 0:41:16.920
<v Speaker 1>Ellie stands up for Jack, something Jack can barely do

0:41:16.960 --> 0:41:19.719
<v Speaker 1>in his own body, and Porter is impressed. He's attracted

0:41:19.760 --> 0:41:22.040
<v Speaker 1>to Ellie and offers her a free donut, which I.

0:41:21.960 --> 0:41:22.839
<v Speaker 4>Thought was the sex thing.

0:41:22.920 --> 0:41:26.200
<v Speaker 1>Apparently it's not, creating one of possibly the funniest things

0:41:26.520 --> 0:41:29.200
<v Speaker 1>Jack could do, hook up with his bully as a prank.

0:41:29.400 --> 0:41:31.000
<v Speaker 1>Did we ever think the movie was going to go there?

0:41:31.040 --> 0:41:32.239
<v Speaker 1>I thought there was a chance they were gonna end

0:41:32.280 --> 0:41:35.080
<v Speaker 1>up on a date, which I could have been funny.

0:41:35.280 --> 0:41:36.480
<v Speaker 3>It could have been so good.

0:41:36.560 --> 0:41:38.040
<v Speaker 1>It could have because if the date went really well,

0:41:38.040 --> 0:41:41.040
<v Speaker 1>he could have given her a free donut. Anyway, Swapped,

0:41:41.080 --> 0:41:45.520
<v Speaker 1>Ellie gives the bully a hey porty and says she

0:41:45.600 --> 0:41:47.480
<v Speaker 1>will go out with him if he doesn't show the

0:41:47.600 --> 0:41:50.279
<v Speaker 1>video to Jack's dad. The perfect plan and the date

0:41:50.400 --> 0:41:53.480
<v Speaker 1>is set. Our two Swap main characters decide to split up.

0:41:53.800 --> 0:41:56.520
<v Speaker 1>Jack has hockey tryouts and Ellie has the big rhythmic

0:41:56.560 --> 0:42:00.680
<v Speaker 1>meat this weekend. Now we're obviously destined for so dcom

0:42:00.680 --> 0:42:03.280
<v Speaker 1>disaster here. They also need to keep each other's phones

0:42:03.360 --> 0:42:06.320
<v Speaker 1>until this is settled, all while Swapped Ellie needs to

0:42:06.320 --> 0:42:09.200
<v Speaker 1>get her mom's totem book to try to reverse whatever

0:42:09.239 --> 0:42:11.600
<v Speaker 1>spell this is. This is where we get maybe the

0:42:11.600 --> 0:42:13.640
<v Speaker 1>funniest part of the movie here, as Swapped Ellie sprints

0:42:13.640 --> 0:42:15.839
<v Speaker 1>to her mom's little red hippie car and dives into

0:42:15.840 --> 0:42:18.240
<v Speaker 1>the open window just like Jack hid in his dad's pickup.

0:42:18.960 --> 0:42:21.000
<v Speaker 1>It was great physical beat and as shout out here

0:42:21.000 --> 0:42:23.480
<v Speaker 1>to Peytonless stunt double for the great take because it

0:42:23.560 --> 0:42:27.120
<v Speaker 1>was funny. One of Jack's testosterone phil brothers is there

0:42:27.160 --> 0:42:29.640
<v Speaker 1>to pick him up, and Swap Jack tries the same dive,

0:42:29.680 --> 0:42:34.080
<v Speaker 1>which isn't as good as the first one, definitely less successful.

0:42:34.840 --> 0:42:36.440
<v Speaker 1>It looked like he was starting to do a flip

0:42:36.480 --> 0:42:38.880
<v Speaker 1>like he had his hands up like the start of

0:42:38.920 --> 0:42:43.560
<v Speaker 1>a gymnastics routine, which was funny. So yeah, we get

0:42:43.600 --> 0:42:47.040
<v Speaker 1>some uncomfortable conversations between Ellie's mom and Swapped Ellie and

0:42:47.160 --> 0:42:50.160
<v Speaker 1>Jack's brother and swap Jack. I apologize if your head

0:42:50.200 --> 0:42:52.400
<v Speaker 1>is spinning around at this point. It does get confusing

0:42:52.840 --> 0:42:55.240
<v Speaker 1>because no one knows who they're really dealing with. Swapped

0:42:55.360 --> 0:42:59.759
<v Speaker 1>Jack again, strange name even agrees to chopping his salad off.

0:43:00.360 --> 0:43:02.880
<v Speaker 1>Could also be a sex thing. All while our two

0:43:02.960 --> 0:43:06.320
<v Speaker 1>main characters continue to text each other incessantly for advice,

0:43:07.239 --> 0:43:10.640
<v Speaker 1>we are now at rhythmic practice. Swapped Ellie walks into

0:43:10.680 --> 0:43:12.719
<v Speaker 1>the girls locker room, covering her eyes. She doesn't want

0:43:12.719 --> 0:43:14.920
<v Speaker 1>to see any of the naked ladies, you know, like

0:43:15.080 --> 0:43:17.200
<v Speaker 1>any teenage boy at the time.

0:43:17.440 --> 0:43:20.880
<v Speaker 3>Come on, I know, but it was so it was

0:43:21.000 --> 0:43:21.680
<v Speaker 3>so cute.

0:43:22.000 --> 0:43:25.440
<v Speaker 1>Give me one teenage boy who can walk in, first

0:43:25.480 --> 0:43:27.319
<v Speaker 1>of all, has a girl's body of his own, but

0:43:27.440 --> 0:43:30.640
<v Speaker 1>can walk into a girl's locker room and covers his eyes,

0:43:31.520 --> 0:43:32.400
<v Speaker 1>never going I.

0:43:32.400 --> 0:43:34.719
<v Speaker 3>Think he would be just like embarrassed if that's how

0:43:34.760 --> 0:43:37.359
<v Speaker 3>he's gonna see a naked girl, possibly for.

0:43:37.320 --> 0:43:39.040
<v Speaker 1>The first I think he would walk into the locker

0:43:39.120 --> 0:43:40.760
<v Speaker 1>room and say, hey, Becky want a BackRub?

0:43:41.280 --> 0:43:43.440
<v Speaker 4>So yes, that's come on, he's.

0:43:43.480 --> 0:43:47.000
<v Speaker 1>Any any any teenage guy.

0:43:47.160 --> 0:43:48.440
<v Speaker 4>Yeah, anyone.

0:43:48.960 --> 0:43:54.359
<v Speaker 1>He's fifteen years old, so come on again, all he's

0:43:54.960 --> 0:43:57.520
<v Speaker 1>to look I mean, that's That's all we're talking about

0:43:57.560 --> 0:44:00.000
<v Speaker 1>is looking at naked girls when you're a fifteen year

0:44:00.040 --> 0:44:01.840
<v Speaker 1>old boy. Yeah, that's what you're gonna want to do,

0:44:02.160 --> 0:44:05.680
<v Speaker 1>all right again, provided you're straight. If you're gay, I

0:44:05.680 --> 0:44:07.680
<v Speaker 1>imagine you want to look at naked boys when you're

0:44:07.840 --> 0:44:10.040
<v Speaker 1>you're that you've got sex on the brain. Your your

0:44:10.080 --> 0:44:13.040
<v Speaker 1>bodies are in a constant state of flux when you're fifteen.

0:44:13.080 --> 0:44:13.640
<v Speaker 1>It's crazy.

0:44:13.840 --> 0:44:14.879
<v Speaker 2>Are girls the same way?

0:44:16.280 --> 0:44:16.440
<v Speaker 3>No?

0:44:17.280 --> 0:44:19.359
<v Speaker 2>Really, you know, I'm constantly.

0:44:19.040 --> 0:44:21.359
<v Speaker 1>Thinking about sex and your body changing and everything when

0:44:21.360 --> 0:44:23.480
<v Speaker 1>you're fifteen as a girl, I.

0:44:23.440 --> 0:44:26.920
<v Speaker 3>Think it's different if maybe you like maybe like with

0:44:27.000 --> 0:44:29.120
<v Speaker 3>a boyfriend, you would be more so like but like

0:44:29.280 --> 0:44:31.879
<v Speaker 3>just anything like if if a schlong just came out

0:44:31.880 --> 0:44:35.120
<v Speaker 3>and for I would die, I would literally not know

0:44:35.200 --> 0:44:37.120
<v Speaker 3>where to put my eye. I would freak out, there's

0:44:37.120 --> 0:44:38.920
<v Speaker 3>no definitely not be like.

0:44:39.960 --> 0:44:41.080
<v Speaker 1>That's what a guy would do a stick.

0:44:41.160 --> 0:44:43.480
<v Speaker 3>I would literally like, I don't know. I think I

0:44:43.480 --> 0:44:45.320
<v Speaker 3>would pretend to faint or something.

0:44:45.400 --> 0:44:49.560
<v Speaker 1>I don't right, I'm generalizing obviously not every guy you are,

0:44:50.080 --> 0:44:51.760
<v Speaker 1>but one of them would.

0:44:52.000 --> 0:44:57.480
<v Speaker 3>Yeah, just so, not one hundred and one, but exactly.

0:44:58.239 --> 0:45:01.440
<v Speaker 1>She also wears her leotar over her jumpsuit, which is

0:45:01.520 --> 0:45:04.640
<v Speaker 1>insane funny swapped Ellie then starts her stretching, and this

0:45:04.680 --> 0:45:07.640
<v Speaker 1>is where peyton list is her best purposely being way

0:45:07.640 --> 0:45:10.479
<v Speaker 1>too aggressive and lacking any lady like coordination has swapped Ellie.

0:45:10.480 --> 0:45:14.000
<v Speaker 1>It was great. Meanwhile, Jack's twin brothers dogpile him, fared

0:45:14.040 --> 0:45:16.279
<v Speaker 1>on him, aren't excited, and are very excited to cut

0:45:16.280 --> 0:45:19.000
<v Speaker 1>his hair. And then we finally get our first look

0:45:19.000 --> 0:45:21.160
<v Speaker 1>at Jack's real hair. Thank god, the wig is gone.

0:45:21.280 --> 0:45:25.520
<v Speaker 1>It looks great. Don't you agree we're back with real hair. Yes, yeah,

0:45:25.520 --> 0:45:25.960
<v Speaker 1>thank god.

0:45:26.360 --> 0:45:29.759
<v Speaker 3>He's got great hair. He does wonderful hair. Oh my gosh,

0:45:29.800 --> 0:45:30.919
<v Speaker 3>you could do anything.

0:45:30.560 --> 0:45:31.040
<v Speaker 2>With that hair.

0:45:31.360 --> 0:45:33.719
<v Speaker 1>What's so funny is then go watch Cobra Kai and

0:45:33.760 --> 0:45:36.399
<v Speaker 1>he's hawk because his hair is spiked and blue or red.

0:45:36.520 --> 0:45:38.360
<v Speaker 4>I mean, he's just oh he's a badass.

0:45:38.360 --> 0:45:39.960
<v Speaker 1>So his hair seems to be a big thing for

0:45:40.000 --> 0:45:42.759
<v Speaker 1>this actor back at school, Aspen over here swapped Delli

0:45:42.920 --> 0:45:46.280
<v Speaker 1>calling swap Jack and now she thinks they're flirting behind

0:45:46.320 --> 0:45:47.040
<v Speaker 1>Sassy's back.

0:45:47.120 --> 0:45:49.760
<v Speaker 4>Ooh, a new dilemma of breaking girl code.

0:45:50.320 --> 0:45:52.440
<v Speaker 1>By the way, girl code and boycode are two very

0:45:52.440 --> 0:45:56.760
<v Speaker 1>different things. Boycode is important and matters. Girl code doesn't,

0:45:57.640 --> 0:46:00.200
<v Speaker 1>and Swapped Ellie is finally getting to talk to her

0:46:00.280 --> 0:46:03.760
<v Speaker 1>mom about the totem theory. Her mom also reveals she's

0:46:03.800 --> 0:46:06.359
<v Speaker 1>deactivated the old phone and got her a new one.

0:46:06.560 --> 0:46:09.560
<v Speaker 1>Uh oh, this is gonna ruin everything. Luckily, the switch

0:46:09.600 --> 0:46:12.600
<v Speaker 1>won't be official until Sunday afternoon, but now the clock

0:46:12.760 --> 0:46:15.120
<v Speaker 1>is ticking. Just two days to figure this out or

0:46:15.160 --> 0:46:17.279
<v Speaker 1>they're gonna be stuck in new bodies forever. I love

0:46:17.320 --> 0:46:20.439
<v Speaker 1>a ticking clock. It makes everything awesome. The surprises keep

0:46:20.440 --> 0:46:23.399
<v Speaker 1>coming as Swapped Ellie finds out her mom is taking her.

0:46:23.320 --> 0:46:25.080
<v Speaker 2>To a physical exam.

0:46:26.040 --> 0:46:28.440
<v Speaker 1>Okay, she covers her eyes with a surgical mask so

0:46:28.440 --> 0:46:30.640
<v Speaker 1>she doesn't even see her self.

0:46:30.400 --> 0:46:33.640
<v Speaker 4>Naked again, like all teenage boys would do.

0:46:34.760 --> 0:46:36.800
<v Speaker 1>I'm not even gonna tell you how I would spend

0:46:36.800 --> 0:46:40.080
<v Speaker 1>my first day as a woman. The doctors notice that

0:46:40.200 --> 0:46:43.600
<v Speaker 1>things are off a little, but understand losing her dad

0:46:44.080 --> 0:46:44.959
<v Speaker 1>must have been hard.

0:46:45.160 --> 0:46:47.560
<v Speaker 2>I'm not saying anything. I'm just saying I.

0:46:47.560 --> 0:46:50.120
<v Speaker 3>Don't even want to continue. I'm so uncomfortable.

0:46:51.080 --> 0:46:52.880
<v Speaker 1>I'm not gonna tell you. I'm not gonna tell you.

0:46:53.480 --> 0:46:57.120
<v Speaker 1>And now swap Jack must attend hockey practice. Swap Jack

0:46:57.200 --> 0:46:59.440
<v Speaker 1>quickly realizes his Dad isn't much of a dad, and

0:46:59.440 --> 0:47:01.319
<v Speaker 1>that his teammate share mouthguards.

0:47:01.360 --> 0:47:03.920
<v Speaker 4>By the way, this does not ever happen in real life.

0:47:03.960 --> 0:47:07.960
<v Speaker 1>It's gross for guys, for girls, for whatever, especially post COVID. Yeah,

0:47:08.040 --> 0:47:10.759
<v Speaker 1>the hockey team has a practice scrimmage and Porter is

0:47:10.800 --> 0:47:13.799
<v Speaker 1>already threatening Jack with Sunday's big tryout looming. Oh no,

0:47:13.880 --> 0:47:14.480
<v Speaker 1>what's gonna happen?

0:47:14.560 --> 0:47:17.440
<v Speaker 4>But right off the bat swap Jack is horrible.

0:47:17.600 --> 0:47:20.400
<v Speaker 1>He can barely even skate, eventually checking himself into the

0:47:20.400 --> 0:47:24.000
<v Speaker 1>boards and blocking a puck with his johnson, giving Ellie

0:47:24.040 --> 0:47:26.480
<v Speaker 1>first hand experience of how bad that hurts a dude.

0:47:26.840 --> 0:47:29.799
<v Speaker 1>After practice, Coach Dad, he doesn't get it. Who was

0:47:29.800 --> 0:47:32.200
<v Speaker 1>he seeing out there in the ice swap? Jack swears

0:47:32.239 --> 0:47:34.880
<v Speaker 1>things will be better by Sunday, But then coach Dad

0:47:34.920 --> 0:47:39.040
<v Speaker 1>reveals in a just horrible emotional twist that they'll also

0:47:39.080 --> 0:47:41.680
<v Speaker 1>be dedicating a bleacher seat to his mom that day too,

0:47:41.800 --> 0:47:45.080
<v Speaker 1>it's the first anniversary of her death. We also finally

0:47:45.080 --> 0:47:47.319
<v Speaker 1>see a little emotion from his dad. It's nice you

0:47:47.360 --> 0:47:50.080
<v Speaker 1>get to see the crack in the veneer. It's a nice,

0:47:50.120 --> 0:47:53.480
<v Speaker 1>well acted moment. There's something below all the inspirational quotes

0:47:53.480 --> 0:47:55.000
<v Speaker 1>and drills and we hope.

0:47:55.200 --> 0:47:56.640
<v Speaker 4>I know, I hope, and I'm sure you did that.

0:47:56.680 --> 0:47:57.760
<v Speaker 4>We're going to see more.

0:47:57.560 --> 0:48:02.400
<v Speaker 1>Of that later on. Swap Delli call swap Jack with

0:48:02.480 --> 0:48:05.320
<v Speaker 1>info from the Totem books she found. It's all dependent

0:48:05.400 --> 0:48:08.600
<v Speaker 1>on a quest there on which swap Jack thinks is

0:48:08.640 --> 0:48:10.400
<v Speaker 1>to make each other's lives better.

0:48:10.680 --> 0:48:12.239
<v Speaker 4>They need to improve for each other.

0:48:12.520 --> 0:48:15.160
<v Speaker 1>So tomorrow Swapped Ellie will try to get the phone

0:48:15.200 --> 0:48:18.320
<v Speaker 1>contract extended, and swap Jack needs to get Porter to

0:48:18.400 --> 0:48:22.160
<v Speaker 1>fully erase that fight video. Real Jack also learns about

0:48:22.160 --> 0:48:26.120
<v Speaker 1>the bench dedication, and Swapped Ellie apologizes about her dad's disappearance.

0:48:26.440 --> 0:48:30.720
<v Speaker 1>Then mid convo, Coach Dad walks in and confiscates the phone.

0:48:31.200 --> 0:48:36.120
<v Speaker 1>No distractions until after Sunday, yet another roadblock. The next morning,

0:48:36.160 --> 0:48:39.720
<v Speaker 1>Swapjack is awoken by a loud alarm, his friddy twin brothers,

0:48:39.760 --> 0:48:43.279
<v Speaker 1>and Coach Dad, saying, okay, this one's stuck with me.

0:48:43.600 --> 0:48:46.600
<v Speaker 1>Tim to yanks some worms again. Sounds like a weird

0:48:46.600 --> 0:48:57.360
<v Speaker 1>sex thing. They're going training. We've got another montage with

0:48:57.400 --> 0:48:59.719
<v Speaker 1>some upbeat, motivational rap rock, sounding a lot like a

0:48:59.719 --> 0:49:03.759
<v Speaker 1>total Lincoln Park ripoff. The molloys are running through what

0:49:03.800 --> 0:49:07.919
<v Speaker 1>looks like a swamp. Marsh and running drills. Swamp keep

0:49:07.960 --> 0:49:11.279
<v Speaker 1>saying this Swapped Jack can barely keep up, But just

0:49:11.320 --> 0:49:13.640
<v Speaker 1>when he doesn't think you go any further, his amazingly

0:49:13.680 --> 0:49:16.080
<v Speaker 1>awesome and credible twin brothers step up to motivate him.

0:49:16.120 --> 0:49:17.880
<v Speaker 1>They love him so much they want him to succeed.

0:49:18.239 --> 0:49:20.680
<v Speaker 1>This gets swap Jack hyped and he's ready to find

0:49:20.680 --> 0:49:25.080
<v Speaker 1>out what this body and testosterone can do. Meanwhile, Swapped

0:49:25.080 --> 0:49:27.200
<v Speaker 1>Ellie is sleeping in, which is a nice change for Jack.

0:49:27.239 --> 0:49:29.960
<v Speaker 1>She's eventually woken up by Sassy at her door, concerned

0:49:29.960 --> 0:49:32.360
<v Speaker 1>about why she's hanging out with Jack. Aspen thinks she

0:49:32.400 --> 0:49:34.800
<v Speaker 1>has bad intentions, but Sassy hopes she's just trying to

0:49:34.840 --> 0:49:37.520
<v Speaker 1>be a good wing woman. Then Sassy gets one look

0:49:37.520 --> 0:49:41.040
<v Speaker 1>at her onesie pajamas which I was wondering about that too,

0:49:41.360 --> 0:49:43.719
<v Speaker 1>and decides there's no way Jack could ever like her,

0:49:44.000 --> 0:49:47.080
<v Speaker 1>and earnestly suggests that next time someone is eavesdropping on her,

0:49:47.360 --> 0:49:50.120
<v Speaker 1>speak more clearly, and also tells her to act less

0:49:50.160 --> 0:49:53.600
<v Speaker 1>like Ellie again at Claire's party tonight. If we're giving

0:49:53.600 --> 0:49:56.640
<v Speaker 1>out awards, This is now possibly the worst friend ever

0:49:57.000 --> 0:50:00.960
<v Speaker 1>in the history of the Decoms We've watched, so absolutely AWF,

0:50:01.120 --> 0:50:03.359
<v Speaker 1>we're going to talk about your after this podcast. We're

0:50:03.360 --> 0:50:04.839
<v Speaker 1>going to talk about your friend too, because I don't

0:50:04.880 --> 0:50:06.840
<v Speaker 1>like people being mean to you. You're my friend, and

0:50:06.880 --> 0:50:11.120
<v Speaker 1>I don't like swapped Ellie wakes up. She walks into

0:50:11.160 --> 0:50:13.399
<v Speaker 1>the kitchen and she's awake now. She smells banana bread

0:50:13.480 --> 0:50:16.160
<v Speaker 1>being cooked by her quote unquote mom in the kitchen,

0:50:16.440 --> 0:50:19.040
<v Speaker 1>which is also something Jack's mom used to do. It's

0:50:19.040 --> 0:50:21.160
<v Speaker 1>a sad moment, but it's quickly brought back to reality

0:50:21.160 --> 0:50:23.880
<v Speaker 1>when Ellie's mom reveals they are having a mom daughter

0:50:24.040 --> 0:50:27.480
<v Speaker 1>spa day, which seems like this woman plans an awful

0:50:27.520 --> 0:50:28.880
<v Speaker 1>lot of things that involve nudity.

0:50:30.760 --> 0:50:31.440
<v Speaker 4>It's true.

0:50:31.600 --> 0:50:34.319
<v Speaker 1>Swap Jack tells his brother he's missing their workout today

0:50:34.360 --> 0:50:37.319
<v Speaker 1>because he's meeting someone for donuts again not a sex thing.

0:50:37.600 --> 0:50:40.280
<v Speaker 1>But on his way out, he accidentally opens their mom's

0:50:40.320 --> 0:50:43.640
<v Speaker 1>closet and we see pictures, letters, and supportive hockey merch.

0:50:43.960 --> 0:50:46.600
<v Speaker 1>She seems like she was a really great mom. Even

0:50:46.640 --> 0:50:48.960
<v Speaker 1>though Swapjack has no idea what any of this means,

0:50:49.040 --> 0:50:52.520
<v Speaker 1>it's still emotional for everyone, the brothers, everybody. Another just

0:50:52.600 --> 0:50:56.759
<v Speaker 1>great quiet emotional beat. This movie did this very very well, so.

0:50:56.880 --> 0:50:58.239
<v Speaker 4>Good at the spa day.

0:50:58.280 --> 0:51:00.759
<v Speaker 1>While checking in Swapped Ellie notices a cell phone store

0:51:00.760 --> 0:51:03.600
<v Speaker 1>next door. She logs that for later we see scenes

0:51:03.640 --> 0:51:05.960
<v Speaker 1>from the day of pampering, laughing at a foot massage,

0:51:05.960 --> 0:51:08.799
<v Speaker 1>screaming from a waxing, and feeling an incredible rubdown for

0:51:08.800 --> 0:51:09.719
<v Speaker 1>the first time ever.

0:51:10.520 --> 0:51:11.520
<v Speaker 4>As soon as you can.

0:51:11.440 --> 0:51:15.239
<v Speaker 1>Swap Delli down. Sorry, massage, it's a rubdown when you're

0:51:15.280 --> 0:51:19.480
<v Speaker 1>a dude, a massage for the first time ever. Swapped

0:51:19.520 --> 0:51:22.960
<v Speaker 1>Ellie sneaks out to the phone store, all while wearing

0:51:23.040 --> 0:51:27.399
<v Speaker 1>a green algae mask. Meanwhile, Porter is furious to see

0:51:27.440 --> 0:51:29.600
<v Speaker 1>Jack instead of Ellie at the donut date. He's gonna

0:51:29.640 --> 0:51:32.200
<v Speaker 1>go show coach the video now for sure. Swap Jack

0:51:32.280 --> 0:51:34.200
<v Speaker 1>begs him not to. He just wants to talk it

0:51:34.239 --> 0:51:38.200
<v Speaker 1>over over a donut. Porter eventually stays and admits that

0:51:38.239 --> 0:51:40.480
<v Speaker 1>he's been shafted for the varsity spot year after year,

0:51:40.600 --> 0:51:43.920
<v Speaker 1>especially by a Malloy. It sucks. He's over it. Swapjack

0:51:43.960 --> 0:51:46.360
<v Speaker 1>throws his life into crisis, though, asking if maybe he

0:51:46.400 --> 0:51:49.560
<v Speaker 1>should find a new passion. While breaking down, Porter makes

0:51:49.560 --> 0:51:52.440
<v Speaker 1>a little spoon catapult, and this gives Swapjack an idea.

0:51:53.280 --> 0:51:56.560
<v Speaker 1>Just saying Swapjack over and over sounds weird. Introduce him

0:51:56.560 --> 0:51:58.839
<v Speaker 1>to the STEM Club. Now, for those of you who

0:51:58.840 --> 0:52:02.759
<v Speaker 1>don't know STEM, t EM club stands for Science, Technology,

0:52:02.800 --> 0:52:05.279
<v Speaker 1>Engineering and Math Club. I wish I was smart enough

0:52:05.280 --> 0:52:07.319
<v Speaker 1>to have joined that I could not have Now in

0:52:07.360 --> 0:52:09.400
<v Speaker 1>the club, which is luckily meeting at that exact.

0:52:09.080 --> 0:52:10.440
<v Speaker 2>Moment, Porter checks it out.

0:52:10.600 --> 0:52:13.279
<v Speaker 1>While swapped, Jack talks to a cute girl named Mac

0:52:13.440 --> 0:52:15.080
<v Speaker 1>And there are definitely some sparks.

0:52:15.680 --> 0:52:16.440
<v Speaker 2>But does that.

0:52:16.440 --> 0:52:20.800
<v Speaker 1>Mean there are sparks between her and Ellie because it's Ellie,

0:52:21.440 --> 0:52:22.040
<v Speaker 1>not just she.

0:52:24.000 --> 0:52:27.759
<v Speaker 3>She has a moment in the very beginning when she's

0:52:27.800 --> 0:52:31.839
<v Speaker 3>wearing a skirt. When Ellie's wearing the skirt, she has

0:52:31.880 --> 0:52:34.600
<v Speaker 3>a moment already that says like I wish I wouldn't

0:52:34.600 --> 0:52:38.000
<v Speaker 3>have caved. So you can tell that this girl has

0:52:38.040 --> 0:52:42.360
<v Speaker 3>been seeing Ellie as like a potential friend, right, like

0:52:42.440 --> 0:52:46.000
<v Speaker 3>she's already seen they likes Ellie to be like as

0:52:46.040 --> 0:52:46.560
<v Speaker 3>a friend.

0:52:46.680 --> 0:52:49.480
<v Speaker 4>But they did make it seem like there's a spark between.

0:52:49.120 --> 0:52:51.160
<v Speaker 3>The tour of a love connection.

0:52:51.440 --> 0:52:54.120
<v Speaker 1>Yes, and that would be Ellie not Jack. So yeah,

0:52:54.120 --> 0:52:55.920
<v Speaker 1>this is where it gets a little huh huh. But

0:52:56.040 --> 0:52:58.640
<v Speaker 1>we've run in this same situation before in a decom

0:52:58.960 --> 0:53:02.400
<v Speaker 1>and also has found his new calling, which is the

0:53:02.440 --> 0:53:02.959
<v Speaker 1>Stem Club.

0:53:03.040 --> 0:53:03.879
<v Speaker 4>He's mesmerized.

0:53:04.480 --> 0:53:06.000
<v Speaker 1>We are now at the phone store, while of course

0:53:06.040 --> 0:53:08.239
<v Speaker 1>still in that algae mask swapped. Ellie as trying to

0:53:08.239 --> 0:53:11.160
<v Speaker 1>get her contract extended, but she can't. It turns out

0:53:11.200 --> 0:53:14.280
<v Speaker 1>it was her dad that canceled it and not her mom.

0:53:14.680 --> 0:53:16.440
<v Speaker 1>Without the ability to fix this part of her life,

0:53:16.480 --> 0:53:19.560
<v Speaker 1>and after admitting Ellie's life is harder, Jack needs something

0:53:19.600 --> 0:53:21.480
<v Speaker 1>new to work on, so she's going to focus on

0:53:21.520 --> 0:53:24.440
<v Speaker 1>Claire's party tonight. Ellie must fix things with Sassy to

0:53:24.480 --> 0:53:27.279
<v Speaker 1>get back her BFF, even though we all know she

0:53:27.480 --> 0:53:31.400
<v Speaker 1>is an absolute friend. And right then, Aspen enters the

0:53:31.440 --> 0:53:34.280
<v Speaker 1>spa slash beauty parlor for tonight's big party. Ellie sneaks

0:53:34.280 --> 0:53:39.000
<v Speaker 1>around to eavesdrop while she's getting her hair colored. Okay, again,

0:53:39.200 --> 0:53:41.759
<v Speaker 1>this girl is trash talking Ellie. It's like she can

0:53:41.800 --> 0:53:44.680
<v Speaker 1>talk about nothing else but how much she hates this girl.

0:53:44.840 --> 0:53:48.000
<v Speaker 1>The hairdresser places an eyemask on Aspen. Do they often

0:53:48.080 --> 0:53:49.920
<v Speaker 1>im ask you when you're getting your hair done?

0:53:50.280 --> 0:53:52.440
<v Speaker 3>No? At that part was strange.

0:53:52.760 --> 0:53:55.920
<v Speaker 1>Okay, there's a lot of strange eye masks in this movie.

0:53:56.600 --> 0:53:58.560
<v Speaker 1>And she says she'll be back swapped Ellie sees this

0:53:58.560 --> 0:54:01.160
<v Speaker 1>as an opportunity to pretend she's the hairdresser and applies

0:54:01.200 --> 0:54:03.920
<v Speaker 1>tons of different colors to Aspen's hair and this is

0:54:03.960 --> 0:54:06.160
<v Speaker 1>a big win and Swapped Ellie is now pumped to

0:54:06.160 --> 0:54:07.640
<v Speaker 1>get a makeover and a new out for the for

0:54:07.760 --> 0:54:12.040
<v Speaker 1>the party tonight, and she's got to look amazing. Swap

0:54:12.160 --> 0:54:14.680
<v Speaker 1>Jack is nervous and suggests a chance to relax and

0:54:14.719 --> 0:54:17.640
<v Speaker 1>not just train all the time. His brother suggests Owen's

0:54:17.640 --> 0:54:20.480
<v Speaker 1>game night, and swap Jack is jazzed about that, but

0:54:20.520 --> 0:54:24.000
<v Speaker 1>then Porter arrives on a little scooter. Swap Jack assumes

0:54:24.040 --> 0:54:25.600
<v Speaker 1>he's there to crush him, but instead he gets a

0:54:25.600 --> 0:54:29.120
<v Speaker 1>big bear hug. Porter has found his calling. He's an engineer.

0:54:29.320 --> 0:54:31.680
<v Speaker 1>He says he owes Jack a favor for encouraging him

0:54:31.719 --> 0:54:33.400
<v Speaker 1>and erases the video from his phone.

0:54:33.640 --> 0:54:34.799
<v Speaker 4>Things are looking up.

0:54:35.080 --> 0:54:37.959
<v Speaker 1>We get a quick dcom montage of course, bouncing between

0:54:38.000 --> 0:54:40.160
<v Speaker 1>swapped Delli getting ready for the party and swap Jack

0:54:40.200 --> 0:54:42.719
<v Speaker 1>taking his mom stuff out of the closet. Swap Jack

0:54:42.800 --> 0:54:45.800
<v Speaker 1>also finds his cell phone. He texts Porter he already

0:54:45.800 --> 0:54:49.080
<v Speaker 1>needs that favor that Porter promised him. Then we see

0:54:49.080 --> 0:54:51.800
<v Speaker 1>swap Delli get dropped off. At Claire's party, it's already

0:54:51.800 --> 0:54:55.320
<v Speaker 1>in full swing, but it's really not French themed at all,

0:54:55.400 --> 0:55:00.480
<v Speaker 1>except there's like a French song playing, and there's make

0:55:00.520 --> 0:55:02.800
<v Speaker 1>Sure of the Eiffel Tower, and I think somebody is

0:55:02.840 --> 0:55:05.800
<v Speaker 1>eating a crep. But it's like, how was this French themed?

0:55:06.840 --> 0:55:10.000
<v Speaker 1>And Aspen's wearing a beret? We are low on the

0:55:10.040 --> 0:55:11.960
<v Speaker 1>extra count in this movie. You can tell there's nine

0:55:12.000 --> 0:55:14.839
<v Speaker 1>people at this party and they're all girls. Did you

0:55:14.880 --> 0:55:16.959
<v Speaker 1>go did you have all girl parties.

0:55:16.640 --> 0:55:17.240
<v Speaker 2>In high school?

0:55:17.560 --> 0:55:19.000
<v Speaker 3>Yeah, a birthday party.

0:55:19.640 --> 0:55:21.720
<v Speaker 1>They'd be all girls at a birthday party. You wouldn't

0:55:21.719 --> 0:55:22.839
<v Speaker 1>invite guys to the birthday part.

0:55:23.280 --> 0:55:25.279
<v Speaker 3>I mean what. I feel like this was sort of

0:55:25.360 --> 0:55:30.160
<v Speaker 3>trying to mimic like a.

0:55:29.040 --> 0:55:30.600
<v Speaker 1>Eighth grade birthday party, like.

0:55:30.560 --> 0:55:34.439
<v Speaker 3>A like a girl's tea type, you know. So, yeah,

0:55:34.480 --> 0:55:36.440
<v Speaker 3>you wouldn't invite guys to that. They're not going to

0:55:36.560 --> 0:55:37.200
<v Speaker 3>like appreciate.

0:55:37.400 --> 0:55:38.080
<v Speaker 2>I get you with you.

0:55:38.200 --> 0:55:41.040
<v Speaker 3>I feel like it was kind of like that if

0:55:41.080 --> 0:55:43.600
<v Speaker 3>you did a girly or themed party, you would do

0:55:43.760 --> 0:55:46.000
<v Speaker 3>just girls. If you did more of just a generic

0:55:46.080 --> 0:55:47.680
<v Speaker 3>one than it'd be girls and guys.

0:55:48.040 --> 0:55:49.759
<v Speaker 1>Man, it must have been must been really cool to

0:55:49.760 --> 0:55:53.200
<v Speaker 1>be invited to parties. Back at Jack's, Porter arrives with

0:55:53.320 --> 0:55:56.399
<v Speaker 1>a zip line launcher, ready to free swamp Jack from

0:55:56.400 --> 0:55:59.800
<v Speaker 1>the second floor. We also learned Porter doesn't have any friends.

0:56:00.680 --> 0:56:02.719
<v Speaker 1>Don't you're dealing with Porter, I know what you're dealing with.

0:56:02.880 --> 0:56:06.000
<v Speaker 1>So swamp Jack invites him to game night. A funny

0:56:06.000 --> 0:56:09.200
<v Speaker 1>subtle joke here is that swap Jack, who remember is Ellie,

0:56:10.239 --> 0:56:12.520
<v Speaker 1>thinks introducing a new person to a friend group is

0:56:12.600 --> 0:56:15.040
<v Speaker 1>very complex since she's used to the way the girls

0:56:15.080 --> 0:56:17.200
<v Speaker 1>work and the girl's dynamic. But when a guy comes

0:56:17.239 --> 0:56:19.719
<v Speaker 1>to see Porter, they're immediately embrace him. They don't care.

0:56:19.840 --> 0:56:22.200
<v Speaker 1>It's seriously how it works, like it's my buddy Jack, Hey,

0:56:22.200 --> 0:56:24.600
<v Speaker 1>how you doing? And eat a piece of pizza. You're

0:56:24.640 --> 0:56:25.840
<v Speaker 1>in that's all just girls.

0:56:25.840 --> 0:56:29.520
<v Speaker 3>It's like a drill down, a lookdown, a whole thing

0:56:29.680 --> 0:56:34.120
<v Speaker 3>of It's still like that. As an adult friend, I

0:56:34.239 --> 0:56:37.120
<v Speaker 3>have so many friends that they have to keep their

0:56:37.200 --> 0:56:42.000
<v Speaker 3>friend groups different and separated. It gives them anxiety to like,

0:56:42.160 --> 0:56:44.600
<v Speaker 3>mesh there. I'm not like that. I'm more the merrier

0:56:44.760 --> 0:56:48.080
<v Speaker 3>per kind of person, but I have friends still like that.

0:56:48.160 --> 0:56:51.040
<v Speaker 3>Girls are still like that. It's so weird to me,

0:56:51.239 --> 0:56:53.480
<v Speaker 3>but it is definitely a girl thing.

0:56:53.800 --> 0:56:55.839
<v Speaker 1>Guys are like, hey, do you eat food? Yeah? Me too?

0:56:55.960 --> 0:56:58.320
<v Speaker 4>All right, who friends that simple?

0:56:58.560 --> 0:56:59.400
<v Speaker 1>That's how easy it is.

0:56:59.680 --> 0:57:00.239
<v Speaker 3>Yeah.

0:57:00.360 --> 0:57:02.760
<v Speaker 1>We're now back at Claire's and Swapped Ellie is eating

0:57:02.760 --> 0:57:04.880
<v Speaker 1>what I think is supposed to be a crep again.

0:57:05.000 --> 0:57:07.800
<v Speaker 1>When the mean girls approach, Aspen points out the makeover

0:57:07.880 --> 0:57:11.800
<v Speaker 1>and says it's to woo over Jack, which anger Sassy,

0:57:11.800 --> 0:57:14.759
<v Speaker 1>who's still a worse friend ever. Swapped Ellie just wants

0:57:14.760 --> 0:57:16.440
<v Speaker 1>to be cool, but Sassy isn't buying it, so she

0:57:16.480 --> 0:57:19.520
<v Speaker 1>storms off, leaving Swapped Ellie still with what I think

0:57:19.600 --> 0:57:22.360
<v Speaker 1>is the crep that she's slamming into her mouth until

0:57:22.400 --> 0:57:25.800
<v Speaker 1>Mack appears. She asks Swapped Ellie to dance, and oh

0:57:25.800 --> 0:57:28.680
<v Speaker 1>my god, we love them together. On the dance floor,

0:57:28.680 --> 0:57:31.360
<v Speaker 1>Swapped Ellie leads the girls in a synchronized punching and

0:57:31.440 --> 0:57:34.439
<v Speaker 1>lifting motion, which is supposed to be a Jack bonehead move,

0:57:34.640 --> 0:57:38.080
<v Speaker 1>but everyone loves it. Mack also admits to liking Jack,

0:57:38.120 --> 0:57:39.760
<v Speaker 1>which again is Ellie.

0:57:40.040 --> 0:57:40.400
<v Speaker 4>Okay.

0:57:40.600 --> 0:57:42.720
<v Speaker 1>Real Jack may have promised to get Sassy back as

0:57:42.720 --> 0:57:45.400
<v Speaker 1>a BFF, but Swap Jack is realizing that the real

0:57:45.440 --> 0:57:51.200
<v Speaker 1>help would be ditching Sassy right on. Swapjacks exactly back

0:57:51.200 --> 0:57:53.800
<v Speaker 1>at the boys game night Swapjack is scarfing carbs and

0:57:53.880 --> 0:57:56.360
<v Speaker 1>ignoring his workout regime. He's trying to figure out what

0:57:56.400 --> 0:57:58.520
<v Speaker 1>his life is all about when it's not hockey and training,

0:57:58.520 --> 0:58:01.800
<v Speaker 1>and figures out that Jack likes girls but has absolutely

0:58:01.840 --> 0:58:04.800
<v Speaker 1>no game. His friends suggest to casually hang out with

0:58:04.840 --> 0:58:06.960
<v Speaker 1>a girl before he steps it up to a crush.

0:58:07.200 --> 0:58:11.400
<v Speaker 1>Just get comfortable first, very very good advice. Nothing helps

0:58:11.400 --> 0:58:16.400
<v Speaker 1>you understand more understand how a girl will think if

0:58:16.400 --> 0:58:18.040
<v Speaker 1>you want to ask her out than having friends that

0:58:18.080 --> 0:58:21.040
<v Speaker 1>are just platonic girlfriends that can help you get into

0:58:21.040 --> 0:58:21.600
<v Speaker 1>that mindset.

0:58:21.760 --> 0:58:25.240
<v Speaker 3>Always see, but guys don't really help in that situation

0:58:25.400 --> 0:58:26.000
<v Speaker 3>for a girl.

0:58:26.320 --> 0:58:27.040
<v Speaker 1>No, it's not.

0:58:27.080 --> 0:58:30.480
<v Speaker 3>The opposite, No, because guys don't give any kind of advice.

0:58:30.600 --> 0:58:33.560
<v Speaker 3>They'll just say just just talk to him or whatever.

0:58:33.680 --> 0:58:37.720
<v Speaker 3>There's no there's no different mind works where a girl

0:58:37.760 --> 0:58:40.880
<v Speaker 3>will sit there and break it down for a guy. Right,

0:58:40.960 --> 0:58:43.640
<v Speaker 3>they break it down. Here's what you do. These are good,

0:58:43.840 --> 0:58:46.000
<v Speaker 3>these are good ideas. Guys do not do that. I

0:58:46.040 --> 0:58:49.000
<v Speaker 3>had so many guy friends that never once helped me

0:58:49.320 --> 0:58:52.160
<v Speaker 3>like get the guy that I actually wanted as my crush.

0:58:52.240 --> 0:58:54.200
<v Speaker 1>Like, but you know the guys that you would look

0:58:54.240 --> 0:58:57.040
<v Speaker 1>for advice from that. Are your friends also want to

0:58:57.040 --> 0:58:57.919
<v Speaker 1>hook up with you too?

0:58:58.080 --> 0:58:58.240
<v Speaker 3>Right?

0:58:59.600 --> 0:58:59.840
<v Speaker 5>No?

0:59:00.320 --> 0:59:01.360
<v Speaker 3>We're just friends?

0:59:01.480 --> 0:59:08.000
<v Speaker 1>No? No, no, okay, nope, nope. Those guys that were

0:59:08.120 --> 0:59:11.800
<v Speaker 1>just your friends were absolutely your friends, but they also

0:59:11.840 --> 0:59:14.840
<v Speaker 1>wanted to hook up with you too. That's the difference.

0:59:14.960 --> 0:59:16.760
<v Speaker 3>Yes, okayest thing you've ever said.

0:59:16.800 --> 0:59:17.640
<v Speaker 1>That's it's so weird.

0:59:17.880 --> 0:59:20.520
<v Speaker 4>Okay, wait till the comments come rolling in.

0:59:21.160 --> 0:59:23.400
<v Speaker 1>Guys and girls people that are like guys and girls

0:59:23.400 --> 0:59:26.640
<v Speaker 1>can't be friends. That's guys and girls can totally be friends.

0:59:26.880 --> 0:59:29.680
<v Speaker 1>Guys and girls are sometimes the best friends in the world. Yeah,

0:59:29.760 --> 0:59:30.880
<v Speaker 1>you still want to hook.

0:59:30.760 --> 0:59:33.200
<v Speaker 3>Up with the girl? Oh okay, yeah.

0:59:33.240 --> 0:59:35.080
<v Speaker 1>So I don't know if that changes how you look

0:59:35.080 --> 0:59:37.680
<v Speaker 1>at your guy friends. Yeah, not when you're married, not

0:59:37.680 --> 0:59:38.600
<v Speaker 1>as an adult when you're married.

0:59:38.640 --> 0:59:40.720
<v Speaker 3>I'm talking back at that my friendship.

0:59:40.800 --> 0:59:44.400
<v Speaker 1>When you're talking about back in that age, when you're fourteen, fifteen, sixteen,

0:59:44.400 --> 0:59:45.960
<v Speaker 1>the guys like you go, hey, Billy, how do I

0:59:46.000 --> 0:59:47.880
<v Speaker 1>hook up with Mark? Billy's like, here's how you do it.

0:59:47.960 --> 0:59:51.280
<v Speaker 1>Billy wanted you to. That's just the way, though, Bill,

0:59:51.800 --> 0:59:55.640
<v Speaker 1>I know it's true. Anyway, At Claire, I'm glad I.

0:59:55.600 --> 0:59:58.120
<v Speaker 3>Could educate you yell.

0:59:57.680 --> 1:00:01.160
<v Speaker 1>At Claire's Aspen and Sassy continue you their mean girl ways,

1:00:01.200 --> 1:00:03.000
<v Speaker 1>their bored and start to mess with people's heads at

1:00:03.040 --> 1:00:05.280
<v Speaker 1>the photo booth, which gets the attention of Claire and

1:00:05.320 --> 1:00:08.040
<v Speaker 1>Swapped Ellie. Swapped Delli tells him to cut it out,

1:00:08.040 --> 1:00:11.880
<v Speaker 1>but Aspen and Sassey are total and fight back. Swapped

1:00:11.920 --> 1:00:15.040
<v Speaker 1>Ellie says she knows Jack molloy wouldn't like this behavior

1:00:15.080 --> 1:00:16.520
<v Speaker 1>because they're very tight.

1:00:16.720 --> 1:00:17.560
<v Speaker 2>Oh.

1:00:17.840 --> 1:00:20.919
<v Speaker 1>Aspen takes this as a declaration that she and Jack

1:00:21.000 --> 1:00:24.800
<v Speaker 1>are dating and wants to take an excursion jump to conclusions.

1:00:24.880 --> 1:00:26.280
<v Speaker 2>Much there Aspen.

1:00:26.800 --> 1:00:29.000
<v Speaker 1>Back at the guys party, the boys are rating girls

1:00:29.040 --> 1:00:31.600
<v Speaker 1>one out of ten. This happens, which annoys Ellie in

1:00:31.760 --> 1:00:35.440
<v Speaker 1>Jack's body. Eventually they get to ranking Ellie oh in.

1:00:35.480 --> 1:00:38.080
<v Speaker 1>One of Jack's friends thinks she's so hot, which causes

1:00:38.120 --> 1:00:40.480
<v Speaker 1>Swap Jack to do a spit take, and just then

1:00:40.560 --> 1:00:42.200
<v Speaker 1>everyone gets a text from Aspen.

1:00:42.520 --> 1:00:43.840
<v Speaker 2>She wants the school to meet at.

1:00:43.720 --> 1:00:46.840
<v Speaker 1>The river to figure out who is Jack's bay once

1:00:46.880 --> 1:00:50.080
<v Speaker 1>and for all. Uh oh. At the River, Swap Jack

1:00:50.120 --> 1:00:52.560
<v Speaker 1>and Swapped Ellie arrive with their respective little party gangs.

1:00:52.680 --> 1:00:55.800
<v Speaker 1>Swapped Ellie immediately tells Swap Jack to kiss her he's

1:00:55.840 --> 1:00:58.680
<v Speaker 1>taken aback, but instead decides to walk to a nearby

1:00:58.680 --> 1:01:01.240
<v Speaker 1>bridge they can be alone away from the group. She

1:01:01.280 --> 1:01:03.280
<v Speaker 1>admits she made it seem like they were dating, which

1:01:03.280 --> 1:01:06.040
<v Speaker 1>in my opinion, she'd really do. But anyway, but now

1:01:06.120 --> 1:01:08.760
<v Speaker 1>they have to do something about it. It's real bro

1:01:08.920 --> 1:01:12.520
<v Speaker 1>code versus girl code moment, trader versus liar, damned if

1:01:12.520 --> 1:01:15.440
<v Speaker 1>you do, damned if you don't kind of thing. Swamped

1:01:15.480 --> 1:01:18.000
<v Speaker 1>Ellie storms off and Aspen once again tries to kick

1:01:18.000 --> 1:01:20.840
<v Speaker 1>her while she's down with insults, but swap Ellie has

1:01:20.920 --> 1:01:21.840
<v Speaker 1>hit her breaking points.

1:01:21.880 --> 1:01:23.640
<v Speaker 4>She squares up, ready to fight.

1:01:24.160 --> 1:01:29.800
<v Speaker 2>Yes, finally fight up. Punch that chick in the face.

1:01:29.960 --> 1:01:33.760
<v Speaker 3>Oh my gosh, she deserves it. Let's go, let's go.

1:01:35.040 --> 1:01:37.520
<v Speaker 3>I was waiting for this moment the whole movie.

1:01:37.680 --> 1:01:41.160
<v Speaker 1>God, just slap her. I want a T shirt with

1:01:41.200 --> 1:01:43.560
<v Speaker 1>your face, with just your picture that just says punch

1:01:43.640 --> 1:01:46.080
<v Speaker 1>that chick in the face and a giant bubble next

1:01:46.120 --> 1:01:48.880
<v Speaker 1>to it. That's my new favorite thing you've ever said,

1:01:49.040 --> 1:01:53.640
<v Speaker 1>punch that chick in the face. So Sassy jumps in.

1:01:53.720 --> 1:01:55.880
<v Speaker 1>She says, stop being such a guy about this. If

1:01:55.880 --> 1:01:58.000
<v Speaker 1>you want to be besties, then sure, we're besties. But

1:01:58.080 --> 1:02:01.320
<v Speaker 1>swapped Ellie is disgusted and lets her have it, calling

1:02:01.320 --> 1:02:04.960
<v Speaker 1>her fickle and a terrible friend, and removes aspens beret

1:02:05.040 --> 1:02:08.880
<v Speaker 1>to reveal the rainbow hair. Everything is ruined and swap

1:02:08.960 --> 1:02:13.280
<v Speaker 1>Jack is furious he lost his BFF for good. Jack's

1:02:13.320 --> 1:02:16.240
<v Speaker 1>dad arrives, furious that he snuck out. He wants Jack

1:02:16.280 --> 1:02:18.440
<v Speaker 1>to get in the car, but swap Jack is hesitant

1:02:18.480 --> 1:02:20.440
<v Speaker 1>and swapped Ellie is telling him not to do it.

1:02:20.720 --> 1:02:23.160
<v Speaker 1>Swap Jack starts to cry and gives in. He walks

1:02:23.160 --> 1:02:25.320
<v Speaker 1>to the car, prompting the coach to tell him boys

1:02:25.320 --> 1:02:29.400
<v Speaker 1>don't cry. Ugh, ridiculous. I am not a big crier.

1:02:29.560 --> 1:02:31.760
<v Speaker 1>I've never been a big crier. That's just the way

1:02:31.800 --> 1:02:34.960
<v Speaker 1>I am my entire life. I just don't cry. But

1:02:35.120 --> 1:02:37.440
<v Speaker 1>the idea that boys can't cry is ridiculous.

1:02:37.520 --> 1:02:40.040
<v Speaker 3>If we're gonna cry, not to cry. Now, did your

1:02:40.080 --> 1:02:42.200
<v Speaker 3>brothers say guys don't cry?

1:02:42.520 --> 1:02:43.560
<v Speaker 2>Nope, we were never.

1:02:43.640 --> 1:02:46.280
<v Speaker 1>My dad was in the military and a lawyer, but

1:02:46.320 --> 1:02:49.960
<v Speaker 1>we were never raised to boys don't cry. What you

1:02:50.040 --> 1:02:53.920
<v Speaker 1>know wasn't not at all we were. We also weren't

1:02:54.000 --> 1:02:57.120
<v Speaker 1>raised to be the most ridiculous like the world runs

1:02:57.120 --> 1:02:58.840
<v Speaker 1>on our emotions, not in any way I think we

1:02:58.840 --> 1:03:00.720
<v Speaker 1>were raised with a very good balance, but no, we could.

1:03:01.080 --> 1:03:02.560
<v Speaker 4>Yeah, if you had to cry, you cry.

1:03:02.640 --> 1:03:03.360
<v Speaker 1>That's okay.

1:03:03.560 --> 1:03:05.960
<v Speaker 4>Yeah, that's that's how it was. I just never did.

1:03:06.160 --> 1:03:09.800
<v Speaker 1>It's probably because I'm dead inside. Anyway, Back at the Loyhouse,

1:03:09.800 --> 1:03:12.320
<v Speaker 1>coach Dad has focused on punishment and Jack redeeming himself

1:03:12.320 --> 1:03:15.320
<v Speaker 1>at the tryout, but swap Jack just gets in bed depressed,

1:03:15.520 --> 1:03:17.800
<v Speaker 1>and this is when Dad notices his wife's things in

1:03:17.840 --> 1:03:20.040
<v Speaker 1>the room and quickly leaves another one of those small

1:03:20.080 --> 1:03:24.720
<v Speaker 1>tender moments. His twin brothers, ah, I love them so much,

1:03:25.520 --> 1:03:28.000
<v Speaker 1>enter to try and help, and just leave the aforementioned

1:03:28.000 --> 1:03:30.480
<v Speaker 1>list of goals applot device we definitely forgot about on

1:03:30.520 --> 1:03:33.760
<v Speaker 1>his bed, but it works so well. It shows swap

1:03:33.840 --> 1:03:36.880
<v Speaker 1>Jack the list was made when Jack's mom was alive

1:03:37.000 --> 1:03:40.360
<v Speaker 1>and his mom like notarized the list. It was very sweet,

1:03:40.400 --> 1:03:44.160
<v Speaker 1>It was very emotional. Swapped Ellie then returns home, furious

1:03:44.200 --> 1:03:46.800
<v Speaker 1>from the party and watching himself walk away from Sassey

1:03:47.040 --> 1:03:49.400
<v Speaker 1>then leave in his dad's car. We get a very

1:03:49.520 --> 1:03:53.320
<v Speaker 1>warped tour Arab ballad as Swapped Ellie swipes through a

1:03:53.360 --> 1:03:56.240
<v Speaker 1>digital picture frame, seeing childhood pictures of Ellie and Sassey

1:03:56.320 --> 1:04:00.240
<v Speaker 1>together posing with her jerk absentee dad and now we

1:04:00.280 --> 1:04:04.760
<v Speaker 1>know and she knows, he knows that she just can't

1:04:04.800 --> 1:04:07.800
<v Speaker 1>lose another person in her life. That's what this is about.

1:04:07.840 --> 1:04:10.520
<v Speaker 1>But also both these people are doing very bad things.

1:04:10.560 --> 1:04:12.040
<v Speaker 1>So sometimes you just have to kick the people out

1:04:12.040 --> 1:04:14.080
<v Speaker 1>of your life that are toxic. But tough thing to

1:04:14.080 --> 1:04:16.160
<v Speaker 1>do when you're talking about your best friend and your dad.

1:04:16.440 --> 1:04:20.000
<v Speaker 3>And at that age, of course, that age is not

1:04:20.160 --> 1:04:24.400
<v Speaker 3>an age where you can understand, No, the tragedies that

1:04:24.440 --> 1:04:27.240
<v Speaker 3>this person is, like, the trauma that this person's bringing

1:04:27.280 --> 1:04:30.000
<v Speaker 3>into your life is not worth it. They don't understand

1:04:30.000 --> 1:04:31.040
<v Speaker 3>that at that time, like.

1:04:31.000 --> 1:04:34.080
<v Speaker 1>They just don't. And also throw in the other layer

1:04:34.160 --> 1:04:38.880
<v Speaker 1>of magically being switched into another body and forget it right,

1:04:39.280 --> 1:04:42.280
<v Speaker 1>Swap Jack and Swap Ellie texts each other to apologize

1:04:42.280 --> 1:04:44.160
<v Speaker 1>for their actions at the party and with an idea

1:04:44.200 --> 1:04:47.320
<v Speaker 1>to make sure tomorrow goes smoothly. They reveal the swap

1:04:47.360 --> 1:04:49.440
<v Speaker 1>to Jack's pal Owen, which happened very quickly, and he

1:04:49.480 --> 1:04:50.720
<v Speaker 1>bought it. He was like, all right, you're in different

1:04:50.720 --> 1:04:53.640
<v Speaker 1>bodies and get in to open the sports complex. He

1:04:53.760 --> 1:04:57.720
<v Speaker 1>accepts the situation again instantly, but hey, that's what a

1:04:57.720 --> 1:05:00.960
<v Speaker 1>friend's supposed to do. Absolutely, you call a friend, don't.

1:05:01.040 --> 1:05:04.400
<v Speaker 3>Know the timeframe of it, like he's just coming to help, however,

1:05:04.480 --> 1:05:06.360
<v Speaker 3>and so we don't really. I mean, it's pretty that

1:05:06.480 --> 1:05:08.560
<v Speaker 3>they move through it fast, but thank god because now

1:05:08.600 --> 1:05:10.960
<v Speaker 3>we already know we have ninety one minutes and we

1:05:11.000 --> 1:05:12.400
<v Speaker 3>don't need another minute anyways.

1:05:12.480 --> 1:05:14.360
<v Speaker 1>Yeah, but that's what a friend does. A friend buys

1:05:14.360 --> 1:05:17.320
<v Speaker 1>you at your word exactly. Yeah, you call a friend

1:05:17.360 --> 1:05:18.600
<v Speaker 1>and say, hey, dude, I use you to show up

1:05:18.600 --> 1:05:20.480
<v Speaker 1>at my house with them the shovel and a bag

1:05:20.520 --> 1:05:21.400
<v Speaker 1>of lie.

1:05:21.720 --> 1:05:23.040
<v Speaker 4>They say, front door or back.

1:05:23.160 --> 1:05:25.160
<v Speaker 1>That's whose truck will be taken. That's all you need

1:05:25.200 --> 1:05:26.960
<v Speaker 1>to know. So that's good friend.

1:05:27.000 --> 1:05:29.960
<v Speaker 3>And we love him from zombies anyway, So anything he does,

1:05:29.960 --> 1:05:31.080
<v Speaker 3>it's great, we love it.

1:05:31.720 --> 1:05:33.560
<v Speaker 1>They use this time, a very limited amount of time,

1:05:33.600 --> 1:05:36.040
<v Speaker 1>to teach each other hockey and gymnastics, since your body

1:05:36.080 --> 1:05:38.040
<v Speaker 1>should be able to remember it all from muscle memory.

1:05:38.040 --> 1:05:40.600
<v Speaker 1>Good idea. This would all be again, though, within a

1:05:40.680 --> 1:05:42.560
<v Speaker 1>very few hours, which is not a good plan. But

1:05:42.600 --> 1:05:45.840
<v Speaker 1>we get another montage watching them master their respective sports.

1:05:46.240 --> 1:05:48.320
<v Speaker 1>And this is when I was like, Okay, we now

1:05:48.360 --> 1:05:50.560
<v Speaker 1>officially have too many montages. You're starting to lose me

1:05:50.560 --> 1:05:52.760
<v Speaker 1>a little bit, but I get it.

1:05:52.880 --> 1:05:53.080
<v Speaker 4>Now.

1:05:53.160 --> 1:05:55.360
<v Speaker 1>They have the swap versions figuring out all of what

1:05:55.400 --> 1:05:57.240
<v Speaker 1>they have to do, just in time for Sunday. The

1:05:57.320 --> 1:05:59.800
<v Speaker 1>rhythmic event is upon us, and the real Ellie was

1:05:59.800 --> 1:06:02.520
<v Speaker 1>hope her dad would show, but he hasn't. Swapped Ellie,

1:06:02.560 --> 1:06:05.120
<v Speaker 1>who is now accompanied by Owen, notices this and feels

1:06:05.120 --> 1:06:07.640
<v Speaker 1>bad for her. We also see the bench dedication and

1:06:07.680 --> 1:06:11.240
<v Speaker 1>it's very sweet. The bench says Heaven's number one hockey mom.

1:06:11.920 --> 1:06:15.080
<v Speaker 1>Yet another montage again, I keep pointing them out because

1:06:15.080 --> 1:06:17.200
<v Speaker 1>there's now at this point too many, And we see

1:06:17.240 --> 1:06:20.000
<v Speaker 1>swapped Ellie killing it with the routine and swap Jack

1:06:20.040 --> 1:06:23.280
<v Speaker 1>doing great with the four on four scrimmage. Jack scores

1:06:23.320 --> 1:06:26.120
<v Speaker 1>a goal and Ellie completes a perfect ten or whatever

1:06:26.200 --> 1:06:28.640
<v Speaker 1>the hell they score, and rhythm gymnastics a square with

1:06:28.680 --> 1:06:30.360
<v Speaker 1>a circle through it whatever, I don't know what it is.

1:06:30.720 --> 1:06:35.240
<v Speaker 1>The team is saved and Jack makes varsity. Our main

1:06:35.320 --> 1:06:37.800
<v Speaker 1>characters meet up and they celebrate their wins, but there's

1:06:37.840 --> 1:06:40.400
<v Speaker 1>only forty five minutes left to swap back. They trade

1:06:40.400 --> 1:06:42.280
<v Speaker 1>phones in text I wish I had my life back,

1:06:42.360 --> 1:06:47.000
<v Speaker 1>but uh oh, it doesn't fail fail. They trade back

1:06:47.040 --> 1:06:49.400
<v Speaker 1>phones again and again, still not working. It doesn't work

1:06:49.440 --> 1:06:51.800
<v Speaker 1>this time, it doesn't work that time. Swap Jack thinks

1:06:51.840 --> 1:06:54.280
<v Speaker 1>they should talk to her mom about extending the contract,

1:06:54.360 --> 1:06:56.760
<v Speaker 1>but swap Ellie breaks the bad news. It was her

1:06:56.920 --> 1:06:59.520
<v Speaker 1>dad who did it. It was just her mom covering

1:06:59.520 --> 1:07:02.320
<v Speaker 1>for him because he wanted a new family plan for

1:07:02.400 --> 1:07:03.520
<v Speaker 1>his new family.

1:07:03.880 --> 1:07:05.440
<v Speaker 3>Wow, shout on off.

1:07:06.240 --> 1:07:08.920
<v Speaker 1>It looks like they will be staying in these bodies forever.

1:07:09.680 --> 1:07:13.240
<v Speaker 1>Roll credits that tough set. I'm kidding. That was not

1:07:13.280 --> 1:07:15.400
<v Speaker 1>the end of the movie. Nope, we are back at

1:07:15.400 --> 1:07:18.720
<v Speaker 1>the Malloy's coach dad continues to be an absolute asshole.

1:07:18.920 --> 1:07:21.320
<v Speaker 1>He doesn't congratulate his son at all. He minimizes the

1:07:21.320 --> 1:07:24.280
<v Speaker 1>accomplishment and tells him he barely made the team. Swap

1:07:24.400 --> 1:07:27.000
<v Speaker 1>Jack speaks up, asking if he knows how that makes

1:07:27.000 --> 1:07:30.320
<v Speaker 1>a kid feel. Jack's dad says, you must block out emotions.

1:07:30.320 --> 1:07:32.760
<v Speaker 1>You can't open yourself up to weakness. But it's obvious

1:07:32.800 --> 1:07:35.760
<v Speaker 1>he's really talking about his dead wife and not hockey.

1:07:36.320 --> 1:07:38.920
<v Speaker 1>So sad. On the other side of town, Swapped Ellie

1:07:38.960 --> 1:07:41.120
<v Speaker 1>is walking with her mom, obviously sad. Her mom thinks

1:07:41.120 --> 1:07:42.960
<v Speaker 1>it's because her dad didn't show up. Out the competition,

1:07:43.040 --> 1:07:45.200
<v Speaker 1>but we know it's because Jack is now forever a lady.

1:07:45.720 --> 1:07:47.560
<v Speaker 1>But the truth is both Ellie and Jack have to

1:07:47.640 --> 1:07:50.080
<v Speaker 1>let go of the recent losses they've experienced. They have

1:07:50.160 --> 1:07:52.920
<v Speaker 1>more in common than they think. Swapped Ellie starts crying

1:07:52.960 --> 1:07:55.480
<v Speaker 1>and says she misses her mom. We get a touching

1:07:55.480 --> 1:07:57.600
<v Speaker 1>scene here where Ellie's mom thinks it's about her and

1:07:57.640 --> 1:08:00.320
<v Speaker 1>they embrace. It's a really well written scene where Elly's

1:08:00.360 --> 1:08:02.680
<v Speaker 1>mom can be Jack's mom for a second and it

1:08:02.720 --> 1:08:05.479
<v Speaker 1>makes sense for everybody. Did you love this? I love

1:08:05.760 --> 1:08:07.480
<v Speaker 1>I did too.

1:08:07.880 --> 1:08:10.880
<v Speaker 3>There was so much depth and how each character it

1:08:10.960 --> 1:08:13.800
<v Speaker 3>was believable too. How you can take what the mom

1:08:13.880 --> 1:08:20.559
<v Speaker 3>is saying to swapped Ellie and how he's Oh my gosh.

1:08:20.560 --> 1:08:23.160
<v Speaker 3>It was so good and it was written so well.

1:08:23.200 --> 1:08:26.240
<v Speaker 1>I just was like, wow, Yeah, they get He gets

1:08:26.240 --> 1:08:28.040
<v Speaker 1>to talk to his mom again and she gets to

1:08:28.080 --> 1:08:30.080
<v Speaker 1>talk to her dad again. It just really worked.

1:08:30.360 --> 1:08:30.599
<v Speaker 3>Yeah.

1:08:30.920 --> 1:08:33.439
<v Speaker 1>So and at the Malloy's what we were just talking about,

1:08:33.439 --> 1:08:36.840
<v Speaker 1>Swap Jack Snap's big time yells at his dad, did

1:08:36.880 --> 1:08:38.280
<v Speaker 1>you even love me at all?

1:08:38.800 --> 1:08:40.640
<v Speaker 4>Again? We have the swap parents stepping in for the

1:08:40.680 --> 1:08:41.280
<v Speaker 4>actual parent.

1:08:41.320 --> 1:08:43.760
<v Speaker 1>The character's mad at Jack's dad doesn't want to have

1:08:43.800 --> 1:08:46.280
<v Speaker 1>the conversation, but Jack doesn't let up. Ending with boys

1:08:46.320 --> 1:08:49.360
<v Speaker 1>can cry, they even should sometimes the twins watch on

1:08:49.479 --> 1:08:53.760
<v Speaker 1>and again Jack and Elly's feelings are actually interchangeable. With

1:08:53.800 --> 1:08:55.599
<v Speaker 1>this out of the way, swapped Ellie and swap Jack

1:08:55.640 --> 1:08:58.040
<v Speaker 1>feel reborn. They know the goals have been accomplished, and

1:08:58.080 --> 1:09:00.240
<v Speaker 1>they meet each other at the river with five minutes left.

1:09:00.520 --> 1:09:02.720
<v Speaker 1>They text that they wish they had their lives back

1:09:02.760 --> 1:09:06.599
<v Speaker 1>because everything is so much better, and boom, the pink

1:09:06.600 --> 1:09:10.040
<v Speaker 1>and blue protons appear and they swap back bodies. They

1:09:10.080 --> 1:09:12.760
<v Speaker 1>excitedly hug, and now real Ellie runs off to her mom,

1:09:13.040 --> 1:09:17.240
<v Speaker 1>finally completing a hug between actual family members. Ellie announces

1:09:17.240 --> 1:09:20.479
<v Speaker 1>she's gonna be okay and is pregnant. Yes, just making

1:09:20.520 --> 1:09:23.360
<v Speaker 1>sure you're all still with me. She's not pregnant. Jack

1:09:23.439 --> 1:09:25.920
<v Speaker 1>returns home without any knowledge of their prior blow up

1:09:25.960 --> 1:09:28.360
<v Speaker 1>with his coach Dad, and they come face to face.

1:09:28.600 --> 1:09:31.360
<v Speaker 1>Coach Dad immediately make sure he's now just called Dad.

1:09:31.680 --> 1:09:33.680
<v Speaker 1>He admits that ever since his mom died, he's been

1:09:33.680 --> 1:09:35.960
<v Speaker 1>too hard on the boys. He's been avoiding the pain,

1:09:36.080 --> 1:09:38.360
<v Speaker 1>and now he knows he's wrong. He loves them more

1:09:38.400 --> 1:09:41.040
<v Speaker 1>than they'll ever know. They bro hug and even his

1:09:41.160 --> 1:09:43.560
<v Speaker 1>dad cries. For as messy as this movie is a

1:09:43.640 --> 1:09:46.600
<v Speaker 1>time for as many montages as there were. The emotional

1:09:46.640 --> 1:09:50.320
<v Speaker 1>scenes worked really, really well. But it's tough to forgive

1:09:50.320 --> 1:09:53.120
<v Speaker 1>the dad. But I did, damn it. I forgave him

1:09:53.120 --> 1:09:54.639
<v Speaker 1>because of everything that he went through.

1:09:55.000 --> 1:09:59.280
<v Speaker 3>I just didn't forgive the change of his voice. All

1:09:59.320 --> 1:10:05.400
<v Speaker 3>of a sudden, his voice it sound like a completely

1:10:05.400 --> 1:10:08.960
<v Speaker 3>different actor's voice. Really, yes, it was like and I

1:10:09.080 --> 1:10:12.120
<v Speaker 3>went and rewound it to and it must have been.

1:10:12.320 --> 1:10:14.840
<v Speaker 3>It was It must have been an actor's choice right

1:10:14.880 --> 1:10:20.599
<v Speaker 3>where he was. Coach had like a calmer, different voice

1:10:20.600 --> 1:10:21.080
<v Speaker 3>and like.

1:10:21.040 --> 1:10:25.360
<v Speaker 1>It Okay, I did not notice.

1:10:25.120 --> 1:10:30.000
<v Speaker 3>That, man, I was like, why is she? Why love?

1:10:30.680 --> 1:10:31.599
<v Speaker 2>Why did you change?

1:10:33.000 --> 1:10:35.760
<v Speaker 1>It is? Now the next day at school we get

1:10:35.840 --> 1:10:38.920
<v Speaker 1>updates on everyone through text bubbles. Claire says her party

1:10:38.960 --> 1:10:41.800
<v Speaker 1>picks are going viral in France, which might just be

1:10:41.840 --> 1:10:43.400
<v Speaker 1>the least believable thing in.

1:10:43.400 --> 1:10:44.280
<v Speaker 4>The entire movie.

1:10:44.880 --> 1:10:47.519
<v Speaker 1>After after they've switched bodies. I believe that, more than

1:10:47.560 --> 1:10:49.599
<v Speaker 1>the fact that anything is going viral, that she did

1:10:49.600 --> 1:10:51.120
<v Speaker 1>in France is.

1:10:51.120 --> 1:10:55.639
<v Speaker 2>No longer right exactly It's.

1:10:55.439 --> 1:10:58.920
<v Speaker 1>Called in France. That wasn't a French accent at all.

1:10:58.920 --> 1:11:01.200
<v Speaker 1>I don't even know what that was. Aspen is no

1:11:01.320 --> 1:11:04.760
<v Speaker 1>longer the hot popular girl, she's too shallow. Owen is

1:11:04.800 --> 1:11:08.240
<v Speaker 1>going to ask out Ellie, and Ellie is suggesting Mac

1:11:08.640 --> 1:11:10.760
<v Speaker 1>ask out Jack, Mac and Jack.

1:11:10.800 --> 1:11:11.280
<v Speaker 2>I love it.

1:11:11.680 --> 1:11:14.400
<v Speaker 1>And even Porter has some friends now, which he should

1:11:14.439 --> 1:11:18.559
<v Speaker 1>he's forty. Then Ellie runs into Aspen and Sassy. Sassy

1:11:18.600 --> 1:11:21.400
<v Speaker 1>apologizes for being a jerk, and then Ellie says she's

1:11:21.479 --> 1:11:25.160
<v Speaker 1>cool not being BFFs anymore. They can just hold onto

1:11:25.200 --> 1:11:27.719
<v Speaker 1>their memories and move on and they agree in peace.

1:11:27.760 --> 1:11:31.880
<v Speaker 1>And this was such a weird ending for this storyline

1:11:31.880 --> 1:11:34.240
<v Speaker 1>for me, it was so strange.

1:11:35.000 --> 1:11:38.840
<v Speaker 3>I loved it for Ellie because yes, this girl no.

1:11:39.439 --> 1:11:43.800
<v Speaker 3>And again, I think as relationships, and it's hard for

1:11:43.920 --> 1:11:46.400
<v Speaker 3>girls at this age because they do meet a lot

1:11:46.400 --> 1:11:50.240
<v Speaker 3>of their best friends in kindergarten, right, and then you

1:11:50.320 --> 1:11:52.679
<v Speaker 3>stick with the best friend because you've just known them

1:11:52.680 --> 1:11:56.280
<v Speaker 3>for so long. And sometimes people and this is a

1:11:56.320 --> 1:11:59.280
<v Speaker 3>good thing that girls have to go through and know

1:11:59.760 --> 1:12:02.280
<v Speaker 3>some times it's okay to just be those best friends.

1:12:02.360 --> 1:12:05.160
<v Speaker 3>From that age. You don't have to be best friends

1:12:05.160 --> 1:12:09.599
<v Speaker 3>anymore because you are different people with different different likes

1:12:09.600 --> 1:12:12.240
<v Speaker 3>and dislikes and things like that, And in this case,

1:12:12.400 --> 1:12:17.920
<v Speaker 3>Savzy's so gess to just leave alone and move on

1:12:18.280 --> 1:12:21.960
<v Speaker 3>because but it was weird. I almost think it would

1:12:22.000 --> 1:12:25.200
<v Speaker 3>have been better to like not have a conversation. I

1:12:25.240 --> 1:12:26.680
<v Speaker 3>don't think they needed to have this, like.

1:12:26.720 --> 1:12:31.240
<v Speaker 1>Just like yeah, yeah, like we're not friends anymore, but

1:12:31.360 --> 1:12:34.000
<v Speaker 1>like you know, we'll always hold on to the memories

1:12:34.080 --> 1:12:34.920
<v Speaker 1>or whatever. You know.

1:12:35.280 --> 1:12:37.240
<v Speaker 4>Not everyone's supposed to be your friend all the time.

1:12:37.320 --> 1:12:39.360
<v Speaker 1>One of the best analogies I've ever heard is you

1:12:39.400 --> 1:12:42.439
<v Speaker 1>have to consider yourself like a rocket ship, and as

1:12:42.520 --> 1:12:45.599
<v Speaker 1>you're flying up, some of the solid rocket boosters float

1:12:45.600 --> 1:12:47.640
<v Speaker 1>away because they're not meant to fly as high as

1:12:47.680 --> 1:12:49.920
<v Speaker 1>you are. Oh and I always thought that was cool

1:12:50.080 --> 1:12:54.120
<v Speaker 1>that I already will every time I realize I have

1:12:54.120 --> 1:12:58.479
<v Speaker 1>no friends. I'm kidding. I have wonderful friends.

1:12:58.479 --> 1:12:58.880
<v Speaker 4>I really do.

1:12:59.840 --> 1:13:03.040
<v Speaker 1>But the biggest surprise of all it appears that Ellie

1:13:03.040 --> 1:13:06.120
<v Speaker 1>and Jack are going to set up their parents. But

1:13:06.280 --> 1:13:08.519
<v Speaker 1>Jack is just as bad with women as his son is,

1:13:08.560 --> 1:13:11.160
<v Speaker 1>stumbling over his words and sweating, and as the two

1:13:11.200 --> 1:13:13.800
<v Speaker 1>parents flirt, Jack and Ellie text about how they wish

1:13:13.840 --> 1:13:16.000
<v Speaker 1>they could help, but quickly delete the messages, thinking it

1:13:16.040 --> 1:13:18.519
<v Speaker 1>could swap them again, and then we get some alternate

1:13:18.560 --> 1:13:20.960
<v Speaker 1>jokes and bloopers over the credits at the end, and

1:13:21.080 --> 1:13:23.559
<v Speaker 1>that is our movie.

1:13:24.240 --> 1:13:26.120
<v Speaker 3>Wow, big smile.

1:13:26.560 --> 1:13:37.320
<v Speaker 1>Big smile. Movie done. Let's do real reviews. We know

1:13:37.360 --> 1:13:39.479
<v Speaker 1>what you well, y'all know already what we think of

1:13:39.520 --> 1:13:41.920
<v Speaker 1>the movie. But what did random people think of the movie?

1:13:41.960 --> 1:13:45.720
<v Speaker 1>Sabrina for twenty twenty five. I think you start with

1:13:45.800 --> 1:13:47.800
<v Speaker 1>the five star review, and if I'm not wrong, it

1:13:47.880 --> 1:13:50.120
<v Speaker 1>is written by somebody who writes a lot of these reviews.

1:13:50.160 --> 1:13:50.519
<v Speaker 1>Am I right?

1:13:50.640 --> 1:13:57.040
<v Speaker 3>Yes, unamid Welcome Back, Come Back, unnamed review, five star.

1:13:57.560 --> 1:14:02.439
<v Speaker 3>This film takes deep wroths of loss and abandonment and

1:14:02.560 --> 1:14:07.800
<v Speaker 3>manages to express them without sugarcoating in any way. It's

1:14:08.000 --> 1:14:09.520
<v Speaker 3>unique yet organic.

1:14:09.920 --> 1:14:10.799
<v Speaker 2>I think that's true.

1:14:11.080 --> 1:14:11.720
<v Speaker 3>I loved it.

1:14:11.840 --> 1:14:14.080
<v Speaker 1>I don't disagree with that at all. Probably wouldn't given

1:14:14.080 --> 1:14:16.600
<v Speaker 1>it five stars. Lots of montages, but I like what

1:14:16.680 --> 1:14:20.200
<v Speaker 1>the sentiment. Yeah. I have the one star review to

1:14:20.240 --> 1:14:22.240
<v Speaker 1>start the year off, and this is from Autumn K.

1:14:23.720 --> 1:14:25.439
<v Speaker 1>As someone who read the book, I want to say

1:14:25.439 --> 1:14:28.200
<v Speaker 1>that the movie honestly sucked. Ellie plays soccer in the book,

1:14:28.240 --> 1:14:31.040
<v Speaker 1>not ribbon dancing or whatever. By the way, it makes

1:14:31.080 --> 1:14:32.840
<v Speaker 1>it very clear in the book that Summer and Ellie

1:14:32.840 --> 1:14:33.800
<v Speaker 1>both have red hair.

1:14:34.240 --> 1:14:35.439
<v Speaker 2>Why are they both blonde?

1:14:35.439 --> 1:14:37.920
<v Speaker 1>Then? Also, the movie cut out one of Jack's brothers

1:14:38.040 --> 1:14:40.720
<v Speaker 1>entirely for some reason. They didn't even swap bodies the

1:14:40.720 --> 1:14:42.519
<v Speaker 1>same way in this movie. I see what they were

1:14:42.520 --> 1:14:45.280
<v Speaker 1>trying to do, but it's just not good. First of all,

1:14:45.320 --> 1:14:47.599
<v Speaker 1>as an avid reader, as you can see from everything,

1:14:47.640 --> 1:14:49.439
<v Speaker 1>the book is always better than the movie.

1:14:49.479 --> 1:14:52.519
<v Speaker 4>That's just the way it is. But it seems a

1:14:52.520 --> 1:14:53.400
<v Speaker 4>little nitpicky to me.

1:14:53.880 --> 1:14:56.600
<v Speaker 3>Yeah, and also who was Summer.

1:14:57.280 --> 1:15:00.760
<v Speaker 1>I don't know. I don't know Summer and Nellie. They

1:15:00.840 --> 1:15:02.400
<v Speaker 1>must have changed it from Summer to Sassy.

1:15:02.800 --> 1:15:07.679
<v Speaker 3>Oh maybe okay, yeah, or Summer matter what color hair

1:15:07.800 --> 1:15:10.240
<v Speaker 3>they haven't you being crazy?

1:15:10.320 --> 1:15:12.240
<v Speaker 1>I think you're nitpicking Autumn. And I don't think about

1:15:12.280 --> 1:15:15.599
<v Speaker 1>your real name Autum. Okay, and now our favorite time.

1:15:15.680 --> 1:15:17.879
<v Speaker 1>And I'm sensing good things in the future for Sabrina

1:15:17.920 --> 1:15:23.080
<v Speaker 1>with this uh in twenty twenty five, I am not sure. Well,

1:15:23.160 --> 1:15:26.599
<v Speaker 1>Luckily wrote and created this one as well. Yes, this

1:15:26.640 --> 1:15:29.639
<v Speaker 1>is a new feature called Swap or Flop. We are

1:15:29.640 --> 1:15:32.519
<v Speaker 1>going to get a film synopsis describing a body swap

1:15:32.560 --> 1:15:34.040
<v Speaker 1>movie and we have to decide if it's a real

1:15:34.040 --> 1:15:36.679
<v Speaker 1>thing or something just completely made up from the crazy

1:15:36.720 --> 1:15:40.080
<v Speaker 1>mind of our producer Jensen. So again, the question is,

1:15:40.200 --> 1:15:43.280
<v Speaker 1>are these body swap movies real or they completely made up?

1:15:43.560 --> 1:15:46.080
<v Speaker 1>Three out of five wins. I thought I'd be good

1:15:46.080 --> 1:15:48.480
<v Speaker 1>at these, and then I read them.

1:15:48.920 --> 1:15:51.280
<v Speaker 3>You read them, of course I did.

1:15:51.520 --> 1:15:52.479
<v Speaker 1>I didn't google.

1:15:52.640 --> 1:15:53.400
<v Speaker 2>I didn't google.

1:15:53.560 --> 1:15:54.440
<v Speaker 4>I read them.

1:15:54.600 --> 1:15:57.519
<v Speaker 1>Okay, I have no idea any of them. I have

1:15:57.600 --> 1:16:01.679
<v Speaker 1>no idea. So here we go, number one, producer Jensen,

1:16:01.640 --> 1:16:02.719
<v Speaker 1>and I take it, you're on board.

1:16:03.280 --> 1:16:03.679
<v Speaker 5>I'm here.

1:16:03.920 --> 1:16:06.759
<v Speaker 7>I feel like twenty twenty five is a new start

1:16:06.840 --> 1:16:09.759
<v Speaker 7>for Sabrina. I like, maybe we go into this without

1:16:09.800 --> 1:16:12.479
<v Speaker 7>any prejudgments about what she's gonna do.

1:16:12.880 --> 1:16:16.599
<v Speaker 1>Okay, I love that. Here we go. So number one,

1:16:17.439 --> 1:16:20.559
<v Speaker 1>a self obsessed stand up comedian is on the fast

1:16:20.600 --> 1:16:23.280
<v Speaker 1>track to fame when his body is hijacked by the

1:16:23.320 --> 1:16:25.920
<v Speaker 1>spirit of a jealous Heckler, and now he must find

1:16:25.920 --> 1:16:28.479
<v Speaker 1>a way to regain his body before the impostor ruins

1:16:28.479 --> 1:16:33.439
<v Speaker 1>his career forever. If this isn't real, Jensen, you need

1:16:33.479 --> 1:16:34.719
<v Speaker 1>to write this script immediately.

1:16:34.880 --> 1:16:36.360
<v Speaker 3>I was just thinking.

1:16:36.040 --> 1:16:39.240
<v Speaker 1>That I'm gonna say a good idea, it's real. I'm

1:16:39.240 --> 1:16:41.280
<v Speaker 1>gonna say it's real. What about you, Sabrina, I think

1:16:41.280 --> 1:16:41.800
<v Speaker 1>it's fake?

1:16:43.760 --> 1:16:48.240
<v Speaker 7>Twenty twenty five is off to a very familiar start.

1:16:48.720 --> 1:16:51.720
<v Speaker 7>It is real. It's a movie called The Heckler from

1:16:51.760 --> 1:16:53.040
<v Speaker 7>twenty fourteen.

1:16:53.920 --> 1:16:55.439
<v Speaker 1>It's a great idea.

1:16:56.040 --> 1:17:00.280
<v Speaker 3>Okay, I want to watch that. That's probably so funny.

1:17:00.000 --> 1:17:01.160
<v Speaker 4>Here we go.

1:17:01.240 --> 1:17:03.560
<v Speaker 1>Number two. While on a nature get away at a

1:17:03.600 --> 1:17:07.040
<v Speaker 1>remote cabin, and expectant couple stumble on a magic box

1:17:07.080 --> 1:17:12.760
<v Speaker 1>swapping out their souls and the pregnant wife's body. So

1:17:12.880 --> 1:17:18.519
<v Speaker 1>then with the box, So it's a pregnant Ah, I'm

1:17:18.520 --> 1:17:19.280
<v Speaker 1>gonna say, fake.

1:17:20.880 --> 1:17:21.439
<v Speaker 2>What do you can do?

1:17:21.439 --> 1:17:29.720
<v Speaker 1>Sobrita, uh fake fifty fifty can't get it right?

1:17:29.800 --> 1:17:30.519
<v Speaker 5>That was real.

1:17:31.640 --> 1:17:34.519
<v Speaker 7>It's called Swap Me Baby from twenty twenty two. If

1:17:34.560 --> 1:17:37.280
<v Speaker 7>you don't believe me, it is currently viewable on twob.

1:17:38.080 --> 1:17:39.400
<v Speaker 2>Swap Me Baby.

1:17:39.439 --> 1:17:44.840
<v Speaker 1>Even the title, Oh man, all right, three, I love

1:17:44.880 --> 1:17:47.720
<v Speaker 1>these are real. I'm gonna laugh when all five of

1:17:47.760 --> 1:17:51.759
<v Speaker 1>these are real. Number three, Seventeen year old Millie spends

1:17:51.760 --> 1:17:53.719
<v Speaker 1>her days trying to survive the riggers of high school,

1:17:53.720 --> 1:17:55.719
<v Speaker 1>but when she becomes the latest target of the Butcher,

1:17:55.920 --> 1:17:59.200
<v Speaker 1>the town's infamous serial killer, her senior year becomes the

1:17:59.320 --> 1:17:59.840
<v Speaker 1>least of her.

1:18:01.520 --> 1:18:03.040
<v Speaker 4>But wait, where would the swapping be?

1:18:04.760 --> 1:18:06.240
<v Speaker 3>Can't tell us.

1:18:06.520 --> 1:18:08.680
<v Speaker 1>It's got to be fake because unless she swaps with

1:18:08.760 --> 1:18:11.160
<v Speaker 1>the serial killer, there's no swapping involved.

1:18:11.640 --> 1:18:14.439
<v Speaker 3>We haven't heard of a horror film version of this

1:18:14.640 --> 1:18:16.800
<v Speaker 3>just yet. It could be real.

1:18:17.680 --> 1:18:18.880
<v Speaker 1>I'm gonna say fake. What are you gonna do?

1:18:21.640 --> 1:18:23.719
<v Speaker 3>We haven't had a fake once. I'll just go with fake.

1:18:26.280 --> 1:18:27.759
<v Speaker 5>It's actually a really good movie.

1:18:29.200 --> 1:18:31.880
<v Speaker 7>It's called Freaky, and it's very good, and it's in

1:18:32.000 --> 1:18:35.320
<v Speaker 7>twenty twenty, and it's Vince bonn is truly.

1:18:35.040 --> 1:18:37.439
<v Speaker 5>Amazing Bond movie.

1:18:37.760 --> 1:18:40.439
<v Speaker 1>Yeah, does she swap? Oh, we'd have heard of this.

1:18:40.560 --> 1:18:43.479
<v Speaker 1>She swaps with him, she becomes the serial killer. I've

1:18:43.520 --> 1:18:44.400
<v Speaker 1>heard of this movie.

1:18:44.479 --> 1:18:47.080
<v Speaker 7>I pulled the synopsis direct. I wasn't going to change anything.

1:18:47.160 --> 1:18:49.360
<v Speaker 2>So, okay, I've heard of that movie.

1:18:49.439 --> 1:18:50.800
<v Speaker 5>Damn it, it's great.

1:18:51.200 --> 1:18:52.200
<v Speaker 4>Okay, I've heard it's good.

1:18:52.240 --> 1:18:54.679
<v Speaker 1>This was like everybody was like, oh my god, he's back, Vince.

1:18:55.360 --> 1:18:56.360
<v Speaker 5>He's a superstar in it.

1:18:56.600 --> 1:18:56.920
<v Speaker 1>Okay.

1:18:57.040 --> 1:18:58.439
<v Speaker 3>Oh what's it called again?

1:18:58.760 --> 1:18:59.960
<v Speaker 5>Freaky like a freaky Fried?

1:19:00.560 --> 1:19:01.960
<v Speaker 1>I've heard of this, Okay.

1:19:03.200 --> 1:19:03.760
<v Speaker 4>Number four.

1:19:03.960 --> 1:19:06.760
<v Speaker 1>Tom Brand is a billionaire whose workaholic lifestyle keeps him

1:19:06.760 --> 1:19:08.800
<v Speaker 1>away from his loving wife and teenage daughter when he

1:19:08.840 --> 1:19:11.920
<v Speaker 1>buys a seemingly harmless cat from mysterious pet store. A

1:19:11.960 --> 1:19:14.880
<v Speaker 1>bizarre turn of events trapped Tom in the feline's body,

1:19:15.080 --> 1:19:19.679
<v Speaker 1>whose name is also mister fuzzy Pants. I'm saying real

1:19:19.800 --> 1:19:24.280
<v Speaker 1>because it's too awesome. It's gotta be real, real, real.

1:19:24.280 --> 1:19:24.920
<v Speaker 5>It is real.

1:19:25.280 --> 1:19:29.120
<v Speaker 7>Yes, it's from twenty sixteen. It's called Nine Lives, And

1:19:29.160 --> 1:19:31.919
<v Speaker 7>as if this movie can't get any worse, it stars

1:19:32.200 --> 1:19:33.000
<v Speaker 7>Kevin Spacey.

1:19:33.640 --> 1:19:38.120
<v Speaker 1>Oh god, Kevin Spacey in a movie cat.

1:19:38.640 --> 1:19:40.760
<v Speaker 3>Oh god, Oh my gosh.

1:19:40.800 --> 1:19:44.639
<v Speaker 1>Oh that's brilliant. Okay, so I've got two, number number three,

1:19:44.680 --> 1:19:48.639
<v Speaker 1>here we go. Number five. A sexist womanizer is killed

1:19:48.640 --> 1:19:50.840
<v Speaker 1>by a group of angry former lovers. He makes a

1:19:50.880 --> 1:19:53.320
<v Speaker 1>deal with God to return to Earth, but he must

1:19:53.320 --> 1:19:55.200
<v Speaker 1>have a sincere relationship with a woman to make it

1:19:55.200 --> 1:19:59.040
<v Speaker 1>to heaven. But one catch. He is reincarnated as a woman.

1:20:00.280 --> 1:20:04.040
<v Speaker 1>Oh god, I hope it's real. It's gotta be real.

1:20:04.400 --> 1:20:06.840
<v Speaker 1>I think Jensen pulled this switch through and they're all real.

1:20:07.200 --> 1:20:07.719
<v Speaker 3>It's real.

1:20:07.880 --> 1:20:08.639
<v Speaker 1>It's gotta be real.

1:20:09.160 --> 1:20:12.040
<v Speaker 5>I did switch. I slapped them out. It's a real movie.

1:20:12.320 --> 1:20:15.719
<v Speaker 7>Nineteen ninety one Switch, which stars Ellen Barkin.

1:20:16.280 --> 1:20:17.759
<v Speaker 5>Oh my god, yeah.

1:20:17.880 --> 1:20:19.120
<v Speaker 4>Does she play God or.

1:20:19.720 --> 1:20:21.440
<v Speaker 5>She's she's the Woman reincarnation?

1:20:22.000 --> 1:20:24.920
<v Speaker 4>Okay, okay, why technically won I got three?

1:20:25.160 --> 1:20:25.360
<v Speaker 5>Yeah?

1:20:25.400 --> 1:20:25.600
<v Speaker 2>You got?

1:20:25.880 --> 1:20:27.760
<v Speaker 3>You put that in our group text the name of

1:20:27.800 --> 1:20:29.920
<v Speaker 3>all these movies because I want to see every single one.

1:20:30.439 --> 1:20:32.040
<v Speaker 7>I mean, I'm not sure you want to see the

1:20:32.040 --> 1:20:35.439
<v Speaker 7>two B one, but but definitely Freaky and probably Switch.

1:20:36.120 --> 1:20:37.400
<v Speaker 4>Yeah, yeah, I don't.

1:20:37.439 --> 1:20:39.040
<v Speaker 1>I don't need to see mister fuzzy Pants.

1:20:39.640 --> 1:20:41.320
<v Speaker 3>No no, no no.

1:20:41.080 --> 1:20:43.960
<v Speaker 7>I don't want to be watching any Kevin Spacey movies

1:20:43.960 --> 1:20:44.599
<v Speaker 7>for the first time.

1:20:44.840 --> 1:20:47.680
<v Speaker 1>Not gonna happen. Okay, thank you so much, jens Ah,

1:20:47.840 --> 1:20:50.800
<v Speaker 1>he did it, he did it. Yeah, I want to

1:20:51.120 --> 1:20:51.880
<v Speaker 1>twenty five.

1:20:51.920 --> 1:20:52.400
<v Speaker 5>I want to know.

1:20:52.479 --> 1:20:52.840
<v Speaker 1>Here we go?

1:20:53.000 --> 1:20:54.320
<v Speaker 3>Oh yeah, man?

1:20:54.760 --> 1:20:58.280
<v Speaker 1>All right, well now can we do some Sabrina ses please?

1:21:02.360 --> 1:21:08.519
<v Speaker 3>Yes, spit ho ses. Oh man. I literally loved this movie.

1:21:08.560 --> 1:21:12.840
<v Speaker 3>There was just good stuff everywhere. I wanted to just

1:21:12.880 --> 1:21:14.960
<v Speaker 3>point out the pork Grinds. What a weird choice that

1:21:15.160 --> 1:21:16.719
<v Speaker 3>was at a school cabin.

1:21:17.360 --> 1:21:19.280
<v Speaker 1>Do you like pork grinds? Are you a pork crind fan?

1:21:20.080 --> 1:21:25.000
<v Speaker 3>No? No, yuck, no want to They're at school cafeterias.

1:21:26.240 --> 1:21:31.520
<v Speaker 3>You you really grazed over it. But during the the invite,

1:21:31.640 --> 1:21:35.519
<v Speaker 3>to the Donut date. I swear I had to listen

1:21:35.560 --> 1:21:37.720
<v Speaker 3>to it, and I didn't hear it right until the

1:21:37.800 --> 1:21:41.839
<v Speaker 3>third time. I thought it said you like doing it, Sally.

1:21:44.560 --> 1:21:47.720
<v Speaker 3>I didn't hear donuts. Twice twice I.

1:21:49.200 --> 1:21:51.400
<v Speaker 1>Subtitles on no, no.

1:21:51.280 --> 1:21:54.920
<v Speaker 3>I never do, but like you like doing it, Sally.

1:21:54.960 --> 1:21:56.600
<v Speaker 3>Then I was like you what it was like you

1:21:56.800 --> 1:21:59.240
<v Speaker 3>like donuts? I was like, okay, but it took me

1:21:59.640 --> 1:22:02.080
<v Speaker 3>three many times. I was like, what is going on?

1:22:03.800 --> 1:22:04.400
<v Speaker 2>That's great.

1:22:05.600 --> 1:22:08.560
<v Speaker 3>Another thing we never really touched on during the episode

1:22:08.640 --> 1:22:11.120
<v Speaker 3>is how good the music was in this movie. I've

1:22:11.320 --> 1:22:14.240
<v Speaker 3>really loved it, and I loved it because it is

1:22:14.439 --> 1:22:18.519
<v Speaker 3>one of our newer movies that we've done, so I mean,

1:22:18.760 --> 1:22:21.800
<v Speaker 3>right from the start getting a Megan Trainer. However, I

1:22:21.920 --> 1:22:25.120
<v Speaker 3>did feel like she had a like an accent. I

1:22:25.160 --> 1:22:27.720
<v Speaker 3>don't know if I've just was hearing it differently. I know,

1:22:27.760 --> 1:22:33.040
<v Speaker 3>you probably don't even really know the song changed, so

1:22:33.200 --> 1:22:36.240
<v Speaker 3>it sounded so different in this in the movie that

1:22:36.280 --> 1:22:38.880
<v Speaker 3>I thought, oh, I wonder if they used like a

1:22:39.800 --> 1:22:43.160
<v Speaker 3>like a copy, like a not not the original, like

1:22:43.200 --> 1:22:46.080
<v Speaker 3>a like a spoof of the song. But then I

1:22:46.120 --> 1:22:48.559
<v Speaker 3>don't know, I just I loved the movie throughout all

1:22:48.640 --> 1:22:51.200
<v Speaker 3>the music spots. I thought the songs were so good

1:22:51.520 --> 1:22:54.439
<v Speaker 3>and it wasn't, you know, like a musical. It was

1:22:54.520 --> 1:22:57.760
<v Speaker 3>just a good and that sounds like is reminiscent for

1:22:57.880 --> 1:23:01.479
<v Speaker 3>me with movies like Brink and Johnny's Unami, And like

1:23:01.800 --> 1:23:04.639
<v Speaker 3>why I at that time loved him because I loved

1:23:04.680 --> 1:23:06.920
<v Speaker 3>the soundtracks as well. Sure, so I felt like it

1:23:06.960 --> 1:23:10.280
<v Speaker 3>was really relevant. I thought this was the best sneak

1:23:10.320 --> 1:23:13.160
<v Speaker 3>out moment we've seen in a d com. Him with

1:23:13.200 --> 1:23:19.080
<v Speaker 3>that like cartoony, like such a jump cup thing, him

1:23:19.240 --> 1:23:22.439
<v Speaker 3>going down was so funny, and I loved I loved Porter.

1:23:22.520 --> 1:23:26.599
<v Speaker 3>I thought he was so good. And then two more,

1:23:27.400 --> 1:23:31.960
<v Speaker 3>did you at all get distracted by the eleven fifteen

1:23:32.000 --> 1:23:34.880
<v Speaker 3>mark and the clock that was obviously in the shot

1:23:35.080 --> 1:23:36.519
<v Speaker 3>multiple times and said.

1:23:36.400 --> 1:23:39.240
<v Speaker 1>Eleven We never even saw it? No, or said.

1:23:39.080 --> 1:23:43.120
<v Speaker 3>Something forty five like it was not The clock is

1:23:43.200 --> 1:23:45.760
<v Speaker 3>in the top corner of the frame and it does

1:23:45.800 --> 1:23:48.680
<v Speaker 3>not say eleven fifteen, and they talk about it this

1:23:48.920 --> 1:23:51.439
<v Speaker 3>it's the time they talk about trying to get back.

1:23:51.840 --> 1:23:53.880
<v Speaker 1>Oh okay, no, I didn't know. I didn't see this

1:23:53.920 --> 1:23:54.240
<v Speaker 1>at all.

1:23:54.560 --> 1:23:57.080
<v Speaker 3>Show a close up of it that says eleven fifteen

1:23:57.920 --> 1:24:01.760
<v Speaker 3>twice but when it's in the wide shot, it's there,

1:24:02.120 --> 1:24:05.639
<v Speaker 3>the clock is there, and it is not eleven fifteen.

1:24:05.680 --> 1:24:08.360
<v Speaker 3>Oh my god, you're going what what?

1:24:08.320 --> 1:24:09.240
<v Speaker 1>I notice that.

1:24:10.240 --> 1:24:13.360
<v Speaker 3>It distracted me so much. I literally stopped and paused

1:24:13.560 --> 1:24:15.640
<v Speaker 3>and got close to my TV to make sure I

1:24:15.680 --> 1:24:18.400
<v Speaker 3>wasn't saying the wrong things. Did it want to? But yeah,

1:24:18.439 --> 1:24:22.120
<v Speaker 3>it doesn't say eleven fifteen? And then again I already

1:24:22.280 --> 1:24:25.400
<v Speaker 3>gave my app my last one, which was why did

1:24:25.479 --> 1:24:27.479
<v Speaker 3>the Dad's Boys changed so jah?

1:24:27.520 --> 1:24:29.960
<v Speaker 1>Which I gotta go back and watch that. I gotta

1:24:29.960 --> 1:24:33.480
<v Speaker 1>go back. I can't, I can't wait. Softer and higher

1:24:33.720 --> 1:24:36.440
<v Speaker 1>and just as he was not being the coach anymore.

1:24:36.520 --> 1:24:38.920
<v Speaker 3>I know, I get it, but it was such a

1:24:39.040 --> 1:24:42.840
<v Speaker 3>drastic change it was a little jarring for me. Loved

1:24:43.120 --> 1:24:43.719
<v Speaker 3>this movie.

1:24:44.280 --> 1:24:46.880
<v Speaker 1>Let's rate it, Okay, here we go. Wow, you are

1:24:46.920 --> 1:24:49.000
<v Speaker 1>I'm gonna let you rate first. But how are we

1:24:49.040 --> 1:24:50.479
<v Speaker 1>going to rate it as well? We know we're gonna

1:24:50.479 --> 1:24:52.120
<v Speaker 1>go one out of ten? But this week are we

1:24:52.120 --> 1:24:55.639
<v Speaker 1>gonna do one out of ten? Fashionista glam camps one

1:24:55.680 --> 1:25:00.559
<v Speaker 1>out of ten, Pooh mustaches one out of ten, Skirts

1:25:00.560 --> 1:25:04.960
<v Speaker 1>over jumpsuits one out of ten, text Bubble Ghostbuster Protons

1:25:05.439 --> 1:25:07.840
<v Speaker 1>one out of ten Lincoln Park ripoffs, one out of

1:25:07.840 --> 1:25:15.160
<v Speaker 1>ten Twin Brother farts, Coach Dad Sirs, maybe creps one

1:25:15.160 --> 1:25:17.360
<v Speaker 1>out of ten Jack Bays, or one out of ten

1:25:17.520 --> 1:25:20.760
<v Speaker 1>French viral memes. I'm gonna let you go first, which means.

1:25:20.960 --> 1:25:23.719
<v Speaker 2>You get the pig. Yes, and I just want to hear.

1:25:23.600 --> 1:25:26.559
<v Speaker 1>You say it, So we're doing one out of ten

1:25:26.600 --> 1:25:32.559
<v Speaker 1>Pooh mustaches because I want to hear you say it.

1:25:33.000 --> 1:25:36.400
<v Speaker 4>So uh rate it up, Sabrina, How would you rate that?

1:25:36.560 --> 1:25:42.280
<v Speaker 3>Yn? I okay, again, I really liked it. I do

1:25:42.520 --> 1:25:47.479
<v Speaker 3>agree on the way too many montages. I am also

1:25:47.760 --> 1:25:51.800
<v Speaker 3>thankful because it didn't make the movie longer. I don't

1:25:51.840 --> 1:25:55.040
<v Speaker 3>think there needed to be a minute tacked onto this movie.

1:25:55.640 --> 1:25:59.200
<v Speaker 3>It was perfectly timed out. We could have left just

1:25:59.240 --> 1:26:01.960
<v Speaker 3>to get on the nine minute mark, but I thought

1:26:01.960 --> 1:26:06.040
<v Speaker 3>it was perfectly timed out. The pace was good. Montages

1:26:06.040 --> 1:26:07.920
<v Speaker 3>were a little over, but it would have made the

1:26:07.960 --> 1:26:10.439
<v Speaker 3>movie longer, which I wouldn't have loved. So it's kind

1:26:10.439 --> 1:26:14.840
<v Speaker 3>of hard in that way. However, I wish I could

1:26:14.880 --> 1:26:16.519
<v Speaker 3>even be a little bit more wish washy, but I'm

1:26:16.520 --> 1:26:21.400
<v Speaker 3>gonna stick with the eight point five Wow mustashes. I

1:26:21.439 --> 1:26:24.280
<v Speaker 3>would give it an eight point seventy five. It's not

1:26:24.400 --> 1:26:29.080
<v Speaker 3>a nine, but I eight point five Pooh Mustaches.

1:26:30.280 --> 1:26:31.720
<v Speaker 1>I just I'm so. I just wanted to hear you

1:26:31.760 --> 1:26:34.560
<v Speaker 1>say it again. I think that's wonderful. You definitely like

1:26:34.640 --> 1:26:37.800
<v Speaker 1>this movie more than I did. I absolutely liked this movie.

1:26:37.880 --> 1:26:40.120
<v Speaker 1>I really did. It was enjoyable, it wasn't too long,

1:26:40.280 --> 1:26:43.559
<v Speaker 1>the acting was great. I did have some problems with it, though.

1:26:43.640 --> 1:26:47.280
<v Speaker 1>I thought the fundamental how they got into switching bodies

1:26:47.840 --> 1:26:48.639
<v Speaker 1>was just lame.

1:26:48.800 --> 1:26:50.120
<v Speaker 4>It might have been done better.

1:26:49.920 --> 1:26:50.920
<v Speaker 2>As much as you do.

1:26:51.280 --> 1:26:51.920
<v Speaker 4>But I get it.

1:26:51.960 --> 1:26:53.599
<v Speaker 3>I get it with you.

1:26:53.560 --> 1:26:55.680
<v Speaker 1>For sure need it. That needed a rewrite of how

1:26:55.720 --> 1:26:58.200
<v Speaker 1>they got to switch bodies. There were way too many montages,

1:26:58.240 --> 1:27:00.400
<v Speaker 1>and then the longer the filming on the clunky kind

1:27:00.439 --> 1:27:01.640
<v Speaker 1>of got that.

1:27:01.800 --> 1:27:04.000
<v Speaker 4>Being said, I enjoyed it.

1:27:04.080 --> 1:27:06.320
<v Speaker 1>I did enjoy it absolutely, and I'm gonna give this

1:27:06.360 --> 1:27:10.479
<v Speaker 1>a solid seven point five po Mustaches, which I think

1:27:10.600 --> 1:27:13.400
<v Speaker 1>is a fair way to start twenty twenty five. I

1:27:13.439 --> 1:27:17.240
<v Speaker 1>did enjoy the movie. It needed a rewrite. It felt again,

1:27:17.439 --> 1:27:21.080
<v Speaker 1>very montage heavy, but the acting was good. The emotional

1:27:21.120 --> 1:27:23.160
<v Speaker 1>beats in the movie were great. It was the quiet

1:27:23.160 --> 1:27:25.760
<v Speaker 1>moments of this film that really saved it. I thought

1:27:25.800 --> 1:27:28.839
<v Speaker 1>the two of them playing each other did a wonderful job.

1:27:28.960 --> 1:27:31.960
<v Speaker 3>I thought they did such a great job. The actors

1:27:32.000 --> 1:27:33.760
<v Speaker 3>were wonderful.

1:27:34.000 --> 1:27:36.080
<v Speaker 1>Well, hopefully we got a chance to speak with one

1:27:36.160 --> 1:27:38.519
<v Speaker 1>or both of them. Who knows, because Cobra Kai's become

1:27:38.600 --> 1:27:39.880
<v Speaker 1>so big that they probably don't want to come on

1:27:39.920 --> 1:27:42.759
<v Speaker 1>our tiny little podcast. But thank you everybody so much

1:27:43.000 --> 1:27:46.400
<v Speaker 1>for joining us on this amazing episode. And I frankly

1:27:46.439 --> 1:27:49.879
<v Speaker 1>think a great start to twenty twenty five the Swap.

1:27:50.520 --> 1:27:54.200
<v Speaker 1>You know, I wasn't expecting it, totally unexpected. Good movie,

1:27:54.240 --> 1:27:59.760
<v Speaker 1>good way to start the year. But our next movie

1:28:00.280 --> 1:28:02.479
<v Speaker 1>is a big one. Yes, we're taking it to two

1:28:02.520 --> 1:28:05.160
<v Speaker 1>thousand and two, watching the mystery comedy starring someone who

1:28:05.200 --> 1:28:08.320
<v Speaker 1>is currently making a big comeback right now, Lindsey Lohan.

1:28:08.520 --> 1:28:11.439
<v Speaker 1>It's Get a Clue, and it is currently available on

1:28:11.479 --> 1:28:14.320
<v Speaker 1>Disney Plus, so that is your way of getting ahead

1:28:14.479 --> 1:28:18.280
<v Speaker 1>of the curve. But even bigger news. In my opinion,

1:28:18.320 --> 1:28:22.360
<v Speaker 1>I think for this week's Parkopper episode, we've got an

1:28:22.479 --> 1:28:26.919
<v Speaker 1>incredible guest. We spoke with the director behind the Zombies

1:28:26.960 --> 1:28:29.519
<v Speaker 1>franchise and other d coms like Luck of the Irish

1:28:29.640 --> 1:28:32.320
<v Speaker 1>Jump In and The Cheetah Girls One World. It is

1:28:32.320 --> 1:28:35.200
<v Speaker 1>the incredible Paul Ho and I can't believe he talked

1:28:35.200 --> 1:28:38.479
<v Speaker 1>about writing a d com just for me where I'm

1:28:38.600 --> 1:28:40.720
<v Speaker 1>it's just a musical about me the whole time, and

1:28:40.720 --> 1:28:43.639
<v Speaker 1>I just get this sing and dance. I just can't wait.

1:28:43.760 --> 1:28:46.519
<v Speaker 1>It's gonna be great. Thank you everybody for joining us,

1:28:46.560 --> 1:28:48.960
<v Speaker 1>and remember to subscribe to our feed. You can just

1:28:49.000 --> 1:28:51.800
<v Speaker 1>search for Magical Rewind wherever you get your podcasts, and

1:28:52.160 --> 1:28:53.840
<v Speaker 1>you know, press that button and follow along.

1:28:54.080 --> 1:28:55.000
<v Speaker 4>You can also follow.

1:28:54.880 --> 1:28:58.799
<v Speaker 1>Us at Magical Rewind Pod on the Instagram Machine. Happy

1:28:58.800 --> 1:29:01.360
<v Speaker 1>twenty twenty five, everybody, Bye bye