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Speaker 1: Well, I don't know where this is going to fall

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Speaker 1: in the actual order of what they're going to throw

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Speaker 1: up on our feed, because I never know once we

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Speaker 1: record it when it actually airs. But Happy New Year,

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Speaker 1: maybe issually possibly, I don't know what's aired already.

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Speaker 2: So happy New Year, Sabri.

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Speaker 3: Said, New Year for us? Will I love it? Another

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Speaker 3: year of magic?

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Speaker 1: It is? Remember when the year You might not because

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Speaker 1: you were a child at the time, but I was

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Speaker 1: gonna say, remember when the.

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Speaker 4: Year two thousand was like the craziest thing.

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Speaker 5: In the world.

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Speaker 2: I do.

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Speaker 3: I was in high school at that time, so yes,

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Speaker 3: I do remember. I remember thinking the world was possibly

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Speaker 3: going to end.

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Speaker 1: Why I didn't remember why?

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Speaker 3: Two can literally nothing happened.

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Speaker 1: No, nothing, nothing at all happened. It was like three

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Speaker 1: two one. And now it's the time.

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Speaker 3: Yeah, so oh okay, we're good.

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Speaker 1: Now it's twenty twenty five.

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Speaker 3: I know I can't even crazy crazy.

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Speaker 4: How do you like to ring in the new year?

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Speaker 1: And if your answer is not by watching a d com,

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Speaker 1: then we probably don't have much more to talk about.

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Speaker 3: It depends for twenty twenty four. I fell asleep by

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Speaker 3: nine o'clock. I did not watch the ball drop we

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Speaker 3: were up in Big Bear just having a really nice

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Speaker 3: relaxing weekend, the four of us, my littles and my

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Speaker 3: husband and I and that was it. This year, we

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Speaker 3: actually had a very fun New Year's. Our friend it's

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Speaker 3: her birthday. Her birthday's on the first, okay, so her

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Speaker 3: boyfriend through a big party for her, so it was

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Speaker 3: a birthday. We did New Year's countdown, then we sang

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Speaker 3: Happy Birthday, and then he dropped to one D the

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Speaker 3: end proposed to her. So it was a magical New

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Speaker 3: Year's for me.

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Speaker 1: In the night when she said no, I did a little.

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Speaker 3: Bit, but we kept just you know, we just took

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Speaker 3: a drink. It just went oh man, it was such

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Speaker 3: a huge night. It was really fun. So I like

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Speaker 3: doing both. Honestly, it's really fun. You know, the kids

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Speaker 3: go to bed so early, so it's not like they're

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Speaker 3: too young to like have them stay up till down,

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Speaker 3: So we're not doing that yet. Eventually we'll get there,

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Speaker 3: and I look forward to that. So it's either just

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Speaker 3: like a nice evening with the two of us, or

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Speaker 3: it's a banger and we're champagne and and and dancing,

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Speaker 3: you know whatever. We're you know, we're even bou what

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Speaker 3: about you? What do you guys do?

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Speaker 1: We stayed up till I'm always up till midnight, so

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Speaker 1: what my wife stayed up till midnight and we we Well,

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Speaker 1: I mean, I stay up till midnight most nights. I'm alive.

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Speaker 1: So yeah, I would stay up till three o'clock in

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Speaker 1: the morning if I could. I'm very much a night owl.

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Speaker 1: Oh but that my wife doesn't like that.

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Speaker 4: So uh but no, stayed out. She was dozing by

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Speaker 4: about eleven thirty.

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Speaker 1: But we did our kiss and and wished each other

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Speaker 1: a happy New Year, and that was it.

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Speaker 3: So yeah, pretty nice. Dad and mom do black eyed peas,

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Speaker 3: greens and corn bread. That's supposed to be a.

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Speaker 1: Real it's a tough band of book on New Year's Yeah.

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Speaker 3: No, they make that and it's a it's a tradition

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Speaker 3: that brings like love, wealth, happiness. There's cool, a whole

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Speaker 3: like good aura that comes when you have that dinner

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Speaker 3: for New Year's Eve's.

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Speaker 1: Well, hopefully you saved me Tomali's from from New Year

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Speaker 1: from from you said.

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Speaker 3: You said I got it one, I got it, I

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Speaker 3: got you get to pick beef for chicken, So which whatever.

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Speaker 1: Figured it out? Speaking of that, Congratulations to your friends

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Speaker 1: and at their wedding, please tell them I will have

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Speaker 1: the beef and my wife will have the chicken. Thank

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Speaker 1: you very much, and welcome back to Magical Rewind, the

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Speaker 1: show that makes you want to grab your friends, your PJS,

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Speaker 1: and your popcorn and go back to a time and

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Speaker 1: all the houses are smart, the waves, tsunamis, and the

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Speaker 1: high School's musical. I'm Wilfred Ell.

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Speaker 3: And I'm Sabrina Bryan.

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Speaker 1: Oh, here we go, Here we go yet again, twenty

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Speaker 1: twenty five, often running because on Magical Rewind, we've already

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Speaker 1: dealt with competitive dance, and we've already dealt with hockey.

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Speaker 1: But have we dealt with swapping competitive dance and hockey

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Speaker 1: because of a magical text message, No we haven't. Well

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Speaker 1: we're gonna now because it's twenty sixteen's coming of age

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Speaker 1: dcom dramedy, The Swap, and I'll be honest, this was

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Speaker 1: not what I thought this movie was gonna be about.

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Speaker 1: I was pleasantly surprised that this was not about a

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Speaker 1: bunch of swingers. The Swap originally aired on October seventh,

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Speaker 1: twenty sixteen, and was based on a novel of the

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Speaker 1: same name from author Megan schul released right when the

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Speaker 1: dcom already started production, so of course they must have

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Speaker 1: bought the book right before it was even officially released,

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Speaker 1: which is rare but not unheard of. Schuhl is an

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Speaker 1: accomplished writer in the young adult genre and has released

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Speaker 1: a few books, even optioned another one in twenty twenty

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Speaker 1: for Start Jojo Siwa, but that one got stuck in

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Speaker 1: development hell or possibly was affected by the slap heard

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Speaker 1: cross the World old since it was produced by Will Smith,

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Speaker 1: or was supposed to be anyway, the swap marked the

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Speaker 1: one hundred and first decom ever made right off the

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Speaker 1: coattails of the hundredth, which was Adventures in Babysitting starring

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Speaker 1: a young Sabrina Carpenter, which I'm sure we will get into.

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Speaker 4: I have not seen it, but the original Adventures of.

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Speaker 1: Babysitting with Elizabeth Shoe one of the best movies ever

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Speaker 1: Still in Love with Her. The swap benefited from getting

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Speaker 1: a teaser promo aired during the debut broadcast of Adventures

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Speaker 1: of Babysitting, So that's some impressive Disney synergy or disneer

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Speaker 1: g if you will and if you won't completely understand

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Speaker 1: I barely did myself. The movie filmed in good old Canada,

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Speaker 1: split in time between Toronto and Ontario, and had quite

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Speaker 1: the quick turnaround. The decom aired on the Disney Channel

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Speaker 1: just six months after it wrapped filming very quick. It's

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Speaker 1: like you and if anybody who knows anything about the

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Speaker 1: entertainment industry, usually the film isn't even edited in six months.

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Speaker 1: I mean, you're going back and forth. And that's a

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Speaker 1: very quick turnaround.

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Speaker 5: Now.

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Speaker 1: As I said, this aired on October seventh, and because

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Speaker 1: that is the spookiest month of the year, it was

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Speaker 1: part of the network's Monstober event, which included New Descendants,

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Speaker 1: animated shorts, reruns of Twitches, My Babysitters, A Vampire.

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Speaker 2: And Halloween Town Too, and.

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Speaker 1: The premiere of ra al Stein's Monsterville Cabinet of Souls.

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Speaker 1: Now I get all those I get all those airrings,

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Speaker 1: But how is the swap a Halloween movie? Did this?

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Speaker 2: Was this Halloween need to you at all?

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Speaker 3: Not at all?

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Speaker 2: Not all?

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Speaker 3: In any way this finding this information out, couldn't put

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Speaker 3: the pieces together, didn't make sense. But it seemed like

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Speaker 3: they were excited about this movie. Maybe that's what it was.

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Speaker 3: There there must have been a reason of, like, you know,

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Speaker 3: just wanting to get either these new stars out. It'd

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Speaker 3: be interesting to know how, you know, where they were

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Speaker 3: involved in the Disney Channel and maybe how that made sense.

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Speaker 3: But it's there's nothing about this movie that I mean,

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Speaker 3: the swap happens as like mystical that kind off and

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Speaker 3: we'll get into that ends, right, yeah, where it starts

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Speaker 3: and ends.

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Speaker 1: Maybe they were trying to come off of the success

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Speaker 1: of some of the other d coms that they had

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Speaker 1: based on other young novels like your Friend who wrote

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Speaker 1: the one My My Diary became a Yeah, which was

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Speaker 1: became readed in Weep. So those were successful, so maybe

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Speaker 1: that helped. But man, that was quick. But I don't

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Speaker 1: see anything halloweeny about it. But anyway, even without the

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Speaker 1: clear scary tie in, it debuted in October to two

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Speaker 1: point six four million viewers. I know, that's seems like

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Speaker 1: a small number compared to some of the numbers we've

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Speaker 1: been throwing out with High School Musical and stuff. You

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Speaker 1: have to keep in mind this is now twenty sixteen,

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Speaker 1: so that's actually a nice number for the era, and

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Speaker 1: it had a great reception on the watch Disney app,

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Speaker 1: the streaming service's name at the time. Now, speaking of that,

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Speaker 1: you can watch the swap on Disney Plus, which is

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Speaker 1: the name of their streaming service now in twenty twenty five.

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Speaker 1: So take the time to watch it before we get

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Speaker 1: into it, or just flip those instructions and live on

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Speaker 1: the wild side. No one is going to know unless

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Speaker 1: you tell them, And if you do, how about a

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Speaker 1: little secrecy amongst friends you blabber Serena.

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Speaker 4: Are you a fan of body swap movies?

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Speaker 1: In general? It's a very well represented genre, especially in

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Speaker 1: movies for kids and young adults. You know, You've got

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Speaker 1: thirteen going on thirty, Like Father, Like Son, seventeen again,

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Speaker 1: Freaky Friday, Face Off, Big, I mean, there's one after

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Speaker 1: another where these kind of your jam at all growing up.

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Speaker 3: Yes, I think Big is one of the best movies

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Speaker 3: of all times.

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Speaker 1: I ever.

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Speaker 3: Literally love that movie. Could watch it any day. Yeah,

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Speaker 3: Freaky Friday was amazing. Face Off is obviously a very

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Speaker 3: different kind of one different, but it is such a

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Speaker 3: good movie. I love it all of those kinds of movies.

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Speaker 3: I think it's a really fun idea to be in

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Speaker 3: a body that doesn't feel like yours and experience life

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Speaker 3: through a whole new set of eyes and shoes, and yeah,

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Speaker 3: you know this one was. I mean, I can't imagine

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Speaker 3: the idea of being in a guy's body myself, Like,

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Speaker 3: oh my gosh, you know, I just watched the movie

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Speaker 3: Jumanji where one of the characters is.

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Speaker 1: Yeah, oh you watched the second Jumanji.

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Speaker 4: Oh no, the first one or the.

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Speaker 3: Second one, the second one with one of the characters

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Speaker 3: is Jack Black, And she's like, she kept going, this

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Speaker 3: thing is awesome.

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Speaker 1: Oh my god, I've got to handle How am I

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Speaker 1: not instagramming this?

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Speaker 3: Yeah, it's like a whole thing where you just like

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Speaker 3: that idea is such a fun idea of bad and

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Speaker 3: good that comes your way of seeing stuff like that.

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Speaker 3: So I am a full fan of this.

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Speaker 1: I am too. I could not agree with you more

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Speaker 1: and again, I would love to see Face Off recut

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Speaker 1: as a d com to see like, you know, when

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Speaker 1: Tom when he woke up in the mall and then

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Speaker 1: they took their fate. Oh, that would be just the

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Speaker 1: funniest thing ever. Oh man, did you know had you

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Speaker 1: heard of this movie before we hit the.

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Speaker 3: I will say the title instantly made me think because

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Speaker 3: Jordan asked me, what movie are you watching for this

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Speaker 3: next episode? And I said the Swap and he goes, oh,

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Speaker 3: I don't think i've seen that one. I go, I

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Speaker 3: haven't either, but I'm assuming it's like parent trap type situation.

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Speaker 3: It's like, yeah, that's what I would think too, And

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Speaker 3: it wasn't necessarily parent trap, but it was kind of similar.

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Speaker 2: So yeah, it was interesting.

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Speaker 3: Yeah, the title makes for the movie for sure, not

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Speaker 3: one of those you know, random titles that don't make

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Speaker 3: any sense.

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Speaker 1: We always go to thirteenth year where we're just of course,

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Speaker 1: that means that's when you turn into a merman, like wait,

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Speaker 1: what anyway? Of course again twenty twenty five starting not

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Speaker 1: with a bang. So let's see. Did I know anything

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Speaker 1: about this.

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Speaker 2: Movie before we went in?

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Speaker 4: Yeah?

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Speaker 1: I did. I knew everything about this film. No, I

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Speaker 1: had never heard of this movie. I never heard of

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Speaker 1: any of these movies except for a few select ones. Anyway,

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Speaker 1: before you text us your wish, let's make it happen.

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Speaker 1: But first the synopsis. Ellie, a rhythmic gymnast, and Jack,

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Speaker 1: a tough guy hockey player, accidentally switch bodies after a

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Speaker 1: texting mishap as they navigate each other's lives, they learn

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Speaker 1: valuable lessons about empathy, teamwork, and their true selves. A

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Speaker 1: texting mishap, so we'll get into that. It might just

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Speaker 1: be the most unbelievable plot mechanism we have seen yet.

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Speaker 4: Did you buy the premise of that at all? No,

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Speaker 4: not really.

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Speaker 3: I you know, I think it's a way And we

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Speaker 3: usually love Disney being ahead of the jam, like as

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Speaker 3: far as what that new like tech or device would be.

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Speaker 3: So if they had some really cool new phones at

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Speaker 3: the time or whatever, like, it just kind of was

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Speaker 3: like something And at first I was already going, why

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Speaker 3: the blurbs of the day right? And I know where

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Speaker 3: this synopsis? That was like why are they doing that?

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Speaker 3: And then it's like, I guess that's the only way

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Speaker 3: when I look back how they brought in the.

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Speaker 1: Two They got the texting, which again I'm okay with that.

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Speaker 1: I mean, texting and social media now have become such

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Speaker 1: the norm that they have to be when you're writing

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Speaker 1: a film. Texting is a big thing. So how do

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Speaker 1: you show texting? You can either show an insert of

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Speaker 1: the phone or you show the bubbles. I get that,

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Speaker 1: but then it's like your Disney channel come up with

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Speaker 1: a better.

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Speaker 3: For I know now we've got them on this, Like Disney,

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Speaker 3: tell me what's actually gonna happen in twenty thirty twenty

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Speaker 3: thirty five, Like we now know that you did Smart House,

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Speaker 3: so you know everything clearly. Why is it just a

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Speaker 3: text mess?

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Speaker 2: I also just mean.

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Speaker 1: I also just mean magic wise, like Wizards of Waverley,

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Speaker 1: place it a little bit.

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Speaker 4: If you want to make it a totem, make it

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Speaker 4: a totem.

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Speaker 1: But is the phone inhabited by the spirit of a

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Speaker 1: blah blah blah?

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Speaker 3: Yeah, I like go a little deeper.

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Speaker 1: Yeah, they did one line, well, if you hold your

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Speaker 1: object too long that oh my god.

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Speaker 4: Yeah, anyway, so let's just get it early.

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Speaker 1: Thoughts.

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Speaker 2: Did you like the movie?

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Speaker 3: I did? I did, I I was in it. I

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Speaker 3: like I got there emotionally. I don't know if it's

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Speaker 3: because I just missed you guys so much. Well you're

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Speaker 3: on medical rework, but I was like, ugh, I love

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Speaker 3: my job. This is such a cute movie. I haven't

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Speaker 3: seen it before. These kids are adorable. I think they're great.

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Speaker 3: I literally loved it. It took me a teeny bit

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Speaker 3: longer than what it usually does to get into it,

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Speaker 3: but once I was.

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Speaker 1: In You're in hook.

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Speaker 3: Lions Tinker interesting. Okay, Okay, you not so much, I'm

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Speaker 3: assuming by the look on your face.

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Speaker 1: Actually I really liked it, Oh good I did. It's

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Speaker 1: not the best movie we've ever seen. It had some

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Speaker 1: serious plot holes. I thought the cast was great. We'll

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Speaker 1: get into We'll get into the cast. The acting was

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Speaker 1: really good, and Disney did what Disney does sometimes We're

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Speaker 1: out of nowhere again. I want a smack whoever came

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Speaker 1: up with the magical system, just because I'm a nerd.

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Speaker 1: But the emotional stuff of the movie I thought was

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Speaker 1: done very very well. Yes, they had me in with

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Speaker 1: the emotional stuff, the loss of the parent. Well, we'll

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Speaker 1: get into all of that.

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Speaker 3: So anyway, so much goodness in this movie. I can't

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Speaker 3: really talk about all of it because there is just

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Speaker 3: so so many small details that really shone like they

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Speaker 3: are really shined throughout so much of this movie. And

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Speaker 3: I loved it.

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Speaker 1: Do not disagree. So The Swap was directed by Jay

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Speaker 1: I think it's Caris. I hope I'm saying that right

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Speaker 1: as Carris, a director who cut his teeth comedically for

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Speaker 1: dozens of stand up specials from Bill Burr to Bob Saget.

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Speaker 1: He also directed sketch programs and MTV Award shows and

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Speaker 1: has since become a premier name in TV directing for

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Speaker 1: titles like Superstore, Workaholics, Parks and rec So Help Me,

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Speaker 1: Todd and The Beloved Abbot Elementary. The movie stars Peyton

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Speaker 1: Liszt as Ellie O'Brien. Peyton began her career at just

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Speaker 1: three years old, featured in the background of Spider Man two.

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Speaker 1: This time it's personal. That's of course what we call

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Speaker 1: every single one. That's just regular Spider Man two, and

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Speaker 1: would go on to star as Emma Ross on Jesse

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Speaker 1: and then spin off the roll for Bunked, two shows

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Speaker 1: that had her spending ten years of her life on

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Speaker 1: the channel. And you know her now as the badass

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Speaker 1: Tory Nichols on the breakout Netflix hit Cobra Kai.

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Speaker 4: I assume, because.

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Speaker 1: This is a little later, you didn't do any Disney

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Speaker 1: stuff with her, did you.

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Speaker 3: I did not.

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Speaker 1: Yeah, I figured because you guys are in different different

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Speaker 1: Disney generations, as you and I were in different Disney

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Speaker 1: general I know. Unfortunately, on the other side, we've got

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Speaker 1: Jacob Bertrand as Jack Malloy.

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Speaker 4: Jacob is another TV that starting his career at.

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Speaker 1: Just seven years old with appearances on House, Parenthood and

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Speaker 1: The Cape, but he is best known as both the

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Speaker 1: voice of Gil on Bubble Guppies and as Kirby Buckets

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Speaker 1: on the show Kirby Buckets. Also, as unbelievable as it seems,

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Speaker 1: Jacob would go on to star as Eli Hawk Moskowitz

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Speaker 1: on the Netflix hit show Cobra Kai, again creating a

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Speaker 1: bit of a swapp reunion, even if it wasn't a

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Speaker 1: purpose at all. But at the same time, I just

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Speaker 1: wanted to see them break into karate fighting with everybody,

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Speaker 1: but unfortunately I didn't. That's the only thing could have

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Speaker 1: made this movie better is tons of karate fighting. The

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Speaker 1: movie is also filled with a lot of established Canadian actors,

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Speaker 1: but let's also talk about a few zombies who found

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Speaker 1: themselves on the set. First up, James Godfrey is Hockey

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Speaker 1: Bully Porter and we know James as Bonzo, the grunting

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Speaker 1: jock monster in the Zombies franchise. He basically plays the

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Speaker 1: same character in this movie, with a little bit more

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Speaker 1: dialogue and stuff to do. But he's really funny and

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Speaker 1: he's not alone. We've got Naomi Ooh. I said this

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Speaker 1: last time, everybody out there, as we did Zombies. I'm

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Speaker 1: gonna try to say it again because I always get

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Speaker 1: it wrong. I think it's sneakest as Coach Carroll. She

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Speaker 1: was known as Principal Lee in the Zombies franchise, and

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Speaker 1: it's a nice little origin story for these two actors

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Speaker 1: on the channel. They were both great, very funny, the

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Speaker 1: entire like laugh out loud funny for a lot of it.

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Speaker 1: The movie is, oh first drum roll of twenty twenty five,

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Speaker 1: please ninety one minutes long, folks, one minute away from

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Speaker 1: the target, which, honestly, we could have easily been cut

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Speaker 1: a minute out. Maybe just take one hockey shot away

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Speaker 1: or something could have made it happen if they wanted.

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Speaker 4: But a minute over.

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Speaker 1: We're gonna be honest, We're not gonna complain about that.

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Speaker 1: It was kind of right on the money, but not quite.

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Speaker 3: Right in the money.

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Speaker 1: It was written by the original books author who we

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Speaker 1: talked about, alongside two screenwriters.

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Speaker 4: Charlie Shahanion and Sherry Simpson.

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Speaker 1: I hope I am saying that right, and I'm gonna

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Speaker 1: say that for a lot of news again. I was

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Speaker 1: born Wilfredell. Nobody knows that I'm freedo to everybody else.

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Speaker 1: We all know why we're here, people for twenty twenty five,

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Speaker 1: So let's get to the swap. We open with Me Too,

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Speaker 1: by pop star Meghan Trainer, a modern move by Disney,

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Speaker 1: including a mainstream artist on the soundtrack. It's an opening

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Speaker 1: credits montage, and we see the rhythmic dance team girls

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Speaker 1: with hula hoops and batons, intermixed with well some hardcore

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Speaker 1: hockey footage.

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Speaker 4: We get some very.

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Speaker 1: Limber girls and some successful shots on goal, focusing mostly

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Speaker 1: on our main characters, high school sophomores Ellie O'Brien and

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Speaker 1: Jack molloy exhibiting their respective sports skills. Now you know

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Speaker 1: where I'm going with this, Sabrina, because we always talk

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Speaker 1: about this. You are our dance and cheerleading expert. How

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Speaker 1: do we rate the realism and everything happening with whatever

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Speaker 1: the hell these young women are doing in the opening montage?

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Speaker 3: So rhythmic gymnastics. This is a totally different genre that

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Speaker 3: what I've I'm really attuned to in the sense of

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Speaker 3: knowing their technical skills. I do love it during the Olympics,

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Speaker 3: I do love watching it anytime it is on, but

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Speaker 3: I don't know it as well. So the main thing

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Speaker 3: is they need to be very limber, and from the

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Speaker 3: shots that you saw, that is exactly what you got

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Speaker 3: as a viewer, as you saw girls with extreme flexibility,

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Speaker 3: and I think they shot a lot of the stuff

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Speaker 3: really well. If they did use doubles, I couldn't see him,

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Speaker 3: So I felt like if that was if there were

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Speaker 3: doubles thrown in there, I couldn't see him. Otherwise, they

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Speaker 3: somehow cast girls. The girls that were in the background

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Speaker 3: and filled out the team definitely were actual rhythmic dancers.

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Speaker 3: But even the girls that had main main parts looked

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Speaker 3: very very good to me, So I thought it was great.

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Speaker 1: And again, I know the rhythmic gymnastic community or the

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Speaker 1: rhythms as I like to call them, are probably going

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Speaker 1: to come after me for this, but it seems like

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Speaker 1: it's a combination of circus performer and gymnasts.

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Speaker 3: It's yes, it is. It's it's gymnastics for sure. And

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Speaker 3: then yes, the the extreme level of extensions that they

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Speaker 3: can do and the way their body is like it's

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Speaker 3: like contortionists is where you're thinking like circus sol type stuff.

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Speaker 3: So it definitely is a nice blend of it. I

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Speaker 3: think when you're talking to a rhythmic gymnast, though, the

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Speaker 3: finesse that they have versus just like the tricks of

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Speaker 3: showing how much they can bend is different. And that's

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Speaker 3: what I will say is the only time I could tell,

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Speaker 3: okay that she obviously isn't an actual rhythmic gymnast is

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Speaker 3: by their feet, like their feet are crazy pointed over extended.

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Speaker 3: So that's the only thing that I would say, like

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Speaker 3: stood out with the actual actors is you could tell

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Speaker 3: just by their point tote like their toe point. Their

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Speaker 3: point their toe point is ridiculous. So okay, yeah, you're right, though,

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Speaker 3: it is a nice mix between mean what you see

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Speaker 3: in a circus delight act and gymnastics.

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Speaker 1: I love how you you so casually said when you're

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Speaker 1: talking to a rhythmic gymnast, as if that's ever going

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Speaker 1: to happen in my life. But I appreciate you you're

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Speaker 1: saying that you never know.

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Speaker 2: I could also learn tomorrow. I don't know that either.

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Speaker 3: Any slender woman that you come across in.

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Speaker 1: Your life just say excuse me, or your rhythmic.

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Speaker 3: Be a rhythmic gymnast.

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Speaker 4: Okay, well that's gonna be my new life.

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Speaker 3: I think they have tattoos across their forehead that make

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Speaker 3: you know that you never know. Uh.

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Speaker 1: The montage then ends and it is Thursday at the

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Speaker 1: Covey High School Sportsplex. The hockey team is practicing, and

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Speaker 1: Jack Bloy is trying his hardest to make varsity to

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Speaker 1: join his two rambunctious brothers and his dad, who is

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Speaker 1: the hard nosed coach who also looks exactly like Jason Sudeikis.

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Speaker 1: But that doesn't matter. Jack's dad breaks it to him

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Speaker 1: he still has some serious work to do if he

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Speaker 1: thinks he's making the roster, but his twin brothers encourage him.

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Speaker 1: They think he's been doing great, and they know all

437
00:20:55,680 --> 00:20:59,919
Speaker 1: about his quote unquote list of goals, which includes making far.

438
00:21:00,800 --> 00:21:02,920
Speaker 1: But he'll need to keep his eyes on quirky, tough

439
00:21:03,000 --> 00:21:06,080
Speaker 1: kid Porter, another student at the tryouts who's been trying

440
00:21:06,080 --> 00:21:08,320
Speaker 1: to move up from junior varsity for years and will

441
00:21:08,320 --> 00:21:11,040
Speaker 1: do anything to get there. We are now on the

442
00:21:11,080 --> 00:21:15,359
Speaker 1: other side of campus. Ellie notices her bestie Sassy, is

443
00:21:15,480 --> 00:21:17,959
Speaker 1: buddy buddy with new girl Aspen, and oh man, if

444
00:21:17,960 --> 00:21:20,000
Speaker 1: you don't think Sassy and Aspen are great names, just

445
00:21:20,040 --> 00:21:20,600
Speaker 1: wait for it.

446
00:21:20,880 --> 00:21:22,720
Speaker 4: Who is from Buffalo, New York.

447
00:21:22,760 --> 00:21:24,600
Speaker 1: But hey, it's still New York, she says, And they

448
00:21:24,600 --> 00:21:29,159
Speaker 1: apparently went to Fashionista camp together. Please tell me what

449
00:21:29,320 --> 00:21:31,960
Speaker 1: Fashionista Gland camp is and how the hell do I

450
00:21:31,960 --> 00:21:33,560
Speaker 1: sign up? Because I wanted to just see what that

451
00:21:33,600 --> 00:21:34,359
Speaker 1: world is like.

452
00:21:34,760 --> 00:21:37,960
Speaker 3: No, I ge this was like, where are we going

453
00:21:38,000 --> 00:21:40,480
Speaker 3: with this? Why is this so over the top right now?

454
00:21:40,640 --> 00:21:44,639
Speaker 3: It's too many weird names happening in the beginning, like

455
00:21:44,680 --> 00:21:48,560
Speaker 3: you're throwing me off. I'm trying to like understand what's happening.

456
00:21:48,600 --> 00:21:50,840
Speaker 3: It's a lot of information that's getting thrown so I'm

457
00:21:50,880 --> 00:21:54,479
Speaker 3: assuming it all means something huge, and it ends up

458
00:21:54,520 --> 00:21:56,920
Speaker 3: really not meaning anything except for they just they could

459
00:21:56,920 --> 00:22:00,080
Speaker 3: have just they went to Gymnast camp.

460
00:22:00,040 --> 00:22:03,080
Speaker 1: Anything, it's anything else. I'm sorry, are you really saying

461
00:22:03,160 --> 00:22:06,880
Speaker 1: that Sassy and Aspen at Fashionisa Glam Camp is too

462
00:22:06,880 --> 00:22:08,879
Speaker 1: many weird words together, Sabrina.

463
00:22:08,760 --> 00:22:14,800
Speaker 3: Like what, yes, please stop? I already got theirs.

464
00:22:15,000 --> 00:22:17,760
Speaker 1: I know you're supposed to do, so it's working. But

465
00:22:17,800 --> 00:22:21,159
Speaker 1: we also meet the dance team coach Carol, who is

466
00:22:21,200 --> 00:22:24,520
Speaker 1: making some changes. She puts new pals Aspen and Sasse,

467
00:22:24,640 --> 00:22:25,919
Speaker 1: which is how I'm gonna say it from now on

468
00:22:26,040 --> 00:22:29,720
Speaker 1: Aspin and Sasse together, which of course infuriates Ellie. Her

469
00:22:29,760 --> 00:22:33,080
Speaker 1: and Sasse have been practice partners since kindergarten, but the

470
00:22:33,080 --> 00:22:36,399
Speaker 1: coach stands by our decision. They're just a better physical match.

471
00:22:36,880 --> 00:22:40,600
Speaker 1: And coach Carol confirms some true rumors, also known as truemers.

472
00:22:40,720 --> 00:22:42,040
Speaker 1: I love when they do that because I do this

473
00:22:42,040 --> 00:22:44,760
Speaker 1: stuff all the time or all the team. No, I

474
00:22:44,800 --> 00:22:46,840
Speaker 1: don't know. I didn't even know where to go that true.

475
00:22:46,920 --> 00:22:51,520
Speaker 1: Of course, of course, the school is making budget cuts

476
00:22:51,600 --> 00:22:54,879
Speaker 1: and is eliminating a sports team. They're deciding between the

477
00:22:54,920 --> 00:22:57,680
Speaker 1: badminton team and the dance squad, so if they don't

478
00:22:57,720 --> 00:23:00,440
Speaker 1: win big on Sunday, they will demote them to a

479
00:23:00,520 --> 00:23:03,560
Speaker 1: club like they play chess, or they're the stem club

480
00:23:03,640 --> 00:23:05,840
Speaker 1: or there. I couldn't even say this out loud.

481
00:23:06,119 --> 00:23:08,040
Speaker 4: Thespians, yuck.

482
00:23:08,680 --> 00:23:11,800
Speaker 1: Were you in any clubs in high school? No, because

483
00:23:11,800 --> 00:23:12,720
Speaker 1: you danced and head friends.

484
00:23:12,720 --> 00:23:13,600
Speaker 3: Because I was on a team.

485
00:23:13,920 --> 00:23:15,280
Speaker 4: Yeah, exactly, nice.

486
00:23:15,960 --> 00:23:18,680
Speaker 1: I was in the outdoors club and that was just

487
00:23:18,760 --> 00:23:21,320
Speaker 1: an excuse to climb mountains and smoke pot with my friends.

488
00:23:21,640 --> 00:23:23,280
Speaker 2: Okay, but it was a club.

489
00:23:23,440 --> 00:23:28,480
Speaker 3: It was official club, believe it or not. With your school.

490
00:23:28,720 --> 00:23:29,960
Speaker 2: God, we were able.

491
00:23:29,760 --> 00:23:32,720
Speaker 3: To get through by you with so much our school.

492
00:23:33,520 --> 00:23:34,520
Speaker 3: Oh my god.

493
00:23:34,920 --> 00:23:37,800
Speaker 1: But Carol thinks the squad is going to be fine.

494
00:23:38,440 --> 00:23:41,159
Speaker 1: Ellie is just the old powerhouse and Aspen is the

495
00:23:41,200 --> 00:23:43,080
Speaker 1: new powerhouse, so how can they lose?

496
00:23:43,480 --> 00:23:44,920
Speaker 4: The pressure is on, by the way.

497
00:23:45,280 --> 00:23:48,359
Speaker 1: Uh, They've established Ellie as the leader of the team

498
00:23:48,480 --> 00:23:50,680
Speaker 1: and she's been the like she says, the old workhorse

499
00:23:50,760 --> 00:23:53,280
Speaker 1: the entire time. We don't know anything of Aspen, but

500
00:23:53,359 --> 00:23:55,840
Speaker 1: apparently she's the new workhorse and nobody how does the

501
00:23:55,840 --> 00:23:58,119
Speaker 1: coach know that? Anyway? I'm not gonna overthink it, not

502
00:23:58,160 --> 00:23:58,800
Speaker 1: gonna overthink it.

503
00:23:59,280 --> 00:24:00,520
Speaker 4: We are back the rink.

504
00:24:00,680 --> 00:24:02,960
Speaker 1: Jack is trying his hardest, but while trying to follow

505
00:24:03,000 --> 00:24:07,359
Speaker 1: his dad's never ending commands, he is leveled by Porter,

506
00:24:07,680 --> 00:24:09,600
Speaker 1: but instead of staying down, he gets up like you're

507
00:24:09,600 --> 00:24:12,400
Speaker 1: supposed to and ends up scoring. Jack wants that final

508
00:24:12,480 --> 00:24:14,920
Speaker 1: varsity spot. Coach Dad explains to make the team, you

509
00:24:15,000 --> 00:24:17,679
Speaker 1: must be a plus on and off the eyes, no

510
00:24:17,760 --> 00:24:20,399
Speaker 1: horse playing, and no unsportsman like Shenanigan in in in,

511
00:24:20,560 --> 00:24:23,920
Speaker 1: which is literally how he says it. The hockey team

512
00:24:23,960 --> 00:24:26,200
Speaker 1: and dan squad just have one thing to do now,

513
00:24:26,680 --> 00:24:29,280
Speaker 1: not blow it, and they all say it in you know,

514
00:24:29,440 --> 00:24:31,639
Speaker 1: they say it together whatever, unison, that's the word I

515
00:24:31,640 --> 00:24:34,399
Speaker 1: was looking for, Thank you very much. It is now

516
00:24:34,440 --> 00:24:37,159
Speaker 1: the next day, Friday, and the Maloys are practicing street

517
00:24:37,160 --> 00:24:39,760
Speaker 1: hockey outside their house. The twins, who are obviously fraternal

518
00:24:39,800 --> 00:24:42,080
Speaker 1: twins because they look nothing alike at all, are telling

519
00:24:42,240 --> 00:24:46,160
Speaker 1: Jack to cut his hockey mullet, which is maybe arguably

520
00:24:46,200 --> 00:24:49,200
Speaker 1: the worst wig in the history of d COM's.

521
00:24:49,240 --> 00:24:51,800
Speaker 4: And that's saying a lot after we saw Descendants.

522
00:24:51,960 --> 00:24:57,880
Speaker 1: When I notice how bad it is, Sabrina.

523
00:24:56,280 --> 00:24:59,960
Speaker 3: It is my third Sabrina sees and here is my line.

524
00:25:01,119 --> 00:25:07,840
Speaker 3: Oh my god, Oh my god, his wig? How why

525
00:25:07,880 --> 00:25:08,640
Speaker 3: it's awful?

526
00:25:09,440 --> 00:25:10,159
Speaker 2: And of course it was.

527
00:25:10,240 --> 00:25:12,680
Speaker 1: It was integral to the story. I get why they

528
00:25:12,680 --> 00:25:15,560
Speaker 1: did it. It was, it was clever. But damn, that

529
00:25:15,640 --> 00:25:17,119
Speaker 1: was we have seen.

530
00:25:17,200 --> 00:25:22,200
Speaker 3: So okay, this is not that long ago. No, it's

531
00:25:22,359 --> 00:25:27,040
Speaker 3: not that long ago. We just covered Duck in the suburbs.

532
00:25:27,080 --> 00:25:32,080
Speaker 3: And no, they had individual extensions on him to have

533
00:25:32,200 --> 00:25:35,680
Speaker 3: his hair long, which looked much better. Oh yeah, this

534
00:25:36,119 --> 00:25:39,119
Speaker 3: was I mean, I thought this was so bad. I

535
00:25:39,160 --> 00:25:42,240
Speaker 3: thought we were going to discover in his storyline that

536
00:25:42,320 --> 00:25:44,360
Speaker 3: he was wearing a wig that was.

537
00:25:44,320 --> 00:25:45,840
Speaker 1: Part of it, like his brothers made him wear a

538
00:25:45,840 --> 00:25:46,800
Speaker 1: wig for some reason or.

539
00:25:46,720 --> 00:25:50,720
Speaker 3: Something, or like he there was a situation down under

540
00:25:50,880 --> 00:25:53,560
Speaker 3: that we needed to like cover up or something.

541
00:25:54,040 --> 00:25:57,679
Speaker 1: And that was Australia. I would imagine that's what you're

542
00:25:57,680 --> 00:26:00,880
Speaker 1: talking about yet, right, yeah, yeah, because it.

543
00:26:00,840 --> 00:26:02,080
Speaker 3: Was so bad.

544
00:26:02,560 --> 00:26:03,040
Speaker 1: It was bad.

545
00:26:03,119 --> 00:26:05,440
Speaker 3: Literally, oh my god, oh my god, his wig?

546
00:26:05,680 --> 00:26:07,840
Speaker 1: How why?

547
00:26:08,080 --> 00:26:09,200
Speaker 2: Like why why?

548
00:26:09,240 --> 00:26:09,400
Speaker 1: Why?

549
00:26:09,440 --> 00:26:09,640
Speaker 3: Why?

550
00:26:09,720 --> 00:26:10,400
Speaker 2: Oh my god?

551
00:26:10,400 --> 00:26:13,560
Speaker 1: It was bad. But anyway, after bad wig and all

552
00:26:13,600 --> 00:26:15,920
Speaker 1: being knocked to the ground with a slap shot, Jack

553
00:26:16,080 --> 00:26:19,199
Speaker 1: cracks his phone screen and breaks his iPhone.

554
00:26:19,320 --> 00:26:20,600
Speaker 4: We are now over at Ellie's house.

555
00:26:20,600 --> 00:26:23,520
Speaker 1: She gets a text message from Aspen, who sure is

556
00:26:23,720 --> 00:26:26,760
Speaker 1: very confident for the new transfer exchange student. She tells

557
00:26:26,760 --> 00:26:29,720
Speaker 1: the dance girls that today is skirt Day flirt day,

558
00:26:29,840 --> 00:26:33,160
Speaker 1: which sucks for Ellie, who is in pants and likes

559
00:26:33,160 --> 00:26:35,640
Speaker 1: the old tradition, which is track suits before a meet.

560
00:26:36,040 --> 00:26:39,240
Speaker 1: She compromises by putting a skirt over her jumpsuit, which

561
00:26:39,280 --> 00:26:42,639
Speaker 1: looks undeniably awful. And again when I notice fashion and

562
00:26:42,640 --> 00:26:45,080
Speaker 1: you know it's bad. We are now back at Jack's

563
00:26:45,240 --> 00:26:48,040
Speaker 1: brother got him a replacement phone, but it's bedazzled pink,

564
00:26:48,119 --> 00:26:49,639
Speaker 1: and I was like, where are we going with this?

565
00:26:50,040 --> 00:26:53,159
Speaker 1: He says, coach, who remember is his dad, couldn't get

566
00:26:53,240 --> 00:26:56,600
Speaker 1: himself to disconnect it because it's too hard. And this

567
00:26:56,640 --> 00:26:59,040
Speaker 1: is where we learned that their mom has recently died

568
00:26:59,320 --> 00:27:02,120
Speaker 1: and this was her phone. But no time to talk

569
00:27:02,160 --> 00:27:04,280
Speaker 1: this out right now. He sprints out of the house

570
00:27:04,280 --> 00:27:06,840
Speaker 1: for one on one time with Coach aaka Dad. But

571
00:27:07,400 --> 00:27:13,080
Speaker 1: they had these nice, occasional quiet little beats, just the

572
00:27:13,160 --> 00:27:16,080
Speaker 1: brothers who by the way, I loved his brothers in

573
00:27:16,119 --> 00:27:19,760
Speaker 1: this movie. They were the best one episode.

574
00:27:19,800 --> 00:27:22,120
Speaker 3: We have to give out awards, we need to have

575
00:27:22,200 --> 00:27:26,800
Speaker 3: like an entire awards episode, and these two twin brothers

576
00:27:27,600 --> 00:27:33,600
Speaker 3: win it. For siblings, we usually see siblings horrible siblings,

577
00:27:33,960 --> 00:27:37,919
Speaker 3: mean siblings, or annoying siblings. These two guys could not

578
00:27:38,040 --> 00:27:41,760
Speaker 3: have been like the most perfect that's what you hope

579
00:27:41,920 --> 00:27:49,440
Speaker 3: your oldest Oh god, yeah, seriously like guys and they

580
00:27:49,520 --> 00:27:53,000
Speaker 3: do it over and over and over again in this movie,

581
00:27:53,160 --> 00:27:54,119
Speaker 3: and I loved it.

582
00:27:54,240 --> 00:27:55,919
Speaker 1: I was still there for that too. I could not

583
00:27:56,280 --> 00:27:58,520
Speaker 1: I could not agree with you more. They were like

584
00:27:58,840 --> 00:28:01,440
Speaker 1: they're That relationship was like my favorite part of the movie.

585
00:28:01,440 --> 00:28:04,680
Speaker 3: It was just it was these boys were so sweet

586
00:28:04,920 --> 00:28:09,840
Speaker 3: and just the best.

587
00:28:13,720 --> 00:28:15,720
Speaker 1: So Ellie is now ready for school, and gets a

588
00:28:15,760 --> 00:28:18,600
Speaker 1: ride from her excited spiritual mom, who has feng shwaded

589
00:28:18,680 --> 00:28:21,040
Speaker 1: the car for good luck. Obviously, they're trying to tell

590
00:28:21,080 --> 00:28:22,879
Speaker 1: us exactly who this person is right off the bat.

591
00:28:23,080 --> 00:28:25,240
Speaker 4: She also wants to get her daughter a new phone.

592
00:28:25,560 --> 00:28:27,479
Speaker 1: The one she got from her dad is ancient and

593
00:28:27,520 --> 00:28:30,920
Speaker 1: she's attached too much emotion to it. It's become a

594
00:28:31,040 --> 00:28:34,280
Speaker 1: totem keep this in mind, people and can have control

595
00:28:34,359 --> 00:28:36,040
Speaker 1: over her. And this is where we learned that her

596
00:28:36,040 --> 00:28:38,920
Speaker 1: father left her family for another woman. So somebody else

597
00:28:39,040 --> 00:28:41,880
Speaker 1: dealing with the loss of a parent, different type of loss,

598
00:28:42,000 --> 00:28:45,920
Speaker 1: but lost nonetheless. Also, her mom encourages her to find

599
00:28:46,040 --> 00:28:49,800
Speaker 1: a new best friend, since Sassy appears to be trying

600
00:28:50,040 --> 00:28:52,560
Speaker 1: to find some new energy. So this is where I

601
00:28:52,600 --> 00:28:55,440
Speaker 1: was like, eh, we might have another bad mom decom

602
00:28:55,480 --> 00:28:59,000
Speaker 1: alert coming up here. She's obviously cares about her daughter,

603
00:28:59,440 --> 00:29:04,640
Speaker 1: but buckling her in huge helicopter parent Yeah, maybe knowing

604
00:29:04,800 --> 00:29:07,240
Speaker 1: way too many Like how do you already know that

605
00:29:07,320 --> 00:29:09,760
Speaker 1: her best friend is looking for another best friend? This

606
00:29:09,880 --> 00:29:13,160
Speaker 1: is kind of intrusive to know this much this quick.

607
00:29:13,520 --> 00:29:16,520
Speaker 3: No, but it reminded me of my mom. My belief

608
00:29:16,880 --> 00:29:22,120
Speaker 3: was so intuitive of things that were going on. I

609
00:29:22,120 --> 00:29:24,840
Speaker 3: don't know if she was outside my room while I'm

610
00:29:24,880 --> 00:29:28,160
Speaker 3: on the phone or what, but I'm telling you, she

611
00:29:29,520 --> 00:29:32,280
Speaker 3: could help steer me in the direction that I needed to,

612
00:29:32,520 --> 00:29:34,840
Speaker 3: especially when it came to friends, and I had a

613
00:29:34,880 --> 00:29:38,719
Speaker 3: friend that was so awful to me, and she was

614
00:29:39,840 --> 00:29:42,840
Speaker 3: just she wouldn't outright say it. She would just say,

615
00:29:42,680 --> 00:29:45,880
Speaker 3: why don't you think about hanging out with so and so?

616
00:29:46,320 --> 00:29:48,520
Speaker 3: She seems really not, you know, And she just would

617
00:29:48,680 --> 00:29:50,920
Speaker 3: kind of help steer me towards other directions. And I'm

618
00:29:50,960 --> 00:29:53,640
Speaker 3: so grateful that she did because she didn't outright tell me,

619
00:29:53,680 --> 00:29:55,920
Speaker 3: because if she did, I would have been like, real, nope,

620
00:29:56,000 --> 00:29:56,680
Speaker 3: even closer.

621
00:29:56,680 --> 00:29:59,320
Speaker 1: Now you're not friends with that horrible anymore, are you?

622
00:29:59,360 --> 00:30:03,120
Speaker 3: No? And I did get away from them in high school,

623
00:30:03,200 --> 00:30:05,040
Speaker 3: you know, and I'm grateful for that. But this is

624
00:30:05,080 --> 00:30:08,200
Speaker 3: what the house moms have, this weird.

625
00:30:08,000 --> 00:30:09,160
Speaker 2: Yeah, that's true trigger.

626
00:30:09,400 --> 00:30:11,120
Speaker 3: And I don't know if again, I don't know how

627
00:30:11,120 --> 00:30:12,920
Speaker 3: she did it. I'm like gonna have to ask her

628
00:30:12,960 --> 00:30:15,800
Speaker 3: for a class on it for it's to.

629
00:30:15,720 --> 00:30:16,280
Speaker 1: Figure it out.

630
00:30:16,320 --> 00:30:19,840
Speaker 3: But there's this weird trigger where, especially with friends, moms

631
00:30:19,920 --> 00:30:24,320
Speaker 3: know how to like gracefully try to help, Okay, get you.

632
00:30:24,560 --> 00:30:26,360
Speaker 4: Then maybe she was them. Maybe she's a great mom.

633
00:30:26,400 --> 00:30:28,240
Speaker 1: By the way, when we do have our award show,

634
00:30:28,840 --> 00:30:30,800
Speaker 1: I'm going to give you an award for not only

635
00:30:30,920 --> 00:30:33,560
Speaker 1: the Cheetah Girls, but also for whitest white part of

636
00:30:33,600 --> 00:30:35,680
Speaker 1: the eye ever. You still have the whitest white part

637
00:30:35,680 --> 00:30:37,360
Speaker 1: of the eye I've ever of anybody I've ever met.

638
00:30:37,600 --> 00:30:39,080
Speaker 1: So we got to make sure, Yeah, we got to

639
00:30:39,080 --> 00:30:41,400
Speaker 1: make sure that that we get your an award because

640
00:30:41,400 --> 00:30:43,440
Speaker 1: it's it's a great award and it's gonna be.

641
00:30:43,440 --> 00:30:45,040
Speaker 3: A big eye trophy, that's right.

642
00:30:45,080 --> 00:30:46,800
Speaker 1: Yeah, and just think about who you want to think,

643
00:30:47,480 --> 00:30:49,040
Speaker 1: Just think about who you want to thank. But I

644
00:30:49,120 --> 00:30:51,720
Speaker 1: want to thank Vizine for my white part of the eye. Yeah,

645
00:30:51,720 --> 00:30:53,800
Speaker 1: it's great. Anyway, it's blink.

646
00:30:54,240 --> 00:30:55,719
Speaker 2: Okay, there you go.

647
00:30:55,920 --> 00:30:59,440
Speaker 1: Blink. It's a different one. We are now back at

648
00:30:59,440 --> 00:31:01,520
Speaker 1: the high school and co ed Claire sends out a

649
00:31:01,560 --> 00:31:05,640
Speaker 1: text she's throwing a Paris themed house party weird, and

650
00:31:05,680 --> 00:31:07,440
Speaker 1: Aspen is already trying to figure out a way to

651
00:31:07,640 --> 00:31:12,080
Speaker 1: uninvite Ellie. That makes it awkward. When Ellie joins her

652
00:31:12,080 --> 00:31:16,000
Speaker 1: teammates Sassy Aspen and the gang because they've taken over

653
00:31:16,080 --> 00:31:19,080
Speaker 1: and it is now mean girl Central, they laugh at

654
00:31:19,120 --> 00:31:21,520
Speaker 1: her skirt over her jumpsuit look, which honestly they should

655
00:31:21,520 --> 00:31:24,520
Speaker 1: because it looks terrible. But also Ellie learns that Sasse

656
00:31:25,720 --> 00:31:28,400
Speaker 1: likes Jack. She didn't even know that, but Aspen did,

657
00:31:28,440 --> 00:31:32,400
Speaker 1: causing even more friction. Aspen convinces Sassy to approach Jack,

658
00:31:32,720 --> 00:31:38,320
Speaker 1: where she gives him an exaggerated hey, Jack, but he

659
00:31:38,440 --> 00:31:42,880
Speaker 1: is too nervous to even respond. Despite the massive fumble,

660
00:31:43,120 --> 00:31:46,120
Speaker 1: coach Dad texts Jack more inspirational quotes. And now we

661
00:31:46,160 --> 00:31:49,040
Speaker 1: have this Dad entered the DCM Bad Parent Hall of Fame.

662
00:31:50,840 --> 00:31:51,840
Speaker 4: I'm going to hold off.

663
00:31:51,680 --> 00:31:56,440
Speaker 1: On putting him there yet because while I got that

664
00:31:56,480 --> 00:32:00,440
Speaker 1: he was a bad parent here, I also knew he

665
00:32:00,560 --> 00:32:03,800
Speaker 1: was hiding something. You could just tell. This was not

666
00:32:06,480 --> 00:32:09,320
Speaker 1: dad where it was like, okay, they're gonna have a

667
00:32:09,360 --> 00:32:11,200
Speaker 1: thing at the end, but the dad is going through

668
00:32:12,040 --> 00:32:14,120
Speaker 1: this was like you knew this guy was trying to

669
00:32:14,120 --> 00:32:15,840
Speaker 1: put on a front. So I'm gonna hold off on

670
00:32:15,880 --> 00:32:18,400
Speaker 1: putting him in that hall of fame yet if a

671
00:32:18,960 --> 00:32:19,600
Speaker 1: same thing.

672
00:32:19,480 --> 00:32:23,120
Speaker 3: It's like he's you could tell, and knowing that we

673
00:32:23,240 --> 00:32:28,200
Speaker 3: get that information about his wife, their mom early on,

674
00:32:29,120 --> 00:32:32,200
Speaker 3: you instantly have a little bit more empathy and give

675
00:32:32,320 --> 00:32:34,840
Speaker 3: him a little bit more grace because he's dealing with

676
00:32:35,040 --> 00:32:39,640
Speaker 3: three high school boys, and how do you navigate that

677
00:32:39,840 --> 00:32:44,239
Speaker 3: as a dad by yourself with also not just you know,

678
00:32:44,800 --> 00:32:48,440
Speaker 3: not saying there's not there, it's not easy, or that

679
00:32:48,480 --> 00:32:51,040
Speaker 3: it's easy with a divorce, but that the mom is

680
00:32:51,080 --> 00:32:54,640
Speaker 3: really gone gone sure, how do you navigate that? And

681
00:32:55,040 --> 00:32:59,240
Speaker 3: also how do you work through that yourself as an

682
00:32:59,280 --> 00:33:02,800
Speaker 3: adult and as like your your loss. So I gave

683
00:33:02,840 --> 00:33:04,880
Speaker 3: him a lot of grace, even yes, he was starting

684
00:33:04,920 --> 00:33:09,160
Speaker 3: to irritate me. And I also am like alert calms

685
00:33:09,160 --> 00:33:11,120
Speaker 3: for me if if I ever get in a position

686
00:33:11,120 --> 00:33:14,640
Speaker 3: where I'm coaching Monroe, like, I'm so scared that I'm

687
00:33:14,680 --> 00:33:18,600
Speaker 3: gonna be this kind of like dance dance, dance, Yeah.

688
00:33:18,640 --> 00:33:19,160
Speaker 4: Can't do that.

689
00:33:19,240 --> 00:33:20,840
Speaker 1: Don't be that mom.

690
00:33:21,080 --> 00:33:23,600
Speaker 3: Don't be a stage my worst night for him. I'm

691
00:33:23,720 --> 00:33:26,239
Speaker 3: so scary for me to never be that for her.

692
00:33:26,360 --> 00:33:29,440
Speaker 1: Well then you haven't asked, but yes, I will coach

693
00:33:29,480 --> 00:33:31,959
Speaker 1: Monroe and okay, perfect, thank you. That'll take a lot

694
00:33:31,960 --> 00:33:33,240
Speaker 1: of the on you anyway.

695
00:33:33,360 --> 00:33:33,719
Speaker 3: Stress.

696
00:33:34,160 --> 00:33:37,280
Speaker 1: Uh, if things couldn't even get any worse, Porter catches

697
00:33:37,920 --> 00:33:41,080
Speaker 1: our boy here in the hallway. He I don't this

698
00:33:41,200 --> 00:33:44,240
Speaker 1: scene anyway, catches him in the halls and bullies him,

699
00:33:44,600 --> 00:33:47,520
Speaker 1: pushing him into the lockers and antagonizing him to fight

700
00:33:47,840 --> 00:33:49,920
Speaker 1: so he can video it and hand it over to

701
00:33:49,960 --> 00:33:53,080
Speaker 1: his dad, all an attempt to get Jack disqualified from varsity.

702
00:33:55,240 --> 00:33:57,480
Speaker 1: He doesn't really he First, he pushes him down, so

703
00:33:57,520 --> 00:33:59,640
Speaker 1: he's filming him on the ground, so obviously he didn't

704
00:33:59,640 --> 00:34:00,280
Speaker 1: start the fight.

705
00:34:00,760 --> 00:34:04,240
Speaker 4: Second, I love that Jack wants to make varsity.

706
00:34:03,880 --> 00:34:08,040
Speaker 1: But this guy is fourteen feet and three hundred pounds

707
00:34:08,200 --> 00:34:10,719
Speaker 1: bigger than him, So make this guy varsity for God's sakes.

708
00:34:10,719 --> 00:34:13,000
Speaker 1: Even if you just put him on skates and sand

709
00:34:13,040 --> 00:34:15,680
Speaker 1: him there, there needed to be more of.

710
00:34:15,640 --> 00:34:21,520
Speaker 3: An equalizers is as as the villain of the story,

711
00:34:21,560 --> 00:34:25,600
Speaker 3: because this just didn't make sense dynamic. Well, he's not

712
00:34:25,719 --> 00:34:29,120
Speaker 3: just taller, he looks he looks like he's out of

713
00:34:29,160 --> 00:34:32,440
Speaker 3: high school. We're gonna he looks like. I love James,

714
00:34:32,520 --> 00:34:36,279
Speaker 3: I'm a fan of phenomenal. But at the same time,

715
00:34:36,440 --> 00:34:39,960
Speaker 3: like there there needed to be it needed to be

716
00:34:40,000 --> 00:34:44,680
Speaker 3: casted somebody closer to the same size and not as

717
00:34:44,760 --> 00:34:48,080
Speaker 3: old looking. You got that he was a senior trying

718
00:34:48,080 --> 00:34:50,520
Speaker 3: to make the team, like, you get that right, but older.

719
00:34:50,600 --> 00:34:52,719
Speaker 1: It looked like he was a senior in college. Who

720
00:34:52,760 --> 00:34:54,800
Speaker 1: has also been left back nine years.

721
00:34:55,040 --> 00:34:57,880
Speaker 3: Yeah, it was. There was just no there was no.

722
00:34:57,760 --> 00:35:02,800
Speaker 1: Chance that acting wise have any other agreed and acting

723
00:35:02,880 --> 00:35:09,600
Speaker 1: wise great casting, but looks wise, it was weird on screen.

724
00:35:09,719 --> 00:35:11,560
Speaker 1: They just they look like two. It's like, oh my god,

725
00:35:11,600 --> 00:35:13,200
Speaker 1: he could have been his babysitter or his dad. They

726
00:35:13,239 --> 00:35:15,040
Speaker 1: could have cast him as his coach dad.

727
00:35:15,880 --> 00:35:16,320
Speaker 4: Anyway.

728
00:35:16,520 --> 00:35:18,719
Speaker 1: Later in the day, Ellie notices that she has a

729
00:35:18,840 --> 00:35:21,640
Speaker 1: chocolate milk mustache and has since lunch, and it looks

730
00:35:21,680 --> 00:35:23,440
Speaker 1: like she's just been eating a bowl of poop. She

731
00:35:23,600 --> 00:35:26,640
Speaker 1: should be concerned because she should have wiped that off,

732
00:35:27,520 --> 00:35:29,439
Speaker 1: and while trying to clean the feces off her face,

733
00:35:29,480 --> 00:35:33,960
Speaker 1: she overhears Aspen and Sassy enter and trash talker once again.

734
00:35:34,960 --> 00:35:37,840
Speaker 1: While she hides in the stall, Aspen says life is

735
00:35:37,880 --> 00:35:39,759
Speaker 1: going to get so much worse for her. They even

736
00:35:39,800 --> 00:35:42,280
Speaker 1: mentioned her deadbeat dad and her antique phone.

737
00:35:42,480 --> 00:35:42,800
Speaker 5: Awful.

738
00:35:43,320 --> 00:35:45,759
Speaker 1: Sassy doesn't actually want to hurt her feelings, which is

739
00:35:45,800 --> 00:35:48,440
Speaker 1: a little late to say after all this, but Aspen

740
00:35:48,520 --> 00:35:53,120
Speaker 1: offers Ellie one more chance socially to come at Claire's party,

741
00:35:53,200 --> 00:35:56,560
Speaker 1: but only if she's a little less Ellie, and if

742
00:35:56,560 --> 00:35:59,839
Speaker 1: she blows that it's flatline. The mean girls leave and

743
00:36:00,080 --> 00:36:02,040
Speaker 1: all this makes Ellie's lip quiver, the one that's not

744
00:36:02,080 --> 00:36:05,279
Speaker 1: covered in poo, like she's gonna cry, which she does

745
00:36:05,280 --> 00:36:07,240
Speaker 1: off camera because it's very hard acting.

746
00:36:07,280 --> 00:36:09,399
Speaker 4: Can you cry and cue mm hmm.

747
00:36:09,920 --> 00:36:13,680
Speaker 1: That's impressive. I can't. I mean I can, but not

748
00:36:13,719 --> 00:36:14,600
Speaker 1: really anyway.

749
00:36:14,719 --> 00:36:17,520
Speaker 3: I have to like work myself into it, Like I

750
00:36:17,560 --> 00:36:20,120
Speaker 3: can't just like cry. I when I had to do

751
00:36:20,160 --> 00:36:23,160
Speaker 3: it for scenes, I have to, Like, I can't like it.

752
00:36:23,400 --> 00:36:25,760
Speaker 3: It's not like I'm at the you know, the snack

753
00:36:25,880 --> 00:36:28,080
Speaker 3: station and you chat it up and then I get

754
00:36:28,080 --> 00:36:29,719
Speaker 3: on camera. No, I mean I have to. But I

755
00:36:30,080 --> 00:36:31,640
Speaker 3: can definitely do that.

756
00:36:31,640 --> 00:36:36,320
Speaker 1: That's very impressive. Yeah, yeah, anyway, I'm not going to

757
00:36:36,320 --> 00:36:37,359
Speaker 1: tell you what I have to think about to cry

758
00:36:37,360 --> 00:36:40,440
Speaker 1: because it's very very sad. It's the toughest episode of

759
00:36:40,440 --> 00:36:42,920
Speaker 1: G I Joe you'll ever watch. Anyway, So we see

760
00:36:43,000 --> 00:36:45,640
Speaker 1: Ellie run off to the nurse's office, where she joins Jack,

761
00:36:45,680 --> 00:36:48,920
Speaker 1: who's having had a bloody nose somehow, even though he

762
00:36:49,040 --> 00:36:52,840
Speaker 1: was pushed down on his back and we're not gonna

763
00:36:52,840 --> 00:36:53,239
Speaker 1: we like him.

764
00:36:53,280 --> 00:36:53,880
Speaker 5: So it's okay.

765
00:36:54,080 --> 00:36:56,279
Speaker 1: The nurse is another character actor and we're saying Now,

766
00:36:56,360 --> 00:36:58,719
Speaker 1: the adults in this movie are great, and we're given

767
00:36:58,719 --> 00:37:00,400
Speaker 1: an awful lot of room to be funny, which is

768
00:37:00,400 --> 00:37:03,360
Speaker 1: something that happened more and more the later d Cooms,

769
00:37:03,719 --> 00:37:05,360
Speaker 1: which I like was the adults were allowed to go

770
00:37:05,360 --> 00:37:07,040
Speaker 1: off a little bit more on their own comedy, which

771
00:37:07,040 --> 00:37:08,960
Speaker 1: is how it should be. Even if they had very

772
00:37:08,960 --> 00:37:11,480
Speaker 1: small parts, they were great. Jack and Ellie, now alone

773
00:37:11,480 --> 00:37:14,080
Speaker 1: with their pain, argue over the expectations placed on boys

774
00:37:14,080 --> 00:37:16,560
Speaker 1: and girls and who has it harder. The nurse, sick

775
00:37:16,560 --> 00:37:19,080
Speaker 1: of the bickering, suggests they text each other like every

776
00:37:19,080 --> 00:37:22,160
Speaker 1: other teenager and just keep quiet. She gives back their

777
00:37:22,160 --> 00:37:25,239
Speaker 1: hand me down phones and the fighting continues. Just now,

778
00:37:25,320 --> 00:37:28,800
Speaker 1: it's continuing very quietly over text bubbles. They both admit

779
00:37:28,840 --> 00:37:31,200
Speaker 1: that they do anything to trade lives, and facetiously they

780
00:37:31,200 --> 00:37:35,560
Speaker 1: make a trade. But that's when the two text bubbles

781
00:37:35,600 --> 00:37:39,040
Speaker 1: become Ghostbuster protons. They twist together in the air and

782
00:37:39,200 --> 00:37:42,239
Speaker 1: blow up, throwing them both to the floor, and just

783
00:37:42,320 --> 00:37:46,279
Speaker 1: like that, they have swapped bodies. It's the swap that's

784
00:37:46,320 --> 00:37:51,359
Speaker 1: the name of the movie. You're Dead I wanted more

785
00:37:51,440 --> 00:37:53,880
Speaker 1: than Hey, we've sent a text and now our phones

786
00:37:53,880 --> 00:37:58,279
Speaker 1: are totems like coumped something, something more inhabited by the

787
00:37:58,280 --> 00:38:01,960
Speaker 1: spirit of whatever they did, something the spirit of her

788
00:38:02,040 --> 00:38:03,280
Speaker 1: mom said, I'm.

789
00:38:03,120 --> 00:38:03,600
Speaker 2: Gonna leave that.

790
00:38:03,680 --> 00:38:05,640
Speaker 4: I mean something to make this.

791
00:38:05,480 --> 00:38:07,400
Speaker 1: More than just We texted at each other and now

792
00:38:07,400 --> 00:38:10,719
Speaker 1: we swapped bodies. Yeah, but I liked everything else. The

793
00:38:10,760 --> 00:38:13,279
Speaker 1: two screaming each other, quickly realizing what has happened. Ellie,

794
00:38:13,320 --> 00:38:16,280
Speaker 1: who is now Jack suggests slapping each other back to reality,

795
00:38:16,280 --> 00:38:19,120
Speaker 1: but that doesn't work. Jack. Now Ellie is confused why

796
00:38:19,160 --> 00:38:22,160
Speaker 1: she's so smelly in weird places. I don't recall smelling

797
00:38:22,160 --> 00:38:23,880
Speaker 1: this much as a teenage boy, but apparently that was

798
00:38:23,880 --> 00:38:24,160
Speaker 1: the thing.

799
00:38:24,239 --> 00:38:25,920
Speaker 3: Guys can't smell it, that's why.

800
00:38:26,160 --> 00:38:28,120
Speaker 1: Oh, maybe that's what it is. You could be right,

801
00:38:28,640 --> 00:38:29,319
Speaker 1: You could be right.

802
00:38:29,440 --> 00:38:30,200
Speaker 3: It can't smell.

803
00:38:30,239 --> 00:38:32,239
Speaker 1: Well, maybe that's what it is. Do we smell that

804
00:38:32,320 --> 00:38:33,560
Speaker 1: bad as teenage boys?

805
00:38:33,800 --> 00:38:37,200
Speaker 3: Well, it's that or the what is it now? It

806
00:38:37,280 --> 00:38:39,920
Speaker 3: used to be When I was in junior high in

807
00:38:40,000 --> 00:38:42,880
Speaker 3: high school, it was cool. Water was the like fragrance

808
00:38:42,920 --> 00:38:44,000
Speaker 3: that you guys chose to Oh.

809
00:38:43,960 --> 00:38:47,040
Speaker 1: Are you talking about axe axe bodies? Ray?

810
00:38:47,280 --> 00:38:50,400
Speaker 3: It's like, Oh my gosh. I walk on campus sometimes

811
00:38:50,400 --> 00:38:53,719
Speaker 3: and it is mind boggling how much these guys don't

812
00:38:53,719 --> 00:38:55,839
Speaker 3: know how a little goes so long.

813
00:38:55,920 --> 00:38:58,399
Speaker 1: Like it's not only that, but if you can buy

814
00:38:58,440 --> 00:39:01,400
Speaker 1: your fragrance at a gas station and get a begger fragrance,

815
00:39:01,680 --> 00:39:04,280
Speaker 1: Like seriously, if you can get a slurpy and axe

816
00:39:04,320 --> 00:39:06,040
Speaker 1: bodies pray, you're in the wrong place.

817
00:39:06,440 --> 00:39:08,920
Speaker 3: But yeah, I know you guys, do you guys just

818
00:39:09,040 --> 00:39:12,120
Speaker 3: kind of smell like so fair enough. I guess it's

819
00:39:12,160 --> 00:39:15,560
Speaker 3: better than the odor that happens the axes.

820
00:39:15,200 --> 00:39:17,640
Speaker 1: But I don't know kind of. I always, by the way,

821
00:39:17,680 --> 00:39:19,839
Speaker 1: smelled like roses, and still this day, I'm the best

822
00:39:19,880 --> 00:39:20,720
Speaker 1: smelling person I've.

823
00:39:20,560 --> 00:39:24,040
Speaker 3: Ever met because you were on here in your uh.

824
00:39:24,520 --> 00:39:27,560
Speaker 1: Hey, sometimes smell like weed is a wonderful thing to smell, like,

825
00:39:27,640 --> 00:39:28,320
Speaker 1: let's be honest.

826
00:39:28,920 --> 00:39:35,239
Speaker 6: Uh Anyway, they figure out that the texts that they

827
00:39:35,320 --> 00:39:37,800
Speaker 6: just sent are what caused the switch, because, like Ellie's

828
00:39:37,800 --> 00:39:40,640
Speaker 6: mom said, both phones have become have become totems with

829
00:39:40,719 --> 00:39:41,640
Speaker 6: special powers.

830
00:39:42,120 --> 00:39:44,520
Speaker 1: They try to wish their bodies back via text, but

831
00:39:44,560 --> 00:39:48,880
Speaker 1: of course that does not work. Okay, I'm in that's fine.

832
00:39:49,239 --> 00:39:51,399
Speaker 1: Eventually they agree they have to make this work for now.

833
00:39:51,520 --> 00:39:53,440
Speaker 1: Jack tells Ellie all about his life, and I love

834
00:39:53,440 --> 00:39:55,000
Speaker 1: how they're like all right, we gotta do a crash course,

835
00:39:55,080 --> 00:39:57,720
Speaker 1: this is my life, this is your life, including calling

836
00:39:57,840 --> 00:40:00,279
Speaker 1: dad coach and the stress of hockey. Ellie talk about

837
00:40:00,280 --> 00:40:04,040
Speaker 1: her mom and how she specializes in ribbon in rhythmic gymnastics.

838
00:40:04,360 --> 00:40:06,600
Speaker 1: I how did you think they were kind of playing

839
00:40:06,640 --> 00:40:08,760
Speaker 1: each other? I actually thought it was pretty good.

840
00:40:09,160 --> 00:40:14,000
Speaker 3: I did too, honestly. I that is something that I

841
00:40:14,000 --> 00:40:18,239
Speaker 3: instantly went wow. I did see a total switch for

842
00:40:18,360 --> 00:40:21,359
Speaker 3: each actor when they took on this new character, right,

843
00:40:21,520 --> 00:40:24,439
Speaker 3: the being a girl and a guy's I mean, they,

844
00:40:24,760 --> 00:40:26,880
Speaker 3: to me did a great job with it. I really

845
00:40:27,080 --> 00:40:29,480
Speaker 3: really thought they did. I think that is one of

846
00:40:29,520 --> 00:40:32,160
Speaker 3: the best parts of the movie that really pulls it off,

847
00:40:32,200 --> 00:40:35,440
Speaker 3: as you do believe it is a guy in a

848
00:40:35,480 --> 00:40:38,279
Speaker 3: girl's body and vice versa. Yeah, really it was good.

849
00:40:38,320 --> 00:40:41,319
Speaker 1: I really did. Then immediately, of course, oh god, I same.

850
00:40:41,360 --> 00:40:43,880
Speaker 1: I have to say him again. Aspin and sassy approach

851
00:40:43,960 --> 00:40:46,480
Speaker 1: Ellie and Jack or Jack and Ellie or however you

852
00:40:46,520 --> 00:40:47,960
Speaker 1: see them. Now, Okay, you know what, Let's go with

853
00:40:48,160 --> 00:40:52,120
Speaker 1: swapped Ellie, which is actually Jack and swapped Jack. There,

854
00:40:52,320 --> 00:40:56,040
Speaker 1: Ellie is everybody on board and break The exchange with

855
00:40:56,080 --> 00:40:57,960
Speaker 1: the mean girls is an awkward mess. They are not

856
00:40:58,040 --> 00:41:01,440
Speaker 1: helping each other here, and unfortunately Porter is back. He

857
00:41:01,560 --> 00:41:04,160
Speaker 1: is taking his little videotape of whatever fight or whatever

858
00:41:04,160 --> 00:41:05,960
Speaker 1: the hell he thinks he caught to the coach, but

859
00:41:06,040 --> 00:41:09,239
Speaker 1: that videotape doesn't really show anything anyway, what the coach

860
00:41:09,280 --> 00:41:12,040
Speaker 1: see is he using AI anyway, We're gonna it's okay.

861
00:41:12,160 --> 00:41:14,680
Speaker 4: He's blackmailing him. Swapped.

862
00:41:14,680 --> 00:41:16,920
Speaker 1: Ellie stands up for Jack, something Jack can barely do

863
00:41:16,960 --> 00:41:19,719
Speaker 1: in his own body, and Porter is impressed. He's attracted

864
00:41:19,760 --> 00:41:22,040
Speaker 1: to Ellie and offers her a free donut, which I.

865
00:41:21,960 --> 00:41:22,839
Speaker 4: Thought was the sex thing.

866
00:41:22,920 --> 00:41:26,200
Speaker 1: Apparently it's not, creating one of possibly the funniest things

867
00:41:26,520 --> 00:41:29,200
Speaker 1: Jack could do, hook up with his bully as a prank.

868
00:41:29,400 --> 00:41:31,000
Speaker 1: Did we ever think the movie was going to go there?

869
00:41:31,040 --> 00:41:32,239
Speaker 1: I thought there was a chance they were gonna end

870
00:41:32,280 --> 00:41:35,080
Speaker 1: up on a date, which I could have been funny.

871
00:41:35,280 --> 00:41:36,480
Speaker 3: It could have been so good.

872
00:41:36,560 --> 00:41:38,040
Speaker 1: It could have because if the date went really well,

873
00:41:38,040 --> 00:41:41,040
Speaker 1: he could have given her a free donut. Anyway, Swapped,

874
00:41:41,080 --> 00:41:45,520
Speaker 1: Ellie gives the bully a hey porty and says she

875
00:41:45,600 --> 00:41:47,480
Speaker 1: will go out with him if he doesn't show the

876
00:41:47,600 --> 00:41:50,279
Speaker 1: video to Jack's dad. The perfect plan and the date

877
00:41:50,400 --> 00:41:53,480
Speaker 1: is set. Our two Swap main characters decide to split up.

878
00:41:53,800 --> 00:41:56,520
Speaker 1: Jack has hockey tryouts and Ellie has the big rhythmic

879
00:41:56,560 --> 00:42:00,680
Speaker 1: meat this weekend. Now we're obviously destined for so dcom

880
00:42:00,680 --> 00:42:03,280
Speaker 1: disaster here. They also need to keep each other's phones

881
00:42:03,360 --> 00:42:06,320
Speaker 1: until this is settled, all while Swapped Ellie needs to

882
00:42:06,320 --> 00:42:09,200
Speaker 1: get her mom's totem book to try to reverse whatever

883
00:42:09,239 --> 00:42:11,600
Speaker 1: spell this is. This is where we get maybe the

884
00:42:11,600 --> 00:42:13,640
Speaker 1: funniest part of the movie here, as Swapped Ellie sprints

885
00:42:13,640 --> 00:42:15,839
Speaker 1: to her mom's little red hippie car and dives into

886
00:42:15,840 --> 00:42:18,240
Speaker 1: the open window just like Jack hid in his dad's pickup.

887
00:42:18,960 --> 00:42:21,000
Speaker 1: It was great physical beat and as shout out here

888
00:42:21,000 --> 00:42:23,480
Speaker 1: to Peytonless stunt double for the great take because it

889
00:42:23,560 --> 00:42:27,120
Speaker 1: was funny. One of Jack's testosterone phil brothers is there

890
00:42:27,160 --> 00:42:29,640
Speaker 1: to pick him up, and Swap Jack tries the same dive,

891
00:42:29,680 --> 00:42:34,080
Speaker 1: which isn't as good as the first one, definitely less successful.

892
00:42:34,840 --> 00:42:36,440
Speaker 1: It looked like he was starting to do a flip

893
00:42:36,480 --> 00:42:38,880
Speaker 1: like he had his hands up like the start of

894
00:42:38,920 --> 00:42:43,560
Speaker 1: a gymnastics routine, which was funny. So yeah, we get

895
00:42:43,600 --> 00:42:47,040
Speaker 1: some uncomfortable conversations between Ellie's mom and Swapped Ellie and

896
00:42:47,160 --> 00:42:50,160
Speaker 1: Jack's brother and swap Jack. I apologize if your head

897
00:42:50,200 --> 00:42:52,400
Speaker 1: is spinning around at this point. It does get confusing

898
00:42:52,840 --> 00:42:55,240
Speaker 1: because no one knows who they're really dealing with. Swapped

899
00:42:55,360 --> 00:42:59,759
Speaker 1: Jack again, strange name even agrees to chopping his salad off.

900
00:43:00,360 --> 00:43:02,880
Speaker 1: Could also be a sex thing. All while our two

901
00:43:02,960 --> 00:43:06,320
Speaker 1: main characters continue to text each other incessantly for advice,

902
00:43:07,239 --> 00:43:10,640
Speaker 1: we are now at rhythmic practice. Swapped Ellie walks into

903
00:43:10,680 --> 00:43:12,719
Speaker 1: the girls locker room, covering her eyes. She doesn't want

904
00:43:12,719 --> 00:43:14,920
Speaker 1: to see any of the naked ladies, you know, like

905
00:43:15,080 --> 00:43:17,200
Speaker 1: any teenage boy at the time.

906
00:43:17,440 --> 00:43:20,880
Speaker 3: Come on, I know, but it was so it was

907
00:43:21,000 --> 00:43:21,680
Speaker 3: so cute.

908
00:43:22,000 --> 00:43:25,440
Speaker 1: Give me one teenage boy who can walk in, first

909
00:43:25,480 --> 00:43:27,319
Speaker 1: of all, has a girl's body of his own, but

910
00:43:27,440 --> 00:43:30,640
Speaker 1: can walk into a girl's locker room and covers his eyes,

911
00:43:31,520 --> 00:43:32,400
Speaker 1: never going I.

912
00:43:32,400 --> 00:43:34,719
Speaker 3: Think he would be just like embarrassed if that's how

913
00:43:34,760 --> 00:43:37,359
Speaker 3: he's gonna see a naked girl, possibly for.

914
00:43:37,320 --> 00:43:39,040
Speaker 1: The first I think he would walk into the locker

915
00:43:39,120 --> 00:43:40,760
Speaker 1: room and say, hey, Becky want a BackRub?

916
00:43:41,280 --> 00:43:43,440
Speaker 4: So yes, that's come on, he's.

917
00:43:43,480 --> 00:43:47,000
Speaker 1: Any any any teenage guy.

918
00:43:47,160 --> 00:43:48,440
Speaker 4: Yeah, anyone.

919
00:43:48,960 --> 00:43:54,359
Speaker 1: He's fifteen years old, so come on again, all he's

920
00:43:54,960 --> 00:43:57,520
Speaker 1: to look I mean, that's That's all we're talking about

921
00:43:57,560 --> 00:44:00,000
Speaker 1: is looking at naked girls when you're a fifteen year

922
00:44:00,040 --> 00:44:01,840
Speaker 1: old boy. Yeah, that's what you're gonna want to do,

923
00:44:02,160 --> 00:44:05,680
Speaker 1: all right again, provided you're straight. If you're gay, I

924
00:44:05,680 --> 00:44:07,680
Speaker 1: imagine you want to look at naked boys when you're

925
00:44:07,840 --> 00:44:10,040
Speaker 1: you're that you've got sex on the brain. Your your

926
00:44:10,080 --> 00:44:13,040
Speaker 1: bodies are in a constant state of flux when you're fifteen.

927
00:44:13,080 --> 00:44:13,640
Speaker 1: It's crazy.

928
00:44:13,840 --> 00:44:14,879
Speaker 2: Are girls the same way?

929
00:44:16,280 --> 00:44:16,440
Speaker 3: No?

930
00:44:17,280 --> 00:44:19,359
Speaker 2: Really, you know, I'm constantly.

931
00:44:19,040 --> 00:44:21,359
Speaker 1: Thinking about sex and your body changing and everything when

932
00:44:21,360 --> 00:44:23,480
Speaker 1: you're fifteen as a girl, I.

933
00:44:23,440 --> 00:44:26,920
Speaker 3: Think it's different if maybe you like maybe like with

934
00:44:27,000 --> 00:44:29,120
Speaker 3: a boyfriend, you would be more so like but like

935
00:44:29,280 --> 00:44:31,879
Speaker 3: just anything like if if a schlong just came out

936
00:44:31,880 --> 00:44:35,120
Speaker 3: and for I would die, I would literally not know

937
00:44:35,200 --> 00:44:37,120
Speaker 3: where to put my eye. I would freak out, there's

938
00:44:37,120 --> 00:44:38,920
Speaker 3: no definitely not be like.

939
00:44:39,960 --> 00:44:41,080
Speaker 1: That's what a guy would do a stick.

940
00:44:41,160 --> 00:44:43,480
Speaker 3: I would literally like, I don't know. I think I

941
00:44:43,480 --> 00:44:45,320
Speaker 3: would pretend to faint or something.

942
00:44:45,400 --> 00:44:49,560
Speaker 1: I don't right, I'm generalizing obviously not every guy you are,

943
00:44:50,080 --> 00:44:51,760
Speaker 1: but one of them would.

944
00:44:52,000 --> 00:44:57,480
Speaker 3: Yeah, just so, not one hundred and one, but exactly.

945
00:44:58,239 --> 00:45:01,440
Speaker 1: She also wears her leotar over her jumpsuit, which is

946
00:45:01,520 --> 00:45:04,640
Speaker 1: insane funny swapped Ellie then starts her stretching, and this

947
00:45:04,680 --> 00:45:07,640
Speaker 1: is where peyton list is her best purposely being way

948
00:45:07,640 --> 00:45:10,479
Speaker 1: too aggressive and lacking any lady like coordination has swapped Ellie.

949
00:45:10,480 --> 00:45:14,000
Speaker 1: It was great. Meanwhile, Jack's twin brothers dogpile him, fared

950
00:45:14,040 --> 00:45:16,279
Speaker 1: on him, aren't excited, and are very excited to cut

951
00:45:16,280 --> 00:45:19,000
Speaker 1: his hair. And then we finally get our first look

952
00:45:19,000 --> 00:45:21,160
Speaker 1: at Jack's real hair. Thank god, the wig is gone.

953
00:45:21,280 --> 00:45:25,520
Speaker 1: It looks great. Don't you agree we're back with real hair. Yes, yeah,

954
00:45:25,520 --> 00:45:25,960
Speaker 1: thank god.

955
00:45:26,360 --> 00:45:29,759
Speaker 3: He's got great hair. He does wonderful hair. Oh my gosh,

956
00:45:29,800 --> 00:45:30,919
Speaker 3: you could do anything.

957
00:45:30,560 --> 00:45:31,040
Speaker 2: With that hair.

958
00:45:31,360 --> 00:45:33,719
Speaker 1: What's so funny is then go watch Cobra Kai and

959
00:45:33,760 --> 00:45:36,399
Speaker 1: he's hawk because his hair is spiked and blue or red.

960
00:45:36,520 --> 00:45:38,360
Speaker 4: I mean, he's just oh he's a badass.

961
00:45:38,360 --> 00:45:39,960
Speaker 1: So his hair seems to be a big thing for

962
00:45:40,000 --> 00:45:42,759
Speaker 1: this actor back at school, Aspen over here swapped Delli

963
00:45:42,920 --> 00:45:46,280
Speaker 1: calling swap Jack and now she thinks they're flirting behind

964
00:45:46,320 --> 00:45:47,040
Speaker 1: Sassy's back.

965
00:45:47,120 --> 00:45:49,760
Speaker 4: Ooh, a new dilemma of breaking girl code.

966
00:45:50,320 --> 00:45:52,440
Speaker 1: By the way, girl code and boycode are two very

967
00:45:52,440 --> 00:45:56,760
Speaker 1: different things. Boycode is important and matters. Girl code doesn't,

968
00:45:57,640 --> 00:46:00,200
Speaker 1: and Swapped Ellie is finally getting to talk to her

969
00:46:00,280 --> 00:46:03,760
Speaker 1: mom about the totem theory. Her mom also reveals she's

970
00:46:03,800 --> 00:46:06,359
Speaker 1: deactivated the old phone and got her a new one.

971
00:46:06,560 --> 00:46:09,560
Speaker 1: Uh oh, this is gonna ruin everything. Luckily, the switch

972
00:46:09,600 --> 00:46:12,600
Speaker 1: won't be official until Sunday afternoon, but now the clock

973
00:46:12,760 --> 00:46:15,120
Speaker 1: is ticking. Just two days to figure this out or

974
00:46:15,160 --> 00:46:17,279
Speaker 1: they're gonna be stuck in new bodies forever. I love

975
00:46:17,320 --> 00:46:20,439
Speaker 1: a ticking clock. It makes everything awesome. The surprises keep

976
00:46:20,440 --> 00:46:23,399
Speaker 1: coming as Swapped Ellie finds out her mom is taking her.

977
00:46:23,320 --> 00:46:25,080
Speaker 2: To a physical exam.

978
00:46:26,040 --> 00:46:28,440
Speaker 1: Okay, she covers her eyes with a surgical mask so

979
00:46:28,440 --> 00:46:30,640
Speaker 1: she doesn't even see her self.

980
00:46:30,400 --> 00:46:33,640
Speaker 4: Naked again, like all teenage boys would do.

981
00:46:34,760 --> 00:46:36,800
Speaker 1: I'm not even gonna tell you how I would spend

982
00:46:36,800 --> 00:46:40,080
Speaker 1: my first day as a woman. The doctors notice that

983
00:46:40,200 --> 00:46:43,600
Speaker 1: things are off a little, but understand losing her dad

984
00:46:44,080 --> 00:46:44,959
Speaker 1: must have been hard.

985
00:46:45,160 --> 00:46:47,560
Speaker 2: I'm not saying anything. I'm just saying I.

986
00:46:47,560 --> 00:46:50,120
Speaker 3: Don't even want to continue. I'm so uncomfortable.

987
00:46:51,080 --> 00:46:52,880
Speaker 1: I'm not gonna tell you. I'm not gonna tell you.

988
00:46:53,480 --> 00:46:57,120
Speaker 1: And now swap Jack must attend hockey practice. Swap Jack

989
00:46:57,200 --> 00:46:59,440
Speaker 1: quickly realizes his Dad isn't much of a dad, and

990
00:46:59,440 --> 00:47:01,319
Speaker 1: that his teammate share mouthguards.

991
00:47:01,360 --> 00:47:03,920
Speaker 4: By the way, this does not ever happen in real life.

992
00:47:03,960 --> 00:47:07,960
Speaker 1: It's gross for guys, for girls, for whatever, especially post COVID. Yeah,

993
00:47:08,040 --> 00:47:10,759
Speaker 1: the hockey team has a practice scrimmage and Porter is

994
00:47:10,800 --> 00:47:13,799
Speaker 1: already threatening Jack with Sunday's big tryout looming. Oh no,

995
00:47:13,880 --> 00:47:14,480
Speaker 1: what's gonna happen?

996
00:47:14,560 --> 00:47:17,440
Speaker 4: But right off the bat swap Jack is horrible.

997
00:47:17,600 --> 00:47:20,400
Speaker 1: He can barely even skate, eventually checking himself into the

998
00:47:20,400 --> 00:47:24,000
Speaker 1: boards and blocking a puck with his johnson, giving Ellie

999
00:47:24,040 --> 00:47:26,480
Speaker 1: first hand experience of how bad that hurts a dude.

1000
00:47:26,840 --> 00:47:29,799
Speaker 1: After practice, Coach Dad, he doesn't get it. Who was

1001
00:47:29,800 --> 00:47:32,200
Speaker 1: he seeing out there in the ice swap? Jack swears

1002
00:47:32,239 --> 00:47:34,880
Speaker 1: things will be better by Sunday, But then coach Dad

1003
00:47:34,920 --> 00:47:39,040
Speaker 1: reveals in a just horrible emotional twist that they'll also

1004
00:47:39,080 --> 00:47:41,680
Speaker 1: be dedicating a bleacher seat to his mom that day too,

1005
00:47:41,800 --> 00:47:45,080
Speaker 1: it's the first anniversary of her death. We also finally

1006
00:47:45,080 --> 00:47:47,319
Speaker 1: see a little emotion from his dad. It's nice you

1007
00:47:47,360 --> 00:47:50,080
Speaker 1: get to see the crack in the veneer. It's a nice,

1008
00:47:50,120 --> 00:47:53,480
Speaker 1: well acted moment. There's something below all the inspirational quotes

1009
00:47:53,480 --> 00:47:55,000
Speaker 1: and drills and we hope.

1010
00:47:55,200 --> 00:47:56,640
Speaker 4: I know, I hope, and I'm sure you did that.

1011
00:47:56,680 --> 00:47:57,760
Speaker 4: We're going to see more.

1012
00:47:57,560 --> 00:48:02,400
Speaker 1: Of that later on. Swap Delli call swap Jack with

1013
00:48:02,480 --> 00:48:05,320
Speaker 1: info from the Totem books she found. It's all dependent

1014
00:48:05,400 --> 00:48:08,600
Speaker 1: on a quest there on which swap Jack thinks is

1015
00:48:08,640 --> 00:48:10,400
Speaker 1: to make each other's lives better.

1016
00:48:10,680 --> 00:48:12,239
Speaker 4: They need to improve for each other.

1017
00:48:12,520 --> 00:48:15,160
Speaker 1: So tomorrow Swapped Ellie will try to get the phone

1018
00:48:15,200 --> 00:48:18,320
Speaker 1: contract extended, and swap Jack needs to get Porter to

1019
00:48:18,400 --> 00:48:22,160
Speaker 1: fully erase that fight video. Real Jack also learns about

1020
00:48:22,160 --> 00:48:26,120
Speaker 1: the bench dedication, and Swapped Ellie apologizes about her dad's disappearance.

1021
00:48:26,440 --> 00:48:30,720
Speaker 1: Then mid convo, Coach Dad walks in and confiscates the phone.

1022
00:48:31,200 --> 00:48:36,120
Speaker 1: No distractions until after Sunday, yet another roadblock. The next morning,

1023
00:48:36,160 --> 00:48:39,720
Speaker 1: Swapjack is awoken by a loud alarm, his friddy twin brothers,

1024
00:48:39,760 --> 00:48:43,279
Speaker 1: and Coach Dad, saying, okay, this one's stuck with me.

1025
00:48:43,600 --> 00:48:46,600
Speaker 1: Tim to yanks some worms again. Sounds like a weird

1026
00:48:46,600 --> 00:48:57,360
Speaker 1: sex thing. They're going training. We've got another montage with

1027
00:48:57,400 --> 00:48:59,719
Speaker 1: some upbeat, motivational rap rock, sounding a lot like a

1028
00:48:59,719 --> 00:49:03,759
Speaker 1: total Lincoln Park ripoff. The molloys are running through what

1029
00:49:03,800 --> 00:49:07,919
Speaker 1: looks like a swamp. Marsh and running drills. Swamp keep

1030
00:49:07,960 --> 00:49:11,279
Speaker 1: saying this Swapped Jack can barely keep up, But just

1031
00:49:11,320 --> 00:49:13,640
Speaker 1: when he doesn't think you go any further, his amazingly

1032
00:49:13,680 --> 00:49:16,080
Speaker 1: awesome and credible twin brothers step up to motivate him.

1033
00:49:16,120 --> 00:49:17,880
Speaker 1: They love him so much they want him to succeed.

1034
00:49:18,239 --> 00:49:20,680
Speaker 1: This gets swap Jack hyped and he's ready to find

1035
00:49:20,680 --> 00:49:25,080
Speaker 1: out what this body and testosterone can do. Meanwhile, Swapped

1036
00:49:25,080 --> 00:49:27,200
Speaker 1: Ellie is sleeping in, which is a nice change for Jack.

1037
00:49:27,239 --> 00:49:29,960
Speaker 1: She's eventually woken up by Sassy at her door, concerned

1038
00:49:29,960 --> 00:49:32,360
Speaker 1: about why she's hanging out with Jack. Aspen thinks she

1039
00:49:32,400 --> 00:49:34,800
Speaker 1: has bad intentions, but Sassy hopes she's just trying to

1040
00:49:34,840 --> 00:49:37,520
Speaker 1: be a good wing woman. Then Sassy gets one look

1041
00:49:37,520 --> 00:49:41,040
Speaker 1: at her onesie pajamas which I was wondering about that too,

1042
00:49:41,360 --> 00:49:43,719
Speaker 1: and decides there's no way Jack could ever like her,

1043
00:49:44,000 --> 00:49:47,080
Speaker 1: and earnestly suggests that next time someone is eavesdropping on her,

1044
00:49:47,360 --> 00:49:50,120
Speaker 1: speak more clearly, and also tells her to act less

1045
00:49:50,160 --> 00:49:53,600
Speaker 1: like Ellie again at Claire's party tonight. If we're giving

1046
00:49:53,600 --> 00:49:56,640
Speaker 1: out awards, This is now possibly the worst friend ever

1047
00:49:57,000 --> 00:50:00,960
Speaker 1: in the history of the Decoms We've watched, so absolutely AWF,

1048
00:50:01,120 --> 00:50:03,359
Speaker 1: we're going to talk about your after this podcast. We're

1049
00:50:03,360 --> 00:50:04,839
Speaker 1: going to talk about your friend too, because I don't

1050
00:50:04,880 --> 00:50:06,840
Speaker 1: like people being mean to you. You're my friend, and

1051
00:50:06,880 --> 00:50:11,120
Speaker 1: I don't like swapped Ellie wakes up. She walks into

1052
00:50:11,160 --> 00:50:13,399
Speaker 1: the kitchen and she's awake now. She smells banana bread

1053
00:50:13,480 --> 00:50:16,160
Speaker 1: being cooked by her quote unquote mom in the kitchen,

1054
00:50:16,440 --> 00:50:19,040
Speaker 1: which is also something Jack's mom used to do. It's

1055
00:50:19,040 --> 00:50:21,160
Speaker 1: a sad moment, but it's quickly brought back to reality

1056
00:50:21,160 --> 00:50:23,880
Speaker 1: when Ellie's mom reveals they are having a mom daughter

1057
00:50:24,040 --> 00:50:27,480
Speaker 1: spa day, which seems like this woman plans an awful

1058
00:50:27,520 --> 00:50:28,880
Speaker 1: lot of things that involve nudity.

1059
00:50:30,760 --> 00:50:31,440
Speaker 4: It's true.

1060
00:50:31,600 --> 00:50:34,319
Speaker 1: Swap Jack tells his brother he's missing their workout today

1061
00:50:34,360 --> 00:50:37,319
Speaker 1: because he's meeting someone for donuts again not a sex thing.

1062
00:50:37,600 --> 00:50:40,280
Speaker 1: But on his way out, he accidentally opens their mom's

1063
00:50:40,320 --> 00:50:43,640
Speaker 1: closet and we see pictures, letters, and supportive hockey merch.

1064
00:50:43,960 --> 00:50:46,600
Speaker 1: She seems like she was a really great mom. Even

1065
00:50:46,640 --> 00:50:48,960
Speaker 1: though Swapjack has no idea what any of this means,

1066
00:50:49,040 --> 00:50:52,520
Speaker 1: it's still emotional for everyone, the brothers, everybody. Another just

1067
00:50:52,600 --> 00:50:56,759
Speaker 1: great quiet emotional beat. This movie did this very very well, so.

1068
00:50:56,880 --> 00:50:58,239
Speaker 4: Good at the spa day.

1069
00:50:58,280 --> 00:51:00,759
Speaker 1: While checking in Swapped Ellie notices a cell phone store

1070
00:51:00,760 --> 00:51:03,600
Speaker 1: next door. She logs that for later we see scenes

1071
00:51:03,640 --> 00:51:05,960
Speaker 1: from the day of pampering, laughing at a foot massage,

1072
00:51:05,960 --> 00:51:08,799
Speaker 1: screaming from a waxing, and feeling an incredible rubdown for

1073
00:51:08,800 --> 00:51:09,719
Speaker 1: the first time ever.

1074
00:51:10,520 --> 00:51:11,520
Speaker 4: As soon as you can.

1075
00:51:11,440 --> 00:51:15,239
Speaker 1: Swap Delli down. Sorry, massage, it's a rubdown when you're

1076
00:51:15,280 --> 00:51:19,480
Speaker 1: a dude, a massage for the first time ever. Swapped

1077
00:51:19,520 --> 00:51:22,960
Speaker 1: Ellie sneaks out to the phone store, all while wearing

1078
00:51:23,040 --> 00:51:27,399
Speaker 1: a green algae mask. Meanwhile, Porter is furious to see

1079
00:51:27,440 --> 00:51:29,600
Speaker 1: Jack instead of Ellie at the donut date. He's gonna

1080
00:51:29,640 --> 00:51:32,200
Speaker 1: go show coach the video now for sure. Swap Jack

1081
00:51:32,280 --> 00:51:34,200
Speaker 1: begs him not to. He just wants to talk it

1082
00:51:34,239 --> 00:51:38,200
Speaker 1: over over a donut. Porter eventually stays and admits that

1083
00:51:38,239 --> 00:51:40,480
Speaker 1: he's been shafted for the varsity spot year after year,

1084
00:51:40,600 --> 00:51:43,920
Speaker 1: especially by a Malloy. It sucks. He's over it. Swapjack

1085
00:51:43,960 --> 00:51:46,360
Speaker 1: throws his life into crisis, though, asking if maybe he

1086
00:51:46,400 --> 00:51:49,560
Speaker 1: should find a new passion. While breaking down, Porter makes

1087
00:51:49,560 --> 00:51:52,440
Speaker 1: a little spoon catapult, and this gives Swapjack an idea.

1088
00:51:53,280 --> 00:51:56,560
Speaker 1: Just saying Swapjack over and over sounds weird. Introduce him

1089
00:51:56,560 --> 00:51:58,839
Speaker 1: to the STEM Club. Now, for those of you who

1090
00:51:58,840 --> 00:52:02,759
Speaker 1: don't know STEM, t EM club stands for Science, Technology,

1091
00:52:02,800 --> 00:52:05,279
Speaker 1: Engineering and Math Club. I wish I was smart enough

1092
00:52:05,280 --> 00:52:07,319
Speaker 1: to have joined that I could not have Now in

1093
00:52:07,360 --> 00:52:09,400
Speaker 1: the club, which is luckily meeting at that exact.

1094
00:52:09,080 --> 00:52:10,440
Speaker 2: Moment, Porter checks it out.

1095
00:52:10,600 --> 00:52:13,279
Speaker 1: While swapped, Jack talks to a cute girl named Mac

1096
00:52:13,440 --> 00:52:15,080
Speaker 1: And there are definitely some sparks.

1097
00:52:15,680 --> 00:52:16,440
Speaker 2: But does that.

1098
00:52:16,440 --> 00:52:20,800
Speaker 1: Mean there are sparks between her and Ellie because it's Ellie,

1099
00:52:21,440 --> 00:52:22,040
Speaker 1: not just she.

1100
00:52:24,000 --> 00:52:27,759
Speaker 3: She has a moment in the very beginning when she's

1101
00:52:27,800 --> 00:52:31,839
Speaker 3: wearing a skirt. When Ellie's wearing the skirt, she has

1102
00:52:31,880 --> 00:52:34,600
Speaker 3: a moment already that says like I wish I wouldn't

1103
00:52:34,600 --> 00:52:38,000
Speaker 3: have caved. So you can tell that this girl has

1104
00:52:38,040 --> 00:52:42,360
Speaker 3: been seeing Ellie as like a potential friend, right, like

1105
00:52:42,440 --> 00:52:46,000
Speaker 3: she's already seen they likes Ellie to be like as

1106
00:52:46,040 --> 00:52:46,560
Speaker 3: a friend.

1107
00:52:46,680 --> 00:52:49,480
Speaker 4: But they did make it seem like there's a spark between.

1108
00:52:49,120 --> 00:52:51,160
Speaker 3: The tour of a love connection.

1109
00:52:51,440 --> 00:52:54,120
Speaker 1: Yes, and that would be Ellie not Jack. So yeah,

1110
00:52:54,120 --> 00:52:55,920
Speaker 1: this is where it gets a little huh huh. But

1111
00:52:56,040 --> 00:52:58,640
Speaker 1: we've run in this same situation before in a decom

1112
00:52:58,960 --> 00:53:02,400
Speaker 1: and also has found his new calling, which is the

1113
00:53:02,440 --> 00:53:02,959
Speaker 1: Stem Club.

1114
00:53:03,040 --> 00:53:03,879
Speaker 4: He's mesmerized.

1115
00:53:04,480 --> 00:53:06,000
Speaker 1: We are now at the phone store, while of course

1116
00:53:06,040 --> 00:53:08,239
Speaker 1: still in that algae mask swapped. Ellie as trying to

1117
00:53:08,239 --> 00:53:11,160
Speaker 1: get her contract extended, but she can't. It turns out

1118
00:53:11,200 --> 00:53:14,280
Speaker 1: it was her dad that canceled it and not her mom.

1119
00:53:14,680 --> 00:53:16,440
Speaker 1: Without the ability to fix this part of her life,

1120
00:53:16,480 --> 00:53:19,560
Speaker 1: and after admitting Ellie's life is harder, Jack needs something

1121
00:53:19,600 --> 00:53:21,480
Speaker 1: new to work on, so she's going to focus on

1122
00:53:21,520 --> 00:53:24,440
Speaker 1: Claire's party tonight. Ellie must fix things with Sassy to

1123
00:53:24,480 --> 00:53:27,279
Speaker 1: get back her BFF, even though we all know she

1124
00:53:27,480 --> 00:53:31,400
Speaker 1: is an absolute friend. And right then, Aspen enters the

1125
00:53:31,440 --> 00:53:34,280
Speaker 1: spa slash beauty parlor for tonight's big party. Ellie sneaks

1126
00:53:34,280 --> 00:53:39,000
Speaker 1: around to eavesdrop while she's getting her hair colored. Okay, again,

1127
00:53:39,200 --> 00:53:41,759
Speaker 1: this girl is trash talking Ellie. It's like she can

1128
00:53:41,800 --> 00:53:44,680
Speaker 1: talk about nothing else but how much she hates this girl.

1129
00:53:44,840 --> 00:53:48,000
Speaker 1: The hairdresser places an eyemask on Aspen. Do they often

1130
00:53:48,080 --> 00:53:49,920
Speaker 1: im ask you when you're getting your hair done?

1131
00:53:50,280 --> 00:53:52,440
Speaker 3: No? At that part was strange.

1132
00:53:52,760 --> 00:53:55,920
Speaker 1: Okay, there's a lot of strange eye masks in this movie.

1133
00:53:56,600 --> 00:53:58,560
Speaker 1: And she says she'll be back swapped Ellie sees this

1134
00:53:58,560 --> 00:54:01,160
Speaker 1: as an opportunity to pretend she's the hairdresser and applies

1135
00:54:01,200 --> 00:54:03,920
Speaker 1: tons of different colors to Aspen's hair and this is

1136
00:54:03,960 --> 00:54:06,160
Speaker 1: a big win and Swapped Ellie is now pumped to

1137
00:54:06,160 --> 00:54:07,640
Speaker 1: get a makeover and a new out for the for

1138
00:54:07,760 --> 00:54:12,040
Speaker 1: the party tonight, and she's got to look amazing. Swap

1139
00:54:12,160 --> 00:54:14,680
Speaker 1: Jack is nervous and suggests a chance to relax and

1140
00:54:14,719 --> 00:54:17,640
Speaker 1: not just train all the time. His brother suggests Owen's

1141
00:54:17,640 --> 00:54:20,480
Speaker 1: game night, and swap Jack is jazzed about that, but

1142
00:54:20,520 --> 00:54:24,000
Speaker 1: then Porter arrives on a little scooter. Swap Jack assumes

1143
00:54:24,040 --> 00:54:25,600
Speaker 1: he's there to crush him, but instead he gets a

1144
00:54:25,600 --> 00:54:29,120
Speaker 1: big bear hug. Porter has found his calling. He's an engineer.

1145
00:54:29,320 --> 00:54:31,680
Speaker 1: He says he owes Jack a favor for encouraging him

1146
00:54:31,719 --> 00:54:33,400
Speaker 1: and erases the video from his phone.

1147
00:54:33,640 --> 00:54:34,799
Speaker 4: Things are looking up.

1148
00:54:35,080 --> 00:54:37,959
Speaker 1: We get a quick dcom montage of course, bouncing between

1149
00:54:38,000 --> 00:54:40,160
Speaker 1: swapped Delli getting ready for the party and swap Jack

1150
00:54:40,200 --> 00:54:42,719
Speaker 1: taking his mom stuff out of the closet. Swap Jack

1151
00:54:42,800 --> 00:54:45,800
Speaker 1: also finds his cell phone. He texts Porter he already

1152
00:54:45,800 --> 00:54:49,080
Speaker 1: needs that favor that Porter promised him. Then we see

1153
00:54:49,080 --> 00:54:51,800
Speaker 1: swap Delli get dropped off. At Claire's party, it's already

1154
00:54:51,800 --> 00:54:55,320
Speaker 1: in full swing, but it's really not French themed at all,

1155
00:54:55,400 --> 00:55:00,480
Speaker 1: except there's like a French song playing, and there's make

1156
00:55:00,520 --> 00:55:02,800
Speaker 1: Sure of the Eiffel Tower, and I think somebody is

1157
00:55:02,840 --> 00:55:05,800
Speaker 1: eating a crep. But it's like, how was this French themed?

1158
00:55:06,840 --> 00:55:10,000
Speaker 1: And Aspen's wearing a beret? We are low on the

1159
00:55:10,040 --> 00:55:11,960
Speaker 1: extra count in this movie. You can tell there's nine

1160
00:55:12,000 --> 00:55:14,839
Speaker 1: people at this party and they're all girls. Did you

1161
00:55:14,880 --> 00:55:16,959
Speaker 1: go did you have all girl parties.

1162
00:55:16,640 --> 00:55:17,240
Speaker 2: In high school?

1163
00:55:17,560 --> 00:55:19,000
Speaker 3: Yeah, a birthday party.

1164
00:55:19,640 --> 00:55:21,720
Speaker 1: They'd be all girls at a birthday party. You wouldn't

1165
00:55:21,719 --> 00:55:22,839
Speaker 1: invite guys to the birthday part.

1166
00:55:23,280 --> 00:55:25,279
Speaker 3: I mean what. I feel like this was sort of

1167
00:55:25,360 --> 00:55:30,160
Speaker 3: trying to mimic like a.

1168
00:55:29,040 --> 00:55:30,600
Speaker 1: Eighth grade birthday party, like.

1169
00:55:30,560 --> 00:55:34,439
Speaker 3: A like a girl's tea type, you know. So, yeah,

1170
00:55:34,480 --> 00:55:36,440
Speaker 3: you wouldn't invite guys to that. They're not going to

1171
00:55:36,560 --> 00:55:37,200
Speaker 3: like appreciate.

1172
00:55:37,400 --> 00:55:38,080
Speaker 2: I get you with you.

1173
00:55:38,200 --> 00:55:41,040
Speaker 3: I feel like it was kind of like that if

1174
00:55:41,080 --> 00:55:43,600
Speaker 3: you did a girly or themed party, you would do

1175
00:55:43,760 --> 00:55:46,000
Speaker 3: just girls. If you did more of just a generic

1176
00:55:46,080 --> 00:55:47,680
Speaker 3: one than it'd be girls and guys.

1177
00:55:48,040 --> 00:55:49,759
Speaker 1: Man, it must have been must been really cool to

1178
00:55:49,760 --> 00:55:53,200
Speaker 1: be invited to parties. Back at Jack's, Porter arrives with

1179
00:55:53,320 --> 00:55:56,399
Speaker 1: a zip line launcher, ready to free swamp Jack from

1180
00:55:56,400 --> 00:55:59,800
Speaker 1: the second floor. We also learned Porter doesn't have any friends.

1181
00:56:00,680 --> 00:56:02,719
Speaker 1: Don't you're dealing with Porter, I know what you're dealing with.

1182
00:56:02,880 --> 00:56:06,000
Speaker 1: So swamp Jack invites him to game night. A funny

1183
00:56:06,000 --> 00:56:09,200
Speaker 1: subtle joke here is that swap Jack, who remember is Ellie,

1184
00:56:10,239 --> 00:56:12,520
Speaker 1: thinks introducing a new person to a friend group is

1185
00:56:12,600 --> 00:56:15,040
Speaker 1: very complex since she's used to the way the girls

1186
00:56:15,080 --> 00:56:17,200
Speaker 1: work and the girl's dynamic. But when a guy comes

1187
00:56:17,239 --> 00:56:19,719
Speaker 1: to see Porter, they're immediately embrace him. They don't care.

1188
00:56:19,840 --> 00:56:22,200
Speaker 1: It's seriously how it works, like it's my buddy Jack, Hey,

1189
00:56:22,200 --> 00:56:24,600
Speaker 1: how you doing? And eat a piece of pizza. You're

1190
00:56:24,640 --> 00:56:25,840
Speaker 1: in that's all just girls.

1191
00:56:25,840 --> 00:56:29,520
Speaker 3: It's like a drill down, a lookdown, a whole thing

1192
00:56:29,680 --> 00:56:34,120
Speaker 3: of It's still like that. As an adult friend, I

1193
00:56:34,239 --> 00:56:37,120
Speaker 3: have so many friends that they have to keep their

1194
00:56:37,200 --> 00:56:42,000
Speaker 3: friend groups different and separated. It gives them anxiety to like,

1195
00:56:42,160 --> 00:56:44,600
Speaker 3: mesh there. I'm not like that. I'm more the merrier

1196
00:56:44,760 --> 00:56:48,080
Speaker 3: per kind of person, but I have friends still like that.

1197
00:56:48,160 --> 00:56:51,040
Speaker 3: Girls are still like that. It's so weird to me,

1198
00:56:51,239 --> 00:56:53,480
Speaker 3: but it is definitely a girl thing.

1199
00:56:53,800 --> 00:56:55,839
Speaker 1: Guys are like, hey, do you eat food? Yeah? Me too?

1200
00:56:55,960 --> 00:56:58,320
Speaker 4: All right, who friends that simple?

1201
00:56:58,560 --> 00:56:59,400
Speaker 1: That's how easy it is.

1202
00:56:59,680 --> 00:57:00,239
Speaker 3: Yeah.

1203
00:57:00,360 --> 00:57:02,760
Speaker 1: We're now back at Claire's and Swapped Ellie is eating

1204
00:57:02,760 --> 00:57:04,880
Speaker 1: what I think is supposed to be a crep again.

1205
00:57:05,000 --> 00:57:07,800
Speaker 1: When the mean girls approach, Aspen points out the makeover

1206
00:57:07,880 --> 00:57:11,800
Speaker 1: and says it's to woo over Jack, which anger Sassy,

1207
00:57:11,800 --> 00:57:14,759
Speaker 1: who's still a worse friend ever. Swapped Ellie just wants

1208
00:57:14,760 --> 00:57:16,440
Speaker 1: to be cool, but Sassy isn't buying it, so she

1209
00:57:16,480 --> 00:57:19,520
Speaker 1: storms off, leaving Swapped Ellie still with what I think

1210
00:57:19,600 --> 00:57:22,360
Speaker 1: is the crep that she's slamming into her mouth until

1211
00:57:22,400 --> 00:57:25,800
Speaker 1: Mack appears. She asks Swapped Ellie to dance, and oh

1212
00:57:25,800 --> 00:57:28,680
Speaker 1: my god, we love them together. On the dance floor,

1213
00:57:28,680 --> 00:57:31,360
Speaker 1: Swapped Ellie leads the girls in a synchronized punching and

1214
00:57:31,440 --> 00:57:34,439
Speaker 1: lifting motion, which is supposed to be a Jack bonehead move,

1215
00:57:34,640 --> 00:57:38,080
Speaker 1: but everyone loves it. Mack also admits to liking Jack,

1216
00:57:38,120 --> 00:57:39,760
Speaker 1: which again is Ellie.

1217
00:57:40,040 --> 00:57:40,400
Speaker 4: Okay.

1218
00:57:40,600 --> 00:57:42,720
Speaker 1: Real Jack may have promised to get Sassy back as

1219
00:57:42,720 --> 00:57:45,400
Speaker 1: a BFF, but Swap Jack is realizing that the real

1220
00:57:45,440 --> 00:57:51,200
Speaker 1: help would be ditching Sassy right on. Swapjacks exactly back

1221
00:57:51,200 --> 00:57:53,800
Speaker 1: at the boys game night Swapjack is scarfing carbs and

1222
00:57:53,880 --> 00:57:56,360
Speaker 1: ignoring his workout regime. He's trying to figure out what

1223
00:57:56,400 --> 00:57:58,520
Speaker 1: his life is all about when it's not hockey and training,

1224
00:57:58,520 --> 00:58:01,800
Speaker 1: and figures out that Jack likes girls but has absolutely

1225
00:58:01,840 --> 00:58:04,800
Speaker 1: no game. His friends suggest to casually hang out with

1226
00:58:04,840 --> 00:58:06,960
Speaker 1: a girl before he steps it up to a crush.

1227
00:58:07,200 --> 00:58:11,400
Speaker 1: Just get comfortable first, very very good advice. Nothing helps

1228
00:58:11,400 --> 00:58:16,400
Speaker 1: you understand more understand how a girl will think if

1229
00:58:16,400 --> 00:58:18,040
Speaker 1: you want to ask her out than having friends that

1230
00:58:18,080 --> 00:58:21,040
Speaker 1: are just platonic girlfriends that can help you get into

1231
00:58:21,040 --> 00:58:21,600
Speaker 1: that mindset.

1232
00:58:21,760 --> 00:58:25,240
Speaker 3: Always see, but guys don't really help in that situation

1233
00:58:25,400 --> 00:58:26,000
Speaker 3: for a girl.

1234
00:58:26,320 --> 00:58:27,040
Speaker 1: No, it's not.

1235
00:58:27,080 --> 00:58:30,480
Speaker 3: The opposite, No, because guys don't give any kind of advice.

1236
00:58:30,600 --> 00:58:33,560
Speaker 3: They'll just say just just talk to him or whatever.

1237
00:58:33,680 --> 00:58:37,720
Speaker 3: There's no there's no different mind works where a girl

1238
00:58:37,760 --> 00:58:40,880
Speaker 3: will sit there and break it down for a guy. Right,

1239
00:58:40,960 --> 00:58:43,640
Speaker 3: they break it down. Here's what you do. These are good,

1240
00:58:43,840 --> 00:58:46,000
Speaker 3: these are good ideas. Guys do not do that. I

1241
00:58:46,040 --> 00:58:49,000
Speaker 3: had so many guy friends that never once helped me

1242
00:58:49,320 --> 00:58:52,160
Speaker 3: like get the guy that I actually wanted as my crush.

1243
00:58:52,240 --> 00:58:54,200
Speaker 1: Like, but you know the guys that you would look

1244
00:58:54,240 --> 00:58:57,040
Speaker 1: for advice from that. Are your friends also want to

1245
00:58:57,040 --> 00:58:57,919
Speaker 1: hook up with you too?

1246
00:58:58,080 --> 00:58:58,240
Speaker 3: Right?

1247
00:58:59,600 --> 00:58:59,840
Speaker 5: No?

1248
00:59:00,320 --> 00:59:01,360
Speaker 3: We're just friends?

1249
00:59:01,480 --> 00:59:08,000
Speaker 1: No? No, no, okay, nope, nope. Those guys that were

1250
00:59:08,120 --> 00:59:11,800
Speaker 1: just your friends were absolutely your friends, but they also

1251
00:59:11,840 --> 00:59:14,840
Speaker 1: wanted to hook up with you too. That's the difference.

1252
00:59:14,960 --> 00:59:16,760
Speaker 3: Yes, okayest thing you've ever said.

1253
00:59:16,800 --> 00:59:17,640
Speaker 1: That's it's so weird.

1254
00:59:17,880 --> 00:59:20,520
Speaker 4: Okay, wait till the comments come rolling in.

1255
00:59:21,160 --> 00:59:23,400
Speaker 1: Guys and girls people that are like guys and girls

1256
00:59:23,400 --> 00:59:26,640
Speaker 1: can't be friends. That's guys and girls can totally be friends.

1257
00:59:26,880 --> 00:59:29,680
Speaker 1: Guys and girls are sometimes the best friends in the world. Yeah,

1258
00:59:29,760 --> 00:59:30,880
Speaker 1: you still want to hook.

1259
00:59:30,760 --> 00:59:33,200
Speaker 3: Up with the girl? Oh okay, yeah.

1260
00:59:33,240 --> 00:59:35,080
Speaker 1: So I don't know if that changes how you look

1261
00:59:35,080 --> 00:59:37,680
Speaker 1: at your guy friends. Yeah, not when you're married, not

1262
00:59:37,680 --> 00:59:38,600
Speaker 1: as an adult when you're married.

1263
00:59:38,640 --> 00:59:40,720
Speaker 3: I'm talking back at that my friendship.

1264
00:59:40,800 --> 00:59:44,400
Speaker 1: When you're talking about back in that age, when you're fourteen, fifteen, sixteen,

1265
00:59:44,400 --> 00:59:45,960
Speaker 1: the guys like you go, hey, Billy, how do I

1266
00:59:46,000 --> 00:59:47,880
Speaker 1: hook up with Mark? Billy's like, here's how you do it.

1267
00:59:47,960 --> 00:59:51,280
Speaker 1: Billy wanted you to. That's just the way, though, Bill,

1268
00:59:51,800 --> 00:59:55,640
Speaker 1: I know it's true. Anyway, At Claire, I'm glad I.

1269
00:59:55,600 --> 00:59:58,120
Speaker 3: Could educate you yell.

1270
00:59:57,680 --> 01:00:01,160
Speaker 1: At Claire's Aspen and Sassy continue you their mean girl ways,

1271
01:00:01,200 --> 01:00:03,000
Speaker 1: their bored and start to mess with people's heads at

1272
01:00:03,040 --> 01:00:05,280
Speaker 1: the photo booth, which gets the attention of Claire and

1273
01:00:05,320 --> 01:00:08,040
Speaker 1: Swapped Ellie. Swapped Delli tells him to cut it out,

1274
01:00:08,040 --> 01:00:11,880
Speaker 1: but Aspen and Sassey are total and fight back. Swapped

1275
01:00:11,920 --> 01:00:15,040
Speaker 1: Ellie says she knows Jack molloy wouldn't like this behavior

1276
01:00:15,080 --> 01:00:16,520
Speaker 1: because they're very tight.

1277
01:00:16,720 --> 01:00:17,560
Speaker 2: Oh.

1278
01:00:17,840 --> 01:00:20,919
Speaker 1: Aspen takes this as a declaration that she and Jack

1279
01:00:21,000 --> 01:00:24,800
Speaker 1: are dating and wants to take an excursion jump to conclusions.

1280
01:00:24,880 --> 01:00:26,280
Speaker 2: Much there Aspen.

1281
01:00:26,800 --> 01:00:29,000
Speaker 1: Back at the guys party, the boys are rating girls

1282
01:00:29,040 --> 01:00:31,600
Speaker 1: one out of ten. This happens, which annoys Ellie in

1283
01:00:31,760 --> 01:00:35,440
Speaker 1: Jack's body. Eventually they get to ranking Ellie oh in.

1284
01:00:35,480 --> 01:00:38,080
Speaker 1: One of Jack's friends thinks she's so hot, which causes

1285
01:00:38,120 --> 01:00:40,480
Speaker 1: Swap Jack to do a spit take, and just then

1286
01:00:40,560 --> 01:00:42,200
Speaker 1: everyone gets a text from Aspen.

1287
01:00:42,520 --> 01:00:43,840
Speaker 2: She wants the school to meet at.

1288
01:00:43,720 --> 01:00:46,840
Speaker 1: The river to figure out who is Jack's bay once

1289
01:00:46,880 --> 01:00:50,080
Speaker 1: and for all. Uh oh. At the River, Swap Jack

1290
01:00:50,120 --> 01:00:52,560
Speaker 1: and Swapped Ellie arrive with their respective little party gangs.

1291
01:00:52,680 --> 01:00:55,800
Speaker 1: Swapped Ellie immediately tells Swap Jack to kiss her he's

1292
01:00:55,840 --> 01:00:58,680
Speaker 1: taken aback, but instead decides to walk to a nearby

1293
01:00:58,680 --> 01:01:01,240
Speaker 1: bridge they can be alone away from the group. She

1294
01:01:01,280 --> 01:01:03,280
Speaker 1: admits she made it seem like they were dating, which

1295
01:01:03,280 --> 01:01:06,040
Speaker 1: in my opinion, she'd really do. But anyway, but now

1296
01:01:06,120 --> 01:01:08,760
Speaker 1: they have to do something about it. It's real bro

1297
01:01:08,920 --> 01:01:12,520
Speaker 1: code versus girl code moment, trader versus liar, damned if

1298
01:01:12,520 --> 01:01:15,440
Speaker 1: you do, damned if you don't kind of thing. Swamped

1299
01:01:15,480 --> 01:01:18,000
Speaker 1: Ellie storms off and Aspen once again tries to kick

1300
01:01:18,000 --> 01:01:20,840
Speaker 1: her while she's down with insults, but swap Ellie has

1301
01:01:20,920 --> 01:01:21,840
Speaker 1: hit her breaking points.

1302
01:01:21,880 --> 01:01:23,640
Speaker 4: She squares up, ready to fight.

1303
01:01:24,160 --> 01:01:29,800
Speaker 2: Yes, finally fight up. Punch that chick in the face.

1304
01:01:29,960 --> 01:01:33,760
Speaker 3: Oh my gosh, she deserves it. Let's go, let's go.

1305
01:01:35,040 --> 01:01:37,520
Speaker 3: I was waiting for this moment the whole movie.

1306
01:01:37,680 --> 01:01:41,160
Speaker 1: God, just slap her. I want a T shirt with

1307
01:01:41,200 --> 01:01:43,560
Speaker 1: your face, with just your picture that just says punch

1308
01:01:43,640 --> 01:01:46,080
Speaker 1: that chick in the face and a giant bubble next

1309
01:01:46,120 --> 01:01:48,880
Speaker 1: to it. That's my new favorite thing you've ever said,

1310
01:01:49,040 --> 01:01:53,640
Speaker 1: punch that chick in the face. So Sassy jumps in.

1311
01:01:53,720 --> 01:01:55,880
Speaker 1: She says, stop being such a guy about this. If

1312
01:01:55,880 --> 01:01:58,000
Speaker 1: you want to be besties, then sure, we're besties. But

1313
01:01:58,080 --> 01:02:01,320
Speaker 1: swapped Ellie is disgusted and lets her have it, calling

1314
01:02:01,320 --> 01:02:04,960
Speaker 1: her fickle and a terrible friend, and removes aspens beret

1315
01:02:05,040 --> 01:02:08,880
Speaker 1: to reveal the rainbow hair. Everything is ruined and swap

1316
01:02:08,960 --> 01:02:13,280
Speaker 1: Jack is furious he lost his BFF for good. Jack's

1317
01:02:13,320 --> 01:02:16,240
Speaker 1: dad arrives, furious that he snuck out. He wants Jack

1318
01:02:16,280 --> 01:02:18,440
Speaker 1: to get in the car, but swap Jack is hesitant

1319
01:02:18,480 --> 01:02:20,440
Speaker 1: and swapped Ellie is telling him not to do it.

1320
01:02:20,720 --> 01:02:23,160
Speaker 1: Swap Jack starts to cry and gives in. He walks

1321
01:02:23,160 --> 01:02:25,320
Speaker 1: to the car, prompting the coach to tell him boys

1322
01:02:25,320 --> 01:02:29,400
Speaker 1: don't cry. Ugh, ridiculous. I am not a big crier.

1323
01:02:29,560 --> 01:02:31,760
Speaker 1: I've never been a big crier. That's just the way

1324
01:02:31,800 --> 01:02:34,960
Speaker 1: I am my entire life. I just don't cry. But

1325
01:02:35,120 --> 01:02:37,440
Speaker 1: the idea that boys can't cry is ridiculous.

1326
01:02:37,520 --> 01:02:40,040
Speaker 3: If we're gonna cry, not to cry. Now, did your

1327
01:02:40,080 --> 01:02:42,200
Speaker 3: brothers say guys don't cry?

1328
01:02:42,520 --> 01:02:43,560
Speaker 2: Nope, we were never.

1329
01:02:43,640 --> 01:02:46,280
Speaker 1: My dad was in the military and a lawyer, but

1330
01:02:46,320 --> 01:02:49,960
Speaker 1: we were never raised to boys don't cry. What you

1331
01:02:50,040 --> 01:02:53,920
Speaker 1: know wasn't not at all we were. We also weren't

1332
01:02:54,000 --> 01:02:57,120
Speaker 1: raised to be the most ridiculous like the world runs

1333
01:02:57,120 --> 01:02:58,840
Speaker 1: on our emotions, not in any way I think we

1334
01:02:58,840 --> 01:03:00,720
Speaker 1: were raised with a very good balance, but no, we could.

1335
01:03:01,080 --> 01:03:02,560
Speaker 4: Yeah, if you had to cry, you cry.

1336
01:03:02,640 --> 01:03:03,360
Speaker 1: That's okay.

1337
01:03:03,560 --> 01:03:05,960
Speaker 4: Yeah, that's that's how it was. I just never did.

1338
01:03:06,160 --> 01:03:09,800
Speaker 1: It's probably because I'm dead inside. Anyway, Back at the Loyhouse,

1339
01:03:09,800 --> 01:03:12,320
Speaker 1: coach Dad has focused on punishment and Jack redeeming himself

1340
01:03:12,320 --> 01:03:15,320
Speaker 1: at the tryout, but swap Jack just gets in bed depressed,

1341
01:03:15,520 --> 01:03:17,800
Speaker 1: and this is when Dad notices his wife's things in

1342
01:03:17,840 --> 01:03:20,040
Speaker 1: the room and quickly leaves another one of those small

1343
01:03:20,080 --> 01:03:24,720
Speaker 1: tender moments. His twin brothers, ah, I love them so much,

1344
01:03:25,520 --> 01:03:28,000
Speaker 1: enter to try and help, and just leave the aforementioned

1345
01:03:28,000 --> 01:03:30,480
Speaker 1: list of goals applot device we definitely forgot about on

1346
01:03:30,520 --> 01:03:33,760
Speaker 1: his bed, but it works so well. It shows swap

1347
01:03:33,840 --> 01:03:36,880
Speaker 1: Jack the list was made when Jack's mom was alive

1348
01:03:37,000 --> 01:03:40,360
Speaker 1: and his mom like notarized the list. It was very sweet,

1349
01:03:40,400 --> 01:03:44,160
Speaker 1: It was very emotional. Swapped Ellie then returns home, furious

1350
01:03:44,200 --> 01:03:46,800
Speaker 1: from the party and watching himself walk away from Sassey

1351
01:03:47,040 --> 01:03:49,400
Speaker 1: then leave in his dad's car. We get a very

1352
01:03:49,520 --> 01:03:53,320
Speaker 1: warped tour Arab ballad as Swapped Ellie swipes through a

1353
01:03:53,360 --> 01:03:56,240
Speaker 1: digital picture frame, seeing childhood pictures of Ellie and Sassey

1354
01:03:56,320 --> 01:04:00,240
Speaker 1: together posing with her jerk absentee dad and now we

1355
01:04:00,280 --> 01:04:04,760
Speaker 1: know and she knows, he knows that she just can't

1356
01:04:04,800 --> 01:04:07,800
Speaker 1: lose another person in her life. That's what this is about.

1357
01:04:07,840 --> 01:04:10,520
Speaker 1: But also both these people are doing very bad things.

1358
01:04:10,560 --> 01:04:12,040
Speaker 1: So sometimes you just have to kick the people out

1359
01:04:12,040 --> 01:04:14,080
Speaker 1: of your life that are toxic. But tough thing to

1360
01:04:14,080 --> 01:04:16,160
Speaker 1: do when you're talking about your best friend and your dad.

1361
01:04:16,440 --> 01:04:20,000
Speaker 3: And at that age, of course, that age is not

1362
01:04:20,160 --> 01:04:24,400
Speaker 3: an age where you can understand, No, the tragedies that

1363
01:04:24,440 --> 01:04:27,240
Speaker 3: this person is, like, the trauma that this person's bringing

1364
01:04:27,280 --> 01:04:30,000
Speaker 3: into your life is not worth it. They don't understand

1365
01:04:30,000 --> 01:04:31,040
Speaker 3: that at that time, like.

1366
01:04:31,000 --> 01:04:34,080
Speaker 1: They just don't. And also throw in the other layer

1367
01:04:34,160 --> 01:04:38,880
Speaker 1: of magically being switched into another body and forget it right,

1368
01:04:39,280 --> 01:04:42,280
Speaker 1: Swap Jack and Swap Ellie texts each other to apologize

1369
01:04:42,280 --> 01:04:44,160
Speaker 1: for their actions at the party and with an idea

1370
01:04:44,200 --> 01:04:47,320
Speaker 1: to make sure tomorrow goes smoothly. They reveal the swap

1371
01:04:47,360 --> 01:04:49,440
Speaker 1: to Jack's pal Owen, which happened very quickly, and he

1372
01:04:49,480 --> 01:04:50,720
Speaker 1: bought it. He was like, all right, you're in different

1373
01:04:50,720 --> 01:04:53,640
Speaker 1: bodies and get in to open the sports complex. He

1374
01:04:53,760 --> 01:04:57,720
Speaker 1: accepts the situation again instantly, but hey, that's what a

1375
01:04:57,720 --> 01:05:00,960
Speaker 1: friend's supposed to do. Absolutely, you call a friend, don't.

1376
01:05:01,040 --> 01:05:04,400
Speaker 3: Know the timeframe of it, like he's just coming to help, however,

1377
01:05:04,480 --> 01:05:06,360
Speaker 3: and so we don't really. I mean, it's pretty that

1378
01:05:06,480 --> 01:05:08,560
Speaker 3: they move through it fast, but thank god because now

1379
01:05:08,600 --> 01:05:10,960
Speaker 3: we already know we have ninety one minutes and we

1380
01:05:11,000 --> 01:05:12,400
Speaker 3: don't need another minute anyways.

1381
01:05:12,480 --> 01:05:14,360
Speaker 1: Yeah, but that's what a friend does. A friend buys

1382
01:05:14,360 --> 01:05:17,320
Speaker 1: you at your word exactly. Yeah, you call a friend

1383
01:05:17,360 --> 01:05:18,600
Speaker 1: and say, hey, dude, I use you to show up

1384
01:05:18,600 --> 01:05:20,480
Speaker 1: at my house with them the shovel and a bag

1385
01:05:20,520 --> 01:05:21,400
Speaker 1: of lie.

1386
01:05:21,720 --> 01:05:23,040
Speaker 4: They say, front door or back.

1387
01:05:23,160 --> 01:05:25,160
Speaker 1: That's whose truck will be taken. That's all you need

1388
01:05:25,200 --> 01:05:26,960
Speaker 1: to know. So that's good friend.

1389
01:05:27,000 --> 01:05:29,960
Speaker 3: And we love him from zombies anyway, So anything he does,

1390
01:05:29,960 --> 01:05:31,080
Speaker 3: it's great, we love it.

1391
01:05:31,720 --> 01:05:33,560
Speaker 1: They use this time, a very limited amount of time,

1392
01:05:33,600 --> 01:05:36,040
Speaker 1: to teach each other hockey and gymnastics, since your body

1393
01:05:36,080 --> 01:05:38,040
Speaker 1: should be able to remember it all from muscle memory.

1394
01:05:38,040 --> 01:05:40,600
Speaker 1: Good idea. This would all be again, though, within a

1395
01:05:40,680 --> 01:05:42,560
Speaker 1: very few hours, which is not a good plan. But

1396
01:05:42,600 --> 01:05:45,840
Speaker 1: we get another montage watching them master their respective sports.

1397
01:05:46,240 --> 01:05:48,320
Speaker 1: And this is when I was like, Okay, we now

1398
01:05:48,360 --> 01:05:50,560
Speaker 1: officially have too many montages. You're starting to lose me

1399
01:05:50,560 --> 01:05:52,760
Speaker 1: a little bit, but I get it.

1400
01:05:52,880 --> 01:05:53,080
Speaker 4: Now.

1401
01:05:53,160 --> 01:05:55,360
Speaker 1: They have the swap versions figuring out all of what

1402
01:05:55,400 --> 01:05:57,240
Speaker 1: they have to do, just in time for Sunday. The

1403
01:05:57,320 --> 01:05:59,800
Speaker 1: rhythmic event is upon us, and the real Ellie was

1404
01:05:59,800 --> 01:06:02,520
Speaker 1: hope her dad would show, but he hasn't. Swapped Ellie,

1405
01:06:02,560 --> 01:06:05,120
Speaker 1: who is now accompanied by Owen, notices this and feels

1406
01:06:05,120 --> 01:06:07,640
Speaker 1: bad for her. We also see the bench dedication and

1407
01:06:07,680 --> 01:06:11,240
Speaker 1: it's very sweet. The bench says Heaven's number one hockey mom.

1408
01:06:11,920 --> 01:06:15,080
Speaker 1: Yet another montage again, I keep pointing them out because

1409
01:06:15,080 --> 01:06:17,200
Speaker 1: there's now at this point too many, And we see

1410
01:06:17,240 --> 01:06:20,000
Speaker 1: swapped Ellie killing it with the routine and swap Jack

1411
01:06:20,040 --> 01:06:23,280
Speaker 1: doing great with the four on four scrimmage. Jack scores

1412
01:06:23,320 --> 01:06:26,120
Speaker 1: a goal and Ellie completes a perfect ten or whatever

1413
01:06:26,200 --> 01:06:28,640
Speaker 1: the hell they score, and rhythm gymnastics a square with

1414
01:06:28,680 --> 01:06:30,360
Speaker 1: a circle through it whatever, I don't know what it is.

1415
01:06:30,720 --> 01:06:35,240
Speaker 1: The team is saved and Jack makes varsity. Our main

1416
01:06:35,320 --> 01:06:37,800
Speaker 1: characters meet up and they celebrate their wins, but there's

1417
01:06:37,840 --> 01:06:40,400
Speaker 1: only forty five minutes left to swap back. They trade

1418
01:06:40,400 --> 01:06:42,280
Speaker 1: phones in text I wish I had my life back,

1419
01:06:42,360 --> 01:06:47,000
Speaker 1: but uh oh, it doesn't fail fail. They trade back

1420
01:06:47,040 --> 01:06:49,400
Speaker 1: phones again and again, still not working. It doesn't work

1421
01:06:49,440 --> 01:06:51,800
Speaker 1: this time, it doesn't work that time. Swap Jack thinks

1422
01:06:51,840 --> 01:06:54,280
Speaker 1: they should talk to her mom about extending the contract,

1423
01:06:54,360 --> 01:06:56,760
Speaker 1: but swap Ellie breaks the bad news. It was her

1424
01:06:56,920 --> 01:06:59,520
Speaker 1: dad who did it. It was just her mom covering

1425
01:06:59,520 --> 01:07:02,320
Speaker 1: for him because he wanted a new family plan for

1426
01:07:02,400 --> 01:07:03,520
Speaker 1: his new family.

1427
01:07:03,880 --> 01:07:05,440
Speaker 3: Wow, shout on off.

1428
01:07:06,240 --> 01:07:08,920
Speaker 1: It looks like they will be staying in these bodies forever.

1429
01:07:09,680 --> 01:07:13,240
Speaker 1: Roll credits that tough set. I'm kidding. That was not

1430
01:07:13,280 --> 01:07:15,400
Speaker 1: the end of the movie. Nope, we are back at

1431
01:07:15,400 --> 01:07:18,720
Speaker 1: the Malloy's coach dad continues to be an absolute asshole.

1432
01:07:18,920 --> 01:07:21,320
Speaker 1: He doesn't congratulate his son at all. He minimizes the

1433
01:07:21,320 --> 01:07:24,280
Speaker 1: accomplishment and tells him he barely made the team. Swap

1434
01:07:24,400 --> 01:07:27,000
Speaker 1: Jack speaks up, asking if he knows how that makes

1435
01:07:27,000 --> 01:07:30,320
Speaker 1: a kid feel. Jack's dad says, you must block out emotions.

1436
01:07:30,320 --> 01:07:32,760
Speaker 1: You can't open yourself up to weakness. But it's obvious

1437
01:07:32,800 --> 01:07:35,760
Speaker 1: he's really talking about his dead wife and not hockey.

1438
01:07:36,320 --> 01:07:38,920
Speaker 1: So sad. On the other side of town, Swapped Ellie

1439
01:07:38,960 --> 01:07:41,120
Speaker 1: is walking with her mom, obviously sad. Her mom thinks

1440
01:07:41,120 --> 01:07:42,960
Speaker 1: it's because her dad didn't show up. Out the competition,

1441
01:07:43,040 --> 01:07:45,200
Speaker 1: but we know it's because Jack is now forever a lady.

1442
01:07:45,720 --> 01:07:47,560
Speaker 1: But the truth is both Ellie and Jack have to

1443
01:07:47,640 --> 01:07:50,080
Speaker 1: let go of the recent losses they've experienced. They have

1444
01:07:50,160 --> 01:07:52,920
Speaker 1: more in common than they think. Swapped Ellie starts crying

1445
01:07:52,960 --> 01:07:55,480
Speaker 1: and says she misses her mom. We get a touching

1446
01:07:55,480 --> 01:07:57,600
Speaker 1: scene here where Ellie's mom thinks it's about her and

1447
01:07:57,640 --> 01:08:00,320
Speaker 1: they embrace. It's a really well written scene where Elly's

1448
01:08:00,360 --> 01:08:02,680
Speaker 1: mom can be Jack's mom for a second and it

1449
01:08:02,720 --> 01:08:05,479
Speaker 1: makes sense for everybody. Did you love this? I love

1450
01:08:05,760 --> 01:08:07,480
Speaker 1: I did too.

1451
01:08:07,880 --> 01:08:10,880
Speaker 3: There was so much depth and how each character it

1452
01:08:10,960 --> 01:08:13,800
Speaker 3: was believable too. How you can take what the mom

1453
01:08:13,880 --> 01:08:20,559
Speaker 3: is saying to swapped Ellie and how he's Oh my gosh.

1454
01:08:20,560 --> 01:08:23,160
Speaker 3: It was so good and it was written so well.

1455
01:08:23,200 --> 01:08:26,240
Speaker 1: I just was like, wow, Yeah, they get He gets

1456
01:08:26,240 --> 01:08:28,040
Speaker 1: to talk to his mom again and she gets to

1457
01:08:28,080 --> 01:08:30,080
Speaker 1: talk to her dad again. It just really worked.

1458
01:08:30,360 --> 01:08:30,599
Speaker 3: Yeah.

1459
01:08:30,920 --> 01:08:33,439
Speaker 1: So and at the Malloy's what we were just talking about,

1460
01:08:33,439 --> 01:08:36,840
Speaker 1: Swap Jack Snap's big time yells at his dad, did

1461
01:08:36,880 --> 01:08:38,280
Speaker 1: you even love me at all?

1462
01:08:38,800 --> 01:08:40,640
Speaker 4: Again? We have the swap parents stepping in for the

1463
01:08:40,680 --> 01:08:41,280
Speaker 4: actual parent.

1464
01:08:41,320 --> 01:08:43,760
Speaker 1: The character's mad at Jack's dad doesn't want to have

1465
01:08:43,800 --> 01:08:46,280
Speaker 1: the conversation, but Jack doesn't let up. Ending with boys

1466
01:08:46,320 --> 01:08:49,360
Speaker 1: can cry, they even should sometimes the twins watch on

1467
01:08:49,479 --> 01:08:53,760
Speaker 1: and again Jack and Elly's feelings are actually interchangeable. With

1468
01:08:53,800 --> 01:08:55,599
Speaker 1: this out of the way, swapped Ellie and swap Jack

1469
01:08:55,640 --> 01:08:58,040
Speaker 1: feel reborn. They know the goals have been accomplished, and

1470
01:08:58,080 --> 01:09:00,240
Speaker 1: they meet each other at the river with five minutes left.

1471
01:09:00,520 --> 01:09:02,720
Speaker 1: They text that they wish they had their lives back

1472
01:09:02,760 --> 01:09:06,599
Speaker 1: because everything is so much better, and boom, the pink

1473
01:09:06,600 --> 01:09:10,040
Speaker 1: and blue protons appear and they swap back bodies. They

1474
01:09:10,080 --> 01:09:12,760
Speaker 1: excitedly hug, and now real Ellie runs off to her mom,

1475
01:09:13,040 --> 01:09:17,240
Speaker 1: finally completing a hug between actual family members. Ellie announces

1476
01:09:17,240 --> 01:09:20,479
Speaker 1: she's gonna be okay and is pregnant. Yes, just making

1477
01:09:20,520 --> 01:09:23,360
Speaker 1: sure you're all still with me. She's not pregnant. Jack

1478
01:09:23,439 --> 01:09:25,920
Speaker 1: returns home without any knowledge of their prior blow up

1479
01:09:25,960 --> 01:09:28,360
Speaker 1: with his coach Dad, and they come face to face.

1480
01:09:28,600 --> 01:09:31,360
Speaker 1: Coach Dad immediately make sure he's now just called Dad.

1481
01:09:31,680 --> 01:09:33,680
Speaker 1: He admits that ever since his mom died, he's been

1482
01:09:33,680 --> 01:09:35,960
Speaker 1: too hard on the boys. He's been avoiding the pain,

1483
01:09:36,080 --> 01:09:38,360
Speaker 1: and now he knows he's wrong. He loves them more

1484
01:09:38,400 --> 01:09:41,040
Speaker 1: than they'll ever know. They bro hug and even his

1485
01:09:41,160 --> 01:09:43,560
Speaker 1: dad cries. For as messy as this movie is a

1486
01:09:43,640 --> 01:09:46,600
Speaker 1: time for as many montages as there were. The emotional

1487
01:09:46,640 --> 01:09:50,320
Speaker 1: scenes worked really, really well. But it's tough to forgive

1488
01:09:50,320 --> 01:09:53,120
Speaker 1: the dad. But I did, damn it. I forgave him

1489
01:09:53,120 --> 01:09:54,639
Speaker 1: because of everything that he went through.

1490
01:09:55,000 --> 01:09:59,280
Speaker 3: I just didn't forgive the change of his voice. All

1491
01:09:59,320 --> 01:10:05,400
Speaker 3: of a sudden, his voice it sound like a completely

1492
01:10:05,400 --> 01:10:08,960
Speaker 3: different actor's voice. Really, yes, it was like and I

1493
01:10:09,080 --> 01:10:12,120
Speaker 3: went and rewound it to and it must have been.

1494
01:10:12,320 --> 01:10:14,840
Speaker 3: It was It must have been an actor's choice right

1495
01:10:14,880 --> 01:10:20,599
Speaker 3: where he was. Coach had like a calmer, different voice

1496
01:10:20,600 --> 01:10:21,080
Speaker 3: and like.

1497
01:10:21,040 --> 01:10:25,360
Speaker 1: It Okay, I did not notice.

1498
01:10:25,120 --> 01:10:30,000
Speaker 3: That, man, I was like, why is she? Why love?

1499
01:10:30,680 --> 01:10:31,599
Speaker 2: Why did you change?

1500
01:10:33,000 --> 01:10:35,760
Speaker 1: It is? Now the next day at school we get

1501
01:10:35,840 --> 01:10:38,920
Speaker 1: updates on everyone through text bubbles. Claire says her party

1502
01:10:38,960 --> 01:10:41,800
Speaker 1: picks are going viral in France, which might just be

1503
01:10:41,840 --> 01:10:43,400
Speaker 1: the least believable thing in.

1504
01:10:43,400 --> 01:10:44,280
Speaker 4: The entire movie.

1505
01:10:44,880 --> 01:10:47,519
Speaker 1: After after they've switched bodies. I believe that, more than

1506
01:10:47,560 --> 01:10:49,599
Speaker 1: the fact that anything is going viral, that she did

1507
01:10:49,600 --> 01:10:51,120
Speaker 1: in France is.

1508
01:10:51,120 --> 01:10:55,639
Speaker 2: No longer right exactly It's.

1509
01:10:55,439 --> 01:10:58,920
Speaker 1: Called in France. That wasn't a French accent at all.

1510
01:10:58,920 --> 01:11:01,200
Speaker 1: I don't even know what that was. Aspen is no

1511
01:11:01,320 --> 01:11:04,760
Speaker 1: longer the hot popular girl, she's too shallow. Owen is

1512
01:11:04,800 --> 01:11:08,240
Speaker 1: going to ask out Ellie, and Ellie is suggesting Mac

1513
01:11:08,640 --> 01:11:10,760
Speaker 1: ask out Jack, Mac and Jack.

1514
01:11:10,800 --> 01:11:11,280
Speaker 2: I love it.

1515
01:11:11,680 --> 01:11:14,400
Speaker 1: And even Porter has some friends now, which he should

1516
01:11:14,439 --> 01:11:18,559
Speaker 1: he's forty. Then Ellie runs into Aspen and Sassy. Sassy

1517
01:11:18,600 --> 01:11:21,400
Speaker 1: apologizes for being a jerk, and then Ellie says she's

1518
01:11:21,479 --> 01:11:25,160
Speaker 1: cool not being BFFs anymore. They can just hold onto

1519
01:11:25,200 --> 01:11:27,719
Speaker 1: their memories and move on and they agree in peace.

1520
01:11:27,760 --> 01:11:31,880
Speaker 1: And this was such a weird ending for this storyline

1521
01:11:31,880 --> 01:11:34,240
Speaker 1: for me, it was so strange.

1522
01:11:35,000 --> 01:11:38,840
Speaker 3: I loved it for Ellie because yes, this girl no.

1523
01:11:39,439 --> 01:11:43,800
Speaker 3: And again, I think as relationships, and it's hard for

1524
01:11:43,920 --> 01:11:46,400
Speaker 3: girls at this age because they do meet a lot

1525
01:11:46,400 --> 01:11:50,240
Speaker 3: of their best friends in kindergarten, right, and then you

1526
01:11:50,320 --> 01:11:52,679
Speaker 3: stick with the best friend because you've just known them

1527
01:11:52,680 --> 01:11:56,280
Speaker 3: for so long. And sometimes people and this is a

1528
01:11:56,320 --> 01:11:59,280
Speaker 3: good thing that girls have to go through and know

1529
01:11:59,760 --> 01:12:02,280
Speaker 3: some times it's okay to just be those best friends.

1530
01:12:02,360 --> 01:12:05,160
Speaker 3: From that age. You don't have to be best friends

1531
01:12:05,160 --> 01:12:09,599
Speaker 3: anymore because you are different people with different different likes

1532
01:12:09,600 --> 01:12:12,240
Speaker 3: and dislikes and things like that, And in this case,

1533
01:12:12,400 --> 01:12:17,920
Speaker 3: Savzy's so gess to just leave alone and move on

1534
01:12:18,280 --> 01:12:21,960
Speaker 3: because but it was weird. I almost think it would

1535
01:12:22,000 --> 01:12:25,200
Speaker 3: have been better to like not have a conversation. I

1536
01:12:25,240 --> 01:12:26,680
Speaker 3: don't think they needed to have this, like.

1537
01:12:26,720 --> 01:12:31,240
Speaker 1: Just like yeah, yeah, like we're not friends anymore, but

1538
01:12:31,360 --> 01:12:34,000
Speaker 1: like you know, we'll always hold on to the memories

1539
01:12:34,080 --> 01:12:34,920
Speaker 1: or whatever. You know.

1540
01:12:35,280 --> 01:12:37,240
Speaker 4: Not everyone's supposed to be your friend all the time.

1541
01:12:37,320 --> 01:12:39,360
Speaker 1: One of the best analogies I've ever heard is you

1542
01:12:39,400 --> 01:12:42,439
Speaker 1: have to consider yourself like a rocket ship, and as

1543
01:12:42,520 --> 01:12:45,599
Speaker 1: you're flying up, some of the solid rocket boosters float

1544
01:12:45,600 --> 01:12:47,640
Speaker 1: away because they're not meant to fly as high as

1545
01:12:47,680 --> 01:12:49,920
Speaker 1: you are. Oh and I always thought that was cool

1546
01:12:50,080 --> 01:12:54,120
Speaker 1: that I already will every time I realize I have

1547
01:12:54,120 --> 01:12:58,479
Speaker 1: no friends. I'm kidding. I have wonderful friends.

1548
01:12:58,479 --> 01:12:58,880
Speaker 4: I really do.

1549
01:12:59,840 --> 01:13:03,040
Speaker 1: But the biggest surprise of all it appears that Ellie

1550
01:13:03,040 --> 01:13:06,120
Speaker 1: and Jack are going to set up their parents. But

1551
01:13:06,280 --> 01:13:08,519
Speaker 1: Jack is just as bad with women as his son is,

1552
01:13:08,560 --> 01:13:11,160
Speaker 1: stumbling over his words and sweating, and as the two

1553
01:13:11,200 --> 01:13:13,800
Speaker 1: parents flirt, Jack and Ellie text about how they wish

1554
01:13:13,840 --> 01:13:16,000
Speaker 1: they could help, but quickly delete the messages, thinking it

1555
01:13:16,040 --> 01:13:18,519
Speaker 1: could swap them again, and then we get some alternate

1556
01:13:18,560 --> 01:13:20,960
Speaker 1: jokes and bloopers over the credits at the end, and

1557
01:13:21,080 --> 01:13:23,559
Speaker 1: that is our movie.

1558
01:13:24,240 --> 01:13:26,120
Speaker 3: Wow, big smile.

1559
01:13:26,560 --> 01:13:37,320
Speaker 1: Big smile. Movie done. Let's do real reviews. We know

1560
01:13:37,360 --> 01:13:39,479
Speaker 1: what you well, y'all know already what we think of

1561
01:13:39,520 --> 01:13:41,920
Speaker 1: the movie. But what did random people think of the movie?

1562
01:13:41,960 --> 01:13:45,720
Speaker 1: Sabrina for twenty twenty five. I think you start with

1563
01:13:45,800 --> 01:13:47,800
Speaker 1: the five star review, and if I'm not wrong, it

1564
01:13:47,880 --> 01:13:50,120
Speaker 1: is written by somebody who writes a lot of these reviews.

1565
01:13:50,160 --> 01:13:50,519
Speaker 1: Am I right?

1566
01:13:50,640 --> 01:13:57,040
Speaker 3: Yes, unamid Welcome Back, Come Back, unnamed review, five star.

1567
01:13:57,560 --> 01:14:02,439
Speaker 3: This film takes deep wroths of loss and abandonment and

1568
01:14:02,560 --> 01:14:07,800
Speaker 3: manages to express them without sugarcoating in any way. It's

1569
01:14:08,000 --> 01:14:09,520
Speaker 3: unique yet organic.

1570
01:14:09,920 --> 01:14:10,799
Speaker 2: I think that's true.

1571
01:14:11,080 --> 01:14:11,720
Speaker 3: I loved it.

1572
01:14:11,840 --> 01:14:14,080
Speaker 1: I don't disagree with that at all. Probably wouldn't given

1573
01:14:14,080 --> 01:14:16,600
Speaker 1: it five stars. Lots of montages, but I like what

1574
01:14:16,680 --> 01:14:20,200
Speaker 1: the sentiment. Yeah. I have the one star review to

1575
01:14:20,240 --> 01:14:22,240
Speaker 1: start the year off, and this is from Autumn K.

1576
01:14:23,720 --> 01:14:25,439
Speaker 1: As someone who read the book, I want to say

1577
01:14:25,439 --> 01:14:28,200
Speaker 1: that the movie honestly sucked. Ellie plays soccer in the book,

1578
01:14:28,240 --> 01:14:31,040
Speaker 1: not ribbon dancing or whatever. By the way, it makes

1579
01:14:31,080 --> 01:14:32,840
Speaker 1: it very clear in the book that Summer and Ellie

1580
01:14:32,840 --> 01:14:33,800
Speaker 1: both have red hair.

1581
01:14:34,240 --> 01:14:35,439
Speaker 2: Why are they both blonde?

1582
01:14:35,439 --> 01:14:37,920
Speaker 1: Then? Also, the movie cut out one of Jack's brothers

1583
01:14:38,040 --> 01:14:40,720
Speaker 1: entirely for some reason. They didn't even swap bodies the

1584
01:14:40,720 --> 01:14:42,519
Speaker 1: same way in this movie. I see what they were

1585
01:14:42,520 --> 01:14:45,280
Speaker 1: trying to do, but it's just not good. First of all,

1586
01:14:45,320 --> 01:14:47,599
Speaker 1: as an avid reader, as you can see from everything,

1587
01:14:47,640 --> 01:14:49,439
Speaker 1: the book is always better than the movie.

1588
01:14:49,479 --> 01:14:52,519
Speaker 4: That's just the way it is. But it seems a

1589
01:14:52,520 --> 01:14:53,400
Speaker 4: little nitpicky to me.

1590
01:14:53,880 --> 01:14:56,600
Speaker 3: Yeah, and also who was Summer.

1591
01:14:57,280 --> 01:15:00,760
Speaker 1: I don't know. I don't know Summer and Nellie. They

1592
01:15:00,840 --> 01:15:02,400
Speaker 1: must have changed it from Summer to Sassy.

1593
01:15:02,800 --> 01:15:07,679
Speaker 3: Oh maybe okay, yeah, or Summer matter what color hair

1594
01:15:07,800 --> 01:15:10,240
Speaker 3: they haven't you being crazy?

1595
01:15:10,320 --> 01:15:12,240
Speaker 1: I think you're nitpicking Autumn. And I don't think about

1596
01:15:12,280 --> 01:15:15,599
Speaker 1: your real name Autum. Okay, and now our favorite time.

1597
01:15:15,680 --> 01:15:17,879
Speaker 1: And I'm sensing good things in the future for Sabrina

1598
01:15:17,920 --> 01:15:23,080
Speaker 1: with this uh in twenty twenty five, I am not sure. Well,

1599
01:15:23,160 --> 01:15:26,599
Speaker 1: Luckily wrote and created this one as well. Yes, this

1600
01:15:26,640 --> 01:15:29,639
Speaker 1: is a new feature called Swap or Flop. We are

1601
01:15:29,640 --> 01:15:32,519
Speaker 1: going to get a film synopsis describing a body swap

1602
01:15:32,560 --> 01:15:34,040
Speaker 1: movie and we have to decide if it's a real

1603
01:15:34,040 --> 01:15:36,679
Speaker 1: thing or something just completely made up from the crazy

1604
01:15:36,720 --> 01:15:40,080
Speaker 1: mind of our producer Jensen. So again, the question is,

1605
01:15:40,200 --> 01:15:43,280
Speaker 1: are these body swap movies real or they completely made up?

1606
01:15:43,560 --> 01:15:46,080
Speaker 1: Three out of five wins. I thought I'd be good

1607
01:15:46,080 --> 01:15:48,480
Speaker 1: at these, and then I read them.

1608
01:15:48,920 --> 01:15:51,280
Speaker 3: You read them, of course I did.

1609
01:15:51,520 --> 01:15:52,479
Speaker 1: I didn't google.

1610
01:15:52,640 --> 01:15:53,400
Speaker 2: I didn't google.

1611
01:15:53,560 --> 01:15:54,440
Speaker 4: I read them.

1612
01:15:54,600 --> 01:15:57,519
Speaker 1: Okay, I have no idea any of them. I have

1613
01:15:57,600 --> 01:16:01,679
Speaker 1: no idea. So here we go, number one, producer Jensen,

1614
01:16:01,640 --> 01:16:02,719
Speaker 1: and I take it, you're on board.

1615
01:16:03,280 --> 01:16:03,679
Speaker 5: I'm here.

1616
01:16:03,920 --> 01:16:06,759
Speaker 7: I feel like twenty twenty five is a new start

1617
01:16:06,840 --> 01:16:09,759
Speaker 7: for Sabrina. I like, maybe we go into this without

1618
01:16:09,800 --> 01:16:12,479
Speaker 7: any prejudgments about what she's gonna do.

1619
01:16:12,880 --> 01:16:16,599
Speaker 1: Okay, I love that. Here we go. So number one,

1620
01:16:17,439 --> 01:16:20,559
Speaker 1: a self obsessed stand up comedian is on the fast

1621
01:16:20,600 --> 01:16:23,280
Speaker 1: track to fame when his body is hijacked by the

1622
01:16:23,320 --> 01:16:25,920
Speaker 1: spirit of a jealous Heckler, and now he must find

1623
01:16:25,920 --> 01:16:28,479
Speaker 1: a way to regain his body before the impostor ruins

1624
01:16:28,479 --> 01:16:33,439
Speaker 1: his career forever. If this isn't real, Jensen, you need

1625
01:16:33,479 --> 01:16:34,719
Speaker 1: to write this script immediately.

1626
01:16:34,880 --> 01:16:36,360
Speaker 3: I was just thinking.

1627
01:16:36,040 --> 01:16:39,240
Speaker 1: That I'm gonna say a good idea, it's real. I'm

1628
01:16:39,240 --> 01:16:41,280
Speaker 1: gonna say it's real. What about you, Sabrina, I think

1629
01:16:41,280 --> 01:16:41,800
Speaker 1: it's fake?

1630
01:16:43,760 --> 01:16:48,240
Speaker 7: Twenty twenty five is off to a very familiar start.

1631
01:16:48,720 --> 01:16:51,720
Speaker 7: It is real. It's a movie called The Heckler from

1632
01:16:51,760 --> 01:16:53,040
Speaker 7: twenty fourteen.

1633
01:16:53,920 --> 01:16:55,439
Speaker 1: It's a great idea.

1634
01:16:56,040 --> 01:17:00,280
Speaker 3: Okay, I want to watch that. That's probably so funny.

1635
01:17:00,000 --> 01:17:01,160
Speaker 4: Here we go.

1636
01:17:01,240 --> 01:17:03,560
Speaker 1: Number two. While on a nature get away at a

1637
01:17:03,600 --> 01:17:07,040
Speaker 1: remote cabin, and expectant couple stumble on a magic box

1638
01:17:07,080 --> 01:17:12,760
Speaker 1: swapping out their souls and the pregnant wife's body. So

1639
01:17:12,880 --> 01:17:18,519
Speaker 1: then with the box, So it's a pregnant Ah, I'm

1640
01:17:18,520 --> 01:17:19,280
Speaker 1: gonna say, fake.

1641
01:17:20,880 --> 01:17:21,439
Speaker 2: What do you can do?

1642
01:17:21,439 --> 01:17:29,720
Speaker 1: Sobrita, uh fake fifty fifty can't get it right?

1643
01:17:29,800 --> 01:17:30,519
Speaker 5: That was real.

1644
01:17:31,640 --> 01:17:34,519
Speaker 7: It's called Swap Me Baby from twenty twenty two. If

1645
01:17:34,560 --> 01:17:37,280
Speaker 7: you don't believe me, it is currently viewable on twob.

1646
01:17:38,080 --> 01:17:39,400
Speaker 2: Swap Me Baby.

1647
01:17:39,439 --> 01:17:44,840
Speaker 1: Even the title, Oh man, all right, three, I love

1648
01:17:44,880 --> 01:17:47,720
Speaker 1: these are real. I'm gonna laugh when all five of

1649
01:17:47,760 --> 01:17:51,759
Speaker 1: these are real. Number three, Seventeen year old Millie spends

1650
01:17:51,760 --> 01:17:53,719
Speaker 1: her days trying to survive the riggers of high school,

1651
01:17:53,720 --> 01:17:55,719
Speaker 1: but when she becomes the latest target of the Butcher,

1652
01:17:55,920 --> 01:17:59,200
Speaker 1: the town's infamous serial killer, her senior year becomes the

1653
01:17:59,320 --> 01:17:59,840
Speaker 1: least of her.

1654
01:18:01,520 --> 01:18:03,040
Speaker 4: But wait, where would the swapping be?

1655
01:18:04,760 --> 01:18:06,240
Speaker 3: Can't tell us.

1656
01:18:06,520 --> 01:18:08,680
Speaker 1: It's got to be fake because unless she swaps with

1657
01:18:08,760 --> 01:18:11,160
Speaker 1: the serial killer, there's no swapping involved.

1658
01:18:11,640 --> 01:18:14,439
Speaker 3: We haven't heard of a horror film version of this

1659
01:18:14,640 --> 01:18:16,800
Speaker 3: just yet. It could be real.

1660
01:18:17,680 --> 01:18:18,880
Speaker 1: I'm gonna say fake. What are you gonna do?

1661
01:18:21,640 --> 01:18:23,719
Speaker 3: We haven't had a fake once. I'll just go with fake.

1662
01:18:26,280 --> 01:18:27,759
Speaker 5: It's actually a really good movie.

1663
01:18:29,200 --> 01:18:31,880
Speaker 7: It's called Freaky, and it's very good, and it's in

1664
01:18:32,000 --> 01:18:35,320
Speaker 7: twenty twenty, and it's Vince bonn is truly.

1665
01:18:35,040 --> 01:18:37,439
Speaker 5: Amazing Bond movie.

1666
01:18:37,760 --> 01:18:40,439
Speaker 1: Yeah, does she swap? Oh, we'd have heard of this.

1667
01:18:40,560 --> 01:18:43,479
Speaker 1: She swaps with him, she becomes the serial killer. I've

1668
01:18:43,520 --> 01:18:44,400
Speaker 1: heard of this movie.

1669
01:18:44,479 --> 01:18:47,080
Speaker 7: I pulled the synopsis direct. I wasn't going to change anything.

1670
01:18:47,160 --> 01:18:49,360
Speaker 2: So, okay, I've heard of that movie.

1671
01:18:49,439 --> 01:18:50,800
Speaker 5: Damn it, it's great.

1672
01:18:51,200 --> 01:18:52,200
Speaker 4: Okay, I've heard it's good.

1673
01:18:52,240 --> 01:18:54,679
Speaker 1: This was like everybody was like, oh my god, he's back, Vince.

1674
01:18:55,360 --> 01:18:56,360
Speaker 5: He's a superstar in it.

1675
01:18:56,600 --> 01:18:56,920
Speaker 1: Okay.

1676
01:18:57,040 --> 01:18:58,439
Speaker 3: Oh what's it called again?

1677
01:18:58,760 --> 01:18:59,960
Speaker 5: Freaky like a freaky Fried?

1678
01:19:00,560 --> 01:19:01,960
Speaker 1: I've heard of this, Okay.

1679
01:19:03,200 --> 01:19:03,760
Speaker 4: Number four.

1680
01:19:03,960 --> 01:19:06,760
Speaker 1: Tom Brand is a billionaire whose workaholic lifestyle keeps him

1681
01:19:06,760 --> 01:19:08,800
Speaker 1: away from his loving wife and teenage daughter when he

1682
01:19:08,840 --> 01:19:11,920
Speaker 1: buys a seemingly harmless cat from mysterious pet store. A

1683
01:19:11,960 --> 01:19:14,880
Speaker 1: bizarre turn of events trapped Tom in the feline's body,

1684
01:19:15,080 --> 01:19:19,679
Speaker 1: whose name is also mister fuzzy Pants. I'm saying real

1685
01:19:19,800 --> 01:19:24,280
Speaker 1: because it's too awesome. It's gotta be real, real, real.

1686
01:19:24,280 --> 01:19:24,920
Speaker 5: It is real.

1687
01:19:25,280 --> 01:19:29,120
Speaker 7: Yes, it's from twenty sixteen. It's called Nine Lives, And

1688
01:19:29,160 --> 01:19:31,919
Speaker 7: as if this movie can't get any worse, it stars

1689
01:19:32,200 --> 01:19:33,000
Speaker 7: Kevin Spacey.

1690
01:19:33,640 --> 01:19:38,120
Speaker 1: Oh god, Kevin Spacey in a movie cat.

1691
01:19:38,640 --> 01:19:40,760
Speaker 3: Oh god, Oh my gosh.

1692
01:19:40,800 --> 01:19:44,639
Speaker 1: Oh that's brilliant. Okay, so I've got two, number number three,

1693
01:19:44,680 --> 01:19:48,639
Speaker 1: here we go. Number five. A sexist womanizer is killed

1694
01:19:48,640 --> 01:19:50,840
Speaker 1: by a group of angry former lovers. He makes a

1695
01:19:50,880 --> 01:19:53,320
Speaker 1: deal with God to return to Earth, but he must

1696
01:19:53,320 --> 01:19:55,200
Speaker 1: have a sincere relationship with a woman to make it

1697
01:19:55,200 --> 01:19:59,040
Speaker 1: to heaven. But one catch. He is reincarnated as a woman.

1698
01:20:00,280 --> 01:20:04,040
Speaker 1: Oh god, I hope it's real. It's gotta be real.

1699
01:20:04,400 --> 01:20:06,840
Speaker 1: I think Jensen pulled this switch through and they're all real.

1700
01:20:07,200 --> 01:20:07,719
Speaker 3: It's real.

1701
01:20:07,880 --> 01:20:08,639
Speaker 1: It's gotta be real.

1702
01:20:09,160 --> 01:20:12,040
Speaker 5: I did switch. I slapped them out. It's a real movie.

1703
01:20:12,320 --> 01:20:15,719
Speaker 7: Nineteen ninety one Switch, which stars Ellen Barkin.

1704
01:20:16,280 --> 01:20:17,759
Speaker 5: Oh my god, yeah.

1705
01:20:17,880 --> 01:20:19,120
Speaker 4: Does she play God or.

1706
01:20:19,720 --> 01:20:21,440
Speaker 5: She's she's the Woman reincarnation?

1707
01:20:22,000 --> 01:20:24,920
Speaker 4: Okay, okay, why technically won I got three?

1708
01:20:25,160 --> 01:20:25,360
Speaker 5: Yeah?

1709
01:20:25,400 --> 01:20:25,600
Speaker 2: You got?

1710
01:20:25,880 --> 01:20:27,760
Speaker 3: You put that in our group text the name of

1711
01:20:27,800 --> 01:20:29,920
Speaker 3: all these movies because I want to see every single one.

1712
01:20:30,439 --> 01:20:32,040
Speaker 7: I mean, I'm not sure you want to see the

1713
01:20:32,040 --> 01:20:35,439
Speaker 7: two B one, but but definitely Freaky and probably Switch.

1714
01:20:36,120 --> 01:20:37,400
Speaker 4: Yeah, yeah, I don't.

1715
01:20:37,439 --> 01:20:39,040
Speaker 1: I don't need to see mister fuzzy Pants.

1716
01:20:39,640 --> 01:20:41,320
Speaker 3: No no, no no.

1717
01:20:41,080 --> 01:20:43,960
Speaker 7: I don't want to be watching any Kevin Spacey movies

1718
01:20:43,960 --> 01:20:44,599
Speaker 7: for the first time.

1719
01:20:44,840 --> 01:20:47,680
Speaker 1: Not gonna happen. Okay, thank you so much, jens Ah,

1720
01:20:47,840 --> 01:20:50,800
Speaker 1: he did it, he did it. Yeah, I want to

1721
01:20:51,120 --> 01:20:51,880
Speaker 1: twenty five.

1722
01:20:51,920 --> 01:20:52,400
Speaker 5: I want to know.

1723
01:20:52,479 --> 01:20:52,840
Speaker 1: Here we go?

1724
01:20:53,000 --> 01:20:54,320
Speaker 3: Oh yeah, man?

1725
01:20:54,760 --> 01:20:58,280
Speaker 1: All right, well now can we do some Sabrina ses please?

1726
01:21:02,360 --> 01:21:08,519
Speaker 3: Yes, spit ho ses. Oh man. I literally loved this movie.

1727
01:21:08,560 --> 01:21:12,840
Speaker 3: There was just good stuff everywhere. I wanted to just

1728
01:21:12,880 --> 01:21:14,960
Speaker 3: point out the pork Grinds. What a weird choice that

1729
01:21:15,160 --> 01:21:16,719
Speaker 3: was at a school cabin.

1730
01:21:17,360 --> 01:21:19,280
Speaker 1: Do you like pork grinds? Are you a pork crind fan?

1731
01:21:20,080 --> 01:21:25,000
Speaker 3: No? No, yuck, no want to They're at school cafeterias.

1732
01:21:26,240 --> 01:21:31,520
Speaker 3: You you really grazed over it. But during the the invite,

1733
01:21:31,640 --> 01:21:35,519
Speaker 3: to the Donut date. I swear I had to listen

1734
01:21:35,560 --> 01:21:37,720
Speaker 3: to it, and I didn't hear it right until the

1735
01:21:37,800 --> 01:21:41,839
Speaker 3: third time. I thought it said you like doing it, Sally.

1736
01:21:44,560 --> 01:21:47,720
Speaker 3: I didn't hear donuts. Twice twice I.

1737
01:21:49,200 --> 01:21:51,400
Speaker 1: Subtitles on no, no.

1738
01:21:51,280 --> 01:21:54,920
Speaker 3: I never do, but like you like doing it, Sally.

1739
01:21:54,960 --> 01:21:56,600
Speaker 3: Then I was like you what it was like you

1740
01:21:56,800 --> 01:21:59,240
Speaker 3: like donuts? I was like, okay, but it took me

1741
01:21:59,640 --> 01:22:02,080
Speaker 3: three many times. I was like, what is going on?

1742
01:22:03,800 --> 01:22:04,400
Speaker 2: That's great.

1743
01:22:05,600 --> 01:22:08,560
Speaker 3: Another thing we never really touched on during the episode

1744
01:22:08,640 --> 01:22:11,120
Speaker 3: is how good the music was in this movie. I've

1745
01:22:11,320 --> 01:22:14,240
Speaker 3: really loved it, and I loved it because it is

1746
01:22:14,439 --> 01:22:18,519
Speaker 3: one of our newer movies that we've done, so I mean,

1747
01:22:18,760 --> 01:22:21,800
Speaker 3: right from the start getting a Megan Trainer. However, I

1748
01:22:21,920 --> 01:22:25,120
Speaker 3: did feel like she had a like an accent. I

1749
01:22:25,160 --> 01:22:27,720
Speaker 3: don't know if I've just was hearing it differently. I know,

1750
01:22:27,760 --> 01:22:33,040
Speaker 3: you probably don't even really know the song changed, so

1751
01:22:33,200 --> 01:22:36,240
Speaker 3: it sounded so different in this in the movie that

1752
01:22:36,280 --> 01:22:38,880
Speaker 3: I thought, oh, I wonder if they used like a

1753
01:22:39,800 --> 01:22:43,160
Speaker 3: like a copy, like a not not the original, like

1754
01:22:43,200 --> 01:22:46,080
Speaker 3: a like a spoof of the song. But then I

1755
01:22:46,120 --> 01:22:48,559
Speaker 3: don't know, I just I loved the movie throughout all

1756
01:22:48,640 --> 01:22:51,200
Speaker 3: the music spots. I thought the songs were so good

1757
01:22:51,520 --> 01:22:54,439
Speaker 3: and it wasn't, you know, like a musical. It was

1758
01:22:54,520 --> 01:22:57,760
Speaker 3: just a good and that sounds like is reminiscent for

1759
01:22:57,880 --> 01:23:01,479
Speaker 3: me with movies like Brink and Johnny's Unami, And like

1760
01:23:01,800 --> 01:23:04,639
Speaker 3: why I at that time loved him because I loved

1761
01:23:04,680 --> 01:23:06,920
Speaker 3: the soundtracks as well. Sure, so I felt like it

1762
01:23:06,960 --> 01:23:10,280
Speaker 3: was really relevant. I thought this was the best sneak

1763
01:23:10,320 --> 01:23:13,160
Speaker 3: out moment we've seen in a d com. Him with

1764
01:23:13,200 --> 01:23:19,080
Speaker 3: that like cartoony, like such a jump cup thing, him

1765
01:23:19,240 --> 01:23:22,439
Speaker 3: going down was so funny, and I loved I loved Porter.

1766
01:23:22,520 --> 01:23:26,599
Speaker 3: I thought he was so good. And then two more,

1767
01:23:27,400 --> 01:23:31,960
Speaker 3: did you at all get distracted by the eleven fifteen

1768
01:23:32,000 --> 01:23:34,880
Speaker 3: mark and the clock that was obviously in the shot

1769
01:23:35,080 --> 01:23:36,519
Speaker 3: multiple times and said.

1770
01:23:36,400 --> 01:23:39,240
Speaker 1: Eleven We never even saw it? No, or said.

1771
01:23:39,080 --> 01:23:43,120
Speaker 3: Something forty five like it was not The clock is

1772
01:23:43,200 --> 01:23:45,760
Speaker 3: in the top corner of the frame and it does

1773
01:23:45,800 --> 01:23:48,680
Speaker 3: not say eleven fifteen, and they talk about it this

1774
01:23:48,920 --> 01:23:51,439
Speaker 3: it's the time they talk about trying to get back.

1775
01:23:51,840 --> 01:23:53,880
Speaker 1: Oh okay, no, I didn't know. I didn't see this

1776
01:23:53,920 --> 01:23:54,240
Speaker 1: at all.

1777
01:23:54,560 --> 01:23:57,080
Speaker 3: Show a close up of it that says eleven fifteen

1778
01:23:57,920 --> 01:24:01,760
Speaker 3: twice but when it's in the wide shot, it's there,

1779
01:24:02,120 --> 01:24:05,639
Speaker 3: the clock is there, and it is not eleven fifteen.

1780
01:24:05,680 --> 01:24:08,360
Speaker 3: Oh my god, you're going what what?

1781
01:24:08,320 --> 01:24:09,240
Speaker 1: I notice that.

1782
01:24:10,240 --> 01:24:13,360
Speaker 3: It distracted me so much. I literally stopped and paused

1783
01:24:13,560 --> 01:24:15,640
Speaker 3: and got close to my TV to make sure I

1784
01:24:15,680 --> 01:24:18,400
Speaker 3: wasn't saying the wrong things. Did it want to? But yeah,

1785
01:24:18,439 --> 01:24:22,120
Speaker 3: it doesn't say eleven fifteen? And then again I already

1786
01:24:22,280 --> 01:24:25,400
Speaker 3: gave my app my last one, which was why did

1787
01:24:25,479 --> 01:24:27,479
Speaker 3: the Dad's Boys changed so jah?

1788
01:24:27,520 --> 01:24:29,960
Speaker 1: Which I gotta go back and watch that. I gotta

1789
01:24:29,960 --> 01:24:33,480
Speaker 1: go back. I can't, I can't wait. Softer and higher

1790
01:24:33,720 --> 01:24:36,440
Speaker 1: and just as he was not being the coach anymore.

1791
01:24:36,520 --> 01:24:38,920
Speaker 3: I know, I get it, but it was such a

1792
01:24:39,040 --> 01:24:42,840
Speaker 3: drastic change it was a little jarring for me. Loved

1793
01:24:43,120 --> 01:24:43,719
Speaker 3: this movie.

1794
01:24:44,280 --> 01:24:46,880
Speaker 1: Let's rate it, Okay, here we go. Wow, you are

1795
01:24:46,920 --> 01:24:49,000
Speaker 1: I'm gonna let you rate first. But how are we

1796
01:24:49,040 --> 01:24:50,479
Speaker 1: going to rate it as well? We know we're gonna

1797
01:24:50,479 --> 01:24:52,120
Speaker 1: go one out of ten? But this week are we

1798
01:24:52,120 --> 01:24:55,639
Speaker 1: gonna do one out of ten? Fashionista glam camps one

1799
01:24:55,680 --> 01:25:00,559
Speaker 1: out of ten, Pooh mustaches one out of ten, Skirts

1800
01:25:00,560 --> 01:25:04,960
Speaker 1: over jumpsuits one out of ten, text Bubble Ghostbuster Protons

1801
01:25:05,439 --> 01:25:07,840
Speaker 1: one out of ten Lincoln Park ripoffs, one out of

1802
01:25:07,840 --> 01:25:15,160
Speaker 1: ten Twin Brother farts, Coach Dad Sirs, maybe creps one

1803
01:25:15,160 --> 01:25:17,360
Speaker 1: out of ten Jack Bays, or one out of ten

1804
01:25:17,520 --> 01:25:20,760
Speaker 1: French viral memes. I'm gonna let you go first, which means.

1805
01:25:20,960 --> 01:25:23,719
Speaker 2: You get the pig. Yes, and I just want to hear.

1806
01:25:23,600 --> 01:25:26,559
Speaker 1: You say it, So we're doing one out of ten

1807
01:25:26,600 --> 01:25:32,559
Speaker 1: Pooh mustaches because I want to hear you say it.

1808
01:25:33,000 --> 01:25:36,400
Speaker 4: So uh rate it up, Sabrina, How would you rate that?

1809
01:25:36,560 --> 01:25:42,280
Speaker 3: Yn? I okay, again, I really liked it. I do

1810
01:25:42,520 --> 01:25:47,479
Speaker 3: agree on the way too many montages. I am also

1811
01:25:47,760 --> 01:25:51,800
Speaker 3: thankful because it didn't make the movie longer. I don't

1812
01:25:51,840 --> 01:25:55,040
Speaker 3: think there needed to be a minute tacked onto this movie.

1813
01:25:55,640 --> 01:25:59,200
Speaker 3: It was perfectly timed out. We could have left just

1814
01:25:59,240 --> 01:26:01,960
Speaker 3: to get on the nine minute mark, but I thought

1815
01:26:01,960 --> 01:26:06,040
Speaker 3: it was perfectly timed out. The pace was good. Montages

1816
01:26:06,040 --> 01:26:07,920
Speaker 3: were a little over, but it would have made the

1817
01:26:07,960 --> 01:26:10,439
Speaker 3: movie longer, which I wouldn't have loved. So it's kind

1818
01:26:10,439 --> 01:26:14,840
Speaker 3: of hard in that way. However, I wish I could

1819
01:26:14,880 --> 01:26:16,519
Speaker 3: even be a little bit more wish washy, but I'm

1820
01:26:16,520 --> 01:26:21,400
Speaker 3: gonna stick with the eight point five Wow mustashes. I

1821
01:26:21,439 --> 01:26:24,280
Speaker 3: would give it an eight point seventy five. It's not

1822
01:26:24,400 --> 01:26:29,080
Speaker 3: a nine, but I eight point five Pooh Mustaches.

1823
01:26:30,280 --> 01:26:31,720
Speaker 1: I just I'm so. I just wanted to hear you

1824
01:26:31,760 --> 01:26:34,560
Speaker 1: say it again. I think that's wonderful. You definitely like

1825
01:26:34,640 --> 01:26:37,800
Speaker 1: this movie more than I did. I absolutely liked this movie.

1826
01:26:37,880 --> 01:26:40,120
Speaker 1: I really did. It was enjoyable, it wasn't too long,

1827
01:26:40,280 --> 01:26:43,559
Speaker 1: the acting was great. I did have some problems with it, though.

1828
01:26:43,640 --> 01:26:47,280
Speaker 1: I thought the fundamental how they got into switching bodies

1829
01:26:47,840 --> 01:26:48,639
Speaker 1: was just lame.

1830
01:26:48,800 --> 01:26:50,120
Speaker 4: It might have been done better.

1831
01:26:49,920 --> 01:26:50,920
Speaker 2: As much as you do.

1832
01:26:51,280 --> 01:26:51,920
Speaker 4: But I get it.

1833
01:26:51,960 --> 01:26:53,599
Speaker 3: I get it with you.

1834
01:26:53,560 --> 01:26:55,680
Speaker 1: For sure need it. That needed a rewrite of how

1835
01:26:55,720 --> 01:26:58,200
Speaker 1: they got to switch bodies. There were way too many montages,

1836
01:26:58,240 --> 01:27:00,400
Speaker 1: and then the longer the filming on the clunky kind

1837
01:27:00,439 --> 01:27:01,640
Speaker 1: of got that.

1838
01:27:01,800 --> 01:27:04,000
Speaker 4: Being said, I enjoyed it.

1839
01:27:04,080 --> 01:27:06,320
Speaker 1: I did enjoy it absolutely, and I'm gonna give this

1840
01:27:06,360 --> 01:27:10,479
Speaker 1: a solid seven point five po Mustaches, which I think

1841
01:27:10,600 --> 01:27:13,400
Speaker 1: is a fair way to start twenty twenty five. I

1842
01:27:13,439 --> 01:27:17,240
Speaker 1: did enjoy the movie. It needed a rewrite. It felt again,

1843
01:27:17,439 --> 01:27:21,080
Speaker 1: very montage heavy, but the acting was good. The emotional

1844
01:27:21,120 --> 01:27:23,160
Speaker 1: beats in the movie were great. It was the quiet

1845
01:27:23,160 --> 01:27:25,760
Speaker 1: moments of this film that really saved it. I thought

1846
01:27:25,800 --> 01:27:28,839
Speaker 1: the two of them playing each other did a wonderful job.

1847
01:27:28,960 --> 01:27:31,960
Speaker 3: I thought they did such a great job. The actors

1848
01:27:32,000 --> 01:27:33,760
Speaker 3: were wonderful.

1849
01:27:34,000 --> 01:27:36,080
Speaker 1: Well, hopefully we got a chance to speak with one

1850
01:27:36,160 --> 01:27:38,519
Speaker 1: or both of them. Who knows, because Cobra Kai's become

1851
01:27:38,600 --> 01:27:39,880
Speaker 1: so big that they probably don't want to come on

1852
01:27:39,920 --> 01:27:42,759
Speaker 1: our tiny little podcast. But thank you everybody so much

1853
01:27:43,000 --> 01:27:46,400
Speaker 1: for joining us on this amazing episode. And I frankly

1854
01:27:46,439 --> 01:27:49,879
Speaker 1: think a great start to twenty twenty five the Swap.

1855
01:27:50,520 --> 01:27:54,200
Speaker 1: You know, I wasn't expecting it, totally unexpected. Good movie,

1856
01:27:54,240 --> 01:27:59,760
Speaker 1: good way to start the year. But our next movie

1857
01:28:00,280 --> 01:28:02,479
Speaker 1: is a big one. Yes, we're taking it to two

1858
01:28:02,520 --> 01:28:05,160
Speaker 1: thousand and two, watching the mystery comedy starring someone who

1859
01:28:05,200 --> 01:28:08,320
Speaker 1: is currently making a big comeback right now, Lindsey Lohan.

1860
01:28:08,520 --> 01:28:11,439
Speaker 1: It's Get a Clue, and it is currently available on

1861
01:28:11,479 --> 01:28:14,320
Speaker 1: Disney Plus, so that is your way of getting ahead

1862
01:28:14,479 --> 01:28:18,280
Speaker 1: of the curve. But even bigger news. In my opinion,

1863
01:28:18,320 --> 01:28:22,360
Speaker 1: I think for this week's Parkopper episode, we've got an

1864
01:28:22,479 --> 01:28:26,919
Speaker 1: incredible guest. We spoke with the director behind the Zombies

1865
01:28:26,960 --> 01:28:29,519
Speaker 1: franchise and other d coms like Luck of the Irish

1866
01:28:29,640 --> 01:28:32,320
Speaker 1: Jump In and The Cheetah Girls One World. It is

1867
01:28:32,320 --> 01:28:35,200
Speaker 1: the incredible Paul Ho and I can't believe he talked

1868
01:28:35,200 --> 01:28:38,479
Speaker 1: about writing a d com just for me where I'm

1869
01:28:38,600 --> 01:28:40,720
Speaker 1: it's just a musical about me the whole time, and

1870
01:28:40,720 --> 01:28:43,639
Speaker 1: I just get this sing and dance. I just can't wait.

1871
01:28:43,760 --> 01:28:46,519
Speaker 1: It's gonna be great. Thank you everybody for joining us,

1872
01:28:46,560 --> 01:28:48,960
Speaker 1: and remember to subscribe to our feed. You can just

1873
01:28:49,000 --> 01:28:51,800
Speaker 1: search for Magical Rewind wherever you get your podcasts, and

1874
01:28:52,160 --> 01:28:53,840
Speaker 1: you know, press that button and follow along.

1875
01:28:54,080 --> 01:28:55,000
Speaker 4: You can also follow.

1876
01:28:54,880 --> 01:28:58,799
Speaker 1: Us at Magical Rewind Pod on the Instagram Machine. Happy

1877
01:28:58,800 --> 01:29:01,360
Speaker 1: twenty twenty five, everybody, Bye bye