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Speaker 1: Welcome to Drink Champs, the production of The Black Effect

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Speaker 1: and I Heart Radio and it's Drink's motherfucking podcast. He's

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Speaker 1: a legendary queen's rapper, He's segreed. Is your boy in

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Speaker 1: no R He's a Miami hip hop pioneer up his

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Speaker 1: DJ e f N. Together they drink it up with

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Speaker 1: some of the biggest players in the most professional, unprofessional

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Speaker 1: podcast and yet number one sorts for drunk drinks. Mother

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Speaker 1: is New year Z. That's it's time for Drink Champs.

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Speaker 1: Drink up, mother, Mother? What did it give me? This

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Speaker 1: is your boy in what up? Is dj e f N.

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Speaker 1: This is definitely militating crazy Drink Champs, Drink Chaps combined

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Speaker 1: the fun, the people. No I'm not No, I'm not

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Speaker 1: militating crazy bros. It's the essence of a drink chess,

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Speaker 1: and this is drink Chess. And right now, you know

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Speaker 1: I usually do a long, illustrious intro, but I'm gonna

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Speaker 1: let them introduce theirself because this does sound like the

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Speaker 1: star of like a great Joe. What I mean by

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Speaker 1: that is they say, they say, a black man, two

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Speaker 1: black guys walking above the drink cass and with a

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Speaker 1: white guy that what I'm saying. This sounds at the

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Speaker 1: beginning of a great joke, but it's not. We'n let

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Speaker 1: me introduce themselves. You're gonna get into everything. Let's go

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Speaker 1: and start from you. Her favorite color, straight from that

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Speaker 1: l A and not a crip. Uh No, but I

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Speaker 1: don't be banging on people. Okay, Okay, okay, now, NICKI

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Speaker 1: facts from the Bronx New York. Yes, sir, legidary MC Okay,

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Speaker 1: I'm the white guy. All right, let's just let's go

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Speaker 1: straight for the elephant in the room. All of y'all

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Speaker 1: was on the XXL cover the second one right, second

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Speaker 1: one seven second, the second one ever ever? Okay, okay,

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Speaker 1: two thousand nine, two thou nine. And who else was

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Speaker 1: on this cover? Cutty okay, Corey guns. Currency? It was

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Speaker 1: it was over currency. Currency opened up. Yes, Is this

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Speaker 1: the first time you guys met each other? No? Uh no,

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Speaker 1: we we was? We was this is the first time

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Speaker 1: I met Blue? Okay, but yeah, but I had we

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Speaker 1: had did like a show too. How how was that?

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Speaker 1: It was? It was fun? I mean like it was

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Speaker 1: something new because the end had just changed and you

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Speaker 1: don't listen New York. Yeah, we did that in New York.

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Speaker 1: So it was, you know, the Double x cl cover,

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Speaker 1: you know, like the first one that they did with

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Speaker 1: with the other guys that that felt like that was

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Speaker 1: like the old guard of what hip hop was going into.

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Speaker 1: And then we came and we were embracing the Internet.

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Speaker 1: You know what I'm saying. Actually, the first first cover

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Speaker 1: that they ever did was that was the Source cover.

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Speaker 1: I was a part of that. That's right, like a

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Speaker 1: freshman it was what it was. And then the Source

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Speaker 1: kind of went out of business and I believe I mean, like,

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Speaker 1: you know, that's that's just true. And then um, and

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Speaker 1: then the exxel picked it up access there did. They

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Speaker 1: actually named it something. It's called the Freshman Class. You

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Speaker 1: guys be part of the second ship, Like like is

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Speaker 1: that do you know what? You know what this is

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Speaker 1: at the time when you guys are feeling this, yes,

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Speaker 1: oh you know, you know, we're just gonna be legendary

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Speaker 1: on the cover and double like seven man, Yeah, and

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Speaker 1: we had we had It's just all of us we

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Speaker 1: had our own fan basis at the time, because again,

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Speaker 1: we was embracing the internet. Nobody was really trying to

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Speaker 1: get online like that, and all of us had fan

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Speaker 1: basis from just putting out music online. Shout out to

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Speaker 1: all the blogs back in the day, now, right, two

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Speaker 1: dope boys, you know, world star hip hop at the

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Speaker 1: time was just starting and we was at the forefront

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Speaker 1: of all of that, you know what I'm saying. And

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Speaker 1: actually he was doing the stuff with drama, you know

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Speaker 1: what I'm saying. And then because um, because it was

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Speaker 1: like three different covers, right, it was like the main cover,

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Speaker 1: then it was a second couple of hot Mad was

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Speaker 1: y'all I should walk at the time for him getting

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Speaker 1: the main cover. How the hell was y'all that the

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Speaker 1: white guy my man was come keep it. I wasn't

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Speaker 1: mad at all. I was just I was happy to

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Speaker 1: be on the cover. It was just like I was

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Speaker 1: happy to pie. Was mad at X? Who was the

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Speaker 1: main cover? Was DMX corrupt? And I forget was cannabis?

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Speaker 1: Was was a cam? I think it was every category,

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Speaker 1: every every ward show. He's always beating me somehow, this

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Speaker 1: is this is the best. I had an argument Vizo

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Speaker 1: about nothing of this, but I just broke this ship up.

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Speaker 1: He let me. He's like, what is this got to

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Speaker 1: do with it? He be waiting for you, so, like,

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Speaker 1: you know, honestly, you didn't know these guys at the time.

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Speaker 1: Was there? It was because you know, it is the

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Speaker 1: main cover, like like, um, was there any like you know,

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Speaker 1: like does this go on because y'all all competing against

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Speaker 1: each other, Let's just be clear, and they're putting y'all

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Speaker 1: in that category to compete with each other. So it

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Speaker 1: was there anything, like, you know, I thought of that.

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Speaker 1: I was just happy to get like Tronic wasn't there.

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Speaker 1: He was gonna be on there A little nervous why

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Speaker 1: I think he had beat like he was the biggest

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Speaker 1: you know, it's crazy. I was listening to his ship

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Speaker 1: today ironically, just walking around and his ship just came on.

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Speaker 1: He's like a fucking ghost, right, like no one never

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Speaker 1: really knows anything about him. But you know about him,

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Speaker 1: but you don't really know about him, right. He's like

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Speaker 1: one of those mysterious guys. Right, So he was happy

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Speaker 1: he wasn't for you. I respect that. I respect that. Okay,

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Speaker 1: So you love college? I did. Yeah, I had a

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Speaker 1: good run. It was fun. What did you take adamle No?

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Speaker 1: I didn't once, And like that's a hell of a drug. Okay,

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Speaker 1: So it's like a limitless pill, not really it's just

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Speaker 1: like limitless. You've never seen the movie Like list, I'm

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Speaker 1: gonna be honest, all my all, my my good white

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Speaker 1: friends who do okay, good ones, the good ones, some

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Speaker 1: bad ones, um my good ones that you should do. Okay,

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Speaker 1: they switched to Adam and they love it. Yes, I

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Speaker 1: love a little adamall. Just that goes to show it's

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Speaker 1: kind of the hell of the drug. Like, I mean,

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Speaker 1: people use it for focus and everything, Like really I

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Speaker 1: wasn't to study, Yeah, just study and ship like that.

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Speaker 1: But it's also like it's crazy that that's when we

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Speaker 1: give kids with a d h D like here to

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Speaker 1: take this to get like its prescribed. Yeah, Like immediately

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Speaker 1: it's like here's ad All Riddland and you know, and

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Speaker 1: then get surprised that they're addicted to it later yeah,

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Speaker 1: or like end up doing some other wild ship later

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Speaker 1: in life when you start out on addera thirteen years old.

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Speaker 1: So I said, how you was speaking piping white girls

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Speaker 1: with drugs? Drugs. Now I'm bossing around with y'all because

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Speaker 1: we asked you earlier. Your favor color has to be blue? Right?

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Speaker 1: Is blue? Now? What neighborhood are you from? Exactly? I'm

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Speaker 1: from the band ads. You know what I mean. Yeah,

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Speaker 1: I'm from like where Bloods be at, but I'm blue,

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Speaker 1: you know what I mean? Yeah, but you know I'm like,

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Speaker 1: I'm in the fifties off Western, you know what I mean?

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Speaker 1: Slawson and the sixties is obviously right next door. Wow.

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Speaker 1: So yeah, so because of that, I'm straight. Okay, So

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Speaker 1: did you get away with wearing blue? Was you like

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Speaker 1: a millennial or no? I actually moved to San Pedro,

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Speaker 1: so then all I used to wear with blue, so

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Speaker 1: they called started calling me blue? Or what I mean?

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Speaker 1: We're St Pedro for the Port of l A. Okay,

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Speaker 1: you know what I mean? South south for l A

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Speaker 1: water Port San Pedro. Now, Mickey facts, what's on some real?

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Speaker 1: Like I've been listening to a couple of your freestyles.

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Speaker 1: Are you really trying to teach by nancial what? What

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Speaker 1: is a proper word for it? Financial literacy? By nancial literacy? Right?

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Speaker 1: I mean he's also a college kid. Right then you

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Speaker 1: go to law school or something. You love college color drugs.

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Speaker 1: I didn't love it, Like I didn't like color the

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Speaker 1: junior house. I would the college with monss in jail.

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Speaker 1: I didn't like it neither. I didn't graduated. I dropped out.

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Speaker 1: And why I dropped out, Okay, I couldn't. I couldn't

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Speaker 1: take it. I didn't like it. So because it was

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Speaker 1: I couldn't focus. So that adderall thing that he was

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Speaker 1: talking about, like I can, I can resonate with that

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Speaker 1: because I was taking I was drinking cappuccino and triple

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Speaker 1: shots and espresso, trying to stay way. Why you was

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Speaker 1: that downtown? That downtas like a thirty years I was.

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Speaker 1: I was even further down. I was like no ho

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Speaker 1: oh wow, no ho okay nor no no so okay.

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Speaker 1: So I was doing that and I was falling asleeping

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Speaker 1: class and that it was you with the adderall. I

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Speaker 1: didn't have that. Okay. When I was, I was drinking

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Speaker 1: cappuccino with espresso and I was still falling asleep in class.

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Speaker 1: So at that point I was like fuck it. I

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Speaker 1: I quit my job. I dropped out of school, and

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Speaker 1: I was like we'll just do hip hop. Wow. And

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Speaker 1: That's where I'm at right now. But but but when

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Speaker 1: I'm listening to your rob's you talking about invested into

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Speaker 1: real estate? What what? What? What what are we talking here?

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Speaker 1: I mean like I saw all of that finance. Like

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Speaker 1: I feel like just as artists like me, Blue Asha

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Speaker 1: and all the artists that's coming up under us, we

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Speaker 1: just need to know what to do with, you know,

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Speaker 1: our money, because we don't have pens. Everybody everybody needs,

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Speaker 1: but especially us because we're independent contractors, you know what

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Speaker 1: I'm saying. So we don't We don't have the luxury

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Speaker 1: of a pension plan. We don't have the luxury of

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Speaker 1: the health insurance. We don't have the luxury of a

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Speaker 1: retirement plan. We don't have the luxury of any of

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Speaker 1: this stuff. So for me, I took it upon myself

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Speaker 1: to be like, let me teach myself and stuff. And

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Speaker 1: if I'm gonna teach myself and stuff, I'm put it

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Speaker 1: in a round for that far so people can learn it.

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Speaker 1: So the first thing I did was I wasn't flex

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Speaker 1: and I did uh, I did the credit freestyle on flesh,

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Speaker 1: you know what I'm saying. And then that's when it

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Speaker 1: just went viral constantly. You know, people keep picking it up.

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Speaker 1: Did you see people jet skiing in the Bronx Yeah yeah, yeah,

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Speaker 1: yeah yeah. Out of control? What we do mane oh

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Speaker 1: my god. Like soon there was a flood of New

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Speaker 1: York sooner I knew what i't mean even looking. Huh fo,

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Speaker 1: this just came up, they said in the streets. Yet

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Speaker 1: you know, I said, I to look, but I'm sorry

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Speaker 1: bouncing around, but and then not, um, I mean that

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Speaker 1: is probably one of the most creative places are earth.

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Speaker 1: Like some of the creative people I know come from

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Speaker 1: the Bronx. And I'm not talking about artists. I'm talking

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Speaker 1: about probably the most illest criminals in the world, you know,

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Speaker 1: all the most creative and in the Bronx. Let's this

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Speaker 1: real ship. Ralph Lauren from the Bronx. Really yeah, save

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Speaker 1: Ralph Lauren. Hold up perpetrating, he's perpet labels, you know,

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Speaker 1: pun funds of course, you know he uh he actually

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Speaker 1: tried to when he was working on his second album.

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Speaker 1: My father had a house in the ground and Punt

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Speaker 1: wanted to rent the basement apartment to just the right

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Speaker 1: rhymes in the apartment and we still had he still

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Speaker 1: had his uh applications thing, and my father was like, yeah,

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Speaker 1: so I'm gonna need to see uh three pay stuffs

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Speaker 1: before we was like, let's think it exactly. I can't

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Speaker 1: give you. I could pay up the money's like yeah,

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Speaker 1: I'm still need to pay stuff like I'm not you

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Speaker 1: know what I'm saying. Yeah, shout the point you know now,

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Speaker 1: feel you have every every every person who came after

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Speaker 1: Eminem somewhat has to follow they shot or it doesn't

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Speaker 1: matter whether you have an Eminem style or you don't,

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Speaker 1: whether it's you Bubba Squawks, Jack Hallow or his name.

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Speaker 1: I said that right, Come on, man, somebody you know

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Speaker 1: what I'm talking about Jack Hollow. Um, y'all always get

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Speaker 1: compared to to to Slim shady. Sure, it's just something

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Speaker 1: that you you when you first hear it, you say,

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Speaker 1: all right, cool, that's great, or that's something you'd black. Man,

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Speaker 1: I'm so different. I don't want to be compared. I mean,

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Speaker 1: it's something at the end of the day, it's kind

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Speaker 1: of just it's answer. It's media. It's like people have

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Speaker 1: to talk about something. Um, you know, ms generational for

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Speaker 1: as far as his like appeal and the numbers he

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Speaker 1: was doing. And there's kind of like a white rapper quota,

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Speaker 1: there's only allowed to be so many in the main.

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Speaker 1: It's just like so it's like hood. It's like as

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Speaker 1: a white rapper, you are like yes, when you bring

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Speaker 1: up Beastie Boys, Third Base. Like part of the culture, sure,

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Speaker 1: but also a visitor at the same time, especially a

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Speaker 1: kid coming from the Burbs. I'm a product of hip

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Speaker 1: hop and rap music and what it's been able to

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Speaker 1: accomplish and the voices that they've been able to, you know,

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Speaker 1: put on a platform and inspire kids like myself, um,

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Speaker 1: you know, and was part of that, you know, that

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Speaker 1: group of people who we listen to and like, oh cool,

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Speaker 1: Like I guess I can. I can rhyme too. But

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Speaker 1: as far as um even just who I am as

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Speaker 1: a person, Ryan Stile, everything like that from me, it

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Speaker 1: was just kind of in one year out the other

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Speaker 1: that hours for other people to discuss. But I never

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Speaker 1: got into it with like machine gun Kelly No, he

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Speaker 1: liver threw a shot at I don't think. So I

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Speaker 1: got to take a little better. I don't know every

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Speaker 1: every white guy this is a back machine gun Kelly.

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Speaker 1: Oh oh no he yeah, he uh he threw a shot.

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Speaker 1: He threw shot. I thought, yeah, he go like not really,

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Speaker 1: but yeah, how does it feel? Because like like one

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Speaker 1: thing for show for certain fifty cent this is what

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Speaker 1: it's comprehensory a lot. It's still a compliment in there

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Speaker 1: is that something like you felt like, yeah, kind of,

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Speaker 1: it's like it's like a bench a benchmark. But for me, man,

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Speaker 1: my focus is so much on like you know, education,

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Speaker 1: and even where I'm at in Philadelphia, it wasn't ever

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Speaker 1: about like, let me get into be for somebody and

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Speaker 1: sell more records. If I was a little bit more

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Speaker 1: into the entertainment industry and a little bit more understanding

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Speaker 1: of that, even like, oh let me let me be

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Speaker 1: for this, it'll it'll put me on a little bit

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Speaker 1: more of a pedishy do I can sell more records, etcetera.

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Speaker 1: But that was never really my goal. And so I've

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Speaker 1: actually shied away from the entertainment side of things just

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Speaker 1: to be able to do what was kind of in

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Speaker 1: my focus for better or for worse. Man kind of

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Speaker 1: kind of toured the fault because those are just moments

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Speaker 1: versus you're trying to build you sure, I mean sustainability

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Speaker 1: to me, and like for all of us sitting here,

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Speaker 1: that's what we've always want to do. If you do

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Speaker 1: it right, you can do it till you're sixty. I mean, dude,

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Speaker 1: look what you've been able to do today. You don't

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Speaker 1: people on you because you guys, you've got you know,

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Speaker 1: first of all, this is this is this is the

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Speaker 1: Odd Bunch. I would love the y'all to do what

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Speaker 1: record compilates together called the odd First of all, do

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Speaker 1: you know what the odd Bunches had? You know that

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Speaker 1: needs to be remade? So you think them? But the

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Speaker 1: trio's because I'm white, isn't It's just because even Google

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Speaker 1: you you got Brittain Brittain. What does that say that

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Speaker 1: he Brittain? What written? And I haven't in your system?

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Speaker 1: Oh wait, I didn't know that because there's no that's

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Speaker 1: not there's no no made good. But you do have

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Speaker 1: Britain in you though. Yeah, okay, yeah, yeah, that's just different.

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Speaker 1: This is different. So you know I'm trying to you know,

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Speaker 1: this is actually something I can see, you know what

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Speaker 1: I mean? Okay, moving on, moving on, Mickey facts, what's

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Speaker 1: something you come up from the Broms Broms Brombs the

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Speaker 1: front you signed to actually bust the Ribs label? Correct? No,

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Speaker 1: I don't know why conglomerated pops, So I didn't. I

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Speaker 1: didn't sign the cook Okay, I was signed the Job

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Speaker 1: Records Job in Battery Records with Jeff slapt and you okay, okay, okay, okay,

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Speaker 1: you got a couple of checks too. Let's make some money.

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Speaker 1: So so ill right, because I remember you want other

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Speaker 1: labels where you are I did. I did the job deal,

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Speaker 1: and then I did the r c A deal. When

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Speaker 1: John folded Barry White's he went to Depth Gym, so

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Speaker 1: when he and he started John, so that whole label

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Speaker 1: just kind of catapulsted, you know what I'm saying, and

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Speaker 1: everybody else. So I'm on a label with Chris Brown

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Speaker 1: and Justin timber Lake, and people think I got dropped,

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Speaker 1: but I actually got moved and got a new deal

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Speaker 1: with our CIA, just like everybody else. But it was

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Speaker 1: a whole new team and it was a whole new system.

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Speaker 1: So they didn't believe in me the same way that

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Speaker 1: they believed in me. Right, They wanted to pieces, but

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Speaker 1: I signed me. So it was it was tough. So

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Speaker 1: you know, I had to reach out to a couple

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Speaker 1: of people to kind of get some records. You know,

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Speaker 1: I reached out to John Legend and yellow Wolf and

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Speaker 1: Lupe and Swiss to try to kind of give me

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Speaker 1: the co sign. But I noticed you adn't say aftually,

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Speaker 1: I didn't say at me. I didn't resign yellow going

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Speaker 1: on like yeah, just to kind of get the A

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Speaker 1: and R at that time, you know, to to help

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Speaker 1: push this forward. So you know, we we hired U L.

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Speaker 1: A ree Son Anthony Antonio read Okay, I remember, you

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Speaker 1: know what I'm saying, and we we tried to, you know,

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Speaker 1: make this thing happen. But even before I even played

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Speaker 1: the John Legend record, like the and I was like,

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Speaker 1: before he played this record, I'm not a fan of

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Speaker 1: John Legend, so it doesn't even matter. John Legend was

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Speaker 1: on tour with shot Dad. He had a day off

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Speaker 1: the A and oars. Honesty, No, I don't like that.

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Speaker 1: Then put me on to somebody else, thinking like because

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Speaker 1: because that's not fair. That's not fair to me. You

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Speaker 1: have somebody's life in your hands, you know what I'm saying.

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Speaker 1: You know what, even though I do understand the air

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Speaker 1: and our position, I do understand where you're coming from too.

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Speaker 1: But me, I've been lied to so much outside of

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Speaker 1: my face. I would love to be totally true to

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Speaker 1: my face, whether it's harsh for before you even play

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Speaker 1: a record. Yeah, so you wouldn't even like, let's not

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Speaker 1: even telling the that's a Grammy alar you gotta buyas

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Speaker 1: going and this is a Grammy Award but producing. But

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Speaker 1: that's really like if you tell me, y're like, if

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00:19:06,800 --> 00:19:09,840
Speaker 1: you tell me, y'oll bro, whatever you're about to play

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00:19:09,880 --> 00:19:15,040
Speaker 1: for Pharrell, I can tell you that. But Parrell is

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Speaker 1: selling millions of records. I like himple winning tacrity. Though.

336
00:19:18,200 --> 00:19:20,520
Speaker 1: I like people to never say that tells you that

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00:19:20,600 --> 00:19:23,359
Speaker 1: what happens doesn't stop them. Play a song. I played

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Speaker 1: a song, He's like, I told you I'm not a

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Speaker 1: fan of John Legend. So even after he's like, you're

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Speaker 1: not listening, even after because because so and and John Legend.

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00:19:32,119 --> 00:19:33,840
Speaker 1: He was on to a shot day at the time.

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Speaker 1: He had a day off, and then on that day off,

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Speaker 1: we recorded that song on that day off, and then

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Speaker 1: he was he hit me up, John, He hit me up.

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Speaker 1: I was like, yo, you want me to add anything else?

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Speaker 1: I was like, yeah, you could ask some more at lips,

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Speaker 1: came back in the studio, added more. On another day off,

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00:19:49,520 --> 00:19:51,600
Speaker 1: he hadd what's your day? And then and for him

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Speaker 1: to just say he don't like John Legend, that's nasty worked.

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Speaker 1: I agree the record never came out ship I would

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Speaker 1: have I would have boot that myself. I don't like

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Speaker 1: the record. I thought it's gonna put it on this album,

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Speaker 1: but you know it was just bad politics dealing with

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00:20:10,920 --> 00:20:14,119
Speaker 1: that side of r c A. I told that bootleg myself, right,

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Speaker 1: what did you do to more report? You put that? No? No,

356
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Speaker 1: no no no. After everything, I want to know who

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Speaker 1: owned it. So I put it out show him up.

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Speaker 1: They came and I said, now I want to buy it. Brothers, brothers,

359
00:20:28,240 --> 00:20:33,440
Speaker 1: they're not my brothers. Moving on to you, sir. West

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00:20:33,520 --> 00:20:39,280
Speaker 1: Coast l A rarely known for, you know, party music.

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Speaker 1: It's very seldomly that people base state on lyrics. No man,

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Speaker 1: I mean we got the brass castes, we got the exhibits,

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Speaker 1: a ton of lyricist, we got the ice cubes. But

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Speaker 1: the Liquid crew dilated all these guys. No man, it's

365
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Speaker 1: crazy down quick. I mean now they have a huge

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Speaker 1: just because you're just thinking like you do, pound crooked

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Speaker 1: eyes from out there I'm talking about. I mean even game,

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Speaker 1: when you use game, game is pretty pretty pretty much lyrical.

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Speaker 1: One of my favorite lyrical his records that Underground l A.

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Speaker 1: Sen's huge. Yeah, just overall, these were these guys come from.

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Speaker 1: I'm just gonna say it's fifty. So what made you

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Speaker 1: choose that route? What made you say I'm gonna be

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Speaker 1: the guy that you gotta listen to my boss? Mm

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Speaker 1: hmm uh my DJ Eggsile. I actually wanted to just

375
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Speaker 1: be a spitter, but he wanted me to be more like,

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Speaker 1: you know, like have some more substance in my lyrics. Okay,

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00:21:41,320 --> 00:21:45,439
Speaker 1: I mean like talk about something. So I started changing

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00:21:45,520 --> 00:21:46,919
Speaker 1: it up a little bit, you know what I mean.

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Speaker 1: You was gonna sign with death Row. I saw something. Yeah,

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Speaker 1: what was that whole uh situation? I was like nineteen

381
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Speaker 1: you know. My cousin worked for sure. He was like engineers, engineer,

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00:21:59,119 --> 00:22:01,399
Speaker 1: you know, with the prow was this, this is this

383
00:22:01,640 --> 00:22:09,760
Speaker 1: is corrupted crooked crooked eye was on left eye. So

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Speaker 1: it's kind of the tumultuous times of way. That's when

385
00:22:14,200 --> 00:22:16,199
Speaker 1: that show got out, yeah you know what I mean.

386
00:22:17,160 --> 00:22:19,320
Speaker 1: So it was like he got out. He was they

387
00:22:19,359 --> 00:22:21,840
Speaker 1: were all on the cover double like cell and he

388
00:22:21,880 --> 00:22:24,800
Speaker 1: said he's looking for lyricists. And I was like, oh, ship,

389
00:22:25,119 --> 00:22:26,680
Speaker 1: you know what I mean, what's up with that? You

390
00:22:26,720 --> 00:22:29,560
Speaker 1: know what I mean? And so my cousin hit me up.

391
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Speaker 1: He was like, you know, I'm working for Sugar and

392
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Speaker 1: I was like, no ship, you know what I mean.

393
00:22:33,560 --> 00:22:36,119
Speaker 1: I went down there, met up with Sugar, you know

394
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Speaker 1: what I mean, and I would show you show was

395
00:22:39,160 --> 00:22:42,760
Speaker 1: cool man. He always here that he's actually cool as Yeah, yeah,

396
00:22:42,840 --> 00:22:45,160
Speaker 1: sugars cool. He put me in front of like Tim

397
00:22:45,240 --> 00:22:57,760
Speaker 1: Blood and was like, oh, that didn't sound so cool. Yeah, okay, okay, okay,

398
00:23:00,000 --> 00:23:07,679
Speaker 1: what color just for black? Black funeral color? Okay, okay,

399
00:23:07,840 --> 00:23:10,680
Speaker 1: all right? And then what happened? So you're coming off black? Yeah?

400
00:23:10,720 --> 00:23:13,200
Speaker 1: And then I just started barring off like fifty mar

401
00:23:13,440 --> 00:23:15,680
Speaker 1: sixty four and then hud you know what I mean?

402
00:23:15,760 --> 00:23:19,320
Speaker 1: And he was like yo, he was like was he

403
00:23:19,440 --> 00:23:20,879
Speaker 1: was like coming to my office? And I was like

404
00:23:21,000 --> 00:23:24,240
Speaker 1: all right, So I went into his office and infamous

405
00:23:24,280 --> 00:23:26,320
Speaker 1: if they don't like what you're spitting, yeah, I know,

406
00:23:26,560 --> 00:23:29,040
Speaker 1: you know what I mean to the extinct, you know

407
00:23:29,080 --> 00:23:32,480
Speaker 1: what I mean, But that's true. You could beat up. Yeah,

408
00:23:32,600 --> 00:23:36,720
Speaker 1: I mean you know what I mean. I heard when

409
00:23:36,760 --> 00:23:39,160
Speaker 1: they put you in that circle stuff like that. Yeah,

410
00:23:39,480 --> 00:23:46,359
Speaker 1: it was certainly curious. And he took me to his office,

411
00:23:46,440 --> 00:23:48,280
Speaker 1: was like what you want and I was like a

412
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Speaker 1: house in the car, you know what I mean, And

413
00:23:50,880 --> 00:23:53,240
Speaker 1: he was I think we could make that happen. But

414
00:23:53,359 --> 00:23:55,520
Speaker 1: then I started talking to one of the homies from

415
00:23:55,520 --> 00:23:57,880
Speaker 1: A Long Beach and he was like, nah, you shouldn't.

416
00:23:58,240 --> 00:24:00,760
Speaker 1: Shouldn't roll with Shugar, you know what I mean, really

417
00:24:00,880 --> 00:24:03,000
Speaker 1: roll with should you know what I mean? It was

418
00:24:03,200 --> 00:24:06,600
Speaker 1: like always with RBX, you know what I mean. So

419
00:24:06,720 --> 00:24:08,720
Speaker 1: it was like, all right, you're thinking about it, and

420
00:24:08,880 --> 00:24:11,280
Speaker 1: my boy was like, man, but for me, I'm gonna

421
00:24:11,280 --> 00:24:13,119
Speaker 1: get you signed to the rock, you know what I mean.

422
00:24:13,520 --> 00:24:22,800
Speaker 1: And I was like all right, and then uh, then

423
00:24:22,840 --> 00:24:24,840
Speaker 1: I'm the exile and then you know what I mean,

424
00:24:24,960 --> 00:24:26,880
Speaker 1: me and Eggs, I'll start working Eggs. I was working

425
00:24:26,920 --> 00:24:30,960
Speaker 1: with like Slump Village, ghost Face. Um so Jay Dillon

426
00:24:32,040 --> 00:24:34,920
Speaker 1: not Jake Dillon, l z I and T three, you

427
00:24:34,960 --> 00:24:40,040
Speaker 1: know what I mean. That's when Diller left U. Yeah. Wow, Wow.

428
00:24:40,400 --> 00:24:43,520
Speaker 1: The actually what the label was that on? I Love College?

429
00:24:44,200 --> 00:24:49,080
Speaker 1: So that got released through Steve. That's what I see

430
00:24:49,119 --> 00:24:51,520
Speaker 1: that Loud, That's what I see that I see. There's

431
00:24:51,520 --> 00:24:54,080
Speaker 1: always a conversation about bringing Loud back, but you know,

432
00:24:54,480 --> 00:24:56,520
Speaker 1: I'm not sure what it was. A David Banner are

433
00:24:56,680 --> 00:25:00,280
Speaker 1: right when that time? Yeah? David good, Yeah, a great

434
00:25:00,320 --> 00:25:11,720
Speaker 1: jude talking and sit down chocolate. What do you call

435
00:25:11,760 --> 00:25:29,440
Speaker 1: your mustache? Second mustache? It was the Daddy McBride. There's

436
00:25:29,440 --> 00:25:37,720
Speaker 1: different ones. Yeah, the handle, it's some poor handball, dick. Listen,

437
00:25:38,960 --> 00:25:41,399
Speaker 1: it's very true and listen all right. What else is

438
00:25:41,480 --> 00:25:51,280
Speaker 1: the this is a good haircut him, Daddy McBride. I'm

439
00:25:51,320 --> 00:25:55,719
Speaker 1: the laste. I might. I was like, I might run.

440
00:25:56,080 --> 00:25:59,639
Speaker 1: I might run the mullet. You might just run the

441
00:25:59,680 --> 00:26:02,040
Speaker 1: moll that's like your version. An I'm not. I'm not

442
00:26:02,240 --> 00:26:04,680
Speaker 1: that white like you know, Like, no, No, I don't

443
00:26:04,720 --> 00:26:06,880
Speaker 1: think I could get away with them all. Why because

444
00:26:06,880 --> 00:26:09,359
Speaker 1: you're on Philadelphia. No, because like that's a kind of

445
00:26:09,440 --> 00:26:11,960
Speaker 1: a more of a southern Southern thing, you know what

446
00:26:12,040 --> 00:26:13,840
Speaker 1: I mean. I think you I think you underestimate your

447
00:26:13,880 --> 00:26:20,600
Speaker 1: white Yeah, I mean I'm telling you you're killing it. Bro.

448
00:26:20,680 --> 00:26:22,159
Speaker 1: I thought you owned the club just now when you

449
00:26:22,240 --> 00:26:36,720
Speaker 1: walked up. It's no Warner, you got that, man. I

450
00:26:36,760 --> 00:26:38,640
Speaker 1: don't know if y'all know our shows about giving people

451
00:26:38,680 --> 00:26:40,560
Speaker 1: their flowers, you know what I mean? I think I

452
00:26:40,640 --> 00:26:42,600
Speaker 1: thought that this was a marvelous that you guys formed

453
00:26:42,640 --> 00:26:45,600
Speaker 1: the friendship through hip hop, and you guys continue to

454
00:26:45,720 --> 00:26:48,119
Speaker 1: have this friendship. So when I was approached with this opportunity.

455
00:26:48,119 --> 00:26:50,479
Speaker 1: I jumped, We jumped on it immediately. But let's sake

456
00:26:50,520 --> 00:26:53,000
Speaker 1: shots to that motherfucker. Where's it? I'm black black, I

457
00:26:53,040 --> 00:26:55,600
Speaker 1: want water, molas a rock brother, umme on, can you

458
00:26:55,640 --> 00:27:02,119
Speaker 1: get pass me that? Bro? But come on, bron want

459
00:27:02,160 --> 00:27:04,520
Speaker 1: a conference game? Mr. You want you want to stick

460
00:27:04,520 --> 00:27:06,240
Speaker 1: with them, but you gotta do a shot of it.

461
00:27:06,440 --> 00:27:09,360
Speaker 1: Not a drinking you shot. You don't got nothing open

462
00:27:10,840 --> 00:27:14,960
Speaker 1: you do cook time slot. I don't know. I think

463
00:27:15,000 --> 00:27:17,680
Speaker 1: he want I think he wants want some of this.

464
00:27:18,440 --> 00:27:22,080
Speaker 1: You want the whiskey exactly. I like your staff, like

465
00:27:22,200 --> 00:27:25,520
Speaker 1: your starf I like your stuff. Yes, I got this

466
00:27:25,600 --> 00:27:31,880
Speaker 1: from heim Bro. Just that motherfucking my mahuana majuanna feel

467
00:27:31,880 --> 00:27:37,000
Speaker 1: I'm being white, I'm not. Oh you got you got

468
00:27:37,040 --> 00:27:43,280
Speaker 1: whiskey too? Yeah? Man, I'm not gonna live bro soloottle

469
00:27:43,280 --> 00:27:50,600
Speaker 1: slow solo slo. Guess my birthday text. It's good. I

470
00:27:50,640 --> 00:27:53,639
Speaker 1: don't want to taste it. It's a birthday. Yeah, my birthday,

471
00:27:53,640 --> 00:28:00,560
Speaker 1: Hay birthday, rotherapy, birthday. Take it on the shot. Got

472
00:28:00,600 --> 00:28:02,400
Speaker 1: your birthday shot. You got a lot of New Hampshire

473
00:28:02,440 --> 00:28:05,080
Speaker 1: in here. Bro Ford's mouth. You know I was coming

474
00:28:06,359 --> 00:28:16,840
Speaker 1: for me, Yes, you looking at the can. Yeah, just

475
00:28:17,640 --> 00:28:22,000
Speaker 1: hand alright, You've got to another shots birthday, birthday shot,

476
00:28:22,040 --> 00:28:25,000
Speaker 1: birthday shot. Sorry, this is smooth, right, that's smooth, bro

477
00:28:25,880 --> 00:28:28,520
Speaker 1: hold on, hold on, that's let's wait for the home

478
00:28:31,040 --> 00:28:33,800
Speaker 1: birthday shot, birthday shot, birthday shot, birthday shot. And this

479
00:28:33,840 --> 00:28:41,560
Speaker 1: is y'all soot got there? Yeah, end up getting you

480
00:28:42,520 --> 00:28:44,720
Speaker 1: well that maple stuff too. Man. This is if you

481
00:28:44,800 --> 00:28:48,360
Speaker 1: just want to straightforward ships. Like the flavor reminds me

482
00:28:48,360 --> 00:28:51,280
Speaker 1: of like how you're breaking this ship down. You like

483
00:28:51,440 --> 00:28:54,120
Speaker 1: you drink? You drink a lot? Yeah, man, I mean

484
00:28:54,200 --> 00:28:59,440
Speaker 1: I have a I have a a a strange relationship

485
00:28:59,480 --> 00:29:02,880
Speaker 1: with alcohol because it's super destructive, you know, it's it's

486
00:29:03,040 --> 00:29:05,920
Speaker 1: very destructive and so like obviously, and I'm sure you

487
00:29:06,000 --> 00:29:09,000
Speaker 1: guys do the same thing. Encourage everybody to drink responsibly,

488
00:29:09,280 --> 00:29:13,120
Speaker 1: your limits and ballenge keep a balance. Absolutely so. But

489
00:29:13,360 --> 00:29:15,840
Speaker 1: I love alcohol, man. I think, uh, there's a culture

490
00:29:15,880 --> 00:29:19,080
Speaker 1: around it. It's fun, it's you know, you can enjoy yourself.

491
00:29:19,120 --> 00:29:22,440
Speaker 1: And I like a nice beer, like a good whiskey

492
00:29:22,480 --> 00:29:23,960
Speaker 1: and stuff like that. But it's just a matter of

493
00:29:24,040 --> 00:29:32,560
Speaker 1: keeping the balance. Oh make facts. What's your favorite game?

494
00:29:33,000 --> 00:29:35,200
Speaker 1: Oh all, this is it? Making records or is it

495
00:29:35,440 --> 00:29:38,640
Speaker 1: is it? Is it a forman? Wow, it's a good question. Um,

496
00:29:38,880 --> 00:29:40,960
Speaker 1: it's I'll follow you all by the way. For me,

497
00:29:41,080 --> 00:29:43,440
Speaker 1: it's making records. It's the art of just making records,

498
00:29:43,480 --> 00:29:46,000
Speaker 1: being able to tap into something and try to do

499
00:29:46,120 --> 00:29:48,520
Speaker 1: something that nobody's ever done. You know what I'm saying, Like,

500
00:29:48,600 --> 00:29:50,120
Speaker 1: that's what I get jail out of. So like me

501
00:29:50,680 --> 00:29:53,520
Speaker 1: going up to flex and doing that credit freestyle, nobody

502
00:29:53,560 --> 00:29:55,960
Speaker 1: ever did that. Me going up this sway rapping about

503
00:29:56,000 --> 00:29:59,120
Speaker 1: comic books and video games, nobody ever did that. Me

504
00:29:59,280 --> 00:30:01,360
Speaker 1: rapping about us song. I wrote a song about the

505
00:30:01,400 --> 00:30:05,120
Speaker 1: letter A without using the letter A. Nobody did that before.

506
00:30:05,440 --> 00:30:06,760
Speaker 1: So that's the type of ship that I like to do.

507
00:30:06,880 --> 00:30:08,880
Speaker 1: You know what I'm saying that that that that how

508
00:30:09,000 --> 00:30:12,920
Speaker 1: did you do that? Yo? Yo? Man? I mean for me,

509
00:30:13,280 --> 00:30:16,120
Speaker 1: like my son was, I was on a Zoom conference

510
00:30:16,120 --> 00:30:18,360
Speaker 1: code with my uh my old manager Saint shout to

511
00:30:18,400 --> 00:30:21,120
Speaker 1: sing and my son was a new born, he was

512
00:30:21,120 --> 00:30:23,200
Speaker 1: about seven months old. He kept we was on the iPad.

513
00:30:23,240 --> 00:30:26,040
Speaker 1: He kept pressing the letter A, kept pressing a letter

514
00:30:26,080 --> 00:30:27,280
Speaker 1: and I was trying to tell him to stop, and

515
00:30:27,320 --> 00:30:28,400
Speaker 1: I was like, you know, I'm gonna write a song

516
00:30:28,440 --> 00:30:30,440
Speaker 1: but for you about the letter A since you won't stop.

517
00:30:30,640 --> 00:30:32,000
Speaker 1: So I wrote a song for him about the letter A.

518
00:30:32,000 --> 00:30:33,120
Speaker 1: And I was like, you're gonna do the same ship

519
00:30:33,120 --> 00:30:35,200
Speaker 1: for hip hop, but I'm gonna write about the letter A,

520
00:30:35,640 --> 00:30:37,880
Speaker 1: the origin of it, where it came from. And I

521
00:30:37,960 --> 00:30:40,400
Speaker 1: wrote it and I was like, this is cool, but like, so,

522
00:30:40,560 --> 00:30:44,200
Speaker 1: what what's gonna make people care? Do that ship without

523
00:30:44,280 --> 00:30:47,000
Speaker 1: using a letter A. That's what I did. I wrote

524
00:30:47,000 --> 00:30:48,600
Speaker 1: a song about the letter A without using a letter

525
00:30:49,000 --> 00:30:53,920
Speaker 1: called it A minus. What's your favorite? Is it making

526
00:30:53,960 --> 00:30:56,240
Speaker 1: the record or making record? Making records? To that point,

527
00:30:56,320 --> 00:31:01,760
Speaker 1: making records, you know what I mean? Yeah, okay, how

528
00:31:01,760 --> 00:31:05,440
Speaker 1: about with making the records of performing? I mean I'll

529
00:31:05,480 --> 00:31:08,640
Speaker 1: take team performing because like there's something about like when

530
00:31:08,680 --> 00:31:13,120
Speaker 1: you make the records, you ultimately I mean one. Yeah. Well, also,

531
00:31:13,200 --> 00:31:14,880
Speaker 1: that's like the moment where it really connects and it

532
00:31:15,200 --> 00:31:18,640
Speaker 1: leads to them shooting the gun. Yeah, it's just shooting part. Yeah.

533
00:31:18,880 --> 00:31:22,720
Speaker 1: You get that crowd energy, Yeah, feel that energy is crazy.

534
00:31:22,880 --> 00:31:25,400
Speaker 1: Now as you get older and you realize that touring's

535
00:31:25,440 --> 00:31:28,320
Speaker 1: manual labor, you're kind of like, I don't want to

536
00:31:28,360 --> 00:31:30,480
Speaker 1: tour anymore. I mean, how can I tour less or

537
00:31:30,520 --> 00:31:33,240
Speaker 1: whatever it may be, but performing is rewarding. Its are

538
00:31:33,280 --> 00:31:35,680
Speaker 1: you call it, man, you will label it's hard work,

539
00:31:35,760 --> 00:31:38,239
Speaker 1: man touring. It's hard work that first fucking night. Bro.

540
00:31:38,480 --> 00:31:41,080
Speaker 1: People don't even realize that first night. Once your sleeps fucked.

541
00:31:41,880 --> 00:31:43,960
Speaker 1: The rest of the tour, you're just like, dude, I'm

542
00:31:44,360 --> 00:31:47,480
Speaker 1: I'm piece of toy from here on. I was so

543
00:31:47,800 --> 00:31:50,520
Speaker 1: used to it. I really had the chicklist circuit, Like

544
00:31:50,560 --> 00:31:51,880
Speaker 1: I don't mean to south like the old dude in

545
00:31:51,920 --> 00:31:56,920
Speaker 1: the building, but like, really, you know, the War Report,

546
00:31:57,040 --> 00:31:59,160
Speaker 1: God bless God bless me, and God bless everybody who

547
00:31:59,200 --> 00:32:02,800
Speaker 1: loves the War Report. But it wasn't as luxury as

548
00:32:02,840 --> 00:32:07,520
Speaker 1: people loved, like it went gold over a year and

549
00:32:07,640 --> 00:32:11,240
Speaker 1: a half time. So with a lot of people thought

550
00:32:11,280 --> 00:32:14,680
Speaker 1: it was a classic, they might have called it a classic,

551
00:32:15,040 --> 00:32:18,000
Speaker 1: but My Pockets was not classic at all. There was

552
00:32:18,080 --> 00:32:20,040
Speaker 1: nothing about My Pockets of his classic. So I would

553
00:32:20,080 --> 00:32:23,400
Speaker 1: have to go to whatever accepted me. I wouldn't I

554
00:32:23,440 --> 00:32:26,040
Speaker 1: wouldn't get bulked. I would just go if a person

555
00:32:26,160 --> 00:32:28,080
Speaker 1: just knew who I was, alright, cool. So there was

556
00:32:28,080 --> 00:32:31,000
Speaker 1: a totally different time, like an infinite promo tour. It

557
00:32:31,160 --> 00:32:36,320
Speaker 1: was a hit that's a so after I mean most

558
00:32:36,400 --> 00:32:39,360
Speaker 1: artists after the first week get over it. You know

559
00:32:39,800 --> 00:32:42,000
Speaker 1: what happened was I was were about to sell the

560
00:32:42,040 --> 00:32:45,080
Speaker 1: crap and I can only came from not connectic game

561
00:32:45,160 --> 00:32:46,600
Speaker 1: and I can only just brought me on tour. He

562
00:32:46,680 --> 00:32:49,400
Speaker 1: was just like, Yo, you need to know it's l

563
00:32:49,440 --> 00:32:50,840
Speaker 1: A l A. And two what I was like, pretty

564
00:32:50,960 --> 00:32:53,240
Speaker 1: big deals, but it was just New York l A.

565
00:32:53,560 --> 00:32:57,040
Speaker 1: I would say Connecticut, I don't. I wouldn't even say well,

566
00:32:57,080 --> 00:32:59,280
Speaker 1: I definitely didn't think it went to the West coast.

567
00:32:59,600 --> 00:33:02,040
Speaker 1: Definitely think he went to Houston. And then what it

568
00:33:02,200 --> 00:33:03,880
Speaker 1: was back then, we didn't have no Twitter, we didn't

569
00:33:03,880 --> 00:33:06,160
Speaker 1: have no Instagram, we don't have no Facebook. So some

570
00:33:06,280 --> 00:33:09,680
Speaker 1: of this popping somewhere else, we gotta guess it. We

571
00:33:09,760 --> 00:33:12,560
Speaker 1: gotta guess it. Like but then they were label reps

572
00:33:12,640 --> 00:33:16,880
Speaker 1: back in the day. Yeah, but labels. That was one,

573
00:33:17,280 --> 00:33:20,000
Speaker 1: I mean, one of the good ones. God bless you.

574
00:33:20,320 --> 00:33:25,360
Speaker 1: You know how many other scums up there. When he said,

575
00:33:26,000 --> 00:33:27,720
Speaker 1: what I mean, is it by you knowing if the

576
00:33:27,800 --> 00:33:29,680
Speaker 1: record is popping somewhere or not right, you know what

577
00:33:29,800 --> 00:33:31,200
Speaker 1: I'm saying. So that's what I meant by that, like

578
00:33:31,320 --> 00:33:33,480
Speaker 1: not not to say, like every label. But you know,

579
00:33:33,920 --> 00:33:35,920
Speaker 1: obviously at something point you would go to somebody and

580
00:33:35,960 --> 00:33:38,800
Speaker 1: say it was the record working. They're like, DJ played

581
00:33:38,840 --> 00:33:40,960
Speaker 1: it five times last night. Come to fire down the

582
00:33:44,120 --> 00:33:47,200
Speaker 1: gotta remember you gotta remember right now, you know, saving

583
00:33:47,400 --> 00:33:49,200
Speaker 1: a street team, they have to show you that they

584
00:33:49,280 --> 00:33:52,400
Speaker 1: put on the posters and all that, like black then

585
00:33:52,520 --> 00:33:54,840
Speaker 1: they didn't even you. Just you just I don't know

586
00:33:54,880 --> 00:33:59,040
Speaker 1: what that's all bullshit. You take a picture, come right down.

587
00:33:59,160 --> 00:34:01,640
Speaker 1: I worked the Street Team, Yeah, in New York that

588
00:34:01,880 --> 00:34:05,400
Speaker 1: I Wasna Loud. I did Loud and I worked. I

589
00:34:05,480 --> 00:34:10,240
Speaker 1: worked on def Jam, I work Foxy Brown h Blood

590
00:34:10,280 --> 00:34:13,799
Speaker 1: is My Blood in My Blood for DMX Wow China

591
00:34:13,880 --> 00:34:17,640
Speaker 1: Doll and then on Loud, I did Capital Punishment, that's

592
00:34:17,680 --> 00:34:21,640
Speaker 1: the Trenches, Trenches and then the Loud guys. They found

593
00:34:21,680 --> 00:34:23,319
Speaker 1: out that I was working with Def Jam and it's

594
00:34:23,320 --> 00:34:27,239
Speaker 1: like you got you gotta choose. So I chose Loud

595
00:34:27,480 --> 00:34:31,080
Speaker 1: because Steve, Steve Ripple invented the street team, right is that?

596
00:34:31,080 --> 00:34:32,520
Speaker 1: I mean he really made it what it was for

597
00:34:32,600 --> 00:34:35,120
Speaker 1: hip hop for sure? Yeah. Did you appreciate the street

598
00:34:35,120 --> 00:34:36,920
Speaker 1: Team when you had? When you had? I was it

599
00:34:37,000 --> 00:34:39,080
Speaker 1: was two thousand nine, you know, so we we had

600
00:34:39,120 --> 00:34:41,800
Speaker 1: moved on. I mean, it was his in the relationship

601
00:34:41,840 --> 00:34:44,719
Speaker 1: with Scooter Braun when we were moving into internet era,

602
00:34:44,840 --> 00:34:47,120
Speaker 1: which is like, what was so interesting about the group

603
00:34:47,239 --> 00:34:48,960
Speaker 1: right here is that we had one foot in the

604
00:34:49,040 --> 00:34:51,440
Speaker 1: old guard and one foot in the New Guarden, and

605
00:34:51,600 --> 00:34:54,359
Speaker 1: so great the time it got to us, we're kind

606
00:34:54,400 --> 00:34:55,960
Speaker 1: of tweeners, you know what I mean, We're kind of

607
00:34:56,000 --> 00:35:05,080
Speaker 1: in between. And so he did he say tweeners first time? Yeah,

608
00:35:05,080 --> 00:35:07,440
Speaker 1: I like that. And so that's why it's interesting, because

609
00:35:07,520 --> 00:35:10,200
Speaker 1: it's about having the conversation around that two thousand and nine,

610
00:35:10,280 --> 00:35:12,960
Speaker 1: two thousand and ten, two thousand and eleven artists about

611
00:35:13,000 --> 00:35:15,280
Speaker 1: what was going on. Because now everything's moving so fast.

612
00:35:16,160 --> 00:35:19,680
Speaker 1: Are we still interested in building careers that last? Are

613
00:35:19,880 --> 00:35:24,400
Speaker 1: we interested in just getting us the quick money? Depends

614
00:35:24,440 --> 00:35:26,200
Speaker 1: on who you're talking to. The stalking to the artists

615
00:35:26,200 --> 00:35:28,880
Speaker 1: they want to last. We're talking to whoever profiting off

616
00:35:28,880 --> 00:35:30,759
Speaker 1: the artists, And some artists might not. You know, some

617
00:35:30,960 --> 00:35:32,879
Speaker 1: artists might be like, dude, give me two to five

618
00:35:33,000 --> 00:35:36,319
Speaker 1: good years. And they're really artists, you know what I'm saying.

619
00:35:36,320 --> 00:35:38,000
Speaker 1: Because I feel like there's an artist that's just like

620
00:35:38,520 --> 00:35:40,400
Speaker 1: it looks cool, let me just do it quick. And

621
00:35:40,840 --> 00:35:43,239
Speaker 1: but if you're into it, into the craft, you want

622
00:35:43,280 --> 00:35:44,839
Speaker 1: to last for a while. But I feel like we don't.

623
00:35:45,239 --> 00:35:48,640
Speaker 1: That's not rewarded, you know, it's not. It's it's encouraged

624
00:35:48,760 --> 00:35:50,759
Speaker 1: at all. It's like, oh, you want to take your time.

625
00:35:51,000 --> 00:35:53,160
Speaker 1: I remember someone talking about how like rock Him Right

626
00:35:53,200 --> 00:35:55,239
Speaker 1: would have like two years between an album, and that's

627
00:35:55,280 --> 00:35:57,400
Speaker 1: the standard amount of time. But now it's like, if

628
00:35:57,440 --> 00:35:59,359
Speaker 1: you're not putting out a project, I would even say

629
00:35:59,360 --> 00:36:01,080
Speaker 1: every three months, but it's really like I want to

630
00:36:01,160 --> 00:36:05,239
Speaker 1: say six months, but you're you're yeah, and like, how

631
00:36:05,280 --> 00:36:09,320
Speaker 1: do you expect to like I mean again, energetically, spiritually, physically,

632
00:36:09,800 --> 00:36:12,680
Speaker 1: just like reinvigorate yourself to be able to put out

633
00:36:12,760 --> 00:36:15,759
Speaker 1: something of value in substance every six months, and that

634
00:36:15,800 --> 00:36:17,640
Speaker 1: you've got to keep up on social media, which is

635
00:36:17,680 --> 00:36:20,080
Speaker 1: like promoting every single day, like if you're promoting an album.

636
00:36:20,080 --> 00:36:22,600
Speaker 1: But it truly unsustained, especially if you don't have that.

637
00:36:22,840 --> 00:36:26,359
Speaker 1: Everybody in the game right now, it's t's it's it's

638
00:36:26,400 --> 00:36:29,040
Speaker 1: not it's just not real. And the people that are

639
00:36:29,120 --> 00:36:33,440
Speaker 1: succeeding it's completely false. It's just not even look they

640
00:36:33,440 --> 00:36:35,560
Speaker 1: don't even look at it. And they're getting all the numbers.

641
00:36:35,600 --> 00:36:39,080
Speaker 1: I mean, somebody who I'm not necessarily a fan of,

642
00:36:39,200 --> 00:36:40,759
Speaker 1: but has it figured out? Is that one of the

643
00:36:40,960 --> 00:36:44,960
Speaker 1: was the Pall kids, the boxer kids. Yeah you got here,

644
00:36:45,080 --> 00:36:48,719
Speaker 1: just had this. Why don't crying right now? Do you

645
00:36:48,760 --> 00:36:50,520
Speaker 1: know what I'm saying? Like he just has to figured

646
00:36:50,520 --> 00:36:54,360
Speaker 1: out he understands the game of right now. You're not

647
00:36:54,440 --> 00:36:56,320
Speaker 1: a fan of the poll to it, it's just like,

648
00:36:56,520 --> 00:36:59,239
Speaker 1: you know, I'm I'm a fan of boxing, and like,

649
00:36:59,360 --> 00:37:01,560
Speaker 1: let's see where going good? I was saying, And they're

650
00:37:01,560 --> 00:37:05,960
Speaker 1: making fifty million dollars beating the game as is right now.

651
00:37:06,280 --> 00:37:09,480
Speaker 1: Although you're not a fan, you're a fan, okay, you know.

652
00:37:09,840 --> 00:37:12,879
Speaker 1: It's just you know, I'll never what is it? Uh,

653
00:37:13,560 --> 00:37:16,759
Speaker 1: don't hate the player in the game. Comes it's kind

654
00:37:16,760 --> 00:37:18,040
Speaker 1: of what it is right now. And I just feel

655
00:37:18,080 --> 00:37:21,360
Speaker 1: like we are perpetuating and encouraging the wrong ship. Not

656
00:37:21,480 --> 00:37:24,800
Speaker 1: necessarily the wrong ship, but just like they're they're basically

657
00:37:24,880 --> 00:37:27,719
Speaker 1: cutting people like us out who give a funk and

658
00:37:27,840 --> 00:37:31,000
Speaker 1: who are you know trying to do things like in

659
00:37:31,080 --> 00:37:33,480
Speaker 1: a sustainable way, And it's just like no, no, not

660
00:37:33,680 --> 00:37:38,000
Speaker 1: moving on. It's like drug hides. Let everybody's society the

661
00:37:38,280 --> 00:37:40,880
Speaker 1: other day, Like, and I can't say I'm a fan

662
00:37:40,960 --> 00:37:42,319
Speaker 1: of kind of mc gregor. I can say I watched

663
00:37:42,400 --> 00:37:44,520
Speaker 1: him shut up the house, but it just seems so

664
00:37:44,680 --> 00:37:47,520
Speaker 1: much hate. He broke his fucking foot, and like, no

665
00:37:47,640 --> 00:37:52,080
Speaker 1: one has simpthy for this guy, even him at the end,

666
00:37:52,200 --> 00:37:54,319
Speaker 1: we're just broken foot was talking about your baby mamas

667
00:37:54,360 --> 00:37:58,400
Speaker 1: and my dams or something like a baby side of

668
00:37:58,440 --> 00:38:00,319
Speaker 1: the story. You know what I'm saying. He's saying all

669
00:38:00,360 --> 00:38:02,959
Speaker 1: that ship. Yeah, okay, I didn't know, but I was like, damn,

670
00:38:03,000 --> 00:38:04,960
Speaker 1: nobody got a little bit of sympathy for the dude.

671
00:38:05,160 --> 00:38:09,680
Speaker 1: Dude just broke it. Maybe it's me society just everyone's

672
00:38:09,719 --> 00:38:11,880
Speaker 1: used to this, um you didn't hip hop, but be

673
00:38:11,960 --> 00:38:15,879
Speaker 1: here at the level of side right now, I mean

674
00:38:15,960 --> 00:38:18,040
Speaker 1: it evolves. I mean I didn't think it would be

675
00:38:18,080 --> 00:38:22,320
Speaker 1: where it is now, but you know, I kind of

676
00:38:22,360 --> 00:38:25,120
Speaker 1: had a sense of it. I mean I had to deal.

677
00:38:25,160 --> 00:38:28,200
Speaker 1: I had a Honda commercial, so like I knew it

678
00:38:28,280 --> 00:38:30,560
Speaker 1: was gonna be going in the direction of you know,

679
00:38:31,520 --> 00:38:34,080
Speaker 1: capital But when you say hand the commercial, people got

680
00:38:34,160 --> 00:38:36,759
Speaker 1: to know through rap, through rap. Yeah I got it

681
00:38:36,800 --> 00:38:38,279
Speaker 1: through rap, you know what I'm saying. I had two

682
00:38:38,280 --> 00:38:41,000
Speaker 1: commercials through rap, And how do people feel when you

683
00:38:41,080 --> 00:38:43,040
Speaker 1: did that? Because I did imagine back then they would

684
00:38:43,040 --> 00:38:45,840
Speaker 1: probably this in it. Yeah, of course, now everybody's like

685
00:38:45,880 --> 00:38:48,800
Speaker 1: because I remember when Wooton did the Mountain Dew and

686
00:38:48,840 --> 00:38:51,279
Speaker 1: people were like, Nah, that ain't this is not real

687
00:38:51,400 --> 00:38:53,920
Speaker 1: hip hop. But you know, I'm sure that check was crazy.

688
00:38:54,560 --> 00:38:55,920
Speaker 1: I went to the mittal box every day. There was

689
00:38:55,920 --> 00:38:58,040
Speaker 1: a check in the mill box every single day. And

690
00:38:58,200 --> 00:39:02,480
Speaker 1: for me, you know, doing at Honda commercial like Q

691
00:39:02,640 --> 00:39:05,879
Speaker 1: Tip tried out for its trout out for its London

692
00:39:06,120 --> 00:39:07,960
Speaker 1: yl A, like a lot of people try out your

693
00:39:08,760 --> 00:39:12,719
Speaker 1: glasses on right now, yeah, you know. And then I

694
00:39:12,800 --> 00:39:14,879
Speaker 1: did that, you know, I did. I did the commercials

695
00:39:15,400 --> 00:39:16,879
Speaker 1: and it was good for me. That was my first

696
00:39:16,880 --> 00:39:18,719
Speaker 1: time going to l A. Like I've never even been

697
00:39:18,760 --> 00:39:20,520
Speaker 1: in to l A. This was two thousand eight. I

698
00:39:20,680 --> 00:39:23,759
Speaker 1: was poor as hell, So my first real checks was

699
00:39:23,880 --> 00:39:26,040
Speaker 1: from Honda and then I started to when I went

700
00:39:26,080 --> 00:39:28,120
Speaker 1: on store after the cover came out. That's when I

701
00:39:28,160 --> 00:39:31,160
Speaker 1: started making hip hop money. But to answer a question

702
00:39:32,120 --> 00:39:34,080
Speaker 1: from that, I knew hip hop was gonna go further

703
00:39:34,160 --> 00:39:36,680
Speaker 1: and further and further and further and further because it

704
00:39:36,840 --> 00:39:41,200
Speaker 1: rules the world. It dictates everything. Everything is revolving around

705
00:39:41,560 --> 00:39:45,640
Speaker 1: our language, the way we dress, the way we speak.

706
00:39:46,000 --> 00:39:48,480
Speaker 1: It is crazy like going to Europe, Japan, all of

707
00:39:48,520 --> 00:39:50,640
Speaker 1: those things. When you go to those places, they love

708
00:39:50,719 --> 00:39:53,880
Speaker 1: us and they embrace it, and and it's you know,

709
00:39:53,960 --> 00:39:55,640
Speaker 1: we take it for granted. Here it's like you don't

710
00:39:55,680 --> 00:39:58,200
Speaker 1: even know it. It permeates everything. Like you're watch CNN

711
00:39:58,239 --> 00:40:02,560
Speaker 1: and they're talking slam, right, it's so normal now normal anymore,

712
00:40:02,600 --> 00:40:04,920
Speaker 1: it's still like that's dub oh yeah, yeah, yeah, you

713
00:40:04,960 --> 00:40:06,600
Speaker 1: know I got beet with that person. Gonna come on, man,

714
00:40:06,600 --> 00:40:09,279
Speaker 1: you didn't talk like that ten years ago. There's like

715
00:40:09,440 --> 00:40:12,960
Speaker 1: literally that one dude. He sends off catchphrases all the time. Rappers.

716
00:40:13,360 --> 00:40:16,239
Speaker 1: It's like stick, I forgot his name. I know you're

717
00:40:16,239 --> 00:40:20,000
Speaker 1: talking about Yeah, I talking about Jake Tapper, But you

718
00:40:21,160 --> 00:40:23,200
Speaker 1: be coming from where you're coming with hip hop up

719
00:40:23,239 --> 00:40:26,399
Speaker 1: be as big as it is? Uh in a way? Yeah,

720
00:40:26,800 --> 00:40:29,040
Speaker 1: I got into the into hip hop later, you know

721
00:40:29,040 --> 00:40:32,440
Speaker 1: what I mean, like when I was fifteen, But you're skateboarding? No,

722
00:40:33,000 --> 00:40:34,480
Speaker 1: what does that have to do with my step that?

723
00:40:35,600 --> 00:40:37,320
Speaker 1: You know what I mean? So let me listen to

724
00:40:37,440 --> 00:40:40,040
Speaker 1: hip hop? The step that what he was a pastor

725
00:40:40,200 --> 00:40:42,560
Speaker 1: so he listen to hip hop or what I mean,

726
00:40:43,360 --> 00:40:46,400
Speaker 1: and then uh, fifteen, you know what I mean. I

727
00:40:46,440 --> 00:40:51,719
Speaker 1: started listening to hip hop and uh, DMX, you know

728
00:40:51,760 --> 00:40:56,840
Speaker 1: what I mean. Um, but yeah, I thought, you know

729
00:40:57,040 --> 00:41:01,120
Speaker 1: from what from fifteen getting into it, I definitely saw

730
00:41:01,239 --> 00:41:03,560
Speaker 1: the thought that it was gonna be big, you know

731
00:41:03,600 --> 00:41:08,040
Speaker 1: what I mean, And it's it's super huge right now. Yeah. No,

732
00:41:08,200 --> 00:41:09,799
Speaker 1: this is a part of the show. We do quick

733
00:41:09,840 --> 00:41:13,439
Speaker 1: time or slop. So everybody lot these shots. You get one.

734
00:41:14,440 --> 00:41:16,799
Speaker 1: You can pick one, or you can pick two. If

735
00:41:16,840 --> 00:41:18,800
Speaker 1: you pick two, you gotta take a shot. If you

736
00:41:18,840 --> 00:41:21,680
Speaker 1: pick neither, you take a shot. You pick one or

737
00:41:21,680 --> 00:41:29,000
Speaker 1: the other. Okay, I understand. All right, cool, cool, you're ready. Yeah,

738
00:41:29,320 --> 00:41:33,440
Speaker 1: point yourself a shot though, and you're okay cool and

739
00:41:33,600 --> 00:41:41,040
Speaker 1: start with sneaky with you nas on jay Z jay

740
00:41:41,120 --> 00:41:48,440
Speaker 1: z ja jay Z Jasna. All right, everybody made it cool, survive.

741
00:41:49,239 --> 00:41:53,680
Speaker 1: But let me pull my shot out. Okay, this one,

742
00:41:53,719 --> 00:41:58,200
Speaker 1: I believe everybody's gonna take a shot DMX or two

743
00:41:58,239 --> 00:42:06,680
Speaker 1: pa DMX, next tup. Okay, West Coast jumped out of y'all. Yeah, yeah,

744
00:42:07,280 --> 00:42:12,719
Speaker 1: I leave from New York. I'm taking a shot because

745
00:42:12,719 --> 00:42:23,480
Speaker 1: I'm picking both ups at the spools. Motherfucker low ace

746
00:42:23,560 --> 00:42:28,319
Speaker 1: hood of currency currency and currency currency. Damn, it's harsh.

747
00:42:29,440 --> 00:42:35,720
Speaker 1: All right. Nineties are two thousands of hip hop nineties. Nineties,

748
00:42:35,880 --> 00:42:39,359
Speaker 1: I go nineties, I go names. Definitely nineties. All right,

749
00:42:40,480 --> 00:42:46,680
Speaker 1: podcast a radio podcast, radio, there's the same thing. All right.

750
00:42:46,719 --> 00:42:50,160
Speaker 1: So yeah, I like your staff one of them. That's

751
00:42:50,200 --> 00:42:53,480
Speaker 1: how to do it. We'll drink you. We're gonna let

752
00:42:53,480 --> 00:42:57,600
Speaker 1: you live by yourself. Bro alright, crazy crazy, Can I

753
00:42:57,640 --> 00:43:05,560
Speaker 1: get a shot class? Ye? All right? Um, definitely start

754
00:43:05,640 --> 00:43:09,120
Speaker 1: with you with this one. Okay, definitely, it's definitely racio

755
00:43:11,320 --> 00:43:18,640
Speaker 1: eminem or mg k eminem eminem you know, I mean

756
00:43:18,640 --> 00:43:28,120
Speaker 1: it's rail I'm sorry, Um let's go mickihroom, all right,

757
00:43:30,080 --> 00:43:36,400
Speaker 1: I'm not it's you man. I'm going to killy man.

758
00:43:38,120 --> 00:43:43,480
Speaker 1: I just want to drinking. I'm holding you down, machine good.

759
00:43:44,120 --> 00:43:47,600
Speaker 1: All right, this one should be definitely up in the air.

760
00:43:47,840 --> 00:43:49,560
Speaker 1: I think everyone should take a shot to this one.

761
00:43:49,719 --> 00:43:53,360
Speaker 1: But I could be wrong. Starting with you making facts

762
00:43:54,239 --> 00:43:57,200
Speaker 1: big point of big gul Oh god, take a shot.

763
00:43:57,360 --> 00:43:59,680
Speaker 1: You can say both. You gotta go back to New York.

764
00:43:59,719 --> 00:44:04,400
Speaker 1: I'm just I'm gonna take a shot. But I'm from

765
00:44:04,440 --> 00:44:08,120
Speaker 1: the Bronx. But I'm gonna take a shot. So I

766
00:44:08,239 --> 00:44:11,080
Speaker 1: like that. Take your shot, your pick. Yeah. He was like,

767
00:44:11,160 --> 00:44:14,080
Speaker 1: we like this. So you're saying I'm gonna take pun

768
00:44:14,280 --> 00:44:17,319
Speaker 1: I'm from the Bronx man, Okay, big punt. But I'm

769
00:44:17,360 --> 00:44:21,279
Speaker 1: gonna take a shot though, Okay, big okay? Cool? Yeah

770
00:44:21,440 --> 00:44:25,279
Speaker 1: for me, it's both. Yeah, take a shot, take a shot,

771
00:44:25,600 --> 00:44:30,080
Speaker 1: shot alight. I had time to think about it. I

772
00:44:30,160 --> 00:44:32,880
Speaker 1: was like, you gotta take a shot. That's that's by

773
00:44:32,960 --> 00:44:36,520
Speaker 1: the way, he's drinking that drink Champs bit. That's right. Damn,

774
00:44:37,280 --> 00:44:44,000
Speaker 1: it's true, drinking that drink Chace bit. Alright, my my,

775
00:44:44,120 --> 00:44:52,040
Speaker 1: whole conversation about balance and all that. To get crazy.

776
00:44:52,120 --> 00:44:54,600
Speaker 1: He's like, say something to take a track, so little

777
00:44:54,600 --> 00:45:01,160
Speaker 1: say something something, taking a little car, you bounce after

778
00:45:01,200 --> 00:45:03,680
Speaker 1: the show. Okay, I'm up in the air with this one.

779
00:45:03,719 --> 00:45:05,440
Speaker 1: I don't know, so I'm gonna go with you first,

780
00:45:06,800 --> 00:45:13,359
Speaker 1: Kanyellez And he's like, come on, man, just take the shot.

781
00:45:14,120 --> 00:45:18,640
Speaker 1: Take the shot, I expect. Yeah, don't leave him into

782
00:45:18,640 --> 00:45:21,359
Speaker 1: the I'm gonna going I'm gonna go for real, smart man,

783
00:45:21,520 --> 00:45:28,200
Speaker 1: let's go. I mean, take the shot. God you get here.

784
00:45:30,000 --> 00:45:32,680
Speaker 1: Was getting good it's getting good. It's getting good. This

785
00:45:32,760 --> 00:45:34,080
Speaker 1: one is this one. I'm up in the heir. I

786
00:45:34,120 --> 00:45:35,680
Speaker 1: don't know where you're gonna go with this one. All

787
00:45:35,719 --> 00:45:39,760
Speaker 1: of it is up there, George Clooney. These are literally

788
00:45:39,960 --> 00:45:45,520
Speaker 1: unanswerable customs. But yeah, it's yeah. You don't got your sport.

789
00:45:45,560 --> 00:45:52,000
Speaker 1: You gotta take it all right, you too, buddy. These

790
00:45:52,000 --> 00:45:55,439
Speaker 1: white people parties, bro like, let's be like yore like. Yeah,

791
00:45:55,840 --> 00:45:57,719
Speaker 1: you're not hitting my record, I said at the White

792
00:45:57,800 --> 00:46:01,120
Speaker 1: Boy Club while I'm buying the ball. Now I've been

793
00:46:01,200 --> 00:46:10,800
Speaker 1: intory party. Who outside? You have no idea? Man, I

794
00:46:10,840 --> 00:46:12,480
Speaker 1: have to go on to go all the drugs too,

795
00:46:12,640 --> 00:46:15,719
Speaker 1: come back in the day. Well not too far. Well,

796
00:46:15,760 --> 00:46:27,840
Speaker 1: I'll tell you, okay, okay, Wiles kick Cutty, Oh, come on, man, Cutty,

797
00:46:27,960 --> 00:46:31,240
Speaker 1: I gotta same Cutty Cutty. Yeah, you're going with the facts.

798
00:46:32,600 --> 00:46:35,520
Speaker 1: Are you're going with it? I gotta go, Cutty. I

799
00:46:35,560 --> 00:46:37,000
Speaker 1: think you gotta take a fact. I gets a shot

800
00:46:37,000 --> 00:46:40,279
Speaker 1: because you'll for them though as y'all three, that's y'all

801
00:46:40,320 --> 00:46:41,759
Speaker 1: three being a gailly. I supposed to be a unit.

802
00:46:41,760 --> 00:46:50,120
Speaker 1: Say so you have to get it's a new room, man, Okay,

803
00:46:50,239 --> 00:46:53,040
Speaker 1: y'all was confused for them, though, we're gonna get into

804
00:46:53,080 --> 00:46:58,839
Speaker 1: that next Okay, all right, there we posted. All right,

805
00:46:58,880 --> 00:47:02,400
Speaker 1: this one is good. All right, this one is good.

806
00:47:02,440 --> 00:47:10,560
Speaker 1: I got shot. All right, yeah, Cardi b or Nikki

807
00:47:10,880 --> 00:47:16,080
Speaker 1: manage bro. You want to explain why I just want

808
00:47:16,120 --> 00:47:21,000
Speaker 1: to just take NICKI uh yeah, I just Nikki. That's it, alright.

809
00:47:21,000 --> 00:47:23,560
Speaker 1: I respect that Nicky facts A look like you're better

810
00:47:23,600 --> 00:47:26,200
Speaker 1: take another shot, nick I tell you call nicky facts right,

811
00:47:30,880 --> 00:47:32,879
Speaker 1: queen ship in my mind, I'm sorry, I say, Cardi

812
00:47:32,920 --> 00:47:36,720
Speaker 1: Bardi b Okay, all right, I respect all your answers. Okay, okay,

813
00:47:37,040 --> 00:47:38,719
Speaker 1: but you still got a shot. That's for the next one.

814
00:47:38,880 --> 00:47:40,720
Speaker 1: That for the last one. It was it was supposed

815
00:47:40,760 --> 00:47:43,320
Speaker 1: to be last one. It's why they want to you

816
00:47:43,320 --> 00:47:47,560
Speaker 1: want to knock those off? Okay, breaking the rules? No, no, no,

817
00:47:47,719 --> 00:47:49,560
Speaker 1: that's for the last one. Y'all for the boy. And

818
00:47:49,640 --> 00:47:53,200
Speaker 1: then I said, now I think again, we're thinking good,

819
00:47:53,239 --> 00:48:04,280
Speaker 1: getting good right here? All right, little Kim a Foxy

820
00:48:04,320 --> 00:48:11,200
Speaker 1: brand oh man, boxy Kim Foxy Wow. All right, I'm

821
00:48:11,200 --> 00:48:12,839
Speaker 1: gonna let you get away with that, even though you're

822
00:48:12,840 --> 00:48:17,080
Speaker 1: supposed to be a unisist. Again, that's cool, usual to

823
00:48:17,160 --> 00:48:18,840
Speaker 1: do like Steve Harvey, with the buzzer. You gotta you

824
00:48:18,840 --> 00:48:22,640
Speaker 1: gotta talk to each other. Back for the next year,

825
00:48:22,840 --> 00:48:25,400
Speaker 1: back for the next year. Okay, I this one. I

826
00:48:25,480 --> 00:48:30,880
Speaker 1: don't know pone flex or DJ clue flex clue for

827
00:48:31,000 --> 00:48:36,000
Speaker 1: me Black, he was from the West Coast. You used

828
00:48:36,000 --> 00:48:42,040
Speaker 1: to say what I'm saying. Okay, lets you get away

829
00:48:42,040 --> 00:48:46,759
Speaker 1: with it. Though, this is my personal favorite question to

830
00:48:46,840 --> 00:48:54,160
Speaker 1: ask on the show. Independent or Major. I mean the

831
00:48:54,239 --> 00:48:58,040
Speaker 1: goal is major. No, but I'm a say independent independent

832
00:48:58,960 --> 00:49:02,520
Speaker 1: Major really a shot with you. I'm gonna take a

833
00:49:02,560 --> 00:49:05,640
Speaker 1: shot with you because he's really waiting for someone to say.

834
00:49:07,440 --> 00:49:11,680
Speaker 1: Don't worry, You're gonna splay ship. Yeah, it's real, it's

835
00:49:11,680 --> 00:49:16,520
Speaker 1: the thing that we got. I say independent. Let's listen. Wow,

836
00:49:16,840 --> 00:49:20,440
Speaker 1: you want to take a shot for he wanted you

837
00:49:20,440 --> 00:49:23,239
Speaker 1: should just join us. Was with us, He was with us,

838
00:49:23,280 --> 00:49:26,760
Speaker 1: and then we're gonna explain. Let's take a shot. Gonna

839
00:49:26,760 --> 00:49:29,160
Speaker 1: make you fast your birthday, God damn it, fucking come one,

840
00:49:29,280 --> 00:49:36,600
Speaker 1: got damn let's do it. Solottle, Solottle, tear, motherfucking Salottle,

841
00:49:36,600 --> 00:49:40,239
Speaker 1: so little you motherfucker the blue making facts, motherfucker as roll.

842
00:49:40,480 --> 00:49:48,279
Speaker 1: Happy birthday man. Now I'm gonna start with you. Why

843
00:49:48,320 --> 00:49:55,480
Speaker 1: did you say major h uh more opportunities? I agree?

844
00:49:55,600 --> 00:49:58,000
Speaker 1: You know what I mean, I agree with you. How

845
00:49:58,040 --> 00:50:00,160
Speaker 1: about you, as you said, well, here's the and I

846
00:50:00,320 --> 00:50:02,480
Speaker 1: was talking to your off camera about this. If you're

847
00:50:02,520 --> 00:50:04,920
Speaker 1: on a major label, you're getting a lot of other

848
00:50:05,000 --> 00:50:09,320
Speaker 1: people paid. Yes, so you've got a lot of other responsibilities,

849
00:50:09,360 --> 00:50:12,239
Speaker 1: so to speak. That's why I choose independent, because you

850
00:50:12,360 --> 00:50:14,799
Speaker 1: just get to you know, focus in do your ship.

851
00:50:15,040 --> 00:50:18,480
Speaker 1: But you know, on a major label, if you if

852
00:50:18,600 --> 00:50:20,600
Speaker 1: that's your path and that's what you're trying to do,

853
00:50:22,239 --> 00:50:25,320
Speaker 1: and you're cool with having responsibilities for other people, and

854
00:50:25,600 --> 00:50:29,000
Speaker 1: you know all that jazz, there's the rewards are high.

855
00:50:29,440 --> 00:50:32,600
Speaker 1: I actually love his breakdown because that breakdown was actually

856
00:50:33,080 --> 00:50:35,759
Speaker 1: sufficient to what I'm saying. It's like I rather have

857
00:50:35,880 --> 00:50:38,440
Speaker 1: those responsibilities. There are certain people who don't want to

858
00:50:39,040 --> 00:50:43,319
Speaker 1: and downgrade yourself. You used to roll twelve thirteen deep,

859
00:50:43,360 --> 00:50:45,280
Speaker 1: Now you wrote three dep But you know what I'm saying,

860
00:50:45,880 --> 00:50:48,759
Speaker 1: you don't. I remember my perspective was, It's not that

861
00:50:48,840 --> 00:50:51,919
Speaker 1: I'm dis in majorcause I feel like you should be independent,

862
00:50:52,120 --> 00:50:55,080
Speaker 1: self sufficient and then be able to upstream yourself to

863
00:50:55,120 --> 00:50:58,040
Speaker 1: a major, take advantage and own your ship. But you

864
00:50:58,160 --> 00:51:00,719
Speaker 1: get signed to a major immediately your own know that's true,

865
00:51:02,520 --> 00:51:05,399
Speaker 1: That's what I mean. That's the point is you could

866
00:51:05,440 --> 00:51:07,360
Speaker 1: be on a major, but you come from an independent

867
00:51:07,360 --> 00:51:10,080
Speaker 1: background where were already self sufficient, then that's just another

868
00:51:10,360 --> 00:51:13,120
Speaker 1: tool for you. So your point is to come into

869
00:51:13,160 --> 00:51:15,720
Speaker 1: the independent would be so valuable that when you switch

870
00:51:15,760 --> 00:51:17,680
Speaker 1: and transition to a major, they give you that same

871
00:51:17,719 --> 00:51:20,160
Speaker 1: independent type of deal, meaning you still have that kind

872
00:51:20,200 --> 00:51:22,160
Speaker 1: of you owning your masters and you still have that,

873
00:51:22,360 --> 00:51:24,160
Speaker 1: But do you have that major push that is the

874
00:51:24,239 --> 00:51:28,080
Speaker 1: ultimate golf? That's what That's what I always said. That's me.

875
00:51:28,200 --> 00:51:31,239
Speaker 1: Nobody's argued that the machine that's the major. Here's the

876
00:51:31,320 --> 00:51:34,359
Speaker 1: money that's the major. We can't put that. We can't

877
00:51:34,400 --> 00:51:36,959
Speaker 1: fight that machine. Let me just tell yourself. Every time,

878
00:51:37,239 --> 00:51:39,120
Speaker 1: like when we had Trini, Dad, James here we had

879
00:51:39,360 --> 00:51:42,319
Speaker 1: every time, when is that one record that goes through

880
00:51:42,400 --> 00:51:45,719
Speaker 1: the roof. No one can't debate that. No, one can't

881
00:51:45,719 --> 00:51:48,800
Speaker 1: debate with the machine that When when James drive, was

882
00:51:48,840 --> 00:51:53,800
Speaker 1: that gold, all my gold, all of them up? We

883
00:51:54,000 --> 00:51:56,799
Speaker 1: said what's my name? He said, top Roll Big, what's

884
00:51:57,280 --> 00:52:02,640
Speaker 1: namely Roll? We don't look record and this just went

885
00:52:02,719 --> 00:52:05,480
Speaker 1: through the roof. When you get those certain records that

886
00:52:05,600 --> 00:52:09,120
Speaker 1: go through the roof. You have to attribute these major ladies.

887
00:52:09,160 --> 00:52:11,200
Speaker 1: You have to say to them that this is just

888
00:52:11,400 --> 00:52:15,600
Speaker 1: a few and farm between. If you already come in

889
00:52:16,320 --> 00:52:20,080
Speaker 1: independently minded or structured and have some kind of success

890
00:52:20,080 --> 00:52:22,800
Speaker 1: independently you're in the major. You could have a mediocre

891
00:52:22,960 --> 00:52:25,600
Speaker 1: hit come off the Major, and you're even better off.

892
00:52:25,800 --> 00:52:28,480
Speaker 1: Like right now, right now, I was telling people recently,

893
00:52:28,520 --> 00:52:31,800
Speaker 1: I'm saying, it's ironic, did you sign an artist without

894
00:52:31,840 --> 00:52:35,680
Speaker 1: a buzz? Because right now labels are the laziest they've

895
00:52:35,680 --> 00:52:39,759
Speaker 1: ever been because they don't even All they need to

896
00:52:39,800 --> 00:52:42,320
Speaker 1: do is have you build a buzz? Have you have

897
00:52:42,480 --> 00:52:47,000
Speaker 1: two million on sound class and they come in data

898
00:52:47,160 --> 00:52:49,600
Speaker 1: or whatever, data gasoline to the fire. And at that

899
00:52:49,640 --> 00:52:51,160
Speaker 1: point you don't even need the lady. You don't need

900
00:52:51,200 --> 00:52:54,760
Speaker 1: them if you're spoiled off. I mean, for me, like again,

901
00:52:55,480 --> 00:53:01,880
Speaker 1: I came to tonil Levin and shot records with two commercials,

902
00:53:03,200 --> 00:53:07,279
Speaker 1: a Sports to deal it's in the game, It's in

903
00:53:07,360 --> 00:53:12,880
Speaker 1: the game, the Puma deal, and a fan base and

904
00:53:12,920 --> 00:53:15,400
Speaker 1: a bus I was on. I was in every magazine

905
00:53:15,920 --> 00:53:17,960
Speaker 1: only fans. I said, you had only fans. Never said

906
00:53:18,000 --> 00:53:30,800
Speaker 1: that when I came into the label all my own ships.

907
00:53:30,880 --> 00:53:32,520
Speaker 1: So when it was time they wanted to give me

908
00:53:32,560 --> 00:53:36,280
Speaker 1: a three sixty deal, shout the bob. Selection. Wasn't happening

909
00:53:36,280 --> 00:53:39,759
Speaker 1: that because we came in with everything already, kn't saying nothing.

910
00:53:39,960 --> 00:53:42,000
Speaker 1: You know, all you're doing is enhancing in a little bit.

911
00:53:42,239 --> 00:53:44,400
Speaker 1: And then when they did my deals like what e

912
00:53:44,560 --> 00:53:46,920
Speaker 1: a after me, it was because I already had that

913
00:53:47,040 --> 00:53:50,279
Speaker 1: situation with them, so all they did was enhancing by

914
00:53:50,440 --> 00:53:52,080
Speaker 1: you know, I did the Vibo thing. I was one

915
00:53:52,120 --> 00:53:55,320
Speaker 1: of the first artists to you know, put Paradise on Vibo.

916
00:53:55,640 --> 00:53:57,480
Speaker 1: You know, I was one of those guys. But like,

917
00:53:57,560 --> 00:53:59,759
Speaker 1: aside from that, like you know, one or six, aside

918
00:53:59,760 --> 00:54:02,239
Speaker 1: from like I did everything on my home. Can I

919
00:54:02,280 --> 00:54:04,640
Speaker 1: ask a question? So it's a three sixty deal? New?

920
00:54:04,960 --> 00:54:07,440
Speaker 1: Is that a new concept? Not new? Now? Not now?

921
00:54:07,800 --> 00:54:09,840
Speaker 1: That was worse, but I'm talking about when you were

922
00:54:09,880 --> 00:54:12,200
Speaker 1: coming up. No, what was the deal, Like, what was

923
00:54:12,239 --> 00:54:15,680
Speaker 1: the kind of been worse? No, No, it wasn't worse

924
00:54:15,719 --> 00:54:18,080
Speaker 1: because it wasn't taking a piece of your merchandise. They

925
00:54:18,120 --> 00:54:20,040
Speaker 1: wasn't taking to it wasn't taking it wasn't taking a

926
00:54:20,080 --> 00:54:22,279
Speaker 1: piece of your publishing. At the time, That's what the

927
00:54:22,320 --> 00:54:26,080
Speaker 1: three six noted that, and then it took loyalty. I't

928
00:54:26,120 --> 00:54:31,279
Speaker 1: take a piece for yourself. My publisher was taking what

929
00:54:31,320 --> 00:54:32,960
Speaker 1: I was seeing three sixt No, but you didn't. The

930
00:54:33,000 --> 00:54:35,279
Speaker 1: publisher was taken with a publisher. You didn't do it.

931
00:54:35,360 --> 00:54:37,520
Speaker 1: It wasn't It wasn't penalty that took a piece of

932
00:54:37,520 --> 00:54:43,040
Speaker 1: your publishing, took your publishing. Publishing. If you look to

933
00:54:43,160 --> 00:54:45,680
Speaker 1: this day, they'll say sweet on anything on the word

934
00:54:45,719 --> 00:54:48,200
Speaker 1: force I say to see sweet twelve o five? Did

935
00:54:48,239 --> 00:54:50,120
Speaker 1: I think I had a sweet? But I was making

936
00:54:50,160 --> 00:54:52,560
Speaker 1: a word for you? Think it was a tough floor?

937
00:54:53,600 --> 00:55:00,400
Speaker 1: Sweet twelve five, like so rugged deals was sunked up

938
00:55:00,400 --> 00:55:02,719
Speaker 1: without three sixties. Let's just be clear. Let's just be clear.

939
00:55:02,800 --> 00:55:07,040
Speaker 1: Up the person's stopping to that ship. Let me tell you, Okay,

940
00:55:08,440 --> 00:55:09,920
Speaker 1: that's just a great combo. By the way, this is

941
00:55:09,920 --> 00:55:11,960
Speaker 1: a great combo. Okay, solutely all right, we got more,

942
00:55:12,040 --> 00:55:17,600
Speaker 1: we got more. Okay, we're still on quick time like

943
00:55:17,640 --> 00:55:22,000
Speaker 1: I'm playing pop. I'm here, what's up? Man's play poker

944
00:55:23,160 --> 00:55:26,400
Speaker 1: podcast or drink Champs, Drink Champs, and I ain't never

945
00:55:26,480 --> 00:55:36,440
Speaker 1: been on Joe blund Okay, this is shop at your

946
00:55:36,440 --> 00:55:40,399
Speaker 1: body right there? I hold on. I'm moving on. Dr

947
00:55:40,480 --> 00:55:50,560
Speaker 1: dre par huff for me, man, I know how I know,

948
00:55:51,320 --> 00:55:55,279
Speaker 1: but let's look at you. I need you to come

949
00:55:55,320 --> 00:55:57,719
Speaker 1: out and say, Okay, that's god damn God damn. I

950
00:55:57,840 --> 00:56:07,360
Speaker 1: respect that. Okay, kid, that's my man. Jada kiss or

951
00:56:07,400 --> 00:56:11,040
Speaker 1: push your t kiss from sorry man, j Jada kiss

952
00:56:11,120 --> 00:56:16,840
Speaker 1: Jady kiss. Can I respect these answers? Yeah? Yeah, I

953
00:56:16,920 --> 00:56:18,920
Speaker 1: guess what should be very clear around the ball easy

954
00:56:19,440 --> 00:56:24,279
Speaker 1: l a A Miami. You're gonna jump out after that.

955
00:56:26,840 --> 00:56:35,520
Speaker 1: I'm neutral to that. I'm boring us. So I feel

956
00:56:35,560 --> 00:56:37,799
Speaker 1: like this is a good one. Ice Cube scoff face,

957
00:56:38,400 --> 00:56:41,239
Speaker 1: ice Cube cute, cute for me, cue for me real yeah,

958
00:56:41,239 --> 00:56:43,640
Speaker 1: I have to great too fast. Oh yeah, but ice

959
00:56:43,760 --> 00:56:49,439
Speaker 1: cube for sure. Yeah, oh yeah, so legit ninety ones

960
00:56:49,560 --> 00:56:54,040
Speaker 1: for our phase. All right outcast or marb d I

961
00:56:54,160 --> 00:56:57,239
Speaker 1: gotta go tho man for me, yea for one ye

962
00:56:58,719 --> 00:57:05,640
Speaker 1: d he probably okay both both, just get this shot ready.

963
00:57:06,080 --> 00:57:09,919
Speaker 1: I'm not saying my favy groups about time. Hey, happy

964
00:57:09,960 --> 00:57:20,919
Speaker 1: birthday again checking out. I won't check out your only

965
00:57:21,000 --> 00:57:27,440
Speaker 1: fans tonight, happy beds and these DRIs. I'm gonna just

966
00:57:27,440 --> 00:57:30,600
Speaker 1: be on the rhyme. This one is this one stay

967
00:57:30,680 --> 00:57:38,880
Speaker 1: prop or rough riders, rough riders stay property both damn.

968
00:57:39,000 --> 00:57:47,880
Speaker 1: I gotta take shots over here, y'all killing I love it. Ye,

969
00:57:48,480 --> 00:57:53,080
Speaker 1: you're taking the whiskey. This ship is. It's good. It's

970
00:57:53,080 --> 00:57:57,120
Speaker 1: actually pretty good. Yeah, it's not bad. All right? You

971
00:57:57,160 --> 00:58:00,040
Speaker 1: want have got two more on them? Oh yeah, but

972
00:58:00,120 --> 00:58:03,840
Speaker 1: that's okay. Yeah, I only look three more, okay. Loyal

973
00:58:03,880 --> 00:58:10,160
Speaker 1: to your respect. Oh, everything's for sound for me, I'm

974
00:58:10,160 --> 00:58:17,400
Speaker 1: gonna have to say loyalty, loyalty. But you said everything.

975
00:58:17,840 --> 00:58:19,840
Speaker 1: I thought that was your hands. Everything's for sa No

976
00:58:20,080 --> 00:58:22,320
Speaker 1: it is. I mean, everything's for sund like not in

977
00:58:22,440 --> 00:58:24,480
Speaker 1: a good way. You know. That's where where we're at

978
00:58:24,560 --> 00:58:29,800
Speaker 1: right now in the hood. Loyalty for sure. Take that

979
00:58:29,880 --> 00:58:36,320
Speaker 1: brong only empty, Queen Tia m C light she is

980
00:58:36,400 --> 00:58:48,840
Speaker 1: slide mc light? Okaye, like okay? Both yeah, all right?

981
00:58:50,240 --> 00:58:56,120
Speaker 1: Steve Ripkin or Neil Levin Neil Levin. Now I'm just

982
00:58:56,200 --> 00:59:01,000
Speaker 1: gonna I'm going with Steve Rifkin because Rifkin wanted to sound. Yeah,

983
00:59:02,760 --> 00:59:08,760
Speaker 1: go on, de Lavin, Nlvina, hold your dad, come on,

984
00:59:11,000 --> 00:59:23,160
Speaker 1: take a shot for you kids. You have what happened you,

985
00:59:23,640 --> 00:59:29,000
Speaker 1: all right? So I'm gonna break it down. So while

986
00:59:29,080 --> 00:59:32,680
Speaker 1: it had a show in New York and he shot

987
00:59:32,680 --> 00:59:34,440
Speaker 1: at me and ski zoo, I'll shout the sky Zoo

988
00:59:36,200 --> 00:59:38,520
Speaker 1: and we exchanged numbers, and I was like, yo, we

989
00:59:38,560 --> 00:59:41,520
Speaker 1: should do a record. My producer at the time, Precise,

990
00:59:42,360 --> 00:59:44,439
Speaker 1: he was gonna produce the beat and we was gonna

991
00:59:44,440 --> 00:59:48,480
Speaker 1: get push your Tea on the record. You this was

992
00:59:48,520 --> 00:59:52,160
Speaker 1: two thousand eight mantro. So reach out to wi A

993
00:59:52,280 --> 00:59:55,120
Speaker 1: and you know, and I'm like, yo, he on a

994
00:59:55,160 --> 00:59:58,520
Speaker 1: freshman's class with you. This is before, this is before,

995
00:59:58,840 --> 01:00:02,040
Speaker 1: this is before. So I'm buzzing and I'm trying. I'm

996
01:00:02,040 --> 01:00:03,520
Speaker 1: trying to I'm trying to get him a part of

997
01:00:03,600 --> 01:00:08,280
Speaker 1: what I'm doing, you know what I'm saying. And he

998
01:00:08,480 --> 01:00:14,360
Speaker 1: takes forever. So I do a record called Incredible, and

999
01:00:14,840 --> 01:00:18,200
Speaker 1: I say, asked Wild, he know I'm incredible. And then

1000
01:00:18,240 --> 01:00:22,040
Speaker 1: I do another record called Sublime, where it's like the

1001
01:00:22,240 --> 01:00:26,120
Speaker 1: concept was you subliminally dissing somebody using their names, but

1002
01:00:26,240 --> 01:00:28,840
Speaker 1: you're not really dissing them. Wild took offense to that.

1003
01:00:30,520 --> 01:00:32,240
Speaker 1: So while after I put it out and again this

1004
01:00:32,360 --> 01:00:33,880
Speaker 1: is a part of the league, I'm putting the record

1005
01:00:33,920 --> 01:00:37,560
Speaker 1: out every single week on the internet, you know, first

1006
01:00:37,720 --> 01:00:39,600
Speaker 1: second one to do that because crooked I did it first.

1007
01:00:39,760 --> 01:00:41,840
Speaker 1: Let's putting song out every week, trying to crook it.

1008
01:00:42,360 --> 01:00:46,880
Speaker 1: And then while sees the record here's it, calls me,

1009
01:00:47,560 --> 01:00:51,520
Speaker 1: what is wrong with what balking on me? And I'm like, yo,

1010
01:00:51,600 --> 01:00:53,080
Speaker 1: because I wanted you to do the record. And he

1011
01:00:53,200 --> 01:00:54,800
Speaker 1: was like, yo, I got a little weight in my email.

1012
01:00:54,880 --> 01:00:58,120
Speaker 1: Give it, I take it, take me forever. Whatever bangs

1013
01:00:58,200 --> 01:01:02,680
Speaker 1: on me. Click. So I was like, okay. I was

1014
01:01:02,760 --> 01:01:04,320
Speaker 1: with my girl at the time and she was looking

1015
01:01:04,320 --> 01:01:06,280
Speaker 1: at me like, word, that's what happened. I was like, yeah,

1016
01:01:06,320 --> 01:01:09,480
Speaker 1: that's what happened. His head up by you, right. So

1017
01:01:09,800 --> 01:01:11,600
Speaker 1: I'm in Soul. I see him in Soho with the

1018
01:01:11,680 --> 01:01:16,640
Speaker 1: security guards out Soho area, so whole house, Soho not

1019
01:01:16,840 --> 01:01:19,880
Speaker 1: so okay, the Sool areas shopping you see him. I

1020
01:01:19,960 --> 01:01:22,320
Speaker 1: was by myself. He had a security guard. Huge, he

1021
01:01:22,440 --> 01:01:25,280
Speaker 1: saw me, but we walked past each other. Now we

1022
01:01:25,400 --> 01:01:28,720
Speaker 1: had the double XEL freshman cover. Right after he begged

1023
01:01:28,760 --> 01:01:32,200
Speaker 1: it on. After he banged on the big security, everybody's crazy.

1024
01:01:33,280 --> 01:01:35,959
Speaker 1: I run upon him and I'm like, what you're good?

1025
01:01:36,960 --> 01:01:38,680
Speaker 1: You know I ain't dapping your hand. Fuck you get

1026
01:01:38,720 --> 01:01:41,200
Speaker 1: up the funk out here. Ain't dapping you you're good,

1027
01:01:41,600 --> 01:01:49,080
Speaker 1: you're good walk thought on me? Right, So now, dare

1028
01:01:50,160 --> 01:01:51,840
Speaker 1: I don't think they I don't think they've ever heard

1029
01:01:51,880 --> 01:01:57,880
Speaker 1: this story. They've never heard this story, right, they've never

1030
01:01:57,960 --> 01:02:01,800
Speaker 1: heard the story. Well, keeping all because some it's the

1031
01:02:01,840 --> 01:02:04,880
Speaker 1: first time. This is the first time ever. Okay, this

1032
01:02:05,040 --> 01:02:10,000
Speaker 1: is mustache here was whirling it like a terrible Veron

1033
01:02:11,000 --> 01:02:16,280
Speaker 1: remever heard this story. So now so now at this point,

1034
01:02:17,080 --> 01:02:21,120
Speaker 1: while is super cool, he's being ultra friendly with everybody,

1035
01:02:22,040 --> 01:02:25,200
Speaker 1: Charles Hamilton is playing both sides of the fitness. Before

1036
01:02:25,280 --> 01:02:29,280
Speaker 1: Charles Hamilton girl beat him up. Okay, that wasn't a

1037
01:02:29,320 --> 01:02:36,760
Speaker 1: girl that It wasn't. So at this point, I chose

1038
01:02:36,880 --> 01:02:47,800
Speaker 1: Joe Buddon's podcast You were So So listen, So I didn't.

1039
01:02:48,160 --> 01:02:51,440
Speaker 1: I didn't have a sublime for blue or ashure coincidence,

1040
01:02:52,120 --> 01:02:54,480
Speaker 1: but I did have one for Cutty on it. So

1041
01:02:54,560 --> 01:02:57,640
Speaker 1: Cutty had took offense to it as well. But it

1042
01:02:57,880 --> 01:03:00,240
Speaker 1: wasn't a dis record. He had regular hair in, he

1043
01:03:00,600 --> 01:03:06,040
Speaker 1: had regular He was his ship, wasn't that was? That

1044
01:03:06,120 --> 01:03:08,880
Speaker 1: was my guy at the yellow He was mad at

1045
01:03:08,920 --> 01:03:14,840
Speaker 1: me too, So him, Wile and and Charles formed an alliance.

1046
01:03:16,280 --> 01:03:21,400
Speaker 1: So now we're at the photo shoot, and it's awkward

1047
01:03:22,320 --> 01:03:24,240
Speaker 1: because if you were, if you look at if you're

1048
01:03:24,240 --> 01:03:27,680
Speaker 1: awkward right now, like his reality. You know what I mean.

1049
01:03:27,720 --> 01:03:31,120
Speaker 1: This is no nobody else's experience. No, this is really

1050
01:03:31,160 --> 01:03:36,000
Speaker 1: what happened. I love it so so so while refuses

1051
01:03:36,200 --> 01:03:38,080
Speaker 1: to be in any shots with me in terms of

1052
01:03:38,760 --> 01:03:40,560
Speaker 1: how close we are. So if you look at so

1053
01:03:40,800 --> 01:03:42,640
Speaker 1: in the and so he's saying what he's saying. But

1054
01:03:42,720 --> 01:03:45,400
Speaker 1: if you look at the picture, I'm on one side,

1055
01:03:46,160 --> 01:03:49,320
Speaker 1: but you think he's iragating. I just think that, like

1056
01:03:49,480 --> 01:03:52,320
Speaker 1: people have their own ship, like they have their own

1057
01:03:52,560 --> 01:03:54,640
Speaker 1: experience of what's going on, and like what you were

1058
01:03:54,680 --> 01:03:58,400
Speaker 1: experiencing with Wile on that day is completely different than

1059
01:03:58,600 --> 01:04:02,280
Speaker 1: from you because you don't know what's going on. It

1060
01:04:02,360 --> 01:04:05,440
Speaker 1: was by himself that day. He was he was by

1061
01:04:05,560 --> 01:04:08,840
Speaker 1: himself in the armchair, just looking out the window peacefully.

1062
01:04:09,160 --> 01:04:14,840
Speaker 1: I was waiting on jail, like trying. He was going

1063
01:04:14,880 --> 01:04:20,800
Speaker 1: to trip. So at this point, right so I'm avoiding

1064
01:04:20,920 --> 01:04:23,560
Speaker 1: him because clearly he got beef with me and I

1065
01:04:23,640 --> 01:04:25,760
Speaker 1: don't have beef. I'm just mad he didn't do the

1066
01:04:25,800 --> 01:04:28,840
Speaker 1: record with me. So you know, we do a freestyle

1067
01:04:29,000 --> 01:04:32,240
Speaker 1: me Asher and Cutty and Charles we do a freestyle together.

1068
01:04:32,400 --> 01:04:35,200
Speaker 1: Cutty jumps in, he does what he does. It's on YouTube.

1069
01:04:35,480 --> 01:04:41,760
Speaker 1: You really have this folk pot fifteen years bro, Like remember,

1070
01:04:41,920 --> 01:04:45,000
Speaker 1: no point. So we we get in the circle and

1071
01:04:45,040 --> 01:04:47,440
Speaker 1: we talked about what we talk about and then that's it.

1072
01:04:47,520 --> 01:04:50,600
Speaker 1: That's the end of it, right. And then two years

1073
01:04:50,680 --> 01:04:53,120
Speaker 1: later while it calls me and it's like, look, you know,

1074
01:04:53,160 --> 01:04:57,760
Speaker 1: I want to apologize for how I was at that time.

1075
01:04:58,560 --> 01:05:00,560
Speaker 1: He was like Charles at the time was feeding me

1076
01:05:00,720 --> 01:05:03,320
Speaker 1: things and I was listening to things that I shouldn't

1077
01:05:03,360 --> 01:05:05,520
Speaker 1: have been listening to. But I rocked with you, bro,

1078
01:05:05,720 --> 01:05:08,160
Speaker 1: Like you know, I thought with you on that level.

1079
01:05:09,000 --> 01:05:10,760
Speaker 1: And for me it was like because he because he

1080
01:05:10,840 --> 01:05:12,960
Speaker 1: painted on me. I've seen him in the streets. He

1081
01:05:12,960 --> 01:05:15,160
Speaker 1: could have pounded me out, pumbled me with with his

1082
01:05:15,240 --> 01:05:17,800
Speaker 1: big security guard and then he left me hanging. But

1083
01:05:17,880 --> 01:05:20,880
Speaker 1: he still apologized. He's spun the block and apologized to me.

1084
01:05:21,560 --> 01:05:23,680
Speaker 1: And from that that that was the beef. But we

1085
01:05:23,880 --> 01:05:26,120
Speaker 1: don't have any beef anymore. I'm cool. I've seen him

1086
01:05:26,120 --> 01:05:28,520
Speaker 1: a couple of times. We always talked. Hearing there shout

1087
01:05:28,560 --> 01:05:29,760
Speaker 1: out to wallet. You know what I'm saying. But that

1088
01:05:29,920 --> 01:05:32,160
Speaker 1: was the beef at that time. Okay, Blue, So he

1089
01:05:32,200 --> 01:05:36,520
Speaker 1: talked about Eminem, his problems with Eminem, He talked about wallet.

1090
01:05:37,040 --> 01:05:39,560
Speaker 1: I can't allow you to just stand over here. You

1091
01:05:39,720 --> 01:05:44,480
Speaker 1: never had a problem in hip hop. Nah. Nah, you

1092
01:05:44,600 --> 01:05:47,080
Speaker 1: did out on a couple of people. You tripped out

1093
01:05:47,080 --> 01:05:49,200
Speaker 1: of there. You tripped out on the trip out the

1094
01:05:49,680 --> 01:05:53,880
Speaker 1: like you know, mental hospitals and mind checked that ship,

1095
01:05:54,120 --> 01:05:57,080
Speaker 1: you know what I mean, like like mentally on somebody.

1096
01:05:57,160 --> 01:06:00,920
Speaker 1: And there was people I was tripping. My leo got robbed,

1097
01:06:01,040 --> 01:06:03,760
Speaker 1: you know what I mean, And I was I was triggering,

1098
01:06:04,120 --> 01:06:06,720
Speaker 1: you know what I mean. So it wasn't it wasn't reality.

1099
01:06:07,040 --> 01:06:09,280
Speaker 1: You know, you just said one was he he was

1100
01:06:09,400 --> 01:06:12,640
Speaker 1: just tripping. Oh yeah, it wasn't reality. Yeah. I was

1101
01:06:12,720 --> 01:06:15,520
Speaker 1: just awesome ship man. But never no other than that,

1102
01:06:15,680 --> 01:06:18,480
Speaker 1: Never no beef in the industry, you know, nah, No

1103
01:06:18,600 --> 01:06:23,640
Speaker 1: one never said. I mean, there wasn't no beef after that,

1104
01:06:24,400 --> 01:06:29,240
Speaker 1: after those tripouts a little bit, you know, But you know,

1105
01:06:29,720 --> 01:06:31,360
Speaker 1: I had to get my head right, you know what

1106
01:06:31,440 --> 01:06:33,880
Speaker 1: I mean, And I just you know, we to Derby

1107
01:06:33,920 --> 01:06:38,280
Speaker 1: and things like that. God blessing to medicine, you know

1108
01:06:38,280 --> 01:06:44,320
Speaker 1: what I'm saying. But yeah, I just had to get

1109
01:06:44,360 --> 01:06:47,360
Speaker 1: my head right and let them know that I was

1110
01:06:47,640 --> 01:06:49,720
Speaker 1: I was tripped to be able to come back to

1111
01:06:49,800 --> 01:06:53,640
Speaker 1: them and let him know who's going on. Definitely called

1112
01:06:53,840 --> 01:06:59,400
Speaker 1: swing some much for that. So that at one point

1113
01:07:03,440 --> 01:07:09,760
Speaker 1: Joe Button say something about method man. Yes, that the

1114
01:07:09,840 --> 01:07:15,760
Speaker 1: man response to a certain extent, yep y qualm is

1115
01:07:15,760 --> 01:07:24,040
Speaker 1: to asked something. The qualm response right, Joe goes crazy

1116
01:07:24,120 --> 01:07:31,080
Speaker 1: on on rat kum, and then for some kind of

1117
01:07:31,200 --> 01:07:35,280
Speaker 1: reason you posted Joe Button like our co sign to

1118
01:07:35,400 --> 01:07:40,360
Speaker 1: Joe Button, and then this famous incident happens in l A. Right,

1119
01:07:42,360 --> 01:07:44,720
Speaker 1: you want to describe this for us? Yeah? Yeah, yeah,

1120
01:07:44,720 --> 01:07:48,320
Speaker 1: Because I don't smoke weeds. So my memories good, got demo?

1121
01:07:48,440 --> 01:07:52,560
Speaker 1: You take a shot? First, take a shot memory, got

1122
01:07:52,640 --> 01:07:57,400
Speaker 1: damn because I'm not gonna lie me being the outside

1123
01:07:57,440 --> 01:08:01,000
Speaker 1: of looking at that you wallet and really not knowing

1124
01:08:01,080 --> 01:08:04,200
Speaker 1: what's going on. When I did see you did post,

1125
01:08:04,840 --> 01:08:07,480
Speaker 1: like almost taking a side. That's what it looked like

1126
01:08:07,560 --> 01:08:10,080
Speaker 1: from the outside looking at if if I make it,

1127
01:08:10,480 --> 01:08:13,680
Speaker 1: if I can be up front, it almost looked like

1128
01:08:13,760 --> 01:08:16,240
Speaker 1: when you did post whatever you posted, it looked like

1129
01:08:16,320 --> 01:08:19,080
Speaker 1: you was clearly taking a side. Then this this room,

1130
01:08:19,920 --> 01:08:22,760
Speaker 1: you all guys seeing each other let's just get it

1131
01:08:22,800 --> 01:08:25,160
Speaker 1: out of the table, get it over here, let's take

1132
01:08:25,160 --> 01:08:30,240
Speaker 1: a show. Here we go, because you caught in the middle.

1133
01:08:32,200 --> 01:08:36,040
Speaker 1: But explain it like no one's ever heard Speeah. That's

1134
01:08:36,040 --> 01:08:37,840
Speaker 1: what they say, is they say thank you in Russian.

1135
01:08:41,360 --> 01:08:47,479
Speaker 1: I really mean in the white boy think you think? So? Look, Okay,

1136
01:08:49,720 --> 01:08:53,280
Speaker 1: we had a show on Rock the Bells in Maryland, Boom,

1137
01:08:53,800 --> 01:08:56,160
Speaker 1: and this is when I'm a little cameras Rock the

1138
01:08:56,200 --> 01:08:59,920
Speaker 1: Bells the festival, not to be confused now the rock.

1139
01:09:00,040 --> 01:09:02,559
Speaker 1: So this is little cameras. Everybody gets in little little

1140
01:09:02,560 --> 01:09:05,360
Speaker 1: white cameras, right and this is before like the iPhone

1141
01:09:05,400 --> 01:09:12,240
Speaker 1: got crazy. Okay, right, So um, Joe Button has said

1142
01:09:12,280 --> 01:09:14,439
Speaker 1: something about it was a topic d mcs on it

1143
01:09:14,600 --> 01:09:16,880
Speaker 1: and Joe Button said that the man was on the

1144
01:09:17,560 --> 01:09:20,519
Speaker 1: method and he didn't need to be on their So

1145
01:09:20,800 --> 01:09:24,920
Speaker 1: that carried over and inspected expected deck jumping and it

1146
01:09:25,040 --> 01:09:26,639
Speaker 1: was it was this thing shout to inspect the deck.

1147
01:09:27,840 --> 01:09:30,640
Speaker 1: And we was in Maryland and Joe Button did this

1148
01:09:30,760 --> 01:09:34,519
Speaker 1: video and I was in the video with him, and

1149
01:09:34,760 --> 01:09:36,080
Speaker 1: I guess you could say I was co signing. I

1150
01:09:36,160 --> 01:09:40,040
Speaker 1: was co signing what he was saying, Joe, But I

1151
01:09:40,120 --> 01:09:42,559
Speaker 1: think he was apologizing at that time because we did

1152
01:09:42,800 --> 01:09:44,760
Speaker 1: New York and we was on that New York date

1153
01:09:45,080 --> 01:09:49,320
Speaker 1: and method Man and Joe Button has squashed it. Okay,

1154
01:09:50,560 --> 01:09:53,400
Speaker 1: So I had a I had a tour date in

1155
01:09:53,479 --> 01:09:57,560
Speaker 1: Japan with Loope. Okay, so I did. I did the

1156
01:09:57,600 --> 01:09:59,760
Speaker 1: show with Loope and then I flew to l A

1157
01:10:00,800 --> 01:10:04,640
Speaker 1: with by myself and had a show in l A.

1158
01:10:05,040 --> 01:10:07,120
Speaker 1: I had just did the hand of commercial Honda commercials

1159
01:10:07,120 --> 01:10:11,560
Speaker 1: out the date July ninth. That's not my birthday. My

1160
01:10:11,640 --> 01:10:14,200
Speaker 1: birthday is August A, Lef. I thought you were like

1161
01:10:14,320 --> 01:10:20,400
Speaker 1: yo your birthday. So it was super hot that day.

1162
01:10:21,000 --> 01:10:23,280
Speaker 1: I didn't have a trailer. Slaughter House had a trailer.

1163
01:10:24,520 --> 01:10:26,720
Speaker 1: So before I go to the trailer, ray Kawan is

1164
01:10:26,800 --> 01:10:32,560
Speaker 1: at the the tables. It's not it's like when you

1165
01:10:32,640 --> 01:10:35,400
Speaker 1: go to a park and they have those tables. Brack

1166
01:10:35,439 --> 01:10:37,960
Speaker 1: Corner is at the table with like four people. So

1167
01:10:38,040 --> 01:10:39,840
Speaker 1: I said, what's up the ray Kwon dap them up

1168
01:10:40,680 --> 01:10:43,960
Speaker 1: table table. So I go. I go into the trailer

1169
01:10:44,000 --> 01:10:46,479
Speaker 1: because it's hot and it was a c and the trailer.

1170
01:10:47,439 --> 01:10:49,960
Speaker 1: So I'm in the trailer and Joe Button is doing

1171
01:10:50,080 --> 01:10:52,719
Speaker 1: his Joe Button TV podcast and it wasn't a podcast.

1172
01:10:52,760 --> 01:10:54,720
Speaker 1: It wasn't. It was live. It was live. Joe the

1173
01:10:54,760 --> 01:10:58,640
Speaker 1: TV was ahead of his time doing, so I'm in

1174
01:10:58,720 --> 01:11:02,760
Speaker 1: I'm in the room with him. So Joe Budden is

1175
01:11:02,760 --> 01:11:05,320
Speaker 1: doing what he's doing. Rake Kawan walks into the dressing

1176
01:11:06,640 --> 01:11:11,560
Speaker 1: with five guys, five or six guys, big guys. So

1177
01:11:11,720 --> 01:11:13,960
Speaker 1: now I'm on the computer and Joe looks up. Joe

1178
01:11:14,040 --> 01:11:18,640
Speaker 1: was worried. So now I'm just on the computer. And

1179
01:11:18,680 --> 01:11:21,519
Speaker 1: when they came in the room, they were friendly. Ya,

1180
01:11:21,640 --> 01:11:28,439
Speaker 1: what's up? Ye? Door closes and everything changes. It's a

1181
01:11:28,520 --> 01:11:30,920
Speaker 1: dark cloud that comes into the room as a white

1182
01:11:30,920 --> 01:11:33,160
Speaker 1: guy who walks out the room. White guys stayed in

1183
01:11:33,240 --> 01:11:35,639
Speaker 1: the room. He stayed in the room. Okay, continuing the room. Okay,

1184
01:11:35,680 --> 01:11:39,080
Speaker 1: it wasn't. It wasn't. It wasn't. It was a mustache

1185
01:11:40,400 --> 01:11:46,760
Speaker 1: actually saved us. So it went from friendly to dark.

1186
01:11:48,080 --> 01:11:49,680
Speaker 1: And Ray Kwon was like, you know, what was that

1187
01:11:49,760 --> 01:11:53,080
Speaker 1: ship she was talking about to you? To Joe? But

1188
01:11:54,520 --> 01:11:57,880
Speaker 1: but okay, continued line. He was like, what was that

1189
01:11:58,160 --> 01:12:00,720
Speaker 1: she was talking about? And you know he said it

1190
01:12:00,800 --> 01:12:04,040
Speaker 1: to Joe and Maryland. This is one of the kay Okay,

1191
01:12:04,120 --> 01:12:05,680
Speaker 1: this is the one where that actually went down. This

1192
01:12:05,800 --> 01:12:08,720
Speaker 1: is where it went down, So you know, Joe's like,

1193
01:12:08,960 --> 01:12:11,880
Speaker 1: you know, everything is squashed, everything is handled. I spoke

1194
01:12:11,920 --> 01:12:15,800
Speaker 1: the method man, it's good, you know. And then I

1195
01:12:15,880 --> 01:12:18,040
Speaker 1: think he's at that point. I think he had squashed

1196
01:12:18,080 --> 01:12:20,839
Speaker 1: it with inspected that too. My memories a little foggy

1197
01:12:20,920 --> 01:12:26,160
Speaker 1: with that. So Kwan is like, I don't believe you.

1198
01:12:27,680 --> 01:12:29,439
Speaker 1: Shout the Kawan because I don't want this to happen

1199
01:12:29,439 --> 01:12:33,680
Speaker 1: against me. So he said, I don't believe you. I

1200
01:12:33,800 --> 01:12:37,080
Speaker 1: want Mickey to pull it up right now. Now we're

1201
01:12:37,120 --> 01:12:40,920
Speaker 1: in this is two thousand nine. We all know smartphones

1202
01:12:41,080 --> 01:12:46,760
Speaker 1: have WiFi, right, this is back then a computer. So

1203
01:12:46,920 --> 01:12:49,439
Speaker 1: now I'm sitting down on the floor because I'm already

1204
01:12:49,520 --> 01:12:53,559
Speaker 1: on the computer. So I so as I'm looking at

1205
01:12:53,720 --> 01:12:56,960
Speaker 1: what's going on, I turned around and I accidentally not

1206
01:12:57,120 --> 01:12:59,600
Speaker 1: the ether of cord out. Oh so it looks like

1207
01:12:59,640 --> 01:13:03,080
Speaker 1: you can't load exactly. So now that it was out,

1208
01:13:03,200 --> 01:13:04,560
Speaker 1: you know, I didn't know it was out, so I

1209
01:13:04,720 --> 01:13:07,880
Speaker 1: accidentally knock it out. So the so the feed cuts

1210
01:13:07,920 --> 01:13:11,080
Speaker 1: off and they want to keep on and they want

1211
01:13:11,200 --> 01:13:15,360
Speaker 1: to see because Joe's apology to methed Man. So because

1212
01:13:15,400 --> 01:13:17,520
Speaker 1: I can't pull it up, I have made Joe apologize

1213
01:13:17,560 --> 01:13:21,519
Speaker 1: that the whole wolf. Did you see the video? Okay, okay,

1214
01:13:21,640 --> 01:13:24,320
Speaker 1: before you even let me ask you this, it's everything

1215
01:13:24,400 --> 01:13:27,519
Speaker 1: I'm saying, correct, Okay, I just want you to know.

1216
01:13:28,560 --> 01:13:32,640
Speaker 1: So I knocked the court out. So so Ray is

1217
01:13:32,720 --> 01:13:37,479
Speaker 1: like pull up the put up the site, and I'm

1218
01:13:37,520 --> 01:13:42,439
Speaker 1: over there like this, trying to pull up the site. Right.

1219
01:13:42,920 --> 01:13:44,760
Speaker 1: I can't pull it up because they eating that court

1220
01:13:44,800 --> 01:13:49,280
Speaker 1: has cut out. I didn't know that, boar. That's that's right. Movie.

1221
01:13:49,720 --> 01:13:57,400
Speaker 1: There's a movie now. So now Joe is on the college.

1222
01:13:58,240 --> 01:14:03,800
Speaker 1: But then say you're the bad guy. Now you up.

1223
01:14:04,160 --> 01:14:06,519
Speaker 1: I can't pull it up because I kicked the evening

1224
01:14:06,720 --> 01:14:15,280
Speaker 1: by accident. I was, you know, man, you're supposed to

1225
01:14:15,280 --> 01:14:18,599
Speaker 1: be my man, trying to so then I didn't real quick,

1226
01:14:18,640 --> 01:14:20,800
Speaker 1: real quick. I just want to say, this's all old ship, Yes,

1227
01:14:22,040 --> 01:14:25,040
Speaker 1: squaw years. That's why I said Van, should we just

1228
01:14:25,080 --> 01:14:28,519
Speaker 1: talking to Yeah, That's why I said I got I

1229
01:14:28,560 --> 01:14:30,519
Speaker 1: got a shot. Porter already asked you the only one

1230
01:14:30,600 --> 01:14:35,439
Speaker 1: joining me. I was twisting off the cat. It wasn't

1231
01:14:35,479 --> 01:14:40,680
Speaker 1: even on his drink. Chats got damn maybe shot more

1232
01:14:40,800 --> 01:14:43,680
Speaker 1: real shot like you look look, ye, I did a

1233
01:14:43,680 --> 01:14:46,120
Speaker 1: wholes of rock bottom by myself. Yes, we watched your

1234
01:14:46,400 --> 01:14:52,960
Speaker 1: fay your birthday shot fans. I need a water, so

1235
01:14:55,800 --> 01:15:03,080
Speaker 1: water's over there anyway. So then gets hit. Immediately he

1236
01:15:03,160 --> 01:15:06,080
Speaker 1: gets hit because I guess he was yelling, so he

1237
01:15:06,120 --> 01:15:09,240
Speaker 1: gets hit. Boom. Now I don't think it's a punch.

1238
01:15:10,600 --> 01:15:13,599
Speaker 1: I don't. I'm so because I'm still so when people,

1239
01:15:13,720 --> 01:15:16,840
Speaker 1: you know, to the side trying to pull it up.

1240
01:15:16,880 --> 01:15:19,000
Speaker 1: So when he gets hit, I think something just falls

1241
01:15:19,120 --> 01:15:21,640
Speaker 1: in the room. So people be like, yo, why he

1242
01:15:21,640 --> 01:15:25,000
Speaker 1: can't help. I think just something just fell in the room.

1243
01:15:25,520 --> 01:15:28,880
Speaker 1: So I'm supposed to do bro not even that. I'm

1244
01:15:28,960 --> 01:15:31,879
Speaker 1: trying to pull up the site. So I turned around

1245
01:15:32,560 --> 01:15:35,240
Speaker 1: and I see he got hit. I'm like, well, fucking

1246
01:15:35,320 --> 01:15:37,600
Speaker 1: he got hit, and I try to keep put it

1247
01:15:37,640 --> 01:15:41,400
Speaker 1: up the site. Now at that point, I can't pull

1248
01:15:41,479 --> 01:15:44,000
Speaker 1: up the site. So then we turn around and we have,

1249
01:15:44,560 --> 01:15:48,920
Speaker 1: you know, homie who hit Joe Button. It's a huge

1250
01:15:49,960 --> 01:15:51,519
Speaker 1: and I see a lot of I want to say

1251
01:15:51,560 --> 01:15:53,439
Speaker 1: this because I've been dealing with this for eleven years.

1252
01:15:54,200 --> 01:15:56,040
Speaker 1: People say, Yo, you should have helped Joe Button. You

1253
01:15:56,080 --> 01:15:59,000
Speaker 1: should have Niggas don't be fighting like that in real life.

1254
01:16:00,120 --> 01:16:03,040
Speaker 1: And that wasn't really my man. Man like that you

1255
01:16:03,080 --> 01:16:05,240
Speaker 1: know what I mean. So it was like and I

1256
01:16:05,360 --> 01:16:08,680
Speaker 1: didn't know he got hit until I turned around, and

1257
01:16:08,720 --> 01:16:12,080
Speaker 1: so he got hit and he didn't swing Joe didn't

1258
01:16:12,080 --> 01:16:15,560
Speaker 1: swing back. You know what I'm saying, Like, can you

1259
01:16:15,680 --> 01:16:18,320
Speaker 1: vouch for this? I just wanted to meet your story

1260
01:16:18,760 --> 01:16:33,439
Speaker 1: now listen, I feel like he's your lawyer. Great. So,

1261
01:16:33,560 --> 01:16:37,320
Speaker 1: now at this point, KWN is like a woo, a

1262
01:16:37,479 --> 01:16:40,600
Speaker 1: real woo gambino boss. It feels like he's sitting in

1263
01:16:40,680 --> 01:16:44,920
Speaker 1: a motherfucking throne and he's like, look, I can put

1264
01:16:44,960 --> 01:16:47,720
Speaker 1: this ship out tomorrow. What I really want you to

1265
01:16:47,800 --> 01:16:50,639
Speaker 1: do is apologize, because if you don't apologize, I'm gonna

1266
01:16:50,680 --> 01:16:53,960
Speaker 1: break MICKI Fax legs. Right, Oh, do you remember remember

1267
01:16:54,000 --> 01:16:57,640
Speaker 1: that part? Listen, We're gonna break Mickifax legs if you

1268
01:16:57,680 --> 01:17:03,640
Speaker 1: don't apologize. So Joe apologizes, and then these niggas just

1269
01:17:03,720 --> 01:17:05,960
Speaker 1: get up and walk out the motherfucking room to the

1270
01:17:06,040 --> 01:17:08,439
Speaker 1: whole wold tang clam. But let me just say, you

1271
01:17:08,560 --> 01:17:12,439
Speaker 1: hadn't apologize the sons of man, you know the flow,

1272
01:17:13,240 --> 01:17:15,840
Speaker 1: you know, the niggas that don't even He's like shot

1273
01:17:15,960 --> 01:17:29,519
Speaker 1: up to him too, shots. So you know, at that point,

1274
01:17:29,560 --> 01:17:32,040
Speaker 1: they get up and they and they just leave and

1275
01:17:32,280 --> 01:17:35,920
Speaker 1: and and during the whole thing after Joe gets hit

1276
01:17:36,120 --> 01:17:39,600
Speaker 1: Joe and shot the Joe, but he's speaking like a

1277
01:17:39,760 --> 01:17:44,439
Speaker 1: collegiate professor. He is speaking very proper. He's good, he's

1278
01:17:44,479 --> 01:17:47,720
Speaker 1: doing what he's doing. He's talking real proper. And I'm

1279
01:17:47,760 --> 01:17:49,080
Speaker 1: just sitting there like, I hope I don't get my

1280
01:17:49,160 --> 01:17:51,920
Speaker 1: legs broken, because because it's six big niggas in here.

1281
01:17:52,400 --> 01:17:54,120
Speaker 1: And did you think you're lady have been about to

1282
01:17:54,160 --> 01:17:56,760
Speaker 1: get broken? I thought I was gonna get my legs broken.

1283
01:17:56,800 --> 01:18:04,120
Speaker 1: That's like little brother for night Bright. And so I'm

1284
01:18:04,160 --> 01:18:06,360
Speaker 1: just I'm like, you know, it is what it is.

1285
01:18:06,439 --> 01:18:08,800
Speaker 1: But they walk out, and as soon as they walk out,

1286
01:18:08,960 --> 01:18:12,800
Speaker 1: Joe jumps up and he gets on Live. And I'm

1287
01:18:12,840 --> 01:18:16,800
Speaker 1: sitting there like and this is allegedly, No, that's really

1288
01:18:17,160 --> 01:18:21,880
Speaker 1: really Listen, it's really happens. So he gets up and

1289
01:18:21,920 --> 01:18:25,320
Speaker 1: he gets on Alive. Now, mind you, we get on Live.

1290
01:18:25,560 --> 01:18:28,160
Speaker 1: It's a normal thing. When they he did it back

1291
01:18:28,240 --> 01:18:30,640
Speaker 1: that it wasn't a thing at that time. This was

1292
01:18:31,080 --> 01:18:34,120
Speaker 1: brand new to the Internet, and I was I was

1293
01:18:34,760 --> 01:18:36,760
Speaker 1: it was new to me because I was like, wow,

1294
01:18:36,840 --> 01:18:38,920
Speaker 1: he's getting on the internet. He has so many people

1295
01:18:39,080 --> 01:18:41,960
Speaker 1: talking to him, and I was intrigued by this, so

1296
01:18:42,240 --> 01:18:45,040
Speaker 1: that what he got on live with the eye of that.

1297
01:18:45,800 --> 01:18:49,240
Speaker 1: So now as he's doing that, I'm sitting in the

1298
01:18:49,520 --> 01:18:52,880
Speaker 1: I'm sitting in the sofa watching and I'm I'm an amazement.

1299
01:18:53,040 --> 01:18:55,439
Speaker 1: I'm like, Wow, this is crazy. I can't wait that

1300
01:18:55,880 --> 01:19:00,560
Speaker 1: I'm gonna do it next. So when he's done, he

1301
01:19:00,640 --> 01:19:02,800
Speaker 1: gets up, he takes the p and he goes in

1302
01:19:02,840 --> 01:19:04,960
Speaker 1: the bathroom. Whell I guess he calls Royce and everybody

1303
01:19:05,000 --> 01:19:07,280
Speaker 1: pulls up later and then it's like, okay, it's my turn.

1304
01:19:07,360 --> 01:19:09,679
Speaker 1: It's my turn. So I go and the white boys

1305
01:19:09,760 --> 01:19:11,800
Speaker 1: behind me, and it's the online you could see it.

1306
01:19:12,320 --> 01:19:16,280
Speaker 1: Me and whoever was with us go online and give

1307
01:19:16,360 --> 01:19:20,360
Speaker 1: my account of the story. Um, and that's that's basically

1308
01:19:20,400 --> 01:19:22,439
Speaker 1: what happened. And that was the same account of story

1309
01:19:22,560 --> 01:19:25,599
Speaker 1: then as the same account now I believe, so okay,

1310
01:19:25,880 --> 01:19:28,120
Speaker 1: And you gave that account right after it happened, right

1311
01:19:28,160 --> 01:19:31,040
Speaker 1: after that, and you thought that was smart at the time. Yes,

1312
01:19:32,640 --> 01:19:35,360
Speaker 1: at the time, because it was new and and and

1313
01:19:35,720 --> 01:19:37,880
Speaker 1: I was wrong for that. I shouldn't have said anything.

1314
01:19:38,960 --> 01:19:42,519
Speaker 1: But because why did you even get involved, like period,

1315
01:19:42,640 --> 01:19:46,240
Speaker 1: like why it was hot? Just just just posting something.

1316
01:19:47,520 --> 01:19:49,320
Speaker 1: It was hot outside, and I went into the room

1317
01:19:49,320 --> 01:19:52,800
Speaker 1: because it was a c Nobody's saying posting it right, Yeah, yeah,

1318
01:19:52,840 --> 01:19:54,720
Speaker 1: because I think it was something. It was something that

1319
01:19:54,760 --> 01:19:57,080
Speaker 1: you co side. I forget what it why I called

1320
01:19:57,680 --> 01:20:00,400
Speaker 1: it was. It was in Maryland and when he talking

1321
01:20:00,400 --> 01:20:03,639
Speaker 1: about inspected deck, I was there and I was just like, okay, yeah, yeah, yeah,

1322
01:20:04,160 --> 01:20:07,240
Speaker 1: this is this is all new to me. These are

1323
01:20:07,280 --> 01:20:09,439
Speaker 1: people that you know, You're one of the people that

1324
01:20:09,520 --> 01:20:12,320
Speaker 1: I listened to growing up, right, So if I'm around you,

1325
01:20:12,520 --> 01:20:16,360
Speaker 1: I'm always gonna be like, Wow, it's noriega. You know

1326
01:20:16,360 --> 01:20:18,280
Speaker 1: what I'm saying. I can recite body in the Trump

1327
01:20:18,320 --> 01:20:20,639
Speaker 1: I can recite all of this, all of these great

1328
01:20:20,680 --> 01:20:23,280
Speaker 1: records that you put out. So when I see Ray

1329
01:20:23,360 --> 01:20:25,320
Speaker 1: Klawn and I see Joe Button, I see these guys,

1330
01:20:25,360 --> 01:20:28,640
Speaker 1: it's like, Yo, I'm this is I'm happy to be

1331
01:20:28,800 --> 01:20:32,040
Speaker 1: here because I'm I'm gonna from the bron I don't

1332
01:20:32,040 --> 01:20:34,639
Speaker 1: know that realized that you're throwing. I don't know, because

1333
01:20:34,680 --> 01:20:39,680
Speaker 1: I'm having a good really like that. You know why,

1334
01:20:40,120 --> 01:20:44,720
Speaker 1: because everything you're saying is legit. We really didn't know

1335
01:20:44,840 --> 01:20:48,080
Speaker 1: what live Scream was. We didn't know what you probably

1336
01:20:48,120 --> 01:20:50,000
Speaker 1: knew more than everybody else, but I didn't know that

1337
01:20:50,200 --> 01:20:53,200
Speaker 1: was taping in. Yes, it's just like clubhouse. I haven't

1338
01:20:53,200 --> 01:20:56,320
Speaker 1: been on a clubhouse. Just right, somebody was just taping me.

1339
01:20:56,400 --> 01:20:58,160
Speaker 1: I'm like, I thought, this is I've never gone. I

1340
01:20:58,200 --> 01:21:01,040
Speaker 1: thought it was house just to train us. It was

1341
01:21:01,080 --> 01:21:03,240
Speaker 1: just between us, and then at once I was like,

1342
01:21:03,360 --> 01:21:05,599
Speaker 1: did you go? Yeah? So so I did the last

1343
01:21:05,680 --> 01:21:07,080
Speaker 1: three I thought it was live, and then that was

1344
01:21:07,160 --> 01:21:09,400
Speaker 1: it for your for your fans, that's it. That's it,

1345
01:21:09,680 --> 01:21:11,880
Speaker 1: not the enemies. Fans and the enemies are gonna post it.

1346
01:21:11,920 --> 01:21:16,280
Speaker 1: And it was three yeah, and this is two thousand nine,

1347
01:21:16,360 --> 01:21:22,160
Speaker 1: and you're not only fans but not definitely not like

1348
01:21:27,240 --> 01:21:30,360
Speaker 1: so that's what happened. And you know, shout the Ray Kwan,

1349
01:21:30,560 --> 01:21:33,439
Speaker 1: you know, you know, we we every time it's his birthday,

1350
01:21:33,760 --> 01:21:35,320
Speaker 1: you know, I wish him a happy birthday and he'd

1351
01:21:35,360 --> 01:21:37,840
Speaker 1: be like, thank you King, and you know that's I

1352
01:21:38,720 --> 01:21:40,200
Speaker 1: In my mind at that time, it was like, this

1353
01:21:40,280 --> 01:21:42,400
Speaker 1: is somebody I grew up listening to bro like, because

1354
01:21:42,439 --> 01:21:44,639
Speaker 1: that's what's weird about it, Like, that's my first tape

1355
01:21:44,640 --> 01:21:48,160
Speaker 1: I ever bought. Thirty six Chambers was the first stape

1356
01:21:48,200 --> 01:21:50,960
Speaker 1: I ever, people be saying I should have fought, Like

1357
01:21:51,040 --> 01:21:53,680
Speaker 1: this is somebody I grew up listening to. I mean,

1358
01:21:53,760 --> 01:21:56,960
Speaker 1: I'm in No, I don't think you should have fought.

1359
01:21:56,960 --> 01:22:00,040
Speaker 1: I think that you shouldn't the cop. But get I

1360
01:22:00,120 --> 01:22:02,439
Speaker 1: gave what you just say. I can't even I love you,

1361
01:22:03,360 --> 01:22:05,679
Speaker 1: I love that. I love all these guys at that time.

1362
01:22:05,800 --> 01:22:08,559
Speaker 1: That's just what it was the hell of a drug.

1363
01:22:10,200 --> 01:22:12,920
Speaker 1: I didn't drink at the time. Really, I'm just drinking that. No, No,

1364
01:22:13,080 --> 01:22:15,840
Speaker 1: but it was. It was because you know what the

1365
01:22:15,920 --> 01:22:21,479
Speaker 1: internet was really really knew. It was new and a

1366
01:22:21,560 --> 01:22:25,760
Speaker 1: lot of the artists what we were doing was brand new.

1367
01:22:26,120 --> 01:22:30,040
Speaker 1: What me, Joe, Asha Blewe, Charles, what we were doing

1368
01:22:30,160 --> 01:22:33,240
Speaker 1: was super even Charles because Charles got colder, Like I

1369
01:22:33,320 --> 01:22:35,240
Speaker 1: got to see his girl stuff from like I don't

1370
01:22:35,280 --> 01:22:40,760
Speaker 1: see that. You weren't seeing that, but like, but that's

1371
01:22:40,840 --> 01:22:43,720
Speaker 1: what your generation. But that's what your generation was. Will

1372
01:22:43,840 --> 01:22:47,080
Speaker 1: enough we berthed it. Yeah, we didn't know. I mean,

1373
01:22:47,200 --> 01:22:48,920
Speaker 1: like there's kids these days that if you asked them

1374
01:22:49,600 --> 01:22:52,080
Speaker 1: when they we didn't. We didn't. We were just trying

1375
01:22:52,080 --> 01:22:54,160
Speaker 1: to get on. But there's kids these days. We asked

1376
01:22:54,200 --> 01:22:55,240
Speaker 1: them what they want to be, and they said I

1377
01:22:55,320 --> 01:22:58,040
Speaker 1: want to be a YouTube so damn right. We didn't know.

1378
01:22:58,280 --> 01:23:03,200
Speaker 1: We didn't know that we were even hip hop. Every

1379
01:23:03,360 --> 01:23:06,679
Speaker 1: We were ahead of the curve US three and everybody

1380
01:23:06,680 --> 01:23:08,719
Speaker 1: who's on the cover with us was ahead of the curve.

1381
01:23:09,240 --> 01:23:12,639
Speaker 1: Like what Ashley was doing. Yeah, he took a photo

1382
01:23:14,200 --> 01:23:19,400
Speaker 1: naked on on on the toilet doing that was that

1383
01:23:19,520 --> 01:23:23,000
Speaker 1: wasn't something that was done. He put out below the

1384
01:23:23,080 --> 01:23:26,280
Speaker 1: Heavens on my Space and when that was quote unquote viral,

1385
01:23:26,600 --> 01:23:29,200
Speaker 1: he was shown love. I put out a song every

1386
01:23:29,280 --> 01:23:32,320
Speaker 1: single week because every nobody was on the internet when

1387
01:23:32,320 --> 01:23:35,479
Speaker 1: we were doing it, they called us nerves and now

1388
01:23:35,640 --> 01:23:39,040
Speaker 1: it's the norm, the same podcast, it's the same. It

1389
01:23:39,160 --> 01:23:41,320
Speaker 1: was a nerve thing. I just want to pick myself up.

1390
01:23:41,360 --> 01:23:43,080
Speaker 1: In that San year, I had a song called w

1391
01:23:43,280 --> 01:23:46,559
Speaker 1: W God Norri you know what. That's a great song.

1392
01:23:46,960 --> 01:23:49,479
Speaker 1: Let me just tell you that that was a great song.

1393
01:23:49,760 --> 01:23:54,200
Speaker 1: The whole album. Yeah album, But but we really we live,

1394
01:23:54,840 --> 01:23:59,960
Speaker 1: we live, we live, We lived that ship, we burn

1395
01:24:00,320 --> 01:24:03,920
Speaker 1: everything that everybody's doing now. And I feel like at

1396
01:24:03,960 --> 01:24:06,639
Speaker 1: the end of the day, everybody owes us, and who

1397
01:24:06,760 --> 01:24:08,519
Speaker 1: was on the cover and the cover after us and

1398
01:24:08,600 --> 01:24:11,320
Speaker 1: after they need to owe us because we started. This

1399
01:24:11,360 --> 01:24:18,479
Speaker 1: ship came from us. What I'm saying, like like he

1400
01:24:18,800 --> 01:24:23,519
Speaker 1: like he was the astro. Roth was the first white

1401
01:24:23,680 --> 01:24:27,080
Speaker 1: rapper that was respected after eminem because you know, we

1402
01:24:27,120 --> 01:24:30,320
Speaker 1: have Bubba Sparks. I like Bubba Sparks, Like Bubba Sparks.

1403
01:24:30,640 --> 01:24:33,640
Speaker 1: But when he came out, it was like, whoa, who

1404
01:24:33,760 --> 01:24:37,960
Speaker 1: was He's super lyrical. He's not in your video pong

1405
01:24:38,200 --> 01:24:41,280
Speaker 1: he was. He was doing he was gonna the drink

1406
01:24:41,360 --> 01:24:44,639
Speaker 1: Champs weekend and then you got ready for my guy.

1407
01:24:46,000 --> 01:24:49,519
Speaker 1: And he was also played handball as well. Clearly, Yeah,

1408
01:24:58,240 --> 01:25:01,439
Speaker 1: you know, Bloo Boo put out a incredible album with Exile,

1409
01:25:02,240 --> 01:25:04,400
Speaker 1: Hip Hop Classic. So what you say, y'all were the

1410
01:25:04,400 --> 01:25:07,920
Speaker 1: sacrificial lamb. We were the sacrificial lamb. I believe that,

1411
01:25:08,040 --> 01:25:09,880
Speaker 1: But I don't believe that. Why you don't believe it

1412
01:25:10,080 --> 01:25:14,160
Speaker 1: because it's a long career, baby, who were about? We

1413
01:25:14,280 --> 01:25:18,000
Speaker 1: still here? We got the next thirty years by right,

1414
01:25:18,120 --> 01:25:21,080
Speaker 1: were about the put it on bro like we here

1415
01:25:21,160 --> 01:25:25,559
Speaker 1: right now, got the lords. I'll tell you a shot,

1416
01:25:25,760 --> 01:25:29,920
Speaker 1: taking a shot, you know, and not that's not to

1417
01:25:30,000 --> 01:25:34,439
Speaker 1: undermine you. Absolutely not. Blue making myself. We're one of

1418
01:25:34,600 --> 01:25:37,840
Speaker 1: the nicest because over the last twenty years, so we

1419
01:25:37,880 --> 01:25:40,360
Speaker 1: should name of y'all a craft. We don't have a group,

1420
01:25:40,360 --> 01:25:43,040
Speaker 1: but we got the odd what did you name? But

1421
01:25:43,120 --> 01:25:50,960
Speaker 1: it wasn't got a group. Trio likes people. Everybody was

1422
01:25:51,000 --> 01:25:53,360
Speaker 1: smoking weed in the back like this, y'all the smoker.

1423
01:25:54,000 --> 01:25:55,600
Speaker 1: We could do whatever you want. I'm good if I

1424
01:25:55,680 --> 01:25:58,439
Speaker 1: smoke weed, but it's not great. I'm just telling her

1425
01:25:58,439 --> 01:26:00,720
Speaker 1: to listen. I don't know listens to a smoke Chace

1426
01:26:00,800 --> 01:26:03,000
Speaker 1: drink you put it to the side. We don't got

1427
01:26:03,080 --> 01:26:04,599
Speaker 1: a group, but we got We do have a record.

1428
01:26:05,280 --> 01:26:09,080
Speaker 1: Record that's coming out July seventeen is called rain me

1429
01:26:10,360 --> 01:26:15,479
Speaker 1: Af produced by Knots Nat God. When I look up,

1430
01:26:15,600 --> 01:26:18,120
Speaker 1: y'all ship Nazi is connected to to y'all because he

1431
01:26:18,200 --> 01:26:20,320
Speaker 1: did an album with n and I did album with

1432
01:26:20,439 --> 01:26:23,040
Speaker 1: not NotI is the only dude that he did the

1433
01:26:23,040 --> 01:26:28,040
Speaker 1: album with not two. So you know that's how we

1434
01:26:28,120 --> 01:26:30,519
Speaker 1: all connected. Wow, you know I love these two brothers

1435
01:26:30,520 --> 01:26:32,880
Speaker 1: and what Nots did for busting RBS was joined still

1436
01:26:32,920 --> 01:26:39,360
Speaker 1: a lot? He did? You know? And you never was

1437
01:26:39,400 --> 01:26:42,080
Speaker 1: signed the bust It keeps cat. I was never saying,

1438
01:26:42,080 --> 01:26:46,240
Speaker 1: here's the problem, it's the fucking white people. White people

1439
01:26:46,320 --> 01:26:49,680
Speaker 1: did this yeah, listen, because they did Paul's Bluetique, right,

1440
01:26:50,120 --> 01:26:53,560
Speaker 1: that's a great album, but they sampled everything, right, And

1441
01:26:53,600 --> 01:26:56,280
Speaker 1: then sampling became an issue. So you said because of

1442
01:26:56,400 --> 01:26:58,920
Speaker 1: Paul's boutiquause, I thought they are sould caused up problem.

1443
01:26:59,120 --> 01:27:02,439
Speaker 1: But you're probably I'm just you know, you know, joking.

1444
01:27:02,680 --> 01:27:04,760
Speaker 1: But at the end of the day, man like, sampling

1445
01:27:05,000 --> 01:27:06,640
Speaker 1: is an essence of hip hop, like you should be

1446
01:27:06,680 --> 01:27:09,360
Speaker 1: able to sample records and make beautiful ship. And now

1447
01:27:09,680 --> 01:27:12,679
Speaker 1: copyright infringement all this ship. I mean, there's a there's

1448
01:27:12,680 --> 01:27:17,080
Speaker 1: a good argument both ways. Person if you say, but

1449
01:27:17,200 --> 01:27:19,960
Speaker 1: my ship and you fucking I want my money. What

1450
01:27:20,080 --> 01:27:23,360
Speaker 1: sucks for day lines that that those laws weren't ever

1451
01:27:23,640 --> 01:27:25,360
Speaker 1: a thing, and then they try to make it a

1452
01:27:25,439 --> 01:27:27,880
Speaker 1: thing for their which is not I don't think that

1453
01:27:27,960 --> 01:27:30,840
Speaker 1: was fair. It was the rolling stones, the rolling first

1454
01:27:30,880 --> 01:27:33,080
Speaker 1: of which you guys don't even understand. Sorry to get

1455
01:27:33,120 --> 01:27:39,280
Speaker 1: so deep in particular, but digital rights wasn't in none

1456
01:27:39,320 --> 01:27:42,120
Speaker 1: of these contracts, none of this, none of these contracts

1457
01:27:42,680 --> 01:27:45,160
Speaker 1: of two different things though digital rights and then and

1458
01:27:45,240 --> 01:27:47,760
Speaker 1: then the whole thing of sampling. Yeah, okay, yeah, I'm

1459
01:27:47,760 --> 01:27:51,960
Speaker 1: sorry I changed the subject. But the same round everybody's

1460
01:27:52,000 --> 01:27:54,559
Speaker 1: out with sampling, like, like, I think that's the word

1461
01:27:54,720 --> 01:27:58,160
Speaker 1: solar hip hop personally it is I think started hip hop,

1462
01:27:58,200 --> 01:28:00,519
Speaker 1: and I think when you took that out, Angel, it

1463
01:28:00,560 --> 01:28:02,800
Speaker 1: doesn't mean to change it for the worst, but it

1464
01:28:02,960 --> 01:28:05,680
Speaker 1: changed it. No, it took the soul out of hip hop.

1465
01:28:06,200 --> 01:28:09,639
Speaker 1: But if we all own our masters, right, I own

1466
01:28:09,680 --> 01:28:13,400
Speaker 1: my masters, my master, every one of them, never alight.

1467
01:28:13,760 --> 01:28:23,040
Speaker 1: So listen, okay, if we all owned out masters, we

1468
01:28:23,120 --> 01:28:26,559
Speaker 1: would not care about sappling. You know why because our

1469
01:28:26,640 --> 01:28:29,439
Speaker 1: publishers and everything else that's attached to their money so

1470
01:28:29,560 --> 01:28:32,599
Speaker 1: that they'll collect the money on our own. The reason

1471
01:28:32,680 --> 01:28:35,320
Speaker 1: why sometimes we are a person will come and they'll

1472
01:28:35,360 --> 01:28:37,640
Speaker 1: do my whole record over and I'll be looking at

1473
01:28:37,680 --> 01:28:40,439
Speaker 1: them like I don't like they'd be tagging me and

1474
01:28:40,479 --> 01:28:43,640
Speaker 1: ship like I don't even that. But if it pops you,

1475
01:28:43,800 --> 01:28:46,200
Speaker 1: you're like, no, I don't even care. Every I don't

1476
01:28:46,240 --> 01:28:49,000
Speaker 1: get nothing but its pop. But remember the era when

1477
01:28:49,040 --> 01:28:52,800
Speaker 1: fifty was Rhyman doing full songs off of people's instrumentals. Yeah,

1478
01:28:52,840 --> 01:28:54,519
Speaker 1: at first people were dissing it, but when those ships

1479
01:28:54,560 --> 01:28:58,760
Speaker 1: were getting bts, those artists were getting publishing. Like if

1480
01:28:58,800 --> 01:29:00,800
Speaker 1: it was gonna spend a hit bd S when it

1481
01:29:00,880 --> 01:29:03,680
Speaker 1: hit BDS, and and even those artists who had the

1482
01:29:03,760 --> 01:29:08,679
Speaker 1: great deals when it came to radio being conversated towards radio.

1483
01:29:09,280 --> 01:29:12,680
Speaker 1: So people who who felt great about what's BDS. So

1484
01:29:13,040 --> 01:29:15,719
Speaker 1: it's the way that it's radios were played on the radio.

1485
01:29:16,000 --> 01:29:18,639
Speaker 1: It's it's the way they attracted you know. So that's

1486
01:29:18,680 --> 01:29:21,519
Speaker 1: how the publishers knew how much years Ship got fun

1487
01:29:21,920 --> 01:29:24,000
Speaker 1: and then they could account for whatever the rock and

1488
01:29:24,040 --> 01:29:26,760
Speaker 1: science mathematics to give you the publishing money. And how

1489
01:29:26,840 --> 01:29:30,880
Speaker 1: has that changed to now? Good question? Um, no, you

1490
01:29:30,960 --> 01:29:35,960
Speaker 1: know what changed it SoundCloud, SoundCloud. BDS is now SoundCloud.

1491
01:29:36,520 --> 01:29:39,400
Speaker 1: What do you mean is SoundCloud? No? No, not in SoundCloud,

1492
01:29:39,439 --> 01:29:41,960
Speaker 1: but SoundCloud is a part of BDS. Now it's streaming.

1493
01:29:43,160 --> 01:29:45,000
Speaker 1: I'm sorry, it's streaming. I don't think you really know,

1494
01:29:45,160 --> 01:29:47,599
Speaker 1: bro to be honest with you, say it again, it's

1495
01:29:47,640 --> 01:29:50,960
Speaker 1: streaming BDS. No, BDS has to do what it's like

1496
01:29:53,400 --> 01:29:55,439
Speaker 1: to say that you had a record hitting in in

1497
01:29:56,400 --> 01:29:59,000
Speaker 1: calif in l A or in St. Louis. Yeah, they

1498
01:29:59,040 --> 01:30:01,040
Speaker 1: would be like, oh, Ship, this radio station played you

1499
01:30:01,160 --> 01:30:03,400
Speaker 1: this many times. You're getting this many hits? Uh, this

1500
01:30:03,560 --> 01:30:06,360
Speaker 1: many spends this many times a week and they knew

1501
01:30:06,400 --> 01:30:07,840
Speaker 1: that that was a market that you were doing well,

1502
01:30:07,920 --> 01:30:11,120
Speaker 1: and that was BDS that was telling them that it

1503
01:30:11,200 --> 01:30:13,360
Speaker 1: was a tracking me. Now, personally, if I have a

1504
01:30:13,479 --> 01:30:16,400
Speaker 1: homie in St. Louis who spending my ship all the

1505
01:30:16,520 --> 01:30:20,320
Speaker 1: time and does that affect, has to be on the

1506
01:30:20,439 --> 01:30:24,560
Speaker 1: stations station okay, But like you know, that's it was like,

1507
01:30:24,680 --> 01:30:26,840
Speaker 1: it's like, it's like you back, if he's on internet radio,

1508
01:30:26,840 --> 01:30:30,600
Speaker 1: it's not being tracked. This is so serious. But I

1509
01:30:31,040 --> 01:30:32,479
Speaker 1: have a guy back in the days, right, So I

1510
01:30:32,560 --> 01:30:34,920
Speaker 1: have a guy in the nineties that you were just

1511
01:30:35,400 --> 01:30:43,160
Speaker 1: of course he's actually Latino Paco, but but I likes

1512
01:30:43,240 --> 01:30:46,840
Speaker 1: to give Baco whatever or whatever, and he would give

1513
01:30:46,960 --> 01:30:50,519
Speaker 1: us forty four stations. These forty four stations I would

1514
01:30:50,520 --> 01:30:53,800
Speaker 1: automatically be inducted in. But the thing about it is

1515
01:30:54,080 --> 01:30:57,679
Speaker 1: they don't really matter. It would be Alburquerque. It would

1516
01:30:57,680 --> 01:31:03,640
Speaker 1: be Alburquerque. You know, such a y spins thing is

1517
01:31:03,800 --> 01:31:07,120
Speaker 1: as long as your rocket is working everywhere else, it

1518
01:31:07,360 --> 01:31:09,519
Speaker 1: makes sense. There you go. Then I'll just give you

1519
01:31:09,520 --> 01:31:16,080
Speaker 1: out too much a head. That's where this is the game, drink.

1520
01:31:16,920 --> 01:31:21,800
Speaker 1: I told you this just look. I had to do that.

1521
01:31:21,920 --> 01:31:25,280
Speaker 1: Once I had the parts of America that really mattered.

1522
01:31:26,200 --> 01:31:28,479
Speaker 1: He would cover the parts like you know who cares

1523
01:31:28,520 --> 01:31:31,439
Speaker 1: about having the ship in ratel Google Manka right because

1524
01:31:32,200 --> 01:31:34,600
Speaker 1: you just you know what I'm saying. He liked you no, no, no,

1525
01:31:35,280 --> 01:31:40,320
Speaker 1: paying to get ship. I was like, I was like happy,

1526
01:31:42,800 --> 01:31:45,439
Speaker 1: but you don't. They're cooling of that right now. On

1527
01:31:45,520 --> 01:31:49,040
Speaker 1: the internet is paying for views, paying for likes, paying forms.

1528
01:31:49,520 --> 01:31:51,519
Speaker 1: These the people who have to meet me and dream

1529
01:31:51,520 --> 01:31:53,679
Speaker 1: were talking about this today. It's not even just bots.

1530
01:31:54,240 --> 01:31:58,519
Speaker 1: They got legitimate kick farms in these in China and

1531
01:31:58,600 --> 01:32:02,000
Speaker 1: India where it's paid them and it's people paid the click.

1532
01:32:02,040 --> 01:32:03,560
Speaker 1: You'll tell you, you tell them you. I want you

1533
01:32:03,600 --> 01:32:07,200
Speaker 1: to say dope every so often. And this is fighting emoji.

1534
01:32:07,680 --> 01:32:10,599
Speaker 1: That's what they gonna do. What what what does genuine

1535
01:32:10,680 --> 01:32:14,880
Speaker 1: talent do against that you can't that's never been there

1536
01:32:15,160 --> 01:32:23,720
Speaker 1: every alas always you wrote you you did it? Yeah, yeah,

1537
01:32:23,840 --> 01:32:27,559
Speaker 1: I got lucky. Bro let me hold on. I got

1538
01:32:27,640 --> 01:32:31,400
Speaker 1: stopping for five seconds. And every time I've ever talked

1539
01:32:31,439 --> 01:32:35,080
Speaker 1: to anybody about anything, the coolest thing that I've ever met,

1540
01:32:35,120 --> 01:32:38,840
Speaker 1: anybody who's coolest fun he said, I got lucky. I'm

1541
01:32:38,880 --> 01:32:46,080
Speaker 1: gonna drink to that. That's especially especially in this fucking error, bro,

1542
01:32:46,320 --> 01:32:49,360
Speaker 1: Like I got lucky. Bro, I got I got lucky

1543
01:32:49,439 --> 01:32:52,519
Speaker 1: because a lot of times talent and then when they

1544
01:32:52,560 --> 01:32:55,479
Speaker 1: say a good hard work will be talent, whatever talent

1545
01:32:55,680 --> 01:32:59,680
Speaker 1: is not working hard, that ship is a real come on,

1546
01:32:59,720 --> 01:33:02,400
Speaker 1: come on, come on, peekback, you get your birthdays no excuse. Yeah,

1547
01:33:02,439 --> 01:33:05,439
Speaker 1: but you know, don't don't misnea. The people remember good work.

1548
01:33:08,600 --> 01:33:10,479
Speaker 1: I'm talking. Yeah, that's what it is. That's what it is.

1549
01:33:10,560 --> 01:33:13,000
Speaker 1: You work hard, you're consistent and look and that's a

1550
01:33:13,040 --> 01:33:15,320
Speaker 1: part of it. Finds that yes, I agree with you

1551
01:33:15,640 --> 01:33:19,920
Speaker 1: run into an I want to downplay my work struggle.

1552
01:33:19,960 --> 01:33:21,640
Speaker 1: But at the end of the day, I was gonnat this.

1553
01:33:21,760 --> 01:33:27,200
Speaker 1: I didn't give a fuck and I I received all

1554
01:33:27,280 --> 01:33:29,800
Speaker 1: of the downfalls. With the downfalls, like I was just like,

1555
01:33:29,920 --> 01:33:33,240
Speaker 1: all right, cool, I came out every day. I still

1556
01:33:33,320 --> 01:33:36,280
Speaker 1: had a smile on my face. But yeah, this is

1557
01:33:36,400 --> 01:33:39,760
Speaker 1: fucking game is a motherfucker. This game is a mother

1558
01:33:42,479 --> 01:33:46,560
Speaker 1: You guys started this drink Champs to have that conversation

1559
01:33:46,760 --> 01:33:49,160
Speaker 1: about this game being a motherfucker. Yeah, I think so.

1560
01:33:49,760 --> 01:33:52,920
Speaker 1: I'm saying, we're starting and we started this with no expectations. Yeah,

1561
01:33:53,080 --> 01:33:59,599
Speaker 1: you really have some serious conversations about with really real

1562
01:34:00,080 --> 01:34:02,479
Speaker 1: that to have been through it, We'll say, you know

1563
01:34:02,560 --> 01:34:04,800
Speaker 1: this game is a fucking vicky facts. You're really trying

1564
01:34:04,800 --> 01:34:08,160
Speaker 1: to this rock bottle. It's birthday, man, I respect, I

1565
01:34:08,280 --> 01:34:10,519
Speaker 1: watched you. I was gonna make sure next year he

1566
01:34:10,560 --> 01:34:15,799
Speaker 1: doesn't sell it like listen, listen this day you wanted

1567
01:34:15,880 --> 01:34:17,479
Speaker 1: the funk out. I'm gonna just tell you that right now.

1568
01:34:20,080 --> 01:34:23,800
Speaker 1: Drink champs. Listen, nor ya over here. You remember when

1569
01:34:23,840 --> 01:34:27,360
Speaker 1: when we was on um cuphouse. He was on cuphouse?

1570
01:34:27,640 --> 01:34:31,360
Speaker 1: What cuphouse? What did I say to you? God? You forgot?

1571
01:34:32,160 --> 01:34:35,479
Speaker 1: She was smoking? Yeah, I was smoking. I said, listen,

1572
01:34:35,600 --> 01:34:38,559
Speaker 1: we're gonna go viral. Oh you did say that? I said,

1573
01:34:40,120 --> 01:34:43,960
Speaker 1: because I respect this platform. Yes, I respect you as

1574
01:34:44,040 --> 01:34:47,160
Speaker 1: a as a lyricist, I respect as a DJ. Right,

1575
01:34:47,560 --> 01:34:51,519
Speaker 1: I want I wanted to do listen using my brothers.

1576
01:34:53,040 --> 01:34:55,479
Speaker 1: You know Ashes, my brother I loved Ashes so much.

1577
01:34:55,760 --> 01:34:58,080
Speaker 1: I love Blue so much. Love as glasses right now,

1578
01:34:58,640 --> 01:35:00,680
Speaker 1: because at this point he knows who going on. You

1579
01:35:00,760 --> 01:35:06,320
Speaker 1: know I'm drunk. He's drunk, man, you know drunk. I rap.

1580
01:35:07,680 --> 01:35:10,000
Speaker 1: You want to wrap, you want to beat? We can't

1581
01:35:10,000 --> 01:35:12,320
Speaker 1: put a beat on. Apparently, no, we can put it

1582
01:35:12,560 --> 01:35:17,680
Speaker 1: on R be original beat. Yeah, I don't know if

1583
01:35:17,680 --> 01:35:23,400
Speaker 1: you could do this. I'm a wrapper, but I want

1584
01:35:23,439 --> 01:35:25,080
Speaker 1: to you want to see if I got wrap? I

1585
01:35:25,160 --> 01:35:27,680
Speaker 1: think I got to do another shot. Why would you

1586
01:35:27,760 --> 01:35:29,679
Speaker 1: give me another shot? If I said, you just said

1587
01:35:29,680 --> 01:35:34,120
Speaker 1: you go crazy? Yes, you know I'm saying the whole

1588
01:35:34,160 --> 01:35:38,800
Speaker 1: Methern Flint album fucked up. Keep keep you. I don't

1589
01:35:38,800 --> 01:35:40,519
Speaker 1: even know. You want to rapping, that's what he does.

1590
01:35:41,040 --> 01:35:45,280
Speaker 1: I want to rap, he want. I love rapping. I'm

1591
01:35:45,320 --> 01:35:49,479
Speaker 1: an am privileged position. We are all in project talk

1592
01:35:49,600 --> 01:35:53,400
Speaker 1: that ship, five of us talk that ship. To yourself

1593
01:35:53,439 --> 01:35:57,840
Speaker 1: a shot to be a little, to be able to

1594
01:35:58,040 --> 01:36:03,479
Speaker 1: live off of what you love. What you love, right,

1595
01:36:13,280 --> 01:36:16,320
Speaker 1: we live before we love. Point yourself a shot. You've

1596
01:36:16,560 --> 01:36:18,680
Speaker 1: been you know he's been pointing more shots and we

1597
01:36:18,720 --> 01:36:21,400
Speaker 1: can count you an't gonna go back to college? Yeah,

1598
01:36:21,920 --> 01:36:24,120
Speaker 1: I don't even you know we're gonna make it back

1599
01:36:24,200 --> 01:36:34,920
Speaker 1: to school. I mean that's how you get out of here.

1600
01:36:35,479 --> 01:36:45,160
Speaker 1: Come on, I know that you manifacts back. Take a

1601
01:36:45,200 --> 01:36:47,000
Speaker 1: little shot as soon you got it on your birthday.

1602
01:36:47,000 --> 01:36:49,800
Speaker 1: If you could really be a drink chats, you can

1603
01:36:49,920 --> 01:36:51,880
Speaker 1: really be a drink chat. This is literal chest and

1604
01:36:51,920 --> 01:36:57,080
Speaker 1: we're making a gut podcast right now. You got drunk chats.

1605
01:36:57,520 --> 01:37:04,599
Speaker 1: You know, d seen the drunk monkey, I said, jo, Yeah,

1606
01:37:04,640 --> 01:37:08,760
Speaker 1: shout out the Organic Food Kings. Yes, that's incredible. We

1607
01:37:08,800 --> 01:37:11,559
Speaker 1: got the truck outside at Organic Food Kings. Make sure

1608
01:37:11,560 --> 01:37:14,320
Speaker 1: you check the mouth. I'm gonna beating them all the time.

1609
01:37:14,439 --> 01:37:19,080
Speaker 1: Right now. You want to be had the mic from

1610
01:37:19,120 --> 01:37:21,000
Speaker 1: the joint, grabbed the whole. That's how you know here

1611
01:37:21,000 --> 01:37:25,960
Speaker 1: a real MC. He just wanted to start. But you

1612
01:37:26,000 --> 01:37:39,000
Speaker 1: don't like this beat, Okay, don't want to back you

1613
01:37:39,040 --> 01:37:41,720
Speaker 1: want to go back that any more? Okay? Okay, there

1614
01:37:41,840 --> 01:37:46,599
Speaker 1: that even more? Okay. The people that's capturing this, y'all

1615
01:37:46,600 --> 01:37:49,200
Speaker 1: can hit the beat. Yeah, rewinding, take on the top,

1616
01:37:49,280 --> 01:37:50,840
Speaker 1: take you from the top. Because he didn't even hear

1617
01:37:51,040 --> 01:37:55,200
Speaker 1: all right, so do the intro has shot to soldier boys.

1618
01:37:55,439 --> 01:38:05,360
Speaker 1: I'm gonna first want to do this here. Before now,

1619
01:38:05,439 --> 01:38:08,720
Speaker 1: we spoke about financial generacy right and on club box,

1620
01:38:08,760 --> 01:38:11,160
Speaker 1: I told you it's fall to go viral. Right, did

1621
01:38:12,920 --> 01:38:15,519
Speaker 1: make your eyes on the guy who has no worries

1622
01:38:15,520 --> 01:38:18,400
Speaker 1: about the lies? We focused on the price doubt me,

1623
01:38:18,600 --> 01:38:21,080
Speaker 1: get out my way, hate us, get less than the

1624
01:38:21,200 --> 01:38:32,080
Speaker 1: wild way to do it. That only fit check only fens.

1625
01:38:32,960 --> 01:38:40,519
Speaker 1: It's me to me's like nothing you can do out

1626
01:38:40,560 --> 01:38:50,640
Speaker 1: though back Yeah, listen shout to make aspect Kita Auckland

1627
01:38:50,800 --> 01:38:55,800
Speaker 1: saying Steve Asher blue nor reaction your fense cool too,

1628
01:38:55,840 --> 01:39:00,439
Speaker 1: and that's you just sounds going to be this. Bake

1629
01:39:00,520 --> 01:39:03,120
Speaker 1: your eyes on the guy who last new worries about

1630
01:39:03,160 --> 01:39:06,320
Speaker 1: the lives, focus on the price doubt me get him

1631
01:39:06,320 --> 01:39:09,000
Speaker 1: out way, hay, this do less in the wild. Way

1632
01:39:09,080 --> 01:39:11,840
Speaker 1: to do a dive way checking. The paper chaser, the

1633
01:39:11,920 --> 01:39:14,960
Speaker 1: money saver, the t D and merry trader, the robins

1634
01:39:14,960 --> 01:39:19,120
Speaker 1: hood hater, the home bidder, the room tipper, the red

1635
01:39:19,200 --> 01:39:23,519
Speaker 1: cardom listener, the long flipper, the contract getter, the check collector,

1636
01:39:23,680 --> 01:39:26,599
Speaker 1: the debt oppressor, the thorough user who worked as tesla

1637
01:39:26,800 --> 01:39:29,320
Speaker 1: to stop watching, the options cop for the block shop

1638
01:39:29,439 --> 01:39:32,200
Speaker 1: for the future, yacht doctor, the car lot plot up,

1639
01:39:32,360 --> 01:39:35,519
Speaker 1: the business owner, the deal close up, the long term holder,

1640
01:39:35,680 --> 01:39:38,760
Speaker 1: the mortgage broke up consultant caller, the office wafer, the

1641
01:39:38,880 --> 01:39:42,400
Speaker 1: club house talkers, black supporter of the finance marte, the

1642
01:39:42,479 --> 01:39:46,080
Speaker 1: song seller, the bitcoin investor, the leger checker, the credit

1643
01:39:46,240 --> 01:39:49,479
Speaker 1: union leader, the wall street trapper, the black small business

1644
01:39:49,560 --> 01:39:52,360
Speaker 1: back up, the five year planner, the credit tracker, the

1645
01:39:52,479 --> 01:39:56,639
Speaker 1: debit master, the brand ambassador, kitty credit manager, country traveler,

1646
01:39:56,720 --> 01:39:59,920
Speaker 1: the brand resume handler. The song so the big coin

1647
01:40:00,000 --> 01:40:02,040
Speaker 1: if that's up to let you check up the credit?

1648
01:40:02,120 --> 01:40:10,639
Speaker 1: You mean, let up anybody else trying that? Anybody else

1649
01:40:13,920 --> 01:40:17,280
Speaker 1: after I just wanted to record at the motto scored

1650
01:40:17,520 --> 01:40:20,200
Speaker 1: morning more day, be d die shore baby boyam did

1651
01:40:20,439 --> 01:40:24,040
Speaker 1: damn five when his camp fires, earthquakes and hurricanes. I

1652
01:40:24,160 --> 01:40:28,360
Speaker 1: blame charlemagnely across the waterman, Carter Blaine, Charter blame all things,

1653
01:40:28,439 --> 01:40:33,880
Speaker 1: all the game. I can't you got it, you got it,

1654
01:40:33,920 --> 01:40:38,479
Speaker 1: you got it, you got it. Yeah, I don't know, bro,

1655
01:40:46,560 --> 01:40:50,000
Speaker 1: I got me to trump Man, that's beautiful. We gott.

1656
01:40:51,200 --> 01:40:52,640
Speaker 1: I was trying to get it out. But you know

1657
01:40:52,840 --> 01:40:54,880
Speaker 1: that was something that I wrote somerselves up and that

1658
01:40:54,960 --> 01:40:56,519
Speaker 1: was over. I could tell you told me it was

1659
01:40:56,560 --> 01:41:00,000
Speaker 1: over a broken language, right, shout out to the you know, smooth,

1660
01:41:00,040 --> 01:41:03,840
Speaker 1: the the classic record, and I can I could hear

1661
01:41:03,920 --> 01:41:09,240
Speaker 1: the way you were flowing. What's the top five caras

1662
01:41:10,520 --> 01:41:21,040
Speaker 1: ice Cube nas common, Planet Asia, nice platin Asia in there.

1663
01:41:21,080 --> 01:41:28,519
Speaker 1: That's the big up Planet Asia. Yeah me Chasey rust

1664
01:41:28,560 --> 01:41:35,439
Speaker 1: to five nine oh littlee fiasco. Oh thinky Smalls, na

1665
01:41:36,240 --> 01:41:46,040
Speaker 1: mm hm me your mustache? Dan, Oh my god, top

1666
01:41:46,160 --> 01:42:06,080
Speaker 1: five most black thought, Noriega, I'm only the real, top

1667
01:42:06,160 --> 01:42:16,160
Speaker 1: five real, But you need your flowers. I'm going puppy.

1668
01:42:16,400 --> 01:42:20,360
Speaker 1: I don't put my fucking beer on a coaster someone's

1669
01:42:20,600 --> 01:42:24,400
Speaker 1: because you've been at all the whiteboard parties. I just

1670
01:42:24,479 --> 01:42:26,960
Speaker 1: want you, didn't know, Bro, you I appreciate it, That's

1671
01:42:27,240 --> 01:42:32,280
Speaker 1: that's all, because I appreciate the real ship, bro, real

1672
01:42:32,320 --> 01:42:34,840
Speaker 1: ship like we can get. But what you've been able

1673
01:42:34,840 --> 01:42:36,880
Speaker 1: to do as far as the War Report, as far

1674
01:42:36,960 --> 01:42:39,880
Speaker 1: as bootleg in the War Report, as far as as

1675
01:42:39,960 --> 01:42:43,000
Speaker 1: far as making records for Farrell, as far as doing

1676
01:42:43,760 --> 01:42:47,040
Speaker 1: a motherfucking podcast, what did we taking a shot to that?

1677
01:42:48,520 --> 01:42:54,639
Speaker 1: My guy? Yo, don't don't don't, don't don't donna deflect

1678
01:42:54,680 --> 01:42:58,559
Speaker 1: the show. I don't not deflect. It is your brother, Yo.

1679
01:42:58,800 --> 01:43:07,639
Speaker 1: Can you get some whiskey? Can for you? Your legend?

1680
01:43:07,680 --> 01:43:21,000
Speaker 1: Brou This just scares me because why does it no

1681
01:43:21,960 --> 01:43:24,439
Speaker 1: flight Like It's like it's like when you know you

1682
01:43:24,520 --> 01:43:26,600
Speaker 1: got a flight coming up, i' got no flight coming up?

1683
01:43:27,160 --> 01:43:31,519
Speaker 1: Was going to I was no, no, I wasn't so okay?

1684
01:43:32,200 --> 01:43:36,439
Speaker 1: Then your other. The other two top five, my other

1685
01:43:36,520 --> 01:43:39,479
Speaker 1: two pop top five or pop five. It's pop five,

1686
01:43:39,640 --> 01:43:42,200
Speaker 1: pop five, it's I'm a white kid, it's pop five.

1687
01:43:44,520 --> 01:43:53,760
Speaker 1: Biggie is legitimate for me. And then I would say

1688
01:43:53,840 --> 01:43:56,720
Speaker 1: for me personally, Big Pun Man like Big Pun for

1689
01:43:56,880 --> 01:43:59,200
Speaker 1: me was somebody who I listened to and was like

1690
01:43:59,520 --> 01:44:03,600
Speaker 1: super super dope lyrically. And then also somebody who like

1691
01:44:03,720 --> 01:44:06,720
Speaker 1: put on for what he was about, and like for me,

1692
01:44:06,960 --> 01:44:17,240
Speaker 1: that's important. I don't ye, Yeah, I had so much fun.

1693
01:44:17,720 --> 01:44:19,600
Speaker 1: Just say that's something I asked so much fun. I

1694
01:44:19,720 --> 01:44:22,479
Speaker 1: really think you guys should do an album comblation together.

1695
01:44:23,640 --> 01:44:25,839
Speaker 1: So me and me and Blue have an album together.

1696
01:44:25,960 --> 01:44:27,920
Speaker 1: It's called the Narrative. You see. Then you gotta have,

1697
01:44:28,080 --> 01:44:32,479
Speaker 1: you gotta have. My homie is on the second single,

1698
01:44:32,640 --> 01:44:35,200
Speaker 1: core Rain. I leave him to be on like four records.

1699
01:44:36,400 --> 01:44:40,479
Speaker 1: Who was on my album. I'm I'm gonna paying, I'm

1700
01:44:40,479 --> 01:44:45,840
Speaker 1: gonna playing. I'm managed. This is managing in my mind,

1701
01:44:47,320 --> 01:44:53,200
Speaker 1: I'm managing my little you know, like you can't sing

1702
01:44:53,320 --> 01:44:57,599
Speaker 1: it and not drink it. You gotta sing it at

1703
01:44:57,600 --> 01:45:00,400
Speaker 1: the end of the day. Actually is one of the

1704
01:45:00,439 --> 01:45:05,160
Speaker 1: greatest sm sees. Grace Tip Hop the same with Blue

1705
01:45:05,360 --> 01:45:07,760
Speaker 1: the same with myself, the same with yourself. No, really

1706
01:45:08,200 --> 01:45:11,000
Speaker 1: like we I'm grateful to be a part of this

1707
01:45:11,439 --> 01:45:13,320
Speaker 1: what I'm saying because at the end of the day,

1708
01:45:14,600 --> 01:45:19,439
Speaker 1: we inspired a generation, actually inspired the generation, thank you.

1709
01:45:19,760 --> 01:45:22,280
Speaker 1: You know what I'm saying, Blue inspire the generational MC

1710
01:45:22,960 --> 01:45:26,560
Speaker 1: to be better and be better poets and be better lyricists.

1711
01:45:27,400 --> 01:45:30,559
Speaker 1: You know, like people made fun of me for wearing

1712
01:45:30,560 --> 01:45:33,479
Speaker 1: skinny jeans, and now it's the norm. I was the

1713
01:45:33,560 --> 01:45:39,040
Speaker 1: first one to wear. I wasn't on my soldier, I

1714
01:45:39,200 --> 01:45:48,320
Speaker 1: was on my media. I was because at the end

1715
01:45:48,360 --> 01:45:54,200
Speaker 1: of the day, we are the pioneers. Where the pioneers

1716
01:45:55,080 --> 01:45:58,479
Speaker 1: everybody that was on I would cover our pioneers because

1717
01:45:58,600 --> 01:46:01,840
Speaker 1: nobody did what we did. After we did it. What

1718
01:46:02,040 --> 01:46:04,439
Speaker 1: Blue did and what actually did and what myself did

1719
01:46:04,479 --> 01:46:07,200
Speaker 1: and everybody else on the cover did. We set the

1720
01:46:07,280 --> 01:46:09,920
Speaker 1: standard for what how people make money today because they

1721
01:46:10,000 --> 01:46:13,360
Speaker 1: weren't making money on the internet before we were making

1722
01:46:13,520 --> 01:46:16,400
Speaker 1: money on the internet. And I do want to you

1723
01:46:16,439 --> 01:46:18,920
Speaker 1: want to stop shout out to my space, you know

1724
01:46:18,960 --> 01:46:22,439
Speaker 1: what I mean? I guess talking about it, gonna shout

1725
01:46:22,439 --> 01:46:26,280
Speaker 1: out let my mine talking about I do want to say, Blue,

1726
01:46:28,120 --> 01:46:32,600
Speaker 1: get your flowers. I learned. I learned tonight that you

1727
01:46:32,720 --> 01:46:37,080
Speaker 1: didn't even you took your name from some something else. Okay,

1728
01:46:37,400 --> 01:46:40,120
Speaker 1: is that rude? Is that real? No? I got my

1729
01:46:40,280 --> 01:46:43,600
Speaker 1: name because everybody called me blue, but you didn't call it.

1730
01:46:43,840 --> 01:46:46,720
Speaker 1: Call yourself a little right, you know that's what you

1731
01:46:46,800 --> 01:46:51,280
Speaker 1: said other people calling you blue. No, the big homie

1732
01:46:51,360 --> 01:46:56,559
Speaker 1: Blue got shot and killed homie. Yeah, we didn't hear

1733
01:46:56,560 --> 01:47:00,759
Speaker 1: that part. Yeah, I'm little Blue, but I don't bang.

1734
01:47:00,920 --> 01:47:03,640
Speaker 1: You know what I mean. But I'm just blue and

1735
01:47:03,720 --> 01:47:07,320
Speaker 1: I'm affiliated with all the homies right right right. All

1736
01:47:07,400 --> 01:47:10,479
Speaker 1: I want to say, that's bro, you are so good,

1737
01:47:10,920 --> 01:47:13,280
Speaker 1: so good. It's so good. We love you, like you.

1738
01:47:14,320 --> 01:47:17,320
Speaker 1: But what I want to say, like drunkenly bro, like

1739
01:47:17,520 --> 01:47:26,240
Speaker 1: this fucking ship who wants but like giot, give you

1740
01:47:26,439 --> 01:47:29,000
Speaker 1: your flowers first. No, I'm good, I'm one of the best.

1741
01:47:29,320 --> 01:47:37,000
Speaker 1: I'm not keep keep getting blues flowers. I want you

1742
01:47:37,120 --> 01:47:41,320
Speaker 1: to know, like, Bro, you inspire us us, whether you

1743
01:47:41,439 --> 01:47:44,799
Speaker 1: know that or not. Bro, when we heard you, the heavens,

1744
01:47:45,479 --> 01:47:48,040
Speaker 1: when we heard you, we were like, we gotta be better.

1745
01:47:48,479 --> 01:47:51,559
Speaker 1: It's no different than fucking when the beach boys are

1746
01:47:51,720 --> 01:47:55,439
Speaker 1: on my goat car. When we heard you, we heard

1747
01:47:55,479 --> 01:48:09,040
Speaker 1: you I love this movie. Like we heard Blue when

1748
01:48:09,120 --> 01:48:12,639
Speaker 1: we heard this a little great when we heard Blue

1749
01:48:12,760 --> 01:48:16,519
Speaker 1: talk about it, were like, yo, bro, like this dude

1750
01:48:16,560 --> 01:48:22,560
Speaker 1: is times stop. You don't take it down and take it,

1751
01:48:23,040 --> 01:48:28,840
Speaker 1: take it, take it, take it the Lakers, Blue Blue

1752
01:48:29,160 --> 01:48:32,360
Speaker 1: take it. We loved you. I could, I could recite

1753
01:48:32,560 --> 01:48:36,320
Speaker 1: blow the heavens. We love you, bro, and you need

1754
01:48:36,400 --> 01:48:49,280
Speaker 1: you need you need your flowers. Oh Forrillo for Rello. Yo,

1755
01:48:49,400 --> 01:48:53,559
Speaker 1: that not album, she went, Bro, that's number one. Jane.

1756
01:48:54,120 --> 01:48:58,560
Speaker 1: You know what I mean. I love this. I love this.

1757
01:48:58,760 --> 01:49:08,639
Speaker 1: That's what we need more love this. Love behind the back.

1758
01:49:10,160 --> 01:49:13,400
Speaker 1: I don't I don't I don't mean love. I don't

1759
01:49:13,400 --> 01:49:15,320
Speaker 1: even a cheat me. But I want you guys to

1760
01:49:15,439 --> 01:49:18,760
Speaker 1: know that you are loved. You are beautiful like we

1761
01:49:18,880 --> 01:49:21,720
Speaker 1: are out here, Bro, we are out here. That's all

1762
01:49:21,840 --> 01:49:32,920
Speaker 1: that you know that much appreciate it. You are all

1763
01:49:33,000 --> 01:49:35,920
Speaker 1: the No. I just want to say, like one thing

1764
01:49:36,000 --> 01:49:37,960
Speaker 1: that that that I think is common here in this

1765
01:49:38,080 --> 01:49:41,479
Speaker 1: table right now, and what I appreciate most. What I

1766
01:49:41,560 --> 01:49:46,519
Speaker 1: always loved about hip hop is authenticity. That is, that

1767
01:49:46,680 --> 01:49:49,760
Speaker 1: is the most important thing to me in hip hop

1768
01:49:49,920 --> 01:49:53,320
Speaker 1: is authenticity that sometimes it's lost saying again and each

1769
01:49:53,360 --> 01:49:57,800
Speaker 1: and one of you exhibit that, and in Drink Chance

1770
01:49:57,880 --> 01:50:02,000
Speaker 1: we try to to amplify that and thank you for

1771
01:50:02,080 --> 01:50:08,320
Speaker 1: joining us. Guys, there you black. I ain't gonna happy

1772
01:50:08,400 --> 01:50:19,400
Speaker 1: birthday making facts. I'm doing exactly. He exactly, he's gonna

1773
01:50:19,400 --> 01:50:33,080
Speaker 1: do that. We're shot. Take a shot. Come on, come on,

1774
01:50:34,920 --> 01:50:38,439
Speaker 1: come on, look at my shop. And I got so

1775
01:50:39,040 --> 01:50:43,679
Speaker 1: you pulled up, So you pulled up and not driving home?

1776
01:50:43,960 --> 01:50:46,160
Speaker 1: First of all, if you know, if you're looking at

1777
01:50:46,200 --> 01:50:48,240
Speaker 1: this right, you're not in the orange lamb. Do not

1778
01:50:48,520 --> 01:50:52,240
Speaker 1: drive home if you're drunk. Do not dry drive Uber

1779
01:50:52,760 --> 01:50:56,840
Speaker 1: there's there's Uber Uber. Yeah, do not drive home if

1780
01:50:56,880 --> 01:51:01,639
Speaker 1: you're drink responsible, drink responsible, don't buy. This is sponsored

1781
01:51:01,720 --> 01:51:08,720
Speaker 1: by the Rocket. Alma don oh my little right right right,

1782
01:51:08,800 --> 01:51:12,479
Speaker 1: I'm gonna take my shot. Yeah, already, and I'm done.

1783
01:51:12,520 --> 01:51:17,960
Speaker 1: I'm done. I'm done the shot shot, last shot. Blue.

1784
01:51:18,040 --> 01:51:20,720
Speaker 1: I want you to know, bro, look at you, bro,

1785
01:51:20,920 --> 01:51:22,880
Speaker 1: We look at you, We see you, We love you,

1786
01:51:24,200 --> 01:51:27,760
Speaker 1: We see you, bro, we see beautiful. Bro. So did

1787
01:51:27,800 --> 01:51:30,240
Speaker 1: I convince you how to make an album? I mean,

1788
01:51:30,360 --> 01:51:33,559
Speaker 1: y'all need we made the Rain. We made Rain that's

1789
01:51:33,600 --> 01:51:36,559
Speaker 1: coming out July seventh. Seen, that's not the album. Though

1790
01:51:36,880 --> 01:51:38,880
Speaker 1: the album is called The Narrative Me and Blue, We

1791
01:51:39,000 --> 01:51:42,720
Speaker 1: Gotta Drop It and Greenhouse Effect, What three three That's

1792
01:51:42,800 --> 01:51:45,880
Speaker 1: dropping soon? Nothing but love over here, Man Shout the

1793
01:51:45,920 --> 01:51:53,400
Speaker 1: Dory Man drinks here. Thanks for joining us for another

1794
01:51:53,439 --> 01:51:56,000
Speaker 1: episode of Drink Champs, hosted by Yours truly, d J

1795
01:51:56,200 --> 01:51:58,680
Speaker 1: E f F and n R E. Please make sure

1796
01:51:58,720 --> 01:52:01,040
Speaker 1: to follow us on all our social Let's at drink

1797
01:52:01,080 --> 01:52:04,560
Speaker 1: Champs across all platforms at the Real Noriegan, I g

1798
01:52:05,280 --> 01:52:08,400
Speaker 1: at Noriega on Twitter, mine is at Who's Crazy on

1799
01:52:08,520 --> 01:52:11,240
Speaker 1: I g at d J E f N on Twitter,

1800
01:52:11,640 --> 01:52:14,160
Speaker 1: and most importantly, stay up to date with the latest releases,

1801
01:52:14,600 --> 01:52:17,760
Speaker 1: news and merch by going to drink champs dot com