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Speaker 1: Hello, Hi. Yeah, how's that? How are you? My friend?

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Speaker 1: You are? Are you? You're still in pain?

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Speaker 2: Oh?

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Speaker 1: Yeah, I'm still in pain. My back is still jacked up.

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Speaker 2: I started physical therapy yesterday, which, oh my gosh. I

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Speaker 2: loved the place I went for physical therapy. It's called

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Speaker 2: Myo Detox and I've seen it around like it's there's

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Speaker 2: like a chain of them or whatever, and I was

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Speaker 2: so I was like, how good, you know, whatever can

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Speaker 2: it be? And my PT guy was amazing, super private,

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Speaker 2: just really yeah, And I started yesterday. He was able

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Speaker 2: to get me in like the day of So yeah,

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Speaker 2: I started that got six weeks of PET. I told

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Speaker 2: him I have a big trip coming up that I.

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Speaker 1: Need to be uh uh, you know, ambulatory for. So

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Speaker 1: you have to survive a like what a nine hour

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Speaker 1: flight and then walking around the flight, O'll be okay.

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Speaker 2: The flight will be okay because I got the business.

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Speaker 1: Class lay flat.

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Speaker 2: Oh okay, seats because I can't because even without a

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Speaker 2: bad back, I can't. I'm like, if we're going to

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Speaker 2: be on this plane for more than four hours, I'm

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Speaker 2: gonna scream.

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Speaker 1: Yeah, your mom deserves a layer. You know, I's never

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Speaker 1: flown like that.

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Speaker 2: She hasn't been on a plane in years since they

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Speaker 2: redid those sorts of things, you know.

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Speaker 1: So yeah, it's like we got a yeah, she's she's

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Speaker 1: got a ride in style. She has to yep, yep.

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Speaker 2: But uh yeah, I was like, I have this trip

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Speaker 2: coming up, and uh, you know, I have to I

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Speaker 2: have to be like ready to go for it.

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Speaker 1: But yeah, flight and walking around and around.

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Speaker 2: Yeah, my mom was like, well, maybe now you will

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Speaker 2: be as slow as I am. Oh think, like, did

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Speaker 2: you plan this lady, because daughter have some slippery sandals.

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Speaker 2: Our biggest battle always is when we go anywhere. I've

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Speaker 2: always walked fast and she's always walked slow. And so

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Speaker 2: from the time I was eight years old, that would

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Speaker 2: you stop and wait for me?

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Speaker 1: And now we might not have to do that.

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Speaker 2: So that might eliminate it might eliminate one problem and

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Speaker 2: create another.

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Speaker 1: So it's sort of a net zero kind of thing,

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Speaker 1: you know. But you have leveled the playing field with

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Speaker 1: Jama sweeping. Great.

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Speaker 2: Great, I'll bring my pink cane. I have my little

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Speaker 2: cane that I've been using.

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Speaker 1: I don't have to use it as much anymore now.

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Speaker 1: But but yeah, getting in and out of the car

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Speaker 1: is not fun. Oh man, I feel so bad for you.

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Speaker 1: That's just that's so hard when you're in crying like that, and.

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Speaker 2: You know how again, like when I broke my ankle,

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Speaker 2: when it's so stupid, it's just so stupid.

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Speaker 1: You're like, it's not a great story, like oh, I

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Speaker 1: was jumping off a building, done.

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Speaker 2: Something dumb, Like I can do all the the crazy

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Speaker 2: wild things, and I managed to do those fine, but

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Speaker 2: it's the stupid, simple little things. And then and then

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Speaker 2: you're like, oh god, I wish why didn't I I

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Speaker 2: knew that was gonna I knew they were slippery.

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Speaker 1: I knew I knew it. Why didn't I do? You know,

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Speaker 1: start questioning everything? So oh man, yeah, so you see

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Speaker 1: me squirming around, that's why.

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Speaker 2: And in between shows all have to heat up my

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Speaker 2: little back heating pad.

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Speaker 1: There cute little pillows that it's hard. It's a heating pad.

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Speaker 1: It's one of those things. It's got like lavender like

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Speaker 1: the stuff that you can heat up, you know. Oh yeah,

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Speaker 1: like you.

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Speaker 2: We got it for me for Valentine's Day. It was

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Speaker 2: this and a little blanket because I love blankets. A

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Speaker 2: good blanket you can't have too many. Yeah, so yeah,

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Speaker 2: it was a little heating pad and uh, that's super cute.

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Speaker 2: We were talking about you. Yesterday I saw Marla and Beverly.

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Speaker 1: That's the thing. We were doing a thing and yeah,

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Speaker 1: so we were Everyone's like, what's going on with Jody

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Speaker 1: And I'm like, it's she just fell again. Like, don't

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Speaker 1: go panic, right, I know. That's the thing is. It's

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Speaker 1: like people are like, what happened.

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Speaker 2: You're like, she fell down, and You're like, oh right, yeah,

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Speaker 2: well that makes sense. Okay, yeah, yeah, so we missed you,

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Speaker 2: but I missed you guys.

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Speaker 1: Yeah time and yeah, no, it was great to see Marla.

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Speaker 1: I haven't seen Marla in a hot minute.

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Speaker 2: She's she was fantastic her. We saw her at Kim's thing, at.

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Speaker 1: Kim's Oh, Kim's birthday. Oh yeah, that's the last time

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Speaker 1: I saw her. Kim. So it's been almost a year. Oh, yes,

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Speaker 1: Kim's birthdays in June. Right, the last time I saw

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Speaker 1: it was Kim's birthday. That's right. We talked about Kim.

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Speaker 1: We facetimed Kim, Marla and I, oh, yay. Kim is

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Speaker 1: working on some show. I don't know what, but she

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Speaker 1: like ran out out of the studio. She's like, what's

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Speaker 1: the emergency? Does someone die? And we're like no, we're

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Speaker 1: just saying hi. She's like, I'm really busy, I can't talk,

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Speaker 1: and then she no, you can't just FaceTime somebody. I

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Speaker 1: can't just face you.

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Speaker 2: Got it, that's a text, be like hey are you

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Speaker 2: because that's the only reason that you do FaceTime or

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Speaker 2: call people is if something terrible's happened.

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Speaker 1: Exactly, I felt terrible. We weren't thinking, we weren't right.

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Speaker 2: Yeah, you got to preface that with a text and

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Speaker 2: be like, hey, you know someone's are It's.

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Speaker 1: Yeah, you have to preface it. Yes, I I am

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Speaker 1: triggered by this as well, because anytime you or Candace

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Speaker 1: like call me without texting for someone has died.

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Speaker 2: Like literally someone that's great. It's like the same thing

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Speaker 2: with my mom. You know, you're like, oh.

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Speaker 1: No, oh right, it's just awful thing.

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Speaker 2: But no, nobody, nobody died.

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Speaker 1: You were just saying hi to Kim and we panicked,

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Speaker 1: got it. Kim was just busy, Kim. Kim was just working.

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Speaker 1: Just Kim was just busy but not dead. Okay, that's

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Speaker 1: that's a place.

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Speaker 2: Yes, Well, yeah I was sad I missed you.

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Speaker 1: Guys and the weird so the weirdest thing.

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Speaker 2: So, uh, yesterday I had a text from some number

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Speaker 2: that's like, hey girl, this is still your number.

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Speaker 1: It's Marla. No, no, no, no.

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Speaker 2: I was like, we were just talking with Marla the

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Speaker 2: day before that, right, No, No, this happened before before,

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Speaker 2: This happened yesterday morning before or not yesterday morning.

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Speaker 1: Two days ago, two before.

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Speaker 2: I was like, I can't do the thing that we

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Speaker 2: were supposed to do that day. I could can be

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Speaker 2: on my feet and called her and she like, so sorry,

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Speaker 2: we're being vague, guys, it's so we can't anyway, but uh, this.

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Speaker 1: Had happened like earlier two days ago.

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Speaker 2: And then I called her later that or the next morning,

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Speaker 2: and I was like this doesn't sound right, like, hey girl,

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Speaker 2: that's not Marl Well no, And I'm always like a

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Speaker 2: number like I'm not I mean, I'm dumb, but I'm

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Speaker 2: not dumb, you know. And and whenever someone's like is

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Speaker 2: this still your number? From a number I don't know,

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Speaker 2: I'm like, I don't know whose number is this, but

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Speaker 2: I won't even respond.

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Speaker 1: I'm just like smart.

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Speaker 2: So I didn't say anything, but I called Kim or

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Speaker 2: I texted Kim. I didn't call her because yes you have.

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Speaker 2: But I texted her and I was like, hey, and

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Speaker 2: I don't know why Kim was the I don't know

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Speaker 2: why I didn't just go to Marla. I don't know

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Speaker 2: why everything but Kim if Yeah, I just trusted her.

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Speaker 1: Kim and be like, yeah, Kim's the source of all knowledge.

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Speaker 2: And I think also because if she said like yeah,

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Speaker 2: I didn't want to be like, you know, respond back

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Speaker 2: to this person or block this person.

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Speaker 1: It keeps for some reason, it really was Marla. Yeah,

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Speaker 1: what if Marla changed her number?

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Speaker 2: You need to know, right. I was like, I you

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Speaker 2: know who knows. But before I respond, hey girl, yeah

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Speaker 2: it is, I.

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Speaker 1: Was like, let me this is this is me is

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Speaker 1: my private number?

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Speaker 2: Yeah? So I text Cam and she's like that is

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Speaker 2: definitely not Marla's number.

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Speaker 1: Oh okay, so yeah.

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Speaker 2: Yeah. And then like somebody else pretended to be my

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Speaker 2: my manager emailing on a Maria asking for money.

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Speaker 1: No, yeah, that's terrible. There's a mole. There is someone, yeah, someone, Yeah,

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Speaker 1: I just get the generic e spam. I'm getting the

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Speaker 1: toll you must pay your toll road. Fine, don't see.

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Speaker 2: Sometimes a lot of those have caught me, I don't

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Speaker 2: click on them. But sometimes I'll like I've driven in

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Speaker 2: the toll road and I'm like, oh I can't.

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Speaker 1: Oh well I just know.

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Speaker 2: I'm like I'll pay it on the other end, like

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Speaker 2: yeah whatever.

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Speaker 1: But yeah, so I always have to kind of think,

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Speaker 1: like did I do one of those some moves? No, okay,

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Speaker 1: got it? Yeah? Well I used to don't click.

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Speaker 2: On anything you get, don't click on anything anything but

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Speaker 2: AI voice notes. Now, don't just just burn it, just anyone.

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Speaker 2: Don't look at anyone. No.

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Speaker 1: Yeah, if you're afraid you owe a toll, fine, just

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Speaker 1: go to the source. Don't click on anything. Yeah yeah,

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Speaker 1: thetoll road dot com source or whatever whatever it is, or.

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Speaker 2: Just or let it slide until you get a second notice,

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Speaker 2: because if.

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Speaker 1: It's if it's like a real thing.

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Speaker 2: They'll be like hey, and then you'll be like, oh okay, wait,

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Speaker 2: I think and always look at the email address, because

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Speaker 2: that's always the clue is you're like, this doesn't seem right,

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Speaker 2: so yeah, trusts, yep.

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Speaker 1: I don't know what is happening, but it's bad. It's bad.

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Speaker 1: I just keep my phone on silent all the time

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Speaker 1: so I can't do it. Don't you yeah.

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Speaker 2: So like I come back to I'm like, okay, yeah,

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Speaker 2: so it's a lot of mental energy to determine what's

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Speaker 2: real and what's spam and what's yeah, what just the world? Now,

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Speaker 2: I'm like, is that real thing? I look at I'm like,

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Speaker 2: that's a I And then when it turns out not

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Speaker 2: to be, I'm like, oh no, you know, yeah, yeah,

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Speaker 2: well all right, well it's okay. Uh And we have

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Speaker 2: a big really halfway intelligent, which is our yammering on. Okay,

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Speaker 2: let's transition because this is such a big episode.

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Speaker 1: We didn't like my segue right there. It was so great. Yes,

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Speaker 1: that was that was a bet. I give it a B.

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Speaker 2: Plus of a car crash.

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Speaker 1: That's okay. We're a little out of sorts. We're taping.

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Speaker 2: We're taping on a different day today. I don't know

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Speaker 2: what is it. I didn't pick up b last night.

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Speaker 2: She went with her dad to a friend's birthday party

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Speaker 2: with her boyfriend.

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Speaker 1: And they went and so I didn't pick her up.

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Speaker 2: Usually I picked her up from her dad. On Tuesday night,

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Speaker 2: I didn't have her. Miscal's not here. Zoe was at her.

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Speaker 1: Dad, So I'm like, what day is it?

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Speaker 2: Oh?

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Speaker 1: Speaking of Zoe. I just summoned her.

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Speaker 2: So yeah, I'm like, I don't know what day it is.

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Speaker 2: I don't know what's happening. You know, I've been in

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Speaker 2: some sort of time warp.

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Speaker 1: Yeah, the last week has been intense for you, and

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Speaker 1: Miscal's gone again. Is this because he left on Sunday?

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Speaker 2: Oh? Why is he always gone during you know it's.

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Speaker 1: First time when he left it was the fires, the fires.

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Speaker 1: Right then he.

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Speaker 2: Left, I got sick. Oh yeah, it was when you

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Speaker 2: last time, I got really deftly ill, yes, and it

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Speaker 2: couldn't work. And then he was here when I injured

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Speaker 2: my back, but then left like I had to leave

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Speaker 2: a couple of days later.

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Speaker 1: Yeah, so I'm starting to wonder, Yeah, what's going on?

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Speaker 1: And then we had an earthquake a couple of days

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Speaker 1: ago and he was gone.

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Speaker 2: Oh.

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Speaker 1: You probably didn't feel it though, because you're a little

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Speaker 1: freedom nor.

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Speaker 2: I had a couple of little things like swing in

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Speaker 2: my house, but not not dramatically.

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Speaker 1: But I panicked when I got the alert, the two alerts, Yeah,

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Speaker 1: those things work. That was a full I got those

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Speaker 1: alerts a full thirty seconds before the ground. Oh I

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Speaker 1: felt it because I'm closer to saying you're right right,

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Speaker 1: and you are so yeah, I felt it. I was like, whoa,

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Speaker 1: it was a long one. It was like was it?

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Speaker 1: I mean that was probably those seven right, Yeah, yeah

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Speaker 1: it was. You know, the the alert was scarier than

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Speaker 1: the actual quake itself as an alert scared me. Not

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Speaker 1: that I'm saying I don't want the alert. I want

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Speaker 1: the alert. I like the alert.

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Speaker 2: But when the alert happens and you're in a place

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Speaker 2: where you don't feel it, you just are bracing for like, lady,

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Speaker 2: two minutes, You're like, how far ahead do we know?

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Speaker 1: Like yes, yeah, I.

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Speaker 2: Like stood for a good few minutes, like with the again,

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Speaker 2: like by the couch, like, okay, what.

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Speaker 1: What do we what do we do? What? Sorry, it's

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Speaker 1: a daughter, your daughter, No, it's the dog. Look at

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Speaker 1: her face. She wants something. She wants you so cute

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Speaker 1: what she wants? Do you want out? Hold on?

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Speaker 2: She's so I've locked her in this office and she's like, lady,

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Speaker 2: welcome back to Tannerito's I'm Andrea Barbor and I'm Jody

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Speaker 2: Broken Sweden still still broken.

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Speaker 1: Yeah.

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Speaker 2: Today we have a very important episode we're reviewing.

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Speaker 1: Oh my god, you guys, Season four, episode eighteen, The Wedding,

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Speaker 1: Part one. We have a ride to everyone. You guys,

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Speaker 1: here comes the bride. This is it.

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Speaker 2: This is the moment that we've all been waiting for

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Speaker 2: or dreading maybe, depending on your feelings.

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Speaker 1: But there's there's a lot, just so much.

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Speaker 2: And I have to be good because I watched both episodes. Yes,

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Speaker 2: you've watched both parts parts one and watched she's only

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Speaker 2: watched one part because.

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Speaker 1: She don't soiled. I don't know what happens. I just

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Speaker 1: didn't want to forget, so I watched both parts.

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Speaker 2: But it's well, yeah, this part at least it wasn't

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Speaker 2: as crazy as I was expecting.

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Speaker 1: Maybe that comes in part two. I don't know.

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Speaker 2: I know he jumps out of a plane, I know,

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Speaker 2: but still I was like, what, it's normal sitcom.

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Speaker 1: Fair Like, yeah, that's yeah, Okay, we'll get there. This episode,

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Speaker 1: Part one is basically it's here, guys. The part one

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Speaker 1: is the build up to part two. Oh my god,

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Speaker 1: it's so full house. This episode originally aired February eighth,

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Speaker 1: nineteen ninety one. It goes a little something like this,

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Speaker 1: Jesse gets cold feet on the eve of his marriage

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Speaker 1: to Becky just don It was directed by the fabulous

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Speaker 1: Joels Wick. It was written by Jeff Franklin. Hey, and

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Speaker 1: we have some great guest stars this week. We meet

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Speaker 1: the donaldswe First of all, there is Don hood as

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Speaker 1: Kenneth Donaldson. This guy wow right, this guy Gamon with

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Speaker 1: guns of Blazing. He has appeared or he did appear

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Speaker 1: in swamp Thing Tales from the Crypt.

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Speaker 2: Oh, yes, dude, b horror movies are awesome, like tales.

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Speaker 1: I loved Tales from the Crypt as a kid, loved it.

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Speaker 1: You're a big fan Don hoods? Yes? Oh yeah, I've

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Speaker 1: got all of his albums. No, yeah, but I do.

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Speaker 1: I like weird like.

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Speaker 2: Yeah.

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Speaker 1: He was also in Well there's a theme. He was

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Speaker 1: in Bad Girls The Absence of Malice.

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Speaker 2: Like.

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Speaker 1: He's got some dark like credits here too.

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Speaker 2: Yeah, he's he's yeah yeah, like a darker okay, darker yeah,

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Speaker 2: which I could, which makes complete sense why he would

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Speaker 2: be Becky's dad.

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Speaker 1: So that. Yeah, I got thoughts about this. We will,

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Speaker 1: we will, we will get to you too. Oh yeah.

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Speaker 1: Most excitingly, at least for me. He was in Everybody's Baby,

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Speaker 1: The Rescue of Jessica McClure. Yeah, he played fire Captain

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Speaker 1: Alan Doyle like this was the most exciting.

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Speaker 2: Remember that, you guys, if you weren't alive, what was

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Speaker 2: it in the eighties, early early nineties, early eight.

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Speaker 1: Nos, it was the eighties or early to mid eighties.

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Speaker 2: It was like mid eighties because I remember it, so

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Speaker 2: I would probably somewhere around.

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Speaker 1: Like eighty eight, eighty nine.

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Speaker 2: Okay, this little girl playing in her backyard in where Texas,

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Speaker 2: I don't know where.

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Speaker 1: Maybe maybe Nebraska, I don't know, Maybe I don't know.

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Speaker 2: I know it wasn't I don't think California. So anyway,

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Speaker 2: playing out in the backyard.

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Speaker 1: Hall was she two? She was, yeah, two or I

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Speaker 1: think younger even eighteen months. Yeah, she was little, little

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Speaker 1: like toddler age.

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Speaker 2: And somehow running around the yard she found a hole

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Speaker 2: where there was it was.

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Speaker 1: More of just like an old well or something that.

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Speaker 2: Yeah, that that the you know, there was just a

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Speaker 2: hole ye or whatever, but it wasn't yeah anyway, whatever

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Speaker 2: it was.

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Speaker 1: She fell in, Yeah, she fell in.

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Speaker 2: She had was doing got splits, Yeah, got stuck with

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Speaker 2: her leg above her head, with her leg above her head,

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Speaker 2: and was in there for like a couple of.

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Speaker 1: Days, a couple of days.

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Speaker 2: Yeah, I think it was a couple of days and

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Speaker 2: she kept she kept her thinking, oh my god, it

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Speaker 2: was terrifying. I'm so glad we're talking about this before

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Speaker 2: the wedding.

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Speaker 1: But that's thematic.

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Speaker 2: But it's like an important, like cultural touchstone that people

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Speaker 2: absolutely remember because it was also one of those things

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Speaker 2: we didn't have twenty four hour news yet, so we

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Speaker 2: you would get just these updates on the evening news

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Speaker 2: or you know, the twelve o'clock and you're like, that

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Speaker 2: was it. You had it for a few minutes or

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Speaker 2: saw in the newspaper, so you were like, oh my god,

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Speaker 2: this poor kid, this poor kid, and you'd see reporting

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Speaker 2: from it, but it wasn't like now where you'd see

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Speaker 2: every single minute of it and no, what's happening? It

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Speaker 2: was nobody had any idea and it was heartbreaking.

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Speaker 1: Oh it was heart because you didn't know. You're like,

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Speaker 1: is she going to die? Are they going to pull

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Speaker 1: her out a lot? Or how did she?

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Speaker 2: I don't even know because they said it was it

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Speaker 2: was like it was like eight inches or something like

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Speaker 2: how do you how?

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Speaker 1: How did it happen? Yeah? I don't know, but scary?

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Speaker 1: And then we watched the rescue.

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Speaker 2: Scary, but don hood was in it, saving the entire thing.

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Speaker 1: Don hood, I how did we get him?

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Speaker 2: Man? This was this was a get I thought you

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Speaker 2: were gonna say, how did we get here?

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Speaker 1: And I don't how did we get here? I don't know. Anyways,

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Speaker 1: there's your brief history of the Jessica McClair story. She's

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Speaker 1: alive and doing well. He did look up an update

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Speaker 1: on her. She's married. We're doing a separate podcast about

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Speaker 1: her after this.

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Speaker 2: The next three cap will be entirely about that and.

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Speaker 1: Will Yeah.

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Speaker 2: Next cast is one of the one of the three

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Speaker 2: eaglets from Big Bear.

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Speaker 1: On my TV. I can see them right now. They're

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Speaker 1: on my TV. Hi, guys, Okay, anyways, I promise to focus.

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Speaker 1: Let's focus.

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Speaker 2: Sorry, it's it's a day.

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Speaker 1: This is just a day. This is what we're doing. Okay,

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Speaker 1: we're moving on next. Playing the role of Nedra Donaldson

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Speaker 1: is Lois Nettleton. Who's Nedra? Who has adras vera. I've

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Speaker 1: never heard that. I don't Again, we'll get to this later,

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Speaker 1: but I don't love how they've portrayed the Donaldson's here.

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Speaker 1: It's more different than regularly. Yeah, we get there, but yeah,

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Speaker 1: Nedra sounds uppity and I mean, you know, ecology, is

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Speaker 1: anyone named Nedra out there, but it just seems very like,

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Speaker 1: I don't know, formal, not formal. But yeah, it's a

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Speaker 1: it's not like a it's.

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Speaker 2: Not a square dancing type of name, you know. So

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Speaker 2: I mean, if you have a you know, what do

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Speaker 2: I know about square dancing?

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Speaker 1: Anyway? People have responded, okay, another tangent here we go.

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Speaker 1: Nebraska's have chimed in on Instagram. Got it interesting that

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Speaker 1: one guy just was like, it's complicated, Like, just don't ask.

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Speaker 1: Most of Nebraska does not square dance. It was other

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Speaker 1: areas of the country that grew up doing dancing in

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Speaker 1: fourth grade or fifth grade, but Nebraska we never did that.

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Speaker 1: We did that in California.

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Speaker 2: Central California was represented. They're like, oh, yeah we learned this.

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Speaker 1: Yeah, we California we learned. Yeah. I don't remember square

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Speaker 1: dancing in I mean, I.

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Speaker 2: Said, it has a it has a weird, dark sort

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Speaker 2: of literally has a weird dark sort of history as

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Speaker 2: to why they introduced it in classrooms.

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Speaker 1: Oh oh, that's right, you were telling me.

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Speaker 2: Yeah, you go about that off the it's yeah, it's

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Speaker 2: if you look up why you kids square dance in

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Speaker 2: fourth grade. If you trace it back to who was

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Speaker 2: pushing for it, it was uh, an organization that push

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Speaker 2: doesn't really like a lot of diversity starts with the

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Speaker 2: letter now.

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Speaker 1: Yeah.

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Speaker 2: So anyway, uh fascinating sort of history as to why

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Speaker 2: and we still square dance apparently.

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Speaker 1: Wow. Okay, this see we can talk about anything on

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Speaker 1: this show.

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Speaker 2: We can go off on tangents, square dance, Jesus Christ

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Speaker 2: broken back.

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Speaker 1: Wrong with us? You get it? Playing Howie this time? Wait,

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Speaker 1: we have to but I have to give Howie this time.

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Speaker 2: Okay, Gregory playing this time?

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Speaker 1: All right? Lois, you don't get you don't get any credits.

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Speaker 1: We're not talking about your credits. We're talking about Howie.

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Speaker 1: How he's back, God bless him. He's played by a

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Speaker 1: boy this time. Remember it was Twin Girls a couple

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Speaker 1: of seasons ago. Now we've got Michael Nun's playing Howie.

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Speaker 1: Him and his mullet. This kid is so dang cute.

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Speaker 1: Known for Thumbilina. He did the voice of Little Bee.

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Speaker 1: Parker Lewis Can't Lose and the Pebble and the Penguin.

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Speaker 1: Cute child actor, I'll Parker Lewis can't lose. Yeah. Oh, yeah,

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Speaker 1: that was a great show. And of course Debbie Gregory.

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Speaker 1: She returns for the fourth time as Connie this time,

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Speaker 1: though she's not Karen.

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Speaker 2: She's not fourth time on the show, second time playing Connie.

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Speaker 1: Got it love, I love Full House. It's so great,

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Speaker 1: all right. We start with the teaser. In the living room,

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Speaker 1: Danny is reminding Michelle what her responsibilities as flower girl

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Speaker 1: are for Becky and Jesse's wedding, which is tomorrow. Michelle

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Speaker 1: grins as he tells her it's the most important role

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Speaker 1: of all and she responds loving it, loving it. But

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Speaker 1: then she asks him what is a flower girl and

434
00:21:59,400 --> 00:22:03,199
Speaker 1: Danny explain said it's a girl who throws flowers, and

435
00:22:03,200 --> 00:22:04,800
Speaker 1: Michelle nods, I believe it.

436
00:22:06,000 --> 00:22:10,200
Speaker 2: I mean, i'd hope she does. That's literally the explanation

437
00:22:10,320 --> 00:22:10,640
Speaker 2: for it.

438
00:22:12,320 --> 00:22:15,560
Speaker 1: The dialogue, Michelle's dialogue in this whole episode, really, but

439
00:22:15,600 --> 00:22:18,159
Speaker 1: particularly in the teaser, it's very unnatural, Like it's not

440
00:22:18,359 --> 00:22:19,880
Speaker 1: how four year olds talk.

441
00:22:20,040 --> 00:22:25,879
Speaker 2: It's how if you took uh like Groucho Marx and

442
00:22:26,600 --> 00:22:27,959
Speaker 2: made him into a baby.

443
00:22:28,440 --> 00:22:29,960
Speaker 1: I had to have his gun, Like I feel like

444
00:22:30,040 --> 00:22:33,160
Speaker 1: it just needs a little cigar. Yea, I love it.

445
00:22:33,720 --> 00:22:37,240
Speaker 1: I believe it. Yeah, that's what it feels like. He

446
00:22:37,320 --> 00:22:40,280
Speaker 1: totally feels like that. So Danny stands up and demonstrates

447
00:22:40,359 --> 00:22:42,800
Speaker 1: exactly what she'll do tomorrow. He uses a box of

448
00:22:42,840 --> 00:22:46,080
Speaker 1: tissues in place of the flower petals and tells Michelle

449
00:22:46,080 --> 00:22:49,439
Speaker 1: to step and throw, step and throw. He hands her

450
00:22:49,480 --> 00:22:52,080
Speaker 1: the tissues so she can give it a try. Michelle

451
00:22:52,080 --> 00:22:54,800
Speaker 1: follows the step and throw routine, but while she's doing it,

452
00:22:54,840 --> 00:22:58,359
Speaker 1: she sings, here comes Michelle, Here comes Michelle. She throws

453
00:22:58,400 --> 00:23:00,479
Speaker 1: tissue after tissue and Danny t I used to tell

454
00:23:00,520 --> 00:23:02,960
Speaker 1: her that's an f And he's frantically picking up the

455
00:23:03,000 --> 00:23:06,920
Speaker 1: tissues that she's leaving behind and she doesn't stop. Danny

456
00:23:06,960 --> 00:23:09,280
Speaker 1: tells her it's not funny, but she is getting a

457
00:23:09,440 --> 00:23:13,000
Speaker 1: kick out of this chaos. She continues her shenanigans and

458
00:23:13,040 --> 00:23:14,960
Speaker 1: he reminds her these were trees.

459
00:23:15,160 --> 00:23:20,480
Speaker 2: Once Michelle, Michelle just back. She's just on a tangent.

460
00:23:21,840 --> 00:23:23,840
Speaker 1: This was a cute well, okay, now this actually was

461
00:23:24,200 --> 00:23:25,280
Speaker 1: irrelevant teaser.

462
00:23:25,320 --> 00:23:28,320
Speaker 2: It ties what made storyline, especially since they're not having

463
00:23:28,400 --> 00:23:32,639
Speaker 2: a rehearsal for this wedding right it seems they're just like,

464
00:23:33,240 --> 00:23:34,600
Speaker 2: just get there and do it.

465
00:23:34,840 --> 00:23:37,720
Speaker 1: Just it's a free for all. Yeah, so this needed

466
00:23:37,760 --> 00:23:40,760
Speaker 1: to be covered, and it more importantly, it was the

467
00:23:40,800 --> 00:23:43,359
Speaker 1: appropriate length for a teaser, unlike last week, which was

468
00:23:43,400 --> 00:23:46,440
Speaker 1: like the twenty two minute teaser with a one minute episode.

469
00:23:46,080 --> 00:23:49,280
Speaker 2: Right, I had deposit in the middle and go go backrooms.

470
00:23:49,800 --> 00:23:54,840
Speaker 1: This was the perfect length of tea. Yeah, but yelevant.

471
00:23:55,200 --> 00:23:57,879
Speaker 1: This wedding came up so fast for me. I know

472
00:23:57,920 --> 00:24:00,639
Speaker 1: I've mentioned this before. I feel like this is a

473
00:24:00,640 --> 00:24:03,120
Speaker 1: missed opportunity by the writers to build up the wedding

474
00:24:03,200 --> 00:24:06,600
Speaker 1: some more like they got engaged. I mean that episode

475
00:24:06,680 --> 00:24:11,399
Speaker 1: one of season four and then they're eating cake samples

476
00:24:11,440 --> 00:24:13,920
Speaker 1: in episode eight, they set a date in episode fourteen,

477
00:24:14,080 --> 00:24:17,080
Speaker 1: the best man has chosen in episode sixteen, what about

478
00:24:17,119 --> 00:24:20,520
Speaker 1: like let's have some bridal showers or picking out the venue? Well,

479
00:24:20,640 --> 00:24:23,200
Speaker 1: I mean you and I have this conversation about Fuller

480
00:24:23,240 --> 00:24:23,720
Speaker 1: as well.

481
00:24:24,160 --> 00:24:28,320
Speaker 2: Oh yeah, with baby showers and bridal showers and stuff.

482
00:24:28,440 --> 00:24:33,160
Speaker 2: That just that could have been I think, great for

483
00:24:33,160 --> 00:24:36,480
Speaker 2: for one, for some hilarious opportunities, But yeah, I would

484
00:24:36,520 --> 00:24:37,199
Speaker 2: I I agree, I.

485
00:24:37,160 --> 00:24:41,080
Speaker 1: Would have liked to have seen it build up a

486
00:24:41,080 --> 00:24:43,280
Speaker 1: little more. Yeah, me too, me too. This just seems

487
00:24:43,320 --> 00:24:46,920
Speaker 1: like that would have been rife with storylines of chaos

488
00:24:47,000 --> 00:24:50,280
Speaker 1: and showers and parties and can you mention a bachelor party?

489
00:24:50,320 --> 00:24:53,600
Speaker 1: It'd be sea cruise. Oh maybe, Yeah.

490
00:24:53,720 --> 00:25:05,200
Speaker 3: I'm grateful that there weren't judged a bullet.

491
00:25:05,920 --> 00:25:09,080
Speaker 1: Hey, ab hey, Jody, question for you, Yeah, what's up?

492
00:25:09,119 --> 00:25:09,440
Speaker 1: Do you?

493
00:25:10,040 --> 00:25:10,600
Speaker 2: Uh?

494
00:25:10,800 --> 00:25:12,520
Speaker 1: Do you happen to have any plans on June fifth?

495
00:25:12,600 --> 00:25:16,000
Speaker 1: June fifth? Why? No, I don't have plans, but I

496
00:25:16,440 --> 00:25:17,800
Speaker 1: have this urge to see you.

497
00:25:18,040 --> 00:25:20,520
Speaker 2: I have a great urge to see you, and and

498
00:25:20,600 --> 00:25:22,840
Speaker 2: a really great urge to see a lot of our

499
00:25:22,880 --> 00:25:25,119
Speaker 2: fan of ritos do in person.

500
00:25:25,240 --> 00:25:27,760
Speaker 1: What do you suggest? I feel like I don't know it.

501
00:25:27,800 --> 00:25:30,560
Speaker 2: I might need a you know, a date to uh,

502
00:25:30,800 --> 00:25:33,000
Speaker 2: perhaps a wedding of some sort.

503
00:25:33,119 --> 00:25:36,359
Speaker 1: I'm still riding that high from the Jesse and Becky wedding.

504
00:25:37,080 --> 00:25:40,120
Speaker 1: Should we make it into an event? I think we should.

505
00:25:40,359 --> 00:25:43,040
Speaker 1: I mean, who doesn't like a good vow renewal? You

506
00:25:43,119 --> 00:25:45,000
Speaker 1: know what I mean? A vow It's they're very in

507
00:25:45,119 --> 00:25:48,560
Speaker 1: right now, these vowel renewals, they really are recommit, recommit

508
00:25:48,680 --> 00:25:50,920
Speaker 1: you know, well, you know what, we should have John

509
00:25:50,960 --> 00:25:55,719
Speaker 1: and Lorie join us too, because it's their wedding. We

510
00:25:55,760 --> 00:25:57,240
Speaker 1: should should be you know what.

511
00:25:57,119 --> 00:25:59,359
Speaker 2: I think you and I I think you and I

512
00:25:59,359 --> 00:26:01,159
Speaker 2: need to hop off. We need to have some serious

513
00:26:01,200 --> 00:26:04,959
Speaker 2: conversations about this. But fan of Rito's, you've heard it here. First,

514
00:26:05,760 --> 00:26:08,720
Speaker 2: we are going to be having on June fifth, an

515
00:26:08,760 --> 00:26:12,400
Speaker 2: in person live event of a vow renewal.

516
00:26:12,960 --> 00:26:14,840
Speaker 1: What's going to happen there, we don't know. We don't know.

517
00:26:15,080 --> 00:26:16,560
Speaker 2: We're going to go figure that out right now. But

518
00:26:17,520 --> 00:26:20,600
Speaker 2: trust me, you do not want to miss this. iHeartRadio

519
00:26:20,640 --> 00:26:22,399
Speaker 2: Theater in Burbank June fifth.

520
00:26:22,960 --> 00:26:24,720
Speaker 1: We will see you there. Make sure you you know

521
00:26:24,880 --> 00:26:26,800
Speaker 1: RSVP and all that. I love it. So next door

522
00:26:26,800 --> 00:26:30,040
Speaker 1: in the kitchen, Stuff points a video camera toward the

523
00:26:30,040 --> 00:26:33,840
Speaker 1: stairs and yells action on queue. DJ walks down the

524
00:26:33,880 --> 00:26:36,880
Speaker 1: stairs and smiles at the camera as she says, DJ

525
00:26:37,000 --> 00:26:40,240
Speaker 1: Tanner presents the Making of a Wedding, a DJ Tanner

526
00:26:40,280 --> 00:26:43,120
Speaker 1: production of a DJ Tanner film written and directed by

527
00:26:43,200 --> 00:26:44,000
Speaker 1: DJ Tanner.

528
00:26:45,240 --> 00:26:49,080
Speaker 2: I laughed in her shoulder pads and directed by DJ

529
00:26:49,160 --> 00:26:51,680
Speaker 2: Tanner and her shoulder pats. Don't forget they need some credits. Old,

530
00:26:52,080 --> 00:26:55,639
Speaker 2: they're doing a lot in this out, so they're really

531
00:26:55,680 --> 00:26:58,520
Speaker 2: holding up legitiately holding up a.

532
00:26:58,400 --> 00:27:02,840
Speaker 1: Lot of weight. So yeah, it's amazing. So Stuff feels

533
00:27:02,840 --> 00:27:06,760
Speaker 1: cut and asks DJ, aren't you forgetting something? DJ admits,

534
00:27:06,800 --> 00:27:10,840
Speaker 1: oh yeah, sorry, and Stuff calls action again. DJ resumes

535
00:27:10,960 --> 00:27:14,600
Speaker 1: hosted by DJ Tanner. Hi, I'm DJ Tanner, and Stuff

536
00:27:14,600 --> 00:27:17,879
Speaker 1: feels cut again, and then she asks her what about me?

537
00:27:18,160 --> 00:27:20,720
Speaker 1: This video is a wedding gift from me too, you know.

538
00:27:21,440 --> 00:27:24,040
Speaker 1: DJ rolls her eyes. I see we have some ego

539
00:27:24,160 --> 00:27:28,119
Speaker 1: problems here. Let's take it from the top. Steph does this,

540
00:27:28,280 --> 00:27:32,320
Speaker 1: she stole and calls action. DJ redes the introduction, boasting

541
00:27:32,359 --> 00:27:34,320
Speaker 1: a huge smile and doing a jump in the air

542
00:27:34,359 --> 00:27:37,359
Speaker 1: when she says Stephanie's name, and Stuff gives her thumbs

543
00:27:37,440 --> 00:27:41,040
Speaker 1: up approval. This is a good activity for the girls, like,

544
00:27:41,119 --> 00:27:44,600
Speaker 1: let's make it. It's like it's like vlogs before vlogs, right,

545
00:27:44,680 --> 00:27:50,040
Speaker 1: It's yeah, I liked this little piece storyline. DJ continues

546
00:27:50,119 --> 00:27:53,320
Speaker 1: her spiel, telling the viewers it's the night before Valentine's

547
00:27:53,359 --> 00:27:57,080
Speaker 1: Day tomorrow, Jesse Katzopolis and Rebecca Donaldson are getting married.

548
00:27:57,400 --> 00:27:59,920
Speaker 1: The Tanner house is a buzz with pre wedding excitement.

549
00:28:00,880 --> 00:28:03,119
Speaker 1: Then DJ gets cut off by a frantic Becky, who

550
00:28:03,240 --> 00:28:05,960
Speaker 1: runs through the kitchen up the stairs shouting, where's Jesse,

551
00:28:06,200 --> 00:28:10,600
Speaker 1: Where's Michelle, where's everybody. DJ looks at the camera and

552
00:28:10,640 --> 00:28:13,480
Speaker 1: explains that was the blushing bride to be herself. Isn't

553
00:28:13,480 --> 00:28:17,320
Speaker 1: she radiant? Then we see Becky run back downstairs and whine,

554
00:28:17,440 --> 00:28:19,360
Speaker 1: I asked Jessie to be here to meet my parents.

555
00:28:19,640 --> 00:28:22,919
Speaker 1: How could he do this to me? Right? It seems

556
00:28:22,920 --> 00:28:26,840
Speaker 1: like a pretty important one to miss. But I'm like,

557
00:28:26,840 --> 00:28:29,320
Speaker 1: are you surprised, Becky? Have you met him? Like this?

558
00:28:29,400 --> 00:28:33,840
Speaker 1: Is this is? Well yeah, not totally unsurprising, but no,

559
00:28:34,600 --> 00:28:36,760
Speaker 1: definitely not. But yeah, the day before the wedding, this

560
00:28:36,840 --> 00:28:40,640
Speaker 1: is not the time to screw around or meet the parents.

561
00:28:41,040 --> 00:28:42,880
Speaker 1: I feel like that should it?

562
00:28:43,320 --> 00:28:45,760
Speaker 2: I mean, I feel like at some point that might

563
00:28:45,800 --> 00:28:49,000
Speaker 2: have happened sooner. But also who am I to judge?

564
00:28:49,080 --> 00:28:52,640
Speaker 2: I mean, I've done it, you know what I mean? Legitterately?

565
00:28:52,680 --> 00:28:56,560
Speaker 1: Like actually yes, literally, yeah, yeah, I get that.

566
00:28:56,800 --> 00:28:59,640
Speaker 2: But this was a planned one, like a planned wedding,

567
00:28:59,720 --> 00:29:02,840
Speaker 2: And don't see how that.

568
00:29:02,800 --> 00:29:04,560
Speaker 1: Would have happened, that they would have made it this

569
00:29:04,680 --> 00:29:07,640
Speaker 1: far and didn't they didn't they go to Nebraska for

570
00:29:07,720 --> 00:29:10,760
Speaker 1: Christmas or maybe that was just that was conflict. She

571
00:29:10,840 --> 00:29:13,720
Speaker 1: went to Nebraska for Christmas or something? Okay, so jesse

572
00:29:13,840 --> 00:29:17,520
Speaker 1: never went to Nebraska and met the parents. That's dating

573
00:29:17,560 --> 00:29:19,600
Speaker 1: for two years. This I find this hard to believe,

574
00:29:19,640 --> 00:29:23,080
Speaker 1: but well, this wedding had to happen. Yeah, kind of

575
00:29:23,120 --> 00:29:26,880
Speaker 1: does shoehorn this wedding? And yeah, anyway possible. Steph is

576
00:29:26,920 --> 00:29:29,200
Speaker 1: pointing the camera at Becky now and does a sing

577
00:29:29,240 --> 00:29:32,680
Speaker 1: song voice as she reminds her we're taping this. Becky's

578
00:29:32,680 --> 00:29:35,360
Speaker 1: expression quickly changes us. She turns back to the camera

579
00:29:35,400 --> 00:29:38,080
Speaker 1: with a movie star smile and says, hello, everything is fine,

580
00:29:38,400 --> 00:29:42,200
Speaker 1: running smooth as silk. Michelle shows up at the bottom

581
00:29:42,200 --> 00:29:45,560
Speaker 1: of the stairs and sternly tells everyone this better be important.

582
00:29:45,760 --> 00:29:50,320
Speaker 1: I was coloring, right, Like, why you can't interrupt her

583
00:29:50,360 --> 00:29:51,280
Speaker 1: while she's coloring?

584
00:29:51,280 --> 00:29:55,960
Speaker 2: Oh no, she was coloring and writing notes from her sessions, right, Yes,

585
00:29:56,080 --> 00:29:56,800
Speaker 2: you can't.

586
00:29:56,880 --> 00:29:59,920
Speaker 1: Can't interrupt that. She's got it. No, there's a flow

587
00:30:00,120 --> 00:30:02,280
Speaker 1: that happens. She's got to remember what was said. You know,

588
00:30:02,800 --> 00:30:05,360
Speaker 1: some people still have to work in this house. Michelle's

589
00:30:05,840 --> 00:30:09,240
Speaker 1: Michelle's one of them. DJ tells the camera that it's

590
00:30:09,280 --> 00:30:12,520
Speaker 1: the flower girl Michelle. Stephanie points the camera at her

591
00:30:12,560 --> 00:30:15,120
Speaker 1: little sister and tells her to smile, but Michelle is

592
00:30:15,120 --> 00:30:18,200
Speaker 1: not having it. She looks at the camera and dramatically sighs,

593
00:30:18,480 --> 00:30:22,840
Speaker 1: please no pictures. My hair is a mess for the

594
00:30:22,840 --> 00:30:26,760
Speaker 1: first time ever. Well she should know, she does her hair.

595
00:30:26,920 --> 00:30:29,680
Speaker 1: She right, She's like, oh no, this is yeah.

596
00:30:29,760 --> 00:30:29,960
Speaker 2: Yeah.

597
00:30:30,000 --> 00:30:32,800
Speaker 1: She's like, I'm not camera ready yet, guys, just calm down.

598
00:30:33,640 --> 00:30:35,800
Speaker 1: Becky walks up to Michelle and reveals that she has

599
00:30:35,840 --> 00:30:39,360
Speaker 1: a surprise for her. She asks Michelle if she remembers

600
00:30:39,400 --> 00:30:49,040
Speaker 1: her nephew Howie, oh god does who's back? I'm not kidding.

601
00:30:49,080 --> 00:30:53,280
Speaker 1: I was watching this episode and I forgot. And then

602
00:30:53,400 --> 00:30:56,440
Speaker 1: she's like, hey, do you remember how I literally out

603
00:30:56,480 --> 00:31:08,640
Speaker 1: that one? It's a reaction, Yeah, Howie, you're still scarred

604
00:31:08,640 --> 00:31:12,800
Speaker 1: from that episode. This time it's a it's a different actor,

605
00:31:13,080 --> 00:31:15,720
Speaker 1: it's a different plot line. There's a plot twist. They

606
00:31:15,760 --> 00:31:18,800
Speaker 1: hate each other. I I like this plot twist. You

607
00:31:18,840 --> 00:31:22,120
Speaker 1: know it's I'm here. Well, it certainly keeps us from

608
00:31:22,120 --> 00:31:28,600
Speaker 1: hearing his nameless I'll take it too. So Michelle taps

609
00:31:28,600 --> 00:31:31,720
Speaker 1: her lips in concentration, trying to remember the boy that

610
00:31:31,760 --> 00:31:35,560
Speaker 1: she was obsessed with in season two, But after consideration,

611
00:31:35,680 --> 00:31:39,000
Speaker 1: she says no, which is true. Kids like the object

612
00:31:39,080 --> 00:31:42,200
Speaker 1: permanence that's developing, Like they don't remember things from I

613
00:31:42,200 --> 00:31:47,240
Speaker 1: don't remember who we met three seasons ago. No, no, yeah,

614
00:31:47,280 --> 00:31:51,040
Speaker 1: that's a fleeting thought, right. Becky wonders, well, do you

615
00:31:51,120 --> 00:31:54,480
Speaker 1: remember my sister Connie, and Michelle taps her lips again

616
00:31:54,520 --> 00:31:59,400
Speaker 1: and says no again. Becky explains Michelle's origin story with

617
00:31:59,560 --> 00:32:03,080
Speaker 1: Howie and Connie and describes how he is Michelle's best friend.

618
00:32:03,600 --> 00:32:06,160
Speaker 1: Michelle's eyes light up. She asks, I got a best friend.

619
00:32:06,440 --> 00:32:07,160
Speaker 2: That's cool.

620
00:32:08,120 --> 00:32:10,760
Speaker 1: Becky calls her sister into the kitchen, and Debbie Gregory

621
00:32:10,840 --> 00:32:13,760
Speaker 1: appears again as Connie. Again.

622
00:32:15,800 --> 00:32:18,280
Speaker 2: Oh, Debbie Gregory, it's a good thing they didn't invite

623
00:32:18,280 --> 00:32:19,320
Speaker 2: the dance teacher to the wedding.

624
00:32:19,320 --> 00:32:25,040
Speaker 1: That would have gotten weird. The dance teacher, the messy girlfriend.

625
00:32:25,080 --> 00:32:28,120
Speaker 2: Maybe that's the same person, Yeah, the same person, the

626
00:32:28,120 --> 00:32:31,120
Speaker 2: same person, Yeah, the slob of a girlfriend, the dance

627
00:32:31,120 --> 00:32:32,320
Speaker 2: teacher and Connie.

628
00:32:32,360 --> 00:32:37,400
Speaker 1: This is amazing. So Connie walks Howie toward Michelle and

629
00:32:37,440 --> 00:32:40,600
Speaker 1: they both look at each other with caution. Michelle frowns

630
00:32:40,600 --> 00:32:43,360
Speaker 1: and says, you're a boy, and how He shouts back

631
00:32:43,400 --> 00:32:46,640
Speaker 1: with just as much disgust, you're a girl. Then they

632
00:32:46,720 --> 00:32:48,480
Speaker 1: shout in unison. Ew.

633
00:32:49,280 --> 00:32:52,720
Speaker 2: The confusion is warranted by Michelle because She's like, wait,

634
00:32:52,760 --> 00:32:54,960
Speaker 2: you're a boy, and last time you were portrayed by

635
00:32:54,960 --> 00:32:55,600
Speaker 2: a young girl.

636
00:32:55,800 --> 00:33:00,600
Speaker 1: Right, she's legitimately confused. I get where she's coming from this.

637
00:33:00,600 --> 00:33:04,600
Speaker 1: This is actually brilliant writing. That's a little tongue in cheek. Yeah, exactly,

638
00:33:05,160 --> 00:33:10,320
Speaker 1: genuinely confused, as is the audience. So Becky reminds Michelle

639
00:33:10,320 --> 00:33:15,080
Speaker 1: that someday she's gonna like boys, and Michelle insists not today.

640
00:33:15,280 --> 00:33:19,360
Speaker 1: You never know. Connie suggests that Michelle shows Howie to

641
00:33:19,440 --> 00:33:22,920
Speaker 1: her room, and Michelle asks why. Connie breaks the news

642
00:33:22,920 --> 00:33:25,520
Speaker 1: that Howie will be sleeping over in her room tonight.

643
00:33:26,840 --> 00:33:29,440
Speaker 2: Howie and Michelle look at He told the kids first

644
00:33:29,760 --> 00:33:33,560
Speaker 2: that you're gonna be shit, you know, But nobody warns

645
00:33:33,560 --> 00:33:34,440
Speaker 2: anybody about anything.

646
00:33:34,480 --> 00:33:35,960
Speaker 1: Nobody communicates in this house.

647
00:33:35,960 --> 00:33:40,760
Speaker 2: They're all too consumed with whatever they've got with themselves.

648
00:33:41,280 --> 00:33:44,960
Speaker 1: Yes, so Howie and Michelle are not thrilled. They say you,

649
00:33:45,440 --> 00:33:47,680
Speaker 1: and Becky assures them that they're gonna have so much fun.

650
00:33:48,360 --> 00:33:50,960
Speaker 1: Howie says, I hope she has good toys and runs away.

651
00:33:51,520 --> 00:33:55,240
Speaker 1: Michelle angrily threatens, hey, don't touch my stuff, you boy,

652
00:33:55,600 --> 00:33:59,240
Speaker 1: and runs after him. I love this getting along swimmingly.

653
00:33:59,520 --> 00:34:01,680
Speaker 1: I think this is great. It's a little tension in

654
00:34:01,720 --> 00:34:05,480
Speaker 1: the house, you know, Yeahny, DJ starts to run after

655
00:34:05,480 --> 00:34:07,080
Speaker 1: the little ones and tell Steph that they need to

656
00:34:07,080 --> 00:34:10,439
Speaker 1: follow the action. Steph walks after her and complains, Hey,

657
00:34:10,440 --> 00:34:13,560
Speaker 1: nobody's going to see me on this tape. And then

658
00:34:13,560 --> 00:34:16,320
Speaker 1: she gets an idea. She points the camera towards herself

659
00:34:16,440 --> 00:34:19,320
Speaker 1: and puts on her best smile, saying, Hi, I'm Stephanie Tanner,

660
00:34:19,480 --> 00:34:22,600
Speaker 1: niece of the groom, bridesmaid camera woman. I pretty much

661
00:34:22,600 --> 00:34:26,280
Speaker 1: do it all. Indeed, it's a first little selfie video.

662
00:34:26,400 --> 00:34:30,640
Speaker 1: You know, it's great, is it? DJ grabs her pulls

663
00:34:30,640 --> 00:34:33,120
Speaker 1: her to Michelle's room, not allowing her to finish her

664
00:34:33,480 --> 00:34:37,280
Speaker 1: on camera moment. Then Danny runs into the kitchen wearing

665
00:34:37,360 --> 00:34:41,160
Speaker 1: his tuxedo, but he's distraught, and we soon see why

666
00:34:41,440 --> 00:34:44,239
Speaker 1: the jacket arms aren't long enough and his pants are

667
00:34:44,400 --> 00:34:48,360
Speaker 1: extremely short. The great site gag, you know, it's the

668
00:34:49,400 --> 00:34:53,320
Speaker 1: short little couplotts or whatever you like. FANTASTICA, Yeah, exactly,

669
00:34:55,000 --> 00:34:59,279
Speaker 1: Becky's sighs with defeat. That's impossible. The tailor assured me

670
00:34:59,280 --> 00:35:03,120
Speaker 1: that the alteration would be perfect. Danny suggests that maybe

671
00:35:03,160 --> 00:35:06,560
Speaker 1: he hit another growth spurt. Then the doorbell rings and

672
00:35:06,680 --> 00:35:10,200
Speaker 1: Becky gasps, my parents, where is Jesse? And she runs

673
00:35:10,239 --> 00:35:12,920
Speaker 1: to get the door. That's when Joey stomps up the

674
00:35:12,960 --> 00:35:16,080
Speaker 1: stairs and asks, where's Becky? Have you seen this? He's

675
00:35:16,120 --> 00:35:19,920
Speaker 1: also wearing his tuxedo, which is way too big on him.

676
00:35:20,480 --> 00:35:22,320
Speaker 1: Danny and Joey look at each other and realize the

677
00:35:22,400 --> 00:35:24,799
Speaker 1: mix up. Joey lets out a sigh of relief. Oh

678
00:35:24,800 --> 00:35:29,719
Speaker 1: my god, I thought I was shrinking great little bit

679
00:35:29,760 --> 00:35:30,640
Speaker 1: between these guys.

680
00:35:30,800 --> 00:35:31,000
Speaker 2: Yes.

681
00:35:32,120 --> 00:35:34,359
Speaker 1: So next in the living room, Becky opens the front

682
00:35:34,400 --> 00:35:37,560
Speaker 1: door and it's her parents. They give her a warm greeting,

683
00:35:37,760 --> 00:35:40,400
Speaker 1: and Becky asks what took them so long, considering that

684
00:35:40,440 --> 00:35:43,680
Speaker 1: they were following right behind her. Becky's dad rolls his

685
00:35:43,760 --> 00:35:46,680
Speaker 1: eyes with annoyance. We got cut off by some crazy

686
00:35:46,760 --> 00:35:51,840
Speaker 1: motorcycle hoodlum and black leather on cue. Jesse walks in,

687
00:35:51,920 --> 00:35:55,240
Speaker 1: carrying his motorcycle helmet and wearing his black leather jacket.

688
00:35:56,040 --> 00:35:58,840
Speaker 1: As he gets himself situated, he apologizes to Becky for

689
00:35:58,880 --> 00:36:02,719
Speaker 1: being late on being stuck behind some walnut driving six

690
00:36:02,800 --> 00:36:05,960
Speaker 1: miles an hour. I like walnut as a as a

691
00:36:07,520 --> 00:36:10,319
Speaker 1: like insult. I'm gonna start calling people walnuts. Yeah, that

692
00:36:10,400 --> 00:36:12,800
Speaker 1: is it that for some reason, it feels appropriate. I

693
00:36:12,800 --> 00:36:15,080
Speaker 1: don't know. I no offense to walnuts, but yeah, it's

694
00:36:15,120 --> 00:36:20,440
Speaker 1: just kind of kind of hollow inside. Maybe I don't know, right, Yeah,

695
00:36:20,600 --> 00:36:23,920
Speaker 1: So he turns to face Becky and mister Donaldson is

696
00:36:23,960 --> 00:36:28,000
Speaker 1: pointing at him accusingly, that's the hoodlum, and Jesse points back,

697
00:36:28,320 --> 00:36:32,960
Speaker 1: that's the walnut. Becky introduces them by their real names.

698
00:36:33,200 --> 00:36:36,279
Speaker 1: Her dad's eyes widen with horror, but her mom tries

699
00:36:36,320 --> 00:36:39,960
Speaker 1: to say face. She laughs, well, isn't it a small world?

700
00:36:40,000 --> 00:36:42,640
Speaker 1: After all? She walks up to Jesse and gives him

701
00:36:42,640 --> 00:36:45,920
Speaker 1: a big hug, admitting it's so nice to finally meet him.

702
00:36:46,600 --> 00:36:49,680
Speaker 1: He mimics the nice tease, calling her missus Donaldson, but

703
00:36:49,800 --> 00:36:52,160
Speaker 1: she tells him he ought to start calling her mom.

704
00:36:53,640 --> 00:36:56,440
Speaker 1: Jesse is not necessarily comfortable with that, but Missus Donaldson

705
00:36:56,440 --> 00:36:59,560
Speaker 1: doubles down. I said call me mom, and Jesse awkwardly

706
00:36:59,560 --> 00:37:03,040
Speaker 1: obeys her request. Then he looks at Becky's dad and

707
00:37:03,080 --> 00:37:06,640
Speaker 1: shakes his hand. It's nice to meet you, Pop. The

708
00:37:06,680 --> 00:37:08,799
Speaker 1: man smiles at him and says, you can call me

709
00:37:08,880 --> 00:37:13,520
Speaker 1: mister Donaldson. Okay, set in some boundaries. It's good to

710
00:37:13,600 --> 00:37:18,520
Speaker 1: know this guy is just icy because he did just

711
00:37:18,560 --> 00:37:20,560
Speaker 1: call him a walnut. I'd be like, now you can

712
00:37:20,600 --> 00:37:26,200
Speaker 1: call you can mister missus me buddy? Yeah, true, a walnut.

713
00:37:27,520 --> 00:37:30,680
Speaker 1: So Dad begins to lecture Jesse on how fast he

714
00:37:30,719 --> 00:37:33,279
Speaker 1: was driving, but Jesse explains that it only seemed that

715
00:37:33,320 --> 00:37:36,000
Speaker 1: way because mister Donaldson was driving a tad on the

716
00:37:36,040 --> 00:37:39,040
Speaker 1: slower side. But he argues that he was keeping up

717
00:37:39,040 --> 00:37:42,960
Speaker 1: with traffic, and Jesse reminds him that parked cars don't count.

718
00:37:43,080 --> 00:37:45,560
Speaker 1: The two go back and forth, and Becky cries out, oh,

719
00:37:45,680 --> 00:37:49,120
Speaker 1: you hate each other. She slumps down. What happens when

720
00:37:49,160 --> 00:37:54,560
Speaker 1: you meet somebody the day before the weddings? Terrible idea, Yes,

721
00:37:54,840 --> 00:37:59,160
Speaker 1: a terrible idea, Poor Becky. Her mom rushes over to

722
00:37:59,200 --> 00:38:02,200
Speaker 1: comfort her. Jesse and mister Donaldson put on their friendliest

723
00:38:02,239 --> 00:38:04,719
Speaker 1: faces and hug one another to show that they don't

724
00:38:04,800 --> 00:38:08,960
Speaker 1: hate each other after all. Becky wines, but you don't

725
00:38:09,000 --> 00:38:12,239
Speaker 1: mean it, missus. Donaldson assures her that the men will

726
00:38:12,239 --> 00:38:15,359
Speaker 1: grow to love each other because that they'll because they'll

727
00:38:15,360 --> 00:38:18,319
Speaker 1: make them. She stands to go fetch a glass of

728
00:38:18,320 --> 00:38:20,880
Speaker 1: water for her daughter. In the meantime, as she passes

729
00:38:20,920 --> 00:38:23,400
Speaker 1: her husband, she smacks him with her purse and tells

730
00:38:23,400 --> 00:38:27,080
Speaker 1: the guys to hug like they mean it. Jesse and

731
00:38:27,120 --> 00:38:28,880
Speaker 1: his soon to be father in law hug it out

732
00:38:28,920 --> 00:38:31,560
Speaker 1: once more, and then from the kitchen we hear Becky's

733
00:38:31,600 --> 00:38:34,600
Speaker 1: mom scream, oh my god in horror. They all run

734
00:38:34,880 --> 00:38:38,400
Speaker 1: into the kitchen to see what's going on. Okay, before

735
00:38:38,440 --> 00:38:42,120
Speaker 1: we go any further, Yes, there's a lot to unpack here.

736
00:38:44,000 --> 00:38:46,239
Speaker 2: Which they don't have any luggage either. I guess it's

737
00:38:46,280 --> 00:38:47,279
Speaker 2: so he's still left in the car.

738
00:38:49,280 --> 00:38:49,640
Speaker 1: Yeah.

739
00:38:49,800 --> 00:38:52,359
Speaker 2: First of all, who flies in an outfit like that?

740
00:38:52,840 --> 00:38:57,680
Speaker 2: I mean, you know, I mean anymore particularly, but this.

741
00:38:57,800 --> 00:39:05,920
Speaker 1: Was not at all what Becky's family has sounded like.

742
00:39:06,360 --> 00:39:10,640
Speaker 1: The styling was the styling, the name like they felt

743
00:39:11,600 --> 00:39:13,440
Speaker 1: very uh like.

744
00:39:14,880 --> 00:39:18,040
Speaker 2: New York East Coast sort of yeah, stiff.

745
00:39:17,880 --> 00:39:22,800
Speaker 1: Formal ummity, Yeah, yeah it did. They did not seem

746
00:39:22,960 --> 00:39:27,600
Speaker 1: like Midwesterners. No, no, they got it all wrong.

747
00:39:28,360 --> 00:39:31,839
Speaker 2: As someone who was Western family. That's they would they know,

748
00:39:32,200 --> 00:39:33,359
Speaker 2: that's just not a thing.

749
00:39:33,719 --> 00:39:35,520
Speaker 1: They looked like they were going to a country club,

750
00:39:35,680 --> 00:39:38,200
Speaker 1: not that they had, just they wouldn't walk in the

751
00:39:38,239 --> 00:39:41,120
Speaker 1: door empty handed. Oh yeah, did that much? They didn't

752
00:39:41,120 --> 00:39:43,799
Speaker 1: bring some food beverage? Yeah, yeah, it was. It was

753
00:39:43,880 --> 00:39:45,600
Speaker 1: just just it was strange.

754
00:39:45,880 --> 00:39:54,440
Speaker 2: I did not I really wondered why they made this choice.

755
00:39:55,400 --> 00:39:57,520
Speaker 1: I don't know. I'm well, I'm gonna blame it on

756
00:39:57,560 --> 00:40:01,320
Speaker 1: the writing, not the I don't think this was the actors.

757
00:40:01,320 --> 00:40:03,319
Speaker 1: I think this was a writing choice. It was a

758
00:40:03,320 --> 00:40:04,080
Speaker 1: writing choice.

759
00:40:04,080 --> 00:40:08,160
Speaker 2: But I just also think that I think, yeah, I mean,

760
00:40:08,200 --> 00:40:11,320
Speaker 2: and as the actors, they didn't know what had been.

761
00:40:11,200 --> 00:40:12,360
Speaker 1: Set up previously.

762
00:40:12,560 --> 00:40:15,319
Speaker 2: Yeah, but I do feel, yeah, then somebody should have

763
00:40:15,320 --> 00:40:17,880
Speaker 2: informed them like who these people are, But yeah, they weren't.

764
00:40:18,600 --> 00:40:20,719
Speaker 1: I don't know. I agree, I agree they got it.

765
00:40:20,760 --> 00:40:22,879
Speaker 1: They got it wrong. The writer. The writers got it wrong.

766
00:40:22,880 --> 00:40:25,319
Speaker 1: I know they're trying to set up conflict between Jesse

767
00:40:25,600 --> 00:40:29,080
Speaker 1: and mister Donaldson, but they went too far. They went

768
00:40:29,280 --> 00:40:32,080
Speaker 1: too far in that the pendulum was swung too far

769
00:40:32,120 --> 00:40:34,960
Speaker 1: in the other direction, because yeah, they were just kind

770
00:40:34,960 --> 00:40:37,000
Speaker 1: of mean and cold, and they didn't have any of

771
00:40:37,040 --> 00:40:40,400
Speaker 1: the warmth that Becky has in that midwesterner give me

772
00:40:40,440 --> 00:40:43,279
Speaker 1: a hug, you know, or family. Now, there was there

773
00:40:43,360 --> 00:40:46,000
Speaker 1: was really none of that, even from the mom. She's

774
00:40:46,000 --> 00:40:48,799
Speaker 1: still she seemed a little bit, I don't know, just

775
00:40:48,840 --> 00:40:50,840
Speaker 1: too uppity, you know. Yeah, that's it.

776
00:40:51,000 --> 00:40:53,760
Speaker 2: Yeah, that's exactly what I thought, like to property, to uppity,

777
00:40:53,880 --> 00:40:57,160
Speaker 2: sort of like nose in the air sort of.

778
00:40:57,400 --> 00:41:00,960
Speaker 1: It's not like not and she wasn't. It wasn't that

779
00:41:01,000 --> 00:41:01,600
Speaker 1: she was mean.

780
00:41:01,680 --> 00:41:04,719
Speaker 2: That was just like the sort of the way that

781
00:41:04,760 --> 00:41:08,600
Speaker 2: she carried herself and everything, like the wardrobe choice.

782
00:41:08,800 --> 00:41:09,040
Speaker 1: Yeah.

783
00:41:09,080 --> 00:41:14,799
Speaker 2: Again, the whole thing for me just felt very strangely

784
00:41:15,000 --> 00:41:20,759
Speaker 2: unlike who Becky's family has been sort of described as.

785
00:41:20,960 --> 00:41:23,239
Speaker 1: Yeah, you know, it didn't. It did not feel like

786
00:41:23,600 --> 00:41:25,839
Speaker 1: an extension of Becky. It's like a Becky came from

787
00:41:25,880 --> 00:41:28,239
Speaker 1: these parents. No, it didn't. Didn't feel like Becky didn't

788
00:41:28,239 --> 00:41:32,600
Speaker 1: feel like mid and Connie. Oh yeah, forget about Connie.

789
00:41:32,719 --> 00:41:34,840
Speaker 1: Yeah that how could I forget?

790
00:41:35,280 --> 00:41:39,800
Speaker 2: Yeah, you know she doesn't seem real midwestern e either.

791
00:41:39,960 --> 00:41:43,160
Speaker 1: No, she doesn't. Because she was dressed a little nice, which, okay,

792
00:41:43,239 --> 00:41:46,040
Speaker 1: that's great. It's maybe they were going to a rehearsal dinner,

793
00:41:46,080 --> 00:41:48,960
Speaker 1: but no, they were. There was no explanation for these

794
00:41:49,000 --> 00:41:51,879
Speaker 1: clothing choices. I mean, I'm not expecting them to wear

795
00:41:51,920 --> 00:41:53,919
Speaker 1: like farm like over.

796
00:41:54,120 --> 00:41:55,600
Speaker 2: It could have gone too far the other way and

797
00:41:55,640 --> 00:41:57,319
Speaker 2: they could have showed up looking like he haaw So

798
00:41:58,000 --> 00:41:59,320
Speaker 2: at least that.

799
00:41:59,520 --> 00:42:01,879
Speaker 1: Ye did not strike the right balance there was there's

800
00:42:01,880 --> 00:42:03,440
Speaker 1: a balance there they didn't find it.

801
00:42:03,880 --> 00:42:06,200
Speaker 2: Yeah, it was. It was just an odd choice. I

802
00:42:06,560 --> 00:42:09,160
Speaker 2: really I watched the scene. I was like, wait that.

803
00:42:10,880 --> 00:42:13,719
Speaker 1: It bothered me for the whole episode. Yeah, I was like,

804
00:42:13,760 --> 00:42:14,640
Speaker 1: this doesn't feel right.

805
00:42:14,719 --> 00:42:18,120
Speaker 2: But yeah, And it was also the clutch the mom had,

806
00:42:18,160 --> 00:42:19,920
Speaker 2: like a little clutch. I was like, first of all,

807
00:42:20,000 --> 00:42:23,880
Speaker 2: you are flying. You're not taking a night to clutch

808
00:42:24,160 --> 00:42:25,840
Speaker 2: like you're taking you know what I mean, Like you

809
00:42:25,920 --> 00:42:27,399
Speaker 2: got a purse and a bag and a thing.

810
00:42:27,719 --> 00:42:31,560
Speaker 1: You're shocking, right right? Yeah, she would be more practical

811
00:42:31,680 --> 00:42:36,080
Speaker 1: and not so Yeah, what can you put in a clutch? Nothing?

812
00:42:36,400 --> 00:42:43,839
Speaker 1: A clutch is, yes, absolutely useless. It barely fits a chapstick. Yeah,

813
00:42:43,920 --> 00:42:46,960
Speaker 1: it doesn't fit a phone. It's an annoying phone case,

814
00:42:47,160 --> 00:42:51,040
Speaker 1: is what it is. Yeah, I agree, I agree. This

815
00:42:51,080 --> 00:42:53,120
Speaker 1: is going to bother me for the rest of the day.

816
00:42:53,360 --> 00:42:58,120
Speaker 1: Absolutely well. In the kitchen, Missus Donaldson has accidentally walked

817
00:42:58,160 --> 00:43:01,279
Speaker 1: in on a pants less Danny and Joey and she

818
00:43:01,360 --> 00:43:05,920
Speaker 1: shouts what is going on? Danny nervously explains that they

819
00:43:05,920 --> 00:43:10,080
Speaker 1: were just exchanging pants, but in a good way. Can

820
00:43:10,080 --> 00:43:15,960
Speaker 1: you imagine Bob and Dave doing this? Yeah? It makes

821
00:43:16,000 --> 00:43:16,600
Speaker 1: me so happy.

822
00:43:16,760 --> 00:43:18,960
Speaker 2: I know, I was laughing because I was like, how

823
00:43:19,000 --> 00:43:20,000
Speaker 2: are they keeping it together?

824
00:43:21,600 --> 00:43:24,520
Speaker 1: So Becky uses this opportunity to introduce Danny and Joey

825
00:43:24,560 --> 00:43:27,920
Speaker 1: to her parents. Her mom recognizes Danny as the co

826
00:43:28,040 --> 00:43:31,240
Speaker 1: host for Wake Up San Francisco. How does it?

827
00:43:31,560 --> 00:43:36,279
Speaker 2: Oh, well, she because I was gonna say the tape.

828
00:43:36,440 --> 00:43:38,720
Speaker 1: Yeah, at first I noticed that. Becky's like, oh, remember

829
00:43:38,719 --> 00:43:40,600
Speaker 1: the tapes I sent you? It was very deliberate, and

830
00:43:40,600 --> 00:43:42,440
Speaker 1: I'm like, why is Center the tapes? That's right, there's

831
00:43:42,440 --> 00:43:47,560
Speaker 1: no streaming, there's no like, there's no yep, you just

832
00:43:47,600 --> 00:43:52,160
Speaker 1: get the local channels. So Nedra admits that Danny looks

833
00:43:52,160 --> 00:43:57,239
Speaker 1: taller without his pants. She said that before. I don't

834
00:43:57,280 --> 00:44:00,600
Speaker 1: even know. I don't know what that means. So then

835
00:44:00,680 --> 00:44:03,920
Speaker 1: DJ's stuff run downstairs to witness this little family gathering,

836
00:44:04,160 --> 00:44:07,839
Speaker 1: and Stuff complains, uh, we missed everything. She examines her

837
00:44:07,920 --> 00:44:11,799
Speaker 1: dad from head to toe and says, nice, look, if

838
00:44:11,840 --> 00:44:13,560
Speaker 1: you walked into the kitchen.

839
00:44:14,840 --> 00:44:18,520
Speaker 2: And your dad was standing there pantsless with his best friend,

840
00:44:20,080 --> 00:44:21,680
Speaker 2: what would you say?

841
00:44:21,920 --> 00:44:23,920
Speaker 1: Would it be nice?

842
00:44:24,000 --> 00:44:24,200
Speaker 2: Look?

843
00:44:24,760 --> 00:44:28,040
Speaker 1: Would it be oh my god, I'm so sorry? Like yes,

844
00:44:29,000 --> 00:44:31,960
Speaker 1: you know, especially for the girls who are so embarrassed

845
00:44:31,960 --> 00:44:35,239
Speaker 1: by their dad. Their dad. Your dad's standing there pantsless.

846
00:44:35,400 --> 00:44:38,879
Speaker 1: I mean, yeah, yeah, Jeff. I want to say, Jeff,

847
00:44:38,920 --> 00:44:41,200
Speaker 1: you got you kind of got this wrong, like all

848
00:44:41,239 --> 00:44:48,920
Speaker 1: of the kids, all of the kids, Michelle, Michelle.

849
00:44:46,800 --> 00:44:51,759
Speaker 2: Right, yeah, it was just this was a missed opportunity

850
00:44:51,800 --> 00:44:56,239
Speaker 2: for the girls to run out of the room, or so.

851
00:44:56,280 --> 00:44:59,360
Speaker 1: Becky excuses Jesse and herself from the room. She pushes

852
00:44:59,440 --> 00:45:02,279
Speaker 1: him back into the living room while smiling at everyone else,

853
00:45:02,320 --> 00:45:05,520
Speaker 1: pretending like everything is fine. She closes the living room

854
00:45:05,560 --> 00:45:08,319
Speaker 1: door and immediately lets the worry consume her. I just

855
00:45:08,400 --> 00:45:12,000
Speaker 1: wanted everything to be perfect. The tuxedos don't fit. Michelle's

856
00:45:12,080 --> 00:45:14,120
Speaker 1: upset because how he is a boy. You and my

857
00:45:14,239 --> 00:45:17,600
Speaker 1: dad hate each other. Jesse does his best to console her.

858
00:45:17,960 --> 00:45:20,040
Speaker 1: He brings her over to the couch and admits that

859
00:45:20,120 --> 00:45:22,480
Speaker 1: while it wasn't love at first sight with her dad,

860
00:45:23,000 --> 00:45:25,960
Speaker 1: Becky also wasn't crazy about him when they first met,

861
00:45:26,200 --> 00:45:29,200
Speaker 1: so it must run in the family for her first

862
00:45:29,239 --> 00:45:37,600
Speaker 1: instinct come. I have been right. I'm kidding, They're gonna come.

863
00:45:37,840 --> 00:45:41,560
Speaker 2: They're gonna come for me like it just we love

864
00:45:41,600 --> 00:45:45,400
Speaker 2: Becky and Jesse and Jesse, but but beautiful, she don't

865
00:45:45,440 --> 00:45:46,200
Speaker 2: like him at first.

866
00:45:46,280 --> 00:45:51,160
Speaker 1: I can see why. Yeah, Jesse needs to do some

867
00:45:51,400 --> 00:45:55,040
Speaker 1: like introspection about like why don't people like me? And

868
00:45:55,200 --> 00:46:01,440
Speaker 1: that's the first impression. Yeah, is it me? So? Becky

869
00:46:01,440 --> 00:46:04,160
Speaker 1: giggles at this, and Jesse promises her that he will

870
00:46:04,200 --> 00:46:06,640
Speaker 1: be friends with her dad. Right now, the only thing

871
00:46:06,640 --> 00:46:09,320
Speaker 1: that matters to Jesse is that tomorrow, at ten am,

872
00:46:09,520 --> 00:46:12,600
Speaker 1: he and Becky will be husband and wife. The crowd

873
00:46:12,680 --> 00:46:15,719
Speaker 1: aws at this, and Becky nods in agreement. They both

874
00:46:15,760 --> 00:46:19,080
Speaker 1: say I love you and kiss. DJ and Stephanie use

875
00:46:19,120 --> 00:46:22,040
Speaker 1: this moment to quickly tiptoe into the room. DJ sits

876
00:46:22,040 --> 00:46:23,960
Speaker 1: on the couch arm right next to them, and steph

877
00:46:24,040 --> 00:46:27,840
Speaker 1: records with the camera. DJ narrates the moment, the last

878
00:46:27,920 --> 00:46:30,760
Speaker 1: kiss before the big I do a moment to be treasured.

879
00:46:31,040 --> 00:46:33,920
Speaker 1: I'm DJ Tanner, and Becky and Jesse give an awkward

880
00:46:33,920 --> 00:46:37,520
Speaker 1: smile to the camera. Wait, DJA, it's no more awkward

881
00:46:37,560 --> 00:46:40,359
Speaker 1: than making out in the living room. You know this

882
00:46:40,440 --> 00:46:42,200
Speaker 1: is common by now, I get it right, This is

883
00:46:42,239 --> 00:46:43,040
Speaker 1: so com Well.

884
00:46:43,120 --> 00:46:48,160
Speaker 2: You figure, if you leave two people alone, well not

885
00:46:48,520 --> 00:46:51,000
Speaker 2: any two people, but those two people in particular, alone

886
00:46:51,040 --> 00:46:53,680
Speaker 2: in a room, if you just wait about a minute

887
00:46:53,680 --> 00:46:55,000
Speaker 2: and a half, you'll catch you making out.

888
00:46:55,040 --> 00:46:59,520
Speaker 1: Oh, yep, yep, it's a natural reaction in the Tanner House. Yep.

889
00:47:00,040 --> 00:47:02,320
Speaker 1: And I love how DJ's treating this like she's narrating

890
00:47:02,320 --> 00:47:06,200
Speaker 1: a true crime documentary or something. It's like a true crime.

891
00:47:06,080 --> 00:47:09,680
Speaker 2: There's like a news story, right and then yeah, well,

892
00:47:09,680 --> 00:47:11,200
Speaker 2: I mean she's got the shoulder.

893
00:47:10,840 --> 00:47:15,800
Speaker 1: Pads to pull it off. She's an anchors news reporter.

894
00:47:16,440 --> 00:47:19,160
Speaker 1: It's shoulder pads. Shoulder pads. It's a requirement.

895
00:47:19,400 --> 00:47:21,240
Speaker 2: Yeah.

896
00:47:21,320 --> 00:47:24,160
Speaker 1: So next up in Michelle's room, Michelle is sitting in

897
00:47:24,200 --> 00:47:27,000
Speaker 1: bed dressed in her pjs, while Howie is jumping on

898
00:47:27,000 --> 00:47:29,560
Speaker 1: the bed that's been pushed up next to hers. He

899
00:47:29,680 --> 00:47:34,640
Speaker 1: is sporting some neat teenage mutant Ninja Turtle pjs. Are

900
00:47:34,680 --> 00:47:37,160
Speaker 1: they the same ones that Joey was wearing in the

901
00:47:37,160 --> 00:47:37,760
Speaker 1: honey Beats?

902
00:47:37,800 --> 00:47:38,000
Speaker 2: Yeah?

903
00:47:38,040 --> 00:47:42,000
Speaker 1: They they washed them in really hot water a couple times.

904
00:47:42,160 --> 00:47:44,279
Speaker 2: Yeah, but no, it is, and it's like legit, the

905
00:47:44,320 --> 00:47:46,359
Speaker 2: same ones, the exact same ones.

906
00:47:46,400 --> 00:47:49,600
Speaker 1: I love it. Ninja turtles were very popular. Oh yeah,

907
00:47:49,719 --> 00:47:53,600
Speaker 1: oh yeah, that was nineteen ninety one. This was their heyday.

908
00:47:54,640 --> 00:47:56,239
Speaker 2: I'm not gonna say that I didn't like some of

909
00:47:56,239 --> 00:47:59,480
Speaker 2: the teenage.

910
00:47:58,560 --> 00:48:02,120
Speaker 1: So Howie declares it. He is Raphael, and he continues

911
00:48:02,160 --> 00:48:04,000
Speaker 1: to bounce up and down on the bed, So Michelle

912
00:48:04,080 --> 00:48:07,680
Speaker 1: says excuse me multiple times to get his attention. He

913
00:48:07,760 --> 00:48:10,399
Speaker 1: pays her no mind, so she finally snaps at him.

914
00:48:10,640 --> 00:48:13,959
Speaker 1: How He sternly responds, be quiet, shredder, you bad guy.

915
00:48:15,000 --> 00:48:16,839
Speaker 1: Michelle stands up on her bed so she can talk

916
00:48:16,880 --> 00:48:18,960
Speaker 1: to how He face to face. She hands him a

917
00:48:18,960 --> 00:48:22,000
Speaker 1: Barbie doll to try to convince him to play that instead.

918
00:48:22,680 --> 00:48:25,360
Speaker 2: She's not used to people who don't listen to her.

919
00:48:26,040 --> 00:48:28,840
Speaker 2: She's like, look, you're new in this house. Okay, you

920
00:48:28,920 --> 00:48:31,600
Speaker 2: might not know how it goes, but what I say goes.

921
00:48:31,920 --> 00:48:34,400
Speaker 1: So yeah, how he didn't get the memo that Michelle

922
00:48:34,440 --> 00:48:36,760
Speaker 1: is the boss. You know he has to do whatever

923
00:48:36,840 --> 00:48:41,400
Speaker 1: she says. So Howie gladly takes the barbie because he

924
00:48:41,440 --> 00:48:44,800
Speaker 1: figures he can just pull its head off. Michelle demands

925
00:48:44,880 --> 00:48:47,960
Speaker 1: drop that doll, you turtle. He does this, He's told,

926
00:48:48,200 --> 00:48:51,400
Speaker 1: and Michelle picks up the discarded barbie. She admits, this

927
00:48:51,520 --> 00:48:54,719
Speaker 1: is nuts. I'm out of here. She grabs realias.

928
00:48:56,160 --> 00:49:00,920
Speaker 2: She's the Greek chorus. Here's truth of the year is nuts.

929
00:49:01,160 --> 00:49:03,160
Speaker 2: That's what the episode should have been titled.

930
00:49:03,320 --> 00:49:04,080
Speaker 1: Is nuts?

931
00:49:04,400 --> 00:49:04,600
Speaker 2: Well?

932
00:49:04,640 --> 00:49:06,600
Speaker 1: That actually should have been just the title of the

933
00:49:06,640 --> 00:49:13,240
Speaker 1: show full House. This is nuts. Yeah, how He questions

934
00:49:13,280 --> 00:49:17,000
Speaker 1: what did I do? And Michelle angrily states boys and

935
00:49:17,080 --> 00:49:22,640
Speaker 1: storms out. Next, in Jesse's room, Jesse is practicing various

936
00:49:22,680 --> 00:49:25,919
Speaker 1: ways to say I do into his mirror. He's trying

937
00:49:25,920 --> 00:49:29,400
Speaker 1: out different styles, and Becky's dad walks into the doorway.

938
00:49:30,160 --> 00:49:32,640
Speaker 1: That's presumptuous. Yeah, he just walks right.

939
00:49:32,719 --> 00:49:36,359
Speaker 2: Yeah, this this this whole scene.

940
00:49:37,719 --> 00:49:43,160
Speaker 1: Buckle up, baby. So Jesse greets mister Donaldson, but the

941
00:49:43,200 --> 00:49:47,040
Speaker 1: man insists that he call him Kenneth. Okay, we're warming

942
00:49:47,160 --> 00:49:55,120
Speaker 1: up a little bit, Kenneth Ken not Kenneth. Right, We're

943
00:49:55,160 --> 00:49:57,960
Speaker 1: still you know, he's still got his walls up here.

944
00:49:58,840 --> 00:50:01,920
Speaker 1: Jesse nods and begins to apologize to Kenneth for starting

945
00:50:01,920 --> 00:50:04,719
Speaker 1: off on the wrong foot. He gives Jesse a faint

946
00:50:04,760 --> 00:50:07,239
Speaker 1: laugh and admits, you're gonna marry my daughter. We need

947
00:50:07,280 --> 00:50:10,279
Speaker 1: to start acting like family. Jesse shakes his hand and

948
00:50:10,360 --> 00:50:12,600
Speaker 1: jokingly asks, can you loan me ten bucks?

949
00:50:12,800 --> 00:50:13,080
Speaker 2: Aha.

950
00:50:13,520 --> 00:50:16,279
Speaker 1: The men break out into laughter, and Kenneth decides that

951
00:50:16,360 --> 00:50:20,440
Speaker 1: they need to have a talk. Jesse agrees and decides

952
00:50:20,480 --> 00:50:23,520
Speaker 1: to start off the conversation, I love your daughter very

953
00:50:23,640 --> 00:50:26,200
Speaker 1: very much. I'm going to take very good care of her,

954
00:50:26,360 --> 00:50:30,680
Speaker 1: I promise. Kenneth doesn't seem to take his promise too seriously,

955
00:50:31,000 --> 00:50:34,560
Speaker 1: he responds, which reminds me, I couldn't help. But notice

956
00:50:34,600 --> 00:50:36,839
Speaker 1: that you ride a motorcycle, you play in a rock

957
00:50:36,880 --> 00:50:40,320
Speaker 1: and roll band, you wear clothes that should be wallets.

958
00:50:40,360 --> 00:50:42,680
Speaker 2: And you live in a house with nine other people.

959
00:50:43,480 --> 00:50:46,839
Speaker 2: And I'm just wondering what the plan is, you know.

960
00:50:47,840 --> 00:50:49,600
Speaker 1: Right, imagine nothing about.

961
00:50:49,480 --> 00:50:51,560
Speaker 2: But yet, like why do you have a with a

962
00:50:51,600 --> 00:50:54,200
Speaker 2: drum kit in your bedroom in a house that you

963
00:50:54,280 --> 00:50:58,920
Speaker 2: don't own? Like, yeah, yes, that's the question that he

964
00:50:58,920 --> 00:51:00,040
Speaker 2: should be asking.

965
00:51:00,160 --> 00:51:03,239
Speaker 1: Some bigger topics that need to be discussed here. But no,

966
00:51:03,280 --> 00:51:06,960
Speaker 1: we got we got Judgie Kenneth and oblivious Jesse and Kenneth.

967
00:51:07,120 --> 00:51:13,359
Speaker 1: Kenneth's it's again, it's very proper name. It's no. Yeah.

968
00:51:13,480 --> 00:51:15,040
Speaker 2: If he was from a rasib me like now call

969
00:51:15,120 --> 00:51:17,800
Speaker 2: me Ken, you know, it would be very informal.

970
00:51:17,880 --> 00:51:19,959
Speaker 1: It would be very informal. I just don't. I don't

971
00:51:20,000 --> 00:51:24,440
Speaker 1: like this this uppity, stuffy guy. So Jesse tells him, Hey,

972
00:51:24,440 --> 00:51:26,600
Speaker 1: there's much more to me than that, sir. I'm also

973
00:51:26,840 --> 00:51:29,360
Speaker 1: an Elvis freak, and he shows off all of the

974
00:51:29,400 --> 00:51:32,960
Speaker 1: Elvis posters that are scattered in his room. Even better,

975
00:51:34,280 --> 00:51:36,720
Speaker 1: Jesse doesn't understand yet that this is not a flex

976
00:51:37,120 --> 00:51:42,759
Speaker 1: this bro no dude, say less Jesse, Yeah, yeah, show less.

977
00:51:42,920 --> 00:51:47,719
Speaker 1: Just Kenneth continues, that's fine, Son, but you're marrying my

978
00:51:47,840 --> 00:51:51,200
Speaker 1: baby tomorrow. You got to put all that nonsense behind you.

979
00:51:52,160 --> 00:51:55,200
Speaker 1: Jesse looks at him with suspicion. This wouldn't be you

980
00:51:55,360 --> 00:51:58,600
Speaker 1: telling me how to live my life, would it, because

981
00:51:58,640 --> 00:52:02,960
Speaker 1: that we know how that goes. He'll not tension so

982
00:52:03,040 --> 00:52:03,720
Speaker 1: much tension.

983
00:52:03,840 --> 00:52:08,040
Speaker 2: You know how Jesse gets when someone tells him anything. Yeah,

984
00:52:08,080 --> 00:52:10,480
Speaker 2: this is just Oh, I love it the tension.

985
00:52:11,360 --> 00:52:15,000
Speaker 1: Mister Donaldson clarifies, No, no, I'm just offering you the

986
00:52:15,000 --> 00:52:18,239
Speaker 1: benefit of my experience. He tries to tell Jesse that

987
00:52:18,280 --> 00:52:21,120
Speaker 1: they are a lot alike, and Jesse jokingly says, yes,

988
00:52:21,160 --> 00:52:24,640
Speaker 1: they're two peas in a pod. But apparently, mister Donaldson

989
00:52:24,760 --> 00:52:27,000
Speaker 1: was a wild one, just like Jesse when he was

990
00:52:27,040 --> 00:52:31,880
Speaker 1: that age. Jesse dramatically gasps no, but Kenneth tells him

991
00:52:31,880 --> 00:52:35,080
Speaker 1: it's true. Before he became a farmer, he was on

992
00:52:35,120 --> 00:52:37,960
Speaker 1: the rodeo circuit. He tells Jesse he could hog tie

993
00:52:37,960 --> 00:52:41,480
Speaker 1: a calf in under seven seconds. All of a sudden,

994
00:52:41,600 --> 00:52:45,920
Speaker 1: the man is from Texas, not even Nebraska. This is

995
00:52:46,080 --> 00:52:50,480
Speaker 1: not Nebraska. He's a rodeoo. There's look, there's rodeos in Nebraska.

996
00:52:50,600 --> 00:52:52,680
Speaker 2: It's that he has, all of a sudden, he has

997
00:52:52,680 --> 00:52:53,560
Speaker 2: a southern drawl.

998
00:52:53,840 --> 00:52:55,880
Speaker 1: Oh yeah, he's got a little twain.

999
00:52:56,440 --> 00:53:00,480
Speaker 2: He did not have that at all, or trace of

1000
00:53:00,520 --> 00:53:03,200
Speaker 2: that in the in the first scene.

1001
00:53:03,440 --> 00:53:05,239
Speaker 1: Yeah, I can picture it. Jeff's coming over to give

1002
00:53:05,320 --> 00:53:05,719
Speaker 1: him a note.

1003
00:53:05,719 --> 00:53:08,040
Speaker 2: Hey, we need to remind the audience you're from Nebraska,

1004
00:53:08,080 --> 00:53:09,720
Speaker 2: because you know this scene, right.

1005
00:53:09,640 --> 00:53:11,640
Speaker 1: I feel like I feel like they shot the other.

1006
00:53:11,480 --> 00:53:13,040
Speaker 2: Scene and then they were like, oh, this doesn't it

1007
00:53:13,120 --> 00:53:14,319
Speaker 2: just doesn't track it all we did.

1008
00:53:14,760 --> 00:53:15,480
Speaker 1: He's not working.

1009
00:53:15,640 --> 00:53:17,399
Speaker 2: And then the next scene they were like, be more hick,

1010
00:53:17,600 --> 00:53:20,440
Speaker 2: and he just went with it, you know, and they

1011
00:53:20,440 --> 00:53:21,520
Speaker 2: were like, well, not.

1012
00:53:21,480 --> 00:53:23,360
Speaker 1: Quite that much, but you know what, screw it. The

1013
00:53:23,400 --> 00:53:25,960
Speaker 1: other one doesn't make sense either, so who cares. We're

1014
00:53:26,040 --> 00:53:30,239
Speaker 1: just gonna roll with it. He's like alcohol time. I'm like, bro,

1015
00:53:30,680 --> 00:53:35,520
Speaker 1: what what before I was a farmer? Oh, before you

1016
00:53:35,560 --> 00:53:36,000
Speaker 1: have a farmer?

1017
00:53:36,040 --> 00:53:38,359
Speaker 2: You don't look like a farmer now, Like come on,

1018
00:53:38,520 --> 00:53:40,160
Speaker 2: not that farmers can't wear suits.

1019
00:53:40,200 --> 00:53:44,280
Speaker 1: It just it's not it's just not. It's just not tracking.

1020
00:53:44,280 --> 00:53:47,080
Speaker 1: For me, it's not tracking. I could totally see this

1021
00:53:47,160 --> 00:53:49,200
Speaker 1: on a live audience night. They're like, we lose the

1022
00:53:49,280 --> 00:53:53,279
Speaker 1: kids at eight, we have to care. It doesn't make sense,

1023
00:53:53,320 --> 00:53:58,640
Speaker 1: it doesn't matter. Yeah, So Jesse takes the conversation off course,

1024
00:53:58,719 --> 00:54:02,000
Speaker 1: asking if it's hog tie and it's a calf, why

1025
00:54:02,080 --> 00:54:04,880
Speaker 1: don't they call it a calf tie? Very good point,

1026
00:54:04,960 --> 00:54:08,560
Speaker 1: that's an excellent question. Actually, Kenneth begs Jesse to stay

1027
00:54:08,560 --> 00:54:12,000
Speaker 1: with him, and he continues, when I married Nedra, I

1028
00:54:12,040 --> 00:54:14,920
Speaker 1: had to hang up my spurs and settle down. And

1029
00:54:15,719 --> 00:54:17,120
Speaker 1: I had to hang up my spurs.

1030
00:54:17,239 --> 00:54:23,279
Speaker 2: I'm like, what when did you become like you know

1031
00:54:23,280 --> 00:54:25,200
Speaker 2: what I mean? Like, do you need a little piece

1032
00:54:25,239 --> 00:54:26,879
Speaker 2: of wheat just hanging out of your mouth? And there,

1033
00:54:26,960 --> 00:54:28,480
Speaker 2: you know, a little like a hat.

1034
00:54:28,280 --> 00:54:33,319
Speaker 1: And some overalls. Was picturing, Yes, the wheat coming out

1035
00:54:33,320 --> 00:54:35,880
Speaker 1: of the mouth. Yeah, just yeah, just the wheat shack.

1036
00:54:36,000 --> 00:54:40,360
Speaker 1: You know, this doesn't fit the man wearing a gray

1037
00:54:40,440 --> 00:54:46,520
Speaker 1: suit yet not named Kenneth, Kenneth and Kenneth. And that's

1038
00:54:47,440 --> 00:54:50,560
Speaker 1: if I mean, if my parents were named Kenneth and Edra,

1039
00:54:50,840 --> 00:54:53,680
Speaker 1: like I'd be like they're intimidating. Watch out, Yes, yes,

1040
00:54:53,920 --> 00:54:58,759
Speaker 1: absolutely so. He's hung up his spurs and he's settling down.

1041
00:54:58,840 --> 00:55:03,360
Speaker 1: You're gonna be a husband with a wife, responsibilities.

1042
00:55:02,120 --> 00:55:06,479
Speaker 2: And commitments Jesse's favorite words. Oh boy, watch out. He's

1043
00:55:06,520 --> 00:55:07,439
Speaker 2: triggered by that way.

1044
00:55:08,000 --> 00:55:11,440
Speaker 1: Kenneth has no idea what he has done for Kenneth O.

1045
00:55:12,920 --> 00:55:16,120
Speaker 1: Jesse admits that's pretty heavy, and Kenneth tells him it

1046
00:55:16,120 --> 00:55:18,960
Speaker 1: gets heavier. He asks Jesse if he plans on having

1047
00:55:19,040 --> 00:55:22,040
Speaker 1: kids one day, and Jesse nods so. Kenneth tells him

1048
00:55:22,040 --> 00:55:25,360
Speaker 1: to picture this, he's holding his baby boy or just

1049
00:55:26,040 --> 00:55:29,760
Speaker 1: or girl. Jesse cuts him off Jesse Junior, and Kenneth

1050
00:55:29,840 --> 00:55:32,879
Speaker 1: nods to keep him happy and continues, one look into

1051
00:55:32,920 --> 00:55:35,279
Speaker 1: that sweet innocent face, and you'll be trading in your

1052
00:55:35,320 --> 00:55:39,839
Speaker 1: Harley for a sensible family. Station Wagon. I think it's

1053
00:55:39,880 --> 00:55:44,840
Speaker 1: actually the station wagon that triggered Jesse the most. Was

1054
00:55:44,880 --> 00:55:48,839
Speaker 1: like a what wagon? Jesse.

1055
00:55:49,280 --> 00:55:53,240
Speaker 2: The station wagons were the mini vans of the seventies

1056
00:55:53,239 --> 00:55:53,680
Speaker 2: and eighties.

1057
00:55:53,880 --> 00:55:56,960
Speaker 1: Oh I love my mom's station wagon. Station Wagon.

1058
00:55:57,000 --> 00:55:59,439
Speaker 2: They have a third seat you can face towards the back,

1059
00:56:00,120 --> 00:56:01,120
Speaker 2: had a seat belt to.

1060
00:56:01,040 --> 00:56:05,120
Speaker 1: Be found just dropping around a speed bumper, a pothole.

1061
00:56:05,160 --> 00:56:08,960
Speaker 1: There goes your forehead. Yeah. We used to drive the

1062
00:56:09,000 --> 00:56:12,120
Speaker 1: family station wagon up to Mammoth every spring break, and I've,

1063
00:56:12,239 --> 00:56:14,400
Speaker 1: of course, being the youngest and the third born, I

1064
00:56:14,400 --> 00:56:16,560
Speaker 1: would just lay on the luggage in the back seat

1065
00:56:16,600 --> 00:56:22,600
Speaker 1: like I wouldn't. I didn't have a That's fine, it's

1066
00:56:22,600 --> 00:56:29,319
Speaker 1: all right, I love it. I missed the nineties. So

1067
00:56:29,560 --> 00:56:32,200
Speaker 1: Jesse's in disbelief. I'm going to be driving a station

1068
00:56:32,320 --> 00:56:36,239
Speaker 1: wagon and Kennett smiles with one of those Garfield dolls

1069
00:56:36,280 --> 00:56:37,480
Speaker 1: suckered to the window.

1070
00:56:38,320 --> 00:56:40,279
Speaker 2: It happens to the best of us, and then you

1071
00:56:40,280 --> 00:56:43,800
Speaker 2: wind up liking your station wagon or your minivan.

1072
00:56:43,480 --> 00:56:46,040
Speaker 1: Like I did with a with a baby on board.

1073
00:56:46,280 --> 00:56:51,200
Speaker 1: Those makes sense to me. I don't get why we

1074
00:56:51,239 --> 00:56:53,400
Speaker 1: put those Did we not have this? I must have

1075
00:56:53,400 --> 00:56:56,040
Speaker 1: had this conversation with somebody else, like literally last week,

1076
00:56:56,360 --> 00:56:58,680
Speaker 1: of why why those signs are in there? I would

1077
00:56:58,680 --> 00:57:01,560
Speaker 1: assume it's for it's for first responders. Yes, that's what

1078
00:57:01,560 --> 00:57:05,400
Speaker 1: it's for, is first responders, not for the other drivers. Question, Okay,

1079
00:57:05,400 --> 00:57:06,040
Speaker 1: what if.

1080
00:57:05,880 --> 00:57:10,120
Speaker 2: You're in a car accident, do you think that stupid

1081
00:57:10,120 --> 00:57:13,880
Speaker 2: little sign is gonna stay suction cupped to wherever it was?

1082
00:57:15,000 --> 00:57:16,040
Speaker 1: Well or is it.

1083
00:57:16,000 --> 00:57:19,280
Speaker 2: Gonna go flying in the mangle of the car accident

1084
00:57:20,520 --> 00:57:25,040
Speaker 2: and you're noted to. Then if that's the case, then

1085
00:57:25,080 --> 00:57:27,840
Speaker 2: we need to put the Then this car has four

1086
00:57:27,880 --> 00:57:31,240
Speaker 2: people three you know, if you got a baby and

1087
00:57:31,280 --> 00:57:33,160
Speaker 2: everybody else, screwbody else.

1088
00:57:32,960 --> 00:57:35,640
Speaker 1: Get the baby. Yeah, it's not it's gotta need at

1089
00:57:35,680 --> 00:57:38,960
Speaker 1: least one adult. You know, the baby can't drive by.

1090
00:57:39,520 --> 00:57:41,000
Speaker 1: It's like it's you gotta have.

1091
00:57:40,920 --> 00:57:43,040
Speaker 2: A little sign on the back and just put how

1092
00:57:43,080 --> 00:57:45,280
Speaker 2: many people are in the car that you.

1093
00:57:45,280 --> 00:57:48,360
Speaker 1: Want to save. It might not be everyone, it might

1094
00:57:48,400 --> 00:57:49,520
Speaker 1: not be an accurate number.

1095
00:57:49,520 --> 00:57:52,120
Speaker 2: There's five people in this car, but really just three.

1096
00:57:52,320 --> 00:57:55,000
Speaker 2: Just get the driver and the two in the back.

1097
00:57:56,040 --> 00:57:58,320
Speaker 2: Is that why people have those windows stickers with like

1098
00:57:58,440 --> 00:58:01,080
Speaker 2: each family member a stick f gear for each family.

1099
00:58:01,160 --> 00:58:05,520
Speaker 2: It's to them because they don't understand that you shouldn't

1100
00:58:05,560 --> 00:58:07,840
Speaker 2: put your children's name and how many of them you

1101
00:58:07,960 --> 00:58:08,479
Speaker 2: have on.

1102
00:58:08,400 --> 00:58:12,720
Speaker 1: A car that where people can follow you home. But yeah,

1103
00:58:12,840 --> 00:58:15,600
Speaker 1: that was such a flex like in some decade that's

1104
00:58:15,720 --> 00:58:16,200
Speaker 1: not now.

1105
00:58:16,080 --> 00:58:18,880
Speaker 2: But people still do it. It depends where you are

1106
00:58:18,920 --> 00:58:21,000
Speaker 2: in the country. People still have those.

1107
00:58:21,440 --> 00:58:23,000
Speaker 1: Okay, so in La it's not great.

1108
00:58:23,560 --> 00:58:27,880
Speaker 2: People have them with like seven kids, two dogs, a

1109
00:58:27,960 --> 00:58:30,040
Speaker 2: cat like niece.

1110
00:58:30,200 --> 00:58:36,320
Speaker 1: Whatever. Yes, it's hysterical anyway, that was my tangent. I

1111
00:58:36,440 --> 00:58:41,280
Speaker 1: love I love our tangents personally. Okay. So Garfield dolls

1112
00:58:41,360 --> 00:58:44,640
Speaker 1: suckered to the window and Jesse asks, am I listening

1113
00:58:44,640 --> 00:58:49,040
Speaker 1: to talk radio? And Kenneth nods, all five buttons I

1114
00:58:49,080 --> 00:58:51,360
Speaker 1: listen to every time. I listen to NPR in my car,

1115
00:58:51,480 --> 00:58:53,480
Speaker 1: and I'm like, god, I just listen to news. I'm like,

1116
00:58:53,600 --> 00:58:54,320
Speaker 1: oh my.

1117
00:58:54,320 --> 00:58:59,640
Speaker 2: God, oh discussing talk.

1118
00:59:02,120 --> 00:59:05,520
Speaker 1: Jesse begs him to stop, but Kenneth concludes his spiel.

1119
00:59:05,800 --> 00:59:09,080
Speaker 1: What I'm saying is you've had your last wild adventure,

1120
00:59:09,560 --> 00:59:14,000
Speaker 1: sewed your last wild oat. Oh, don't do it, Kenneth,

1121
00:59:14,480 --> 00:59:17,480
Speaker 1: don't do it. Kenneth has no idea what he knows

1122
00:59:17,640 --> 00:59:21,200
Speaker 1: the can of worms he's just opened. Jesse stares off

1123
00:59:21,200 --> 00:59:25,080
Speaker 1: into the distance, worry etched into his face. Kenneth drills

1124
00:59:25,120 --> 00:59:28,400
Speaker 1: into him it's over case closed, kiss it goodbye, the

1125
00:59:28,440 --> 00:59:31,640
Speaker 1: fat lady, saying. Jesse tells him he gets the point.

1126
00:59:32,360 --> 00:59:36,040
Speaker 1: Mister Donaldson insists that if Jesse has any doubts, he

1127
00:59:36,160 --> 00:59:39,919
Speaker 1: better not walk down that aisle tomorrow. Jesse nods and says, yes, sir,

1128
00:59:40,440 --> 00:59:42,400
Speaker 1: and Kenneth pats him on the shoulder and tells him

1129
00:59:42,440 --> 00:59:47,520
Speaker 1: to sleep tight. Before walking out. Jesse softly says to himself,

1130
00:59:47,880 --> 00:59:50,640
Speaker 1: WHOA as sad music plays in the background.

1131
00:59:52,560 --> 00:59:57,680
Speaker 2: This first of all, Kenneth sounds like he's miserable. I

1132
00:59:57,720 --> 01:00:00,520
Speaker 2: don't know what Nedra has been doing. That doesn't sound

1133
01:00:00,560 --> 01:00:01,680
Speaker 2: like he's enjoying this marriage.

1134
01:00:01,720 --> 01:00:03,800
Speaker 1: This is not a happy marriage is now. He's like,

1135
01:00:03,880 --> 01:00:09,200
Speaker 1: your life is gonna suck. He feels trapped in this. Yeah, unfortunately. Yeah,

1136
01:00:09,200 --> 01:00:12,240
Speaker 1: he's so unlikable, like he's so intimidating and.

1137
01:00:12,360 --> 01:00:14,640
Speaker 2: Just yeah, and I just don't feel like Becky would

1138
01:00:14,680 --> 01:00:17,280
Speaker 2: come from that, although you know, maybe that's why she

1139
01:00:17,400 --> 01:00:18,960
Speaker 2: moved to San Francisco. She was like, I've got to

1140
01:00:18,960 --> 01:00:21,560
Speaker 2: get away from these people. It's an incredibly toxic relationship.

1141
01:00:21,600 --> 01:00:25,760
Speaker 1: It was very toxic. Yes, very impressive. Yeah, I still

1142
01:00:25,800 --> 01:00:28,800
Speaker 1: don't like it. I wish they had I wish they

1143
01:00:28,800 --> 01:00:31,760
Speaker 1: had written it so that Kenneth and Nedra who are

1144
01:00:31,760 --> 01:00:36,320
Speaker 1: not named Kenneth and Nedra proper names for Nebraskans. I

1145
01:00:36,360 --> 01:00:38,160
Speaker 1: wish it had just been like a casual aside that

1146
01:00:38,280 --> 01:00:40,520
Speaker 1: Kenneth said, just like, oh, you know what, your life

1147
01:00:40,600 --> 01:00:43,439
Speaker 1: is going to change forever but not. He's so he's

1148
01:00:43,480 --> 01:00:46,440
Speaker 1: so intimidating as an actor too. He's just you can

1149
01:00:46,440 --> 01:00:48,960
Speaker 1: tell he's done a lot of dark, serious roles to

1150
01:00:50,040 --> 01:00:52,680
Speaker 1: Your Life is Over. Yeah, it was way too serious

1151
01:00:52,760 --> 01:00:55,080
Speaker 1: and dark for Yeah, it just went overboard. It was

1152
01:00:55,120 --> 01:00:58,600
Speaker 1: too much, too much, Yeah, because we know it's not

1153
01:00:58,640 --> 01:01:01,480
Speaker 1: like Jesse needs much to freak out. Oh no, he

1154
01:01:01,560 --> 01:01:02,400
Speaker 1: isn't he prompting?

1155
01:01:02,760 --> 01:01:04,880
Speaker 2: Yeah no, I mean everybody would have bought if the

1156
01:01:04,960 --> 01:01:06,880
Speaker 2: dad just said one sort of brief thing and Jesse

1157
01:01:07,000 --> 01:01:09,760
Speaker 2: flipped out everyone but here that makes sense.

1158
01:01:09,840 --> 01:01:13,280
Speaker 1: Jesse does that. Yes, we are repeating storylines. This happened

1159
01:01:13,320 --> 01:01:15,960
Speaker 1: in season one with seven month itch where he took

1160
01:01:16,000 --> 01:01:20,880
Speaker 1: off one of ability for dayre the season three episode

1161
01:01:20,920 --> 01:01:22,720
Speaker 1: where he took off with the motorcycle. Yeah, so this

1162
01:01:22,800 --> 01:01:25,320
Speaker 1: is this is common. So I guess we needed it

1163
01:01:25,360 --> 01:01:29,000
Speaker 1: one more time before he gets married. All right, So

1164
01:01:29,040 --> 01:01:32,120
Speaker 1: the next morning, we're in the kitchen. Jesse is forcing

1165
01:01:32,160 --> 01:01:35,560
Speaker 1: a very reluctant Joey out of his room. Joey asks

1166
01:01:35,640 --> 01:01:38,080
Speaker 1: where he could possibly be taking him at seven in

1167
01:01:38,120 --> 01:01:41,480
Speaker 1: the morning, and Jesse shushes him. He begs Joey to

1168
01:01:41,600 --> 01:01:45,160
Speaker 1: trust him, but Joey states the obvious you're getting married

1169
01:01:45,240 --> 01:01:48,280
Speaker 1: in three hours. And then he looks at him with hesitation.

1170
01:01:48,640 --> 01:01:51,760
Speaker 1: You are getting married, aren't you. Jesse says that he'll

1171
01:01:51,760 --> 01:01:54,960
Speaker 1: tell him everything. On the way to the airport. Joey

1172
01:01:55,040 --> 01:01:59,440
Speaker 1: questions the airport, Jesse whispers, yes, come on, and pushes

1173
01:01:59,480 --> 01:02:05,160
Speaker 1: him out the door. Yeah. And so we're led to

1174
01:02:05,160 --> 01:02:10,240
Speaker 1: believe that Jesse is just ate garment bag and another bag.

1175
01:02:10,720 --> 01:02:12,560
Speaker 1: It looks like he's just taken some stuff with him

1176
01:02:12,560 --> 01:02:12,919
Speaker 1: and going.

1177
01:02:13,280 --> 01:02:15,360
Speaker 2: This is an excellent mister wrect If you have never

1178
01:02:15,400 --> 01:02:16,840
Speaker 2: seen the series before.

1179
01:02:17,040 --> 01:02:17,480
Speaker 1: Right, yeah.

1180
01:02:17,480 --> 01:02:20,680
Speaker 2: If you have no idea that Jesse throws these fits

1181
01:02:20,760 --> 01:02:23,880
Speaker 2: about once every season, he'd be like, oh no, that

1182
01:02:23,920 --> 01:02:24,880
Speaker 2: thing's really gonna happen.

1183
01:02:25,120 --> 01:02:29,600
Speaker 1: Mistakes are high. So uh we pause for an intense

1184
01:02:29,720 --> 01:02:40,120
Speaker 1: commercial break. When we come back, we're in the living room.

1185
01:02:40,280 --> 01:02:42,520
Speaker 1: Danny walks down the stairs to find Michelle's sleeping on

1186
01:02:42,560 --> 01:02:45,480
Speaker 1: the couch. He lightly shakes his daughter, telling her to

1187
01:02:45,520 --> 01:02:48,520
Speaker 1: wake up. Michelle opens her eyes, and Danny asks if

1188
01:02:48,560 --> 01:02:52,080
Speaker 1: she's seen her uncle Jesse. Michelle's asleep on the couch.

1189
01:02:52,920 --> 01:02:56,960
Speaker 1: You know she hasn't seen him, Jesse. We ask the

1190
01:02:57,000 --> 01:02:59,880
Speaker 1: person to sleep if they've seen someone. I'm looking for

1191
01:03:00,720 --> 01:03:03,280
Speaker 1: that's a great point. Yes, in all her spare time,

1192
01:03:03,520 --> 01:03:07,680
Speaker 1: while she's been sleeping on the couch. Right, Hey, Michelle,

1193
01:03:07,960 --> 01:03:08,240
Speaker 1: do you.

1194
01:03:08,200 --> 01:03:11,120
Speaker 2: Have to see where uncle Jesse went? No, sorry, my

1195
01:03:11,160 --> 01:03:14,480
Speaker 2: eyes were closed. It was in a deep rem sleep.

1196
01:03:15,720 --> 01:03:19,080
Speaker 1: So Michelle throws him off. She says no, Good morning, Michelle.

1197
01:03:20,040 --> 01:03:22,760
Speaker 1: Danny apologizes for this grave error, and.

1198
01:03:22,840 --> 01:03:27,280
Speaker 2: Seriously, hast thou come to Michelle without properly acknowledging?

1199
01:03:28,080 --> 01:03:30,000
Speaker 1: She has high standards. You know, I'll give her that,

1200
01:03:31,200 --> 01:03:33,800
Speaker 1: So he says good morning to his daughter before asking again,

1201
01:03:34,040 --> 01:03:37,760
Speaker 1: have you seen Uncle Jesse. Michelle is not satisfied yet,

1202
01:03:38,240 --> 01:03:41,680
Speaker 1: no good morning kiss, and Danny corrects his behavior, planting

1203
01:03:41,680 --> 01:03:44,320
Speaker 1: a kiss on her cheek before asking the crucial question

1204
01:03:44,600 --> 01:03:48,680
Speaker 1: once more, have you seen Uncle Jesse? Michelle responds no,

1205
01:03:49,040 --> 01:03:51,960
Speaker 1: but thank you for asking, and then she goes right

1206
01:03:52,000 --> 01:03:54,840
Speaker 1: back to sleep. Danny admits I knew she was setting

1207
01:03:54,840 --> 01:03:58,360
Speaker 1: me up. So then there's a knock at the door.

1208
01:03:58,680 --> 01:04:02,040
Speaker 1: Danny quickly runs to gra abit, asking Jesse. But no,

1209
01:04:02,640 --> 01:04:05,960
Speaker 1: it's Kimmy Gibbler, wearing a colorful robe and some huge

1210
01:04:06,160 --> 01:04:10,960
Speaker 1: rollers in her hair. Yes, she smiles at Danny Ola

1211
01:04:11,080 --> 01:04:14,520
Speaker 1: mister t. Danny explains he's going through a major crisis

1212
01:04:14,600 --> 01:04:17,400
Speaker 1: right now, and Kimmy shrugs, Hey, we're all going through

1213
01:04:17,400 --> 01:04:21,560
Speaker 1: some problems. She's just she's not having it. She's like, look,

1214
01:04:23,600 --> 01:04:26,400
Speaker 1: and he's trying to pick a dress to me. So

1215
01:04:26,440 --> 01:04:30,040
Speaker 1: she screams at the top of her lungs DJA and

1216
01:04:30,120 --> 01:04:33,280
Speaker 1: proceeds to walk towards the stairs. Danny shakes his head

1217
01:04:33,280 --> 01:04:37,000
Speaker 1: in disbelief and says, I gotta build a moat. DJ

1218
01:04:37,120 --> 01:04:39,960
Speaker 1: runs down the stairs in her pajamas and asks Kimmy

1219
01:04:40,160 --> 01:04:42,760
Speaker 1: what she needs. Kimmy asks what should I wear to

1220
01:04:42,800 --> 01:04:45,320
Speaker 1: the wedding? She shows the two dress options and the

1221
01:04:45,360 --> 01:04:48,160
Speaker 1: two shoe options that she has to choose from. DJ

1222
01:04:48,320 --> 01:04:51,760
Speaker 1: realizes those are my clothes, and Kimmy states the obvious,

1223
01:04:52,160 --> 01:04:56,160
Speaker 1: That's why I'm asking you, and that's it. That's that's

1224
01:04:56,160 --> 01:04:59,280
Speaker 1: all I do, and like, there's no point to me

1225
01:04:59,720 --> 01:05:02,320
Speaker 1: being in this episode. That is my only interaction. You're

1226
01:05:02,360 --> 01:05:06,360
Speaker 1: in the you're at the wedding, you know, true?

1227
01:05:06,520 --> 01:05:09,800
Speaker 2: I mean your parents aren't because usually typically you invite

1228
01:05:09,840 --> 01:05:11,400
Speaker 2: a child and not their parents to a wedding.

1229
01:05:12,800 --> 01:05:16,960
Speaker 1: So right, no, we never meet the Gibblers. But no,

1230
01:05:17,040 --> 01:05:18,760
Speaker 1: I've I thought for sure this was like you know what,

1231
01:05:19,080 --> 01:05:21,520
Speaker 1: I probably had an episodic guarantee in my contract and

1232
01:05:22,160 --> 01:05:23,880
Speaker 1: we have to put her in once. So let's starr

1233
01:05:23,960 --> 01:05:27,600
Speaker 1: in this scene. That's exactly what that was. So then

1234
01:05:27,600 --> 01:05:30,280
Speaker 1: Stephanie runs into the room. She tells everyone that she

1235
01:05:30,320 --> 01:05:33,280
Speaker 1: found a note on the fridge from uncle Jesse. Danny

1236
01:05:33,400 --> 01:05:35,560
Speaker 1: urges her to read it, but DJ insists that they

1237
01:05:35,600 --> 01:05:38,800
Speaker 1: get this on their wedding videotape. She points the camera

1238
01:05:38,800 --> 01:05:42,439
Speaker 1: at Steph, who fluffs her hair up in preparation. DJ

1239
01:05:42,520 --> 01:05:45,000
Speaker 1: calls action, and Steph begins to read the letter with

1240
01:05:45,160 --> 01:05:49,720
Speaker 1: Broadway level drama. Dear family, you must be wondering where

1241
01:05:49,760 --> 01:05:52,880
Speaker 1: I went. I kidnapped Joey, but we'll be back before

1242
01:05:52,880 --> 01:05:55,000
Speaker 1: the wedding. There was one last thing I had to

1243
01:05:55,040 --> 01:06:00,880
Speaker 1: do before I got married. Jesse, Oh Jesse. And she's done.

1244
01:06:01,040 --> 01:06:02,959
Speaker 1: She tells DJ she wants to do it again because

1245
01:06:03,000 --> 01:06:05,360
Speaker 1: she can do better. She turns up the drama to

1246
01:06:05,440 --> 01:06:08,840
Speaker 1: a ten and falls to her knees as she shouts,

1247
01:06:08,920 --> 01:06:14,840
Speaker 1: dear family, this is very just Shakespeare. This is Jodie

1248
01:06:14,840 --> 01:06:18,840
Speaker 1: Sweeten child star extraordinary like you are just delivering this.

1249
01:06:19,000 --> 01:06:22,840
Speaker 2: Oh ridiculous again, any chance to be ridiculous?

1250
01:06:22,960 --> 01:06:25,840
Speaker 1: Yeah? It was fit. I laughed, I laughed out loud.

1251
01:06:26,960 --> 01:06:29,040
Speaker 1: So Danny snatches the note out of her hand and

1252
01:06:29,080 --> 01:06:31,920
Speaker 1: forces her to stop the theatrics. He sighs as he

1253
01:06:31,960 --> 01:06:35,320
Speaker 1: reads Jesse's writing and says, oh, man, he's getting married

1254
01:06:35,360 --> 01:06:39,880
Speaker 1: in two hours. Where the heck could he be? We

1255
01:06:39,960 --> 01:06:43,200
Speaker 1: flashed to a tiny plane flying in the air. Joey

1256
01:06:43,800 --> 01:06:46,760
Speaker 1: is flying this plane because because we knew that.

1257
01:06:47,360 --> 01:06:51,640
Speaker 2: Duh, Joey why is a plane obviously, which is why

1258
01:06:51,640 --> 01:06:54,400
Speaker 2: he's a stand up comedian and lives in the basement, the.

1259
01:06:54,280 --> 01:06:58,000
Speaker 1: Most irresponsible member of the household flying a plane.

1260
01:06:58,120 --> 01:07:03,120
Speaker 2: Now we know Dave actually does fly planes, but Joey, yeah,

1261
01:07:03,320 --> 01:07:03,720
Speaker 2: does not.

1262
01:07:04,240 --> 01:07:07,000
Speaker 1: And I and this whole scene was like, so they

1263
01:07:07,120 --> 01:07:09,160
Speaker 1: just gave some dude.

1264
01:07:09,000 --> 01:07:14,600
Speaker 2: A plane and the other guy of parachute, and we're like, fun,

1265
01:07:14,720 --> 01:07:17,920
Speaker 2: see later. Yeah, there's no release form signed.

1266
01:07:18,040 --> 01:07:19,960
Speaker 1: There was no We might have not seen that. But

1267
01:07:20,000 --> 01:07:23,880
Speaker 1: they never let you skydive by yourself.

1268
01:07:23,600 --> 01:07:26,800
Speaker 2: Until you've done like a hundred jumps or something, right.

1269
01:07:27,040 --> 01:07:29,600
Speaker 1: Yes, yes, there's that one throwaway line.

1270
01:07:29,920 --> 01:07:32,960
Speaker 2: Maybe they stole it, well, that would be the strand

1271
01:07:33,120 --> 01:07:36,440
Speaker 2: the full house. Yeah, maybe they stole the plane and

1272
01:07:37,280 --> 01:07:38,240
Speaker 2: the sky diving suit.

1273
01:07:38,920 --> 01:07:41,520
Speaker 1: Well, that makes more sense. That actually makes more sense

1274
01:07:41,560 --> 01:07:44,000
Speaker 1: than this. That's that should have been the exposition.

1275
01:07:44,080 --> 01:07:48,720
Speaker 2: We just stole this from me, exactly, uncle, so and so. Yeah, no,

1276
01:07:48,880 --> 01:07:51,320
Speaker 2: if you knowing Dave Kleim like this didn't bump me.

1277
01:07:51,360 --> 01:07:53,600
Speaker 2: But yeah, people who don't know that Dave Kolia flies

1278
01:07:53,680 --> 01:07:56,120
Speaker 2: planes for real, this is probably like where did they They.

1279
01:07:56,000 --> 01:07:58,760
Speaker 1: Needed some exposition for this? Why is Joey flying a plane?

1280
01:07:58,760 --> 01:07:59,560
Speaker 1: When did he learn this?

1281
01:07:59,680 --> 01:07:59,800
Speaker 2: What?

1282
01:08:00,280 --> 01:08:05,640
Speaker 1: Yeah? Right, yeah, it was jarring. So Joey's telling Jesse

1283
01:08:05,760 --> 01:08:08,200
Speaker 1: that he's completely out of his mind, and Jesse agrees,

1284
01:08:08,320 --> 01:08:10,160
Speaker 1: I know. I said I'd never get in a plane

1285
01:08:10,160 --> 01:08:13,320
Speaker 1: with you. We see Jesse is dressed in his wedding tucks,

1286
01:08:13,520 --> 01:08:16,360
Speaker 1: but he's wearing a jumpsuit and a parachute over it,

1287
01:08:16,800 --> 01:08:20,439
Speaker 1: and Joey tells him, I'm talking about skydiving. It's crazy,

1288
01:08:21,280 --> 01:08:24,240
Speaker 1: Jesse explains. People say it's the ultimate rush. I took

1289
01:08:24,240 --> 01:08:26,800
Speaker 1: all the lessons, but I never jumped because it was

1290
01:08:26,840 --> 01:08:31,839
Speaker 1: too windy. Okay, okay, it's week, but it's something.

1291
01:08:31,920 --> 01:08:34,840
Speaker 2: It's weak, and it's still He's never jumped, so there's

1292
01:08:34,880 --> 01:08:36,479
Speaker 2: no way they would just hand to him.

1293
01:08:36,720 --> 01:08:39,360
Speaker 1: But anyway, Yeah, joke's gotta work. Jokes, gotta work, jokes,

1294
01:08:39,360 --> 01:08:43,800
Speaker 1: gotta work. I gotta have this one last adventure before

1295
01:08:43,840 --> 01:08:46,840
Speaker 1: I get married. Joey asks if he has to do

1296
01:08:46,920 --> 01:08:49,200
Speaker 1: it on his wedding day for real.

1297
01:08:49,600 --> 01:08:49,840
Speaker 2: Man.

1298
01:08:50,160 --> 01:08:51,920
Speaker 1: When Joey's making sense and.

1299
01:08:52,479 --> 01:08:55,880
Speaker 2: The most reasonable one in the room, right, something is wrong,

1300
01:08:57,400 --> 01:09:00,120
Speaker 2: Jesse reminds him this is the last hour of his

1301
01:09:00,160 --> 01:09:02,360
Speaker 2: life as a single guy.

1302
01:09:02,479 --> 01:09:06,000
Speaker 1: You can you can they let you skydive if you're married.

1303
01:09:07,240 --> 01:09:08,439
Speaker 1: It's not you know what I mean?

1304
01:09:08,479 --> 01:09:12,000
Speaker 2: Like they yeah, yeah, you're not banned from skydiving just

1305
01:09:12,000 --> 01:09:13,639
Speaker 2: because you have a right finger.

1306
01:09:15,640 --> 01:09:18,200
Speaker 1: Uh. Pretty soon, Jesse's going to be married and have

1307
01:09:18,240 --> 01:09:20,920
Speaker 1: a family with all the responsibilities. What is he going

1308
01:09:20,960 --> 01:09:23,879
Speaker 1: to do? Then? Jump out of a station wagon? See

1309
01:09:24,040 --> 01:09:25,880
Speaker 1: it was the station wagon that triggered. It was the

1310
01:09:25,920 --> 01:09:30,519
Speaker 1: station wagon, right yep. Joey shrugs, well, you could. Your

1311
01:09:30,520 --> 01:09:33,240
Speaker 1: shoot might not open in time, but Jesse tells him

1312
01:09:33,280 --> 01:09:35,599
Speaker 1: he must do this one last crazy thing before he

1313
01:09:35,640 --> 01:09:38,320
Speaker 1: gives it all up for the woman he loves. He's

1314
01:09:38,360 --> 01:09:47,200
Speaker 1: so dramatic. Joey wenders the drama, so much drama. Joey wonders,

1315
01:09:47,240 --> 01:09:50,160
Speaker 1: isn't flying with me crazy enough? And Jesse gives a

1316
01:09:50,160 --> 01:09:53,960
Speaker 1: definitive no, So Joey asks, how about when I do this?

1317
01:09:54,320 --> 01:09:57,560
Speaker 1: And he flips the plane upside down. He's also a

1318
01:09:57,560 --> 01:10:02,439
Speaker 1: stunt pilot. Their right side up again. Jesse flicks his

1319
01:10:02,479 --> 01:10:04,360
Speaker 1: friend on the head and tells him not to do that.

1320
01:10:05,160 --> 01:10:07,559
Speaker 1: He assures Joey that he has this whole thing planned out.

1321
01:10:07,840 --> 01:10:10,640
Speaker 1: He stashed his Harley and he has his tucks on.

1322
01:10:11,600 --> 01:10:13,280
Speaker 1: When did he have When did he have time to

1323
01:10:13,320 --> 01:10:16,840
Speaker 1: stash a Harley get a pair? He told Joey that.

1324
01:10:16,800 --> 01:10:20,640
Speaker 2: They're going to the airport. He didn't take his motorcycles.

1325
01:10:20,640 --> 01:10:21,920
Speaker 2: They went, They drove in the car.

1326
01:10:22,439 --> 01:10:24,240
Speaker 1: They drove in the car. So when did he stash

1327
01:10:24,320 --> 01:10:29,560
Speaker 1: his follow him instead? I don't know. I don't know. Yeah,

1328
01:10:29,920 --> 01:10:33,000
Speaker 1: this is so far fetched and so full house. It's

1329
01:10:33,040 --> 01:10:33,920
Speaker 1: so this.

1330
01:10:33,800 --> 01:10:39,880
Speaker 2: Is peak peak full house ridiculousness. It's we got everything,

1331
01:10:40,479 --> 01:10:43,680
Speaker 2: we got, we got Howie, we got, we got the

1332
01:10:43,720 --> 01:10:44,960
Speaker 2: magically changing sister.

1333
01:10:45,520 --> 01:10:48,479
Speaker 1: We've got these weird parents who I.

1334
01:10:48,400 --> 01:10:52,280
Speaker 2: Think are actually impersonating Becky's parents, they're not really them. Uh,

1335
01:10:52,320 --> 01:10:55,000
Speaker 2: you know, there's just so much or something for everyone

1336
01:10:55,200 --> 01:10:55,960
Speaker 2: in this wedding.

1337
01:10:56,200 --> 01:11:00,400
Speaker 1: Yeah, it's jam packed, so jam packed. M So the

1338
01:11:00,439 --> 01:11:03,160
Speaker 1: plan is do the jump hop on the Harley and

1339
01:11:03,200 --> 01:11:05,599
Speaker 1: cruise to the chapel with just enough time to remoose

1340
01:11:05,640 --> 01:11:09,400
Speaker 1: his hair and say, I do what could possibly go wrong?

1341
01:11:09,560 --> 01:11:12,360
Speaker 1: A great plan? Joey asks if he can make one

1342
01:11:12,360 --> 01:11:15,200
Speaker 1: little suggestion and smacks Jesse on the head while telling

1343
01:11:15,280 --> 01:11:19,559
Speaker 1: him to snap out of it for real, please. Jesse

1344
01:11:19,640 --> 01:11:21,559
Speaker 1: tells him that this is something he has to do

1345
01:11:21,600 --> 01:11:24,760
Speaker 1: for himself, and Joey decides to just go along with it.

1346
01:11:25,840 --> 01:11:28,240
Speaker 1: He should just go along with it. Jesse's got to

1347
01:11:28,240 --> 01:11:29,160
Speaker 1: get this out of his system.

1348
01:11:29,280 --> 01:11:32,360
Speaker 2: You know, we know, as much as you beg him,

1349
01:11:32,439 --> 01:11:34,519
Speaker 2: He's still going to ride that motorcycle on the top

1350
01:11:34,520 --> 01:11:34,960
Speaker 2: of the roof.

1351
01:11:35,000 --> 01:11:38,439
Speaker 1: So Jesse's gonna do, Jesse, So you just roll with it, yep.

1352
01:11:39,600 --> 01:11:41,439
Speaker 1: So Joey tells him to have a safe trip and

1353
01:11:41,479 --> 01:11:43,960
Speaker 1: wishes him good luck. Jesse moves to the back of

1354
01:11:43,960 --> 01:11:46,440
Speaker 1: the tiny plane and puts on his helmet and goggles.

1355
01:11:46,800 --> 01:11:50,080
Speaker 1: He leaves Joey with one last request. If anything goes wrong,

1356
01:11:50,200 --> 01:11:53,400
Speaker 1: I want you to marry Becky. I feel like Becky

1357
01:11:53,439 --> 01:11:56,439
Speaker 1: might have some thoughts about that, you know.

1358
01:11:56,600 --> 01:11:59,720
Speaker 2: I was like be back to like the Victorian era,

1359
01:11:59,800 --> 01:12:03,320
Speaker 2: where where if your husband dies then suddenly you're like, oh,

1360
01:12:03,360 --> 01:12:05,400
Speaker 2: I'm married to my brother in law now right.

1361
01:12:05,320 --> 01:12:07,960
Speaker 1: Right, It's all about dowries. It's not about the ride.

1362
01:12:10,240 --> 01:12:12,120
Speaker 1: So Jesse peeks his head out of the plane and

1363
01:12:12,120 --> 01:12:15,559
Speaker 1: says whoa. But before he second guesses himself, he jumps

1364
01:12:15,640 --> 01:12:20,120
Speaker 1: out of the plane and yells have mercy. Back in

1365
01:12:20,160 --> 01:12:22,439
Speaker 1: the plane, Joey gasps when he looks at the floor,

1366
01:12:22,600 --> 01:12:26,040
Speaker 1: oh my god, he forgot his moose, and he shows

1367
01:12:26,080 --> 01:12:29,000
Speaker 1: off a huge can of hair moose. Then we see

1368
01:12:29,040 --> 01:12:32,040
Speaker 1: a figure in the sky pulling the parachute. Joey looks

1369
01:12:32,040 --> 01:12:33,519
Speaker 1: at him from the window of the plane and gives

1370
01:12:33,600 --> 01:12:36,959
Speaker 1: him a thumbs up. As Jesse is gliding down to safety,

1371
01:12:37,000 --> 01:12:42,840
Speaker 1: we hear him say, did I forget my moose? That

1372
01:12:42,960 --> 01:12:45,680
Speaker 1: was a thing that we saw. The thing that we

1373
01:12:45,720 --> 01:12:49,880
Speaker 1: saw in a tiny plane. We cut to some stock

1374
01:12:49,920 --> 01:12:53,160
Speaker 1: footage of the outside of a church. You don't remember

1375
01:12:53,160 --> 01:12:55,280
Speaker 1: where that church was? Was this?

1376
01:12:56,280 --> 01:13:00,439
Speaker 2: It was directly across the street from Sony Studios c

1377
01:13:01,360 --> 01:13:02,639
Speaker 2: literally right off.

1378
01:13:02,439 --> 01:13:03,639
Speaker 1: Of whatever is that.

1379
01:13:03,760 --> 01:13:06,000
Speaker 2: Oh god, I can't even think of it. Like there's

1380
01:13:06,200 --> 01:13:09,320
Speaker 2: Washington and Culver. It's like in between there somewhere, but yeah,

1381
01:13:09,400 --> 01:13:13,599
Speaker 2: it's uh, all of the exterior stuff was from places

1382
01:13:13,640 --> 01:13:14,799
Speaker 2: in Culver City.

1383
01:13:14,600 --> 01:13:16,519
Speaker 1: And Culver City. Oh okay. I was like, this church

1384
01:13:16,560 --> 01:13:17,479
Speaker 1: looks really familiar.

1385
01:13:17,479 --> 01:13:19,160
Speaker 2: But I remember that church because like we used to

1386
01:13:19,240 --> 01:13:21,720
Speaker 2: drive by it all the time going to work, and yeah,

1387
01:13:21,720 --> 01:13:22,920
Speaker 2: I always thought it was really pretty.

1388
01:13:23,400 --> 01:13:25,080
Speaker 1: It's gorgeous. Oh my gosh, well.

1389
01:13:24,920 --> 01:13:27,200
Speaker 2: It's gorgeous on the outside. It looks what we did

1390
01:13:27,280 --> 01:13:29,360
Speaker 2: with the inside of the church. They must have booked

1391
01:13:29,360 --> 01:13:31,599
Speaker 2: a little side chapel or something for this wedding, because

1392
01:13:31,600 --> 01:13:33,759
Speaker 2: it's definitely not a cathedral that we see.

1393
01:13:34,280 --> 01:13:37,519
Speaker 1: No no, no, no, no, no, not in the budget. Huh.

1394
01:13:37,560 --> 01:13:40,160
Speaker 1: So in the wedding chapel, the venue is filled with

1395
01:13:40,280 --> 01:13:44,599
Speaker 1: guests anxiously waiting for the ceremony to start. Behind the scenes,

1396
01:13:44,920 --> 01:13:47,519
Speaker 1: DJ and Stuff are filming their wedding video. They're both

1397
01:13:47,600 --> 01:13:52,479
Speaker 1: dressed in pink, poofy dresses and matching gloves, and.

1398
01:13:51,960 --> 01:13:56,160
Speaker 2: We get an amen for the early nineties bridal attire.

1399
01:13:56,520 --> 01:14:02,439
Speaker 1: Oh they it was beautiful like you looked. It was ridiculous.

1400
01:14:02,680 --> 01:14:06,280
Speaker 1: I looked like a doily. I remember loving it in

1401
01:14:06,360 --> 01:14:08,080
Speaker 1: nineteen ninety one. I was jealous.

1402
01:14:08,120 --> 01:14:10,680
Speaker 2: I was like, I'm sure I was thrilled to be

1403
01:14:10,720 --> 01:14:14,559
Speaker 2: wearing some big, flufy dress like, yes, but there's lace

1404
01:14:14,840 --> 01:14:18,200
Speaker 2: and and fringe and things in the hair.

1405
01:14:18,800 --> 01:14:20,560
Speaker 1: There's a lot of the sleeves.

1406
01:14:20,960 --> 01:14:23,639
Speaker 2: My god, you think the shoulder pads are big, wait

1407
01:14:23,680 --> 01:14:24,920
Speaker 2: till you see the sleeves.

1408
01:14:25,880 --> 01:14:29,360
Speaker 1: It's you know, it's so cute. You guys look so

1409
01:14:29,479 --> 01:14:32,080
Speaker 1: grown up. It's I just yeah.

1410
01:14:32,120 --> 01:14:36,000
Speaker 2: The gloves also the little fingerless like peach lace gloves

1411
01:14:36,439 --> 01:14:37,840
Speaker 2: and the colored peachy in.

1412
01:14:37,760 --> 01:14:41,719
Speaker 1: And of itself. You know, as a bridal party where.

1413
01:14:41,560 --> 01:14:45,280
Speaker 2: You're like, oh, everyone's going to wear peach and you're like, oh, now,

1414
01:14:45,320 --> 01:14:47,080
Speaker 2: you'd be like I don't think that's really a great

1415
01:14:47,120 --> 01:14:48,160
Speaker 2: color for anybody.

1416
01:14:48,280 --> 01:14:51,360
Speaker 1: So yeah, no, no, but you guys can pull it.

1417
01:14:51,360 --> 01:14:54,240
Speaker 2: It was beautiful, it was gorgeous, loved it, had fun

1418
01:14:54,280 --> 01:14:54,760
Speaker 2: wearing it.

1419
01:14:54,840 --> 01:14:57,760
Speaker 1: But yes, I will go on record and say that

1420
01:14:57,800 --> 01:15:00,920
Speaker 1: I look like a doily. Did you guys have any

1421
01:15:00,960 --> 01:15:03,840
Speaker 1: input into your bridesmaid's dresses or this? They just the

1422
01:15:03,840 --> 01:15:05,519
Speaker 1: wardrobe department just took care of it. It was like, this

1423
01:15:05,560 --> 01:15:06,240
Speaker 1: is what you're think.

1424
01:15:06,320 --> 01:15:10,960
Speaker 2: I mean, I believe we got measured and you know,

1425
01:15:11,000 --> 01:15:14,360
Speaker 2: they probably they made our dresses. It was probably one

1426
01:15:14,400 --> 01:15:18,040
Speaker 2: of the things that we got custom made dresses for sure,

1427
01:15:18,320 --> 01:15:18,719
Speaker 2: for sure.

1428
01:15:19,640 --> 01:15:21,160
Speaker 1: But I don't know that we had like a ton

1429
01:15:21,200 --> 01:15:23,519
Speaker 1: of input. Yeah, because you had to match. This was

1430
01:15:23,560 --> 01:15:24,280
Speaker 1: in the mouth.

1431
01:15:24,560 --> 01:15:27,600
Speaker 2: But if you notice, like DJ, well, DJ, Steph and

1432
01:15:27,600 --> 01:15:30,960
Speaker 2: Michelle all have slightly different dresses because DJ it looks

1433
01:15:31,000 --> 01:15:35,080
Speaker 2: to be maybe in the like in the wedding party

1434
01:15:35,160 --> 01:15:38,559
Speaker 2: as like a bridesmaid, and I'm probably like a junior

1435
01:15:38,560 --> 01:15:41,320
Speaker 2: bride your bridesmaid, so my dress is a little bit different.

1436
01:15:41,320 --> 01:15:43,600
Speaker 2: And then Michelle has her little flower girl dress on.

1437
01:15:43,880 --> 01:15:51,679
Speaker 1: Yeah, it all coordinates, it coordinates, but yeah, it definitely representate, coordinates, coordinate. Yeah,

1438
01:15:51,800 --> 01:15:54,040
Speaker 1: it it coordinates.

1439
01:15:55,120 --> 01:15:57,479
Speaker 2: But I have to say, I don't know why it is,

1440
01:15:57,600 --> 01:16:02,880
Speaker 2: but that color reminds me of, uh, when you would.

1441
01:16:02,640 --> 01:16:08,040
Speaker 1: Walk into someone's house and use.

1442
01:16:07,960 --> 01:16:11,599
Speaker 2: Their bathroom in like nineteen eighty seven and they have

1443
01:16:12,040 --> 01:16:16,519
Speaker 2: the little furry uh like toilet seat cover and the

1444
01:16:16,760 --> 01:16:20,800
Speaker 2: and the rug that goes underneath, and the matching other

1445
01:16:20,840 --> 01:16:24,160
Speaker 2: rug in front of the sink, and the matching shower curtain. Yes,

1446
01:16:24,200 --> 01:16:27,120
Speaker 2: that is I'm pretty sure that that is what Steff's

1447
01:16:27,200 --> 01:16:27,639
Speaker 2: dress is.

1448
01:16:27,560 --> 01:16:29,240
Speaker 1: Made out of. That's what they made it at. Yeah,

1449
01:16:29,240 --> 01:16:31,480
Speaker 1: and the time the tissue box cover.

1450
01:16:31,400 --> 01:16:34,240
Speaker 2: With this, I am, I am a human tissue box

1451
01:16:34,360 --> 01:16:38,439
Speaker 2: cover literally and they used to have those stupid little

1452
01:16:38,439 --> 01:16:40,360
Speaker 2: things that you would put on a tissue box cover

1453
01:16:40,439 --> 01:16:41,320
Speaker 2: that was like a little person.

1454
01:16:41,800 --> 01:16:46,200
Speaker 1: Yeah, that's me, That's totally that's me. Seventeen hundred bucks

1455
01:16:46,240 --> 01:16:50,040
Speaker 1: is a tissue under that dress. My grandmother had one

1456
01:16:50,040 --> 01:16:54,200
Speaker 1: of those bathrooms too, mind, which is why that Maybe

1457
01:16:54,200 --> 01:16:55,519
Speaker 1: it was her house that had the pizza.

1458
01:16:55,760 --> 01:16:56,640
Speaker 2: Maybe not, you know what I mean.

1459
01:16:56,680 --> 01:16:59,000
Speaker 1: But the color just reminds me.

1460
01:16:59,040 --> 01:17:02,759
Speaker 2: I'm like, I'm in someone's uh, nineteen eighty seven bathroom.

1461
01:17:02,880 --> 01:17:07,320
Speaker 1: Yes, yeah, it really tells you what decade we're in.

1462
01:17:07,439 --> 01:17:10,960
Speaker 1: It's so funny. But you guys look great.

1463
01:17:13,400 --> 01:17:15,479
Speaker 2: That but it looks fabulous, But you're look cute, you know,

1464
01:17:15,600 --> 01:17:17,639
Speaker 2: if you were like a tissue cover.

1465
01:17:18,840 --> 01:17:21,880
Speaker 1: So DJ begins her latest report. This is DJ Tanner

1466
01:17:21,960 --> 01:17:24,559
Speaker 1: Live at the Chapel, and there's still no sign of

1467
01:17:24,600 --> 01:17:27,360
Speaker 1: the groom. She turns to Danny and asks, how do

1468
01:17:27,400 --> 01:17:30,639
Speaker 1: you feel, and Danny nervously states, I feel very confident

1469
01:17:30,680 --> 01:17:32,880
Speaker 1: that Jesse will arrive right on time. In the next

1470
01:17:33,240 --> 01:17:37,160
Speaker 1: he checks his watch eighteen seconds. DJ asks, is that

1471
01:17:37,200 --> 01:17:40,320
Speaker 1: why you're not telling Becky what's going on? Danny admits, no,

1472
01:17:40,560 --> 01:17:43,320
Speaker 1: that's because I'm chicken. DJ looks at the camera and

1473
01:17:43,320 --> 01:17:46,280
Speaker 1: announces you heard it here. First Dad is a chicken.

1474
01:17:47,280 --> 01:17:50,840
Speaker 1: Then Michelle walks in wearing a poofy pink pink dress

1475
01:17:50,880 --> 01:17:54,040
Speaker 1: as well. Yep, she she belongs on top of a cake.

1476
01:17:54,320 --> 01:17:58,559
Speaker 1: She's right, she's a cake. I'm a tissue cover. And

1477
01:17:58,600 --> 01:17:59,759
Speaker 1: then and then Canada.

1478
01:18:00,040 --> 01:18:04,280
Speaker 2: The Canna's dress is just the shower curtain. Right together,

1479
01:18:04,400 --> 01:18:09,840
Speaker 2: we make a full accessorized bathroom.

1480
01:18:10,840 --> 01:18:14,360
Speaker 1: So she confidently announces the flower girl is here. And

1481
01:18:14,560 --> 01:18:17,479
Speaker 1: DJ and stuph oh in response, who.

1482
01:18:17,320 --> 01:18:18,160
Speaker 2: Got her dressed?

1483
01:18:18,880 --> 01:18:20,120
Speaker 1: She dresses herself.

1484
01:18:20,320 --> 01:18:22,800
Speaker 2: She's like, her hair is gown on and my hair

1485
01:18:23,000 --> 01:18:25,000
Speaker 2: like DJ and Steph would have been the ones to

1486
01:18:25,720 --> 01:18:27,640
Speaker 2: be helping with that probably.

1487
01:18:27,280 --> 01:18:28,200
Speaker 1: Oh yeah, that's true.

1488
01:18:28,280 --> 01:18:32,160
Speaker 2: Yeah, well Becky's certainly not available, so yeah, the girls

1489
01:18:32,160 --> 01:18:36,040
Speaker 2: would have had to help get each other ready anyway.

1490
01:18:36,080 --> 01:18:40,679
Speaker 1: Well she drove separately. Yeah, yeah, I get that. Sorry

1491
01:18:40,720 --> 01:18:44,919
Speaker 1: to find parking, so watch them a little late. Michelle decides,

1492
01:18:45,960 --> 01:18:48,840
Speaker 1: Oh no. Michelle tells them I'm ready for the video.

1493
01:18:49,120 --> 01:18:52,280
Speaker 1: My hair looks fantastic. She's not short on self confidence,

1494
01:18:52,320 --> 01:18:55,000
Speaker 1: that's for sure. She knows she gets it from Jesse.

1495
01:18:56,720 --> 01:18:58,800
Speaker 1: Steph points the camera at her and tells her to

1496
01:18:58,920 --> 01:19:02,040
Speaker 1: do something. Michelle decides, now I'll do my fish pace

1497
01:19:02,400 --> 01:19:06,320
Speaker 1: and she stares at the camera doing exactly that. DJ

1498
01:19:06,479 --> 01:19:09,439
Speaker 1: changes changes the subject, asking Michelle where how he is?

1499
01:19:09,760 --> 01:19:12,479
Speaker 1: Don't start it. Don't start asking where Howie is?

1500
01:19:12,520 --> 01:19:15,960
Speaker 2: You never gonna stop hearing about him?

1501
01:19:15,960 --> 01:19:18,840
Speaker 1: But uh, plot twist. Michelle frowns. Who cares? That boy

1502
01:19:18,960 --> 01:19:19,639
Speaker 1: is crazy?

1503
01:19:19,840 --> 01:19:20,240
Speaker 2: Oh?

1504
01:19:20,280 --> 01:19:24,200
Speaker 1: Thank you? On cue, Howie enters the room. He's wearing

1505
01:19:24,240 --> 01:19:27,080
Speaker 1: a little tuxedo with a boot near and he says

1506
01:19:27,120 --> 01:19:30,000
Speaker 1: hello to Michelle. She turns around to take a look

1507
01:19:30,000 --> 01:19:35,439
Speaker 1: at him, and suddenly she's not quite so disgusted. She responds, hello, Howie.

1508
01:19:36,360 --> 01:19:38,960
Speaker 1: He tells her you look very pretty, and she responds,

1509
01:19:39,080 --> 01:19:44,800
Speaker 1: you're a hunk. You're a toddler. You know, this is

1510
01:19:45,880 --> 01:19:49,439
Speaker 1: the roller coaster we are on the whip last. I

1511
01:19:49,520 --> 01:19:51,360
Speaker 1: love him, I hate him, I love him, I hate him.

1512
01:19:52,160 --> 01:19:54,600
Speaker 2: Oh, it's like Jesse and Becky's from one of his

1513
01:19:54,840 --> 01:19:55,960
Speaker 2: entire relationship.

1514
01:19:57,400 --> 01:20:03,839
Speaker 1: This is like a microcosm of right Jess relationship. You're terrible.

1515
01:20:04,840 --> 01:20:07,000
Speaker 2: I need to go find myself and he just goes

1516
01:20:07,040 --> 01:20:09,120
Speaker 2: and has a fruit snack and a nap.

1517
01:20:09,240 --> 01:20:11,920
Speaker 1: You know, the even has a mullet like they are.

1518
01:20:12,240 --> 01:20:15,800
Speaker 2: Oh my god, he does, Yeah, this is fantastic.

1519
01:20:15,920 --> 01:20:19,160
Speaker 1: I love this. So how he asks what's a hunk

1520
01:20:19,439 --> 01:20:22,160
Speaker 1: and Michelle explains that's what DJ calls the paper boy.

1521
01:20:23,200 --> 01:20:28,719
Speaker 1: Great callback to rigul the paper pay. DJ tells Stephanie

1522
01:20:28,720 --> 01:20:31,040
Speaker 1: to cut the video and walks the two little kids away.

1523
01:20:32,040 --> 01:20:33,679
Speaker 1: Then Becky's parents into the room.

1524
01:20:34,600 --> 01:20:39,559
Speaker 2: Her boy, that'll that'll improve the situation, gonna make it

1525
01:20:39,600 --> 01:20:40,120
Speaker 2: all better.

1526
01:20:41,240 --> 01:20:44,080
Speaker 1: Her mom is radiating with excitement as she runs up

1527
01:20:44,080 --> 01:20:47,479
Speaker 1: to Danny and tells him everything is ready upfront. Danny's

1528
01:20:47,479 --> 01:20:49,960
Speaker 1: anxiety starts to show, and he tells her that's very good.

1529
01:20:50,520 --> 01:20:52,880
Speaker 1: Mister Donaldson picks up on it right away and asks

1530
01:20:52,960 --> 01:20:56,040
Speaker 1: what's wrong. Danny tries to convince him there's no problem,

1531
01:20:56,520 --> 01:20:59,200
Speaker 1: but mister Donaldson knows that Danny's lying. He can tell

1532
01:20:59,200 --> 01:21:02,559
Speaker 1: by the way he won't look him in the eye, which.

1533
01:21:02,360 --> 01:21:04,800
Speaker 2: Is impressive that he knows Danny's body language after just

1534
01:21:04,800 --> 01:21:06,080
Speaker 2: meeting him yesterday.

1535
01:21:06,400 --> 01:21:09,600
Speaker 1: This guy is intense, like he's taken no prisoners, like

1536
01:21:09,720 --> 01:21:15,320
Speaker 1: he's just like something's hogtie Danny. So Danny tries his

1537
01:21:15,360 --> 01:21:17,800
Speaker 1: best to make eye contact with Kenneth, but he can't

1538
01:21:17,800 --> 01:21:19,960
Speaker 1: seem to do it, so he just looks at Becky's

1539
01:21:19,960 --> 01:21:23,160
Speaker 1: mom and jokes, can you believe this guy? Neither of

1540
01:21:23,160 --> 01:21:26,160
Speaker 1: them laugh, and Danny breaks Okay, there's a little problem.

1541
01:21:26,520 --> 01:21:29,200
Speaker 1: You know how every wedding has a bride and a groom,

1542
01:21:29,520 --> 01:21:31,600
Speaker 1: Well you take away the groom, and that's what we

1543
01:21:31,680 --> 01:21:35,040
Speaker 1: have here. Both mister and missus Donaldson start to panic

1544
01:21:35,080 --> 01:21:38,280
Speaker 1: and argue with Danny, asking where the groom could possibly be.

1545
01:21:39,320 --> 01:21:42,919
Speaker 1: Danny assures them he doesn't know, and suddenly Nedra signals

1546
01:21:42,960 --> 01:21:48,360
Speaker 1: them to stop talking. Can't get over that name. It's distracting.

1547
01:21:48,479 --> 01:21:48,559
Speaker 2: It.

1548
01:21:48,640 --> 01:21:51,679
Speaker 1: Would rather have it be Edna. Oh, Edna would be cute.

1549
01:21:52,040 --> 01:21:56,519
Speaker 2: Yeah, but Nedra, I think it. It reminds me of Hydra,

1550
01:21:56,800 --> 01:22:00,400
Speaker 2: which is like the three headed, seven headed name thing

1551
01:22:00,520 --> 01:22:03,200
Speaker 2: or whatever. Yeah, yeah, from Greek mythology. That's what is

1552
01:22:03,200 --> 01:22:04,200
Speaker 2: your writing, maf.

1553
01:22:04,160 --> 01:22:08,479
Speaker 1: Well maybe that was intentional, I don't know. So we

1554
01:22:08,520 --> 01:22:11,800
Speaker 1: see Becky has appeared in the doorway. She's wearing her

1555
01:22:11,840 --> 01:22:15,719
Speaker 1: beautiful wedding gown and veil which was Laurie's actual wedding

1556
01:22:15,720 --> 01:22:19,880
Speaker 1: gown and veil from from her first first wedding. Yeah, yep,

1557
01:22:20,120 --> 01:22:23,000
Speaker 1: which we all went to or some I think John

1558
01:22:23,040 --> 01:22:24,920
Speaker 1: and I went to. Yeah, I didn't go to her first,

1559
01:22:25,240 --> 01:22:27,400
Speaker 1: but it was my first time in New York for

1560
01:22:27,479 --> 01:22:30,519
Speaker 1: her wedding. Oh that's so cool. Yeah. I remember her

1561
01:22:30,680 --> 01:22:33,360
Speaker 1: telling the story how they had her trying on some

1562
01:22:33,439 --> 01:22:36,760
Speaker 1: dresses and none of them really worked the right way,

1563
01:22:36,760 --> 01:22:38,599
Speaker 1: and she's like, why don't I just bring my real

1564
01:22:38,600 --> 01:22:39,840
Speaker 1: wedding dress and we can do that.

1565
01:22:40,000 --> 01:22:42,120
Speaker 2: So I think they took out some layers underneath, because

1566
01:22:42,120 --> 01:22:44,480
Speaker 2: if I remember right, her real wedding.

1567
01:22:44,240 --> 01:22:46,720
Speaker 1: Dress was quite a bit poofier.

1568
01:22:46,760 --> 01:22:49,120
Speaker 2: And I think they, yeah, they it was a little

1569
01:22:49,240 --> 01:22:51,960
Speaker 2: harder to manage. Yeah, we have to fit a lot

1570
01:22:51,960 --> 01:22:53,720
Speaker 2: of people into this scene. Yeah, so we had to

1571
01:22:53,760 --> 01:22:54,759
Speaker 2: take off some layers.

1572
01:22:56,120 --> 01:22:59,639
Speaker 1: So Becky's confused. She asks, why aren't we starting yet?

1573
01:23:00,479 --> 01:23:02,240
Speaker 1: But no one can bear to tell her the truth.

1574
01:23:02,479 --> 01:23:05,080
Speaker 1: She runs up to Danny and asks if something is wrong,

1575
01:23:05,520 --> 01:23:08,519
Speaker 1: and Danny says, unconvincingly, what could possibly be wrong? No,

1576
01:23:08,800 --> 01:23:12,559
Speaker 1: everything's totally under control. Becky asks, then, why won't you

1577
01:23:12,600 --> 01:23:16,879
Speaker 1: look me in the eye. It's a Donaldson thing, you know. Yeah,

1578
01:23:16,920 --> 01:23:19,799
Speaker 1: they're like, I have no body language, look at me. Yeah,

1579
01:23:19,840 --> 01:23:22,960
Speaker 1: they're very into the eye contact thing. They's like, look

1580
01:23:23,000 --> 01:23:26,320
Speaker 1: me in the eye. Danny breaks, well, we are not

1581
01:23:26,479 --> 01:23:30,040
Speaker 1: all here yet, Becky asks who's missing, and he can't

1582
01:23:30,040 --> 01:23:32,759
Speaker 1: get the words out, so Michelle raises her hand and shouts,

1583
01:23:32,800 --> 01:23:35,839
Speaker 1: I know, I know. Becky calls on her, and Michelle answers,

1584
01:23:36,160 --> 01:23:40,360
Speaker 1: Uncle Jesse is missing. Becky can hardly process the information.

1585
01:23:40,760 --> 01:23:43,639
Speaker 1: She says aloud, Oh my god, stay calm. Just because

1586
01:23:43,640 --> 01:23:45,439
Speaker 1: the room's not here doesn't mean I'm going to let

1587
01:23:45,479 --> 01:23:48,360
Speaker 1: that ruin my wedding day. She rushes over to her mom,

1588
01:23:48,360 --> 01:23:51,120
Speaker 1: who pulls her in for a hug, and then joeys

1589
01:23:51,160 --> 01:23:51,800
Speaker 1: Lifetime movies.

1590
01:23:52,520 --> 01:23:56,120
Speaker 2: Yeah, it's giving, Yes, it is giving, like Lifetime movie.

1591
01:23:56,720 --> 01:23:59,960
Speaker 2: It's yeah, Lifetime movie. Soap opera.

1592
01:24:00,120 --> 01:24:05,040
Speaker 1: Yeah, just it's the drama, so much drama. Joey walks in,

1593
01:24:05,120 --> 01:24:07,519
Speaker 1: dressed and ready to go. He lets out a sigh

1594
01:24:07,520 --> 01:24:10,880
Speaker 1: of relief as he says, whew, made it. Everyone runs

1595
01:24:10,960 --> 01:24:13,720
Speaker 1: up to him at once and asks where's Jesse. He

1596
01:24:13,760 --> 01:24:17,759
Speaker 1: glances around nervously and says uh oh, and Becky asks again,

1597
01:24:18,000 --> 01:24:21,720
Speaker 1: where is he. Joey explains he must have stopped off

1598
01:24:21,720 --> 01:24:24,120
Speaker 1: for a can of moose, and Becky lets out a

1599
01:24:24,240 --> 01:24:28,840
Speaker 1: huge sigh of relief. Oh thank goodness, Joey let's out

1600
01:24:28,840 --> 01:24:31,040
Speaker 1: a laugh. Yeah he forgot it. When he jumped out

1601
01:24:31,040 --> 01:24:34,200
Speaker 1: of the plane, and Becky is not so light hearted anymore.

1602
01:24:34,280 --> 01:24:38,960
Speaker 2: She asks, he jumped out of a plane? Yep, Yes

1603
01:24:39,000 --> 01:24:42,479
Speaker 2: he did. Yes, he did, Becky, and you'll never do

1604
01:24:42,680 --> 01:24:45,439
Speaker 2: did Joey was flying it so weird?

1605
01:24:45,720 --> 01:24:50,639
Speaker 1: Yeah? Joey stares at her wide eyed, as Becky continues, Well,

1606
01:24:50,680 --> 01:24:52,960
Speaker 1: then where is he? What if something happened to him,

1607
01:24:53,560 --> 01:24:56,040
Speaker 1: Joey tells her don't worry. He said, if something happens,

1608
01:24:56,120 --> 01:24:57,680
Speaker 1: I should marry you myself.

1609
01:24:58,160 --> 01:25:01,080
Speaker 2: Oh good, I would, beck He must be thrilled to

1610
01:25:01,120 --> 01:25:05,560
Speaker 2: hear that. But you know that if her soon to

1611
01:25:05,560 --> 01:25:06,680
Speaker 2: be a husband doesn't.

1612
01:25:06,439 --> 01:25:09,360
Speaker 1: Make it, that he's passed her off to his best friend. Yeah, yeah,

1613
01:25:09,439 --> 01:25:13,599
Speaker 1: that makes everything better, right, yeah. Becky stares at him

1614
01:25:13,600 --> 01:25:15,519
Speaker 1: in complete shock before yelling at the top of her

1615
01:25:15,560 --> 01:25:21,680
Speaker 1: lungs mom. Meanwhile, in a tree, Jesse's suspended in the

1616
01:25:21,720 --> 01:25:25,040
Speaker 1: air because he got his parachute stuck in a giant tree.

1617
01:25:25,200 --> 01:25:27,120
Speaker 2: This is what happens when you don't know what the

1618
01:25:27,160 --> 01:25:31,439
Speaker 2: hell you're doing and you jump out of a plane

1619
01:25:31,479 --> 01:25:32,400
Speaker 2: attached to you.

1620
01:25:32,680 --> 01:25:35,400
Speaker 1: Yeah, you need an instructor on your back. That's why

1621
01:25:36,760 --> 01:25:39,280
Speaker 1: he's yelling for help. No one is around to hear him.

1622
01:25:39,560 --> 01:25:43,519
Speaker 1: He shouts into the void, Becky, I'm coming, don't marry Joey,

1623
01:25:44,280 --> 01:25:45,960
Speaker 1: And at the bottom of the screen the words to

1624
01:25:46,120 --> 01:25:50,400
Speaker 1: be continued appear and part one of the Winning O.

1625
01:25:51,040 --> 01:25:55,640
Speaker 2: Part one has happened, boy has it? And let me

1626
01:25:55,680 --> 01:25:59,959
Speaker 2: tell you, having watched part two doesn't disappoint.

1627
01:26:00,320 --> 01:26:02,800
Speaker 1: Oh, man, I can't wait. Oh, it doesn't disappoint.

1628
01:26:02,920 --> 01:26:09,839
Speaker 2: Oh if you thought this was ridiculous, wait, I actually

1629
01:26:09,840 --> 01:26:11,840
Speaker 2: thought this was pretty tame for full House.

1630
01:26:12,080 --> 01:26:16,320
Speaker 1: And yes, I mean out of a plane and landed

1631
01:26:16,360 --> 01:26:17,840
Speaker 1: in That is so.

1632
01:26:17,920 --> 01:26:20,519
Speaker 2: On brand for full House that yeah, it was just like,

1633
01:26:20,600 --> 01:26:24,479
Speaker 2: of course he did well, very sitcommy, it felt approach true.

1634
01:26:24,600 --> 01:26:29,080
Speaker 1: Of course it's I mean it is. It's obviously not reality, and.

1635
01:26:29,000 --> 01:26:31,680
Speaker 2: We get it, you know, we're not seriously being like,

1636
01:26:31,680 --> 01:26:33,840
Speaker 2: why would they write that it's so not real?

1637
01:26:34,120 --> 01:26:35,879
Speaker 1: It's you know, it's funny. It's ridiculous.

1638
01:26:35,880 --> 01:26:38,240
Speaker 2: It's silly, but it's also fun to laugh at. Like

1639
01:26:38,520 --> 01:26:41,240
Speaker 2: the suspension of disbelief that you have to have for

1640
01:26:41,360 --> 01:26:41,920
Speaker 2: this is.

1641
01:26:41,880 --> 01:26:45,599
Speaker 1: Like pretty immense, so immense. Yeah, Joey's flying a plane,

1642
01:26:45,680 --> 01:26:48,400
Speaker 1: Jesse's jumping out of it. Well, maybe they're going to

1643
01:26:48,439 --> 01:26:49,639
Speaker 1: be partners in a new airline.

1644
01:26:49,840 --> 01:26:53,120
Speaker 2: Since Oh yeah, we haven't heard much of their jingle

1645
01:26:53,120 --> 01:26:54,320
Speaker 2: writing ad agency.

1646
01:26:54,479 --> 01:26:55,320
Speaker 1: That would have made sense.

1647
01:26:55,400 --> 01:26:58,599
Speaker 2: They were doing a jingle for a small airline company

1648
01:26:58,640 --> 01:27:01,200
Speaker 2: and then they got and they and the company gave

1649
01:27:01,280 --> 01:27:03,639
Speaker 2: them a plane to learn how to fly, and then they.

1650
01:27:03,520 --> 01:27:05,679
Speaker 1: Just did it that way. Yeah, this makes much more sense.

1651
01:27:08,520 --> 01:27:10,920
Speaker 1: I just this episode is so.

1652
01:27:12,360 --> 01:27:15,320
Speaker 2: It's so iconic. I mean, it's the wedding. Everybody knows

1653
01:27:15,320 --> 01:27:20,320
Speaker 2: the wedding. Yep, yep, this is this is a huge episode.

1654
01:27:20,560 --> 01:27:22,600
Speaker 2: This was a great build up to. I don't know

1655
01:27:22,600 --> 01:27:26,240
Speaker 2: what's coming next. I mean, I'm very eager to see

1656
01:27:26,320 --> 01:27:27,200
Speaker 2: what's coming next.

1657
01:27:27,280 --> 01:27:29,600
Speaker 1: Yeah, I mean I know they get married obviously, but

1658
01:27:29,640 --> 01:27:31,120
Speaker 1: other than that, I don't know. I don't know how

1659
01:27:31,120 --> 01:27:33,320
Speaker 1: he gets out of the tree. I don't know how

1660
01:27:33,320 --> 01:27:35,280
Speaker 1: he gets to the chapel. I don't I know. There's

1661
01:27:35,320 --> 01:27:38,479
Speaker 1: like a forever song and a ceremony.

1662
01:27:38,479 --> 01:27:38,880
Speaker 2: But that's it.

1663
01:27:38,920 --> 01:27:41,519
Speaker 1: That's all I that's all I know. Oh, you are

1664
01:27:41,640 --> 01:27:45,799
Speaker 1: in for a treat. You are in for a treat.

1665
01:27:46,560 --> 01:27:49,120
Speaker 1: It's not going to disappoint. Oh okay, well this is

1666
01:27:49,200 --> 01:27:52,360
Speaker 1: I know. This isn't the forever video with the naked babies,

1667
01:27:52,400 --> 01:27:54,360
Speaker 1: because the naked babies haven't been born yet, so this

1668
01:27:54,520 --> 01:27:58,400
Speaker 1: is just right, This is right rings, he sings for

1669
01:27:59,080 --> 01:28:01,400
Speaker 1: I can't know, Okay, you can't tell me. That's the

1670
01:28:01,439 --> 01:28:04,360
Speaker 1: next episode. That's the next episode. We'll get what happens.

1671
01:28:04,560 --> 01:28:08,800
Speaker 1: We know that. Okay, they do, Yeah, forever happens and

1672
01:28:08,840 --> 01:28:12,920
Speaker 1: they do get married. Okay, that's all. I know. You're

1673
01:28:12,960 --> 01:28:18,799
Speaker 1: in for a surprise. I'm excited. I'm excited. Baby, here

1674
01:28:18,840 --> 01:28:19,280
Speaker 1: we go.

1675
01:28:19,600 --> 01:28:22,360
Speaker 2: Well, thank you guys so much for joining us for

1676
01:28:22,479 --> 01:28:27,479
Speaker 2: this incredibly long winded episode recap. We went off on

1677
01:28:27,640 --> 01:28:29,559
Speaker 2: quite a few tangents today, but we love you guys,

1678
01:28:29,640 --> 01:28:32,360
Speaker 2: so thank you for listening. Fana Ritos and if you

1679
01:28:32,400 --> 01:28:34,120
Speaker 2: want to check us out, you can find us on

1680
01:28:34,200 --> 01:28:38,120
Speaker 2: Instagram at how Rude Podcast. We post lots of fun

1681
01:28:38,160 --> 01:28:42,120
Speaker 2: pictures up there. We ask questions, all kinds of fun stuff,

1682
01:28:42,439 --> 01:28:43,760
Speaker 2: so make sure and follow us there. Also, if you

1683
01:28:43,760 --> 01:28:45,719
Speaker 2: want to email us, you can send us an email

1684
01:28:45,800 --> 01:28:49,400
Speaker 2: at how Rude tanner Rito's at gmail dot com. Uh

1685
01:28:49,439 --> 01:28:54,120
Speaker 2: and you can also check out our merch shop mer

1686
01:28:54,640 --> 01:28:59,000
Speaker 2: howarudemerch dot com. And uh yeah, you can get all

1687
01:28:59,000 --> 01:29:02,559
Speaker 2: of your wedding presents there because your friends and family

1688
01:29:02,600 --> 01:29:07,000
Speaker 2: will love them. Yeahs When you can buy a t

1689
01:29:07,120 --> 01:29:11,080
Speaker 2: shirt with a skateboarding turtle on it.

1690
01:29:11,120 --> 01:29:15,759
Speaker 1: Nothing says wedded bliss like turtles and bags.

1691
01:29:16,680 --> 01:29:19,400
Speaker 2: Oh but seriously, you can find us there, email us,

1692
01:29:19,479 --> 01:29:21,559
Speaker 2: find us on Instagram. We love you, guys, Thank you

1693
01:29:21,600 --> 01:29:24,400
Speaker 2: so much for listening and letting us be absolutely ridiculous.

1694
01:29:24,680 --> 01:29:25,479
Speaker 1: We have a great time.

1695
01:29:26,000 --> 01:29:27,360
Speaker 2: We do it, and we will see you next time

1696
01:29:27,360 --> 01:29:31,320
Speaker 2: for part two of the wedding Older breath everybody.

1697
01:29:30,960 --> 01:29:33,880
Speaker 1: I can't wait. Oh boy, all right, we'll see you

1698
01:29:33,880 --> 01:29:38,559
Speaker 1: next time. And remember, the house is full the world. Nope, nope,

1699
01:29:38,760 --> 01:29:41,519
Speaker 1: damn it. That's okay, that's okay, you're allowed. And remember

1700
01:29:42,520 --> 01:29:45,800
Speaker 1: the world is small. But the house is full.

1701
01:29:47,680 --> 01:29:52,280
Speaker 2: Of giant tissue box covers. Just it's just there's just

1702
01:29:52,360 --> 01:29:57,120
Speaker 2: little those little doll heads and those little crocheted uh

1703
01:29:57,520 --> 01:30:01,200
Speaker 2: skirts that are resting on top of the the tissue

1704
01:30:01,240 --> 01:30:04,120
Speaker 2: paper or the tissue holder to make it really annoying

1705
01:30:04,120 --> 01:30:05,479
Speaker 2: because you have to pull them off to get the

1706
01:30:05,479 --> 01:30:06,000
Speaker 2: tissue out.

1707
01:30:06,360 --> 01:30:09,400
Speaker 1: Yeah, that's what it's full of. Just Florida ceiling.

1708
01:30:09,560 --> 01:30:12,160
Speaker 2: So many I'm I'm on eBay right now looking at

1709
01:30:12,200 --> 01:30:13,040
Speaker 2: I'm gonna buy one.

1710
01:30:13,760 --> 01:30:18,679
Speaker 1: I gotta have one in my house. Can't wait. Buy

1711
01:30:19,200 --> 01:30:20,559
Speaker 1: by