WEBVTT - Supermodel Geena Rocero on Living Your Truth

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<v Speaker 1>Hi everyone, I'm Katie Couric and this is next question.

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<v Speaker 1>When Gina Rosera walked into our podcast studio, I have

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<v Speaker 1>to be honest, I was stunned by her beauty. She

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<v Speaker 1>was wearing a gray Kashmir sweater, black jeans with a

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<v Speaker 1>simple silver necklace, and she had a regal, almost otherworldly quality.

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<v Speaker 1>She also had a very unpretentious easiness about her. But

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<v Speaker 1>behind all of this is a pretty extraordinary life story,

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<v Speaker 1>which she writes about in her new memoir called Horse Barbie.

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<v Speaker 2>America still needs to see more stories about what it

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<v Speaker 2>truly means to be trans and not just one type

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<v Speaker 2>of representation. You know, for eight years passing as a

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<v Speaker 2>sist model to knowing that we need to tell more

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<v Speaker 2>varied stories because I think that's when we really fully

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<v Speaker 2>show the humanity of it.

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<v Speaker 1>Gina describes herself as a little femboy growing up in

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<v Speaker 1>Manila in the Philippines, and she got very emotional talking

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<v Speaker 1>about the unconditional love of her parents, especially her mother,

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<v Speaker 1>and what it was like for so many years being,

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<v Speaker 1>as she called it, both visible yet invisible, as she

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<v Speaker 1>kept her true identity a secret. We'll talk with her

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<v Speaker 1>about going stealth for so many years, terrified she would

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<v Speaker 1>be discovered and lose everything.

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<v Speaker 3>Would you like a chair? You sure? I feel bad?

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<v Speaker 3>You can get us you sure?

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<v Speaker 1>Okay, all right, okay. I am super excited to be

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<v Speaker 1>here with you, Gina Rossero, to talk about your memoir

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<v Speaker 1>Horse Barbie, and really talk about your life, because to

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<v Speaker 1>say it is an extraordinary life, I think is a

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<v Speaker 1>massive understatement. Before we talk about the content of your

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<v Speaker 1>book and your story, I just wanted to ask you

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<v Speaker 1>a bit about the process of writing it. Yeah, As

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<v Speaker 1>someone who recently wrote a memoir, I'm curious what it

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<v Speaker 1>was like for you to chronicle your entire life.

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<v Speaker 2>I wrote this during the pandemic, and it was two

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<v Speaker 2>years of writing. And it's just that process of getting

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<v Speaker 2>in my space from nine to three o'clock.

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<v Speaker 4>I'm a morning creative.

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<v Speaker 2>By three pm, there's nothing like I'm quite literally exhausted

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<v Speaker 2>and I need to just completely chill down.

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<v Speaker 3>You're tapped out.

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<v Speaker 2>I'm tapped out, And I was doing this for two years.

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<v Speaker 2>I would listen to a podcasts, I would read a book,

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<v Speaker 2>or light up a candle, have ats, or read a

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<v Speaker 2>little page of another person's memoir, you know, and just

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<v Speaker 2>getting into it and I'm sure you know this. But

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<v Speaker 2>in that process where I could feel that I'm sort

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<v Speaker 2>of entering a different world or I'm levitating, I knew

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<v Speaker 2>there's something and I would feel that when I would

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<v Speaker 2>get to that zone and I would snap out of

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<v Speaker 2>it and look at the thing that I wrote, It's

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<v Speaker 2>almost magic, you know.

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<v Speaker 4>I enjoy being there.

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<v Speaker 2>So I think that's what kept me going back for

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<v Speaker 2>two years every day ninety three.

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<v Speaker 1>Wow, that takes a lot of discipline.

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<v Speaker 4>Yeah.

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<v Speaker 1>When I wrote my book, a lot of people said

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<v Speaker 1>why now, So I'm curious why now? For you, at

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<v Speaker 1>this stage in your life, did you feel you wanted

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<v Speaker 1>to write a memoir because you told your story to

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<v Speaker 1>the world and a Ted Talk in twenty fourteen, did

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<v Speaker 1>you think, gosh, I want to do more than a

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<v Speaker 1>ten minute Ted talk. My story is more complex and

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<v Speaker 1>interesting than that.

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<v Speaker 4>Yeah.

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<v Speaker 2>I went from being stealth as a fashion model, where

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<v Speaker 2>the industry didn't know my model agent did not know

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<v Speaker 2>I was trands right, I was hiding. I was living

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<v Speaker 2>this too realities. I went from being stealth to TED

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<v Speaker 2>talk to United Nations to traveling the world advocating for

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<v Speaker 2>trans writes, and it felt like I was missing that

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<v Speaker 2>in between.

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<v Speaker 4>I didn't get a.

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<v Speaker 2>Chance to process that in between, and writing this book

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<v Speaker 2>was my process to unpack a lot more. I didn't

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<v Speaker 2>write it chronological and really went straight to my time

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<v Speaker 2>in New York City when I was a model, because

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<v Speaker 2>I felt like, if I'm gonna do this, which is

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<v Speaker 2>this big task, I felt like, let me focus, and

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<v Speaker 2>I think the most difficult part in my journey, which

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<v Speaker 2>is crazy because I was modeling, but it was also

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<v Speaker 2>the most traumatic, you know, in my life.

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<v Speaker 1>In fact, the book starts with you in a John

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<v Speaker 1>Legend music video in two thousand and five and the

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<v Speaker 1>anxiety you felt. Honestly, I felt anxiety just reading those pages,

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<v Speaker 1>worried and so concerned that you would be found out,

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<v Speaker 1>and how agonizing that was. Yeah, why did you want

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<v Speaker 1>to start with that? Oh?

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<v Speaker 4>Give me gooseba?

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<v Speaker 2>I think it represented a lot of things, a lot

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<v Speaker 2>of things in my journey. But there's a lot of

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<v Speaker 2>magical coincidence in the book. In that beginning of that story,

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<v Speaker 2>the title of the song itself you know, which is

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<v Speaker 2>now who is She? And then the lyrics that he

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<v Speaker 2>was singing to me during my part of the music

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<v Speaker 2>video was just incredibly like magical coincidence that he's asking

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<v Speaker 2>me who I am. I was so visible, but I

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<v Speaker 2>was also invisible, consciously invisible at the same time, while

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<v Speaker 2>at the same time feeling sexy, feeling myself, feeling like

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<v Speaker 2>my dream, but at the same time knowing this conversation

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<v Speaker 2>that's in my head and that moment where I need

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<v Speaker 2>to be careful, but I also need to do good

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<v Speaker 2>so I could really continue this job. It really just

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<v Speaker 2>encapsulates a lot of you know, what the book is about,

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<v Speaker 2>you know.

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<v Speaker 1>And anxiety of being who you are privately but not

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<v Speaker 1>who you are publicly.

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<v Speaker 2>All of those things happening at the same time. You know,

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<v Speaker 2>this was a dream that I've had growing up in

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<v Speaker 2>the Philippines, and it was a dream come true. But

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<v Speaker 2>that you know, little femboy that who I am in

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<v Speaker 2>the Philippines thinking like I can't believe this is happening.

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<v Speaker 4>I'm actually doing this. But then some.

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<v Speaker 2>Parts of me really wants to just like get me

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<v Speaker 2>out of here. I cannot continue doing this, you know, because.

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<v Speaker 3>It can't keep living a lie.

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<v Speaker 4>Basically, like to think of a very complicated woman.

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<v Speaker 1>You know, let's talk about your childhood, because I loved

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<v Speaker 1>reading about it. It was so evocative with your siblings

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<v Speaker 1>and walking into your house and smelling clorox on the

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<v Speaker 1>linoleum floors, and then walking a little further and seeing

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<v Speaker 1>your dad fixing dinner while your mom was at work.

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<v Speaker 2>You know, I don't think at the time in the

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<v Speaker 2>Philippines there's no such thing as considered middle class. You know,

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<v Speaker 2>it's just the beginning. I mean, my mom was working,

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<v Speaker 2>but I definitely know at the end of the month,

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<v Speaker 2>we're always running into like who do we borrow money

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<v Speaker 2>from to, you know, to put food on the table.

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<v Speaker 2>You know, we're always running out of money for sure.

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<v Speaker 2>So my mom was working, my dad would stay at home.

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<v Speaker 3>Dad so which is very unusual for the time, right.

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<v Speaker 2>Yeah, it's you know, Philippines is a very long history

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<v Speaker 2>of matriarchal society, but also in the context of you know,

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<v Speaker 2>very patriarchal you know, control as well. But the woman

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<v Speaker 2>runs the country like small businesses are run by women.

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<v Speaker 2>My mom is a very strong woman. So definitely, I

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<v Speaker 2>at the time, I didn't see it like as the

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<v Speaker 2>reverse role. It's just some obviously I was young. There's

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<v Speaker 2>no critical analysis.

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<v Speaker 4>I knew.

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<v Speaker 2>I knew my mom goes to work and then my

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<v Speaker 2>dad stay at home, and he's the best stay at

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<v Speaker 2>home dad, you.

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<v Speaker 1>Know, except when he drank, and then things got a

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<v Speaker 1>little hairy, very very and it was hard for him.

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<v Speaker 1>It was hard for him to have even if it's

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<v Speaker 1>a matriarchical society, it was clear from your writing that

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<v Speaker 1>wasn't easy having your mom as the breadwinner for him, right.

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<v Speaker 2>You know, I have not spoken so much about my dad,

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<v Speaker 2>and this book was the first time really like talking

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<v Speaker 2>about it. Even in my ted talk I shared obviously

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<v Speaker 2>the support and the love of my mom, and this

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<v Speaker 2>book was actually the first one where I was really,

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<v Speaker 2>you know, able to process what that was. But certainly

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<v Speaker 2>this book was my first time to really remember a

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<v Speaker 2>lot of the complication, you know, the relationship with my

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<v Speaker 2>dad because I always remember, you know, being taken you

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<v Speaker 2>know by him at the wet market and going every

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<v Speaker 2>day taking me to you know, learn I think in

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<v Speaker 2>some way I learned how to be comfortable in the kitchen.

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<v Speaker 2>I love cooking because of my dad, because of that

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<v Speaker 2>bonding that we had, right I mean, every day at

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<v Speaker 2>six pm we would go to Guadalupe Public Market and

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<v Speaker 2>it's known to be like the best chef in the neighborhood. Actually,

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<v Speaker 2>it would get hired to cook in a fiesta, you know,

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<v Speaker 2>But then it's fiesta, there's drinking, and he would come

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<v Speaker 2>home drinking. Maybe that feeling of guilt that he wasn't

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<v Speaker 2>the provider took its tall and I think it's expressed

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<v Speaker 2>in that very violent.

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<v Speaker 3>Rage, Gina.

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<v Speaker 1>Why don't you read a passage from your book all

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<v Speaker 1>about your childhood, Manila.

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<v Speaker 4>Sure?

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<v Speaker 2>In all there were six of us, my mother, my father,

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<v Speaker 2>my two sisters, my brother, and me living in what

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<v Speaker 2>was effectively a nine x twelve foot room, separated from

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<v Speaker 2>our neighbors by a flimsy plywood wall. Whenever it rained

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<v Speaker 2>too hard, the house would flood and we would have

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<v Speaker 2>to use wooden dining chairs to elevate our beds. We

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<v Speaker 2>also had to keep a watchful eye for the crafty

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<v Speaker 2>jumping rats who liked to steal pieces of our marinated

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<v Speaker 2>pork casino or slice of spam that had been left

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<v Speaker 2>on the table, ferrying them back to the places unknown

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<v Speaker 2>as they squeaked with the delight of their pillage.

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<v Speaker 3>We'll be right back, and we're back.

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<v Speaker 1>I know you write about when you were five or

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<v Speaker 1>six years old and you had an epiphany. Can you

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<v Speaker 1>share that part of the book with us?

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<v Speaker 2>Standing there in front of the mirror, I started to

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<v Speaker 2>take off my T shirt, which had a print of

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<v Speaker 2>one of the animated robots from the show Voltage five,

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<v Speaker 2>so I could step into the shower. But right before

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<v Speaker 2>I was about to slip out of it, while the

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<v Speaker 2>collar was still around the top of my head, I

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<v Speaker 2>paused and looked at my bare face. There was a

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<v Speaker 2>presence in it. It was speaking to me out of nothingness.

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<v Speaker 2>The oversized shirt had flattened the top of my hair,

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<v Speaker 2>the fabric draving behind me like a veil all the

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<v Speaker 2>way to the floor below. As I swayed gently from

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<v Speaker 2>side to side, my shirt moved like actual, real long

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<v Speaker 2>hair would, brushing against my shoulders. In a powerful moment

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<v Speaker 2>of recognition, it is my long hair, I whispered to myself.

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<v Speaker 2>I'm a girl.

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<v Speaker 1>I want to talk to you about when you first

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<v Speaker 1>had this feeling.

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<v Speaker 2>That was probably the first time where I felt that recognition.

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<v Speaker 2>And when people say, like, what are your early memories,

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<v Speaker 2>I'd like to think that that's the thing that's kept

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<v Speaker 2>coming up because it was so strong. That's the one

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<v Speaker 2>that was so significant to me. And to see that

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<v Speaker 2>in the mirror, the reflection at such a young age,

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<v Speaker 2>that that knowledge that like, this is who I am

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<v Speaker 2>and saying it first to myself.

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<v Speaker 4>Was powerful.

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<v Speaker 1>I think many trans people I've talked to say from

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<v Speaker 1>a very early age they felt not comfortable and their bodies,

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<v Speaker 1>not comfortable in their skin, that something was wrong. Did

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<v Speaker 1>you sense that even before you had that moment in

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<v Speaker 1>the mirror.

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<v Speaker 2>Yeah, trans people, especially young trans people, we know. You know,

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<v Speaker 2>it's we know that truth and how powerful it is.

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<v Speaker 2>It becomes uncomfortable when we go outside. You know, there

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<v Speaker 2>are immediate surrounding or safe spaces or neighborhoods or communities

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<v Speaker 2>that doesn't accept it. You know, that's when it becomes uncomfortable.

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<v Speaker 2>Or the early messages that we receive about who were

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<v Speaker 2>supposed to be, that's when it becomes uncomfortable. But the

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<v Speaker 2>truth of that recognition is very present to every single

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<v Speaker 2>young trans person. I knew it happened to me, and

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<v Speaker 2>you know the places when they travel, when they talk

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<v Speaker 2>to trans youth and then their family. It's very early

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<v Speaker 2>when you at a very early age.

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<v Speaker 1>I'm fascinated how different it is in the Philippines in

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<v Speaker 1>terms of the way transgender people and transculture in general

0:13:22.280 --> 0:13:24.760
<v Speaker 1>is treated and seen.

0:13:25.720 --> 0:13:26.360
<v Speaker 3>You write.

0:13:26.880 --> 0:13:30.920
<v Speaker 1>When I was growing up, Catholicism and trans beauty pageants

0:13:30.960 --> 0:13:35.880
<v Speaker 1>inspired equal fanaticism. Families would go straight from mass to

0:13:35.960 --> 0:13:40.959
<v Speaker 1>watching the Supera Serena trans pageants on TV back at home.

0:13:41.559 --> 0:13:44.560
<v Speaker 1>No one really saw this as a paradox. It was

0:13:44.720 --> 0:13:49.360
<v Speaker 1>just part of our unique cultural blend. That is so

0:13:50.400 --> 0:13:55.320
<v Speaker 1>wild and so fascinating to me that this conservative Catholic

0:13:55.480 --> 0:14:00.320
<v Speaker 1>country has a very expansive view of gender and a

0:14:00.440 --> 0:14:05.240
<v Speaker 1>very accepting view of gender in general.

0:14:06.360 --> 0:14:10.440
<v Speaker 2>I'd like to say, I want to offer I guess

0:14:10.480 --> 0:14:11.840
<v Speaker 2>more nuanced context here.

0:14:12.080 --> 0:14:14.239
<v Speaker 4>Acceptance is a very very big word.

0:14:14.960 --> 0:14:19.080
<v Speaker 1>Right, tell me about sort of why it is celebrated.

0:14:19.360 --> 0:14:25.240
<v Speaker 1>And you were a fem boy, yes, and you talk

0:14:25.320 --> 0:14:28.680
<v Speaker 1>about sort of the way you walked and it never

0:14:28.800 --> 0:14:32.320
<v Speaker 1>felt like you were full of shame for who you were,

0:14:32.560 --> 0:14:37.240
<v Speaker 1>and that is I think a pretty foreign concept here

0:14:37.240 --> 0:14:39.200
<v Speaker 1>in the United States.

0:14:39.400 --> 0:14:44.080
<v Speaker 2>Yeah, shame is a big component, especially when they moved here.

0:14:44.080 --> 0:14:46.320
<v Speaker 2>But growing up you know that culture that we have,

0:14:46.440 --> 0:14:48.720
<v Speaker 2>it's very embedded in our culture.

0:14:48.840 --> 0:14:49.760
<v Speaker 4>Gender fluidity.

0:14:49.800 --> 0:14:52.800
<v Speaker 2>We don't have he or she in our language, so

0:14:52.840 --> 0:14:56.480
<v Speaker 2>it's very much embedded in our culture, pre colonial in

0:14:56.520 --> 0:14:59.880
<v Speaker 2>the Philippines, but because it's so embedded in our culture,

0:15:00.040 --> 0:15:04.240
<v Speaker 2>colonial times and then Catholic system, you know, sort of

0:15:04.360 --> 0:15:06.480
<v Speaker 2>took over in the Philippines all over the Philippines and

0:15:06.480 --> 0:15:10.000
<v Speaker 2>then instituted this thing called Catholic Fiesta celebration, which is

0:15:10.680 --> 0:15:14.440
<v Speaker 2>year round. But during those Fiesta celebrations, which is a

0:15:14.480 --> 0:15:18.840
<v Speaker 2>Catholic celebration, the main event for everybody to go see

0:15:19.080 --> 0:15:23.080
<v Speaker 2>is transgender beauty pageants, where the whole family watches it,

0:15:23.560 --> 0:15:26.880
<v Speaker 2>you know, and it's just part of how we celebrate

0:15:26.960 --> 0:15:29.640
<v Speaker 2>it because it's been embedded in our culture, you know,

0:15:29.680 --> 0:15:31.480
<v Speaker 2>and that became my job when I was fifteen.

0:15:31.560 --> 0:15:32.920
<v Speaker 4>There's a pageant.

0:15:32.480 --> 0:15:36.440
<v Speaker 2>Almost every single day all over the Philippines during the

0:15:36.480 --> 0:15:37.000
<v Speaker 2>month of May.

0:15:37.240 --> 0:15:40.520
<v Speaker 1>And growing up in that environment, did it make you

0:15:40.600 --> 0:15:45.960
<v Speaker 1>feel much more comfortable with your early gender fluidity and

0:15:46.120 --> 0:15:50.720
<v Speaker 1>the fact that you know that you carried yourself like

0:15:50.760 --> 0:15:53.480
<v Speaker 1>a girl and not like a boy. And can you

0:15:53.560 --> 0:15:57.480
<v Speaker 1>explain sort of your mom watching you, You describe her,

0:15:57.680 --> 0:16:03.240
<v Speaker 1>you know, radiantly watching you with so much pride. There

0:16:03.320 --> 0:16:07.400
<v Speaker 1>was never any kind of conflict for her.

0:16:07.880 --> 0:16:13.080
<v Speaker 2>Yeah, certainly she had questions, especially as we've gotten closer

0:16:14.000 --> 0:16:17.359
<v Speaker 2>in our relationship, you know, and our women to women conversations.

0:16:17.800 --> 0:16:21.320
<v Speaker 2>She've had questions, but at that time, growing up, I

0:16:21.360 --> 0:16:23.360
<v Speaker 2>wouldn't even say, like it's a power, you know, it's

0:16:23.360 --> 0:16:24.000
<v Speaker 2>so easy for me.

0:16:24.280 --> 0:16:25.640
<v Speaker 4>It's the power of representation.

0:16:26.320 --> 0:16:29.760
<v Speaker 2>It's cultural, you know, it's so embedded in our it's

0:16:29.800 --> 0:16:33.640
<v Speaker 2>in our language, it's in our every society. I like

0:16:33.720 --> 0:16:37.240
<v Speaker 2>to say that trans people are culturally mainstream visible in

0:16:37.280 --> 0:16:41.240
<v Speaker 2>the Philippines. I also again recognize how lucky I am

0:16:41.320 --> 0:16:44.200
<v Speaker 2>to have, you know, mom, even my dad who fully

0:16:44.240 --> 0:16:47.760
<v Speaker 2>accepted me and loved me, not one resistance to to

0:16:48.440 --> 0:16:52.240
<v Speaker 2>it all. And I guess it's love, you know, I

0:16:52.240 --> 0:16:55.440
<v Speaker 2>guess you know, my mom truly just loved me. That

0:16:55.440 --> 0:16:58.960
<v Speaker 2>that's my mom and my dad just somehow found that

0:16:59.080 --> 0:17:01.040
<v Speaker 2>in them to accept me and love me.

0:17:01.800 --> 0:17:04.240
<v Speaker 1>When you were nineteen, you went to Thailand to get

0:17:04.520 --> 0:17:10.960
<v Speaker 1>gender affirmation surgery and your mom came with you, again

0:17:11.200 --> 0:17:16.440
<v Speaker 1>an example of how incredibly supportive she was to you.

0:17:17.359 --> 0:17:22.680
<v Speaker 1>Can you talk about that experience with your mom?

0:17:23.080 --> 0:17:25.080
<v Speaker 4>Just take an excuse me?

0:17:25.280 --> 0:17:33.280
<v Speaker 3>Yeah, of course, you know, I'm.

0:17:35.240 --> 0:17:37.399
<v Speaker 2>I wouldn't be here without the love of my mom,

0:17:37.520 --> 0:17:41.119
<v Speaker 2>you know, going with me to Thailand and to go

0:17:41.240 --> 0:17:41.720
<v Speaker 2>through that.

0:17:44.400 --> 0:17:47.440
<v Speaker 4>You know, my mom is super Catholic still and I

0:17:47.480 --> 0:17:49.880
<v Speaker 4>can't question her Bible. She would hang up.

0:17:49.840 --> 0:17:56.760
<v Speaker 2>The phone, but the love that she that she hasn't support,

0:17:57.240 --> 0:18:03.480
<v Speaker 2>never questioned who I am going, you know, a Catholic

0:18:03.480 --> 0:18:05.560
<v Speaker 2>mother supporting her trans daughter fully.

0:18:05.720 --> 0:18:10.679
<v Speaker 4>I mean we went to we went to have an

0:18:10.720 --> 0:18:14.919
<v Speaker 4>irreversible surgery in a suburb where nobody spoke English, and

0:18:14.960 --> 0:18:16.440
<v Speaker 4>she was like, I'm coming with you.

0:18:17.040 --> 0:18:20.159
<v Speaker 2>I will hold your hand, give you my rosary before

0:18:20.160 --> 0:18:24.920
<v Speaker 2>you go into you know, your operation, and to be there.

0:18:25.400 --> 0:18:28.520
<v Speaker 2>It was exactly what I needed, you know. And it

0:18:28.640 --> 0:18:34.520
<v Speaker 2>was obviously a big decision. Lots of fear going through

0:18:34.560 --> 0:18:38.480
<v Speaker 2>my head in what my life would it would have

0:18:38.560 --> 0:18:41.000
<v Speaker 2>been if I didn't have the support and love of

0:18:41.400 --> 0:18:41.760
<v Speaker 2>my mom.

0:18:41.800 --> 0:18:47.639
<v Speaker 1>Particularly you also have or had a trans mom, Tiger Lily,

0:18:47.840 --> 0:18:51.120
<v Speaker 1>a woman who would become your lifelong friend and mentor.

0:18:51.200 --> 0:18:54.200
<v Speaker 1>You met her when you were fifteen years old, So

0:18:54.560 --> 0:18:57.200
<v Speaker 1>tell us about the role she played in your life.

0:18:58.040 --> 0:19:00.560
<v Speaker 2>Ohger Lily, I just called her, you know, on the

0:19:00.600 --> 0:19:01.160
<v Speaker 2>way here.

0:19:01.920 --> 0:19:04.240
<v Speaker 4>We speak all the time. You know, I've known.

0:19:04.880 --> 0:19:05.840
<v Speaker 3>She's still in the Philippines.

0:19:05.840 --> 0:19:08.000
<v Speaker 2>She's still in the Philippines. I've known Tiger Little since

0:19:08.040 --> 0:19:12.359
<v Speaker 2>I was fifteen. You know another woman that changed my life.

0:19:13.200 --> 0:19:16.800
<v Speaker 2>I was fifteen when I met her saw something in me.

0:19:17.680 --> 0:19:21.920
<v Speaker 2>She asked me to join my first pageant, and that

0:19:22.000 --> 0:19:25.080
<v Speaker 2>pageant that I shared called Super Syrena, which is this

0:19:25.320 --> 0:19:26.400
<v Speaker 2>televised pageant.

0:19:26.520 --> 0:19:30.520
<v Speaker 4>I remember, I was fifteen years old. I was still

0:19:30.560 --> 0:19:31.040
<v Speaker 4>in high.

0:19:30.920 --> 0:19:35.800
<v Speaker 2>School, and I remember just watching one of the finals

0:19:35.800 --> 0:19:38.960
<v Speaker 2>of this pageant. I was still in school watching it.

0:19:38.960 --> 0:19:42.840
<v Speaker 2>It was amazing seeing all the girls dreaming, you know,

0:19:43.200 --> 0:19:45.720
<v Speaker 2>but also not vocalizing that I want to be like them.

0:19:46.119 --> 0:19:48.280
<v Speaker 2>And little did I know a week a week and

0:19:48.320 --> 0:19:50.080
<v Speaker 2>a half later, I would meet Tiger Lily and I

0:19:50.119 --> 0:19:54.040
<v Speaker 2>would join trans pageant. Somehow she saw something in me.

0:19:54.119 --> 0:19:58.880
<v Speaker 2>She made me try on the swimsuit. I felt, you know, sexy,

0:19:59.080 --> 0:20:02.440
<v Speaker 2>you know where wearing that two piece Anian swimsuit. And

0:20:02.520 --> 0:20:06.000
<v Speaker 2>she saw the confidence. She made me join that pageant,

0:20:06.800 --> 0:20:09.040
<v Speaker 2>and I, you know, the woman that I was seeing

0:20:09.040 --> 0:20:12.240
<v Speaker 2>on television was in that competition. I beat all of them,

0:20:12.280 --> 0:20:16.840
<v Speaker 2>like it was like a fantasy world. And she took

0:20:16.840 --> 0:20:20.080
<v Speaker 2>me on, you know, and then our life journey together

0:20:20.320 --> 0:20:24.359
<v Speaker 2>has been you know, magical, I'd say, and she kind of,

0:20:24.480 --> 0:20:26.760
<v Speaker 2>you know, she became my other mother. She was my

0:20:26.840 --> 0:20:30.080
<v Speaker 2>chosen mother. She was my best friend. She was also

0:20:30.119 --> 0:20:31.240
<v Speaker 2>my pageant manager.

0:20:31.359 --> 0:20:34.359
<v Speaker 1>All at once, I wondered about your mom moving to

0:20:34.560 --> 0:20:38.760
<v Speaker 1>America when you were still pretty young. You decided to

0:20:39.480 --> 0:20:42.800
<v Speaker 1>join your mom in California. Was after you won the

0:20:42.840 --> 0:20:46.919
<v Speaker 1>Miss Gay Universe pageant in two thousand. That was a

0:20:47.040 --> 0:20:50.800
<v Speaker 1>huge deal for people who may not be familiar with

0:20:51.320 --> 0:20:55.520
<v Speaker 1>the different pageants, that's that's a major major deal.

0:20:55.720 --> 0:20:58.639
<v Speaker 2>Yeah, that was the biggest And for me to I

0:20:58.800 --> 0:21:02.320
<v Speaker 2>won that, that's such a young age and I was

0:21:02.720 --> 0:21:05.760
<v Speaker 2>sixteen about to turn seventeen. I reached the top at

0:21:05.840 --> 0:21:09.080
<v Speaker 2>such a young age, became a pageant diva, making a

0:21:09.080 --> 0:21:12.640
<v Speaker 2>lot of money, the most popular trans pajiant queen. And

0:21:12.680 --> 0:21:17.639
<v Speaker 2>to win that big one was it was the biggest moment,

0:21:17.840 --> 0:21:21.800
<v Speaker 2>you know, and that just solidified my legacy in the

0:21:22.160 --> 0:21:26.320
<v Speaker 2>pageant culture. My mom one day called me and she said,

0:21:26.320 --> 0:21:28.720
<v Speaker 2>you know, your Green carpetition came through. You're now moving

0:21:28.760 --> 0:21:31.400
<v Speaker 2>to the US. And initially I said no to her

0:21:31.520 --> 0:21:34.040
<v Speaker 2>because I was a pageant diva. You know, it's a

0:21:34.080 --> 0:21:36.760
<v Speaker 2>pageant queen in the Philippines. You know, I'm making so

0:21:36.920 --> 0:21:40.159
<v Speaker 2>much money, you know, all of that thing as a

0:21:40.200 --> 0:21:41.920
<v Speaker 2>young you.

0:21:41.880 --> 0:21:44.400
<v Speaker 4>Know, pageant queen is an overachiever.

0:21:45.440 --> 0:21:47.040
<v Speaker 2>But then when she came back to me and she said,

0:21:47.040 --> 0:21:48.600
<v Speaker 2>you know, when you moved to the US, you could

0:21:48.680 --> 0:21:52.840
<v Speaker 2>change your name and gender marker and your legal documents.

0:21:52.920 --> 0:21:53.919
<v Speaker 4>And that did it for me.

0:21:55.040 --> 0:22:01.199
<v Speaker 2>And as a seventeen year old trans Philippe that's a

0:22:01.240 --> 0:22:03.439
<v Speaker 2>young immigrant seventeen.

0:22:03.320 --> 0:22:04.240
<v Speaker 4>A culture shock.

0:22:04.320 --> 0:22:06.560
<v Speaker 2>That was the biggest culture shock from I mean, the

0:22:06.560 --> 0:22:08.919
<v Speaker 2>first question I asked my mom was the transpageants, Like,

0:22:08.960 --> 0:22:13.320
<v Speaker 2>there's no transpageants here. But somehow I met this model

0:22:13.600 --> 0:22:16.320
<v Speaker 2>who used to model in New York City. She said,

0:22:16.320 --> 0:22:17.600
<v Speaker 2>if you really want to do this, you have to

0:22:17.600 --> 0:22:19.240
<v Speaker 2>move to New York City. And I was like, okay,

0:22:19.280 --> 0:22:21.280
<v Speaker 2>I'm going to move to New York City. And because

0:22:21.320 --> 0:22:24.960
<v Speaker 2>of that thought it opened up that whole floodgate again

0:22:25.000 --> 0:22:26.320
<v Speaker 2>of wanting to be a model.

0:22:27.359 --> 0:22:28.000
<v Speaker 4>I wanted to.

0:22:27.920 --> 0:22:31.119
<v Speaker 2>Pursue it, but the fear is always there that you know,

0:22:34.160 --> 0:22:37.160
<v Speaker 2>anyone could out me and it would destroy people's career

0:22:37.240 --> 0:22:39.600
<v Speaker 2>like it happened to It's well documented, it happened to

0:22:40.640 --> 0:22:44.200
<v Speaker 2>so many trans women, trans particularly trans woman of color,

0:22:44.359 --> 0:22:48.600
<v Speaker 2>that the moment they got out there, they were done,

0:22:48.880 --> 0:22:52.960
<v Speaker 2>you know, discarded. So you have this ambition to be

0:22:53.160 --> 0:22:58.320
<v Speaker 2>so visible, right whether on Times Square, Billboard or doing

0:22:58.359 --> 0:23:02.320
<v Speaker 2>a commercial. You want to do that, but there's risk,

0:23:03.480 --> 0:23:05.720
<v Speaker 2>the bigger the job, the bigger the paranoia that I

0:23:05.800 --> 0:23:10.320
<v Speaker 2>was going through, And honestly, right now, even speaking to

0:23:10.359 --> 0:23:13.359
<v Speaker 2>you in this voice, in this tone, I used to

0:23:13.440 --> 0:23:17.480
<v Speaker 2>always calculate the little tones of how I speak, how

0:23:17.520 --> 0:23:21.639
<v Speaker 2>I talk to someone. Am I drinking enough, you know,

0:23:21.880 --> 0:23:24.320
<v Speaker 2>water so that my voice is more fluid? You know?

0:23:24.400 --> 0:23:26.320
<v Speaker 4>Like these are the kind of things that was going

0:23:26.320 --> 0:23:26.840
<v Speaker 4>through my head.

0:23:26.880 --> 0:23:29.879
<v Speaker 1>And you talked about like would someone see your Adams

0:23:29.880 --> 0:23:33.159
<v Speaker 1>Sapple during the making of that John Legend video? And

0:23:33.200 --> 0:23:36.040
<v Speaker 1>then when someone asked to talk to you, you were

0:23:36.280 --> 0:23:39.000
<v Speaker 1>terrified that you had been found out.

0:23:39.440 --> 0:23:42.119
<v Speaker 2>Yeah, I felt like I was a spy. I felt

0:23:42.160 --> 0:23:45.399
<v Speaker 2>like I was in a clandestine operation every day of

0:23:45.440 --> 0:23:49.120
<v Speaker 2>my life. And I think now it makes sense why

0:23:49.160 --> 0:23:50.920
<v Speaker 2>I like spy genres.

0:23:50.440 --> 0:23:52.600
<v Speaker 4>Because why I connect with them, because I really felt

0:23:52.680 --> 0:23:55.359
<v Speaker 4>like I was. I have to put up this this cover.

0:23:57.520 --> 0:23:58.400
<v Speaker 3>We'll be right back.

0:24:04.640 --> 0:24:06.720
<v Speaker 1>If you want to get smarter Every morning with a

0:24:06.760 --> 0:24:10.040
<v Speaker 1>breakdown of the news and fascinating takes on health and

0:24:10.080 --> 0:24:13.440
<v Speaker 1>wellness and pop culture, sign up for our daily newsletter

0:24:13.520 --> 0:24:30.000
<v Speaker 1>wake Up Call by going to Katiecuric dot com.

0:24:23.040 --> 0:24:23.920
<v Speaker 3>And we're back.

0:24:25.119 --> 0:24:29.840
<v Speaker 1>What made you finally say screw it? I am going

0:24:30.000 --> 0:24:32.280
<v Speaker 1>to tell the world who I am and I'm going

0:24:32.359 --> 0:24:33.240
<v Speaker 1>to tell my story.

0:24:37.160 --> 0:24:41.840
<v Speaker 2>There's so many moments, I guess because I was in

0:24:41.840 --> 0:24:46.280
<v Speaker 2>that process, there were so many little hints that maybe

0:24:46.320 --> 0:24:48.040
<v Speaker 2>I want to do it? When am I going to

0:24:48.119 --> 0:24:51.439
<v Speaker 2>do it? Questioning and over analyzing what could happen in

0:24:51.440 --> 0:24:57.240
<v Speaker 2>my career? It manifested in a physical condition I had.

0:24:58.200 --> 0:25:02.480
<v Speaker 2>Certainly I was very depressed. I know that the anguish,

0:25:02.640 --> 0:25:05.720
<v Speaker 2>emotional anguish, the mental anguish of having to always edit

0:25:05.800 --> 0:25:06.880
<v Speaker 2>my story.

0:25:07.440 --> 0:25:10.800
<v Speaker 3>And always being on guard. That's stressful.

0:25:12.040 --> 0:25:19.520
<v Speaker 2>I had a very crazy moment of eczema that manifested

0:25:19.600 --> 0:25:23.639
<v Speaker 2>in my body. Its just somehow it took over my

0:25:23.720 --> 0:25:25.360
<v Speaker 2>body that I got to the point that I thought

0:25:25.400 --> 0:25:28.120
<v Speaker 2>I'll never be able to wear somesuit. There's still some

0:25:28.160 --> 0:25:30.360
<v Speaker 2>marks here and there, and it's now a present thing.

0:25:30.440 --> 0:25:34.080
<v Speaker 2>When I get stressed, it comes up. And I listened

0:25:34.119 --> 0:25:36.800
<v Speaker 2>to that. But that was the big outbreak where it

0:25:37.040 --> 0:25:42.080
<v Speaker 2>was all over my body. And it took a woman

0:25:42.240 --> 0:25:45.199
<v Speaker 2>dermatologists who sat me down and said, after giving me

0:25:45.240 --> 0:25:48.440
<v Speaker 2>all the steroids in everything, nothing was working. And she said,

0:25:49.480 --> 0:25:54.520
<v Speaker 2>what is going on emotionally, spiritually, psychologically, you need to

0:25:54.560 --> 0:25:58.520
<v Speaker 2>listen to whatever that's going on. Didn't tell her obviously

0:25:58.640 --> 0:26:01.040
<v Speaker 2>that I'm transfer I knew exactly what she's talking about,

0:26:01.080 --> 0:26:04.399
<v Speaker 2>Like my truth was quite literally coming out of my

0:26:04.480 --> 0:26:05.720
<v Speaker 2>body wanting to come out.

0:26:06.440 --> 0:26:07.440
<v Speaker 4>So I listened to that.

0:26:08.200 --> 0:26:11.760
<v Speaker 2>My partner and I went to toulw, Mexico for my

0:26:11.880 --> 0:26:19.359
<v Speaker 2>thirtieth birthday, and somehow, you know that magical moment when

0:26:20.400 --> 0:26:22.560
<v Speaker 2>when he asked me what this s turning thirty means

0:26:22.600 --> 0:26:25.359
<v Speaker 2>to me? Somehow it felt so pure in that moment

0:26:25.440 --> 0:26:27.760
<v Speaker 2>to say it. You know, I was entering, you know,

0:26:27.840 --> 0:26:31.920
<v Speaker 2>I was turning thirty. I couldn't take it anymore. I

0:26:32.440 --> 0:26:36.240
<v Speaker 2>had to, you know, tell my story. And I somehow,

0:26:36.480 --> 0:26:40.960
<v Speaker 2>once I made that decision, it was as if nothing

0:26:40.960 --> 0:26:43.080
<v Speaker 2>could stop me. I wanted to share my story in

0:26:43.119 --> 0:26:45.800
<v Speaker 2>the biggest possible platform that I could think of. I

0:26:45.840 --> 0:26:50.320
<v Speaker 2>went from the decision of again being so ashamed, to like,

0:26:50.520 --> 0:26:52.679
<v Speaker 2>I'm gonna come out on a Ted stage.

0:26:53.440 --> 0:26:55.400
<v Speaker 3>Well does that what was the reaction?

0:26:56.840 --> 0:26:58.480
<v Speaker 4>You know, this is twenty fourteen.

0:26:58.640 --> 0:27:01.240
<v Speaker 2>I mean looking back and talk about timing in that moment,

0:27:01.280 --> 0:27:04.080
<v Speaker 2>I mean, this was I gave the Ted Talk March

0:27:04.480 --> 0:27:09.600
<v Speaker 2>twenty fourteen, and that June Laverne Cox on the cover

0:27:09.680 --> 0:27:14.919
<v Speaker 2>of Time magazine and twenty fourteen was something in the zeitgeist.

0:27:15.760 --> 0:27:20.160
<v Speaker 1>In late twenty fourteen, after your Ted talk, you traveled

0:27:20.160 --> 0:27:24.120
<v Speaker 1>to the Philippines to lobby in favor of trans rights

0:27:24.160 --> 0:27:28.080
<v Speaker 1>in front of the legislature, but you learned that not

0:27:28.240 --> 0:27:29.800
<v Speaker 1>much had change in the Philippines.

0:27:29.800 --> 0:27:34.000
<v Speaker 2>What happened, Gina, Oh my god, that was talking about,

0:27:35.240 --> 0:27:38.480
<v Speaker 2>you know, humbling me in that moment. I was invited

0:27:38.560 --> 0:27:44.639
<v Speaker 2>to speak at this conference advocating for antidiscrimination policies but

0:27:44.720 --> 0:27:49.080
<v Speaker 2>also specifically transwrits, and you know, I was the guest

0:27:49.119 --> 0:27:53.040
<v Speaker 2>of honor speaking my story coming from America walking into

0:27:53.320 --> 0:27:56.080
<v Speaker 2>you know, the House of Representatives in the Philippines, and

0:27:56.119 --> 0:27:58.159
<v Speaker 2>that was with my transpant tiger Lily, and we were

0:27:58.160 --> 0:28:00.880
<v Speaker 2>there together. And as we were walking to the security

0:28:01.400 --> 0:28:04.280
<v Speaker 2>the security guard, I was looking self fabulous.

0:28:04.440 --> 0:28:05.240
<v Speaker 4>I felt like I was.

0:28:05.160 --> 0:28:08.280
<v Speaker 2>Having my Angelina Joly moment, you know, with my fabulous dress.

0:28:08.320 --> 0:28:12.720
<v Speaker 4>My friend made me feeling so confident.

0:28:13.440 --> 0:28:16.960
<v Speaker 2>And as I was walking in the security guard sir, sir, sir,

0:28:17.040 --> 0:28:18.720
<v Speaker 2>you need to go to the male section of the

0:28:18.760 --> 0:28:24.280
<v Speaker 2>security I was like just dumbfounded about that moment and

0:28:24.680 --> 0:28:28.639
<v Speaker 2>couldn't help it. I went full on snappy trans one

0:28:28.680 --> 0:28:31.520
<v Speaker 2>on one to that guy and just said, like, somebody

0:28:31.560 --> 0:28:34.359
<v Speaker 2>that looks like a woman, who speaks like a woman,

0:28:34.760 --> 0:28:37.800
<v Speaker 2>looks like a woman, she is a woman, you know,

0:28:37.920 --> 0:28:41.000
<v Speaker 2>And I just like pushed through and didn't even like

0:28:41.280 --> 0:28:43.200
<v Speaker 2>just ignored him. You know, there was a moment of like,

0:28:43.240 --> 0:28:45.160
<v Speaker 2>I need to follow through and like what he said.

0:28:45.560 --> 0:28:48.080
<v Speaker 2>But this is why I was invited here to speak

0:28:48.120 --> 0:28:52.239
<v Speaker 2>about these things. I felt that in as much as

0:28:52.240 --> 0:28:55.080
<v Speaker 2>she has we're going to talk about trans writes, but

0:28:55.240 --> 0:28:59.040
<v Speaker 2>in the most basic thing of the security doesn't even

0:28:59.080 --> 0:29:01.800
<v Speaker 2>know how to communicate that in a space that should

0:29:01.800 --> 0:29:04.840
<v Speaker 2>have been right. You know, there's still a lot of

0:29:04.880 --> 0:29:06.680
<v Speaker 2>work that needs to be done, so well, I was

0:29:06.720 --> 0:29:08.000
<v Speaker 2>going to ask you about that.

0:29:08.480 --> 0:29:11.640
<v Speaker 1>It seems the best way for us to close out

0:29:11.640 --> 0:29:14.400
<v Speaker 1>this conversation is to talk about where we are with

0:29:14.440 --> 0:29:15.600
<v Speaker 1>trans issues today.

0:29:15.680 --> 0:29:16.520
<v Speaker 3>Gina.

0:29:16.960 --> 0:29:19.280
<v Speaker 1>It seems like a lot of progress was being made

0:29:19.880 --> 0:29:26.120
<v Speaker 1>in twenty fourteen, fifteen, sixteen, seventeen, and now we're experiencing

0:29:26.760 --> 0:29:31.960
<v Speaker 1>a major backlash. Laverne Cox recently said in twenty twenty three,

0:29:32.040 --> 0:29:35.760
<v Speaker 1>we're at the height of the backlash against trans visibility.

0:29:36.240 --> 0:29:39.480
<v Speaker 1>We have way more people who are educated about trans folks,

0:29:39.520 --> 0:29:45.120
<v Speaker 1>but there's also been a rigorous misinformation media machine. Why

0:29:45.160 --> 0:29:47.680
<v Speaker 1>do you think we are where we are today?

0:29:48.480 --> 0:29:53.280
<v Speaker 2>It's ongoing every day, you know, I'd say there's slayers.

0:29:53.360 --> 0:29:56.240
<v Speaker 2>I think one is power. I think that people empower,

0:29:56.400 --> 0:30:00.640
<v Speaker 2>particularly in the political right, sees the trans people does

0:30:00.680 --> 0:30:05.360
<v Speaker 2>not have that you know, same, I guess power pool

0:30:05.360 --> 0:30:08.400
<v Speaker 2>when it comes to organizing and you know, at least

0:30:08.400 --> 0:30:12.440
<v Speaker 2>a perception. So there's that component that like, oh, we

0:30:12.520 --> 0:30:15.760
<v Speaker 2>could attack this and easily demonize the people that is

0:30:15.800 --> 0:30:19.880
<v Speaker 2>the most misunderstood in America. So there's a component of power.

0:30:20.760 --> 0:30:24.400
<v Speaker 2>The conversation that I'm having with my fellow trans folks

0:30:24.480 --> 0:30:28.920
<v Speaker 2>is that freaking exhausted, you know, to feel that you're

0:30:28.960 --> 0:30:32.000
<v Speaker 2>the only one fighting for this fighting in this moment.

0:30:32.040 --> 0:30:34.200
<v Speaker 2>Why can we have the same support with marriage equality

0:30:34.320 --> 0:30:38.000
<v Speaker 2>was happening. Why is that systematic approach when marriage equality

0:30:38.040 --> 0:30:40.680
<v Speaker 2>was happening. Why can't we have that that kind of

0:30:40.760 --> 0:30:44.920
<v Speaker 2>exhaustion that we're feeling and speaking to each other? We

0:30:45.000 --> 0:30:50.400
<v Speaker 2>need more because we know this in history, have said it.

0:30:50.600 --> 0:30:53.800
<v Speaker 2>When they come for one group, they are coming for everybody.

0:30:54.800 --> 0:30:58.960
<v Speaker 1>I think another misunderstanding that I often hear and I'd

0:30:59.040 --> 0:31:03.640
<v Speaker 1>love you to clear it up for people is people

0:31:03.680 --> 0:31:08.320
<v Speaker 1>who are worried about children making big life choices. And

0:31:08.360 --> 0:31:11.760
<v Speaker 1>I always want to say, well, kids are not getting

0:31:12.600 --> 0:31:18.000
<v Speaker 1>gender affirming surgery when they're twelve thirteen, you know. But

0:31:18.200 --> 0:31:22.520
<v Speaker 1>a constant refrain I hear and read as this dialogue

0:31:22.600 --> 0:31:27.800
<v Speaker 1>continues is the concern that children are making permanent decisions

0:31:28.120 --> 0:31:31.800
<v Speaker 1>when they don't have the maturity to make those decisions.

0:31:31.800 --> 0:31:34.760
<v Speaker 1>And I wondered if you could address that gena for people.

0:31:35.040 --> 0:31:44.200
<v Speaker 2>Sure, I think I'd say every respected prominent medical institutions

0:31:44.760 --> 0:31:48.040
<v Speaker 2>have instituted these processes.

0:31:49.080 --> 0:31:49.520
<v Speaker 4>There was.

0:31:51.200 --> 0:31:54.200
<v Speaker 2>No resistance. It's been established for many many years. W

0:31:54.560 --> 0:32:00.760
<v Speaker 2>passed to American Pediotic Association that deals with children and America.

0:32:00.880 --> 0:32:03.440
<v Speaker 2>There's been well, well, well established for many many years.

0:32:04.800 --> 0:32:10.440
<v Speaker 2>The reason why the demonization of that misinformation is again

0:32:10.560 --> 0:32:13.360
<v Speaker 2>related to that power that I was talking about earlier,

0:32:13.520 --> 0:32:18.160
<v Speaker 2>because it's such an easy target. Kids, young kids. I

0:32:18.200 --> 0:32:20.400
<v Speaker 2>would remember when I was growing up, is that just

0:32:20.440 --> 0:32:23.800
<v Speaker 2>want to express right, there's nothing wrong in letting a kid,

0:32:24.280 --> 0:32:26.440
<v Speaker 2>you know, put a little nail polished and play.

0:32:26.560 --> 0:32:30.560
<v Speaker 4>It's play. Why can we allow kids to play and express.

0:32:30.680 --> 0:32:31.760
<v Speaker 4>It's all part of.

0:32:31.640 --> 0:32:36.080
<v Speaker 2>That, and it's been debunked many times that you know,

0:32:36.400 --> 0:32:38.720
<v Speaker 2>a young kid does not have to go through any

0:32:38.800 --> 0:32:43.320
<v Speaker 2>big medical decisions with the presence of their family, with

0:32:43.440 --> 0:32:48.200
<v Speaker 2>the support and the systematic approach in medical establishments until

0:32:48.240 --> 0:32:51.080
<v Speaker 2>they're ready to do it, which is you know, eighteen

0:32:51.120 --> 0:32:53.760
<v Speaker 2>sixteen years old. You know, with the guidance of a

0:32:53.760 --> 0:32:55.719
<v Speaker 2>family member and a medical professional.

0:32:57.160 --> 0:33:01.400
<v Speaker 1>How do you fight this backlash? Do you you talk

0:33:01.440 --> 0:33:04.640
<v Speaker 1>about being tired of being an activist? I know that

0:33:04.920 --> 0:33:09.960
<v Speaker 1>when I did my documentary, I talked to some transactivists

0:33:10.000 --> 0:33:13.440
<v Speaker 1>who said, it's not really our job to educate you.

0:33:13.440 --> 0:33:17.080
<v Speaker 1>You know, this is why God created Google. On the

0:33:17.120 --> 0:33:23.760
<v Speaker 1>other hand, representation and conversation, I think can move the

0:33:23.800 --> 0:33:28.280
<v Speaker 1>ball forward. So how do we get to a place

0:33:28.440 --> 0:33:30.800
<v Speaker 1>of deeper understanding and acceptance.

0:33:32.520 --> 0:33:35.480
<v Speaker 2>I think the bigger conversation of equity. You know, I'm

0:33:35.520 --> 0:33:39.880
<v Speaker 2>a storyteller. I'm a media producer. I'm a storyteller at heart.

0:33:41.040 --> 0:33:45.880
<v Speaker 2>I think stories of trans people from so many different experiences,

0:33:45.920 --> 0:33:48.720
<v Speaker 2>so many different point of views, has to be told

0:33:48.760 --> 0:33:54.280
<v Speaker 2>by trans people, particularly even more powerful because it might

0:33:54.800 --> 0:33:57.120
<v Speaker 2>seem like it's an easy cop out answer that because

0:33:57.120 --> 0:34:00.040
<v Speaker 2>when you see yourself and represent it, it creates.

0:34:00.040 --> 0:34:00.480
<v Speaker 4>But they.

0:34:01.960 --> 0:34:06.400
<v Speaker 2>It is obviously very exhausting to always talking about this,

0:34:06.520 --> 0:34:11.759
<v Speaker 2>to always to defend your humanity, to debate your existence.

0:34:12.480 --> 0:34:16.080
<v Speaker 1>It's almost as if I would have to defend being

0:34:16.520 --> 0:34:21.480
<v Speaker 1>a cis gender. Imagine that heterosexual female.

0:34:21.640 --> 0:34:25.720
<v Speaker 2>Yeah, you know, point of comparison, right, I mean imagine that,

0:34:26.000 --> 0:34:28.520
<v Speaker 2>you know, people would have a little bit more empathy

0:34:28.560 --> 0:34:31.960
<v Speaker 2>to really see through beyond this demonization of you know.

0:34:32.040 --> 0:34:34.920
<v Speaker 3>We get tired of talking about it incessantly.

0:34:35.400 --> 0:34:39.000
<v Speaker 2>As an artist, as a storyteller, and in this book

0:34:39.000 --> 0:34:45.200
<v Speaker 2>that I wrote, I dared myself to really unapologetically express

0:34:45.280 --> 0:34:49.239
<v Speaker 2>who I am, my stories, my hopes, my dreams, my vulnerability,

0:34:49.360 --> 0:34:53.440
<v Speaker 2>my playfulness, just like any other human being, just like

0:34:53.560 --> 0:34:57.080
<v Speaker 2>any other the sameness of what a trans person is

0:34:57.120 --> 0:35:00.279
<v Speaker 2>experiencing to a cist person is experiencing, as it should be.

0:35:01.320 --> 0:35:05.360
<v Speaker 1>So you did your ted talk in twenty fourteen, you

0:35:05.480 --> 0:35:10.799
<v Speaker 1>have this beautiful memoir in twenty twenty three. What do

0:35:10.840 --> 0:35:13.040
<v Speaker 1>you see yourself doing in the next decade?

0:35:14.640 --> 0:35:18.279
<v Speaker 2>You know, I think I want to honor the storyteller

0:35:18.320 --> 0:35:21.239
<v Speaker 2>in me, the artist and me. I want to direct more.

0:35:21.400 --> 0:35:24.399
<v Speaker 2>I directed, you know, a DOCU series with PBS about

0:35:24.400 --> 0:35:28.560
<v Speaker 2>Filipino America and frontline workers called Caretakers. They got Ammy

0:35:28.560 --> 0:35:32.200
<v Speaker 2>nominated and Glad Media or nominated, and the baselines, I

0:35:32.200 --> 0:35:35.200
<v Speaker 2>want to tell more story, whether it's I'm directing or

0:35:35.360 --> 0:35:38.919
<v Speaker 2>acting in it or you know, there was a part

0:35:38.960 --> 0:35:41.760
<v Speaker 2>of me for so long that because I was living stealth,

0:35:41.800 --> 0:35:44.520
<v Speaker 2>I wasn't really living up to like who I am fully,

0:35:45.400 --> 0:35:49.360
<v Speaker 2>and that's the anxiety filled person who just want to

0:35:49.360 --> 0:35:53.520
<v Speaker 2>achieve part of me. But now I looked at that

0:35:53.600 --> 0:35:56.480
<v Speaker 2>as a sense of Okay, this is my purpose now

0:35:56.600 --> 0:35:58.799
<v Speaker 2>is to tell more story, to create more story, to

0:35:58.840 --> 0:36:01.759
<v Speaker 2>create more to persent more work worlds that people have

0:36:01.880 --> 0:36:02.680
<v Speaker 2>not seen before.

0:36:03.880 --> 0:36:09.040
<v Speaker 1>Gina Rasero, it's been so fun talking to you and fascinating.

0:36:09.400 --> 0:36:11.480
<v Speaker 1>I know this is your first interview for the book.

0:36:11.640 --> 0:36:14.040
<v Speaker 1>How do you think it went? Were you happy?

0:36:15.280 --> 0:36:16.880
<v Speaker 4>You made me cry? That's for sure?

0:36:17.200 --> 0:36:17.319
<v Speaker 1>Then?

0:36:18.480 --> 0:36:22.000
<v Speaker 2>Ah, thank you so much, Thank you, Gina, thank you,

0:36:22.080 --> 0:36:25.840
<v Speaker 2>thank you, thank you for honoring me in this moment

0:36:25.880 --> 0:36:27.799
<v Speaker 2>to share this. I've been saying that I can't wait

0:36:27.840 --> 0:36:29.400
<v Speaker 2>to talk about it. It's been a long process and

0:36:29.400 --> 0:36:32.320
<v Speaker 2>here I am talking about it, crying, you know, laughing

0:36:32.360 --> 0:36:34.640
<v Speaker 2>and going through it and I'm sure there would be more,

0:36:34.640 --> 0:36:37.200
<v Speaker 2>and truly, truly, I appreciate you taking this time.

0:36:37.480 --> 0:36:40.239
<v Speaker 1>Thank you, love, I love the book, and I love

0:36:40.280 --> 0:36:42.080
<v Speaker 1>talking to you. And I hope a lot of people

0:36:43.120 --> 0:36:47.800
<v Speaker 1>not only love listening, but also love learning from your story.

0:36:48.480 --> 0:36:48.840
<v Speaker 4>Thank you.

0:36:50.840 --> 0:36:53.759
<v Speaker 1>Thanks for listening everyone. If you have a question for me,

0:36:53.920 --> 0:36:56.800
<v Speaker 1>or want to share your thoughts about how you navigate

0:36:56.880 --> 0:37:00.000
<v Speaker 1>this crazy world reach out. You can leave a short

0:37:00.120 --> 0:37:03.399
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0:37:03.520 --> 0:37:07.480
<v Speaker 1>five five, or you can send me a DM on Instagram.

0:37:07.600 --> 0:37:10.560
<v Speaker 1>I would love to hear from you. Next Question is

0:37:10.600 --> 0:37:14.880
<v Speaker 1>a production of iHeartMedia and Katie Couric Media. The executive

0:37:14.920 --> 0:37:18.960
<v Speaker 1>producers are Me, Katie Kuric, and Courtney Ltz. Our supervising

0:37:19.040 --> 0:37:23.520
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0:37:23.640 --> 0:37:27.320
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0:37:27.400 --> 0:37:31.360
<v Speaker 1>composed our theme music. For more information about today's episode,

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