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Speaker 1: Man, why not dirt most o God my family. Yeah, yeah,

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Speaker 1: we're just come down and that stars is not all

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Speaker 1: the time all the time, can't tone and were just

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Speaker 1: coming to cantonment by by the partner and Cantone and

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Speaker 1: boy he get boy helped my dog Man. Y'all y'alls

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Speaker 1: like this, like you said that fairly into that food.

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Speaker 1: So it's a lot of time like mix tasting the

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Speaker 1: song of ship that that that's got lost. Man, you

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Speaker 1: ever hear some of your ship and be like him

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Speaker 1: maybe when we do this man all the time all

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Speaker 1: the time, because ship you're doing and forget about it

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Speaker 1: because y'all dropping like food the songs on their ships.

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Speaker 1: Yeah that point and we meant it the ship that

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Speaker 1: I really don't forgot about the ship I did for

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Speaker 1: because we all dropped a mixtape sho in Yeah turn

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Speaker 1: it like jumping on people ship and ship like so

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Speaker 1: it's like it's a couple of like slim Thum freestyles

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Speaker 1: out of jumped on hard at Fun but I don't

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Speaker 1: remember because it was on his his tapes and he

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Speaker 1: was hustling and I'm mustling taste. But then now you're

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Speaker 1: here and be like, man, when the fund did I

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Speaker 1: do that like that? That ship? That SI was hard

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Speaker 1: some of these out, But there's how much gonna stop? Yeah,

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Speaker 1: that's I always go. I'll do yourself and I'll do

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Speaker 1: everybody else you would say was granted underground before you

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Speaker 1: saw any main streams and ship. I can tell you

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Speaker 1: that my first Switchhouse mixtape I ever wrapped on was

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Speaker 1: in ninety nine and we had our first song on

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Speaker 1: the radio in two thousand one. So from there it

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Speaker 1: was two years of NonStop, NonStop. I'm talking about every

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Speaker 1: single day grinding, going to see this city, putting out

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Speaker 1: new mixtapes every week. Every week Ship, we're doing new

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Speaker 1: ship every week and then even mixtape. Even then, when

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Speaker 1: we had our song on the radio, it was straight underground.

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Speaker 1: And if it wouldn't have been for gregs treat Man,

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Speaker 1: we wouldn't never got on radio. Yeah, man, Ship, this

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Speaker 1: time it's time to go ahead and get into play

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Speaker 1: me some pepper Man. You know. You know we got

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Speaker 1: our select grand of pimping that we played over here

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Speaker 1: in the eighty five South show. Won't be about to

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Speaker 1: go getting working. And then Paul Wall came, so you know,

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Speaker 1: j your wind Ben then he's got THEMN Paul wall

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Speaker 1: uh dirty South bag this week. He always cook up

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Speaker 1: some extra special poet. You see why you keep teasing

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Speaker 1: the ship. You ain't LUPI and don't let your ship

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Speaker 1: tell why Paul Walking couldn't be your chance? Come on? Man? Yeah, yeah, man,

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Speaker 1: I've been I've been trying to got damn. You know,

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Speaker 1: I manage him on the sad my only artist with him,

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Speaker 1: because yeah, only with him, because I don't say back

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Speaker 1: in the land. I know you ain't talking this. When

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Speaker 1: you get some talking, you talking, I do the talking.

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Speaker 1: If you talk, what the funk I'm you just ain't

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Speaker 1: gonna have no pamper want Paul walk here? You think

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Speaker 1: you ain't gonna leave here thinking we get sucking missy

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Speaker 1: getting together from man playing you goo lately or something?

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Speaker 1: Get the guy? Damn. Let you gonna let something? Yeah, ain't. Okay,

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Speaker 1: that's the one I was thinking about, putting your touball. Yeah, yeah,

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Speaker 1: the one we time about earlier. Yeah, because I still

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Speaker 1: had a little bit p on running up though, trying

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Speaker 1: to go to Okay, don't pay that a little bit back? Yeah, hey, hey, back,

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Speaker 1: because they're coming, they're looking for it, they're looking for it.

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Speaker 1: Telling me like tax play. They ain't coming my house morning.

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Speaker 1: They were hiring people to work on people p v P.

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Speaker 1: Like I said, I'm just gonna work for so I

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Speaker 1: can go ahead and get my shirt out of the way.

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Speaker 1: Working out gonn gonna work it all. Find out we're

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Speaker 1: working on your loan and gonna find a save man. Look,

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Speaker 1: let me got the pimpan in rotation. You're gonna play

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Speaker 1: the other one? Are you're gonna do it right? This

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Speaker 1: is this is uh okay, this is the substitute pimper,

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Speaker 1: you know, like when the real pivin didn't get it. Hello, class,

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Speaker 1: I'm substitute piper. I'd be your substitute pimp today since

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Speaker 1: you're real pimptim be, I don't even have to call you.

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Speaker 1: Oh you bitches better be? What are you're supposed to be?

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Speaker 1: You know what you supposed to do? You know what

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Speaker 1: your bro call attendance. I wonder if there was ever

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Speaker 1: a pimp that was too nice play They didn't when

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Speaker 1: they weren't pimp. Can you please give me my money?

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Speaker 1: Called me a hole? Stop saying my real name. Come on, bro,

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Speaker 1: you fired today? Bro? He used it onna play snippets.

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Speaker 1: I don't know what the fun is god man hands

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Speaker 1: and ship off sweating. I wondering why to comput sucking up.

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Speaker 1: I won't even get enough picking to do the intro.

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Speaker 1: I was gonna tell him who we got to hear?

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Speaker 1: What it is that? Because you know we've been leaving

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Speaker 1: and yet on that just back. I had to make

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Speaker 1: phone phone calls, sitting three soon mus get called back,

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Speaker 1: send a text, then dr somebody on Instagram, just for

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Speaker 1: them to tell me to check my DM on Twitter,

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Speaker 1: head the log back into Facebook, go to my old email,

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Speaker 1: charge my old phone. Then she called the number that

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Speaker 1: they sent via mscing message and somebody had to plans

93
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Speaker 1: with a black beard and get me the real move.

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Speaker 1: That's how deep we went for this one. We've been working.

95
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Speaker 1: We've been working on everything. Isn't its easy? Is it?

96
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Speaker 1: Look they think we've done everything. That's something that hippy

97
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Speaker 1: people think we know everybody. But I had to call around,

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Speaker 1: get hit back, to send a few text messages, but

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Speaker 1: almost got shop. I had to do with him, like

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Speaker 1: who want to show for sure what's all right? But

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Speaker 1: you know we gets to gett a ledgers through here

102
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Speaker 1: and there's no exception. Now have you ever been to

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Speaker 1: the South Dirty South third coach specifically used to Texas. Hello,

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Speaker 1: you ever seen somebody ran van? One of them slabs

105
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Speaker 1: were flaming with the Swingers on with the Big Swingers

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Speaker 1: and the Vote and pop trunk many fifth Will, full

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Speaker 1: five cup fifth fifth Will and talking ship when you

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Speaker 1: pop trunk, these hole came stand me shit, They like

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Speaker 1: Adam all kind of look catch friend with your knee,

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Speaker 1: unlike come on man, the same man it tunes to

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Speaker 1: get your mind career. Come over this nigga feel a

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Speaker 1: little with his money. Come over, Come on man, everything

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Speaker 1: you get automobile mask. Guess when he putting on the

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Speaker 1: Big Swingers and Vote. He the same that came by

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Speaker 1: and told everybody trying snow had the phone out. Come on, man,

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Speaker 1: he was on swingers. Then he then popped up on

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Speaker 1: most of your favorite albums, some of the coldest features.

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Speaker 1: He the same one fucker that put the whole hip

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Speaker 1: hop game with damonds and platinum and grooves and on

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Speaker 1: tap your grit ain't ship it Paul wal And has

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Speaker 1: something to do that head went around him and got

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Speaker 1: my ship. Maybe he has something to do with that

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Speaker 1: time I hit I hit Johnny, he was like, let

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Speaker 1: me call, Paul said, I jot it was very come over.

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Speaker 1: One of the cod is getting the rap game. One

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Speaker 1: other thing. I'm on, sir Paul wal what it does

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Speaker 1: than out of your family. Usually we get all the

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Speaker 1: music out the way before we get started. But I

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Speaker 1: saved one Okay, save one song. This, this is the

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Speaker 1: one you're not even like. Man if I'm with just

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Speaker 1: the one, I'm gonna play, Jo Winn. I know you

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Speaker 1: just got the pener fix, but could you please one

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Speaker 1: time for everybody watching the show, all across the world,

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Speaker 1: play big swingers, just one, just one time, Okay, just

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Speaker 1: one time? Because this so you listen to the verses.

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Speaker 1: It was prophesizing in this ship Famillion that saying you

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Speaker 1: can find me in the truck that raps with rent

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Speaker 1: me that starts with a bat. Yeah. They ain't have them, Yeah,

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Speaker 1: they don't have them. It was fifteen years later for

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Speaker 1: they even start thinking about making a truck. Yeah. I

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Speaker 1: think that's where they got a lot of the engineering

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Speaker 1: ideas because it took us you know what, discount or

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Speaker 1: something discount on the mothering the packages. I don't know

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Speaker 1: something now, See I wanted to I wanted to hold

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Speaker 1: that song because for me, this is where it all

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Speaker 1: started in get Your Mind Correct, one of the coldest

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Speaker 1: dudo's to ever come up out of the South, so

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Speaker 1: cold even PIMC himself said, hey, get off the mobile man. Yeah,

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Speaker 1: legendary moments in hip hop, and you find yourself being

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Speaker 1: right there around all of this ship. When did you

151
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Speaker 1: start working with rap music polo? Well, definitely my introduction

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Speaker 1: was the Screw tapes, you know, right when DJ Screw

153
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Speaker 1: was making his mix tapes in the in the early nineties.

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Speaker 1: You know, that was my introduction. I was born in

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Speaker 1: eighty one, so there was all types of hip hoop

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Speaker 1: we would see on TV. Mostly on TV is mostly

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Speaker 1: was East Coast music that we see. Mostly on the radio,

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Speaker 1: we mostly hear West Coast music because it was programmed

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Speaker 1: from you know, wherever their mothers station was on the

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Speaker 1: West Coast something. And you know, on the mix tapes,

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Speaker 1: that's where we would hear like local music or Texas

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Speaker 1: music or Southern music. You'd hear East Coast music. On

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Speaker 1: the screw tapes too, you'd hear West Coast music. We

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Speaker 1: used here above the law, all type of you know,

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Speaker 1: all type of biggie other stuff. You know that you

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Speaker 1: would just jam on the screw tapes. But that's really

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Speaker 1: where we would hear Southern artists and Texas artists. So

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Speaker 1: that's why I fell in love with everything they're talking about.

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Speaker 1: It you when you when I would hear artists from

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Speaker 1: New York, I'm a little kid. I hear them talking.

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Speaker 1: I don't know what they're talking about. They slang different

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Speaker 1: in our slangs. So what they call police, what they

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Speaker 1: call shoes, what they call call all that is different

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Speaker 1: than what we call it. You know, what they call

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Speaker 1: their neighborhood or they block or whatever is different than

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Speaker 1: what we call all blocks, neighborhoods, all that kind of stuff. Saying.

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Speaker 1: With the West Coast, you know, we had a little

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Speaker 1: similarities a little bit, you know, but it was like, man,

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Speaker 1: the only place where I heard people speaking my language

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Speaker 1: was on the screw tape, and they talking to me

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Speaker 1: in the language the same language we talked, you know,

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Speaker 1: everyday language, and they talk. They're talking about neighborhoods and

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Speaker 1: streets that I know that we could go dry down

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Speaker 1: right now, or you know, they shotting out people that

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Speaker 1: I might not know them, but they like street legends

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Speaker 1: or somebody that you see. But you know, I'm a

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Speaker 1: little kid, so I wouldn't know him. But they'd be like, oh,

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Speaker 1: that's what they're talking about right there here. You know

189
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Speaker 1: you said you're hearing real people in real life things,

190
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Speaker 1: real stories on the music. This validated and you can verify.

191
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Speaker 1: I don't think he knows what soon I'm talking about.

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Speaker 1: I told he wouldn't have said along, man, he ain't

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Speaker 1: from the heint from the dirty South. He from the

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Speaker 1: northern part, from Tennessee. Man. They probably didn't get the

195
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Speaker 1: enjoy this ship like we did. You don't even know

196
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Speaker 1: it was with tastes though. I feel right time to

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Speaker 1: the back take that. You turn on my lap and

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Speaker 1: my fullest screen. Gotta crack and come on with my money, Okay,

199
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Speaker 1: come on right there, Yes, sir, you have to put

200
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Speaker 1: him up on hereah man, big swangers and vows and

201
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Speaker 1: love him my money. Yeah, And then you know we

202
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Speaker 1: spilled it funny to the end, and you know we

203
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Speaker 1: been all the way crazy. You gotta play the regular

204
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Speaker 1: version of this, chop the screw. We'll be him for

205
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Speaker 1: fifteen minutes. Listen, shout out of community in there. I'm

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Speaker 1: trying to let the music play before we get to

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Speaker 1: this part because this is a critical part, right because

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Speaker 1: you know I funk with the cars hit You hear

209
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Speaker 1: this literally at every car event, talking a lot. This

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Speaker 1: just one of them good ones to rap two many

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Speaker 1: and we get the regular version. You don't listen this,

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Speaker 1: but what it? Manes, Since you got the track with

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Speaker 1: a little What's Your Call? You grab it on nobody

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Speaker 1: know taking over the street, little What's Your Called? They

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Speaker 1: go this is this is down South like this all

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Speaker 1: they're never going. Well, yeah, man, and take it back

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Speaker 1: on that one. What was it? OH one? I think

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Speaker 1: get your Mind Career came out and O two, but

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Speaker 1: we put this out of OH one because you know

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Speaker 1: you put out early to promote the album all that everything.

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Speaker 1: Matter of fact, this first. We made it first, and

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Speaker 1: it came out originally on O g ron See album.

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Speaker 1: Southern's Finest came out on their first stars all that ship.

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Speaker 1: I'm a screw here like yeah, yeah, everybody can't appreciate it.

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Speaker 1: But those that do good my fist on top of

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Speaker 1: your woods good and say you ain't nothing much change.

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Speaker 1: I don't believe if the skis and thinking the feed

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Speaker 1: up with my bees are cool. I don't want you

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Speaker 1: who don't need you, but I love you. That's sweet,

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Speaker 1: But I'd rather be seeing the last feet with leather

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Speaker 1: up under my ass cheeks. It ain't like I changed

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Speaker 1: over night. I've been acting the ass in flass week

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Speaker 1: like an athlete that attacked me. See them last week

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Speaker 1: and the jagg theyin't even made them because they ain't mad.

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Speaker 1: That's twice they left us out of the equation, two

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Speaker 1: different separate car companies. Ship. I'd rather be showing we

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Speaker 1: got two checks coming up, Like, give me about just vehicle,

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Speaker 1: but yeah we got we gott come with some ship.

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Speaker 1: Yeah yeah, that was y'all was really ahead of the

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Speaker 1: curry on now Yeah, yeah, prophesize talk that ship too.

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Speaker 1: You know, they come with the concept and they don't

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Speaker 1: come out for eight years. They'd be like, hey, you

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Speaker 1: know they're making it. They're working on the truck, but ship,

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Speaker 1: I will I'm gonna put it in my verse. Ship.

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Speaker 1: I said that one time, So I said that one time.

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Speaker 1: I'm watching rush Our three. But this is when Worst

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Speaker 1: Out Too barely came out. Rushed Out didn't come out

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Speaker 1: for eight mollients. Yeah, it would be future risk. I

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Speaker 1: had to predicted though, because you don't want to date

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Speaker 1: to sell ship. He said, I'm rushing, rushed over like

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Speaker 1: this ship came out along that I'm watching rush out

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Speaker 1: full love with a Cadillac bringing busses and quiet to

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Speaker 1: have my trunk turned flip like an acqua back. Accorrect,

254
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Speaker 1: because I'm from the gutter. Your girl started when I

255
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Speaker 1: pulled up next to you. You've been with a girl

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Speaker 1: six months, Paul won't be to read, she won't get sick. Okay,

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Speaker 1: because the German company made my room. I'm about to

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Speaker 1: induce some baby bins. Well you knew some ship on

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Speaker 1: that one just had a baby, didn't he say he

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Speaker 1: gonna do some baby bins? You big body going in

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Speaker 1: the labor man ship stuck at the eggs and around.

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Speaker 1: We're gonna induce that thing. And this motherfucker goes so

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Speaker 1: crazy South Mad had them cat what to do? Come on, man,

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Speaker 1: all right, now we can get back to work. Yeah.

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Speaker 1: I just had to play that ship, paula man. You

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Speaker 1: know I had to did it. Okay, that ship. You

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Speaker 1: know I got a list, Okay, your old compliments and

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Speaker 1: ship like that, as long as you know how much

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Speaker 1: I funk with that one lading and all of some

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Speaker 1: ship on a good Saturday morning, fresh as hill, old school.

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Speaker 1: You know what I'm saying. Look backwood smoke residue all

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Speaker 1: around them. We don't even black black blunt spright no more.

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Speaker 1: Once the police told me they smell some weed and convertible,

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Speaker 1: I was like, I'm through trend. Yeah, man, that's free

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Speaker 1: though they're doing. Don't do no but make it stick.

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Speaker 1: You just gotta let that window down and let it

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Speaker 1: air out, smelling like something it's supposed to smell, like pineapples. Yeah, yeah, yeah, yeah, yeah,

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Speaker 1: what is the bigger I guess the trump he's human traffic.

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Speaker 1: So we just played Didn't Love My Money and tell

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Speaker 1: me how that track came about? Man me and come in.

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Speaker 1: There was a duo wrapping we just switch your House,

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Speaker 1: freestyling on mix tapes, on everybody's mixtapes. We never put

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Speaker 1: the album out. We never had a song on the

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Speaker 1: radio yet, but we just was live on on the ground.

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Speaker 1: And you know, Ronse was working on this album and

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Speaker 1: he put his album out with a Matt Hatter and

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00:18:02,320 --> 00:18:05,600
Speaker 1: Big Cat label called Paid the Full, and we ended

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Speaker 1: up signing with Matt Hatter and Big Cats too, Pay

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Speaker 1: the Full. Matter of fact, I see he had a

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Speaker 1: man allowed to do with my career from the jump

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Speaker 1: Man it's I made him when I was like thirteen fourteen.

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Speaker 1: I went to church with his mama, you know, me

293
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Speaker 1: and his sisters. Mama is man. They were his grandma.

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Speaker 1: We all, you know, I know them for a long

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Speaker 1: He's his cousin, the one who gave me the name.

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Speaker 1: Paul Wall. Yeah, so man Shot big Nce taught me

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Speaker 1: how the DJ when out DJ and ship Big Shot

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Speaker 1: out there you're wunn to see. But he working on

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Speaker 1: his album and he ended up bringing us over there

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Speaker 1: too to get signed with with paying Full and he's

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Speaker 1: of course, he's like, yeah, I need a single from

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Speaker 1: me from my album, so you know, a song for

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Speaker 1: you from my album. So we're like okay, we you know,

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00:18:44,240 --> 00:18:46,359
Speaker 1: we put together the song. We're like, okay, we're gonna

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00:18:46,520 --> 00:18:49,040
Speaker 1: maybe use this five album to whatever. So we used

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Speaker 1: it on both and ended up being the one. Ship

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00:18:53,080 --> 00:18:55,440
Speaker 1: ended up being the one. But we when we did it,

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00:18:55,560 --> 00:18:59,080
Speaker 1: when I think that because we picked a super slow beat,

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Speaker 1: the tempo, real slow, The hook like sixteen bars instead

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Speaker 1: of eight balls. The verses is like two verses. Yeah, yeah,

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Speaker 1: even back then it was three six teams. So we

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00:19:11,160 --> 00:19:13,479
Speaker 1: had two verses, and we remember people saying, oh, they

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Speaker 1: can't play this on the radio because it's not three verses,

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Speaker 1: it's only two verses, or the song too long, all this,

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Speaker 1: and we're like, we didn't care. We didn't make it

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Speaker 1: the radio. We made it. We want to make, we

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Speaker 1: want to make But she ended up working out, like

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Speaker 1: I said, man boy, But Greg Street was down here.

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Speaker 1: It was a few people like meylto Mac and Dallas

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Speaker 1: was playing it big big, a few people here and there.

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Speaker 1: But when Greg Street came, he moved back from Atlanta

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Speaker 1: back to Dallas and he went somewhere like a high

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Speaker 1: school somewhere, and they played and they went crazy. They

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Speaker 1: turned up. He was like, what is this? Why they

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Speaker 1: ain't playing this on the radio. And he just came

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Speaker 1: back to the radio. He made uh made a car

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Speaker 1: like that, say man, play this right now. And then

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Speaker 1: just like that our life changed. You know, it hadn't

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Speaker 1: been a few life changing moments, but like you know,

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Speaker 1: ship when when Greg Street, why when he made that

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Speaker 1: big home wee call and he ain't no, we ain't know.

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00:20:04,800 --> 00:20:07,399
Speaker 1: I never met him. He didn't do this like it

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00:20:07,480 --> 00:20:09,280
Speaker 1: ain't like, oh you now you owe me or it

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00:20:09,320 --> 00:20:11,359
Speaker 1: ain't like, oh yeah, you pay me, I'm gonna do

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00:20:11,400 --> 00:20:14,200
Speaker 1: to Now we complete strangers and he just did as

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00:20:14,320 --> 00:20:20,680
Speaker 1: ship well a big shot at Great Street Communic. Yeah, yeah, yeah,

337
00:20:20,800 --> 00:20:23,080
Speaker 1: he was tapped in with the coach fun with it.

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00:20:23,320 --> 00:20:31,560
Speaker 1: Yeah that's real. So when did you start feeling the

339
00:20:31,880 --> 00:20:35,080
Speaker 1: like the buzz growing just off of that. I always

340
00:20:35,119 --> 00:20:37,400
Speaker 1: try to like not get caught up in my own

341
00:20:37,520 --> 00:20:41,359
Speaker 1: hype because some of it's like very local. So you know,

342
00:20:41,440 --> 00:20:43,520
Speaker 1: when you're the hottesty in your neighborhood, that's a big

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Speaker 1: difference in being number one in the country, you know,

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Speaker 1: And I hadn't been there where I'm hotting my neighborhood.

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Speaker 1: And you go somewhere else you hot there too, But

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00:20:50,960 --> 00:20:53,240
Speaker 1: that's only two hoods you hide in. You go somewhere

347
00:20:53,240 --> 00:20:55,400
Speaker 1: everywhere else. They don't know your name with him, two

348
00:20:55,440 --> 00:20:57,920
Speaker 1: hoods you and you're popping, so you feel like, damn,

349
00:20:57,960 --> 00:20:59,960
Speaker 1: I'm the ship, you know. And then you go somewhere

350
00:21:00,040 --> 00:21:01,520
Speaker 1: us and it's a wago call. They ain't never heard

351
00:21:01,560 --> 00:21:03,320
Speaker 1: your name, so it haven't been a you know a

352
00:21:03,400 --> 00:21:05,000
Speaker 1: few times like that were I always trying to like

353
00:21:06,040 --> 00:21:08,360
Speaker 1: not smell mown ship too much. Just not to get

354
00:21:08,400 --> 00:21:11,040
Speaker 1: too caught up. Well for show that that that was

355
00:21:11,119 --> 00:21:12,760
Speaker 1: one of the times where they're playing it. You know,

356
00:21:12,840 --> 00:21:15,040
Speaker 1: it's two stations in Dallas. They're playing it on both

357
00:21:15,080 --> 00:21:17,359
Speaker 1: stations at the same time. You turn on the radio. Yeah,

358
00:21:17,760 --> 00:21:19,920
Speaker 1: chain station, you hear that too. And there might be

359
00:21:20,000 --> 00:21:22,840
Speaker 1: a community station they're playing it there too. And ship.

360
00:21:23,200 --> 00:21:25,000
Speaker 1: Matter of fact, they weren't playing our ship in Houston.

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Speaker 1: Tell that they started playing it in Dallas and then

362
00:21:28,520 --> 00:21:32,080
Speaker 1: they're like, man, yeah, they're like, man, why y'all ain't

363
00:21:32,119 --> 00:21:35,560
Speaker 1: playing this down in Houston's They're from Houston. It's popping

364
00:21:35,600 --> 00:21:37,720
Speaker 1: out here and down why you ain't playing it? But

365
00:21:37,840 --> 00:21:39,879
Speaker 1: it was because Matt how do we were signing him?

366
00:21:40,000 --> 00:21:42,080
Speaker 1: He worked for the radio station, so he wouldn't trying

367
00:21:42,119 --> 00:21:44,760
Speaker 1: to make it be like no conflict of interest, So

368
00:21:45,040 --> 00:21:47,080
Speaker 1: he had to let it come from over his head

369
00:21:47,280 --> 00:21:49,199
Speaker 1: instead of come from him like, hey, I got these

370
00:21:49,200 --> 00:21:51,400
Speaker 1: new artists. He like it, okay, let me, he kept

371
00:21:51,440 --> 00:21:53,200
Speaker 1: telling us, and we'd be like, man, bro, we signed

372
00:21:53,240 --> 00:21:55,119
Speaker 1: with you, so you can play us on the radio.

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Speaker 1: He kept it down, trust me, trust just just and

374
00:22:03,040 --> 00:22:09,639
Speaker 1: we're like going on ship. Well yeah, that ship. It

375
00:22:09,800 --> 00:22:12,080
Speaker 1: was definitely something when they when they're playing it on

376
00:22:12,119 --> 00:22:14,800
Speaker 1: the radio like that. But you know, we've seen a

377
00:22:14,880 --> 00:22:16,920
Speaker 1: lot of especially you know, where we come from, it's

378
00:22:16,920 --> 00:22:20,119
Speaker 1: a lot of when he wonders who have careers forever?

379
00:22:20,680 --> 00:22:23,880
Speaker 1: But it really only got one hit, that's all you need? Yeah, Yeah,

380
00:22:24,040 --> 00:22:28,080
Speaker 1: so it wasn't. I'm you know, I'm not expecting too much.

381
00:22:28,359 --> 00:22:30,120
Speaker 1: You know what I'm saying, I'm not expecting. Like even

382
00:22:30,240 --> 00:22:33,680
Speaker 1: with that, it's like, Okay, this is unbelievable. I don't

383
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Speaker 1: know nobody from my neighborhood who was a professional wrapper

384
00:22:36,000 --> 00:22:38,120
Speaker 1: who made it. So who can I look to see

385
00:22:38,400 --> 00:22:40,040
Speaker 1: to say this is what I want to do as

386
00:22:40,040 --> 00:22:42,040
Speaker 1: a job or this is what I'm want to do

387
00:22:42,160 --> 00:22:46,600
Speaker 1: to pay my bills and support my family for forty years?

388
00:22:47,080 --> 00:22:49,000
Speaker 1: And who can I look to when I'm you know,

389
00:22:49,119 --> 00:22:52,520
Speaker 1: seventeen sixteen, like that ship. We got Jay Prince who

390
00:22:52,720 --> 00:22:55,520
Speaker 1: gave us the blueprint on how to do it. But

391
00:22:55,640 --> 00:22:58,200
Speaker 1: I don't have no examples. You know, we got scar Face,

392
00:22:58,320 --> 00:23:00,879
Speaker 1: but to us, car Face was in life, so it

393
00:23:01,040 --> 00:23:03,639
Speaker 1: was like it might have been Jay Z or Nalls

394
00:23:03,800 --> 00:23:07,440
Speaker 1: or you know whoever they Yeah, so it was like

395
00:23:07,960 --> 00:23:09,840
Speaker 1: kind of out of reach for me to say Okay,

396
00:23:09,880 --> 00:23:11,520
Speaker 1: how Scar Pace did it, That's how I'm gonna do it.

397
00:23:11,600 --> 00:23:14,560
Speaker 1: So it was like for me to feel like I

398
00:23:14,680 --> 00:23:17,800
Speaker 1: hear my song on the radio at the car Washington,

399
00:23:17,920 --> 00:23:21,119
Speaker 1: just a random stranger playing my music, you know, and

400
00:23:21,200 --> 00:23:22,560
Speaker 1: I go up to and say what's up? And they're like,

401
00:23:22,600 --> 00:23:24,240
Speaker 1: who the fuck are you? You know, but they're playing

402
00:23:24,320 --> 00:23:26,720
Speaker 1: my music, you know. So that lets you know that, Okay,

403
00:23:26,800 --> 00:23:31,080
Speaker 1: ain't no dick ding they see all the time. Yeah, man,

404
00:23:31,119 --> 00:23:36,760
Speaker 1: I remember, I remember this ship one time. I never yet.

405
00:23:36,840 --> 00:23:39,520
Speaker 1: We was in Florida at starts six nine, the Roy

406
00:23:39,600 --> 00:23:44,480
Speaker 1: Jones Junior Club in Pencacola, Florida, and we're down there,

407
00:23:45,359 --> 00:23:47,760
Speaker 1: Me and come in and they're performing and it's before

408
00:23:47,800 --> 00:23:49,840
Speaker 1: the show. We did early. We get there early. We

409
00:23:49,920 --> 00:23:51,920
Speaker 1: at the bar just whatever. We're just telling me in

410
00:23:52,000 --> 00:23:53,840
Speaker 1: my pinting lout hawk at the bar getting a drink.

411
00:23:54,600 --> 00:23:57,159
Speaker 1: Dude on side and say he says something something else. Man.

412
00:23:57,240 --> 00:23:59,520
Speaker 1: When Paula coming on stage and I'm here to see Patwa,

413
00:24:00,200 --> 00:24:02,040
Speaker 1: he wasn't talking to me, but I heard him and

414
00:24:02,119 --> 00:24:03,639
Speaker 1: I say, what's up, man, I'm about to go on

415
00:24:03,760 --> 00:24:06,920
Speaker 1: stage like ten fifteen minutes and he was about to

416
00:24:06,960 --> 00:24:08,959
Speaker 1: steal off on me, like who is she? What you're

417
00:24:08,960 --> 00:24:11,480
Speaker 1: talking to me for? And I'm like, on Paul Wall

418
00:24:11,560 --> 00:24:13,399
Speaker 1: you said you waiting him and gonna stage, and you're

419
00:24:13,400 --> 00:24:16,399
Speaker 1: still looking at me like confused. Fuck. And then I'm like,

420
00:24:16,680 --> 00:24:18,359
Speaker 1: all right, white, see you later. You know. I just

421
00:24:18,480 --> 00:24:20,720
Speaker 1: just like, man, that was what's going on, huh? And

422
00:24:20,760 --> 00:24:23,359
Speaker 1: then I went on stage, came on stage, and when

423
00:24:23,400 --> 00:24:26,320
Speaker 1: I came on stage, he was like, you know, it

424
00:24:26,440 --> 00:24:28,119
Speaker 1: was different hit him. Then he was like, man, I

425
00:24:28,160 --> 00:24:30,680
Speaker 1: didn't know what to say cause you're talking to me,

426
00:24:30,800 --> 00:24:32,080
Speaker 1: and he was traight and he was like, man, I'm

427
00:24:32,119 --> 00:24:34,680
Speaker 1: gonna be for real, I hate white people. I hate

428
00:24:34,720 --> 00:24:37,360
Speaker 1: white people because yeah, he was like, man, so when

429
00:24:37,400 --> 00:24:40,120
Speaker 1: you telling me you you my favorite rapper, I didn't

430
00:24:40,160 --> 00:24:42,200
Speaker 1: know what to think. I'm like, man, how can you

431
00:24:42,280 --> 00:24:44,920
Speaker 1: be my favorite rapper when it's a white dude talking

432
00:24:44,960 --> 00:24:47,040
Speaker 1: to me and you're talking about this power man? What?

433
00:24:47,440 --> 00:24:54,240
Speaker 1: And it was just ship circle in your area? Yeah

434
00:24:54,280 --> 00:24:56,240
Speaker 1: there was. I mean there was other white rappers from

435
00:24:56,480 --> 00:25:00,440
Speaker 1: from Houston, but I mean like our but I was

436
00:25:00,680 --> 00:25:03,240
Speaker 1: probably the only white person it was there. But I

437
00:25:03,320 --> 00:25:06,080
Speaker 1: mean he picked the hard as his job, but white rapper. Yeah,

438
00:25:06,480 --> 00:25:09,720
Speaker 1: but I mean I don't but I will say this, man,

439
00:25:10,240 --> 00:25:13,480
Speaker 1: I'm gonna tell you something. You did a motherfucking good,

440
00:25:13,600 --> 00:25:17,200
Speaker 1: goddamn job for doing that. Ship. He never relied on

441
00:25:17,520 --> 00:25:19,399
Speaker 1: you know, he never felt like I was listening to

442
00:25:19,760 --> 00:25:21,560
Speaker 1: you know what I'm saying. I felt like I was

443
00:25:21,640 --> 00:25:23,920
Speaker 1: listening to somebody who was talking about exactly what they knew,

444
00:25:23,960 --> 00:25:26,080
Speaker 1: what the funk they were talking about. You know, the

445
00:25:26,160 --> 00:25:28,520
Speaker 1: only the only hard ship I had being a white

446
00:25:28,600 --> 00:25:31,760
Speaker 1: rapper was dealing with white people, you know, white people

447
00:25:31,800 --> 00:25:34,760
Speaker 1: telling me I shouldn't wrap while what you're doing, you know,

448
00:25:36,160 --> 00:25:39,160
Speaker 1: me and me ship. But that was it, you know, ship.

449
00:25:39,240 --> 00:25:41,520
Speaker 1: It wouldn't. I ain't see no like I mean, it's

450
00:25:41,640 --> 00:25:43,960
Speaker 1: it's tough to make it as a rapper anyway. So

451
00:25:44,080 --> 00:25:46,200
Speaker 1: if I look at like other rappers, like if I

452
00:25:46,240 --> 00:25:48,600
Speaker 1: look at slimp thug journey or come in their journey,

453
00:25:49,160 --> 00:25:51,040
Speaker 1: I didn't have it harder than them because I was

454
00:25:51,119 --> 00:25:53,520
Speaker 1: white ship. They had the hardest hell anyway to come up,

455
00:25:53,520 --> 00:25:55,800
Speaker 1: you know what I'm saying. So shit, I think that

456
00:25:55,960 --> 00:25:58,400
Speaker 1: was where the hardships came from, not like the color

457
00:25:58,400 --> 00:26:01,240
Speaker 1: of my fixed kind. Also, you know, in Texas, it's

458
00:26:01,240 --> 00:26:04,399
Speaker 1: a lot of Frenchman in Texas, from Louisiana. Everybody got

459
00:26:04,440 --> 00:26:08,120
Speaker 1: Grandma's from Louisiana. You know, it's all it's a big

460
00:26:08,320 --> 00:26:12,960
Speaker 1: Mexican and Hispanic population, So you know, people don't know

461
00:26:13,040 --> 00:26:16,159
Speaker 1: what I was. Everybody claiming me, I'm I'm mixed. If

462
00:26:16,200 --> 00:26:18,440
Speaker 1: you missed, I was mixed. If you're missing, I'm missing.

463
00:26:18,840 --> 00:26:26,320
Speaker 1: If you're Louisiana, you're frenchman, you know, like you like Bruno, Mars' whatever.

464
00:26:26,880 --> 00:26:29,480
Speaker 1: That's what they was claiming me because Bruno came out

465
00:26:29,520 --> 00:26:32,800
Speaker 1: of then the Michael Jackson tribute. Ain't nobody gonna be like, man,

466
00:26:36,520 --> 00:26:44,240
Speaker 1: you know that's real head? Yeah, yeah, what a little

467
00:26:44,920 --> 00:26:49,239
Speaker 1: it's up darker? Um, yeah, man, that's ship though. I mean,

468
00:26:49,400 --> 00:26:51,280
Speaker 1: it's a journey no matter what you know, what I'm saying,

469
00:26:51,320 --> 00:26:52,960
Speaker 1: you gotta give it you all, no matter what you

470
00:26:53,040 --> 00:26:55,639
Speaker 1: look like. But you know, I think being there, we

471
00:26:56,240 --> 00:27:00,399
Speaker 1: come from such a diverse city that and rapping on

472
00:27:00,520 --> 00:27:02,960
Speaker 1: switcher house tapes, nobody knew what I was. Ain't know.

473
00:27:03,640 --> 00:27:06,800
Speaker 1: Ain't it mean come in there? Okay? How did y'all

474
00:27:06,880 --> 00:27:09,399
Speaker 1: link up? Initially? We grew up together. We live on

475
00:27:09,440 --> 00:27:11,600
Speaker 1: the same street a few houses down. I know, my

476
00:27:11,640 --> 00:27:14,880
Speaker 1: whole life, my whole life, Yeah, his parents were Nigering,

477
00:27:15,000 --> 00:27:19,280
Speaker 1: so he had a different type of you know, he

478
00:27:19,400 --> 00:27:21,800
Speaker 1: had a different accent because his parents were Nigering, so

479
00:27:21,960 --> 00:27:23,720
Speaker 1: he had like a more of a proper accent. A

480
00:27:23,760 --> 00:27:25,800
Speaker 1: lot of people say so when they would hear us

481
00:27:25,840 --> 00:27:27,560
Speaker 1: on the switch House tapes a lot of times back

482
00:27:27,560 --> 00:27:29,760
Speaker 1: in the day, they thought comin there was they if

483
00:27:29,800 --> 00:27:31,879
Speaker 1: you say, oh, one on white, some people would say, oh,

484
00:27:32,400 --> 00:27:34,800
Speaker 1: he's the white one, come in there, because he might

485
00:27:34,880 --> 00:27:36,760
Speaker 1: sign a little more proper where I might sign a

486
00:27:36,800 --> 00:27:40,520
Speaker 1: little more country, you know or whatever. But ship, So

487
00:27:40,760 --> 00:27:42,840
Speaker 1: that that threw people out to People always come up

488
00:27:42,840 --> 00:27:44,960
Speaker 1: to me saying his verses, come up to him saying

489
00:27:45,000 --> 00:27:48,920
Speaker 1: my verses, yeah, because people are always gonna link y'all

490
00:27:48,920 --> 00:27:52,359
Speaker 1: together dope as his group. Man. So when you heard

491
00:27:52,480 --> 00:27:56,000
Speaker 1: him see like call y'all out, fall out, man, what

492
00:27:56,400 --> 00:27:59,440
Speaker 1: was your initial reaction to that? Man? He him and

493
00:27:59,600 --> 00:28:03,480
Speaker 1: shots Eforty and penc. They the two main people that

494
00:28:03,680 --> 00:28:07,040
Speaker 1: was from the jump telling me come in. They're both

495
00:28:07,119 --> 00:28:09,239
Speaker 1: telling me and telling him and telling both of us

496
00:28:09,280 --> 00:28:12,640
Speaker 1: on three way ship, y'all tripping. Y'all need to get

497
00:28:12,680 --> 00:28:14,480
Speaker 1: back to you know, not get back together of that,

498
00:28:14,600 --> 00:28:17,280
Speaker 1: but just squashed the bullshit, because it's money to be made.

499
00:28:17,359 --> 00:28:19,160
Speaker 1: It's a time limit on the money. You can make

500
00:28:19,640 --> 00:28:22,080
Speaker 1: the money you're missing today. You can't make it back tomorrow.

501
00:28:22,160 --> 00:28:24,200
Speaker 1: Do you neither make it today or it's gone, y'all

502
00:28:24,240 --> 00:28:27,520
Speaker 1: both made a bunch of got them money. Yeah, to

503
00:28:27,560 --> 00:28:29,920
Speaker 1: do with rapping. Let took this ship and made it

504
00:28:30,000 --> 00:28:33,000
Speaker 1: a business and the tech world. Yeah, yeah, I ain't

505
00:28:33,040 --> 00:28:35,159
Speaker 1: need to let me hold something man ship. Come he

506
00:28:35,320 --> 00:28:42,880
Speaker 1: got that real money last ship. Yeah, but come he

507
00:28:42,960 --> 00:28:45,040
Speaker 1: got the tech money. I got that. I got the

508
00:28:45,160 --> 00:28:49,920
Speaker 1: jury money. Ship. The only loans run out, that jury

509
00:28:49,960 --> 00:28:56,920
Speaker 1: money run out. They take money. Gonahe ship ship one together,

510
00:28:57,040 --> 00:28:59,000
Speaker 1: some work anything. It wasn't too long ago we see

511
00:28:59,000 --> 00:29:00,680
Speaker 1: each other. We did a show together in Houston on

512
00:29:00,840 --> 00:29:02,920
Speaker 1: the House of Blues, like a couple of weeks ago.

513
00:29:03,640 --> 00:29:05,880
Speaker 1: When it was with three sets, Mafia and me and

514
00:29:05,960 --> 00:29:08,200
Speaker 1: come in and she was live. We just said every

515
00:29:08,240 --> 00:29:12,400
Speaker 1: now and then we would do something. It ain't it

516
00:29:12,480 --> 00:29:15,720
Speaker 1: ain't over. It ain't it ain't uh put you know

517
00:29:15,760 --> 00:29:18,000
Speaker 1: what I'm saying. We might every now and then we'll

518
00:29:18,040 --> 00:29:20,080
Speaker 1: do a song together. Come in and very picky though,

519
00:29:20,160 --> 00:29:22,800
Speaker 1: you know, he don't do a lot of videos, you know,

520
00:29:22,920 --> 00:29:25,520
Speaker 1: so it would be his thing too. It would be like, man,

521
00:29:25,560 --> 00:29:26,880
Speaker 1: he don't want to do the video. I mean, he

522
00:29:26,880 --> 00:29:28,440
Speaker 1: don wanna do a song if he can't do the video.

523
00:29:28,880 --> 00:29:31,920
Speaker 1: You know, everybody doing videos for every song now. But

524
00:29:32,560 --> 00:29:34,719
Speaker 1: you know, for your boy, he might come he might

525
00:29:34,760 --> 00:29:37,200
Speaker 1: come out, you know, hopping the video. But that's my boy. Man.

526
00:29:37,280 --> 00:29:40,360
Speaker 1: We're still doing Ship. We might make it one one

527
00:29:40,400 --> 00:29:45,920
Speaker 1: of these days, make a part too, you know. You

528
00:29:46,000 --> 00:29:48,200
Speaker 1: know with that though, y'all decided to bless us with it.

529
00:29:48,680 --> 00:29:51,680
Speaker 1: When we came up together as a group, you know,

530
00:29:51,760 --> 00:29:54,160
Speaker 1: it was association when you associate me with him, him

531
00:29:54,200 --> 00:29:56,400
Speaker 1: with me, So it was like that group association. And

532
00:29:56,480 --> 00:30:00,240
Speaker 1: then when we split apart, it was, you know, a

533
00:30:00,400 --> 00:30:03,280
Speaker 1: journey for both of us to share that identity of

534
00:30:03,440 --> 00:30:06,560
Speaker 1: that group. We had to make a new identity of power,

535
00:30:07,120 --> 00:30:10,000
Speaker 1: not Comino, but just Powa, and he had to make

536
00:30:10,040 --> 00:30:13,560
Speaker 1: a new identity of Comedia, not pa Comina or Comedia Ship.

537
00:30:13,640 --> 00:30:15,560
Speaker 1: And we did that for a long time. And then

538
00:30:16,040 --> 00:30:18,360
Speaker 1: when we you know, when PMC said that in the rap,

539
00:30:18,560 --> 00:30:21,440
Speaker 1: that was like the nail and the coughing for us

540
00:30:21,520 --> 00:30:23,719
Speaker 1: to squash our ship. Like I said, he didn't talk

541
00:30:23,760 --> 00:30:27,280
Speaker 1: to us beforehand, plenty times of man, man, what's up

542
00:30:27,320 --> 00:30:30,440
Speaker 1: with this? And that you know, just a big brought us,

543
00:30:30,480 --> 00:30:32,320
Speaker 1: you know what I'm saying, giving us that perspective of

544
00:30:33,000 --> 00:30:34,960
Speaker 1: I don't care who wrong, It don't matter, you know,

545
00:30:35,080 --> 00:30:37,160
Speaker 1: like find a way to squash this ship, get over

546
00:30:37,240 --> 00:30:40,160
Speaker 1: that ship. You know what we're mad about it? You know,

547
00:30:40,240 --> 00:30:42,320
Speaker 1: did we for each other goal or something that we

548
00:30:42,440 --> 00:30:44,080
Speaker 1: you know, kill each other cousin or something like what

549
00:30:44,160 --> 00:30:46,600
Speaker 1: we're really mad about? Okay, and ain't nothing we can't

550
00:30:46,640 --> 00:30:49,840
Speaker 1: forgive or what's stopping us? You know, we don't wait

551
00:30:49,840 --> 00:30:51,480
Speaker 1: to tell somebody wanted us die and then we all

552
00:30:51,680 --> 00:30:53,800
Speaker 1: my brother, you know, all that kind of ship. So

553
00:30:53,920 --> 00:30:56,760
Speaker 1: he really, you know, showed us that. Then when he

554
00:30:56,800 --> 00:30:59,719
Speaker 1: put it in the song. You know everybody else already

555
00:30:59,840 --> 00:31:02,640
Speaker 1: was everybody before that was on some messy ship with

556
00:31:02,800 --> 00:31:05,440
Speaker 1: me and come in there like you know, drawing y'all

557
00:31:05,480 --> 00:31:07,480
Speaker 1: beef and messy who come in and said this power?

558
00:31:07,560 --> 00:31:09,160
Speaker 1: I said this, hey, what you're gonna do with you know,

559
00:31:09,480 --> 00:31:11,920
Speaker 1: you just messy ship? When Pierrec said that it was

560
00:31:12,000 --> 00:31:14,240
Speaker 1: on some unity ship. So I feel like once you

561
00:31:14,320 --> 00:31:17,320
Speaker 1: said it, like you said, it can't be beef no more.

562
00:31:17,480 --> 00:31:20,240
Speaker 1: That activated everybody who was a fan to come up

563
00:31:20,280 --> 00:31:21,680
Speaker 1: to us and say, yeah, man, you need to get

564
00:31:21,680 --> 00:31:25,480
Speaker 1: back together. Instead of shipping on you know, he coming

565
00:31:25,560 --> 00:31:27,000
Speaker 1: up to me, shipping on him, coming up to him,

566
00:31:27,040 --> 00:31:30,040
Speaker 1: shitting on me, you know, being messy. They activated everybody. Yeah, man,

567
00:31:30,040 --> 00:31:32,040
Speaker 1: you need to get back together. And we did. We

568
00:31:32,080 --> 00:31:34,000
Speaker 1: did a reunion toy, We did, you know, a bunch

569
00:31:34,040 --> 00:31:35,920
Speaker 1: of music here and there. We just never did like

570
00:31:36,000 --> 00:31:39,560
Speaker 1: another group album together, but you never know, we might. Man,

571
00:31:39,760 --> 00:31:41,880
Speaker 1: I'm a hunter of percent opened down. You know that's

572
00:31:41,920 --> 00:31:45,640
Speaker 1: my bro. So ship man, I definitely will be down.

573
00:31:46,000 --> 00:31:48,440
Speaker 1: I don't know, come in and when he whenever anybody

574
00:31:48,440 --> 00:31:51,000
Speaker 1: asked him about it, he always say, you know, he

575
00:31:51,120 --> 00:31:54,160
Speaker 1: talked about when we put Get Your Mind Correct Out.

576
00:31:54,240 --> 00:31:57,040
Speaker 1: It was two thousand two, so that's twenty years ago.

577
00:31:57,760 --> 00:32:00,080
Speaker 1: I'm man, you think we're not sitting here way know

578
00:32:00,200 --> 00:32:06,960
Speaker 1: elcast reunion? Man? Yeah, yeah, he just you know, he

579
00:32:07,080 --> 00:32:09,480
Speaker 1: got were our styles a little different than they was

580
00:32:09,640 --> 00:32:12,880
Speaker 1: back then, and we didn't since we didn't grow together

581
00:32:13,120 --> 00:32:16,080
Speaker 1: as a group and we grew separate us coming back together,

582
00:32:16,200 --> 00:32:19,280
Speaker 1: he just he don't want to tarnish our legacy of

583
00:32:20,240 --> 00:32:21,880
Speaker 1: you know, it's just how y'all speaking of how y'all

584
00:32:21,920 --> 00:32:24,600
Speaker 1: think you know of us now? Ship? So what were calling?

585
00:32:24,720 --> 00:32:26,680
Speaker 1: At least do one more album so we can have

586
00:32:26,800 --> 00:32:35,800
Speaker 1: the ship too better than one? Yeah? Yeah, you but too. Yeah,

587
00:32:36,560 --> 00:32:39,720
Speaker 1: I want at least one more for the great I'm

588
00:32:39,720 --> 00:32:41,320
Speaker 1: gonna make it. I'm gonna make an album and make

589
00:32:41,360 --> 00:32:43,440
Speaker 1: it halfway and just leave it open verses in case

590
00:32:43,520 --> 00:32:48,240
Speaker 1: I die that way put in my come in and

591
00:32:48,320 --> 00:32:50,160
Speaker 1: I got a feel in the second verse on the

592
00:32:50,240 --> 00:32:56,200
Speaker 1: third song they Don't Know last Yeah, yeah, you'll be

593
00:32:56,280 --> 00:32:58,880
Speaker 1: popping up everywhere, man, every time some ship happened. And

594
00:32:59,280 --> 00:33:03,800
Speaker 1: Paul Wall, what's one of your coldest hip hop stories? Man,

595
00:33:05,080 --> 00:33:09,080
Speaker 1: it's a few, you know. Uh we're talking about drive

596
00:33:09,160 --> 00:33:12,360
Speaker 1: Slower earlier. That's the hell of a story for me,

597
00:33:12,560 --> 00:33:16,160
Speaker 1: just from start to finish, from meeting Kanye West, even

598
00:33:16,200 --> 00:33:19,880
Speaker 1: at that time. You know, some people they could be

599
00:33:20,760 --> 00:33:22,440
Speaker 1: never had a song, I never had an album at

600
00:33:22,520 --> 00:33:24,400
Speaker 1: You just meet them and they got some type of

601
00:33:24,520 --> 00:33:26,480
Speaker 1: energy about them, and you know they're gonna be something.

602
00:33:26,840 --> 00:33:29,360
Speaker 1: You know. It's some people that's just like that ship.

603
00:33:30,080 --> 00:33:34,280
Speaker 1: When I first met Kanye West, he wasn't Kanye West,

604
00:33:34,360 --> 00:33:37,560
Speaker 1: he is not. He was still like ship elite producer,

605
00:33:38,040 --> 00:33:41,680
Speaker 1: but he wasn't like looked at as how icon as

606
00:33:41,800 --> 00:33:44,200
Speaker 1: much as we look at him. Now the theory that

607
00:33:44,280 --> 00:33:47,440
Speaker 1: he watched this show. Yeah ship, I hope on the

608
00:33:47,520 --> 00:33:50,640
Speaker 1: low because we'd be finding a little ship. I hope

609
00:33:50,680 --> 00:33:54,240
Speaker 1: so ship, say some ship. Then he'll do something like this.

610
00:33:54,360 --> 00:33:59,360
Speaker 1: Ain't no coincidence, was right, yeah, yeah, yeah. Then he

611
00:33:59,520 --> 00:34:01,959
Speaker 1: came out and then he said he was right. Yes,

612
00:34:02,360 --> 00:34:06,320
Speaker 1: was right. He probably do then, yep, but yeah he

613
00:34:06,480 --> 00:34:08,520
Speaker 1: you know ship still you know, it's one of the

614
00:34:08,600 --> 00:34:10,759
Speaker 1: things where you you gotta beat from Kanye West. That

615
00:34:10,880 --> 00:34:13,120
Speaker 1: was like ship having to beat from any of the

616
00:34:13,200 --> 00:34:15,640
Speaker 1: top ten producers in hip hop at the time. And

617
00:34:16,040 --> 00:34:19,759
Speaker 1: I remember still yeah now he topped three heat on

618
00:34:19,880 --> 00:34:22,839
Speaker 1: Top two Type one and whatever. Ship. But yeah he man.

619
00:34:23,239 --> 00:34:25,520
Speaker 1: Even then, you know, I met him at an event

620
00:34:26,160 --> 00:34:28,640
Speaker 1: and I ended up making his grills just he was like,

621
00:34:28,880 --> 00:34:30,759
Speaker 1: you know, we're talking about the grills and like, man,

622
00:34:30,760 --> 00:34:32,200
Speaker 1: I got my ship right now in my bag. I

623
00:34:32,239 --> 00:34:35,279
Speaker 1: can make it real right now, for real ship, let's

624
00:34:35,320 --> 00:34:38,200
Speaker 1: do it. I made his grills and from there that

625
00:34:38,480 --> 00:34:42,759
Speaker 1: was the introduction. They like said it all emotion and ship.

626
00:34:42,840 --> 00:34:45,640
Speaker 1: Then he came down to Texas do somethings car face

627
00:34:46,320 --> 00:34:51,120
Speaker 1: for and we ain't charged him. Man, did we go?

628
00:34:51,320 --> 00:34:54,160
Speaker 1: Now we did charge. We got discounts. Ship Man, Ship

629
00:34:55,680 --> 00:35:06,800
Speaker 1: now you know yeah, yeah, Kanye in the same category

630
00:35:06,800 --> 00:35:08,680
Speaker 1: as Nearly Man. You know, he's getting free grills for

631
00:35:08,800 --> 00:35:12,400
Speaker 1: Life Ship. So heyah, if you watch the show, you

632
00:35:12,440 --> 00:35:14,239
Speaker 1: know your boy got your grills on ice forel your

633
00:35:14,280 --> 00:35:16,480
Speaker 1: baby for the Life man. You know that. But ship

634
00:35:16,560 --> 00:35:18,840
Speaker 1: now man, we you know I met him and he

635
00:35:18,960 --> 00:35:21,760
Speaker 1: was mixing, uh you know, we brought him as grills

636
00:35:21,920 --> 00:35:23,399
Speaker 1: because we made them, and then when they were ready,

637
00:35:23,400 --> 00:35:25,279
Speaker 1: he came down to Texas. He was mixing with Mike

638
00:35:25,360 --> 00:35:29,320
Speaker 1: Dean Diamonds off Forever Domonds from Sheerly on and we

639
00:35:29,360 --> 00:35:31,359
Speaker 1: brought him as grills and we just you know, kicking

640
00:35:31,400 --> 00:35:33,400
Speaker 1: a little bit here and there and playing pat who

641
00:35:33,520 --> 00:35:36,000
Speaker 1: was his A and R. He reached out to me.

642
00:35:36,080 --> 00:35:38,279
Speaker 1: He was like, because he had already signed try to

643
00:35:38,280 --> 00:35:40,440
Speaker 1: sign me to death gam but it didn't work out,

644
00:35:40,760 --> 00:35:42,120
Speaker 1: and he was like, say, man, I see you've been

645
00:35:42,160 --> 00:35:44,280
Speaker 1: working with Kanye Man. You know we're working on his album.

646
00:35:44,719 --> 00:35:47,759
Speaker 1: We got this beat. I don't know if he's gonna

647
00:35:47,840 --> 00:35:49,680
Speaker 1: use it. You know, you might do something he might

648
00:35:49,760 --> 00:35:52,120
Speaker 1: take you off, you know, just like everybody took off

649
00:35:52,160 --> 00:35:54,960
Speaker 1: down Ship. That was That's how it is, and hipopped up.

650
00:35:54,960 --> 00:35:57,440
Speaker 1: You do something, they take you out. So ship. But

651
00:35:57,600 --> 00:35:59,040
Speaker 1: at no point that I think he would have put

652
00:35:59,120 --> 00:36:01,160
Speaker 1: me on his album. What Ship? He said? Playing past

653
00:36:01,200 --> 00:36:04,080
Speaker 1: said yeah, man, here working on his album. Ship. Give

654
00:36:04,080 --> 00:36:05,319
Speaker 1: it a shote and see what they say. He said,

655
00:36:05,360 --> 00:36:07,839
Speaker 1: he down and let you get get a shot, said bet.

656
00:36:09,040 --> 00:36:11,040
Speaker 1: I go in there and spit spit of verse in

657
00:36:11,080 --> 00:36:13,520
Speaker 1: my studio in Houston, sent it to him and he said, yeah, man,

658
00:36:13,600 --> 00:36:15,560
Speaker 1: I'm working with it, but we want you to come

659
00:36:15,680 --> 00:36:18,319
Speaker 1: later out here in l A. So I go out

660
00:36:18,320 --> 00:36:21,560
Speaker 1: there to l A. The whole time, I'm thinking, ain't

661
00:36:21,560 --> 00:36:23,880
Speaker 1: no way in hell I'm gonna get on Kanya. Even

662
00:36:24,600 --> 00:36:26,759
Speaker 1: what I'm saying, it ain't the Kanye now, it's the

663
00:36:27,320 --> 00:36:30,360
Speaker 1: you know, the level one Kanye. I'm still thinking, Man,

664
00:36:30,400 --> 00:36:32,279
Speaker 1: ain't no way hell He's gonna put me on his

665
00:36:32,400 --> 00:36:35,000
Speaker 1: out were one of the biggest features on the and

666
00:36:35,560 --> 00:36:37,839
Speaker 1: not in my mind. I wasn't thinking that my mind. Ship,

667
00:36:37,920 --> 00:36:40,200
Speaker 1: that's the biggest feature for me. Ship. They're going, Kanye,

668
00:36:40,280 --> 00:36:42,719
Speaker 1: what's you know? People don't show me love. I don't

669
00:36:42,760 --> 00:36:44,600
Speaker 1: get respect like that you know, they ain't show me

670
00:36:44,680 --> 00:36:46,479
Speaker 1: love when I leave it when you die or something

671
00:36:46,520 --> 00:36:48,080
Speaker 1: like that. I don't get an out of that type

672
00:36:48,120 --> 00:36:49,839
Speaker 1: of the just man, I got allergies, so they don't

673
00:36:49,840 --> 00:36:56,120
Speaker 1: give me flowers, you know. Ship. But so anyway, you

674
00:36:56,239 --> 00:36:59,080
Speaker 1: think this should be happy, you think motherfucker man see

675
00:36:59,239 --> 00:37:06,040
Speaker 1: Paul Due. But anyway, okay, So I come out to

676
00:37:06,200 --> 00:37:09,040
Speaker 1: l A. I'm still like, it's cool. I'm of course

677
00:37:09,040 --> 00:37:11,080
Speaker 1: I'm gonna do it. But I'm doing this is really

678
00:37:11,080 --> 00:37:13,080
Speaker 1: all the way isn't gonna you ain't a way you're

679
00:37:13,160 --> 00:37:16,880
Speaker 1: using this ship. We land in l A X me

680
00:37:16,960 --> 00:37:20,000
Speaker 1: and my boy go. We come down the escalators. The

681
00:37:20,000 --> 00:37:24,440
Speaker 1: baggage claim Mike Jones had just got punked, like on

682
00:37:24,560 --> 00:37:27,799
Speaker 1: the show on the Shop punk he just recently got punk? Yeah,

683
00:37:28,680 --> 00:37:45,440
Speaker 1: av so fun man still now like Jones just got

684
00:37:46,160 --> 00:37:49,200
Speaker 1: a punk he got pranked on the shop if anybody

685
00:37:49,280 --> 00:37:52,440
Speaker 1: don't know, m TV punt was okay. But so we're

686
00:37:52,440 --> 00:37:54,839
Speaker 1: coming down the escalators in l A. It's like one

687
00:37:54,880 --> 00:37:57,120
Speaker 1: of my first handful of time going to l A.

688
00:37:57,239 --> 00:37:58,640
Speaker 1: So I'm like, am I about to get punk? In

689
00:37:58,719 --> 00:38:00,920
Speaker 1: my air? I'm looking everywhere about get punk because I'm

690
00:38:00,960 --> 00:38:02,640
Speaker 1: like man, Ain't no way in hell I'm getting punk

691
00:38:02,680 --> 00:38:04,120
Speaker 1: going back to my hood. They're not gonna let me

692
00:38:04,160 --> 00:38:06,879
Speaker 1: make it back out of the ship. Ain't talking saying

693
00:38:06,920 --> 00:38:08,719
Speaker 1: you get you better ahead of yourself like you for

694
00:38:08,840 --> 00:38:17,239
Speaker 1: my ship? Oh man, Ship. I mean if I get

695
00:38:17,520 --> 00:38:19,879
Speaker 1: I'm going to jail ship or something. You know, they're

696
00:38:19,880 --> 00:38:21,880
Speaker 1: gonna fam me from MTV on my tears on them

697
00:38:21,960 --> 00:38:25,279
Speaker 1: up something. Ship. No, but I'm thinking I'm I'm thinking

698
00:38:25,320 --> 00:38:27,719
Speaker 1: we come down to escalators. A detective come to me,

699
00:38:28,400 --> 00:38:31,440
Speaker 1: another detective come to google Google my my boy and

700
00:38:31,480 --> 00:38:33,680
Speaker 1: my manager, and we're like, what the funk what they're

701
00:38:33,680 --> 00:38:36,120
Speaker 1: coming to us for? We're doing? Ship? Were wrapper us?

702
00:38:36,160 --> 00:38:38,239
Speaker 1: What you're doing? What you want to talk to me about?

703
00:38:38,239 --> 00:38:40,440
Speaker 1: Some diamonds or something? So Ship, they talking to me

704
00:38:40,520 --> 00:38:43,440
Speaker 1: all kind of like I'm thinking I'm getting punk. So

705
00:38:43,560 --> 00:38:46,600
Speaker 1: I started talking crazy to him. They l a sheriff's

706
00:38:46,640 --> 00:38:50,719
Speaker 1: department too. You know, they got a history, so I

707
00:38:50,880 --> 00:38:54,560
Speaker 1: know what they're capable of doing. You know what I'm saying, Ship,

708
00:38:54,800 --> 00:38:57,480
Speaker 1: But at the time, I'm thinking their actors. So I'm

709
00:38:57,680 --> 00:39:01,439
Speaker 1: Ship talking crazy to him, and finally to do the office.

710
00:39:01,480 --> 00:39:04,120
Speaker 1: I'm talking to he like about to lose his ship

711
00:39:04,239 --> 00:39:05,600
Speaker 1: on me. He's about to put me in the car

712
00:39:05,640 --> 00:39:07,640
Speaker 1: and take me around the corner. And the other officers

713
00:39:07,760 --> 00:39:10,160
Speaker 1: like say, man, come man, look, let's just go. Let's

714
00:39:10,160 --> 00:39:12,160
Speaker 1: just go, and they just just up and left us.

715
00:39:12,520 --> 00:39:15,520
Speaker 1: And I'm like, well asked the kutcher a ship and

716
00:39:15,719 --> 00:39:18,680
Speaker 1: Google like, man, you stupid motheruck what you're doing, man,

717
00:39:18,719 --> 00:39:21,560
Speaker 1: you're talking to them crazy. I'm like, it's acting what

718
00:39:21,680 --> 00:39:23,600
Speaker 1: you're talking about. Ship. I ain't gonna talk to the

719
00:39:23,719 --> 00:39:25,680
Speaker 1: real cop like that ship because I know who'll go

720
00:39:25,800 --> 00:39:29,080
Speaker 1: down ship ain't. I'm not gonna no ship. I don't

721
00:39:29,080 --> 00:39:33,040
Speaker 1: want no smoke with no police departments. Ship. And they said,

722
00:39:33,040 --> 00:39:34,640
Speaker 1: you know, we made it, and it was like, okay,

723
00:39:35,520 --> 00:39:40,080
Speaker 1: that's it. No police, no asking kuchen wha what happened?

724
00:39:40,160 --> 00:39:41,600
Speaker 1: You know? Ship? And it was it really was. The

725
00:39:41,640 --> 00:39:44,080
Speaker 1: police were like, oh, Ship, okay, and we go to

726
00:39:44,400 --> 00:39:46,360
Speaker 1: we're get in the car, We're want to wait to

727
00:39:46,440 --> 00:39:47,960
Speaker 1: the studio. I'm on the way to the studio and

728
00:39:48,080 --> 00:39:50,120
Speaker 1: late my first car here, I'm thinking to him and

729
00:39:50,200 --> 00:39:52,640
Speaker 1: Mike Jones sent me up, send me up to get pumped.

730
00:39:53,280 --> 00:39:56,080
Speaker 1: They missed me. The first time we pull up at

731
00:39:56,120 --> 00:39:59,520
Speaker 1: the light in the left hand lane. The driver is

732
00:39:59,560 --> 00:40:01,600
Speaker 1: before you piss. He don't know where the studio at.

733
00:40:01,640 --> 00:40:04,160
Speaker 1: He just looking looking at with man, oh there you go.

734
00:40:04,520 --> 00:40:07,279
Speaker 1: He break off the whole traffic and turn right were

735
00:40:07,360 --> 00:40:09,560
Speaker 1: in the left hand turn lane, turn right, just having

736
00:40:09,560 --> 00:40:11,520
Speaker 1: to be a cop right there. Who who we get

737
00:40:11,560 --> 00:40:14,600
Speaker 1: put over again? Right there? I'm like, man, hell no,

738
00:40:14,800 --> 00:40:17,440
Speaker 1: this gotta be a set up. Man, Ship, I'm getting

739
00:40:17,520 --> 00:40:20,600
Speaker 1: punk like a motherfucker right now. He give them a ticket.

740
00:40:20,640 --> 00:40:22,719
Speaker 1: I'm like saying, man, my students the studio right there,

741
00:40:22,760 --> 00:40:24,600
Speaker 1: like right there, I'm like, can I go. We're like yeah,

742
00:40:24,600 --> 00:40:26,600
Speaker 1: I'm give me you no ticket. I go up in there.

743
00:40:26,640 --> 00:40:30,360
Speaker 1: I'm like, ship, well, asked the CUTI at Ship, I

744
00:40:30,480 --> 00:40:33,239
Speaker 1: didn't squeak by twice and ship damn man? When no,

745
00:40:33,360 --> 00:40:35,920
Speaker 1: Aston kutcher Ship, when no, I wasn't getting bunked, you know,

746
00:40:36,080 --> 00:40:38,560
Speaker 1: So sho. I went in there and did my verse

747
00:40:39,080 --> 00:40:42,520
Speaker 1: for Dry Slow. Now this is only it's really a

748
00:40:42,560 --> 00:40:45,080
Speaker 1: part two of the story because my first for Dry

749
00:40:45,200 --> 00:40:48,960
Speaker 1: Slow it was really the original verse I wrote for

750
00:40:49,000 --> 00:40:58,040
Speaker 1: some Sideways and with my hip hop story. Yeah, my

751
00:40:58,239 --> 00:41:01,360
Speaker 1: verse I did on Dry Slow I wrote for Sitting Sideways.

752
00:41:01,760 --> 00:41:04,520
Speaker 1: When we first did Sitting Sideways, my boy Tea Ferris

753
00:41:04,600 --> 00:41:06,960
Speaker 1: brought me to Beat. Soli Williams made the beat had

754
00:41:06,960 --> 00:41:10,080
Speaker 1: a big pokey samples like, man, it's a hit right here,

755
00:41:10,360 --> 00:41:12,319
Speaker 1: and of course we love screwed up click. We love

756
00:41:12,360 --> 00:41:15,400
Speaker 1: big poke. So I heard that June twin seven sample,

757
00:41:15,440 --> 00:41:17,960
Speaker 1: I'm like, hell yeah, that is hard. I write a

758
00:41:18,080 --> 00:41:20,000
Speaker 1: verse to it. We say, okay, just a plan. We're

759
00:41:20,000 --> 00:41:22,160
Speaker 1: gonna get beat Poke and look kiky on it. My

760
00:41:22,280 --> 00:41:24,880
Speaker 1: two favorite rappers Ship. I never did a song with

761
00:41:24,960 --> 00:41:27,560
Speaker 1: neither one of them before that I met him, but

762
00:41:27,640 --> 00:41:29,600
Speaker 1: I never did a song with either one of them. Ship.

763
00:41:29,760 --> 00:41:32,279
Speaker 1: It's about to be the highlight of my life, the

764
00:41:32,400 --> 00:41:35,680
Speaker 1: reason why I started even listening to Wrap or Wrapping

765
00:41:35,760 --> 00:41:38,040
Speaker 1: or any of that. Ship. Okay, I'm ready for that.

766
00:41:38,840 --> 00:41:42,360
Speaker 1: I go just how I used to write my verses, man,

767
00:41:42,480 --> 00:41:43,960
Speaker 1: That's how I used to write my verses. Man. I

768
00:41:44,040 --> 00:41:46,640
Speaker 1: used to get solder this before I was smoking. You know,

769
00:41:46,719 --> 00:41:49,080
Speaker 1: the smoke definitely take you to another level, even though

770
00:41:49,160 --> 00:41:51,160
Speaker 1: it's foggy. The smoke of clear ship out for you.

771
00:41:52,000 --> 00:41:54,359
Speaker 1: That man, that's why I smoked. This is the best

772
00:41:54,400 --> 00:41:59,400
Speaker 1: part of the blunt Yeah yeah, yeah, that day residue

773
00:41:59,440 --> 00:42:03,279
Speaker 1: on there, you're that ran down the blood. But this

774
00:42:03,440 --> 00:42:06,520
Speaker 1: before I man, I go on the studio and I'll

775
00:42:06,560 --> 00:42:09,400
Speaker 1: be distracted like a motherfucker talking doing all kind of

776
00:42:09,440 --> 00:42:12,279
Speaker 1: ships on my phone. It's and that whatever anything, So

777
00:42:12,600 --> 00:42:15,440
Speaker 1: even the beat itself will just distract me. I can't

778
00:42:15,440 --> 00:42:17,319
Speaker 1: I can't keep a tempo because it's just I can't

779
00:42:17,360 --> 00:42:19,520
Speaker 1: think with the beat going on. Stop. So I catch

780
00:42:19,680 --> 00:42:23,120
Speaker 1: one or two lines going the bathroom, go on another room,

781
00:42:23,160 --> 00:42:24,640
Speaker 1: going out rid of my car. I go sit in

782
00:42:24,719 --> 00:42:27,200
Speaker 1: my car, turn a car. Just sit there and just

783
00:42:27,440 --> 00:42:30,920
Speaker 1: right just to the air. The no beats right to

784
00:42:31,040 --> 00:42:33,600
Speaker 1: whatever tempo I didn't you know, came up with, or

785
00:42:33,680 --> 00:42:35,200
Speaker 1: that I didn't heard from the beat. So that's how

786
00:42:35,239 --> 00:42:38,160
Speaker 1: sitting sideways was she give me the beat. Oh yeah,

787
00:42:38,160 --> 00:42:40,760
Speaker 1: I'm gonna right to. I get one or two lines together. Okay,

788
00:42:40,920 --> 00:42:43,000
Speaker 1: I go on the car, write my verse, come back

789
00:42:43,120 --> 00:42:49,200
Speaker 1: lay it fair, said man verse hard. You're saying some

790
00:42:49,320 --> 00:42:51,320
Speaker 1: ship on there, just like these sayings, just like this

791
00:42:51,440 --> 00:42:53,879
Speaker 1: demand everything like man, he like being you can tell

792
00:42:54,000 --> 00:42:56,719
Speaker 1: you being careful of his words and using you're like man,

793
00:42:56,800 --> 00:42:59,719
Speaker 1: the ship hard. But I just don't go with this beat.

794
00:43:00,040 --> 00:43:01,600
Speaker 1: Just something about it, the way you're writing to beat.

795
00:43:01,640 --> 00:43:03,759
Speaker 1: It just don't something about it, man, And I'm like, man,

796
00:43:03,800 --> 00:43:07,640
Speaker 1: I can't lie you're going off on there. But man,

797
00:43:07,719 --> 00:43:11,360
Speaker 1: we already gotta take Little Kiki off because you're not

798
00:43:11,440 --> 00:43:14,160
Speaker 1: signed the record. Labor said, we can't have to unsigned

799
00:43:14,239 --> 00:43:16,959
Speaker 1: artists on there. You can pick one. And since Polke

800
00:43:17,000 --> 00:43:19,759
Speaker 1: he was on the sample folks on them, we're gonna

801
00:43:19,800 --> 00:43:21,520
Speaker 1: put Key on the remix. But you can't put both

802
00:43:21,520 --> 00:43:22,719
Speaker 1: of them on it. You can't put both of your

803
00:43:22,760 --> 00:43:25,880
Speaker 1: heroes on the song. You gotta pick one. Ship. So okay,

804
00:43:26,239 --> 00:43:28,719
Speaker 1: we did that, so okay, keep herself, okay, since I

805
00:43:28,760 --> 00:43:31,279
Speaker 1: got to write a new verse anyway, man, just write

806
00:43:31,280 --> 00:43:33,640
Speaker 1: two new verses. Just write two new verses. And if

807
00:43:33,680 --> 00:43:35,319
Speaker 1: it don't work out, fuck it. And I'm like, man,

808
00:43:35,360 --> 00:43:37,640
Speaker 1: you're crazy. Every it's hard ship, and he's like, man,

809
00:43:38,160 --> 00:43:40,120
Speaker 1: it's hard. It just don't it. Don't go to beat.

810
00:43:40,120 --> 00:43:43,040
Speaker 1: And he'd be like, man, you know what, it's cool.

811
00:43:43,280 --> 00:43:44,719
Speaker 1: If you don't want to try it, you ain't got to.

812
00:43:45,280 --> 00:43:47,439
Speaker 1: And I've just seen a disappointment in his eyes, said

813
00:43:47,480 --> 00:43:49,759
Speaker 1: god damn, Phil Jackson and called to play. And I'm

814
00:43:49,760 --> 00:43:51,359
Speaker 1: sitting there telling him I know to play the call

815
00:43:51,719 --> 00:43:53,719
Speaker 1: Scott Scotty piping and him, now I ain't coming off

816
00:43:53,760 --> 00:43:55,800
Speaker 1: the bench ship, and I'm man saying, man, you know,

817
00:43:55,840 --> 00:43:58,160
Speaker 1: I've seen that disappointment in his eyes, and man, uh,

818
00:43:58,560 --> 00:44:01,240
Speaker 1: I'm gonna try. I went back and wrote two new verses,

819
00:44:01,440 --> 00:44:04,120
Speaker 1: what you're here for sitting sideway and that that verse

820
00:44:04,239 --> 00:44:05,719
Speaker 1: I did the first sing I'm gonna keep that in

821
00:44:05,800 --> 00:44:08,360
Speaker 1: my pocket. If jay Z said I only need the

822
00:44:08,480 --> 00:44:10,680
Speaker 1: versus something more, because I knew, I was saying on them,

823
00:44:11,120 --> 00:44:14,080
Speaker 1: man if it's some ship I gotta do and I

824
00:44:14,160 --> 00:44:16,840
Speaker 1: can't come up with nothing we in the studio for

825
00:44:17,120 --> 00:44:18,840
Speaker 1: we got twenty minutes, what you got, you know, and

826
00:44:18,880 --> 00:44:22,080
Speaker 1: it's I'm gonna keep that bit. So when playing past,

827
00:44:22,120 --> 00:44:24,000
Speaker 1: say say, man, I got something for you, and he

828
00:44:24,040 --> 00:44:26,880
Speaker 1: sent me that beat, I said, man, I think I

829
00:44:26,960 --> 00:44:30,279
Speaker 1: got something for that. What if that old rap man

830
00:44:30,360 --> 00:44:34,560
Speaker 1: we find that it folded out there? This ship it

831
00:44:34,680 --> 00:44:41,960
Speaker 1: went perfectly. Ain't West Brials for like? Can't West Prials

832
00:44:42,000 --> 00:44:45,880
Speaker 1: for like? Yeah? Right back? Because it was already wrote right,

833
00:44:46,040 --> 00:44:48,480
Speaker 1: you know, ship and he was working with it, probably

834
00:44:48,719 --> 00:44:53,120
Speaker 1: got the album. Yeah even if I you know, I'm thinking,

835
00:44:53,640 --> 00:44:56,719
Speaker 1: oh yeah, you're sunk with it. But you know, in

836
00:44:56,840 --> 00:44:58,480
Speaker 1: those types of you know, in those days, that's what

837
00:44:58,640 --> 00:45:00,600
Speaker 1: it means. Or y'all funk with it. I'm using for

838
00:45:00,640 --> 00:45:03,160
Speaker 1: a remix, fun with it, I'm using for a special

839
00:45:03,320 --> 00:45:06,920
Speaker 1: edition this to that. Oh yeah, yeah boy. You know,

840
00:45:07,080 --> 00:45:10,360
Speaker 1: but I never thought I was gonna come out, you know,

841
00:45:10,600 --> 00:45:14,080
Speaker 1: tell shot. I remember DJ Drama called me and say, say,

842
00:45:14,080 --> 00:45:15,920
Speaker 1: you want to call here? What's something? I said? I

843
00:45:16,000 --> 00:45:17,960
Speaker 1: don't know. I did a song, but I don't even

844
00:45:18,000 --> 00:45:20,240
Speaker 1: might take me off down, you know what I'm saying, Ship,

845
00:45:20,719 --> 00:45:22,360
Speaker 1: They might have taught me off down. I don't know.

846
00:45:22,760 --> 00:45:25,399
Speaker 1: I ain't gonna say I'm I mean in those days,

847
00:45:25,480 --> 00:45:29,520
Speaker 1: bro man, since I was fifteen and SI was happening.

848
00:45:29,760 --> 00:45:33,160
Speaker 1: Where you'll hear somebody go wrap on the Switchhouse tape

849
00:45:34,200 --> 00:45:35,920
Speaker 1: and they come back to the hood and be like, man,

850
00:45:35,960 --> 00:45:38,600
Speaker 1: I cuting boys on the Switchhouts tape by cuting boys

851
00:45:38,680 --> 00:45:41,640
Speaker 1: and you'll never him again on switshoall tape, or they'll

852
00:45:41,680 --> 00:45:43,840
Speaker 1: say that, man, I went over there and wrecked them boys.

853
00:45:43,880 --> 00:45:45,680
Speaker 1: How did how did the motherfucker's end up on the

854
00:45:45,719 --> 00:45:50,520
Speaker 1: Switchhouse tape? Asked Watts? How you gotta do? Ask watching ship?

855
00:45:50,640 --> 00:45:54,160
Speaker 1: Michael watching ship? Or one see man? Asked Michael watching

856
00:45:54,160 --> 00:45:57,560
Speaker 1: He was man all about Seawn love Ship. First time

857
00:45:57,600 --> 00:45:59,759
Speaker 1: I read on Switshouts tape, I was already working for

858
00:45:59,840 --> 00:46:02,760
Speaker 1: this wish I was. I was fourteen fifteen doing promotions,

859
00:46:02,800 --> 00:46:05,840
Speaker 1: so I'm passing out flyers, putting posters up. You know.

860
00:46:05,920 --> 00:46:08,520
Speaker 1: I went from doing that to pressing up CDs, mat face.

861
00:46:08,600 --> 00:46:10,640
Speaker 1: That's how I met my boy, Tea Ferris. We was

862
00:46:10,719 --> 00:46:14,959
Speaker 1: both seventeen. We pressing up tapes, pressing up CDs, delivering tape.

863
00:46:15,680 --> 00:46:20,040
Speaker 1: Ye boy and I came up. I've seen Michael. I'm

864
00:46:20,040 --> 00:46:23,320
Speaker 1: putting up postals in a record store. I see Michael.

865
00:46:23,320 --> 00:46:25,440
Speaker 1: Watch he dropping out switch out of shift. Said, hey,

866
00:46:25,480 --> 00:46:28,120
Speaker 1: wat let me ask you a question, man, how Kong?

867
00:46:28,440 --> 00:46:31,480
Speaker 1: I ain't never heard Slimp, Thug or anybody. Switchout was

868
00:46:31,480 --> 00:46:34,319
Speaker 1: wrapped on the Many fresh Beat Us love Man, Fresh

869
00:46:34,360 --> 00:46:37,960
Speaker 1: steal Man, love Man, Fred the Yeah he produced all

870
00:46:38,000 --> 00:46:40,680
Speaker 1: the album myself. Man, you know what I'm saying, Man,

871
00:46:40,760 --> 00:46:43,719
Speaker 1: Why why ain't got ain't no freestyles? Coming down on

872
00:46:43,840 --> 00:46:46,040
Speaker 1: Many fresh beat Man that she used to kill me?

873
00:46:46,120 --> 00:46:48,759
Speaker 1: And he said, well, what's your favorite? Many fresh Beat said?

874
00:46:48,800 --> 00:46:51,160
Speaker 1: The cash money is an army. He said. He started

875
00:46:51,200 --> 00:46:54,640
Speaker 1: beatboxing b Bom bom Mom. Mom used to start beat

876
00:46:54,640 --> 00:46:57,239
Speaker 1: boxing it, so yeah, that bit do go hard? It

877
00:46:57,360 --> 00:46:59,400
Speaker 1: was who would you say on that if your freestyle?

878
00:46:59,440 --> 00:47:01,719
Speaker 1: He put them on spop ship keep the first time

879
00:47:01,760 --> 00:47:07,520
Speaker 1: in my life right there, now my life, Ship, what

880
00:47:07,640 --> 00:47:09,399
Speaker 1: you're doing? Come on, let's go later right now? Ship,

881
00:47:09,560 --> 00:47:12,080
Speaker 1: come on hoping that in polo we went right to

882
00:47:12,120 --> 00:47:14,520
Speaker 1: the dust bowl, the dust bucket that was called to

883
00:47:14,560 --> 00:47:17,400
Speaker 1: switch the house. Ship lay that bit, she laid another

884
00:47:17,480 --> 00:47:19,360
Speaker 1: one and then say with your boy comed and that

885
00:47:19,640 --> 00:47:22,600
Speaker 1: because he already knew us, you know. But in those days,

886
00:47:22,680 --> 00:47:25,960
Speaker 1: you know, it was like I think comeding there was

887
00:47:26,080 --> 00:47:29,320
Speaker 1: more of a favorite, you know, Ship. I think you know,

888
00:47:29,440 --> 00:47:31,600
Speaker 1: people like Michael Watts for sure. I think he's like,

889
00:47:32,040 --> 00:47:33,840
Speaker 1: he's like, well com in there, man, Tim, come with

890
00:47:33,920 --> 00:47:39,680
Speaker 1: your ship, Whip, come over there? Did I think a

891
00:47:39,719 --> 00:47:41,920
Speaker 1: matter of fact, but the first two freestyles I did

892
00:47:42,040 --> 00:47:43,759
Speaker 1: that cash money is an Army and I wrapped on

893
00:47:43,920 --> 00:47:47,360
Speaker 1: Blame Blame. They both got deleted. They got lost, So

894
00:47:47,480 --> 00:47:50,040
Speaker 1: she would get lost all the time. Hard drive crash,

895
00:47:50,120 --> 00:47:52,000
Speaker 1: you ain't back it up, you ain't save it or whatever.

896
00:47:52,160 --> 00:47:56,840
Speaker 1: You just you spill something on it. So ship, So

897
00:47:56,960 --> 00:47:59,160
Speaker 1: that's how I'm thinking with Kanye, I'm like, yeah, man,

898
00:47:59,200 --> 00:48:02,239
Speaker 1: he's gonna spell some Monting hard drive, something's gonna happen. Yeah,

899
00:48:02,280 --> 00:48:08,600
Speaker 1: I'm not gonna do that. And honestly, before that, he

900
00:48:08,760 --> 00:48:12,200
Speaker 1: was in the studio with Mike Jones doing something and

901
00:48:12,280 --> 00:48:15,080
Speaker 1: Mike Jones didn't used to be so when I first

902
00:48:15,160 --> 00:48:17,719
Speaker 1: met Mike, when I first met Kanye West, he coming

903
00:48:17,800 --> 00:48:19,680
Speaker 1: up to me talking about, Yeah, man, you know, I

904
00:48:19,760 --> 00:48:21,279
Speaker 1: did a bet for your boy, Mike Jones, but I

905
00:48:21,320 --> 00:48:24,040
Speaker 1: guess I wasn't good enough. He like, being sarcastic. I

906
00:48:24,080 --> 00:48:26,160
Speaker 1: guess I wasn't good enough. I'm gonna tell I'm gonna

907
00:48:26,160 --> 00:48:28,120
Speaker 1: I'm gonna go back to school and I'm gonna work

908
00:48:28,160 --> 00:48:30,640
Speaker 1: hard and maybe I'll make his next album. And I'm like,

909
00:48:30,880 --> 00:48:33,680
Speaker 1: hey man, please don't hold that against me. Ship. I

910
00:48:33,800 --> 00:48:36,360
Speaker 1: would love to wrap on any one of your beasts,

911
00:48:36,800 --> 00:48:42,080
Speaker 1: ship and then kick a freestyle right there like, oh

912
00:48:42,160 --> 00:48:55,760
Speaker 1: y'all ain't working with it? Yeah? Yeah, hey man, welcome

913
00:48:55,760 --> 00:49:01,520
Speaker 1: back to Yeah Baby. You know what I'm doing today.

914
00:49:02,040 --> 00:49:05,879
Speaker 1: I'm getting higher than these knees. Yeah. He was planning

915
00:49:05,920 --> 00:49:14,320
Speaker 1: to Clayton English Jail South Show. You've been on a

916
00:49:14,440 --> 00:49:19,040
Speaker 1: lot of classic hip hop records, classic songs period, Man,

917
00:49:19,280 --> 00:49:24,399
Speaker 1: give me some of your favorite girls features show. I'm

918
00:49:24,440 --> 00:49:29,640
Speaker 1: poorting Nelly changing my life. First of all, before you

919
00:49:29,719 --> 00:49:32,200
Speaker 1: get to the song, man, it all started because I

920
00:49:32,280 --> 00:49:35,200
Speaker 1: wanted one ship. How do you get something cheaper? You

921
00:49:35,280 --> 00:49:38,320
Speaker 1: work there, you get employee this count ship. How do

922
00:49:38,440 --> 00:49:40,960
Speaker 1: you find out what the real price is? You find

923
00:49:41,000 --> 00:49:43,640
Speaker 1: out who selling? What the numbers? Ship? Okay, I was

924
00:49:43,680 --> 00:49:46,759
Speaker 1: already doing promotion, street promotions, passing out fly That is

925
00:49:46,840 --> 00:49:48,880
Speaker 1: easiest in the world. Passed out fly put flyers on

926
00:49:48,960 --> 00:49:50,839
Speaker 1: people cards, passing out when they're coming out of the club.

927
00:49:51,080 --> 00:49:53,719
Speaker 1: I'm fourteen fifteen. Ship. You think I ain't gonna pass

928
00:49:53,760 --> 00:49:55,279
Speaker 1: out some pieces of paper to get in the club?

929
00:49:55,520 --> 00:49:58,840
Speaker 1: Twenty one enough? Ship? Ain't like, how do you do?

930
00:50:00,960 --> 00:50:05,440
Speaker 1: DJ shot met Man, shot out wicked cricket man. My

931
00:50:05,560 --> 00:50:08,319
Speaker 1: boys just shot me out. Man. I was hella too

932
00:50:08,400 --> 00:50:10,160
Speaker 1: young to be in then and the ship show me

933
00:50:10,280 --> 00:50:13,160
Speaker 1: love man. But you know, I mean that's how it was.

934
00:50:13,800 --> 00:50:15,880
Speaker 1: Somebody came from New York crime. He came with a

935
00:50:16,400 --> 00:50:19,200
Speaker 1: removable style. Before that, we ain't know no about no

936
00:50:19,280 --> 00:50:21,600
Speaker 1: removable style. You gotta have permanent. Yeah, you got you

937
00:50:21,640 --> 00:50:23,480
Speaker 1: gotta go to a hood then this and not a

938
00:50:23,560 --> 00:50:26,280
Speaker 1: dinnist but hood in this ship, and the motherfucker's is permanent.

939
00:50:26,320 --> 00:50:30,600
Speaker 1: They're not coming out of they're coming out so ship.

940
00:50:30,920 --> 00:50:32,800
Speaker 1: When he came to that removal style, we're like, is

941
00:50:32,840 --> 00:50:35,080
Speaker 1: this some beauty shop ship? You know the w you're

942
00:50:35,080 --> 00:50:37,240
Speaker 1: gonna wad shot? They got ten dollar a little whatever.

943
00:50:38,280 --> 00:50:41,200
Speaker 1: Now he got on that. Okay, new York style. We

944
00:50:41,280 --> 00:50:43,080
Speaker 1: already knew. We ain't never been in New York. So

945
00:50:43,160 --> 00:50:46,279
Speaker 1: we're like, man, we knew watching Woutang and she's like, okay,

946
00:50:46,280 --> 00:50:48,080
Speaker 1: they're grills. It's like a little different. It's just like

947
00:50:48,320 --> 00:50:50,600
Speaker 1: Wutang got because we were watching them and we're taking

948
00:50:50,600 --> 00:50:53,839
Speaker 1: the video. Man, how they take their grins and got

949
00:50:53,880 --> 00:50:56,239
Speaker 1: take girls like that. That ship blew our mind. So

950
00:50:56,280 --> 00:50:59,080
Speaker 1: we're okay, that's what's just just going on. But everybody

951
00:50:59,239 --> 00:51:01,000
Speaker 1: was scared to be the guinea pig, the first one

952
00:51:01,040 --> 00:51:03,800
Speaker 1: to get him. But you know, one day, I'm passing

953
00:51:03,800 --> 00:51:07,680
Speaker 1: out flyers and he passing out flyers and I say,

954
00:51:08,000 --> 00:51:10,160
Speaker 1: he said, oh, you're don't passing these flyers out? Yeah,

955
00:51:10,160 --> 00:51:11,920
Speaker 1: And I said, you don't passing these flies shot. I'm

956
00:51:11,920 --> 00:51:13,200
Speaker 1: trying to get a grill. He trying to get me

957
00:51:13,280 --> 00:51:15,400
Speaker 1: to pass out flyers for him. I'm trying to get

958
00:51:15,440 --> 00:51:18,200
Speaker 1: a grill, so we Ship. I said, look, Man, I

959
00:51:18,320 --> 00:51:20,200
Speaker 1: want to grill. You ain't gotta give it to me.

960
00:51:20,239 --> 00:51:23,000
Speaker 1: I'll by just give me the wholesale. I don't care.

961
00:51:23,160 --> 00:51:25,359
Speaker 1: I'll get it. I'll work it off. Ship. I'll work

962
00:51:25,400 --> 00:51:26,600
Speaker 1: it out to you because I know what I don't

963
00:51:26,640 --> 00:51:29,080
Speaker 1: capable of doing what. I ain't frighten the hard work. Ship.

964
00:51:29,480 --> 00:51:32,680
Speaker 1: I gotta pass out flies that motherfucker's gonna be going today.

965
00:51:32,960 --> 00:51:34,799
Speaker 1: I ain't throwing them in the trash. I'm gonna find

966
00:51:34,840 --> 00:51:36,480
Speaker 1: a car to put them on. And I ain't talking

967
00:51:36,480 --> 00:51:38,239
Speaker 1: about find a car just the way. I'm gonna find

968
00:51:38,239 --> 00:51:40,360
Speaker 1: a car who's a potential customer to put them on,

969
00:51:40,560 --> 00:51:42,880
Speaker 1: you know, Ship, And that's exactly what happened. He Ship

970
00:51:43,040 --> 00:51:45,319
Speaker 1: his phone start blowing up and said, Man, you got

971
00:51:45,440 --> 00:51:48,080
Speaker 1: to come work for me. Ship. I said, bet, I

972
00:51:48,200 --> 00:51:50,719
Speaker 1: want some grills. Okay, Man, bet he gave us a

973
00:51:50,760 --> 00:51:52,880
Speaker 1: hostel on the grills. I said, Man, can't get my

974
00:51:52,920 --> 00:51:55,120
Speaker 1: boy in on a deal to come in there. Bet,

975
00:51:55,360 --> 00:51:57,160
Speaker 1: come in get promotion to a little bit back then.

976
00:51:57,239 --> 00:52:01,200
Speaker 1: So we both started working for the promotions. She's doing different. Ship.

977
00:52:01,280 --> 00:52:04,040
Speaker 1: I opened up. It was another shop called Thug city.

978
00:52:04,120 --> 00:52:07,960
Speaker 1: My boy colda roller. He had a shopping in training

979
00:52:08,040 --> 00:52:10,400
Speaker 1: garden in Houston, YO. And I was set up, but

980
00:52:10,440 --> 00:52:12,759
Speaker 1: I had a little kiosk in there selling grills. She

981
00:52:13,040 --> 00:52:14,520
Speaker 1: was the first shot. While I was in there was

982
00:52:14,800 --> 00:52:17,239
Speaker 1: my shop doing it. You know where I'm my grill shot.

983
00:52:17,600 --> 00:52:22,080
Speaker 1: And then from there crime he he rapped two. So

984
00:52:22,239 --> 00:52:23,680
Speaker 1: he was like, man, look, I want you to do

985
00:52:23,840 --> 00:52:26,200
Speaker 1: some promotions for my album. If you do that, I'm

986
00:52:26,239 --> 00:52:29,480
Speaker 1: gonna introduce you to the plug and ship does. When

987
00:52:29,520 --> 00:52:32,240
Speaker 1: he introduced me to Johnny who was making him, Johnny

988
00:52:32,360 --> 00:52:34,319
Speaker 1: was just making wholesale ship. He didn't have a story yet,

989
00:52:35,080 --> 00:52:38,799
Speaker 1: and I'd be in there me selling grills was only

990
00:52:39,160 --> 00:52:43,040
Speaker 1: me hooking my homeboys up. Not making no money, not

991
00:52:43,280 --> 00:52:48,160
Speaker 1: no entrepreneur. It's I got grills for and my partners like, man,

992
00:52:48,200 --> 00:52:50,080
Speaker 1: when you get doing grills, man, I got you right,

993
00:52:50,280 --> 00:52:52,560
Speaker 1: come on, we're gonna munkey up. It was all just

994
00:52:52,840 --> 00:52:55,560
Speaker 1: hooking my partners up. And that leads to say, I

995
00:52:55,600 --> 00:52:57,080
Speaker 1: got a cousin, I got a partner that I got

996
00:52:57,120 --> 00:52:59,279
Speaker 1: something else who wants something. Okay, Now we're starting to

997
00:52:59,320 --> 00:53:01,560
Speaker 1: make some money because I don't know them, so Ship,

998
00:53:01,680 --> 00:53:03,960
Speaker 1: I'm I'm giving a deal. But she I'm making a

999
00:53:04,000 --> 00:53:06,600
Speaker 1: little money too. You're my partner. I'm i ain't gotta

1000
00:53:06,600 --> 00:53:08,279
Speaker 1: make no money. I'm gonna give the same prices, all

1001
00:53:08,280 --> 00:53:10,759
Speaker 1: the cost the same parcey. We're gonna be shining on boards.

1002
00:53:10,760 --> 00:53:13,719
Speaker 1: They're gonna be like damn everybody they crew shining ship.

1003
00:53:14,440 --> 00:53:16,719
Speaker 1: But that's where all it was and ship taking care

1004
00:53:16,760 --> 00:53:19,279
Speaker 1: of my partners, and even with Johnny, I'll be in there.

1005
00:53:20,960 --> 00:53:24,239
Speaker 1: I'll be making so many of my friends grills in

1006
00:53:24,320 --> 00:53:27,399
Speaker 1: anywhere I sold switch house music. Anywhere anywhere were sold

1007
00:53:27,400 --> 00:53:30,239
Speaker 1: switch house music. I'm putting flies down grills. I'm gonna

1008
00:53:30,280 --> 00:53:32,759
Speaker 1: be here next Tuesday. Who wants you order? Call this number,

1009
00:53:32,800 --> 00:53:37,439
Speaker 1: syllable your appointment. We're going in ran yeah, yeah, yeah,

1010
00:53:37,920 --> 00:53:40,560
Speaker 1: already already making them ship. And that's where the money

1011
00:53:40,640 --> 00:53:43,359
Speaker 1: came from. Ship, because you know the music, it's money

1012
00:53:43,400 --> 00:53:45,840
Speaker 1: and music, but it's money and the jury Ship. That

1013
00:53:45,920 --> 00:53:49,040
Speaker 1: where that money came from. But she making them grills,

1014
00:53:49,080 --> 00:53:52,960
Speaker 1: and Johnny would see me. I'm just a wholesale list

1015
00:53:53,080 --> 00:53:55,120
Speaker 1: long as hill, but you take care of the whole

1016
00:53:55,480 --> 00:53:58,319
Speaker 1: as from Yeah, man, And we're coming back this year too,

1017
00:53:58,360 --> 00:54:02,520
Speaker 1: I know were man, don't you know we're coming back

1018
00:54:04,600 --> 00:54:07,320
Speaker 1: a little problem, you know Atlanta was it was like

1019
00:54:08,160 --> 00:54:10,879
Speaker 1: they went after the man. Ya gotta seel But ship

1020
00:54:11,840 --> 00:54:14,440
Speaker 1: coming back this year though, when we get worse serious

1021
00:54:14,440 --> 00:54:18,080
Speaker 1: grills Part two on them boys, what's up? Just got

1022
00:54:18,120 --> 00:54:24,359
Speaker 1: link up bag party? That part come with that part.

1023
00:54:24,520 --> 00:54:28,440
Speaker 1: It come with Yeah, yea, you gotta ring and some

1024
00:54:28,600 --> 00:54:32,120
Speaker 1: grills when you win the Barack Obama get one from now. Yeah,

1025
00:54:32,160 --> 00:54:34,759
Speaker 1: but they're on ice. They're waiting whenever they ship. I

1026
00:54:34,840 --> 00:54:38,879
Speaker 1: got on them. Yeah, but rock what's up, baby, I'll

1027
00:54:39,000 --> 00:54:45,040
Speaker 1: at your boy, get him some bottom things, you know.

1028
00:54:45,320 --> 00:54:50,839
Speaker 1: Ship Okay, everybody wants Yeah, yeah, man figured out how

1029
00:54:50,840 --> 00:54:53,319
Speaker 1: to put them ships over the but negs hit man.

1030
00:54:53,400 --> 00:54:55,600
Speaker 1: We could do it, and we do it for some people.

1031
00:54:56,480 --> 00:54:58,880
Speaker 1: But so you know, sometimes it's Veneers. It depending on

1032
00:54:58,960 --> 00:55:00,879
Speaker 1: if you get them. If you get said this, there's

1033
00:55:00,880 --> 00:55:04,520
Speaker 1: a lot of people like you got to cheating too much.

1034
00:55:05,200 --> 00:55:07,399
Speaker 1: But if somebody got them cheaping theirs, you know, they're

1035
00:55:07,440 --> 00:55:09,439
Speaker 1: cracking a little easy. You need to crabbing they crack.

1036
00:55:09,520 --> 00:55:10,960
Speaker 1: Oh yeah, you might not want to put no grill

1037
00:55:11,000 --> 00:55:12,840
Speaker 1: on top of them. There's a lot of people I

1038
00:55:12,880 --> 00:55:15,560
Speaker 1: see eating them crab legs and crack. The eveneers ship

1039
00:55:15,840 --> 00:55:18,680
Speaker 1: and watch out, ain't learn it? Yeah, yeah, you got

1040
00:55:19,360 --> 00:55:24,520
Speaker 1: cracking crab. You're trying to like you're like cram legs.

1041
00:55:24,960 --> 00:55:29,760
Speaker 1: You got to go all the way back to fucking

1042
00:55:34,880 --> 00:55:37,359
Speaker 1: that's the problem you getting from the room. You're gonna

1043
00:55:37,360 --> 00:55:38,920
Speaker 1: go back. This ship ain't even gonna be there in

1044
00:55:38,960 --> 00:55:47,719
Speaker 1: the love we never had to man. Yeah, but she

1045
00:55:47,840 --> 00:55:52,960
Speaker 1: who's making grills a fourteen has the flies out rapping.

1046
00:55:53,200 --> 00:55:56,200
Speaker 1: She lived in my dream ship. What getting money? Were

1047
00:55:56,360 --> 00:55:58,480
Speaker 1: iced out for the load? Don't nobody knows for the

1048
00:55:58,560 --> 00:56:01,960
Speaker 1: load to They just know you iced Yeah, what they

1049
00:56:02,239 --> 00:56:04,759
Speaker 1: brought by with your music bumping in their cars when

1050
00:56:04,800 --> 00:56:07,480
Speaker 1: you couldn't tell me nothing. Man, that was my dream. Man.

1051
00:56:07,800 --> 00:56:13,239
Speaker 1: You're still going to school at that time? Ye school? Yeah? Yeah,

1052
00:56:13,880 --> 00:56:16,120
Speaker 1: Well when I graduated high school and you have you Eva,

1053
00:56:16,280 --> 00:56:18,480
Speaker 1: that's when I really was okay, okay, that's when we

1054
00:56:18,560 --> 00:56:21,560
Speaker 1: get somewhere now because I went to University of Houston.

1055
00:56:21,640 --> 00:56:24,239
Speaker 1: But we'd be at Prayer of You or t SU

1056
00:56:24,600 --> 00:56:27,160
Speaker 1: or just any other school in the area. RCE, A

1057
00:56:27,320 --> 00:56:30,680
Speaker 1: c C. We go all around Dallas, Paul Queen s

1058
00:56:30,800 --> 00:56:33,200
Speaker 1: m U. Well, we go to Louisiana, all the schools

1059
00:56:33,239 --> 00:56:36,920
Speaker 1: out there, everywhere. So we was getting in yeah, oh yeah,

1060
00:56:37,040 --> 00:56:38,759
Speaker 1: because that's what you know, that's why our fan base

1061
00:56:38,960 --> 00:56:42,120
Speaker 1: was for the switchhouse. So ship, that's what's credit. We

1062
00:56:42,320 --> 00:56:44,480
Speaker 1: go anywhere as a college, especially if it's a b C.

1063
00:56:44,719 --> 00:56:46,879
Speaker 1: We're going there. And it was a military base. We're

1064
00:56:46,880 --> 00:56:49,279
Speaker 1: going down ship because there's so many military came from

1065
00:56:49,320 --> 00:56:52,839
Speaker 1: Texas get shipped out wherever they in Virginia. They't here

1066
00:56:52,920 --> 00:56:55,560
Speaker 1: there whatever, We're going there see them or they from

1067
00:56:55,600 --> 00:56:57,799
Speaker 1: there and then they come to Texas and then they

1068
00:56:57,880 --> 00:57:00,000
Speaker 1: leave the military go back home. So they asked them

1069
00:57:00,040 --> 00:57:02,480
Speaker 1: for so ship and it was the military base. We're

1070
00:57:02,520 --> 00:57:06,240
Speaker 1: going We're just popping up where they ship, wearing squitch

1071
00:57:06,320 --> 00:57:08,040
Speaker 1: our shirts and people asking, man, when you get that

1072
00:57:09,920 --> 00:57:15,400
Speaker 1: because you didn't know what we look like. Ship. Yeah yeah, ship,

1073
00:57:16,040 --> 00:57:19,400
Speaker 1: we're just popping up that legwork and ship you still

1074
00:57:19,520 --> 00:57:21,120
Speaker 1: you know you can you can make it. You can

1075
00:57:21,200 --> 00:57:26,280
Speaker 1: skirt the leg work now, but man, the stairs, you

1076
00:57:26,360 --> 00:57:29,240
Speaker 1: take the stairs to the top. That's how you get there. Man,

1077
00:57:29,280 --> 00:57:30,840
Speaker 1: that's how you get there. If you if you get

1078
00:57:30,880 --> 00:57:32,720
Speaker 1: knocked down, you can make your way back up. Man.

1079
00:57:33,200 --> 00:57:35,120
Speaker 1: When you take the elevator to the top, ship that

1080
00:57:35,240 --> 00:57:38,000
Speaker 1: elevator out or you stuff you take the stairs to

1081
00:57:38,040 --> 00:57:40,080
Speaker 1: the top. You know your way back up ship. Shout

1082
00:57:40,080 --> 00:57:42,880
Speaker 1: out my boy, Rich the Factor man, real hustles, take

1083
00:57:42,920 --> 00:57:44,919
Speaker 1: the stairs so we would never fraight of that hard

1084
00:57:44,960 --> 00:57:51,360
Speaker 1: work ship. We're pulling up. Shout of Rich the Factor Man.

1085
00:57:51,720 --> 00:57:54,480
Speaker 1: What Rich the Factors say that ship? Man? What was

1086
00:57:54,560 --> 00:57:58,960
Speaker 1: your first old school you bought nineteen seventy six Eldado

1087
00:57:59,120 --> 00:58:03,280
Speaker 1: Cadillac drop top, man, every black on black on black man.

1088
00:58:03,400 --> 00:58:06,160
Speaker 1: I love that car so much, man, I remember so mad.

1089
00:58:06,200 --> 00:58:08,200
Speaker 1: I the top up because you know you gotta let

1090
00:58:08,240 --> 00:58:09,920
Speaker 1: the hands back for you that top. I let the

1091
00:58:10,000 --> 00:58:12,360
Speaker 1: top back to hype. Just hate the boulevard. Yeah, I

1092
00:58:12,400 --> 00:58:17,080
Speaker 1: eat the top. I hear that, man, ship my top up?

1093
00:58:17,160 --> 00:58:20,960
Speaker 1: Yeah man, yeah, I love that that seven six Eldo

1094
00:58:21,320 --> 00:58:25,520
Speaker 1: ship still all the great my ship there, man, I

1095
00:58:25,600 --> 00:58:28,200
Speaker 1: still got seven seven, same thing. I got a hard top.

1096
00:58:29,160 --> 00:58:30,680
Speaker 1: I said, I've not got a few, but I'm saying

1097
00:58:30,680 --> 00:58:32,800
Speaker 1: that in terms of I had that seven six. I

1098
00:58:32,840 --> 00:58:36,440
Speaker 1: still at that sentence show. You know what calls from

1099
00:58:37,120 --> 00:58:46,480
Speaker 1: yeah ship yeah yeah yeah yeah, well my mom owners

1100
00:58:47,040 --> 00:58:49,919
Speaker 1: calls to gool to car owners. Man, somebody that's gonna

1101
00:58:50,000 --> 00:58:55,080
Speaker 1: take care of yeah yeah. And then like the old school,

1102
00:58:55,320 --> 00:58:57,400
Speaker 1: especially if they're blown snow. They got the a C

1103
00:58:57,600 --> 00:59:00,360
Speaker 1: working ship. You know some of old school, they got

1104
00:59:00,400 --> 00:59:05,040
Speaker 1: no snow in that. It's all he sho much. You

1105
00:59:06,120 --> 00:59:08,560
Speaker 1: gotta ride that in the fall that year because that

1106
00:59:08,680 --> 00:59:18,200
Speaker 1: tastes heat on them leather seats. Ship. Yeah, then you

1107
00:59:18,280 --> 00:59:21,400
Speaker 1: got the top down the sun right there. This is

1108
00:59:21,440 --> 00:59:24,600
Speaker 1: in the basic Come on there, sponsored them part back

1109
00:59:26,040 --> 00:59:29,680
Speaker 1: wave caps. It just picked up. We need a wave

1110
00:59:29,800 --> 00:59:37,360
Speaker 1: cap sponsorship the ship we need. He got his own

1111
00:59:37,440 --> 00:59:39,680
Speaker 1: land and he just a model phone. I don't know,

1112
00:59:39,760 --> 00:59:42,840
Speaker 1: I think, I don't think. I know they still got him. Know,

1113
00:59:44,880 --> 00:59:47,400
Speaker 1: they ain't a shot right now today. That's one thing

1114
00:59:47,440 --> 00:59:51,480
Speaker 1: about Motherfucker's. It's on the entrepreneurship. And it's good to

1115
00:59:51,520 --> 00:59:53,800
Speaker 1: see that ship came out. Like you said with Motherfucker's

1116
00:59:53,840 --> 00:59:56,600
Speaker 1: in the tech ship Drewry game, Like, what was your

1117
00:59:56,680 --> 01:00:00,360
Speaker 1: first time going out the country on some rap ship? Man?

1118
01:00:00,440 --> 01:00:03,720
Speaker 1: The first time going out of the country, man, it

1119
01:00:03,880 --> 01:00:06,080
Speaker 1: might you know, we've been in Mexico a few times,

1120
01:00:06,120 --> 01:00:08,320
Speaker 1: you know, in Texas. But if you want to talk

1121
01:00:08,320 --> 01:00:10,680
Speaker 1: about like going out the country, like like overseas going

1122
01:00:10,720 --> 01:00:14,080
Speaker 1: out the country, Yeah, I think the first time I

1123
01:00:14,160 --> 01:00:16,080
Speaker 1: went out to the country on some rap. Ship was

1124
01:00:16,560 --> 01:00:19,120
Speaker 1: maybe with the U. S O. Doing tours for the

1125
01:00:19,200 --> 01:00:24,240
Speaker 1: military and Baghdad, all over Iraq, all over Kuwait, Afghanistan,

1126
01:00:25,000 --> 01:00:27,040
Speaker 1: other parts of the world where they got wars going

1127
01:00:27,120 --> 01:00:29,920
Speaker 1: on and we didn't post know about ship they sent

1128
01:00:30,040 --> 01:00:33,800
Speaker 1: us all over. But it's, you know, just the military.

1129
01:00:34,440 --> 01:00:37,280
Speaker 1: I got family in the military too, so it mean

1130
01:00:37,400 --> 01:00:40,000
Speaker 1: something to me. But being they were such a big

1131
01:00:40,080 --> 01:00:43,120
Speaker 1: part of my career, my success, being shipped the soldiers

1132
01:00:43,480 --> 01:00:50,520
Speaker 1: support man for so like, man, I'm just thank you

1133
01:00:50,600 --> 01:00:55,680
Speaker 1: for your service. That's crazy though, when you're out there

1134
01:00:55,720 --> 01:00:57,800
Speaker 1: in the act of war zone and you stayed like

1135
01:00:57,920 --> 01:01:01,080
Speaker 1: we stayed in Saddam Palace, you stay next thing you

1136
01:01:01,120 --> 01:01:08,240
Speaker 1: know it's getting boned while you in there. Yeah yeah, yeah, yeah,

1137
01:01:08,240 --> 01:01:12,920
Speaker 1: that that was the bear stays dumb who thing. Man,

1138
01:01:13,000 --> 01:01:25,560
Speaker 1: I was sitting on his toilet. Man, Now, they let

1139
01:01:25,640 --> 01:01:29,960
Speaker 1: us know beforehand, they say, hey, man, you gotta get out,

1140
01:01:30,440 --> 01:01:33,880
Speaker 1: get out and around with the gold, the old gold.

1141
01:01:36,760 --> 01:01:38,560
Speaker 1: I wasn't trying to take no, I wouldn't even trying

1142
01:01:38,560 --> 01:01:46,960
Speaker 1: to take no stand back. Many man, they took us

1143
01:01:46,960 --> 01:01:50,400
Speaker 1: in them through in the rooms. They showed me they man,

1144
01:01:50,480 --> 01:01:52,880
Speaker 1: they showed us the elevators and you should take them

1145
01:01:52,880 --> 01:01:55,240
Speaker 1: down to the torch. In the torch room, they got

1146
01:01:55,360 --> 01:01:59,280
Speaker 1: rusted handprints from bloody hands touching it, and they turned

1147
01:01:59,440 --> 01:02:02,200
Speaker 1: the blood and the rest all over the door they

1148
01:02:02,280 --> 01:02:05,120
Speaker 1: call it and whatever Arabic or whatever, like a bloody

1149
01:02:05,200 --> 01:02:07,160
Speaker 1: door or something like that. And it's just an elevator

1150
01:02:07,240 --> 01:02:17,000
Speaker 1: to take you down. That's crazy right there, and to

1151
01:02:17,080 --> 01:02:22,840
Speaker 1: take this throw me back out there. Held the diamonds.

1152
01:02:22,880 --> 01:02:28,240
Speaker 1: We can get this cortets. You know, I'm palace. That's

1153
01:02:28,760 --> 01:02:32,200
Speaker 1: that's crazy, man. But that's a story. Like I don't know,

1154
01:02:32,320 --> 01:02:34,880
Speaker 1: I ain't never heard nobody say that that's crazy. You

1155
01:02:34,960 --> 01:02:37,200
Speaker 1: gotta tell us what was in their mother. He had

1156
01:02:37,280 --> 01:02:41,240
Speaker 1: all kind of diamonds and ship everywhere, all kinds of ships.

1157
01:02:42,320 --> 01:02:43,760
Speaker 1: Like by the time, you know, by the time we

1158
01:02:43,800 --> 01:02:45,600
Speaker 1: get there, all to be looted and ship. But the

1159
01:02:45,840 --> 01:02:48,400
Speaker 1: show you like like I'm talking about like on the

1160
01:02:48,840 --> 01:02:51,480
Speaker 1: like decorations and ship, like you just had diamonds on

1161
01:02:51,520 --> 01:02:54,160
Speaker 1: the wall and ship like for real, like the ship

1162
01:02:54,480 --> 01:02:56,840
Speaker 1: and like that. Well, but like I said, what time

1163
01:02:56,840 --> 01:02:58,439
Speaker 1: we get there is looted. But you can see where

1164
01:02:58,440 --> 01:02:59,920
Speaker 1: they was at. They were like, yeah, all that was

1165
01:03:00,080 --> 01:03:02,200
Speaker 1: diamonds and that that you know, it would be like

1166
01:03:02,360 --> 01:03:04,320
Speaker 1: you know, I asked painted black. It would be like

1167
01:03:04,760 --> 01:03:08,040
Speaker 1: gold plated, but like real gold, not like it's gold plated,

1168
01:03:08,120 --> 01:03:09,840
Speaker 1: but it's third and silver. You know what I'm saying.

1169
01:03:09,880 --> 01:03:14,000
Speaker 1: It'd be like real old on the wall ship. Yeah,

1170
01:03:14,080 --> 01:03:18,000
Speaker 1: they man, but it'd be like way high and he'd

1171
01:03:18,080 --> 01:03:20,680
Speaker 1: have it like ridden where you know, it was some

1172
01:03:20,760 --> 01:03:24,760
Speaker 1: crazy ship all over. Man he had he was motherfucker ship.

1173
01:03:24,960 --> 01:03:27,440
Speaker 1: He had some ship going on. He did a lot

1174
01:03:27,560 --> 01:03:32,760
Speaker 1: more terrible ship than Yeah, that ship was that ship.

1175
01:03:32,880 --> 01:03:34,680
Speaker 1: But you know a few times, you know, being out

1176
01:03:34,720 --> 01:03:37,720
Speaker 1: there to different different trips with the US, so like

1177
01:03:37,880 --> 01:03:41,480
Speaker 1: to Candle Hall. One time we was out there in Afghanistan.

1178
01:03:42,760 --> 01:03:46,560
Speaker 1: Ship we was out there. The week later the boardwalk

1179
01:03:46,640 --> 01:03:49,800
Speaker 1: where we performed, that was bombed and was no more.

1180
01:03:50,160 --> 01:03:52,360
Speaker 1: They don't it's just today ship. But we could go.

1181
01:03:52,520 --> 01:03:56,080
Speaker 1: We was performing there, put your hands up ship and

1182
01:03:56,320 --> 01:04:01,920
Speaker 1: now no more. That ship was. That ship was active. Man,

1183
01:04:02,040 --> 01:04:04,919
Speaker 1: we'll be there. You know, first of all, there would

1184
01:04:04,960 --> 01:04:07,160
Speaker 1: never be no like there any time I might have been.

1185
01:04:07,160 --> 01:04:09,400
Speaker 1: I've been on like seven or eight of them, but never,

1186
01:04:09,440 --> 01:04:13,000
Speaker 1: at any moment was there any fear or safety like ever.

1187
01:04:13,240 --> 01:04:17,000
Speaker 1: You don't feel that you were the top man top

1188
01:04:17,040 --> 01:04:20,640
Speaker 1: flight security of the world for real ship. Then you

1189
01:04:20,680 --> 01:04:22,720
Speaker 1: think they're gonna let somebody do something to you when

1190
01:04:23,080 --> 01:04:26,800
Speaker 1: your no, I know exactly, would never no fear. Sometimes

1191
01:04:26,840 --> 01:04:28,920
Speaker 1: you don't know how far they're gonna take you. When

1192
01:04:28,960 --> 01:04:30,920
Speaker 1: we went to Kuwait and we did the show, then

1193
01:04:31,520 --> 01:04:33,600
Speaker 1: they stayed over there like three days. That was showing

1194
01:04:33,720 --> 01:04:39,240
Speaker 1: us on kind of ship. I'm like, yeah, yeah, one

1195
01:04:39,320 --> 01:04:43,440
Speaker 1: build names like look, look at the same the same thing.

1196
01:04:43,520 --> 01:04:45,960
Speaker 1: You could be shot at any moment if you go

1197
01:04:46,120 --> 01:04:52,120
Speaker 1: in here. Yeah, I'm going over there. What they wanted

1198
01:04:52,120 --> 01:04:54,440
Speaker 1: to say, hey to you, but you gotta you gotta

1199
01:04:54,440 --> 01:04:56,800
Speaker 1: acknowledge the same before we can let you in. I

1200
01:04:56,960 --> 01:05:01,200
Speaker 1: was like, that's it crazy, went in there. I'm taking

1201
01:05:01,280 --> 01:05:04,880
Speaker 1: real ship. We was in Afghanistan and we went from

1202
01:05:05,000 --> 01:05:08,200
Speaker 1: Canada haart to We're flying on a black Hawk to

1203
01:05:08,280 --> 01:05:12,320
Speaker 1: the middle of fucking nowhere for like hours or hours

1204
01:05:12,600 --> 01:05:14,960
Speaker 1: like long as time. We in the middle of the

1205
01:05:15,040 --> 01:05:17,520
Speaker 1: mountains in like a little valley and I'm talking about

1206
01:05:17,560 --> 01:05:19,240
Speaker 1: the middle of the mountains. I'm talking about it's like

1207
01:05:19,640 --> 01:05:21,600
Speaker 1: about the size and from that wall to that wall

1208
01:05:21,920 --> 01:05:25,760
Speaker 1: and then it's mountains ship and it's a fall face

1209
01:05:26,000 --> 01:05:28,520
Speaker 1: was just flying straight through. Man. Yes, we're just flying

1210
01:05:28,600 --> 01:05:31,320
Speaker 1: through that bitch. And it's a hell of a little yeah,

1211
01:05:31,400 --> 01:05:32,840
Speaker 1: you don't know what was about to happen. And then

1212
01:05:32,880 --> 01:05:35,320
Speaker 1: you land and it's a small as little base like

1213
01:05:35,440 --> 01:05:38,160
Speaker 1: the size of this room. No bathroom, it's a pipe,

1214
01:05:38,560 --> 01:05:41,840
Speaker 1: the PBC pipe in the ground. That's the ship. That's

1215
01:05:41,920 --> 01:05:46,560
Speaker 1: the beast of bathroom. Ship. And it's about ten people there,

1216
01:05:47,040 --> 01:05:50,280
Speaker 1: ten soldiers there and you see a little hole in

1217
01:05:50,360 --> 01:05:52,280
Speaker 1: the cave and they're like, yeah, that's where our kata

1218
01:05:52,400 --> 01:05:55,320
Speaker 1: or whatever was it was at ship or Taliban wherever

1219
01:05:55,320 --> 01:05:57,040
Speaker 1: they was fighting. I don't know who they where. There's fight,

1220
01:05:57,200 --> 01:05:59,000
Speaker 1: that's where they was at. But we cleared them out. Now,

1221
01:05:59,080 --> 01:06:00,840
Speaker 1: But that's where they was at. We'd be down here

1222
01:06:00,920 --> 01:06:02,880
Speaker 1: just like we are now. We shoot them with this

1223
01:06:03,080 --> 01:06:06,520
Speaker 1: in for grenade launcher. You wanna try it, I'm like, ship,

1224
01:06:06,640 --> 01:06:09,600
Speaker 1: I don't want them to shoot back, you know, No, no, no,

1225
01:06:09,640 --> 01:06:11,760
Speaker 1: ain't nobody in the night O. So they say't nobody

1226
01:06:11,760 --> 01:06:14,400
Speaker 1: in there? But yes, so ship we shooting the grenades

1227
01:06:14,480 --> 01:06:17,040
Speaker 1: into the mountains and ship like this ship was crazy.

1228
01:06:17,440 --> 01:06:19,600
Speaker 1: And then my boys, I'm telling you what, it couldn't

1229
01:06:19,600 --> 01:06:21,440
Speaker 1: have been more than team people there bro And then

1230
01:06:21,480 --> 01:06:23,800
Speaker 1: next thing, you know, my boys say, hey, I ain't

1231
01:06:23,840 --> 01:06:26,680
Speaker 1: gonna say nothing, but I'm a producer, and neither dude said, yeah,

1232
01:06:26,680 --> 01:06:28,760
Speaker 1: I'm a rapper. We got a little studio over here.

1233
01:06:28,760 --> 01:06:30,680
Speaker 1: And as you mean to tell me how the ten people,

1234
01:06:31,080 --> 01:06:33,400
Speaker 1: they had a rapper and the producer in the studio

1235
01:06:34,480 --> 01:06:40,160
Speaker 1: and the studio and you wouldn't what was the country again,

1236
01:06:40,200 --> 01:06:45,560
Speaker 1: what n Afghanistan? Well in the middle of nowhere, helicopter

1237
01:06:45,960 --> 01:06:47,960
Speaker 1: what the trailers called, what they called them trailers was

1238
01:06:48,040 --> 01:06:51,760
Speaker 1: like on the eighteen whel trailers, the empty trailer. Well

1239
01:06:51,840 --> 01:06:54,120
Speaker 1: you know they take them and like turning into like something. Uh,

1240
01:06:54,480 --> 01:06:55,880
Speaker 1: they had something like that. It was one of them,

1241
01:06:56,160 --> 01:07:01,280
Speaker 1: one of them like eighteen Whillow Halls containers train and

1242
01:07:01,360 --> 01:07:03,600
Speaker 1: that was it was. It was. It was the room

1243
01:07:03,720 --> 01:07:06,600
Speaker 1: before in there, no now there. We were just doing

1244
01:07:06,640 --> 01:07:07,800
Speaker 1: like a little meet and green. They were like, okay,

1245
01:07:07,800 --> 01:07:09,320
Speaker 1: we're gonna take you to a couple of couple of

1246
01:07:09,360 --> 01:07:12,080
Speaker 1: bases ship to see you know, and then we did

1247
01:07:12,120 --> 01:07:13,800
Speaker 1: a big show you know here and there like at

1248
01:07:13,840 --> 01:07:15,919
Speaker 1: this base was a big, big base. We do a show,

1249
01:07:16,000 --> 01:07:18,680
Speaker 1: this basic big base show. But a couple of small

1250
01:07:18,760 --> 01:07:20,800
Speaker 1: bases they can't get to us. You want to still

1251
01:07:20,840 --> 01:07:22,840
Speaker 1: gonna see him? Hell yeah, I want to go see

1252
01:07:22,880 --> 01:07:24,760
Speaker 1: the real heroes. I want to go Ship being a

1253
01:07:24,880 --> 01:07:27,160
Speaker 1: presidents tell him thank you. Ship. I don't care if

1254
01:07:27,200 --> 01:07:30,200
Speaker 1: it's one person there, the one person we gotta go,

1255
01:07:30,280 --> 01:07:32,200
Speaker 1: because that means ain't nobody else wants to say thank

1256
01:07:32,240 --> 01:07:34,640
Speaker 1: you or to say what's up? So Ship, we we

1257
01:07:34,800 --> 01:07:37,080
Speaker 1: go do that. We're there and dude say, yeah, I

1258
01:07:37,160 --> 01:07:38,880
Speaker 1: got a studio right here. Let me He had a

1259
01:07:38,960 --> 01:07:45,400
Speaker 1: studio in the in the trailer. I of course, right

1260
01:07:50,760 --> 01:07:53,640
Speaker 1: just made it over here. Man, he gotta he had

1261
01:07:54,040 --> 01:07:58,880
Speaker 1: he had a computer, Mike, he ordered online somewhere some beast.

1262
01:07:59,080 --> 01:08:00,360
Speaker 1: You know how it is when you want to come

1263
01:08:00,440 --> 01:08:02,880
Speaker 1: up and beat you. You you get from somebody random

1264
01:08:02,960 --> 01:08:04,560
Speaker 1: on the internet that you don't know who they're from,

1265
01:08:04,640 --> 01:08:07,439
Speaker 1: and you can't really use it, but you can use Ship.

1266
01:08:07,520 --> 01:08:09,320
Speaker 1: He pulled us up. I said, Man, I gotta right

1267
01:08:09,320 --> 01:08:10,880
Speaker 1: away there, like, hey, we got ten minutes of ship.

1268
01:08:11,000 --> 01:08:15,240
Speaker 1: All I need is nine. Yeah, I got to come

1269
01:08:15,320 --> 01:08:16,960
Speaker 1: on with man. I got to I don't even know.

1270
01:08:16,960 --> 01:08:18,720
Speaker 1: I don't Eve wouldn't know where they at. So they're

1271
01:08:18,760 --> 01:08:22,080
Speaker 1: watching them, They say, they watch our guarantee they watch

1272
01:08:22,160 --> 01:08:25,080
Speaker 1: your soul, So drop your ship man, But we don't

1273
01:08:25,080 --> 01:08:28,040
Speaker 1: want all We're gonna have all the overcoming repers. Now

1274
01:08:28,160 --> 01:08:35,160
Speaker 1: drop the ship with me on that you want now

1275
01:08:35,280 --> 01:08:38,000
Speaker 1: they lost their hard drive? What if they if they

1276
01:08:38,040 --> 01:08:42,759
Speaker 1: ship they spilling coffee on their hard man to switch locations?

1277
01:08:42,800 --> 01:08:46,320
Speaker 1: That everything. The motherfucker left a grenade on that bill. Yeah,

1278
01:08:47,760 --> 01:08:52,080
Speaker 1: don't head ship man, and you shot a grenade lunch.

1279
01:08:52,160 --> 01:08:55,800
Speaker 1: I know you had to cobirste. Yeah, I don't know

1280
01:08:55,840 --> 01:08:57,439
Speaker 1: what the funk I said. I was out there with

1281
01:08:57,520 --> 01:09:00,559
Speaker 1: DJ Smalls. DJ Smalls, he umu. The did an intro.

1282
01:09:01,000 --> 01:09:02,960
Speaker 1: He didn intro for him too. When we say he

1283
01:09:03,040 --> 01:09:04,720
Speaker 1: was like and he was like, hey man, you know

1284
01:09:04,880 --> 01:09:07,479
Speaker 1: I don't usually do this without charging people. You know,

1285
01:09:07,680 --> 01:09:10,920
Speaker 1: ship you know that was my whole popit too. Yeah,

1286
01:09:11,160 --> 01:09:13,000
Speaker 1: he was getting them bad for that type of ship,

1287
01:09:13,080 --> 01:09:14,679
Speaker 1: but he kept it real to He was like, yeah,

1288
01:09:14,680 --> 01:09:16,439
Speaker 1: I got you. I'm gonna talking on there too. Sh

1289
01:09:17,400 --> 01:09:20,680
Speaker 1: just I'm talking at the beginning, ship man. We need

1290
01:09:20,680 --> 01:09:24,840
Speaker 1: to shoot the video of that man. I ain't let

1291
01:09:24,880 --> 01:09:27,920
Speaker 1: me shooting. Yeah, you get to blow some ship up, Yeah,

1292
01:09:29,240 --> 01:09:31,040
Speaker 1: blow some up. You had to write on a tank

1293
01:09:31,560 --> 01:09:38,720
Speaker 1: on the Bradley it's another thing Bradley with a bunch

1294
01:09:38,720 --> 01:09:41,400
Speaker 1: of guns on it that they literally that ship, but

1295
01:09:41,479 --> 01:09:44,280
Speaker 1: they made ship with new Yeah, they're really going on

1296
01:09:45,720 --> 01:09:50,519
Speaker 1: that crazy. Yeah it was the man. Look the sad

1297
01:09:50,680 --> 01:09:55,120
Speaker 1: part about being over there, the reality, man, is the

1298
01:09:55,200 --> 01:09:58,160
Speaker 1: first time we went and this out of the seven

1299
01:09:58,240 --> 01:10:01,880
Speaker 1: eight times I went, this happened three times. Where you're

1300
01:10:01,880 --> 01:10:05,040
Speaker 1: on an angel flight going back. Well, we're be in

1301
01:10:05,080 --> 01:10:08,360
Speaker 1: the middle of performing and you see a helicopter like

1302
01:10:08,479 --> 01:10:11,559
Speaker 1: come down smoking, you know, kick up all this dusk

1303
01:10:11,560 --> 01:10:12,960
Speaker 1: and everything, and they leave and we're like, what's the

1304
01:10:13,040 --> 01:10:15,320
Speaker 1: hell going on? You see not everybody, a group of

1305
01:10:15,360 --> 01:10:18,080
Speaker 1: people rushing somewhere, like, man, what's going on? Something going on?

1306
01:10:18,640 --> 01:10:20,400
Speaker 1: And then they'll tell you later, yeah, man, somebody just

1307
01:10:20,520 --> 01:10:22,720
Speaker 1: got shot, somebody just got killed or whatever, this and that,

1308
01:10:22,880 --> 01:10:25,360
Speaker 1: and it's going on, why are you performing? So they're

1309
01:10:25,400 --> 01:10:28,840
Speaker 1: leaving to go protect somebody, say, somebody rescues somebody. That's

1310
01:10:28,880 --> 01:10:31,479
Speaker 1: just surreal as the motherfucker wanted to thank the damn man.

1311
01:10:31,640 --> 01:10:34,720
Speaker 1: Imagine somebody like that's a they at your concert. And

1312
01:10:34,760 --> 01:10:38,280
Speaker 1: then they did the next day like man, so man,

1313
01:10:38,920 --> 01:10:40,960
Speaker 1: like I said, they're having a few times. Well you're

1314
01:10:41,000 --> 01:10:45,080
Speaker 1: on the flight from Bagdad back to Quait and they

1315
01:10:46,280 --> 01:10:48,760
Speaker 1: bring that casket on that with that American flag over it,

1316
01:10:49,160 --> 01:10:53,640
Speaker 1: and it's whoever's in their remains. Yeah, and and they

1317
01:10:53,720 --> 01:10:56,600
Speaker 1: squad with them, so that's their partner that they've been

1318
01:10:56,680 --> 01:10:58,639
Speaker 1: with every single day for the last how many years,

1319
01:10:58,720 --> 01:11:00,800
Speaker 1: or who have a long they partner and it's just

1320
01:11:01,240 --> 01:11:04,599
Speaker 1: you know, it's a it's that ship is a very

1321
01:11:05,240 --> 01:11:09,080
Speaker 1: uh it kicked back in the gear and there's some

1322
01:11:09,160 --> 01:11:11,960
Speaker 1: real ship going on. This ain't it's concerts and we

1323
01:11:12,400 --> 01:11:14,519
Speaker 1: you know what I'm saying, shooting grenade laws or not that.

1324
01:11:14,640 --> 01:11:16,880
Speaker 1: But it's some real ship going on. Like here, man,

1325
01:11:16,920 --> 01:11:20,240
Speaker 1: they're real people, you know. It's it's some ship. Man.

1326
01:11:20,360 --> 01:11:24,759
Speaker 1: So when you see people back in the real world,

1327
01:11:24,920 --> 01:11:26,640
Speaker 1: in the free world, you know ship, you see it

1328
01:11:26,640 --> 01:11:28,320
Speaker 1: in the free world, You're like, yeah, man, and they

1329
01:11:28,400 --> 01:11:29,599
Speaker 1: come on to you and tell you, man, I've seen

1330
01:11:29,640 --> 01:11:32,000
Speaker 1: you in in Iraq, I've seen you in Africa. I've

1331
01:11:32,000 --> 01:11:34,880
Speaker 1: seen you. You know. You're like, man, it's like seeing

1332
01:11:34,880 --> 01:11:36,880
Speaker 1: when your partners get out of jail, you know, ship

1333
01:11:37,040 --> 01:11:39,280
Speaker 1: like that you fresh out block my partner, you know,

1334
01:11:39,400 --> 01:11:41,599
Speaker 1: like damn you was there? Yeah man, you know, because

1335
01:11:42,560 --> 01:11:43,960
Speaker 1: I don't know, you know, you don't know if they're

1336
01:11:43,960 --> 01:11:45,960
Speaker 1: gonna make it out. You know what I'm saying. You

1337
01:11:45,960 --> 01:11:48,760
Speaker 1: don't know if they're gonna be fighting their whole life

1338
01:11:48,840 --> 01:11:50,600
Speaker 1: and they said, you know, they die or you know,

1339
01:11:51,280 --> 01:11:53,360
Speaker 1: it's a lot going on. There, a lot of weight

1340
01:11:53,439 --> 01:11:56,479
Speaker 1: they carry when they come back to So ship, I

1341
01:11:56,520 --> 01:12:00,439
Speaker 1: didn't have partners that you know, they they a different

1342
01:12:00,479 --> 01:12:03,000
Speaker 1: route and take theirselves out or do something crazy. You know.

1343
01:12:03,080 --> 01:12:06,439
Speaker 1: They it's some real ship, so that should be heavy. Man.

1344
01:12:06,560 --> 01:12:09,040
Speaker 1: You know, didn't see that ship man, you'll take over

1345
01:12:10,160 --> 01:12:16,680
Speaker 1: like it to the veterans and yeah, yeah they rock

1346
01:12:16,800 --> 01:12:20,519
Speaker 1: with us too. Yeah yeah, oh yeah, ship, I need

1347
01:12:20,600 --> 01:12:22,479
Speaker 1: to y'all need to take the eighty five South show

1348
01:12:22,920 --> 01:12:25,840
Speaker 1: to the us O. Ship you're gonna be and y'all

1349
01:12:25,840 --> 01:12:28,080
Speaker 1: really ready to go to afghanistandard they might be in

1350
01:12:28,120 --> 01:12:34,679
Speaker 1: the Russia or something. Now yeah, now, well they ain't

1351
01:12:34,680 --> 01:12:41,040
Speaker 1: gonna want to laugh, right ship? Real you ran out

1352
01:12:41,080 --> 01:12:45,400
Speaker 1: of buds? Oh many, maybe the ones ready to laugh

1353
01:12:45,439 --> 01:12:50,840
Speaker 1: at they need? Yeah, that would be because I'll be

1354
01:12:50,920 --> 01:12:53,000
Speaker 1: thinking that my mind, you know, ship, your mind, you're

1355
01:12:53,040 --> 01:12:54,840
Speaker 1: like they're in the middle of water that it was

1356
01:12:54,920 --> 01:12:58,560
Speaker 1: on That's all I'm thinking. But all they're thinking is

1357
01:12:59,760 --> 01:13:02,320
Speaker 1: was the Paul are doing here? Oh? Ship, we got

1358
01:13:02,720 --> 01:13:05,680
Speaker 1: a little uh, you know, memory of home. You know

1359
01:13:05,680 --> 01:13:09,600
Speaker 1: what I'm saying, resemblance of home. Can't imagine been in

1360
01:13:09,720 --> 01:13:17,400
Speaker 1: war all day And Paul walsher like, what ye hey, man,

1361
01:13:17,520 --> 01:13:26,640
Speaker 1: I need some sleep. Man. I just thought, yeah, but

1362
01:13:26,760 --> 01:13:28,760
Speaker 1: that's dope as here man. When you get to take

1363
01:13:28,800 --> 01:13:32,800
Speaker 1: your craft around the world to see people appreciate it. Yeah,

1364
01:13:33,040 --> 01:13:38,320
Speaker 1: ship had to go meet it were safe. You never

1365
01:13:38,400 --> 01:13:45,000
Speaker 1: go to like Germany and we got we got some

1366
01:13:45,280 --> 01:13:48,559
Speaker 1: unsafe stories out there too. Ship. Yeah, we didn't been

1367
01:13:48,600 --> 01:13:50,080
Speaker 1: a fruit place. But you know, we keep it light.

1368
01:13:50,160 --> 01:13:52,479
Speaker 1: We don't. We keep a low footprint. You know what

1369
01:13:52,520 --> 01:13:57,439
Speaker 1: I'm saying, You going and what that was safe? It

1370
01:13:57,680 --> 01:14:00,880
Speaker 1: was safe, but it wasn't. It wasn't a war zone. Sheah.

1371
01:14:00,880 --> 01:14:02,479
Speaker 1: We did been a few of them places like you

1372
01:14:02,520 --> 01:14:06,320
Speaker 1: know out there, like Czech Republic or Paris of Poland,

1373
01:14:06,720 --> 01:14:10,559
Speaker 1: or Germany like that in the Check Republic. Man, we man.

1374
01:14:11,160 --> 01:14:13,240
Speaker 1: We there's some of them countries you go to, like

1375
01:14:13,320 --> 01:14:16,240
Speaker 1: we go to Germany. Most people there speak English too.

1376
01:14:16,760 --> 01:14:19,519
Speaker 1: They speak to languages either German and English or German

1377
01:14:19,560 --> 01:14:22,880
Speaker 1: and French. Everybody that they think English stupid as hell.

1378
01:14:22,960 --> 01:14:27,519
Speaker 1: They you got to check Republic or we go to Poland,

1379
01:14:28,080 --> 01:14:32,160
Speaker 1: they're speaking their language, not English. They like in American,

1380
01:14:32,200 --> 01:14:35,439
Speaker 1: we ain't speaking Polish. They ain't speaking English in pols

1381
01:14:35,960 --> 01:14:38,479
Speaker 1: So we're down there. Ship. They got the same thing

1382
01:14:38,640 --> 01:14:41,640
Speaker 1: we got going on here. They got rap beef. Man,

1383
01:14:41,680 --> 01:14:45,040
Speaker 1: I'm performing. You know whoever going before me? He got

1384
01:14:45,160 --> 01:14:47,559
Speaker 1: to blow up doll on the stage talking about another rapper.

1385
01:14:47,640 --> 01:14:49,439
Speaker 1: They beef, and they got all kinds of ship going

1386
01:14:49,479 --> 01:14:51,920
Speaker 1: on where they like real this songs like ship, ship

1387
01:14:52,040 --> 01:14:55,320
Speaker 1: like that. They got award shows where the trophies of

1388
01:14:56,080 --> 01:14:59,000
Speaker 1: a k clip ship like that they got. They got

1389
01:14:59,080 --> 01:15:02,400
Speaker 1: their hip hip It is around the motherfucking world, man,

1390
01:15:02,520 --> 01:15:05,800
Speaker 1: This ship is that ship when you see hip hop

1391
01:15:06,000 --> 01:15:07,960
Speaker 1: have its own life. The sees that you know, just

1392
01:15:08,520 --> 01:15:12,120
Speaker 1: you know, like in real life, like how b will

1393
01:15:12,160 --> 01:15:15,000
Speaker 1: take poler from one flower to another and ship will

1394
01:15:15,000 --> 01:15:16,439
Speaker 1: happened the next thing. You know. You know, you got

1395
01:15:17,240 --> 01:15:19,160
Speaker 1: plants that ain't supposed to gorow here that's going here.

1396
01:15:19,760 --> 01:15:21,599
Speaker 1: That's how that ship happened with hip hop. Man, it's

1397
01:15:21,680 --> 01:15:23,320
Speaker 1: hip hop around the world that you'd be like, how

1398
01:15:23,360 --> 01:15:26,120
Speaker 1: the hell did this ship happened? Here? They don't speak English.

1399
01:15:26,160 --> 01:15:27,960
Speaker 1: They don't know nothing that's going on with hip hop

1400
01:15:28,040 --> 01:15:30,240
Speaker 1: culture in America. Some of the places they do, they'll

1401
01:15:30,280 --> 01:15:32,320
Speaker 1: be tapped in, they'd be tapped in, or whatever's going

1402
01:15:32,400 --> 01:15:35,360
Speaker 1: whatever slang we're using, they're using whatever beats, we're using

1403
01:15:35,439 --> 01:15:38,160
Speaker 1: whatever style beasts. That's the style of using whatever. Ship,

1404
01:15:38,520 --> 01:15:40,880
Speaker 1: you know, whatever features or whatever. That's the same ship.

1405
01:15:40,920 --> 01:15:43,320
Speaker 1: They're gonna put some of them places. They don't know

1406
01:15:43,479 --> 01:15:45,960
Speaker 1: what's going on here, but hip hop is alive, and

1407
01:15:46,040 --> 01:15:49,120
Speaker 1: well where they at ship? That ship is this It's

1408
01:15:49,240 --> 01:15:55,120
Speaker 1: very inspiring to see ship. Yeah, yeah, I see cats

1409
01:15:55,120 --> 01:15:59,080
Speaker 1: flies right now. Yeah, trying to buy all our Cadillacs. Now,

1410
01:16:00,040 --> 01:16:02,320
Speaker 1: see how far the game, You know, the hip hop

1411
01:16:02,880 --> 01:16:07,360
Speaker 1: entertainment business has evolved, and you know it's still you know, trended,

1412
01:16:07,439 --> 01:16:11,479
Speaker 1: but trends come back around. Man, Like how you see

1413
01:16:11,520 --> 01:16:15,080
Speaker 1: the game as opposed to when you started? Man? Where

1414
01:16:15,120 --> 01:16:19,599
Speaker 1: you are there? Man? When we started, it was only

1415
01:16:19,680 --> 01:16:22,320
Speaker 1: a few pass you know, I look at it like

1416
01:16:22,920 --> 01:16:26,880
Speaker 1: we're trying to get downtown. It's only one freeway downtown

1417
01:16:27,680 --> 01:16:29,880
Speaker 1: and it was traffic on their motherfucker. So you can

1418
01:16:29,960 --> 01:16:31,800
Speaker 1: get there, but you gotta wait and then you exit

1419
01:16:31,880 --> 01:16:34,320
Speaker 1: off you probably ain't getting back on. That's how it was.

1420
01:16:34,360 --> 01:16:36,559
Speaker 1: If you're trying to make it a wrap. And I said,

1421
01:16:36,600 --> 01:16:40,479
Speaker 1: it's one path ship. Now you can take the freeway,

1422
01:16:40,800 --> 01:16:42,280
Speaker 1: you can take the feet the road, you can take

1423
01:16:42,320 --> 01:16:44,599
Speaker 1: the tollway, you can take the loop, you can take

1424
01:16:44,640 --> 01:16:47,519
Speaker 1: the street way, you can take ways to see, okay, traffic,

1425
01:16:47,560 --> 01:16:50,200
Speaker 1: go this other way. So it's plenty ways to make it.

1426
01:16:50,280 --> 01:16:53,160
Speaker 1: Now it's still a lot of cars. You know, it

1427
01:16:53,240 --> 01:16:55,200
Speaker 1: might be more traffic. If you're taking a direct route,

1428
01:16:55,200 --> 01:16:57,240
Speaker 1: it's gonna be more traffic, but you can get there.

1429
01:16:57,880 --> 01:17:00,439
Speaker 1: So I mean to me, as a end of it,

1430
01:17:01,080 --> 01:17:04,200
Speaker 1: I love to see that. And you know, I've always

1431
01:17:04,320 --> 01:17:07,080
Speaker 1: from the first time I heard hip pop, there's stuff

1432
01:17:07,120 --> 01:17:11,000
Speaker 1: I like and stuff I hate. It Now, plenty of

1433
01:17:11,040 --> 01:17:14,200
Speaker 1: ship I hate, but I always there's music. I gotta.

1434
01:17:14,520 --> 01:17:23,479
Speaker 1: I got a niche uh preference in music. I ain't

1435
01:17:23,520 --> 01:17:27,200
Speaker 1: trying to shoot on nobody. But I don't answer that

1436
01:17:27,479 --> 01:17:30,360
Speaker 1: anything that ever got played on the radio ship, on

1437
01:17:30,479 --> 01:17:33,360
Speaker 1: any radio ship, I was on the I'm on the

1438
01:17:33,400 --> 01:17:35,040
Speaker 1: ground for life, so if you came from on the

1439
01:17:35,080 --> 01:17:39,560
Speaker 1: ground with your ship. But I was anti mainstream. I

1440
01:17:39,680 --> 01:17:42,240
Speaker 1: always just like that. So even me being successful was

1441
01:17:42,320 --> 01:17:45,320
Speaker 1: like a conundrum for myself because Ship, I feel like

1442
01:17:45,360 --> 01:17:48,599
Speaker 1: a sellout. Ship. You won't main stream. I'm gonna sell out. Man,

1443
01:17:49,000 --> 01:17:52,280
Speaker 1: This an't going back. We're going back to the Swisshouse tape. Man, Ship,

1444
01:17:52,360 --> 01:17:55,240
Speaker 1: We're going back. Ship. But that's how you know, because

1445
01:17:55,320 --> 01:17:58,800
Speaker 1: that's what I like. My preference. So even making music

1446
01:17:58,920 --> 01:18:01,000
Speaker 1: and marketing in and able trying to say this is

1447
01:18:01,080 --> 01:18:04,040
Speaker 1: you know, I'm like, man, the type of music I

1448
01:18:04,160 --> 01:18:08,040
Speaker 1: know they can sell more is not my preference. So

1449
01:18:08,200 --> 01:18:10,479
Speaker 1: I've my whole life. I needed somebody like T Fairs

1450
01:18:10,560 --> 01:18:12,640
Speaker 1: to say, say, man, man, bro my whole show right now,

1451
01:18:13,200 --> 01:18:16,439
Speaker 1: it's all songs that I don't like except for Swinging

1452
01:18:16,479 --> 01:18:18,160
Speaker 1: in the right That's the only song that I was like, Man,

1453
01:18:18,240 --> 01:18:20,840
Speaker 1: this me right here. But Ship break them off. That's

1454
01:18:20,840 --> 01:18:23,880
Speaker 1: T Fairs say, Man, this this to beat right here, Ship,

1455
01:18:23,960 --> 01:18:25,280
Speaker 1: this this is how I need to go right here,

1456
01:18:25,600 --> 01:18:29,439
Speaker 1: Ship or you know, any of them still tipping picking

1457
01:18:29,479 --> 01:18:31,640
Speaker 1: that song picking the beat? Hey man, just freestyle on

1458
01:18:31,720 --> 01:18:33,800
Speaker 1: the and I ain't my kind of staying there beat man,

1459
01:18:33,880 --> 01:18:36,920
Speaker 1: what the funk? I'm listening to just some uh violence?

1460
01:18:37,000 --> 01:18:39,160
Speaker 1: Do do do do dude? And you're listening on the

1461
01:18:39,280 --> 01:18:41,840
Speaker 1: CD on a little CD boom box where if you

1462
01:18:41,960 --> 01:18:44,479
Speaker 1: turn it up past two, it's gonna skip. You know

1463
01:18:44,520 --> 01:18:46,519
Speaker 1: what I'm saying, because you can't obase. So I'm like, man,

1464
01:18:46,520 --> 01:18:48,640
Speaker 1: it ain't no base in here. It's just do do

1465
01:18:48,800 --> 01:18:50,920
Speaker 1: do do, Dude, do do do do. I'm like, well,

1466
01:18:50,960 --> 01:18:53,400
Speaker 1: what is this one of' supposed to wrap on? Ain't violins,

1467
01:18:53,600 --> 01:18:55,760
Speaker 1: I'm supposed to talk about some orchestras. Ship us On

1468
01:18:55,960 --> 01:18:59,800
Speaker 1: like what he's man, just freestyle whatever, freestyle bit going there?

1469
01:19:00,439 --> 01:19:03,479
Speaker 1: Ship Man, I'm telling my old girl that was a song.

1470
01:19:03,600 --> 01:19:08,040
Speaker 1: He coming me saying, say, man, that's I hate mainstream

1471
01:19:08,160 --> 01:19:12,000
Speaker 1: music and I hate anything that's sexual or female centric.

1472
01:19:12,120 --> 01:19:15,240
Speaker 1: That's just not my I like street music. So ship

1473
01:19:15,920 --> 01:19:19,320
Speaker 1: and TV saying say, man, I know you're going through

1474
01:19:19,360 --> 01:19:22,639
Speaker 1: with your girl. I know you hate making music for girls.

1475
01:19:22,680 --> 01:19:24,679
Speaker 1: You got a lot of girl fans though, but man,

1476
01:19:24,840 --> 01:19:27,120
Speaker 1: you gotta do something for them. Man, just talk about

1477
01:19:27,160 --> 01:19:29,280
Speaker 1: what you're going through with your girl. Man. Just I'm like, Man,

1478
01:19:29,360 --> 01:19:31,160
Speaker 1: hell no, that's a corner of the mother. I'm not

1479
01:19:31,240 --> 01:19:33,599
Speaker 1: gonna do that now. I'm telling you, man, people gonna

1480
01:19:33,600 --> 01:19:35,479
Speaker 1: feel that. Man because he's just there with me so

1481
01:19:35,560 --> 01:19:37,599
Speaker 1: he could see what I'm arguing with my girl about

1482
01:19:37,640 --> 01:19:40,320
Speaker 1: he just knowing, like, damn man, you gotta talk about

1483
01:19:40,360 --> 01:19:42,600
Speaker 1: that ship. People don't relate to that. Okay, bet we

1484
01:19:42,680 --> 01:19:45,000
Speaker 1: do it. Okay, we talk about even ship with my

1485
01:19:45,160 --> 01:19:47,160
Speaker 1: boy whatever we go down there. I told you I

1486
01:19:47,200 --> 01:19:49,800
Speaker 1: don't like female central music. He put on that beat

1487
01:19:49,840 --> 01:19:52,000
Speaker 1: with Mouse put on that beat and he says, say,

1488
01:19:52,040 --> 01:19:53,920
Speaker 1: this is my idea for this busy body ship. I

1489
01:19:53,960 --> 01:19:56,360
Speaker 1: got a hook. Mouse came up with that mouth and

1490
01:19:56,400 --> 01:19:58,160
Speaker 1: wabe he came up there and a little fat and

1491
01:19:58,200 --> 01:19:59,479
Speaker 1: they tell you this is what you need to say

1492
01:19:59,520 --> 01:20:02,160
Speaker 1: on here. I'm like, man, I ain't evenna tell where

1493
01:20:02,240 --> 01:20:04,479
Speaker 1: you know, so we'll be telling me. Hey man, that's

1494
01:20:04,479 --> 01:20:06,080
Speaker 1: what we were talking about on the bed that we're

1495
01:20:06,080 --> 01:20:08,880
Speaker 1: talking about. And t Ferris smiling the whole time. I

1496
01:20:08,960 --> 01:20:12,880
Speaker 1: thought you ain't like making girl music, you know. And

1497
01:20:13,040 --> 01:20:15,679
Speaker 1: now ship my ship and I'm in the strip club

1498
01:20:15,760 --> 01:20:18,960
Speaker 1: for life with that busy body shyeah. Boy that I

1499
01:20:19,120 --> 01:20:21,519
Speaker 1: was already turning dollars, but that had me like that

1500
01:20:21,640 --> 01:20:24,280
Speaker 1: put me on another level. So ship, you know, I

1501
01:20:24,439 --> 01:20:26,479
Speaker 1: always my whole life, I got a preference or what

1502
01:20:26,600 --> 01:20:30,000
Speaker 1: I like. What I like is little Kiki zero, you know,

1503
01:20:30,800 --> 01:20:35,120
Speaker 1: fat pat some thug rister factor. You know, ship like that.

1504
01:20:35,400 --> 01:20:38,400
Speaker 1: You know, I need somebody to all right, you know

1505
01:20:38,479 --> 01:20:41,720
Speaker 1: you got a lot of these ingredients this whip up something.

1506
01:20:41,760 --> 01:20:43,320
Speaker 1: I know how to whoop up something together. You know,

1507
01:20:43,400 --> 01:20:45,640
Speaker 1: I just like even wanted me to, you know, on

1508
01:20:45,800 --> 01:20:48,120
Speaker 1: particular me, That's what I like. I always needed somebody

1509
01:20:48,200 --> 01:20:58,560
Speaker 1: to have an outside inputt Yeah, hey, that's dope. The

1510
01:20:58,640 --> 01:21:01,880
Speaker 1: ship you don't like, but it's the yeah man. But

1511
01:21:02,240 --> 01:21:04,840
Speaker 1: I learned that early on from even from Loving My

1512
01:21:04,920 --> 01:21:08,240
Speaker 1: Money or even freestyles, because my favorite freestyles don't be

1513
01:21:08,320 --> 01:21:10,479
Speaker 1: the ones people like, but the ones people like to

1514
01:21:10,479 --> 01:21:12,400
Speaker 1: be ones that I'd be like, Man, I wouldn't even

1515
01:21:12,400 --> 01:21:13,960
Speaker 1: say nothing on that. I didn't give a funk about

1516
01:21:13,960 --> 01:21:16,320
Speaker 1: what I was saying. I just said whatever before whatever.

1517
01:21:16,720 --> 01:21:19,679
Speaker 1: Sometimes it could be the way he said something. Sometimes

1518
01:21:19,720 --> 01:21:22,360
Speaker 1: it could be you shot it out the street. Even

1519
01:21:22,400 --> 01:21:24,280
Speaker 1: though I'm talking about the street in Houston, you got

1520
01:21:24,360 --> 01:21:26,680
Speaker 1: the street in Atlanta and Dallas in theywhere so you're

1521
01:21:26,680 --> 01:21:28,680
Speaker 1: feeling that I may talk about dis street here, man,

1522
01:21:28,760 --> 01:21:34,000
Speaker 1: You know what else? Are the chances all like the same? Yeah,

1523
01:21:34,520 --> 01:21:40,720
Speaker 1: we all from the same, damn man. Paul Wallens fell

1524
01:21:40,840 --> 01:21:48,519
Speaker 1: through the trap, yeah man, making man I gotta invite

1525
01:21:48,520 --> 01:21:51,439
Speaker 1: in my DM from seen. I said, God, damn, what

1526
01:21:51,600 --> 01:21:59,360
Speaker 1: was that doing? We want you come through? I said,

1527
01:21:59,560 --> 01:22:03,599
Speaker 1: who's say they look it up and see you? Because

1528
01:22:03,600 --> 01:22:05,360
Speaker 1: I said, I've seen it. I've seen it. I've seen

1529
01:22:05,520 --> 01:22:11,639
Speaker 1: a man. Yeah, everybody last week this said dam We've

1530
01:22:11,680 --> 01:22:15,600
Speaker 1: been trying to reach out to Twins team. Wait, yeah, Manyeah,

1531
01:22:15,600 --> 01:22:18,360
Speaker 1: I got to come hold up, my boy, It's crazy.

1532
01:22:18,720 --> 01:22:22,320
Speaker 1: They happen when it's supposed to happen. Yeah. You might

1533
01:22:22,400 --> 01:22:23,880
Speaker 1: have came then. That might have been when we was

1534
01:22:23,920 --> 01:22:32,720
Speaker 1: at the fact we couldn't even Yeah, yeah, man, where

1535
01:22:32,760 --> 01:22:35,519
Speaker 1: can we find you on social media? Man? Man, I'm

1536
01:22:35,560 --> 01:22:39,280
Speaker 1: sure some people watching they want to Yeah, real to man,

1537
01:22:39,600 --> 01:22:42,200
Speaker 1: the show was still doing girls from Yeah, shout to

1538
01:22:42,240 --> 01:22:44,160
Speaker 1: my boy Johnny. You know we still got them grills

1539
01:22:44,200 --> 01:22:51,360
Speaker 1: and shut up. But for show social media? Man, boy? Yeah,

1540
01:22:51,439 --> 01:22:56,120
Speaker 1: divon boy, what's a man? Y'all follow my YouTube? Ain't

1541
01:22:56,120 --> 01:22:59,479
Speaker 1: get money TV. Powall get money TV? Already? Ship man,

1542
01:22:59,560 --> 01:23:02,600
Speaker 1: y'all follow my YouTube of course at Para baby, you

1543
01:23:02,680 --> 01:23:04,880
Speaker 1: know that's That's where I'm at. Man, But that YouTube

1544
01:23:04,920 --> 01:23:08,519
Speaker 1: were set said give money TV. Yeah, I know that

1545
01:23:08,640 --> 01:23:11,040
Speaker 1: your first time stopping through the trail. You gotta come back, man,

1546
01:23:11,160 --> 01:23:14,360
Speaker 1: I got a little more come back. Anytime has them

1547
01:23:14,400 --> 01:23:16,800
Speaker 1: for you. You know. I brought something for my boy,

1548
01:23:17,120 --> 01:23:20,680
Speaker 1: but I got someone asks for you, nicktime. Yeah ship man, Yea,

1549
01:23:20,680 --> 01:23:21,720
Speaker 1: I got you. I got that too,