1 00:00:00,240 --> 00:00:02,600 Speaker 1: Well, let's go buckle up and hold on tight. We 2 00:00:02,680 --> 00:00:05,480 Speaker 1: gotta tell you here it is strawberry letter, Thank you nephew. 3 00:00:05,600 --> 00:00:10,520 Speaker 1: Subject he's turning me into his mama. Here's Stephen Shirley. 4 00:00:10,680 --> 00:00:13,760 Speaker 1: I am a thirty nine year old engaged woman and 5 00:00:13,840 --> 00:00:17,760 Speaker 1: my fiance is terrific. But I need your advice. My 6 00:00:17,800 --> 00:00:20,599 Speaker 1: fiance and I met in the emergency room when I 7 00:00:20,680 --> 00:00:24,160 Speaker 1: treated him for a minor illness. He flirted a little 8 00:00:24,239 --> 00:00:26,520 Speaker 1: and told me that his mom used to be a nurse, 9 00:00:26,560 --> 00:00:29,880 Speaker 1: so that made me even more attractive. We went on 10 00:00:29,960 --> 00:00:32,120 Speaker 1: a date a couple of weeks after that, and we've 11 00:00:32,120 --> 00:00:36,080 Speaker 1: been together ever since. I do most of the cooking 12 00:00:36,080 --> 00:00:38,960 Speaker 1: and he prefers for me to only cook meals from 13 00:00:38,960 --> 00:00:43,640 Speaker 1: his late mother's handwritten recipe book. Her recipes are really good, 14 00:00:43,720 --> 00:00:45,879 Speaker 1: so I didn't make a big deal out of that. 15 00:00:46,400 --> 00:00:48,319 Speaker 1: But when I talked to him about getting a new 16 00:00:48,400 --> 00:00:51,519 Speaker 1: due for our wedding, he suggested that I get the 17 00:00:51,640 --> 00:00:54,640 Speaker 1: same hair jew that his mom used to wear. I 18 00:00:54,800 --> 00:00:59,360 Speaker 1: was like, say what, there's a very large photo of 19 00:00:59,400 --> 00:01:03,480 Speaker 1: my fiance says yeah, okay, there's a very large photo 20 00:01:03,520 --> 00:01:06,240 Speaker 1: of my fiance's mother in our bedroom, and he used 21 00:01:06,240 --> 00:01:08,640 Speaker 1: the picture as a reference on how he wants me 22 00:01:08,680 --> 00:01:12,680 Speaker 1: to cut my hair. I was hesitant, but I did 23 00:01:12,680 --> 00:01:15,120 Speaker 1: it to make him happy. When he first saw my 24 00:01:15,200 --> 00:01:18,640 Speaker 1: new haircut, he loved it so much he made sweet 25 00:01:18,800 --> 00:01:23,119 Speaker 1: love to me. I was weirded out, but I didn't 26 00:01:23,160 --> 00:01:26,840 Speaker 1: say anything. Now fast forward to me getting ready to 27 00:01:26,880 --> 00:01:29,600 Speaker 1: shop from my wedding dress. He told me that he 28 00:01:29,800 --> 00:01:32,800 Speaker 1: had a surprise. He had called his dad and got 29 00:01:32,840 --> 00:01:36,000 Speaker 1: his mother's wedding dress and he wanted me to try 30 00:01:36,040 --> 00:01:39,000 Speaker 1: it on so he can have it altered for our wedding. 31 00:01:39,800 --> 00:01:42,480 Speaker 1: That's where I drew the line and we got into 32 00:01:42,520 --> 00:01:46,520 Speaker 1: an argument. He's normal in every other aspect, but this 33 00:01:46,560 --> 00:01:50,360 Speaker 1: obsession with his mom has got to stop. His dad 34 00:01:50,400 --> 00:01:53,480 Speaker 1: says he has always been a mama's boy, and he 35 00:01:53,520 --> 00:01:56,760 Speaker 1: doesn't see it as a problem. So maybe I am 36 00:01:56,800 --> 00:02:00,360 Speaker 1: the only one that thinks this is crazy. He's turning 37 00:02:00,360 --> 00:02:03,240 Speaker 1: me into his mom. Should I run now before it's 38 00:02:03,280 --> 00:02:09,160 Speaker 1: too late? Please help? Wow? This is crazy right here, 39 00:02:09,240 --> 00:02:12,280 Speaker 1: And I'm surprised you lasted this long. I really am 40 00:02:12,680 --> 00:02:15,360 Speaker 1: because this You know, he weirded you out when he 41 00:02:15,440 --> 00:02:18,160 Speaker 1: made sweet love to you after you cut your hair 42 00:02:18,280 --> 00:02:22,240 Speaker 1: like his mom. Yeah, that's weird. I just think this 43 00:02:22,320 --> 00:02:24,320 Speaker 1: guy's out of control and way too much of a 44 00:02:24,400 --> 00:02:26,960 Speaker 1: mama's boy who does this. I'm talking to both of 45 00:02:27,000 --> 00:02:31,079 Speaker 1: you because I think that you're allowing too much to 46 00:02:31,120 --> 00:02:33,520 Speaker 1: get away. I mean, you're allowing him to get away 47 00:02:33,560 --> 00:02:36,240 Speaker 1: with way too much. A picture of his mom in 48 00:02:36,240 --> 00:02:41,880 Speaker 1: your bedroom, really, I mean, just think how weird that is. 49 00:02:42,240 --> 00:02:44,320 Speaker 1: I mean, on the mantel in the living room, in 50 00:02:44,360 --> 00:02:47,360 Speaker 1: front of the fireplace. I get that on his phone 51 00:02:47,720 --> 00:02:51,200 Speaker 1: in a photo album. I get that. But you know 52 00:02:51,360 --> 00:02:53,280 Speaker 1: it's too much of his mom. And if you have 53 00:02:53,360 --> 00:02:56,240 Speaker 1: to deal with this right now today, or you won't 54 00:02:56,280 --> 00:02:58,600 Speaker 1: be walking down the aisle with him. And if you do, 55 00:02:58,800 --> 00:03:00,480 Speaker 1: you're going to have to deal with this sort of 56 00:03:00,520 --> 00:03:03,600 Speaker 1: thing the rest of your life. Okay, So think about 57 00:03:03,639 --> 00:03:08,079 Speaker 1: that ended now. Uh, this obsession with his mom, if 58 00:03:08,080 --> 00:03:10,240 Speaker 1: he can, if not, you got to get out of there. 59 00:03:10,320 --> 00:03:15,079 Speaker 1: This is too much craziness going on in one relationship. Quake. Listen, 60 00:03:15,120 --> 00:03:17,960 Speaker 1: I know what Shirley over here telling you. Get out 61 00:03:17,960 --> 00:03:19,200 Speaker 1: of it. You don't want to be back out in 62 00:03:19,280 --> 00:03:24,320 Speaker 1: these streets the thirty nine. I'm telling you the pickings 63 00:03:24,320 --> 00:03:27,320 Speaker 1: are slim out here. Staying there role play play as 64 00:03:27,400 --> 00:03:33,359 Speaker 1: Mama put him on punishment. It's benefits playing as mama. 65 00:03:33,840 --> 00:03:37,920 Speaker 1: Tell him he had to stay home and you going out, understand, 66 00:03:38,440 --> 00:03:41,720 Speaker 1: tell him go buy stuff for you. Yeah, and she 67 00:03:41,920 --> 00:03:45,040 Speaker 1: looking at it's benefits to you said, everything is good. 68 00:03:45,080 --> 00:03:46,800 Speaker 1: Other than he wants you to be his mama. I'm 69 00:03:46,880 --> 00:03:49,119 Speaker 1: telling you right now, as I have a friend who 70 00:03:49,240 --> 00:03:51,720 Speaker 1: is a mama boy. If you can't deal with it, 71 00:03:51,800 --> 00:03:55,200 Speaker 1: gonta leave. You're never gonna be the Obama's boy. You 72 00:03:55,360 --> 00:03:58,040 Speaker 1: always gonna be second to a mama boy. That MoMA 73 00:03:58,240 --> 00:04:02,400 Speaker 1: is right below Jesus, and not to be touched or anything. 74 00:04:02,560 --> 00:04:04,880 Speaker 1: Now that you already got him, I guess she's not there. 75 00:04:05,240 --> 00:04:07,640 Speaker 1: Stay there, be friends with a put a picture up 76 00:04:07,680 --> 00:04:11,240 Speaker 1: there dressed like a mama. Everything, role play, do all 77 00:04:11,360 --> 00:04:13,720 Speaker 1: of it. Keep your man, girl. If you're doing all 78 00:04:13,760 --> 00:04:15,200 Speaker 1: this stuff, you don't want to be out here. You 79 00:04:15,240 --> 00:04:17,479 Speaker 1: see these young girls on Instagram. You ain't got a shot. 80 00:04:18,040 --> 00:04:22,400 Speaker 1: They Yeah, you're forty years old. You got a man 81 00:04:22,480 --> 00:04:24,240 Speaker 1: that's gonna walk you down. He just wants you to 82 00:04:24,279 --> 00:04:27,640 Speaker 1: be the mama and the wife. Come on you, you're strong. 83 00:04:28,080 --> 00:04:31,320 Speaker 1: You can do both of them. You can co exist 84 00:04:31,400 --> 00:04:33,840 Speaker 1: in both of them. People come home as the wife. 85 00:04:33,839 --> 00:04:35,760 Speaker 1: One day, then turn around to be the MoMA the 86 00:04:35,800 --> 00:04:38,280 Speaker 1: next staff give him a little bit of mama got 87 00:04:38,600 --> 00:04:44,440 Speaker 1: my advice. It's yeah, don't till you try understand. That's 88 00:04:44,520 --> 00:04:51,440 Speaker 1: right you No, I'm not. My brother. Tyrone was a 89 00:04:51,520 --> 00:04:54,200 Speaker 1: mama's boy that he didn't want to move. My mother 90 00:04:54,320 --> 00:04:57,480 Speaker 1: had to move, just lead a house and leave him 91 00:04:57,480 --> 00:04:59,880 Speaker 1: with the house. And he was so mad talk she left. 92 00:05:00,400 --> 00:05:04,360 Speaker 1: He was forty. It was terrible. It was gay. It 93 00:05:04,480 --> 00:05:06,719 Speaker 1: was terrible, even forty years old. He wasn't speaking to 94 00:05:06,800 --> 00:05:09,279 Speaker 1: my mama, said she left him. He was forty. He 95 00:05:09,279 --> 00:05:11,280 Speaker 1: didn't know even get apartment. He talking about which one 96 00:05:11,279 --> 00:05:15,520 Speaker 1: of these apartments? Who cook and clean? You don't find 97 00:05:15,560 --> 00:05:20,120 Speaker 1: them amenities in the apartment. Yes, it's lighting gas. She 98 00:05:20,320 --> 00:05:22,320 Speaker 1: talking about who do the cooking in the clean inside? 99 00:05:22,360 --> 00:05:24,799 Speaker 1: I'm looking for apartment. I said, you're not gonna find 100 00:05:25,040 --> 00:05:29,000 Speaker 1: mama in none of these apartments. Tyronne. So I'm telling 101 00:05:29,000 --> 00:05:31,720 Speaker 1: you right now, whoever you name, you're a nurse, just 102 00:05:31,800 --> 00:05:34,600 Speaker 1: go ahead and play that role with us. That's that's 103 00:05:34,640 --> 00:05:37,839 Speaker 1: all I got to say. All right, let's see that 104 00:05:37,920 --> 00:05:40,280 Speaker 1: was greatness. Quick. Let's hear him from the young one 105 00:05:40,320 --> 00:05:43,239 Speaker 1: on the on the panel. What you got what you got, Junior. 106 00:05:43,400 --> 00:05:46,400 Speaker 1: First of all, he's turning me into my mama, his mama. 107 00:05:46,480 --> 00:05:49,080 Speaker 1: But first of all, I would quake. You don't need 108 00:05:49,120 --> 00:05:51,520 Speaker 1: to leave, you really don't need to leave. But let 109 00:05:51,600 --> 00:05:54,640 Speaker 1: me just this something that that piqued my interests. Mafia 110 00:05:54,680 --> 00:05:56,560 Speaker 1: as I've met in the emergence room. I spent a 111 00:05:56,600 --> 00:05:59,479 Speaker 1: lot of time in emergency room. Ain't met no damn 112 00:05:59,480 --> 00:06:04,080 Speaker 1: about What did he say here? I've been in the bed. 113 00:06:04,160 --> 00:06:06,880 Speaker 1: I've laid there trying to pick up a nurse. Dudes 114 00:06:06,920 --> 00:06:09,080 Speaker 1: I try to pick up they hit me with some proffiley. 115 00:06:09,760 --> 00:06:13,680 Speaker 1: What did he say? He told her that his mom 116 00:06:13,760 --> 00:06:16,400 Speaker 1: used to be a nurse. Yeah, yeah, my mama nurse too. 117 00:06:16,920 --> 00:06:19,360 Speaker 1: I tried it. It's what I'm saying sharing. I think 118 00:06:19,360 --> 00:06:22,200 Speaker 1: you got try What was the mind of illness? Was 119 00:06:22,279 --> 00:06:25,240 Speaker 1: the mind of illness? What was the land that he used? 120 00:06:26,680 --> 00:06:29,480 Speaker 1: Nine momas? Boy? But I'm trying to get somebody though. Shirts. 121 00:06:29,839 --> 00:06:31,120 Speaker 1: I feel a lot of times I was in the 122 00:06:31,160 --> 00:06:33,359 Speaker 1: merged room with a month ago. Yeah, I was in 123 00:06:33,400 --> 00:06:36,200 Speaker 1: the merged roo. Couldn't get nobody because you ain't have 124 00:06:36,279 --> 00:06:40,720 Speaker 1: no insurance. I don't know. Look down at you. He's 125 00:06:40,760 --> 00:06:42,880 Speaker 1: something about when you ain't paying for your own prescription. 126 00:06:42,960 --> 00:06:46,200 Speaker 1: Now he talked to because I asked for talking all three, 127 00:06:46,240 --> 00:06:50,040 Speaker 1: I got talking all too. They downgrade everything y'all do 128 00:06:50,080 --> 00:06:51,920 Speaker 1: in the burgess of rule. That saw what I wanted 129 00:06:51,920 --> 00:06:53,440 Speaker 1: to know. But I best that she needed to stay 130 00:06:53,480 --> 00:06:58,839 Speaker 1: at him. You're telling her to settle. We all sattle, Shirley, 131 00:06:58,920 --> 00:07:03,240 Speaker 1: we all sat on. We'll be back with part two 132 00:07:03,279 --> 00:07:06,760 Speaker 1: of this Strawberry letter. Subject for today. He's turning me 133 00:07:06,800 --> 00:07:10,160 Speaker 1: into my mama. I'll recap for you quickly. M thirty 134 00:07:10,240 --> 00:07:12,720 Speaker 1: nine year old woman wrote in she's engaged. Her fiance 135 00:07:12,960 --> 00:07:15,800 Speaker 1: is terrific, she says, but she needs our advice because 136 00:07:15,800 --> 00:07:19,280 Speaker 1: her fiance and her met in the emergency room, where 137 00:07:19,280 --> 00:07:23,280 Speaker 1: he told her she reminded him of his mom. Okay, 138 00:07:23,320 --> 00:07:27,120 Speaker 1: they dated and a couple of times, and then they've 139 00:07:27,120 --> 00:07:30,680 Speaker 1: been together ever since. He wants her to cook out 140 00:07:30,720 --> 00:07:34,960 Speaker 1: of only the recipe book that his mom left. She's deceased, 141 00:07:35,000 --> 00:07:37,520 Speaker 1: now his mom. He wants her to wear her hair 142 00:07:38,040 --> 00:07:40,760 Speaker 1: like her mom. He wants her to wear her his 143 00:07:40,960 --> 00:07:45,840 Speaker 1: late mom's wedding gown for her wedding, and he doesn't 144 00:07:45,840 --> 00:07:47,480 Speaker 1: seem to have a problem with it. He's been a 145 00:07:47,520 --> 00:07:51,120 Speaker 1: mama's boy all his life. She's having issues with it. 146 00:07:51,200 --> 00:07:54,000 Speaker 1: She wants to know. Should she run now before it's 147 00:07:54,040 --> 00:07:56,800 Speaker 1: too late? All right, we've heard from me, I say run. 148 00:07:57,840 --> 00:08:01,240 Speaker 1: You said stay Pickens are them quake? M You don't 149 00:08:01,240 --> 00:08:02,920 Speaker 1: want to be back out here in these streets, and 150 00:08:03,040 --> 00:08:06,680 Speaker 1: Junior agrees with you. She should stay because you say 151 00:08:06,720 --> 00:08:09,080 Speaker 1: you go to the emergency room. Yeah, you got somebody 152 00:08:09,080 --> 00:08:12,320 Speaker 1: at the emergent room. Girl, you better stay. All right, 153 00:08:13,280 --> 00:08:16,520 Speaker 1: let's hear from the nephew. He's turning me into his mama. 154 00:08:16,520 --> 00:08:19,800 Speaker 1: What you got now, run your ass back to e 155 00:08:20,200 --> 00:08:23,640 Speaker 1: R and drop him off. Don't do this to yourself. 156 00:08:23,880 --> 00:08:25,920 Speaker 1: Let me tell you something. Let me you know what 157 00:08:26,000 --> 00:08:28,520 Speaker 1: bothering me. More than anything, it's the fact that his 158 00:08:28,720 --> 00:08:33,160 Speaker 1: mama owned the wall watching everything they do. They got 159 00:08:33,200 --> 00:08:35,680 Speaker 1: all these old ass hell dudes. You're sitting up there 160 00:08:35,720 --> 00:08:39,400 Speaker 1: looking late. You're sitting up there looking like Florida from 161 00:08:39,440 --> 00:08:41,840 Speaker 1: Good Time, trying to make his ass happy. You ain't 162 00:08:41,880 --> 00:08:43,200 Speaker 1: got to sit there and do that. Then you ain't 163 00:08:43,200 --> 00:08:45,120 Speaker 1: gotta look like wheeze it from the Jeff. You ain't 164 00:08:45,160 --> 00:08:48,080 Speaker 1: got to do this to yourself. Fix show how the 165 00:08:48,080 --> 00:08:51,559 Speaker 1: way you fix your hal You love Barbara are calling 166 00:08:51,800 --> 00:08:55,280 Speaker 1: a Gidge a Rosa, a Doris sitting there looking at 167 00:08:55,320 --> 00:08:57,760 Speaker 1: your ways. Just don't make no damn sense. Here's another 168 00:08:57,840 --> 00:09:01,200 Speaker 1: thing you cook, y'all, old lad's name, Why is we 169 00:09:01,280 --> 00:09:03,599 Speaker 1: doing this? You're sitting up that night. You got the 170 00:09:03,679 --> 00:09:06,480 Speaker 1: cook the only the way she cook cabbage. That's the 171 00:09:06,480 --> 00:09:08,760 Speaker 1: only way we can eat the jam Cabbie cook and 172 00:09:08,840 --> 00:09:11,679 Speaker 1: cook cabbage all different kind of damn way you got, 173 00:09:11,760 --> 00:09:14,079 Speaker 1: black eyed pee, Why are you cooking the way darks cooking? 174 00:09:14,240 --> 00:09:16,439 Speaker 1: You're cooking the way you've been cooking. Now he wants 175 00:09:16,440 --> 00:09:19,400 Speaker 1: you to wear this nineteen sixty seven wedding dress. Nobody 176 00:09:19,440 --> 00:09:22,880 Speaker 1: want to wear that damn dressing. No, MoMA, you know that, 177 00:09:23,000 --> 00:09:25,360 Speaker 1: But I dressed. I just said that dressed. When you 178 00:09:25,400 --> 00:09:27,240 Speaker 1: put that dress out on, this gonna tell in the 179 00:09:27,320 --> 00:09:30,840 Speaker 1: rib why do he still had that damn dress anyway? 180 00:09:31,440 --> 00:09:33,920 Speaker 1: Walking around with da mama wedding dress? Who do that? 181 00:09:35,360 --> 00:09:37,719 Speaker 1: What man still got day mama wedding? Jim? When I 182 00:09:37,800 --> 00:09:40,400 Speaker 1: find me somebody, she's gonna wear this right here. If 183 00:09:40,480 --> 00:09:42,599 Speaker 1: you don't take that dress and put it in the 184 00:09:42,679 --> 00:09:44,720 Speaker 1: trash can and drop his ass off an e all, 185 00:09:44,960 --> 00:09:47,600 Speaker 1: let me you know what else this has been going out, 186 00:09:48,040 --> 00:09:51,360 Speaker 1: he been going to eat all trying to find something. 187 00:09:53,280 --> 00:09:55,199 Speaker 1: Did he do this every other week? Or what? What 188 00:09:55,280 --> 00:09:58,439 Speaker 1: did she say? He had a minor illness. He's still 189 00:09:58,559 --> 00:10:00,280 Speaker 1: he's been going in there with minea either trying to 190 00:10:00,280 --> 00:10:02,280 Speaker 1: find somebody to remind him of his mama. And he 191 00:10:02,320 --> 00:10:04,319 Speaker 1: didn't found you. And now you're sitting up in the 192 00:10:04,440 --> 00:10:05,920 Speaker 1: landing up in the being butt neck and him mama 193 00:10:05,960 --> 00:10:07,480 Speaker 1: looking at you on the wall. Why would you do 194 00:10:07,600 --> 00:10:12,439 Speaker 1: this to yourself? How would you do that? No? No, no, 195 00:10:12,640 --> 00:10:15,400 Speaker 1: here here we is bent over and DRI's looking at up. 196 00:10:15,600 --> 00:10:20,080 Speaker 1: Are you sing? Her name is Gilder. We're closer enough, 197 00:10:21,720 --> 00:10:28,400 Speaker 1: Gilda held the Miss glad, I'm good, Miss Glass, Miss 198 00:10:29,960 --> 00:10:32,839 Speaker 1: all right, I say, drop him off back at he'd 199 00:10:32,880 --> 00:10:37,240 Speaker 1: been going to ear, I promise you steady picking up nurses, 200 00:10:37,280 --> 00:10:39,600 Speaker 1: trying to find one that remind him. And I'm gonna 201 00:10:39,640 --> 00:10:42,559 Speaker 1: tell you right now. And she leaves his mama gonna 202 00:10:42,720 --> 00:10:48,800 Speaker 1: it's gonna harnna. Now now we at the bates, Moti 203 00:10:48,920 --> 00:10:52,439 Speaker 1: da mama, gonna who you're gonna stay with my son? Who? 204 00:10:53,640 --> 00:10:55,800 Speaker 1: Just because she didn't want to wear my dress, I'm 205 00:10:55,920 --> 00:10:58,000 Speaker 1: telling she's gonna be forty years old the back out 206 00:10:58,040 --> 00:11:01,560 Speaker 1: there in the clubs ain't gonna work out. I'm telling right, 207 00:11:01,679 --> 00:11:05,439 Speaker 1: stay with him, stay with stay with him. So it's 208 00:11:05,440 --> 00:11:09,480 Speaker 1: two for two to say stay to say wow? What 209 00:11:10,120 --> 00:11:18,520 Speaker 1: you say? Yeah? Break the time she got as you 210 00:11:18,640 --> 00:11:23,520 Speaker 1: know how he rolled playing rolla. But you can't understand 211 00:11:23,600 --> 00:11:26,760 Speaker 1: how women feel about mama's boys. You all, yeah, you 212 00:11:26,840 --> 00:11:30,199 Speaker 1: all a man. We don't like mama's boys like you say. 213 00:11:30,280 --> 00:11:34,280 Speaker 1: They put us second. You can't have that. Can you imagine? 214 00:11:34,360 --> 00:11:36,760 Speaker 1: Can you imagine she come in and eating he's sitting 215 00:11:36,800 --> 00:11:38,560 Speaker 1: up on a cor I know you ain't walking here. 216 00:11:38,600 --> 00:11:40,440 Speaker 1: You ain't got them finger ways in your head. Can't 217 00:11:40,480 --> 00:11:43,240 Speaker 1: even got the same ways like mom, I know my 218 00:11:43,400 --> 00:11:47,560 Speaker 1: mama hair away. Why you ain't got him? Look at 219 00:11:47,600 --> 00:11:49,280 Speaker 1: the money he's saving her. She ain't gotta pay for 220 00:11:49,360 --> 00:11:52,120 Speaker 1: no dress at all. That's right. Got to get a 221 00:11:52,160 --> 00:11:54,000 Speaker 1: hair of. It's a lot. And she got it from 222 00:11:54,080 --> 00:11:56,199 Speaker 1: his daddy. He ain't got it from her his daddy. 223 00:11:56,400 --> 00:11:59,240 Speaker 1: Put this dress on the men a lot every ride 224 00:11:59,559 --> 00:12:02,079 Speaker 1: wants to you pick out. She wants that experience. Why 225 00:12:02,200 --> 00:12:06,280 Speaker 1: what you want? Forty Prince Sharmandon came in left, Let's 226 00:12:06,320 --> 00:12:08,880 Speaker 1: keep it ready. Put the dress on we're going right 227 00:12:08,960 --> 00:12:11,000 Speaker 1: down here the dress of the peace, saying this money 228 00:12:13,120 --> 00:12:16,280 Speaker 1: down so you're not so you're not gonna wear the 229 00:12:16,400 --> 00:12:18,959 Speaker 1: Donna summer wig that my mom will be wearing. You're 230 00:12:18,960 --> 00:12:23,199 Speaker 1: not gonna wear it. It ain't not dreeping about it. 231 00:12:23,559 --> 00:12:26,599 Speaker 1: She just gotta span your your imagination. We don't like 232 00:12:27,160 --> 00:12:30,920 Speaker 1: boy roll place. It be his mama, Yes, and his 233 00:12:31,120 --> 00:12:36,559 Speaker 1: lover come spank man. Yeah, I'm told you don't be 234 00:12:36,880 --> 00:12:39,560 Speaker 1: don't be wearing them scrubs and him. My mama wore 235 00:12:39,640 --> 00:12:45,360 Speaker 1: white stockings with hu nurse and outfit and had him 236 00:12:45,400 --> 00:12:49,679 Speaker 1: think as thin as white, come in take my timperatures. 237 00:12:51,559 --> 00:12:56,600 Speaker 1: Got ain't well? I like the therm? Is that? No? Yeah, 238 00:12:58,520 --> 00:13:04,839 Speaker 1: taking control of exact company? Light? Wow, okay, perspective what 239 00:13:04,960 --> 00:13:06,880 Speaker 1: you're doing company out the street lights and came on. 240 00:13:08,679 --> 00:13:11,000 Speaker 1: All that. She liked all of that, and she can 241 00:13:11,160 --> 00:13:13,000 Speaker 1: use that in the eventage. You supposed to be in 242 00:13:13,040 --> 00:13:14,679 Speaker 1: the house when the street lights come on. That's what 243 00:13:14,720 --> 00:13:16,439 Speaker 1: he's supposed to do. That's right, giving them keys. You 244 00:13:16,520 --> 00:13:19,319 Speaker 1: can't drive, no money you want, So you're saying the 245 00:13:19,400 --> 00:13:21,920 Speaker 1: advantage for her. She'll always know where he is. Exactly 246 00:13:22,559 --> 00:13:27,600 Speaker 1: exactly what she tells this dress up mom and discipline them, 247 00:13:30,520 --> 00:13:34,600 Speaker 1: spank them real bad. This foolishness will not be tolerated. 248 00:13:34,720 --> 00:13:38,079 Speaker 1: The teacher just called me and come sit between my 249 00:13:38,240 --> 00:13:40,280 Speaker 1: leg and let me scratch your danger I used to 250 00:13:40,320 --> 00:13:45,800 Speaker 1: don You're getting it man, You can't. I'm so out 251 00:13:47,880 --> 00:13:54,040 Speaker 1: change his pamp. Right, all right, Lincoln, we gotta get 252 00:13:54,080 --> 00:13:55,839 Speaker 1: out of here. Guys. You can post your thoughts on 253 00:13:55,960 --> 00:13:58,760 Speaker 1: Today's Strawberry Letter at Steve Harvey f M, and you 254 00:13:58,800 --> 00:14:01,720 Speaker 1: can check out our strawberry at our podcast on demand. 255 00:14:02,280 --> 00:14:05,000 Speaker 1: You're listening to The Stave Harvey Morning Show