WEBVTT - S1 E7: Charlotte

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<v Speaker 1>The control group contains scenes of realistic violence and graphic sexuality.

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<v Speaker 1>It is intended for mature listeners. This episode specifically contains

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<v Speaker 1>depictions of sexual abuse that may act as a trigger.

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<v Speaker 1>Audience discretion is advised. If I am ever to get

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<v Speaker 1>better again, I must cooperate with doctor Hayes. I can

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<v Speaker 1>trust Doctor Hayes. In the field of psychiatric medicine. It

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<v Speaker 1>was an exciting time, a time of innovation and discovery

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<v Speaker 1>with doctor Hayes, a time when mental health institutions struggled

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<v Speaker 1>to redefine themselves, to become something more than repositories of

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<v Speaker 1>the sick. Unorthodox methods and aggressive therapies were not only permitted,

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<v Speaker 1>but encouraged. I can trust Dr Hayes. This is a

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<v Speaker 1>record of that time when I am absolutely this is

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<v Speaker 1>the controlled and only by fully cooperating with Dr Hayes,

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<v Speaker 1>can I ever hope to become well again. I have

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<v Speaker 1>no sceners. Yeah, morning, Dr Hayes. I'm wondering if you'd

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<v Speaker 1>be interested in signing this card along with everyone else.

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<v Speaker 1>It's been three days since Charlotte was transported back to

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<v Speaker 1>her home. Debbie, the patients and I thought it might

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<v Speaker 1>give Charlotte a little encouragement to send her a greeting card.

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<v Speaker 1>Absolutely not. I'm sorry. Remind her that she spent two

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<v Speaker 1>fruitless years on the ward. That's going to cheer her up.

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<v Speaker 1>It would be best if she just forgot she was

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<v Speaker 1>ever here and just started to live her old life again.

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<v Speaker 1>Don't you think, Oh, come on, not again, Charlotte, Charlotte,

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<v Speaker 1>come on, breath, You just you're just you're having another

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<v Speaker 1>You gotta snap out of it. Three weeks now? What? What? Enough? Yeah,

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<v Speaker 1>you're gonna talk today or you're just gonna do huh?

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<v Speaker 1>Say it? What? Why am Why can't why can't look

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<v Speaker 1>at me what I'm talking to you? Listen to me, Charlotte.

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<v Speaker 1>You gotta get out of this bed. You've got to

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<v Speaker 1>get out of the house. Go somewhere, do something. No, no,

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<v Speaker 1>I'm not sending you back to that madhouse. So that

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<v Speaker 1>lunatic doctor he fried your brain. Okay, he's made a

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<v Speaker 1>goddamn zombie out of you. And the scary thing is,

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<v Speaker 1>the really scary thing is that he's got you wanting

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<v Speaker 1>to go back for more. I'm not going to allow that.

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<v Speaker 1>You don't understand. The Central State Hospital at New Canaan

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<v Speaker 1>is the source of my health and my happiness. I

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<v Speaker 1>depend on Dr Hayes from my well, like living with

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<v Speaker 1>a broken phonograph. He sees things in me, Bird, that

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<v Speaker 1>no one else sees. He listens to me. Without his care,

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<v Speaker 1>I could not survive. You're never going back to that place, Charlotte. Never.

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<v Speaker 1>You're home. Now, you're my wife, I'm your husband. Things

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<v Speaker 1>were broken, but we're going to fix it. We're gonna

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<v Speaker 1>try again. Okay, No, no, I can't. I can't go

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<v Speaker 1>through that pain again. Bird, I can't. You can't. You

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<v Speaker 1>don't know. It was my child too. Remember, you seem

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<v Speaker 1>to forget that. It wasn't an it she was she

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<v Speaker 1>she had a name. I'm going to work, gonna be

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<v Speaker 1>late again. It's almost nine. I don't want to go out.

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<v Speaker 1>Don't go out. Stay locked up in this tomb if

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<v Speaker 1>you want to. But I'll be goddamn if I'm if.

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<v Speaker 1>I'm gonna let you back into that madhouse. Do you

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<v Speaker 1>hear me? Yeah, I hear you. You're so far away.

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<v Speaker 1>I'll see you this evening. It's it's almost nine. It's

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<v Speaker 1>almost nine, it's almost nine. Might at the Showcase Cinema.

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<v Speaker 1>I witness news at noon six and eleven weekdays on

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<v Speaker 1>w e A L t V Channel twelve. You know, ladies, now,

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<v Speaker 1>wife's just chock full of surprises, isn't it. We all

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<v Speaker 1>know the bad ones that den then your fender when

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<v Speaker 1>you come out of the supermarket. Hate that one, the

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<v Speaker 1>phone call from the principal's office because little Johnny has

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<v Speaker 1>broken a window. Now, when those things happen, it's important

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<v Speaker 1>to remind yourself of the other surprises, the good ones.

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<v Speaker 1>Flowers on your birthday from your sweetie, a postcard from

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<v Speaker 1>an old friend. Well, today we'll be talking about surprises,

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<v Speaker 1>and you know what, we may have a surprise or

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<v Speaker 1>two for you as well. This is Woman's World. It's

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<v Speaker 1>time for a Woman's World with Helen Puckley, brought to

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<v Speaker 1>you by Ultra Tlensing Cream. When clean enough isn't clean enough,

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<v Speaker 1>trust Ultra Clensing Cream to give your world the sparkle

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<v Speaker 1>it deserves Ultra Flensing Cream. And now here's our hostness,

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<v Speaker 1>Ms Helen Huckley. It's Thursday, and you know what that means.

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<v Speaker 1>It's time to open the mail bag here on Woman's

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<v Speaker 1>World and we're gonna see what's on the minds of

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<v Speaker 1>our viewers out there and who knows. Maybe today will

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<v Speaker 1>be the day that Charlotte gets a message from an

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<v Speaker 1>old friend, maybe an old flame, and suddenly the day

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<v Speaker 1>will look just a little bit brighter. Now, our first

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<v Speaker 1>letter here comes from uh Lena here in New Canaan,

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<v Speaker 1>and she writes as a housewife and mom. I've often

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<v Speaker 1>wondered why it is that today is the day Dr

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<v Speaker 1>Hayes is going to come for you, when some of

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<v Speaker 1>my friends secretarial jobs don't get that same satisfaction. What

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<v Speaker 1>about talking? It's kind of like that old anage about

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<v Speaker 1>walking a mile and another person's moccasins. If you wish

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<v Speaker 1>to become well, you you really must obey his every

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<v Speaker 1>instruction and comply with his every wish. Kids homesick from school,

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<v Speaker 1>or or making a second trip to the market right

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<v Speaker 1>before your husband's you might want to get dressed because

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<v Speaker 1>he will come for you today. And really, with ladies,

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<v Speaker 1>without his care, he simply could not survive. In fact,

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<v Speaker 1>before we went on the air today, my producer showed

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<v Speaker 1>me your phone was going to ring newspaper and it's amazing.

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<v Speaker 1>In five seconds, just about every person who interviews said

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<v Speaker 1>that three believed they would be happier to had more time,

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<v Speaker 1>more money won. But they ask you ladies like, h

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<v Speaker 1>let's let's just hold it for just a second. That

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<v Speaker 1>shouldn't quickly? Is someone going to answer that? Charlotte, M hmm.

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<v Speaker 1>Don't you think you should answer? What if? What if

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<v Speaker 1>it isn't him? Why don't you pick it up and

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<v Speaker 1>find out? Hello? Hello, Charlotte. Dr Hayes. Is it really you?

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<v Speaker 1>It really is? How have you been getting it along?

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<v Speaker 1>Not so good? That's so good. I was worried about that.

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<v Speaker 1>I mean Central State Hospital and Canan is the source

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<v Speaker 1>of my health and happiness. That's right, Charlotte. You're exactly right.

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<v Speaker 1>And I depend on you, Dr Hayes for my well

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<v Speaker 1>being as well. You should, you know, Charlotte. To remain well,

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<v Speaker 1>you must obey my ever reinstruction and comply with my

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<v Speaker 1>every wish. That's right. Without my care, Charlotte, you cannot survive.

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<v Speaker 1>I understand that. Now, Dr to Hayes, is it true?

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<v Speaker 1>Dr Hayes? My mother and what she said? What's that Charlotte?

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<v Speaker 1>Helen Huntley, Oh, Helen Huntley said something to you. Can

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<v Speaker 1>you believe it? What she said? That you're coming for me?

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<v Speaker 1>She was right? In fact, I was going to see

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<v Speaker 1>if you could be ready and take five minutes. How'd

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<v Speaker 1>that be? That would that would be wonderful. Dr Hayes, great,

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<v Speaker 1>it will be so good to see you again, Charlotte.

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<v Speaker 1>It'll be nice to see you again. To dry, I'm

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<v Speaker 1>sorry about about what happened when I was leaving, When

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<v Speaker 1>I was trying to leave. That matters now now who

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<v Speaker 1>you well? Was he a ten thirty then? And Charlotte,

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<v Speaker 1>under the circumstances, I think it'd be best if you

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<v Speaker 1>don't mention Mr Birke. We don't want to upset him. No,

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<v Speaker 1>of course, not our little secret. Yes, yes, anything you

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<v Speaker 1>said doors see it a bit. Goodbye, Dr Mao. The

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<v Speaker 1>rain stacked, the clouds part and a door opens just

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<v Speaker 1>for you. Sorry for the way you're holding for Marcus Stevenson. Hello, Hi,

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<v Speaker 1>Dr Stevenson. This is Videri Wilburn. You probably don't remember me,

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<v Speaker 1>but I was a student of yours class of forty nine.

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<v Speaker 1>Sorry I don't there was a d that's me, yes,

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<v Speaker 1>my maiden name. Sorry? Fine, fine, how are you Mrs Wilburn? Now? Yes,

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<v Speaker 1>I'm fine. Thank you for asking. I'm calling because I'm

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<v Speaker 1>hoping you can give me some information about something, sure

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<v Speaker 1>if I can. I'm award head nurse at the Central

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<v Speaker 1>State Hospital in New Canaan. Congratulations, I knew you'd landed

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<v Speaker 1>in a good spot. Thank you. And um, we've begun

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<v Speaker 1>to do some research with a group. May I speak candidly?

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<v Speaker 1>Dr Stevenson. Of course, I'll try to do the same.

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<v Speaker 1>Good Thank you. The group is the Society for the

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<v Speaker 1>Investigation of Human Ecology. I think they've also supported some

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<v Speaker 1>research work there. Are you familiar with it? Very familiar.

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<v Speaker 1>They've underwritten some of my research. What's the name of

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<v Speaker 1>the director there at New Canaan, Ryan Walter Hayes hay

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<v Speaker 1>don't know him, but he's in good company. The Human

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<v Speaker 1>Ecology program supports skitting June just Kinna. Even Margaret need

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<v Speaker 1>is on the pay roll. Okay, okay, okay, um just

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<v Speaker 1>m hmm. What's on your mind? Since we started working

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<v Speaker 1>with them? Okay, we've begun to focus less on long

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<v Speaker 1>term care and more on experimental therapies that, at least

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<v Speaker 1>in my view, are questionable ethically speaking. And you blame

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<v Speaker 1>the s I G Or do you blame the head

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<v Speaker 1>of your department? I don't know where it's coming from.

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<v Speaker 1>I don't know what to do about it. If you

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<v Speaker 1>feel a patient's life or mental well being or in danger,

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<v Speaker 1>hang up, phone them and request an inquiry. Is that

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<v Speaker 1>the case, No, not exactly tell me. Then we no

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<v Speaker 1>longer seem to be concerned with improving our patient's quality

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<v Speaker 1>of life. All of a sudden, we're using them as

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<v Speaker 1>guinea pigs. I understand now, you do. Absolutely. The route

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<v Speaker 1>of the problem is not what the doctor is doing

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<v Speaker 1>or the society is doing. It's how you're looking at him.

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<v Speaker 1>I'm the problem in a sense. You're the ward nurse,

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<v Speaker 1>head nurse. Yes, caretaker, you use that word yourself. I

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<v Speaker 1>did I care for my patients. There's no shame in that.

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<v Speaker 1>Never said there was. But that's not research. Look, I'm

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<v Speaker 1>not trying to condescend, but just listen for a moment

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<v Speaker 1>and try to understand. There are two ways, basically to

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<v Speaker 1>approach research and experimentation. One, you have a goal, a target,

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<v Speaker 1>and you're trying to find the best means of achieving it. Yes,

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<v Speaker 1>when you medicate a patient or perform some other therapy,

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<v Speaker 1>it is to achieve a specific aim. Yes, that's right.

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<v Speaker 1>The other method is to explore something, find out what

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<v Speaker 1>its properties are. Its effects, its potential, it's dangers, and

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<v Speaker 1>once you really understand it, then you decide how it

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<v Speaker 1>can be applied. But you can't minister a treatment for

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<v Speaker 1>a specific goal until you fully understand it. Are you

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<v Speaker 1>with me so far? Yes? This is what the society is.

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<v Speaker 1>This is what they encourage. Summer Hill always said, have

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<v Speaker 1>you met Mr summer Hill yet? Yes? I used to

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<v Speaker 1>say this was like taking the tiger out of its cage,

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<v Speaker 1>taking off its leash, letting it run around, see if

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<v Speaker 1>it can be trained. Excuse me, sorry, but when you

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<v Speaker 1>say the tiger, what are you referring to? What? You're

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<v Speaker 1>still looking at this through people expand your vision. The

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<v Speaker 1>tiger is the thing whose potential you want to understand

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<v Speaker 1>so you can figure out how to use it to

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<v Speaker 1>your advantage. Got it? No, you don't. I can tell

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<v Speaker 1>you don't explain it to me. The tiger can be

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<v Speaker 1>many things. Everything is a potential tiger. Right now, my

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<v Speaker 1>primary focus is lysurgic acid diathylamide. To me, that's the tiger.

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<v Speaker 1>For me to understand its properties, I have to study

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<v Speaker 1>its effects on a broad sampling of people in various doses,

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<v Speaker 1>under various conditions. What will it be good for I

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<v Speaker 1>don't know yet, but eventually its usefulness will become apparent

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<v Speaker 1>in someone else's study. The tiger might be anthrax or botulism.

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<v Speaker 1>Now here's what you need to know to reorient your thinking.

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<v Speaker 1>To the Society for the Investigation of Human Ecology. I'm

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<v Speaker 1>a tiger. They provide me with the resources and freedom

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<v Speaker 1>to study what I want. They don't require me to

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<v Speaker 1>hand over specific results that would be shortsighted science through

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<v Speaker 1>a people. They were to let me off the lease

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<v Speaker 1>to see what I'm capable of. Everyone everything is a

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<v Speaker 1>potential tiger. What the s i h E does is organized, cultivate,

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<v Speaker 1>collect data, analyze the data, connect the strands that might

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<v Speaker 1>emerge between all the different subprojects they're supporting, and determine

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<v Speaker 1>how this knowledge can be most effectively applied. Dr Stevenson,

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<v Speaker 1>who is the s I I just told you, No,

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<v Speaker 1>you didn't. Who are they? You know the question? I'm

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<v Speaker 1>asking doctor? If you know the question? The new must

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<v Speaker 1>suspect an answer. I want to hear you say it.

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<v Speaker 1>I want to know. The Society for the Investigation of

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<v Speaker 1>Human Ecology is a nonprofit organization dedicated to the advancement

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<v Speaker 1>of psychiatric study through the financial and logistical support of

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<v Speaker 1>independent research. I began working with him way back when

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<v Speaker 1>they were the Sick Fund. They liked what we were doing,

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<v Speaker 1>and we're always strong orders. So when the s i

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<v Speaker 1>h e. Was established, we came to them highly recommended.

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<v Speaker 1>They don't steer my research. They provide forty dollars a

0:19:09.160 --> 0:19:12.760
<v Speaker 1>year and financial assistance to my department. That's really are

0:19:12.800 --> 0:19:15.399
<v Speaker 1>I need to know about the society. We have a

0:19:15.480 --> 0:19:18.880
<v Speaker 1>sort of gentleman's agreement that I don't inquire into their

0:19:19.119 --> 0:19:21.919
<v Speaker 1>other areas of operation, and they allow me to pursue

0:19:21.960 --> 0:19:25.240
<v Speaker 1>the work I want to pursue wherever that path may lead.

0:19:26.080 --> 0:19:27.760
<v Speaker 1>And I'm afraid that's all the time I'm willing to

0:19:27.800 --> 0:19:31.280
<v Speaker 1>share with you. Hold, please, if I could just ask

0:19:31.359 --> 0:19:37.640
<v Speaker 1>you one you were always a bright woman, verdery, what happened?

0:19:38.760 --> 0:19:43.440
<v Speaker 1>Excuse me? You seriously mean you haven't figured this out already?

0:19:44.400 --> 0:20:00.399
<v Speaker 1>Or do you just not want to know? M hm?

0:20:02.080 --> 0:20:12.720
<v Speaker 1>And this looks good right here? Charlotte, All right, this

0:20:12.840 --> 0:20:21.600
<v Speaker 1>is Charlotte that this is a motel? Dry? Yes, what

0:20:24.080 --> 0:20:27.720
<v Speaker 1>why are you bringing? Bringing me to a motel? Don't

0:20:27.760 --> 0:20:30.960
<v Speaker 1>get the wrong idea, Charlotte. There's a reason for this

0:20:31.440 --> 0:20:36.199
<v Speaker 1>for our session to occur here in this place. I

0:20:36.240 --> 0:20:41.760
<v Speaker 1>don't understand. No, you don't understand, and you won't understand

0:20:41.840 --> 0:20:48.080
<v Speaker 1>until you come inside, until we begin the session. You've

0:20:48.520 --> 0:20:52.159
<v Speaker 1>always expressed an interest in aiding my research, have you not?

0:20:52.920 --> 0:20:58.920
<v Speaker 1>I have that moment is now. There's nothing worse than

0:20:58.960 --> 0:21:01.600
<v Speaker 1>a doctor who thinks him knows everything. He was happy

0:21:01.640 --> 0:21:05.520
<v Speaker 1>to rest on his accomplishments. But you know I'm not

0:21:05.680 --> 0:21:10.760
<v Speaker 1>that kind of doctor, don't you, Charlotte. I've always admired

0:21:10.840 --> 0:21:15.720
<v Speaker 1>you for that. I don't know everything. I'm always searching

0:21:15.840 --> 0:21:21.600
<v Speaker 1>for answers, a better understanding of the human mind. In

0:21:21.720 --> 0:21:27.960
<v Speaker 1>order to do that, I have to be adventurous. When

0:21:27.960 --> 0:21:33.159
<v Speaker 1>a man of science discovers a threshold to understanding, he

0:21:33.320 --> 0:21:38.720
<v Speaker 1>has an obligation to step through it. However strange you're

0:21:38.800 --> 0:21:48.919
<v Speaker 1>intimidating it may seem. Does that makes sense? Absolutely? And

0:21:48.960 --> 0:21:52.080
<v Speaker 1>there's something I've been curious about, and I think the

0:21:52.119 --> 0:21:56.120
<v Speaker 1>only place I can gain that knowledge is up there

0:21:57.680 --> 0:22:04.520
<v Speaker 1>in that room. Which true? Are you gonna help me, Charlotte?

0:22:04.600 --> 0:22:06.360
<v Speaker 1>Or am I going to drive you back to Bert's house?

0:22:07.040 --> 0:22:10.240
<v Speaker 1>You know I'll help you. You know I'll do anything.

0:22:11.840 --> 0:22:16.960
<v Speaker 1>It's funny all these months, I've just been waiting for

0:22:17.040 --> 0:22:21.080
<v Speaker 1>you to trust me enough. I just need to get

0:22:21.119 --> 0:22:36.480
<v Speaker 1>my cases from the back. Hello, uh, I help you.

0:22:39.200 --> 0:22:44.040
<v Speaker 1>I'd like to see a room, alrighty double the queen? Um.

0:22:44.160 --> 0:22:48.760
<v Speaker 1>Would it be possible to look at a particular room?

0:22:48.920 --> 0:22:52.520
<v Speaker 1>How do you mean look at? I'd like to rent

0:22:52.520 --> 0:22:56.200
<v Speaker 1>a room for the night, but i'd like to I'd

0:22:56.240 --> 0:23:00.600
<v Speaker 1>like to get a specific room if that's possible, Room

0:23:00.640 --> 0:23:07.040
<v Speaker 1>five twelve? Is that available? Room five? It's a single

0:23:07.480 --> 0:23:09.320
<v Speaker 1>for the same price. I could give you a double,

0:23:10.160 --> 0:23:17.760
<v Speaker 1>it's fine. How much that eight fifty? Cash? Or charge? Cash?

0:23:18.119 --> 0:23:24.320
<v Speaker 1>Care to sign in? Uh m hm, any name of dude.

0:23:24.800 --> 0:23:31.200
<v Speaker 1>But I need something, of course, not at twenty dollar fifty?

0:23:31.359 --> 0:23:37.720
<v Speaker 1>Is your change? Thanks? Check out as noon. If you

0:23:38.000 --> 0:23:42.000
<v Speaker 1>end up staying that long? Mm hmm. Can I help

0:23:42.040 --> 0:23:44.880
<v Speaker 1>you with your bags? And that won't be necessary? Thank you?

0:23:45.520 --> 0:23:48.000
<v Speaker 1>Can I carry one of those free phone? I got it?

0:23:48.720 --> 0:24:18.159
<v Speaker 1>Just push the button? So this is it? Not the

0:24:18.200 --> 0:24:25.520
<v Speaker 1>way I would have decorated, but Charlotte, yes, First off,

0:24:25.520 --> 0:24:27.360
<v Speaker 1>I'm going to give you something to help you relax.

0:24:28.240 --> 0:24:39.240
<v Speaker 1>Give me your your left arm. Fine, okay, little prick,

0:24:43.760 --> 0:24:51.040
<v Speaker 1>there we go. I feel all right? Yes, good now,

0:24:51.960 --> 0:24:54.439
<v Speaker 1>take this valise. I want you to go into the

0:24:54.480 --> 0:25:01.160
<v Speaker 1>bathroom and put these things on. Okay, everything you find

0:25:01.160 --> 0:25:03.960
<v Speaker 1>in the bag I want you to wear, and I

0:25:03.960 --> 0:25:05.520
<v Speaker 1>don't want you to come out until I tell you

0:25:05.600 --> 0:25:11.280
<v Speaker 1>all right, all right, I'll just need a minute to

0:25:11.440 --> 0:25:47.000
<v Speaker 1>set up anything you say, Drys m h h. Hi,

0:25:47.160 --> 0:25:51.160
<v Speaker 1>this is ken you said I should call if anyone

0:25:51.200 --> 0:25:54.880
<v Speaker 1>ever and a man and a woman asked for room

0:25:54.960 --> 0:26:04.280
<v Speaker 1>five twelve, yes specifically, M No, No they didn't. He's

0:26:04.280 --> 0:26:14.040
<v Speaker 1>signing under the name Asa Kimball. No, no idea, not

0:26:14.160 --> 0:26:41.000
<v Speaker 1>five minutes ago. Yes, sir, we'll do all right in there, Charlotte. Yes,

0:26:42.359 --> 0:26:45.080
<v Speaker 1>come closer to the door. I want to tell you

0:26:45.119 --> 0:26:52.920
<v Speaker 1>what to do. I'm here. Good. Are you wearing clothes?

0:26:54.760 --> 0:27:00.119
<v Speaker 1>I am? How do they make you feel? Sholotte? M M,

0:27:01.119 --> 0:27:08.240
<v Speaker 1>I don't know. These aren't my clothes. And you would

0:27:08.320 --> 0:27:12.840
<v Speaker 1>never wear clothes like these, would you? No? You know

0:27:12.960 --> 0:27:17.440
<v Speaker 1>who would wear clothes like these, Charlotte. A prostitute would

0:27:17.480 --> 0:27:21.560
<v Speaker 1>wear clothes like these. These are these are clothes for

0:27:21.600 --> 0:27:25.440
<v Speaker 1>a whore, Charlotte. You know who wear clothes like these?

0:27:26.280 --> 0:27:35.879
<v Speaker 1>Karen does Karen Myers? Remember Karen? Yes? Good? Good, Because

0:27:36.920 --> 0:27:41.000
<v Speaker 1>when you open the door and come out here. I

0:27:41.080 --> 0:27:47.159
<v Speaker 1>want you to be Karen Myers. You don't want me

0:27:47.240 --> 0:27:52.080
<v Speaker 1>to be Karen, that's all right. I want you to

0:27:52.080 --> 0:27:54.560
<v Speaker 1>just look like her or act like her. I want

0:27:54.560 --> 0:28:01.359
<v Speaker 1>you to be Karen. Be Karen, that's it, yeah, and

0:28:01.600 --> 0:28:07.040
<v Speaker 1>not need correct. I want you to step out here,

0:28:07.920 --> 0:28:15.080
<v Speaker 1>and I want you to be Karen Myers. Why do

0:28:15.119 --> 0:28:17.199
<v Speaker 1>you want me to be caring? Because that's what I

0:28:17.280 --> 0:28:21.320
<v Speaker 1>want and because it's what I'm telling you to do.

0:28:22.000 --> 0:28:25.480
<v Speaker 1>And that's all the reason there needs to be, Charlotte.

0:28:27.800 --> 0:28:31.840
<v Speaker 1>To remain well, you must obey my every instruction. You

0:28:31.920 --> 0:28:38.280
<v Speaker 1>must comply with my every wish without my care. You

0:28:38.360 --> 0:28:43.560
<v Speaker 1>don't have to do that, doctors. If you'd rather be

0:28:43.760 --> 0:28:48.280
<v Speaker 1>Karen and not myself, if that's what you want it,

0:28:48.960 --> 0:29:01.120
<v Speaker 1>I'll do it all right. Then here we go. If

0:29:01.160 --> 0:29:05.960
<v Speaker 1>I am ever to get better again, I must come up. Please, Charlotte,

0:29:07.800 --> 0:29:13.520
<v Speaker 1>I can trust. Is this what do you want to do? Absolutely? Yes?

0:29:15.240 --> 0:29:19.120
<v Speaker 1>Step into the white Let me see you. Doctor. You

0:29:19.200 --> 0:29:29.360
<v Speaker 1>look wonderful, Karen, exactly as I imagine you, cheap toddaries sexy.

0:29:30.360 --> 0:29:32.520
<v Speaker 1>This is how you look that night when you brought

0:29:32.600 --> 0:29:36.520
<v Speaker 1>Ronald Grant into this room. If I ever tell me, Karen,

0:29:38.520 --> 0:29:42.000
<v Speaker 1>did you undress for him? Or did he address you

0:29:44.880 --> 0:29:51.360
<v Speaker 1>on absolutely healthy? Undress me? I'll show you're right. What

0:29:51.440 --> 0:29:57.720
<v Speaker 1>did he pay? Ten dollars? Twenty dollars? Twenty dollars? Here

0:29:57.800 --> 0:30:06.840
<v Speaker 1>you go, Garrett, great, Well that buy me what I want? Yes? No, Charlotte,

0:30:07.400 --> 0:30:10.360
<v Speaker 1>what is it you're wearing your wedding rings? I'm sorry,

0:30:10.400 --> 0:30:13.800
<v Speaker 1>I didn't even think I take them off. They're my

0:30:13.920 --> 0:30:17.360
<v Speaker 1>wedding rings. Karen doesn't have wedding rings. You shouldn't have them.

0:30:17.400 --> 0:30:21.840
<v Speaker 1>Take them off when I'm absolutely healthy? What should I

0:30:21.880 --> 0:30:31.320
<v Speaker 1>do with that? But them on the night stands? Better? Now?

0:30:32.160 --> 0:30:43.320
<v Speaker 1>I have hold still? How does that feel, Karen? To

0:30:43.440 --> 0:30:49.240
<v Speaker 1>get better? This is what Ronald Grant felt like? I

0:30:49.360 --> 0:30:54.840
<v Speaker 1>can trust dr that night? Was Ronald Grant the kind

0:30:54.880 --> 0:30:58.960
<v Speaker 1>of man that needed encouragement? Karen? How did he take

0:30:59.000 --> 0:31:06.080
<v Speaker 1>control of you? Karen? I can trust drs only when

0:31:06.160 --> 0:31:09.960
<v Speaker 1>I absolutely I don't want to do I'm showing you

0:31:10.680 --> 0:31:14.760
<v Speaker 1>just let me do this the way I want to

0:31:14.840 --> 0:31:25.280
<v Speaker 1>do it, and don't ask questions. I know exactly what

0:31:25.440 --> 0:31:29.800
<v Speaker 1>I want. You put the money on the dresses. Then

0:31:29.920 --> 0:31:35.760
<v Speaker 1>that I loved you to temporary ownership, Ronnie, you belong

0:31:35.880 --> 0:31:43.480
<v Speaker 1>to me, Karen mothers, that's right, and I can do

0:31:43.880 --> 0:31:51.760
<v Speaker 1>whatever I want with you without any moral or ethical obstruction. Professor,

0:31:53.000 --> 0:31:55.200
<v Speaker 1>you really know how to talk to a one command

0:31:55.360 --> 0:32:04.440
<v Speaker 1>and control. Karen. That's what I want? What heavenly man?

0:32:04.600 --> 0:32:32.200
<v Speaker 1>What underneath it all? Hello? Ken? They still upstairs? Yes, sir?

0:32:33.240 --> 0:32:38.160
<v Speaker 1>All h Are they many calls? Outside? Calls or front desk? Nothing?

0:32:38.360 --> 0:32:41.400
<v Speaker 1>They're quiet, all right. If anyone up there tries to

0:32:41.440 --> 0:32:45.840
<v Speaker 1>make a call, don't let it out. If you hear

0:32:45.880 --> 0:32:48.960
<v Speaker 1>any unusual noise in the next ten minutes or so,

0:32:49.440 --> 0:32:55.560
<v Speaker 1>just ignore it. You never saw me come in here today, okay,

0:32:56.040 --> 0:33:00.240
<v Speaker 1>never saw you before in my life. What do you? Yeah?

0:33:01.040 --> 0:33:03.040
<v Speaker 1>What are you going to do there in my room?

0:33:04.120 --> 0:33:07.840
<v Speaker 1>It's only fitting that I go on up and introduce myself.

0:33:08.920 --> 0:33:31.760
<v Speaker 1>No trouble please. M The Control Group is a production

0:33:31.800 --> 0:33:35.400
<v Speaker 1>of How Stuff Works, written and directed by Brett Wood,

0:33:36.160 --> 0:34:01.680
<v Speaker 1>recorded and mixed by Rob gal m m hmmm two