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Speaker 1: The control group contains scenes of realistic violence and graphic sexuality.

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Speaker 1: It is intended for mature listeners. This episode specifically contains

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Speaker 1: depictions of sexual abuse that may act as a trigger.

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Speaker 1: Audience discretion is advised. If I am ever to get

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Speaker 1: better again, I must cooperate with doctor Hayes. I can

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Speaker 1: trust Doctor Hayes. In the field of psychiatric medicine. It

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Speaker 1: was an exciting time, a time of innovation and discovery

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Speaker 1: with doctor Hayes, a time when mental health institutions struggled

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Speaker 1: to redefine themselves, to become something more than repositories of

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Speaker 1: the sick. Unorthodox methods and aggressive therapies were not only permitted,

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Speaker 1: but encouraged. I can trust Dr Hayes. This is a

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Speaker 1: record of that time when I am absolutely this is

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Speaker 1: the controlled and only by fully cooperating with Dr Hayes,

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Speaker 1: can I ever hope to become well again. I have

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Speaker 1: no sceners. Yeah, morning, Dr Hayes. I'm wondering if you'd

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Speaker 1: be interested in signing this card along with everyone else.

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Speaker 1: It's been three days since Charlotte was transported back to

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Speaker 1: her home. Debbie, the patients and I thought it might

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Speaker 1: give Charlotte a little encouragement to send her a greeting card.

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Speaker 1: Absolutely not. I'm sorry. Remind her that she spent two

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Speaker 1: fruitless years on the ward. That's going to cheer her up.

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Speaker 1: It would be best if she just forgot she was

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Speaker 1: ever here and just started to live her old life again.

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Speaker 1: Don't you think, Oh, come on, not again, Charlotte, Charlotte,

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Speaker 1: come on, breath, You just you're just you're having another

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Speaker 1: You gotta snap out of it. Three weeks now? What? What? Enough? Yeah,

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Speaker 1: you're gonna talk today or you're just gonna do huh?

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Speaker 1: Say it? What? Why am Why can't why can't look

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Speaker 1: at me what I'm talking to you? Listen to me, Charlotte.

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Speaker 1: You gotta get out of this bed. You've got to

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Speaker 1: get out of the house. Go somewhere, do something. No, no,

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Speaker 1: I'm not sending you back to that madhouse. So that

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Speaker 1: lunatic doctor he fried your brain. Okay, he's made a

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Speaker 1: goddamn zombie out of you. And the scary thing is,

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Speaker 1: the really scary thing is that he's got you wanting

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Speaker 1: to go back for more. I'm not going to allow that.

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Speaker 1: You don't understand. The Central State Hospital at New Canaan

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Speaker 1: is the source of my health and my happiness. I

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Speaker 1: depend on Dr Hayes from my well, like living with

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Speaker 1: a broken phonograph. He sees things in me, Bird, that

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Speaker 1: no one else sees. He listens to me. Without his care,

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Speaker 1: I could not survive. You're never going back to that place, Charlotte. Never.

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Speaker 1: You're home. Now, you're my wife, I'm your husband. Things

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Speaker 1: were broken, but we're going to fix it. We're gonna

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Speaker 1: try again. Okay, No, no, I can't. I can't go

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Speaker 1: through that pain again. Bird, I can't. You can't. You

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Speaker 1: don't know. It was my child too. Remember, you seem

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Speaker 1: to forget that. It wasn't an it she was she

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Speaker 1: she had a name. I'm going to work, gonna be

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Speaker 1: late again. It's almost nine. I don't want to go out.

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Speaker 1: Don't go out. Stay locked up in this tomb if

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Speaker 1: you want to. But I'll be goddamn if I'm if.

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Speaker 1: I'm gonna let you back into that madhouse. Do you

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Speaker 1: hear me? Yeah, I hear you. You're so far away.

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Speaker 1: I'll see you this evening. It's it's almost nine. It's

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Speaker 1: almost nine, it's almost nine. Might at the Showcase Cinema.

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Speaker 1: I witness news at noon six and eleven weekdays on

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Speaker 1: w e A L t V Channel twelve. You know, ladies, now,

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Speaker 1: wife's just chock full of surprises, isn't it. We all

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Speaker 1: know the bad ones that den then your fender when

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Speaker 1: you come out of the supermarket. Hate that one, the

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Speaker 1: phone call from the principal's office because little Johnny has

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Speaker 1: broken a window. Now, when those things happen, it's important

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Speaker 1: to remind yourself of the other surprises, the good ones.

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Speaker 1: Flowers on your birthday from your sweetie, a postcard from

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Speaker 1: an old friend. Well, today we'll be talking about surprises,

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Speaker 1: and you know what, we may have a surprise or

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Speaker 1: two for you as well. This is Woman's World. It's

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Speaker 1: time for a Woman's World with Helen Puckley, brought to

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Speaker 1: you by Ultra Tlensing Cream. When clean enough isn't clean enough,

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Speaker 1: trust Ultra Clensing Cream to give your world the sparkle

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Speaker 1: it deserves Ultra Flensing Cream. And now here's our hostness,

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Speaker 1: Ms Helen Huckley. It's Thursday, and you know what that means.

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Speaker 1: It's time to open the mail bag here on Woman's

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Speaker 1: World and we're gonna see what's on the minds of

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Speaker 1: our viewers out there and who knows. Maybe today will

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Speaker 1: be the day that Charlotte gets a message from an

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Speaker 1: old friend, maybe an old flame, and suddenly the day

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Speaker 1: will look just a little bit brighter. Now, our first

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Speaker 1: letter here comes from uh Lena here in New Canaan,

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Speaker 1: and she writes as a housewife and mom. I've often

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Speaker 1: wondered why it is that today is the day Dr

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Speaker 1: Hayes is going to come for you, when some of

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Speaker 1: my friends secretarial jobs don't get that same satisfaction. What

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Speaker 1: about talking? It's kind of like that old anage about

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Speaker 1: walking a mile and another person's moccasins. If you wish

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Speaker 1: to become well, you you really must obey his every

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Speaker 1: instruction and comply with his every wish. Kids homesick from school,

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Speaker 1: or or making a second trip to the market right

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Speaker 1: before your husband's you might want to get dressed because

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Speaker 1: he will come for you today. And really, with ladies,

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Speaker 1: without his care, he simply could not survive. In fact,

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Speaker 1: before we went on the air today, my producer showed

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Speaker 1: me your phone was going to ring newspaper and it's amazing.

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Speaker 1: In five seconds, just about every person who interviews said

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Speaker 1: that three believed they would be happier to had more time,

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Speaker 1: more money won. But they ask you ladies like, h

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Speaker 1: let's let's just hold it for just a second. That

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Speaker 1: shouldn't quickly? Is someone going to answer that? Charlotte, M hmm.

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Speaker 1: Don't you think you should answer? What if? What if

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Speaker 1: it isn't him? Why don't you pick it up and

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Speaker 1: find out? Hello? Hello, Charlotte. Dr Hayes. Is it really you?

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Speaker 1: It really is? How have you been getting it along?

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Speaker 1: Not so good? That's so good. I was worried about that.

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Speaker 1: I mean Central State Hospital and Canan is the source

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Speaker 1: of my health and happiness. That's right, Charlotte. You're exactly right.

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Speaker 1: And I depend on you, Dr Hayes for my well

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Speaker 1: being as well. You should, you know, Charlotte. To remain well,

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Speaker 1: you must obey my ever reinstruction and comply with my

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Speaker 1: every wish. That's right. Without my care, Charlotte, you cannot survive.

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Speaker 1: I understand that. Now, Dr to Hayes, is it true?

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Speaker 1: Dr Hayes? My mother and what she said? What's that Charlotte?

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Speaker 1: Helen Huntley, Oh, Helen Huntley said something to you. Can

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Speaker 1: you believe it? What she said? That you're coming for me?

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Speaker 1: She was right? In fact, I was going to see

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Speaker 1: if you could be ready and take five minutes. How'd

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Speaker 1: that be? That would that would be wonderful. Dr Hayes, great,

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Speaker 1: it will be so good to see you again, Charlotte.

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Speaker 1: It'll be nice to see you again. To dry, I'm

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Speaker 1: sorry about about what happened when I was leaving, When

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Speaker 1: I was trying to leave. That matters now now who

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Speaker 1: you well? Was he a ten thirty then? And Charlotte,

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Speaker 1: under the circumstances, I think it'd be best if you

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Speaker 1: don't mention Mr Birke. We don't want to upset him. No,

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Speaker 1: of course, not our little secret. Yes, yes, anything you

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Speaker 1: said doors see it a bit. Goodbye, Dr Mao. The

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Speaker 1: rain stacked, the clouds part and a door opens just

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Speaker 1: for you. Sorry for the way you're holding for Marcus Stevenson. Hello, Hi,

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Speaker 1: Dr Stevenson. This is Videri Wilburn. You probably don't remember me,

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Speaker 1: but I was a student of yours class of forty nine.

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Speaker 1: Sorry I don't there was a d that's me, yes,

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Speaker 1: my maiden name. Sorry? Fine, fine, how are you Mrs Wilburn? Now? Yes,

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Speaker 1: I'm fine. Thank you for asking. I'm calling because I'm

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Speaker 1: hoping you can give me some information about something, sure

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Speaker 1: if I can. I'm award head nurse at the Central

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Speaker 1: State Hospital in New Canaan. Congratulations, I knew you'd landed

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Speaker 1: in a good spot. Thank you. And um, we've begun

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Speaker 1: to do some research with a group. May I speak candidly?

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Speaker 1: Dr Stevenson. Of course, I'll try to do the same.

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Speaker 1: Good Thank you. The group is the Society for the

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Speaker 1: Investigation of Human Ecology. I think they've also supported some

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Speaker 1: research work there. Are you familiar with it? Very familiar.

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Speaker 1: They've underwritten some of my research. What's the name of

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Speaker 1: the director there at New Canaan, Ryan Walter Hayes hay

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Speaker 1: don't know him, but he's in good company. The Human

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Speaker 1: Ecology program supports skitting June just Kinna. Even Margaret need

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Speaker 1: is on the pay roll. Okay, okay, okay, um just

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Speaker 1: m hmm. What's on your mind? Since we started working

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Speaker 1: with them? Okay, we've begun to focus less on long

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Speaker 1: term care and more on experimental therapies that, at least

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Speaker 1: in my view, are questionable ethically speaking. And you blame

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Speaker 1: the s I G Or do you blame the head

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Speaker 1: of your department? I don't know where it's coming from.

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Speaker 1: I don't know what to do about it. If you

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Speaker 1: feel a patient's life or mental well being or in danger,

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Speaker 1: hang up, phone them and request an inquiry. Is that

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Speaker 1: the case, No, not exactly tell me. Then we no

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Speaker 1: longer seem to be concerned with improving our patient's quality

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Speaker 1: of life. All of a sudden, we're using them as

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Speaker 1: guinea pigs. I understand now, you do. Absolutely. The route

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Speaker 1: of the problem is not what the doctor is doing

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Speaker 1: or the society is doing. It's how you're looking at him.

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Speaker 1: I'm the problem in a sense. You're the ward nurse,

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Speaker 1: head nurse. Yes, caretaker, you use that word yourself. I

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Speaker 1: did I care for my patients. There's no shame in that.

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Speaker 1: Never said there was. But that's not research. Look, I'm

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Speaker 1: not trying to condescend, but just listen for a moment

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Speaker 1: and try to understand. There are two ways, basically to

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Speaker 1: approach research and experimentation. One, you have a goal, a target,

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Speaker 1: and you're trying to find the best means of achieving it. Yes,

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Speaker 1: when you medicate a patient or perform some other therapy,

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Speaker 1: it is to achieve a specific aim. Yes, that's right.

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Speaker 1: The other method is to explore something, find out what

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Speaker 1: its properties are. Its effects, its potential, it's dangers, and

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Speaker 1: once you really understand it, then you decide how it

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Speaker 1: can be applied. But you can't minister a treatment for

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Speaker 1: a specific goal until you fully understand it. Are you

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Speaker 1: with me so far? Yes? This is what the society is.

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Speaker 1: This is what they encourage. Summer Hill always said, have

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Speaker 1: you met Mr summer Hill yet? Yes? I used to

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Speaker 1: say this was like taking the tiger out of its cage,

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Speaker 1: taking off its leash, letting it run around, see if

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Speaker 1: it can be trained. Excuse me, sorry, but when you

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Speaker 1: say the tiger, what are you referring to? What? You're

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Speaker 1: still looking at this through people expand your vision. The

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Speaker 1: tiger is the thing whose potential you want to understand

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Speaker 1: so you can figure out how to use it to

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Speaker 1: your advantage. Got it? No, you don't. I can tell

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Speaker 1: you don't explain it to me. The tiger can be

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Speaker 1: many things. Everything is a potential tiger. Right now, my

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Speaker 1: primary focus is lysurgic acid diathylamide. To me, that's the tiger.

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Speaker 1: For me to understand its properties, I have to study

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Speaker 1: its effects on a broad sampling of people in various doses,

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Speaker 1: under various conditions. What will it be good for I

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Speaker 1: don't know yet, but eventually its usefulness will become apparent

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Speaker 1: in someone else's study. The tiger might be anthrax or botulism.

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Speaker 1: Now here's what you need to know to reorient your thinking.

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Speaker 1: To the Society for the Investigation of Human Ecology. I'm

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Speaker 1: a tiger. They provide me with the resources and freedom

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Speaker 1: to study what I want. They don't require me to

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Speaker 1: hand over specific results that would be shortsighted science through

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Speaker 1: a people. They were to let me off the lease

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Speaker 1: to see what I'm capable of. Everyone everything is a

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Speaker 1: potential tiger. What the s i h E does is organized, cultivate,

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Speaker 1: collect data, analyze the data, connect the strands that might

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Speaker 1: emerge between all the different subprojects they're supporting, and determine

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Speaker 1: how this knowledge can be most effectively applied. Dr Stevenson,

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Speaker 1: who is the s I I just told you, No,

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Speaker 1: you didn't. Who are they? You know the question? I'm

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Speaker 1: asking doctor? If you know the question? The new must

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Speaker 1: suspect an answer. I want to hear you say it.

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Speaker 1: I want to know. The Society for the Investigation of

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Speaker 1: Human Ecology is a nonprofit organization dedicated to the advancement

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Speaker 1: of psychiatric study through the financial and logistical support of

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Speaker 1: independent research. I began working with him way back when

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Speaker 1: they were the Sick Fund. They liked what we were doing,

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Speaker 1: and we're always strong orders. So when the s i

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Speaker 1: h e. Was established, we came to them highly recommended.

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Speaker 1: They don't steer my research. They provide forty dollars a

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Speaker 1: year and financial assistance to my department. That's really are

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Speaker 1: I need to know about the society. We have a

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Speaker 1: sort of gentleman's agreement that I don't inquire into their

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Speaker 1: other areas of operation, and they allow me to pursue

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Speaker 1: the work I want to pursue wherever that path may lead.

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Speaker 1: And I'm afraid that's all the time I'm willing to

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Speaker 1: share with you. Hold, please, if I could just ask

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Speaker 1: you one you were always a bright woman, verdery, what happened?

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Speaker 1: Excuse me? You seriously mean you haven't figured this out already?

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Speaker 1: Or do you just not want to know? M hm?

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Speaker 1: And this looks good right here? Charlotte, All right, this

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Speaker 1: is Charlotte that this is a motel? Dry? Yes, what

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Speaker 1: why are you bringing? Bringing me to a motel? Don't

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Speaker 1: get the wrong idea, Charlotte. There's a reason for this

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Speaker 1: for our session to occur here in this place. I

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Speaker 1: don't understand. No, you don't understand, and you won't understand

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Speaker 1: until you come inside, until we begin the session. You've

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Speaker 1: always expressed an interest in aiding my research, have you not?

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Speaker 1: I have that moment is now. There's nothing worse than

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Speaker 1: a doctor who thinks him knows everything. He was happy

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Speaker 1: to rest on his accomplishments. But you know I'm not

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Speaker 1: that kind of doctor, don't you, Charlotte. I've always admired

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Speaker 1: you for that. I don't know everything. I'm always searching

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Speaker 1: for answers, a better understanding of the human mind. In

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Speaker 1: order to do that, I have to be adventurous. When

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Speaker 1: a man of science discovers a threshold to understanding, he

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Speaker 1: has an obligation to step through it. However strange you're

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Speaker 1: intimidating it may seem. Does that makes sense? Absolutely? And

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Speaker 1: there's something I've been curious about, and I think the

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Speaker 1: only place I can gain that knowledge is up there

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Speaker 1: in that room. Which true? Are you gonna help me, Charlotte?

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Speaker 1: Or am I going to drive you back to Bert's house?

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Speaker 1: You know I'll help you. You know I'll do anything.

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Speaker 1: It's funny all these months, I've just been waiting for

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Speaker 1: you to trust me enough. I just need to get

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Speaker 1: my cases from the back. Hello, uh, I help you.

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Speaker 1: I'd like to see a room, alrighty double the queen? Um.

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Speaker 1: Would it be possible to look at a particular room?

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Speaker 1: How do you mean look at? I'd like to rent

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Speaker 1: a room for the night, but i'd like to I'd

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Speaker 1: like to get a specific room if that's possible, Room

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Speaker 1: five twelve? Is that available? Room five? It's a single

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Speaker 1: for the same price. I could give you a double,

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Speaker 1: it's fine. How much that eight fifty? Cash? Or charge? Cash?

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Speaker 1: Care to sign in? Uh m hm, any name of dude.

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Speaker 1: But I need something, of course, not at twenty dollar fifty?

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Speaker 1: Is your change? Thanks? Check out as noon. If you

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Speaker 1: end up staying that long? Mm hmm. Can I help

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Speaker 1: you with your bags? And that won't be necessary? Thank you?

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Speaker 1: Can I carry one of those free phone? I got it?

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Speaker 1: Just push the button? So this is it? Not the

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Speaker 1: way I would have decorated, but Charlotte, yes, First off,

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Speaker 1: I'm going to give you something to help you relax.

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Speaker 1: Give me your your left arm. Fine, okay, little prick,

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Speaker 1: there we go. I feel all right? Yes, good now,

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Speaker 1: take this valise. I want you to go into the

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Speaker 1: bathroom and put these things on. Okay, everything you find

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Speaker 1: in the bag I want you to wear, and I

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Speaker 1: don't want you to come out until I tell you

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Speaker 1: all right, all right, I'll just need a minute to

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Speaker 1: set up anything you say, Drys m h h. Hi,

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Speaker 1: this is ken you said I should call if anyone

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Speaker 1: ever and a man and a woman asked for room

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Speaker 1: five twelve, yes specifically, M No, No they didn't. He's

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Speaker 1: signing under the name Asa Kimball. No, no idea, not

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Speaker 1: five minutes ago. Yes, sir, we'll do all right in there, Charlotte. Yes,

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Speaker 1: come closer to the door. I want to tell you

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Speaker 1: what to do. I'm here. Good. Are you wearing clothes?

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Speaker 1: I am? How do they make you feel? Sholotte? M M,

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Speaker 1: I don't know. These aren't my clothes. And you would

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Speaker 1: never wear clothes like these, would you? No? You know

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Speaker 1: who would wear clothes like these, Charlotte. A prostitute would

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Speaker 1: wear clothes like these. These are these are clothes for

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Speaker 1: a whore, Charlotte. You know who wear clothes like these?

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Speaker 1: Karen does Karen Myers? Remember Karen? Yes? Good? Good, Because

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Speaker 1: when you open the door and come out here. I

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Speaker 1: want you to be Karen Myers. You don't want me

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Speaker 1: to be Karen, that's all right. I want you to

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Speaker 1: just look like her or act like her. I want

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Speaker 1: you to be Karen. Be Karen, that's it, yeah, and

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Speaker 1: not need correct. I want you to step out here,

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Speaker 1: and I want you to be Karen Myers. Why do

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Speaker 1: you want me to be caring? Because that's what I

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Speaker 1: want and because it's what I'm telling you to do.

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Speaker 1: And that's all the reason there needs to be, Charlotte.

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Speaker 1: To remain well, you must obey my every instruction. You

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Speaker 1: must comply with my every wish without my care. You

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Speaker 1: don't have to do that, doctors. If you'd rather be

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Speaker 1: Karen and not myself, if that's what you want it,

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Speaker 1: I'll do it all right. Then here we go. If

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Speaker 1: I am ever to get better again, I must come up. Please, Charlotte,

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Speaker 1: I can trust. Is this what do you want to do? Absolutely? Yes?

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Speaker 1: Step into the white Let me see you. Doctor. You

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Speaker 1: look wonderful, Karen, exactly as I imagine you, cheap toddaries sexy.

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Speaker 1: This is how you look that night when you brought

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Speaker 1: Ronald Grant into this room. If I ever tell me, Karen,

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Speaker 1: did you undress for him? Or did he address you

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Speaker 1: on absolutely healthy? Undress me? I'll show you're right. What

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Speaker 1: did he pay? Ten dollars? Twenty dollars? Twenty dollars? Here

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Speaker 1: you go, Garrett, great, Well that buy me what I want? Yes? No, Charlotte,

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Speaker 1: what is it you're wearing your wedding rings? I'm sorry,

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Speaker 1: I didn't even think I take them off. They're my

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Speaker 1: wedding rings. Karen doesn't have wedding rings. You shouldn't have them.

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Speaker 1: Take them off when I'm absolutely healthy? What should I

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Speaker 1: do with that? But them on the night stands? Better? Now?

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Speaker 1: I have hold still? How does that feel, Karen? To

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Speaker 1: get better? This is what Ronald Grant felt like? I

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Speaker 1: can trust dr that night? Was Ronald Grant the kind

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Speaker 1: of man that needed encouragement? Karen? How did he take

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Speaker 1: control of you? Karen? I can trust drs only when

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Speaker 1: I absolutely I don't want to do I'm showing you

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Speaker 1: just let me do this the way I want to

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Speaker 1: do it, and don't ask questions. I know exactly what

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Speaker 1: I want. You put the money on the dresses. Then

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Speaker 1: that I loved you to temporary ownership, Ronnie, you belong

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Speaker 1: to me, Karen mothers, that's right, and I can do

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Speaker 1: whatever I want with you without any moral or ethical obstruction. Professor,

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Speaker 1: you really know how to talk to a one command

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Speaker 1: and control. Karen. That's what I want? What heavenly man?

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Speaker 1: What underneath it all? Hello? Ken? They still upstairs? Yes, sir?

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Speaker 1: All h Are they many calls? Outside? Calls or front desk? Nothing?

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Speaker 1: They're quiet, all right. If anyone up there tries to

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Speaker 1: make a call, don't let it out. If you hear

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Speaker 1: any unusual noise in the next ten minutes or so,

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Speaker 1: just ignore it. You never saw me come in here today, okay,

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Speaker 1: never saw you before in my life. What do you? Yeah?

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Speaker 1: What are you going to do there in my room?

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Speaker 1: It's only fitting that I go on up and introduce myself.

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Speaker 1: No trouble please. M The Control Group is a production

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Speaker 1: of How Stuff Works, written and directed by Brett Wood,

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Speaker 1: recorded and mixed by Rob gal m m hmmm two