1 00:00:00,880 --> 00:00:03,880 Speaker 1: Oh, this is just like it's a funny character. He's funny, 2 00:00:03,880 --> 00:00:06,880 Speaker 1: he's straightforward with the people. He's very retty and awesome. 3 00:00:06,920 --> 00:00:10,360 Speaker 1: He's the best guy ever franking people the fun times 4 00:00:10,360 --> 00:00:13,200 Speaker 1: that are like seriously hilarious, like I can't even breathe. 5 00:00:13,760 --> 00:00:18,680 Speaker 1: It's just awesome. I just love you guys A morning show. Well, 6 00:00:18,840 --> 00:00:20,520 Speaker 1: welcome to the day. I have no voice. I have 7 00:00:20,600 --> 00:00:23,800 Speaker 1: party girl voice. You do you know why? Because I'm 8 00:00:23,800 --> 00:00:27,320 Speaker 1: a party girl. Were partying girl, Well, this girl was partying. 9 00:00:27,360 --> 00:00:29,640 Speaker 1: We had a big bookstop. We were on Long Island 10 00:00:29,640 --> 00:00:33,360 Speaker 1: a book reviewing in Huntington's. Oh night. It was amazing, 11 00:00:33,880 --> 00:00:36,120 Speaker 1: it was great, and signed how many books do you 12 00:00:36,120 --> 00:00:40,640 Speaker 1: think you signed? Seven hundred thirty one and then the 13 00:00:41,080 --> 00:00:42,839 Speaker 1: seven hundred and thirty two. There was an extra one 14 00:00:42,840 --> 00:00:44,720 Speaker 1: at the end. We took lots of pictures, but lots 15 00:00:44,720 --> 00:00:46,880 Speaker 1: of fun. You know. The one and only producer Sam 16 00:00:46,960 --> 00:00:49,239 Speaker 1: was there last night. That was so much fun. You 17 00:00:49,280 --> 00:00:51,960 Speaker 1: see see what I'm saying. She was there. Her voice 18 00:00:51,960 --> 00:00:54,000 Speaker 1: didn't make it back. We met a lot of great 19 00:00:54,000 --> 00:00:57,200 Speaker 1: people last night. That's awesome, just unbelievable. Did you have 20 00:00:57,240 --> 00:01:01,440 Speaker 1: a favorite of course I did that one and we 21 00:01:01,480 --> 00:01:04,520 Speaker 1: went out for Mexican food and producer Sam had forty 22 00:01:04,560 --> 00:01:08,880 Speaker 1: five glasses of tequila. Yeah, we had. It was a 23 00:01:08,920 --> 00:01:12,360 Speaker 1: crazy night. Uncle Johnny left and head clocktails straight night. 24 00:01:12,400 --> 00:01:14,480 Speaker 1: We missed you last night. Sorry, I couldn't make it. 25 00:01:14,520 --> 00:01:17,200 Speaker 1: The traffic was like three hours from Connecticut. Yeah. Yeah, 26 00:01:17,280 --> 00:01:19,679 Speaker 1: from New York City to Long Island anywhere, it's like 27 00:01:19,720 --> 00:01:22,560 Speaker 1: three hours, scary. Thank you for coming out last night, 28 00:01:22,640 --> 00:01:24,800 Speaker 1: my pleasure. Did you have a good time. I loved 29 00:01:24,800 --> 00:01:27,320 Speaker 1: meeting everybody. Thank you all for coming out too. If 30 00:01:27,319 --> 00:01:30,800 Speaker 1: your listening, it was a great night. We signed a 31 00:01:30,800 --> 00:01:42,720 Speaker 1: lot of books. I don't want to see another book ever. 32 00:01:44,720 --> 00:01:50,400 Speaker 1: The songs out of control. You know, if we're gonna 33 00:01:50,400 --> 00:01:52,280 Speaker 1: play a lot of music like this today, it's not 34 00:01:52,280 --> 00:01:57,880 Speaker 1: gonna be helpful for my party girl voice. What are 35 00:01:57,880 --> 00:02:00,480 Speaker 1: you eating? Scary? And I'm eating what's called an oink 36 00:02:00,920 --> 00:02:03,960 Speaker 1: oinks bacon's chocolate covered bacon strips. But they're gourmet. Look 37 00:02:04,000 --> 00:02:06,600 Speaker 1: at how beautiful these looks. It's beautiful. You knew he was. 38 00:02:06,680 --> 00:02:08,239 Speaker 1: Let me be the first one to dig in there. 39 00:02:08,320 --> 00:02:11,640 Speaker 1: Of course, Scary starts his Edithon. You should raise money 40 00:02:11,639 --> 00:02:14,079 Speaker 1: for your Edithon With every bite you take, you raise 41 00:02:14,160 --> 00:02:16,720 Speaker 1: money for a special special cause. Yeah. Anyway, so last 42 00:02:16,800 --> 00:02:19,280 Speaker 1: night we had had a great night at book review 43 00:02:19,680 --> 00:02:21,440 Speaker 1: on Long Island, and we had a lot of great 44 00:02:21,440 --> 00:02:23,760 Speaker 1: listeners come out and sometimes they bring us gifts. Yeah, 45 00:02:23,800 --> 00:02:27,920 Speaker 1: that's nice. This listener, she was fantastic. She is associated 46 00:02:27,960 --> 00:02:33,160 Speaker 1: with this company called Oinks Chocolate covered Bacon's Trips. Scary. 47 00:02:33,440 --> 00:02:37,440 Speaker 1: Heading towards his second one, Well, let's good Roland. Look, 48 00:02:37,520 --> 00:02:40,200 Speaker 1: let's start with the first caller of the day. It's Erica. Hi, Erica, 49 00:02:40,320 --> 00:02:44,480 Speaker 1: what's up? Hello, lady? Hi? How are y'all? Oh? Hello, lady, 50 00:02:44,639 --> 00:02:49,120 Speaker 1: We're doing great. How's everything in beautiful Richmond? Is lovely? 51 00:02:49,280 --> 00:02:52,040 Speaker 1: It is dark and cold here, and I am getting 52 00:02:52,040 --> 00:02:55,120 Speaker 1: ready to commute to work for my job, and I 53 00:02:55,160 --> 00:02:57,919 Speaker 1: am just over the moon that I get to talk 54 00:02:58,000 --> 00:03:01,400 Speaker 1: to y'all. Erica. That is so sweet. That is very sweet. 55 00:03:01,440 --> 00:03:03,160 Speaker 1: You know, you only have today and then tomorrow, then 56 00:03:03,160 --> 00:03:06,160 Speaker 1: your weekend is here, you know that, right? Well, actually 57 00:03:06,240 --> 00:03:09,760 Speaker 1: I work Wednesday through Sunday. Sunday. It's only my Tuesday. 58 00:03:09,880 --> 00:03:15,840 Speaker 1: Oh god, my birthday, my birthday. Okay, well, you know, 59 00:03:15,880 --> 00:03:17,799 Speaker 1: like your birthdays on the way, you know, even if 60 00:03:17,800 --> 00:03:20,120 Speaker 1: it's your birthday while you're working, it's your birthday. I 61 00:03:20,160 --> 00:03:23,079 Speaker 1: hope everyone at work treats you with the respect you deserve. Yes, 62 00:03:23,880 --> 00:03:28,480 Speaker 1: they really do. I get treated like a princess their Yeah, 63 00:03:30,280 --> 00:03:33,000 Speaker 1: I'm happy. Well, you know, it's a pleasure to talk 64 00:03:33,040 --> 00:03:34,960 Speaker 1: to you. So why are you so excited to be 65 00:03:35,000 --> 00:03:37,640 Speaker 1: on the show as our first caller of the day today, Erica, 66 00:03:37,760 --> 00:03:40,760 Speaker 1: I am so excited because I try calling every morning. 67 00:03:40,880 --> 00:03:44,400 Speaker 1: I'm going through a really difficult divorce. I comute a 68 00:03:44,400 --> 00:03:46,920 Speaker 1: long way from my job, and you guys, you just 69 00:03:47,040 --> 00:03:50,920 Speaker 1: get me through so much. Oh, Erica, I know, and 70 00:03:50,960 --> 00:03:53,160 Speaker 1: what you're going through, what you're going through must just 71 00:03:53,200 --> 00:03:57,680 Speaker 1: be pure hell some days. But you know what, be 72 00:03:57,800 --> 00:04:01,120 Speaker 1: your best friend, be your own best friend, and get 73 00:04:01,160 --> 00:04:03,320 Speaker 1: yourself through this. You're going to be good. You're gonna 74 00:04:03,360 --> 00:04:07,680 Speaker 1: be good. Remember that, okay, I will. Sweet. Thank you 75 00:04:07,760 --> 00:04:10,480 Speaker 1: guys so much for everything. Thank you so much for 76 00:04:10,640 --> 00:04:12,920 Speaker 1: everything you do. I wish there was something I could 77 00:04:12,960 --> 00:04:15,440 Speaker 1: do or say that it would take take your hurt away. 78 00:04:15,520 --> 00:04:17,240 Speaker 1: Right now. I'm so sorry that you're going through this. 79 00:04:18,640 --> 00:04:20,599 Speaker 1: It's okay because I get to talk to you guys, 80 00:04:20,680 --> 00:04:23,120 Speaker 1: and my heart is flaming out of my chest, which 81 00:04:23,200 --> 00:04:25,320 Speaker 1: is probably a good thing. Because I worked through funeral 82 00:04:25,360 --> 00:04:29,440 Speaker 1: Home so they could just take me away. Just because 83 00:04:29,440 --> 00:04:33,680 Speaker 1: you work there doesn't mean you have to be a customer. Well, look, Erica, 84 00:04:33,800 --> 00:04:36,280 Speaker 1: you are our special, special guest and friend today as 85 00:04:36,279 --> 00:04:37,839 Speaker 1: our first caller to day, we've got to send you 86 00:04:37,839 --> 00:04:40,039 Speaker 1: an Elvis You're in morning show shirt. That's how that works, 87 00:04:40,600 --> 00:04:43,200 Speaker 1: and I want to ruin it for me. You're not 88 00:04:43,240 --> 00:04:44,680 Speaker 1: even going to be able to tell it to shirt 89 00:04:44,720 --> 00:04:48,200 Speaker 1: by the time to get I promise. Yeah, that's amazing. 90 00:04:48,400 --> 00:04:50,640 Speaker 1: And all of your clients at funeral Home today, you 91 00:04:50,680 --> 00:04:53,240 Speaker 1: tell them we said hello. I will. Can I give 92 00:04:53,240 --> 00:04:55,400 Speaker 1: a shout out to my three co workers listen to 93 00:04:55,440 --> 00:04:59,120 Speaker 1: your show? What are their names? Pina, Tina, Harley and Alex. 94 00:04:59,360 --> 00:05:03,479 Speaker 1: Good morning, Hello ladies. I'll see you soon. Well, thank 95 00:05:03,520 --> 00:05:05,720 Speaker 1: you for calling Erica and you We're gonna be thinking 96 00:05:05,720 --> 00:05:07,160 Speaker 1: about you all day today. And you take good care 97 00:05:07,160 --> 00:05:10,120 Speaker 1: of yourself. Be your best friend. Okay, I will and 98 00:05:10,240 --> 00:05:12,440 Speaker 1: Hi Gandia, I love you so much. You're so cool 99 00:05:12,480 --> 00:05:14,920 Speaker 1: and fun and Danielle, I hope your that is getting better. 100 00:05:15,080 --> 00:05:18,560 Speaker 1: Thank you. You're the best. Hold on much second, Erica. 101 00:05:18,680 --> 00:05:20,760 Speaker 1: See you know what, we all have our story every day, 102 00:05:20,800 --> 00:05:23,360 Speaker 1: we're all living our lives and on our journeys, and 103 00:05:23,400 --> 00:05:25,680 Speaker 1: you just never know. You never know. Erica, what an 104 00:05:25,720 --> 00:05:27,040 Speaker 1: honor to talk to you, and I hope you're the 105 00:05:27,120 --> 00:05:29,120 Speaker 1: best day ever. Hey, let's go round the room. We'll 106 00:05:29,160 --> 00:05:31,039 Speaker 1: start with you, Danielle. What's on your mind today? I 107 00:05:31,080 --> 00:05:33,200 Speaker 1: want to thank everyone for all their well wishes and 108 00:05:33,279 --> 00:05:36,200 Speaker 1: prayers for my dad, because I feel like it's going 109 00:05:36,200 --> 00:05:38,320 Speaker 1: in the right direction and it's working. Yesterday we found 110 00:05:38,320 --> 00:05:41,800 Speaker 1: out that the MRI showed no brain damage, which is 111 00:05:41,880 --> 00:05:44,040 Speaker 1: a step in the right direction. So it's going to 112 00:05:44,120 --> 00:05:46,320 Speaker 1: be a long process and there's other things going on, 113 00:05:46,400 --> 00:05:49,599 Speaker 1: but at least it's the start. So I thank you, 114 00:05:49,720 --> 00:05:52,200 Speaker 1: thank you, thank you. I've felt like a little bit 115 00:05:52,200 --> 00:05:55,360 Speaker 1: of a light yesterday, so I know it's because everybody 116 00:05:55,400 --> 00:05:58,360 Speaker 1: is out there praying and giving positive thoughts. Everyone's asking 117 00:05:58,400 --> 00:06:00,760 Speaker 1: about your dad. Thank you, And well, if you're listening 118 00:06:00,800 --> 00:06:02,599 Speaker 1: right now, as soon as you wake up, we've got 119 00:06:02,600 --> 00:06:06,800 Speaker 1: some chocolate cover bacon for you. Not what needs? Don't 120 00:06:07,160 --> 00:06:11,440 Speaker 1: you don't know that you don't know that it can 121 00:06:11,480 --> 00:06:13,800 Speaker 1: be exactly what he needs? Okay, Like, have you even 122 00:06:13,839 --> 00:06:16,160 Speaker 1: tried to wave it under his nose? Hello, give it 123 00:06:16,200 --> 00:06:18,880 Speaker 1: a shot. Froggy what's up with you right now? You know, 124 00:06:18,960 --> 00:06:20,720 Speaker 1: my wife is one of the worst kind of people, 125 00:06:20,720 --> 00:06:23,240 Speaker 1: and let me tell you what that is. Complain. Yesterday, 126 00:06:23,320 --> 00:06:25,560 Speaker 1: I was extremely busy. I got a lot going on, 127 00:06:25,560 --> 00:06:27,240 Speaker 1: so I made a list of things that I had 128 00:06:27,320 --> 00:06:29,760 Speaker 1: to do. I go to bed, I woke up this morning. 129 00:06:29,960 --> 00:06:32,240 Speaker 1: She added six things to the list. I don't need 130 00:06:32,279 --> 00:06:35,400 Speaker 1: you to add things my list, but I'm already busy 131 00:06:35,520 --> 00:06:38,000 Speaker 1: and I'm already stressing out. Don't add more crap to 132 00:06:38,040 --> 00:06:41,839 Speaker 1: my pile. You well, okay. In addition to everything she 133 00:06:41,920 --> 00:06:43,360 Speaker 1: needs to do, it at the house. Wait to hear 134 00:06:43,400 --> 00:06:46,000 Speaker 1: the list of Froggy That Froggy has things he has 135 00:06:46,000 --> 00:06:48,120 Speaker 1: to do this weekend. We'll get to that later. He's 136 00:06:48,120 --> 00:06:50,440 Speaker 1: a busy boy. Hey, Gandhi, what's up with you? So 137 00:06:50,720 --> 00:06:53,560 Speaker 1: yesterday and the day before we've been talking about things, 138 00:06:53,560 --> 00:06:55,640 Speaker 1: and now I'm getting flooded with DMS of people saying, 139 00:06:55,640 --> 00:06:57,599 Speaker 1: you guys talked about this while I was listening, and 140 00:06:57,640 --> 00:06:59,800 Speaker 1: now the ads are popping up on my phone. It's true. 141 00:07:00,160 --> 00:07:03,240 Speaker 1: Not only is Instagram or computers, all of it listening 142 00:07:03,240 --> 00:07:05,839 Speaker 1: to us. They're listening to the app. They're updating everything 143 00:07:05,839 --> 00:07:07,960 Speaker 1: based on what we say. I know you know that 144 00:07:08,040 --> 00:07:10,400 Speaker 1: underwhere you bought your boyfriend. It's popping up on every 145 00:07:10,520 --> 00:07:13,560 Speaker 1: your your boyfriend's underwears popping up. I know, it's popping 146 00:07:13,600 --> 00:07:16,800 Speaker 1: up everywhere everywhere. And so is the star mapp that 147 00:07:16,840 --> 00:07:18,880 Speaker 1: I got you. That's popping up everywhere for people too. 148 00:07:19,080 --> 00:07:20,920 Speaker 1: So I'm sorry if you're getting flooded with all of 149 00:07:20,920 --> 00:07:23,800 Speaker 1: these things. And black Christmas trees were just over here chatting. 150 00:07:23,800 --> 00:07:27,120 Speaker 1: I didn't mean to get you guys a swamped. Everything 151 00:07:27,200 --> 00:07:31,280 Speaker 1: you own is listening to you, I know, I know. Anyway, 152 00:07:31,360 --> 00:07:35,200 Speaker 1: let's get into your horoscopes with producer Sam High. Producer, Sam, Hi, 153 00:07:35,400 --> 00:07:37,440 Speaker 1: are you sobered up from last night? I think so? 154 00:07:37,600 --> 00:07:39,600 Speaker 1: Let's find out. I gotta tell you I had dinner 155 00:07:39,680 --> 00:07:41,520 Speaker 1: right next to Sam last night, and every cocktail she 156 00:07:41,560 --> 00:07:43,880 Speaker 1: had was not in a tall, straight glass. It was 157 00:07:43,920 --> 00:07:46,520 Speaker 1: in a glass that had a martini talk. It's easier 158 00:07:46,560 --> 00:07:49,239 Speaker 1: for my big mouth to catch you had lots to drink. 159 00:07:49,640 --> 00:07:52,160 Speaker 1: I'm jealous. I actually had sober night last night. You did. 160 00:07:52,360 --> 00:07:54,200 Speaker 1: I've got drunken up for both of them. Oh, thank you? 161 00:07:54,280 --> 00:07:56,440 Speaker 1: All right? Who you doing them with? Dye? All right? Good? 162 00:07:56,600 --> 00:07:59,200 Speaker 1: All right? If you celebrate today, o'tober twenty fourth. You're 163 00:07:59,200 --> 00:08:02,800 Speaker 1: celebrating with Drake and Day a good company. Capricorn. You 164 00:08:02,880 --> 00:08:04,920 Speaker 1: might feel like your days are starting to become boring, 165 00:08:05,160 --> 00:08:07,160 Speaker 1: so try to find ways to spice up your life. 166 00:08:07,200 --> 00:08:09,640 Speaker 1: Your day is a nine Aquarius. Someone may be trying 167 00:08:09,680 --> 00:08:13,040 Speaker 1: to question your beliefs. Stand your ground and defend your words. 168 00:08:13,160 --> 00:08:15,800 Speaker 1: Your day's in eight Pisces. You could have issues with 169 00:08:15,840 --> 00:08:18,480 Speaker 1: a friend and wonder if it's worth continuing the relationship, 170 00:08:18,520 --> 00:08:20,480 Speaker 1: but give it a few days. Time apart could bring 171 00:08:20,520 --> 00:08:22,960 Speaker 1: you back together. Your day is a seven Aries. Lately 172 00:08:22,960 --> 00:08:25,840 Speaker 1: you found working with a team to be extremely rewarding. 173 00:08:26,120 --> 00:08:28,800 Speaker 1: Keep this up, you're bound to accomplish great things. Your 174 00:08:28,840 --> 00:08:31,760 Speaker 1: days of ten Taurus. Don't let deadline stress you. Out 175 00:08:31,840 --> 00:08:33,719 Speaker 1: Do your tasks one at a time and things will 176 00:08:33,760 --> 00:08:36,600 Speaker 1: turn out great. Your days of seven Gemini don't hesitate 177 00:08:36,640 --> 00:08:38,840 Speaker 1: to guide people in the right direction. They need an 178 00:08:38,920 --> 00:08:41,959 Speaker 1: unbiased opinion. Your days and nine Cancer. Take the day 179 00:08:42,000 --> 00:08:44,600 Speaker 1: to pamper yourself. You deserve to do it all. Do 180 00:08:44,679 --> 00:08:46,760 Speaker 1: all your favorite things. Your day is a ten Leo. 181 00:08:46,920 --> 00:08:49,959 Speaker 1: Someone in your life is feeling unmotivated, while it's important 182 00:08:49,960 --> 00:08:52,200 Speaker 1: to rest encourage them to pick up the pace. Your 183 00:08:52,280 --> 00:08:55,400 Speaker 1: days and eight Virgo. Don't get involved in other people's drama. 184 00:08:55,440 --> 00:08:57,560 Speaker 1: This will only add stress to your own life. Your 185 00:08:57,640 --> 00:09:00,600 Speaker 1: days and nine Libra, you're taking on too much. It's 186 00:09:00,600 --> 00:09:03,319 Speaker 1: time to step back and prioritize what you have going on. 187 00:09:03,480 --> 00:09:05,760 Speaker 1: Your days of seven Scorpio. You have a gut feeling 188 00:09:05,800 --> 00:09:08,440 Speaker 1: about something going on in your life. Trust those instincts. 189 00:09:08,440 --> 00:09:10,959 Speaker 1: Your day is an eight and Sagittarius, one of your 190 00:09:10,960 --> 00:09:14,360 Speaker 1: relationships is in need of serious communication. Be sure to 191 00:09:14,400 --> 00:09:16,800 Speaker 1: say exactly what you're feeling. Your day is a nine 192 00:09:16,880 --> 00:09:19,760 Speaker 1: and those are your Thursday morning horoscope. Hey readmind Leo 193 00:09:19,960 --> 00:09:22,760 Speaker 1: horoscope again one more time. Someone in your life is 194 00:09:22,800 --> 00:09:26,440 Speaker 1: feeling unmotivated. While it's important to rest encourage them to 195 00:09:26,480 --> 00:09:28,880 Speaker 1: pick up the pace, what if it's me, Oh talk 196 00:09:28,960 --> 00:09:30,800 Speaker 1: to yourself, Elvin. What if I'm that someone in my 197 00:09:30,880 --> 00:09:34,000 Speaker 1: life's motivated? Oh no, no, you got the message. If 198 00:09:34,000 --> 00:09:36,560 Speaker 1: someone would just bring me some coffee, I would be motivating. 199 00:09:37,240 --> 00:09:44,240 Speaker 1: I'm sorry, I need caffeine. It's not good. Oh my god, Andrew, Andrew, 200 00:09:44,440 --> 00:09:47,000 Speaker 1: thank you so much. I'm more motivated than everyone else. 201 00:09:47,200 --> 00:09:50,800 Speaker 1: It's a coffee faery. Oh yeah, thank you, coffee fairy. 202 00:09:51,320 --> 00:09:54,280 Speaker 1: All right, let's get into let's get into the three 203 00:09:54,320 --> 00:09:55,880 Speaker 1: things you need to know from gone Deep. What are 204 00:09:55,880 --> 00:09:58,480 Speaker 1: they gone to? Chicago Public schools now in the sixth 205 00:09:58,559 --> 00:10:01,480 Speaker 1: day of teacher strikes, with class is being canceled yet again, 206 00:10:01,559 --> 00:10:03,720 Speaker 1: Insiders saying that there are lots of different deals on 207 00:10:03,760 --> 00:10:06,400 Speaker 1: the table. They are not settling on something just yet. 208 00:10:06,840 --> 00:10:10,800 Speaker 1: California's Wine country is on fire of all the places. Yeah, 209 00:10:10,840 --> 00:10:13,520 Speaker 1: crews are struggling with fast moving wildfires and strong winds. 210 00:10:13,679 --> 00:10:16,520 Speaker 1: The Sonoma County fire is estimated at five thousand acres 211 00:10:16,520 --> 00:10:19,400 Speaker 1: no containment as of this morning, winds up to seventy 212 00:10:19,440 --> 00:10:22,040 Speaker 1: miles per hour. You know, California, the whole state is 213 00:10:22,080 --> 00:10:24,560 Speaker 1: such a beautiful, beautiful state, but they definitely pay the 214 00:10:24,559 --> 00:10:27,600 Speaker 1: price for beauty. I know, earthquakes, fires, all kinds of mine. 215 00:10:27,840 --> 00:10:32,200 Speaker 1: And Facebook says it's getting serious about preventing false information 216 00:10:32,240 --> 00:10:34,439 Speaker 1: from going viral on Instagram. So you're going to see 217 00:10:34,480 --> 00:10:36,719 Speaker 1: Instagram looking a little bit different. Now. What they're going 218 00:10:36,760 --> 00:10:39,080 Speaker 1: to do is blur a story that their fact checkers 219 00:10:39,120 --> 00:10:41,520 Speaker 1: find to be false information. You'll still be able to 220 00:10:41,520 --> 00:10:43,360 Speaker 1: see it, but it will say false information. You'll have 221 00:10:43,400 --> 00:10:45,360 Speaker 1: to tap on it and say, I understand this is 222 00:10:45,400 --> 00:10:47,920 Speaker 1: false information. I still want to see and those are 223 00:10:47,920 --> 00:10:50,320 Speaker 1: your three things. Thank you, Gandhi. I think my favorite question. 224 00:10:50,480 --> 00:10:53,920 Speaker 1: You know, our listeners are very inquisitive. Today's question is, oh, 225 00:10:53,960 --> 00:10:58,079 Speaker 1: my god, why was Elvis sober last night? Oh? Why? Why? 226 00:10:57,920 --> 00:11:00,880 Speaker 1: I want to know what? Something weird? You go? You guys? 227 00:11:00,960 --> 00:11:04,720 Speaker 1: Ready for you Thursday? Hey guys, this is Seleni Gomes. 228 00:11:04,920 --> 00:11:11,679 Speaker 1: What's up. It's Fletcher, Elvis Duran, Elvis Duran and Elvis 229 00:11:11,760 --> 00:11:14,000 Speaker 1: Duran in the morning show. I'm used to being the 230 00:11:14,000 --> 00:11:16,640 Speaker 1: one with the interesting opinions and I love it. I 231 00:11:16,720 --> 00:11:19,320 Speaker 1: love the different voices. On Audible two, I can listen 232 00:11:19,320 --> 00:11:23,280 Speaker 1: to anything from stories about animals to different cultures, sexuality, spirituality, 233 00:11:23,360 --> 00:11:26,160 Speaker 1: whatever they have it. Try it. Your first audiobook is 234 00:11:26,160 --> 00:11:36,280 Speaker 1: free at audible dot com. Slash Elvis and of course 235 00:11:36,400 --> 00:11:39,520 Speaker 1: Danielle Gandhi. We talked for a living, Yes, four hours 236 00:11:39,520 --> 00:11:43,400 Speaker 1: a day. We're blah blah blah blah blah. One day, 237 00:11:43,480 --> 00:11:45,280 Speaker 1: I would love to play one of our shows back 238 00:11:45,320 --> 00:11:48,160 Speaker 1: and its entirety and count the number of words that 239 00:11:48,200 --> 00:11:51,439 Speaker 1: are just wasted words. Oh, there's well from us or 240 00:11:51,480 --> 00:11:53,880 Speaker 1: from other people around us. From us, well, no, don't 241 00:11:53,880 --> 00:11:55,920 Speaker 1: even start with the people around us or even worse. 242 00:11:56,640 --> 00:11:59,760 Speaker 1: But but for instance, you know, we can get away 243 00:11:59,800 --> 00:12:03,719 Speaker 1: with saying things that just don't need to be said. Yeah. 244 00:12:04,360 --> 00:12:07,800 Speaker 1: For instance, Alex says this thing. We'll be walking down 245 00:12:07,840 --> 00:12:09,240 Speaker 1: the street. He'll stop and he'll hit me on the 246 00:12:09,280 --> 00:12:11,760 Speaker 1: arm and go hey, and I'll stop it what And 247 00:12:11,920 --> 00:12:14,480 Speaker 1: he'll ask this question, you want to hear something funny? 248 00:12:15,679 --> 00:12:19,160 Speaker 1: I'm like yeah, and thinking there's a joke coming, something funny. 249 00:12:19,600 --> 00:12:21,400 Speaker 1: They don't tell me a story about something that happened 250 00:12:21,400 --> 00:12:24,560 Speaker 1: that day. I'm thinking he couldn't he just tell me? 251 00:12:24,920 --> 00:12:27,000 Speaker 1: Couldn't he just say, oh, by the way, X y 252 00:12:27,080 --> 00:12:30,800 Speaker 1: Z happened today. Yes. It's also like when people announced 253 00:12:30,800 --> 00:12:33,720 Speaker 1: that they have a question. Yeah, hey have a question. Yeah, 254 00:12:34,200 --> 00:12:38,120 Speaker 1: just ask the question. You're right, that's right, it's let's 255 00:12:38,160 --> 00:12:41,640 Speaker 1: let's see condomized. Hey can I say something? Yeah, just 256 00:12:41,679 --> 00:12:44,959 Speaker 1: say Or to be honest? Why do that? I for 257 00:12:45,040 --> 00:12:49,199 Speaker 1: sure do that. You're normally lying. Some people say when 258 00:12:49,200 --> 00:12:51,720 Speaker 1: you say to be honest, it truly means you're just 259 00:12:51,840 --> 00:12:54,360 Speaker 1: getting your thoughts together for you, what about your what 260 00:12:54,400 --> 00:12:56,520 Speaker 1: you're about to say? And you kind of slow down 261 00:12:56,520 --> 00:13:00,440 Speaker 1: the process by saying, let me be honest. Or there's 262 00:13:00,440 --> 00:13:03,240 Speaker 1: another one there's a million of them. Just thinking about 263 00:13:03,240 --> 00:13:05,160 Speaker 1: all the words we use. It really just don't need 264 00:13:05,200 --> 00:13:07,520 Speaker 1: to be used. I yell at my sister all the 265 00:13:07,559 --> 00:13:11,480 Speaker 1: time about we need to talk. Oh, stop that. If 266 00:13:11,520 --> 00:13:12,960 Speaker 1: you need to say something to me, just say it. 267 00:13:12,960 --> 00:13:15,000 Speaker 1: You're my sister. We don't need to set up a time. See, 268 00:13:15,000 --> 00:13:16,960 Speaker 1: if you say to me we need to talk, it's 269 00:13:17,000 --> 00:13:19,679 Speaker 1: a negative. Well it's it's it's a negative something. Yeah, 270 00:13:20,080 --> 00:13:23,040 Speaker 1: it's a like proceed with caution. Yeah, if you say 271 00:13:23,080 --> 00:13:25,240 Speaker 1: we need to talk, that means you really truly want 272 00:13:25,280 --> 00:13:30,240 Speaker 1: my one attention. And she's just being annoying. I know her. 273 00:13:30,640 --> 00:13:32,680 Speaker 1: She just wants to drive me nuts. What's up? Frog? 274 00:13:33,200 --> 00:13:35,600 Speaker 1: Kind of along the same lines, ass to tell you 275 00:13:35,640 --> 00:13:38,000 Speaker 1: the truth, it's like no, no, no, no no, tell me 276 00:13:38,040 --> 00:13:41,720 Speaker 1: a lie. Another one here in New York gets not 277 00:13:41,840 --> 00:13:44,520 Speaker 1: for nothing, trying to figure out what that means for 278 00:13:44,960 --> 00:13:48,200 Speaker 1: it means nothing? What about bless her heart or bless 279 00:13:48,280 --> 00:13:52,000 Speaker 1: your heart? Well no, no, that says a lot. But 280 00:13:52,080 --> 00:13:53,360 Speaker 1: if someone looked at me and says, you know what, 281 00:13:53,520 --> 00:13:56,280 Speaker 1: not for nothing? I just I'm like, well what what? 282 00:13:56,400 --> 00:13:59,440 Speaker 1: Not for nothing? We mean not for nothing meaning you 283 00:13:59,480 --> 00:14:02,040 Speaker 1: don't want it to be nothing, or you do want 284 00:14:02,040 --> 00:14:03,760 Speaker 1: it to be everything. I'm trying to figure it out. 285 00:14:03,760 --> 00:14:06,480 Speaker 1: What scared. There's a reason for this because you it's 286 00:14:06,480 --> 00:14:09,839 Speaker 1: an attention getter to focus your attention, and you need 287 00:14:09,880 --> 00:14:12,200 Speaker 1: like a headline or something to pull you in. So 288 00:14:12,240 --> 00:14:13,840 Speaker 1: it's the line that we don't need it. It's not 289 00:14:13,880 --> 00:14:16,240 Speaker 1: a headline. The headline is what you're about to say. Yes, 290 00:14:16,640 --> 00:14:19,720 Speaker 1: that's the headline. You don't want to wind up, you know. 291 00:14:19,760 --> 00:14:22,840 Speaker 1: Sometimes you know pictures on the mounding, you know what 292 00:14:22,920 --> 00:14:25,160 Speaker 1: those of the mound that wind up. They're just a 293 00:14:25,240 --> 00:14:27,960 Speaker 1: bunch of the you know, they're just a bunch of 294 00:14:28,040 --> 00:14:30,720 Speaker 1: attention grabbers. They're fancy dancers, that's what they are. You're 295 00:14:30,720 --> 00:14:34,080 Speaker 1: a fancy dancer. You don't crack your knuckles before you 296 00:14:34,120 --> 00:14:39,040 Speaker 1: want to say something. No, you get ready for the moment. 297 00:14:39,040 --> 00:14:42,040 Speaker 1: For instance, if you're watching news, for instance, you turn 298 00:14:42,040 --> 00:14:44,720 Speaker 1: on the news networks we're seeing and for instance it's 299 00:14:44,760 --> 00:14:49,160 Speaker 1: like breaking news. Well they play it every time they 300 00:14:49,200 --> 00:14:51,720 Speaker 1: come back from a commercial. Yeah, it's always breaking news. 301 00:14:51,840 --> 00:14:54,640 Speaker 1: Right after a while, you're thinking, there's no breaking news here. 302 00:14:54,640 --> 00:14:56,760 Speaker 1: It's just the same crap you told me ten minutes together. 303 00:14:56,880 --> 00:15:01,200 Speaker 1: It is done broke breaking news, like Nancy Grace and 304 00:15:01,360 --> 00:15:04,720 Speaker 1: Bombshelle to not like everything was a bombshell. I love 305 00:15:04,840 --> 00:15:10,480 Speaker 1: Nancy Grace, Bobshale. Tonight, that woman is a murderer's hearing. 306 00:15:10,680 --> 00:15:12,680 Speaker 1: So we just wrote. My father in law always starts 307 00:15:12,680 --> 00:15:14,640 Speaker 1: off with I hate to say I hate to say that. 308 00:15:15,680 --> 00:15:18,960 Speaker 1: I hate to say that woman. Don't say it. You 309 00:15:19,040 --> 00:15:21,960 Speaker 1: know what, Daniel, you don't have to do anything that 310 00:15:22,000 --> 00:15:24,120 Speaker 1: you hate. And if you don't want to say it, 311 00:15:24,200 --> 00:15:25,920 Speaker 1: if you hate that you're saying it, then don't say it. 312 00:15:26,000 --> 00:15:28,080 Speaker 1: Don't say it from now. Don't forget. You're never gonna 313 00:15:28,080 --> 00:15:31,600 Speaker 1: believe what happened exactly, and I'm gonna look at it. Yeah, 314 00:15:31,640 --> 00:15:35,120 Speaker 1: you're right, I don't believe. Also, when people follow up 315 00:15:35,120 --> 00:15:37,480 Speaker 1: a sentence with I'm just saying I'm sure I heard 316 00:15:37,520 --> 00:15:39,440 Speaker 1: you just say it. But from now on, if anyone 317 00:15:39,480 --> 00:15:41,160 Speaker 1: says to me you want to hear something funny, I'm 318 00:15:41,200 --> 00:15:43,200 Speaker 1: going to say these words. It better make me laugh. 319 00:15:45,880 --> 00:15:48,760 Speaker 1: It better make me laugh. All right. Well, just saying 320 00:15:48,760 --> 00:15:51,760 Speaker 1: that which I didn't, which I didn't have to say it. 321 00:15:53,000 --> 00:15:55,000 Speaker 1: I just think we really go on and on and 322 00:15:55,040 --> 00:15:58,520 Speaker 1: on without thinking about what we're saying. Ye, we actually 323 00:15:58,520 --> 00:16:02,320 Speaker 1: make a good living at it. I found out last 324 00:16:02,400 --> 00:16:04,000 Speaker 1: night turning this I found out last night that I 325 00:16:04,040 --> 00:16:07,920 Speaker 1: have three more years, three more years doing this morning show. 326 00:16:08,080 --> 00:16:10,520 Speaker 1: What did you were you inquiring? I thought only had 327 00:16:10,520 --> 00:16:12,040 Speaker 1: like a year and a half. They told me last 328 00:16:12,120 --> 00:16:14,240 Speaker 1: night you have a little under three years. I'm like, oh, 329 00:16:14,280 --> 00:16:16,960 Speaker 1: dear lord, I think you mean a little under at 330 00:16:17,040 --> 00:16:21,000 Speaker 1: least three more years. Yeah. Yeah, In other words, three 331 00:16:21,040 --> 00:16:23,480 Speaker 1: more years of just saying words that really are empty 332 00:16:23,520 --> 00:16:28,080 Speaker 1: and have no meaning. Yeah, that's cool. Not for nothing here, 333 00:16:28,160 --> 00:16:33,520 Speaker 1: something funny, to be honest, to be honest, this is 334 00:16:33,520 --> 00:16:35,480 Speaker 1: what we do for a living. I will tell you 335 00:16:35,520 --> 00:16:38,160 Speaker 1: that after last night at book review in Huntington, Long Island, 336 00:16:39,200 --> 00:16:41,880 Speaker 1: I really love even more than every what we do 337 00:16:41,960 --> 00:16:44,600 Speaker 1: for a little. It was great. We have so many 338 00:16:44,640 --> 00:16:46,640 Speaker 1: people out there that love listening to our show every day. 339 00:16:46,640 --> 00:16:50,400 Speaker 1: I wonder why that's, but they do, and they're listening 340 00:16:50,480 --> 00:16:51,960 Speaker 1: right now. Thank you so much. Let's get into the 341 00:16:52,000 --> 00:16:54,200 Speaker 1: field goods with producer Sam, who was drunk as a 342 00:16:54,240 --> 00:16:58,560 Speaker 1: skunk lass night. You weren't really drunk, definitely get together, 343 00:16:58,640 --> 00:17:00,280 Speaker 1: you were definitely buzzed. All right, what do you have today? 344 00:17:00,320 --> 00:17:02,640 Speaker 1: All right? So this I got from so many listeners 345 00:17:02,680 --> 00:17:04,439 Speaker 1: I had to feature it. Did you guys see that 346 00:17:04,440 --> 00:17:08,439 Speaker 1: footage that league to the sanitation worker Billy Shelby perfect, 347 00:17:08,520 --> 00:17:10,879 Speaker 1: No one saw it, let me tell you about it. 348 00:17:10,960 --> 00:17:12,720 Speaker 1: So he was going about his root and he saw 349 00:17:12,760 --> 00:17:15,359 Speaker 1: an elderly woman named Opel fall while trying to gather 350 00:17:15,440 --> 00:17:17,920 Speaker 1: her garbage pals. So Billy didn't want that to ever 351 00:17:18,000 --> 00:17:20,640 Speaker 1: happen again. So since then he's been taking it upon 352 00:17:20,760 --> 00:17:23,320 Speaker 1: himself to walk them back for her, and usually she 353 00:17:23,400 --> 00:17:25,840 Speaker 1: like waits for him, so they walked together. It's really adorable. 354 00:17:26,240 --> 00:17:28,320 Speaker 1: What he didn't know is he was being filmed by 355 00:17:28,320 --> 00:17:31,840 Speaker 1: Opal's home security system at the time, and when Opal's 356 00:17:31,920 --> 00:17:34,560 Speaker 1: daughter saw it, she put it out on Facebook. It 357 00:17:34,600 --> 00:17:38,119 Speaker 1: went viral and Billy first saw it watching the news 358 00:17:38,240 --> 00:17:42,280 Speaker 1: and he thought, oh wow, that guy looks like me. Yeah, 359 00:17:42,320 --> 00:17:44,359 Speaker 1: it was him. It brought him fame for what he 360 00:17:44,440 --> 00:17:47,760 Speaker 1: thinks is just being a good person, and it even 361 00:17:47,760 --> 00:17:49,639 Speaker 1: got him a pair of tickets to see the Chiefs 362 00:17:49,640 --> 00:17:51,520 Speaker 1: play the Vikings next month. With Its awesome for him 363 00:17:51,520 --> 00:17:54,919 Speaker 1: because he's a huge Chiefs fan. Really adorable. I'm going 364 00:17:55,000 --> 00:17:57,080 Speaker 1: to post the video because it's super cute. Billy, you 365 00:17:57,160 --> 00:17:59,720 Speaker 1: are amazing and if you have a story that deserves 366 00:17:59,720 --> 00:18:02,520 Speaker 1: to be featured, Email me Sam at elvis duran dot com, 367 00:18:02,640 --> 00:18:05,080 Speaker 1: subject line feel good. By the way, another text just 368 00:18:05,119 --> 00:18:07,720 Speaker 1: came in and Alex does this all the time. I'm 369 00:18:07,720 --> 00:18:09,480 Speaker 1: want to say something, but promise me you're not going 370 00:18:09,520 --> 00:18:12,879 Speaker 1: to get mad. No, No, there's no promise, right, and 371 00:18:13,000 --> 00:18:15,600 Speaker 1: now I'm already mad exactly. I'm mad because you're telling 372 00:18:15,640 --> 00:18:16,960 Speaker 1: me not to get mad. What you're about to say, 373 00:18:16,960 --> 00:18:19,159 Speaker 1: it's gonna make me mad. Yeah. Can I tell you something? No, 374 00:18:19,200 --> 00:18:21,400 Speaker 1: you can't tell me anything. Don't tell me. I'm already furious. 375 00:18:21,440 --> 00:18:23,520 Speaker 1: When here's something funny, No, and if he says something 376 00:18:23,520 --> 00:18:25,040 Speaker 1: that was gonna be funny, it better make me laugh, 377 00:18:25,119 --> 00:18:28,159 Speaker 1: all right. By the way, I love the lady. You 378 00:18:28,240 --> 00:18:30,879 Speaker 1: were just talking about Opel. Yeah, anyone named after a 379 00:18:31,000 --> 00:18:33,639 Speaker 1: rock I love them. She's love the name op like 380 00:18:33,720 --> 00:18:38,040 Speaker 1: some guy named Stone Diamond. We have Diamond, Crystal. I 381 00:18:38,119 --> 00:18:40,600 Speaker 1: love him. Anyway, We're gonna take a break. What do 382 00:18:40,600 --> 00:18:42,880 Speaker 1: you have coming up, Danielle. We are going to talk 383 00:18:42,880 --> 00:18:45,720 Speaker 1: about Martha Stewart, what she thinks about Felicity Huffman in 384 00:18:45,840 --> 00:18:51,800 Speaker 1: her prison outfit. Yeah, she's very very complimentary Duran in 385 00:18:51,800 --> 00:18:55,800 Speaker 1: the morning show, Let's talk about Audible. Oh yeah, Audible. 386 00:18:55,840 --> 00:18:57,119 Speaker 1: You know they do all sorts of things for you. 387 00:18:57,119 --> 00:18:59,440 Speaker 1: At Audible. It's not just people's books that have been 388 00:18:59,600 --> 00:19:04,640 Speaker 1: red in a microphone. No, you can actually customize around 389 00:19:05,280 --> 00:19:12,119 Speaker 1: anything you're doing. What the hell is this really? Oh, Cassie, 390 00:19:13,840 --> 00:19:16,439 Speaker 1: can we start this over? I love Audible. They do 391 00:19:16,520 --> 00:19:21,920 Speaker 1: so many things. Yes, they do whatever you're doing in life. 392 00:19:22,080 --> 00:19:24,159 Speaker 1: The difference between reading a book and listening to an 393 00:19:24,160 --> 00:19:27,120 Speaker 1: audible is, well, you can do it while you're doing 394 00:19:27,119 --> 00:19:32,000 Speaker 1: almost anything, vacuuming, dusting, wash the dishes, or like I 395 00:19:32,160 --> 00:19:34,000 Speaker 1: like to do with my Audible books here is I 396 00:19:34,000 --> 00:19:35,520 Speaker 1: put them in my ears and listen to them while 397 00:19:35,520 --> 00:19:38,640 Speaker 1: you guys try to talk to me, Like, what'd you say? 398 00:19:38,680 --> 00:19:42,240 Speaker 1: I'm sorry, I'm knee deep in a book anyway, making 399 00:19:42,240 --> 00:19:44,879 Speaker 1: dinner mode along, whatever you're doing. It's just it's just 400 00:19:45,080 --> 00:19:47,800 Speaker 1: very very important you understand that you can listen to Audible. 401 00:19:47,840 --> 00:19:50,919 Speaker 1: You can listen to people's words and people's thoughts anywhere 402 00:19:50,920 --> 00:19:53,840 Speaker 1: and everywhere. It's great. All it takes is one amazing 403 00:19:53,840 --> 00:19:56,960 Speaker 1: Audible title and you have the entire house sparkling without 404 00:19:57,000 --> 00:19:59,640 Speaker 1: noticing because you clean the house while listening. Isn't that great? 405 00:20:00,040 --> 00:20:02,000 Speaker 1: And there's a bonus. If you listen with earphones, you 406 00:20:02,040 --> 00:20:04,960 Speaker 1: don't hear you anyone bothering you and asking you for stuff. 407 00:20:05,320 --> 00:20:08,280 Speaker 1: Leave me alone. Please use Audible thirty day trial. Choose 408 00:20:08,280 --> 00:20:11,760 Speaker 1: one audiobook into Audible Originals free with unlimited access to 409 00:20:11,760 --> 00:20:14,760 Speaker 1: guided meditation and fitness programs. Go to Audible dot com 410 00:20:14,800 --> 00:20:18,400 Speaker 1: slash Elvis's Audible dot com Sakay, I'm sorry, my kids 411 00:20:18,400 --> 00:20:24,280 Speaker 1: started sweating and and good morning, Ashley. Why are you 412 00:20:24,400 --> 00:20:27,639 Speaker 1: up so early? What are you doing? Um, I have 413 00:20:27,720 --> 00:20:29,919 Speaker 1: a bit of a problem. Okay, what do you have 414 00:20:30,000 --> 00:20:32,000 Speaker 1: as a problem? Ashally? Tell us let us help you. 415 00:20:33,200 --> 00:20:36,600 Speaker 1: So I'm in a wedding in about four weeks um 416 00:20:36,840 --> 00:20:40,040 Speaker 1: sometimes at the end of November, and I left my 417 00:20:40,119 --> 00:20:43,719 Speaker 1: bridesmaids dress out on my dresser to remind myself I 418 00:20:43,760 --> 00:20:46,320 Speaker 1: needed to take it to the tailor to get hence, 419 00:20:47,040 --> 00:20:49,639 Speaker 1: so I went to work. I left her work. I 420 00:20:49,960 --> 00:20:51,920 Speaker 1: work about an hour and a half away from my house, 421 00:20:51,960 --> 00:20:54,280 Speaker 1: so I have no chance of getting back home really quick. 422 00:20:54,480 --> 00:20:57,600 Speaker 1: What happened to work? I got to work and I 423 00:20:57,720 --> 00:21:00,439 Speaker 1: log into our living room camera just a check on 424 00:21:00,440 --> 00:21:05,000 Speaker 1: our dog, like I normally do, and I see something 425 00:21:05,040 --> 00:21:08,280 Speaker 1: on the living room floor so I'm listening to the 426 00:21:08,320 --> 00:21:11,159 Speaker 1: camera kind of trying to figure out where she's coming from, 427 00:21:11,400 --> 00:21:14,760 Speaker 1: and I zoom in and I realized that she got 428 00:21:14,760 --> 00:21:17,679 Speaker 1: ahold of my bridemaid's dress. What do you mean she 429 00:21:17,760 --> 00:21:19,800 Speaker 1: got a hold of it? What does that mean? She 430 00:21:19,880 --> 00:21:24,640 Speaker 1: got ahold of your bridesmaid dress? So basically, she took 431 00:21:24,640 --> 00:21:27,720 Speaker 1: it off of my dresser, carried it down the stairs 432 00:21:27,800 --> 00:21:30,719 Speaker 1: into the living room and started playing with it like 433 00:21:30,800 --> 00:21:36,720 Speaker 1: it was a toy. That's so cute. What's your dog's name. 434 00:21:37,880 --> 00:21:41,640 Speaker 1: My dog's name is rogue. Oh, rogue. So what does 435 00:21:41,680 --> 00:21:46,879 Speaker 1: it look like now? Not a dress anymore? Well, you 436 00:21:46,880 --> 00:21:49,280 Speaker 1: did say you have four weeks. Is that enough time 437 00:21:49,320 --> 00:21:51,080 Speaker 1: to get it together? I mean it's going to be costly, 438 00:21:51,160 --> 00:21:53,280 Speaker 1: but you're the bride'smaid. You're expected to be there with 439 00:21:53,400 --> 00:21:57,159 Speaker 1: that dress on right. Yep, I'm not sure how I 440 00:21:57,160 --> 00:22:00,960 Speaker 1: could pull this one off out getting it completely new dress. 441 00:22:01,040 --> 00:22:04,679 Speaker 1: Have you called the bride? Not yet? Yeah? You know, 442 00:22:04,760 --> 00:22:06,399 Speaker 1: she has a lot of things she's dealing with, like 443 00:22:06,440 --> 00:22:08,640 Speaker 1: flowers aren't being delivered and oh my god, they don't 444 00:22:08,640 --> 00:22:11,040 Speaker 1: have the right potatoes, you know, stuff like that. Yeah, 445 00:22:11,160 --> 00:22:14,240 Speaker 1: now she needs a bridemaid. I'm sorry rogue ate my dress? 446 00:22:14,320 --> 00:22:17,840 Speaker 1: How much was the dress? Um? It was like two? 447 00:22:19,840 --> 00:22:23,679 Speaker 1: All right? Well, you know what the good news is 448 00:22:23,760 --> 00:22:27,400 Speaker 1: Rogue is a loving, a loving dog, and he really is. 449 00:22:28,760 --> 00:22:31,080 Speaker 1: I guess this could be good for us. A lot 450 00:22:31,119 --> 00:22:33,760 Speaker 1: of people listening right now had something eaten by the dog. 451 00:22:34,720 --> 00:22:36,440 Speaker 1: You know what I'm saying. Yeah, yeah, yeah, I don't know. 452 00:22:36,440 --> 00:22:37,800 Speaker 1: You know Max, when he was a puppy, he used 453 00:22:37,800 --> 00:22:39,520 Speaker 1: to eat everything. Now he doesn't. He just eats his food. 454 00:22:39,520 --> 00:22:42,520 Speaker 1: He's really good about that. He wouldn't eat my bridesmaid dress. 455 00:22:44,000 --> 00:22:46,080 Speaker 1: But you must have felt so helpless an hour and 456 00:22:46,080 --> 00:22:48,560 Speaker 1: a half away watching Rogue eating your dress. It was like, 457 00:22:48,600 --> 00:22:50,240 Speaker 1: what do you do? Were you panicking? Were you screaming 458 00:22:50,240 --> 00:22:52,880 Speaker 1: out loud? Screaming at the at the account? I think 459 00:22:52,920 --> 00:22:55,200 Speaker 1: I went through my entire phone book to see if 460 00:22:55,200 --> 00:22:57,600 Speaker 1: someone could go to my house and help me get 461 00:22:57,640 --> 00:23:02,040 Speaker 1: saved the dress. On how big is Rogue and what 462 00:23:02,119 --> 00:23:09,080 Speaker 1: kind of dog is Rogue? Rogue is a Rogesian ridge back. Yeah, 463 00:23:09,280 --> 00:23:13,760 Speaker 1: very playful. Yeah, it funny how they find a dress 464 00:23:13,800 --> 00:23:16,720 Speaker 1: as a toy. I feel like ridge backs are little 465 00:23:16,720 --> 00:23:19,200 Speaker 1: thieves just in general. I had one steal a loaf 466 00:23:19,200 --> 00:23:20,800 Speaker 1: of bread for me and it was really funny. But 467 00:23:21,040 --> 00:23:24,159 Speaker 1: just how to leave it alone. She loves food, food, 468 00:23:24,320 --> 00:23:27,280 Speaker 1: do anything for food. Apparently she's thought my dress of food. Yeah, 469 00:23:27,359 --> 00:23:29,439 Speaker 1: I think you're gonna have to call the dress place 470 00:23:29,440 --> 00:23:31,320 Speaker 1: and just you need to get that done. You're gonna 471 00:23:31,320 --> 00:23:36,200 Speaker 1: have to sorry about that, you know what, finding yourself 472 00:23:36,280 --> 00:23:38,680 Speaker 1: in a helpless situation like an hour and a half 473 00:23:38,720 --> 00:23:43,679 Speaker 1: away from home. My dog is eating my dress. I've 474 00:23:43,760 --> 00:23:47,040 Speaker 1: watched the whole thing. I know, but you still love 475 00:23:47,119 --> 00:23:50,040 Speaker 1: rogue just as much. Yeah, don't you like it never 476 00:23:50,080 --> 00:23:53,000 Speaker 1: even happened. Yeah, I know, I know. Well, look, thanks 477 00:23:53,000 --> 00:23:54,879 Speaker 1: for your story. Best to luck. This is why I 478 00:23:54,880 --> 00:23:57,480 Speaker 1: don't have cameras in my house. Thank you, Ashley. I 479 00:23:57,480 --> 00:23:59,320 Speaker 1: don't want to know what's going on. Oh I love 480 00:23:59,359 --> 00:24:01,919 Speaker 1: those cameras, pet cams, especially the ones that shoot the treats. 481 00:24:04,400 --> 00:24:06,520 Speaker 1: We tried that. We had one send us. We had 482 00:24:06,520 --> 00:24:09,840 Speaker 1: someone send us one of those treat shooting cameras. Yeah, 483 00:24:09,920 --> 00:24:12,800 Speaker 1: I'm pet cube. No, the thing is ours was. Something 484 00:24:12,920 --> 00:24:15,240 Speaker 1: was wrong. It was defective. It would have shot a 485 00:24:15,240 --> 00:24:18,000 Speaker 1: hole in a dog's head. Oh no, it was to 486 00:24:18,040 --> 00:24:20,879 Speaker 1: turn it down. It was like a rifle. It was 487 00:24:20,920 --> 00:24:22,760 Speaker 1: it was like having an assassin in your living I'm 488 00:24:22,760 --> 00:24:26,800 Speaker 1: shooting at your dog. Where's Max? He's hiding he got 489 00:24:26,800 --> 00:24:29,040 Speaker 1: taken out by a treat Daniel. Your first report of 490 00:24:29,080 --> 00:24:30,720 Speaker 1: the day. What's going on? All right? So we all 491 00:24:30,720 --> 00:24:33,320 Speaker 1: know that Martha Stewart spent a little time in jail. 492 00:24:33,560 --> 00:24:36,840 Speaker 1: So at Vanity Fair's New Establishment Summit, she was asked 493 00:24:36,840 --> 00:24:40,600 Speaker 1: if she thought Huffman Felicity Huffman had learned anything now 494 00:24:40,640 --> 00:24:43,800 Speaker 1: that she has officially begun begun her sentence behind bars, 495 00:24:44,359 --> 00:24:48,119 Speaker 1: and Martha's first comment was, well, she should style her 496 00:24:48,119 --> 00:24:53,480 Speaker 1: outfit a bit more. She looks pretty slumpy. She's wearing 497 00:24:54,880 --> 00:24:56,480 Speaker 1: look like I don't know. I have to go back 498 00:24:56,520 --> 00:24:58,359 Speaker 1: and look at pictures. But how do you stollow your 499 00:24:58,440 --> 00:25:01,920 Speaker 1: arm outfit? I remember picture. I remember seeing pictures of 500 00:25:02,000 --> 00:25:07,240 Speaker 1: Martha in her outfit in prison and she looked great. Yeah, 501 00:25:07,280 --> 00:25:08,880 Speaker 1: google that please because I'm want to see it too. 502 00:25:09,080 --> 00:25:11,399 Speaker 1: So Celia go Men's released her song Lose You to 503 00:25:11,440 --> 00:25:13,199 Speaker 1: Love Me By the way, I think she released another 504 00:25:13,280 --> 00:25:16,400 Speaker 1: single last night, which is a little faster. Everybody thinks 505 00:25:16,400 --> 00:25:20,000 Speaker 1: that's about her relationship with the Biebes. So Justin Bieber's wife, 506 00:25:20,040 --> 00:25:23,000 Speaker 1: Hailey Bieber, posted a song to her Instagram story called 507 00:25:23,040 --> 00:25:25,440 Speaker 1: I'll Kill You. Oh, I saw the whole drama unfold. 508 00:25:25,560 --> 00:25:28,360 Speaker 1: But now she says, no, no, no no, no no, that's 509 00:25:28,440 --> 00:25:32,159 Speaker 1: not a response to Selena. So now Celena has spoken 510 00:25:32,160 --> 00:25:35,720 Speaker 1: out because Selena's fans are getting upset, and she says, listen, 511 00:25:36,040 --> 00:25:38,320 Speaker 1: I'm grateful for the response to the song, but I 512 00:25:38,359 --> 00:25:41,520 Speaker 1: will never stand for women tearing other women down. Please 513 00:25:41,560 --> 00:25:44,280 Speaker 1: be kind to everyone. Please be kind. I don't like 514 00:25:44,359 --> 00:25:47,080 Speaker 1: seeing people being disrespectful or root to other people. Please 515 00:25:47,119 --> 00:25:51,200 Speaker 1: don't do that. Right, stop the fight now? Exactly good 516 00:25:51,359 --> 00:25:54,080 Speaker 1: good thinking. So t Payne announced his upcoming tour will 517 00:25:54,119 --> 00:25:57,040 Speaker 1: be canceled, and he is admitting it's low ticket sales, 518 00:25:57,080 --> 00:25:59,880 Speaker 1: and he says, look, when any artist cancels a tour, 519 00:26:00,200 --> 00:26:02,920 Speaker 1: it's for low ticket sales. You know it's bs if 520 00:26:02,920 --> 00:26:05,439 Speaker 1: they tell you it's about anything else. How about that? 521 00:26:05,600 --> 00:26:09,320 Speaker 1: So honest? Hugh Hefner's ex girlfriends Holly and Bridget are 522 00:26:09,320 --> 00:26:12,560 Speaker 1: conducting a seance the night before Halloween. Are you gonna 523 00:26:12,600 --> 00:26:15,720 Speaker 1: try to get Hu up there? They are hoping to 524 00:26:15,760 --> 00:26:17,960 Speaker 1: get Hugh up there. I don't know if that ever happens. 525 00:26:18,000 --> 00:26:20,639 Speaker 1: They tried it for years. Yeah, so they are hoping 526 00:26:20,640 --> 00:26:22,280 Speaker 1: that they're going to contact him, so we'll see what 527 00:26:22,320 --> 00:26:25,639 Speaker 1: happens and when Disney Plus launches November twelfth. Now, this 528 00:26:25,680 --> 00:26:27,320 Speaker 1: was a story from yesterday, but just in case you 529 00:26:27,359 --> 00:26:31,600 Speaker 1: didn't hear it, Verizon will actually begin offering twelve months 530 00:26:31,600 --> 00:26:34,159 Speaker 1: of the video streaming service to all new and existing 531 00:26:34,680 --> 00:26:39,600 Speaker 1: four G LTE and five G unlimited wireless customers for free. 532 00:26:39,680 --> 00:26:42,440 Speaker 1: Really for twelve months. You know, Disney Plus. I see 533 00:26:42,480 --> 00:26:49,000 Speaker 1: them everywhere. They mean business and angry fist, FiOS anything 534 00:26:49,440 --> 00:26:52,360 Speaker 1: anything but Disney Plus. I mean they really, they really 535 00:26:52,440 --> 00:26:54,040 Speaker 1: want to tear it up. Oh, of course they do. 536 00:26:54,119 --> 00:26:56,359 Speaker 1: I can't I'm so excited. I cannot wait. So you 537 00:26:56,480 --> 00:26:59,240 Speaker 1: got some Thursday night football. It's the Vikings, that's the Redskins, 538 00:26:59,640 --> 00:27:02,159 Speaker 1: Red Will and Grace going down the series. Beware of 539 00:27:02,280 --> 00:27:05,600 Speaker 1: Daybreak on Netflix. If you're gonna watch the trailer, don't 540 00:27:05,640 --> 00:27:06,879 Speaker 1: watch it in front of the kids. A lot of 541 00:27:06,920 --> 00:27:09,840 Speaker 1: f bombs, and that Gray's Anatomy is on Evil How 542 00:27:09,880 --> 00:27:12,439 Speaker 1: to Get Away with a Murder. Next hour, I'm going 543 00:27:12,480 --> 00:27:14,680 Speaker 1: to tell you some Halloween movies that you can watch 544 00:27:14,760 --> 00:27:16,480 Speaker 1: with your family that are not going to scare the 545 00:27:16,520 --> 00:27:20,080 Speaker 1: bjeesist it because some people don't like to be scared. 546 00:27:20,200 --> 00:27:24,640 Speaker 1: Let watch a film or about someone eating candy. Well 547 00:27:24,720 --> 00:27:27,040 Speaker 1: not like that. O, Hell are you supposed to scare you? 548 00:27:27,160 --> 00:27:29,160 Speaker 1: You know? But like you know that I remember before Christmas, 549 00:27:29,200 --> 00:27:35,000 Speaker 1: isn't really scary. Hi Caitlin, Hey, what's going on? Oh? 550 00:27:35,240 --> 00:27:38,640 Speaker 1: Just calling about my situation where my dog ate something 551 00:27:38,760 --> 00:27:41,040 Speaker 1: from my own wedding. You know, here's the thing. Dogs 552 00:27:41,119 --> 00:27:42,920 Speaker 1: love to eat things. We just had a text with 553 00:27:43,000 --> 00:27:50,600 Speaker 1: someone who's said the schnauzer ate someone's prosthetic penis. Dog 554 00:27:50,720 --> 00:27:52,679 Speaker 1: doesn't know it's a penis, you know, it doesn't need 555 00:27:53,359 --> 00:27:58,800 Speaker 1: a toy. So what happened in your house? So? I 556 00:27:58,960 --> 00:28:02,040 Speaker 1: was actually living in North Pole, Alacta, trying to plan 557 00:28:02,240 --> 00:28:05,760 Speaker 1: my wedding back home in Cincinnati, Ohio. Right, So that 558 00:28:05,920 --> 00:28:07,920 Speaker 1: was already stressful on top of it just being a 559 00:28:07,960 --> 00:28:10,880 Speaker 1: normal wedding. Um. So we had my husband's tuck sent 560 00:28:11,000 --> 00:28:13,720 Speaker 1: to our house and we it never showed up. We're 561 00:28:13,760 --> 00:28:16,080 Speaker 1: like searching all over for it. We call the company 562 00:28:16,119 --> 00:28:18,520 Speaker 1: and we're like, this is unacceptable, Like we're getting married, 563 00:28:18,600 --> 00:28:21,760 Speaker 1: we need his freaking tucks. Uh. Come to find out, 564 00:28:21,840 --> 00:28:23,800 Speaker 1: we found it a couple of days later in the 565 00:28:23,880 --> 00:28:27,240 Speaker 1: bushes in our backyard, worn two shreds, and my dog 566 00:28:27,320 --> 00:28:30,560 Speaker 1: had gotten into it when it got delivered. So there's 567 00:28:30,560 --> 00:28:32,400 Speaker 1: nothing better than going out to the bushes and finding 568 00:28:32,440 --> 00:28:34,720 Speaker 1: a torn up tuck. Oh my god, the stories, the 569 00:28:34,840 --> 00:28:39,080 Speaker 1: stories you could tell. What kind of dog? Right? Germans? 570 00:28:39,520 --> 00:28:42,080 Speaker 1: German shepherds. German shepherds are great. And what was your 571 00:28:42,120 --> 00:28:46,040 Speaker 1: dog's name? Hello? Hello? Are you there? Are you calling 572 00:28:46,080 --> 00:28:51,280 Speaker 1: from North Pole? Hello? Just ad her phone? That's that's 573 00:28:51,480 --> 00:28:55,600 Speaker 1: I think that's where he lives. Hello, Tim, Hey, what's 574 00:28:55,640 --> 00:28:59,280 Speaker 1: going on? Everybody? What's your dog's name? My dog's name 575 00:28:59,400 --> 00:29:02,560 Speaker 1: was Cover? Okay? And what kind of dog? He was 576 00:29:02,600 --> 00:29:06,720 Speaker 1: a husky? Colleague? Oh, so whatever he eats, whatever he 577 00:29:06,840 --> 00:29:09,560 Speaker 1: destroys is okay. So what did he eat? Well? I 578 00:29:09,640 --> 00:29:12,560 Speaker 1: had an entire Star Wars action figure collection back in 579 00:29:12,600 --> 00:29:14,600 Speaker 1: the Lague nineties when the new movies came out, and 580 00:29:14,800 --> 00:29:17,480 Speaker 1: I came home from school one day and all it 581 00:29:17,640 --> 00:29:20,560 Speaker 1: was is pieces of arms and legs and all that 582 00:29:20,680 --> 00:29:23,400 Speaker 1: stuff all over the place. And I had intentions to 583 00:29:23,520 --> 00:29:27,960 Speaker 1: resell that at a future date. But yeah, sorry about that. 584 00:29:28,520 --> 00:29:30,880 Speaker 1: And that's that's just put him in worth something too, right, 585 00:29:31,440 --> 00:29:33,760 Speaker 1: I would, I would think so, But that's okay. We 586 00:29:33,840 --> 00:29:36,040 Speaker 1: still love the dog. He us a good dog, you know. 587 00:29:36,280 --> 00:29:39,000 Speaker 1: See that's the thing. No matter what, they destroy your life. 588 00:29:39,120 --> 00:29:41,960 Speaker 1: They take money out of your pocket, literally they would 589 00:29:41,960 --> 00:29:44,680 Speaker 1: eat it. Thank you very much, Tim. And then it 590 00:29:44,760 --> 00:29:50,240 Speaker 1: starts to get personal, like Marissa for instance, Hello Marissa, Hi, Hello, 591 00:29:50,400 --> 00:30:00,719 Speaker 1: lay Hello lady. What's your dog's Name's an English bootegle name. Um. 592 00:30:00,840 --> 00:30:03,560 Speaker 1: It comes out that she loves eat everything. What did 593 00:30:03,600 --> 00:30:07,600 Speaker 1: she eat? She ate my marriage? She wait? Wait, she 594 00:30:08,040 --> 00:30:12,880 Speaker 1: ate your marriage certificate. I was getting ready to get 595 00:30:12,920 --> 00:30:16,240 Speaker 1: my passwords, change my name. Who was going on our hooon? 596 00:30:16,360 --> 00:30:19,120 Speaker 1: And it was do you think she was sending you 597 00:30:19,200 --> 00:30:22,640 Speaker 1: a sign when they eat your marriage certificate? So? Yeah, 598 00:30:24,200 --> 00:30:26,640 Speaker 1: five years so I see mary sign. He's on Halloween. 599 00:30:26,720 --> 00:30:30,680 Speaker 1: So that's so cool. Congratulations. See for some people that 600 00:30:30,720 --> 00:30:32,720 Speaker 1: would have been a good thing. Hold on, Marissa, Yeah, 601 00:30:32,840 --> 00:30:34,720 Speaker 1: don't you wish? You know what? It didn't work out 602 00:30:34,760 --> 00:30:36,560 Speaker 1: with you, so, but rather than divorcing, we just had 603 00:30:36,600 --> 00:30:42,040 Speaker 1: the dog eat the marriage. Finally we talked to Aaron. Hello, Aaron, Hey, 604 00:30:42,160 --> 00:30:46,000 Speaker 1: how are you doing? Okay? Doing okay? So you're see 605 00:30:46,040 --> 00:30:52,040 Speaker 1: I've heard of this before. Okay, what kind of dog? 606 00:30:52,080 --> 00:30:54,680 Speaker 1: What kind of dog? I have a Bernice Mountain dog 607 00:30:55,840 --> 00:31:02,240 Speaker 1: named Frank. Okay, I love that. Okay, let's think. Let's 608 00:31:02,440 --> 00:31:05,720 Speaker 1: think this one through because it's logical. Actually, okay, so 609 00:31:05,840 --> 00:31:10,640 Speaker 1: what did Frank eat? Um? So he would he would 610 00:31:10,680 --> 00:31:14,880 Speaker 1: eat my underwear. But it wasn't until my laundry came 611 00:31:14,920 --> 00:31:17,280 Speaker 1: back from the cleaners and I want to go, like 612 00:31:17,440 --> 00:31:19,160 Speaker 1: take them out to wear them again, that I would 613 00:31:19,200 --> 00:31:23,760 Speaker 1: notice that, like the crotch was missing. Frank, eat the 614 00:31:23,840 --> 00:31:26,400 Speaker 1: crotch out of your underwear. Yeah, so I'm like, I 615 00:31:26,800 --> 00:31:29,040 Speaker 1: can only imagine the reputation I have with like the 616 00:31:29,160 --> 00:31:32,560 Speaker 1: local laundry place. Right, Oh yeah, what is she doing 617 00:31:32,680 --> 00:31:40,400 Speaker 1: at home? All right? Will you tell Frank? We said, Hi, okay, 618 00:31:41,200 --> 00:31:43,480 Speaker 1: I will all right, thank you very much. There you 619 00:31:43,840 --> 00:31:46,000 Speaker 1: dogs are dogs. It is funny how you give a 620 00:31:46,080 --> 00:31:53,960 Speaker 1: dog a toy, let's say, a toy, uh what or something? Yeah, okay, 621 00:31:54,280 --> 00:31:57,200 Speaker 1: so we look, look, little Max is eating that little penguin. 622 00:31:57,800 --> 00:31:59,680 Speaker 1: Then you think, oh, he must have a thing for penguin. No, 623 00:31:59,720 --> 00:32:01,840 Speaker 1: they don't, No, they don't know it's a penguin. They 624 00:32:01,840 --> 00:32:04,360 Speaker 1: don't know that's the crotch of your underwear. It's a toy. 625 00:32:04,600 --> 00:32:07,160 Speaker 1: They just don't know, right, But we project these things 626 00:32:07,240 --> 00:32:10,120 Speaker 1: on them. Yeah, I used to love. My dog would 627 00:32:10,120 --> 00:32:12,160 Speaker 1: try to offer up his toy as like a trade 628 00:32:12,240 --> 00:32:14,400 Speaker 1: for things that he wanted. So if he wanted food, 629 00:32:14,400 --> 00:32:15,840 Speaker 1: he would bring his toy over and sit it on 630 00:32:15,920 --> 00:32:17,640 Speaker 1: your leg. If you shut a door and he wanted 631 00:32:17,680 --> 00:32:19,240 Speaker 1: to come in, he'd try to slide it under the door. 632 00:32:19,480 --> 00:32:21,479 Speaker 1: I was like, you're the cutest thing that has ever existed. 633 00:32:22,560 --> 00:32:25,280 Speaker 1: See cats just bring home dead birds right this texture. 634 00:32:25,320 --> 00:32:27,200 Speaker 1: My dog used to eat all my thongs and poop 635 00:32:27,280 --> 00:32:31,000 Speaker 1: them out all over the yard. That looks like a 636 00:32:31,080 --> 00:32:35,800 Speaker 1: bunch of duty thongs. All right, enough dogs? Have we 637 00:32:35,840 --> 00:32:38,560 Speaker 1: had enough of dogs? Can you love them no matter 638 00:32:38,640 --> 00:32:50,200 Speaker 1: what they eat? I love musicals, schools back in sessions, 639 00:32:50,280 --> 00:32:52,440 Speaker 1: so I get a little extra time with my baby. 640 00:32:52,520 --> 00:32:56,160 Speaker 1: Audible it's my instant audiobook escape. How about Elton John's 641 00:32:56,240 --> 00:32:59,240 Speaker 1: juicy new memoir Me. Audible has my attention, at least 642 00:32:59,320 --> 00:33:02,360 Speaker 1: until the kids at home. Listen for yourself your first audiobook. 643 00:33:02,360 --> 00:33:11,600 Speaker 1: It's free at audible dot com. Slash Elvis. You know, 644 00:33:11,680 --> 00:33:14,280 Speaker 1: I get all nervous when I'm driving down the highway 645 00:33:14,320 --> 00:33:16,480 Speaker 1: and there's someone else on the highway driving aggressively, like 646 00:33:16,560 --> 00:33:18,480 Speaker 1: weaving in and up traffic and on your butt and 647 00:33:18,560 --> 00:33:20,920 Speaker 1: up on someone else's button, even if they aren't like 648 00:33:20,960 --> 00:33:24,240 Speaker 1: aggressively on my butt. I see them driving aggressively and 649 00:33:24,280 --> 00:33:26,040 Speaker 1: it makes me nervous. It don't be on my butt. Well, 650 00:33:26,040 --> 00:33:28,240 Speaker 1: the same thing happens to me in Radio now down 651 00:33:28,320 --> 00:33:30,600 Speaker 1: the hall at Power one oh five and the Breakfast Club. 652 00:33:30,640 --> 00:33:33,680 Speaker 1: They're good friends of ours, right, and we're hearing rumors 653 00:33:33,720 --> 00:33:36,520 Speaker 1: that there's like there's beef, there's stuff something going on. Yeah, 654 00:33:37,000 --> 00:33:38,800 Speaker 1: Like you know, even right now with the stuff going 655 00:33:38,840 --> 00:33:43,360 Speaker 1: on between Justin Bieber's wife and Selena Gomez, I get nerves. 656 00:33:43,400 --> 00:33:45,480 Speaker 1: I'm like, no, can't we just all calm down? But 657 00:33:45,600 --> 00:33:47,720 Speaker 1: when it's in your own house and I don't even 658 00:33:47,760 --> 00:33:50,880 Speaker 1: know if any of this stuff is true, Apparently someone's 659 00:33:50,920 --> 00:33:53,800 Speaker 1: mad at someone and they don't get they drop them 660 00:33:53,840 --> 00:33:56,320 Speaker 1: on Instagrams. I just want them all to get along. 661 00:33:56,680 --> 00:33:59,760 Speaker 1: Those are all our kids, right. Should we have a 662 00:33:59,800 --> 00:34:02,000 Speaker 1: Should we go down to Power, Should we go down 663 00:34:02,000 --> 00:34:04,240 Speaker 1: to the breakfast club and like say, hey, let's let's 664 00:34:04,240 --> 00:34:05,720 Speaker 1: call in this town. Or should we just leave it alone? 665 00:34:05,800 --> 00:34:08,279 Speaker 1: Absolutely we should go down and inject ourselves. I don't 666 00:34:08,280 --> 00:34:09,760 Speaker 1: think so. I think we need to leave it alone. 667 00:34:10,120 --> 00:34:12,480 Speaker 1: It's not our business. Intervention. Well, it is our business 668 00:34:12,480 --> 00:34:14,160 Speaker 1: because we're sitting there talking about I know, but I 669 00:34:14,200 --> 00:34:16,040 Speaker 1: don't think we should get involved because then you're gonna 670 00:34:16,040 --> 00:34:18,319 Speaker 1: have to choose sides, and who's side you're gonna choose. 671 00:34:18,360 --> 00:34:21,560 Speaker 1: I will always choose the side of our brothers and sisters. 672 00:34:21,920 --> 00:34:25,160 Speaker 1: Power will find I should offer up our services and say, guys, 673 00:34:25,200 --> 00:34:27,120 Speaker 1: allow us to be the judge and jury and whatever 674 00:34:27,200 --> 00:34:29,760 Speaker 1: we say goes. Now present your kiss. Well, yeah that's 675 00:34:29,800 --> 00:34:34,280 Speaker 1: gonna work. Yeah. It's like a guest came in, Gucci 676 00:34:34,360 --> 00:34:36,080 Speaker 1: Maine came in and he says he tried to get 677 00:34:36,120 --> 00:34:38,840 Speaker 1: with Angela Yee and Angela he said, no you. Angela 678 00:34:38,960 --> 00:34:41,680 Speaker 1: Yee said no, I never tried to. That never happened, 679 00:34:41,800 --> 00:34:44,239 Speaker 1: and then they went back and so they said he 680 00:34:44,440 --> 00:34:47,239 Speaker 1: was banned from the show. And then Charlemagne then did 681 00:34:47,239 --> 00:34:49,960 Speaker 1: an interview on his own and Angela apparently got upset. 682 00:34:50,000 --> 00:34:51,840 Speaker 1: At least that's the this is what we're hearing. So, 683 00:34:52,000 --> 00:34:53,759 Speaker 1: you know, I think you'd be interesting, and let me 684 00:34:53,880 --> 00:34:55,400 Speaker 1: make it very clear, I think it'd be interesting to 685 00:34:55,480 --> 00:34:59,160 Speaker 1: hear what really happened versus what we're hearing. Yeah, okay, yes, 686 00:34:59,239 --> 00:35:02,120 Speaker 1: Because there's three sides to every story's right exactly. But 687 00:35:02,239 --> 00:35:04,919 Speaker 1: I just want everyone to get along. I don't want 688 00:35:05,000 --> 00:35:07,360 Speaker 1: I don't want someone to Look, we all have fights, 689 00:35:07,800 --> 00:35:10,560 Speaker 1: we all have a little TIFFs, but at the end 690 00:35:10,560 --> 00:35:12,480 Speaker 1: of the day, we're stuck with each other. No one's 691 00:35:12,480 --> 00:35:16,279 Speaker 1: going anywhere. I don't They're okay, Yeah, me too. I 692 00:35:16,400 --> 00:35:19,000 Speaker 1: love them all, So straighten it. Go down there and 693 00:35:19,000 --> 00:35:21,920 Speaker 1: tell them that we care. Okay. I don't want to 694 00:35:21,920 --> 00:35:23,560 Speaker 1: get in the middle of No, I didn't say get 695 00:35:23,640 --> 00:35:25,480 Speaker 1: in the middle. Just tell them we care. Look, you 696 00:35:25,520 --> 00:35:27,919 Speaker 1: know what, you have friends at work that get into fights, 697 00:35:27,920 --> 00:35:29,560 Speaker 1: if friends at school they get into fights, and you're 698 00:35:29,600 --> 00:35:31,120 Speaker 1: kind of in the middle. You just all you want 699 00:35:31,160 --> 00:35:33,520 Speaker 1: to do is make sure everyone's okay and understand that 700 00:35:33,640 --> 00:35:36,480 Speaker 1: sometimes we can disagree or but it doesn't mean it's 701 00:35:36,520 --> 00:35:38,680 Speaker 1: the end of our relationship. I used to be a 702 00:35:38,760 --> 00:35:40,440 Speaker 1: peer to peer counselor in high school. I think I 703 00:35:40,440 --> 00:35:44,439 Speaker 1: would be great at this. Allows what do you mean? Okay, 704 00:35:44,480 --> 00:35:46,400 Speaker 1: So what does a peer to peer counselor do. You 705 00:35:46,480 --> 00:35:49,000 Speaker 1: would sit down with two people yes, but peers yes, 706 00:35:49,080 --> 00:35:50,800 Speaker 1: and try to help them figure it out. Yeah, and 707 00:35:50,880 --> 00:35:52,799 Speaker 1: they would say, this is our problem, this is what's 708 00:35:52,840 --> 00:35:54,560 Speaker 1: going on. We need somebody to listen to it. We 709 00:35:54,600 --> 00:35:56,680 Speaker 1: don't want to go to a counselor who's gonna try 710 00:35:56,719 --> 00:35:58,799 Speaker 1: to adult us. We just want to talk to someone 711 00:35:58,920 --> 00:36:01,560 Speaker 1: our age, like this is what's happening. Okay. I loved 712 00:36:01,640 --> 00:36:04,800 Speaker 1: being like you're right, you're wrong, all right? Good? So 713 00:36:05,360 --> 00:36:07,200 Speaker 1: we have that going on for us. We have Anthony 714 00:36:07,320 --> 00:36:09,759 Speaker 1: Ramos on the Way, who's fantastic. He used to be 715 00:36:09,880 --> 00:36:12,920 Speaker 1: in God, he was in Hamilton, He's been in some movies. 716 00:36:12,960 --> 00:36:15,680 Speaker 1: He was in Starsborn. He thinks he's got to have it. 717 00:36:16,800 --> 00:36:19,040 Speaker 1: Listen to this song he's going to perform for us, Slid. 718 00:36:19,120 --> 00:36:33,879 Speaker 1: Listen to this mind over matter Anthony Ramos. Everyone's talking 719 00:36:33,880 --> 00:36:36,399 Speaker 1: about him. He's got this buzz going on. They're saying 720 00:36:36,480 --> 00:36:40,680 Speaker 1: he's really gonna hit bag this year. So Anthony Ramos 721 00:36:40,760 --> 00:36:42,799 Speaker 1: on the Way, we got that going for us. Uh, 722 00:36:43,280 --> 00:36:46,160 Speaker 1: let's see what else. And Danielle, so I know that 723 00:36:46,320 --> 00:36:48,359 Speaker 1: you've been spending a lot of time on the road 724 00:36:48,560 --> 00:36:50,600 Speaker 1: going to see your father in the hospital, yes, every 725 00:36:50,640 --> 00:36:52,279 Speaker 1: day after the show, and you've been spending a lot 726 00:36:52,320 --> 00:36:55,200 Speaker 1: of time with our podcast. I have. I've been really 727 00:36:55,320 --> 00:36:59,279 Speaker 1: enjoying our podcast. I listened to Brooklyn Boys, which I 728 00:36:59,400 --> 00:37:02,000 Speaker 1: love for a long time, and now the Serial Killers, 729 00:37:02,400 --> 00:37:04,680 Speaker 1: which has been awesome and I'm having so much fun 730 00:37:04,760 --> 00:37:08,200 Speaker 1: listening to everything and laughing and it's really good. Spotlight 731 00:37:08,520 --> 00:37:12,200 Speaker 1: serial Killers, the new kid in the blog. Okay, Scottie 732 00:37:12,200 --> 00:37:15,239 Speaker 1: B and Andrew, can you make more noise with that microphone? 733 00:37:16,480 --> 00:37:21,000 Speaker 1: Scottie B and Andrew sit down every every podcast and 734 00:37:21,120 --> 00:37:23,920 Speaker 1: talk about Cereal, something we all grew up with, and 735 00:37:24,040 --> 00:37:26,360 Speaker 1: it really is something most all of us have in 736 00:37:26,440 --> 00:37:29,200 Speaker 1: common at history with Cereal, right, and it could be 737 00:37:29,320 --> 00:37:31,399 Speaker 1: really boring, but we fight with each other and it's 738 00:37:31,400 --> 00:37:33,640 Speaker 1: a lot of fun, so funny. They fight the whole 739 00:37:33,719 --> 00:37:35,640 Speaker 1: like a lot. And then they have guests come in, 740 00:37:35,760 --> 00:37:38,439 Speaker 1: and I have to say that Scotty knows more about 741 00:37:38,440 --> 00:37:41,400 Speaker 1: Cereal than Andrew does. Oh yeah, and Scotti is so 742 00:37:41,719 --> 00:37:45,200 Speaker 1: anal about his Cereal. That's very funny. Daniel is one 743 00:37:45,200 --> 00:37:47,319 Speaker 1: of our favorite guests. Thank you, and Andrew. Actually I'm 744 00:37:47,360 --> 00:37:50,480 Speaker 1: hearing knows really nothing about Cereal at all, but that's fine. Yeah, 745 00:37:50,520 --> 00:37:55,040 Speaker 1: it's fun, but he's a Cereal fan. Andrew, come in, 746 00:37:55,120 --> 00:37:56,440 Speaker 1: Why do you in the other room? All right, so 747 00:37:56,560 --> 00:37:59,440 Speaker 1: tell me about like, what are you guys talking about 748 00:37:59,600 --> 00:38:02,920 Speaker 1: in the In the latest episode, it was our fiftieth episode, 749 00:38:03,239 --> 00:38:05,680 Speaker 1: so we brought in this special collector's edition of Disney 750 00:38:05,760 --> 00:38:08,839 Speaker 1: Frozen two, which is brand new out from Kelow Cereal. Yes, 751 00:38:09,200 --> 00:38:11,680 Speaker 1: so it's a loop cereal and you can build your 752 00:38:11,719 --> 00:38:14,360 Speaker 1: own old Off marshmallows, so you get to play with 753 00:38:14,480 --> 00:38:17,040 Speaker 1: your cereal then eat it. It's kind of gross. I mean, 754 00:38:17,080 --> 00:38:19,360 Speaker 1: you build your own marshal Well, there's circles and carrots 755 00:38:19,400 --> 00:38:22,200 Speaker 1: and leaves and stuff and you and you build snowmen. 756 00:38:22,400 --> 00:38:25,239 Speaker 1: You build old Off with the marshmallows. But Scotti has 757 00:38:25,239 --> 00:38:27,239 Speaker 1: a problem with the cereal, so you have to listen 758 00:38:27,280 --> 00:38:29,280 Speaker 1: to find out what it is. Yeah, what's your issue 759 00:38:29,280 --> 00:38:31,920 Speaker 1: with the cereal? No, I'm not I want to know. 760 00:38:32,200 --> 00:38:34,120 Speaker 1: I just feel like Kelloggs lately has been kind of 761 00:38:34,200 --> 00:38:36,400 Speaker 1: lazy and they're just making every cereal loops and they 762 00:38:36,480 --> 00:38:41,520 Speaker 1: just make them different colors like snowballs, like Frozen. Right, okay, 763 00:38:41,719 --> 00:38:43,800 Speaker 1: so what's this other seal? And then this one's my 764 00:38:43,840 --> 00:38:46,560 Speaker 1: favorite coming up in the episode that airs tomorrow. Um, 765 00:38:46,800 --> 00:38:49,480 Speaker 1: it's a new cereal from General Mills and it's called 766 00:38:49,560 --> 00:38:53,719 Speaker 1: Morning Summit and it's so good. It's not widely available, 767 00:38:53,760 --> 00:38:55,839 Speaker 1: but I found it online and it's like a trail 768 00:38:55,880 --> 00:38:57,880 Speaker 1: mix in a box, and it's and the first ingredient 769 00:38:58,040 --> 00:39:00,399 Speaker 1: is almonds, So there's a lot of almonds in here. 770 00:39:00,760 --> 00:39:04,000 Speaker 1: It's really much, is that proboxo? It ranges from like 771 00:39:04,200 --> 00:39:09,200 Speaker 1: fifteen to twenty five dollars. Well, because because basically it's 772 00:39:09,239 --> 00:39:11,200 Speaker 1: it's a trail mix. It's a giant box of trail mix. 773 00:39:11,280 --> 00:39:12,520 Speaker 1: But people put milk in it and they call it 774 00:39:12,600 --> 00:39:16,680 Speaker 1: a cereal. It's Great's So if you go into Scotty Studio, 775 00:39:17,000 --> 00:39:19,560 Speaker 1: the Cereal Killer Studio, how many boxes of cereal are 776 00:39:19,600 --> 00:39:22,200 Speaker 1: on that shelf right now? There's sixty seven boxs. So 777 00:39:22,360 --> 00:39:25,279 Speaker 1: we basically have a cereal buffet available to us every day. 778 00:39:25,360 --> 00:39:28,080 Speaker 1: I hadn't realized that with this many types of cereal. 779 00:39:28,120 --> 00:39:30,959 Speaker 1: It's oh my god, there's hundreds. And Scottie will judge 780 00:39:31,000 --> 00:39:33,560 Speaker 1: the way you consume your cereal. By the way, Danielle 781 00:39:33,640 --> 00:39:35,239 Speaker 1: just hear the crime talk about what do you mean? 782 00:39:35,480 --> 00:39:37,920 Speaker 1: He says, Danielle comes in here and she mixes the cereal. 783 00:39:37,960 --> 00:39:39,640 Speaker 1: She puts all kinds of crap in it. I am 784 00:39:39,680 --> 00:39:41,759 Speaker 1: a cereal purist. That cereal is meant to be eating 785 00:39:41,800 --> 00:39:43,680 Speaker 1: the way it comes out of the box. Let do 786 00:39:43,760 --> 00:39:45,640 Speaker 1: you know what why Danielle can enjoy it anyway she 787 00:39:45,719 --> 00:39:48,040 Speaker 1: wants to enjoy cocked. It's not permitted, but I have to. 788 00:39:48,080 --> 00:39:49,720 Speaker 1: I have to show you because people are now sending 789 00:39:49,840 --> 00:39:52,600 Speaker 1: us cereals. Right listeners are sending it whatnot? And Garrett 790 00:39:52,640 --> 00:39:54,600 Speaker 1: actually ordered this cereal for us and sent it. This 791 00:39:54,760 --> 00:39:56,759 Speaker 1: is one of those Facebook ad cereals that you might 792 00:39:56,800 --> 00:39:59,080 Speaker 1: see pop up. It's from the cereal school. I just 793 00:39:59,160 --> 00:40:01,440 Speaker 1: want you to taste how this with the cereal school? 794 00:40:01,480 --> 00:40:03,640 Speaker 1: Why are you telling it tastes? How disgusting it all? 795 00:40:03,719 --> 00:40:07,239 Speaker 1: I mean it's delicious. Go ahead, try it. It's good. 796 00:40:07,280 --> 00:40:12,279 Speaker 1: At first it looks like dog food and then it's 797 00:40:12,320 --> 00:40:16,080 Speaker 1: like cocoa that turns into it's Yeah, it tastes like 798 00:40:16,160 --> 00:40:21,759 Speaker 1: burnt if. It's awful, but they sell so much of it. 799 00:40:22,320 --> 00:40:27,240 Speaker 1: I love people to do that. Here, taste this. It's terrible, Froggy. 800 00:40:27,320 --> 00:40:29,279 Speaker 1: What it does? It goes from coco tasting, it goes 801 00:40:29,320 --> 00:40:32,040 Speaker 1: to it's a dark chocolate taste. It doesn't translate willing. 802 00:40:32,120 --> 00:40:36,080 Speaker 1: So you need some frozen cereal to clean your power? Okay, 803 00:40:36,200 --> 00:40:39,280 Speaker 1: so Andrew, you're being very quiet. Andrew, as of today, 804 00:40:39,800 --> 00:40:42,160 Speaker 1: what is your most favorite I'm hand jamming. What's your 805 00:40:42,200 --> 00:40:47,200 Speaker 1: favorite cereal frosted flakes like charms? Oh yeah, chocolate checks, 806 00:40:47,239 --> 00:40:50,200 Speaker 1: corn checks. There's so many good ones. Number one favorite 807 00:40:50,239 --> 00:40:54,120 Speaker 1: cereal go of all time? Go oh, cinnabon cereal. Okay, 808 00:40:54,160 --> 00:40:57,800 Speaker 1: what about you anymore? That's right? What about you, Scotty 809 00:40:57,880 --> 00:41:01,080 Speaker 1: be your favorite cereal of all time? Count chocola Although 810 00:41:01,120 --> 00:41:03,160 Speaker 1: it is seasonal now, it's still my favorite. You know, 811 00:41:03,239 --> 00:41:06,719 Speaker 1: my favorite cereal of all time fruity pebbles, right, yeah, 812 00:41:07,040 --> 00:41:09,880 Speaker 1: I love fruity pebbles. I'm a pebbles fan. You just 813 00:41:09,960 --> 00:41:11,799 Speaker 1: have to eat them so fast because if you let 814 00:41:11,840 --> 00:41:14,759 Speaker 1: it sit for even a minute in that milk. Sorry. 815 00:41:14,840 --> 00:41:16,279 Speaker 1: And a lot of a lot of the holiday and 816 00:41:16,320 --> 00:41:18,360 Speaker 1: winter ones are coming out. There's like a vanilla cinnamon 817 00:41:18,560 --> 00:41:21,840 Speaker 1: Lucky Charms coming, and there's there's a sugar cookie cinnamon 818 00:41:21,880 --> 00:41:24,239 Speaker 1: toast crunch. We're gonna go. We have to stop talking, sorry, 819 00:41:24,320 --> 00:41:26,600 Speaker 1: because you know, straight age over here like he's about 820 00:41:26,640 --> 00:41:30,360 Speaker 1: to take flight. I'm trying to talk about our cereal 821 00:41:30,480 --> 00:41:34,800 Speaker 1: killers podcast. Stop stop it. Relax. Do you need some 822 00:41:35,040 --> 00:41:36,759 Speaker 1: do you have a calming cereal? Do you have like 823 00:41:36,840 --> 00:41:39,960 Speaker 1: a CBD cereale? We need a cereal full of CBD 824 00:41:40,080 --> 00:41:43,920 Speaker 1: flax anyway. No, you should see. I wish you had 825 00:41:44,000 --> 00:41:46,319 Speaker 1: cameras to see what you You look like you're about 826 00:41:46,320 --> 00:41:52,920 Speaker 1: to take flight. You're flapping your wings. You were flapping. 827 00:41:53,040 --> 00:41:55,719 Speaker 1: Come on, chicken man, oh, chicken man. I love you. 828 00:41:56,239 --> 00:41:58,440 Speaker 1: Cereal Killers the podcast. Check it out. And by the way, 829 00:41:58,440 --> 00:42:00,520 Speaker 1: if you're a fan of cereal Killers, you're called cruncher. 830 00:42:00,640 --> 00:42:03,239 Speaker 1: That's correct, right, We met a lot of crunchers last 831 00:42:03,320 --> 00:42:05,080 Speaker 1: night at your book of It. Thank you. You have 832 00:42:05,160 --> 00:42:07,879 Speaker 1: to leave now, sorry, because the fun has ended because 833 00:42:09,840 --> 00:42:15,720 Speaker 1: I just sloat it down. I don't like that cereal 834 00:42:15,800 --> 00:42:18,520 Speaker 1: that gave us. It's I feel like I was poisoned. 835 00:42:18,560 --> 00:42:21,640 Speaker 1: It's left the worst taste in my mouth ever. Know 836 00:42:21,760 --> 00:42:24,680 Speaker 1: the best cereal? I think it's chocolate checks like that 837 00:42:24,920 --> 00:42:27,040 Speaker 1: and vanilla checks. They should mix them together and called 838 00:42:27,120 --> 00:42:29,719 Speaker 1: black and white checks. Oh no, it's racial harmony. Yes, 839 00:42:30,239 --> 00:42:32,880 Speaker 1: what about you gone to your favorite cereal? I like 840 00:42:32,960 --> 00:42:35,000 Speaker 1: fruit loops even though it shrides the top of my mouth. 841 00:42:35,080 --> 00:42:37,400 Speaker 1: I'm in all right. We got to get into the 842 00:42:37,480 --> 00:42:39,719 Speaker 1: three things you need to know. We're running late, thank you. 843 00:42:40,600 --> 00:42:43,279 Speaker 1: Let's get Let's get into the three things you need 844 00:42:43,360 --> 00:42:45,000 Speaker 1: to know. We've got a phone tap on the way, 845 00:42:45,040 --> 00:42:47,920 Speaker 1: and of course we have guests performing. It's gonna be fabulous, 846 00:42:47,960 --> 00:42:50,520 Speaker 1: Go right ahead. Amazon is expanding its network of package 847 00:42:50,520 --> 00:42:52,960 Speaker 1: pickup points Danielle. Yeah, I know, you'll still just want 848 00:42:52,960 --> 00:42:54,920 Speaker 1: it to come to you. But they say they're adding 849 00:42:54,960 --> 00:42:57,719 Speaker 1: thousands of new locations to the counter option, so you 850 00:42:57,760 --> 00:42:59,360 Speaker 1: don't just have to sit around a way for your package. 851 00:42:59,400 --> 00:43:00,920 Speaker 1: You could go grab it if you need to grab 852 00:43:01,080 --> 00:43:04,440 Speaker 1: your package. Yeah. A bide partisan effort is being made 853 00:43:04,480 --> 00:43:07,480 Speaker 1: to shorten the federal student aid form. Senators on both 854 00:43:07,520 --> 00:43:10,240 Speaker 1: side introduced a bill that would simplify the fafts of forms, 855 00:43:10,280 --> 00:43:12,480 Speaker 1: saying it's too long and complicated, and as a result, 856 00:43:12,719 --> 00:43:15,919 Speaker 1: only sixty percent of students nationwide complete the form, leaving 857 00:43:16,000 --> 00:43:19,040 Speaker 1: nearly three billion dollars in pell grants on the table. 858 00:43:19,400 --> 00:43:21,920 Speaker 1: And finally, bad news, fellas, working too much could make 859 00:43:21,960 --> 00:43:24,359 Speaker 1: you go bald. A new study found that men who 860 00:43:24,440 --> 00:43:26,480 Speaker 1: work more than fifty two hours a week lose hair 861 00:43:26,480 --> 00:43:28,960 Speaker 1: at twice the rate that men do who work less 862 00:43:29,000 --> 00:43:30,919 Speaker 1: than forty hours. Well, is it why I'm going bald? 863 00:43:31,120 --> 00:43:33,319 Speaker 1: Because I really don't work that hard? No, something else? 864 00:43:33,920 --> 00:43:37,759 Speaker 1: Your phone tap on the way. Hey, this is John Lege. 865 00:43:37,800 --> 00:43:40,520 Speaker 1: What's up Chain Spoker. Hey, this is a gena menzel 866 00:43:40,600 --> 00:43:47,480 Speaker 1: with Elvis Durante Taco Bell. He know what birthday celebrations 867 00:43:47,600 --> 00:43:49,960 Speaker 1: love him? Right? Oh yeah, And I have so many 868 00:43:50,040 --> 00:43:54,799 Speaker 1: friends who love Mountain Dew's Baja Blast at Taco Bell. 869 00:43:55,400 --> 00:43:57,200 Speaker 1: That sounds like a party drink. A Mountain Dew is 870 00:43:57,239 --> 00:43:59,000 Speaker 1: is fabulous. But when you call it the Mountain Dew 871 00:43:59,040 --> 00:44:04,080 Speaker 1: BaHaB Blast fifty Birthday concoction, Taco Bell is doing something new. 872 00:44:04,120 --> 00:44:07,120 Speaker 1: What they did is they are taking candy confetti and 873 00:44:07,320 --> 00:44:10,760 Speaker 1: mixing it inside the Mountain Dew Baha Blast Birthday Freeze. 874 00:44:11,120 --> 00:44:14,440 Speaker 1: Every sip is filled with candy confetti that Baha Blast 875 00:44:14,480 --> 00:44:18,800 Speaker 1: flavor you love with celebratory candy. So I want you 876 00:44:18,840 --> 00:44:21,120 Speaker 1: to join the celebration. Pick up a Mountain Dew Baha 877 00:44:21,239 --> 00:44:25,080 Speaker 1: Blast Birthday Freeze today at Taco Book text Us. A 878 00:44:28,360 --> 00:44:31,520 Speaker 1: messaging rates may apply. It's Elvi Strand in the Morning Show. 879 00:44:31,880 --> 00:44:36,160 Speaker 1: What year was this phone tap done? Two thousand and seven? Wow? 880 00:44:36,560 --> 00:44:39,040 Speaker 1: But there's a story behind this phone tap. And by 881 00:44:39,080 --> 00:44:40,759 Speaker 1: the way, this is a free book phone Tap. The 882 00:44:40,800 --> 00:44:42,719 Speaker 1: book this course of course called Where Do I Begin? 883 00:44:42,800 --> 00:44:45,400 Speaker 1: It's this book that I wrote. I think it's okay 884 00:44:45,480 --> 00:44:47,400 Speaker 1: but people who read it like it. It's great. So 885 00:44:47,440 --> 00:44:49,120 Speaker 1: I'm not gonna trust me on this. I'm gonna trust 886 00:44:49,120 --> 00:44:51,480 Speaker 1: you on that. So anyway, as we get into the 887 00:44:51,520 --> 00:44:54,000 Speaker 1: into this phone tap, I want you to just really 888 00:44:54,080 --> 00:44:56,319 Speaker 1: absorb the story. So when you hear the phone tap 889 00:44:56,360 --> 00:44:59,279 Speaker 1: from two thousand and seven, it turns into a totally 890 00:44:59,280 --> 00:45:01,040 Speaker 1: different phone tap then it would have been had we 891 00:45:01,080 --> 00:45:03,080 Speaker 1: not told this story all right. By the way, if 892 00:45:03,120 --> 00:45:05,200 Speaker 1: you want to win this book, just call me now 893 00:45:05,280 --> 00:45:08,480 Speaker 1: we call her or whatever. One eight hundred, one hundred, Yeah, 894 00:45:08,960 --> 00:45:11,480 Speaker 1: one eight hundred two for two zero one hundred. Thank 895 00:45:11,480 --> 00:45:13,120 Speaker 1: you to everyone who came out to a book review 896 00:45:13,239 --> 00:45:16,360 Speaker 1: last night on Long Island. We have so many listeners 897 00:45:16,400 --> 00:45:19,239 Speaker 1: that really grew up with our show and they this 898 00:45:19,400 --> 00:45:21,399 Speaker 1: is why I think everyone on the show should write 899 00:45:21,400 --> 00:45:24,719 Speaker 1: a book. Yeah, start writing. It's pretty cool. But thank 900 00:45:24,760 --> 00:45:26,839 Speaker 1: you for coming out, and I hope you enjoy this book. 901 00:45:26,840 --> 00:45:29,200 Speaker 1: I mean, there's some really sad parts of this book 902 00:45:29,239 --> 00:45:32,400 Speaker 1: that make you cry. There's some embarrassing things about me 903 00:45:32,600 --> 00:45:37,160 Speaker 1: and my issues. Some p talk, so some pe talk. Yes, 904 00:45:37,239 --> 00:45:39,279 Speaker 1: what does that mean if we talk about ur a nation? 905 00:45:39,520 --> 00:45:41,479 Speaker 1: You're a nation? A lot of urine in here. Yeah, 906 00:45:41,640 --> 00:45:43,360 Speaker 1: it was a lot of positivity though, a lot of 907 00:45:43,480 --> 00:45:48,680 Speaker 1: like lessons. So P is for p and for positivity. Yeah, 908 00:45:50,239 --> 00:45:52,640 Speaker 1: it's true, all right. So one eight hundred two two 909 00:45:52,800 --> 00:45:54,480 Speaker 1: zero one hundred. Let's get into it, all right, you 910 00:45:54,560 --> 00:45:57,600 Speaker 1: guys ready to go? Yeah? The free What button do 911 00:45:57,680 --> 00:45:59,680 Speaker 1: I push? Well? You want to talk to a line twenty? 912 00:46:00,000 --> 00:46:03,160 Speaker 1: So we don't have like something that phone tap? Yea 913 00:46:03,280 --> 00:46:09,360 Speaker 1: line line ce all right. So back in two thousand 914 00:46:09,400 --> 00:46:11,799 Speaker 1: and seven, we received a request from one of our 915 00:46:11,840 --> 00:46:18,359 Speaker 1: listeners to phone tap his dad Bart. The son's name 916 00:46:18,680 --> 00:46:22,399 Speaker 1: is Bart as well. So bart Son wanted to phone 917 00:46:22,440 --> 00:46:27,359 Speaker 1: tap bart father, and I have Bart right here live 918 00:46:27,440 --> 00:46:29,960 Speaker 1: with us. Now, Hi Bart, Hey, how you doing all? 919 00:46:30,520 --> 00:46:32,719 Speaker 1: Doing very well? So? Wow? So how old were you 920 00:46:32,880 --> 00:46:34,520 Speaker 1: in two thousand and seven when you wanted to phone 921 00:46:34,560 --> 00:46:37,200 Speaker 1: tap your father? I was twenty eight and I still 922 00:46:37,239 --> 00:46:42,920 Speaker 1: had all my hair. Here you go, So why did 923 00:46:43,000 --> 00:46:45,719 Speaker 1: you choose to phone tap your father Bart? What was 924 00:46:45,800 --> 00:46:47,520 Speaker 1: it about him that you thought would make a great 925 00:46:47,640 --> 00:46:50,600 Speaker 1: phone tap victim? We couldn't help us. I would always 926 00:46:50,600 --> 00:46:53,120 Speaker 1: do it on my own, and I would always call 927 00:46:53,200 --> 00:46:55,480 Speaker 1: him up and pretend to be different people and mess 928 00:46:55,520 --> 00:46:58,960 Speaker 1: with him, and you would so mad because I tricked 929 00:46:59,000 --> 00:47:01,439 Speaker 1: him every time, right when they do it with you guys, 930 00:47:01,440 --> 00:47:03,480 Speaker 1: so everybody could hear how funny he was and how 931 00:47:03,560 --> 00:47:05,799 Speaker 1: mad he got. So do you like a lot of us, 932 00:47:05,960 --> 00:47:08,160 Speaker 1: you love to push your parents to the edge because 933 00:47:08,360 --> 00:47:11,719 Speaker 1: it's a funny thing, right, I love it. Well, the 934 00:47:12,680 --> 00:47:16,960 Speaker 1: issue here is your father, Bart has since passed away. Yeah, 935 00:47:17,200 --> 00:47:19,640 Speaker 1: he passed away about two weeks ago in October fifteenth, 936 00:47:19,680 --> 00:47:22,920 Speaker 1: on my birthday. Right, well, I'm so sorry to hear that, 937 00:47:24,000 --> 00:47:26,959 Speaker 1: and so of all the ways to remember your father, 938 00:47:27,280 --> 00:47:29,319 Speaker 1: you want to play back a moment in time where 939 00:47:29,360 --> 00:47:31,400 Speaker 1: he was so mad he wanted to throw you off 940 00:47:31,400 --> 00:47:37,120 Speaker 1: a cliff. Yes, I love it so anyway, so back 941 00:47:37,160 --> 00:47:39,839 Speaker 1: in the day, it was Brody who did this phone tap. 942 00:47:39,920 --> 00:47:42,440 Speaker 1: Brody talk about what you went through with his dad Bart. Well, 943 00:47:42,440 --> 00:47:44,680 Speaker 1: I want to preface the fact that these two guys 944 00:47:44,800 --> 00:47:47,319 Speaker 1: have a relationship where this is the way they speak 945 00:47:47,360 --> 00:47:50,200 Speaker 1: to each other because the father yells at him, like 946 00:47:50,320 --> 00:47:52,320 Speaker 1: maybe you've never heard a father yell at a son before, 947 00:47:52,760 --> 00:47:55,239 Speaker 1: but they have that kind of relationship, and so they 948 00:47:55,280 --> 00:47:57,520 Speaker 1: have the same name. And the phone tap premise was 949 00:47:57,960 --> 00:48:00,080 Speaker 1: that he used this credit card, father's credit card to 950 00:48:00,120 --> 00:48:02,279 Speaker 1: make some purchases because he has the same name, it 951 00:48:02,360 --> 00:48:04,480 Speaker 1: was able to get away with it. All right, So 952 00:48:05,239 --> 00:48:07,279 Speaker 1: when's the last time you heard this phone tap? Bart 953 00:48:08,200 --> 00:48:10,879 Speaker 1: um Right before he died, Elvis, about two weeks before 954 00:48:10,920 --> 00:48:13,000 Speaker 1: he died, me and a couple of his friends listening 955 00:48:13,000 --> 00:48:14,880 Speaker 1: to this phone tap, and he had a couple of 956 00:48:14,960 --> 00:48:16,800 Speaker 1: choice words that he called me and Brodie that I 957 00:48:16,880 --> 00:48:21,560 Speaker 1: can Okay. Well, so we're gonna play the phone tap now. 958 00:48:21,640 --> 00:48:23,880 Speaker 1: And in a way, it's so different to hear the 959 00:48:24,080 --> 00:48:27,120 Speaker 1: story behind the story. And Bart, we're gonna let you go, 960 00:48:27,200 --> 00:48:28,360 Speaker 1: but I want you to listen to the radio and 961 00:48:28,440 --> 00:48:30,719 Speaker 1: listen to this this phone tap. And by the way, 962 00:48:30,719 --> 00:48:33,080 Speaker 1: you're now a police officer. You're doing very well in life, 963 00:48:33,120 --> 00:48:35,759 Speaker 1: and your father is looking down on you and he's 964 00:48:35,880 --> 00:48:38,520 Speaker 1: very proud of you. I'm very sure. Thank you very 965 00:48:38,600 --> 00:48:41,960 Speaker 1: much for giving me this moment, Elvis. I really appreciate it, 966 00:48:42,040 --> 00:48:44,200 Speaker 1: all right. Your book is also my habit. Oh, thank you, 967 00:48:44,520 --> 00:48:46,520 Speaker 1: thank you so much. I appreciate it. All right, go 968 00:48:46,640 --> 00:48:48,000 Speaker 1: listen to the phone tap. This is gonna be great. 969 00:48:48,000 --> 00:48:49,400 Speaker 1: I'm so excited to hear it. I haven't heard it 970 00:48:49,480 --> 00:48:52,640 Speaker 1: in years. Thank you guys. All right, Bart, you take care. 971 00:48:53,000 --> 00:48:55,040 Speaker 1: There you go. The story behind the story. This is 972 00:48:55,360 --> 00:49:03,680 Speaker 1: Son Bart phone tapping, Dad Bart, l L durand phone tap. Yeah. 973 00:49:04,080 --> 00:49:06,680 Speaker 1: We took a vote around the radio station yesterday and 974 00:49:06,760 --> 00:49:09,000 Speaker 1: this is the maddest man we've ever had in the 975 00:49:09,120 --> 00:49:12,719 Speaker 1: history of phone tap. The letter from Bartholom You the 976 00:49:12,840 --> 00:49:19,760 Speaker 1: third says, my dad, barthollow you the second goes nuts 977 00:49:19,840 --> 00:49:22,480 Speaker 1: when it comes to money. Why don't we call him up? 978 00:49:22,520 --> 00:49:24,160 Speaker 1: Say you're from a credit card company. Tell him I 979 00:49:24,239 --> 00:49:27,399 Speaker 1: opened an account using his name and his social Security number, 980 00:49:27,520 --> 00:49:30,160 Speaker 1: and now he owes the money I've spent. You know, 981 00:49:30,360 --> 00:49:34,239 Speaker 1: that's just what a dad needs. Anyway, My dad can 982 00:49:34,280 --> 00:49:36,520 Speaker 1: be very mean, so mean, I may have to move 983 00:49:36,560 --> 00:49:39,400 Speaker 1: to another country. He's short tempered, he's crazy. He's a 984 00:49:39,400 --> 00:49:44,080 Speaker 1: little Italian that looks like Danny DeVito. Dave Brody is 985 00:49:44,160 --> 00:49:47,040 Speaker 1: calling Bartholome You Junior as the credit card company guy, 986 00:49:47,120 --> 00:49:49,600 Speaker 1: and Bartholom You the Third is listening in on the 987 00:49:49,680 --> 00:49:51,840 Speaker 1: other line, and we'll join in later. Let's listen to 988 00:49:52,040 --> 00:49:58,399 Speaker 1: today's phone tap. Yeah, Hello, I'm looking for a Bartholomew 989 00:49:58,600 --> 00:50:02,160 Speaker 1: Junior who's calling. This is David Palmer from Sam Card. 990 00:50:02,360 --> 00:50:04,880 Speaker 1: All right, I'm just calling to verify some charges on 991 00:50:04,960 --> 00:50:08,840 Speaker 1: your new account. First, I don't have no credit account. 992 00:50:09,239 --> 00:50:11,399 Speaker 1: Yes you do, that's what I'm calling sir. No, I don't. 993 00:50:11,600 --> 00:50:13,239 Speaker 1: The account was opened to Toys r US for eight 994 00:50:13,320 --> 00:50:15,480 Speaker 1: hundred and ninety dollars and eighty cents. Are you out 995 00:50:15,520 --> 00:50:17,800 Speaker 1: of your mind? No, sir, I'm reading the charges the 996 00:50:17,880 --> 00:50:21,120 Speaker 1: Borgata Hotel two thousand, three hundred and seventy eight dollars on. 997 00:50:21,920 --> 00:50:23,839 Speaker 1: You might have my son. It might be my son. 998 00:50:24,280 --> 00:50:27,080 Speaker 1: I got a Kia a payment on a new car. 999 00:50:27,760 --> 00:50:31,719 Speaker 1: Your balance is seven thousand, two hundred and I don't 1000 00:50:31,760 --> 00:50:33,759 Speaker 1: have I haven't done any of yet. Don't try to 1001 00:50:33,800 --> 00:50:36,400 Speaker 1: escape goating and penny pinch me. Let me tell you somebody, 1002 00:50:36,440 --> 00:50:38,080 Speaker 1: if you want to put me off my water, to 1003 00:50:38,120 --> 00:50:40,120 Speaker 1: call you up and then we'll settle us through that thing. Okay. 1004 00:50:40,239 --> 00:50:43,160 Speaker 1: My son has the same name as me. Very original. Yeah, 1005 00:50:43,200 --> 00:50:45,239 Speaker 1: go ahead, listen. You want to be you want to 1006 00:50:45,320 --> 00:50:47,160 Speaker 1: listen when somebody's trying to tell you something. My son 1007 00:50:47,239 --> 00:50:49,919 Speaker 1: has the exact it was me, but a different birthday, okay. 1008 00:50:50,040 --> 00:50:52,320 Speaker 1: And he was at the baggatt and he has the coffee. 1009 00:50:52,680 --> 00:50:55,960 Speaker 1: Evidently they got the it's mixed up, okay, I think 1010 00:50:55,960 --> 00:50:58,320 Speaker 1: you're mixed up. Because you're still liable for the payments. 1011 00:50:58,520 --> 00:51:00,520 Speaker 1: I ain't liabel for you know what, you ain't going 1012 00:51:00,560 --> 00:51:02,080 Speaker 1: to get out of me, and it not affected me. 1013 00:51:02,160 --> 00:51:04,279 Speaker 1: Your name, So when I sue sue your company, I 1014 00:51:04,360 --> 00:51:07,240 Speaker 1: could sue you too. Being such a on the phone, 1015 00:51:07,400 --> 00:51:09,840 Speaker 1: you sound very tough for a guy named Bartholome you. 1016 00:51:10,320 --> 00:51:12,799 Speaker 1: Oh yeah, yeah, yeah, yeah, you're king that. Maybe I'll 1017 00:51:12,800 --> 00:51:14,799 Speaker 1: come down and speak to you. Sense the face, smart guy, 1018 00:51:15,040 --> 00:51:17,480 Speaker 1: you're delink went on your account, so that's not my fault. Yeah, 1019 00:51:17,719 --> 00:51:21,439 Speaker 1: my delink be delink went on your face. Well maybe 1020 00:51:21,480 --> 00:51:24,360 Speaker 1: we should repossess those sir. Oh really? Yeah? What are 1021 00:51:24,400 --> 00:51:26,839 Speaker 1: your three foot still little set, stubby little jerkios who 1022 00:51:26,880 --> 00:51:29,200 Speaker 1: hasn't got late in twenty years. But we'd be screening 1023 00:51:29,200 --> 00:51:31,520 Speaker 1: out and sticking up you. Your lady must be pretty 1024 00:51:31,560 --> 00:51:33,719 Speaker 1: lucky to have a guy like you. See I'm not married, jerkio. 1025 00:51:33,760 --> 00:51:35,959 Speaker 1: If I'm probably not like you has an ugly wife. 1026 00:51:36,160 --> 00:51:37,920 Speaker 1: I was married and divorce. But it's none of your 1027 00:51:38,160 --> 00:51:40,040 Speaker 1: damn business. She didn't stay with you. Huh, Well I 1028 00:51:40,120 --> 00:51:42,200 Speaker 1: can't imagine why. All right, no, she went leslie bro 1029 00:51:42,320 --> 00:51:43,920 Speaker 1: you know how it is? All right? Barth follow you 1030 00:51:44,200 --> 00:51:46,279 Speaker 1: you were smart over the phone. Aren't you you think 1031 00:51:46,320 --> 00:51:49,360 Speaker 1: you're jerking around with you're not well. Clearly you're a 1032 00:51:49,440 --> 00:51:51,759 Speaker 1: rocket scientist, so I can tell you a rocket side. 1033 00:51:51,800 --> 00:51:55,160 Speaker 1: And what are you big, sir? I have an associate's degree. 1034 00:51:55,160 --> 00:51:59,040 Speaker 1: I went to college for two degree. What assiology the 1035 00:51:59,320 --> 00:52:01,759 Speaker 1: more class of my when you're having your whole body? Well, 1036 00:52:01,760 --> 00:52:03,399 Speaker 1: if you have so much class, why are you driving 1037 00:52:03,440 --> 00:52:07,160 Speaker 1: a Kia. I don't drive a Kya. My son has 1038 00:52:07,239 --> 00:52:09,640 Speaker 1: the Keya. I wouldn't admit to driving a Keya either, sir. 1039 00:52:09,760 --> 00:52:11,160 Speaker 1: But you don't have to lie to maids right here 1040 00:52:11,160 --> 00:52:12,840 Speaker 1: on your build. Why don't you bend your head on 1041 00:52:12,880 --> 00:52:14,480 Speaker 1: the wall a few times to listen to me? I 1042 00:52:14,640 --> 00:52:17,040 Speaker 1: don't own a Keyla. I don't have a fan card. 1043 00:52:17,239 --> 00:52:19,680 Speaker 1: And when I get done with this case, I'm gonna sue. 1044 00:52:19,719 --> 00:52:23,600 Speaker 1: So you're gonna head for the next three years. Paw, 1045 00:52:24,239 --> 00:52:27,000 Speaker 1: here we go. You're there, junior, I'm here. I can't 1046 00:52:27,000 --> 00:52:29,719 Speaker 1: stop listening. We're gonna call your father back and say 1047 00:52:30,160 --> 00:52:31,640 Speaker 1: I was on an a line with your TAM card. 1048 00:52:31,640 --> 00:52:35,120 Speaker 1: You called what's up? Yeah, listen, now you're gonna keep 1049 00:52:35,160 --> 00:52:39,200 Speaker 1: calling breaking my bad head me? But yeah, tell you something? 1050 00:52:39,239 --> 00:52:42,120 Speaker 1: Pow you you have to forgot it. Why aren't you? Boy? Yeah, 1051 00:52:42,560 --> 00:52:45,640 Speaker 1: you signed myself security on the bat I said I made. 1052 00:52:45,920 --> 00:52:47,840 Speaker 1: I went to towards Rust to apply for a credit 1053 00:52:47,880 --> 00:52:51,239 Speaker 1: card that I'll pay the bill. Dare no problem. I 1054 00:52:51,320 --> 00:52:58,279 Speaker 1: put it in your name. That's are you. I thought 1055 00:52:58,320 --> 00:53:02,520 Speaker 1: I could pay the bill. You sho? I strong? My 1056 00:53:02,640 --> 00:53:05,920 Speaker 1: life is bready. Now you got me that thousand dollars? 1057 00:53:07,120 --> 00:53:10,799 Speaker 1: He put my name on anything. We have the same name. 1058 00:53:11,080 --> 00:53:15,160 Speaker 1: After show, I write for blue name. I'm sorry, I'll 1059 00:53:15,200 --> 00:53:20,279 Speaker 1: pay you. Sorry you got I'm going up. I'm gonna 1060 00:53:20,320 --> 00:53:23,959 Speaker 1: tell you before you were did I have to strain 1061 00:53:24,080 --> 00:53:27,960 Speaker 1: your car, your stum bag. I strain all my life 1062 00:53:27,960 --> 00:53:30,600 Speaker 1: to chime my credit on it. You'll go me just 1063 00:53:30,880 --> 00:53:37,759 Speaker 1: charging all on my name. I'll pay that. Put my 1064 00:53:37,880 --> 00:53:41,479 Speaker 1: shot up to tell you that's not nineteen my name? 1065 00:53:42,640 --> 00:53:47,640 Speaker 1: What kiss you the right? Dad? Listen, dad, what kills? 1066 00:53:47,680 --> 00:53:51,000 Speaker 1: You're the right to his name name? The god of 1067 00:53:51,120 --> 00:53:53,879 Speaker 1: seven thousand dollars? And then you take to some kind 1068 00:53:54,560 --> 00:53:59,920 Speaker 1: bag you know? Yeah, my cready, your stum bag. I'm 1069 00:54:00,239 --> 00:54:05,640 Speaker 1: tell you, I'm gonna tell me. I'm gonna tell you, 1070 00:54:05,760 --> 00:54:09,200 Speaker 1: and you see, I'm gonna destroy you. You better run 1071 00:54:09,280 --> 00:54:11,480 Speaker 1: out of the country right hold on the credit card 1072 00:54:11,520 --> 00:54:19,200 Speaker 1: company's chiming in dead. Hello, Hello Boston bag Bartholome. Yeah, Hi, 1073 00:54:19,520 --> 00:54:22,359 Speaker 1: I'm just calling to verify the conversation we had before. Yeah, 1074 00:54:22,360 --> 00:54:24,600 Speaker 1: it's not my credit card's for my dad. You tell him, 1075 00:54:24,800 --> 00:54:27,399 Speaker 1: m it's not hap back, Yes, yours, it's not mine. 1076 00:54:27,440 --> 00:54:31,120 Speaker 1: Hadn't open it. You Tad. You you're dead. I'm coming 1077 00:54:31,200 --> 00:54:33,400 Speaker 1: down and you're right now, you're dead. Hey, Dad, is 1078 00:54:33,520 --> 00:54:35,439 Speaker 1: someone I need to tell you? Say the last time 1079 00:54:35,440 --> 00:54:39,800 Speaker 1: you tell him to me? Tell him to me? You 1080 00:54:39,960 --> 00:54:42,239 Speaker 1: know you dead? Right? You have not lived to see 1081 00:54:42,280 --> 00:54:45,080 Speaker 1: your next part that I will because this was his 1082 00:54:45,200 --> 00:54:51,440 Speaker 1: phone tap. Peter suck Dad, your son's right. This is 1083 00:54:51,560 --> 00:54:53,320 Speaker 1: day Brody from Melvistra in the morning show. And you 1084 00:54:53,440 --> 00:54:57,279 Speaker 1: have been phone tapped. Yeah, yeah, yeah, and you sucked too, Dad. 1085 00:54:57,360 --> 00:55:06,279 Speaker 1: I love you, oh my god, and they love each other. 1086 00:55:06,719 --> 00:55:17,120 Speaker 1: Level of rage. I'm sorry. What are you a doctology? 1087 00:55:18,760 --> 00:55:22,840 Speaker 1: All right? There you go, well, there you go to 1088 00:55:23,200 --> 00:55:26,160 Speaker 1: Bart's family and for Bart who wanted to relive that 1089 00:55:27,040 --> 00:55:29,160 Speaker 1: love it from two thousand and seven, and there's the 1090 00:55:29,200 --> 00:55:31,719 Speaker 1: story behind the story. If someone in your life is 1091 00:55:31,760 --> 00:55:35,840 Speaker 1: phone tappable like well, Dad was simply let us know. 1092 00:55:35,880 --> 00:55:37,440 Speaker 1: Go to Elvis Dan dot com and click on the 1093 00:55:37,480 --> 00:55:40,799 Speaker 1: phone tap link and that was a free book phone tap. 1094 00:55:40,880 --> 00:55:46,440 Speaker 1: That was insane. Wow. Hello Debbie, Hi Elvis, good morning. 1095 00:55:46,800 --> 00:55:49,160 Speaker 1: There's nothing like the love between a father and a son. 1096 00:55:49,600 --> 00:55:53,120 Speaker 1: Oh my god, I am shaking from that. Really stressful 1097 00:55:53,200 --> 00:55:56,839 Speaker 1: this early in the morning, it was very stressful. Well, Debbie, look, 1098 00:55:57,080 --> 00:56:00,399 Speaker 1: you just won a free book. Where do I begin? Good, 1099 00:56:00,680 --> 00:56:03,000 Speaker 1: I can't wait to read your book, Elvis. I've been 1100 00:56:03,080 --> 00:56:05,880 Speaker 1: dying to read it. And congratulations on your wedding. Well, 1101 00:56:05,960 --> 00:56:08,520 Speaker 1: thank you so exciting. I can't wait to get my 1102 00:56:08,560 --> 00:56:10,799 Speaker 1: hands on that book. Well, I'm gonna send it out now, 1103 00:56:10,840 --> 00:56:13,560 Speaker 1: but I'm gonna I'm an autographing it. I'm autographing it 1104 00:56:13,640 --> 00:56:14,799 Speaker 1: for you. Just tell me what to say and we'll 1105 00:56:14,800 --> 00:56:17,200 Speaker 1: say it. Okay, Well it's Debbie d E b b I. 1106 00:56:17,520 --> 00:56:24,719 Speaker 1: There's no idea exactly. Well, Debbie, thank you so much 1107 00:56:24,760 --> 00:56:27,800 Speaker 1: for listening. Thank you very very listening every single morning. 1108 00:56:27,920 --> 00:56:32,000 Speaker 1: I love you guys to get through and speak to you. 1109 00:56:32,239 --> 00:56:35,160 Speaker 1: You got it. Go have a beautiful day. Okay, thank 1110 00:56:35,200 --> 00:56:38,719 Speaker 1: you you too. By hang up Debbie with an eye, 1111 00:56:39,600 --> 00:56:42,000 Speaker 1: Thank you very much for listening. Debby, all Right, and 1112 00:56:42,120 --> 00:56:44,439 Speaker 1: there you go. I'm still shaking from that phone tap. 1113 00:56:45,400 --> 00:56:48,120 Speaker 1: That was wild. Anyway, Bart again, it's so good hearing 1114 00:56:48,200 --> 00:56:50,320 Speaker 1: from you, and uh God bless you in your family 1115 00:56:50,400 --> 00:56:52,880 Speaker 1: and Bart looking down on us, going, why are you 1116 00:56:52,960 --> 00:57:00,920 Speaker 1: blaring my paper? I love people like Clart Bart school. 1117 00:57:01,239 --> 00:57:05,359 Speaker 1: All right, let's get into the Danielle reports. It's one 1118 00:57:05,400 --> 00:57:07,799 Speaker 1: a day too. Yeah, okay, anyway, go right ahead. All right, 1119 00:57:07,840 --> 00:57:10,320 Speaker 1: so let's talk about Charmed. You guys know the Charmed 1120 00:57:10,520 --> 00:57:13,359 Speaker 1: the reboot is on the CW right now. But did 1121 00:57:13,440 --> 00:57:16,240 Speaker 1: you know Alyssa Milano has been talking with Netflix about 1122 00:57:16,280 --> 00:57:20,400 Speaker 1: getting the original cast together and doing a little something 1123 00:57:20,560 --> 00:57:22,920 Speaker 1: for Netflix. So we'll see if that happens. I know 1124 00:57:23,000 --> 00:57:26,440 Speaker 1: there's a lot of fans of that show. So Billy Eilis, 1125 00:57:26,480 --> 00:57:29,160 Speaker 1: you guys, remember about a week or so somebody stole 1126 00:57:29,240 --> 00:57:31,680 Speaker 1: her ring. Well, she was performing, she was shaking hands 1127 00:57:31,720 --> 00:57:35,720 Speaker 1: with fans. Well, apparently that person has returned the ring. 1128 00:57:36,160 --> 00:57:39,440 Speaker 1: They actually returned the ring, and she's supposedly going to 1129 00:57:39,480 --> 00:57:43,240 Speaker 1: be getting it back. It was returned to somebody who 1130 00:57:43,280 --> 00:57:45,480 Speaker 1: worked at the venue where she was performing, so she 1131 00:57:45,560 --> 00:57:48,040 Speaker 1: should be getting that back any day now. Kevin Hart, 1132 00:57:48,160 --> 00:57:50,160 Speaker 1: you know he is recovering after all of his back 1133 00:57:50,240 --> 00:57:53,640 Speaker 1: issues and his surgery and his accident. He is not 1134 00:57:53,880 --> 00:57:57,680 Speaker 1: doing too many appearances. So um, he was actually supposed 1135 00:57:57,680 --> 00:58:01,200 Speaker 1: to be doing something for this organization that he works 1136 00:58:01,240 --> 00:58:02,960 Speaker 1: with with his wife. He's supposed to be accepting an 1137 00:58:03,000 --> 00:58:06,640 Speaker 1: award um for all of the mission stuff that he 1138 00:58:06,720 --> 00:58:09,240 Speaker 1: and his wife have been doing for this amazing organization. 1139 00:58:09,760 --> 00:58:11,840 Speaker 1: Nick Cannon is actually going to be hosting the LA 1140 00:58:11,960 --> 00:58:15,880 Speaker 1: Missions ninth Annual Legacy of Vision Gala. He will also 1141 00:58:15,960 --> 00:58:20,360 Speaker 1: accept the award because unfortunately he's not up to getting there. Um, 1142 00:58:20,680 --> 00:58:22,920 Speaker 1: Kevin Hart's not up to going yet. He's still not 1143 00:58:23,040 --> 00:58:28,320 Speaker 1: feeling one hundred percent. So that's happening. Offset child support, Yep, 1144 00:58:28,560 --> 00:58:30,160 Speaker 1: that's what's going on right now. You know, he's the 1145 00:58:30,200 --> 00:58:33,600 Speaker 1: father of four and he is being asked to pay up. 1146 00:58:34,200 --> 00:58:37,240 Speaker 1: His X is saying he's not paying enough and he 1147 00:58:37,360 --> 00:58:39,760 Speaker 1: needs to pay more. So we'll see what you having 1148 00:58:40,200 --> 00:58:42,880 Speaker 1: over there my phone. What happened to it? It's not 1149 00:58:43,000 --> 00:58:46,480 Speaker 1: working Okay, okay, let's I don't think that's going to 1150 00:58:46,560 --> 00:58:52,720 Speaker 1: help it. Yeats not paying child support. So I was 1151 00:58:52,720 --> 00:58:54,240 Speaker 1: telling you before I was going to give you a 1152 00:58:54,320 --> 00:58:58,280 Speaker 1: list of Halloween movies that people don't like. I don't 1153 00:58:58,320 --> 00:58:59,680 Speaker 1: even know what I'm saying. I was gonna give you 1154 00:58:59,680 --> 00:59:02,920 Speaker 1: a list of Halloween movies for people who don't like scary. 1155 00:59:04,000 --> 00:59:05,520 Speaker 1: Why do you want to watch a Halloween movie that's 1156 00:59:05,520 --> 00:59:07,680 Speaker 1: not scary? And you have have you yet to answer this? 1157 00:59:07,720 --> 00:59:10,680 Speaker 1: Because it's still fun, but you don't have people like 1158 00:59:10,840 --> 00:59:13,040 Speaker 1: killing people with chainsaws, and there's not a lot of 1159 00:59:13,120 --> 00:59:17,280 Speaker 1: blood and massacres. It's more like just scary stuffcus Pocus 1160 00:59:17,440 --> 00:59:21,520 Speaker 1: go right. Hocus Pocus is on their Ghostbusters, Beetle Juice, Focus, 1161 00:59:21,760 --> 00:59:25,480 Speaker 1: the gayest movies ever right, Face not There Before Christmas 1162 00:59:25,600 --> 00:59:28,280 Speaker 1: is on there, Adams Family Values, Edward Scissor Hands. If 1163 00:59:28,280 --> 00:59:30,280 Speaker 1: you've never seen Edward Scissor Hans, I mean that's a classic, 1164 00:59:30,480 --> 00:59:34,560 Speaker 1: the Rocky Hart picture Shy Edward Scissor Hands, Scissors. That's 1165 00:59:34,600 --> 00:59:37,680 Speaker 1: not a Halloween film yet, it is no, I mean yet. 1166 00:59:37,840 --> 00:59:40,640 Speaker 1: It's like saying that Diehard is a Christmas film, but 1167 00:59:40,720 --> 00:59:44,520 Speaker 1: it is, it is, it's not, but it is Beetle Juice. 1168 00:59:44,600 --> 00:59:47,080 Speaker 1: How about Beetle Juice, it's not, it's not Halloween. What 1169 00:59:47,160 --> 00:59:50,840 Speaker 1: about The Nightmare Before Christmas? That's a Halloween film on Christmas? 1170 00:59:50,960 --> 00:59:54,080 Speaker 1: That both I get hollow. I get decorations for both holidays. 1171 00:59:54,160 --> 00:59:56,760 Speaker 1: For that one, I don't focus pokes, I don't take 1172 00:59:56,800 --> 00:59:59,960 Speaker 1: them down. It's a two for one. Tonight, you've got football, 1173 01:00:00,080 --> 01:00:03,200 Speaker 1: The Vikings, the Redskins will engrace at daybreak on Netflix. 1174 01:00:03,320 --> 01:00:05,720 Speaker 1: Don't watch the trailer because it's uncensored and there's a 1175 01:00:05,720 --> 01:00:08,040 Speaker 1: lot of f bombs in front of your children. Grey's 1176 01:00:08,040 --> 01:00:11,480 Speaker 1: Anatomy is on an How to Get Away with Murder Daniel. Yeah, Gandhi, 1177 01:00:11,560 --> 01:00:15,080 Speaker 1: I have to introduce you to Anthony Ramos. Wait till 1178 01:00:15,120 --> 01:00:17,400 Speaker 1: you meet this guy who. Yeah, I've been listening to 1179 01:00:17,480 --> 01:00:20,480 Speaker 1: us for years, so talented in Hamilton, in movies, and 1180 01:00:20,560 --> 01:00:22,400 Speaker 1: now he's got his own thing going. He's going to 1181 01:00:22,440 --> 01:00:25,520 Speaker 1: perform for us. Coming up next miss part of Today's 1182 01:00:25,520 --> 01:00:31,640 Speaker 1: show Elvis Durand on demand every show posted every day, 1183 01:00:31,800 --> 01:00:35,520 Speaker 1: Serge Elvis Durand on demand only on the iHeartRadio app 1184 01:00:35,600 --> 01:00:38,840 Speaker 1: Elvis Durand in the morning show. Halloween, It's alive at 1185 01:00:38,920 --> 01:00:41,760 Speaker 1: Party City. Hurry in. Select costumes are on sale up 1186 01:00:41,800 --> 01:00:44,560 Speaker 1: to sixty percent off and if you're a last minute shopper, 1187 01:00:44,640 --> 01:00:48,080 Speaker 1: Party City stores are open late through Halloween. Party City, Oh, 1188 01:00:48,200 --> 01:00:53,720 Speaker 1: It's on. Restrictions apply see store for details. That funny character. 1189 01:00:53,960 --> 01:00:56,920 Speaker 1: He's funny, he's straightforward with people, he's very pritty, and 1190 01:00:57,120 --> 01:01:01,240 Speaker 1: also he's the best guy ever. Ranking peoples are like 1191 01:01:01,320 --> 01:01:06,920 Speaker 1: seriously hilarious, like I can't even breathe, awesome. I just 1192 01:01:07,040 --> 01:01:09,840 Speaker 1: love you guys. Morning. One of the things we love 1193 01:01:09,960 --> 01:01:12,360 Speaker 1: most about what we do every day is we get 1194 01:01:12,400 --> 01:01:15,680 Speaker 1: to meet the artists and we get to hear their story. 1195 01:01:15,720 --> 01:01:17,040 Speaker 1: And like I said, just look in that phone tap 1196 01:01:17,080 --> 01:01:19,120 Speaker 1: we played earlier. When you hear the story behind the story, 1197 01:01:19,480 --> 01:01:22,160 Speaker 1: it makes that phone tap sound even more special. Well, 1198 01:01:22,160 --> 01:01:24,480 Speaker 1: you're about to meet an artist here. You may already 1199 01:01:24,520 --> 01:01:28,600 Speaker 1: know Anthony ramos catt. I remember seeing him at the 1200 01:01:28,840 --> 01:01:35,920 Speaker 1: very beginnings of Hamilton, and he was in uh, he 1201 01:01:36,080 --> 01:01:38,840 Speaker 1: was with Lady Gaga and Star is Born. The thing 1202 01:01:39,000 --> 01:01:41,760 Speaker 1: is is we even know that his first job was 1203 01:01:41,800 --> 01:01:46,800 Speaker 1: at Victoria's Secret in Soho. His friend Jade called to 1204 01:01:46,880 --> 01:01:51,280 Speaker 1: talk about how proud she is of Anthony. Sweet he 1205 01:01:51,400 --> 01:01:53,240 Speaker 1: owns a grammy. We don't know where he put it. 1206 01:01:53,280 --> 01:01:55,000 Speaker 1: Where do you think he has his grammy? I wonder 1207 01:01:55,040 --> 01:01:57,240 Speaker 1: if he's key stirring. Are you key stirring your grammy? 1208 01:01:57,280 --> 01:02:02,280 Speaker 1: We'll find out anyway, Yes, So anyway, what's what's fantastic 1209 01:02:02,320 --> 01:02:04,200 Speaker 1: about Anthony's We're about to We're about to go on 1210 01:02:04,240 --> 01:02:05,840 Speaker 1: a journey with him. He's going to perform for us. 1211 01:02:05,920 --> 01:02:07,720 Speaker 1: We're gonna talk to him about how he got started, 1212 01:02:07,800 --> 01:02:10,600 Speaker 1: how he got here today, and then I'm gonna play 1213 01:02:10,640 --> 01:02:12,240 Speaker 1: his new song for you. It's pretty cool. But he's 1214 01:02:12,280 --> 01:02:18,320 Speaker 1: live right now. Please welcome to the show, Anthony ramos Hi, Welcome, 1215 01:02:18,440 --> 01:02:21,040 Speaker 1: Welcome to the station you grew up listening to. Oh yeah, 1216 01:02:21,320 --> 01:02:25,440 Speaker 1: is that kind of freaky? It's bananas, It is welcome. 1217 01:02:25,480 --> 01:02:42,120 Speaker 1: It's all you all right. When I was young, hell love, 1218 01:02:42,240 --> 01:02:45,760 Speaker 1: we used to hold handsman, that was enough. Then we 1219 01:02:45,880 --> 01:02:48,720 Speaker 1: go started to tie it, used to kiss and nath 1220 01:02:48,800 --> 01:02:51,240 Speaker 1: the light on the back of the bus. Oh no, 1221 01:02:51,400 --> 01:02:54,440 Speaker 1: you doted like me much and he didn't believe me 1222 01:02:54,520 --> 01:02:59,040 Speaker 1: when I sit you at all. Every day out of 1223 01:02:59,120 --> 01:03:02,040 Speaker 1: the windows, ain't got a lake. Tuesday maybe on the 1224 01:03:02,160 --> 01:03:06,480 Speaker 1: east side, in the city where the Sunds it. And 1225 01:03:06,680 --> 01:03:09,400 Speaker 1: every day you know that we ride through the backstreets 1226 01:03:09,480 --> 01:03:12,760 Speaker 1: in up Blue Corning and baby, you know, I just 1227 01:03:12,920 --> 01:03:17,479 Speaker 1: want to leave tonight. We can go anyway. We want 1228 01:03:17,480 --> 01:03:20,680 Speaker 1: to drive down to the coast jump Banta. See just 1229 01:03:20,960 --> 01:03:24,720 Speaker 1: taking my hand and come with me. Yeah, we can 1230 01:03:24,800 --> 01:03:27,480 Speaker 1: do anything if we put them on too. It take 1231 01:03:27,560 --> 01:03:29,640 Speaker 1: your whole life. Then you put a line through it. 1232 01:03:29,960 --> 01:03:32,120 Speaker 1: But love is yours if you're willing to take it, 1233 01:03:32,720 --> 01:03:35,480 Speaker 1: give me your hartcas I ain't gonna break it. So 1234 01:03:35,680 --> 01:03:39,400 Speaker 1: come away, starting today, starting the life together in a 1235 01:03:39,520 --> 01:03:41,720 Speaker 1: different place. We know that love is how all these 1236 01:03:41,800 --> 01:03:45,400 Speaker 1: ideas came to be, too, Baby, run now or leave 1237 01:03:45,480 --> 01:03:51,000 Speaker 1: with me? Run away now, run away now, run away now, 1238 01:03:53,040 --> 01:04:01,000 Speaker 1: run away now, run away now run Remember the words 1239 01:04:01,040 --> 01:04:04,600 Speaker 1: you told me you loved me till the day I die. 1240 01:04:07,600 --> 01:04:15,800 Speaker 1: Surrender everything because you made me believe your mind. You 1241 01:04:16,120 --> 01:04:20,400 Speaker 1: used to call me baby. Now you're calling me by name. 1242 01:04:23,520 --> 01:04:26,760 Speaker 1: It takes one of knowing. Yeah, you beat me at 1243 01:04:26,880 --> 01:04:33,840 Speaker 1: my own damn game. You're pushing your pushing them, pulling away, 1244 01:04:34,080 --> 01:04:37,560 Speaker 1: pulling away from you, killing a, giving a kidding you 1245 01:04:37,720 --> 01:04:42,160 Speaker 1: takeing you today, young blood? So you want me? See 1246 01:04:42,200 --> 01:04:45,360 Speaker 1: you want me out of your life. That I'm just 1247 01:04:45,800 --> 01:04:50,280 Speaker 1: a bad man walking tonight because he needed Yeah, you 1248 01:04:50,400 --> 01:04:57,280 Speaker 1: need it all at the time, young blood. So you 1249 01:04:57,400 --> 01:05:00,720 Speaker 1: want me so you want me back in light it. 1250 01:05:01,000 --> 01:05:06,240 Speaker 1: I'm just a dead man crawling tonight because I need it. Yeah, 1251 01:05:06,240 --> 01:05:13,360 Speaker 1: I'm needing a time. Oh you're pussing, You're pushing them, 1252 01:05:13,400 --> 01:05:17,240 Speaker 1: pulling away, pulling away from you, giving, I'm giving, I 1253 01:05:17,400 --> 01:05:21,160 Speaker 1: giving a take, giving a take. I'm running and running. 1254 01:05:21,160 --> 01:05:26,160 Speaker 1: I'm running away, running away from you, oh from you? 1255 01:05:27,720 --> 01:05:36,280 Speaker 1: So run away now, run away? Now run away? Oh, 1256 01:05:36,840 --> 01:05:49,640 Speaker 1: run away, run away? Now that was so smooth, awesome, 1257 01:05:49,800 --> 01:05:52,479 Speaker 1: awesome that Anthony Ramos, he can sing. Have you noticed 1258 01:05:52,520 --> 01:05:55,000 Speaker 1: about it? I think so? Maybe I could do Broadway 1259 01:05:55,920 --> 01:06:01,080 Speaker 1: No one day. Maybe Hey, come on in here. We 1260 01:06:01,400 --> 01:06:04,400 Speaker 1: open our doors and welcome to the Superstars Live from 1261 01:06:04,400 --> 01:06:07,400 Speaker 1: the Mercedes Bands Interview Lounge. We always have a great 1262 01:06:07,440 --> 01:06:12,600 Speaker 1: time with it. Let's bring her Anthony. This is Danielle, 1263 01:06:12,960 --> 01:06:17,360 Speaker 1: Hey Danielle. This is Gandhi. Hey, Gandhi, and this is Anthony. 1264 01:06:18,920 --> 01:06:22,880 Speaker 1: Let's go. That was so cool, thanks man. Yeah, we 1265 01:06:22,960 --> 01:06:28,160 Speaker 1: just rehearsed that yesterday, so yeah, it was kind of crazy. 1266 01:06:28,200 --> 01:06:32,520 Speaker 1: Actual good Grandma says, I just threw it again a 1267 01:06:32,520 --> 01:06:35,080 Speaker 1: little bit. So. Um. Look, I don't even know where 1268 01:06:35,080 --> 01:06:36,840 Speaker 1: to start with you, Anthony. I mean, to see you 1269 01:06:36,960 --> 01:06:38,920 Speaker 1: on stage and to see what you did in Hamilton 1270 01:06:39,240 --> 01:06:42,200 Speaker 1: was I mean, I'm you're tired of talking about Hamilton 1271 01:06:42,280 --> 01:06:44,200 Speaker 1: Hamilton's Samilton. I don't get tired of it. That was 1272 01:06:44,240 --> 01:06:46,000 Speaker 1: a big part of my life. Of course it was. Yeah, 1273 01:06:46,120 --> 01:06:49,520 Speaker 1: of course it was that keeps on giving. I mean 1274 01:06:49,760 --> 01:06:51,640 Speaker 1: and of course when you were doing Hamilton, did you 1275 01:06:51,680 --> 01:06:55,040 Speaker 1: guys have any clue it was gonna take off as 1276 01:06:55,080 --> 01:06:58,520 Speaker 1: far into the universe as it did. Nah, we knew 1277 01:06:58,520 --> 01:07:00,040 Speaker 1: it was special. We didn't know it was gon and 1278 01:07:00,200 --> 01:07:03,080 Speaker 1: be like that. But I like when Barack Obama came, 1279 01:07:03,080 --> 01:07:05,400 Speaker 1: I was like, oh, I think we got something. That's 1280 01:07:05,400 --> 01:07:07,840 Speaker 1: a big guy. He came to see our show. Yeah, 1281 01:07:08,080 --> 01:07:10,600 Speaker 1: he's got a he had a few things going on. Yeah. Anyway, 1282 01:07:10,760 --> 01:07:12,720 Speaker 1: let's start from when you were a kid. You grew 1283 01:07:12,800 --> 01:07:15,920 Speaker 1: up in Bushwick. Yeah, I grew up in Bushwick, Brooklyn. Yeah, 1284 01:07:16,560 --> 01:07:18,080 Speaker 1: how was your childhood? What was that like for you? 1285 01:07:18,440 --> 01:07:21,520 Speaker 1: It was it was definitely, Uh, it was an adventure. Yeah, 1286 01:07:21,680 --> 01:07:24,600 Speaker 1: it was tough. Love, family, loving family, Thank God for that. Right. 1287 01:07:24,680 --> 01:07:26,720 Speaker 1: Love is powerful and it goes a long way, right 1288 01:07:27,240 --> 01:07:29,920 Speaker 1: and uh and yeah, I grew up single parent. My 1289 01:07:30,000 --> 01:07:32,520 Speaker 1: mother was a single parent. Uh, my older brother, younger 1290 01:07:32,600 --> 01:07:35,440 Speaker 1: sister and they're amazing. And uh we grew up in 1291 01:07:35,640 --> 01:07:38,640 Speaker 1: two bedroom apartment and yeah, you know, I played baseball. 1292 01:07:38,760 --> 01:07:41,240 Speaker 1: My dad played baseball, my my my brother played baseball. 1293 01:07:41,240 --> 01:07:42,480 Speaker 1: I was supposed to be the next in line, and 1294 01:07:42,840 --> 01:07:45,120 Speaker 1: you're gonna be like the next baseball start. I was 1295 01:07:45,640 --> 01:07:47,760 Speaker 1: supposed to be. What happened? You getting hit in the 1296 01:07:47,840 --> 01:07:51,480 Speaker 1: head with a ball? What happened? What happened? No, Like, uh, 1297 01:07:51,920 --> 01:07:54,080 Speaker 1: I actually got I got injured. I got hurt at 1298 01:07:54,120 --> 01:07:56,480 Speaker 1: sixteen years old. I never was I don't you know. 1299 01:07:56,720 --> 01:07:58,560 Speaker 1: But then at sixteen, even at sixteen, I knew I 1300 01:07:58,600 --> 01:08:00,600 Speaker 1: was gonna be in the major League. But my brother 1301 01:08:00,680 --> 01:08:02,960 Speaker 1: and the rest of the men and my family didn't 1302 01:08:02,960 --> 01:08:04,240 Speaker 1: want to accept that. They were like, no, no, you 1303 01:08:04,320 --> 01:08:07,520 Speaker 1: gotta make it. I was like, guys, I think I 1304 01:08:07,600 --> 01:08:10,680 Speaker 1: want to sing this a while. You know, every once 1305 01:08:10,720 --> 01:08:12,400 Speaker 1: in a while we'll meet someone who started out with 1306 01:08:12,600 --> 01:08:14,600 Speaker 1: in sports and then before you know it, they're on 1307 01:08:14,680 --> 01:08:17,920 Speaker 1: the stage and you wonder, like Josh Groban has that 1308 01:08:18,040 --> 01:08:20,719 Speaker 1: same story. Wow, he was like a basket football player 1309 01:08:20,720 --> 01:08:23,080 Speaker 1: in high school. I'm like, you, really he really was? 1310 01:08:23,520 --> 01:08:26,160 Speaker 1: What was this you know for I don't know, but 1311 01:08:26,520 --> 01:08:29,120 Speaker 1: but but it's great to hear that. Okay, well you 1312 01:08:29,160 --> 01:08:31,360 Speaker 1: were doing this and obviously you were living this dream 1313 01:08:31,600 --> 01:08:34,120 Speaker 1: or and then all of a sudden, a new dream appeared. 1314 01:08:34,280 --> 01:08:36,320 Speaker 1: And that's cool. I love to hear those stories. Yeah, 1315 01:08:36,479 --> 01:08:38,679 Speaker 1: it was you're hitting the stage. How did you first 1316 01:08:38,760 --> 01:08:41,160 Speaker 1: hit the stage? Who noticed you? Who was your guardian angel? There? 1317 01:08:41,280 --> 01:08:43,120 Speaker 1: I mean my guardian angel. Her name is Sarah stein 1318 01:08:43,160 --> 01:08:44,760 Speaker 1: Wise like, I hang out with her all the time. 1319 01:08:44,840 --> 01:08:47,240 Speaker 1: She's one of my mentors. Still. She was the director 1320 01:08:47,240 --> 01:08:49,720 Speaker 1: of the Theater Guild. And at school, uh in my 1321 01:08:49,800 --> 01:08:52,920 Speaker 1: high school at Newtrich's High School in Brooklyn, Bensonhurst and um. 1322 01:08:53,040 --> 01:08:56,439 Speaker 1: And I auditioned for what I thought was a talent show. 1323 01:08:56,680 --> 01:08:58,400 Speaker 1: And I walk in the I sing Ordinary People by 1324 01:08:58,520 --> 01:09:00,479 Speaker 1: John Legend, I sing my song and I'm cute and 1325 01:09:00,520 --> 01:09:02,479 Speaker 1: all that, and I'm like, all right, piece out, miss, 1326 01:09:02,600 --> 01:09:04,640 Speaker 1: thank you. And she's like, no, no, no, wait, wait, 1327 01:09:04,680 --> 01:09:06,519 Speaker 1: you have to do these lines. And I'm like, nah, miss, 1328 01:09:06,520 --> 01:09:09,600 Speaker 1: I don't do that. She's like and she's like, no, no, no, 1329 01:09:09,760 --> 01:09:12,439 Speaker 1: this is a musical, sir, you have to say lines 1330 01:09:12,680 --> 01:09:15,000 Speaker 1: that you're you're like auditioning for a character. I was like, 1331 01:09:16,240 --> 01:09:17,800 Speaker 1: all right, well, I thought there's a talent show. But 1332 01:09:17,880 --> 01:09:20,400 Speaker 1: here we go and I do it. And the next 1333 01:09:20,520 --> 01:09:23,120 Speaker 1: day the list comes out for this musical. This students 1334 01:09:23,160 --> 01:09:26,439 Speaker 1: wrote called Love Conquers All and uh, and I get 1335 01:09:26,479 --> 01:09:29,680 Speaker 1: the part of Zeus and I was like, whoa, I 1336 01:09:29,720 --> 01:09:34,200 Speaker 1: guess I'm playing Zeus. And then I got on stage though, 1337 01:09:34,240 --> 01:09:35,920 Speaker 1: and it was it was the first time you ever 1338 01:09:36,000 --> 01:09:39,519 Speaker 1: been like so uncomfortable because you were so comfortable somewhere. 1339 01:09:40,160 --> 01:09:42,960 Speaker 1: I totally get that, like like like you're I got 1340 01:09:43,040 --> 01:09:45,000 Speaker 1: on stage and I was uncomfortable because I was like, yo, 1341 01:09:45,160 --> 01:09:48,479 Speaker 1: I think, I feel like this is where I'm supposed 1342 01:09:48,520 --> 01:09:51,000 Speaker 1: to be my whole life. Wow. Um. And I was like, 1343 01:09:51,400 --> 01:09:53,320 Speaker 1: you know, baseball was like my plan and that was 1344 01:09:53,400 --> 01:09:54,680 Speaker 1: my thing, and I thought that was going to be 1345 01:09:54,800 --> 01:09:56,760 Speaker 1: my life. And then I step on that stage and 1346 01:09:56,840 --> 01:09:59,920 Speaker 1: it was almost like I was I was like throwing 1347 01:10:00,200 --> 01:10:04,120 Speaker 1: into a whirlpool and then and then sucked back out 1348 01:10:04,160 --> 01:10:05,320 Speaker 1: and then I was like, oh for you. You know, 1349 01:10:05,400 --> 01:10:08,200 Speaker 1: some people go through life just kind of waiting for 1350 01:10:08,800 --> 01:10:12,040 Speaker 1: that sign, that that lightning bolt to hit them. But 1351 01:10:12,640 --> 01:10:14,880 Speaker 1: and sometimes it hits and it's almost obviously in the 1352 01:10:14,920 --> 01:10:16,760 Speaker 1: world and you knew at that point that this is 1353 01:10:16,840 --> 01:10:19,519 Speaker 1: where your life was going. Yeah, but it was tough, 1354 01:10:19,600 --> 01:10:21,120 Speaker 1: you know, I mean I was I would grew up poor, 1355 01:10:21,200 --> 01:10:22,640 Speaker 1: I grew up you know. It was like it was 1356 01:10:22,720 --> 01:10:24,639 Speaker 1: hard and I'm not gonna lie. It was very hard 1357 01:10:24,720 --> 01:10:27,280 Speaker 1: and I didn't I didn't see how I could pursue this. 1358 01:10:27,520 --> 01:10:29,800 Speaker 1: But um, Sarah steinwise, man. I mean I was in 1359 01:10:29,880 --> 01:10:31,880 Speaker 1: my senior year and I talked about it in my 1360 01:10:31,920 --> 01:10:33,240 Speaker 1: song The Good and the Bad. I almost went to 1361 01:10:33,320 --> 01:10:35,160 Speaker 1: the Navy. Thank God for Jason. He saved me. He 1362 01:10:35,240 --> 01:10:37,120 Speaker 1: picked up the phone and called Sarah. Jason was my 1363 01:10:37,200 --> 01:10:39,160 Speaker 1: friend and best friend in high school. He's still you know, 1364 01:10:39,800 --> 01:10:41,800 Speaker 1: we have my album release event tonight. He's coming. I'm 1365 01:10:41,800 --> 01:10:43,720 Speaker 1: so excited to see him. Sarah's come. But it's like, 1366 01:10:43,800 --> 01:10:45,640 Speaker 1: thank God for Jason, he saved me. He picked up 1367 01:10:45,680 --> 01:10:47,599 Speaker 1: the phone and called Sarah. Because she knew what music 1368 01:10:47,640 --> 01:10:50,040 Speaker 1: could take me. She gave me money for applications. She 1369 01:10:50,120 --> 01:10:51,920 Speaker 1: told me I need an education. She sent me down 1370 01:10:51,960 --> 01:10:53,599 Speaker 1: with all the papers. I had a temple. She had 1371 01:10:53,640 --> 01:10:56,280 Speaker 1: the patience and like, I for real was gonna go 1372 01:10:56,320 --> 01:10:57,680 Speaker 1: to the Navy. And I'm crying in this room and 1373 01:10:57,800 --> 01:11:00,479 Speaker 1: Jason calls. He's like, yo, Sarah, Anthony's I don't know 1374 01:11:00,479 --> 01:11:02,400 Speaker 1: what to do to put them on the phone. I 1375 01:11:02,479 --> 01:11:04,320 Speaker 1: get on the phone. She's like, hey, come to my 1376 01:11:04,360 --> 01:11:06,439 Speaker 1: house right now. I'm like, now you live far. She's like, 1377 01:11:07,080 --> 01:11:09,439 Speaker 1: she's like, walk to my house and I'm like, all right. 1378 01:11:09,880 --> 01:11:11,680 Speaker 1: We walk about a mile and a half. We get 1379 01:11:11,720 --> 01:11:14,519 Speaker 1: there and she sets up the table, the kitchen table 1380 01:11:14,560 --> 01:11:16,960 Speaker 1: with the applications. Right, I still had an outstanding one 1381 01:11:17,000 --> 01:11:19,920 Speaker 1: outstanding application left because all my other applications had gotten 1382 01:11:19,960 --> 01:11:21,599 Speaker 1: with the drawne from every school. Because we didn't get 1383 01:11:21,640 --> 01:11:23,880 Speaker 1: to applicate that. We didn't get the financial aid forms 1384 01:11:23,920 --> 01:11:25,479 Speaker 1: in time. We're going to some stuff at home at 1385 01:11:25,520 --> 01:11:27,400 Speaker 1: the time, but she didn't give up. She was like, here, 1386 01:11:27,400 --> 01:11:29,000 Speaker 1: I want you audition for the school. She helped me 1387 01:11:29,040 --> 01:11:31,400 Speaker 1: with the audition material. She paid for my applications because 1388 01:11:31,400 --> 01:11:34,080 Speaker 1: I couldn't afford it. She sends them out and then 1389 01:11:34,760 --> 01:11:37,040 Speaker 1: I get into the school, I can't afford it. And 1390 01:11:37,120 --> 01:11:38,960 Speaker 1: then she's like, yo, I gave your name to this 1391 01:11:39,080 --> 01:11:42,000 Speaker 1: Jerry Seinfeld Scholarship foundation. She had a scholarship foundation at 1392 01:11:42,040 --> 01:11:44,519 Speaker 1: the time. She's like, I told them your story and 1393 01:11:44,600 --> 01:11:45,760 Speaker 1: they want to meet you. I was like, how they 1394 01:11:45,800 --> 01:11:47,479 Speaker 1: see my grades? She was like yeah. I was like, 1395 01:11:47,479 --> 01:11:49,439 Speaker 1: all right, cool, I don't want those secrets. When I 1396 01:11:49,520 --> 01:11:56,479 Speaker 1: walk up in that room and full transparency. I walked 1397 01:11:56,520 --> 01:11:59,519 Speaker 1: in there and I tell Kate Fenneman, who was a 1398 01:11:59,520 --> 01:12:02,120 Speaker 1: good friend of I still telling my story. I'm like, 1399 01:12:02,240 --> 01:12:03,519 Speaker 1: you know, if there's any time to be honest with 1400 01:12:03,600 --> 01:12:06,320 Speaker 1: somebody's now telling my story. She crying. I'm crying, like bye, 1401 01:12:06,720 --> 01:12:09,519 Speaker 1: And then I go home and uh and she goes. Uh. 1402 01:12:10,640 --> 01:12:12,600 Speaker 1: They called me, am Does, calling me for alone in 1403 01:12:12,600 --> 01:12:15,080 Speaker 1: the school that I had auditioned for it, and I 1404 01:12:15,160 --> 01:12:16,680 Speaker 1: asked them for one more day and I didn't know 1405 01:12:16,720 --> 01:12:18,000 Speaker 1: what I was gonna do it another day. In two 1406 01:12:18,040 --> 01:12:19,720 Speaker 1: hours later, Kate calls me like, hey, we're gonna pay 1407 01:12:19,720 --> 01:12:21,599 Speaker 1: for your school for all four years when you usually 1408 01:12:21,600 --> 01:12:23,479 Speaker 1: give the scholarship out to people with your grades. But 1409 01:12:24,000 --> 01:12:26,639 Speaker 1: you know they saw something there. Can I just stop 1410 01:12:26,680 --> 01:12:27,920 Speaker 1: you for a second. I want to know if you 1411 01:12:28,000 --> 01:12:30,639 Speaker 1: guys heard what I just heard. When you were getting 1412 01:12:30,640 --> 01:12:34,360 Speaker 1: passionate and telling your story, it almost as if you 1413 01:12:34,439 --> 01:12:36,920 Speaker 1: were you were rapping out a song. You have. You 1414 01:12:37,080 --> 01:12:39,800 Speaker 1: have a rhythm and an intensity when you tell a story. 1415 01:12:39,880 --> 01:12:42,080 Speaker 1: Did you guys hear that? Yeah? I felt like it 1416 01:12:42,160 --> 01:12:45,120 Speaker 1: was like a song from Hamilton. I hadn't heard no, no, no. 1417 01:12:45,200 --> 01:12:46,920 Speaker 1: I wish I could play it back. When when you 1418 01:12:47,120 --> 01:12:50,920 Speaker 1: speak in intense tones and with intensity, there's a rhythm 1419 01:12:51,000 --> 01:12:54,040 Speaker 1: to you. Just have it. Are you crying right now? 1420 01:12:54,160 --> 01:12:56,200 Speaker 1: A little bit? But what are you thinking about it? 1421 01:12:57,439 --> 01:13:06,519 Speaker 1: What are you thinking about? Anthony? I'm sorry to put 1422 01:13:06,560 --> 01:13:10,920 Speaker 1: you on the spot, but whatever you're thinking about, it's 1423 01:13:10,960 --> 01:13:17,280 Speaker 1: got to be monumental and bigger than a mountain. It's here. 1424 01:13:17,360 --> 01:13:19,880 Speaker 1: You are a radio station you grew up listening to 1425 01:13:19,960 --> 01:13:23,560 Speaker 1: as a kid. You're on James Gordon in La the 1426 01:13:23,640 --> 01:13:26,639 Speaker 1: other night tonight you tonight you have your album release party? 1427 01:13:26,880 --> 01:13:30,040 Speaker 1: Yeah yeah, look at where you were, look at where 1428 01:13:30,080 --> 01:13:32,880 Speaker 1: you are. It's what happened between now and and then 1429 01:13:33,080 --> 01:13:35,880 Speaker 1: back then. There's the story right there. It must make 1430 01:13:35,920 --> 01:13:37,599 Speaker 1: you feel just like you're on top of the world. 1431 01:13:37,680 --> 01:13:39,519 Speaker 1: Is do you have all the pieces together yet? Are 1432 01:13:39,520 --> 01:13:41,320 Speaker 1: you feeling good about it? All? Think? I have all 1433 01:13:41,360 --> 01:13:43,680 Speaker 1: the pieces together, but I gotta I have a good 1434 01:13:43,720 --> 01:13:48,559 Speaker 1: amount together. Seems to be engaged to be married. Yeah, yeah, yeah, 1435 01:13:48,560 --> 01:13:52,080 Speaker 1: she's amazing. She's amazing. She's dope. Jasmin Stephiz Jones shout 1436 01:13:52,080 --> 01:13:55,559 Speaker 1: out to Jasmine, why are you? Can you talk about 1437 01:13:55,560 --> 01:13:57,000 Speaker 1: why you're emotional? If you don't, if you don't want to, 1438 01:13:57,400 --> 01:13:59,360 Speaker 1: I think we all love to hear it. I think 1439 01:14:01,600 --> 01:14:04,519 Speaker 1: it's just that right, Like I grew up listening to 1440 01:14:04,640 --> 01:14:09,200 Speaker 1: this station. I go listening to you and it's like, 1441 01:14:09,320 --> 01:14:14,240 Speaker 1: it's just amazing. How how life when you just when 1442 01:14:14,240 --> 01:14:17,559 Speaker 1: you just believe in something hard enough, and people believe 1443 01:14:17,640 --> 01:14:21,240 Speaker 1: in you and use it follow that? Thanks man, um, 1444 01:14:22,000 --> 01:14:25,760 Speaker 1: It's amazing what can happen to you? And uh, And 1445 01:14:25,880 --> 01:14:29,160 Speaker 1: I'm just I think I think I'm just emotional because like, 1446 01:14:29,880 --> 01:14:32,840 Speaker 1: my story is gonna live forever in the world. Of 1447 01:14:32,920 --> 01:14:35,639 Speaker 1: course it will. And through your music, you'll live forever. Yeah, man, 1448 01:14:35,680 --> 01:14:38,320 Speaker 1: And I'm just excited. I think I'm emotional because I'm excited. 1449 01:14:38,439 --> 01:14:41,599 Speaker 1: I don't know if that makes sense, but like I'm hype. 1450 01:14:44,120 --> 01:14:47,200 Speaker 1: It's always great to hear a story of dreams coming true. 1451 01:14:47,880 --> 01:14:50,400 Speaker 1: It is, you know what, big dreams, little dreams, They're 1452 01:14:50,400 --> 01:14:52,559 Speaker 1: all dreams, no matter how you slice them. Yeah. By 1453 01:14:52,560 --> 01:14:53,720 Speaker 1: the way, if you're just turning a song, this is 1454 01:14:53,760 --> 01:14:55,800 Speaker 1: Anthony Ramos. We're about to play a song of mind 1455 01:14:55,800 --> 01:14:58,160 Speaker 1: over matter. And it's that people are texting and they're crying. 1456 01:14:58,240 --> 01:15:01,640 Speaker 1: You're telling stories about people crying. He almost made me 1457 01:15:01,720 --> 01:15:03,400 Speaker 1: tear up, and you know, my tear ducks don't even work. 1458 01:15:06,120 --> 01:15:08,320 Speaker 1: Gandhi has massive eyeball. So when she cries, it's like 1459 01:15:08,439 --> 01:15:15,760 Speaker 1: it it makes a mass. We have passing around past. Okay, 1460 01:15:15,840 --> 01:15:19,880 Speaker 1: let's move forward. So U guardian angels, even guardian angels, 1461 01:15:19,920 --> 01:15:22,719 Speaker 1: I do definitely. So there's been some pretty big names 1462 01:15:23,200 --> 01:15:25,559 Speaker 1: that have that you have decided are your guardian angels. 1463 01:15:25,600 --> 01:15:27,679 Speaker 1: We were talking about Spike Lee, We're talking about Lady Gaga, 1464 01:15:28,120 --> 01:15:30,720 Speaker 1: people who have watched over you. Big names. I'll take 1465 01:15:30,760 --> 01:15:34,280 Speaker 1: those angels. Yeah, Bradley Cooper, but they will take that one. 1466 01:15:36,360 --> 01:15:38,920 Speaker 1: They're not watching over you because they just they're they're 1467 01:15:38,960 --> 01:15:40,680 Speaker 1: watching over you because you have this light, you have 1468 01:15:40,760 --> 01:15:42,360 Speaker 1: this energy you know it. Give yourself a lot of 1469 01:15:42,400 --> 01:15:45,080 Speaker 1: credit there. Thanks man. Yeah, they're they're they're amazing, you know. 1470 01:15:45,120 --> 01:15:47,640 Speaker 1: And Len Lenn Manuel huge. I remember Lind said to 1471 01:15:47,720 --> 01:15:49,599 Speaker 1: me one time this, this is a real turning point 1472 01:15:49,640 --> 01:15:51,519 Speaker 1: in my life. I think Lind said to me, I 1473 01:15:51,600 --> 01:15:53,640 Speaker 1: cracked a joke and I was like, you know, I'm 1474 01:15:53,720 --> 01:15:55,760 Speaker 1: laughing about and that's it. I think I speak too ghetto, man. 1475 01:15:56,080 --> 01:15:57,400 Speaker 1: I think I should change the way I talk. And 1476 01:15:57,479 --> 01:15:58,720 Speaker 1: Lind was like, Noah, you don't have to change the 1477 01:15:58,720 --> 01:15:59,880 Speaker 1: way you talk about how you just have to make 1478 01:16:00,080 --> 01:16:05,080 Speaker 1: people understand you. Yeah. I was like, dang song, I like, yell, 1479 01:16:06,320 --> 01:16:08,880 Speaker 1: he staying bars always? You live in the bars? Bro? 1480 01:16:09,560 --> 01:16:12,920 Speaker 1: What texted you get scary? Say? Damn you guys ruining 1481 01:16:12,960 --> 01:16:17,439 Speaker 1: my missus Carrott again. Yeah that was a dude w 1482 01:16:18,280 --> 01:16:22,760 Speaker 1: A guy? There you go? I said, brother, look, Anthony reapply. 1483 01:16:23,320 --> 01:16:24,840 Speaker 1: We don't gonna take a break. Do we have a 1484 01:16:24,920 --> 01:16:26,680 Speaker 1: Do we have more time with Anthony coming up? Yea 1485 01:16:26,760 --> 01:16:30,639 Speaker 1: the answer yes, No, it's radio tether. You people shake 1486 01:16:30,680 --> 01:16:33,439 Speaker 1: their head. I'm like, we can't hear you. Yeah, okay, good. 1487 01:16:33,960 --> 01:16:36,599 Speaker 1: Uh we want to find out where your grammy's located? 1488 01:16:36,760 --> 01:16:41,000 Speaker 1: Oh yeah yeah, Gandi thinks you it's up your butt 1489 01:16:41,280 --> 01:16:43,400 Speaker 1: you maybe keysterring. I don't know. I've never heard this 1490 01:16:43,520 --> 01:16:47,920 Speaker 1: term key sterring before. I've never heard either, but I mean, oh, 1491 01:16:47,960 --> 01:16:51,320 Speaker 1: it's a jail thing. Okay. Where Also, also, you say 1492 01:16:51,400 --> 01:16:53,960 Speaker 1: hi to Jade who you worked at Victoria's Secret with him? 1493 01:16:54,000 --> 01:16:56,559 Speaker 1: So Jade, what's up? Yeah? It was good? So how 1494 01:16:56,720 --> 01:16:58,720 Speaker 1: was it being a dude working at Victoria's Secret? Was 1495 01:16:58,760 --> 01:17:00,519 Speaker 1: that a fun job? It was a great job, But 1496 01:17:00,600 --> 01:17:02,479 Speaker 1: you know, I think it started off rocky, right. It's 1497 01:17:02,880 --> 01:17:05,080 Speaker 1: the women. Women didn't trust me. They were like yoo. 1498 01:17:05,160 --> 01:17:08,760 Speaker 1: I don't trust a guy selling me intimates bron and 1499 01:17:08,840 --> 01:17:11,040 Speaker 1: I say, hey, could you measure me? I'm not sure 1500 01:17:11,120 --> 01:17:13,400 Speaker 1: you'd be the one I'd go no, but this sorry 1501 01:17:13,439 --> 01:17:16,280 Speaker 1: started going. I didn't measure anyone this, So this is 1502 01:17:16,320 --> 01:17:19,200 Speaker 1: the thing men can't. They couldn't measure the women. That 1503 01:17:19,280 --> 01:17:22,120 Speaker 1: was a rule. But so I had to be knowledgeable enough, 1504 01:17:22,240 --> 01:17:24,000 Speaker 1: like I had to know, Okay, this bro has jail 1505 01:17:24,080 --> 01:17:27,240 Speaker 1: line in. This one has extra padding, this one has none. 1506 01:17:27,280 --> 01:17:29,400 Speaker 1: Do you want to push up? Do you want that? Mean? What? 1507 01:17:29,479 --> 01:17:31,479 Speaker 1: Do you need? What you need? I got you? You 1508 01:17:31,520 --> 01:17:32,960 Speaker 1: know what I'm saying. You want to raise the bag? 1509 01:17:33,080 --> 01:17:34,840 Speaker 1: If you're wearing a tank top? You know what I'm saying. 1510 01:17:34,880 --> 01:17:36,840 Speaker 1: On one at the show, I'm feel like I got you. 1511 01:17:38,320 --> 01:17:47,519 Speaker 1: But I got you. But uh, you know, I you know, 1512 01:17:47,600 --> 01:17:49,760 Speaker 1: I found that Uh you know, I was. I was, 1513 01:17:50,000 --> 01:17:52,120 Speaker 1: you know, I felt like, you know what, maybe this 1514 01:17:52,240 --> 01:17:54,240 Speaker 1: isn't my calling. Maybe let's let me move to beauty. 1515 01:17:54,600 --> 01:17:56,320 Speaker 1: So I asked my boss, I said, hey, can I 1516 01:17:56,400 --> 01:17:58,439 Speaker 1: move over to beauty? And I go to beauty and 1517 01:17:58,479 --> 01:18:01,000 Speaker 1: I started selling perfume and shins and all that, and 1518 01:18:01,040 --> 01:18:03,799 Speaker 1: I was crushing. I was like, yo, let's call Okay, 1519 01:18:03,960 --> 01:18:06,439 Speaker 1: you's be giving ribbons around the store, like, Hey, have 1520 01:18:06,520 --> 01:18:08,679 Speaker 1: you tried on you dream angels? Have you tried bond show? 1521 01:18:09,080 --> 01:18:12,040 Speaker 1: It's a hint of pair. You know this comes from Pandama. 1522 01:18:12,320 --> 01:18:14,560 Speaker 1: Well you know wherever it came from, Like, let me 1523 01:18:14,600 --> 01:18:16,800 Speaker 1: know if you need it, I'll be over here. And 1524 01:18:17,960 --> 01:18:22,400 Speaker 1: it was a vibe you know how it smelled good? Anthony? 1525 01:18:22,560 --> 01:18:25,040 Speaker 1: I just got a text from a coach to Marco. 1526 01:18:25,200 --> 01:18:29,679 Speaker 1: Coach to Marco Rick to MARYO. What's up? Called? He said? 1527 01:18:30,760 --> 01:18:33,720 Speaker 1: He said Anthony always had it, he just needed to 1528 01:18:33,880 --> 01:18:37,960 Speaker 1: find it. Wow, how are you gonna doing me like that? Coach? 1529 01:18:39,160 --> 01:18:44,360 Speaker 1: I just wiped my tears, Bro, what are you doing so? 1530 01:18:44,479 --> 01:18:47,599 Speaker 1: Anthony Ramos coach to Marco. That's my man, y'all. We're 1531 01:18:47,640 --> 01:18:50,880 Speaker 1: gonna take a break moving back after this. Is this 1532 01:18:51,080 --> 01:18:54,920 Speaker 1: conversation really gonna keep the listeners thrilled? Yes? Got Elvis 1533 01:18:55,040 --> 01:18:58,639 Speaker 1: Durin in the Morning Show sponsored by State Farm talk 1534 01:18:58,680 --> 01:19:01,320 Speaker 1: to an agent today about combining your home and auto 1535 01:19:01,400 --> 01:19:04,360 Speaker 1: insurance at one eight hundred State Farm or by visiting 1536 01:19:04,400 --> 01:19:10,240 Speaker 1: state farm dot com. Oh my god, holy crap, Hi, 1537 01:19:13,080 --> 01:19:15,920 Speaker 1: I don't know where you were during part one of 1538 01:19:15,960 --> 01:19:18,120 Speaker 1: our interview with Anthony Ramos, but I'm glad you're here. 1539 01:19:18,120 --> 01:19:21,479 Speaker 1: From part two. His new single is called Mind over Matter. 1540 01:19:21,640 --> 01:19:23,400 Speaker 1: The big album released party tonight. We got to get 1541 01:19:23,439 --> 01:19:25,880 Speaker 1: into the music. Yeah, we've talked about what that's all about. Hey, 1542 01:19:25,880 --> 01:19:29,280 Speaker 1: you're already hearing feedback from some fans are talking about 1543 01:19:29,280 --> 01:19:31,160 Speaker 1: how the music is changing their lives. We got to 1544 01:19:31,160 --> 01:19:35,280 Speaker 1: get into that. Also. Caleb is calling in from Minneapolis. 1545 01:19:35,320 --> 01:19:38,200 Speaker 1: How are you doing, Caleb, Welcome to the show. I'm good, 1546 01:19:38,240 --> 01:19:40,680 Speaker 1: I'm good. How are you Elvis doing well? Now? So far, 1547 01:19:41,000 --> 01:19:45,919 Speaker 1: so good. Anthony Ramos, are you enjoying his message? Yeah? Absolutely? 1548 01:19:45,960 --> 01:19:48,479 Speaker 1: Interviews great? Yeah, Well tell me, tell me what hit 1549 01:19:48,520 --> 01:19:51,880 Speaker 1: a nerve with you. Yeah. So I'm just getting ready 1550 01:19:51,880 --> 01:19:53,559 Speaker 1: to go to work, and I'm listening to the interview 1551 01:19:53,640 --> 01:19:57,160 Speaker 1: and I'm a black man on my way to teach 1552 01:19:57,280 --> 01:19:59,720 Speaker 1: black and bown children at a charter school in Minneapolis, 1553 01:20:00,439 --> 01:20:03,280 Speaker 1: and I'm a gym teacher, and no, this is my 1554 01:20:03,320 --> 01:20:05,560 Speaker 1: first year of teaching and listening to his message and 1555 01:20:06,200 --> 01:20:09,080 Speaker 1: you know, listening to just the interview in general just 1556 01:20:09,560 --> 01:20:11,439 Speaker 1: bought a tear to my eye. And hearing him cry 1557 01:20:11,600 --> 01:20:14,599 Speaker 1: was it was really moving And I second cry right now, 1558 01:20:14,600 --> 01:20:18,120 Speaker 1: I mean it's just you're black and brown man especially, 1559 01:20:18,479 --> 01:20:22,479 Speaker 1: we don't cry often because either we were told not 1560 01:20:22,600 --> 01:20:25,160 Speaker 1: to or because we don't feel like it's right. And 1561 01:20:26,080 --> 01:20:28,800 Speaker 1: I tell my students and I try to tell you know, 1562 01:20:28,840 --> 01:20:30,479 Speaker 1: and I trying to be an example because I'm a 1563 01:20:30,520 --> 01:20:33,880 Speaker 1: big cryer. I cried everything so good for you. Yeah, 1564 01:20:33,960 --> 01:20:35,920 Speaker 1: I gotta tell you one of one of my many 1565 01:20:35,960 --> 01:20:38,519 Speaker 1: advantages of being a privileged white guys. I cry easily. 1566 01:20:42,280 --> 01:20:47,000 Speaker 1: In my opinion, that my only privileges. I can cry. 1567 01:20:49,680 --> 01:20:51,439 Speaker 1: But listen, you know what. It's very interesting you brought 1568 01:20:51,479 --> 01:20:53,720 Speaker 1: it up, Kayleb, because during the song there we were 1569 01:20:53,720 --> 01:20:58,320 Speaker 1: talking to Anthony about the power of showing vulnerability because, 1570 01:20:58,560 --> 01:21:00,800 Speaker 1: as you know, being a star from the stage and 1571 01:21:00,880 --> 01:21:03,120 Speaker 1: Hamilton and stuff and being an actor, you gotta show 1572 01:21:03,600 --> 01:21:05,840 Speaker 1: your vulnerable side. And it doesn't mean you're weak. It 1573 01:21:05,920 --> 01:21:07,680 Speaker 1: means you're strong because you're not afraid to show it. 1574 01:21:07,720 --> 01:21:09,320 Speaker 1: What do you think of that, Anthony? Yeah? Well, what's up, 1575 01:21:09,400 --> 01:21:11,360 Speaker 1: Caleb man? I'm so inspired by you, man, thank you 1576 01:21:11,400 --> 01:21:14,800 Speaker 1: for for calling and sharing. Man for real means means 1577 01:21:14,800 --> 01:21:17,040 Speaker 1: a lot, man. Yeah, I think it's important for us 1578 01:21:17,080 --> 01:21:18,960 Speaker 1: to be vulnerable, man, like why not? You know, I 1579 01:21:19,000 --> 01:21:21,599 Speaker 1: think there's something inside of us that I think there's 1580 01:21:21,640 --> 01:21:23,280 Speaker 1: something inside of all of us that wants that, you know, 1581 01:21:23,520 --> 01:21:25,400 Speaker 1: especially that little kid, right, that little even the bit 1582 01:21:25,479 --> 01:21:27,800 Speaker 1: like the little baby inside of you, that that is 1583 01:21:27,840 --> 01:21:30,439 Speaker 1: crying right that you know. And and for whatever reason, 1584 01:21:30,479 --> 01:21:32,760 Speaker 1: we become adults and we become hard and it's like 1585 01:21:32,840 --> 01:21:35,720 Speaker 1: for what are we hard for? What? You know what 1586 01:21:35,760 --> 01:21:38,120 Speaker 1: I'm saying. Any know, we also said you said, uh, 1587 01:21:38,360 --> 01:21:41,800 Speaker 1: maybe it's because you opened up to the influence of 1588 01:21:41,880 --> 01:21:43,559 Speaker 1: the women in your life. Yeah, I mean you were 1589 01:21:43,600 --> 01:21:47,160 Speaker 1: not afraid to show vulnerability. And I think that's that's 1590 01:21:47,200 --> 01:21:51,400 Speaker 1: the key, that's the communication key. Yeahs, tons of women 1591 01:21:51,439 --> 01:21:53,880 Speaker 1: who've inspired me and teachers, my mom, and my aunt's, 1592 01:21:54,160 --> 01:21:58,719 Speaker 1: my fiance, just friends they did, I don't know, just women. 1593 01:21:58,760 --> 01:22:00,400 Speaker 1: I wrote a whole song. There's out this song on 1594 01:22:00,400 --> 01:22:02,479 Speaker 1: the album called Woman, and it's all about a woman's love. 1595 01:22:02,640 --> 01:22:04,439 Speaker 1: It's just you know, it was you know, we were 1596 01:22:04,439 --> 01:22:06,639 Speaker 1: in the studio and this woman named Amy Way starts 1597 01:22:06,640 --> 01:22:08,840 Speaker 1: talking about her husband and her kids, and I'm like, yeah, 1598 01:22:08,840 --> 01:22:10,080 Speaker 1: I didn't know what to write about that day. And 1599 01:22:10,080 --> 01:22:11,559 Speaker 1: I was like, Noah, that's all we're gonna write about. 1600 01:22:11,840 --> 01:22:14,080 Speaker 1: But wait, there's also a song in your album, and Caleb, 1601 01:22:14,200 --> 01:22:16,000 Speaker 1: maybe you should listen to this song. It's called figure 1602 01:22:16,080 --> 01:22:17,840 Speaker 1: it Out. And you have a lot of guys telling 1603 01:22:17,880 --> 01:22:19,880 Speaker 1: you that this song really means a lot to them. 1604 01:22:20,120 --> 01:22:22,120 Speaker 1: Why is it? What's figure it Out about? Yeah? Figure 1605 01:22:22,160 --> 01:22:24,040 Speaker 1: it Out was a song that I wanted to write about. 1606 01:22:24,160 --> 01:22:25,760 Speaker 1: Just you know what we're talking about, Like, you know, 1607 01:22:25,840 --> 01:22:29,240 Speaker 1: I think growing up, especially like men, we don't like 1608 01:22:29,560 --> 01:22:31,080 Speaker 1: want to let it out right. We don't want to 1609 01:22:31,160 --> 01:22:33,479 Speaker 1: talk about our feelings. We don't want to say what's 1610 01:22:33,520 --> 01:22:35,560 Speaker 1: going on inside of us. We're like, nah, you know, 1611 01:22:35,760 --> 01:22:39,280 Speaker 1: I'll distract myself. I listen, you know the words. I'm 1612 01:22:39,280 --> 01:22:41,920 Speaker 1: all alone on my phone in my bedroom, Johnny swimming 1613 01:22:41,960 --> 01:22:43,720 Speaker 1: again in my headphones. I want to pray, but I 1614 01:22:43,800 --> 01:22:45,559 Speaker 1: put on the cable. I left the good book closed 1615 01:22:45,560 --> 01:22:48,200 Speaker 1: on the table, filling my mind with distractions, wasting my 1616 01:22:48,320 --> 01:22:50,400 Speaker 1: time on bad habits. I'm spending my nights with the 1617 01:22:50,479 --> 01:22:53,360 Speaker 1: mego drinking cost of egos, feeding my ego? Right? Why 1618 01:22:53,400 --> 01:22:55,680 Speaker 1: am I pushing away what silence has to say? Why 1619 01:22:55,760 --> 01:22:57,600 Speaker 1: do I push through the day like tomorrow is going 1620 01:22:57,640 --> 01:22:59,760 Speaker 1: to figure it out? Like someone else will figure it out, right, 1621 01:23:00,200 --> 01:23:01,439 Speaker 1: you know? And then the bridge I'll just say I'm 1622 01:23:01,479 --> 01:23:03,599 Speaker 1: making me a promise to admit my problems. Ain't saying 1623 01:23:03,600 --> 01:23:05,400 Speaker 1: I'm a solving, but I'm making progress. And I say 1624 01:23:05,439 --> 01:23:08,559 Speaker 1: it four times half for the audience, with another half 1625 01:23:08,600 --> 01:23:11,160 Speaker 1: for me, because every time I listens back, I'm like, 1626 01:23:11,240 --> 01:23:14,040 Speaker 1: all right, I held myself accountable. This song list forever, 1627 01:23:14,200 --> 01:23:17,599 Speaker 1: It's on all the platforms everywhere for me to listen 1628 01:23:17,640 --> 01:23:20,560 Speaker 1: to whenever. You know what I'm saying. And you just 1629 01:23:20,640 --> 01:23:23,240 Speaker 1: did it again? Did you hear? He just did it again? Yeah, 1630 01:23:24,040 --> 01:23:26,479 Speaker 1: you did it again. That was the actual song, right, Well, 1631 01:23:26,680 --> 01:23:28,599 Speaker 1: but no, it was the actual song. Then you kept 1632 01:23:28,640 --> 01:23:30,320 Speaker 1: talking about it, but you stayed in rhythm. You didn't 1633 01:23:30,320 --> 01:23:35,200 Speaker 1: hear what you just did? You heard it, right, Caleb. 1634 01:23:35,320 --> 01:23:37,120 Speaker 1: I'm so glad you sent your text and we were 1635 01:23:37,360 --> 01:23:39,040 Speaker 1: so excited to call you back and talk to you. 1636 01:23:39,200 --> 01:23:42,160 Speaker 1: And the fact that our conversation with Anthony Ramos is 1637 01:23:42,240 --> 01:23:44,120 Speaker 1: hitting a nerve with you. It's a good nerve. And 1638 01:23:44,120 --> 01:23:46,400 Speaker 1: I'm glad that you're you're there for those students because 1639 01:23:46,479 --> 01:23:49,200 Speaker 1: they need more teachers like you. Yeah, thank you Caleb 1640 01:23:49,280 --> 01:23:51,599 Speaker 1: for everything you do. Man, for real, we need you, man. 1641 01:23:51,680 --> 01:23:55,360 Speaker 1: Thank you, Thank you, guys, thank you. You know since 1642 01:23:55,400 --> 01:23:56,639 Speaker 1: you grew up in this area. A lot of people 1643 01:23:56,680 --> 01:23:58,320 Speaker 1: are thanks for listening to us, man, A lot of 1644 01:23:58,360 --> 01:24:01,519 Speaker 1: people are texting in. Your cousin just checked in. Whoa 1645 01:24:01,880 --> 01:24:05,880 Speaker 1: Xavia is listening. But this is this is my cousin 1646 01:24:06,360 --> 01:24:08,680 Speaker 1: with this, this was this, this is x this is 1647 01:24:08,800 --> 01:24:12,120 Speaker 1: my like brother, like my cousin. We grew up like 1648 01:24:12,200 --> 01:24:14,719 Speaker 1: we used to well, we used to wrap so Xavier 1649 01:24:14,800 --> 01:24:16,200 Speaker 1: used to write raps. We used to have like the 1650 01:24:16,280 --> 01:24:18,280 Speaker 1: Dell computer and x used to write raps quick story. 1651 01:24:18,560 --> 01:24:21,160 Speaker 1: X used to write raps and with our other cousin, Durrell, 1652 01:24:21,360 --> 01:24:23,040 Speaker 1: and we had this little mic that extended from the 1653 01:24:23,080 --> 01:24:25,120 Speaker 1: back of the monitor. And that was how I started 1654 01:24:25,160 --> 01:24:28,880 Speaker 1: writing songs. I started writing with them, Xavier Durell, and 1655 01:24:28,960 --> 01:24:30,920 Speaker 1: they would write the raps. I write the course and 1656 01:24:31,000 --> 01:24:32,280 Speaker 1: then he had to do in one take. So we 1657 01:24:32,320 --> 01:24:36,960 Speaker 1: would steal the beats off the Internet, sorry Internet borrowed, 1658 01:24:37,360 --> 01:24:40,080 Speaker 1: borrowed them. We'd drag them to the Windows Media Player 1659 01:24:40,120 --> 01:24:41,840 Speaker 1: and then we'd have the voice Memo app and we'd 1660 01:24:41,880 --> 01:24:44,280 Speaker 1: press play on the Voice Memo app, go back to 1661 01:24:44,320 --> 01:24:46,360 Speaker 1: the Windows Media Player, press play on the beat, and 1662 01:24:46,400 --> 01:24:48,000 Speaker 1: then we'd have to record the song on one take 1663 01:24:48,520 --> 01:24:50,240 Speaker 1: and if you know what I'm saying. I was like, 1664 01:24:50,360 --> 01:24:52,760 Speaker 1: you had only one chance and I love you X 1665 01:24:53,280 --> 01:24:56,360 Speaker 1: crazy full circle, Anthony. You talk about how you used 1666 01:24:56,400 --> 01:24:58,759 Speaker 1: to steal the beat from other beats from other artists. 1667 01:24:59,080 --> 01:25:01,040 Speaker 1: See now you're the art people are gonna steal from. 1668 01:25:01,880 --> 01:25:06,880 Speaker 1: But they'll take them all. Take the beats everybody. It's happening. Yeah. 1669 01:25:07,200 --> 01:25:08,920 Speaker 1: So you're also gonna do some shows. I knew you're 1670 01:25:08,920 --> 01:25:10,640 Speaker 1: gonna be at the Fillmore in Philly. You're gonna be 1671 01:25:11,080 --> 01:25:14,080 Speaker 1: Music Hall, Wheelmansburg, in Brooklyn, here in town, also thirteen 1672 01:25:14,200 --> 01:25:17,839 Speaker 1: or six in Miami. You're gonna be everywhere, Chicago, Boston, 1673 01:25:18,160 --> 01:25:22,519 Speaker 1: d C, Houston. Wow, man, good for you. Yeah, yeah, 1674 01:25:22,520 --> 01:25:25,200 Speaker 1: I'm so excited. Jamier needs to come to your DC show. 1675 01:25:25,560 --> 01:25:27,600 Speaker 1: We shouldn't think he think. He texts me. He was like, Yo, 1676 01:25:27,760 --> 01:25:32,759 Speaker 1: I'm coming, I'm coming to your shown with let's go Okay. 1677 01:25:32,960 --> 01:25:35,160 Speaker 1: People are asking, people are texting. They want to know 1678 01:25:35,200 --> 01:25:39,000 Speaker 1: the answer to Gandhi's question about your grammy, Anthony, Where 1679 01:25:39,280 --> 01:25:41,240 Speaker 1: is the grammy? Where do you keep it? Well, my 1680 01:25:41,320 --> 01:25:44,880 Speaker 1: grammy sought. It's not in my apartment. My grammy is 1681 01:25:44,960 --> 01:25:47,800 Speaker 1: in my mom's closet in the box, still in the 1682 01:25:47,880 --> 01:25:50,280 Speaker 1: box and I said, Mom, why is the grammy still 1683 01:25:50,400 --> 01:25:52,599 Speaker 1: in the box in your closet? Said because I gotta 1684 01:25:52,640 --> 01:25:58,160 Speaker 1: keep it safe. I was like, all right, you go ahead, 1685 01:25:58,240 --> 01:26:00,600 Speaker 1: keep a safe girl. There's things. It just was like 1686 01:26:00,640 --> 01:26:04,360 Speaker 1: grandparents who keep plastic on the cow. You should bring 1687 01:26:04,439 --> 01:26:07,680 Speaker 1: that grammy up, turn into a lamp or something. Come on. 1688 01:26:09,000 --> 01:26:10,559 Speaker 1: I was like, y' get it, yeah, keep it safe. 1689 01:26:11,000 --> 01:26:14,720 Speaker 1: So what what what story are you telling in this 1690 01:26:14,880 --> 01:26:17,960 Speaker 1: album of yours, Anthony? This these are all true stories. 1691 01:26:18,000 --> 01:26:20,000 Speaker 1: These are all like things that I've been through, things 1692 01:26:20,040 --> 01:26:22,240 Speaker 1: that I've gone through. Every song is a true story, 1693 01:26:22,320 --> 01:26:25,840 Speaker 1: but it's um you know, it became a narrative. You know. 1694 01:26:25,960 --> 01:26:28,519 Speaker 1: We put we put the songs on qute cars. My 1695 01:26:28,600 --> 01:26:31,799 Speaker 1: boy will Wells, who played with me earlier executive producing, 1696 01:26:31,840 --> 01:26:34,280 Speaker 1: one of our best friends. We just sat in our 1697 01:26:34,320 --> 01:26:37,200 Speaker 1: studio here in Brooklyn, here in New York and in Brooklyn. 1698 01:26:37,240 --> 01:26:39,040 Speaker 1: We just like put the songs on qute cards and 1699 01:26:39,120 --> 01:26:40,679 Speaker 1: we eliminated too, and we were like, all right, here's 1700 01:26:40,680 --> 01:26:43,280 Speaker 1: a story, this one. So now this guy he goes 1701 01:26:43,360 --> 01:26:45,680 Speaker 1: he says by his family and dear diary. Then he 1702 01:26:45,760 --> 01:26:47,800 Speaker 1: goes away. He goes to industry parties. The first thing 1703 01:26:48,040 --> 01:26:51,200 Speaker 1: he does in a song called Aunty's Basement, realizes that 1704 01:26:51,240 --> 01:26:54,160 Speaker 1: there's nothing like partying with people you love. Boom, one 1705 01:26:54,200 --> 01:26:56,240 Speaker 1: more hour. He finally meets somebody to have a long night, 1706 01:26:56,840 --> 01:26:58,880 Speaker 1: and the next thing you know Isabella. They go they're 1707 01:26:58,920 --> 01:27:01,760 Speaker 1: going about the first night my fiance and I kissed. 1708 01:27:01,760 --> 01:27:04,080 Speaker 1: Then they go on a spontaneous trip. Then they make 1709 01:27:04,120 --> 01:27:06,519 Speaker 1: it passionate love. He's making love to somebody actually loves 1710 01:27:06,560 --> 01:27:09,400 Speaker 1: and mind over matter, and then now she pumps the 1711 01:27:09,439 --> 01:27:12,080 Speaker 1: brakes or he's like, uh nah, the saint a relationship, 1712 01:27:12,120 --> 01:27:14,120 Speaker 1: He's like, whoa wa, whoa, you're holding my hand. We're 1713 01:27:14,120 --> 01:27:16,200 Speaker 1: doing all these relationship things, but we're not in a relationship. 1714 01:27:16,200 --> 01:27:17,920 Speaker 1: And then little eyes. He's like, well, if I confess 1715 01:27:17,960 --> 01:27:20,400 Speaker 1: all the little eyes to you, maybe you'll get with me. 1716 01:27:20,520 --> 01:27:23,280 Speaker 1: And still not enough Boom. Then woman, you know, maybe 1717 01:27:23,280 --> 01:27:24,639 Speaker 1: if I could have loved you like I was a woman. 1718 01:27:24,680 --> 01:27:26,480 Speaker 1: Maybe if I could have loved you with that vulnerability, 1719 01:27:26,479 --> 01:27:29,040 Speaker 1: with that with that much love, with the way women love, 1720 01:27:29,960 --> 01:27:32,479 Speaker 1: maybe this would have worked. Right Boom boom, boom. Figure 1721 01:27:32,520 --> 01:27:35,360 Speaker 1: it out. He's experiencing loneliness either way. His friend pulls 1722 01:27:35,479 --> 01:27:37,200 Speaker 1: him out of the rug. He's like yeah, Yo, you've 1723 01:27:37,240 --> 01:27:40,599 Speaker 1: been wearing the same sweats for three days, five pizza 1724 01:27:40,640 --> 01:27:42,479 Speaker 1: boxes all over your crib. Let's go, we gotta go. 1725 01:27:42,920 --> 01:27:45,360 Speaker 1: And then the last two songs there Good and the Bad. 1726 01:27:45,439 --> 01:27:47,720 Speaker 1: He's reflecting. He's like, Yo, you know, I'm grateful for 1727 01:27:47,720 --> 01:27:49,800 Speaker 1: all the journey I've been on, but maybe it's time 1728 01:27:49,840 --> 01:27:51,120 Speaker 1: to go back home. And the last song is called 1729 01:27:51,160 --> 01:27:54,160 Speaker 1: come back Home, where he's like, yo, I think, you know, 1730 01:27:54,240 --> 01:27:56,280 Speaker 1: I think my time here was great. But but I 1731 01:27:56,640 --> 01:27:58,880 Speaker 1: you know, maybe all the answers to the questions I 1732 01:27:59,000 --> 01:28:00,360 Speaker 1: had in life about who I want wanted it to be, 1733 01:28:00,560 --> 01:28:02,280 Speaker 1: we're right in front of me at home. But I'm 1734 01:28:02,320 --> 01:28:04,000 Speaker 1: happy I went on this journey because it made me 1735 01:28:04,120 --> 01:28:06,800 Speaker 1: realize that, you know, home was home, was where I 1736 01:28:06,840 --> 01:28:09,000 Speaker 1: needed to be the whole time. And there's your album. Wow, 1737 01:28:09,240 --> 01:28:10,680 Speaker 1: I'm sorry I didn't get that. Can you repeat that? 1738 01:28:13,000 --> 01:28:18,720 Speaker 1: And the album on iTunes? I just downloaded that because 1739 01:28:18,720 --> 01:28:22,200 Speaker 1: it comes out you know tomorrow, tomorrow night. Must be 1740 01:28:22,280 --> 01:28:25,280 Speaker 1: so excited. I'm so excited. I'm pumped. So is it 1741 01:28:25,720 --> 01:28:28,360 Speaker 1: a little nerve wracking to see? To you? Is it 1742 01:28:28,439 --> 01:28:30,320 Speaker 1: nerve wracking to see how it's going to be accepted? 1743 01:28:30,439 --> 01:28:32,280 Speaker 1: Or do you just not care. You've done it, You've 1744 01:28:32,320 --> 01:28:35,439 Speaker 1: done your job. What happens from now on? Who cares? Yeah? 1745 01:28:35,520 --> 01:28:37,400 Speaker 1: I mean it's not really. What are you feeling about 1746 01:28:37,400 --> 01:28:41,080 Speaker 1: tomorrow and the album's out. I'm nervous um because I'm 1747 01:28:41,120 --> 01:28:44,519 Speaker 1: giving it over, right, But I'm excited to give it 1748 01:28:44,600 --> 01:28:47,040 Speaker 1: over because it's like now everyone else can have it. 1749 01:28:47,320 --> 01:28:48,760 Speaker 1: Now you can have it, and I can go right 1750 01:28:48,760 --> 01:28:51,840 Speaker 1: another one. He you know. I was like, and you 1751 01:28:51,920 --> 01:28:53,920 Speaker 1: are with your book, Elvis, here's my book. I'm gonna 1752 01:28:53,920 --> 01:28:55,960 Speaker 1: go right. I remember the first stranger that told me 1753 01:28:55,960 --> 01:28:58,880 Speaker 1: they read my book. I was, oh God, what are 1754 01:28:58,880 --> 01:29:00,960 Speaker 1: they gonna say? I don't I don't want to hear it? 1755 01:29:01,439 --> 01:29:04,240 Speaker 1: Oh god, and you hear those words? I loved it. 1756 01:29:04,360 --> 01:29:09,519 Speaker 1: It was great, Yeah, awesome. So uh In the Heights 1757 01:29:09,760 --> 01:29:15,680 Speaker 1: the movie movie, The League, I'm the lead. There's no pressure, there, 1758 01:29:15,960 --> 01:29:19,719 Speaker 1: no pressure. When's it coming out this summer? Yeah? Next summer, 1759 01:29:19,760 --> 01:29:21,599 Speaker 1: next year? Yeah, you already had this summer. This summer 1760 01:29:21,600 --> 01:29:24,800 Speaker 1: has already gone. So look at all the work you're getting. 1761 01:29:24,800 --> 01:29:29,360 Speaker 1: I mean, are you tired? Yeah? I get tired sometimes. 1762 01:29:29,680 --> 01:29:33,920 Speaker 1: I'm energetic. Now, if you will, if you, if you can, 1763 01:29:34,000 --> 01:29:35,519 Speaker 1: When In the Heights comes out, I want you to 1764 01:29:35,600 --> 01:29:37,760 Speaker 1: come back. We want to talk about that. We want 1765 01:29:37,760 --> 01:29:39,960 Speaker 1: to stay in touch with you. Anthony and Anthony Ramo's 1766 01:29:40,400 --> 01:29:43,400 Speaker 1: Mind Over Matters the song I'm about to play. The album. Uh, 1767 01:29:43,920 --> 01:29:47,439 Speaker 1: you gotta pick it up. It's available to night at midnight. Yeah, midnight, 1768 01:29:47,479 --> 01:29:48,960 Speaker 1: you can pre order it now, go get it to 1769 01:29:49,040 --> 01:29:56,320 Speaker 1: your friends. Wow, the good and the bad, right, yeah, Yeah, 1770 01:29:56,400 --> 01:29:58,880 Speaker 1: that's what life's about. It's really great here in your story. 1771 01:29:59,200 --> 01:30:01,280 Speaker 1: Thanks man, Thanks listening. It takes ears to listen to 1772 01:30:01,360 --> 01:30:03,439 Speaker 1: the story, right, So you guys, thanks for opening them. 1773 01:30:06,080 --> 01:30:07,640 Speaker 1: You know what I'm saying. You're talking about liking ear 1774 01:30:07,680 --> 01:30:15,280 Speaker 1: holes earlier. Sorry about get out. Sometimes sometimes we don't 1775 01:30:15,320 --> 01:30:19,040 Speaker 1: have filters. All right, I'm gonna I'm gonna play Mind 1776 01:30:19,120 --> 01:30:22,759 Speaker 1: Over Matter and we say now our time with Anthony Ramos. 1777 01:30:22,920 --> 01:30:27,120 Speaker 1: This time is over. But he's coming back. I heard 1778 01:30:27,200 --> 01:30:29,800 Speaker 1: him promise it, sort of. Yeah, thank you for coming 1779 01:30:29,840 --> 01:30:35,560 Speaker 1: in here, Thanks for having You're awesome. Anthony Ramos is 1780 01:30:35,680 --> 01:30:39,599 Speaker 1: Elvis in the Morning show, Gandhi, what did you say 1781 01:30:39,640 --> 01:30:42,479 Speaker 1: about the Anthony Ramos interview? That might be my favorite 1782 01:30:42,520 --> 01:30:44,960 Speaker 1: interview of the year, and we've had some really good ones, 1783 01:30:45,000 --> 01:30:47,679 Speaker 1: but something about that, something about him just like really 1784 01:30:47,760 --> 01:30:50,720 Speaker 1: moved me today. Yeah, that was great. His music, the guy, 1785 01:30:50,840 --> 01:30:55,120 Speaker 1: his story. Yeah, Foggy, my my market manager here in Jacksonville, 1786 01:30:55,160 --> 01:30:57,040 Speaker 1: just came in and I said, what's wrong with you? 1787 01:30:57,200 --> 01:30:58,840 Speaker 1: And she said, I was listening to your show. She 1788 01:30:58,920 --> 01:31:01,040 Speaker 1: had tears running down her face. She had to go 1789 01:31:01,120 --> 01:31:03,679 Speaker 1: put her makeup on again and I had she said, 1790 01:31:03,800 --> 01:31:05,880 Speaker 1: she said, I'm not an emotional person. I don't cry 1791 01:31:05,920 --> 01:31:07,920 Speaker 1: a lot. She said that there was something about that 1792 01:31:08,040 --> 01:31:10,840 Speaker 1: interview that just got to make ye. I think that 1793 01:31:10,960 --> 01:31:13,720 Speaker 1: we always encounter people, or often encounter people who are 1794 01:31:14,000 --> 01:31:16,400 Speaker 1: already at the place where they kind of want to be. 1795 01:31:16,760 --> 01:31:19,040 Speaker 1: And I like catching people when they've just gotten there 1796 01:31:19,120 --> 01:31:21,200 Speaker 1: and they're appreciative of it and they love it. And 1797 01:31:21,280 --> 01:31:24,200 Speaker 1: he's still so grateful and just in awe of what's 1798 01:31:24,200 --> 01:31:26,920 Speaker 1: going on, and I just want to hug him. I 1799 01:31:27,040 --> 01:31:28,840 Speaker 1: wish the world could have seen his reaction when he 1800 01:31:28,960 --> 01:31:31,960 Speaker 1: heard his song. Yeah, when they hear their song on 1801 01:31:32,000 --> 01:31:33,840 Speaker 1: the radio for the first time, you never know what 1802 01:31:33,960 --> 01:31:36,640 Speaker 1: kind of reaction you're gonna get, and his was just unbelievable. 1803 01:31:36,720 --> 01:31:39,679 Speaker 1: And his producer too, that was cool because they created 1804 01:31:39,760 --> 01:31:44,439 Speaker 1: this together. Garrett, Where's the sound of Anthony just talking 1805 01:31:44,520 --> 01:31:46,400 Speaker 1: about his friends. And to me, it sounded like it 1806 01:31:46,479 --> 01:31:49,720 Speaker 1: had rhythm. It sounded like it sounded like a song 1807 01:31:49,920 --> 01:31:53,360 Speaker 1: from Hamilton's Yeah speaks in bars, which is called Kartek. 1808 01:31:53,400 --> 01:32:01,960 Speaker 1: Anthony speaks, Anthony speaks, Anthony speaks. I don't see, we're 1809 01:32:02,000 --> 01:32:03,840 Speaker 1: pulling it up. So what I thought was he was 1810 01:32:03,880 --> 01:32:08,000 Speaker 1: just talking very very very passionately about his friends, all right, 1811 01:32:08,720 --> 01:32:12,080 Speaker 1: And so as he was talking about them, he had 1812 01:32:12,120 --> 01:32:14,040 Speaker 1: a rhythm to what he was saying. And I don't 1813 01:32:14,040 --> 01:32:16,200 Speaker 1: even know if he knows he does this. Yeah, and 1814 01:32:16,960 --> 01:32:19,160 Speaker 1: you guys heard it, right, Yeah, it just like flows 1815 01:32:19,200 --> 01:32:21,280 Speaker 1: out of him. He can't help it. It was the 1816 01:32:21,520 --> 01:32:26,639 Speaker 1: wildest thing. Uh, okay, we'll play it in a minute. 1817 01:32:26,800 --> 01:32:29,040 Speaker 1: It's okay, we missed our opportunity. Well, we'll play it. 1818 01:32:29,400 --> 01:32:33,720 Speaker 1: Let's move on, all right, Okay, here we go. This 1819 01:32:33,920 --> 01:32:37,479 Speaker 1: is Anthony just speaking about his friends, but it has 1820 01:32:37,640 --> 01:32:42,719 Speaker 1: rhythm to it. Listen to this. Okay, it's not there, Okay, 1821 01:32:42,800 --> 01:32:47,840 Speaker 1: all right, we'll get it later. Let's move on live radio. 1822 01:32:48,040 --> 01:32:51,560 Speaker 1: I hate live radio except for when Anthony Ramos is on, 1823 01:32:51,640 --> 01:32:53,639 Speaker 1: and then it's awesome. We'll move on. Let's get into 1824 01:32:53,720 --> 01:32:57,040 Speaker 1: sound with Garrett. Is any of your sounded here, I hope. 1825 01:32:57,080 --> 01:32:59,200 Speaker 1: So we'll find out, all right what he knows these days. 1826 01:32:59,680 --> 01:33:02,840 Speaker 1: All right, let's start with Mark Zuckerberg. He was sitting 1827 01:33:02,880 --> 01:33:05,880 Speaker 1: on Congress yesterday answering questions about Facebook and privacy and 1828 01:33:05,920 --> 01:33:10,080 Speaker 1: political stuff. But then congresswoman from California said, hey, what 1829 01:33:10,200 --> 01:33:13,360 Speaker 1: about your haircut? Are you serious? I mean, we all 1830 01:33:13,400 --> 01:33:15,560 Speaker 1: know he has a crappy haircut, but they should be 1831 01:33:15,640 --> 01:33:17,680 Speaker 1: talking about him on Capitol Hill. She called him out 1832 01:33:17,680 --> 01:33:19,920 Speaker 1: on it. All right, So here we go, mister Zuckerberg. I, 1833 01:33:20,280 --> 01:33:23,080 Speaker 1: as you know, Facebook can be sometimes an unkind place, 1834 01:33:23,520 --> 01:33:28,080 Speaker 1: both toward my personal appearance and today apparently towards your haircut. 1835 01:33:28,680 --> 01:33:30,360 Speaker 1: But I just as a mother of a teenage boy, 1836 01:33:30,520 --> 01:33:33,880 Speaker 1: I just want to say thanks for modeling the short cut. 1837 01:33:34,439 --> 01:33:39,280 Speaker 1: What is she saying he has a short cut? I 1838 01:33:39,360 --> 01:33:43,000 Speaker 1: don't know. Oh God, these are the people we elect 1839 01:33:43,080 --> 01:33:46,880 Speaker 1: and go to Washington anyway. All right, all right, Wendy Williams, 1840 01:33:46,920 --> 01:33:48,479 Speaker 1: we love her. She had Tyres on the show, and 1841 01:33:48,600 --> 01:33:51,400 Speaker 1: we know Tyres and the Rock have had some beef 1842 01:33:51,439 --> 01:33:54,680 Speaker 1: because Tyrese is jealous of the Rock success from the 1843 01:33:54,720 --> 01:33:56,960 Speaker 1: fest and the Furious franchise. That's what we're hearing that's 1844 01:33:56,960 --> 01:33:59,799 Speaker 1: what we're hearing. And so Wendy, being a great interviewer 1845 01:34:00,040 --> 01:34:02,120 Speaker 1: that she is, asked the question and Tires didn't want 1846 01:34:02,120 --> 01:34:05,240 Speaker 1: to answer. Now, you and the law, and we've talked 1847 01:34:05,280 --> 01:34:07,439 Speaker 1: about this. You don't want to talk about the rock, 1848 01:34:07,960 --> 01:34:09,719 Speaker 1: all right? If you want to know how I feel 1849 01:34:09,760 --> 01:34:11,639 Speaker 1: about that, man is all over there and they have fun. 1850 01:34:12,560 --> 01:34:16,160 Speaker 1: We've been having fun with it. Okay, But you know what, 1851 01:34:16,240 --> 01:34:18,160 Speaker 1: wouldn't be doing my job if I didn't ask you. 1852 01:34:18,800 --> 01:34:20,840 Speaker 1: But I always tell you guys that when people come 1853 01:34:20,880 --> 01:34:22,760 Speaker 1: on the show, I'm going to ask everything, but you 1854 01:34:22,880 --> 01:34:26,160 Speaker 1: always have the right to say no comments, and so 1855 01:34:26,360 --> 01:34:29,439 Speaker 1: I respect that. Love you, Wendy. Yes, Now I want 1856 01:34:29,439 --> 01:34:31,639 Speaker 1: to give a warning to all men out there. If 1857 01:34:31,680 --> 01:34:34,599 Speaker 1: you come across a Brazilian spider and you get bitten, 1858 01:34:35,000 --> 01:34:38,880 Speaker 1: you will have this side effect. Man, you get bitten 1859 01:34:38,880 --> 01:34:43,400 Speaker 1: by Brazilian wondering spiders actually can get endless and very 1860 01:34:43,479 --> 01:34:47,799 Speaker 1: painful erections afterwards. It can result in a total destruction 1861 01:34:47,840 --> 01:34:49,920 Speaker 1: of someone's sex life. No, no, no, I don't want 1862 01:34:49,960 --> 01:34:53,080 Speaker 1: to so avoid the Brazilian spiders. Okay, all right, let's 1863 01:34:53,080 --> 01:34:55,560 Speaker 1: talk about some other new music that came out and 1864 01:34:55,800 --> 01:34:58,040 Speaker 1: leaked over night too. Normally comes out on Friday, but 1865 01:34:58,560 --> 01:35:01,720 Speaker 1: we get some treats for you. Ed Shearon Ariana Grande. Now, 1866 01:35:01,760 --> 01:35:04,280 Speaker 1: this song was supposed to be on ed Shearon's collaboration album, 1867 01:35:04,640 --> 01:35:06,479 Speaker 1: but it didn't get finished in time, so Ed didn't 1868 01:35:06,479 --> 01:35:08,120 Speaker 1: put it on the album. But now we get it. 1869 01:35:08,240 --> 01:35:10,439 Speaker 1: It's called no Love for the Lonely, so it's Ed 1870 01:35:10,520 --> 01:35:15,240 Speaker 1: Sharon Ariana Grande. Okay, so nice and love for the 1871 01:35:15,520 --> 01:35:21,960 Speaker 1: Lonely don't come near me only break your heart. Now 1872 01:35:22,000 --> 01:35:27,040 Speaker 1: I will try to find someone to hold below this. 1873 01:35:30,200 --> 01:35:33,200 Speaker 1: You know it sounded like do song you did with 1874 01:35:33,280 --> 01:35:37,000 Speaker 1: Justin Bieber. Yeah, I don't care. A Kesha just put 1875 01:35:37,080 --> 01:35:39,599 Speaker 1: this out less than an hour ago. This is raising Hell. 1876 01:35:40,120 --> 01:35:45,960 Speaker 1: We find the trouble we done need not Hellendo love 1877 01:35:46,120 --> 01:35:49,000 Speaker 1: raise me well, but I don't want to go to 1878 01:35:49,120 --> 01:35:56,960 Speaker 1: heaven with that bathing get in our Kesha. Yes, Raising Hell. 1879 01:35:57,040 --> 01:35:59,680 Speaker 1: It came out like an hour ago. Clok at that 1880 01:35:59,720 --> 01:36:02,919 Speaker 1: we got it and think this song came out at midnight. 1881 01:36:03,080 --> 01:36:07,320 Speaker 1: Has almost five million views on YouTube. Selena Gomez shot 1882 01:36:07,400 --> 01:36:10,760 Speaker 1: on the iPhone eleven. The entire video. This is a 1883 01:36:10,840 --> 01:36:24,880 Speaker 1: look at her now. So Selena Gomez two songs in 1884 01:36:24,920 --> 01:36:28,479 Speaker 1: twenty four hours right. I liked this one a lot. 1885 01:36:29,040 --> 01:36:30,920 Speaker 1: When I shoot something on my phone, though, I always 1886 01:36:30,920 --> 01:36:33,400 Speaker 1: get the blurry face. Yeah, he has a whole video 1887 01:36:33,439 --> 01:36:36,120 Speaker 1: with five million views. Yeah. When they when they say, oh, 1888 01:36:36,160 --> 01:36:38,479 Speaker 1: with this entire video shot on my iPhone, I'd never 1889 01:36:38,720 --> 01:36:42,320 Speaker 1: get anything that good on my iPhone. They almost obviously 1890 01:36:42,400 --> 01:36:44,560 Speaker 1: know what you have that audio. Yes, I think we 1891 01:36:44,680 --> 01:36:47,439 Speaker 1: have the audio, So I'm gonna retell the story. Uh, 1892 01:36:47,880 --> 01:36:50,680 Speaker 1: it's okay. So when Anthony Ramos was in here, he 1893 01:36:50,760 --> 01:36:54,240 Speaker 1: started talking passionately about his friends, and as he was 1894 01:36:54,320 --> 01:36:57,880 Speaker 1: talking about them passionately, he went into this rhythm and 1895 01:36:58,000 --> 01:37:00,240 Speaker 1: I don't even know. I don't even think he knows 1896 01:37:00,320 --> 01:37:02,720 Speaker 1: he does this. And of course he was a big 1897 01:37:02,760 --> 01:37:05,600 Speaker 1: star on Broadway in Hamilton, where you heard songs that 1898 01:37:05,720 --> 01:37:08,559 Speaker 1: sort of sound a little like this, but those were written, 1899 01:37:09,120 --> 01:37:12,800 Speaker 1: those were prepared songs. This is just him talking about 1900 01:37:12,840 --> 01:37:16,719 Speaker 1: his friends and it came out sounding like a produced song, 1901 01:37:17,360 --> 01:37:20,080 Speaker 1: a produced rap. Listen to this, but it's like, thank 1902 01:37:20,080 --> 01:37:21,840 Speaker 1: God for Jason. He saved me. He picked up the 1903 01:37:21,880 --> 01:37:23,960 Speaker 1: phone and called Sarah because she knew what music could 1904 01:37:24,000 --> 01:37:26,439 Speaker 1: take me. She gave me money for applications. She told 1905 01:37:26,439 --> 01:37:28,160 Speaker 1: me I need an education. She sent me down with 1906 01:37:28,200 --> 01:37:29,800 Speaker 1: all the papers. I had a temple, she had the 1907 01:37:29,840 --> 01:37:32,479 Speaker 1: patience and like, I for real was gonna go to 1908 01:37:32,560 --> 01:37:34,479 Speaker 1: the Navy. And I'm crying in this room and Jason calls. 1909 01:37:34,520 --> 01:37:36,640 Speaker 1: He's like, yo, Sarah, Anthony's crying. I don't know what 1910 01:37:36,680 --> 01:37:38,519 Speaker 1: to do him to put him on the phone. I 1911 01:37:38,600 --> 01:37:40,439 Speaker 1: get on the phone. She's like, Hey, come to my 1912 01:37:40,479 --> 01:37:42,479 Speaker 1: house right now. I'm like, nah, you live far. I mean, 1913 01:37:42,680 --> 01:37:45,400 Speaker 1: but he's rhyming. He didn't. I don't even think he 1914 01:37:45,520 --> 01:37:48,080 Speaker 1: knew it. He didn't. That was That was kind of creepy. 1915 01:37:49,360 --> 01:37:52,120 Speaker 1: I mean, how talented is this guy? Just in everyday 1916 01:37:52,200 --> 01:37:55,600 Speaker 1: life He's he's performing. What do you think of that? 1917 01:37:55,840 --> 01:37:59,880 Speaker 1: I love him. You're a good American. Garret, thank you 1918 01:38:00,000 --> 01:38:02,040 Speaker 1: for stopping by. Coming up next, we have to do. 1919 01:38:02,280 --> 01:38:03,680 Speaker 1: We have to go around the room, and I do 1920 01:38:03,800 --> 01:38:06,360 Speaker 1: believe we could have some food news ready to go. 1921 01:38:06,960 --> 01:38:13,160 Speaker 1: We do. This is what I'm hearing in the morning show. 1922 01:38:20,800 --> 01:38:23,720 Speaker 1: Around the room, Danielle, what's on your mind? Don't hate 1923 01:38:23,760 --> 01:38:26,040 Speaker 1: on me because I like to mix my cereal. Scottie 1924 01:38:26,680 --> 01:38:28,679 Speaker 1: is hating on me because I just mix the chocolate 1925 01:38:28,760 --> 01:38:32,680 Speaker 1: cereal with the strawberry cereal. Fine. Thank you doc do 1926 01:38:32,760 --> 01:38:35,479 Speaker 1: what you wanted. I find it very very inventive and creative. 1927 01:38:35,560 --> 01:38:39,600 Speaker 1: I'm doing me, Elvis. You do every day you should do. 1928 01:38:39,640 --> 01:38:41,360 Speaker 1: You want to make your cereals, you do it. Thank you, 1929 01:38:41,479 --> 01:38:44,880 Speaker 1: even if it's disgusting, like like chocolate and strawberate, but 1930 01:38:45,000 --> 01:38:47,400 Speaker 1: you know you eat chocolate covered strawberries. Why could you 1931 01:38:47,439 --> 01:38:50,040 Speaker 1: not eat the cereal? Scottie, your jackass? What's up with 1932 01:38:50,160 --> 01:38:53,200 Speaker 1: you today? Producer Sam So. First of all, I am 1933 01:38:53,240 --> 01:38:55,160 Speaker 1: in awe of you, Elvis always, but last night was 1934 01:38:55,160 --> 01:38:57,360 Speaker 1: amazing to watch you up there answering those questions. I 1935 01:38:57,520 --> 01:38:59,960 Speaker 1: love just seeing you at our bookstop at book review. 1936 01:39:00,200 --> 01:39:02,440 Speaker 1: It was amazing. But I do owe you an apology 1937 01:39:02,560 --> 01:39:04,760 Speaker 1: for the dinner before because when I drank, I get 1938 01:39:04,760 --> 01:39:06,680 Speaker 1: a little handy and I was excited. I saw a 1939 01:39:06,720 --> 01:39:09,840 Speaker 1: listener reading the book, so I was pointing and yelling, Elvis, look, 1940 01:39:10,000 --> 01:39:13,880 Speaker 1: he's reading your books across the across the restaurant. Just like, 1941 01:39:14,040 --> 01:39:19,400 Speaker 1: stop pointing. I'm sorry about that. That was cool. He 1942 01:39:19,479 --> 01:39:21,840 Speaker 1: was reading. It was awesome. Do they he's pulling it up? 1943 01:39:24,680 --> 01:39:27,320 Speaker 1: What's up? Scary? No, We're just six or seven people 1944 01:39:27,520 --> 01:39:30,240 Speaker 1: in a room with microphones, and sometimes I wonder if 1945 01:39:30,320 --> 01:39:34,200 Speaker 1: what we're doing is resonating with the audience, because you know, honestly, 1946 01:39:34,400 --> 01:39:36,479 Speaker 1: you know, we're sitting here and we're talking to each other. 1947 01:39:36,840 --> 01:39:40,439 Speaker 1: But nights like last night, Elvis make it. That's the 1948 01:39:40,520 --> 01:39:42,360 Speaker 1: full circle for me because meeting all these one of 1949 01:39:42,400 --> 01:39:44,439 Speaker 1: the listeners that came out to your book signing in 1950 01:39:44,560 --> 01:39:48,040 Speaker 1: Long Island, I was moved with everyone and their stories 1951 01:39:48,120 --> 01:39:50,519 Speaker 1: and talking about their drives to work and where they 1952 01:39:50,560 --> 01:39:53,280 Speaker 1: are in their office when they're listening, and the emotions 1953 01:39:53,320 --> 01:39:55,240 Speaker 1: they've gone through and the stories that they've read. It is. 1954 01:39:55,640 --> 01:39:59,040 Speaker 1: It's awesome. I'm like, there are people listening these microphones work. 1955 01:40:00,120 --> 01:40:01,679 Speaker 1: You know, you know what I'm saying. It was actually 1956 01:40:01,760 --> 01:40:05,400 Speaker 1: Uncle Johnny's appearance. Lest that's right, don't forget that. But no, no, 1957 01:40:05,640 --> 01:40:07,799 Speaker 1: everyone coming out and thank you so much for supporting 1958 01:40:07,880 --> 01:40:09,960 Speaker 1: us for all these years, even new listeners, we love you. 1959 01:40:10,080 --> 01:40:12,479 Speaker 1: Thank you so much. And Scary is absolutely right. What's up? 1960 01:40:12,520 --> 01:40:15,000 Speaker 1: Gandhi Um. I wanted to say, if you're gonna send 1961 01:40:15,040 --> 01:40:17,280 Speaker 1: me a hateful DM, one, don't be upset when I 1962 01:40:17,320 --> 01:40:19,439 Speaker 1: repost it because you send it to me first. But two, 1963 01:40:19,600 --> 01:40:21,000 Speaker 1: if you're going to try to insult me, it should 1964 01:40:21,000 --> 01:40:23,599 Speaker 1: at least be insulting. Yesterday someone sent me a message 1965 01:40:23,640 --> 01:40:26,320 Speaker 1: that I did repost that said, my fiance and I 1966 01:40:26,400 --> 01:40:28,280 Speaker 1: have a bet on you. You know, it's only five 1967 01:40:28,360 --> 01:40:30,400 Speaker 1: years and you're gone. And all I could think was 1968 01:40:30,640 --> 01:40:34,080 Speaker 1: five years. That's a good run. That it really is. 1969 01:40:34,240 --> 01:40:40,400 Speaker 1: I hope you make it too. What a bit? I 1970 01:40:40,439 --> 01:40:46,120 Speaker 1: hate people? Now? All right, frog, you give me some 1971 01:40:46,160 --> 01:40:47,640 Speaker 1: food news. What do you got going? Here? We go? 1972 01:40:47,920 --> 01:40:50,759 Speaker 1: It is Halloween season, and that means there are deals 1973 01:40:50,800 --> 01:40:52,920 Speaker 1: to be had. You want to stop by Applebee's. They're 1974 01:40:52,960 --> 01:40:57,920 Speaker 1: doing their dollar Drink, Vampire Cocktail, Chili's pouring up their 1975 01:40:58,000 --> 01:41:03,439 Speaker 1: five dollar thing, hastic Rita's all month long, Dunkin Donuts, 1976 01:41:03,520 --> 01:41:07,000 Speaker 1: the Spider Donut back for Halloween, and form my Pizza lovers. 1977 01:41:07,240 --> 01:41:11,160 Speaker 1: Papa John celebrating with their jack O Lantern pizza. There 1978 01:41:11,200 --> 01:41:14,920 Speaker 1: are deals to be had all over the place for Halloween, 1979 01:41:15,920 --> 01:41:22,880 Speaker 1: free tacos. Who is this again? Pizza? That's pizza Papa John's. Oh, 1980 01:41:22,880 --> 01:41:24,240 Speaker 1: I don't know if I want to eat something that's 1981 01:41:24,240 --> 01:41:27,760 Speaker 1: called the jack O Lantern. It's all it's a large, 1982 01:41:27,840 --> 01:41:30,639 Speaker 1: thin crust pepperoni pie in the shape of a carved pumpkin. 1983 01:41:30,920 --> 01:41:32,599 Speaker 1: I'm not worried about what they what it is. It's 1984 01:41:32,640 --> 01:41:37,479 Speaker 1: what they call it anyway, like putting the term jacko Next, 1985 01:41:39,640 --> 01:41:44,160 Speaker 1: yeah you do, you have free tacos a taco bell 1986 01:41:44,520 --> 01:41:47,599 Speaker 1: on October thirtieth. We recently told you about the return 1987 01:41:47,680 --> 01:41:50,960 Speaker 1: of taco bells steal a base taco during the World Series, 1988 01:41:51,040 --> 01:41:53,559 Speaker 1: and we're letting you know that somebody has stolen the base, 1989 01:41:53,800 --> 01:42:00,519 Speaker 1: so everybody gets a free taco on oct been. Jerry's 1990 01:42:00,520 --> 01:42:03,880 Speaker 1: given away free ice cream on November first. They are 1991 01:42:03,960 --> 01:42:08,080 Speaker 1: doing their free scoop shops all over the country on Friday, 1992 01:42:08,200 --> 01:42:12,000 Speaker 1: November one. Call them not calling it jacko cream? Are they? No? 1993 01:42:12,200 --> 01:42:15,439 Speaker 1: You don't know? You don't want anything with that? And 1994 01:42:15,600 --> 01:42:18,120 Speaker 1: my favorite story of the day, Here we go the 1995 01:42:18,360 --> 01:42:22,679 Speaker 1: most sold and given Halloween candy in the United States. 1996 01:42:22,760 --> 01:42:25,160 Speaker 1: We have a countdown? Should we Oh? This is the countdown? 1997 01:42:25,200 --> 01:42:27,640 Speaker 1: Here we go, you're ready, all right? This is the 1998 01:42:28,120 --> 01:42:32,320 Speaker 1: Froggy Food News countdown. The most handed out candy on Halloween. 1999 01:42:32,400 --> 01:42:36,800 Speaker 1: Here we go, number number ten, a Hershey's number ten, Okay, 2000 01:42:36,960 --> 01:42:42,599 Speaker 1: number nine, Sour Patch Kids Tutsi pops are number eight, 2001 01:42:43,720 --> 01:42:49,160 Speaker 1: Hot Tamali's number seven, Candy Core number six, first, number 2002 01:42:49,200 --> 01:42:51,400 Speaker 1: five I can't keep up with these. Yeah, go ahead, 2003 01:42:51,880 --> 01:42:58,280 Speaker 1: Snickers at number four, Eminem's at number three, Reese's Cup 2004 01:42:58,360 --> 01:43:03,720 Speaker 1: said number two, and the number one Halloween candy is Skittles. 2005 01:43:07,600 --> 01:43:11,599 Speaker 1: Skittles are the most handed out. They say that there 2006 01:43:11,640 --> 01:43:15,519 Speaker 1: will be over twelve million bags of Skittles handed out 2007 01:43:15,560 --> 01:43:18,880 Speaker 1: at allow that's my brother's favor. Vote that we move 2008 01:43:19,000 --> 01:43:21,479 Speaker 1: kid Kat up to number one. I love kid Kat thing. 2009 01:43:21,640 --> 01:43:23,439 Speaker 1: They're not even on the top ten. Oh I know. 2010 01:43:23,600 --> 01:43:25,680 Speaker 1: Can we move them up to like number eight? And 2011 01:43:25,760 --> 01:43:29,000 Speaker 1: once again for a public service announcement, it is Reese's 2012 01:43:29,160 --> 01:43:35,840 Speaker 1: peanut buttercups, not Nate make calls it Rese's, which rhymes 2013 01:43:35,840 --> 01:43:38,320 Speaker 1: with feces, and it's not it's not good. No res 2014 01:43:38,360 --> 01:43:41,840 Speaker 1: a regional thing. I've always said Reseas, especially guy named Reese, 2015 01:43:41,920 --> 01:43:44,519 Speaker 1: and they're his, They're Reess whatever reason. I always used 2016 01:43:44,520 --> 01:43:46,479 Speaker 1: to say Reces until I came here too. Stop it. 2017 01:43:46,600 --> 01:43:50,600 Speaker 1: I'm sorry, Reeses. Thank you, Froggy, You're welcome. That was 2018 01:43:50,680 --> 01:44:03,320 Speaker 1: fabulous Froggy's news grub all right, into the three things 2019 01:44:03,400 --> 01:44:05,760 Speaker 1: we need to know from Gandhi. Do we trust her 2020 01:44:05,840 --> 01:44:08,040 Speaker 1: with the news? And when she used to say Reese's pecs. 2021 01:44:08,360 --> 01:44:09,840 Speaker 1: I don't know why you guys trust me with anything, 2022 01:44:09,880 --> 01:44:12,840 Speaker 1: to be honest with that said, what's going on today, Well, 2023 01:44:12,880 --> 01:44:16,160 Speaker 1: yesterday the House unanimously passed a bill preventing animal cruelty 2024 01:44:16,240 --> 01:44:18,840 Speaker 1: and torture. I love this. If passed by the Senate, 2025 01:44:18,920 --> 01:44:21,280 Speaker 1: it's going to outlaw and I cannot believe this stuff 2026 01:44:21,360 --> 01:44:26,280 Speaker 1: was not outlawed before. But purposeful crushing, burning, drowning, suffocation, implment, 2027 01:44:26,400 --> 01:44:29,320 Speaker 1: or other violence causing serious bodily injury to animals. Can 2028 01:44:29,360 --> 01:44:32,920 Speaker 1: you imagine anyone doing that? No? I cannot and I 2029 01:44:32,960 --> 01:44:35,200 Speaker 1: can't believe that it wasn't already in federal law, but 2030 01:44:35,360 --> 01:44:37,880 Speaker 1: it's waiting on the Senate now, so violations could result 2031 01:44:37,920 --> 01:44:40,040 Speaker 1: in a fine as well as up to seven years 2032 01:44:40,400 --> 01:44:43,920 Speaker 1: in prison. A chain of Japanese hotels now apologizing to 2033 01:44:44,000 --> 01:44:46,479 Speaker 1: their guests after they found out that the robots escorting 2034 01:44:46,520 --> 01:44:47,720 Speaker 1: you to your room and then hanging out for a 2035 01:44:47,800 --> 01:44:50,320 Speaker 1: little bit were very hackable. So pervs were hacking in 2036 01:44:50,439 --> 01:44:53,439 Speaker 1: and watching people in their hotel rooms all day, I 2037 01:44:53,560 --> 01:44:56,280 Speaker 1: know from the little creepy robots or why are pervs 2038 01:44:56,320 --> 01:44:58,479 Speaker 1: out there doing things like this? Fa They're bored and 2039 01:44:58,520 --> 01:45:00,439 Speaker 1: they have a lot of time so this tell chain 2040 01:45:00,560 --> 01:45:03,840 Speaker 1: is apologizing. And finally, Facebook says that they are getting 2041 01:45:03,880 --> 01:45:07,040 Speaker 1: serious about preventing false information from going viral on Instagram. 2042 01:45:07,120 --> 01:45:09,479 Speaker 1: So you may see some changes to your Instagram soon, 2043 01:45:09,920 --> 01:45:12,559 Speaker 1: meaning they're gonna blur out stories that their fact checkers 2044 01:45:12,600 --> 01:45:15,280 Speaker 1: find to be fake information. You'll still be able to 2045 01:45:15,360 --> 01:45:16,960 Speaker 1: view the story. You just have to push the little 2046 01:45:16,960 --> 01:45:18,760 Speaker 1: to the button that says I am aware that this 2047 01:45:18,880 --> 01:45:21,439 Speaker 1: is false information, and then you can proceed. Here you go, 2048 01:45:21,600 --> 01:45:23,560 Speaker 1: Thank you, gandhi welcome. By the way, Scary will be 2049 01:45:23,680 --> 01:45:27,800 Speaker 1: in Dayton at Land of Illusion tomorrow night with Channel nine. 2050 01:45:29,840 --> 01:45:36,519 Speaker 1: Oh god, he's all He's all your danow. So a 2051 01:45:36,600 --> 01:45:38,360 Speaker 1: lot of people like to bust out their hot sauce 2052 01:45:38,439 --> 01:45:40,880 Speaker 1: on Taco Tuesday. Not me. I busted out all the time. 2053 01:45:41,000 --> 01:45:43,680 Speaker 1: Cholula's original flavors showed me that I can use them 2054 01:45:43,720 --> 01:45:46,920 Speaker 1: on eggs burgers anything I want. They compliment any dish, 2055 01:45:47,000 --> 01:45:49,040 Speaker 1: So grab a bottle with a wooden cap. You won't 2056 01:45:49,080 --> 01:45:55,280 Speaker 1: be disappointed. Elvis, Elvis durand the Elvis durand phone tap. Yeah, 2057 01:45:55,680 --> 01:45:58,280 Speaker 1: we took a vote around the radio station yesterday and 2058 01:45:58,360 --> 01:46:00,640 Speaker 1: this is the maddest man we've ever had in the 2059 01:46:00,720 --> 01:46:04,320 Speaker 1: history of phone tap. The letter from Bartholom You the 2060 01:46:04,439 --> 01:46:11,360 Speaker 1: Third says, my dad, Bartholom You the Second goes nuts 2061 01:46:11,439 --> 01:46:14,080 Speaker 1: when it comes to money. Why don't we call him up? 2062 01:46:14,120 --> 01:46:15,760 Speaker 1: Say you're from a credit card company. Tell him I 2063 01:46:15,840 --> 01:46:19,000 Speaker 1: opened an account using his name and his social Security number, 2064 01:46:19,160 --> 01:46:21,760 Speaker 1: and now he owes the money I've spent. You know, 2065 01:46:21,960 --> 01:46:25,840 Speaker 1: that's just what a dad needs. Anyway. My dad can 2066 01:46:25,880 --> 01:46:28,160 Speaker 1: be very mean, so mean, I may have to move 2067 01:46:28,160 --> 01:46:31,000 Speaker 1: to another country. He's short tempered, he's crazy. He's a 2068 01:46:31,000 --> 01:46:35,720 Speaker 1: little Italian that looks like Danny DeVito. Dave Brody is 2069 01:46:35,760 --> 01:46:38,640 Speaker 1: calling Bartholome You Junior as the credit card company guy, 2070 01:46:38,720 --> 01:46:41,200 Speaker 1: and Barthollom You the Third is listening in on the 2071 01:46:41,280 --> 01:46:43,439 Speaker 1: other line, and we'll join in later. Let's listen to 2072 01:46:43,640 --> 01:46:50,559 Speaker 1: today's phone tap. Yeah, Hello, I'm looking for a Bartholomew Junior. 2073 01:46:51,880 --> 01:46:54,840 Speaker 1: This is David Palmer from Sam Card. Alright, I'm just 2074 01:46:54,920 --> 01:47:00,479 Speaker 1: calling to verify some charges on your new account account. 2075 01:47:00,840 --> 01:47:03,040 Speaker 1: Yes you do, that's what I'm calling, sir. No, I don't. 2076 01:47:03,240 --> 01:47:04,840 Speaker 1: The account was opened to Toys r US for eight 2077 01:47:04,920 --> 01:47:07,080 Speaker 1: hundred and ninety dollars and eighty cents. Are you out 2078 01:47:07,120 --> 01:47:09,400 Speaker 1: of your mind, No, sir, I'm reading the charges the 2079 01:47:09,520 --> 01:47:12,320 Speaker 1: Borgata Hotel two thousand, three hundred and seventy eight dollars 2080 01:47:12,680 --> 01:47:14,920 Speaker 1: on what you might have my son. It might be 2081 01:47:15,040 --> 01:47:17,800 Speaker 1: my son, I got a Kia a payment on a 2082 01:47:18,280 --> 01:47:21,200 Speaker 1: new car. Your balance is seven thousand, two hundred and 2083 01:47:21,200 --> 01:47:24,880 Speaker 1: eighty three. I don't have. I haven't done any of yet. 2084 01:47:24,920 --> 01:47:26,920 Speaker 1: Don't try to escape coating and penny pinch for me. 2085 01:47:27,040 --> 01:47:28,840 Speaker 1: Let me tell you somethbody. If you want to put 2086 01:47:28,920 --> 01:47:30,320 Speaker 1: me off, my way to call you up and then 2087 01:47:30,320 --> 01:47:32,439 Speaker 1: we'll settle us through that thing. Okay. My son has 2088 01:47:32,479 --> 01:47:35,439 Speaker 1: the same name as me, very original. Yeah, go ahead, listen. 2089 01:47:35,520 --> 01:47:37,320 Speaker 1: You want to be in. You want to listen when 2090 01:47:37,360 --> 01:47:39,040 Speaker 1: somebody's trying to tell you something. My son has the 2091 01:47:39,080 --> 01:47:41,680 Speaker 1: exact name is me, with a different birthday, okay, and 2092 01:47:41,840 --> 01:47:43,919 Speaker 1: he was at the Baggata and he has the coffee. 2093 01:47:44,280 --> 01:47:47,559 Speaker 1: Evidently they got the it's mixed up. Okay. I think 2094 01:47:47,560 --> 01:47:49,920 Speaker 1: you're mixed up because you're still a liable for the payments. 2095 01:47:50,160 --> 01:47:52,080 Speaker 1: I ain't liable for. You know what, you ain't going 2096 01:47:52,160 --> 01:47:53,599 Speaker 1: to get out of me, and it not effect give 2097 01:47:53,640 --> 01:47:55,799 Speaker 1: me your name. So when I sue sue your company, 2098 01:47:55,840 --> 01:47:57,880 Speaker 1: I could sue you too, you know, being such a 2099 01:47:58,360 --> 01:48:00,280 Speaker 1: on the phone. You sound very tough for a guy 2100 01:48:00,360 --> 01:48:03,479 Speaker 1: named Bartholome. You oh yeah, yeah, yeah, yea where you're 2101 01:48:03,479 --> 01:48:05,240 Speaker 1: not day that? Maybe I'll come down and speak to you. 2102 01:48:05,320 --> 01:48:07,799 Speaker 1: Since the face smart guy you're delink went on your account, 2103 01:48:07,800 --> 01:48:11,000 Speaker 1: so that's not my fault. Yeah, my delink they're gonna 2104 01:48:11,000 --> 01:48:13,400 Speaker 1: be delink went on your face. Well maybe we should 2105 01:48:13,400 --> 01:48:16,280 Speaker 1: repossess those, sir. Oh really? Yeah? What are you three? 2106 01:48:16,880 --> 01:48:19,120 Speaker 1: Little set stubby, little jerkiof who hasn't got late in 2107 01:48:19,160 --> 01:48:21,519 Speaker 1: twenty years. But we'd be screening out and sticking up you. 2108 01:48:22,120 --> 01:48:23,800 Speaker 1: Your lady must be pretty lucky to have a guy 2109 01:48:23,880 --> 01:48:26,080 Speaker 1: like you. See, I'm not married, jerkio If I'm probably 2110 01:48:26,120 --> 01:48:28,400 Speaker 1: not like you has an ugly wife. I was married 2111 01:48:28,479 --> 01:48:30,360 Speaker 1: and divorce, but it's not of your damn business. She 2112 01:48:30,439 --> 01:48:32,519 Speaker 1: didn't stay with you. Huh well I can't imagine why. 2113 01:48:32,520 --> 01:48:34,280 Speaker 1: All right, no she went leslie bro you know how 2114 01:48:34,360 --> 01:48:36,599 Speaker 1: it is? All right, Bartholome. You you were smart over 2115 01:48:36,680 --> 01:48:38,680 Speaker 1: the phone, aren't you? You think you're jerking around with 2116 01:48:39,680 --> 01:48:41,840 Speaker 1: you're not? Well, clearly you're a rocket scientist, so I 2117 01:48:41,920 --> 01:48:45,280 Speaker 1: can tell you a rocket side and what do you big, sir. 2118 01:48:45,479 --> 01:48:47,519 Speaker 1: I have an associate's degree. I went to college with 2119 01:48:47,600 --> 01:48:52,280 Speaker 1: two degree what assiology and more class in than you 2120 01:48:52,400 --> 01:48:54,320 Speaker 1: having your whole body. Well, if you have so much class, 2121 01:48:54,360 --> 01:48:56,760 Speaker 1: why are you driving a kiya? I don't drive with kiya. 2122 01:48:58,160 --> 01:49:00,560 Speaker 1: My son has the kya. I wouldn't to driving a 2123 01:49:00,640 --> 01:49:02,080 Speaker 1: key either, sir, But you don't have to lie to 2124 01:49:02,160 --> 01:49:04,080 Speaker 1: maids right here on your build. Why don't you bend 2125 01:49:04,080 --> 01:49:05,599 Speaker 1: your head on the wall a few times and listen 2126 01:49:05,640 --> 01:49:07,840 Speaker 1: to me. I don't own a key, I don't have 2127 01:49:08,000 --> 01:49:10,320 Speaker 1: a phone card. And when I get done with this case, 2128 01:49:10,600 --> 01:49:13,960 Speaker 1: I'm gonna sue. So you're gonna head for the next 2129 01:49:14,400 --> 01:49:18,040 Speaker 1: three years. Paw, here we go. You're there, Julia, I'm here. 2130 01:49:18,240 --> 01:49:20,960 Speaker 1: I can't stop listening. We're gonna call your father back 2131 01:49:21,000 --> 01:49:22,800 Speaker 1: and say I was on an a line with your 2132 01:49:22,840 --> 01:49:26,320 Speaker 1: tame card. You called. What's up? Yes, listen, now you're 2133 01:49:26,320 --> 01:49:29,679 Speaker 1: gonna keep calling back in my bad head me. But yeah, 2134 01:49:30,240 --> 01:49:32,519 Speaker 1: tell you something? Pow you you have to forgot it, 2135 01:49:32,560 --> 01:49:35,680 Speaker 1: whyn't you? Bat? Yeah? You signed myself security on the 2136 01:49:35,760 --> 01:49:38,479 Speaker 1: bat I said I made. I went to towards Rust 2137 01:49:38,520 --> 01:49:41,640 Speaker 1: to apply for a credit card that I'll pay the 2138 01:49:41,720 --> 01:49:43,720 Speaker 1: bill Dad, no problem, I put it in your name. 2139 01:49:43,880 --> 01:49:50,439 Speaker 1: That's a are you? I thought I could pay the 2140 01:49:50,520 --> 01:50:00,439 Speaker 1: bill my life. When is funny that thousand dollars anything? 2141 01:50:01,520 --> 01:50:06,559 Speaker 1: We have the same name after the blue name. I'm sorry, 2142 01:50:06,600 --> 01:50:11,639 Speaker 1: I'll pay you. Sorry, you dead, I'm going up. I'm 2143 01:50:11,640 --> 01:50:16,040 Speaker 1: gonna tell you before you were, I'll destroy your car, 2144 01:50:16,360 --> 01:50:19,600 Speaker 1: your scum bag. I just trying all my life to 2145 01:50:19,680 --> 01:50:22,679 Speaker 1: cheve my credit on it. You'll go me just trying 2146 01:50:22,680 --> 01:50:29,719 Speaker 1: to be all on my name. I'll pay that day said, 2147 01:50:29,760 --> 01:50:34,240 Speaker 1: I'm gonna tell you that's not name my name. I 2148 01:50:34,479 --> 01:50:39,599 Speaker 1: pick you, right, Dad? Listen, Dad, what till you're gonna 2149 01:50:39,640 --> 01:50:43,000 Speaker 1: right to his name, name to the gut of seven 2150 01:50:43,080 --> 01:50:48,559 Speaker 1: thousand dollars the king, to some kind bag you know? Yeah, 2151 01:50:49,600 --> 01:50:52,679 Speaker 1: my credit your stum bag. I'm gonna kill you. I'm 2152 01:50:52,720 --> 01:50:57,720 Speaker 1: gonna flee till me. I'm gonna kill you. And you see, 2153 01:50:58,439 --> 01:51:01,880 Speaker 1: I'm gonna destroy you. You better run out of the country. Bros. 2154 01:51:02,200 --> 01:51:05,800 Speaker 1: Hold on. The credit card company's chiming in dead. Hello, Hello, 2155 01:51:06,520 --> 01:51:12,120 Speaker 1: big Bartholome you Yeah, hi, I'm just calling to verify 2156 01:51:12,240 --> 01:51:14,639 Speaker 1: the conversation we had before. Yeah, it's not my credit 2157 01:51:14,680 --> 01:51:16,639 Speaker 1: card's for my dad. You tell them the room. It's 2158 01:51:16,680 --> 01:51:19,600 Speaker 1: mine back, yes, yours, it's not mine. Hadn't open it? 2159 01:51:20,360 --> 01:51:23,200 Speaker 1: You did you You're dead. I'm coming down to your 2160 01:51:23,200 --> 01:51:25,519 Speaker 1: work now. You dead? Hey, Dad, is someone I need 2161 01:51:25,600 --> 01:51:29,000 Speaker 1: to tell you shame the next time you tell him 2162 01:51:29,000 --> 01:51:32,360 Speaker 1: to me, tell him to me. You know you did right. 2163 01:51:32,720 --> 01:51:34,760 Speaker 1: You will not live to see your next part. Day 2164 01:51:35,520 --> 01:51:41,599 Speaker 1: I will because this was his phone tap. Peter suck Dad, 2165 01:51:42,080 --> 01:51:44,160 Speaker 1: your son's ride. This is Day Brody from Elvin Strand 2166 01:51:44,160 --> 01:51:47,000 Speaker 1: in the Morning Show. And you have been phone tapped. Yeah, yeah, yeah, 2167 01:51:47,200 --> 01:51:55,880 Speaker 1: and you sucked too, Dad. I love you. Pap have 2168 01:51:56,000 --> 01:51:58,160 Speaker 1: an idea for a phone tab Go to all lestrean 2169 01:51:58,280 --> 01:52:00,439 Speaker 1: dot com, click on the phone tap tap, tell us 2170 01:52:00,479 --> 01:52:04,040 Speaker 1: what you want to do. Was prerecorded with permission granted 2171 01:52:04,080 --> 01:52:09,360 Speaker 1: by all participations. Ellie Sturran phone ta on Ellie Durand 2172 01:52:09,400 --> 01:52:15,760 Speaker 1: in the Morning Show. My Danielle, Oh, you gotta get 2173 01:52:15,800 --> 01:52:19,280 Speaker 1: your microphone, Mike. Mike is a very limp. You gotta 2174 01:52:19,320 --> 01:52:22,200 Speaker 1: rub some appointment on that. Hey, before you do your report, 2175 01:52:22,280 --> 01:52:25,320 Speaker 1: people are asking how your dad's doing. So thankfully yesterday 2176 01:52:25,439 --> 01:52:28,840 Speaker 1: he had an MRI and it showed no brain damage. Yeah, 2177 01:52:29,160 --> 01:52:31,640 Speaker 1: thank goodness for that. And so it's going to be 2178 01:52:31,720 --> 01:52:33,720 Speaker 1: a very slow process. There are other things they have 2179 01:52:33,800 --> 01:52:36,040 Speaker 1: to test for, figure out what happened, blah blah blah. 2180 01:52:36,160 --> 01:52:39,559 Speaker 1: But my mom just called and she said that when 2181 01:52:39,680 --> 01:52:43,160 Speaker 1: the nurse David asked him to open his eyes this morning, 2182 01:52:43,240 --> 01:52:46,519 Speaker 1: for the first time, he opened them on command. Yeah, 2183 01:52:46,840 --> 01:52:50,840 Speaker 1: that is the first time your dad's done something people 2184 01:52:50,880 --> 01:52:53,000 Speaker 1: told him to do. My mom will tell you she 2185 01:52:53,160 --> 01:52:56,360 Speaker 1: he never listens, so you know what, one step at 2186 01:52:56,400 --> 01:52:58,840 Speaker 1: a time. So yeah, so it's little steps, but it's 2187 01:52:58,920 --> 01:53:00,920 Speaker 1: you know, yesterday was the first time that I actually 2188 01:53:01,000 --> 01:53:04,599 Speaker 1: felt like, okay, there could be light. There could be lighted. 2189 01:53:04,720 --> 01:53:07,080 Speaker 1: End of this tune. All right, Well, long process on 2190 01:53:07,160 --> 01:53:09,519 Speaker 1: the way, but we're here for you, okay. People, people 2191 01:53:09,560 --> 01:53:12,120 Speaker 1: are on your side. They want you and your family 2192 01:53:12,200 --> 01:53:13,760 Speaker 1: to know that they're thinking about Thanks for all the 2193 01:53:13,800 --> 01:53:15,560 Speaker 1: good prayers, all right, Danielle, what are you guys going on? 2194 01:53:15,680 --> 01:53:18,040 Speaker 1: All right? So Selena Gomez, you know, released her song 2195 01:53:18,240 --> 01:53:21,719 Speaker 1: Lose You to Love Me yesterday. Everybody thinks it's about 2196 01:53:21,720 --> 01:53:25,920 Speaker 1: her relationship with Bibes. So Justin's wife, Haley Biber, posted 2197 01:53:25,960 --> 01:53:28,560 Speaker 1: a song to her Instagram called I'll Kill You Saw it, 2198 01:53:28,640 --> 01:53:31,320 Speaker 1: I saw it all, But she says it's not a 2199 01:53:31,400 --> 01:53:35,599 Speaker 1: response to Selena, so I don't know. So now Selena 2200 01:53:35,680 --> 01:53:39,400 Speaker 1: has spoken up and she's kind of defending Haley. She 2201 01:53:39,640 --> 01:53:41,640 Speaker 1: was on her Instagram live and she said, I'm so 2202 01:53:41,800 --> 01:53:44,360 Speaker 1: grateful for the response to this song. However, I will 2203 01:53:44,400 --> 01:53:47,360 Speaker 1: never stand for women tearing other women down. So please everyone, 2204 01:53:47,520 --> 01:53:51,000 Speaker 1: please be kind. Uh. Tea Paint canceled his upcoming tour. 2205 01:53:51,439 --> 01:53:54,600 Speaker 1: He fully admitted, Hey, ticket sales sucked. There you go. 2206 01:53:54,880 --> 01:53:57,120 Speaker 1: I love him from then he said, anytime an artist 2207 01:53:57,200 --> 01:53:59,400 Speaker 1: does this, they cancel, it's because of low ticket sales. 2208 01:53:59,439 --> 01:54:01,439 Speaker 1: He goes, So whatever for bus Lie, they're telling you, 2209 01:54:01,600 --> 01:54:03,679 Speaker 1: that's not what if you always have all the excuses 2210 01:54:03,720 --> 01:54:06,479 Speaker 1: and we always know when taking turn sell the Sorry 2211 01:54:06,479 --> 01:54:10,000 Speaker 1: about that and that's it. We'll use it. Can I 2212 01:54:10,040 --> 01:54:11,960 Speaker 1: do one more? One more? All right? So if you 2213 01:54:12,080 --> 01:54:15,439 Speaker 1: Heffner's ex girlfriends, Holly and Bridget are conducting a seance 2214 01:54:15,560 --> 01:54:18,479 Speaker 1: night before Halloween and they're actually hoping to contact heff 2215 01:54:18,680 --> 01:54:21,240 Speaker 1: I would love to talk to him, all right, Thank 2216 01:54:21,240 --> 01:54:26,640 Speaker 1: you God? What is it with these people? Elvis in 2217 01:54:26,680 --> 01:54:29,400 Speaker 1: the Morning Show? You learn a lot when you listen, 2218 01:54:29,640 --> 01:54:34,240 Speaker 1: especially with audible best selling audio books on parenting, money, spirituality. 2219 01:54:34,320 --> 01:54:37,240 Speaker 1: You name it, listen and learn something new. Start a 2220 01:54:37,360 --> 01:54:40,600 Speaker 1: free thirty day Audible trial, and your first audiobook is 2221 01:54:40,680 --> 01:54:44,200 Speaker 1: absolutely free. Visit audible dot com, slash Elvis