1 00:00:01,520 --> 00:00:05,560 Speaker 1: This is your week of Hallau Breakfast Club to show 2 00:00:05,600 --> 00:00:08,200 Speaker 1: you love to hate from the East to the West Coast, 3 00:00:08,320 --> 00:00:12,479 Speaker 1: dj En Vangeli, ye Cholomagne, The Rulers show on the Planet. 4 00:00:12,520 --> 00:00:14,480 Speaker 1: This is who I respect this show because this is 5 00:00:14,680 --> 00:00:17,160 Speaker 1: a voice of society, change in the game. Guys are 6 00:00:17,360 --> 00:00:21,479 Speaker 1: the coveted morning show. But y'all earn impacting the culture. 7 00:00:21,640 --> 00:00:23,720 Speaker 1: Wake up in the morning and the day. Want to 8 00:00:23,760 --> 00:00:39,760 Speaker 1: hear that Breakfast the World's most dangerous morning show. Good 9 00:00:39,840 --> 00:00:42,239 Speaker 1: Morning Usa, yo ya ya ya ya yo ya ya 10 00:00:42,320 --> 00:00:43,800 Speaker 1: ya yo yo yo yo yo yo yo yo yo 11 00:00:43,880 --> 00:00:45,519 Speaker 1: yo yo yo yo yo yo yo yo yo yo 12 00:00:45,600 --> 00:00:47,600 Speaker 1: yo yo yo yo yo yo yo yo yo yo. 13 00:00:47,880 --> 00:00:52,280 Speaker 1: Good morning manually yea good money used the planet. Guess 14 00:00:52,400 --> 00:01:00,560 Speaker 1: what day it is? Guess what day it is? Good morning, 15 00:01:01,200 --> 00:01:03,240 Speaker 1: what's happening now? I had a great night last night. 16 00:01:03,320 --> 00:01:06,760 Speaker 1: I hosted the premiere of that show Atlanta that's coming 17 00:01:06,800 --> 00:01:09,960 Speaker 1: on FX that Donald Glover created and Childish Scam being on. 18 00:01:10,280 --> 00:01:12,679 Speaker 1: I've seen the promo for that. It looks really really fruity. 19 00:01:12,720 --> 00:01:15,000 Speaker 1: They all standing there with peaches and the out Yes 20 00:01:15,120 --> 00:01:18,440 Speaker 1: they are, because obviously Georgia Peach. You know, it's a 21 00:01:18,760 --> 00:01:21,080 Speaker 1: hilarious show, though. I think you guys are really enjoy it. 22 00:01:21,240 --> 00:01:23,959 Speaker 1: I actually watched the episodes at home just to get 23 00:01:24,000 --> 00:01:25,920 Speaker 1: ready for the Q and A, and then I watched 24 00:01:25,959 --> 00:01:29,600 Speaker 1: the two first two episodes. Again hilarious the audience and 25 00:01:29,720 --> 00:01:32,080 Speaker 1: loved it. Great reaction. But you know, I think it's 26 00:01:32,120 --> 00:01:35,200 Speaker 1: a great show. They said it was semi autobiographical, but 27 00:01:35,280 --> 00:01:37,920 Speaker 1: that's not true because I was, like to Donald Glover 28 00:01:38,440 --> 00:01:40,720 Speaker 1: on the show. He plays this guy Ernest, and he 29 00:01:40,840 --> 00:01:43,760 Speaker 1: wants to go manage his cousin who's a rapper paperboy. Okay, 30 00:01:44,200 --> 00:01:45,960 Speaker 1: that never. I don't think he ever really did that 31 00:01:46,040 --> 00:01:48,440 Speaker 1: in real life. But I did Donald Glover smell last night. 32 00:01:48,920 --> 00:01:51,160 Speaker 1: He smelled great. He actually had on a nice looking suit. 33 00:01:51,400 --> 00:01:55,160 Speaker 1: He every okay good. I told y'all, most creative types 34 00:01:55,200 --> 00:01:57,400 Speaker 1: don't wash, and Donald Glover is one of those. But 35 00:01:58,280 --> 00:02:00,360 Speaker 1: last night. The show starts September six, so I'll be 36 00:02:00,440 --> 00:02:02,200 Speaker 1: watching it now. I want to tell you what else 37 00:02:02,280 --> 00:02:05,600 Speaker 1: I did last night. You're gonna be so jealous. Charlotagne's 38 00:02:05,600 --> 00:02:08,600 Speaker 1: gonna be jealous. Guess who I saw last night. Serena 39 00:02:08,639 --> 00:02:11,639 Speaker 1: Williams really in Brooklyn dropped on a clues bons with 40 00:02:11,680 --> 00:02:15,480 Speaker 1: Serena Williams and Brooklyn and she, Oh my god, and 41 00:02:15,520 --> 00:02:18,560 Speaker 1: I see now you're talking about a whole packager dived chocolate. 42 00:02:18,639 --> 00:02:22,200 Speaker 1: That's just incredible. But what are they doing eating? We 43 00:02:22,280 --> 00:02:25,720 Speaker 1: were all at the same place eating them. I did not. 44 00:02:27,280 --> 00:02:29,679 Speaker 1: I'm sure I never met Serena. She's still aware. But 45 00:02:30,120 --> 00:02:31,720 Speaker 1: but before I was married, I had a list of 46 00:02:31,760 --> 00:02:33,520 Speaker 1: women who I would suck a fart out of there. 47 00:02:33,560 --> 00:02:38,040 Speaker 1: But in Serena, Kelly Rowland, Patti LaBelle Um, Jennifer Lopez, 48 00:02:38,120 --> 00:02:40,400 Speaker 1: and Stacy Dash on that list. That list has since 49 00:02:40,480 --> 00:02:43,040 Speaker 1: been modified because I'm married. Stacy Dash is no longer 50 00:02:43,120 --> 00:02:45,280 Speaker 1: on it. But it looks like they were having a 51 00:02:45,360 --> 00:02:48,280 Speaker 1: nice girls night out. There was about seven of them 52 00:02:48,440 --> 00:02:51,320 Speaker 1: all together. And I guess Serena's been in Brooklyn for 53 00:02:51,400 --> 00:02:54,799 Speaker 1: the past few days working on something. So Oh, God, 54 00:02:54,840 --> 00:02:57,520 Speaker 1: bless Serena Williams and Kelly Roland, God bless all that. Melanie. 55 00:02:57,680 --> 00:02:59,600 Speaker 1: Why you close your eyes? You really want God to 56 00:02:59,639 --> 00:03:02,040 Speaker 1: bless her? Yes? I do. Why Why can't I send 57 00:03:02,120 --> 00:03:05,560 Speaker 1: some sire blessing beautiful black women? Chealomie will talk all 58 00:03:05,600 --> 00:03:07,280 Speaker 1: of that ish, But if he saw them and he 59 00:03:07,440 --> 00:03:09,320 Speaker 1: was there, just like that time, We ran into Eva 60 00:03:09,400 --> 00:03:12,240 Speaker 1: Marsal We were at a restaurant and she said, hey, 61 00:03:12,320 --> 00:03:15,519 Speaker 1: I'm a big fan, and he got all nervous, said, 62 00:03:15,520 --> 00:03:20,000 Speaker 1: I situation, What issue am I talking about? Saying God 63 00:03:20,080 --> 00:03:23,239 Speaker 1: bless You would think that if he saw he would 64 00:03:23,320 --> 00:03:25,520 Speaker 1: run up to Oh, you know, I love you, Serena, 65 00:03:25,600 --> 00:03:29,520 Speaker 1: but he would get nervous. I've never got nervous around 66 00:03:29,560 --> 00:03:33,040 Speaker 1: Kelly Roland. Kelly Rowland, but you never met Serena. He 67 00:03:33,160 --> 00:03:36,160 Speaker 1: only got nervous in front of Eva and getting nervous 68 00:03:36,320 --> 00:03:38,840 Speaker 1: from you. Didn't get nervous in front the print. You know, 69 00:03:38,960 --> 00:03:43,160 Speaker 1: you say, you say something awkward, and you're like, why 70 00:03:43,240 --> 00:03:45,120 Speaker 1: did I say that? I don't like y'all putting even 71 00:03:45,200 --> 00:03:47,120 Speaker 1: princes in the same sentence, like they're on the same 72 00:03:47,200 --> 00:03:50,800 Speaker 1: caliber human at all. No, okay close, But you got 73 00:03:50,880 --> 00:03:53,720 Speaker 1: nervous when you see him. I didn't get nervous. I 74 00:03:54,320 --> 00:03:57,040 Speaker 1: just didn't know what to say. Hello. I did say that, 75 00:03:57,120 --> 00:03:59,160 Speaker 1: but then I said, I grew up Jehovah's witness too, 76 00:03:59,400 --> 00:04:02,440 Speaker 1: just like him. That was And he said, and he said, well, 77 00:04:02,480 --> 00:04:04,280 Speaker 1: we need to discuss that one day. And then what 78 00:04:04,320 --> 00:04:05,520 Speaker 1: are you supposed to do with a man? And just 79 00:04:05,600 --> 00:04:07,600 Speaker 1: floating in front of you. You're not supposed to get 80 00:04:07,640 --> 00:04:10,000 Speaker 1: nervous when you see a man float. You're not gonna 81 00:04:10,040 --> 00:04:12,200 Speaker 1: get nervous to say, how are you floating? Yeah? I should, 82 00:04:12,240 --> 00:04:15,160 Speaker 1: That's what I shout, how are you floating? I couldn't 83 00:04:15,160 --> 00:04:16,880 Speaker 1: speak in front of Prince. We know. It's almost like 84 00:04:16,880 --> 00:04:18,920 Speaker 1: all your signals get shut off, you know, like you're 85 00:04:18,960 --> 00:04:21,160 Speaker 1: not when you like your phones around certain things. Just 86 00:04:21,360 --> 00:04:23,520 Speaker 1: call a field, it just shuts off. That's what Prince 87 00:04:23,600 --> 00:04:25,640 Speaker 1: does the people. I just got another note in my 88 00:04:25,760 --> 00:04:29,479 Speaker 1: laptop now. Yesterday I got a note left by Tory Lanes. Today, 89 00:04:29,520 --> 00:04:32,360 Speaker 1: now there's another note. When I opened it. This one says, 90 00:04:32,600 --> 00:04:36,760 Speaker 1: what's that bitch? Love you? That must be from Remy Martin? 91 00:04:36,960 --> 00:04:40,720 Speaker 1: Are Young? Definitely Remy mar or seven because Remmy was 92 00:04:40,760 --> 00:04:45,360 Speaker 1: here seven a ready seven. Speaking of Tory Lanes, he'll 93 00:04:45,400 --> 00:04:47,240 Speaker 1: be here today. Yeah, Tory Lanes will be joining us 94 00:04:47,360 --> 00:04:49,400 Speaker 1: this morning. Been listening to his album in the past 95 00:04:49,440 --> 00:04:51,640 Speaker 1: couple of days, don't you think so far? I think 96 00:04:51,680 --> 00:04:53,360 Speaker 1: it's good, but he needs to develop his own sign. 97 00:04:53,480 --> 00:04:56,039 Speaker 1: It sounds like everybody else, sounds like about three different people. 98 00:04:56,200 --> 00:04:57,640 Speaker 1: Part of it is because he probably writes for those 99 00:04:57,680 --> 00:05:00,280 Speaker 1: three different people maybe saying that they might sound like 100 00:05:00,320 --> 00:05:01,960 Speaker 1: him because he probably wrote a lot of songs for him. 101 00:05:02,200 --> 00:05:04,640 Speaker 1: Possibly that happened with Travis Scott. When I heard Travis 102 00:05:04,680 --> 00:05:06,160 Speaker 1: Scott album, I'm like, damn, I feel like I heard 103 00:05:06,200 --> 00:05:07,840 Speaker 1: all this before. But it conse trivised me writing for 104 00:05:07,880 --> 00:05:10,080 Speaker 1: so many people. But we know, we'll talk to the 105 00:05:10,160 --> 00:05:12,440 Speaker 1: young Tory about it. Okay, front page knows what we're 106 00:05:12,440 --> 00:05:14,400 Speaker 1: talking about next year. Well, it used to be that 107 00:05:14,520 --> 00:05:18,400 Speaker 1: cigarettes was what people use in prison as currency. Guess 108 00:05:18,440 --> 00:05:22,279 Speaker 1: what people are using something else for an orfiic station 109 00:05:22,400 --> 00:05:27,160 Speaker 1: properly right, we'll get into it when we come back. 110 00:05:27,240 --> 00:05:31,559 Speaker 1: Keep a lot of test to Breakfast club. Good morning morning. 111 00:05:31,600 --> 00:05:35,240 Speaker 1: Everybody is DJ mzy angela Ye, Charlemagne and God we 112 00:05:35,320 --> 00:05:37,760 Speaker 1: are the Breakfast Club. They don't forget. Next our Tory 113 00:05:37,920 --> 00:05:40,520 Speaker 1: Lanes will be joining us. Now let's get to some 114 00:05:40,640 --> 00:05:44,880 Speaker 1: front Page news. Now, what is the new currency in prison? Ye? Oh, well, 115 00:05:44,920 --> 00:05:46,840 Speaker 1: you know, it used to be that cigarettes was what 116 00:05:47,040 --> 00:05:51,880 Speaker 1: prisoners would use kind of as currency. Now prisoners are 117 00:05:52,080 --> 00:05:56,360 Speaker 1: using ramen noodles. They're saying that is actually higher on 118 00:05:56,480 --> 00:05:59,920 Speaker 1: the list currency in prison than I been going down 119 00:06:00,560 --> 00:06:03,279 Speaker 1: more than cigarettes though. Well, they actually did a study 120 00:06:03,440 --> 00:06:06,600 Speaker 1: in male state prisons with more than five thousand inmates, 121 00:06:06,640 --> 00:06:09,839 Speaker 1: and one surprising finding was the role of ramen noodles. Now, 122 00:06:09,960 --> 00:06:12,159 Speaker 1: part of the reason is that more than a decade ago, 123 00:06:12,240 --> 00:06:14,680 Speaker 1: prisoners no longer were served three hot meals a day 124 00:06:15,240 --> 00:06:17,280 Speaker 1: because now they got their second mail change to a 125 00:06:17,360 --> 00:06:19,640 Speaker 1: cold sandwich and a bag of chips, and lunch was 126 00:06:19,680 --> 00:06:22,520 Speaker 1: eliminated from weekend menus all together. They also have small 127 00:06:22,560 --> 00:06:25,440 Speaker 1: apportion sizes, so you can imagine for a lot of 128 00:06:25,480 --> 00:06:28,200 Speaker 1: people they need to get some more food some way, somehow. 129 00:06:28,720 --> 00:06:31,160 Speaker 1: So now because ramen noodles don't cost a lot and 130 00:06:31,160 --> 00:06:33,599 Speaker 1: they have a long shelf life, that's why people are 131 00:06:33,720 --> 00:06:36,320 Speaker 1: using ramen noodles. Could it also because prisoners are getting 132 00:06:36,360 --> 00:06:39,400 Speaker 1: healthier and they know that cigarettes aren't healthy. I don't 133 00:06:39,400 --> 00:06:41,320 Speaker 1: know that ramen noodles. That could be part of it though, too, 134 00:06:41,320 --> 00:06:43,080 Speaker 1: because people that are maybe not smoking or they're getting 135 00:06:43,080 --> 00:06:44,560 Speaker 1: in trouble for smoking as well. But I don't know 136 00:06:44,640 --> 00:06:46,840 Speaker 1: that ramen noodles are really that healthy either. They have 137 00:06:46,880 --> 00:06:49,279 Speaker 1: a lot of sodium in them. A lot of us 138 00:06:49,320 --> 00:06:51,240 Speaker 1: were raised off ramen noodles. Okay, so a lot of 139 00:06:51,279 --> 00:06:53,479 Speaker 1: healthy individuals out here in these streets because of ramen noodles. 140 00:06:53,560 --> 00:06:55,120 Speaker 1: Trust me, I ate a lot of those when I 141 00:06:55,240 --> 00:06:57,400 Speaker 1: was in college. But they really aren't that good for you, 142 00:06:58,200 --> 00:07:00,520 Speaker 1: all right, So they said that the our side of 143 00:07:00,600 --> 00:07:02,800 Speaker 1: ramen noodles is inmates who don't pay up. I'm sure 144 00:07:02,800 --> 00:07:04,920 Speaker 1: you ate a lot of stuff in raped over some 145 00:07:05,040 --> 00:07:06,800 Speaker 1: ramen noodles. No, I don't want to imagine that some 146 00:07:06,920 --> 00:07:10,640 Speaker 1: of them actually have had to enter protective custody to 147 00:07:10,840 --> 00:07:14,840 Speaker 1: escape debts. Will get your butt taken over some ramen noodles. 148 00:07:15,200 --> 00:07:16,920 Speaker 1: You've promised me some ramen noodles. You don't meat some 149 00:07:16,960 --> 00:07:18,560 Speaker 1: ramen noodles. Give it up or give up the button? 150 00:07:18,640 --> 00:07:23,040 Speaker 1: And okay, now let's talk about cheese. Well, the federal 151 00:07:23,120 --> 00:07:25,400 Speaker 1: government is announcing a plan. They're gonna buy it, literally 152 00:07:25,480 --> 00:07:27,640 Speaker 1: all of the extra cheese, which is about eleven million 153 00:07:27,720 --> 00:07:31,080 Speaker 1: pounds of cheese cheese. Now that cheese is going to 154 00:07:31,120 --> 00:07:33,880 Speaker 1: be given to food banks and charity groups to provide 155 00:07:33,920 --> 00:07:36,840 Speaker 1: the families in need across the country. So they're saying 156 00:07:36,880 --> 00:07:39,640 Speaker 1: that extra cheese is valued at twenty million dollars. Now, 157 00:07:40,600 --> 00:07:43,920 Speaker 1: cheese is definitely something growing up. Cheese. You could get 158 00:07:43,960 --> 00:07:46,880 Speaker 1: a big, huge block of cheese and then have to 159 00:07:46,920 --> 00:07:49,240 Speaker 1: cut it yourself. I would eat cheese at all, really, 160 00:07:49,320 --> 00:07:51,560 Speaker 1: no more like I've been cut out cheese only because 161 00:07:51,680 --> 00:07:53,840 Speaker 1: cheese really binds me up, like I like for my 162 00:07:53,880 --> 00:07:56,000 Speaker 1: bows the movies, and the cheese doesn't allow that. Now. 163 00:07:56,040 --> 00:07:57,840 Speaker 1: I had an argument about this the other day about 164 00:07:57,880 --> 00:07:59,320 Speaker 1: whether or not cheese is good for you, because one 165 00:07:59,360 --> 00:08:01,280 Speaker 1: of my friends and to say cheese is great for you, 166 00:08:01,680 --> 00:08:03,640 Speaker 1: and I was saying what you can get like calcium 167 00:08:03,720 --> 00:08:05,920 Speaker 1: and things like that in other places. I don't cheese 168 00:08:06,000 --> 00:08:08,720 Speaker 1: taste great. I used to think I needed cheese on everything. 169 00:08:08,760 --> 00:08:11,400 Speaker 1: I love cheese on my hamburgers, cheese on my pizza, 170 00:08:11,480 --> 00:08:13,200 Speaker 1: but I don't really eat that. Like I can't really 171 00:08:13,240 --> 00:08:15,559 Speaker 1: even eat a turkey burger without cheese on it. Pizza 172 00:08:17,360 --> 00:08:21,400 Speaker 1: I used to loveday, I listen, I love some cheese, 173 00:08:21,480 --> 00:08:24,120 Speaker 1: but I definitely understand that it's I don't. I don't 174 00:08:24,160 --> 00:08:26,240 Speaker 1: know the value of cheese. Some people say it's good 175 00:08:26,280 --> 00:08:28,960 Speaker 1: for you, and I've always looked at it as it's not. 176 00:08:29,080 --> 00:08:31,680 Speaker 1: Really cheese is great. I need easy path bows, man. 177 00:08:31,720 --> 00:08:33,440 Speaker 1: I can't be eating no cheese and then be sitting 178 00:08:33,440 --> 00:08:36,240 Speaker 1: on the toilet for you know, minutes on it like 179 00:08:36,320 --> 00:08:38,800 Speaker 1: macaroni and cheese, and then my left leg always be 180 00:08:38,880 --> 00:08:41,719 Speaker 1: going to sleep. Cheese. Now, now I will do some 181 00:08:41,800 --> 00:08:44,280 Speaker 1: mac and cheese with some you're making foods don't. But 182 00:08:44,360 --> 00:08:46,959 Speaker 1: that's probably the only time I really dodd with some 183 00:08:47,320 --> 00:08:49,520 Speaker 1: some baked ziti with some matza relli cheese on it. 184 00:08:49,679 --> 00:08:52,040 Speaker 1: That's too rich. And I can't really eat eggs without cheese. 185 00:08:52,240 --> 00:08:56,920 Speaker 1: I gotta have a little cheese and leggs cheese, cheese. 186 00:08:57,040 --> 00:08:59,559 Speaker 1: And there's nothing like a good old fashioned grilled cheese sailing. 187 00:09:00,000 --> 00:09:01,199 Speaker 1: I go to Chick fil A, I'm getting me in 188 00:09:01,200 --> 00:09:04,000 Speaker 1: a number one with cheese now, But those occasions are rare. 189 00:09:04,040 --> 00:09:07,080 Speaker 1: And and so you like cheese? No, I don't like cheese, 190 00:09:07,679 --> 00:09:10,360 Speaker 1: he said, it's all like cheese. I do. I do 191 00:09:10,480 --> 00:09:13,199 Speaker 1: enjoy cheese. I like cheese. And why do the kids 192 00:09:13,280 --> 00:09:15,320 Speaker 1: run around saying cheese? I don't know. It's a new thing, 193 00:09:15,360 --> 00:09:18,680 Speaker 1: and I don't know. It's not a new thing. Stupid, 194 00:09:19,960 --> 00:09:23,160 Speaker 1: it's not when they take pictures. Wow, did you hear 195 00:09:23,200 --> 00:09:25,319 Speaker 1: what he said? Did you hear that? I didn't hit it? 196 00:09:25,360 --> 00:09:26,880 Speaker 1: I'm act like I didn't hear that. Not when they 197 00:09:27,000 --> 00:09:29,000 Speaker 1: take Have you ever heard somebody say good morning in 198 00:09:29,080 --> 00:09:30,640 Speaker 1: the morning. That's the new thing too. It's just thing 199 00:09:30,679 --> 00:09:32,360 Speaker 1: and say they say good and then they say morning 200 00:09:32,360 --> 00:09:35,360 Speaker 1: after you. Why do people put cheese in the mouth? Check? 201 00:09:35,440 --> 00:09:38,240 Speaker 1: Where were you raised that people were number saying cheese 202 00:09:38,559 --> 00:09:41,160 Speaker 1: when they took pictures, not when they're taking pictures. It's 203 00:09:41,160 --> 00:09:43,160 Speaker 1: a new thing that they run around and they'll run 204 00:09:43,240 --> 00:09:45,360 Speaker 1: up to people and just go cheese. It's just you know, 205 00:09:45,440 --> 00:09:47,440 Speaker 1: what does that? You guys are old, all right, yes 206 00:09:47,520 --> 00:09:49,400 Speaker 1: we are, and so you and you need to start 207 00:09:49,440 --> 00:09:54,320 Speaker 1: acting like you say random? Why kids say cheese? Says 208 00:09:54,320 --> 00:09:56,280 Speaker 1: it's a camera in their face and take the other day, 209 00:09:56,280 --> 00:09:58,240 Speaker 1: I went to a fast food wrestler. My daughter and 210 00:09:58,320 --> 00:10:00,160 Speaker 1: her friend ordered food and it was so fun Even 211 00:10:00,200 --> 00:10:01,520 Speaker 1: when she got to the thing, it was like cheese. 212 00:10:01,559 --> 00:10:04,600 Speaker 1: I didn't know what's so funny as maybe they ordered 213 00:10:04,600 --> 00:10:07,240 Speaker 1: the burglar with cheese, Chick fil a sandwich with cheese. 214 00:10:07,280 --> 00:10:09,319 Speaker 1: Maybe maybe they want to cheese on their pizza. You 215 00:10:09,440 --> 00:10:12,440 Speaker 1: want the restaurant food. Actually they ordered nuggets and they 216 00:10:12,440 --> 00:10:14,040 Speaker 1: didn't want cheese on it. It was funny to them, 217 00:10:14,080 --> 00:10:15,240 Speaker 1: and I act like I knew what it was they 218 00:10:15,280 --> 00:10:17,559 Speaker 1: were talking about, and I laughed. That's when you know 219 00:10:18,040 --> 00:10:19,360 Speaker 1: that's when you know you didn't know, when you start 220 00:10:19,440 --> 00:10:21,280 Speaker 1: acting like you know what's going on with the young 221 00:10:21,360 --> 00:10:23,240 Speaker 1: kids instead of just asking, why do y'all think chee? 222 00:10:23,360 --> 00:10:25,199 Speaker 1: I asked, y'all. I told y'all, why would I know? 223 00:10:25,559 --> 00:10:27,880 Speaker 1: I'm old? I know, matter of fact, I'm taking a picture. 224 00:10:27,920 --> 00:10:33,760 Speaker 1: You cheese? All right? Why do people say? What's up? All? 225 00:10:33,800 --> 00:10:39,959 Speaker 1: Right now? F y'all closing break? Y'allself? Tell them why 226 00:10:39,960 --> 00:10:42,520 Speaker 1: your man eight hundred five eighty five one on five one. 227 00:10:42,600 --> 00:10:46,079 Speaker 1: Maybe you work with two jerks? Whatever, y'all setting cheese? 228 00:10:46,200 --> 00:10:48,679 Speaker 1: Call us up right now? Eight five eighty five one 229 00:10:48,720 --> 00:10:50,320 Speaker 1: on five one. There's the reason why they go cheese? 230 00:10:50,360 --> 00:10:52,160 Speaker 1: I don't know, not because they're taking pictures. Some kids. 231 00:10:52,160 --> 00:10:54,200 Speaker 1: People call up and telling me why y'all see cheese? 232 00:10:54,280 --> 00:10:56,120 Speaker 1: Please please let the old man know what's going on. 233 00:10:56,360 --> 00:10:58,679 Speaker 1: Oh you don't want to know. No, I've never heard it. 234 00:10:59,559 --> 00:11:01,080 Speaker 1: You know that you said that I need to hang 235 00:11:01,080 --> 00:11:04,240 Speaker 1: around some young people. And five eighty five one on five, 236 00:11:05,160 --> 00:11:08,600 Speaker 1: and you want to hit out with us? Forget y'all. 237 00:11:08,640 --> 00:11:15,200 Speaker 1: Let's the breakfast club. Good morning, the breakfast club. Hey y'all, y'all, Hey, y'all, 238 00:11:15,240 --> 00:11:17,160 Speaker 1: come morning. This is the mad rap. I tell you why, man, 239 00:11:17,320 --> 00:11:18,920 Speaker 1: tell you why back man? Because I don't know the 240 00:11:18,920 --> 00:11:20,600 Speaker 1: club last night and there was too many good girls 241 00:11:20,640 --> 00:11:21,959 Speaker 1: and then yo for men, we don't need none of 242 00:11:21,960 --> 00:11:23,640 Speaker 1: your good girls in the club. We need loose girls 243 00:11:23,679 --> 00:11:25,800 Speaker 1: with the drug gvidy, sloppy girls. We didn't girls that 244 00:11:25,880 --> 00:11:27,240 Speaker 1: just gonna go away. We don't need ane of your 245 00:11:27,240 --> 00:11:29,400 Speaker 1: guys girls and then go on go away, talk about 246 00:11:29,440 --> 00:11:31,200 Speaker 1: it and tell me why are you mad? Breakfast club? 247 00:11:31,280 --> 00:11:33,760 Speaker 1: For real? I'm just so pissed off that people forget 248 00:11:33,800 --> 00:11:36,040 Speaker 1: them about the whole Black Lives matter? You know it was, 249 00:11:36,559 --> 00:11:38,880 Speaker 1: it was hard for like a while. Now everyone seems 250 00:11:38,920 --> 00:11:41,839 Speaker 1: to be forgetting about it. When did people black lives matter? 251 00:11:41,880 --> 00:11:43,959 Speaker 1: I see black lives matter every day? I mean, I 252 00:11:44,040 --> 00:11:46,240 Speaker 1: mean here where I live at personally I live in 253 00:11:46,320 --> 00:11:49,800 Speaker 1: Ohio comes so hire, Man, I'll be trying to rally 254 00:11:49,880 --> 00:11:52,640 Speaker 1: and stuff, but like, don't nobody'd be wanting to participate 255 00:11:52,679 --> 00:11:53,719 Speaker 1: in them? You know what I mean? Well, have you 256 00:11:53,800 --> 00:11:57,520 Speaker 1: been trying to organize just rallies and stuff? Because the 257 00:11:57,640 --> 00:12:00,360 Speaker 1: college y'all go to, it's a majority is like eighty 258 00:12:00,400 --> 00:12:03,599 Speaker 1: percent black, and don't nobody want to participate in it? 259 00:12:03,679 --> 00:12:05,520 Speaker 1: You know what I mean, I got more white people 260 00:12:05,640 --> 00:12:08,480 Speaker 1: participating in black people. Well, don't worry to consul shooting 261 00:12:08,520 --> 00:12:11,920 Speaker 1: unarmed black man in Ohio soon when I'm sure it 262 00:12:12,040 --> 00:12:15,720 Speaker 1: just happened recently too. Somebody got shot up. I think 263 00:12:15,760 --> 00:12:17,839 Speaker 1: it was three or four weeks ago. It was a 264 00:12:17,920 --> 00:12:20,800 Speaker 1: it was a college student that rally was popping, right, Yeah, 265 00:12:20,920 --> 00:12:23,040 Speaker 1: yeah it was. It wasn't That's what it takes. Somebody 266 00:12:23,040 --> 00:12:24,800 Speaker 1: always gotta get shot for the rallity to be popping. 267 00:12:25,120 --> 00:12:27,760 Speaker 1: That's the problem. Actually, you gotta keep it, keep that 268 00:12:27,920 --> 00:12:30,400 Speaker 1: energy going when people aren't getting shot. Yeah. Man, I 269 00:12:30,520 --> 00:12:32,880 Speaker 1: made a song about it too. Man, I'm not okay, 270 00:12:32,920 --> 00:12:34,560 Speaker 1: all right, I have a blessed day to see y'all 271 00:12:34,559 --> 00:12:38,040 Speaker 1: be going too. Four. He didn't do anything and promote 272 00:12:38,040 --> 00:12:43,000 Speaker 1: the music. Hello, who's this yo? Stuff? Man? Steph? Tell 273 00:12:43,080 --> 00:12:47,040 Speaker 1: him why you mat yo? I had met Nick Kennon 274 00:12:47,120 --> 00:12:50,160 Speaker 1: like like like last week literally like he was at 275 00:12:50,200 --> 00:12:52,240 Speaker 1: the movie there, like I just wish like I posted 276 00:12:52,280 --> 00:12:54,520 Speaker 1: him better, Like I was just so shocked that I 277 00:12:54,679 --> 00:12:56,679 Speaker 1: seen it, Like, what did you do? Man? What did 278 00:12:56,760 --> 00:13:00,679 Speaker 1: you do? I want to be on walling out? No not. 279 00:13:01,040 --> 00:13:04,439 Speaker 1: I purchased some my ticket and I turned around, it's nick. 280 00:13:04,760 --> 00:13:08,720 Speaker 1: Everybody's looking at me like, was he with Chilli? Nah? 281 00:13:08,800 --> 00:13:11,760 Speaker 1: He's que girls like I shook his hand on your nick. 282 00:13:11,880 --> 00:13:18,520 Speaker 1: Kid is like, why do you even know who Chili is? Sir? Kay? Wow, 283 00:13:18,640 --> 00:13:20,280 Speaker 1: So that's how you acted. So what do you say? 284 00:13:20,480 --> 00:13:23,280 Speaker 1: Was he nice and he was cute? Acting like he was? 285 00:13:24,200 --> 00:13:25,760 Speaker 1: He said he was cute. He was with a bunch 286 00:13:25,800 --> 00:13:28,800 Speaker 1: of chicks at the movies? Man, leave me alone out 287 00:13:30,360 --> 00:13:32,080 Speaker 1: and how old are you? How old? How old are you? Sir? 288 00:13:32,280 --> 00:13:34,959 Speaker 1: How old are you? Grow up and stopped being a groupie? 289 00:13:35,080 --> 00:13:40,360 Speaker 1: What's your name? What's your last name? Shannon? I don't know. 290 00:13:41,640 --> 00:13:44,199 Speaker 1: Get your group you ass off my phone. If anybody 291 00:13:44,280 --> 00:13:46,719 Speaker 1: knows the stuff, he's a groupie? Why are you mad? 292 00:13:46,840 --> 00:13:49,120 Speaker 1: Eight hundred five eight five one oh five one. If 293 00:13:49,160 --> 00:13:52,040 Speaker 1: you're upset, you need to vent call us right now. 294 00:13:52,160 --> 00:13:55,439 Speaker 1: It's the Breakfast Club of the Morning, the breakfast club 295 00:13:59,400 --> 00:14:02,880 Speaker 1: that was Drink one Dance Morning. Everybody is DJ Mvy, 296 00:14:03,000 --> 00:14:05,720 Speaker 1: Angela Yee, Charlomagne, the guy. We are the Breakfast Club. 297 00:14:05,800 --> 00:14:08,200 Speaker 1: And let the record show not one kid called up 298 00:14:08,240 --> 00:14:10,319 Speaker 1: here to tell Envy what the hell cheese meet? Right? So? 299 00:14:10,360 --> 00:14:11,840 Speaker 1: I don't even know if that's a but he said, 300 00:14:11,880 --> 00:14:16,880 Speaker 1: my kids say that all the time for no reason. Y'all. Well, 301 00:14:16,920 --> 00:14:21,680 Speaker 1: Tory Lanes will be joining us next hour, jeez, from Canada. Tory, 302 00:14:21,760 --> 00:14:27,520 Speaker 1: he'll be here. What's wrong with y'all this morning. What's 303 00:14:27,520 --> 00:14:29,240 Speaker 1: the name of Tory's album? I told you so? No, 304 00:14:29,320 --> 00:14:31,600 Speaker 1: it's co Cheese. I don't know. I told you I 305 00:14:32,040 --> 00:14:33,960 Speaker 1: told you Yeah. So we'll talk to him about that 306 00:14:34,040 --> 00:14:35,960 Speaker 1: and everything that's going on in his life, his beefs, 307 00:14:36,080 --> 00:14:38,800 Speaker 1: his problems, and all the good stuff as well. Yeah, 308 00:14:38,840 --> 00:14:40,560 Speaker 1: he's confusing because one minute he'll be like, I don't 309 00:14:40,560 --> 00:14:42,800 Speaker 1: want to talk about Drake. I want to have my 310 00:14:42,880 --> 00:14:45,480 Speaker 1: own lane, right, But then he'll get online and do 311 00:14:45,560 --> 00:14:47,880 Speaker 1: a video in Philly, in Philly saying this this is 312 00:14:47,920 --> 00:14:50,880 Speaker 1: what I'm from Canada. Other rappers for Canada can't come here. Yeah, 313 00:14:50,920 --> 00:14:52,840 Speaker 1: he confuses me with that too. We'll talk about it. 314 00:14:52,920 --> 00:14:54,240 Speaker 1: They we'll talk to him when we come back. But 315 00:14:54,320 --> 00:14:56,360 Speaker 1: next year we got rumors called up. Yes, we are 316 00:14:56,440 --> 00:14:58,840 Speaker 1: going to talk about Sierra and Russell Wilson. Why they 317 00:14:58,880 --> 00:15:01,240 Speaker 1: were originally supposed to get married in North Carolina but 318 00:15:01,280 --> 00:15:04,800 Speaker 1: actually moved their wedding. Also Kodak Black some more details 319 00:15:04,840 --> 00:15:07,400 Speaker 1: on why he still is in jail. What are these 320 00:15:07,440 --> 00:15:09,280 Speaker 1: warrants about? All right, we'll get into the rumors when 321 00:15:09,320 --> 00:15:11,080 Speaker 1: we come back. Keep a lock. It's the Breakfast Club. 322 00:15:11,080 --> 00:15:23,520 Speaker 1: Good morning, the Breakfast Club. Listen, it's just report it. 323 00:15:25,520 --> 00:15:27,480 Speaker 1: So last week we talked about Kodak Black. He was 324 00:15:27,480 --> 00:15:30,680 Speaker 1: supposed to be released from prison, but then they discovered 325 00:15:30,760 --> 00:15:34,280 Speaker 1: there were two outstanding arrest warrants. One was two a 326 00:15:34,360 --> 00:15:37,320 Speaker 1: misdemeanor drug related charges and the other involved a felony 327 00:15:37,440 --> 00:15:41,520 Speaker 1: charge of criminal sexual conduct that happened in South Carolina. Now, 328 00:15:41,560 --> 00:15:45,640 Speaker 1: according to investigators, they're saying that he is alleged to 329 00:15:45,800 --> 00:15:48,040 Speaker 1: have engaged in the sexual battery of a victim at 330 00:15:48,080 --> 00:15:52,120 Speaker 1: a hotel. Apparently he was performing at club Compound in 331 00:15:52,240 --> 00:15:55,960 Speaker 1: Florence in South Carolina, and what happened next people are 332 00:15:56,080 --> 00:15:59,280 Speaker 1: not sure. Now he's accused of sexual battery at a 333 00:15:59,320 --> 00:16:01,520 Speaker 1: Comfort to be hotel, which is right near the club 334 00:16:01,840 --> 00:16:04,920 Speaker 1: where he performed. What does criminal sexual conduct mean in 335 00:16:05,000 --> 00:16:08,000 Speaker 1: South Carolina could be a number of different circumstances. The 336 00:16:08,280 --> 00:16:10,640 Speaker 1: victim could be forced to have sex through aggravated force 337 00:16:10,800 --> 00:16:13,560 Speaker 1: during a kidnapping, oh while physically helpless due to the 338 00:16:13,680 --> 00:16:16,880 Speaker 1: influence of a controlled substance and that crime does carry 339 00:16:16,920 --> 00:16:19,440 Speaker 1: a punishment of up to thirty years in prison. That 340 00:16:19,640 --> 00:16:21,480 Speaker 1: is all the details that they have right now. I 341 00:16:21,560 --> 00:16:24,720 Speaker 1: had one of those same charges in so criminal sexual conduct, right. 342 00:16:24,800 --> 00:16:28,200 Speaker 1: Not a good situation. Yeah, everything was dry. I got 343 00:16:28,240 --> 00:16:31,040 Speaker 1: somebody that wants to actually represent colda black in South Carolina, 344 00:16:31,120 --> 00:16:35,720 Speaker 1: a very reputable attorney. So if he doesn't need any representation, yeah, 345 00:16:35,720 --> 00:16:37,560 Speaker 1: I believe he has a pretty good attorney. I know 346 00:16:37,680 --> 00:16:40,640 Speaker 1: that Atlantic has stepped up to the plate to help 347 00:16:40,720 --> 00:16:43,560 Speaker 1: him out and spoken out on his behalf, and they 348 00:16:43,640 --> 00:16:47,920 Speaker 1: do believe that these charges are partly because of his popularity. 349 00:16:48,000 --> 00:16:51,760 Speaker 1: Now you know, all right, Sierra and Russell Wilson, they 350 00:16:51,840 --> 00:16:53,640 Speaker 1: had all kinds of plans. They were supposed to get 351 00:16:53,680 --> 00:16:56,760 Speaker 1: married in North Carolina. The reason why they moved their 352 00:16:56,760 --> 00:17:00,360 Speaker 1: wedding was because of the anti LGBT laws. See, that's 353 00:17:00,400 --> 00:17:03,520 Speaker 1: not gonna help dispel the rumors that Sierra is a man, 354 00:17:04,080 --> 00:17:07,119 Speaker 1: no man, A lot of things actually gotta moved from 355 00:17:07,160 --> 00:17:10,200 Speaker 1: North Carolina just because of that. They were supposed to 356 00:17:10,240 --> 00:17:13,440 Speaker 1: get married, but because of those transgender bathroom laws, that's 357 00:17:13,480 --> 00:17:15,879 Speaker 1: why they changed where they were supposed to get mar 358 00:17:16,000 --> 00:17:17,880 Speaker 1: I mean all of that you don't really make sense 359 00:17:17,920 --> 00:17:19,879 Speaker 1: because they still Russell are gonna play that next year 360 00:17:19,920 --> 00:17:22,400 Speaker 1: if they got to play the Panthers right now, it's 361 00:17:22,400 --> 00:17:24,679 Speaker 1: just I guess making a statement if I'm gonna get 362 00:17:24,800 --> 00:17:27,040 Speaker 1: married and I have a chance statement like you said, 363 00:17:27,040 --> 00:17:28,560 Speaker 1: they're still gonna play that this shit, and I'm sure 364 00:17:28,560 --> 00:17:30,399 Speaker 1: she's still gonna perform it if she needs to. Like 365 00:17:30,520 --> 00:17:32,520 Speaker 1: what the Panthers gonna do this shit? I mean, I 366 00:17:32,560 --> 00:17:35,600 Speaker 1: don't know, but that's exactly why they moved their their 367 00:17:35,680 --> 00:17:38,320 Speaker 1: plans originally. Okay, but they're taking a lot of money 368 00:17:38,320 --> 00:17:42,080 Speaker 1: from that state by doing it, supporting their people. Stop. 369 00:17:42,119 --> 00:17:44,560 Speaker 1: I hope people man all right, fifty cent. A lot 370 00:17:44,640 --> 00:17:46,560 Speaker 1: of people were going in on him about this BMF 371 00:17:46,760 --> 00:17:49,000 Speaker 1: movie and acting like why is he making this? And 372 00:17:49,160 --> 00:17:51,400 Speaker 1: some people were rumored to have been saying that big Meat, 373 00:17:51,440 --> 00:17:54,400 Speaker 1: you wouldn't want this. Well, fifty posted a letter from 374 00:17:54,520 --> 00:17:57,560 Speaker 1: Big Meat and he said, read carefully, I'm not playing 375 00:17:57,640 --> 00:18:00,920 Speaker 1: no games. BMF coming soon, and the letter it says, 376 00:18:01,119 --> 00:18:03,760 Speaker 1: what's cracking? First, I must say fifth and Rando. Given 377 00:18:03,800 --> 00:18:07,359 Speaker 1: the success of your past creative collaborations on numerous feature 378 00:18:07,400 --> 00:18:10,920 Speaker 1: films and particularly your television series Power, I feel the 379 00:18:11,000 --> 00:18:13,560 Speaker 1: two of you are the perfect team to tell my story. 380 00:18:13,960 --> 00:18:15,960 Speaker 1: I've given no one permission to do any type of 381 00:18:16,000 --> 00:18:18,880 Speaker 1: film on BMF or a Big Meat, especially since we've 382 00:18:18,920 --> 00:18:20,800 Speaker 1: been in agreement and under contract for a little more 383 00:18:20,840 --> 00:18:23,680 Speaker 1: than two years. I would never give my consent, permission, 384 00:18:24,040 --> 00:18:28,360 Speaker 1: or a blessing to any film that is considered being 385 00:18:28,440 --> 00:18:30,280 Speaker 1: done without me. I'm the only one that can tell 386 00:18:30,320 --> 00:18:33,200 Speaker 1: the BMF Big Meat stories. So any person or person's 387 00:18:33,240 --> 00:18:36,200 Speaker 1: trying to do a film is one percent faking loyalty. 388 00:18:36,480 --> 00:18:38,840 Speaker 1: Loyalty is not just the word, it's a lifestyle. What 389 00:18:38,920 --> 00:18:41,280 Speaker 1: would make people think fifty cent is not consulting with 390 00:18:41,440 --> 00:18:44,119 Speaker 1: Big Meat though, I make them think he would just 391 00:18:44,200 --> 00:18:46,680 Speaker 1: jump out the window do a BMF film and not 392 00:18:46,840 --> 00:18:50,360 Speaker 1: know he gotta highlight meat, like come on? Fifty Cent 393 00:18:50,440 --> 00:18:52,680 Speaker 1: then posted it don't get realer than this. Now watch 394 00:18:52,800 --> 00:18:54,720 Speaker 1: me work. I get the job done. You think I'm 395 00:18:54,760 --> 00:18:57,280 Speaker 1: playing out here? And he also previously had said that 396 00:18:57,480 --> 00:19:00,440 Speaker 1: casting for this series will be handled differently. It's not 397 00:19:00,640 --> 00:19:02,720 Speaker 1: going to require to all talent to have an agent 398 00:19:02,800 --> 00:19:04,920 Speaker 1: to read for a role. He wants to find some 399 00:19:05,080 --> 00:19:07,879 Speaker 1: diamonds and the dirt on this one to come out. 400 00:19:07,960 --> 00:19:10,480 Speaker 1: I've read the Rising Fall of BMF. I've seen the 401 00:19:10,600 --> 00:19:13,880 Speaker 1: documentary I Love with Fifties, Doing with Power. This TV 402 00:19:13,960 --> 00:19:16,439 Speaker 1: show has the potential to be classic, it does, okay 403 00:19:17,000 --> 00:19:19,199 Speaker 1: without question? All right, Well, as soon as he tells us, 404 00:19:19,320 --> 00:19:21,760 Speaker 1: tells us where you can audition, and he gives those dates, 405 00:19:21,840 --> 00:19:24,480 Speaker 1: times and locations, we'll make sure we pass that information 406 00:19:24,600 --> 00:19:27,160 Speaker 1: onto you so that you guys know how you can audition. 407 00:19:27,480 --> 00:19:29,960 Speaker 1: All right, and that is your rumor report. I'm angela yee. 408 00:19:30,040 --> 00:19:31,920 Speaker 1: All right, thank you, mache. Now when we come back, 409 00:19:32,080 --> 00:19:34,439 Speaker 1: Tory Lanes will be joining us. He has a new 410 00:19:34,480 --> 00:19:37,560 Speaker 1: album ount right now. Of course he's from Toronto. We'll 411 00:19:37,640 --> 00:19:39,479 Speaker 1: kicking with him with all what's going on with him, 412 00:19:39,560 --> 00:19:41,800 Speaker 1: So don't go anywhere as the Breakfast Club, Good morning, 413 00:19:41,840 --> 00:19:46,119 Speaker 1: here's Bryson Tiller with exchange. That was Drake controller morning. 414 00:19:46,160 --> 00:19:49,560 Speaker 1: Everybody is DJ Envy, angela ye, Charlomagne the guy. We 415 00:19:49,640 --> 00:19:53,159 Speaker 1: are the Breakfast with tapping battles. We got a special 416 00:19:53,280 --> 00:19:55,400 Speaker 1: guest in the building who left angela ye a nice 417 00:19:55,440 --> 00:19:57,800 Speaker 1: little love lettered the other day. You're shooting your shot, bro, 418 00:19:58,200 --> 00:20:00,879 Speaker 1: You're just saying something nice, something y'all men need to 419 00:20:01,000 --> 00:20:03,800 Speaker 1: learn from. So cool. It was like, hey, babe, you 420 00:20:03,880 --> 00:20:06,400 Speaker 1: look beautiful. It just made you weird what you wore 421 00:20:06,440 --> 00:20:12,640 Speaker 1: the other night, your baby. It was like, yo, youre sexy. Mother, 422 00:20:12,800 --> 00:20:14,520 Speaker 1: just want you to know that something to loan those 423 00:20:14,960 --> 00:20:17,680 Speaker 1: that sweet Yeah you wake up in the morning, y'all 424 00:20:17,680 --> 00:20:19,679 Speaker 1: stuck it to a computer. What you mean mine was better? 425 00:20:19,840 --> 00:20:23,600 Speaker 1: He left you know too, what you talking about talking 426 00:20:23,600 --> 00:20:26,320 Speaker 1: about yours better? And I got him a gift, you know, 427 00:20:26,359 --> 00:20:29,480 Speaker 1: because it's new. You don't play in the show. I 428 00:20:29,680 --> 00:20:31,600 Speaker 1: was nobody wanted to take the shot. I was like, ye, 429 00:20:31,720 --> 00:20:33,200 Speaker 1: y'all gonna take. I'm like, y y'all gonna take a 430 00:20:33,200 --> 00:20:35,720 Speaker 1: shot of me. Everybody stays silent. Sat Angela. She was 431 00:20:35,720 --> 00:20:37,560 Speaker 1: the only one that el was ready to part. I said, yeah, 432 00:20:38,359 --> 00:20:41,920 Speaker 1: I went on the coup. Was just taking Okay, congrats on. 433 00:20:42,000 --> 00:20:43,760 Speaker 1: I told you, thank you so much. Now. I was 434 00:20:43,840 --> 00:20:46,480 Speaker 1: calling you Drake like you know for a minute, and 435 00:20:46,600 --> 00:20:50,880 Speaker 1: you were calling him, Well, I didn't. I still don't 436 00:20:50,880 --> 00:20:54,480 Speaker 1: know the difference. Sometimes, but the album is good, but 437 00:20:54,600 --> 00:20:56,719 Speaker 1: it sounds like you ain't developed your own sound yet. Bro, 438 00:20:57,240 --> 00:20:59,480 Speaker 1: you feel that way like you sound like Trade. Sometimes 439 00:20:59,560 --> 00:21:02,560 Speaker 1: you sound like Fatty Wap on some records, like well 440 00:21:02,560 --> 00:21:05,720 Speaker 1: do you think that is who else, probably just Freddy 441 00:21:05,720 --> 00:21:08,399 Speaker 1: Fattie Trade, Freddie Trade. And I think it was a 442 00:21:08,480 --> 00:21:11,240 Speaker 1: one song that people were saying, this sounds reminiscent of 443 00:21:11,320 --> 00:21:14,359 Speaker 1: Fatty Wap. Okay, but I don't know about the whole album, 444 00:21:14,480 --> 00:21:22,600 Speaker 1: Nicole hard Love, I like it. It sounds like trade though. Okay, no, 445 00:21:22,760 --> 00:21:24,639 Speaker 1: but the album has gotten a really great reception, and 446 00:21:24,720 --> 00:21:26,600 Speaker 1: I know I was jamming to it as well. So 447 00:21:26,960 --> 00:21:28,680 Speaker 1: thank you so much, and think and thank you to 448 00:21:29,040 --> 00:21:32,159 Speaker 1: everybody who purchased the album, whether or not it was 449 00:21:32,280 --> 00:21:35,840 Speaker 1: like you know, a hard copy or online or streaming. Yeah, 450 00:21:36,000 --> 00:21:38,080 Speaker 1: you know, I'm just thankful to be at this point 451 00:21:38,119 --> 00:21:39,760 Speaker 1: of my life in my career. I've always wanted to 452 00:21:39,840 --> 00:21:42,600 Speaker 1: drop album, so the fact that anybody has anything to 453 00:21:42,680 --> 00:21:45,840 Speaker 1: say about it just makes me happy. You know. And 454 00:21:45,920 --> 00:21:47,840 Speaker 1: you have three songs that are pretty big from off 455 00:21:47,880 --> 00:21:50,200 Speaker 1: the album already, which a lot of artists will never see, 456 00:21:50,480 --> 00:21:52,360 Speaker 1: you know, too successful at least, I would like to say. 457 00:21:52,359 --> 00:21:55,120 Speaker 1: The second one is you know, on Waited, you know, success. 458 00:21:55,560 --> 00:21:57,479 Speaker 1: I like to say I have two successful singles right 459 00:21:57,520 --> 00:21:59,800 Speaker 1: now that I personally i'm proud of and you know, 460 00:22:00,119 --> 00:22:01,560 Speaker 1: just happy to like you said that they came from 461 00:22:01,600 --> 00:22:04,000 Speaker 1: the album and that you know, this pushes the album 462 00:22:04,080 --> 00:22:05,960 Speaker 1: and things of that nature. I've been a fan of 463 00:22:06,080 --> 00:22:08,439 Speaker 1: nineties music of course, could just say it. And then 464 00:22:08,480 --> 00:22:12,000 Speaker 1: the Everybody falls in Love some time definitely, Yeah, definitely everything. 465 00:22:12,119 --> 00:22:15,080 Speaker 1: And that's that Toronto influence too, for sure, that west 466 00:22:15,160 --> 00:22:16,879 Speaker 1: In in that Beijing he's had. You know, we go 467 00:22:16,960 --> 00:22:18,600 Speaker 1: to the because like you know, we we grew up 468 00:22:18,640 --> 00:22:21,640 Speaker 1: in like the culture of going to the basement jam 469 00:22:22,240 --> 00:22:24,520 Speaker 1: you know what I mean, all the parties Toronto as well. 470 00:22:24,920 --> 00:22:26,600 Speaker 1: Why we liked the well, I don't know how it 471 00:22:26,680 --> 00:22:29,240 Speaker 1: was out. Yeah, we was like the we was like 472 00:22:29,280 --> 00:22:31,000 Speaker 1: the we felt like we liked the home of that, 473 00:22:31,160 --> 00:22:33,200 Speaker 1: like you know, because like that's where yeah, like that's 474 00:22:33,240 --> 00:22:34,879 Speaker 1: how how it always went in the North. It's like 475 00:22:34,920 --> 00:22:36,640 Speaker 1: you always had a basement in your house or something 476 00:22:36,680 --> 00:22:38,080 Speaker 1: like that, and that's where all the parties would be 477 00:22:38,440 --> 00:22:44,919 Speaker 1: inside the house. So um nah, definitely that's a lot. 478 00:22:44,960 --> 00:22:46,359 Speaker 1: You were in Texas. You in a lot of different 479 00:22:46,359 --> 00:22:48,480 Speaker 1: places in the US as well. Yeah, yeah, definitely, but 480 00:22:48,560 --> 00:22:49,960 Speaker 1: I was in Texas like a little bit later, Like 481 00:22:50,000 --> 00:22:52,359 Speaker 1: I'm talking about when I was like in high school 482 00:22:52,480 --> 00:22:54,200 Speaker 1: and stuff like that. That's when we were going to 483 00:22:54,280 --> 00:22:56,800 Speaker 1: the gyms and like, you know, because my wife heard 484 00:22:56,840 --> 00:22:58,960 Speaker 1: the love joint and controller joint and she was like 485 00:22:59,240 --> 00:23:02,520 Speaker 1: that Weston. He was like he could pull that off 486 00:23:02,560 --> 00:23:06,000 Speaker 1: without being true west Like she's Jamaicans. He was like, 487 00:23:06,040 --> 00:23:07,760 Speaker 1: he has to be true Weston because it's hard for 488 00:23:07,840 --> 00:23:09,680 Speaker 1: some people somebody that's not Westending to try to do 489 00:23:09,760 --> 00:23:12,160 Speaker 1: that pass. But I never said definitely, no, I'm I'm 490 00:23:12,359 --> 00:23:16,040 Speaker 1: I'm actually Besian. I'm just Jamaican by association's bean to 491 00:23:16,200 --> 00:23:23,480 Speaker 1: like you know, oh, he's just now I'm Besian Like 492 00:23:23,680 --> 00:23:26,680 Speaker 1: um uh, like my dad is is Beijian and my 493 00:23:26,760 --> 00:23:30,040 Speaker 1: mom is technically from Guyana, but she she's from a 494 00:23:30,119 --> 00:23:33,640 Speaker 1: Dutch country, so I'm Dutch. Uh carousales she from course 495 00:23:33,680 --> 00:23:35,600 Speaker 1: out whatever. Now, a lot of people start talent in 496 00:23:35,680 --> 00:23:39,000 Speaker 1: you early on, like Justin Bieber actually definitely was one 497 00:23:39,040 --> 00:23:40,560 Speaker 1: person that reached out to you, and then you ended 498 00:23:40,640 --> 00:23:45,399 Speaker 1: up signing to Sean Kingston because well, actualisi no, no, no, 499 00:23:45,640 --> 00:23:47,960 Speaker 1: I was. I was like, I was like seventeen going 500 00:23:48,000 --> 00:23:51,200 Speaker 1: on eighteen, and at that time what originally was was 501 00:23:51,520 --> 00:23:54,840 Speaker 1: Bieber and Sean was supposed to sign me. But you 502 00:23:54,960 --> 00:23:57,000 Speaker 1: know what that means. That means, Scooter is supposed to 503 00:23:57,040 --> 00:24:01,040 Speaker 1: sign you. So at the end of the day, I 504 00:24:01,080 --> 00:24:03,160 Speaker 1: didn't say all that, but you know, at that time, 505 00:24:03,280 --> 00:24:04,720 Speaker 1: like you know, that was like the thing that I 506 00:24:04,800 --> 00:24:05,920 Speaker 1: wanted to do. You know what I'm saying. At the 507 00:24:06,000 --> 00:24:07,760 Speaker 1: end of the day, I'm a kid from Canada. I 508 00:24:07,920 --> 00:24:10,119 Speaker 1: had no way out. I'm sleeping in the basement on 509 00:24:10,160 --> 00:24:13,480 Speaker 1: the floor recording myself, Like why would I not sign? 510 00:24:13,520 --> 00:24:15,679 Speaker 1: I was like seventeen at the time, you know. Um, 511 00:24:15,960 --> 00:24:17,880 Speaker 1: it ended up being a situation where I think Justin 512 00:24:18,000 --> 00:24:19,920 Speaker 1: was just too young at the time, and the things 513 00:24:19,960 --> 00:24:21,480 Speaker 1: that I was talking about and things that he was 514 00:24:21,520 --> 00:24:24,720 Speaker 1: talking about, it was just wasn't the same, you know. So, um, 515 00:24:25,320 --> 00:24:27,359 Speaker 1: it ended up being a situation where Sean ended up 516 00:24:27,359 --> 00:24:29,240 Speaker 1: signing me at one point and it went on for 517 00:24:29,320 --> 00:24:31,800 Speaker 1: like three years. Um, I got out of that deal. 518 00:24:31,840 --> 00:24:33,600 Speaker 1: I was independent for like a year or two or 519 00:24:34,040 --> 00:24:36,040 Speaker 1: something like that. To that effect. That must have been 520 00:24:36,080 --> 00:24:38,280 Speaker 1: some fun time. So running around at that young age 521 00:24:38,880 --> 00:24:41,200 Speaker 1: with Justin Bieber, did y'all ever like hang out go 522 00:24:41,320 --> 00:24:47,840 Speaker 1: play studio together? No? No, we hung out on the tour. 523 00:24:47,880 --> 00:24:49,679 Speaker 1: We was on the because that's originally where I met him, 524 00:24:49,760 --> 00:24:52,640 Speaker 1: was on the tour. Um, that kid's a busy kid 525 00:24:52,760 --> 00:24:55,080 Speaker 1: like that kid everywhere, but I would always see him 526 00:24:55,080 --> 00:24:57,200 Speaker 1: at various times in my life, like randomly, Like one 527 00:24:57,240 --> 00:25:00,040 Speaker 1: time he had some dude randomly hit me up and 528 00:25:00,119 --> 00:25:01,560 Speaker 1: like this is like back when I wasn't verified on 529 00:25:01,600 --> 00:25:03,359 Speaker 1: Twitter and stuff, and he got me verified. He was like, 530 00:25:03,400 --> 00:25:05,080 Speaker 1: you need to get verified. Yeah, he was like, Yo, 531 00:25:05,160 --> 00:25:07,480 Speaker 1: make sure this guy gets verified. I was verified this morning. 532 00:25:08,800 --> 00:25:10,720 Speaker 1: How to say it blow? Because you know, say it 533 00:25:10,840 --> 00:25:13,119 Speaker 1: was a record that caught fast, nastally. It seemed like 534 00:25:13,160 --> 00:25:14,800 Speaker 1: there was a lot of money behind him because before 535 00:25:14,800 --> 00:25:16,640 Speaker 1: we knew your name and before we knew your face, 536 00:25:17,080 --> 00:25:19,840 Speaker 1: the record came in. The thing about that record was 537 00:25:19,920 --> 00:25:22,040 Speaker 1: that was just the first time that I finally had 538 00:25:22,080 --> 00:25:25,639 Speaker 1: got to push from like from like a major standpoint, 539 00:25:25,760 --> 00:25:29,760 Speaker 1: like I was putting out records like this from time. 540 00:25:29,960 --> 00:25:31,520 Speaker 1: I want to say, like if you go back into 541 00:25:31,560 --> 00:25:33,960 Speaker 1: the old records, like you go back to records like 542 00:25:34,040 --> 00:25:37,120 Speaker 1: TLC that I had on the Chicks tape too, it's 543 00:25:37,160 --> 00:25:38,960 Speaker 1: the same effect, you know what I mean. It's just 544 00:25:39,119 --> 00:25:42,040 Speaker 1: like the records just kind of went over people's heads 545 00:25:42,040 --> 00:25:43,960 Speaker 1: because nobody knew me, but that that ball did because 546 00:25:43,960 --> 00:25:46,200 Speaker 1: they knew your record but not your face. Or your name, 547 00:25:46,320 --> 00:25:48,920 Speaker 1: maybe saying nobody knows that you look like No he's 548 00:25:49,080 --> 00:25:52,080 Speaker 1: but no, no, no, Before they but honestly, honestly up 549 00:25:52,480 --> 00:25:54,679 Speaker 1: his records bigger than his face. Well see, now it's 550 00:25:54,720 --> 00:25:58,840 Speaker 1: a little different, I guess, because I guess he's not 551 00:25:59,000 --> 00:26:01,960 Speaker 1: lying though, because before, for before this moment, now it 552 00:26:02,119 --> 00:26:04,320 Speaker 1: was exactly like that. Now it's like, I go anyway, 553 00:26:04,359 --> 00:26:06,960 Speaker 1: if you're blackie, you just know me, like or if 554 00:26:07,000 --> 00:26:09,359 Speaker 1: you're like, uh, some type of somebody who looks like 555 00:26:09,400 --> 00:26:11,280 Speaker 1: you listen to hip hop or music or some sort 556 00:26:11,359 --> 00:26:15,760 Speaker 1: you know me randomly. Um, But it's like beforehand, it 557 00:26:15,840 --> 00:26:17,960 Speaker 1: was that exact problem. But I think my problem was 558 00:26:17,960 --> 00:26:20,280 Speaker 1: I would never shot videos for the right songs, or 559 00:26:20,320 --> 00:26:24,240 Speaker 1: I never was consistent with my visual base because I'm 560 00:26:24,240 --> 00:26:27,080 Speaker 1: such a picky guy. I take more into the pride 561 00:26:27,119 --> 00:26:28,920 Speaker 1: of it. So I can't just do videos like this 562 00:26:29,240 --> 00:26:31,359 Speaker 1: in posting stand in the corner because that's just not 563 00:26:31,520 --> 00:26:34,280 Speaker 1: my way. You know, I care more so I think 564 00:26:34,320 --> 00:26:35,760 Speaker 1: that was the problem back then. But now you know, 565 00:26:35,840 --> 00:26:38,320 Speaker 1: I'm on my I don't know the girls think I'm pretty. 566 00:26:39,680 --> 00:26:41,720 Speaker 1: I learned a lot about you from this album this 567 00:26:41,880 --> 00:26:43,920 Speaker 1: That's how I know you know you're you're a good 568 00:26:44,040 --> 00:26:47,000 Speaker 1: songwriter because I know things about you. Who is this 569 00:26:47,160 --> 00:26:50,720 Speaker 1: girl that she was living with? Said? You said on 570 00:26:50,840 --> 00:26:53,800 Speaker 1: the album she wasn't much, but she was mine. Yeah, 571 00:26:54,960 --> 00:26:57,159 Speaker 1: I mean, you know he was just we was We 572 00:26:57,359 --> 00:26:59,200 Speaker 1: was young, you know what I mean? Like we was young. 573 00:27:00,080 --> 00:27:02,119 Speaker 1: I was. I was sneaking in her house when I 574 00:27:02,200 --> 00:27:05,680 Speaker 1: was sixteen. Mom didn't even know, like even under the 575 00:27:05,760 --> 00:27:08,399 Speaker 1: bad just in case, like like sometimes she was coming upstairs, 576 00:27:08,400 --> 00:27:10,520 Speaker 1: she got to get ready for hide in the closet. 577 00:27:10,800 --> 00:27:12,359 Speaker 1: It was bad, you know what I mean? But that 578 00:27:12,520 --> 00:27:14,600 Speaker 1: was what I was going through. So I wanted to 579 00:27:14,720 --> 00:27:18,920 Speaker 1: be at least vulnerable enough to allow people to understand 580 00:27:19,119 --> 00:27:21,760 Speaker 1: that side of me. You know. I wanted this album 581 00:27:21,920 --> 00:27:25,200 Speaker 1: to be something that beyond all of the media headlines 582 00:27:25,240 --> 00:27:28,480 Speaker 1: and a Tory Skoki and I wanted to give the 583 00:27:28,520 --> 00:27:30,680 Speaker 1: people this is this is me, you know, this is 584 00:27:30,760 --> 00:27:33,200 Speaker 1: real me, like you know, minus what everybody says, like 585 00:27:33,520 --> 00:27:35,240 Speaker 1: this is what the music is. What do you want 586 00:27:35,240 --> 00:27:38,880 Speaker 1: to but you said on the album she had three abortions, 587 00:27:39,640 --> 00:27:44,440 Speaker 1: three scrapes, Tory. No, look, man, I don't condone abortion 588 00:27:44,560 --> 00:27:48,080 Speaker 1: or nothing like that, but I've been in some situations 589 00:27:48,240 --> 00:27:51,639 Speaker 1: very young in my life and between me and the 590 00:27:51,720 --> 00:27:54,119 Speaker 1: person that they were with. It was something I just 591 00:27:54,200 --> 00:27:57,200 Speaker 1: didn't want to hold in and you know, not talk 592 00:27:57,240 --> 00:27:59,560 Speaker 1: about because it's like so many of us go through that, 593 00:27:59,680 --> 00:28:01,719 Speaker 1: and not a lot of us is willing to talk 594 00:28:01,760 --> 00:28:04,280 Speaker 1: about that. Like there's so many rappers I probably out 595 00:28:04,359 --> 00:28:08,040 Speaker 1: here that's just got mad abortions. That's just Matt out here, 596 00:28:08,119 --> 00:28:14,239 Speaker 1: just you. But it's like, at the end of the day, 597 00:28:14,440 --> 00:28:17,399 Speaker 1: that wasn't my situation. My situation was with somebody that 598 00:28:17,600 --> 00:28:19,199 Speaker 1: you know, I loved, and you know, at the end 599 00:28:19,200 --> 00:28:21,879 Speaker 1: of the day, like I felt bad even though I 600 00:28:22,280 --> 00:28:24,760 Speaker 1: know it wasn't fully my decision or one of those situations. 601 00:28:25,040 --> 00:28:26,560 Speaker 1: But that's just a topic that I felt like I 602 00:28:26,640 --> 00:28:29,000 Speaker 1: had to touch on because you know, we deal with this. 603 00:28:29,480 --> 00:28:32,200 Speaker 1: The main point of it was saying what I did 604 00:28:32,359 --> 00:28:34,560 Speaker 1: wasn't right or what we did wasn't right. All Right, 605 00:28:34,560 --> 00:28:36,280 Speaker 1: we got more with Tory Lanes when we come back. 606 00:28:36,320 --> 00:28:39,360 Speaker 1: We'll also find out why he did drake controller record 607 00:28:39,400 --> 00:28:41,560 Speaker 1: over keep it locked as the Breakfast Club, Good Morning, 608 00:28:42,160 --> 00:28:49,080 Speaker 1: The Breakfast Club that was Beyonce with Sorry Morning. Everybody 609 00:28:49,240 --> 00:28:52,320 Speaker 1: is DJ mvy angela Ye, Charlomagne, the guy we are 610 00:28:52,400 --> 00:28:55,800 Speaker 1: the Breakfast Club Tory Lanes is in the building his 611 00:28:55,920 --> 00:28:58,840 Speaker 1: new albums out right now. What made you do Drake's 612 00:28:58,840 --> 00:29:01,880 Speaker 1: Controller over? I like the song? Were you surprised that 613 00:29:01,920 --> 00:29:05,200 Speaker 1: Jack move? We're surprised at the feedback of Controller because 614 00:29:05,240 --> 00:29:08,280 Speaker 1: it's it. It's one of the biggest records in the club. 615 00:29:09,280 --> 00:29:11,400 Speaker 1: People said they like it better than the original version. 616 00:29:11,920 --> 00:29:14,440 Speaker 1: Oh wow, that's great man, not man for me personally, 617 00:29:14,520 --> 00:29:16,440 Speaker 1: Like you know, we treat the Beast like it's like 618 00:29:16,560 --> 00:29:19,160 Speaker 1: it's like a y'all thing, like cheat the Beast, like rhythms, 619 00:29:19,240 --> 00:29:21,320 Speaker 1: like you know, you hop on them and you do 620 00:29:21,520 --> 00:29:23,160 Speaker 1: your thing. But I knew at one point you wasn't 621 00:29:23,200 --> 00:29:24,880 Speaker 1: trying to talk hop on I got the keys that 622 00:29:25,000 --> 00:29:26,840 Speaker 1: day too, and I bodied that too. But it's just 623 00:29:26,960 --> 00:29:29,920 Speaker 1: I guess people just reacted to them. But you said 624 00:29:29,920 --> 00:29:31,720 Speaker 1: you didn't want to talk about Drake because you wanted to. 625 00:29:32,480 --> 00:29:34,280 Speaker 1: I mean, I just feel like I feel like the 626 00:29:34,400 --> 00:29:36,440 Speaker 1: media kind of makes it such a thing to the 627 00:29:36,520 --> 00:29:38,480 Speaker 1: point where it's like they just want me to feed 628 00:29:38,560 --> 00:29:40,080 Speaker 1: into it at every point, and it's just not what 629 00:29:40,200 --> 00:29:41,640 Speaker 1: it is. You know, I kind of do it on 630 00:29:41,720 --> 00:29:43,760 Speaker 1: your own. I mean, I feel you do have a 631 00:29:43,840 --> 00:29:49,280 Speaker 1: video when we really out here in Philly, Real, Toronto. 632 00:29:49,320 --> 00:29:51,200 Speaker 1: Did you get out here in Philly not the other guys? 633 00:29:51,240 --> 00:29:52,800 Speaker 1: You know what I'm saying. I need know what we 634 00:29:52,920 --> 00:29:55,320 Speaker 1: really be out here. You were like you, I'm gonna 635 00:29:55,360 --> 00:30:02,040 Speaker 1: Philly a nice try, buddies. Hey you did that nice? No? No, 636 00:30:02,200 --> 00:30:04,040 Speaker 1: But I know what we're doing it. We're trying to 637 00:30:04,200 --> 00:30:06,440 Speaker 1: sleek into this subject. We're not gonna do that. We 638 00:30:06,600 --> 00:30:08,520 Speaker 1: had to talk about that. I told you that's out now. 639 00:30:08,560 --> 00:30:10,480 Speaker 1: Would never bring it up if you didn't do stuff 640 00:30:10,520 --> 00:30:12,240 Speaker 1: like that, And I'll feel you, but I told you 641 00:30:12,320 --> 00:30:14,520 Speaker 1: it's out now. You have a lot of artists support too, 642 00:30:14,600 --> 00:30:16,479 Speaker 1: on your side too. I saw a lot of artists, um, 643 00:30:16,960 --> 00:30:19,360 Speaker 1: you know, promoting the album, like I saw Rick Ross, 644 00:30:19,760 --> 00:30:22,080 Speaker 1: Meek Mel, I saw Push your t a lot of 645 00:30:22,160 --> 00:30:25,040 Speaker 1: other artists. Are these people that you have personal relationships 646 00:30:25,120 --> 00:30:28,400 Speaker 1: friendships with or is it just honestly yeah, I mean no, 647 00:30:28,640 --> 00:30:31,800 Speaker 1: I honestly, Um, I try to send music to everybody. 648 00:30:31,880 --> 00:30:34,160 Speaker 1: I make hooks and stuff. You're not right, you know? 649 00:30:34,320 --> 00:30:36,320 Speaker 1: So you know people have heard about me either through 650 00:30:36,400 --> 00:30:38,720 Speaker 1: those weird ways or we've met each other in person, 651 00:30:38,760 --> 00:30:41,120 Speaker 1: and it's always been loved. Um. I'm just happy for 652 00:30:41,160 --> 00:30:43,680 Speaker 1: anybody who did you know post the album and you know, 653 00:30:43,800 --> 00:30:47,080 Speaker 1: especially all MMG guys, yeah, readily, they all just did it. 654 00:30:47,560 --> 00:30:49,960 Speaker 1: There's the reason why they did that. I don't think so. 655 00:30:50,120 --> 00:30:53,040 Speaker 1: I mean, while I know personally told him beforehand and 656 00:30:53,400 --> 00:30:56,360 Speaker 1: he saw me before all. This h has just been 657 00:30:56,480 --> 00:30:59,200 Speaker 1: my man's from long time. I've been making music with 658 00:30:59,280 --> 00:31:03,240 Speaker 1: me since the Swavy mixtape, which is like seven mixtapes ago. 659 00:31:03,680 --> 00:31:05,600 Speaker 1: And Ross, I just met him randomly, and I think 660 00:31:05,640 --> 00:31:07,280 Speaker 1: the reason why he may have posted my album was 661 00:31:07,320 --> 00:31:10,800 Speaker 1: because randomly, like the first time I really actually met him, 662 00:31:11,120 --> 00:31:13,920 Speaker 1: we was in Miami. I don't know how. I randomly 663 00:31:13,960 --> 00:31:16,520 Speaker 1: had the album in the car that I was just in, 664 00:31:16,680 --> 00:31:18,280 Speaker 1: so I was randomly listening to him when he walked 665 00:31:18,280 --> 00:31:20,920 Speaker 1: out of through between three booming and someone was like, yo, 666 00:31:21,000 --> 00:31:23,160 Speaker 1: this story just Ross and we met each other and 667 00:31:23,240 --> 00:31:24,840 Speaker 1: he was like, anything you need, I got you. But 668 00:31:24,880 --> 00:31:27,200 Speaker 1: I think it was off the level you had mine 669 00:31:27,240 --> 00:31:29,640 Speaker 1: and support choice, you know, I don't think it was 670 00:31:29,720 --> 00:31:32,440 Speaker 1: a calculation or something like that. Let's talk about your 671 00:31:32,480 --> 00:31:35,320 Speaker 1: goon days. Because I'm listening to the album. You used 672 00:31:35,360 --> 00:31:38,920 Speaker 1: to be going broke into somebody's house. I mean, when 673 00:31:39,240 --> 00:31:41,520 Speaker 1: I don't want to sit there and talk about exact 674 00:31:41,560 --> 00:31:44,040 Speaker 1: and details, but you did on that album. Yeah. But 675 00:31:44,160 --> 00:31:45,920 Speaker 1: see that's the thing. That's why you should cop the 676 00:31:45,960 --> 00:31:49,600 Speaker 1: album because the album has, you know, stories that I 677 00:31:49,640 --> 00:31:51,920 Speaker 1: wouldn't necessarily come in an interview and just talk about 678 00:31:51,960 --> 00:31:54,000 Speaker 1: because here's not things to gloat about, you know, my 679 00:31:54,120 --> 00:31:57,560 Speaker 1: whole of course, And that's that's the change, and that's 680 00:31:57,600 --> 00:32:01,480 Speaker 1: the whole point of the album. You know, um is 681 00:32:01,520 --> 00:32:04,040 Speaker 1: to is to show people from where we came. And 682 00:32:04,120 --> 00:32:06,000 Speaker 1: that's the thing like a lot of people have and 683 00:32:06,080 --> 00:32:07,840 Speaker 1: I think that I think that's about like, you know, 684 00:32:07,920 --> 00:32:09,560 Speaker 1: even a lot of my other interviews, a lot of 685 00:32:09,600 --> 00:32:13,520 Speaker 1: people have this misconception about Canada and about Toronto. Like 686 00:32:13,640 --> 00:32:17,880 Speaker 1: it's like, what misconception? Because and I do soon, you 687 00:32:17,960 --> 00:32:19,640 Speaker 1: know what I mean. But I think people have a 688 00:32:19,680 --> 00:32:22,320 Speaker 1: misconception of how rough it is out there for us 689 00:32:22,480 --> 00:32:25,080 Speaker 1: when we grow up, and the things in the politics 690 00:32:25,160 --> 00:32:27,160 Speaker 1: that we still deal with that people don't think we 691 00:32:27,280 --> 00:32:30,160 Speaker 1: deal with, you know. But I'm not here to you know, 692 00:32:30,840 --> 00:32:33,160 Speaker 1: greasy up Canada. No, it's not what I'm here to do. 693 00:32:33,320 --> 00:32:35,400 Speaker 1: But I am here to tell the real stories and 694 00:32:35,480 --> 00:32:37,840 Speaker 1: to talk the stories that we go through as young 695 00:32:37,920 --> 00:32:41,160 Speaker 1: men in Canada, you know, most men I know love Toronto, 696 00:32:41,360 --> 00:32:44,640 Speaker 1: especially because of the women. That's because they're going downtown. 697 00:32:45,040 --> 00:32:47,320 Speaker 1: They're having a great time. They're going downtown party and 698 00:32:47,400 --> 00:32:49,840 Speaker 1: at nice clubs and doing great things. But when we're 699 00:32:49,840 --> 00:32:52,240 Speaker 1: growing up, we're not doing that. Like we're not in 700 00:32:52,280 --> 00:32:54,960 Speaker 1: any of those clubs, and we're definitely not downtown in 701 00:32:55,000 --> 00:32:57,440 Speaker 1: the inner city. That's just not what we're doing. Like, 702 00:32:57,560 --> 00:32:59,720 Speaker 1: you know what I mean, you're in your own neighborhood 703 00:32:59,720 --> 00:33:01,960 Speaker 1: and you're pushed the bag and you're in you know 704 00:33:02,000 --> 00:33:03,360 Speaker 1: what I mean, and you go through what you go 705 00:33:03,440 --> 00:33:06,320 Speaker 1: through in the city so small that there's just no 706 00:33:06,680 --> 00:33:09,280 Speaker 1: escaping anything. So at this point, it's like all the 707 00:33:09,480 --> 00:33:12,520 Speaker 1: young young kids, I'm who they look up to, you know, 708 00:33:12,680 --> 00:33:14,560 Speaker 1: I'm the person that they look up to say to yo, 709 00:33:14,680 --> 00:33:17,600 Speaker 1: I seen him. I was out there and saw him. 710 00:33:17,760 --> 00:33:19,480 Speaker 1: I remember when you didn't have that rain, that watch 711 00:33:19,560 --> 00:33:23,680 Speaker 1: that bracelet, you know. But but for real, people feel 712 00:33:23,720 --> 00:33:25,760 Speaker 1: like that, like I remember when he was sleeping on 713 00:33:25,840 --> 00:33:32,040 Speaker 1: my couch. A lot of couches, A lot of couches, man, 714 00:33:32,120 --> 00:33:34,400 Speaker 1: a lot of back seats, a lot of like yo, 715 00:33:34,720 --> 00:33:37,040 Speaker 1: now I real talk like like I lived in a 716 00:33:37,080 --> 00:33:39,560 Speaker 1: lot of cars and I sucked on a lot of couches. 717 00:33:39,640 --> 00:33:41,120 Speaker 1: Bro I was at a lot of people's houses and 718 00:33:41,720 --> 00:33:43,240 Speaker 1: I told a lot of people to believe in this, 719 00:33:43,440 --> 00:33:45,360 Speaker 1: and and you know, a lot of people didn't believe 720 00:33:45,360 --> 00:33:46,720 Speaker 1: in it. A lot of people just looked at me 721 00:33:46,800 --> 00:33:49,880 Speaker 1: and it was like, I can't foresee this thing that 722 00:33:50,000 --> 00:33:52,239 Speaker 1: you see, you know, and that's why we're here at 723 00:33:52,280 --> 00:33:54,000 Speaker 1: this point. And I told you it's out. And that's 724 00:33:54,040 --> 00:33:55,560 Speaker 1: what that I told you. It's for us. For all 725 00:33:55,600 --> 00:33:57,280 Speaker 1: the doubts that they say, is do you guys get 726 00:33:57,280 --> 00:33:59,240 Speaker 1: a loan in your Toronto orders? Get along? I get 727 00:33:59,280 --> 00:34:01,520 Speaker 1: along with everybody. I don't actually like that's the thing 728 00:34:01,600 --> 00:34:05,600 Speaker 1: people think. I have a you gotta stop drinking hentyilly 729 00:34:06,080 --> 00:34:07,640 Speaker 1: telling people they can't come there, but then come to 730 00:34:07,720 --> 00:34:09,480 Speaker 1: the best club and saying you get along with everybody. 731 00:34:10,040 --> 00:34:15,600 Speaker 1: Nice try. But every artist, whether it's just a beeB, 732 00:34:15,719 --> 00:34:18,920 Speaker 1: whether it is Belly, whether it's whoever maybe weekend. No, 733 00:34:19,160 --> 00:34:21,200 Speaker 1: I mean that's what I'm saying, Like, I get along 734 00:34:21,560 --> 00:34:25,520 Speaker 1: with everybody. I don't have a problem with anybody in Toronto. 735 00:34:25,880 --> 00:34:28,560 Speaker 1: Somebody has a problem with me, that's different. But for me, 736 00:34:29,000 --> 00:34:32,839 Speaker 1: I personally don't have a like beef with me. If 737 00:34:32,960 --> 00:34:35,440 Speaker 1: you're gonna know when I have beef with somebody because 738 00:34:35,560 --> 00:34:39,759 Speaker 1: one of us is just falling out the cruise. You're 739 00:34:39,800 --> 00:34:42,279 Speaker 1: gonna start seeing people missing from either my crew or 740 00:34:42,360 --> 00:34:45,120 Speaker 1: his crew. That's just you're gonna know when I have 741 00:34:45,200 --> 00:34:47,520 Speaker 1: a beef with somebody. I don't have a beef with nobody. 742 00:34:47,680 --> 00:34:51,880 Speaker 1: You know. I want to make people disappear. That's all 743 00:34:52,000 --> 00:34:55,600 Speaker 1: I said. I'm just saying that's that's just how it is. 744 00:34:55,640 --> 00:34:57,120 Speaker 1: Like if it was beef, we would be It feels 745 00:34:57,120 --> 00:34:59,160 Speaker 1: like how New York used to be, where nobody got 746 00:34:59,200 --> 00:35:01,719 Speaker 1: along and everybody. Don't get me wrong, everybody does do 747 00:35:01,800 --> 00:35:04,319 Speaker 1: the own thing. But that's why I'm saying, like, if 748 00:35:04,400 --> 00:35:06,840 Speaker 1: it was beef, you you know when it's beef, because 749 00:35:06,920 --> 00:35:10,160 Speaker 1: then we just start playing scoreboard and nobody wants to 750 00:35:10,200 --> 00:35:12,840 Speaker 1: play scoreboard. Who wants to do that. We want to 751 00:35:12,840 --> 00:35:15,000 Speaker 1: get money. You want to get money. Came out here 752 00:35:15,000 --> 00:35:16,759 Speaker 1: to get money to be young. You know what I'm saying, 753 00:35:16,800 --> 00:35:20,200 Speaker 1: live all life, that's all. But for me, I love 754 00:35:20,280 --> 00:35:22,960 Speaker 1: the music that comes out of my city from everybody. 755 00:35:23,600 --> 00:35:28,000 Speaker 1: Let's not let this, you know, be a misconcepted statement. 756 00:35:28,760 --> 00:35:30,719 Speaker 1: I like the music from Drake. I like the music 757 00:35:30,800 --> 00:35:33,240 Speaker 1: from party. I like the music from the Weekend, Justin Bieber, 758 00:35:33,640 --> 00:35:37,480 Speaker 1: everything that comes out of Canada musically. I do support. 759 00:35:38,000 --> 00:35:40,440 Speaker 1: I support Toronto one hundred percent because I'm on the 760 00:35:40,480 --> 00:35:42,319 Speaker 1: side of the music. Do you want to be Drake 761 00:35:42,360 --> 00:35:44,239 Speaker 1: a little? No? I want to be me and the 762 00:35:44,360 --> 00:35:46,960 Speaker 1: best means that I could possibly be, you know. And 763 00:35:47,120 --> 00:35:50,000 Speaker 1: and I would hope that I love shutting me because 764 00:35:50,000 --> 00:35:51,880 Speaker 1: he's doing his job, you know what I'm saying. And 765 00:35:51,920 --> 00:35:53,879 Speaker 1: when he's here to do his job, I go, that's 766 00:35:54,040 --> 00:35:56,840 Speaker 1: my nick whatever. You know what I mean, you know 767 00:35:56,840 --> 00:36:01,480 Speaker 1: what I'm sat me personally, I want to be the 768 00:36:01,600 --> 00:36:03,680 Speaker 1: best me that I could be, you know what I mean. 769 00:36:03,760 --> 00:36:06,200 Speaker 1: I want to go outside and walk down the street 770 00:36:06,200 --> 00:36:08,400 Speaker 1: and be the best walking down that street, you know. 771 00:36:08,600 --> 00:36:11,319 Speaker 1: And for me, I realized even sometimes, you know, as 772 00:36:11,320 --> 00:36:14,120 Speaker 1: an artist, I played too much into the media sometimes 773 00:36:14,200 --> 00:36:17,440 Speaker 1: and the media gets me madden. But then I gotta realize, Tory, 774 00:36:17,840 --> 00:36:21,080 Speaker 1: You're on the side of the music. You appreciate good music, 775 00:36:21,160 --> 00:36:24,120 Speaker 1: appreciate good music and keep it moving. All right, Well, 776 00:36:24,160 --> 00:36:26,320 Speaker 1: let's get into a Tory Lanes mini mix. Let me 777 00:36:26,400 --> 00:36:28,360 Speaker 1: know your favorite Tory Lanes joint. We'll get on for 778 00:36:28,440 --> 00:36:30,560 Speaker 1: you right now. Don't go anywhere. It's the Breakfast Club. 779 00:36:30,600 --> 00:36:36,760 Speaker 1: Good Morning. That was a Tory Lanes mini mix Morning. 780 00:36:36,800 --> 00:36:40,560 Speaker 1: Everybody is DJ Envy Angela Yee, Charlemagne the guy we 781 00:36:40,680 --> 00:36:43,320 Speaker 1: all the breakfast club, Tory Lanes is in the building 782 00:36:43,560 --> 00:36:48,400 Speaker 1: on the Breakfast club. You know, does sound like an 783 00:36:48,400 --> 00:36:52,520 Speaker 1: episode of Power though. Power. Now what we're gonna do is, um, 784 00:36:52,920 --> 00:36:55,520 Speaker 1: we're gonna shoot a movie. Okay, a little short film. 785 00:36:55,640 --> 00:36:57,680 Speaker 1: I don't want to talk too much into it because 786 00:36:57,680 --> 00:36:59,160 Speaker 1: we're still in the process of doing it right now. 787 00:36:59,200 --> 00:37:01,359 Speaker 1: But it's not gonna come out far down the road. 788 00:37:01,360 --> 00:37:03,239 Speaker 1: It's gonna come out very soon. It seemed like you've 789 00:37:03,280 --> 00:37:05,040 Speaker 1: always been conscious of where you want to go in 790 00:37:05,080 --> 00:37:07,000 Speaker 1: your life, though, because I even think about your mother 791 00:37:07,040 --> 00:37:09,040 Speaker 1: pass and you were eleven and then you ended up 792 00:37:09,080 --> 00:37:11,560 Speaker 1: living with your grandma. At any point in that time, 793 00:37:11,600 --> 00:37:13,160 Speaker 1: you could have just been like, I'm just gonna dug 794 00:37:13,239 --> 00:37:15,480 Speaker 1: it out. I mean, I'm not gonna lie to you guys. 795 00:37:15,520 --> 00:37:17,560 Speaker 1: It was sometimes when I was just like, I'm gonna say, 796 00:37:17,640 --> 00:37:21,880 Speaker 1: like fifteen sixteen, I had like four court cases and 797 00:37:22,360 --> 00:37:26,000 Speaker 1: I remember going to court one morning, four court cases Toronto. Yeah, 798 00:37:26,000 --> 00:37:27,480 Speaker 1: and I was young. I was Juneile like I was. 799 00:37:27,760 --> 00:37:30,279 Speaker 1: I was young. Cases keep stacking up, and I kind 800 00:37:30,280 --> 00:37:32,520 Speaker 1: of started not being able to see it from myself, 801 00:37:32,600 --> 00:37:34,600 Speaker 1: like in a weird way, because you know, music was 802 00:37:35,239 --> 00:37:37,200 Speaker 1: my main thing. And I talked about this on a 803 00:37:37,239 --> 00:37:39,920 Speaker 1: song called Question Is. But I think the influences that 804 00:37:40,000 --> 00:37:41,640 Speaker 1: I had grown up and the people that I started 805 00:37:41,680 --> 00:37:43,320 Speaker 1: looking up to growing up that kind of gave me 806 00:37:43,440 --> 00:37:46,080 Speaker 1: the wrong inside of the things that I was supposed 807 00:37:46,080 --> 00:37:48,359 Speaker 1: to be looking forward to. How were you able to travel? 808 00:37:48,400 --> 00:37:51,240 Speaker 1: Because Toronto serious about them court cases. I was a juvenile. 809 00:37:52,200 --> 00:37:54,919 Speaker 1: I got my life straight up, like that could change 810 00:37:54,960 --> 00:37:56,360 Speaker 1: my lad You could have have hits and not be 811 00:37:56,400 --> 00:37:57,920 Speaker 1: able to I would have turned if I would have 812 00:37:57,960 --> 00:38:00,759 Speaker 1: turned nineteen, because you know, nineteen the legal age out there. 813 00:38:00,760 --> 00:38:04,520 Speaker 1: If I had turned nineteen and i'd a been dealing 814 00:38:04,520 --> 00:38:05,840 Speaker 1: with the things that I was dealing with when I 815 00:38:05,960 --> 00:38:08,560 Speaker 1: was like sixteen fifteen, there's no way I'd have been traveling. 816 00:38:08,600 --> 00:38:10,640 Speaker 1: What got you right sex to the girl in Toronto? 817 00:38:10,680 --> 00:38:13,399 Speaker 1: You gotta this nineteen, na I think the consensual age 818 00:38:13,480 --> 00:38:17,879 Speaker 1: is still seventeen or something out there, like him saying, 819 00:38:17,880 --> 00:38:20,400 Speaker 1: I'm like, what, Noah, But the legal drinking age is it? 820 00:38:20,520 --> 00:38:22,759 Speaker 1: Stuff is nineteen Okay, what got you right? What got you? 821 00:38:22,880 --> 00:38:24,080 Speaker 1: What made you think and say? You know what, I 822 00:38:24,120 --> 00:38:28,000 Speaker 1: gotta change my life honestly, God, you know, Uh, you know, 823 00:38:28,320 --> 00:38:30,520 Speaker 1: I'm a very god fearing man. You know I care 824 00:38:30,560 --> 00:38:33,680 Speaker 1: about my purpose. You know. My real name is day 825 00:38:33,760 --> 00:38:37,560 Speaker 1: Star Peterson. You know my first name, day Star means 826 00:38:37,960 --> 00:38:41,440 Speaker 1: a revolutionary light of progression to my generation. Like the 827 00:38:41,520 --> 00:38:44,800 Speaker 1: way I was named is different, you know, And I 828 00:38:44,960 --> 00:38:49,719 Speaker 1: know that I'm not you know, by coincidence. Uh, you know, 829 00:38:49,880 --> 00:38:52,440 Speaker 1: just giving these talents? Why are you so able or 830 00:38:52,440 --> 00:38:54,279 Speaker 1: why are you so good at at rapping? And why 831 00:38:54,320 --> 00:38:57,359 Speaker 1: are you so good at singing? Just because yet a man, Nah, 832 00:38:57,560 --> 00:38:59,800 Speaker 1: it's because God gave me this, because I actually have 833 00:38:59,880 --> 00:39:03,480 Speaker 1: to do something with it that's deeper than what everybody thinks. 834 00:39:03,920 --> 00:39:06,040 Speaker 1: You know, people think you're dope now, but I think 835 00:39:06,080 --> 00:39:08,960 Speaker 1: when you really develop your own sound, you're gonna be 836 00:39:09,160 --> 00:39:12,520 Speaker 1: like dope dope Nah, at the end of the day. 837 00:39:12,600 --> 00:39:15,759 Speaker 1: You know, I feel what you what you're what you're saying, 838 00:39:15,800 --> 00:39:18,799 Speaker 1: and if you don't feel like the sound is there yet, 839 00:39:18,960 --> 00:39:21,319 Speaker 1: I'm gonna work harder to make you feel that way, 840 00:39:21,400 --> 00:39:23,840 Speaker 1: you know. But for me, I'm just working on just 841 00:39:24,360 --> 00:39:26,759 Speaker 1: feeling good. About my music. I don't care who says 842 00:39:26,800 --> 00:39:29,880 Speaker 1: it sounds like anybody like to be honest with you, 843 00:39:29,920 --> 00:39:32,440 Speaker 1: I take from a lot of musicians. I don't give 844 00:39:32,440 --> 00:39:36,239 Speaker 1: a stuff from all you nick Listen. You know what's 845 00:39:36,280 --> 00:39:37,960 Speaker 1: funny though, you write for a lot of people too. 846 00:39:38,000 --> 00:39:39,319 Speaker 1: So I was thinking when out here in the album, 847 00:39:39,320 --> 00:39:41,520 Speaker 1: I'm like, because some of those songs should have been 848 00:39:41,560 --> 00:39:44,479 Speaker 1: for other people, some of those songs with for other people, 849 00:39:44,520 --> 00:39:46,000 Speaker 1: and see I would think it's kind of like that 850 00:39:46,080 --> 00:39:47,800 Speaker 1: with Travis Scott. By the time Travis came out, I 851 00:39:47,880 --> 00:39:49,239 Speaker 1: was like, damn, I feel like I've heard Travis so 852 00:39:49,360 --> 00:39:50,879 Speaker 1: much before, but that's because he writes for so many 853 00:39:50,960 --> 00:39:53,800 Speaker 1: other people. I was wondering that I definitely write for 854 00:39:53,840 --> 00:39:55,319 Speaker 1: a lot of people, and some of those songs were 855 00:39:55,360 --> 00:39:57,560 Speaker 1: originally for other people when I wrote them. And then 856 00:39:57,600 --> 00:40:00,080 Speaker 1: I was just like, nah, I have to keep this, 857 00:40:00,160 --> 00:40:01,799 Speaker 1: Like I can't keep doing this to myself, give them 858 00:40:01,880 --> 00:40:04,360 Speaker 1: my greatest songs to all these other artists. Like what 859 00:40:04,520 --> 00:40:06,759 Speaker 1: songs do you regret giving away? Or you feel like, man, 860 00:40:07,360 --> 00:40:10,400 Speaker 1: I love this song, I'm not like I don't regret 861 00:40:10,480 --> 00:40:12,120 Speaker 1: it now, Like like I can't really answer that question 862 00:40:12,160 --> 00:40:14,120 Speaker 1: because I don't really feel regret about anymore. I mean, 863 00:40:14,200 --> 00:40:18,239 Speaker 1: come every day, but sometimes in the moment it's like, yeah, 864 00:40:20,480 --> 00:40:22,600 Speaker 1: but you know, hold on time, I'll shout out to 865 00:40:22,640 --> 00:40:24,839 Speaker 1: the fact that I'm in here for this long, last 866 00:40:24,880 --> 00:40:27,319 Speaker 1: time my interview is done like in half this time, 867 00:40:27,480 --> 00:40:32,400 Speaker 1: like I know something something hey, but the fact that 868 00:40:32,520 --> 00:40:34,520 Speaker 1: we know that something is bubbling and we're in here 869 00:40:34,560 --> 00:40:37,560 Speaker 1: for this long. Okay, all right, cool drinks? We have 870 00:40:37,640 --> 00:40:39,440 Speaker 1: a drags you know what I'm saying. They got got 871 00:40:39,520 --> 00:40:41,560 Speaker 1: me your bottle and Hennessy with the new label on it, 872 00:40:41,680 --> 00:40:45,919 Speaker 1: and you get two records percent of all people. But um, yeah, 873 00:40:45,960 --> 00:40:47,480 Speaker 1: so what about the ladies? How hard is it for 874 00:40:47,520 --> 00:40:49,880 Speaker 1: you to date? Because I'm sure now the women are everywhere. 875 00:40:49,920 --> 00:40:52,080 Speaker 1: I mean, we have interns that came in today just 876 00:40:52,239 --> 00:40:54,320 Speaker 1: because you were coming. We have people that were like 877 00:40:54,400 --> 00:40:57,560 Speaker 1: Tory Lanes is coming up there, Yes, So how hard 878 00:40:57,680 --> 00:40:59,439 Speaker 1: is it for you now? I'm sure with people coming 879 00:40:59,480 --> 00:41:02,280 Speaker 1: at you on it, DMS and the snapchats and everywhere. 880 00:41:03,680 --> 00:41:05,680 Speaker 1: I mean, you know, I just want you though, I 881 00:41:05,920 --> 00:41:07,640 Speaker 1: really come down to everything, you know what I'm saying. 882 00:41:07,680 --> 00:41:09,120 Speaker 1: I got a better question. How hard is it for 883 00:41:09,160 --> 00:41:10,680 Speaker 1: you to wear condoms? Because you had three or both 884 00:41:10,760 --> 00:41:13,719 Speaker 1: Nahoa Lettle, listen to me. I don't want every girl 885 00:41:13,760 --> 00:41:18,840 Speaker 1: to get this straight. I do not with no condoms. No, 886 00:41:19,920 --> 00:41:24,360 Speaker 1: understand what I said. I do not without having condoms, 887 00:41:24,719 --> 00:41:27,560 Speaker 1: with no condoms, with no condoms that I like, hold 888 00:41:27,560 --> 00:41:34,800 Speaker 1: on for am with no condoms about the girls should 889 00:41:34,840 --> 00:41:37,000 Speaker 1: know I'm not nothing you can do. You could be 890 00:41:37,480 --> 00:41:41,000 Speaker 1: you could be Beyonce, you could be Oprah. No, I'm lying. 891 00:41:41,000 --> 00:41:43,160 Speaker 1: You can't be open about to say you might have 892 00:41:43,280 --> 00:41:46,680 Speaker 1: to not but for all jokes aside, not but all 893 00:41:46,760 --> 00:41:48,520 Speaker 1: jokes aside, Like, I don't care how bad you are. 894 00:41:48,560 --> 00:41:51,080 Speaker 1: I don't care what it is, if if if the 895 00:41:51,160 --> 00:41:53,680 Speaker 1: gold pack down around, I'm not not hitting. I don't 896 00:41:53,719 --> 00:41:55,080 Speaker 1: care what it is. I don't care what kind of 897 00:41:55,120 --> 00:41:59,600 Speaker 1: situation we're in. I'm not I'm not like I know 898 00:42:00,080 --> 00:42:02,560 Speaker 1: Charlomagne on the album you had three abortions. You don't 899 00:42:02,600 --> 00:42:07,840 Speaker 1: get abortions. Hey. First of all, I will say that 900 00:42:08,000 --> 00:42:11,520 Speaker 1: two of those situations was accident. Columns, bro, why I 901 00:42:11,600 --> 00:42:15,799 Speaker 1: stopped using you know of a column? I was young young, 902 00:42:17,440 --> 00:42:21,880 Speaker 1: you know already already I'm already in here, already know 903 00:42:22,000 --> 00:42:24,239 Speaker 1: what I'm saying, that's what and in plus it you 904 00:42:24,280 --> 00:42:29,480 Speaker 1: know it's not with anybody. That was my girl. Huh, 905 00:42:29,680 --> 00:42:31,800 Speaker 1: why are we talking about this shin now? Next question? 906 00:42:33,040 --> 00:42:37,560 Speaker 1: What about this song you got with Drake's that? What 907 00:42:37,680 --> 00:42:41,040 Speaker 1: do you think a picture with Drake and Charlomagne had 908 00:42:41,080 --> 00:42:43,840 Speaker 1: a picture couple of years ago. I didn't say it. 909 00:42:43,960 --> 00:42:45,120 Speaker 1: You know when you you know where you buy your 910 00:42:45,200 --> 00:42:48,440 Speaker 1: chicken some bottles happy, That's what kind of looked like 911 00:42:49,080 --> 00:42:59,640 Speaker 1: it was. I'm sorry, move the Pokemon, go play me 912 00:42:59,719 --> 00:43:06,680 Speaker 1: and my enemies. We appreciate you joining us. Thank y'all. 913 00:43:06,920 --> 00:43:09,160 Speaker 1: All right, there you have it. Let me get his 914 00:43:09,239 --> 00:43:22,800 Speaker 1: name right day, start pod morning, the Breakfast Club. This 915 00:43:23,200 --> 00:43:33,680 Speaker 1: is the Ruble Report with a well what re ignited 916 00:43:33,760 --> 00:43:35,840 Speaker 1: this beef between meek Mill and Drake? A lot of 917 00:43:35,880 --> 00:43:38,239 Speaker 1: people were saying, why would Drake take shots at meek 918 00:43:38,280 --> 00:43:41,640 Speaker 1: Mill out of nowhere? According to Timz, meek Mill was 919 00:43:41,719 --> 00:43:46,400 Speaker 1: actually trying to block Drake and Philly basically tell all 920 00:43:46,440 --> 00:43:49,800 Speaker 1: the promoters don't book Drake for any after parties, letting 921 00:43:49,840 --> 00:43:52,960 Speaker 1: everybody know to come on out and put up a 922 00:43:53,000 --> 00:43:55,359 Speaker 1: show of force at the Wells Fargo Center where Drake 923 00:43:55,480 --> 00:43:59,440 Speaker 1: was performing. Then the Cruise contact contacted each other directly. 924 00:44:00,280 --> 00:44:02,600 Speaker 1: Team allegedly warned Drake that they're better not be any 925 00:44:02,680 --> 00:44:04,840 Speaker 1: disrespect when they got to Philly. But then you know 926 00:44:04,960 --> 00:44:08,160 Speaker 1: what happens. Of course they have to do the exact 927 00:44:08,280 --> 00:44:11,440 Speaker 1: opposite to show that they're not scared. So that's why 928 00:44:12,000 --> 00:44:15,000 Speaker 1: Drake got agitated by everything that Meek Mill was doing, 929 00:44:15,160 --> 00:44:18,759 Speaker 1: and thus Drake going on stage throwing shots in the 930 00:44:18,840 --> 00:44:21,080 Speaker 1: back and forth. You can't go past the mark you 931 00:44:21,239 --> 00:44:23,680 Speaker 1: aim for in victory. Okay, it's time to Drake to 932 00:44:23,800 --> 00:44:26,279 Speaker 1: let that go. And I hope Meek didn't do that either, 933 00:44:26,280 --> 00:44:28,160 Speaker 1: because those people in Philly don't be playing with me, 934 00:44:28,280 --> 00:44:30,800 Speaker 1: and I could see them using that the violated probation 935 00:44:30,880 --> 00:44:33,720 Speaker 1: or something stupid. Right. Well, this is all according to TMZ, 936 00:44:33,880 --> 00:44:35,960 Speaker 1: so we don't know exactly what happened. But people who 937 00:44:35,960 --> 00:44:39,400 Speaker 1: are wondering, why is Drake reigniting things? Why doesn't he 938 00:44:39,480 --> 00:44:42,880 Speaker 1: just leave it alone? So perhaps because of the behind 939 00:44:42,920 --> 00:44:45,640 Speaker 1: the scenes of what happened, that could be maybe you 940 00:44:45,680 --> 00:44:47,920 Speaker 1: can't you can't run an old victory left, that's an 941 00:44:47,920 --> 00:44:49,960 Speaker 1: old victory. Now, imagine you're about to go somewhere and 942 00:44:50,000 --> 00:44:52,640 Speaker 1: people try to block you and say, okay, the breakfast club, 943 00:44:52,719 --> 00:44:54,880 Speaker 1: don't let them come. Do no After parties, they call 944 00:44:54,920 --> 00:44:57,360 Speaker 1: all the promoters. I'm cool on that. I'm gonna do 945 00:44:57,360 --> 00:45:01,440 Speaker 1: it anyway. You know, anyway, ain't got nobody more petty 946 00:45:01,520 --> 00:45:03,319 Speaker 1: or would you say, okay, let me just chill. I'm 947 00:45:03,360 --> 00:45:04,920 Speaker 1: going to get my bag. I'm going to get my 948 00:45:05,000 --> 00:45:06,600 Speaker 1: bag from where I'm supposed to be and then I'm 949 00:45:06,800 --> 00:45:08,759 Speaker 1: I'm I'm about to go get my bag. I don't 950 00:45:08,800 --> 00:45:10,400 Speaker 1: care about all. I gotta be in no club. I 951 00:45:10,440 --> 00:45:11,560 Speaker 1: got be in club for what. I'm gonna be in 952 00:45:11,560 --> 00:45:12,879 Speaker 1: the club. One. I just performed in front of twenty 953 00:45:12,880 --> 00:45:14,960 Speaker 1: dollsand people to get some more money. No, I'm cooling 954 00:45:15,040 --> 00:45:18,680 Speaker 1: it all right. Forbes has released their highest paid Actresses 955 00:45:18,760 --> 00:45:21,680 Speaker 1: for twenty sixteen, their top ten highest paid. Who do 956 00:45:21,680 --> 00:45:23,640 Speaker 1: you think was number one? Who made forty six million 957 00:45:23,680 --> 00:45:27,759 Speaker 1: dollars this last year? Said acting actresses A female, So 958 00:45:28,960 --> 00:45:31,839 Speaker 1: I don't know Jennifer, that's correct. She was number one. 959 00:45:32,960 --> 00:45:35,879 Speaker 1: Volved from me, So for her number one, you ain't 960 00:45:35,960 --> 00:45:38,520 Speaker 1: number one? Slowdown, but we were playing a video a game. 961 00:45:38,520 --> 00:45:41,279 Speaker 1: I'd have got a question, right, Damn can I get 962 00:45:41,320 --> 00:45:46,120 Speaker 1: some little something? That's largely because of a profit slice 963 00:45:46,160 --> 00:45:49,480 Speaker 1: that she got from the final Hunger Games installment and 964 00:45:49,719 --> 00:45:53,279 Speaker 1: a big upfront fee she got for the forthcoming movie Passengers. Now, 965 00:45:53,320 --> 00:45:55,200 Speaker 1: who do you think was number two? With thirty three? 966 00:45:55,520 --> 00:45:58,360 Speaker 1: Get this one? Actresses number two and even think I 967 00:45:58,400 --> 00:46:02,720 Speaker 1: don't see movie. Um, I don't know. Melissa McCarthy, Oh, okay, 968 00:46:03,040 --> 00:46:06,319 Speaker 1: all right, and then Scarlett Johansson was number three. All right, 969 00:46:06,640 --> 00:46:09,959 Speaker 1: all right, all right. So y'all now, all right, John 970 00:46:10,080 --> 00:46:13,120 Speaker 1: Legend in the meantime, has another project that he is 971 00:46:13,239 --> 00:46:16,520 Speaker 1: working on now. His production company is going to be 972 00:46:16,680 --> 00:46:20,239 Speaker 1: doing a new movie about Black Wall Street. Or it's 973 00:46:20,239 --> 00:46:23,040 Speaker 1: actually a series about Black Wall Street. Wow, drop one 974 00:46:23,040 --> 00:46:25,960 Speaker 1: of clues bombs for that. Damn it really So it's 975 00:46:25,960 --> 00:46:28,680 Speaker 1: still early in the development stage, and they're saying that 976 00:46:28,800 --> 00:46:31,880 Speaker 1: Black Wall Street could debut in twenty eighteen if it 977 00:46:31,960 --> 00:46:34,759 Speaker 1: does get picked up as a series. And if you 978 00:46:34,800 --> 00:46:38,440 Speaker 1: don't know about Black Wall Street, that was based on Greenwood, Oklahoma, 979 00:46:38,480 --> 00:46:40,920 Speaker 1: and all black community that built their own wealth and 980 00:46:41,040 --> 00:46:46,680 Speaker 1: stood economically independent back in the nineties, black hospitals, black schools, 981 00:46:47,000 --> 00:46:49,320 Speaker 1: and that time was attacked and burned to the ground 982 00:46:49,400 --> 00:46:51,880 Speaker 1: by white rioters. And that's one of the most tragic 983 00:46:51,920 --> 00:46:54,319 Speaker 1: acts of terrorism in US history. Yes, they flew over 984 00:46:54,440 --> 00:46:58,320 Speaker 1: with share things, Share crop of planes, dropped gas canisters 985 00:46:58,400 --> 00:47:00,279 Speaker 1: on the city, on the town and everything. They don't 986 00:47:00,280 --> 00:47:02,480 Speaker 1: teach the black people lost their lives. More than nine 987 00:47:02,520 --> 00:47:04,839 Speaker 1: thousand people were left homeless after that. They don't teach 988 00:47:04,840 --> 00:47:06,279 Speaker 1: you that in school. To all. It's not the games 989 00:47:06,320 --> 00:47:08,879 Speaker 1: record label. John Legend is not making a TV show 990 00:47:08,880 --> 00:47:11,560 Speaker 1: about the Games record labels an actual Black Wall Street. 991 00:47:11,880 --> 00:47:14,200 Speaker 1: All right, And amber Rose has a new show that 992 00:47:14,280 --> 00:47:17,160 Speaker 1: she's gonna be on. She will be competing on the 993 00:47:17,280 --> 00:47:21,000 Speaker 1: next season of Dancing with the Stars, the twenty third season. 994 00:47:21,239 --> 00:47:23,400 Speaker 1: They're saying that she has already signed on to that 995 00:47:23,520 --> 00:47:27,040 Speaker 1: reality competition and they haven't announced the fall line up yet, 996 00:47:27,080 --> 00:47:29,600 Speaker 1: but they are trying to get Simone bios also from 997 00:47:29,640 --> 00:47:33,000 Speaker 1: the Olympics as well. Sow show can cancel at Ambrose 998 00:47:37,239 --> 00:47:41,719 Speaker 1: Christ maybe it's doing well. I'm just asked. I do 999 00:47:41,800 --> 00:47:44,680 Speaker 1: believe Nick Cannon was just on this past week. She 1000 00:47:44,719 --> 00:47:46,520 Speaker 1: should do good at you Dance with the Stars too. 1001 00:47:47,480 --> 00:47:51,600 Speaker 1: Come on, she should be a dancer. Okay, shut up, 1002 00:47:51,640 --> 00:47:53,880 Speaker 1: she was a scripple. Okay, she has no poles on 1003 00:47:54,080 --> 00:47:56,840 Speaker 1: Dancing with the Stars, sir. We call them actual ballroom 1004 00:48:00,200 --> 00:48:04,400 Speaker 1: it's actual ballroom dancing, snow stripping, going on on dancing 1005 00:48:04,440 --> 00:48:06,359 Speaker 1: with this, not just ballroom dance, a little bit everything. 1006 00:48:06,360 --> 00:48:09,600 Speaker 1: They might do a little tork here. Let us don't 1007 00:48:09,680 --> 00:48:12,360 Speaker 1: I don't watch this. I'm only tuned in once and 1008 00:48:12,440 --> 00:48:14,279 Speaker 1: that's when m Smith was on there because he is 1009 00:48:14,320 --> 00:48:17,400 Speaker 1: the goat, because he's former Dallas cowboy. All right, well 1010 00:48:17,440 --> 00:48:19,959 Speaker 1: that is your report. I'm angela year top three greatest 1011 00:48:20,040 --> 00:48:22,040 Speaker 1: running backs of all time. All right, now, when we 1012 00:48:22,200 --> 00:48:28,600 Speaker 1: come back, who are you giving that? Donkey? Oh, donkey? 1013 00:48:28,680 --> 00:48:30,640 Speaker 1: The dance going to somebody you've never heard before. His 1014 00:48:30,760 --> 00:48:33,440 Speaker 1: name is Rudolph. Oh what's his last name? Rudolf, But 1015 00:48:34,080 --> 00:48:38,359 Speaker 1: Rudolf Bottiglia might might be. But what's the shoe we called? 1016 00:48:39,600 --> 00:48:44,920 Speaker 1: What's some shoes called? I don't know, b A T 1017 00:48:45,080 --> 00:48:47,239 Speaker 1: T A G L I A. How you pronounced that year? 1018 00:48:47,440 --> 00:48:50,680 Speaker 1: Ta taglia? Rudolph Bataglia needs to come to the front 1019 00:48:50,680 --> 00:48:52,319 Speaker 1: of the congregation. We'd like to have a world in place. 1020 00:48:52,560 --> 00:48:54,239 Speaker 1: We'll get into that when we come back. Keep it locked. 1021 00:48:54,280 --> 00:49:03,880 Speaker 1: This to breakfast clug Donkey of the day. I'm a democrat, 1022 00:49:03,960 --> 00:49:06,160 Speaker 1: so being dunky of the day a little bit of 1023 00:49:06,200 --> 00:49:14,120 Speaker 1: a mixed so like a dog day. No, I've been 1024 00:49:14,200 --> 00:49:16,360 Speaker 1: called a lot in my twenty three years that donkey 1025 00:49:16,440 --> 00:49:21,719 Speaker 1: of the day is a new wife donkey to day 1026 00:49:21,920 --> 00:49:23,719 Speaker 1: for winter. The day August twenty fourth goes to a 1027 00:49:23,760 --> 00:49:26,239 Speaker 1: fifty nine year old Florida man named Rudolph. Hey you 1028 00:49:26,360 --> 00:49:30,279 Speaker 1: nothing's last name Taglia, but Taglia. Okay, Now, let the 1029 00:49:30,360 --> 00:49:33,000 Speaker 1: record show all the craziest people in America live in Florida. 1030 00:49:33,040 --> 00:49:34,840 Speaker 1: That is a fact that has been proven beyond a 1031 00:49:34,880 --> 00:49:36,759 Speaker 1: shadow of a doubt time and time again, and this 1032 00:49:36,880 --> 00:49:39,920 Speaker 1: story is just further proof. Now, Rudolph Protaglia is a 1033 00:49:39,960 --> 00:49:43,520 Speaker 1: convicted pedophile. That white history fact has nothing to do 1034 00:49:43,600 --> 00:49:45,480 Speaker 1: with this story. It's just a small detail that they 1035 00:49:45,520 --> 00:49:48,479 Speaker 1: decided to place in this article. Sean sharing, I'm sharing it, okay, 1036 00:49:48,640 --> 00:49:51,680 Speaker 1: So I repeat. Rudolph Particulia is a convicted pedophile, and 1037 00:49:51,840 --> 00:49:55,800 Speaker 1: he was arrested on battery and aggravated battery charges for 1038 00:49:55,960 --> 00:49:58,879 Speaker 1: cutting his fifty four year old girlfriend at their crib. 1039 00:50:00,080 --> 00:50:02,360 Speaker 1: Why does a man stabbed his girlfriend? They ever a 1040 00:50:02,520 --> 00:50:06,000 Speaker 1: good reason. He caught her cheating, jealous rage, she stole 1041 00:50:06,080 --> 00:50:09,279 Speaker 1: some money from him, harm their kids. Nope, none of 1042 00:50:09,360 --> 00:50:12,760 Speaker 1: those reasons. Okay. Rudolph became enraged and stabbed his girlfriend 1043 00:50:12,800 --> 00:50:16,840 Speaker 1: after she wouldn't give him a kiss. That's right, the 1044 00:50:17,000 --> 00:50:19,600 Speaker 1: all important good night kiss. Now, any real man knows 1045 00:50:19,600 --> 00:50:22,120 Speaker 1: what I'm talking about. You're married, I have a living girlfriend. 1046 00:50:22,320 --> 00:50:25,400 Speaker 1: You gotta get that smooth before bedtime. Okay. It's important, 1047 00:50:25,640 --> 00:50:29,000 Speaker 1: makes us sleep better, makes us have sweet dreams, possibly 1048 00:50:29,120 --> 00:50:32,080 Speaker 1: leads to sex. It's a stress reliever. I don't think 1049 00:50:32,160 --> 00:50:34,879 Speaker 1: women know how important that good night kiss is to him. Man. Well, 1050 00:50:35,160 --> 00:50:38,560 Speaker 1: clearly Rudolph's lady doesn't know or doesn't understand the importance 1051 00:50:38,560 --> 00:50:42,359 Speaker 1: of his bedtime smooch because she refused to give him one. Well, 1052 00:50:42,440 --> 00:50:45,600 Speaker 1: actually she refused to give him another one. Okay, she 1053 00:50:45,680 --> 00:50:47,360 Speaker 1: gave him one but didn't want to give him another one. 1054 00:50:47,440 --> 00:50:49,439 Speaker 1: Let me brick this down for you, ladies. One kiss 1055 00:50:49,520 --> 00:50:52,240 Speaker 1: before bed really means good night. Trying to get another 1056 00:50:52,320 --> 00:50:55,359 Speaker 1: kiss means I'm trying to smash before bedtime. Rudolph wasn't 1057 00:50:55,400 --> 00:50:57,600 Speaker 1: mad he didn't get another kiss. Rudolph was mad that 1058 00:50:57,719 --> 00:51:00,399 Speaker 1: his wife wasn't gonna let him smash well off through 1059 00:51:00,440 --> 00:51:03,080 Speaker 1: the woman onto the bed, broke a crystal decoration and 1060 00:51:03,160 --> 00:51:05,600 Speaker 1: swung a broken piece of glass while shouting, I'm going 1061 00:51:05,640 --> 00:51:08,399 Speaker 1: to cut you in the private area and kill you. Yeah, 1062 00:51:08,520 --> 00:51:10,560 Speaker 1: oh my goodness this, I know you wanted to smash 1063 00:51:10,600 --> 00:51:12,440 Speaker 1: if you threatened to cut over Vergina, that's the classic. 1064 00:51:12,480 --> 00:51:14,919 Speaker 1: If I can't have your poom poom, nobody can. Well. 1065 00:51:15,239 --> 00:51:17,239 Speaker 1: The woman suffered to cut to her left thumb and 1066 00:51:17,360 --> 00:51:20,120 Speaker 1: not Rootolf is in jail on a ten thousand dollar bar. Now, Fellas, 1067 00:51:20,239 --> 00:51:22,440 Speaker 1: let me give you some game to avoid charges. If 1068 00:51:22,480 --> 00:51:24,759 Speaker 1: your woman doesn't want to kiss you before bed, don't 1069 00:51:24,800 --> 00:51:28,040 Speaker 1: get enraged, don't get upset, Just go to sleep and 1070 00:51:28,200 --> 00:51:31,000 Speaker 1: go see your side chick the next day. Getting raged, 1071 00:51:31,239 --> 00:51:33,520 Speaker 1: storm out the house and go see your side chick 1072 00:51:33,680 --> 00:51:36,400 Speaker 1: that night. Either way, it has to be firmly established 1073 00:51:36,520 --> 00:51:39,000 Speaker 1: that what your significant other doesn't do the next woman 1074 00:51:39,040 --> 00:51:41,040 Speaker 1: will you even got a mumble stuff loud enough for 1075 00:51:41,120 --> 00:51:42,840 Speaker 1: here for her to hear. Okay, she don't want to 1076 00:51:42,840 --> 00:51:45,000 Speaker 1: give you a good night kiss, just roll over and say, hm, 1077 00:51:45,080 --> 00:51:47,320 Speaker 1: I knew where to get a kiss. That's how you 1078 00:51:47,440 --> 00:51:49,799 Speaker 1: keep on her toes. Okay. Getting mad and stabbing your 1079 00:51:49,840 --> 00:51:51,719 Speaker 1: woman because she won't kiss you is the act of 1080 00:51:51,760 --> 00:51:54,720 Speaker 1: a desperate man, and it is a characteristic of wisdom 1081 00:51:54,920 --> 00:51:57,760 Speaker 1: not to do desperate things. You're fifty nine years old, Rudolf. 1082 00:51:57,840 --> 00:51:59,439 Speaker 1: If you don't have the wisdom to have a side 1083 00:51:59,520 --> 00:52:01,520 Speaker 1: chick yet. I don't know what to tell you. Okay, 1084 00:52:01,800 --> 00:52:04,520 Speaker 1: before you make an emotional decision and do something that's 1085 00:52:04,560 --> 00:52:07,920 Speaker 1: gonna land you in jail, fellas, just always remember your 1086 00:52:08,000 --> 00:52:10,680 Speaker 1: side chick serenity prayer. Please cut the music so I 1087 00:52:10,719 --> 00:52:14,080 Speaker 1: can repeat this for the people. Oh boy, God, grant 1088 00:52:14,120 --> 00:52:16,440 Speaker 1: me the serenity to accept the woman I cannot change, 1089 00:52:16,880 --> 00:52:19,440 Speaker 1: courage to change the woman I can, and the wisdom 1090 00:52:19,520 --> 00:52:21,279 Speaker 1: to know when I need to have a side chick. 1091 00:52:21,680 --> 00:52:24,040 Speaker 1: Please get Rudolf back to whatever his last name is, 1092 00:52:24,080 --> 00:52:30,799 Speaker 1: the biggest he hall. Please what's his last name? Partagulia, 1093 00:52:31,000 --> 00:52:34,320 Speaker 1: Hold off, Partagulia. Just always remember your side chick serenity 1094 00:52:34,360 --> 00:52:37,680 Speaker 1: prayer before you make any emotional decisions to your main woman. Okay, 1095 00:52:38,239 --> 00:52:40,759 Speaker 1: all right, all right, all right, we'll thank you for that. 1096 00:52:40,840 --> 00:52:44,280 Speaker 1: Donkey off to day. Now when we come back, ask 1097 00:52:44,520 --> 00:52:47,400 Speaker 1: Ye eight five eight five one oh five one. If 1098 00:52:47,440 --> 00:52:49,279 Speaker 1: you got a question for Ye, you can call it 1099 00:52:49,400 --> 00:52:52,319 Speaker 1: right now. Eight hundred five eight five one oh five one. 1100 00:52:52,400 --> 00:52:54,440 Speaker 1: She'll put your live on the air and help you 1101 00:52:54,520 --> 00:52:56,480 Speaker 1: with all your problems. So if you got a problem, 1102 00:52:56,880 --> 00:52:59,360 Speaker 1: you're going through some things, call ye right now she 1103 00:52:59,480 --> 00:53:02,080 Speaker 1: got your ond. Five eighty five one on five one 1104 00:53:02,160 --> 00:53:04,879 Speaker 1: is the number. Here's Drake re read It's too good. 1105 00:53:05,200 --> 00:53:12,960 Speaker 1: It's the breakfast logan morning. That was little Chrispin. What's 1106 00:53:13,000 --> 00:53:17,600 Speaker 1: your fantasy morning? Everybody's dj Envy Angela Yee, Charlomagne the 1107 00:53:17,640 --> 00:53:19,920 Speaker 1: guy we all to breakfast club at time to ask 1108 00:53:20,280 --> 00:53:23,160 Speaker 1: Yee eight hundred five eighty five one on five one. Hello, 1109 00:53:23,200 --> 00:53:26,520 Speaker 1: who's this? This is written from Houston. Hey Brittany from 1110 00:53:26,560 --> 00:53:29,120 Speaker 1: the age ten? What's your course? To fee? Easy? So 1111 00:53:29,600 --> 00:53:32,200 Speaker 1: I have a best friend who I've been they're really 1112 00:53:32,280 --> 00:53:34,280 Speaker 1: really good friends for the for a couple of years, 1113 00:53:34,960 --> 00:53:39,200 Speaker 1: and we've had sex and I don't know, and we're 1114 00:53:39,239 --> 00:53:41,359 Speaker 1: go falling for each other, but I don't know if 1115 00:53:41,440 --> 00:53:44,799 Speaker 1: we should continue our friendship or relationship. He always says 1116 00:53:44,840 --> 00:53:47,560 Speaker 1: things like he doesn't want to hurt me, and I 1117 00:53:47,760 --> 00:53:50,040 Speaker 1: got him, but I just don't know, and it's really 1118 00:53:50,080 --> 00:53:52,800 Speaker 1: eating me up. I don't know really what to do. Okay, 1119 00:53:52,840 --> 00:53:55,319 Speaker 1: So you guys started off as best friends? How long ago? 1120 00:53:55,360 --> 00:53:58,040 Speaker 1: You said? A couple of years? Yeah, a couple of 1121 00:53:58,120 --> 00:54:00,319 Speaker 1: years ago. He all of it is just came your 1122 00:54:00,320 --> 00:54:01,960 Speaker 1: best friend a couple of years ago. Were you always 1123 00:54:01,960 --> 00:54:05,440 Speaker 1: attracted to him. Wha, he was always attracted to me, 1124 00:54:05,640 --> 00:54:07,439 Speaker 1: but I never I kind of pushed him away because 1125 00:54:07,480 --> 00:54:09,239 Speaker 1: he was, you know, kind of a hole stuff with 1126 00:54:09,400 --> 00:54:11,960 Speaker 1: plenty of girls that I know, so I always kind 1127 00:54:12,000 --> 00:54:14,560 Speaker 1: of pushed him away. But we just came good friends. 1128 00:54:14,680 --> 00:54:17,040 Speaker 1: And now we're like really really close, like really close. 1129 00:54:17,360 --> 00:54:19,279 Speaker 1: And I moved to Houston, I too, on ago, and 1130 00:54:19,320 --> 00:54:22,239 Speaker 1: he's still back home, and I don't know if I 1131 00:54:22,280 --> 00:54:25,080 Speaker 1: want him to come here or stay there, like, but 1132 00:54:25,200 --> 00:54:28,040 Speaker 1: does he want to come there? He does, Yes, he 1133 00:54:28,120 --> 00:54:30,360 Speaker 1: doesn't want to come to Houston. But sometimes I go 1134 00:54:30,560 --> 00:54:32,440 Speaker 1: like daves without talking to him, just because I'm so 1135 00:54:32,640 --> 00:54:34,680 Speaker 1: in my feelings about it. But then I'm like, damn, 1136 00:54:34,760 --> 00:54:37,759 Speaker 1: that's not really being like a really good friend. So 1137 00:54:38,040 --> 00:54:40,560 Speaker 1: it's like I kind of let my emotions take over 1138 00:54:40,719 --> 00:54:43,759 Speaker 1: our friendship. Okay, so let's talk about a couple of things. 1139 00:54:44,080 --> 00:54:45,600 Speaker 1: So you knew he was a whole when you first 1140 00:54:45,600 --> 00:54:47,800 Speaker 1: started talking to him, because he was messing with a 1141 00:54:47,840 --> 00:54:49,279 Speaker 1: lot of other checks and he probably told you a 1142 00:54:49,320 --> 00:54:52,200 Speaker 1: lot of stuff, right, Yeah, And I've seen it from myself, 1143 00:54:52,280 --> 00:54:54,239 Speaker 1: So but that's not the issue. I don't really know. 1144 00:54:54,320 --> 00:54:56,880 Speaker 1: I just want to get some some backstory on this now. 1145 00:54:57,080 --> 00:54:59,320 Speaker 1: Is he saying that he wants to change his ways 1146 00:54:59,360 --> 00:55:01,799 Speaker 1: and be with you? He didn't say those exact words, 1147 00:55:01,840 --> 00:55:05,560 Speaker 1: but like we even talked about marriage before, like like 1148 00:55:05,719 --> 00:55:07,680 Speaker 1: how dope would it be to marry your best friend? 1149 00:55:07,760 --> 00:55:10,160 Speaker 1: Like we talked about that before. So he didn't say 1150 00:55:10,200 --> 00:55:12,600 Speaker 1: those exact words that he wants to change. But I 1151 00:55:12,800 --> 00:55:15,040 Speaker 1: know that he's growing, like I see growth in him, 1152 00:55:15,080 --> 00:55:17,360 Speaker 1: but he did not say those exact words. No, okay, 1153 00:55:17,360 --> 00:55:19,400 Speaker 1: because that's something that you really need to get straight. 1154 00:55:20,040 --> 00:55:22,480 Speaker 1: Is he trying to give up his old ways which 1155 00:55:22,560 --> 00:55:24,719 Speaker 1: people do, and change and settle down and be with 1156 00:55:24,880 --> 00:55:28,360 Speaker 1: one person? Or is he just saying, hey, you're my 1157 00:55:28,440 --> 00:55:30,399 Speaker 1: best friend, I'm still keep doing what I was doing 1158 00:55:30,400 --> 00:55:34,520 Speaker 1: because you know how I am? Which one? Is it? Okay? 1159 00:55:35,520 --> 00:55:37,440 Speaker 1: All right? So I mean have you have you asked 1160 00:55:37,560 --> 00:55:42,160 Speaker 1: him like is he trying to be committed monogamous? Yeah? 1161 00:55:42,400 --> 00:55:45,480 Speaker 1: And he told me what he wants and I told 1162 00:55:45,560 --> 00:55:49,000 Speaker 1: him what I want, and it's just kind of just 1163 00:55:49,600 --> 00:55:52,520 Speaker 1: never just I don't know, really paint together in a relationships, 1164 00:55:52,520 --> 00:55:54,800 Speaker 1: sam plants always just like we were so close we 1165 00:55:54,840 --> 00:55:57,120 Speaker 1: didn't want to hurt each other. Well, it's a little 1166 00:55:57,160 --> 00:55:59,480 Speaker 1: too late. For that. Now, Okay, this could go one 1167 00:55:59,560 --> 00:56:02,680 Speaker 1: or two ways. Either you guys will be really hurt 1168 00:56:02,800 --> 00:56:05,439 Speaker 1: or you guys will be together forever and in love. 1169 00:56:06,360 --> 00:56:07,759 Speaker 1: And it could be one or the other. But what 1170 00:56:07,880 --> 00:56:09,879 Speaker 1: you need to do is get straight. What what does 1171 00:56:09,960 --> 00:56:11,960 Speaker 1: he want? We know what you want. You want to 1172 00:56:12,000 --> 00:56:13,759 Speaker 1: be with him. You want to be with him, but 1173 00:56:13,840 --> 00:56:18,680 Speaker 1: you're scared. Yeah. Do you think that if I like 1174 00:56:19,239 --> 00:56:21,800 Speaker 1: cut them on for a couple of days or even weeks? Why? No, 1175 00:56:22,040 --> 00:56:25,040 Speaker 1: I would say this, do not play games? Because cutting 1176 00:56:25,080 --> 00:56:27,120 Speaker 1: somebody off for a couple of days not talking to 1177 00:56:27,200 --> 00:56:30,200 Speaker 1: them for a few days, now you're sending signals it's 1178 00:56:30,239 --> 00:56:32,759 Speaker 1: never good to play games or somebody. If you want 1179 00:56:32,760 --> 00:56:34,440 Speaker 1: to know something and that's your best friend, would you 1180 00:56:34,480 --> 00:56:37,600 Speaker 1: cut your best friend off for a couple of days. No? 1181 00:56:38,360 --> 00:56:40,400 Speaker 1: All right, So you're saying he's your best friend and 1182 00:56:40,480 --> 00:56:43,440 Speaker 1: that should come first right now, and you should learn 1183 00:56:43,760 --> 00:56:45,279 Speaker 1: and you should let him know. Look, I know it's 1184 00:56:45,320 --> 00:56:47,920 Speaker 1: a complicated situation for both of us, so let's just 1185 00:56:48,000 --> 00:56:49,480 Speaker 1: put it on the table. Do I want to be 1186 00:56:49,600 --> 00:56:53,200 Speaker 1: with you? Yes? Am I nervous about it? Absolutely? And 1187 00:56:53,360 --> 00:56:54,920 Speaker 1: let's just put it on the table. What is it 1188 00:56:55,000 --> 00:56:56,840 Speaker 1: that you want to do so we can work towards that. 1189 00:56:56,920 --> 00:56:58,640 Speaker 1: Because if you don't want to be with me and 1190 00:56:58,760 --> 00:57:00,640 Speaker 1: you still want to be messing with other chicks, just 1191 00:57:00,840 --> 00:57:03,040 Speaker 1: let me know. I'mna still be your friend, but I 1192 00:57:03,160 --> 00:57:05,880 Speaker 1: need to know what's going on with us. And because 1193 00:57:05,960 --> 00:57:08,080 Speaker 1: really there's no choice to be made here unless that's 1194 00:57:08,120 --> 00:57:09,880 Speaker 1: what he wants to do. Also, unless you guys are 1195 00:57:09,880 --> 00:57:14,200 Speaker 1: on the same page, then what's the decision to make Okay? Okay, 1196 00:57:15,000 --> 00:57:17,640 Speaker 1: but don't play games with your quote unquote best friend 1197 00:57:17,680 --> 00:57:26,760 Speaker 1: make shall y'all keep it? Yeah? Ute? All right? Ask 1198 00:57:26,880 --> 00:57:29,160 Speaker 1: ye eight hundred five eight five one on five one. 1199 00:57:29,200 --> 00:57:31,440 Speaker 1: If you need some advice, call ye now. And I 1200 00:57:31,520 --> 00:57:33,000 Speaker 1: just want to say, anytime you want to get in 1201 00:57:33,040 --> 00:57:35,200 Speaker 1: a relationship, you are always taking a risk that you're 1202 00:57:35,240 --> 00:57:37,480 Speaker 1: gonna get your feelings hurt. So sometimes you gotta just 1203 00:57:37,960 --> 00:57:40,120 Speaker 1: go out out and put it out there. Okay, call 1204 00:57:40,200 --> 00:57:43,840 Speaker 1: us now. It's the Breakfast Local Morning. That was Meek 1205 00:57:43,960 --> 00:57:48,320 Speaker 1: Mill all eyes on you morning. Everybody's DJ mvy Angela Yee, 1206 00:57:48,440 --> 00:57:51,480 Speaker 1: Charlemagne the God We all the breakfast club that it 1207 00:57:51,560 --> 00:57:56,080 Speaker 1: was time for? Ask ye, hello, who's this all right? 1208 00:57:56,120 --> 00:58:00,040 Speaker 1: What's your question for you? Bro? Games eighty one to 1209 00:58:00,160 --> 00:58:02,040 Speaker 1: hear the truth right then when you're when we tell 1210 00:58:02,160 --> 00:58:05,480 Speaker 1: y'all the truth, y'all turned into schizophrenia momas cities. Yea, 1211 00:58:05,760 --> 00:58:08,680 Speaker 1: I've been with my girlfriend a couple of years. At 1212 00:58:08,680 --> 00:58:11,480 Speaker 1: the end of the day, were men go back to 1213 00:58:11,640 --> 00:58:15,120 Speaker 1: that excuse. So as a man, you're a god and 1214 00:58:15,240 --> 00:58:19,560 Speaker 1: you're a work in progress, and you've made some mistakes. Yeah, 1215 00:58:19,680 --> 00:58:21,880 Speaker 1: and when she first goal with me, I was a 1216 00:58:21,920 --> 00:58:25,600 Speaker 1: little young. Now what I mean for twenty eight now 1217 00:58:26,160 --> 00:58:29,240 Speaker 1: she come mean when I was like twenty six, na, 1218 00:58:29,720 --> 00:58:32,920 Speaker 1: maybe like twenty four, okay, and I still had some 1219 00:58:33,080 --> 00:58:37,600 Speaker 1: tendom bad out Tennessee. So since so you confess to 1220 00:58:37,680 --> 00:58:40,720 Speaker 1: some things because she probably already knew because no one, 1221 00:58:40,800 --> 00:58:42,720 Speaker 1: no one knew she didn't. She just kept on it 1222 00:58:43,600 --> 00:58:47,200 Speaker 1: and she insinuated and attenuated. Then I might know what 1223 00:58:47,480 --> 00:58:49,080 Speaker 1: I'm gonna being a man, and what I will tell 1224 00:58:49,120 --> 00:58:52,080 Speaker 1: you what the funny thing is, she ain't never really 1225 00:58:52,120 --> 00:58:54,120 Speaker 1: did know, unto me. So I ticketed at her as 1226 00:58:54,160 --> 00:58:56,240 Speaker 1: it being a good woman to me, I being a 1227 00:58:56,240 --> 00:58:59,920 Speaker 1: good man to you for me? Okay, So what is 1228 00:59:00,000 --> 00:59:01,880 Speaker 1: you have to tell her? Well that what did I 1229 00:59:01,960 --> 00:59:03,640 Speaker 1: have to tell her? Yeah? Like, what did you tell her? 1230 00:59:04,600 --> 00:59:08,040 Speaker 1: I told you what went down? When we want to know, 1231 00:59:10,360 --> 00:59:12,280 Speaker 1: well went down? I want to hear how bad it is? 1232 00:59:12,320 --> 00:59:14,960 Speaker 1: What did you have to tell her? I want to 1233 00:59:15,040 --> 00:59:18,680 Speaker 1: go chill mom? Man, he had two girls around little 1234 00:59:18,720 --> 00:59:22,640 Speaker 1: little get together. Okay, So now you can't even trust 1235 00:59:22,680 --> 00:59:24,320 Speaker 1: you to be around your friend because not only did 1236 00:59:24,360 --> 00:59:27,040 Speaker 1: you cheat, but you cheatedn't You don't even want me 1237 00:59:27,080 --> 00:59:29,760 Speaker 1: to go to the thorough So here's the problem. Now, 1238 00:59:29,800 --> 00:59:32,560 Speaker 1: when you're around your friends, she's automatically gonna always think 1239 00:59:32,600 --> 00:59:37,080 Speaker 1: that you are being around the whole my whole know, 1240 00:59:37,200 --> 00:59:39,960 Speaker 1: the personal right because she doesn't trust you because you 1241 00:59:40,080 --> 00:59:42,320 Speaker 1: did that and not only did you not cheat privately, 1242 00:59:42,400 --> 00:59:44,080 Speaker 1: but you did it in front of a bunch of people. 1243 00:59:45,000 --> 00:59:47,960 Speaker 1: Everybody that was their nose. Even your friends, they don't 1244 00:59:47,960 --> 00:59:50,880 Speaker 1: know her. So how do your friends not know your 1245 00:59:50,920 --> 00:59:52,919 Speaker 1: girl that you've been with for the past four years? 1246 00:59:53,640 --> 00:59:56,240 Speaker 1: Because you know, I keep my friends in my personal 1247 00:59:56,320 --> 00:59:59,320 Speaker 1: business totally separate. Now does she how does she feel 1248 00:59:59,360 --> 01:00:01,080 Speaker 1: about the fact that she he doesn't even know your friends? 1249 01:00:02,080 --> 01:00:08,000 Speaker 1: She knows who wants to bring on sick girl? What 1250 01:00:08,080 --> 01:00:09,480 Speaker 1: did you think was gonna happen? You thought you was 1251 01:00:09,520 --> 01:00:11,160 Speaker 1: gonna tell her that you cheated? And she was just 1252 01:00:11,240 --> 01:00:15,040 Speaker 1: gonna be okay with it. No, No, that was like, 1253 01:00:15,400 --> 01:00:18,400 Speaker 1: that was like the first time I actually right, you've 1254 01:00:18,440 --> 01:00:20,560 Speaker 1: been lying all this time. She kind of knew already, 1255 01:00:20,880 --> 01:00:23,240 Speaker 1: and then you finally told something that you've been lying 1256 01:00:23,240 --> 01:00:26,600 Speaker 1: about for all this time exactly. So now it's hurt 1257 01:00:26,720 --> 01:00:28,400 Speaker 1: her to get over the fact that you've been lying, 1258 01:00:28,520 --> 01:00:30,960 Speaker 1: been lying. What else did you lie about, because now 1259 01:00:31,000 --> 01:00:34,640 Speaker 1: you open up the door for everything else? Right, Well, okay, 1260 01:00:35,760 --> 01:00:39,240 Speaker 1: she knows funds up to this. Okay, Well, let me 1261 01:00:39,320 --> 01:00:42,480 Speaker 1: just give you some advice. Okay, she found out some 1262 01:00:42,560 --> 01:00:45,680 Speaker 1: information that you told her. She feels betrayed, she's hurt. 1263 01:00:45,920 --> 01:00:47,920 Speaker 1: It's gonna take her some time to get over that. 1264 01:00:48,760 --> 01:00:51,320 Speaker 1: Your period, there's just nothing you could do about that 1265 01:00:51,440 --> 01:00:53,840 Speaker 1: except keep doing what you're supposed to be doing and 1266 01:00:54,000 --> 01:00:56,800 Speaker 1: making her feel comfortable. But now that you did the crime, 1267 01:00:56,840 --> 01:01:01,280 Speaker 1: you gotta do the time, Okay, time and the love 1268 01:01:01,400 --> 01:01:04,160 Speaker 1: and the effort, all right, So you just keep on 1269 01:01:04,360 --> 01:01:06,800 Speaker 1: doing that. It's not gonna be fixed overnight. It takes 1270 01:01:06,800 --> 01:01:09,000 Speaker 1: a long time for somebody to build up that trust again, 1271 01:01:09,360 --> 01:01:10,720 Speaker 1: just as it would take a long time for you 1272 01:01:10,800 --> 01:01:13,760 Speaker 1: to trust somebody again if you felt betrayed all right, 1273 01:01:13,840 --> 01:01:16,960 Speaker 1: can I start at my shop real quick? Go ahead, yo, 1274 01:01:17,080 --> 01:01:19,360 Speaker 1: shut up. The five glass man were in his b 1275 01:01:19,600 --> 01:01:21,840 Speaker 1: book to stand up, all right, bro good up man 1276 01:01:22,280 --> 01:01:24,840 Speaker 1: ask you eight hundred five eight five one oh five one. 1277 01:01:24,840 --> 01:01:26,240 Speaker 1: If you got a question for you, you could call 1278 01:01:26,280 --> 01:01:28,640 Speaker 1: it at any time. Now you've got rumors coming up. Yes, 1279 01:01:28,720 --> 01:01:31,919 Speaker 1: we'll talk about Michael straighthand he's landed yet another gig. 1280 01:01:32,000 --> 01:01:33,840 Speaker 1: Will tell you what he's going to be doing. And 1281 01:01:33,920 --> 01:01:37,200 Speaker 1: since we're talking relationships, let's discuss the Diddy and Cassie. 1282 01:01:37,680 --> 01:01:40,360 Speaker 1: There were some rumors about a domestic incident. The two 1283 01:01:40,400 --> 01:01:43,000 Speaker 1: of them allegedly broke up, she dumped them. Well, we'll 1284 01:01:43,040 --> 01:01:44,960 Speaker 1: tell you where they stand now. All right, we'll get 1285 01:01:45,000 --> 01:01:46,720 Speaker 1: into that and more. Keep it locked it to Breakfast 1286 01:01:46,720 --> 01:01:55,600 Speaker 1: clogal Morning, the breakfast clubs. It's just oh my gosh, 1287 01:01:55,880 --> 01:02:03,560 Speaker 1: gott it's the report. Oh well, it looked like things 1288 01:02:03,600 --> 01:02:06,520 Speaker 1: are going left for Diddy and Cassie. Actually, her mom 1289 01:02:06,600 --> 01:02:08,840 Speaker 1: had called the cops when allegedly Diddy had took her 1290 01:02:08,880 --> 01:02:11,680 Speaker 1: phone and was going through it, And part of that 1291 01:02:11,840 --> 01:02:14,720 Speaker 1: was because Cassie allegedly broke up with him. But the 1292 01:02:14,760 --> 01:02:17,000 Speaker 1: two of them have kind of taken the social media 1293 01:02:17,160 --> 01:02:20,760 Speaker 1: to address these issues. First, Cassie posted a picture herself 1294 01:02:20,800 --> 01:02:22,720 Speaker 1: in a bikini with a jacket on, and she put 1295 01:02:22,800 --> 01:02:26,920 Speaker 1: earlier today we always good. And then Diddy responded by 1296 01:02:27,000 --> 01:02:31,080 Speaker 1: posting that very same picture and said always now. Cassie 1297 01:02:31,120 --> 01:02:34,240 Speaker 1: also then posted another picture herself and said self control. 1298 01:02:34,360 --> 01:02:36,040 Speaker 1: So it looks like the two of them are going 1299 01:02:36,080 --> 01:02:38,200 Speaker 1: to work it out as they always do. They ain't 1300 01:02:38,200 --> 01:02:40,600 Speaker 1: got no reason not to. Why do you say that? 1301 01:02:41,000 --> 01:02:45,439 Speaker 1: We're Cassie going, that's the reason. Why exactly where's she going? 1302 01:02:45,640 --> 01:02:48,200 Speaker 1: All right? It looks like Tiger is having some more issues. Now. 1303 01:02:48,280 --> 01:02:50,120 Speaker 1: We told you before that he had a worn out 1304 01:02:50,160 --> 01:02:52,360 Speaker 1: and he was supposed to get arrested because he did 1305 01:02:52,440 --> 01:02:55,440 Speaker 1: not pay for one of the properties that he was renting. Well, 1306 01:02:55,440 --> 01:02:58,360 Speaker 1: it looks like another landlord is now sewing Tiger one. 1307 01:02:58,480 --> 01:03:00,880 Speaker 1: He's seeing all these judgments to get settled and felt 1308 01:03:00,880 --> 01:03:02,560 Speaker 1: like he wants to get his money to his ex 1309 01:03:02,720 --> 01:03:06,040 Speaker 1: landlord has also filed a complaint for one hundred and 1310 01:03:06,120 --> 01:03:09,840 Speaker 1: eighty six thousand dollars. Yes, you can't be on MTV 1311 01:03:10,240 --> 01:03:12,080 Speaker 1: ball In every week with that King In with Tiger 1312 01:03:12,160 --> 01:03:14,720 Speaker 1: show and not paying your bills now, Well, People Magazine 1313 01:03:14,760 --> 01:03:17,439 Speaker 1: had some legal documents saying that Tiger quit paying rent 1314 01:03:17,480 --> 01:03:20,480 Speaker 1: and abandoned the premises without notice. Back in June twenty fifteen. 1315 01:03:21,000 --> 01:03:24,000 Speaker 1: They found that the house was in gross disrepair, utility 1316 01:03:24,040 --> 01:03:27,560 Speaker 1: bills were unpaid, and there was hazardous environmental waste that 1317 01:03:27,600 --> 01:03:30,919 Speaker 1: required a professional cleanup. They said. Allegedly, there was ink 1318 01:03:31,120 --> 01:03:33,640 Speaker 1: that was poured down the drain and into a public 1319 01:03:33,760 --> 01:03:36,680 Speaker 1: sewer sink. Yeah, I don't know what that's about. That 1320 01:03:37,480 --> 01:03:40,800 Speaker 1: Collie dyeing her hair, all right, Well, that house was 1321 01:03:40,880 --> 01:03:43,840 Speaker 1: actually something that he had rented to run his side business, 1322 01:03:43,920 --> 01:03:47,360 Speaker 1: Egypt Last King's Clothing, So all kinds of issues. You 1323 01:03:47,400 --> 01:03:50,280 Speaker 1: can't just leave a house in gross disrepair and not 1324 01:03:50,360 --> 01:03:52,640 Speaker 1: pay the bills. You can't be on TV every week 1325 01:03:52,760 --> 01:03:55,240 Speaker 1: ball and not paying your bills. Maybe there's another reason 1326 01:03:55,280 --> 01:03:58,160 Speaker 1: why it just seems like an ongoing issue here, because 1327 01:03:58,280 --> 01:04:03,240 Speaker 1: because it maybe that's the problem. You're always buying calls 1328 01:04:03,280 --> 01:04:05,400 Speaker 1: instead of pinion, damn house, noe or whatever it is, 1329 01:04:05,480 --> 01:04:09,160 Speaker 1: drink whatever. I don't know, all right, Michael Straighthand has 1330 01:04:09,200 --> 01:04:13,000 Speaker 1: sold his first script to ABC. Now we all know him, 1331 01:04:13,040 --> 01:04:16,240 Speaker 1: of course from being on Good Morning American. We watched 1332 01:04:16,280 --> 01:04:19,200 Speaker 1: the drama play out when he left Live Well. Now 1333 01:04:19,280 --> 01:04:21,000 Speaker 1: he has sold his first scrip to ABC and it 1334 01:04:21,080 --> 01:04:24,560 Speaker 1: is called Hobbs. It actually centers around a college football 1335 01:04:24,600 --> 01:04:27,680 Speaker 1: player and a former Heisman Trophy winner who joins the 1336 01:04:27,720 --> 01:04:30,080 Speaker 1: Miami Police Force after not being picked up by an 1337 01:04:30,200 --> 01:04:32,680 Speaker 1: NFL team dropped one of clues bonds from Michael Sprehand, 1338 01:04:32,720 --> 01:04:35,000 Speaker 1: the most successful gap tooth man ever in the history 1339 01:04:35,040 --> 01:04:38,680 Speaker 1: of any field. That man is milking his situation for 1340 01:04:38,760 --> 01:04:40,600 Speaker 1: all of this work. And I am not mad at him, 1341 01:04:40,640 --> 01:04:43,760 Speaker 1: but milking having a gap between his teeth. No, the 1342 01:04:43,840 --> 01:04:46,680 Speaker 1: ABC situation, Oh yeah, absolutely. I think he has a 1343 01:04:46,760 --> 01:04:49,720 Speaker 1: deal to develop all kinds of shows. So Michael's grayhand 1344 01:04:49,880 --> 01:04:53,440 Speaker 1: is win absolutely with her, all right, And that is 1345 01:04:53,440 --> 01:04:55,640 Speaker 1: your rumor report. Did you guys see Nipsey Hustle's chain 1346 01:04:55,720 --> 01:04:59,720 Speaker 1: that he got See a picture of this. It's actually 1347 01:04:59,800 --> 01:05:03,280 Speaker 1: a one hundred percent smokable gold chain. That means one 1348 01:05:03,360 --> 01:05:05,600 Speaker 1: hundred grams of weed that's rolled into joints with gold 1349 01:05:05,640 --> 01:05:07,840 Speaker 1: papers and then they link the papers together. You have 1350 01:05:07,920 --> 01:05:09,320 Speaker 1: to see a picture of it. They said the papers 1351 01:05:09,800 --> 01:05:13,480 Speaker 1: cost three hundred dollars and dependent is three thousand dollars 1352 01:05:13,920 --> 01:05:17,880 Speaker 1: worth of weed retail, So so how much now, three 1353 01:05:17,880 --> 01:05:20,480 Speaker 1: thousand dollars worth of weed. Okay, three hundred dollars just 1354 01:05:20,560 --> 01:05:22,600 Speaker 1: for the papers. He got it for free apart part. 1355 01:05:22,880 --> 01:05:25,200 Speaker 1: But yeah, but when do you smoke it though? Like, 1356 01:05:25,280 --> 01:05:27,000 Speaker 1: at what point do you decide I'm gonna smoke this 1357 01:05:27,120 --> 01:05:30,560 Speaker 1: jury chain? Yeah, it's got to be a special occasion, right, 1358 01:05:30,920 --> 01:05:33,400 Speaker 1: you just don't smoke that on any given day, not 1359 01:05:33,560 --> 01:05:36,360 Speaker 1: a right. It's got to be some something you're celebrating 1360 01:05:36,600 --> 01:05:39,480 Speaker 1: or and you got to do it via periscope. Everybody 1361 01:05:39,520 --> 01:05:41,680 Speaker 1: got to see this one. Let me smoke might change. Yeah, 1362 01:05:42,280 --> 01:05:44,080 Speaker 1: that's different. Now that's some different type of ball drop 1363 01:05:44,200 --> 01:05:46,200 Speaker 1: on a clue, bombs and nipsey hustle, minding a new 1364 01:05:46,280 --> 01:05:48,400 Speaker 1: way to ball on these holes. That's a new way 1365 01:05:48,440 --> 01:05:51,040 Speaker 1: to ball. Okay, goodness, Grace, I'm gonna buy me a 1366 01:05:51,120 --> 01:05:54,120 Speaker 1: chain just to smoke it. You do what you're doing, 1367 01:05:54,320 --> 01:05:57,040 Speaker 1: and that is your rumor report. I'm Angelie and a 1368 01:05:57,080 --> 01:06:00,720 Speaker 1: happy National Waffle DMV. Let me tell y'all spoiled. I am. 1369 01:06:00,800 --> 01:06:02,840 Speaker 1: I'm so spoiled. We've been working at our hard for 1370 01:06:02,920 --> 01:06:05,480 Speaker 1: what I've been here almost six years now, six years. 1371 01:06:05,680 --> 01:06:09,040 Speaker 1: Every year it seems like Elvis Durant does a waffle house. Yeah, 1372 01:06:09,240 --> 01:06:11,439 Speaker 1: And I came in here mouth water in the day thinking, 1373 01:06:11,480 --> 01:06:14,040 Speaker 1: you know what, I'm gonna have a little cheat. He 1374 01:06:14,040 --> 01:06:16,720 Speaker 1: ain't got no waffle house today, and I'm feeling bad. 1375 01:06:16,760 --> 01:06:19,919 Speaker 1: I'm like, oh, yeah, no waffle house at the job today, 1376 01:06:19,960 --> 01:06:22,600 Speaker 1: even though there's no waffle houses in New York Tri 1377 01:06:22,760 --> 01:06:25,920 Speaker 1: state area at all. That's how spoiled I've gotten. Well, 1378 01:06:25,960 --> 01:06:28,320 Speaker 1: I see, well, it is National Waffle Day. So if 1379 01:06:28,360 --> 01:06:29,960 Speaker 1: you look on my Twitter, I did post all the 1380 01:06:30,040 --> 01:06:32,760 Speaker 1: places that are giving free waffles today. If you want 1381 01:06:32,800 --> 01:06:34,640 Speaker 1: to find a location near you where you can get 1382 01:06:34,680 --> 01:06:36,240 Speaker 1: some free waffle And if you work with a waffle 1383 01:06:36,280 --> 01:06:38,440 Speaker 1: colored negro, get a package surf and smack them with it, 1384 01:06:38,600 --> 01:06:41,080 Speaker 1: shut up. That's not what you do. Um. So we're 1385 01:06:41,120 --> 01:06:43,720 Speaker 1: celebrating with dj MV today for a national whiff. Somebody 1386 01:06:43,760 --> 01:06:46,120 Speaker 1: getting package surf and smacking being the face shut up 1387 01:06:46,480 --> 01:06:48,520 Speaker 1: and went in turn, want to make twin dolls real quickly, 1388 01:06:48,560 --> 01:06:51,200 Speaker 1: some of y'all last day to day anyway, We ain't 1389 01:06:51,280 --> 01:06:55,520 Speaker 1: hiring none of y'all. Come on, you stop it all right, 1390 01:06:55,600 --> 01:06:57,520 Speaker 1: shout to our family at Revote Man. We'll see you 1391 01:06:57,600 --> 01:07:00,280 Speaker 1: guys tomorrow. Everybody else to peoples choice mixes. Next, you 1392 01:07:00,280 --> 01:07:02,320 Speaker 1: want to hear something eight hundred five eight five one 1393 01:07:02,360 --> 01:07:04,560 Speaker 1: oh five one hit us. Now, that's the breakfast cluck 1394 01:07:04,560 --> 01:07:04,880 Speaker 1: of onrning