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Speaker 1: First of all, you don't know.

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Speaker 2: All about that high school drama. Girl drama girl, all

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Speaker 2: about them.

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Speaker 3: High school queens. We'll take you for a ride, and

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Speaker 3: our comic girl sharing for the right teams.

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Speaker 2: Drama, queens up girl fashion, but your tough girl, you

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Speaker 2: could sit with us.

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Speaker 1: Girl drama, queens, drama, Queens drama, Queens drama, drama, queens

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Speaker 1: drama queens.

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Speaker 3: Hey, everybody, we are back. We're back. We're still here,

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Speaker 3: and we are here to talk all things except one tree.

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Speaker 4: Hell.

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Speaker 3: We're going to talk all things SAG strike with you

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Speaker 3: because it's really important to us and our community, and

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Speaker 3: so are you and you as an audience showing up

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Speaker 3: for us every week. We love you, guys, and we

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Speaker 3: want you to know what's going on. We want your support,

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Speaker 3: and so here we are. Let's talk about lots of things.

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Speaker 4: Yeah, dude, we had a text chain yesterday, so we

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Speaker 4: record our episodes a couple of days in advance, and

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Speaker 4: so for you, you guys at home, you're hearing this

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Speaker 4: on Monday. But we're dealing with this over the course

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Speaker 4: of you know, a Thursday, a Friday, a Saturday, and

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Speaker 4: our union went on strike, which I think we all

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Speaker 4: support and we're all fully backing that.

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Speaker 5: But what that means is that.

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Speaker 4: There is a lot of gray area about whether or

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Speaker 4: not you can promote a show that was a SAG

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Speaker 4: after a contract and one tree who was for us?

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Speaker 4: I mean, this was the show that got all of us.

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Speaker 4: I mean not all of us, but it got me

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Speaker 4: into the Union. You know, were you in the Union already?

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Speaker 6: I was, Yeah, because I had done a commercial early

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Speaker 6: in high school and so I got into commercial. Yeah,

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Speaker 6: that was how I got into SAG. And it was

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Speaker 6: like such a cool thing. I remember my dad being like,

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Speaker 6: you're going to have healthcare when you're eighteen, Like.

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Speaker 5: Credit a commercial?

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Speaker 3: What was the commercial?

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Speaker 6: So I was in a KitKat commercial?

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Speaker 4: Oh my god?

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Speaker 5: Yeah, where is that on the internet?

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Speaker 6: Oh my god, you guys. It was chic. It was

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Speaker 6: like a full coffee paste of clueless. Me and my

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Speaker 6: friend Keana from school. We're in it with this girl.

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Speaker 6: I can't remember the other girl's name. We met her

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Speaker 6: on set that day. I still can't eat caickut bars

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Speaker 6: because I ate so many of them that weekend. But

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Speaker 6: we were so cute, and yeah, that was how I

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Speaker 6: got into the Union.

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Speaker 3: I love it. I got mine from a commercial too.

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Speaker 3: But I was twelve and the hospital where my dad

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Speaker 3: worked was doing a commercial and they so I went

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Speaker 3: and I had to walk a dog in a circle.

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Speaker 5: Did that dog eat a heart?

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Speaker 3: That was the dog? Later? No, but that was it.

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Speaker 3: It was very exciting though, because the whole thing with

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Speaker 3: the SAG card is you can't really get SAG work

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Speaker 3: until you have a SAG card, and you can't get

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Speaker 3: the you can't have a SAG card without getting the work.

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Speaker 3: So it's really exciting when you get that one job

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Speaker 3: that's going to get you in the door.

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Speaker 6: Yeah.

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Speaker 4: Well, people talk about your big break, you know, it

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Speaker 4: really is the moment that you are able to join SAG.

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Speaker 4: It's like, oh, I have a line, I have a

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Speaker 4: job that is part of a union, and it's such

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Speaker 4: a big deal to an actor.

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Speaker 6: Yeah, it is a really big deal, and I think

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Speaker 6: it's an important thing to touch on, you know, when

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Speaker 6: we talk about being part of a union, when we

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Speaker 6: talk about the fact that the union is how we

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Speaker 6: have protections on set, it's how we have healthcare, it's

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Speaker 6: how we have all these things. There's a lot of

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Speaker 6: misnomers in the world about what we do, about what

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Speaker 6: performers do about what our lives look like. You know,

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Speaker 6: you hear the top line for like the five most

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Speaker 6: famous people on earth and how much money they make,

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Speaker 6: and you think everybody makes money like them, and it's

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Speaker 6: just not true, unfortunately. And I think it's a really important,

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Speaker 6: a really important way to frame it is to let

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Speaker 6: you know our friends at home that if you are

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Speaker 6: in sag Aftra, in order to qualify for healthcare, you

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Speaker 6: have to make as a performer twenty six thousand dollars

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Speaker 6: a year, and eighty seven percent of the sag after

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Speaker 6: membership does not qualify for healthcare. That's eighty seven percent

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Speaker 6: and not one cent less, not one cent less. Eighty

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Speaker 6: seven percent of working actors do not make twenty six

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Speaker 6: thousand dollars a year from acting or performing, so they

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Speaker 6: don't even have access to the health benefits that our

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Speaker 6: union helps us afford. And so this idea that it's like, oh,

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Speaker 6: it's a bunch of whiny rich people who just want

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Speaker 6: more money. Know the CEOs of the studios that make

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Speaker 6: two hundred million dollars a year and are currently vacationing

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Speaker 6: together on a super yacht while they're telling all of

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Speaker 6: us that our protections that we're asking for our quote unrealistic.

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Speaker 6: Those are the rich people who we should all be

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Speaker 6: sort of fised out. Yeah, but I think it's really

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Speaker 6: it's really important that we start to unpack some of

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Speaker 6: the reality of this because look like you guys see

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Speaker 6: us either on TV and shows that are edited and

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Speaker 6: sound mixed and color timed beautifully, or you see people

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Speaker 6: at award shows. But to be clear, award shows aren't

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Speaker 6: actually parties, their work events, and everyone's wearing barge that

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Speaker 6: they can't afford.

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Speaker 4: Oh my god, I could never afford anything I've ever

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Speaker 4: worn anywhere.

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Speaker 3: Never.

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Speaker 4: It's important to us that, like, we have full transparency

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Speaker 4: with you guys, because we have reached out to our

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Speaker 4: union rep because what we've been told as actors is

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Speaker 4: you're not allowed to promote anything that was a sag

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Speaker 4: after job. And because our show currently is still streaming

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Speaker 4: even though we filmed it twenty years ago, is doing

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Speaker 4: a rewatch podcast considered promotion for a sag after job.

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Speaker 4: So we've called our leadership and they're inundated with other

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Speaker 4: people with similar questions, and so while we wait for

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Speaker 4: a clear answer from them, uh huh, this actually like

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Speaker 4: works in our fans' benefit because we're just going to

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Speaker 4: answer like all the questions that you guys have been

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Speaker 4: sending in because it is important to us that.

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Speaker 5: We honor you.

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Speaker 4: You've been along with us for this ride for two decades. Now,

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Speaker 4: you know we're coming up on our twentieth anniversary. And

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Speaker 4: it's also important that our show specifically, which was an

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Speaker 4: ensemble show, is standing by and fighting the good fight,

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Speaker 4: not just for like the core five kids on the show,

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Speaker 4: but every single one of the actors that came and

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Speaker 4: did guest spots.

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Speaker 5: On our show.

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Speaker 4: These are the people that we're fighting for. These are

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Speaker 4: the people that really deserve all of our support.

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Speaker 6: And just so you guys know, when we talk about

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Speaker 6: what questions we have for our union reps, you know

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Speaker 6: you probably have seen that there's been guidelines published. There's

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Speaker 6: some stuff that, to Hillary's point, is just a gray area. Yeah,

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Speaker 6: like they've said you can't promote past or present projects.

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Speaker 6: But does that mean projects that have come out and

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Speaker 6: are no longer airing new episodes, or does a past

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Speaker 6: project mean you know, the Netflix show that you shot

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Speaker 6: two and a half years ago that's premiering this November,

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Speaker 6: so technically it's a past project, But it's still going

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Speaker 6: to be new to streaming, like nobody really knows what

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Speaker 6: it means yet, and we just don't want to air

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Speaker 6: anything that could potentially go against our own union and

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Speaker 6: our own support of them, So we won't have a

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Speaker 6: new episode this week.

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Speaker 4: But like we said, we're going to answer all your questions.

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Speaker 3: What you're saying, Sophia is so true because a lot

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Speaker 3: of the issue is with streaming and the fact that

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Speaker 3: you know, we as actors, you used to be able

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Speaker 3: to get syndication fees, so when your show was on

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Speaker 3: and then it would re air like we were on

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Speaker 3: soap Net.

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Speaker 4: Oh my god, soap Net was a great great paychecks,

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Speaker 4: isn't it great?

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Speaker 3: Yes, And that was for years and years. Even commercial

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Speaker 3: actors used to get residuals that people would put their

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Speaker 3: kids through college and just doing one commercial. And so

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Speaker 3: now what's different is the studios are just selling these

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Speaker 3: properties off to the streaming networks, and the storytellers who

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Speaker 3: poured their heart and souls into these shows, who showed

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Speaker 3: up every day for work, they don't get anything from that.

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Speaker 3: It's like a one and done and you invest years

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Speaker 3: and years and years of your life and something like

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Speaker 3: that and so that's been That's one of the things

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Speaker 3: that's important that we are able to hold the line

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Speaker 3: on with our union, and we just want to be

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Speaker 3: respectful of that. That's one thing among many others.

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Speaker 4: We've got a question from someone named Maria that ties

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Speaker 4: into that Joy really well because she asks, she says,

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Speaker 4: how are actors compensated for work done in the early

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Speaker 4: two thousands prior to streaming? Do you get any benefits

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Speaker 4: from your episodes on streaming? And I just want to

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Speaker 4: point out that when our contracts were negotiated in two

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Speaker 4: thousand and three, streaming wasn't even a feasibility.

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Speaker 5: It was alien. You can't negotiate for something that doesn't exist.

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Speaker 3: This is when Netflix was still mailing you DVDs in

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Speaker 3: your actual post mailbox and you would pull the DVD

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Speaker 3: out and watch it. That's all Netflix was.

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Speaker 6: Yep, it's so crazy to think about, and it is interesting,

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Speaker 6: you know, to the point of what Joy's saying, it's

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Speaker 6: a weird feeling, guys, to have made something, to have

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Speaker 6: dedicated your life to making something. Also, frankly, all of

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Speaker 6: our first big jobs, so it's not like any of

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Speaker 6: us had good quotes. We weren't making a bunch of

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Speaker 6: money by any means. We were all like trying to

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Speaker 6: figure out how to pay our rent. And your show

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Speaker 6: goes on to become this hit, this cult classic, and

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Speaker 6: it keeps getting sold.

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Speaker 5: Oh, they make so much money off this show.

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Speaker 6: They make so much money off the show, you guys,

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Speaker 6: And we haven't seen a penny of it ever. And

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Speaker 6: it's our faces and our stories and our bodies and

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Speaker 6: our work that they're selling. And it feels it feels

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Speaker 6: really bad. And I think part of the reason it

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Speaker 6: feels bad is because people who were in better quote

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Speaker 6: unquote power positions did get protections for eventual changes to

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Speaker 6: things like Tom Cruise is making money every time his

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Speaker 6: movies play on any network, you know, TV, streamer or whatever,

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Speaker 6: but like, we don't. And that's that's a hard pill

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Speaker 6: to swallow, to know that there is just not a

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Speaker 6: fair standard. And that's that's why we're on strike.

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Speaker 4: I mean, the AI thing is what breathes me out

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Speaker 4: because we couldn't have negotiated for that, Like and do

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Speaker 4: you guys remember we just had one one taste of

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Speaker 4: what that was, like it was maybe second or third season,

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Speaker 4: and they used our life.

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Speaker 6: You gonna say caress.

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Speaker 5: Yes, I'm so mad about it.

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Speaker 6: Still remember that.

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Speaker 5: Yeah, Okay, tell everybody at home what happened.

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Speaker 6: I still though, you guys. One of the ways that

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Speaker 6: if you are on a show locked into a six

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Speaker 6: year deal for very little money, as we all were,

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Speaker 6: that you stand to maybe make some money if your

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Speaker 6: show becomes a hit, is you might get an endorsement deal,

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Speaker 6: so you might become the face of a brand.

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Speaker 5: Like and like.

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Speaker 4: But every girl on every other show had like Nutrigas

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Speaker 4: was doing kids.

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Speaker 6: Remember Kristen Bell when she was doing Cutie Veronica Mars

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Speaker 6: and she was doing Nutrigina with her perfect little chin.

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Speaker 3: Like.

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Speaker 6: People had opportunities to do these things.

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Speaker 5: I was begging for it. Yeah.

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Speaker 6: Man, we were like cool, we were ready, let's go

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Speaker 6: do something neat. And the WB sold the three of

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Speaker 6: us photos.

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Speaker 5: Of us to caress our likeness.

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Speaker 6: Yeah, and they said, are you a Brook, a Paytent

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Speaker 6: or a Haley And they said no, no, we sold Brooke,

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Speaker 6: Peyton and Haley. They got the endorsement money, y'all. The

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Speaker 6: network made the money and we didn't make a penny.

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Speaker 6: So we were on billboards and in magazines as the

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Speaker 6: faces of this you know, skincare brand, and we made nothing.

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Speaker 5: And it knocked us out of the running for anything else.

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Speaker 3: Yeah, that's right, yep.

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Speaker 6: Because it ruins your exclusivity. So then we could never

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Speaker 6: do another beauty deal.

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Speaker 4: You'll remember driving by those billboards.

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Speaker 5: Matter than deceiving.

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Speaker 6: I had steam coming out of my ears, and it's

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Speaker 6: like a It's a really crazy thing, especially as a

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Speaker 6: young woman, when someone sells your face and body oof

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Speaker 6: and doesn't have to ask you about it. And this

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Speaker 6: is the new argument that we're having with AI. You know,

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Speaker 6: if you're paying attention watching any of the videos we've

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Speaker 6: all been sharing, our SAG president and some of our

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Speaker 6: reps got up to talk about you know this quote

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Speaker 6: unquote groundbreaking AI proposition from the studios, and the studios

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Speaker 6: literally said, well, when background actors come in, we'll scan

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Speaker 6: them and then we'll own their likeness to be reproduced

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Speaker 6: in any manner we choose forever, forever. Imagine like they

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Speaker 6: could put you in porn, they could put you in

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Speaker 6: a movie about Nazis, they could put they could do

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Speaker 6: anything that goes against your moral compass. They could recreate

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Speaker 6: you ten thousand times and you would have made eighty

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Speaker 6: dollars for one day working background and gotten a free lunch.

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Speaker 6: Get theff out of here?

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Speaker 5: Did they watched Terminator? I watched Terminator like every day

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Speaker 5: growing up. Get out? Know how bad this is gonna go?

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Speaker 6: We got to get out. Yeah, so they're taking advantage

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Speaker 6: of old contracts. Well, they're taking advantage of old contracts.

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Speaker 6: They're also taking advantage of the most powerless people in

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Speaker 6: our union. But they're taking advantage of people all the

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Speaker 6: way up the line.

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Speaker 3: So much greed.

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Speaker 6: It's so much greed. And I think, you know, people

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Speaker 6: will say when they think about some of their favorite

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Speaker 6: actors who you know, make the big ticket money that

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Speaker 6: they read about in the trades, and they'll be like, well,

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Speaker 6: you know, why are we supposed to listen to these people?

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Speaker 6: They're not hurting for anything. I think it's really worth

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Speaker 6: letting you guys know that part of the reason we

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Speaker 6: fight for equity as actors is because that's how our

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Speaker 6: livelihoods are made. When we eat, a whole team full

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Speaker 6: of people eats if we make money. If we if

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Speaker 6: we get a job for one hundred dollars, our agent

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Speaker 6: gets ten dollars, our manager gets ten dollars, our lawyers

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Speaker 6: get five dollars. Our publicists, depending on what their annual

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Speaker 6: salary is, make from like three to five of that

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Speaker 6: one hundred dollars, you're paying forty dollars in taxes you're

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Speaker 6: paying you're paying another ten bucks to an accountant.

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Speaker 3: Then you have rent and groceries and your family.

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Speaker 6: But what I'm saying is, out of the one hundred

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Speaker 6: dollars that you hear somebody's making, we probably keep twenty five, yeah,

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Speaker 6: and the rest of the money goes to the government

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Speaker 6: and goes to our team. Like I don't make much more.

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Speaker 6: I don't make much more money than my agent makes

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Speaker 6: at the end of the day because of how many

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Speaker 6: people I pay. And I'm proud of that. I'm proud

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Speaker 6: that when I book a job, an entire team of

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Speaker 6: people and their families also book jobs. But this idea

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Speaker 6: that people in our industry are like, you know, greedy

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Speaker 6: or whatever is is simply not true. And it's really

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Speaker 6: frustrating when again, executives at studios that are making one

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Speaker 6: hundred million, two hundred million dollars a year and bonuses

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Speaker 6: and are flying around on their private jets are saying

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Speaker 6: that us asking to not be owned by AI machines

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Speaker 6: is unrealistic. It's like, come on, what do we do?

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Speaker 3: Yeah, when you guys watch a show that has a

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Speaker 3: big star in it, for example, that person is getting

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Speaker 3: a huge paycheck maybe eventually, like eventually, yes, but I

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Speaker 3: mean in comparison, excuse me to what I'm trying to

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Speaker 3: say here, is that basically every other person on the show.

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Speaker 3: What the studios have started to try and do is

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Speaker 3: find all these loopholes, like taking a seasoned actor who

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Speaker 3: should be getting a series regular contract and saying, we're

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Speaker 3: going to bring you in as a guest star. Yeah,

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Speaker 3: for five thousand dollars an episode, but we want you

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Speaker 3: for ten episodes. We want you for eight days an episode,

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Speaker 3: and we want you for twelve hours a day. And

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Speaker 3: that's what for five thousand dollars for.

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Speaker 4: Guest star fee. You can't get a nanny to cover

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Speaker 4: you for that much?

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Speaker 3: Yeah what? And these are actors who are I mean,

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Speaker 3: it doesn't matter. Anybody shouldn't be yeah, put in that position.

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Speaker 3: But yeah, that's just not right. It's not right.

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Speaker 6: Well, and again, when you think about the percentages that

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Speaker 6: come out of that money, you might be like, I'd

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Speaker 6: love a five thousand dollars paycheck for a week, and

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Speaker 6: it's like, well, yeah, but when you're giving sixty eight

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Speaker 6: percent of that money to other people, Yeah, like what

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Speaker 6: are you what are you living on? How are you

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Speaker 6: paying for your gas? How are you paying your mortgage

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Speaker 6: if you're lucky enough to have one in the first place. Like,

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Speaker 6: it's a it's it's really kind of wild, and it's

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Speaker 6: it's frustrating. None of us is stupid. It's frustrating when

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Speaker 6: studios are getting on their earnings calls with their shareholders

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Speaker 6: boasting about record breaking quarterly profits and then they're.

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Speaker 5: Telling us, ever you add of here?

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Speaker 4: If there was ever a show to prep a fan

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Speaker 4: base for, like a good fight, I feel like between

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Speaker 4: Brooke Davis's fight with the Crab, Shack the.

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Speaker 6: Lobster, I unionize those crabs still proud.

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Speaker 4: Payton sort of like this record label bullshit you Like,

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Speaker 4: I think that our fan base has been primed for

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Speaker 4: a fight for like a long time now. So so

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Speaker 4: this question from simone, what is one song that can

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Speaker 4: immediately change your mood? I think to amend it, Like,

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Speaker 4: what's our fight song?

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Speaker 6: I was just gonna say, we need a fight song?

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Speaker 4: Yeah, what is our fight so honestly, we're striking in

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Speaker 4: this moment.

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Speaker 6: I feel like the mood is very These boots were

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Speaker 6: made for walking. Yeah, like I'm rocking right out of work.

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Speaker 6: Call y'all, good guye bye bye?

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Speaker 5: Who I mean you know that? I just go to

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Speaker 5: lay Miz for everything.

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Speaker 4: You know.

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Speaker 5: It's like the studio executives are like.

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Speaker 4: You at the barricade, listen to this, no one is

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Speaker 4: coming to help you to fight, and here comes sag

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Speaker 4: and We're like, hey, bitches, let's ride.

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Speaker 5: Yeah, love it.

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Speaker 3: It was a TV show called The Unit on Ages

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Speaker 3: ago and their theme song was like it was it

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Speaker 3: was the Marines, but it was put to it was

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Speaker 3: like a marine cadence, but it was put to some

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Speaker 3: real cool beats. I'm feeling it. I'll find it.

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Speaker 6: Yeah, we need to find that. We can drop it

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Speaker 6: in a story.

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Speaker 3: I'm into it.

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Speaker 5: We'll just play newsies.

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Speaker 3: Man.

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Speaker 6: Well, I like Chrissy's question because now that school's out

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Speaker 6: for summer, what are we doing?

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Speaker 5: She's like, what are.

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Speaker 6: Your favorite summer activities to do with your family and friends?

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Speaker 6: And I'm like, well, I didn't think I was going

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Speaker 6: to be home, but here we are, so.

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Speaker 4: Yeah, so here I mean, Jeff can't go to Comic

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Speaker 4: Con and I can't film my show anymore, and so

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Speaker 4: he and I are looking at each other this morning

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Speaker 4: just like, oh my god, like we get to just

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Speaker 4: be home with the kids, you know, like obvious, what

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Speaker 4: are you guys going to do on the farm?

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Speaker 5: Who knows?

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Speaker 4: Like at this point, George is so all consuming and

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Speaker 4: it's just like they had digit me. I think they

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Speaker 4: were doing fishing last night. I was traveling to come

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Speaker 4: home and they were all like fishing successfully. So I

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Speaker 4: feel like that's going to be the rest of my summer.

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Speaker 4: Is I love that baiting hooks, which that's fun.

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Speaker 3: I've never really been fishing. I would love to go.

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Speaker 3: I mean I've done it once or twice, but not

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Speaker 3: like out the whole morning, get up early. That'd be fun.

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Speaker 6: Honestly. Years ago, I set a goal for myself to

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Speaker 6: learn to fly fish really and yeah.

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Speaker 5: Remember her Instagram. We were all like where is she?

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Speaker 6: You're like, what are you doing? I was like, I'm

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Speaker 6: just in Alasta, you guys. I love it, Like I

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Speaker 6: want to be the old lady and waiters who's just

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Speaker 6: like on a river with no cell service fishing like

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Speaker 6: that is my GM that is my future goal for myself.

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Speaker 6: I'm ready to go.

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Speaker 3: Sounds great.

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Speaker 5: Yeah.

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Speaker 3: I just love running around, especially with all these fireflies

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Speaker 3: and the summer heat, just watching the kids. We got

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Speaker 3: a little creek by our house, watching the kids run around.

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Speaker 3: It's so nice to just relax and enjoy the simple,

404
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Speaker 3: simple things in life. I feel those. I feel that

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Speaker 3: more in the summer, I think than the winter.

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Speaker 4: I clocked the summers like I dawned on me at

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Speaker 4: the end of the school year that I was only

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Speaker 4: going to have X amount of summers left with my

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Speaker 4: son before he graduates and leaves, and it's not a

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Speaker 4: big number. And I was just like, oh, I panicked.

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Speaker 4: I totally panicked. And so now I'm overwhelming the out

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Speaker 4: of Gus and I'm just like, do you want to

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Speaker 4: watch a movie? Do you want to watch a movie?

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Speaker 4: Do you want to hang out with me? Do you

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Speaker 4: want to cook together? Do you want to go on

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Speaker 4: a walk?

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Speaker 5: What do you want to do? So pestering my teenager?

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Speaker 6: I love it.

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Speaker 4: Yeah, there's only so many summers left, Okay.

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Speaker 6: Sarah wants to know what kind of toppics you put

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Speaker 6: on your pizza, which might feel like a weird transition.

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Speaker 6: But I actually think one of the things that I

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Speaker 6: like to do in the summer is do like pizza

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Speaker 6: nights with friends, you know, get all the dough and

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Speaker 6: get all the things they.

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Speaker 5: Wait, girl, you do work.

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Speaker 4: Oh.

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Speaker 6: I love it. I love it, And I'm like, that's

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Speaker 6: the thing you could do with gus. You could be like, hey, kid,

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Speaker 6: let's to make pizza dough and then we can make

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Speaker 6: our own pizzas.

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Speaker 3: Give one of those little hooney pizza of it, right, Yes,

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Speaker 3: I have one of those little single ones and we

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Speaker 3: just throw them in there for three minutes and turn

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Speaker 3: them over.

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Speaker 6: They're so cool.

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Speaker 5: Well they just like gas powered.

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Speaker 6: Yeah, okay, yeah, I'll send you a link. So I

439
00:22:17,520 --> 00:22:21,240
Speaker 6: feel like we can answer Sarah's question, but we can

440
00:22:21,280 --> 00:22:23,959
Speaker 6: also plot like ways for you guys to make your

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Speaker 6: teenagers hang out with you guys.

442
00:22:25,800 --> 00:22:27,920
Speaker 5: I feel like this question opens us.

443
00:22:28,520 --> 00:22:32,080
Speaker 4: It opens me up because, okay, get I'm a Pineapple

444
00:22:32,119 --> 00:22:35,000
Speaker 4: pizza person and I'm not even embarrassed about it, Like

445
00:22:35,080 --> 00:22:37,080
Speaker 4: I just love it and I don't want to hear

446
00:22:37,080 --> 00:22:38,680
Speaker 4: anything about it. And I've loved it since I was

447
00:22:38,680 --> 00:22:41,960
Speaker 4: a little kid getting those little Caesars packages to tear

448
00:22:42,000 --> 00:22:45,679
Speaker 4: the paper open, I love.

449
00:22:45,560 --> 00:22:47,600
Speaker 3: Pineapple on pizza. It's wrong with that.

450
00:22:47,800 --> 00:22:50,200
Speaker 5: Because people pick on you. People really do.

451
00:22:50,600 --> 00:22:52,840
Speaker 3: That is true. I don't like the ham either. I

452
00:22:52,880 --> 00:22:56,080
Speaker 3: don't want the ham. I just want the pineapple. Maybe

453
00:22:56,080 --> 00:22:58,800
Speaker 3: a little mushroom. Maybe a little pineapple mushroom green pepper.

454
00:22:59,160 --> 00:22:59,800
Speaker 5: That gives me like.

455
00:23:00,240 --> 00:23:03,720
Speaker 6: College flashbacks to like the little pizza place off of

456
00:23:03,800 --> 00:23:08,639
Speaker 6: Hoover Avenue in downtown at usc Oh my god, I

457
00:23:08,640 --> 00:23:11,320
Speaker 6: I've turned into one of those people who likes I

458
00:23:11,400 --> 00:23:13,800
Speaker 6: like like a weird, fancy Italian pizza. I ordered a

459
00:23:13,800 --> 00:23:20,280
Speaker 6: pizza last night with like fennel sausage and fresh mozzarella

460
00:23:20,359 --> 00:23:21,960
Speaker 6: and like caramelized onions.

461
00:23:22,000 --> 00:23:24,160
Speaker 3: It was so good.

462
00:23:25,840 --> 00:23:26,879
Speaker 5: We're going legit.

463
00:23:26,960 --> 00:23:30,040
Speaker 3: Yeah, pizza, Like, let's talk about a little more to Della.

464
00:23:30,240 --> 00:23:33,520
Speaker 3: Let's talk about like calibri and chili with honey and

465
00:23:34,040 --> 00:23:36,240
Speaker 3: that like pizza.

466
00:23:36,320 --> 00:23:40,160
Speaker 6: Give it to me, yes, yeah. So but that's the thing.

467
00:23:40,640 --> 00:23:44,000
Speaker 6: This is what I like about us is we can golices.

468
00:23:43,320 --> 00:23:44,160
Speaker 5: Of pizza here.

469
00:23:44,480 --> 00:23:48,720
Speaker 6: Yeah. It's like it's my it's my fantasy trip to Tuscany.

470
00:23:49,040 --> 00:23:51,520
Speaker 6: Or it's like we're on the road in the RV

471
00:23:51,880 --> 00:23:53,760
Speaker 6: and we got to pull over at the gas station.

472
00:23:53,840 --> 00:23:55,400
Speaker 6: What kind of pizza. Are we getting at the gas

473
00:23:55,440 --> 00:23:58,680
Speaker 6: station and we're down. We're down for the whole gamut.

474
00:23:59,040 --> 00:24:02,560
Speaker 4: Remember Slice of Life in Wilmington and what a scene

475
00:24:02,720 --> 00:24:05,400
Speaker 4: that was at the end of the night, Like there's

476
00:24:05,440 --> 00:24:07,440
Speaker 4: no food at the end of the night. So you

477
00:24:07,440 --> 00:24:09,640
Speaker 4: would roll out of bars at like one thirty two

478
00:24:09,640 --> 00:24:12,560
Speaker 4: o'clock in the morning and Slice of Life Pizza is

479
00:24:12,600 --> 00:24:15,240
Speaker 4: where look, if you couldn't pick someone up there, you

480
00:24:15,280 --> 00:24:17,800
Speaker 4: were going home empty handed, like that was the last

481
00:24:17,840 --> 00:24:20,160
Speaker 4: call for food and people to kiss.

482
00:24:20,440 --> 00:24:21,600
Speaker 5: They still they stopped.

483
00:24:21,680 --> 00:24:23,080
Speaker 3: They just stop at the end of the night there

484
00:24:23,080 --> 00:24:26,320
Speaker 3: did they stop cooking, like twenty minutes before they even close,

485
00:24:26,359 --> 00:24:30,960
Speaker 3: because everything's just they're they're sold out. Everybody is flooding

486
00:24:30,960 --> 00:24:31,920
Speaker 3: their spot.

487
00:24:32,760 --> 00:24:34,800
Speaker 5: I loved that place, such.

488
00:24:34,560 --> 00:24:36,520
Speaker 6: A good memory of all the nights there.

489
00:24:36,640 --> 00:24:38,400
Speaker 3: When I was still in California, there was a seven

490
00:24:38,440 --> 00:24:41,159
Speaker 3: eleven all the way at the end of my all

491
00:24:41,200 --> 00:24:45,040
Speaker 3: the end of my road, and I would go in

492
00:24:45,080 --> 00:24:46,720
Speaker 3: there and there was a woman in there once who

493
00:24:46,920 --> 00:24:49,200
Speaker 3: was picking up a pizza and I was like, seven

494
00:24:49,280 --> 00:24:54,119
Speaker 3: eleven makes pizzas so gross, like no thanks, And she

495
00:24:54,160 --> 00:24:57,160
Speaker 3: saw the look on my face and she goes, oh no, no,

496
00:24:58,280 --> 00:25:00,040
Speaker 3: you don't know I'm like, I feel like I no.

497
00:25:00,520 --> 00:25:02,920
Speaker 3: She goes, you don't know, So She's like, would you

498
00:25:03,119 --> 00:25:05,919
Speaker 3: like to try a slice? And I'm thinking no, but okay,

499
00:25:05,960 --> 00:25:08,680
Speaker 3: I mean I'll be nice. Guys, this was a really

500
00:25:08,680 --> 00:25:13,680
Speaker 3: good pizza. You have the jewel Box seven eleven making

501
00:25:13,720 --> 00:25:14,440
Speaker 3: good pizzas.

502
00:25:15,440 --> 00:25:16,600
Speaker 5: I like a sneak attack.

503
00:25:17,480 --> 00:25:20,520
Speaker 4: Yeah, because you don't know who like the owner's owner

504
00:25:20,560 --> 00:25:23,919
Speaker 4: of the franchise's mom is, you know, I franchise.

505
00:25:24,480 --> 00:25:25,879
Speaker 5: She could have had a knack for that.

506
00:25:26,240 --> 00:25:28,879
Speaker 3: Hey man, find the diamond on the rough. You gotta

507
00:25:28,880 --> 00:25:29,320
Speaker 3: find it.

508
00:25:30,200 --> 00:25:33,479
Speaker 4: I love pizza parlor loyalty when you can just like

509
00:25:33,560 --> 00:25:36,000
Speaker 4: find your spot in a town, no matter how run

510
00:25:36,080 --> 00:25:40,439
Speaker 4: down or you know, back alley it is, you just

511
00:25:40,480 --> 00:25:41,800
Speaker 4: gotta stand by it.

512
00:25:42,480 --> 00:25:44,480
Speaker 3: Okay, Well this kind of goes well. This is a

513
00:25:44,560 --> 00:25:48,400
Speaker 3: question from Quinn what's your favorite rom com? Which made

514
00:25:48,400 --> 00:25:51,480
Speaker 3: me think of Mystic Pizza since we're talking about pizza.

515
00:25:51,560 --> 00:25:53,480
Speaker 3: But I actually haven't seen that in a really long time.

516
00:25:53,600 --> 00:25:55,960
Speaker 5: It's been a minute. We might need to watch that.

517
00:25:56,080 --> 00:25:58,640
Speaker 3: You do, Let's do a nineties rom com rewatch?

518
00:25:59,480 --> 00:26:01,359
Speaker 6: Oh man, I would love that.

519
00:26:02,119 --> 00:26:04,480
Speaker 3: If you guys have your DVDs, go find your DVD.

520
00:26:08,480 --> 00:26:16,520
Speaker 6: I just finally watched Before Sunset. Interesting, you guys that

521
00:26:16,640 --> 00:26:22,600
Speaker 6: movie undid me really? Like, yeah, undid me in like

522
00:26:23,119 --> 00:26:26,160
Speaker 6: such a beautiful way, And I just went, what are

523
00:26:26,160 --> 00:26:28,119
Speaker 6: we doing? I just want to I just want to

524
00:26:28,160 --> 00:26:31,600
Speaker 6: make things like this. I just want to make projects

525
00:26:31,680 --> 00:26:31,960
Speaker 6: like this.

526
00:26:32,520 --> 00:26:33,800
Speaker 3: It's so beautiful and simple.

527
00:26:34,000 --> 00:26:35,119
Speaker 6: Yeah, so beautiful.

528
00:26:36,119 --> 00:26:38,840
Speaker 4: I mean, I find boys like that totally irritating. But

529
00:26:40,920 --> 00:26:42,760
Speaker 4: I think the fact that you can make a movie

530
00:26:42,800 --> 00:26:46,120
Speaker 4: about two people connecting with each other is a lost art, Like, yes,

531
00:26:46,280 --> 00:26:48,840
Speaker 4: we're not We're supposed to do big, huge superhero movies.

532
00:26:48,880 --> 00:26:53,200
Speaker 6: Now you know, it was just two people having a conversation. Yeah,

533
00:26:53,520 --> 00:26:59,840
Speaker 6: and and this this idea about you had this in

534
00:27:00,000 --> 00:27:02,640
Speaker 6: credible encounter with someone you were meant to see again

535
00:27:02,680 --> 00:27:05,399
Speaker 6: and then life got in the way and what happens

536
00:27:05,400 --> 00:27:08,119
Speaker 6: if you never really got over it? Like, oh my god,

537
00:27:08,960 --> 00:27:11,520
Speaker 6: it just I just thought it was so beautiful. And

538
00:27:11,600 --> 00:27:16,840
Speaker 6: Julie Delpy is so incredible in it because she's so

539
00:27:16,880 --> 00:27:19,680
Speaker 6: funny one minute and then she's totally freaking out the next,

540
00:27:19,720 --> 00:27:21,160
Speaker 6: and then she's like, I don't know why I'm telling

541
00:27:21,200 --> 00:27:25,399
Speaker 6: you any of this. It's just so present and fun

542
00:27:25,560 --> 00:27:28,520
Speaker 6: and yeah, I mean, you know, Ethan Hawk's character is

543
00:27:28,560 --> 00:27:30,600
Speaker 6: like a little annoying puppy dog.

544
00:27:30,760 --> 00:27:35,280
Speaker 5: But at the time in the nineties, boy oh yeah,

545
00:27:35,760 --> 00:27:40,879
Speaker 5: feely he was a writer. Oh my god, he was

546
00:27:40,960 --> 00:27:42,040
Speaker 5: Lucas Scott.

547
00:27:43,359 --> 00:27:50,119
Speaker 6: Got I loved the movie. I just loved it. So, yeah,

548
00:27:50,320 --> 00:27:52,479
Speaker 6: take me back to a good rom com any day.

549
00:27:52,760 --> 00:27:54,679
Speaker 4: We were really lucky that we came up in an

550
00:27:54,760 --> 00:27:58,520
Speaker 4: era where like the rom com was the thing, Like now.

551
00:27:58,359 --> 00:28:00,000
Speaker 5: I feel like scary movie.

552
00:28:00,000 --> 00:28:02,720
Speaker 4: These are the things that people go see on dates

553
00:28:02,880 --> 00:28:04,439
Speaker 4: and like highs go see.

554
00:28:04,800 --> 00:28:07,240
Speaker 6: Can we say the thing like, are we lucky that

555
00:28:07,280 --> 00:28:09,040
Speaker 6: we grew up in the rom came era? Because isn't

556
00:28:09,040 --> 00:28:11,680
Speaker 6: that why we dated so many ding dongs for so long? Girl,

557
00:28:11,720 --> 00:28:12,200
Speaker 6: I think I.

558
00:28:12,200 --> 00:28:14,000
Speaker 5: Was destined to date ding dongs no matter what.

559
00:28:14,359 --> 00:28:16,760
Speaker 4: Like I could have been Relection, I could have been

560
00:28:16,920 --> 00:28:19,000
Speaker 4: Joy and I were watching black and white movies.

561
00:28:19,840 --> 00:28:22,560
Speaker 3: Doris Day, all of that. Like, that's that's what my

562
00:28:22,760 --> 00:28:25,480
Speaker 3: rom com problem was. Was was not Meg Ryan and

563
00:28:25,520 --> 00:28:26,520
Speaker 3: Julia Robertson from.

564
00:28:26,480 --> 00:28:28,480
Speaker 4: Yeah, No, I was in love with Rock Hudson. You

565
00:28:28,520 --> 00:28:32,800
Speaker 4: know that was never going to work out. No, Sandra

566
00:28:32,880 --> 00:28:35,160
Speaker 4: Bullock was from my hometown. She's from like the next

567
00:28:35,200 --> 00:28:38,640
Speaker 4: county over, and so knowing that as a middle school

568
00:28:38,640 --> 00:28:41,040
Speaker 4: girl and a high school girl, and just being so

569
00:28:41,240 --> 00:28:47,400
Speaker 4: fixated on this person's ability to get out and create

570
00:28:47,440 --> 00:28:48,280
Speaker 4: a life for herself.

571
00:28:48,360 --> 00:28:51,480
Speaker 5: Like I was just so into it, and Hope Floats

572
00:28:51,920 --> 00:28:55,120
Speaker 5: still to this day, I don't. I don't watch things

573
00:28:55,120 --> 00:28:55,920
Speaker 5: over and over again.

574
00:28:56,000 --> 00:28:59,000
Speaker 4: I'm not that kind of personality. I like new things,

575
00:28:59,040 --> 00:29:00,640
Speaker 4: and I think that's why I like Doc Manory because

576
00:29:00,640 --> 00:29:04,000
Speaker 4: I feel like I'm learning something constantly. Hope Floats is

577
00:29:04,040 --> 00:29:07,120
Speaker 4: the only thing that I watch over and over and

578
00:29:07,160 --> 00:29:07,720
Speaker 4: over again.

579
00:29:07,760 --> 00:29:08,560
Speaker 3: I'm obsessed with it.

580
00:29:09,240 --> 00:29:10,240
Speaker 6: That's so sweet.

581
00:29:10,520 --> 00:29:12,240
Speaker 3: I love that makes me want to go back and

582
00:29:12,280 --> 00:29:15,360
Speaker 3: watch it. It's wonderful. Harry Connick Junior, what.

583
00:29:15,360 --> 00:29:19,080
Speaker 4: A babe, and Forrest Whitaker directed it, Like that's the

584
00:29:19,160 --> 00:29:20,280
Speaker 4: thing to people forget.

585
00:29:20,440 --> 00:29:25,440
Speaker 5: Yes, I didn't know that. Yes, it's fantastic.

586
00:29:25,080 --> 00:29:27,400
Speaker 3: Because it is time to go to the library and

587
00:29:27,520 --> 00:29:30,840
Speaker 3: rent a DVD. We all need to go buy a

588
00:29:30,880 --> 00:29:35,760
Speaker 3: new DVD player, new Slash old I french Man, French Kiss,

589
00:29:35,840 --> 00:29:37,720
Speaker 3: I think is just always on the top of the

590
00:29:37,720 --> 00:29:39,720
Speaker 3: list for me, Like I love the Proposal, I love

591
00:29:40,480 --> 00:29:43,600
Speaker 3: Pretty Woman. You know those are all great, but it's

592
00:29:43,640 --> 00:29:47,360
Speaker 3: just hits my personality, right, French Kiss. I love that one.

593
00:29:47,480 --> 00:29:50,760
Speaker 4: Kevin Klein is so hot in that movie, really rgeous.

594
00:29:51,440 --> 00:29:53,040
Speaker 4: That's the one with him and Meg Ryan and they

595
00:29:53,040 --> 00:29:55,880
Speaker 4: have to like go and try to make her ex

596
00:29:56,200 --> 00:29:58,560
Speaker 4: boyfriend mad because he's proposing to someone else.

597
00:29:58,640 --> 00:30:02,040
Speaker 3: Right, yeah, exactly, But then he's stolen something and so

598
00:30:02,080 --> 00:30:03,840
Speaker 3: then she's like in on this weird caper that she

599
00:30:03,880 --> 00:30:06,160
Speaker 3: doesn't want to be a part of, and then they

600
00:30:06,160 --> 00:30:08,400
Speaker 3: of course fall in love. It's wonderful.

601
00:30:08,400 --> 00:30:11,760
Speaker 4: That's when her haircut was at its like most perfect.

602
00:30:11,880 --> 00:30:15,040
Speaker 3: Oh so biggy, short, little haircut.

603
00:30:15,600 --> 00:30:16,480
Speaker 6: It was so good.

604
00:30:16,920 --> 00:30:18,920
Speaker 3: I wish I had a head for pixie cuts.

605
00:30:19,800 --> 00:30:21,160
Speaker 5: What are you talking about? You do?

606
00:30:21,880 --> 00:30:24,360
Speaker 3: No, I don't. My head's too small for a pixie cut.

607
00:30:24,400 --> 00:30:26,520
Speaker 3: But also I have one of those dents you know

608
00:30:26,520 --> 00:30:28,920
Speaker 3: when your doctor pulls you out and there's a thumb

609
00:30:29,000 --> 00:30:30,200
Speaker 3: dent in the back of your head.

610
00:30:30,480 --> 00:30:33,800
Speaker 6: I have a big one, you guys talking about.

611
00:30:33,880 --> 00:30:35,200
Speaker 5: Wait, there's a thumb debt.

612
00:30:35,680 --> 00:30:37,840
Speaker 6: Oh, I have a huge deck here, I.

613
00:30:37,800 --> 00:30:39,760
Speaker 3: Have a big one. I definitely couldn't do that. Like

614
00:30:39,760 --> 00:30:41,880
Speaker 3: when Natalie Borman shaved her head for v for vendett

615
00:30:41,920 --> 00:30:42,680
Speaker 3: I was but I was.

616
00:30:42,720 --> 00:30:44,360
Speaker 6: Just gonna say, I was like could have never done

617
00:30:44,440 --> 00:30:46,320
Speaker 6: VI for Vendetta. Nope, absoluely not.

618
00:30:46,640 --> 00:30:49,000
Speaker 4: My skull comes to a weird point in the back.

619
00:30:49,880 --> 00:30:53,240
Speaker 4: Ah man, you guys insecure.

620
00:30:55,360 --> 00:30:58,480
Speaker 3: Gold, What about this one? Where would you want to dream?

621
00:30:58,520 --> 00:31:00,720
Speaker 3: Girls trip? You got a girl's trip? You got what

622
00:31:01,000 --> 00:31:04,320
Speaker 3: you have? Five, six, seven, ten days? Ten days? It's

623
00:31:04,360 --> 00:31:06,160
Speaker 3: a lot, maybe like ten days long time.

624
00:31:06,840 --> 00:31:10,600
Speaker 5: I have Greece on my bucket list. I've never been.

625
00:31:10,960 --> 00:31:12,280
Speaker 5: I really want to go.

626
00:31:13,320 --> 00:31:15,960
Speaker 3: Yeah, I do too. It's great.

627
00:31:16,600 --> 00:31:17,560
Speaker 5: I like history.

628
00:31:18,200 --> 00:31:18,760
Speaker 3: That's great.

629
00:31:20,680 --> 00:31:22,760
Speaker 5: Oh that's why I did. When you took Maria there?

630
00:31:23,240 --> 00:31:24,920
Speaker 3: Yeah, I did a couple of summers ago. I took

631
00:31:24,920 --> 00:31:28,680
Speaker 3: her over there. We went to Paros, which is beautiful.

632
00:31:29,000 --> 00:31:30,920
Speaker 3: It's just a tiny little island that not a lot

633
00:31:30,920 --> 00:31:34,360
Speaker 3: of people know about, but it's stunning. I have a hole,

634
00:31:34,400 --> 00:31:35,880
Speaker 3: I got a whole travel right up on it. I'll

635
00:31:35,920 --> 00:31:37,920
Speaker 3: give it to you. Paros it's beautiful.

636
00:31:38,240 --> 00:31:39,080
Speaker 5: Yeah.

637
00:31:39,280 --> 00:31:41,160
Speaker 4: I remember thinking like we were going to live there

638
00:31:41,200 --> 00:31:43,080
Speaker 4: for a second because we're friends with a guy that

639
00:31:43,160 --> 00:31:46,160
Speaker 4: runs the film commission in Greece, and Jeff and I

640
00:31:46,160 --> 00:31:46,760
Speaker 4: are like, what.

641
00:31:46,800 --> 00:31:49,880
Speaker 5: If we just go there? Like, what what does that

642
00:31:49,960 --> 00:31:50,360
Speaker 5: look like?

643
00:31:50,440 --> 00:31:52,880
Speaker 3: You look good with the tan? Hillary Man?

644
00:31:53,160 --> 00:31:54,560
Speaker 6: We could go make some shows there.

645
00:31:54,640 --> 00:31:57,560
Speaker 5: Why not? Yeah, if it worked for Meryl Streep and

646
00:31:57,600 --> 00:31:58,920
Speaker 5: Mama Mia, like we.

647
00:31:58,920 --> 00:32:02,880
Speaker 6: Could do this cute little expat rom coms. That's That's

648
00:32:02,960 --> 00:32:06,760
Speaker 6: kind of what I fantasize about. Honestly, is like, oh,

649
00:32:06,840 --> 00:32:09,680
Speaker 6: I if I was gonna say, let's go on a trip,

650
00:32:09,800 --> 00:32:12,480
Speaker 6: I just want to go to Italy and go to

651
00:32:13,640 --> 00:32:15,640
Speaker 6: I just want to go like take pasta classes with

652
00:32:15,720 --> 00:32:19,800
Speaker 6: old nonahs and like travel through Olive Groves and wait.

653
00:32:19,640 --> 00:32:21,480
Speaker 5: Is that why my algorithm?

654
00:32:21,600 --> 00:32:25,720
Speaker 4: Every day I wake up with cheap Italian villas dot

655
00:32:25,760 --> 00:32:28,320
Speaker 4: com email and me all these houses that are like

656
00:32:28,680 --> 00:32:29,840
Speaker 4: a super cheap.

657
00:32:30,080 --> 00:32:33,240
Speaker 6: That's probably for me sending you that house I was

658
00:32:33,280 --> 00:32:35,520
Speaker 6: looking at in Deep twenty twenty when I was losing

659
00:32:35,560 --> 00:32:38,480
Speaker 6: my mind and thinking we needed to evacuate right right?

660
00:32:38,840 --> 00:32:40,000
Speaker 5: Where are we going to go?

661
00:32:40,760 --> 00:32:42,320
Speaker 6: What if we just went here?

662
00:32:42,680 --> 00:32:43,000
Speaker 5: Yeah?

663
00:32:43,480 --> 00:32:44,360
Speaker 3: Yeah, but I.

664
00:32:44,320 --> 00:32:49,480
Speaker 4: Think that we're we're drawn to like romantic cultures. Joy,

665
00:32:49,480 --> 00:32:50,239
Speaker 4: where do you want to go?

666
00:32:50,960 --> 00:32:53,000
Speaker 3: I'm taking a girl's trip. I'm going in a few

667
00:32:53,040 --> 00:32:56,080
Speaker 3: weeks to London just for fun, but oh fun, much

668
00:32:56,280 --> 00:32:57,080
Speaker 3: like I want to go.

669
00:32:58,720 --> 00:32:59,239
Speaker 5: Haven't I been?

670
00:32:59,280 --> 00:33:01,480
Speaker 3: I haven't been to rock but I don't.

671
00:33:01,240 --> 00:33:03,840
Speaker 6: Know Prog's amazing.

672
00:33:04,360 --> 00:33:08,239
Speaker 3: Yeah, I mean everybody says it's amazing. I mean du

673
00:33:08,240 --> 00:33:09,880
Speaker 3: Brevnika here is also amazing.

674
00:33:11,400 --> 00:33:11,520
Speaker 4: Uh.

675
00:33:11,880 --> 00:33:14,440
Speaker 3: I'm sorry, I'm bouncing around the map, but I don't know.

676
00:33:14,680 --> 00:33:17,800
Speaker 3: Probably Italy too, I probably. I think I'm on the

677
00:33:17,840 --> 00:33:19,400
Speaker 3: same page. I probably would want to go to the

678
00:33:19,440 --> 00:33:22,680
Speaker 3: Mofy coast and like get a boat.

679
00:33:23,120 --> 00:33:26,280
Speaker 4: Does that make us basic girls? I don't care you

680
00:33:26,680 --> 00:33:28,880
Speaker 4: make fun of our kids. You can make fun of

681
00:33:28,880 --> 00:33:30,080
Speaker 4: our basic girl trip.

682
00:33:30,520 --> 00:33:35,240
Speaker 5: Yeah. I could also see some like doing some Highlanders.

683
00:33:35,520 --> 00:33:36,600
Speaker 3: Yeah, Scotland.

684
00:33:37,240 --> 00:33:41,160
Speaker 4: Yeah, I've never been, guys, Honestly, I haven't been anywhere

685
00:33:41,240 --> 00:33:43,280
Speaker 4: because we started work. I started working when I was

686
00:33:43,680 --> 00:33:45,400
Speaker 4: right out of high school and then there was just

687
00:33:45,440 --> 00:33:48,080
Speaker 4: never a break. And then I had kids and they're

688
00:33:48,080 --> 00:33:52,720
Speaker 4: in school and shit, and so yeah, girls trip Scotland.

689
00:33:53,280 --> 00:33:55,600
Speaker 6: Scotland's on my list. Maybe we should all go there.

690
00:33:56,360 --> 00:33:56,840
Speaker 3: I'm down.

691
00:33:57,000 --> 00:33:59,040
Speaker 6: Yeah, we'll take some waistcoats.

692
00:33:59,520 --> 00:34:03,000
Speaker 3: Yeah, well, could it buy some waistcoats there? That's what

693
00:34:03,040 --> 00:34:03,560
Speaker 3: we're gonna do.

694
00:34:04,240 --> 00:34:05,480
Speaker 6: I'm ready.

695
00:34:05,440 --> 00:34:09,640
Speaker 4: Yeah, Joy will be out translator fantastic. All right, summer

696
00:34:09,680 --> 00:34:12,920
Speaker 4: cocktail of choice? Oh, Jack is asking, while we plot

697
00:34:12,960 --> 00:34:15,440
Speaker 4: all these things, what is our summer cocktail?

698
00:34:15,520 --> 00:34:16,520
Speaker 5: Of choice.

699
00:34:17,640 --> 00:34:20,239
Speaker 3: I mean it's hard to beat a nice Negroni, like

700
00:34:20,280 --> 00:34:24,240
Speaker 3: a nice refreshing negroni A on an afternoon the little pizza.

701
00:34:25,000 --> 00:34:29,319
Speaker 6: You guys, I am such a lover of an aperol sprits,

702
00:34:29,760 --> 00:34:32,440
Speaker 6: But have you had a Hugo sprits?

703
00:34:32,800 --> 00:34:34,320
Speaker 5: What's Hugo sprits.

704
00:34:34,560 --> 00:34:39,240
Speaker 6: It's basically like an apparol sprits, but instead of apparol

705
00:34:39,320 --> 00:34:41,040
Speaker 6: you use elderflower liqueur.

706
00:34:41,440 --> 00:34:42,759
Speaker 5: Oh yes, okay, with.

707
00:34:42,840 --> 00:34:49,040
Speaker 6: Prosecco, seltzer, lime mint. It is good. And you know

708
00:34:49,160 --> 00:34:51,359
Speaker 6: all I want to do all winter, Like the minute

709
00:34:51,400 --> 00:34:53,000
Speaker 6: it gets called out, I just want a whiskey.

710
00:34:53,560 --> 00:34:58,040
Speaker 3: Yeah, m But in the summer, yeah.

711
00:34:57,440 --> 00:35:01,560
Speaker 6: Like sparkling citrus and prosecco. Get out of your all desk.

712
00:35:01,600 --> 00:35:03,120
Speaker 3: It's not too sweet with a s Germain.

713
00:35:03,560 --> 00:35:06,240
Speaker 6: No, there is no San Germain. It's just elderflower liqueur.

714
00:35:06,440 --> 00:35:08,839
Speaker 3: That's Elderflower Liquors Aser Maine.

715
00:35:08,719 --> 00:35:10,920
Speaker 5: Is it. Yeah, it's a brand of it.

716
00:35:11,000 --> 00:35:13,800
Speaker 3: Yeah, oh I guess yeah, there's other brands of course. Yeah.

717
00:35:14,000 --> 00:35:18,240
Speaker 4: When we do promotional stuff for MF Libations, we did

718
00:35:18,400 --> 00:35:22,680
Speaker 4: a we did a martini, but we traded out one

719
00:35:22,719 --> 00:35:26,520
Speaker 4: of our ingredients for an elderflower liqueur. And we used

720
00:35:26,600 --> 00:35:29,880
Speaker 4: our BlackBerry jin and it was like it's one of

721
00:35:29,880 --> 00:35:31,960
Speaker 4: those things where you're like, how's that gonna work? Work?

722
00:35:32,000 --> 00:35:36,560
Speaker 5: Great work, great flowers, fruit and liquor. That's my combo.

723
00:35:36,880 --> 00:35:38,440
Speaker 5: That's what I want in any.

724
00:35:38,320 --> 00:35:41,839
Speaker 3: Drink, Botanical cocktails, man like aviation with a little crime

725
00:35:41,960 --> 00:35:46,160
Speaker 3: violette and some lemon. There's so many good things to drink.

726
00:35:46,719 --> 00:35:47,520
Speaker 5: I'm so lazy.

727
00:35:47,560 --> 00:35:50,279
Speaker 4: I just like finding those sodas that have like very

728
00:35:50,320 --> 00:35:54,279
Speaker 4: low sugar. Like there's a brand called Gus Soda that

729
00:35:54,360 --> 00:35:57,279
Speaker 4: I've always been partial to, obviously because the name. Yeah,

730
00:35:57,320 --> 00:36:00,720
Speaker 4: and so finding like fancy Italian sodas and love putting

731
00:36:00,760 --> 00:36:02,600
Speaker 4: gin in them is all I can handle.

732
00:36:02,680 --> 00:36:04,719
Speaker 5: Right now. I'm just like, I already get out of

733
00:36:04,760 --> 00:36:05,080
Speaker 5: my lab.

734
00:36:05,640 --> 00:36:08,320
Speaker 6: I'm making my gin drake. Yeah, A two step cocktail

735
00:36:08,400 --> 00:36:10,880
Speaker 6: that sounds like a fancy that tastes like it was

736
00:36:10,880 --> 00:36:13,360
Speaker 6: done by a fancy mixologist is real nice.

737
00:36:13,719 --> 00:36:15,000
Speaker 3: M hm. That's what I won't.

738
00:36:15,280 --> 00:36:19,279
Speaker 5: That's what I want. Cheers, cheers, Well.

739
00:36:19,040 --> 00:36:19,640
Speaker 2: Are we uh?

740
00:36:19,880 --> 00:36:22,480
Speaker 3: Are we gonna do another Q and A later? Are

741
00:36:22,520 --> 00:36:24,799
Speaker 3: we gonna what's our plan for next week? Guys?

742
00:36:24,840 --> 00:36:27,719
Speaker 4: Well, we're gonna hear from our union rep right like

743
00:36:28,080 --> 00:36:33,080
Speaker 4: once we get information from our representatives, will know whether

744
00:36:33,200 --> 00:36:37,160
Speaker 4: or not this is considered promotion for a streaming show.

745
00:36:37,760 --> 00:36:40,560
Speaker 4: And if it's not cool and we go back to

746
00:36:40,600 --> 00:36:45,520
Speaker 4: our regularly scheduled program. But if it is in conflict.

747
00:36:45,120 --> 00:36:46,640
Speaker 3: We have lots of fun ideas.

748
00:36:46,920 --> 00:36:49,640
Speaker 4: We've got a lot of creative thinking happening, and all

749
00:36:49,640 --> 00:36:52,759
Speaker 4: of it's very dishy and fun and lighthearted.

750
00:36:54,239 --> 00:36:56,400
Speaker 3: Yeah, you'll be wanting for nothing, darling.

751
00:36:57,840 --> 00:36:59,680
Speaker 4: Thank you guys so much for bearing with us and

752
00:36:59,760 --> 00:37:03,000
Speaker 4: for supporting us. If you support actors, if you support

753
00:37:03,000 --> 00:37:06,680
Speaker 4: your favorite shows, please just like send messages out to

754
00:37:06,880 --> 00:37:10,520
Speaker 4: the streamers or the studios, get on social media.

755
00:37:10,320 --> 00:37:13,000
Speaker 5: Make your voices heard. We want to make you good content,

756
00:37:13,600 --> 00:37:15,560
Speaker 5: but we have to be supported, am'am.

757
00:37:16,920 --> 00:37:19,759
Speaker 3: Love you guys, Thank you so much. Go by DVDs. Hey,

758
00:37:19,800 --> 00:37:20,680
Speaker 3: thanks for listening.

759
00:37:20,760 --> 00:37:23,000
Speaker 6: Don't forget to leave us a review. You can also

760
00:37:23,080 --> 00:37:27,520
Speaker 6: follow us on Instagram at Drama Queen's Oth.

761
00:37:26,719 --> 00:37:30,880
Speaker 4: Or email us at Drama Queens at iHeartRadio dot com.

762
00:37:31,120 --> 00:37:32,280
Speaker 5: See you next time.

763
00:37:33,360 --> 00:37:36,759
Speaker 2: We all about that high school drama girl, Drama Girl,

764
00:37:36,840 --> 00:37:39,960
Speaker 2: all about them high school queens. We'll take you for

765
00:37:40,080 --> 00:37:44,200
Speaker 2: a ride at our comic girl Sharing for the right teams, drama.

766
00:37:43,920 --> 00:37:47,879
Speaker 5: Queens LESE my girl, up girl fashion. With your tough girl, you.

767
00:37:47,840 --> 00:37:48,640
Speaker 3: Could sit with us.

768
00:37:48,680 --> 00:37:52,760
Speaker 1: Girl Drama, Queens, drama, queise drama, Queens Drama, Drama, Queens

769
00:37:52,840 --> 00:37:54,439
Speaker 1: Drama queens