WEBVTT - Ep2 | Rokh Bazaar

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<v Speaker 1>In Request created by Michael Freiberg, a production of I

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<v Speaker 1>Heart Radio and Astro Media Listen with headphones for three

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<v Speaker 1>D audio. Oh, come on serious, Ether will be back soon.

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<v Speaker 1>We have to keep searching. We traveled all the way

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<v Speaker 1>to the rope Bazar because they need to find the

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<v Speaker 1>hidden entrance to the black market known as the Den

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<v Speaker 1>of Thieves. That's the only way we can safely enter

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<v Speaker 1>the desert. Remember what Ether said, We need to go

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<v Speaker 1>through the den of thiefs black markets in order to

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<v Speaker 1>gain access to the Azrael Desert for safe travel because

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<v Speaker 1>they controlled the desert border. The success of our mission

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<v Speaker 1>depends on locating its entrance. Strong remarkable, isn't it serious?

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<v Speaker 1>Think order drance gorge? What? No, it's not dancing. The

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<v Speaker 1>creatures swaying side to side. The performers hypnotize the gorgon's

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<v Speaker 1>with the sound of their hand drums. But I still

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<v Speaker 1>haven't deduced the finer points must be in the beat pattern. Well,

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<v Speaker 1>I don't suppose you have a better explanation. Friends, find

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<v Speaker 1>only two hundred common opal for the jug deal another

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<v Speaker 1>street peddler. Let's just ignore until he goes away. Pretend

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<v Speaker 1>you don't speak English or better, yet talk normal. Okay, okay, okay, okay.

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<v Speaker 1>For you toothpick, I'll come down. You just call me

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<v Speaker 1>toothpick for this handmaid, expertly crafted jug one hundred and

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<v Speaker 1>fifty opals, my best price. Pardon me. I recognize you

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<v Speaker 1>are ay of finely crafted goods, but I am not

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<v Speaker 1>in need of your services at this time. I must

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<v Speaker 1>request you moving. Okay, okay, okay, okay. How about you,

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<v Speaker 1>burly man, you look like the big COONa. For you

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<v Speaker 1>a special bargain, my friendly rate. One hundred and twenty opals,

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<v Speaker 1>cheapest in the market. Don't know, Okay, all right, just

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<v Speaker 1>for today, one hundred opals price. Okay, friend, take me

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<v Speaker 1>all of earth. Nothing unbelievable, fine fifty olds. My kids

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<v Speaker 1>will go hungry. You insult my family. I'll even lose

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<v Speaker 1>money on this, but I'll sell it to you just

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<v Speaker 1>for a good karma. Happy now, he logo, We go. Now.

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<v Speaker 1>You're bad man, very bad man. You waste my time.

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<v Speaker 1>We are only interested in the location of the den

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<v Speaker 1>of thieves so we can get to the Azrael desert.

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<v Speaker 1>Nothing else. Of course, you I wish you only misfortune. Huh.

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<v Speaker 1>Of course your chief vagrants hid me. What are you doing?

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<v Speaker 1>What are you doing? You do it? Down starts now

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<v Speaker 1>you really did? Ah? Okay, either You've come to the

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<v Speaker 1>right tent in the Roque bazaar to see your future.

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<v Speaker 1>But I can't tell you the location of the den

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<v Speaker 1>of thieves. Only the Crystal Ball can show. If you'll

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<v Speaker 1>find its entrance and have safe travels through the Azrael Desert,

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<v Speaker 1>prepare to peer into its depths and discover what lies

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<v Speaker 1>within its lens. Oh, crystal Ball, I turned to the

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<v Speaker 1>unraveled secrets I keep from me, reveal hidden truths urry

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<v Speaker 1>down below of things we wish to forget, but always no.

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<v Speaker 1>Like veiled stars shining bright, made visible only at night,

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<v Speaker 1>we see exposed reality. The crystal leadons encroaching storm clouds

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<v Speaker 1>lurk on the horizon. I see fields that are barren,

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<v Speaker 1>trees that are hollow, rivers that run dry, a murky gray.

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<v Speaker 1>I am beginning to make out the faint silhouette of

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<v Speaker 1>a figure shrouded in shadow. Why during a lost near

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<v Speaker 1>death in the desert, Who is this figure? I wonder? Ah,

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<v Speaker 1>I'm losing it. The image is fading, the crystal Ball

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<v Speaker 1>returning to slumber. Lady Foosia, No, but wait, it grows darker,

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<v Speaker 1>shed black. What is happening? The crystal ball burnt my

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<v Speaker 1>fingers A flash of lightning. I glimpsed a village. Oh

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<v Speaker 1>no no, it's set flame to the land. Building is burning,

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<v Speaker 1>people flailing, ablaze, Everything turned to ashes. A burth of water,

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<v Speaker 1>putting the fire to rest, cleansing the land. Rain drops

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<v Speaker 1>wash away tears. But but it is too much. Blood follows, bodies,

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<v Speaker 1>floating people, drowning, babies swept away the village swallow rottle

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<v Speaker 1>either Soon everyone will know Umbra's true call. It all

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<v Speaker 1>will be erased. Look away. What you think you're seeing

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<v Speaker 1>in the crystal ball isn't real, only subconscious manifestations from Umbra.

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<v Speaker 1>What do you know of Umbra? Give me the palm

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<v Speaker 1>of your hand. Why should I, Lady Vouza, I want

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<v Speaker 1>to help fine. Your palm is rough to the touch,

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<v Speaker 1>marred with deep grooves and wrinkles. Insult me tells me

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<v Speaker 1>you've led a difficult life the years, turning you callous,

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<v Speaker 1>I suppose, But who in the rock Bazar isn't I'm

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<v Speaker 1>going to apply a slight pressure to the tips of

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<v Speaker 1>your finger. Mm hmm, very little resistance, ample flexibility, How interesting.

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<v Speaker 1>What does it mean You're very adaptable to new situations.

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<v Speaker 1>Let me part your thumb. You didn't run away as

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<v Speaker 1>a child, did you? I did? How did you know

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<v Speaker 1>the edge of your thumb naturally bends backwards, pointing away

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<v Speaker 1>from the rest of your fingers. You're an independent person

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<v Speaker 1>who had to make your own way in life. When

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<v Speaker 1>I was a child, the king of my land was corrupted.

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<v Speaker 1>The villagers say he fell victim to his own humors,

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<v Speaker 1>but I believe there was something more sinister at work.

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<v Speaker 1>My father was his trusted advisor, and the king ordered

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<v Speaker 1>my parents and siblings slaughter. He he massacreed his own people.

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<v Speaker 1>I was chosen to be a servant, but two stars

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<v Speaker 1>blessed me with a path to escape. Your trouble past

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<v Speaker 1>reminds me of my own, and it's made you a

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<v Speaker 1>compassionate person Beneath your heart and facade. This is more

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<v Speaker 1>than my trade. People come to me in need, and

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<v Speaker 1>I help them as best as I can. How I

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<v Speaker 1>would have wanted, yes, But even though it was long ago,

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<v Speaker 1>I since you're still scared, afraid you're succumbing to your

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<v Speaker 1>own delusions and losing grasp of reality, even beginning to

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<v Speaker 1>believe you really do possess the psychic powers you pretend

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<v Speaker 1>to have. It is true, it is true. I feel

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<v Speaker 1>myself slipping and losing control. And let me free you

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<v Speaker 1>from these fears. In a moment, I'll ask you to

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<v Speaker 1>think of a tool in your possession, something like a

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<v Speaker 1>saw or a wrench. But think of your own. But

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<v Speaker 1>first turn your attention back to the crystal ball. I'll

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<v Speaker 1>repeat the question, I arrived with the entrance to the

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<v Speaker 1>den of thieves. Tell me where is it? I can't.

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<v Speaker 1>I'm sorry, I'm forbidden to tell an outside of the location.

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<v Speaker 1>If you were found to help the killeth, both fixate

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<v Speaker 1>on the crystal see the answer within. You know that

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<v Speaker 1>it's safe to tell me. All right, Go to the

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<v Speaker 1>bazaar's end. There's a spy shop. Knock three times, ask

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<v Speaker 1>for Rosemary. Tell them I sent you that you that

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<v Speaker 1>you see good fortune. Thank you, lady Vosa. Now you

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<v Speaker 1>know what you need to do. The mystic visions you

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<v Speaker 1>think you see in your crystal ball are just projections

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<v Speaker 1>from your own mind. Get a handle on this before

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<v Speaker 1>it chisels away at you and you lose yourself in

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<v Speaker 1>the intra. You need to break free now, picture the

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<v Speaker 1>tool I asked you about vividly in your mind. Got

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<v Speaker 1>it a hammer? But how did you know bring it forth?

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<v Speaker 1>When you gaze into the crystal, the crystal gazes back

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<v Speaker 1>into you. You've been chained to this crystal ball for

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<v Speaker 1>far too long. Break free your mind, smash the ball.

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<v Speaker 1>Do it now, leave this place before umber takes what's

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<v Speaker 1>left of you. You're stronger than you know and can

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<v Speaker 1>take back control, but you have to move on. Tell

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<v Speaker 1>me the amulet you were around your neck, the golden

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<v Speaker 1>sun was the all seeing eye in the center, the

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<v Speaker 1>eye imperiad. What does it mean that there's someone watching

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<v Speaker 1>over me? It protects me from umbra. It gives me

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<v Speaker 1>strength to see clearly put me I'm sorry, Please mercy

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<v Speaker 1>put them down. Serious, Lucky, you're crazy. You're all crazy.

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<v Speaker 1>Of course I thought I told you to to keep

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<v Speaker 1>a low profile. Song of the gorgon tamer music to

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<v Speaker 1>the ears. If you're a sap, it's widely mistaken. The

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<v Speaker 1>gorgons are hypnotized by the music, but Gorgon's can't hear

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<v Speaker 1>a thing on account they don't have ears. But what

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<v Speaker 1>about the dancing their motion? It's a warning stance because

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<v Speaker 1>they view the performance restless Hands as a threat catchy

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<v Speaker 1>beat though either we failed you. It's true, we searched everywhere,

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<v Speaker 1>but we haven't been able to locate the entrance to

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<v Speaker 1>the Denna thieves black market. No one would divulge its coordinates.

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<v Speaker 1>How come you can't take off your amulet and find

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<v Speaker 1>the location. It doesn't work that way. It's not in

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<v Speaker 1>the intro. I don't know how we'll reach the molayer

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<v Speaker 1>to recover the satellite disian complete the agency's mission. If

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<v Speaker 1>we can't even make it to the desert, it's all right.

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<v Speaker 1>Serious lead us to the bazaar's end to a spice shot. Ah,

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<v Speaker 1>you know its location courtesy of a like minded friend.

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<v Speaker 1>Let's go. There's an eternal card game of a reverent

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<v Speaker 1>fun for me too, and for you one. This one's

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<v Speaker 1>your saint. These two the sinners. Avoid that fate. You'll

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<v Speaker 1>be a winner. Now watch closely as they mix him up,

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<v Speaker 1>and come on down to try your luck. I think

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<v Speaker 1>it might be the middle one, but I'm not certain.

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<v Speaker 1>I only have a thirty three point three percent chance

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<v Speaker 1>of winning. If I guess, five will get you ten. Ten,

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<v Speaker 1>we'll catch your twenty. I'll even flip a card over

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<v Speaker 1>and let you switch your pick. Let's stay on track.

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<v Speaker 1>But the odds just increase the two thirds with a switch.

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<v Speaker 1>It's in my favor now, ah fools, game serious is right.

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<v Speaker 1>It's not gambling. It's slight of hand and unwinnable proposition.

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<v Speaker 1>Step right up and improve your might, strong enough to

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<v Speaker 1>take on the one armed sinew and an arm wrestle

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<v Speaker 1>to the end. Wid afraid of yet beat the champ,

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<v Speaker 1>collect the purse. How about it, muscle man, are you

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<v Speaker 1>an alpha or are you just a win a want?

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<v Speaker 1>That himp champ, he looks sick, serious, crush like funk.

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<v Speaker 1>That whimp could snap your wrist and pull your arm

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<v Speaker 1>out of its socket all in one swift motion. Logo

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<v Speaker 1>has a point. It's just not a fair fight. Arm

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<v Speaker 1>wrestling isn't simply a matter of brute force. The science

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<v Speaker 1>behind it relies heavily on technique. It'd be over before

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<v Speaker 1>you even have a chance to square off. Don't be

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<v Speaker 1>such willing tubes. These are all just scams, chief parlor

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<v Speaker 1>tricks designed to part of Mark from his coin pose

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<v Speaker 1>brib enough to step into the chamber of the intra,

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<v Speaker 1>and here the cold of umbra sol no, in the

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<v Speaker 1>name of field research. Really lave your sanity at the

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<v Speaker 1>door as you descend into a world of madness. Last

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<v Speaker 1>a minute and you shall climb the reward. Alright, go ahead,

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<v Speaker 1>see for yourselves. You advancing yourself? Bright do yeah? Alright

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<v Speaker 1>to common No bullech go a him, Come down, Come down.

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<v Speaker 1>It's just nails on a ju for it. No peeping

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<v Speaker 1>behind the card and trade secret. Come on to the

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<v Speaker 1>spice shop. No more games. It should be just around

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<v Speaker 1>the bend. We've arrived. It doesn't appear open. We should

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<v Speaker 1>probably go Ah serious break dwar patience. Hello, may we

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<v Speaker 1>come in? We're looking for Rosemary? Who sent you? Lady Wooza.

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<v Speaker 1>We seek good fortune. Follow me the back. See that's

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<v Speaker 1>the thing about his passageway. They're always in the last

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<v Speaker 1>place you look. Hold on flax some us there. It's

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<v Speaker 1>an ancient game I like to play called five finger

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<v Speaker 1>play jabby not between my fingers, and I'm on the way.

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<v Speaker 1>The only thing that fear is fear itself, and I

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<v Speaker 1>got nither nerves of steel. I'm predicted to this state

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<v Speaker 1>of mind. I'm starting for this meal with just one

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<v Speaker 1>taste of flesh, goes pale. I feel it in my bones.

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<v Speaker 1>Don't matter how he's slashing with this tissue. Are on

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<v Speaker 1>your own? Oh, with idle hands, I'm killing them new

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<v Speaker 1>numbers worried for free. But it's not a phase days.

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<v Speaker 1>My finger play no place I'd rather be. Excuse me,

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<v Speaker 1>but we're heading through that door right behind you. Mind

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<v Speaker 1>if we squeeze by, only thieves can enter the dinner

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<v Speaker 1>thieves and y'all look like the eaves to me, yo,

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<v Speaker 1>look like suckers. Well not all thieves look like thieves.

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<v Speaker 1>That to make them prime suspects, wouldn't it. Huh? You know,

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<v Speaker 1>I would say to not think about that. It's a

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<v Speaker 1>pretty good point. But still, look, we provided your associate

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<v Speaker 1>with the passwords, so you'll let us enter. Yeah, Well,

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<v Speaker 1>if I'll let you in and you ain't thieves, that's

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<v Speaker 1>my neck on the top and box and I said, yeah,

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<v Speaker 1>be my guest. Heck, you can stay all that because

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<v Speaker 1>you ain't getting through that door. Well, we seem to

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<v Speaker 1>be at a standstill that we are. Take note. Either

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<v Speaker 1>is going to verbally disarm him, hand me the knife.

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<v Speaker 1>I have no idea what he's doing. Either. I'll beat

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<v Speaker 1>you at your own game. You you think you can

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<v Speaker 1>hack it. Did I misspeak? Now, don't make me waste

0:15:54.840 --> 0:15:57.360
<v Speaker 1>my breath. Give me the knife. Oh you got some

0:15:57.600 --> 0:16:00.440
<v Speaker 1>mouth on you. I'll tell you what you make it.

0:16:00.520 --> 0:16:02.800
<v Speaker 1>Once around, I'll let your pazz and if I come

0:16:02.880 --> 0:16:05.640
<v Speaker 1>up short, you sit here playing into your hand is

0:16:05.680 --> 0:16:08.720
<v Speaker 1>a mangled stump, and I'll sever your tongue out so

0:16:08.760 --> 0:16:13.000
<v Speaker 1>I don't have to hear you scream. Okay, fair enough,

0:16:13.600 --> 0:16:16.200
<v Speaker 1>you're trying anything funny. I got my hand on my

0:16:16.240 --> 0:16:20.120
<v Speaker 1>spare day. I'll play by the rules. Serious, hold my amulance.

0:16:21.360 --> 0:16:24.200
<v Speaker 1>It's okay. I need to go inside my mind here.

0:16:25.240 --> 0:16:29.480
<v Speaker 1>Nice seems rather dull. It's an ancient game I like

0:16:29.560 --> 0:16:32.240
<v Speaker 1>to play called five figure fill a. I chat my

0:16:32.360 --> 0:16:35.680
<v Speaker 1>knife between my fingers and underway. I made a friend

0:16:35.680 --> 0:16:38.320
<v Speaker 1>of horror long ago, and now I got brass knuckles.

0:16:38.560 --> 0:16:40.400
<v Speaker 1>I live in a state of feeding franzies, and the

0:16:40.440 --> 0:16:44.840
<v Speaker 1>chop play makes me chuckle ha ha. I'm speeding up lafts,

0:16:44.840 --> 0:16:47.360
<v Speaker 1>heating up. I'm not going by the book of Chase

0:16:47.440 --> 0:16:51.479
<v Speaker 1>the rest of PC because I'm a master cook. Oh

0:16:51.680 --> 0:16:55.000
<v Speaker 1>with fattle hands. I'm killing time doing offers work for free.

0:16:55.240 --> 0:16:57.640
<v Speaker 1>But it's barely A gray scar suit and fate if

0:16:57.680 --> 0:16:59.640
<v Speaker 1>I figure fill a if you go for days will

0:16:59.680 --> 0:17:04.080
<v Speaker 1>never be game's over. Don't think about reaching for it?

0:17:05.119 --> 0:17:11.480
<v Speaker 1>Serious my amulet, but what how call it blind luck?

0:17:11.560 --> 0:17:14.280
<v Speaker 1>Now let us in if you don't want trouble, okay,

0:17:14.320 --> 0:17:17.400
<v Speaker 1>of course, of course, apologies for down right this way.

0:17:17.600 --> 0:17:31.920
<v Speaker 1>Gad you shocking rock? Oh mama, eat her full now either,

0:17:32.119 --> 0:17:38.600
<v Speaker 1>are you okay? Seconds to recover, forget about it. Finally

0:17:38.640 --> 0:17:41.040
<v Speaker 1>here will be in the astral desert. No time after

0:17:41.080 --> 0:17:43.800
<v Speaker 1>we arrange plants for trapping mess. She just back on track.

0:17:45.359 --> 0:17:48.520
<v Speaker 1>There's a common saying, if you've lost anything along the way,

0:17:48.560 --> 0:17:51.160
<v Speaker 1>there's no need to grieve. You can always buy it back.

0:17:51.160 --> 0:17:59.640
<v Speaker 1>In the dinner thieves, you're a stamn you're rubbist snamn

0:18:01.359 --> 0:18:06.919
<v Speaker 1>you listen all he comes the doo boots he caught

0:18:06.960 --> 0:18:37.080
<v Speaker 1>bo crit he too? Is this not your morning? Get

0:18:37.080 --> 0:18:40.600
<v Speaker 1>in your to rout the seaver and morphine deck a

0:18:40.760 --> 0:18:44.040
<v Speaker 1>cart's ripe in the trip of the Simony. Now the

0:18:45.720 --> 0:18:48.920
<v Speaker 1>vendor he has the cadence of a snake oil salesbody

0:18:48.960 --> 0:18:53.520
<v Speaker 1>can't make out what he's saying. The drawnecker guard even

0:18:53.720 --> 0:18:58.159
<v Speaker 1>it's not snake, oily headling, it's ah call her. I

0:18:58.200 --> 0:19:00.760
<v Speaker 1>don't right, then, I have a feeling if we deal

0:19:00.760 --> 0:19:05.199
<v Speaker 1>with him, he might get burned. They should be speaking

0:19:05.200 --> 0:19:09.879
<v Speaker 1>of former thieves. Can't but this just sounds like complete gibberish.

0:19:10.040 --> 0:19:11.920
<v Speaker 1>How are we supposed to find out who's in charge

0:19:11.920 --> 0:19:14.359
<v Speaker 1>here so we can secure access into the desert if

0:19:14.400 --> 0:19:17.320
<v Speaker 1>we can't even speak the language logo? Can you make

0:19:17.359 --> 0:19:20.560
<v Speaker 1>any sense of it? Negative? This dialect isn't even registering

0:19:20.600 --> 0:19:23.159
<v Speaker 1>as a code. It'll be impossible to decipher if I

0:19:23.200 --> 0:19:26.800
<v Speaker 1>can't make out a pattern. Why almost every faction of

0:19:26.840 --> 0:19:30.440
<v Speaker 1>the Thieves Guild insist on having its own dialect make

0:19:30.560 --> 0:19:35.359
<v Speaker 1>confuse exactly to keep scoundrels like us out. I know,

0:19:35.480 --> 0:19:37.800
<v Speaker 1>I know, but with a universal language, they could achieve

0:19:37.800 --> 0:19:41.600
<v Speaker 1>an optimally efficient unified front. True. Then we'd no longer

0:19:41.680 --> 0:19:44.440
<v Speaker 1>have to waste our time cracking the code, because we'd

0:19:44.480 --> 0:19:46.600
<v Speaker 1>have no shot of setting foot here in the first place.

0:19:47.600 --> 0:19:52.720
<v Speaker 1>Problem solved. That was sarcasm. In case that didn't register either,

0:19:53.400 --> 0:19:56.000
<v Speaker 1>I got it. Well we'll just have to regroup. Okay,

0:19:56.000 --> 0:20:12.359
<v Speaker 1>come on, serious, come back here. You look like an

0:20:12.400 --> 0:20:22.120
<v Speaker 1>amulet term marks. Excuse him, he was just browsing a one. Serious,

0:20:22.359 --> 0:20:27.400
<v Speaker 1>let's get out of here, no for either, give him strength.

0:20:28.320 --> 0:20:32.280
<v Speaker 1>We don't want any trouble, sir. We'll leave now. You

0:20:32.440 --> 0:20:36.560
<v Speaker 1>carban you, yabbit. I don't lose trouble you let the

0:20:36.680 --> 0:20:45.000
<v Speaker 1>name tag. Come on. I think that was a threat. Oh,

0:20:45.080 --> 0:20:47.280
<v Speaker 1>don't mind them. These two are harmless, a bit of tools.

0:20:47.640 --> 0:20:52.000
<v Speaker 1>Sure wouldn't hurt a fly, though, Trust me, I'm their handling. Ta. Yeah,

0:20:52.040 --> 0:20:57.800
<v Speaker 1>it's it's uh, best of luck with your business. We'll

0:20:57.800 --> 0:21:02.639
<v Speaker 1>be keeping out of your way. Let's go. Ah what

0:21:02.920 --> 0:21:05.879
<v Speaker 1>the merchant's tone? It almost seemed too warm when he

0:21:05.920 --> 0:21:09.160
<v Speaker 1>addressed me. Well, of course that's not too strange, rather

0:21:09.240 --> 0:21:11.879
<v Speaker 1>expected if you asked me why I missed it? What

0:21:11.920 --> 0:21:14.320
<v Speaker 1>wasn't those jars he was selling? Oh, you know, nothing

0:21:14.320 --> 0:21:17.400
<v Speaker 1>out of the ordinary, various knickknacks, novel peas and sundrys

0:21:17.440 --> 0:21:23.320
<v Speaker 1>of the biological persuasion logo organs if you must? And serious?

0:21:23.359 --> 0:21:31.240
<v Speaker 1>What was he doing? Are going a jar of preserved eyeballs? Should?

0:21:31.240 --> 0:21:33.840
<v Speaker 1>I guess? I guess you noticed the resemblance to the

0:21:33.840 --> 0:21:38.160
<v Speaker 1>eye on your ambulant Yeah, well let him look next time. Serious,

0:21:38.560 --> 0:21:40.480
<v Speaker 1>you're a big guy. You can hold your own right,

0:21:43.640 --> 0:21:52.520
<v Speaker 1>you dog eras and nuts mix? My god? Um, we're

0:21:52.520 --> 0:21:55.840
<v Speaker 1>in need of supplies to cross the dunes, guides, camels water.

0:21:55.960 --> 0:22:03.840
<v Speaker 1>Can you help us? God dog kill the nick? What

0:22:04.040 --> 0:22:07.520
<v Speaker 1>just happened? I'm not entirely sure, but I'm beginning to

0:22:07.560 --> 0:22:10.600
<v Speaker 1>pick up fragments of sentences. I'm quite convinced we need

0:22:10.640 --> 0:22:15.040
<v Speaker 1>to each procure a name tag, name tag a tang

0:22:15.359 --> 0:22:17.919
<v Speaker 1>the merchants keep referring to them. Perhaps that word was

0:22:17.960 --> 0:22:21.200
<v Speaker 1>directly integrated into their lexicon. At any rate, it must

0:22:21.200 --> 0:22:24.399
<v Speaker 1>be their form of identification to verify we're card carrying

0:22:24.400 --> 0:22:27.840
<v Speaker 1>guild members and establish us as a credible counterparty for transactions.

0:22:28.560 --> 0:22:30.040
<v Speaker 1>Sounds like we have to get our hands on some

0:22:30.119 --> 0:22:32.920
<v Speaker 1>name tags, just the thought. Might it be easier on

0:22:33.000 --> 0:22:37.280
<v Speaker 1>us if we actually just joined the thieves Guild? Serious,

0:22:37.480 --> 0:22:45.320
<v Speaker 1>give me a break, Come back, fine, go suit yourself

0:22:46.280 --> 0:22:50.119
<v Speaker 1>either you expect me to dignify that with response? You

0:22:50.200 --> 0:22:55.840
<v Speaker 1>know we work alone. I know, I just it's that enough,

0:22:56.720 --> 0:23:01.320
<v Speaker 1>all right? Forgive me for bringing it up. Oh, over there,

0:23:01.520 --> 0:23:03.679
<v Speaker 1>there's a rare items dealer. Maybe he can help us

0:23:03.680 --> 0:23:11.720
<v Speaker 1>with some of the supplies. Be wrong, let us it's so.

0:23:11.920 --> 0:23:23.200
<v Speaker 1>God evo a t A two can route phil a

0:23:23.359 --> 0:23:29.920
<v Speaker 1>late tap no payoff tweet cottage. Yo, it's a gut there.

0:23:30.720 --> 0:23:35.879
<v Speaker 1>It's a polyethylene a plastic bag. Serious would love this.

0:23:36.200 --> 0:23:39.879
<v Speaker 1>We gotta get him one. Hey, get na good n

0:23:47.560 --> 0:23:50.359
<v Speaker 1>where'd you go? He just followed that woman inside a

0:23:50.359 --> 0:23:54.080
<v Speaker 1>storefront and disappeared. What relax? Let him go? You were right,

0:23:54.160 --> 0:23:57.520
<v Speaker 1>he can handle himself plus can't cause too much trouble.

0:23:57.720 --> 0:24:00.600
<v Speaker 1>What does it look like? It's semi translucent, off light

0:24:00.680 --> 0:24:02.680
<v Speaker 1>in color with the words thank you, have a nice

0:24:02.760 --> 0:24:06.080
<v Speaker 1>day in solid black type face mid condition to not

0:24:06.240 --> 0:24:09.160
<v Speaker 1>the bag the building. Oh, green lanterns above the door,

0:24:09.400 --> 0:24:12.480
<v Speaker 1>possibly infused with borron or copper sulfate, and it's called

0:24:12.680 --> 0:24:15.400
<v Speaker 1>Madame Lulu. We have to go after him. Green lights

0:24:15.440 --> 0:24:17.840
<v Speaker 1>means poison. It's not safe. Wait. I can tell he's

0:24:17.840 --> 0:24:31.240
<v Speaker 1>about to bring out the bubble rap now. You barely

0:24:31.280 --> 0:24:34.880
<v Speaker 1>said a word outside. Not much of a talker, are

0:24:34.920 --> 0:24:40.480
<v Speaker 1>you well? I, for one, can appreciate the strong, silent type.

0:24:41.320 --> 0:24:43.520
<v Speaker 1>You look like you'd make good use of a potion

0:24:43.560 --> 0:24:47.520
<v Speaker 1>that could end a conversation and put someone try sleep permanently,

0:24:47.800 --> 0:24:50.919
<v Speaker 1>if you know what I mean. Let them drift away

0:24:51.000 --> 0:24:59.800
<v Speaker 1>to sleep and catch some z's sleep, Catch some zed zack. Yeah,

0:25:00.800 --> 0:25:05.440
<v Speaker 1>this potion house sells anything a thief could need, acids, poisons,

0:25:05.720 --> 0:25:09.920
<v Speaker 1>even the deadliest of venoms. And now that we're alone,

0:25:10.560 --> 0:25:14.200
<v Speaker 1>we can speak freely. Tell me what can I get? You?

0:25:15.119 --> 0:25:29.800
<v Speaker 1>Pick your poison. Apologies for the disturbance. Hello, serious, sorry,

0:25:29.920 --> 0:25:36.440
<v Speaker 1>fastened through, serious, come out, it's ether serious us. There's

0:25:36.440 --> 0:25:38.720
<v Speaker 1>no sign of them out here. Anyone look like they're

0:25:38.720 --> 0:25:41.760
<v Speaker 1>connected to name tags. Unclear the way some of them

0:25:41.760 --> 0:25:43.560
<v Speaker 1>are dressed. Even if they had one, it wud be

0:25:43.640 --> 0:25:46.800
<v Speaker 1>under layers of protective hazard gear. There's a hallway over here.

0:25:46.840 --> 0:25:51.760
<v Speaker 1>Maybe he's in one of these rooms. I can't help

0:25:51.760 --> 0:25:54.720
<v Speaker 1>but feel this is an invasion of privacy. We'll knock.

0:25:55.440 --> 0:25:58.159
<v Speaker 1>All the doors are bead curtains. You should go first.

0:25:58.320 --> 0:26:03.600
<v Speaker 1>You're the brave one. Oh thank goodness, I recognize that snarl.

0:26:03.760 --> 0:26:08.919
<v Speaker 1>It's him. Serious, we're coming in. Are you hurt? Are

0:26:08.960 --> 0:26:11.280
<v Speaker 1>you okay? You really shouldn't have run off like that.

0:26:11.600 --> 0:26:15.240
<v Speaker 1>You've taken us off court. Serious, Lead search, find sleep

0:26:15.280 --> 0:26:21.400
<v Speaker 1>potion to catch some set zh. Who's your lovely new

0:26:21.480 --> 0:26:27.199
<v Speaker 1>lady friend? What's this now? No way, this is not

0:26:27.320 --> 0:26:31.040
<v Speaker 1>how I do business. This was a private transaction. I'm

0:26:31.080 --> 0:26:34.280
<v Speaker 1>not selling to any of you. Now. I want information

0:26:34.359 --> 0:26:36.600
<v Speaker 1>I'm in search of the name tag. Where do I

0:26:36.720 --> 0:26:42.200
<v Speaker 1>get it? Name tag? Why so everyone at the Potion

0:26:42.280 --> 0:26:46.199
<v Speaker 1>Health can tell you're a chump. I'm not dealing with this.

0:26:46.320 --> 0:26:48.920
<v Speaker 1>I'm finished. Don't walk away from us. We're not done here.

0:26:49.200 --> 0:26:51.400
<v Speaker 1>Halt Tell me where I can find the name tag.

0:26:54.320 --> 0:26:58.200
<v Speaker 1>I don't know what you're talking about. Came away from me. Please,

0:26:58.520 --> 0:27:01.439
<v Speaker 1>This is a simple misunderstand. We don't mean to impose.

0:27:01.480 --> 0:27:05.119
<v Speaker 1>We're actually very reasonable people. We just want to go

0:27:05.160 --> 0:27:07.400
<v Speaker 1>about our business. You're a hard working person and wants

0:27:07.400 --> 0:27:10.600
<v Speaker 1>to go about her business to write duh, Well, at

0:27:10.680 --> 0:27:13.560
<v Speaker 1>least we're on the same page. It's just our business

0:27:13.560 --> 0:27:16.399
<v Speaker 1>lies beyond these city walls, and before we can get

0:27:16.400 --> 0:27:18.320
<v Speaker 1>out to the dunes, first we got to get the

0:27:18.400 --> 0:27:20.040
<v Speaker 1>name tag so we can get a meeting with the

0:27:20.080 --> 0:27:22.639
<v Speaker 1>person in charge to make arrangements to enter the desert.

0:27:23.040 --> 0:27:26.000
<v Speaker 1>Not my problem. I'm leaving. I know you're about to go,

0:27:26.359 --> 0:27:28.000
<v Speaker 1>but I have to ask if you have any info

0:27:28.080 --> 0:27:30.400
<v Speaker 1>that might lead us in the right direction. I told you,

0:27:30.520 --> 0:27:36.639
<v Speaker 1>I don't know. Please any info at all. Your best

0:27:36.680 --> 0:27:40.080
<v Speaker 1>bet is probably at the club next door. Just don't

0:27:40.119 --> 0:27:43.359
<v Speaker 1>tell anyone I told you, or I'll get in major trouble.

0:27:43.560 --> 0:27:49.640
<v Speaker 1>Thank you, thank you. We won't get in trouble with whom?

0:27:49.640 --> 0:27:52.080
<v Speaker 1>And why did that woman even talk to Serious without

0:27:52.119 --> 0:27:55.119
<v Speaker 1>speaking in code when he's a stranger, Because he wasn't

0:27:55.160 --> 0:28:00.280
<v Speaker 1>a stranger, who was a client client in a private room.

0:28:00.320 --> 0:28:02.480
<v Speaker 1>That's a shame we spooked her. Could let us straight

0:28:02.520 --> 0:28:05.639
<v Speaker 1>to the name tag? Oh well, shall we head to

0:28:05.680 --> 0:28:24.880
<v Speaker 1>the club? This is it club demo? After you tube anything?

0:28:25.000 --> 0:28:28.600
<v Speaker 1>Stand out? I agree? The band is loud. No any

0:28:28.800 --> 0:28:32.200
<v Speaker 1>leads on the name tag. Can't manage to tune out

0:28:32.200 --> 0:28:35.520
<v Speaker 1>the drivel? Dang the tentative airs. It'll be quieter by

0:28:35.600 --> 0:28:39.080
<v Speaker 1>the bar, might be easier to hear yourself, think serious,

0:28:39.400 --> 0:29:00.760
<v Speaker 1>stand guard weeks here, I'll say it to Elcolm's not

0:29:00.920 --> 0:29:03.600
<v Speaker 1>our knock. We have rested a ragga talk of type work.

0:29:05.200 --> 0:29:09.680
<v Speaker 1>It's the law to evan naber knock you yap him

0:29:10.120 --> 0:29:15.520
<v Speaker 1>to eat a rippo rednew the radar radar, that's it

0:29:16.240 --> 0:29:19.720
<v Speaker 1>radar from the expression under the radar, Well yes, but

0:29:19.840 --> 0:29:23.080
<v Speaker 1>also from radar a system that transmits and receives signals

0:29:23.080 --> 0:29:26.080
<v Speaker 1>similar to a satellite dish. Oh yeah, you said something

0:29:26.080 --> 0:29:28.200
<v Speaker 1>about what a satellite dish was back when we met.

0:29:28.640 --> 0:29:30.720
<v Speaker 1>Now what are you saying about a radar? Never mind,

0:29:30.800 --> 0:29:34.959
<v Speaker 1>Just know that radar is a palindrome, So radar recites

0:29:35.000 --> 0:29:38.320
<v Speaker 1>the same spelled backward or forward. That's our key come

0:29:38.360 --> 0:29:40.520
<v Speaker 1>on logo. Growing up on the streets of imperial words,

0:29:40.520 --> 0:29:42.600
<v Speaker 1>where all I had to survive, I am well versed

0:29:42.600 --> 0:29:45.360
<v Speaker 1>in rhetoric, even paladromes. But you're still gonna have to

0:29:45.400 --> 0:29:48.800
<v Speaker 1>unlock this one for me. Reversals, it's how their code works.

0:29:49.040 --> 0:29:51.760
<v Speaker 1>You yap him to eat a repo rednew the radar,

0:29:52.200 --> 0:29:55.720
<v Speaker 1>You pay him to operate under the radar. Huh huh

0:29:56.000 --> 0:29:59.239
<v Speaker 1>h h. Now you're getting it. It's remarkably simple. It's

0:29:59.280 --> 0:30:02.240
<v Speaker 1>simply remarkable. For keywords, they reverse the spelling and then

0:30:02.240 --> 0:30:05.200
<v Speaker 1>recited backwards. And for filler words such as such the

0:30:05.480 --> 0:30:09.000
<v Speaker 1>two key she and and they leave them as is.

0:30:09.240 --> 0:30:11.440
<v Speaker 1>To communicate, all we have to do is flip the

0:30:11.520 --> 0:30:13.760
<v Speaker 1>keyword around and then pronounce it as spelled. It's a

0:30:13.760 --> 0:30:16.480
<v Speaker 1>form of back slang. And how is this supposed to

0:30:16.520 --> 0:30:20.120
<v Speaker 1>help us find the name tag listen, he who slourt

0:30:20.200 --> 0:30:23.040
<v Speaker 1>knock the revel slourt knock the wolf of d art,

0:30:23.520 --> 0:30:27.400
<v Speaker 1>He who controls the lever, controls the flow of trade.

0:30:28.040 --> 0:30:31.760
<v Speaker 1>The name tag. That's it. I'm going over there to

0:30:31.800 --> 0:30:34.200
<v Speaker 1>see if there's anything they'll tell us. Come on serious,

0:30:34.480 --> 0:30:42.800
<v Speaker 1>Ah no, wait, at least wait for me do deep

0:30:44.520 --> 0:30:48.440
<v Speaker 1>name tag. We're not looking for the name tag, We're

0:30:48.440 --> 0:30:52.800
<v Speaker 1>looking for the gate man. Okay, then that's him. Whosy

0:30:52.880 --> 0:30:58.720
<v Speaker 1>with back table alone is puny thug? Leave now perfect?

0:30:59.000 --> 0:31:01.720
<v Speaker 1>Let me do the talking. Okay, but remember he won't

0:31:01.760 --> 0:31:04.520
<v Speaker 1>speak plain English or formalize a contract in a public

0:31:04.600 --> 0:31:06.720
<v Speaker 1>place where he can't tell who might be listening. You'll

0:31:06.760 --> 0:31:08.880
<v Speaker 1>have to convince him to go with you somewhere secure

0:31:09.000 --> 0:31:12.400
<v Speaker 1>to close the deal. Get him behind closed doors. Got Also,

0:31:12.520 --> 0:31:14.640
<v Speaker 1>if you take too long to respond between the time

0:31:14.640 --> 0:31:17.280
<v Speaker 1>you decipher what he just said and translate your own reply,

0:31:17.480 --> 0:31:19.840
<v Speaker 1>you'll out yourself. So you'll have to be lightning quick

0:31:19.840 --> 0:31:22.760
<v Speaker 1>with your answers. I'll keep it brief and a last reminder.

0:31:23.040 --> 0:31:25.160
<v Speaker 1>All you have to do is flip the keywords around

0:31:25.160 --> 0:31:28.840
<v Speaker 1>and pronounce it normally. It's back slang or should I say,

0:31:29.440 --> 0:31:34.240
<v Speaker 1>now's cab? Oh dear, this is going to be harder

0:31:34.240 --> 0:31:48.400
<v Speaker 1>than I thought. Name tag a coach a joke aloof

0:31:48.720 --> 0:31:53.400
<v Speaker 1>ergo zaps claw into a rap fool spouse walking into

0:31:53.400 --> 0:31:57.800
<v Speaker 1>a baro, you have goodnet to most rough me rednots.

0:31:58.400 --> 0:32:01.480
<v Speaker 1>I hope you have something for me anger a deed

0:32:02.000 --> 0:32:07.640
<v Speaker 1>a deed a gig a gig a gig? What he

0:32:07.760 --> 0:32:11.920
<v Speaker 1>meant of you? At what time of day? Noon? What's

0:32:11.920 --> 0:32:19.040
<v Speaker 1>the annoyed tant said? What's the destination where things live? Evil? Stressed? Stressed?

0:32:19.480 --> 0:32:26.320
<v Speaker 1>Your mood deserts deserts your doom? You stunned, stunned, you

0:32:26.600 --> 0:32:34.640
<v Speaker 1>nuts nuts, I'm mad, damn cook. We have drawer, you'll

0:32:34.680 --> 0:32:38.720
<v Speaker 1>get snap diaper. We have reward, we'll get tons repaid ah.

0:32:41.160 --> 0:32:46.600
<v Speaker 1>I have your spam brag drowns for your reviled. I

0:32:46.680 --> 0:32:51.720
<v Speaker 1>have your maps, garb sword for your delivered. Layad deal,

0:32:52.200 --> 0:32:56.200
<v Speaker 1>layad lad. Now that we've settled this as summer private,

0:32:56.240 --> 0:33:02.680
<v Speaker 1>we can hash up details all off follow you'll slip up?

0:33:03.120 --> 0:33:08.000
<v Speaker 1>Huh slip up? Oh no, backslige for pupils. Either thinks

0:33:08.040 --> 0:33:10.320
<v Speaker 1>he slipped up, when really it refers to the eye

0:33:10.320 --> 0:33:17.840
<v Speaker 1>on Ether's ambulet. My I sees the brats, My eye

0:33:17.920 --> 0:33:28.160
<v Speaker 1>sees the star. Wow what oh go go? Either talk

0:33:28.280 --> 0:33:32.520
<v Speaker 1>like me? Didn't you hear Ether slip up? Stood up?

0:33:32.960 --> 0:33:35.800
<v Speaker 1>The gate man thinks Either wears his ambuletor chattel the stars.

0:33:36.080 --> 0:33:39.040
<v Speaker 1>Sometimes the stars do aligne me so happy we could kiss.

0:33:39.040 --> 0:33:45.160
<v Speaker 1>You're serious, SnO logo, Sure have away with words. You

0:33:45.200 --> 0:33:52.600
<v Speaker 1>can see the same for you. Give me a moment

0:33:52.680 --> 0:34:04.600
<v Speaker 1>to seal the office, dool. Non sanctioned travel on the

0:34:04.720 --> 0:34:09.279
<v Speaker 1>dunes is forspid. Yes, I'm aware now for nothing. No

0:34:09.520 --> 0:34:12.640
<v Speaker 1>skill traveler can last more than three days out there.

0:34:13.120 --> 0:34:17.440
<v Speaker 1>Civilians dead by nightfall, and we sure don't want whatever's

0:34:17.520 --> 0:34:22.040
<v Speaker 1>on that side making its way in. You may have

0:34:22.120 --> 0:34:25.560
<v Speaker 1>picked up some shoddy backslang, but you ain't from around

0:34:25.560 --> 0:34:31.960
<v Speaker 1>these parts. Tell me who are you? Bandits? Smugglers, scammers?

0:34:32.920 --> 0:34:36.479
<v Speaker 1>What kind of thieves am I dealing with? We don't

0:34:36.520 --> 0:34:40.160
<v Speaker 1>conform to the narrow designations typical of the guild, No

0:34:40.400 --> 0:34:43.600
<v Speaker 1>you don't. Our diverse set of skills allows us to

0:34:43.640 --> 0:34:47.680
<v Speaker 1>engage in a broad spectrum of complex affairs, utilizing bespoke

0:34:47.760 --> 0:34:52.640
<v Speaker 1>tactics in a dynamic approach. What nonsense is? This is

0:34:52.640 --> 0:34:57.520
<v Speaker 1>your membership and good standing? Are you thieves the stars?

0:34:57.520 --> 0:35:02.239
<v Speaker 1>Outlaws of the guilt? Dear are you? Dear you? We're

0:35:02.280 --> 0:35:05.200
<v Speaker 1>civilian mercenaries. When we take on a mission, we're loyal

0:35:05.239 --> 0:35:17.239
<v Speaker 1>to the end. Very well I suppose the less I

0:35:17.280 --> 0:35:20.359
<v Speaker 1>know the better, And if you try to steal from me,

0:35:20.719 --> 0:35:23.799
<v Speaker 1>my gods will hunt you down. So all on other

0:35:23.920 --> 0:35:27.640
<v Speaker 1>guild's code. If it's lucrative enough, what do you need

0:35:28.320 --> 0:35:31.120
<v Speaker 1>the essentials? We have some basic supplies in our packs,

0:35:31.160 --> 0:35:33.760
<v Speaker 1>but we still need an armed caravan for transport jugs

0:35:33.800 --> 0:35:37.480
<v Speaker 1>of water. Your best guides must be after something with

0:35:37.719 --> 0:35:40.399
<v Speaker 1>a shiny opal if you're going all the way into

0:35:40.400 --> 0:35:43.080
<v Speaker 1>the desert to get it, I'm not at liberty to

0:35:43.080 --> 0:35:48.400
<v Speaker 1>discuss such matters. You want my guides, my supplies, my blessing,

0:35:48.800 --> 0:35:51.040
<v Speaker 1>and you won't even tell me what it is. I'm

0:35:51.040 --> 0:35:56.200
<v Speaker 1>backing fair enough. It's oil. We're after oil, ha ha ha.

0:36:00.200 --> 0:36:03.680
<v Speaker 1>And where do you expect to find this? Boil? The

0:36:03.719 --> 0:36:16.360
<v Speaker 1>mole layer? Those mutants, you're even crazier than I thought.

0:36:16.680 --> 0:36:19.040
<v Speaker 1>I already told you that. What else is there to say?

0:36:19.200 --> 0:36:22.920
<v Speaker 1>How do you plan on negotiating? Please? And thank you

0:36:23.400 --> 0:36:26.920
<v Speaker 1>a firm shake of their webbed paw agreed to carry

0:36:27.000 --> 0:36:33.799
<v Speaker 1>their eggs inside you. I'm confident we'll get it done.

0:36:35.000 --> 0:36:50.120
<v Speaker 1>Confident good It doesn't ha h? I like that? Yes

0:36:51.800 --> 0:36:59.040
<v Speaker 1>m hm, yes, yes, but that mean that m m

0:36:59.480 --> 0:37:07.600
<v Speaker 1>I'd like that all right, you'll have your chance. I'll

0:37:07.640 --> 0:37:10.600
<v Speaker 1>provide you three camels, this hair map on my desk,

0:37:10.680 --> 0:37:14.480
<v Speaker 1>a canteen, sword, and functional wear packed and ready to

0:37:14.520 --> 0:37:18.799
<v Speaker 1>go noon tomorrow. Other than that, you're on your own.

0:37:19.160 --> 0:37:22.439
<v Speaker 1>But if you don't like, you're welcome to try your

0:37:22.440 --> 0:37:26.560
<v Speaker 1>hand scaling the mountains of North or wading through the top.

0:37:26.600 --> 0:37:33.040
<v Speaker 1>It's down the south, of course, if you want the

0:37:33.120 --> 0:37:37.160
<v Speaker 1>direct route east. I'm the only one who controls the gate,

0:37:38.000 --> 0:37:40.840
<v Speaker 1>so I control what goes in and out of this wall,

0:37:41.320 --> 0:37:45.760
<v Speaker 1>your gates, the rather majestic wonder. Just a few steps

0:37:45.760 --> 0:37:48.680
<v Speaker 1>behind you lies the entrance, where within a narrowing chord

0:37:48.880 --> 0:37:53.680
<v Speaker 1>or a week three evenly space, sequentially descending heavy lattice

0:37:53.680 --> 0:37:58.000
<v Speaker 1>squilled overhead drop doors, each iron clad and brandished with

0:37:58.080 --> 0:38:01.520
<v Speaker 1>steel spikes at their base. They funneled to a fifty

0:38:01.600 --> 0:38:05.560
<v Speaker 1>by a hundred foot impenetrable black stone swing gait, which

0:38:05.600 --> 0:38:09.600
<v Speaker 1>itself is fortified with archers, spearmen and outfit it with

0:38:09.719 --> 0:38:15.360
<v Speaker 1>brace wire topples. It defies your typical gait closer to

0:38:15.400 --> 0:38:19.080
<v Speaker 1>a gauntlet. Really, how long does the process take activated

0:38:19.200 --> 0:38:21.840
<v Speaker 1>via level, It's a minute. A drop tours three for

0:38:21.960 --> 0:38:25.520
<v Speaker 1>the final gate that's to open the pathway to shut

0:38:25.760 --> 0:38:29.279
<v Speaker 1>have that figure, and to bear witness to its inner

0:38:29.320 --> 0:38:32.319
<v Speaker 1>workings in action, to bask in the music of its

0:38:32.360 --> 0:38:35.960
<v Speaker 1>restless metal, and really appreciate the craftsmanship of which you

0:38:36.000 --> 0:38:39.920
<v Speaker 1>are experiencing as you take it all in. It's truly

0:38:39.960 --> 0:38:43.680
<v Speaker 1>a thing of beauty. Of course, once said into motion,

0:38:43.800 --> 0:38:46.440
<v Speaker 1>it can't be stopped until the mechanism of chain linked

0:38:46.520 --> 0:38:50.200
<v Speaker 1>rope and police has fully run its course. But who

0:38:50.239 --> 0:38:53.640
<v Speaker 1>would want to interrupt such a thing anyway? You've sold me?

0:38:54.120 --> 0:38:57.920
<v Speaker 1>Shall we discuss payment? Now you're talking my left the

0:38:57.960 --> 0:39:00.319
<v Speaker 1>guilt's usual ten percent tithe of the spoil us upon

0:39:00.400 --> 0:39:04.840
<v Speaker 1>return if you return, And no, the risk is too high.

0:39:05.160 --> 0:39:08.319
<v Speaker 1>I need to ensure a handsome profit on my investment.

0:39:09.040 --> 0:39:14.680
<v Speaker 1>Something like this, I want half to take. Are you

0:39:14.719 --> 0:39:16.919
<v Speaker 1>out of your mind? Give me a moment to talk

0:39:16.960 --> 0:39:20.360
<v Speaker 1>this over with my associates. It might not be my

0:39:20.400 --> 0:39:24.960
<v Speaker 1>place to comment, but half seems absurdly high. Don't forget

0:39:25.040 --> 0:39:28.560
<v Speaker 1>it's the agency's satellite dish. We're after only selling him

0:39:28.640 --> 0:39:31.040
<v Speaker 1>on the oil. But you said he knows the rules

0:39:31.040 --> 0:39:33.839
<v Speaker 1>as well as anyone. Buy or beware, and if all

0:39:33.880 --> 0:39:38.640
<v Speaker 1>goes as planned, we won't be coming back it's a deal,

0:39:39.320 --> 0:39:45.040
<v Speaker 1>or should I say a layad. I'm glad we could

0:39:45.080 --> 0:39:47.960
<v Speaker 1>see I this is going to be a very successful

0:39:48.040 --> 0:39:50.640
<v Speaker 1>venture for both of us. I know it. I'll make

0:39:50.680 --> 0:39:54.759
<v Speaker 1>sure this operation runs smoothly. From A to Z. Oh no,

0:39:55.280 --> 0:39:58.080
<v Speaker 1>the thieves dialect either said Z when it's pronounced vent.

0:40:01.719 --> 0:40:04.960
<v Speaker 1>What faction of the guild did you say you belonged to?

0:40:05.640 --> 0:40:13.480
<v Speaker 1>I didn't a raid rail leaf it in my tongue,

0:40:13.719 --> 0:40:17.480
<v Speaker 1>A dear liar feeling in my gut. I'm sorry, you retool,

0:40:19.040 --> 0:40:22.759
<v Speaker 1>there must be some kind of misunderstanding. Try to reflip

0:40:22.840 --> 0:40:25.920
<v Speaker 1>from me, Try to pilfer from me. You've lost me here.

0:40:26.160 --> 0:40:29.040
<v Speaker 1>Reflip reflip? Is his up his back? Sling Um, you're

0:40:29.320 --> 0:40:46.200
<v Speaker 1>the y the day serious? Now a leash logo the lever.

0:40:47.880 --> 0:40:50.839
<v Speaker 1>How long do we have? Let's see to open three

0:40:50.920 --> 0:40:52.960
<v Speaker 1>vertical doors at a minute of peace, plus an additional

0:40:53.000 --> 0:40:55.240
<v Speaker 1>three for the final game at six minutes, an additional

0:40:55.320 --> 0:40:57.239
<v Speaker 1>quarter of that time to close, taking into account of

0:40:57.320 --> 0:40:59.440
<v Speaker 1>one started. The procedure can't be interrupted. I thought he

0:40:59.480 --> 0:41:01.200
<v Speaker 1>could halt get quarter. If you want to come out

0:41:01.239 --> 0:41:03.279
<v Speaker 1>with your head until attach to your body. Spikes at

0:41:03.280 --> 0:41:04.960
<v Speaker 1>their face went on their way down the doors become

0:41:04.960 --> 0:41:07.320
<v Speaker 1>a guillotine if you don't clear now. Figuring the moderate

0:41:07.400 --> 0:41:08.920
<v Speaker 1>level of drust on the level as a proxy for

0:41:08.960 --> 0:41:10.840
<v Speaker 1>the cognition of the rogue pulling system, I factor in

0:41:10.880 --> 0:41:13.200
<v Speaker 1>a short refractorate period before he's able to reverse the process.

0:41:13.239 --> 0:41:14.960
<v Speaker 1>So will pick up an extra thirty seconds in lag

0:41:15.000 --> 0:41:18.560
<v Speaker 1>time by my calculations, assuming diversity ecodistant segments takes I

0:41:18.600 --> 0:41:21.200
<v Speaker 1>don't know, say thirty seconds a piece. Can we make it?

0:41:21.280 --> 0:41:24.200
<v Speaker 1>That depends on a variety of complex factors assumption to variables.

0:41:24.320 --> 0:41:26.440
<v Speaker 1>I really can't estimate our chance of success beyond a

0:41:26.440 --> 0:41:29.560
<v Speaker 1>few standard deviation logo plain English before it become unhind

0:41:29.680 --> 0:41:33.000
<v Speaker 1>If we leave right now, it's technically possible. Serious office

0:41:33.000 --> 0:41:34.960
<v Speaker 1>stores walk break it. The no one follows us in

0:41:40.040 --> 0:41:51.520
<v Speaker 1>prob the map looks ball. You don't stand a chance.

0:41:52.520 --> 0:41:56.320
<v Speaker 1>The dunes will be the least of your worries. Even

0:41:56.360 --> 0:41:59.760
<v Speaker 1>if you somehow beat it through the drop doors, mine

0:42:00.040 --> 0:42:03.400
<v Speaker 1>their sky cards wouldn't quite welcome You're on. Expect to

0:42:03.480 --> 0:42:07.520
<v Speaker 1>arrival in the final swing game next time before you

0:42:07.719 --> 0:42:11.040
<v Speaker 1>tackle back to say, make sure you first mess in

0:42:11.120 --> 0:42:15.880
<v Speaker 1>your ABC. All the way through X Y and said

0:42:30.120 --> 0:42:34.040
<v Speaker 1>InterQuest created by Michael Freiberg. A production of I Heart

0:42:34.120 --> 0:42:38.120
<v Speaker 1>Radio and Astro Media Executive produced by Michael Freiberg and

0:42:38.200 --> 0:42:42.440
<v Speaker 1>I Hear Radio, co produced by Adam Ramunda and Chelsea English.

0:42:42.880 --> 0:42:46.640
<v Speaker 1>Sound design and mixed by Dennis Denbeck. Music by Trey Toy.

0:42:47.160 --> 0:42:54.280
<v Speaker 1>Performances by Matthew Bursard, Ether, Mike Leebovitz, Serious Mike Kaplan Logo,

0:42:54.920 --> 0:43:01.360
<v Speaker 1>Lucy Paul Umbra featuring Usama Sidiki, Chuck Bender, Irena Gorevalla,

0:43:01.760 --> 0:43:07.600
<v Speaker 1>Lady Abuza, Casey James Lingo, Knife Thief, Emily Battles, Potion Worker,

0:43:08.320 --> 0:43:14.360
<v Speaker 1>Nick Nanny gate Man. Additional performances by Nick Nanny, Hassa Gibson,

0:43:14.760 --> 0:43:19.240
<v Speaker 1>Pat's Wearing Jin director and head writer Michael Freiburg, writers

0:43:19.640 --> 0:43:24.719
<v Speaker 1>Tom Delgado and Will Julian, story editor Chelsea English dialogue

0:43:24.800 --> 0:43:30.600
<v Speaker 1>editor Adam Raimunda. Additional music Matthew Blaca, Fully post Rette,

0:43:31.080 --> 0:43:34.279
<v Speaker 1>full cast and crew in the description. Find more podcasts

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