1 00:00:06,400 --> 00:00:10,080 Speaker 1: In Request created by Michael Freiberg, a production of I 2 00:00:10,200 --> 00:00:13,880 Speaker 1: Heart Radio and Astro Media Listen with headphones for three 3 00:00:13,960 --> 00:00:22,279 Speaker 1: D audio. Oh, come on serious, Ether will be back soon. 4 00:00:22,480 --> 00:00:24,560 Speaker 1: We have to keep searching. We traveled all the way 5 00:00:24,560 --> 00:00:26,200 Speaker 1: to the rope Bazar because they need to find the 6 00:00:26,239 --> 00:00:28,320 Speaker 1: hidden entrance to the black market known as the Den 7 00:00:28,320 --> 00:00:30,520 Speaker 1: of Thieves. That's the only way we can safely enter 8 00:00:30,560 --> 00:00:33,800 Speaker 1: the desert. Remember what Ether said, We need to go 9 00:00:33,840 --> 00:00:35,760 Speaker 1: through the den of thiefs black markets in order to 10 00:00:35,760 --> 00:00:38,600 Speaker 1: gain access to the Azrael Desert for safe travel because 11 00:00:38,640 --> 00:00:41,440 Speaker 1: they controlled the desert border. The success of our mission 12 00:00:41,479 --> 00:00:48,280 Speaker 1: depends on locating its entrance. Strong remarkable, isn't it serious? 13 00:00:48,640 --> 00:00:52,320 Speaker 1: Think order drance gorge? What? No, it's not dancing. The 14 00:00:52,400 --> 00:00:56,560 Speaker 1: creatures swaying side to side. The performers hypnotize the gorgon's 15 00:00:56,600 --> 00:00:58,560 Speaker 1: with the sound of their hand drums. But I still 16 00:00:58,560 --> 00:01:05,199 Speaker 1: haven't deduced the finer points must be in the beat pattern. Well, 17 00:01:05,360 --> 00:01:08,240 Speaker 1: I don't suppose you have a better explanation. Friends, find 18 00:01:08,920 --> 00:01:12,080 Speaker 1: only two hundred common opal for the jug deal another 19 00:01:12,080 --> 00:01:14,720 Speaker 1: street peddler. Let's just ignore until he goes away. Pretend 20 00:01:14,760 --> 00:01:19,680 Speaker 1: you don't speak English or better, yet talk normal. Okay, okay, okay, okay. 21 00:01:19,840 --> 00:01:22,280 Speaker 1: For you toothpick, I'll come down. You just call me 22 00:01:22,319 --> 00:01:26,720 Speaker 1: toothpick for this handmaid, expertly crafted jug one hundred and 23 00:01:26,880 --> 00:01:30,400 Speaker 1: fifty opals, my best price. Pardon me. I recognize you 24 00:01:30,400 --> 00:01:33,120 Speaker 1: are ay of finely crafted goods, but I am not 25 00:01:33,200 --> 00:01:35,319 Speaker 1: in need of your services at this time. I must 26 00:01:35,319 --> 00:01:40,800 Speaker 1: request you moving. Okay, okay, okay, okay. How about you, 27 00:01:40,880 --> 00:01:43,760 Speaker 1: burly man, you look like the big COONa. For you 28 00:01:43,920 --> 00:01:49,280 Speaker 1: a special bargain, my friendly rate. One hundred and twenty opals, 29 00:01:49,480 --> 00:01:53,640 Speaker 1: cheapest in the market. Don't know, Okay, all right, just 30 00:01:53,760 --> 00:01:59,760 Speaker 1: for today, one hundred opals price. Okay, friend, take me 31 00:01:59,800 --> 00:02:07,680 Speaker 1: all of earth. Nothing unbelievable, fine fifty olds. My kids 32 00:02:07,680 --> 00:02:10,119 Speaker 1: will go hungry. You insult my family. I'll even lose 33 00:02:10,120 --> 00:02:12,400 Speaker 1: money on this, but I'll sell it to you just 34 00:02:12,480 --> 00:02:17,000 Speaker 1: for a good karma. Happy now, he logo, We go. Now. 35 00:02:19,360 --> 00:02:22,600 Speaker 1: You're bad man, very bad man. You waste my time. 36 00:02:23,080 --> 00:02:25,000 Speaker 1: We are only interested in the location of the den 37 00:02:25,120 --> 00:02:27,000 Speaker 1: of thieves so we can get to the Azrael desert. 38 00:02:27,200 --> 00:02:31,040 Speaker 1: Nothing else. Of course, you I wish you only misfortune. Huh. 39 00:02:31,720 --> 00:02:37,840 Speaker 1: Of course your chief vagrants hid me. What are you doing? 40 00:02:38,400 --> 00:02:47,520 Speaker 1: What are you doing? You do it? Down starts now 41 00:02:47,600 --> 00:03:01,280 Speaker 1: you really did? Ah? Okay, either You've come to the 42 00:03:01,360 --> 00:03:04,040 Speaker 1: right tent in the Roque bazaar to see your future. 43 00:03:05,160 --> 00:03:07,240 Speaker 1: But I can't tell you the location of the den 44 00:03:07,280 --> 00:03:11,359 Speaker 1: of thieves. Only the Crystal Ball can show. If you'll 45 00:03:11,400 --> 00:03:14,760 Speaker 1: find its entrance and have safe travels through the Azrael Desert, 46 00:03:16,400 --> 00:03:20,560 Speaker 1: prepare to peer into its depths and discover what lies 47 00:03:20,680 --> 00:03:25,480 Speaker 1: within its lens. Oh, crystal Ball, I turned to the 48 00:03:25,880 --> 00:03:29,919 Speaker 1: unraveled secrets I keep from me, reveal hidden truths urry 49 00:03:30,040 --> 00:03:33,560 Speaker 1: down below of things we wish to forget, but always no. 50 00:03:34,240 --> 00:03:37,680 Speaker 1: Like veiled stars shining bright, made visible only at night, 51 00:03:37,800 --> 00:03:44,800 Speaker 1: we see exposed reality. The crystal leadons encroaching storm clouds 52 00:03:44,880 --> 00:03:47,960 Speaker 1: lurk on the horizon. I see fields that are barren, 53 00:03:48,200 --> 00:03:53,160 Speaker 1: trees that are hollow, rivers that run dry, a murky gray. 54 00:03:55,000 --> 00:03:57,240 Speaker 1: I am beginning to make out the faint silhouette of 55 00:03:57,280 --> 00:04:03,880 Speaker 1: a figure shrouded in shadow. Why during a lost near 56 00:04:03,960 --> 00:04:09,840 Speaker 1: death in the desert, Who is this figure? I wonder? Ah, 57 00:04:10,080 --> 00:04:14,360 Speaker 1: I'm losing it. The image is fading, the crystal Ball 58 00:04:14,440 --> 00:04:19,800 Speaker 1: returning to slumber. Lady Foosia, No, but wait, it grows darker, 59 00:04:21,120 --> 00:04:29,159 Speaker 1: shed black. What is happening? The crystal ball burnt my 60 00:04:29,200 --> 00:04:35,920 Speaker 1: fingers A flash of lightning. I glimpsed a village. Oh 61 00:04:36,000 --> 00:04:41,679 Speaker 1: no no, it's set flame to the land. Building is burning, 62 00:04:41,960 --> 00:04:49,280 Speaker 1: people flailing, ablaze, Everything turned to ashes. A burth of water, 63 00:04:50,200 --> 00:04:54,240 Speaker 1: putting the fire to rest, cleansing the land. Rain drops 64 00:04:54,320 --> 00:05:02,920 Speaker 1: wash away tears. But but it is too much. Blood follows, bodies, 65 00:05:03,080 --> 00:05:07,559 Speaker 1: floating people, drowning, babies swept away the village swallow rottle 66 00:05:16,240 --> 00:05:20,880 Speaker 1: either Soon everyone will know Umbra's true call. It all 67 00:05:20,960 --> 00:05:27,240 Speaker 1: will be erased. Look away. What you think you're seeing 68 00:05:27,240 --> 00:05:31,039 Speaker 1: in the crystal ball isn't real, only subconscious manifestations from Umbra. 69 00:05:31,760 --> 00:05:34,040 Speaker 1: What do you know of Umbra? Give me the palm 70 00:05:34,040 --> 00:05:38,240 Speaker 1: of your hand. Why should I, Lady Vouza, I want 71 00:05:38,279 --> 00:05:43,559 Speaker 1: to help fine. Your palm is rough to the touch, 72 00:05:44,320 --> 00:05:49,080 Speaker 1: marred with deep grooves and wrinkles. Insult me tells me 73 00:05:49,120 --> 00:05:52,080 Speaker 1: you've led a difficult life the years, turning you callous, 74 00:05:53,680 --> 00:05:57,400 Speaker 1: I suppose, But who in the rock Bazar isn't I'm 75 00:05:57,400 --> 00:05:59,599 Speaker 1: going to apply a slight pressure to the tips of 76 00:05:59,600 --> 00:06:07,360 Speaker 1: your finger. Mm hmm, very little resistance, ample flexibility, How interesting. 77 00:06:09,279 --> 00:06:12,520 Speaker 1: What does it mean You're very adaptable to new situations. 78 00:06:13,080 --> 00:06:17,040 Speaker 1: Let me part your thumb. You didn't run away as 79 00:06:17,040 --> 00:06:21,920 Speaker 1: a child, did you? I did? How did you know 80 00:06:22,440 --> 00:06:25,640 Speaker 1: the edge of your thumb naturally bends backwards, pointing away 81 00:06:25,640 --> 00:06:28,240 Speaker 1: from the rest of your fingers. You're an independent person 82 00:06:28,240 --> 00:06:33,120 Speaker 1: who had to make your own way in life. When 83 00:06:33,120 --> 00:06:36,880 Speaker 1: I was a child, the king of my land was corrupted. 84 00:06:38,400 --> 00:06:40,920 Speaker 1: The villagers say he fell victim to his own humors, 85 00:06:41,000 --> 00:06:43,320 Speaker 1: but I believe there was something more sinister at work. 86 00:06:46,920 --> 00:06:51,480 Speaker 1: My father was his trusted advisor, and the king ordered 87 00:06:51,520 --> 00:06:56,640 Speaker 1: my parents and siblings slaughter. He he massacreed his own people. 88 00:06:57,839 --> 00:07:01,240 Speaker 1: I was chosen to be a servant, but two stars 89 00:07:01,279 --> 00:07:04,920 Speaker 1: blessed me with a path to escape. Your trouble past 90 00:07:04,960 --> 00:07:07,320 Speaker 1: reminds me of my own, and it's made you a 91 00:07:07,320 --> 00:07:11,040 Speaker 1: compassionate person Beneath your heart and facade. This is more 92 00:07:11,080 --> 00:07:14,640 Speaker 1: than my trade. People come to me in need, and 93 00:07:14,680 --> 00:07:18,400 Speaker 1: I help them as best as I can. How I 94 00:07:18,400 --> 00:07:21,600 Speaker 1: would have wanted, yes, But even though it was long ago, 95 00:07:22,080 --> 00:07:25,000 Speaker 1: I since you're still scared, afraid you're succumbing to your 96 00:07:25,040 --> 00:07:28,480 Speaker 1: own delusions and losing grasp of reality, even beginning to 97 00:07:28,520 --> 00:07:31,160 Speaker 1: believe you really do possess the psychic powers you pretend 98 00:07:31,200 --> 00:07:35,840 Speaker 1: to have. It is true, it is true. I feel 99 00:07:35,880 --> 00:07:38,720 Speaker 1: myself slipping and losing control. And let me free you 100 00:07:38,760 --> 00:07:41,080 Speaker 1: from these fears. In a moment, I'll ask you to 101 00:07:41,080 --> 00:07:42,880 Speaker 1: think of a tool in your possession, something like a 102 00:07:42,960 --> 00:07:45,800 Speaker 1: saw or a wrench. But think of your own. But 103 00:07:45,960 --> 00:07:49,240 Speaker 1: first turn your attention back to the crystal ball. I'll 104 00:07:49,240 --> 00:07:51,920 Speaker 1: repeat the question, I arrived with the entrance to the 105 00:07:51,960 --> 00:07:54,760 Speaker 1: den of thieves. Tell me where is it? I can't. 106 00:07:55,760 --> 00:07:59,200 Speaker 1: I'm sorry, I'm forbidden to tell an outside of the location. 107 00:08:00,080 --> 00:08:02,360 Speaker 1: If you were found to help the killeth, both fixate 108 00:08:02,440 --> 00:08:05,600 Speaker 1: on the crystal see the answer within. You know that 109 00:08:05,720 --> 00:08:12,080 Speaker 1: it's safe to tell me. All right, Go to the 110 00:08:12,080 --> 00:08:18,800 Speaker 1: bazaar's end. There's a spy shop. Knock three times, ask 111 00:08:18,880 --> 00:08:23,680 Speaker 1: for Rosemary. Tell them I sent you that you that 112 00:08:23,840 --> 00:08:31,280 Speaker 1: you see good fortune. Thank you, lady Vosa. Now you 113 00:08:31,320 --> 00:08:33,559 Speaker 1: know what you need to do. The mystic visions you 114 00:08:33,600 --> 00:08:35,800 Speaker 1: think you see in your crystal ball are just projections 115 00:08:35,960 --> 00:08:38,680 Speaker 1: from your own mind. Get a handle on this before 116 00:08:38,679 --> 00:08:40,880 Speaker 1: it chisels away at you and you lose yourself in 117 00:08:40,920 --> 00:08:45,000 Speaker 1: the intra. You need to break free now, picture the 118 00:08:45,000 --> 00:08:47,280 Speaker 1: tool I asked you about vividly in your mind. Got 119 00:08:47,320 --> 00:08:52,480 Speaker 1: it a hammer? But how did you know bring it forth? 120 00:08:54,640 --> 00:08:57,480 Speaker 1: When you gaze into the crystal, the crystal gazes back 121 00:08:57,520 --> 00:08:59,960 Speaker 1: into you. You've been chained to this crystal ball for 122 00:09:00,120 --> 00:09:03,480 Speaker 1: far too long. Break free your mind, smash the ball. 123 00:09:03,760 --> 00:09:11,319 Speaker 1: Do it now, leave this place before umber takes what's 124 00:09:11,360 --> 00:09:13,760 Speaker 1: left of you. You're stronger than you know and can 125 00:09:13,800 --> 00:09:17,600 Speaker 1: take back control, but you have to move on. Tell 126 00:09:17,600 --> 00:09:23,360 Speaker 1: me the amulet you were around your neck, the golden 127 00:09:23,400 --> 00:09:26,840 Speaker 1: sun was the all seeing eye in the center, the 128 00:09:26,920 --> 00:09:30,520 Speaker 1: eye imperiad. What does it mean that there's someone watching 129 00:09:30,559 --> 00:09:33,960 Speaker 1: over me? It protects me from umbra. It gives me 130 00:09:34,000 --> 00:09:44,280 Speaker 1: strength to see clearly put me I'm sorry, Please mercy 131 00:09:45,000 --> 00:09:55,240 Speaker 1: put them down. Serious, Lucky, you're crazy. You're all crazy. 132 00:09:52,760 --> 00:09:57,560 Speaker 1: Of course I thought I told you to to keep 133 00:09:57,600 --> 00:10:04,480 Speaker 1: a low profile. Song of the gorgon tamer music to 134 00:10:04,600 --> 00:10:08,200 Speaker 1: the ears. If you're a sap, it's widely mistaken. The 135 00:10:08,200 --> 00:10:11,040 Speaker 1: gorgons are hypnotized by the music, but Gorgon's can't hear 136 00:10:11,080 --> 00:10:13,360 Speaker 1: a thing on account they don't have ears. But what 137 00:10:13,400 --> 00:10:17,560 Speaker 1: about the dancing their motion? It's a warning stance because 138 00:10:17,600 --> 00:10:20,400 Speaker 1: they view the performance restless Hands as a threat catchy 139 00:10:20,440 --> 00:10:27,400 Speaker 1: beat though either we failed you. It's true, we searched everywhere, 140 00:10:27,440 --> 00:10:29,320 Speaker 1: but we haven't been able to locate the entrance to 141 00:10:29,360 --> 00:10:32,600 Speaker 1: the Denna thieves black market. No one would divulge its coordinates. 142 00:10:32,600 --> 00:10:34,400 Speaker 1: How come you can't take off your amulet and find 143 00:10:34,440 --> 00:10:36,640 Speaker 1: the location. It doesn't work that way. It's not in 144 00:10:36,679 --> 00:10:39,440 Speaker 1: the intro. I don't know how we'll reach the molayer 145 00:10:39,480 --> 00:10:41,920 Speaker 1: to recover the satellite disian complete the agency's mission. If 146 00:10:41,920 --> 00:10:44,200 Speaker 1: we can't even make it to the desert, it's all right. 147 00:10:44,600 --> 00:10:48,439 Speaker 1: Serious lead us to the bazaar's end to a spice shot. Ah, 148 00:10:48,720 --> 00:10:51,679 Speaker 1: you know its location courtesy of a like minded friend. 149 00:10:52,520 --> 00:11:05,680 Speaker 1: Let's go. There's an eternal card game of a reverent 150 00:11:05,800 --> 00:11:08,679 Speaker 1: fun for me too, and for you one. This one's 151 00:11:08,679 --> 00:11:12,160 Speaker 1: your saint. These two the sinners. Avoid that fate. You'll 152 00:11:12,240 --> 00:11:14,880 Speaker 1: be a winner. Now watch closely as they mix him up, 153 00:11:14,920 --> 00:11:17,120 Speaker 1: and come on down to try your luck. I think 154 00:11:17,120 --> 00:11:18,959 Speaker 1: it might be the middle one, but I'm not certain. 155 00:11:20,320 --> 00:11:22,280 Speaker 1: I only have a thirty three point three percent chance 156 00:11:22,280 --> 00:11:25,000 Speaker 1: of winning. If I guess, five will get you ten. Ten, 157 00:11:25,000 --> 00:11:27,200 Speaker 1: we'll catch your twenty. I'll even flip a card over 158 00:11:27,200 --> 00:11:29,640 Speaker 1: and let you switch your pick. Let's stay on track. 159 00:11:29,800 --> 00:11:32,120 Speaker 1: But the odds just increase the two thirds with a switch. 160 00:11:32,280 --> 00:11:36,840 Speaker 1: It's in my favor now, ah fools, game serious is right. 161 00:11:36,880 --> 00:11:40,040 Speaker 1: It's not gambling. It's slight of hand and unwinnable proposition. 162 00:11:42,640 --> 00:11:45,319 Speaker 1: Step right up and improve your might, strong enough to 163 00:11:45,360 --> 00:11:47,760 Speaker 1: take on the one armed sinew and an arm wrestle 164 00:11:47,840 --> 00:11:52,920 Speaker 1: to the end. Wid afraid of yet beat the champ, 165 00:11:53,000 --> 00:11:55,920 Speaker 1: collect the purse. How about it, muscle man, are you 166 00:11:56,000 --> 00:11:58,280 Speaker 1: an alpha or are you just a win a want? 167 00:11:59,559 --> 00:12:06,520 Speaker 1: That himp champ, he looks sick, serious, crush like funk. 168 00:12:07,280 --> 00:12:09,679 Speaker 1: That whimp could snap your wrist and pull your arm 169 00:12:09,720 --> 00:12:12,520 Speaker 1: out of its socket all in one swift motion. Logo 170 00:12:12,559 --> 00:12:15,640 Speaker 1: has a point. It's just not a fair fight. Arm 171 00:12:15,640 --> 00:12:18,400 Speaker 1: wrestling isn't simply a matter of brute force. The science 172 00:12:18,440 --> 00:12:21,280 Speaker 1: behind it relies heavily on technique. It'd be over before 173 00:12:21,320 --> 00:12:23,880 Speaker 1: you even have a chance to square off. Don't be 174 00:12:23,920 --> 00:12:27,520 Speaker 1: such willing tubes. These are all just scams, chief parlor 175 00:12:27,559 --> 00:12:30,680 Speaker 1: tricks designed to part of Mark from his coin pose 176 00:12:30,800 --> 00:12:33,440 Speaker 1: brib enough to step into the chamber of the intra, 177 00:12:33,760 --> 00:12:38,840 Speaker 1: and here the cold of umbra sol no, in the 178 00:12:38,920 --> 00:12:44,680 Speaker 1: name of field research. Really lave your sanity at the 179 00:12:44,800 --> 00:12:49,199 Speaker 1: door as you descend into a world of madness. Last 180 00:12:49,240 --> 00:12:55,600 Speaker 1: a minute and you shall climb the reward. Alright, go ahead, 181 00:12:56,080 --> 00:13:03,160 Speaker 1: see for yourselves. You advancing yourself? Bright do yeah? Alright 182 00:13:03,320 --> 00:13:22,079 Speaker 1: to common No bullech go a him, Come down, Come down. 183 00:13:22,520 --> 00:13:26,760 Speaker 1: It's just nails on a ju for it. No peeping 184 00:13:26,760 --> 00:13:30,280 Speaker 1: behind the card and trade secret. Come on to the 185 00:13:30,320 --> 00:13:33,480 Speaker 1: spice shop. No more games. It should be just around 186 00:13:33,480 --> 00:13:46,400 Speaker 1: the bend. We've arrived. It doesn't appear open. We should 187 00:13:46,400 --> 00:13:53,520 Speaker 1: probably go Ah serious break dwar patience. Hello, may we 188 00:13:53,600 --> 00:14:02,720 Speaker 1: come in? We're looking for Rosemary? Who sent you? Lady Wooza. 189 00:14:03,160 --> 00:14:07,800 Speaker 1: We seek good fortune. Follow me the back. See that's 190 00:14:07,840 --> 00:14:10,720 Speaker 1: the thing about his passageway. They're always in the last 191 00:14:10,720 --> 00:14:16,920 Speaker 1: place you look. Hold on flax some us there. It's 192 00:14:16,920 --> 00:14:19,480 Speaker 1: an ancient game I like to play called five finger 193 00:14:19,600 --> 00:14:23,720 Speaker 1: play jabby not between my fingers, and I'm on the way. 194 00:14:24,200 --> 00:14:26,280 Speaker 1: The only thing that fear is fear itself, and I 195 00:14:26,320 --> 00:14:29,760 Speaker 1: got nither nerves of steel. I'm predicted to this state 196 00:14:29,800 --> 00:14:33,360 Speaker 1: of mind. I'm starting for this meal with just one 197 00:14:33,400 --> 00:14:36,440 Speaker 1: taste of flesh, goes pale. I feel it in my bones. 198 00:14:36,840 --> 00:14:39,720 Speaker 1: Don't matter how he's slashing with this tissue. Are on 199 00:14:39,840 --> 00:14:43,800 Speaker 1: your own? Oh, with idle hands, I'm killing them new 200 00:14:43,880 --> 00:14:46,760 Speaker 1: numbers worried for free. But it's not a phase days. 201 00:14:46,800 --> 00:14:52,960 Speaker 1: My finger play no place I'd rather be. Excuse me, 202 00:14:53,000 --> 00:14:54,880 Speaker 1: but we're heading through that door right behind you. Mind 203 00:14:54,880 --> 00:14:57,720 Speaker 1: if we squeeze by, only thieves can enter the dinner 204 00:14:57,840 --> 00:15:02,560 Speaker 1: thieves and y'all look like the eaves to me, yo, 205 00:15:02,680 --> 00:15:05,960 Speaker 1: look like suckers. Well not all thieves look like thieves. 206 00:15:06,000 --> 00:15:09,920 Speaker 1: That to make them prime suspects, wouldn't it. Huh? You know, 207 00:15:09,920 --> 00:15:11,600 Speaker 1: I would say to not think about that. It's a 208 00:15:11,600 --> 00:15:16,800 Speaker 1: pretty good point. But still, look, we provided your associate 209 00:15:16,840 --> 00:15:19,600 Speaker 1: with the passwords, so you'll let us enter. Yeah, Well, 210 00:15:19,720 --> 00:15:22,440 Speaker 1: if I'll let you in and you ain't thieves, that's 211 00:15:22,480 --> 00:15:26,320 Speaker 1: my neck on the top and box and I said, yeah, 212 00:15:26,440 --> 00:15:29,760 Speaker 1: be my guest. Heck, you can stay all that because 213 00:15:29,800 --> 00:15:33,360 Speaker 1: you ain't getting through that door. Well, we seem to 214 00:15:33,360 --> 00:15:38,960 Speaker 1: be at a standstill that we are. Take note. Either 215 00:15:39,120 --> 00:15:43,160 Speaker 1: is going to verbally disarm him, hand me the knife. 216 00:15:44,760 --> 00:15:48,080 Speaker 1: I have no idea what he's doing. Either. I'll beat 217 00:15:48,120 --> 00:15:51,880 Speaker 1: you at your own game. You you think you can 218 00:15:51,880 --> 00:15:54,800 Speaker 1: hack it. Did I misspeak? Now, don't make me waste 219 00:15:54,840 --> 00:15:57,360 Speaker 1: my breath. Give me the knife. Oh you got some 220 00:15:57,600 --> 00:16:00,440 Speaker 1: mouth on you. I'll tell you what you make it. 221 00:16:00,520 --> 00:16:02,800 Speaker 1: Once around, I'll let your pazz and if I come 222 00:16:02,880 --> 00:16:05,640 Speaker 1: up short, you sit here playing into your hand is 223 00:16:05,680 --> 00:16:08,720 Speaker 1: a mangled stump, and I'll sever your tongue out so 224 00:16:08,760 --> 00:16:13,000 Speaker 1: I don't have to hear you scream. Okay, fair enough, 225 00:16:13,600 --> 00:16:16,200 Speaker 1: you're trying anything funny. I got my hand on my 226 00:16:16,240 --> 00:16:20,120 Speaker 1: spare day. I'll play by the rules. Serious, hold my amulance. 227 00:16:21,360 --> 00:16:24,200 Speaker 1: It's okay. I need to go inside my mind here. 228 00:16:25,240 --> 00:16:29,480 Speaker 1: Nice seems rather dull. It's an ancient game I like 229 00:16:29,560 --> 00:16:32,240 Speaker 1: to play called five figure fill a. I chat my 230 00:16:32,360 --> 00:16:35,680 Speaker 1: knife between my fingers and underway. I made a friend 231 00:16:35,680 --> 00:16:38,320 Speaker 1: of horror long ago, and now I got brass knuckles. 232 00:16:38,560 --> 00:16:40,400 Speaker 1: I live in a state of feeding franzies, and the 233 00:16:40,440 --> 00:16:44,840 Speaker 1: chop play makes me chuckle ha ha. I'm speeding up lafts, 234 00:16:44,840 --> 00:16:47,360 Speaker 1: heating up. I'm not going by the book of Chase 235 00:16:47,440 --> 00:16:51,479 Speaker 1: the rest of PC because I'm a master cook. Oh 236 00:16:51,680 --> 00:16:55,000 Speaker 1: with fattle hands. I'm killing time doing offers work for free. 237 00:16:55,240 --> 00:16:57,640 Speaker 1: But it's barely A gray scar suit and fate if 238 00:16:57,680 --> 00:16:59,640 Speaker 1: I figure fill a if you go for days will 239 00:16:59,680 --> 00:17:04,080 Speaker 1: never be game's over. Don't think about reaching for it? 240 00:17:05,119 --> 00:17:11,480 Speaker 1: Serious my amulet, but what how call it blind luck? 241 00:17:11,560 --> 00:17:14,280 Speaker 1: Now let us in if you don't want trouble, okay, 242 00:17:14,320 --> 00:17:17,400 Speaker 1: of course, of course, apologies for down right this way. 243 00:17:17,600 --> 00:17:31,920 Speaker 1: Gad you shocking rock? Oh mama, eat her full now either, 244 00:17:32,119 --> 00:17:38,600 Speaker 1: are you okay? Seconds to recover, forget about it. Finally 245 00:17:38,640 --> 00:17:41,040 Speaker 1: here will be in the astral desert. No time after 246 00:17:41,080 --> 00:17:43,800 Speaker 1: we arrange plants for trapping mess. She just back on track. 247 00:17:45,359 --> 00:17:48,520 Speaker 1: There's a common saying, if you've lost anything along the way, 248 00:17:48,560 --> 00:17:51,160 Speaker 1: there's no need to grieve. You can always buy it back. 249 00:17:51,160 --> 00:17:59,640 Speaker 1: In the dinner thieves, you're a stamn you're rubbist snamn 250 00:18:01,359 --> 00:18:06,919 Speaker 1: you listen all he comes the doo boots he caught 251 00:18:06,960 --> 00:18:37,080 Speaker 1: bo crit he too? Is this not your morning? Get 252 00:18:37,080 --> 00:18:40,600 Speaker 1: in your to rout the seaver and morphine deck a 253 00:18:40,760 --> 00:18:44,040 Speaker 1: cart's ripe in the trip of the Simony. Now the 254 00:18:45,720 --> 00:18:48,920 Speaker 1: vendor he has the cadence of a snake oil salesbody 255 00:18:48,960 --> 00:18:53,520 Speaker 1: can't make out what he's saying. The drawnecker guard even 256 00:18:53,720 --> 00:18:58,159 Speaker 1: it's not snake, oily headling, it's ah call her. I 257 00:18:58,200 --> 00:19:00,760 Speaker 1: don't right, then, I have a feeling if we deal 258 00:19:00,760 --> 00:19:05,199 Speaker 1: with him, he might get burned. They should be speaking 259 00:19:05,200 --> 00:19:09,879 Speaker 1: of former thieves. Can't but this just sounds like complete gibberish. 260 00:19:10,040 --> 00:19:11,920 Speaker 1: How are we supposed to find out who's in charge 261 00:19:11,920 --> 00:19:14,359 Speaker 1: here so we can secure access into the desert if 262 00:19:14,400 --> 00:19:17,320 Speaker 1: we can't even speak the language logo? Can you make 263 00:19:17,359 --> 00:19:20,560 Speaker 1: any sense of it? Negative? This dialect isn't even registering 264 00:19:20,600 --> 00:19:23,159 Speaker 1: as a code. It'll be impossible to decipher if I 265 00:19:23,200 --> 00:19:26,800 Speaker 1: can't make out a pattern. Why almost every faction of 266 00:19:26,840 --> 00:19:30,440 Speaker 1: the Thieves Guild insist on having its own dialect make 267 00:19:30,560 --> 00:19:35,359 Speaker 1: confuse exactly to keep scoundrels like us out. I know, 268 00:19:35,480 --> 00:19:37,800 Speaker 1: I know, but with a universal language, they could achieve 269 00:19:37,800 --> 00:19:41,600 Speaker 1: an optimally efficient unified front. True. Then we'd no longer 270 00:19:41,680 --> 00:19:44,440 Speaker 1: have to waste our time cracking the code, because we'd 271 00:19:44,480 --> 00:19:46,600 Speaker 1: have no shot of setting foot here in the first place. 272 00:19:47,600 --> 00:19:52,720 Speaker 1: Problem solved. That was sarcasm. In case that didn't register either, 273 00:19:53,400 --> 00:19:56,000 Speaker 1: I got it. Well we'll just have to regroup. Okay, 274 00:19:56,000 --> 00:20:12,359 Speaker 1: come on, serious, come back here. You look like an 275 00:20:12,400 --> 00:20:22,120 Speaker 1: amulet term marks. Excuse him, he was just browsing a one. Serious, 276 00:20:22,359 --> 00:20:27,400 Speaker 1: let's get out of here, no for either, give him strength. 277 00:20:28,320 --> 00:20:32,280 Speaker 1: We don't want any trouble, sir. We'll leave now. You 278 00:20:32,440 --> 00:20:36,560 Speaker 1: carban you, yabbit. I don't lose trouble you let the 279 00:20:36,680 --> 00:20:45,000 Speaker 1: name tag. Come on. I think that was a threat. Oh, 280 00:20:45,080 --> 00:20:47,280 Speaker 1: don't mind them. These two are harmless, a bit of tools. 281 00:20:47,640 --> 00:20:52,000 Speaker 1: Sure wouldn't hurt a fly, though, Trust me, I'm their handling. Ta. Yeah, 282 00:20:52,040 --> 00:20:57,800 Speaker 1: it's it's uh, best of luck with your business. We'll 283 00:20:57,800 --> 00:21:02,639 Speaker 1: be keeping out of your way. Let's go. Ah what 284 00:21:02,920 --> 00:21:05,879 Speaker 1: the merchant's tone? It almost seemed too warm when he 285 00:21:05,920 --> 00:21:09,160 Speaker 1: addressed me. Well, of course that's not too strange, rather 286 00:21:09,240 --> 00:21:11,879 Speaker 1: expected if you asked me why I missed it? What 287 00:21:11,920 --> 00:21:14,320 Speaker 1: wasn't those jars he was selling? Oh, you know, nothing 288 00:21:14,320 --> 00:21:17,400 Speaker 1: out of the ordinary, various knickknacks, novel peas and sundrys 289 00:21:17,440 --> 00:21:23,320 Speaker 1: of the biological persuasion logo organs if you must? And serious? 290 00:21:23,359 --> 00:21:31,240 Speaker 1: What was he doing? Are going a jar of preserved eyeballs? Should? 291 00:21:31,240 --> 00:21:33,840 Speaker 1: I guess? I guess you noticed the resemblance to the 292 00:21:33,840 --> 00:21:38,160 Speaker 1: eye on your ambulant Yeah, well let him look next time. Serious, 293 00:21:38,560 --> 00:21:40,480 Speaker 1: you're a big guy. You can hold your own right, 294 00:21:43,640 --> 00:21:52,520 Speaker 1: you dog eras and nuts mix? My god? Um, we're 295 00:21:52,520 --> 00:21:55,840 Speaker 1: in need of supplies to cross the dunes, guides, camels water. 296 00:21:55,960 --> 00:22:03,840 Speaker 1: Can you help us? God dog kill the nick? What 297 00:22:04,040 --> 00:22:07,520 Speaker 1: just happened? I'm not entirely sure, but I'm beginning to 298 00:22:07,560 --> 00:22:10,600 Speaker 1: pick up fragments of sentences. I'm quite convinced we need 299 00:22:10,640 --> 00:22:15,040 Speaker 1: to each procure a name tag, name tag a tang 300 00:22:15,359 --> 00:22:17,919 Speaker 1: the merchants keep referring to them. Perhaps that word was 301 00:22:17,960 --> 00:22:21,200 Speaker 1: directly integrated into their lexicon. At any rate, it must 302 00:22:21,200 --> 00:22:24,399 Speaker 1: be their form of identification to verify we're card carrying 303 00:22:24,400 --> 00:22:27,840 Speaker 1: guild members and establish us as a credible counterparty for transactions. 304 00:22:28,560 --> 00:22:30,040 Speaker 1: Sounds like we have to get our hands on some 305 00:22:30,119 --> 00:22:32,920 Speaker 1: name tags, just the thought. Might it be easier on 306 00:22:33,000 --> 00:22:37,280 Speaker 1: us if we actually just joined the thieves Guild? Serious, 307 00:22:37,480 --> 00:22:45,320 Speaker 1: give me a break, Come back, fine, go suit yourself 308 00:22:46,280 --> 00:22:50,119 Speaker 1: either you expect me to dignify that with response? You 309 00:22:50,200 --> 00:22:55,840 Speaker 1: know we work alone. I know, I just it's that enough, 310 00:22:56,720 --> 00:23:01,320 Speaker 1: all right? Forgive me for bringing it up. Oh, over there, 311 00:23:01,520 --> 00:23:03,679 Speaker 1: there's a rare items dealer. Maybe he can help us 312 00:23:03,680 --> 00:23:11,720 Speaker 1: with some of the supplies. Be wrong, let us it's so. 313 00:23:11,920 --> 00:23:23,200 Speaker 1: God evo a t A two can route phil a 314 00:23:23,359 --> 00:23:29,920 Speaker 1: late tap no payoff tweet cottage. Yo, it's a gut there. 315 00:23:30,720 --> 00:23:35,879 Speaker 1: It's a polyethylene a plastic bag. Serious would love this. 316 00:23:36,200 --> 00:23:39,879 Speaker 1: We gotta get him one. Hey, get na good n 317 00:23:47,560 --> 00:23:50,359 Speaker 1: where'd you go? He just followed that woman inside a 318 00:23:50,359 --> 00:23:54,080 Speaker 1: storefront and disappeared. What relax? Let him go? You were right, 319 00:23:54,160 --> 00:23:57,520 Speaker 1: he can handle himself plus can't cause too much trouble. 320 00:23:57,720 --> 00:24:00,600 Speaker 1: What does it look like? It's semi translucent, off light 321 00:24:00,680 --> 00:24:02,680 Speaker 1: in color with the words thank you, have a nice 322 00:24:02,760 --> 00:24:06,080 Speaker 1: day in solid black type face mid condition to not 323 00:24:06,240 --> 00:24:09,160 Speaker 1: the bag the building. Oh, green lanterns above the door, 324 00:24:09,400 --> 00:24:12,480 Speaker 1: possibly infused with borron or copper sulfate, and it's called 325 00:24:12,680 --> 00:24:15,400 Speaker 1: Madame Lulu. We have to go after him. Green lights 326 00:24:15,440 --> 00:24:17,840 Speaker 1: means poison. It's not safe. Wait. I can tell he's 327 00:24:17,840 --> 00:24:31,240 Speaker 1: about to bring out the bubble rap now. You barely 328 00:24:31,280 --> 00:24:34,880 Speaker 1: said a word outside. Not much of a talker, are 329 00:24:34,920 --> 00:24:40,480 Speaker 1: you well? I, for one, can appreciate the strong, silent type. 330 00:24:41,320 --> 00:24:43,520 Speaker 1: You look like you'd make good use of a potion 331 00:24:43,560 --> 00:24:47,520 Speaker 1: that could end a conversation and put someone try sleep permanently, 332 00:24:47,800 --> 00:24:50,919 Speaker 1: if you know what I mean. Let them drift away 333 00:24:51,000 --> 00:24:59,800 Speaker 1: to sleep and catch some z's sleep, Catch some zed zack. Yeah, 334 00:25:00,800 --> 00:25:05,440 Speaker 1: this potion house sells anything a thief could need, acids, poisons, 335 00:25:05,720 --> 00:25:09,920 Speaker 1: even the deadliest of venoms. And now that we're alone, 336 00:25:10,560 --> 00:25:14,200 Speaker 1: we can speak freely. Tell me what can I get? You? 337 00:25:15,119 --> 00:25:29,800 Speaker 1: Pick your poison. Apologies for the disturbance. Hello, serious, sorry, 338 00:25:29,920 --> 00:25:36,440 Speaker 1: fastened through, serious, come out, it's ether serious us. There's 339 00:25:36,440 --> 00:25:38,720 Speaker 1: no sign of them out here. Anyone look like they're 340 00:25:38,720 --> 00:25:41,760 Speaker 1: connected to name tags. Unclear the way some of them 341 00:25:41,760 --> 00:25:43,560 Speaker 1: are dressed. Even if they had one, it wud be 342 00:25:43,640 --> 00:25:46,800 Speaker 1: under layers of protective hazard gear. There's a hallway over here. 343 00:25:46,840 --> 00:25:51,760 Speaker 1: Maybe he's in one of these rooms. I can't help 344 00:25:51,760 --> 00:25:54,720 Speaker 1: but feel this is an invasion of privacy. We'll knock. 345 00:25:55,440 --> 00:25:58,159 Speaker 1: All the doors are bead curtains. You should go first. 346 00:25:58,320 --> 00:26:03,600 Speaker 1: You're the brave one. Oh thank goodness, I recognize that snarl. 347 00:26:03,760 --> 00:26:08,919 Speaker 1: It's him. Serious, we're coming in. Are you hurt? Are 348 00:26:08,960 --> 00:26:11,280 Speaker 1: you okay? You really shouldn't have run off like that. 349 00:26:11,600 --> 00:26:15,240 Speaker 1: You've taken us off court. Serious, Lead search, find sleep 350 00:26:15,280 --> 00:26:21,400 Speaker 1: potion to catch some set zh. Who's your lovely new 351 00:26:21,480 --> 00:26:27,199 Speaker 1: lady friend? What's this now? No way, this is not 352 00:26:27,320 --> 00:26:31,040 Speaker 1: how I do business. This was a private transaction. I'm 353 00:26:31,080 --> 00:26:34,280 Speaker 1: not selling to any of you. Now. I want information 354 00:26:34,359 --> 00:26:36,600 Speaker 1: I'm in search of the name tag. Where do I 355 00:26:36,720 --> 00:26:42,200 Speaker 1: get it? Name tag? Why so everyone at the Potion 356 00:26:42,280 --> 00:26:46,199 Speaker 1: Health can tell you're a chump. I'm not dealing with this. 357 00:26:46,320 --> 00:26:48,920 Speaker 1: I'm finished. Don't walk away from us. We're not done here. 358 00:26:49,200 --> 00:26:51,400 Speaker 1: Halt Tell me where I can find the name tag. 359 00:26:54,320 --> 00:26:58,200 Speaker 1: I don't know what you're talking about. Came away from me. Please, 360 00:26:58,520 --> 00:27:01,439 Speaker 1: This is a simple misunderstand. We don't mean to impose. 361 00:27:01,480 --> 00:27:05,119 Speaker 1: We're actually very reasonable people. We just want to go 362 00:27:05,160 --> 00:27:07,400 Speaker 1: about our business. You're a hard working person and wants 363 00:27:07,400 --> 00:27:10,600 Speaker 1: to go about her business to write duh, Well, at 364 00:27:10,680 --> 00:27:13,560 Speaker 1: least we're on the same page. It's just our business 365 00:27:13,560 --> 00:27:16,399 Speaker 1: lies beyond these city walls, and before we can get 366 00:27:16,400 --> 00:27:18,320 Speaker 1: out to the dunes, first we got to get the 367 00:27:18,400 --> 00:27:20,040 Speaker 1: name tag so we can get a meeting with the 368 00:27:20,080 --> 00:27:22,639 Speaker 1: person in charge to make arrangements to enter the desert. 369 00:27:23,040 --> 00:27:26,000 Speaker 1: Not my problem. I'm leaving. I know you're about to go, 370 00:27:26,359 --> 00:27:28,000 Speaker 1: but I have to ask if you have any info 371 00:27:28,080 --> 00:27:30,400 Speaker 1: that might lead us in the right direction. I told you, 372 00:27:30,520 --> 00:27:36,639 Speaker 1: I don't know. Please any info at all. Your best 373 00:27:36,680 --> 00:27:40,080 Speaker 1: bet is probably at the club next door. Just don't 374 00:27:40,119 --> 00:27:43,359 Speaker 1: tell anyone I told you, or I'll get in major trouble. 375 00:27:43,560 --> 00:27:49,640 Speaker 1: Thank you, thank you. We won't get in trouble with whom? 376 00:27:49,640 --> 00:27:52,080 Speaker 1: And why did that woman even talk to Serious without 377 00:27:52,119 --> 00:27:55,119 Speaker 1: speaking in code when he's a stranger, Because he wasn't 378 00:27:55,160 --> 00:28:00,280 Speaker 1: a stranger, who was a client client in a private room. 379 00:28:00,320 --> 00:28:02,480 Speaker 1: That's a shame we spooked her. Could let us straight 380 00:28:02,520 --> 00:28:05,639 Speaker 1: to the name tag? Oh well, shall we head to 381 00:28:05,680 --> 00:28:24,880 Speaker 1: the club? This is it club demo? After you tube anything? 382 00:28:25,000 --> 00:28:28,600 Speaker 1: Stand out? I agree? The band is loud. No any 383 00:28:28,800 --> 00:28:32,200 Speaker 1: leads on the name tag. Can't manage to tune out 384 00:28:32,200 --> 00:28:35,520 Speaker 1: the drivel? Dang the tentative airs. It'll be quieter by 385 00:28:35,600 --> 00:28:39,080 Speaker 1: the bar, might be easier to hear yourself, think serious, 386 00:28:39,400 --> 00:29:00,760 Speaker 1: stand guard weeks here, I'll say it to Elcolm's not 387 00:29:00,920 --> 00:29:03,600 Speaker 1: our knock. We have rested a ragga talk of type work. 388 00:29:05,200 --> 00:29:09,680 Speaker 1: It's the law to evan naber knock you yap him 389 00:29:10,120 --> 00:29:15,520 Speaker 1: to eat a rippo rednew the radar radar, that's it 390 00:29:16,240 --> 00:29:19,720 Speaker 1: radar from the expression under the radar, Well yes, but 391 00:29:19,840 --> 00:29:23,080 Speaker 1: also from radar a system that transmits and receives signals 392 00:29:23,080 --> 00:29:26,080 Speaker 1: similar to a satellite dish. Oh yeah, you said something 393 00:29:26,080 --> 00:29:28,200 Speaker 1: about what a satellite dish was back when we met. 394 00:29:28,640 --> 00:29:30,720 Speaker 1: Now what are you saying about a radar? Never mind, 395 00:29:30,800 --> 00:29:34,959 Speaker 1: Just know that radar is a palindrome, So radar recites 396 00:29:35,000 --> 00:29:38,320 Speaker 1: the same spelled backward or forward. That's our key come 397 00:29:38,360 --> 00:29:40,520 Speaker 1: on logo. Growing up on the streets of imperial words, 398 00:29:40,520 --> 00:29:42,600 Speaker 1: where all I had to survive, I am well versed 399 00:29:42,600 --> 00:29:45,360 Speaker 1: in rhetoric, even paladromes. But you're still gonna have to 400 00:29:45,400 --> 00:29:48,800 Speaker 1: unlock this one for me. Reversals, it's how their code works. 401 00:29:49,040 --> 00:29:51,760 Speaker 1: You yap him to eat a repo rednew the radar, 402 00:29:52,200 --> 00:29:55,720 Speaker 1: You pay him to operate under the radar. Huh huh 403 00:29:56,000 --> 00:29:59,239 Speaker 1: h h. Now you're getting it. It's remarkably simple. It's 404 00:29:59,280 --> 00:30:02,240 Speaker 1: simply remarkable. For keywords, they reverse the spelling and then 405 00:30:02,240 --> 00:30:05,200 Speaker 1: recited backwards. And for filler words such as such the 406 00:30:05,480 --> 00:30:09,000 Speaker 1: two key she and and they leave them as is. 407 00:30:09,240 --> 00:30:11,440 Speaker 1: To communicate, all we have to do is flip the 408 00:30:11,520 --> 00:30:13,760 Speaker 1: keyword around and then pronounce it as spelled. It's a 409 00:30:13,760 --> 00:30:16,480 Speaker 1: form of back slang. And how is this supposed to 410 00:30:16,520 --> 00:30:20,120 Speaker 1: help us find the name tag listen, he who slourt 411 00:30:20,200 --> 00:30:23,040 Speaker 1: knock the revel slourt knock the wolf of d art, 412 00:30:23,520 --> 00:30:27,400 Speaker 1: He who controls the lever, controls the flow of trade. 413 00:30:28,040 --> 00:30:31,760 Speaker 1: The name tag. That's it. I'm going over there to 414 00:30:31,800 --> 00:30:34,200 Speaker 1: see if there's anything they'll tell us. Come on serious, 415 00:30:34,480 --> 00:30:42,800 Speaker 1: Ah no, wait, at least wait for me do deep 416 00:30:44,520 --> 00:30:48,440 Speaker 1: name tag. We're not looking for the name tag, We're 417 00:30:48,440 --> 00:30:52,800 Speaker 1: looking for the gate man. Okay, then that's him. Whosy 418 00:30:52,880 --> 00:30:58,720 Speaker 1: with back table alone is puny thug? Leave now perfect? 419 00:30:59,000 --> 00:31:01,720 Speaker 1: Let me do the talking. Okay, but remember he won't 420 00:31:01,760 --> 00:31:04,520 Speaker 1: speak plain English or formalize a contract in a public 421 00:31:04,600 --> 00:31:06,720 Speaker 1: place where he can't tell who might be listening. You'll 422 00:31:06,760 --> 00:31:08,880 Speaker 1: have to convince him to go with you somewhere secure 423 00:31:09,000 --> 00:31:12,400 Speaker 1: to close the deal. Get him behind closed doors. Got Also, 424 00:31:12,520 --> 00:31:14,640 Speaker 1: if you take too long to respond between the time 425 00:31:14,640 --> 00:31:17,280 Speaker 1: you decipher what he just said and translate your own reply, 426 00:31:17,480 --> 00:31:19,840 Speaker 1: you'll out yourself. So you'll have to be lightning quick 427 00:31:19,840 --> 00:31:22,760 Speaker 1: with your answers. I'll keep it brief and a last reminder. 428 00:31:23,040 --> 00:31:25,160 Speaker 1: All you have to do is flip the keywords around 429 00:31:25,160 --> 00:31:28,840 Speaker 1: and pronounce it normally. It's back slang or should I say, 430 00:31:29,440 --> 00:31:34,240 Speaker 1: now's cab? Oh dear, this is going to be harder 431 00:31:34,240 --> 00:31:48,400 Speaker 1: than I thought. Name tag a coach a joke aloof 432 00:31:48,720 --> 00:31:53,400 Speaker 1: ergo zaps claw into a rap fool spouse walking into 433 00:31:53,400 --> 00:31:57,800 Speaker 1: a baro, you have goodnet to most rough me rednots. 434 00:31:58,400 --> 00:32:01,480 Speaker 1: I hope you have something for me anger a deed 435 00:32:02,000 --> 00:32:07,640 Speaker 1: a deed a gig a gig a gig? What he 436 00:32:07,760 --> 00:32:11,920 Speaker 1: meant of you? At what time of day? Noon? What's 437 00:32:11,920 --> 00:32:19,040 Speaker 1: the annoyed tant said? What's the destination where things live? Evil? Stressed? Stressed? 438 00:32:19,480 --> 00:32:26,320 Speaker 1: Your mood deserts deserts your doom? You stunned, stunned, you 439 00:32:26,600 --> 00:32:34,640 Speaker 1: nuts nuts, I'm mad, damn cook. We have drawer, you'll 440 00:32:34,680 --> 00:32:38,720 Speaker 1: get snap diaper. We have reward, we'll get tons repaid ah. 441 00:32:41,160 --> 00:32:46,600 Speaker 1: I have your spam brag drowns for your reviled. I 442 00:32:46,680 --> 00:32:51,720 Speaker 1: have your maps, garb sword for your delivered. Layad deal, 443 00:32:52,200 --> 00:32:56,200 Speaker 1: layad lad. Now that we've settled this as summer private, 444 00:32:56,240 --> 00:33:02,680 Speaker 1: we can hash up details all off follow you'll slip up? 445 00:33:03,120 --> 00:33:08,000 Speaker 1: Huh slip up? Oh no, backslige for pupils. Either thinks 446 00:33:08,040 --> 00:33:10,320 Speaker 1: he slipped up, when really it refers to the eye 447 00:33:10,320 --> 00:33:17,840 Speaker 1: on Ether's ambulet. My I sees the brats, My eye 448 00:33:17,920 --> 00:33:28,160 Speaker 1: sees the star. Wow what oh go go? Either talk 449 00:33:28,280 --> 00:33:32,520 Speaker 1: like me? Didn't you hear Ether slip up? Stood up? 450 00:33:32,960 --> 00:33:35,800 Speaker 1: The gate man thinks Either wears his ambuletor chattel the stars. 451 00:33:36,080 --> 00:33:39,040 Speaker 1: Sometimes the stars do aligne me so happy we could kiss. 452 00:33:39,040 --> 00:33:45,160 Speaker 1: You're serious, SnO logo, Sure have away with words. You 453 00:33:45,200 --> 00:33:52,600 Speaker 1: can see the same for you. Give me a moment 454 00:33:52,680 --> 00:34:04,600 Speaker 1: to seal the office, dool. Non sanctioned travel on the 455 00:34:04,720 --> 00:34:09,279 Speaker 1: dunes is forspid. Yes, I'm aware now for nothing. No 456 00:34:09,520 --> 00:34:12,640 Speaker 1: skill traveler can last more than three days out there. 457 00:34:13,120 --> 00:34:17,440 Speaker 1: Civilians dead by nightfall, and we sure don't want whatever's 458 00:34:17,520 --> 00:34:22,040 Speaker 1: on that side making its way in. You may have 459 00:34:22,120 --> 00:34:25,560 Speaker 1: picked up some shoddy backslang, but you ain't from around 460 00:34:25,560 --> 00:34:31,960 Speaker 1: these parts. Tell me who are you? Bandits? Smugglers, scammers? 461 00:34:32,920 --> 00:34:36,479 Speaker 1: What kind of thieves am I dealing with? We don't 462 00:34:36,520 --> 00:34:40,160 Speaker 1: conform to the narrow designations typical of the guild, No 463 00:34:40,400 --> 00:34:43,600 Speaker 1: you don't. Our diverse set of skills allows us to 464 00:34:43,640 --> 00:34:47,680 Speaker 1: engage in a broad spectrum of complex affairs, utilizing bespoke 465 00:34:47,760 --> 00:34:52,640 Speaker 1: tactics in a dynamic approach. What nonsense is? This is 466 00:34:52,640 --> 00:34:57,520 Speaker 1: your membership and good standing? Are you thieves the stars? 467 00:34:57,520 --> 00:35:02,239 Speaker 1: Outlaws of the guilt? Dear are you? Dear you? We're 468 00:35:02,280 --> 00:35:05,200 Speaker 1: civilian mercenaries. When we take on a mission, we're loyal 469 00:35:05,239 --> 00:35:17,239 Speaker 1: to the end. Very well I suppose the less I 470 00:35:17,280 --> 00:35:20,359 Speaker 1: know the better, And if you try to steal from me, 471 00:35:20,719 --> 00:35:23,799 Speaker 1: my gods will hunt you down. So all on other 472 00:35:23,920 --> 00:35:27,640 Speaker 1: guild's code. If it's lucrative enough, what do you need 473 00:35:28,320 --> 00:35:31,120 Speaker 1: the essentials? We have some basic supplies in our packs, 474 00:35:31,160 --> 00:35:33,760 Speaker 1: but we still need an armed caravan for transport jugs 475 00:35:33,800 --> 00:35:37,480 Speaker 1: of water. Your best guides must be after something with 476 00:35:37,719 --> 00:35:40,399 Speaker 1: a shiny opal if you're going all the way into 477 00:35:40,400 --> 00:35:43,080 Speaker 1: the desert to get it, I'm not at liberty to 478 00:35:43,080 --> 00:35:48,400 Speaker 1: discuss such matters. You want my guides, my supplies, my blessing, 479 00:35:48,800 --> 00:35:51,040 Speaker 1: and you won't even tell me what it is. I'm 480 00:35:51,040 --> 00:35:56,200 Speaker 1: backing fair enough. It's oil. We're after oil, ha ha ha. 481 00:36:00,200 --> 00:36:03,680 Speaker 1: And where do you expect to find this? Boil? The 482 00:36:03,719 --> 00:36:16,360 Speaker 1: mole layer? Those mutants, you're even crazier than I thought. 483 00:36:16,680 --> 00:36:19,040 Speaker 1: I already told you that. What else is there to say? 484 00:36:19,200 --> 00:36:22,920 Speaker 1: How do you plan on negotiating? Please? And thank you 485 00:36:23,400 --> 00:36:26,920 Speaker 1: a firm shake of their webbed paw agreed to carry 486 00:36:27,000 --> 00:36:33,799 Speaker 1: their eggs inside you. I'm confident we'll get it done. 487 00:36:35,000 --> 00:36:50,120 Speaker 1: Confident good It doesn't ha h? I like that? Yes 488 00:36:51,800 --> 00:36:59,040 Speaker 1: m hm, yes, yes, but that mean that m m 489 00:36:59,480 --> 00:37:07,600 Speaker 1: I'd like that all right, you'll have your chance. I'll 490 00:37:07,640 --> 00:37:10,600 Speaker 1: provide you three camels, this hair map on my desk, 491 00:37:10,680 --> 00:37:14,480 Speaker 1: a canteen, sword, and functional wear packed and ready to 492 00:37:14,520 --> 00:37:18,799 Speaker 1: go noon tomorrow. Other than that, you're on your own. 493 00:37:19,160 --> 00:37:22,439 Speaker 1: But if you don't like, you're welcome to try your 494 00:37:22,440 --> 00:37:26,560 Speaker 1: hand scaling the mountains of North or wading through the top. 495 00:37:26,600 --> 00:37:33,040 Speaker 1: It's down the south, of course, if you want the 496 00:37:33,120 --> 00:37:37,160 Speaker 1: direct route east. I'm the only one who controls the gate, 497 00:37:38,000 --> 00:37:40,840 Speaker 1: so I control what goes in and out of this wall, 498 00:37:41,320 --> 00:37:45,760 Speaker 1: your gates, the rather majestic wonder. Just a few steps 499 00:37:45,760 --> 00:37:48,680 Speaker 1: behind you lies the entrance, where within a narrowing chord 500 00:37:48,880 --> 00:37:53,680 Speaker 1: or a week three evenly space, sequentially descending heavy lattice 501 00:37:53,680 --> 00:37:58,000 Speaker 1: squilled overhead drop doors, each iron clad and brandished with 502 00:37:58,080 --> 00:38:01,520 Speaker 1: steel spikes at their base. They funneled to a fifty 503 00:38:01,600 --> 00:38:05,560 Speaker 1: by a hundred foot impenetrable black stone swing gait, which 504 00:38:05,600 --> 00:38:09,600 Speaker 1: itself is fortified with archers, spearmen and outfit it with 505 00:38:09,719 --> 00:38:15,360 Speaker 1: brace wire topples. It defies your typical gait closer to 506 00:38:15,400 --> 00:38:19,080 Speaker 1: a gauntlet. Really, how long does the process take activated 507 00:38:19,200 --> 00:38:21,840 Speaker 1: via level, It's a minute. A drop tours three for 508 00:38:21,960 --> 00:38:25,520 Speaker 1: the final gate that's to open the pathway to shut 509 00:38:25,760 --> 00:38:29,279 Speaker 1: have that figure, and to bear witness to its inner 510 00:38:29,320 --> 00:38:32,319 Speaker 1: workings in action, to bask in the music of its 511 00:38:32,360 --> 00:38:35,960 Speaker 1: restless metal, and really appreciate the craftsmanship of which you 512 00:38:36,000 --> 00:38:39,920 Speaker 1: are experiencing as you take it all in. It's truly 513 00:38:39,960 --> 00:38:43,680 Speaker 1: a thing of beauty. Of course, once said into motion, 514 00:38:43,800 --> 00:38:46,440 Speaker 1: it can't be stopped until the mechanism of chain linked 515 00:38:46,520 --> 00:38:50,200 Speaker 1: rope and police has fully run its course. But who 516 00:38:50,239 --> 00:38:53,640 Speaker 1: would want to interrupt such a thing anyway? You've sold me? 517 00:38:54,120 --> 00:38:57,920 Speaker 1: Shall we discuss payment? Now you're talking my left the 518 00:38:57,960 --> 00:39:00,319 Speaker 1: guilt's usual ten percent tithe of the spoil us upon 519 00:39:00,400 --> 00:39:04,840 Speaker 1: return if you return, And no, the risk is too high. 520 00:39:05,160 --> 00:39:08,319 Speaker 1: I need to ensure a handsome profit on my investment. 521 00:39:09,040 --> 00:39:14,680 Speaker 1: Something like this, I want half to take. Are you 522 00:39:14,719 --> 00:39:16,919 Speaker 1: out of your mind? Give me a moment to talk 523 00:39:16,960 --> 00:39:20,360 Speaker 1: this over with my associates. It might not be my 524 00:39:20,400 --> 00:39:24,960 Speaker 1: place to comment, but half seems absurdly high. Don't forget 525 00:39:25,040 --> 00:39:28,560 Speaker 1: it's the agency's satellite dish. We're after only selling him 526 00:39:28,640 --> 00:39:31,040 Speaker 1: on the oil. But you said he knows the rules 527 00:39:31,040 --> 00:39:33,839 Speaker 1: as well as anyone. Buy or beware, and if all 528 00:39:33,880 --> 00:39:38,640 Speaker 1: goes as planned, we won't be coming back it's a deal, 529 00:39:39,320 --> 00:39:45,040 Speaker 1: or should I say a layad. I'm glad we could 530 00:39:45,080 --> 00:39:47,960 Speaker 1: see I this is going to be a very successful 531 00:39:48,040 --> 00:39:50,640 Speaker 1: venture for both of us. I know it. I'll make 532 00:39:50,680 --> 00:39:54,759 Speaker 1: sure this operation runs smoothly. From A to Z. Oh no, 533 00:39:55,280 --> 00:39:58,080 Speaker 1: the thieves dialect either said Z when it's pronounced vent. 534 00:40:01,719 --> 00:40:04,960 Speaker 1: What faction of the guild did you say you belonged to? 535 00:40:05,640 --> 00:40:13,480 Speaker 1: I didn't a raid rail leaf it in my tongue, 536 00:40:13,719 --> 00:40:17,480 Speaker 1: A dear liar feeling in my gut. I'm sorry, you retool, 537 00:40:19,040 --> 00:40:22,759 Speaker 1: there must be some kind of misunderstanding. Try to reflip 538 00:40:22,840 --> 00:40:25,920 Speaker 1: from me, Try to pilfer from me. You've lost me here. 539 00:40:26,160 --> 00:40:29,040 Speaker 1: Reflip reflip? Is his up his back? Sling Um, you're 540 00:40:29,320 --> 00:40:46,200 Speaker 1: the y the day serious? Now a leash logo the lever. 541 00:40:47,880 --> 00:40:50,839 Speaker 1: How long do we have? Let's see to open three 542 00:40:50,920 --> 00:40:52,960 Speaker 1: vertical doors at a minute of peace, plus an additional 543 00:40:53,000 --> 00:40:55,240 Speaker 1: three for the final game at six minutes, an additional 544 00:40:55,320 --> 00:40:57,239 Speaker 1: quarter of that time to close, taking into account of 545 00:40:57,320 --> 00:40:59,440 Speaker 1: one started. The procedure can't be interrupted. I thought he 546 00:40:59,480 --> 00:41:01,200 Speaker 1: could halt get quarter. If you want to come out 547 00:41:01,239 --> 00:41:03,279 Speaker 1: with your head until attach to your body. Spikes at 548 00:41:03,280 --> 00:41:04,960 Speaker 1: their face went on their way down the doors become 549 00:41:04,960 --> 00:41:07,320 Speaker 1: a guillotine if you don't clear now. Figuring the moderate 550 00:41:07,400 --> 00:41:08,920 Speaker 1: level of drust on the level as a proxy for 551 00:41:08,960 --> 00:41:10,840 Speaker 1: the cognition of the rogue pulling system, I factor in 552 00:41:10,880 --> 00:41:13,200 Speaker 1: a short refractorate period before he's able to reverse the process. 553 00:41:13,239 --> 00:41:14,960 Speaker 1: So will pick up an extra thirty seconds in lag 554 00:41:15,000 --> 00:41:18,560 Speaker 1: time by my calculations, assuming diversity ecodistant segments takes I 555 00:41:18,600 --> 00:41:21,200 Speaker 1: don't know, say thirty seconds a piece. Can we make it? 556 00:41:21,280 --> 00:41:24,200 Speaker 1: That depends on a variety of complex factors assumption to variables. 557 00:41:24,320 --> 00:41:26,440 Speaker 1: I really can't estimate our chance of success beyond a 558 00:41:26,440 --> 00:41:29,560 Speaker 1: few standard deviation logo plain English before it become unhind 559 00:41:29,680 --> 00:41:33,000 Speaker 1: If we leave right now, it's technically possible. Serious office 560 00:41:33,000 --> 00:41:34,960 Speaker 1: stores walk break it. The no one follows us in 561 00:41:40,040 --> 00:41:51,520 Speaker 1: prob the map looks ball. You don't stand a chance. 562 00:41:52,520 --> 00:41:56,320 Speaker 1: The dunes will be the least of your worries. Even 563 00:41:56,360 --> 00:41:59,760 Speaker 1: if you somehow beat it through the drop doors, mine 564 00:42:00,040 --> 00:42:03,400 Speaker 1: their sky cards wouldn't quite welcome You're on. Expect to 565 00:42:03,480 --> 00:42:07,520 Speaker 1: arrival in the final swing game next time before you 566 00:42:07,719 --> 00:42:11,040 Speaker 1: tackle back to say, make sure you first mess in 567 00:42:11,120 --> 00:42:15,880 Speaker 1: your ABC. All the way through X Y and said 568 00:42:30,120 --> 00:42:34,040 Speaker 1: InterQuest created by Michael Freiberg. A production of I Heart 569 00:42:34,120 --> 00:42:38,120 Speaker 1: Radio and Astro Media Executive produced by Michael Freiberg and 570 00:42:38,200 --> 00:42:42,440 Speaker 1: I Hear Radio, co produced by Adam Ramunda and Chelsea English. 571 00:42:42,880 --> 00:42:46,640 Speaker 1: Sound design and mixed by Dennis Denbeck. Music by Trey Toy. 572 00:42:47,160 --> 00:42:54,280 Speaker 1: Performances by Matthew Bursard, Ether, Mike Leebovitz, Serious Mike Kaplan Logo, 573 00:42:54,920 --> 00:43:01,360 Speaker 1: Lucy Paul Umbra featuring Usama Sidiki, Chuck Bender, Irena Gorevalla, 574 00:43:01,760 --> 00:43:07,600 Speaker 1: Lady Abuza, Casey James Lingo, Knife Thief, Emily Battles, Potion Worker, 575 00:43:08,320 --> 00:43:14,360 Speaker 1: Nick Nanny gate Man. Additional performances by Nick Nanny, Hassa Gibson, 576 00:43:14,760 --> 00:43:19,240 Speaker 1: Pat's Wearing Jin director and head writer Michael Freiburg, writers 577 00:43:19,640 --> 00:43:24,719 Speaker 1: Tom Delgado and Will Julian, story editor Chelsea English dialogue 578 00:43:24,800 --> 00:43:30,600 Speaker 1: editor Adam Raimunda. Additional music Matthew Blaca, Fully post Rette, 579 00:43:31,080 --> 00:43:34,279 Speaker 1: full cast and crew in the description. Find more podcasts 580 00:43:34,280 --> 00:43:36,439 Speaker 1: from my Heart Radio on the I Heart Radio app, 581 00:43:36,600 --> 00:43:39,239 Speaker 1: Apple podcast, or wherever you listen to podcasts.