WEBVTT - Death and Cake

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<v Speaker 1>When you get to the end of your life, what

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<v Speaker 1>do you want your last memory to be. Do you

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<v Speaker 1>want it to be that you've just made a deal

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<v Speaker 1>that provided you with billions of pounds that you're never

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<v Speaker 1>going to be able to spend. Or do you want

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<v Speaker 1>that to be the conversation that you had with somebody

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<v Speaker 1>that you've barely met and you've made a significant difference

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<v Speaker 1>in the life and it's forever changed.

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<v Speaker 2>When we set out to make this show about how

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<v Speaker 2>to Live Forever, we had no plans to grapple with

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<v Speaker 2>death or grief. This show was supposed to be weird

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<v Speaker 2>and funny and full of lightness. And then we started

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<v Speaker 2>thinking about immortality and life extension and then talking to

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<v Speaker 2>scientists and philosophers, and within a pretty short time, our

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<v Speaker 2>little team looked at one another and said, Ah, I

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<v Speaker 2>guess we're going to have to talk about death, because

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<v Speaker 2>it's the flip side, the quiet part, that unavoidable elephant

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<v Speaker 2>in the room. And so at some point we knew

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<v Speaker 2>that confronting death was something we'd have to do, But

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<v Speaker 2>weirdly it turned out to be one of the sweetest

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<v Speaker 2>conversations all season. I'm Munga's particular This is Skyline.

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<v Speaker 3>Drive how to Live Forever. So far on How.

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<v Speaker 2>To Live Forever, we've bombarded you with Petrie dishes and cryptobros,

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<v Speaker 2>cryogenics and organ sacks and even more stuff you're probably

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<v Speaker 2>still trying to wrap your head around. But today I

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<v Speaker 2>wanted to tell you about some of the brightest people

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<v Speaker 2>I met guiding folks through a dark space and the

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<v Speaker 2>international phenomenon known as death cafes. Death cafes are events

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<v Speaker 2>where people gather without judgment or agenda to talk about death,

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<v Speaker 2>and the organization is led by two extraordinary British women.

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<v Speaker 1>I'm Jeles Baski. I'm one of the co founders of

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<v Speaker 1>Death Cafe. I run Death Cafe as a volunteer and

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<v Speaker 1>work as a doctor in the NHS.

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<v Speaker 4>I'm Susan Barskih. You do work part time as a psychotherapist.

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<v Speaker 4>I voluntarily work with Death Cafe, assisting jewels, with some

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<v Speaker 4>admin and with some links to the media.

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<v Speaker 2>And tell me what is your relationship with one another?

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<v Speaker 1>Susan's my mum.

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<v Speaker 2>It's pretty simple.

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<v Speaker 5>Yeah, yeah, So the founder of Death Cafe is my

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<v Speaker 5>brother John.

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<v Speaker 2>John Underwood was endlessly curious, a lifelong seeker who grew

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<v Speaker 2>up in Chester, England. He studied politics, philosophy and economics

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<v Speaker 2>at Oxford. He fell in love with Buddhism and even

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<v Speaker 2>worked for a while out of Buddhist center in London.

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<v Speaker 1>John was always very philosophical, always searching for meaning in

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<v Speaker 1>his life. I think he's kind of felt that the

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<v Speaker 1>root of all evil was the lack of time and

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<v Speaker 1>energy that people apply to the idea of death and dying,

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<v Speaker 1>like all based in consumerism and politics, and people are

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<v Speaker 1>kind of grasping for all of these things that they're

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<v Speaker 1>never going to achieve because they don't think is this

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<v Speaker 1>really that important? And that was something that he strived

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<v Speaker 1>to do every single day.

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<v Speaker 2>Can you tell me a little bit more about the

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<v Speaker 2>jin of the cafe, Well.

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<v Speaker 4>My husband saw an article in a newspaper about a

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<v Speaker 4>man called Bernard Critaz who was a Swiss sociologist and

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<v Speaker 4>he had held things called cafe motel in bars in Switzerland.

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<v Speaker 2>Creta's cafe mortels were informal salons where people were invited

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<v Speaker 2>to talk about death. It was a purposefully no rule

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<v Speaker 2>set up inviting all commerce, with the only plan being

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<v Speaker 2>to talk as openly as possible about this taboo topic.

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<v Speaker 2>His first was in two thousand and four, and eventually

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<v Speaker 2>he held hundreds around bars in alpine towns like his.

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<v Speaker 2>He even got to Paris in twenty ten, where a

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<v Speaker 2>journalist wrote a piece about it for The Independent. After

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<v Speaker 2>John caught wind, he connected with Kreta and attended his

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<v Speaker 2>final death cafe in Lausanne, Switzerland.

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<v Speaker 4>Berard Cretaz stud I hand my mantle over to you

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<v Speaker 4>was a really lovely moment.

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<v Speaker 3>Oh wow.

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<v Speaker 2>And so how does he end up starting the cafes.

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<v Speaker 4>It started in his kitchen in Hackney and East London,

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<v Speaker 4>and he's got some friends together and some people that

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<v Speaker 4>you knew. In September twenty eleven and I facilitated the

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<v Speaker 4>first one.

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<v Speaker 1>The first death cafe was a little bit different than

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<v Speaker 1>death cafes look now, So there was a burning of

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<v Speaker 1>effigies there. It was quite structured. There were sort of

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<v Speaker 1>activities and whatnot. And then mum said to him John,

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<v Speaker 1>stop just let people talk. Let there be some silence

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<v Speaker 1>and some space for people to kind of just start

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<v Speaker 1>to speak about the things they're important to them. And

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<v Speaker 1>it was after that that John created the guidelines alongside

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<v Speaker 1>my mum, which are very specific about what death cafes

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<v Speaker 1>are and are not and how to run them?

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<v Speaker 2>Can you walk me through a typical death cafe meeting today?

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<v Speaker 4>Well, the thing is that it's always different. It depends

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<v Speaker 4>on the people that go. Before it starts, I have

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<v Speaker 4>music playing that is my own personal preference. And then

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<v Speaker 4>people sit down at the appointed time, and I and

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<v Speaker 4>always forget to tell them how long we're going to

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<v Speaker 4>be there, which is an hour and a half. Please

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<v Speaker 4>turn off your phone, Please be respectful to everybody's views,

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<v Speaker 4>and can you tell us what's brought you here today?

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<v Speaker 4>And that is literally what you do. And the conversation

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<v Speaker 4>then flows from there.

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<v Speaker 1>With some introduction about how death a cafe started, like

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<v Speaker 1>it was started by John Jiels. Yeah, yeah, and then

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<v Speaker 1>there will be in a reiteration a little bit of

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<v Speaker 1>the guidelines. Death cafes are always free. We only ask

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<v Speaker 1>for donations which pay for costs. We're not going to

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<v Speaker 1>lead anybody to a course of action or conclusion. This

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<v Speaker 1>is literally just no topics. Everybody can speak about whatever

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<v Speaker 1>they'd like to speak about. You shouldn't run a death

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<v Speaker 1>cafe in order to promote your product or your service. Hi,

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<v Speaker 1>I don't actually say any of you should?

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<v Speaker 2>Yes?

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<v Speaker 4>Plus yeah, Well I have recently started running a regular

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<v Speaker 4>series of death cafes, which I've never done before, And

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<v Speaker 4>what I really love is how much closeness and intimacy

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<v Speaker 4>can develop in the hour and a half that you

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<v Speaker 4>speak with these strangers. And I'm never probably going to

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<v Speaker 4>see most of them again, and it's incredible that you

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<v Speaker 4>need to experience it to understand. But it never ceases

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<v Speaker 4>to amaze me how such a simple thing can bring

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<v Speaker 4>such closeness between people.

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<v Speaker 2>And I hear that there's cake a piece events. Why

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<v Speaker 2>the cake?

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<v Speaker 1>There's always cake, so Joan described it as having kind

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<v Speaker 1>of like a midnight feast. But it's a bit kind

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<v Speaker 1>of naughty talking about something that's so to do whilst

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<v Speaker 1>having delicious cake and cups of tea, because their ritual

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<v Speaker 1>of eating is nourishing and therefore kind of life prolonging.

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<v Speaker 4>Always make okay, that's part of my preparation. I've done

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<v Speaker 4>a ginger and spice treakle cake and lemon drizzle cake,

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<v Speaker 4>chocolate cake. I'm wondering about coffee and walnut, but I

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<v Speaker 4>don't know whether that's a bit niche. I don't know

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<v Speaker 4>what you think me.

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<v Speaker 2>I shouldn't have a pinion of the vial.

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<v Speaker 4>There is a belief that it's going to be very

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<v Speaker 4>sad and mournful going to a death cafe, but certainly

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<v Speaker 4>the one I did last week, people laughed a lot.

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<v Speaker 4>It was a lot of fun.

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<v Speaker 2>Do you feel like when people walk out of these

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<v Speaker 2>cafes that they have a renewed spirit of life? Do

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<v Speaker 2>they seem lighter? Like? What's the feeling of the person

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<v Speaker 2>that walks out of these places versus the person who

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<v Speaker 2>comes in?

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<v Speaker 4>I think the sharing makes it you feel lighter. And

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<v Speaker 4>it's like I was thinking about after a therapy session,

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<v Speaker 4>if I've done a reasonable job, people walk out feeling better.

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<v Speaker 4>It's almost like their face. You know, people's faces can

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<v Speaker 4>be worried and creased, and then when they relax, their

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<v Speaker 4>faces look like the bean I and I think they

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<v Speaker 4>look like that when they come out of a death cafe.

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<v Speaker 2>So tell me, like, are these clubs? Are they for grief?

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<v Speaker 2>Why exactly do people join?

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<v Speaker 4>Well, they've joined for a variety of reasons. Curiosity is

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<v Speaker 4>one of them, and another one is the fact that

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<v Speaker 4>it's not always acceptable in our culture to be talking

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<v Speaker 4>about death and dying, and people want to feel free

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<v Speaker 4>to be able to do that. It's not just about grief.

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<v Speaker 4>Griefs often comes up in the conversation, and we.

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<v Speaker 1>Actually discourage people who are what we call in the

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<v Speaker 1>white hot heat of grief from attending the cafes just

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<v Speaker 1>because there are places that are much better for providing

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<v Speaker 1>grief support than death cafes are. Grief is always going

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<v Speaker 1>to make an appearance, I think, because the majority of

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<v Speaker 1>people who are thinking about death and dying have had

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<v Speaker 1>an experience in their lives which is directly associated. But

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<v Speaker 1>having said that, you've also got people who attend who

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<v Speaker 1>have never had that experience, and you know, had thanatophobia

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<v Speaker 1>or fear of death, and this kind of is almost

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<v Speaker 1>like an exposure therapy to provide them with an opportunity

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<v Speaker 1>to make that first journey into maybe coming to terms

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<v Speaker 1>with it.

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<v Speaker 2>It was just a matter of time before our conversation

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<v Speaker 2>came around to grief, partially because grief is at the

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<v Speaker 2>heart of their story and why Susan and Jules continue

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<v Speaker 2>to run Death Cafe International. Jules is also a physician

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<v Speaker 2>and she was pregnant with her second child during our conversation.

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<v Speaker 5>You know, John was doing this full time and it

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<v Speaker 5>was his baby, whereas you know I'm kind of balancing

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<v Speaker 5>this alongside my own family life and you.

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<v Speaker 1>Know, working in a job that takes quite a lot

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<v Speaker 1>of from me.

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<v Speaker 2>John Underwood died in twenty seventeen, six years after that

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<v Speaker 2>first death cafe in his kitchen and Hackney.

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<v Speaker 3>He was just forty four.

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<v Speaker 2>When we come back from a quick break, we'll hear

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<v Speaker 2>more about his life and how facing his own death

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<v Speaker 2>helped others, including his own family, deal with the measurable loss.

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<v Speaker 1>John had been feeling unwell for a couple of weeks,

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<v Speaker 1>assuming it was a kind of flu bug, and then

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<v Speaker 1>he collect appsed very suddenly after taking his children to

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<v Speaker 1>a swimming class. So we all rushed over to the

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<v Speaker 1>hospital where he was and we were with him whilst

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<v Speaker 1>he was on life support. He'd had a brain hemorrhage

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<v Speaker 1>as a result of a rare form of leukemia called

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<v Speaker 1>acute promyolytticul leukemia, which would have been treatable if they'd

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<v Speaker 1>discovered the source of the bleeding before it had caused

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<v Speaker 1>catastrophic damage by resort of a stroke. So my mum

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<v Speaker 1>and I were with John, and I think a lot

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<v Speaker 1>of it was for me anyway, knowing what John would

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<v Speaker 1>have been wanting at that point, and then because of

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<v Speaker 1>Death Cafe, he'd already created this vast network of people

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<v Speaker 1>who knew about him and had been on the front

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<v Speaker 1>cover of the New York Times and had been in

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<v Speaker 1>the Huffington Post. You know, he was a public figure.

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<v Speaker 2>John's wife Donna, announced his passing in a blog post

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<v Speaker 2>on the Death Cafe website. As you all know, the

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<v Speaker 2>objective of death Cafe is helping us all make the

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<v Speaker 2>most of our finite lives with shocking poignancy. On Sunday,

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<v Speaker 2>the twenty fifth of June, we experienced the finiteeness of

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<v Speaker 2>life at its most brutal, and more specifically, the finiteness

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<v Speaker 2>of the life of John Underwood, founder of Death Cafe,

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<v Speaker 2>dad to two truly amazing children, and my husband.

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<v Speaker 3>He was forty four.

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<v Speaker 2>What was it like to lose him? But also to

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<v Speaker 2>know that he was ready or thinking about his death

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<v Speaker 2>in a way that a lot of people don't or

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<v Speaker 2>don't make time for.

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<v Speaker 1>There was some comfort for me that he had discussed

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<v Speaker 1>the fact that, you know, we don't know how long

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<v Speaker 1>we're going to be here. This could be the last

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<v Speaker 1>time that you see somebody, or you get to hold

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<v Speaker 1>that person dealing with his legacy. Making sure that Death

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<v Speaker 1>Cafe was being run gave an opportunity to focus on something.

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<v Speaker 1>I don't know if it necessarily helped with grief because

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<v Speaker 1>it was so sudden and he was so very important

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<v Speaker 1>to all of us, but it provided me with an

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<v Speaker 1>outlet from the energy that was kind of coming from

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<v Speaker 1>the situation.

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<v Speaker 4>Working on Death Cafe maintains a sort of closeness with

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<v Speaker 4>him that I might not feel otherwise. The fact that

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<v Speaker 4>he started this and we're carrying it on is a

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<v Speaker 4>really a good feeling.

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<v Speaker 2>What's it been like to carry on some of his

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<v Speaker 2>legacy for you?

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<v Speaker 1>When I'm doing this work, I feel like I'm kind

0:14:38.040 --> 0:14:42.200
<v Speaker 1>of embodying a part of him that still exists a

0:14:42.200 --> 0:14:44.680
<v Speaker 1>lot of the replies that I send to people are

0:14:44.680 --> 0:14:47.080
<v Speaker 1>based on interactions that he's had with them in the past.

0:14:47.120 --> 0:14:49.800
<v Speaker 1>You know, I use his email accounts, so I'm looking

0:14:49.800 --> 0:14:52.160
<v Speaker 1>at like, what's the history with this person? What would

0:14:52.200 --> 0:14:55.320
<v Speaker 1>John have said about this particular difficult thing that's appearing.

0:14:56.280 --> 0:14:59.480
<v Speaker 1>But then I think there's also an element of is

0:14:59.560 --> 0:15:03.000
<v Speaker 1>this what's required in the world because things have changed,

0:15:03.200 --> 0:15:06.160
<v Speaker 1>Like he wasn't here through COVID and the kind of

0:15:06.280 --> 0:15:09.280
<v Speaker 1>political and rest that's happening across the world at the moment.

0:15:10.400 --> 0:15:13.080
<v Speaker 1>You know, would this have made a difference to the

0:15:13.120 --> 0:15:14.560
<v Speaker 1>decisions that he would have made.

0:15:15.160 --> 0:15:23.080
<v Speaker 2>You've described John as a seeker, and you've also described

0:15:23.160 --> 0:15:26.760
<v Speaker 2>him as someone who felt a greater calling to leave

0:15:27.480 --> 0:15:30.720
<v Speaker 2>a big job to take on what to him was

0:15:30.760 --> 0:15:33.440
<v Speaker 2>a more important job. And you've also described him in

0:15:33.480 --> 0:15:37.160
<v Speaker 2>this shade of almost like naughtiness, this fun and this

0:15:37.280 --> 0:15:40.880
<v Speaker 2>convivial person. Can you describe who John was to you

0:15:41.080 --> 0:15:42.440
<v Speaker 2>and who he was in the family.

0:15:43.200 --> 0:15:45.200
<v Speaker 1>He would sit up for hours having one on one

0:15:45.240 --> 0:15:49.640
<v Speaker 1>conversations with somebody about his view on what they were

0:15:49.680 --> 0:15:55.240
<v Speaker 1>telling him about and provide some quae kind of judgmental

0:15:55.320 --> 0:16:01.000
<v Speaker 1>views sometimes, but I think, you know, it kind of

0:16:01.040 --> 0:16:05.000
<v Speaker 1>came from a place of wisdom and experience, And I

0:16:05.040 --> 0:16:07.520
<v Speaker 1>think there are some people who just have this kind

0:16:07.560 --> 0:16:11.800
<v Speaker 1>of special quality about them that you can't necessarily describe,

0:16:12.000 --> 0:16:16.240
<v Speaker 1>but it's kind of like a presence and a thoughtfulness

0:16:17.200 --> 0:16:18.960
<v Speaker 1>that you're just kind of born with.

0:16:21.000 --> 0:16:21.120
<v Speaker 2>That.

0:16:21.400 --> 0:16:24.360
<v Speaker 1>In addition to that, he was also like incredibly silly

0:16:24.600 --> 0:16:28.360
<v Speaker 1>and a joker, and you know, just made people laugh

0:16:28.520 --> 0:16:32.200
<v Speaker 1>and said daft things a lot. He was a very

0:16:32.360 --> 0:16:36.960
<v Speaker 1>loving son, or was very good at listening. If you

0:16:37.040 --> 0:16:39.360
<v Speaker 1>wanted to think something over it was a good person

0:16:39.400 --> 0:16:43.000
<v Speaker 1>to phone and and say this is happening, what you think?

0:16:43.800 --> 0:16:47.280
<v Speaker 1>And just being around him was just brilliant. He was

0:16:47.320 --> 0:16:50.000
<v Speaker 1>a great dad as well, a really good dad.

0:16:53.120 --> 0:17:09.240
<v Speaker 2>Was he an optimist? No? In your minds, what is

0:17:09.280 --> 0:17:12.280
<v Speaker 2>the sort of ultimate goal for this movement? And would

0:17:12.320 --> 0:17:13.560
<v Speaker 2>even consider it a movement?

0:17:14.359 --> 0:17:17.120
<v Speaker 1>We describe it as a death cafe movement. I think

0:17:17.160 --> 0:17:19.719
<v Speaker 1>that it's taken off so much that describing it as

0:17:19.760 --> 0:17:22.600
<v Speaker 1>something less would kind of be indervaluing it. And it's

0:17:22.600 --> 0:17:24.840
<v Speaker 1>made quite a significant change. You know. We have people

0:17:24.920 --> 0:17:28.399
<v Speaker 1>who are quite prevalent in the death and dying industry

0:17:28.800 --> 0:17:31.680
<v Speaker 1>who've said how influential John and death Cafe has been

0:17:31.720 --> 0:17:32.359
<v Speaker 1>to them.

0:17:32.760 --> 0:17:35.679
<v Speaker 2>I was doing some reporting in San Francisco, which is

0:17:36.200 --> 0:17:40.800
<v Speaker 2>obviously a land now of bitcoin and billionaires and people

0:17:40.840 --> 0:17:45.879
<v Speaker 2>who have sort of worked around certain rules to their advantage.

0:17:46.359 --> 0:17:49.200
<v Speaker 2>And I think that in Silicon Valley there are these

0:17:49.280 --> 0:17:54.920
<v Speaker 2>real deep philosophical questions about death, but it's turned from

0:17:55.840 --> 0:18:00.000
<v Speaker 2>what might have been about accepting death to not accept it.

0:18:00.160 --> 0:18:02.440
<v Speaker 2>Death right like that you should be prolonging your life

0:18:02.480 --> 0:18:05.040
<v Speaker 2>as long as possible. That there are ways to upload

0:18:05.080 --> 0:18:08.080
<v Speaker 2>your consciousness. That we think talking about death gives our

0:18:08.119 --> 0:18:11.480
<v Speaker 2>life meaning, when in fact that's just because that was

0:18:11.520 --> 0:18:15.280
<v Speaker 2>the limit that we previously had. And I'm curious, like, one,

0:18:16.119 --> 0:18:19.639
<v Speaker 2>have you encounter these spaces which seem to be growing

0:18:19.680 --> 0:18:22.000
<v Speaker 2>in the US, And two, like, what do you think

0:18:22.040 --> 0:18:25.879
<v Speaker 2>about that counter weight to what I think is like

0:18:25.960 --> 0:18:28.400
<v Speaker 2>the really beautiful work you're doing at Death Cafe.

0:18:28.840 --> 0:18:31.400
<v Speaker 1>So there's there's people like Brian Johnson, right, who are

0:18:31.720 --> 0:18:34.760
<v Speaker 1>trying to live for as long as possible, and they're

0:18:34.800 --> 0:18:40.000
<v Speaker 1>dedicating their life to extension of their physiological abilities. I

0:18:40.040 --> 0:18:42.800
<v Speaker 1>can kind of see the appeal of doing that. You know,

0:18:42.880 --> 0:18:44.600
<v Speaker 1>if you're enjoying your life and you want to make

0:18:44.640 --> 0:18:46.080
<v Speaker 1>the most of it, you want to try and get

0:18:46.080 --> 0:18:49.439
<v Speaker 1>as much as you can. But then you're also downplaying

0:18:49.480 --> 0:18:53.960
<v Speaker 1>every single other element of your existence for the pursuit

0:18:54.280 --> 0:18:59.280
<v Speaker 1>of elongation, which kind of seems a bit reductive, I suppose.

0:19:00.280 --> 0:19:04.679
<v Speaker 1>So are we focusing so much on life extension to

0:19:04.760 --> 0:19:08.520
<v Speaker 1>the point where we can't actually focus on the interactions

0:19:08.520 --> 0:19:10.320
<v Speaker 1>that we have every day with our families and the

0:19:10.320 --> 0:19:12.280
<v Speaker 1>people we work with and the people that we see

0:19:12.280 --> 0:19:14.840
<v Speaker 1>in the street, You know, are those maybe the more

0:19:14.880 --> 0:19:20.000
<v Speaker 1>important parts of our existence. There's an interesting Buddhist lesson

0:19:20.200 --> 0:19:23.639
<v Speaker 1>about this bowl of ice cream. You're really craving this

0:19:23.840 --> 0:19:26.440
<v Speaker 1>like beautiful bowl of ice cream. You start eating it

0:19:26.480 --> 0:19:29.080
<v Speaker 1>and you're like, oh, this is fantastic. It's huge, and

0:19:29.119 --> 0:19:31.840
<v Speaker 1>you keep on eating it, and then about halfway through

0:19:31.880 --> 0:19:33.840
<v Speaker 1>you're thinking, oh, this is the worst thing I've ever done.

0:19:33.920 --> 0:19:37.080
<v Speaker 1>You know, I feel terrible. I'm sick and bloated, my

0:19:37.200 --> 0:19:40.760
<v Speaker 1>face is sticky, and you know, you think that this

0:19:40.840 --> 0:19:43.320
<v Speaker 1>ice cream is going to be everything you ever wanted,

0:19:43.880 --> 0:19:46.920
<v Speaker 1>and it turns out that actually it's not, because never

0:19:47.040 --> 0:19:49.280
<v Speaker 1>ending ice cream is never going to be everything that

0:19:49.320 --> 0:19:49.919
<v Speaker 1>you want it to be.

0:19:50.760 --> 0:19:56.000
<v Speaker 4>I really have no desire to live forever. I'm glad

0:19:56.040 --> 0:19:59.959
<v Speaker 4>that my life is finite, and as I get older,

0:20:00.200 --> 0:20:04.840
<v Speaker 4>older and my body becomes less comfortable place to be in,

0:20:05.320 --> 0:20:09.000
<v Speaker 4>it's only going to get worse. I don't relish the

0:20:09.040 --> 0:20:10.280
<v Speaker 4>idea of living forever.

0:20:10.960 --> 0:20:14.520
<v Speaker 1>There's a bit of give and take with the whole thing,

0:20:15.359 --> 0:20:18.879
<v Speaker 1>Like we want to be living the longest life possible

0:20:19.440 --> 0:20:22.119
<v Speaker 1>in the best health that we can achieve, and so

0:20:22.240 --> 0:20:25.320
<v Speaker 1>I can understand people making these steps to make their

0:20:25.320 --> 0:20:28.480
<v Speaker 1>bodies a little bit more sustainable, So you might start

0:20:28.640 --> 0:20:31.600
<v Speaker 1>vitamins and supplements and you might think, oh, I know

0:20:31.680 --> 0:20:33.480
<v Speaker 1>that my joints are going to get worse if I

0:20:33.520 --> 0:20:36.200
<v Speaker 1>don't exercise, so I'm going to do that. And you

0:20:36.359 --> 0:20:38.560
<v Speaker 1>integrate these things into your life because you know it's

0:20:38.560 --> 0:20:40.520
<v Speaker 1>going to bring you an element of happiness. You're going

0:20:40.560 --> 0:20:42.920
<v Speaker 1>to be around your loved ones for longer. So it's

0:20:42.920 --> 0:20:45.280
<v Speaker 1>a bit of a balance. You know, John was far

0:20:45.320 --> 0:20:47.760
<v Speaker 1>too young for a person to lose their life. And yes,

0:20:47.840 --> 0:20:50.679
<v Speaker 1>you can achieve a lot, and you can have an

0:20:50.680 --> 0:20:54.800
<v Speaker 1>incredibly meaningful existence, but death is terrible at the end

0:20:54.840 --> 0:20:55.280
<v Speaker 1>of the day.

0:20:55.440 --> 0:20:58.600
<v Speaker 4>Like for the people that are left it's terrible.

0:20:59.119 --> 0:21:01.240
<v Speaker 1>I think there's a don't you know, there's the experience

0:21:01.240 --> 0:21:04.320
<v Speaker 1>of the person themselves goes through when they're dying. It's

0:21:04.359 --> 0:21:07.399
<v Speaker 1>an incredibly painful experience. They have to deal with the

0:21:07.440 --> 0:21:10.160
<v Speaker 1>emotions with their family members as well. So I don't

0:21:10.200 --> 0:21:13.720
<v Speaker 1>think it's just the people that are left behind. And

0:21:13.760 --> 0:21:15.840
<v Speaker 1>I suppose when you work with death and dying in

0:21:15.880 --> 0:21:18.119
<v Speaker 1>the way that we do, you think about death in

0:21:18.200 --> 0:21:22.480
<v Speaker 1>quite a different way, and you know you've got to

0:21:22.520 --> 0:21:25.080
<v Speaker 1>start somewhere, right. You can do nothing, or you can

0:21:25.160 --> 0:21:28.320
<v Speaker 1>try to change the kind of general populace from the

0:21:28.359 --> 0:21:31.440
<v Speaker 1>ground up. And if you can just make these small

0:21:31.520 --> 0:21:34.399
<v Speaker 1>moments in people's lives a little bit better or a

0:21:34.400 --> 0:21:36.919
<v Speaker 1>little bit more thoughtful, if that's the best you're going

0:21:36.960 --> 0:21:38.159
<v Speaker 1>to do, at least you've done something.

0:21:46.080 --> 0:21:48.920
<v Speaker 2>As we've wrapped up our conversation, my mind kept going

0:21:48.960 --> 0:21:51.879
<v Speaker 2>back to the semester I spend to bed and the

0:21:51.880 --> 0:21:57.200
<v Speaker 2>sky burials I'd witnessed there this ritual that reminds mourners

0:21:57.200 --> 0:22:00.919
<v Speaker 2>of the impermanence of life. Knowing that John was a

0:22:00.960 --> 0:22:05.240
<v Speaker 2>devoted Buddhist, I wondered if at the core, death cafes

0:22:05.320 --> 0:22:06.600
<v Speaker 2>perform a similar rule.

0:22:10.359 --> 0:22:11.680
<v Speaker 3>What is your goal for.

0:22:11.680 --> 0:22:15.760
<v Speaker 2>Someone who comes to a death cafe beyond sort of

0:22:15.800 --> 0:22:19.399
<v Speaker 2>walking out and feeling lighter, Like, do you think they

0:22:19.440 --> 0:22:22.280
<v Speaker 2>should all wake up every morning and consider the fact

0:22:22.280 --> 0:22:25.280
<v Speaker 2>that they might die today or that their life is impermanent.

0:22:25.840 --> 0:22:29.080
<v Speaker 1>I think knowing that it's had the tiniest impact on

0:22:29.119 --> 0:22:31.840
<v Speaker 1>someone's life, that they kind of that they do think

0:22:31.840 --> 0:22:35.679
<v Speaker 1>about death and dying. For me, it's made my interactions

0:22:35.680 --> 0:22:39.280
<v Speaker 1>with people much more meaningful because I think, is this

0:22:39.359 --> 0:22:41.159
<v Speaker 1>the last time that this person is ever going to

0:22:41.160 --> 0:22:44.840
<v Speaker 1>speak to anybody else? And If that's the case, is

0:22:44.840 --> 0:22:46.760
<v Speaker 1>that the kind of taste in your mouth that you

0:22:46.760 --> 0:22:47.520
<v Speaker 1>want to leave them with?

0:23:12.280 --> 0:23:14.959
<v Speaker 2>Thank you so much for listening. That is it for

0:23:15.040 --> 0:23:19.439
<v Speaker 2>the bonus episodes of this season of Skyline Drive. I

0:23:19.440 --> 0:23:22.400
<v Speaker 2>would like to thank Jules Barski and Susan Barski Reid

0:23:22.480 --> 0:23:25.240
<v Speaker 2>for taking the time to share their story and John's.

0:23:25.760 --> 0:23:28.280
<v Speaker 2>If you'd like to learn more about the death Cafe movement,

0:23:28.440 --> 0:23:31.640
<v Speaker 2>please go to Deathcafe dot com. There might be one

0:23:31.680 --> 0:23:34.240
<v Speaker 2>near you, and if not, maybe you'd like to start one.

0:23:34.480 --> 0:23:36.680
<v Speaker 2>We'll also put a link in the show notes. If

0:23:36.720 --> 0:23:40.080
<v Speaker 2>you liked this series, please please tell a friend and

0:23:40.160 --> 0:23:42.359
<v Speaker 2>it really does help if you rate and review, so

0:23:42.680 --> 0:23:46.400
<v Speaker 2>of course we would be appreciative for that too. And

0:23:46.840 --> 0:23:49.800
<v Speaker 2>if you didn't know already, making this show has been

0:23:50.119 --> 0:23:51.320
<v Speaker 2>such a joy.

0:23:51.840 --> 0:23:54.359
<v Speaker 3>I've loved getting to learn and share with all of you.

0:23:54.560 --> 0:23:57.240
<v Speaker 2>So if you want to ask a question, share a story,

0:23:57.359 --> 0:24:00.800
<v Speaker 2>or just get in touch, do not hesitate to reach out.

0:24:01.200 --> 0:24:05.080
<v Speaker 2>You can reach me at insta at M particular and

0:24:05.800 --> 0:24:07.680
<v Speaker 2>hopefully we'll get to do a season three in the

0:24:07.760 --> 0:24:12.280
<v Speaker 2>not so distant This interview was produced by the wonderful

0:24:12.359 --> 0:24:16.720
<v Speaker 2>Lizzie Jacobs. Additional production and research by Mary Philip Sandy.

0:24:17.160 --> 0:24:20.200
<v Speaker 2>Thanks as always to our editor Mark Latto, who told

0:24:20.200 --> 0:24:22.600
<v Speaker 2>me the series was going to be about depth before

0:24:22.680 --> 0:24:25.520
<v Speaker 2>I was ready to admit it. This episode was mixed

0:24:25.520 --> 0:24:28.399
<v Speaker 2>by my good pal Dylan Fagan, who's over there in

0:24:28.440 --> 0:24:32.119
<v Speaker 2>the booth eating a giant slice of cake. Thank you

0:24:32.200 --> 0:24:33.119
<v Speaker 2>so much for listening.