1 00:00:01,680 --> 00:00:05,880 Speaker 1: Welcome to This is Important, a production of I Heart Radio. 2 00:00:06,040 --> 00:00:09,640 Speaker 1: This show where we talk about what's obviously most critically 3 00:00:09,800 --> 00:00:14,680 Speaker 1: crucially important today on This is Important. Sure, you cannot 4 00:00:14,720 --> 00:00:17,640 Speaker 1: have your hand down your pants in that section if 5 00:00:17,680 --> 00:00:19,440 Speaker 1: you weren't to have Blockbuster and you were the cops. 6 00:00:19,440 --> 00:00:23,720 Speaker 1: All right, it was a little to diak. This woman 7 00:00:23,720 --> 00:00:38,680 Speaker 1: will kills huge rocket dogs. Let's go. Yeah, well, out 8 00:00:38,680 --> 00:00:55,720 Speaker 1: of my out of keep going anything else really got me? Yeah, 9 00:00:55,800 --> 00:00:59,000 Speaker 1: I'm excited for this podcast. Guys all day. What are 10 00:00:59,040 --> 00:01:01,000 Speaker 1: we drinking? What's power in you? Or are you just 11 00:01:01,040 --> 00:01:03,480 Speaker 1: excited to hear from your friends. I'm powered by right now. 12 00:01:03,480 --> 00:01:07,639 Speaker 1: I'm powered by Jesus Christ, cheese and Rice. Jesus Christ. 13 00:01:07,680 --> 00:01:16,800 Speaker 1: My savior on high is in character Coca Cola zero sugar. Sugar. Okay, 14 00:01:16,880 --> 00:01:20,240 Speaker 1: let's talk about it. How did you say that, sugar? 15 00:01:20,840 --> 00:01:23,240 Speaker 1: I'm in the South, man, I'm as summing lady in here. 16 00:01:23,480 --> 00:01:26,000 Speaker 1: This is important. We like to go after people for 17 00:01:26,040 --> 00:01:29,560 Speaker 1: how they talk or miss speaking. You've always said, sugar, 18 00:01:29,720 --> 00:01:31,720 Speaker 1: trying to get I'm trying to get my my Southern 19 00:01:31,720 --> 00:01:34,319 Speaker 1: speak a little bit, uh and let it come out naturally. 20 00:01:34,400 --> 00:01:38,039 Speaker 1: Because my character on the roches jimpstones. He speaks in 21 00:01:38,120 --> 00:01:40,640 Speaker 1: a Southern accent, and sometimes I noticed when I went 22 00:01:40,680 --> 00:01:44,680 Speaker 1: back and watched the season that the first few episodes 23 00:01:44,800 --> 00:01:49,360 Speaker 1: it was a little two Georgia than uh, yeah, where 24 00:01:49,400 --> 00:01:51,000 Speaker 1: are you guys supposed to be? Are you supposed to 25 00:01:51,000 --> 00:01:52,720 Speaker 1: be in South Carolina? I mean, yeah, we're in South 26 00:01:52,720 --> 00:01:56,200 Speaker 1: Carolina on the show and in real life. Cool, And 27 00:01:56,320 --> 00:01:58,560 Speaker 1: it was too thick, and so now I'm trying to 28 00:01:58,600 --> 00:02:01,520 Speaker 1: like slip it in some calm os and have it 29 00:02:01,600 --> 00:02:03,840 Speaker 1: to roll off the tongue a little easier. So is 30 00:02:03,920 --> 00:02:07,600 Speaker 1: sugar something that's a conscious decision to get into character 31 00:02:07,840 --> 00:02:11,080 Speaker 1: or what? No? Man see I'm solp, Yeah, talking to 32 00:02:11,080 --> 00:02:15,000 Speaker 1: me inside? Want to act? Dude? It's just I just 33 00:02:15,000 --> 00:02:17,320 Speaker 1: put the blanket over me and I become that person. 34 00:02:17,440 --> 00:02:20,320 Speaker 1: You know. So Sugar is a character choice. It's not 35 00:02:20,400 --> 00:02:23,200 Speaker 1: something that hey, I am Kelvin, okay. But before you 36 00:02:23,440 --> 00:02:27,920 Speaker 1: that character existed, you also said sugar, Sugar, You'm sorry 37 00:02:27,919 --> 00:02:32,160 Speaker 1: about it. So that might have just been my mush mouth. 38 00:02:32,360 --> 00:02:35,160 Speaker 1: You know, Adam, do you go out to restaurants and 39 00:02:35,200 --> 00:02:38,200 Speaker 1: stuff and like speak in the accent to see if 40 00:02:38,200 --> 00:02:40,120 Speaker 1: you can pull it off? You know, actors moved to 41 00:02:40,280 --> 00:02:42,240 Speaker 1: l and they're like, I went to a restaurant last 42 00:02:42,320 --> 00:02:44,880 Speaker 1: night and pretended to be British and no one knew. 43 00:02:44,919 --> 00:02:48,400 Speaker 1: I love that ship, uh and that and we all 44 00:02:48,440 --> 00:02:50,799 Speaker 1: would crush that if we went to a restaurant. We're like, hello, 45 00:02:51,040 --> 00:02:54,720 Speaker 1: right right right, so you don't have fish and chips 46 00:02:54,960 --> 00:02:57,440 Speaker 1: and maybe get it. Gonna get a horrid boiled egged mate, 47 00:02:58,120 --> 00:03:02,840 Speaker 1: What what do you wander? I'd love I'd love to 48 00:03:02,880 --> 00:03:06,440 Speaker 1: go to food Ruckers as Abraham Lincoln. That would be 49 00:03:06,520 --> 00:03:10,200 Speaker 1: really fun for me, just giving your ostritch burger order 50 00:03:10,320 --> 00:03:15,040 Speaker 1: from Okay, so you're okay, so you are going to 51 00:03:15,080 --> 00:03:19,079 Speaker 1: food Ruckers. You just got the part of of ab Lincoln. Yes, 52 00:03:19,120 --> 00:03:22,600 Speaker 1: because Daniel Day can't come back. Daniel Day isn't going 53 00:03:22,639 --> 00:03:25,960 Speaker 1: to do the sequel. Yeah, I'll do Abe too. You're 54 00:03:26,000 --> 00:03:29,160 Speaker 1: doing Lincoln. It's not called a it's called Lincoln. No, 55 00:03:29,280 --> 00:03:34,960 Speaker 1: it's Lincoln too. And then it's a it's Lincoln to 56 00:03:35,160 --> 00:03:41,040 Speaker 1: a New York abe in the city, like and I 57 00:03:41,160 --> 00:03:43,440 Speaker 1: and I stopped in a in a food Ruckers and 58 00:03:43,560 --> 00:03:46,880 Speaker 1: I say setting the scene, and it's is it back 59 00:03:46,920 --> 00:03:49,880 Speaker 1: in the day or you've somehow transported time and you're 60 00:03:50,040 --> 00:03:53,280 Speaker 1: it's current one and you are going to a food 61 00:03:53,480 --> 00:03:58,560 Speaker 1: it's Austin Powers. I was like, thought out. They they're like, wheak, nice. Yeah, 62 00:03:58,600 --> 00:04:01,160 Speaker 1: they're seeing that the world is in such turmoil and 63 00:04:01,240 --> 00:04:04,120 Speaker 1: people aren't getting together, and they're like, who can we 64 00:04:04,680 --> 00:04:08,440 Speaker 1: give earth to bring the people together? Well said this 65 00:04:08,600 --> 00:04:11,000 Speaker 1: thought out Abe Lincoln. This is my pitch in the room, 66 00:04:11,000 --> 00:04:13,200 Speaker 1: and they bought it in the room in the city. 67 00:04:13,400 --> 00:04:16,279 Speaker 1: But he's already done. They're already like they're talking about 68 00:04:16,320 --> 00:04:19,800 Speaker 1: taking statues with him down. Okay, well Abraham Lincoln with 69 00:04:19,839 --> 00:04:22,360 Speaker 1: a cancel, Dave Lincoln. So it's that's even better because 70 00:04:22,400 --> 00:04:24,159 Speaker 1: they bring them back because they're like, this is our guy. 71 00:04:24,720 --> 00:04:27,920 Speaker 1: And then Abe has to do like a reckoning exactly. 72 00:04:27,920 --> 00:04:30,839 Speaker 1: And the back half of back too was him being like, yeah, 73 00:04:30,880 --> 00:04:33,360 Speaker 1: I'm not perfect. Sure, I've got the half, I've got 74 00:04:33,360 --> 00:04:35,920 Speaker 1: the mole, yes, but I can be better. I can 75 00:04:35,960 --> 00:04:38,080 Speaker 1: be more. And just like you, I go to fund 76 00:04:38,120 --> 00:04:40,280 Speaker 1: rug right, yeah, because I'm in the city, because I'm 77 00:04:40,320 --> 00:04:43,200 Speaker 1: Abe in the city. Yeah, okay, So so I'm the waiter, 78 00:04:43,360 --> 00:04:45,680 Speaker 1: all right, I'm the waiter. Okay, and do you want 79 00:04:45,680 --> 00:04:48,560 Speaker 1: to call action call? Okay, here we go, ready, roll 80 00:04:48,760 --> 00:04:55,640 Speaker 1: roll sound, and Kyle, what is it so real quick. 81 00:04:55,839 --> 00:04:57,760 Speaker 1: Just what's a quick question about my character? Who are 82 00:04:57,800 --> 00:05:00,440 Speaker 1: you again? I'm the waiter? Oh I know, yeah, remember 83 00:05:00,560 --> 00:05:02,960 Speaker 1: what's up? And so am I from the south or 84 00:05:03,240 --> 00:05:05,440 Speaker 1: or what is? Maybe I'm from I just moved to 85 00:05:05,480 --> 00:05:07,919 Speaker 1: the city and maybe I'm from South Carolina? Maybe I 86 00:05:07,920 --> 00:05:10,080 Speaker 1: can kind of well, Abe just moved from the city, 87 00:05:10,200 --> 00:05:12,320 Speaker 1: so you're kind of you know, he's in the city 88 00:05:12,400 --> 00:05:13,800 Speaker 1: for the first time. It's Abe in the city. It's 89 00:05:13,880 --> 00:05:16,600 Speaker 1: kind of his story. But you are out of flood 90 00:05:16,680 --> 00:05:19,880 Speaker 1: Ruckers that just recently got the Ostrich Burger, so you're 91 00:05:19,960 --> 00:05:24,600 Speaker 1: kind of pushing the Ostrich Burger on Abe. Okay, okay, 92 00:05:24,680 --> 00:05:28,000 Speaker 1: but do mostly I'm asking about my fun accent, so 93 00:05:28,080 --> 00:05:30,800 Speaker 1: what yes, of course that's why you got the part. Okay, No, 94 00:05:31,000 --> 00:05:32,599 Speaker 1: you have to do it with the accent otherwise I 95 00:05:32,600 --> 00:05:34,839 Speaker 1: don't want to hear it. And maybe one of the 96 00:05:34,880 --> 00:05:37,560 Speaker 1: things that we have a question for the directors. Are 97 00:05:37,560 --> 00:05:40,200 Speaker 1: we still rolling? Sound Hold on one second, are we 98 00:05:40,240 --> 00:05:43,760 Speaker 1: still rolling? Still speaking over here? Okay, we're still Yes, 99 00:05:44,520 --> 00:05:46,960 Speaker 1: I'm gonna speak to you in character because that's how 100 00:05:47,040 --> 00:05:49,279 Speaker 1: Daniel Day did it. I'm just warning like maybe that's 101 00:05:49,360 --> 00:05:53,200 Speaker 1: something that um my character and Adam's character can kind 102 00:05:53,240 --> 00:05:56,120 Speaker 1: of identify with maybe he just moved from South Carolina. 103 00:05:56,240 --> 00:06:01,160 Speaker 1: I just moved from Chicago. Okay, alright, great, let's find it. 104 00:06:01,320 --> 00:06:03,240 Speaker 1: Let's find it. Let's not hash out everything. I just 105 00:06:03,240 --> 00:06:05,760 Speaker 1: want to know. Am I doing my South Carolina accent? 106 00:06:06,040 --> 00:06:07,960 Speaker 1: This is how it was that word hoolics Like you'd 107 00:06:07,960 --> 00:06:09,599 Speaker 1: be like, hey, I got a funny thing to improv. 108 00:06:09,839 --> 00:06:11,880 Speaker 1: You'll say this, and then wait till you see what 109 00:06:11,920 --> 00:06:16,560 Speaker 1: I was saying, and I go no, just okay, you're 110 00:06:16,560 --> 00:06:22,920 Speaker 1: still rolling, still speeding, honors, Come on a honors roll. Sound. Hey, 111 00:06:23,040 --> 00:06:27,600 Speaker 1: I'm rolling. Roll cameras, honors, roll cameras. We're rolling. Okay, 112 00:06:27,760 --> 00:06:34,440 Speaker 1: ready background action and action. Hey y'all, how are you doing. 113 00:06:34,560 --> 00:06:37,040 Speaker 1: Welcome to Food Wreckers. Uh, let me tell you a 114 00:06:37,080 --> 00:06:39,680 Speaker 1: little bit about our specials before we get started. Do 115 00:06:39,800 --> 00:06:46,440 Speaker 1: you like what? H what do you like? I'm not 116 00:06:46,600 --> 00:06:50,600 Speaker 1: quite sure what that is. Excuse me, Oh, you must 117 00:06:50,600 --> 00:06:52,719 Speaker 1: not be from around here. I actually just moved to 118 00:06:52,720 --> 00:06:56,000 Speaker 1: the city myself. I am from South Carolina and I 119 00:06:56,120 --> 00:06:58,240 Speaker 1: just moved to the big city. I got a little 120 00:06:58,279 --> 00:07:02,720 Speaker 1: place down in the lower East set South Carolina, one 121 00:07:02,760 --> 00:07:06,599 Speaker 1: of the original unions. Of course, I know of this place. 122 00:07:07,000 --> 00:07:09,640 Speaker 1: Oh that's right. Oh you got a fun accent. Yes, 123 00:07:09,960 --> 00:07:14,720 Speaker 1: where are you moving from? Illinois? The great state of Illinois? 124 00:07:15,600 --> 00:07:18,040 Speaker 1: I love it there, I love it there. I was 125 00:07:18,080 --> 00:07:20,200 Speaker 1: thinking about either they're moving to the Windy City or 126 00:07:20,200 --> 00:07:23,360 Speaker 1: the Big Apple. And let me just say I took 127 00:07:23,400 --> 00:07:25,240 Speaker 1: a bote out of the Big Apple. Okay? Oh what 128 00:07:25,360 --> 00:07:29,120 Speaker 1: is that a worm? Okay? So did you want burger? 129 00:07:29,720 --> 00:07:33,800 Speaker 1: Actually I'm here for it's an Ostrich burger. Let me 130 00:07:33,840 --> 00:07:36,240 Speaker 1: stop you. I don't want a fucking Ostrich burger. I 131 00:07:36,280 --> 00:07:39,800 Speaker 1: want am I want a malt? Okay? Sorry, didn't ge 132 00:07:40,000 --> 00:07:42,560 Speaker 1: whiz throwing so much too at me. I guess I'm 133 00:07:42,560 --> 00:07:45,160 Speaker 1: in the big city. Now that's just part of the 134 00:07:45,560 --> 00:07:49,160 Speaker 1: put in pop that I must suckle a pone. Yeah 135 00:07:49,200 --> 00:07:52,280 Speaker 1: all right, okay, and let me go get your malt. Now. 136 00:07:52,400 --> 00:07:57,840 Speaker 1: Is that chocolate vanillia strawberry or banana? Or is it pistachio? 137 00:07:58,120 --> 00:08:01,360 Speaker 1: Did you want chocolate? Squirrel? We have carameil? What else 138 00:08:01,400 --> 00:08:07,120 Speaker 1: we got? We got oreo like rubar far my favorite 139 00:08:07,240 --> 00:08:09,840 Speaker 1: growing up on the farm as a youth in Illinois. 140 00:08:10,000 --> 00:08:17,360 Speaker 1: That was my favorite snack. Or mulberry. Okay, now, these 141 00:08:17,440 --> 00:08:19,560 Speaker 1: like these seem to be like a little bit like 142 00:08:19,640 --> 00:08:23,880 Speaker 1: old Tommy um sort of. Did they even have mulberries anymore? 143 00:08:24,600 --> 00:08:29,320 Speaker 1: I don't know. Every night I cry myself to sleep 144 00:08:29,400 --> 00:08:34,120 Speaker 1: wondering the same thing. Where have the mulberries gone? Oh, 145 00:08:34,160 --> 00:08:37,360 Speaker 1: it seems like you have some mulberry I've abandoned, my boy. 146 00:08:38,080 --> 00:08:39,840 Speaker 1: It seems like you have some mulberry in the side 147 00:08:39,880 --> 00:08:44,400 Speaker 1: of your head. Sir, you have an open wound on 148 00:08:44,440 --> 00:08:47,360 Speaker 1: the side of your skull. It looks like there's their 149 00:08:47,400 --> 00:08:52,080 Speaker 1: mulberry juices flowing out. What is that? I'm Abraham Lincoln. 150 00:08:54,120 --> 00:09:01,199 Speaker 1: That's all right. Well that was good. That was They 151 00:09:01,200 --> 00:09:04,200 Speaker 1: were just getting going. But okay, well it was straight 152 00:09:04,240 --> 00:09:07,440 Speaker 1: a little bit. I know. I'm sorry. It's always so 153 00:09:07,480 --> 00:09:11,760 Speaker 1: hard to do that. It's it's as hard run the take, 154 00:09:12,080 --> 00:09:15,480 Speaker 1: I mean. And Blake was so in character. Just when 155 00:09:15,480 --> 00:09:17,559 Speaker 1: I was looking at his little box on our zoom, 156 00:09:17,559 --> 00:09:20,239 Speaker 1: I was like, is that Blake or is that Baberham 157 00:09:20,320 --> 00:09:24,800 Speaker 1: Lincoln himself? I guess Abraham was a little cuter than 158 00:09:24,840 --> 00:09:27,559 Speaker 1: I thought. He's a real Babraham. Hello. I can see 159 00:09:27,600 --> 00:09:30,960 Speaker 1: why Daniel day Lewis retired after that role, because it 160 00:09:31,120 --> 00:09:34,960 Speaker 1: is Dan. There's so much to remember, mulberry, like what 161 00:09:35,000 --> 00:09:38,160 Speaker 1: else was that his last movie? I thought he did 162 00:09:38,240 --> 00:09:41,160 Speaker 1: Phantom Thread. Phantom Thread was the last one. Yeah, Blake, 163 00:09:41,200 --> 00:09:43,400 Speaker 1: you did a great h you did a great quote 164 00:09:43,440 --> 00:09:47,120 Speaker 1: from Daniel Day from the other movie I've Abandoned My 165 00:09:47,160 --> 00:09:49,760 Speaker 1: Boy That was not lost on me. Yeah, I couldn't 166 00:09:49,800 --> 00:09:55,160 Speaker 1: remember what there will be blood my milkshake. Oh you 167 00:09:55,200 --> 00:09:58,760 Speaker 1: could have done a milkshake run, lots of freaking couldn't 168 00:09:58,760 --> 00:10:00,600 Speaker 1: would have shuttled in improv, you know what I mean? 169 00:10:00,720 --> 00:10:03,120 Speaker 1: Just you guys were just bouncing off one another. It 170 00:10:03,200 --> 00:10:07,560 Speaker 1: was awesome. Yeah, hindsight, hindsight when it comes to improv 171 00:10:07,760 --> 00:10:10,760 Speaker 1: and also anything there's was placed there as a sound 172 00:10:10,760 --> 00:10:13,760 Speaker 1: man and a cameraman, but actually secretly the judge there's 173 00:10:13,800 --> 00:10:18,120 Speaker 1: What did you think about that from your screenwriting point 174 00:10:18,120 --> 00:10:22,439 Speaker 1: of view? Well, I love anything that these two guys do. 175 00:10:23,000 --> 00:10:26,520 Speaker 1: Um you anything off the cuff, anything that's a little 176 00:10:26,520 --> 00:10:32,440 Speaker 1: longer than you think it is. Leave them wanting less 177 00:10:32,800 --> 00:10:37,600 Speaker 1: is less. That's been our motto, I think for almost 178 00:10:37,960 --> 00:10:42,400 Speaker 1: almost twenty years now together, yes, literally almost twenty years. 179 00:10:42,440 --> 00:10:47,400 Speaker 1: Next year will be twenty years making comedy together. Two decks. 180 00:10:47,400 --> 00:10:50,240 Speaker 1: Are we going to go out for our twenty one friendship? 181 00:10:50,280 --> 00:10:54,320 Speaker 1: Birthday and get loaded. That's a great idea, and that's 182 00:10:54,320 --> 00:10:57,000 Speaker 1: been our motto from the very beginning. Leave them one 183 00:10:57,040 --> 00:11:01,040 Speaker 1: team less. We're gonna like it at first and by 184 00:11:01,080 --> 00:11:02,800 Speaker 1: the end they're gonna go. I wish that was a 185 00:11:02,840 --> 00:11:05,200 Speaker 1: little shorter. I could have walked away soon. That's where 186 00:11:05,240 --> 00:11:08,520 Speaker 1: the editing comes in, because that's your best friend. You've 187 00:11:08,559 --> 00:11:12,800 Speaker 1: even want less than you. Cut that stuff out. Yeah, 188 00:11:12,920 --> 00:11:15,720 Speaker 1: trim the fat. I remember being scolded by Jay Leggott 189 00:11:15,760 --> 00:11:20,240 Speaker 1: telling us take the funny and run, right. He scolded you. Yeah, 190 00:11:20,280 --> 00:11:22,360 Speaker 1: he took me aside, grabbed me very hard by the 191 00:11:22,440 --> 00:11:24,959 Speaker 1: arm and said take the morning and run. He put 192 00:11:25,040 --> 00:11:29,960 Speaker 1: your he put your arm underneath hot water. He burnt me, 193 00:11:30,120 --> 00:11:33,760 Speaker 1: just scolded you. And that happened in the bathroom of 194 00:11:34,120 --> 00:11:37,040 Speaker 1: National Input Offices. He ran the hot water. Is that 195 00:11:37,240 --> 00:11:41,200 Speaker 1: his quote? Yes, absolutely, that's Jay Leggett's. I didn't know 196 00:11:41,200 --> 00:11:43,080 Speaker 1: that was Jay Leggett man. I just like used that 197 00:11:43,160 --> 00:11:45,760 Speaker 1: on the Shadows set because it's a lot of improv 198 00:11:45,800 --> 00:11:48,000 Speaker 1: and I was like, take the funny and rotten all right, 199 00:11:48,760 --> 00:11:52,280 Speaker 1: all right, it's not his y. I don't know if 200 00:11:52,320 --> 00:11:55,840 Speaker 1: he coined that. I don't know. He's the first person 201 00:11:55,880 --> 00:11:58,240 Speaker 1: I heard it from who who did it? I mean 202 00:11:58,280 --> 00:12:01,400 Speaker 1: as far as my world, I know, like globally, Like 203 00:12:01,679 --> 00:12:03,840 Speaker 1: I don't know the person who made up the word grasp, 204 00:12:04,040 --> 00:12:10,160 Speaker 1: but somebody taught it to me. But okay, I love 205 00:12:10,280 --> 00:12:13,240 Speaker 1: where this is going. So let's talk about this other 206 00:12:13,360 --> 00:12:17,079 Speaker 1: words that only exist because of people. You know, I'm saying, like, 207 00:12:17,160 --> 00:12:20,000 Speaker 1: obviously Jay didn't make it up, but he brought it 208 00:12:20,040 --> 00:12:23,079 Speaker 1: into our world and I was unaware of that. We've 209 00:12:23,080 --> 00:12:26,640 Speaker 1: mentioned j a few times. Jay Leggett was our teacher 210 00:12:26,880 --> 00:12:31,240 Speaker 1: at Second City Los Angeles, Los Angeles with for DERs 211 00:12:31,320 --> 00:12:33,960 Speaker 1: and I, and then he ended up being our teacher 212 00:12:34,000 --> 00:12:37,600 Speaker 1: and coach when we worked for the National Lampoon Lemons, 213 00:12:37,600 --> 00:12:40,320 Speaker 1: which is a touring sketch group that we did the 214 00:12:40,600 --> 00:12:44,760 Speaker 1: what one or two summers before we ended up getting right. Yeah, 215 00:12:45,400 --> 00:12:48,959 Speaker 1: so it's kind of right before doing Workaholics, but for 216 00:12:49,040 --> 00:12:51,440 Speaker 1: the first time we actually were just doing comedy full 217 00:12:51,480 --> 00:12:54,680 Speaker 1: time and that was sort of what we were concentrating on. 218 00:12:55,880 --> 00:12:59,160 Speaker 1: He also hosted up Yes Rest in Peace, Great Dude 219 00:12:59,160 --> 00:13:01,400 Speaker 1: gave us our first shot. He hosted this thing called 220 00:13:01,440 --> 00:13:05,240 Speaker 1: Comedy Cocktail at Hollywood and Highland where you get a 221 00:13:05,240 --> 00:13:07,280 Speaker 1: bunch of different sketch groups and everybody got to do 222 00:13:07,360 --> 00:13:09,680 Speaker 1: like two sketches at night, and that's kind of where 223 00:13:09,720 --> 00:13:11,400 Speaker 1: we kind of Yeah, it was a good crowd too, 224 00:13:11,400 --> 00:13:14,079 Speaker 1: because it was mostly tourists. Hollywood Highland is like a 225 00:13:14,120 --> 00:13:17,960 Speaker 1: big kind of like walk around outdoor area in Hollywood 226 00:13:17,960 --> 00:13:20,160 Speaker 1: where you can see like the Walk of Fame grounds, 227 00:13:20,240 --> 00:13:23,720 Speaker 1: Chinese Theater, and also you can see like the craziest 228 00:13:25,080 --> 00:13:29,440 Speaker 1: homeless people, Like yeah, maybe not. That was our competition, 229 00:13:29,720 --> 00:13:32,880 Speaker 1: very very funny homeless. It was either you could pay 230 00:13:32,920 --> 00:13:34,520 Speaker 1: to come in and see us, or there's all this 231 00:13:34,640 --> 00:13:38,760 Speaker 1: kind of really fun free entertainment right outside or might 232 00:13:38,760 --> 00:13:40,480 Speaker 1: cost you a buck or two, but you're gonna see 233 00:13:40,520 --> 00:13:43,120 Speaker 1: Spider Man playing a banjo doing back. Yeah. There are 234 00:13:43,200 --> 00:13:46,360 Speaker 1: dudes who can play buckets better than most people can 235 00:13:46,360 --> 00:13:52,080 Speaker 1: play just can play drums, right, yeah, they than anybody 236 00:13:52,080 --> 00:13:55,760 Speaker 1: else can plain buck Is that where where the actually 237 00:13:55,760 --> 00:13:58,800 Speaker 1: the phrase of leave them wanting less kind of came 238 00:13:58,840 --> 00:14:01,320 Speaker 1: from because we get on stage and it'd be fire 239 00:14:01,440 --> 00:14:03,920 Speaker 1: for a little bit and then it always have a 240 00:14:03,960 --> 00:14:08,600 Speaker 1: little dwindle in there. I think J legg It's note 241 00:14:08,640 --> 00:14:12,280 Speaker 1: to us was always like make your sketches shorter, get 242 00:14:12,280 --> 00:14:15,280 Speaker 1: the left and get out right. Yeah, Well, I remember 243 00:14:15,320 --> 00:14:18,679 Speaker 1: we would have like twelve page long sketches where it's 244 00:14:18,760 --> 00:14:22,040 Speaker 1: like they don't need to be this. I will say 245 00:14:22,240 --> 00:14:25,320 Speaker 1: I never wrote anything at long. Well, they always grow 246 00:14:25,480 --> 00:14:28,600 Speaker 1: because bits get added and then it gets inflats always 247 00:14:28,600 --> 00:14:32,320 Speaker 1: grow on the day because you're improving your riffin. You yes, 248 00:14:32,360 --> 00:14:36,480 Speaker 1: standing hunching it up a bit. Yeah, the good old days. 249 00:14:37,000 --> 00:14:39,520 Speaker 1: Wasn't there another phrase there where it was like we 250 00:14:39,600 --> 00:14:41,680 Speaker 1: gotta get better about this kind of stuff because we 251 00:14:41,680 --> 00:14:45,560 Speaker 1: would always forgive all of our props and everything that 252 00:14:45,640 --> 00:14:47,840 Speaker 1: we needed to go on. I think you guys were 253 00:14:47,880 --> 00:14:50,400 Speaker 1: the first people to ever say that to me. I 254 00:14:50,440 --> 00:14:53,680 Speaker 1: know people said that other places, but for me personally, 255 00:14:53,880 --> 00:14:57,040 Speaker 1: that's what I'm talking about. We would always forget props 256 00:14:57,360 --> 00:15:01,200 Speaker 1: or like a wig or like whatever like audio visual 257 00:15:01,240 --> 00:15:03,080 Speaker 1: ship that lined up with our sketch, and then we'd 258 00:15:03,120 --> 00:15:05,440 Speaker 1: like got like it start out serious, like yo, guys, 259 00:15:05,480 --> 00:15:09,800 Speaker 1: we didn't get better about this stuff, like for sure, Yeah, yeah, 260 00:15:10,080 --> 00:15:12,400 Speaker 1: every weekend we forget something like, well, I gotta get 261 00:15:12,440 --> 00:15:15,840 Speaker 1: better about this. Well, I guess we're not gonna It 262 00:15:16,000 --> 00:15:18,760 Speaker 1: was a lot. You had to bring all the costumes, 263 00:15:18,960 --> 00:15:23,040 Speaker 1: all the fucking video ship that we needed to project 264 00:15:23,120 --> 00:15:25,160 Speaker 1: it had to output it because we would do did 265 00:15:25,360 --> 00:15:29,040 Speaker 1: like show sketches and we do live sketches right, and 266 00:15:29,080 --> 00:15:30,680 Speaker 1: it was it was a lot. Some of the live 267 00:15:30,720 --> 00:15:34,480 Speaker 1: sketches would correspond with what we needed to play things 268 00:15:34,520 --> 00:15:37,280 Speaker 1: on on the video screens at certain times, as if 269 00:15:37,320 --> 00:15:40,560 Speaker 1: we're talking to yeh. It was tech forward, especially for 270 00:15:40,600 --> 00:15:43,720 Speaker 1: a nightclub performance, because that place that we performed at 271 00:15:43,760 --> 00:15:45,760 Speaker 1: just turned into a nightclub as soon as we were done, 272 00:15:45,920 --> 00:15:50,880 Speaker 1: especially for two thousand and seven. Yeah, you know, burning 273 00:15:50,960 --> 00:15:54,880 Speaker 1: DVDs the day before. The name of the club after 274 00:15:54,960 --> 00:15:57,160 Speaker 1: it was hilarious, Like I want to say, it was 275 00:15:57,200 --> 00:16:00,080 Speaker 1: called pandemic and like all of the there would be 276 00:16:00,200 --> 00:16:03,360 Speaker 1: girls dancing in cages in like nurses outfits. Do you 277 00:16:03,360 --> 00:16:05,960 Speaker 1: guys remember that? Really? Yes, I don't know if it 278 00:16:06,000 --> 00:16:08,880 Speaker 1: was called pandemic, but I think it was called coronavirus. 279 00:16:12,160 --> 00:16:14,120 Speaker 1: I think it was. No, Honestly, I think it was 280 00:16:14,200 --> 00:16:20,560 Speaker 1: called COVID nineteen. It was called COVID Deniers masks, not 281 00:16:20,760 --> 00:16:27,040 Speaker 1: mandatory play endemic the club. Yeah, but I really do 282 00:16:27,200 --> 00:16:29,640 Speaker 1: think it was called pandemic. I'm not no, it was. 283 00:16:29,800 --> 00:16:34,960 Speaker 1: Remember the DJs were the spin doctors, remember exactly doctors 284 00:16:35,040 --> 00:16:39,440 Speaker 1: Pandemic went together. Adam, you stepped in it, You're like, 285 00:16:39,520 --> 00:16:43,840 Speaker 1: no fucking way. They were called the spin Doctors. Is 286 00:16:43,880 --> 00:16:49,280 Speaker 1: that egg on my face? Science, that's some yolk. There 287 00:16:49,360 --> 00:16:53,440 Speaker 1: might be yolk. What was that club called? It was 288 00:16:53,480 --> 00:16:56,440 Speaker 1: called the Highland. That was what it was called, called 289 00:16:56,440 --> 00:16:59,720 Speaker 1: the Highlands. So but that night was called Pandemic night. 290 00:17:00,280 --> 00:17:05,320 Speaker 1: After comedy it would immediately switch over into a bro club, 291 00:17:05,440 --> 00:17:08,680 Speaker 1: and we were just like, we're in the club. Baby. 292 00:17:08,960 --> 00:17:11,239 Speaker 1: That was I know. That was the best because then 293 00:17:11,280 --> 00:17:13,520 Speaker 1: they couldn't kick us out, even though you could tell 294 00:17:13,600 --> 00:17:16,560 Speaker 1: the securities, like you get these fucking comedy dorks out 295 00:17:16,560 --> 00:17:19,679 Speaker 1: of here. There's people in shiny shirts. Blake kind of 296 00:17:19,680 --> 00:17:22,879 Speaker 1: fit in because he was rocking Affliction, so like he 297 00:17:22,960 --> 00:17:24,640 Speaker 1: was kind of fitting in, but the rest of us 298 00:17:24,640 --> 00:17:28,440 Speaker 1: were like odd ducks out wearing funny wigs. Still probably 299 00:17:29,080 --> 00:17:32,879 Speaker 1: oh yeah, dude, because we were backstage doing the show, 300 00:17:32,960 --> 00:17:34,480 Speaker 1: and then as soon as it turned into a club, 301 00:17:34,560 --> 00:17:37,159 Speaker 1: that backstage was like the v I P Lounge, So 302 00:17:37,200 --> 00:17:39,240 Speaker 1: not only were we in the club, we were in 303 00:17:39,280 --> 00:17:42,560 Speaker 1: the motherfucking v I P Lounge And one of the 304 00:17:42,600 --> 00:17:45,919 Speaker 1: freaking special bonuses, Jillian was also there with us, so 305 00:17:46,040 --> 00:17:48,359 Speaker 1: we got a lot of club nights in with our girl, 306 00:17:48,480 --> 00:17:53,280 Speaker 1: Jillian forging the bomb. I remember Jillian was in a 307 00:17:53,359 --> 00:17:57,760 Speaker 1: different sketch group, and remember we were like, uh, we 308 00:17:57,840 --> 00:18:00,879 Speaker 1: need a funny girl in our sketch, and Jillian was 309 00:18:00,920 --> 00:18:03,920 Speaker 1: the funniest girl that we knew. And we were a 310 00:18:04,080 --> 00:18:08,960 Speaker 1: person yeah, for sure, funniest person. And we were like, uh, 311 00:18:09,240 --> 00:18:12,399 Speaker 1: we're stealing her, and we actively stole her from this 312 00:18:12,440 --> 00:18:14,280 Speaker 1: other skin. It did start off as like we just 313 00:18:14,320 --> 00:18:16,800 Speaker 1: need like a girl to play these parts, and then 314 00:18:16,800 --> 00:18:19,720 Speaker 1: we're like one or two lines, and then like, uh, 315 00:18:19,800 --> 00:18:21,960 Speaker 1: a month later, it was like, oh, they straight up 316 00:18:22,080 --> 00:18:25,760 Speaker 1: took this girl from our camp and now she's over there. Yeah, yeah, 317 00:18:27,320 --> 00:18:29,240 Speaker 1: we were. We were a little more functional. I think 318 00:18:29,280 --> 00:18:32,359 Speaker 1: that we were shooting stuff like every fucking week. I 319 00:18:32,359 --> 00:18:34,879 Speaker 1: don't think they were filming much. They were like nine 320 00:18:34,920 --> 00:18:37,720 Speaker 1: of them and only a few of us. Yeah right, 321 00:18:37,760 --> 00:18:41,920 Speaker 1: I had a big old group. It's a numbers thing. Yeah, man, science, 322 00:18:42,880 --> 00:18:45,320 Speaker 1: what was Jill? I feel like Jillian would drink like 323 00:18:45,560 --> 00:18:48,639 Speaker 1: weird like watermelon schmirnovs. I'm trying to remember her drink. 324 00:18:48,720 --> 00:18:50,800 Speaker 1: I can't. You don't think it wasn't just Vanka red 325 00:18:50,840 --> 00:18:53,119 Speaker 1: Bull back then, I feel like that was like years 326 00:18:53,160 --> 00:18:55,080 Speaker 1: of Vondka Red Bulls. It might have been she is 327 00:18:55,119 --> 00:18:58,679 Speaker 1: a Vegas girl. Have you been playing the soundboard at 328 00:18:58,680 --> 00:19:02,240 Speaker 1: all this whole time? No, I haven't. Sorry, Oh yes, 329 00:19:03,359 --> 00:19:09,440 Speaker 1: that was lying. Yeah, God damn asleep at the wheel. Sorry. Man, 330 00:19:09,440 --> 00:19:12,800 Speaker 1: I'm still gonna send it. My bad. It seems like 331 00:19:12,800 --> 00:19:17,280 Speaker 1: you're not sending it. I'm getting getting concerned. I'm sorry. Yeah, up, 332 00:19:19,440 --> 00:19:23,920 Speaker 1: we got lots of good stuff. Oh. I like that one. 333 00:19:24,320 --> 00:19:27,159 Speaker 1: I do like how you're playing all the things that 334 00:19:27,200 --> 00:19:29,680 Speaker 1: we're trying to tell you, so you do know how 335 00:19:29,760 --> 00:19:32,399 Speaker 1: we feel. And you're like, no, guys, I've been doing it. 336 00:19:32,480 --> 00:19:34,760 Speaker 1: Wake up, Yeah, wake up? You know what. I kind 337 00:19:34,760 --> 00:19:36,840 Speaker 1: of like it when you guys human sound boarded. You 338 00:19:36,840 --> 00:19:39,600 Speaker 1: guys are getting really good at the impressions of the boy. 339 00:19:40,560 --> 00:19:42,400 Speaker 1: Did you you did? You did a really good one. 340 00:19:42,440 --> 00:19:43,920 Speaker 1: I listened to where you were like we were talking 341 00:19:43,920 --> 00:19:46,200 Speaker 1: about sushi rolls and you did that's how I roll. 342 00:19:46,640 --> 00:19:50,159 Speaker 1: And I was like, that's a good one. That's how 343 00:19:50,200 --> 00:19:53,879 Speaker 1: I roll. Ye. Look, I'm all forgetting Blake compliments, but 344 00:19:54,080 --> 00:19:55,879 Speaker 1: I feel like we're going to the fact that he 345 00:19:55,920 --> 00:19:58,919 Speaker 1: wasn't playing it for like twenty minutes I heard. I'm sorry, 346 00:19:58,920 --> 00:20:01,880 Speaker 1: and I'm sorry happy to be disciplinarian with you. Blake. 347 00:20:01,920 --> 00:20:07,240 Speaker 1: Get on your fucking game, Doggie, I'll keep donkey. I'm back, 348 00:20:07,280 --> 00:20:11,200 Speaker 1: all right, cool, Sorry about that. Ja leg also on 349 00:20:11,440 --> 00:20:17,560 Speaker 1: in Living Color, true true, Yeah I know that. And 350 00:20:17,680 --> 00:20:21,359 Speaker 1: also Jay Leggett on an episode of Star Trek. Check 351 00:20:21,520 --> 00:20:24,240 Speaker 1: that ship out. The free runds of it are so dope. 352 00:20:24,240 --> 00:20:29,160 Speaker 1: He was like, full makeup alien, what is the deal 353 00:20:29,240 --> 00:20:33,640 Speaker 1: with Star Trek and like, is it? They're not called Kardashians, 354 00:20:34,440 --> 00:20:40,200 Speaker 1: but they're called huh Stardashians, but that's tight, but they 355 00:20:40,200 --> 00:20:44,000 Speaker 1: are called like Kardashians or something quick, like a whole 356 00:20:44,040 --> 00:20:46,679 Speaker 1: alien race that they talked about for one of the 357 00:20:47,760 --> 00:20:50,520 Speaker 1: um not seasons but one of the like offshoots like 358 00:20:50,600 --> 00:20:54,840 Speaker 1: Voyager or whatever. M Anyway, I do not know. I 359 00:20:54,880 --> 00:20:59,080 Speaker 1: am so like actually Star Trek. I spent like learn 360 00:20:59,119 --> 00:21:01,679 Speaker 1: a lot of my youth like being very anti and 361 00:21:01,720 --> 00:21:04,520 Speaker 1: thinking like, oh, Star Wars is superior, But when you 362 00:21:04,680 --> 00:21:09,160 Speaker 1: really dig into the show, Star Trek is so fucking cool, dude, 363 00:21:09,200 --> 00:21:13,440 Speaker 1: And they did like every type of episode. Uh yeah, 364 00:21:13,480 --> 00:21:17,200 Speaker 1: my dad really fucked with Star Trek. He would uh 365 00:21:17,440 --> 00:21:21,840 Speaker 1: with Captain Picard that was that was the next generation. Yeah, 366 00:21:22,040 --> 00:21:26,679 Speaker 1: and he rocks that a bit. Yeah. What did he 367 00:21:26,720 --> 00:21:31,440 Speaker 1: like about it? Sex stuff? I literally literally no, Yeah, 368 00:21:31,480 --> 00:21:34,920 Speaker 1: probably those sexy ass aliens. Now I'm listening to big 369 00:21:35,000 --> 00:21:37,720 Speaker 1: old titties. Is before like we had internet, So he 370 00:21:37,800 --> 00:21:41,880 Speaker 1: probably was. If I know what my dad did it divine? 371 00:21:42,560 --> 00:21:46,399 Speaker 1: All right? I guess we'll never know. Did they have 372 00:21:46,520 --> 00:21:49,840 Speaker 1: sexy as aliens on on Star Trek, Yeah, dude, he 373 00:21:49,880 --> 00:21:52,680 Speaker 1: was probably down there just cranking it. Dude. That was 374 00:21:52,720 --> 00:21:55,680 Speaker 1: a quarter of the show. Was just like and this 375 00:21:55,720 --> 00:21:59,800 Speaker 1: woman with skills, huge rocket dogs. No where it was. 376 00:22:00,359 --> 00:22:03,199 Speaker 1: It wasn't even that they were like sexy women. It 377 00:22:03,280 --> 00:22:06,400 Speaker 1: was just that they were like half fish or like 378 00:22:07,800 --> 00:22:10,560 Speaker 1: I feel like I just said that what No, I 379 00:22:10,600 --> 00:22:13,720 Speaker 1: think it was because they're sexy he said, gills, he said, 380 00:22:13,840 --> 00:22:16,160 Speaker 1: but big rocket dogs they didn't have. It wasn't even 381 00:22:16,200 --> 00:22:19,120 Speaker 1: about the rocket dogs, Oh it wasn't. It was actually 382 00:22:19,200 --> 00:22:22,479 Speaker 1: just the fact that it's species. Yes, it was a 383 00:22:22,520 --> 00:22:26,199 Speaker 1: different species. It's the same reason why why what's his 384 00:22:26,320 --> 00:22:32,120 Speaker 1: face dream? Exactly? But that no, no, no species. Natasha 385 00:22:32,160 --> 00:22:35,840 Speaker 1: Henstridge is like a freak of nature, beauty with absolute 386 00:22:35,920 --> 00:22:40,520 Speaker 1: rocket dogs. But what was his character. Was Adrian Brodie's 387 00:22:40,640 --> 00:22:43,720 Speaker 1: character attracted to such a different movie. I know, I know, 388 00:22:43,880 --> 00:22:46,119 Speaker 1: you guys talking about I'm just talking about fetishes are 389 00:22:46,119 --> 00:22:49,520 Speaker 1: bouncing around so much I cannot keep up. He said Species. 390 00:22:49,920 --> 00:22:52,440 Speaker 1: Now he's talking about a different movie. I was trying 391 00:22:52,440 --> 00:22:56,200 Speaker 1: to like in Adam's dad to Adrian Brodie's character and species, 392 00:22:56,240 --> 00:22:59,040 Speaker 1: it was a pretty bad He's not species. The name 393 00:22:59,080 --> 00:23:01,560 Speaker 1: of the movie is not what is it? Oh spice? 394 00:23:01,680 --> 00:23:05,840 Speaker 1: My dad was down there for sure, jerking off allegedly 395 00:23:06,280 --> 00:23:10,120 Speaker 1: to the hot alien babes, whether whether they had gills 396 00:23:10,440 --> 00:23:15,080 Speaker 1: calls the Karnashians, that's for sure why he liked it. Yes, 397 00:23:15,160 --> 00:23:19,919 Speaker 1: And also, um Captain Ricard, bald white guy kind of 398 00:23:19,960 --> 00:23:22,159 Speaker 1: looks like my dad. Like, you know, if you squint 399 00:23:22,200 --> 00:23:25,400 Speaker 1: hard enough, they could be brothers or something. He's probably like, yeah, 400 00:23:25,400 --> 00:23:27,480 Speaker 1: I'm Captain Pricard. I'm like a cool last is it 401 00:23:27,560 --> 00:23:30,840 Speaker 1: captain or is it lieutenant? Captain? Captain Jean Luke mcard 402 00:23:31,160 --> 00:23:33,920 Speaker 1: that's catchin. Yeah. I don't know if there was any lieutenants. 403 00:23:34,000 --> 00:23:36,560 Speaker 1: I don't know if that's right. I just said, who knows, man, 404 00:23:36,960 --> 00:23:40,480 Speaker 1: I like to just call people lieutenant. That's your chief 405 00:23:40,840 --> 00:23:42,800 Speaker 1: that's your like, what's up, big dog, what's up? Chief? 406 00:23:42,840 --> 00:23:45,720 Speaker 1: What's up lieutenant? Just if we could clear the air 407 00:23:45,800 --> 00:23:49,399 Speaker 1: with Kyle's confusion though Species was a movie, But the 408 00:23:49,400 --> 00:23:51,919 Speaker 1: movie Kyle was talking about with Adrian Brodie where he 409 00:23:52,000 --> 00:23:57,399 Speaker 1: Fox an alien is called I love that movie. That 410 00:23:57,560 --> 00:24:00,680 Speaker 1: was totally my bad. I wrote it down to Alogege later. 411 00:24:00,760 --> 00:24:03,280 Speaker 1: I know better than that, I really do. Splice is 412 00:24:03,320 --> 00:24:08,240 Speaker 1: a wild ass movie you must watch. But dren drend 413 00:24:08,880 --> 00:24:13,200 Speaker 1: the thing that the dude fox arguably hotter than any 414 00:24:13,280 --> 00:24:17,320 Speaker 1: human woman. But was that his motivation in the movie 415 00:24:17,400 --> 00:24:20,400 Speaker 1: or was he like just so enamored with this species, 416 00:24:20,440 --> 00:24:24,040 Speaker 1: the new thing that he built. It's not the movie 417 00:24:24,080 --> 00:24:26,520 Speaker 1: species though it is we're speaking of. But it is 418 00:24:26,560 --> 00:24:28,879 Speaker 1: a species. It is a species, right, you can you 419 00:24:28,880 --> 00:24:31,640 Speaker 1: can still say that that's a new species. That's where 420 00:24:31,640 --> 00:24:34,119 Speaker 1: I got sucked up. Absolutely. I think he was just 421 00:24:34,160 --> 00:24:37,080 Speaker 1: trying to you think. So you have to watch the movie. 422 00:24:37,160 --> 00:24:39,119 Speaker 1: It evolves into that. I don't want to spoil it, 423 00:24:39,160 --> 00:24:42,720 Speaker 1: but we did by saying any right, there's spoilers. Yeah, 424 00:24:42,800 --> 00:24:48,159 Speaker 1: sorry about the s and weirdly, the like the fish movie, 425 00:24:48,200 --> 00:24:52,520 Speaker 1: the what was it lad Secret of Water? Yeah? Whatever? 426 00:24:52,600 --> 00:24:55,440 Speaker 1: One best picture that year. It is like the same 427 00:24:55,480 --> 00:25:00,960 Speaker 1: thing in the water, right. No, No, it's if that's 428 00:25:01,160 --> 00:25:04,200 Speaker 1: the story of water, the shape of water, the shape 429 00:25:04,240 --> 00:25:07,400 Speaker 1: of water, shape of water, the shape of the sound 430 00:25:07,680 --> 00:25:09,960 Speaker 1: of the water. Daughter. And it turned out, guess what 431 00:25:10,040 --> 00:25:12,399 Speaker 1: the shape of water was? What was the water was 432 00:25:12,440 --> 00:25:18,119 Speaker 1: shaped like a dick dog spoiler, I'm sorry. In a second, 433 00:25:18,200 --> 00:25:24,280 Speaker 1: is that water shaped like a dick? Uh? Well? And 434 00:25:24,359 --> 00:25:29,160 Speaker 1: that's why America doesn't give a funk about Hollywood anymore. 435 00:25:29,280 --> 00:25:32,320 Speaker 1: It's because we give awards to movies that absolutely no 436 00:25:32,359 --> 00:25:34,760 Speaker 1: one has seen. I mean, these guys are running on duncan. 437 00:25:34,880 --> 00:25:37,480 Speaker 1: No one watched that movie The Shape of Water, Shape 438 00:25:37,480 --> 00:25:41,720 Speaker 1: of Water. Yeah, there's no way that. Like my dad 439 00:25:41,840 --> 00:25:44,280 Speaker 1: is watching Shape of Water. He doesn't even like Star 440 00:25:44,320 --> 00:25:47,920 Speaker 1: Wars anything with like supernatural stuff. He's not wating. But 441 00:25:48,040 --> 00:25:50,560 Speaker 1: isn't that the whole thing with the oscars is that, 442 00:25:50,600 --> 00:25:52,959 Speaker 1: like nobody watched any of those movies. And then they 443 00:25:52,960 --> 00:25:55,320 Speaker 1: were like, well, let's open it up to ten nominees 444 00:25:55,320 --> 00:25:59,920 Speaker 1: for Best Pictures. And then they're like, sure, jury Duty, 445 00:26:00,000 --> 00:26:04,680 Speaker 1: you're in there too, this picture. Watch it. They run 446 00:26:04,680 --> 00:26:07,359 Speaker 1: out of movies. Hey, that'd be pretty tired of Jury Duty. 447 00:26:07,400 --> 00:26:12,520 Speaker 1: One something out won my heart. Poly Shore living ledges 448 00:26:13,119 --> 00:26:16,680 Speaker 1: My god, how is he not on the fucking soundboard? Dude? 449 00:26:16,760 --> 00:26:22,040 Speaker 1: I know what the fun boys in the jet bad. 450 00:26:22,800 --> 00:26:25,439 Speaker 1: I got Ernest, who was my original poly Shore. I 451 00:26:25,480 --> 00:26:28,280 Speaker 1: pivoted from Ernest to poly Shore as a general a R. Yeah, 452 00:26:28,320 --> 00:26:30,960 Speaker 1: I could see that. Yeah, it's a natural progression to 453 00:26:31,160 --> 00:26:34,160 Speaker 1: kind of both find themselves in the same predicaments going 454 00:26:34,160 --> 00:26:37,359 Speaker 1: to jail and stuff. Now did you did you funk 455 00:26:37,480 --> 00:26:43,119 Speaker 1: with Ernest more or less than Dorf? Oh? Dorf was 456 00:26:43,200 --> 00:26:46,199 Speaker 1: my ship out. I had no Dwarf knowledge. Dorf is 457 00:26:46,240 --> 00:26:48,240 Speaker 1: not a thing in my world. I got zero Dowarf. 458 00:26:48,320 --> 00:26:51,880 Speaker 1: I remember the commercials, but was it Tim Conway? Yeah, 459 00:26:52,400 --> 00:26:54,720 Speaker 1: and I respect him. Yeah, that was at the That 460 00:26:54,840 --> 00:26:57,320 Speaker 1: was at the doctor's office all the time. You can 461 00:26:57,359 --> 00:26:59,840 Speaker 1: put at least when because my brother had asthmas and 462 00:27:00,040 --> 00:27:02,640 Speaker 1: had to go to the doctor's office like every fucking week. 463 00:27:03,440 --> 00:27:06,359 Speaker 1: And so we would pop indoor phone golf bro and 464 00:27:06,400 --> 00:27:09,440 Speaker 1: just watch this dude like pretend to be small hitting 465 00:27:10,480 --> 00:27:13,359 Speaker 1: in golf falls Like that's so sick. I love that. 466 00:27:13,400 --> 00:27:17,320 Speaker 1: We did like an hour on Donald Sutherland last podcast, 467 00:27:17,359 --> 00:27:22,240 Speaker 1: and now we're going in on Tim Conway. Tim Conway though, 468 00:27:22,680 --> 00:27:26,879 Speaker 1: motherfucking Apple Dumpling Gang. That's how you go back and 469 00:27:26,960 --> 00:27:30,720 Speaker 1: watch those um not Gilda Radner, what's her name? Carol Burnett, 470 00:27:30,800 --> 00:27:35,359 Speaker 1: The Carol Burnett Show. Yeah, yeah, so funny. That was 471 00:27:35,400 --> 00:27:37,960 Speaker 1: mandatory viewing in my house, Like my mom made me 472 00:27:38,000 --> 00:27:41,080 Speaker 1: watch laugh at Yeah, that's sick. That's cool, dude, I 473 00:27:41,080 --> 00:27:44,960 Speaker 1: didn't realize you were sixty eight years old, my mom is. 474 00:27:47,119 --> 00:27:49,280 Speaker 1: I had to watch the classics, dude, I had to 475 00:27:49,280 --> 00:28:00,200 Speaker 1: watch the classics. Sketch comedy is such a lost art form. 476 00:28:00,240 --> 00:28:02,920 Speaker 1: It was so sick to have like sketch comedy be 477 00:28:03,080 --> 00:28:06,520 Speaker 1: a a thing on television. We've got to get back 478 00:28:06,560 --> 00:28:10,639 Speaker 1: to that somehow. And has been funny. Has been funny, 479 00:28:10,840 --> 00:28:12,920 Speaker 1: And I'm not just saying that because we wrote four 480 00:28:12,920 --> 00:28:18,480 Speaker 1: other sketches right others feels it's been very funny. I'm 481 00:28:18,520 --> 00:28:21,399 Speaker 1: waiting for the I Will Fuck Your Girl sketch because 482 00:28:21,560 --> 00:28:23,639 Speaker 1: that's too funny. They can have. That would be too funny. 483 00:28:23,680 --> 00:28:26,520 Speaker 1: It's been so long since I've even watched SNL. I 484 00:28:26,640 --> 00:28:29,880 Speaker 1: kind of am going to take that recommendation very wholeheartedly 485 00:28:29,960 --> 00:28:33,440 Speaker 1: and jump in there's because I do. Alright, Relax, I'm 486 00:28:33,440 --> 00:28:36,000 Speaker 1: just saying, well, I always write it off. I write 487 00:28:36,000 --> 00:28:41,760 Speaker 1: it off of pure heart. My heart is pure and 488 00:28:41,840 --> 00:28:45,440 Speaker 1: in his whole. When I accept that recommendation for sketch comedy, 489 00:28:46,400 --> 00:28:49,080 Speaker 1: I've been laughing a lot this season. I dig it. 490 00:28:49,600 --> 00:28:53,240 Speaker 1: That's like mainstream sketch comedy. Like we used to have options, 491 00:28:53,280 --> 00:28:55,800 Speaker 1: Like even in talking about j R. I p like 492 00:28:55,960 --> 00:28:59,240 Speaker 1: needs that underground ship. Yeah, in Living Color. And then 493 00:28:59,280 --> 00:29:02,320 Speaker 1: they had like bright Scissan's Brigade. They got they got 494 00:29:02,320 --> 00:29:05,080 Speaker 1: sucking Black Girl Scotch show tune in. Oh, yeah, I 495 00:29:05,120 --> 00:29:07,960 Speaker 1: have watched it, and that is actually very funny. I'm down. 496 00:29:08,000 --> 00:29:12,000 Speaker 1: What else is there? What's his name? Show? Richard? Remember Birthday? Boys? 497 00:29:12,160 --> 00:29:17,440 Speaker 1: Remember Birthday? But that was impossible to keep going because 498 00:29:17,440 --> 00:29:20,520 Speaker 1: they had so many, so many d Tim Tim Robinson's 499 00:29:20,680 --> 00:29:25,280 Speaker 1: Tim Robinson Show on Netflix. That show is really really funny. Yes, 500 00:29:25,360 --> 00:29:28,920 Speaker 1: that's great. It's called you Should Leave right, Yes, something right? 501 00:29:29,280 --> 00:29:31,400 Speaker 1: I think you should? I think you should leave. Yeah, 502 00:29:31,720 --> 00:29:34,600 Speaker 1: that that's I can't believe it. I don't have that 503 00:29:34,640 --> 00:29:36,160 Speaker 1: at the tip of my tongue because that is one 504 00:29:36,200 --> 00:29:39,200 Speaker 1: of the funniest things I've seen in a while. The tongue, 505 00:29:39,240 --> 00:29:41,840 Speaker 1: top of the teeth, the tip of the tongue, I 506 00:29:41,960 --> 00:29:45,280 Speaker 1: think you should watch it. Yeah, it's very Maybe we 507 00:29:45,400 --> 00:29:49,960 Speaker 1: need to start making sketches again. Maybe we need a 508 00:29:50,080 --> 00:29:55,080 Speaker 1: sketch show sketches again. Okay, I feel like we already 509 00:29:55,120 --> 00:29:57,360 Speaker 1: got one earlier in this podcast, or at least a 510 00:29:57,400 --> 00:30:00,120 Speaker 1: pretty good TakeBack for later. Oh yeah, that who I'm 511 00:30:00,160 --> 00:30:05,160 Speaker 1: probably with. Baby. I'll never apologize from waiter number one 512 00:30:05,320 --> 00:30:09,000 Speaker 1: for sure, and I don't want you to apologize. Maybe 513 00:30:09,000 --> 00:30:10,640 Speaker 1: you take back, but I do not want you to 514 00:30:10,680 --> 00:30:15,280 Speaker 1: apologize stars with the early epic slam. Hey, I'm coming 515 00:30:15,280 --> 00:30:17,640 Speaker 1: in a little hot and I'll come with an early 516 00:30:17,640 --> 00:30:21,240 Speaker 1: apology about my sound the last couple of weeks. Okay, 517 00:30:21,440 --> 00:30:24,240 Speaker 1: so dogshit little echo we Yeah, dude, Yeah, the fact 518 00:30:24,280 --> 00:30:26,600 Speaker 1: that you, Kyle, you gave him the role of sound 519 00:30:26,640 --> 00:30:30,320 Speaker 1: guy after this guy has been garbage on the sound. 520 00:30:30,520 --> 00:30:32,760 Speaker 1: Do you not pay attention he was a sound guy, 521 00:30:32,760 --> 00:30:35,320 Speaker 1: but he was actually judging. Did you just ask him 522 00:30:35,320 --> 00:30:37,160 Speaker 1: if he pays attention? Don't you talk to him like that? 523 00:30:38,680 --> 00:30:41,280 Speaker 1: What didn't you speak to him that way? Did you not? 524 00:30:42,080 --> 00:30:44,200 Speaker 1: What would you say? Did you not he was a 525 00:30:44,320 --> 00:30:47,280 Speaker 1: judge disguised as a sound guy in the whole premise, 526 00:30:48,440 --> 00:30:51,520 Speaker 1: I missed that. Yeah, I feel like we all call, oh, 527 00:30:51,680 --> 00:30:59,280 Speaker 1: do you guys, do any of you guys listen to me? Alright? Alright, 528 00:30:59,640 --> 00:31:04,080 Speaker 1: got I asked it, answered Kyle, I actually do listen 529 00:31:04,120 --> 00:31:06,040 Speaker 1: to you. I can speak of a little funny thing 530 00:31:06,080 --> 00:31:08,920 Speaker 1: that happened to me yesterday. In one of our little 531 00:31:08,960 --> 00:31:13,280 Speaker 1: group text Kyle mentioned that he um watched the Last 532 00:31:13,320 --> 00:31:17,120 Speaker 1: Blockbuster on Netflix and he said, dude, like, I got 533 00:31:17,160 --> 00:31:20,200 Speaker 1: like emotional during it. I started watching it, I cried, 534 00:31:20,440 --> 00:31:23,959 Speaker 1: so I like, last night, I'm like, okay, you know what, tonight, 535 00:31:24,240 --> 00:31:27,000 Speaker 1: I'm gonna sit down. I'm gonna sit into this heavy 536 00:31:27,040 --> 00:31:30,240 Speaker 1: ass doc because my boy, Kyle said he got emotional 537 00:31:30,280 --> 00:31:32,880 Speaker 1: about it. I'm gonna have a little cry about it. 538 00:31:33,080 --> 00:31:36,320 Speaker 1: Why did create was created the soundtrack and that's why 539 00:31:36,360 --> 00:31:40,160 Speaker 1: he was crying. Bro, I'm telling you. I shared that 540 00:31:40,240 --> 00:31:43,960 Speaker 1: because it was like it was something happened when I 541 00:31:44,000 --> 00:31:47,080 Speaker 1: was watching that documentary where I was like, I'm never 542 00:31:47,120 --> 00:31:50,560 Speaker 1: ever going to have these feelings again. Exactly while walking 543 00:31:50,560 --> 00:31:53,360 Speaker 1: into a store. I remember the moment because I was like, 544 00:31:53,480 --> 00:31:57,120 Speaker 1: oh my god, I remember doing You're also you got emotional. 545 00:31:57,240 --> 00:32:02,120 Speaker 1: Durst to Kyle's brands, well why don't you cry about 546 00:32:02,440 --> 00:32:07,200 Speaker 1: Kyle's point? They were talking about a dead milk duds 547 00:32:07,280 --> 00:32:10,280 Speaker 1: and they were talking about something about me and about Kyle, 548 00:32:10,320 --> 00:32:13,120 Speaker 1: about us that has gone and died. Yeah, right, and 549 00:32:13,160 --> 00:32:14,920 Speaker 1: it was a huge part of us. So there was 550 00:32:14,960 --> 00:32:17,040 Speaker 1: like this morning feeling of like, oh my god, yeah 551 00:32:17,080 --> 00:32:19,240 Speaker 1: I used to do that. That's so crazy. It was weird. 552 00:32:19,560 --> 00:32:22,320 Speaker 1: I did not expect it, dude, and honestly, welled up 553 00:32:22,360 --> 00:32:24,520 Speaker 1: tears came out because it was like, I'm never going 554 00:32:24,600 --> 00:32:27,960 Speaker 1: to go have that interaction where people are looking You're like, 555 00:32:28,000 --> 00:32:30,120 Speaker 1: what are they getting? It really hit me hard? Are 556 00:32:30,160 --> 00:32:34,560 Speaker 1: you gonna be just as emotional during the Hollywood Video documentary? 557 00:32:34,840 --> 00:32:36,920 Speaker 1: Why that's the one I want to watch? This was? 558 00:32:37,240 --> 00:32:39,720 Speaker 1: I think so because this is all just rentals in general, 559 00:32:39,840 --> 00:32:42,280 Speaker 1: like the death of It. I've known about it for years, 560 00:32:42,320 --> 00:32:44,560 Speaker 1: I know, but it's like just sucking hit me hard 561 00:32:44,600 --> 00:32:47,240 Speaker 1: because this is beef that I kind of had with 562 00:32:47,320 --> 00:32:52,400 Speaker 1: this documentary because first off, okay, it's presented very comedially, 563 00:32:52,560 --> 00:32:55,400 Speaker 1: like Paul Sheer is in it. Like Brian was saying, 564 00:32:55,400 --> 00:32:59,160 Speaker 1: it's like it's it's comedians, like yeah, there their former point, 565 00:32:59,240 --> 00:33:02,640 Speaker 1: but everybody's Joe King. It's all it's like very lighthearted. 566 00:33:02,880 --> 00:33:06,920 Speaker 1: It's like no, no, No, it's very like, well, what 567 00:33:06,960 --> 00:33:13,840 Speaker 1: do you want it to be? Fucking like that's what 568 00:33:13,880 --> 00:33:15,800 Speaker 1: you guys were saying. I was about to like the 569 00:33:15,880 --> 00:33:19,479 Speaker 1: Last Blockbuster and it's like doom. But it's not that 570 00:33:19,560 --> 00:33:21,760 Speaker 1: at all. But you're just saying it like that because 571 00:33:21,760 --> 00:33:24,040 Speaker 1: it could be like the last blockst Do you need 572 00:33:24,920 --> 00:33:27,239 Speaker 1: a second Blake? Do you need media to tell you 573 00:33:27,280 --> 00:33:29,719 Speaker 1: how to feel? Or can you just feel? Based on 574 00:33:29,800 --> 00:33:32,920 Speaker 1: premise said this is what I'm saying though, Wait, hold on, 575 00:33:33,160 --> 00:33:37,960 Speaker 1: let me go ahead, Blake, yell about something. Okay, Look, 576 00:33:38,000 --> 00:33:40,560 Speaker 1: they're in the movie. They and what you guys are 577 00:33:40,560 --> 00:33:43,440 Speaker 1: speaking to is they keep being like the video store 578 00:33:43,720 --> 00:33:45,640 Speaker 1: and you would come in and you would talk to 579 00:33:45,680 --> 00:33:47,720 Speaker 1: the clerk and it would be like I saw that 580 00:33:47,760 --> 00:33:50,640 Speaker 1: movie and that one's bad and it was all about 581 00:33:50,720 --> 00:33:53,240 Speaker 1: human interaction. Oh the fund that ship was not how 582 00:33:53,280 --> 00:33:55,880 Speaker 1: the video store was. You win in, you went out. 583 00:33:56,080 --> 00:33:59,360 Speaker 1: It wasn't like I knew the guy behind the Blockbuster 584 00:34:00,360 --> 00:34:03,680 Speaker 1: waited for sure, if I may so, Like, we didn't 585 00:34:03,720 --> 00:34:06,360 Speaker 1: go to Blockbuster. We had a place stilled Video Adventure 586 00:34:06,680 --> 00:34:10,000 Speaker 1: and we would go there and we basically ran through 587 00:34:10,040 --> 00:34:11,320 Speaker 1: all the horrors. And then when we were like in 588 00:34:11,360 --> 00:34:14,160 Speaker 1: middle school, we were like hey, Like we would rent 589 00:34:14,280 --> 00:34:18,920 Speaker 1: um like Crushed Groove, Wild Style, Wild Style too, and 590 00:34:18,960 --> 00:34:20,879 Speaker 1: we'd be like hey, and this dude would be giving 591 00:34:20,960 --> 00:34:24,760 Speaker 1: us like these I guess they're like bootleg graffiti videos 592 00:34:24,760 --> 00:34:26,520 Speaker 1: that weren't even in the store. They were like his, 593 00:34:27,200 --> 00:34:29,680 Speaker 1: and we would go watch those and then we would 594 00:34:29,719 --> 00:34:32,720 Speaker 1: like trade him like BC boys skills to pay the bills, 595 00:34:32,800 --> 00:34:35,719 Speaker 1: VHS videos and ship like it was. It was a 596 00:34:35,760 --> 00:34:39,279 Speaker 1: fucking hangout. There was something also that like struck me 597 00:34:39,280 --> 00:34:41,759 Speaker 1: where it was like there was a finite amount of 598 00:34:41,920 --> 00:34:44,000 Speaker 1: videos that you could get, like sometimes when they were 599 00:34:44,040 --> 00:34:46,360 Speaker 1: saying you had to wait for the movie to come back, 600 00:34:46,840 --> 00:34:49,160 Speaker 1: like I remember doing that because I wanted to see 601 00:34:49,200 --> 00:34:53,000 Speaker 1: something that fucking bad, dude. And now it's like you 602 00:34:53,080 --> 00:34:55,120 Speaker 1: just kid everything. I can't even choose what the fund 603 00:34:55,160 --> 00:34:58,480 Speaker 1: to watch was when I had my accident. When I 604 00:34:58,520 --> 00:35:01,880 Speaker 1: was a kid, the mainstream movies, the the like local 605 00:35:02,160 --> 00:35:07,120 Speaker 1: non chain video rental place that sounds like the place 606 00:35:07,160 --> 00:35:10,239 Speaker 1: that you grew up by dirs uh similar sort of 607 00:35:10,360 --> 00:35:13,560 Speaker 1: rental house. They gave me as many movies as I 608 00:35:13,600 --> 00:35:16,560 Speaker 1: could rent for as long as I wanted, and they 609 00:35:16,600 --> 00:35:18,840 Speaker 1: canceled that after like three years, after I like rented 610 00:35:18,880 --> 00:35:22,799 Speaker 1: like five thousand movies in three years. They're like, yeah, 611 00:35:22,880 --> 00:35:26,880 Speaker 1: I see you walking in here, but no, I mean yeah, no, 612 00:35:26,960 --> 00:35:29,440 Speaker 1: there's something special about it for sure, And also like 613 00:35:29,480 --> 00:35:33,240 Speaker 1: what was cool that wasn't blockbuster but like the local 614 00:35:33,280 --> 00:35:35,960 Speaker 1: rental house they had like a little curtain section that 615 00:35:36,040 --> 00:35:37,960 Speaker 1: like you would act like as a kid, you'd act 616 00:35:38,000 --> 00:35:41,320 Speaker 1: like you're lost and well, what's what's back here? And 617 00:35:41,920 --> 00:35:45,200 Speaker 1: then the person would have to be like, hey, you can't. 618 00:35:45,200 --> 00:35:48,640 Speaker 1: You're You're thirteen years old, you cannot be and you're like, well, sorry, sir, 619 00:35:48,719 --> 00:35:51,360 Speaker 1: you cannot have your hand down your pants in that section. 620 00:35:51,640 --> 00:35:55,840 Speaker 1: H sir, Hey, young boy, you can't be jerking off this. 621 00:35:56,320 --> 00:35:59,840 Speaker 1: Put it away and get out of there. And that 622 00:36:00,040 --> 00:36:01,680 Speaker 1: was great about being a kid, as you could always 623 00:36:01,719 --> 00:36:04,560 Speaker 1: like act like you don't know what you're doing. You're like, 624 00:36:04,640 --> 00:36:06,919 Speaker 1: I'm sorry, no, this is jerking off. I don't even 625 00:36:06,920 --> 00:36:10,600 Speaker 1: know what that means. I'm confused. I have such a 626 00:36:10,760 --> 00:36:15,200 Speaker 1: distinct memory of my my little little brother accidentally walking 627 00:36:15,239 --> 00:36:17,160 Speaker 1: into that room and then I was like, what do 628 00:36:17,239 --> 00:36:18,920 Speaker 1: you see in there? And he's like there's some movie 629 00:36:18,920 --> 00:36:21,200 Speaker 1: where like worms were coming out with girls butt and 630 00:36:21,239 --> 00:36:29,920 Speaker 1: I'm like what did I'm yeah, first sure, but but 631 00:36:30,000 --> 00:36:32,680 Speaker 1: also he doesn't he didn't clock that it was penis 632 00:36:32,760 --> 00:36:36,560 Speaker 1: is word. He was very young. When you're super young 633 00:36:36,600 --> 00:36:38,840 Speaker 1: and you see all that stuff in the porno magazine 634 00:36:38,840 --> 00:36:40,399 Speaker 1: over there for the first time, you're kind of like, 635 00:36:40,760 --> 00:36:46,160 Speaker 1: why is it like that word? I remember the first time, like, 636 00:36:46,200 --> 00:36:48,440 Speaker 1: my mom was getting something at a grocery store and 637 00:36:48,480 --> 00:36:50,880 Speaker 1: they it was right by like where I had to 638 00:36:50,920 --> 00:36:54,200 Speaker 1: stand next to my mom by the checkout. There was 639 00:36:54,520 --> 00:36:57,520 Speaker 1: like Porto magazines and they were like down low by me. 640 00:36:57,880 --> 00:37:00,760 Speaker 1: I just grabbed one and opened one up, not even thinking. 641 00:37:00,800 --> 00:37:02,960 Speaker 1: I'm thinking, I'm just looking at a magazine, and I 642 00:37:03,000 --> 00:37:10,120 Speaker 1: just saw some big old wambos and and my heart stopped. Dude, 643 00:37:10,360 --> 00:37:14,399 Speaker 1: my heart stopped. Oh damn. Now I'm remembering the first 644 00:37:14,440 --> 00:37:17,120 Speaker 1: time I've seen a porno magazine. Yeah, I was like, 645 00:37:17,320 --> 00:37:19,640 Speaker 1: it's like it stopped my heart. I like put it 646 00:37:19,680 --> 00:37:21,919 Speaker 1: back right away, and I was petrified that my mom 647 00:37:22,000 --> 00:37:25,440 Speaker 1: saw me look at it. But then for the rest 648 00:37:25,480 --> 00:37:27,600 Speaker 1: of time that we lived by this store, I would 649 00:37:27,600 --> 00:37:29,560 Speaker 1: always be like, Hey, you want to stop in this 650 00:37:29,600 --> 00:37:32,239 Speaker 1: guys station, We just go there. We always just swing 651 00:37:32,320 --> 00:37:36,279 Speaker 1: by that weird wild chef just give that one a go. 652 00:37:36,480 --> 00:37:38,719 Speaker 1: That one's pretty cool. That one's pretty cool, and we 653 00:37:38,760 --> 00:37:41,520 Speaker 1: could definitely I believe they have your diet pepsi at 654 00:37:41,560 --> 00:37:45,640 Speaker 1: that one though. I have a distinct memory of getting 655 00:37:45,960 --> 00:37:48,319 Speaker 1: I think it's called TV week back in the day 656 00:37:48,360 --> 00:37:50,600 Speaker 1: where it was like the TV listings for the week 657 00:37:50,640 --> 00:37:52,480 Speaker 1: and you could kind of like scout out what was 658 00:37:52,480 --> 00:37:54,640 Speaker 1: going to be on TV, and there was like a 659 00:37:54,680 --> 00:37:59,359 Speaker 1: corner page ad for like HBO Trial or whatever, and 660 00:37:59,400 --> 00:38:03,279 Speaker 1: there was a woman in like a nighty with like 661 00:38:03,960 --> 00:38:07,719 Speaker 1: the shoulders trap, the shoulders trap kind of going off 662 00:38:07,719 --> 00:38:10,719 Speaker 1: her shoulder, and you could see like a little bit 663 00:38:10,760 --> 00:38:14,400 Speaker 1: of the curve out of the titty, and I remember 664 00:38:14,400 --> 00:38:21,120 Speaker 1: being like, holy shit, like, yeah, do you remember Silk 665 00:38:21,200 --> 00:38:25,160 Speaker 1: Stockings that was on us? I mean I had a 666 00:38:25,440 --> 00:38:28,759 Speaker 1: I had a black and white television that I got 667 00:38:28,760 --> 00:38:31,759 Speaker 1: at a garage sale for like a dollar that my 668 00:38:31,840 --> 00:38:33,239 Speaker 1: mom let me put in my room when I was 669 00:38:33,280 --> 00:38:36,480 Speaker 1: like a little kid, and I was like, so I 670 00:38:36,480 --> 00:38:39,480 Speaker 1: could watch basketball, No, so I could watch Silk Stockings. 671 00:38:39,480 --> 00:38:43,279 Speaker 1: Because I was convinced every time that they were going 672 00:38:43,360 --> 00:38:46,080 Speaker 1: to show nudity. I was like, they have to, they 673 00:38:46,120 --> 00:38:48,960 Speaker 1: have to wake this week, they have to. But they 674 00:38:49,000 --> 00:38:51,959 Speaker 1: just kept showing stop and teasing. They kept showing those 675 00:38:51,960 --> 00:38:55,839 Speaker 1: silk stockings, which did it for me. Yeah, that's why 676 00:38:55,880 --> 00:38:58,720 Speaker 1: we all have weird stocking fetishes. Was that a USA 677 00:38:58,840 --> 00:39:02,480 Speaker 1: original or was that a showtime that re ran? I 678 00:39:02,520 --> 00:39:11,440 Speaker 1: think it was us you for that, Thank you God, damn. 679 00:39:13,000 --> 00:39:18,080 Speaker 1: I was so stoked to hear it. USA Kids Club 680 00:39:19,680 --> 00:39:22,640 Speaker 1: I was a member. Is that Did that have the 681 00:39:22,640 --> 00:39:24,920 Speaker 1: the owl one where it's like, how many licks does 682 00:39:24,960 --> 00:39:26,680 Speaker 1: it take to get to the center of the titsy roll? 683 00:39:26,800 --> 00:39:29,040 Speaker 1: Was that a lot on played a lot? That was 684 00:39:29,120 --> 00:39:31,480 Speaker 1: just a commercial? Just a commercial? I just remember that 685 00:39:31,560 --> 00:39:33,760 Speaker 1: might have been you might have went behind that velvet 686 00:39:33,760 --> 00:39:36,359 Speaker 1: curtain at your local video store and saw that. I 687 00:39:36,400 --> 00:39:39,480 Speaker 1: remember going in a minute? In a minute does it 688 00:39:39,560 --> 00:39:42,520 Speaker 1: take to get to the center? I just remember they 689 00:39:42,520 --> 00:39:46,600 Speaker 1: played something called Banana Man, which, like, I don't know 690 00:39:46,640 --> 00:39:48,879 Speaker 1: if anybody remembers this cartoon, but it was a kid 691 00:39:48,960 --> 00:39:52,200 Speaker 1: named Eric, so that's my brother's name, and I was like, oh, weird, 692 00:39:53,000 --> 00:39:56,000 Speaker 1: and he ate a banana and then he turned into 693 00:39:56,040 --> 00:39:59,040 Speaker 1: like banana Man and he had these banana peel boots 694 00:39:59,200 --> 00:40:01,360 Speaker 1: and like a big gass kate that looked like a 695 00:40:01,480 --> 00:40:04,880 Speaker 1: split banana Peel. It was fucking tight. I'll post about it. 696 00:40:05,960 --> 00:40:08,880 Speaker 1: You know you you hate, but you'll see no I 697 00:40:08,880 --> 00:40:10,520 Speaker 1: would have blocked that. That would have scared the ship 698 00:40:10,600 --> 00:40:14,880 Speaker 1: out of me. A banana man. Blake's calling you, dudu. 699 00:40:15,040 --> 00:40:17,279 Speaker 1: But watch I'm gonna write a pilot for you, and 700 00:40:18,840 --> 00:40:22,320 Speaker 1: it's kind of cool. I see what you're doing walking back. 701 00:40:23,200 --> 00:40:27,440 Speaker 1: I watched Entourage during the Quarantine at the beginning of 702 00:40:27,520 --> 00:40:32,640 Speaker 1: Quarantine because I just love wasting time comedy. J I 703 00:40:32,719 --> 00:40:37,120 Speaker 1: love Jeremy Pole. Jerry Ferrara is my turtle, turtle and 704 00:40:37,520 --> 00:40:41,080 Speaker 1: uh he. They had a spin off show, a cartoon 705 00:40:41,120 --> 00:40:45,160 Speaker 1: on that. It was Johnny Johnny's Bananas, so that probably 706 00:40:45,320 --> 00:40:47,440 Speaker 1: the writer of that kind of saw a banana man 707 00:40:47,560 --> 00:40:50,400 Speaker 1: and also channeled that same energy that you're channeling. Do 708 00:40:50,560 --> 00:40:53,600 Speaker 1: when you connect the dots, it just sucking blows my ship. 709 00:40:53,719 --> 00:40:57,640 Speaker 1: I'm like, yeah, dude, yasop motherfucker. Oh but you were 710 00:40:57,640 --> 00:41:04,680 Speaker 1: talking about bananas exactly case. I was so yeah, because 711 00:41:04,800 --> 00:41:06,640 Speaker 1: is that about a gorilla? Right? He was like a 712 00:41:06,640 --> 00:41:08,600 Speaker 1: gorilla that looks stupid and he was like, I don't 713 00:41:08,600 --> 00:41:10,560 Speaker 1: want to do that. He was an angry gorilla. Yeah, 714 00:41:10,640 --> 00:41:12,600 Speaker 1: And this was the same writer because it has to 715 00:41:12,640 --> 00:41:14,400 Speaker 1: do with bananas and Der's watching when he was a 716 00:41:14,480 --> 00:41:16,440 Speaker 1: child and then it was on there was a no, 717 00:41:16,520 --> 00:41:21,320 Speaker 1: I'm I'm assuming that it's the same there. Der's is 718 00:41:21,440 --> 00:41:25,640 Speaker 1: like old guy, right, and probably someone that was Der's 719 00:41:25,880 --> 00:41:31,000 Speaker 1: age also wrote for Entourage and was like in the 720 00:41:31,000 --> 00:41:33,359 Speaker 1: writer's room and was like kind of spitting ideas and 721 00:41:33,400 --> 00:41:36,359 Speaker 1: they were all talking about old shows. And someone can 722 00:41:36,400 --> 00:41:39,600 Speaker 1: probably talk about the Owl and then suck your girl 723 00:41:39,640 --> 00:41:42,840 Speaker 1: sketch like owl, fuck your girl. That's funny. Remember the Owl? 724 00:41:43,200 --> 00:41:46,640 Speaker 1: How many takes licks? Does it take? One? Center from? 725 00:41:46,640 --> 00:41:51,200 Speaker 1: Then something? Remember banana Man? And then someone's like Johnny's 726 00:41:51,200 --> 00:41:53,200 Speaker 1: bananas and then it makes the show. And that's how 727 00:41:53,320 --> 00:41:56,640 Speaker 1: television is creating. That's like that. That's a good ass 728 00:41:56,719 --> 00:41:59,160 Speaker 1: rider's room right there. So Zip taps up and all 729 00:41:59,200 --> 00:42:01,480 Speaker 1: over the pretty well logical now that you explain it. 730 00:42:01,760 --> 00:42:05,279 Speaker 1: USC Film school, right, yeah, good job at him o 731 00:42:05,480 --> 00:42:08,360 Speaker 1: SEC Film school right here. And that's the kind of 732 00:42:08,360 --> 00:42:10,839 Speaker 1: stuff you learned at o c C. And what does 733 00:42:10,920 --> 00:42:13,440 Speaker 1: o c C, guys, because it's something different. I grew 734 00:42:13,520 --> 00:42:18,560 Speaker 1: up Orange Coast Community College o c c. Uh. It 735 00:42:18,680 --> 00:42:22,279 Speaker 1: was a great community college that both that all three 736 00:42:22,360 --> 00:42:25,560 Speaker 1: of us went to both Blake Kyle and myself. So 737 00:42:25,719 --> 00:42:29,000 Speaker 1: it's called o c C Orange Coast College, but it's 738 00:42:29,000 --> 00:42:32,480 Speaker 1: a community But you guys say, oh, it's Orange Coast College. 739 00:42:32,760 --> 00:42:35,359 Speaker 1: Yeahs at community college. But I every time I hear 740 00:42:35,480 --> 00:42:38,000 Speaker 1: Orange Coast Community, right, we should say o C C 741 00:42:38,160 --> 00:42:40,319 Speaker 1: c C. What the fun? Only went there for like 742 00:42:40,400 --> 00:42:42,640 Speaker 1: a semester and a half. Yeah, And then I think 743 00:42:42,840 --> 00:42:44,799 Speaker 1: I kind of was like, funk that ship? Is that 744 00:42:44,880 --> 00:42:47,319 Speaker 1: an early se Yeah? Yeah, you slamming in O ce 745 00:42:47,440 --> 00:42:50,440 Speaker 1: C o c C rock. Yeah it wasn't you know 746 00:42:50,520 --> 00:42:52,879 Speaker 1: why I bounced, like really because I could not get 747 00:42:52,920 --> 00:42:55,040 Speaker 1: into the film program at OCC. You had to wait 748 00:42:55,080 --> 00:42:57,440 Speaker 1: like a year to get into any of the film classes. 749 00:42:57,480 --> 00:43:00,560 Speaker 1: And I was like, I'm out. That's all I want 750 00:43:00,560 --> 00:43:02,799 Speaker 1: to do is make some ship. Yeah, you couldn't beat 751 00:43:02,800 --> 00:43:05,480 Speaker 1: out t K. Bro. You went heads with t K, 752 00:43:05,600 --> 00:43:08,239 Speaker 1: and t K got yoursel. TK is like a local, bro, 753 00:43:08,560 --> 00:43:10,080 Speaker 1: Do you want to go ahead to have a t 754 00:43:10,360 --> 00:43:12,480 Speaker 1: is like a local? He must have signed up earlier 755 00:43:12,520 --> 00:43:14,520 Speaker 1: or something. I was coming from North Kyle like, I 756 00:43:14,920 --> 00:43:17,320 Speaker 1: guess I signed up late. I don't know. I couldn't 757 00:43:17,360 --> 00:43:20,400 Speaker 1: get in. T K just showed up. Even Teddy got in. Yeah, 758 00:43:20,440 --> 00:43:22,480 Speaker 1: if there's one thing I know, if if you battle 759 00:43:22,560 --> 00:43:26,480 Speaker 1: Thomas Kellogg one on one in anything, he's gonna win. Well, 760 00:43:26,520 --> 00:43:29,360 Speaker 1: that's a guarantee, bro, that's a guarantee. That's why you 761 00:43:29,400 --> 00:43:32,040 Speaker 1: stay away from that guy if you really want to win. Well, 762 00:43:32,080 --> 00:43:35,520 Speaker 1: for sure. People listening to this podcast have no fucking 763 00:43:35,520 --> 00:43:38,240 Speaker 1: clue what you guys are talking. We've talked about Thomas Kellogg, 764 00:43:38,320 --> 00:43:41,360 Speaker 1: the slam dunk Genie. By the way, he has started 765 00:43:41,400 --> 00:43:44,400 Speaker 1: a Instagram show kind of how do how do we 766 00:43:44,480 --> 00:43:47,240 Speaker 1: link to that, Kyle? Because it is pretty dang funny. 767 00:43:47,440 --> 00:43:50,480 Speaker 1: You got It's a live show where he plays uh 768 00:43:51,200 --> 00:43:55,360 Speaker 1: ukulele and and karoon's. It's very sensual. Yeah, he plays 769 00:43:55,360 --> 00:43:57,919 Speaker 1: the UK and he has guests, he has like a yeah, 770 00:43:58,000 --> 00:44:00,879 Speaker 1: like a almost like a talk show and it's it's 771 00:44:00,960 --> 00:44:04,360 Speaker 1: just full on Thomas kello. Yeah. Very good production value 772 00:44:04,400 --> 00:44:07,759 Speaker 1: on it too, Like it's all it's all very glossy 773 00:44:07,800 --> 00:44:10,040 Speaker 1: and it feels so good because he's got a guy 774 00:44:10,080 --> 00:44:12,160 Speaker 1: who does that ship for the news. Yeah, we actually 775 00:44:12,239 --> 00:44:14,520 Speaker 1: kind of need to uh swoop up his boy like 776 00:44:14,560 --> 00:44:17,680 Speaker 1: we swooped up Jillian because his ship looks really cool. 777 00:44:17,840 --> 00:44:20,279 Speaker 1: It's good. I guess he does like graphics for like 778 00:44:20,320 --> 00:44:24,640 Speaker 1: the local news or something stupid up proficient and efficient. Yeah, 779 00:44:24,880 --> 00:44:28,239 Speaker 1: he's great. Like does he know Dallas Rings? I don't. 780 00:44:28,440 --> 00:44:30,480 Speaker 1: I think he's a Florida guy. I think he's coming 781 00:44:30,520 --> 00:44:33,000 Speaker 1: out of Florida. I think that's what's up. I think 782 00:44:33,000 --> 00:44:35,480 Speaker 1: his name is his I know his moniker or I 783 00:44:35,640 --> 00:44:44,360 Speaker 1: g things upside down creative media. Maybe maybe Kyle's the 784 00:44:44,400 --> 00:44:46,480 Speaker 1: oldest guy in our group. I always thought it was Dirs. 785 00:44:46,520 --> 00:44:50,120 Speaker 1: But he's the oldest soul. I know that? Is that right? 786 00:44:50,560 --> 00:44:54,520 Speaker 1: The oldest soul? You know, I can actually vibe with that. 787 00:44:54,600 --> 00:44:57,160 Speaker 1: I get it. That makes sense. I think you are. 788 00:44:57,000 --> 00:45:01,200 Speaker 1: You're the oldest soul. Yeah, who's got the youngest soul? 789 00:45:01,239 --> 00:45:04,600 Speaker 1: Who's the youngest soul in our crew? How do you 790 00:45:04,680 --> 00:45:07,640 Speaker 1: define a young soul? Is it just like immaturity or 791 00:45:07,719 --> 00:45:11,560 Speaker 1: is it like you have a youthful energy about you. 792 00:45:12,000 --> 00:45:14,640 Speaker 1: I heard somebody say one time about somebody who just 793 00:45:14,760 --> 00:45:19,879 Speaker 1: kind of wasn't fully like engaged with people and like 794 00:45:20,280 --> 00:45:23,399 Speaker 1: kind of block kind of like yeah, like somebody like you, 795 00:45:23,840 --> 00:45:25,640 Speaker 1: uh know, somebody who's just kind of like too d 796 00:45:26,000 --> 00:45:28,080 Speaker 1: like doesn't really get too deep. They called them a 797 00:45:28,160 --> 00:45:31,360 Speaker 1: young soul and I was like, that's the hardest insult 798 00:45:31,400 --> 00:45:35,799 Speaker 1: I've ever heard in my life. Yeah, I didn't think 799 00:45:35,840 --> 00:45:38,080 Speaker 1: it was going to be an epic slam on somebody. 800 00:45:38,600 --> 00:45:41,560 Speaker 1: Epic slam my, homie is because if you're a young soul, 801 00:45:41,600 --> 00:45:44,000 Speaker 1: it's like you have like when you're an old soul, 802 00:45:44,160 --> 00:45:47,520 Speaker 1: you seem to have this life experience. You're a wizard 803 00:45:47,640 --> 00:45:51,359 Speaker 1: even though you're young. You're a wizard, bitch, yes, exactly, 804 00:45:51,800 --> 00:45:54,840 Speaker 1: as you can't defeat me. And if you're a young soul, 805 00:45:54,880 --> 00:45:57,399 Speaker 1: it's as if you have no wisdom, I would say, 806 00:45:57,680 --> 00:46:01,000 Speaker 1: but you also don't get hangovers, so it's kind of sucking. 807 00:46:01,120 --> 00:46:04,960 Speaker 1: I guess I'm a young soul. It's a tight rap name. 808 00:46:05,680 --> 00:46:08,600 Speaker 1: The youngest soul is either Blake or Adam. Who is it? 809 00:46:08,640 --> 00:46:10,319 Speaker 1: Is it Blake or is it Adam? Blake's the one 810 00:46:10,320 --> 00:46:13,359 Speaker 1: who's drinking a bud light right now. That doesn't mean 811 00:46:13,400 --> 00:46:15,800 Speaker 1: I'm young. That could mean I'm old and I've given 812 00:46:15,880 --> 00:46:20,680 Speaker 1: up on It's three o'clock, three o'clock on a Tuesday, 813 00:46:20,760 --> 00:46:25,160 Speaker 1: and I'm still right. And you're deep. You're already deep, 814 00:46:25,200 --> 00:46:28,480 Speaker 1: so you're definitely a still think of yourself as a 815 00:46:28,600 --> 00:46:32,280 Speaker 1: very young go hard what you know, which obviously equates 816 00:46:32,280 --> 00:46:35,560 Speaker 1: to a young soul. I don't know, it's it's it's 817 00:46:35,560 --> 00:46:41,919 Speaker 1: happy how we're somewhere. Adam, you might be a young sull. Oh, 818 00:46:42,600 --> 00:46:45,600 Speaker 1: a young swull. Thank you young Yeah, Adam is a 819 00:46:45,600 --> 00:46:48,560 Speaker 1: young feel that I'll take that a young swulhard. Adam 820 00:46:48,600 --> 00:46:51,560 Speaker 1: has a youthful energy. But Adam's out working. He's working 821 00:46:51,640 --> 00:46:55,200 Speaker 1: right now. He's he's doing adult stuff. Blake, on the 822 00:46:55,200 --> 00:46:57,359 Speaker 1: other hand, it's kind of just chilling, man. I mean, 823 00:46:57,800 --> 00:47:00,600 Speaker 1: I'm clocking in at this podcast. I'm hitting this board 824 00:47:00,680 --> 00:47:09,000 Speaker 1: like nobody's business man. Well, I didn't want that clam 825 00:47:09,120 --> 00:47:13,359 Speaker 1: on on Blake or myself. Now that now that Durs 826 00:47:13,400 --> 00:47:16,200 Speaker 1: put the parameters of young souls your two d I 827 00:47:16,239 --> 00:47:18,160 Speaker 1: don't make these things up. I just think that that's 828 00:47:18,200 --> 00:47:20,520 Speaker 1: what it is. Look, I can get deep, brother, if 829 00:47:20,520 --> 00:47:22,359 Speaker 1: you want to get deep, get deep with me, all right, 830 00:47:22,560 --> 00:47:24,799 Speaker 1: go ahead, get deep. How deep can you get? Tell 831 00:47:24,880 --> 00:47:27,839 Speaker 1: us about like when you told me about like how 832 00:47:27,840 --> 00:47:29,880 Speaker 1: we're all moon dust and stuff. Tell us about that? 833 00:47:30,200 --> 00:47:32,799 Speaker 1: What is that? I well, I don't know if it's 834 00:47:32,880 --> 00:47:35,879 Speaker 1: necessarily moon dust, but it's definitely star dust. We're all 835 00:47:35,920 --> 00:47:39,320 Speaker 1: forms in the same matter from the Big Bang theory. 836 00:47:39,360 --> 00:47:44,799 Speaker 1: Come on for sure, bro already take back science that 837 00:47:44,840 --> 00:47:46,960 Speaker 1: being said, does that sound like a young soul or 838 00:47:47,000 --> 00:47:51,800 Speaker 1: does that sound like an old soul? That's a soul? 839 00:47:53,560 --> 00:47:55,960 Speaker 1: See the guy. The guy got d guy watches one 840 00:47:56,000 --> 00:47:59,320 Speaker 1: episode of Star Trek and thanks, he knows the fucking universe. 841 00:47:59,400 --> 00:48:02,320 Speaker 1: May I don't know if it's moon dust per se, 842 00:48:02,600 --> 00:48:06,120 Speaker 1: but it's definitely some kind of like dust that came 843 00:48:06,200 --> 00:48:10,920 Speaker 1: from like out there in the world. The word definitely 844 00:48:11,080 --> 00:48:14,520 Speaker 1: was great. It's definitely this though I don't know about this, 845 00:48:14,760 --> 00:48:18,040 Speaker 1: but it's definitely this. And why did you say the 846 00:48:18,160 --> 00:48:20,960 Speaker 1: first one? Maybe the secret of the universe is at 847 00:48:21,000 --> 00:48:25,080 Speaker 1: the bottom of this can man? I don't know. Come on, 848 00:48:27,000 --> 00:48:37,760 Speaker 1: that's an old soul there. Yeah. I feel like I'm 849 00:48:37,560 --> 00:48:39,880 Speaker 1: I'm I'm becoming more of like a middle aged soul, 850 00:48:40,000 --> 00:48:43,960 Speaker 1: like I'm currently wearing house slippers, Like I feel like 851 00:48:44,000 --> 00:48:47,400 Speaker 1: my soul just recently became older. Can I ask you 852 00:48:47,400 --> 00:48:50,799 Speaker 1: a question about your slippers? Absolutely? Thank you? Do they 853 00:48:50,840 --> 00:48:54,000 Speaker 1: have a soul to them? Like? No pun intended? Okay, 854 00:48:54,000 --> 00:48:56,319 Speaker 1: so those are like indoor outdoor I can fetch the 855 00:48:56,360 --> 00:48:58,759 Speaker 1: male kind of thing. Yeah, yeah, those are those are 856 00:48:58,800 --> 00:49:01,960 Speaker 1: old soul shoes if you didn't have a real soul 857 00:49:01,960 --> 00:49:04,440 Speaker 1: on the Buttom, I would say, you're a young new soul. 858 00:49:05,120 --> 00:49:07,680 Speaker 1: Mm hmm, okay, so I'm an old soul all right. 859 00:49:07,800 --> 00:49:09,680 Speaker 1: Who would have Who would have thought? Who would have 860 00:49:09,680 --> 00:49:12,680 Speaker 1: thought that? What's your slipper game? DERs? I know you've 861 00:49:12,680 --> 00:49:15,840 Speaker 1: got a slipper game? Yeah, I got. I mean usually 862 00:49:16,000 --> 00:49:19,160 Speaker 1: it's just flip flops that don't have the pall thing. 863 00:49:19,239 --> 00:49:22,959 Speaker 1: You know, you're just slipping. I guess slides, Yeah, yeah, 864 00:49:23,239 --> 00:49:26,040 Speaker 1: I love slides. Duds is a weird one. The best 865 00:49:26,920 --> 00:49:30,520 Speaker 1: about his soul it's because, for sure, you meet DERs 866 00:49:30,520 --> 00:49:33,160 Speaker 1: and you're like, that's an old soul type guy. But 867 00:49:33,200 --> 00:49:36,640 Speaker 1: then you find out he can't read a clock, and 868 00:49:36,960 --> 00:49:39,279 Speaker 1: he doesn't brush his teeth at night, and there's like 869 00:49:39,320 --> 00:49:41,719 Speaker 1: a few things that you clock with him that you're like, 870 00:49:41,800 --> 00:49:44,279 Speaker 1: I don't, I can't. I don't know this guy. I've 871 00:49:44,320 --> 00:49:46,799 Speaker 1: known this guy for almost twenty years. Still don't know 872 00:49:46,880 --> 00:49:49,080 Speaker 1: this man. Like we just found out just the other 873 00:49:49,160 --> 00:49:52,560 Speaker 1: day that the guy doesn't brush his teeth at night. YEA, 874 00:49:54,200 --> 00:49:56,320 Speaker 1: do not know this? I would argue it's a mixture 875 00:49:56,360 --> 00:50:02,240 Speaker 1: of not being listened to um or because you remember 876 00:50:02,920 --> 00:50:05,480 Speaker 1: here's what I think I might be as uh a 877 00:50:05,600 --> 00:50:09,800 Speaker 1: neo soul like neo like the performing artists and e 878 00:50:10,200 --> 00:50:13,960 Speaker 1: y ah, shout out to Ericabad, Jill Scott and all 879 00:50:14,040 --> 00:50:19,479 Speaker 1: my other friends and family in the neo soul D'Angelo possibly, yes, 880 00:50:20,000 --> 00:50:23,239 Speaker 1: please explain what that means, um, because I don't I 881 00:50:23,280 --> 00:50:26,279 Speaker 1: don't get explain what neo soul means. Yeah, I don't 882 00:50:26,360 --> 00:50:29,160 Speaker 1: understand that. I don't think it was a nineties movement. Yeah, 883 00:50:29,280 --> 00:50:34,160 Speaker 1: nineties movement that keeps with like D'Angelo, Ericabad, Jill Scott 884 00:50:34,280 --> 00:50:38,720 Speaker 1: even like arrested development was like in that Afro neil 885 00:50:38,920 --> 00:50:42,840 Speaker 1: soul type ship. Okay. Yeah, during that time, I wasn't listening. 886 00:50:42,840 --> 00:50:46,279 Speaker 1: I was listening to like cool music like maxbox Com. 887 00:50:46,760 --> 00:50:50,319 Speaker 1: Oh God, I'm sorry, um, Fastball, we're going head to 888 00:50:50,360 --> 00:50:53,960 Speaker 1: head Jill Scott, Bruce maxbox Okay again, there's just explaining 889 00:50:54,000 --> 00:50:57,160 Speaker 1: great music, Adam. In the words of Jill Scott, take 890 00:50:57,200 --> 00:51:02,239 Speaker 1: a walk. Okay. I don't know who Jill Scott is. 891 00:51:02,560 --> 00:51:07,400 Speaker 1: I think I think you better call tyrone Eric. Uh, 892 00:51:07,560 --> 00:51:11,920 Speaker 1: you don't know Jill Scott. I don't know Jill Scott. 893 00:51:12,480 --> 00:51:15,560 Speaker 1: I can kind of imagine what she looks like. Kind 894 00:51:15,600 --> 00:51:18,400 Speaker 1: of I couldn't tell you, I couldn't do. She's on 895 00:51:18,440 --> 00:51:21,400 Speaker 1: the Love and Basketball soundtrack. I will send you, I 896 00:51:21,440 --> 00:51:24,040 Speaker 1: will do the Brown Sugar soundtrack. Her song on that 897 00:51:26,280 --> 00:51:30,520 Speaker 1: it hits, easy conversations the Brown Sugar soundtrack, pick it up? 898 00:51:30,600 --> 00:51:33,440 Speaker 1: Does it hit or does it slaps? Better than the movie? 899 00:51:33,520 --> 00:51:35,200 Speaker 1: Is that one of those ones better than the movie? 900 00:51:35,320 --> 00:51:37,360 Speaker 1: Did you mention that? We did that? Like one of 901 00:51:37,400 --> 00:51:41,400 Speaker 1: the first couple uh episodes of this is important, we 902 00:51:41,440 --> 00:51:44,239 Speaker 1: went into what soundtrack is better than the movie? Did 903 00:51:44,239 --> 00:51:47,320 Speaker 1: you mention? Brown Sugar? It might be better than the movie. 904 00:51:47,360 --> 00:51:49,719 Speaker 1: The movie is good, but the soundtrack is terrific. It's 905 00:51:49,719 --> 00:51:52,319 Speaker 1: got some fucking real hot shit on there. A lot 906 00:51:52,360 --> 00:51:55,680 Speaker 1: of neo soul artists beautif but you know that's just 907 00:51:55,719 --> 00:51:58,360 Speaker 1: like a fucking thing that they throw onto it like 908 00:51:58,440 --> 00:52:02,839 Speaker 1: grunge music. What does that mean? Neo soul? Basically they 909 00:52:02,840 --> 00:52:06,759 Speaker 1: were mirroring the soul of the seventies, but like with 910 00:52:06,840 --> 00:52:11,200 Speaker 1: a neo meaning like new Yeah. Yeah, the the beats 911 00:52:11,200 --> 00:52:15,000 Speaker 1: were six. So we've got an old soul, a neo soul, 912 00:52:15,440 --> 00:52:19,520 Speaker 1: a dumb soul, a young soul, and a and a 913 00:52:19,640 --> 00:52:25,960 Speaker 1: dumb asshole, A dumb ass soul. I feel like Der's 914 00:52:26,040 --> 00:52:29,080 Speaker 1: has been forty since the day I met him, and 915 00:52:29,120 --> 00:52:32,000 Speaker 1: he will be forty until the day that we both 916 00:52:32,000 --> 00:52:35,279 Speaker 1: passed on the same day. What's cool you guys think that. 917 00:52:35,440 --> 00:52:38,360 Speaker 1: I think that's I think that's right. Is where is 918 00:52:38,400 --> 00:52:41,080 Speaker 1: he's forty? But now that we're getting the place that 919 00:52:41,120 --> 00:52:44,759 Speaker 1: we're damn we're almost forty. Ye, I'm just starting to 920 00:52:44,840 --> 00:52:48,359 Speaker 1: learn who he is. It's all starting to converge. Like 921 00:52:48,400 --> 00:52:51,359 Speaker 1: I'm like, oh, fucking we're just He's starting to make 922 00:52:51,400 --> 00:52:54,440 Speaker 1: a lot more sense. I'm in our in our twenties, 923 00:52:54,480 --> 00:52:57,399 Speaker 1: I was like, I can't, I can't figure this guy out. 924 00:52:57,960 --> 00:52:59,600 Speaker 1: And then now it's I'm started to make sense. Now 925 00:52:59,640 --> 00:53:01,960 Speaker 1: I'm like, maybe I shouldn't brush my teeth that night? Right? 926 00:53:02,040 --> 00:53:04,600 Speaker 1: Does that even worth it? Like I wouldn't encourage that. 927 00:53:04,800 --> 00:53:07,520 Speaker 1: Have you thought about why you do it? Because Quip 928 00:53:07,560 --> 00:53:10,040 Speaker 1: tells me too, that's what That's what the dentist tells 929 00:53:10,080 --> 00:53:14,560 Speaker 1: you to do. And you're gonna believe big dentists. Thank you. 930 00:53:15,200 --> 00:53:18,359 Speaker 1: This is what I'm talking about. This is important. Buy 931 00:53:18,440 --> 00:53:21,480 Speaker 1: more Crest by more Colgate. You know who pays for 932 00:53:21,520 --> 00:53:26,600 Speaker 1: the ad? A politician, I'm a dentist. I think you 933 00:53:26,640 --> 00:53:31,319 Speaker 1: need to buy this four light rating and toothbrush, get 934 00:53:31,400 --> 00:53:34,800 Speaker 1: the funk out the only one that works. Thank you, 935 00:53:34,400 --> 00:53:37,759 Speaker 1: thank you. That's why I don't. That's why I buy 936 00:53:37,840 --> 00:53:43,759 Speaker 1: quit because quip is much cheaper. U it lasts longer. Um, 937 00:53:43,800 --> 00:53:48,000 Speaker 1: it's good. You don't really need a toothbrush. Science you'll 938 00:53:48,040 --> 00:53:50,800 Speaker 1: need toothbrush. All you need is flass and a toothpick. 939 00:53:51,200 --> 00:53:54,279 Speaker 1: That's how you're gonna get good teeth. Are you guys 940 00:53:54,320 --> 00:53:57,160 Speaker 1: talking about you don't need a toothbrush. I'm afraid your 941 00:53:57,160 --> 00:54:00,520 Speaker 1: teeth are disgusted. You gotta brush your teeth, my teeth. 942 00:54:00,520 --> 00:54:02,560 Speaker 1: But really, you need a Flosta toothpick. I want one 943 00:54:02,600 --> 00:54:06,000 Speaker 1: of those like those off road fucking like Tonka truck 944 00:54:06,120 --> 00:54:09,279 Speaker 1: toothbrushes that has like the rubber grip and then on 945 00:54:09,360 --> 00:54:11,680 Speaker 1: the back of the like where the bristles aren't behind 946 00:54:11,760 --> 00:54:14,759 Speaker 1: that it's got the rubber bristles to like brush your 947 00:54:14,800 --> 00:54:19,000 Speaker 1: tongue while you brush. That is my ship fu. Yeah, dude, 948 00:54:19,000 --> 00:54:22,600 Speaker 1: that sounds industrial. I love it. I like how proud 949 00:54:23,200 --> 00:54:25,080 Speaker 1: Kyle was. Kyle was so proud and he was like, 950 00:54:25,120 --> 00:54:29,120 Speaker 1: you just need a toothpick and some fauce and a toothpick. 951 00:54:29,160 --> 00:54:34,239 Speaker 1: Two things, right, that's how you brush. Have you ever 952 00:54:34,360 --> 00:54:37,239 Speaker 1: brushed in another person's teeth for them? That feels like 953 00:54:37,280 --> 00:54:40,279 Speaker 1: it's something intimate that should be shared with I love 954 00:54:40,400 --> 00:54:43,520 Speaker 1: doing it. I grabbed my kid's heads and I go 955 00:54:43,960 --> 00:54:47,920 Speaker 1: so fast that they think it's like a ride. U 956 00:54:49,400 --> 00:54:51,760 Speaker 1: to bring it back. Remember when we did that sketch 957 00:54:51,800 --> 00:54:54,520 Speaker 1: with Jillian where you had to brush her teeth and 958 00:54:54,640 --> 00:54:57,280 Speaker 1: your teeth like we did that early in our career, 959 00:54:57,360 --> 00:55:00,359 Speaker 1: Tales from the Alternate Universe. Lake did it. Then I 960 00:55:00,400 --> 00:55:03,120 Speaker 1: came in. Yeah, you were the dad, right, we were 961 00:55:03,160 --> 00:55:06,520 Speaker 1: looking for the cordless or the portable. Holy sh it, 962 00:55:06,640 --> 00:55:10,840 Speaker 1: that's right, dad, you've done it well. You set up 963 00:55:10,840 --> 00:55:12,920 Speaker 1: the premise for that sketch. What was Tales from the 964 00:55:12,920 --> 00:55:14,920 Speaker 1: Alter Universe. The premise was it was a group. It 965 00:55:15,000 --> 00:55:16,879 Speaker 1: was a group of we were gonna do a bunch 966 00:55:16,880 --> 00:55:19,480 Speaker 1: called Tales from an Alternate Universe, and it was just 967 00:55:19,600 --> 00:55:22,800 Speaker 1: one thing. It was our world, but one thing different, 968 00:55:23,440 --> 00:55:26,120 Speaker 1: and that one was two people. Blake and Jillian set 969 00:55:26,160 --> 00:55:28,560 Speaker 1: up for a makeout session and essentially they go in 970 00:55:28,640 --> 00:55:31,600 Speaker 1: for the kiss and then they basically pour toothpaste on 971 00:55:31,600 --> 00:55:33,640 Speaker 1: their toothbrush and brush each other's teeth in a very 972 00:55:33,680 --> 00:55:35,839 Speaker 1: intimate fashion. I think it was a little bit of 973 00:55:35,880 --> 00:55:39,239 Speaker 1: like virginity type thing. Right. It was like a, hey, 974 00:55:39,280 --> 00:55:41,120 Speaker 1: should we take things to the next level. I think 975 00:55:41,120 --> 00:55:43,560 Speaker 1: we're ready. We've been together for a long time. And 976 00:55:43,600 --> 00:55:45,799 Speaker 1: instead of we're gonna make out and fun, it was 977 00:55:45,880 --> 00:55:48,400 Speaker 1: they brushed each other's teeth and then I believe I 978 00:55:48,480 --> 00:55:50,279 Speaker 1: came in and was like, what the hell's going on here? 979 00:55:50,280 --> 00:55:52,839 Speaker 1: Get out of here. Boy. She was like, Dad, you're 980 00:55:52,920 --> 00:55:55,080 Speaker 1: in my life. And then I closed the door. And 981 00:55:55,120 --> 00:55:58,440 Speaker 1: then she uses the electric toothbrush like a vibrant I 982 00:55:58,440 --> 00:56:00,080 Speaker 1: think so, or she no, I think it was it 983 00:56:00,160 --> 00:56:02,759 Speaker 1: was handheld toothbrushes. Then it was like she's using it 984 00:56:02,800 --> 00:56:05,319 Speaker 1: in her mouth. Yeah, she pulls out the elector, but 985 00:56:05,400 --> 00:56:10,480 Speaker 1: she's enjoying it like she's servicing herself, which we're all 986 00:56:10,520 --> 00:56:13,880 Speaker 1: for that. That's actually really funny, kind of clever. But 987 00:56:13,960 --> 00:56:16,600 Speaker 1: the follow up Tales from the Alternate Universe was just 988 00:56:16,760 --> 00:56:20,800 Speaker 1: that you're out of kegger and the dudes are wearing capes, 989 00:56:23,800 --> 00:56:28,319 Speaker 1: wasn't It was just like it was we're all wearing 990 00:56:28,320 --> 00:56:30,080 Speaker 1: a cape and then somebody comes it out of cape 991 00:56:30,080 --> 00:56:35,160 Speaker 1: and we're like, where's your fucking keeping? Yeah, Yeah, that one. 992 00:56:35,239 --> 00:56:37,439 Speaker 1: That one was great. Yeah, I know that. I chug 993 00:56:37,480 --> 00:56:39,879 Speaker 1: a bear and like throw the empty hand at this can. 994 00:56:40,640 --> 00:56:44,600 Speaker 1: You're like, get a cape. I want to say, Adam 995 00:56:44,680 --> 00:56:47,800 Speaker 1: had it up like over his mouth like a vampire. 996 00:56:47,960 --> 00:56:50,080 Speaker 1: I think it was really an Adam pitch where he 997 00:56:50,200 --> 00:56:53,560 Speaker 1: wanted to wear caps, because Adam is the one friend 998 00:56:53,560 --> 00:56:57,200 Speaker 1: who really reps for capes. Dude, I still still up 999 00:56:57,200 --> 00:56:59,200 Speaker 1: a cape. Man. Once you get to be like an 1000 00:56:59,239 --> 00:57:01,120 Speaker 1: old soul, you can probably get away with the cape. 1001 00:57:01,280 --> 00:57:04,719 Speaker 1: I truly can't believe that caps have never trend. Bull assholes. 1002 00:57:05,120 --> 00:57:11,480 Speaker 1: They don't get to wear small assholes, full shole assholes, 1003 00:57:11,719 --> 00:57:16,080 Speaker 1: swull assholes. He's a swall as. What are the what 1004 00:57:16,080 --> 00:57:19,760 Speaker 1: about the short capes like um and Bison rocks A shortcape? Ye? 1005 00:57:19,920 --> 00:57:23,400 Speaker 1: Those are sick? What those must be called something? Isn't 1006 00:57:23,400 --> 00:57:25,800 Speaker 1: that like a bullfighting No, it's not a bullfighting cape, 1007 00:57:25,880 --> 00:57:29,400 Speaker 1: right or is it? I don't know. I feel like 1008 00:57:29,480 --> 00:57:32,240 Speaker 1: that's kind of what they rock. But then what are 1009 00:57:32,240 --> 00:57:34,440 Speaker 1: they waving? Aren't they waving their cape? Is that why 1010 00:57:34,480 --> 00:57:37,200 Speaker 1: they have a small cap. They take their jacket off, Yeah, 1011 00:57:37,200 --> 00:57:39,560 Speaker 1: they take that off, They walk in with it, they 1012 00:57:39,600 --> 00:57:42,520 Speaker 1: take it off, they hold it. Yeah, I mean Matador 1013 00:57:42,600 --> 00:57:45,320 Speaker 1: fashion is wild. I know that. I know that it's 1014 00:57:45,680 --> 00:57:48,440 Speaker 1: it's about to get canceled and like they don't want 1015 00:57:48,440 --> 00:57:50,520 Speaker 1: to do the running the bulls anymore. People are like 1016 00:57:50,680 --> 00:57:53,880 Speaker 1: the bulls or you know, they're being tortured, tortured and 1017 00:57:53,880 --> 00:57:57,360 Speaker 1: all that. I want to go before it's canceled because 1018 00:57:57,400 --> 00:57:59,400 Speaker 1: I think it would be fucking awesome. I want to 1019 00:57:59,480 --> 00:58:01,920 Speaker 1: run with the bull bulls. I want to watch all 1020 00:58:01,960 --> 00:58:05,680 Speaker 1: the animals get tortured. To me, it is the craziest thing. 1021 00:58:05,720 --> 00:58:08,960 Speaker 1: I want to run with them, for sure. Is one 1022 00:58:09,000 --> 00:58:11,920 Speaker 1: of the craziest things that still goes on in like 1023 00:58:12,040 --> 00:58:16,120 Speaker 1: modern society. Like, what a crazy idea? You wouldn't like 1024 00:58:16,120 --> 00:58:17,560 Speaker 1: you don't want to run with the bulls. I want 1025 00:58:17,560 --> 00:58:20,480 Speaker 1: to run with them, dude, that'd be crazy. Why, Sure, 1026 00:58:20,600 --> 00:58:22,640 Speaker 1: that's cool, But why do we have to then go 1027 00:58:22,720 --> 00:58:25,280 Speaker 1: to the Staples Center and watch you stab it to death? 1028 00:58:25,480 --> 00:58:27,760 Speaker 1: That's hell a weird to me. Wait is that how 1029 00:58:27,760 --> 00:58:30,400 Speaker 1: it ends? Yes, that's how it ends. Wait, what the funk? 1030 00:58:30,480 --> 00:58:34,960 Speaker 1: This is horrible? That's just a sorry, that's bullfighting. That's 1031 00:58:35,000 --> 00:58:38,240 Speaker 1: not how it ends. They don't kill all those bulls 1032 00:58:38,720 --> 00:58:42,000 Speaker 1: in something, but yes, they do kill the matador kills 1033 00:58:42,040 --> 00:58:44,479 Speaker 1: the bull. Yeah, you stab it to piss it off 1034 00:58:44,680 --> 00:58:47,920 Speaker 1: in bullfighting, and then the matador stabs it with the Okay, 1035 00:58:47,960 --> 00:58:50,520 Speaker 1: so the running of the bulls is not that, but 1036 00:58:50,560 --> 00:58:53,000 Speaker 1: the matador is still also. I don't know, I don't 1037 00:58:53,040 --> 00:58:55,720 Speaker 1: know if the running of the bulls, uh is that 1038 00:58:56,000 --> 00:58:59,720 Speaker 1: or not? But someone eats the bull the meat of 1039 00:58:59,760 --> 00:59:02,480 Speaker 1: the Yeah, for sure they do. No, No, they don't 1040 00:59:02,480 --> 00:59:05,120 Speaker 1: need the bull met Why not? I bet it's delicious. 1041 00:59:05,200 --> 00:59:08,080 Speaker 1: Don't think they do. I think it's been stabbed with 1042 00:59:08,120 --> 00:59:12,520 Speaker 1: a dirty old sword. Yeah, yeah, Adam, Adam, And I 1043 00:59:12,520 --> 00:59:14,600 Speaker 1: know this isn't like you. You're not the first and 1044 00:59:14,680 --> 00:59:16,440 Speaker 1: only person that ever want to do the running with 1045 00:59:16,440 --> 00:59:18,720 Speaker 1: the bulls, tons of people. But why do you want 1046 00:59:18,760 --> 00:59:21,240 Speaker 1: to do it? I don't get it. It seems like 1047 00:59:21,360 --> 00:59:25,160 Speaker 1: it's just a thing that I've seen forever, you know, 1048 00:59:25,640 --> 00:59:28,000 Speaker 1: in movies and television and stuff, and I just was 1049 00:59:28,000 --> 00:59:30,080 Speaker 1: always like, oh, that would be like a cool thing 1050 00:59:30,160 --> 00:59:33,560 Speaker 1: when you're all old on your deathbed to be like, oh, 1051 00:59:33,600 --> 00:59:35,880 Speaker 1: I did all this crazy ship in my life. So 1052 00:59:35,920 --> 00:59:38,160 Speaker 1: it's a bucket list thing from you just to just 1053 00:59:38,200 --> 00:59:40,000 Speaker 1: to say you did. So you want to do it 1054 00:59:40,040 --> 00:59:43,280 Speaker 1: to tell people or to just have done it. I 1055 00:59:43,360 --> 00:59:45,680 Speaker 1: have done it. Yeah, to think about when you're like 1056 00:59:45,840 --> 00:59:48,240 Speaker 1: all old and you're just going like so you're just 1057 00:59:48,240 --> 00:59:49,560 Speaker 1: not one of those old people that are like, oh 1058 00:59:49,600 --> 00:59:51,920 Speaker 1: I sat in my house for forty years and then 1059 00:59:51,920 --> 00:59:54,240 Speaker 1: I died. You know, you're like I did this, I 1060 00:59:54,320 --> 00:59:57,120 Speaker 1: like climbed a mountain like right, But the difference is 1061 00:59:57,160 --> 00:59:59,320 Speaker 1: like the person who sat in their house might not 1062 00:59:59,440 --> 01:00:02,360 Speaker 1: value running with the bulls, and yeah, they probably Well. 1063 01:00:02,400 --> 01:00:04,439 Speaker 1: The thing about running with the bulls, though, is it's 1064 01:00:04,480 --> 01:00:07,480 Speaker 1: like super dangerous, right, Like, if you're not running fast enough, 1065 01:00:07,520 --> 01:00:11,439 Speaker 1: you're gonna get pegged by those fucking horns dogs. Dude, 1066 01:00:11,440 --> 01:00:16,080 Speaker 1: you ever seen my little legs? See my little legs too? Yeah? Yeah, yeah, 1067 01:00:16,120 --> 01:00:19,040 Speaker 1: I've seen you running fast in my life. But like, dude, 1068 01:00:19,040 --> 01:00:21,240 Speaker 1: I don't want us to be hit by a horn. No, 1069 01:00:21,320 --> 01:00:24,280 Speaker 1: I won't even get hit. I'll dodge them. People die 1070 01:00:24,320 --> 01:00:27,000 Speaker 1: with that. Happy people have died. Yeah, people get tossed. 1071 01:00:27,040 --> 01:00:29,120 Speaker 1: Suck that. Why do you what do you what the fund? No, 1072 01:00:29,520 --> 01:00:32,200 Speaker 1: there's no reason. Favorite part because I'm like, hey, guess 1073 01:00:32,280 --> 01:00:34,960 Speaker 1: what if you sign up for this ship, we get 1074 01:00:35,000 --> 01:00:39,160 Speaker 1: to watch you get Gordon. And honestly, it's they gotta come. Yeah, 1075 01:00:39,440 --> 01:00:43,960 Speaker 1: you gotta coming. Sorry, all right, But if anyone ever 1076 01:00:44,000 --> 01:00:47,280 Speaker 1: gets like I feel bad for the person in their family. 1077 01:00:47,400 --> 01:00:51,640 Speaker 1: But like these people with like tigers and and monkeys, 1078 01:00:51,880 --> 01:00:53,760 Speaker 1: like I had a joke that I pitched when I 1079 01:00:53,760 --> 01:00:56,120 Speaker 1: was an assistant at real time with them are that 1080 01:00:56,560 --> 01:00:58,680 Speaker 1: they liked what. They were like, we can't, this is 1081 01:00:58,680 --> 01:01:01,280 Speaker 1: too mean, And I was like, the joke was one 1082 01:01:01,280 --> 01:01:04,200 Speaker 1: of those rules, the new rules or whatever, and it was, 1083 01:01:04,640 --> 01:01:09,919 Speaker 1: you can't have a pet monkey and a face good joke, good, 1084 01:01:10,320 --> 01:01:14,280 Speaker 1: good joe, you can't. And I when someone gets their 1085 01:01:14,320 --> 01:01:16,240 Speaker 1: face ripped off and they're like, well it was my 1086 01:01:16,280 --> 01:01:21,400 Speaker 1: pet monkey, I'm like, yeah, that was just going to happen, right, Yeah, 1087 01:01:21,400 --> 01:01:22,760 Speaker 1: But I don't want to pet you know, I don't 1088 01:01:22,760 --> 01:01:24,880 Speaker 1: want to pet monkey. No, but you want to run 1089 01:01:24,920 --> 01:01:27,560 Speaker 1: with the bulls where they're trying to fucking stab your butt, 1090 01:01:27,880 --> 01:01:30,080 Speaker 1: which is arguably dumber. Yeah, they're gonna poke you in 1091 01:01:30,120 --> 01:01:32,960 Speaker 1: the butt. I always found it really frustrating how much 1092 01:01:33,000 --> 01:01:36,560 Speaker 1: stronger like orangutans are than us, because they're always like, 1093 01:01:36,600 --> 01:01:41,240 Speaker 1: you know, we are descendants of like an ape, and 1094 01:01:41,320 --> 01:01:43,800 Speaker 1: they are just like a million times stronger than us. 1095 01:01:43,800 --> 01:01:47,840 Speaker 1: How come we can't tap into that orangutang strength. Interesting. 1096 01:01:48,200 --> 01:01:55,840 Speaker 1: Interesting animals don't live. Yeah, great foot fist quote isometrics. Dude, 1097 01:01:56,520 --> 01:01:58,880 Speaker 1: that was wild. So that was like a really specific 1098 01:01:59,240 --> 01:02:01,920 Speaker 1: news story right where like a woman had a pet 1099 01:02:01,960 --> 01:02:05,000 Speaker 1: what kind of monkey was it? This happens every like 1100 01:02:05,080 --> 01:02:07,720 Speaker 1: three or four years that some usually a woman has 1101 01:02:07,720 --> 01:02:10,800 Speaker 1: a pet monkey and then they're like eating breakfast or 1102 01:02:10,800 --> 01:02:12,640 Speaker 1: having a tea party and then it just rips their 1103 01:02:12,680 --> 01:02:15,240 Speaker 1: face off and they gotta get it like trainsplanted. And 1104 01:02:15,320 --> 01:02:17,640 Speaker 1: I like it to either breakfast or a tea party. 1105 01:02:18,200 --> 01:02:24,840 Speaker 1: You know, they like regular regular ship breakfast or a 1106 01:02:24,840 --> 01:02:28,920 Speaker 1: tea party. It's I'm saying, like they do these social 1107 01:02:29,000 --> 01:02:31,280 Speaker 1: things with these monkeys, like a tea party, like you 1108 01:02:31,320 --> 01:02:33,440 Speaker 1: would do with a kid. Oh, like they dress them up. Well. 1109 01:02:33,560 --> 01:02:36,240 Speaker 1: Speaking of did you guys just watch Bad Trip? Have 1110 01:02:36,320 --> 01:02:40,680 Speaker 1: you guys seen Bad Trip yet? Eric Andres yes, Eric 1111 01:02:40,760 --> 01:02:43,480 Speaker 1: Andre's yes, sorry Eric, not yet. I will by the 1112 01:02:43,520 --> 01:02:46,800 Speaker 1: time this airs, I will have watched it. Just watched it, Yeah, 1113 01:02:46,840 --> 01:02:50,880 Speaker 1: I gotta watch it. Those a very very funny where 1114 01:02:50,880 --> 01:02:54,560 Speaker 1: he gets fucked by an oranguin tang or a gorilla 1115 01:02:54,680 --> 01:02:57,640 Speaker 1: and everyone thinks it's real and it's it's really good. 1116 01:02:58,840 --> 01:03:01,680 Speaker 1: I'm excited to see that for very excited. Yeah. Some 1117 01:03:01,800 --> 01:03:08,800 Speaker 1: funny pranks hell yeah, dude, yeah Eric Rocks all right, 1118 01:03:09,280 --> 01:03:18,640 Speaker 1: yeah yeah. Was there any takebacks, apologies or epic slams 1119 01:03:18,880 --> 01:03:21,200 Speaker 1: and any compliments? Um, you know what, I'd like to 1120 01:03:21,240 --> 01:03:25,680 Speaker 1: apologize to anybody who had an awesome human interaction with 1121 01:03:25,720 --> 01:03:28,600 Speaker 1: anybody working at Blockbuster. I don't want to take away 1122 01:03:28,640 --> 01:03:32,720 Speaker 1: from the human aspect. I do love knowing that you 1123 01:03:32,720 --> 01:03:34,960 Speaker 1: guys were out there bonding in the video store. I 1124 01:03:35,040 --> 01:03:38,560 Speaker 1: may not have had that experience, but I see you 1125 01:03:38,560 --> 01:03:40,720 Speaker 1: you are seeing. Why do you think you didn't have 1126 01:03:40,760 --> 01:03:43,600 Speaker 1: that experience? I think because I was going in with 1127 01:03:43,640 --> 01:03:46,800 Speaker 1: my mom and I was just getting video games and 1128 01:03:46,960 --> 01:03:49,560 Speaker 1: I was getting out. You never went and rented your 1129 01:03:49,600 --> 01:03:52,480 Speaker 1: own videos when you're like sixteen or seventeen, even when 1130 01:03:52,520 --> 01:03:54,520 Speaker 1: you're nine or ten, you just walk over there. Just 1131 01:03:54,560 --> 01:03:56,840 Speaker 1: to throw this back, though, Blake, even like you and 1132 01:03:56,880 --> 01:03:59,040 Speaker 1: I like when I got to go to Blockbuster with you, 1133 01:04:00,040 --> 01:04:03,080 Speaker 1: kick out and we pick out. We'd pick out like 1134 01:04:03,120 --> 01:04:07,160 Speaker 1: a game for like Nintenno sixty four, you know what 1135 01:04:07,200 --> 01:04:10,680 Speaker 1: I mean. Like those were good moments. I know, I know, 1136 01:04:10,800 --> 01:04:12,880 Speaker 1: but I'm just saying like that was Those were great 1137 01:04:12,920 --> 01:04:16,520 Speaker 1: moments and my childhood. And then when I was watching 1138 01:04:16,600 --> 01:04:19,400 Speaker 1: this documentary, I was like, dude, that's not gonna happen. 1139 01:04:21,200 --> 01:04:23,800 Speaker 1: That's not happening. I definitely have a lot of memories 1140 01:04:23,840 --> 01:04:26,320 Speaker 1: with my friends within the video store, but it was 1141 01:04:26,960 --> 01:04:29,360 Speaker 1: they were very talking. They were talking about how like 1142 01:04:29,440 --> 01:04:32,880 Speaker 1: you would interact with the people that worked there. I 1143 01:04:32,920 --> 01:04:36,160 Speaker 1: did not make friends. I know that. You don't mix 1144 01:04:36,200 --> 01:04:39,120 Speaker 1: it up with the fucking proletarium. They were the cops 1145 01:04:39,160 --> 01:04:41,320 Speaker 1: to me. They were asking for the late fees, like 1146 01:04:42,000 --> 01:04:44,680 Speaker 1: the build if you weren't have Blockbuster, you were the cops, 1147 01:04:44,680 --> 01:04:47,520 Speaker 1: all right, yes, no, look at you and trying to 1148 01:04:47,600 --> 01:04:49,520 Speaker 1: make sides. Listen, if you were cool with them, they 1149 01:04:49,560 --> 01:04:53,520 Speaker 1: would have waived those late fees. They couldn't. They They're like, 1150 01:04:53,600 --> 01:04:55,479 Speaker 1: I don't have the power. They saw that tight little 1151 01:04:55,520 --> 01:04:58,520 Speaker 1: afro and they weren't liking what you're thrown down. And 1152 01:04:58,640 --> 01:05:01,000 Speaker 1: that's why I went to brad the video. Shout out 1153 01:05:01,040 --> 01:05:05,280 Speaker 1: Bradley Video for Blockbuster. That's fine. I liked the local 1154 01:05:05,360 --> 01:05:09,800 Speaker 1: video stores more than the Blockbuster two, but Blockbuster also ruled. Look, 1155 01:05:09,840 --> 01:05:12,560 Speaker 1: I tried to patch the holes, but you know it 1156 01:05:13,000 --> 01:05:15,720 Speaker 1: just so happens with Blockbuster. I don't know me. They 1157 01:05:15,720 --> 01:05:18,560 Speaker 1: were the enemy to me. I'm sorry, I'm with you. Blockbuster. 1158 01:05:18,760 --> 01:05:21,200 Speaker 1: We didn't go to We didn't Blockbuster. We had Video 1159 01:05:21,200 --> 01:05:24,480 Speaker 1: Adventure and Nilon Brothers Videos. That's where I went. And 1160 01:05:24,520 --> 01:05:26,600 Speaker 1: then I think when I moved to l A, I 1161 01:05:26,640 --> 01:05:29,280 Speaker 1: finally had to get a Blockbuster card because Rocket Video 1162 01:05:29,400 --> 01:05:33,080 Speaker 1: was closing. I think I remember Rocket Video ruled. That 1163 01:05:33,200 --> 01:05:36,440 Speaker 1: was the best video show, the two story Blockbuster in 1164 01:05:36,480 --> 01:05:39,040 Speaker 1: Hollywood next to that KFC. Do you guys remember that joint? 1165 01:05:39,760 --> 01:05:44,600 Speaker 1: It was sucking hitters, super busy every night. And you're 1166 01:05:44,600 --> 01:05:49,680 Speaker 1: in Hollywood, a lot of cinophiles. Yeah, yeah, you're hearing 1167 01:05:49,720 --> 01:05:54,920 Speaker 1: people talking about screenplays. Yeah, it's pretty good. I love it. 1168 01:05:54,960 --> 01:05:59,080 Speaker 1: You're getting KFC. Next story, you're getting the bowl a 1169 01:05:59,120 --> 01:06:03,040 Speaker 1: little cheese grave on it. Oh God, the boles, those 1170 01:06:03,040 --> 01:06:08,560 Speaker 1: fucking bowls. Dude, dude, he's crying. Hey, do you guys 1171 01:06:08,600 --> 01:06:11,360 Speaker 1: remember I think it was just Blake and Adam when 1172 01:06:11,360 --> 01:06:14,480 Speaker 1: we went to a KFC and we saw the hottest 1173 01:06:14,480 --> 01:06:16,720 Speaker 1: girl of all time? Were I talked about this on 1174 01:06:16,760 --> 01:06:20,840 Speaker 1: the book Why are you well? She We should hold her, 1175 01:06:22,240 --> 01:06:25,320 Speaker 1: she should be the fifth member. We like if she 1176 01:06:25,440 --> 01:06:27,000 Speaker 1: was too hot to be in a k C. Is 1177 01:06:27,040 --> 01:06:28,880 Speaker 1: that the consensus? We were like, why are you? We 1178 01:06:28,880 --> 01:06:30,400 Speaker 1: didn't talk to her, but we were like, why are 1179 01:06:30,440 --> 01:06:33,680 Speaker 1: you here? We saw the hottest girl we've ever seen 1180 01:06:33,680 --> 01:06:37,840 Speaker 1: in her life. We didn't talk to her. We scared 1181 01:06:37,880 --> 01:06:40,480 Speaker 1: at her from a distance while we shoveled our face 1182 01:06:40,560 --> 01:06:44,360 Speaker 1: with potatoes and grape bowls, mac and cheese bowls and 1183 01:06:44,480 --> 01:06:50,080 Speaker 1: fried chicken Thanksgiving dinner. Yeah, summer Thanksgiving. Um. I'd like 1184 01:06:50,120 --> 01:06:53,680 Speaker 1: to connect compliment you can't sure, I'd love it. I'd 1185 01:06:53,680 --> 01:06:57,480 Speaker 1: love one. I'd like to compliment Mother Earth, okay for 1186 01:06:57,720 --> 01:07:01,600 Speaker 1: bringing us it's science. The vernal et binox spring is here, 1187 01:07:01,720 --> 01:07:06,840 Speaker 1: and it's beautiful. Get outside and enjoy that. Son, whoever's 1188 01:07:06,880 --> 01:07:10,360 Speaker 1: next can go. Or there was at a compliment in 1189 01:07:10,400 --> 01:07:12,920 Speaker 1: there for any of the three of us we have. 1190 01:07:13,000 --> 01:07:14,800 Speaker 1: We don't want to do that. I've noticed it's a 1191 01:07:14,800 --> 01:07:17,760 Speaker 1: lot of like take back for the people out there 1192 01:07:17,760 --> 01:07:20,520 Speaker 1: compliments to Like. I can compliment each one of you, 1193 01:07:20,520 --> 01:07:24,000 Speaker 1: guys for something I've been. I compliment each one of you. 1194 01:07:24,040 --> 01:07:27,040 Speaker 1: Almost every time I compliment at least one of people. 1195 01:07:27,800 --> 01:07:29,000 Speaker 1: I can. I can do that. If you want it, 1196 01:07:29,040 --> 01:07:31,840 Speaker 1: you need it, I can do it. I don't need it. Still, 1197 01:07:32,080 --> 01:07:36,520 Speaker 1: I'd like to compliment honors okay, for being just a 1198 01:07:36,560 --> 01:07:43,480 Speaker 1: fucking radical dude that. I just love his opinion. I 1199 01:07:43,520 --> 01:07:46,520 Speaker 1: love his father, I love everything about it. So I 1200 01:07:46,560 --> 01:07:48,840 Speaker 1: know you're lying. I want to be on you all right, 1201 01:07:49,040 --> 01:07:51,680 Speaker 1: somebody else can go. I don't do father, Luke, I 1202 01:07:51,720 --> 01:07:54,600 Speaker 1: am your father. I am your father. Thought you said 1203 01:07:54,640 --> 01:07:56,320 Speaker 1: you're going to do all this time? Okay, Adam, I'd 1204 01:07:56,320 --> 01:07:58,520 Speaker 1: like to compliment you on your southern accent. I know 1205 01:07:58,600 --> 01:08:01,080 Speaker 1: you're heading into a big shoe and I think you 1206 01:08:01,160 --> 01:08:03,520 Speaker 1: got you got nothing to worry about, Bud. You're gonna 1207 01:08:03,520 --> 01:08:05,680 Speaker 1: get out there and fucking crush it. I'm happy that 1208 01:08:05,720 --> 01:08:09,280 Speaker 1: you're practicing it. And uh, thanks, just awesome. Looking forward 1209 01:08:09,320 --> 01:08:12,480 Speaker 1: to the next season. Uh and you're out there with them. 1210 01:08:12,520 --> 01:08:16,320 Speaker 1: Do pumped on that? Thanks Palmer. Excited to be shooting 1211 01:08:16,360 --> 01:08:20,080 Speaker 1: righteous chimps on season two? Yeah, babyc sounds good. It's natural. 1212 01:08:20,439 --> 01:08:27,040 Speaker 1: And Blake, Uh well, congrats on that. That that congrats 1213 01:08:27,040 --> 01:08:30,559 Speaker 1: on you know what I mean, like just complimenting you 1214 01:08:30,680 --> 01:08:34,479 Speaker 1: and everything about you. Anyway, somebody else for it. I 1215 01:08:34,520 --> 01:08:36,160 Speaker 1: was going to force that. I love him. I love him. 1216 01:08:36,720 --> 01:08:42,120 Speaker 1: Congrats on Blake for remembering to do this the board 1217 01:08:42,360 --> 01:08:44,799 Speaker 1: because there for a while he wasn't remembering. We actually 1218 01:08:44,800 --> 01:08:46,639 Speaker 1: had to kind of remind him. But then in student 1219 01:08:46,680 --> 01:08:52,560 Speaker 1: see we reminded him. He was pretty good. Yeah, and 1220 01:08:52,800 --> 01:08:59,760 Speaker 1: that's another episode of take anything back takes You have 1221 01:08:59,800 --> 01:09:05,080 Speaker 1: any take back? This is important there? What are your 1222 01:09:05,080 --> 01:09:10,960 Speaker 1: take backs? This is important? Said said, I got nothing. 1223 01:09:11,800 --> 01:09:16,880 Speaker 1: You don't take back nothing. You stand by everything you said, Um, 1224 01:09:16,960 --> 01:09:19,439 Speaker 1: I don't remember anything. Even when you went on that 1225 01:09:21,640 --> 01:09:25,679 Speaker 1: on that racist rant. Oh we're going to cut that out. 1226 01:09:25,680 --> 01:09:31,320 Speaker 1: Oh you are cutting that. It's just feel about Swedish 1227 01:09:31,320 --> 01:09:36,639 Speaker 1: people and leave it at that. There's a huge difference. 1228 01:09:36,720 --> 01:09:40,720 Speaker 1: I can't get into it Swedish, but I said what 1229 01:09:40,760 --> 01:09:43,000 Speaker 1: I had to say, and I stand by it. Leave 1230 01:09:43,080 --> 01:09:48,519 Speaker 1: them wanting less, leave them wanting less. You guys want 1231 01:09:48,560 --> 01:09:52,360 Speaker 1: to run with the bulls, as this is important. We 1232 01:09:52,439 --> 01:09:55,080 Speaker 1: run with the bulls. We go to Spain, we do 1233 01:09:55,160 --> 01:09:57,240 Speaker 1: a podcast from there, and then we rum with the 1234 01:09:57,280 --> 01:09:59,200 Speaker 1: bulls and then do a podcast right afterwards. I think 1235 01:09:59,200 --> 01:10:00,599 Speaker 1: that people would love that. I could be into it. 1236 01:10:00,640 --> 01:10:02,599 Speaker 1: You can remote in from anywhere, but you're not doing 1237 01:10:02,720 --> 01:10:08,160 Speaker 1: anything for these people like that. What's that? Uh? You're 1238 01:10:08,200 --> 01:10:10,840 Speaker 1: saying like you think the people would like that. I 1239 01:10:10,840 --> 01:10:14,280 Speaker 1: don't care. I'm not running with the bulls for the people. Um, 1240 01:10:14,360 --> 01:10:16,160 Speaker 1: you'll butt chug. I'm not gonna do it for myself. 1241 01:10:16,200 --> 01:10:21,840 Speaker 1: You'll butt chuck. But you draw the line at bulls. Yeah, okay, 1242 01:10:21,880 --> 01:10:25,360 Speaker 1: fair enough. Yeah, even if you take a holid out 1243 01:10:25,400 --> 01:10:28,120 Speaker 1: bull horn and that's what you pour the chug sauce 1244 01:10:28,200 --> 01:10:32,280 Speaker 1: in with, that's great. I'll keep. But that's on my terms. 1245 01:10:32,560 --> 01:10:34,759 Speaker 1: I don't want some bull doing it against my terms. 1246 01:10:35,400 --> 01:10:37,920 Speaker 1: All right. That's the thing about darsays he needs his 1247 01:10:38,160 --> 01:10:42,200 Speaker 1: terms met. I need my druthers and my terms met. 1248 01:10:44,120 --> 01:10:47,479 Speaker 1: This is important. Yeah, I don't. I don't. I don't 1249 01:10:47,479 --> 01:10:50,840 Speaker 1: want to remember the bulls. Um, I don't need that. Like, 1250 01:10:51,479 --> 01:10:54,519 Speaker 1: I'm good, I know that we've discussed this. I think 1251 01:10:54,560 --> 01:10:57,880 Speaker 1: you trade. You chase adrenaline because you've cheated death when 1252 01:10:57,880 --> 01:11:00,800 Speaker 1: you got hit by the cement truck? Are you you 1253 01:11:00,800 --> 01:11:04,400 Speaker 1: you're chasing that feeling again where you just are like, 1254 01:11:04,640 --> 01:11:08,439 Speaker 1: is this the day where I go six ft from 1255 01:11:08,520 --> 01:11:14,280 Speaker 1: the edge and the world and I'm thinking favorite six 1256 01:11:14,360 --> 01:11:21,439 Speaker 1: feet and so fun was crying. Alright, guys, that was 1257 01:11:21,520 --> 01:11:24,200 Speaker 1: another This