1 00:00:00,760 --> 00:00:01,480 Speaker 1: Kabooms. 2 00:00:02,360 --> 00:00:05,440 Speaker 2: If you thought four hours a day, twelve hundred minutes 3 00:00:05,480 --> 00:00:09,240 Speaker 2: a week was enough, think again. He's the last remnants 4 00:00:09,280 --> 00:00:12,560 Speaker 2: of the Old Republic, a soul fashion of fairness. He 5 00:00:12,640 --> 00:00:15,560 Speaker 2: treats crackheads in the ghetto gutter the same as the 6 00:00:15,680 --> 00:00:17,520 Speaker 2: rich pill poppers in the penthouse. 7 00:00:18,120 --> 00:00:18,440 Speaker 1: Wow. 8 00:00:18,640 --> 00:00:22,400 Speaker 2: The clearing House of Hot takes break free for something special. 9 00:00:22,720 --> 00:00:29,479 Speaker 2: The Fifth Hour with Ben Maller starts right now. 10 00:00:29,040 --> 00:00:36,120 Speaker 1: In the air everywhere, and the weekend has begun. Now, 11 00:00:36,120 --> 00:00:38,000 Speaker 1: how do I know the weekend has begun? Because this 12 00:00:38,880 --> 00:00:42,000 Speaker 1: is the Fifth Hour with Me, Ben Mallard and Danny 13 00:00:42,080 --> 00:00:45,920 Speaker 1: g Radio. Happy National Popcorn Day. Dany Are you a 14 00:00:45,920 --> 00:00:48,159 Speaker 1: fan of popcorn? Uh? 15 00:00:48,360 --> 00:00:50,040 Speaker 3: Not a huge fan. 16 00:00:50,200 --> 00:00:52,520 Speaker 4: I mean, if you go to the movies, it's hard 17 00:00:52,520 --> 00:00:54,800 Speaker 4: to pass it up when it's warm and it's got 18 00:00:54,800 --> 00:00:56,760 Speaker 4: a little bit of butter on it. But I don't 19 00:00:56,800 --> 00:00:59,080 Speaker 4: like the way it sticks in your teeth, and also 20 00:00:59,160 --> 00:01:01,320 Speaker 4: I don't like the way you feel after you're done 21 00:01:01,720 --> 00:01:02,600 Speaker 4: gorging on it. 22 00:01:03,080 --> 00:01:06,440 Speaker 1: Yeah. Well it's a popcorn orgy when you go to 23 00:01:06,520 --> 00:01:09,600 Speaker 1: the movie theater. And I don't eat a lot of popcorn. 24 00:01:09,640 --> 00:01:12,960 Speaker 1: I actually like popcorn. I'm positive I'm in the pro 25 00:01:13,080 --> 00:01:18,640 Speaker 1: popcorn camp, but the stomach ache is pretty bad. And 26 00:01:18,959 --> 00:01:20,679 Speaker 1: I was told by so many years ago that with 27 00:01:20,800 --> 00:01:24,640 Speaker 1: every kernel of popcorn that you eat is about ten 28 00:01:24,680 --> 00:01:26,800 Speaker 1: seconds of your life less that you're going to live. 29 00:01:27,440 --> 00:01:32,080 Speaker 1: I got a thing about dead bodies eating the buttered 30 00:01:32,200 --> 00:01:35,320 Speaker 1: the movie theater buttered popcorn, which is so good, yeah, 31 00:01:35,720 --> 00:01:38,280 Speaker 1: so amazing. And back in the day, my big eating 32 00:01:38,360 --> 00:01:41,800 Speaker 1: days before I started doing this fuges fasting and all 33 00:01:41,800 --> 00:01:44,560 Speaker 1: that dandy, I would go to a theater near the 34 00:01:44,600 --> 00:01:46,520 Speaker 1: house and they had I don't know if they still 35 00:01:46,560 --> 00:01:49,520 Speaker 1: do this, they used to do buy a large popcorn 36 00:01:50,040 --> 00:01:53,440 Speaker 1: and you get a free refill. That was the thing. 37 00:01:53,440 --> 00:01:55,880 Speaker 1: So I'd buy the large popcorn, like the extra large popcorn. 38 00:01:56,360 --> 00:01:59,320 Speaker 4: They still do that, but the large popcorn is twenty 39 00:01:59,400 --> 00:02:00,120 Speaker 4: nine to ninety. 40 00:02:01,600 --> 00:02:07,200 Speaker 1: Yeah, so back in my day it was reasonable, comparably reason. 41 00:02:07,520 --> 00:02:10,640 Speaker 1: I'd get the large popcorn, and I would get there 42 00:02:10,639 --> 00:02:13,480 Speaker 1: as early as I could watch all the trailers and 43 00:02:14,080 --> 00:02:16,880 Speaker 1: try to finish about half of it before the movie 44 00:02:17,000 --> 00:02:20,880 Speaker 1: started so I could go back and get more. And 45 00:02:20,880 --> 00:02:23,440 Speaker 1: and that was my move. But there's a few things 46 00:02:23,440 --> 00:02:27,280 Speaker 1: better than popcorn at a movie, and like chocolate and 47 00:02:27,320 --> 00:02:33,760 Speaker 1: the sweet and the salty fatty popcorn. It's just absolutely wonderful. 48 00:02:33,800 --> 00:02:37,240 Speaker 1: So Happy National Popcorn eight and we are back. A 49 00:02:37,320 --> 00:02:40,079 Speaker 1: new weekend is upon us here on the fifth hour, 50 00:02:40,200 --> 00:02:45,480 Speaker 1: and today's edition a hodgepodge of randomness as we head 51 00:02:45,520 --> 00:02:50,800 Speaker 1: into a divisional playoff weekend in the NFL tomorrow and Sunday, 52 00:02:50,800 --> 00:02:53,360 Speaker 1: we will be down to the final four teams in 53 00:02:53,440 --> 00:02:57,880 Speaker 1: the NFL by Sunday. Night says it's wrapping up. But Danny, 54 00:02:57,880 --> 00:03:00,239 Speaker 1: we're getting close to the silly season in football, which 55 00:03:00,240 --> 00:03:03,000 Speaker 1: is also fun for sports radio. But only a couple 56 00:03:03,000 --> 00:03:04,680 Speaker 1: more games to go here. It's crazy. 57 00:03:05,000 --> 00:03:08,400 Speaker 4: It seems like just yesterday we were celebrating on the 58 00:03:08,440 --> 00:03:12,040 Speaker 4: air the preseason and the start of the season. I 59 00:03:12,080 --> 00:03:13,880 Speaker 4: can't believe it's wrapping up right now. 60 00:03:14,480 --> 00:03:18,920 Speaker 1: Yeah, it's just we're on a high speed submarine, like 61 00:03:18,919 --> 00:03:23,840 Speaker 1: a nuclear fusion submarine, just flying through through all of this. 62 00:03:24,000 --> 00:03:26,560 Speaker 1: But we have today Today's pot, we have the Green 63 00:03:26,639 --> 00:03:31,760 Speaker 1: Day Heaven Coster Special, the phrase of the week, and 64 00:03:31,840 --> 00:03:34,560 Speaker 1: we'll see what else we have we have time for. 65 00:03:35,400 --> 00:03:36,960 Speaker 1: So I want to start with this now. As you know, 66 00:03:37,280 --> 00:03:41,320 Speaker 1: this podcast serves two purposes. Not only does it give 67 00:03:41,440 --> 00:03:46,119 Speaker 1: you the consumer fresh audio content on the weekends when 68 00:03:46,160 --> 00:03:50,160 Speaker 1: I'm normally not working, and Danny as well. But in addition, 69 00:03:51,160 --> 00:03:55,640 Speaker 1: I canhore myself out and promote my TV show which 70 00:03:55,680 --> 00:03:59,520 Speaker 1: is still on the air. It's amazing, I know. So 71 00:03:59,680 --> 00:04:04,120 Speaker 1: we we recorded the latest episode, the Divisional Round episode 72 00:04:04,200 --> 00:04:06,760 Speaker 1: of Benny Versus the Penny, and I was asked by 73 00:04:06,920 --> 00:04:09,360 Speaker 1: a listener, I did not use this in the mailbag. 74 00:04:09,400 --> 00:04:12,600 Speaker 1: I'm using it right now. Mailbag's on Sunday. But he asked, 75 00:04:12,600 --> 00:04:15,400 Speaker 1: how are you guys going to do the show because 76 00:04:15,840 --> 00:04:18,320 Speaker 1: there's not as many games, and you guys still have 77 00:04:18,400 --> 00:04:21,200 Speaker 1: to do the full, full show. And so my response 78 00:04:21,240 --> 00:04:27,040 Speaker 1: to that is a, yeah, there aren't as many games obviously, 79 00:04:28,200 --> 00:04:31,320 Speaker 1: but it's only a half an hour show. And Danny, 80 00:04:31,360 --> 00:04:35,360 Speaker 1: as you know from being a seasoned radio professional, we 81 00:04:35,600 --> 00:04:39,920 Speaker 1: do on a radio show, you know, twenty two and 82 00:04:39,920 --> 00:04:42,880 Speaker 1: a half, twenty three minutes of content with our eyes 83 00:04:42,920 --> 00:04:45,560 Speaker 1: closed and our hands tied behind our back or whatever. 84 00:04:45,640 --> 00:04:46,720 Speaker 1: Rush Limbaugh used to say. 85 00:04:47,000 --> 00:04:49,360 Speaker 4: We could go on a side rant for a good 86 00:04:49,400 --> 00:04:52,160 Speaker 4: eighteen nineteen minutes and then try to get back to 87 00:04:52,200 --> 00:04:55,080 Speaker 4: the point. But then your producer is saying break break, 88 00:04:55,120 --> 00:04:57,240 Speaker 4: gotta go, and you've got to pick up your real 89 00:04:57,279 --> 00:04:59,320 Speaker 4: topic on the other side exactly. 90 00:04:59,360 --> 00:05:00,480 Speaker 1: So that's the point. 91 00:05:00,520 --> 00:05:00,720 Speaker 2: I mean. 92 00:05:00,880 --> 00:05:03,360 Speaker 1: And and you just when you do the radio stuff, 93 00:05:03,480 --> 00:05:07,279 Speaker 1: it's long form. It's I do four hours a night. 94 00:05:07,400 --> 00:05:09,680 Speaker 1: I've done five in the past. I did with Looney 95 00:05:10,000 --> 00:05:12,279 Speaker 1: who I do the TV show with. We would go 96 00:05:12,360 --> 00:05:16,239 Speaker 1: on the air at one o'clock Eastern time, ten o'clock 97 00:05:16,279 --> 00:05:19,000 Speaker 1: in the West, and we would go all the way 98 00:05:19,120 --> 00:05:22,800 Speaker 1: till seven o'clock. So we did six hours of live 99 00:05:23,000 --> 00:05:27,200 Speaker 1: radio every Sunday for seven years. And so you learn, 100 00:05:27,600 --> 00:05:29,599 Speaker 1: you learn how to how to talk, and you know. 101 00:05:29,680 --> 00:05:33,479 Speaker 1: So I'm we're worried about that. And even with the 102 00:05:33,480 --> 00:05:35,560 Speaker 1: fewer number of games, we still have so much to say, 103 00:05:35,600 --> 00:05:37,520 Speaker 1: we likely we'll still run out of that. But that's 104 00:05:37,560 --> 00:05:40,719 Speaker 1: not the point, all right. The point is this. We 105 00:05:40,880 --> 00:05:44,799 Speaker 1: had a historical moment on this latest episode of Benny 106 00:05:44,839 --> 00:05:46,720 Speaker 1: Versus the Petty, which will be start It's gonna start 107 00:05:46,760 --> 00:05:50,280 Speaker 1: airing later today. I think the first showing is this 108 00:05:50,400 --> 00:05:54,839 Speaker 1: afternoon in San Francisco. But uh, and it's on all 109 00:05:55,000 --> 00:05:59,640 Speaker 1: the country. So our first wardrobe malfunction on the TV show. 110 00:05:59,680 --> 00:06:02,560 Speaker 1: You always remember your first So if that didn't catch 111 00:06:02,600 --> 00:06:05,480 Speaker 1: your attention, maybe he did. I don't know. Was it me? 112 00:06:05,680 --> 00:06:09,240 Speaker 1: Did I have the wardrobe malfunction? No, because I have 113 00:06:09,920 --> 00:06:14,359 Speaker 1: a military like outfit when I go and do this show. 114 00:06:14,480 --> 00:06:17,720 Speaker 1: I have the hat, I have the pullover top, I 115 00:06:17,760 --> 00:06:20,479 Speaker 1: have the dress shirt. That's my outfit. That's what I wear. 116 00:06:20,839 --> 00:06:25,560 Speaker 1: But Tom Looney was called to the carpet. Is it 117 00:06:25,880 --> 00:06:31,600 Speaker 1: true that Tom Looney had a fashion faux pauw? A 118 00:06:31,720 --> 00:06:36,680 Speaker 1: fashion faux pauw on the Fifth Hour podcast or the 119 00:06:37,120 --> 00:06:38,839 Speaker 1: TV show which we're talking about now, on the Fifth 120 00:06:38,839 --> 00:06:42,320 Speaker 1: Hour podcast. So Looney he wore a shirt he showed up. Now, 121 00:06:42,400 --> 00:06:45,120 Speaker 1: the way this works, I get there hours before we're 122 00:06:45,120 --> 00:06:49,760 Speaker 1: supposed to record the TV show, and I squeeze my 123 00:06:49,920 --> 00:06:54,080 Speaker 1: way into the back room there at Universal Studios. There's 124 00:06:54,160 --> 00:06:56,560 Speaker 1: no one there. The place is completely empty. And I 125 00:06:56,600 --> 00:06:58,960 Speaker 1: go in there and there's a table, a couple of 126 00:06:59,040 --> 00:07:02,760 Speaker 1: chairs around it. There's a big whiteboard that has some 127 00:07:02,880 --> 00:07:06,320 Speaker 1: notes for some I don't even read it, some movies 128 00:07:06,560 --> 00:07:10,280 Speaker 1: something or whatever. So I'm sitting there, I got like 129 00:07:10,360 --> 00:07:13,680 Speaker 1: half a light on, and I'm going over my notes, 130 00:07:13,720 --> 00:07:18,320 Speaker 1: doing some final preparation for the show. About half an 131 00:07:18,320 --> 00:07:22,600 Speaker 1: hour before the show before the record time, Loony comes 132 00:07:23,240 --> 00:07:26,000 Speaker 1: rolling it. Now, the great thing about Looney is. You 133 00:07:26,160 --> 00:07:29,600 Speaker 1: don't have to be worried about being surprised by Loony 134 00:07:29,640 --> 00:07:35,480 Speaker 1: because it's like a stampede of Buffalo Danny. You can 135 00:07:35,600 --> 00:07:40,800 Speaker 1: hear Looney approaching from a mile away because he's just 136 00:07:40,960 --> 00:07:44,480 Speaker 1: randomly saying hello and talking to random people in the building. 137 00:07:44,600 --> 00:07:46,320 Speaker 1: So I knew Looney was on the way. So he 138 00:07:46,360 --> 00:07:49,200 Speaker 1: comes in there and I say hello. We do the 139 00:07:49,480 --> 00:07:53,280 Speaker 1: usual niceties and all that, and I always make sure 140 00:07:53,320 --> 00:07:55,480 Speaker 1: to take note of his outfit because he wears some 141 00:07:55,560 --> 00:07:58,240 Speaker 1: crazy crap. And he had the shirt on and he 142 00:07:58,320 --> 00:08:01,600 Speaker 1: pointed out that this is a shirt with mikecrophones, and 143 00:08:01,600 --> 00:08:04,040 Speaker 1: I was like, well, who cares? You know, I'm a 144 00:08:04,040 --> 00:08:06,840 Speaker 1: big deal, and Looney was trying to explain, well, we 145 00:08:06,960 --> 00:08:10,200 Speaker 1: work with microphones. This is kind of cool. And you 146 00:08:10,200 --> 00:08:11,880 Speaker 1: know who does care, though, Danny. That would be the 147 00:08:11,920 --> 00:08:18,080 Speaker 1: production team in Boston. And as Paul Harvey used to 148 00:08:18,120 --> 00:08:20,600 Speaker 1: say on radio, you know what the news is. But 149 00:08:20,880 --> 00:08:22,520 Speaker 1: now you're about to hear the rest of the story. 150 00:08:22,560 --> 00:08:25,120 Speaker 1: So why would the production team in Boston be upset 151 00:08:25,120 --> 00:08:29,680 Speaker 1: by Tom Looney wearing just a random shirt with microphones 152 00:08:29,720 --> 00:08:33,600 Speaker 1: on a TV show. Well, it turns out that those 153 00:08:33,640 --> 00:08:40,199 Speaker 1: microphones were bright green microphones, bright green microphones. You want 154 00:08:40,240 --> 00:08:42,760 Speaker 1: to take a guess, Danny, what happens when one wears 155 00:08:42,800 --> 00:08:47,480 Speaker 1: the color green the television show in a studio? 156 00:08:48,640 --> 00:08:52,560 Speaker 4: You look like Casper the Friendly Ghost exactly. 157 00:08:52,880 --> 00:08:55,079 Speaker 1: So we do the show obviously in a studio with 158 00:08:55,160 --> 00:08:57,360 Speaker 1: green screen. That's how they are able to put the graphics. 159 00:08:57,360 --> 00:09:01,160 Speaker 1: Minus it's just basic TV. And Looney sits down, he 160 00:09:01,200 --> 00:09:04,320 Speaker 1: gets miked up, They put his ifb in and he's 161 00:09:04,559 --> 00:09:06,959 Speaker 1: he said, oh, hello everyone, you know, and all this stuff. 162 00:09:07,200 --> 00:09:10,240 Speaker 1: And we're looking in the monitor and you're right, it's 163 00:09:10,280 --> 00:09:13,520 Speaker 1: like Looney has become Casper the Friendly Ghost. We see 164 00:09:13,559 --> 00:09:17,880 Speaker 1: his head, but it was floating, yeah, yeah, mostly a 165 00:09:17,920 --> 00:09:22,040 Speaker 1: floating head. Mostly floating again and uh, and they were 166 00:09:22,080 --> 00:09:24,559 Speaker 1: trying to figure out. Originally the people in Boston are like, 167 00:09:24,600 --> 00:09:27,480 Speaker 1: what's going on. They thought it was a problem with 168 00:09:27,520 --> 00:09:32,000 Speaker 1: the graphics and and then we were correfully surmised. No, no, no, 169 00:09:32,120 --> 00:09:35,800 Speaker 1: this was Looney going full green day and he had 170 00:09:35,800 --> 00:09:38,600 Speaker 1: to do the walk of shame. Now, Fortunately for Looney, 171 00:09:38,640 --> 00:09:42,480 Speaker 1: he knew he's klutz and he did bring an extra shirt, 172 00:09:43,240 --> 00:09:45,000 Speaker 1: so he did bring an extra so so it wasn't 173 00:09:45,000 --> 00:09:47,880 Speaker 1: a total disaster, but it was hilarious because we're getting 174 00:09:47,880 --> 00:09:50,320 Speaker 1: ready to start recording the show and they're like, we 175 00:09:50,360 --> 00:09:53,480 Speaker 1: can't do it, you know, we're done, and and so 176 00:09:53,559 --> 00:09:56,400 Speaker 1: Looney had to go in the back room and change 177 00:09:56,400 --> 00:09:57,600 Speaker 1: it was It was pretty funny. 178 00:09:57,640 --> 00:09:59,480 Speaker 3: It was what would have happened if he had not 179 00:09:59,559 --> 00:10:00,559 Speaker 3: had the extra with. 180 00:10:00,559 --> 00:10:02,959 Speaker 1: Him, Well, it just been me. I would have been talking. 181 00:10:03,000 --> 00:10:04,960 Speaker 1: I would have pretended to be loony and then I'd 182 00:10:05,000 --> 00:10:06,840 Speaker 1: go back and do my thing. And yeah, I don't know, 183 00:10:06,880 --> 00:10:08,920 Speaker 1: I don't know what would have would have happened with that. 184 00:10:08,920 --> 00:10:11,280 Speaker 1: But by the way, the TV show, the divisional Round 185 00:10:11,440 --> 00:10:14,400 Speaker 1: edition of Benny Versus the Penny. You got to check 186 00:10:14,400 --> 00:10:17,000 Speaker 1: your local TV listings, as Danny likes to say, for 187 00:10:17,160 --> 00:10:22,080 Speaker 1: showings in your area. It's distributed by n B. See 188 00:10:23,000 --> 00:10:27,960 Speaker 1: Celtics are probably in BC. Yeah, right, Celtics are playing tonight, 189 00:10:28,000 --> 00:10:30,560 Speaker 1: so we're on late We're bumped to the late TV 190 00:10:30,679 --> 00:10:34,120 Speaker 1: window tonight in Boston, Benny Versus the Penny eleven thirty. 191 00:10:34,520 --> 00:10:36,160 Speaker 1: There's no good late night TV, so we'll be on 192 00:10:36,200 --> 00:10:40,240 Speaker 1: eleven thirty and then an encore showing at midnight in Boston. 193 00:10:40,720 --> 00:10:43,920 Speaker 1: There's a I think a Flyers game in Philadelphia. I 194 00:10:43,960 --> 00:10:47,520 Speaker 1: believe on NBC Sports Phillies will be on eleven o'clock 195 00:10:47,520 --> 00:10:51,520 Speaker 1: there I have a late night showing in Chicago tonight. 196 00:10:52,080 --> 00:10:56,679 Speaker 1: Bay Area. We're on first showings at two o'clock this 197 00:10:56,720 --> 00:10:59,760 Speaker 1: afternoon Pacific time, so we're on early and there's three. 198 00:10:59,760 --> 00:11:02,200 Speaker 1: There's two other showings after that. There's one after the 199 00:11:02,200 --> 00:11:05,320 Speaker 1: Warriors game, so check your listenings on that. We're also 200 00:11:05,360 --> 00:11:08,680 Speaker 1: on a couple of times on NBC Sports California, which 201 00:11:08,720 --> 00:11:12,200 Speaker 1: is the home of the Sacramento Kings, and then tomorrow 202 00:11:12,320 --> 00:11:15,880 Speaker 1: Danny on Saturday, I guess the Lakers aren't playing because 203 00:11:15,920 --> 00:11:19,000 Speaker 1: Benny versus the Penny will be on Spectrum Sports Net 204 00:11:19,040 --> 00:11:22,480 Speaker 1: SoCal not once, not twice, not three times, but four 205 00:11:22,559 --> 00:11:25,600 Speaker 1: showings for showing. That's I think that's a record. 206 00:11:26,280 --> 00:11:28,400 Speaker 3: Yeah. Yeah, the Lakers play in Sunday evening. 207 00:11:28,640 --> 00:11:31,839 Speaker 1: Okay, yeah, so we're on thank god, we're on four 208 00:11:31,920 --> 00:11:37,520 Speaker 1: times in the Los Angeles market on Spectrum Sports Net SOCOW, 209 00:11:37,640 --> 00:11:40,439 Speaker 1: which is my favorite. I don't know how that became 210 00:11:40,440 --> 00:11:45,520 Speaker 1: my favorite cable channel in LA. It's very odd. And 211 00:11:45,920 --> 00:11:47,920 Speaker 1: then on Sunday we have the normal block. We have 212 00:11:48,000 --> 00:11:52,720 Speaker 1: been locked into the eleven thirty a m. Eastern TV 213 00:11:52,840 --> 00:11:56,200 Speaker 1: Window on Sports Net New York better known as s 214 00:11:56,400 --> 00:12:00,360 Speaker 1: n Y, which will be interesting because that show will 215 00:12:00,360 --> 00:12:08,679 Speaker 1: be broadcast after the games on Saturday, and who knows. 216 00:12:08,840 --> 00:12:10,480 Speaker 1: I don't know it's gonna happen with that because we 217 00:12:10,520 --> 00:12:12,280 Speaker 1: don't know who's gonna win. I have my picks. But 218 00:12:12,320 --> 00:12:15,160 Speaker 1: the games on Saturday, the Texans and Ravens and the 219 00:12:15,200 --> 00:12:18,520 Speaker 1: Packers and forty nine Ers, and the mother time the 220 00:12:18,520 --> 00:12:20,680 Speaker 1: show airs, those two games will be long over. So 221 00:12:20,840 --> 00:12:23,079 Speaker 1: either all look like a genius or a total jackass 222 00:12:23,960 --> 00:12:27,000 Speaker 1: on the TV show. So now that was the Green 223 00:12:27,080 --> 00:12:32,440 Speaker 1: Day story with Looney Tunes man Na Machado Pop Two 224 00:12:32,440 --> 00:12:39,000 Speaker 1: Bodies Tonight. Now turning the page on that, I wanted 225 00:12:39,040 --> 00:12:41,280 Speaker 1: to share a bit of a story. So this past 226 00:12:41,320 --> 00:12:43,280 Speaker 1: weekend I wanted to follow up on a story Danny 227 00:12:43,280 --> 00:12:46,520 Speaker 1: that I told on the on the radio on the 228 00:12:46,640 --> 00:12:50,880 Speaker 1: radio the other night. This goes way back to early 229 00:12:50,960 --> 00:12:54,679 Speaker 1: in the week. So this past weekend was party Hardy's Hunt. 230 00:12:55,880 --> 00:12:59,440 Speaker 1: My friend, my colleiue, Rob Parker, our buddy Rob. We 231 00:12:59,520 --> 00:13:05,280 Speaker 1: love Rob. And he celebrated his sixtieth trip around the 232 00:13:05,360 --> 00:13:09,120 Speaker 1: globe here around the planet, Spin Spin, Spin Around, and 233 00:13:09,640 --> 00:13:13,360 Speaker 1: so he threw a very elaborate birthday party at the 234 00:13:13,640 --> 00:13:18,120 Speaker 1: MGM Grand Hotel and Casino in the heart of Lost Wages, 235 00:13:18,160 --> 00:13:22,960 Speaker 1: Nevada and Rob invited us. So we love Rob, we 236 00:13:23,000 --> 00:13:26,679 Speaker 1: love Vegas. So we were like, yeah, we're going, and 237 00:13:26,760 --> 00:13:28,440 Speaker 1: so we spent the weekend. Me and the wife spent 238 00:13:28,480 --> 00:13:31,920 Speaker 1: the weekend in Sin City and we had had a 239 00:13:31,920 --> 00:13:33,960 Speaker 1: lot of fun. It was a great trip. I'll tell 240 00:13:34,000 --> 00:13:37,920 Speaker 1: more about it. Throughout the weekend. We drove, always drive. 241 00:13:38,040 --> 00:13:41,400 Speaker 1: I've only flown to Vegas once in all these years 242 00:13:41,440 --> 00:13:43,040 Speaker 1: I've been around going to Vegas. I've been going to 243 00:13:43,120 --> 00:13:45,280 Speaker 1: Vegas for a long time and only once have I flown. 244 00:13:45,320 --> 00:13:47,560 Speaker 1: And the only reason I flew was because somebody paid 245 00:13:47,600 --> 00:13:50,040 Speaker 1: for it. I didn't pay for it. You know, a 246 00:13:50,080 --> 00:13:52,840 Speaker 1: man of the people. I know all the great restaurants 247 00:13:52,840 --> 00:13:57,120 Speaker 1: in Victorville. Barstow, Baker and Prim have it all mapped out, Danny, 248 00:13:57,400 --> 00:14:00,080 Speaker 1: I know where to go in Victorville. There's all a 249 00:14:00,080 --> 00:14:01,920 Speaker 1: lot of good restaurants in Victoryville. But that's the first 250 00:14:01,960 --> 00:14:04,000 Speaker 1: that's like the twenty five percent mark on the way 251 00:14:04,000 --> 00:14:04,800 Speaker 1: to Vegas from. 252 00:14:04,760 --> 00:14:08,360 Speaker 3: La Yeah, you're barely out of southern California. 253 00:14:08,080 --> 00:14:10,880 Speaker 1: Exactly, So you're better off waiting till at least Barstow, 254 00:14:11,360 --> 00:14:16,560 Speaker 1: because Barstow, that's like the sweet spot that's halfway Baker. 255 00:14:17,360 --> 00:14:19,960 Speaker 1: I like the mad Greek and Baker, that alien beef 256 00:14:20,040 --> 00:14:22,680 Speaker 1: jerkey place out in Baker's kind of cool. But when 257 00:14:22,680 --> 00:14:24,600 Speaker 1: you get to Baker, you're like, you know, it's not 258 00:14:24,760 --> 00:14:27,800 Speaker 1: that much further to to Vegas. You know, you're more 259 00:14:27,840 --> 00:14:30,600 Speaker 1: than a halfway. It's like the But then you go 260 00:14:30,680 --> 00:14:33,400 Speaker 1: through Prim and you're like, maybe I could stop in Prim, 261 00:14:33,480 --> 00:14:35,520 Speaker 1: maybe do a little gambling, cause it's just right across 262 00:14:35,560 --> 00:14:38,080 Speaker 1: the state line from California. But then you're like, it's 263 00:14:38,080 --> 00:14:40,120 Speaker 1: only another hour to Vegas. Why don't I just go 264 00:14:40,160 --> 00:14:43,200 Speaker 1: to Vegas? And so like Barstow is the perfect spot 265 00:14:43,600 --> 00:14:47,040 Speaker 1: on that perfect spot in my opinion. But you see 266 00:14:47,040 --> 00:14:49,160 Speaker 1: all the sand and the cactus and all that that 267 00:14:49,240 --> 00:14:53,040 Speaker 1: your heart desires. And had a phone. We ate a 268 00:14:53,080 --> 00:14:54,400 Speaker 1: lot of good food. I'll tell you more about that 269 00:14:54,400 --> 00:14:57,480 Speaker 1: probably later in the weekend. Probably later I'll get to that. 270 00:14:57,560 --> 00:15:01,640 Speaker 1: But watch the games and had a good and the 271 00:15:01,680 --> 00:15:04,560 Speaker 1: party was was a lot of fun, a lot of fun. 272 00:15:05,480 --> 00:15:08,560 Speaker 1: Rob's Danny. Rob's much different than me. I can't imagine 273 00:15:08,600 --> 00:15:12,800 Speaker 1: ever throwing a party like that. For myself. I just can't. 274 00:15:12,360 --> 00:15:16,440 Speaker 4: But no, there's no way I could see you doing 275 00:15:16,480 --> 00:15:18,560 Speaker 4: something remotely. 276 00:15:18,080 --> 00:15:18,720 Speaker 3: Close to that. 277 00:15:19,240 --> 00:15:21,280 Speaker 1: No, I will not be renting out the hall at 278 00:15:21,320 --> 00:15:23,240 Speaker 1: the MGM Grand for a birthday party. But it was 279 00:15:23,320 --> 00:15:26,560 Speaker 1: very kind. I mean, Rob is he's a he's a mensch. 280 00:15:26,800 --> 00:15:27,520 Speaker 1: As we like to. 281 00:15:27,480 --> 00:15:30,880 Speaker 4: Say, imagine ordering big banners with your face on it. 282 00:15:31,960 --> 00:15:34,840 Speaker 1: Well, yeah, that's a little, a little much, but it was. 283 00:15:35,240 --> 00:15:37,560 Speaker 1: He sat me at table nine. I was very happy. 284 00:15:37,560 --> 00:15:39,160 Speaker 1: I was in the top ten tables. This was a 285 00:15:39,160 --> 00:15:41,680 Speaker 1: big event. There were a couple hundred people there. So 286 00:15:41,760 --> 00:15:45,800 Speaker 1: I was at table nine, at table nine man with 287 00:15:45,920 --> 00:15:50,920 Speaker 1: Bob Garra Wrong Button, Bob producer. He was there. Chris 288 00:15:50,960 --> 00:15:53,760 Speaker 1: Brussard was was hanging out. He sat next to me there. 289 00:15:53,800 --> 00:15:57,680 Speaker 1: Chris was wearing a tuxedo. Among the other luminaries. That 290 00:15:57,800 --> 00:16:00,400 Speaker 1: was like the FSR table. There were a few of 291 00:16:00,440 --> 00:16:02,440 Speaker 1: the people that are on the odd Couple were sitting 292 00:16:02,480 --> 00:16:04,840 Speaker 1: there as well. And then they had the event. They 293 00:16:04,880 --> 00:16:08,000 Speaker 1: had a buffet meal, they had open bar kind of 294 00:16:08,040 --> 00:16:09,960 Speaker 1: you had two drinks each, but it's open bar for 295 00:16:10,000 --> 00:16:14,200 Speaker 1: two drinks. They had the roast of Rob and poking 296 00:16:14,280 --> 00:16:18,360 Speaker 1: fund at Rob for his legendary love of a certain 297 00:16:18,920 --> 00:16:25,440 Speaker 1: ballet in Atlanta, and his love of cheapness, you know 298 00:16:25,440 --> 00:16:29,320 Speaker 1: when he travels golden girls. All that. Now, Stephen A. Smith, 299 00:16:29,400 --> 00:16:32,160 Speaker 1: our former morning guy at Fox Sports Radio, was supposed 300 00:16:32,160 --> 00:16:35,520 Speaker 1: to speak, and I must say it again if you 301 00:16:35,520 --> 00:16:38,680 Speaker 1: don't know the famous Rob Parker story. If you hate 302 00:16:38,680 --> 00:16:43,280 Speaker 1: Stephen A. Smith, you can thank Rob Parker. You can 303 00:16:43,280 --> 00:16:45,760 Speaker 1: thank him or be upset with him for Steve and 304 00:16:45,800 --> 00:16:48,520 Speaker 1: A still having a career in television because years ago, 305 00:16:49,320 --> 00:16:52,760 Speaker 1: when Stephen A was a young sports writer, he was 306 00:16:52,800 --> 00:16:56,600 Speaker 1: going to quit sports writing to work at a bank 307 00:16:56,960 --> 00:16:59,680 Speaker 1: in I think it was North Carolina, the famous story, 308 00:16:59,760 --> 00:17:04,719 Speaker 1: and Rob Parker talked him out of leaving sports media 309 00:17:05,560 --> 00:17:07,480 Speaker 1: talked him out of him. He was gonna be he 310 00:17:07,520 --> 00:17:10,480 Speaker 1: was gonna be a banker, and and Rob convinced him 311 00:17:10,480 --> 00:17:12,840 Speaker 1: not to do it. And Steven A has made a 312 00:17:12,920 --> 00:17:17,120 Speaker 1: gazillion dollars since then. But anyway, his flight was delayed. 313 00:17:17,200 --> 00:17:19,320 Speaker 3: So he should have bought all of you a third drink, 314 00:17:20,000 --> 00:17:20,600 Speaker 3: you think. 315 00:17:21,280 --> 00:17:24,080 Speaker 1: So he was supposed to speak. He didn't show up. 316 00:17:24,560 --> 00:17:26,520 Speaker 1: We thought he wasn't going to show up. And then 317 00:17:26,640 --> 00:17:29,480 Speaker 1: like two hours after the event started, this hooton Nanny. 318 00:17:31,040 --> 00:17:34,280 Speaker 1: We were walking me and my wife were walking through 319 00:17:34,960 --> 00:17:37,639 Speaker 1: the one of the hallways. We were like on our way. 320 00:17:37,680 --> 00:17:39,399 Speaker 1: We're like, wait, we'll leave now. We've been here a 321 00:17:39,400 --> 00:17:42,919 Speaker 1: couple hours and we're starting to walk and we see 322 00:17:43,240 --> 00:17:47,280 Speaker 1: coming towards us like ships passing the night. We see 323 00:17:47,280 --> 00:17:52,280 Speaker 1: this huge entourage and it's like Floyd Mayweather heading into 324 00:17:52,320 --> 00:17:54,879 Speaker 1: the ring at the MGM, or Oscar de la Joya 325 00:17:55,000 --> 00:17:58,639 Speaker 1: or Mike Tyson or something like that. Oh okay, And 326 00:17:58,400 --> 00:17:59,680 Speaker 1: and then I was like, wait a minute, this is 327 00:17:59,720 --> 00:18:04,040 Speaker 1: like uh Kevin and old Kevin Costner classic, a Kevin 328 00:18:04,040 --> 00:18:07,199 Speaker 1: Costner special. Remember that movie, that old movie with Whitney 329 00:18:07,200 --> 00:18:10,639 Speaker 1: Houston The Bodyguard. Yeah, it was like, there's like a 330 00:18:10,680 --> 00:18:15,960 Speaker 1: bodyguard times too, because hand to God, Danny steven A 331 00:18:16,200 --> 00:18:19,160 Speaker 1: walking he had a lady friend with him and there 332 00:18:19,240 --> 00:18:21,000 Speaker 1: was like one other person who was a little older, 333 00:18:21,000 --> 00:18:25,960 Speaker 1: but then surrounded by these two goon bodyguards. He'll eat 334 00:18:26,400 --> 00:18:31,240 Speaker 1: the table protecting steven A from the great Unwashed, which 335 00:18:31,280 --> 00:18:34,520 Speaker 1: was amusing because he was walking in an empty corridor 336 00:18:34,560 --> 00:18:38,440 Speaker 1: of the MGM, which was off limits to anyone else. 337 00:18:38,520 --> 00:18:41,399 Speaker 1: You weren't allowed to be in that area where we were. Uh, 338 00:18:41,840 --> 00:18:44,560 Speaker 1: but yeah, he had two bodyguards with him as. 339 00:18:44,359 --> 00:18:47,359 Speaker 4: He strolled in what He's made a lot of enemies 340 00:18:47,400 --> 00:18:49,080 Speaker 4: over the years. Ben, you don't want to make an 341 00:18:49,200 --> 00:18:50,080 Speaker 4: enemy out of him. 342 00:18:50,680 --> 00:18:53,320 Speaker 1: You do not want to make an enemy out of me. 343 00:18:54,280 --> 00:18:57,240 Speaker 1: I guess was like, was he word that Jason Whitlock 344 00:18:57,400 --> 00:18:59,920 Speaker 1: was going to pop out behind a potted plant and 345 00:19:00,520 --> 00:19:02,359 Speaker 1: jump on top of him or something like that? Was 346 00:19:02,720 --> 00:19:10,520 Speaker 1: crazy snacks, But that was surprise. That was shocking. Now 347 00:19:10,560 --> 00:19:15,000 Speaker 1: stephen A in the past when he was just starting 348 00:19:15,040 --> 00:19:20,359 Speaker 1: to rise up at ESPN and that show was taking 349 00:19:20,359 --> 00:19:23,760 Speaker 1: off with Skip Bayless. The famous story that we referenced, 350 00:19:23,760 --> 00:19:25,719 Speaker 1: Actually Eddie brought this up. I had forgotten about it 351 00:19:26,160 --> 00:19:28,880 Speaker 1: back in the Pete Carroll days of USC football when 352 00:19:28,960 --> 00:19:33,920 Speaker 1: sc were rock stars in La in that era. Back 353 00:19:33,960 --> 00:19:37,520 Speaker 1: in those days, stephen A showed up to a USC 354 00:19:37,720 --> 00:19:40,800 Speaker 1: game Colsseum with Pete Carroll, Matt Lioner at Reggie Bush 355 00:19:41,160 --> 00:19:46,679 Speaker 1: that group, and at the coliseum he went to the bathroom. 356 00:19:46,680 --> 00:19:48,520 Speaker 1: We offer to go the bathroom, but he had a 357 00:19:48,560 --> 00:19:53,359 Speaker 1: security guard guard the bathroom so nobody else could go in. 358 00:19:53,400 --> 00:19:57,280 Speaker 1: While stephen A was was draining the snake there, no 359 00:19:57,320 --> 00:19:59,000 Speaker 1: one else could go in. So that was a long time. 360 00:19:59,040 --> 00:20:02,600 Speaker 1: That's probably man Pete Carroll sc we're probably going back 361 00:20:02,680 --> 00:20:06,640 Speaker 1: fifteen twenty years, not twenty years, but fifteen to twenty years, 362 00:20:06,640 --> 00:20:10,320 Speaker 1: a long time ago. And so he's up the bodyguard game. 363 00:20:11,280 --> 00:20:13,520 Speaker 1: And how would you think that costs? Because stephen A 364 00:20:13,640 --> 00:20:16,280 Speaker 1: travels a lot. He lives on the East Coast, but 365 00:20:16,320 --> 00:20:19,240 Speaker 1: he's got a place in La He's traveling all over 366 00:20:19,280 --> 00:20:21,720 Speaker 1: the place. So not only do you have to pay 367 00:20:21,720 --> 00:20:23,600 Speaker 1: for the bodyguard, you got to pay for their travel, 368 00:20:23,640 --> 00:20:25,680 Speaker 1: you got to pay for their food, all that, right, 369 00:20:25,720 --> 00:20:29,159 Speaker 1: So it's yeah, twenty four hours a day. I know 370 00:20:29,200 --> 00:20:31,040 Speaker 1: he's making a lot of money and he could afford it, 371 00:20:31,680 --> 00:20:33,840 Speaker 1: but I'm still curious how much that costs. I would 372 00:20:33,840 --> 00:20:37,359 Speaker 1: love to know how much he spends on privatey. 373 00:20:37,440 --> 00:20:39,679 Speaker 4: No, I feel like if it were you or me, 374 00:20:39,840 --> 00:20:41,560 Speaker 4: we would try to find a way to just have 375 00:20:41,640 --> 00:20:44,520 Speaker 4: one goon and it would be like a family, like 376 00:20:44,600 --> 00:20:47,840 Speaker 4: a relative or something who's huge, and that way you 377 00:20:47,840 --> 00:20:51,000 Speaker 4: could get like the family discount, because otherwise, I mean, 378 00:20:51,000 --> 00:20:52,560 Speaker 4: even if you have a lot of money, You're right, 379 00:20:52,600 --> 00:20:53,840 Speaker 4: that adds up quickly. 380 00:20:54,600 --> 00:20:57,520 Speaker 1: Didn't Shaquille O'Neal have a relative as his bodyguard? I 381 00:20:57,520 --> 00:20:59,119 Speaker 1: remember when he was playing for the Lakers. There was 382 00:20:59,119 --> 00:21:02,520 Speaker 1: a buddy of his that was his his traveling companion. 383 00:21:02,560 --> 00:21:04,359 Speaker 1: I forget the guy's name, but I believe he was 384 00:21:04,400 --> 00:21:06,040 Speaker 1: a cousin or something of check. 385 00:21:06,160 --> 00:21:08,760 Speaker 4: Yeah, yeah, I think you're right about that. Shack is 386 00:21:08,760 --> 00:21:09,720 Speaker 4: smart with his money. 387 00:21:10,520 --> 00:21:13,760 Speaker 1: Oh yeah, no, Shack. Listen, Shack made a ton, not 388 00:21:13,760 --> 00:21:16,560 Speaker 1: as much as Magic Johnson. But you can't turn on 389 00:21:16,640 --> 00:21:19,240 Speaker 1: a sporting event without seeing Shaq pouring himself out for 390 00:21:19,320 --> 00:21:22,680 Speaker 1: some product. No, I'm sick and tired of your fire 391 00:21:22,880 --> 00:21:28,480 Speaker 1: get out or multiple products. He's next level, so good 392 00:21:28,600 --> 00:21:31,840 Speaker 1: job by him. Oh. I wanted to also mention that 393 00:21:31,960 --> 00:21:36,360 Speaker 1: does anyone have a a locksmith? This was rather odd. 394 00:21:36,960 --> 00:21:40,040 Speaker 1: Weird thing happened this week the other night in the 395 00:21:40,160 --> 00:21:45,560 Speaker 1: FSR studio. So Eddie usually does not enter my domain. 396 00:21:45,680 --> 00:21:48,000 Speaker 1: I don't enter his domain. He's in the update studio. 397 00:21:48,200 --> 00:21:50,800 Speaker 1: But the other night he came wandering out of his 398 00:21:51,760 --> 00:21:55,960 Speaker 1: safe space, walked down the hall, around the corner, turned 399 00:21:55,960 --> 00:21:59,080 Speaker 1: the corner again, and attempted to enter the studio I 400 00:21:59,200 --> 00:22:01,040 Speaker 1: was in because he wanted to tell me something about 401 00:22:01,440 --> 00:22:05,119 Speaker 1: the schedule. And that is when the thing of a 402 00:22:05,200 --> 00:22:08,879 Speaker 1: jig stop work, or we thought it stopped working. 403 00:22:10,240 --> 00:22:12,000 Speaker 3: I've had this happen one time too. 404 00:22:12,440 --> 00:22:16,240 Speaker 1: Okay, so ed he tries to open the door and 405 00:22:16,760 --> 00:22:19,639 Speaker 1: the door doesn't open. Yeah, the main studio. 406 00:22:19,680 --> 00:22:20,560 Speaker 3: I'm like, what's up? 407 00:22:20,680 --> 00:22:24,960 Speaker 4: Yeah, that mechanism is janky. There's once or twice where 408 00:22:25,040 --> 00:22:27,159 Speaker 4: the door we thought it was locked on Covino and 409 00:22:27,280 --> 00:22:28,320 Speaker 4: Rich Yeah. 410 00:22:28,400 --> 00:22:30,639 Speaker 1: Yeah, So I was very concerned. I was like, well, 411 00:22:30,640 --> 00:22:32,840 Speaker 1: wait a minute, the door if it closes, I'll not 412 00:22:32,880 --> 00:22:34,760 Speaker 1: be able to get in the studio. I'll be I'll 413 00:22:34,800 --> 00:22:37,879 Speaker 1: be locked out of the on air studio. So we 414 00:22:37,920 --> 00:22:41,800 Speaker 1: had put a sign up and it's a really messed 415 00:22:41,840 --> 00:22:44,080 Speaker 1: up And then the funniest part about it is like 416 00:22:44,119 --> 00:22:47,000 Speaker 1: we're freaking out. We're like, oh no, Iowa. Sam of 417 00:22:47,000 --> 00:22:49,639 Speaker 1: course goes in full panic at the disco mode and 418 00:22:49,680 --> 00:22:51,640 Speaker 1: he's like, Okay, I'm gonna email this person. I'm gonna 419 00:22:51,680 --> 00:22:53,639 Speaker 1: call this person. We're gonna get this thing fixed. You know. 420 00:22:53,960 --> 00:22:56,400 Speaker 1: We put a sign on the door, the whole thing, 421 00:22:57,359 --> 00:23:00,920 Speaker 1: and so Jonas comes strolling in out do we get done? 422 00:23:01,240 --> 00:23:03,320 Speaker 1: And again the way the works, we could open the 423 00:23:03,359 --> 00:23:06,199 Speaker 1: door from the studio out, but you couldn't open the 424 00:23:06,200 --> 00:23:10,560 Speaker 1: door going in. It wouldn't open. It was locked, you know. 425 00:23:10,720 --> 00:23:13,679 Speaker 4: Really quick, Ben Love iowa Sam to death. He's a 426 00:23:13,720 --> 00:23:17,120 Speaker 4: great guy, but he has been known to have little 427 00:23:17,160 --> 00:23:20,680 Speaker 4: meltdowns from time to time. I feel like he would 428 00:23:20,720 --> 00:23:24,000 Speaker 4: have been a great replacement for mister Furley through these companies. 429 00:23:25,720 --> 00:23:29,159 Speaker 1: Yeah, you knows. He also has a little like Annie Z, 430 00:23:29,359 --> 00:23:31,159 Speaker 1: which no one listening will know who that is, but 431 00:23:31,800 --> 00:23:34,119 Speaker 1: our friend Annie who was a big boss at Fox, 432 00:23:34,160 --> 00:23:36,560 Speaker 1: and I love Annie to death, but I was Sam 433 00:23:36,560 --> 00:23:40,920 Speaker 1: as a similar personality. I think in that reward, I'm 434 00:23:41,000 --> 00:23:46,320 Speaker 1: unwarning you guys anyway. The funniest thing. It was like 435 00:23:46,320 --> 00:23:48,560 Speaker 1: a slapstick comedy. So we're all freaking out, you know. 436 00:23:48,920 --> 00:23:50,879 Speaker 1: Hoop's trying to open the door, he can't open it. 437 00:23:51,240 --> 00:23:53,159 Speaker 1: Eddie's trying to open it, he can't open it. You know. 438 00:23:53,200 --> 00:23:55,440 Speaker 1: Then I have them go in the studio. I try 439 00:23:55,440 --> 00:23:57,560 Speaker 1: to open the door. I can't get the damn thing open, 440 00:23:57,920 --> 00:24:00,399 Speaker 1: like the thing of a jig's not working, you know. 441 00:24:00,400 --> 00:24:00,919 Speaker 1: Oh crap. 442 00:24:01,160 --> 00:24:04,280 Speaker 3: So then after the show does it take to open 443 00:24:04,320 --> 00:24:04,760 Speaker 3: a door? 444 00:24:04,920 --> 00:24:06,879 Speaker 1: I know, I know. So here's the funniest thing, right, 445 00:24:06,920 --> 00:24:09,639 Speaker 1: So Jonahs shows up to do his show. I have 446 00:24:09,760 --> 00:24:13,520 Speaker 1: never heard of this cracker. I'm packing my stuff up, 447 00:24:13,560 --> 00:24:18,280 Speaker 1: the door's closed, and Jonas walks over, He twists the knob, 448 00:24:18,640 --> 00:24:21,920 Speaker 1: walks right in like there's nothing like, there's nothing broken. 449 00:24:23,200 --> 00:24:26,600 Speaker 1: What the hell I said? You some kind of ninja. 450 00:24:26,960 --> 00:24:30,720 Speaker 1: We spent the last two hours obsessing with this stupid 451 00:24:30,760 --> 00:24:33,920 Speaker 1: fricking door and you walk right in like it's perfectly fine. 452 00:24:34,040 --> 00:24:35,480 Speaker 1: And he's like, oh, yeah, yeah, you just got to 453 00:24:35,520 --> 00:24:38,080 Speaker 1: like press in and pull down. It's like you're pressed in, 454 00:24:38,440 --> 00:24:45,360 Speaker 1: like what we did that? So by analysis, yeah, it was, 455 00:24:45,440 --> 00:24:47,560 Speaker 1: it was. Don't you think Danny and I don't want 456 00:24:47,560 --> 00:24:49,440 Speaker 1: to speak for management. They're very important people and I 457 00:24:49,440 --> 00:24:51,359 Speaker 1: don't want to speak for them. But don't you think 458 00:24:51,880 --> 00:24:54,800 Speaker 1: you could fix the door? So it doesn't ever work 459 00:24:54,840 --> 00:24:57,600 Speaker 1: that way where it just stops opening for a stretch 460 00:24:57,600 --> 00:24:59,600 Speaker 1: of time and you have to have some kind of 461 00:24:59,640 --> 00:25:02,200 Speaker 1: secret cod It's like opening a bank vault to get 462 00:25:02,200 --> 00:25:05,119 Speaker 1: in the studio. Don't you think there's better ways to 463 00:25:05,160 --> 00:25:08,959 Speaker 1: accomplish that. I'm just, I'm just, I'm just you know what, 464 00:25:09,000 --> 00:25:12,320 Speaker 1: do I know? Maybe that's they want to have a locksmith. 465 00:25:12,320 --> 00:25:15,240 Speaker 1: Does anyone know a locksmith? And have them them come in? 466 00:25:15,720 --> 00:25:18,720 Speaker 1: We have the phrase of the week. Are you ready 467 00:25:18,760 --> 00:25:23,760 Speaker 1: for the phrase of the week? The phrase of the 468 00:25:23,800 --> 00:25:26,439 Speaker 1: week our phrase of the week this week, it is 469 00:25:26,640 --> 00:25:28,639 Speaker 1: something we got from the radio show. I mentioned this. 470 00:25:28,720 --> 00:25:31,280 Speaker 1: I was like, hey, I don't know where that came from. 471 00:25:32,240 --> 00:25:33,919 Speaker 1: And then people are emailing me, well, why don't you 472 00:25:34,040 --> 00:25:36,359 Speaker 1: make that the word of the week or whatever the 473 00:25:36,359 --> 00:25:39,040 Speaker 1: phrase of the week. I said, Okay, what you want, 474 00:25:39,119 --> 00:25:42,880 Speaker 1: we will give you. So the term we're using this week, 475 00:25:42,920 --> 00:25:45,600 Speaker 1: the phrase of the week is we hours, the wee 476 00:25:45,920 --> 00:25:48,399 Speaker 1: hours of the morning. Have you heard that one Danny 477 00:25:48,440 --> 00:25:50,679 Speaker 1: before the wee hours of the morning. Oh, of course, 478 00:25:50,840 --> 00:25:53,360 Speaker 1: of course everyone's heard that. So the term wee hours, 479 00:25:54,280 --> 00:25:58,080 Speaker 1: according to a minutes long mallor investigation, obviously, it means 480 00:25:58,080 --> 00:26:01,000 Speaker 1: the early hours of the morning and it is the 481 00:26:01,080 --> 00:26:06,600 Speaker 1: time period after midnight. The term we of course in English, 482 00:26:06,600 --> 00:26:11,000 Speaker 1: it means very small or tiny, and these are the 483 00:26:11,040 --> 00:26:14,040 Speaker 1: hours between twelve am and the time when the sun rises, 484 00:26:14,080 --> 00:26:16,240 Speaker 1: which is prime real estate. When you do an overnight 485 00:26:16,280 --> 00:26:19,520 Speaker 1: talk Trump and it's the beginning of the new day, 486 00:26:19,640 --> 00:26:23,680 Speaker 1: it's called the wee hours. Now, the expression wee hours, 487 00:26:24,280 --> 00:26:31,320 Speaker 1: according to my research, is a Scottish expression racist and 488 00:26:31,560 --> 00:26:34,080 Speaker 1: it refers to the small number that are used to 489 00:26:34,119 --> 00:26:37,439 Speaker 1: refer to them, the one, two, three o'clock as in 490 00:26:37,520 --> 00:26:43,000 Speaker 1: small hours one, two, and three. Wee hours is supposedly 491 00:26:43,119 --> 00:26:45,920 Speaker 1: not that old. The term when you think about the 492 00:26:45,960 --> 00:26:50,879 Speaker 1: history of time, it goes back to eighteen ninety one, 493 00:26:51,760 --> 00:26:53,760 Speaker 1: which is a long time ago, but you think about 494 00:26:53,800 --> 00:26:57,400 Speaker 1: how long people have been around and all that. So 495 00:26:57,560 --> 00:27:00,239 Speaker 1: eighteen ninety one and then there was one reference to it. 496 00:27:00,320 --> 00:27:03,120 Speaker 1: They think it might have originallyd but not gone into 497 00:27:03,160 --> 00:27:08,719 Speaker 1: the lexicon in seventeen eighty seven, but it really became 498 00:27:08,920 --> 00:27:12,760 Speaker 1: mainstream in eighteen ninety one. I say mainstream. There was 499 00:27:12,800 --> 00:27:14,919 Speaker 1: no Internet in eighteen ninety one, so it still was 500 00:27:14,960 --> 00:27:18,280 Speaker 1: word of mouth and newspapers and things like that. But 501 00:27:18,400 --> 00:27:23,680 Speaker 1: we hours is the phrase of the week, those early 502 00:27:23,760 --> 00:27:27,399 Speaker 1: morning hours between midnight and the time the sun rises. 503 00:27:27,440 --> 00:27:32,159 Speaker 1: It is a Scottish expression, is what it is. We'll 504 00:27:32,160 --> 00:27:34,320 Speaker 1: get out on that, Dany I mentioned the TV show tonight. 505 00:27:34,400 --> 00:27:36,520 Speaker 1: I'm off from radio. I did the Overnight show last night. 506 00:27:36,600 --> 00:27:38,560 Speaker 1: But you, my man, Danny, right, you got a lot 507 00:27:38,600 --> 00:27:39,880 Speaker 1: going on later today, right? 508 00:27:40,480 --> 00:27:43,960 Speaker 4: Yeah, After producing this fine podcast, I'll take a little nap, 509 00:27:44,240 --> 00:27:46,920 Speaker 4: wake my ass up, and drive to beautiful Sherman Oaks, 510 00:27:46,960 --> 00:27:50,680 Speaker 4: California for the fun Friday edition of The Covino and 511 00:27:50,760 --> 00:27:51,240 Speaker 4: Rich Show. 512 00:27:51,560 --> 00:27:54,159 Speaker 3: That is five pm in New York City. 513 00:27:54,560 --> 00:27:58,919 Speaker 1: Beautiful, Enjoy that, have a wonderful rest of your Friday. 514 00:27:59,440 --> 00:28:01,879 Speaker 1: Check out versus the penny Man. Would that mean a 515 00:28:01,920 --> 00:28:04,280 Speaker 1: lot to me? That would be really cool. And we'll 516 00:28:04,280 --> 00:28:08,160 Speaker 1: have fresh pots all weekend. Another pod coming up on Saturday. Obviously, 517 00:28:08,200 --> 00:28:11,639 Speaker 1: we'll give you all we got never before told stories. 518 00:28:11,680 --> 00:28:14,320 Speaker 1: We'll get to that and we'll do it tomorrow. Have 519 00:28:14,359 --> 00:28:16,520 Speaker 1: a wonderful, wonderful Friday. 520 00:28:17,440 --> 00:28:20,159 Speaker 3: Asta pasta, gotta murder, I gotta go