1 00:00:00,000 --> 00:00:02,400 Speaker 1: Too Much Information is a production of My Heart Radio. 2 00:00:09,119 --> 00:00:12,000 Speaker 1: Hello everyone, and welcome to Too Much Information, the show 3 00:00:12,039 --> 00:00:14,440 Speaker 1: that brings you the secret history of little loan facts 4 00:00:14,480 --> 00:00:17,759 Speaker 1: behind your favorite music, movies, TV shows, and more. We 5 00:00:17,800 --> 00:00:20,520 Speaker 1: are your two witches of the world wide Web, your 6 00:00:20,520 --> 00:00:24,480 Speaker 1: two conjurors of classic movie anecdotes, your one waving weirdos 7 00:00:24,520 --> 00:00:27,400 Speaker 1: of way too granular details. My name is Jordan run 8 00:00:27,480 --> 00:00:30,680 Speaker 1: Tug and I'm Alex and today we are talking about 9 00:00:30,760 --> 00:00:34,400 Speaker 1: a Disney Halloween classic, much beloved by our fellow millennials, 10 00:00:34,720 --> 00:00:42,040 Speaker 1: Focus Pocus, he said, with lead in enthusiasm. Yeah, you know, folks, 11 00:00:43,440 --> 00:00:45,480 Speaker 1: I'm gonna drop my mask a bit. I'm gonna level 12 00:00:45,520 --> 00:00:48,680 Speaker 1: with you. You know, normally when we do these shows, 13 00:00:49,000 --> 00:00:51,040 Speaker 1: at least one, if not both of us, we have 14 00:00:51,040 --> 00:00:53,840 Speaker 1: a fondness for the topic. Though I have to say 15 00:00:53,880 --> 00:00:55,920 Speaker 1: I do love it when you hate something high goal. 16 00:00:56,000 --> 00:00:58,160 Speaker 1: I maybe I'm a masochist. I think it's funny when 17 00:00:58,160 --> 00:01:01,840 Speaker 1: you hate something I adore. But this time around, we 18 00:01:01,960 --> 00:01:03,600 Speaker 1: can't fake this. I don't want to lie to you. 19 00:01:04,200 --> 00:01:08,320 Speaker 1: Neither of us particularly care for this movie, so my knowledge, 20 00:01:08,520 --> 00:01:10,839 Speaker 1: neither of us have ever seen it. I've seen it once. 21 00:01:11,280 --> 00:01:16,119 Speaker 1: You didn't see it in must have been nineties six, 22 00:01:17,840 --> 00:01:19,840 Speaker 1: all right, yeah, so yeah, I've never seen it. I've 23 00:01:19,880 --> 00:01:25,040 Speaker 1: seen it once, um, five years ago. I've I've tried 24 00:01:25,080 --> 00:01:27,440 Speaker 1: to get into it. You know what. Actually, yesterday I 25 00:01:27,480 --> 00:01:30,360 Speaker 1: took a field trip to the town of Salem, Massachusetts 26 00:01:30,400 --> 00:01:33,920 Speaker 1: to really try to get into the spirit. And it 27 00:01:34,040 --> 00:01:36,959 Speaker 1: just wasn't happening for me. I wasn't a spooky, scary kid. 28 00:01:37,280 --> 00:01:40,240 Speaker 1: I tell you what. I really didn't like Halloween ever. 29 00:01:40,240 --> 00:01:43,320 Speaker 1: Tell you my Halloween story. No, yeah, my first Halloween, 30 00:01:44,000 --> 00:01:45,559 Speaker 1: I was just like, all right, let me get this straight. 31 00:01:45,720 --> 00:01:47,480 Speaker 1: Five years old. My whole life so far, you've told 32 00:01:47,480 --> 00:01:49,760 Speaker 1: me not to take candy from strangers, and now you're 33 00:01:49,960 --> 00:01:52,480 Speaker 1: telling me to do exactly that. So they're giving me 34 00:01:52,560 --> 00:01:55,440 Speaker 1: pep talks. They're like, all right, you know, it's okay, 35 00:01:55,520 --> 00:01:57,240 Speaker 1: you can go up to the stranger's house. You can. 36 00:01:57,280 --> 00:01:59,240 Speaker 1: You know, I'm not it was an introvert anyway, So 37 00:01:59,400 --> 00:02:02,200 Speaker 1: actually go up to a stranger and ask for something 38 00:02:02,640 --> 00:02:05,240 Speaker 1: is just completely you know, an athemat to anything that 39 00:02:05,280 --> 00:02:08,320 Speaker 1: I'm about. No, it's okay, it's okay. You say trick 40 00:02:08,360 --> 00:02:09,720 Speaker 1: a treat and then they give you candy and you 41 00:02:09,720 --> 00:02:12,760 Speaker 1: walk away. It's gonna be great. I liked candy, so this, 42 00:02:12,960 --> 00:02:14,799 Speaker 1: you know, all right? At last it was a payoff here. 43 00:02:15,160 --> 00:02:18,240 Speaker 1: I was a bowling pin for my first Halloween, um, 44 00:02:18,320 --> 00:02:20,200 Speaker 1: because I love bowling. So I went up to the 45 00:02:20,240 --> 00:02:22,760 Speaker 1: first house and I rang the door and the woman 46 00:02:22,800 --> 00:02:24,440 Speaker 1: came to the door. I said, trick a treat and 47 00:02:24,480 --> 00:02:27,560 Speaker 1: she said trick, what are you gonna do now? And 48 00:02:27,600 --> 00:02:30,000 Speaker 1: I burst into tears and I turned around and I left. 49 00:02:30,600 --> 00:02:32,720 Speaker 1: And that was my first Halloween. And i've i've really, 50 00:02:32,760 --> 00:02:36,160 Speaker 1: i've hated it ever since. And I i've also I've 51 00:02:36,200 --> 00:02:38,960 Speaker 1: looked like I do now as a thirty almost thirty 52 00:02:39,000 --> 00:02:41,560 Speaker 1: five year old man since I was about eleven or twelve. 53 00:02:41,720 --> 00:02:43,799 Speaker 1: So when I would be eleven or twelve, you would 54 00:02:43,800 --> 00:02:46,359 Speaker 1: get parents at the door handing out candy, saying I 55 00:02:46,400 --> 00:02:47,920 Speaker 1: got you a little old for this, and to be 56 00:02:47,960 --> 00:02:51,280 Speaker 1: in like fifth grade. So yeah, oh no, I'm just 57 00:02:51,320 --> 00:02:54,200 Speaker 1: always way too shy and self conscious to have a 58 00:02:54,240 --> 00:02:57,720 Speaker 1: really enjoy Halloween, way too easily scared to enjoy all 59 00:02:57,760 --> 00:03:00,800 Speaker 1: the spooky stuff. Yeah, some pokus focus never really did 60 00:03:00,840 --> 00:03:03,320 Speaker 1: it for me. What do you think? I love Halloween? 61 00:03:03,320 --> 00:03:06,320 Speaker 1: It's the best. Halloween's the best, best season it's got 62 00:03:06,360 --> 00:03:14,040 Speaker 1: all the best stuff candy and jan Kee decorations and yeah, 63 00:03:14,040 --> 00:03:16,680 Speaker 1: I don't know, I just I love it. My parents 64 00:03:16,800 --> 00:03:19,760 Speaker 1: had great costumes for us. And what's your favorite. I 65 00:03:19,800 --> 00:03:24,320 Speaker 1: had a pretty good Dracula one, Yeah, pretty good Dracula one. 66 00:03:24,360 --> 00:03:27,240 Speaker 1: I had a pretty good Werewolf one. Yeah. And I 67 00:03:27,320 --> 00:03:31,040 Speaker 1: just I just really love horror movies too. But this 68 00:03:31,080 --> 00:03:35,000 Speaker 1: is not a good movie. Let's let's just say the 69 00:03:35,040 --> 00:03:38,680 Speaker 1: quiet part out loud. It is like I get the 70 00:03:38,720 --> 00:03:41,760 Speaker 1: thing is I was like ten to twelve and I 71 00:03:41,800 --> 00:03:45,520 Speaker 1: was just not yeah and then and so I have 72 00:03:45,600 --> 00:03:49,080 Speaker 1: no like grandfather day in affection for it. And it's 73 00:03:49,120 --> 00:03:52,760 Speaker 1: just it's not that good. And and I'm sorry. I 74 00:03:52,760 --> 00:03:54,840 Speaker 1: mean people are gonna be like, who could you see that? 75 00:03:55,000 --> 00:03:56,800 Speaker 1: Like because you watched it when you were a child, 76 00:03:56,960 --> 00:03:59,080 Speaker 1: and like, I like, there's a lot of things that 77 00:03:59,120 --> 00:04:00,880 Speaker 1: this is. This whole thing is like you could like 78 00:04:01,040 --> 00:04:03,880 Speaker 1: things when your child, and but that doesn't you know, 79 00:04:04,480 --> 00:04:08,600 Speaker 1: let me say this. Roger Ebert agrees with US Entertainment 80 00:04:08,600 --> 00:04:12,720 Speaker 1: Weekly and Jane's Sisko, And yeah, it was when it 81 00:04:12,760 --> 00:04:15,120 Speaker 1: was released. It was not a success when it was released. 82 00:04:15,280 --> 00:04:17,520 Speaker 1: It's like that, it's like the it's the Hannibal Birds Day, 83 00:04:17,560 --> 00:04:21,080 Speaker 1: It's like, why are you booing me? I'm right, you 84 00:04:21,160 --> 00:04:26,600 Speaker 1: know so, But you know what I think. I say 85 00:04:26,600 --> 00:04:29,560 Speaker 1: that without malice though. It's not a good movie, but 86 00:04:29,680 --> 00:04:33,719 Speaker 1: I love that people are excited about it. I am, 87 00:04:33,760 --> 00:04:36,800 Speaker 1: and it's got some great stories behind it. So let's 88 00:04:36,839 --> 00:04:39,960 Speaker 1: just let's just dive in. Yes, absolutely, through no fault 89 00:04:39,960 --> 00:04:42,760 Speaker 1: of its own, this movie never really resonated with either 90 00:04:42,839 --> 00:04:45,640 Speaker 1: of us, but you know it's important to you, dear listeners, 91 00:04:45,680 --> 00:04:48,359 Speaker 1: so we did our very best to give you what 92 00:04:48,520 --> 00:04:51,200 Speaker 1: I think is a truly spectacular show. And especially now 93 00:04:51,520 --> 00:04:54,000 Speaker 1: we've got the release of the sequel, Focus Focused Too 94 00:04:54,000 --> 00:04:56,440 Speaker 1: earlier this year, it's as good a time as any. 95 00:04:56,600 --> 00:04:59,040 Speaker 1: I can't wait. Let's dive in from all the weird 96 00:04:59,080 --> 00:05:02,120 Speaker 1: ties this movie as to the film Titanic and the 97 00:05:02,120 --> 00:05:05,200 Speaker 1: film American Beauty, and the show Friends. To the surprising 98 00:05:05,279 --> 00:05:08,400 Speaker 1: reason it broke Steven Spielberg's heart, the reason Kathy and 99 00:05:08,520 --> 00:05:11,039 Speaker 1: Jimmy was initially afraid to appear in it, the Sarah 100 00:05:11,160 --> 00:05:15,040 Speaker 1: Jessica Parker's ancestral ties to the Salem witch Trials. There's 101 00:05:15,040 --> 00:05:18,320 Speaker 1: an army of black cats, piles of rotten pumpkins, mouthfuls 102 00:05:18,320 --> 00:05:20,920 Speaker 1: of moths, and also the true reason why everyone in 103 00:05:20,960 --> 00:05:24,120 Speaker 1: New England says that things are wicked. Here's everything you 104 00:05:24,160 --> 00:05:32,600 Speaker 1: didn't know about Disney's hocus Pocus. The plot of hocus 105 00:05:32,600 --> 00:05:35,200 Speaker 1: Pocus was born when a black cat crossed the path 106 00:05:35,279 --> 00:05:38,520 Speaker 1: of producer David Kirshner in the early eighties. Usually that's 107 00:05:38,560 --> 00:05:40,640 Speaker 1: supposed to be bad luck when a black cat crosses 108 00:05:40,680 --> 00:05:42,280 Speaker 1: your path, But in this case, I'd say I worked 109 00:05:42,320 --> 00:05:44,800 Speaker 1: out pretty well for David Kirshner. The time, he was 110 00:05:44,880 --> 00:05:47,120 Speaker 1: known mostly for coming up with the story for an 111 00:05:47,120 --> 00:05:49,960 Speaker 1: American tale, but he says that the plot for hocus 112 00:05:50,000 --> 00:05:52,039 Speaker 1: Pocus came to him one day when a black cat 113 00:05:52,160 --> 00:05:56,520 Speaker 1: wandered into his family yard, and to amuse, slash terrify 114 00:05:56,680 --> 00:05:59,279 Speaker 1: his young daughter, he made up a bedtime story about 115 00:05:59,279 --> 00:06:02,120 Speaker 1: this cat being a boy who was cursed by three 116 00:06:02,120 --> 00:06:05,119 Speaker 1: witches some three hundred years ago to inhabit the body 117 00:06:05,120 --> 00:06:08,080 Speaker 1: of a cat. And this alway isn't quite as strange 118 00:06:08,080 --> 00:06:10,160 Speaker 1: as it may sound. He later told the rap that 119 00:06:10,240 --> 00:06:13,120 Speaker 1: Halloween was a huge deal in the Kirshner family home. 120 00:06:13,440 --> 00:06:15,719 Speaker 1: He said, our family is a bit like the Adams family, 121 00:06:15,839 --> 00:06:18,719 Speaker 1: so you know, telling two little girls a bedtime story 122 00:06:18,760 --> 00:06:21,160 Speaker 1: about which is sucking the life out of children. It's 123 00:06:21,200 --> 00:06:23,719 Speaker 1: probably not the best decision as far as parental gentleness 124 00:06:23,800 --> 00:06:26,120 Speaker 1: is concerned, but from the time they were little, they 125 00:06:26,200 --> 00:06:28,239 Speaker 1: love this kind of world of things that go bump 126 00:06:28,240 --> 00:06:31,280 Speaker 1: in the night, and the story would ultimately become the 127 00:06:31,320 --> 00:06:34,560 Speaker 1: tragic tale of Thackeray Binks, a young man who was 128 00:06:34,600 --> 00:06:37,479 Speaker 1: turned into a cat by the three Witchie Sanderson's sisters, 129 00:06:38,240 --> 00:06:41,480 Speaker 1: and the name Thackeray Binks actually has a personal connection 130 00:06:41,520 --> 00:06:44,280 Speaker 1: to David Kirshner. The name was inspired in part by 131 00:06:44,320 --> 00:06:46,680 Speaker 1: a stray black cat he'd taken in as a kid, 132 00:06:46,680 --> 00:06:50,040 Speaker 1: who they called Inks for his inky black fur. Hence 133 00:06:50,440 --> 00:06:53,960 Speaker 1: Binks and Kursner liked this story well enough to write 134 00:06:53,960 --> 00:06:56,480 Speaker 1: it up and submit it to Muppet Magazine, which I 135 00:06:56,520 --> 00:06:59,040 Speaker 1: had no idea was a thing where it got some attention, 136 00:06:59,160 --> 00:07:01,040 Speaker 1: and that's when he just I did to start developing 137 00:07:01,040 --> 00:07:04,520 Speaker 1: it into a full length script. Yeah, David Kirshner has 138 00:07:04,560 --> 00:07:07,839 Speaker 1: just one of the wildest cvs. I mean, he goes 139 00:07:07,920 --> 00:07:10,960 Speaker 1: from American Tale, which he also wrote, to the Child's 140 00:07:11,000 --> 00:07:15,120 Speaker 1: Play franchise. He is, along with writer director Don Mancini, 141 00:07:15,200 --> 00:07:18,000 Speaker 1: the big creative engine behind that franchise. He created the 142 00:07:18,000 --> 00:07:21,280 Speaker 1: animatronic doll for Chucky and has produced all seven films 143 00:07:21,280 --> 00:07:26,280 Speaker 1: in the original franchise. Yeah, good on him. Also, Muppet Magazine. 144 00:07:26,360 --> 00:07:28,640 Speaker 1: Did you read anything about Bumppa Magazine? No? I know 145 00:07:28,760 --> 00:07:31,960 Speaker 1: nothing about It's kind of incredible. It featured real life 146 00:07:32,000 --> 00:07:35,480 Speaker 1: celebrity guests alongside the Muppets, and the Muppets got like 147 00:07:35,520 --> 00:07:40,120 Speaker 1: recurring columns like, uh, Floyd from the band would review records, 148 00:07:40,120 --> 00:07:43,920 Speaker 1: and Statler and Waldorf would review movies. Well, that's their 149 00:07:44,000 --> 00:07:47,160 Speaker 1: cisco and Ebert I exactly give me ms. Piggy has 150 00:07:47,160 --> 00:07:50,320 Speaker 1: an advice column. Um. And you can see all these 151 00:07:50,320 --> 00:07:53,320 Speaker 1: covers out there from this magazine that we're um like 152 00:07:53,360 --> 00:07:58,000 Speaker 1: Brooke Shields, Olivia Newton, John Christopher Reeves, Steve Martin, Danny DeVito, 153 00:07:58,120 --> 00:08:02,000 Speaker 1: Don Johnson. I mean, this whole thing was run by 154 00:08:02,000 --> 00:08:04,840 Speaker 1: a guy named Don Wells who had came to it 155 00:08:04,920 --> 00:08:11,120 Speaker 1: after stints at Fortune and Rolling Stone. So yeah, dude, 156 00:08:11,160 --> 00:08:16,160 Speaker 1: Muppet Magazine real, real heavy hitter in the publishing world. Wow. 157 00:08:16,360 --> 00:08:18,600 Speaker 1: So okay, this makes a lot more sense that success 158 00:08:18,600 --> 00:08:21,960 Speaker 1: in Muppet Magazine put him on the path to trying 159 00:08:22,000 --> 00:08:25,320 Speaker 1: to pitch this to Disney. Okay, so the plot of 160 00:08:25,320 --> 00:08:27,600 Speaker 1: the movie that you all, I'm not gonna say, we 161 00:08:27,680 --> 00:08:30,760 Speaker 1: know and love. You know and Love mostly focuses on 162 00:08:30,840 --> 00:08:33,480 Speaker 1: the kids, but the original version of hocus Pocus was 163 00:08:33,520 --> 00:08:36,360 Speaker 1: a lot darker. Krisher developed the story with a guy 164 00:08:36,440 --> 00:08:39,400 Speaker 1: named Mick Garris, who had a career writing horror movies 165 00:08:39,480 --> 00:08:42,680 Speaker 1: and he produced and directed several documentaries about horror films 166 00:08:43,000 --> 00:08:45,440 Speaker 1: and worked as a story editor and writer on the 167 00:08:45,480 --> 00:08:49,079 Speaker 1: Amazing Stories TV series that was produced by Steven Spielberg, 168 00:08:49,080 --> 00:08:52,000 Speaker 1: who will talk more about in a moment now. Chris 169 00:08:52,000 --> 00:08:55,679 Speaker 1: Star had worked with Spielberg somewhat extensively, most notably and 170 00:08:55,720 --> 00:08:58,680 Speaker 1: most recently on the American Tale movie. So that was 171 00:08:58,679 --> 00:09:03,320 Speaker 1: the connection between the producer David Kirshner and writer Mick Garris. 172 00:09:02,960 --> 00:09:06,160 Speaker 1: G Garris has written critters to the Main Course. He 173 00:09:06,160 --> 00:09:10,200 Speaker 1: also wrote Batteries Not Included Um and the sequel to 174 00:09:10,240 --> 00:09:13,560 Speaker 1: The Fly. Yeah, he's a legit dude. So he's collaborating 175 00:09:13,600 --> 00:09:16,920 Speaker 1: with Dave Kirshner on Focus Pocus. And in this early version, 176 00:09:16,960 --> 00:09:19,320 Speaker 1: the kids were actually a little younger and everything was 177 00:09:19,320 --> 00:09:22,400 Speaker 1: a little bit more evil. As Gary said, the kids 178 00:09:22,440 --> 00:09:25,920 Speaker 1: being younger in more Jeopardy was certainly more explicitly frightening. 179 00:09:26,280 --> 00:09:28,520 Speaker 1: Later versions of the script made two of the children 180 00:09:28,520 --> 00:09:31,440 Speaker 1: older to attract the different demographic to sell more tickets 181 00:09:31,679 --> 00:09:34,920 Speaker 1: and make the film more broadly comic. My version centered 182 00:09:34,960 --> 00:09:37,400 Speaker 1: on the fears of a younger, less mature kid and 183 00:09:37,440 --> 00:09:42,079 Speaker 1: how they would face death in a graveyard, which damn. 184 00:09:42,840 --> 00:09:44,880 Speaker 1: Kathy and Jimmy also says that the movie they shot 185 00:09:44,960 --> 00:09:47,920 Speaker 1: was pretty drastically different from the movie that was completed 186 00:09:48,480 --> 00:09:52,040 Speaker 1: during the anniversary screening in eighteen. She told sci Fi 187 00:09:52,080 --> 00:09:54,760 Speaker 1: Wire it was cut and edited completely different than it 188 00:09:54,800 --> 00:09:56,920 Speaker 1: was filmed. It was really more about the witches and 189 00:09:57,040 --> 00:10:00,360 Speaker 1: less about the kids. Apparently, Disney being Disney, wanted to 190 00:10:00,360 --> 00:10:03,760 Speaker 1: make the film more kid friendly, so they removed, by 191 00:10:03,920 --> 00:10:07,760 Speaker 1: the Jimmy's estimation, five huge scenes with the Sanderson's sisters 192 00:10:07,840 --> 00:10:10,080 Speaker 1: the witches, including one scene that was set in the 193 00:10:10,080 --> 00:10:13,080 Speaker 1: supermarket that actually wound up in the movie trailer, And 194 00:10:13,080 --> 00:10:15,320 Speaker 1: there were also scenes that were cut where kids tried 195 00:10:15,360 --> 00:10:17,839 Speaker 1: to push the witches into a pool, and also seeing 196 00:10:17,840 --> 00:10:20,360 Speaker 1: where the witches were handing out candy to trick or treaters. 197 00:10:20,440 --> 00:10:23,520 Speaker 1: That sounds funny. The original title of this movie was 198 00:10:23,559 --> 00:10:27,920 Speaker 1: slated to be Disney's Halloween house, which flows, yeah, exactly, 199 00:10:28,559 --> 00:10:32,240 Speaker 1: hocus pocus clearly superior. The phrase has been in use 200 00:10:32,240 --> 00:10:36,040 Speaker 1: since at least sixteen twenty as an incantation used by 201 00:10:36,080 --> 00:10:41,439 Speaker 1: magicians alongside Abrica dabra, and the idea behind these exotic 202 00:10:41,559 --> 00:10:45,680 Speaker 1: phrases was part shamanship and drama, but also kind of 203 00:10:45,720 --> 00:10:49,120 Speaker 1: the audio equivalent of sleight of hand. The magicians would 204 00:10:49,120 --> 00:10:52,080 Speaker 1: hope that these phrases would serve as brief distractions for 205 00:10:52,160 --> 00:10:54,719 Speaker 1: the audience so that they could, you know, do what 206 00:10:54,960 --> 00:10:57,400 Speaker 1: they needed to do to pull off the trick. And 207 00:10:57,440 --> 00:10:59,960 Speaker 1: the phrase hocus pocus is thought to be a pervert 208 00:11:00,080 --> 00:11:05,160 Speaker 1: ursion of the Latin sacramental blessing hawks corpus menum, which 209 00:11:05,240 --> 00:11:08,000 Speaker 1: is I'm sure I'm pronouncing wrong. This is my body 210 00:11:08,080 --> 00:11:10,480 Speaker 1: from Latin Mass. I've never been to Latin Mass that 211 00:11:10,559 --> 00:11:14,800 Speaker 1: much of a Catholic and Catholic yeah yeah, my my 212 00:11:15,000 --> 00:11:20,760 Speaker 1: relatives were priests. I didn't know that. Um. Yeah. So 213 00:11:20,840 --> 00:11:23,160 Speaker 1: Kirchener goes to pitch his movie at Disney way back, 214 00:11:24,600 --> 00:11:26,760 Speaker 1: and to really sell the idea, he made what was 215 00:11:26,880 --> 00:11:32,040 Speaker 1: essentially an elementary school Halloween party for these executives, which is, yeah, 216 00:11:32,080 --> 00:11:34,600 Speaker 1: it's very cute, he says, He got to the meeting 217 00:11:34,600 --> 00:11:38,440 Speaker 1: a half hour early and arranged somewhere between two and 218 00:11:38,520 --> 00:11:42,440 Speaker 1: fifteen pounds of candy corn accounts of arry on the 219 00:11:42,640 --> 00:11:45,400 Speaker 1: conference room table in the shape of a snake to 220 00:11:45,480 --> 00:11:48,600 Speaker 1: create the smell of Halloween. Pitching is about, you know, 221 00:11:48,960 --> 00:11:51,800 Speaker 1: all five, engaging all five of the senses. He also 222 00:11:51,880 --> 00:11:54,880 Speaker 1: hung props all around the room, like childlike drawings of 223 00:11:55,000 --> 00:11:58,360 Speaker 1: black cats, brooms suspended from the ceiling, and even a 224 00:11:58,440 --> 00:12:00,959 Speaker 1: vacuum cleaner, uh, which is a nod to the way 225 00:12:01,000 --> 00:12:03,800 Speaker 1: that the Sanderson sisters get around in these modern times. 226 00:12:04,000 --> 00:12:06,320 Speaker 1: Then he darkened the lights in the room and ushered 227 00:12:06,320 --> 00:12:12,080 Speaker 1: the executives in being Jeffrey Katzenberg being led into a 228 00:12:12,240 --> 00:12:16,440 Speaker 1: child's Halloween party in his conference room. They all loved 229 00:12:16,480 --> 00:12:18,720 Speaker 1: the idea, but apparently the initial plan was for this 230 00:12:18,800 --> 00:12:21,120 Speaker 1: to be a made for TV movie for the newly 231 00:12:21,200 --> 00:12:23,520 Speaker 1: created Disney Channel, which had launched a year earlier in 232 00:12:23,520 --> 00:12:26,360 Speaker 1: eighty three and was just desperately in need of new material. 233 00:12:26,760 --> 00:12:29,000 Speaker 1: That is the rumor. It's unclear what point in the 234 00:12:29,040 --> 00:12:31,240 Speaker 1: process that it was upgraded from made for TV to 235 00:12:31,320 --> 00:12:34,240 Speaker 1: theatrical feature. Um there are versions that say that the 236 00:12:34,280 --> 00:12:37,000 Speaker 1: exacts were just super excited about the script. There's other 237 00:12:37,080 --> 00:12:39,600 Speaker 1: versions that claim when Bette Midler signed up, they decided 238 00:12:39,640 --> 00:12:41,840 Speaker 1: to go big with it. There's also a theory that 239 00:12:41,840 --> 00:12:44,960 Speaker 1: the finished movie was just too frightening for Disney Channel consideration, 240 00:12:45,120 --> 00:12:47,280 Speaker 1: especially some of the makeup stuff, which we'll get too later. 241 00:12:47,840 --> 00:12:49,880 Speaker 1: And given the fact that it was eight years between 242 00:12:49,880 --> 00:12:51,640 Speaker 1: the pitch meeting of eighty four and the start of 243 00:12:51,640 --> 00:12:56,760 Speaker 1: production in n clearly there was some conversations that took place. 244 00:12:57,160 --> 00:12:59,920 Speaker 1: I like to imagine, um, they did the old blindfolding 245 00:13:00,040 --> 00:13:04,040 Speaker 1: and gave him a cold spaghetti and they're like the 246 00:13:04,080 --> 00:13:06,840 Speaker 1: grapes appeeled grapes, and they were like, and this is 247 00:13:06,920 --> 00:13:13,079 Speaker 1: Steven Spielberg's eyes, cold spaghetti being like in this is 248 00:13:13,080 --> 00:13:22,040 Speaker 1: is David Geffen's brands, Roy Disney's brands. Who Uh. It's 249 00:13:22,080 --> 00:13:24,240 Speaker 1: a long standing tradition here on t M. I to 250 00:13:24,679 --> 00:13:28,640 Speaker 1: drag Jeffrey Katzenberg whenever he appears on the show. Which 251 00:13:29,880 --> 00:13:33,960 Speaker 1: a powerful enemy. Yeah, we've picked we picked possibly the 252 00:13:33,960 --> 00:13:39,080 Speaker 1: most the worst enemy. He is a vengeful man and 253 00:13:39,160 --> 00:13:43,400 Speaker 1: thin skinned. Um. This story recently came out in Andy 254 00:13:43,520 --> 00:13:46,360 Speaker 1: ortiz Is Amazing Oral History of Hocus Pocus. A few 255 00:13:46,360 --> 00:13:49,040 Speaker 1: weeks back. In the rap. So it's important to remember 256 00:13:49,040 --> 00:13:52,120 Speaker 1: that David Kirshner had made his name with An American Tale, 257 00:13:52,200 --> 00:13:56,000 Speaker 1: which he had initially pitched to Katzenberg at Disney before 258 00:13:56,120 --> 00:13:59,320 Speaker 1: Spielberg picked it up. According to a recent interview Kershner 259 00:13:59,360 --> 00:14:04,000 Speaker 1: gave to the Rap, Katzenberg turned it down quite rudely. Uh, 260 00:14:04,080 --> 00:14:08,120 Speaker 1: this is Kirscher saying. I presented an American Tale to him, 261 00:14:08,120 --> 00:14:11,160 Speaker 1: and Jeffrey said, I won't use his language, but who 262 00:14:11,160 --> 00:14:13,000 Speaker 1: the f is going to go see a film about 263 00:14:13,000 --> 00:14:16,959 Speaker 1: a Jewish mouse? And I said, well, who's going to 264 00:14:17,040 --> 00:14:21,520 Speaker 1: see a film about a wooden puppet? M I mean, 265 00:14:21,600 --> 00:14:23,720 Speaker 1: it's where you take these characters, with the art, with 266 00:14:23,760 --> 00:14:26,360 Speaker 1: the emotions, what the story is. And he said, nice, 267 00:14:26,400 --> 00:14:29,920 Speaker 1: try thank you anyway, and that was the end of it. God, 268 00:14:30,000 --> 00:14:33,160 Speaker 1: he sucks, And I was fortunate that Spielberg felt very 269 00:14:33,160 --> 00:14:36,040 Speaker 1: differently and bought it. Spielberg bought An American Tale for 270 00:14:36,080 --> 00:14:39,880 Speaker 1: his new production company, Amblin Entertainment, and in nineteen six 271 00:14:40,160 --> 00:14:43,800 Speaker 1: on American Tale became the highest performing non Disney animated 272 00:14:43,840 --> 00:14:47,520 Speaker 1: movie ever at the time, all thanks to Steven Spielberg 273 00:14:47,600 --> 00:14:50,680 Speaker 1: giving him the chance. Now, in this retailing in the Rap, 274 00:14:51,040 --> 00:14:53,880 Speaker 1: Kirshner said that he took hocus Pocus to Disney first, 275 00:14:54,240 --> 00:14:58,200 Speaker 1: even though they'd rejected an American tale, and according to Kirshner, 276 00:14:58,520 --> 00:15:04,320 Speaker 1: this broke Spielberg's heart. He recalled seeing uh Spielberg's production partner, 277 00:15:04,400 --> 00:15:07,160 Speaker 1: Kathleen Kennedy at a party and she said, you know, 278 00:15:07,680 --> 00:15:11,160 Speaker 1: he really hurt Stephen. And, as Kirshner tells the story, 279 00:15:11,840 --> 00:15:14,520 Speaker 1: and I was like what And she said, the fact 280 00:15:14,560 --> 00:15:17,320 Speaker 1: that after he gave you your first film, you didn't 281 00:15:17,320 --> 00:15:21,040 Speaker 1: even bring hocus Pocus to him, You went right to Disney. 282 00:15:21,160 --> 00:15:23,360 Speaker 1: I honestly felt tears in the back of my eyes. 283 00:15:23,680 --> 00:15:25,720 Speaker 1: This is a really painful memory for me that I 284 00:15:25,800 --> 00:15:30,440 Speaker 1: upset Stephen, who, as I say, I owe everything too. However, 285 00:15:30,920 --> 00:15:34,080 Speaker 1: this is when it begins to get fuzzy. Mick Garris, screenwriter, 286 00:15:34,200 --> 00:15:37,400 Speaker 1: has claimed that he and producer David Kircher pitched hocus 287 00:15:37,440 --> 00:15:42,400 Speaker 1: Pocus to Spielberg first, but he ultimately passed because Spielberg 288 00:15:42,480 --> 00:15:45,040 Speaker 1: was starting his own production company, Amblin and didn't want 289 00:15:45,040 --> 00:15:47,480 Speaker 1: to work with Disney. Garris said he loved it until 290 00:15:47,480 --> 00:15:50,440 Speaker 1: he found out that Disney was already involved. At that time, 291 00:15:50,520 --> 00:15:53,400 Speaker 1: Disney and Amblin were very competitive in the family film market, 292 00:15:53,600 --> 00:15:55,640 Speaker 1: so neither of them wanted to be in business with 293 00:15:55,680 --> 00:15:58,080 Speaker 1: the other, but it was very close to being a 294 00:15:58,120 --> 00:16:02,480 Speaker 1: project with Steven Spielberg. Reps for Spielberg did not comment 295 00:16:02,520 --> 00:16:05,720 Speaker 1: on the rap story, which is famously cold shoulder in 296 00:16:05,760 --> 00:16:09,280 Speaker 1: the celebrity entertainment journalism world, so jury is still out 297 00:16:09,280 --> 00:16:10,840 Speaker 1: on that one. If you were a loved one can 298 00:16:10,880 --> 00:16:15,120 Speaker 1: prove a verified timeline of the pitching process for Hocus Pocus. 299 00:16:15,640 --> 00:16:18,880 Speaker 1: Jordan vemo you five bucks. So that's enough industry backstabbing 300 00:16:18,920 --> 00:16:22,080 Speaker 1: for one episode. I tend to believe Kirshner because the 301 00:16:22,120 --> 00:16:27,280 Speaker 1: story doesn't make him sound good, which makes me believe him. 302 00:16:27,440 --> 00:16:29,920 Speaker 1: You know, you, piste Off Spielberg, the guy who gave 303 00:16:29,920 --> 00:16:32,560 Speaker 1: you your big break seems like the kind of mortifying 304 00:16:32,680 --> 00:16:35,160 Speaker 1: thing that you probably remember kind of sticks with you. 305 00:16:35,480 --> 00:16:38,360 Speaker 1: So I tend to believe Kirshner in this whole version 306 00:16:38,440 --> 00:16:43,640 Speaker 1: that he just accidentally hurt him. So that's sad, but anyway, 307 00:16:43,960 --> 00:16:46,880 Speaker 1: for a director, Disney tapped Kenny Ortega, who t m 308 00:16:46,960 --> 00:16:49,200 Speaker 1: I fans will remember as the choreographer who worked with 309 00:16:49,280 --> 00:16:52,640 Speaker 1: Gene Kelly on the roller disco Bomb Zanna Do, and 310 00:16:52,680 --> 00:16:55,000 Speaker 1: he would go on to direct Disney Juggernauts High School 311 00:16:55,040 --> 00:16:58,120 Speaker 1: Musical one through three Cheetah Girls too, and he also 312 00:16:58,200 --> 00:17:02,040 Speaker 1: choreographed tours for share Kids, Gloria Estefan, and to me 313 00:17:02,160 --> 00:17:04,879 Speaker 1: most famously, Michael Jackson for the ill fated This Is 314 00:17:04,960 --> 00:17:08,399 Speaker 1: It tour that never happened in two thousand nine because 315 00:17:08,400 --> 00:17:11,159 Speaker 1: he died. But back when hocus Pocus was getting off 316 00:17:11,160 --> 00:17:13,639 Speaker 1: the ground, or Taka had just directed the Disney movie 317 00:17:13,720 --> 00:17:17,640 Speaker 1: musical news Ees starring Christian Vale, but that movie tanked 318 00:17:17,680 --> 00:17:20,639 Speaker 1: after its release in the spring of pulling in just 319 00:17:20,760 --> 00:17:24,880 Speaker 1: two point eight million dollars unreported fifteen million dollar budget, 320 00:17:25,280 --> 00:17:29,120 Speaker 1: thus making it one of Disney's lowest grossing live action movies. Ever, 321 00:17:29,200 --> 00:17:30,919 Speaker 1: I didn't realize it was that big of a flop, 322 00:17:31,359 --> 00:17:33,680 Speaker 1: so hocus Pocus was seen as a chance to prove 323 00:17:33,760 --> 00:17:37,440 Speaker 1: himself and unfortunately, as we'll find out, the box office 324 00:17:37,480 --> 00:17:43,240 Speaker 1: score for hocus Pocus was pretty much as dismal as Newsies. Yeah, 325 00:17:43,520 --> 00:17:46,119 Speaker 1: so we mentioned earlier that one of the armchair theories 326 00:17:46,160 --> 00:17:49,199 Speaker 1: behind why hocus Pocus went from being a made for 327 00:17:49,240 --> 00:17:53,440 Speaker 1: TV movie to theatrical release was because Bett Midler signed on. 328 00:17:54,040 --> 00:17:56,960 Speaker 1: So now we must talk about Bett Midler. Initially, the 329 00:17:56,960 --> 00:17:59,879 Speaker 1: part of Winifred Sanderson was written with Chloris Leachman and 330 00:18:00,040 --> 00:18:04,480 Speaker 1: mine Chloris leech friend of the Pod, Chloris Leachman, famously 331 00:18:04,520 --> 00:18:07,240 Speaker 1: of The Last Picture Show, The Mary Tyler Moore Show, 332 00:18:07,320 --> 00:18:13,320 Speaker 1: and an X of Bobby Boris Pickett. If decades old 333 00:18:14,119 --> 00:18:18,800 Speaker 1: monster match Hollywood scuttle Buddies to be believed, David Kirchner 334 00:18:18,880 --> 00:18:23,600 Speaker 1: admitted at the annual screening of hocus Pocus, and the 335 00:18:23,640 --> 00:18:26,200 Speaker 1: first person that I really wanted for Winnifred Sanderson was 336 00:18:26,240 --> 00:18:29,159 Speaker 1: Chloris Leachman, And that was the first person because I 337 00:18:29,200 --> 00:18:31,280 Speaker 1: was so in love with her from the mel Brooks films, 338 00:18:31,520 --> 00:18:36,439 Speaker 1: from Young Frankenstein especially, which makes total sense. It's unclear 339 00:18:36,440 --> 00:18:38,879 Speaker 1: whether or not Chlorus was actually offered the role, but 340 00:18:39,000 --> 00:18:41,360 Speaker 1: ultimately they went with Bette Midler, who had already made 341 00:18:41,359 --> 00:18:44,000 Speaker 1: a number of movies with Disney's Touchstone Pictures in Print, 342 00:18:44,200 --> 00:18:47,720 Speaker 1: Down and Out, Beverly Hills, Ruthless People, and Outrageous Fortune, 343 00:18:48,119 --> 00:18:51,760 Speaker 1: as well as voicing Georgette the Poodle in Oliver and Company, 344 00:18:52,000 --> 00:18:54,880 Speaker 1: a movie I remember nothing about except for that banger 345 00:18:54,880 --> 00:18:58,680 Speaker 1: of a Billy Joel song that's a rip Street Savoir fair. 346 00:18:58,800 --> 00:19:03,840 Speaker 1: Why shut up will Uh. Anyway, her involvement was really 347 00:19:03,880 --> 00:19:07,080 Speaker 1: pivotal for this uh. David Kirshner later said, had she 348 00:19:07,160 --> 00:19:09,680 Speaker 1: not said yes, I'm not sure if hocus Pocus would 349 00:19:09,680 --> 00:19:13,160 Speaker 1: have ever been made. Mittler was interested in the movie 350 00:19:13,200 --> 00:19:16,280 Speaker 1: because of her young daughter, Sophie. She told Kirshner that 351 00:19:16,320 --> 00:19:18,400 Speaker 1: she wanted to do something that her little girl could 352 00:19:18,440 --> 00:19:22,119 Speaker 1: actually watch and appreciate after making mostly R rated films 353 00:19:22,160 --> 00:19:25,280 Speaker 1: throughout her career. She based her character on both the 354 00:19:25,320 --> 00:19:27,639 Speaker 1: Wicked Witch of the West from Wizard of Oz played 355 00:19:27,640 --> 00:19:30,040 Speaker 1: by Margaret Hamilton's who will get to in a moment, 356 00:19:30,320 --> 00:19:33,760 Speaker 1: and also Angelica Houston's character of the Grand High Witch 357 00:19:33,920 --> 00:19:36,800 Speaker 1: from nineteen nineties The Witches. Do you have? Did you 358 00:19:36,840 --> 00:19:42,760 Speaker 1: have familiarity with the Witches? No? Not at all? Oh boy, horrifying, horrified, 359 00:19:43,000 --> 00:19:47,520 Speaker 1: truly horrifying, or just yes she is. Just do be 360 00:19:47,560 --> 00:19:51,000 Speaker 1: a favorite. Google the Grand High Witch. Wanna I want 361 00:19:51,000 --> 00:19:54,439 Speaker 1: to get your facial reaction live on live on the screen. 362 00:19:55,000 --> 00:20:00,080 Speaker 1: Oh my, yeah, that's her. That's Angelica Houston. Baby, I 363 00:20:00,080 --> 00:20:03,600 Speaker 1: mean she's she's decomposing. That's wow. That makes the crip 364 00:20:03,720 --> 00:20:10,200 Speaker 1: Keeper look vivacious. Jesus Christ. Okay, wow, I did not 365 00:20:10,400 --> 00:20:14,400 Speaker 1: need to see that at this hour. Okay, well quick, 366 00:20:14,480 --> 00:20:18,280 Speaker 1: let's get back to Bette Midler, her and her campy career. 367 00:20:18,320 --> 00:20:20,520 Speaker 1: I love it. There's a cute nod to Bette Midler's career. 368 00:20:20,560 --> 00:20:23,560 Speaker 1: Earlier in the film, Kathy and Jimmy's character Mary says 369 00:20:23,560 --> 00:20:28,080 Speaker 1: to Winnifred winnefer thou art divine Bette Midler, famously known 370 00:20:28,160 --> 00:20:31,919 Speaker 1: for her nickname the Divine miss m And she did 371 00:20:32,000 --> 00:20:34,280 Speaker 1: indeed singing this movie. Because they're gonna have Bette Midler 372 00:20:34,320 --> 00:20:36,280 Speaker 1: in your movie. It's stupid not to have her sing. 373 00:20:36,760 --> 00:20:39,560 Speaker 1: She does a version of I Put a Spell on you, uh, 374 00:20:39,600 --> 00:20:43,959 Speaker 1: famously by screaming Jay Hopkins and Nina Simone pick your favorite. 375 00:20:43,960 --> 00:20:48,240 Speaker 1: They're both amazing uh. And credence and credence. Okay, I 376 00:20:48,280 --> 00:20:50,240 Speaker 1: put a spell on you song by a witch, low 377 00:20:50,359 --> 00:20:53,800 Speaker 1: hanging fruit, but I'll allow it. Uh. And Thora Birch 378 00:20:53,880 --> 00:20:57,359 Speaker 1: remembers Bet wowing the set during downtime on the shoot 379 00:20:57,400 --> 00:20:59,720 Speaker 1: with her singing. She said, Bett and Thora, who was 380 00:20:59,760 --> 00:21:02,920 Speaker 1: like and at this point were suspended from the ceiling 381 00:21:02,960 --> 00:21:05,520 Speaker 1: and flying harnesses to film one of the final scenes 382 00:21:05,520 --> 00:21:08,040 Speaker 1: of the movie, and as Thora recalled to the rap 383 00:21:08,240 --> 00:21:11,159 Speaker 1: for that amazing oral history we just spoke about. It 384 00:21:11,240 --> 00:21:12,840 Speaker 1: was towards the end of how long we had to 385 00:21:12,880 --> 00:21:15,480 Speaker 1: be up there, and we were both pretty miserable. But 386 00:21:15,560 --> 00:21:18,000 Speaker 1: then all of a sudden, Bet just starts singing and 387 00:21:18,040 --> 00:21:21,080 Speaker 1: everybody stops, which probably wasn't a good idea because they 388 00:21:21,119 --> 00:21:24,760 Speaker 1: clearly needed to keep working. But when Bet sings, everybody stops, 389 00:21:25,040 --> 00:21:26,840 Speaker 1: and I was just like, oh my god, this is 390 00:21:26,840 --> 00:21:30,840 Speaker 1: freaking awesome. She's like singing to comfort us. That was 391 00:21:30,880 --> 00:21:34,720 Speaker 1: a completely memorable moment. And Thora, who was like ten 392 00:21:34,760 --> 00:21:37,920 Speaker 1: at the time, remembers that Bet quote had two people 393 00:21:37,960 --> 00:21:41,119 Speaker 1: running around behind her with dictionaries of old curse words, 394 00:21:41,640 --> 00:21:44,800 Speaker 1: and that's where she came up with legendary unscripted digs 395 00:21:44,840 --> 00:21:51,200 Speaker 1: like Trollamog and magatry mouthfeasance, which is awesome. Unrelated side note, 396 00:21:51,520 --> 00:21:54,199 Speaker 1: do you know that Thora birches mom, Carol Connors, was 397 00:21:54,240 --> 00:21:59,040 Speaker 1: in Deep Throat? Yeah. The only reason I checked that 398 00:21:59,119 --> 00:22:01,040 Speaker 1: was because I saw that her mom was Carol Connors, 399 00:22:01,080 --> 00:22:03,280 Speaker 1: and I misread it as Carol O'Connor, and I thought 400 00:22:03,400 --> 00:22:06,480 Speaker 1: briefly that Thora Birch's dad was Archie Bunker, and all 401 00:22:06,520 --> 00:22:10,160 Speaker 1: in the family Carol O'Connor, but I was wrong. Um yeah, 402 00:22:10,160 --> 00:22:13,280 Speaker 1: I guess both of Thora's parents were adult entertainment performers. 403 00:22:13,280 --> 00:22:17,120 Speaker 1: Your dad, Jack Birch, was a porn star. So wait, 404 00:22:17,200 --> 00:22:23,680 Speaker 1: did they meet doing porn? I think so that's incredible. Yeah, 405 00:22:24,080 --> 00:22:26,840 Speaker 1: good for them. I bet that's not a story that 406 00:22:26,880 --> 00:22:32,040 Speaker 1: gets told every Christmas. I was googling. Someone suggested that 407 00:22:32,080 --> 00:22:33,760 Speaker 1: they did meet on the set of Deep Throat, but 408 00:22:33,800 --> 00:22:36,120 Speaker 1: I wasn't able to Actually, yeah, that was what I 409 00:22:36,160 --> 00:22:39,360 Speaker 1: thought I heard. Yeah they yeah, so yeah, they were 410 00:22:39,359 --> 00:22:42,560 Speaker 1: both in Deep Throat. That's uh, that's a hell, that's 411 00:22:42,560 --> 00:22:45,080 Speaker 1: a meat cute, that's a that's a movie we should make. 412 00:22:45,600 --> 00:22:47,960 Speaker 1: I mean, it's basically love. Actually it's the it's the 413 00:22:48,000 --> 00:22:54,040 Speaker 1: Martin Friedman character gets stuff in there. I mean soccer 414 00:22:54,119 --> 00:22:59,520 Speaker 1: to me. For the part of the youngest Sanderson's sister, Sarah, 415 00:22:59,560 --> 00:23:02,120 Speaker 1: Oh god, that is the one of the only things 416 00:23:02,200 --> 00:23:05,280 Speaker 1: I remember about this movie is having a young preteen 417 00:23:05,480 --> 00:23:08,880 Speaker 1: stirring for Sarakha. Jessica Parker is the hot goth, which 418 00:23:09,400 --> 00:23:17,199 Speaker 1: they nearly got Jennifer Lopez cartoon Wolf. My tongue falling 419 00:23:17,200 --> 00:23:19,720 Speaker 1: out of my jaw. I have to hit myself on 420 00:23:19,760 --> 00:23:21,600 Speaker 1: the top of the head to roll it back up 421 00:23:23,640 --> 00:23:25,760 Speaker 1: with I hit myself on the head with a mallet, 422 00:23:25,840 --> 00:23:29,800 Speaker 1: et cetera. That was more of a that Mittler boy 423 00:23:30,840 --> 00:23:34,399 Speaker 1: and they're in there in lives. The difference between us 424 00:23:34,640 --> 00:23:37,680 Speaker 1: on Carson Saraha and Carson on the second to last episode, 425 00:23:37,680 --> 00:23:42,000 Speaker 1: Come On Melts. Jennifer Lopez auditioned for this, but it 426 00:23:42,040 --> 00:23:44,360 Speaker 1: went to Sarah Jessica Parker, who is then hot off 427 00:23:44,359 --> 00:23:48,160 Speaker 1: her appearance and Steve Martin's l a story and this 428 00:23:48,240 --> 00:23:52,199 Speaker 1: is wild makes sense because for all Jennifer Lopez as 429 00:23:52,359 --> 00:23:55,480 Speaker 1: many and obvious charms, she is not related to an 430 00:23:55,520 --> 00:24:00,000 Speaker 1: actual woman accused of witchcraft in the sixteen hundreds, as 431 00:24:00,080 --> 00:24:03,760 Speaker 1: Sarah Jessica Parker is during an appearance of the genealogy 432 00:24:03,800 --> 00:24:05,639 Speaker 1: show Who Do You Think You Are? Isn't that the 433 00:24:05,640 --> 00:24:08,560 Speaker 1: one where they surprised like like didn't afflect try and 434 00:24:08,600 --> 00:24:12,119 Speaker 1: bury the fact that his family like owned slaves That 435 00:24:12,440 --> 00:24:15,320 Speaker 1: I didn't hear that, but that's possible one of the 436 00:24:15,320 --> 00:24:18,040 Speaker 1: two of them did. Anyway, Sarah Jessica Parker learned that 437 00:24:18,040 --> 00:24:21,760 Speaker 1: she's the tenth great granddaughter of Esther l Well, who 438 00:24:21,760 --> 00:24:24,960 Speaker 1: stood accused during the Salem witch trials. When a young 439 00:24:25,040 --> 00:24:30,200 Speaker 1: girl said she saw esther's specter strangling a neighbor. L 440 00:24:30,240 --> 00:24:32,880 Speaker 1: Well was arrested but never actually went to trial because 441 00:24:32,920 --> 00:24:35,080 Speaker 1: the accusations were starting to get so out of hand 442 00:24:35,320 --> 00:24:38,479 Speaker 1: that even the governor's wife was getting accusations hurled at her. 443 00:24:38,800 --> 00:24:41,560 Speaker 1: And naturally, when the powerful get accused of crimes, the 444 00:24:41,640 --> 00:24:46,840 Speaker 1: laws changed quickly, so s JP's ancestor was released and 445 00:24:47,000 --> 00:24:50,879 Speaker 1: reportedly lived into her eighties. Now, the so called Salem 446 00:24:50,920 --> 00:24:56,040 Speaker 1: witch trials occurred roughly between February and May see, during 447 00:24:56,160 --> 00:24:58,800 Speaker 1: which time more than two hundred men, women and children 448 00:24:58,800 --> 00:25:02,120 Speaker 1: were accused of witchcraft. Out of all of those, nineteen 449 00:25:02,160 --> 00:25:05,000 Speaker 1: of them were hanged. Most of these were women, but 450 00:25:05,040 --> 00:25:07,520 Speaker 1: there was one man named Giles Corey who was pressed 451 00:25:07,520 --> 00:25:10,240 Speaker 1: to death under heavy stones. Isn't that in the Crucible 452 00:25:10,240 --> 00:25:12,320 Speaker 1: when he's he's a guy who keeps calling for more weight? 453 00:25:12,840 --> 00:25:16,800 Speaker 1: I think so. Yeah, great death scene. We we we 454 00:25:16,920 --> 00:25:20,640 Speaker 1: stand Giles Corey. At least five more of those who've 455 00:25:20,640 --> 00:25:23,960 Speaker 1: been found guilty dyed in jail. Obviously the most famous 456 00:25:24,320 --> 00:25:28,840 Speaker 1: witch hunt this side of Joseph McCarthy and the Red 457 00:25:28,920 --> 00:25:31,680 Speaker 1: Scare of the fifties, but sadly not the only one 458 00:25:32,200 --> 00:25:36,760 Speaker 1: Between sixty seven and sixteen sixty nine in Connecticut, thirty 459 00:25:36,800 --> 00:25:40,520 Speaker 1: people were accused of witchcraft and eleven were hanged. During 460 00:25:40,560 --> 00:25:42,600 Speaker 1: the same time as the Salem witch trials, there were 461 00:25:42,640 --> 00:25:45,480 Speaker 1: similar trials in New Hampshire and Virginia, and these would 462 00:25:45,520 --> 00:25:49,000 Speaker 1: just keep popping up sporadically throughout the seventeen hundreds. Not 463 00:25:49,080 --> 00:25:53,000 Speaker 1: much to do, not not much else happening, might as 464 00:25:53,000 --> 00:25:55,639 Speaker 1: well accuse a bunch of people of witchcraft. However, the 465 00:25:55,760 --> 00:25:59,160 Speaker 1: last trial for witchcraft in the United States would occur 466 00:25:59,480 --> 00:26:06,000 Speaker 1: Faithful in Salem in eight Hopefully some of those spirits 467 00:26:06,200 --> 00:26:10,359 Speaker 1: were somewhat appeased by the casting of Sarah Jessica Parker 468 00:26:10,600 --> 00:26:16,280 Speaker 1: in Hocus Pocus. I mean, it's I've read somewhere. I 469 00:26:16,280 --> 00:26:18,399 Speaker 1: should probably research this before I say this, But like 470 00:26:18,400 --> 00:26:19,960 Speaker 1: a lot of the people that were accused of being, 471 00:26:20,000 --> 00:26:24,080 Speaker 1: which is in addition to being people that the accusers 472 00:26:24,119 --> 00:26:28,920 Speaker 1: just didn't personally like because they owned land on land, 473 00:26:28,960 --> 00:26:31,479 Speaker 1: I heard that there were also just people with you know, 474 00:26:31,680 --> 00:26:35,960 Speaker 1: people with tourettes, for example. But it was a really 475 00:26:35,960 --> 00:26:38,159 Speaker 1: easy way to seize land from women, which was already 476 00:26:38,160 --> 00:26:41,840 Speaker 1: a tenuous position for them, as was the fashion at 477 00:26:41,880 --> 00:26:44,159 Speaker 1: the time. But yeah, you could. If you got her 478 00:26:44,200 --> 00:26:46,880 Speaker 1: successfully accused and hanged, then you can just take that 479 00:26:46,960 --> 00:26:50,359 Speaker 1: land right right quick. Yeah. I think I read some 480 00:26:50,440 --> 00:26:53,880 Speaker 1: instances where like there would be people who would by 481 00:26:53,920 --> 00:26:57,720 Speaker 1: all accounts, seemed to go crazy. They start having visions 482 00:26:57,800 --> 00:27:01,160 Speaker 1: and start howling and start and it was I don't 483 00:27:01,160 --> 00:27:03,040 Speaker 1: remember what exactly it was, but it was some kind 484 00:27:03,080 --> 00:27:07,479 Speaker 1: of like fairly easier to remedy vitamin deficiency that you know, 485 00:27:08,280 --> 00:27:10,960 Speaker 1: could have been solved in a matter of days. There 486 00:27:10,960 --> 00:27:14,399 Speaker 1: have been different academic studies that have advanced the theory 487 00:27:14,520 --> 00:27:18,800 Speaker 1: that the brief and intense illnesses suffered by townspeople that 488 00:27:18,880 --> 00:27:22,199 Speaker 1: were chocked up to witchcraft were air goot is um, 489 00:27:22,280 --> 00:27:26,480 Speaker 1: a disease commonly contracted by rye bread And isn't that 490 00:27:26,680 --> 00:27:31,280 Speaker 1: where LSD you are, correct, sir? After the after the 491 00:27:31,640 --> 00:27:35,280 Speaker 1: after the rye plant contracts arrogate, the fungus grows and 492 00:27:35,760 --> 00:27:40,400 Speaker 1: replaces the shoots on the grains with sclerotia. Sclerotia I'm 493 00:27:40,440 --> 00:27:48,400 Speaker 1: getting and um. Those growths contain lysurgic acid and basically, uh, 494 00:27:48,640 --> 00:27:53,240 Speaker 1: this stuff caused severe convulsions, muscle spasms, delusions, the sensation 495 00:27:53,280 --> 00:27:57,360 Speaker 1: of crawling under the skin, and that's basically what they 496 00:27:57,400 --> 00:28:03,639 Speaker 1: think witchcraft was people tripping balls on bad rye bread. 497 00:28:05,480 --> 00:28:07,560 Speaker 1: You know, as with so many things in this country, 498 00:28:07,600 --> 00:28:13,600 Speaker 1: the explanation is so much stupider. Yeah, yeah, wow, amazing. 499 00:28:13,680 --> 00:28:15,840 Speaker 1: Only took us, like maybe, you know, under thirty minutes 500 00:28:15,920 --> 00:28:22,480 Speaker 1: just to to link hocus focus with acid. As you 501 00:28:22,560 --> 00:28:25,000 Speaker 1: meditate on that. We'll be right back with more too 502 00:28:25,080 --> 00:28:42,160 Speaker 1: much information after these messages, But back to your beloved 503 00:28:42,200 --> 00:28:45,000 Speaker 1: Sarah Jessica Parker. She later said that she felt her 504 00:28:45,080 --> 00:28:47,960 Speaker 1: character was quote the most fundamentally evil of all the 505 00:28:47,960 --> 00:28:51,440 Speaker 1: Sanders and sisters. She's so not bright, not calculating, but 506 00:28:51,480 --> 00:28:54,880 Speaker 1: it's her innate nature to be evil. For her older sisters, 507 00:28:54,880 --> 00:28:58,680 Speaker 1: it's a learned thing. Yet she's still somewhat seductive. She's 508 00:28:58,720 --> 00:29:01,080 Speaker 1: just awful, but I love her. There was very little 509 00:29:01,080 --> 00:29:03,520 Speaker 1: about our characters beyond the script itself, so it gave 510 00:29:03,600 --> 00:29:06,680 Speaker 1: me my first chance to really create a character, like 511 00:29:06,800 --> 00:29:09,600 Speaker 1: finding the voice and physical stuff. They wanted me to 512 00:29:09,600 --> 00:29:12,000 Speaker 1: do a Marilyn Monroe voice, but I found that boring, 513 00:29:12,360 --> 00:29:14,480 Speaker 1: so I came up with something like a small five 514 00:29:14,560 --> 00:29:18,480 Speaker 1: year old boy on helium. And there's a funny little 515 00:29:18,480 --> 00:29:22,200 Speaker 1: detail about Sarah Sanderson's hair that ties back to classic cinema. 516 00:29:22,840 --> 00:29:25,000 Speaker 1: There are actually several nods of the Wizard of Oz 517 00:29:25,080 --> 00:29:27,360 Speaker 1: in hocus Pocus, and one of them is the length 518 00:29:27,520 --> 00:29:30,600 Speaker 1: of Sarah Sanderson's hair. During the production of The Wizard 519 00:29:30,600 --> 00:29:33,000 Speaker 1: of Oz, I guess I'd never noticed this. There were 520 00:29:33,000 --> 00:29:37,200 Speaker 1: continuity issues with Dorothy's hair in some scenes, for pigtails 521 00:29:37,240 --> 00:29:40,000 Speaker 1: rest just below her shoulders, and in others they're quite 522 00:29:40,000 --> 00:29:43,400 Speaker 1: a bit longer. Apparently as a little nod to this detail, 523 00:29:43,480 --> 00:29:47,360 Speaker 1: Sarah Sanderson's hair constantly switches from curly to straight, and 524 00:29:47,400 --> 00:29:49,720 Speaker 1: I also believe it varies in length at different times 525 00:29:49,760 --> 00:29:52,280 Speaker 1: throughout the movie too. And this is just one of 526 00:29:52,360 --> 00:29:55,280 Speaker 1: several allusions to The Wizard of Oz, including the use 527 00:29:55,280 --> 00:30:00,640 Speaker 1: of the wicked Witches theme, you know the And this 528 00:30:00,840 --> 00:30:03,720 Speaker 1: sets me up perfectly for a crazy fact that I 529 00:30:03,800 --> 00:30:06,440 Speaker 1: learned the other day about the Wicked Witch of the 530 00:30:06,480 --> 00:30:08,880 Speaker 1: West from The Wizard of Oz, or rather the actors 531 00:30:08,880 --> 00:30:18,360 Speaker 1: who played her, Margaret Hamilton's I'm from Boston yesterday you yesterday. 532 00:30:18,400 --> 00:30:21,960 Speaker 1: As I was making my very first visit to Salem, 533 00:30:22,080 --> 00:30:25,760 Speaker 1: I started to wonder why people in Boston always said wicked. 534 00:30:25,920 --> 00:30:28,960 Speaker 1: You know, wicked, great wicked Whatever I was wondering, if 535 00:30:28,960 --> 00:30:31,200 Speaker 1: it had something to do with Salem and the Witch trials, 536 00:30:31,240 --> 00:30:33,840 Speaker 1: if it was just like a local nod to that 537 00:30:33,920 --> 00:30:39,000 Speaker 1: moment in our history. The truth is possibly very much 538 00:30:39,080 --> 00:30:42,560 Speaker 1: weirder of the stories to be believed. Apparently, the whole 539 00:30:42,800 --> 00:30:47,360 Speaker 1: wicked slang phenomenon was inspired by a Boston mayor's affair 540 00:30:47,440 --> 00:30:50,400 Speaker 1: with Margaret Hamilton's actors who played the Wicked Witch to 541 00:30:50,400 --> 00:30:52,840 Speaker 1: the West, and this is from an article in Boston 542 00:30:52,920 --> 00:30:56,160 Speaker 1: Magazine written by Matthew Reid Baker. He said, quote the 543 00:30:56,280 --> 00:30:59,920 Speaker 1: year zero was nineteen forty two and former Mayor Jay 544 00:31:00,160 --> 00:31:03,320 Speaker 1: Michael Curly was running for the U S House of Representatives, 545 00:31:03,320 --> 00:31:06,040 Speaker 1: but his campaign was crippled by his horrid affair with 546 00:31:06,120 --> 00:31:09,560 Speaker 1: Margaret Hamilton's, still hot from her role as the Wicked 547 00:31:09,560 --> 00:31:11,320 Speaker 1: Witch of the West and The Wizard of Oz, which 548 00:31:11,320 --> 00:31:15,560 Speaker 1: had come out three years earlier. Once the Rascal King 549 00:31:15,640 --> 00:31:18,840 Speaker 1: dumped his Hollywood mistress, he swept to victory thanks to 550 00:31:18,880 --> 00:31:23,720 Speaker 1: an endorsement from Cardinal O'Connor, who exclaimed, our wicked man 551 00:31:23,960 --> 00:31:31,760 Speaker 1: has become wicked good and the rest is local slang history. Um. 552 00:31:31,800 --> 00:31:34,520 Speaker 1: The author of this piece does admit that there's an 553 00:31:34,520 --> 00:31:37,320 Speaker 1: excellent chance that this whole wicked witch of the West 554 00:31:37,360 --> 00:31:41,280 Speaker 1: connection is just local legend, and there's actually, in truth, 555 00:31:41,360 --> 00:31:44,200 Speaker 1: no consensus when it comes to the slang history of 556 00:31:44,320 --> 00:31:48,040 Speaker 1: wicked in New England. According to the Merrion Webster Dictionary, 557 00:31:48,240 --> 00:31:51,840 Speaker 1: the traditional use of wicked for bad dates back to 558 00:31:51,880 --> 00:31:55,680 Speaker 1: the thirteenth century. Perhaps is a bastardization of the Middle 559 00:31:55,720 --> 00:31:59,080 Speaker 1: English word wicca or the Old English wicca, which is 560 00:31:59,160 --> 00:32:00,920 Speaker 1: kind of a more familiar or word to me, which 561 00:32:01,080 --> 00:32:04,320 Speaker 1: you know, to me is a synonym for witchcraft. However, 562 00:32:04,400 --> 00:32:08,280 Speaker 1: there is a theory that Salem City officials started using 563 00:32:08,320 --> 00:32:11,800 Speaker 1: the word wicked as a trend to promote tourism in 564 00:32:11,840 --> 00:32:15,040 Speaker 1: their town, but obviously the use of that phrase went 565 00:32:15,080 --> 00:32:20,320 Speaker 1: through the roof after Google Hunting came out. I'm surprised 566 00:32:20,360 --> 00:32:22,360 Speaker 1: we haven't gotten you to bust out of Boston accent 567 00:32:22,400 --> 00:32:24,880 Speaker 1: on this yet. I can't do them because I'm from 568 00:32:24,920 --> 00:32:28,320 Speaker 1: like just far enough West that wasn't like a local 569 00:32:28,360 --> 00:32:31,160 Speaker 1: and my parents were both from Pennsylvania, so I never 570 00:32:31,240 --> 00:32:34,600 Speaker 1: really grew up surrounded by Boston accents too much. I mean, 571 00:32:34,600 --> 00:32:36,920 Speaker 1: I heard it was something that was like native to me. 572 00:32:37,960 --> 00:32:40,800 Speaker 1: M hmm. I bet you had two different accents. Huh 573 00:32:41,160 --> 00:32:46,400 Speaker 1: growing up you were like two different people. Oh yeah, 574 00:32:46,400 --> 00:32:48,160 Speaker 1: this is this is the form where the podcast just 575 00:32:48,320 --> 00:32:53,000 Speaker 1: evolves into a US reciting lines from The Depoted. Let's 576 00:32:53,000 --> 00:32:55,040 Speaker 1: get this thing back on the rails, folks. That's a 577 00:32:55,120 --> 00:32:59,600 Speaker 1: much longer podcast. We gotta do the Departed. That's like 578 00:32:59,640 --> 00:33:01,760 Speaker 1: the movie I think I saw the most in theaters. 579 00:33:01,840 --> 00:33:05,880 Speaker 1: Oh it's so perfect, it's so perfect. What's my favorite? 580 00:33:06,120 --> 00:33:08,520 Speaker 1: I mean, my favorite Boston in that is is marky 581 00:33:08,640 --> 00:33:12,440 Speaker 1: Mark just doing them? Well? Yeah, maybe maybe maybe not? 582 00:33:12,720 --> 00:33:17,480 Speaker 1: Maybe you The best line of that movie is Leo 583 00:33:17,880 --> 00:33:20,680 Speaker 1: when he goes to his therapist house. You don't have cats? 584 00:33:21,360 --> 00:33:25,400 Speaker 1: I like that and it's all going, no, you know. 585 00:33:25,520 --> 00:33:27,920 Speaker 1: The best line of movie actually is is Alec Baldwin 586 00:33:28,000 --> 00:33:29,960 Speaker 1: saying I'm the guy who does his job. You must 587 00:33:30,000 --> 00:33:34,560 Speaker 1: be the guy. I use that, and it was Micky Mark. 588 00:33:34,880 --> 00:33:40,880 Speaker 1: Maybe you're right. I don't know anyway, now that we've 589 00:33:40,880 --> 00:33:45,920 Speaker 1: talked about a movie we actually care about. Uh, Kathy 590 00:33:45,960 --> 00:33:48,280 Speaker 1: y Gemi was reluctant to take this role because she 591 00:33:48,520 --> 00:33:52,160 Speaker 1: had a fear of real life, which is Rosie O'Donnell, 592 00:33:52,200 --> 00:33:57,880 Speaker 1: who fears no one man of God or Bordal was 593 00:33:57,920 --> 00:33:59,880 Speaker 1: originally hasked to play the role with Mary Sanderson, but 594 00:33:59,880 --> 00:34:01,640 Speaker 1: she turned it down because she didn't want to play 595 00:34:01,640 --> 00:34:04,480 Speaker 1: a witch, so that part ultimately went to Kathy to Jimmy, 596 00:34:04,560 --> 00:34:06,840 Speaker 1: who had just broken Big and Sister Act along with 597 00:34:06,840 --> 00:34:09,960 Speaker 1: Whoopi Goldberg, but apparently Kathy didn't want to play a 598 00:34:09,960 --> 00:34:13,040 Speaker 1: witch either. At the twentieth anniversary screening panel, she told 599 00:34:13,120 --> 00:34:17,319 Speaker 1: fans she was afraid of offending real life, which is which, Yeah, sure, 600 00:34:17,920 --> 00:34:21,560 Speaker 1: that's tracks. She reportedly told the audience, I really believe 601 00:34:21,600 --> 00:34:25,040 Speaker 1: in white witches, as in witches who are use their 602 00:34:25,080 --> 00:34:27,799 Speaker 1: magic for good. It's not a whole race thing, even 603 00:34:27,840 --> 00:34:33,680 Speaker 1: though it even though it is Boston related, the whole 604 00:34:33,680 --> 00:34:40,920 Speaker 1: witches busting controversies. Um, I really believe in white witches, 605 00:34:41,000 --> 00:34:42,920 Speaker 1: and I'm a witch and a lot of women I 606 00:34:42,960 --> 00:34:46,240 Speaker 1: know who are very spiritually forward are witches. She said 607 00:34:46,840 --> 00:34:49,920 Speaker 1: she was worried that the Sanderson sister's obsession with killing 608 00:34:50,000 --> 00:34:54,080 Speaker 1: children would create a negative, harmful stereotype around which is which, 609 00:34:54,280 --> 00:34:57,759 Speaker 1: But they'll do that. Ship's kind of sailed though, Kathy Yeah. 610 00:34:58,920 --> 00:35:02,040 Speaker 1: Dijim apparently asked writers to include mentions of white witches 611 00:35:02,120 --> 00:35:04,719 Speaker 1: or good witches such as Alison, the character played by 612 00:35:04,800 --> 00:35:09,120 Speaker 1: Vanessa Shaw, who she saws human ish and funny. Is 613 00:35:09,160 --> 00:35:16,759 Speaker 1: that she talking about the actress the idea describing and funny. 614 00:35:17,360 --> 00:35:19,040 Speaker 1: The rare reason that Jimmy agreed to do the movie 615 00:35:19,160 --> 00:35:21,640 Speaker 1: was because she had been a massive bet Middler super 616 00:35:21,680 --> 00:35:24,439 Speaker 1: fan for fifteen years, to the point where you said 617 00:35:24,480 --> 00:35:30,640 Speaker 1: you kept seeing the phrase borderline stalker attached to her name. Yes, simlistical, Yes, 618 00:35:31,040 --> 00:35:33,840 Speaker 1: so she was happy to tempt Black Magic Reprisal for 619 00:35:33,880 --> 00:35:37,160 Speaker 1: a chance to work alongside her hero. Cathy thought of 620 00:35:37,160 --> 00:35:40,080 Speaker 1: her character, Mary is half bloodhound, which is why she 621 00:35:40,120 --> 00:35:44,200 Speaker 1: has that sort of crooked mouth and barks occasionally. She said, 622 00:35:44,239 --> 00:35:46,000 Speaker 1: one day in rehearsal I just sort of went to 623 00:35:46,080 --> 00:35:49,640 Speaker 1: the side, she explained to Sci Fi Wire. We decided 624 00:35:49,680 --> 00:35:52,080 Speaker 1: she was like a bloodhound. So this sort of sniffy 625 00:35:52,120 --> 00:35:57,240 Speaker 1: thing happened. But the but the wasn't the only sniffy 626 00:35:57,239 --> 00:35:59,879 Speaker 1: thing that happened on this say, hey, I actually don't 627 00:35:59,880 --> 00:36:02,400 Speaker 1: know where any of these people drug abusers. Charles Rockett 628 00:36:02,480 --> 00:36:05,879 Speaker 1: was in the cast. It can't be on Saturday Live 629 00:36:05,920 --> 00:36:09,640 Speaker 1: in the eighties. Yeah, yeah, it's true. But the most 630 00:36:09,680 --> 00:36:13,600 Speaker 1: seismic instance of alternate universe casting in this movie is that. Apparently, 631 00:36:13,719 --> 00:36:18,000 Speaker 1: Kenny Ortega wanted Leonardo DiCaprio for the part of Max Dennison. 632 00:36:18,120 --> 00:36:21,920 Speaker 1: Interview with Variety, Leonardo DiCaprio said that he was offered 633 00:36:22,000 --> 00:36:25,080 Speaker 1: quote more money than I ever dreamed of to play Max, 634 00:36:25,360 --> 00:36:27,280 Speaker 1: but he turned down the role because he was holding 635 00:36:27,360 --> 00:36:30,200 Speaker 1: up for a chance to audition for What's Eating Gilbert Grape. 636 00:36:30,680 --> 00:36:32,719 Speaker 1: He said, quote, I don't know where the hell I 637 00:36:32,760 --> 00:36:35,120 Speaker 1: got the nerve. You live in an environment where you're 638 00:36:35,160 --> 00:36:37,160 Speaker 1: influenced by people telling you you make a lot of 639 00:36:37,200 --> 00:36:40,080 Speaker 1: money and strike while the iron's hot. But the move 640 00:36:40,120 --> 00:36:43,240 Speaker 1: paid off, because Leo got an Academy Award and Golden 641 00:36:43,239 --> 00:36:47,000 Speaker 1: Globe nomination for his portrayal of Arnold Arnie Grape, making 642 00:36:47,080 --> 00:36:50,600 Speaker 1: him the seventh youngest nominee ever in that category at 643 00:36:50,640 --> 00:36:55,439 Speaker 1: just nineteen years old. However, director Kenny Ortega remembers things 644 00:36:55,480 --> 00:36:58,600 Speaker 1: a little differently. In a two eighteen interview with D 645 00:36:58,719 --> 00:37:01,840 Speaker 1: twenty three, he claims that Leo was never actually available 646 00:37:01,880 --> 00:37:03,960 Speaker 1: for this movie, but he met with Leo anyway at 647 00:37:03,960 --> 00:37:06,800 Speaker 1: the assistance of a couple of casting agents during pre production. 648 00:37:07,480 --> 00:37:10,359 Speaker 1: But even so, everyone already knew that Leo would very 649 00:37:10,480 --> 00:37:12,920 Speaker 1: likely pass up this role because he was already up 650 00:37:12,920 --> 00:37:15,720 Speaker 1: for parts of What's Eating Gilbert Grape and This Boy's Life, 651 00:37:16,360 --> 00:37:18,879 Speaker 1: And sure enough, Ortega said that during the meeting, Leo 652 00:37:19,000 --> 00:37:22,200 Speaker 1: politely made it clear that his head was quote somewhere else, 653 00:37:23,200 --> 00:37:26,360 Speaker 1: and the part of Max ultimately went to al Marie Cats. 654 00:37:27,000 --> 00:37:29,920 Speaker 1: And after hocus Pocus, Cats briefly started in shows like 655 00:37:30,040 --> 00:37:33,120 Speaker 1: General Hospital and Freaks and Geeks before we retired from 656 00:37:33,160 --> 00:37:36,160 Speaker 1: acting in two thousand two, and Cats recently spoke to 657 00:37:36,239 --> 00:37:39,160 Speaker 1: Entertainment Weekly about the hocus Pocus sequel. He said, quote, 658 00:37:39,360 --> 00:37:41,799 Speaker 1: people have been asking, and unfortunately I'm not in it. 659 00:37:41,960 --> 00:37:45,640 Speaker 1: I would have loved to have been involved. Thora Birch, however, 660 00:37:46,000 --> 00:37:48,240 Speaker 1: was I guess offered to reprise her role as Danny 661 00:37:48,280 --> 00:37:51,480 Speaker 1: Dennison and hocus Pocus too, but she declined due to 662 00:37:51,600 --> 00:37:56,799 Speaker 1: quote scheduling conflicts, which I think is industry code for 663 00:37:57,040 --> 00:38:01,360 Speaker 1: I don't want to do it, but maybe wrong. Um. 664 00:38:01,480 --> 00:38:03,879 Speaker 1: There's a frequent rumor that hocus Pocus is the first 665 00:38:03,960 --> 00:38:06,960 Speaker 1: Disney movie to use the word virgin, but that is 666 00:38:07,000 --> 00:38:11,480 Speaker 1: reportedly untrue. That honor belongs to nine one Dragon Slayer. 667 00:38:12,360 --> 00:38:16,640 Speaker 1: And speaking of there's a funny moment in the movie 668 00:38:16,719 --> 00:38:20,360 Speaker 1: when Max's father snaps at him watch your language. His 669 00:38:20,480 --> 00:38:23,800 Speaker 1: dad in this movie is played by the aforementioned Charles Rocket, 670 00:38:23,920 --> 00:38:27,160 Speaker 1: who is probably most famous for his tenure on SNL 671 00:38:27,480 --> 00:38:30,279 Speaker 1: when he dropped an unscripted f bomb live on air 672 00:38:30,400 --> 00:38:35,279 Speaker 1: during an episode in February. And I believe he was 673 00:38:35,320 --> 00:38:37,919 Speaker 1: only on the show for one more episode. After that, 674 00:38:38,440 --> 00:38:42,240 Speaker 1: NBC put the show on hiatus and retooled the cast 675 00:38:42,600 --> 00:38:46,520 Speaker 1: and kicked him off. This is just from my memory bank. 676 00:38:47,160 --> 00:38:50,120 Speaker 1: I think he killed himself by slitting his own throat 677 00:38:50,200 --> 00:38:52,799 Speaker 1: in a field on his own property in Connecticut in 678 00:38:52,840 --> 00:38:59,760 Speaker 1: two thousand five. I'm a Cobb end of this, good lord. 679 00:39:00,080 --> 00:39:03,200 Speaker 1: Uh something we didn't have in our Hocus focus bingo card. 680 00:39:03,400 --> 00:39:09,040 Speaker 1: Well you didn't, Yeah, well so James Horner. Uh, enemy 681 00:39:09,040 --> 00:39:12,279 Speaker 1: of the pod James Horner. I don't know. We're kind 682 00:39:12,280 --> 00:39:15,520 Speaker 1: of cool, but but that is not the only Titanic 683 00:39:15,560 --> 00:39:21,799 Speaker 1: connection in this movie. And I knew you would find it. Yeah. Uh. 684 00:39:21,920 --> 00:39:24,160 Speaker 1: The song that Sarah Jessica Parker's character sings in the film, 685 00:39:24,239 --> 00:39:27,920 Speaker 1: Come Little Children, which he uses to summon the Little Children, 686 00:39:28,640 --> 00:39:31,799 Speaker 1: was written by James Horner, who wrote My Heart Will 687 00:39:31,840 --> 00:39:35,680 Speaker 1: Go On and the score of Titanic just chock full 688 00:39:35,719 --> 00:39:40,480 Speaker 1: of penny whistles. That soundtrack was just like that was 689 00:39:40,520 --> 00:39:43,640 Speaker 1: like our generations. Frampton comes Live and I feel like 690 00:39:43,880 --> 00:39:48,400 Speaker 1: everyone I knew had that CD. Yeah. Uh. He was 691 00:39:48,440 --> 00:39:51,080 Speaker 1: nominated for eight Oscars over the course of his career, 692 00:39:51,080 --> 00:39:53,719 Speaker 1: winning two both for Titanic, but also earning nods for 693 00:39:53,760 --> 00:39:57,000 Speaker 1: Apaular Thirteen, Field of Dreams, Brave Heart, A Beautiful Mind, 694 00:39:57,440 --> 00:40:00,719 Speaker 1: the Avatar, and It's hilarious. He want up working with 695 00:40:00,840 --> 00:40:04,120 Speaker 1: James Cameron again on Titanic and again on Avatar because 696 00:40:04,120 --> 00:40:07,160 Speaker 1: ten years earlier he vowed never to work with Cameron 697 00:40:07,160 --> 00:40:11,240 Speaker 1: again because the scoring sessions for Aliens were, in Horner's words, 698 00:40:11,400 --> 00:40:14,359 Speaker 1: a nightmare, which is you can probably just plug that 699 00:40:14,640 --> 00:40:17,920 Speaker 1: into every single interaction with James Cameron. Anyone has ever 700 00:40:18,000 --> 00:40:23,480 Speaker 1: had not a guy famously well liked in Hollywood. Uh. 701 00:40:24,000 --> 00:40:28,920 Speaker 1: Mr Horner is uh fame over in his corner eating 702 00:40:28,960 --> 00:40:31,520 Speaker 1: some pumpkin pie. What am I doing that, right, little 703 00:40:31,560 --> 00:40:36,840 Speaker 1: Georgie something? What am I free associating here? Jordan's Jack Horner, 704 00:40:37,000 --> 00:40:43,320 Speaker 1: Little James Horner sat in his corner self plagiarizing um 705 00:40:43,480 --> 00:40:48,480 Speaker 1: as some pumpkin and pie. Uh and plagiarizing from other people. 706 00:40:48,760 --> 00:40:50,840 Speaker 1: What I'm getting at here, folks, is that James Horner 707 00:40:50,840 --> 00:40:54,160 Speaker 1: has been accused of reusing both his previously written works 708 00:40:54,520 --> 00:40:58,200 Speaker 1: or lightly reworking pieces by classic composers for the material 709 00:40:58,320 --> 00:41:02,360 Speaker 1: he generates in him. His scores from Star Trek to 710 00:41:02,440 --> 00:41:04,440 Speaker 1: The Wrath of con and Star Trek three The Search 711 00:41:04,480 --> 00:41:09,560 Speaker 1: for Spock include excerpts from Prokofiev's Alexander Nevsky and Romeo 712 00:41:09,560 --> 00:41:14,360 Speaker 1: and Juliet. The action Austinado from Aliens is originally lifted 713 00:41:14,360 --> 00:41:18,640 Speaker 1: from the werewolf movie Wolfen, starring I want to say, 714 00:41:18,680 --> 00:41:21,880 Speaker 1: Albert Finney, and the film's main title is almost identical 715 00:41:21,920 --> 00:41:26,439 Speaker 1: to Aram catch A Kourian's Gayanne Ballett Sweet Theodagio, which 716 00:41:26,480 --> 00:41:29,960 Speaker 1: was already used in an outer space context in two 717 00:41:30,000 --> 00:41:34,200 Speaker 1: thousand one Space Odyssey. That's just dumb. Don't steal classical 718 00:41:34,280 --> 00:41:37,720 Speaker 1: music cues from Stanley Kubrick, who did more than perhaps 719 00:41:37,800 --> 00:41:43,600 Speaker 1: any other filmmaker to popularize classical scores in films in space, 720 00:41:43,719 --> 00:41:48,799 Speaker 1: in Space throughout the twentieth century. Good lord uh, And 721 00:41:48,840 --> 00:41:50,880 Speaker 1: then he would use it again in the score of 722 00:41:50,960 --> 00:41:55,720 Speaker 1: Patriot Games. Oh, James Horner, you Rube Field of Dreams 723 00:41:55,719 --> 00:41:58,400 Speaker 1: includes cues from the Saturday Night Waltz portion of Aaron 724 00:41:58,440 --> 00:42:02,719 Speaker 1: Copeland's Ballet Rodeo and Copeland score from Our Town. In 725 00:42:03,800 --> 00:42:07,360 Speaker 1: issue of Film Score Monthly, an editorial review of Titanic 726 00:42:07,400 --> 00:42:11,280 Speaker 1: said Horner was skilled in the adaptation of existing music 727 00:42:11,320 --> 00:42:14,920 Speaker 1: into films with just enough variation to avoid legal troubles. 728 00:42:14,960 --> 00:42:18,080 Speaker 1: But that is not strictly true. He did indeed get 729 00:42:18,080 --> 00:42:21,120 Speaker 1: in trouble for his main theme for Honey, I Shrunk 730 00:42:21,160 --> 00:42:25,000 Speaker 1: the Kid. This is which incorporates cues from the score 731 00:42:25,040 --> 00:42:30,520 Speaker 1: by Nino Rota from Federico Fellini three film record A 732 00:42:30,760 --> 00:42:35,200 Speaker 1: Record I'm a Chord of Thing, and Raymond Scott's Peace Powerhouse, 733 00:42:35,360 --> 00:42:40,160 Speaker 1: regularly heard in the Loony Tunes God. This led to 734 00:42:40,239 --> 00:42:43,080 Speaker 1: Raymond Scott's estate to threaten a lawsuit against Disney, who 735 00:42:43,080 --> 00:42:46,879 Speaker 1: paid an undisclosed settlement out of court. However, history has 736 00:42:46,920 --> 00:42:50,800 Speaker 1: taken a kinder view of James Horner following his Titanic 737 00:42:50,840 --> 00:42:55,080 Speaker 1: mega success and his death in a single occupant plane 738 00:42:55,080 --> 00:42:59,600 Speaker 1: crash in the Los Padres National Forest. R I P. 739 00:42:59,760 --> 00:43:07,160 Speaker 1: James Horner, You're plagiarizing in Heaven now kisses me off. 740 00:43:07,200 --> 00:43:10,760 Speaker 1: I'm sorry. I good Lord, I know good Oars borrow 741 00:43:10,800 --> 00:43:16,480 Speaker 1: graad oars steel but like come on, come On. And 742 00:43:16,640 --> 00:43:19,120 Speaker 1: on the topic of reusing music, a little bit in 743 00:43:19,200 --> 00:43:21,520 Speaker 1: fact about hocus Pocus was that there was a theme 744 00:43:21,600 --> 00:43:24,880 Speaker 1: song written for it by the Swedish pop duo rock Set, 745 00:43:25,320 --> 00:43:27,640 Speaker 1: who had number ones in the late eighties with songs 746 00:43:27,719 --> 00:43:30,720 Speaker 1: like it Must Have Been Love Yeah, that song rules 747 00:43:31,200 --> 00:43:35,080 Speaker 1: and Listen to Your Heart which rules less Um. They 748 00:43:35,080 --> 00:43:38,720 Speaker 1: wrote a song called Almost Unreal, which is this great 749 00:43:38,760 --> 00:43:42,320 Speaker 1: cynthi pop banger that references hocus Pocus a number of times, 750 00:43:42,680 --> 00:43:45,719 Speaker 1: but ultimately the producers decided it wasn't right for a 751 00:43:45,760 --> 00:43:48,719 Speaker 1: family friendly witch movie and decided to cut it from 752 00:43:48,719 --> 00:43:51,920 Speaker 1: the film. But since the song was commissioned for Disney 753 00:43:52,080 --> 00:43:54,880 Speaker 1: and they obviously owned the rights, the company decided to 754 00:43:54,880 --> 00:43:58,920 Speaker 1: recycle it for another one of their movies, Super Mario 755 00:43:59,040 --> 00:44:08,600 Speaker 1: Brothers No Famously Misbegotten Horrendous Box Office Bomb. And the 756 00:44:08,640 --> 00:44:11,960 Speaker 1: band rock Set were apparently pretty pissed about this switch, 757 00:44:12,560 --> 00:44:14,759 Speaker 1: but then again, they weren't exactly huge fans of the 758 00:44:14,800 --> 00:44:16,920 Speaker 1: song in the first place. In the booklet for the 759 00:44:16,960 --> 00:44:19,520 Speaker 1: two thousand six release a collection of rock Set hits 760 00:44:19,680 --> 00:44:22,680 Speaker 1: their twenty greatest songs, one of the band made set 761 00:44:22,719 --> 00:44:25,640 Speaker 1: of this song not one of our most inspired moments, 762 00:44:26,040 --> 00:44:28,319 Speaker 1: so it's probably good it wound up in a not 763 00:44:28,560 --> 00:44:31,640 Speaker 1: very inspired film, saying that in your own greatest hits, 764 00:44:32,760 --> 00:44:35,560 Speaker 1: how somebody wasn't in charge of the track listing there. 765 00:44:37,200 --> 00:44:41,200 Speaker 1: The shoot for Hocus Focus began on October twelve, and 766 00:44:41,239 --> 00:44:43,440 Speaker 1: though the film's obviously set in the town of Salem, 767 00:44:43,600 --> 00:44:47,000 Speaker 1: most of it was done on a back lot in Burbank, California, 768 00:44:47,080 --> 00:44:49,040 Speaker 1: which will talk more about in the moment. But they 769 00:44:49,040 --> 00:44:51,520 Speaker 1: did do two weeks of shooting on location in Salem 770 00:44:51,560 --> 00:44:54,319 Speaker 1: and then the nearby town of marble Head. That's where 771 00:44:54,360 --> 00:44:57,080 Speaker 1: they did the scenes for the human Thackeray Binks running 772 00:44:57,080 --> 00:45:00,200 Speaker 1: through the woods. Among many exteriors the high s cool 773 00:45:00,239 --> 00:45:03,520 Speaker 1: in the film, Jacob Bailey High was actually Phillips Elementary School, 774 00:45:03,560 --> 00:45:06,040 Speaker 1: which was unused at the time. I think I might 775 00:45:06,080 --> 00:45:08,600 Speaker 1: have shot inside as well as exteriors. And now that's 776 00:45:08,640 --> 00:45:11,359 Speaker 1: an apartment complex, so if you're a Hocus Pocus super 777 00:45:11,360 --> 00:45:13,680 Speaker 1: fan looking for a place to live, check it out. 778 00:45:13,719 --> 00:45:16,160 Speaker 1: You can live in the school from hocus Pocus. The 779 00:45:16,239 --> 00:45:19,680 Speaker 1: Dennison's family home is a sweet eighteen seventies Victorians on 780 00:45:19,719 --> 00:45:23,040 Speaker 1: Ocean Avenue, which has become a popular tourist attraction, and 781 00:45:23,080 --> 00:45:25,520 Speaker 1: the Halloween party in the film takes place in the 782 00:45:25,600 --> 00:45:29,120 Speaker 1: supposed Old Town Hall, which is actually the Salem Museum 783 00:45:29,160 --> 00:45:32,840 Speaker 1: on Derby Square. But most interesting to me is the 784 00:45:32,880 --> 00:45:37,719 Speaker 1: house belonging to the character Allison. The exterior was shot 785 00:45:37,800 --> 00:45:40,680 Speaker 1: at the Ropes Mansion on Essex Street in Salem, which 786 00:45:40,719 --> 00:45:42,960 Speaker 1: is open to the public and operated by the Peabody 787 00:45:43,040 --> 00:45:46,360 Speaker 1: Essex Museum. According the website for it, the house was 788 00:45:46,400 --> 00:45:50,680 Speaker 1: built in seventeen twenty seven in Georgian style, but the 789 00:45:50,719 --> 00:45:54,880 Speaker 1: interiors were shot at a famous mansion in Altadena, California, 790 00:45:54,960 --> 00:45:57,880 Speaker 1: known as the Crank House, named for its former owner, 791 00:45:57,960 --> 00:46:00,880 Speaker 1: businessman James F. Crank. And this is cool because the 792 00:46:00,880 --> 00:46:04,000 Speaker 1: interiors were used not only for hocus Pocus, but also 793 00:46:04,080 --> 00:46:06,399 Speaker 1: in the movie Matilda, where it was used for Miss 794 00:46:06,480 --> 00:46:10,200 Speaker 1: trunch Bull's house and also screamed to during the scene 795 00:46:10,239 --> 00:46:13,520 Speaker 1: where CC was played by Sarah Michelle Gellar receives her 796 00:46:13,560 --> 00:46:16,800 Speaker 1: final fatal phone call, and it was also used in 797 00:46:16,880 --> 00:46:20,520 Speaker 1: Catcher If You Can when Leonardo DiCaprio celebrated his engagement 798 00:46:20,520 --> 00:46:24,160 Speaker 1: to any Adams in New Orleans. I think, I think 799 00:46:24,160 --> 00:46:27,000 Speaker 1: that was when he was in New Orleans in that movie. 800 00:46:28,320 --> 00:46:32,040 Speaker 1: If you can, Oh, it's actually really I didn't see 801 00:46:32,040 --> 00:46:35,719 Speaker 1: it ever until relatively recently, like maybe five years ago, 802 00:46:36,160 --> 00:46:38,000 Speaker 1: and it's it's not one of those ones that you 803 00:46:38,040 --> 00:46:40,360 Speaker 1: had to see like at a certain time to enjoy it. 804 00:46:40,400 --> 00:46:44,000 Speaker 1: Like it's it's really good. Um. Yeah, it's up there 805 00:46:44,000 --> 00:46:46,799 Speaker 1: with like The Sting in terms of just like that 806 00:46:46,880 --> 00:46:51,480 Speaker 1: kind of fun. I meanotus, the Sting is a lot better. 807 00:46:51,560 --> 00:46:56,120 Speaker 1: But yeah, just as unrelated aside, I'd assume that the 808 00:46:56,120 --> 00:46:58,680 Speaker 1: cemetery scenes in this movie were shot on location, but 809 00:46:58,760 --> 00:47:01,960 Speaker 1: apparently they were filmed on the largest sound stage at 810 00:47:01,960 --> 00:47:05,320 Speaker 1: the Walt Disney Studios, and real birch and elm trees 811 00:47:05,360 --> 00:47:07,759 Speaker 1: from the East Coast were uprooted and moved to the 812 00:47:07,800 --> 00:47:12,040 Speaker 1: set to give it that spooky Salem vibe. Well, as 813 00:47:12,040 --> 00:47:15,000 Speaker 1: we said, aside from some location shots in Salem, the 814 00:47:15,040 --> 00:47:19,239 Speaker 1: majority of hocus Pocus was filmed in California. Exteriors were 815 00:47:19,280 --> 00:47:21,680 Speaker 1: mostly done at the Warner Brothers Ranch and Burbank, which 816 00:47:21,719 --> 00:47:25,280 Speaker 1: is basically an open air movie set museum. The neighborhood 817 00:47:25,320 --> 00:47:26,839 Speaker 1: where the kids walk in the movie is known as 818 00:47:26,880 --> 00:47:29,960 Speaker 1: Blondie Street after the comic strip Blondie, which was then 819 00:47:30,000 --> 00:47:34,000 Speaker 1: turned into an early television sitcom. This little U shaped 820 00:47:34,040 --> 00:47:37,000 Speaker 1: street features house facades that have appeared in I Dream 821 00:47:37,000 --> 00:47:39,960 Speaker 1: of Genie, The Donna Reed Show, The Partridge Family, and 822 00:47:40,200 --> 00:47:43,960 Speaker 1: appropriately enough for this episode, Bewitched, as well as more 823 00:47:43,960 --> 00:47:49,600 Speaker 1: modern stuff like Young Sheldon, Son of a Bitching, Young Shaldon, 824 00:47:51,120 --> 00:47:57,320 Speaker 1: Enemy of the Pod, Young Sheldon, The Apocalypse Now looking 825 00:47:57,360 --> 00:48:04,000 Speaker 1: through the Venetian Blinds, Young Shell Children. They also did 826 00:48:04,040 --> 00:48:07,520 Speaker 1: the Three Stooges, the original Batman and Superman Cereals, Lethal Weapon, 827 00:48:07,640 --> 00:48:10,920 Speaker 1: Dennis the Menace, but one house in particular, which appears 828 00:48:10,920 --> 00:48:13,719 Speaker 1: in the background when the kids are prematurely celebrating their 829 00:48:13,719 --> 00:48:16,960 Speaker 1: defeat of the Sanderson sisters after locking them in the kiln. 830 00:48:18,200 --> 00:48:20,320 Speaker 1: These kids can be seen talking in front of the house. 831 00:48:20,360 --> 00:48:22,960 Speaker 1: As they walk to the park, Max stops to talk 832 00:48:23,000 --> 00:48:25,640 Speaker 1: to beings the cat outside of this house too. This 833 00:48:25,719 --> 00:48:29,520 Speaker 1: house has a wrought iron fence and blue shutters. This 834 00:48:29,640 --> 00:48:34,000 Speaker 1: house previously used as the Griswolds House in National Lampoon's 835 00:48:34,080 --> 00:48:37,320 Speaker 1: Christmas Vacation, but just a few years after hocus Pocus 836 00:48:37,600 --> 00:48:40,560 Speaker 1: was used as the Burnham family home in American Beauty. 837 00:48:40,880 --> 00:48:44,120 Speaker 1: The house with the red door and Thora Burch's character 838 00:48:44,200 --> 00:48:47,640 Speaker 1: lives there in American Beauty. So six years earlier in 839 00:48:47,719 --> 00:48:51,479 Speaker 1: Hocus Pocus, Thora Birch is visiting her future movie home 840 00:48:52,040 --> 00:48:55,880 Speaker 1: and then, Uh, you said, you think it's also in WandaVision. Yeah, 841 00:48:55,920 --> 00:48:59,720 Speaker 1: I think it's um the home in wand Division, the division. 842 00:49:01,160 --> 00:49:04,720 Speaker 1: I love this stuff so much. I'm good. I'm happy 843 00:49:04,760 --> 00:49:06,799 Speaker 1: you do. I mean it's just the way that they 844 00:49:06,880 --> 00:49:11,040 Speaker 1: reused the same like eight houses for dozens and dozens 845 00:49:11,040 --> 00:49:13,359 Speaker 1: of movies and TV shows. Like, for example, I mean 846 00:49:13,360 --> 00:49:16,040 Speaker 1: that that the home in Bewitch where Samantha and Darren 847 00:49:16,040 --> 00:49:18,040 Speaker 1: Stevens lived during the whole run of The which it's 848 00:49:18,040 --> 00:49:20,680 Speaker 1: the same house that in a dream of Genie, Larry 849 00:49:20,719 --> 00:49:25,200 Speaker 1: Hagman's boss Dr Bellows lives. It's just like they only 850 00:49:25,200 --> 00:49:27,560 Speaker 1: have like a couple of houses. They all just swap out, 851 00:49:27,760 --> 00:49:31,080 Speaker 1: change the you know, the aluminum signing on the front, 852 00:49:31,160 --> 00:49:36,080 Speaker 1: and call a day. Well, as with all things in Hollywood, 853 00:49:36,200 --> 00:49:41,160 Speaker 1: it ends tragically. Uh. Warner Brothers announced a massive plan 854 00:49:41,239 --> 00:49:44,280 Speaker 1: to overhaul this movie ranch, with a five hundred million 855 00:49:44,280 --> 00:49:48,120 Speaker 1: dollar redevelopment plan to build sixteen sound stages. This means 856 00:49:48,120 --> 00:49:50,920 Speaker 1: that this beloved filming location will be no more and 857 00:49:50,960 --> 00:49:54,800 Speaker 1: these famous facades will either be destroyed or God willing, 858 00:49:54,960 --> 00:49:59,120 Speaker 1: just moved. Um, you said that you think they're they're 859 00:49:59,120 --> 00:50:01,640 Speaker 1: being kept. The thing that I think that they're keeping 860 00:50:01,960 --> 00:50:05,600 Speaker 1: is the park square that is used in the opening 861 00:50:05,760 --> 00:50:09,960 Speaker 1: of the TV show Friends. Oh well, thank god, And 862 00:50:10,080 --> 00:50:16,880 Speaker 1: this leads us to the next topic. Uh. Yes, That 863 00:50:17,080 --> 00:50:20,160 Speaker 1: set also makes an appearance in Hocus Pocus. Perhaps the 864 00:50:20,200 --> 00:50:23,040 Speaker 1: most storage set piece in this movie was missed by 865 00:50:23,040 --> 00:50:26,560 Speaker 1: most viewers for years. It was only recently that Internet 866 00:50:26,640 --> 00:50:29,719 Speaker 1: Salutes took a close look at a park fountain that 867 00:50:29,760 --> 00:50:32,920 Speaker 1: appeared in the scene where Max, Danny Allison, and Factory 868 00:50:33,000 --> 00:50:36,879 Speaker 1: Banks are celebrating the demise of the Sanderson sisters, and 869 00:50:36,960 --> 00:50:39,920 Speaker 1: fans determined that this is the very same fountain from 870 00:50:39,960 --> 00:50:45,840 Speaker 1: the opening credits of the TV show Friends. Right, you 871 00:50:45,920 --> 00:50:50,040 Speaker 1: do you do the thing? Uh? The fountain is located 872 00:50:50,040 --> 00:50:52,800 Speaker 1: at the Warner Brothers studio in Burbank and has appeared 873 00:50:52,840 --> 00:50:54,960 Speaker 1: in all sorts of TV shows and movies dating back 874 00:50:55,000 --> 00:50:57,480 Speaker 1: to the sixties. It was used in Friends because it 875 00:50:57,480 --> 00:51:00,000 Speaker 1: looks very similar to the Cherry Hill fountain and Center 876 00:51:00,080 --> 00:51:03,160 Speaker 1: or Park. The fountain was moved from the Warner Brothers 877 00:51:03,239 --> 00:51:05,560 Speaker 1: ranch to the main studio lot earlier this year to 878 00:51:05,600 --> 00:51:08,080 Speaker 1: preserve it, where it was added to the Warner Brothers 879 00:51:08,120 --> 00:51:10,759 Speaker 1: Studio Tour in Hollywood, which means you can see it 880 00:51:10,840 --> 00:51:15,000 Speaker 1: and pose for photos with it, and there are still 881 00:51:15,040 --> 00:51:18,000 Speaker 1: many more traces of classic movies and shows in hocus focus. 882 00:51:18,840 --> 00:51:21,200 Speaker 1: This was a film that had originally been conceived as 883 00:51:21,200 --> 00:51:24,160 Speaker 1: a made for TV movie, so the budget was fairly tight, 884 00:51:24,480 --> 00:51:27,440 Speaker 1: and one place where they cut corners was the costume budget. 885 00:51:27,560 --> 00:51:30,160 Speaker 1: Specifically for the scene but they filmed the town's Halloween 886 00:51:30,239 --> 00:51:33,239 Speaker 1: party and for the costumes worn by the townspeople, the 887 00:51:33,320 --> 00:51:36,600 Speaker 1: producers just dipped into the Disney costume vault and pulled 888 00:51:36,600 --> 00:51:39,280 Speaker 1: out old outfits that have been worn in prior films. 889 00:51:39,760 --> 00:51:42,600 Speaker 1: And this was a god cent because, as customer Mary 890 00:51:42,680 --> 00:51:46,360 Speaker 1: Vault told Glamour in, they had literally run out of 891 00:51:46,400 --> 00:51:49,719 Speaker 1: money when it came to shooting this scene, and she said, fortunately, 892 00:51:49,760 --> 00:51:52,440 Speaker 1: I had access to the Walt Disney costume department and 893 00:51:52,480 --> 00:51:54,920 Speaker 1: they had saved clothes from all the movies they've done, 894 00:51:55,000 --> 00:51:57,000 Speaker 1: so I went through there and took everything that looked 895 00:51:57,040 --> 00:51:59,560 Speaker 1: like a costume in some movie. They must have had 896 00:51:59,560 --> 00:52:02,160 Speaker 1: these three girls and red sequin dresses so I said, 897 00:52:02,239 --> 00:52:05,160 Speaker 1: let's get that. We'll ask three women to play the supremes, 898 00:52:05,640 --> 00:52:08,320 Speaker 1: and if you look closely, you'll see that their outfits 899 00:52:08,360 --> 00:52:11,160 Speaker 1: in the background that we're used in Trawn the Old 900 00:52:11,239 --> 00:52:14,279 Speaker 1: Treasure Island with Robert Newton, the sword and the rose 901 00:52:14,320 --> 00:52:16,719 Speaker 1: which I don't know that one, and even costumes from 902 00:52:16,719 --> 00:52:20,440 Speaker 1: Bette Midler's amy nominated TV version of the stage musical Gypsy, 903 00:52:20,560 --> 00:52:24,440 Speaker 1: which is the biopic of burlesque dancer Gypsy Rose Lee. 904 00:52:24,480 --> 00:52:26,520 Speaker 1: And there's a little nod to it in hocus Pocus. 905 00:52:26,560 --> 00:52:29,560 Speaker 1: When Winniford, played by Bette Midler takes the stage perform 906 00:52:29,719 --> 00:52:33,920 Speaker 1: she says, Hello, Salem, my name's Winniford. What's yours? And 907 00:52:33,960 --> 00:52:37,240 Speaker 1: that's a very famous line in Gypsy, when Bitte Midler's 908 00:52:37,320 --> 00:52:40,360 Speaker 1: character goes on stage says, Hello, everybody, my name is 909 00:52:40,480 --> 00:52:45,359 Speaker 1: Rose what's yours. I only saw the the Natalie Wood 910 00:52:45,440 --> 00:52:47,279 Speaker 1: version of Gypsy, but I think she does it in 911 00:52:47,320 --> 00:52:52,120 Speaker 1: the middle of let me entertain you. Your mom is 912 00:52:52,120 --> 00:52:54,200 Speaker 1: a musical person, you know any of the Gypsy stuff? 913 00:52:55,120 --> 00:52:58,120 Speaker 1: He tunes from Gypsy? Bette Midler is a huge blind 914 00:52:58,160 --> 00:53:00,279 Speaker 1: spot for me. I don't know. I don't know any 915 00:53:00,280 --> 00:53:02,280 Speaker 1: of the I don't know Gypsy. I don't know beaches. 916 00:53:02,280 --> 00:53:08,680 Speaker 1: I don't know any beaches. It's bum or sad one. Anyway, Apparently, 917 00:53:08,719 --> 00:53:10,400 Speaker 1: back in the day used to be able to actually 918 00:53:10,440 --> 00:53:13,600 Speaker 1: rent the Witch's costumes from hocus Pocus. The studio would 919 00:53:13,640 --> 00:53:17,839 Speaker 1: just rent out their costumes from their costume vault. At 920 00:53:17,880 --> 00:53:21,160 Speaker 1: least that's what costomer Mary Vaught says in this Glamor piece. Now, 921 00:53:21,239 --> 00:53:23,960 Speaker 1: she says, studios keep everything. They have their archives and 922 00:53:24,040 --> 00:53:26,640 Speaker 1: keep absolutely everything. But at that time it was different. 923 00:53:26,680 --> 00:53:29,440 Speaker 1: I think the real hocus Pocus costumes, people would just 924 00:53:29,480 --> 00:53:31,120 Speaker 1: rent them out all the time so they could get 925 00:53:31,120 --> 00:53:33,160 Speaker 1: money out of them. But then when the movie got 926 00:53:33,160 --> 00:53:36,000 Speaker 1: more popular, that stopped. I've seen photos of the real 927 00:53:36,040 --> 00:53:38,080 Speaker 1: costumes and they actually look like they're in pretty good 928 00:53:38,080 --> 00:53:41,080 Speaker 1: shape even though they were rented out for years. That's cool. 929 00:53:41,800 --> 00:53:45,880 Speaker 1: H It's like how in UM. I forgot which studio, 930 00:53:45,960 --> 00:53:48,960 Speaker 1: But sometime in the seventies I think it was MGM. 931 00:53:49,040 --> 00:53:52,239 Speaker 1: They just I think MGM was like either looking to 932 00:53:52,400 --> 00:53:57,919 Speaker 1: downsize its actual facility and not store all of their 933 00:53:58,040 --> 00:54:00,640 Speaker 1: movie props and stuff, or or they just wanted to 934 00:54:00,719 --> 00:54:02,520 Speaker 1: make some money and wanted to sell some stuff off 935 00:54:02,520 --> 00:54:04,960 Speaker 1: and get some cash. I want to say it was 936 00:54:05,000 --> 00:54:09,160 Speaker 1: in nineteen seventy they were selling Dorothy's ruby slippers and 937 00:54:09,280 --> 00:54:11,279 Speaker 1: just all of this I think stuff gone with the 938 00:54:11,320 --> 00:54:13,759 Speaker 1: wind and all this stuff. It's like, you know, like 939 00:54:13,760 --> 00:54:15,880 Speaker 1: when hotels go out of business, like that kind of 940 00:54:15,920 --> 00:54:19,160 Speaker 1: thing where they just would She's let people in. Yeah, 941 00:54:19,200 --> 00:54:21,600 Speaker 1: I mean there's like a really look it up. I 942 00:54:21,600 --> 00:54:24,360 Speaker 1: think this whole Wikipedia page about like the nineteen seventy 943 00:54:24,520 --> 00:54:29,400 Speaker 1: MGM sale and they sold you know, up to that point, 944 00:54:29,920 --> 00:54:33,359 Speaker 1: what nineteen seventy, so say, fifty years of the most 945 00:54:33,520 --> 00:54:37,360 Speaker 1: amazing historic movie memorabilia ever. This is the biggest. It 946 00:54:37,480 --> 00:54:41,479 Speaker 1: belongs in the museum segment I've ever had on this show. Yeah, 947 00:54:41,480 --> 00:54:46,080 Speaker 1: it's pretty crazy. We're going to take a quick break, 948 00:54:46,280 --> 00:54:48,799 Speaker 1: but we'll be right back with more too much information 949 00:54:48,840 --> 00:55:01,880 Speaker 1: in just a moment. So well, you can't actually wear 950 00:55:01,920 --> 00:55:05,760 Speaker 1: the same outfits worn by the Sanderson's sisters in Hocus Pocus. 951 00:55:06,000 --> 00:55:12,879 Speaker 1: You can stay in their house sort of fine print asterix. Uh, 952 00:55:13,320 --> 00:55:17,560 Speaker 1: you know, consult local dealer for details. Their cottage has 953 00:55:17,600 --> 00:55:20,840 Speaker 1: recently been recreated in the town of Danvers, Massachusetts, about 954 00:55:20,840 --> 00:55:24,080 Speaker 1: fifteen minutes away from Salem, as part of the celebration 955 00:55:24,120 --> 00:55:27,520 Speaker 1: for the Hocus Pocus sequel this year, and Airbnb ran 956 00:55:27,560 --> 00:55:30,319 Speaker 1: a competition where two guests could stay there for just 957 00:55:30,440 --> 00:55:33,759 Speaker 1: one night for only thirty one dollars all of us. 958 00:55:33,760 --> 00:55:36,120 Speaker 1: I don't really understand how all this works economically. I'm 959 00:55:36,120 --> 00:55:38,520 Speaker 1: guessing was all just a promo for the film, and 960 00:55:38,560 --> 00:55:42,440 Speaker 1: I think the cottage is independently owned and operated. Um. 961 00:55:42,480 --> 00:55:44,960 Speaker 1: The big catch is that there's not much in the 962 00:55:45,000 --> 00:55:48,480 Speaker 1: way of accommodations. There's an outhouse in place of a bathroom, 963 00:55:48,520 --> 00:55:51,360 Speaker 1: there's no kitchen, there's no TV, there's no air conditioning. 964 00:55:51,719 --> 00:55:53,880 Speaker 1: But the lucky guests who did manage to make a 965 00:55:53,920 --> 00:55:57,440 Speaker 1: reservation for this, I think one might only event uh 966 00:55:57,600 --> 00:56:00,359 Speaker 1: we'll see some uh. I guess this already happened. Were 967 00:56:00,400 --> 00:56:03,359 Speaker 1: able to see some of the more memorable details from 968 00:56:03,360 --> 00:56:06,799 Speaker 1: the film, including the spell book, the famous cauldron, a 969 00:56:06,840 --> 00:56:10,000 Speaker 1: few brooms for flying, and a black cat who looks 970 00:56:10,080 --> 00:56:14,560 Speaker 1: quite a bit like Thackeray Banks. And now we must 971 00:56:14,680 --> 00:56:18,719 Speaker 1: come to Thackeray Banks. This movie was made when c 972 00:56:18,800 --> 00:56:20,600 Speaker 1: g I was still in its infancy, so this was 973 00:56:20,640 --> 00:56:23,600 Speaker 1: a difficult effect to pull off. The talking cat. It 974 00:56:23,640 --> 00:56:26,680 Speaker 1: was created with a mix of practical effects and very 975 00:56:26,800 --> 00:56:31,120 Speaker 1: rough and ready computer effects. It involved nine, yes nine 976 00:56:31,280 --> 00:56:34,360 Speaker 1: and not for a bit, black cats plus an animatronic 977 00:56:34,440 --> 00:56:37,719 Speaker 1: robot cat. The nine cats were basically the filmmaker's way 978 00:56:37,760 --> 00:56:40,720 Speaker 1: of hedging their bets, because you see, if you teach 979 00:56:40,840 --> 00:56:43,080 Speaker 1: one cat every single trick that you might use in 980 00:56:43,080 --> 00:56:45,279 Speaker 1: a movie, you're screwed if the cat is having a 981 00:56:45,320 --> 00:56:47,919 Speaker 1: bad day and refuses to cooperate, which, as anyone would 982 00:56:47,920 --> 00:56:52,839 Speaker 1: tell you, he's frequently. So Instead, animal handlers will train 983 00:56:52,920 --> 00:56:56,359 Speaker 1: multiple cats to do different tasks and tricks. Vanessa Shaw, 984 00:56:56,440 --> 00:56:58,879 Speaker 1: who played Alison Watts, later said there was a whole 985 00:56:58,920 --> 00:57:01,920 Speaker 1: wall of cats. They all did a different thing. One 986 00:57:01,960 --> 00:57:04,520 Speaker 1: would bat you, one would jump on you, one would sleep, 987 00:57:04,560 --> 00:57:06,759 Speaker 1: one would cuttle with you. The fact that there were 988 00:57:06,800 --> 00:57:09,440 Speaker 1: nine cats was purely a coincidence and not a reference 989 00:57:09,480 --> 00:57:12,840 Speaker 1: to the old cats having nine lives wives tale. For 990 00:57:12,880 --> 00:57:16,200 Speaker 1: scenes where Binks speaks, filmmakers either used a real cat 991 00:57:16,280 --> 00:57:18,360 Speaker 1: and then replaced its head with a primitive c g 992 00:57:18,520 --> 00:57:21,360 Speaker 1: I version, or they would use one of six animatronic 993 00:57:21,440 --> 00:57:23,920 Speaker 1: cats to get the job done. At least one of 994 00:57:23,960 --> 00:57:30,080 Speaker 1: these animatronics found second life on the production of Sabrina 995 00:57:30,120 --> 00:57:34,320 Speaker 1: the Teenage, which starring Wilson Joan Hart between and two 996 00:57:34,400 --> 00:57:38,040 Speaker 1: thousand three for the part of the wise cracking Feline Salem. 997 00:57:38,080 --> 00:57:40,280 Speaker 1: The kids were annoyed with all the cats because each 998 00:57:40,360 --> 00:57:42,680 Speaker 1: time a new one was brought onto the set, they'd 999 00:57:42,720 --> 00:57:45,320 Speaker 1: have to become friendly with it, which if you spend 1000 00:57:45,320 --> 00:57:48,560 Speaker 1: any time around cats at all, you know is a 1001 00:57:48,640 --> 00:57:52,000 Speaker 1: herculean task because cats are at the devil. They would 1002 00:57:52,040 --> 00:57:54,560 Speaker 1: have to earn these the new cats trust using a 1003 00:57:54,600 --> 00:57:57,360 Speaker 1: combination of treats and a buzzer, and it was a 1004 00:57:57,400 --> 00:58:00,720 Speaker 1: whole thing. I feel like we say this in every episode, 1005 00:58:01,000 --> 00:58:04,440 Speaker 1: as TBC Fields once said, never work with children or animals. 1006 00:58:04,960 --> 00:58:10,240 Speaker 1: Continuing down, Thackeray Binks Lane Uh. In The Lord of 1007 00:58:10,240 --> 00:58:13,680 Speaker 1: the Movie, he's actually a seventeenth century man who was 1008 00:58:13,720 --> 00:58:16,880 Speaker 1: turned into a cat as punishment for insulting Winnifred Sanderson. 1009 00:58:17,360 --> 00:58:20,120 Speaker 1: The human form of the characters played by actor Sean Murray, 1010 00:58:20,160 --> 00:58:22,080 Speaker 1: who later went on to star in The Crime Procedural 1011 00:58:22,160 --> 00:58:26,040 Speaker 1: and c I S. But they didn't use Murray's actual voice. 1012 00:58:26,520 --> 00:58:29,200 Speaker 1: After he filmed his part, producers decided that his voice 1013 00:58:29,200 --> 00:58:32,880 Speaker 1: sounded too modern to convincingly becoming from a seventeenth century boy, 1014 00:58:33,160 --> 00:58:35,160 Speaker 1: so they call it in. An eighteen year old actor 1015 00:58:35,200 --> 00:58:38,480 Speaker 1: and vocal performer named Jason Marston, who is something of 1016 00:58:38,520 --> 00:58:41,040 Speaker 1: an undercover m v P when it comes to beloved 1017 00:58:41,120 --> 00:58:44,840 Speaker 1: nineties children properties. In fact, he's sort of just he's all. 1018 00:58:45,000 --> 00:58:47,280 Speaker 1: He's all over the T G I F lineup. He 1019 00:58:47,360 --> 00:58:50,960 Speaker 1: plays Eric Matthews, best friend of Boy Meets World. That's 1020 00:58:51,000 --> 00:58:53,800 Speaker 1: the older brother of Corey h He plays DJ's rich 1021 00:58:53,840 --> 00:58:56,600 Speaker 1: boyfriend on Full House, the one who hires Frankie Valley 1022 00:58:56,640 --> 00:58:59,600 Speaker 1: to sing for her, and JT's friend on Step by Step. 1023 00:59:00,040 --> 00:59:03,240 Speaker 1: He also voiced Goofy's son Max in a Goofy movie. 1024 00:59:03,440 --> 00:59:05,520 Speaker 1: That's a hell of a lineup right there. I just 1025 00:59:05,560 --> 00:59:08,200 Speaker 1: want to pause and reflect on that he had a 1026 00:59:08,200 --> 00:59:11,000 Speaker 1: good couple of years. He had a good run, a 1027 00:59:11,000 --> 00:59:18,200 Speaker 1: good spring when I was seventeen. Uh. Marston actually hung 1028 00:59:18,200 --> 00:59:19,760 Speaker 1: out on the set while it was filming because he 1029 00:59:19,800 --> 00:59:21,840 Speaker 1: was working on a television show that was shooting nearby. 1030 00:59:22,240 --> 00:59:23,960 Speaker 1: He was not cast with the voice of Banks till 1031 00:59:23,960 --> 00:59:25,880 Speaker 1: after the film had wrapped, and that's when they called 1032 00:59:25,920 --> 00:59:28,040 Speaker 1: him in to do two or three days of dialogue dubbing. 1033 00:59:28,680 --> 00:59:31,280 Speaker 1: He told The Daily Beast they thought it would be 1034 00:59:31,320 --> 00:59:33,360 Speaker 1: more realistic since the Witch has come from a different 1035 00:59:33,360 --> 00:59:37,520 Speaker 1: time period. For Banks to have an affected accent. Unfortunately, 1036 00:59:37,600 --> 00:59:39,800 Speaker 1: since they had shot the thing already, Marston had to 1037 00:59:39,880 --> 00:59:42,920 Speaker 1: lip sync over the previous guy's performance, both for the 1038 00:59:42,960 --> 00:59:45,240 Speaker 1: live action stuff as well as for the stuff they 1039 00:59:45,280 --> 00:59:48,320 Speaker 1: animated for the cat. As you can imagine, this was 1040 00:59:48,400 --> 00:59:52,240 Speaker 1: something of a chore. Marson recalled the animator in charge 1041 00:59:52,240 --> 00:59:57,360 Speaker 1: of Banks was meticulous, wonderful euphemism there. He said, I'll 1042 00:59:57,400 --> 00:59:59,840 Speaker 1: never forget. There were times when I'm like, oh, I landed. 1043 01:00:00,280 --> 01:00:03,040 Speaker 1: He's like, no, you were off half a frame. H 1044 01:00:03,800 --> 01:00:06,040 Speaker 1: He was so nitpicky about it in the best way. 1045 01:00:06,400 --> 01:00:09,120 Speaker 1: The frustrating part was like, I wish this is nothing 1046 01:00:09,160 --> 01:00:11,000 Speaker 1: against Sean. I mean, this is the way it was, 1047 01:00:11,320 --> 01:00:12,760 Speaker 1: But I wish I would have been able to use 1048 01:00:12,800 --> 01:00:15,000 Speaker 1: my own rhythms because I had to actually match what 1049 01:00:15,120 --> 01:00:17,920 Speaker 1: was already there. So that's enough about cats. Now we 1050 01:00:17,960 --> 01:00:20,680 Speaker 1: have to give equal time to dogs. This is see 1051 01:00:20,720 --> 01:00:22,520 Speaker 1: in the movie where the Sanders and sisters meet a 1052 01:00:22,560 --> 01:00:26,320 Speaker 1: man dressed up as the Devil for Halloween, and hilariously 1053 01:00:26,400 --> 01:00:28,320 Speaker 1: they believe him to be the real Devil and are 1054 01:00:28,360 --> 01:00:31,520 Speaker 1: pumped at the opportunity to meet the Master. They go 1055 01:00:31,600 --> 01:00:34,040 Speaker 1: to a suburban home, only to be chased out by 1056 01:00:34,240 --> 01:00:37,360 Speaker 1: his dog with red bat wings satan wings. I don't 1057 01:00:37,360 --> 01:00:39,600 Speaker 1: really know what he's supposed to be dressed as anyway. 1058 01:00:39,720 --> 01:00:42,880 Speaker 1: That dog is Kathiny Jimmy's real life dog, who is 1059 01:00:43,040 --> 01:00:47,360 Speaker 1: named al Finney Big Albert Finney Fan. I don't I 1060 01:00:47,440 --> 01:00:50,600 Speaker 1: don't know. The dog also made a cameo in Sister 1061 01:00:50,680 --> 01:00:53,440 Speaker 1: Act as well, and the so called devil and his 1062 01:00:53,480 --> 01:00:56,440 Speaker 1: wife in this movie are probably familiar to pop culture buffs. 1063 01:00:56,600 --> 01:00:59,360 Speaker 1: It's Gary Marshall who was famous for the as the 1064 01:00:59,400 --> 01:01:02,000 Speaker 1: TV exam I could even created Happy Days, Laverne and 1065 01:01:02,040 --> 01:01:05,120 Speaker 1: Shirley and Mark and Mindy, before branching out into directing 1066 01:01:05,120 --> 01:01:09,040 Speaker 1: stuff like Pretty Woman, Runaway Bride, The Princess Diaries, Overboard 1067 01:01:09,040 --> 01:01:11,760 Speaker 1: with Goldie Hawn and Kurt Russell, and the tear jerker 1068 01:01:11,880 --> 01:01:15,480 Speaker 1: Beaches with Bett Mitler, which is probably how he wound 1069 01:01:15,560 --> 01:01:18,760 Speaker 1: up in here. He also did small acting parts, including 1070 01:01:18,760 --> 01:01:21,320 Speaker 1: the baseball team owner in A League of Their Own, 1071 01:01:22,520 --> 01:01:26,000 Speaker 1: which was directed by his sister, Penny Marshall, who plays 1072 01:01:26,080 --> 01:01:32,640 Speaker 1: his wife in this movie. Mm hmm. She famously played 1073 01:01:32,720 --> 01:01:37,120 Speaker 1: Laverne and Laverne and Shirley and produced the movie version 1074 01:01:37,120 --> 01:01:39,640 Speaker 1: of Bewitched in two thousand five, so I don't know, 1075 01:01:39,680 --> 01:01:42,240 Speaker 1: a nice little bit of synergy there, but uh yeah, 1076 01:01:42,440 --> 01:01:46,760 Speaker 1: she's married to her brother in uh hocus Pocus, which 1077 01:01:47,000 --> 01:01:50,760 Speaker 1: is weird. Um. I remember when I was in high 1078 01:01:50,800 --> 01:01:53,720 Speaker 1: school and I was we did Greece for Drama Society, 1079 01:01:54,080 --> 01:01:56,600 Speaker 1: and the director cast one of my friends to play 1080 01:01:56,720 --> 01:02:00,400 Speaker 1: one of the t birds and he acts Dent Lee. 1081 01:02:00,560 --> 01:02:04,160 Speaker 1: So he says, cast this guy's sister to play his 1082 01:02:04,240 --> 01:02:07,320 Speaker 1: corresponding pink lady, because you know, all the tea bers 1083 01:02:07,320 --> 01:02:10,200 Speaker 1: have names like Duffy, Duty, Sonny, all like no one 1084 01:02:10,240 --> 01:02:13,400 Speaker 1: knows like who they are. And then all of a sudden, 1085 01:02:13,400 --> 01:02:15,320 Speaker 1: on the first day when everybody showed up, he realized 1086 01:02:15,360 --> 01:02:18,400 Speaker 1: that his sister was playing his love interest and they 1087 01:02:18,400 --> 01:02:23,960 Speaker 1: swapped parts pretty quickly. That tracks well. Incest is gross, 1088 01:02:24,000 --> 01:02:26,360 Speaker 1: but you know what else is gross? Moths flying out 1089 01:02:26,360 --> 01:02:30,080 Speaker 1: of your mouth. There's a scene in the movie where 1090 01:02:30,120 --> 01:02:33,080 Speaker 1: the character Billy Butcherson has moths fly out of his mouth. 1091 01:02:33,480 --> 01:02:35,600 Speaker 1: Seeing how this is before the age of c g I, 1092 01:02:35,680 --> 01:02:36,880 Speaker 1: they had to figure out a way to do this 1093 01:02:36,920 --> 01:02:40,400 Speaker 1: with practical effects, which meant that he had moths in 1094 01:02:40,560 --> 01:02:43,720 Speaker 1: his mouth. Character of Billy Butcherson is played by the 1095 01:02:43,760 --> 01:02:47,880 Speaker 1: famous character actor Doug Jones, who is by virtue of 1096 01:02:47,920 --> 01:02:51,520 Speaker 1: being tall and skinny, in almost every monster suit you 1097 01:02:51,560 --> 01:02:56,840 Speaker 1: can imagine. Um. He especially in stuff directed by Garland Dotro. 1098 01:02:57,400 --> 01:03:00,000 Speaker 1: He is the pale man, the guy with the who 1099 01:03:00,480 --> 01:03:04,080 Speaker 1: puts his hands in his eyes in um the most 1100 01:03:04,120 --> 01:03:07,600 Speaker 1: horrifying sequence in Pan's Labyrinth. He's the fish like Abe 1101 01:03:07,600 --> 01:03:12,680 Speaker 1: Sapien in Hellboy and its sequel, and basically reprises the 1102 01:03:12,760 --> 01:03:15,960 Speaker 1: character in a completely different film, Shape of Water, a 1103 01:03:16,080 --> 01:03:19,960 Speaker 1: Best Picture winner The Shape of Water. Uh. He's the 1104 01:03:20,000 --> 01:03:22,840 Speaker 1: silver surfer in Fantastic four movie. He's one of the 1105 01:03:22,920 --> 01:03:26,480 Speaker 1: creepy gentleman and Buffy he's an alien and falling skies. 1106 01:03:27,400 --> 01:03:31,360 Speaker 1: His working relationship with Gambled Detorto dates back to Mimic. 1107 01:03:31,520 --> 01:03:34,280 Speaker 1: You ever here about this movie, the movie where they 1108 01:03:34,280 --> 01:03:39,440 Speaker 1: create humanoid cockroaches. Yeah, it's gross. Doug Jones plays one 1109 01:03:39,440 --> 01:03:44,440 Speaker 1: of them down. Yeah. Um. But hocus Pocus is one 1110 01:03:44,480 --> 01:03:47,280 Speaker 1: of his first major roles, and he actually tweaked his 1111 01:03:47,320 --> 01:03:49,560 Speaker 1: dialogue a little bit. When Billy is re animated and 1112 01:03:49,600 --> 01:03:52,920 Speaker 1: calls Winifred a wench. The line was initially supposed to 1113 01:03:52,920 --> 01:03:55,280 Speaker 1: be bitch, but Doug Jones thought that was a little 1114 01:03:55,360 --> 01:03:58,240 Speaker 1: much for Disney movie and made the edit. He seems 1115 01:03:58,240 --> 01:04:00,520 Speaker 1: like a lovely kind of man, and in no way 1116 01:04:00,520 --> 01:04:03,280 Speaker 1: do we wish that he had moths shoved in his mouth, 1117 01:04:03,760 --> 01:04:07,280 Speaker 1: but such was his lot. You can't fight City Hall, 1118 01:04:08,800 --> 01:04:13,880 Speaker 1: you can't fight moths. Uh. Interview with Buddy Disgusting. Makeup 1119 01:04:13,920 --> 01:04:16,800 Speaker 1: and special effects designer Tony Gardner said that Jones wore 1120 01:04:16,880 --> 01:04:21,520 Speaker 1: a mouth rig phrasing which can be best to be 1121 01:04:21,640 --> 01:04:25,240 Speaker 1: described as a latex pocket attached to denture's that blocked 1122 01:04:25,280 --> 01:04:29,000 Speaker 1: off Jones's throat, basically a dental damn. This was so 1123 01:04:29,040 --> 01:04:32,200 Speaker 1: that he wouldn't swallow them, the moths, and that they 1124 01:04:32,200 --> 01:04:35,000 Speaker 1: wouldn't get so wet that they couldn't then fly out. God, 1125 01:04:35,000 --> 01:04:40,600 Speaker 1: that's gross anyway. At the appointed time, a trainer would 1126 01:04:40,600 --> 01:04:43,160 Speaker 1: place the moths in the dental damn pocket with a 1127 01:04:43,200 --> 01:04:47,640 Speaker 1: pair of tweezers, under supervision from a Humane Society rap. Unfortunately, 1128 01:04:47,720 --> 01:04:50,720 Speaker 1: it took them several takes to nail that shot, which 1129 01:04:50,840 --> 01:04:53,440 Speaker 1: meant poor Doug Jones just had a whole afternoon of 1130 01:04:53,560 --> 01:04:59,080 Speaker 1: moth mouth. Sorry, Ali, we're gonna get the mothman prophecies 1131 01:04:59,120 --> 01:05:02,200 Speaker 1: for you soon, but it settle for Stay tuned for 1132 01:05:02,280 --> 01:05:05,320 Speaker 1: my my full length, My dinner with Andre Parody, that's 1133 01:05:05,400 --> 01:05:11,760 Speaker 1: just my dinner with moth mouth. Oh well, as you 1134 01:05:11,800 --> 01:05:14,040 Speaker 1: can gather considering the fact that they made this man 1135 01:05:14,120 --> 01:05:17,200 Speaker 1: actually have moths in his mouth. Practical effects were very 1136 01:05:17,280 --> 01:05:19,000 Speaker 1: much the name of the game. During the production of 1137 01:05:19,080 --> 01:05:22,280 Speaker 1: hocus Pocus, they really wanted everything to be done for real, 1138 01:05:22,520 --> 01:05:24,600 Speaker 1: and this was down to the jack O lanterns used 1139 01:05:24,600 --> 01:05:27,560 Speaker 1: in the movie, which, as you can imagine jack o lanterns, 1140 01:05:27,680 --> 01:05:30,640 Speaker 1: pumpkins that have been carved out sitting under hot lights 1141 01:05:30,720 --> 01:05:35,160 Speaker 1: for days, maybe even weeks at a time started to smell, 1142 01:05:36,000 --> 01:05:39,760 Speaker 1: and I guess after not very long, the set started 1143 01:05:39,840 --> 01:05:44,120 Speaker 1: smell disgusting. Hocus Pocus set decorator Rosemary Brandenburg later said 1144 01:05:44,320 --> 01:05:47,480 Speaker 1: we vowed we wouldn't use any store bought Halloween decorations, 1145 01:05:47,520 --> 01:05:51,480 Speaker 1: so we made everything from scratch, from carved pumpkins to scarecrows, 1146 01:05:51,520 --> 01:05:53,760 Speaker 1: which is ghosts, you name it. It was a blast. 1147 01:05:54,240 --> 01:05:56,400 Speaker 1: There was a layered quality to hocus Pocus that I 1148 01:05:56,440 --> 01:05:59,560 Speaker 1: continue to strive for my work. But she also added 1149 01:05:59,560 --> 01:06:01,600 Speaker 1: that her most visceral memory of the sets was the 1150 01:06:01,680 --> 01:06:06,640 Speaker 1: overwhelming smell of rotting pumpkins. Sara Jessica Par's main memory 1151 01:06:06,640 --> 01:06:09,120 Speaker 1: from the production was a little less disgusting. In fact, 1152 01:06:09,200 --> 01:06:12,480 Speaker 1: it's kind of whimsical. In an interview with Stephen Colbert 1153 01:06:12,520 --> 01:06:14,800 Speaker 1: in two thousand eighteen, she admitted that she doesn't have 1154 01:06:15,000 --> 01:06:18,120 Speaker 1: very many memories of filming hoaxux Pocus, but she loved 1155 01:06:18,200 --> 01:06:21,400 Speaker 1: flying during the broom sequences. In actually loved it so 1156 01:06:21,520 --> 01:06:23,400 Speaker 1: much that she would hang out in the flying rig 1157 01:06:23,440 --> 01:06:26,880 Speaker 1: in between breaks on the set. Once again, this was 1158 01:06:27,000 --> 01:06:29,800 Speaker 1: just a master class and practical effects. There was a 1159 01:06:29,840 --> 01:06:32,440 Speaker 1: giant grid mounted to the ceiling of the sound stage 1160 01:06:32,440 --> 01:06:35,400 Speaker 1: that was capable of flying the Sanders and sisters anywhere 1161 01:06:35,400 --> 01:06:38,120 Speaker 1: on the stage that they wanted at any angle, and 1162 01:06:38,200 --> 01:06:40,880 Speaker 1: these actors would be suspended something like thirty feet off 1163 01:06:40,880 --> 01:06:44,240 Speaker 1: the ground, which sounds terrifying to me, But Sarah Jessica 1164 01:06:44,240 --> 01:06:47,320 Speaker 1: Parker loved it. As she told Colbert, they'd call cut, 1165 01:06:47,360 --> 01:06:49,280 Speaker 1: and maybe they go to lunch or change the lens, 1166 01:06:49,440 --> 01:06:51,600 Speaker 1: and I would just stay up there. I realized, like 1167 01:06:51,680 --> 01:06:53,959 Speaker 1: I fit an entire New York Times up the back 1168 01:06:53,960 --> 01:06:57,520 Speaker 1: of the corset, and I found that the harness was comfortable, 1169 01:06:57,680 --> 01:06:59,080 Speaker 1: So I would just sit up there and read the 1170 01:06:59,080 --> 01:07:01,680 Speaker 1: Times while people took their brakes or change the camera 1171 01:07:01,760 --> 01:07:05,120 Speaker 1: or sometimes want to lunch. Honestly, this kind of sounds 1172 01:07:05,160 --> 01:07:08,200 Speaker 1: like exactly what I would imagine Sarah Jisco Parker would 1173 01:07:08,200 --> 01:07:10,120 Speaker 1: have done on the set of hocus Pocus. I mean, 1174 01:07:10,480 --> 01:07:14,120 Speaker 1: perfect training for sex in the city. Another of my 1175 01:07:14,200 --> 01:07:17,680 Speaker 1: favorite practical effects from hocus Pocus is when they turned 1176 01:07:17,680 --> 01:07:20,040 Speaker 1: Bette Midler's character to stone at the end of the 1177 01:07:20,080 --> 01:07:24,000 Speaker 1: movie spoilers uh c g. I was still in its 1178 01:07:24,000 --> 01:07:27,000 Speaker 1: infancy again, and painting her like a living statue would 1179 01:07:27,000 --> 01:07:30,440 Speaker 1: have looked like something you would see in Washington Square 1180 01:07:30,480 --> 01:07:34,240 Speaker 1: park Um kind of corny. So instead, the production team 1181 01:07:34,280 --> 01:07:38,200 Speaker 1: went with seven different statues which showed the progression of 1182 01:07:38,240 --> 01:07:41,440 Speaker 1: the flesh and blood Winnifred Sanderson or whatever, which is 1183 01:07:41,480 --> 01:07:44,200 Speaker 1: Are they flesh and blood? I guess they are turning 1184 01:07:44,240 --> 01:07:47,160 Speaker 1: to stone? So these statues were all swapped out as 1185 01:07:47,160 --> 01:07:50,720 Speaker 1: the scene progressed, um and in our it belongs in 1186 01:07:50,760 --> 01:07:53,240 Speaker 1: a museum segment for this episode. One of these statues 1187 01:07:53,560 --> 01:07:57,720 Speaker 1: currently resides in the planet Hollywood in Orlando, Florida, along 1188 01:07:57,760 --> 01:08:01,520 Speaker 1: with the fleshy spell book. Product was well not this 1189 01:08:01,560 --> 01:08:04,000 Speaker 1: part isn't sad, This part was probably quite happy. Production 1190 01:08:04,040 --> 01:08:08,840 Speaker 1: was completed on February, which meant no more moths in 1191 01:08:08,880 --> 01:08:18,120 Speaker 1: a young Doug Jones's mouth. I just can't it's mouth. Um. 1192 01:08:18,160 --> 01:08:21,280 Speaker 1: But Disney fumbled so close to the end zone. Rather 1193 01:08:21,320 --> 01:08:24,639 Speaker 1: than released the movie during Halloween because it's a Halloween movie, 1194 01:08:24,680 --> 01:08:28,599 Speaker 1: they opted to release it wide Midsummer, famously the most 1195 01:08:28,640 --> 01:08:33,720 Speaker 1: Halloweeny of times, July. The idea was that they would 1196 01:08:33,760 --> 01:08:35,960 Speaker 1: take advantage of all the kids out on summer vacation 1197 01:08:36,040 --> 01:08:40,320 Speaker 1: and avoid competition with other Halloween centric releases, specifically Disney's 1198 01:08:40,360 --> 01:08:42,679 Speaker 1: own Night Number four Christmas, which is not a bad 1199 01:08:42,720 --> 01:08:46,519 Speaker 1: idea except for the fact that Summer of nine also 1200 01:08:46,600 --> 01:08:49,479 Speaker 1: featured some movies you may have heard of, like Rookie 1201 01:08:49,479 --> 01:08:53,960 Speaker 1: of the Year, Free Willie, Dennis The Menace, a reissue 1202 01:08:54,000 --> 01:08:56,479 Speaker 1: of Snow White and the Seven Dwarves, and a small 1203 01:08:56,520 --> 01:09:00,599 Speaker 1: independent movie that would go on to have no impact 1204 01:09:00,880 --> 01:09:04,200 Speaker 1: on the wider film industry at large. Jordan, have you 1205 01:09:04,200 --> 01:09:07,280 Speaker 1: heard of this one? Jurassic Jurassic Park? Am I saying 1206 01:09:07,280 --> 01:09:12,799 Speaker 1: that right? Those idiots debuted their little Witch movie against 1207 01:09:12,840 --> 01:09:17,679 Speaker 1: Jurassic Park instead of putting out October Spielberg's Jurassic Park. 1208 01:09:17,800 --> 01:09:22,519 Speaker 1: Still that probably scheduled it against it on purpose. It's 1209 01:09:22,720 --> 01:09:27,400 Speaker 1: crushed them like the Moth on the Like a Moth 1210 01:09:27,560 --> 01:09:31,880 Speaker 1: and Doug Jones Mohler's The film debut in fourth place, which, 1211 01:09:31,920 --> 01:09:35,479 Speaker 1: honestly pretty good, pretty respectable considering everything we just rattled off. 1212 01:09:35,920 --> 01:09:39,320 Speaker 1: Earned a reported thirty nine five mill in its initial 1213 01:09:39,400 --> 01:09:42,439 Speaker 1: theatrical run against the twenty eight million budget, so made 1214 01:09:42,439 --> 01:09:46,160 Speaker 1: its money back. But yeah, um, there are some involved 1215 01:09:46,360 --> 01:09:49,000 Speaker 1: with this movie. They got the distinct impression that Disney 1216 01:09:49,040 --> 01:09:51,600 Speaker 1: was just trying to bury it. Um. Aside from a 1217 01:09:51,680 --> 01:09:54,400 Speaker 1: set visit from Entertainment Tonight and the three stars appearing 1218 01:09:54,439 --> 01:09:56,839 Speaker 1: individually on The Today Show the week of its release, 1219 01:09:57,200 --> 01:10:00,639 Speaker 1: there were almost no contemporary interviews out there and very 1220 01:10:00,680 --> 01:10:04,120 Speaker 1: little promo for the film at the time, as Jason Marsden, 1221 01:10:04,200 --> 01:10:06,840 Speaker 1: the voice of Thackeray Banks and no stranger to the 1222 01:10:06,960 --> 01:10:10,040 Speaker 1: Disney machine at the time, later said it wasn't built 1223 01:10:10,120 --> 01:10:12,479 Speaker 1: up as this landmark thing that Disney was going to launch. 1224 01:10:12,880 --> 01:10:14,600 Speaker 1: He joked that if there was a press tour for 1225 01:10:14,600 --> 01:10:19,160 Speaker 1: the movie, they didn't invite me. David Kirshner had similar sentiments, 1226 01:10:19,160 --> 01:10:21,640 Speaker 1: saying I never got the impression that Disney were gung ho. 1227 01:10:22,160 --> 01:10:24,080 Speaker 1: They put the trailer out there and that's about all 1228 01:10:24,120 --> 01:10:27,800 Speaker 1: they did for it. The movie was also torn apart, 1229 01:10:27,960 --> 01:10:32,439 Speaker 1: much like a moth in Doug Jones's mouth. Focus Pocus 1230 01:10:32,560 --> 01:10:35,920 Speaker 1: was torn apart by critics. Jane Siskel called it a 1231 01:10:36,000 --> 01:10:39,960 Speaker 1: dreadful witches comedy with nothing funny to say. Roger Ebert 1232 01:10:39,960 --> 01:10:42,639 Speaker 1: gave it a mere one star, writing of the film's 1233 01:10:42,640 --> 01:10:45,360 Speaker 1: many problems, the greatest maybe that all three whitches are 1234 01:10:45,400 --> 01:10:49,200 Speaker 1: thoroughly unpleasant. They don't have personalities, they have behavior patterns 1235 01:10:49,240 --> 01:10:53,840 Speaker 1: and decibel levels. That's good. A good movie inspires the 1236 01:10:53,880 --> 01:10:57,439 Speaker 1: audience to subconsciously ask, give me more. The witches in 1237 01:10:57,520 --> 01:11:00,639 Speaker 1: this one inspired my silent cry get out of here. 1238 01:11:01,160 --> 01:11:03,600 Speaker 1: Oh man, that's not as good. Hocus Pocus is a 1239 01:11:03,600 --> 01:11:06,720 Speaker 1: film desperately in need of self discipline. It's one of 1240 01:11:06,760 --> 01:11:09,559 Speaker 1: those projects where you imagine everyone laughing and applauding each 1241 01:11:09,560 --> 01:11:12,040 Speaker 1: other after every scene because they're so convinced they're wild 1242 01:11:12,080 --> 01:11:14,879 Speaker 1: and crazy guys. But watching the movie is like attending 1243 01:11:14,920 --> 01:11:17,559 Speaker 1: a party you weren't invited to and where you don't 1244 01:11:17,560 --> 01:11:19,600 Speaker 1: know anybody and they're all in on a joke but 1245 01:11:19,680 --> 01:11:24,200 Speaker 1: won't explain it to you. Ebert not wonder Pool Punches 1246 01:11:24,320 --> 01:11:27,639 Speaker 1: Entertainment Weekly was no kinder, calling it a piece of corny, 1247 01:11:27,680 --> 01:11:32,200 Speaker 1: slapstick trash, and saying it was acceptably scary, silly kid 1248 01:11:32,200 --> 01:11:36,200 Speaker 1: father that adults will find only mildly insulting unless they're 1249 01:11:36,240 --> 01:11:39,000 Speaker 1: bet Middler fans, in which case it's depressing as hell. 1250 01:11:40,320 --> 01:11:43,200 Speaker 1: To this day, the film holds a thirty eight percent 1251 01:11:43,400 --> 01:11:46,960 Speaker 1: critical score on Rotten Tomatoes, so all in all, a 1252 01:11:47,000 --> 01:11:49,920 Speaker 1: bit of a sad trombone. Thora Birch told The Rap 1253 01:11:50,120 --> 01:11:52,640 Speaker 1: After that initial disappointment were off, there was just a 1254 01:11:52,640 --> 01:11:56,280 Speaker 1: period of dead silence about the film, like nobody talked 1255 01:11:56,320 --> 01:11:59,080 Speaker 1: about it, nobody watched It felt like that lasted for 1256 01:11:59,120 --> 01:12:03,879 Speaker 1: about ten years, is and then the cast gradually noticed 1257 01:12:03,920 --> 01:12:06,760 Speaker 1: this ground swell around the movie. They said that the 1258 01:12:06,840 --> 01:12:09,240 Speaker 1: cult status of the movie sort of dawned them them 1259 01:12:09,240 --> 01:12:11,840 Speaker 1: all at different times, but the average was around two 1260 01:12:11,920 --> 01:12:16,280 Speaker 1: thousand seven two thousand eight. So what happened, Well, First 1261 01:12:16,280 --> 01:12:18,439 Speaker 1: of all, it became a constant feature on both the 1262 01:12:18,439 --> 01:12:21,920 Speaker 1: Disney Channel and the Disney owned ABC Family Channel for years, 1263 01:12:22,439 --> 01:12:26,519 Speaker 1: anchoring the multi week block of Festive Halloween programming, and 1264 01:12:26,560 --> 01:12:28,920 Speaker 1: of course was also a huge hit on home video. 1265 01:12:29,320 --> 01:12:31,800 Speaker 1: Hocus Focus was first released in two thousand two, but 1266 01:12:31,920 --> 01:12:35,000 Speaker 1: sales really started speeding up in two thousand eight, So yeah, 1267 01:12:35,040 --> 01:12:38,680 Speaker 1: it's around. You know that that that jibes within the 1268 01:12:38,720 --> 01:12:41,320 Speaker 1: cast started noticing that they were being asked about it 1269 01:12:41,400 --> 01:12:45,200 Speaker 1: more at fan events and stuff, and every October since 1270 01:12:45,240 --> 01:12:47,559 Speaker 1: two thousand eleven, the movie has made more than one 1271 01:12:47,600 --> 01:12:51,799 Speaker 1: million dollars in DVD sales a year, and that figure 1272 01:12:51,960 --> 01:12:54,240 Speaker 1: is sure to rise this year with the release of 1273 01:12:54,240 --> 01:12:58,639 Speaker 1: the Hocus Focus sequel. In September, director Kenny Ortega spoke 1274 01:12:58,680 --> 01:13:02,559 Speaker 1: about the film slow Burn and interview with Forbes. Talking 1275 01:13:02,600 --> 01:13:05,320 Speaker 1: about the initial flop, he said, Honestly, at that point, 1276 01:13:05,600 --> 01:13:07,400 Speaker 1: I thought it was all over for me. I thought 1277 01:13:07,400 --> 01:13:09,439 Speaker 1: to myself, I'm never going to get a chance to 1278 01:13:09,439 --> 01:13:11,680 Speaker 1: do this ever again. My career as a filmmaker is 1279 01:13:11,720 --> 01:13:15,599 Speaker 1: all over. Then over the years everything changes. What I've 1280 01:13:15,680 --> 01:13:18,599 Speaker 1: learned is don't give up. I believed in Hocus Pocus, 1281 01:13:18,800 --> 01:13:21,120 Speaker 1: the girls believed in it, and even though it wasn't 1282 01:13:21,120 --> 01:13:24,559 Speaker 1: found by audiences immediately, the generations have believed in it. 1283 01:13:25,760 --> 01:13:28,240 Speaker 1: And you know, for a movie that neither Haigl nor 1284 01:13:28,320 --> 01:13:32,360 Speaker 1: myself have ever seen or especially care too, I think 1285 01:13:32,439 --> 01:13:36,240 Speaker 1: that that's a beautiful sentiment to end on. Bett Mitler 1286 01:13:36,280 --> 01:13:38,800 Speaker 1: has talked about the film's late blooming success during a 1287 01:13:38,880 --> 01:13:45,000 Speaker 1: Reddit a m a in nah, um, that's amazing, she said, 1288 01:13:45,040 --> 01:13:47,639 Speaker 1: I am shocked. I'm totally shocked. All of us are 1289 01:13:47,680 --> 01:13:50,759 Speaker 1: just stunned by the success of the movie. Kathy, Sarah, 1290 01:13:50,880 --> 01:13:53,919 Speaker 1: Jessica and I have talked about it. We are totally 1291 01:13:53,920 --> 01:13:56,760 Speaker 1: thrilled to death because when it came out, it laid 1292 01:13:56,800 --> 01:13:59,640 Speaker 1: a tiny little bit of an egg. She said, so 1293 01:14:00,080 --> 01:14:03,439 Speaker 1: expect much and now look at it. October is hocus 1294 01:14:03,520 --> 01:14:08,040 Speaker 1: Pocus month. And she also, well, okay, let's give her. 1295 01:14:08,080 --> 01:14:10,640 Speaker 1: Let's give her that. She also told the BBC that 1296 01:14:10,680 --> 01:14:13,360 Speaker 1: it's her favorite among all of the films that she's made, 1297 01:14:13,760 --> 01:14:16,479 Speaker 1: though she doesn't rewatch it much. Kathey m Jimmy, on 1298 01:14:16,520 --> 01:14:19,000 Speaker 1: the other hand, has made an annual tradition of rewatching 1299 01:14:19,000 --> 01:14:23,840 Speaker 1: hocus Pocus with her family every year on August. Apparently. 1300 01:14:24,160 --> 01:14:27,120 Speaker 1: I don't know why that's the case, because it wasn't 1301 01:14:27,160 --> 01:14:29,880 Speaker 1: when it was released and it's not Halloween. Maybe it's 1302 01:14:30,280 --> 01:14:32,720 Speaker 1: in between when it was released in Halloween. I don't know, 1303 01:14:33,560 --> 01:14:36,840 Speaker 1: it's the way point between when it was released in Halloween. 1304 01:14:37,640 --> 01:14:40,639 Speaker 1: But you know, honestly, if it makes Kathy and Jimmy happy, 1305 01:14:41,320 --> 01:14:44,880 Speaker 1: I think this was all worth it. The movie, the podcast, 1306 01:14:45,920 --> 01:14:49,880 Speaker 1: all of it, All of it, folks, Thank you for listening. 1307 01:14:49,880 --> 01:14:52,640 Speaker 1: This has been too much information. I'm Alex Hegel and 1308 01:14:52,680 --> 01:15:00,200 Speaker 1: I'm Jordan run Tug. We'll get you next time. Too 1309 01:15:00,280 --> 01:15:02,760 Speaker 1: Much Information was a production of I Heart Radio. The 1310 01:15:02,800 --> 01:15:06,200 Speaker 1: show's executive producers are Noel Brown and Jordan Runtalk. The 1311 01:15:06,240 --> 01:15:09,759 Speaker 1: supervising producer is Mike John's. The show was researched, written 1312 01:15:09,800 --> 01:15:12,600 Speaker 1: and hosted by Jordan runt Talk and Alex Hegel, with 1313 01:15:12,680 --> 01:15:15,639 Speaker 1: original music by Seth Applebaum and the Ghost Funk Orchestra. 1314 01:15:16,040 --> 01:15:18,080 Speaker 1: If you like what you heard, please subscribe and leave 1315 01:15:18,120 --> 01:15:20,759 Speaker 1: us a review. For more podcasts and I heart Radio, 1316 01:15:20,880 --> 01:15:23,880 Speaker 1: visit the I heart Radio app, Apple podcast, or wherever 1317 01:15:23,960 --> 01:15:25,240 Speaker 1: you listen to your favorite shows