WEBVTT - “Our Very First Promo” Recap Season 1, Episode 12

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<v Speaker 1>Do it, look at us doing it at the same time.

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<v Speaker 2>It's like a race to see who can do that

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<v Speaker 2>for right.

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<v Speaker 1>That was that was a beautiful cacophony of sound.

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<v Speaker 3>Ooh, good use of the that's a twenty five cent word,

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<v Speaker 3>twenty five.

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<v Speaker 1>I thought you were gonna say twenty five dollar word.

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<v Speaker 1>I feel like with inflation. I feel like with inflation,

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<v Speaker 1>we're out or to twenty five dollar words.

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<v Speaker 3>Yeah, okay, oh, thank you. Back when I learned it,

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<v Speaker 3>it was twenty five cents.

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<v Speaker 1>No, God, Andrea, how are you.

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<v Speaker 3>I'm good, I'm good. We're It's homecoming weekend. We're right

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<v Speaker 3>in the thick of it. My daughter, Felicity has She's

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<v Speaker 3>narrowed it down to three dresses, and I'm like, you

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<v Speaker 3>only need one, but she does she wants options, and

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<v Speaker 3>so she still hasn't picked one. I got refused to

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<v Speaker 3>go to the mall anymore. I'm like, you have, you

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<v Speaker 3>have plenty of great choices.

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<v Speaker 1>I was, yeah, yeah.

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<v Speaker 3>But I know, you know, it's just.

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<v Speaker 1>There's there is. There are a few things that go

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<v Speaker 1>worse than a mom and her teenage daughter going shopping

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<v Speaker 1>for some sort of formal dress. I feel like that

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<v Speaker 1>really rarely does it. Do you ever leave the mall

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<v Speaker 1>and go? That was such a lovely time. Oh and

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<v Speaker 1>I'm so glad we did that.

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<v Speaker 3>Never I mean, and this is a different world, Like

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<v Speaker 3>I sound so ancient, but like now they call it

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<v Speaker 3>hoko not right right?

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<v Speaker 1>Right right?

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<v Speaker 3>And then like philis like can we get a limo?

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<v Speaker 3>Can we do?

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<v Speaker 2>And I'm like, why you don't need You're a sophomore

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<v Speaker 2>and it's home.

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<v Speaker 3>You don't need a limit.

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<v Speaker 1>Oh see, ours is not quite all that fancy.

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<v Speaker 3>I don't think it's that fancy. I think you saved

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<v Speaker 3>the limo for prom, like junior or senior year. That's

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<v Speaker 3>how we did. I didn't have a limo till my

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<v Speaker 3>senior my senior prom. But now they I don't know.

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<v Speaker 3>I didn't. I'm not ordering a limo. Okay, I'm gonna dry.

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<v Speaker 1>I'm not right basically right at the end of the day,

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<v Speaker 1>no one's getting a limo, right, I mean, we know

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<v Speaker 1>what happens in limos. You know, Terry, you can get

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<v Speaker 1>shot at let her go to Ed to Bevic's you know, right, yeah,

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<v Speaker 1>Ed never know. Yeah, It's just that's it.

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<v Speaker 3>Yeah, No restaurants, Jody Sweeten, you are a cautionary tale.

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<v Speaker 1>Oh, well, I've been told that before. Yeah it was, uh,

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<v Speaker 1>it's been it's been a little bit of a hectic week.

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<v Speaker 2>But yeah, that's right. You're you're back in town briefly.

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<v Speaker 1>Back in town. Yeah, back in town briefly, and and

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<v Speaker 1>kids are being kids, and it's I just you know,

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<v Speaker 1>I really wish that life was like a full house

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<v Speaker 1>episode and that and that within twenty four minutes, the

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<v Speaker 1>kids are like, you know, I was wrong and everything's better,

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<v Speaker 1>and you're like laughing again and it's great, and then

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<v Speaker 1>you go out on a song. I really wish it

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<v Speaker 1>was like that.

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<v Speaker 3>But that's why this show is so popular. I wish

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<v Speaker 3>we lived in this world. We all wish because real

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<v Speaker 3>life is nothing like that. Like I'm not I've been

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<v Speaker 3>holding grudges for years, like they're not resolved in twenty four.

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<v Speaker 1>Twenty four years later, you're like, yeah, I'm ready to

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<v Speaker 1>let it go now exactly.

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<v Speaker 3>You know, this one.

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<v Speaker 1>Threw me off though, because we went a little It

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<v Speaker 1>was like a weird time jump and we're gonna get.

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<v Speaker 2>To that, but it's like time traveling happening.

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<v Speaker 1>So I little did we know that Danny Tanner is

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<v Speaker 1>also doctor who, So yeah, it's that's what it is.

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<v Speaker 3>He's doctor the full House House.

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<v Speaker 1>Now. I don't know much about Doctor Who. I only

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<v Speaker 1>know this secondhand through my best friend Celia, who is

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<v Speaker 1>a huge Doctor Who fan. Okay, but I believe the Tartis,

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<v Speaker 1>which is the little phone box that they use, like

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<v Speaker 1>the English looking phone box they go in and that's

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<v Speaker 1>like how like like a time travel portal I'm gonna

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<v Speaker 1>go with. The full House House is similar to a

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<v Speaker 1>Tartis in that when you step through it, it's like

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<v Speaker 1>or Narnia.

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<v Speaker 3>Really, you step through.

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<v Speaker 1>And it exists in a space in which it absolutely

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<v Speaker 1>could not and it changed, changes shape, and it's huge

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<v Speaker 1>and all of that. And I think that's I didn't

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<v Speaker 1>know that there was such a like sort of sci

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<v Speaker 1>fi fantasy of Full House crossover. But I feel like

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<v Speaker 1>I need to see the Narnia, the line the Witch

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<v Speaker 1>and the war right the line of the Witch, the wardrobe.

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<v Speaker 3>And the house and yeah, exactly, I think you've hit

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<v Speaker 3>the alcove. The alcove is actually the portal. That's the

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<v Speaker 3>portal that's like, yeah, that's where you go and everything

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<v Speaker 3>is is it.

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<v Speaker 2>It's not real life.

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<v Speaker 1>It's not real life.

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<v Speaker 3>Now, it's like the Truman Show.

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<v Speaker 1>But no, see how many references we can make. It's

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<v Speaker 1>like this. No, it's more like this.

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<v Speaker 3>No, it's just like full House. It's just it's just

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<v Speaker 3>full house. Yep, yep. Well, let's get into this week's episode.

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<v Speaker 1>To do it. Let's do it.

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<v Speaker 3>That was We're way over excited. Why was I that excited?

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<v Speaker 1>I was so who was that.

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<v Speaker 3>Person that just came and inhabited my body for five as.

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<v Speaker 1>You figured out the key?

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<v Speaker 3>So that's what we love about. Take a deep breath, Sweeten,

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<v Speaker 3>here we go. Today we are oh wait, welcome back

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<v Speaker 3>to how Rude Tannerto's. If you're still listening. I'm Andrea

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<v Speaker 3>Barber and I'm Jody Sweeten, and today we are discussing

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<v Speaker 3>season one, episode twelve, entitled Our Very First Promo. It

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<v Speaker 3>first aired on December seventeenth, nineteen eighty seven, and it

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<v Speaker 3>goes a little something like this. Members of the Tanner

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<v Speaker 3>family are thrilled when they are chosen to appear in

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<v Speaker 3>a local promotion at Danny's TV station, but their enthusiasm

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<v Speaker 3>subsides when they discover show business is not as glamorous

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<v Speaker 3>as they had thought.

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<v Speaker 1>It's really funny watching this episode and also the next one,

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<v Speaker 1>like it's it's a very sort of meta like self

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<v Speaker 1>referential thing talking about like the business. Oh right, you

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<v Speaker 1>know what I mean? Like there's this yeah, this episode

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<v Speaker 1>we're talking about like you know, how to look like

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<v Speaker 1>the perfect TV family while we're looking like the perfect.

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<v Speaker 3>TV very right, you're right, Yeah, I didn't think about that.

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<v Speaker 3>But yeah, this is very it's very meta.

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<v Speaker 2>And very confusing.

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<v Speaker 1>And by meta, we don't but but also clarify to

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<v Speaker 1>everyone under like thirty years old, we don't mean the

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<v Speaker 1>Facebook app. No, we're not. We're not referring to that.

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<v Speaker 3>They're like, what is.

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<v Speaker 1>Why are they talking about Facebook?

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<v Speaker 3>That?

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<v Speaker 1>What didn't exist in the eighties.

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<v Speaker 3>That's just this is how we roll. But yeah, big

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<v Speaker 3>words today, guys, big words. They were lots of twenty

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<v Speaker 3>five dollars words here today. Feel free to add in

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<v Speaker 3>your own. Yeah, but yes, this episode is very meta.

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<v Speaker 3>It was directed by Rich Correll love him so much.

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<v Speaker 3>It was written by Jeff Franklin, Lenny Rips, and Arthur

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<v Speaker 3>Silver and it was guest starring me.

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<v Speaker 1>I know literally when the first scene came out and

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<v Speaker 1>it was your face, I have to laugh. I'm not

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<v Speaker 1>even kidding. I started clapping. Sitting here by myself in

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<v Speaker 1>the office, I'm like and then I was like, oh

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<v Speaker 1>my god, calm down, there's no one here. You're not

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<v Speaker 1>in the audience.

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<v Speaker 2>It is a jump scare.

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<v Speaker 3>It is a jump scare when I start the episode,

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<v Speaker 3>and I was like, right, oh my.

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<v Speaker 1>Gosh, yeah, it was your big It was so relieved.

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<v Speaker 3>I was starting to fear that maybe I had just

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<v Speaker 3>imagined all of this, like all eight years, because at

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<v Speaker 3>this point Jana Sweeten has gotten more airtime than me.

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<v Speaker 3>So I'm happy to be back, happy to be opening

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<v Speaker 3>the show.

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<v Speaker 1>Yes, in your yellow, fabulous, oh oh fit, You're just

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<v Speaker 1>a low ray of sunshine.

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<v Speaker 3>I think I wrote that down, that exact sentence in

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<v Speaker 3>my outs as well, But.

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<v Speaker 1>I just wrote down that yellow outfit though.

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<v Speaker 3>Oh yes, the Kimmy Gibler fashion has already begun.

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<v Speaker 1>Oh yes.

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<v Speaker 2>But I'm not the only guest star this week.

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<v Speaker 3>It is also guest starring Bilita Moreno as Ronnie Gardner,

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<v Speaker 3>the TV Lady. And she's been in a ton of

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<v Speaker 3>things gross point blank, the George Lopez Show, DIARYVA, Wimpy Kid,

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<v Speaker 3>Clear and Present, Danger, and Perfect Strangers.

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<v Speaker 1>Wow. I remember her on Perfect strangers.

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<v Speaker 3>You do I think so?

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<v Speaker 1>Yeah, okay, or maybe I'm very good? Yeah? No, she

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<v Speaker 1>was great, although I did when I was like Blita Moreno,

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<v Speaker 1>Is that is that Rita Moreno's like younger sister? No relation? No,

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<v Speaker 1>we would Alita and Rita would be awesome.

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<v Speaker 3>If I if I have twins. Sorry this poor woman.

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<v Speaker 3>We're sorry, Bllita, we apologize now.

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<v Speaker 1>Applebaum, No, I'm sorry, I'm sorry.

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<v Speaker 3>Uh. And the last guest star for this week is

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<v Speaker 3>Courtney and Jang as Amanda.

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<v Speaker 2>And I don't think she has any.

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<v Speaker 3>Of the credits because she's she was very young when

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<v Speaker 3>she appeared on this show. Uh.

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<v Speaker 2>So we open in the garage?

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<v Speaker 3>What? Why? Why are we back in the garage?

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<v Speaker 1>I yelled that out loud. I was like what.

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<v Speaker 3>Wait what I had to like Rewind, I'm like, wait,

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<v Speaker 3>am I on? Am I on the wrong episode?

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<v Speaker 1>I thought I lost it. Now I have a question though,

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<v Speaker 1>is this was this how it was released? Uh? You

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<v Speaker 1>know we have their dates or did they did? Or well?

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<v Speaker 3>The air dates are in consecutive order, right, so they

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<v Speaker 3>don't want the recording dates.

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<v Speaker 1>That's what I'm saying. I've recording dates we don't know

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<v Speaker 1>And you know what else what now that I think

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<v Speaker 1>about it, So this was episode twelve right right, And

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<v Speaker 1>didn't we do thirteen episodes at first? Or we did

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<v Speaker 1>ten and then got picked up for another thirteen or something.

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<v Speaker 1>So I wonder if this was in the like we'd

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<v Speaker 1>already shot some things and maybe this was in the

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<v Speaker 1>weird transition when we got picked up, but we had

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<v Speaker 1>to air something that we'd already shot. But then we

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<v Speaker 1>went and we'd already transformed Joey's room, you know what

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<v Speaker 1>I mean. I don't know.

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<v Speaker 3>It's like I don't I don't have an answer for this.

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<v Speaker 3>I can only guess, but you know.

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<v Speaker 1>Part of to make uneducated guesses.

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<v Speaker 3>Part of the storyline is that Joey has to move

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<v Speaker 3>out of the alcove.

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<v Speaker 1>Well, that's the thing is this feels like an episode

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<v Speaker 1>that comes.

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<v Speaker 2>Before, before, before, like.

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<v Speaker 1>The Joey thing, and that it that it kind of

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<v Speaker 1>starts setting up what happens in the next episode where

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<v Speaker 1>Joey's like often, you know what I mean, Like it's

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<v Speaker 1>a little bit more of the like, yeah, we don't

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<v Speaker 1>need you.

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<v Speaker 3>Right, So I think I think they just aired them

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<v Speaker 3>out of order, or they aired this one.

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<v Speaker 2>They aired them in a different order than you.

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<v Speaker 3>Guys recorded them, Yeah, which is not uncommon, It's not

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<v Speaker 3>unheard of.

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<v Speaker 1>No, but I think I think because of that, I

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<v Speaker 1>think that was one of those like big continuity, like,

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<v Speaker 1>oh oh.

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<v Speaker 3>This is a big one, this is a big continent, because.

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<v Speaker 1>It literally doesn't it wasn't the last episode Joey's or

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<v Speaker 1>now two episodes ago?

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<v Speaker 3>Two episodes ago? Yeah, I think it was two episodes ago.

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<v Speaker 1>Yeah, so recent. It's very recent and jarring anyway, very

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<v Speaker 1>it was.

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<v Speaker 2>Very garring, like it took me out of Who's high?

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<v Speaker 1>Yeah, it was.

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<v Speaker 3>Yeah, between that and then suddenly I appear. I was

0:11:17.600 --> 0:11:18.360
<v Speaker 3>just like, what has happened?

0:11:19.440 --> 0:11:21.800
<v Speaker 1>We have gone? Yeah, we have gone? Yeah. I thought

0:11:21.800 --> 0:11:23.200
<v Speaker 1>maybe we were in the Gibbler's basement.

0:11:25.679 --> 0:11:29.760
<v Speaker 3>You never know. So DJ and Kimmy walked downstairs, and

0:11:29.840 --> 0:11:33.320
<v Speaker 3>DJ asks if Kimmy wants to stay for dinner? Kimmy,

0:11:33.480 --> 0:11:36.480
<v Speaker 3>who is placing her trapper keeper in the basket of

0:11:36.480 --> 0:11:37.320
<v Speaker 3>her bicycle?

0:11:37.559 --> 0:11:41.000
<v Speaker 1>Yes? Or the wind?

0:11:42.840 --> 0:11:44.640
<v Speaker 3>I already have so many questions about this. Why do

0:11:44.679 --> 0:11:47.040
<v Speaker 3>I need a bike? I live next door? Can't I

0:11:47.120 --> 0:11:50.040
<v Speaker 3>just walk? And I isn't isn't the fence like in

0:11:50.080 --> 0:11:51.800
<v Speaker 3>the backyard? I have no idea why we're in the

0:11:51.840 --> 0:11:54.400
<v Speaker 3>garage or why I need a bike, Like it's it's

0:11:54.400 --> 0:11:57.720
<v Speaker 3>what four feet away, I'm also four feet tall, Like,

0:11:57.760 --> 0:11:58.120
<v Speaker 3>I don't know.

0:11:58.200 --> 0:11:59.480
<v Speaker 1>Yeah, maybe it was I don't know.

0:11:59.520 --> 0:12:02.200
<v Speaker 3>Maybe it was that maybe you were going somewhere else

0:12:03.240 --> 0:12:04.520
<v Speaker 3>to find another family, trying to.

0:12:04.480 --> 0:12:07.040
<v Speaker 1>Find another family to leach off of. Maybe you were going,

0:12:07.559 --> 0:12:09.679
<v Speaker 1>I don't know, somewhere that had a better dinner coming.

0:12:09.880 --> 0:12:11.559
<v Speaker 1>I don't know. I don't know what.

0:12:11.640 --> 0:12:12.560
<v Speaker 3>Kimmy Gibler's up to.

0:12:12.800 --> 0:12:15.200
<v Speaker 1>I don't know, but I know that she is dressed

0:12:15.200 --> 0:12:15.760
<v Speaker 1>in all yellow.

0:12:16.320 --> 0:12:19.520
<v Speaker 3>Oh, I am a vision. I am a vision in yellow.

0:12:19.600 --> 0:12:21.840
<v Speaker 3>Not a nice vision, but I am a vision of

0:12:22.160 --> 0:12:24.119
<v Speaker 3>head to toe in yellow.

0:12:23.920 --> 0:12:27.200
<v Speaker 1>With including yellow pants. And it was the it was

0:12:27.320 --> 0:12:30.120
<v Speaker 1>like a like almost a hand knit sweater.

0:12:30.200 --> 0:12:33.520
<v Speaker 3>It looked like, Yeah, it did look very ugly and

0:12:33.679 --> 0:12:37.200
<v Speaker 3>hand knit. And that hue of yellow combined with whatever

0:12:37.240 --> 0:12:39.560
<v Speaker 3>color my hair was that week. Yeah, you know they

0:12:39.559 --> 0:12:42.960
<v Speaker 3>had to dye a yellow color. Well it was it

0:12:43.000 --> 0:12:45.680
<v Speaker 3>was more reddish, Okay. In the first episode I was in,

0:12:46.160 --> 0:12:48.440
<v Speaker 3>it was darker. Back in the back to School episode,

0:12:48.600 --> 0:12:50.920
<v Speaker 3>they died at darker, but this episode, it looks like

0:12:50.960 --> 0:12:52.400
<v Speaker 3>they died at redder.

0:12:52.880 --> 0:12:55.040
<v Speaker 1>So I don't know what they're still figuring out.

0:12:55.080 --> 0:12:58.440
<v Speaker 3>Kimmy, what conversations were like, yeah, yeah, is she going

0:12:58.480 --> 0:13:00.000
<v Speaker 3>to be a redhead? Is she going to be a brunette?

0:13:00.040 --> 0:13:02.760
<v Speaker 3>We don't know, as long as she's not a blonde tanner.

0:13:02.240 --> 0:13:04.520
<v Speaker 1>Right, I think we were trying to differentiate you from

0:13:04.559 --> 0:13:07.959
<v Speaker 1>the three blonde tanners, right right.

0:13:07.840 --> 0:13:09.839
<v Speaker 3>So I don't know. I'm curious to see when I

0:13:09.880 --> 0:13:11.120
<v Speaker 3>appear again, of what color my hair.

0:13:11.679 --> 0:13:13.520
<v Speaker 1>Maybe you were going to get your hair done, maybe

0:13:13.559 --> 0:13:15.040
<v Speaker 1>you were going to get your hair dyed, and you

0:13:15.040 --> 0:13:17.120
<v Speaker 1>were like, let me take my trapper keeper and my

0:13:17.760 --> 0:13:19.280
<v Speaker 1>bicycle with me to the hair salon.

0:13:19.559 --> 0:13:21.400
<v Speaker 3>Kimmy Giveler is so resourceful.

0:13:21.760 --> 0:13:22.400
<v Speaker 1>She really is.

0:13:22.640 --> 0:13:26.280
<v Speaker 3>She really is. Okay, so Kimmy says, maybe I'll stay

0:13:26.320 --> 0:13:26.800
<v Speaker 3>for dinner.

0:13:27.480 --> 0:13:28.600
<v Speaker 2>She said, but what are you having?

0:13:28.679 --> 0:13:31.520
<v Speaker 3>And DJ responds that Joey is cooking something in an

0:13:31.559 --> 0:13:35.439
<v Speaker 3>earth tone, which that's all my kids eat, are things,

0:13:35.440 --> 0:13:38.679
<v Speaker 3>and like, well bland, earth tones, beige.

0:13:38.920 --> 0:13:40.040
<v Speaker 1>Bige, very beige.

0:13:40.360 --> 0:13:43.559
<v Speaker 3>Yeah, but hey, at least he's cooking, so you, Kimmy,

0:13:43.559 --> 0:13:46.080
<v Speaker 3>should be a little more grateful. So Kimmy says, pass,

0:13:46.280 --> 0:13:49.160
<v Speaker 3>but if my dog Sinbad is hungry, I'll send him over.

0:13:49.640 --> 0:13:52.080
<v Speaker 3>I think this is the one and only reference to Sinbad.

0:13:52.679 --> 0:13:56.560
<v Speaker 1>Well he was. It didn't end well for Sinbad with

0:13:56.640 --> 0:13:59.000
<v Speaker 1>the Ostrich. I'm just saying, I don't know if you've

0:13:59.000 --> 0:14:02.040
<v Speaker 1>ever seen an ostrich, a full sized ostriche and a

0:14:02.080 --> 0:14:04.360
<v Speaker 1>dog interact. It's not great.

0:14:04.960 --> 0:14:06.520
<v Speaker 2>So no, the Ostrich won.

0:14:07.840 --> 0:14:11.560
<v Speaker 1>Yeah's a dinosaur, of course, is gonna win for Sinbad

0:14:11.640 --> 0:14:12.440
<v Speaker 1>never had a chance.

0:14:13.960 --> 0:14:17.040
<v Speaker 3>I'm so curious what type of dog Sindbad was. But anyways,

0:14:17.200 --> 0:14:19.480
<v Speaker 3>Stephanie appears on the stairs and says, don't do that.

0:14:19.640 --> 0:14:25.080
<v Speaker 3>I love Sinbad. Hey, Sinbad is very popular in the

0:14:25.120 --> 0:14:28.720
<v Speaker 3>Tanner hoouse. Apparently, yeah. Uh so. DJ is annoyed that

0:14:28.720 --> 0:14:31.920
<v Speaker 3>Stephanie keeps following them around. Why do you keep following us,

0:14:31.960 --> 0:14:36.440
<v Speaker 3>she asks. Stephanie responds, because you keep leaving me. DJ

0:14:36.560 --> 0:14:39.160
<v Speaker 3>promises that she will have a sisterly chat with Stephanie

0:14:39.160 --> 0:14:42.560
<v Speaker 3>just as soon as Kimmy leaves. As Stephanie starts to exit,

0:14:42.600 --> 0:14:47.520
<v Speaker 3>we hear a noise that resembles an animal wailing. Stephanie

0:14:47.600 --> 0:14:50.000
<v Speaker 3>runs back into the room, claiming that she heard a monster.

0:14:50.600 --> 0:14:51.680
<v Speaker 2>DJ tells her there's.

0:14:51.520 --> 0:14:55.040
<v Speaker 3>Nothing to worry about, and Kimmy responds although you do

0:14:55.160 --> 0:14:57.560
<v Speaker 3>look like that kid in Poltergeist who got sucked up

0:14:57.600 --> 0:15:02.000
<v Speaker 3>in the TV and said they're back. The way you

0:15:02.120 --> 0:15:05.400
<v Speaker 3>delivered that line, by the way, was it was like

0:15:05.760 --> 0:15:08.640
<v Speaker 3>so terrifying noxious next door neighbor.

0:15:08.760 --> 0:15:11.400
<v Speaker 1>It was great. You were like, and then you're gonna

0:15:11.440 --> 0:15:12.880
<v Speaker 1>it was like the kids, that's like, and then you're

0:15:12.880 --> 0:15:16.200
<v Speaker 1>gonna get chopped a pieces. And then it was so hilarious.

0:15:16.360 --> 0:15:18.720
<v Speaker 3>Oh and I was just like, I was just selling it.

0:15:18.760 --> 0:15:22.920
<v Speaker 3>I was I terrified myself. Fun fact, I auditioned for Poultergeist.

0:15:22.960 --> 0:15:26.240
<v Speaker 3>That's how am. I auditioned for the little girl in

0:15:26.280 --> 0:15:28.840
<v Speaker 3>Poltergeist back in nineteen eighty two. I was six years old.

0:15:28.960 --> 0:15:31.840
<v Speaker 3>Oh my gosh, and my older brother justin auditioned for

0:15:31.920 --> 0:15:34.640
<v Speaker 3>the role of the boy. The older brother whoa And

0:15:34.680 --> 0:15:37.200
<v Speaker 3>when he went into the audition room, he screamed so

0:15:37.440 --> 0:15:40.480
<v Speaker 3>loud that everyone in the waiting room stopped, including like

0:15:40.520 --> 0:15:42.840
<v Speaker 3>the secretaries. They were like, everybody like put down their

0:15:43.560 --> 0:15:45.440
<v Speaker 3>their mouth, their computers or whatever, and they were just like,

0:15:45.480 --> 0:15:48.280
<v Speaker 3>what the heck is going on? And Justin comes popping

0:15:48.320 --> 0:15:49.560
<v Speaker 3>out of the room. He's just like, how did I do?

0:15:49.560 --> 0:15:52.640
<v Speaker 1>The mom? He had terrified everywhere. I mean that's the

0:15:52.640 --> 0:15:53.640
<v Speaker 1>way I of a horror movie.

0:15:53.640 --> 0:15:57.720
<v Speaker 3>Though I can't believe he or I weren't cast immediately

0:15:57.840 --> 0:15:58.240
<v Speaker 3>after that.

0:15:58.520 --> 0:16:00.680
<v Speaker 1>I didn't. First of all, I didn't know that justin

0:16:00.720 --> 0:16:03.400
<v Speaker 1>ever auditioned for stuff amazing.

0:16:03.480 --> 0:16:06.760
<v Speaker 3>My brothers were child actors for like at least a month.

0:16:07.120 --> 0:16:09.000
<v Speaker 3>Like they they tried it out. They tried it, and

0:16:09.040 --> 0:16:11.280
<v Speaker 3>they were like, nope, I forget about it.

0:16:11.360 --> 0:16:13.240
<v Speaker 1>Yeah, oh my god, I didn't know that. Well. I mean,

0:16:14.200 --> 0:16:16.760
<v Speaker 1>lucky for you, because didn't everyone that worked on that

0:16:16.800 --> 0:16:19.320
<v Speaker 1>movie like wind up dying in some weird, tragic sort

0:16:19.320 --> 0:16:19.640
<v Speaker 1>of way.

0:16:19.720 --> 0:16:21.680
<v Speaker 3>So I think that movie was cursed in more than

0:16:21.840 --> 0:16:22.240
<v Speaker 3>one way.

0:16:22.600 --> 0:16:25.840
<v Speaker 1>See, you went from cursed movie to you know, the

0:16:25.880 --> 0:16:28.840
<v Speaker 1>power of full House, which is as made us never

0:16:28.920 --> 0:16:32.200
<v Speaker 1>age and uh and still be here seven hundred years later.

0:16:32.680 --> 0:16:35.920
<v Speaker 3>This explains a lot about my background. My therapist will

0:16:35.920 --> 0:16:37.440
<v Speaker 3>have a field day with this information.

0:16:38.720 --> 0:16:46.120
<v Speaker 1>Caroline, Caroline, sorry, so yes, I love this.

0:16:46.200 --> 0:16:48.520
<v Speaker 3>I love this bit not just because of my terrifying delivery,

0:16:48.520 --> 0:16:51.800
<v Speaker 3>but because this is like our first Kimmy Stephanie interaction,

0:16:51.960 --> 0:16:55.080
<v Speaker 3>like the teasing of each other, throwing some shade at

0:16:55.080 --> 0:16:56.840
<v Speaker 3>each other. It's the beginning of our frenemy.

0:16:57.000 --> 0:16:59.040
<v Speaker 1>Shit it's it's the origin of the frenemy.

0:16:59.400 --> 0:17:01.040
<v Speaker 2>This is our story right there.

0:17:01.120 --> 0:17:04.000
<v Speaker 1>Yep, yep, a lot of origin stories here in the beginning.

0:17:04.200 --> 0:17:06.680
<v Speaker 3>Oh yeah. So he cut to the kitchen where Joey

0:17:06.720 --> 0:17:09.280
<v Speaker 3>is cooking dinner and he's pretending to be a hibachi

0:17:09.400 --> 0:17:11.520
<v Speaker 3>chef for Michelle, who's watching and laughing.

0:17:12.240 --> 0:17:13.680
<v Speaker 2>Joey does the voices.

0:17:13.440 --> 0:17:16.520
<v Speaker 3>And pretends that the pepper mills or hibachi knives, and

0:17:16.640 --> 0:17:20.359
<v Speaker 3>Jesse enters the kitchen in his exterminator jumpsuit and exchanges

0:17:20.400 --> 0:17:25.960
<v Speaker 3>some out of that terrible joke that I'm like, yeah,

0:17:26.040 --> 0:17:31.200
<v Speaker 3>let's just let's move on. Yeah. So they exchanged some pleasantries,

0:17:31.320 --> 0:17:34.680
<v Speaker 3>and Joey mentions that someone named Brianna called for Jesse

0:17:35.400 --> 0:17:38.399
<v Speaker 3>another a name, Brionna.

0:17:38.960 --> 0:17:44.280
<v Speaker 1>I'm telling her I want to live into it feels

0:17:44.400 --> 0:17:48.639
<v Speaker 1>like that, like the psychology of whoever is picking the names.

0:17:48.640 --> 0:17:50.399
<v Speaker 1>I want to I want to know, like what is

0:17:50.440 --> 0:17:53.600
<v Speaker 1>it about like girls with the n an a or

0:17:53.640 --> 0:17:55.000
<v Speaker 1>like an a at the end of the name. Is

0:17:55.000 --> 0:17:59.399
<v Speaker 1>it that they're diminutive? Is it that they're like, I

0:17:59.760 --> 0:18:03.399
<v Speaker 1>don't know, it's a I'd love to deep dive into that,

0:18:03.440 --> 0:18:04.320
<v Speaker 1>but not right now, but.

0:18:04.440 --> 0:18:06.879
<v Speaker 3>I would too. We're gonna have to ask Jeff Franklin sometime,

0:18:07.440 --> 0:18:08.000
<v Speaker 3>or maybe it's.

0:18:07.960 --> 0:18:09.840
<v Speaker 1>Jeff, what were you thinking when you named these women?

0:18:10.000 --> 0:18:13.159
<v Speaker 3>I don't well, I mean maybe it's like the Spanish language,

0:18:13.200 --> 0:18:15.439
<v Speaker 3>how like the feminine forms of words end with A.

0:18:15.640 --> 0:18:18.840
<v Speaker 1>That's what I'm saying with A like men sort of

0:18:18.840 --> 0:18:19.239
<v Speaker 1>go like there.

0:18:19.520 --> 0:18:22.000
<v Speaker 3>So maybe the men who are writing this show is like, well,

0:18:22.160 --> 0:18:23.199
<v Speaker 3>slap an a on the end.

0:18:25.080 --> 0:18:28.639
<v Speaker 1>Yeah, that's also very eighties. That sounds that I write.

0:18:28.920 --> 0:18:32.320
<v Speaker 3>So Jesse explains that he terminated some of Brianna's termites,

0:18:32.400 --> 0:18:35.560
<v Speaker 3>and Brionna wanted to thank him, so they came up

0:18:35.600 --> 0:18:36.960
<v Speaker 3>with some ideas.

0:18:37.440 --> 0:18:44.480
<v Speaker 1>I'm pretty sure that you can't uh pay for exterminators

0:18:44.600 --> 0:18:50.520
<v Speaker 1>with relations with relations with the Yeah, I feel like that's.

0:18:50.440 --> 0:18:51.520
<v Speaker 2>That's not an even trade.

0:18:51.560 --> 0:18:51.880
<v Speaker 3>I don't.

0:18:51.960 --> 0:18:54.159
<v Speaker 1>I don't know, well, well, depends on how bad the

0:18:54.160 --> 0:18:56.719
<v Speaker 1>invastation is, you know what I mean. Really, look if

0:18:56.720 --> 0:18:58.679
<v Speaker 1>maybe she her termites were terrible and she's like, I

0:18:58.680 --> 0:19:03.359
<v Speaker 1>will do any thing right, and you know, I mean, hey,

0:19:03.480 --> 0:19:05.400
<v Speaker 1>just a guy with a giant cockroach on his back,

0:19:05.440 --> 0:19:08.119
<v Speaker 1>that's you know, that is to me, I'm like, oh god,

0:19:08.240 --> 0:19:11.440
<v Speaker 1>that's what I think of. And I'm like, let me, Yeah,

0:19:11.480 --> 0:19:14.240
<v Speaker 1>it's a giant cockroach on its back, on his back

0:19:14.400 --> 0:19:15.560
<v Speaker 1>rather well both.

0:19:16.080 --> 0:19:20.560
<v Speaker 3>Anyway, I can't just I can't just stop talking because

0:19:20.600 --> 0:19:22.840
<v Speaker 3>I can't do all the words coming out of your

0:19:22.880 --> 0:19:25.480
<v Speaker 3>mouth right now. Like there's there's so many things I

0:19:25.520 --> 0:19:27.479
<v Speaker 3>can't say that are going through my mind right now.

0:19:27.520 --> 0:19:30.760
<v Speaker 1>But you said, can you can't just gonna just have

0:19:30.800 --> 0:19:31.840
<v Speaker 1>fun editing around us?

0:19:31.960 --> 0:19:32.280
<v Speaker 3>Okay?

0:19:33.080 --> 0:19:35.840
<v Speaker 1>Anyway back to this, back to the cockroaches and brings.

0:19:37.160 --> 0:19:39.520
<v Speaker 3>So thank god. DJ and Stephanie interrupt this story and

0:19:39.560 --> 0:19:44.280
<v Speaker 3>they enter from downstairs. They exclaim there's something horrible in

0:19:44.320 --> 0:19:49.440
<v Speaker 3>the house, and Jesse, testing Joey's cooking with the spoon, responds,

0:19:49.480 --> 0:19:53.159
<v Speaker 3>you're telling me so. Danny enters the kitchen, exclaiming that

0:19:53.200 --> 0:19:56.680
<v Speaker 3>he has great news. Stephanie, who is relieved that he's home,

0:19:56.800 --> 0:19:57.880
<v Speaker 3>hugs his leg.

0:19:58.240 --> 0:20:00.399
<v Speaker 1>Which, by the way, I am literally as tall as

0:20:00.440 --> 0:20:04.240
<v Speaker 1>Bob's leg, like not even up into his hip, just

0:20:04.280 --> 0:20:05.800
<v Speaker 1>grabbed right on and it was like.

0:20:05.800 --> 0:20:08.919
<v Speaker 2>Hello, I just you didn't have to bend down or something.

0:20:09.720 --> 0:20:11.320
<v Speaker 1>It was just just right there. Yep.

0:20:11.920 --> 0:20:15.159
<v Speaker 3>He tries to walk. It's just like he's got like

0:20:15.320 --> 0:20:18.919
<v Speaker 3>an extra leg. It's fine. DJ tells Danny that Stephanie

0:20:18.920 --> 0:20:21.400
<v Speaker 3>thinks she heard a monster in the garage, but if

0:20:21.400 --> 0:20:24.360
<v Speaker 3>you asked me, it was just a desperate plea for attention.

0:20:25.280 --> 0:20:29.240
<v Speaker 3>Danny replies, DJ, stop watching Oprah and start doing your homework.

0:20:29.280 --> 0:20:30.439
<v Speaker 1>How many times have I said that?

0:20:31.720 --> 0:20:34.400
<v Speaker 3>So, as the family sets the dinner table, Danny reminds

0:20:34.400 --> 0:20:37.840
<v Speaker 3>everyone that he has some great news. Danny explains that

0:20:37.880 --> 0:20:40.680
<v Speaker 3>all of the TV news stations are fighting for ratings,

0:20:40.800 --> 0:20:43.800
<v Speaker 3>so his station is putting together a special promo about

0:20:43.840 --> 0:20:47.560
<v Speaker 3>each of their newscasters, and Danny was picked to be first.

0:20:48.200 --> 0:20:52.800
<v Speaker 3>The family responds not so enthusiastically. Then Danny announces that

0:20:52.800 --> 0:20:56.080
<v Speaker 3>the entire family is going to be on TV with him,

0:20:56.280 --> 0:21:01.520
<v Speaker 3>which prompts a huge cheer. From there, we go, everyone,

0:21:02.280 --> 0:21:03.040
<v Speaker 3>what's in it for me?

0:21:03.880 --> 0:21:06.200
<v Speaker 1>I mean that is really how a family dinner goes,

0:21:06.240 --> 0:21:07.760
<v Speaker 1>isn't it. You're like, hey, this is great for me,

0:21:07.800 --> 0:21:10.240
<v Speaker 1>and they're like, You're like, but you're gonna get something too?

0:21:10.320 --> 0:21:11.040
<v Speaker 1>Oh sweet?

0:21:11.119 --> 0:21:14.679
<v Speaker 3>Yeah, yep, that's living with teenagers too, you know.

0:21:14.760 --> 0:21:15.800
<v Speaker 2>That's how they respond.

0:21:16.880 --> 0:21:19.199
<v Speaker 3>So the family starts to eat, but they are quickly

0:21:19.240 --> 0:21:22.359
<v Speaker 3>grossed out by Joey's cooking. They decide that they should

0:21:22.359 --> 0:21:25.880
<v Speaker 3>send out for pizza, and Joey responds, it is pizza

0:21:26.800 --> 0:21:30.080
<v Speaker 3>on planet. I know what kind of pizza is this

0:21:30.520 --> 0:21:31.560
<v Speaker 3>that you eat with a spoon.

0:21:34.280 --> 0:21:36.840
<v Speaker 1>I've had a lot of pizza, I've never I've had

0:21:37.000 --> 0:21:41.160
<v Speaker 1>Chicago style, I've had you know, the flatbreads. I've never

0:21:41.280 --> 0:21:43.000
<v Speaker 1>had spoon pizza.

0:21:43.080 --> 0:21:46.159
<v Speaker 3>Spoon pizza. Well a, it's a it's a delicatessen by

0:21:46.280 --> 0:21:51.000
<v Speaker 3>Joey Gladstone spoon pizza. So later that night, we are

0:21:51.000 --> 0:21:54.480
<v Speaker 3>in DJ and Stephanie's room and it's nighttime. Once again,

0:21:54.560 --> 0:21:57.720
<v Speaker 3>we hear this monster noise. Stephanie sits up in bed

0:21:57.760 --> 0:22:01.800
<v Speaker 3>and states they're bare, but now even DJ seems a

0:22:01.840 --> 0:22:04.879
<v Speaker 3>little nervous about this noise. Steph asks if she can

0:22:04.920 --> 0:22:08.399
<v Speaker 3>sleep in DJ's bed, and DJ agrees. Concerned that the

0:22:08.440 --> 0:22:10.919
<v Speaker 3>monster is waiting under her bed to eat her feet,

0:22:11.320 --> 0:22:13.840
<v Speaker 3>Stephanie con cox a plan to get over to DJ's

0:22:13.840 --> 0:22:17.040
<v Speaker 3>bed by hopping on her toy chest, throwing DJ a

0:22:17.119 --> 0:22:20.800
<v Speaker 3>jump rope, and having DJ reel her over to her bed.

0:22:20.880 --> 0:22:22.160
<v Speaker 1>I was so excited to do that.

0:22:22.160 --> 0:22:22.840
<v Speaker 3>That was such a five.

0:22:22.840 --> 0:22:24.879
<v Speaker 1>I was like, yes, this is amazing, and also the

0:22:24.920 --> 0:22:28.040
<v Speaker 1>first thought when she's like can I sleep in your bed?

0:22:28.320 --> 0:22:30.400
<v Speaker 1>Immediately I was like, oh, put the monster in the bed.

0:22:30.760 --> 0:22:33.159
<v Speaker 1>I was like, and then she's like, but what if

0:22:33.160 --> 0:22:35.000
<v Speaker 1>it's under I was like, thank you.

0:22:34.720 --> 0:22:38.120
<v Speaker 3>See, thank you. Stephan is thinking of all possibilities, yes,

0:22:38.200 --> 0:22:40.160
<v Speaker 3>and she's doing her own stunts.

0:22:39.720 --> 0:22:41.080
<v Speaker 2>Like this is you need your stunt yet?

0:22:41.240 --> 0:22:45.000
<v Speaker 3>I mean you're always doing bedroom to you know, you've

0:22:45.000 --> 0:22:46.800
<v Speaker 3>moved from the curtainng cruise.

0:22:46.520 --> 0:22:48.760
<v Speaker 1>Would be nowhere without me, That's what I'm saying. You

0:22:48.800 --> 0:22:53.439
<v Speaker 1>know actors that became stunt people. That's yes, at the

0:22:53.440 --> 0:22:54.080
<v Speaker 1>age of five.

0:22:54.400 --> 0:22:58.960
<v Speaker 3>It's very impressive, very impressive. So DJ notes that Stephanie

0:22:59.000 --> 0:23:01.160
<v Speaker 3>forgot to turn off the light, but right then they

0:23:01.200 --> 0:23:04.240
<v Speaker 3>hear that monster noise again. Steph says, forget the light,

0:23:04.520 --> 0:23:06.960
<v Speaker 3>run for your life. So the girls run out of

0:23:06.960 --> 0:23:10.080
<v Speaker 3>the bedroom and into the hallway, where they're screaming for help.

0:23:10.440 --> 0:23:12.560
<v Speaker 3>Jesse comes out of his room to catch a running

0:23:12.640 --> 0:23:17.080
<v Speaker 3>Stephanie and Danny enters from the stairwell, which bumped me

0:23:17.200 --> 0:23:18.560
<v Speaker 3>because where is Danny's bedroom.

0:23:19.080 --> 0:23:21.639
<v Speaker 1>Danny's bedroom has always been on the other right.

0:23:21.680 --> 0:23:24.160
<v Speaker 3>It's like, maybe we're the camera, the camera POV. That's

0:23:24.160 --> 0:23:25.520
<v Speaker 3>where I thought Danny's bedroom.

0:23:25.680 --> 0:23:30.520
<v Speaker 1>Maybe maybe again, is it on the first Narnia of

0:23:30.560 --> 0:23:33.919
<v Speaker 1>a house. It's maybe Danny wasn't asleep. Maybe it's not

0:23:33.920 --> 0:23:35.639
<v Speaker 1>that late because the kids are, you know what I mean, Like,

0:23:35.680 --> 0:23:38.440
<v Speaker 1>maybe it was like ten o'clock. Danny's watching. Wait didn't

0:23:38.480 --> 0:23:41.480
<v Speaker 1>he say he's doing something. He's like watching something or

0:23:41.760 --> 0:23:44.560
<v Speaker 1>put editing maybe or maybe I just admitted that, but yeah,

0:23:44.600 --> 0:23:45.080
<v Speaker 1>I feel like.

0:23:45.119 --> 0:23:46.920
<v Speaker 3>He's carrying a book. He's carrying a book, which I

0:23:46.920 --> 0:23:48.760
<v Speaker 3>also thought was odd if it's like the middle of

0:23:48.800 --> 0:23:49.920
<v Speaker 3>the night, so maybe he's done.

0:23:50.000 --> 0:23:52.640
<v Speaker 1>I think it's I'm gonna go with It's like ten

0:23:52.800 --> 0:23:55.720
<v Speaker 1>ten thirty when kids would be asleep for bedtime, but

0:23:55.800 --> 0:23:58.040
<v Speaker 1>adults would be like, thank god they're asleep for bedtime

0:23:58.080 --> 0:23:59.600
<v Speaker 1>and I can actually have some peace and quiet.

0:23:59.600 --> 0:24:01.560
<v Speaker 3>Now, Okay, I buy that. I buy that.

0:24:01.800 --> 0:24:02.320
<v Speaker 2>Let's go with that.

0:24:03.200 --> 0:24:05.720
<v Speaker 3>So dj asks Jesse to go get the monster since

0:24:05.760 --> 0:24:09.520
<v Speaker 3>he's a creepy crawley killer, and Jesse responds, I am

0:24:09.560 --> 0:24:13.879
<v Speaker 3>a pest control specialist. Thank you. Jesse, complaining that the

0:24:13.920 --> 0:24:16.760
<v Speaker 3>exterminator never gets to be the hero in movies, goes

0:24:16.760 --> 0:24:19.400
<v Speaker 3>into the girl's bedroom. Stephanie asks if she can sleep

0:24:19.400 --> 0:24:22.280
<v Speaker 3>in Danny's bed tonight, but Danny isn't sure. About this,

0:24:22.480 --> 0:24:24.679
<v Speaker 3>and then we flip too.

0:24:24.320 --> 0:24:25.440
<v Speaker 2>DJ and Stephanie's room.

0:24:25.560 --> 0:24:28.359
<v Speaker 3>Danny is lying in DJ's bed, blanked by DJ and

0:24:28.400 --> 0:24:29.480
<v Speaker 3>Stephanie on each side.

0:24:29.800 --> 0:24:33.040
<v Speaker 1>Yep, yep, been there. The scene made me really laugh.

0:24:33.200 --> 0:24:34.040
<v Speaker 1>It was very funny.

0:24:34.160 --> 0:24:37.960
<v Speaker 3>Oh, it's so sweet. Danny says that Jesse declared the

0:24:38.040 --> 0:24:40.480
<v Speaker 3>room is monster free, so he's only going to stay

0:24:40.560 --> 0:24:44.320
<v Speaker 3>until they fall asleep. The girls are mostly already asleep,

0:24:44.440 --> 0:24:46.600
<v Speaker 3>and Danny reminds them that a nice woman is coming

0:24:46.640 --> 0:24:49.440
<v Speaker 3>over tomorrow to shoot the promo and about their family.

0:24:50.119 --> 0:24:52.320
<v Speaker 3>The girls are now fast asleep, and Danny attempts to

0:24:52.400 --> 0:24:55.680
<v Speaker 3>extract himself from their tangled limbs, but he only gets

0:24:55.680 --> 0:24:57.399
<v Speaker 3>more stuck, so he decides to just make do with

0:24:57.480 --> 0:24:59.439
<v Speaker 3>it and sleep right there Twister style.

0:25:00.080 --> 0:25:02.159
<v Speaker 1>I mean, it was so I was laughing. I'm like

0:25:02.200 --> 0:25:05.160
<v Speaker 1>in my notes, I was like every parent has done

0:25:05.400 --> 0:25:09.960
<v Speaker 1>the Ninja crawl where you're like sliding out of bed

0:25:10.160 --> 0:25:12.280
<v Speaker 1>and then and you don't just kind of don't wake

0:25:12.320 --> 0:25:15.800
<v Speaker 1>the child and then you just kind of like stop

0:25:16.000 --> 0:25:18.520
<v Speaker 1>because they start when you're like I have fallen asleep

0:25:18.560 --> 0:25:20.720
<v Speaker 1>in the weirdest positions on the floor of my kids

0:25:20.760 --> 0:25:22.879
<v Speaker 1>bedrooms when they were little just such a mess.

0:25:23.000 --> 0:25:25.800
<v Speaker 3>It's very relatable because sleep is such a precious commodity.

0:25:25.920 --> 0:25:28.399
<v Speaker 1>And you yeah, and you're like, you know what, I

0:25:28.440 --> 0:25:30.840
<v Speaker 1>will sleep like fine, like Danny does. He's just like,

0:25:30.920 --> 0:25:33.639
<v Speaker 1>I'm just gonna lean over and sleep on a what

0:25:33.800 --> 0:25:36.280
<v Speaker 1>was it a like a pound puppy or something that

0:25:36.320 --> 0:25:37.560
<v Speaker 1>he puts under his head away.

0:25:37.960 --> 0:25:40.440
<v Speaker 3>M Oh yeah, well I get it. I get it.

0:25:41.240 --> 0:25:42.000
<v Speaker 3>However possible.

0:25:42.200 --> 0:25:45.960
<v Speaker 1>We see the cute little red lips phone from DJ's

0:25:46.040 --> 0:25:48.000
<v Speaker 1>when she's on the phone, it's like sitting.

0:25:47.800 --> 0:25:51.920
<v Speaker 3>There, Yeah that phone. I love that, love that phone.

0:25:51.960 --> 0:25:53.639
<v Speaker 3>I need to get I need to get that phone.

0:25:54.040 --> 0:25:56.920
<v Speaker 3>So the next day, uh, Joey and Jesse are changing

0:25:56.960 --> 0:26:00.199
<v Speaker 3>Michelle in the bathroom and they're practicing different hairstyles on

0:26:00.240 --> 0:26:06.119
<v Speaker 3>her like Madonna, Brigitte Nelson, Pebbles, Flintstone. They ultimately decided

0:26:06.160 --> 0:26:08.000
<v Speaker 3>that just a simple bow is the way to go.

0:26:08.920 --> 0:26:14.840
<v Speaker 1>Also, when they mentioned Brigitte Wilson, flash forward to didn't

0:26:14.920 --> 0:26:18.840
<v Speaker 1>Dave do Surreal Life? Ye with Brigitte Neilson.

0:26:19.000 --> 0:26:23.760
<v Speaker 3>Yes, you're right, yeah, wow, Yeah, this is very I

0:26:23.800 --> 0:26:27.840
<v Speaker 3>feel like that a few times where yeah, like unplanned foreshadow,

0:26:27.840 --> 0:26:29.919
<v Speaker 3>like it didn't didn't mean to foreshadow, but yeah, You're right.

0:26:29.960 --> 0:26:33.000
<v Speaker 3>It's this weird time warp, this full house.

0:26:34.680 --> 0:26:38.640
<v Speaker 1>It's some sort of weird like manifestation wheel of time

0:26:38.680 --> 0:26:40.920
<v Speaker 1>thing going on with this house. I'm gonna I'm going

0:26:40.960 --> 0:26:43.000
<v Speaker 1>with that now. I'm gonna create a whole backstory.

0:26:43.200 --> 0:26:45.280
<v Speaker 3>I am gonna jump on this bandwagon with it.

0:26:45.359 --> 0:26:47.800
<v Speaker 1>And it's why the Tanners have aged so well. It's

0:26:47.880 --> 0:26:48.960
<v Speaker 1>like it's just a.

0:26:49.880 --> 0:26:52.120
<v Speaker 3>Yeah, yeah, it's a fountain of youth and a time

0:26:52.160 --> 0:26:54.840
<v Speaker 3>warp and a closet, like all of it just wrapped

0:26:54.840 --> 0:26:56.280
<v Speaker 3>into one. One yes house.

0:26:56.560 --> 0:26:59.080
<v Speaker 1>This is my my new fanfic. I'll be posting it online.

0:26:59.200 --> 0:27:03.480
<v Speaker 3>Thanks. So, Jesse and Joey ultimately decide that just a

0:27:03.560 --> 0:27:06.760
<v Speaker 3>simple bow is the way to go. Jesse holds Michelle's

0:27:06.760 --> 0:27:09.040
<v Speaker 3>hair and a ponytail while Joey ties the bow. But

0:27:09.080 --> 0:27:12.160
<v Speaker 3>of course Joey gets Jesse's finger trapped in the bow,

0:27:12.800 --> 0:27:15.359
<v Speaker 3>and Michelle, in an unscripted moment, shakes her head no

0:27:15.680 --> 0:27:19.040
<v Speaker 3>and then grins the biggest cutest son.

0:27:20.240 --> 0:27:23.680
<v Speaker 1>So I get, like I started being like, oh, I

0:27:23.680 --> 0:27:25.920
<v Speaker 1>get white people must have fallen in love like they

0:27:25.960 --> 0:27:29.760
<v Speaker 1>were just so higly and fun and cute. Although I

0:27:29.800 --> 0:27:31.800
<v Speaker 1>think a lot of the ones we've seen so far

0:27:31.880 --> 0:27:35.680
<v Speaker 1>have been very Kate. She was which I want to

0:27:35.720 --> 0:27:37.560
<v Speaker 1>call her by the name that I called her when

0:27:37.720 --> 0:27:39.000
<v Speaker 1>she was little, would you call her?

0:27:39.400 --> 0:27:39.679
<v Speaker 3>Call her?

0:27:39.920 --> 0:27:41.320
<v Speaker 1>Remember we used to call her Kotto.

0:27:41.200 --> 0:27:44.440
<v Speaker 3>Bird, Cotto bird. I don't remember Cotto bird. Yeah, Mary, Yeah,

0:27:44.560 --> 0:27:45.560
<v Speaker 3>what was that a reference to?

0:27:45.720 --> 0:27:47.440
<v Speaker 1>I don't you don't even know. It was a fair

0:27:47.640 --> 0:27:49.679
<v Speaker 1>It was just a thing where like hey, Kato, like

0:27:49.920 --> 0:27:53.560
<v Speaker 1>Mary Kate became Mary Katto and then like Kato bird.

0:27:53.560 --> 0:27:56.080
<v Speaker 3>I don't know, kandache is that where the canvas cadace

0:27:56.280 --> 0:27:58.800
<v Speaker 3>thing came from? To? You know, let's just Mirrod pronounce

0:27:58.840 --> 0:28:01.200
<v Speaker 3>everyone's names, cutting.

0:28:00.920 --> 0:28:03.439
<v Speaker 1>Family nicknames that you have for each other, mud and

0:28:03.680 --> 0:28:06.639
<v Speaker 1>you know whatever. Okay, but yeah, Cotto bird, I just

0:28:06.680 --> 0:28:10.400
<v Speaker 1>remember when she was little that was Oh, but you're right,

0:28:10.560 --> 0:28:11.720
<v Speaker 1>I came from John or something.

0:28:11.920 --> 0:28:14.359
<v Speaker 3>Yeah, it's a little nickname. Yeah.

0:28:14.400 --> 0:28:16.760
<v Speaker 1>But she was so so cute, giggly and like these

0:28:16.760 --> 0:28:18.920
<v Speaker 1>little unscripted moments that keep happening.

0:28:18.680 --> 0:28:20.560
<v Speaker 3>Or just I can see why the audience fell in

0:28:20.560 --> 0:28:22.600
<v Speaker 3>love with her back But back in the day when

0:28:22.600 --> 0:28:24.240
<v Speaker 3>we were ten and five, we were like, what's the

0:28:24.240 --> 0:28:26.840
<v Speaker 3>big deal about this baby? Like babies weren't interesting or

0:28:26.880 --> 0:28:29.280
<v Speaker 3>cool to us. At that age, but I can see

0:28:29.280 --> 0:28:30.199
<v Speaker 3>what the audience was like.

0:28:30.280 --> 0:28:32.719
<v Speaker 1>Oh well, we were also usually off stage, and we

0:28:32.720 --> 0:28:35.760
<v Speaker 1>were and it was more so like you know when

0:28:35.760 --> 0:28:37.520
<v Speaker 1>you're five and ten, you're like, can the baby do.

0:28:37.600 --> 0:28:38.280
<v Speaker 3>The thing right?

0:28:38.320 --> 0:28:39.680
<v Speaker 2>And just waiting around for the baby.

0:28:40.120 --> 0:28:43.080
<v Speaker 3>Yeah, yeah, yeah, yeah, But I'm falling for it, like

0:28:43.120 --> 0:28:45.680
<v Speaker 3>I'm I'm a team of a sucker. I'm a sucker

0:28:45.720 --> 0:28:45.960
<v Speaker 3>for a.

0:28:45.920 --> 0:28:46.720
<v Speaker 1>Cute little baby.

0:28:46.880 --> 0:28:49.360
<v Speaker 3>I get it. So at this moment, we hear the

0:28:49.480 --> 0:28:52.200
<v Speaker 3>monster noise again and Jesse says, I have to hear

0:28:52.240 --> 0:28:53.640
<v Speaker 3>where it's coming from. Be quiet.

0:28:53.880 --> 0:28:55.960
<v Speaker 1>It sounds like a baby werewolf sort of.

0:28:56.240 --> 0:28:57.360
<v Speaker 2>It's a weird noise.

0:28:57.520 --> 0:28:59.280
<v Speaker 3>I don't even know how to describe it.

0:28:59.320 --> 0:29:00.640
<v Speaker 1>Is it what a fair it makes?

0:29:00.840 --> 0:29:03.280
<v Speaker 3>Well? It must be or I don't.

0:29:03.800 --> 0:29:06.960
<v Speaker 1>I don't know, because sticking to truth is something that

0:29:07.000 --> 0:29:09.520
<v Speaker 1>we've done on this show forever, right, it's gotta be.

0:29:09.600 --> 0:29:11.880
<v Speaker 1>If it's that has to be the sound.

0:29:12.040 --> 0:29:14.080
<v Speaker 3>That must be the sound. I mean, I'm not very

0:29:14.200 --> 0:29:17.600
<v Speaker 3>educated on on ferret language, but yeah, that must be.

0:29:17.760 --> 0:29:18.160
<v Speaker 2>I don't know.

0:29:18.280 --> 0:29:20.440
<v Speaker 1>I'm gonna look this up. I'm gonna look this up. Okay,

0:29:20.480 --> 0:29:21.080
<v Speaker 1>you look this up.

0:29:21.120 --> 0:29:23.280
<v Speaker 3>I'll continue to feel like the ferret though, is the

0:29:23.480 --> 0:29:26.600
<v Speaker 3>It's like the little magical It's sort of like the

0:29:27.480 --> 0:29:29.960
<v Speaker 3>magical elf thing of the house.

0:29:30.400 --> 0:29:32.160
<v Speaker 1>You know what I mean. If this house is Narnia,

0:29:32.520 --> 0:29:35.560
<v Speaker 1>the ferret is the is the little animal that is

0:29:35.960 --> 0:29:37.800
<v Speaker 1>possessed by something. Oh you know what I mean. Oh,

0:29:38.320 --> 0:29:40.480
<v Speaker 1>you're you're really I'm telling you, I'm going for this

0:29:40.520 --> 0:29:41.320
<v Speaker 1>whole fanfic thing.

0:29:41.360 --> 0:29:43.880
<v Speaker 3>I am hanging on to this theory. Yes, you're Talloween.

0:29:44.000 --> 0:29:44.920
<v Speaker 1>I'm excited.

0:29:45.000 --> 0:29:46.880
<v Speaker 3>You're right, You're right. It's it's that time of year.

0:29:47.280 --> 0:29:49.240
<v Speaker 3>So Jesse walks over to one of the air vents

0:29:49.240 --> 0:29:51.760
<v Speaker 3>on the wall. He kneels down and listens, and he

0:29:51.840 --> 0:29:55.840
<v Speaker 3>determines that it's a North American silver footed ferret, adult male,

0:29:56.160 --> 0:30:00.000
<v Speaker 3>two and a half pounds. Okay, wow, yeah, very specific.

0:30:00.240 --> 0:30:01.800
<v Speaker 1>Is a pest control specialist.

0:30:01.880 --> 0:30:02.720
<v Speaker 3>Indeed he is.

0:30:02.800 --> 0:30:06.040
<v Speaker 1>He's now I see why Brianna was like, take me now.

0:30:06.480 --> 0:30:07.920
<v Speaker 1>I mean, I can only imagine what he did with

0:30:07.920 --> 0:30:08.600
<v Speaker 1>the termites, you know.

0:30:11.520 --> 0:30:15.480
<v Speaker 3>Moving on, So he runs out of the bathroom. Joey

0:30:15.480 --> 0:30:18.040
<v Speaker 3>puts Michelle back on the changing table and shows her

0:30:18.200 --> 0:30:21.600
<v Speaker 3>her reflection in a mirror, and Michelle beams at the

0:30:21.600 --> 0:30:25.120
<v Speaker 3>sight of her own reflection. It's just so ct it's

0:30:25.120 --> 0:30:25.640
<v Speaker 3>so cute.

0:30:26.160 --> 0:30:28.360
<v Speaker 2>You can't write this stuff. The baby just does it.

0:30:28.600 --> 0:30:31.160
<v Speaker 3>The baby performs or does it, and then she was

0:30:31.160 --> 0:30:31.960
<v Speaker 3>per be a.

0:30:31.920 --> 0:30:34.040
<v Speaker 1>Baby and just beam when you look in the mirror,

0:30:34.120 --> 0:30:36.920
<v Speaker 1>you know those out of herself.

0:30:38.160 --> 0:30:41.880
<v Speaker 3>Oh wow, that's yeah. Okay. So the doorbell rings in

0:30:41.920 --> 0:30:44.400
<v Speaker 3>the living room and Jesse is rushing downstairs on his

0:30:44.480 --> 0:30:47.840
<v Speaker 3>way to the garage to find the ferret monster. DJ

0:30:47.960 --> 0:30:50.520
<v Speaker 3>and Stephanie answer the door and we meet the TV

0:30:50.680 --> 0:30:54.400
<v Speaker 3>lady who is there to film Danny's promo and Jody,

0:30:54.400 --> 0:30:56.640
<v Speaker 3>your blue sweater here, I don't know what's on. Is

0:30:56.680 --> 0:30:58.720
<v Speaker 3>this a skunk skum?

0:30:59.400 --> 0:31:01.560
<v Speaker 1>And it's a handle with Care?

0:31:01.800 --> 0:31:05.440
<v Speaker 3>Oh oh, it's one of those three D sweaters again that.

0:31:05.560 --> 0:31:11.120
<v Speaker 1>It's another three D sweater. It's amazing And yeah, it

0:31:11.440 --> 0:31:13.719
<v Speaker 1>says handle with care. And I really feel like we

0:31:13.800 --> 0:31:17.160
<v Speaker 1>need to get Dave an adult sized sweatshirt of that

0:31:17.280 --> 0:31:19.720
<v Speaker 1>skung that says handle with Care on it, because if

0:31:19.720 --> 0:31:22.200
<v Speaker 1>anyone needs a sweatshirt like that, it's Dave Koli.

0:31:22.400 --> 0:31:24.840
<v Speaker 3>Yeah, the odoriferous Dave ker.

0:31:26.600 --> 0:31:28.880
<v Speaker 1>This is I'm going twenty seven on that.

0:31:28.880 --> 0:31:33.000
<v Speaker 3>That's twenty seven differ you come to how rude tandos

0:31:33.360 --> 0:31:37.440
<v Speaker 3>get you walk away with a language lesson semantics again.

0:31:37.440 --> 0:31:40.320
<v Speaker 1>Come to learn about the show, you leave with an

0:31:40.320 --> 0:31:43.360
<v Speaker 1>English degree thanks to Adria Barber. Right, yeah, there we go.

0:31:44.360 --> 0:31:46.560
<v Speaker 3>So the TV lady asks the girls to smile, and

0:31:46.600 --> 0:31:49.120
<v Speaker 3>then she has sort of hang up her coat, which

0:31:49.200 --> 0:31:51.320
<v Speaker 3>DJ just sort of places on top of the playpen,

0:31:52.000 --> 0:31:54.680
<v Speaker 3>and then the TV lady introduces herself as Ronnie, which

0:31:54.720 --> 0:31:58.080
<v Speaker 3>is short for Veronica. DJ replies I'm DJ, which is

0:31:58.120 --> 0:32:01.560
<v Speaker 3>short for Donna Joe, and Stephanie says, I'm Stephanie. I'm

0:32:01.600 --> 0:32:05.240
<v Speaker 3>just short, which we saw earlier with you grab it

0:32:05.240 --> 0:32:05.880
<v Speaker 3>onto Bob's light.

0:32:05.960 --> 0:32:08.400
<v Speaker 1>Right, yes, very short, I'm short.

0:32:08.880 --> 0:32:12.280
<v Speaker 3>So Ronnie continues to examine the house for good camera angles,

0:32:12.400 --> 0:32:15.680
<v Speaker 3>and the girls follow her and copy her like framing,

0:32:15.920 --> 0:32:18.280
<v Speaker 3>framing the shots, hand movements, right.

0:32:18.320 --> 0:32:20.760
<v Speaker 1>Yeah, that's what if people are wondering, it's not she's

0:32:20.800 --> 0:32:23.040
<v Speaker 1>not trying to figure out which hand is her left.

0:32:23.960 --> 0:32:27.640
<v Speaker 1>She actually, yeah, she's looking at that's something that like,

0:32:28.480 --> 0:32:33.080
<v Speaker 1>you know, it's sort of a directory thing. Director directory

0:32:33.320 --> 0:32:36.240
<v Speaker 1>don't necessarily do it, but they will sometimes be like, okay,

0:32:36.280 --> 0:32:38.120
<v Speaker 1>I want to see you know whatever. But she yeah,

0:32:38.160 --> 0:32:40.400
<v Speaker 1>it's a very exaggerated sort of moment. But yeah, like

0:32:40.440 --> 0:32:43.360
<v Speaker 1>the light like she's not like, wait, which way is left?

0:32:43.440 --> 0:32:45.719
<v Speaker 3>No, she's yeah, yeah, yeah, And the lighting guys will

0:32:45.760 --> 0:32:48.000
<v Speaker 3>that too. They'll come in and the like hold hold

0:32:48.120 --> 0:32:50.760
<v Speaker 3>equipment up, Yes, the light.

0:32:50.760 --> 0:32:52.239
<v Speaker 1>Used to do when he'd come on, he'd just come

0:32:52.280 --> 0:32:53.960
<v Speaker 1>over and like kind of saunter up, like what is

0:32:54.000 --> 0:32:56.120
<v Speaker 1>you're about to roll and hold the thing over your

0:32:56.240 --> 0:32:57.520
<v Speaker 1>face and then squint.

0:32:57.600 --> 0:32:59.200
<v Speaker 2>Okay up at the rafters.

0:32:59.320 --> 0:33:00.600
<v Speaker 1>You're not up a little right? Right?

0:33:00.640 --> 0:33:01.480
<v Speaker 2>All those memories.

0:33:02.480 --> 0:33:04.800
<v Speaker 3>So next we're in the garage and Jesse is digging

0:33:04.840 --> 0:33:08.160
<v Speaker 3>around trying to locate the ferret monster and he's wearing

0:33:08.200 --> 0:33:12.840
<v Speaker 3>a catcher's mitt. Why, I don't know right for I'm

0:33:12.920 --> 0:33:16.120
<v Speaker 3>just saying, I mean, the ferret isn't well an.

0:33:15.760 --> 0:33:20.280
<v Speaker 1>Eric, but also for a pest control specialist. I feel like,

0:33:21.080 --> 0:33:23.240
<v Speaker 1>although I guess you look, he's working with what he's got.

0:33:23.280 --> 0:33:25.480
<v Speaker 1>He's on the he's he is trying to I mean,

0:33:25.520 --> 0:33:28.920
<v Speaker 1>you can't you know, when you're chasing a ferret, there's.

0:33:28.920 --> 0:33:31.480
<v Speaker 3>Time to go to your truck or motorcycle and get

0:33:31.560 --> 0:33:32.280
<v Speaker 3>your toolbox.

0:33:32.440 --> 0:33:34.440
<v Speaker 1>No, you got to try to get a catcher's mitt

0:33:34.480 --> 0:33:35.720
<v Speaker 1>and get that ferret.

0:33:36.080 --> 0:33:39.440
<v Speaker 3>So, yeah, so Joey comes downstairs and asks, who are

0:33:39.480 --> 0:33:40.360
<v Speaker 3>you trying to catch?

0:33:40.600 --> 0:33:42.920
<v Speaker 2>Phil niekro And I looked this up.

0:33:43.600 --> 0:33:48.280
<v Speaker 1>He was going to say, is that a like a

0:33:48.320 --> 0:33:49.240
<v Speaker 1>baseball catcher?

0:33:49.520 --> 0:33:53.480
<v Speaker 3>Yes? Yes, he well, not a catcher, a pitcher here.

0:33:53.840 --> 0:33:56.520
<v Speaker 3>He was an American baseball player for the Atlanta Braves,

0:33:57.080 --> 0:34:00.120
<v Speaker 3>for Indians, also the Yankees. He's generally regarded as the

0:34:00.160 --> 0:34:04.320
<v Speaker 3>greatest knuckleball picture of all time. The more you know,

0:34:04.480 --> 0:34:06.479
<v Speaker 3>all right, the more you know, see there you go.

0:34:06.880 --> 0:34:08.719
<v Speaker 3>So Jesse says he left his tools in the car.

0:34:08.800 --> 0:34:12.600
<v Speaker 3>Oh okay, so that explained right. Jesse left his tools

0:34:12.600 --> 0:34:14.400
<v Speaker 3>in the car. But in order to catch a ferret,

0:34:14.719 --> 0:34:18.319
<v Speaker 3>you must become one with the ferret. And Joey does

0:34:18.440 --> 0:34:21.880
<v Speaker 3>a ferret impression. So they hear the ferret again, and

0:34:22.000 --> 0:34:24.839
<v Speaker 3>Jesse runs around the garage. Joey asks Jesse, what are

0:34:24.840 --> 0:34:27.600
<v Speaker 3>you going to do with the ferret? And Jesse, by the.

0:34:27.520 --> 0:34:32.000
<v Speaker 1>Way, incoming newsh the ferret noise is not exactly uh

0:34:32.239 --> 0:34:36.279
<v Speaker 1>correct it according to no According to our great and

0:34:36.320 --> 0:34:38.400
<v Speaker 1>one of producer Chrissy. She says, the ferret noise is

0:34:38.440 --> 0:34:40.920
<v Speaker 1>not exactly exact the ones that she just listened to.

0:34:41.120 --> 0:34:44.160
<v Speaker 1>So maybe summi ferret out there makes this noise, but

0:34:44.400 --> 0:34:45.799
<v Speaker 1>not most of them.

0:34:45.840 --> 0:34:49.040
<v Speaker 3>That's it. I want my money back this show between

0:34:49.120 --> 0:34:53.360
<v Speaker 3>the garage Joey, we're not having real ferret noises. I

0:34:53.360 --> 0:34:57.000
<v Speaker 3>give up. So Joey says, what are you going to

0:34:57.040 --> 0:34:59.400
<v Speaker 3>do with the ferret, and Jesse replies he's moving the

0:34:59.400 --> 0:35:04.600
<v Speaker 3>ferret one step up into his spiritual enlightenment. Joey, who's

0:35:04.640 --> 0:35:07.319
<v Speaker 3>worried about the fate of the ferret, slyly opens the

0:35:07.360 --> 0:35:10.520
<v Speaker 3>garage door in an attempt to let the ferret escape.

0:35:11.239 --> 0:35:12.480
<v Speaker 2>Then he starts singing.

0:35:12.200 --> 0:35:16.560
<v Speaker 3>Born Free, which is the theme song from a wildlife

0:35:16.680 --> 0:35:19.839
<v Speaker 3>drama of the same name nineteen sixty six. There's all

0:35:19.840 --> 0:35:22.960
<v Speaker 3>these references that I never got until I actually just

0:35:22.960 --> 0:35:23.600
<v Speaker 3>looked them up.

0:35:23.800 --> 0:35:26.680
<v Speaker 1>Well, they're all references now that I realized that, Like

0:35:26.800 --> 0:35:30.719
<v Speaker 1>our thirty year old writing staff at the time was like,

0:35:30.800 --> 0:35:33.440
<v Speaker 1>let's throw back to the and now it's funny because

0:35:33.520 --> 0:35:37.400
<v Speaker 1>you know that's it's old news. It's old, yeah, old news.

0:35:37.880 --> 0:35:40.560
<v Speaker 3>So Jesse shakes off Joey and determines that the ferret

0:35:40.680 --> 0:35:44.440
<v Speaker 3>escaped right into the crawl space. Jesse grabs a ladder

0:35:44.440 --> 0:35:45.880
<v Speaker 3>and climbs up into the crawl space.

0:35:46.040 --> 0:35:50.040
<v Speaker 1>Crawl space where a garage where the living room?

0:35:50.120 --> 0:35:53.320
<v Speaker 3>So where does the where is the crawl space? Getting

0:35:53.320 --> 0:35:56.960
<v Speaker 3>into a crawl space between the living room and the garage,

0:35:57.000 --> 0:36:00.359
<v Speaker 3>there's like a secret compartment. Just didn't know what.

0:36:00.920 --> 0:36:02.320
<v Speaker 2>Yeah, that's I'm confused.

0:36:03.000 --> 0:36:07.080
<v Speaker 1>That's not a thing. I have questions, and and we're.

0:36:06.920 --> 0:36:07.520
<v Speaker 3>Got in the attic.

0:36:07.640 --> 0:36:09.520
<v Speaker 2>They should have moved this scene to the attic, right,

0:36:09.560 --> 0:36:10.480
<v Speaker 2>that made sense.

0:36:10.520 --> 0:36:12.279
<v Speaker 1>I was like, wait, is he crawling into the attic? No,

0:36:12.360 --> 0:36:13.920
<v Speaker 1>we're in the basement or in the garage.

0:36:14.080 --> 0:36:15.200
<v Speaker 3>Yeah, it was.

0:36:15.320 --> 0:36:18.080
<v Speaker 1>There's a whole lot going on here. Also relatively clean,

0:36:18.160 --> 0:36:19.919
<v Speaker 1>because Jesse comes down with not a bit of dust

0:36:19.960 --> 0:36:22.480
<v Speaker 1>on him. Oh. True, true, So somebody's been cleaning that

0:36:22.480 --> 0:36:25.200
<v Speaker 1>crawl space, which makes me wonder, Oh, what's in the

0:36:25.200 --> 0:36:25.720
<v Speaker 1>crawl space?

0:36:25.880 --> 0:36:28.720
<v Speaker 3>Yeah? Does that where Danny like does his secret cleaning

0:36:28.840 --> 0:36:31.120
<v Speaker 3>routines to fulfill that need? I don't know.

0:36:31.520 --> 0:36:35.120
<v Speaker 1>I mean, where's Pam. I'm just saying, I'm just saying, whoa, wow,

0:36:35.400 --> 0:36:38.160
<v Speaker 1>you were there. Sorry, I'm sorry that was a terrible joke.

0:36:38.840 --> 0:36:39.640
<v Speaker 3>Wa Hey, let's go.

0:36:39.760 --> 0:36:40.080
<v Speaker 1>Why not?

0:36:40.320 --> 0:36:43.000
<v Speaker 3>We're We're on episode twelve, Like, we can go there,

0:36:43.040 --> 0:36:46.000
<v Speaker 3>we can go now, we are grieving. We've done twelve

0:36:46.040 --> 0:36:47.920
<v Speaker 3>episodes of grievous. We can make now we can make

0:36:47.960 --> 0:36:51.759
<v Speaker 3>jokes about Pam. So Jesse he's climbing into the crawl

0:36:51.800 --> 0:36:55.560
<v Speaker 3>space and Joey, who's still cheering for this ferret to escape,

0:36:55.880 --> 0:36:58.960
<v Speaker 3>moves the ladder so that Jesse can't get down. He

0:36:59.040 --> 0:37:00.680
<v Speaker 3>says that they need to have a talk, and then

0:37:00.719 --> 0:37:02.960
<v Speaker 3>he tries to get Jesse to agree to release the

0:37:02.960 --> 0:37:06.759
<v Speaker 3>ferret into a safe environment after he catches him. Jesse

0:37:06.880 --> 0:37:08.800
<v Speaker 3>makes fun by saying he'll move him into a little

0:37:08.840 --> 0:37:11.960
<v Speaker 3>ferret condo, and then he starts to climb down using

0:37:12.040 --> 0:37:16.200
<v Speaker 3>Joey's shoulders. At this very moment, Stephanie, dj and Ronnie

0:37:16.239 --> 0:37:18.480
<v Speaker 3>come down to the garage to find Jesse upside down,

0:37:18.719 --> 0:37:21.880
<v Speaker 3>hanging from the crawl space and using Joey's shoulders as support.

0:37:22.480 --> 0:37:24.320
<v Speaker 2>Hello, they both say.

0:37:24.080 --> 0:37:27.600
<v Speaker 3>Simultaneously, and Ronnie responds, I'm in trouble.

0:37:28.560 --> 0:37:30.239
<v Speaker 2>Boy is she if this is who she has to

0:37:30.280 --> 0:37:30.680
<v Speaker 2>work with?

0:37:31.080 --> 0:37:33.960
<v Speaker 1>Right? But I was wondering, though, how was Jesse planning

0:37:33.960 --> 0:37:36.520
<v Speaker 1>on getting down? Because I it's not gonna work out well,

0:37:36.800 --> 0:37:39.680
<v Speaker 1>the ladder's got to come back. The ladder's Ronnie saying,

0:37:39.719 --> 0:37:40.520
<v Speaker 1>she's in trouble.

0:37:40.800 --> 0:37:43.120
<v Speaker 3>I mean, I feel like they're bozos.

0:37:43.280 --> 0:37:46.040
<v Speaker 1>They're bozos because that's never worked out in the history

0:37:46.040 --> 0:37:49.520
<v Speaker 1>of television to have idiots on television. Hey, are you kidding?

0:37:49.600 --> 0:37:52.760
<v Speaker 3>A TV producer would be thrilled. This is great.

0:37:52.840 --> 0:37:56.960
<v Speaker 1>This is content content, right, or maybe that's.

0:37:56.840 --> 0:38:00.440
<v Speaker 3>Just like post Real World. Yeah, reality TV. Yeah, maybe

0:38:00.440 --> 0:38:00.839
<v Speaker 3>that's it.

0:38:01.360 --> 0:38:03.040
<v Speaker 2>So we come back from a commercial break.

0:38:03.120 --> 0:38:06.600
<v Speaker 3>We're in the living room where Donnie Donnie, sorry, where

0:38:06.680 --> 0:38:09.960
<v Speaker 3>Ronnie is finishing setting up a new kids.

0:38:10.440 --> 0:38:11.359
<v Speaker 1>It's not kids.

0:38:11.400 --> 0:38:13.240
<v Speaker 3>I have new kids on the brain. Sorry, I'm getting

0:38:13.280 --> 0:38:15.560
<v Speaker 3>ready for the cruise. So I'm thinking I got Donnie

0:38:15.560 --> 0:38:18.960
<v Speaker 3>walmert on the rain. So Danny walks in from the

0:38:18.960 --> 0:38:21.279
<v Speaker 3>front door, and Ronnie says, great, you're here, let's go.

0:38:21.640 --> 0:38:23.879
<v Speaker 2>She has missed no nonsense.

0:38:23.840 --> 0:38:25.160
<v Speaker 1>Right, Ronica.

0:38:25.239 --> 0:38:27.080
<v Speaker 3>Excuse me, Ronnie, Ronnie, I'm down.

0:38:27.320 --> 0:38:29.600
<v Speaker 2>She's a little high strung. I have to admit.

0:38:30.360 --> 0:38:33.439
<v Speaker 3>Joey, who has been taking down the last planet from

0:38:33.480 --> 0:38:37.320
<v Speaker 3>the alcove, tells Danny that Ronnie thought that he should

0:38:37.320 --> 0:38:40.959
<v Speaker 3>move out. You know, I gotta admit, like I missed

0:38:40.960 --> 0:38:44.200
<v Speaker 3>the alcove, like seeing this again, like I miss I'm like,

0:38:44.320 --> 0:38:46.560
<v Speaker 3>you know it, I look at it and I'm not right.

0:38:47.000 --> 0:38:49.160
<v Speaker 3>I liked it better with the mannequin. Yeah, I miss

0:38:49.280 --> 0:38:51.200
<v Speaker 3>I miss Manny. I never thought i'd say that I

0:38:51.280 --> 0:38:52.160
<v Speaker 3>miss the planet.

0:38:52.200 --> 0:38:54.200
<v Speaker 1>I miss Manny. I missed the potato.

0:38:53.880 --> 0:38:56.759
<v Speaker 2>Head, I miss the cot I miss all of it.

0:38:56.840 --> 0:39:00.680
<v Speaker 1>Olive oil, yeah, bye, the weird parrot. I miss it all.

0:39:00.920 --> 0:39:02.520
<v Speaker 3>Yeah, I do too. I'm right there with you.

0:39:02.760 --> 0:39:03.239
<v Speaker 1>Yeah. Yeah.

0:39:03.239 --> 0:39:05.320
<v Speaker 3>So Joey says, you know this is fine, but Danny

0:39:05.360 --> 0:39:08.840
<v Speaker 3>doesn't agree. He asks Ronnie, don't you think Joey is important?

0:39:09.320 --> 0:39:12.440
<v Speaker 3>Ronnie replies that Joey is essential because he's going to

0:39:12.480 --> 0:39:15.080
<v Speaker 3>be holding the cue cards. I mean, it is an

0:39:15.160 --> 0:39:15.719
<v Speaker 3>essential job.

0:39:15.920 --> 0:39:18.640
<v Speaker 1>I was gonna say, if you've ever had to do something,

0:39:18.680 --> 0:39:19.400
<v Speaker 1>you need someone to.

0:39:19.400 --> 0:39:23.440
<v Speaker 3>Hold the cue cards. Yeah, very important, very important. Ronnie

0:39:23.440 --> 0:39:26.240
<v Speaker 3>says that she's going to set Danny apart from the crowd.

0:39:26.360 --> 0:39:30.120
<v Speaker 3>She's going to sell his family with class, style and sophistication.

0:39:30.880 --> 0:39:33.280
<v Speaker 3>She shoes Danny outside so he can make his entrance

0:39:33.360 --> 0:39:36.920
<v Speaker 3>on camera. Ronnie yells action and Danny enters and reads

0:39:36.960 --> 0:39:41.520
<v Speaker 3>the cue cards. He says, chow family, which he questions immediately.

0:39:42.320 --> 0:39:44.319
<v Speaker 3>Then Ronnie seats him on the couch and says, que

0:39:44.440 --> 0:39:48.080
<v Speaker 3>da Vinci. Da Vinci is a very large white poodle.

0:39:48.239 --> 0:39:49.880
<v Speaker 3>Who jumps into Danny's lap.

0:39:50.200 --> 0:39:53.200
<v Speaker 1>When the dog, I was like, oh, a pre comet.

0:39:53.200 --> 0:39:56.520
<v Speaker 3>Yeah, faux dog. It was adorable. I'm a poodle leter.

0:39:56.640 --> 0:39:58.600
<v Speaker 3>I've got a mini poodle of my own. So I

0:39:58.680 --> 0:40:00.080
<v Speaker 3>was so excited, very acute.

0:40:00.400 --> 0:40:04.319
<v Speaker 1>Adorable dog was very well focused on the trainer. Whenever

0:40:04.400 --> 0:40:06.440
<v Speaker 1>I see animals now, they're like just you can just

0:40:06.440 --> 0:40:08.919
<v Speaker 1>see him looking razor left of the lens, like yeah,

0:40:08.960 --> 0:40:13.240
<v Speaker 1>they're like, where is my tree? Right? But very cute dog. Cute,

0:40:13.239 --> 0:40:14.719
<v Speaker 1>But where did the dog run off to? Who did

0:40:14.719 --> 0:40:15.360
<v Speaker 1>the dog run off to?

0:40:15.719 --> 0:40:16.160
<v Speaker 3>Like your dog?

0:40:16.200 --> 0:40:16.680
<v Speaker 1>Dog is done?

0:40:16.719 --> 0:40:18.920
<v Speaker 2>Then the dog is Ronnie sent them away and he

0:40:19.040 --> 0:40:19.520
<v Speaker 2>just runs.

0:40:19.640 --> 0:40:21.480
<v Speaker 1>He just well, he got in his cab and he

0:40:21.560 --> 0:40:24.839
<v Speaker 1>was like about see you later, got my check, got

0:40:24.840 --> 0:40:25.359
<v Speaker 1>my day rate.

0:40:25.520 --> 0:40:26.360
<v Speaker 3>See hey guys.

0:40:26.600 --> 0:40:26.839
<v Speaker 1>Right.

0:40:26.960 --> 0:40:30.160
<v Speaker 3>So dj and Stephanie entered the room, wearing matching long

0:40:30.280 --> 0:40:35.400
<v Speaker 3>black skirts, white tops, pearl necklaces, and carrying string instruments,

0:40:35.480 --> 0:40:36.880
<v Speaker 3>the violin and the cello.

0:40:37.800 --> 0:40:40.080
<v Speaker 1>I was so excited to carry that cello. I always

0:40:40.080 --> 0:40:40.920
<v Speaker 1>wanted to play the cello.

0:40:41.320 --> 0:40:42.960
<v Speaker 2>I'm impressed with you, like, you're very strong.

0:40:42.960 --> 0:40:45.680
<v Speaker 3>You're carrying lots of large objects in these episodes, and

0:40:45.680 --> 0:40:48.160
<v Speaker 3>now you're carrying a cello. I'm very very impressed.

0:40:48.600 --> 0:40:48.960
<v Speaker 1>Thank you.

0:40:49.160 --> 0:40:52.279
<v Speaker 3>It's all your hit workouts, did I mean?

0:40:52.400 --> 0:40:54.919
<v Speaker 1>Yeah, I was, you know, all the stunt work I did.

0:40:54.960 --> 0:40:56.920
<v Speaker 1>Really it built up my upper body strength, you know

0:40:56.960 --> 0:40:59.879
<v Speaker 1>when you've got to suspend yourself from curtains and reel yourself.

0:40:59.560 --> 0:41:02.879
<v Speaker 3>Across oh toy chest. That's a lot of upper bodies.

0:41:02.719 --> 0:41:03.920
<v Speaker 1>And build up the guns, you know.

0:41:04.719 --> 0:41:08.520
<v Speaker 3>So dja is Stephanie speak informal awkward language like oh, father,

0:41:08.719 --> 0:41:10.400
<v Speaker 3>how excellent to see you, Papa?

0:41:10.800 --> 0:41:13.719
<v Speaker 2>You miss Papa is so funny.

0:41:14.000 --> 0:41:16.320
<v Speaker 1>I think I was. And I remember Brian Cale giving

0:41:16.320 --> 0:41:17.040
<v Speaker 1>me like a.

0:41:16.880 --> 0:41:17.600
<v Speaker 3>Note he did.

0:41:17.840 --> 0:41:19.560
<v Speaker 1>I think I was saying yes, Papa, and he was

0:41:19.600 --> 0:41:22.759
<v Speaker 1>like no, no, no, do it like Papa. And I

0:41:22.920 --> 0:41:25.200
<v Speaker 1>was like, okay, you know, and he excused to be

0:41:25.280 --> 0:41:27.640
<v Speaker 1>ridiculous in fancy. So that, yeah, that was a very

0:41:27.640 --> 0:41:28.520
<v Speaker 1>into the pronouncement.

0:41:29.160 --> 0:41:31.920
<v Speaker 2>Great note and a great pronunciation.

0:41:31.440 --> 0:41:34.319
<v Speaker 1>Right, and I addiction very important the.

0:41:34.320 --> 0:41:35.920
<v Speaker 2>Diiction A plus addiction.

0:41:36.080 --> 0:41:40.759
<v Speaker 3>Car Pa, Papa. Ronnie cues the housekeeper and in walks Jesse,

0:41:41.000 --> 0:41:44.080
<v Speaker 3>wearing a tuxedo vest and carrying a silver tea tray.

0:41:44.840 --> 0:41:47.399
<v Speaker 3>TEA time for the Tanners, He says, with a fake

0:41:47.520 --> 0:41:51.160
<v Speaker 3>British accent. He offers tea to the girls and says,

0:41:51.280 --> 0:41:54.799
<v Speaker 3>Buffy Jody, what do you know what that's from? No,

0:41:54.920 --> 0:41:58.359
<v Speaker 3>Buffy and Jody were two characters on eight is Enough.

0:41:59.239 --> 0:42:01.600
<v Speaker 3>One of the characters was named Jody, and.

0:42:01.280 --> 0:42:03.719
<v Speaker 1>And they would uh. There was also like a whole

0:42:03.960 --> 0:42:06.120
<v Speaker 1>like good night Jody, good night, Buffy, good night whatever.

0:42:07.160 --> 0:42:09.919
<v Speaker 1>But that was a joke that they made a lot

0:42:09.960 --> 0:42:12.800
<v Speaker 1>because they could say my name, yeah, okay, but as

0:42:12.880 --> 0:42:15.399
<v Speaker 1>a character name. And if you see, if you watch

0:42:15.520 --> 0:42:18.520
<v Speaker 1>John say Buffy Jody, I like get so giggly because.

0:42:19.840 --> 0:42:22.719
<v Speaker 3>Yeah, it's like, yeah, he's It's like he's right, he's

0:42:22.760 --> 0:42:24.839
<v Speaker 3>doing something wrong. He's calling me by your real name,

0:42:24.880 --> 0:42:25.399
<v Speaker 3>not by right.

0:42:25.440 --> 0:42:27.520
<v Speaker 1>Oh yeah. And by the way, I have not as

0:42:27.520 --> 0:42:30.040
<v Speaker 1>I've been watching these, I've noticed like how much I'm

0:42:30.120 --> 0:42:32.280
<v Speaker 1>just like, what's going on over there by those cameras

0:42:33.400 --> 0:42:36.960
<v Speaker 1>stop playing attention just well, no, I'm paying attention to

0:42:37.080 --> 0:42:40.719
<v Speaker 1>everything as usual, and so I'm like, just what's up?

0:42:40.719 --> 0:42:43.520
<v Speaker 1>What are they doing? I can constantly see myself looking

0:42:43.520 --> 0:42:43.839
<v Speaker 1>off set.

0:42:43.880 --> 0:42:48.400
<v Speaker 3>It's very funny. Oh Jody, oh Jody. Yes, so, Joey says,

0:42:48.480 --> 0:42:50.640
<v Speaker 3>now you know why I didn't fight too hard to

0:42:50.680 --> 0:42:54.120
<v Speaker 3>stay in this thing. Danny asked, Okay, what does any

0:42:54.160 --> 0:42:56.880
<v Speaker 3>of this have to do with my family? Ronnie ignores

0:42:56.920 --> 0:43:00.239
<v Speaker 3>him and cues the baby Michelle. It walks of child

0:43:00.239 --> 0:43:03.399
<v Speaker 3>who is definitely not Michelle. She's about three, No, she's

0:43:03.400 --> 0:43:05.560
<v Speaker 3>three or four years old. She's got dark hair, and

0:43:05.600 --> 0:43:06.839
<v Speaker 3>she says, Hi, Danny.

0:43:06.600 --> 0:43:12.360
<v Speaker 1>Asian, Yes she is. It was I was like, wait what, yeah.

0:43:12.120 --> 0:43:13.680
<v Speaker 3>Bit, that is not Michelle.

0:43:13.719 --> 0:43:15.960
<v Speaker 2>But she's wearing the same outfit as you and DJ.

0:43:16.200 --> 0:43:18.120
<v Speaker 3>Like, she's dressed the same with the pearls and the

0:43:18.160 --> 0:43:20.640
<v Speaker 3>long skirt, you know. But there's definitely like a triplet

0:43:20.640 --> 0:43:24.200
<v Speaker 3>thing happening here. Uh So, naturally Danny is confused and

0:43:24.239 --> 0:43:25.360
<v Speaker 3>he's like, who is this child?

0:43:26.000 --> 0:43:29.160
<v Speaker 1>Yeah? I would also be like, I'm sorry what.

0:43:30.960 --> 0:43:33.239
<v Speaker 3>And Ronnie replies that that the girl is playing the

0:43:33.320 --> 0:43:36.120
<v Speaker 3>role of Danny's adopted daughter. We thought it would be

0:43:36.160 --> 0:43:39.160
<v Speaker 3>great for your image, she says, and Danny sends the

0:43:39.160 --> 0:43:40.480
<v Speaker 3>little girl back into the kitchen.

0:43:40.719 --> 0:43:45.440
<v Speaker 1>Because adoptees are props, really really like like this this

0:43:45.680 --> 0:43:47.479
<v Speaker 1>of Ronnie. Ronnie, this one.

0:43:47.560 --> 0:43:50.359
<v Speaker 3>I was like, yeah, this is a lot of work

0:43:50.400 --> 0:43:51.720
<v Speaker 3>that she has put into this.

0:43:51.719 --> 0:43:55.440
<v Speaker 1>This fake Pronnie is I don't know, Ronnie is doing

0:43:55.480 --> 0:43:57.560
<v Speaker 1>some things. Yes, Ronnie's how Ronnie got this job in

0:43:57.560 --> 0:43:58.520
<v Speaker 1>the first place, because she's.

0:43:58.400 --> 0:44:00.879
<v Speaker 3>Probably great at it. Not impressed. Not impressed with her,

0:44:01.640 --> 0:44:03.880
<v Speaker 3>and Danny asks the guys, He's like, why are you

0:44:03.920 --> 0:44:06.839
<v Speaker 3>going along with this charade? And Jesse responds that they

0:44:06.880 --> 0:44:08.920
<v Speaker 3>knew the promo was very important to him, so they

0:44:08.920 --> 0:44:11.840
<v Speaker 3>wanted to play along. Ronnie explains that television news is

0:44:11.920 --> 0:44:16.120
<v Speaker 3>very competitive and you gotta do something different. Danny stands

0:44:16.160 --> 0:44:18.239
<v Speaker 3>up for himself and says he is proud of who

0:44:18.280 --> 0:44:21.560
<v Speaker 3>they are. He has a loving family and friends who

0:44:21.600 --> 0:44:24.560
<v Speaker 3>are willing to do anything to help out. He states

0:44:24.560 --> 0:44:27.520
<v Speaker 3>that he's going to direct this thing himself while Ronnie

0:44:27.680 --> 0:44:30.960
<v Speaker 3>gets to hold the cue cards. Huh take that, Ronnie.

0:44:31.239 --> 0:44:35.719
<v Speaker 3>After the commercial break, it's later that night. And wait

0:44:35.760 --> 0:44:36.800
<v Speaker 3>a minute.

0:44:36.560 --> 0:44:38.920
<v Speaker 1>And you're you're I know, we haven't come in there.

0:44:39.080 --> 0:44:40.239
<v Speaker 3>No, I'm out of order.

0:44:40.400 --> 0:44:42.600
<v Speaker 1>Oh no, wait no, we're right, We're right. They come

0:44:42.640 --> 0:44:44.400
<v Speaker 1>we come back for she so she makes the poudy

0:44:44.480 --> 0:44:47.439
<v Speaker 1>face with the with the que cards. She's like and

0:44:47.520 --> 0:44:50.799
<v Speaker 1>then commercial cut to commercial break. We come back and

0:44:50.880 --> 0:44:54.759
<v Speaker 1>now we're watching the watching the promo. Inner cuts, we're

0:44:54.760 --> 0:44:58.359
<v Speaker 1>interchanges that we're watching the family in real time, and

0:44:58.360 --> 0:45:01.759
<v Speaker 1>then we're cutting between what the family is seeing on

0:45:01.800 --> 0:45:04.200
<v Speaker 1>the screen, which is when we go to different locations.

0:45:04.239 --> 0:45:06.360
<v Speaker 3>Yeah's that's it. That's why I was confused. I'm like,

0:45:06.400 --> 0:45:07.440
<v Speaker 3>what will is it?

0:45:07.600 --> 0:45:08.120
<v Speaker 1>Inner cut?

0:45:08.200 --> 0:45:10.880
<v Speaker 3>The old inter cut? I love a good inner cut. Yes,

0:45:11.800 --> 0:45:15.120
<v Speaker 3>And Kimmy's there, and I was, Yes, Gibbler is there

0:45:15.280 --> 0:45:17.359
<v Speaker 3>watching the promo with the family. I don't know why

0:45:17.400 --> 0:45:19.800
<v Speaker 3>I'm there. I don't have any lines, but I'm just excited.

0:45:19.400 --> 0:45:21.520
<v Speaker 1>Because you were probably legally required to be in at

0:45:21.560 --> 0:45:22.719
<v Speaker 1>least two scenes to get paid for.

0:45:22.719 --> 0:45:27.520
<v Speaker 3>The week, right exactly, Like, let's just throw put her there.

0:45:27.680 --> 0:45:30.520
<v Speaker 3>Don't give her lines, We'll just put her there. So

0:45:31.120 --> 0:45:33.560
<v Speaker 3>we're watching the promo on the Tanner TV. Danny walks

0:45:33.600 --> 0:45:35.799
<v Speaker 3>in the front door. Danny goes to the girls room

0:45:35.800 --> 0:45:38.880
<v Speaker 3>where they're doing their homework at that tiny table, and

0:45:38.920 --> 0:45:42.400
<v Speaker 3>the girls are wearing these giant these Giants baseball caps

0:45:42.440 --> 0:45:45.800
<v Speaker 3>and smiling cutely at the canter. How much those are worth? Yeah? Right?

0:45:46.040 --> 0:45:46.480
<v Speaker 3>Like seven?

0:45:49.640 --> 0:45:51.160
<v Speaker 1>And the banners the little felt.

0:45:51.200 --> 0:45:53.560
<v Speaker 2>Oh yeah, they had the little pennants.

0:45:53.000 --> 0:45:54.839
<v Speaker 3>Or whatever they're that ship.

0:45:54.920 --> 0:46:00.480
<v Speaker 1>Were we sponsored by the San Giants? I wonder, Lord,

0:46:00.719 --> 0:46:03.200
<v Speaker 1>I mean we really lean into the San Francisco of it.

0:46:03.280 --> 0:46:06.120
<v Speaker 1>Now I get why the show is so it's you know,

0:46:06.719 --> 0:46:07.520
<v Speaker 1>full house.

0:46:07.320 --> 0:46:10.720
<v Speaker 3>It's everywhere you'll treat. Yeah, it's the giants are everywhere

0:46:10.719 --> 0:46:13.360
<v Speaker 3>you look in this show. At least it's we're definitely

0:46:13.400 --> 0:46:16.920
<v Speaker 3>in San Francisco. And the girls remind the audience to

0:46:16.920 --> 0:46:19.439
<v Speaker 3>watch their dad do the sports at four, six and ten,

0:46:19.560 --> 0:46:21.440
<v Speaker 3>which is very late for him to be working. But

0:46:21.600 --> 0:46:22.160
<v Speaker 3>that's okay.

0:46:22.280 --> 0:46:22.879
<v Speaker 2>People need their.

0:46:22.840 --> 0:46:25.560
<v Speaker 3>Sports because we've never worked late with our kids before.

0:46:25.640 --> 0:46:28.719
<v Speaker 3>Oh true, Okay, yeah, that's true. And that's why he

0:46:28.800 --> 0:46:33.040
<v Speaker 3>has Joey and Jesse. Yeah, viz. Yeah, it's very long

0:46:33.120 --> 0:46:34.319
<v Speaker 3>working hours, very long.

0:46:35.520 --> 0:46:36.799
<v Speaker 2>Next we're in Michelle's room.

0:46:37.160 --> 0:46:39.880
<v Speaker 3>Jesse and Joey have Michelle on the changing table and

0:46:39.960 --> 0:46:43.080
<v Speaker 3>Danny makes introductions to the camera and he says that

0:46:43.200 --> 0:46:47.160
<v Speaker 3>Jesse has a rock band named Jesse Cochran and the Rippers.

0:46:47.480 --> 0:46:50.360
<v Speaker 1>We have I always just thought it was Jesse and

0:46:50.400 --> 0:46:52.840
<v Speaker 1>the Rippers. Well, I think it's Jesse Cochran. No, this

0:46:53.000 --> 0:46:54.440
<v Speaker 1>is Jesse Cochran and the Rippers.

0:46:54.480 --> 0:46:56.480
<v Speaker 3>He does say that, so, and I think they dropped

0:46:56.520 --> 0:46:59.400
<v Speaker 3>the Cochrane when John changed the name.

0:46:59.640 --> 0:47:02.440
<v Speaker 1>Right, because Jesse Kutzopolis and the rippers is just a mouthful,

0:47:02.480 --> 0:47:02.920
<v Speaker 1>you know what I mean.

0:47:03.480 --> 0:47:04.640
<v Speaker 2>Yeah, nobody doesn't flow.

0:47:04.719 --> 0:47:07.120
<v Speaker 3>It doesn't flow, So I agree with that change, but.

0:47:07.000 --> 0:47:09.480
<v Speaker 1>This things felt like Cochrane and Cockroach were just two

0:47:09.960 --> 0:47:13.959
<v Speaker 1>similar yea Jesse cockroach. I mean that's what he should

0:47:14.000 --> 0:47:19.400
<v Speaker 1>have gone with, Jesse cockroach for company, Jesse Jesse cockroach Cochrane,

0:47:19.520 --> 0:47:20.080
<v Speaker 1>you know what I mean.

0:47:20.200 --> 0:47:23.279
<v Speaker 3>He would have been booked solid, you know, Jesse and

0:47:23.320 --> 0:47:27.920
<v Speaker 3>the cockroaches. So Joey does a baby voice for Michelle,

0:47:27.960 --> 0:47:30.360
<v Speaker 3>and DJ asks for a raise in her allowance. The

0:47:30.400 --> 0:47:34.000
<v Speaker 3>family waves at the camera and that's the promo, and

0:47:34.080 --> 0:47:36.120
<v Speaker 3>back in the back on the couch, the family in

0:47:36.160 --> 0:47:41.240
<v Speaker 3>real time is applouding enthusiastically yay yay. DJ again asks

0:47:41.280 --> 0:47:43.359
<v Speaker 3>for a raise in her allowance, and Stephanie says they

0:47:43.440 --> 0:47:48.200
<v Speaker 3>might receive eighteen letters tomorrow. Ooops. Danny leads the family

0:47:48.200 --> 0:47:51.440
<v Speaker 3>into the kitchen to celebrate with ice cream, but we

0:47:51.480 --> 0:47:55.040
<v Speaker 3>hear the ferret again. Jesse runs over to the bay window,

0:47:55.080 --> 0:47:58.760
<v Speaker 3>where at last he retrieves this ferret, a white and gray,

0:47:58.880 --> 0:48:00.000
<v Speaker 3>long furry animal.

0:48:00.760 --> 0:48:02.560
<v Speaker 2>Is this a real This must have been a real ferret?

0:48:02.560 --> 0:48:04.280
<v Speaker 3>Like, I don't know where you rent one of these things.

0:48:04.320 --> 0:48:07.000
<v Speaker 1>But like the well, of course it was a real ferret.

0:48:07.040 --> 0:48:08.440
<v Speaker 1>Did you think it was a fake ferret? It's not

0:48:08.480 --> 0:48:09.640
<v Speaker 1>an electronic ferret?

0:48:09.840 --> 0:48:11.560
<v Speaker 3>Like where do you who do you call to say, hey,

0:48:11.600 --> 0:48:14.200
<v Speaker 3>animal trainer, here's just bring me your nearest ferret. You know,

0:48:14.280 --> 0:48:16.960
<v Speaker 3>this is not a pets.

0:48:16.840 --> 0:48:17.399
<v Speaker 1>That's the thing.

0:48:17.480 --> 0:48:18.279
<v Speaker 3>Are pets?

0:48:18.680 --> 0:48:22.800
<v Speaker 1>Well not legally in California, but you But my neighbor

0:48:22.800 --> 0:48:24.919
<v Speaker 1>across the street had a ferret when I was a kid,

0:48:25.320 --> 0:48:29.719
<v Speaker 1>and they are stinky out, terrible little creatures. They really

0:48:29.760 --> 0:48:32.600
<v Speaker 1>aren't that great. They're rodents. Yeah, well I could be

0:48:32.680 --> 0:48:35.960
<v Speaker 1>wrong again. I'm gonna go into my poor zoological fact here,

0:48:36.040 --> 0:48:41.000
<v Speaker 1>but they are rodents, little ferret things, you know, and

0:48:41.239 --> 0:48:44.640
<v Speaker 1>minx are the female version which we make coats out of.

0:48:44.920 --> 0:48:51.200
<v Speaker 1>Oh uh, but yeah, they more than likely that ferret

0:48:51.239 --> 0:48:54.440
<v Speaker 1>that's in the Tanner household is someone's pet, because there's

0:48:54.480 --> 0:48:57.680
<v Speaker 1>I just don't think there's a large population of random

0:48:57.719 --> 0:49:02.759
<v Speaker 1>wild ferrets running around San Francisco. It's probably I think

0:49:02.760 --> 0:49:04.279
<v Speaker 1>it's it's someone's pet.

0:49:04.360 --> 0:49:06.600
<v Speaker 3>It's got to be someone's pet. Gotta be someone's you know,

0:49:06.960 --> 0:49:09.320
<v Speaker 3>rats are dirty and nobody wants to see a rat,

0:49:09.520 --> 0:49:09.680
<v Speaker 3>you know.

0:49:09.719 --> 0:49:10.960
<v Speaker 2>But a ferret's kind of cutting, right.

0:49:10.920 --> 0:49:12.719
<v Speaker 1>No one wants to see a rat, but a ferret

0:49:12.760 --> 0:49:15.440
<v Speaker 1>is a more acceptable version of a rodent.

0:49:15.840 --> 0:49:20.080
<v Speaker 3>Okay, But I have to say.

0:49:18.680 --> 0:49:22.280
<v Speaker 1>The monster timeline of the ferret, like that B story

0:49:22.600 --> 0:49:25.240
<v Speaker 1>was a little and I'm I maybe.

0:49:24.920 --> 0:49:26.080
<v Speaker 3>You know, oh, tell me, tell me.

0:49:26.480 --> 0:49:30.879
<v Speaker 1>I just it's kind of it felt like a payoff. Oh,

0:49:31.239 --> 0:49:34.080
<v Speaker 1>it felt like a like I was wondering. I was like,

0:49:34.080 --> 0:49:36.040
<v Speaker 1>why do we write the ferret storyline?

0:49:36.560 --> 0:49:37.000
<v Speaker 2>I don't know.

0:49:37.080 --> 0:49:39.279
<v Speaker 3>I mean there was that the physical comedy bit in

0:49:39.320 --> 0:49:41.640
<v Speaker 3>the garage where you know, Jesse's in the Carl space

0:49:41.680 --> 0:49:42.279
<v Speaker 3>upside down.

0:49:42.440 --> 0:49:45.320
<v Speaker 2>So maybe it was to have a funny bit between

0:49:45.360 --> 0:49:45.719
<v Speaker 2>Joey and.

0:49:45.719 --> 0:49:47.640
<v Speaker 3>J I don't know. I guess we'll agree it was

0:49:47.680 --> 0:49:48.560
<v Speaker 3>a weak storyline.

0:49:48.640 --> 0:49:53.879
<v Speaker 1>Also breaking news according to our wonderful Factor producer, see,

0:49:53.880 --> 0:49:57.400
<v Speaker 1>ferrets aren't rodents. They're actually part of the weasel family.

0:50:00.080 --> 0:50:02.319
<v Speaker 1>They don't well, they don't meet the requirements for being

0:50:02.360 --> 0:50:05.360
<v Speaker 1>a rodent, which includes having continuously growing incisors, which is

0:50:05.360 --> 0:50:08.080
<v Speaker 1>why rats have to chew on Does their teeth constantly grow?

0:50:08.280 --> 0:50:10.560
<v Speaker 3>Wow? So I did not think that. Yeah, you know

0:50:10.640 --> 0:50:11.719
<v Speaker 3>a lot about.

0:50:12.320 --> 0:50:15.120
<v Speaker 1>Reading from a fact, don't That's but I do know

0:50:15.160 --> 0:50:16.759
<v Speaker 1>that that's why rats have to like chew on things

0:50:16.800 --> 0:50:20.360
<v Speaker 1>because they they will their teeth keep growing, which is

0:50:20.400 --> 0:50:25.640
<v Speaker 1>why they bite pretty painfully. But yeah, weasels, weasels, all right,

0:50:25.680 --> 0:50:27.799
<v Speaker 1>but yeah, just tell it like a weird b storyline

0:50:27.920 --> 0:50:29.920
<v Speaker 1>of like a loose weasel, you know.

0:50:30.200 --> 0:50:31.120
<v Speaker 2>Yeah, I thought it would.

0:50:31.160 --> 0:50:33.480
<v Speaker 3>I thought it would come to a more dramatic ending

0:50:33.560 --> 0:50:35.520
<v Speaker 3>of a weasel or the ferret chase scene around the

0:50:35.520 --> 0:50:36.120
<v Speaker 3>house or something.

0:50:36.160 --> 0:50:37.080
<v Speaker 2>But now he just lifts it up.

0:50:37.120 --> 0:50:40.239
<v Speaker 1>And to be honest, it really it really the timeline

0:50:40.280 --> 0:50:44.200
<v Speaker 1>of it was the loose ferret and the weasel thing, yeah,

0:50:44.880 --> 0:50:46.400
<v Speaker 1>really was the thing that threw us off.

0:50:46.280 --> 0:50:46.960
<v Speaker 3>With Joey's room.

0:50:47.040 --> 0:50:49.120
<v Speaker 1>So I just feel like the weasel was a It

0:50:49.160 --> 0:50:53.040
<v Speaker 1>was an odd choice. We did have now two animals.

0:50:53.080 --> 0:50:55.600
<v Speaker 1>We had two animal and a poodle and a weasel.

0:50:55.680 --> 0:50:57.080
<v Speaker 1>For excuse me, a poodle and a ferret.

0:50:57.120 --> 0:50:59.000
<v Speaker 3>A poodle and a fair I love it, you know,

0:50:59.400 --> 0:51:02.200
<v Speaker 3>does not not your average animal with a ferret and

0:51:02.200 --> 0:51:05.080
<v Speaker 3>even the big standard poodle. You don't see those are

0:51:05.200 --> 0:51:08.800
<v Speaker 3>it's normally a joke, do like, Well, they're usually groomed,

0:51:09.080 --> 0:51:11.960
<v Speaker 3>prissy poodle, They're usually prissy, right right, This one was

0:51:12.040 --> 0:51:12.600
<v Speaker 3>very fluffy.

0:51:12.600 --> 0:51:14.960
<v Speaker 2>It was more like a doodle in my opinion, but

0:51:15.080 --> 0:51:15.279
<v Speaker 2>it was.

0:51:15.320 --> 0:51:17.440
<v Speaker 1>Da Vinci the doodle, Da Vinci the doodle.

0:51:17.600 --> 0:51:19.760
<v Speaker 3>Oh so cute, so cute.

0:51:20.920 --> 0:51:23.280
<v Speaker 1>So they they get the ferret.

0:51:23.480 --> 0:51:25.840
<v Speaker 3>Jesse promises Joey that he's going to take the ferret

0:51:25.880 --> 0:51:28.120
<v Speaker 3>to Big Sir and set him free in a safe way.

0:51:28.560 --> 0:51:31.480
<v Speaker 3>Joey is relieved, and the guy's exit to the kitchen

0:51:31.560 --> 0:51:35.480
<v Speaker 3>while once again singing born free, as free as the

0:51:35.560 --> 0:51:38.680
<v Speaker 3>wind blows, so and that's our joy.

0:51:39.200 --> 0:51:42.239
<v Speaker 1>Jesse picks up this thing with no gloves and takes

0:51:42.280 --> 0:51:43.800
<v Speaker 1>it into the kitchen where they're eating dinner.

0:51:44.000 --> 0:51:47.680
<v Speaker 3>Yes, well, the catcher's mitt is probably back down in.

0:51:47.640 --> 0:51:50.879
<v Speaker 1>This pest control specialist is playing fast and loose. Here

0:51:51.200 --> 0:51:54.240
<v Speaker 1>he is with an unknown, potentially rabid ferret.

0:51:54.960 --> 0:51:57.480
<v Speaker 2>You know, I I wouldn't hire him.

0:51:57.480 --> 0:52:01.040
<v Speaker 3>I wouldn't hire him as my uh my past control specialist,

0:52:01.160 --> 0:52:01.839
<v Speaker 3>that's for sure.

0:52:01.840 --> 0:52:04.920
<v Speaker 1>Well, I mean, I don't know how much pests he's controlling,

0:52:05.000 --> 0:52:07.200
<v Speaker 1>but he's doing a lot of other things on the job,

0:52:07.320 --> 0:52:09.320
<v Speaker 1>so maybe the ferre it's the least of his problems.

0:52:09.360 --> 0:52:11.200
<v Speaker 3>He's just trying to get the women. He just wants

0:52:11.320 --> 0:52:14.040
<v Speaker 3>to extorminate these women's houses, so then you can have

0:52:14.040 --> 0:52:17.479
<v Speaker 3>a date. That's the purpose of his job. Oh Jesse,

0:52:18.800 --> 0:52:22.319
<v Speaker 3>oh boy, well that you look tell us you're what

0:52:22.360 --> 0:52:23.920
<v Speaker 3>do you haven't everywhere you look moment?

0:52:24.080 --> 0:52:26.600
<v Speaker 1>Well I did have. I had an everywhere you look moment,

0:52:28.640 --> 0:52:32.800
<v Speaker 1>but it's not one that we sort of haven't had before,

0:52:34.400 --> 0:52:39.239
<v Speaker 1>which is everywhere you look. Joey is again wearing double

0:52:39.320 --> 0:52:40.000
<v Speaker 1>Swatch watches.

0:52:40.080 --> 0:52:40.759
<v Speaker 3>Oh he is.

0:52:41.360 --> 0:52:43.880
<v Speaker 1>He's again wearing double Swatches.

0:52:43.960 --> 0:52:45.480
<v Speaker 2>He's he's very committed to that.

0:52:45.520 --> 0:52:49.239
<v Speaker 3>Look. That's you know, it's a part of his geometric

0:52:49.360 --> 0:52:51.759
<v Speaker 3>shaped shirt cartoon shirts.

0:52:51.840 --> 0:52:53.480
<v Speaker 1>Right, look at me. I'm so wacky.

0:52:53.520 --> 0:52:56.879
<v Speaker 3>I've got two watches. Okay, well, hey, he can pull

0:52:56.920 --> 0:52:57.239
<v Speaker 3>it off.

0:52:57.239 --> 0:52:59.000
<v Speaker 2>He's the one character that really can.

0:52:58.840 --> 0:52:59.279
<v Speaker 3>Pull it off.

0:52:59.280 --> 0:53:01.280
<v Speaker 1>That was the that was the everywhere you look moment

0:53:01.320 --> 0:53:03.440
<v Speaker 1>for me and what.

0:53:04.000 --> 0:53:07.160
<v Speaker 3>I've got one? I've got one and it blew my mind.

0:53:07.280 --> 0:53:08.319
<v Speaker 3>I don't even think you noticed.

0:53:08.400 --> 0:53:12.799
<v Speaker 1>John's pronunciation of signor is hilarious because he keeps calling

0:53:12.880 --> 0:53:17.000
<v Speaker 1>it senior ferret. It's just an old ferret. He's like

0:53:17.080 --> 0:53:17.840
<v Speaker 1>senior ferret.

0:53:18.280 --> 0:53:20.960
<v Speaker 3>And it's supposed to be supposed to be signor ferret,

0:53:21.000 --> 0:53:22.120
<v Speaker 3>but he's like senior ferret.

0:53:22.719 --> 0:53:26.600
<v Speaker 1>Brian opposed to junior Ferret right sophomore Ferret.

0:53:28.920 --> 0:53:31.120
<v Speaker 3>And I can just see Brian Cale chasing after John

0:53:31.120 --> 0:53:32.560
<v Speaker 3>trying to get him to pronounce it the right way,

0:53:32.560 --> 0:53:35.319
<v Speaker 3>and I don't know, it's not listening to him.

0:53:35.680 --> 0:53:36.880
<v Speaker 2>That's exactly what happened.

0:53:37.880 --> 0:53:41.239
<v Speaker 3>Well, my everywhere you look moment about this.

0:53:41.320 --> 0:53:42.919
<v Speaker 2>Okay, So, Jody, the.

0:53:42.880 --> 0:53:46.440
<v Speaker 3>Sweatshirt that you're wearing in the last scene when we're

0:53:46.480 --> 0:53:48.919
<v Speaker 3>all watching the promo on the couch.

0:53:48.960 --> 0:53:50.960
<v Speaker 1>Right right right with the little like TV's on it.

0:53:51.200 --> 0:53:55.480
<v Speaker 3>Yes, I wore that sweatshirt in episode three back to

0:53:55.520 --> 0:53:56.880
<v Speaker 3>School or the first day of school.

0:53:57.000 --> 0:53:58.359
<v Speaker 2>I Kimmy was wearing that.

0:53:58.760 --> 0:54:02.400
<v Speaker 3>Oh my god, and you're exact same sweatshirt.

0:54:01.960 --> 0:54:03.680
<v Speaker 1>In the next ep I think in the next episode,

0:54:03.680 --> 0:54:05.840
<v Speaker 1>I'm wearing a repeat of something. This was again the

0:54:05.880 --> 0:54:10.040
<v Speaker 1>first like twelve episodes. We were probably reusing wardrobe because

0:54:10.680 --> 0:54:12.520
<v Speaker 1>I didn't get picked up full for a full season,

0:54:12.600 --> 0:54:15.200
<v Speaker 1>so it was like real people where you actually have

0:54:15.239 --> 0:54:19.200
<v Speaker 1>to wear things repeatedly, like a normal house. But I

0:54:19.200 --> 0:54:21.560
<v Speaker 1>didn't know that that was your sweatshirt. It was because

0:54:21.600 --> 0:54:23.279
<v Speaker 1>I was thinking I was wearing it and I was like,

0:54:23.600 --> 0:54:25.839
<v Speaker 1>it's so cute on stuff, like it's all big and

0:54:25.880 --> 0:54:28.560
<v Speaker 1>baggy and very now I know why because it was yours.

0:54:29.680 --> 0:54:33.279
<v Speaker 3>Thanks Oh yeahs Kimmy. I was as soon as I

0:54:33.320 --> 0:54:34.600
<v Speaker 3>saw it, I was like, I think I wore that,

0:54:34.719 --> 0:54:36.400
<v Speaker 3>And then I went and looked. I went back to

0:54:36.440 --> 0:54:38.279
<v Speaker 3>episode three and looked, and I'm like, yep, that is

0:54:38.280 --> 0:54:39.840
<v Speaker 3>the exact same sweatshirt.

0:54:40.280 --> 0:54:42.040
<v Speaker 2>Well, sharing clothes from an.

0:54:42.000 --> 0:54:44.279
<v Speaker 1>Own you know, maybe yeah, Kimmy and stuff. You know,

0:54:45.239 --> 0:54:47.279
<v Speaker 1>she was like, hey, can I borrow your sweatshirt? M

0:54:47.760 --> 0:54:48.640
<v Speaker 1>or maybe she stole it.

0:54:48.960 --> 0:54:51.360
<v Speaker 3>She probably stole it. I mean, remember this is the

0:54:51.360 --> 0:54:54.000
<v Speaker 3>start of our frenemy ship, so I think maybe you

0:54:54.040 --> 0:54:56.839
<v Speaker 3>know what, we were close shorrowed it. She was like, yeah, sure,

0:54:56.880 --> 0:54:57.200
<v Speaker 3>I'll do it.

0:54:57.200 --> 0:55:00.400
<v Speaker 1>And then she spilled something on it and ruined it.

0:55:00.560 --> 0:55:02.600
<v Speaker 1>And then Kimmy and that was right, and that was

0:55:02.640 --> 0:55:03.359
<v Speaker 1>like part of it too.

0:55:03.400 --> 0:55:05.719
<v Speaker 3>It was like this little kid and this little kid

0:55:06.000 --> 0:55:09.160
<v Speaker 3>spilling stuff on my sweatshirt. That's it. That's it.

0:55:09.320 --> 0:55:12.000
<v Speaker 2>Origin story of the frenemy ship right here.

0:55:12.120 --> 0:55:13.680
<v Speaker 1>People all started with a sweatshirt.

0:55:14.600 --> 0:55:16.719
<v Speaker 3>So not a bad episode, not a bad The a.

0:55:16.840 --> 0:55:20.040
<v Speaker 1>Storyline was the very first promo. I don't know that we

0:55:20.120 --> 0:55:23.719
<v Speaker 1>ever had our very second promo, but our very first one.

0:55:24.360 --> 0:55:25.040
<v Speaker 1>Went pretty well.

0:55:25.120 --> 0:55:27.520
<v Speaker 3>It went pretty well, pretty well, Yeah, not bad. I'm

0:55:27.520 --> 0:55:30.359
<v Speaker 3>glad Danny took over and didn't let Ronnie run the show.

0:55:30.640 --> 0:55:35.400
<v Speaker 1>No, Ronnie, Ronnie, and I gotta say, Ronnie is coming

0:55:35.480 --> 0:55:36.320
<v Speaker 1>into a house.

0:55:37.719 --> 0:55:40.000
<v Speaker 3>You could have played the sympathy card with the.

0:55:39.880 --> 0:55:45.360
<v Speaker 1>Mom gone and the done, lean into the emotion and

0:55:45.440 --> 0:55:47.960
<v Speaker 1>the story, Ronnie.

0:55:47.440 --> 0:55:52.680
<v Speaker 3>Nope, Nope, instead costumes and hiring actors child actors to

0:55:52.680 --> 0:55:55.160
<v Speaker 3>play I feel like she was.

0:55:55.760 --> 0:55:57.680
<v Speaker 1>I don't think Ronnie made it very long at Channel

0:55:57.680 --> 0:55:59.680
<v Speaker 1>eight after that. I think I think they were like,

0:55:59.719 --> 0:56:03.080
<v Speaker 1>you know what, you are just not getting the vibe Ronnie.

0:56:03.560 --> 0:56:05.719
<v Speaker 3>Well, maybe this is setting up for Wake Up San

0:56:05.760 --> 0:56:09.280
<v Speaker 3>Francisco next season or whenever that is right with Becky

0:56:09.440 --> 0:56:10.439
<v Speaker 3>and and Dan.

0:56:10.520 --> 0:56:13.399
<v Speaker 2>Right, you know, Ronnie, Ronnie never would have gotten that job.

0:56:13.440 --> 0:56:14.600
<v Speaker 3>She's job.

0:56:14.640 --> 0:56:16.920
<v Speaker 1>No, but this is where, this is where San Francisco

0:56:17.000 --> 0:56:19.719
<v Speaker 1>fell in love with Danny Tanner and that's how he

0:56:19.760 --> 0:56:21.200
<v Speaker 1>wound up on Wake Up Serrances Gone.

0:56:22.440 --> 0:56:25.080
<v Speaker 3>I buy that, figuring it all, I buy that together. Wow,

0:56:25.160 --> 0:56:27.520
<v Speaker 3>we've put a lot together this episode. We we have

0:56:27.680 --> 0:56:30.560
<v Speaker 3>we have a lot of explanations. Maybe they're correct, maybe

0:56:30.600 --> 0:56:32.520
<v Speaker 3>they're not. Doesn't matter, No, doesn't matter.

0:56:32.520 --> 0:56:35.319
<v Speaker 1>No, it doesn't matter. It doesn't matter. It can be

0:56:35.360 --> 0:56:37.160
<v Speaker 1>whatever we want it to be, just like the size

0:56:37.200 --> 0:56:38.360
<v Speaker 1>of the backyard.

0:56:38.640 --> 0:56:41.960
<v Speaker 3>Exactly our shape shifting opinions. Yes, to go with the

0:56:42.000 --> 0:56:46.200
<v Speaker 3>shape shifting backyard. Yes, well maybe, Jody.

0:56:46.239 --> 0:56:48.360
<v Speaker 1>It's been a pleasure, yes, doing our first promo and

0:56:48.400 --> 0:56:50.120
<v Speaker 1>this was it was so exciting to finally see Kimmy

0:56:50.200 --> 0:56:52.520
<v Speaker 1>back with another episode. Thank god, in that many in this.

0:56:52.440 --> 0:56:54.160
<v Speaker 2>First uh now these first.

0:56:54.440 --> 0:56:57.000
<v Speaker 3>I'm only in I'm only in five total in season one,

0:56:57.120 --> 0:56:59.080
<v Speaker 3>so now we've knocked out two of them.

0:56:59.520 --> 0:57:02.720
<v Speaker 1>But you ate it so worth it with your delivery

0:57:02.719 --> 0:57:03.600
<v Speaker 1>of the Polter Guys line.

0:57:03.680 --> 0:57:07.600
<v Speaker 3>Yeah, back, I do. Yes, I I'm just gonna I'm

0:57:07.600 --> 0:57:08.920
<v Speaker 3>just gonna say that. I'm just gonna call you in

0:57:08.960 --> 0:57:09.600
<v Speaker 3>the middle of the night.

0:57:09.920 --> 0:57:13.880
<v Speaker 1>They're back, like, oh god, no not again?

0:57:14.120 --> 0:57:15.279
<v Speaker 3>Yeah?

0:57:15.320 --> 0:57:18.960
<v Speaker 1>All right, well, and we will be back next week

0:57:19.160 --> 0:57:23.480
<v Speaker 1>for another episode. But in the meantime, if you have comments, suggestions,

0:57:24.440 --> 0:57:29.440
<v Speaker 1>fanfic Narnia related ideas, feel free to go ahead and

0:57:29.520 --> 0:57:32.720
<v Speaker 1>email us at how Rude Podcast at gmail dot com,

0:57:32.840 --> 0:57:35.560
<v Speaker 1>or you can follow us on Instagram at how Rude

0:57:35.680 --> 0:57:40.200
<v Speaker 1>pod and yeah, make sure you leave comments, make sure

0:57:40.200 --> 0:57:43.600
<v Speaker 1>you're subscribing, follow the podcast. We love having you guys here.

0:57:43.640 --> 0:57:45.320
<v Speaker 1>We're so excited that we get to do this every week.

0:57:45.600 --> 0:57:48.680
<v Speaker 1>And uh yeah, it's so much fun. And remember, ferrets

0:57:48.720 --> 0:57:50.480
<v Speaker 1>aren't rodents, they're weasels.

0:57:50.520 --> 0:57:54.320
<v Speaker 3>Weasels. Yeah, if you take nothing else away from this episode,

0:57:54.800 --> 0:57:56.400
<v Speaker 3>take away the fact that ferrets are weasels.

0:57:56.680 --> 0:57:59.400
<v Speaker 1>Yep, and the word O differous. There you go, and

0:57:59.480 --> 0:58:00.640
<v Speaker 1>with that, wow.

0:58:00.440 --> 0:58:02.360
<v Speaker 3>An educational podcast. Ladies and gentlemen.

0:58:02.600 --> 0:58:06.440
<v Speaker 1>Yep, you're welcome. Guys, you are welcome. And remember, the

0:58:06.480 --> 0:58:08.480
<v Speaker 1>world is the world. No, the world is small, not

0:58:08.520 --> 0:58:10.760
<v Speaker 1>the world is good. Say, I was gonna remember I

0:58:10.880 --> 0:58:13.400
<v Speaker 1>was telling all that. Remember I came up with this,

0:58:13.520 --> 0:58:15.400
<v Speaker 1>You came up with this phrase. And now you're and

0:58:15.480 --> 0:58:20.000
<v Speaker 1>you think that means I remember something. I appreciate your

0:58:20.160 --> 0:58:23.600
<v Speaker 1>confidence in me. But yeah, no, all right.

0:58:23.520 --> 0:58:26.160
<v Speaker 3>Take two, Take two, ready to Yes.

0:58:27.080 --> 0:58:30.280
<v Speaker 1>The world is small, but the house is full.

0:58:30.520 --> 0:58:31.160
<v Speaker 3>Yes, that's it.

0:58:31.320 --> 0:58:32.240
<v Speaker 2>You did it, You did it?

0:58:32.320 --> 0:58:32.520
<v Speaker 1>Yeah?

0:58:33.080 --> 0:58:33.400
<v Speaker 3>Sweet?

0:58:33.920 --> 0:58:35.919
<v Speaker 1>Are you sure that doesn't make sense? Yeah?

0:58:36.040 --> 0:58:38.640
<v Speaker 3>The world it's a small world. The world is small,

0:58:39.160 --> 0:58:41.760
<v Speaker 3>but the house is full, like full of people and

0:58:41.800 --> 0:58:42.800
<v Speaker 3>full of love.

0:58:42.720 --> 0:58:43.480
<v Speaker 1>Because it's small.

0:58:44.040 --> 0:58:45.160
<v Speaker 2>I don't know you made it up.

0:58:45.200 --> 0:58:47.960
<v Speaker 3>I thought you knew what the meaning was I like it, though,

0:58:47.960 --> 0:58:48.680
<v Speaker 3>I think I think.

0:58:48.760 --> 0:58:51.160
<v Speaker 1>Next week we'll be arguing about the meaning of this

0:58:51.760 --> 0:58:54.040
<v Speaker 1>and so many other things. So thanks so much for

0:58:54.120 --> 0:58:55.960
<v Speaker 1>joining us, and we will see you guys next time

0:58:56.000 --> 0:59:00.720
<v Speaker 1>on how Rude Tanner Rito's Audios fantos a