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Speaker 1: Do it, look at us doing it at the same time.

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Speaker 2: It's like a race to see who can do that

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Speaker 2: for right.

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Speaker 1: That was that was a beautiful cacophony of sound.

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Speaker 3: Ooh, good use of the that's a twenty five cent word,

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Speaker 3: twenty five.

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Speaker 1: I thought you were gonna say twenty five dollar word.

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Speaker 1: I feel like with inflation. I feel like with inflation,

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Speaker 1: we're out or to twenty five dollar words.

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Speaker 3: Yeah, okay, oh, thank you. Back when I learned it,

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Speaker 3: it was twenty five cents.

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Speaker 1: No, God, Andrea, how are you.

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Speaker 3: I'm good, I'm good. We're It's homecoming weekend. We're right

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Speaker 3: in the thick of it. My daughter, Felicity has She's

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Speaker 3: narrowed it down to three dresses, and I'm like, you

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Speaker 3: only need one, but she does she wants options, and

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Speaker 3: so she still hasn't picked one. I got refused to

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Speaker 3: go to the mall anymore. I'm like, you have, you

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Speaker 3: have plenty of great choices.

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Speaker 1: I was, yeah, yeah.

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Speaker 3: But I know, you know, it's just.

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Speaker 1: There's there is. There are a few things that go

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Speaker 1: worse than a mom and her teenage daughter going shopping

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Speaker 1: for some sort of formal dress. I feel like that

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Speaker 1: really rarely does it. Do you ever leave the mall

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Speaker 1: and go? That was such a lovely time. Oh and

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Speaker 1: I'm so glad we did that.

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Speaker 3: Never I mean, and this is a different world, Like

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Speaker 3: I sound so ancient, but like now they call it

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Speaker 3: hoko not right right?

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Speaker 1: Right right?

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Speaker 3: And then like philis like can we get a limo?

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Speaker 3: Can we do?

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Speaker 2: And I'm like, why you don't need You're a sophomore

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Speaker 2: and it's home.

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Speaker 3: You don't need a limit.

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Speaker 1: Oh see, ours is not quite all that fancy.

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Speaker 3: I don't think it's that fancy. I think you saved

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Speaker 3: the limo for prom, like junior or senior year. That's

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Speaker 3: how we did. I didn't have a limo till my

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Speaker 3: senior my senior prom. But now they I don't know.

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Speaker 3: I didn't. I'm not ordering a limo. Okay, I'm gonna dry.

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Speaker 1: I'm not right basically right at the end of the day,

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Speaker 1: no one's getting a limo, right, I mean, we know

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Speaker 1: what happens in limos. You know, Terry, you can get

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Speaker 1: shot at let her go to Ed to Bevic's you know, right, yeah,

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Speaker 1: Ed never know. Yeah, It's just that's it.

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Speaker 3: Yeah, No restaurants, Jody Sweeten, you are a cautionary tale.

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Speaker 1: Oh, well, I've been told that before. Yeah it was, uh,

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Speaker 1: it's been it's been a little bit of a hectic week.

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Speaker 2: But yeah, that's right. You're you're back in town briefly.

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Speaker 1: Back in town. Yeah, back in town briefly, and and

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Speaker 1: kids are being kids, and it's I just you know,

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Speaker 1: I really wish that life was like a full house

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Speaker 1: episode and that and that within twenty four minutes, the

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Speaker 1: kids are like, you know, I was wrong and everything's better,

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Speaker 1: and you're like laughing again and it's great, and then

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Speaker 1: you go out on a song. I really wish it

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Speaker 1: was like that.

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Speaker 3: But that's why this show is so popular. I wish

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Speaker 3: we lived in this world. We all wish because real

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Speaker 3: life is nothing like that. Like I'm not I've been

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Speaker 3: holding grudges for years, like they're not resolved in twenty four.

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Speaker 1: Twenty four years later, you're like, yeah, I'm ready to

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Speaker 1: let it go now exactly.

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Speaker 3: You know, this one.

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Speaker 1: Threw me off though, because we went a little It

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Speaker 1: was like a weird time jump and we're gonna get.

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Speaker 2: To that, but it's like time traveling happening.

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Speaker 1: So I little did we know that Danny Tanner is

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Speaker 1: also doctor who, So yeah, it's that's what it is.

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Speaker 3: He's doctor the full House House.

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Speaker 1: Now. I don't know much about Doctor Who. I only

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Speaker 1: know this secondhand through my best friend Celia, who is

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Speaker 1: a huge Doctor Who fan. Okay, but I believe the Tartis,

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Speaker 1: which is the little phone box that they use, like

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Speaker 1: the English looking phone box they go in and that's

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Speaker 1: like how like like a time travel portal I'm gonna

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Speaker 1: go with. The full House House is similar to a

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Speaker 1: Tartis in that when you step through it, it's like

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Speaker 1: or Narnia.

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Speaker 3: Really, you step through.

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Speaker 1: And it exists in a space in which it absolutely

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Speaker 1: could not and it changed, changes shape, and it's huge

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Speaker 1: and all of that. And I think that's I didn't

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Speaker 1: know that there was such a like sort of sci

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Speaker 1: fi fantasy of Full House crossover. But I feel like

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Speaker 1: I need to see the Narnia, the line the Witch

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Speaker 1: and the war right the line of the Witch, the wardrobe.

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Speaker 3: And the house and yeah, exactly, I think you've hit

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Speaker 3: the alcove. The alcove is actually the portal. That's the

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Speaker 3: portal that's like, yeah, that's where you go and everything

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Speaker 3: is is it.

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Speaker 2: It's not real life.

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Speaker 1: It's not real life.

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Speaker 3: Now, it's like the Truman Show.

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Speaker 1: But no, see how many references we can make. It's

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Speaker 1: like this. No, it's more like this.

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Speaker 3: No, it's just like full House. It's just it's just

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Speaker 3: full house. Yep, yep. Well, let's get into this week's episode.

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Speaker 1: To do it. Let's do it.

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Speaker 3: That was We're way over excited. Why was I that excited?

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Speaker 1: I was so who was that.

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Speaker 3: Person that just came and inhabited my body for five as.

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Speaker 1: You figured out the key?

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Speaker 3: So that's what we love about. Take a deep breath, Sweeten,

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Speaker 3: here we go. Today we are oh wait, welcome back

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Speaker 3: to how Rude Tannerto's. If you're still listening. I'm Andrea

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Speaker 3: Barber and I'm Jody Sweeten, and today we are discussing

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Speaker 3: season one, episode twelve, entitled Our Very First Promo. It

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Speaker 3: first aired on December seventeenth, nineteen eighty seven, and it

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Speaker 3: goes a little something like this. Members of the Tanner

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Speaker 3: family are thrilled when they are chosen to appear in

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Speaker 3: a local promotion at Danny's TV station, but their enthusiasm

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Speaker 3: subsides when they discover show business is not as glamorous

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Speaker 3: as they had thought.

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Speaker 1: It's really funny watching this episode and also the next one,

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Speaker 1: like it's it's a very sort of meta like self

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Speaker 1: referential thing talking about like the business. Oh right, you

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Speaker 1: know what I mean? Like there's this yeah, this episode

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Speaker 1: we're talking about like you know, how to look like

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Speaker 1: the perfect TV family while we're looking like the perfect.

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Speaker 3: TV very right, you're right, Yeah, I didn't think about that.

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Speaker 3: But yeah, this is very it's very meta.

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Speaker 2: And very confusing.

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Speaker 1: And by meta, we don't but but also clarify to

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Speaker 1: everyone under like thirty years old, we don't mean the

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Speaker 1: Facebook app. No, we're not. We're not referring to that.

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Speaker 3: They're like, what is.

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Speaker 1: Why are they talking about Facebook?

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Speaker 3: That?

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Speaker 1: What didn't exist in the eighties.

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Speaker 3: That's just this is how we roll. But yeah, big

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Speaker 3: words today, guys, big words. They were lots of twenty

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Speaker 3: five dollars words here today. Feel free to add in

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Speaker 3: your own. Yeah, but yes, this episode is very meta.

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Speaker 3: It was directed by Rich Correll love him so much.

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Speaker 3: It was written by Jeff Franklin, Lenny Rips, and Arthur

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Speaker 3: Silver and it was guest starring me.

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Speaker 1: I know literally when the first scene came out and

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Speaker 1: it was your face, I have to laugh. I'm not

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Speaker 1: even kidding. I started clapping. Sitting here by myself in

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Speaker 1: the office, I'm like and then I was like, oh

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Speaker 1: my god, calm down, there's no one here. You're not

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Speaker 1: in the audience.

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Speaker 2: It is a jump scare.

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Speaker 3: It is a jump scare when I start the episode,

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Speaker 3: and I was like, right, oh my.

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Speaker 1: Gosh, yeah, it was your big It was so relieved.

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Speaker 3: I was starting to fear that maybe I had just

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Speaker 3: imagined all of this, like all eight years, because at

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Speaker 3: this point Jana Sweeten has gotten more airtime than me.

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Speaker 3: So I'm happy to be back, happy to be opening

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Speaker 3: the show.

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Speaker 1: Yes, in your yellow, fabulous, oh oh fit, You're just

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Speaker 1: a low ray of sunshine.

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Speaker 3: I think I wrote that down, that exact sentence in

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Speaker 3: my outs as well, But.

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Speaker 1: I just wrote down that yellow outfit though.

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Speaker 3: Oh yes, the Kimmy Gibler fashion has already begun.

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Speaker 1: Oh yes.

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Speaker 2: But I'm not the only guest star this week.

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Speaker 3: It is also guest starring Bilita Moreno as Ronnie Gardner,

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Speaker 3: the TV Lady. And she's been in a ton of

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Speaker 3: things gross point blank, the George Lopez Show, DIARYVA, Wimpy Kid,

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Speaker 3: Clear and Present, Danger, and Perfect Strangers.

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Speaker 1: Wow. I remember her on Perfect strangers.

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Speaker 3: You do I think so?

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Speaker 1: Yeah, okay, or maybe I'm very good? Yeah? No, she

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Speaker 1: was great, although I did when I was like Blita Moreno,

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Speaker 1: Is that is that Rita Moreno's like younger sister? No relation? No,

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Speaker 1: we would Alita and Rita would be awesome.

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Speaker 3: If I if I have twins. Sorry this poor woman.

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Speaker 3: We're sorry, Bllita, we apologize now.

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Speaker 1: Applebaum, No, I'm sorry, I'm sorry.

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Speaker 3: Uh. And the last guest star for this week is

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Speaker 3: Courtney and Jang as Amanda.

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Speaker 2: And I don't think she has any.

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Speaker 3: Of the credits because she's she was very young when

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Speaker 3: she appeared on this show. Uh.

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Speaker 2: So we open in the garage?

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Speaker 3: What? Why? Why are we back in the garage?

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Speaker 1: I yelled that out loud. I was like what.

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Speaker 3: Wait what I had to like Rewind, I'm like, wait,

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Speaker 3: am I on? Am I on the wrong episode?

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Speaker 1: I thought I lost it. Now I have a question though,

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Speaker 1: is this was this how it was released? Uh? You

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Speaker 1: know we have their dates or did they did? Or well?

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Speaker 3: The air dates are in consecutive order, right, so they

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Speaker 3: don't want the recording dates.

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Speaker 1: That's what I'm saying. I've recording dates we don't know

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Speaker 1: And you know what else what now that I think

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Speaker 1: about it, So this was episode twelve right right, And

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Speaker 1: didn't we do thirteen episodes at first? Or we did

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Speaker 1: ten and then got picked up for another thirteen or something.

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Speaker 1: So I wonder if this was in the like we'd

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Speaker 1: already shot some things and maybe this was in the

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Speaker 1: weird transition when we got picked up, but we had

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Speaker 1: to air something that we'd already shot. But then we

200
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Speaker 1: went and we'd already transformed Joey's room, you know what

201
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Speaker 1: I mean. I don't know.

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Speaker 3: It's like I don't I don't have an answer for this.

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Speaker 3: I can only guess, but you know.

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Speaker 1: Part of to make uneducated guesses.

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Speaker 3: Part of the storyline is that Joey has to move

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Speaker 3: out of the alcove.

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Speaker 1: Well, that's the thing is this feels like an episode

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Speaker 1: that comes.

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Speaker 2: Before, before, before, like.

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Speaker 1: The Joey thing, and that it that it kind of

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Speaker 1: starts setting up what happens in the next episode where

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Speaker 1: Joey's like often, you know what I mean, Like it's

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Speaker 1: a little bit more of the like, yeah, we don't

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Speaker 1: need you.

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Speaker 3: Right, So I think I think they just aired them

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Speaker 3: out of order, or they aired this one.

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Speaker 2: They aired them in a different order than you.

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Speaker 3: Guys recorded them, Yeah, which is not uncommon, It's not

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Speaker 3: unheard of.

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Speaker 1: No, but I think I think because of that, I

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Speaker 1: think that was one of those like big continuity, like,

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Speaker 1: oh oh.

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Speaker 3: This is a big one, this is a big continent, because.

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Speaker 1: It literally doesn't it wasn't the last episode Joey's or

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Speaker 1: now two episodes ago?

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Speaker 3: Two episodes ago? Yeah, I think it was two episodes ago.

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Speaker 1: Yeah, so recent. It's very recent and jarring anyway, very

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Speaker 1: it was.

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Speaker 2: Very garring, like it took me out of Who's high?

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Speaker 1: Yeah, it was.

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Speaker 3: Yeah, between that and then suddenly I appear. I was

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Speaker 3: just like, what has happened?

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Speaker 1: We have gone? Yeah, we have gone? Yeah. I thought

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Speaker 1: maybe we were in the Gibbler's basement.

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Speaker 3: You never know. So DJ and Kimmy walked downstairs, and

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Speaker 3: DJ asks if Kimmy wants to stay for dinner? Kimmy,

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Speaker 3: who is placing her trapper keeper in the basket of

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Speaker 3: her bicycle?

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Speaker 1: Yes? Or the wind?

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Speaker 3: I already have so many questions about this. Why do

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Speaker 3: I need a bike? I live next door? Can't I

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Speaker 3: just walk? And I isn't isn't the fence like in

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Speaker 3: the backyard? I have no idea why we're in the

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Speaker 3: garage or why I need a bike, Like it's it's

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Speaker 3: what four feet away, I'm also four feet tall, Like,

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Speaker 3: I don't know.

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Speaker 1: Yeah, maybe it was I don't know.

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Speaker 3: Maybe it was that maybe you were going somewhere else

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Speaker 3: to find another family, trying to.

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Speaker 1: Find another family to leach off of. Maybe you were going,

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Speaker 1: I don't know, somewhere that had a better dinner coming.

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Speaker 1: I don't know. I don't know what.

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Speaker 3: Kimmy Gibler's up to.

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Speaker 1: I don't know, but I know that she is dressed

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Speaker 1: in all yellow.

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Speaker 3: Oh, I am a vision. I am a vision in yellow.

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Speaker 3: Not a nice vision, but I am a vision of

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Speaker 3: head to toe in yellow.

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Speaker 1: With including yellow pants. And it was the it was

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Speaker 1: like a like almost a hand knit sweater.

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Speaker 3: It looked like, Yeah, it did look very ugly and

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Speaker 3: hand knit. And that hue of yellow combined with whatever

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Speaker 3: color my hair was that week. Yeah, you know they

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Speaker 3: had to dye a yellow color. Well it was it

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Speaker 3: was more reddish, Okay. In the first episode I was in,

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Speaker 3: it was darker. Back in the back to School episode,

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Speaker 3: they died at darker, but this episode, it looks like

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Speaker 3: they died at redder.

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Speaker 1: So I don't know what they're still figuring out.

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Speaker 3: Kimmy, what conversations were like, yeah, yeah, is she going

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Speaker 3: to be a redhead? Is she going to be a brunette?

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Speaker 3: We don't know, as long as she's not a blonde tanner.

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Speaker 1: Right, I think we were trying to differentiate you from

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Speaker 1: the three blonde tanners, right right.

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Speaker 3: So I don't know. I'm curious to see when I

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Speaker 3: appear again, of what color my hair.

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Speaker 1: Maybe you were going to get your hair done, maybe

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Speaker 1: you were going to get your hair dyed, and you

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Speaker 1: were like, let me take my trapper keeper and my

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Speaker 1: bicycle with me to the hair salon.

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Speaker 3: Kimmy Giveler is so resourceful.

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Speaker 1: She really is.

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Speaker 3: She really is. Okay, so Kimmy says, maybe I'll stay

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Speaker 3: for dinner.

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Speaker 2: She said, but what are you having?

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Speaker 3: And DJ responds that Joey is cooking something in an

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Speaker 3: earth tone, which that's all my kids eat, are things,

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Speaker 3: and like, well bland, earth tones, beige.

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Speaker 1: Bige, very beige.

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Speaker 3: Yeah, but hey, at least he's cooking, so you, Kimmy,

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Speaker 3: should be a little more grateful. So Kimmy says, pass,

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Speaker 3: but if my dog Sinbad is hungry, I'll send him over.

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Speaker 3: I think this is the one and only reference to Sinbad.

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Speaker 1: Well he was. It didn't end well for Sinbad with

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Speaker 1: the Ostrich. I'm just saying, I don't know if you've

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Speaker 1: ever seen an ostrich, a full sized ostriche and a

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Speaker 1: dog interact. It's not great.

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Speaker 2: So no, the Ostrich won.

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Speaker 1: Yeah's a dinosaur, of course, is gonna win for Sinbad

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Speaker 1: never had a chance.

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Speaker 3: I'm so curious what type of dog Sindbad was. But anyways,

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Speaker 3: Stephanie appears on the stairs and says, don't do that.

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Speaker 3: I love Sinbad. Hey, Sinbad is very popular in the

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Speaker 3: Tanner hoouse. Apparently, yeah. Uh so. DJ is annoyed that

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Speaker 3: Stephanie keeps following them around. Why do you keep following us,

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Speaker 3: she asks. Stephanie responds, because you keep leaving me. DJ

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Speaker 3: promises that she will have a sisterly chat with Stephanie

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Speaker 3: just as soon as Kimmy leaves. As Stephanie starts to exit,

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Speaker 3: we hear a noise that resembles an animal wailing. Stephanie

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Speaker 3: runs back into the room, claiming that she heard a monster.

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Speaker 2: DJ tells her there's.

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Speaker 3: Nothing to worry about, and Kimmy responds although you do

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Speaker 3: look like that kid in Poltergeist who got sucked up

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Speaker 3: in the TV and said they're back. The way you

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Speaker 3: delivered that line, by the way, was it was like

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Speaker 3: so terrifying noxious next door neighbor.

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Speaker 1: It was great. You were like, and then you're gonna

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Speaker 1: it was like the kids, that's like, and then you're

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Speaker 1: gonna get chopped a pieces. And then it was so hilarious.

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Speaker 3: Oh and I was just like, I was just selling it.

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Speaker 3: I was I terrified myself. Fun fact, I auditioned for Poultergeist.

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Speaker 3: That's how am. I auditioned for the little girl in

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Speaker 3: Poltergeist back in nineteen eighty two. I was six years old.

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Speaker 3: Oh my gosh, and my older brother justin auditioned for

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Speaker 3: the role of the boy. The older brother whoa And

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Speaker 3: when he went into the audition room, he screamed so

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Speaker 3: loud that everyone in the waiting room stopped, including like

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Speaker 3: the secretaries. They were like, everybody like put down their

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Speaker 3: their mouth, their computers or whatever, and they were just like,

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Speaker 3: what the heck is going on? And Justin comes popping

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Speaker 3: out of the room. He's just like, how did I do?

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Speaker 1: The mom? He had terrified everywhere. I mean that's the

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Speaker 1: way I of a horror movie.

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Speaker 3: Though I can't believe he or I weren't cast immediately

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Speaker 3: after that.

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Speaker 1: I didn't. First of all, I didn't know that justin

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Speaker 1: ever auditioned for stuff amazing.

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Speaker 3: My brothers were child actors for like at least a month.

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Speaker 3: Like they they tried it out. They tried it, and

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Speaker 3: they were like, nope, I forget about it.

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Speaker 1: Yeah, oh my god, I didn't know that. Well. I mean,

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Speaker 1: lucky for you, because didn't everyone that worked on that

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Speaker 1: movie like wind up dying in some weird, tragic sort

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Speaker 1: of way.

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Speaker 3: So I think that movie was cursed in more than

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Speaker 3: one way.

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Speaker 1: See, you went from cursed movie to you know, the

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Speaker 1: power of full House, which is as made us never

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Speaker 1: age and uh and still be here seven hundred years later.

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Speaker 3: This explains a lot about my background. My therapist will

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Speaker 3: have a field day with this information.

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Speaker 1: Caroline, Caroline, sorry, so yes, I love this.

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Speaker 3: I love this bit not just because of my terrifying delivery,

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Speaker 3: but because this is like our first Kimmy Stephanie interaction,

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Speaker 3: like the teasing of each other, throwing some shade at

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Speaker 3: each other. It's the beginning of our frenemy.

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Speaker 1: Shit it's it's the origin of the frenemy.

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Speaker 2: This is our story right there.

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Speaker 1: Yep, yep, a lot of origin stories here in the beginning.

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Speaker 3: Oh yeah. So he cut to the kitchen where Joey

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Speaker 3: is cooking dinner and he's pretending to be a hibachi

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Speaker 3: chef for Michelle, who's watching and laughing.

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Speaker 2: Joey does the voices.

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Speaker 3: And pretends that the pepper mills or hibachi knives, and

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Speaker 3: Jesse enters the kitchen in his exterminator jumpsuit and exchanges

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Speaker 3: some out of that terrible joke that I'm like, yeah,

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Speaker 3: let's just let's move on. Yeah. So they exchanged some pleasantries,

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Speaker 3: and Joey mentions that someone named Brianna called for Jesse

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Speaker 3: another a name, Brionna.

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Speaker 1: I'm telling her I want to live into it feels

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Speaker 1: like that, like the psychology of whoever is picking the names.

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Speaker 1: I want to I want to know, like what is

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Speaker 1: it about like girls with the n an a or

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Speaker 1: like an a at the end of the name. Is

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Speaker 1: it that they're diminutive? Is it that they're like, I

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Speaker 1: don't know, it's a I'd love to deep dive into that,

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Speaker 1: but not right now, but.

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Speaker 3: I would too. We're gonna have to ask Jeff Franklin sometime,

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00:18:07,440 --> 00:18:08,000
Speaker 3: or maybe it's.

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Speaker 1: Jeff, what were you thinking when you named these women?

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Speaker 3: I don't well, I mean maybe it's like the Spanish language,

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Speaker 3: how like the feminine forms of words end with A.

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Speaker 1: That's what I'm saying with A like men sort of

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Speaker 1: go like there.

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Speaker 3: So maybe the men who are writing this show is like, well,

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Speaker 3: slap an a on the end.

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Speaker 1: Yeah, that's also very eighties. That sounds that I write.

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Speaker 3: So Jesse explains that he terminated some of Brianna's termites,

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Speaker 3: and Brionna wanted to thank him, so they came up

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Speaker 3: with some ideas.

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Speaker 1: I'm pretty sure that you can't uh pay for exterminators

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Speaker 1: with relations with relations with the Yeah, I feel like that's.

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Speaker 2: That's not an even trade.

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Speaker 3: I don't.

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Speaker 1: I don't know, well, well, depends on how bad the

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Speaker 1: invastation is, you know what I mean. Really, look if

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Speaker 1: maybe she her termites were terrible and she's like, I

398
00:18:58,680 --> 00:19:03,359
Speaker 1: will do any thing right, and you know, I mean, hey,

399
00:19:03,480 --> 00:19:05,400
Speaker 1: just a guy with a giant cockroach on his back,

400
00:19:05,440 --> 00:19:08,119
Speaker 1: that's you know, that is to me, I'm like, oh god,

401
00:19:08,240 --> 00:19:11,440
Speaker 1: that's what I think of. And I'm like, let me, Yeah,

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00:19:11,480 --> 00:19:14,240
Speaker 1: it's a giant cockroach on its back, on his back

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Speaker 1: rather well both.

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Speaker 3: Anyway, I can't just I can't just stop talking because

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Speaker 3: I can't do all the words coming out of your

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Speaker 3: mouth right now. Like there's there's so many things I

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00:19:25,520 --> 00:19:27,479
Speaker 3: can't say that are going through my mind right now.

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Speaker 1: But you said, can you can't just gonna just have

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Speaker 1: fun editing around us?

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Speaker 3: Okay?

411
00:19:33,080 --> 00:19:35,840
Speaker 1: Anyway back to this, back to the cockroaches and brings.

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Speaker 3: So thank god. DJ and Stephanie interrupt this story and

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Speaker 3: they enter from downstairs. They exclaim there's something horrible in

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Speaker 3: the house, and Jesse, testing Joey's cooking with the spoon, responds,

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Speaker 3: you're telling me so. Danny enters the kitchen, exclaiming that

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Speaker 3: he has great news. Stephanie, who is relieved that he's home,

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Speaker 3: hugs his leg.

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Speaker 1: Which, by the way, I am literally as tall as

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Speaker 1: Bob's leg, like not even up into his hip, just

420
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Speaker 1: grabbed right on and it was like.

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00:20:05,800 --> 00:20:08,919
Speaker 2: Hello, I just you didn't have to bend down or something.

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00:20:09,720 --> 00:20:11,320
Speaker 1: It was just just right there. Yep.

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Speaker 3: He tries to walk. It's just like he's got like

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Speaker 3: an extra leg. It's fine. DJ tells Danny that Stephanie

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Speaker 3: thinks she heard a monster in the garage, but if

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Speaker 3: you asked me, it was just a desperate plea for attention.

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00:20:25,280 --> 00:20:29,240
Speaker 3: Danny replies, DJ, stop watching Oprah and start doing your homework.

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Speaker 1: How many times have I said that?

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Speaker 3: So, as the family sets the dinner table, Danny reminds

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Speaker 3: everyone that he has some great news. Danny explains that

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Speaker 3: all of the TV news stations are fighting for ratings,

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Speaker 3: so his station is putting together a special promo about

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Speaker 3: each of their newscasters, and Danny was picked to be first.

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Speaker 3: The family responds not so enthusiastically. Then Danny announces that

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Speaker 3: the entire family is going to be on TV with him,

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00:20:56,280 --> 00:21:01,520
Speaker 3: which prompts a huge cheer. From there, we go, everyone,

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00:21:02,280 --> 00:21:03,040
Speaker 3: what's in it for me?

438
00:21:03,880 --> 00:21:06,200
Speaker 1: I mean that is really how a family dinner goes,

439
00:21:06,240 --> 00:21:07,760
Speaker 1: isn't it. You're like, hey, this is great for me,

440
00:21:07,800 --> 00:21:10,240
Speaker 1: and they're like, You're like, but you're gonna get something too?

441
00:21:10,320 --> 00:21:11,040
Speaker 1: Oh sweet?

442
00:21:11,119 --> 00:21:14,679
Speaker 3: Yeah, yep, that's living with teenagers too, you know.

443
00:21:14,760 --> 00:21:15,800
Speaker 2: That's how they respond.

444
00:21:16,880 --> 00:21:19,199
Speaker 3: So the family starts to eat, but they are quickly

445
00:21:19,240 --> 00:21:22,359
Speaker 3: grossed out by Joey's cooking. They decide that they should

446
00:21:22,359 --> 00:21:25,880
Speaker 3: send out for pizza, and Joey responds, it is pizza

447
00:21:26,800 --> 00:21:30,080
Speaker 3: on planet. I know what kind of pizza is this

448
00:21:30,520 --> 00:21:31,560
Speaker 3: that you eat with a spoon.

449
00:21:34,280 --> 00:21:36,840
Speaker 1: I've had a lot of pizza, I've never I've had

450
00:21:37,000 --> 00:21:41,160
Speaker 1: Chicago style, I've had you know, the flatbreads. I've never

451
00:21:41,280 --> 00:21:43,000
Speaker 1: had spoon pizza.

452
00:21:43,080 --> 00:21:46,159
Speaker 3: Spoon pizza. Well a, it's a it's a delicatessen by

453
00:21:46,280 --> 00:21:51,000
Speaker 3: Joey Gladstone spoon pizza. So later that night, we are

454
00:21:51,000 --> 00:21:54,480
Speaker 3: in DJ and Stephanie's room and it's nighttime. Once again,

455
00:21:54,560 --> 00:21:57,720
Speaker 3: we hear this monster noise. Stephanie sits up in bed

456
00:21:57,760 --> 00:22:01,800
Speaker 3: and states they're bare, but now even DJ seems a

457
00:22:01,840 --> 00:22:04,879
Speaker 3: little nervous about this noise. Steph asks if she can

458
00:22:04,920 --> 00:22:08,399
Speaker 3: sleep in DJ's bed, and DJ agrees. Concerned that the

459
00:22:08,440 --> 00:22:10,919
Speaker 3: monster is waiting under her bed to eat her feet,

460
00:22:11,320 --> 00:22:13,840
Speaker 3: Stephanie con cox a plan to get over to DJ's

461
00:22:13,840 --> 00:22:17,040
Speaker 3: bed by hopping on her toy chest, throwing DJ a

462
00:22:17,119 --> 00:22:20,800
Speaker 3: jump rope, and having DJ reel her over to her bed.

463
00:22:20,880 --> 00:22:22,160
Speaker 1: I was so excited to do that.

464
00:22:22,160 --> 00:22:22,840
Speaker 3: That was such a five.

465
00:22:22,840 --> 00:22:24,879
Speaker 1: I was like, yes, this is amazing, and also the

466
00:22:24,920 --> 00:22:28,040
Speaker 1: first thought when she's like can I sleep in your bed?

467
00:22:28,320 --> 00:22:30,400
Speaker 1: Immediately I was like, oh, put the monster in the bed.

468
00:22:30,760 --> 00:22:33,159
Speaker 1: I was like, and then she's like, but what if

469
00:22:33,160 --> 00:22:35,000
Speaker 1: it's under I was like, thank you.

470
00:22:34,720 --> 00:22:38,120
Speaker 3: See, thank you. Stephan is thinking of all possibilities, yes,

471
00:22:38,200 --> 00:22:40,160
Speaker 3: and she's doing her own stunts.

472
00:22:39,720 --> 00:22:41,080
Speaker 2: Like this is you need your stunt yet?

473
00:22:41,240 --> 00:22:45,000
Speaker 3: I mean you're always doing bedroom to you know, you've

474
00:22:45,000 --> 00:22:46,800
Speaker 3: moved from the curtainng cruise.

475
00:22:46,520 --> 00:22:48,760
Speaker 1: Would be nowhere without me, That's what I'm saying. You

476
00:22:48,800 --> 00:22:53,439
Speaker 1: know actors that became stunt people. That's yes, at the

477
00:22:53,440 --> 00:22:54,080
Speaker 1: age of five.

478
00:22:54,400 --> 00:22:58,960
Speaker 3: It's very impressive, very impressive. So DJ notes that Stephanie

479
00:22:59,000 --> 00:23:01,160
Speaker 3: forgot to turn off the light, but right then they

480
00:23:01,200 --> 00:23:04,240
Speaker 3: hear that monster noise again. Steph says, forget the light,

481
00:23:04,520 --> 00:23:06,960
Speaker 3: run for your life. So the girls run out of

482
00:23:06,960 --> 00:23:10,080
Speaker 3: the bedroom and into the hallway, where they're screaming for help.

483
00:23:10,440 --> 00:23:12,560
Speaker 3: Jesse comes out of his room to catch a running

484
00:23:12,640 --> 00:23:17,080
Speaker 3: Stephanie and Danny enters from the stairwell, which bumped me

485
00:23:17,200 --> 00:23:18,560
Speaker 3: because where is Danny's bedroom.

486
00:23:19,080 --> 00:23:21,639
Speaker 1: Danny's bedroom has always been on the other right.

487
00:23:21,680 --> 00:23:24,160
Speaker 3: It's like, maybe we're the camera, the camera POV. That's

488
00:23:24,160 --> 00:23:25,520
Speaker 3: where I thought Danny's bedroom.

489
00:23:25,680 --> 00:23:30,520
Speaker 1: Maybe maybe again, is it on the first Narnia of

490
00:23:30,560 --> 00:23:33,919
Speaker 1: a house. It's maybe Danny wasn't asleep. Maybe it's not

491
00:23:33,920 --> 00:23:35,639
Speaker 1: that late because the kids are, you know what I mean, Like,

492
00:23:35,680 --> 00:23:38,440
Speaker 1: maybe it was like ten o'clock. Danny's watching. Wait didn't

493
00:23:38,480 --> 00:23:41,480
Speaker 1: he say he's doing something. He's like watching something or

494
00:23:41,760 --> 00:23:44,560
Speaker 1: put editing maybe or maybe I just admitted that, but yeah,

495
00:23:44,600 --> 00:23:45,080
Speaker 1: I feel like.

496
00:23:45,119 --> 00:23:46,920
Speaker 3: He's carrying a book. He's carrying a book, which I

497
00:23:46,920 --> 00:23:48,760
Speaker 3: also thought was odd if it's like the middle of

498
00:23:48,800 --> 00:23:49,920
Speaker 3: the night, so maybe he's done.

499
00:23:50,000 --> 00:23:52,640
Speaker 1: I think it's I'm gonna go with It's like ten

500
00:23:52,800 --> 00:23:55,720
Speaker 1: ten thirty when kids would be asleep for bedtime, but

501
00:23:55,800 --> 00:23:58,040
Speaker 1: adults would be like, thank god they're asleep for bedtime

502
00:23:58,080 --> 00:23:59,600
Speaker 1: and I can actually have some peace and quiet.

503
00:23:59,600 --> 00:24:01,560
Speaker 3: Now, Okay, I buy that. I buy that.

504
00:24:01,800 --> 00:24:02,320
Speaker 2: Let's go with that.

505
00:24:03,200 --> 00:24:05,720
Speaker 3: So dj asks Jesse to go get the monster since

506
00:24:05,760 --> 00:24:09,520
Speaker 3: he's a creepy crawley killer, and Jesse responds, I am

507
00:24:09,560 --> 00:24:13,879
Speaker 3: a pest control specialist. Thank you. Jesse, complaining that the

508
00:24:13,920 --> 00:24:16,760
Speaker 3: exterminator never gets to be the hero in movies, goes

509
00:24:16,760 --> 00:24:19,400
Speaker 3: into the girl's bedroom. Stephanie asks if she can sleep

510
00:24:19,400 --> 00:24:22,280
Speaker 3: in Danny's bed tonight, but Danny isn't sure. About this,

511
00:24:22,480 --> 00:24:24,679
Speaker 3: and then we flip too.

512
00:24:24,320 --> 00:24:25,440
Speaker 2: DJ and Stephanie's room.

513
00:24:25,560 --> 00:24:28,359
Speaker 3: Danny is lying in DJ's bed, blanked by DJ and

514
00:24:28,400 --> 00:24:29,480
Speaker 3: Stephanie on each side.

515
00:24:29,800 --> 00:24:33,040
Speaker 1: Yep, yep, been there. The scene made me really laugh.

516
00:24:33,200 --> 00:24:34,040
Speaker 1: It was very funny.

517
00:24:34,160 --> 00:24:37,960
Speaker 3: Oh, it's so sweet. Danny says that Jesse declared the

518
00:24:38,040 --> 00:24:40,480
Speaker 3: room is monster free, so he's only going to stay

519
00:24:40,560 --> 00:24:44,320
Speaker 3: until they fall asleep. The girls are mostly already asleep,

520
00:24:44,440 --> 00:24:46,600
Speaker 3: and Danny reminds them that a nice woman is coming

521
00:24:46,640 --> 00:24:49,440
Speaker 3: over tomorrow to shoot the promo and about their family.

522
00:24:50,119 --> 00:24:52,320
Speaker 3: The girls are now fast asleep, and Danny attempts to

523
00:24:52,400 --> 00:24:55,680
Speaker 3: extract himself from their tangled limbs, but he only gets

524
00:24:55,680 --> 00:24:57,399
Speaker 3: more stuck, so he decides to just make do with

525
00:24:57,480 --> 00:24:59,439
Speaker 3: it and sleep right there Twister style.

526
00:25:00,080 --> 00:25:02,159
Speaker 1: I mean, it was so I was laughing. I'm like

527
00:25:02,200 --> 00:25:05,160
Speaker 1: in my notes, I was like every parent has done

528
00:25:05,400 --> 00:25:09,960
Speaker 1: the Ninja crawl where you're like sliding out of bed

529
00:25:10,160 --> 00:25:12,280
Speaker 1: and then and you don't just kind of don't wake

530
00:25:12,320 --> 00:25:15,800
Speaker 1: the child and then you just kind of like stop

531
00:25:16,000 --> 00:25:18,520
Speaker 1: because they start when you're like I have fallen asleep

532
00:25:18,560 --> 00:25:20,720
Speaker 1: in the weirdest positions on the floor of my kids

533
00:25:20,760 --> 00:25:22,879
Speaker 1: bedrooms when they were little just such a mess.

534
00:25:23,000 --> 00:25:25,800
Speaker 3: It's very relatable because sleep is such a precious commodity.

535
00:25:25,920 --> 00:25:28,399
Speaker 1: And you yeah, and you're like, you know what, I

536
00:25:28,440 --> 00:25:30,840
Speaker 1: will sleep like fine, like Danny does. He's just like,

537
00:25:30,920 --> 00:25:33,639
Speaker 1: I'm just gonna lean over and sleep on a what

538
00:25:33,800 --> 00:25:36,280
Speaker 1: was it a like a pound puppy or something that

539
00:25:36,320 --> 00:25:37,560
Speaker 1: he puts under his head away.

540
00:25:37,960 --> 00:25:40,440
Speaker 3: M Oh yeah, well I get it. I get it.

541
00:25:41,240 --> 00:25:42,000
Speaker 3: However possible.

542
00:25:42,200 --> 00:25:45,960
Speaker 1: We see the cute little red lips phone from DJ's

543
00:25:46,040 --> 00:25:48,000
Speaker 1: when she's on the phone, it's like sitting.

544
00:25:47,800 --> 00:25:51,920
Speaker 3: There, Yeah that phone. I love that, love that phone.

545
00:25:51,960 --> 00:25:53,639
Speaker 3: I need to get I need to get that phone.

546
00:25:54,040 --> 00:25:56,920
Speaker 3: So the next day, uh, Joey and Jesse are changing

547
00:25:56,960 --> 00:26:00,199
Speaker 3: Michelle in the bathroom and they're practicing different hairstyles on

548
00:26:00,240 --> 00:26:06,119
Speaker 3: her like Madonna, Brigitte Nelson, Pebbles, Flintstone. They ultimately decided

549
00:26:06,160 --> 00:26:08,000
Speaker 3: that just a simple bow is the way to go.

550
00:26:08,920 --> 00:26:14,840
Speaker 1: Also, when they mentioned Brigitte Wilson, flash forward to didn't

551
00:26:14,920 --> 00:26:18,840
Speaker 1: Dave do Surreal Life? Ye with Brigitte Neilson.

552
00:26:19,000 --> 00:26:23,760
Speaker 3: Yes, you're right, yeah, wow, Yeah, this is very I

553
00:26:23,800 --> 00:26:27,840
Speaker 3: feel like that a few times where yeah, like unplanned foreshadow,

554
00:26:27,840 --> 00:26:29,919
Speaker 3: like it didn't didn't mean to foreshadow, but yeah, You're right.

555
00:26:29,960 --> 00:26:33,000
Speaker 3: It's this weird time warp, this full house.

556
00:26:34,680 --> 00:26:38,640
Speaker 1: It's some sort of weird like manifestation wheel of time

557
00:26:38,680 --> 00:26:40,920
Speaker 1: thing going on with this house. I'm gonna I'm going

558
00:26:40,960 --> 00:26:43,000
Speaker 1: with that now. I'm gonna create a whole backstory.

559
00:26:43,200 --> 00:26:45,280
Speaker 3: I am gonna jump on this bandwagon with it.

560
00:26:45,359 --> 00:26:47,800
Speaker 1: And it's why the Tanners have aged so well. It's

561
00:26:47,880 --> 00:26:48,960
Speaker 1: like it's just a.

562
00:26:49,880 --> 00:26:52,120
Speaker 3: Yeah, yeah, it's a fountain of youth and a time

563
00:26:52,160 --> 00:26:54,840
Speaker 3: warp and a closet, like all of it just wrapped

564
00:26:54,840 --> 00:26:56,280
Speaker 3: into one. One yes house.

565
00:26:56,560 --> 00:26:59,080
Speaker 1: This is my my new fanfic. I'll be posting it online.

566
00:26:59,200 --> 00:27:03,480
Speaker 3: Thanks. So, Jesse and Joey ultimately decide that just a

567
00:27:03,560 --> 00:27:06,760
Speaker 3: simple bow is the way to go. Jesse holds Michelle's

568
00:27:06,760 --> 00:27:09,040
Speaker 3: hair and a ponytail while Joey ties the bow. But

569
00:27:09,080 --> 00:27:12,160
Speaker 3: of course Joey gets Jesse's finger trapped in the bow,

570
00:27:12,800 --> 00:27:15,359
Speaker 3: and Michelle, in an unscripted moment, shakes her head no

571
00:27:15,680 --> 00:27:19,040
Speaker 3: and then grins the biggest cutest son.

572
00:27:20,240 --> 00:27:23,680
Speaker 1: So I get, like I started being like, oh, I

573
00:27:23,680 --> 00:27:25,920
Speaker 1: get white people must have fallen in love like they

574
00:27:25,960 --> 00:27:29,760
Speaker 1: were just so higly and fun and cute. Although I

575
00:27:29,800 --> 00:27:31,800
Speaker 1: think a lot of the ones we've seen so far

576
00:27:31,880 --> 00:27:35,680
Speaker 1: have been very Kate. She was which I want to

577
00:27:35,720 --> 00:27:37,560
Speaker 1: call her by the name that I called her when

578
00:27:37,720 --> 00:27:39,000
Speaker 1: she was little, would you call her?

579
00:27:39,400 --> 00:27:39,679
Speaker 3: Call her?

580
00:27:39,920 --> 00:27:41,320
Speaker 1: Remember we used to call her Kotto.

581
00:27:41,200 --> 00:27:44,440
Speaker 3: Bird, Cotto bird. I don't remember Cotto bird. Yeah, Mary, Yeah,

582
00:27:44,560 --> 00:27:45,560
Speaker 3: what was that a reference to?

583
00:27:45,720 --> 00:27:47,440
Speaker 1: I don't you don't even know. It was a fair

584
00:27:47,640 --> 00:27:49,679
Speaker 1: It was just a thing where like hey, Kato, like

585
00:27:49,920 --> 00:27:53,560
Speaker 1: Mary Kate became Mary Katto and then like Kato bird.

586
00:27:53,560 --> 00:27:56,080
Speaker 3: I don't know, kandache is that where the canvas cadace

587
00:27:56,280 --> 00:27:58,800
Speaker 3: thing came from? To? You know, let's just Mirrod pronounce

588
00:27:58,840 --> 00:28:01,200
Speaker 3: everyone's names, cutting.

589
00:28:00,920 --> 00:28:03,439
Speaker 1: Family nicknames that you have for each other, mud and

590
00:28:03,680 --> 00:28:06,639
Speaker 1: you know whatever. Okay, but yeah, Cotto bird, I just

591
00:28:06,680 --> 00:28:10,400
Speaker 1: remember when she was little that was Oh, but you're right,

592
00:28:10,560 --> 00:28:11,720
Speaker 1: I came from John or something.

593
00:28:11,920 --> 00:28:14,359
Speaker 3: Yeah, it's a little nickname. Yeah.

594
00:28:14,400 --> 00:28:16,760
Speaker 1: But she was so so cute, giggly and like these

595
00:28:16,760 --> 00:28:18,920
Speaker 1: little unscripted moments that keep happening.

596
00:28:18,680 --> 00:28:20,560
Speaker 3: Or just I can see why the audience fell in

597
00:28:20,560 --> 00:28:22,600
Speaker 3: love with her back But back in the day when

598
00:28:22,600 --> 00:28:24,240
Speaker 3: we were ten and five, we were like, what's the

599
00:28:24,240 --> 00:28:26,840
Speaker 3: big deal about this baby? Like babies weren't interesting or

600
00:28:26,880 --> 00:28:29,280
Speaker 3: cool to us. At that age, but I can see

601
00:28:29,280 --> 00:28:30,199
Speaker 3: what the audience was like.

602
00:28:30,280 --> 00:28:32,719
Speaker 1: Oh well, we were also usually off stage, and we

603
00:28:32,720 --> 00:28:35,760
Speaker 1: were and it was more so like you know when

604
00:28:35,760 --> 00:28:37,520
Speaker 1: you're five and ten, you're like, can the baby do.

605
00:28:37,600 --> 00:28:38,280
Speaker 3: The thing right?

606
00:28:38,320 --> 00:28:39,680
Speaker 2: And just waiting around for the baby.

607
00:28:40,120 --> 00:28:43,080
Speaker 3: Yeah, yeah, yeah, yeah, But I'm falling for it, like

608
00:28:43,120 --> 00:28:45,680
Speaker 3: I'm I'm a team of a sucker. I'm a sucker

609
00:28:45,720 --> 00:28:45,960
Speaker 3: for a.

610
00:28:45,920 --> 00:28:46,720
Speaker 1: Cute little baby.

611
00:28:46,880 --> 00:28:49,360
Speaker 3: I get it. So at this moment, we hear the

612
00:28:49,480 --> 00:28:52,200
Speaker 3: monster noise again and Jesse says, I have to hear

613
00:28:52,240 --> 00:28:53,640
Speaker 3: where it's coming from. Be quiet.

614
00:28:53,880 --> 00:28:55,960
Speaker 1: It sounds like a baby werewolf sort of.

615
00:28:56,240 --> 00:28:57,360
Speaker 2: It's a weird noise.

616
00:28:57,520 --> 00:28:59,280
Speaker 3: I don't even know how to describe it.

617
00:28:59,320 --> 00:29:00,640
Speaker 1: Is it what a fair it makes?

618
00:29:00,840 --> 00:29:03,280
Speaker 3: Well? It must be or I don't.

619
00:29:03,800 --> 00:29:06,960
Speaker 1: I don't know, because sticking to truth is something that

620
00:29:07,000 --> 00:29:09,520
Speaker 1: we've done on this show forever, right, it's gotta be.

621
00:29:09,600 --> 00:29:11,880
Speaker 1: If it's that has to be the sound.

622
00:29:12,040 --> 00:29:14,080
Speaker 3: That must be the sound. I mean, I'm not very

623
00:29:14,200 --> 00:29:17,600
Speaker 3: educated on on ferret language, but yeah, that must be.

624
00:29:17,760 --> 00:29:18,160
Speaker 2: I don't know.

625
00:29:18,280 --> 00:29:20,440
Speaker 1: I'm gonna look this up. I'm gonna look this up. Okay,

626
00:29:20,480 --> 00:29:21,080
Speaker 1: you look this up.

627
00:29:21,120 --> 00:29:23,280
Speaker 3: I'll continue to feel like the ferret though, is the

628
00:29:23,480 --> 00:29:26,600
Speaker 3: It's like the little magical It's sort of like the

629
00:29:27,480 --> 00:29:29,960
Speaker 3: magical elf thing of the house.

630
00:29:30,400 --> 00:29:32,160
Speaker 1: You know what I mean. If this house is Narnia,

631
00:29:32,520 --> 00:29:35,560
Speaker 1: the ferret is the is the little animal that is

632
00:29:35,960 --> 00:29:37,800
Speaker 1: possessed by something. Oh you know what I mean. Oh,

633
00:29:38,320 --> 00:29:40,480
Speaker 1: you're you're really I'm telling you, I'm going for this

634
00:29:40,520 --> 00:29:41,320
Speaker 1: whole fanfic thing.

635
00:29:41,360 --> 00:29:43,880
Speaker 3: I am hanging on to this theory. Yes, you're Talloween.

636
00:29:44,000 --> 00:29:44,920
Speaker 1: I'm excited.

637
00:29:45,000 --> 00:29:46,880
Speaker 3: You're right, You're right. It's it's that time of year.

638
00:29:47,280 --> 00:29:49,240
Speaker 3: So Jesse walks over to one of the air vents

639
00:29:49,240 --> 00:29:51,760
Speaker 3: on the wall. He kneels down and listens, and he

640
00:29:51,840 --> 00:29:55,840
Speaker 3: determines that it's a North American silver footed ferret, adult male,

641
00:29:56,160 --> 00:30:00,000
Speaker 3: two and a half pounds. Okay, wow, yeah, very specific.

642
00:30:00,240 --> 00:30:01,800
Speaker 1: Is a pest control specialist.

643
00:30:01,880 --> 00:30:02,720
Speaker 3: Indeed he is.

644
00:30:02,800 --> 00:30:06,040
Speaker 1: He's now I see why Brianna was like, take me now.

645
00:30:06,480 --> 00:30:07,920
Speaker 1: I mean, I can only imagine what he did with

646
00:30:07,920 --> 00:30:08,600
Speaker 1: the termites, you know.

647
00:30:11,520 --> 00:30:15,480
Speaker 3: Moving on, So he runs out of the bathroom. Joey

648
00:30:15,480 --> 00:30:18,040
Speaker 3: puts Michelle back on the changing table and shows her

649
00:30:18,200 --> 00:30:21,600
Speaker 3: her reflection in a mirror, and Michelle beams at the

650
00:30:21,600 --> 00:30:25,120
Speaker 3: sight of her own reflection. It's just so ct it's

651
00:30:25,120 --> 00:30:25,640
Speaker 3: so cute.

652
00:30:26,160 --> 00:30:28,360
Speaker 2: You can't write this stuff. The baby just does it.

653
00:30:28,600 --> 00:30:31,160
Speaker 3: The baby performs or does it, and then she was

654
00:30:31,160 --> 00:30:31,960
Speaker 3: per be a.

655
00:30:31,920 --> 00:30:34,040
Speaker 1: Baby and just beam when you look in the mirror,

656
00:30:34,120 --> 00:30:36,920
Speaker 1: you know those out of herself.

657
00:30:38,160 --> 00:30:41,880
Speaker 3: Oh wow, that's yeah. Okay. So the doorbell rings in

658
00:30:41,920 --> 00:30:44,400
Speaker 3: the living room and Jesse is rushing downstairs on his

659
00:30:44,480 --> 00:30:47,840
Speaker 3: way to the garage to find the ferret monster. DJ

660
00:30:47,960 --> 00:30:50,520
Speaker 3: and Stephanie answer the door and we meet the TV

661
00:30:50,680 --> 00:30:54,400
Speaker 3: lady who is there to film Danny's promo and Jody,

662
00:30:54,400 --> 00:30:56,640
Speaker 3: your blue sweater here, I don't know what's on. Is

663
00:30:56,680 --> 00:30:58,720
Speaker 3: this a skunk skum?

664
00:30:59,400 --> 00:31:01,560
Speaker 1: And it's a handle with Care?

665
00:31:01,800 --> 00:31:05,440
Speaker 3: Oh oh, it's one of those three D sweaters again that.

666
00:31:05,560 --> 00:31:11,120
Speaker 1: It's another three D sweater. It's amazing And yeah, it

667
00:31:11,440 --> 00:31:13,719
Speaker 1: says handle with care. And I really feel like we

668
00:31:13,800 --> 00:31:17,160
Speaker 1: need to get Dave an adult sized sweatshirt of that

669
00:31:17,280 --> 00:31:19,720
Speaker 1: skung that says handle with Care on it, because if

670
00:31:19,720 --> 00:31:22,200
Speaker 1: anyone needs a sweatshirt like that, it's Dave Koli.

671
00:31:22,400 --> 00:31:24,840
Speaker 3: Yeah, the odoriferous Dave ker.

672
00:31:26,600 --> 00:31:28,880
Speaker 1: This is I'm going twenty seven on that.

673
00:31:28,880 --> 00:31:33,000
Speaker 3: That's twenty seven differ you come to how rude tandos

674
00:31:33,360 --> 00:31:37,440
Speaker 3: get you walk away with a language lesson semantics again.

675
00:31:37,440 --> 00:31:40,320
Speaker 1: Come to learn about the show, you leave with an

676
00:31:40,320 --> 00:31:43,360
Speaker 1: English degree thanks to Adria Barber. Right, yeah, there we go.

677
00:31:44,360 --> 00:31:46,560
Speaker 3: So the TV lady asks the girls to smile, and

678
00:31:46,600 --> 00:31:49,120
Speaker 3: then she has sort of hang up her coat, which

679
00:31:49,200 --> 00:31:51,320
Speaker 3: DJ just sort of places on top of the playpen,

680
00:31:52,000 --> 00:31:54,680
Speaker 3: and then the TV lady introduces herself as Ronnie, which

681
00:31:54,720 --> 00:31:58,080
Speaker 3: is short for Veronica. DJ replies I'm DJ, which is

682
00:31:58,120 --> 00:32:01,560
Speaker 3: short for Donna Joe, and Stephanie says, I'm Stephanie. I'm

683
00:32:01,600 --> 00:32:05,240
Speaker 3: just short, which we saw earlier with you grab it

684
00:32:05,240 --> 00:32:05,880
Speaker 3: onto Bob's light.

685
00:32:05,960 --> 00:32:08,400
Speaker 1: Right, yes, very short, I'm short.

686
00:32:08,880 --> 00:32:12,280
Speaker 3: So Ronnie continues to examine the house for good camera angles,

687
00:32:12,400 --> 00:32:15,680
Speaker 3: and the girls follow her and copy her like framing,

688
00:32:15,920 --> 00:32:18,280
Speaker 3: framing the shots, hand movements, right.

689
00:32:18,320 --> 00:32:20,760
Speaker 1: Yeah, that's what if people are wondering, it's not she's

690
00:32:20,800 --> 00:32:23,040
Speaker 1: not trying to figure out which hand is her left.

691
00:32:23,960 --> 00:32:27,640
Speaker 1: She actually, yeah, she's looking at that's something that like,

692
00:32:28,480 --> 00:32:33,080
Speaker 1: you know, it's sort of a directory thing. Director directory

693
00:32:33,320 --> 00:32:36,240
Speaker 1: don't necessarily do it, but they will sometimes be like, okay,

694
00:32:36,280 --> 00:32:38,120
Speaker 1: I want to see you know whatever. But she yeah,

695
00:32:38,160 --> 00:32:40,400
Speaker 1: it's a very exaggerated sort of moment. But yeah, like

696
00:32:40,440 --> 00:32:43,360
Speaker 1: the light like she's not like, wait, which way is left?

697
00:32:43,440 --> 00:32:45,719
Speaker 3: No, she's yeah, yeah, yeah, And the lighting guys will

698
00:32:45,760 --> 00:32:48,000
Speaker 3: that too. They'll come in and the like hold hold

699
00:32:48,120 --> 00:32:50,760
Speaker 3: equipment up, Yes, the light.

700
00:32:50,760 --> 00:32:52,239
Speaker 1: Used to do when he'd come on, he'd just come

701
00:32:52,280 --> 00:32:53,960
Speaker 1: over and like kind of saunter up, like what is

702
00:32:54,000 --> 00:32:56,120
Speaker 1: you're about to roll and hold the thing over your

703
00:32:56,240 --> 00:32:57,520
Speaker 1: face and then squint.

704
00:32:57,600 --> 00:32:59,200
Speaker 2: Okay up at the rafters.

705
00:32:59,320 --> 00:33:00,600
Speaker 1: You're not up a little right? Right?

706
00:33:00,640 --> 00:33:01,480
Speaker 2: All those memories.

707
00:33:02,480 --> 00:33:04,800
Speaker 3: So next we're in the garage and Jesse is digging

708
00:33:04,840 --> 00:33:08,160
Speaker 3: around trying to locate the ferret monster and he's wearing

709
00:33:08,200 --> 00:33:12,840
Speaker 3: a catcher's mitt. Why, I don't know right for I'm

710
00:33:12,920 --> 00:33:16,120
Speaker 3: just saying, I mean, the ferret isn't well an.

711
00:33:15,760 --> 00:33:20,280
Speaker 1: Eric, but also for a pest control specialist. I feel like,

712
00:33:21,080 --> 00:33:23,240
Speaker 1: although I guess you look, he's working with what he's got.

713
00:33:23,280 --> 00:33:25,480
Speaker 1: He's on the he's he is trying to I mean,

714
00:33:25,520 --> 00:33:28,920
Speaker 1: you can't you know, when you're chasing a ferret, there's.

715
00:33:28,920 --> 00:33:31,480
Speaker 3: Time to go to your truck or motorcycle and get

716
00:33:31,560 --> 00:33:32,280
Speaker 3: your toolbox.

717
00:33:32,440 --> 00:33:34,440
Speaker 1: No, you got to try to get a catcher's mitt

718
00:33:34,480 --> 00:33:35,720
Speaker 1: and get that ferret.

719
00:33:36,080 --> 00:33:39,440
Speaker 3: So, yeah, so Joey comes downstairs and asks, who are

720
00:33:39,480 --> 00:33:40,360
Speaker 3: you trying to catch?

721
00:33:40,600 --> 00:33:42,920
Speaker 2: Phil niekro And I looked this up.

722
00:33:43,600 --> 00:33:48,280
Speaker 1: He was going to say, is that a like a

723
00:33:48,320 --> 00:33:49,240
Speaker 1: baseball catcher?

724
00:33:49,520 --> 00:33:53,480
Speaker 3: Yes? Yes, he well, not a catcher, a pitcher here.

725
00:33:53,840 --> 00:33:56,520
Speaker 3: He was an American baseball player for the Atlanta Braves,

726
00:33:57,080 --> 00:34:00,120
Speaker 3: for Indians, also the Yankees. He's generally regarded as the

727
00:34:00,160 --> 00:34:04,320
Speaker 3: greatest knuckleball picture of all time. The more you know,

728
00:34:04,480 --> 00:34:06,479
Speaker 3: all right, the more you know, see there you go.

729
00:34:06,880 --> 00:34:08,719
Speaker 3: So Jesse says he left his tools in the car.

730
00:34:08,800 --> 00:34:12,600
Speaker 3: Oh okay, so that explained right. Jesse left his tools

731
00:34:12,600 --> 00:34:14,400
Speaker 3: in the car. But in order to catch a ferret,

732
00:34:14,719 --> 00:34:18,319
Speaker 3: you must become one with the ferret. And Joey does

733
00:34:18,440 --> 00:34:21,880
Speaker 3: a ferret impression. So they hear the ferret again, and

734
00:34:22,000 --> 00:34:24,839
Speaker 3: Jesse runs around the garage. Joey asks Jesse, what are

735
00:34:24,840 --> 00:34:27,600
Speaker 3: you going to do with the ferret? And Jesse, by the.

736
00:34:27,520 --> 00:34:32,000
Speaker 1: Way, incoming newsh the ferret noise is not exactly uh

737
00:34:32,239 --> 00:34:36,279
Speaker 1: correct it according to no According to our great and

738
00:34:36,320 --> 00:34:38,400
Speaker 1: one of producer Chrissy. She says, the ferret noise is

739
00:34:38,440 --> 00:34:40,920
Speaker 1: not exactly exact the ones that she just listened to.

740
00:34:41,120 --> 00:34:44,160
Speaker 1: So maybe summi ferret out there makes this noise, but

741
00:34:44,400 --> 00:34:45,799
Speaker 1: not most of them.

742
00:34:45,840 --> 00:34:49,040
Speaker 3: That's it. I want my money back this show between

743
00:34:49,120 --> 00:34:53,360
Speaker 3: the garage Joey, we're not having real ferret noises. I

744
00:34:53,360 --> 00:34:57,000
Speaker 3: give up. So Joey says, what are you going to

745
00:34:57,040 --> 00:34:59,400
Speaker 3: do with the ferret, and Jesse replies he's moving the

746
00:34:59,400 --> 00:35:04,600
Speaker 3: ferret one step up into his spiritual enlightenment. Joey, who's

747
00:35:04,640 --> 00:35:07,319
Speaker 3: worried about the fate of the ferret, slyly opens the

748
00:35:07,360 --> 00:35:10,520
Speaker 3: garage door in an attempt to let the ferret escape.

749
00:35:11,239 --> 00:35:12,480
Speaker 2: Then he starts singing.

750
00:35:12,200 --> 00:35:16,560
Speaker 3: Born Free, which is the theme song from a wildlife

751
00:35:16,680 --> 00:35:19,839
Speaker 3: drama of the same name nineteen sixty six. There's all

752
00:35:19,840 --> 00:35:22,960
Speaker 3: these references that I never got until I actually just

753
00:35:22,960 --> 00:35:23,600
Speaker 3: looked them up.

754
00:35:23,800 --> 00:35:26,680
Speaker 1: Well, they're all references now that I realized that, Like

755
00:35:26,800 --> 00:35:30,719
Speaker 1: our thirty year old writing staff at the time was like,

756
00:35:30,800 --> 00:35:33,440
Speaker 1: let's throw back to the and now it's funny because

757
00:35:33,520 --> 00:35:37,400
Speaker 1: you know that's it's old news. It's old, yeah, old news.

758
00:35:37,880 --> 00:35:40,560
Speaker 3: So Jesse shakes off Joey and determines that the ferret

759
00:35:40,680 --> 00:35:44,440
Speaker 3: escaped right into the crawl space. Jesse grabs a ladder

760
00:35:44,440 --> 00:35:45,880
Speaker 3: and climbs up into the crawl space.

761
00:35:46,040 --> 00:35:50,040
Speaker 1: Crawl space where a garage where the living room?

762
00:35:50,120 --> 00:35:53,320
Speaker 3: So where does the where is the crawl space? Getting

763
00:35:53,320 --> 00:35:56,960
Speaker 3: into a crawl space between the living room and the garage,

764
00:35:57,000 --> 00:36:00,359
Speaker 3: there's like a secret compartment. Just didn't know what.

765
00:36:00,920 --> 00:36:02,320
Speaker 2: Yeah, that's I'm confused.

766
00:36:03,000 --> 00:36:07,080
Speaker 1: That's not a thing. I have questions, and and we're.

767
00:36:06,920 --> 00:36:07,520
Speaker 3: Got in the attic.

768
00:36:07,640 --> 00:36:09,520
Speaker 2: They should have moved this scene to the attic, right,

769
00:36:09,560 --> 00:36:10,480
Speaker 2: that made sense.

770
00:36:10,520 --> 00:36:12,279
Speaker 1: I was like, wait, is he crawling into the attic? No,

771
00:36:12,360 --> 00:36:13,920
Speaker 1: we're in the basement or in the garage.

772
00:36:14,080 --> 00:36:15,200
Speaker 3: Yeah, it was.

773
00:36:15,320 --> 00:36:18,080
Speaker 1: There's a whole lot going on here. Also relatively clean,

774
00:36:18,160 --> 00:36:19,919
Speaker 1: because Jesse comes down with not a bit of dust

775
00:36:19,960 --> 00:36:22,480
Speaker 1: on him. Oh. True, true, So somebody's been cleaning that

776
00:36:22,480 --> 00:36:25,200
Speaker 1: crawl space, which makes me wonder, Oh, what's in the

777
00:36:25,200 --> 00:36:25,720
Speaker 1: crawl space?

778
00:36:25,880 --> 00:36:28,720
Speaker 3: Yeah? Does that where Danny like does his secret cleaning

779
00:36:28,840 --> 00:36:31,120
Speaker 3: routines to fulfill that need? I don't know.

780
00:36:31,520 --> 00:36:35,120
Speaker 1: I mean, where's Pam. I'm just saying, I'm just saying, whoa, wow,

781
00:36:35,400 --> 00:36:38,160
Speaker 1: you were there. Sorry, I'm sorry that was a terrible joke.

782
00:36:38,840 --> 00:36:39,640
Speaker 3: Wa Hey, let's go.

783
00:36:39,760 --> 00:36:40,080
Speaker 1: Why not?

784
00:36:40,320 --> 00:36:43,000
Speaker 3: We're We're on episode twelve, Like, we can go there,

785
00:36:43,040 --> 00:36:46,000
Speaker 3: we can go now, we are grieving. We've done twelve

786
00:36:46,040 --> 00:36:47,920
Speaker 3: episodes of grievous. We can make now we can make

787
00:36:47,960 --> 00:36:51,759
Speaker 3: jokes about Pam. So Jesse he's climbing into the crawl

788
00:36:51,800 --> 00:36:55,560
Speaker 3: space and Joey, who's still cheering for this ferret to escape,

789
00:36:55,880 --> 00:36:58,960
Speaker 3: moves the ladder so that Jesse can't get down. He

790
00:36:59,040 --> 00:37:00,680
Speaker 3: says that they need to have a talk, and then

791
00:37:00,719 --> 00:37:02,960
Speaker 3: he tries to get Jesse to agree to release the

792
00:37:02,960 --> 00:37:06,759
Speaker 3: ferret into a safe environment after he catches him. Jesse

793
00:37:06,880 --> 00:37:08,800
Speaker 3: makes fun by saying he'll move him into a little

794
00:37:08,840 --> 00:37:11,960
Speaker 3: ferret condo, and then he starts to climb down using

795
00:37:12,040 --> 00:37:16,200
Speaker 3: Joey's shoulders. At this very moment, Stephanie, dj and Ronnie

796
00:37:16,239 --> 00:37:18,480
Speaker 3: come down to the garage to find Jesse upside down,

797
00:37:18,719 --> 00:37:21,880
Speaker 3: hanging from the crawl space and using Joey's shoulders as support.

798
00:37:22,480 --> 00:37:24,320
Speaker 2: Hello, they both say.

799
00:37:24,080 --> 00:37:27,600
Speaker 3: Simultaneously, and Ronnie responds, I'm in trouble.

800
00:37:28,560 --> 00:37:30,239
Speaker 2: Boy is she if this is who she has to

801
00:37:30,280 --> 00:37:30,680
Speaker 2: work with?

802
00:37:31,080 --> 00:37:33,960
Speaker 1: Right? But I was wondering, though, how was Jesse planning

803
00:37:33,960 --> 00:37:36,520
Speaker 1: on getting down? Because I it's not gonna work out well,

804
00:37:36,800 --> 00:37:39,680
Speaker 1: the ladder's got to come back. The ladder's Ronnie saying,

805
00:37:39,719 --> 00:37:40,520
Speaker 1: she's in trouble.

806
00:37:40,800 --> 00:37:43,120
Speaker 3: I mean, I feel like they're bozos.

807
00:37:43,280 --> 00:37:46,040
Speaker 1: They're bozos because that's never worked out in the history

808
00:37:46,040 --> 00:37:49,520
Speaker 1: of television to have idiots on television. Hey, are you kidding?

809
00:37:49,600 --> 00:37:52,760
Speaker 3: A TV producer would be thrilled. This is great.

810
00:37:52,840 --> 00:37:56,960
Speaker 1: This is content content, right, or maybe that's.

811
00:37:56,840 --> 00:38:00,440
Speaker 3: Just like post Real World. Yeah, reality TV. Yeah, maybe

812
00:38:00,440 --> 00:38:00,839
Speaker 3: that's it.

813
00:38:01,360 --> 00:38:03,040
Speaker 2: So we come back from a commercial break.

814
00:38:03,120 --> 00:38:06,600
Speaker 3: We're in the living room where Donnie Donnie, sorry, where

815
00:38:06,680 --> 00:38:09,960
Speaker 3: Ronnie is finishing setting up a new kids.

816
00:38:10,440 --> 00:38:11,359
Speaker 1: It's not kids.

817
00:38:11,400 --> 00:38:13,240
Speaker 3: I have new kids on the brain. Sorry, I'm getting

818
00:38:13,280 --> 00:38:15,560
Speaker 3: ready for the cruise. So I'm thinking I got Donnie

819
00:38:15,560 --> 00:38:18,960
Speaker 3: walmert on the rain. So Danny walks in from the

820
00:38:18,960 --> 00:38:21,279
Speaker 3: front door, and Ronnie says, great, you're here, let's go.

821
00:38:21,640 --> 00:38:23,879
Speaker 2: She has missed no nonsense.

822
00:38:23,840 --> 00:38:25,160
Speaker 1: Right, Ronica.

823
00:38:25,239 --> 00:38:27,080
Speaker 3: Excuse me, Ronnie, Ronnie, I'm down.

824
00:38:27,320 --> 00:38:29,600
Speaker 2: She's a little high strung. I have to admit.

825
00:38:30,360 --> 00:38:33,439
Speaker 3: Joey, who has been taking down the last planet from

826
00:38:33,480 --> 00:38:37,320
Speaker 3: the alcove, tells Danny that Ronnie thought that he should

827
00:38:37,320 --> 00:38:40,959
Speaker 3: move out. You know, I gotta admit, like I missed

828
00:38:40,960 --> 00:38:44,200
Speaker 3: the alcove, like seeing this again, like I miss I'm like,

829
00:38:44,320 --> 00:38:46,560
Speaker 3: you know it, I look at it and I'm not right.

830
00:38:47,000 --> 00:38:49,160
Speaker 3: I liked it better with the mannequin. Yeah, I miss

831
00:38:49,280 --> 00:38:51,200
Speaker 3: I miss Manny. I never thought i'd say that I

832
00:38:51,280 --> 00:38:52,160
Speaker 3: miss the planet.

833
00:38:52,200 --> 00:38:54,200
Speaker 1: I miss Manny. I missed the potato.

834
00:38:53,880 --> 00:38:56,759
Speaker 2: Head, I miss the cot I miss all of it.

835
00:38:56,840 --> 00:39:00,680
Speaker 1: Olive oil, yeah, bye, the weird parrot. I miss it all.

836
00:39:00,920 --> 00:39:02,520
Speaker 3: Yeah, I do too. I'm right there with you.

837
00:39:02,760 --> 00:39:03,239
Speaker 1: Yeah. Yeah.

838
00:39:03,239 --> 00:39:05,320
Speaker 3: So Joey says, you know this is fine, but Danny

839
00:39:05,360 --> 00:39:08,840
Speaker 3: doesn't agree. He asks Ronnie, don't you think Joey is important?

840
00:39:09,320 --> 00:39:12,440
Speaker 3: Ronnie replies that Joey is essential because he's going to

841
00:39:12,480 --> 00:39:15,080
Speaker 3: be holding the cue cards. I mean, it is an

842
00:39:15,160 --> 00:39:15,719
Speaker 3: essential job.

843
00:39:15,920 --> 00:39:18,640
Speaker 1: I was gonna say, if you've ever had to do something,

844
00:39:18,680 --> 00:39:19,400
Speaker 1: you need someone to.

845
00:39:19,400 --> 00:39:23,440
Speaker 3: Hold the cue cards. Yeah, very important, very important. Ronnie

846
00:39:23,440 --> 00:39:26,240
Speaker 3: says that she's going to set Danny apart from the crowd.

847
00:39:26,360 --> 00:39:30,120
Speaker 3: She's going to sell his family with class, style and sophistication.

848
00:39:30,880 --> 00:39:33,280
Speaker 3: She shoes Danny outside so he can make his entrance

849
00:39:33,360 --> 00:39:36,920
Speaker 3: on camera. Ronnie yells action and Danny enters and reads

850
00:39:36,960 --> 00:39:41,520
Speaker 3: the cue cards. He says, chow family, which he questions immediately.

851
00:39:42,320 --> 00:39:44,319
Speaker 3: Then Ronnie seats him on the couch and says, que

852
00:39:44,440 --> 00:39:48,080
Speaker 3: da Vinci. Da Vinci is a very large white poodle.

853
00:39:48,239 --> 00:39:49,880
Speaker 3: Who jumps into Danny's lap.

854
00:39:50,200 --> 00:39:53,200
Speaker 1: When the dog, I was like, oh, a pre comet.

855
00:39:53,200 --> 00:39:56,520
Speaker 3: Yeah, faux dog. It was adorable. I'm a poodle leter.

856
00:39:56,640 --> 00:39:58,600
Speaker 3: I've got a mini poodle of my own. So I

857
00:39:58,680 --> 00:40:00,080
Speaker 3: was so excited, very acute.

858
00:40:00,400 --> 00:40:04,319
Speaker 1: Adorable dog was very well focused on the trainer. Whenever

859
00:40:04,400 --> 00:40:06,440
Speaker 1: I see animals now, they're like just you can just

860
00:40:06,440 --> 00:40:08,919
Speaker 1: see him looking razor left of the lens, like yeah,

861
00:40:08,960 --> 00:40:13,240
Speaker 1: they're like, where is my tree? Right? But very cute dog. Cute,

862
00:40:13,239 --> 00:40:14,719
Speaker 1: But where did the dog run off to? Who did

863
00:40:14,719 --> 00:40:15,360
Speaker 1: the dog run off to?

864
00:40:15,719 --> 00:40:16,160
Speaker 3: Like your dog?

865
00:40:16,200 --> 00:40:16,680
Speaker 1: Dog is done?

866
00:40:16,719 --> 00:40:18,920
Speaker 2: Then the dog is Ronnie sent them away and he

867
00:40:19,040 --> 00:40:19,520
Speaker 2: just runs.

868
00:40:19,640 --> 00:40:21,480
Speaker 1: He just well, he got in his cab and he

869
00:40:21,560 --> 00:40:24,839
Speaker 1: was like about see you later, got my check, got

870
00:40:24,840 --> 00:40:25,359
Speaker 1: my day rate.

871
00:40:25,520 --> 00:40:26,360
Speaker 3: See hey guys.

872
00:40:26,600 --> 00:40:26,839
Speaker 1: Right.

873
00:40:26,960 --> 00:40:30,160
Speaker 3: So dj and Stephanie entered the room, wearing matching long

874
00:40:30,280 --> 00:40:35,400
Speaker 3: black skirts, white tops, pearl necklaces, and carrying string instruments,

875
00:40:35,480 --> 00:40:36,880
Speaker 3: the violin and the cello.

876
00:40:37,800 --> 00:40:40,080
Speaker 1: I was so excited to carry that cello. I always

877
00:40:40,080 --> 00:40:40,920
Speaker 1: wanted to play the cello.

878
00:40:41,320 --> 00:40:42,960
Speaker 2: I'm impressed with you, like, you're very strong.

879
00:40:42,960 --> 00:40:45,680
Speaker 3: You're carrying lots of large objects in these episodes, and

880
00:40:45,680 --> 00:40:48,160
Speaker 3: now you're carrying a cello. I'm very very impressed.

881
00:40:48,600 --> 00:40:48,960
Speaker 1: Thank you.

882
00:40:49,160 --> 00:40:52,279
Speaker 3: It's all your hit workouts, did I mean?

883
00:40:52,400 --> 00:40:54,919
Speaker 1: Yeah, I was, you know, all the stunt work I did.

884
00:40:54,960 --> 00:40:56,920
Speaker 1: Really it built up my upper body strength, you know

885
00:40:56,960 --> 00:40:59,879
Speaker 1: when you've got to suspend yourself from curtains and reel yourself.

886
00:40:59,560 --> 00:41:02,879
Speaker 3: Across oh toy chest. That's a lot of upper bodies.

887
00:41:02,719 --> 00:41:03,920
Speaker 1: And build up the guns, you know.

888
00:41:04,719 --> 00:41:08,520
Speaker 3: So dja is Stephanie speak informal awkward language like oh, father,

889
00:41:08,719 --> 00:41:10,400
Speaker 3: how excellent to see you, Papa?

890
00:41:10,800 --> 00:41:13,719
Speaker 2: You miss Papa is so funny.

891
00:41:14,000 --> 00:41:16,320
Speaker 1: I think I was. And I remember Brian Cale giving

892
00:41:16,320 --> 00:41:17,040
Speaker 1: me like a.

893
00:41:16,880 --> 00:41:17,600
Speaker 3: Note he did.

894
00:41:17,840 --> 00:41:19,560
Speaker 1: I think I was saying yes, Papa, and he was

895
00:41:19,600 --> 00:41:22,759
Speaker 1: like no, no, no, do it like Papa. And I

896
00:41:22,920 --> 00:41:25,200
Speaker 1: was like, okay, you know, and he excused to be

897
00:41:25,280 --> 00:41:27,640
Speaker 1: ridiculous in fancy. So that, yeah, that was a very

898
00:41:27,640 --> 00:41:28,520
Speaker 1: into the pronouncement.

899
00:41:29,160 --> 00:41:31,920
Speaker 2: Great note and a great pronunciation.

900
00:41:31,440 --> 00:41:34,319
Speaker 1: Right, and I addiction very important the.

901
00:41:34,320 --> 00:41:35,920
Speaker 2: Diiction A plus addiction.

902
00:41:36,080 --> 00:41:40,759
Speaker 3: Car Pa, Papa. Ronnie cues the housekeeper and in walks Jesse,

903
00:41:41,000 --> 00:41:44,080
Speaker 3: wearing a tuxedo vest and carrying a silver tea tray.

904
00:41:44,840 --> 00:41:47,399
Speaker 3: TEA time for the Tanners, He says, with a fake

905
00:41:47,520 --> 00:41:51,160
Speaker 3: British accent. He offers tea to the girls and says,

906
00:41:51,280 --> 00:41:54,799
Speaker 3: Buffy Jody, what do you know what that's from? No,

907
00:41:54,920 --> 00:41:58,359
Speaker 3: Buffy and Jody were two characters on eight is Enough.

908
00:41:59,239 --> 00:42:01,600
Speaker 3: One of the characters was named Jody, and.

909
00:42:01,280 --> 00:42:03,719
Speaker 1: And they would uh. There was also like a whole

910
00:42:03,960 --> 00:42:06,120
Speaker 1: like good night Jody, good night, Buffy, good night whatever.

911
00:42:07,160 --> 00:42:09,919
Speaker 1: But that was a joke that they made a lot

912
00:42:09,960 --> 00:42:12,800
Speaker 1: because they could say my name, yeah, okay, but as

913
00:42:12,880 --> 00:42:15,399
Speaker 1: a character name. And if you see, if you watch

914
00:42:15,520 --> 00:42:18,520
Speaker 1: John say Buffy Jody, I like get so giggly because.

915
00:42:19,840 --> 00:42:22,719
Speaker 3: Yeah, it's like, yeah, he's It's like he's right, he's

916
00:42:22,760 --> 00:42:24,839
Speaker 3: doing something wrong. He's calling me by your real name,

917
00:42:24,880 --> 00:42:25,399
Speaker 3: not by right.

918
00:42:25,440 --> 00:42:27,520
Speaker 1: Oh yeah. And by the way, I have not as

919
00:42:27,520 --> 00:42:30,040
Speaker 1: I've been watching these, I've noticed like how much I'm

920
00:42:30,120 --> 00:42:32,280
Speaker 1: just like, what's going on over there by those cameras

921
00:42:33,400 --> 00:42:36,960
Speaker 1: stop playing attention just well, no, I'm paying attention to

922
00:42:37,080 --> 00:42:40,719
Speaker 1: everything as usual, and so I'm like, just what's up?

923
00:42:40,719 --> 00:42:43,520
Speaker 1: What are they doing? I can constantly see myself looking

924
00:42:43,520 --> 00:42:43,839
Speaker 1: off set.

925
00:42:43,880 --> 00:42:48,400
Speaker 3: It's very funny. Oh Jody, oh Jody. Yes, so, Joey says,

926
00:42:48,480 --> 00:42:50,640
Speaker 3: now you know why I didn't fight too hard to

927
00:42:50,680 --> 00:42:54,120
Speaker 3: stay in this thing. Danny asked, Okay, what does any

928
00:42:54,160 --> 00:42:56,880
Speaker 3: of this have to do with my family? Ronnie ignores

929
00:42:56,920 --> 00:43:00,239
Speaker 3: him and cues the baby Michelle. It walks of child

930
00:43:00,239 --> 00:43:03,399
Speaker 3: who is definitely not Michelle. She's about three, No, she's

931
00:43:03,400 --> 00:43:05,560
Speaker 3: three or four years old. She's got dark hair, and

932
00:43:05,600 --> 00:43:06,839
Speaker 3: she says, Hi, Danny.

933
00:43:06,600 --> 00:43:12,360
Speaker 1: Asian, Yes she is. It was I was like, wait what, yeah.

934
00:43:12,120 --> 00:43:13,680
Speaker 3: Bit, that is not Michelle.

935
00:43:13,719 --> 00:43:15,960
Speaker 2: But she's wearing the same outfit as you and DJ.

936
00:43:16,200 --> 00:43:18,120
Speaker 3: Like, she's dressed the same with the pearls and the

937
00:43:18,160 --> 00:43:20,640
Speaker 3: long skirt, you know. But there's definitely like a triplet

938
00:43:20,640 --> 00:43:24,200
Speaker 3: thing happening here. Uh So, naturally Danny is confused and

939
00:43:24,239 --> 00:43:25,360
Speaker 3: he's like, who is this child?

940
00:43:26,000 --> 00:43:29,160
Speaker 1: Yeah? I would also be like, I'm sorry what.

941
00:43:30,960 --> 00:43:33,239
Speaker 3: And Ronnie replies that that the girl is playing the

942
00:43:33,320 --> 00:43:36,120
Speaker 3: role of Danny's adopted daughter. We thought it would be

943
00:43:36,160 --> 00:43:39,160
Speaker 3: great for your image, she says, and Danny sends the

944
00:43:39,160 --> 00:43:40,480
Speaker 3: little girl back into the kitchen.

945
00:43:40,719 --> 00:43:45,440
Speaker 1: Because adoptees are props, really really like like this this

946
00:43:45,680 --> 00:43:47,479
Speaker 1: of Ronnie. Ronnie, this one.

947
00:43:47,560 --> 00:43:50,359
Speaker 3: I was like, yeah, this is a lot of work

948
00:43:50,400 --> 00:43:51,720
Speaker 3: that she has put into this.

949
00:43:51,719 --> 00:43:55,440
Speaker 1: This fake Pronnie is I don't know, Ronnie is doing

950
00:43:55,480 --> 00:43:57,560
Speaker 1: some things. Yes, Ronnie's how Ronnie got this job in

951
00:43:57,560 --> 00:43:58,520
Speaker 1: the first place, because she's.

952
00:43:58,400 --> 00:44:00,879
Speaker 3: Probably great at it. Not impressed. Not impressed with her,

953
00:44:01,640 --> 00:44:03,880
Speaker 3: and Danny asks the guys, He's like, why are you

954
00:44:03,920 --> 00:44:06,839
Speaker 3: going along with this charade? And Jesse responds that they

955
00:44:06,880 --> 00:44:08,920
Speaker 3: knew the promo was very important to him, so they

956
00:44:08,920 --> 00:44:11,840
Speaker 3: wanted to play along. Ronnie explains that television news is

957
00:44:11,920 --> 00:44:16,120
Speaker 3: very competitive and you gotta do something different. Danny stands

958
00:44:16,160 --> 00:44:18,239
Speaker 3: up for himself and says he is proud of who

959
00:44:18,280 --> 00:44:21,560
Speaker 3: they are. He has a loving family and friends who

960
00:44:21,600 --> 00:44:24,560
Speaker 3: are willing to do anything to help out. He states

961
00:44:24,560 --> 00:44:27,520
Speaker 3: that he's going to direct this thing himself while Ronnie

962
00:44:27,680 --> 00:44:30,960
Speaker 3: gets to hold the cue cards. Huh take that, Ronnie.

963
00:44:31,239 --> 00:44:35,719
Speaker 3: After the commercial break, it's later that night. And wait

964
00:44:35,760 --> 00:44:36,800
Speaker 3: a minute.

965
00:44:36,560 --> 00:44:38,920
Speaker 1: And you're you're I know, we haven't come in there.

966
00:44:39,080 --> 00:44:40,239
Speaker 3: No, I'm out of order.

967
00:44:40,400 --> 00:44:42,600
Speaker 1: Oh no, wait no, we're right, We're right. They come

968
00:44:42,640 --> 00:44:44,400
Speaker 1: we come back for she so she makes the poudy

969
00:44:44,480 --> 00:44:47,439
Speaker 1: face with the with the que cards. She's like and

970
00:44:47,520 --> 00:44:50,799
Speaker 1: then commercial cut to commercial break. We come back and

971
00:44:50,880 --> 00:44:54,759
Speaker 1: now we're watching the watching the promo. Inner cuts, we're

972
00:44:54,760 --> 00:44:58,359
Speaker 1: interchanges that we're watching the family in real time, and

973
00:44:58,360 --> 00:45:01,759
Speaker 1: then we're cutting between what the family is seeing on

974
00:45:01,800 --> 00:45:04,200
Speaker 1: the screen, which is when we go to different locations.

975
00:45:04,239 --> 00:45:06,360
Speaker 3: Yeah's that's it. That's why I was confused. I'm like,

976
00:45:06,400 --> 00:45:07,440
Speaker 3: what will is it?

977
00:45:07,600 --> 00:45:08,120
Speaker 1: Inner cut?

978
00:45:08,200 --> 00:45:10,880
Speaker 3: The old inter cut? I love a good inner cut. Yes,

979
00:45:11,800 --> 00:45:15,120
Speaker 3: And Kimmy's there, and I was, Yes, Gibbler is there

980
00:45:15,280 --> 00:45:17,359
Speaker 3: watching the promo with the family. I don't know why

981
00:45:17,400 --> 00:45:19,800
Speaker 3: I'm there. I don't have any lines, but I'm just excited.

982
00:45:19,400 --> 00:45:21,520
Speaker 1: Because you were probably legally required to be in at

983
00:45:21,560 --> 00:45:22,719
Speaker 1: least two scenes to get paid for.

984
00:45:22,719 --> 00:45:27,520
Speaker 3: The week, right exactly, Like, let's just throw put her there.

985
00:45:27,680 --> 00:45:30,520
Speaker 3: Don't give her lines, We'll just put her there. So

986
00:45:31,120 --> 00:45:33,560
Speaker 3: we're watching the promo on the Tanner TV. Danny walks

987
00:45:33,600 --> 00:45:35,799
Speaker 3: in the front door. Danny goes to the girls room

988
00:45:35,800 --> 00:45:38,880
Speaker 3: where they're doing their homework at that tiny table, and

989
00:45:38,920 --> 00:45:42,400
Speaker 3: the girls are wearing these giant these Giants baseball caps

990
00:45:42,440 --> 00:45:45,800
Speaker 3: and smiling cutely at the canter. How much those are worth? Yeah? Right?

991
00:45:46,040 --> 00:45:46,480
Speaker 3: Like seven?

992
00:45:49,640 --> 00:45:51,160
Speaker 1: And the banners the little felt.

993
00:45:51,200 --> 00:45:53,560
Speaker 2: Oh yeah, they had the little pennants.

994
00:45:53,000 --> 00:45:54,839
Speaker 3: Or whatever they're that ship.

995
00:45:54,920 --> 00:46:00,480
Speaker 1: Were we sponsored by the San Giants? I wonder, Lord,

996
00:46:00,719 --> 00:46:03,200
Speaker 1: I mean we really lean into the San Francisco of it.

997
00:46:03,280 --> 00:46:06,120
Speaker 1: Now I get why the show is so it's you know,

998
00:46:06,719 --> 00:46:07,520
Speaker 1: full house.

999
00:46:07,320 --> 00:46:10,720
Speaker 3: It's everywhere you'll treat. Yeah, it's the giants are everywhere

1000
00:46:10,719 --> 00:46:13,360
Speaker 3: you look in this show. At least it's we're definitely

1001
00:46:13,400 --> 00:46:16,920
Speaker 3: in San Francisco. And the girls remind the audience to

1002
00:46:16,920 --> 00:46:19,439
Speaker 3: watch their dad do the sports at four, six and ten,

1003
00:46:19,560 --> 00:46:21,440
Speaker 3: which is very late for him to be working. But

1004
00:46:21,600 --> 00:46:22,160
Speaker 3: that's okay.

1005
00:46:22,280 --> 00:46:22,879
Speaker 2: People need their.

1006
00:46:22,840 --> 00:46:25,560
Speaker 3: Sports because we've never worked late with our kids before.

1007
00:46:25,640 --> 00:46:28,719
Speaker 3: Oh true, Okay, yeah, that's true. And that's why he

1008
00:46:28,800 --> 00:46:33,040
Speaker 3: has Joey and Jesse. Yeah, viz. Yeah, it's very long

1009
00:46:33,120 --> 00:46:34,319
Speaker 3: working hours, very long.

1010
00:46:35,520 --> 00:46:36,799
Speaker 2: Next we're in Michelle's room.

1011
00:46:37,160 --> 00:46:39,880
Speaker 3: Jesse and Joey have Michelle on the changing table and

1012
00:46:39,960 --> 00:46:43,080
Speaker 3: Danny makes introductions to the camera and he says that

1013
00:46:43,200 --> 00:46:47,160
Speaker 3: Jesse has a rock band named Jesse Cochran and the Rippers.

1014
00:46:47,480 --> 00:46:50,360
Speaker 1: We have I always just thought it was Jesse and

1015
00:46:50,400 --> 00:46:52,840
Speaker 1: the Rippers. Well, I think it's Jesse Cochran. No, this

1016
00:46:53,000 --> 00:46:54,440
Speaker 1: is Jesse Cochran and the Rippers.

1017
00:46:54,480 --> 00:46:56,480
Speaker 3: He does say that, so, and I think they dropped

1018
00:46:56,520 --> 00:46:59,400
Speaker 3: the Cochrane when John changed the name.

1019
00:46:59,640 --> 00:47:02,440
Speaker 1: Right, because Jesse Kutzopolis and the rippers is just a mouthful,

1020
00:47:02,480 --> 00:47:02,920
Speaker 1: you know what I mean.

1021
00:47:03,480 --> 00:47:04,640
Speaker 2: Yeah, nobody doesn't flow.

1022
00:47:04,719 --> 00:47:07,120
Speaker 3: It doesn't flow, So I agree with that change, but.

1023
00:47:07,000 --> 00:47:09,480
Speaker 1: This things felt like Cochrane and Cockroach were just two

1024
00:47:09,960 --> 00:47:13,959
Speaker 1: similar yea Jesse cockroach. I mean that's what he should

1025
00:47:14,000 --> 00:47:19,400
Speaker 1: have gone with, Jesse cockroach for company, Jesse Jesse cockroach Cochrane,

1026
00:47:19,520 --> 00:47:20,080
Speaker 1: you know what I mean.

1027
00:47:20,200 --> 00:47:23,279
Speaker 3: He would have been booked solid, you know, Jesse and

1028
00:47:23,320 --> 00:47:27,920
Speaker 3: the cockroaches. So Joey does a baby voice for Michelle,

1029
00:47:27,960 --> 00:47:30,360
Speaker 3: and DJ asks for a raise in her allowance. The

1030
00:47:30,400 --> 00:47:34,000
Speaker 3: family waves at the camera and that's the promo, and

1031
00:47:34,080 --> 00:47:36,120
Speaker 3: back in the back on the couch, the family in

1032
00:47:36,160 --> 00:47:41,240
Speaker 3: real time is applouding enthusiastically yay yay. DJ again asks

1033
00:47:41,280 --> 00:47:43,359
Speaker 3: for a raise in her allowance, and Stephanie says they

1034
00:47:43,440 --> 00:47:48,200
Speaker 3: might receive eighteen letters tomorrow. Ooops. Danny leads the family

1035
00:47:48,200 --> 00:47:51,440
Speaker 3: into the kitchen to celebrate with ice cream, but we

1036
00:47:51,480 --> 00:47:55,040
Speaker 3: hear the ferret again. Jesse runs over to the bay window,

1037
00:47:55,080 --> 00:47:58,760
Speaker 3: where at last he retrieves this ferret, a white and gray,

1038
00:47:58,880 --> 00:48:00,000
Speaker 3: long furry animal.

1039
00:48:00,760 --> 00:48:02,560
Speaker 2: Is this a real This must have been a real ferret?

1040
00:48:02,560 --> 00:48:04,280
Speaker 3: Like, I don't know where you rent one of these things.

1041
00:48:04,320 --> 00:48:07,000
Speaker 1: But like the well, of course it was a real ferret.

1042
00:48:07,040 --> 00:48:08,440
Speaker 1: Did you think it was a fake ferret? It's not

1043
00:48:08,480 --> 00:48:09,640
Speaker 1: an electronic ferret?

1044
00:48:09,840 --> 00:48:11,560
Speaker 3: Like where do you who do you call to say, hey,

1045
00:48:11,600 --> 00:48:14,200
Speaker 3: animal trainer, here's just bring me your nearest ferret. You know,

1046
00:48:14,280 --> 00:48:16,960
Speaker 3: this is not a pets.

1047
00:48:16,840 --> 00:48:17,399
Speaker 1: That's the thing.

1048
00:48:17,480 --> 00:48:18,279
Speaker 3: Are pets?

1049
00:48:18,680 --> 00:48:22,800
Speaker 1: Well not legally in California, but you But my neighbor

1050
00:48:22,800 --> 00:48:24,919
Speaker 1: across the street had a ferret when I was a kid,

1051
00:48:25,320 --> 00:48:29,719
Speaker 1: and they are stinky out, terrible little creatures. They really

1052
00:48:29,760 --> 00:48:32,600
Speaker 1: aren't that great. They're rodents. Yeah, well I could be

1053
00:48:32,680 --> 00:48:35,960
Speaker 1: wrong again. I'm gonna go into my poor zoological fact here,

1054
00:48:36,040 --> 00:48:41,000
Speaker 1: but they are rodents, little ferret things, you know, and

1055
00:48:41,239 --> 00:48:44,640
Speaker 1: minx are the female version which we make coats out of.

1056
00:48:44,920 --> 00:48:51,200
Speaker 1: Oh uh, but yeah, they more than likely that ferret

1057
00:48:51,239 --> 00:48:54,440
Speaker 1: that's in the Tanner household is someone's pet, because there's

1058
00:48:54,480 --> 00:48:57,680
Speaker 1: I just don't think there's a large population of random

1059
00:48:57,719 --> 00:49:02,759
Speaker 1: wild ferrets running around San Francisco. It's probably I think

1060
00:49:02,760 --> 00:49:04,279
Speaker 1: it's it's someone's pet.

1061
00:49:04,360 --> 00:49:06,600
Speaker 3: It's got to be someone's pet. Gotta be someone's you know,

1062
00:49:06,960 --> 00:49:09,320
Speaker 3: rats are dirty and nobody wants to see a rat,

1063
00:49:09,520 --> 00:49:09,680
Speaker 3: you know.

1064
00:49:09,719 --> 00:49:10,960
Speaker 2: But a ferret's kind of cutting, right.

1065
00:49:10,920 --> 00:49:12,719
Speaker 1: No one wants to see a rat, but a ferret

1066
00:49:12,760 --> 00:49:15,440
Speaker 1: is a more acceptable version of a rodent.

1067
00:49:15,840 --> 00:49:20,080
Speaker 3: Okay, But I have to say.

1068
00:49:18,680 --> 00:49:22,280
Speaker 1: The monster timeline of the ferret, like that B story

1069
00:49:22,600 --> 00:49:25,240
Speaker 1: was a little and I'm I maybe.

1070
00:49:24,920 --> 00:49:26,080
Speaker 3: You know, oh, tell me, tell me.

1071
00:49:26,480 --> 00:49:30,879
Speaker 1: I just it's kind of it felt like a payoff. Oh,

1072
00:49:31,239 --> 00:49:34,080
Speaker 1: it felt like a like I was wondering. I was like,

1073
00:49:34,080 --> 00:49:36,040
Speaker 1: why do we write the ferret storyline?

1074
00:49:36,560 --> 00:49:37,000
Speaker 2: I don't know.

1075
00:49:37,080 --> 00:49:39,279
Speaker 3: I mean there was that the physical comedy bit in

1076
00:49:39,320 --> 00:49:41,640
Speaker 3: the garage where you know, Jesse's in the Carl space

1077
00:49:41,680 --> 00:49:42,279
Speaker 3: upside down.

1078
00:49:42,440 --> 00:49:45,320
Speaker 2: So maybe it was to have a funny bit between

1079
00:49:45,360 --> 00:49:45,719
Speaker 2: Joey and.

1080
00:49:45,719 --> 00:49:47,640
Speaker 3: J I don't know. I guess we'll agree it was

1081
00:49:47,680 --> 00:49:48,560
Speaker 3: a weak storyline.

1082
00:49:48,640 --> 00:49:53,879
Speaker 1: Also breaking news according to our wonderful Factor producer, see,

1083
00:49:53,880 --> 00:49:57,400
Speaker 1: ferrets aren't rodents. They're actually part of the weasel family.

1084
00:50:00,080 --> 00:50:02,319
Speaker 1: They don't well, they don't meet the requirements for being

1085
00:50:02,360 --> 00:50:05,360
Speaker 1: a rodent, which includes having continuously growing incisors, which is

1086
00:50:05,360 --> 00:50:08,080
Speaker 1: why rats have to chew on Does their teeth constantly grow?

1087
00:50:08,280 --> 00:50:10,560
Speaker 3: Wow? So I did not think that. Yeah, you know

1088
00:50:10,640 --> 00:50:11,719
Speaker 3: a lot about.

1089
00:50:12,320 --> 00:50:15,120
Speaker 1: Reading from a fact, don't That's but I do know

1090
00:50:15,160 --> 00:50:16,759
Speaker 1: that that's why rats have to like chew on things

1091
00:50:16,800 --> 00:50:20,360
Speaker 1: because they they will their teeth keep growing, which is

1092
00:50:20,400 --> 00:50:25,640
Speaker 1: why they bite pretty painfully. But yeah, weasels, weasels, all right,

1093
00:50:25,680 --> 00:50:27,799
Speaker 1: but yeah, just tell it like a weird b storyline

1094
00:50:27,920 --> 00:50:29,920
Speaker 1: of like a loose weasel, you know.

1095
00:50:30,200 --> 00:50:31,120
Speaker 2: Yeah, I thought it would.

1096
00:50:31,160 --> 00:50:33,480
Speaker 3: I thought it would come to a more dramatic ending

1097
00:50:33,560 --> 00:50:35,520
Speaker 3: of a weasel or the ferret chase scene around the

1098
00:50:35,520 --> 00:50:36,120
Speaker 3: house or something.

1099
00:50:36,160 --> 00:50:37,080
Speaker 2: But now he just lifts it up.

1100
00:50:37,120 --> 00:50:40,239
Speaker 1: And to be honest, it really it really the timeline

1101
00:50:40,280 --> 00:50:44,200
Speaker 1: of it was the loose ferret and the weasel thing, yeah,

1102
00:50:44,880 --> 00:50:46,400
Speaker 1: really was the thing that threw us off.

1103
00:50:46,280 --> 00:50:46,960
Speaker 3: With Joey's room.

1104
00:50:47,040 --> 00:50:49,120
Speaker 1: So I just feel like the weasel was a It

1105
00:50:49,160 --> 00:50:53,040
Speaker 1: was an odd choice. We did have now two animals.

1106
00:50:53,080 --> 00:50:55,600
Speaker 1: We had two animal and a poodle and a weasel.

1107
00:50:55,680 --> 00:50:57,080
Speaker 1: For excuse me, a poodle and a ferret.

1108
00:50:57,120 --> 00:50:59,000
Speaker 3: A poodle and a fair I love it, you know,

1109
00:50:59,400 --> 00:51:02,200
Speaker 3: does not not your average animal with a ferret and

1110
00:51:02,200 --> 00:51:05,080
Speaker 3: even the big standard poodle. You don't see those are

1111
00:51:05,200 --> 00:51:08,800
Speaker 3: it's normally a joke, do like, Well, they're usually groomed,

1112
00:51:09,080 --> 00:51:11,960
Speaker 3: prissy poodle, They're usually prissy, right right, This one was

1113
00:51:12,040 --> 00:51:12,600
Speaker 3: very fluffy.

1114
00:51:12,600 --> 00:51:14,960
Speaker 2: It was more like a doodle in my opinion, but

1115
00:51:15,080 --> 00:51:15,279
Speaker 2: it was.

1116
00:51:15,320 --> 00:51:17,440
Speaker 1: Da Vinci the doodle, Da Vinci the doodle.

1117
00:51:17,600 --> 00:51:19,760
Speaker 3: Oh so cute, so cute.

1118
00:51:20,920 --> 00:51:23,280
Speaker 1: So they they get the ferret.

1119
00:51:23,480 --> 00:51:25,840
Speaker 3: Jesse promises Joey that he's going to take the ferret

1120
00:51:25,880 --> 00:51:28,120
Speaker 3: to Big Sir and set him free in a safe way.

1121
00:51:28,560 --> 00:51:31,480
Speaker 3: Joey is relieved, and the guy's exit to the kitchen

1122
00:51:31,560 --> 00:51:35,480
Speaker 3: while once again singing born free, as free as the

1123
00:51:35,560 --> 00:51:38,680
Speaker 3: wind blows, so and that's our joy.

1124
00:51:39,200 --> 00:51:42,239
Speaker 1: Jesse picks up this thing with no gloves and takes

1125
00:51:42,280 --> 00:51:43,800
Speaker 1: it into the kitchen where they're eating dinner.

1126
00:51:44,000 --> 00:51:47,680
Speaker 3: Yes, well, the catcher's mitt is probably back down in.

1127
00:51:47,640 --> 00:51:50,879
Speaker 1: This pest control specialist is playing fast and loose. Here

1128
00:51:51,200 --> 00:51:54,240
Speaker 1: he is with an unknown, potentially rabid ferret.

1129
00:51:54,960 --> 00:51:57,480
Speaker 2: You know, I I wouldn't hire him.

1130
00:51:57,480 --> 00:52:01,040
Speaker 3: I wouldn't hire him as my uh my past control specialist,

1131
00:52:01,160 --> 00:52:01,839
Speaker 3: that's for sure.

1132
00:52:01,840 --> 00:52:04,920
Speaker 1: Well, I mean, I don't know how much pests he's controlling,

1133
00:52:05,000 --> 00:52:07,200
Speaker 1: but he's doing a lot of other things on the job,

1134
00:52:07,320 --> 00:52:09,320
Speaker 1: so maybe the ferre it's the least of his problems.

1135
00:52:09,360 --> 00:52:11,200
Speaker 3: He's just trying to get the women. He just wants

1136
00:52:11,320 --> 00:52:14,040
Speaker 3: to extorminate these women's houses, so then you can have

1137
00:52:14,040 --> 00:52:17,479
Speaker 3: a date. That's the purpose of his job. Oh Jesse,

1138
00:52:18,800 --> 00:52:22,319
Speaker 3: oh boy, well that you look tell us you're what

1139
00:52:22,360 --> 00:52:23,920
Speaker 3: do you haven't everywhere you look moment?

1140
00:52:24,080 --> 00:52:26,600
Speaker 1: Well I did have. I had an everywhere you look moment,

1141
00:52:28,640 --> 00:52:32,800
Speaker 1: but it's not one that we sort of haven't had before,

1142
00:52:34,400 --> 00:52:39,239
Speaker 1: which is everywhere you look. Joey is again wearing double

1143
00:52:39,320 --> 00:52:40,000
Speaker 1: Swatch watches.

1144
00:52:40,080 --> 00:52:40,759
Speaker 3: Oh he is.

1145
00:52:41,360 --> 00:52:43,880
Speaker 1: He's again wearing double Swatches.

1146
00:52:43,960 --> 00:52:45,480
Speaker 2: He's he's very committed to that.

1147
00:52:45,520 --> 00:52:49,239
Speaker 3: Look. That's you know, it's a part of his geometric

1148
00:52:49,360 --> 00:52:51,759
Speaker 3: shaped shirt cartoon shirts.

1149
00:52:51,840 --> 00:52:53,480
Speaker 1: Right, look at me. I'm so wacky.

1150
00:52:53,520 --> 00:52:56,879
Speaker 3: I've got two watches. Okay, well, hey, he can pull

1151
00:52:56,920 --> 00:52:57,239
Speaker 3: it off.

1152
00:52:57,239 --> 00:52:59,000
Speaker 2: He's the one character that really can.

1153
00:52:58,840 --> 00:52:59,279
Speaker 3: Pull it off.

1154
00:52:59,280 --> 00:53:01,280
Speaker 1: That was the that was the everywhere you look moment

1155
00:53:01,320 --> 00:53:03,440
Speaker 1: for me and what.

1156
00:53:04,000 --> 00:53:07,160
Speaker 3: I've got one? I've got one and it blew my mind.

1157
00:53:07,280 --> 00:53:08,319
Speaker 3: I don't even think you noticed.

1158
00:53:08,400 --> 00:53:12,799
Speaker 1: John's pronunciation of signor is hilarious because he keeps calling

1159
00:53:12,880 --> 00:53:17,000
Speaker 1: it senior ferret. It's just an old ferret. He's like

1160
00:53:17,080 --> 00:53:17,840
Speaker 1: senior ferret.

1161
00:53:18,280 --> 00:53:20,960
Speaker 3: And it's supposed to be supposed to be signor ferret,

1162
00:53:21,000 --> 00:53:22,120
Speaker 3: but he's like senior ferret.

1163
00:53:22,719 --> 00:53:26,600
Speaker 1: Brian opposed to junior Ferret right sophomore Ferret.

1164
00:53:28,920 --> 00:53:31,120
Speaker 3: And I can just see Brian Cale chasing after John

1165
00:53:31,120 --> 00:53:32,560
Speaker 3: trying to get him to pronounce it the right way,

1166
00:53:32,560 --> 00:53:35,319
Speaker 3: and I don't know, it's not listening to him.

1167
00:53:35,680 --> 00:53:36,880
Speaker 2: That's exactly what happened.

1168
00:53:37,880 --> 00:53:41,239
Speaker 3: Well, my everywhere you look moment about this.

1169
00:53:41,320 --> 00:53:42,919
Speaker 2: Okay, So, Jody, the.

1170
00:53:42,880 --> 00:53:46,440
Speaker 3: Sweatshirt that you're wearing in the last scene when we're

1171
00:53:46,480 --> 00:53:48,919
Speaker 3: all watching the promo on the couch.

1172
00:53:48,960 --> 00:53:50,960
Speaker 1: Right right right with the little like TV's on it.

1173
00:53:51,200 --> 00:53:55,480
Speaker 3: Yes, I wore that sweatshirt in episode three back to

1174
00:53:55,520 --> 00:53:56,880
Speaker 3: School or the first day of school.

1175
00:53:57,000 --> 00:53:58,359
Speaker 2: I Kimmy was wearing that.

1176
00:53:58,760 --> 00:54:02,400
Speaker 3: Oh my god, and you're exact same sweatshirt.

1177
00:54:01,960 --> 00:54:03,680
Speaker 1: In the next ep I think in the next episode,

1178
00:54:03,680 --> 00:54:05,840
Speaker 1: I'm wearing a repeat of something. This was again the

1179
00:54:05,880 --> 00:54:10,040
Speaker 1: first like twelve episodes. We were probably reusing wardrobe because

1180
00:54:10,680 --> 00:54:12,520
Speaker 1: I didn't get picked up full for a full season,

1181
00:54:12,600 --> 00:54:15,200
Speaker 1: so it was like real people where you actually have

1182
00:54:15,239 --> 00:54:19,200
Speaker 1: to wear things repeatedly, like a normal house. But I

1183
00:54:19,200 --> 00:54:21,560
Speaker 1: didn't know that that was your sweatshirt. It was because

1184
00:54:21,600 --> 00:54:23,279
Speaker 1: I was thinking I was wearing it and I was like,

1185
00:54:23,600 --> 00:54:25,839
Speaker 1: it's so cute on stuff, like it's all big and

1186
00:54:25,880 --> 00:54:28,560
Speaker 1: baggy and very now I know why because it was yours.

1187
00:54:29,680 --> 00:54:33,279
Speaker 3: Thanks Oh yeahs Kimmy. I was as soon as I

1188
00:54:33,320 --> 00:54:34,600
Speaker 3: saw it, I was like, I think I wore that,

1189
00:54:34,719 --> 00:54:36,400
Speaker 3: And then I went and looked. I went back to

1190
00:54:36,440 --> 00:54:38,279
Speaker 3: episode three and looked, and I'm like, yep, that is

1191
00:54:38,280 --> 00:54:39,840
Speaker 3: the exact same sweatshirt.

1192
00:54:40,280 --> 00:54:42,040
Speaker 2: Well, sharing clothes from an.

1193
00:54:42,000 --> 00:54:44,279
Speaker 1: Own you know, maybe yeah, Kimmy and stuff. You know,

1194
00:54:45,239 --> 00:54:47,279
Speaker 1: she was like, hey, can I borrow your sweatshirt? M

1195
00:54:47,760 --> 00:54:48,640
Speaker 1: or maybe she stole it.

1196
00:54:48,960 --> 00:54:51,360
Speaker 3: She probably stole it. I mean, remember this is the

1197
00:54:51,360 --> 00:54:54,000
Speaker 3: start of our frenemy ship, so I think maybe you

1198
00:54:54,040 --> 00:54:56,839
Speaker 3: know what, we were close shorrowed it. She was like, yeah, sure,

1199
00:54:56,880 --> 00:54:57,200
Speaker 3: I'll do it.

1200
00:54:57,200 --> 00:55:00,400
Speaker 1: And then she spilled something on it and ruined it.

1201
00:55:00,560 --> 00:55:02,600
Speaker 1: And then Kimmy and that was right, and that was

1202
00:55:02,640 --> 00:55:03,359
Speaker 1: like part of it too.

1203
00:55:03,400 --> 00:55:05,719
Speaker 3: It was like this little kid and this little kid

1204
00:55:06,000 --> 00:55:09,160
Speaker 3: spilling stuff on my sweatshirt. That's it. That's it.

1205
00:55:09,320 --> 00:55:12,000
Speaker 2: Origin story of the frenemy ship right here.

1206
00:55:12,120 --> 00:55:13,680
Speaker 1: People all started with a sweatshirt.

1207
00:55:14,600 --> 00:55:16,719
Speaker 3: So not a bad episode, not a bad The a.

1208
00:55:16,840 --> 00:55:20,040
Speaker 1: Storyline was the very first promo. I don't know that we

1209
00:55:20,120 --> 00:55:23,719
Speaker 1: ever had our very second promo, but our very first one.

1210
00:55:24,360 --> 00:55:25,040
Speaker 1: Went pretty well.

1211
00:55:25,120 --> 00:55:27,520
Speaker 3: It went pretty well, pretty well, Yeah, not bad. I'm

1212
00:55:27,520 --> 00:55:30,359
Speaker 3: glad Danny took over and didn't let Ronnie run the show.

1213
00:55:30,640 --> 00:55:35,400
Speaker 1: No, Ronnie, Ronnie, and I gotta say, Ronnie is coming

1214
00:55:35,480 --> 00:55:36,320
Speaker 1: into a house.

1215
00:55:37,719 --> 00:55:40,000
Speaker 3: You could have played the sympathy card with the.

1216
00:55:39,880 --> 00:55:45,360
Speaker 1: Mom gone and the done, lean into the emotion and

1217
00:55:45,440 --> 00:55:47,960
Speaker 1: the story, Ronnie.

1218
00:55:47,440 --> 00:55:52,680
Speaker 3: Nope, Nope, instead costumes and hiring actors child actors to

1219
00:55:52,680 --> 00:55:55,160
Speaker 3: play I feel like she was.

1220
00:55:55,760 --> 00:55:57,680
Speaker 1: I don't think Ronnie made it very long at Channel

1221
00:55:57,680 --> 00:55:59,680
Speaker 1: eight after that. I think I think they were like,

1222
00:55:59,719 --> 00:56:03,080
Speaker 1: you know what, you are just not getting the vibe Ronnie.

1223
00:56:03,560 --> 00:56:05,719
Speaker 3: Well, maybe this is setting up for Wake Up San

1224
00:56:05,760 --> 00:56:09,280
Speaker 3: Francisco next season or whenever that is right with Becky

1225
00:56:09,440 --> 00:56:10,439
Speaker 3: and and Dan.

1226
00:56:10,520 --> 00:56:13,399
Speaker 2: Right, you know, Ronnie, Ronnie never would have gotten that job.

1227
00:56:13,440 --> 00:56:14,600
Speaker 3: She's job.

1228
00:56:14,640 --> 00:56:16,920
Speaker 1: No, but this is where, this is where San Francisco

1229
00:56:17,000 --> 00:56:19,719
Speaker 1: fell in love with Danny Tanner and that's how he

1230
00:56:19,760 --> 00:56:21,200
Speaker 1: wound up on Wake Up Serrances Gone.

1231
00:56:22,440 --> 00:56:25,080
Speaker 3: I buy that, figuring it all, I buy that together. Wow,

1232
00:56:25,160 --> 00:56:27,520
Speaker 3: we've put a lot together this episode. We we have

1233
00:56:27,680 --> 00:56:30,560
Speaker 3: we have a lot of explanations. Maybe they're correct, maybe

1234
00:56:30,600 --> 00:56:32,520
Speaker 3: they're not. Doesn't matter, No, doesn't matter.

1235
00:56:32,520 --> 00:56:35,319
Speaker 1: No, it doesn't matter. It doesn't matter. It can be

1236
00:56:35,360 --> 00:56:37,160
Speaker 1: whatever we want it to be, just like the size

1237
00:56:37,200 --> 00:56:38,360
Speaker 1: of the backyard.

1238
00:56:38,640 --> 00:56:41,960
Speaker 3: Exactly our shape shifting opinions. Yes, to go with the

1239
00:56:42,000 --> 00:56:46,200
Speaker 3: shape shifting backyard. Yes, well maybe, Jody.

1240
00:56:46,239 --> 00:56:48,360
Speaker 1: It's been a pleasure, yes, doing our first promo and

1241
00:56:48,400 --> 00:56:50,120
Speaker 1: this was it was so exciting to finally see Kimmy

1242
00:56:50,200 --> 00:56:52,520
Speaker 1: back with another episode. Thank god, in that many in this.

1243
00:56:52,440 --> 00:56:54,160
Speaker 2: First uh now these first.

1244
00:56:54,440 --> 00:56:57,000
Speaker 3: I'm only in I'm only in five total in season one,

1245
00:56:57,120 --> 00:56:59,080
Speaker 3: so now we've knocked out two of them.

1246
00:56:59,520 --> 00:57:02,720
Speaker 1: But you ate it so worth it with your delivery

1247
00:57:02,719 --> 00:57:03,600
Speaker 1: of the Polter Guys line.

1248
00:57:03,680 --> 00:57:07,600
Speaker 3: Yeah, back, I do. Yes, I I'm just gonna I'm

1249
00:57:07,600 --> 00:57:08,920
Speaker 3: just gonna say that. I'm just gonna call you in

1250
00:57:08,960 --> 00:57:09,600
Speaker 3: the middle of the night.

1251
00:57:09,920 --> 00:57:13,880
Speaker 1: They're back, like, oh god, no not again?

1252
00:57:14,120 --> 00:57:15,279
Speaker 3: Yeah?

1253
00:57:15,320 --> 00:57:18,960
Speaker 1: All right, well, and we will be back next week

1254
00:57:19,160 --> 00:57:23,480
Speaker 1: for another episode. But in the meantime, if you have comments, suggestions,

1255
00:57:24,440 --> 00:57:29,440
Speaker 1: fanfic Narnia related ideas, feel free to go ahead and

1256
00:57:29,520 --> 00:57:32,720
Speaker 1: email us at how Rude Podcast at gmail dot com,

1257
00:57:32,840 --> 00:57:35,560
Speaker 1: or you can follow us on Instagram at how Rude

1258
00:57:35,680 --> 00:57:40,200
Speaker 1: pod and yeah, make sure you leave comments, make sure

1259
00:57:40,200 --> 00:57:43,600
Speaker 1: you're subscribing, follow the podcast. We love having you guys here.

1260
00:57:43,640 --> 00:57:45,320
Speaker 1: We're so excited that we get to do this every week.

1261
00:57:45,600 --> 00:57:48,680
Speaker 1: And uh yeah, it's so much fun. And remember, ferrets

1262
00:57:48,720 --> 00:57:50,480
Speaker 1: aren't rodents, they're weasels.

1263
00:57:50,520 --> 00:57:54,320
Speaker 3: Weasels. Yeah, if you take nothing else away from this episode,

1264
00:57:54,800 --> 00:57:56,400
Speaker 3: take away the fact that ferrets are weasels.

1265
00:57:56,680 --> 00:57:59,400
Speaker 1: Yep, and the word O differous. There you go, and

1266
00:57:59,480 --> 00:58:00,640
Speaker 1: with that, wow.

1267
00:58:00,440 --> 00:58:02,360
Speaker 3: An educational podcast. Ladies and gentlemen.

1268
00:58:02,600 --> 00:58:06,440
Speaker 1: Yep, you're welcome. Guys, you are welcome. And remember, the

1269
00:58:06,480 --> 00:58:08,480
Speaker 1: world is the world. No, the world is small, not

1270
00:58:08,520 --> 00:58:10,760
Speaker 1: the world is good. Say, I was gonna remember I

1271
00:58:10,880 --> 00:58:13,400
Speaker 1: was telling all that. Remember I came up with this,

1272
00:58:13,520 --> 00:58:15,400
Speaker 1: You came up with this phrase. And now you're and

1273
00:58:15,480 --> 00:58:20,000
Speaker 1: you think that means I remember something. I appreciate your

1274
00:58:20,160 --> 00:58:23,600
Speaker 1: confidence in me. But yeah, no, all right.

1275
00:58:23,520 --> 00:58:26,160
Speaker 3: Take two, Take two, ready to Yes.

1276
00:58:27,080 --> 00:58:30,280
Speaker 1: The world is small, but the house is full.

1277
00:58:30,520 --> 00:58:31,160
Speaker 3: Yes, that's it.

1278
00:58:31,320 --> 00:58:32,240
Speaker 2: You did it, You did it?

1279
00:58:32,320 --> 00:58:32,520
Speaker 1: Yeah?

1280
00:58:33,080 --> 00:58:33,400
Speaker 3: Sweet?

1281
00:58:33,920 --> 00:58:35,919
Speaker 1: Are you sure that doesn't make sense? Yeah?

1282
00:58:36,040 --> 00:58:38,640
Speaker 3: The world it's a small world. The world is small,

1283
00:58:39,160 --> 00:58:41,760
Speaker 3: but the house is full, like full of people and

1284
00:58:41,800 --> 00:58:42,800
Speaker 3: full of love.

1285
00:58:42,720 --> 00:58:43,480
Speaker 1: Because it's small.

1286
00:58:44,040 --> 00:58:45,160
Speaker 2: I don't know you made it up.

1287
00:58:45,200 --> 00:58:47,960
Speaker 3: I thought you knew what the meaning was I like it, though,

1288
00:58:47,960 --> 00:58:48,680
Speaker 3: I think I think.

1289
00:58:48,760 --> 00:58:51,160
Speaker 1: Next week we'll be arguing about the meaning of this

1290
00:58:51,760 --> 00:58:54,040
Speaker 1: and so many other things. So thanks so much for

1291
00:58:54,120 --> 00:58:55,960
Speaker 1: joining us, and we will see you guys next time

1292
00:58:56,000 --> 00:59:00,720
Speaker 1: on how Rude Tanner Rito's Audios fantos a