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Speaker 1: Hey, everyone, it's Sophia. Welcome to Work in Progress. High

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Speaker 1: Whip Smarties, Welcome back. We are picking up where we

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Speaker 1: left off with the iconic Lauren Holly. We're going to

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Speaker 1: talk all about our new movie, broad Trip, which premieres

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Speaker 1: on Roku this Friday. I cannot wait for you to

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Speaker 1: learn about the shenanigans we shared up in Canada. I

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Speaker 1: want to give the fans a little bonus on our film.

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Speaker 1: I'm so excited it comes out on Friday. It's on Roku.

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Speaker 1: The movie is called broad Trip. Two Broad's on a

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Speaker 1: trip and it just from the moment it landed in

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Speaker 1: my inbox, I laughed out loud through the entire thing.

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Speaker 1: You know, I just I read it so fast. Can

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Speaker 1: you tell the people little bit about what the movie

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Speaker 1: I want to expect.

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Speaker 2: Well, it's a mother daughter road trip and the point

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Speaker 2: of the road trip is for the daughter to convince

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Speaker 2: the mom that she should not marry this new guy

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Speaker 2: that's in her life, because you know, the mom is

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Speaker 2: kind of wild and doesn't really think things through. And

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Speaker 2: it's sweet and it's just I mean, we're supported by

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Speaker 2: two great guys too. You both have sort of love

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Speaker 2: focused relationships in this movie. They're both great, and it's

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Speaker 2: just it's fun. It's fun in the week of a

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Speaker 2: road trip. Where were we driving from Saint Louis to Buffalo? Yeah? Right,

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Speaker 2: because my character wanted to get married in Buffalo.

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Speaker 1: Yeah, it's so cute. Yeah, that speech kills me. I

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Speaker 1: won't give that away for our friends at home. But

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Speaker 1: I think one of the things I really loved about

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Speaker 1: it is it's a true rom com and the love

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Speaker 1: relationship that needs figuring out is us right, and I

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Speaker 1: love it as a central dynamic. And then it was

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Speaker 1: so sweet that there are these these secondary storylines for

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Speaker 1: each of our gals, each of us that.

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Speaker 2: Are making us realize things about each other.

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Speaker 1: Yes, And it's like, I'm trying to get you to

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Speaker 1: be less in my character's definition, you know, flighty and nuts,

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Speaker 1: and you're trying to get me to loosen up and

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Speaker 1: not be so serious. Yeah, like take a chance, take

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Speaker 1: a risk, kiss a guy who cares. Yeah, And it's

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Speaker 1: so I don't know, it's really special. I think to

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Speaker 1: see a comedy that lets the women be the leads

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Speaker 1: in this way, and I love that it's a mom

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Speaker 1: and daughter, but it's also in an interesting way it's

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Speaker 1: an intergenerational friendship because you're trying to teach me from

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Speaker 1: your perspective, and I think that I have things to

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Speaker 1: teach you from mine. And it's it's so damn charming.

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Speaker 2: It's very charming, very fun definitely a laugh. Yeah, the

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Speaker 2: script is very funny.

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Speaker 1: Oh my god, oh my god. To Chelsea, she just unbelievable.

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Speaker 1: And I think my favorite day on set when she

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Speaker 1: was visiting was when she actually pulled up photos of

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Speaker 1: her family walked us through, you know what certain nods

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Speaker 1: were in the movie, even your animal print coat.

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Speaker 2: Yes, yeah, you.

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Speaker 1: Have to walk people through a little preview of your

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Speaker 1: wardrobe because to your point from the last segment, the

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Speaker 1: character is so defined by the clothes and you committed,

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Speaker 1: like you just went hardened the paint for her and

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Speaker 1: I love it. So how did it happen?

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Speaker 2: We all did though, Ye. That was the thing that

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Speaker 2: was also I think the special sauce about this movie

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Speaker 2: be is that it required everybody who came in to

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Speaker 2: just go for it. You know. Steve Gutenberg did that too,

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Speaker 2: Like he came in late, we were already we had

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Speaker 2: this whole vibe going, and he just jumped right in

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Speaker 2: both feet and was like, yeah, don't do this too,

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Speaker 2: and like that. That whole thing was just it was

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Speaker 2: just really good. And for my character, you know, we

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Speaker 2: would have the wardrobe fittings and it was just kind

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Speaker 2: of like, oh, more more print, more lace, more flounce,

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Speaker 2: more whatever.

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Speaker 1: More necklaces. Yes, so I mean you guys. Every night

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Speaker 1: I wrapped, it was like okay, you'd have to get

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Speaker 1: your hair off your neck and we would just sit

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Speaker 1: there and unclasp. I mean what like twelve to fifteen

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Speaker 1: necklaces a night.

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Speaker 2: Oh, of course, all the jewelry, all the even the

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Speaker 2: amount of hair they put on my head.

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Speaker 1: Oh, it was great, so fun, and it was crazy

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Speaker 1: because you'd get in the chair in the morning looking

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Speaker 1: like you and then it was like the montage where

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Speaker 1: the person in the hairchair spins around and then it

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Speaker 1: was I dream of Genie just like a boufont and

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Speaker 1: curls everywhere, and oh it was so great. I also

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Speaker 1: because some people asked me what motivated me in the

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Speaker 1: calendar year anyway last year to cut my hair into

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Speaker 1: a bob and it was our movie.

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Speaker 2: But it worked so well.

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Speaker 1: Oh I needed an hr lady bob for sure.

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Speaker 2: It was perfect and that thextaposition of the two of

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Speaker 2: us as mother daughter was like.

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Speaker 1: Yes, oh it was great. And by the way, I

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Speaker 1: don't particularly prefer myself with short hair. I prefer my

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Speaker 1: long hair. But I was like, this woman has to

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Speaker 1: have Alice has to have like an uptight little short haircut.

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Speaker 2: That's like perfect little Yeah, you were good.

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Speaker 1: Yeah, we really needed it something that And I hope

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Speaker 1: this comes off as funny as I mean it and not,

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Speaker 1: you know, critically, but to for our listeners to Lauren's

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Speaker 1: point about how the industry has changed, and I mentioned

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Speaker 1: in our last segment that things get a bit squeezed.

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Speaker 1: You don't have one hundred and eleven days and for

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Speaker 1: global locales to shoot a movie anymore, we really had

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Speaker 1: to do a lot of creative work to get this

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Speaker 1: thing done on time. And as she mentioned, this is

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Speaker 1: a road trip movie. A lot of this movie takes

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Speaker 1: place in a car, and when you film scenes in

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Speaker 1: a car as two actors, it's obviously not safe. She's

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Speaker 1: rolling her eyes. It's obviously not safe to have the

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Speaker 1: actors who are acting piloting the vehicles with cameras attached

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Speaker 1: to them everywhere. So you get on a thing called

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Speaker 1: a process trailer. It's a single car trailer that's being

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Speaker 1: towed behind. You know, usually it's a big sort of

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Speaker 1: white truck that has seats on the for the crew.

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Speaker 1: And when we showed up to the first of our

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Speaker 1: two biggest process trailer days, yes, the truck pulling our

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Speaker 1: process trailer was like it was the skipper to a

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Speaker 1: barbie doll of a monster truck from a monster truck rally.

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Speaker 2: Let's be honest, it was a monster truck. It was

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Speaker 2: a monster truck that was like the loudest monster truck

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Speaker 2: in the world.

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Speaker 1: I've never heard a muffler like that, and like I'm

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Speaker 1: a classic car kid, I have never heard And I

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Speaker 1: just remember when they fired it up, seeing our sound

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Speaker 1: mixer with his earphones on getting everything set for us

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Speaker 1: to drive away with mics, and I saw a little

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Speaker 1: head pop up and.

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Speaker 2: Up.

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Speaker 1: What's going on? And we had to get towed around

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Speaker 1: by this car and do all of our scenes. We

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Speaker 1: could barely hear each other.

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Speaker 2: We could barely hear each other. We're lip reading, and.

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Speaker 1: All they had in the edit was this like and

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Speaker 1: so we had to adr We had to do dialogue

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Speaker 1: replacement for every single scene in the I.

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Speaker 2: Have never when I got the call that said that

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Speaker 2: I had like one hundred and ten cues. Normally I

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Speaker 2: would say maybe fifteen cues, fifteen to thirty, Okay, I'll

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Speaker 2: give you thirty if there's like crowd scenes or something.

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Speaker 1: Yeah yeah, or a restaurant or whatever.

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Speaker 2: Many It was like, how is this? And then they

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Speaker 2: wanted me to do it in one day? And I

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Speaker 2: was like, how is that even gonna be possible? But

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Speaker 2: I did it was.

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Speaker 1: It was just so funny and we knew And that

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Speaker 1: was one of those moments too where I was like, oh,

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Speaker 1: not only do I like acting with you, I like

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Speaker 1: being around you, because I know plenty of people who

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Speaker 1: would have flipped out and been like, I'm not doing this,

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Speaker 1: I'm not shooting it. It won't be usable. And you and

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Speaker 1: I looked at each other and we were like, here

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Speaker 1: we go, sister, We're just gonna get it done while

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Speaker 1: we fixing this later. It was so funny. We were

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Speaker 1: also required to do some singing in this film.

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Speaker 2: Yeah. That didn't go well for me me neither No, no,

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Speaker 2: not good. They should never require me to do that ever.

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Speaker 1: Again, I agree, here's the thing. I can sing, but

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Speaker 1: not I cannot sing Celene Dion, No one, but Celine

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Speaker 1: Dion can sing Celene Deon.

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Speaker 2: Okay, Well, I especially cannot sing Celine Dion because I

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Speaker 2: can't sing like row row row your boat, So going

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Speaker 2: to Celine Dion is just a whole other thing.

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Speaker 1: Yeah. I was like, this is a dirty trick.

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Speaker 2: Yeah, it's a dirty trick. And by the way, I

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Speaker 2: heard my voice what I was actually doing in production

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Speaker 2: on the day, and it's it's not good. It's not good.

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Speaker 1: Our defense. We were screaming over a monster truck, so

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Speaker 1: it's not totally our fault. I did appreciate that. Our

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Speaker 1: wonderful director, at least when I was doing ADR was like,

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Speaker 1: you should intentionally try to sing this off key, like

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Speaker 1: make it be bad. Alice wouldn't know how to do this,

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Speaker 1: but I was like, okay, but really, as a performer,

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Speaker 1: I like to hit my mark and find my light

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Speaker 1: and I don't like to not do it. Well, so

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Speaker 1: FA can really sing.

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Speaker 2: Oh yeah, they're not saying that about Laurence, so don't worry.

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Speaker 1: Well, don't worry, they're not going to say it about

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Speaker 1: me in this movie either. I love it. And now

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Speaker 1: for our sponsors, well, I'm so thrilled our project is

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Speaker 1: out in the world. I'm so thrilled for everyone at

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Speaker 1: home to get to see it. Also, we want to

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Speaker 1: make as many sequels as our writer is willing to

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Speaker 1: write for us.

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Speaker 2: Yes, so please watch it, like, just put it on

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Speaker 2: over and over, even if you're not in the room.

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Speaker 1: Oh, I love that. Just just start restart right when

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Speaker 1: you get to the end post it.

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Speaker 2: I will do that. I have multiple televisions. I'll put

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Speaker 2: it on all just trying to help.

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Speaker 1: H I love that. That's like what I do when

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Speaker 1: my friends have music come out, is I just I

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Speaker 1: stream on every single device in the house.

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Speaker 2: It helps, I think it really does.

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Speaker 1: And it helps you know when people when people share

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Speaker 1: about it, tag us in all your favorite moments from

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Speaker 1: the movie. Please we can't wait to see Okay, my love,

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Speaker 1: I have to ask you my favorite and final question

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Speaker 1: for all my people. I'm curious from the amazing spectrum

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Speaker 1: of you know, life and work and love and everything

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Speaker 1: in your world right now, what feels like you're work

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Speaker 1: in progress?

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Speaker 2: Probably writing?

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Speaker 1: Mmm?

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Speaker 2: Writing? Because I'll never master it. That's kind of the

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Speaker 2: great thing about writing. It's always a work in progress.

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Speaker 2: There's always something you can do better.

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Speaker 1: Yeah, like that. It's interesting. You know, I've never written.

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Speaker 1: I've not written a script. I've done polishes on things,

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Speaker 1: I've rewritten scenes, but I've never sat and really written

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Speaker 1: a script.

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Speaker 2: One of the most proud days I ever had was

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Speaker 2: when I got into the writer's guilt for actually selling

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Speaker 2: a script. Like I was very like, very proud of that.

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Speaker 1: Yeah, that's huge. Yeah, it's one of those things. I

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Speaker 1: think I need to confront a little bit of fear there.

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Speaker 1: And I understand, you know, the because you're right, you

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Speaker 1: can't really master it. And I always have a little anxiety,

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Speaker 1: you know, when I'm working on an article or an

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Speaker 1: abed or something, I go, is it enough? I have

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Speaker 1: I connected all the dots well enough? Well? This really

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Speaker 1: hit for people. Am I making my points as clearly

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Speaker 1: as I want to be and also with some kind

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Speaker 1: of empathy?

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Speaker 2: Are you the same way as an actor?

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Speaker 1: I can be If I don't get out of my

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Speaker 1: own way as an actor, I can really make myself

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Speaker 1: a little bit of a basket case.

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Speaker 2: Because I think I'm way more precious about writing. Like

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Speaker 2: it's so nerve racking to me. It's so nerve wracking

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Speaker 2: to me when people are about to read it. Yeah,

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Speaker 2: I just go through a lot. I feel very vulnerable,

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Speaker 2: much more than acting, where y'all like lay my soul bare,

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Speaker 2: and somehow doing that is enough. But writing, it's the

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Speaker 2: judgment I worry about.

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Speaker 1: Strange. Well, there's also something I wonder for us as actors.

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Speaker 1: We're so used to trying a spectrum of options until

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Speaker 1: we find just the right balance. And when you write something,

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Speaker 1: you put it on the page, and then it's on

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Speaker 1: the page. There's no second or third take. There's no

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Speaker 1: do a throwaway. See what happens? You know there? There

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Speaker 1: isn't another option to express It's just the typeface. And

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Speaker 1: that is hard for me.

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Speaker 2: See I you'd even say that it makes me nervous.

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Speaker 1: Yeah, I know. It's it's like it's horrible, Like it's

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Speaker 1: too much pressure. I'll read your writing.

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Speaker 2: Finishing something and sending it to someone to read it

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Speaker 2: is just it takes a certain amount of courage for me.

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Speaker 1: Yeah, me too.

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Speaker 2: Mm hmmm, Oh this.

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Speaker 1: Is just so fun. I love you too.

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Speaker 2: Bye, my love bye.

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Speaker 1: Friends. Make sure you see broad Trip on Roku this Friday,

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Speaker 1: and learn more about the incredible Holly Family Fund at

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Speaker 1: the link in the episode notes for this podcast