WEBVTT - #27 - Goodie Mob

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<v Speaker 1>All right man, Bootleg cav podcast in full effects. Welcome

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<v Speaker 1>new episode. Legendary Goodie Mob will be on the show today.

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<v Speaker 1>I mean, I'm a huge Dungeon Family fan, huge Outcast fan.

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<v Speaker 1>It's my favorite group, Beer's Outcast, Go Goody Mob obviously legendary,

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<v Speaker 1>so I was super excited to have the opportunity to

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<v Speaker 1>speak with them. What else is going on? So, look,

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<v Speaker 1>appreciate everybody who checks into the podcast every single week.

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<v Speaker 1>Means a lot. If you're listening to this, do me

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<v Speaker 1>a favor. Just hit me up on Twitter, hit me

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<v Speaker 1>up on Instagram, and the dms at Bootleg keV. Give

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<v Speaker 1>me feedback. Who you want to see on the podcast,

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<v Speaker 1>what kind of content you want to hear us do.

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<v Speaker 1>I'm very interested. Shout out to everybody who's locked in

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<v Speaker 1>with us every week. We have some dope stuff on

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<v Speaker 1>the way if you subscribe to the YouTube channel. We

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<v Speaker 1>got a new freestyle coming out on Friday with j Mills.

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<v Speaker 1>It's going to be fire. It's already been recorded, so

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<v Speaker 1>it's definitely fire. I could I could attest to this.

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<v Speaker 1>We also got beans, but we got some dope shit

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<v Speaker 1>coming so nonetheless, appreciate everybody. As the as usual Dope

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<v Speaker 1>interviews on the Way, specifically gonna be recording one with

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<v Speaker 1>Pete Rock, so I'm excited to talk to Pete Rock.

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<v Speaker 1>He's had some pretty wild politically involved tweets recently that

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<v Speaker 1>I well, you know, we go talk, so Pete Rock

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<v Speaker 1>would be on the podcast soon, and make sure you

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<v Speaker 1>go show our love to our sponsors. Man odd Socks,

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<v Speaker 1>when you use the keyword bootleg keV. All right, let's

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<v Speaker 1>get into this man. Listen, Goodie Mob legendary hip hop group.

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<v Speaker 1>They haven't put an album out all together since twenty thirteen,

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<v Speaker 1>and that album in twenty thirteen was not a good one.

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<v Speaker 1>So they're back with organized noise behind the production, which

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<v Speaker 1>is the most exciting part of this for me. And

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<v Speaker 1>be able to talk to all four members at the

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<v Speaker 1>same time was dope. So let's get into this Goodie

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<v Speaker 1>Mob interview. It was recorded before the album came out.

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<v Speaker 1>The album's actually out right now, so go support that

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<v Speaker 1>and let's go man, brand new interview Boutleg Cab Podcast,

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<v Speaker 1>Episode number twenty seven. I think it's up with Goodie

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<v Speaker 1>Mob right here? Turn this up? All right? Well, look man,

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<v Speaker 1>Blueleg Cab Podcast Real ninety two to three. Honored to

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<v Speaker 1>have all of the members of Goodie Mob on the podcast. Now,

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<v Speaker 1>I gotta give y'all some context on what first you know.

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<v Speaker 1>I'm thirty three, So the first record I ever heard

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<v Speaker 1>of y'all's that made me just dive in was obviously

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<v Speaker 1>still standing. What was that night? Was that ninety eight

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<v Speaker 1>ninety seven You're right about my best friend Rams has

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<v Speaker 1>played me they don't dance, No Mo and ce Lo

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<v Speaker 1>your last verse on that record, my name is Look listen, man,

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<v Speaker 1>I heard your voice and your flow is so it

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<v Speaker 1>blew my whole fucking head off as a kid. Bro.

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<v Speaker 1>And and you know, from there, I had to go

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<v Speaker 1>back and tap in with the first album. But that

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<v Speaker 1>was my first taste of getting introduced to you guys.

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<v Speaker 1>So ninety eight ninety seven, I was like ten or

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<v Speaker 1>eleven years old. So, man, I've been a fan for

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<v Speaker 1>a very long time. And that's dope, man, Yeah, it's

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<v Speaker 1>dope to see all y'all back together, man, you know,

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<v Speaker 1>and especially with the right production with Organized Noise, right,

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<v Speaker 1>you know what I'm saying, like, this is what I know.

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<v Speaker 1>You guys have been hearing all the fans harping at

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<v Speaker 1>you for so long to do this specific project, gounting

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<v Speaker 1>man back together with Organized Noise. Why was the timing

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<v Speaker 1>right in twenty twenty because of that fact right there?

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<v Speaker 1>It was it was resounding overwhelming, you know, insistent, consistent.

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<v Speaker 1>People always say they want the old thing back. Man,

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<v Speaker 1>we've man, take us back to the beginning, you know

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<v Speaker 1>what I mean, take us back to where it all started.

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<v Speaker 1>And then something you know, you know, in your travels,

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<v Speaker 1>you know, you get so far away from home, man like,

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<v Speaker 1>you know, you know, you you forget to look back.

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<v Speaker 1>You know what I'm saying, you feel me love, and

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<v Speaker 1>sometimes people people forget how to go back. I mean,

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<v Speaker 1>like other times people ain't even welcome to come back,

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<v Speaker 1>you know what I'm saying. But you know that was

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<v Speaker 1>that wasn't the case with what none of us, you

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<v Speaker 1>know what I mean? Like you know, fortunately, man like,

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<v Speaker 1>you know, home is always what heart is, man like,

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<v Speaker 1>you know, and you know, to come back to organize,

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<v Speaker 1>know as to have the original you know, first generation

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<v Speaker 1>that your family may the ones who you know who

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<v Speaker 1>who who built the pillars, better built and built the foundation,

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<v Speaker 1>man like, it's uh, it's incomfortable, you know what I'm saying.

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<v Speaker 1>Like and then also to have being and dre man like,

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<v Speaker 1>that's the original, well it fool and that's the original nine,

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<v Speaker 1>the magnificent nine. Man, you know right there, you know

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<v Speaker 1>what I mean. So it's crazy Man, what can I say? Man,

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<v Speaker 1>We're proud and exciting for people to get what we've got.

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<v Speaker 1>How long was the clue? How long? Like I guess,

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<v Speaker 1>when did the conception of this album start? How long

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<v Speaker 1>have you guys been working on this project? And I

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<v Speaker 1>know all of you guys are aware of how important

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<v Speaker 1>this is to Dungeon family fans, outcast fans, Goodie mob fans,

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<v Speaker 1>fans are real hip hop. So I'm sure you guys

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<v Speaker 1>took the time. When did y'all start first working on

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<v Speaker 1>this project? To be freal with you, we did this

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<v Speaker 1>project in the last five months. Okay, so this was

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<v Speaker 1>under quarantine. Yeah, this was under quarantine. Oh shit, Okay,

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<v Speaker 1>everything on this album is brand new. I mean, I

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<v Speaker 1>guess that makes sense. You know a lot of the

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<v Speaker 1>content that I heard, and then obviously the name of

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<v Speaker 1>the album, that would that makes sense? Yeah, so that

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<v Speaker 1>that does. Just lets you know, we once this quarantine hit,

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<v Speaker 1>we made a decision that we was gonna come together.

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<v Speaker 1>We got we got in a secret location on the

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<v Speaker 1>south side of Atlanta and once the Beat Star flowing,

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<v Speaker 1>the first record we recorded it was Survival Kit, the

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<v Speaker 1>one survival kit to the Avalanche. The Avalanche Ca. It

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<v Speaker 1>was just like we just kept going, We kept going.

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<v Speaker 1>So it is again November. There's a long time coming.

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<v Speaker 1>It's a it's a long time coming. Like you said,

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<v Speaker 1>uh ce Lo the original nine on the project. You know,

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<v Speaker 1>we've we've we've noticed how hard it is to get

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<v Speaker 1>an Andre versus fans over over x amount of years.

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<v Speaker 1>You know. We sometimes will get one a year and

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<v Speaker 1>just be super excited. It might pop up on a

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<v Speaker 1>Jeez album or a remix or something. It's only right

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<v Speaker 1>that he's on the new Goodie Mob album. But how how,

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<v Speaker 1>how how the Andre verse come to be? And like

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<v Speaker 1>was it was it difficult? I know it's not difficult

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<v Speaker 1>because you'll have a family, but like you know, that's

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<v Speaker 1>an important verse to have on a Goodie Mob album

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<v Speaker 1>with organized noise behind the production. Man, we won't even

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<v Speaker 1>speak about the difficulties or whatnot. I mean, like you know,

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<v Speaker 1>we were just only speak about the end result. I mean,

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<v Speaker 1>like you know, and the end result is the camaraderie,

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<v Speaker 1>the connection, you know, the respect, the dignity, the love,

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<v Speaker 1>you know what I mean, like you know, the blood.

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<v Speaker 1>I mean, like you know that we it's a it's

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<v Speaker 1>a family thing. You know what I mean, like, and

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<v Speaker 1>you know, we we embrace each other's in differences. Man,

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<v Speaker 1>That's that's part of what made us very special. Man,

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<v Speaker 1>Like you know, everybody's unique in their own right and

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<v Speaker 1>reserves the right you mean, like to be that you

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<v Speaker 1>mean like and voice that you mean like and so

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<v Speaker 1>like dreams one of those highly interitable people. Mean it's

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<v Speaker 1>an artist artist, you know what I mean. And I

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<v Speaker 1>also like to consider myself as such. But like since

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<v Speaker 1>you know, since we speaking of him, you know what

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<v Speaker 1>I mean, Like, you know, we've grown to grown to

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<v Speaker 1>just embrace the fact that man like something that he's

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<v Speaker 1>truly not into, you know what I mean, Like you

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<v Speaker 1>know he into it, and I've seen dog like just

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<v Speaker 1>just like you know, just for fun, I just tell you, man,

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<v Speaker 1>we see more turned down multi millions of dollars. Everybody

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<v Speaker 1>know that, you know what I'm saying. Like, we get

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<v Speaker 1>also abody to laugh at that because it's like yo,

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<v Speaker 1>like you know, and that way the ball was set.

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<v Speaker 1>So anything that he decaid that he don't listen to

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<v Speaker 1>want to do, who got no passion for it, you

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<v Speaker 1>know what I mean? Like, nobody couldn't really argue with

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<v Speaker 1>that because we don't see him turned out no. I

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<v Speaker 1>was so excited. You know, it's crazy because as a fan,

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<v Speaker 1>I was afraid that I was going to die without

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<v Speaker 1>ever seeing Outcasts perform in my life. And then a

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<v Speaker 1>few years ago they did that festival run and I

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<v Speaker 1>got to see them in Tampa and I was like,

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<v Speaker 1>all right, that's off the bucket list, you know, But

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<v Speaker 1>I feel like there's been so much energy that's led

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<v Speaker 1>up to your guys' moment here. I want to also

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<v Speaker 1>shut out. I feel like casts coming together for that

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<v Speaker 1>festival run, and then the importance of the documentary that

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<v Speaker 1>came out about Organized Noise. I think that also brought

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<v Speaker 1>a lot of awareness to just that whole wave of

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<v Speaker 1>of what you guys brought to the game. And then

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<v Speaker 1>now we're here and we have a new album, Survival Kit.

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<v Speaker 1>I want to go back to the early Dungeon Family days.

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<v Speaker 1>There's a couple of people who a lot of people

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<v Speaker 1>don't know or associate with Dungeon Family, and I want

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<v Speaker 1>to kind of get your guys with some contexts and

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<v Speaker 1>some takes on being around because I heard Usher was

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<v Speaker 1>a part of the Dungeon Family at least around y'all

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<v Speaker 1>super early, and the same thing with Future. Obviously Future

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<v Speaker 1>just got a tattooed on his arm. But but can

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<v Speaker 1>you guys kind of talk about like like being around them,

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<v Speaker 1>like Usher obviously was a kid from what I I

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<v Speaker 1>think I talked the big boy about it. But you know,

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<v Speaker 1>just the important historical context of what's come from your

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<v Speaker 1>guys's tree. We could throw Usher in that, we could

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<v Speaker 1>throw Future in that. What was it like being around

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<v Speaker 1>those guys before we all obviously you know, knew who

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<v Speaker 1>they were. Who got it was family, man, You know

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<v Speaker 1>what I'm saying. It wasn't really nothing exciting about being

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<v Speaker 1>abound none of who was excited because we loved each other,

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<v Speaker 1>you know what I'm saying. Nobody had really accomplished nothing

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<v Speaker 1>great in that particular time, So you know what I'm saying,

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<v Speaker 1>The magic was just just being around people that you love,

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<v Speaker 1>people that support you, and people that support you know

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<v Speaker 1>what I'm saying. And they were younger than us, little brothers.

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<v Speaker 1>They used to watch us, you know what I'm saying.

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<v Speaker 1>They used to come to the studio. I can remember

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<v Speaker 1>seeing you know, we used to call Future meet here

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<v Speaker 1>back in the day. I can remember the first time

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<v Speaker 1>he came to the studio. You know, Rico was like, yeah,

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<v Speaker 1>this is my little cousin. You know what I'm saying.

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<v Speaker 1>I met he was real cool, real real quiet guy,

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<v Speaker 1>you know, soft spoken, one with a loud He liked

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<v Speaker 1>to learn, He liked to sit around and really peep

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<v Speaker 1>out of everything, and everything was working. And I can

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<v Speaker 1>remember popping in back in the day, like the Dungeon

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<v Speaker 1>was was always just an open door policy for all

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<v Speaker 1>of us. So I mean, you can go to the Dungeon.

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<v Speaker 1>Man at three in the morning, you know what I'm saying. Oh,

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<v Speaker 1>third in the morning. You know what I'm saying, somebody

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<v Speaker 1>gonna be up. You know what I'm saying. And it's

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<v Speaker 1>gonna be somebody kicking with talking to kicking for a

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<v Speaker 1>few minutes. And if you want to go home, you

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<v Speaker 1>can do that. You want to stay, you can stay,

0:11:53.160 --> 0:11:54.800
<v Speaker 1>you know what I'm saying. I can remember coming in

0:11:54.840 --> 0:11:57.760
<v Speaker 1>and seeing Future just working in the studio. Just I'm like,

0:11:57.760 --> 0:12:00.560
<v Speaker 1>who is that? So like, man, that's me. Damn. You know,

0:12:00.600 --> 0:12:03.560
<v Speaker 1>he well working, you know, he putting it in. You know.

0:12:03.600 --> 0:12:08.240
<v Speaker 1>I could really just see his energy and his passion. Yeah,

0:12:07.760 --> 0:12:10.679
<v Speaker 1>and it showed and it's still showing you know what

0:12:10.679 --> 0:12:12.640
<v Speaker 1>I'm saying, he wonder he wanted the best in the

0:12:12.679 --> 0:12:15.760
<v Speaker 1>game right now. You know what I'm saying, period, hands down.

0:12:15.840 --> 0:12:17.800
<v Speaker 1>Can't nobody argue with that, you know what I mean.

0:12:17.960 --> 0:12:21.280
<v Speaker 1>And it's lovely to know, you know, we saw him grow,

0:12:21.600 --> 0:12:23.360
<v Speaker 1>and the good thing about it when we team this

0:12:23.520 --> 0:12:25.719
<v Speaker 1>day is still the love and respect there, you know

0:12:25.760 --> 0:12:27.920
<v Speaker 1>what I'm saying, because you know, he a real gentleman,

0:12:28.000 --> 0:12:30.199
<v Speaker 1>a real guy, you know, real Dunblon family member. And

0:12:30.200 --> 0:12:32.680
<v Speaker 1>then you know what I'm saying, that's how we rolled.

0:12:33.200 --> 0:12:36.200
<v Speaker 1>But yeah, man, Usher, I don't remember seeing him around there,

0:12:36.240 --> 0:12:38.840
<v Speaker 1>but I do remember seeing he wrote something on that

0:12:39.320 --> 0:12:41.959
<v Speaker 1>hot water hitter. He wrote Usher was trying to figure

0:12:41.960 --> 0:12:44.840
<v Speaker 1>out who was Usher? What was that? You know? I

0:12:44.840 --> 0:12:46.880
<v Speaker 1>never knew what that meant that I remember meeting him.

0:12:46.880 --> 0:12:50.640
<v Speaker 1>He was a little kid. Yeah, yeah, he was a

0:12:50.640 --> 0:12:52.679
<v Speaker 1>little He was a child, just like oh yeah, who

0:12:52.679 --> 0:12:54.560
<v Speaker 1>else came out from the under that you didn't know

0:12:54.559 --> 0:12:59.680
<v Speaker 1>about it? You ain't say nothing about that's mister Barbara Valentino. Okay.

0:13:00.360 --> 0:13:02.079
<v Speaker 1>They used to come over there all the time. Remember

0:13:02.120 --> 0:13:04.360
<v Speaker 1>they were little kids, you know what I mean, coming

0:13:04.400 --> 0:13:06.600
<v Speaker 1>over there. You know what I'm saying, sucking up game,

0:13:06.960 --> 0:13:08.839
<v Speaker 1>you know what I'm saying, getting tracks, you know what

0:13:08.880 --> 0:13:11.360
<v Speaker 1>I'm saying, learning, learning the ropes, learning how to move,

0:13:11.760 --> 0:13:14.240
<v Speaker 1>you know what I mean. And Bobbit held on to it.

0:13:14.360 --> 0:13:16.520
<v Speaker 1>You know, I was closer to him because I knew

0:13:17.040 --> 0:13:19.960
<v Speaker 1>me and Koujoe and Gilt graduated from high school with

0:13:19.960 --> 0:13:23.920
<v Speaker 1>his older sister. So that's family. That's little Marcella to

0:13:23.960 --> 0:13:26.160
<v Speaker 1>the end, you know what I mean. So you know,

0:13:26.200 --> 0:13:28.839
<v Speaker 1>we all family, we all brothers, we all love each other,

0:13:28.880 --> 0:13:30.600
<v Speaker 1>we all support each other. Man. That's just how it

0:13:30.720 --> 0:13:35.840
<v Speaker 1>is right here around the Dungeon family. Man, I did. Wow,

0:13:36.480 --> 0:13:38.240
<v Speaker 1>it's a beautiful thing to see it. Man, it's a

0:13:38.240 --> 0:13:44.360
<v Speaker 1>beautiful thing. What was for you guys, Like when obviously

0:13:44.400 --> 0:13:45.880
<v Speaker 1>you say you got any of this ad? All right,

0:13:45.880 --> 0:13:51.240
<v Speaker 1>we got to make an album having organized noise handle

0:13:51.320 --> 0:13:54.480
<v Speaker 1>the production? Was that, like I'm assuming there was just

0:13:55.440 --> 0:13:57.640
<v Speaker 1>a mutual understanding that like, if we're gonna do this,

0:13:57.960 --> 0:13:59.800
<v Speaker 1>there's only one way we'll do it, and that's the

0:14:00.080 --> 0:14:04.600
<v Speaker 1>of them be behind the boards. Is that is? That was?

0:14:04.600 --> 0:14:06.439
<v Speaker 1>It was that that would have to be the easiest

0:14:06.440 --> 0:14:12.839
<v Speaker 1>decision I'm assuming with this project. Yeah at the time, Yeah,

0:14:13.000 --> 0:14:16.599
<v Speaker 1>go ahead, Joe. I mean, you can say something to

0:14:16.720 --> 0:14:19.240
<v Speaker 1>it just felt good. Not they had the big motherfuckers

0:14:19.280 --> 0:14:23.400
<v Speaker 1>for beats or big motherfuckers for tracks. You know what

0:14:23.400 --> 0:14:26.160
<v Speaker 1>I'm saying. I have to worry about, man, how much

0:14:26.200 --> 0:14:28.480
<v Speaker 1>I charge for a track? Sit just one hundred thousand,

0:14:28.640 --> 0:14:33.920
<v Speaker 1>Oh damn for real. So they felt good, Man, to

0:14:34.120 --> 0:14:37.000
<v Speaker 1>just go back in the ring, man with somebody we

0:14:37.000 --> 0:14:41.680
<v Speaker 1>were familiar with, Man, go ahead, yep, familiar with is

0:14:41.840 --> 0:14:44.440
<v Speaker 1>all the way. I think that that that brought the

0:14:44.480 --> 0:14:47.640
<v Speaker 1>comfort down for everybody. It really gave everybody in this

0:14:47.720 --> 0:14:50.680
<v Speaker 1>group a real chance to sit back and say, Okay,

0:14:51.960 --> 0:14:53.880
<v Speaker 1>what am I gonna do? What am I gonna bring

0:14:53.960 --> 0:14:56.160
<v Speaker 1>to this project. At the same time, you and they

0:14:56.160 --> 0:14:59.640
<v Speaker 1>were doing the same thing amongst them, you know, sleepy

0:15:00.640 --> 0:15:03.200
<v Speaker 1>and rat you know what I mean, like and like

0:15:03.320 --> 0:15:05.920
<v Speaker 1>even doing the app like on some song. Bro, we

0:15:06.000 --> 0:15:09.600
<v Speaker 1>got up to nine weeks on just one record, you

0:15:09.640 --> 0:15:12.200
<v Speaker 1>know what I mean. So that's how that's how diligent

0:15:12.320 --> 0:15:14.520
<v Speaker 1>they was going. That's how they was working on a

0:15:14.640 --> 0:15:16.440
<v Speaker 1>night and day, you know what I mean. So we

0:15:16.560 --> 0:15:19.400
<v Speaker 1>get this beautiful project. At the end, it's like, man,

0:15:19.440 --> 0:15:21.720
<v Speaker 1>I can't we can't wait till Friday. The thirteenth, so

0:15:21.760 --> 0:15:24.080
<v Speaker 1>people get hit the survival kick because we know it's

0:15:24.080 --> 0:15:25.640
<v Speaker 1>gonna be just like the rest of them. It's gonna

0:15:25.640 --> 0:15:30.600
<v Speaker 1>be a classic twenty five years from now. Yeah, you

0:15:30.600 --> 0:15:33.640
<v Speaker 1>guys have have classic in your I mean listen, man,

0:15:33.960 --> 0:15:37.640
<v Speaker 1>I listened to Soul Food still like it just came

0:15:37.680 --> 0:15:40.840
<v Speaker 1>out often. You know, you know it's it's it's a

0:15:40.880 --> 0:15:44.440
<v Speaker 1>timeless body of work, still standing, timeless body work. I'm curious, Celo,

0:15:45.200 --> 0:15:48.280
<v Speaker 1>I know that your solo success has been and shout

0:15:48.320 --> 0:15:50.920
<v Speaker 1>out to Get too. By the way, get the ship.

0:15:51.000 --> 0:15:52.920
<v Speaker 1>You drop a due for Gluta texts. Was my ship

0:15:53.480 --> 0:15:58.400
<v Speaker 1>Ali right? And get Yeah, yep, yep. But sel I

0:15:58.440 --> 0:16:01.520
<v Speaker 1>want to touch I know your solo success or ship

0:16:01.560 --> 0:16:05.120
<v Speaker 1>would obviously your solo your first solo project was crazy,

0:16:05.160 --> 0:16:07.200
<v Speaker 1>then n Als Barkley came out, was crazy, and you

0:16:07.280 --> 0:16:11.640
<v Speaker 1>were a superstar in your own right. How how like

0:16:12.720 --> 0:16:15.920
<v Speaker 1>is it dope to be able to introduce fans of

0:16:15.960 --> 0:16:19.000
<v Speaker 1>yours that might not be Goodie Mob fans to Goodie

0:16:19.040 --> 0:16:21.320
<v Speaker 1>Mob twenty five years later, Because there are fans of

0:16:21.400 --> 0:16:25.080
<v Speaker 1>yours that might not They might be just surface level

0:16:25.120 --> 0:16:27.640
<v Speaker 1>Selo fans, Then I might not like dig into the

0:16:27.680 --> 0:16:30.040
<v Speaker 1>fact that you came from Goodie Mob. How dope is

0:16:30.120 --> 0:16:32.360
<v Speaker 1>that to bring a bunch of new fans to the party.

0:16:32.400 --> 0:16:34.120
<v Speaker 1>Because my mom is a is a se Loo fan.

0:16:34.280 --> 0:16:35.760
<v Speaker 1>She don't know what the fuck Goodie Mob is, but

0:16:35.880 --> 0:16:37.480
<v Speaker 1>she knows who you are. You know what I'm saying,

0:16:37.600 --> 0:16:40.480
<v Speaker 1>right right? You know, I don't mind surface level Selo

0:16:40.640 --> 0:16:44.000
<v Speaker 1>Green fans, but I do mind superficial Selo Green fans.

0:16:44.040 --> 0:16:45.640
<v Speaker 1>You know what I mean. And that's a difference, you

0:16:45.680 --> 0:16:47.440
<v Speaker 1>know what I mean. Like the ones that are truly

0:16:48.440 --> 0:16:50.640
<v Speaker 1>aware of me, they are aware the root of you

0:16:50.680 --> 0:16:52.760
<v Speaker 1>know what I mean, like in the forge, the way

0:16:52.800 --> 0:16:54.160
<v Speaker 1>it comes from. You know what I mean, Like you

0:16:54.200 --> 0:16:57.680
<v Speaker 1>know why you know, why not why not followed me back?

0:16:57.720 --> 0:17:00.080
<v Speaker 1>Why why not trace me back to the beginning what

0:17:00.080 --> 0:17:05.120
<v Speaker 1>I'm saying, Like you feel me? So you know it's

0:17:05.240 --> 0:17:08.760
<v Speaker 1>not it's not a conflict of interest, not not not

0:17:08.960 --> 0:17:10.879
<v Speaker 1>to me, you know what I'm saying, like or anyone

0:17:10.960 --> 0:17:12.760
<v Speaker 1>for that matter. You know what I'm saying, like you know,

0:17:12.920 --> 0:17:16.840
<v Speaker 1>like it's only weight to leverage with you know what

0:17:16.880 --> 0:17:19.639
<v Speaker 1>I'm saying, like you know, and weight weight distribution. You

0:17:19.640 --> 0:17:25.240
<v Speaker 1>know what I'm saying. So you know I believe that personally,

0:17:25.359 --> 0:17:29.359
<v Speaker 1>I believe that you know, any any win you know

0:17:29.600 --> 0:17:31.240
<v Speaker 1>on this side of it, I mean, like it's a

0:17:31.280 --> 0:17:34.679
<v Speaker 1>win for everyone. So you know, I believe that Nol's

0:17:34.760 --> 0:17:36.320
<v Speaker 1>Barcoley see little Green, you know what I mean, Like,

0:17:36.680 --> 0:17:40.760
<v Speaker 1>and any success associated with it, you know, extends itself

0:17:40.840 --> 0:17:44.560
<v Speaker 1>from Dungeon family. So it's essentially and ultimately a Dungeon

0:17:44.640 --> 0:17:47.920
<v Speaker 1>family win. No different than when outcas it, like when

0:17:48.920 --> 0:17:54.399
<v Speaker 1>speak about flood be logo to to it's rather amal year.

0:17:54.720 --> 0:17:56.720
<v Speaker 1>How we got album of the Year. You know what

0:17:56.760 --> 0:17:59.200
<v Speaker 1>I'm saying. That's that's how I look at it, you

0:17:59.440 --> 0:18:03.399
<v Speaker 1>know what I'm saying, And and that that that's it.

0:18:03.720 --> 0:18:06.159
<v Speaker 1>That's me trying to really keep that simple, you know

0:18:06.200 --> 0:18:09.160
<v Speaker 1>what I mean. But like, but no, man, it's it's

0:18:09.240 --> 0:18:12.399
<v Speaker 1>it's all relative and it's derivative of where something started

0:18:12.400 --> 0:18:14.560
<v Speaker 1>from a starting point, you know what I'm saying. So

0:18:15.920 --> 0:18:20.760
<v Speaker 1>you know, having the support system, having the success ratio

0:18:21.119 --> 0:18:24.040
<v Speaker 1>I mean, like, and the strength of the mob and

0:18:24.200 --> 0:18:26.800
<v Speaker 1>of the Dungeon family you know behind me. You know,

0:18:26.840 --> 0:18:29.919
<v Speaker 1>I'm saying, like is what propelled me to those heights.

0:18:29.960 --> 0:18:31.600
<v Speaker 1>You know what I'm saying, Like, you know, even if

0:18:31.640 --> 0:18:34.520
<v Speaker 1>it was used as a barama of something I wanted

0:18:34.560 --> 0:18:36.879
<v Speaker 1>to do better or do more of, you know what

0:18:36.960 --> 0:18:41.399
<v Speaker 1>I'm saying, but all in an effort to represent you know,

0:18:41.640 --> 0:18:44.720
<v Speaker 1>not only my family saying like you know, but our city.

0:18:44.800 --> 0:18:46.840
<v Speaker 1>You know. I mean, like to the best of my

0:18:47.040 --> 0:18:50.520
<v Speaker 1>natural ability. You know what I mean, And so what

0:18:50.640 --> 0:18:53.119
<v Speaker 1>you hear is just the humility that that come along

0:18:53.160 --> 0:18:55.520
<v Speaker 1>with that. I mean, like, so like I wasn't I

0:18:55.560 --> 0:18:57.440
<v Speaker 1>ain't never really tripping and say you feel me, like

0:18:57.760 --> 0:18:59.760
<v Speaker 1>because my feet my feet in the dirt. Man, I

0:18:59.800 --> 0:19:03.600
<v Speaker 1>could the dirt. I'm just a I ain't an trip

0:19:03.680 --> 0:19:06.160
<v Speaker 1>off starter man. Like you know, I'm a tall tree,

0:19:06.320 --> 0:19:07.879
<v Speaker 1>you know what I'm saying, like or a tall and

0:19:08.080 --> 0:19:10.960
<v Speaker 1>even taller antilla. So I'm up there. Why pick up?

0:19:11.240 --> 0:19:13.040
<v Speaker 1>I pick up a signal, you know what I'm saying, like,

0:19:13.280 --> 0:19:16.560
<v Speaker 1>and I get the message and I transmit and transcend

0:19:16.960 --> 0:19:20.320
<v Speaker 1>and that's it. Hey, When I was coming up, man,

0:19:20.640 --> 0:19:23.600
<v Speaker 1>I remember as because I'm a I'm a diehard Outcast fan,

0:19:24.600 --> 0:19:26.960
<v Speaker 1>diehard Dungeon family fan. When when you guys all came

0:19:27.040 --> 0:19:31.600
<v Speaker 1>together for even in darkness, right, I thought that was

0:19:32.440 --> 0:19:35.280
<v Speaker 1>I mean, I'm even like I remember cool or Cool

0:19:35.320 --> 0:19:37.800
<v Speaker 1>Breeze is East boys finest album that watched for the

0:19:37.840 --> 0:19:39.880
<v Speaker 1>hook was my ship. I'm a huge Dungeon Family fan,

0:19:39.920 --> 0:19:42.440
<v Speaker 1>so when everybody got together and made even in Darkness,

0:19:43.200 --> 0:19:46.000
<v Speaker 1>it was crazy. Can you guys give me some like

0:19:46.119 --> 0:19:48.760
<v Speaker 1>a story or two about the making of the actual

0:19:48.840 --> 0:19:52.119
<v Speaker 1>Dungeon Family album, because I think that that album is

0:19:52.359 --> 0:19:55.159
<v Speaker 1>very slept on and doesn't get enough I don't hear

0:19:55.240 --> 0:19:58.000
<v Speaker 1>enough conversation of praise about how dope that project was.

0:19:59.040 --> 0:20:02.320
<v Speaker 1>That's a good example. And using Cool Breeze Eastports Gradies hit,

0:20:02.760 --> 0:20:04.560
<v Speaker 1>I mean, that's song watched with a hook man like

0:20:04.640 --> 0:20:06.960
<v Speaker 1>you know, that's when you know his project was launched

0:20:07.000 --> 0:20:11.159
<v Speaker 1>off the back of Organized Noise, you know, you know,

0:20:11.600 --> 0:20:15.639
<v Speaker 1>uh opening up the doors, you know, cutting the ribbon

0:20:15.720 --> 0:20:18.240
<v Speaker 1>on their new label, Organized Lowse Records. You know what

0:20:18.240 --> 0:20:24.200
<v Speaker 1>I mean, Like you know, uh Organized Noise, uh via Interscope,

0:20:24.320 --> 0:20:26.040
<v Speaker 1>you know what I'm saying. So that was that was

0:20:26.119 --> 0:20:27.399
<v Speaker 1>a big look, you know what I mean. And so

0:20:27.480 --> 0:20:30.480
<v Speaker 1>we all came together, you know, like with the camaraderie,

0:20:30.560 --> 0:20:32.919
<v Speaker 1>with the teamwork to make that dream work. You mean,

0:20:33.000 --> 0:20:34.600
<v Speaker 1>like for the homie, you know what I mean. No

0:20:34.720 --> 0:20:36.840
<v Speaker 1>difference than he showed up for us when he coined

0:20:36.880 --> 0:20:39.320
<v Speaker 1>the phrase dirty South what I mean like and linded

0:20:39.400 --> 0:20:41.639
<v Speaker 1>that them saying you feel me to uh to to

0:20:41.800 --> 0:20:44.080
<v Speaker 1>Goodie Mob's debut album, So like you, I mean, like

0:20:44.480 --> 0:20:46.479
<v Speaker 1>you know the love is reciprocated, you know what I mean,

0:20:46.680 --> 0:20:49.320
<v Speaker 1>Like you feel me always acknowledge it where it's due,

0:20:49.400 --> 0:20:51.320
<v Speaker 1>you know what I'm saying. So you know, like you

0:20:51.359 --> 0:20:53.000
<v Speaker 1>want no egos and that and none of that kind

0:20:53.000 --> 0:20:55.159
<v Speaker 1>of shit. I mean, like the it was a homie

0:20:55.200 --> 0:20:58.080
<v Speaker 1>turn we we we we you know, we teamed up,

0:20:58.600 --> 0:21:01.560
<v Speaker 1>you know it that sit up on the field with it,

0:21:02.119 --> 0:21:04.159
<v Speaker 1>That's what it was about. Yeah, But with the with

0:21:04.240 --> 0:21:07.880
<v Speaker 1>the even in Darkness album, what was that? Like, that's

0:21:08.200 --> 0:21:10.720
<v Speaker 1>that's a hard thing to pull everybody together, especially at

0:21:10.760 --> 0:21:12.959
<v Speaker 1>that point of everyone's careers because you guys are all

0:21:13.440 --> 0:21:15.960
<v Speaker 1>at that point in time, cast is fucking out of

0:21:16.000 --> 0:21:19.480
<v Speaker 1>here and then you got out of here and to

0:21:19.600 --> 0:21:22.840
<v Speaker 1>bring everyone together? What what? What? What was I'm assuming

0:21:22.880 --> 0:21:25.000
<v Speaker 1>that was it organized noise? It kind of quarterback the

0:21:25.040 --> 0:21:28.119
<v Speaker 1>greater process for that project? Like or what was it?

0:21:28.200 --> 0:21:32.399
<v Speaker 1>What was making that album? Like it was organized? No

0:21:32.680 --> 0:21:36.480
<v Speaker 1>because I mean we was both on tour, likes was

0:21:36.560 --> 0:21:39.280
<v Speaker 1>doing Smoking Gruves tour. I think Goodie Marble was out

0:21:39.320 --> 0:21:43.639
<v Speaker 1>with Uh. I think we just came off Fishbone in

0:21:43.720 --> 0:21:47.600
<v Speaker 1>Daylight Soul to oh Ship. So so it was it

0:21:47.760 --> 0:21:50.240
<v Speaker 1>was it was a real crazy time. So we was

0:21:50.359 --> 0:21:52.639
<v Speaker 1>doing the records in and out, coming in and out

0:21:52.680 --> 0:21:55.719
<v Speaker 1>of town, you know, like, so we didn't really get

0:21:55.760 --> 0:21:58.840
<v Speaker 1>to start to even do that do that album. We

0:21:58.920 --> 0:22:02.160
<v Speaker 1>didn't get the tour a lot because just our schedules. Man,

0:22:02.160 --> 0:22:04.040
<v Speaker 1>it was just we were just doing so much at

0:22:04.080 --> 0:22:09.600
<v Speaker 1>that time. I can imagine with this project, what uh

0:22:10.359 --> 0:22:14.399
<v Speaker 1>what what was the with the word survival kid? I mean,

0:22:14.560 --> 0:22:18.000
<v Speaker 1>like when I see that and labels don't support big

0:22:18.080 --> 0:22:20.159
<v Speaker 1>albums like that, Bro, why that stuff only happened every

0:22:20.200 --> 0:22:22.720
<v Speaker 1>so often? Not because they don't want to see something great,

0:22:22.920 --> 0:22:25.800
<v Speaker 1>you know what I mean? Like you know, but because logistically,

0:22:26.160 --> 0:22:28.320
<v Speaker 1>projects like that are expensive to do. You know what

0:22:28.359 --> 0:22:30.800
<v Speaker 1>I'm saying. It's a lot of working parts, you know,

0:22:31.240 --> 0:22:35.600
<v Speaker 1>especially if everyone's on different labels, different labels and different

0:22:35.680 --> 0:22:40.720
<v Speaker 1>tax brackets and pay grades. That Yeah, it takes a

0:22:40.760 --> 0:22:45.879
<v Speaker 1>lot of humility from everyone involved, right Yeah. Yeah, because

0:22:46.000 --> 0:22:48.640
<v Speaker 1>like you said, there might be somebody who be like, yo, man,

0:22:48.680 --> 0:22:50.160
<v Speaker 1>I do it, but I need more than this person.

0:22:50.240 --> 0:22:51.760
<v Speaker 1>And it's like now we're not doing it for that.

0:22:51.840 --> 0:22:54.960
<v Speaker 1>We're doing it because about having more than that person.

0:22:54.960 --> 0:22:58.880
<v Speaker 1>It's about I need what I deserve, right, because you're

0:22:58.920 --> 0:23:01.520
<v Speaker 1>gonna turn to write back around and promote this to

0:23:01.720 --> 0:23:03.800
<v Speaker 1>my audience, some said, the audience that I've earned and

0:23:03.960 --> 0:23:05.919
<v Speaker 1>work for. So if you gonna send it back to them,

0:23:06.119 --> 0:23:07.800
<v Speaker 1>you know what I'm saying, Like, and you know, at

0:23:07.880 --> 0:23:12.440
<v Speaker 1>least give me yah, damn you know what I need. Shit,

0:23:16.520 --> 0:23:21.280
<v Speaker 1>I'm curious, was there ever a record or any sort

0:23:21.359 --> 0:23:24.200
<v Speaker 1>of moment creatively that you guys as a group regret

0:23:24.520 --> 0:23:29.840
<v Speaker 1>looking back on on on your guys' career. I got

0:23:30.000 --> 0:23:34.280
<v Speaker 1>some I got. I'm gonna I'm gonna speak on this

0:23:34.320 --> 0:23:36.560
<v Speaker 1>shop since since I had, damn there everything to do

0:23:36.640 --> 0:23:39.760
<v Speaker 1>with it. You know, even though now we we come

0:23:39.840 --> 0:23:43.080
<v Speaker 1>in together and we talk about now, we laugh about

0:23:43.119 --> 0:23:45.480
<v Speaker 1>it now, But like I gotta say, another age of

0:23:45.520 --> 0:23:48.600
<v Speaker 1>Get Machine album, you know, it's some regretful parts on

0:23:48.680 --> 0:23:50.800
<v Speaker 1>there for me, man, because I think the ambition was

0:23:50.840 --> 0:23:53.480
<v Speaker 1>blind and man like, you know, we was in another

0:23:53.640 --> 0:23:56.960
<v Speaker 1>spectrum and spear man like, you know, an atmosphere around

0:23:57.040 --> 0:24:00.000
<v Speaker 1>that time and trying to correlate you know, I'm saying,

0:24:00.160 --> 0:24:04.000
<v Speaker 1>like core audience with commercial uppeal, you know, and so

0:24:04.160 --> 0:24:06.320
<v Speaker 1>on and so forth, and just trying to try to

0:24:06.359 --> 0:24:08.639
<v Speaker 1>pull it off. And that's that's me, man, Like you know,

0:24:08.680 --> 0:24:10.040
<v Speaker 1>I mean, like, you know, I think it was some

0:24:10.400 --> 0:24:13.000
<v Speaker 1>some different kind of malfunctions. And they're like songs like

0:24:13.160 --> 0:24:15.879
<v Speaker 1>Amy and My Very First White Girl, and you know,

0:24:15.960 --> 0:24:19.560
<v Speaker 1>people people like, oh my god, what it's good. Yeah,

0:24:19.600 --> 0:24:22.600
<v Speaker 1>it's funny because I felt that as a fan, was

0:24:22.640 --> 0:24:24.760
<v Speaker 1>gonna say. I know that. That's why I'm being honest

0:24:24.760 --> 0:24:27.359
<v Speaker 1>with you. I'm being transparent because we've got to people.

0:24:27.720 --> 0:24:31.560
<v Speaker 1>That's a real conversation that we had. But you know what,

0:24:31.840 --> 0:24:34.080
<v Speaker 1>you guys have tried this before in twenty thirteen. You

0:24:34.119 --> 0:24:36.280
<v Speaker 1>know what I'm saying, and you know what I'm saying.

0:24:36.600 --> 0:24:38.639
<v Speaker 1>Check it out. So it's like Bill and Mom always

0:24:38.760 --> 0:24:43.159
<v Speaker 1>been controversial, you know and dangerous something like you know,

0:24:43.320 --> 0:24:46.240
<v Speaker 1>like the South's most dangerous group is I like to,

0:24:46.400 --> 0:24:49.240
<v Speaker 1>you know, look at it. So with that, I felt

0:24:49.359 --> 0:24:53.040
<v Speaker 1>like it lent itself to you know, a larger conversation.

0:24:53.160 --> 0:24:56.240
<v Speaker 1>But it was supposed to be shock value, controversy, blah

0:24:56.240 --> 0:24:58.879
<v Speaker 1>blah blah blah blah, but instead of that, it just

0:24:59.040 --> 0:25:02.320
<v Speaker 1>ended up just being a connect I mean, like and disappointment,

0:25:02.760 --> 0:25:04.680
<v Speaker 1>like you know, because you know we might even have

0:25:04.760 --> 0:25:07.200
<v Speaker 1>to we might didn't have to reach that far. Sometimes

0:25:07.480 --> 0:25:09.920
<v Speaker 1>sometimes you want to reach to to uh you know

0:25:09.920 --> 0:25:12.040
<v Speaker 1>what I mean, like to to graph you know. Uh,

0:25:12.359 --> 0:25:14.360
<v Speaker 1>what you feel like is what you feel is when

0:25:14.359 --> 0:25:17.400
<v Speaker 1>you're in your reach. But sometimes you stretch yourself to thin,

0:25:17.840 --> 0:25:20.240
<v Speaker 1>you know what I mean. And I will say that

0:25:20.280 --> 0:25:22.440
<v Speaker 1>I can be honest in saying that in retrospect. But

0:25:22.560 --> 0:25:24.920
<v Speaker 1>then there were some moments I think people also maybe

0:25:25.040 --> 0:25:29.000
<v Speaker 1>listen back to that project now, especially especially after we

0:25:29.200 --> 0:25:31.800
<v Speaker 1>nail it with this project. I think people are uh

0:25:32.400 --> 0:25:34.400
<v Speaker 1>listen back to that and be like, Okay, I can

0:25:34.480 --> 0:25:36.800
<v Speaker 1>appreciate it more and and see it in a different

0:25:36.880 --> 0:25:38.720
<v Speaker 1>light for what they were trying to do in that

0:25:38.920 --> 0:25:40.680
<v Speaker 1>time period. What I'm saying, you feel me, but like

0:25:41.080 --> 0:25:45.040
<v Speaker 1>the missing link of that album was the cohesive uh

0:25:45.359 --> 0:25:49.240
<v Speaker 1>sonic uh you know SOUNDBD you know, and just and

0:25:49.359 --> 0:25:52.280
<v Speaker 1>just the energy you know, and the affection of organized noise.

0:25:53.760 --> 0:25:56.200
<v Speaker 1>Yeah yeah yeah. If you if you do something back

0:25:56.240 --> 0:25:59.240
<v Speaker 1>befault and everybody not not you know, you can't have

0:25:59.320 --> 0:26:02.240
<v Speaker 1>you can't expect me might have to halfway support you, man, Like,

0:26:02.520 --> 0:26:05.120
<v Speaker 1>don't never ask nobody to stratle fit for you man,

0:26:05.200 --> 0:26:07.960
<v Speaker 1>like never no neutrals with us may either paup or drive.

0:26:08.320 --> 0:26:11.040
<v Speaker 1>You know what I'm saying, right, I think it's safe

0:26:11.119 --> 0:26:14.560
<v Speaker 1>to say, like, the people who are screaming they want

0:26:14.560 --> 0:26:17.480
<v Speaker 1>a Goodiemole album in twenty twenty are the people who

0:26:17.560 --> 0:26:19.840
<v Speaker 1>want y'all to work with organized boys. They're the people

0:26:19.840 --> 0:26:22.399
<v Speaker 1>who like, they're like, yo, you know, I think that

0:26:22.520 --> 0:26:24.359
<v Speaker 1>there's something to be said about I just listened to

0:26:24.400 --> 0:26:25.640
<v Speaker 1>I don't know if you guys heard the new Bust

0:26:25.640 --> 0:26:30.440
<v Speaker 1>of Rhymes album. Yeah, yeah, great album, right, But I

0:26:30.880 --> 0:26:33.080
<v Speaker 1>heard his album and I was like, yo, but Buster

0:26:33.240 --> 0:26:37.400
<v Speaker 1>did not like Busted. He took his time on the album.

0:26:37.480 --> 0:26:40.440
<v Speaker 1>But what he did was he made an album that

0:26:40.560 --> 0:26:45.840
<v Speaker 1>he knew his core diehard fans would appreciate in twenty twenty, right,

0:26:46.320 --> 0:26:48.200
<v Speaker 1>And I feel like when I when this and that

0:26:48.320 --> 0:26:51.000
<v Speaker 1>album got announced, I was just so excited. Man. I

0:26:51.080 --> 0:26:53.480
<v Speaker 1>was excited because if it would have been announced without

0:26:53.560 --> 0:26:55.639
<v Speaker 1>organized nos, I would have checked it out. But I

0:26:55.760 --> 0:26:58.560
<v Speaker 1>was like, Okay, sonically, this is gonna be something cohesaid,

0:26:58.640 --> 0:27:00.800
<v Speaker 1>this is gonna bring back you know, this is and

0:27:01.240 --> 0:27:03.480
<v Speaker 1>and and and maybe the gift in the Curse of

0:27:03.560 --> 0:27:05.400
<v Speaker 1>the pandemic. You know, we're getting a lot of great

0:27:05.480 --> 0:27:08.200
<v Speaker 1>music out of this pandemic. Hey, yo, gift Joe Mo.

0:27:08.400 --> 0:27:11.359
<v Speaker 1>Did I say anything wrong about that? Oh? No, that

0:27:11.520 --> 0:27:16.480
<v Speaker 1>was man. I mean I loved I loved the Age

0:27:16.520 --> 0:27:18.280
<v Speaker 1>Gainst Machine. I mean, you know what I'm saying. I

0:27:18.320 --> 0:27:21.320
<v Speaker 1>mean a few song choices. Like you said, I mean,

0:27:21.440 --> 0:27:23.840
<v Speaker 1>we could have we could have did something else, but

0:27:24.160 --> 0:27:28.520
<v Speaker 1>for me, it was two songs for me that I wish, Like, damn,

0:27:28.680 --> 0:27:31.359
<v Speaker 1>I wish I had a guy, and it was Dirty

0:27:31.520 --> 0:27:35.800
<v Speaker 1>South and Black Ice, right, And we tried to do

0:27:36.000 --> 0:27:39.440
<v Speaker 1>remixes for him, but they was not the same, right

0:27:39.680 --> 0:27:42.080
<v Speaker 1>you feel what I'm saying, Like, like we tried to

0:27:42.119 --> 0:27:45.639
<v Speaker 1>do the remix with with Mystical with uh it was

0:27:45.680 --> 0:27:50.680
<v Speaker 1>the Dirty South remix with and then we did I

0:27:50.760 --> 0:27:55.160
<v Speaker 1>forgot who produced the Black Ice remix. I think DJ

0:27:55.400 --> 0:27:58.879
<v Speaker 1>was still the same, wasn't it. Yeah? Okay, okay, okay,

0:27:58.960 --> 0:28:01.639
<v Speaker 1>but yeah, those are the two songs that I like,

0:28:02.000 --> 0:28:04.520
<v Speaker 1>Damn mother said to get on them songs right now.

0:28:05.119 --> 0:28:07.119
<v Speaker 1>You know, black Eyes obviously is a record that like

0:28:07.400 --> 0:28:09.480
<v Speaker 1>you know, this is like that shit just needs to

0:28:09.640 --> 0:28:13.960
<v Speaker 1>just be left alone, you know what I'm saying. Oh,

0:28:14.280 --> 0:28:17.360
<v Speaker 1>We're breaking down this video. We're not breaking it down.

0:28:17.440 --> 0:28:19.480
<v Speaker 1>We're taking a break in the video to tell you

0:28:19.520 --> 0:28:22.440
<v Speaker 1>all about our sponsors, odd Socks. All right, listen man,

0:28:22.680 --> 0:28:26.800
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0:28:26.960 --> 0:28:30.200
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<v Speaker 1>Com support us by supporting odd socks Let's go. Hey,

0:29:22.360 --> 0:29:24.440
<v Speaker 1>you guys also went through this weird era of your

0:29:24.480 --> 0:29:26.600
<v Speaker 1>career where the one Monkey Don't Stop the Show album

0:29:26.640 --> 0:29:29.040
<v Speaker 1>came out. Obviously that was the album that Celo was

0:29:29.120 --> 0:29:31.800
<v Speaker 1>not part of. How hard was it for you guys

0:29:31.840 --> 0:29:35.800
<v Speaker 1>to get through some of the bumps in your guys's relationships.

0:29:36.120 --> 0:29:38.000
<v Speaker 1>You know that that that that you know may or

0:29:38.040 --> 0:29:40.120
<v Speaker 1>may not have been public the how I think, like,

0:29:40.320 --> 0:29:41.680
<v Speaker 1>you know, at the end of the day, you guys,

0:29:42.880 --> 0:29:45.000
<v Speaker 1>we're here in twenty twenty. You guys did an album

0:29:45.040 --> 0:29:47.920
<v Speaker 1>after that, but like that specific just era of your guys'

0:29:48.080 --> 0:29:50.000
<v Speaker 1>relationship in the group. And at that point in time,

0:29:50.080 --> 0:29:52.800
<v Speaker 1>I think, Celo, you're on your second solo album by then.

0:29:53.760 --> 0:29:57.520
<v Speaker 1>I think, so yeah, yeah, yeah, yeah, right, So what

0:29:57.800 --> 0:30:01.719
<v Speaker 1>what was that era like? Because at that time, hey, man,

0:30:01.760 --> 0:30:05.120
<v Speaker 1>I'm just saying, bro and look good the Sino Greens

0:30:05.720 --> 0:30:10.000
<v Speaker 1>perfect imperfection. That's my ship's point. When you dropped that

0:30:10.080 --> 0:30:12.080
<v Speaker 1>ship and oh too, I was like, this ship did

0:30:12.160 --> 0:30:14.040
<v Speaker 1>not just this is what I wanted from a Sino

0:30:14.080 --> 0:30:19.240
<v Speaker 1>while it was man, I appreciate that, but you want

0:30:19.240 --> 0:30:21.040
<v Speaker 1>to take that with Joe Gift. Come on, man, somebody

0:30:21.080 --> 0:30:24.960
<v Speaker 1>speak that. Yeah, yeah shit, I mean, like I said,

0:30:25.120 --> 0:30:27.400
<v Speaker 1>all of us, all of us grew up together, you

0:30:27.480 --> 0:30:30.720
<v Speaker 1>know what I mean. So it wasn't nothing malicious to with,

0:30:30.920 --> 0:30:32.920
<v Speaker 1>like shit, when I see that nigga, it's on on

0:30:33.120 --> 0:30:36.080
<v Speaker 1>site type ship, So it ain't it was. It wasn't

0:30:36.120 --> 0:30:37.920
<v Speaker 1>never like that, you know what I mean. So it

0:30:38.040 --> 0:30:42.080
<v Speaker 1>was just us being finding another way to communicate, you

0:30:42.120 --> 0:30:44.760
<v Speaker 1>know what I'm saying with our fans, even though you

0:30:44.800 --> 0:30:46.680
<v Speaker 1>know what I'm saying. We had we had all little

0:30:46.720 --> 0:30:48.840
<v Speaker 1>brother with us, you know what I mean. But it

0:30:48.960 --> 0:30:51.959
<v Speaker 1>was much since I remember seeing Selo. I didn't got

0:30:52.040 --> 0:30:54.280
<v Speaker 1>THEMN Denmark. One day, you know what I'm saying. We

0:30:54.400 --> 0:30:56.960
<v Speaker 1>was in a festival somewhere. We were just I was

0:30:57.240 --> 0:30:59.440
<v Speaker 1>walking around, man, and I forgot what year was that

0:30:59.560 --> 0:31:03.120
<v Speaker 1>though you rememb when you're the one that was that

0:31:03.360 --> 0:31:07.600
<v Speaker 1>was that was that's like hold on, that's that's like

0:31:08.040 --> 0:31:12.560
<v Speaker 1>six that and when that one one album come out?

0:31:12.560 --> 0:31:16.600
<v Speaker 1>When that come out right, oh four oh foe. So

0:31:17.720 --> 0:31:20.400
<v Speaker 1>we were still working and everything. Man. I just happened

0:31:20.400 --> 0:31:22.640
<v Speaker 1>to see Selo out and gotten there a whole nother

0:31:22.760 --> 0:31:26.320
<v Speaker 1>country man and Denmark man. We was just like like,

0:31:26.520 --> 0:31:28.680
<v Speaker 1>damn man, what's up? A little bro like man? See

0:31:28.760 --> 0:31:31.880
<v Speaker 1>your man? Man? It was instant love man. So I

0:31:31.960 --> 0:31:35.000
<v Speaker 1>still remember what you had on your white dicky short

0:31:35.080 --> 0:31:39.520
<v Speaker 1>set was with a green shirt up front. It what

0:31:39.640 --> 0:31:41.280
<v Speaker 1>you were that one white who knows what you'all were

0:31:41.320 --> 0:31:44.200
<v Speaker 1>wearing because there was a mind frame staatele Get was

0:31:44.200 --> 0:31:45.960
<v Speaker 1>wearing some wild ship and see what he was wearing

0:31:46.000 --> 0:31:50.000
<v Speaker 1>wild ship? I mean it was I'm gonna tell you

0:31:50.000 --> 0:31:52.200
<v Speaker 1>where that came from. I could probably answer that to

0:31:52.240 --> 0:31:54.440
<v Speaker 1>you because you started a lot of this ship. Man.

0:31:54.520 --> 0:31:57.440
<v Speaker 1>I was gonna say that was my next question, how

0:31:57.520 --> 0:31:59.720
<v Speaker 1>much of this ship to get star when it comes

0:31:59.760 --> 0:32:01.520
<v Speaker 1>to the why, because I feel like he don't get

0:32:01.600 --> 0:32:05.240
<v Speaker 1>enough praise when it comes to you don't introduce a

0:32:05.320 --> 0:32:08.880
<v Speaker 1>lot of that wild fashion ship into the game. What

0:32:09.240 --> 0:32:11.040
<v Speaker 1>what I'm gonna let he gonna speak for something I

0:32:11.080 --> 0:32:12.640
<v Speaker 1>can want to speak on, you know, just say this

0:32:12.720 --> 0:32:15.520
<v Speaker 1>because you know within our round, he was definitely you

0:32:15.560 --> 0:32:17.280
<v Speaker 1>know what I mean, like doing it, you know the

0:32:17.800 --> 0:32:20.200
<v Speaker 1>first like even before I even really knew Gift, I

0:32:20.280 --> 0:32:23.360
<v Speaker 1>knew up Gift and guilt had really kind of made

0:32:23.400 --> 0:32:25.200
<v Speaker 1>a name for himself from kind of going against the

0:32:25.280 --> 0:32:28.720
<v Speaker 1>graind So everybody went gold, get more seal, you know

0:32:28.760 --> 0:32:30.840
<v Speaker 1>what I'm saying. And that's how I knew him, like

0:32:31.400 --> 0:32:35.560
<v Speaker 1>I had been introduced to or he had been spoken of,

0:32:36.640 --> 0:32:39.040
<v Speaker 1>Like I'm like, you know, you know, give me a seal.

0:32:40.440 --> 0:32:44.840
<v Speaker 1>So you can just tell that was you know, that

0:32:45.080 --> 0:32:47.400
<v Speaker 1>was like a call and car. That was a trademark,

0:32:47.520 --> 0:32:50.040
<v Speaker 1>like apparently it was noticeable and ship in that time,

0:32:50.080 --> 0:32:51.840
<v Speaker 1>you know what I mean. But you know, you know,

0:32:52.080 --> 0:32:54.200
<v Speaker 1>the big homies a little older than me, so I

0:32:54.240 --> 0:32:57.440
<v Speaker 1>would only hear about certain stuff. But so Gil was

0:32:57.440 --> 0:32:59.600
<v Speaker 1>definitely making a mark even in high school, was just

0:32:59.680 --> 0:33:01.520
<v Speaker 1>going are away with it, you know what I mean.

0:33:01.640 --> 0:33:04.560
<v Speaker 1>Like he's definitely embellished on that within the group, you

0:33:04.600 --> 0:33:06.600
<v Speaker 1>know what I'm saying, Like you know, and then in

0:33:06.600 --> 0:33:09.520
<v Speaker 1>an extension of that, everybody had some of the shit

0:33:09.600 --> 0:33:10.640
<v Speaker 1>in them, you know what I'm saying, Like you know,

0:33:10.760 --> 0:33:15.600
<v Speaker 1>and especially when George Clinton christened us the Young parliament forkadelic,

0:33:15.680 --> 0:33:18.440
<v Speaker 1>you know what I mean, like, which basically gave us

0:33:18.520 --> 0:33:21.000
<v Speaker 1>a license to ill. You know what I'm saying, Like

0:33:21.360 --> 0:33:24.320
<v Speaker 1>we can do anything we want to just do, you

0:33:24.360 --> 0:33:27.040
<v Speaker 1>know what I mean like and and the god Mothers say,

0:33:27.040 --> 0:33:30.160
<v Speaker 1>it's okay, right, were snapped. You know what I'm saying.

0:33:30.160 --> 0:33:33.800
<v Speaker 1>You feel me like, We're definitely snappy. I just want

0:33:33.840 --> 0:33:36.800
<v Speaker 1>to what so double Body, because we all we all

0:33:37.080 --> 0:33:39.120
<v Speaker 1>goody googles. You know what I'm saying. You feel me

0:33:39.240 --> 0:33:42.400
<v Speaker 1>like all sweet niggas, all real you know what I mean,

0:33:42.520 --> 0:33:45.400
<v Speaker 1>Like if we could defend our right to be different

0:33:45.680 --> 0:33:48.040
<v Speaker 1>in the drop of a dime. You know what I'm saying.

0:33:48.040 --> 0:33:51.000
<v Speaker 1>You feel me So it was no different than Africa

0:33:51.040 --> 0:33:53.080
<v Speaker 1>Body and the Soul suning for us being the Black

0:33:53.160 --> 0:33:59.040
<v Speaker 1>Spades before they christened themselves. You know Africa about Zulu Nation,

0:33:59.120 --> 0:34:01.000
<v Speaker 1>you know I mean, like so when they was wearing

0:34:01.040 --> 0:34:03.880
<v Speaker 1>them costuming back then, It's like imagine being in the

0:34:03.920 --> 0:34:06.040
<v Speaker 1>middle of the burnt down Bronx with them fucking God

0:34:06.120 --> 0:34:07.960
<v Speaker 1>damn them roll, you know what I'm saying. Like so

0:34:08.080 --> 0:34:10.480
<v Speaker 1>it was probably the same kind of effect, That's what

0:34:10.600 --> 0:34:13.239
<v Speaker 1>I'm liking it towards. And they got away with it.

0:34:13.280 --> 0:34:15.000
<v Speaker 1>And I knew they was. They was thorough because I

0:34:15.080 --> 0:34:18.040
<v Speaker 1>knew the backstory. So anybody from Atlanta, they knew what

0:34:18.120 --> 0:34:20.360
<v Speaker 1>our backstory was, and they knew we could defend it.

0:34:20.400 --> 0:34:22.320
<v Speaker 1>They're like, what sh had? Man, we just got to

0:34:22.360 --> 0:34:23.960
<v Speaker 1>catch up to these niggas because they are some they

0:34:24.040 --> 0:34:27.520
<v Speaker 1>on some extraterrestrial art form type shit. And hey, man,

0:34:27.760 --> 0:34:29.640
<v Speaker 1>we ain't gonna say nothing. We can't say nothing about it,

0:34:29.680 --> 0:34:31.360
<v Speaker 1>you know what I'm saying. You feel me like, because

0:34:31.440 --> 0:34:34.320
<v Speaker 1>we want we were. It was interesting, it was intriguing,

0:34:34.600 --> 0:34:37.840
<v Speaker 1>and people wanted to understand what the expression was about.

0:34:38.320 --> 0:34:40.920
<v Speaker 1>But it was just the rights of passage to be

0:34:41.360 --> 0:34:44.600
<v Speaker 1>you know, just the individuals that we were, you know,

0:34:44.640 --> 0:34:46.440
<v Speaker 1>I mean like we we fought for that, you know

0:34:46.440 --> 0:34:48.440
<v Speaker 1>what I'm saying. Like, and it was an easy win too,

0:34:48.480 --> 0:34:51.239
<v Speaker 1>because like we broke, we had nuts. Man, what I'm

0:34:51.239 --> 0:34:55.560
<v Speaker 1>saying like nuts, I knew for a fact. I'm like, man, shit,

0:34:55.719 --> 0:34:59.040
<v Speaker 1>Like what the fuck? Somebody gonna tell us what we

0:34:59.160 --> 0:35:01.120
<v Speaker 1>can't do? You know what I'm saying, Like, Man, we laugh,

0:35:01.760 --> 0:35:03.480
<v Speaker 1>we might even laugh for we get mad. You know

0:35:03.480 --> 0:35:05.480
<v Speaker 1>what I'm saying. You being like, but I got to

0:35:05.520 --> 0:35:08.080
<v Speaker 1>tell you in thirty years, man, like, ain't nobody never

0:35:08.200 --> 0:35:10.719
<v Speaker 1>disrespected us, bro I don't want a way bress man like,

0:35:10.840 --> 0:35:13.840
<v Speaker 1>nobody listen, you are silver or is it gold? You?

0:35:14.000 --> 0:35:16.320
<v Speaker 1>You were just a gold you when you went to

0:35:16.360 --> 0:35:18.200
<v Speaker 1>that award show you was right when your whole head

0:35:18.320 --> 0:35:22.200
<v Speaker 1>was gold and all gold that you win has the award.

0:35:23.560 --> 0:35:28.040
<v Speaker 1>I went, So, you know what I'm saying, like, it's

0:35:28.120 --> 0:35:32.400
<v Speaker 1>all fun, it's all exhibitionism, passion tree, you know what

0:35:32.440 --> 0:35:34.960
<v Speaker 1>I'm saying Like, it's definitely just being brave enough to

0:35:35.080 --> 0:35:38.719
<v Speaker 1>be yourself, going against the odds, being different, being definitive,

0:35:38.840 --> 0:35:42.680
<v Speaker 1>being distinguishable, you know, setting yourself apart, and it takes

0:35:42.760 --> 0:35:45.800
<v Speaker 1>you take heart and soul to be yourself because the

0:35:45.960 --> 0:35:52.440
<v Speaker 1>main identity crisis that most people in society go through

0:35:53.000 --> 0:35:57.080
<v Speaker 1>is not wanting to be alone. That's painful. Some people

0:35:57.120 --> 0:36:01.239
<v Speaker 1>don't want Some people they they they sacrifice being an

0:36:01.280 --> 0:36:03.880
<v Speaker 1>individual for the sake of not having to be alone,

0:36:04.120 --> 0:36:06.560
<v Speaker 1>for the safe of being accepted by the by by people.

0:36:06.640 --> 0:36:13.200
<v Speaker 1>You know, that's some real shit. That's really I mean,

0:36:13.680 --> 0:36:18.120
<v Speaker 1>I feel like another thing. In the beginning, bro, it

0:36:18.239 --> 0:36:22.640
<v Speaker 1>was just I just realized that our dialect was different.

0:36:23.960 --> 0:36:27.600
<v Speaker 1>I realized that the way we performed was different. And

0:36:28.160 --> 0:36:30.160
<v Speaker 1>I came up with I came up with in my

0:36:30.200 --> 0:36:32.000
<v Speaker 1>own here, and I was like, man, if they if

0:36:32.040 --> 0:36:34.400
<v Speaker 1>they don't remember nothing we said, they gonna remember what

0:36:34.520 --> 0:36:39.160
<v Speaker 1>I looked like. I just I remember we did we

0:36:39.320 --> 0:36:43.840
<v Speaker 1>did a music conference in Nashville, and that was the

0:36:43.920 --> 0:36:47.359
<v Speaker 1>first time I did it. And I mixed this these

0:36:47.480 --> 0:36:53.680
<v Speaker 1>short sets with this green alligator overall set, and I

0:36:53.840 --> 0:36:58.080
<v Speaker 1>remember seeing it was us and bad Boy, and I

0:36:58.320 --> 0:37:00.879
<v Speaker 1>just remember seeing how they looked didn't be like wow,

0:37:01.120 --> 0:37:07.359
<v Speaker 1>like look like he looked wild. But at the same time,

0:37:07.880 --> 0:37:10.040
<v Speaker 1>I knew that that was something that I had to

0:37:10.280 --> 0:37:12.960
<v Speaker 1>continue to do, so I just start expounding on it.

0:37:13.040 --> 0:37:14.719
<v Speaker 1>I just came back home and I just started going

0:37:14.760 --> 0:37:17.680
<v Speaker 1>to fabric stores and I just start I just started

0:37:17.719 --> 0:37:20.080
<v Speaker 1>testing things out. I just started going to Magic City

0:37:20.440 --> 0:37:23.239
<v Speaker 1>and Monkey her Pants and just standing in there with

0:37:23.320 --> 0:37:25.840
<v Speaker 1>all the girls in the strippers and the dope boys

0:37:26.040 --> 0:37:28.399
<v Speaker 1>and just seeing how they react to it. And once

0:37:28.520 --> 0:37:30.960
<v Speaker 1>I just started doing that, walking in there with Lime

0:37:31.120 --> 0:37:34.279
<v Speaker 1>Green all the way to the floor, jackets On and

0:37:34.360 --> 0:37:36.600
<v Speaker 1>the dope boys, They're being like, oh, that's just guilt.

0:37:37.239 --> 0:37:39.160
<v Speaker 1>I was like, I got him. Now I can do it.

0:37:39.320 --> 0:37:41.719
<v Speaker 1>I can I can do it all the time. All right, Look,

0:37:41.840 --> 0:37:46.200
<v Speaker 1>real quick, guys, last question, I just want everybody to Friday,

0:37:46.239 --> 0:37:53.680
<v Speaker 1>the thirteenth album comes out, right, Yeah, real quick, let's

0:37:53.680 --> 0:37:55.480
<v Speaker 1>say I put the album in right, now I want

0:37:55.520 --> 0:37:57.560
<v Speaker 1>everybody to give me a different answer. What's the first

0:37:57.600 --> 0:37:59.880
<v Speaker 1>song I should go listen to? I know the right

0:38:00.040 --> 0:38:01.640
<v Speaker 1>into us. I should just press play and let that

0:38:01.680 --> 0:38:04.279
<v Speaker 1>bitch ride, which I'm gonna do. But give me, give

0:38:04.320 --> 0:38:10.480
<v Speaker 1>me everyone's favorite song on the project quick, my people, people,

0:38:11.160 --> 0:38:14.399
<v Speaker 1>back to back, back to back for my people. Where

0:38:14.400 --> 0:38:22.960
<v Speaker 1>about Curry go? What's it going? Curry go? Curry go?

0:38:23.120 --> 0:38:26.360
<v Speaker 1>All right, well, there you go. Listen. Friday the thirteenth,

0:38:26.880 --> 0:38:29.239
<v Speaker 1>fully produced by Organized Noise, the New Goodie My rolbum

0:38:29.320 --> 0:38:31.839
<v Speaker 1>is out. Go support that ship. I appreciate off all

0:38:31.920 --> 0:38:33.640
<v Speaker 1>of y'all man for sitting down with me and h

0:38:34.040 --> 0:38:35.520
<v Speaker 1>taking the time out of your day. Man, you guys

0:38:35.520 --> 0:38:40.600
<v Speaker 1>are all legends. I appreciate y'all. Thank you. Stay up, man,

0:38:44.200 --> 0:38:46.400
<v Speaker 1>all right, stay up.