WEBVTT - Oscar Nunez

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<v Speaker 1>M I Heart three D Audio. This episode of the

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<v Speaker 1>Office Deep Dive is brought to you in I Heart

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<v Speaker 1>three D Audio. For maximum effect and fun, headphones are recommended. Hi.

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<v Speaker 1>I'm Oscar Ninyez and I played Oscar Martinez on the Office.

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<v Speaker 1>Hello everyone, Oh this is a special one. Welcome to

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<v Speaker 1>this very special episode of the Office Deep Dive. I'm

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<v Speaker 1>your host Brian Baumgartner. Now, I don't know if you

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<v Speaker 1>have noticed, but do I sound a little different to

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<v Speaker 1>you today? It feels like I'm in your head right Like? Look,

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<v Speaker 1>I am in your right ear holes? Am I not?

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<v Speaker 1>And now I am in your left one? Now don't

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<v Speaker 1>freak count guys, Okay I am. I am not actually

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<v Speaker 1>in your head today. I am using a very special

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<v Speaker 1>little device, the zoom h three VR audio recorder. I

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<v Speaker 1>have to tell you this thing is so fun. It

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<v Speaker 1>captures three hundred and sixty degree sound. So we're joining

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<v Speaker 1>I Hearts three D Audio campaign to try one of

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<v Speaker 1>these puppies out and to make it even more fun,

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<v Speaker 1>I have decided to come to my favorite place on

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<v Speaker 1>the planet, Tory Pines Golf Course here in San Diego, California. Now,

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<v Speaker 1>for you folks who don't know Tory Pines will be

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<v Speaker 1>hosting the one hundred and twenty one US Open this

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<v Speaker 1>year June through the US I truly cannot wait for

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<v Speaker 1>that to happen. Um, excuse me one moment it is

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<v Speaker 1>my turn. Nailed it anyway, I'm having so much fun

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<v Speaker 1>here I almost forgot I have a job to do.

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<v Speaker 1>I have to interview today's guest. Not that he's a

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<v Speaker 1>forgettable guy. No, In fact, I would say today's interview

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<v Speaker 1>it is actually unforgettable. For better or worse, you decide that. Uh,

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<v Speaker 1>it is with my good friend Oscar. Noon. Yes, Now

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<v Speaker 1>where do we get about Oscar Oscar? Well, first off,

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<v Speaker 1>Oscar is truly one of the funniest people I have

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<v Speaker 1>ever met. Truly, he makes me laugh harder than any

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<v Speaker 1>person on the planet, which is great, except it's a

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<v Speaker 1>problem when you're shooting a television show. Yes, he made

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<v Speaker 1>things very difficult for myself and for Angela to keep

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<v Speaker 1>it together back in the account. In his corner, he's

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<v Speaker 1>like a comedic communion, which is to say, he changes

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<v Speaker 1>shape and tone comedy styles for whatever fits the exact

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<v Speaker 1>moment you're in. He is hilarious. So when we're doing

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<v Speaker 1>these interviews, right, I was very well researched, and the

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<v Speaker 1>day that we're going to interview Oscar, I ripped up

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<v Speaker 1>the papers. I just said, this is not gonna do

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<v Speaker 1>us any good today, guys, because what we're gonna get

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<v Speaker 1>is what we're gonna get. It's gonna be funny, but

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<v Speaker 1>I don't know if we're gonna get any astute observations

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<v Speaker 1>unless Mr Nunyez is in the mood, because he is

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<v Speaker 1>very difficult to pen down. But I have to tell

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<v Speaker 1>you of all of the interviews I did, this was

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<v Speaker 1>the most fun. I hope you have fun listening to it.

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<v Speaker 1>But either way, you can sit back now and listen

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<v Speaker 1>to me working my hardest to get a serious answer

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<v Speaker 1>out of Oscar. Noon. Yes, and now while you're I

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<v Speaker 1>think I'm gonna go play some golf. Bubble and Squeak.

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<v Speaker 1>I love it, Bubble and Squeak on Bubble and Squeaker,

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<v Speaker 1>cooking at every moment left over from the NATB before. Yeah,

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<v Speaker 1>how it lost? Hi? Hi? How are you? I'm all right?

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<v Speaker 1>Good to see you. Hi? You guys? Is this it

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<v Speaker 1>is this? Where it's Yeah, that's where you set you

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<v Speaker 1>picked it up? Really well? It's a podcast, right, it's cute.

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<v Speaker 1>It's a You're an Idiots a podcast? Yeah, it's a podcast.

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<v Speaker 1>No video? Do you want to be videoed? Sometimes? Podcast?

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<v Speaker 1>Did you put on? You put on makeup? Just the base? Yeah?

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<v Speaker 1>Are we on? Because you're speaking the mic like ron,

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<v Speaker 1>we're on. There's no action, there's no starting. Would just

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<v Speaker 1>start like this, like go ahead, it's like Ken Kappas,

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<v Speaker 1>like Mark Maron does that. He just starts saying like that.

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<v Speaker 1>Yeah that's how. That's how. Yeah, I'm like Mark Barron, Okay, No,

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<v Speaker 1>we're just chatting. We're just getting to know each other again.

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<v Speaker 1>What what brings me here? Yeah? What brings you here?

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<v Speaker 1>Why did you come in? No, I'm being serious. What

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<v Speaker 1>were you doing before the office started? First of all,

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<v Speaker 1>you have way too many notes in front of You've

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<v Speaker 1>got like reams of paper like sheets. I'm trying to

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<v Speaker 1>keep the paper business. I'm trying to keep papers. And

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<v Speaker 1>you're taking this seriously and good for you? Good for you?

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<v Speaker 1>Are your parents? Would you try would you try to

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<v Speaker 1>take it seriously? I think I would ask to extent

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<v Speaker 1>look at all this paper. I've never used as much

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<v Speaker 1>paper in my life. I know what's on it? What's

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<v Speaker 1>Here's the thing that you have. You have four pages?

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<v Speaker 1>Why was this? Was? This was Andy Buckley? Was like,

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<v Speaker 1>why he has a lot to offer? In what way?

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<v Speaker 1>He was? You know, he was the boss of the show,

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<v Speaker 1>right he was? He was in charge, which makes him,

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<v Speaker 1>which makes him important? Was he for the all seasons?

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<v Speaker 1>He wasn't? He came in later. It stands the reason

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<v Speaker 1>that I would have you would need more paper for me,

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<v Speaker 1>because that's the thing. You would think that, But that's

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<v Speaker 1>not the case. No, there's only four pages, and I

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<v Speaker 1>was drinking a soda and I forgot to bring it in.

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<v Speaker 1>Can have one of your By the way, people, he's

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<v Speaker 1>got fifteen people working for him. Here, there's a booth.

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<v Speaker 1>It's very professional everyone, it's it's lovely. I really, I

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<v Speaker 1>am taken aback. I'm sorry. What did you ask? What

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<v Speaker 1>were you doing? It was catering and I was babysitting.

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<v Speaker 1>You were catering in babysitting? Yes, people let you look

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<v Speaker 1>after their children that at the same time, yes they did.

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<v Speaker 1>I guess what. He's alive and he's a grown man

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<v Speaker 1>now and he's fine. So there. You baby sat for

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<v Speaker 1>just one boy, baby not baby sat for a couple

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<v Speaker 1>of families, but one particular family. Uh. And I'm still

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<v Speaker 1>friends with all of them, and they're wonderful. And I

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<v Speaker 1>baby sat him, like I swear to God, I think, Yeah,

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<v Speaker 1>he was little. He he had other people, but I

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<v Speaker 1>was the fellow. Yeah. He had two babysitter women and

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<v Speaker 1>one guy. And then we would take turns. And you know,

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<v Speaker 1>his parents would would sometimes call me, sometimes call them,

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<v Speaker 1>but I you know, baby's has a kid for ten

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<v Speaker 1>years more or less. So you were catering. You were babysitting,

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<v Speaker 1>but you were you were working in. Um, you were working.

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<v Speaker 1>You were working in Uh, go ahead, go ahead. It's

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<v Speaker 1>like a play. And now I'm walking across the hallway

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<v Speaker 1>and I'm stumbling. Oh, oh, I fell you guys, I'm

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<v Speaker 1>doing Folly work. This is really sweet. Yeah, this isn't

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<v Speaker 1>a Foley studio though, and yet yet So you were

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<v Speaker 1>but you were you were trying to be an act

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<v Speaker 1>I mean you were. Sorry, I shouldn't say that. You Well,

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<v Speaker 1>you were doing improv too, right, I was trying to

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<v Speaker 1>be an actor. Poor, I was. I was an actor. Yes?

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<v Speaker 1>Were you an Olympic? No? I was in the groundlings

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<v Speaker 1>were groundlings? Yes? And I was auditioning stuff. But but,

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<v Speaker 1>but my day jobs were catering and babying. I had

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<v Speaker 1>to do other things to support myself. Jobs were coming

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<v Speaker 1>in here and there, guest spots, stuff like that. Right. Yeah,

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<v Speaker 1>when you got the audition for the Office, had you

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<v Speaker 1>watched the British version? Oh? Yes, yes, and loved it.

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<v Speaker 1>I thought it was great. Ricky Gervais is very funny. Yeah, yeah, seriously.

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<v Speaker 1>I thought, we'll do the pilot and that will be it.

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<v Speaker 1>We'll do the pilot. I wasn't that excited. I'm like,

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<v Speaker 1>we'll mess it up us being America. I'm like, they're

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<v Speaker 1>not going to do it right. They're not going to

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<v Speaker 1>leave those long awkward pauses. They're not going to go

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<v Speaker 1>for the awkward as you know, the long It's just

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<v Speaker 1>not gonna happen. So I was I was happy. I

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<v Speaker 1>was excited I got the pilot, but I was like,

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<v Speaker 1>I'm not going to quit my day job. Also at

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<v Speaker 1>that time, do you remember I'm sure that people know

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<v Speaker 1>by now because we've been off the air since sixty two,

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<v Speaker 1>so we've gone over this. When we were all cast,

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<v Speaker 1>the lead wasn't cast yet. They were looking at the

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<v Speaker 1>am I right, bet my buddy Damon Jones, Andy richter

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<v Speaker 1>In and who else. There's a fourth guy that I

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<v Speaker 1>always forget. But all these four men are lovely ladies

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<v Speaker 1>and gentlemen, and Damon's a personal friend of mine. From

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<v Speaker 1>the Groundlings, they're all lovely, and I still thought, Okay,

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<v Speaker 1>that's fine. But then Steve was working on something and

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<v Speaker 1>it fell through and he became available, and when they

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<v Speaker 1>said Steve Carrell is going to be the lead, I thought, wow,

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<v Speaker 1>this is now, this is special, this is like something's

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<v Speaker 1>happening here, because I was such a huge fan of

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<v Speaker 1>his from anchor mang and all that. But I really

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<v Speaker 1>thought I loved The Daily Show when John Stewart was on,

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<v Speaker 1>but I used to love Steve on The Daily Show.

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<v Speaker 1>And when we when he got on the office, I thought,

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<v Speaker 1>we've got a shot at this because I think he's great. Yeah,

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<v Speaker 1>And did you you knew Angela before the show? Right?

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<v Speaker 1>How did you know Angela? I believe from the Groundlings?

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<v Speaker 1>And I didn't know she got the job. I showed

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<v Speaker 1>up for work and she was there in her accountant's office,

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<v Speaker 1>and that's like an actor's dream come to I'm like,

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<v Speaker 1>what are you doing here? She's like, what are you

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<v Speaker 1>doing here. I'm like, oh my god, Angela, we're on

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<v Speaker 1>this show. We're on this bloody show. What did you

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<v Speaker 1>think of me? Because then it was just you and Angela?

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<v Speaker 1>And then I was like, the new guy, weren't you

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<v Speaker 1>there already? What are there for the pilot? It was

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<v Speaker 1>it was clearly you don't have any recollection about meeting me.

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<v Speaker 1>It was Kay Flannery, who wasn't there. I knew you

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<v Speaker 1>were funny from the commercials. I knew who you were.

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<v Speaker 1>You had that the Deli commercial out, which was brilliant,

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<v Speaker 1>and I'm like, nicest thing you've ever said about me. Well, look,

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<v Speaker 1>I knew you were. I'm like, this guy's funny and talented.

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<v Speaker 1>But I know how funny Angela is. And I'm like, oh,

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<v Speaker 1>they don't know how funny. They're gonna find out. They

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<v Speaker 1>must have known from the audition, but her character doesn't

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<v Speaker 1>let her be your character. Let should be funny right

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<v Speaker 1>out of the gate, and Angela and I had to

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<v Speaker 1>hold back until the show got up and and then okay,

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<v Speaker 1>let's let them be a little crazy. Now. Do you

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<v Speaker 1>remember um, Nope, clearly, not really, but shooting the pilot,

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<v Speaker 1>do you remember us coming in every day on the

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<v Speaker 1>pilot and doing thirty minutes of busy work. Yes, I

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<v Speaker 1>do remember that. Yeah. Yeah. First of all, just to

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<v Speaker 1>go back a little bit, Ben and Greg were very

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<v Speaker 1>protective of the original show and that was really cool.

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<v Speaker 1>I remember him talking about, oh no, we're going to

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<v Speaker 1>have those there's not going to be a laugh track

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<v Speaker 1>and there's gonna be long, and I was like, whoa that.

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<v Speaker 1>Plus Steve, I'm like, okay, here we go. And I

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<v Speaker 1>remember people people are like, they're such good actors just

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<v Speaker 1>and I'm like, well, you're sing like, you're in the office,

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<v Speaker 1>you're on your computer, you're you're doing something on the computer,

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<v Speaker 1>and you don't want to be bothered by a camera.

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<v Speaker 1>That's pretty easy to do. See, that's the thing. People

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<v Speaker 1>are like, where does the thing take place? It takes

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<v Speaker 1>place on a satellite, or it's a station on a satellite,

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<v Speaker 1>or it's underwater and there's it's the future. It's like, no,

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<v Speaker 1>it's just it's a garage taxi. It's a garage with people.

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<v Speaker 1>That's it. It's a bar, that's it. It's an office.

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<v Speaker 1>What are your sell It doesn't matter. It's paper, it

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<v Speaker 1>could be anything. It's the characters it's not where it

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<v Speaker 1>is a laboratory in space in the future and whatever.

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<v Speaker 1>It's just it's character building. Yeah, what did you used

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<v Speaker 1>to do when we were supposed to be doing fake work? Gosh,

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<v Speaker 1>I don't know. I would doodle? Did I bring a

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<v Speaker 1>book in? I pretended to work and I don't know.

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<v Speaker 1>It was we used to pass We used to pass

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<v Speaker 1>notes back to each other. Angela still has some doodles

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<v Speaker 1>that I did back in the day. It was very

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<v Speaker 1>exciting to be there. So everyone has to just kind

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<v Speaker 1>of can you hear the card? The microphone picks up everything,

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<v Speaker 1>ladies and gentlemen. I was playing with a card and

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<v Speaker 1>Brian literally slapped it out of my hand because God forbid,

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<v Speaker 1>I see I go the other way. I wanted to hear.

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<v Speaker 1>I want them to hear like clinking of glass and

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<v Speaker 1>it's real, we're real people. You're build yes, but but yeah,

0:13:24.760 --> 0:13:27.360
<v Speaker 1>it had to be a boring workplace. And as a

0:13:27.360 --> 0:13:29.559
<v Speaker 1>matter of fact, like some thing's worked, and I remember

0:13:29.600 --> 0:13:31.880
<v Speaker 1>like some like the b roll the camera with scan

0:13:31.960 --> 0:13:34.160
<v Speaker 1>and some people knew they were being shot, and some

0:13:34.200 --> 0:13:36.839
<v Speaker 1>people would just act normal like nothing was happening, or

0:13:36.840 --> 0:13:38.839
<v Speaker 1>they didn't want to be shotting. Other people would try

0:13:38.840 --> 0:13:42.280
<v Speaker 1>to do bits and don't do the bit. Don't do

0:13:42.360 --> 0:13:45.240
<v Speaker 1>the bit right because it's it's still funny to see

0:13:45.280 --> 0:13:47.640
<v Speaker 1>someone just looking over and like rolling their eyes, like,

0:13:47.679 --> 0:13:49.840
<v Speaker 1>what what do you want from me? I'm kind of

0:13:50.160 --> 0:13:53.640
<v Speaker 1>do some work. We were boring before the cameras showed up.

0:13:53.720 --> 0:13:56.199
<v Speaker 1>It wasn't a pilot for us. We're office workers. It's

0:13:56.200 --> 0:14:01.880
<v Speaker 1>a documentary king. Did you bring anything you know, like

0:14:02.000 --> 0:14:04.480
<v Speaker 1>they asked us to bring in, like personal items and stuff.

0:14:04.480 --> 0:14:07.719
<v Speaker 1>Did you bring anything in like like John had the

0:14:07.760 --> 0:14:10.040
<v Speaker 1>picture if he and his best friend. He didn't pay

0:14:10.080 --> 0:14:13.000
<v Speaker 1>me enough for that. I was just an extra when

0:14:13.000 --> 0:14:15.280
<v Speaker 1>I first got there, bringing something from my own life.

0:14:15.800 --> 0:14:18.840
<v Speaker 1>Make me a regular, then we'll talk there. Looky, I

0:14:18.920 --> 0:14:21.280
<v Speaker 1>was there. What am I gonna bringing? You know what

0:14:21.400 --> 0:14:24.120
<v Speaker 1>I bought? I brought in seriously a picture of me

0:14:24.200 --> 0:14:26.440
<v Speaker 1>and my dog, Yeah, boat, and I had it on

0:14:26.600 --> 0:14:28.480
<v Speaker 1>the thing. It was there the whole time. It was

0:14:28.480 --> 0:14:30.000
<v Speaker 1>there the whole time, So I did have my dog.

0:14:30.120 --> 0:14:34.480
<v Speaker 1>She passed away recently. Minister Schnauzer the best um Leela

0:14:34.640 --> 0:14:37.120
<v Speaker 1>was her name. She's a little black mini Schnauzer and

0:14:37.200 --> 0:14:40.720
<v Speaker 1>she was there in one of my pictures on the thing. Yeah,

0:14:40.880 --> 0:14:44.600
<v Speaker 1>that's what I bought in um. The second episode we

0:14:44.680 --> 0:14:51.600
<v Speaker 1>shot was Diversity Day. Yes, it was fantastic, fantastic, not good,

0:14:52.520 --> 0:14:56.680
<v Speaker 1>excellent script from a young seventeen year old. He used

0:14:56.720 --> 0:14:59.520
<v Speaker 1>to show up on his skateboard b J Noback. How

0:14:59.600 --> 0:15:02.200
<v Speaker 1>much did I hate him? And still do? He was

0:15:02.280 --> 0:15:04.440
<v Speaker 1>seventeen at the time. No, but he was young. I'm

0:15:04.480 --> 0:15:07.200
<v Speaker 1>saying that for comedic effect. He's so talented, is my point.

0:15:08.040 --> 0:15:10.560
<v Speaker 1>He's so talented. That was a really good script. It

0:15:10.680 --> 0:15:13.400
<v Speaker 1>was a very good, so good it has in it

0:15:13.560 --> 0:15:17.520
<v Speaker 1>for me, one of my favorite jokes in the entire show,

0:15:17.800 --> 0:15:21.520
<v Speaker 1>What was it Michael asking you what he could call

0:15:21.600 --> 0:15:27.680
<v Speaker 1>you that was less offensive than Mexican? Was that that episode? Something?

0:15:28.080 --> 0:15:32.760
<v Speaker 1>Something less offensive? God? Yeah, I guess so. Yeah, he's

0:15:32.800 --> 0:15:35.280
<v Speaker 1>like Oscar and he was so serious about his like

0:15:35.320 --> 0:15:38.640
<v Speaker 1>Oscar and trying to be gentle. Is there something that

0:15:39.360 --> 0:15:42.360
<v Speaker 1>I can call you? Oh man? And he would flip

0:15:42.440 --> 0:15:44.600
<v Speaker 1>the chair around when he turned a chair around that

0:15:44.800 --> 0:15:47.520
<v Speaker 1>knew and everyone just had a hold bite their tongues

0:15:47.560 --> 0:15:49.960
<v Speaker 1>so they wouldn't laugh because he would That would make

0:15:50.040 --> 0:15:53.040
<v Speaker 1>him extra serious. So was it offensive for you as

0:15:53.080 --> 0:15:55.960
<v Speaker 1>a Cuban to have to play in Mexican. What kind

0:15:56.000 --> 0:15:59.600
<v Speaker 1>of question is that he's giggling? Everyone? Oh, look at

0:15:59.640 --> 0:16:02.240
<v Speaker 1>me with any questions, Look at me. Let me try

0:16:02.280 --> 0:16:03.880
<v Speaker 1>to trip him up. What if I said yes? What

0:16:03.960 --> 0:16:08.560
<v Speaker 1>if I'm like no? I mean, like, why, you know,

0:16:08.760 --> 0:16:12.480
<v Speaker 1>what's wrong with being Cuban? That's my question. I don't know.

0:16:12.600 --> 0:16:15.680
<v Speaker 1>I think I think why why was Oscar Martinez? I

0:16:15.680 --> 0:16:17.440
<v Speaker 1>don't know why they made him Mexican? I would have

0:16:17.480 --> 0:16:19.600
<v Speaker 1>been fun if they would have made him Cuban. Here's

0:16:19.640 --> 0:16:21.360
<v Speaker 1>the thing. I think it was because of that joke.

0:16:22.280 --> 0:16:25.600
<v Speaker 1>Oh right, I guess he could have said Cuban. I

0:16:25.680 --> 0:16:27.680
<v Speaker 1>think he would have been Cuban because we're in Pennsylvania.

0:16:27.800 --> 0:16:30.560
<v Speaker 1>If the if the show shott in l A, there's

0:16:30.600 --> 0:16:32.680
<v Speaker 1>more Mexicans out here, but on the East coast that's

0:16:32.720 --> 0:16:35.560
<v Speaker 1>where all the Cubans were. But either way, the joke

0:16:35.680 --> 0:16:40.360
<v Speaker 1>is funny. It's it's ridiculous because Michael Scott got away

0:16:40.440 --> 0:16:43.400
<v Speaker 1>with so much stuff because he genuinely was coming from

0:16:43.440 --> 0:16:49.240
<v Speaker 1>a place of innocence. That's how a vapid. He's like, Oscar,

0:16:49.360 --> 0:16:52.280
<v Speaker 1>is there anything less offensive? And he's like, no, it's

0:16:52.320 --> 0:16:55.040
<v Speaker 1>not offensive. And he's like, well, he's still not convinced.

0:16:55.720 --> 0:16:58.080
<v Speaker 1>I'm telling you, I'm I'm telling you, I'm Mexican. I'm

0:16:58.080 --> 0:17:01.200
<v Speaker 1>telling you, Well, okay, if you say so, you know,

0:17:01.720 --> 0:17:04.879
<v Speaker 1>fe you and then and then you would hate him,

0:17:04.920 --> 0:17:08.240
<v Speaker 1>hate him, hate him, and then something horrible would happen

0:17:08.320 --> 0:17:10.280
<v Speaker 1>to him, and then you'd feel sorry for him. And

0:17:10.320 --> 0:17:12.320
<v Speaker 1>then he'd reel you wing and you're like, oh, he's

0:17:12.320 --> 0:17:14.280
<v Speaker 1>not such a bad guy, and then he does it again.

0:17:14.520 --> 0:17:18.080
<v Speaker 1>I think that was the circle of the show. That

0:17:18.240 --> 0:17:20.800
<v Speaker 1>was the circle of the show. It's a wonderful formula.

0:17:22.760 --> 0:17:31.119
<v Speaker 1>Were you at the time aware people now everyone's just

0:17:31.160 --> 0:17:33.359
<v Speaker 1>gonna have to go to the bathrow. Well, if they

0:17:33.400 --> 0:17:35.560
<v Speaker 1>have to go, they have to go, We'll still be here.

0:17:35.640 --> 0:17:38.400
<v Speaker 1>Put hit your pause button. Can they pause a podcast?

0:17:39.440 --> 0:17:41.600
<v Speaker 1>You don't know if you can pause a podcast. Yeah,

0:17:41.640 --> 0:17:43.840
<v Speaker 1>you can write on your phone. People are listening to

0:17:43.920 --> 0:17:48.040
<v Speaker 1>this driving around in their cars. Whatever, right, Please, somebody

0:17:48.119 --> 0:17:51.600
<v Speaker 1>make a note to not ever ever use that um.

0:17:53.680 --> 0:17:57.080
<v Speaker 1>Were you aware though at that time? Like, did it

0:17:57.200 --> 0:17:59.720
<v Speaker 1>feel taboo what we were doing? Did it feel like

0:17:59.760 --> 0:18:02.360
<v Speaker 1>we were doing something different talking about race in that way?

0:18:03.000 --> 0:18:06.040
<v Speaker 1>I love edgy stuff. I love not being condescending to

0:18:06.119 --> 0:18:13.159
<v Speaker 1>the audience. I like being an intelligent show. It's like

0:18:13.800 --> 0:18:16.640
<v Speaker 1>we didn't we didn't have to explain ourselves to the audience.

0:18:16.800 --> 0:18:20.879
<v Speaker 1>And I think, I think if it's genuinely funny, you

0:18:20.920 --> 0:18:23.520
<v Speaker 1>could pretty much make a joke about anything. But it's

0:18:23.560 --> 0:18:25.719
<v Speaker 1>got to be funny. If it's not funny, I mean,

0:18:25.760 --> 0:18:28.320
<v Speaker 1>they'll let they'll let you know. The show was intelligent.

0:18:28.400 --> 0:18:31.520
<v Speaker 1>The show was very funny. It came from the right place.

0:18:31.720 --> 0:18:35.320
<v Speaker 1>His his character wasn't he wasn't mean, he wasn't a bully.

0:18:35.400 --> 0:18:38.040
<v Speaker 1>Everything was organic. He there was a reason if he

0:18:38.160 --> 0:18:41.760
<v Speaker 1>was upset, there was a genuine reason why he was upset.

0:18:41.840 --> 0:18:44.359
<v Speaker 1>He wasn't picking on you because he's a terrible person.

0:18:44.680 --> 0:18:47.680
<v Speaker 1>Something happened and he's like, I'm upset, and this is

0:18:47.720 --> 0:18:49.840
<v Speaker 1>how I'm going to act out. But there's a reason

0:18:49.920 --> 0:18:53.280
<v Speaker 1>why he's doing it. Right have you? Have you watched

0:18:53.320 --> 0:18:58.160
<v Speaker 1>Diversity Day recently? I I've never actually watched the show

0:18:58.480 --> 0:19:01.680
<v Speaker 1>per se, but I shot it. We were there, We

0:19:01.880 --> 0:19:04.160
<v Speaker 1>shot the show, Everyone went home, and people came back

0:19:04.200 --> 0:19:06.120
<v Speaker 1>and talked about and that's how I got my information

0:19:06.200 --> 0:19:08.600
<v Speaker 1>about the show. I don't like to see myself perform.

0:19:10.040 --> 0:19:13.960
<v Speaker 1>I'm kidding. I watched there's the actors who don't like

0:19:14.000 --> 0:19:16.280
<v Speaker 1>to see themselves performing. I don't watch a lot. Do

0:19:16.400 --> 0:19:21.280
<v Speaker 1>you watch everything you do your self indulgent? I don't.

0:19:21.440 --> 0:19:26.879
<v Speaker 1>I don't, sus I don't. I don't watch everything I do. Brian,

0:19:26.960 --> 0:19:29.679
<v Speaker 1>I watched this every Thursday went while we were shooting,

0:19:29.720 --> 0:19:32.359
<v Speaker 1>and then one time I went back and binge watched

0:19:32.440 --> 0:19:35.480
<v Speaker 1>the whole thing one time and maybe there were two

0:19:35.880 --> 0:19:39.640
<v Speaker 1>okay episodes there was. The rest were good or really good.

0:19:40.119 --> 0:19:45.000
<v Speaker 1>I was so impressed. See, I still feel like Diversity

0:19:45.119 --> 0:19:48.719
<v Speaker 1>Day holds up like it holds up Oh that one,

0:19:48.800 --> 0:19:51.040
<v Speaker 1>yeah for sure. Yeah, but they all kind of do

0:19:51.119 --> 0:19:52.359
<v Speaker 1>a lot of Like I said, I think there was

0:19:52.400 --> 0:19:54.159
<v Speaker 1>two that I'm like, oh what happened there? But just

0:19:54.280 --> 0:19:57.640
<v Speaker 1>like one or two out of nine seasons, that's very good.

0:20:00.080 --> 0:20:22.080
<v Speaker 1>M You know, one of the signature episodes of the show,

0:20:23.040 --> 0:20:27.359
<v Speaker 1>and certainly for you, was gay witch Hunt. How and

0:20:27.520 --> 0:20:32.879
<v Speaker 1>when did you find out that Oscar Martinez was actually gay? Okay?

0:20:33.040 --> 0:20:36.000
<v Speaker 1>I will ask that, but before I ask answer that question,

0:20:36.040 --> 0:20:37.640
<v Speaker 1>I want to talk about the people on the show

0:20:37.760 --> 0:20:42.240
<v Speaker 1>as people, not not our actors or whatever. Greg Daniels

0:20:43.240 --> 0:20:45.400
<v Speaker 1>is such a cool guy that I needed a way

0:20:45.480 --> 0:20:48.640
<v Speaker 1>out of the show so I can go shoot halfway

0:20:48.680 --> 0:20:51.040
<v Speaker 1>Home on Comedy Central because when it rains, it pours

0:20:51.080 --> 0:20:53.040
<v Speaker 1>ladies and gentlemen. And I was like in a dilemma,

0:20:53.280 --> 0:20:56.160
<v Speaker 1>and I remember asking Steve Correll. He was walking across

0:20:56.200 --> 0:20:58.520
<v Speaker 1>the park a lot and I ran up something like, Steve,

0:20:59.600 --> 0:21:01.880
<v Speaker 1>I love a show. I love being on it, meaning

0:21:01.960 --> 0:21:05.040
<v Speaker 1>the office, but I have a meeting with not meeting.

0:21:05.080 --> 0:21:07.040
<v Speaker 1>They wanted to do a show with Comedy Center. Were

0:21:07.080 --> 0:21:09.360
<v Speaker 1>past the meeting part Comedy Center wanted to do a show.

0:21:10.359 --> 0:21:12.600
<v Speaker 1>What what do I do? What can I an? He said, Oscar,

0:21:13.160 --> 0:21:15.880
<v Speaker 1>do everything. Don't say no to any work, do everything.

0:21:16.400 --> 0:21:18.320
<v Speaker 1>Figuring it out is not your problem. That's up to

0:21:18.400 --> 0:21:21.400
<v Speaker 1>your managers and agents. Say yes everything, They'll figure it out.

0:21:21.440 --> 0:21:25.639
<v Speaker 1>And I'm like, oh cool, okay. And Greg Daniels figured

0:21:25.680 --> 0:21:27.880
<v Speaker 1>it out. What a lovely man, what what a lovely

0:21:28.000 --> 0:21:31.040
<v Speaker 1>human being, Oscar. You get We'll figure a way to

0:21:31.080 --> 0:21:32.919
<v Speaker 1>get you out of the show. Go do your ten

0:21:33.040 --> 0:21:35.080
<v Speaker 1>shows or whatever and then come back and will fold

0:21:35.160 --> 0:21:37.760
<v Speaker 1>you back in. So Greg, let you leave for how

0:21:37.800 --> 0:21:43.280
<v Speaker 1>many episodes? I think a seasons. It feels like there's

0:21:43.320 --> 0:21:46.040
<v Speaker 1>a season where I'm not there. Yeah, you you were

0:21:46.080 --> 0:21:48.320
<v Speaker 1>gone for a long period of time when you were

0:21:48.359 --> 0:21:50.080
<v Speaker 1>shooting halfway? Help would he let you go? I had

0:21:50.119 --> 0:21:52.960
<v Speaker 1>to do ten episodes? Yeah? Yeah, so what was this?

0:21:53.200 --> 0:21:58.560
<v Speaker 1>Was his device for allowing you and it was fantastic. Yeah.

0:21:58.760 --> 0:22:01.360
<v Speaker 1>I don't know which came for. I think I think

0:22:01.359 --> 0:22:03.320
<v Speaker 1>they were going to make me gay anyway? Does that

0:22:03.400 --> 0:22:05.919
<v Speaker 1>make sense? I think so? And then they're like, oh,

0:22:06.160 --> 0:22:08.240
<v Speaker 1>let's make him get and get him out this way,

0:22:08.640 --> 0:22:10.720
<v Speaker 1>which is a great way to get him out. How

0:22:11.200 --> 0:22:14.600
<v Speaker 1>crazy that He's like, I can't work in this hostile

0:22:14.680 --> 0:22:17.320
<v Speaker 1>environment because this. But meanwhile he's like, I'm just at

0:22:17.359 --> 0:22:19.800
<v Speaker 1>play acting. I'm gonna go with my boyfriend and I'll

0:22:19.840 --> 0:22:23.119
<v Speaker 1>be back. You know. It's because people do that right

0:22:23.560 --> 0:22:29.719
<v Speaker 1>to get out of work. Really, wasn't he wasn't He's smart? Right? Uh,

0:22:29.880 --> 0:22:32.440
<v Speaker 1>here's a fun fact? Is it? Is it gonna be fun?

0:22:32.720 --> 0:22:35.040
<v Speaker 1>I don't know. At the time that you were out

0:22:35.119 --> 0:22:39.760
<v Speaker 1>at on Gay witch Hunt, your character Oscar Martinez was

0:22:39.840 --> 0:22:45.159
<v Speaker 1>the only l g b T person of color to

0:22:45.280 --> 0:22:48.520
<v Speaker 1>be a regular on any sitcom at that time? Were

0:22:48.560 --> 0:22:51.359
<v Speaker 1>you aware of that? And why didn't they have a

0:22:51.480 --> 0:22:55.479
<v Speaker 1>thing for me like a parade or an honorary something

0:22:55.640 --> 0:22:58.800
<v Speaker 1>I wasn't told or given anything. You were given nothing. No,

0:22:59.119 --> 0:23:04.520
<v Speaker 1>that's a big deal. That's a big deal. Yeah. Why

0:23:06.040 --> 0:23:10.560
<v Speaker 1>because it's the first one. I'm like, uh, like Barack Obama.

0:23:11.280 --> 0:23:14.560
<v Speaker 1>Not to say, like Barack Obama. I'm not saying your words,

0:23:14.640 --> 0:23:17.000
<v Speaker 1>not mine. I was the first GPT guy to be

0:23:17.119 --> 0:23:20.800
<v Speaker 1>out to being a serious person of color. Yeah, that

0:23:20.960 --> 0:23:23.400
<v Speaker 1>was both, not just one. But how do you feel

0:23:23.400 --> 0:23:26.040
<v Speaker 1>about the fact that you were that you're not really

0:23:26.160 --> 0:23:30.000
<v Speaker 1>gay or a person of color. I'm a person of color.

0:23:30.080 --> 0:23:33.520
<v Speaker 1>I'm a Latino, I'm you are. I don't see colors. Brother.

0:23:34.080 --> 0:23:38.920
<v Speaker 1>I I think it was great and whatever helps to

0:23:39.000 --> 0:23:41.840
<v Speaker 1>cause this is fine by me. I think it's great. Yeah,

0:23:42.880 --> 0:23:45.639
<v Speaker 1>well you won awards, right, that's how I planned it. No, No,

0:23:45.800 --> 0:23:49.920
<v Speaker 1>I don't think I I was nominated for some gay

0:23:50.000 --> 0:23:52.080
<v Speaker 1>award and I took my two gay friends with me.

0:23:53.480 --> 0:23:55.640
<v Speaker 1>Maybe yes. And I went with my friends Michael and Joel,

0:23:55.680 --> 0:23:57.240
<v Speaker 1>who I have known forever, and they were gay, and

0:23:57.320 --> 0:23:59.520
<v Speaker 1>they were rolling their eyes. They're like, you asshole, you're

0:23:59.560 --> 0:24:01.080
<v Speaker 1>not even and I'm like, look at me and better

0:24:01.119 --> 0:24:03.040
<v Speaker 1>than you, guys, you guys, you gotta get on board.

0:24:03.080 --> 0:24:05.720
<v Speaker 1>And they're like, oh my god, Joel wasn't act up

0:24:05.880 --> 0:24:08.720
<v Speaker 1>like fighting the fight for real, and he's like, good lord,

0:24:08.800 --> 0:24:12.720
<v Speaker 1>what is happening. I'm like, don't be jealous, it's funny.

0:24:13.160 --> 0:24:17.560
<v Speaker 1>Did you feel a responsibility? Did you feel the gay community? Yeah?

0:24:17.800 --> 0:24:20.560
<v Speaker 1>Or the Latino community they should be lucky to have me.

0:24:21.560 --> 0:24:24.359
<v Speaker 1>The gay and Latino community. No, I know, But did

0:24:24.400 --> 0:24:27.560
<v Speaker 1>you feel out they're lucky? Start? Do you feel a responsibility?

0:24:27.680 --> 0:24:30.640
<v Speaker 1>Did they feel a responsibility to me? Ask them turn

0:24:30.720 --> 0:24:34.520
<v Speaker 1>the tables around? Well? No, probably not. Now I didn't,

0:24:34.520 --> 0:24:38.280
<v Speaker 1>you'd probably be shunned from the LGBT community. I disagree.

0:24:38.440 --> 0:24:40.840
<v Speaker 1>I No. I think I'd be raised up high. The

0:24:40.960 --> 0:24:43.440
<v Speaker 1>kids would get it. They raised me up high. I'd

0:24:43.440 --> 0:24:46.320
<v Speaker 1>be invited to YouTube videos. All sorts of ship would

0:24:46.320 --> 0:24:49.840
<v Speaker 1>be happening. Here's the thing. I'd be invited to YouTube videos.

0:24:49.880 --> 0:24:51.880
<v Speaker 1>That's the kids. That's what they're doing now, Brian, that's

0:24:51.920 --> 0:24:54.239
<v Speaker 1>the best thing that somebody who could offer you. It's

0:24:54.280 --> 0:24:56.480
<v Speaker 1>a YouTube video. That's what they're doing. Believe it or not,

0:24:56.560 --> 0:24:59.840
<v Speaker 1>they get millions of hits now, listen, this is the deal.

0:25:00.720 --> 0:25:04.600
<v Speaker 1>The I didn't. I never thought, oh, like the pressure

0:25:04.640 --> 0:25:07.639
<v Speaker 1>responsibility because I knew that the show was golden, that

0:25:07.720 --> 0:25:10.600
<v Speaker 1>we were a responsible show to begin with. So it's

0:25:10.680 --> 0:25:14.840
<v Speaker 1>lovingly taken care of all everything. I he came from

0:25:14.840 --> 0:25:17.600
<v Speaker 1>a place of he's compassionate, but he's a bit of

0:25:17.640 --> 0:25:19.440
<v Speaker 1>an asshole too, because he's a little bit of a snob,

0:25:19.600 --> 0:25:21.680
<v Speaker 1>just like me. That's where they got it from, you know.

0:25:21.880 --> 0:25:25.200
<v Speaker 1>For all for the show being people are like Michael Sony,

0:25:25.359 --> 0:25:29.800
<v Speaker 1>it's a very gentle, compassionate show. It really is. Yeah,

0:25:30.359 --> 0:25:33.359
<v Speaker 1>So I'm like, yeah, it's fine. Did finding out that

0:25:33.480 --> 0:25:39.320
<v Speaker 1>you were gay change your character? No? I couldn't. I couldn't.

0:25:39.760 --> 0:25:43.160
<v Speaker 1>It couldn't change my character because I was already gay, right,

0:25:44.200 --> 0:25:48.119
<v Speaker 1>But I think that's interesting that you realized, like, no,

0:25:48.640 --> 0:25:52.600
<v Speaker 1>I'm just a guy who works in an office, and

0:25:52.720 --> 0:25:55.000
<v Speaker 1>the fact that I'm Latino, or the fact that I'm

0:25:55.040 --> 0:25:59.880
<v Speaker 1>homosexual or like those those things don't define who I am.

0:26:00.320 --> 0:26:05.800
<v Speaker 1>That's right. But but this, this is happening now. It

0:26:06.080 --> 0:26:10.200
<v Speaker 1>wasn't happening while we were shooting, but now because of Netflix,

0:26:10.320 --> 0:26:12.399
<v Speaker 1>we're getting I'm getting a lot of people coming up

0:26:12.440 --> 0:26:15.920
<v Speaker 1>to being going, I came out because of you, And

0:26:16.320 --> 0:26:20.240
<v Speaker 1>then you know this just specifically, like this, we're some

0:26:20.440 --> 0:26:24.040
<v Speaker 1>comic con and this beautiful a young lady in a

0:26:24.240 --> 0:26:27.200
<v Speaker 1>in a elefant outfit with blond hair, just striking. And

0:26:27.280 --> 0:26:30.480
<v Speaker 1>she comes up and she's like, I came out because

0:26:30.480 --> 0:26:32.000
<v Speaker 1>of you, and my girlfriend doesn't watch a show, but

0:26:32.000 --> 0:26:33.639
<v Speaker 1>I'm gonna bring her back tomorrow to meet you. And

0:26:33.720 --> 0:26:35.760
<v Speaker 1>she did. She came back with her just as beautiful

0:26:35.800 --> 0:26:39.000
<v Speaker 1>girlth So those things are cool and and that's because

0:26:39.000 --> 0:26:42.520
<v Speaker 1>of the show. Yeah, wow, Yeah, it's trippy. They're like,

0:26:42.600 --> 0:26:45.200
<v Speaker 1>because of your show, I came out and you helped

0:26:45.240 --> 0:26:48.320
<v Speaker 1>me so much, etcetera, etcetera. Some of them are happy,

0:26:48.400 --> 0:26:52.040
<v Speaker 1>some of them are crying. It's a it's a crazy thing. Yeah,

0:26:52.920 --> 0:26:55.000
<v Speaker 1>the show means so much to so many people. You

0:26:55.080 --> 0:26:59.200
<v Speaker 1>know that. It's crazy you think you're just doing a show.

0:26:59.280 --> 0:27:01.800
<v Speaker 1>I didn't think. I'm just I'm not even like a

0:27:02.280 --> 0:27:06.520
<v Speaker 1>like a like A. My character isn't particularly noble. He's

0:27:06.560 --> 0:27:08.600
<v Speaker 1>just a regular guy. And they see so much. No,

0:27:08.920 --> 0:27:11.399
<v Speaker 1>they're just just seeing you. Makes it so cool. I'm like,

0:27:11.440 --> 0:27:16.879
<v Speaker 1>all right, cool, thank you. Yeah, that's great. You mentioned

0:27:16.960 --> 0:27:22.320
<v Speaker 1>before that you're just like Obama when Obama better? Can

0:27:22.400 --> 0:27:24.560
<v Speaker 1>I say that? Is that? Do you know what I'm saying?

0:27:25.400 --> 0:27:31.320
<v Speaker 1>Do you remember, uh when Obama was elected? Yes? Do

0:27:31.400 --> 0:27:33.800
<v Speaker 1>you feel like there was any discussion on set or

0:27:33.880 --> 0:27:37.639
<v Speaker 1>did anything happen around set. When Obama was elected. It

0:27:37.760 --> 0:27:40.920
<v Speaker 1>was very traumatic because it was the first time in

0:27:41.080 --> 0:27:44.760
<v Speaker 1>my life where the President and First Lady were younger

0:27:45.119 --> 0:27:47.480
<v Speaker 1>than I am. And it's gonna happen that hasn't happened

0:27:47.480 --> 0:27:51.920
<v Speaker 1>to you. It's shocking. It is awful, and I'm like,

0:27:52.000 --> 0:27:53.920
<v Speaker 1>oh my god, I love them so and they're so young.

0:27:56.320 --> 0:27:58.760
<v Speaker 1>But do you know the two letters we have it

0:27:58.880 --> 0:28:01.320
<v Speaker 1>at the US remember you, even though what they are right.

0:28:01.359 --> 0:28:04.080
<v Speaker 1>The two letters that came in there was one letter,

0:28:04.280 --> 0:28:09.600
<v Speaker 1>a fan letter, one by catering somewhere backstage Aaron Sarkin,

0:28:10.080 --> 0:28:12.840
<v Speaker 1>and then Steve Carrell came in with a letter sent

0:28:12.920 --> 0:28:15.320
<v Speaker 1>to his house and he's like, you guys, don't want

0:28:15.320 --> 0:28:18.000
<v Speaker 1>to read you this letter. And it's like, oh, dear Steve,

0:28:18.119 --> 0:28:19.440
<v Speaker 1>I just want you to know that at the White

0:28:19.520 --> 0:28:22.840
<v Speaker 1>House the Office, Thursday is family Night and Michelle and

0:28:22.880 --> 0:28:25.200
<v Speaker 1>I and the girls get together and it was a

0:28:25.320 --> 0:28:28.560
<v Speaker 1>letter that the President sent Steve Carrell because the Obama's

0:28:28.560 --> 0:28:30.359
<v Speaker 1>are a fan of the show, and he said he

0:28:30.440 --> 0:28:32.119
<v Speaker 1>showed it to his children and they were little and

0:28:32.160 --> 0:28:33.960
<v Speaker 1>they're like, can we touch and he's like, nope, just

0:28:34.119 --> 0:28:38.640
<v Speaker 1>look just look, that's pretty cool. That's very cool. Yeah.

0:28:59.560 --> 0:29:05.240
<v Speaker 1>You and certainly over in accounting you were really the

0:29:05.320 --> 0:29:10.040
<v Speaker 1>straight man, like you had your idiosyncrasies, yes, I think so,

0:29:10.240 --> 0:29:13.560
<v Speaker 1>But in the office you were you were the barometer

0:29:13.680 --> 0:29:19.120
<v Speaker 1>of reason very often Jim and myself. Yes, which is

0:29:19.160 --> 0:29:21.640
<v Speaker 1>what they're talking about in the coalition of reason. Yeah,

0:29:21.720 --> 0:29:26.239
<v Speaker 1>that's it. Yeah, are you you know if you're if

0:29:26.280 --> 0:29:28.880
<v Speaker 1>you're looking at sort of the history of comedy in

0:29:28.960 --> 0:29:33.760
<v Speaker 1>a way, how does what is it? Oh, come on,

0:29:33.880 --> 0:29:36.840
<v Speaker 1>you can do it, Brian, I believe, and you ask

0:29:36.920 --> 0:29:39.680
<v Speaker 1>you a question. The archetype of the straight man sort

0:29:39.680 --> 0:29:41.720
<v Speaker 1>of in the history of comedy. Can you talk about

0:29:41.800 --> 0:29:45.040
<v Speaker 1>that a little bit? Is that? Is that easier for

0:29:45.120 --> 0:29:48.880
<v Speaker 1>you to do or is that harder? Oh? They're both good.

0:29:48.960 --> 0:29:52.080
<v Speaker 1>It's apples and oranges. It's lovely. It was a lovely

0:29:52.240 --> 0:29:56.920
<v Speaker 1>character because he's he's a straight man, but he still

0:29:57.120 --> 0:29:59.840
<v Speaker 1>has a little bit delusions of grandeur, which you need

0:30:00.000 --> 0:30:04.640
<v Speaker 1>because that you need that right that Well, nobody's perfect

0:30:04.800 --> 0:30:09.920
<v Speaker 1>or nobody exactly, yeah, because Angela was a little off too.

0:30:10.000 --> 0:30:12.120
<v Speaker 1>She was almost there, but then she was a little off.

0:30:12.200 --> 0:30:16.080
<v Speaker 1>Everybody was a little off, right, Toby, every single even Jim.

0:30:16.440 --> 0:30:18.360
<v Speaker 1>He was too much of a prankster. He didn't take

0:30:18.400 --> 0:30:22.719
<v Speaker 1>the job seriously. He was a little too right juvenile.

0:30:23.800 --> 0:30:26.760
<v Speaker 1>But you you know, I think so many of the

0:30:26.840 --> 0:30:31.240
<v Speaker 1>scenes between you and Steve were so special because you

0:30:31.360 --> 0:30:35.360
<v Speaker 1>know you had Yeah, yeah, did you just sit there

0:30:35.400 --> 0:30:38.120
<v Speaker 1>and stare at him, just stare at him? Well, and

0:30:38.200 --> 0:30:40.239
<v Speaker 1>you would do that well, he said, things would get

0:30:40.280 --> 0:30:42.320
<v Speaker 1>the laugh because you did that. Yeah, that's all you

0:30:42.400 --> 0:30:46.160
<v Speaker 1>had to do, stare at him. And people at home go,

0:30:46.280 --> 0:30:49.320
<v Speaker 1>what is he thinking? He can't say anything, it's his job,

0:30:49.760 --> 0:30:52.080
<v Speaker 1>he's being good, and now he's excusing themself. Thank you

0:30:52.360 --> 0:30:55.920
<v Speaker 1>and just get up and leave right because he's like

0:30:55.960 --> 0:30:59.880
<v Speaker 1>Oscar and it's the build up, the fucking Correll build up, Oscar.

0:31:00.040 --> 0:31:02.959
<v Speaker 1>Can I see you for a moment? Sit down? Um,

0:31:03.640 --> 0:31:06.840
<v Speaker 1>I ask you something. Um, I'm going to go in

0:31:06.920 --> 0:31:10.160
<v Speaker 1>for a colonoscope. And I was, what can I do

0:31:10.360 --> 0:31:13.720
<v Speaker 1>to make it more comfortable for him or me? And

0:31:13.840 --> 0:31:15.840
<v Speaker 1>he just trails it off and just leaves it like

0:31:15.960 --> 0:31:19.800
<v Speaker 1>it's like it's a solid, like a reasonable question to

0:31:19.920 --> 0:31:22.360
<v Speaker 1>ask me. And I'm supposed what am I supposed to

0:31:22.400 --> 0:31:24.800
<v Speaker 1>tell him? I think I think I just excused myself

0:31:24.920 --> 0:31:28.040
<v Speaker 1>I'm like, okay, Mike, I just got up and left.

0:31:30.480 --> 0:31:34.320
<v Speaker 1>You found out that Steve was leaving. How how did

0:31:34.360 --> 0:31:38.640
<v Speaker 1>you feel about that when on the show? Oh? For real, Yeah,

0:31:38.760 --> 0:31:41.440
<v Speaker 1>for real. It was very sad. It was very sad.

0:31:41.760 --> 0:31:44.000
<v Speaker 1>Oh yeah, I was very sad. And I try and

0:31:45.400 --> 0:31:47.560
<v Speaker 1>I didn't want to cry because I'm Cuban and I

0:31:47.720 --> 0:31:52.040
<v Speaker 1>was you can't, I just we don't. So everybody was

0:31:52.080 --> 0:31:55.280
<v Speaker 1>crying very freely, and I did cry when We're in

0:31:55.320 --> 0:31:57.240
<v Speaker 1>the warehouse and we gave him a stupid hockey short

0:31:57.320 --> 0:31:59.360
<v Speaker 1>or something that I did have to excuse myself and

0:31:59.440 --> 0:32:01.680
<v Speaker 1>went back behind and the boxes and cried and because

0:32:01.720 --> 0:32:04.000
<v Speaker 1>freaking and Paul Eberstein started crying, and then I'm like,

0:32:04.120 --> 0:32:08.360
<v Speaker 1>oh man, this is just crazy. What did you think

0:32:08.400 --> 0:32:11.520
<v Speaker 1>at the time or now the greater loss to the show?

0:32:12.600 --> 0:32:17.080
<v Speaker 1>Losing Steve or Michael? What do you mean Michael Scott,

0:32:17.120 --> 0:32:22.040
<v Speaker 1>the the character. Yeah, like, like Steve was a great

0:32:22.080 --> 0:32:27.440
<v Speaker 1>guy himself and was like our leader, Steve, Yes, Steve Carrell.

0:32:28.040 --> 0:32:30.320
<v Speaker 1>What was the greater loss to the show, Losing Steve

0:32:30.440 --> 0:32:33.800
<v Speaker 1>Carrell or losing Michael Scott? Are you asking this question

0:32:33.840 --> 0:32:36.000
<v Speaker 1>of everyone? I've asked it a couple of times. It's

0:32:36.000 --> 0:32:39.960
<v Speaker 1>a tricky question. Yeah, most of them have said that.

0:32:40.320 --> 0:32:42.480
<v Speaker 1>I don't don't think I had anyone else not understand

0:32:42.560 --> 0:32:46.040
<v Speaker 1>the question. But they're both Well, it's a no win situation,

0:32:46.200 --> 0:32:48.719
<v Speaker 1>the questions. And though I can't be I always want

0:32:48.760 --> 0:32:50.360
<v Speaker 1>to be a hero at the end of the question.

0:32:50.440 --> 0:32:52.680
<v Speaker 1>I always wanted people to say, look at that kid,

0:32:52.720 --> 0:32:54.600
<v Speaker 1>look at that Oscar and just let him continue doing

0:32:54.640 --> 0:32:57.160
<v Speaker 1>what he's doing. He's wonderful. And now some people are

0:32:57.200 --> 0:32:59.400
<v Speaker 1>gonna say, what you picked the wrong one. All right,

0:32:59.680 --> 0:33:04.600
<v Speaker 1>here's the deal. Let's see, losing Steve was difficult. Yeah,

0:33:04.640 --> 0:33:08.000
<v Speaker 1>but that character, man, that's the whole show. Man, that's

0:33:08.040 --> 0:33:12.080
<v Speaker 1>the whole show. There's no show without Michael Scott. But

0:33:12.160 --> 0:33:15.240
<v Speaker 1>then there was Yeah, but it wasn't the same. That

0:33:15.480 --> 0:33:19.680
<v Speaker 1>character is just so, and it's it's it's a perfect character.

0:33:20.160 --> 0:33:22.720
<v Speaker 1>You know. Ever Devas did it. And then there's just

0:33:22.840 --> 0:33:27.200
<v Speaker 1>that smug he thinks he's better and smarter and everything. Uh,

0:33:27.480 --> 0:33:34.280
<v Speaker 1>non apologetic. Yeah, just crazy. Um after nine years, were

0:33:34.360 --> 0:33:38.080
<v Speaker 1>you happy with the resolution of Oscar running for state senator? Yeah?

0:33:38.120 --> 0:33:39.800
<v Speaker 1>I was fine. I think they put a lot of

0:33:39.880 --> 0:33:41.880
<v Speaker 1>thought into it. They asked us for ideas all the time.

0:33:41.920 --> 0:33:43.720
<v Speaker 1>And I'm like, you guys are fine. I don't. I

0:33:43.800 --> 0:33:47.200
<v Speaker 1>have some ideas, but they're not great. You guys are fine. Yeah,

0:33:47.480 --> 0:33:50.440
<v Speaker 1>you know, Yeah, I thought the show ended well. Did

0:33:50.480 --> 0:33:53.200
<v Speaker 1>you feel like when the show wrapped up where you

0:33:53.400 --> 0:33:56.360
<v Speaker 1>did you feel like it was time? Were you happy

0:33:56.440 --> 0:33:58.760
<v Speaker 1>with how it wrapped up? Though? I am. I could

0:33:58.800 --> 0:34:01.920
<v Speaker 1>not ask for more from Greg Daniels, and especially he's

0:34:01.920 --> 0:34:03.760
<v Speaker 1>such a gentleman. He checked in with us. He doesn't

0:34:03.760 --> 0:34:04.960
<v Speaker 1>have to do that. He's like, what do you guys

0:34:05.040 --> 0:34:06.880
<v Speaker 1>think I'm kind of done, and we're like, yeah, whatever

0:34:06.920 --> 0:34:10.760
<v Speaker 1>you want, right, Yeah? Yeah, he's awesome. Well, it enabled

0:34:10.800 --> 0:34:12.800
<v Speaker 1>us to tell the full story to Yeah, and the

0:34:13.120 --> 0:34:16.560
<v Speaker 1>documentary being seen by the characters, no one, no, nothing

0:34:16.600 --> 0:34:18.880
<v Speaker 1>else to do. I get a big kick. I know

0:34:19.000 --> 0:34:20.600
<v Speaker 1>people want it back and they keep asking us, and

0:34:20.640 --> 0:34:25.120
<v Speaker 1>I'm like, you guys, what and if we go back

0:34:25.239 --> 0:34:27.440
<v Speaker 1>we might ruin it? What are we gonna write? What

0:34:27.640 --> 0:34:30.440
<v Speaker 1>is there left to do? They love the characters. I

0:34:30.520 --> 0:34:33.839
<v Speaker 1>get it, I get it. They love the characters. Well,

0:34:33.880 --> 0:34:36.440
<v Speaker 1>we've talked about this a lot that the show it

0:34:36.560 --> 0:34:39.279
<v Speaker 1>was the number one scripted show on NBC. Yet the

0:34:39.320 --> 0:34:42.279
<v Speaker 1>show now is more popular than it ever was. Why

0:34:42.320 --> 0:34:45.240
<v Speaker 1>do you think that is? I don't know. The kids

0:34:45.520 --> 0:34:49.200
<v Speaker 1>love it. Before when we started doing these conferences that

0:34:49.320 --> 0:34:52.160
<v Speaker 1>we started doing this year, and people were coming in

0:34:52.239 --> 0:34:53.920
<v Speaker 1>with eleven year old and they're like, look, my kid

0:34:54.000 --> 0:34:56.319
<v Speaker 1>watched the show. And I'm like, okay, And now it's eight.

0:34:56.800 --> 0:34:58.839
<v Speaker 1>People are like this eight year old is a fan

0:34:58.920 --> 0:35:01.120
<v Speaker 1>of the show. I'm like, is that good? And they're like, yeah,

0:35:01.239 --> 0:35:04.360
<v Speaker 1>they love it. It's fine. Kids love it. High school

0:35:04.400 --> 0:35:06.719
<v Speaker 1>kids love it. College kids love it. You know, I

0:35:06.840 --> 0:35:08.960
<v Speaker 1>get it when I was when I was growing up.

0:35:09.000 --> 0:35:11.560
<v Speaker 1>For me, it was believe it or not. The Odd Couple.

0:35:11.719 --> 0:35:15.279
<v Speaker 1>I thought the Odd Couple was like so funny, even

0:35:15.400 --> 0:35:18.960
<v Speaker 1>even before you know, taxi or cheers. I would have

0:35:19.080 --> 0:35:20.640
<v Speaker 1>my head would have explored if I would have ran

0:35:20.680 --> 0:35:23.680
<v Speaker 1>into Tony Randall walking around, you know, the streets of

0:35:23.680 --> 0:35:26.000
<v Speaker 1>New York City. Is that where you learned to speak English?

0:35:26.200 --> 0:35:30.239
<v Speaker 1>The Odd Couple? Um? No, I think it was The

0:35:30.280 --> 0:35:33.960
<v Speaker 1>Flying Nun. Actually I did learn English from TV? Did you?

0:35:35.080 --> 0:35:38.640
<v Speaker 1>But but what show you The Flying Nun taught you English? No?

0:35:39.400 --> 0:35:42.520
<v Speaker 1>My first memories of TV are a black and white

0:35:42.800 --> 0:35:46.240
<v Speaker 1>TV show called sing Along with Mitch. This is memories

0:35:46.280 --> 0:35:49.839
<v Speaker 1>of Massachusetts and the car Bonnet Show, and I thought

0:35:49.880 --> 0:35:53.320
<v Speaker 1>Harvey Corman was the funniest thing in the world. I'm like,

0:35:53.440 --> 0:35:55.160
<v Speaker 1>I want to do what that guy does. I don't

0:35:55.200 --> 0:35:57.040
<v Speaker 1>know what it is he's doing, but I want to

0:35:57.120 --> 0:36:00.719
<v Speaker 1>do that. Yeah, Harvey Corman. And then Tony Randol was

0:36:00.760 --> 0:36:04.120
<v Speaker 1>the other influence. You are a lot like Harvey Corman.

0:36:04.760 --> 0:36:08.319
<v Speaker 1>He's the best. He's so funny. He would come out

0:36:08.760 --> 0:36:11.279
<v Speaker 1>and I loved like he would come and I was little,

0:36:11.320 --> 0:36:12.879
<v Speaker 1>and he would come out and do this bit where

0:36:13.880 --> 0:36:16.640
<v Speaker 1>they were already on stage, like doing a Civil war

0:36:17.000 --> 0:36:19.600
<v Speaker 1>whatever they were doing, ken Berry and Calburnett in costume,

0:36:19.680 --> 0:36:22.239
<v Speaker 1>and then he would make an entrance. Harvey Korman would

0:36:22.239 --> 0:36:25.160
<v Speaker 1>make an entrance and the audience would clap, and instead

0:36:25.200 --> 0:36:27.960
<v Speaker 1>of going and joining them, he would pretend like he

0:36:28.040 --> 0:36:29.919
<v Speaker 1>had no choice, like he would walk over and break

0:36:29.960 --> 0:36:32.839
<v Speaker 1>the fourth wall and bow and like stay there two

0:36:32.880 --> 0:36:36.080
<v Speaker 1>minutes and carlburnets on stage waiting and my father would

0:36:36.120 --> 0:36:39.759
<v Speaker 1>lose ship and he's like, oh, star, he come do

0:36:39.920 --> 0:36:42.400
<v Speaker 1>what they are waiting for him. But no, he going, Hey,

0:36:42.480 --> 0:36:45.640
<v Speaker 1>bocome on Sodom. I'm bitch. He comes and I'm like, oh,

0:36:45.680 --> 0:36:48.400
<v Speaker 1>he's not really mad at him. He gets it. He

0:36:48.560 --> 0:36:51.959
<v Speaker 1>gets it that he's that he's breaking the fourth wall,

0:36:52.040 --> 0:36:54.279
<v Speaker 1>and I'm like, oh, Harry Corman, he knows what he's doing.

0:36:54.360 --> 0:36:55.880
<v Speaker 1>He knows that he's like, my dad's not mad at

0:36:55.880 --> 0:36:58.160
<v Speaker 1>and like all these ships happening. I'm like, this is

0:36:58.239 --> 0:37:01.919
<v Speaker 1>fine through your head because that's one of your favorite bits.

0:37:02.000 --> 0:37:06.000
<v Speaker 1>Now you've stolen it from Harvey. Stole it from Harvey Corman. Yeah,

0:37:06.880 --> 0:37:10.759
<v Speaker 1>that's amazing, And you've got a little impression on my dad. Yeah,

0:37:12.040 --> 0:37:15.680
<v Speaker 1>I didn't know you could do that accent. Um. What

0:37:15.960 --> 0:37:20.800
<v Speaker 1>are you most thankful for about the show that we

0:37:21.040 --> 0:37:25.440
<v Speaker 1>that Kevin Riley said let's get these guys, because it

0:37:25.600 --> 0:37:28.840
<v Speaker 1>changed our lives, you know, and that wouldn't have happened

0:37:28.840 --> 0:37:32.280
<v Speaker 1>if we didn't get like two seasons. Three season pilot

0:37:32.320 --> 0:37:34.000
<v Speaker 1>doesn't do anything. You still got to keep your day

0:37:34.080 --> 0:37:37.399
<v Speaker 1>job one season, but five season, six seasons, that makes

0:37:37.400 --> 0:37:40.680
<v Speaker 1>your career, That makes your life, you know. So that's

0:37:40.680 --> 0:37:43.000
<v Speaker 1>what I'm most thankful for. And people are like, go Ricky,

0:37:43.080 --> 0:37:47.120
<v Speaker 1>Drs rickybis that, well, thank you Mr Jervis for your imagination,

0:37:47.239 --> 0:37:51.480
<v Speaker 1>right him and Steve Merchant. Ladies and gentlemen, you know

0:37:51.680 --> 0:37:56.400
<v Speaker 1>him most as the guy in the state farm commercials,

0:37:57.560 --> 0:38:01.880
<v Speaker 1>Oscar nun us. Is there an award for me or

0:38:01.920 --> 0:38:04.919
<v Speaker 1>something here? Do you have something? No? I just wanted

0:38:04.960 --> 0:38:07.600
<v Speaker 1>to make a state farm joke. That was literally all

0:38:07.680 --> 0:38:09.799
<v Speaker 1>it was. That was where my brain went. Some people

0:38:09.880 --> 0:38:15.000
<v Speaker 1>only know me from the State farm commercial. Thank you, truly.

0:38:15.600 --> 0:38:20.719
<v Speaker 1>I I think in the world this is true. I'm

0:38:20.719 --> 0:38:25.719
<v Speaker 1>gonna be nice for one second in the world. No

0:38:25.920 --> 0:38:33.479
<v Speaker 1>one makes me laugh as consistently and as often. Thank you, buddy,

0:38:33.480 --> 0:38:38.120
<v Speaker 1>I appreciate that. And knowing that that I'm funnier. Um,

0:38:38.719 --> 0:38:55.239
<v Speaker 1>well there's the irony. Well there you have it. Now

0:38:55.440 --> 0:38:59.400
<v Speaker 1>you all know what the real Oscar is actually like,

0:39:00.800 --> 0:39:03.960
<v Speaker 1>or do you Anyway, I hope you all enjoyed that.

0:39:04.360 --> 0:39:08.120
<v Speaker 1>Thank you so much for listening, and do I thank

0:39:08.239 --> 0:39:13.120
<v Speaker 1>Oscar for joining me. It was an experience and one

0:39:13.160 --> 0:39:15.960
<v Speaker 1>that I'll remember. We're gonna be back next week with

0:39:16.000 --> 0:39:20.399
<v Speaker 1>another episode, which I mean, who knows where that's gonna

0:39:20.480 --> 0:39:25.200
<v Speaker 1>take us. Things are getting weird here on the Office

0:39:25.560 --> 0:39:37.440
<v Speaker 1>Deep Dive. Until then, everybody, have a great week. The

0:39:37.560 --> 0:39:40.719
<v Speaker 1>Office Deep Dive is hosted and executive produced by me

0:39:41.200 --> 0:39:46.400
<v Speaker 1>Brian Baumgartner, alongside our executive producer Langley, our senior producer

0:39:46.600 --> 0:39:50.560
<v Speaker 1>is Tessa Kramer, our producer is Adam Massias, our associate

0:39:50.640 --> 0:39:55.040
<v Speaker 1>producer is Emily Carr, and our assistant editor is Diego Tapia.

0:39:55.600 --> 0:39:58.640
<v Speaker 1>My main man in the booth is Alec Moore. Our

0:39:58.760 --> 0:40:02.200
<v Speaker 1>theme song Bubble and Squeak, performed by my great friend

0:40:02.320 --> 0:40:05.879
<v Speaker 1>Creed Bratton, and the episode was mixed by seth Olansky.

0:40:19.880 --> 0:40:22.919
<v Speaker 1>This episode was brought to you in I Heart three

0:40:23.040 --> 0:40:27.600
<v Speaker 1>D Audio. To experience more podcasts like this, search for

0:40:27.760 --> 0:40:31.000
<v Speaker 1>I Heart three D Audio in the I Heart Radio

0:40:31.520 --> 0:40:31.800
<v Speaker 1>app