1 00:00:06,360 --> 00:00:09,520 Speaker 1: Welcome to Creature feature production of I Heart Radio. I'm 2 00:00:09,560 --> 00:00:13,119 Speaker 1: your host of Many Parasites, Katie Golden. I studied psychology 3 00:00:13,160 --> 00:00:17,400 Speaker 1: and evolutionary biology, and today on the show Wings Take Dream, 4 00:00:17,520 --> 00:00:21,200 Speaker 1: we're talking about the world's most spectacular flyers, from the 5 00:00:21,280 --> 00:00:24,520 Speaker 1: tiny and nimble hummingbird to the bird with a wingspan 6 00:00:24,680 --> 00:00:29,360 Speaker 1: longer than any basketball player will discover mammalion gliders and 7 00:00:29,480 --> 00:00:33,000 Speaker 1: murmurating starlings. Discover this more as we answer to the 8 00:00:32,960 --> 00:00:36,960 Speaker 1: angel question, why is that flying squirrel glowing pink? Is 9 00:00:36,960 --> 00:00:40,559 Speaker 1: it just bashful? Joining me today is my friend and 10 00:00:40,600 --> 00:00:44,000 Speaker 1: the Daily Zygei, super producer and co host of Ethnically 11 00:00:44,040 --> 00:00:51,200 Speaker 1: Ambiguous and the twitch Screamed Deckheads, Chief stews Anna Hosnie him. 12 00:00:51,760 --> 00:00:55,000 Speaker 1: Thanks for having back. Thank you. I guess you have 13 00:00:55,080 --> 00:00:56,880 Speaker 1: done the show I do the last time with Shrine, right, 14 00:00:57,320 --> 00:00:59,360 Speaker 1: That's right, Yeah, I have no memory of a show 15 00:00:59,400 --> 00:01:02,200 Speaker 1: after I do it. That's just how I've I've done 16 00:01:02,240 --> 00:01:04,680 Speaker 1: so many podcasts. I have no memory of anything anymore. 17 00:01:04,800 --> 00:01:07,360 Speaker 1: That's all right. Like like a swallow back to San 18 00:01:07,520 --> 00:01:11,039 Speaker 1: Juan Capistrano. You may not remember being here or know 19 00:01:11,160 --> 00:01:13,560 Speaker 1: why you're here, but here you are again. Here I 20 00:01:13,600 --> 00:01:20,000 Speaker 1: am again to talk yes, the movie with Denzel Washington. Yeah, yeah, 21 00:01:20,040 --> 00:01:22,600 Speaker 1: we've decided to take a bit of a pivot with 22 00:01:22,680 --> 00:01:26,160 Speaker 1: the pod. Animals are out, nobody cares about them anymore. 23 00:01:26,240 --> 00:01:27,920 Speaker 1: But we are going to talk about the movie Flight 24 00:01:27,959 --> 00:01:31,480 Speaker 1: with Denzel Washington. Oh what a great film. And now 25 00:01:31,560 --> 00:01:36,119 Speaker 1: what did that airplane do? I mean, you shouldn't drink 26 00:01:36,160 --> 00:01:39,480 Speaker 1: and fly an airplane, folks, that's my opinion. That's a 27 00:01:39,480 --> 00:01:45,319 Speaker 1: strong opinion. Thank you. Yeah, yeah, no, we are talking 28 00:01:45,360 --> 00:01:47,920 Speaker 1: about animal flighting. I gotta do a shout out to 29 00:01:47,960 --> 00:01:52,160 Speaker 1: a listener who sent in a question that inspired this 30 00:01:52,160 --> 00:01:57,560 Speaker 1: whole episode. Um, I will read their email right now. Hi, Katie, 31 00:01:57,600 --> 00:01:59,840 Speaker 1: I was listening to the podcast today and finally came 32 00:01:59,920 --> 00:02:02,120 Speaker 1: up with the question I could send in so exciting. 33 00:02:02,200 --> 00:02:05,480 Speaker 1: Here it goes. We know hummingbirds in the adorable hummingbird 34 00:02:05,520 --> 00:02:08,040 Speaker 1: hawk moth have a gift for hovering, but I noticed 35 00:02:08,080 --> 00:02:11,200 Speaker 1: some larger songbirds can do it too. For just a moment, 36 00:02:11,600 --> 00:02:14,679 Speaker 1: what's the story here? Size and weight obviously play a role, 37 00:02:14,880 --> 00:02:17,720 Speaker 1: but what about similarly sized birds with the same diet 38 00:02:17,720 --> 00:02:20,480 Speaker 1: and habitat. Can some of them hover while others have 39 00:02:20,560 --> 00:02:24,080 Speaker 1: to get by with just boring old flying? Why please 40 00:02:24,120 --> 00:02:26,680 Speaker 1: stay the most charmingest host in all the podcast land. 41 00:02:26,720 --> 00:02:30,560 Speaker 1: Oh thank you, Ramon, very nice. That is a great question. 42 00:02:30,960 --> 00:02:34,840 Speaker 1: And yeah, it's really interesting because when we kind of 43 00:02:34,960 --> 00:02:37,919 Speaker 1: think about birds flying, it's like, yeah, the birds, they 44 00:02:37,919 --> 00:02:41,639 Speaker 1: flap their wings and up they go. But actually there's 45 00:02:41,639 --> 00:02:44,320 Speaker 1: a lot of differences and how birds fly in the 46 00:02:44,320 --> 00:02:47,720 Speaker 1: actual physics of like how a hummingbird gets in the 47 00:02:47,760 --> 00:02:50,959 Speaker 1: air and how a big old vulture gets in the air, 48 00:02:51,000 --> 00:02:57,400 Speaker 1: and it's it's a completely different set of physics with hummingbirds. 49 00:02:57,440 --> 00:03:01,320 Speaker 1: They're teeny, toyiny little If you have you ever like 50 00:03:01,600 --> 00:03:05,000 Speaker 1: held a hummingbird Anna, Oh no, no, no, I don't 51 00:03:05,000 --> 00:03:08,519 Speaker 1: even I've seen them up close, like at my hummingbird feeder, 52 00:03:08,680 --> 00:03:10,520 Speaker 1: I've seen them fight, but I've never I don't think 53 00:03:10,520 --> 00:03:15,400 Speaker 1: I've ever touched one. Yeah, I I feel like the 54 00:03:15,440 --> 00:03:18,680 Speaker 1: only time I've held a hummingbird, it's been dead, which 55 00:03:19,639 --> 00:03:22,120 Speaker 1: a little sad. That makes more sense as to how 56 00:03:22,160 --> 00:03:25,799 Speaker 1: you would have touched it, right, Yeah, not Look, I didn't. 57 00:03:25,960 --> 00:03:29,040 Speaker 1: I'm not responsible. I didn't do anything wrong. Um, but 58 00:03:29,160 --> 00:03:31,160 Speaker 1: you know, like you know what you defend, you're really 59 00:03:31,240 --> 00:03:34,040 Speaker 1: quickly to defend yourself. I don't know about that. Katie, 60 00:03:34,280 --> 00:03:36,320 Speaker 1: this is how I found it with a ten knife 61 00:03:36,360 --> 00:03:38,960 Speaker 1: in its back. And I notice saying Katie did it. 62 00:03:39,320 --> 00:03:41,320 Speaker 1: I will say they fight a lot, so if one 63 00:03:41,400 --> 00:03:44,360 Speaker 1: hummingbird stabbed another in the back, I would not not 64 00:03:44,480 --> 00:03:47,920 Speaker 1: believe it. Yeah, they're making they're making, uh kind of 65 00:03:47,960 --> 00:03:51,880 Speaker 1: like the competition between males is so fierce. We're actually 66 00:03:51,920 --> 00:03:53,680 Speaker 1: going to talk about at the end of the show. 67 00:03:54,080 --> 00:03:56,680 Speaker 1: The bird that's like the exact opposite when it comes 68 00:03:56,680 --> 00:04:01,120 Speaker 1: to like the mating, like the hummingbirds joustics. Actually when 69 00:04:01,160 --> 00:04:03,560 Speaker 1: they're competing with other males to mate, it's it's a 70 00:04:03,720 --> 00:04:09,520 Speaker 1: very very brutal, very metal and another bird, a heat 71 00:04:09,560 --> 00:04:11,600 Speaker 1: one of the biggest birds in the world, is actually 72 00:04:11,680 --> 00:04:14,240 Speaker 1: very sweet and gentle when it comes to mating. So 73 00:04:14,320 --> 00:04:17,000 Speaker 1: you can't judge a bird by how cute and small 74 00:04:17,040 --> 00:04:20,320 Speaker 1: it is. But yeah, they are. They are very interesting 75 00:04:20,320 --> 00:04:22,920 Speaker 1: flyers because they don't kind of do just the like 76 00:04:23,040 --> 00:04:27,239 Speaker 1: flap flap flap thing. They almost vibrate with how fast 77 00:04:27,600 --> 00:04:31,320 Speaker 1: they're flying. Um. And it's when you're thinking about like 78 00:04:31,400 --> 00:04:34,440 Speaker 1: how different birds fly, it's sort of like a helicopter 79 00:04:34,600 --> 00:04:38,800 Speaker 1: versus an airplane when it comes to hummingbirds versus bigger birds. 80 00:04:38,880 --> 00:04:42,480 Speaker 1: So a helicopter is designed to be able to hover 81 00:04:42,600 --> 00:04:46,119 Speaker 1: with these really quickly rotating blades that pushes air down 82 00:04:46,240 --> 00:04:50,359 Speaker 1: and pushes the helicopter up, whereas like a plane basically 83 00:04:50,400 --> 00:04:53,520 Speaker 1: has to get some forward movement and uses the lift 84 00:04:53,720 --> 00:04:58,159 Speaker 1: of air passing over and under its wings to keep flying. Yeah, 85 00:04:58,200 --> 00:05:01,040 Speaker 1: so kind of a it's not exactly the same. Birds 86 00:05:01,120 --> 00:05:03,760 Speaker 1: aren't helicopters. I know, like people are like, oh, birds 87 00:05:03,800 --> 00:05:08,000 Speaker 1: are drones, well means blah blah blah, But no, they're 88 00:05:08,040 --> 00:05:11,960 Speaker 1: they're they're designed differently than a drone. They both do 89 00:05:12,160 --> 00:05:17,040 Speaker 1: spy on us, but technically slightly different physics going on 90 00:05:17,440 --> 00:05:22,320 Speaker 1: with hummingbirds or hawk moths. Like, uh, the listener pointed 91 00:05:22,320 --> 00:05:27,720 Speaker 1: out these these hummingbirds have a evolutionary look alike called 92 00:05:27,760 --> 00:05:32,000 Speaker 1: the hummingbird hawk moth. And I've provided you with a 93 00:05:32,040 --> 00:05:37,600 Speaker 1: picture of some cool example of parallel evolution there where 94 00:05:37,640 --> 00:05:39,800 Speaker 1: it's a yeah, it's a humming it's a it's a 95 00:05:39,800 --> 00:05:43,440 Speaker 1: moth that actually looks exactly like a hummingbird, but it's 96 00:05:43,440 --> 00:05:46,400 Speaker 1: a moth. We've been lied to. I can't really even 97 00:05:46,480 --> 00:05:48,680 Speaker 1: understand like what I'm looking at, Like, what is this 98 00:05:49,000 --> 00:05:50,960 Speaker 1: is that its tongue in the frowers just got a 99 00:05:51,000 --> 00:05:54,719 Speaker 1: little book. Yes, it's proboscus, which is essentially like a tongue. 100 00:05:55,080 --> 00:05:58,520 Speaker 1: But on an insect, does that go back in its mouth? Yeah? Yeah, 101 00:05:58,520 --> 00:06:00,919 Speaker 1: I can. It can be with drawn and like pulled 102 00:06:00,920 --> 00:06:04,160 Speaker 1: back in and that SIPs nectar. Got it? Okay, okay, 103 00:06:04,160 --> 00:06:06,359 Speaker 1: I understand now what I'm looking at. What a surreal 104 00:06:06,480 --> 00:06:08,680 Speaker 1: looking little guy because he kind of also looks like 105 00:06:08,960 --> 00:06:11,400 Speaker 1: he's got like cat eyes. Yeah, And that's what's so 106 00:06:11,520 --> 00:06:15,560 Speaker 1: interesting is that what looks like a pupil on it, 107 00:06:15,760 --> 00:06:19,120 Speaker 1: like a cat pupil, is actually not a pupil at all. 108 00:06:19,680 --> 00:06:23,680 Speaker 1: It is it's compound eyes. This occurs in actually a 109 00:06:23,720 --> 00:06:26,240 Speaker 1: few insects, like mantis. Is they look like they have 110 00:06:26,320 --> 00:06:29,320 Speaker 1: a pupil that's like always conveniently looking right at you, 111 00:06:29,360 --> 00:06:31,920 Speaker 1: and you feel like you're being followed, like the mantiss 112 00:06:31,960 --> 00:06:35,640 Speaker 1: are looking at you. And it's actually when light enters 113 00:06:35,720 --> 00:06:41,360 Speaker 1: these compound eyes, it actually forms a dark spot of 114 00:06:41,360 --> 00:06:44,520 Speaker 1: where all the light is getting sucked in to to 115 00:06:44,760 --> 00:06:46,840 Speaker 1: the eyeball. So it's like if you have like a 116 00:06:46,839 --> 00:06:51,240 Speaker 1: shiny ball and that highlight, it's like light bouncing off 117 00:06:51,279 --> 00:06:53,000 Speaker 1: of the ball, so you move the ball. But the 118 00:06:53,040 --> 00:06:55,720 Speaker 1: little highlight part on the ball always seems to kind 119 00:06:55,720 --> 00:06:58,360 Speaker 1: of like follow you around because that's like from your 120 00:06:58,400 --> 00:07:03,560 Speaker 1: angle and the goal of light, that's what's shining reflecting 121 00:07:03,560 --> 00:07:05,840 Speaker 1: back at you, so you see that highlight. It's just 122 00:07:05,880 --> 00:07:08,479 Speaker 1: the opposite with a compound insect eye where that's like 123 00:07:08,480 --> 00:07:11,000 Speaker 1: where the light is being absorbed. So it's a dark 124 00:07:11,080 --> 00:07:13,120 Speaker 1: spot that follows you around, and it looks like it 125 00:07:13,160 --> 00:07:16,440 Speaker 1: has a pupil and it's watching you, but uh no, 126 00:07:16,600 --> 00:07:18,720 Speaker 1: it's not. I mean, it may be watching you, it 127 00:07:18,800 --> 00:07:21,200 Speaker 1: may have a whole system of surveillance came so you 128 00:07:21,240 --> 00:07:23,480 Speaker 1: don't know about, but it's actually not watching you with 129 00:07:23,480 --> 00:07:26,559 Speaker 1: a little pupil. Got it, Okay, I have one. Yeah, 130 00:07:26,880 --> 00:07:30,200 Speaker 1: but yeah, very eerily similar. They have a similar flying 131 00:07:30,280 --> 00:07:34,680 Speaker 1: style too. Uh but well, we'll talk about the the 132 00:07:35,440 --> 00:07:38,240 Speaker 1: bird aspect of this, because I think we're kind of 133 00:07:38,360 --> 00:07:41,480 Speaker 1: used to insects being able to buzz around and fly 134 00:07:41,560 --> 00:07:44,080 Speaker 1: really quickly because they're so light, like if you've ever 135 00:07:44,120 --> 00:07:46,760 Speaker 1: held them off, I don't know, you haven't held a hummingbird. 136 00:07:46,800 --> 00:07:48,960 Speaker 1: You don't seem to like to hold dead things, which 137 00:07:49,000 --> 00:07:52,040 Speaker 1: is weird to me, but well, I've definitely picked up 138 00:07:52,040 --> 00:07:54,360 Speaker 1: a dead moth and like, like I've had like dead 139 00:07:54,400 --> 00:07:57,160 Speaker 1: moths like within like a space Simon, and I've picked 140 00:07:57,200 --> 00:07:59,760 Speaker 1: them up and like taken them outside, but like I've 141 00:07:59,760 --> 00:08:02,800 Speaker 1: never I don't understand how you would even touch a 142 00:08:02,880 --> 00:08:05,560 Speaker 1: movie like a bird or a moth if it was alive, 143 00:08:05,600 --> 00:08:07,920 Speaker 1: because they're just like flitting around to get away from 144 00:08:07,920 --> 00:08:10,680 Speaker 1: you the whole time. Well, I've actually had a sphinx moth, 145 00:08:10,760 --> 00:08:13,200 Speaker 1: which is very similar to the hawk moth land on 146 00:08:13,240 --> 00:08:16,640 Speaker 1: my shirt and refused to go. But it died anyways. 147 00:08:16,680 --> 00:08:18,920 Speaker 1: Sound that's a that's a fun it's like a fun 148 00:08:18,920 --> 00:08:21,760 Speaker 1: story like Homeword bound. Was it like a panicking or 149 00:08:21,800 --> 00:08:25,160 Speaker 1: it was like no please? I think it was probably 150 00:08:25,200 --> 00:08:27,440 Speaker 1: just at the end of its life cycle and it 151 00:08:27,520 --> 00:08:31,600 Speaker 1: was just like I die here, here is where I die. Interesting? 152 00:08:31,960 --> 00:08:34,199 Speaker 1: You know what they say the old thing, If a 153 00:08:34,240 --> 00:08:39,040 Speaker 1: moth dies on you, it's an angel gets its wings right? 154 00:08:40,320 --> 00:08:42,960 Speaker 1: That is actually yeah, I have a wood plank that 155 00:08:43,040 --> 00:08:47,760 Speaker 1: says that over in my kitchen Packy how dare you 156 00:08:50,520 --> 00:08:54,600 Speaker 1: saying live laugh and lit moths die on your shirt? 157 00:08:55,160 --> 00:09:01,000 Speaker 1: Good luck? Uh so? Yeah? So these smaller the bird 158 00:09:01,120 --> 00:09:04,440 Speaker 1: basically an answer to Ramon's question when you have a 159 00:09:04,480 --> 00:09:08,640 Speaker 1: smaller bird, Typically speaking, the faster it's metabolism is and 160 00:09:08,640 --> 00:09:10,760 Speaker 1: the faster it can fly. So you do see a 161 00:09:10,800 --> 00:09:14,640 Speaker 1: lot of small birds similar to the hummingbird that do 162 00:09:14,880 --> 00:09:17,520 Speaker 1: are able to some extent do this kind of like 163 00:09:17,600 --> 00:09:21,160 Speaker 1: flying hovering, move not as well as the hummingbird can, 164 00:09:21,200 --> 00:09:27,600 Speaker 1: because the hummingbird has physically evolved to specialize in extremely 165 00:09:27,720 --> 00:09:32,320 Speaker 1: rapid wing beats and extremely precise hovering. So depending on 166 00:09:32,400 --> 00:09:35,640 Speaker 1: the species, hummingbirds can beat their wings from ten to 167 00:09:35,840 --> 00:09:39,440 Speaker 1: eighty times a second, so the speed of the wings 168 00:09:39,520 --> 00:09:43,040 Speaker 1: typically follows the size of the hummingbirds. The bigger the hummingbird, 169 00:09:43,080 --> 00:09:46,400 Speaker 1: the slower it's wing beat relatively because it's still really 170 00:09:46,440 --> 00:09:50,600 Speaker 1: really fast. But uh, giant hummingbirds who weigh in about 171 00:09:50,720 --> 00:09:54,480 Speaker 1: twenty grams are the slowest, with ten to fifteen beats 172 00:09:54,520 --> 00:09:58,920 Speaker 1: a second, and the amethyst wood star, a tiny hummingbird 173 00:09:59,240 --> 00:10:03,200 Speaker 1: that weighs only three grams, beats its wings at about 174 00:10:03,240 --> 00:10:07,600 Speaker 1: eighty beats a second, which I can't even think that fast. 175 00:10:08,559 --> 00:10:13,040 Speaker 1: I can't even like it's it hurts to think about, 176 00:10:13,120 --> 00:10:15,400 Speaker 1: like I try to think about like actually doing that, 177 00:10:15,440 --> 00:10:17,840 Speaker 1: and it hurts my brain because I can't put that 178 00:10:17,880 --> 00:10:21,080 Speaker 1: many thoughts about bird wings in one second, well one, 179 00:10:21,240 --> 00:10:25,640 Speaker 1: it's it's what that purple or that amethyst color that 180 00:10:25,760 --> 00:10:28,560 Speaker 1: like magenta color on its neck is the most beautiful 181 00:10:28,559 --> 00:10:32,880 Speaker 1: color I've ever seen. So vibrant. Yeah, yeah, they have these, 182 00:10:32,920 --> 00:10:35,520 Speaker 1: like like a lot of birds, they have these micro 183 00:10:35,800 --> 00:10:39,360 Speaker 1: structures in their wings that refracts light that makes it 184 00:10:39,559 --> 00:10:44,000 Speaker 1: so bright and irridescent. It's it's it looks like jewels. 185 00:10:44,640 --> 00:10:47,160 Speaker 1: Um probably in part because like with jewels, like that's 186 00:10:47,160 --> 00:10:49,600 Speaker 1: also has to do with like how light is refracting 187 00:10:49,679 --> 00:10:52,800 Speaker 1: in the jewel, and so like you know, there they've 188 00:10:52,840 --> 00:10:56,920 Speaker 1: got jewels for wings. Also, the name Amethyst wood Star, 189 00:10:57,280 --> 00:10:59,080 Speaker 1: that's I feel like that's like if I went to 190 00:10:59,120 --> 00:11:01,640 Speaker 1: like Malibu, I would I would meet someone named that. 191 00:11:01,960 --> 00:11:05,079 Speaker 1: I'm Amethyst, would story? Would you like to try some 192 00:11:05,160 --> 00:11:11,800 Speaker 1: of my essential oils? Amethyst? I just like to use 193 00:11:11,920 --> 00:11:15,200 Speaker 1: oils for my feminine flow. And would you like to 194 00:11:15,360 --> 00:11:17,720 Speaker 1: join me? If your name is Amethan would Star? I 195 00:11:17,720 --> 00:11:21,560 Speaker 1: will do anything you say. Here's the new here's the 196 00:11:21,640 --> 00:11:27,280 Speaker 1: new product. It's made out of starfish tears and um 197 00:11:27,440 --> 00:11:31,360 Speaker 1: octopus but holes. Oh my god, it sounds like it 198 00:11:31,360 --> 00:11:36,760 Speaker 1: will work anything obscure like octopus butt holes. I'm like, 199 00:11:36,800 --> 00:11:39,560 Speaker 1: well they, I mean, why else would they be grabbing 200 00:11:40,120 --> 00:11:43,760 Speaker 1: you know, octopus butt holes unless it actually works? Right right? 201 00:11:43,840 --> 00:11:46,319 Speaker 1: The weird are the ingredients like this must it must 202 00:11:46,360 --> 00:11:50,560 Speaker 1: work because they wouldn't go to the trouble surely. Yeah no, 203 00:11:50,640 --> 00:11:54,320 Speaker 1: I would definitely someone names Amethyst would stars like, you know, 204 00:11:54,520 --> 00:11:57,480 Speaker 1: try octopists, but holes. Seriously, it'll work. It's like no, 205 00:11:57,559 --> 00:12:01,640 Speaker 1: I'm in, I'm in, I'm all in. Yeah. So they are, 206 00:12:02,400 --> 00:12:06,559 Speaker 1: in addition to being absolutely gorgeous, just can beat their 207 00:12:06,559 --> 00:12:10,400 Speaker 1: wings at a ridiculous speed, which allows them to be 208 00:12:10,480 --> 00:12:13,200 Speaker 1: able to hover in air. And if you've ever seen 209 00:12:13,240 --> 00:12:16,160 Speaker 1: a hummingbird up close, they can like stop in midair 210 00:12:16,280 --> 00:12:20,360 Speaker 1: and just like stay there stationary staring at you U, 211 00:12:20,679 --> 00:12:23,040 Speaker 1: which is really like if you ever want to wear 212 00:12:23,080 --> 00:12:26,079 Speaker 1: a hat made out of hummingbird feeders, like some some 213 00:12:26,200 --> 00:12:29,040 Speaker 1: guy I remember reading a story about he created a 214 00:12:29,080 --> 00:12:31,560 Speaker 1: hat that was essentially a hummingbird feeder so he could 215 00:12:31,559 --> 00:12:34,840 Speaker 1: sit down and watch hummingbirds come up to his face. Well, 216 00:12:34,920 --> 00:12:38,920 Speaker 1: they like had SIPs of nectar, and that that seems 217 00:12:38,920 --> 00:12:41,280 Speaker 1: like the life. I want a hummingbird sweeter, they would 218 00:12:41,320 --> 00:12:47,720 Speaker 1: cover like right here, yes, yeah right, not opposed to that. Yeah. 219 00:12:48,000 --> 00:12:51,920 Speaker 1: So what's interesting is these wing beats are the way 220 00:12:51,960 --> 00:12:56,840 Speaker 1: that the hummingbird is shaped really influences how it uses 221 00:12:56,880 --> 00:13:00,760 Speaker 1: physics to keep it afloat. So the twisted has these 222 00:13:00,760 --> 00:13:05,960 Speaker 1: twisting down strokes which create lift uh, and the upstrokes 223 00:13:06,080 --> 00:13:08,680 Speaker 1: also keep the bird of float because usually when a 224 00:13:08,720 --> 00:13:11,520 Speaker 1: bird flaps its wings, like the down stroke pushes it 225 00:13:11,600 --> 00:13:14,720 Speaker 1: up and then the upstroke doesn't really help it because 226 00:13:14,760 --> 00:13:16,760 Speaker 1: it's like you're not pushing down on the air, you're 227 00:13:16,800 --> 00:13:20,280 Speaker 1: just like lifting your wings back up. But the hummingbird, 228 00:13:20,520 --> 00:13:23,720 Speaker 1: because of this like twisting motion of its wings at 229 00:13:23,880 --> 00:13:28,280 Speaker 1: sort of a rotated angle, the upstroke actually cuts through 230 00:13:28,280 --> 00:13:30,920 Speaker 1: the air in such a way that it creates these 231 00:13:30,960 --> 00:13:36,000 Speaker 1: small air vortices like vortexes uh that act like tiny 232 00:13:36,040 --> 00:13:40,439 Speaker 1: tornadoes uh, and through some physics that I don't quite understand, 233 00:13:40,480 --> 00:13:43,200 Speaker 1: like creates kind of a vacuum that that gives the 234 00:13:43,240 --> 00:13:46,760 Speaker 1: bird even more lifts. So it's like getting double duty 235 00:13:46,800 --> 00:13:49,199 Speaker 1: with like pushing up on the down stroke and then 236 00:13:49,240 --> 00:13:53,920 Speaker 1: also creating some kind of weird wing tornado with upstroke. 237 00:13:54,360 --> 00:13:59,559 Speaker 1: A vortices is the coolest thing I've ever heard. It's 238 00:13:59,600 --> 00:14:02,440 Speaker 1: just the colurel of vortex I know, but I've never 239 00:14:02,520 --> 00:14:05,640 Speaker 1: even thought of that before. But that's like a vortices. 240 00:14:05,679 --> 00:14:08,600 Speaker 1: Like I remember when I went to Sedona and everyone's like, 241 00:14:08,720 --> 00:14:11,679 Speaker 1: you've got to find the energy vortexes, and I was like, 242 00:14:12,800 --> 00:14:16,280 Speaker 1: that's just the concept of a vortex is very cool 243 00:14:16,320 --> 00:14:20,040 Speaker 1: to me. And now that there's vortices, that does sound 244 00:14:20,080 --> 00:14:22,920 Speaker 1: like something that Amethyst would Star would say, right, like, 245 00:14:23,000 --> 00:14:28,240 Speaker 1: you gotta find the energy vortices all are. But you 246 00:14:28,280 --> 00:14:30,920 Speaker 1: can definitely get with this activist. But I'll trust me. 247 00:14:31,920 --> 00:14:36,080 Speaker 1: Let the octopus butthole lead you to the vortices. Open 248 00:14:36,160 --> 00:14:40,280 Speaker 1: your mind to the octopus butthole. That weird teeling, tingling, 249 00:14:40,360 --> 00:14:43,280 Speaker 1: numb feeling you're feeling in your fingers, that's just it working. 250 00:14:43,720 --> 00:14:47,760 Speaker 1: That's the vort disease. So their wings are also very 251 00:14:47,840 --> 00:14:50,760 Speaker 1: stiff and don't bend in the same way that other 252 00:14:50,840 --> 00:14:53,680 Speaker 1: birds wings do, so that it allows them to do 253 00:14:53,760 --> 00:14:57,280 Speaker 1: these really fast beats because if they're bending, they just 254 00:14:57,880 --> 00:14:59,840 Speaker 1: won't work in the same way and creating these like 255 00:15:00,040 --> 00:15:03,120 Speaker 1: slicing through the air like a blade. And so it 256 00:15:03,160 --> 00:15:06,400 Speaker 1: allows them this ability to hover unlike any other bird, 257 00:15:06,680 --> 00:15:11,440 Speaker 1: and larger birds typically can't hover at all. Uh. The 258 00:15:11,520 --> 00:15:14,680 Speaker 1: largest one of the largest birds that can hover doesn't 259 00:15:14,680 --> 00:15:20,080 Speaker 1: in a much different ways. So kestrels are a small 260 00:15:20,120 --> 00:15:22,760 Speaker 1: wrapt or so a small bird of prey like a 261 00:15:22,760 --> 00:15:26,240 Speaker 1: hawk or an eagle or something will take advantage of 262 00:15:26,440 --> 00:15:30,360 Speaker 1: strong updrafts to hover in one place. So they'll find 263 00:15:30,360 --> 00:15:34,000 Speaker 1: a windy spot and face opposite the wind direction and 264 00:15:34,040 --> 00:15:36,800 Speaker 1: adjust their wings. So basically they just become like a 265 00:15:36,840 --> 00:15:39,880 Speaker 1: bird kite. Uh, And this allows them to stay in 266 00:15:39,960 --> 00:15:42,360 Speaker 1: one spot to look out for prey. But this is 267 00:15:42,360 --> 00:15:46,080 Speaker 1: all about them being able to use available wind currents 268 00:15:46,120 --> 00:15:49,080 Speaker 1: to stay afloat. They can't beat their wings fast enough 269 00:15:49,120 --> 00:15:53,000 Speaker 1: to like hover by using wing beats, so a wind 270 00:15:53,080 --> 00:15:56,840 Speaker 1: kite or it's like a wing kite wind kite, it's 271 00:15:56,840 --> 00:16:01,400 Speaker 1: the same thing. So the bird kite's tie a string 272 00:16:01,440 --> 00:16:04,120 Speaker 1: to them, and you've got yourself a cool new toy. Everybody, 273 00:16:04,160 --> 00:16:06,800 Speaker 1: don't do that. I never really understood the physicality of that, 274 00:16:06,880 --> 00:16:10,280 Speaker 1: But now that you're like describing in detail, like they're 275 00:16:10,320 --> 00:16:15,080 Speaker 1: so interesting. We need more hummingbirds. Let's just get more birds. 276 00:16:15,120 --> 00:16:18,680 Speaker 1: We know we need more humming roods, specifically humming around 277 00:16:19,400 --> 00:16:21,680 Speaker 1: That's true. I mean, if you live in an area 278 00:16:21,720 --> 00:16:25,600 Speaker 1: where you get hummingbirds, you can get certain plants in 279 00:16:25,680 --> 00:16:29,000 Speaker 1: your garden or on your balcony that attract hummingbirds. You 280 00:16:29,000 --> 00:16:33,400 Speaker 1: can also get hummingbird feeders that will attract hummingbirds in 281 00:16:33,440 --> 00:16:36,040 Speaker 1: certain like You can also get like little wet wet 282 00:16:36,040 --> 00:16:38,640 Speaker 1: stone things that like just have little pools of water 283 00:16:38,720 --> 00:16:41,440 Speaker 1: that they like to drink from. There's definitely ways you 284 00:16:41,480 --> 00:16:44,720 Speaker 1: can manipulate hummingbirds to come to your home and you 285 00:16:44,760 --> 00:16:48,280 Speaker 1: can get a bunch of them. There, hummingbird feeder hat, 286 00:16:48,720 --> 00:16:51,400 Speaker 1: hummingbird feeder hat. I wonder if they sell those. I'm 287 00:16:51,400 --> 00:16:56,360 Speaker 1: gonna google it humming bird, the bird feed or hats 288 00:16:56,480 --> 00:16:59,640 Speaker 1: safe search off, let's check it out. You can get 289 00:16:59,640 --> 00:17:03,080 Speaker 1: into any seconds from Amazon. Oh, lots of people have 290 00:17:03,160 --> 00:17:06,040 Speaker 1: done this. But can I buy one or do I 291 00:17:06,080 --> 00:17:09,240 Speaker 1: have to make it on my own? Okay, well, there's 292 00:17:09,400 --> 00:17:12,760 Speaker 1: handheld hummingbird feeders, but I don't think that's as stylish 293 00:17:12,800 --> 00:17:15,960 Speaker 1: as an actual hat like they Oh, there's a red 294 00:17:16,160 --> 00:17:19,480 Speaker 1: humming red hummer ring feeder, so you can wear it 295 00:17:19,520 --> 00:17:24,120 Speaker 1: as a ring. I saw that right, But I want 296 00:17:24,119 --> 00:17:27,919 Speaker 1: a full on hat though, is the thing? Yeah, in 297 00:17:27,960 --> 00:17:31,919 Speaker 1: my head, you'll have to make one yourself. Yeah, maybe, 298 00:17:31,960 --> 00:17:34,320 Speaker 1: like they can't make them because then if like a 299 00:17:34,400 --> 00:17:39,119 Speaker 1: hummingbird like knocks your eyeball out, thinking your eyes delicious nectar, 300 00:17:39,200 --> 00:17:42,760 Speaker 1: then they'd get sued. But there is I just looked 301 00:17:42,760 --> 00:17:45,159 Speaker 1: it up as well under Good Living Guide there's this 302 00:17:45,240 --> 00:17:49,960 Speaker 1: article that says hummingbird feeder hat provides a fantastic birdwatching experience. 303 00:17:50,320 --> 00:17:52,800 Speaker 1: Oh do they have instructions how to make it? Well? 304 00:17:52,800 --> 00:17:56,280 Speaker 1: They have there Apparently there's a many options on how 305 00:17:56,320 --> 00:17:59,119 Speaker 1: to make like I Google imaged it and there's so 306 00:17:59,160 --> 00:18:02,959 Speaker 1: many different versions of it. Oh yeah, there's different styles 307 00:18:03,000 --> 00:18:05,120 Speaker 1: for like what kind of hats do you want to wear? 308 00:18:05,200 --> 00:18:07,600 Speaker 1: Like you want to have a just a casual baseball hat. 309 00:18:07,680 --> 00:18:10,320 Speaker 1: This guy's got it. He's just got like a like 310 00:18:10,359 --> 00:18:15,480 Speaker 1: an apparantous attached to his baseball hat with little hummingbird feeders. 311 00:18:15,480 --> 00:18:17,800 Speaker 1: But oh and she, the lady down here, has got 312 00:18:17,840 --> 00:18:20,840 Speaker 1: like a sun hat with feeders attached to it and 313 00:18:20,840 --> 00:18:24,120 Speaker 1: a bunch of flowers, so you can like dress it up, 314 00:18:24,200 --> 00:18:26,920 Speaker 1: dress it down. A lot of people have thought about this, 315 00:18:27,359 --> 00:18:31,560 Speaker 1: they have, and I congratulate them for their ingenuity. I 316 00:18:31,640 --> 00:18:35,000 Speaker 1: want to do like one of those hats they wear 317 00:18:35,080 --> 00:18:38,160 Speaker 1: to like horse races, you know what I'm talking about? 318 00:18:38,160 --> 00:18:43,080 Speaker 1: The fastened what do they call the fastened fascinators. Fascinators 319 00:18:43,080 --> 00:18:45,480 Speaker 1: there you go. But the big, the big ones, like 320 00:18:45,520 --> 00:18:49,119 Speaker 1: the really big ones that look like like a Getty 321 00:18:49,200 --> 00:18:53,160 Speaker 1: museum on your head, like that defy physics. But then 322 00:18:53,200 --> 00:18:56,560 Speaker 1: with a bunch of flowers and and hummingbird feeders attached 323 00:18:56,600 --> 00:18:58,879 Speaker 1: to it, and heck, why not just some bird seed 324 00:18:59,040 --> 00:19:02,919 Speaker 1: on the top, you know, really go for it. A 325 00:19:02,960 --> 00:19:06,280 Speaker 1: little cup of peanuts so the squirrels can get in there. Yeah, 326 00:19:06,440 --> 00:19:09,200 Speaker 1: just you know, it's a big just a big hat 327 00:19:09,240 --> 00:19:11,960 Speaker 1: with a bunch of food, hot dog on it. Let's 328 00:19:12,119 --> 00:19:15,679 Speaker 1: let the seagulls come in. And you're gonna die if 329 00:19:15,720 --> 00:19:17,480 Speaker 1: you put hot dogs on your hat. People are gonna 330 00:19:17,520 --> 00:19:20,119 Speaker 1: come for you, or people. Birds are gonna come for your. 331 00:19:20,160 --> 00:19:23,360 Speaker 1: Birds are gonna come from the people as well, people 332 00:19:24,640 --> 00:19:27,480 Speaker 1: bird people. Right, Yeah, no, I know it's a risky 333 00:19:27,600 --> 00:19:29,320 Speaker 1: thing to do, but I just want to be able 334 00:19:29,400 --> 00:19:32,840 Speaker 1: to see a baseball lover up close. Yeah, it's great 335 00:19:32,880 --> 00:19:42,240 Speaker 1: for baseball lover watching. So, speaking of gliding, the way 336 00:19:42,359 --> 00:19:46,879 Speaker 1: that kestrels float in the air, it's interesting because you 337 00:19:47,000 --> 00:19:51,000 Speaker 1: go from the hummingbirds, who have perfected the art of 338 00:19:51,280 --> 00:19:57,480 Speaker 1: perfect hovering and perfectly precise flying mammals are not as 339 00:19:58,480 --> 00:20:02,359 Speaker 1: are not as great at that, with the exception of bats, 340 00:20:02,520 --> 00:20:07,880 Speaker 1: who are amazing flyers, actually quite quite good flyers, quite 341 00:20:08,400 --> 00:20:12,720 Speaker 1: surprisingly efficient. Are our other attempts at flight as as 342 00:20:12,920 --> 00:20:15,800 Speaker 1: mammals have been more of a kind of like just 343 00:20:16,200 --> 00:20:20,720 Speaker 1: jump and let Jesus take the wheel. So we actually 344 00:20:21,240 --> 00:20:24,240 Speaker 1: the last episode we talked about convergent evolution, and I 345 00:20:24,320 --> 00:20:26,639 Speaker 1: didn't have time to talk about these guys, but I 346 00:20:26,720 --> 00:20:30,080 Speaker 1: think they're really cool, so I couldn't resist mentioning them 347 00:20:30,200 --> 00:20:34,680 Speaker 1: on the flying episodes. So flying squirrels, sugar gliders, and 348 00:20:34,880 --> 00:20:41,320 Speaker 1: colugos are three entirely different species of gliding mammals who 349 00:20:41,480 --> 00:20:44,280 Speaker 1: all look like they should be cousins, but they're not. 350 00:20:44,560 --> 00:20:51,000 Speaker 1: It's an example of parallel evolution. So flying squirrels are 351 00:20:51,280 --> 00:20:54,360 Speaker 1: a rodent in the squirrel family found in North America 352 00:20:54,480 --> 00:20:59,440 Speaker 1: and Eurasia, and they are they basically are squirrel but 353 00:20:59,520 --> 00:21:02,240 Speaker 1: you watch out the skin so that it's like a 354 00:21:02,480 --> 00:21:08,359 Speaker 1: squirrel napkin, and then they can fly through by using 355 00:21:08,560 --> 00:21:12,040 Speaker 1: these folds of skin that stretched from their forelimb ankles 356 00:21:12,119 --> 00:21:14,440 Speaker 1: to their hind limb angles, and this is called a 357 00:21:14,840 --> 00:21:19,720 Speaker 1: peta geum. The membrane of skin connecting their limbs and 358 00:21:19,880 --> 00:21:23,160 Speaker 1: that allows them to glide. And this peta geum has 359 00:21:23,280 --> 00:21:28,440 Speaker 1: evolved separately and at least two other animals. So the 360 00:21:28,600 --> 00:21:32,119 Speaker 1: sugar glider, who is not a rodent, it is a 361 00:21:32,240 --> 00:21:36,760 Speaker 1: marsupial in the possum family, found in Australia, New Guinea 362 00:21:36,840 --> 00:21:41,320 Speaker 1: and Indonesia. Uh and it looks a lot like a 363 00:21:41,440 --> 00:21:44,200 Speaker 1: flying squirrel. Yeah, I can't really tell the difference other 364 00:21:44,240 --> 00:21:46,800 Speaker 1: than they have stripes on their head. Yeah, a little 365 00:21:46,840 --> 00:21:51,800 Speaker 1: pink nozy, Okay, So yeah, I mean they really do 366 00:21:52,160 --> 00:21:55,600 Speaker 1: look like they should be the same animal, but they're not. 367 00:21:55,760 --> 00:21:59,000 Speaker 1: In fact, they're not even in the same uh same 368 00:21:59,119 --> 00:22:02,320 Speaker 1: group of animal. They're they're completely different. The flying squirrels 369 00:22:02,320 --> 00:22:05,040 Speaker 1: are rodents and the sugar gliders are marsupials on a 370 00:22:05,119 --> 00:22:09,040 Speaker 1: completely different continent. There's such a freedom into just jumping 371 00:22:09,119 --> 00:22:12,080 Speaker 1: and opening up your arms and body and letting yourself 372 00:22:12,160 --> 00:22:15,440 Speaker 1: just glad on down. I know, have you seen those 373 00:22:15,560 --> 00:22:21,000 Speaker 1: videos of people in squirrel suits? Like there's there those Um, 374 00:22:21,840 --> 00:22:24,119 Speaker 1: It's like if if jumping out of an airplane and 375 00:22:24,240 --> 00:22:27,200 Speaker 1: using a parachute isn't like scary enough for you for 376 00:22:27,359 --> 00:22:30,040 Speaker 1: some reason, there's a suit you can wear where it's 377 00:22:30,200 --> 00:22:33,919 Speaker 1: you have I guess parachute material that runs from your 378 00:22:34,000 --> 00:22:37,960 Speaker 1: front arms to your back legs and you basically become 379 00:22:38,000 --> 00:22:40,760 Speaker 1: a flying squirrel and you jump off a cliff and 380 00:22:40,880 --> 00:22:47,720 Speaker 1: then just like zoom downwards. It's not safe, it's highly dangerous. 381 00:22:47,880 --> 00:22:51,560 Speaker 1: A lot of people die doing it. So it's not like, oh, yeah, 382 00:22:51,640 --> 00:22:55,080 Speaker 1: we've we've figured out how to make humans fly. It's like, yeah, 383 00:22:55,160 --> 00:22:58,440 Speaker 1: maybe like seventy percent of the time, and then and 384 00:22:58,520 --> 00:23:01,439 Speaker 1: then there's a big chunk of times that it doesn't 385 00:23:01,520 --> 00:23:05,639 Speaker 1: really work out well. So but yeah, watching someone do 386 00:23:05,920 --> 00:23:11,000 Speaker 1: that does something like it makes my butt like pucker inwards. 387 00:23:11,040 --> 00:23:14,000 Speaker 1: I'm not really sure. It's like this feeling of free 388 00:23:14,119 --> 00:23:17,639 Speaker 1: falling in a dream where all of your insides start 389 00:23:17,680 --> 00:23:21,119 Speaker 1: to like shrivel up, like you just ate a lemon 390 00:23:21,200 --> 00:23:22,919 Speaker 1: with your butt or something. You know what i mean 391 00:23:23,359 --> 00:23:26,680 Speaker 1: I'm talking about. No, I know, it's it's everything about 392 00:23:26,760 --> 00:23:30,480 Speaker 1: it makes you want to like crawl into a ball. Yeah, yeah, 393 00:23:30,840 --> 00:23:36,240 Speaker 1: it's I could. I could never know. It's I can't 394 00:23:36,480 --> 00:23:39,520 Speaker 1: conceive of doing that. But yeah, I mean, these these 395 00:23:39,560 --> 00:23:41,920 Speaker 1: little animals do it all the time and they're perfectly 396 00:23:41,960 --> 00:23:46,280 Speaker 1: happy too. And then the the other other species are colugos, 397 00:23:46,520 --> 00:23:50,520 Speaker 1: which are flying mammals found in Southeast Asia, and while 398 00:23:50,600 --> 00:23:53,400 Speaker 1: they look like they should be related to sugar gliders 399 00:23:53,520 --> 00:23:58,160 Speaker 1: or flying squirrels, they are actually more closely related to primates. 400 00:23:59,200 --> 00:24:03,240 Speaker 1: So yeah, yeah they are. While they are not primates, 401 00:24:03,400 --> 00:24:07,959 Speaker 1: they share common ancestor with primates. Uh. Probably they're closer 402 00:24:08,040 --> 00:24:13,600 Speaker 1: relatives are things like lemurs um. But yeah, a slight 403 00:24:13,680 --> 00:24:17,040 Speaker 1: difference between them and sugar gliders and flying squirrels is 404 00:24:17,119 --> 00:24:20,960 Speaker 1: that they're undersides aren't as furry, so it looks a 405 00:24:21,040 --> 00:24:24,359 Speaker 1: lot more horrifying from from their their bellies because they 406 00:24:24,520 --> 00:24:28,440 Speaker 1: look they look they look more like a bat. Kind yeah, 407 00:24:29,119 --> 00:24:32,960 Speaker 1: like a bat, but with weird wings that just stretches 408 00:24:33,119 --> 00:24:36,240 Speaker 1: over its whole body. So it definitely looks like a 409 00:24:36,359 --> 00:24:39,800 Speaker 1: cryptod from underneath. But when you look at the whole animal, 410 00:24:39,920 --> 00:24:42,800 Speaker 1: like from the top, they're very cute. They're they're very 411 00:24:42,880 --> 00:24:44,760 Speaker 1: fuzzy and cute. They do look a little bit like 412 00:24:44,920 --> 00:24:48,240 Speaker 1: if you rolled out a lemur with a rolling pin 413 00:24:48,359 --> 00:24:53,480 Speaker 1: and gave it weird wings rolled it out. It's funny. Okay, 414 00:24:54,080 --> 00:24:56,960 Speaker 1: it's weird that they're not related, but okay, yeah, well 415 00:24:57,040 --> 00:24:58,680 Speaker 1: you'll just have to take my word on it. This 416 00:24:59,200 --> 00:25:05,119 Speaker 1: uh know, species thing. Okay, because they look species. They 417 00:25:05,160 --> 00:25:07,159 Speaker 1: all look the same. So if you're gonna tell me 418 00:25:07,200 --> 00:25:13,080 Speaker 1: they're not even in the same family, no, yeah, mm hmm, yeah, 419 00:25:13,359 --> 00:25:16,760 Speaker 1: I know. It's so yeah. Sometimes like mother Nature just 420 00:25:16,880 --> 00:25:19,119 Speaker 1: pulls a prank on us, like you think this animal 421 00:25:19,200 --> 00:25:21,400 Speaker 1: is the same as this animal. Nobody, it's not even 422 00:25:21,480 --> 00:25:25,639 Speaker 1: on the same continent. Oh, such weird. It's so funny 423 00:25:25,680 --> 00:25:29,200 Speaker 1: to me, how to, like we just keep evolving similar things, 424 00:25:29,280 --> 00:25:31,840 Speaker 1: Like just take like a mouse and like squish it 425 00:25:32,200 --> 00:25:35,040 Speaker 1: so floats like a frisbee. I mean, I feel like 426 00:25:35,160 --> 00:25:38,800 Speaker 1: this is like a great example of evolution of like 427 00:25:38,960 --> 00:25:42,840 Speaker 1: they just all needed this, so they evolved to have 428 00:25:43,040 --> 00:25:46,000 Speaker 1: it in their different spaces because they're not technically connected. 429 00:25:46,119 --> 00:25:49,879 Speaker 1: But like in whatever world or whatever environment they live in, 430 00:25:49,960 --> 00:25:51,439 Speaker 1: they just were like, well I need to I need 431 00:25:51,480 --> 00:25:56,480 Speaker 1: to be gliding, So you need to evolve into a glider. Yeah, look, 432 00:25:56,600 --> 00:25:58,960 Speaker 1: I need to. I need to be more like a 433 00:25:59,080 --> 00:26:01,879 Speaker 1: kite because I've been jumping off these trees and let 434 00:26:01,920 --> 00:26:03,720 Speaker 1: me tell you, when you hit the ground that is 435 00:26:03,920 --> 00:26:07,440 Speaker 1: not fun like a kite. I wish I could just 436 00:26:07,480 --> 00:26:09,800 Speaker 1: think that as a person, like I really I need 437 00:26:09,880 --> 00:26:12,440 Speaker 1: to be more like a kite and then it would happen. Yeah, 438 00:26:12,720 --> 00:26:14,720 Speaker 1: I know, I mean like that's I guess that's what 439 00:26:14,840 --> 00:26:19,960 Speaker 1: people thought when they developed the squirrel suit that and 440 00:26:20,200 --> 00:26:22,479 Speaker 1: they wore that, and you know some of them at 441 00:26:22,560 --> 00:26:28,680 Speaker 1: least survived when they do that. Well, they mean, but 442 00:26:28,760 --> 00:26:31,720 Speaker 1: there's never been red It's like Red Bull evolved them. 443 00:26:33,760 --> 00:26:37,560 Speaker 1: Gives probably like Red Bull sponsored squirrel suits doesn't seem 444 00:26:37,560 --> 00:26:38,920 Speaker 1: like it just feels like something red will be like. 445 00:26:39,040 --> 00:26:41,960 Speaker 1: And we also just jump off mountains with squirrel suits 446 00:26:42,000 --> 00:26:45,400 Speaker 1: and you're like, oh my gosh, Okay, did you ever 447 00:26:45,640 --> 00:26:49,120 Speaker 1: like watch those commercials as a kid and think, well, 448 00:26:49,240 --> 00:26:52,200 Speaker 1: maybe maybe if I drink it and like jump off, 449 00:26:52,520 --> 00:26:57,000 Speaker 1: you know, the balcony, I could actually fly Because I 450 00:26:57,119 --> 00:27:00,680 Speaker 1: was definitely dumb enough to have that thought occurred to me. Yeah, 451 00:27:00,920 --> 00:27:06,040 Speaker 1: as a kid. Uh yeah. And uh I also did 452 00:27:06,119 --> 00:27:08,320 Speaker 1: the thing where it's like I took like a blanket 453 00:27:08,800 --> 00:27:10,920 Speaker 1: and try to make up my own parachute and like 454 00:27:11,000 --> 00:27:14,840 Speaker 1: would jump off not not too not high heights because 455 00:27:14,880 --> 00:27:17,240 Speaker 1: I was smart enough to know that I would get 456 00:27:17,440 --> 00:27:22,000 Speaker 1: really hurt if I did that. But uh yeah, I 457 00:27:22,200 --> 00:27:26,160 Speaker 1: I definitely did try to kind of do human human 458 00:27:26,240 --> 00:27:30,200 Speaker 1: squirrel action flying squirrel action and it never worked. Yeah. 459 00:27:30,359 --> 00:27:33,920 Speaker 1: I mean I feel like there's a tech behind it 460 00:27:34,240 --> 00:27:36,800 Speaker 1: that either you have to evolve your body into or 461 00:27:36,880 --> 00:27:39,320 Speaker 1: Red bull has to build for you. I really convinced 462 00:27:39,400 --> 00:27:43,280 Speaker 1: Red Bulls making these suits. I I think I'd be 463 00:27:43,359 --> 00:27:47,240 Speaker 1: okay with like, uh, just big flaps of skin if 464 00:27:47,280 --> 00:27:50,480 Speaker 1: it meant I could fly, you know, oh for sure. 465 00:27:51,160 --> 00:27:53,399 Speaker 1: Like I if you could tuck them in somehow, like 466 00:27:53,480 --> 00:27:56,920 Speaker 1: fold them up when you're not when they're not in use. 467 00:27:57,080 --> 00:28:00,320 Speaker 1: But yeah, that'd be that'd be awesome, old them up 468 00:28:00,320 --> 00:28:05,000 Speaker 1: when they're not I pocket. That's how. That's how these were. 469 00:28:05,119 --> 00:28:06,919 Speaker 1: Like when you look at them when they're not flying, 470 00:28:07,200 --> 00:28:11,520 Speaker 1: not gliding, they look pretty pretty cute and like poofy 471 00:28:11,560 --> 00:28:14,040 Speaker 1: and fluffy. But it just turns out that they can 472 00:28:14,200 --> 00:28:19,159 Speaker 1: like transformer into like a flying napkin. Yeah, we're going 473 00:28:19,200 --> 00:28:21,720 Speaker 1: to take a quick break and then when we get back, 474 00:28:21,840 --> 00:28:25,359 Speaker 1: we're going to talk about murmurations, which is not just 475 00:28:25,520 --> 00:28:29,440 Speaker 1: me mumbling into the microphone and not doing a good podcasting. 476 00:28:29,480 --> 00:28:32,000 Speaker 1: It's something else and it's really cool. So we will 477 00:28:32,040 --> 00:28:38,680 Speaker 1: be right back. Anna, have you ever seen a bird mrmuration? 478 00:28:39,520 --> 00:28:46,360 Speaker 1: Oh you want me to lie? Of course, of course, 479 00:28:46,520 --> 00:28:50,880 Speaker 1: I'm I love murmurations. I mean, God, the murmuration of 480 00:28:51,800 --> 00:28:55,240 Speaker 1: four it was amazing. No, you forget that mrmuration. I 481 00:28:55,320 --> 00:29:02,640 Speaker 1: know exactly what you mean. Well. Bird mermerations are basically, 482 00:29:02,720 --> 00:29:06,160 Speaker 1: when you have a giant flock of birds all flying 483 00:29:06,440 --> 00:29:11,960 Speaker 1: in unison, they will form these mind bending patterns in 484 00:29:12,080 --> 00:29:15,960 Speaker 1: the air. And I have actually included for you in 485 00:29:16,000 --> 00:29:20,760 Speaker 1: a video of some really amazing startling mrmerations if you 486 00:29:20,800 --> 00:29:23,200 Speaker 1: want to check that out. I think I have seen 487 00:29:23,360 --> 00:29:26,959 Speaker 1: video of this before. M hmm. Yeah, I don't think 488 00:29:26,960 --> 00:29:29,320 Speaker 1: I've ever seen this in person though. Yeah, I've never 489 00:29:29,520 --> 00:29:33,040 Speaker 1: seen bird mermerations in person because I don't I've never 490 00:29:33,240 --> 00:29:38,240 Speaker 1: lived anywhere where they're like huge migratory flocks of starlings. 491 00:29:39,000 --> 00:29:42,280 Speaker 1: It looks like there's like God, looks like they'd kill 492 00:29:42,360 --> 00:29:46,160 Speaker 1: you if they came through you. Well yeah, if they 493 00:29:46,280 --> 00:29:49,280 Speaker 1: if they like flew right through you, I think you 494 00:29:49,360 --> 00:29:55,720 Speaker 1: would die. Right. Wow, that's so cool. It's so mesmerizing 495 00:29:55,800 --> 00:29:58,520 Speaker 1: to look at, almost like a visual therapy where you're 496 00:29:58,560 --> 00:30:01,720 Speaker 1: just taking it in and letting your mind and shut off. Yeah, 497 00:30:01,800 --> 00:30:05,120 Speaker 1: it is. It's kind of almost hypnotic, like like the 498 00:30:05,600 --> 00:30:11,360 Speaker 1: a hypnotic sort of psychotropic patterns that these birds are managing. 499 00:30:11,440 --> 00:30:13,280 Speaker 1: So you'll look in the sky and you'll see what 500 00:30:13,480 --> 00:30:18,880 Speaker 1: looks like kind of a spotty black cloud, and it's 501 00:30:19,040 --> 00:30:22,080 Speaker 1: all made out of a huge flock of birds. And 502 00:30:22,200 --> 00:30:25,680 Speaker 1: as they turn directions and fly, there's like patterns that 503 00:30:25,880 --> 00:30:30,520 Speaker 1: like form through them, like waves of darker bands, and 504 00:30:30,640 --> 00:30:33,800 Speaker 1: like as they turn like it it changes shapes, but 505 00:30:33,880 --> 00:30:37,920 Speaker 1: you can actually see like a wave of like dark 506 00:30:37,960 --> 00:30:42,920 Speaker 1: color like move through it as they all simultaneously shift directions, 507 00:30:43,680 --> 00:30:47,640 Speaker 1: And it's beautiful and kind of intimidating too. It's like 508 00:30:47,720 --> 00:30:50,000 Speaker 1: one of those things where it's like, you know when 509 00:30:50,080 --> 00:30:52,840 Speaker 1: it's like you're you're in awe of something, something is awesome, 510 00:30:52,960 --> 00:30:55,440 Speaker 1: like the true meaning of the word awesome. It's like, 511 00:30:55,560 --> 00:30:57,640 Speaker 1: I'm actually in awe when I see this because it's 512 00:30:57,680 --> 00:31:02,160 Speaker 1: so big and it's like this big blob moving in 513 00:31:02,200 --> 00:31:05,320 Speaker 1: the sky. I think if I had never seen this 514 00:31:05,480 --> 00:31:07,320 Speaker 1: before and didn't know what it was, I would think 515 00:31:07,400 --> 00:31:10,240 Speaker 1: it was aliens. M yeah, I could see that. Also 516 00:31:10,360 --> 00:31:15,520 Speaker 1: like in that movie Um the Crudes, Oh yeah, they 517 00:31:15,640 --> 00:31:18,520 Speaker 1: have those like whatever when they get to that weird land, 518 00:31:18,560 --> 00:31:20,840 Speaker 1: they have those creatures or like it looks like that 519 00:31:21,000 --> 00:31:23,320 Speaker 1: the Starlings flying all together. But then they just come 520 00:31:23,360 --> 00:31:26,160 Speaker 1: through and like eat a giant like creature like a 521 00:31:26,960 --> 00:31:29,320 Speaker 1: a rhino or something by just like going by it, 522 00:31:29,400 --> 00:31:31,160 Speaker 1: and then all that's left, or they come and like 523 00:31:31,280 --> 00:31:32,920 Speaker 1: take it over, and then all that's left is just 524 00:31:33,000 --> 00:31:36,600 Speaker 1: its bones. Right, That's what I think about. Yeah, it 525 00:31:36,760 --> 00:31:39,960 Speaker 1: was this the Crudes one or the Crudes too, I 526 00:31:40,040 --> 00:31:44,280 Speaker 1: think too, okay to back in action. Yeah, I've only 527 00:31:44,360 --> 00:31:46,920 Speaker 1: I only saw the Crudes one, I think on a 528 00:31:47,120 --> 00:31:50,400 Speaker 1: on a airplane, so my memory is a little hazy 529 00:31:51,160 --> 00:31:56,800 Speaker 1: of the Crudes adventures. But unfortunately, starlings do not eat flesh, 530 00:31:57,000 --> 00:31:59,760 Speaker 1: so you're not actually in danger when you see one 531 00:31:59,800 --> 00:32:02,400 Speaker 1: of the smmerations unless you're under it, then you might 532 00:32:02,480 --> 00:32:08,400 Speaker 1: get pooped on. Uh. But yeah, So murmurations, while also 533 00:32:08,560 --> 00:32:11,920 Speaker 1: looking like amazing works of art in the sky that 534 00:32:12,040 --> 00:32:16,640 Speaker 1: are kind of unbelievable, they are really interesting from a 535 00:32:16,720 --> 00:32:21,160 Speaker 1: scientific perspective, from a physics and from animal behavior perspective. 536 00:32:21,280 --> 00:32:26,280 Speaker 1: So murmurations are patterns that occur when you see flocks 537 00:32:26,360 --> 00:32:30,600 Speaker 1: of thousands of birds all flying. It's similar to like 538 00:32:30,720 --> 00:32:32,440 Speaker 1: a school of fish, you know, when you see a 539 00:32:32,520 --> 00:32:35,280 Speaker 1: school of fish and then they have those like waves 540 00:32:35,360 --> 00:32:38,680 Speaker 1: of weird it looks like a wave of a shining 541 00:32:38,760 --> 00:32:41,120 Speaker 1: color or a dark band moving through because the fish 542 00:32:41,160 --> 00:32:43,040 Speaker 1: are all turning at the same time. It's like that, 543 00:32:43,200 --> 00:32:47,760 Speaker 1: but in the sky. Uh. This typically happens during mass 544 00:32:47,920 --> 00:32:53,480 Speaker 1: migration of European starlings. So starlings are a bird that 545 00:32:53,920 --> 00:32:57,080 Speaker 1: it's a little smaller than a pigeon. It's actually really 546 00:32:57,160 --> 00:33:01,640 Speaker 1: beautiful in my opinion. It's got this dark, purple eriridescent color. 547 00:33:02,160 --> 00:33:04,880 Speaker 1: It's like purply black. It's got like black feathers that 548 00:33:05,000 --> 00:33:07,800 Speaker 1: can like eardesks. It looks like an oil slick or 549 00:33:07,920 --> 00:33:10,840 Speaker 1: something where when you when the lightships, it can like 550 00:33:10,960 --> 00:33:13,640 Speaker 1: turn kind of purplely kind of green. I was gonna 551 00:33:13,760 --> 00:33:15,640 Speaker 1: say it would be cool because I was looking at 552 00:33:15,640 --> 00:33:18,160 Speaker 1: the photo, like if you could see those colors within 553 00:33:18,320 --> 00:33:21,440 Speaker 1: the murmur or whatever that I know, I know that 554 00:33:21,480 --> 00:33:24,200 Speaker 1: would be cool. I don't know if you can. I 555 00:33:24,240 --> 00:33:28,280 Speaker 1: think they're too they're too probably too far away for 556 00:33:28,520 --> 00:33:32,320 Speaker 1: those two colors to really register. But yeah, I don't 557 00:33:32,440 --> 00:33:34,720 Speaker 1: since I've never actually seen one in person, I've only 558 00:33:34,800 --> 00:33:39,720 Speaker 1: seen distant videos of them. I don't know if you can. Yeah, 559 00:33:39,720 --> 00:33:42,840 Speaker 1: they are individually quite beautiful too. They also they're called 560 00:33:42,920 --> 00:33:46,240 Speaker 1: starlings because they have these little speckles. I think it's 561 00:33:46,280 --> 00:33:48,760 Speaker 1: because of the little white speckles on them that looks 562 00:33:48,800 --> 00:33:52,560 Speaker 1: like stars. So they will gather in the hundreds of 563 00:33:52,680 --> 00:33:57,120 Speaker 1: thousands during their migration south throughout Europe. So there can 564 00:33:57,200 --> 00:34:01,479 Speaker 1: be over seven hundred thousand individual jewels in a single 565 00:34:01,640 --> 00:34:06,400 Speaker 1: flock of European starlings. So the question of well, why 566 00:34:06,560 --> 00:34:11,080 Speaker 1: do these murmurations occur is actually more mysterious and complicated 567 00:34:11,120 --> 00:34:14,880 Speaker 1: than it seems when you first think about it, because 568 00:34:14,960 --> 00:34:19,400 Speaker 1: they spend sometimes forty five minutes in the sky just 569 00:34:19,560 --> 00:34:23,560 Speaker 1: forming these complex patterns as they move in unison. And 570 00:34:23,800 --> 00:34:27,520 Speaker 1: so the purpose of this is not really well understood 571 00:34:27,680 --> 00:34:32,160 Speaker 1: even among ornithologists, which is like someone who studies birds 572 00:34:32,320 --> 00:34:37,880 Speaker 1: that the bird whispers um, but uh so they're like 573 00:34:38,000 --> 00:34:40,560 Speaker 1: when you think about it's like, okay, well, large flocks 574 00:34:40,600 --> 00:34:43,399 Speaker 1: are protective, right, Like, if you're a bird, you want 575 00:34:43,440 --> 00:34:45,640 Speaker 1: to be in a big flock, So it makes sense 576 00:34:45,840 --> 00:34:49,839 Speaker 1: why there's a big group of them. Uh And by 577 00:34:50,640 --> 00:34:53,160 Speaker 1: clustering with a bunch of other birds, you lessen the 578 00:34:53,280 --> 00:34:56,080 Speaker 1: chance of being preyed upon. So it kind of makes 579 00:34:56,080 --> 00:34:57,880 Speaker 1: sense that they would move in this big group so 580 00:34:58,000 --> 00:35:01,680 Speaker 1: that part maybe not so mysterious, but why how are 581 00:35:01,719 --> 00:35:04,960 Speaker 1: they forming such complex patterns? Uh? And how are they 582 00:35:05,040 --> 00:35:07,320 Speaker 1: doing it? And how do they know like which direction 583 00:35:07,360 --> 00:35:10,560 Speaker 1: they're supposed to go exactly exactly? So that's a big 584 00:35:10,640 --> 00:35:14,560 Speaker 1: question and that part of it has actually been somewhat 585 00:35:14,600 --> 00:35:20,040 Speaker 1: answered by research. So in Italy in Piazza day Chinquacento 586 00:35:20,880 --> 00:35:26,480 Speaker 1: University of Rome, physicists led by Andrea Cavania and Irene 587 00:35:26,880 --> 00:35:32,880 Speaker 1: Jardina have been studying starling murmurations for nearly two decades, 588 00:35:32,920 --> 00:35:37,040 Speaker 1: so these are physicists interested in it. They set up 589 00:35:37,160 --> 00:35:41,320 Speaker 1: multiple cameras to gather three D data on starling flocks. 590 00:35:41,920 --> 00:35:47,120 Speaker 1: So starling populations in the area of Rome has increased 591 00:35:47,239 --> 00:35:52,319 Speaker 1: to be in the millions millions during migration, so they 592 00:35:52,520 --> 00:35:56,760 Speaker 1: set up this mass starling surveillance operation like a bird 593 00:35:56,800 --> 00:35:59,680 Speaker 1: ice cream van. Don't worry about it, birds, just some 594 00:36:00,000 --> 00:36:04,360 Speaker 1: normal bird ice cream. So they used all this camera 595 00:36:04,560 --> 00:36:10,000 Speaker 1: data to create a computer model of the starling flocking behavior. 596 00:36:10,520 --> 00:36:14,239 Speaker 1: So basically like taking in all this information they got 597 00:36:14,280 --> 00:36:17,560 Speaker 1: from all these cameras and then turned it into a 598 00:36:17,640 --> 00:36:25,880 Speaker 1: computer program through computer magic, and we're able to basically say, like, well, okay, 599 00:36:25,960 --> 00:36:29,440 Speaker 1: figure out how they're managing to do this. And so 600 00:36:29,800 --> 00:36:33,800 Speaker 1: last episode we actually talked about something called the Game 601 00:36:33,880 --> 00:36:37,640 Speaker 1: of Life, which is this old timey computer game where 602 00:36:37,640 --> 00:36:39,719 Speaker 1: you would just put in a few simple rules for 603 00:36:40,080 --> 00:36:42,840 Speaker 1: each pixel on the screen and it would create like 604 00:36:43,120 --> 00:36:48,560 Speaker 1: this amazing complexity from a few rules of pixels forming patterns. 605 00:36:48,600 --> 00:36:52,320 Speaker 1: And it's pretty similar here because what these researchers found 606 00:36:52,400 --> 00:36:57,160 Speaker 1: is that each startling positions itself depending on the it's 607 00:36:57,239 --> 00:37:02,080 Speaker 1: seven um closest neighbors. So it basically tries to get 608 00:37:02,200 --> 00:37:05,360 Speaker 1: in the center of like it's seven closest neighbors and 609 00:37:05,520 --> 00:37:08,360 Speaker 1: be kind of equally distant from each of them. So 610 00:37:09,440 --> 00:37:12,200 Speaker 1: it's kind of like when you're driving on the freeway, 611 00:37:12,360 --> 00:37:15,680 Speaker 1: Like you don't base your position on the freeway on 612 00:37:16,040 --> 00:37:18,839 Speaker 1: a bunch of drivers way far away that you can't see. 613 00:37:19,200 --> 00:37:21,320 Speaker 1: You just look at your the people in front of you, 614 00:37:21,680 --> 00:37:24,400 Speaker 1: next to you, and behind you, and if you're a 615 00:37:24,440 --> 00:37:27,040 Speaker 1: good driver, you try to like maintain sort of an 616 00:37:27,120 --> 00:37:33,520 Speaker 1: equal distance like buffer around you. Reaction literally like yes, yeah, exactly. 617 00:37:33,719 --> 00:37:39,080 Speaker 1: So if one startling changes direction on the other side 618 00:37:39,120 --> 00:37:42,600 Speaker 1: of the flock, that information quickly transmits to starlings that 619 00:37:42,680 --> 00:37:46,200 Speaker 1: can't even see that bird because they're all very quickly 620 00:37:46,320 --> 00:37:50,720 Speaker 1: reacting to their seven closest neighbors. In fact, they're so quick, 621 00:37:51,400 --> 00:37:54,000 Speaker 1: uh that a bird on the edge of a flock 622 00:37:54,160 --> 00:37:57,520 Speaker 1: can change its direction, causing a flock of hundreds of 623 00:37:57,600 --> 00:38:01,360 Speaker 1: birds to all move in less than half a second. 624 00:38:01,680 --> 00:38:05,920 Speaker 1: So information like per hundreds of birds like travels in 625 00:38:06,000 --> 00:38:09,279 Speaker 1: less than half a second, which is pretty good better 626 00:38:09,360 --> 00:38:15,600 Speaker 1: than my internet for sure. I think we need bird Internet, right. Yeah, 627 00:38:15,760 --> 00:38:20,759 Speaker 1: if it's that quick, I'm not going to complain. Yeah, 628 00:38:20,960 --> 00:38:23,160 Speaker 1: they should just be in charge of our internet. Yeah, 629 00:38:23,239 --> 00:38:26,920 Speaker 1: like spectrum the worst birds. Yeah, let's do this bird Internet. 630 00:38:27,080 --> 00:38:29,600 Speaker 1: It's got to happen. They promised us fiber optics. We 631 00:38:29,640 --> 00:38:32,560 Speaker 1: didn't get it. They promised us a Google Fiber. We 632 00:38:32,640 --> 00:38:35,400 Speaker 1: didn't get it. I'm pitting my hopes on bird Internet. 633 00:38:35,800 --> 00:38:39,160 Speaker 1: I know what I don't. I mean, there's nothing birds 634 00:38:39,239 --> 00:38:42,399 Speaker 1: could do to us that Spectrum hasn't already done to us, 635 00:38:42,520 --> 00:38:46,520 Speaker 1: to be honest, bird fiber right, Like, I'd rather be 636 00:38:46,719 --> 00:38:49,160 Speaker 1: pooped on by a bunch of birds than deal with 637 00:38:49,760 --> 00:38:54,400 Speaker 1: with the spectrum Internet. Anyways. This thus concludes our Internet 638 00:38:54,560 --> 00:38:57,960 Speaker 1: roasting section of the podcast. I was pretty good. We 639 00:38:58,040 --> 00:39:00,960 Speaker 1: did pretty well Internet and a right, guys, so many 640 00:39:01,040 --> 00:39:05,120 Speaker 1: problems always too slow zing got them speaking truth to power, 641 00:39:05,640 --> 00:39:08,520 Speaker 1: all right, But back to the birds. That's how they 642 00:39:08,600 --> 00:39:13,080 Speaker 1: do that. That's how they do these incredible murmurations and um. 643 00:39:13,560 --> 00:39:16,080 Speaker 1: But the question still remains of like why are they 644 00:39:16,200 --> 00:39:20,839 Speaker 1: doing this? So one potentially obvious answer would be that, like, oh, well, 645 00:39:21,120 --> 00:39:25,960 Speaker 1: it's protective by doing these these movements, these coordinated movements. 646 00:39:26,040 --> 00:39:29,239 Speaker 1: It's intimidating to predators because it gives the predators a 647 00:39:29,320 --> 00:39:32,040 Speaker 1: sense that this is a much bigger organism where it 648 00:39:32,120 --> 00:39:35,880 Speaker 1: confuses the predators about like where where it's going or 649 00:39:35,960 --> 00:39:38,800 Speaker 1: what it's doing. And this is actually behavior that bees 650 00:39:38,840 --> 00:39:41,879 Speaker 1: will do. So a hive of bees, well sometimes all 651 00:39:42,400 --> 00:39:44,920 Speaker 1: come outside the hive and like sit on the hive 652 00:39:45,440 --> 00:39:49,160 Speaker 1: and then all flick their wings in in uh, like 653 00:39:49,520 --> 00:39:54,000 Speaker 1: in a wave like synchronously in synchronization, and this creates 654 00:39:54,080 --> 00:39:58,800 Speaker 1: what looks like these concentric waves of dark bands of 655 00:39:59,000 --> 00:40:02,480 Speaker 1: color just like moving through the hive. So it looks 656 00:40:02,600 --> 00:40:07,319 Speaker 1: like like a bull's eye that's like constantly expanding and contracting, 657 00:40:07,440 --> 00:40:10,680 Speaker 1: and it's really mesmera. It looks like like you're being 658 00:40:10,800 --> 00:40:14,360 Speaker 1: hypnotized by the bees, and it's mesmerizing and it makes 659 00:40:14,440 --> 00:40:18,800 Speaker 1: the potential predators like wasps or birds that might otherwise 660 00:40:18,840 --> 00:40:22,480 Speaker 1: try to like attack the hive like it. It intimidates them, 661 00:40:22,520 --> 00:40:24,759 Speaker 1: and it confuses them, and it makes them not want 662 00:40:24,760 --> 00:40:27,080 Speaker 1: to approach. So that's the thought of like, well, maybe 663 00:40:27,160 --> 00:40:31,279 Speaker 1: this is what murmurations do. They basically scare off predators 664 00:40:31,520 --> 00:40:34,920 Speaker 1: from the area or confuse them so that they give up. 665 00:40:35,440 --> 00:40:38,759 Speaker 1: But one of the problems with this theory is that 666 00:40:38,920 --> 00:40:44,400 Speaker 1: murmurations last so long that researchers and and animal behavioral 667 00:40:44,680 --> 00:40:48,000 Speaker 1: experts think that that it doesn't quite explain, like, well, 668 00:40:48,040 --> 00:40:49,879 Speaker 1: why would they be out so long? Because if you're 669 00:40:49,920 --> 00:40:53,400 Speaker 1: trying to ward off predators, going back to like a 670 00:40:53,560 --> 00:40:56,920 Speaker 1: roosting area is the safest place to be, So why 671 00:40:57,000 --> 00:40:59,320 Speaker 1: are you spending all of this time out in the 672 00:40:59,440 --> 00:41:02,359 Speaker 1: open doing this behavior that even though it may kind 673 00:41:02,400 --> 00:41:05,560 Speaker 1: of help intimidate some predators, there's definitely a chance that 674 00:41:05,640 --> 00:41:07,840 Speaker 1: like a peregrine falcon is going to come in and 675 00:41:08,000 --> 00:41:10,520 Speaker 1: get some unlucky guy who's like on the edge of 676 00:41:10,640 --> 00:41:12,840 Speaker 1: the flocks. Have they thought maybe they're just kind of 677 00:41:12,880 --> 00:41:16,640 Speaker 1: like having fun. That's actually exactly what they've thought. That's 678 00:41:16,680 --> 00:41:19,840 Speaker 1: a really good point. So the last one of the 679 00:41:20,200 --> 00:41:22,879 Speaker 1: more recent theories about it is that they're just kind 680 00:41:22,920 --> 00:41:29,040 Speaker 1: of having fun. Uh. So, starlings are actually highly intelligent. 681 00:41:29,440 --> 00:41:32,920 Speaker 1: They are one of the types of birds that can 682 00:41:33,200 --> 00:41:37,880 Speaker 1: figure out puzzles. They actually can mimic human voices, similar 683 00:41:38,000 --> 00:41:41,160 Speaker 1: to a parrot, so they can talk. They might not 684 00:41:41,400 --> 00:41:44,000 Speaker 1: know exactly what they're saying, but they can definitely talk. 685 00:41:44,280 --> 00:41:47,480 Speaker 1: They are sometimes a nuisance in some areas because they 686 00:41:47,520 --> 00:41:49,680 Speaker 1: can figure out how to open things, so like they 687 00:41:49,719 --> 00:41:52,000 Speaker 1: can figure out how to open milk bottles, so if 688 00:41:52,080 --> 00:41:55,520 Speaker 1: you get milk delivered to your door, they can get 689 00:41:55,600 --> 00:41:59,120 Speaker 1: into that milk and drink the milk. So they're highly intelligent. 690 00:41:59,560 --> 00:42:02,400 Speaker 1: And we know, the more intelligent and animal is the 691 00:42:02,520 --> 00:42:07,560 Speaker 1: more enrichment and play that they crave. So uh, it 692 00:42:07,840 --> 00:42:12,000 Speaker 1: may be that they are all essentially dancing with each other. 693 00:42:12,160 --> 00:42:16,800 Speaker 1: It could be a form of social engagement that is 694 00:42:16,920 --> 00:42:21,200 Speaker 1: both fun to do and also reinforces these social bonds 695 00:42:21,520 --> 00:42:25,640 Speaker 1: in a big flock of individuals who might otherwise struggle 696 00:42:25,760 --> 00:42:29,440 Speaker 1: to feel a connection with the bigger flock. So yeah, no, 697 00:42:29,600 --> 00:42:33,440 Speaker 1: I mean, you're you're exactly right that this is potentially 698 00:42:33,520 --> 00:42:37,520 Speaker 1: the reason they're just having fun, which I love. Whenever 699 00:42:37,640 --> 00:42:41,920 Speaker 1: we're trying to figure out some kind of weird animal behavior, 700 00:42:42,280 --> 00:42:46,200 Speaker 1: and then someone's just like, well, maybe it's just farting around, 701 00:42:46,280 --> 00:42:48,919 Speaker 1: you know. I mean that's what I would be doing. 702 00:42:50,680 --> 00:42:56,000 Speaker 1: Let's just murmur around. It would be cool murmuring, do 703 00:42:56,080 --> 00:43:00,479 Speaker 1: a little murmuring these some murmurations. Yeah, I want it once. 704 00:43:00,760 --> 00:43:03,000 Speaker 1: I'm so excited about to get my second dose of 705 00:43:03,080 --> 00:43:07,000 Speaker 1: the vaccine. I don't murmurate once. Once we're out of quarantine, 706 00:43:07,040 --> 00:43:11,080 Speaker 1: Let's all murmurate. Let's all memorate. You want to, Okay, 707 00:43:11,200 --> 00:43:13,919 Speaker 1: let's let's find find a place to find time. Let's 708 00:43:13,960 --> 00:43:16,359 Speaker 1: all get together murmurate. I like. I like the idea 709 00:43:16,400 --> 00:43:18,880 Speaker 1: of murmurating because it doesn't really sound like what you 710 00:43:19,000 --> 00:43:21,960 Speaker 1: think it is. Right, we're all just out here mmorating 711 00:43:22,920 --> 00:43:26,840 Speaker 1: it again, sounds like something that Amethyst would star is like, 712 00:43:27,080 --> 00:43:29,560 Speaker 1: Chinlie like Hi, So we're going to meet up at 713 00:43:29,600 --> 00:43:33,080 Speaker 1: the beach and we're gonna have our octopus bet holes 714 00:43:33,239 --> 00:43:36,239 Speaker 1: with us, and we're gonna memorate. We're gonna murmur it. 715 00:43:36,640 --> 00:43:39,800 Speaker 1: We're gonna memurate for forty five minutes and really open 716 00:43:39,840 --> 00:43:43,640 Speaker 1: our consciousness that I'm actually taking a murmur it memoration 717 00:43:43,800 --> 00:43:47,839 Speaker 1: class with amethysts would start teaching it so right, it's 718 00:43:47,920 --> 00:43:50,759 Speaker 1: hard to get into wait listed for years. I know, 719 00:43:51,000 --> 00:43:53,640 Speaker 1: I know. But the frustrating thing she's always trying to 720 00:43:53,760 --> 00:43:58,919 Speaker 1: like sell you stuff like Jade's just and I've bought 721 00:43:59,000 --> 00:44:04,160 Speaker 1: them all. I can't stop. She's just so convincing. It's 722 00:44:04,200 --> 00:44:07,799 Speaker 1: the soft tone, you know, She's just softly saying, now 723 00:44:07,880 --> 00:44:10,640 Speaker 1: we're now, we're gonna murmurate and I want you to 724 00:44:10,800 --> 00:44:14,920 Speaker 1: spend five minutes with your dead octopus and little mermurate together. 725 00:44:22,640 --> 00:44:27,200 Speaker 1: And what do you know about albatross? Is um that 726 00:44:27,840 --> 00:44:31,560 Speaker 1: that's not the fish. It's not a fish, it's the bird. 727 00:44:32,400 --> 00:44:36,320 Speaker 1: Is it a type of fish too? No? Hang on, 728 00:44:36,920 --> 00:44:40,600 Speaker 1: now you've got me wondering albatross. Oh no, I'm thinking 729 00:44:40,680 --> 00:44:45,680 Speaker 1: of albacore, albacore. Oh wait a second, is there albatross 730 00:44:45,719 --> 00:44:50,080 Speaker 1: fish as well? Albat trust fish? I googled albatross fish 731 00:44:50,400 --> 00:44:53,359 Speaker 1: and Nope, that's just the name of a company. Okay, 732 00:44:53,360 --> 00:44:57,040 Speaker 1: that I'm definitely thinking of albacore. Yeah, I think you're 733 00:44:57,400 --> 00:45:00,080 Speaker 1: thinking of albu core. I don't know of any is 734 00:45:00,239 --> 00:45:04,839 Speaker 1: called an albatross fish. Yeah, I'm thinking of albacore, albacore yeah, Now, 735 00:45:04,920 --> 00:45:08,160 Speaker 1: albatross is a bird. Albacore is a type of tuna. 736 00:45:08,680 --> 00:45:12,440 Speaker 1: Got it. And a manticor is like a lion, a 737 00:45:12,600 --> 00:45:18,200 Speaker 1: flying lion, demon flying I'm sorry what flying flying lion? 738 00:45:18,320 --> 00:45:21,479 Speaker 1: Deep amanticore? Isn't that like a lion with a scorpion tail? 739 00:45:21,680 --> 00:45:24,480 Speaker 1: Manticor I've never even I've never even heard of a 740 00:45:24,680 --> 00:45:27,960 Speaker 1: horde of that. It's a flying lion with a scorpion 741 00:45:28,040 --> 00:45:31,799 Speaker 1: tail and a human face. Is a manticor? Oh? Oh, 742 00:45:32,239 --> 00:45:35,880 Speaker 1: this is the it's from. It's I think of it 743 00:45:35,960 --> 00:45:39,560 Speaker 1: as like a sphinx, right, not really a sphinx, it's 744 00:45:39,680 --> 00:45:45,280 Speaker 1: a but this is male. Yeah, this is typically Uranian culture. Actually, 745 00:45:45,400 --> 00:45:49,560 Speaker 1: we have the like on our there's like, that's what 746 00:45:49,760 --> 00:45:51,960 Speaker 1: I've never known it was called a manticor. Maybe I 747 00:45:52,000 --> 00:45:55,200 Speaker 1: think of it as like, yeah, it's like a mythical 748 00:45:55,360 --> 00:45:58,680 Speaker 1: Persian creature. Wow, I've never even known that it was 749 00:45:58,680 --> 00:46:02,720 Speaker 1: called amanticre news to me. Yeah, it's that is cool. 750 00:46:03,320 --> 00:46:06,600 Speaker 1: What's like, what are the myths surrounding it? It's like 751 00:46:06,880 --> 00:46:09,520 Speaker 1: you can't conquer it, basically, I don't know. It's like this, 752 00:46:09,680 --> 00:46:16,879 Speaker 1: it's apparently like the strongest creature, mythical creature. I mean 753 00:46:16,920 --> 00:46:20,400 Speaker 1: it it is a lion with a scorpion tail and 754 00:46:20,480 --> 00:46:26,080 Speaker 1: it can fly, so I believe it. Yeah, it's all 755 00:46:26,560 --> 00:46:28,279 Speaker 1: the thing. I only know like what it's called and 756 00:46:28,360 --> 00:46:31,440 Speaker 1: Farsi because I've legitimately like never spoken about this thing. 757 00:46:32,280 --> 00:46:34,440 Speaker 1: What what is it called in Farsi? It's like a 758 00:46:38,000 --> 00:46:40,400 Speaker 1: It's like a maddio like something like that, like a 759 00:46:41,360 --> 00:46:43,800 Speaker 1: it's very similar. Actually, now that I'm like saying it 760 00:46:43,920 --> 00:46:46,040 Speaker 1: and thinking about it, it makes sense that it's a 761 00:46:46,120 --> 00:46:51,759 Speaker 1: manticore because it's like madia how mad. So it's like 762 00:46:52,520 --> 00:46:59,120 Speaker 1: man person or like a human. Honestly, I don't know 763 00:46:59,160 --> 00:47:01,279 Speaker 1: how to trains. I'm not very good at like translating 764 00:47:01,320 --> 00:47:03,560 Speaker 1: certain things from Farsi to English because I just like 765 00:47:03,680 --> 00:47:07,239 Speaker 1: don't know the roots and stuff because I'm not like 766 00:47:07,360 --> 00:47:09,840 Speaker 1: I didn't take Farsi in school. I'm just learned it 767 00:47:09,920 --> 00:47:12,440 Speaker 1: speaking growing up in my family and like speaking kind 768 00:47:12,440 --> 00:47:15,000 Speaker 1: of more of a slang Farsi. Um. I mean, I 769 00:47:15,080 --> 00:47:17,680 Speaker 1: don't mean to like be like now suddenly be an 770 00:47:17,800 --> 00:47:21,760 Speaker 1: etymology scholar. It's mad whole, but like I don't understand 771 00:47:21,840 --> 00:47:24,840 Speaker 1: why it's like man man who eats or something like 772 00:47:25,000 --> 00:47:30,040 Speaker 1: that man eater. I just googled manticore etymology and it's 773 00:47:30,080 --> 00:47:33,160 Speaker 1: the same thing. For Manticore, it's man. It's a from 774 00:47:33,239 --> 00:47:38,279 Speaker 1: the Greek mantic chorus uh from an oh no and 775 00:47:38,440 --> 00:47:43,800 Speaker 1: actually corrupt reading an Aristotle for marte corus, which is 776 00:47:43,880 --> 00:47:46,640 Speaker 1: from an Old Persian word meaning man eaters. So the 777 00:47:46,719 --> 00:47:49,719 Speaker 1: Greek actually got it from the Middle East. Okay, that 778 00:47:49,840 --> 00:47:52,759 Speaker 1: makes sense because to me it literally mad whole means 779 00:47:52,880 --> 00:47:55,600 Speaker 1: literally like man. I guess it makes sense man eat right. 780 00:47:55,640 --> 00:47:57,400 Speaker 1: I couldn't connect that in my mind though in the 781 00:47:57,440 --> 00:47:58,920 Speaker 1: moment when you asked me, I was like a man 782 00:47:59,040 --> 00:48:03,360 Speaker 1: to eat cobetti. Obviously man eater. That makes that's so 783 00:48:03,560 --> 00:48:05,600 Speaker 1: obviously in front of you. But man, you can eat. 784 00:48:06,600 --> 00:48:11,040 Speaker 1: I alwaysh we had that, folks, that's the fussy saying 785 00:48:11,120 --> 00:48:13,440 Speaker 1: of it. But Manticor, now it all makes sense and 786 00:48:13,480 --> 00:48:17,600 Speaker 1: that and that's an English word for it. Manticore comes 787 00:48:17,800 --> 00:48:21,640 Speaker 1: from from the Greek word, which in turn comes from 788 00:48:21,840 --> 00:48:25,480 Speaker 1: the Old Persian words. So like it's just a big, 789 00:48:25,920 --> 00:48:31,200 Speaker 1: big circle. Yeah, comes full circle. So we got from 790 00:48:31,520 --> 00:48:34,680 Speaker 1: to Manticor because we started at Albatross and then we 791 00:48:34,760 --> 00:48:37,920 Speaker 1: went to Albacore, and then we went to Manticora. So 792 00:48:38,040 --> 00:48:41,799 Speaker 1: let's back it up to albatros. But speaking of more 793 00:48:42,000 --> 00:48:45,239 Speaker 1: myths and legends, I want to talk about how the 794 00:48:45,480 --> 00:48:50,279 Speaker 1: expression and albatross around your neck comes from. Have you 795 00:48:50,440 --> 00:48:53,680 Speaker 1: heard that? Like expression? It's not used as much I 796 00:48:53,800 --> 00:48:57,120 Speaker 1: think nowadays, but there's like this expression like, oh, it's 797 00:48:57,160 --> 00:48:59,320 Speaker 1: like an albatross around my neck or this thing is 798 00:48:59,360 --> 00:49:02,080 Speaker 1: a real album trust around my neck. No, I've never 799 00:49:02,160 --> 00:49:05,200 Speaker 1: heard that. God, you're making me feel like an old person. 800 00:49:05,880 --> 00:49:09,279 Speaker 1: I literally, like Katie, me and my friends don't talk 801 00:49:09,280 --> 00:49:13,000 Speaker 1: about these kinds of things. But it's, like, I mean, 802 00:49:13,239 --> 00:49:15,000 Speaker 1: to be fair, I guess I've never really heard it 803 00:49:15,600 --> 00:49:20,560 Speaker 1: in real life growing up. It's just an expression, an 804 00:49:20,640 --> 00:49:24,000 Speaker 1: expression I guess that used to be used more often 805 00:49:24,040 --> 00:49:26,000 Speaker 1: than it is now. Well, you know, the other thing 806 00:49:26,120 --> 00:49:28,360 Speaker 1: is I was raised by Persian immigrants to like, I 807 00:49:28,440 --> 00:49:31,239 Speaker 1: don't know a lot of like classic American sayings or 808 00:49:31,239 --> 00:49:34,120 Speaker 1: anything like that, because my parents don't. They don't say 809 00:49:34,120 --> 00:49:35,440 Speaker 1: that kind of stuff, you know, They're just they have 810 00:49:35,520 --> 00:49:37,400 Speaker 1: their own I know, like a lot of weird Persian 811 00:49:37,480 --> 00:49:39,800 Speaker 1: sayings where I'm like, what does that even mean? You know, 812 00:49:39,840 --> 00:49:44,080 Speaker 1: because it doesn't translate correctly to English. But like American 813 00:49:44,200 --> 00:49:46,839 Speaker 1: sayings and stuff like that are actually a big blind 814 00:49:46,920 --> 00:49:51,080 Speaker 1: spot of mine. I just don't know. It might even 815 00:49:51,120 --> 00:49:53,919 Speaker 1: be more of a British thing than American because I've 816 00:49:53,960 --> 00:49:57,440 Speaker 1: only ever seen it, like in I've only ever i think, 817 00:49:57,520 --> 00:50:00,560 Speaker 1: seen it British people use it. I've never heard it, 818 00:50:00,600 --> 00:50:02,719 Speaker 1: like I've never heard it growing up. I've never heard 819 00:50:02,760 --> 00:50:05,440 Speaker 1: it used it in like you know, maybe like in 820 00:50:05,560 --> 00:50:08,160 Speaker 1: a New York Times article. I've seen it. But they're 821 00:50:08,920 --> 00:50:13,160 Speaker 1: ridiculous people. You're right for the New York Times. Oh yeah, 822 00:50:13,600 --> 00:50:16,600 Speaker 1: but yeah, the the legend behind this saying is actually 823 00:50:16,640 --> 00:50:18,839 Speaker 1: really interesting. So even if you've never heard the term 824 00:50:19,000 --> 00:50:22,719 Speaker 1: an albatross across around your neck, where it comes from 825 00:50:22,920 --> 00:50:26,680 Speaker 1: is ridiculous. So it's actually, uh so an albatross around 826 00:50:26,680 --> 00:50:30,279 Speaker 1: your neck just for for people who are younger than 827 00:50:30,360 --> 00:50:36,239 Speaker 1: me or don't read the same weird old books or whatever. Uh, 828 00:50:36,480 --> 00:50:39,800 Speaker 1: it's like it's a burden you are forced to be 829 00:50:40,000 --> 00:50:43,719 Speaker 1: responsible for. So like you know, I don't know an 830 00:50:43,760 --> 00:50:47,480 Speaker 1: example like, ah, this car is broken down, so it's 831 00:50:47,520 --> 00:50:51,480 Speaker 1: like an albatross. It's an albatross around my neck or uh, 832 00:50:52,440 --> 00:50:54,640 Speaker 1: it's like it's like something that's like holding you down 833 00:50:54,760 --> 00:50:56,920 Speaker 1: when it doesn't necessarily need to be. It's like a 834 00:50:58,000 --> 00:51:04,399 Speaker 1: useless almost yeah, inconvenience, but you're but you're still responsible 835 00:51:04,520 --> 00:51:07,560 Speaker 1: for it, so you have to deal with it. But 836 00:51:07,719 --> 00:51:13,040 Speaker 1: it's actually from a poem in the late eighteenth century 837 00:51:13,600 --> 00:51:17,880 Speaker 1: written by Samuel Taylor Coolidge called the Rhyme of the 838 00:51:18,040 --> 00:51:21,960 Speaker 1: Ancient Mariner. And so it's like when I say poem, 839 00:51:22,280 --> 00:51:24,719 Speaker 1: it's one of those old poems where they're like, I'm 840 00:51:24,760 --> 00:51:27,960 Speaker 1: gonna write a book sized poems. Uh, it's it's not 841 00:51:28,120 --> 00:51:31,840 Speaker 1: like one of our modern short poems. Or it's like 842 00:51:32,360 --> 00:51:35,440 Speaker 1: you know, hey there, boss, here's an albatross and it 843 00:51:35,520 --> 00:51:40,800 Speaker 1: makes me cross. Uh. I don't know, like if you 844 00:51:40,960 --> 00:51:45,040 Speaker 1: like write a poem about an albatross, I'm like, albatross, man, 845 00:51:45,160 --> 00:51:49,200 Speaker 1: I'm I'm cross about this albatross. But I'm boss, I'm 846 00:51:49,239 --> 00:51:52,680 Speaker 1: the boss of albatross. But no, this was this is 847 00:51:52,760 --> 00:51:57,200 Speaker 1: an old timey poem that's like thirty pages long. So 848 00:51:58,120 --> 00:52:01,560 Speaker 1: I didn't read it, I'm gonna say that, Uh, but 849 00:52:01,680 --> 00:52:03,640 Speaker 1: I did read the spark notes for it. And now 850 00:52:03,719 --> 00:52:06,680 Speaker 1: I'm going to give you a summary of the spark 851 00:52:06,800 --> 00:52:11,680 Speaker 1: notes of this thirty page long poem. So basically, there's 852 00:52:11,719 --> 00:52:16,920 Speaker 1: like a superstition that killing an albatross at sea brings 853 00:52:17,080 --> 00:52:21,120 Speaker 1: bad luck, and I don't really I don't know where 854 00:52:21,200 --> 00:52:24,520 Speaker 1: that superstition started from. I think it's like albatrosses are 855 00:52:24,560 --> 00:52:28,280 Speaker 1: supposed to be like related to wind spirits or something 856 00:52:28,440 --> 00:52:31,520 Speaker 1: like they're they're good wind spirits and if you kill one, 857 00:52:31,560 --> 00:52:34,400 Speaker 1: you'll piss off the wind spirits, which is bad if 858 00:52:34,400 --> 00:52:37,920 Speaker 1: you're a sailor. But in this poem written by this 859 00:52:38,000 --> 00:52:41,520 Speaker 1: old English dude, uh, one of the sailors does kill 860 00:52:41,560 --> 00:52:45,359 Speaker 1: an albatross because that's you know, just like, well, I'm 861 00:52:45,400 --> 00:52:50,040 Speaker 1: gonna kill albatross. And this causes angry spirits to push 862 00:52:50,239 --> 00:52:55,200 Speaker 1: their ship into the equator, where it becomes uh be stilled, 863 00:52:55,600 --> 00:52:58,640 Speaker 1: which basically the wind stop and the ship is just 864 00:52:58,680 --> 00:53:01,800 Speaker 1: stuck in there, and so they're all uh going to 865 00:53:02,120 --> 00:53:07,839 Speaker 1: starve and thirst to death. But still no, no, it's 866 00:53:08,160 --> 00:53:12,000 Speaker 1: be calmed. Sorry it's called the calmed. But could happen, 867 00:53:12,520 --> 00:53:14,520 Speaker 1: Yeah if back in the old times, like if you 868 00:53:14,640 --> 00:53:17,440 Speaker 1: had a ship that runs entirely on wind power and 869 00:53:17,480 --> 00:53:20,880 Speaker 1: the winds stop, you're kind of screwed if the winds 870 00:53:20,920 --> 00:53:23,360 Speaker 1: don't start back up again. What about paddling? Can you 871 00:53:23,560 --> 00:53:26,040 Speaker 1: get your paddles out? Or is the boat. It's a 872 00:53:26,120 --> 00:53:29,160 Speaker 1: big boat, pretty big boat. I mean, the Vikings did 873 00:53:29,320 --> 00:53:32,400 Speaker 1: do paddling with their big boats because they would like 874 00:53:32,600 --> 00:53:35,400 Speaker 1: enslave people and make them man all the paddles. But 875 00:53:36,760 --> 00:53:38,480 Speaker 1: I don't I think like if you're in like a 876 00:53:40,680 --> 00:53:45,520 Speaker 1: you know, like like eighteenth century uh boat and you 877 00:53:45,640 --> 00:53:47,839 Speaker 1: just got those big sales and there's no wind, you're 878 00:53:47,880 --> 00:53:52,480 Speaker 1: you're kind of doomed. Um. But uh so yeah, so 879 00:53:52,600 --> 00:53:56,000 Speaker 1: like all the other sailors blames the bird murderer, uh 880 00:53:56,440 --> 00:54:00,120 Speaker 1: for causing this to happen, and as punishment they or 881 00:54:00,239 --> 00:54:03,279 Speaker 1: him to wear the dead albatross around his neck since 882 00:54:03,400 --> 00:54:05,200 Speaker 1: now they're all going to die of thirst and they're 883 00:54:05,239 --> 00:54:06,719 Speaker 1: mad at them, and it's like this is your fault. 884 00:54:06,800 --> 00:54:11,919 Speaker 1: Now you have to wear this albatross. That's that's very York. Yeah. 885 00:54:12,080 --> 00:54:14,719 Speaker 1: Did she wear a swan or something? Same thing, because 886 00:54:14,760 --> 00:54:17,840 Speaker 1: the neck went around her neck and was like the 887 00:54:17,920 --> 00:54:20,440 Speaker 1: halter if you will, That's what I think of immediately, 888 00:54:20,960 --> 00:54:24,600 Speaker 1: and that generated so much like media controversy that she 889 00:54:24,680 --> 00:54:27,320 Speaker 1: always had to address in interviews and stuff that like, 890 00:54:27,840 --> 00:54:31,840 Speaker 1: it wasn't that itself an albatross around her neck. The 891 00:54:31,960 --> 00:54:34,960 Speaker 1: swan dress around her neck was an albatross around her neck. 892 00:54:35,320 --> 00:54:39,400 Speaker 1: I'm snapping because of how was thank you. I appreciate it. 893 00:54:39,520 --> 00:54:42,279 Speaker 1: I appreciate it that and that's that's how good I 894 00:54:42,360 --> 00:54:47,120 Speaker 1: am at literary analysis or New York analysis. Anyways. Yeah, 895 00:54:47,400 --> 00:54:49,200 Speaker 1: the rest of the story gets really weird, so I 896 00:54:49,239 --> 00:54:52,879 Speaker 1: do want to talk about it. Basically, so they're mad 897 00:54:52,920 --> 00:54:54,479 Speaker 1: at this guy to make them wear a dead bird. 898 00:54:54,880 --> 00:54:57,680 Speaker 1: Then the spirit of death comes on a death ship 899 00:54:57,880 --> 00:55:01,160 Speaker 1: and punishes all the sailors by having them slowly die 900 00:55:01,320 --> 00:55:05,000 Speaker 1: one by one, but punishes the bird murderer even more 901 00:55:05,160 --> 00:55:07,480 Speaker 1: by making him undead and have to watch all his 902 00:55:07,600 --> 00:55:10,759 Speaker 1: crewmates die and their corpses rot. This story goes from 903 00:55:10,880 --> 00:55:14,200 Speaker 1: zero to a hundred really fast. Uh. And then the 904 00:55:14,280 --> 00:55:17,040 Speaker 1: bird murderer is just like languishing on the ship and 905 00:55:17,160 --> 00:55:19,160 Speaker 1: he has a change of heart and he's like staring 906 00:55:19,200 --> 00:55:21,560 Speaker 1: into the ocean, going like I love all the animals 907 00:55:21,600 --> 00:55:24,239 Speaker 1: in the sea. And then the spirits are like, ah, 908 00:55:24,400 --> 00:55:26,279 Speaker 1: so you learned your lesson and all we had to 909 00:55:26,360 --> 00:55:29,520 Speaker 1: do was kill everyone on your ship. So then the 910 00:55:29,760 --> 00:55:33,520 Speaker 1: wind spirits like guide the ship back to shore. Uh. 911 00:55:33,800 --> 00:55:37,120 Speaker 1: And then like a big whirlpool eats the whole ship 912 00:55:37,280 --> 00:55:40,960 Speaker 1: and all the undead. Oh wait, I forgot the spirits 913 00:55:41,080 --> 00:55:44,200 Speaker 1: do inhabit the rotting bodies of all his crewmates, brings 914 00:55:44,239 --> 00:55:46,560 Speaker 1: them back alife enough so that they can man the 915 00:55:46,600 --> 00:55:48,480 Speaker 1: ship and get it back to shore, which is I 916 00:55:48,560 --> 00:55:51,920 Speaker 1: guess nice of them. But then only the mariner, the 917 00:55:52,320 --> 00:55:55,760 Speaker 1: bird murder guy like escapes the ship as it's getting 918 00:55:55,800 --> 00:55:58,120 Speaker 1: sucked into a whirlpool, and then he gets saved by 919 00:55:58,360 --> 00:56:02,560 Speaker 1: a couple of fishers, and then he his punishment is 920 00:56:02,760 --> 00:56:06,600 Speaker 1: like he has to spend eternity wandering the earth telling 921 00:56:06,680 --> 00:56:10,720 Speaker 1: his bird murder story and how it's wrong to murder birds. 922 00:56:11,160 --> 00:56:13,680 Speaker 1: Don't do it, or else all your friends will get 923 00:56:13,760 --> 00:56:19,200 Speaker 1: turned into zombies and then suck into a whirlpool. I 924 00:56:19,320 --> 00:56:23,440 Speaker 1: don't know. I don't like that at all. That escalated 925 00:56:23,600 --> 00:56:27,160 Speaker 1: so quickly. I know. It was like, also, what is 926 00:56:27,239 --> 00:56:29,440 Speaker 1: with Like why would they punish all of the other 927 00:56:29,600 --> 00:56:33,000 Speaker 1: sailors like they killed them all? I mean, I guess 928 00:56:33,080 --> 00:56:36,719 Speaker 1: he's like eternally damned or something. Is his punishment, He's 929 00:56:36,760 --> 00:56:40,040 Speaker 1: got to tell this bird story. Oh and also he's 930 00:56:40,080 --> 00:56:44,640 Speaker 1: telling the story at someone's wedding, I think, And that's like, yeah, 931 00:56:44,760 --> 00:56:47,879 Speaker 1: so he's like this old, like creepy sailor guy comes 932 00:56:47,920 --> 00:56:51,320 Speaker 1: to your wedding. He's like, Mom, actually a bird murder Mbie, 933 00:56:52,920 --> 00:56:57,440 Speaker 1: just bad vibes. Actually murdered a bird. Now my zombie 934 00:56:57,480 --> 00:57:00,279 Speaker 1: doomed to patrol the land and tell everybody up my 935 00:57:00,400 --> 00:57:03,000 Speaker 1: store about how murdered a bird. He's like that guy 936 00:57:03,120 --> 00:57:05,600 Speaker 1: you start talking to not realizing you're about to be 937 00:57:05,640 --> 00:57:08,160 Speaker 1: in a conversation with him for two hours, and you're like, 938 00:57:08,280 --> 00:57:11,279 Speaker 1: oh my god, wrap it up. Yeah. I had that 939 00:57:11,719 --> 00:57:14,880 Speaker 1: at a cafe where someone came up to me and 940 00:57:15,000 --> 00:57:18,200 Speaker 1: started crying about how like he met Katie Perry and 941 00:57:18,560 --> 00:57:21,080 Speaker 1: like how she needs to take better care of her skin. 942 00:57:21,600 --> 00:57:24,400 Speaker 1: And while I think that conversation was only two minutes, 943 00:57:24,440 --> 00:57:27,120 Speaker 1: it's certainly felt like two hours. Well those are some 944 00:57:27,240 --> 00:57:29,200 Speaker 1: thoughts that you really have to know what's going on 945 00:57:29,440 --> 00:57:33,240 Speaker 1: to like engage with, like what her skin right now? 946 00:57:33,320 --> 00:57:36,480 Speaker 1: And he was like full on, like sobbing and about it. 947 00:57:36,640 --> 00:57:39,840 Speaker 1: And I didn't. It's a complete stranger, and like just 948 00:57:39,920 --> 00:57:42,520 Speaker 1: sat at my table and was like like I just 949 00:57:42,880 --> 00:57:45,600 Speaker 1: came back from a party with Katie Perry and like 950 00:57:46,120 --> 00:57:48,680 Speaker 1: this girl, like she needs to take better care of herself. 951 00:57:48,800 --> 00:57:52,920 Speaker 1: And it's like I don't think he was lying, But 952 00:57:53,080 --> 00:57:55,000 Speaker 1: I do think it was because, like you know, we 953 00:57:55,120 --> 00:57:58,640 Speaker 1: live in l A. Anything's possible. But I was scared 954 00:57:59,200 --> 00:58:02,640 Speaker 1: of what was happening because I it's like I, I 955 00:58:02,760 --> 00:58:06,240 Speaker 1: don't I don't know Katy Perry. Maybe talk to her 956 00:58:06,280 --> 00:58:13,280 Speaker 1: about this. I'm not a dermatologist either, please, sir you Yeah, like, 957 00:58:13,440 --> 00:58:16,280 Speaker 1: may I enjoy my little soup and piece? Sir? No? 958 00:58:16,600 --> 00:58:18,720 Speaker 1: All right, I guess we're having this conversation. Then this 959 00:58:18,880 --> 00:58:24,200 Speaker 1: is great. That's like such a before time story that 960 00:58:24,200 --> 00:58:26,920 Speaker 1: would never happened today. No one's lot near anyone anymore. 961 00:58:27,640 --> 00:58:31,000 Speaker 1: Someone took too many drugs at Katy Perry's party, got 962 00:58:31,040 --> 00:58:34,000 Speaker 1: really weepy and decided to approach a stranger about Katy 963 00:58:34,080 --> 00:58:38,320 Speaker 1: Perry's a need to do better skincare regemen. Yeah, it's great. 964 00:58:38,520 --> 00:58:43,040 Speaker 1: I feel for her anyways, that's the modern uh the 965 00:58:43,200 --> 00:58:46,040 Speaker 1: rhyme of the ancient mariner tale. I guess I should 966 00:58:46,040 --> 00:58:49,320 Speaker 1: write a thirty page poem about that. But albatross is 967 00:58:49,520 --> 00:58:51,840 Speaker 1: this is an animal show. Let's talk about the real 968 00:58:51,960 --> 00:58:54,720 Speaker 1: life albatross is and what they are. So what is 969 00:58:54,960 --> 00:59:00,160 Speaker 1: an albatross? Is it just like a really big seagull? Uh? No, 970 00:59:01,800 --> 00:59:05,880 Speaker 1: it's not there. You go Answer Solved podcast over. No, 971 00:59:05,960 --> 00:59:09,400 Speaker 1: I'm kidding. So albatrosses are a family of some of 972 00:59:09,480 --> 00:59:14,000 Speaker 1: the largest seabirds and one of the best terrestrial flyers 973 00:59:14,240 --> 00:59:19,320 Speaker 1: in the world. Uh So, despite their amazing flying abilities 974 00:59:19,600 --> 00:59:24,600 Speaker 1: and similar look to a seagull, albatrosses are more closely 975 00:59:24,720 --> 00:59:31,240 Speaker 1: related to penguins than two seagulls, which is again another 976 00:59:31,440 --> 00:59:34,800 Speaker 1: like kind of bonkers like evolutionary thing. We looked at 977 00:59:34,880 --> 00:59:38,240 Speaker 1: the flying squirrel and the sugar glitter and colugo, it's 978 00:59:38,280 --> 00:59:41,120 Speaker 1: like these are not at all related. Well, yeah, the 979 00:59:41,480 --> 00:59:45,080 Speaker 1: the albatross is more closely related to a little waddling 980 00:59:45,200 --> 00:59:50,280 Speaker 1: penguin than it is to a seagull. While I'm looking 981 00:59:50,360 --> 00:59:52,800 Speaker 1: up the photos to compare, they definitely have they have 982 00:59:52,960 --> 00:59:57,320 Speaker 1: like the penguin base, but they have the seagull beak. 983 00:59:57,800 --> 01:00:01,560 Speaker 1: It's strange, right, because penguins are are not good flyers 984 01:00:01,760 --> 01:00:05,960 Speaker 1: because they can't fly at all, they're zero flyers, but 985 01:00:06,120 --> 01:00:10,400 Speaker 1: they have adapted to become very efficient swimmers, whereas albatross 986 01:00:10,480 --> 01:00:13,720 Speaker 1: is adapted to become the world's most efficient flyers. So 987 01:00:13,800 --> 01:00:17,640 Speaker 1: it's just kind of incredible the twists and turns that 988 01:00:18,000 --> 01:00:22,640 Speaker 1: evolution can take. Yeah. Wow, So there are somewhere between 989 01:00:22,840 --> 01:00:27,280 Speaker 1: thirteen to twenty four species of albatross. Uh. The reason 990 01:00:27,360 --> 01:00:30,640 Speaker 1: this number is variable is that there are disagreements on 991 01:00:30,880 --> 01:00:35,400 Speaker 1: some of the taxonomy, like whether there's like a species 992 01:00:35,440 --> 01:00:38,080 Speaker 1: that's actually two species, or if it's one species, or 993 01:00:38,080 --> 01:00:40,560 Speaker 1: if it's truly an albatross like blah blah blah. You know, 994 01:00:40,680 --> 01:00:43,400 Speaker 1: I I'm not gonna get into it because I'm if I, 995 01:00:43,640 --> 01:00:47,240 Speaker 1: like try to weigh in on the controversy, the albatross controversy, 996 01:00:47,280 --> 01:00:50,760 Speaker 1: I'm going to get like some very angry letters from 997 01:00:50,840 --> 01:00:55,800 Speaker 1: like albatross experts, like, don't at us about this. We're 998 01:00:55,880 --> 01:00:59,240 Speaker 1: just two little ladies trying to figure it out. I 999 01:00:59,400 --> 01:01:03,400 Speaker 1: can't get attacked by albatross twitter, I'll be ruined. So 1000 01:01:03,880 --> 01:01:07,600 Speaker 1: the largest albatross and one of the largest birds in 1001 01:01:07,680 --> 01:01:12,160 Speaker 1: the world are the wanderer albatrosses and the Southern royal 1002 01:01:12,280 --> 01:01:17,760 Speaker 1: albatross species who they both live around the southern Oceans, 1003 01:01:18,320 --> 01:01:21,800 Speaker 1: and they have the largest wingspan in the world of 1004 01:01:22,000 --> 01:01:28,520 Speaker 1: up to eleven feet or three point five meters. They 1005 01:01:28,560 --> 01:01:33,320 Speaker 1: are taller like if when they stand wing to wing. Uh, 1006 01:01:33,400 --> 01:01:37,080 Speaker 1: They're taller than basically every human except for maybe a 1007 01:01:37,120 --> 01:01:42,560 Speaker 1: few outliers. Um, are they taller than Shack? Yes? Is it? Well? 1008 01:01:42,560 --> 01:01:45,080 Speaker 1: I mean Shack's not eleven feet tall, right, I don't 1009 01:01:45,120 --> 01:01:48,000 Speaker 1: know anymore, Katie. This is because it's just a wild 1010 01:01:48,120 --> 01:01:54,440 Speaker 1: They're so big. I'm googling it to my Google search 1011 01:01:54,640 --> 01:01:58,439 Speaker 1: of hummingbird hat is shaquille emil. He is a mere 1012 01:01:58,720 --> 01:02:04,000 Speaker 1: seven feet one inch. All what a shrimp? A small guy. 1013 01:02:04,640 --> 01:02:06,720 Speaker 1: And I actually shared an image with you and and 1014 01:02:08,120 --> 01:02:11,080 Speaker 1: I'll share with the listeners as well. It's a full 1015 01:02:11,200 --> 01:02:16,439 Speaker 1: grown human being standing next to one of these birds. Yeah, 1016 01:02:16,520 --> 01:02:21,960 Speaker 1: it's uh, it's like, oh, yeah, they're dinosaurs. They're dinosaurs. 1017 01:02:22,440 --> 01:02:26,000 Speaker 1: Is way too big? Yeah, So how what do they 1018 01:02:26,080 --> 01:02:30,480 Speaker 1: look like? They tend to be white with pink or 1019 01:02:30,640 --> 01:02:33,680 Speaker 1: yellow long beats with a downward curve at the end, 1020 01:02:34,120 --> 01:02:37,520 Speaker 1: and they can have gray brown and yellow markings. So 1021 01:02:37,640 --> 01:02:41,400 Speaker 1: their wings are often dark gray. Uh, And they have 1022 01:02:41,640 --> 01:02:46,360 Speaker 1: what looks like black eyeliner, sometimes very very maybe line 1023 01:02:46,400 --> 01:02:49,560 Speaker 1: maybe it's birds, maybe it's but it's also like a 1024 01:02:49,680 --> 01:02:53,280 Speaker 1: bit of a smokey eye. It's really cute. It's very good. 1025 01:02:53,360 --> 01:02:56,080 Speaker 1: I can't what I wouldn't give to be able to 1026 01:02:56,160 --> 01:02:59,840 Speaker 1: do my eyes like albatrosses do their eyes. It's very good. 1027 01:03:00,640 --> 01:03:03,520 Speaker 1: It's very on point. You wish you could have such 1028 01:03:03,680 --> 01:03:08,919 Speaker 1: great makeup. I know, I wish I could have bird eyes. 1029 01:03:09,320 --> 01:03:14,840 Speaker 1: It sexy eyes like a bird. So speaking of sexy eyes, 1030 01:03:15,080 --> 01:03:18,840 Speaker 1: albatross is mate for life and are very loving. So 1031 01:03:19,320 --> 01:03:21,600 Speaker 1: like I mentioned at the top of the episode, they're 1032 01:03:21,680 --> 01:03:25,120 Speaker 1: kind of like hummingbirds are a little jerkasses when it 1033 01:03:25,240 --> 01:03:29,200 Speaker 1: comes to mating. They fight, Uh, they compete with other males, 1034 01:03:29,240 --> 01:03:32,560 Speaker 1: and they like jous and it's kind of scary. Albatrosses 1035 01:03:32,640 --> 01:03:37,800 Speaker 1: are sweethearts. They're romantic. They select a mate by dancing 1036 01:03:37,920 --> 01:03:41,800 Speaker 1: with them. And basically it's just like a bunch of 1037 01:03:41,920 --> 01:03:45,120 Speaker 1: albatross is all gathered together on an island and they 1038 01:03:45,320 --> 01:03:47,920 Speaker 1: dance with a bunch of different partners and like the 1039 01:03:48,040 --> 01:03:50,600 Speaker 1: part like all on the dance floor, and then partners 1040 01:03:50,680 --> 01:03:53,280 Speaker 1: keep dropping off and separating until they're left with the 1041 01:03:53,360 --> 01:03:56,480 Speaker 1: one partner that they choose, and they dance together and 1042 01:03:56,640 --> 01:04:02,040 Speaker 1: they will mate for life. So they uh, throughout their 1043 01:04:02,720 --> 01:04:05,800 Speaker 1: courtship and throughout their life, they will continue to dance 1044 01:04:05,880 --> 01:04:10,440 Speaker 1: together and do little um move like little gestures of 1045 01:04:10,600 --> 01:04:15,000 Speaker 1: affection like beak bumps and nuzzles to maintain their relationships, 1046 01:04:15,040 --> 01:04:17,920 Speaker 1: so it's adorable. They'll like sit like like beak to 1047 01:04:18,040 --> 01:04:20,520 Speaker 1: beak and like kind of tap their beaks together lovingly. 1048 01:04:20,680 --> 01:04:23,360 Speaker 1: It's so cute. They even come up with their own 1049 01:04:23,480 --> 01:04:26,200 Speaker 1: little love language between the two of them. They have 1050 01:04:26,640 --> 01:04:30,400 Speaker 1: unique calls they only use with their partners. They basically 1051 01:04:30,520 --> 01:04:33,160 Speaker 1: come up with like loving names for each other and 1052 01:04:33,760 --> 01:04:37,040 Speaker 1: unique calls that they use with each other. And the 1053 01:04:37,360 --> 01:04:41,480 Speaker 1: only time they seek out a new partner is if 1054 01:04:41,600 --> 01:04:44,040 Speaker 1: one of them sadly dies, like they they're in it 1055 01:04:44,240 --> 01:04:47,520 Speaker 1: for the long haul ride or die, ride or die baby, 1056 01:04:49,400 --> 01:04:52,080 Speaker 1: and uh yeah, I mean they do sometimes die, so 1057 01:04:52,360 --> 01:04:54,440 Speaker 1: then it's like, well, I guess we don't ride if 1058 01:04:54,480 --> 01:04:57,520 Speaker 1: you're dead, but you know, right or die. It's really 1059 01:04:57,600 --> 01:05:00,920 Speaker 1: important for them to have this monogamous of style because 1060 01:05:01,000 --> 01:05:04,320 Speaker 1: of the way they raise their chicks. So they have 1061 01:05:04,560 --> 01:05:07,479 Speaker 1: one chick at a time and as s torrible little 1062 01:05:07,760 --> 01:05:12,240 Speaker 1: fluff ball, uh and they will stay with the chick 1063 01:05:12,320 --> 01:05:14,640 Speaker 1: to guard it. So one of the parents has to 1064 01:05:14,800 --> 01:05:17,600 Speaker 1: stay and guard this chick because it's helpless and it 1065 01:05:17,680 --> 01:05:20,880 Speaker 1: would be a delicious little nugget for a predator, So 1066 01:05:21,120 --> 01:05:24,439 Speaker 1: one parent stays behind to protect their nest. They will 1067 01:05:25,040 --> 01:05:27,640 Speaker 1: do everything they can to find off predators, while the 1068 01:05:27,800 --> 01:05:31,480 Speaker 1: other parent will be out at sea fishing and they 1069 01:05:31,520 --> 01:05:33,760 Speaker 1: will collect a bunch of fish so that they can 1070 01:05:33,880 --> 01:05:36,200 Speaker 1: come home and they eat the fish. And what they 1071 01:05:36,240 --> 01:05:41,439 Speaker 1: do is they regurgitate special fish vomit uh for their 1072 01:05:41,520 --> 01:05:45,040 Speaker 1: chick to eat when they get back. So the birds 1073 01:05:45,080 --> 01:05:48,240 Speaker 1: are totally reliant on each other to remain faithful. So 1074 01:05:48,360 --> 01:05:52,600 Speaker 1: the bird awaiting will go without food sometimes for days 1075 01:05:52,720 --> 01:05:55,440 Speaker 1: or weeks with their chicken is just relying on their 1076 01:05:55,480 --> 01:05:58,800 Speaker 1: partner to come back. And the partner out at sea 1077 01:05:59,000 --> 01:06:01,120 Speaker 1: has to rely on the partner to stay with the 1078 01:06:01,240 --> 01:06:04,600 Speaker 1: chick uh and and keep it safe. So they alternate 1079 01:06:04,680 --> 01:06:07,720 Speaker 1: to like sometimes the mail will go out for fishing 1080 01:06:07,760 --> 01:06:10,800 Speaker 1: some since the female will go out. So I love 1081 01:06:10,880 --> 01:06:13,920 Speaker 1: the quality in the household right. It's a lot of 1082 01:06:14,000 --> 01:06:18,360 Speaker 1: trust to a lot of trust. And in addition to 1083 01:06:18,520 --> 01:06:24,320 Speaker 1: be adorable spouses and adorably loving parents, they are the 1084 01:06:24,480 --> 01:06:29,160 Speaker 1: world's most efficient flyers. So Alba trusses can rack up 1085 01:06:29,240 --> 01:06:33,560 Speaker 1: a massive number of frequent flyer miles uh. The wandering 1086 01:06:33,640 --> 01:06:38,120 Speaker 1: Alba trust that uncomfortably large one we talked about earlier 1087 01:06:38,920 --> 01:06:45,840 Speaker 1: can fly several million miles in a lifetime. Bird flight 1088 01:06:46,120 --> 01:06:49,320 Speaker 1: like not even on an airplane. They're not like getting 1089 01:06:49,360 --> 01:06:53,000 Speaker 1: on Delta, you know what I mean. I mean they 1090 01:06:53,040 --> 01:06:55,200 Speaker 1: should do, not how many miles they'd have racked up. 1091 01:06:55,280 --> 01:06:57,440 Speaker 1: If they did, Dude, they'd be flying for free for 1092 01:06:57,480 --> 01:07:00,280 Speaker 1: the rest of their lives, free vacations for the rest 1093 01:07:00,360 --> 01:07:03,200 Speaker 1: of their lives. It's a shame that Delta doesn't count 1094 01:07:03,280 --> 01:07:08,280 Speaker 1: bird miles. Their resting heart rate while flying is the 1095 01:07:08,480 --> 01:07:11,640 Speaker 1: same as when they're floating on water. They're able to 1096 01:07:11,920 --> 01:07:17,120 Speaker 1: exert very little effort and glide on strong winds. M 1097 01:07:17,200 --> 01:07:20,400 Speaker 1: I T. Researchers have found that the birds use roller 1098 01:07:20,520 --> 01:07:24,400 Speaker 1: coaster like arcs of flight to ride wind currents called 1099 01:07:24,640 --> 01:07:29,600 Speaker 1: dynamic soaring. So basically they use physics of these wind 1100 01:07:29,640 --> 01:07:33,720 Speaker 1: currents above the sea to glide and ride on them. 1101 01:07:33,800 --> 01:07:36,520 Speaker 1: So they'll like go down and build up momentum and 1102 01:07:36,600 --> 01:07:38,800 Speaker 1: go up a wind current and go down. Whoops, I 1103 01:07:38,880 --> 01:07:41,280 Speaker 1: bump my microphone. But I guess if I was an 1104 01:07:41,320 --> 01:07:48,080 Speaker 1: albatross flying, I would bunk into my microphone like that anyways. Um, yeah, 1105 01:07:48,120 --> 01:07:50,920 Speaker 1: so they totally take advantage of the physics of air 1106 01:07:51,040 --> 01:07:54,040 Speaker 1: currents above the ocean, and they are able to just 1107 01:07:54,160 --> 01:07:57,840 Speaker 1: kind of like glide like an airplane. So like from 1108 01:07:58,200 --> 01:08:01,200 Speaker 1: the they're like the total opposites of the hummingbirds, both 1109 01:08:01,280 --> 01:08:04,959 Speaker 1: in courtship behavior and also like their their their flight 1110 01:08:05,080 --> 01:08:08,640 Speaker 1: where albatrosses are in it for like the long long 1111 01:08:08,760 --> 01:08:14,800 Speaker 1: gliding and hummingbirds are just sort of very very fast, 1112 01:08:15,120 --> 01:08:20,599 Speaker 1: fast and yellow birds. And these are very responsible birds 1113 01:08:20,680 --> 01:08:23,080 Speaker 1: that just want to settle down. Did you say yellow 1114 01:08:23,200 --> 01:08:27,799 Speaker 1: or yolo yolo birds? Uh? The hummingbirds are like yellow. 1115 01:08:28,000 --> 01:08:30,000 Speaker 1: You only live one Okay, That's what I thought you said, 1116 01:08:30,040 --> 01:08:32,840 Speaker 1: But then I was like, there's no way she said that. No, 1117 01:08:33,160 --> 01:08:36,640 Speaker 1: of course, because they like they they live fast, they 1118 01:08:36,720 --> 01:08:40,320 Speaker 1: have shorter lifespans. They have really fast metabolism. They gotta 1119 01:08:40,640 --> 01:08:43,360 Speaker 1: they gotta get from one flower to another. They they 1120 01:08:43,600 --> 01:08:46,559 Speaker 1: do not mate for life. They they yeah, live very 1121 01:08:46,680 --> 01:08:50,639 Speaker 1: fast and furious lifestyles, whereas the albatross has a very 1122 01:08:50,800 --> 01:08:53,720 Speaker 1: long life span and they take stuff more slowly. They 1123 01:08:53,960 --> 01:08:59,400 Speaker 1: kind of live more than Margaritaville lifestyle. Uh. Like. Oh, 1124 01:08:59,600 --> 01:09:05,320 Speaker 1: and speaking of albatross lifespans, guess how old the oldest 1125 01:09:05,360 --> 01:09:09,800 Speaker 1: albatross in the world is after five million miles, let's 1126 01:09:09,840 --> 01:09:17,840 Speaker 1: see thirty. She is seventy years old. Oh my god, 1127 01:09:18,479 --> 01:09:22,360 Speaker 1: and she looks fantastic. I've given you a picture of her. 1128 01:09:22,560 --> 01:09:27,120 Speaker 1: Her name is Wisdom the Albatross, and she is at 1129 01:09:27,240 --> 01:09:32,080 Speaker 1: the very least seventy years old, still rocking, amazing, amazing, 1130 01:09:32,160 --> 01:09:37,519 Speaker 1: smoky eye. And so she lives in Kapa, Hawaii. And 1131 01:09:37,800 --> 01:09:41,800 Speaker 1: she's not only the oldest albatross, she's the oldest known 1132 01:09:42,000 --> 01:09:45,920 Speaker 1: wild bird. So while uh, you may think like, well, 1133 01:09:46,000 --> 01:09:49,599 Speaker 1: there are parents that have potentially lived longer, the birds 1134 01:09:49,680 --> 01:09:52,839 Speaker 1: that have lived longer have been in captivity. So she's 1135 01:09:52,960 --> 01:09:55,720 Speaker 1: a completely wild bird and she's lives this long, which 1136 01:09:56,000 --> 01:09:58,479 Speaker 1: is amazing, and it's harder to live that long in 1137 01:09:58,560 --> 01:10:04,560 Speaker 1: the wild. Um, she's had over forty chicks in her lifetime. 1138 01:10:05,080 --> 01:10:07,680 Speaker 1: And while that like may not seem like a lot, 1139 01:10:08,280 --> 01:10:11,479 Speaker 1: they have one chick at a time. It's like a 1140 01:10:11,680 --> 01:10:15,720 Speaker 1: human being having forty children in a lifetime. No, I 1141 01:10:15,800 --> 01:10:21,519 Speaker 1: think that's a lot. Forty kids. Yeah, no, thank you. Yeah. 1142 01:10:21,640 --> 01:10:28,080 Speaker 1: So she's actually outlived several of her mates. She never divorced. 1143 01:10:28,280 --> 01:10:33,879 Speaker 1: She's never been divorced. She's just like a black widower. 1144 01:10:34,080 --> 01:10:40,360 Speaker 1: Yeah she but yeah, I mean like she's had successful relationships. Um, 1145 01:10:40,640 --> 01:10:44,280 Speaker 1: but are their deaths explained or have they all just 1146 01:10:44,520 --> 01:10:51,280 Speaker 1: mysteriously disappeared. He's got beak marks in his back. Ma'am. Well, 1147 01:10:51,360 --> 01:10:56,880 Speaker 1: I wouldn't know where that came. How interesting, change, police officer. 1148 01:10:56,960 --> 01:11:01,320 Speaker 1: You know, I couldn't possibly be involved. Have I mentioned 1149 01:11:01,360 --> 01:11:06,559 Speaker 1: how beautiful your feathers are? Mrs Officer Bird? Oh well, 1150 01:11:07,080 --> 01:11:09,240 Speaker 1: that's comfy kind of you. How would you like to 1151 01:11:09,280 --> 01:11:15,519 Speaker 1: be Mrs seventy year old albatross lady? Sorry? Mr seventy 1152 01:11:15,600 --> 01:11:19,320 Speaker 1: year old albatross lady. Her beak is you can see 1153 01:11:19,360 --> 01:11:21,519 Speaker 1: her beak has some wear and tear though, like that's 1154 01:11:21,520 --> 01:11:24,200 Speaker 1: the beak of a seventy year old bird. That's what 1155 01:11:24,360 --> 01:11:27,960 Speaker 1: I found really interesting. Her feathers look impeccable, pun intended, 1156 01:11:28,200 --> 01:11:31,439 Speaker 1: but her beak does look marred and like old. Because 1157 01:11:31,680 --> 01:11:35,160 Speaker 1: I wonder if like the feathers, you know, they they 1158 01:11:35,200 --> 01:11:39,360 Speaker 1: probably they regenerate feathers probably more often than they regenerate 1159 01:11:39,479 --> 01:11:43,920 Speaker 1: like that that beak, heartbeak materially al So yeah, it's 1160 01:11:43,960 --> 01:11:46,160 Speaker 1: definitely like that is the beak of a seventy year 1161 01:11:46,160 --> 01:11:50,559 Speaker 1: old bird, A hard smoking, whiskey drinking seventy year old bird. 1162 01:11:50,720 --> 01:11:55,320 Speaker 1: That bird smokes for sure. You're right, you're right. Let 1163 01:11:55,400 --> 01:11:59,719 Speaker 1: me tell you about the time my my fourth husband. 1164 01:12:00,200 --> 01:12:04,639 Speaker 1: How I loved him so much. His name was Mahty. 1165 01:12:05,320 --> 01:12:07,920 Speaker 1: Well he got eaten by a shock, you know how 1166 01:12:08,080 --> 01:12:11,120 Speaker 1: it is. I told him, told him, Matty, you can't 1167 01:12:11,160 --> 01:12:13,640 Speaker 1: wear that bathing suit. That looks like a bunch of 1168 01:12:13,720 --> 01:12:16,920 Speaker 1: hot dogs or shots gonna eat you. And a shock 1169 01:12:17,040 --> 01:12:19,720 Speaker 1: did eat him. But God bless him. He was one 1170 01:12:19,800 --> 01:12:23,960 Speaker 1: of my better husband's. That's a if that bird talks, 1171 01:12:24,080 --> 01:12:28,120 Speaker 1: that's what it sounds like. She's like a little after by, 1172 01:12:28,720 --> 01:12:32,920 Speaker 1: you know, thirty fourth child. You know, I decided I 1173 01:12:33,120 --> 01:12:37,400 Speaker 1: was gonna, you know, get a new man. Well, you know, 1174 01:12:38,200 --> 01:12:41,800 Speaker 1: my thirty fifth child went to art school. I told 1175 01:12:41,880 --> 01:12:44,000 Speaker 1: him he should be a lawyer, but he went to 1176 01:12:44,200 --> 01:12:47,400 Speaker 1: art school. Nobody listens to me. They just said I 1177 01:12:47,760 --> 01:12:51,000 Speaker 1: They just said, don't listen to that old bird. And 1178 01:12:51,080 --> 01:12:54,559 Speaker 1: now here I am. I'm the smartest bird alive. Look 1179 01:12:54,600 --> 01:12:58,120 Speaker 1: at my eye makeup amazing. She's beautiful and she's also 1180 01:12:58,200 --> 01:13:01,040 Speaker 1: like it's weird because she's out of some of her 1181 01:13:01,280 --> 01:13:04,240 Speaker 1: the scientists who have studied her, which is I mean, 1182 01:13:04,880 --> 01:13:08,000 Speaker 1: kind of mind boggling. I guess, like what the scientists 1183 01:13:08,000 --> 01:13:11,800 Speaker 1: who banded her originally, which means like putting a leg 1184 01:13:11,880 --> 01:13:15,080 Speaker 1: band on them. So they can be identified actually died 1185 01:13:15,680 --> 01:13:18,559 Speaker 1: before this bird has. So Look, if I was going 1186 01:13:18,640 --> 01:13:20,519 Speaker 1: to be a bird, that's how I would do it. 1187 01:13:20,560 --> 01:13:25,040 Speaker 1: I would outlive every scientist who tried to stuff. I 1188 01:13:25,200 --> 01:13:28,400 Speaker 1: had a bood watching and that birdwatches thought he could 1189 01:13:28,439 --> 01:13:32,719 Speaker 1: outlive me. No way. List And I smoked five packs 1190 01:13:32,760 --> 01:13:41,080 Speaker 1: a day and I'm still kicking just drinking Martiniz and Martinis. Oh. 1191 01:13:41,200 --> 01:13:45,160 Speaker 1: I love her. It's amazing. Good for her exactly, good 1192 01:13:45,240 --> 01:13:52,160 Speaker 1: for her, for outliving humans, good for her probably hopefully. Yeah, 1193 01:13:53,760 --> 01:13:57,080 Speaker 1: I hope she is like a two year old bird, 1194 01:13:57,240 --> 01:14:01,479 Speaker 1: just rock and rocking it. How old is the bird 1195 01:14:01,680 --> 01:14:04,200 Speaker 1: that's like after her? Like? Is there like a large gap? 1196 01:14:04,800 --> 01:14:09,000 Speaker 1: Like who's the second oldest albatross? This um second oldest 1197 01:14:09,080 --> 01:14:14,559 Speaker 1: albo They search off second oldest albatross, nine oldest birds 1198 01:14:14,600 --> 01:14:17,760 Speaker 1: in the world from Oldest dot Org. For all your 1199 01:14:17,840 --> 01:14:22,599 Speaker 1: needs about old things good, let's see. Oh so, okay, 1200 01:14:22,720 --> 01:14:25,519 Speaker 1: I'll just like, let's in the episode by going through 1201 01:14:25,600 --> 01:14:29,040 Speaker 1: this list of oldest birds, shall we from Oldest dot Org? 1202 01:14:29,760 --> 01:14:35,439 Speaker 1: As you do, I'll put cue some cue, some dramatic 1203 01:14:35,600 --> 01:14:40,160 Speaker 1: music over this. Uh So. In Chile, uh the oldest 1204 01:14:40,360 --> 01:14:45,360 Speaker 1: flamingo is believed to be in her her sixties. Wow, 1205 01:14:46,040 --> 01:14:48,800 Speaker 1: flamingo in her sixties. Now that is like really like 1206 01:14:48,920 --> 01:14:53,000 Speaker 1: a retired woman of flamingo. Yeah, she still looks gorgeous. 1207 01:14:53,720 --> 01:14:57,679 Speaker 1: Of course they list Wisdom here. Um, now wait a minute, 1208 01:14:58,160 --> 01:15:00,719 Speaker 1: Oh I see so the one of the oldest birds 1209 01:15:00,760 --> 01:15:04,640 Speaker 1: in the world is actually a captive bird in Beardsley 1210 01:15:04,760 --> 01:15:10,120 Speaker 1: Zoo in Connecticut. He is a male Andean condor who 1211 01:15:10,240 --> 01:15:12,920 Speaker 1: is eighty years old or was. No, wait, he was 1212 01:15:13,040 --> 01:15:15,880 Speaker 1: eighty years old, and I don't know if he's still alive, 1213 01:15:16,000 --> 01:15:19,599 Speaker 1: but that is respectable. Now he does look eighty years old. 1214 01:15:19,640 --> 01:15:26,080 Speaker 1: I gotta say. Now it as he met Wisdom. You 1215 01:15:26,240 --> 01:15:29,439 Speaker 1: can't matter. You can't play matchmaker with these birds now 1216 01:15:31,200 --> 01:15:36,760 Speaker 1: because because they would be perfect. I don't know, maybe 1217 01:15:36,800 --> 01:15:39,640 Speaker 1: wisdoms into like like young guys, you know what I mean, 1218 01:15:40,840 --> 01:15:45,000 Speaker 1: young birds. Let's see a real real cougar. Oh my god, 1219 01:15:45,080 --> 01:15:48,839 Speaker 1: he's so handsome he is. I like his little puffy 1220 01:15:49,000 --> 01:15:53,080 Speaker 1: white neckroff. I think that really brings another level to 1221 01:15:53,160 --> 01:15:55,280 Speaker 1: his style. You know what, I actually agree with you now, 1222 01:15:55,320 --> 01:15:59,360 Speaker 1: I do think that he and Wisdom share a similar aesthetic. 1223 01:16:00,160 --> 01:16:02,640 Speaker 1: Let's let's try and get them, get them to me. 1224 01:16:02,840 --> 01:16:07,840 Speaker 1: I mean he may disappear. Yeah, there's another flamingo at 1225 01:16:07,960 --> 01:16:11,639 Speaker 1: a zoo who is at least eighty three years old. Wow, 1226 01:16:11,920 --> 01:16:14,479 Speaker 1: flamingos live a long time, a long day time. I 1227 01:16:14,520 --> 01:16:17,640 Speaker 1: didn't realize I didn't know that at all. A cockatoo 1228 01:16:18,080 --> 01:16:22,520 Speaker 1: at a zoo, a Brookfield zoo named Cookie the cockatoo 1229 01:16:22,800 --> 01:16:27,080 Speaker 1: lived to be eighty three years old. And a female 1230 01:16:27,160 --> 01:16:31,760 Speaker 1: green wing macaw named Poncho at Beck's Pets and Exotics 1231 01:16:32,120 --> 01:16:37,320 Speaker 1: uh is Or was nine two years old. In Wait, 1232 01:16:37,400 --> 01:16:40,080 Speaker 1: this bircha lived in a store and no one would 1233 01:16:40,120 --> 01:16:43,880 Speaker 1: buy him. I why would you put that thought in 1234 01:16:44,000 --> 01:16:49,560 Speaker 1: my head? And I'm sorry the pets I think he was. 1235 01:16:50,439 --> 01:16:52,920 Speaker 1: I think he was the pet stores pet. Okay, there 1236 01:16:52,960 --> 01:16:55,080 Speaker 1: you go. He's fine. He's living a great life. Oh 1237 01:16:55,200 --> 01:16:59,920 Speaker 1: my god, Fred the cockatoo, the male sulfur crusted cock 1238 01:17:00,000 --> 01:17:04,200 Speaker 1: a too at Bonarong Wildlife Sanctuary, was a hundred and 1239 01:17:04,360 --> 01:17:08,960 Speaker 1: three years old. And oh my god, Charlie, the female 1240 01:17:09,000 --> 01:17:13,880 Speaker 1: blue and yellow McCall caw of the health Field Nurseries 1241 01:17:14,040 --> 01:17:19,240 Speaker 1: in Sirie, England, was a hundred and fourteen years Okay, 1242 01:17:19,400 --> 01:17:23,679 Speaker 1: that's that's old. That's an old bird. Cocky Bennett, he's 1243 01:17:23,680 --> 01:17:27,720 Speaker 1: a male sulfur crusted cockatoo owned by some Australian guy 1244 01:17:28,000 --> 01:17:31,800 Speaker 1: in nineteen sixteen, was a hundred and twenty years old 1245 01:17:32,360 --> 01:17:35,720 Speaker 1: when it died, just owned by some Australia I have 1246 01:17:35,920 --> 01:17:42,160 Speaker 1: to show you this ancient, goddamn bird. It's definitely looks old, 1247 01:17:42,880 --> 01:17:50,280 Speaker 1: like very old that birds not alive. Sadly I think 1248 01:17:50,360 --> 01:17:54,240 Speaker 1: it is. Oh my gosh, it looks like it's like, 1249 01:17:54,400 --> 01:17:56,679 Speaker 1: put me out of my misery. I know. I feel 1250 01:17:56,720 --> 01:17:59,559 Speaker 1: sorry for this bird because it looks like the tip 1251 01:17:59,640 --> 01:18:02,320 Speaker 1: of its beak is really long, which it should be. 1252 01:18:03,040 --> 01:18:05,760 Speaker 1: You like the tips of their beak, I guess keep 1253 01:18:05,800 --> 01:18:07,880 Speaker 1: growing and you should have something hard for them to 1254 01:18:08,000 --> 01:18:10,920 Speaker 1: chew on so it files it down. But it's just 1255 01:18:11,000 --> 01:18:15,800 Speaker 1: grown into this like really long protrusion. Yeah vibes you 1256 01:18:15,840 --> 01:18:20,280 Speaker 1: know where we were all like, I don't know about that. Yeah, yeah, 1257 01:18:21,439 --> 01:18:26,400 Speaker 1: poor cocky Bennett oh mannet. But you look a little old. 1258 01:18:27,040 --> 01:18:31,400 Speaker 1: He looks slightly like a plucked turkey. I don't mean 1259 01:18:31,479 --> 01:18:35,160 Speaker 1: to roast this very old bird, but I can't help it. 1260 01:18:35,439 --> 01:18:39,120 Speaker 1: You're roasting the bird. I'm roasting the bird. A well. 1261 01:18:39,360 --> 01:18:41,160 Speaker 1: I think that's where we'll end it today with me 1262 01:18:41,360 --> 01:18:46,519 Speaker 1: being super mean to like a geriatric bird. What are 1263 01:18:46,520 --> 01:18:49,040 Speaker 1: you gonna do? Well? Thank you so much for coming 1264 01:18:49,080 --> 01:18:51,519 Speaker 1: on the show in and discovering all the wonders of 1265 01:18:51,640 --> 01:18:57,120 Speaker 1: flight with me. You gonna I mean yeah, you could 1266 01:18:57,880 --> 01:19:00,400 Speaker 1: check out my bird diaries just kidding, I would never 1267 01:19:01,479 --> 01:19:04,720 Speaker 1: I have a podcast called Ethnically Ambiguous on the I 1268 01:19:04,920 --> 01:19:07,400 Speaker 1: Heart Network. UM you can check that out. It's all 1269 01:19:07,400 --> 01:19:09,280 Speaker 1: about being a person of color in America. We interview 1270 01:19:09,280 --> 01:19:14,240 Speaker 1: a lot of great creators. Um. Also, yeah, I produced 1271 01:19:14,240 --> 01:19:18,400 Speaker 1: a bunch of podcasts like Daily Side Guys, Slass Culture Ristas. 1272 01:19:18,560 --> 01:19:21,320 Speaker 1: This is important, just you know, out here producing up 1273 01:19:21,320 --> 01:19:25,240 Speaker 1: a storm. So uh and then I also uh co 1274 01:19:25,479 --> 01:19:30,800 Speaker 1: host a twitch stream every Tuesday night m p ST 1275 01:19:31,120 --> 01:19:35,800 Speaker 1: called Below It's called Deckheads. Chief stews about the Below 1276 01:19:35,880 --> 01:19:38,679 Speaker 1: Deck Bravo series, and we also talked about other Bravo shows, 1277 01:19:38,720 --> 01:19:40,719 Speaker 1: and we talked a little about the f one Netflix 1278 01:19:40,800 --> 01:19:43,640 Speaker 1: series and I host that with Molly Lambert. If you 1279 01:19:43,720 --> 01:19:46,519 Speaker 1: want to play that out, please check it out. But 1280 01:19:46,640 --> 01:19:48,600 Speaker 1: you can also follow me at Anna host n A 1281 01:19:48,800 --> 01:19:51,200 Speaker 1: A N N A H O S S N I 1282 01:19:51,400 --> 01:19:53,360 Speaker 1: E H if you just want to keep up with 1283 01:19:53,400 --> 01:19:56,000 Speaker 1: what I'm up to and see what else I'm you know, 1284 01:19:56,200 --> 01:20:00,240 Speaker 1: producing and putting out and yeah, so you can follow 1285 01:20:00,280 --> 01:20:03,080 Speaker 1: me and check out that stuff. Check out all that stuff. 1286 01:20:03,520 --> 01:20:06,120 Speaker 1: You can find the podcast on the internet at Creature 1287 01:20:06,120 --> 01:20:09,040 Speaker 1: feature Pot on Instagram, at Creature feet Pot on Twitter. 1288 01:20:09,160 --> 01:20:13,960 Speaker 1: That's f E A T T very different. You can 1289 01:20:14,520 --> 01:20:17,280 Speaker 1: also if you want to ask me questions and me 1290 01:20:17,439 --> 01:20:20,920 Speaker 1: email at Creature feature Pot at gmail dot com. I 1291 01:20:21,240 --> 01:20:24,560 Speaker 1: try to answer everyone's questions. Uh, there might be a 1292 01:20:24,680 --> 01:20:26,680 Speaker 1: slight lag between when you send it and when I 1293 01:20:26,720 --> 01:20:28,880 Speaker 1: answer it, but don't worry. I really do try to 1294 01:20:28,880 --> 01:20:32,519 Speaker 1: get to everyone's question and uh sometimes I will read 1295 01:20:32,560 --> 01:20:34,040 Speaker 1: it aloud on the show if I feel like I 1296 01:20:34,120 --> 01:20:36,000 Speaker 1: can get a good podcast out of it. So thank 1297 01:20:36,040 --> 01:20:38,720 Speaker 1: you so much for sending those in. And if you're 1298 01:20:38,800 --> 01:20:42,639 Speaker 1: enjoying the show and you leave a rating and review, 1299 01:20:43,040 --> 01:20:47,000 Speaker 1: I will love you forever. It warms my heart whenever 1300 01:20:47,080 --> 01:20:49,720 Speaker 1: I read a review, and it also between you and me. 1301 01:20:49,800 --> 01:20:52,920 Speaker 1: It's for the algorithm. Just gonna say that it's not 1302 01:20:53,080 --> 01:20:55,960 Speaker 1: it's not that I don't appreciate it from like like hey, 1303 01:20:56,840 --> 01:20:59,559 Speaker 1: like this warms my heart and it makes me personally 1304 01:20:59,600 --> 01:21:02,080 Speaker 1: feel good, but also from an algorithmic point of video, 1305 01:21:02,120 --> 01:21:04,439 Speaker 1: it's also really good. So just keep that in mind too. 1306 01:21:05,439 --> 01:21:07,559 Speaker 1: Thanks to the space plass Is for their super awesome 1307 01:21:07,600 --> 01:21:10,479 Speaker 1: song x Alumina Creature feature production by Heart Radio. For 1308 01:21:10,520 --> 01:21:12,280 Speaker 1: a more podcast like the one you just heard, visit 1309 01:21:12,320 --> 01:21:14,280 Speaker 1: the I heart Radio app, Apple podcast, or Hey guess what? 1310 01:21:14,320 --> 01:21:15,800 Speaker 1: Where iver you listen to your favorite shows? I don't 1311 01:21:15,880 --> 01:21:17,599 Speaker 1: judge you d next Wednesday.