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Speaker 1: So I'm up here at my parents and one of

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Speaker 1: the things about Okay, so you guys, you have made

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Speaker 1: fun of my school that I went to. But yes,

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Speaker 1: your school were you very much a haphazard situation. Let's

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Speaker 1: let's put it that way. My school was called none such.

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Speaker 1: It was wonderful for me. It was great for a

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Speaker 1: lot of kids. But yes, in retrospect, there was some

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Speaker 1: some some weirdness about it, and you know, some some things.

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Speaker 1: But one of the coolest things is that we very

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Speaker 1: illegally we found out because it got shut down. Like

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Speaker 1: the next year we had welding class. Like we got

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Speaker 1: to work with metal and whenever we wanted to.

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Speaker 2: You learned how to smelt exactly. That's how you made

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Speaker 2: your wife's ring.

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Speaker 1: No, it's not, it is. We were like making sculptures.

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Speaker 1: We were like doing like torching metal, like big pieces

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Speaker 1: of metal. Yeah, dude, it was fun.

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Speaker 3: Oh my god, it.

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Speaker 1: Was the greatest.

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Speaker 3: Like and like we had made one teacher who was incredible.

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Speaker 1: He was also my physics teacher and my French teacher,

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Speaker 1: and he was like amazing with metal working. He was

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Speaker 1: just a genius in all around. And he would just

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Speaker 1: like sit there and work with us on whatever we

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Speaker 1: wanted to make. So like I made for my parents

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Speaker 1: and they still have it. I made this like candle holder,

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Speaker 1: like twirling like a swirl. It took a lot of

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Speaker 1: work and whatever. So one of the things about redwood

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Speaker 1: trees is they're really easy to climb if you can

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Speaker 1: get past the first ten to fifteen feet because there's

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Speaker 1: no branches the first ten fifteen feet. Then once you

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Speaker 1: get up there, it's like climbing a ladder. There's branches everywhere,

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Speaker 1: they're all solid, and you just climb up and you

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Speaker 1: can make it one hundred hundred and fifty feet in

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Speaker 1: the air. It's amazing. But there were only certain trees

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Speaker 1: on our property that we could climb because they would

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Speaker 1: have like either another tree fallen next to it that

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Speaker 1: you could get up to, or you'd have to find

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Speaker 1: some way to get past the first ten fifteen feet.

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Speaker 1: So in like eighth grade, I decided in my welding

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Speaker 1: class to make a grappling hook. I love it, and

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Speaker 1: I spent weeks making you know, a fool on Batman grappling. Yeah,

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Speaker 1: I like, and I you know, it just became this

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Speaker 1: like it was my focus. I'm like, I'm gonna be

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Speaker 1: able to climb so many trees. I'm going to be

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Speaker 1: able to like, oh, we're gonna tree right, and so

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Speaker 1: like I remember my buddy Tim, who was like a

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Speaker 1: big welder two helped me and like we got this

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Speaker 1: thing into perfect shape. I made this beautiful grappling hook

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Speaker 1: and I've even put like a little thing on the

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Speaker 1: bottom so I could tie a rope to it. And man,

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Speaker 1: this was like back in the day when you couldn't

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Speaker 1: just like buy grappling hooks. I'm sure now you just

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Speaker 1: go on Amazon you can find like grappling hook but

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Speaker 1: back then, like this is you know, you had to

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Speaker 1: make yourself. So I made this thing, brought it home.

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Speaker 1: I climbed like two.

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Speaker 3: Trees before I lost it.

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Speaker 1: We weren't just like somehow, Yeah, I think what happened

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Speaker 1: is like I mean, it was glorious. Id it up

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Speaker 1: like these there's a couple of rove trees that I

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Speaker 1: couldn't make it up before I made it up. But

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Speaker 1: then somehow I either like left it hanging in.

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Speaker 2: A tree and he left it in a leather jacket.

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Speaker 3: I left it in a leather jacket. He chose to

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Speaker 3: leave me.

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Speaker 4: You left an airport in a shuttle.

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Speaker 1: So I've always had this, like, what happened to the

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Speaker 1: great beautiful grappling hook that I made?

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Speaker 2: Did you find it?

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Speaker 1: So Shilah walks into the house yesterday, No, and he goes,

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Speaker 1: you know what was wedged into a tree down there?

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Speaker 2: You're kidding me?

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Speaker 1: And so, just so we all know the difference between

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Speaker 1: childhood imagination and reality, Let's think about the beautiful grappling

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Speaker 1: hook that I had made, you know, the sleek's perfect one.

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Speaker 5: Now the glory a little rested down and clearly got

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Speaker 5: pretty bent out of shape because there's no way but this,

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Speaker 5: this was the glory.

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Speaker 4: Have you not seen that since high school?

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Speaker 2: Not?

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Speaker 3: No, since eighth grade or yeah, ninth grade or whatever.

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Speaker 2: Man, look at the glory being in a tree for

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Speaker 2: thirty years.

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Speaker 3: I melted all of this. I had to, like, you know,

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Speaker 3: weld all the Oh.

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Speaker 2: Man, this is unbelievable.

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Speaker 1: Yeah. So I'm gonna take it out and try and

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Speaker 1: climb some trees today.

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Speaker 4: Oh man, maybe the leather jack it'll come back.

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Speaker 1: Maybe I'll find the leather tagul at the top of the.

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Speaker 4: Top of the tree.

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Speaker 2: Oh wow, Now.

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Speaker 3: I believe I was saying, I can't believe it. Like

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Speaker 3: I always thought, like why would it have gone anywhere?

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Speaker 1: Like, how could it? How could a thing of metal

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Speaker 1: just disappear in the woods? And sure enough it hadn't

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Speaker 1: it just you know, took my brother to find it

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Speaker 1: some thirty five years or whatever.

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Speaker 2: Man, Wow, what was Shiloh out there doing just finding solid.

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Speaker 4: Working with other grappling hooks?

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Speaker 6: You know.

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Speaker 1: I think what happened is because where he found it

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Speaker 1: is like an area where my dad collects things like

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Speaker 1: like garbage and stuff that is found like that.

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Speaker 2: So I think you have an area where your dad

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Speaker 2: collects garbage.

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Speaker 1: Well, we have to do dump trips. We don't have garbage.

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Speaker 1: You do now have garbage service, but we used to. No,

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Speaker 1: we used to have to load all of our garbage

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Speaker 1: and then like my dad would go every month or

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Speaker 1: two months and take it to the dump. So there's

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Speaker 1: an area of the property that is you know, this

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Speaker 1: like small little crappy section where like crap that's going

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Speaker 1: to the dump goes and Chila found it there. So

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Speaker 1: it's like, uh so obviously my dad found it probably

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Speaker 1: multiple years ago, doesn't even remember, and just threw it

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Speaker 1: in there or threw it in that area thinking like

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Speaker 1: maybe somebody needs this, and so.

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Speaker 2: Wow, somebody does it. Somebody named bright or strong needs

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Speaker 2: any year old, amazing, unbelievable. Well, congratulations to you. And

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Speaker 2: now that I see what you're capable of making and

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Speaker 2: the beauty of it, I'm gonna need to see your

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Speaker 2: wife's ring to see if not.

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Speaker 1: Great, much prettier and not as rusty, but same sort

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Speaker 1: of globby action, you know, like welding.

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Speaker 4: Just like, can you use it to climb a tree?

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Speaker 4: Is thee?

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Speaker 2: Yeah? Is it also a grappling hook?

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Speaker 4: Can?

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Speaker 1: I wait?

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Speaker 4: I have I have a logistical question about said tree climbing.

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Speaker 4: So you'd throw it up there?

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Speaker 1: Yeah, would you.

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Speaker 4: Then climb the rope? Free climb the rope or would

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Speaker 4: you put your feet on the tree and use your

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Speaker 4: feet and cause free climbing a rope is very difficult.

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Speaker 4: You have to have knots, So you put knots in

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Speaker 4: the rope right right, so you have like rips.

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Speaker 1: But yeah, the idea is hopefully you can put brace

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Speaker 1: yourself against the tree and just climb up and it's

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Speaker 1: just the first ten feet whatever You get to that

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Speaker 1: first branch and then you're just like I swear redwoods

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Speaker 1: are the easiest to climb because then it's like it's

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Speaker 1: just there's branches everywhere, and would.

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Speaker 4: You climb up one hundred hundred and fifty feet Yeah, dude,

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Speaker 4: like the one.

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Speaker 1: I mean, we got interviewed for like entertainment tonight in

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Speaker 1: a redwood tree. Like they came to interview us and

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Speaker 1: they were like, you guys, climb those trees. Were like yeah,

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Speaker 1: and they're like, we'll get up there and we'll do

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Speaker 1: the interview from the top of a redwood tree. So

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Speaker 1: there's actually somewhere.

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Speaker 3: Yeah, I don't know where it is, and.

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Speaker 1: I'm sure my parents have a copy of it on VHS.

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Speaker 1: But like we sat in because we had our different trees,

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Speaker 1: like Shiloh had his tree, I had my tree, Like

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Speaker 1: we had different you know, and I'd go up there

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Speaker 1: and read and hang out. Like the Shiloh put a

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Speaker 1: hammock on the top of his and I was sitting

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Speaker 1: in it and it broke on me. Yeah, I like

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Speaker 1: literally not a branch and yeah, I reading a book

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Speaker 1: and like swinging in this thing and all the ropes

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Speaker 1: just fray. It's terrifying. But yeah, but I mean they're

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Speaker 1: really easy trees to climb, but you know you are

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Speaker 1: really high. I mean, I'm a.

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Speaker 2: Fifty per chance of dying, but they're easy.

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Speaker 4: Yeah, but you got to die to hearing, which is awesome.

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Speaker 4: It's how we all should go.

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Speaker 2: Welcome to Pond, me to our old I'm Danielle Official.

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Speaker 4: I'm right or Strong, and I'm wilfredell Well.

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Speaker 2: The song so fast I'll never know. Oh my gosh,

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Speaker 2: so good. Okay, Well, welcome to this episode Upon Meets World.

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Speaker 2: We are recapping season four, episode three. I ain't gonna spray,

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Speaker 2: let us know more. It originally aired on October fourth,

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Speaker 2: nineteen nine. Before we jump into our recap, I wanted

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Speaker 2: to let you guys know that we recently got an

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Speaker 2: email from listener Melissa B. Who wanted to clarify some

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Speaker 2: recent questions we had about adoption and guardianship. So she said,

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Speaker 2: I am an adoption worker in Michigan, and I wanted

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Speaker 2: to add to your discussion about guardianship and adoption. You

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Speaker 2: guys summed it up really well, but I wanted to

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Speaker 2: add that a guardianship dissolves when a child turns eighteen,

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Speaker 2: versus the adoption is meant to be a lifelong and

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Speaker 2: forever family. So adoption is a more permanent goal than guardianship. Nice,

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Speaker 2: So that makes sense that any sort of guardianship you

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Speaker 2: have is for only the time you're a minor, and

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Speaker 2: interesting dissolves the minute that person becomes of legal adult.

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Speaker 1: Ships overseen them through that period exactly.

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Speaker 4: I also, I don't do social media much, but I'm

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Speaker 4: guessing when I do do it, I don't do I did.

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Speaker 4: I wouldn't cry as much as at the guardianship uh

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Speaker 4: story videos as much as I do the ones where

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Speaker 4: the kids find out they're getting adopted and like burst

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Speaker 4: into tears. So that's a difference too, I think.

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Speaker 2: Yeah, I think that is a big We usually can

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Speaker 2: tell the difference and stuff by whether or not you

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Speaker 2: cry at it, correct, especially because you don't cry.

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Speaker 4: I don't. I don't occasionally again guardianship those will do it,

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Speaker 4: and Sullivan Blues Letter from Civil War does it every time.

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Speaker 2: So our synopsis for today's episode, Alan quits his job

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Speaker 2: at the grocery store without discussing it with Amy, so

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Speaker 2: in retaliation, Amy promises to also make a drastic decision

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Speaker 2: without consulting the rest of the family. Nervous about the

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Speaker 2: turn of events, Corey has Sean give him tips on

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Speaker 2: being poor. It was directed by Jeff McCracken. It was

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Speaker 2: written by Mark Blutman and Howard bus Gang and guest

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Speaker 2: starring incredible character actor Dick O'Neill as mister Kimball. You

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Speaker 2: may recognize him from The Jerk or around one hundred

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Speaker 2: different TV shows, including Home Improvement, La Law, Cheers, Car

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Speaker 2: fifty four, Where Are You? And three episodes of Man.

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Speaker 4: And three good episodes of Mash Too. Oh yeah, absolutely, yeah,

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Speaker 4: he was in eight Across, he was in Yeah, he yes.

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Speaker 2: So did you talk to him about this while he

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Speaker 2: was here this week?

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Speaker 4: I can't remember. I must have, I mean I must have,

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Speaker 4: but I can't remember because I knew, you know, he

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Speaker 4: played Admiral Cox and so yeah, I mean I had

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Speaker 4: to have. But he was a yeah, huge character actor,

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Speaker 4: especially across television. Yeah, I mean.

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Speaker 2: Absolutely Sadly, he actually passed away two years after this

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Speaker 2: Boy Meets World appearance, at the age of only seventy.

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Speaker 1: I was gonna say, doesn't seem that at all.

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Speaker 2: He's not old at all.

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Speaker 4: That sucks.

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Speaker 2: So as if, as if that wasn't enough character actor magic,

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Speaker 2: we also have George Weiner, who appears as Frank and

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Speaker 2: it would be impossible to not recognize him. He was

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Speaker 2: everywhere in the eighties, including his scene stealing role as

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Speaker 2: Colonel Sanders and Spaceballs. He has over two hundred credits

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Speaker 2: all in the family, Fletch, fifty seven episodes of Hill Street, Blues,

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Speaker 2: Married with Children, The Devil's Advocate, not another teen movie.

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Speaker 2: It goes on forever, and he is still working, appearing

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Speaker 2: in a Million Little Things, Reboot and Loot just last year.

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Speaker 4: So yeah, he's been around forever. Awesome and Fletch too,

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Speaker 4: oh so funny, so great.

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Speaker 2: So do you guys want to talk? Overall impressions of

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Speaker 2: the episode.

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Speaker 1: I thought it was a totally fine episode.

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Speaker 2: I liked it, loved it.

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Speaker 4: I love to do I it. I loved watching Rusty,

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Speaker 4: he was so good.

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Speaker 2: I loved watching Betsy. Yeah, Rusty, Rusty, He's been given

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Speaker 2: having them. And and I really in particular loved that

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Speaker 2: when that kitchen scene and she goes, okay, you get

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Speaker 2: to do that, so do I. And for one thing,

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Speaker 2: the tension is so high at the opening of it,

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Speaker 2: and part of it, I feel like is because there

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Speaker 2: was very little audience reaction. It felt very like quiet

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Speaker 2: and still in there, which made it feel very ominous.

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Speaker 2: But the thing I loved is that my first thought,

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Speaker 2: and probably what petty, angry little Danielle would do, is

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Speaker 2: I'd want to make a bad decision like I was.

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Speaker 2: I was thinking that purposefully to make him go, oh,

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Speaker 2: I shouldn't do this. And that's where I thought, I

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Speaker 2: wonder what she's gonna do. It's gonna be some almost vindictive.

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Speaker 2: That's the first place I went to, is that her decision,

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Speaker 2: I'm worsting you whatever, I'm you know, something correct, something

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Speaker 2: like that, And instead it's just and I love that

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Speaker 2: it was her, that it's hers that, like, this major

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Speaker 2: life decision ended up being because of Amy, and because

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Speaker 2: we have often said why couldn't it have been Amy?

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Speaker 2: Why couldn't Amy do this? And in this one it

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Speaker 2: was And I didn't remember it and I didn't see

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Speaker 2: it coming, and so I really liked it.

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Speaker 6: Yeah, I have to say, so far season four are starting,

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Speaker 6: Gangbusters were three for three solid.

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Speaker 2: Yeah. I don't know that I loved one as much

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Speaker 2: as I loved two and three. One. I liked, I

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Speaker 2: liked it, I was on board for it. There were

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Speaker 2: some things that I was like, huh, but boy, two

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Speaker 2: and three and now what is this? Is this four?

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Speaker 4: No?

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Speaker 1: This is three?

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Speaker 2: Three? Yeah?

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Speaker 3: Very happy?

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Speaker 2: Really, I really so far.

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Speaker 4: And that's what everybody said. Everybody said, Oh, you guys

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Speaker 4: are gonna love season four.

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Speaker 2: We're only three episodes so far.

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Speaker 4: So far, I'm happy. I'm happy we've made it this far.

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Speaker 2: Because it's great, right or what are your thoughts? You

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Speaker 2: said it was a fine episode.

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Speaker 1: Yeah, yeah, you know, it just it it felt very like,

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Speaker 1: you know, tight good, but also a little more like, uh, sitcomy.

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Speaker 4: That's exactly what I was going to say, the kids

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Speaker 4: on the stairs and some of my responses are very

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Speaker 4: kind of sit commy.

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Speaker 1: Absolutely, yeah, it felt very like it was like a

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Speaker 1: which which is great, that's what we are. I guess

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Speaker 1: I'm just used to Boy Meets World always having a

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Speaker 1: little bit of weirdness to it or a little bit

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Speaker 1: of like uneven like. And besides the dramatic like ends

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Speaker 1: of scenes, which I thought were a little like whoa,

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Speaker 1: that's cool and good, there wasn't that much that stood

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Speaker 1: out or would separate this from like a home improvement

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Speaker 1: episode or like a solid other family sitcom, you know.

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Speaker 1: And that's so that's just a little that secret sauce

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Speaker 1: that now I've come to expect from our show, and

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Speaker 1: instead it was like a pretty Runald the Mill sitcom episode,

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Speaker 1: you know, which is good and totally fine, but it

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Speaker 1: did feel like a different show, in part maybe because

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Speaker 1: I just haven't seen these actors carrying the show, and

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Speaker 1: so maybe that's part of what I'm feeling is just

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Speaker 1: like it felt like a different show. I could sort

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Speaker 1: of see it as a sitcom because it's you know,

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Speaker 1: it's not Corey, it's not Sean, it's not Eric, it's

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Speaker 1: not Topanga, like we're there. But this was clearly just

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Speaker 1: being driven by Rusty and Betsy, which is great for them,

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Speaker 1: but it didn't feel as familiar. I'm not as comfortable

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Speaker 1: in it.

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Speaker 4: And the guests and the guest cast, all the guest

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Speaker 4: cast were adults. It wasn't kid you know, so the

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Speaker 4: storyline was all driven by adults, which is something we

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Speaker 4: haven't really seen before.

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Speaker 2: I did.

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Speaker 4: I felt the same way about it being sick commy,

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Speaker 4: but I felt like, in a weird way, we needed

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Speaker 4: a sit comy episode, like one that was kind of

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Speaker 4: the Kids on the Stairs, Yeah, like a sorbet, you know,

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Speaker 4: the Kids on the Stairs.

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Speaker 3: A totally serviceable Boy.

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Speaker 1: Meets World episode. You know, like this would be in

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Speaker 1: the top fifty. Everyone would watch and be like, yeah, totally,

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Speaker 1: but is it? Is it memorable? I mean beyond the

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Speaker 1: fact that we now introduced the store.

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Speaker 3: I don't know, Like I don't know if there's.

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Speaker 1: A line I would quote or beat. I don't know.

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Speaker 1: It's just kind of like came and went.

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Speaker 4: But I had a couple of lines in this that

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Speaker 4: I would quote quite a bit, and one of them

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Speaker 4: was that.

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Speaker 1: Yeah, yees because you were doing straight up side felt

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Speaker 1: like three different times.

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Speaker 6: Tony made fun of me for that, and that's why

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Speaker 6: I thought he was in this episode, because he would

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Speaker 6: say that to me all year.

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Speaker 4: Gap it's gap, I know, and I'm like, wait, is

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Speaker 4: Tony not even in this episode.

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Speaker 1: I used to say that when you did the Seinfeld

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Speaker 1: line reading what like last season, I remember, this is

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Speaker 1: the line that I always remembered and we would always

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Speaker 1: quote to you. But then I was like, did will

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Speaker 1: ever actually say that on the show or did we

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Speaker 1: just do this offstet so to hear that it was

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Speaker 1: actually on the show, it's like, oh okay, and it's.

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Speaker 4: So blatantly Seinfeld like it is so blatantly.

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Speaker 1: Well, it's it's like an homage, right, I'm assuming that

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Speaker 1: the idea was to do Seinfeld.

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Speaker 4: But it was so blatant. It was just I wasn't

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Speaker 4: trying to hide anything.

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Speaker 2: Well, jumping into our recap, we start in the Matthew's kitchen.

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Speaker 2: Eric comes down the stairs, announcing to Amy he's gonna

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Speaker 2: do something he hasn't done in a very long time.

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Speaker 2: He then hugs her and says, hold me, mommy. Amy

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Speaker 2: pats is back and comforts him. He only applied for

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Speaker 2: one job. There are plenty more out there, and his

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Speaker 2: best Seinfeld impression will slash. Eric complains it wasn't just

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Speaker 2: any job. It was the Gup. If anyone should be

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Speaker 2: working at the Gup, it's me. Look, I'm Gap as

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Speaker 2: he shows off his white T shirt, sweater, vest combo.

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Speaker 2: Eric tells her even in the shower.

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Speaker 4: I'm good, I'm Gap.

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Speaker 2: It's so funny. Amy asks if he put put that

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Speaker 2: on in his interview, and Eric says they told him

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Speaker 2: he wasn't qualified, so he told him a monkey could

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Speaker 2: work there.

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Speaker 1: Right.

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Speaker 2: Then Corey walks downstairs and says he was walking by

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Speaker 2: the Gap yesterday and they had a monkey selling jeans.

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Speaker 2: Eric shouts, I gave them that idea. Corey responds, next

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Speaker 2: time you go out for a job, wear a diaper

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Speaker 2: and smoke a cigar. People like that, and it's here.

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Speaker 2: I realized at the beginning of the episode, I was

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Speaker 2: just gonna say that.

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Speaker 4: I was gonna I know exactly where you're going. And

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Speaker 4: I was like, it can't be.

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Speaker 2: Yes, it can't be there, and it has to be,

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00:17:29,000 --> 00:17:32,840
Speaker 2: because that'd be the only one. So on Disney Plus

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Speaker 2: where I was watching it, it says up at the top,

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Speaker 2: then it's a TV Y seven first, Yeah, tobacco depictions.

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Speaker 3: I saw that too. I saw that too.

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Speaker 1: I was like, did we ever smoke on the show?

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Speaker 1: What is happeningbody?

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Speaker 6: Is?

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Speaker 3: The last episode too, because of the pipe in Ben's mouth.

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Speaker 4: But that made sense at least a little bit.

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Speaker 3: Well he's using a pipe or he's.

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Speaker 4: Put in a pipe and has a reference to I

390
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Speaker 4: said that to Sue. I was like, did we did

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Speaker 4: we smoke? Did somebody smoking? She went, well, no, there's

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Speaker 4: the cigar reference. It's like, oh, can't be That's.

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Speaker 2: It, Isn't it funny? It's so weird.

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Speaker 4: I'm so glad you mentioned that.

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Speaker 2: So funny. It's about a monkey smoking.

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Speaker 4: We have to do it that we talk about. You

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Speaker 4: don't even see the monkey smoking a cigar.

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Speaker 3: Those monkeys can put on a lot of peer pressure.

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Speaker 1: Guys.

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Speaker 3: I have no idea what when you see the monkey smoking,

401
00:18:20,880 --> 00:18:21,520
Speaker 3: what do you want to do?

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00:18:21,640 --> 00:18:24,439
Speaker 2: Cute is smoking or how cool a monkey is?

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Speaker 1: I would rather you do heroin, Danielle. I would rather serious.

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00:18:28,320 --> 00:18:28,960
Speaker 4: Yeah, I'm not sure.

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Speaker 2: I'm not sure.

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Speaker 6: First time I ever bought weed was from a monkey.

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Speaker 2: I think this this first exchange, the Gateway Drive.

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Speaker 1: This exchange is when I was I mean, like even

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Speaker 1: just hearing you do this synopsis that is like the

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00:18:43,080 --> 00:18:47,359
Speaker 1: most sitcom run of it is the gap. I was

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Speaker 1: saw a monkey and then here he comes, saw a

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Speaker 1: monkey and they're smoking. You should smoke. It was just

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Speaker 1: like that kind of like when I into my head,

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Speaker 1: I was like, oh, this is like joking, big joke episode,

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Speaker 1: Like this is just gonna be this. It's going to

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Speaker 1: keep him rolling right And by the way, we I

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Speaker 1: forgot to mention one of Ben's best episodes in a

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Speaker 1: long time. He is so funny. In this episode. He

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Speaker 1: kills itat again larious when he is a supporting comic

420
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Speaker 1: like relief guy. He goes for it in a way

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Speaker 1: that I think he doesn't when he has to carry

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Speaker 1: the show.

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Speaker 3: And so Corey's allowed to.

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Speaker 1: Just be so funny.

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Speaker 4: He's having so much fun.

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Speaker 1: He's having so much fun in this episode, and like, yeah,

427
00:19:25,320 --> 00:19:27,159
Speaker 1: even in this little extrage, you could tell he's just

428
00:19:27,200 --> 00:19:29,280
Speaker 1: like Love's coming in and being able to sing and

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Speaker 1: walk away.

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Speaker 7: It's so fun.

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Speaker 4: They've also completely now changed his look. We talked about

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Speaker 4: this last time, but he.

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Speaker 8: Is now fully tight shirts tucked in with a belt

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Speaker 8: with a belt.

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00:19:38,320 --> 00:19:42,879
Speaker 2: Yep, yeah yeah. So a grumpy Allan appears just as

436
00:19:42,920 --> 00:19:45,119
Speaker 2: Morgan comes in from the living room, asking for twenty

437
00:19:45,119 --> 00:19:47,960
Speaker 2: five dollars for a class picture. Alan's surprised it's that

438
00:19:48,040 --> 00:19:51,159
Speaker 2: much money. How big is your class? Morgan responds, The

439
00:19:51,200 --> 00:19:52,879
Speaker 2: teacher said, if I don't pay today, they're gonna air

440
00:19:52,920 --> 00:19:56,440
Speaker 2: brush me out. Alan opens his wallet, Fine, fine, take take.

441
00:19:56,800 --> 00:19:58,960
Speaker 2: Corey butts in, telling Alan to keep his wallet open

442
00:19:58,960 --> 00:20:02,399
Speaker 2: because he has pictures too. Alan asks what grade he's in,

443
00:20:02,400 --> 00:20:05,840
Speaker 2: which Corey responds eleventh. Alan snaps his wallet shut. We've

444
00:20:05,840 --> 00:20:08,680
Speaker 2: got enough of you also, eleventh grade.

445
00:20:08,960 --> 00:20:15,240
Speaker 4: Yep. Eric should have gone to college three years ago. Right,

446
00:20:15,920 --> 00:20:19,240
Speaker 4: boy meets world math. Yeah, it's total boy me because

447
00:20:19,240 --> 00:20:22,080
Speaker 4: that means that Eric would then be a junior in

448
00:20:22,160 --> 00:20:25,880
Speaker 4: college college. Yeah, it doesn't make sense.

449
00:20:26,000 --> 00:20:27,879
Speaker 1: It doesn't make any You started in tenth grade, and

450
00:20:27,960 --> 00:20:29,520
Speaker 1: we started in sixth grade, right.

451
00:20:29,880 --> 00:20:35,520
Speaker 6: Right, and then they jumped you ahead season two again.

452
00:20:35,560 --> 00:20:38,840
Speaker 4: We had two little sisters, you know what, moving.

453
00:20:38,600 --> 00:20:42,480
Speaker 2: Right along doesn't matter. I just wanted. I just was like, oh, same, Okay,

454
00:20:42,560 --> 00:20:45,879
Speaker 2: it's at least said out loud. We're in eleventh grade,

455
00:20:45,920 --> 00:20:48,600
Speaker 2: and so next year when we graduate, it won't be

456
00:20:48,960 --> 00:20:51,920
Speaker 2: a shock. Then it's a shock a little bit right now? Right, okay?

457
00:20:52,240 --> 00:20:52,560
Speaker 4: Gotcha?

458
00:20:53,600 --> 00:20:53,719
Speaker 1: Uh?

459
00:20:53,800 --> 00:21:00,000
Speaker 2: And I love that joke. We have enough pictures of you.

460
00:21:01,560 --> 00:21:05,080
Speaker 2: Alan begrudgingly opens his wallet again and says again, fine, fine,

461
00:21:05,160 --> 00:21:07,919
Speaker 2: take take. He adds he's gonna work Sundays, even though

462
00:21:07,920 --> 00:21:10,600
Speaker 2: he's not thrilled working there on weekdays. He takes a stand.

463
00:21:10,800 --> 00:21:14,040
Speaker 2: He's going to do something about his job. Eric stands up,

464
00:21:14,080 --> 00:21:16,520
Speaker 2: you can't quit. I can't support this family. I'm not

465
00:21:16,560 --> 00:21:20,119
Speaker 2: a monkey. Alan's a little confused, but he lets it go,

466
00:21:20,480 --> 00:21:23,080
Speaker 2: and then Alan says he's going to ask for a raise.

467
00:21:23,240 --> 00:21:25,040
Speaker 2: Amy asks if that will make him happy. And he

468
00:21:25,080 --> 00:21:27,679
Speaker 2: responds happier than I am now and I'm not coming

469
00:21:27,720 --> 00:21:31,320
Speaker 2: back into this house until I get it, and he exits. Then,

470
00:21:32,040 --> 00:21:35,800
Speaker 2: still in the Matthew's kitchen optical flip, Alan is standing

471
00:21:35,880 --> 00:21:39,720
Speaker 2: awkwardly outside When Morgan asks why is Dad outside? Amy

472
00:21:39,760 --> 00:21:42,080
Speaker 2: opens the door and asks, you didn't get it. Alan

473
00:21:42,160 --> 00:21:44,640
Speaker 2: excitedly says he actually did get it. He told Pete

474
00:21:44,680 --> 00:21:46,440
Speaker 2: they need to talk, and Pete told him there's nothing

475
00:21:46,440 --> 00:21:49,919
Speaker 2: to talk about. Here's five thousand dollars. Amy's happy to

476
00:21:49,960 --> 00:21:52,240
Speaker 2: hear this news, telling Alan come inside, sit in a

477
00:21:52,320 --> 00:21:54,960
Speaker 2: nice chair. Alan admits he thinks he could have gotten

478
00:21:54,960 --> 00:21:57,320
Speaker 2: even more. Amy insists, then sit in the nice chair

479
00:21:57,359 --> 00:21:59,360
Speaker 2: and use the nice phone and call Pete and ask

480
00:21:59,480 --> 00:21:59,760
Speaker 2: for it.

481
00:22:00,359 --> 00:22:03,160
Speaker 1: Pete, now do we know? I wonder if our listeners

482
00:22:03,160 --> 00:22:03,399
Speaker 1: will know?

483
00:22:03,520 --> 00:22:04,080
Speaker 4: Is Pete the.

484
00:22:04,080 --> 00:22:06,359
Speaker 1: Same boss that he had to confront in the Shady

485
00:22:06,400 --> 00:22:08,840
Speaker 1: Mellon episode? Remember, because that was what the whole Shady

486
00:22:08,920 --> 00:22:12,880
Speaker 1: Melon was, right, him practicing me going in to talk

487
00:22:12,880 --> 00:22:15,199
Speaker 1: to his boss. I wonder if Pete was used back then.

488
00:22:15,520 --> 00:22:17,879
Speaker 2: I don't know. I don't remember a name being used

489
00:22:17,920 --> 00:22:18,320
Speaker 2: back then.

490
00:22:19,040 --> 00:22:21,680
Speaker 4: I do, but I remember it as Shady Melon, right,

491
00:22:21,760 --> 00:22:22,760
Speaker 4: So that's Yeah.

492
00:22:22,600 --> 00:22:25,719
Speaker 2: That doesn't help, So Alan admits calling Pete wouldn't make

493
00:22:25,800 --> 00:22:29,040
Speaker 2: much sense. Then he spills the beans, telling Amy, I

494
00:22:29,040 --> 00:22:32,840
Speaker 2: don't work there anymore. I quit. Amy and the kids

495
00:22:32,840 --> 00:22:34,919
Speaker 2: look at him shocked, while Alan acts like it's no

496
00:22:34,920 --> 00:22:37,040
Speaker 2: big deal. He goes on with his dinner, asking Corey

497
00:22:37,040 --> 00:22:41,040
Speaker 2: to pass him the potato potatoes. Not just one potato potatoes,

498
00:22:41,080 --> 00:22:45,000
Speaker 2: whole potatoes. He goes on with his dinner, asking Corey

499
00:22:45,000 --> 00:22:46,240
Speaker 2: to pass him the potatoes, and.

500
00:22:46,200 --> 00:22:48,320
Speaker 4: Will you look like you were going to break here?

501
00:22:48,359 --> 00:22:48,800
Speaker 2: Did you say?

502
00:22:48,800 --> 00:22:51,160
Speaker 4: I'm just saying so, Ben, if you watch I rewound

503
00:22:51,200 --> 00:22:51,880
Speaker 4: it like three times.

504
00:22:51,880 --> 00:22:52,600
Speaker 1: If you watch.

505
00:22:53,080 --> 00:22:57,399
Speaker 4: Change, Ben and I are like in the corners of

506
00:22:57,440 --> 00:22:59,720
Speaker 4: the frame, like just in the corner. Ben for some

507
00:22:59,800 --> 00:23:03,639
Speaker 4: reason and does this he put he says like to me,

508
00:23:04,200 --> 00:23:08,160
Speaker 4: and I look like I am about to lose it. Yeah.

509
00:23:08,200 --> 00:23:10,920
Speaker 4: They then cut to singles of us where we're obviously

510
00:23:10,960 --> 00:23:13,560
Speaker 4: you're fine, and then they cut back and I'm losing

511
00:23:13,640 --> 00:23:14,000
Speaker 4: it again.

512
00:23:14,560 --> 00:23:16,680
Speaker 1: So do you think he just improvised or just in

513
00:23:16,800 --> 00:23:20,280
Speaker 1: one take like this to keep you from laughing made

514
00:23:20,320 --> 00:23:20,920
Speaker 1: you laugh more?

515
00:23:21,160 --> 00:23:21,360
Speaker 3: Yeah?

516
00:23:21,480 --> 00:23:23,760
Speaker 4: Or I was whispering something to him as a joke.

517
00:23:23,840 --> 00:23:26,720
Speaker 6: I couldn't see doing that over rusty, like, yeah, so

518
00:23:27,040 --> 00:23:29,520
Speaker 6: something had happened where and if you watch it again,

519
00:23:29,600 --> 00:23:32,120
Speaker 6: we I am right on the verge destroying this.

520
00:23:32,200 --> 00:23:36,679
Speaker 2: It's so great because you are You're like this, Yeah, it.

521
00:23:36,600 --> 00:23:39,520
Speaker 3: Was bad, and it is right when he says I quit, yes,

522
00:23:39,960 --> 00:23:41,000
Speaker 3: right right after.

523
00:23:41,000 --> 00:23:43,360
Speaker 2: You pass me the potatoes looks.

524
00:23:43,800 --> 00:23:46,680
Speaker 1: You know that Ben had some in joke that he

525
00:23:46,720 --> 00:23:49,280
Speaker 1: had been saying all week just for you guys, that

526
00:23:49,320 --> 00:23:50,639
Speaker 1: he would never be able to stay in front of

527
00:23:50,680 --> 00:23:51,040
Speaker 1: the audience.

528
00:23:51,040 --> 00:23:53,119
Speaker 4: You know what I mean, like probably either making fun.

529
00:23:53,000 --> 00:23:55,280
Speaker 1: Of the word potatoes or like, you know, get your

530
00:23:55,280 --> 00:23:56,439
Speaker 1: own potatoes or something.

531
00:23:56,560 --> 00:23:58,920
Speaker 3: And then you guys knew it was coming.

532
00:23:59,480 --> 00:24:04,040
Speaker 2: Or thinking about it yet with this gesture and then

533
00:24:04,160 --> 00:24:07,800
Speaker 2: I'm like trying. It's very funny, and I was like,

534
00:24:07,840 --> 00:24:11,080
Speaker 2: I wonder what was going on there? Me too, And

535
00:24:11,160 --> 00:24:13,280
Speaker 2: so this is where I was thinking, like, it feels

536
00:24:13,320 --> 00:24:15,480
Speaker 2: like there were laughs in it, but it felt like

537
00:24:15,800 --> 00:24:20,119
Speaker 2: maybe this was shot without an audience. It feels very quiet, like,

538
00:24:20,280 --> 00:24:22,840
Speaker 2: which I think adds to the drama. I felt very

539
00:24:22,920 --> 00:24:25,160
Speaker 2: much like, and I guess part of that is maybe

540
00:24:25,160 --> 00:24:26,879
Speaker 2: what you guys mentioned that I hadn't really thought of,

541
00:24:27,000 --> 00:24:28,560
Speaker 2: is that it added a little bit more of the

542
00:24:28,560 --> 00:24:30,960
Speaker 2: sitcomy element of like the bomb dropping and the face

543
00:24:31,080 --> 00:24:35,119
Speaker 2: is all going ooo, but there was no audience ooh

544
00:24:35,240 --> 00:24:37,600
Speaker 2: to it. So anyway, it just felt very dramatic.

545
00:24:37,680 --> 00:24:40,080
Speaker 4: There were several times in this episode where one of

546
00:24:40,119 --> 00:24:41,840
Speaker 4: us looked like we were going to break. And this

547
00:24:42,000 --> 00:24:44,720
Speaker 4: the one of the reasons this episode might feel sitcomy

548
00:24:44,880 --> 00:24:46,719
Speaker 4: is because this is one of the episodes where we

549
00:24:46,720 --> 00:24:49,760
Speaker 4: were just trying to make each other laugh. Yeah, and

550
00:24:49,880 --> 00:24:52,439
Speaker 4: so we would go over the top more like with Gap,

551
00:24:52,520 --> 00:24:56,199
Speaker 4: like I'm trying to make you all laugh, and sometimes

552
00:24:56,240 --> 00:24:57,960
Speaker 4: you can read that now that I'm watching it back,

553
00:24:58,000 --> 00:24:58,360
Speaker 4: it's like.

554
00:24:58,320 --> 00:25:01,280
Speaker 2: Ooh, there's another moment coming up here in the hallway

555
00:25:01,320 --> 00:25:03,760
Speaker 2: where writer, I have to talk about it. It's so

556
00:25:03,920 --> 00:25:05,399
Speaker 2: and I love it, but I'm also like, do you

557
00:25:05,440 --> 00:25:08,359
Speaker 2: remember what was going on? Okay, So we're back in

558
00:25:08,359 --> 00:25:11,200
Speaker 2: the Matthew's kitchen after a very serious commercial break. Corey,

559
00:25:11,240 --> 00:25:13,520
Speaker 2: still in shock, says we're going to be poor, but

560
00:25:13,560 --> 00:25:15,760
Speaker 2: Alan assures him they won't. Amy asks how could he

561
00:25:15,800 --> 00:25:18,280
Speaker 2: do this without even discussing it with her. Alan shruggs,

562
00:25:18,280 --> 00:25:20,160
Speaker 2: we're discussing it now. She's relieved.

563
00:25:20,359 --> 00:25:21,560
Speaker 3: All of that was our cold open.

564
00:25:21,880 --> 00:25:25,119
Speaker 1: Yeah, that's a long, cold open all right, that's like

565
00:25:25,160 --> 00:25:27,880
Speaker 1: a good five minutes or four minutes at least.

566
00:25:28,000 --> 00:25:31,040
Speaker 4: Ye. Yeah, And it's two scenes but in the same set, right.

567
00:25:30,880 --> 00:25:31,720
Speaker 2: Right, right exactly.

568
00:25:31,720 --> 00:25:34,359
Speaker 1: So the first three scenes all take in the kitchen.

569
00:25:34,480 --> 00:25:37,120
Speaker 2: Yeah, yeah, interesting, plus a monkey smoking.

570
00:25:36,920 --> 00:25:40,199
Speaker 4: So smoking, Tvy for monkeysmoke.

571
00:25:39,880 --> 00:25:43,400
Speaker 2: Tv y seven Yeah, yeah, monkey, and Piper smoking.

572
00:25:45,480 --> 00:25:45,560
Speaker 6: So.

573
00:25:45,680 --> 00:25:48,199
Speaker 2: Amy's relieved and she asks, oh, so, no decision was

574
00:25:48,240 --> 00:25:50,919
Speaker 2: made and Alan responds, no, a decision was made. Now

575
00:25:50,920 --> 00:25:53,760
Speaker 2: it's time for the very important discussion that follows the

576
00:25:53,800 --> 00:25:57,040
Speaker 2: making of a decision. Amy tells him, if we had

577
00:25:57,040 --> 00:25:59,119
Speaker 2: discussed this before a decision was made, I might have

578
00:25:59,200 --> 00:26:01,240
Speaker 2: gently pointed out that we have children to feed and

579
00:26:01,280 --> 00:26:03,919
Speaker 2: bills to pay. Corey looks longing ley out the window

580
00:26:03,960 --> 00:26:07,800
Speaker 2: and says, bye bye Car, Bye bye Car. Alan assures

581
00:26:07,800 --> 00:26:09,600
Speaker 2: her he'd never put this family at risk. They have

582
00:26:09,640 --> 00:26:11,240
Speaker 2: a little money saved, and one day he hopes to

583
00:26:11,280 --> 00:26:13,720
Speaker 2: go into business for himself. That way Eric can come

584
00:26:13,760 --> 00:26:18,439
Speaker 2: work for me. And then Eric, now a new NEPO baby,

585
00:26:18,640 --> 00:26:21,639
Speaker 2: proudly tells everyone you hear that I'm gonna be responsible

586
00:26:21,680 --> 00:26:24,359
Speaker 2: for the well being of this family. Corey then sadly

587
00:26:24,400 --> 00:26:27,080
Speaker 2: says bye bye house, well giving me the same cute

588
00:26:27,119 --> 00:26:27,560
Speaker 2: little house.

589
00:26:28,040 --> 00:26:31,760
Speaker 1: And I love these asides with Corey works so well.

590
00:26:32,200 --> 00:26:34,320
Speaker 1: It's one of these examples of like work editing and

591
00:26:34,359 --> 00:26:36,760
Speaker 1: camera cuts or like make everything happen. Because if you

592
00:26:36,760 --> 00:26:39,400
Speaker 1: actually watched him get up off the kitchen table, move

593
00:26:39,480 --> 00:26:42,679
Speaker 1: to the door and then say bye bye car not funny,

594
00:26:42,800 --> 00:26:44,680
Speaker 1: but you just cut to like a postcard of him

595
00:26:44,680 --> 00:26:47,439
Speaker 1: saying bye bye car. The rhythm is controlled by the editing,

596
00:26:47,480 --> 00:26:49,680
Speaker 1: and it's so damn funny. Yeah, but I was like, man,

597
00:26:49,880 --> 00:26:51,320
Speaker 1: you couldn't do this in a why do you know

598
00:26:51,359 --> 00:26:52,840
Speaker 1: what I mean? You have to do that in singles?

599
00:26:52,840 --> 00:26:55,120
Speaker 1: You have to cut away and makes it's so punchy

600
00:26:55,119 --> 00:26:55,480
Speaker 1: and great.

601
00:26:55,760 --> 00:26:57,919
Speaker 2: It is so funny. It's also that's exactly what we

602
00:26:57,960 --> 00:27:00,760
Speaker 2: talk about when there's perfect comedic relief. What's going on

603
00:27:00,840 --> 00:27:03,640
Speaker 2: over here is very like heavy and serious, and then

604
00:27:03,760 --> 00:27:06,120
Speaker 2: in just an instant you're into a really funny moment

605
00:27:06,160 --> 00:27:08,119
Speaker 2: you get you get a little relief from the tension,

606
00:27:08,119 --> 00:27:10,320
Speaker 2: and then you're back right into the tension. It's it's

607
00:27:10,480 --> 00:27:11,320
Speaker 2: just incredible.

608
00:27:11,760 --> 00:27:16,680
Speaker 4: It's also a very real adult conversation exactly how can

609
00:27:16,720 --> 00:27:19,880
Speaker 4: you make a decision like this? Without consulting me. First

610
00:27:20,280 --> 00:27:21,000
Speaker 4: happens all the time.

611
00:27:21,040 --> 00:27:23,720
Speaker 2: I also very real kid fears.

612
00:27:24,000 --> 00:27:29,960
Speaker 4: Yeah, that are funny. We're going to be We're gonna

613
00:27:30,000 --> 00:27:30,280
Speaker 4: be poor.

614
00:27:31,080 --> 00:27:31,760
Speaker 2: It just great.

615
00:27:31,760 --> 00:27:33,920
Speaker 1: So Alan was trying to remember, how does this relate

616
00:27:34,040 --> 00:27:37,360
Speaker 1: to the when didn't? Isn't this exactly what what Alan

617
00:27:37,440 --> 00:27:42,639
Speaker 1: did when he bought the minivan a little bit. She

618
00:27:42,720 --> 00:27:44,960
Speaker 1: had made the decision, but not fully made the decision,

619
00:27:45,000 --> 00:27:46,320
Speaker 1: and then he just went and pulled the trigger. Is

620
00:27:46,320 --> 00:27:47,240
Speaker 1: that what happened because it.

621
00:27:47,240 --> 00:27:48,840
Speaker 2: Took her too long? She had been sitting on it,

622
00:27:48,840 --> 00:27:51,400
Speaker 2: apparently for a few months, and he already.

623
00:27:51,080 --> 00:27:53,080
Speaker 4: Picked the color and the model, so he went and

624
00:27:53,119 --> 00:27:54,560
Speaker 4: bought it, right bastard.

625
00:27:58,560 --> 00:28:01,119
Speaker 2: So Alan tells Amy, there's nothing to worry about. I

626
00:28:01,200 --> 00:28:04,600
Speaker 2: made a good decision. Amy responds, fine, I made one too.

627
00:28:05,040 --> 00:28:07,680
Speaker 2: Alan asks what decision that is, and she says, if

628
00:28:07,680 --> 00:28:10,960
Speaker 2: you're allowed to make a unilateral decision about something which

629
00:28:10,960 --> 00:28:15,200
Speaker 2: affects this entire family, then so am I? And Alan asks, well,

630
00:28:15,320 --> 00:28:17,600
Speaker 2: what decision are you going to make? Amy shrugs, I

631
00:28:17,640 --> 00:28:19,800
Speaker 2: don't know yet, but one day I will make a

632
00:28:19,840 --> 00:28:23,280
Speaker 2: decision which affects this entire family because you did, and

633
00:28:23,320 --> 00:28:28,960
Speaker 2: our relationship is an equal partnership, isn't it, Alan suspiciously responds, yes,

634
00:28:29,880 --> 00:28:32,760
Speaker 2: Amy fake comforts him, but don't you worry, because I'll

635
00:28:32,760 --> 00:28:36,200
Speaker 2: talk it over with you afterwards. And that's again another Remember,

636
00:28:36,320 --> 00:28:39,160
Speaker 2: I was like, the tension in this scene and with

637
00:28:39,240 --> 00:28:42,200
Speaker 2: this family right now is so high and I'm not

638
00:28:42,320 --> 00:28:45,280
Speaker 2: really used to that. Like, I don't know that. I

639
00:28:45,440 --> 00:28:49,640
Speaker 2: felt so much because even though we've talked about the

640
00:28:49,640 --> 00:28:52,760
Speaker 2: comedic relief moments that Ben provided with those quick cuts

641
00:28:52,760 --> 00:28:57,200
Speaker 2: and stuff, the fact that the family tension between Betsy

642
00:28:57,200 --> 00:29:00,800
Speaker 2: and Rusty is still so high. I was like, who's

643
00:29:00,960 --> 00:29:02,920
Speaker 2: I feel like we're on shaky foundation and I don't

644
00:29:02,920 --> 00:29:03,600
Speaker 2: know what's gonna happen.

645
00:29:03,600 --> 00:29:06,640
Speaker 4: They're doing it in front of their kids and all that. Yeah,

646
00:29:06,680 --> 00:29:10,120
Speaker 4: I normally do not bring this stuff up. Uh, it's

647
00:29:10,160 --> 00:29:13,040
Speaker 4: just weird to talk about kind of. But Betsy is

648
00:29:13,240 --> 00:29:15,240
Speaker 4: so pretty in this scene.

649
00:29:15,400 --> 00:29:18,160
Speaker 1: I know she is. I was looking at her like

650
00:29:18,360 --> 00:29:20,800
Speaker 1: she's soundingly good looking, but she was you.

651
00:29:20,800 --> 00:29:23,560
Speaker 4: Know, yeah, but you Rusty. But for some reason, I

652
00:29:23,600 --> 00:29:26,120
Speaker 4: don't know if it's my angle of lighting, she was stunning.

653
00:29:26,480 --> 00:29:28,520
Speaker 2: I know. I feel like this whole episode for her

654
00:29:28,640 --> 00:29:30,800
Speaker 2: is a really really great episode.

655
00:29:30,880 --> 00:29:32,560
Speaker 3: She looks given something to do.

656
00:29:32,760 --> 00:29:34,280
Speaker 4: I know she's an actor.

657
00:29:34,400 --> 00:29:36,920
Speaker 1: She's not just like yeah, you know mom in the

658
00:29:36,920 --> 00:29:40,440
Speaker 1: background or one off line. She actually has like intention,

659
00:29:40,680 --> 00:29:43,400
Speaker 1: she has layers, she has like subtlety. It's great.

660
00:29:43,680 --> 00:29:46,040
Speaker 2: Yeah, it's a really great episode for her. Gosh, I

661
00:29:46,080 --> 00:29:48,200
Speaker 2: love it. So then we're in the school hallway. Corey,

662
00:29:48,200 --> 00:29:50,240
Speaker 2: who is now fully committed to tight collared shirts and

663
00:29:50,280 --> 00:29:53,080
Speaker 2: belts as I mentioned, is telling Sean the story of

664
00:29:53,120 --> 00:29:56,240
Speaker 2: the whole sad mess he finds himself in. Sean responds, wow,

665
00:29:56,320 --> 00:29:58,800
Speaker 2: and to think you were my only rich friend. Corey

666
00:29:58,840 --> 00:30:03,920
Speaker 2: Perrexa'm comfortable, never rich, Sean tells him, indoorwhelming rich rich

667
00:30:04,640 --> 00:30:11,520
Speaker 2: love rich Sean's definition, well, I just love it.

668
00:30:11,560 --> 00:30:12,840
Speaker 1: I love the end of you.

669
00:30:15,120 --> 00:30:17,400
Speaker 4: I can't work with it. It's unbelievable.

670
00:30:18,240 --> 00:30:22,080
Speaker 1: So is a great Beast story. Yes, it's it's short,

671
00:30:22,160 --> 00:30:24,120
Speaker 1: and it's not much like we don't have much to do,

672
00:30:24,200 --> 00:30:26,040
Speaker 1: but all the little beats are really.

673
00:30:25,760 --> 00:30:28,920
Speaker 2: Fun, so funny. Corey tells them, well, whatever they were,

674
00:30:28,920 --> 00:30:31,120
Speaker 2: they aren't that anymore. He never realized how easy he

675
00:30:31,200 --> 00:30:33,800
Speaker 2: had it. Sean laughs, you had it easy, all right,

676
00:30:33,920 --> 00:30:34,880
Speaker 2: and here's where.

677
00:30:34,680 --> 00:30:36,480
Speaker 4: You are, like you're about to break breaking.

678
00:30:36,720 --> 00:30:39,960
Speaker 2: While also talking to it. Yes, it's so funny. I

679
00:30:40,000 --> 00:30:42,960
Speaker 2: wanted to ask you because you say you had it easy,

680
00:30:43,000 --> 00:30:46,080
Speaker 2: all right, you with your breakfast in the morning, your

681
00:30:46,200 --> 00:30:50,080
Speaker 2: lunch is in the afternoon, your dinners at night eaters.

682
00:30:49,960 --> 00:30:53,960
Speaker 4: Eas you're eaters, and then you start like you start laughing.

683
00:30:54,480 --> 00:30:57,840
Speaker 3: Yes, it's so read it that way, that's funny.

684
00:30:57,880 --> 00:30:58,600
Speaker 1: I was. I didn't.

685
00:30:58,920 --> 00:31:01,360
Speaker 3: I usually am like I could tell that I'm breaking.

686
00:31:01,400 --> 00:31:02,160
Speaker 1: I didn't think I was.

687
00:31:02,240 --> 00:31:03,959
Speaker 2: That's the thing is that I didn't know that it

688
00:31:04,080 --> 00:31:06,800
Speaker 2: was a break. It felt like there was a choice

689
00:31:06,840 --> 00:31:09,920
Speaker 2: you were making with your mouth, like you were imitating

690
00:31:10,280 --> 00:31:13,360
Speaker 2: someone else like you, similar to the way Will was

691
00:31:13,400 --> 00:31:17,480
Speaker 2: doing Seinfeld. I was like, are you doing Hannibal Lecter?

692
00:31:17,840 --> 00:31:21,760
Speaker 2: Are you doing? Because you were like, you're like your breakfasts.

693
00:31:21,920 --> 00:31:23,960
Speaker 2: It was like there was a growl to your mouth.

694
00:31:24,040 --> 00:31:25,520
Speaker 2: It was and I didn't know. I was like, is

695
00:31:25,520 --> 00:31:27,280
Speaker 2: it a break or is there something?

696
00:31:28,080 --> 00:31:31,200
Speaker 3: I didn't read it as a break.

697
00:31:31,240 --> 00:31:33,440
Speaker 1: I didn't. I didn't read it as a great performance.

698
00:31:33,720 --> 00:31:37,400
Speaker 2: But I feel like there's an inside joke you don't remember.

699
00:31:37,920 --> 00:31:40,760
Speaker 1: No, I mean in general, like watching my performance this episode,

700
00:31:40,760 --> 00:31:43,720
Speaker 1: I feel like there's I'm I'm again low energy, like

701
00:31:43,760 --> 00:31:46,680
Speaker 1: I'm doing like I'm sort of holding back or like

702
00:31:47,000 --> 00:31:49,360
Speaker 1: not committing for some reason. Like I can tell that

703
00:31:49,480 --> 00:31:52,720
Speaker 1: I again might might not have liked this episode or

704
00:31:52,800 --> 00:31:54,640
Speaker 1: or just didn't didn't because I didn't have much to do,

705
00:31:54,800 --> 00:31:56,560
Speaker 1: Like I'm just there for the jokes, so I think

706
00:31:56,600 --> 00:31:59,160
Speaker 1: I'm just kind of feeling like joke delivery machine, so

707
00:31:59,240 --> 00:32:01,280
Speaker 1: I can kind of I could tell that I'm not

708
00:32:01,400 --> 00:32:03,560
Speaker 1: into it, like I'm not fully committing all that it's

709
00:32:03,600 --> 00:32:03,920
Speaker 1: so funny.

710
00:32:03,920 --> 00:32:04,320
Speaker 3: I wouldn't.

711
00:32:04,360 --> 00:32:05,600
Speaker 4: I didn't really, I didn't pick up on that.

712
00:32:05,880 --> 00:32:07,480
Speaker 1: The only scene that I was like, oh, I was

713
00:32:07,520 --> 00:32:10,360
Speaker 1: having fun was me and Corey and Chubbies. For whatever reason,

714
00:32:10,400 --> 00:32:12,120
Speaker 1: I was like, Ben and I are having fun there,

715
00:32:12,200 --> 00:32:14,720
Speaker 1: and I liked doing that. But like all of this stuff,

716
00:32:14,760 --> 00:32:16,520
Speaker 1: I was like, I can tell, I'm just kind of phone.

717
00:32:16,360 --> 00:32:19,160
Speaker 4: In and again to me the Eaters. It was another

718
00:32:19,280 --> 00:32:21,680
Speaker 4: sign exactly what Daniel saying. It's another sign that we

719
00:32:21,680 --> 00:32:24,480
Speaker 4: were like trying to make each other laugh bigger with jokes,

720
00:32:24,480 --> 00:32:25,440
Speaker 4: like let's see how big week.

721
00:32:25,680 --> 00:32:27,720
Speaker 1: That's probably true. That's probably true is that Ban and

722
00:32:27,760 --> 00:32:29,560
Speaker 1: I were probably yeah, I probably was doing a new

723
00:32:29,600 --> 00:32:31,920
Speaker 1: reading on this moment right to just try and make

724
00:32:31,960 --> 00:32:34,400
Speaker 1: him break or something, yeah, but I only think I

725
00:32:34,480 --> 00:32:36,880
Speaker 1: was breaking. Usually I could tell another yeah.

726
00:32:36,880 --> 00:32:38,680
Speaker 2: I feel like there was some sort of inside joke.

727
00:32:38,720 --> 00:32:41,600
Speaker 2: There was something going on, and Corey Ben also looks

728
00:32:41,640 --> 00:32:45,160
Speaker 2: like he might break, but he doesn't. He responds, they

729
00:32:45,160 --> 00:32:47,080
Speaker 2: put the food in front of me, and Sean tells

730
00:32:47,120 --> 00:32:48,680
Speaker 2: him you're my friend, and I'm going to teach you

731
00:32:48,680 --> 00:32:50,360
Speaker 2: how to be poor. It's not going to be easy.

732
00:32:50,720 --> 00:32:53,080
Speaker 2: And then he says, because you come from a world

733
00:32:53,120 --> 00:32:56,800
Speaker 2: of many pants, which this world.

734
00:32:56,480 --> 00:32:59,040
Speaker 1: Of many pants is a great line. It's a great.

735
00:32:58,840 --> 00:33:02,160
Speaker 2: Line, frontline. It's not going to be easy to teach

736
00:33:02,160 --> 00:33:03,760
Speaker 2: you how to be poor because you come from a

737
00:33:03,760 --> 00:33:05,680
Speaker 2: world of many pants.

738
00:33:05,720 --> 00:33:09,120
Speaker 4: So good, they put the pants in front of me.

739
00:33:10,200 --> 00:33:13,080
Speaker 2: His response, that's exactly, they put the pants in front

740
00:33:13,120 --> 00:33:15,800
Speaker 2: of me. Sean admits, Corey sound since here. When was

741
00:33:15,840 --> 00:33:18,760
Speaker 2: the last time you slept inside? Corey answers last night.

742
00:33:18,880 --> 00:33:20,680
Speaker 2: Sean throws his hands up in the air and walks away,

743
00:33:20,760 --> 00:33:21,560
Speaker 2: I can't work with you.

744
00:33:21,760 --> 00:33:22,400
Speaker 4: I can't work.

745
00:33:24,320 --> 00:33:27,800
Speaker 2: And then our recent high school graduate, Eric walks in

746
00:33:28,080 --> 00:33:32,320
Speaker 2: sasheg through the hall, saying hi to students, pretending he's

747
00:33:32,360 --> 00:33:34,760
Speaker 2: some cool older guy. He stops when he sees Phoenie,

748
00:33:35,320 --> 00:33:35,840
Speaker 2: so weird that.

749
00:33:35,880 --> 00:33:39,200
Speaker 3: Eric's already graduated, Like when you walked in and you

750
00:33:39,200 --> 00:33:39,640
Speaker 3: were doing.

751
00:33:39,520 --> 00:33:41,000
Speaker 7: Your things, like why is he doing this whole pit?

752
00:33:41,080 --> 00:33:44,520
Speaker 4: And I was like, oh, right here, he's the guy

753
00:33:44,560 --> 00:33:45,840
Speaker 4: still hanging out at high school.

754
00:33:45,920 --> 00:33:48,920
Speaker 1: Yeah, it's just weird that we've already done every episode of.

755
00:33:50,360 --> 00:34:05,320
Speaker 2: Yeah, I know, Hey, mister Feenney, how's it going? By

756
00:34:05,360 --> 00:34:09,399
Speaker 2: and By? Phoene responds fine, bye and By then asks Eric,

757
00:34:09,440 --> 00:34:10,799
Speaker 2: how does it feel to be back in the old

758
00:34:10,800 --> 00:34:13,840
Speaker 2: school hall? And boy, I'm really happy to see the

759
00:34:14,320 --> 00:34:16,919
Speaker 2: two of you back together. I know it fels nice.

760
00:34:17,520 --> 00:34:20,640
Speaker 2: Eric looks around. They miss me, don't they. Phoene says, yes,

761
00:34:20,719 --> 00:34:22,920
Speaker 2: we've brought in a crisis counselor to help the students

762
00:34:22,920 --> 00:34:25,160
Speaker 2: deal with their loss. Eric agrees, I think that's a

763
00:34:25,160 --> 00:34:28,359
Speaker 2: great way to begin the dealing process. Phoene stares at him,

764
00:34:28,360 --> 00:34:30,960
Speaker 2: and Eric realizes he wasn't being serious. Phoene asks, I

765
00:34:31,040 --> 00:34:33,120
Speaker 2: take it you're here to set up a tutoring schedule.

766
00:34:33,520 --> 00:34:35,520
Speaker 2: Eric admits that he was, but now he doesn't think

767
00:34:35,560 --> 00:34:38,200
Speaker 2: tutoring is going to be necessary for him. Phoene reminds him,

768
00:34:38,239 --> 00:34:40,920
Speaker 2: I thought we agreed colleges. Look favorably on students who

769
00:34:40,920 --> 00:34:44,399
Speaker 2: acknowledge their scholastic shortcomings and try to rectify them. Eric

770
00:34:44,400 --> 00:34:46,600
Speaker 2: says his dad is starting a family business and has

771
00:34:46,680 --> 00:34:49,600
Speaker 2: generously offered him a position within the firm, so his

772
00:34:49,719 --> 00:34:53,000
Speaker 2: futures assured. Phoene questions what kind of business is it.

773
00:34:53,320 --> 00:34:55,520
Speaker 2: Eric thinks for a second and admits, I don't know,

774
00:34:55,560 --> 00:34:58,000
Speaker 2: but it doesn't really matter because this weekend the Matthew's

775
00:34:58,040 --> 00:35:04,560
Speaker 2: mend are attending the bro Boss Franchise Exposition Opportunity Extravaganza

776
00:35:05,080 --> 00:35:09,560
Speaker 2: at the airport comfort In. Phoene exhaustingly shakes his head

777
00:35:09,600 --> 00:35:12,280
Speaker 2: and says, where dreams are born, Where.

778
00:35:12,120 --> 00:35:18,280
Speaker 4: Dreams are born? Whatever read in this fantastic whatever.

779
00:35:18,840 --> 00:35:22,200
Speaker 1: It's like a follow up joke to the North Southwestern Universe.

780
00:35:23,320 --> 00:35:26,080
Speaker 1: It's like the same sort of absurd name with Phoenix.

781
00:35:26,239 --> 00:35:28,080
Speaker 1: All you have to do is just cut the Phoenie's.

782
00:35:27,719 --> 00:35:30,560
Speaker 2: Face afterwards and being exactly.

783
00:35:30,520 --> 00:35:32,560
Speaker 4: First of all, pretty sure I still have that jacket

784
00:35:33,000 --> 00:35:38,200
Speaker 4: really sleeve that's blue and brown? Yes, I'm pretty sure

785
00:35:38,239 --> 00:35:40,719
Speaker 4: I still have that. I mean, wait, not not if

786
00:35:40,719 --> 00:35:43,879
Speaker 4: Disney's listening. Disney's listening, I don't, but if they are

787
00:35:43,960 --> 00:35:45,160
Speaker 4: coming for you, pretty sure I.

788
00:35:45,160 --> 00:35:47,759
Speaker 2: Have that you still have that sock dud, don't you

789
00:35:48,000 --> 00:35:53,919
Speaker 2: don't say on the apse? Okay, So then we get

790
00:35:54,080 --> 00:35:57,960
Speaker 2: an exterior of the airport comfort in Yes, and once

791
00:35:58,000 --> 00:36:01,839
Speaker 2: we're inside some more expense of looking set design. We've

792
00:36:01,880 --> 00:36:06,440
Speaker 2: got money in season four? Yeah, clearly Eric dressed in

793
00:36:06,480 --> 00:36:09,560
Speaker 2: a tie and perhaps a Swede jacket.

794
00:36:10,120 --> 00:36:11,640
Speaker 4: Yeah, I'm rocking this weight?

795
00:36:12,120 --> 00:36:14,360
Speaker 2: Can I Can I tell my favorite Swede story about what.

796
00:36:15,920 --> 00:36:17,799
Speaker 1: I love at? You have a Swede story about Will?

797
00:36:18,680 --> 00:36:18,839
Speaker 4: Oh?

798
00:36:19,000 --> 00:36:19,560
Speaker 7: God, I don't know.

799
00:36:20,200 --> 00:36:21,080
Speaker 2: Well, can I share it?

800
00:36:21,520 --> 00:36:21,840
Speaker 4: Sure?

801
00:36:22,200 --> 00:36:26,920
Speaker 2: Let's see if riter remembers. So when we were in Philly,

802
00:36:28,000 --> 00:36:31,520
Speaker 2: there was a night that you and writer had a

803
00:36:31,600 --> 00:36:36,480
Speaker 2: couple of drinks and Will had gone shopping that day

804
00:36:37,040 --> 00:36:39,839
Speaker 2: and I joined you guys late after you had had

805
00:36:40,400 --> 00:36:41,520
Speaker 2: a couple drinks.

806
00:36:43,640 --> 00:36:49,680
Speaker 1: And this is when we were upstairs in the right. Yeah.

807
00:36:47,719 --> 00:36:53,680
Speaker 2: Oh, Will, who has recently started enjoying in the very

808
00:36:53,719 --> 00:36:59,000
Speaker 2: slightest amount buying clothes and figuring out a style for himself,

809
00:36:59,160 --> 00:37:02,000
Speaker 2: trying trying to be like you know, I actually do

810
00:37:02,120 --> 00:37:04,080
Speaker 2: feel good when I put in some effort to what

811
00:37:04,120 --> 00:37:06,200
Speaker 2: I want to wear. And so he had gone shopping

812
00:37:06,239 --> 00:37:08,680
Speaker 2: that day, so he was excited to tell me about

813
00:37:08,680 --> 00:37:14,680
Speaker 2: his purchases and he goes, gosh, we went, Sue and

814
00:37:14,719 --> 00:37:17,319
Speaker 2: I went to Banana Republic today and I bought Roy

815
00:37:17,400 --> 00:37:20,920
Speaker 2: bought a really nice hoodie. It's really nice. It's swayed,

816
00:37:21,719 --> 00:37:25,719
Speaker 2: and I go Swede hoody and he goes, yeah, it's

817
00:37:25,800 --> 00:37:28,319
Speaker 2: really nice. And I looked at the price tag and

818
00:37:28,320 --> 00:37:31,600
Speaker 2: I was like, Sue, why is this Why is this

819
00:37:31,680 --> 00:37:34,440
Speaker 2: so expensive? And she was like because it's swayed, and

820
00:37:34,520 --> 00:37:37,120
Speaker 2: I was like sweet, yeah, And then I bought I

821
00:37:37,160 --> 00:37:40,520
Speaker 2: bought a Swede jacket too. I bought straight jacket and

822
00:37:40,560 --> 00:37:43,960
Speaker 2: I was like, huh wow, I didn't I don't even

823
00:37:44,000 --> 00:37:46,840
Speaker 2: think I've seen a Swede hoodie. Yeah, it's really nice,

824
00:37:46,920 --> 00:37:47,600
Speaker 2: it's really nice.

825
00:37:47,719 --> 00:37:52,360
Speaker 4: Sight I see him.

826
00:37:52,280 --> 00:37:54,959
Speaker 2: Like I don't know a few days later and he's

827
00:37:55,040 --> 00:37:58,320
Speaker 2: wearing a gorgeous cashmere.

828
00:37:59,600 --> 00:38:01,920
Speaker 4: And I go, oh, wow, look at that.

829
00:38:01,920 --> 00:38:02,399
Speaker 2: That's nice.

830
00:38:02,400 --> 00:38:04,560
Speaker 4: And he goes, yeah, this is the one I bought

831
00:38:04,640 --> 00:38:06,800
Speaker 4: that day that I told you about.

832
00:38:07,320 --> 00:38:11,279
Speaker 2: I go, oh, Kashmary goes yeah, it's Kashmir and I go,

833
00:38:11,400 --> 00:38:15,200
Speaker 2: that's the way you said that saying it was Swede.

834
00:38:15,239 --> 00:38:23,879
Speaker 2: He's like, I don't remember that.

835
00:38:21,320 --> 00:38:24,080
Speaker 1: Before, Kashmir versus Swede.

836
00:38:24,160 --> 00:38:25,239
Speaker 3: I love it, and I get yeah.

837
00:38:25,239 --> 00:38:27,480
Speaker 4: The next day she was like, that's okay. Don't you

838
00:38:27,520 --> 00:38:29,920
Speaker 4: understand that's that's not Swaye. I'm like, of course, not Swayet.

839
00:38:29,920 --> 00:38:30,840
Speaker 4: Its Kashmir.

840
00:38:32,160 --> 00:38:35,799
Speaker 1: To be very questioning about a Swede hoodie makes perfect sense.

841
00:38:35,840 --> 00:38:37,560
Speaker 3: By the way, it's like a Swaye jacket. You can

842
00:38:37,600 --> 00:38:38,480
Speaker 3: be like, yeah, that's the thing.

843
00:38:39,120 --> 00:38:43,280
Speaker 4: A Swede hoodie, I was like, in a suede sweater

844
00:38:43,360 --> 00:38:44,960
Speaker 4: is what? Because I had a I bought a sweater

845
00:38:45,000 --> 00:38:45,600
Speaker 4: in a hood.

846
00:38:45,640 --> 00:38:49,239
Speaker 2: Right right, We're both like, this is a lot. But

847
00:38:49,360 --> 00:38:53,120
Speaker 2: the hoodie, I was like, the sight I want. I

848
00:38:53,160 --> 00:38:55,759
Speaker 2: know that what he's saying he wants me to give

849
00:38:55,840 --> 00:38:59,560
Speaker 2: him an excited response to this. He's saying it because

850
00:38:59,560 --> 00:39:01,160
Speaker 2: he wants me to be happy for him. But all

851
00:39:01,200 --> 00:39:03,800
Speaker 2: I keep thinking about is swayed hoodie sounds disgusting.

852
00:39:05,040 --> 00:39:05,719
Speaker 1: This doesn't.

853
00:39:07,560 --> 00:39:07,920
Speaker 2: Awful.

854
00:39:08,239 --> 00:39:09,080
Speaker 4: Well, I'm not sure.

855
00:39:09,320 --> 00:39:10,880
Speaker 2: And you spend a lot of money on it. Huh.

856
00:39:10,920 --> 00:39:12,279
Speaker 4: This is why I don't drink a lot.

857
00:39:14,560 --> 00:39:17,799
Speaker 2: Just imagine how hot a Swede hoodie is.

858
00:39:19,440 --> 00:39:23,280
Speaker 4: I want somebody to now make and send us Swede hoodies.

859
00:39:24,520 --> 00:39:25,200
Speaker 1: Very expensive.

860
00:39:25,520 --> 00:39:28,600
Speaker 2: It's just my favorite, one of my favorite will stories.

861
00:39:28,640 --> 00:39:30,960
Speaker 2: So I thought this is the perfect place to tell it.

862
00:39:31,680 --> 00:39:35,400
Speaker 2: So Eric tells Alan somewhere out there lies our bright,

863
00:39:35,480 --> 00:39:38,080
Speaker 2: shining future. They're trying to decide where to start, and

864
00:39:38,120 --> 00:39:40,120
Speaker 2: Alan decides, well, since he's been in food his whole life,

865
00:39:40,120 --> 00:39:43,000
Speaker 2: they can eliminate everything from spaghetti in a bag to dust.

866
00:39:43,080 --> 00:39:45,880
Speaker 2: Falafel sergeant, And then we see a man nearby dressed

867
00:39:45,960 --> 00:39:50,360
Speaker 2: like a sergeant passing out falafelk falaful sergeant.

868
00:39:50,640 --> 00:39:55,000
Speaker 1: Just the words are funny one of the second like

869
00:39:55,200 --> 00:40:01,319
Speaker 1: German based food joke, because then we're into like strudal. Yeah, right,

870
00:40:02,200 --> 00:40:03,799
Speaker 1: And I was trying to find the connection. I was like,

871
00:40:04,600 --> 00:40:09,000
Speaker 1: is this Germany? I was like, it's just words. It's

872
00:40:09,040 --> 00:40:12,919
Speaker 1: just like it's this is all very funny words.

873
00:40:13,000 --> 00:40:13,200
Speaker 4: Yeah.

874
00:40:13,200 --> 00:40:18,440
Speaker 2: Absolutely, and Eric adds that since he's been in school

875
00:40:18,480 --> 00:40:20,719
Speaker 2: his whole life, he wants to eliminate anything where you

876
00:40:20,760 --> 00:40:24,400
Speaker 2: have to shower with guys, what job would that be?

877
00:40:26,000 --> 00:40:27,120
Speaker 2: What are we eliminating?

878
00:40:28,760 --> 00:40:29,720
Speaker 4: It's very strange.

879
00:40:29,800 --> 00:40:32,720
Speaker 1: Yeah. By the way, the whole time, all I'm looking

880
00:40:32,719 --> 00:40:34,759
Speaker 1: at is the signs in the back of behind Yes,

881
00:40:35,920 --> 00:40:37,520
Speaker 1: stop the poop, Like, what is this?

882
00:40:37,880 --> 00:40:41,960
Speaker 3: I know, it's like it's I didn't.

883
00:40:41,760 --> 00:40:43,839
Speaker 2: Think that too. I thought they're giving away a joke

884
00:40:43,920 --> 00:40:46,239
Speaker 2: that must be coming up, but like all behind it,

885
00:40:46,280 --> 00:40:48,000
Speaker 2: it just says I was.

886
00:40:48,040 --> 00:40:49,480
Speaker 1: Not listening to anything being said.

887
00:40:49,480 --> 00:40:53,320
Speaker 3: I'm just like what it was, all these hidden jokes.

888
00:40:54,719 --> 00:40:56,600
Speaker 2: Right then, a man walks up and says, I couldn't

889
00:40:56,800 --> 00:41:00,000
Speaker 2: help it overhear your career consternation. What you're looking for

890
00:41:00,160 --> 00:41:02,839
Speaker 2: is something fresh, something new, a business with unlimited growth

891
00:41:02,840 --> 00:41:05,120
Speaker 2: opportunities where you can be your own boss. Does it

892
00:41:05,200 --> 00:41:08,040
Speaker 2: sound good so far? Eric immediately answers, that's exactly what

893
00:41:08,040 --> 00:41:10,359
Speaker 2: we're looking for. The man asks, do you have a dog?

894
00:41:10,520 --> 00:41:13,279
Speaker 2: Eric blurts out yes, Alan Hester correct I'm saying they

895
00:41:13,280 --> 00:41:16,240
Speaker 2: do not have a dog. Eric leans into Alan and whispers.

896
00:41:15,800 --> 00:41:16,279
Speaker 4: We'll get one.

897
00:41:16,320 --> 00:41:19,359
Speaker 2: Don't blow this, don't blow it. Eric tells the man,

898
00:41:19,400 --> 00:41:22,040
Speaker 2: we have a small dog. The man explains that over

899
00:41:22,080 --> 00:41:24,759
Speaker 2: seventy five million Americans have a dog, and every day

900
00:41:24,840 --> 00:41:27,759
Speaker 2: those dogs leave behind a great deal of shell, we say.

901
00:41:30,440 --> 00:41:33,000
Speaker 2: Alan whispers to Eric, I think we've heard enough. Eric

902
00:41:33,040 --> 00:41:34,839
Speaker 2: stops him. Let's see where this is going. And I

903
00:41:34,960 --> 00:41:38,480
Speaker 2: love this dynamic because it's exactly what you would expect

904
00:41:38,600 --> 00:41:42,000
Speaker 2: for the kid fresh out of high school, eyes as

905
00:41:42,000 --> 00:41:45,160
Speaker 2: big as saucers, ready to believe the first person who

906
00:41:45,239 --> 00:41:47,800
Speaker 2: comes up and talks to him. This could be it, Dad,

907
00:41:47,880 --> 00:41:51,040
Speaker 2: I don't need to stop ruining my chances and for

908
00:41:51,200 --> 00:41:53,399
Speaker 2: Alan to be like I can see this coming from

909
00:41:53,400 --> 00:41:55,080
Speaker 2: a mile away. This is not what we want. I

910
00:41:55,160 --> 00:41:59,080
Speaker 2: just I think it's a great dynamic. The man continues,

911
00:41:59,120 --> 00:42:01,320
Speaker 2: No one is picking up this stinky mess on our lawns,

912
00:42:01,360 --> 00:42:03,239
Speaker 2: on our parks. So what to do? He grabs a

913
00:42:03,280 --> 00:42:05,560
Speaker 2: sample from his booth and he starts to spray mist

914
00:42:05,680 --> 00:42:07,799
Speaker 2: in the air, saying it's the solution to all this.

915
00:42:08,239 --> 00:42:10,839
Speaker 2: Alan recoils from the mist, but Eric asks the man

916
00:42:10,920 --> 00:42:14,760
Speaker 2: what is it, to which he responds, poo Perrie, Alan size,

917
00:42:14,760 --> 00:42:18,880
Speaker 2: and the man continues Pooperrie deodorizes, sanitizes, glamorize it. He

918
00:42:18,920 --> 00:42:21,560
Speaker 2: sprays it directly in Eric's face, and Eric smiles, saying,

919
00:42:21,640 --> 00:42:24,280
Speaker 2: ooh o cake. There's a real product.

920
00:42:26,280 --> 00:42:28,400
Speaker 3: Yeah yeah, but was it real back then?

921
00:42:28,440 --> 00:42:29,239
Speaker 4: It wasn't, right, I.

922
00:42:29,160 --> 00:42:31,279
Speaker 2: Don't think so. And because poop Perrie is not for

923
00:42:31,320 --> 00:42:35,279
Speaker 2: anything for dogs, it's for humans. Yeah, it launched Taraja's head.

924
00:42:35,280 --> 00:42:37,840
Speaker 2: It launched in two thousand and seven. So the current

925
00:42:38,000 --> 00:42:42,120
Speaker 2: poop Perrie you spray on the water in a toilet

926
00:42:42,160 --> 00:42:46,080
Speaker 2: bowl before you go, so you walk into a bathroom.

927
00:42:46,440 --> 00:42:48,879
Speaker 1: I thought it was just an after spray, which is.

928
00:42:48,800 --> 00:42:52,680
Speaker 2: What they say, after the smell of pooh has already

929
00:42:52,760 --> 00:42:55,560
Speaker 2: wafted into the air. If you spray it, it creates

930
00:42:55,600 --> 00:42:58,200
Speaker 2: a layer on the surface of the water, so when

931
00:42:58,239 --> 00:43:01,640
Speaker 2: the poop drops in, it's days under the surface of

932
00:43:01,680 --> 00:43:03,880
Speaker 2: that smell, eliminating.

933
00:43:03,239 --> 00:43:06,320
Speaker 4: You are you are you selling this?

934
00:43:06,200 --> 00:43:13,240
Speaker 8: Is that you are daniel Fish that brings you poopoop

935
00:43:13,280 --> 00:43:17,160
Speaker 8: for free by Danielle fishl Oh.

936
00:43:17,200 --> 00:43:18,799
Speaker 4: I love that, it really is.

937
00:43:18,840 --> 00:43:22,399
Speaker 2: It's a wonderful product. So yeah, anyway, it is now

938
00:43:22,400 --> 00:43:24,240
Speaker 2: a real thing. I think it's wonderful.

939
00:43:25,600 --> 00:43:27,120
Speaker 4: Do you actually use this stuff?

940
00:43:27,239 --> 00:43:29,359
Speaker 2: Yeah? Yeah, we had it. We have it.

941
00:43:29,680 --> 00:43:33,440
Speaker 1: Okay, okay, it's great, right, I guess I guess we

942
00:43:33,440 --> 00:43:34,960
Speaker 1: should reach out for them for sponsors.

943
00:43:37,040 --> 00:43:38,600
Speaker 2: I can do the ads. I can speak to you.

944
00:43:38,719 --> 00:43:41,080
Speaker 1: We just did one.

945
00:43:42,680 --> 00:43:43,759
Speaker 3: We're charging overtime.

946
00:43:43,960 --> 00:43:45,279
Speaker 4: This did a sixty right there.

947
00:43:58,719 --> 00:44:01,400
Speaker 2: Alan grabs Eric, telling it let's go. Eric tells him, no,

948
00:44:01,480 --> 00:44:04,120
Speaker 2: I want to make this my life. The poopery man continues.

949
00:44:04,160 --> 00:44:08,200
Speaker 2: The figures are irrefutable. If each pet owning American purchases

950
00:44:08,239 --> 00:44:10,879
Speaker 2: only one can of poopery, this franchise is worth over

951
00:44:11,000 --> 00:44:14,279
Speaker 2: forty billion dollars, catapulting Poopery Ink to the number one

952
00:44:14,280 --> 00:44:17,400
Speaker 2: corporation in America. Alan questions whether anyone will buy it,

953
00:44:17,400 --> 00:44:19,480
Speaker 2: and the man responds, well, now you sound like my.

954
00:44:19,480 --> 00:44:20,760
Speaker 4: Wife's a great response.

955
00:44:21,000 --> 00:44:25,000
Speaker 2: It's good walking away. Eric asks, so that's the leader

956
00:44:25,080 --> 00:44:27,960
Speaker 2: so far right, dad, Alan admits, sadly it is sun

957
00:44:28,040 --> 00:44:30,560
Speaker 2: But there are many business opportunities to consider, and I'm

958
00:44:30,600 --> 00:44:33,360
Speaker 2: sure we'll find the exact right thing for us. And

959
00:44:33,400 --> 00:44:35,759
Speaker 2: then we get another little optical flip. Back in the

960
00:44:35,840 --> 00:44:39,279
Speaker 2: Matthew's kitchen, Eric is holding two plates of strudel and

961
00:44:39,320 --> 00:44:42,840
Speaker 2: there's a wide array covering the dining table. Amy asks

962
00:44:42,880 --> 00:44:45,880
Speaker 2: the men you want to open an Ogner's house of Strudel.

963
00:44:46,280 --> 00:44:48,680
Speaker 2: Eric says yes, there's one hundred and forty nine varieties,

964
00:44:48,680 --> 00:44:51,040
Speaker 2: and every month they assure me that frau Agner comes

965
00:44:51,040 --> 00:44:52,360
Speaker 2: out with a new flavor.

966
00:44:53,600 --> 00:44:55,719
Speaker 1: I know that, you know that during the week they

967
00:44:55,760 --> 00:44:59,640
Speaker 1: went through like fifteen versions of Oh anything right. It's

968
00:44:59,680 --> 00:45:03,239
Speaker 1: optical flip to Eric, committed to a ridiculous product, and

969
00:45:03,280 --> 00:45:05,560
Speaker 1: it's like you could you know the writer's room even

970
00:45:05,600 --> 00:45:08,760
Speaker 1: if we didn't rehearse fifteen years they went through like sixty.

971
00:45:09,040 --> 00:45:11,120
Speaker 1: They just sat they're riffing on what it could be,

972
00:45:11,160 --> 00:45:13,520
Speaker 1: and it is funny to me that they landed on

973
00:45:13,680 --> 00:45:17,200
Speaker 1: just kind of funny word, you know, strudel frau, which

974
00:45:17,239 --> 00:45:20,600
Speaker 1: again is like this German like, it's just it's.

975
00:45:20,680 --> 00:45:22,719
Speaker 4: But it's also why it makes no sense that Eric

976
00:45:22,800 --> 00:45:28,520
Speaker 4: has twenty strudel that are open and on disposable plates

977
00:45:28,840 --> 00:45:31,320
Speaker 4: for some reason to be served ready to be served

978
00:45:31,520 --> 00:45:33,640
Speaker 4: at the house. It's just yeah, it's it's a funny

979
00:45:33,719 --> 00:45:36,480
Speaker 4: visual and a funny noise essentially is yeah.

980
00:45:36,680 --> 00:45:40,160
Speaker 2: I do imagine they had a ton of fun throwing

981
00:45:40,520 --> 00:45:42,600
Speaker 2: random things. It could have been out, you know, out

982
00:45:42,600 --> 00:45:46,600
Speaker 2: in the writer's room. I will say I wish it

983
00:45:46,640 --> 00:45:49,480
Speaker 2: were a non food item, since the very first thing

984
00:45:49,560 --> 00:45:51,920
Speaker 2: Alan said was I want to stay away from food.

985
00:45:52,440 --> 00:45:55,680
Speaker 2: So I wish they could have picked something equally as funny,

986
00:45:56,120 --> 00:45:58,879
Speaker 2: but that could it was an edible Yeah, it wasn't

987
00:45:59,000 --> 00:46:00,600
Speaker 2: edible because with then we are he threw out the

988
00:46:00,680 --> 00:46:03,080
Speaker 2: very first principle that Alan set us up with.

989
00:46:03,160 --> 00:46:05,720
Speaker 1: So that's that was I also think wacky inventions are funny,

990
00:46:05,760 --> 00:46:08,319
Speaker 1: you know, like there you know, and dumb wacky inventions

991
00:46:08,360 --> 00:46:11,040
Speaker 1: like it's a knife that also does the you know whatever,

992
00:46:11,239 --> 00:46:13,760
Speaker 1: there's like so much of an opportunity to wade hoodie.

993
00:46:13,760 --> 00:46:14,800
Speaker 1: Why would anybody want.

994
00:46:14,680 --> 00:46:18,120
Speaker 2: To show hoodies.

995
00:46:19,840 --> 00:46:23,759
Speaker 1: Sweet house of sweeties, house SWOOTI love it, Eric's House

996
00:46:23,800 --> 00:46:24,320
Speaker 1: of Swooties.

997
00:46:25,320 --> 00:46:27,600
Speaker 2: Do you like to be swooty? Put on our sweeties?

998
00:46:28,520 --> 00:46:29,280
Speaker 1: You want to be hot?

999
00:46:29,360 --> 00:46:33,480
Speaker 4: Even when he's freezing cold outside, Try swooty.

1000
00:46:37,640 --> 00:46:41,040
Speaker 2: Oh, Cory sadly says, so. Now my future depends on

1001
00:46:41,080 --> 00:46:45,080
Speaker 2: a Bavarian named Dogner. John warned me about this. Amy's

1002
00:46:45,120 --> 00:46:47,600
Speaker 2: hoping Alan isn't buying into this strudal idea. He tells

1003
00:46:47,600 --> 00:46:49,319
Speaker 2: her he isn't in the hands or a pamphlet for

1004
00:46:49,400 --> 00:46:52,680
Speaker 2: his first choice, a rapid marked it's a convenience store,

1005
00:46:52,680 --> 00:46:55,200
Speaker 2: and Alan figures it's a perfect for a guy like him.

1006
00:46:55,239 --> 00:46:57,879
Speaker 2: It's a business he already knows. Amy corrects him, it's

1007
00:46:57,920 --> 00:47:01,160
Speaker 2: a business you already hate. Alan's I hated working for

1008
00:47:01,239 --> 00:47:03,359
Speaker 2: somebody else. This would be different. I'd run my own store,

1009
00:47:03,440 --> 00:47:06,720
Speaker 2: run it my way. Amy says, you're still selling lettuce.

1010
00:47:06,840 --> 00:47:09,200
Speaker 2: You know this is not what you want. Alan gets defensive,

1011
00:47:09,239 --> 00:47:11,200
Speaker 2: telling Amy he can't seem to win with her. He

1012
00:47:11,239 --> 00:47:13,520
Speaker 2: included her in this decision, like she originally wanted, but

1013
00:47:13,600 --> 00:47:15,319
Speaker 2: now she's trying to talk him out of something he

1014
00:47:15,640 --> 00:47:18,680
Speaker 2: kind of sort of maybe wants. And I love that

1015
00:47:19,239 --> 00:47:22,040
Speaker 2: a great read. He goes into it thinking you're gonna

1016
00:47:22,040 --> 00:47:25,480
Speaker 2: say something that I really really want, and then shows

1017
00:47:25,480 --> 00:47:26,440
Speaker 2: you how he's really feeling.

1018
00:47:26,600 --> 00:47:26,839
Speaker 4: Yep.

1019
00:47:29,120 --> 00:47:31,080
Speaker 2: Amy jokes with that kind of passion. Who am I

1020
00:47:31,120 --> 00:47:33,560
Speaker 2: to stand in your way? Eric butts in and says hello,

1021
00:47:33,640 --> 00:47:36,799
Speaker 2: is this obvious only to me? Strudel Alan yells at

1022
00:47:36,880 --> 00:47:39,760
Speaker 2: him naptime and Eric walks away telling him he's.

1023
00:47:39,640 --> 00:47:42,000
Speaker 1: Right, Yeah, you're right, and again this is another seinfold

1024
00:47:42,040 --> 00:47:43,239
Speaker 1: right Yeah.

1025
00:47:43,880 --> 00:47:47,400
Speaker 4: It's also it's these moments that made this so sitcomy,

1026
00:47:47,760 --> 00:47:50,479
Speaker 4: Like he didn't need Eric hopping in going what about

1027
00:47:50,480 --> 00:47:52,520
Speaker 4: the strude ole? It's that thing that takes it to

1028
00:47:52,640 --> 00:47:55,080
Speaker 4: like the but I thought, I.

1029
00:47:55,040 --> 00:47:57,520
Speaker 2: Actually love you popping in because you think here's your

1030
00:47:57,560 --> 00:48:00,000
Speaker 2: opportunity to show you that my idea is better than

1031
00:48:00,160 --> 00:48:03,200
Speaker 2: your idea. The nap time button is the thing that

1032
00:48:03,280 --> 00:48:06,359
Speaker 2: makes it a little where it's not a grown man.

1033
00:48:06,400 --> 00:48:08,560
Speaker 2: It's like getting told by his daddy it's nap time.

1034
00:48:08,920 --> 00:48:11,680
Speaker 2: It's still funny, but it is. It is a little

1035
00:48:11,680 --> 00:48:14,480
Speaker 2: more of our sitcom moment. Than we're used to getting.

1036
00:48:14,600 --> 00:48:17,560
Speaker 1: Yeah, I mean this is this episode just feels very

1037
00:48:17,719 --> 00:48:22,040
Speaker 1: I mean, in some ways, it's almost too rhythmically perfect,

1038
00:48:22,160 --> 00:48:23,399
Speaker 1: do you know what I mean, Like it's too tight.

1039
00:48:24,160 --> 00:48:27,080
Speaker 1: This this sort of like im bum boom optical flip

1040
00:48:27,120 --> 00:48:29,400
Speaker 1: and then set up and it's like it's great. But

1041
00:48:30,000 --> 00:48:32,400
Speaker 1: what I like about Boyb's world is that it often

1042
00:48:32,440 --> 00:48:34,719
Speaker 1: has these weird rhythmic moments that kind of break from

1043
00:48:34,719 --> 00:48:36,279
Speaker 1: that and you're like, well, that's a you know, that's

1044
00:48:36,280 --> 00:48:38,839
Speaker 1: a joke that goes on a little on too long,

1045
00:48:38,960 --> 00:48:41,280
Speaker 1: or you know, it's like weird syncopated rhythms and stuff

1046
00:48:41,280 --> 00:48:44,160
Speaker 1: that like that. This one just felt very tight. It

1047
00:48:44,160 --> 00:48:47,520
Speaker 1: felt like, oh, perfect, Okay, you did the thing, and

1048
00:48:47,560 --> 00:48:49,000
Speaker 1: this is a perfect example of that.

1049
00:48:49,280 --> 00:48:51,920
Speaker 4: It is. It's very comic, but yeah, it's still it

1050
00:48:51,920 --> 00:48:53,680
Speaker 4: worked for me, but it was still very Yeah, I

1051
00:48:53,680 --> 00:48:58,000
Speaker 4: got I felt that same. It was almost like, you know, again,

1052
00:48:58,040 --> 00:48:59,520
Speaker 4: I go to the kids on the stairs and some

1053
00:48:59,560 --> 00:49:00,520
Speaker 4: of the reactions we had.

1054
00:49:00,560 --> 00:49:03,719
Speaker 1: It's like a perfect triangle of you know, you in

1055
00:49:03,760 --> 00:49:05,919
Speaker 1: the middle and Stummman and then them. Yeah.

1056
00:49:06,160 --> 00:49:09,520
Speaker 2: Yeah, Alan tells Amy he's looked at every possible job

1057
00:49:09,560 --> 00:49:12,799
Speaker 2: opportunity and this makes the most sense. Amy Scoff's telling him,

1058
00:49:12,800 --> 00:49:15,160
Speaker 2: this isn't about making sense, this is about spending the

1059
00:49:15,200 --> 00:49:17,200
Speaker 2: rest of your life doing what you want to do.

1060
00:49:17,680 --> 00:49:19,680
Speaker 2: Alan explains, I want to run my own store, and

1061
00:49:19,719 --> 00:49:21,640
Speaker 2: I want you to be happy for me. He asks

1062
00:49:21,640 --> 00:49:24,640
Speaker 2: if Amy's behind him on this decision, and she says no.

1063
00:49:25,160 --> 00:49:27,920
Speaker 2: Alan walks away dejectedly and tells her thank you for

1064
00:49:28,000 --> 00:49:28,560
Speaker 2: your support.

1065
00:49:28,840 --> 00:49:31,600
Speaker 6: But I love that she's not supporting him because she

1066
00:49:31,719 --> 00:49:35,200
Speaker 6: knows he won't be happy. That's the whole Like it's

1067
00:49:35,280 --> 00:49:36,920
Speaker 6: it's not, Hey, I'm I'm not going to support you

1068
00:49:36,920 --> 00:49:38,640
Speaker 6: because I'm just not going to support you, or or

1069
00:49:38,640 --> 00:49:41,200
Speaker 6: I'm feeling condictive so I'm just gonna shoot down your idea.

1070
00:49:41,239 --> 00:49:43,160
Speaker 4: It's like, no, you're not. I know you well enough.

1071
00:49:43,160 --> 00:49:46,600
Speaker 2: You're not exactly And it's obvious here, but she makes

1072
00:49:46,640 --> 00:49:50,440
Speaker 2: it even more clear in this next scene. In Matthew's backyard,

1073
00:49:50,800 --> 00:49:53,120
Speaker 2: Alan is setting up a sleeping bag and Amy jokes,

1074
00:49:53,160 --> 00:49:56,000
Speaker 2: one little disagreement and you're walking out on me. Alan

1075
00:49:56,040 --> 00:49:58,239
Speaker 2: pokes back, and I'm taking Eric a couple of nights

1076
00:49:58,280 --> 00:50:00,720
Speaker 2: under the stars, a little hiking through the wood, some fishing.

1077
00:50:01,040 --> 00:50:02,840
Speaker 2: That's where I do my best thinking. I got to

1078
00:50:02,880 --> 00:50:04,279
Speaker 2: try and figure out what to do with the rest

1079
00:50:04,280 --> 00:50:07,239
Speaker 2: of my life. Amy admits she would never stand in

1080
00:50:07,280 --> 00:50:10,120
Speaker 2: the way of something Alan really wanted. Alan tells her

1081
00:50:10,120 --> 00:50:11,600
Speaker 2: this isn't about what he wants to do, this is

1082
00:50:11,600 --> 00:50:15,400
Speaker 2: about his responsibility to this family. He feels completely helpless.

1083
00:50:15,840 --> 00:50:18,440
Speaker 2: Amy assures him he only feels helpless because he's stuck,

1084
00:50:18,719 --> 00:50:22,160
Speaker 2: and it's all right to take a risk. She won't

1085
00:50:22,160 --> 00:50:24,760
Speaker 2: support this rapid mart idea because it won't make him happy,

1086
00:50:24,800 --> 00:50:27,960
Speaker 2: and she can only support Alan's happiness. And this is

1087
00:50:28,000 --> 00:50:30,960
Speaker 2: one of those times where it was a great parent scene.

1088
00:50:31,520 --> 00:50:33,560
Speaker 2: Out of the kitchen or the living room, they're in

1089
00:50:33,640 --> 00:50:41,239
Speaker 2: the backyard, and I absolutely love the supporting the concept

1090
00:50:41,360 --> 00:50:45,120
Speaker 2: of we support you taking a risk. You don't have

1091
00:50:45,239 --> 00:50:48,720
Speaker 2: to go off of just well, what about my responsibility?

1092
00:50:48,800 --> 00:50:51,839
Speaker 2: How will I make sure that immediately I have money

1093
00:50:51,880 --> 00:50:54,600
Speaker 2: that I can count on coming in. It's okay to

1094
00:50:54,680 --> 00:50:58,920
Speaker 2: take a risk if it's going to mean lifelong happiness.

1095
00:50:59,440 --> 00:51:01,399
Speaker 2: And I just that I love them having this there's

1096
00:51:01,520 --> 00:51:03,720
Speaker 2: this story and her presenting that idea to him.

1097
00:51:03,600 --> 00:51:05,960
Speaker 1: That there are values beyond just making money too and

1098
00:51:06,000 --> 00:51:08,799
Speaker 1: having a job, right, and that that that that he

1099
00:51:08,920 --> 00:51:11,680
Speaker 1: of course knew that when he quit the job, but

1100
00:51:11,840 --> 00:51:14,560
Speaker 1: now is feeling the pressure, and she is going to

1101
00:51:14,600 --> 00:51:16,880
Speaker 1: then be the one to say, let's hold.

1102
00:51:16,680 --> 00:51:19,359
Speaker 4: Out for let's remember why you did the.

1103
00:51:19,320 --> 00:51:22,160
Speaker 1: Real problem exactly, Like, we're not going to just put

1104
00:51:22,200 --> 00:51:25,120
Speaker 1: a band aid on this situation, which I think so

1105
00:51:25,280 --> 00:51:27,520
Speaker 1: many people fall into that trap, you know, whatever the

1106
00:51:27,560 --> 00:51:30,799
Speaker 1: issue is, particularly when it comes to jobs, like it's like, oh,

1107
00:51:30,840 --> 00:51:32,760
Speaker 1: I just you get scared. You know, you want the money,

1108
00:51:32,760 --> 00:51:34,799
Speaker 1: you want the whatever, the security. You just go right

1109
00:51:34,840 --> 00:51:36,960
Speaker 1: into the role that is easiest for you instead of

1110
00:51:37,160 --> 00:51:38,120
Speaker 1: taking the bigger risk.

1111
00:51:38,440 --> 00:51:40,160
Speaker 4: Yeah, and then you look up in forty five years

1112
00:51:40,160 --> 00:51:41,759
Speaker 4: has gone by and you've been at the same job.

1113
00:51:41,800 --> 00:51:43,799
Speaker 4: That happens a lot, so yeah, tough.

1114
00:51:44,760 --> 00:51:47,400
Speaker 2: And then we're in the science research building. We know

1115
00:51:47,480 --> 00:51:49,760
Speaker 2: that because the sign outside the school says.

1116
00:51:49,560 --> 00:51:56,279
Speaker 1: It research building. But it's just again just science. But

1117
00:51:56,320 --> 00:51:58,479
Speaker 1: if you think about how much they put into this

1118
00:51:59,160 --> 00:52:06,640
Speaker 1: scene so Danielle can have a part in the episode something,

1119
00:52:07,480 --> 00:52:10,359
Speaker 1: why couldn't it be more something like you guys could

1120
00:52:10,360 --> 00:52:11,000
Speaker 1: have been hatching this play.

1121
00:52:11,040 --> 00:52:12,640
Speaker 2: We could have been in the school hallway. But to

1122
00:52:12,719 --> 00:52:15,160
Speaker 2: build now this set probably didn't cost a whole lot

1123
00:52:15,160 --> 00:52:15,799
Speaker 2: of money.

1124
00:52:15,960 --> 00:52:22,520
Speaker 1: But the costumes three extras, well, two extras.

1125
00:52:22,680 --> 00:52:25,240
Speaker 2: One of them is our dear Mattie Nelson.

1126
00:52:25,239 --> 00:52:28,200
Speaker 4: Matt he brought in the shampoo.

1127
00:52:29,360 --> 00:52:35,640
Speaker 2: Yeah gosh, it was Yeah, me too, me too, And

1128
00:52:35,680 --> 00:52:38,800
Speaker 2: it was so wonderful to see him and he looked great,

1129
00:52:38,880 --> 00:52:42,080
Speaker 2: and it just filled my heart with me too. So

1130
00:52:42,200 --> 00:52:44,279
Speaker 2: Cory and Shawn are sitting in chairs wearing capes. Is

1131
00:52:44,320 --> 00:52:46,680
Speaker 2: to Panga tries convincing Corey that taking part in a

1132
00:52:46,800 --> 00:52:49,319
Speaker 2: research study is a ridiculous way to make money. If

1133
00:52:49,360 --> 00:52:51,279
Speaker 2: she needs if he needs cash that bad, she'll just

1134
00:52:51,360 --> 00:52:54,959
Speaker 2: lend it to him. And I cannot stand the sound

1135
00:52:55,000 --> 00:52:58,680
Speaker 2: of my voice. It's just so bad. And in these

1136
00:52:58,719 --> 00:53:02,120
Speaker 2: moments it's when I really now totally understand what Michael

1137
00:53:02,200 --> 00:53:04,279
Speaker 2: was telling me, because I remember him telling me all

1138
00:53:04,320 --> 00:53:08,080
Speaker 2: the time, lower your voice. Lower your voice. Wherever your

1139
00:53:08,160 --> 00:53:10,479
Speaker 2: voice is coming from, that's not where your voice should

1140
00:53:10,480 --> 00:53:12,080
Speaker 2: come from. It sounds like it's and I was just

1141
00:53:12,120 --> 00:53:14,719
Speaker 2: always like, but I'm not, I'm not doing anything with

1142
00:53:14,760 --> 00:53:16,759
Speaker 2: my voice. This is just what my voice sounds like.

1143
00:53:17,120 --> 00:53:20,520
Speaker 2: But I hear it, and I go, please lower your voice.

1144
00:53:20,760 --> 00:53:24,399
Speaker 1: Yeah it's it's you know, I know what you're talking about.

1145
00:53:24,440 --> 00:53:25,960
Speaker 1: But to me, it's not so much like a tone,

1146
00:53:26,080 --> 00:53:30,880
Speaker 1: or it's not about the pitch, it's more about coming

1147
00:53:30,880 --> 00:53:33,359
Speaker 1: from a place of like weakness, because because because you're

1148
00:53:33,360 --> 00:53:36,719
Speaker 1: adding energy to a scene, but if you're coming over

1149
00:53:36,800 --> 00:53:39,760
Speaker 1: top of it and you're coming up from a higher place, it's.

1150
00:53:39,600 --> 00:53:40,560
Speaker 3: Not as compelling.

1151
00:53:40,680 --> 00:53:43,400
Speaker 1: It's it's more it's more like annoying or coming it

1152
00:53:43,719 --> 00:53:46,000
Speaker 1: doesn't feel real, you know, when you're really coming from

1153
00:53:46,000 --> 00:53:50,200
Speaker 1: a place of like God, it's so dumb, right like

1154
00:53:50,320 --> 00:53:52,799
Speaker 1: that to give the note that it's about being too

1155
00:53:53,000 --> 00:53:55,920
Speaker 1: high is like completely backwards to me, because the note

1156
00:53:55,920 --> 00:53:58,440
Speaker 1: should be where's the intention coming from.

1157
00:53:58,560 --> 00:54:00,120
Speaker 3: Is it coming from a place of strength or is

1158
00:54:00,120 --> 00:54:00,680
Speaker 3: it coming from.

1159
00:54:00,600 --> 00:54:01,040
Speaker 1: A you know?

1160
00:54:01,239 --> 00:54:03,840
Speaker 3: And I yeah, like there's a way to give.

1161
00:54:03,680 --> 00:54:06,480
Speaker 1: That note, to make it to get the result that

1162
00:54:06,520 --> 00:54:07,400
Speaker 1: you want, which you're.

1163
00:54:07,320 --> 00:54:12,880
Speaker 2: Right, because I never knew, literally never understood that that's

1164
00:54:13,120 --> 00:54:15,920
Speaker 2: what he was talking about. And I didn't even realize

1165
00:54:16,080 --> 00:54:19,000
Speaker 2: watching the scene that that's what was bothering me about it.

1166
00:54:19,040 --> 00:54:23,120
Speaker 2: But I'm I'm pushing, I'm going up here.

1167
00:54:23,360 --> 00:54:26,400
Speaker 4: Please don't do this is at all.

1168
00:54:26,800 --> 00:54:29,560
Speaker 2: Oh man? And it isn't. It isn't good. It feels

1169
00:54:29,600 --> 00:54:34,080
Speaker 2: like bad acting because you're right, it's coming from as

1170
00:54:34,320 --> 00:54:35,480
Speaker 2: it's coming from the wrong intention.

1171
00:54:36,360 --> 00:54:37,440
Speaker 3: I don't know what the intention is.

1172
00:54:37,480 --> 00:54:39,840
Speaker 1: The intention is to just be in conflict with Corey

1173
00:54:39,880 --> 00:54:41,480
Speaker 1: and to be telling him not to do this thing.

1174
00:54:41,760 --> 00:54:44,480
Speaker 1: And I mean that's not just it's bad writing too,

1175
00:54:44,640 --> 00:54:46,719
Speaker 1: or you know, like there's a way to make this work,

1176
00:54:46,760 --> 00:54:49,040
Speaker 1: I think, and to have you be in conflict with him,

1177
00:54:49,280 --> 00:54:51,719
Speaker 1: but from a place that's not just telling him what

1178
00:54:51,760 --> 00:54:54,439
Speaker 1: to do and coming you know. Yeah, and I can't

1179
00:54:54,480 --> 00:54:56,279
Speaker 1: remember what you're saying. You can't remember what you were

1180
00:54:56,280 --> 00:54:58,440
Speaker 1: saying because there's no argument there. It was just up

1181
00:54:58,560 --> 00:54:59,640
Speaker 1: to pegas against this.

1182
00:55:00,400 --> 00:55:02,279
Speaker 2: Yeah, and I think I was coming. I think I

1183
00:55:02,400 --> 00:55:05,440
Speaker 2: was reading it like they're about to do it right now.

1184
00:55:05,480 --> 00:55:06,319
Speaker 2: I have to stop you.

1185
00:55:06,360 --> 00:55:07,240
Speaker 4: This is my only.

1186
00:55:07,080 --> 00:55:10,600
Speaker 2: Second to stop you, as opposed to look at me, right,

1187
00:55:11,040 --> 00:55:13,200
Speaker 2: this is a bad idea. You don't need to do

1188
00:55:13,280 --> 00:55:16,000
Speaker 2: this if you need it, so anyway, you're right. But

1189
00:55:16,000 --> 00:55:17,799
Speaker 2: to me, it just came across because I know Michael

1190
00:55:17,800 --> 00:55:19,400
Speaker 2: always told me to lower my voice. To me, it

1191
00:55:19,440 --> 00:55:22,560
Speaker 2: was like, oh gosh, that voice is annoying. Anyway, Corey,

1192
00:55:22,800 --> 00:55:24,759
Speaker 2: after a little look from Sean, tells her. Sean says,

1193
00:55:24,760 --> 00:55:27,120
Speaker 2: I've got to learn to provide for myself. To Panga responds,

1194
00:55:27,160 --> 00:55:29,560
Speaker 2: then get a real job. Corey looks at Sewan again,

1195
00:55:29,560 --> 00:55:32,120
Speaker 2: who urges him to say his next line. Sean says,

1196
00:55:32,120 --> 00:55:34,640
Speaker 2: I'm in no position to pay taxes right now. I

1197
00:55:34,719 --> 00:55:38,560
Speaker 2: love so good. I love how worldly Shawn is about

1198
00:55:38,560 --> 00:55:40,520
Speaker 2: these issues. Yeah, here are the problems. You have to

1199
00:55:40,560 --> 00:55:43,680
Speaker 2: be unemployed because you can't pay taxes. I just love it.

1200
00:55:43,719 --> 00:55:47,200
Speaker 2: He's so in. Sean points to the lab text these

1201
00:55:47,200 --> 00:55:49,160
Speaker 2: guys don't even know These guys don't even want to

1202
00:55:49,200 --> 00:55:51,800
Speaker 2: know our real names. To Pega says they're both lunatics,

1203
00:55:51,840 --> 00:55:53,799
Speaker 2: and Corey responds, we'll see what you think after we

1204
00:55:53,840 --> 00:55:56,239
Speaker 2: get our hundred bucks, and to Penge is shocked just

1205
00:55:56,280 --> 00:55:59,200
Speaker 2: for testing out a new shampoo. Corey yells yep, whispers

1206
00:55:59,200 --> 00:56:01,479
Speaker 2: to Sean, you sure there's nothing to worry about. Shawn

1207
00:56:01,480 --> 00:56:04,080
Speaker 2: assures him it's shampoo. They only test it on humans

1208
00:56:04,080 --> 00:56:06,440
Speaker 2: so they can say they don't tell test it on animals.

1209
00:56:07,719 --> 00:56:08,680
Speaker 2: This is very much like.

1210
00:56:08,640 --> 00:56:10,719
Speaker 1: Can we just talk about hair obsession?

1211
00:56:15,320 --> 00:56:16,399
Speaker 3: It's hair back to hair.

1212
00:56:16,880 --> 00:56:19,200
Speaker 1: Right after the episode, we did up a haircut, like

1213
00:56:19,360 --> 00:56:20,879
Speaker 1: we are just man.

1214
00:56:20,920 --> 00:56:22,680
Speaker 3: There's hair on the brain, hair on the brain.

1215
00:56:22,760 --> 00:56:30,120
Speaker 2: It's absolutely so intense, big hair. Then matt Nelson alerts yay.

1216
00:56:30,800 --> 00:56:34,000
Speaker 2: A man in full biohazard gear comes out of the

1217
00:56:34,080 --> 00:56:36,520
Speaker 2: lab holding a beaker full of green liquid with a

1218
00:56:36,520 --> 00:56:38,920
Speaker 2: pair of tongs far away from his body. But then

1219
00:56:39,160 --> 00:56:40,879
Speaker 2: he drops the beaker on the floor and the green

1220
00:56:40,960 --> 00:56:44,839
Speaker 2: substance starts to smoke. Then the biohazard man aka our

1221
00:56:44,960 --> 00:56:48,080
Speaker 2: very own Mattie Nelson runs away terrified as a loud

1222
00:56:48,120 --> 00:56:50,839
Speaker 2: alarm sounds throughout the building. Sean and Corey look at

1223
00:56:50,840 --> 00:56:54,360
Speaker 2: each other freaked out. So that was the matt Nelson

1224
00:56:54,480 --> 00:56:59,920
Speaker 2: appearance that I just love. We're back in the Matthew's.

1225
00:57:00,640 --> 00:57:03,240
Speaker 2: Eric and Alan are returning from camping, and Eric beams

1226
00:57:03,280 --> 00:57:05,400
Speaker 2: that this is what they need to do with their lives,

1227
00:57:05,440 --> 00:57:08,120
Speaker 2: become mountain men. Alan asks what do you think that

1228
00:57:08,160 --> 00:57:10,840
Speaker 2: pays Phenie's in his yard and yells over Ah the

1229
00:57:10,880 --> 00:57:14,000
Speaker 2: intrepid woodsman returning to the safe harbor of suburbia. Did

1230
00:57:14,000 --> 00:57:16,520
Speaker 2: you bag any trophies? Alan braggs you bet we did.

1231
00:57:16,720 --> 00:57:17,240
Speaker 2: Eric got a.

1232
00:57:17,160 --> 00:57:20,320
Speaker 1: Fit that your backpack looks like it weighs exactly half

1233
00:57:20,360 --> 00:57:20,760
Speaker 1: a pound.

1234
00:57:22,600 --> 00:57:24,000
Speaker 3: It's like overloaded and.

1235
00:57:25,720 --> 00:57:27,840
Speaker 4: Very very strong. I don't want to bring up this

1236
00:57:27,880 --> 00:57:31,520
Speaker 4: conversation again as it's been beaten to death at this point.

1237
00:57:31,840 --> 00:57:35,040
Speaker 4: But where are they coming from? I know, where are

1238
00:57:35,040 --> 00:57:35,680
Speaker 4: they coming from?

1239
00:57:36,240 --> 00:57:39,640
Speaker 2: Behind the side camera conceded.

1240
00:57:39,800 --> 00:57:41,919
Speaker 4: I know, but it's like, it doesn't mean it's it's

1241
00:57:42,000 --> 00:57:45,480
Speaker 4: just like, where are you coming from? I don't get it. Well.

1242
00:57:45,520 --> 00:57:48,680
Speaker 2: Also, we know that the car. Even in the same episode,

1243
00:57:48,760 --> 00:57:51,440
Speaker 2: Corey was looking out the door downstage to war camera

1244
00:57:51,600 --> 00:57:54,439
Speaker 2: for my car. So their car is parked over there

1245
00:57:54,560 --> 00:57:55,600
Speaker 2: on the other side.

1246
00:57:55,440 --> 00:57:57,120
Speaker 1: And that's where the minivan was when they would look

1247
00:57:57,160 --> 00:57:57,560
Speaker 1: at that too.

1248
00:57:57,640 --> 00:58:01,280
Speaker 4: Yes, so where that's all. And I was like, I'm

1249
00:58:01,320 --> 00:58:03,160
Speaker 4: not gonna bring it up on.

1250
00:58:03,160 --> 00:58:06,960
Speaker 2: The other side. You're right, I know, listen, it's whatever

1251
00:58:07,120 --> 00:58:07,760
Speaker 2: we need it.

1252
00:58:07,680 --> 00:58:10,240
Speaker 4: Needs to be exactly. It's the yard.

1253
00:58:10,720 --> 00:58:11,400
Speaker 2: It's the yard.

1254
00:58:11,680 --> 00:58:14,160
Speaker 1: I noticed was the lovely lighting.

1255
00:58:16,520 --> 00:58:17,720
Speaker 2: A nice violet light.

1256
00:58:17,880 --> 00:58:22,560
Speaker 1: It's more orange, yeah, sunset. Yeah, they are trying to

1257
00:58:22,760 --> 00:58:25,480
Speaker 1: I think it's evening right, Yes, I think so too,

1258
00:58:26,760 --> 00:58:29,560
Speaker 1: to make it look nice and rosy.

1259
00:58:29,800 --> 00:58:32,439
Speaker 4: And I remember too, I think we did one take

1260
00:58:32,480 --> 00:58:35,800
Speaker 4: of this and then Michael was like, give them beards.

1261
00:58:36,520 --> 00:58:38,640
Speaker 4: So we went back and they you saw there's like

1262
00:58:38,720 --> 00:58:40,080
Speaker 4: makeup breasting and I both had.

1263
00:58:40,000 --> 00:58:42,000
Speaker 1: Like makeup makeup because.

1264
00:58:44,600 --> 00:58:47,840
Speaker 4: Never mentioned because Apparently when you camp you also just

1265
00:58:47,960 --> 00:58:51,320
Speaker 4: roll around in dirt. But yeah, we came so we

1266
00:58:51,360 --> 00:58:53,880
Speaker 4: came in and we had the beards put in. Uh

1267
00:58:54,040 --> 00:58:56,280
Speaker 4: so you can see we've got like that's so dunny.

1268
00:58:56,400 --> 00:58:58,640
Speaker 2: I also thought it was just dirt on their face,

1269
00:58:58,760 --> 00:59:00,120
Speaker 2: like they yeah.

1270
00:59:01,240 --> 00:59:02,760
Speaker 4: Those are beards. Those are beards.

1271
00:59:03,120 --> 00:59:05,440
Speaker 2: So Eric pulls out a mason jar with a tiny

1272
00:59:05,440 --> 00:59:08,040
Speaker 2: goldfish in it. Phoeney squints, I imagine he put up

1273
00:59:08,080 --> 00:59:10,000
Speaker 2: heck of a fight. Eric reveals I was actually just

1274
00:59:10,000 --> 00:59:11,720
Speaker 2: filling up my toothbrush cup. He kind of just swam

1275
00:59:11,800 --> 00:59:15,840
Speaker 2: right in there, right in there. And Amy then walks

1276
00:59:15,840 --> 00:59:17,960
Speaker 2: out to greet the boys, and she notices how refreshed.

1277
00:59:18,000 --> 00:59:20,400
Speaker 2: Alan seems that sleeping under the stars points you to

1278
00:59:20,440 --> 00:59:22,640
Speaker 2: a new career. Alan admits, I don't know what I'm

1279
00:59:22,680 --> 00:59:24,360
Speaker 2: gonna do for the rest of my life, but nothing

1280
00:59:24,400 --> 00:59:27,120
Speaker 2: can give me half the satisfaction I get waking up

1281
00:59:27,120 --> 00:59:30,760
Speaker 2: next to that beautiful cedar lake. I really thought he

1282
00:59:30,880 --> 00:59:34,160
Speaker 2: was going to say, waking up next to my beautiful wife,

1283
00:59:35,600 --> 00:59:38,240
Speaker 2: and then he went directly to the beautiful cedar lake.

1284
00:59:38,280 --> 00:59:40,800
Speaker 2: And right, sure, sure, the Cedar Lake. I'm sure it's.

1285
00:59:40,640 --> 00:59:43,640
Speaker 4: Gorgeous, beautiful place.

1286
00:59:44,040 --> 00:59:47,480
Speaker 2: Beautiful place. Phoene comments, shame you can't capture that somehow

1287
00:59:47,520 --> 00:59:49,680
Speaker 2: and keep it on your desk. Alan tells Amy, the

1288
00:59:49,720 --> 00:59:52,040
Speaker 2: only thing wrong with this weekend was that you weren't there.

1289
00:59:52,120 --> 00:59:54,080
Speaker 2: He begs her, let's go up again next week you

1290
00:59:54,200 --> 00:59:57,000
Speaker 2: come to. Phoene ads, might I suggest, for the sake

1291
00:59:57,040 --> 00:59:59,640
Speaker 2: of communal bliss that you outfit yourself with one of

1292
00:59:59,680 --> 01:00:02,360
Speaker 2: those two person sleeping bags that are currently on discount

1293
01:00:02,360 --> 01:00:08,720
Speaker 2: of Kimmels and smiles, saying, George, you rascal. How do

1294
01:00:08,800 --> 01:00:11,840
Speaker 2: you know about those? Phoene tells them, I go camping.

1295
01:00:12,000 --> 01:00:14,160
Speaker 2: I don't fish you do the math.

1296
01:00:14,960 --> 01:00:20,520
Speaker 4: Phoenie is.

1297
01:00:20,280 --> 01:00:22,680
Speaker 3: Double sleeping bag, Phoenix, what.

1298
01:00:24,720 --> 01:00:26,720
Speaker 1: Sleeping bag do.

1299
01:00:26,640 --> 01:00:27,400
Speaker 2: You think he's going with?

1300
01:00:27,440 --> 01:00:33,720
Speaker 1: The dentist in the woods takes a salad heads salad

1301
01:00:33,720 --> 01:00:36,160
Speaker 1: and the double sleeping bag Lettuce.

1302
01:00:36,480 --> 01:00:38,560
Speaker 4: Oh god, it changes the title for I don't want

1303
01:00:38,560 --> 01:00:41,560
Speaker 4: to wash lettuce anymore. Oh god, it just changes the title.

1304
01:00:41,960 --> 01:00:45,040
Speaker 4: Horrible you do it?

1305
01:00:45,040 --> 01:00:48,840
Speaker 1: It does this scene from like, well, this entire scene,

1306
01:00:48,840 --> 01:00:50,240
Speaker 1: I guess, because I was gonna say, from here on,

1307
01:00:50,320 --> 01:00:54,360
Speaker 1: it's just such set up, like exposition, set up, exposition,

1308
01:00:54,440 --> 01:00:56,320
Speaker 1: and it's like they try and do it a little

1309
01:00:56,320 --> 01:01:00,880
Speaker 1: Phoene sex joke. It's all just like, okay, let's just

1310
01:01:00,920 --> 01:01:05,280
Speaker 1: lay this out. You all see, it's just like setting

1311
01:01:05,360 --> 01:01:07,680
Speaker 1: up maybe there's a Wilderness store. I know. The guy

1312
01:01:07,720 --> 01:01:11,480
Speaker 1: at the Wilderness store there that's closing down down the street,

1313
01:01:11,640 --> 01:01:12,600
Speaker 1: let's go check it out.

1314
01:01:13,120 --> 01:01:15,720
Speaker 2: Doesn't say it's closing down, I know, but you could

1315
01:01:15,800 --> 01:01:16,920
Speaker 2: just feel it coming everything.

1316
01:01:16,920 --> 01:01:18,880
Speaker 1: You're just like, why are we talking about this?

1317
01:01:18,440 --> 01:01:19,520
Speaker 3: Why is this scene?

1318
01:01:19,920 --> 01:01:21,920
Speaker 4: You didn't I didn't know I was in the show

1319
01:01:22,000 --> 01:01:22,760
Speaker 4: and I didn't remember.

1320
01:01:22,800 --> 01:01:26,640
Speaker 2: No, no, you I know you you only see it coming writer,

1321
01:01:26,800 --> 01:01:29,280
Speaker 2: because you know, oh, that's probably the story.

1322
01:01:29,360 --> 01:01:31,960
Speaker 1: I know, I know. But there's also no conflict in

1323
01:01:32,000 --> 01:01:35,320
Speaker 1: this scene, like Amy and Alan are not and there's

1324
01:01:35,360 --> 01:01:37,160
Speaker 1: no longer any conflict between the two and them, so

1325
01:01:37,160 --> 01:01:39,040
Speaker 1: there's nothing driving the story for it. So it's literally

1326
01:01:39,080 --> 01:01:41,640
Speaker 1: just exposition to set up whatever because it's a weird scene.

1327
01:01:41,720 --> 01:01:44,479
Speaker 1: We're sitting here like we just did this. We didn't

1328
01:01:44,520 --> 01:01:46,919
Speaker 1: feel this way about that? You know what also makes

1329
01:01:46,920 --> 01:01:49,680
Speaker 1: you feel this way about that? Another store that you'll

1330
01:01:49,720 --> 01:01:51,720
Speaker 1: go to in the next sity. It's just like, okay,

1331
01:01:51,800 --> 01:01:52,600
Speaker 1: let's just get to it.

1332
01:01:52,680 --> 01:01:58,760
Speaker 2: Yeah, have you eaten anything yet this morning? Writer? Yeah?

1333
01:01:58,760 --> 01:02:03,120
Speaker 1: I have okay bakfast this morning and had an extra

1334
01:02:03,160 --> 01:02:05,400
Speaker 1: half a cup of coffee before we start, because I

1335
01:02:05,480 --> 01:02:05,840
Speaker 1: knew you.

1336
01:02:05,800 --> 01:02:09,920
Speaker 2: Were going to kiss you at your best. See what

1337
01:02:09,920 --> 01:02:10,480
Speaker 2: you're happy is?

1338
01:02:11,400 --> 01:02:16,720
Speaker 1: No, no, no, he's gonna be about happy. Best is grumpy.

1339
01:02:16,840 --> 01:02:18,520
Speaker 2: I love you.

1340
01:02:18,720 --> 01:02:20,480
Speaker 4: This is the This is on the same day you

1341
01:02:20,560 --> 01:02:22,600
Speaker 4: found your grappling hook yesterday.

1342
01:02:23,480 --> 01:02:30,920
Speaker 3: Okay, I mean it looks like a murder weapon. You

1343
01:02:31,040 --> 01:02:33,440
Speaker 3: really about it. It's like, I'm just gonna hold it

1344
01:02:33,520 --> 01:02:35,040
Speaker 3: up whenever you guys are mean to me.

1345
01:02:41,840 --> 01:02:48,480
Speaker 1: No, no, oh god.

1346
01:02:50,560 --> 01:02:55,360
Speaker 2: Okay. So the crowd gives some big old hoots and

1347
01:02:55,400 --> 01:03:01,000
Speaker 2: hollers for horned up Feenie, and he says, anyway, I

1348
01:03:01,120 --> 01:03:03,080
Speaker 2: was down there this morning having a talk with my

1349
01:03:03,120 --> 01:03:05,479
Speaker 2: old friend Ed Kimball, who's having some kind of sale.

1350
01:03:05,760 --> 01:03:08,120
Speaker 2: Why didn't you pop over there until Ed I sent you.

1351
01:03:08,760 --> 01:03:11,720
Speaker 2: Alan knows Kimball's it's one of his favorite stores. Just then,

1352
01:03:11,800 --> 01:03:13,760
Speaker 2: Corey walks out, asking if there's any update in their

1353
01:03:13,760 --> 01:03:16,400
Speaker 2: current situation. Alan points out that there is. This weekend,

1354
01:03:16,440 --> 01:03:18,000
Speaker 2: they're going up to the mountains and they're gonna sleep

1355
01:03:18,040 --> 01:03:21,720
Speaker 2: on the ground. Corey groans, oh, we've lost everything, everything,

1356
01:03:22,520 --> 01:03:25,400
Speaker 2: And then we're in Chubbies. Corey grabs a burger from

1357
01:03:25,400 --> 01:03:27,440
Speaker 2: the counter and he sits down ready to devour it.

1358
01:03:27,600 --> 01:03:30,120
Speaker 2: Sean comes running down the stairs, asking Corey what he's doing.

1359
01:03:30,160 --> 01:03:32,520
Speaker 2: Corey panics and he hides the burger and thoughts Sean

1360
01:03:32,560 --> 01:03:35,240
Speaker 2: would be doing his little puppet show downtown, which always

1361
01:03:35,360 --> 01:03:35,920
Speaker 2: brings in.

1362
01:03:35,960 --> 01:03:39,920
Speaker 4: The I love that it's just this random life of Sean's.

1363
01:03:39,920 --> 01:03:40,920
Speaker 4: We don't know anything about.

1364
01:03:41,640 --> 01:03:44,240
Speaker 1: This scene, by the way, is like just for the jokes,

1365
01:03:44,440 --> 01:03:46,880
Speaker 1: Like this is like one of those we rarely have

1366
01:03:46,960 --> 01:03:48,960
Speaker 1: on the show where it's like literally just just for

1367
01:03:48,960 --> 01:03:51,800
Speaker 1: funny because there's no real resolution or I don't know,

1368
01:03:51,840 --> 01:03:55,320
Speaker 1: it's just us being Corey and Sean together and it's funny,

1369
01:03:55,360 --> 01:03:59,120
Speaker 1: but also doesn't make much sense because why are we

1370
01:03:59,160 --> 01:04:00,440
Speaker 1: He's he not allowed to eat meat?

1371
01:04:00,840 --> 01:04:04,919
Speaker 4: I think it's it's expensive expensive, Yeah, okay, if.

1372
01:04:04,840 --> 01:04:07,280
Speaker 2: You're teaching about to be bore, it's real food.

1373
01:04:07,360 --> 01:04:09,680
Speaker 3: You have meat, you okay?

1374
01:04:09,720 --> 01:04:10,200
Speaker 4: And bread?

1375
01:04:10,680 --> 01:04:10,880
Speaker 3: Right.

1376
01:04:11,280 --> 01:04:12,680
Speaker 1: I watched that had been a little clear, so I

1377
01:04:12,680 --> 01:04:14,680
Speaker 1: was like, wait, do they have some sort of vegetarian pact?

1378
01:04:14,720 --> 01:04:15,560
Speaker 1: What I know?

1379
01:04:15,560 --> 01:04:17,080
Speaker 2: Well, I thought of that because I knew you were

1380
01:04:17,120 --> 01:04:19,240
Speaker 2: a vegetarian. So I was like, oh, is there is

1381
01:04:19,280 --> 01:04:20,480
Speaker 2: there a right or strong but.

1382
01:04:20,480 --> 01:04:23,360
Speaker 1: You know where I I just wanted to, like, you

1383
01:04:23,560 --> 01:04:27,440
Speaker 1: ordered food in a restaurant and it was meat. If

1384
01:04:27,480 --> 01:04:29,400
Speaker 1: it was that those like three steps, but instead it

1385
01:04:29,440 --> 01:04:31,040
Speaker 1: was like how dare you eat meat?

1386
01:04:31,120 --> 01:04:32,520
Speaker 3: And went right to there. I was like, oh wait,

1387
01:04:32,560 --> 01:04:33,320
Speaker 3: did I miss something?

1388
01:04:33,360 --> 01:04:34,240
Speaker 1: Why where.

1389
01:04:35,840 --> 01:04:36,160
Speaker 7: Food?

1390
01:04:36,400 --> 01:04:38,680
Speaker 3: You paid money for that? We're supposed to be in

1391
01:04:38,720 --> 01:04:39,720
Speaker 3: the dumpster right now?

1392
01:04:39,760 --> 01:04:42,280
Speaker 1: Like that would have made sense, you know, like but anyway,

1393
01:04:42,320 --> 01:04:46,040
Speaker 1: either way, Ben is hysterical, and he could tell that

1394
01:04:46,080 --> 01:04:46,840
Speaker 1: we're just having fun.

1395
01:04:46,920 --> 01:04:48,680
Speaker 2: Yeah, because you guys are having a blast.

1396
01:04:48,800 --> 01:04:51,160
Speaker 4: Although thank I'm glad that he ordered the burger that

1397
01:04:51,200 --> 01:04:56,720
Speaker 4: you always get that always comes cut in half.

1398
01:05:10,000 --> 01:05:13,320
Speaker 2: So Sean repeats, what are you doing? Corey reveals the burger.

1399
01:05:13,560 --> 01:05:15,200
Speaker 2: It's not mine. I found it. It's not like I

1400
01:05:15,280 --> 01:05:17,960
Speaker 2: paid for it. Sean reiterates, in a slow, angry tone.

1401
01:05:18,160 --> 01:05:21,439
Speaker 2: I said, what are you doing? Corey starts to break

1402
01:05:21,480 --> 01:05:23,680
Speaker 2: down and cry, admitting he's eating meat.

1403
01:05:23,920 --> 01:05:27,480
Speaker 4: And me then is that?

1404
01:05:27,680 --> 01:05:33,280
Speaker 2: Peek peek? Ben? Sean responds, you disgust me, man, Corey pleats,

1405
01:05:33,280 --> 01:05:35,600
Speaker 2: but I like me. It's my parents' fault, Sean. They

1406
01:05:35,680 --> 01:05:38,280
Speaker 2: raised me. They gave me an allowance, saundries comforting in

1407
01:05:38,360 --> 01:05:41,000
Speaker 2: my dear sweet Cory, there's no shame. There's two types

1408
01:05:41,040 --> 01:05:43,080
Speaker 2: of people in this world, people like you who always

1409
01:05:43,160 --> 01:05:45,480
Speaker 2: manage to get by, and people like me, who are

1410
01:05:45,560 --> 01:05:48,120
Speaker 2: lucky enough to have people like you in their lives.

1411
01:05:48,600 --> 01:05:50,960
Speaker 2: Cory thanks him and says, you want have Sean gladly

1412
01:05:51,040 --> 01:05:53,960
Speaker 2: takes it. It's how the poor survive. And then they

1413
01:05:53,960 --> 01:05:56,880
Speaker 2: clink their burgers together in a cheers.

1414
01:05:56,880 --> 01:06:00,720
Speaker 1: So cute, Such a random but fun beast, you know.

1415
01:06:05,840 --> 01:06:10,280
Speaker 2: And then we're in Kimball's more insane wonderful set design,

1416
01:06:11,720 --> 01:06:15,880
Speaker 2: a new settler that sticks around. Gorgeous, absolutely gorgeous.

1417
01:06:15,480 --> 01:06:17,000
Speaker 1: And I can't wait to see. I don't think I

1418
01:06:17,080 --> 01:06:19,440
Speaker 1: ever got to act in this set. Really, no memories

1419
01:06:19,480 --> 01:06:22,040
Speaker 1: of acting in the set, so I don't think ever

1420
01:06:22,080 --> 01:06:22,640
Speaker 1: appears here.

1421
01:06:22,800 --> 01:06:27,040
Speaker 4: A huge, deep, multi leveled set. I mean, I remember

1422
01:06:27,080 --> 01:06:29,439
Speaker 4: we were We did episodes where we shot just around

1423
01:06:29,480 --> 01:06:31,600
Speaker 4: the rock climbing wall, we did episodes where we're going

1424
01:06:31,640 --> 01:06:33,360
Speaker 4: up the back stairs. I mean it was like this

1425
01:06:33,520 --> 01:06:36,040
Speaker 4: was a big deep It's well designed, it's.

1426
01:06:35,920 --> 01:06:39,919
Speaker 2: Cool, yeaheah, it's very cool. So Eric is testing stuff out,

1427
01:06:39,960 --> 01:06:42,520
Speaker 2: telling Allan, this is nothing like our fishing rod the

1428
01:06:42,560 --> 01:06:45,600
Speaker 2: aforementioned store owner, Ed Kimball tells him that's a McMillan.

1429
01:06:45,800 --> 01:06:47,919
Speaker 2: Alan adds, top of the line, my boy now put

1430
01:06:47,920 --> 01:06:51,000
Speaker 2: it down gently. It is impressed by Alan's knowledge of

1431
01:06:51,000 --> 01:06:53,160
Speaker 2: fishing gear, and Alan introduces himself as a friend of

1432
01:06:53,200 --> 01:06:55,760
Speaker 2: George Foeney. That says, yeah, he likes the little chats

1433
01:06:55,800 --> 01:06:58,240
Speaker 2: they have. He just wishes phoene would buy something once

1434
01:06:58,280 --> 01:06:58,720
Speaker 2: and all.

1435
01:06:58,800 --> 01:07:04,480
Speaker 1: This love this runner way cheap thiean cheap feenie who

1436
01:07:04,600 --> 01:07:05,880
Speaker 1: just talks and talks and.

1437
01:07:06,360 --> 01:07:08,240
Speaker 2: Talks and doesn't buy anything.

1438
01:07:08,320 --> 01:07:11,680
Speaker 1: And just I love other perspectives on Feedie where he's

1439
01:07:11,720 --> 01:07:13,880
Speaker 1: not just the authority but also kind of like, you know,

1440
01:07:14,560 --> 01:07:16,600
Speaker 1: like it's like a janitor bud in him. It's like

1441
01:07:16,680 --> 01:07:19,560
Speaker 1: a little side relationship that I can love.

1442
01:07:19,680 --> 01:07:22,280
Speaker 2: Yet I do too. Corey pat points out a huge

1443
01:07:22,360 --> 01:07:24,600
Speaker 2: kayak in the store, asking Alan how cool it would

1444
01:07:24,600 --> 01:07:26,280
Speaker 2: be on the lake, and Eric a, it's not nearly

1445
01:07:26,320 --> 01:07:28,439
Speaker 2: as cool as this tent. Check this out. He reads

1446
01:07:28,440 --> 01:07:30,280
Speaker 2: a tag that claims it can survive wins up to

1447
01:07:30,320 --> 01:07:32,600
Speaker 2: one hundred miles an hour. Morgan pops out of the tent.

1448
01:07:32,680 --> 01:07:35,480
Speaker 2: I'm not going Alan compliments Ed he has all the

1449
01:07:35,520 --> 01:07:38,560
Speaker 2: best toys at his store. As the boys peruse the goods,

1450
01:07:38,640 --> 01:07:41,760
Speaker 2: Amy thanks Ed for indulging her husband. He really loves

1451
01:07:41,760 --> 01:07:43,880
Speaker 2: this store. Ed can see that, and it looks like

1452
01:07:43,880 --> 01:07:47,160
Speaker 2: their kids do too. Eric climbs approximately one foot of

1453
01:07:47,240 --> 01:07:50,080
Speaker 2: a fake rock wall, announcing, I can see men's sportswear

1454
01:07:50,200 --> 01:07:50,640
Speaker 2: from here.

1455
01:07:51,200 --> 01:07:52,320
Speaker 4: I don't like heights.

1456
01:07:52,920 --> 01:07:56,920
Speaker 2: There we go. Yeah, it's a really wonderful store. Amy continues,

1457
01:07:56,960 --> 01:07:58,840
Speaker 2: how long have you had it? Ed explains, well, it's

1458
01:07:58,880 --> 01:08:00,720
Speaker 2: been in the family for about forty seven years. I

1459
01:08:00,760 --> 01:08:02,160
Speaker 2: was going to leave it to my son, only I

1460
01:08:02,240 --> 01:08:04,240
Speaker 2: had a daughter and she married an orthodontist and moved

1461
01:08:04,280 --> 01:08:07,760
Speaker 2: to Palm Beach. It's actually up for sale. He wants

1462
01:08:07,800 --> 01:08:09,800
Speaker 2: to spend some time with his grandchildren in the South.

1463
01:08:10,680 --> 01:08:12,400
Speaker 2: Ed admits, you know, I was just mentioning this to

1464
01:08:12,440 --> 01:08:16,919
Speaker 2: George Poenie the other day. Amy responds, realizing this setup.

1465
01:08:18,439 --> 01:08:20,439
Speaker 4: So it was Phoenel.

1466
01:08:21,479 --> 01:08:22,360
Speaker 3: I didn't know that.

1467
01:08:22,479 --> 01:08:24,080
Speaker 4: I wish there was more exposition.

1468
01:08:24,600 --> 01:08:27,280
Speaker 1: Yeah, we should talk about it. Mormon could get out.

1469
01:08:27,160 --> 01:08:31,639
Speaker 2: To the surface, highlighted a little bit. I love it,

1470
01:08:31,720 --> 01:08:35,400
Speaker 2: underlining me too, I loved it. Gamy chills. Pheene mentioned

1471
01:08:35,400 --> 01:08:37,120
Speaker 2: you were having a sale. She looks over at allan

1472
01:08:37,120 --> 01:08:40,280
Speaker 2: who's admiring some lanterns, and asks, mister Kimball, I know

1473
01:08:40,320 --> 01:08:41,920
Speaker 2: it's none of my business, but did you make a

1474
01:08:41,920 --> 01:08:44,479
Speaker 2: good living from this place? And he says some years

1475
01:08:44,479 --> 01:08:46,439
Speaker 2: are better than others, But if looking forward to coming

1476
01:08:46,520 --> 01:08:48,840
Speaker 2: to work every day was any indication, then I've done

1477
01:08:49,240 --> 01:08:49,840
Speaker 2: very well.

1478
01:08:50,400 --> 01:08:52,160
Speaker 1: I wanted him to pick up a snow globe of

1479
01:08:52,200 --> 01:08:54,120
Speaker 1: Cedar Lake right at that moment and be like, right,

1480
01:08:54,160 --> 01:08:56,400
Speaker 1: and here, I have Cedar Lake right on my desk,

1481
01:08:57,720 --> 01:09:00,000
Speaker 1: Right on my desk, I just have this little snow glope.

1482
01:09:00,640 --> 01:09:02,320
Speaker 3: I don't know if you've heard of it, Cedar Lake.

1483
01:09:05,080 --> 01:09:06,080
Speaker 4: It's a good rewrite.

1484
01:09:07,280 --> 01:09:10,280
Speaker 2: Amy nods, I suppose you have all your buyers lined up,

1485
01:09:10,680 --> 01:09:12,679
Speaker 2: and says there's been a few nibbles, but it's always

1486
01:09:12,720 --> 01:09:14,680
Speaker 2: been a family business, and he wants to keep it

1487
01:09:14,720 --> 01:09:17,759
Speaker 2: that way, even if it's not his family anymore. Amy

1488
01:09:17,760 --> 01:09:19,960
Speaker 2: looks over at her whole family staring at an array

1489
01:09:20,000 --> 01:09:22,519
Speaker 2: of lanterns, deciding which one to get for their camping trip.

1490
01:09:22,800 --> 01:09:24,679
Speaker 2: Eric and Corey are arguing over which one is better,

1491
01:09:24,720 --> 01:09:27,280
Speaker 2: even though they are the same lanterns. When Alan points

1492
01:09:27,320 --> 01:09:29,600
Speaker 2: that out, Corey responds, this is why I plan to

1493
01:09:29,600 --> 01:09:30,240
Speaker 2: be an accountant.

1494
01:09:30,479 --> 01:09:33,439
Speaker 4: I plan to be an accountant. Class's so cute.

1495
01:09:33,640 --> 01:09:35,599
Speaker 2: Alan brings the lantern to check out and says they

1496
01:09:35,640 --> 01:09:38,280
Speaker 2: better leave before they buy up the whole store. Amy smiles.

1497
01:09:38,720 --> 01:09:40,280
Speaker 2: I already did, Alan laughs.

1498
01:09:40,360 --> 01:09:41,400
Speaker 3: Thirty second contract?

1499
01:09:41,800 --> 01:09:44,840
Speaker 4: Yeah, like what is she handing out and shake contract?

1500
01:09:44,880 --> 01:09:45,120
Speaker 2: Okay?

1501
01:09:45,120 --> 01:09:47,200
Speaker 1: But they hand over a notebook right, like there is

1502
01:09:47,280 --> 01:09:50,280
Speaker 1: something passed from Amy to down as they come over.

1503
01:09:50,439 --> 01:09:53,240
Speaker 2: It's probably those things you do in movies where you go,

1504
01:09:53,280 --> 01:09:54,000
Speaker 2: make me your best.

1505
01:09:53,880 --> 01:09:56,720
Speaker 4: Job, right, and you slide across, and you slide.

1506
01:09:56,400 --> 01:09:58,960
Speaker 2: It across and you go done. It's like that's literally

1507
01:09:59,000 --> 01:09:59,400
Speaker 2: what it was.

1508
01:09:59,479 --> 01:10:02,080
Speaker 3: I how did you pick the store?

1509
01:10:02,680 --> 01:10:06,360
Speaker 2: She apparently chatted about their bank accounts right before they left,

1510
01:10:07,000 --> 01:10:09,360
Speaker 2: and I was aware of what they had and how

1511
01:10:09,360 --> 01:10:10,280
Speaker 2: they would do it.

1512
01:10:10,439 --> 01:10:15,040
Speaker 4: Yeah. It's also probably not cheap, right, I mean, no

1513
01:10:15,120 --> 01:10:17,360
Speaker 4: even buy a whole store.

1514
01:10:17,560 --> 01:10:21,680
Speaker 2: Yeah, and you're you're buying like the inventory that's in there,

1515
01:10:21,720 --> 01:10:22,760
Speaker 2: that's already been paid for.

1516
01:10:22,920 --> 01:10:25,559
Speaker 1: What about the building itself? Is that what she's buying

1517
01:10:25,680 --> 01:10:26,920
Speaker 1: or is it just the business?

1518
01:10:27,640 --> 01:10:32,760
Speaker 4: And she's got the better So there's but there's the business.

1519
01:10:33,120 --> 01:10:34,960
Speaker 4: And she wasn't she was a real estate agent, so

1520
01:10:35,000 --> 01:10:36,439
Speaker 4: she cheapest.

1521
01:10:36,479 --> 01:10:38,360
Speaker 1: It could be half a million dollars.

1522
01:10:38,479 --> 01:10:39,320
Speaker 2: That's what I was thinking.

1523
01:10:39,439 --> 01:10:41,679
Speaker 4: I was thinking half a million to a million.

1524
01:10:41,760 --> 01:10:43,160
Speaker 3: Yeah, yeah, that's a cheap.

1525
01:10:43,200 --> 01:10:46,200
Speaker 2: Particular part which used to think two hundred thousand dollars.

1526
01:10:46,320 --> 01:10:49,720
Speaker 4: I don't think Wilderness store in that, not with a

1527
01:10:49,800 --> 01:10:50,839
Speaker 4: McMillon inside.

1528
01:10:51,040 --> 01:10:52,280
Speaker 2: Yeah, with the mcmillions.

1529
01:10:52,479 --> 01:10:55,519
Speaker 1: I mean, come on, okay, and you know, but that's

1530
01:10:55,520 --> 01:10:56,839
Speaker 1: a that's a sizeable business.

1531
01:10:56,880 --> 01:10:58,960
Speaker 4: Loan a quarter to a half a million dollars.

1532
01:10:59,200 --> 01:11:01,559
Speaker 2: Yeah, we have to say, She says for the down payment,

1533
01:11:01,600 --> 01:11:03,720
Speaker 2: they have to tap into Eric's college fund. So what

1534
01:11:03,760 --> 01:11:05,599
Speaker 2: do you think they have an Eric's college fund?

1535
01:11:06,240 --> 01:11:07,639
Speaker 4: I mean fifty grand?

1536
01:11:08,720 --> 01:11:12,280
Speaker 1: Yeah, if it's right back, then fifty grand would pay

1537
01:11:12,320 --> 01:11:16,200
Speaker 1: for two years of yeah exactly, No, maybe two years

1538
01:11:16,240 --> 01:11:18,880
Speaker 1: of college, right yeah yeah maybe. Well, if you go

1539
01:11:18,920 --> 01:11:21,320
Speaker 1: to a state school, could pay for all of college, right,

1540
01:11:21,880 --> 01:11:23,000
Speaker 1: which Eric probably would.

1541
01:11:23,040 --> 01:11:24,760
Speaker 4: Maybe they wouldn't even have fifty grand in there. I

1542
01:11:24,760 --> 01:11:29,200
Speaker 4: mean he's a grosser. She does everything. Yeah, you know,

1543
01:11:29,280 --> 01:11:30,200
Speaker 4: it's it's financial.

1544
01:11:30,360 --> 01:11:34,360
Speaker 2: She mention they are getting alone. Yes, so there are

1545
01:11:34,400 --> 01:11:37,479
Speaker 2: still terms to this deal that need to be worked out.

1546
01:11:38,320 --> 01:11:41,519
Speaker 2: It probably needs to be appraised this business, but they

1547
01:11:41,640 --> 01:11:46,360
Speaker 2: have agreed that their family. In principle, their family is

1548
01:11:46,360 --> 01:11:48,840
Speaker 2: going to take over this Kimball's family business.

1549
01:11:48,840 --> 01:11:49,400
Speaker 4: I love it.

1550
01:11:49,800 --> 01:11:53,160
Speaker 7: Ain't going to spray, Ain't going to spray let us

1551
01:11:53,760 --> 01:11:54,360
Speaker 7: no move?

1552
01:11:54,960 --> 01:11:56,360
Speaker 1: Do you know there was titles of reference to a

1553
01:11:56,360 --> 01:12:00,200
Speaker 1: song Ain't Gonna study War no More? You guys know, No,

1554
01:12:00,400 --> 01:12:02,280
Speaker 1: I think that's what the reference is. I ain't gonna

1555
01:12:02,280 --> 01:12:04,479
Speaker 1: spray let us no More is a reference to a

1556
01:12:04,560 --> 01:12:08,479
Speaker 1: classic song folk song, I ain't gonna study War no More. Yeah,

1557
01:12:08,520 --> 01:12:10,880
Speaker 1: it's like dump by the riverside.

1558
01:12:11,320 --> 01:12:13,280
Speaker 2: If the person who wrote the script is to be

1559
01:12:13,320 --> 01:12:16,599
Speaker 2: trusted at all, you're wrong. I wrote to Mark Blutman

1560
01:12:16,680 --> 01:12:19,439
Speaker 2: last night because I also wanted to know is is

1561
01:12:19,479 --> 01:12:21,679
Speaker 2: the title in reference to something? Because I had seen

1562
01:12:21,840 --> 01:12:24,800
Speaker 2: when I googled I ain't gonna to see what else

1563
01:12:24,840 --> 01:12:26,600
Speaker 2: came up? That folk song came up. A couple of

1564
01:12:26,600 --> 01:12:29,080
Speaker 2: different things came up. He said, no special meaning, just

1565
01:12:29,080 --> 01:12:32,280
Speaker 2: felt it was what Alan was feeling. And then he said,

1566
01:12:32,320 --> 01:12:34,360
Speaker 2: I think this is the episode with the job expo.

1567
01:12:34,520 --> 01:12:38,599
Speaker 2: We had Cake dress up as the Opportunity carrot, and

1568
01:12:38,640 --> 01:12:40,840
Speaker 2: then I ended up cutting it out. And here's a

1569
01:12:40,880 --> 01:12:44,920
Speaker 2: picture of Blutman and Buskang and Manel dressed in a

1570
01:12:45,040 --> 01:12:53,040
Speaker 2: carrot costume opportunity, and then it apparently got cut out.

1571
01:12:53,479 --> 01:12:57,559
Speaker 1: See they were riffing on so many different Joe last

1572
01:12:57,920 --> 01:12:59,960
Speaker 1: this week, so they cut up the care.

1573
01:13:00,880 --> 01:13:01,559
Speaker 3: I bet you the.

1574
01:13:01,520 --> 01:13:04,280
Speaker 1: Title was Michael, and it came from because he would

1575
01:13:04,400 --> 01:13:06,680
Speaker 1: know the folk song. And there's no way. Yes, I

1576
01:13:06,680 --> 01:13:09,439
Speaker 1: ain't gonna spray let us no more. Yes it's a reference.

1577
01:13:09,479 --> 01:13:10,720
Speaker 1: I ain't gonna study war no more.

1578
01:13:11,000 --> 01:13:13,800
Speaker 2: Amy, You are probably right. Alan laughs. Looks like my

1579
01:13:13,800 --> 01:13:16,280
Speaker 2: whole family likes your store. Ed correct him. It's not

1580
01:13:16,320 --> 01:13:18,960
Speaker 2: his store anymore. Your wife just bought it. Amy says,

1581
01:13:19,200 --> 01:13:21,200
Speaker 2: the man's store was up for sale, so I bought it.

1582
01:13:21,240 --> 01:13:23,960
Speaker 2: Alan is shocked. You can't just do that. Ed confirmed

1583
01:13:23,960 --> 01:13:26,439
Speaker 2: she just did in a reasonable manner. We came to terms.

1584
01:13:27,560 --> 01:13:30,040
Speaker 2: Alan pulls Amy aside, telling her I understand what you're

1585
01:13:30,080 --> 01:13:32,400
Speaker 2: trying to do, but you just can't, and Amy stops him.

1586
01:13:32,439 --> 01:13:34,719
Speaker 2: I can't what you owe me a big decision, buddy,

1587
01:13:34,760 --> 01:13:37,599
Speaker 2: one that affects this whole family. Well, you're standing in it.

1588
01:13:38,040 --> 01:13:40,040
Speaker 2: Eric and Morgan are in shock. And this is where

1589
01:13:40,080 --> 01:13:42,000
Speaker 2: what Will's talking about. You guys all climb up the

1590
01:13:42,000 --> 01:13:43,599
Speaker 2: stairs and you actually have your mouth.

1591
01:13:43,400 --> 01:13:44,760
Speaker 4: Over it was like Christmas More.

1592
01:13:45,479 --> 01:13:47,040
Speaker 1: You guys are just in a course line. It was

1593
01:13:47,280 --> 01:13:51,080
Speaker 1: very yeah, picture perfect POSTCARDI y yep.

1594
01:13:52,600 --> 01:13:54,599
Speaker 2: Eric and Morgan are in shock hearing this. Corey grabs

1595
01:13:54,640 --> 01:13:57,120
Speaker 2: a big jar of beef jerky and asked, said, so

1596
01:13:57,240 --> 01:13:59,720
Speaker 2: this is all my beef jerky.

1597
01:13:59,600 --> 01:14:02,360
Speaker 1: Which is greatause the meat thing does come back, looks

1598
01:14:02,439 --> 01:14:03,000
Speaker 1: so funny.

1599
01:14:03,040 --> 01:14:04,920
Speaker 2: It's still there. He doesn't have to worry about it.

1600
01:14:04,960 --> 01:14:06,439
Speaker 2: I already own this beef.

1601
01:14:06,760 --> 01:14:09,519
Speaker 4: So the beef jerky, I have a story. I have

1602
01:14:10,240 --> 01:14:11,479
Speaker 4: I have a beef jerkey story.

1603
01:14:11,520 --> 01:14:13,880
Speaker 7: Oh tell, oh.

1604
01:14:13,600 --> 01:14:17,000
Speaker 2: Wait, oh my gosh, I kind of remember this story.

1605
01:14:17,040 --> 01:14:18,200
Speaker 2: Please explain it.

1606
01:14:18,720 --> 01:14:20,880
Speaker 4: This is so So the beef jerky is sitting on

1607
01:14:20,920 --> 01:14:22,320
Speaker 4: the table. First of all, you can if you watch

1608
01:14:22,320 --> 01:14:25,080
Speaker 4: it throughout the scene, it keeps moving. So the label

1609
01:14:25,160 --> 01:14:26,720
Speaker 4: is one way, then it's another way, then it's this way.

1610
01:14:26,720 --> 01:14:30,719
Speaker 4: Then it's because you guys keep picking that. So Ben,

1611
01:14:31,000 --> 01:14:33,120
Speaker 4: we're like, Ben, eat some of the beef jerkey. It's like,

1612
01:14:33,160 --> 01:14:34,559
Speaker 4: I'm not eating the beef chert. I don't know how

1613
01:14:34,560 --> 01:14:36,000
Speaker 4: long it's been there. I'm not eating the people for like,

1614
01:14:36,000 --> 01:14:37,599
Speaker 4: Ben eat some of the beef jerkey. He's like, I'm

1615
01:14:37,600 --> 01:14:40,080
Speaker 4: not going to do it. So Rusty walks over. He goes,

1616
01:14:40,120 --> 01:14:41,760
Speaker 4: what you're not going to do? And he opens the

1617
01:14:41,760 --> 01:14:44,800
Speaker 4: beef jerkey, pulls out a stick, takes a big, old,

1618
01:14:44,960 --> 01:14:48,439
Speaker 4: sloppy bite, rips one and half throws it back into

1619
01:14:48,479 --> 01:14:50,760
Speaker 4: the jar of beef jerky and then shakes it up.

1620
01:14:50,800 --> 01:14:51,880
Speaker 4: So now there's one in.

1621
01:14:51,840 --> 01:14:54,040
Speaker 2: There, touched everything else.

1622
01:14:54,120 --> 01:14:54,719
Speaker 4: It's everything.

1623
01:14:54,800 --> 01:14:57,559
Speaker 6: So he then goes, what's better, Ben don't have the

1624
01:14:57,560 --> 01:14:59,519
Speaker 6: guts to do it. Ben's like, oh yeah, and he

1625
01:14:59,640 --> 01:15:03,120
Speaker 6: reaches in, grabs a stick himself, takes a giant bite

1626
01:15:03,160 --> 01:15:05,720
Speaker 6: and it's exactly the stick Rusty had just eaten, and

1627
01:15:05,840 --> 01:15:09,719
Speaker 6: he bit into Rusty's slobbery like the same spote.

1628
01:15:09,800 --> 01:15:14,680
Speaker 4: He's like it, throws the thing away and we lost it.

1629
01:15:14,720 --> 01:15:17,040
Speaker 4: I mean we laughed for a half an hour, he liked,

1630
01:15:18,880 --> 01:15:22,160
Speaker 4: and he grabbed exactly the slobbery one that Rusty had

1631
01:15:22,320 --> 01:15:27,280
Speaker 4: and shoved it into It was so funny. I will

1632
01:15:27,320 --> 01:15:29,040
Speaker 4: never forget that. Oh it was great.

1633
01:15:29,479 --> 01:15:33,040
Speaker 2: That's good. So Eric responds, Hey, Dad, how great is this?

1634
01:15:33,120 --> 01:15:35,120
Speaker 2: I'm going to be working for you. Amy tells him,

1635
01:15:35,120 --> 01:15:36,720
Speaker 2: I'm glad you feel that way, because we're going to

1636
01:15:36,800 --> 01:15:39,040
Speaker 2: have to tap into your college fund for the down payment.

1637
01:15:39,400 --> 01:15:41,519
Speaker 2: Eric asks, hey, Dad, how great is this? You're going

1638
01:15:41,600 --> 01:15:44,800
Speaker 2: to be working for me? Amy laughs, how about partners?

1639
01:15:45,080 --> 01:15:47,280
Speaker 2: Eric says that's even greater, even greater.

1640
01:15:47,439 --> 01:15:50,880
Speaker 6: It was like that kind of those kind of responses, Yeah,

1641
01:15:50,960 --> 01:15:51,639
Speaker 6: even greater.

1642
01:15:51,880 --> 01:15:54,920
Speaker 2: Yeah, Alan admits to Amy he still doesn't know about

1643
01:15:54,960 --> 01:15:56,920
Speaker 2: all this. Amy asks, what's not to know? Are you

1644
01:15:56,960 --> 01:15:59,080
Speaker 2: afraid you're going to be happy? Now? You look around,

1645
01:15:59,080 --> 01:16:00,760
Speaker 2: and if you can tell me from your heart that

1646
01:16:00,840 --> 01:16:02,800
Speaker 2: none of this is going to make you happy, then

1647
01:16:02,800 --> 01:16:04,719
Speaker 2: we will walk out that door and we will discuss

1648
01:16:04,800 --> 01:16:07,400
Speaker 2: something else. And in this moment is when I noticed

1649
01:16:07,400 --> 01:16:13,800
Speaker 2: that Ben is still walking around with the jar. Alan responds, no,

1650
01:16:14,000 --> 01:16:15,800
Speaker 2: I believe the deal was that I don't get to

1651
01:16:15,800 --> 01:16:18,680
Speaker 2: discuss your decision, right. Amy nods and says that's right.

1652
01:16:19,040 --> 01:16:21,800
Speaker 2: They kiss, and Alan thanks her. You heard the lady

1653
01:16:21,880 --> 01:16:25,320
Speaker 2: wrap it up. And I know it's a little sit comy,

1654
01:16:25,520 --> 01:16:28,000
Speaker 2: but I think it's so sweet. Love it and it's

1655
01:16:28,040 --> 01:16:30,160
Speaker 2: so sweet and it's so beautiful. And I was so

1656
01:16:30,200 --> 01:16:33,519
Speaker 2: happy that this whole thing ended up being Amy's doing,

1657
01:16:33,720 --> 01:16:36,440
Speaker 2: and it was a nice little ribbon throughout the episode

1658
01:16:36,600 --> 01:16:38,439
Speaker 2: that she was going to get to make a decision

1659
01:16:38,920 --> 01:16:42,080
Speaker 2: to pay him back. And that the way she ended

1660
01:16:42,160 --> 01:16:44,519
Speaker 2: up paying him back was by making a dream come

1661
01:16:44,560 --> 01:16:46,120
Speaker 2: true that he didn't even know he had.

1662
01:16:46,160 --> 01:16:48,439
Speaker 4: And now they just have to qualify for the loan.

1663
01:16:48,880 --> 01:16:53,840
Speaker 2: Exactly family TV show, ladies and gentlemen. And then we're

1664
01:16:53,960 --> 01:16:56,679
Speaker 2: back and Kimball's for the tag. Ed is teaching Alan

1665
01:16:56,720 --> 01:16:59,639
Speaker 2: and Eric about accounts, payable and receivable, and it assures

1666
01:16:59,640 --> 01:17:02,519
Speaker 2: them and they shouldn't have a problem. Eric nods, pretending

1667
01:17:02,560 --> 01:17:04,360
Speaker 2: like he can handle it, and then to his relief,

1668
01:17:04,400 --> 01:17:07,599
Speaker 2: Allan says they're going to hire someone. Then Phoene walks

1669
01:17:07,640 --> 01:17:10,439
Speaker 2: in and Alan quickly welcomes him to our new shop.

1670
01:17:10,800 --> 01:17:13,759
Speaker 2: Phoene genuinely congratulates Alan and asks if he can browse

1671
01:17:13,800 --> 01:17:15,920
Speaker 2: a bit. Allan says, of course, pick something out. You'll

1672
01:17:15,960 --> 01:17:18,560
Speaker 2: be our first sale. Ed rolls his eyes and comments,

1673
01:17:18,560 --> 01:17:19,160
Speaker 2: not likely.

1674
01:17:19,600 --> 01:17:21,080
Speaker 7: Love it too.

1675
01:17:21,960 --> 01:17:25,519
Speaker 2: Phoene curmudgeonly shouts, eighteen dollars for socks.

1676
01:17:25,800 --> 01:17:27,639
Speaker 4: Come on, man, it's so great.

1677
01:17:27,680 --> 01:17:29,400
Speaker 2: It's what we always think of when we think of

1678
01:17:29,439 --> 01:17:36,840
Speaker 2: the Azaleas. Yep, it's come on, gorgeous. Kimball argues back.

1679
01:17:36,880 --> 01:17:39,840
Speaker 2: They're thermal, they're double layered, and they're fully moisture proof.

1680
01:17:40,000 --> 01:17:43,400
Speaker 2: Phoene spits back, they're eighteen dollars and their socks. I'm

1681
01:17:43,439 --> 01:17:45,320
Speaker 2: a teacher, not a heart surgeon.

1682
01:17:45,479 --> 01:17:48,080
Speaker 4: Which is a great callback from had that's what he

1683
01:17:48,120 --> 01:17:51,200
Speaker 4: played in Sane Elsewhere he played a heart. Yeah, so

1684
01:17:51,240 --> 01:17:53,479
Speaker 4: that's the joke, is that he was a surgeon.

1685
01:17:53,479 --> 01:17:56,800
Speaker 2: I think that you're the TV expert around here, and.

1686
01:17:56,760 --> 01:17:58,519
Speaker 1: I'm gonna be the sock expert. There's no such thing

1687
01:17:58,560 --> 01:18:02,800
Speaker 1: as moisture proof. Moisture wicking is what you wanted to

1688
01:18:02,840 --> 01:18:04,679
Speaker 1: wick the moisture away from your skins.

1689
01:18:04,720 --> 01:18:06,840
Speaker 2: All right. If for a moisture proof you could never wash.

1690
01:18:07,080 --> 01:18:11,240
Speaker 1: No, just what does moisture proof being? That would be well.

1691
01:18:11,200 --> 01:18:13,920
Speaker 4: You'd wear them, wear your rubber, So wear them with

1692
01:18:13,960 --> 01:18:15,240
Speaker 4: your swede hoodie.

1693
01:18:16,800 --> 01:18:19,559
Speaker 2: Eric reroutes the conversation, telling Phoenie he'll show him some

1694
01:18:19,600 --> 01:18:22,080
Speaker 2: snow shoes. Phoene asks why he would be interested in

1695
01:18:22,120 --> 01:18:24,600
Speaker 2: snow shoes, and Eric whispers, there are no snowshoes. He

1696
01:18:24,640 --> 01:18:25,920
Speaker 2: walks with Phoenie. So funny.

1697
01:18:26,120 --> 01:18:27,920
Speaker 1: I wanted to be a little more of a beat,

1698
01:18:28,000 --> 01:18:30,040
Speaker 1: like more of Phoenie bee, like, oh god, and then

1699
01:18:30,040 --> 01:18:32,880
Speaker 1: you can walk like a step better if you had to,

1700
01:18:32,920 --> 01:18:34,000
Speaker 1: like take him into a tent.

1701
01:18:36,320 --> 01:18:38,160
Speaker 4: In a giant sweater. And do you see the sweater

1702
01:18:38,160 --> 01:18:40,280
Speaker 4: I'm wearing? Is like he goes to my knees.

1703
01:18:40,720 --> 01:18:42,280
Speaker 2: I know, this is the biggest sweater I've ever seen,

1704
01:18:42,520 --> 01:18:46,080
Speaker 2: like a dress. He walks with phoeniean distress, saying, I'm

1705
01:18:46,080 --> 01:18:48,120
Speaker 2: an idiot. I don't know anything about numbers and accounts.

1706
01:18:48,120 --> 01:18:50,080
Speaker 2: I'm gonna bring this whole store crashing down. We're gonna

1707
01:18:50,120 --> 01:18:52,559
Speaker 2: end up living in a box in the park. Phoene responds, well,

1708
01:18:52,600 --> 01:18:54,400
Speaker 2: there are some socks over there that would keep you

1709
01:18:54,479 --> 01:18:58,880
Speaker 2: quite warm. Great joke. Great callback. Eric begs Phoeney to tutor.

1710
01:18:58,920 --> 01:19:00,320
Speaker 2: I mean he needs to learn how to run a business.

1711
01:19:00,400 --> 01:19:03,519
Speaker 2: Phoenie emphasizes Eric needs a full education. He wants Eric

1712
01:19:03,560 --> 01:19:07,040
Speaker 2: to be prepared. Eric asks, will you prepare me? Feenie obliges,

1713
01:19:07,120 --> 01:19:08,960
Speaker 2: meet me at school and we'll work out a schedule.

1714
01:19:09,120 --> 01:19:12,960
Speaker 1: Great cheat, to keep these characters together, great cheat. We

1715
01:19:13,040 --> 01:19:16,160
Speaker 1: need this because there's no way they can let Eric

1716
01:19:16,200 --> 01:19:18,920
Speaker 1: out of the hallway with Genie like you just need that.

1717
01:19:19,200 --> 01:19:20,680
Speaker 1: You need it too well established.

1718
01:19:20,800 --> 01:19:23,880
Speaker 2: Yep, it is perfect. Phoene announces, I think I will

1719
01:19:23,920 --> 01:19:26,720
Speaker 2: buy that pair of socks. Ed's offended. Oh sure, wait

1720
01:19:26,800 --> 01:19:29,479
Speaker 2: till I sell the store, then you buy something. Eric

1721
01:19:29,520 --> 01:19:31,479
Speaker 2: proudly holds up the cash. Here it is dad our

1722
01:19:31,520 --> 01:19:34,400
Speaker 2: first sale. They tape the bill to the register to

1723
01:19:34,479 --> 01:19:39,120
Speaker 2: commemorate it, and I teared up. I loved it. I

1724
01:19:39,160 --> 01:19:42,759
Speaker 2: was so happy. I really, I really enjoyed this episode.

1725
01:19:42,800 --> 01:19:47,400
Speaker 2: And even with its a little bit of sitcomym too.

1726
01:19:47,600 --> 01:19:49,640
Speaker 1: If the most criticism you can give a sitcom is

1727
01:19:49,640 --> 01:19:56,200
Speaker 1: that it's it's a sitcom, exactly, it's criticism.

1728
01:19:55,680 --> 01:19:58,880
Speaker 2: Yeah, exactly. So thank you all for joining us for

1729
01:19:58,920 --> 01:20:00,960
Speaker 2: this episode. Upon meets We're World. As always, you can

1730
01:20:00,960 --> 01:20:03,200
Speaker 2: follow us on Instagram pod meets World Show. You can

1731
01:20:03,240 --> 01:20:05,599
Speaker 2: send us your emails pod meets World Show at gmail

1732
01:20:05,640 --> 01:20:06,799
Speaker 2: dot com, and.

1733
01:20:07,040 --> 01:20:10,400
Speaker 4: We have merch March.

1734
01:20:11,560 --> 01:20:15,519
Speaker 2: Seinfeld Merch pod meets Worldshow dot com. Join us for

1735
01:20:15,560 --> 01:20:19,000
Speaker 2: our next episode recap, which will be season four Episode four,

1736
01:20:19,439 --> 01:20:25,680
Speaker 2: Fishing for Verna Oo. I bet we get a Verna here?

1737
01:20:26,439 --> 01:20:30,679
Speaker 2: Oh get originally aired Yes, It originally aired October eleventh,

1738
01:20:30,760 --> 01:20:34,479
Speaker 2: nineteen ninety six. Uh writer, send us out.

1739
01:20:35,000 --> 01:20:35,720
Speaker 1: We love you all.

1740
01:20:36,080 --> 01:20:40,960
Speaker 7: Pod dismissed, ain't gonna spee, ain't gonna spae let us,

1741
01:20:41,439 --> 01:20:42,040
Speaker 7: no move.

1742
01:20:43,960 --> 01:20:46,640
Speaker 1: Pod Meets World is an iHeart podcast producer hosted by

1743
01:20:46,680 --> 01:20:50,639
Speaker 1: Danielle Fischel, Wilfredell and Ryder Straw executive producers, Jensen Carp

1744
01:20:50,720 --> 01:20:53,920
Speaker 1: and Amy Sugarman Executive in charge of production, Danielle Romo,

1745
01:20:54,080 --> 01:20:57,960
Speaker 1: producer and editor, Tarasubasch producer, Maddie Moore, engineer and Boy

1746
01:20:58,000 --> 01:21:00,800
Speaker 1: Meets World Superman Easton Allen Are. The theme song is

1747
01:21:00,840 --> 01:21:04,000
Speaker 1: by Kyle Morton of Typhoon. Follow us on Instagram at

1748
01:21:04,000 --> 01:21:08,280
Speaker 1: Podmets World Show or email us at podmetsworldshowat gmail dot

1749
01:21:08,320 --> 01:21:11,880
Speaker 1: com