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Speaker 1: What are our thoughts on the yellow dress?

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Speaker 2: I love the yellow signature.

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Speaker 3: And why was it immediately breathtaking to me? Like I

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Speaker 3: just thought, okay, it was the low back. It's the

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Speaker 3: combination of the nipples and the low back. Yeah.

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Speaker 1: Yeah, I was not a huge fan of the yellow dress.

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Speaker 1: But more importantly the hair. She's worrying. I know, the

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Speaker 1: low pony, Yeah, the like low bun. I'm like, wait,

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Speaker 1: she's going to work at a library. Jesus. It's like,

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Speaker 1: get out of here.

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Speaker 3: Simple girl. She's a writer.

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Speaker 1: She's Oh my god. Yeah, that's the thing, is like

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Speaker 1: low maintenance women. That's such a like early odds thing.

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Speaker 1: It's like, oh, fuck yourself, dude, claw clip.

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Speaker 3: The people spoke and we listened to a take off

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Speaker 3: boy sovers first ever rom com roundtable. We're talking all

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Speaker 3: about how to lose a guy in ten days. I'm

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Speaker 3: hopewordered and welcome to boys over a space where we're

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Speaker 3: learning and unlearning all the myths we're taught about love

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Speaker 3: and relationships. Who doesn't love a rom com. They're hilarious,

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Speaker 3: they're cute. Some may say they're a lost art. Most importantly, though,

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Speaker 3: they make us feel our feelings and reflect on our

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Speaker 3: own lives. They say a lot about the standards of

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Speaker 3: the time we're living in and can spark fierce debates.

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Speaker 3: Can men and women really just be friends? Is holding

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Speaker 3: up a boombox outside your window creepy or cute? Is

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Speaker 3: it possible to not fall in love with someone if

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Speaker 3: they run after you in the rain? All of this

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Speaker 3: is why we're bringing you a special episode Boiceover's first

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Speaker 3: ever rom com Roundtable, where I bring on smart and

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Speaker 3: funny people to discuss the movies that shaped our idea

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Speaker 3: of love. First up, we're talking about the two thousand

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Speaker 3: and three classic How to Lose a Guy in Ten Days,

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Speaker 3: starring Kate Hudson and Matthew McConaughey. If you've never seen it,

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Speaker 3: here's what you need to know. Kate Hudson plays Andy,

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Speaker 3: a magazine columnist who pitches an idea about how to

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Speaker 3: get a man to leave you in just ten days

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Speaker 3: by doing all the crazy things women do in relationships.

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Speaker 3: Matthew McConaughey plays Ben, and at exec who to win

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Speaker 3: a big campaign bets he can make any woman fall

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Speaker 3: in love with him in ten days. Andy and Ben

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Speaker 3: meet at a bar, both unaware of each other's scheme

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Speaker 3: and start dating. I think you can see what's going

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Speaker 3: to happen from here. To talk about this movie, I

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Speaker 3: brought on comedians Brandon Follock and Ivy Lou. I can't

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Speaker 3: wait for you to hear our conversation. Brandon, Ivy, Welcome

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Speaker 3: to Boyceover.

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Speaker 1: Oh thanks for having me.

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Speaker 3: I'm so excited.

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Speaker 2: I know.

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Speaker 3: Okay, I would love for you. I would love for

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Speaker 3: you to both introduce yourselves.

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Speaker 2: My name is Brandon Follick. I'm a comedian, actor, writer,

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Speaker 2: a podcaster with my best friend and co host, Ivy Lou.

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Speaker 2: I perform all over the city and I write for

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Speaker 2: various humor websites and whatnot. And I do stand up

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Speaker 2: kind of wherever they will allow me, which tends to

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Speaker 2: be basements and occasionally the ground floor, which is high brow.

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Speaker 3: A basement is high brow in my opinion when it

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Speaker 3: comes to comedy.

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Speaker 2: Yeah, when you're a basement dweller, I'm like, oh, that's

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Speaker 2: so great because we can like already match each other

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Speaker 2: on the same level.

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Speaker 3: Totally.

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Speaker 2: Yeah, the legwork is kind of gone.

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Speaker 1: I'm Ivy. I am a comedian, a freshly podcaster okay,

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Speaker 1: with my best friend Brandon follick and we just had

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Speaker 1: you as our guests.

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Speaker 3: True in the name of y'all's podcast.

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Speaker 1: Everybody wants to be My friend?

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Speaker 3: And what are y'all talking about?

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Speaker 1: So we're talking about friendship culture. We're talking about I

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Speaker 1: like to say friendship philosophy, but it sounds really stupid

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Speaker 1: when I say it, because no, no, go high brow.

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Speaker 1: I like friendship Comedians of the Moderns. We really wanted

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Speaker 1: to like capture the essence of like sleepover girly time.

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Speaker 2: Which is why we always record at three a m.

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Speaker 1: You know, It's like, our friendship is so pure, and

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Speaker 1: like everyone should be able to experience this in their

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Speaker 1: lives in a culture that is so isolating, in a

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Speaker 1: culture that seeks to alienate you from other people or

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Speaker 1: like make you fearful of other people. It's like, how

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Speaker 1: do we make a show that aligns with the value

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Speaker 1: of the importance of connecting with people? You know?

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Speaker 3: Yes, And I also love that it celebrates friendship because

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Speaker 3: so much is about romance. I mean, today we're talking

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Speaker 3: about rom coms, right, but this movie is kind of

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Speaker 3: giving late night sleepover.

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Speaker 1: It is, so.

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Speaker 2: I was devastated and watch us in our pajamacy.

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Speaker 1: We should do it after the show.

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Speaker 2: I will have it going down the stairs.

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Speaker 1: I have a lot of commentary.

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Speaker 3: I'm so excited. Okay, I want to ask you all

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Speaker 3: about this movie how to Lose a Guy in ten Days.

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Speaker 3: To kick it off, I want you to give this

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Speaker 3: movie like one out of five roses and why what's

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Speaker 3: your review, Brandon?

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Speaker 2: I'm giving it three out of five roses.

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Speaker 3: Three out of five roses, Yeah, tell me why.

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Speaker 2: I think it is a story. It works for me.

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Speaker 2: It totally makes sense why these protagonists know each other

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Speaker 2: like the whole like subtext of like each of them

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Speaker 2: has a bet going on the other one doesn't know

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Speaker 2: about it, the viewer knows. They get to see like

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Speaker 2: how the other one's behaving works.

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Speaker 1: Totally.

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Speaker 2: The stakes have never been higher. I love all the

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Speaker 2: external characters. I love the plot points that we're hitting.

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Speaker 2: I love that genre of rom com where like someone

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Speaker 2: just kind of a magazine editor and like they live

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Speaker 2: comfortably in New York City and you don't see them

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Speaker 2: type of single word.

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Speaker 1: And that's the things that fall for me.

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Speaker 2: I would love to share for later.

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Speaker 3: Okay, we want to save it, so three out of

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Speaker 3: five roses, Yes, Ivy, I.

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Speaker 1: Think honestly, four roses. I love this movie. I did

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Speaker 1: not look at that. I loved it. I mean, okay.

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Speaker 1: My biggest quama about this movie, which we will get

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Speaker 1: into later. I know that you guys were talking about

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Speaker 1: Katherine Han in the group chat, but I thought she

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Speaker 1: was underutilized.

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Speaker 3: Okay, Yeah, I'm okay with that.

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Speaker 1: I think we now, like looking back, see her as

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Speaker 1: such a genius that like in a movie like this

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Speaker 1: where it's so like Kookie. Of course, the therapist scene

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Speaker 1: is so funny, improvised, no way. Yeah, the sweater of

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Speaker 1: the armpits.

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Speaker 3: No, okay, I could tell because I could tell she

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Speaker 3: almost laughed when she put the tissue under her armpit.

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Speaker 3: I saw that sneaky laugh and I was like, I

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Speaker 3: thought she was about to break it made.

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Speaker 2: For us, and yeah, yeah, early Catherine's so good.

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Speaker 3: Between Catherine Han's character and Kate Hudson's character, Michelle and Andy,

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Speaker 3: who do you relate to more?

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Speaker 1: Oh I'm Michelle.

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Speaker 2: I Oh, I'm Kate Hudson.

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Speaker 3: What makes you say you're Michelle? What makes you say

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Speaker 3: you're Kate?

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Speaker 1: Because I act like that, huh, which is crazy, which

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Speaker 1: is by the way, women be crazy. I want to say,

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Speaker 1: this movie is firstly about the indomitable will of men

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Speaker 1: and secondly about how women be crazy.

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Speaker 3: And I related to it, and I was like, yeah, no,

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Speaker 3: I could see myself doing a few things.

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Speaker 1: Funny. How like the conceit of the movie is, oh,

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Speaker 1: kaus is driving this man away by acting how I act.

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Speaker 2: She's diverting the feminist norm.

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Speaker 3: I know, what did you think about the female co

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Speaker 3: workers and bends female?

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Speaker 1: Yeah, Judy and Judy and Judy, Oh my god, there

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Speaker 1: are such cunts I want to bear so yeah, they

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Speaker 1: were so evil. Wanted a coconut bathroom with them so bad? Okay.

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Speaker 2: I also want to highlight because I was noticing too,

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Speaker 2: like the drinks that people ordered at the bar were

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Speaker 2: defined by the class of the character, and Judy and

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Speaker 2: Judy were always drinking champagne slash prosecco slash sparkling wine.

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Speaker 1: So you think they're such a dramator. I love that.

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Speaker 3: What else did you notice? What other drinks did you notice?

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Speaker 1: Yes? But she or her, I get it, grategically attracts.

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Speaker 3: She wanted Matthew McConaughey so bad.

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Speaker 1: I have never been more attracted aboutthewy in my life.

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Speaker 3: What is the hottest thing about Matthew McConaughey in this movie.

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Speaker 2: How closely is to Kate Hudson, How close he is

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Speaker 2: to all the guys in that movie are drinking something

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Speaker 2: brown because.

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Speaker 1: That's what guys.

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Speaker 2: And he's drinking martinis. Catherine Hanna is drinking Abatka cranberries love, which.

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Speaker 1: She's every woman.

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Speaker 3: She's a relatable girl.

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Speaker 2: She's well, she's supposed to be this like not infantiized,

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Speaker 2: but like she's like college like emotional maturity, whereas Andy's

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Speaker 2: like the cosmopolitan girl, like she's got a grip on men.

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Speaker 2: She knows what the dating is.

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Speaker 3: Do you think Andy is a guy's girl or a

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Speaker 3: girl's girl?

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Speaker 2: Girls girl, Yeah, girls girl.

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Speaker 3: But she loves sports.

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Speaker 1: And politics and religion, religion and so like she doesn't

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Speaker 1: have any male friends.

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Speaker 3: No, she doesn't. It's an impressive thing. Like she's a

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Speaker 3: girl's girl, but she loves the name.

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Speaker 1: But she has like regular interest, you know what I mean. Like, yes,

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Speaker 1: I think the boys' night scene is really telling because

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Speaker 1: she like knows enough about poker to like fuck up

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Speaker 1: the game so bad that no one wants to play.

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Speaker 2: Right, And the detailed timing of when she's demanding that dr.

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Speaker 1: I'm like, this is a woman who's analyzed sports like

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Speaker 1: it's not dying. It's funny he didn't just say no,

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Speaker 1: you know what I mean.

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Speaker 3: You're saying it's crazy that Matthew McConaughey didn't say no,

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Speaker 3: I'm not going to go get you another coke. The

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Speaker 3: game was almost over.

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Speaker 1: It's like, yeah, wait one second, I'm gonna go do it.

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Speaker 3: She was like, I'm so thirsty.

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Speaker 1: I'm so we're going to get a drink after this.

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Speaker 2: Didn't exist yet in two thousand and three, So where

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Speaker 2: were they going to get a drink?

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Speaker 1: After the coensation gumps handhuld.

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Speaker 3: Yet? Have you guys ever tried to lose a guy

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Speaker 3: like this.

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Speaker 2: I would not spread it out over the course of

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Speaker 2: ten days, and I don't think Andy was going to either.

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Speaker 2: She was like, why is it ten days? No, on

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Speaker 2: an eleven, I'd be sabotaging relationships.

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Speaker 3: Absolutely, when's the last time today?

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Speaker 1: What happened? I mean no, not really. I think once

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Speaker 1: you get into the like oh maybe this is getting serious,

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Speaker 1: it's like, well, you have to use something crazy to

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Speaker 1: see if you can scare the mom, right?

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Speaker 3: Is it a test?

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Speaker 1: I mean this guy a playlist and when he didn't

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Speaker 1: listen to it, I was like, you don't care about

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Speaker 1: the art that I like, you don't want to connect

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Speaker 1: over this, and like maybe I was being serious and

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Speaker 1: maybe I wasn't, but I did say it.

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Speaker 3: How did you know he didn't listen to the playlist?

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Speaker 3: He told you?

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Speaker 1: He told me. Yeah, he was like not shy about it,

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Speaker 1: and I was like, I was like, come on.

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Speaker 2: You have to No, wait, didn't.

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Speaker 1: Get really into a hundred gigs for me.

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Speaker 3: Oh my gosh, What is the craziest thing you've ever

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Speaker 3: done in a relationship? Like to pressure test it like

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Speaker 3: an in an andy sense?

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Speaker 1: Yeah, Oh, oh my gosh, Brandon, what's the craziest thing

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Speaker 1: you have?

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Speaker 2: Probably dragged my boyfriend around the New York comedy scene. No,

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Speaker 2: what have I done to like test him? Oh my gosh,

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Speaker 2: that's really interesting, other than talking about him on stage.

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Speaker 3: Oh my gosh, that is quite a test. But do

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Speaker 3: you think they kind of like it a little?

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Speaker 1: Yes? They do.

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Speaker 2: Yeah, it's a lot to be talked about.

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Speaker 1: Yeah.

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Speaker 2: Yeah, you had to be immortalized and said that's ultimately improvisable,

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Speaker 2: not quality worthy of being repeated again.

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Speaker 3: Yeah, yeah, they live for that. I have an example,

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Speaker 3: like I was in a situationship with this guy and

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Speaker 3: he was sick. He thought he had like COVID or something,

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Speaker 3: and we'd been dating for like two weeks, and I

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Speaker 3: fully went to his house, dropped off soup, dropped off groceries,

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Speaker 3: like essentially just full home care. Oh yeah, at home

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Speaker 3: care fully, girlfriend mode, nurse mode, and not my boyfriend

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Speaker 3: at all, because the thing is he's not Andy's boyfriend

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Speaker 3: the whole time.

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Speaker 1: Mm. Yeah.

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Speaker 2: Do you ever do something so overtly romantic for someone

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Speaker 2: that you know it's not going to work out with?

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Speaker 3: Oh? My god, I mean yeah all the time.

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Speaker 1: I think.

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Speaker 3: When I know specifically it's not going to work out,

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Speaker 3: I go into overdrive, Like I turn into Andy trying

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Speaker 3: to like make it happen, save the nothing. Yeah, what

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Speaker 3: is that line that we loved so much at the

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Speaker 3: very end? You can't lose what you never had?

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Speaker 1: Yeah? Yeah, wait, can I ask y'all something vulnerable about

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Speaker 1: this movie made me think about I don't know why

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Speaker 1: I did, but I did write it in my notes.

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Speaker 1: Do you guys ever say I love you to one

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Speaker 1: Ice fans? I definitely think about it, Oh I do.

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Speaker 1: I wade out sit on and I say I love

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Speaker 1: you while I love you.

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Speaker 2: Only for the one you like.

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Speaker 3: Hand their faces in your hands. You're like making eye

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Speaker 3: contact with them. You're like I love it, yes, yes,

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Speaker 3: and it never scares.

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Speaker 1: Them away, No, because they're inside me.

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Speaker 3: Do you think Andy and Ben would last past the movie?

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Speaker 1: Yeah?

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Speaker 2: Yeah, Well the whole thing was that Ben saw the

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Speaker 2: parts of Andy that were her naturally right.

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Speaker 1: Yeah, and like they're able to like joke about it

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Speaker 1: at the end of the movie, you know what I mean, Like, yeah,

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Speaker 1: he has no idea what her actual personality is like,

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Speaker 1: except he believes that he does. And she's like, well,

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Speaker 1: all the crazy stuff was just an act and I'm

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Speaker 1: actually quite normal.

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Speaker 3: There's no way she's totally normal, though.

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Speaker 1: She has to. Yeah, I mean she had to.

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Speaker 2: I don't know if it was like her the woman

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Speaker 2: she's been observing, but she knew exactly how to take

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Speaker 2: that relationship onto warp speed mode.

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Speaker 1: So true, like every day was something absolutely nuts, was awesome.

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Speaker 1: You're killing her love, Yeah, it's your favorite crazy thing

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Speaker 1: she did.

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Speaker 2: I love the Celine Dion moment, but I think the

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Speaker 2: craziest thing to me is meeting the parents, right, Oh, Like,

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Speaker 2: what did you think about the subtext of them being

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Speaker 2: so able to call each other out on their bullshit

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Speaker 2: when they're both lying to each other.

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Speaker 1: Oh yeah, when it came back at the end of

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Speaker 1: the movie, I like, no, me too, Oh my god.

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Speaker 3: What propaganda do you think this movie is.

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Speaker 2: That you can leave in New York on an editor's salary. Also,

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Speaker 2: those ideals that like Andy were like trying to find

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Speaker 2: so repulsive, like, aren't actually that bad. Like you can

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Speaker 2: be cleaning, you can be needy, you can be touchy feeling.

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Speaker 1: Totally, that's fine.

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Speaker 2: Sometimes relationships do you require that? I definitely think like

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Speaker 2: Andy exaggerated it and made it like an excess, but

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Speaker 2: like those qualities themselves aren't.

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Speaker 3: Bad, right, Like the best part of the movie to

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Speaker 3: me was when Catherine Hahn got her man back. Yeah yeah,

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Speaker 3: when he walks in at the door with the roy guy.

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Speaker 3: Oh my god, and he was so cute.

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Speaker 1: Okay.

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Speaker 2: The other thing, too, is they do so much labeling

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Speaker 2: of different relationship types, which is like people are allowed

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Speaker 2: to live organically outside of those, Like the whole discussion

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Speaker 2: about like who to sell diamonds to, Like who's a

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Speaker 2: proper fit for a customer for a diamond who's not

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Speaker 2: like what type of relationship are they seeking? Like what's

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Speaker 2: like a class level that like they don't exist in

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Speaker 2: like that whole idea of like only someone who's like

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Speaker 2: so emotional and deluded to this point, they're not diamond worthy.

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Speaker 2: She were like a real high price quality necklace, by

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Speaker 2: the way, like they had, like Kate Hudson, that was

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Speaker 2: like a high secure that yellow diamonds.

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Speaker 1: Yeah, no, gorgeous.

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Speaker 3: Who would you cast if there was a remake in

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Speaker 3: twenty twenty five for How to Lose Guy in Ten Days?

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Speaker 2: Kate Hudson's the editor in chief by the way.

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Speaker 3: Oh right, of course, she's the boss now, and she's

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Speaker 3: letting everyone write about the war.

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Speaker 2: She's letting over Yeah, what is his team?

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Speaker 1: Vogue?

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Speaker 2: Oh my gosh, would we put Dove Cameron in Cameron?

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Speaker 3: Or maybe Renee Wrap.

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Speaker 1: Is Gaye? I came passes straight anymore at this point.

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Speaker 2: She's just too confuient.

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Speaker 3: I think she's such a great actress though.

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Speaker 1: Well for me, it's either Sabrina Carpenter or maybe a

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Speaker 1: lot of condor a Rando. But she is Vietnamese, and

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Speaker 1: I think it's ok. Hugely she was letting the girl

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Speaker 1: from to all the boys I've loved before.

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Speaker 3: Yes, okay, is.

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Speaker 2: The Matthew McConaughey character who's been It's not Timothy Shalloon.

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Speaker 1: God, no, no, no, no, it's it's not no, no, no, no, no,

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Speaker 1: no no. It's gotta be a guy who's like in

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Speaker 1: his thirties.

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Speaker 3: He's the guy from Baby Girl. No, he's no, it's

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Speaker 3: got to be.

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Speaker 1: No.

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Speaker 2: But there's a really good role out there brewing for him.

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Speaker 1: He's so good. Well, and I was thinking about like,

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Speaker 1: who the male wrongcome leads are in this day and age,

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Speaker 1: and it's like Miles Teller, Glenn Powell. Oh my god, no, no,

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Speaker 1: Glenn Powell looks like an old navy mannequin.

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Speaker 3: I don't know if anyone has the same ridge. Yeah,

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Speaker 3: Will Sharp.

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Speaker 2: Will Sharp, of a white lotus and too much fame.

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Speaker 1: Oh yeah, yeah that guy? Or who is the one

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Speaker 1: that was the one that was in Riverdale?

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Speaker 2: I only know the Sprouse, No, the Asian.

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Speaker 1: Guy from Riverdale. I'm using my powers. I'm using my powers.

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Speaker 1: Charles Milton, Oh my god, Charles Melton of Beaman to

359
00:17:06,359 --> 00:17:06,800
Speaker 1: look it up.

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Speaker 2: I love o.

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Speaker 3: Yes, he's so beautiful.

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Speaker 1: He's gorgeous good. I think with the right woman, it

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Speaker 1: would be really good chemistry.

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Speaker 3: And we're thinking Sabrina Carpenter.

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Speaker 1: I would love Sabrina Carpenter. If she had like a

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Speaker 1: j Lo phase where she just did a bunch of

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Speaker 1: rom coms, it would be what about Rachel Sennate? What

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Speaker 1: about Rachel.

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Speaker 3: Senna That's a I like that too, Molly Gordon.

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Speaker 1: Molly Gordon, see so many out there are so many

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Speaker 1: women that could bring a really fun and fresh take

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Speaker 1: to the Kate Hudson roll, and they're like, we're literally

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Speaker 1: scraping the bottle of the barrel for bed.

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Speaker 3: Wait no, could the guy from the Bear be Matthew

375
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Speaker 3: McConaughey and Jeremy the Bear?

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Speaker 2: Oh sure, yeah, I could see that.

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Speaker 1: Yeah, he does have mass appeal. I was gonna say

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Speaker 1: he's am I gonna get crucified for his saying Jerry

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Speaker 1: Allen White is a short king and therefore his casting

380
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Speaker 1: might be controversial. I don't want to be controversial. I

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Speaker 1: don't want to get canceled.

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Speaker 2: No, actually it might be who them to cast him,

383
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Speaker 2: because listen to this, like man is.

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Speaker 1: Only four eleven.

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Speaker 2: Yeah, they can get a really tiny camera there no

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Speaker 2: let's do it.

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Speaker 3: Okay, how do you think this movie would play out

388
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Speaker 3: if the roles were reversed?

389
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Speaker 2: Like then was the one writting the article, Andy was

390
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Speaker 2: the one who is trying to get him to fall

391
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Speaker 2: in love with her.

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Speaker 1: I think that it would be a true crime documentary

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00:18:42,640 --> 00:18:47,159
Speaker 1: problematic basically killed me. Yeah, like that scene where she's like,

394
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Speaker 1: I'm gonna make you wish you were Imagine a man

395
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Speaker 1: saying that that's a horror film. Literally nightmare.

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Speaker 3: That's my nightmare. The thing is, when I want a

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Speaker 3: guy to fall in love with me, like I usually

398
00:19:02,920 --> 00:19:06,040
Speaker 3: act crazy, Like it's sort of about being apathetic when

399
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Speaker 3: it comes to getting a guy to fall in love

400
00:19:07,640 --> 00:19:09,639
Speaker 3: with you, in my opinion, make them feel kind of

401
00:19:09,640 --> 00:19:10,280
Speaker 3: forgotten about.

402
00:19:10,520 --> 00:19:13,160
Speaker 1: Yeah, we should be manipulated any more.

403
00:19:13,520 --> 00:19:15,480
Speaker 2: Sorry, I'm thinking a lot about the movie Gone Girl

404
00:19:15,560 --> 00:19:17,200
Speaker 2: right now.

405
00:19:19,040 --> 00:19:21,399
Speaker 3: What do you think a man has to do to

406
00:19:21,440 --> 00:19:22,119
Speaker 3: lose the woman?

407
00:19:22,359 --> 00:19:22,560
Speaker 1: Wait?

408
00:19:22,600 --> 00:19:23,760
Speaker 2: What do I think a man has to do?

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00:19:23,880 --> 00:19:34,119
Speaker 1: Yeah, lose his job, plug his improv show on his Instagram.

410
00:19:33,760 --> 00:19:36,160
Speaker 2: He has to oh my god, he has to be part.

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Speaker 1: I'm actually slipping out of my seat right now. A

412
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Speaker 1: guy ever done anything to what's the craziest thing a

413
00:19:46,800 --> 00:19:51,320
Speaker 1: guy has done to lose you? What's your biggest achy egg?

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00:19:52,119 --> 00:19:56,920
Speaker 3: Damn? Okay. I was on a date last night and

415
00:19:57,119 --> 00:20:03,440
Speaker 3: this guy had bangs and I said, what hairline? Are

416
00:20:03,440 --> 00:20:06,560
Speaker 3: we rocking under those banks? And he pulls his banks

417
00:20:06,560 --> 00:20:08,800
Speaker 3: back and his hairline is all the way back here,

418
00:20:09,720 --> 00:20:11,840
Speaker 3: and I just want someone to own it, you know

419
00:20:11,880 --> 00:20:12,280
Speaker 3: what I mean?

420
00:20:12,840 --> 00:20:18,200
Speaker 1: You wants yes, absolutely sexy.

421
00:20:18,440 --> 00:20:20,040
Speaker 3: You know, show me what you're working with.

422
00:20:20,280 --> 00:20:23,399
Speaker 1: Yeah, you're racing to Turkey, bitch?

423
00:20:38,840 --> 00:20:41,919
Speaker 3: How soon it is too soon to introduce your partner

424
00:20:41,960 --> 00:20:42,600
Speaker 3: to your parents?

425
00:20:42,840 --> 00:20:44,679
Speaker 1: Oh you can't do that with in the first like

426
00:20:45,040 --> 00:20:46,960
Speaker 1: six months, even six months, feel sus.

427
00:20:47,040 --> 00:20:49,880
Speaker 3: I've been introduced to the parents before six months. Drove

428
00:20:49,960 --> 00:20:53,240
Speaker 3: to Atlanta from Knoxville, Tennessee and not even.

429
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Speaker 1: Dating girl, not even dating.

430
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Speaker 3: I think so many things happen when you're not even together.

431
00:20:58,880 --> 00:21:00,880
Speaker 1: Yeah, when you're like when you're like friends. So it's

432
00:21:00,920 --> 00:21:03,400
Speaker 1: like conceivably, like this could be anything, totally.

433
00:21:03,600 --> 00:21:06,040
Speaker 3: Maybe the stakes feel so low, like.

434
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Speaker 2: Whatever, Well, if you're going to end up living with

435
00:21:08,800 --> 00:21:10,919
Speaker 2: them in a year, because everyone needs to live with

436
00:21:10,960 --> 00:21:13,000
Speaker 2: each other in the New York apartment scheme, Now.

437
00:21:12,920 --> 00:21:14,800
Speaker 3: That's really something I've been thinking a lot about is

438
00:21:14,800 --> 00:21:16,439
Speaker 3: I need to get a boyfriend because I want to

439
00:21:16,480 --> 00:21:17,440
Speaker 3: cut my rent in half?

440
00:21:17,720 --> 00:21:17,920
Speaker 1: Yes?

441
00:21:18,280 --> 00:21:18,520
Speaker 3: Bad?

442
00:21:18,840 --> 00:21:20,720
Speaker 1: Oh my god, subsidize your rent please.

443
00:21:21,280 --> 00:21:22,840
Speaker 3: I'm like, my rent can't go up again and me

444
00:21:22,880 --> 00:21:24,440
Speaker 3: still be single, Like it just can't happen.

445
00:21:24,560 --> 00:21:30,760
Speaker 2: Yeah. Have you ever gone on a date with someone

446
00:21:30,800 --> 00:21:35,280
Speaker 2: for a quote unquote assignment, whether it was something you're

447
00:21:35,320 --> 00:21:37,240
Speaker 2: therapist assigned to you or you're like, this is for

448
00:21:37,359 --> 00:21:38,360
Speaker 2: my story.

449
00:21:38,560 --> 00:21:40,720
Speaker 3: I am trying to go on dates with men who

450
00:21:40,720 --> 00:21:42,760
Speaker 3: have money. I am trying to do that just because.

451
00:21:42,520 --> 00:21:47,679
Speaker 1: I usually generational wealth. No, just like a job, like

452
00:21:47,960 --> 00:21:51,280
Speaker 1: what do you what's your what's your qualification for? Has money?

453
00:21:51,400 --> 00:21:52,480
Speaker 1: Like someone maybe with.

454
00:21:52,440 --> 00:21:54,880
Speaker 3: Health insurance is what I'm looking for right now?

455
00:21:55,119 --> 00:21:58,119
Speaker 1: Yeah, benefits, benefits. Yeah, yeah.

456
00:21:58,160 --> 00:22:00,720
Speaker 3: I was in the East Village when I met a

457
00:22:00,760 --> 00:22:03,560
Speaker 3: guy who had been on unemployment for like six months,

458
00:22:04,040 --> 00:22:06,200
Speaker 3: and I thought in Manhattan I would find a guy

459
00:22:06,200 --> 00:22:09,680
Speaker 3: with benefits, right, But I found someone who didn't have them.

460
00:22:10,160 --> 00:22:11,760
Speaker 3: And then last night I was on this date and

461
00:22:11,800 --> 00:22:13,560
Speaker 3: I just found out, Yeah, he has a nine to five,

462
00:22:14,400 --> 00:22:16,520
Speaker 3: So it's sort of in a moment, Yeah.

463
00:22:16,320 --> 00:22:17,080
Speaker 1: What insurance?

464
00:22:17,480 --> 00:22:18,080
Speaker 3: I didn't check.

465
00:22:18,920 --> 00:22:22,119
Speaker 1: Yeah, that's first date behavior. He asks, what are your

466
00:22:22,119 --> 00:22:24,600
Speaker 1: favorite things about yourself internally and externally, And you say,

467
00:22:24,640 --> 00:22:26,160
Speaker 1: how much is your cope for a specialist?

468
00:22:26,359 --> 00:22:28,520
Speaker 2: Yeah? Have you hit your deductible this year?

469
00:22:29,560 --> 00:22:31,720
Speaker 1: How much is left in your FSA? Your company's covering

470
00:22:31,720 --> 00:22:36,440
Speaker 1: your premium? Yeaheah? Do you get commuter benefits city by subscription?

471
00:22:36,640 --> 00:22:38,800
Speaker 3: I'm gonna turn thirty next year. These are all very

472
00:22:38,800 --> 00:22:40,359
Speaker 3: important questions for me, you know.

473
00:22:40,720 --> 00:22:41,320
Speaker 1: Yeah, huge.

474
00:22:41,600 --> 00:22:43,080
Speaker 3: When was the last first date you went on?

475
00:22:44,359 --> 00:22:45,920
Speaker 1: Yes, the Saturday?

476
00:22:46,119 --> 00:22:46,840
Speaker 3: And how was it?

477
00:22:47,160 --> 00:22:48,439
Speaker 1: Did we spent all day together?

478
00:22:49,280 --> 00:22:51,760
Speaker 3: Was it just a one day date or did it

479
00:22:51,800 --> 00:22:53,560
Speaker 3: turn into like a toothree.

480
00:22:53,200 --> 00:22:55,959
Speaker 1: Talking for a while and we were looking at an

481
00:22:55,960 --> 00:22:58,159
Speaker 1: apartment for him to move into, and like that was

482
00:22:58,200 --> 00:23:01,640
Speaker 1: your date? We went to Chinatown and food, but then yeah,

483
00:23:01,680 --> 00:23:02,520
Speaker 1: that was mostly the vid.

484
00:23:02,560 --> 00:23:03,800
Speaker 3: You were apartment hunting together.

485
00:23:04,000 --> 00:23:04,400
Speaker 1: We are.

486
00:23:05,880 --> 00:23:08,119
Speaker 3: Kind of five hundred days of summer, but like a

487
00:23:08,160 --> 00:23:10,160
Speaker 3: bit beyond ikea a.

488
00:23:10,080 --> 00:23:11,800
Speaker 1: Bit beyond for sure.

489
00:23:12,400 --> 00:23:16,080
Speaker 3: It was you've been in a long term relationship multi year?

490
00:23:16,200 --> 00:23:16,440
Speaker 2: Yeah?

491
00:23:16,480 --> 00:23:16,920
Speaker 3: How long?

492
00:23:18,440 --> 00:23:21,280
Speaker 2: Depending on who you ask, of course, Yeah, let's take

493
00:23:21,280 --> 00:23:24,040
Speaker 2: it we're not back together too. Yeah, we we dated

494
00:23:24,080 --> 00:23:26,080
Speaker 2: for like a year, broke up, went on a break

495
00:23:26,119 --> 00:23:28,199
Speaker 2: then a breakup, then we got back together. Okay, and

496
00:23:28,240 --> 00:23:31,720
Speaker 2: that was like a nine month period of break breakup.

497
00:23:31,880 --> 00:23:33,160
Speaker 3: You haven't had a first date in a while?

498
00:23:33,720 --> 00:23:39,640
Speaker 2: No Saturday? Yeah, well no during the breakup, so that

499
00:23:39,760 --> 00:23:41,000
Speaker 2: was like twenty twenty two.

500
00:23:41,280 --> 00:23:44,280
Speaker 3: Okay. Yeah, do you miss first time dates? Do you miss? Like?

501
00:23:44,560 --> 00:23:46,480
Speaker 2: First dates are so fun? I mean like you do

502
00:23:46,680 --> 00:23:48,520
Speaker 2: definitely have to go through like the labor of like

503
00:23:48,880 --> 00:23:52,120
Speaker 2: rehearsing your introduction over and over with someone. But it's

504
00:23:52,160 --> 00:23:54,600
Speaker 2: like I love using first states as a way to

505
00:23:54,600 --> 00:23:56,080
Speaker 2: go to places I've been meaning to go to.

506
00:23:56,240 --> 00:23:58,120
Speaker 1: Okay, it's like, really.

507
00:23:57,920 --> 00:23:59,840
Speaker 2: I've been meaning to check out this part. Yeah, let's

508
00:23:59,840 --> 00:24:00,600
Speaker 2: go justin.

509
00:24:01,080 --> 00:24:02,439
Speaker 3: Totally, let's go see if we like it.

510
00:24:02,600 --> 00:24:07,960
Speaker 1: Yeah yeah, Ontario, great first date spot. They have ski

511
00:24:08,040 --> 00:24:10,720
Speaker 1: ball or no, they have air hockey. Oh you like

512
00:24:10,760 --> 00:24:13,560
Speaker 1: an activity? I love an activity? Oh my god. Well,

513
00:24:13,600 --> 00:24:15,920
Speaker 1: if there's like a way to this is my first

514
00:24:15,960 --> 00:24:18,119
Speaker 1: date tip for all the ladies out there. If there

515
00:24:18,200 --> 00:24:20,280
Speaker 1: is a way for you to like play a game

516
00:24:20,320 --> 00:24:23,080
Speaker 1: with someone where you can incorporate hit talk and like

517
00:24:23,440 --> 00:24:27,399
Speaker 1: potentially even like crush them, it is I mean the

518
00:24:27,400 --> 00:24:28,480
Speaker 1: most powerful effort desac.

519
00:24:28,520 --> 00:24:30,679
Speaker 3: I think, well, like playing a game with someone, you

520
00:24:30,720 --> 00:24:32,840
Speaker 3: really get to see who they are like if they

521
00:24:32,880 --> 00:24:34,640
Speaker 3: get weird and they're like an asshole for real?

522
00:24:35,359 --> 00:24:38,359
Speaker 1: Games are primal, right? Wait?

523
00:24:38,400 --> 00:24:40,879
Speaker 3: I should be doing this more often, playing games on

524
00:24:40,920 --> 00:24:41,400
Speaker 3: a first.

525
00:24:41,280 --> 00:24:46,080
Speaker 1: Date Wonderville, first date? Okay, first spot Wonderville. Okay.

526
00:24:46,080 --> 00:24:48,000
Speaker 3: What about the shower sex scene though?

527
00:24:48,000 --> 00:24:49,360
Speaker 1: What about the.

528
00:24:51,119 --> 00:24:52,880
Speaker 3: God in the bathroom.

529
00:24:52,800 --> 00:24:56,000
Speaker 1: With her dirty ass hair, dirty ass tak tag? Yeah,

530
00:24:56,040 --> 00:24:56,840
Speaker 1: I just said something.

531
00:24:57,119 --> 00:24:59,639
Speaker 2: He was wearing a collegiate gray shirt and wait.

532
00:24:59,760 --> 00:25:02,600
Speaker 3: Thank took off his shirt. Matthew McConaughey without a shirt

533
00:25:02,600 --> 00:25:03,359
Speaker 3: on in this movie.

534
00:25:03,560 --> 00:25:06,120
Speaker 1: Oh, my first scene in the movie is riding into

535
00:25:06,119 --> 00:25:09,439
Speaker 1: the office of the motorcycle and immediately taking his shirt off.

536
00:25:10,480 --> 00:25:12,800
Speaker 2: You not to bring a different change of clothes after

537
00:25:12,840 --> 00:25:14,840
Speaker 2: commuting into the midtown office.

538
00:25:15,280 --> 00:25:17,320
Speaker 1: I'm not changing in front of my coworkers.

539
00:25:17,520 --> 00:25:19,680
Speaker 3: Love to know who is taking the shirt off in

540
00:25:19,720 --> 00:25:20,439
Speaker 3: the office.

541
00:25:20,760 --> 00:25:25,680
Speaker 1: Can I say something yet anti shower sex? Yeah, honestly,

542
00:25:26,119 --> 00:25:29,200
Speaker 1: because I think when your hair is dry, boys are

543
00:25:29,480 --> 00:25:33,359
Speaker 1: too dumb to know that it's actually quite fragile your hair,

544
00:25:33,640 --> 00:25:36,600
Speaker 1: And when your hair is wet, it's like even worse,

545
00:25:36,720 --> 00:25:38,399
Speaker 1: you know what I mean, And like someone ripped out

546
00:25:38,400 --> 00:25:41,000
Speaker 1: a clump of my hair while while you're havings I would,

547
00:25:41,680 --> 00:25:42,400
Speaker 1: I would scream.

548
00:25:44,080 --> 00:25:46,159
Speaker 3: What gets me about shower sex is the having to

549
00:25:46,200 --> 00:25:49,520
Speaker 3: take turns being under the water, so like someone's okay,

550
00:25:49,880 --> 00:25:52,359
Speaker 3: you're okay with that. I don't know, what do you

551
00:25:52,400 --> 00:25:53,080
Speaker 3: think about it?

552
00:25:53,160 --> 00:25:55,240
Speaker 2: The water thing is a little interesting, like you do

553
00:25:55,320 --> 00:25:56,879
Speaker 2: need to have it extremely hot s away that the

554
00:25:56,880 --> 00:26:01,280
Speaker 2: steam is kind of keeping everything to I think shower

555
00:26:01,440 --> 00:26:03,520
Speaker 2: sex should just really like hands and mouth stuff.

556
00:26:04,920 --> 00:26:06,440
Speaker 1: Yeah, are you very fair?

557
00:26:07,200 --> 00:26:09,359
Speaker 3: But that scene, I was so relieved when they finally

558
00:26:09,359 --> 00:26:10,120
Speaker 3: started kissing.

559
00:26:10,280 --> 00:26:12,200
Speaker 1: Oh my god, it was so hot.

560
00:26:12,440 --> 00:26:14,560
Speaker 3: I know I needed a little bit more.

561
00:26:14,400 --> 00:26:17,040
Speaker 1: Chemistry is insane. I need to watch them bone like

562
00:26:17,119 --> 00:26:17,960
Speaker 1: freaking dog.

563
00:26:18,160 --> 00:26:18,840
Speaker 2: I love.

564
00:26:20,240 --> 00:26:21,800
Speaker 1: God. I am.

565
00:26:21,840 --> 00:26:24,520
Speaker 2: Gwyneth Paltrow is considered for the role of Kate, and.

566
00:26:24,520 --> 00:26:27,000
Speaker 1: I'm curiously as charming.

567
00:26:27,680 --> 00:26:30,160
Speaker 3: No, no, there's no way.

568
00:26:30,840 --> 00:26:33,199
Speaker 1: What do you think when shallow hal Paltrow?

569
00:26:34,400 --> 00:26:36,960
Speaker 2: I kind of love you telling me my matriarch kids

570
00:26:37,080 --> 00:26:39,000
Speaker 2: lead in a rom com. I think she could have

571
00:26:39,080 --> 00:26:43,400
Speaker 2: brought it out, you think so. I think young Gwyneth

572
00:26:43,400 --> 00:26:45,679
Speaker 2: Paltrow had a really like warm charm.

573
00:26:46,320 --> 00:26:48,760
Speaker 1: She doesn't have the like sardonic edge to her that

574
00:26:48,840 --> 00:26:51,640
Speaker 1: Kate hasn't does so whenever she reveals her vulnerability, it's

575
00:26:51,680 --> 00:26:52,560
Speaker 1: not as satisfying.

576
00:26:53,040 --> 00:26:55,800
Speaker 2: Oh were you not following the ski incident in court?

577
00:26:57,480 --> 00:27:01,320
Speaker 1: You didn't watch her in the courtroom? As you know

578
00:27:01,359 --> 00:27:05,240
Speaker 1: what I mean. She is not fun. She's not like

579
00:27:05,280 --> 00:27:07,120
Speaker 1: a girl who wants to go to a basketball game.

580
00:27:07,119 --> 00:27:08,480
Speaker 1: She's a girl who wants to sit in the box

581
00:27:08,520 --> 00:27:09,640
Speaker 1: at a basketball.

582
00:27:09,720 --> 00:27:14,360
Speaker 3: I agree, what do y'all think we are missing now

583
00:27:14,400 --> 00:27:20,359
Speaker 3: when we make a rom com like we are missing Nora?

584
00:27:21,160 --> 00:27:22,760
Speaker 3: But just what do you think, Like why is it

585
00:27:22,840 --> 00:27:24,400
Speaker 3: so hard to make a good realm com? Now?

586
00:27:24,560 --> 00:27:27,600
Speaker 1: I think that with like modern at least films like

587
00:27:27,640 --> 00:27:30,000
Speaker 1: that are meant to have mass appeal and like even theater,

588
00:27:30,280 --> 00:27:35,200
Speaker 1: even music, whatever, there's this emphasis on neoliberal virtue signaling

589
00:27:35,359 --> 00:27:39,400
Speaker 1: where we're all like so obsessed with coming off as

590
00:27:39,440 --> 00:27:41,879
Speaker 1: feminists and like, you know, do whatever. It's like we

591
00:27:41,880 --> 00:27:47,640
Speaker 1: don't want to see women behave in ways that contradict

592
00:27:48,119 --> 00:27:51,320
Speaker 1: the image of the millennial girl boss totally. I would

593
00:27:51,320 --> 00:27:54,080
Speaker 1: love to see a modern realm com where like the

594
00:27:54,119 --> 00:27:57,840
Speaker 1: girl is like a mess or she's like you know, now,

595
00:27:58,000 --> 00:27:59,120
Speaker 1: now suddenly we're getting an amy.

596
00:27:59,600 --> 00:28:03,240
Speaker 3: You want to watch Fleabag though, like I think flea

597
00:28:03,280 --> 00:28:06,560
Speaker 3: Bag doesn't gad job of like making the female lead

598
00:28:06,720 --> 00:28:10,920
Speaker 3: like a disaster, like a disaster but still lovable.

599
00:28:10,560 --> 00:28:13,119
Speaker 2: And disaster is different from anti hero, but tell me

600
00:28:13,160 --> 00:28:16,720
Speaker 2: the difference. Disaster is more like raw and organic, and

601
00:28:16,760 --> 00:28:19,480
Speaker 2: like they don't fit in the society that other people

602
00:28:19,480 --> 00:28:21,960
Speaker 2: have built around them, like they're seen as the outcast

603
00:28:22,080 --> 00:28:24,520
Speaker 2: anti hero, Like there's something like a little more internally

604
00:28:24,560 --> 00:28:26,640
Speaker 2: flawed within them.

605
00:28:25,440 --> 00:28:29,160
Speaker 1: M Yeah, I think in general we need more women

606
00:28:29,240 --> 00:28:29,919
Speaker 1: behaving badly.

607
00:28:30,480 --> 00:28:32,200
Speaker 3: Yeah, I would like to see that as well.

608
00:28:32,400 --> 00:28:34,760
Speaker 2: I think rom coms these days are also like jumping

609
00:28:34,800 --> 00:28:38,440
Speaker 2: towards like they want that type of like timelessness feel

610
00:28:38,480 --> 00:28:41,560
Speaker 2: to those movies at like the nineties and ats added

611
00:28:41,600 --> 00:28:43,400
Speaker 2: to them because like they've had time to age and

612
00:28:43,440 --> 00:28:45,200
Speaker 2: we've had time to like poke holes in them. But

613
00:28:45,280 --> 00:28:48,520
Speaker 2: like that's not going to like be associated with commercial success, right.

614
00:28:48,880 --> 00:28:51,080
Speaker 2: I think also like rom coms are a coming of

615
00:28:51,120 --> 00:28:52,800
Speaker 2: age story just by the nature.

616
00:28:52,560 --> 00:28:57,560
Speaker 1: Of adults whenever they settle down with men. Yes, how

617
00:28:57,600 --> 00:28:58,960
Speaker 1: else will we collect the dowdy?

618
00:29:01,520 --> 00:29:01,640
Speaker 3: No?

619
00:29:01,760 --> 00:29:04,600
Speaker 1: But it is like there's like the classic.

620
00:29:04,160 --> 00:29:06,840
Speaker 2: Coming of age where like you know, someone's like growing

621
00:29:06,920 --> 00:29:08,880
Speaker 2: up and maturing and like coming into be who they are.

622
00:29:09,000 --> 00:29:11,320
Speaker 2: But then there's also like rom com scene in the

623
00:29:11,320 --> 00:29:13,880
Speaker 2: Coming of Age lens where it's like they're seeing themselves

624
00:29:13,880 --> 00:29:16,800
Speaker 2: within the context of another partner. They're seeing themselves within

625
00:29:16,840 --> 00:29:20,000
Speaker 2: the like sociological landscape of like how other people are,

626
00:29:20,040 --> 00:29:22,680
Speaker 2: like navigating a capitalist system where everyone's being forced to

627
00:29:22,680 --> 00:29:25,080
Speaker 2: pair up and buy a house in Sarata family And

628
00:29:25,120 --> 00:29:28,120
Speaker 2: I think there's there's just not great storytelling sometimes because

629
00:29:28,120 --> 00:29:29,440
Speaker 2: I think we know that, like in the end, they

630
00:29:29,480 --> 00:29:32,080
Speaker 2: have to end up together, right totally, I don't always

631
00:29:32,120 --> 00:29:32,320
Speaker 2: have to.

632
00:29:32,640 --> 00:29:34,840
Speaker 3: Like in How to Lose a Guy in Ten Days,

633
00:29:34,840 --> 00:29:36,680
Speaker 3: I love that there was just an answering machine. Like

634
00:29:36,720 --> 00:29:39,040
Speaker 3: I loved that they're not texting all the time, Like,

635
00:29:39,160 --> 00:29:41,480
Speaker 3: is there something you wish we had in modern dating

636
00:29:41,480 --> 00:29:43,120
Speaker 3: now that they had in the two thousands?

637
00:29:43,160 --> 00:29:44,320
Speaker 1: Guys bringing flowers?

638
00:29:44,960 --> 00:29:47,600
Speaker 2: Yeah, oh my gosh, Yeah, we're done with that.

639
00:29:47,880 --> 00:29:50,560
Speaker 3: The scene where he sent flowers, that's cringe.

640
00:29:50,600 --> 00:29:54,200
Speaker 1: But that's but when Catherine Han's guy comes back at

641
00:29:54,200 --> 00:29:57,000
Speaker 1: the end and he's got flowers, yes, I'm like, oh

642
00:29:57,040 --> 00:29:59,400
Speaker 1: my god, I would cry. I would cry and suck

643
00:29:59,440 --> 00:30:02,840
Speaker 1: you off in the sling doorway away from me with

644
00:30:03,000 --> 00:30:07,280
Speaker 1: flowers fans. Yeah, yeah, yeah, my friend is right there.

645
00:30:09,000 --> 00:30:12,360
Speaker 1: She's getting through something and then.

646
00:30:13,480 --> 00:30:16,640
Speaker 2: Wait, have you ever gotten flowers for someone or receive them?

647
00:30:16,880 --> 00:30:18,960
Speaker 3: I got flowers from a guy when I was sixteen.

648
00:30:19,240 --> 00:30:21,080
Speaker 3: He left them in my car when I was working,

649
00:30:21,280 --> 00:30:23,440
Speaker 3: and he had a note with them, a letter, and

650
00:30:23,480 --> 00:30:27,360
Speaker 3: it me he knows like one day our leve will

651
00:30:27,400 --> 00:30:31,160
Speaker 3: die like these flowers. I really thought that was romantic,

652
00:30:31,160 --> 00:30:33,440
Speaker 3: and I got so mad at him about it. I

653
00:30:33,480 --> 00:30:35,800
Speaker 3: was like sixteen, and I was like walking out of

654
00:30:35,800 --> 00:30:38,520
Speaker 3: my coffee shop job, being like, why did you write that?

655
00:30:38,960 --> 00:30:41,480
Speaker 3: Like and it did die and he married my best friend.

656
00:30:41,640 --> 00:30:44,240
Speaker 1: Oh my god, Oh my god, Wow, are not.

657
00:30:45,880 --> 00:30:47,720
Speaker 3: Is that the last? Surely that's not the last time?

658
00:30:47,920 --> 00:30:48,840
Speaker 1: Does she know that story?

659
00:30:50,120 --> 00:30:51,640
Speaker 3: I'm not sure you should tell her.

660
00:30:51,800 --> 00:30:54,000
Speaker 1: I think it would funny. I mean, like it's not

661
00:30:54,040 --> 00:30:55,880
Speaker 1: like not just our drama, but to be like, that's

662
00:30:55,880 --> 00:30:58,200
Speaker 1: a funny thing that your husband said to me.

663
00:31:00,200 --> 00:31:02,160
Speaker 3: What about you? Anything you meant or anything you wish

664
00:31:02,360 --> 00:31:03,960
Speaker 3: was a part of dating now that was a part

665
00:31:03,960 --> 00:31:05,720
Speaker 3: of dating culture in the two thousands.

666
00:31:06,360 --> 00:31:08,080
Speaker 2: Yeah, you kind of hit it with just the lack

667
00:31:08,120 --> 00:31:11,040
Speaker 2: of digital right connections all the time, like not even

668
00:31:11,120 --> 00:31:13,880
Speaker 2: knowing mutual friends and whatnot. Like one thing I liked

669
00:31:14,080 --> 00:31:16,440
Speaker 2: when I was going on dates was I always try

670
00:31:16,480 --> 00:31:18,760
Speaker 2: to date people who like we had no mutual friends,

671
00:31:18,880 --> 00:31:22,200
Speaker 2: like not to be like because I want to like

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00:31:22,200 --> 00:31:24,040
Speaker 2: abandon you or whatever. But it's kind of like, oh,

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00:31:24,080 --> 00:31:27,160
Speaker 2: I'm like getting to like see someone who like lives

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00:31:27,160 --> 00:31:31,040
Speaker 2: in a space that I don't frequent myself. Yeah, And

675
00:31:31,080 --> 00:31:34,280
Speaker 2: I think not having Instagram or like any type of

676
00:31:34,320 --> 00:31:36,160
Speaker 2: like social media like that and dating would be really

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00:31:36,160 --> 00:31:37,480
Speaker 2: helpful for those situations.

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00:31:37,760 --> 00:31:40,200
Speaker 3: What do you think this movie teaches us about love?

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00:31:40,400 --> 00:31:43,000
Speaker 1: If anything, that there should be two liars at all times.

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00:31:44,200 --> 00:31:47,240
Speaker 1: Waiting to have sex is hot, Okay, waiting to have

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00:31:47,280 --> 00:31:49,960
Speaker 1: sex is perhaps the most powerful afrodisiac ever made.

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00:31:50,200 --> 00:31:52,360
Speaker 3: Damn are you good at waiting to have sex? Though?

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00:31:52,480 --> 00:31:52,560
Speaker 1: No?

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00:31:52,880 --> 00:31:56,880
Speaker 3: Me either, Brandon? No, Yeah, but maybe we should try.

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00:31:57,000 --> 00:31:57,920
Speaker 1: Maybe we should try.

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00:31:58,160 --> 00:32:07,680
Speaker 3: O kay, let's try. Boys, sobriety, sobriety, y'all. Thank you

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00:32:07,720 --> 00:32:11,920
Speaker 3: so much for coming on and watching the movie. It's

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00:32:11,920 --> 00:32:12,920
Speaker 3: been so much fun.

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00:32:18,920 --> 00:32:19,240
Speaker 1: Y'all.

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00:32:19,280 --> 00:32:21,760
Speaker 3: I had the best time talking about this movie with

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00:32:21,840 --> 00:32:24,760
Speaker 3: Brandon and Ivy, and I hope you enjoyed our first

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00:32:24,880 --> 00:32:28,080
Speaker 3: rom com round table as much as we enjoyed making it.

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00:32:29,040 --> 00:32:32,440
Speaker 3: Now I'm gonna go browse yellow dresses and start telling

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00:32:32,560 --> 00:32:35,600
Speaker 3: all of my dates, I love them because Catherine Hans's

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00:32:35,680 --> 00:32:39,560
Speaker 3: character and that man of hers give me so much Hope.

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00:32:40,360 --> 00:32:52,680
Speaker 3: Thanks for listening, and talk to y'all next week. Boy

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00:32:52,760 --> 00:32:56,080
Speaker 3: Sover is a production of iHeart Podcasts. I'm your host,

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00:32:56,240 --> 00:33:00,040
Speaker 3: Hope Ordered. Our executive producers are Christina Everett and and

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00:33:00,120 --> 00:33:05,400
Speaker 3: Julie Pinero. Our supervising producer is Emily Meronoff engineering by

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00:33:05,520 --> 00:33:10,200
Speaker 3: Bahid Fraser and mixing and mastering by Aboo Zafar. If

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00:33:10,240 --> 00:33:13,120
Speaker 3: you liked this episode, please tell a friend and don't

702
00:33:13,160 --> 00:33:16,200
Speaker 3: forget to rate, review, and subscribe to boy Sober on

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00:33:16,240 --> 00:33:20,080
Speaker 3: the iHeartRadio app, Apple Podcasts, and wherever you get your

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00:33:20,080 --> 00:33:20,840
Speaker 3: favorite shows