1 00:00:00,280 --> 00:00:02,840 Speaker 1: Brought to you by the reinvented two thousand twelve camera. 2 00:00:03,160 --> 00:00:07,600 Speaker 1: It's ready. Are you welcome to Stuff you should know 3 00:00:08,200 --> 00:00:12,680 Speaker 1: from house Stuffworks dot Com? Hey, and welcome to the podcast. 4 00:00:13,080 --> 00:00:16,840 Speaker 1: I'm Josh Clark. There's Chuck Bryant. Welcome people, and this 5 00:00:16,880 --> 00:00:19,720 Speaker 1: is stuff you should have And I'm about to tell 6 00:00:19,800 --> 00:00:21,920 Speaker 1: Chuck if you guys should listen to this. Chuck, did 7 00:00:21,920 --> 00:00:23,760 Speaker 1: you know there's a theory that there are two kinds 8 00:00:23,760 --> 00:00:28,360 Speaker 1: of learning. Spill it. So there's one called cognitive learning, 9 00:00:28,360 --> 00:00:31,760 Speaker 1: which book learning where you like, you read, you know, 10 00:00:31,880 --> 00:00:34,080 Speaker 1: an article, and you read it again and again and 11 00:00:34,120 --> 00:00:36,960 Speaker 1: you try to like make connections and then street smarts. 12 00:00:37,880 --> 00:00:40,839 Speaker 1: That's actually yeah, that kind of would fall into the 13 00:00:40,840 --> 00:00:45,920 Speaker 1: other category, which is called intuitive learning. Uh And apparently yeah, 14 00:00:45,960 --> 00:00:48,880 Speaker 1: some people have more of one than the other. Ultimately, 15 00:00:49,200 --> 00:00:53,159 Speaker 1: we would all under this theory of learning, UM do 16 00:00:53,400 --> 00:00:57,840 Speaker 1: both simultaneously. UM. So, so you're reading a book and 17 00:00:58,160 --> 00:01:02,080 Speaker 1: you're you're taking in knowledge, that's cognitive learning. Intuitive learning 18 00:01:02,160 --> 00:01:05,759 Speaker 1: is um where basically we're picking up cues unconsciously from 19 00:01:05,760 --> 00:01:08,680 Speaker 1: our environment around us, and we're learning from that. So 20 00:01:08,959 --> 00:01:12,800 Speaker 1: what you would call instinct or gut feeling, it would 21 00:01:12,840 --> 00:01:17,400 Speaker 1: be the result of in basically an un consciously processed 22 00:01:17,680 --> 00:01:22,360 Speaker 1: evaluation of you know, some stimuli in the environment. So 23 00:01:22,440 --> 00:01:26,080 Speaker 1: street smarts, street smarts, it is yea. And part of that, 24 00:01:26,160 --> 00:01:29,640 Speaker 1: Chuck actually is, um, We're well, we're about to talk 25 00:01:29,680 --> 00:01:31,920 Speaker 1: about micro expressions. So I know you've heard of them, 26 00:01:32,000 --> 00:01:35,880 Speaker 1: but that's part of this, these unconscious cues and information 27 00:01:36,240 --> 00:01:39,200 Speaker 1: that we pick up without knowing about it, which would 28 00:01:39,240 --> 00:01:41,600 Speaker 1: make it unconscious. As I said, I really like this 29 00:01:41,720 --> 00:01:45,080 Speaker 1: article very good too. It was written by Tom Schaft 30 00:01:45,080 --> 00:01:48,559 Speaker 1: of Right BFF. So, Josh, we're gonna talk about micro expressions, 31 00:01:48,960 --> 00:01:50,840 Speaker 1: which are in the face. We have to talk about 32 00:01:50,880 --> 00:01:54,920 Speaker 1: the expressions you can make facial expressions, the broad plain 33 00:01:55,040 --> 00:01:58,200 Speaker 1: ones that we see, right, So yeah, Chuck, is I 34 00:01:58,320 --> 00:02:05,400 Speaker 1: understand there's UM seven universal facial expressions right, yes, quickly. 35 00:02:05,880 --> 00:02:11,080 Speaker 1: They are happiness, sadness, fear, anger, discussed, surprise, and contempt. 36 00:02:11,360 --> 00:02:13,160 Speaker 1: And what was the name of the guy who traveled 37 00:02:13,160 --> 00:02:17,440 Speaker 1: the world studying these Ekman, Yeah, yeah, he he went 38 00:02:17,480 --> 00:02:21,360 Speaker 1: around the world to a bunch of disparate cultures, UM 39 00:02:21,400 --> 00:02:25,360 Speaker 1: all over the place and studied UM facial movements and 40 00:02:25,400 --> 00:02:28,359 Speaker 1: found that those seven are universal. Right. He was trying 41 00:02:28,400 --> 00:02:30,840 Speaker 1: to basically get to the root of whether or not, um, 42 00:02:30,880 --> 00:02:33,480 Speaker 1: it's a learned thing or not. And I thought, I 43 00:02:33,600 --> 00:02:35,200 Speaker 1: love this man. I thought it was so cool that 44 00:02:35,200 --> 00:02:38,400 Speaker 1: he could go to like the furthest reaches of a 45 00:02:38,480 --> 00:02:43,120 Speaker 1: borneo and they perhaps might make the same contempt face 46 00:02:43,200 --> 00:02:45,960 Speaker 1: as I do. Yeah, or discussed or discussed I could 47 00:02:45,960 --> 00:02:49,840 Speaker 1: see smiling fear. That kind of thing is universal. But 48 00:02:50,320 --> 00:02:52,600 Speaker 1: that's kind of strange because that suggests that those are 49 00:02:52,760 --> 00:02:57,079 Speaker 1: universal feelings then, right, Yeah, very cool. Okay, So basically 50 00:02:57,120 --> 00:03:00,720 Speaker 1: Eckman documented all of these uh these of in universal 51 00:03:00,760 --> 00:03:04,640 Speaker 1: facial expressions, but that wasn't enough right now, He and 52 00:03:04,720 --> 00:03:08,679 Speaker 1: a guy named W. V. Freezing actually mapped out the 53 00:03:08,760 --> 00:03:12,040 Speaker 1: muscles that create facial expressions and what they came up 54 00:03:12,080 --> 00:03:15,240 Speaker 1: with is the Facial Action Coding System, which sounds like 55 00:03:15,280 --> 00:03:16,680 Speaker 1: it should be like on the front of a comic 56 00:03:16,680 --> 00:03:20,919 Speaker 1: book with a fist punching out. Um. And what the 57 00:03:21,000 --> 00:03:23,400 Speaker 1: f a CS does is it measures the movements of 58 00:03:23,440 --> 00:03:29,640 Speaker 1: facial muscles and expresses them in action union units. Yeah. So, um, 59 00:03:29,680 --> 00:03:33,360 Speaker 1: a raised eyebrow is a U one, right, And it 60 00:03:33,480 --> 00:03:37,800 Speaker 1: also denotes whether or not the this movement was voluntary 61 00:03:37,880 --> 00:03:41,920 Speaker 1: or involuntary, and it also measures intensity, So like a smile, 62 00:03:42,080 --> 00:03:46,280 Speaker 1: the strength of a smile is measured in six degrees um. 63 00:03:46,360 --> 00:03:49,760 Speaker 1: And so you pop all this stuff together and um, 64 00:03:50,440 --> 00:03:53,640 Speaker 1: you you apply to our knowledge of the seven universal expressions, 65 00:03:53,920 --> 00:03:57,040 Speaker 1: and you can say just by analysis of these facial 66 00:03:57,120 --> 00:04:01,000 Speaker 1: muscles exactly what emotion is going on. It's so cool. 67 00:04:01,160 --> 00:04:05,280 Speaker 1: It is very cool, uh and conceivably useful. There's a 68 00:04:05,280 --> 00:04:09,280 Speaker 1: stuff called facial scan and facial recognition systems, and right 69 00:04:09,320 --> 00:04:11,200 Speaker 1: now as it stands, there kind of hit or miss. 70 00:04:11,360 --> 00:04:14,480 Speaker 1: They tried one in in Logan Airport in Boston, UM 71 00:04:14,520 --> 00:04:17,600 Speaker 1: and it was like sixty accurate, which isn't enough because 72 00:04:17,600 --> 00:04:20,080 Speaker 1: if you're gonna be stopping people based on you know, 73 00:04:20,279 --> 00:04:23,160 Speaker 1: their their facial expression, it needs to be a lot 74 00:04:23,240 --> 00:04:27,440 Speaker 1: higher than that. Were they studying micro expressions or okay? Yeah, 75 00:04:27,480 --> 00:04:31,320 Speaker 1: but also they they their software out there that can 76 00:04:31,320 --> 00:04:34,800 Speaker 1: look for fugitives in a crowd, um based on the 77 00:04:34,880 --> 00:04:38,480 Speaker 1: f A C s and what what what Aikeman and 78 00:04:38,839 --> 00:04:41,919 Speaker 1: Freezing came up with? But yes, no, the one at 79 00:04:41,960 --> 00:04:45,400 Speaker 1: Logan Airport, not micro expression. That's that's another one that 80 00:04:45,560 --> 00:04:50,240 Speaker 1: I think FEMA, no Homeland Security, Yeah, t s A 81 00:04:50,560 --> 00:04:52,840 Speaker 1: is is using. It's like a trailer and you walk through, 82 00:04:52,960 --> 00:04:55,880 Speaker 1: and like, I think they show you stuff that's supposed 83 00:04:55,920 --> 00:05:00,159 Speaker 1: to create like a facial um or micro EXPRESSI and 84 00:05:00,279 --> 00:05:03,039 Speaker 1: if you're uncomfortable. Uh, and I don't think it's in 85 00:05:03,200 --> 00:05:06,120 Speaker 1: use commercially yet. I think if they were smart, they 86 00:05:06,120 --> 00:05:08,560 Speaker 1: would hire my wife. Oh is she good at that? 87 00:05:09,040 --> 00:05:11,800 Speaker 1: Oh she is. Not only does she have a keen 88 00:05:11,960 --> 00:05:16,799 Speaker 1: gut instinct on things, which is pretty accurate, I must say, 89 00:05:16,839 --> 00:05:20,880 Speaker 1: but uh, yeah, she can read body language and facial 90 00:05:20,880 --> 00:05:25,000 Speaker 1: expressions like nobody's business. Well, if she can read micro expressions, 91 00:05:25,000 --> 00:05:28,120 Speaker 1: that would make her um part of just ten percent 92 00:05:28,480 --> 00:05:31,240 Speaker 1: in estimated ten percent of people who can pick up 93 00:05:31,240 --> 00:05:34,360 Speaker 1: on micro expressions when when they're seeing when they're shown them. Yeah, 94 00:05:34,400 --> 00:05:36,080 Speaker 1: I would say that's her for sure. Yeah. I cannot 95 00:05:36,120 --> 00:05:39,039 Speaker 1: fool her ever. Okay, so Chuck, let's we've got facial 96 00:05:39,080 --> 00:05:42,359 Speaker 1: expressions down and we know that not everybody can consciously 97 00:05:42,400 --> 00:05:46,839 Speaker 1: pick up on um micro expressions. What are micro expressions? Well, 98 00:05:46,880 --> 00:05:51,040 Speaker 1: it's uh, basically it's not one thing, but it's it's 99 00:05:51,040 --> 00:05:55,840 Speaker 1: super fast, uh, sometimes as fast as seconds, and it's 100 00:05:55,880 --> 00:05:59,279 Speaker 1: just a really really quick facial cue that like you said, 101 00:05:59,320 --> 00:06:01,920 Speaker 1: not many people been noticed sometimes, right, But we're still 102 00:06:01,960 --> 00:06:04,120 Speaker 1: again we're picking it up on an unconscious level. So 103 00:06:04,120 --> 00:06:07,760 Speaker 1: the information is in there right right. Um, So when 104 00:06:07,839 --> 00:06:11,880 Speaker 1: you are talking to uh, some just kind of a 105 00:06:11,960 --> 00:06:15,400 Speaker 1: slimy guy and you're getting him a slimy impression from him, 106 00:06:15,640 --> 00:06:18,040 Speaker 1: you're not quite sure why because he's smiling at you 107 00:06:18,240 --> 00:06:21,880 Speaker 1: like I am now exactly. But see right there, right there, 108 00:06:21,960 --> 00:06:24,400 Speaker 1: I just saw that look of contempt. So now I 109 00:06:24,440 --> 00:06:27,200 Speaker 1: don't trust you, but I'm not quite sure why, which 110 00:06:27,240 --> 00:06:31,600 Speaker 1: I think in that, because facial expressions are generally considered, um, 111 00:06:31,800 --> 00:06:35,160 Speaker 1: a revelation of the real emotion that's going on, um, 112 00:06:35,360 --> 00:06:38,200 Speaker 1: that it lends itself to the idea that you should 113 00:06:38,200 --> 00:06:40,919 Speaker 1: trust your instincts. If you get a bad feeling from somebody, 114 00:06:41,400 --> 00:06:45,680 Speaker 1: run away or knife them or do something that could 115 00:06:45,720 --> 00:06:48,800 Speaker 1: just just listen to like their Plaine expression, right, that 116 00:06:48,839 --> 00:06:50,719 Speaker 1: could be the micro expression. If you've ever had that 117 00:06:50,760 --> 00:06:52,800 Speaker 1: feeling like, I don't know what it is about that guy, 118 00:06:52,880 --> 00:06:56,000 Speaker 1: but something about him that's you may be picking up 119 00:06:56,000 --> 00:06:59,840 Speaker 1: on very valid micro expressions. And again they're fast and 120 00:07:01,680 --> 00:07:04,240 Speaker 1: second and most people can't pick them up. But that 121 00:07:04,320 --> 00:07:08,479 Speaker 1: doesn't mean that they are insignificant, I guess, is my point. No, 122 00:07:08,600 --> 00:07:12,240 Speaker 1: they're very significant. Uh not everybody UM is as a 123 00:07:12,360 --> 00:07:17,320 Speaker 1: tune to faces as your wife Emily, as though you know, yeah, well, 124 00:07:17,320 --> 00:07:22,360 Speaker 1: there's actually a condition, a medical condition. Yes, it's prazo 125 00:07:22,440 --> 00:07:27,760 Speaker 1: pagnosia a k A recognition impairment or for just the 126 00:07:27,880 --> 00:07:32,560 Speaker 1: ultimate l people us face blindness. And basically this is 127 00:07:32,600 --> 00:07:36,680 Speaker 1: it's an actual medical condition. They're not entirely certain what 128 00:07:36,880 --> 00:07:39,440 Speaker 1: causes it, but they've seen it. People have been born 129 00:07:39,520 --> 00:07:42,400 Speaker 1: with it, UM, and they've seen it as the result 130 00:07:42,440 --> 00:07:46,680 Speaker 1: of stroke or brain damage from a car accident, right chuck, UM. 131 00:07:46,760 --> 00:07:49,240 Speaker 1: And what they do know is that there is some 132 00:07:49,280 --> 00:07:53,280 Speaker 1: sort of impairment in the physic form gyrus, which is 133 00:07:53,320 --> 00:07:56,280 Speaker 1: located in the temporal lobe, and this is the area 134 00:07:56,280 --> 00:07:59,600 Speaker 1: of the brain that's in charge of processing visual information 135 00:07:59,800 --> 00:08:03,920 Speaker 1: of faces. It's that specialized just has to do with 136 00:08:03,960 --> 00:08:08,720 Speaker 1: the faces. So people who UM have face blindness UM 137 00:08:08,760 --> 00:08:12,280 Speaker 1: actually have been shown under m r I scans to 138 00:08:12,560 --> 00:08:16,120 Speaker 1: this area doesn't activate. It's not working, so they can't 139 00:08:16,120 --> 00:08:19,000 Speaker 1: tell if someone is pleased or displeased by looking at 140 00:08:19,040 --> 00:08:20,720 Speaker 1: their face, Like they don't understand what a frown or 141 00:08:20,760 --> 00:08:23,200 Speaker 1: smile means. No, no, no, they'll get that. They'll get that, 142 00:08:23,280 --> 00:08:25,640 Speaker 1: and apparently I was. It was a terrible segue. They can. 143 00:08:25,640 --> 00:08:28,280 Speaker 1: They can still they're looking at your face and they 144 00:08:28,280 --> 00:08:30,280 Speaker 1: can see if you're smiling or frowning. What what they 145 00:08:30,360 --> 00:08:34,960 Speaker 1: don't do is make a memory of your face. So, Chuck, 146 00:08:35,000 --> 00:08:36,719 Speaker 1: how many times have we seen each other since we 147 00:08:36,840 --> 00:08:41,520 Speaker 1: first met one? Too many? Chuck? Thousands of times? Let's 148 00:08:41,520 --> 00:08:45,120 Speaker 1: say thousands. Sure, if one of us had face blindness, 149 00:08:45,160 --> 00:08:46,600 Speaker 1: it would be like seeing the other one for the 150 00:08:46,640 --> 00:08:49,520 Speaker 1: first time right now. Oh, as in, they wouldn't reckon 151 00:08:49,600 --> 00:08:52,760 Speaker 1: like I would say, I don't know who this person is. Yeah, 152 00:08:52,800 --> 00:08:54,720 Speaker 1: I mean like I would say, it's me Josh. But 153 00:08:55,000 --> 00:08:58,080 Speaker 1: you wouldn't know for certain because you can't recall a memory, 154 00:08:58,360 --> 00:09:00,800 Speaker 1: a visual memory of my face, even though I saw 155 00:09:00,840 --> 00:09:04,520 Speaker 1: you yesterday or earlier in the hall. I'm a total 156 00:09:04,520 --> 00:09:06,560 Speaker 1: stranger to you. So of course this makes life kind 157 00:09:06,559 --> 00:09:09,800 Speaker 1: of hard for people with face blindness. Um, Like, for example, 158 00:09:10,920 --> 00:09:14,160 Speaker 1: a television show or a movie, try keeping up with that, 159 00:09:14,520 --> 00:09:17,160 Speaker 1: Like every time you see the main the main character again, 160 00:09:17,440 --> 00:09:19,959 Speaker 1: it's like, where is this guy coming from? Right? She'd 161 00:09:20,000 --> 00:09:23,000 Speaker 1: be watching your magnum p I And every every episode 162 00:09:23,040 --> 00:09:25,920 Speaker 1: you think, who was this handsome mustache guy in the 163 00:09:25,960 --> 00:09:29,160 Speaker 1: Ferrari I would, but the thought of not being able 164 00:09:29,160 --> 00:09:32,280 Speaker 1: to keep up with magnum p I, it's a hellish thought. Um, 165 00:09:32,360 --> 00:09:34,440 Speaker 1: I would never wish that on you. So, but that's 166 00:09:34,480 --> 00:09:37,839 Speaker 1: just that's just movies and TV. Let's talk about real life. UM, 167 00:09:37,840 --> 00:09:40,439 Speaker 1: they're tricks that people with face blindness have come up with, 168 00:09:40,520 --> 00:09:45,080 Speaker 1: like um every morning name tags. Name tags would work, sure, 169 00:09:45,760 --> 00:09:47,559 Speaker 1: but at the same time, how do you know that 170 00:09:48,280 --> 00:09:51,400 Speaker 1: people aren't playing practical jokes on you? Like the movie Memento. 171 00:09:51,920 --> 00:09:55,120 Speaker 1: I love that movie. What a great movie. I'm actually 172 00:09:55,160 --> 00:09:58,439 Speaker 1: I'm gonna go watch that after this. Now. One trick 173 00:09:58,480 --> 00:10:00,640 Speaker 1: that people do at work, UM, when they have face 174 00:10:00,679 --> 00:10:04,160 Speaker 1: blindnesses go around and write down They'll you can look 175 00:10:04,160 --> 00:10:06,840 Speaker 1: at the name tag on the on the cubicle, and 176 00:10:06,840 --> 00:10:09,000 Speaker 1: then you write down with that person is wearing, and 177 00:10:09,040 --> 00:10:11,600 Speaker 1: then you can kind of maybe study it or access 178 00:10:11,600 --> 00:10:14,480 Speaker 1: it when you when you need to, when you're talking 179 00:10:14,480 --> 00:10:16,680 Speaker 1: to somebody. I have a feeling that people who work 180 00:10:16,720 --> 00:10:20,240 Speaker 1: with people with actual face blindness are probably fairly forgiving 181 00:10:21,040 --> 00:10:24,600 Speaker 1: because other than that, there's no other disorder, right, it's 182 00:10:24,640 --> 00:10:27,600 Speaker 1: I don't know who you are. With family members, you'll 183 00:10:27,679 --> 00:10:31,079 Speaker 1: they'll often create UM like a safe word like a password. 184 00:10:31,720 --> 00:10:34,880 Speaker 1: So somebody says, hey, it's dad. You know I need uh, 185 00:10:34,920 --> 00:10:38,760 Speaker 1: I need to borrow five hundred bucks. Um. He'll also 186 00:10:38,800 --> 00:10:43,400 Speaker 1: say like Geronimo or Apache or you know something trigger 187 00:10:43,720 --> 00:10:46,760 Speaker 1: pickle Eskimo, something like that. So you know that it's 188 00:10:46,760 --> 00:10:50,480 Speaker 1: actually that right, that makes sense? It is. But I mean, 189 00:10:50,600 --> 00:10:54,079 Speaker 1: do you know of any more like interesting disorders than that. 190 00:10:54,080 --> 00:10:56,439 Speaker 1: That's a pretty good one. That's right out there with 191 00:10:56,480 --> 00:11:00,640 Speaker 1: alien hand syndrome, I agree, or jerusale of syndrome, which 192 00:11:00,679 --> 00:11:02,800 Speaker 1: we'll get to eventually, I'm sure. Can we talk about 193 00:11:02,840 --> 00:11:06,400 Speaker 1: Alex Rodriguez. I'm so proud of you right now, Chuck. 194 00:11:06,400 --> 00:11:09,240 Speaker 1: I'm wing because you came up with this year wonderful man. 195 00:11:09,480 --> 00:11:12,960 Speaker 1: Look at me, little me making it happen. Dr Ekman, 196 00:11:13,000 --> 00:11:15,080 Speaker 1: who is the master from what I can tell at 197 00:11:15,120 --> 00:11:19,280 Speaker 1: micro expressions. He uh as everyone knows by now probably 198 00:11:19,440 --> 00:11:24,000 Speaker 1: in the sports world. Uh. Yankees slugger Alex Rodriguez recently 199 00:11:24,080 --> 00:11:26,679 Speaker 1: came out that he uh not came out, but he 200 00:11:26,920 --> 00:11:30,360 Speaker 1: revealed that he used steroids for a couple of years, 201 00:11:30,440 --> 00:11:34,280 Speaker 1: and he famously had an interview with Katie Kuric before 202 00:11:34,320 --> 00:11:37,160 Speaker 1: that that we absolutely said he did not, and that 203 00:11:37,200 --> 00:11:39,520 Speaker 1: he never saw him in the clubhouse and he didn't 204 00:11:39,559 --> 00:11:43,880 Speaker 1: know much about them, and so good. Dr ekmun Um 205 00:11:43,920 --> 00:11:48,960 Speaker 1: recently as last week, actually reviewed his videotape of this 206 00:11:49,040 --> 00:11:52,840 Speaker 1: Currik interview and picked up on three micro expressions that 207 00:11:52,920 --> 00:11:57,360 Speaker 1: indicated that he was lying. One was a guest dural slip, 208 00:11:57,520 --> 00:12:03,040 Speaker 1: which is when one of your shoulders raises slightly. So 209 00:12:03,080 --> 00:12:06,280 Speaker 1: it's just a micro expression, obviously, so it's not something 210 00:12:06,320 --> 00:12:09,320 Speaker 1: and this isn't even on the face, but his shoulder 211 00:12:09,360 --> 00:12:11,760 Speaker 1: raised slightly quite a few times in the interview when 212 00:12:12,200 --> 00:12:14,680 Speaker 1: she was asking him, you know, blunt questions, and he 213 00:12:14,760 --> 00:12:17,960 Speaker 1: was giving firm denials, and he said that it does 214 00:12:18,040 --> 00:12:21,440 Speaker 1: not that kind of expression does not line up with 215 00:12:21,480 --> 00:12:24,080 Speaker 1: firm denials. People that are firmly denying something do not 216 00:12:24,240 --> 00:12:28,560 Speaker 1: do the guestral slip. One was unilateral contempt. I like 217 00:12:28,679 --> 00:12:32,520 Speaker 1: this one. He said that Rodriguez would raise the corner 218 00:12:32,559 --> 00:12:35,520 Speaker 1: of his lip just slightly and that indicates arrogance or 219 00:12:35,559 --> 00:12:37,880 Speaker 1: a feeling of superiority. And he said he did this 220 00:12:37,960 --> 00:12:40,680 Speaker 1: a lot, and he doesn't know if this might just 221 00:12:40,720 --> 00:12:42,520 Speaker 1: be a trait that he has. Maybe he thinks he's 222 00:12:42,520 --> 00:12:44,640 Speaker 1: better than everyone else. I don't know, but he says 223 00:12:44,679 --> 00:12:47,320 Speaker 1: it definitely doesn't fit with what he was saying about, 224 00:12:47,440 --> 00:12:51,520 Speaker 1: you know, being humbled with the steroid use. And interestingly, 225 00:12:51,559 --> 00:12:55,480 Speaker 1: it's called unilateral because it's the only emotion with the 226 00:12:55,520 --> 00:12:58,800 Speaker 1: corresponding facial expression that occurs just on one side of 227 00:12:58,800 --> 00:13:02,960 Speaker 1: the face. Everything else anger, surprise, fear, sadness, or biladder 228 00:13:03,000 --> 00:13:05,280 Speaker 1: also both sides of your face would react. Yes, So 229 00:13:05,320 --> 00:13:06,880 Speaker 1: I thought that was interesting. And the last one was 230 00:13:06,960 --> 00:13:10,760 Speaker 1: micro fear, and she pointedly asked him if he had 231 00:13:10,760 --> 00:13:13,640 Speaker 1: ever been tempted to use illegal drugs. He answered with 232 00:13:13,679 --> 00:13:17,440 Speaker 1: a simple no, And along with that no was a 233 00:13:17,520 --> 00:13:22,000 Speaker 1: micro fear expression, which was basically the horizontal stretching of 234 00:13:22,000 --> 00:13:26,280 Speaker 1: the lips, and he said that basically he looked like 235 00:13:26,280 --> 00:13:29,880 Speaker 1: he was lying, because it's either fear or a fear 236 00:13:30,000 --> 00:13:33,319 Speaker 1: being caught when you make this expression, or surprise too. 237 00:13:33,320 --> 00:13:36,679 Speaker 1: Aren't fear and surprise often confused? Yes, indeed, which is 238 00:13:36,720 --> 00:13:40,600 Speaker 1: actually one of the problems with searching for micro expressions. 239 00:13:40,800 --> 00:13:44,440 Speaker 1: People with social anxiety have shown to um launch into 240 00:13:44,480 --> 00:13:48,200 Speaker 1: an anxiety attack when they're confronted with micro expressions of 241 00:13:48,240 --> 00:13:51,360 Speaker 1: surprise or fear because they mistake the surprise look for 242 00:13:51,360 --> 00:13:54,240 Speaker 1: fear and it's a micro expression. They're already socially anxious 243 00:13:54,280 --> 00:13:55,679 Speaker 1: that as it is, so all of a sudden there 244 00:13:55,720 --> 00:13:58,440 Speaker 1: guts telling him something and interesting, there you go. So yeah, 245 00:13:58,640 --> 00:14:00,160 Speaker 1: well he had one more little one with so I 246 00:14:00,160 --> 00:14:01,600 Speaker 1: thought was the best. And at the at the end 247 00:14:01,640 --> 00:14:04,880 Speaker 1: of the interview, he flatly denied taking trucks, and he 248 00:14:04,920 --> 00:14:08,240 Speaker 1: said that he actually slightly nodded his head in the 249 00:14:08,240 --> 00:14:12,440 Speaker 1: affirmative as he was saying that, which, there you have it. Yeah, 250 00:14:12,480 --> 00:14:14,840 Speaker 1: you can't pull one by Paul Eckman. No, no, I 251 00:14:14,840 --> 00:14:16,679 Speaker 1: would not want to be a rod and sit in 252 00:14:16,760 --> 00:14:19,240 Speaker 1: front of him and try and tell the truth. So 253 00:14:19,280 --> 00:14:21,800 Speaker 1: that's micro expressions, Yes, it is, and there's a lot 254 00:14:21,800 --> 00:14:24,560 Speaker 1: more to it. Um. I think anybody would be wise 255 00:14:24,640 --> 00:14:26,320 Speaker 1: to go on to our site and read what are 256 00:14:26,400 --> 00:14:30,520 Speaker 1: micro expressions? Is this pretty in depth explanation of facial 257 00:14:30,560 --> 00:14:33,280 Speaker 1: expressions in the whole shabank? So that's interesting. You can 258 00:14:33,320 --> 00:14:36,000 Speaker 1: look that up and chuck, is it is it? Listener 259 00:14:36,040 --> 00:14:39,000 Speaker 1: mail time? Not quite? Oh no, what we need to 260 00:14:39,280 --> 00:14:41,960 Speaker 1: give a little shout out to our new blog which 261 00:14:42,080 --> 00:14:44,520 Speaker 1: is on our website. It's called stuff You should know. 262 00:14:44,680 --> 00:14:46,280 Speaker 1: You can find out how stuff works dot com and 263 00:14:46,360 --> 00:14:49,120 Speaker 1: Josh and I post once a day each little interesting 264 00:14:49,160 --> 00:14:52,120 Speaker 1: news items two bits than uh. We want to engage 265 00:14:52,280 --> 00:14:55,040 Speaker 1: the stuff you should know nation, get people talking. Yeah, 266 00:14:55,120 --> 00:14:58,240 Speaker 1: and you can get to it on the homepage how 267 00:14:58,280 --> 00:15:00,680 Speaker 1: stuff works dot com on the right hand side and 268 00:15:00,760 --> 00:15:07,840 Speaker 1: without further ado, he chimes says, listener mail times you ready, Josh, 269 00:15:08,000 --> 00:15:10,120 Speaker 1: I was born ready. This is a good one. This 270 00:15:10,160 --> 00:15:12,600 Speaker 1: came to us from a writer named Lee, and that 271 00:15:12,640 --> 00:15:16,280 Speaker 1: would be the female Lee l E E. And Lee 272 00:15:16,360 --> 00:15:18,480 Speaker 1: heard us talk about the one guy who wrote in 273 00:15:18,560 --> 00:15:21,360 Speaker 1: talking about that he was possessed by the god Horace, 274 00:15:22,120 --> 00:15:24,480 Speaker 1: and she thought we were very accepting of that notion 275 00:15:24,520 --> 00:15:27,720 Speaker 1: that sure, who knows, you know, anything could happen. So 276 00:15:27,800 --> 00:15:30,160 Speaker 1: she wrote this about her daughter. She says she has 277 00:15:30,200 --> 00:15:34,760 Speaker 1: an attractive daughter, very intelligent, lovely and outgoing, and in 278 00:15:34,880 --> 00:15:37,680 Speaker 1: high school, her daughter was only attracted to gay men 279 00:15:38,760 --> 00:15:40,560 Speaker 1: one after the other. A lot of times they were 280 00:15:41,080 --> 00:15:44,200 Speaker 1: not out with their sexuality. Sometimes they didn't even know 281 00:15:44,240 --> 00:15:47,560 Speaker 1: it yet. But she had a terrible, terrible time falling 282 00:15:47,560 --> 00:15:50,960 Speaker 1: in love with and being mistreated by gay men because 283 00:15:51,360 --> 00:15:56,800 Speaker 1: they clearly could not return the love. So um she 284 00:15:56,880 --> 00:15:58,760 Speaker 1: was very frustrated by this. She took her daughter to 285 00:15:58,840 --> 00:16:04,120 Speaker 1: a card reader. And apparently this card reader said, the 286 00:16:04,200 --> 00:16:06,840 Speaker 1: reason that she cannot get over these falling in love 287 00:16:06,880 --> 00:16:10,400 Speaker 1: with gay men is because she was possessed. Her spirit 288 00:16:10,480 --> 00:16:14,040 Speaker 1: was possessed by a gay man named Jerome from the 289 00:16:14,080 --> 00:16:17,040 Speaker 1: eighteen hundreds. And this is what the card reader said. 290 00:16:17,080 --> 00:16:20,520 Speaker 1: She said, Jerome is running the show. And the kid 291 00:16:20,640 --> 00:16:22,840 Speaker 1: basically says, I don't like this. I'd like to get 292 00:16:22,920 --> 00:16:26,760 Speaker 1: rid of this spiritual possession. Jerome's kind of baggage, baggage. 293 00:16:26,800 --> 00:16:30,440 Speaker 1: And so the card reader, she said, quote without any 294 00:16:30,480 --> 00:16:34,160 Speaker 1: fancy pantsy ceremony, said that Jerome was gone and she 295 00:16:34,200 --> 00:16:36,240 Speaker 1: got rid of him. And the lady said after that 296 00:16:36,320 --> 00:16:39,320 Speaker 1: her daughter felt different, never fell in love with a 297 00:16:39,360 --> 00:16:42,920 Speaker 1: gay man again, had healthy relationships. And I just thought 298 00:16:42,920 --> 00:16:46,200 Speaker 1: this was real interesting, is very interesting. And as we 299 00:16:46,240 --> 00:16:49,760 Speaker 1: are always our motto is who knows to each his 300 00:16:49,840 --> 00:16:52,240 Speaker 1: own or her own? Who knows what's going on out 301 00:16:52,240 --> 00:16:54,760 Speaker 1: there in the wacky universe? Just she could have been 302 00:16:54,760 --> 00:16:58,960 Speaker 1: possessed by a gay man named Jerome from the eighteen hundreds. Well, 303 00:16:59,000 --> 00:17:02,840 Speaker 1: thank you Lee and your daughter and Jerome as well. Um, 304 00:17:02,880 --> 00:17:05,040 Speaker 1: And if you have a really cool story to share 305 00:17:05,080 --> 00:17:07,200 Speaker 1: with us, or you just want to say Hi no 306 00:17:07,359 --> 00:17:11,800 Speaker 1: hi kus uh. Send an email to a stuff podcast 307 00:17:12,040 --> 00:17:17,800 Speaker 1: at how stuff works dot com For more on this 308 00:17:18,040 --> 00:17:20,520 Speaker 1: and thousands of other topics. Is that how stuff works 309 00:17:20,520 --> 00:17:25,479 Speaker 1: dot com m brought to you by the reinvented two 310 00:17:25,560 --> 00:17:28,040 Speaker 1: thousand twelve camera. It's ready, are you