1 00:00:00,400 --> 00:00:02,280 Speaker 1: Man, come, why are you saying my name? 2 00:00:02,480 --> 00:00:03,160 Speaker 2: MC eight? 3 00:00:03,320 --> 00:00:05,480 Speaker 1: Why are you doing I'm trying. Okay, here we go. 4 00:00:05,880 --> 00:00:12,960 Speaker 3: Let's go, nigga jill. 5 00:00:15,600 --> 00:00:19,520 Speaker 4: This nigga that said MC eight like I would guess, 6 00:00:19,520 --> 00:00:20,880 Speaker 4: Oh no, yeah, I'm sucking up. 7 00:00:21,200 --> 00:00:29,319 Speaker 3: Come lead the lord. I got you, dog, I got you. 8 00:00:30,720 --> 00:00:33,440 Speaker 3: We like to welcome every one to another episode against 9 00:00:33,440 --> 00:00:36,239 Speaker 3: the Chronicles podcast is your boy Big Steel along with 10 00:00:36,880 --> 00:00:41,560 Speaker 3: Jim you know eight. We get those guests every once 11 00:00:41,600 --> 00:00:42,080 Speaker 3: in a while. 12 00:00:42,200 --> 00:00:42,720 Speaker 1: Man, that. 13 00:00:44,960 --> 00:00:46,840 Speaker 3: They got a lot of special ship going on. 14 00:00:47,120 --> 00:00:48,640 Speaker 2: You feel what I'm saying. 15 00:00:49,479 --> 00:00:52,479 Speaker 3: I remember us doing the top gangster rap albums of 16 00:00:52,520 --> 00:00:54,640 Speaker 3: all time with the Homey Sewer and Baker Man, and 17 00:00:54,680 --> 00:00:57,320 Speaker 3: his name just kept popping up and everything, you know, 18 00:00:57,360 --> 00:00:59,960 Speaker 3: among some pretty respectable people. 19 00:01:00,120 --> 00:01:00,320 Speaker 2: Man. 20 00:01:00,400 --> 00:01:02,280 Speaker 3: You know, we got brother Linx hung in the building 21 00:01:02,320 --> 00:01:06,720 Speaker 3: today with that. With that, man, we appreciate you coming on. 22 00:01:07,959 --> 00:01:10,120 Speaker 2: Appreciate y'all having me. Man, what's up? 23 00:01:10,200 --> 00:01:11,280 Speaker 1: Hey, what's cracking? 24 00:01:11,280 --> 00:01:13,920 Speaker 4: My nigga would have doodeling? 25 00:01:14,040 --> 00:01:16,240 Speaker 1: Man, you already don't Dad. 26 00:01:17,280 --> 00:01:19,200 Speaker 2: I can't wait to get back down there. Man. 27 00:01:19,240 --> 00:01:22,160 Speaker 5: I had to come down here to handle some business 28 00:01:22,200 --> 00:01:23,319 Speaker 5: and work on the album. 29 00:01:23,400 --> 00:01:25,160 Speaker 2: So I've been out here for a year, but I 30 00:01:25,200 --> 00:01:27,399 Speaker 2: was out there for I was living out there. 31 00:01:27,280 --> 00:01:29,840 Speaker 4: For five years. I've seen some shit. You just posted 32 00:01:29,840 --> 00:01:32,520 Speaker 4: the other day said you was headed back to southern Cali. 33 00:01:33,880 --> 00:01:37,880 Speaker 2: Yes, sir, yeah, man, after tying up a couple of loosening. 34 00:01:37,920 --> 00:01:40,760 Speaker 1: Oh yeah, you gotta do it for sure, for sure. 35 00:01:40,760 --> 00:01:41,319 Speaker 2: We year. 36 00:01:41,319 --> 00:01:42,679 Speaker 3: Did you come down to La lunch? 37 00:01:44,080 --> 00:01:48,640 Speaker 2: It was two thousand and seventeen. 38 00:01:49,000 --> 00:01:51,240 Speaker 3: Twenty seventeen. You was down there for a while. 39 00:01:52,120 --> 00:01:54,680 Speaker 2: Yeah, I was standing up in the valley. 40 00:01:55,760 --> 00:01:56,760 Speaker 1: Yeah, I remember that. 41 00:01:57,200 --> 00:02:00,000 Speaker 4: I was working on the I think I was working 42 00:02:00,120 --> 00:02:02,400 Speaker 4: on a little project and ship when they told me 43 00:02:02,480 --> 00:02:05,080 Speaker 4: you were staying down here. I was up at Frank 44 00:02:05,200 --> 00:02:07,680 Speaker 4: Nitty's little spot and they told me you had moved 45 00:02:07,680 --> 00:02:10,320 Speaker 4: down here. So I was like, oh, that's official. 46 00:02:12,160 --> 00:02:14,359 Speaker 2: Yeah, I'll be back, man. You gotta get away from 47 00:02:14,400 --> 00:02:16,160 Speaker 2: the ship sometime, man. You know what I'm saying. 48 00:02:16,240 --> 00:02:18,360 Speaker 1: Give your mind a rest, you feel me? 49 00:02:19,400 --> 00:02:19,640 Speaker 5: Yeah? 50 00:02:19,800 --> 00:02:24,120 Speaker 3: Yeah, yeah, going through some little things of course, exactly. 51 00:02:25,840 --> 00:02:28,400 Speaker 1: Yeah, that's you know what, man, that's. 52 00:02:30,120 --> 00:02:32,240 Speaker 2: I'll be back. Man. I lived in this mootherfucking my 53 00:02:32,280 --> 00:02:32,840 Speaker 2: whole life. 54 00:02:32,880 --> 00:02:35,000 Speaker 5: Man. I got it, I got it. I loved the 55 00:02:35,120 --> 00:02:36,399 Speaker 5: change when I moved out there. 56 00:02:36,480 --> 00:02:41,480 Speaker 3: Man. So yeah, and you was in the Familey you 57 00:02:41,520 --> 00:02:45,040 Speaker 3: know Lynch. Early on, you had a lot going on 58 00:02:45,040 --> 00:02:47,640 Speaker 3: on your records. Man, you had a whole lot going on. 59 00:02:47,680 --> 00:02:49,160 Speaker 3: Do you ever look back on some of the stuff 60 00:02:49,160 --> 00:02:50,799 Speaker 3: that you wrote back then and trip out on it? 61 00:02:52,480 --> 00:02:52,720 Speaker 1: Yeah? 62 00:02:52,760 --> 00:02:55,800 Speaker 2: Man, I used to trip off how active I was, 63 00:02:56,800 --> 00:03:00,320 Speaker 2: you know what I mean? And and and. 64 00:03:00,360 --> 00:03:02,919 Speaker 5: People coming in my life telling me to slow down 65 00:03:03,880 --> 00:03:07,880 Speaker 5: all that shit. I think about that a lot, you 66 00:03:07,919 --> 00:03:11,040 Speaker 5: know what I mean. Recently talked to the homie that 67 00:03:11,160 --> 00:03:15,919 Speaker 5: first told me in l a nigga you you could 68 00:03:15,960 --> 00:03:18,680 Speaker 5: be a rap star. You need to take that more 69 00:03:18,760 --> 00:03:21,680 Speaker 5: serious and let us do all the other ship, you 70 00:03:21,720 --> 00:03:25,760 Speaker 5: know what I mean? And ship just recently he been gone. 71 00:03:25,840 --> 00:03:29,679 Speaker 5: He's been gone for like thirty years. But uh recently 72 00:03:29,760 --> 00:03:33,120 Speaker 5: he had talked to my baby mama and got the number, 73 00:03:33,680 --> 00:03:38,000 Speaker 5: talked to him. I had to show you love. I 74 00:03:38,040 --> 00:03:41,360 Speaker 5: would love because he gave me the advice that changed 75 00:03:41,400 --> 00:03:41,840 Speaker 5: my life. 76 00:03:43,280 --> 00:03:44,880 Speaker 3: Oh so you took heat to his advice? 77 00:03:44,920 --> 00:03:45,119 Speaker 2: Then? 78 00:03:45,960 --> 00:03:52,080 Speaker 5: Yeah? Where isn't that Roosevelt Hotel. 79 00:03:53,520 --> 00:03:56,160 Speaker 2: In Hollywood? And he told me that ship. 80 00:03:57,600 --> 00:04:02,680 Speaker 5: Ever since then, BROH slowed down start taking my music serious, 81 00:04:03,480 --> 00:04:07,840 Speaker 5: you know, line, I was on the fence, like where 82 00:04:07,840 --> 00:04:08,520 Speaker 5: I wanted to go. 83 00:04:09,920 --> 00:04:12,800 Speaker 3: You know what, Man, I noticed that. I talked to 84 00:04:12,800 --> 00:04:14,920 Speaker 3: eight about that all the time. Man, it seemed like 85 00:04:15,000 --> 00:04:17,080 Speaker 3: when you were in that life man and that banging 86 00:04:17,839 --> 00:04:20,160 Speaker 3: that it's like it almost can consume you if you're 87 00:04:20,160 --> 00:04:22,000 Speaker 3: not careful. I don't seen a whole bunch of real 88 00:04:22,040 --> 00:04:24,560 Speaker 3: talent and brothers, not just in rap. I'm talking about 89 00:04:24,560 --> 00:04:26,640 Speaker 3: cats that could have played in the NFL, Cats that 90 00:04:26,720 --> 00:04:29,080 Speaker 3: could have played in the NBA. They could have did 91 00:04:29,120 --> 00:04:31,080 Speaker 3: a number of different things. They just couldn't leave the 92 00:04:31,120 --> 00:04:32,000 Speaker 3: neighborhood alone. 93 00:04:32,800 --> 00:04:33,680 Speaker 2: Real talk. Man. 94 00:04:34,000 --> 00:04:37,160 Speaker 5: Shit, I'm an only child too, so I was gravitating 95 00:04:37,160 --> 00:04:40,599 Speaker 5: toward the homies, you know what I mean. So the 96 00:04:40,640 --> 00:04:44,320 Speaker 5: Homies had me before my mom even knew it, you 97 00:04:44,320 --> 00:04:47,719 Speaker 5: know what I mean. So I was on that. I 98 00:04:47,880 --> 00:04:50,560 Speaker 5: was on that gate, like I fell off on the 99 00:04:50,640 --> 00:04:51,200 Speaker 5: right side. 100 00:04:53,200 --> 00:04:59,080 Speaker 3: M And let me ask you this, Lynch. You came 101 00:04:59,120 --> 00:05:01,039 Speaker 3: out when you came out with twenty four Deep, that 102 00:05:01,160 --> 00:05:04,880 Speaker 3: was your first album, right, yeah, it was a lot. 103 00:05:05,040 --> 00:05:07,239 Speaker 3: It was. It wasn't as much of the good stuff 104 00:05:07,279 --> 00:05:09,680 Speaker 3: on there, but it was real active. But you had 105 00:05:09,720 --> 00:05:11,640 Speaker 3: some you know, you had some commercial stuff on there, 106 00:05:11,800 --> 00:05:13,960 Speaker 3: just some good old fashioned gangs to music. 107 00:05:13,760 --> 00:05:16,680 Speaker 5: Right Yeah, I used to do a whole bunch of man. 108 00:05:16,720 --> 00:05:18,719 Speaker 5: I used to be a hip hop artist in the eighties. 109 00:05:18,760 --> 00:05:22,120 Speaker 5: Bro My name used to be Ice Cold, so you know, 110 00:05:22,240 --> 00:05:25,040 Speaker 5: a little bit of that was mixed into the twenty 111 00:05:25,040 --> 00:05:30,400 Speaker 5: four D far as, like the faster groovyer songs and shit. 112 00:05:30,960 --> 00:05:34,640 Speaker 5: So I was getting out of that eighties hip hop 113 00:05:34,680 --> 00:05:37,240 Speaker 5: type rap style and getting more into my banging shit 114 00:05:37,279 --> 00:05:39,520 Speaker 5: because I was so active, you know what I mean. 115 00:05:39,560 --> 00:05:41,880 Speaker 5: But shit, if you heard Ice Cold, it's a whole 116 00:05:41,920 --> 00:05:46,880 Speaker 5: different rapper. That rapper was run dum sish or ll poojas, 117 00:05:47,520 --> 00:05:48,080 Speaker 5: you know what I mean. 118 00:05:49,160 --> 00:05:50,960 Speaker 2: And not too many people heard that. 119 00:05:51,040 --> 00:05:54,560 Speaker 5: I had a song that I'm remade called Outstanding from 120 00:05:54,640 --> 00:05:58,039 Speaker 5: the Gap band, you know what I mean. So it 121 00:05:58,160 --> 00:06:00,360 Speaker 5: was about that stuff and that stuff I used to 122 00:06:00,400 --> 00:06:03,039 Speaker 5: put out on consignment, and that's how it became like 123 00:06:03,080 --> 00:06:04,920 Speaker 5: a local you know what I mean. 124 00:06:05,800 --> 00:06:07,200 Speaker 2: I guess you can call celebrity. 125 00:06:08,200 --> 00:06:12,680 Speaker 3: He became. How did you hook up with Cedric Singleton 126 00:06:12,720 --> 00:06:13,960 Speaker 3: and all those guys? 127 00:06:14,880 --> 00:06:20,239 Speaker 5: Uh, this dude, Miko, he started paying for my studio 128 00:06:20,360 --> 00:06:24,880 Speaker 5: time and Miko, I ran into Cedric Singleton and uh 129 00:06:25,720 --> 00:06:28,440 Speaker 5: and at the time me and X was was good 130 00:06:28,880 --> 00:06:32,760 Speaker 5: and uh exat sounding It took me over to his 131 00:06:32,839 --> 00:06:35,679 Speaker 5: house and dude said, I can get you a record 132 00:06:35,760 --> 00:06:37,920 Speaker 5: in the stores, and I was amped up. 133 00:06:37,960 --> 00:06:38,920 Speaker 2: I was like, let's go. 134 00:06:40,560 --> 00:06:42,960 Speaker 3: So it was just that simple back then. Wow, that's crazy. 135 00:06:43,040 --> 00:06:44,360 Speaker 3: It sounded like your situation. 136 00:06:44,520 --> 00:06:47,120 Speaker 4: Well, you know, when you're young and when you're in 137 00:06:47,120 --> 00:06:50,600 Speaker 4: the neighborhood and shit, and you know, you get that 138 00:06:50,680 --> 00:06:56,000 Speaker 4: freak chance to I guess, you know, get to the studio. 139 00:06:56,200 --> 00:06:59,400 Speaker 4: You meet that one person that say they could put 140 00:06:59,480 --> 00:07:04,240 Speaker 4: you on a lot of us was naive to you know, 141 00:07:04,480 --> 00:07:07,839 Speaker 4: contracts and all that other shit, you know, which is 142 00:07:07,880 --> 00:07:12,240 Speaker 4: the important shit Today you get me your publisher, your 143 00:07:12,320 --> 00:07:15,800 Speaker 4: royalties and writing nigga. We was just you know, especially 144 00:07:15,840 --> 00:07:20,120 Speaker 4: being an active hood nigga. You you basically just like, 145 00:07:20,200 --> 00:07:23,040 Speaker 4: oh you could put a record in the store, like shit, 146 00:07:23,240 --> 00:07:26,480 Speaker 4: let's go. You not really and a nigga could get 147 00:07:26,480 --> 00:07:28,520 Speaker 4: you to sign on the dotted line and you not 148 00:07:28,680 --> 00:07:32,200 Speaker 4: really questioning the antics, because first of all, when the 149 00:07:32,240 --> 00:07:35,720 Speaker 4: homies bring you to a nigga, you already thinking, you know, 150 00:07:35,800 --> 00:07:37,920 Speaker 4: shit gonna be on the fair and up and up. 151 00:07:38,320 --> 00:07:40,560 Speaker 4: And that was something like the stand some of the 152 00:07:40,600 --> 00:07:43,760 Speaker 4: same shit with us. You know, the homies brought us 153 00:07:43,800 --> 00:07:47,480 Speaker 4: to Limzo and unknown. You know, we to some young, 154 00:07:47,560 --> 00:07:51,720 Speaker 4: naive niggas from the block. Them niggas knew, they knew 155 00:07:51,760 --> 00:07:56,920 Speaker 4: though about you know, producers and writers and puggys and 156 00:07:57,080 --> 00:07:59,960 Speaker 4: and all that shit. We was the type of nigga like, nigga, 157 00:08:01,200 --> 00:08:03,280 Speaker 4: let me see my face on the album cover and 158 00:08:03,280 --> 00:08:04,920 Speaker 4: it's in the swap meet or some shit. 159 00:08:05,400 --> 00:08:08,360 Speaker 1: You thought you was a surres. You're not asking. 160 00:08:08,120 --> 00:08:11,280 Speaker 3: Nigga about Okay, well, how many points am I getting in? 161 00:08:11,600 --> 00:08:13,160 Speaker 1: What's the royal ty rateing? 162 00:08:13,600 --> 00:08:16,760 Speaker 4: You know, I'm writing on my own shit, so that 163 00:08:16,880 --> 00:08:20,119 Speaker 4: means I get fifty percent of the publish And automatically, 164 00:08:20,360 --> 00:08:23,800 Speaker 4: you wasn't asking them fucking questions. You was like, nigga, ma, 165 00:08:24,360 --> 00:08:26,840 Speaker 4: you're gonna put my record in the store, or nigga, 166 00:08:26,880 --> 00:08:28,720 Speaker 4: you a one hundred with me? 167 00:08:30,520 --> 00:08:33,760 Speaker 5: That's real talk. That's exactly how my shit went to 168 00:08:34,000 --> 00:08:34,240 Speaker 5: you known. 169 00:08:34,440 --> 00:08:36,680 Speaker 1: I mean shit, we young, We was niggas. 170 00:08:36,920 --> 00:08:39,760 Speaker 4: We was niggas trying to learn how to serve dope 171 00:08:40,120 --> 00:08:42,880 Speaker 4: and bag for the hood and catch it. It'll be 172 00:08:42,960 --> 00:08:48,240 Speaker 4: slipped on a shit like that. We wasn't no and 173 00:08:48,320 --> 00:08:52,280 Speaker 4: I'm not to say we wasn't educated, because niggas knew shit. 174 00:08:52,559 --> 00:08:53,120 Speaker 1: We went to. 175 00:08:53,120 --> 00:08:57,079 Speaker 4: School and learned the ABC's in one, two threes, now 176 00:08:57,520 --> 00:09:01,360 Speaker 4: further in that because we felt, uh, what the fuck 177 00:09:01,520 --> 00:09:05,480 Speaker 4: is George Washington and and and the slave ship gonna 178 00:09:05,520 --> 00:09:07,120 Speaker 4: do with my hustling on the block? 179 00:09:07,360 --> 00:09:12,040 Speaker 2: You get me? Knew our math. 180 00:09:12,160 --> 00:09:13,920 Speaker 4: I know how to take a fifty and double that 181 00:09:14,000 --> 00:09:16,480 Speaker 4: motherfuck up and go up to a quarter and a half. 182 00:09:16,920 --> 00:09:19,440 Speaker 4: I know what nine ounces costing, what I'm gonna get 183 00:09:19,480 --> 00:09:20,800 Speaker 4: back and all that ship. 184 00:09:20,640 --> 00:09:23,080 Speaker 2: But exactly well, what the fuck we. 185 00:09:23,120 --> 00:09:28,280 Speaker 4: Need some motherfucking fucking calculus and some motherfucking shit for nigga. 186 00:09:28,600 --> 00:09:31,400 Speaker 4: I know how to count one, two, three, four, five, six, seven, eight, 187 00:09:31,480 --> 00:09:36,559 Speaker 4: You get me. So we wasn't intrigued by the knowledge 188 00:09:36,720 --> 00:09:41,520 Speaker 4: of what a contract really you know, uh uh instilled 189 00:09:41,600 --> 00:09:44,560 Speaker 4: you give me. We didn't know that ship was taking 190 00:09:44,559 --> 00:09:46,280 Speaker 4: the niggas publishing and shipping. 191 00:09:46,960 --> 00:09:48,000 Speaker 1: We wasn't thinking. 192 00:09:47,760 --> 00:09:52,360 Speaker 4: About, oh, damn, you know this song, that's your money 193 00:09:52,440 --> 00:09:53,320 Speaker 4: right there, nigga. 194 00:09:53,520 --> 00:09:57,040 Speaker 1: This we ain't nigga. You couldn't asked me. 195 00:09:57,080 --> 00:09:59,920 Speaker 4: Shit about no motherfucking publishing when I first started, Right, 196 00:10:00,400 --> 00:10:02,680 Speaker 4: what the fuck is nigga? 197 00:10:02,720 --> 00:10:06,719 Speaker 3: What they published so much like like a book publisher, 198 00:10:06,840 --> 00:10:10,960 Speaker 3: what they put they putting it out. Nigga didn't even 199 00:10:11,760 --> 00:10:17,440 Speaker 3: have the motherfucking homie sense as far as. 200 00:10:17,320 --> 00:10:21,640 Speaker 4: They were, because they were knowledgeable, right, they knew how 201 00:10:21,640 --> 00:10:23,679 Speaker 4: to get the records in the store, which means they 202 00:10:23,760 --> 00:10:28,679 Speaker 4: knew a whole fucking lot. They knew about a nigga's 203 00:10:28,720 --> 00:10:32,360 Speaker 4: publishing and all that they did not fail induced that 204 00:10:32,520 --> 00:10:36,200 Speaker 4: to us because they knew that one they could steal. 205 00:10:36,520 --> 00:10:41,040 Speaker 5: And in this case, he had already put out a 206 00:10:41,120 --> 00:10:45,400 Speaker 5: rapper named Homicide from from out Here, so he knew, 207 00:10:46,040 --> 00:10:46,319 Speaker 5: you know. 208 00:10:47,360 --> 00:10:52,760 Speaker 1: He knew how to get it, so he put let 209 00:10:52,800 --> 00:10:53,360 Speaker 1: me get this trait. 210 00:10:53,400 --> 00:10:56,160 Speaker 3: He put out homicide. This Homicide was on priority as well. 211 00:10:56,200 --> 00:10:56,520 Speaker 1: Correct. 212 00:10:57,480 --> 00:11:00,839 Speaker 5: Yeah for a minute, yeah I remember that. 213 00:11:01,000 --> 00:11:02,760 Speaker 3: Just like I said, I had a record store during 214 00:11:02,760 --> 00:11:06,400 Speaker 3: that time. So without going too much into that part, Lynch, 215 00:11:06,840 --> 00:11:08,600 Speaker 3: how did your deal look? Did you and him sign 216 00:11:08,640 --> 00:11:11,440 Speaker 3: a contract initially? Were you signed the black market records? 217 00:11:11,520 --> 00:11:13,160 Speaker 3: Or was it just like on a handshake? 218 00:11:13,920 --> 00:11:16,199 Speaker 5: Bro It was a handshake, and then he put me 219 00:11:16,240 --> 00:11:19,199 Speaker 5: in right in the studio, you know what I mean. 220 00:11:19,240 --> 00:11:22,760 Speaker 5: We did the paperwork after about a year or so. Okay, 221 00:11:22,760 --> 00:11:25,480 Speaker 5: I sold the studio halfway done with twenty four deep 222 00:11:25,720 --> 00:11:26,920 Speaker 5: on off a handshake. 223 00:11:28,160 --> 00:11:30,480 Speaker 3: Okay, So by the time you get to doing it 224 00:11:30,600 --> 00:11:35,960 Speaker 3: and twenty four deep was received well, and did you 225 00:11:36,000 --> 00:11:37,439 Speaker 3: see your life changing any. 226 00:11:38,240 --> 00:11:39,720 Speaker 2: Not by twenty four deep. 227 00:11:39,760 --> 00:11:43,079 Speaker 3: There was after season, so it was after season sickness 228 00:11:43,400 --> 00:11:45,880 Speaker 3: I went when the priority paying attention. 229 00:11:46,000 --> 00:11:49,240 Speaker 5: I never really paid attention to twenty four deep sales 230 00:11:49,360 --> 00:11:52,800 Speaker 5: or anything like that. All I knew was that I 231 00:11:52,120 --> 00:11:55,480 Speaker 5: had went to Seattle for my very first show and 232 00:11:55,520 --> 00:11:57,880 Speaker 5: it was hell of people there, so I knew twenty 233 00:11:57,880 --> 00:11:59,160 Speaker 5: four deep was doing cool. 234 00:12:00,040 --> 00:12:00,920 Speaker 2: But then season. 235 00:12:01,160 --> 00:12:03,320 Speaker 5: I came right back home after that show cause I 236 00:12:03,400 --> 00:12:05,840 Speaker 5: was so amped up, jumped right in the studio and 237 00:12:05,920 --> 00:12:09,439 Speaker 5: did season, you know what I mean, Cause like Seattle, 238 00:12:10,480 --> 00:12:13,880 Speaker 5: them crips over there just had me amped up. And 239 00:12:13,920 --> 00:12:17,240 Speaker 5: when I got home, I was thinking about what happened 240 00:12:17,280 --> 00:12:19,800 Speaker 5: at that show and just went in to start doing 241 00:12:19,880 --> 00:12:23,040 Speaker 5: season and changed my little shit up. Like I didn't 242 00:12:23,040 --> 00:12:25,840 Speaker 5: have none of the happier songs like I did on 243 00:12:25,880 --> 00:12:28,959 Speaker 5: twenty four D for season cause because of the crips 244 00:12:29,000 --> 00:12:30,920 Speaker 5: in Seattle, had a nigga all amped up. 245 00:12:32,040 --> 00:12:35,360 Speaker 1: I mean, so so you and got worse then. 246 00:12:36,080 --> 00:12:38,840 Speaker 5: Yeah, when I put that record out, remember when Tower 247 00:12:38,920 --> 00:12:43,520 Speaker 5: Records was open, when that release day came, I passed 248 00:12:43,520 --> 00:12:46,280 Speaker 5: by Tower Records and there was a line like down 249 00:12:46,320 --> 00:12:47,440 Speaker 5: the street. 250 00:12:47,840 --> 00:12:50,719 Speaker 2: So later that night, after the store. 251 00:12:50,520 --> 00:12:52,520 Speaker 5: Was about the clothes, I knew dude in there cause 252 00:12:52,520 --> 00:12:55,079 Speaker 5: I had put some tapes on consignment. So I went 253 00:12:55,160 --> 00:12:58,120 Speaker 5: up in there and he and I asked him. 254 00:12:57,960 --> 00:13:00,240 Speaker 2: What was that line for it? And he was like, right, 255 00:13:00,280 --> 00:13:01,440 Speaker 2: you know, for your album. 256 00:13:02,040 --> 00:13:06,040 Speaker 5: And then now you knew, you know, you weren't doing 257 00:13:06,280 --> 00:13:07,440 Speaker 5: stories or nothing like that. 258 00:13:08,960 --> 00:13:12,120 Speaker 3: Huh, you weren't doing in stores or anything like that, 259 00:13:12,200 --> 00:13:13,160 Speaker 3: the stuff of that nature. 260 00:13:13,160 --> 00:13:16,080 Speaker 5: That kind of promo not not for twenty four Deep, 261 00:13:16,200 --> 00:13:18,920 Speaker 5: not at all, but I started doing it for season 262 00:13:19,000 --> 00:13:19,480 Speaker 5: after that. 263 00:13:19,720 --> 00:13:22,120 Speaker 1: Yeah, because okay, so for go ahead. 264 00:13:22,440 --> 00:13:27,920 Speaker 4: Any I don't believe I did any promo for my 265 00:13:27,960 --> 00:13:28,600 Speaker 4: first record. 266 00:13:28,640 --> 00:13:33,920 Speaker 1: It's a contant thing. Damn, I can't do it. Car. 267 00:13:33,960 --> 00:13:36,760 Speaker 1: I think I probably didn't start doing promo till. 268 00:13:39,800 --> 00:13:43,559 Speaker 4: Maybe, yeah, my second record, straight checking them because I 269 00:13:43,640 --> 00:13:45,600 Speaker 4: had Growing Up. 270 00:13:45,520 --> 00:13:46,560 Speaker 1: In the Hood on there. 271 00:13:47,120 --> 00:13:52,520 Speaker 4: So that's why we started promoing because of because we 272 00:13:52,559 --> 00:13:55,720 Speaker 4: had the number one rap single in the country. When 273 00:13:55,760 --> 00:13:57,959 Speaker 4: Growing Up in the Hood came out, it went to 274 00:13:58,080 --> 00:13:59,720 Speaker 4: number one on Billboard Rap. 275 00:13:59,600 --> 00:14:02,760 Speaker 1: Charts, So that's why we started touring. 276 00:14:02,840 --> 00:14:03,920 Speaker 2: I mean, promo tour. 277 00:14:04,440 --> 00:14:05,479 Speaker 1: But my first. 278 00:14:05,240 --> 00:14:11,199 Speaker 5: Record by everybody was flapping that comptant thing out here though, brother, Yeah, but. 279 00:14:11,200 --> 00:14:12,760 Speaker 2: We didn't, Yeah, we didn't. 280 00:14:13,960 --> 00:14:17,520 Speaker 4: Nigga I got one, We got one video with It's 281 00:14:17,600 --> 00:14:22,040 Speaker 4: a Comptant Thing. And then that was because remember I 282 00:14:22,080 --> 00:14:24,920 Speaker 4: said back sometime. 283 00:14:26,360 --> 00:14:29,080 Speaker 1: Orpheus was losing a deal with Capital. 284 00:14:31,240 --> 00:14:35,480 Speaker 4: Capital had invested so much with Orpheus as far as 285 00:14:35,560 --> 00:14:38,960 Speaker 4: Rap was concerned, you know, because Capital, you know, they 286 00:14:39,000 --> 00:14:42,440 Speaker 4: had my Nigga King T and you know, the. 287 00:14:42,480 --> 00:14:44,440 Speaker 2: King T record was was banging. 288 00:14:45,160 --> 00:14:50,200 Speaker 4: So but everything that came through Orpheus was bullshit at 289 00:14:50,200 --> 00:14:54,600 Speaker 4: the time. So basically they were on their last legs 290 00:14:54,920 --> 00:14:58,200 Speaker 4: when we came through. It's probably why we didn't get 291 00:14:58,240 --> 00:15:00,920 Speaker 4: a promotional tour because. 292 00:15:01,040 --> 00:15:04,400 Speaker 1: Already was just one of the mother groups. 293 00:15:04,440 --> 00:15:08,960 Speaker 4: Right because they they had never We were the first 294 00:15:08,960 --> 00:15:10,480 Speaker 4: West Coast group that they fucked with. 295 00:15:10,560 --> 00:15:10,760 Speaker 2: You know. 296 00:15:10,840 --> 00:15:13,200 Speaker 4: Orpheus was based out of New York, so they had 297 00:15:13,240 --> 00:15:16,920 Speaker 4: a lot of New York artists, but there wasn't no 298 00:15:18,080 --> 00:15:19,600 Speaker 4: it wasn't no top tiers. 299 00:15:19,960 --> 00:15:20,600 Speaker 2: You get me. 300 00:15:21,120 --> 00:15:24,000 Speaker 4: Rat was fresh at that time, you give me around 301 00:15:24,280 --> 00:15:28,640 Speaker 4: eighty nine to ninety, so well fuck for our shit, 302 00:15:29,120 --> 00:15:32,920 Speaker 4: you know, So they didn't know what the fuck to 303 00:15:33,000 --> 00:15:35,280 Speaker 4: do with us when we came along. So we didn't 304 00:15:35,280 --> 00:15:37,400 Speaker 4: get on no promo tour, We didn't do none of 305 00:15:37,440 --> 00:15:39,760 Speaker 4: that shit. We put out a record and was at 306 00:15:39,760 --> 00:15:40,840 Speaker 4: the crier boring the hood. 307 00:15:42,600 --> 00:15:45,520 Speaker 3: So yeah, that's the crazy part. So links because twenty 308 00:15:45,520 --> 00:15:48,400 Speaker 3: four Deep was a good album and I know Ida Will, 309 00:15:48,480 --> 00:15:51,120 Speaker 3: they got people familiar with you. But Season of the 310 00:15:51,160 --> 00:15:54,960 Speaker 3: Sickness was a whole nother level and just the stuff 311 00:15:55,000 --> 00:15:57,160 Speaker 3: that she was saying on there, just the commentary, and 312 00:15:57,200 --> 00:15:59,080 Speaker 3: then they had the thing that we're the boy in 313 00:15:59,160 --> 00:16:03,320 Speaker 3: Texas that did all that stuff. 314 00:16:04,160 --> 00:16:04,800 Speaker 2: To his chef. 315 00:16:05,520 --> 00:16:10,640 Speaker 5: Yeah, yeah, man, my black market threw me under the 316 00:16:10,760 --> 00:16:14,800 Speaker 5: under the table with that ship though. That that who 317 00:16:14,840 --> 00:16:17,800 Speaker 5: got me on that show. Bro let and let oh 318 00:16:17,920 --> 00:16:21,120 Speaker 5: girl just go in on me. Didn't warn me about ship, 319 00:16:22,440 --> 00:16:24,680 Speaker 5: you know what I mean. He just said, man, just 320 00:16:24,680 --> 00:16:26,280 Speaker 5: go up on her and let him know. You know, 321 00:16:26,920 --> 00:16:29,680 Speaker 5: it's your music and everything it was in the audience, 322 00:16:29,720 --> 00:16:30,800 Speaker 5: didn't even in my back. 323 00:16:31,400 --> 00:16:33,320 Speaker 2: Nigga threw me under the bus with that ship. 324 00:16:33,800 --> 00:16:36,400 Speaker 3: You know what it was, man, him as an executive 325 00:16:36,440 --> 00:16:41,000 Speaker 3: could see me being part talent, part executive, a dude 326 00:16:41,000 --> 00:16:42,760 Speaker 3: to do a lot of executive stuff. What he was 327 00:16:42,800 --> 00:16:46,000 Speaker 3: looking at was like, man, this is good advertising. Somebody 328 00:16:46,120 --> 00:16:48,760 Speaker 3: gonna kill somebody and this this, you know, and they 329 00:16:48,880 --> 00:16:53,480 Speaker 3: saying that we had, you know, and it's because of 330 00:16:53,520 --> 00:16:54,280 Speaker 3: this and everything. 331 00:16:54,360 --> 00:16:56,520 Speaker 1: Because I'm not gonna lie. 332 00:16:56,560 --> 00:16:59,640 Speaker 3: When I first heard Season of the Sickness, first of all, 333 00:16:59,720 --> 00:17:01,720 Speaker 3: the one thing about it, this is what I want 334 00:17:01,720 --> 00:17:05,399 Speaker 3: to say, first and foremost, whether you're talking about eating 335 00:17:05,440 --> 00:17:09,840 Speaker 3: babies or doing whatever or getting high, you seeing that 336 00:17:09,880 --> 00:17:12,280 Speaker 3: shit in the level that is so creative dog to 337 00:17:12,359 --> 00:17:15,320 Speaker 3: where it's like he's seeing some manias shit. But that 338 00:17:15,359 --> 00:17:16,400 Speaker 3: motherfucker correct. 339 00:17:17,200 --> 00:17:19,680 Speaker 5: Now, let me tell you where that baby shit came from. 340 00:17:20,240 --> 00:17:25,440 Speaker 5: Just to be clear, it's abortion, bron. I started, you know, 341 00:17:25,760 --> 00:17:28,760 Speaker 5: my first baby, mama, you know, I got an abortion 342 00:17:28,840 --> 00:17:31,320 Speaker 5: with it, started talking about you know, and I. 343 00:17:31,240 --> 00:17:33,640 Speaker 2: Just used it as a metaphor. You know what I mean. 344 00:17:34,359 --> 00:17:37,560 Speaker 5: It blew it blew up, bro unexpectedly, you know what 345 00:17:37,600 --> 00:17:40,439 Speaker 5: I mean to where a nigga just kept putting it 346 00:17:40,480 --> 00:17:41,000 Speaker 5: in this shit. 347 00:17:41,760 --> 00:17:42,840 Speaker 3: But you know what's. 348 00:17:42,760 --> 00:17:45,680 Speaker 2: From a simple abortion though, that's dope. 349 00:17:45,680 --> 00:17:49,159 Speaker 3: Because I'm a dude to studies lyrics, and I figured 350 00:17:49,200 --> 00:17:53,960 Speaker 3: that people take stuff so proverbial and so literal sometimes, right, 351 00:17:54,440 --> 00:17:56,400 Speaker 3: I said, man, I think the dude is talking about 352 00:17:56,440 --> 00:17:59,840 Speaker 3: abortion or something like that. That was my first thought. 353 00:18:00,000 --> 00:18:01,680 Speaker 3: I think he was really out there eating babies. 354 00:18:02,000 --> 00:18:04,520 Speaker 2: You know, I ain't never said that before either. 355 00:18:05,400 --> 00:18:08,000 Speaker 3: That's dope, don'g. So we got some here first, were 356 00:18:08,000 --> 00:18:11,359 Speaker 3: breaking news on here eight. That's what we do with 357 00:18:11,520 --> 00:18:14,760 Speaker 3: breaking news, real street shit. You know what I'm saying. 358 00:18:14,760 --> 00:18:17,480 Speaker 3: We're going here breaking news, man. And so you know, 359 00:18:18,040 --> 00:18:20,439 Speaker 3: you gotta tell me your life started changing something, at 360 00:18:20,520 --> 00:18:22,960 Speaker 3: least with the shows. I'm pretty sure you was getting 361 00:18:22,960 --> 00:18:24,960 Speaker 3: booked every weekend. When season came out. 362 00:18:25,240 --> 00:18:28,640 Speaker 5: Oh yeah, season, I felt like I was in there, 363 00:18:29,440 --> 00:18:33,080 Speaker 5: you know what I mean. That was like the best 364 00:18:33,080 --> 00:18:36,280 Speaker 5: times of my life like that, from ninety two to 365 00:18:36,560 --> 00:18:40,479 Speaker 5: like ninety eight, from going to like Jack the Rapper, 366 00:18:40,560 --> 00:18:45,520 Speaker 5: the Batting Rappers, at Jack the Rapper. I remember this 367 00:18:45,560 --> 00:18:52,480 Speaker 5: little let me. I don't know why, but a little 368 00:18:52,520 --> 00:18:55,560 Speaker 5: story real quick. It was about ninety three, went to 369 00:18:55,680 --> 00:18:59,920 Speaker 5: Jack the Rapper. That's when I saw a gang of people. 370 00:19:00,000 --> 00:19:00,960 Speaker 5: I'm at Paddle Labell. 371 00:19:01,280 --> 00:19:02,000 Speaker 1: She was cool. 372 00:19:03,160 --> 00:19:06,159 Speaker 5: I saw snooping them niggas death Row came deep. I 373 00:19:06,200 --> 00:19:08,280 Speaker 5: was hoping to see eight because he was my favorite 374 00:19:08,359 --> 00:19:10,880 Speaker 5: rapper at the time, you know, what I mean, so, 375 00:19:11,680 --> 00:19:15,000 Speaker 5: but I didn't see you, but we didn't. 376 00:19:14,920 --> 00:19:17,960 Speaker 4: Tell you was there though, Yeah, we I think I 377 00:19:18,000 --> 00:19:21,879 Speaker 4: went to maybe one or two Jack the Rappers, but 378 00:19:22,000 --> 00:19:24,720 Speaker 4: I was only there for like a day, and then 379 00:19:24,840 --> 00:19:26,840 Speaker 4: we would cut out because most of the time I 380 00:19:26,880 --> 00:19:28,960 Speaker 4: would come through because we would be on the road, 381 00:19:29,720 --> 00:19:33,000 Speaker 4: and so the record company would bring me through for 382 00:19:33,200 --> 00:19:35,880 Speaker 4: like a day or something doing an event, and then 383 00:19:36,400 --> 00:19:38,919 Speaker 4: usually I was gone the next day. I didn't like 384 00:19:39,000 --> 00:19:44,480 Speaker 4: doing the conventions anyway, because I was anti social nigga. 385 00:19:44,640 --> 00:19:47,360 Speaker 4: I didn't like being around the king and motherfuckers. 386 00:19:47,640 --> 00:19:50,080 Speaker 1: You are. 387 00:19:52,160 --> 00:19:56,800 Speaker 4: I'm still you could tell, yeah, I don't like being arounders. 388 00:19:57,119 --> 00:19:59,359 Speaker 4: I get in and get out. That was my type 389 00:19:59,359 --> 00:20:02,119 Speaker 4: of ship. I still do that shit today, whether I 390 00:20:02,160 --> 00:20:04,399 Speaker 4: go on the road, shit, I be at work at 391 00:20:04,400 --> 00:20:07,640 Speaker 4: the podcast, motherfucker be as soon as the cameras cut off, 392 00:20:07,680 --> 00:20:10,400 Speaker 4: I'll be like, all right, later niggas be sitting around 393 00:20:10,480 --> 00:20:14,520 Speaker 4: chit chatting and smoking, shooting the breeze. Still no nigg 394 00:20:14,520 --> 00:20:16,320 Speaker 4: I grabbed my bag and I'm out the door. I 395 00:20:16,359 --> 00:20:18,720 Speaker 4: take the one picture just why I'm laughing, and I 396 00:20:18,840 --> 00:20:21,280 Speaker 4: tell a nigga, I'm out. I see y'all later, and 397 00:20:21,320 --> 00:20:24,800 Speaker 4: it has nothing to do with you know, it has 398 00:20:24,840 --> 00:20:28,760 Speaker 4: nothing to do with people in general. But shit, I'm 399 00:20:28,840 --> 00:20:33,879 Speaker 4: more comfortable when I'm around my familiar shit. And a 400 00:20:33,880 --> 00:20:36,920 Speaker 4: lot of times that's just my damn self being at home. 401 00:20:37,080 --> 00:20:41,240 Speaker 4: You get me going out there being on the motherfucking road, 402 00:20:41,720 --> 00:20:44,080 Speaker 4: you know, especially when you come from the environments we 403 00:20:44,200 --> 00:20:50,280 Speaker 4: come from. I kind of like, you know, shelter myself 404 00:20:50,359 --> 00:20:52,840 Speaker 4: off and shit. And when we just went to this 405 00:20:52,920 --> 00:20:57,679 Speaker 4: big motherfucking podcast convention, everybody coming in and the first 406 00:20:57,680 --> 00:21:01,360 Speaker 4: thing they saying, you doing typical West Coast nigga, shit, 407 00:21:01,800 --> 00:21:05,640 Speaker 4: nigga up in the corner against the wall, arms crossed, 408 00:21:06,200 --> 00:21:07,280 Speaker 4: looking at everybody. 409 00:21:07,760 --> 00:21:07,960 Speaker 1: Saw. 410 00:21:08,400 --> 00:21:10,720 Speaker 4: I mean, that's just the way I came up, you 411 00:21:10,800 --> 00:21:11,440 Speaker 4: know what I'm saying. 412 00:21:11,600 --> 00:21:14,600 Speaker 2: Shit, that's just what hey, bro, you can ask Frank, 413 00:21:14,640 --> 00:21:16,000 Speaker 2: I'm the same exact way and. 414 00:21:16,320 --> 00:21:20,760 Speaker 3: Man, and that's what I figured, Lynch, And you know 415 00:21:20,880 --> 00:21:25,040 Speaker 3: that's why I was ever since I've been dealing with eight. 416 00:21:25,440 --> 00:21:27,800 Speaker 3: That's the one thing I tell people, I say, don't 417 00:21:27,800 --> 00:21:31,040 Speaker 3: take him being kind of an introvert as him being 418 00:21:31,240 --> 00:21:33,120 Speaker 3: like he don't mess with you with nothing like that. 419 00:21:33,720 --> 00:21:36,000 Speaker 3: He's just a very direct dude. He's not gonna do 420 00:21:36,040 --> 00:21:38,960 Speaker 3: a lot of conversation and deliberating. Once he gets to 421 00:21:39,040 --> 00:21:41,440 Speaker 3: know you, I would say, now I talked to eight 422 00:21:41,760 --> 00:21:44,560 Speaker 3: a lot more conversations. They ain't twenty seconds, no more. 423 00:21:44,800 --> 00:21:48,200 Speaker 3: They probably two or three minutes. But he had talked 424 00:21:48,200 --> 00:21:50,240 Speaker 3: to me. Now because we have a relationship. Now we 425 00:21:50,359 --> 00:21:52,879 Speaker 3: know each other, you feel what I mean and be 426 00:21:52,960 --> 00:21:55,840 Speaker 3: honest with you. Eight is just a very well rounded dude. 427 00:21:55,840 --> 00:21:59,280 Speaker 3: And that leads me into my next question. When you 428 00:21:59,440 --> 00:22:03,600 Speaker 3: was writing, you already said that the baby stuff was 429 00:22:03,600 --> 00:22:07,440 Speaker 3: a metaphor for abortion, right, Yeah, I hear a lot 430 00:22:07,440 --> 00:22:09,840 Speaker 3: of things that you did lyrically back then, Man, you 431 00:22:09,960 --> 00:22:12,000 Speaker 3: was getting a lot of stuff off your chest. 432 00:22:13,080 --> 00:22:17,520 Speaker 5: Oh yeah, I mean it's I'm a recluse too, Like 433 00:22:17,720 --> 00:22:20,720 Speaker 5: you know, I'm a recluse. You know, I'm always by myself, 434 00:22:20,760 --> 00:22:23,480 Speaker 5: brou So it's like anything I put on my album, 435 00:22:23,840 --> 00:22:26,639 Speaker 5: I'm you know, whether it's about my mom being a 436 00:22:26,640 --> 00:22:29,360 Speaker 5: crackhead or whatever, it's just my therapy. 437 00:22:30,080 --> 00:22:32,639 Speaker 2: So I don't really care what I say, you know. 438 00:22:32,600 --> 00:22:32,919 Speaker 1: What I mean. 439 00:22:33,000 --> 00:22:33,640 Speaker 2: I'm careful. 440 00:22:33,680 --> 00:22:37,080 Speaker 5: I'm more careful these days because I guess that came 441 00:22:37,119 --> 00:22:42,320 Speaker 5: with the age. But back then, shit, as long as 442 00:22:42,359 --> 00:22:44,280 Speaker 5: I got to say it, and people were feeling me, 443 00:22:45,000 --> 00:22:47,000 Speaker 5: you know what I mean, I didn't really care. 444 00:22:47,800 --> 00:22:50,400 Speaker 3: Well what you really did with Season of the Sickness 445 00:22:50,440 --> 00:22:54,080 Speaker 3: for me really did was an exemplified hip hop and 446 00:22:54,160 --> 00:22:57,679 Speaker 3: the young angry angstu a black man in the urban 447 00:22:58,000 --> 00:23:01,760 Speaker 3: community going through ptas D and all that. It seemed 448 00:23:01,760 --> 00:23:03,119 Speaker 3: like it was just unloaded. 449 00:23:04,800 --> 00:23:08,960 Speaker 2: Ruh, Like who else was I gonna talk to? You 450 00:23:09,000 --> 00:23:09,440 Speaker 2: know what I mean? 451 00:23:11,920 --> 00:23:12,440 Speaker 1: Exactly? 452 00:23:12,520 --> 00:23:16,880 Speaker 3: So Season is jumping off you on Priority records, who 453 00:23:16,920 --> 00:23:19,560 Speaker 3: at that time, Priority had probably one of the bombers 454 00:23:19,640 --> 00:23:21,880 Speaker 3: kings to rep rosss of all time. 455 00:23:23,520 --> 00:23:25,520 Speaker 2: They too. 456 00:23:25,920 --> 00:23:29,080 Speaker 1: Yeah, Priority was like our. 457 00:23:30,520 --> 00:23:33,800 Speaker 4: I guess was like our rap a lot you feel 458 00:23:33,840 --> 00:23:38,360 Speaker 4: me not not discredit you know, death row or ruthless 459 00:23:38,480 --> 00:23:43,040 Speaker 4: or none of that. But outside of of that, I 460 00:23:43,040 --> 00:23:45,760 Speaker 4: guess that was like, you know, because Priority had all 461 00:23:45,760 --> 00:23:49,760 Speaker 4: the niggas ship, you know, they had the Cube, they 462 00:23:49,800 --> 00:23:54,000 Speaker 4: had y'all ship, they had motherfucking p ship, you know what, 463 00:23:54,040 --> 00:23:58,600 Speaker 4: I'm mac t and ran who banging through there? 464 00:23:59,000 --> 00:23:59,280 Speaker 2: You know. 465 00:23:59,520 --> 00:24:06,120 Speaker 4: So definitely was the home of let's say the black independence. 466 00:24:07,960 --> 00:24:10,879 Speaker 2: Yeah, yeah, yeah you did. 467 00:24:11,320 --> 00:24:15,240 Speaker 4: You didn't see too many you give me, like like 468 00:24:15,280 --> 00:24:18,600 Speaker 4: the big labels and ship. But as far as Priority 469 00:24:18,720 --> 00:24:22,080 Speaker 4: was concerned. They roster as far was full of just 470 00:24:22,119 --> 00:24:24,440 Speaker 4: the homie ship you give me. And if you was 471 00:24:24,480 --> 00:24:27,720 Speaker 4: a black entrepreneur trying to get your label off you 472 00:24:27,840 --> 00:24:30,800 Speaker 4: got artists, they was probably a good place to go. 473 00:24:32,520 --> 00:24:37,400 Speaker 5: Yeah to this damn fucking with Fred from Priority Records. 474 00:24:37,440 --> 00:24:39,800 Speaker 2: Okay, he got his own, he got his RBC. 475 00:24:40,040 --> 00:24:46,320 Speaker 5: That's who I dropped that season too. Oh wow, that Priority. 476 00:24:46,400 --> 00:24:49,879 Speaker 5: I've been in touch with Priority all the years. When Snoop, 477 00:24:50,280 --> 00:24:53,000 Speaker 5: you know, with little head of it for a minute, 478 00:24:54,160 --> 00:24:54,840 Speaker 5: you know what. 479 00:24:55,280 --> 00:24:57,879 Speaker 3: You don't mentioned Snoop's names a couple of times. This 480 00:24:57,960 --> 00:25:00,200 Speaker 3: is something I'm gonna saying. I don't want internets. I'm 481 00:25:00,200 --> 00:25:03,400 Speaker 3: telling y'all now, don't come with the bs, because this 482 00:25:03,480 --> 00:25:07,639 Speaker 3: is not no knock. Then I heard Snoop prior to 483 00:25:07,720 --> 00:25:10,000 Speaker 3: when he got with dre Right. Snoop always had the 484 00:25:10,040 --> 00:25:13,239 Speaker 3: real laid back survey flow. But I think he got 485 00:25:13,320 --> 00:25:15,280 Speaker 3: him a dose to that lynch back then because he 486 00:25:15,359 --> 00:25:18,200 Speaker 3: started getting more aggressive. The way you spit your bars, 487 00:25:18,320 --> 00:25:20,040 Speaker 3: you know, with the coming up. You know, you had 488 00:25:20,040 --> 00:25:23,359 Speaker 3: a certain swing to your stuff, and I noticed a 489 00:25:23,359 --> 00:25:25,760 Speaker 3: lot of people kind of took liberty with that back 490 00:25:25,800 --> 00:25:26,240 Speaker 3: in the day. 491 00:25:27,760 --> 00:25:30,760 Speaker 5: Shit, I never heard about Snoop, but I heard about 492 00:25:30,800 --> 00:25:33,719 Speaker 5: a couple with some rappers that not even on that scale. 493 00:25:33,760 --> 00:25:35,560 Speaker 1: Oh yeah, you know. You know you fail to get 494 00:25:35,600 --> 00:25:37,720 Speaker 1: hit up by thousand biggers steel. 495 00:25:39,119 --> 00:25:39,520 Speaker 2: Oh you know. 496 00:25:39,600 --> 00:25:41,639 Speaker 3: And it's not me saying because Snoop is one of 497 00:25:41,640 --> 00:25:43,240 Speaker 3: the greatest, you know what I mean, it's not me 498 00:25:43,320 --> 00:25:46,080 Speaker 3: saying nothing. But that doesn't mean you can't be influenced 499 00:25:46,080 --> 00:25:47,840 Speaker 3: by somebody. 500 00:25:48,160 --> 00:25:50,639 Speaker 1: Yeah, true, I used to. 501 00:25:50,680 --> 00:25:53,680 Speaker 5: I used to think Snoop stole my my little cat thing, 502 00:25:54,359 --> 00:25:57,680 Speaker 5: my little little cap thing I always wanted. 503 00:26:00,320 --> 00:26:09,200 Speaker 4: I knew, yeah, since junior high school. So he's always 504 00:26:09,200 --> 00:26:12,399 Speaker 4: had his his flow. You get me now, you know. 505 00:26:12,840 --> 00:26:16,280 Speaker 4: Always people are gonna feel like, uh, we all get 506 00:26:16,280 --> 00:26:19,879 Speaker 4: a little influences from somewhere. You'll get me. But uh, 507 00:26:20,280 --> 00:26:23,080 Speaker 4: I'm annoing Snoop since junior high school. He's always had 508 00:26:23,119 --> 00:26:29,359 Speaker 4: that that laid back flow. So it's all good. Uh, 509 00:26:29,560 --> 00:26:31,640 Speaker 4: But we get our influences from places. 510 00:26:31,720 --> 00:26:35,040 Speaker 2: You give me. Ship, I was influence. I was. 511 00:26:35,119 --> 00:26:38,840 Speaker 4: I was influenced by motherfucking Rocky I'm and ship you know. 512 00:26:40,400 --> 00:26:45,320 Speaker 4: Or I even heard of Easy Record, you know. I 513 00:26:45,400 --> 00:26:48,400 Speaker 4: used to just listen to New York rap, so rock 514 00:26:48,480 --> 00:26:50,720 Speaker 4: YIM was a heavy influence. You know what I'm saying, 515 00:26:50,760 --> 00:26:53,880 Speaker 4: Even when Easy and then first broke out. 516 00:26:54,400 --> 00:26:57,960 Speaker 3: You know, I just I just like, I just thought 517 00:26:58,400 --> 00:27:01,720 Speaker 3: that was the dopest ship you get me niggas we 518 00:27:01,760 --> 00:27:02,240 Speaker 3: was games. 519 00:27:02,400 --> 00:27:03,880 Speaker 2: I think everybody at. 520 00:27:03,760 --> 00:27:07,480 Speaker 3: The time, Bro, I think that was the consensus. Who 521 00:27:07,520 --> 00:27:12,840 Speaker 3: was your biggest influence? Rock him, That's what I'm saying. 522 00:27:12,920 --> 00:27:15,919 Speaker 3: Rock yim Alaw, you know, Rocky Mali. I think everybody's 523 00:27:16,160 --> 00:27:18,560 Speaker 3: you know, that was the first dude that came out 524 00:27:18,720 --> 00:27:21,440 Speaker 3: because he made it to where when you heard everybody 525 00:27:21,440 --> 00:27:24,040 Speaker 3: else and stuff, it kind of sounded like comparing Mozart, 526 00:27:24,280 --> 00:27:27,480 Speaker 3: you know, or you know, a great poet to Doctor Seuss. 527 00:27:27,480 --> 00:27:30,840 Speaker 3: Almost he made all this ship sound like Doctor Seuss. 528 00:27:31,320 --> 00:27:31,639 Speaker 1: Yeah. 529 00:27:32,680 --> 00:27:35,440 Speaker 5: I like the lll Q and the older L, the 530 00:27:35,520 --> 00:27:40,399 Speaker 5: old school l rock the bells l outright. I was 531 00:27:40,400 --> 00:27:44,520 Speaker 5: heavy into him too, did you know what I mean? 532 00:27:45,600 --> 00:27:49,040 Speaker 5: Taught me about wordplay. I'll be doing the workplace ship. 533 00:27:49,440 --> 00:27:50,000 Speaker 1: You know what I mean? 534 00:27:50,119 --> 00:27:56,040 Speaker 5: So, but rock him when he came, he made my 535 00:27:56,119 --> 00:27:56,880 Speaker 5: word play. 536 00:27:58,280 --> 00:28:01,280 Speaker 2: Like he made me get up on the rock. 537 00:28:01,320 --> 00:28:06,399 Speaker 4: Kim basically just put us in a different uh in 538 00:28:06,480 --> 00:28:13,040 Speaker 4: a different room of what was considered rap. You get 539 00:28:13,160 --> 00:28:18,560 Speaker 4: me from He took it from He just took it 540 00:28:18,600 --> 00:28:21,520 Speaker 4: from motherfucker. I guess what you thought was just fun 541 00:28:21,640 --> 00:28:24,720 Speaker 4: and you know, people whatever. He took it from the 542 00:28:25,119 --> 00:28:28,119 Speaker 4: hip the hop to hibbie shit, and he put it 543 00:28:28,119 --> 00:28:30,640 Speaker 4: in a He put it in a place to where 544 00:28:31,640 --> 00:28:35,359 Speaker 4: niggas could idolize the ship. Because now you're looking and 545 00:28:35,400 --> 00:28:39,120 Speaker 4: you're listening to a nigga who you feel represents you. 546 00:28:39,120 --> 00:28:41,000 Speaker 1: You get me, you get. 547 00:28:42,840 --> 00:28:46,240 Speaker 4: Like, you know, we had Grandmaster Flash and Curtis Blow 548 00:28:46,400 --> 00:28:50,480 Speaker 4: and the Fat Boys and all that, but being West 549 00:28:50,560 --> 00:28:52,760 Speaker 4: Coast niggas in Gang Bang and we just thought we 550 00:28:52,960 --> 00:28:54,520 Speaker 4: just had a different identity. 551 00:28:54,760 --> 00:28:55,400 Speaker 2: You feel me. 552 00:28:55,840 --> 00:29:00,160 Speaker 4: And I guess when Rock came out, you know, with 553 00:29:00,160 --> 00:29:02,640 Speaker 4: with the with the sweatsuits and ship and the big 554 00:29:02,720 --> 00:29:05,479 Speaker 4: dookie gold chains and you've seen the gang of niggas 555 00:29:05,560 --> 00:29:08,680 Speaker 4: hanging at the park, sitting on the benches and shit 556 00:29:08,920 --> 00:29:13,120 Speaker 4: like that. It finded me of the of the d 557 00:29:13,400 --> 00:29:16,160 Speaker 4: boys in the hood. You give me of the niggas 558 00:29:16,160 --> 00:29:20,000 Speaker 4: who was balling in the neighborhood. So that's because niggas 559 00:29:20,040 --> 00:29:24,040 Speaker 4: was wearing funny outfits and different kind of shit before that, 560 00:29:24,240 --> 00:29:27,120 Speaker 4: and so when he came along, he was like a 561 00:29:27,160 --> 00:29:27,920 Speaker 4: regular nigga. 562 00:29:28,000 --> 00:29:28,400 Speaker 2: To us. 563 00:29:28,440 --> 00:29:30,960 Speaker 4: You know what I'm saying. So that's why rock Kim 564 00:29:31,120 --> 00:29:35,520 Speaker 4: was so much influential on my rap career, because it 565 00:29:35,560 --> 00:29:38,920 Speaker 4: wasn't like it wasn't it wasn't the fat boys with 566 00:29:39,080 --> 00:29:43,520 Speaker 4: funny shit. And then it wasn't Grand Master flashing them 567 00:29:43,600 --> 00:29:47,280 Speaker 4: with you know, with the psychedelic outfits and all that, 568 00:29:47,400 --> 00:29:50,240 Speaker 4: you know, like the like the bands of the seventies 569 00:29:50,280 --> 00:29:50,640 Speaker 4: and shit. 570 00:29:50,800 --> 00:29:53,560 Speaker 1: That was more of that type of shit. So rock 571 00:29:53,640 --> 00:29:54,800 Speaker 1: yim deafly. 572 00:29:55,960 --> 00:29:57,960 Speaker 3: Well you know what you can't forget with Grand Mester 573 00:29:58,000 --> 00:30:01,200 Speaker 3: flashing them. They did have the message. The message is hard. 574 00:30:02,000 --> 00:30:04,640 Speaker 1: Yeah, that was hard as fuck, no doubt. 575 00:30:06,680 --> 00:30:09,400 Speaker 4: But when you watch it, when you're watching them and 576 00:30:09,440 --> 00:30:13,600 Speaker 4: then you listening, different element you give me. You know, 577 00:30:13,800 --> 00:30:15,880 Speaker 4: when you get for sure the message and you can 578 00:30:15,960 --> 00:30:18,640 Speaker 4: put yourself in that type of situation. But when I 579 00:30:18,680 --> 00:30:20,840 Speaker 4: turn on the TV and I see these niggas looking 580 00:30:20,920 --> 00:30:24,240 Speaker 4: like they from out of space in the clothing, I'm like, 581 00:30:24,360 --> 00:30:25,520 Speaker 4: look the fuck is that that? 582 00:30:25,560 --> 00:30:29,600 Speaker 1: Ain't you on the stuff and the lither pans and 583 00:30:29,600 --> 00:30:31,200 Speaker 1: stuff that definitely. 584 00:30:32,520 --> 00:30:35,840 Speaker 4: Nigga we khaki suit thirty eight straps and radio bus 585 00:30:35,880 --> 00:30:40,080 Speaker 4: on the nigga. So I saying the message and nigga 586 00:30:40,480 --> 00:30:45,040 Speaker 4: broken glass everywhere. But nigga, we like nigga, please, that 587 00:30:45,200 --> 00:30:50,560 Speaker 4: is not all imagery. So that's what made it like Okay, 588 00:30:50,600 --> 00:30:54,080 Speaker 4: I like these niggas. But then even when the message 589 00:30:54,280 --> 00:30:58,200 Speaker 4: went off, you give me now you got white lines 590 00:30:58,360 --> 00:31:02,040 Speaker 4: and you give you like we were on some different 591 00:31:02,080 --> 00:31:03,440 Speaker 4: shit over here, homie. 592 00:31:03,520 --> 00:31:07,600 Speaker 3: So we definitely gave you the DP boy vibe, the 593 00:31:07,720 --> 00:31:09,920 Speaker 3: rich homie vibe, you know, with the bens and with 594 00:31:10,000 --> 00:31:13,080 Speaker 3: the dookie ropes on ands and stuff. 595 00:31:13,120 --> 00:31:14,160 Speaker 1: And we're not in. 596 00:31:14,160 --> 00:31:17,280 Speaker 4: Studio fifty four with them, Nigga, you give me, Nigga, 597 00:31:17,280 --> 00:31:20,080 Speaker 4: we on the block turning our ship Crack Rock. 598 00:31:20,080 --> 00:31:20,680 Speaker 2: You feel me. 599 00:31:20,800 --> 00:31:26,520 Speaker 4: So we from our representation of the streets to us 600 00:31:26,960 --> 00:31:31,440 Speaker 4: now the element of the story they were pushing on 601 00:31:31,480 --> 00:31:35,640 Speaker 4: the message you get me, that was that was what 602 00:31:35,720 --> 00:31:39,960 Speaker 4: we took. You know, niggas tired, fed up. You know 603 00:31:40,160 --> 00:31:42,880 Speaker 4: you ain't teaching me shit in school and all that. 604 00:31:42,960 --> 00:31:46,400 Speaker 4: But we wasn't on you know, we was on the 605 00:31:46,440 --> 00:31:50,120 Speaker 4: block with our ship. So it was more it was 606 00:31:50,240 --> 00:31:54,680 Speaker 4: more bdp or or or you know KRS and Rock 607 00:31:54,760 --> 00:31:58,520 Speaker 4: Him and Scotland Rock with the dope game and serving 608 00:31:58,640 --> 00:32:02,000 Speaker 4: on the block and we ya not up in the 609 00:32:02,080 --> 00:32:05,240 Speaker 4: motherfucker Studio fifty four when a three piece suit a 610 00:32:05,680 --> 00:32:08,280 Speaker 4: you know what I'm saying, snop serving one of their 611 00:32:08,360 --> 00:32:13,080 Speaker 4: motherfucking rich, motherfucking white doctors or some shit, and everybody 612 00:32:13,160 --> 00:32:14,480 Speaker 4: having fun on the floor. 613 00:32:14,600 --> 00:32:21,680 Speaker 1: Now, man, it was our our our scenario to how the. 614 00:32:21,800 --> 00:32:26,720 Speaker 4: Rappers introduced themselves is how we gravitated to the motherfuckers. 615 00:32:26,760 --> 00:32:30,960 Speaker 4: Like I said, we banged more motherfucking rock him. Even though, 616 00:32:31,000 --> 00:32:33,600 Speaker 4: like you said, Grandmaster Flyers had the message for us, 617 00:32:33,920 --> 00:32:36,560 Speaker 4: but we took that into a different element. 618 00:32:36,720 --> 00:32:36,920 Speaker 2: Man. 619 00:32:37,760 --> 00:32:39,600 Speaker 1: You get yeah, for sure, you know what. 620 00:32:40,280 --> 00:32:42,960 Speaker 3: And one of the things links because I'm going this 621 00:32:43,120 --> 00:32:45,920 Speaker 3: timeline kind of that leads up to the season of 622 00:32:45,920 --> 00:32:50,560 Speaker 3: the Sickness to Kevil, all right, So needless to say, 623 00:32:50,840 --> 00:32:53,400 Speaker 3: you blowing up now, you know you got it going on. 624 00:32:53,480 --> 00:32:58,040 Speaker 3: You're doing a lot of shows and everything. What happened 625 00:32:58,080 --> 00:32:58,479 Speaker 3: after that? 626 00:32:58,560 --> 00:32:58,720 Speaker 2: Bro? 627 00:32:59,000 --> 00:33:01,280 Speaker 3: Did it start getting funey over there black Market? 628 00:33:03,760 --> 00:33:04,920 Speaker 2: I just seen him. 629 00:33:05,560 --> 00:33:08,520 Speaker 5: He started buying cars and shit, And I was trying 630 00:33:08,520 --> 00:33:11,840 Speaker 5: to be cool, you know what I mean. I was like, 631 00:33:11,880 --> 00:33:14,840 Speaker 5: pay my rent, give me some give me some money 632 00:33:15,160 --> 00:33:18,200 Speaker 5: for the month. Let's try to blow this record up, 633 00:33:19,200 --> 00:33:21,560 Speaker 5: you know what I mean. And when I seen him 634 00:33:21,640 --> 00:33:26,640 Speaker 5: start buying cars and path finders and shit. That's when 635 00:33:26,680 --> 00:33:28,520 Speaker 5: I had to go, you know, go up in the 636 00:33:28,560 --> 00:33:32,239 Speaker 5: office and we had to have that cop and and 637 00:33:32,280 --> 00:33:34,280 Speaker 5: then I just got a whole bunch of promises and 638 00:33:35,000 --> 00:33:37,360 Speaker 5: we're gonna get you this, and we're gonna get get 639 00:33:37,400 --> 00:33:40,200 Speaker 5: you this day, and and it. 640 00:33:40,240 --> 00:33:41,360 Speaker 2: Just went bad after that. 641 00:33:41,560 --> 00:33:44,040 Speaker 5: After a couple of months after that first talk, it 642 00:33:44,200 --> 00:33:45,160 Speaker 5: just start going bad. 643 00:33:46,080 --> 00:33:48,280 Speaker 3: So is that what we started singing? Kind of like 644 00:33:48,360 --> 00:33:51,680 Speaker 3: the almost put together releases, you know, the stuff that 645 00:33:51,840 --> 00:33:54,680 Speaker 3: was kind of like it may be an unfinished song 646 00:33:54,760 --> 00:33:56,800 Speaker 3: that you have in a random rap room there, and 647 00:33:56,880 --> 00:33:58,680 Speaker 3: you know somebody like you said, you didn't even know 648 00:33:58,720 --> 00:33:59,280 Speaker 3: these dudes. 649 00:34:00,160 --> 00:34:01,160 Speaker 2: Nah, I did. 650 00:34:01,840 --> 00:34:04,480 Speaker 5: He you know, came up on some of my music 651 00:34:05,120 --> 00:34:08,120 Speaker 5: and start putting it out, stuff that I wasn't gonna use, 652 00:34:09,040 --> 00:34:11,000 Speaker 5: you know what I mean, and put other dudes on it. 653 00:34:13,000 --> 00:34:14,040 Speaker 2: And threw it out there. 654 00:34:15,840 --> 00:34:18,839 Speaker 3: Did you guys ever go through any legal situations? Did like, 655 00:34:18,960 --> 00:34:21,279 Speaker 3: did you ever get any of that remedy? Like when 656 00:34:21,280 --> 00:34:23,279 Speaker 3: he put those projects out, he had to compensate you 657 00:34:23,320 --> 00:34:26,600 Speaker 3: for him, right, Well. 658 00:34:27,200 --> 00:34:28,560 Speaker 2: We did have to go to court. 659 00:34:28,960 --> 00:34:32,840 Speaker 5: We went to court after a couple of things happened 660 00:34:33,480 --> 00:34:38,080 Speaker 5: you know, you know rein stype. Shit, you know they 661 00:34:38,200 --> 00:34:41,040 Speaker 5: playing in the neighborhood and shit, A couple of things happened. 662 00:34:41,480 --> 00:34:43,520 Speaker 5: Then a friend of mine said, man, just do it 663 00:34:43,560 --> 00:34:47,919 Speaker 5: the legal way. So I took him to court. Gave 664 00:34:47,960 --> 00:34:51,120 Speaker 5: me my first thirty thousand. I think I was like 665 00:34:51,160 --> 00:34:54,799 Speaker 5: twenty five. Gave me my first thirty thousand. I thought 666 00:34:54,840 --> 00:34:59,200 Speaker 5: I was rich. And then at the time it was 667 00:34:59,239 --> 00:35:02,000 Speaker 5: when I was sound a priority, So priorities start helping 668 00:35:02,000 --> 00:35:05,840 Speaker 5: me get my money insteaded them. Instead of them sending 669 00:35:05,920 --> 00:35:08,240 Speaker 5: a check to him, they would send me my part. 670 00:35:08,480 --> 00:35:09,440 Speaker 2: And then send him his. 671 00:35:10,719 --> 00:35:13,239 Speaker 3: And that's what usually happens when you have a successful 672 00:35:13,320 --> 00:35:16,600 Speaker 3: artist going through a subsidiary. They want to kind of 673 00:35:16,680 --> 00:35:19,200 Speaker 3: keep the relationship going, but they don't want last thing 674 00:35:19,239 --> 00:35:21,200 Speaker 3: they want you to do. Lynches be like, fuck this, 675 00:35:21,280 --> 00:35:23,040 Speaker 3: I ain't record and I can't even pay my rent. 676 00:35:23,360 --> 00:35:26,240 Speaker 5: Wymarchae, I wonder I wanted to be straight with Priority, 677 00:35:26,719 --> 00:35:29,359 Speaker 5: like fuck black market, but said wasn't trying to let 678 00:35:29,440 --> 00:35:32,000 Speaker 5: that happen, but they was trying to fight for it. 679 00:35:33,239 --> 00:35:36,560 Speaker 3: That's usually how it happens too, because us as black 680 00:35:36,640 --> 00:35:41,000 Speaker 3: executives sometimes, man, and I'm not gonna say all the time. 681 00:35:41,040 --> 00:35:43,960 Speaker 3: It's because they trying to necessarily be siicety. Sometimes they 682 00:35:44,040 --> 00:35:45,239 Speaker 3: just don't know no better man. 683 00:35:46,440 --> 00:35:46,680 Speaker 1: Right. 684 00:35:47,040 --> 00:35:50,800 Speaker 5: But said, as a dude who came from the East Coast, 685 00:35:51,280 --> 00:35:53,879 Speaker 5: smart dude, I will say that. 686 00:35:54,480 --> 00:35:56,120 Speaker 2: But he knew he was gonna do when he came 687 00:35:56,160 --> 00:35:56,879 Speaker 2: to the West Coast. 688 00:35:56,920 --> 00:36:00,680 Speaker 5: He said, I'm gonna give me some California rapper, got 689 00:36:00,719 --> 00:36:04,319 Speaker 5: me an X rated, you know what I mean, and 690 00:36:04,400 --> 00:36:06,080 Speaker 5: make some money off these niggas. 691 00:36:06,440 --> 00:36:07,960 Speaker 2: Nigga made some millions off me. 692 00:36:08,840 --> 00:36:11,839 Speaker 3: And you know what, And because the thing is, you 693 00:36:11,920 --> 00:36:14,719 Speaker 3: came out during it. Hey, you initially came out and 694 00:36:14,800 --> 00:36:16,680 Speaker 3: the Hey, they had gainst the rep like you said, 695 00:36:17,200 --> 00:36:19,839 Speaker 3: you know, you had MCA, you had all this dope 696 00:36:19,880 --> 00:36:22,200 Speaker 3: stuff that was just really dropping the client. That was 697 00:36:22,280 --> 00:36:26,120 Speaker 3: just real dope, right, And you were hell a unique 698 00:36:26,120 --> 00:36:28,680 Speaker 3: because I know they would call your throw out style 699 00:36:28,760 --> 00:36:29,319 Speaker 3: horror core. 700 00:36:30,560 --> 00:36:31,239 Speaker 1: I listened to. 701 00:36:31,160 --> 00:36:34,080 Speaker 3: Gagn To, but games nip horror core, which you do 702 00:36:34,120 --> 00:36:37,120 Speaker 3: with some whole other shit. It's like some I think 703 00:36:37,160 --> 00:36:39,200 Speaker 3: the term rip gut is appropriate. 704 00:36:40,040 --> 00:36:41,200 Speaker 2: Yeah, yeah, that's what I mean. 705 00:36:41,239 --> 00:36:44,120 Speaker 5: They put me in the horror core category, and I 706 00:36:44,719 --> 00:36:48,520 Speaker 5: was like, fuck it, you know what I mean. I 707 00:36:48,560 --> 00:36:51,400 Speaker 5: didn't really want to be known for horror core. I 708 00:36:51,400 --> 00:36:54,239 Speaker 5: didn't really know much about it, you know what I mean. 709 00:36:54,320 --> 00:36:56,640 Speaker 5: But you know they always go through a label on 710 00:36:57,040 --> 00:36:59,640 Speaker 5: something though. Bro, So you're doing this and you're going 711 00:36:59,680 --> 00:37:02,120 Speaker 5: through all that, Man, what are you doing during this time? 712 00:37:02,400 --> 00:37:04,719 Speaker 5: Is that how you When did you link up a 713 00:37:04,760 --> 00:37:10,080 Speaker 5: Strange It was that I put an album out called 714 00:37:10,160 --> 00:37:11,960 Speaker 5: Lynch My Inch on my own. It was the first 715 00:37:12,040 --> 00:37:14,880 Speaker 5: album I put out myself, and I was and I 716 00:37:14,960 --> 00:37:18,760 Speaker 5: was just touring a lot and I ran into a 717 00:37:18,840 --> 00:37:23,360 Speaker 5: tech on one of his tours and he said, man, Travis, 718 00:37:23,520 --> 00:37:27,200 Speaker 5: the owner of the other owner of Strange Music, I 719 00:37:27,320 --> 00:37:29,160 Speaker 5: want to holler at you, And they brought me up 720 00:37:29,160 --> 00:37:32,919 Speaker 5: in the office and uh, and I turned them down 721 00:37:33,000 --> 00:37:36,440 Speaker 5: actually the first time, and then a couple of years later, 722 00:37:38,000 --> 00:37:39,200 Speaker 5: I didn't know what I was doing. 723 00:37:39,480 --> 00:37:41,759 Speaker 2: I kind of got back active in. 724 00:37:41,719 --> 00:37:45,920 Speaker 5: The streets with a little money, helping the little homies 725 00:37:45,960 --> 00:37:51,160 Speaker 5: and stuff, but I wasn't really doing no music, and uh, Strange, 726 00:37:51,560 --> 00:37:55,400 Speaker 5: you know, came at me again, gave me some money 727 00:37:55,400 --> 00:37:57,399 Speaker 5: and I said fuck it, and I signed and did 728 00:37:57,400 --> 00:38:02,840 Speaker 5: a three album three sixty deal with them. I shouldn't 729 00:38:02,880 --> 00:38:06,520 Speaker 5: have did that, but but I figure since. 730 00:38:06,400 --> 00:38:08,680 Speaker 2: Side that the album The Wild to do that. 731 00:38:09,440 --> 00:38:10,160 Speaker 1: It definitely. 732 00:38:11,200 --> 00:38:14,120 Speaker 3: You know, the one thing about messing with Strange Man 733 00:38:14,480 --> 00:38:17,359 Speaker 3: is they do a lot of touring and they're going 734 00:38:17,440 --> 00:38:18,359 Speaker 3: to introduce you. 735 00:38:18,360 --> 00:38:19,239 Speaker 1: To their fan base. 736 00:38:19,440 --> 00:38:21,200 Speaker 3: It's like, if you do anything with them, you go 737 00:38:21,360 --> 00:38:23,840 Speaker 3: get a whole bunch of them juggalos, you get a 738 00:38:23,840 --> 00:38:26,160 Speaker 3: whole bunch of different white folks. You go broad in 739 00:38:26,160 --> 00:38:27,879 Speaker 3: your fans, you brought in your rise. 740 00:38:28,520 --> 00:38:31,160 Speaker 2: Hey, bro, my proud went from black to white when 741 00:38:31,160 --> 00:38:31,840 Speaker 2: I joined. 742 00:38:31,600 --> 00:38:34,600 Speaker 1: Them, just that quick. 743 00:38:35,800 --> 00:38:36,000 Speaker 2: Yeah. 744 00:38:36,120 --> 00:38:38,920 Speaker 5: Like it's funny because when I do my own tours, 745 00:38:39,120 --> 00:38:42,080 Speaker 5: it's black, but when I do tours with them, it's 746 00:38:42,080 --> 00:38:44,440 Speaker 5: always white. 747 00:38:45,640 --> 00:38:50,359 Speaker 4: That's crazy with them because of where they're based at. 748 00:38:50,480 --> 00:38:54,200 Speaker 4: And that's because the area they're based around, and they 749 00:38:54,280 --> 00:38:57,759 Speaker 4: just cater to a lot of the different that audience. 750 00:39:00,560 --> 00:39:03,799 Speaker 3: Yeah, yeah, you know what I think it is with 751 00:39:03,880 --> 00:39:07,040 Speaker 3: Strange Ay, I think Tech has just built him a following, 752 00:39:07,040 --> 00:39:09,560 Speaker 3: Because you got to think about it, Tech is kind 753 00:39:09,600 --> 00:39:12,320 Speaker 3: of like Lynch in the sense that they both real unique. 754 00:39:12,360 --> 00:39:14,520 Speaker 3: They both one's the one you ain't gonna hear nobody 755 00:39:14,520 --> 00:39:17,560 Speaker 3: to rap like them. They got their own kind of presence. 756 00:39:17,640 --> 00:39:19,560 Speaker 3: So I think that attracts kind of like a different 757 00:39:19,600 --> 00:39:22,680 Speaker 3: demographic almost because I know it's black people to listen 758 00:39:22,719 --> 00:39:24,359 Speaker 3: to tech, but it just happens to be a whole 759 00:39:24,360 --> 00:39:26,560 Speaker 3: bunch of white folks. And I know of Run Hawaii, 760 00:39:26,640 --> 00:39:32,000 Speaker 3: he huge man. They love him over there and loved 761 00:39:32,040 --> 00:39:34,800 Speaker 3: him over there, and and Lynch was at the beginning, 762 00:39:34,840 --> 00:39:36,600 Speaker 3: early on in his career, he was messing with the 763 00:39:36,640 --> 00:39:38,880 Speaker 3: Juggalos a whole lot. So I think some of that 764 00:39:38,960 --> 00:39:41,840 Speaker 3: Juggalo fan base migrated over there too. But you know, 765 00:39:41,880 --> 00:39:44,200 Speaker 3: shout out to them, dudes, because they're doing their thing. 766 00:39:44,360 --> 00:39:48,239 Speaker 3: But so you got this whole litigation going out with 767 00:39:48,320 --> 00:39:51,319 Speaker 3: Black Market. When did you officially dissolve your relationship with 768 00:39:51,360 --> 00:39:51,760 Speaker 3: the label? 769 00:39:53,640 --> 00:39:58,640 Speaker 5: Shit to me when I left after season, But technically 770 00:39:59,160 --> 00:40:05,160 Speaker 5: it was around ninety eight because we went we went 771 00:40:05,200 --> 00:40:09,480 Speaker 5: in the court in the middle of ninety eight and 772 00:40:09,719 --> 00:40:14,279 Speaker 5: settled later that year. So that's when I started sick 773 00:40:14,360 --> 00:40:21,000 Speaker 5: made music and put out some records through the distributor 774 00:40:21,000 --> 00:40:21,760 Speaker 5: out of Tennessee. 775 00:40:22,920 --> 00:40:26,759 Speaker 4: So what was initially what was their problem? They just 776 00:40:26,800 --> 00:40:30,120 Speaker 4: didn't want to pay. They didn't want to He didn't 777 00:40:30,160 --> 00:40:31,000 Speaker 4: even try to pay. 778 00:40:31,880 --> 00:40:34,680 Speaker 5: It was like it was a trying to punk situation, 779 00:40:34,840 --> 00:40:35,440 Speaker 5: trying to punk. 780 00:40:35,800 --> 00:40:37,200 Speaker 2: So he put out what I felt. 781 00:40:37,360 --> 00:40:42,440 Speaker 4: So he put out the records and no advances, no anything. 782 00:40:42,560 --> 00:40:44,440 Speaker 4: He just like, Nigga, we're gonna go to the studio, 783 00:40:44,960 --> 00:40:48,480 Speaker 4: you're gonna record. I'm gonna go get the deal and 784 00:40:48,960 --> 00:40:51,279 Speaker 4: fuck it. Like nigga, I ain't giving y'all his. 785 00:40:51,760 --> 00:40:56,160 Speaker 5: Major excuses, his major excuses. He was having problems getting 786 00:40:56,160 --> 00:40:57,560 Speaker 5: the money from the distributor. 787 00:40:58,760 --> 00:40:59,840 Speaker 2: That was his excuse. 788 00:41:01,600 --> 00:41:04,279 Speaker 4: And they they and they were and they had a 789 00:41:04,360 --> 00:41:09,640 Speaker 4: deal with Priority. So there there's there's the first lie 790 00:41:09,800 --> 00:41:11,960 Speaker 4: right there. Because you don't have to get in here 791 00:41:12,280 --> 00:41:15,600 Speaker 4: from the distributor. Priority gonna get that money. 792 00:41:16,080 --> 00:41:18,080 Speaker 2: You getting me, you know, you. 793 00:41:18,200 --> 00:41:24,120 Speaker 4: Getting paid because Priority is getting that money from those 794 00:41:24,239 --> 00:41:28,759 Speaker 4: one stops and the distributors who are motherfucking buying those records. 795 00:41:28,800 --> 00:41:31,680 Speaker 1: So for him to turn the getting the chicked for sure. 796 00:41:32,000 --> 00:41:33,600 Speaker 2: So for you that the first lie. 797 00:41:33,640 --> 00:41:38,239 Speaker 4: I m to turn around and go, well, I'm having problems. 798 00:41:38,280 --> 00:41:42,759 Speaker 4: There's your first line, nigga, because your deal was with Priority, 799 00:41:43,040 --> 00:41:46,399 Speaker 4: and Priority ain't got no problem cutting no motherfucking check 800 00:41:47,440 --> 00:41:48,040 Speaker 4: if they are. 801 00:41:48,120 --> 00:41:51,480 Speaker 3: Now you know what I did. I could see if 802 00:41:51,480 --> 00:41:53,919 Speaker 3: we're talking about twenty four deep and he going through 803 00:41:53,920 --> 00:41:56,680 Speaker 3: city Hall or whatever, and it is hell trying to 804 00:41:56,680 --> 00:41:59,640 Speaker 3: collect the reserves from them cut sometimes right, But once 805 00:41:59,680 --> 00:42:01,840 Speaker 3: you get the priority, what should have happened. I'm pretty 806 00:42:01,840 --> 00:42:04,800 Speaker 3: sure Priority advanced him some money based on the sales 807 00:42:04,840 --> 00:42:07,640 Speaker 3: that you had for twenty four D. I'm pretty sure 808 00:42:08,400 --> 00:42:10,200 Speaker 3: what you did for twenty four deep. That's how he 809 00:42:10,239 --> 00:42:14,160 Speaker 3: got into the priority building. Right. It's like and I'm 810 00:42:14,200 --> 00:42:16,840 Speaker 3: pretty sure they gave him a check, but it should. 811 00:42:16,600 --> 00:42:17,640 Speaker 1: Have happened a money. 812 00:42:18,560 --> 00:42:22,759 Speaker 4: They gave him an advance contract with and everything else, 813 00:42:23,200 --> 00:42:25,879 Speaker 4: especially if he had two artists. If he had two 814 00:42:26,040 --> 00:42:29,919 Speaker 4: artists and both of them came out on black market Priority, 815 00:42:30,280 --> 00:42:34,800 Speaker 4: they gave him money for both of them motherfucking acts. 816 00:42:35,480 --> 00:42:38,160 Speaker 4: So shit, the nigga could So the nigga could have 817 00:42:38,160 --> 00:42:41,560 Speaker 4: got a check for anywhere between two hundred thousand and 818 00:42:41,760 --> 00:42:44,400 Speaker 4: five hundred grand because he got two. 819 00:42:44,239 --> 00:42:47,799 Speaker 3: Groups and that and that's ina. They was giving up 820 00:42:47,960 --> 00:42:53,280 Speaker 3: budgets back then in the nineties. Yeah, they was giving 821 00:42:53,400 --> 00:42:58,600 Speaker 3: up minimum. The minimum was was two hundred and fifty grand. 822 00:42:59,200 --> 00:43:01,480 Speaker 3: Oh yeah, you was get paid because you know what 823 00:43:01,480 --> 00:43:05,480 Speaker 3: we got when Glasses went over the Sony Dog and 824 00:43:05,520 --> 00:43:07,680 Speaker 3: that was in the two thousand, say, that was kind 825 00:43:07,680 --> 00:43:10,440 Speaker 3: of like when everything it wasn't going bad, but it 826 00:43:10,560 --> 00:43:13,440 Speaker 3: wasn't like it was back then. Glass, God damn, this 827 00:43:13,680 --> 00:43:15,880 Speaker 3: like like six hundred thousand dollars. 828 00:43:15,600 --> 00:43:19,720 Speaker 4: Dog again, like I total in ninety two, ninety three 829 00:43:20,600 --> 00:43:26,480 Speaker 4: when I found out that I was getting fucked out 830 00:43:26,480 --> 00:43:32,719 Speaker 4: of publishing money and advances and all of that. They 831 00:43:32,840 --> 00:43:36,680 Speaker 4: was collecting two hundred and seventy five thousand from EPIC 832 00:43:38,719 --> 00:43:42,720 Speaker 4: and I had no idea what the budgets was. Luckily, 833 00:43:42,800 --> 00:43:45,239 Speaker 4: I found out a nigga was trying to rob me, 834 00:43:45,880 --> 00:43:51,960 Speaker 4: and I found out so I basically just went and said, 835 00:43:52,320 --> 00:43:56,200 Speaker 4: I'm not gonna do any more records unless y'all kick 836 00:43:56,280 --> 00:44:00,560 Speaker 4: this nigga out. Fuck this shit. I'm still rugged than 837 00:44:00,600 --> 00:44:04,640 Speaker 4: this shit. And a nigga living in fucking a nigga 838 00:44:04,680 --> 00:44:07,120 Speaker 4: living in like and they always want to front on 839 00:44:07,200 --> 00:44:09,640 Speaker 4: you too, right, They always want to go buys a 840 00:44:09,719 --> 00:44:12,440 Speaker 4: gang of cars and a gang of shit, and you 841 00:44:12,600 --> 00:44:16,760 Speaker 4: sitting up going like, god damn, where's my shit at, nigga. 842 00:44:16,760 --> 00:44:20,239 Speaker 4: I'm on the road, I'm writing raps, I'm out here. 843 00:44:20,560 --> 00:44:21,440 Speaker 4: Niggas is nigga. 844 00:44:22,000 --> 00:44:22,280 Speaker 1: Nigga. 845 00:44:22,280 --> 00:44:26,120 Speaker 3: I had to sign a thousand autographs yesterday at a 846 00:44:26,160 --> 00:44:27,440 Speaker 3: motherfucking in store. 847 00:44:27,640 --> 00:44:28,239 Speaker 1: You feel me? 848 00:44:28,800 --> 00:44:30,920 Speaker 4: But then when I get off the tour bus or 849 00:44:30,920 --> 00:44:35,640 Speaker 4: the plane, I'm pulling back up in my motherfucking sister's driveway, 850 00:44:36,920 --> 00:44:40,000 Speaker 4: like what the fuck is Like something is wrong? And 851 00:44:40,040 --> 00:44:42,360 Speaker 4: then every time we go sit down at a meeting, 852 00:44:42,760 --> 00:44:44,680 Speaker 4: you pulling up in a new whip. 853 00:44:46,440 --> 00:44:49,200 Speaker 3: Oh man, like you should at the very least, man, 854 00:44:49,520 --> 00:44:53,240 Speaker 3: you know, thinking about the lynch, you should have probably 855 00:44:53,280 --> 00:44:56,080 Speaker 3: been presented with a you know, another formal contract at 856 00:44:56,080 --> 00:44:59,880 Speaker 3: that time, with an advance and the album budget, because 857 00:45:00,200 --> 00:45:03,200 Speaker 3: I believe, if I'm not mistaken, you were the biggest 858 00:45:03,239 --> 00:45:05,600 Speaker 3: thing to come out of Sacramento at that time. You 859 00:45:05,640 --> 00:45:10,000 Speaker 3: guys could have just by doing proper business sining scene 860 00:45:10,040 --> 00:45:13,359 Speaker 3: could have been still getting money today. He so kind 861 00:45:13,400 --> 00:45:15,200 Speaker 3: of I was down. I was. 862 00:45:15,800 --> 00:45:19,080 Speaker 5: I told him, nigga, he could ride this album just 863 00:45:19,120 --> 00:45:20,439 Speaker 5: paying nigga, that's it. 864 00:45:20,600 --> 00:45:21,600 Speaker 1: And that's all he could have been. 865 00:45:22,080 --> 00:45:25,319 Speaker 3: You know, give you an advance, man, and even if 866 00:45:25,360 --> 00:45:27,319 Speaker 3: it's an advance, like you know where links here you 867 00:45:27,360 --> 00:45:29,680 Speaker 3: go he goes seventy five for an advance, and your 868 00:45:29,719 --> 00:45:33,120 Speaker 3: recording budget is this, and just keep doing big, good 869 00:45:33,239 --> 00:45:37,239 Speaker 3: business so you can keep putting out albums because is 870 00:45:37,280 --> 00:45:37,759 Speaker 3: not a lick. 871 00:45:38,280 --> 00:45:41,439 Speaker 5: And at the time too bruh. You know X had 872 00:45:41,480 --> 00:45:46,000 Speaker 5: did that that, you know that murder. So his album 873 00:45:46,080 --> 00:45:48,720 Speaker 5: was semi getting banned, and that was the only artist 874 00:45:48,840 --> 00:45:50,600 Speaker 5: artist black Market had at the time. 875 00:45:51,160 --> 00:45:52,719 Speaker 2: And his his album. 876 00:45:52,520 --> 00:45:57,840 Speaker 5: Was Lightweight, getting banned everywhere because you know, he murdered somebody's. 877 00:45:57,440 --> 00:45:59,200 Speaker 2: Mom, you know what I mean. 878 00:45:59,280 --> 00:45:59,880 Speaker 1: I remember that. 879 00:46:00,000 --> 00:46:04,839 Speaker 5: So his album was lightweight band not getting put in 880 00:46:04,880 --> 00:46:07,960 Speaker 5: stores and stuff. So I was the main artist, So 881 00:46:08,040 --> 00:46:11,520 Speaker 5: he was going in on me trying to get paid. 882 00:46:11,320 --> 00:46:14,640 Speaker 3: And season of the sickness. I believe it was maybe 883 00:46:14,960 --> 00:46:18,160 Speaker 3: five years ago. I know that it's achieved gold status 884 00:46:18,280 --> 00:46:21,200 Speaker 3: right now, right, you got a gold plaque for that, right, yeah, 885 00:46:22,320 --> 00:46:27,000 Speaker 3: So that that's gonna go. And you should probably go 886 00:46:27,080 --> 00:46:28,440 Speaker 3: check up on twenty four deep bro. 887 00:46:29,239 --> 00:46:31,400 Speaker 1: Yeah, of records. 888 00:46:31,440 --> 00:46:33,960 Speaker 3: Bro, It's twenty four deep sold a lot of records, 889 00:46:33,960 --> 00:46:36,080 Speaker 3: and I don't know what you can do now. I 890 00:46:36,120 --> 00:46:39,200 Speaker 3: would think right about now, you probably had position of 891 00:46:39,239 --> 00:46:42,400 Speaker 3: both of those masters right now, right, yeah, yeah, I 892 00:46:42,480 --> 00:46:45,680 Speaker 3: don't know. Yeah, So if you own a dog, it's 893 00:46:45,760 --> 00:46:48,120 Speaker 3: like it don't even matter, man, But I would check 894 00:46:48,160 --> 00:46:50,560 Speaker 3: on my certification for it, just to you know, just 895 00:46:50,719 --> 00:46:52,880 Speaker 3: you know, you want your plaques and stuff them your trophies. 896 00:46:53,600 --> 00:46:54,400 Speaker 2: Yeah, I thought about it. 897 00:46:54,440 --> 00:46:57,200 Speaker 5: I go through BMG right now, so I'm probably go 898 00:46:57,280 --> 00:47:00,440 Speaker 5: to Fred and you know what I'm saying that I 899 00:47:00,480 --> 00:47:01,640 Speaker 5: did think about that though. 900 00:47:02,239 --> 00:47:04,680 Speaker 3: And you a real visual dude, man. I love the 901 00:47:04,719 --> 00:47:06,960 Speaker 3: way you're right. Have you ever thought about getting into 902 00:47:07,000 --> 00:47:07,800 Speaker 3: film or anything? 903 00:47:08,840 --> 00:47:12,960 Speaker 2: Come on it? Huh with funk Betty here my producer 904 00:47:13,000 --> 00:47:13,279 Speaker 2: and ship? 905 00:47:14,480 --> 00:47:19,040 Speaker 3: Okay, okay, have you ever thought about getting into production? Bro? 906 00:47:20,920 --> 00:47:21,680 Speaker 2: What a funk? 907 00:47:21,719 --> 00:47:22,279 Speaker 3: What a funk? 908 00:47:22,360 --> 00:47:22,640 Speaker 1: Beta? 909 00:47:23,120 --> 00:47:28,000 Speaker 2: It's going on with bubble at and pimping. 910 00:47:28,239 --> 00:47:31,719 Speaker 3: Ship everything but the ship against the Chronicles. Man, we 911 00:47:31,840 --> 00:47:34,279 Speaker 3: just got funk. Beata do bump rush the interview. It's 912 00:47:34,320 --> 00:47:37,359 Speaker 3: all good, my bad, It's all good, bro, It's all 913 00:47:37,400 --> 00:47:42,319 Speaker 3: good man. That's what gainst the Chronicles. You know you 914 00:47:42,400 --> 00:47:43,920 Speaker 3: y'all getting alive and uncut? 915 00:47:45,480 --> 00:47:45,719 Speaker 2: Yeah? 916 00:47:45,800 --> 00:47:48,920 Speaker 3: But have you ever thought about doing anything movie wise? 917 00:47:48,960 --> 00:47:49,160 Speaker 2: Bro? 918 00:47:51,320 --> 00:47:56,240 Speaker 5: Bruh right now? I did a couple of movies priority. 919 00:47:56,280 --> 00:48:01,319 Speaker 5: I don't know if you know who Dave Winder. He 920 00:48:01,400 --> 00:48:04,040 Speaker 5: wrote a movie called Now eight and I was the 921 00:48:04,080 --> 00:48:06,640 Speaker 5: star of it. But it was real low budget. But 922 00:48:06,880 --> 00:48:09,279 Speaker 5: I did some If you see this movie A Wall 923 00:48:09,400 --> 00:48:14,480 Speaker 5: seventy two, I was an extra in there, and I 924 00:48:14,520 --> 00:48:17,560 Speaker 5: did a couple just extra type shit. But right now 925 00:48:17,840 --> 00:48:21,040 Speaker 5: I'm doing the iPhone movie. 926 00:48:20,600 --> 00:48:21,080 Speaker 2: You know what I mean. 927 00:48:21,719 --> 00:48:24,040 Speaker 5: I've been doing it for about like nine months now, 928 00:48:24,120 --> 00:48:26,279 Speaker 5: but I you know, I don't talk about it too 929 00:48:26,360 --> 00:48:28,680 Speaker 5: much stuff, but I've always wanted to do it. He 930 00:48:29,000 --> 00:48:30,920 Speaker 5: ain you a lot of the reason why I wanted 931 00:48:30,920 --> 00:48:32,480 Speaker 5: to do it. 932 00:48:32,680 --> 00:48:34,400 Speaker 2: Real talk. 933 00:48:34,760 --> 00:48:38,560 Speaker 3: Thanks, I'm gonna tell you right now, kill me and 934 00:48:39,280 --> 00:48:43,080 Speaker 3: eight got some stuff going on, bro, We got some 935 00:48:43,120 --> 00:48:45,040 Speaker 3: stuff going on with that man. You know that we 936 00:48:45,080 --> 00:48:46,960 Speaker 3: go all about down you know a little bit, you know, 937 00:48:46,960 --> 00:48:48,960 Speaker 3: when it's a little bit more official, because right now 938 00:48:48,960 --> 00:48:51,480 Speaker 3: it's in the very early infhasy stages of a dog 939 00:48:51,520 --> 00:48:55,240 Speaker 3: and were getting everything together. But I thought I would 940 00:48:55,239 --> 00:48:57,080 Speaker 3: love to do some horror stuff with you. You Ain't never 941 00:48:57,120 --> 00:48:59,359 Speaker 3: thought about getting into know, because that's who you are, bro. 942 00:48:59,480 --> 00:49:07,120 Speaker 3: You hip hop Stephen Spielberg is still real full you know, 943 00:49:07,600 --> 00:49:11,000 Speaker 3: Lynch's hip hop Steven Spielberg because he goes say some stuff. 944 00:49:11,000 --> 00:49:13,480 Speaker 3: But it's not some of that stuff that came out 945 00:49:13,520 --> 00:49:15,160 Speaker 3: back in the day, and the horror core stuff was 946 00:49:15,200 --> 00:49:20,000 Speaker 3: corny Yours stuff is like just real visual and just 947 00:49:20,120 --> 00:49:21,520 Speaker 3: real fistlero, you know what I mean. 948 00:49:21,719 --> 00:49:23,120 Speaker 1: It's like kind of. 949 00:49:23,160 --> 00:49:27,279 Speaker 5: Just I don't listen to horrorcore rappers, Like I never 950 00:49:27,480 --> 00:49:30,040 Speaker 5: heard Gangster and that stuff. You know what I mean, 951 00:49:30,080 --> 00:49:33,360 Speaker 5: I never heard each stuff. I don't really listen to 952 00:49:33,440 --> 00:49:36,439 Speaker 5: hardcore rap. That's why it's a trip that put me there. 953 00:49:37,640 --> 00:49:39,759 Speaker 3: Yeah, I say you as a dude, you probably ride 954 00:49:39,800 --> 00:49:43,040 Speaker 3: around all day listening to stuff like MF. Doom and 955 00:49:43,080 --> 00:49:44,680 Speaker 3: all the dudes that really spit up. 956 00:49:45,880 --> 00:49:48,760 Speaker 5: Man, I'll be listening in the crooked eye. 957 00:49:49,360 --> 00:49:50,560 Speaker 2: I'll be listening in the uh. 958 00:49:50,920 --> 00:49:51,120 Speaker 1: Man. 959 00:49:51,160 --> 00:49:53,080 Speaker 2: I ain't been listening to the rap really in like 960 00:49:53,200 --> 00:49:53,800 Speaker 2: ten years. 961 00:49:53,840 --> 00:49:54,040 Speaker 1: Though. 962 00:49:55,000 --> 00:49:58,839 Speaker 3: You sound about like eight dog. Oh. Look, you know 963 00:49:59,120 --> 00:50:04,360 Speaker 3: you sound like Hey, no is gonna be playing everything 964 00:50:04,480 --> 00:50:06,600 Speaker 3: pre two thousand and seven, probably. 965 00:50:06,239 --> 00:50:08,520 Speaker 4: Everything I said. 966 00:50:08,560 --> 00:50:09,799 Speaker 1: There's nothing wrong with. 967 00:50:11,680 --> 00:50:16,360 Speaker 4: There's nothing wrong with new artists, but it don't follow 968 00:50:16,440 --> 00:50:19,879 Speaker 4: my storyline of what I'm used to as far as 969 00:50:20,000 --> 00:50:25,600 Speaker 4: music concerned. Music that that that calms this savage beast. 970 00:50:26,040 --> 00:50:29,719 Speaker 4: You get me, and I like what I like, And 971 00:50:29,840 --> 00:50:32,440 Speaker 4: like I said, no disrespect to none of the new artists. 972 00:50:33,360 --> 00:50:38,400 Speaker 4: Music has transitioned. Music has transitioned into a whole new genre, 973 00:50:38,840 --> 00:50:45,240 Speaker 4: you know. And I could only imagine what my mom 974 00:50:45,719 --> 00:50:49,359 Speaker 4: and them thought when we started rapping. You get me, 975 00:50:51,000 --> 00:50:56,200 Speaker 4: even though it wasn't to the point of where they 976 00:50:56,280 --> 00:51:01,000 Speaker 4: couldn't understand it or you know, it was whatever. I 977 00:51:01,080 --> 00:51:06,040 Speaker 4: spoke very clearly and telling you, nigga, uh it was, 978 00:51:07,560 --> 00:51:10,080 Speaker 4: but they just didn't understand it because it was it 979 00:51:10,120 --> 00:51:12,799 Speaker 4: was a new It was new to them. You give me, 980 00:51:15,200 --> 00:51:17,160 Speaker 4: you know, you got all these and then and then 981 00:51:17,160 --> 00:51:20,560 Speaker 4: what we represented as far as music is concerned, Like 982 00:51:20,600 --> 00:51:23,600 Speaker 4: I said, because I was a young nigga at one time, 983 00:51:23,960 --> 00:51:28,000 Speaker 4: like yourself, like you still, we was all eighteen nineteen 984 00:51:28,440 --> 00:51:33,320 Speaker 4: and motherfucker, I fucking nigga up or I do whatever, 985 00:51:33,440 --> 00:51:37,000 Speaker 4: and you know when Mom's probably told me some shit 986 00:51:37,239 --> 00:51:41,040 Speaker 4: like why are you nigga doing that? Nigga, I'm like, nigga, 987 00:51:41,880 --> 00:51:42,680 Speaker 4: it's my shit. 988 00:51:43,040 --> 00:51:45,360 Speaker 1: You give me. You can't tell me nothing. 989 00:51:45,800 --> 00:51:48,960 Speaker 4: All wasn't Finnah go getting on nine to five or 990 00:51:49,000 --> 00:51:51,480 Speaker 4: you know, once the bug hit nigga, it's all about 991 00:51:51,480 --> 00:51:55,480 Speaker 4: pushing this art form right here. But they couldn't understand it. 992 00:51:58,000 --> 00:52:01,000 Speaker 4: We got a lot of people. There were some people 993 00:52:01,040 --> 00:52:05,480 Speaker 4: who probably felt like let them express and then there 994 00:52:05,520 --> 00:52:08,160 Speaker 4: were some motherfuckers who just didn't understand what we were doing. 995 00:52:08,560 --> 00:52:12,200 Speaker 4: Now I understand niggas won't to express themselves today with 996 00:52:12,320 --> 00:52:19,280 Speaker 4: their music, especially niggas who walked our walk, you feel 997 00:52:19,320 --> 00:52:22,600 Speaker 4: me like the young homies today who's walking our walk? 998 00:52:23,080 --> 00:52:27,200 Speaker 4: You feel me they got the same attitude. You can't 999 00:52:27,239 --> 00:52:28,320 Speaker 4: tell me shit, niggas. 1000 00:52:28,840 --> 00:52:29,640 Speaker 1: There's definitely some. 1001 00:52:29,680 --> 00:52:32,880 Speaker 3: Young spinners out there. It's definitely some young not the 1002 00:52:32,960 --> 00:52:36,880 Speaker 3: discrediting And like I said, I feel like it's coming 1003 00:52:36,920 --> 00:52:37,680 Speaker 3: back a little bit. 1004 00:52:38,040 --> 00:52:40,440 Speaker 5: I feel like it is coming back right now as 1005 00:52:40,520 --> 00:52:42,320 Speaker 5: we speak, Lyricss coming back. 1006 00:52:44,000 --> 00:52:47,279 Speaker 3: Speaking, you know, speaking of that Lynch, what did you 1007 00:52:47,320 --> 00:52:51,000 Speaker 3: think about the whole You know, they every era was 1008 00:52:51,040 --> 00:52:53,600 Speaker 3: something new happened. They labeled it as the biggest thing happening. 1009 00:52:55,960 --> 00:52:58,600 Speaker 3: I don't know if Drake can't like Drake could even 1010 00:52:58,640 --> 00:53:02,120 Speaker 3: see you lyrically though, Broun. 1011 00:53:02,640 --> 00:53:07,160 Speaker 5: I mean, you know, everybody got their conspiracy theories. I 1012 00:53:07,200 --> 00:53:10,920 Speaker 5: don't believe in ghostwriters, you know what I mean. So 1013 00:53:12,200 --> 00:53:14,520 Speaker 5: if he was gonna ask me about that Kendrick Lamar 1014 00:53:14,600 --> 00:53:18,759 Speaker 5: and Drank battle, I know Kendrick writes his shit, I'm 1015 00:53:18,800 --> 00:53:22,200 Speaker 5: not sure sure, I'm not sure if Drink does. So 1016 00:53:23,400 --> 00:53:27,120 Speaker 5: I took I didn't really take that battle like like 1017 00:53:27,200 --> 00:53:28,160 Speaker 5: everybody else did. 1018 00:53:29,200 --> 00:53:29,600 Speaker 1: I didn't. 1019 00:53:29,640 --> 00:53:31,560 Speaker 3: I was to be honest, with you dog. He told 1020 00:53:31,560 --> 00:53:33,080 Speaker 3: me one day he didn't want to talk about it 1021 00:53:33,080 --> 00:53:34,760 Speaker 3: no more, and I was kind of low key relieved. 1022 00:53:34,760 --> 00:53:36,359 Speaker 3: I was like, good man, I don't want to talk 1023 00:53:36,360 --> 00:53:38,799 Speaker 3: about this shit no more either, because it's so you know, 1024 00:53:38,960 --> 00:53:41,080 Speaker 3: I don't even know why it's considered a battle. If 1025 00:53:41,080 --> 00:53:45,120 Speaker 3: you got one cat that don't write his shit, now 1026 00:53:45,239 --> 00:53:48,200 Speaker 3: I can understand you in the course of songwriting getting 1027 00:53:48,239 --> 00:53:50,919 Speaker 3: some hooks here and there or whatever like that, that's 1028 00:53:51,000 --> 00:53:53,279 Speaker 3: just collaborating at that point thing because you might be 1029 00:53:53,360 --> 00:53:55,400 Speaker 3: doing something with Funk Beta, he might have something that 1030 00:53:55,400 --> 00:53:56,560 Speaker 3: got a hook on it already. 1031 00:53:57,360 --> 00:53:59,480 Speaker 5: Yeah, I believe in that if you're creating, bro. But 1032 00:53:59,520 --> 00:54:02,160 Speaker 5: I grew up a battle rapper in the eighties. I 1033 00:54:02,239 --> 00:54:04,399 Speaker 5: was a battle rapper, you know what I mean. That's 1034 00:54:04,440 --> 00:54:07,600 Speaker 5: why you know, I pride myself on lyrics and when 1035 00:54:07,640 --> 00:54:10,200 Speaker 5: somebody else writing for somebody, man, I just I don't 1036 00:54:10,200 --> 00:54:14,040 Speaker 5: get that part of the game. I mean, maybe it's 1037 00:54:14,040 --> 00:54:17,520 Speaker 5: something new that I just never caught onto. You know, 1038 00:54:18,280 --> 00:54:22,040 Speaker 5: the big artists. I heard Jay Z and all these 1039 00:54:22,080 --> 00:54:26,000 Speaker 5: people got ghostwriters sometimes, you know what I mean. 1040 00:54:26,800 --> 00:54:28,840 Speaker 1: Ghost writer, I don't know. 1041 00:54:28,920 --> 00:54:31,240 Speaker 3: I would be disappointed if I heard whole here somebody 1042 00:54:31,440 --> 00:54:32,320 Speaker 3: was writing his reps. 1043 00:54:32,880 --> 00:54:34,359 Speaker 2: I've heard it. I heard that. 1044 00:54:35,960 --> 00:54:42,640 Speaker 3: Hmmm, that's something else. Man, you know what ship? 1045 00:54:42,680 --> 00:54:43,080 Speaker 1: Who else? 1046 00:54:43,080 --> 00:54:45,040 Speaker 3: You don't heart links? You might be breaking some more 1047 00:54:45,080 --> 00:54:47,360 Speaker 3: news man. Who else are there getting the ship ghost written? 1048 00:54:47,400 --> 00:54:48,320 Speaker 3: But I taking credit. 1049 00:54:48,760 --> 00:54:50,640 Speaker 2: I'm gonna keep my mouth out. I'm gonna keep my 1050 00:54:50,680 --> 00:54:56,160 Speaker 2: mouth set now. I want somebody attacked me, but I 1051 00:54:56,160 --> 00:54:57,200 Speaker 2: don't want to. I don't want to start. 1052 00:54:57,239 --> 00:54:57,520 Speaker 1: I want to. 1053 00:54:57,560 --> 00:54:59,359 Speaker 2: I want a rapper to attack me, but I don't 1054 00:54:59,360 --> 00:54:59,839 Speaker 2: want to start. 1055 00:54:59,880 --> 00:55:03,080 Speaker 3: No shit, I heard that, man. I don't think too 1056 00:55:03,080 --> 00:55:04,920 Speaker 3: many people gonna try to fuck with you, Lynch. I 1057 00:55:04,920 --> 00:55:06,600 Speaker 3: think you one of them dudes. They like, we're gonna 1058 00:55:06,680 --> 00:55:07,800 Speaker 3: leave his ass Loan. 1059 00:55:10,239 --> 00:55:15,799 Speaker 2: Right, Loan. I should keep this out out, but I'm 1060 00:55:15,800 --> 00:55:17,440 Speaker 2: gonna let this out, bro. When I uh. 1061 00:55:18,400 --> 00:55:19,920 Speaker 5: When I was in l A, Bro, I had a 1062 00:55:20,040 --> 00:55:24,080 Speaker 5: drinking problem. I went to the hospital two times. I 1063 00:55:24,120 --> 00:55:27,120 Speaker 5: had to stop drinking. When I lived in la and Brouh. 1064 00:55:27,160 --> 00:55:28,960 Speaker 5: I got to the point where I couldn't even remember 1065 00:55:29,000 --> 00:55:32,240 Speaker 5: my kids' names or nothing. When they're in the hospital 1066 00:55:32,360 --> 00:55:35,200 Speaker 5: that is asking me questions I couldn't even answer. So 1067 00:55:36,320 --> 00:55:38,160 Speaker 5: I could, man, I had to with this album. 1068 00:55:38,160 --> 00:55:40,080 Speaker 2: I had to. I had to learn how to rap again. 1069 00:55:41,160 --> 00:55:45,480 Speaker 3: Wow man, Wow man, I'm glad that you were hearing 1070 00:55:45,560 --> 00:55:48,000 Speaker 3: sober now Man, So you've been so you've been really 1071 00:55:48,000 --> 00:55:49,640 Speaker 3: going through some ship links for you to even be 1072 00:55:49,680 --> 00:55:52,520 Speaker 3: able to put this album out. It's pretty amazing, man, 1073 00:55:52,560 --> 00:55:56,520 Speaker 3: Because alcoholism people don't talk about it like they talk 1074 00:55:56,560 --> 00:55:59,000 Speaker 3: about the others, you know, diseases and stuff like that, 1075 00:55:59,120 --> 00:56:02,160 Speaker 3: but alcoholisms, alcoholism is a real debilitating disease. 1076 00:56:02,239 --> 00:56:07,480 Speaker 2: Bro Man, I had I had a man. 1077 00:56:07,920 --> 00:56:09,680 Speaker 5: If you don't remember, bro, I had a beard the 1078 00:56:09,680 --> 00:56:11,359 Speaker 5: whole time was working. 1079 00:56:11,080 --> 00:56:11,680 Speaker 2: On that album. 1080 00:56:12,000 --> 00:56:17,520 Speaker 4: Yeah, if you then the uh, that's some something we 1081 00:56:17,640 --> 00:56:22,439 Speaker 4: don't you know, they don't really I guess they don't 1082 00:56:22,480 --> 00:56:25,880 Speaker 4: really look at when people or in our positions. I 1083 00:56:25,880 --> 00:56:29,520 Speaker 4: don't know, because motherfuckers don't check for us or worried 1084 00:56:29,600 --> 00:56:34,640 Speaker 4: about mental or or abuse or whatever like that. We're 1085 00:56:34,640 --> 00:56:38,080 Speaker 4: supposed to be just niggas from the block, invincible to anything. 1086 00:56:38,160 --> 00:56:38,799 Speaker 2: You get me. 1087 00:56:39,239 --> 00:56:43,680 Speaker 4: Uh, But we we men first, and then we're being 1088 00:56:43,840 --> 00:56:48,600 Speaker 4: black men, and and with the vices and ship that 1089 00:56:49,040 --> 00:56:52,120 Speaker 4: you know, we had to put on ourselves just to 1090 00:56:52,239 --> 00:56:55,920 Speaker 4: cope with this type of ship. And then that's a 1091 00:56:56,320 --> 00:56:59,879 Speaker 4: that's the that's a double when you got to watch 1092 00:57:00,200 --> 00:57:03,960 Speaker 4: back from from street shit, and and then you gotta 1093 00:57:04,000 --> 00:57:06,920 Speaker 4: be able to get into the studio and produce some 1094 00:57:06,960 --> 00:57:10,800 Speaker 4: shit you know good enough that a motherfucker want to 1095 00:57:10,800 --> 00:57:14,600 Speaker 4: spend this ten dollars and shit. So it's the hustle. 1096 00:57:14,680 --> 00:57:19,440 Speaker 4: It's the hustle double that causes us to smoke. You 1097 00:57:19,600 --> 00:57:22,600 Speaker 4: get me, and niggas don't look at the smoking weed 1098 00:57:22,760 --> 00:57:26,240 Speaker 4: as being addicted and shit. But nigga, I need some weed. 1099 00:57:27,240 --> 00:57:27,840 Speaker 2: You give me. 1100 00:57:28,680 --> 00:57:32,720 Speaker 1: I don't give a fuck, nigga. Wherever it's a lot eight. 1101 00:57:33,080 --> 00:57:35,600 Speaker 3: It's a lot, bro, because it's not a natural thing 1102 00:57:35,680 --> 00:57:38,440 Speaker 3: to grow up getting shot at. You're shooting at people 1103 00:57:38,520 --> 00:57:41,760 Speaker 3: that's going through this or having it. You know, it's 1104 00:57:41,800 --> 00:57:44,440 Speaker 3: a lot man. You may have a parent, like both 1105 00:57:44,440 --> 00:57:46,840 Speaker 3: of you guys have mentioned links. I heard you mentioned 1106 00:57:46,840 --> 00:57:49,919 Speaker 3: earlier that your mom struggled with addiction. You just said 1107 00:57:49,960 --> 00:57:52,040 Speaker 3: your father struggle with addiction. He was functioning, but he 1108 00:57:52,120 --> 00:57:54,200 Speaker 3: still struggled with addiction to the point to where it 1109 00:57:54,240 --> 00:57:57,640 Speaker 3: impacted your family. All that stuff is not natural, man, 1110 00:57:57,720 --> 00:58:00,800 Speaker 3: So you have to find an outlet, man, something, just 1111 00:58:00,880 --> 00:58:04,400 Speaker 3: to get through it. Because it's not like we had parents. Hey, 1112 00:58:04,480 --> 00:58:07,480 Speaker 3: I'm going to go get you therapy. I'm gonna tell 1113 00:58:07,480 --> 00:58:11,040 Speaker 3: you something. I'm gonna reveal something everybody too. I've been 1114 00:58:11,120 --> 00:58:14,560 Speaker 3: getting therapy for the last two years, and it's the 1115 00:58:14,600 --> 00:58:19,200 Speaker 3: best thing in my life, you know, because you your 1116 00:58:19,280 --> 00:58:22,960 Speaker 3: life becomes like it almost your life almost comes under 1117 00:58:23,000 --> 00:58:27,280 Speaker 3: a microscope when you start doing anything and entertainment, right, yeah, 1118 00:58:27,680 --> 00:58:30,439 Speaker 3: And everybody seems to have this ideal that you got 1119 00:58:30,480 --> 00:58:33,400 Speaker 3: money that you don't necessarily have, and you're getting it 1120 00:58:33,400 --> 00:58:35,040 Speaker 3: from all. It's a lot of pressure and it's a 1121 00:58:35,120 --> 00:58:38,720 Speaker 3: lot of stress. So I advise anybody, man, go get 1122 00:58:38,720 --> 00:58:40,680 Speaker 3: some therapy, Go get somebody to talk to bro get 1123 00:58:40,680 --> 00:58:43,720 Speaker 3: it off your chest, because I think in our community, man, 1124 00:58:43,760 --> 00:58:45,640 Speaker 3: that's the thing. It's like, Man, I'm gonna roll a 1125 00:58:45,680 --> 00:58:48,080 Speaker 3: blunt up and I'm gonna go get me a beer 1126 00:58:49,000 --> 00:58:50,840 Speaker 3: and I'm gonna sit down and just forget about the shit. 1127 00:58:50,840 --> 00:58:53,280 Speaker 3: The problem is still there, but you just numbing it out. 1128 00:58:53,360 --> 00:58:56,800 Speaker 3: You never addressing the dealing with nothing. Therapy definitely helps 1129 00:58:56,800 --> 00:58:57,720 Speaker 3: you deal with everything. 1130 00:58:58,360 --> 00:59:03,680 Speaker 5: My thing was as far as therapy, I didn't want 1131 00:59:03,680 --> 00:59:06,960 Speaker 5: to talk to no stranger about my shit, you know. 1132 00:59:07,080 --> 00:59:08,720 Speaker 2: I Mean, that's how I used to think. 1133 00:59:09,040 --> 00:59:12,320 Speaker 5: I'm probably more open to that today, but back then, 1134 00:59:12,880 --> 00:59:13,640 Speaker 5: I wasn't trying. 1135 00:59:13,480 --> 00:59:17,880 Speaker 2: To tell those strangers nothing. I don't know why I felt. 1136 00:59:17,600 --> 00:59:19,320 Speaker 3: Like that back then, And I'm gonna tell you we're 1137 00:59:19,400 --> 00:59:23,760 Speaker 3: probably like honestly, would probably really help cats like you 1138 00:59:23,960 --> 00:59:27,240 Speaker 3: and ad as well. It's the fact that y'all was rappers. 1139 00:59:27,240 --> 00:59:28,840 Speaker 3: You would get to be able to get stuff off 1140 00:59:28,880 --> 00:59:30,800 Speaker 3: your chest to a certain extent, you feel what I 1141 00:59:30,840 --> 00:59:33,000 Speaker 3: mean to the world, and you would get to go 1142 00:59:33,040 --> 00:59:33,400 Speaker 3: out and. 1143 00:59:33,440 --> 00:59:35,000 Speaker 1: Just kind of fit and let it out right. 1144 00:59:35,440 --> 00:59:38,440 Speaker 3: But I'm gonna tell you, man, I had that thing too, 1145 00:59:38,440 --> 00:59:39,760 Speaker 3: to where I was like, why am I gonna go 1146 00:59:39,840 --> 00:59:42,200 Speaker 3: talk to some dude this sentence? He don't he can't 1147 00:59:42,200 --> 00:59:45,400 Speaker 3: identify what the hell I got going on. But sometimes 1148 00:59:45,440 --> 00:59:47,880 Speaker 3: just having somebody there that listening your ass, that's not 1149 00:59:47,920 --> 00:59:50,800 Speaker 3: gonna judge you, and you're telling them all this fucked 1150 00:59:50,880 --> 00:59:52,800 Speaker 3: up shit you got going through your mind, and you 1151 00:59:52,880 --> 00:59:55,520 Speaker 3: think about doing this, and you think about doing that. 1152 00:59:55,600 --> 00:59:57,720 Speaker 3: Nigga sitting there looking at you like this and listening 1153 00:59:57,760 --> 01:00:00,520 Speaker 3: and the ain't not judging you, Bro's It's a certain 1154 01:00:00,560 --> 01:00:01,240 Speaker 3: liberty to that. 1155 01:00:03,280 --> 01:00:05,200 Speaker 1: It's a certain freedom of that. Man. 1156 01:00:05,400 --> 01:00:09,360 Speaker 3: I'm just saying, I'm really glad that you got that 1157 01:00:09,400 --> 01:00:11,960 Speaker 3: figured out, bro, and you went, I don't know how 1158 01:00:12,000 --> 01:00:14,880 Speaker 3: you did it. Man, you feel what I'm saying, I 1159 01:00:14,920 --> 01:00:17,560 Speaker 3: don't know how you did it was you got hold up. 1160 01:00:17,800 --> 01:00:21,400 Speaker 4: You as a black man who you you felt like 1161 01:00:21,600 --> 01:00:26,480 Speaker 4: you was having situations to where you were being judged. 1162 01:00:27,440 --> 01:00:30,840 Speaker 4: So you felt like you had to go sit down 1163 01:00:31,000 --> 01:00:36,120 Speaker 4: and talk to somebody about who wouldn't judge you for 1164 01:00:37,440 --> 01:00:41,600 Speaker 4: having a thought of it was want to kill it? 1165 01:00:41,760 --> 01:00:46,560 Speaker 1: Yeah, it was than that. It goes ass right, because yeah, 1166 01:00:46,720 --> 01:00:48,640 Speaker 1: it was a little bit deeper than that. Did you 1167 01:00:48,760 --> 01:00:49,360 Speaker 1: have to do? 1168 01:00:49,760 --> 01:00:53,320 Speaker 4: You think you had to get therapy because you were 1169 01:00:53,360 --> 01:00:58,360 Speaker 4: in a situation and you can't have nothing necessarily because 1170 01:00:58,360 --> 01:00:58,640 Speaker 4: of that. 1171 01:00:59,080 --> 01:01:02,680 Speaker 3: I think just after so many years eight having stuff 1172 01:01:02,800 --> 01:01:05,520 Speaker 3: just bottled up. It's like if you feel a Pepsi 1173 01:01:05,560 --> 01:01:08,320 Speaker 3: bottle of water right and you've got a cap on 1174 01:01:08,400 --> 01:01:10,680 Speaker 3: that motherfucker, Eventually, if you keep putting water in it 1175 01:01:10,680 --> 01:01:13,920 Speaker 3: a high pressure, that motherfucker blow up. I felt like 1176 01:01:14,040 --> 01:01:15,960 Speaker 3: I was at the point of I was about to 1177 01:01:15,960 --> 01:01:18,720 Speaker 3: blow up dog. It would be like and it's just 1178 01:01:18,840 --> 01:01:20,800 Speaker 3: not from current stuff I'm talking about. This is stuff 1179 01:01:20,800 --> 01:01:28,560 Speaker 3: from my childhoodble dam because I think as black men, 1180 01:01:28,600 --> 01:01:30,840 Speaker 3: we always talk just to kind of take stuff on 1181 01:01:30,880 --> 01:01:32,520 Speaker 3: the sind and keep it moving, kind of do it 1182 01:01:32,560 --> 01:01:35,080 Speaker 3: with a smile. You feel what I'm saying, Like I'm 1183 01:01:35,120 --> 01:01:38,520 Speaker 3: not tripping, I'm just moving on whatever whatever. Because it's 1184 01:01:38,640 --> 01:01:41,720 Speaker 3: like I noticed, with us as black men, we really 1185 01:01:41,760 --> 01:01:45,800 Speaker 3: don't deal with stress very well. Because all everybody's sitting 1186 01:01:45,840 --> 01:01:47,840 Speaker 3: on this phone right now, Bro, got a certain amount 1187 01:01:47,880 --> 01:01:50,640 Speaker 3: of pressure that they deal with, whether it be financially. 1188 01:01:51,280 --> 01:01:54,000 Speaker 3: We got certain expectations that you know, come away. And 1189 01:01:54,040 --> 01:01:56,280 Speaker 3: that's just being a man. We ain't no different than 1190 01:01:56,280 --> 01:01:58,240 Speaker 3: the dude that work in no factory all day dog 1191 01:01:58,280 --> 01:01:59,720 Speaker 3: and he got to figure out how to pay for 1192 01:01:59,760 --> 01:02:02,280 Speaker 3: this and figure that. We all got it. It's just 1193 01:02:02,360 --> 01:02:06,120 Speaker 3: not that, Bro. You think about certain situations, right You 1194 01:02:06,200 --> 01:02:08,520 Speaker 3: think about you may say, Man, you know what, Man, 1195 01:02:09,280 --> 01:02:12,040 Speaker 3: I made this mistake when I was eighteen, This cost 1196 01:02:12,120 --> 01:02:14,480 Speaker 3: to me right now, or I did this you know, 1197 01:02:14,720 --> 01:02:17,360 Speaker 3: just the pressure of life, man, just the eels of life. Man. 1198 01:02:17,400 --> 01:02:23,800 Speaker 3: As a motherfucker, I do think about Go ahead, Lynx. 1199 01:02:24,240 --> 01:02:28,160 Speaker 3: You know what's weird about me. It's my stress is backwards. 1200 01:02:28,520 --> 01:02:31,720 Speaker 5: Like I could let the pass go easy, but I 1201 01:02:31,840 --> 01:02:33,280 Speaker 5: worry a lot about the future. 1202 01:02:34,280 --> 01:02:37,400 Speaker 3: Same with me, Bro, same here. I think that's all 1203 01:02:37,440 --> 01:02:41,040 Speaker 3: of us is I think, coming from the surroundings and 1204 01:02:41,080 --> 01:02:43,680 Speaker 3: the environment we all come from. I think we already 1205 01:02:43,760 --> 01:02:46,040 Speaker 3: kind of born war ready to a certain extent to 1206 01:02:46,080 --> 01:02:48,400 Speaker 3: where man, you can't do nothing too bad for me. 1207 01:02:48,480 --> 01:02:50,760 Speaker 3: I don't like I've never sat back and worried about 1208 01:02:50,800 --> 01:02:53,760 Speaker 3: really losing money, because I've came up and where I 1209 01:02:53,840 --> 01:02:56,320 Speaker 3: come from do it. It's a miracle. I'm even here today. 1210 01:02:56,600 --> 01:02:58,720 Speaker 3: I think about some of the stuff I have right now. 1211 01:02:58,840 --> 01:03:02,440 Speaker 3: There's things I have and I'm like, thank you God, Bro, 1212 01:03:02,560 --> 01:03:04,600 Speaker 3: you know this is unbelievable. Me come up where I 1213 01:03:04,640 --> 01:03:08,840 Speaker 3: come from, right. But then the same token I always wonder, man, 1214 01:03:09,000 --> 01:03:11,200 Speaker 3: like you know what, man, we all went through those 1215 01:03:11,200 --> 01:03:13,800 Speaker 3: faces when we was younger, where we spent absorbing amounts 1216 01:03:13,840 --> 01:03:16,120 Speaker 3: of money and we think like, damn, man, I wish 1217 01:03:16,160 --> 01:03:18,160 Speaker 3: I wouldn't have spent that money back then. Man, I 1218 01:03:18,160 --> 01:03:20,480 Speaker 3: could have done this, and I be had this right 1219 01:03:20,560 --> 01:03:22,800 Speaker 3: now to look forward to. You know, So you do 1220 01:03:22,960 --> 01:03:26,880 Speaker 3: have that, and I think, especially getting older because us 1221 01:03:26,880 --> 01:03:28,640 Speaker 3: as black men too. I'm gonna tell you the number 1222 01:03:28,680 --> 01:03:30,880 Speaker 3: one thing we go through, the number one thing that's 1223 01:03:30,920 --> 01:03:34,280 Speaker 3: running rapid through our communities right now, it's exist because 1224 01:03:34,320 --> 01:03:36,360 Speaker 3: you would have a motherfucker to look older than you 1225 01:03:37,000 --> 01:03:40,360 Speaker 3: because he on peels and drinking every day, calling you 1226 01:03:40,440 --> 01:03:43,160 Speaker 3: og and you old and you could be thirty years old. 1227 01:03:44,360 --> 01:03:47,560 Speaker 3: That's real time. If you were twenty nine, thirty years old, 1228 01:03:47,560 --> 01:03:50,280 Speaker 3: you are considered og. I was getting called og when 1229 01:03:50,280 --> 01:03:53,880 Speaker 3: I was thirty. How about y'all, Like, did y'all have kids? 1230 01:03:54,160 --> 01:03:56,200 Speaker 3: Younger dudes calling y'all og when y'all was thirty? 1231 01:03:56,360 --> 01:04:00,440 Speaker 4: I says the younger generation. I think the younger gen generation, 1232 01:04:02,120 --> 01:04:05,000 Speaker 4: it used to be different for us. It used to 1233 01:04:05,040 --> 01:04:08,560 Speaker 4: be like shit, It used to be like at twenty 1234 01:04:08,640 --> 01:04:12,600 Speaker 4: one for us. Back then, at twenty one, you was you. 1235 01:04:12,600 --> 01:04:15,280 Speaker 4: You still a pup, you were still a kid. Shit 1236 01:04:15,320 --> 01:04:18,440 Speaker 4: at twenty five, you didn't know shit. Still you get me. 1237 01:04:18,960 --> 01:04:26,160 Speaker 4: It seems like this generation is it's flipped nigga. You're 1238 01:04:26,160 --> 01:04:29,200 Speaker 4: an old nigga by time you hit thirty. That's how 1239 01:04:29,240 --> 01:04:32,880 Speaker 4: they That's how their young generation is today. The age 1240 01:04:32,920 --> 01:04:37,040 Speaker 4: limit is between fifteen the motherfucking twenty five. After you 1241 01:04:37,120 --> 01:04:41,360 Speaker 4: turn twenty five, you start going downhill. But now you 1242 01:04:41,480 --> 01:04:46,400 Speaker 4: old oldbody nobody. And I was when I was fucking 1243 01:04:46,840 --> 01:04:53,800 Speaker 4: twenty five thirty, I wasn't getting called og because the 1244 01:04:53,960 --> 01:04:58,000 Speaker 4: niggas that I grew up were still around the generation 1245 01:04:58,400 --> 01:05:02,000 Speaker 4: now they was bab so they couldn't calm me no 1246 01:05:02,480 --> 01:05:07,600 Speaker 4: g So it was we still had that. But now 1247 01:05:07,880 --> 01:05:10,760 Speaker 4: you give me Now, if you thirty and a kid 1248 01:05:10,920 --> 01:05:15,720 Speaker 4: is fifteen to seventeen, eighteen twenty, you are og nigga 1249 01:05:15,800 --> 01:05:16,440 Speaker 4: you thirty. 1250 01:05:16,920 --> 01:05:18,560 Speaker 1: That's what I'm saying. That's what I'm saying. 1251 01:05:18,600 --> 01:05:21,600 Speaker 3: It's like the standard because to me, when I was 1252 01:05:21,640 --> 01:05:24,080 Speaker 3: twenty five or thirty, I used to look at kind 1253 01:05:24,080 --> 01:05:26,000 Speaker 3: of like if a cat was fifty five or sixty, 1254 01:05:26,000 --> 01:05:27,880 Speaker 3: options look at that as old, right, But I didn't 1255 01:05:27,880 --> 01:05:30,600 Speaker 3: look at them. It's just like, oh they out the game. 1256 01:05:30,680 --> 01:05:33,320 Speaker 4: No, they out to look right now, this like man 1257 01:05:34,080 --> 01:05:37,240 Speaker 4: nigga when we was about what when we was nineteen 1258 01:05:37,480 --> 01:05:42,200 Speaker 4: twenty old, to us was a motherfucker with fucking gray 1259 01:05:42,280 --> 01:05:45,200 Speaker 4: hair and a walking cane and shit and grab. 1260 01:05:48,200 --> 01:05:48,720 Speaker 2: I don't know. 1261 01:05:49,240 --> 01:05:54,000 Speaker 4: We just we didn't look at a motherfucker like thirty five, 1262 01:05:54,200 --> 01:05:58,240 Speaker 4: forty forty five, fifty as oh that's an old motherfucker. 1263 01:05:58,920 --> 01:06:01,520 Speaker 1: That was No, I didn't think. But that's what I'm saying. 1264 01:06:01,600 --> 01:06:03,120 Speaker 3: This generation right now, that. 1265 01:06:03,240 --> 01:06:05,760 Speaker 2: Was my mama. I didn't look at my mama. 1266 01:06:05,920 --> 01:06:08,400 Speaker 3: That's what I'm saying, because my mama was still going 1267 01:06:08,440 --> 01:06:11,200 Speaker 3: to hang out and go kick it with the home 1268 01:06:11,320 --> 01:06:13,960 Speaker 3: girls and they was old people. 1269 01:06:14,040 --> 01:06:17,440 Speaker 4: To me was a motherfucker. You got to help across 1270 01:06:17,480 --> 01:06:19,200 Speaker 4: the street and she got here. 1271 01:06:20,720 --> 01:06:24,040 Speaker 3: I look at my grand That's how I like. No, 1272 01:06:24,760 --> 01:06:30,080 Speaker 3: But today it's like now today you are an og. 1273 01:06:30,400 --> 01:06:31,880 Speaker 1: Oh, you're definitely an old nigga. 1274 01:06:31,920 --> 01:06:36,680 Speaker 4: You you over thirty, you definitely og and not to 1275 01:06:36,760 --> 01:06:41,040 Speaker 4: the But that's just the youngsters instead of going that's 1276 01:06:41,080 --> 01:06:43,560 Speaker 4: when they try to pay you a little respect. You're 1277 01:06:43,600 --> 01:06:46,440 Speaker 4: and me because they'll just call you an old ass nigga. 1278 01:06:46,640 --> 01:06:50,520 Speaker 4: You feel me, But they give you that og aog 1279 01:06:50,920 --> 01:06:53,840 Speaker 4: og you know. That's that's what the youngsters do today. 1280 01:06:53,880 --> 01:06:55,280 Speaker 4: That's their generation thing. 1281 01:06:56,160 --> 01:06:58,720 Speaker 5: And then part of that too because they growing up 1282 01:06:58,760 --> 01:07:03,640 Speaker 5: faster than we did. Yeah, that nigga like thirty as 1283 01:07:03,720 --> 01:07:05,560 Speaker 5: of like a og now. 1284 01:07:05,960 --> 01:07:07,959 Speaker 1: You know what I mean. That's what I'm saying. 1285 01:07:08,080 --> 01:07:09,840 Speaker 4: I'm mid the six year old, you know what that 1286 01:07:10,000 --> 01:07:12,920 Speaker 4: mess and ship you're getting me. Back in our days, 1287 01:07:12,960 --> 01:07:15,920 Speaker 4: if this type of shit was available, you think your 1288 01:07:16,000 --> 01:07:18,120 Speaker 4: mama would have been buying you a cell phone at 1289 01:07:18,160 --> 01:07:20,200 Speaker 4: five or six years old, or letting. 1290 01:07:19,960 --> 01:07:21,960 Speaker 1: You whatever hell never happened. 1291 01:07:22,240 --> 01:07:22,800 Speaker 2: You get me. 1292 01:07:23,040 --> 01:07:27,080 Speaker 1: But this generation is You're damn right. They growed up fast. 1293 01:07:28,720 --> 01:07:30,920 Speaker 3: They grew up faster. And one thing I will get 1294 01:07:30,960 --> 01:07:35,240 Speaker 3: this generation props on. This is the generation to where 1295 01:07:36,280 --> 01:07:41,320 Speaker 3: entrepreneurialship and just owning your own business and doing your 1296 01:07:41,360 --> 01:07:44,080 Speaker 3: own thing. Shout out to all them young brothers out 1297 01:07:44,120 --> 01:07:45,440 Speaker 3: there that's getting to that money. 1298 01:07:45,440 --> 01:07:45,600 Speaker 1: Man. 1299 01:07:45,720 --> 01:07:48,000 Speaker 3: It's some young cats out here making serious money in 1300 01:07:48,040 --> 01:07:50,320 Speaker 3: the rep game now and on the tech game, in 1301 01:07:50,360 --> 01:07:52,880 Speaker 3: the podcast game, and the streaming game. They get into 1302 01:07:52,920 --> 01:07:55,760 Speaker 3: it because their thing is like this, I'm not going 1303 01:07:55,800 --> 01:07:57,320 Speaker 3: to go work at no job that I don't want 1304 01:07:57,320 --> 01:07:59,680 Speaker 3: to do. I think our generation we would go do 1305 01:07:59,720 --> 01:08:01,560 Speaker 3: what we had to do. Our parents did what they 1306 01:08:01,600 --> 01:08:04,280 Speaker 3: had to do. This generation u uh, I'm not doing that. 1307 01:08:04,480 --> 01:08:05,600 Speaker 3: This is what I'm doing. 1308 01:08:05,400 --> 01:08:10,920 Speaker 2: And I'm just those options they didn't have near those options. 1309 01:08:11,280 --> 01:08:13,520 Speaker 3: Well, you know what, this computer, this shit we talking 1310 01:08:13,560 --> 01:08:15,880 Speaker 3: on right now, made it real gravy for the little homie. 1311 01:08:15,880 --> 01:08:18,120 Speaker 3: So so shout out to them. You know, Lynch, I 1312 01:08:18,160 --> 01:08:19,800 Speaker 3: want to get into this new album because we don't 1313 01:08:19,800 --> 01:08:23,280 Speaker 3: been on here for a while now. Right, You said 1314 01:08:23,320 --> 01:08:26,200 Speaker 3: she was battling alcoholism man, he was battling quitting you 1315 01:08:26,200 --> 01:08:28,200 Speaker 3: put the bottle down, man. To go into this, you 1316 01:08:28,240 --> 01:08:31,120 Speaker 3: had to learn how to wrap all over again. How 1317 01:08:31,160 --> 01:08:32,840 Speaker 3: long did it take you to record this album? 1318 01:08:34,360 --> 01:08:37,840 Speaker 2: Shit like nine months? 1319 01:08:38,439 --> 01:08:43,439 Speaker 5: I started, Well, I started, and I started July fourth 1320 01:08:43,640 --> 01:08:46,559 Speaker 5: of twenty twenty three, had it done by. 1321 01:08:48,000 --> 01:08:52,519 Speaker 3: The end of November. And who handled the production? Because 1322 01:08:52,520 --> 01:08:54,320 Speaker 3: you produced a lot of your own stuff too, right. 1323 01:08:54,880 --> 01:08:58,519 Speaker 5: I produced the whole thing because one of my boys 1324 01:08:58,560 --> 01:09:00,720 Speaker 5: told me, he said, man, you should just produced the 1325 01:09:00,720 --> 01:09:04,000 Speaker 5: whole thing like he did the first one. Because I 1326 01:09:04,000 --> 01:09:06,760 Speaker 5: couldn't find producers that was giving me the I mean 1327 01:09:06,760 --> 01:09:10,120 Speaker 5: a lot of producers given me some stuff with samples 1328 01:09:10,160 --> 01:09:13,080 Speaker 5: of my old album. And I wasn't trying to, you know, 1329 01:09:13,200 --> 01:09:15,639 Speaker 5: do all that type of you know what I mean. 1330 01:09:16,120 --> 01:09:18,559 Speaker 2: Making remaking beats from the old album. 1331 01:09:18,640 --> 01:09:25,559 Speaker 1: I'm like, bru, this your own ship, like so they 1332 01:09:25,680 --> 01:09:27,000 Speaker 1: coming to you would low to the brain. 1333 01:09:27,120 --> 01:09:33,200 Speaker 2: Part two, Well, a lot of ship didn't happen. 1334 01:09:33,240 --> 01:09:35,040 Speaker 5: A lot of a lot of my homies I was 1335 01:09:35,080 --> 01:09:39,920 Speaker 5: on the original one gone, you. 1336 01:09:39,920 --> 01:09:42,400 Speaker 3: Know, because because you started off. Because I remember the crew, 1337 01:09:42,520 --> 01:09:50,000 Speaker 3: baby Rage he gone, baby baby Rage missed the doctor 1338 01:09:50,560 --> 01:09:54,559 Speaker 3: he gone, and we all we're not gonna mention the 1339 01:09:54,600 --> 01:09:58,320 Speaker 3: other cat, you know, but he got his situation, man, 1340 01:09:58,400 --> 01:10:01,080 Speaker 3: and that that that's you know, that's a lot right there. 1341 01:10:01,120 --> 01:10:04,320 Speaker 3: That's trauma, your crew that you started off rapping. We 1342 01:10:04,320 --> 01:10:07,840 Speaker 3: ain't even here no more. Literally, when you revisit the album. 1343 01:10:08,520 --> 01:10:13,240 Speaker 5: Locked Up, Hiding One's hiding one and a couple of 1344 01:10:13,320 --> 01:10:17,280 Speaker 5: them locked up. One of them was my baby's mom 1345 01:10:17,800 --> 01:10:21,800 Speaker 5: on that. I'm still in touch with her. The zag 1346 01:10:21,920 --> 01:10:25,000 Speaker 5: been under Love to the Brain song with my baby Mama. 1347 01:10:25,560 --> 01:10:28,040 Speaker 3: Oh, zag was your Okay, So she was because I 1348 01:10:28,080 --> 01:10:30,080 Speaker 3: heard rumors of that, people saying that's this woman because 1349 01:10:30,120 --> 01:10:30,719 Speaker 3: she was busting. 1350 01:10:32,200 --> 01:10:35,000 Speaker 5: Yeah, seeim she learned that and rap by just rapping 1351 01:10:35,040 --> 01:10:39,240 Speaker 5: my wrap just started writing her own ship after a while. 1352 01:10:39,439 --> 01:10:41,920 Speaker 5: So so she finally got good enough for me to 1353 01:10:41,920 --> 01:10:44,040 Speaker 5: get on the song that was actually our first song 1354 01:10:44,080 --> 01:10:44,600 Speaker 5: and she got on. 1355 01:10:45,360 --> 01:10:47,519 Speaker 3: Yeah, that's a big record for better. He had got 1356 01:10:47,520 --> 01:10:48,760 Speaker 3: big than the motherfucker, isn't it. 1357 01:10:49,240 --> 01:10:51,759 Speaker 2: Oh, she's still living out those dreams. Crazy. 1358 01:10:53,560 --> 01:10:57,400 Speaker 3: That's crazy, man. So you produced this whole thing. I'm 1359 01:10:57,400 --> 01:11:00,639 Speaker 3: gonna tell you man. First of all, I'm not going lynch. 1360 01:11:01,640 --> 01:11:04,400 Speaker 3: I am such a fan of the original season of 1361 01:11:04,439 --> 01:11:07,200 Speaker 3: the Sickness that I came into this really looking like 1362 01:11:07,240 --> 01:11:09,960 Speaker 3: what my spectacles on. I said, Okay, don't let me 1363 01:11:09,960 --> 01:11:11,840 Speaker 3: hear this because the way I listen to music, because 1364 01:11:11,840 --> 01:11:14,200 Speaker 3: I'm kind of like, y'all, I don't listen to a 1365 01:11:14,240 --> 01:11:16,639 Speaker 3: lot of music, but that's kind of like my job 1366 01:11:16,760 --> 01:11:18,320 Speaker 3: kind of now, you know, to be up on what's 1367 01:11:18,320 --> 01:11:20,600 Speaker 3: going on. So it's some dudes that I listen to. 1368 01:11:20,680 --> 01:11:22,439 Speaker 3: But I listened to it like this. I listened to 1369 01:11:22,560 --> 01:11:24,920 Speaker 3: usually thirty seconds of a song, then on to the 1370 01:11:24,920 --> 01:11:27,360 Speaker 3: next one, on to the next one, verse to the hook. 1371 01:11:27,439 --> 01:11:30,760 Speaker 3: That's all I care about, right this one. By the 1372 01:11:30,800 --> 01:11:33,640 Speaker 3: time I got to I've Changed, I was listening to 1373 01:11:33,720 --> 01:11:35,960 Speaker 3: it all the way through because you got so much 1374 01:11:36,000 --> 01:11:38,160 Speaker 3: deep shit you saying in there. I've Changed. It's a 1375 01:11:38,200 --> 01:11:40,920 Speaker 3: real personal record, man. You address a lot of stuff 1376 01:11:40,920 --> 01:11:45,080 Speaker 3: in there. Yeah, you address a situation, and I like 1377 01:11:45,160 --> 01:11:47,000 Speaker 3: the way you do it because you do it to 1378 01:11:47,040 --> 01:11:49,519 Speaker 3: where you not like telling them, but you're telling the story. 1379 01:11:49,880 --> 01:11:52,240 Speaker 3: You talked about a studio getting broken too, and you 1380 01:11:52,320 --> 01:11:58,519 Speaker 3: let somebody breathe. Yeah, that's right, and you let somebody breathe. 1381 01:11:58,560 --> 01:12:00,960 Speaker 3: Then you addressed like you dealt with the death of 1382 01:12:01,000 --> 01:12:04,719 Speaker 3: your sister, man, and you handle. You handle your grief 1383 01:12:04,760 --> 01:12:06,000 Speaker 3: in a really unique way. 1384 01:12:06,080 --> 01:12:06,320 Speaker 2: Man. 1385 01:12:06,439 --> 01:12:09,720 Speaker 3: It's almost like you kind of like you almost as 1386 01:12:09,760 --> 01:12:13,040 Speaker 3: scary as your music sound, it's almost comedic in the 1387 01:12:13,080 --> 01:12:15,160 Speaker 3: same tone, because you got a lot of satire in 1388 01:12:15,200 --> 01:12:15,679 Speaker 3: your stuff. 1389 01:12:17,240 --> 01:12:20,840 Speaker 5: Yeah, I try to keep it cool, but that that 1390 01:12:20,840 --> 01:12:23,040 Speaker 5: that second verse was kind of hard to write because 1391 01:12:23,200 --> 01:12:26,080 Speaker 5: like that happened a while ago, you know what I mean. 1392 01:12:26,360 --> 01:12:29,360 Speaker 5: And for me to bring that back, I had to 1393 01:12:29,400 --> 01:12:32,320 Speaker 5: get in this certain head space for a second that I. 1394 01:12:32,240 --> 01:12:33,320 Speaker 2: Didn't really want to get in. 1395 01:12:33,439 --> 01:12:38,880 Speaker 5: But yeah, that was a hard time. 1396 01:12:38,920 --> 01:12:39,040 Speaker 2: Bro. 1397 01:12:39,120 --> 01:12:43,040 Speaker 5: I was on tour and she she asked if her 1398 01:12:43,080 --> 01:12:45,080 Speaker 5: boyfriend can stay at the house. She was living in 1399 01:12:45,120 --> 01:12:48,559 Speaker 5: my house and I told her, yeah, went on tour, 1400 01:12:50,160 --> 01:12:51,400 Speaker 5: he killed her in my house. 1401 01:12:51,840 --> 01:12:53,040 Speaker 2: So I saw that house. 1402 01:12:54,080 --> 01:12:58,120 Speaker 1: Wow. So and I'm sorry that And. 1403 01:12:58,560 --> 01:13:01,559 Speaker 2: You know, I brought I was a whole song at first. 1404 01:13:02,120 --> 01:13:03,880 Speaker 5: I had to I went back and wrote the I 1405 01:13:03,960 --> 01:13:07,320 Speaker 5: rewrote the first verse to change it up because I 1406 01:13:07,360 --> 01:13:10,240 Speaker 5: was a full song at first, and I decided I 1407 01:13:10,280 --> 01:13:12,080 Speaker 5: didn't want to go to a deep about it because 1408 01:13:12,200 --> 01:13:14,120 Speaker 5: I want to be able to listen to my album. 1409 01:13:13,840 --> 01:13:15,519 Speaker 2: Sometimes, right, you know what I mean? 1410 01:13:15,600 --> 01:13:19,479 Speaker 4: And you don't want to have to keep to keep 1411 01:13:19,479 --> 01:13:22,880 Speaker 4: being reminded of the tragedy and ship. You know who 1412 01:13:22,960 --> 01:13:26,000 Speaker 4: wants to minding themselves with tragedy. 1413 01:13:26,160 --> 01:13:31,880 Speaker 3: So definitely, because that's what hip hop is. Hip hop 1414 01:13:31,960 --> 01:13:35,160 Speaker 3: is definitely the soundtrack to our experiences. 1415 01:13:36,240 --> 01:13:40,360 Speaker 5: Definitely my thoughts in my album. 1416 01:13:40,600 --> 01:13:43,720 Speaker 4: Yeah, we want to let people live a little bit 1417 01:13:44,000 --> 01:13:46,679 Speaker 4: to our lives and to show people that we real 1418 01:13:46,760 --> 01:13:51,080 Speaker 4: motherfuckers and that everything is just not imaginary. Ship that's 1419 01:13:51,160 --> 01:13:54,360 Speaker 4: just start up about, you know, like you to see 1420 01:13:54,360 --> 01:13:57,080 Speaker 4: it on TV or some make believe shit. So we 1421 01:13:57,160 --> 01:14:00,439 Speaker 4: give you bits and pieces and ship, and we even 1422 01:14:00,520 --> 01:14:03,599 Speaker 4: gonna tell you the struggle ship sometimes. It's how we 1423 01:14:03,680 --> 01:14:07,080 Speaker 4: deal with, you know, not having to get out here 1424 01:14:07,120 --> 01:14:10,920 Speaker 4: and result to the street ship like we used to 1425 01:14:11,479 --> 01:14:14,519 Speaker 4: or had the first mother in mind to do. You 1426 01:14:14,640 --> 01:14:18,599 Speaker 4: give me because the first mind, the first your mind 1427 01:14:18,640 --> 01:14:21,880 Speaker 4: state is first to result into doing some ship that 1428 01:14:21,960 --> 01:14:25,479 Speaker 4: you have been taught is by the cold, so to speak. 1429 01:14:25,520 --> 01:14:28,559 Speaker 4: You give me, and when you consider yourself a real nigga, 1430 01:14:28,840 --> 01:14:31,960 Speaker 4: you always, you know, feel that you got to deal 1431 01:14:32,000 --> 01:14:33,880 Speaker 4: with ship according to the cold. 1432 01:14:34,360 --> 01:14:37,120 Speaker 1: So you can't give it. You can't give them a 1433 01:14:37,120 --> 01:14:37,519 Speaker 1: little bit. 1434 01:14:37,600 --> 01:14:39,600 Speaker 4: We try to let them in and let them and 1435 01:14:40,040 --> 01:14:44,600 Speaker 4: let them experience some of the ship that that we 1436 01:14:44,720 --> 01:14:47,639 Speaker 4: got to walk through, because you know, people be thinking 1437 01:14:48,040 --> 01:14:53,120 Speaker 4: enough for real nigga's invincible or happeness celebrities and not 1438 01:14:53,240 --> 01:14:55,360 Speaker 4: that you even want to consider because I hate even 1439 01:14:55,640 --> 01:14:59,280 Speaker 4: that that word. I hate considering that ship because I'm 1440 01:14:59,320 --> 01:15:02,800 Speaker 4: I'm like a regular nigga. Just I'm just I'm just 1441 01:15:02,880 --> 01:15:05,120 Speaker 4: I'm just able to talk to you on the record 1442 01:15:05,240 --> 01:15:10,920 Speaker 4: you feel me and tell you yeah, yeah, you know, 1443 01:15:11,200 --> 01:15:13,840 Speaker 4: but that's what you You gotta walk with that. So 1444 01:15:14,760 --> 01:15:17,720 Speaker 4: they tell us, you know, you can't let everybody know everything, 1445 01:15:18,200 --> 01:15:21,960 Speaker 4: especially when you in our positions as ship, because it's 1446 01:15:21,960 --> 01:15:24,759 Speaker 4: some crazy motherfuckers out there and they'll twist up ship 1447 01:15:24,760 --> 01:15:27,000 Speaker 4: and they'll try to take advantage of of. 1448 01:15:26,880 --> 01:15:29,720 Speaker 1: Your heartache you feel me, or your tragedy. 1449 01:15:30,040 --> 01:15:32,879 Speaker 4: So you just give niggas a little you give niggas 1450 01:15:32,880 --> 01:15:36,800 Speaker 4: just a little bit you feel me, because you never 1451 01:15:36,920 --> 01:15:40,320 Speaker 4: know it'll be a motherfucker two years from now call 1452 01:15:40,400 --> 01:15:43,720 Speaker 4: themselves wanting to dish you and then they taking your 1453 01:15:43,800 --> 01:15:46,439 Speaker 4: pain and your tragedy and trying to use it against 1454 01:15:46,479 --> 01:15:48,439 Speaker 4: you in a disc record and ship like that. 1455 01:15:48,560 --> 01:15:51,360 Speaker 1: So you just you can't let mother forig for real, 1456 01:15:51,439 --> 01:15:54,400 Speaker 1: you can't let that motherfucker get. 1457 01:15:57,479 --> 01:15:57,679 Speaker 2: Ache. 1458 01:15:57,760 --> 01:15:58,000 Speaker 3: Man. 1459 01:16:00,400 --> 01:16:03,360 Speaker 1: You bed the viral record. 1460 01:16:05,120 --> 01:16:07,640 Speaker 3: That's a crazy ass that that record right there was 1461 01:16:07,680 --> 01:16:10,240 Speaker 3: crazy too. I just trip on how you handled the 1462 01:16:10,280 --> 01:16:15,200 Speaker 3: production road because you ain't falling. If anything, I dare 1463 01:16:15,280 --> 01:16:17,439 Speaker 3: to say that you probably are better. You were a 1464 01:16:17,439 --> 01:16:21,920 Speaker 3: better raper than you were back then, and you wassomena 1465 01:16:22,040 --> 01:16:22,679 Speaker 3: to be back then. 1466 01:16:23,040 --> 01:16:23,599 Speaker 2: It's funny. 1467 01:16:23,640 --> 01:16:26,160 Speaker 5: It's funny you say that too, because like part of 1468 01:16:26,200 --> 01:16:28,920 Speaker 5: the decision to even do a part two, because you know, 1469 01:16:29,000 --> 01:16:31,920 Speaker 5: everybody eating part two of the movies, you know, I 1470 01:16:32,160 --> 01:16:34,040 Speaker 5: ain't gonna be as good. You know what I mean 1471 01:16:34,800 --> 01:16:37,639 Speaker 5: you saying that? That was part of the reason why 1472 01:16:37,640 --> 01:16:40,559 Speaker 5: I chose to like do the part two is because 1473 01:16:40,600 --> 01:16:43,200 Speaker 5: I listened to the lyrics on part one and I 1474 01:16:43,240 --> 01:16:45,880 Speaker 5: was like, come on, now, I can grap better than 1475 01:16:45,920 --> 01:16:50,599 Speaker 5: that right now, you know what I mean? So that 1476 01:16:50,720 --> 01:16:53,200 Speaker 5: was a different bruh. It's the crazy you say that, man, 1477 01:16:53,240 --> 01:16:55,600 Speaker 5: That was like fifty percent of the reason why I 1478 01:16:55,720 --> 01:16:57,120 Speaker 5: decided to do a part two. 1479 01:16:58,040 --> 01:16:58,960 Speaker 1: Yeah, you was on there. 1480 01:16:59,120 --> 01:17:01,599 Speaker 3: You was on their bus man, and I think it's 1481 01:17:01,640 --> 01:17:04,600 Speaker 3: at the point now it's a good time for the ogz. 1482 01:17:04,640 --> 01:17:06,759 Speaker 3: You know. Killer Mike won the Grammy. He a brother 1483 01:17:06,800 --> 01:17:09,000 Speaker 3: that's you know, approaching his fifties. If he ain't in 1484 01:17:09,000 --> 01:17:11,519 Speaker 3: his fifties yet, you know, he won a Grammy on 1485 01:17:11,600 --> 01:17:13,599 Speaker 3: this stuff, man, And it's a lot of older brothers 1486 01:17:13,600 --> 01:17:17,160 Speaker 3: out there doing their thing because you got audiences for it. 1487 01:17:17,240 --> 01:17:19,320 Speaker 3: Now you got cats, and you know, fifty years of 1488 01:17:19,400 --> 01:17:21,920 Speaker 3: hip hop, you got cats and they fifty fifty five 1489 01:17:22,040 --> 01:17:25,040 Speaker 3: riding around their cars and they teslas bumping music bumping 1490 01:17:25,160 --> 01:17:27,800 Speaker 3: mc aight't and brother Lynch on they way to the office. 1491 01:17:27,840 --> 01:17:30,519 Speaker 3: You feel what I'm saying. So it's a time, man. 1492 01:17:31,080 --> 01:17:32,760 Speaker 1: You gotta keep the five music for them. 1493 01:17:33,280 --> 01:17:37,519 Speaker 3: I'm fifty six, man, you don't sound like no fifty. 1494 01:17:37,800 --> 01:17:39,080 Speaker 3: You know, if you'd have told me back in the 1495 01:17:39,120 --> 01:17:41,080 Speaker 3: day that we was gonna have dudes fifty two and 1496 01:17:41,120 --> 01:17:43,280 Speaker 3: fifty three and fifty six rapping and they was gonna 1497 01:17:43,280 --> 01:17:45,160 Speaker 3: be tight, I would have been like, hey, oll no, 1498 01:17:45,360 --> 01:17:47,599 Speaker 3: but brothers out here, you getting to it on there? 1499 01:17:47,640 --> 01:17:47,840 Speaker 2: Man? 1500 01:17:47,960 --> 01:17:48,320 Speaker 1: I hate that. 1501 01:17:49,840 --> 01:17:52,000 Speaker 2: I look like I look at it like this, bro. 1502 01:17:52,240 --> 01:17:54,760 Speaker 2: Music is music. Music ain't got no age to me. 1503 01:17:55,040 --> 01:17:59,519 Speaker 4: But we said it's only our shit, though, why is that? 1504 01:18:00,360 --> 01:18:07,160 Speaker 4: Why is rap or hip hop giving us an age 1505 01:18:07,240 --> 01:18:10,559 Speaker 4: limit of you can do it or not but it's 1506 01:18:10,600 --> 01:18:14,599 Speaker 4: only certain niggas, right, And that's the crazy shit, because 1507 01:18:14,640 --> 01:18:19,679 Speaker 4: they don't say that about every hip hop artist. You're right, 1508 01:18:20,000 --> 01:18:23,640 Speaker 4: they only say that few. They don't say it about everybody. 1509 01:18:23,640 --> 01:18:26,200 Speaker 4: They say it about a few. So I just I 1510 01:18:26,360 --> 01:18:28,599 Speaker 4: just don't understand that, because when it comes to rock 1511 01:18:28,640 --> 01:18:30,439 Speaker 4: and roll, when it comes to R and B, when 1512 01:18:30,479 --> 01:18:33,639 Speaker 4: it comes to pop, when it comes to jazz, it 1513 01:18:33,680 --> 01:18:34,200 Speaker 4: don't matter. 1514 01:18:34,280 --> 01:18:36,519 Speaker 3: You could be fifty, you could be eight to eighty, 1515 01:18:36,920 --> 01:18:38,360 Speaker 3: and you can put out a record. 1516 01:18:38,800 --> 01:18:42,800 Speaker 4: As far as hip hop is concerned, Like once you 1517 01:18:42,920 --> 01:18:48,120 Speaker 4: get over thirty five, you shouldn't rap anymore. It's like 1518 01:18:49,040 --> 01:18:51,880 Speaker 4: it's like we are. It's like our shit is like 1519 01:18:51,920 --> 01:18:56,360 Speaker 4: the NFL or or the NBA. You know, it's an 1520 01:18:56,400 --> 01:18:59,360 Speaker 4: age limit. Once you get forty. Well, you know what, 1521 01:18:59,400 --> 01:19:03,000 Speaker 4: you can't play basketball anymore. Once you get forty, you 1522 01:19:03,040 --> 01:19:04,720 Speaker 4: can't play football anymore. 1523 01:19:06,800 --> 01:19:10,280 Speaker 5: You're not a real thing, though, But far as with rap, 1524 01:19:10,400 --> 01:19:11,320 Speaker 5: it shouldn't be like that. 1525 01:19:11,520 --> 01:19:13,720 Speaker 4: But that's but that's how they consider it, not that 1526 01:19:13,880 --> 01:19:16,519 Speaker 4: it's not real with us. And of course I don't 1527 01:19:16,520 --> 01:19:19,240 Speaker 4: want to make the comparisons of the physicality of the 1528 01:19:19,360 --> 01:19:24,439 Speaker 4: NBA or NFL, but it's like you we already setting 1529 01:19:24,520 --> 01:19:29,000 Speaker 4: up your retirement plan. Once you turn thirty five, you 1530 01:19:29,080 --> 01:19:33,120 Speaker 4: might as well start getting ready to retire because you're 1531 01:19:33,240 --> 01:19:35,800 Speaker 4: looked at it's like, damn nigga, you fifty and you 1532 01:19:35,920 --> 01:19:40,760 Speaker 4: still rapping, Like okay, what that don't determine my finances 1533 01:19:40,880 --> 01:19:45,000 Speaker 4: or my situation. Like niggas feel like if you still 1534 01:19:45,120 --> 01:19:47,240 Speaker 4: rapping that fifty, you broken. 1535 01:19:47,320 --> 01:19:50,479 Speaker 1: You ain't made no money. 1536 01:19:50,680 --> 01:19:50,840 Speaker 2: No. 1537 01:19:50,920 --> 01:19:53,200 Speaker 3: I just think it's like you said, you know, rapping 1538 01:19:53,320 --> 01:19:56,360 Speaker 3: is not a physical thing. You know, it's a mental exertion. 1539 01:19:56,439 --> 01:19:59,400 Speaker 3: It's not a physical exertion. You don't have to you know, 1540 01:20:00,040 --> 01:20:02,280 Speaker 3: you don't have to go in the gym and get 1541 01:20:02,320 --> 01:20:04,320 Speaker 3: in shape to go recording album. Now you may have 1542 01:20:04,360 --> 01:20:06,439 Speaker 3: to start riding your bike to go on tour and 1543 01:20:06,479 --> 01:20:08,160 Speaker 3: go on the road, but you don't necessarily have to 1544 01:20:08,160 --> 01:20:09,880 Speaker 3: be in the best physical shape in the world. 1545 01:20:10,000 --> 01:20:10,200 Speaker 1: Right. 1546 01:20:10,960 --> 01:20:14,439 Speaker 3: I think that through your life experiences, you naturally are 1547 01:20:14,479 --> 01:20:18,479 Speaker 3: going to become a more proficient rapper. Your vocabulary is broader, 1548 01:20:18,920 --> 01:20:20,960 Speaker 3: you have a different train of thought on things you 1549 01:20:21,120 --> 01:20:23,639 Speaker 3: not thinking because I know when I was twenty three 1550 01:20:23,720 --> 01:20:26,200 Speaker 3: years old, I'm a way different man night and day. 1551 01:20:26,240 --> 01:20:27,040 Speaker 1: I'm not even. 1552 01:20:26,880 --> 01:20:28,880 Speaker 3: Close to the man I was when I was twenty three. 1553 01:20:29,439 --> 01:20:30,280 Speaker 3: I was a little boy. 1554 01:20:31,360 --> 01:20:34,000 Speaker 4: Yeah, and like you said, the train of thought is 1555 01:20:34,040 --> 01:20:36,839 Speaker 4: way different from being twenty five to be in fifty. 1556 01:20:37,320 --> 01:20:39,639 Speaker 4: You get me, like you said, And that's. 1557 01:20:39,439 --> 01:20:40,400 Speaker 1: What this sounds like. 1558 01:20:40,680 --> 01:20:43,760 Speaker 3: It sounds like a more evolved It sounds like a 1559 01:20:43,840 --> 01:20:47,240 Speaker 3: more evolved album is not as banged out. It's really 1560 01:20:47,280 --> 01:20:48,120 Speaker 3: not banged. 1561 01:20:47,840 --> 01:20:48,320 Speaker 1: Out at all. 1562 01:20:48,360 --> 01:20:52,000 Speaker 3: It's a lot of real clever. I know you probably said, 1563 01:20:52,000 --> 01:20:54,240 Speaker 3: and listen to the whole thing, get eight, But this 1564 01:20:54,240 --> 01:20:55,679 Speaker 3: motherfucker's jam and it's lapping. 1565 01:20:55,760 --> 01:20:56,439 Speaker 2: Oh definitely. 1566 01:20:57,720 --> 01:21:00,799 Speaker 5: It's a little different what I tried to do because 1567 01:21:00,800 --> 01:21:03,360 Speaker 5: since I don't own the Loaded album no more, I 1568 01:21:03,400 --> 01:21:06,360 Speaker 5: tried to mix in style wise a little bit of 1569 01:21:06,400 --> 01:21:09,280 Speaker 5: Loaded so I could bring that back from people who 1570 01:21:09,320 --> 01:21:11,320 Speaker 5: did because a lot of people picked up on Loaded. 1571 01:21:11,560 --> 01:21:14,080 Speaker 5: Loaded was a weed album, you know what I mean. 1572 01:21:14,200 --> 01:21:17,080 Speaker 5: I wasn't thinking of keeping the Season of the Sickness 1573 01:21:17,120 --> 01:21:19,840 Speaker 5: tem going like a story. So the next album after 1574 01:21:20,000 --> 01:21:22,679 Speaker 5: Season of the Sickness was Loaded. It's a weed album, 1575 01:21:23,360 --> 01:21:26,280 Speaker 5: and but you know, black Market Records on that, and 1576 01:21:26,320 --> 01:21:28,160 Speaker 5: I wanted to kind of get a little bit of 1577 01:21:28,200 --> 01:21:31,200 Speaker 5: that back because that was a phase of fans that, 1578 01:21:32,040 --> 01:21:34,840 Speaker 5: like I still kind of got so I kind of 1579 01:21:34,880 --> 01:21:36,280 Speaker 5: mixed that in with this album. 1580 01:21:36,320 --> 01:21:41,080 Speaker 3: So yeah, Loaded was your big return album. I remember 1581 01:21:41,120 --> 01:21:43,559 Speaker 3: was like I said, I had a record store and 1582 01:21:43,600 --> 01:21:46,040 Speaker 3: that's what we was talking about, a retail links coming 1583 01:21:46,120 --> 01:21:48,320 Speaker 3: with the album Load. You know, that was supposed to 1584 01:21:48,320 --> 01:21:50,479 Speaker 3: be your big return. That was your big return. 1585 01:21:51,840 --> 01:21:52,040 Speaker 1: Yeah. 1586 01:21:52,120 --> 01:21:54,120 Speaker 5: People thought it was gonna be like a season of 1587 01:21:54,120 --> 01:21:57,040 Speaker 5: the Sickness part too, and then ended up being a 1588 01:21:57,080 --> 01:21:59,920 Speaker 5: smoking album. And at first they didn't really take to it, 1589 01:22:00,520 --> 01:22:03,599 Speaker 5: and then you know, later on they was like, oh man, 1590 01:22:03,600 --> 01:22:04,679 Speaker 5: that's a classic album. 1591 01:22:06,240 --> 01:22:08,000 Speaker 2: They send to be mad at first. 1592 01:22:07,760 --> 01:22:09,800 Speaker 1: Though, Yeah, I'm not gonna lie. 1593 01:22:09,840 --> 01:22:11,400 Speaker 3: It was one of them dudes that was mad at 1594 01:22:11,400 --> 01:22:13,519 Speaker 3: first because it was cool and at that time, Ate 1595 01:22:13,600 --> 01:22:16,599 Speaker 3: I didn't smoke weed, right, I was like, what the 1596 01:22:16,600 --> 01:22:17,840 Speaker 3: fuck is this ship right here? 1597 01:22:17,880 --> 01:22:18,080 Speaker 2: Man? 1598 01:22:18,360 --> 01:22:19,960 Speaker 3: Like I want to hear some more of that, him 1599 01:22:20,000 --> 01:22:23,599 Speaker 3: talking about the babies and taking people's heads off. 1600 01:22:23,439 --> 01:22:24,120 Speaker 1: And all that shit. 1601 01:22:24,200 --> 01:22:24,680 Speaker 2: You know what I mean. 1602 01:22:24,720 --> 01:22:25,560 Speaker 1: I want to hear some of this. 1603 01:22:26,680 --> 01:22:29,799 Speaker 2: You weren't the only one, bro. Everybody expected that. Again. 1604 01:22:31,240 --> 01:22:33,920 Speaker 2: You know, I don't know whether they're calling the mistake 1605 01:22:34,080 --> 01:22:34,280 Speaker 2: or not. 1606 01:22:34,680 --> 01:22:37,680 Speaker 5: It's just I'm the type of artist bro like like 1607 01:22:37,680 --> 01:22:40,120 Speaker 5: like I said, rap ain't got no age. As soon 1608 01:22:40,160 --> 01:22:42,360 Speaker 5: as I feel like making another album, I'm gonna do it. 1609 01:22:42,360 --> 01:22:44,680 Speaker 2: I don't care what age I am. That's what kind 1610 01:22:44,680 --> 01:22:45,479 Speaker 2: of rapper I am. 1611 01:22:45,600 --> 01:22:48,200 Speaker 3: So people would be out there to support it, and 1612 01:22:48,280 --> 01:22:50,760 Speaker 3: people would be out there to support it and buy it. Man, 1613 01:22:51,360 --> 01:22:53,160 Speaker 3: link you know what, Man, we could talk to you 1614 01:22:53,240 --> 01:22:53,720 Speaker 3: all night. 1615 01:22:53,760 --> 01:22:59,360 Speaker 1: Brother. Definitely, what's next? What's next on the Agender bro? 1616 01:23:00,479 --> 01:23:04,559 Speaker 5: Right now, I'm working on a little project to follow 1617 01:23:04,640 --> 01:23:09,600 Speaker 5: up this season of the Sickness. I'm oh twenty you know, 1618 01:23:09,680 --> 01:23:12,720 Speaker 5: my my Hood's twenty four. That's why I dropped this 1619 01:23:12,800 --> 01:23:15,400 Speaker 5: album this year, in twenty twenty four. So I'm gonna 1620 01:23:15,400 --> 01:23:18,240 Speaker 5: give him a little something else before this year is out, 1621 01:23:18,320 --> 01:23:19,920 Speaker 5: and then I'm gonna move on the next. 1622 01:23:19,800 --> 01:23:22,520 Speaker 2: Year and start the new album. 1623 01:23:22,760 --> 01:23:26,840 Speaker 5: Yeah, man, because we've been eleven years, so I ain't 1624 01:23:26,840 --> 01:23:28,480 Speaker 5: gonna let another eleven years. 1625 01:23:28,200 --> 01:23:28,600 Speaker 1: Go by it. 1626 01:23:28,720 --> 01:23:31,320 Speaker 3: That's right, because you definitely got a lot of fans 1627 01:23:31,320 --> 01:23:34,080 Speaker 3: that want to hear you, and I know we got 1628 01:23:34,120 --> 01:23:36,559 Speaker 3: a lot of stuff in the works as far as 1629 01:23:36,560 --> 01:23:38,439 Speaker 3: for eight Man, and I would love to build it 1630 01:23:38,520 --> 01:23:40,200 Speaker 3: fit with eight bless and I would love to be 1631 01:23:40,240 --> 01:23:42,759 Speaker 3: able to pull you in on some of them sessions 1632 01:23:42,760 --> 01:23:45,880 Speaker 3: because we got you know, we're talking about doing an 1633 01:23:45,920 --> 01:23:48,280 Speaker 3: album with eight and hit Boy in this. It's not 1634 01:23:48,320 --> 01:23:50,240 Speaker 3: talking about that. We in the scheduling and putting it 1635 01:23:50,280 --> 01:23:52,840 Speaker 3: together phase right now, because I know how eight works 1636 01:23:52,880 --> 01:23:55,280 Speaker 3: and I know how hit Boy works. 1637 01:23:55,560 --> 01:23:58,599 Speaker 2: He I hope ain't know he got eightything he needed 1638 01:23:58,640 --> 01:24:01,000 Speaker 2: from me. Oh you already? No, we official? 1639 01:24:02,760 --> 01:24:05,479 Speaker 3: Yeah right, you know what I'm saying, Lynx, Man, shoot, 1640 01:24:05,520 --> 01:24:07,760 Speaker 3: man gonna. I don't know how active you are in 1641 01:24:07,800 --> 01:24:11,439 Speaker 3: your social media, bro, because like I said, when Soren 1642 01:24:11,520 --> 01:24:13,280 Speaker 3: hit me up, I said, he said, Man, do y'all 1643 01:24:13,280 --> 01:24:16,360 Speaker 3: want to interview Lynx? I said, Bro, I said, our 1644 01:24:16,360 --> 01:24:19,880 Speaker 3: flies attracted the shit. I said, Man, I've been trying 1645 01:24:19,880 --> 01:24:23,240 Speaker 3: to get in touch with that dude for five years. Man, 1646 01:24:23,360 --> 01:24:28,160 Speaker 3: I said, hell yeah, good looking man. So I appreciate you. 1647 01:24:28,240 --> 01:24:28,439 Speaker 1: Man. 1648 01:24:28,479 --> 01:24:30,920 Speaker 3: You definitely man, one of the dopest artists, not just 1649 01:24:30,960 --> 01:24:35,000 Speaker 3: of our generation, but now twenty years from now whatever. Man, 1650 01:24:35,040 --> 01:24:37,120 Speaker 3: you are one on one man, and I salute you, brother. 1651 01:24:37,760 --> 01:24:40,160 Speaker 2: I flut y'all, Man, thank you guys for having me. 1652 01:24:40,080 --> 01:24:43,040 Speaker 4: All right, Lynch, Yes, for sure, Man, gonna connect and 1653 01:24:43,080 --> 01:24:44,960 Speaker 4: that's it, man, you know that's it. 1654 01:24:45,040 --> 01:24:47,800 Speaker 3: We go close out Man another episode another volume of 1655 01:24:47,840 --> 01:24:51,520 Speaker 3: Against the Chronicles podcast. Man, make sure you like, subscribe, 1656 01:24:51,640 --> 01:24:53,840 Speaker 3: leave a rating, a comment, and all that Man for 1657 01:24:54,000 --> 01:24:58,000 Speaker 3: my Apple podcast users. Man gonna leave us a like 1658 01:24:58,040 --> 01:24:59,839 Speaker 3: on this episode Man and drop a comment. 1659 01:25:00,080 --> 01:25:01,160 Speaker 1: We out here, jail