WEBVTT - Episode 19: Nickelodeon

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<v Speaker 1>Hello, Hello, Hello, and welcome to another edition of Nerdificent.

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<v Speaker 1>I am one half of your host, Danny Fernandez, and

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<v Speaker 1>sitting across from me, it's your boy if you anyway,

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<v Speaker 1>as always looking fresh, and today we are joined up

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<v Speaker 1>top by some of y'all's favorite guests. I would say

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<v Speaker 1>he was on our most listened to episode of Nerdificent

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<v Speaker 1>so far m CU episode if you haven't checked that out.

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<v Speaker 1>As a history of the m c U, we have

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<v Speaker 1>the host of the Nickelodeon Animation podcast as well as

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<v Speaker 1>animation investigation on Nerdiced, Mr Hector Navarro. Thank you guys

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<v Speaker 1>so much for having any to be back. And I

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<v Speaker 1>feel like there should be a round of applause, but

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<v Speaker 1>there can we like, we can we can add that in.

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<v Speaker 1>That's okay. That em CU chat was fun. Yeah, it

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<v Speaker 1>was two hours. It was I got messages. People were like, man,

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<v Speaker 1>when you were talking about Captain America, Man, I was crying. Awesome,

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<v Speaker 1>great and we did our job. Yeah, I mean it

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<v Speaker 1>was so I think I tweeted this. But you're someone

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<v Speaker 1>that has this encyclopedic knowledge of comic books and yet

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<v Speaker 1>you don't gate keep at all. You just want everyone

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<v Speaker 1>to enjoy the fandom, whereas like other people, especially men

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<v Speaker 1>that have the level of history and knowledge of comic

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<v Speaker 1>books and and nerd lore, I guess that you do,

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<v Speaker 1>they often try to gate keep it from people and like, oh,

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<v Speaker 1>you didn't know this, and you don't do that at all.

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<v Speaker 1>You just want everyone to enjoy it and whatever you know,

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<v Speaker 1>capacity that they do, whether they enjoyed as much as

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<v Speaker 1>you do or they're just casual fans, that doesn't bother

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<v Speaker 1>you at all. Have you guys seen Ready Player one? No? Not?

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<v Speaker 1>Did you guys? Do you guys read the book now Future?

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<v Speaker 1>You're not missing a whole heck of a lot. I

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<v Speaker 1>love me some Stevie Spielberg, But like that movie deals

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<v Speaker 1>with how in the future, and it's probably true today

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<v Speaker 1>that like geeky knowledge is power, geeky knowledge is like currency,

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<v Speaker 1>and sort of the more you have, the higher your

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<v Speaker 1>status is. And I feel like it's fun to do

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<v Speaker 1>that stuff in certain regard, in certain circles. If you're

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<v Speaker 1>with your buddies, if you know that your friend knows

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<v Speaker 1>the thing, and then here she messes up and you

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<v Speaker 1>call them on a you know what I mean, in

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<v Speaker 1>a fun way to just like rag on them or whatever,

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<v Speaker 1>like that's fine. I get the appeal of of feeling

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<v Speaker 1>like you are um deserved of a fandom or deserved

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<v Speaker 1>to like have a place at the table because you've

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<v Speaker 1>invested time and you love a thing. That's how I

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<v Speaker 1>feel about cartoons and comic books. And for me, I

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<v Speaker 1>channel that by doing research. I channel that as somebody

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<v Speaker 1>who when I get into a thing, like I brought

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<v Speaker 1>my Nicktoons book because of what we're talking about today,

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<v Speaker 1>and you and I got it when it came out.

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<v Speaker 1>I got it before I started doing the Nickelodeon Animation

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<v Speaker 1>podcast a couple of years ago, and and hosting this

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<v Speaker 1>new show for notice, and I went to school for animation.

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<v Speaker 1>But if I get into a thing, if I like

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<v Speaker 1>a thing, I will do the research and and get

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<v Speaker 1>into it on my own. I just watched a new

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<v Speaker 1>mission of Possible movie. I started watching the original nineteen

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<v Speaker 1>six mission Impossible TV show on my own. It does

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<v Speaker 1>not hold up, but I'm having a good time, and

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<v Speaker 1>it's like and I take that challenge, and I love

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<v Speaker 1>that feeling of like, Okay, if I love a thing,

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<v Speaker 1>I want to learn as much as possible about the

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<v Speaker 1>thing so that I can, you know, know every know

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<v Speaker 1>it from every sort of angle and understand it. And

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<v Speaker 1>if it's something that is easily critiqued, if something that

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<v Speaker 1>needs improvement, and most fandoms do. Most things that people

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<v Speaker 1>love are problematic in some way, some more than others.

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<v Speaker 1>That's okay because if you know what's wrong with them,

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<v Speaker 1>even from those other angles, and you can still sort

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<v Speaker 1>of talk about them and talk about what you love

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<v Speaker 1>about them, it makes them stronger, do you know what

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<v Speaker 1>I mean? Like, if people are like, like, let's talk

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<v Speaker 1>about superheroes. I think Batman is better than Superman, I'm like,

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<v Speaker 1>let's have this conversation, like I want to. I want

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<v Speaker 1>to talk about Superman. I want to talk about Spiderman.

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<v Speaker 1>I want to talk about what is good and bad

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<v Speaker 1>about these things. So I would say to people listening

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<v Speaker 1>that it is absolutely bad to gate keep, but it

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<v Speaker 1>is not bad to just research and love a thing

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<v Speaker 1>and learn all about the thing and become an expert

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<v Speaker 1>in that thing if you want, and then if you

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<v Speaker 1>have that, share that expertise and then curate things for people.

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<v Speaker 1>Like I just said the Mission Impossible TV show, you

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<v Speaker 1>guys aren't missing much if you don't watch that, you guys,

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<v Speaker 1>aren't missing much if you don't watch Ready Player one,

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<v Speaker 1>but I will tell you to watch you know, this movie,

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<v Speaker 1>this movie, this movie, or this cartoon show. As we're

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<v Speaker 1>talking about the history of Nickelodeon, I'll be sure to

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<v Speaker 1>be like this cartoon show in particular, Special Cat Cat Dog.

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<v Speaker 1>You can probably skip it. It's okay, it's how dare you?

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<v Speaker 1>But you know, if you're not, if you haven't seen

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<v Speaker 1>Avatar the Last Airbender, if you haven't seen Hey Arnold,

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<v Speaker 1>like you're you're missing out on some real special stuff.

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<v Speaker 1>So yeah, I mean, and it's it is funny because

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<v Speaker 1>I feel like Nickelodeon is one of those brands, one

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<v Speaker 1>of those companies that really not only screams nineties, but

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<v Speaker 1>also it's kind of lived on beyond it. Like it's funny.

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<v Speaker 1>I think about this a lot. I feel like online

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<v Speaker 1>you're seeing a lot of SpongeBob memes as of late,

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<v Speaker 1>and a lot of these new SoundCloud rappers they're they're

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<v Speaker 1>referencing SpongeBob, Like one song I was listening to referenced

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<v Speaker 1>doodle Bob. And it's funny because to think at their age,

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<v Speaker 1>because a lot of these guys are, you know, twenty

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<v Speaker 1>one and younger, and that was the cartoon when they

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<v Speaker 1>were growing up, Like that was the one I remember

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<v Speaker 1>when they premiered the pilot of SpongeBob after the Kid's

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<v Speaker 1>Choice Awards. I remember seeing the first episode. So to

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<v Speaker 1>know the longevity of shows like SpongeBob and to see

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<v Speaker 1>how it has such an effect that it is like

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<v Speaker 1>the cartoon of the younger generation that they can make

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<v Speaker 1>so many references to. That's what I love about a

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<v Speaker 1>lot of this stuff, tun especially SpongeBob. SpongeBob is really

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<v Speaker 1>unique in that, Like I'll give you an example. There's

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<v Speaker 1>a show that's on uh that's a fairly recent show

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<v Speaker 1>called The Loudhouse where originally the creator's idea was to

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<v Speaker 1>make a show about a boy bunny and his like

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<v Speaker 1>ten sister bunnies that were all family of bunnies. And

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<v Speaker 1>when he was developing the show, one of the executives

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<v Speaker 1>at Nickelodeon was like, consider making them human. And that

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<v Speaker 1>was the best advice that this person got, because as

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<v Speaker 1>soon as they turned it into a show about an

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<v Speaker 1>actual human family, they were able to connect to it more.

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<v Speaker 1>They're able to do this and this and this, and

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<v Speaker 1>that's great, but there's also something to a character like

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<v Speaker 1>SpongeBob SquarePants who harkens back to a character like Bugs

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<v Speaker 1>Bunny or Donald Duck or Mickey Mouse or all these

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<v Speaker 1>classic characters that technically don't have any ethnicity. Technically, kids

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<v Speaker 1>of many, many, many different backgrounds can like attach themselves too.

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<v Speaker 1>And I've seen this and we talked about this with

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<v Speaker 1>Goofy and a Goofy movie. How a Goofy movie from

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<v Speaker 1>is like the blackest Disney movie that Disney ever made

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<v Speaker 1>and there's no humans in it it, yet it still

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<v Speaker 1>has these things that are like that speak to what

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<v Speaker 1>it is like to be a young Black American probably

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<v Speaker 1>And I'm a I'm a young Mexican American, so I'm

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<v Speaker 1>I'm kind of you know, I'm I'm talking about this

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<v Speaker 1>from the outside perspective, but I know that like SpongeBob up,

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<v Speaker 1>especially in SpongeBob memes, and people have talked about this, like,

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<v Speaker 1>how is it that that, uh, like black youth has

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<v Speaker 1>latched onto what SpongeBob is. And there's been articles where

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<v Speaker 1>people have talked about this and they've asked young people

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<v Speaker 1>and they're like, well, that's because SpongeBob is black and

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<v Speaker 1>you know, they'll see like their background or their ethnicity

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<v Speaker 1>on these characters that again don't have when and other

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<v Speaker 1>people will be like, like when I was a kid,

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<v Speaker 1>I was like, no, Goku's Mexican because I'm watching you

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<v Speaker 1>watch watched it though I watched it. I watched it

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<v Speaker 1>and it was Dragon Ball set that and here was

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<v Speaker 1>this character that had brown eyes and black hair and

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<v Speaker 1>messy hair, and I'm like, this is a Mexican. Like, yeah,

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<v Speaker 1>his wife's name was Cheech. Yeah, it all makes makes sense,

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<v Speaker 1>you know, and people make that joke. But today, but

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<v Speaker 1>like there's something to that that. Like, for years, Star

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<v Speaker 1>Wars did not have a Mexican character unless you counted

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<v Speaker 1>Chewy Chewbacca, who was this silent, hairy guy that was

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<v Speaker 1>good with fixing up a car. Like that's Chewy. Everybody

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<v Speaker 1>had a cousin Chewy. So so go back to SpongeBob SquarePants,

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<v Speaker 1>you go back to um, you know, uh, like Ren

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<v Speaker 1>and Stimpy and and other characters from like other cartoons

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<v Speaker 1>that we grew up with, especially the Looney Tunes, especially

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<v Speaker 1>those classic ones like Tom and Jerry. Like a lot

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<v Speaker 1>if you go back and watch a lot of those

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<v Speaker 1>actual shorts and stuff, too, Like they'll be moments where

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<v Speaker 1>they'll have Tom from Tom and Jerry like play like

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<v Speaker 1>a bass like a cello, and you're like they're doing

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<v Speaker 1>jazz music and you're like, whoa is Tom Black. It's like,

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<v Speaker 1>you know, like as Daffy Duck Black, like this really

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<v Speaker 1>interesting things that are happening. And all we had was

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<v Speaker 1>speedy Gonzalez. That's all we had and horrible stereotype, but

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<v Speaker 1>not really because he was fast. The stereotype was his cousin,

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<v Speaker 1>Slowpoke Rodriguez. That was the speedy All Mexicans love speedy.

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<v Speaker 1>Speedy is great. Bad, but I've diverted the conversation. No, no,

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<v Speaker 1>it's fine because he said let's go back, and you're right,

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<v Speaker 1>we should go back. I think we should go back

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<v Speaker 1>all the way to December one, nine seven, when Nickelodeon

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<v Speaker 1>launched as pin Wheel, a channel developed by Vivian Corner.

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<v Speaker 1>Prior to Nickelodeon's creation, most preschooler programs were very limited

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<v Speaker 1>because they could only tune into their favorite shows on

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<v Speaker 1>Saturday mornings. On the other hand, that only had Saturday

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<v Speaker 1>morning to watch their favorite shows, but weekdays too because

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<v Speaker 1>they can watch sesame streets for preschoolers and grown ups

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<v Speaker 1>in Columbus, Ohio, they had a new television system called

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<v Speaker 1>cube qu b E. Yeah. Did you actually know actor

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<v Speaker 1>that Nickelodeon started back in I didn't. I knew. I

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<v Speaker 1>thought it started in the nineties. Yea, yeah, because because

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<v Speaker 1>Nickelodeon as we know it today started with Nicktoons, started

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<v Speaker 1>with you know, the cable channel that aired three cartoons ships.

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<v Speaker 1>It was the big three, the Big three which were

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<v Speaker 1>Rent and Stimpy Doug and Rugrass. And in doing my

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<v Speaker 1>research as a young person in two now, like I

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<v Speaker 1>did learn like, oh yeah, Nickelodeon was a thing, and

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<v Speaker 1>a lot of people remember, but I don't remember. Nickelodeon

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<v Speaker 1>was a channel called pin Wheel before was Nickelodeon, and

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<v Speaker 1>Nickelodeon was around since the eighties, and it was kind

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<v Speaker 1>of like a preschool sort of a kids programming channel

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<v Speaker 1>and uh but it's nuts. But again, to me, Nickelodeon

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<v Speaker 1>was always the cartoons, and then they sort of branched

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<v Speaker 1>off and did other stuff, which we'll talk about later,

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<v Speaker 1>things like Nick at Night and I'll you know, live

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<v Speaker 1>action programming and all that stuff. But for me, it

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<v Speaker 1>did it did begin with the three original Nicktoons. Well,

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<v Speaker 1>actually Nick at Night came before those three, so so

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<v Speaker 1>like if he was saying, they launched pin Wheel and

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<v Speaker 1>then pin Wheel on April first, nineteen seventy nine, Pinwell

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<v Speaker 1>relaunched as Nickelodeon. So then in Nickelodeon started showing advertisements.

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<v Speaker 1>On October eighth, they introduced their famous splat logo, and

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<v Speaker 1>then on July one, Nick at Night was launched and

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<v Speaker 1>Nick became a twenty four hour service, which is true. Yeah,

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<v Speaker 1>that's actually I remember now, Um, you know, even in

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<v Speaker 1>the nineties watching the cartoons and then I could stay

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<v Speaker 1>up and watch Nick at Night, like maybe an episode

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<v Speaker 1>or something. Do you remember some of the lineup for

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<v Speaker 1>Nick at Night? I mean by the time I had

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<v Speaker 1>because here's the thing, I did not have cable when

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<v Speaker 1>Nickelodeon first premiered. I was a poor little boy. I

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<v Speaker 1>was one of these things where I didn't get cable

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<v Speaker 1>until later, until like the mid to late ninety nineties.

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<v Speaker 1>So by the time I got Nickelodeon and Nick at Knight,

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<v Speaker 1>they were already doing stuff. Like maybe maybe I'm thinking

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<v Speaker 1>it was too early, but I feel like even like

0:11:21.280 --> 0:11:23.640
<v Speaker 1>Fresh Prince of bel Air was on there at Nick

0:11:23.640 --> 0:11:26.160
<v Speaker 1>at Knight at one point. But I remember stuff like

0:11:26.320 --> 0:11:30.120
<v Speaker 1>I Love Lucy was on there. Yes, that was the first.

0:11:30.160 --> 0:11:32.400
<v Speaker 1>That's what I remember. I got lucky because my dad

0:11:32.520 --> 0:11:36.080
<v Speaker 1>was the manager of our apartment complex and for some

0:11:36.120 --> 0:11:39.520
<v Speaker 1>reason that meant that he got free cable from the company,

0:11:39.720 --> 0:11:42.120
<v Speaker 1>and so I remember what in and the first thing

0:11:42.200 --> 0:11:44.440
<v Speaker 1>that will pop on was I Dream of Genie and

0:11:44.480 --> 0:11:48.560
<v Speaker 1>then I and so sometimes I would like actually watching.

0:11:48.640 --> 0:11:50.920
<v Speaker 1>That's kind of how I got introduced to those older

0:11:50.960 --> 0:11:53.920
<v Speaker 1>shows was because I usually checked out as soon as

0:11:54.000 --> 0:11:55.560
<v Speaker 1>as soon as Nick and Night came on the sort

0:11:55.559 --> 0:11:57.560
<v Speaker 1>of reruns of live action stuff because I was I

0:11:57.600 --> 0:12:00.720
<v Speaker 1>was obsessed with cartoons. That was usually my indicae. It's like, okay,

0:12:00.720 --> 0:12:02.240
<v Speaker 1>it's time to go to bed. But I do remember

0:12:02.360 --> 0:12:05.840
<v Speaker 1>later when they would get sitcoms like like Fresh, Prince

0:12:05.840 --> 0:12:08.760
<v Speaker 1>of bel Air and other like really good sitcoms from House.

0:12:08.840 --> 0:12:10.720
<v Speaker 1>I believe all that stuff was on Nick and I

0:12:10.760 --> 0:12:13.840
<v Speaker 1>was like, oh, this is cool. Yeah, yeah, no it was,

0:12:13.920 --> 0:12:17.160
<v Speaker 1>but it was great because yeah, those are the huge staples.

0:12:17.520 --> 0:12:21.200
<v Speaker 1>And I think what's great is out of the three

0:12:21.200 --> 0:12:23.760
<v Speaker 1>shows that launch, you know, rug Rats, Doug and The

0:12:23.760 --> 0:12:26.000
<v Speaker 1>Ren and Stempy Show, I feel like the Ren and

0:12:26.040 --> 0:12:30.960
<v Speaker 1>Stimpy show, well there's nothing like the other two, but

0:12:31.040 --> 0:12:34.920
<v Speaker 1>also like Doug. I mean, there are some similarities between

0:12:34.960 --> 0:12:37.719
<v Speaker 1>Doug and Rugrats, but even Doug versus rug Rats, those

0:12:37.720 --> 0:12:41.280
<v Speaker 1>were super different shows. Also, I feel like those were

0:12:41.280 --> 0:12:43.200
<v Speaker 1>based off of kind of like their viewership. You have

0:12:43.240 --> 0:12:48.079
<v Speaker 1>your very young viewers. So August eleven is when Rugrats,

0:12:48.200 --> 0:12:51.480
<v Speaker 1>Doug and Ren and Stempy first premiered, so you have

0:12:52.080 --> 0:12:54.960
<v Speaker 1>by then I was three, I think, so, so you

0:12:55.000 --> 0:12:57.640
<v Speaker 1>have your three to five year olds, you know, or

0:12:57.679 --> 0:13:00.439
<v Speaker 1>your elementary school kids. They're going to watch or resonate

0:13:00.480 --> 0:13:03.280
<v Speaker 1>the most with Rugrats. You have your middle schoolers who

0:13:03.360 --> 0:13:06.000
<v Speaker 1>even though I watched Doug, but probably middle schoolers, high

0:13:06.000 --> 0:13:08.040
<v Speaker 1>schoolers you know, are going to resonate with Doug. And

0:13:08.080 --> 0:13:09.680
<v Speaker 1>then you have the Rent and Stempy show, which is

0:13:09.720 --> 0:13:12.880
<v Speaker 1>like your high schoolers you know, and and older are

0:13:12.880 --> 0:13:14.800
<v Speaker 1>going to resonate with that. So I think they kind

0:13:14.800 --> 0:13:18.000
<v Speaker 1>of did it smart, very smart. I mean, go I'm

0:13:18.040 --> 0:13:20.880
<v Speaker 1>going back to the beginning of Nickelodeon, even before the

0:13:20.880 --> 0:13:22.800
<v Speaker 1>Three Nicktoons premiered, I know that there was a story

0:13:22.800 --> 0:13:24.960
<v Speaker 1>about how like in the mid to late eighties when

0:13:25.040 --> 0:13:27.920
<v Speaker 1>they were trying to figure out the branding of the network.

0:13:28.320 --> 0:13:31.840
<v Speaker 1>They brought in people from MTV that had recently sort

0:13:31.840 --> 0:13:34.880
<v Speaker 1>of like solidified, like like I want my MTV like,

0:13:34.920 --> 0:13:37.640
<v Speaker 1>they designed the logo, like they turned MTV into what

0:13:37.679 --> 0:13:40.000
<v Speaker 1>it was, and they brought Nickelodeon from the lowest in

0:13:40.040 --> 0:13:42.200
<v Speaker 1>the ratings to the top. And one of the things

0:13:42.200 --> 0:13:44.800
<v Speaker 1>they apparently did is they held focus groups with kids,

0:13:45.320 --> 0:13:47.720
<v Speaker 1>and a thing that they learned was like, you cannot

0:13:47.720 --> 0:13:50.880
<v Speaker 1>put on a show the kids think is for babies,

0:13:51.559 --> 0:13:54.760
<v Speaker 1>and anything that a kid, no matter what age they are,

0:13:54.880 --> 0:13:57.600
<v Speaker 1>if anything is like if if a if a child

0:13:57.679 --> 0:14:00.160
<v Speaker 1>one year younger than them watches a thing, that the

0:14:00.160 --> 0:14:02.320
<v Speaker 1>show is for babies. Do you see what I'm saying?

0:14:02.360 --> 0:14:03.719
<v Speaker 1>So like a six year old will be next to

0:14:03.720 --> 0:14:05.040
<v Speaker 1>a five year old, and if the five year old

0:14:05.040 --> 0:14:06.640
<v Speaker 1>likes the thing, the six year olds like this shows

0:14:06.679 --> 0:14:08.719
<v Speaker 1>for babies, I don't want to watch this anymore. So

0:14:08.840 --> 0:14:13.599
<v Speaker 1>those kinds of thinking, we're going into the choosing and

0:14:13.640 --> 0:14:15.520
<v Speaker 1>the picking and choosing of like what shows they were

0:14:15.520 --> 0:14:18.120
<v Speaker 1>going to make it as cartoon shows, And that kind

0:14:18.160 --> 0:14:22.400
<v Speaker 1>of explains how Rugrats came to be. Because Rugrats I

0:14:22.480 --> 0:14:24.480
<v Speaker 1>love because it was a show that I would get

0:14:24.480 --> 0:14:27.360
<v Speaker 1>sucked into even though it was literally about babies. And

0:14:27.400 --> 0:14:29.440
<v Speaker 1>as a child, I do remember that there were times

0:14:29.440 --> 0:14:31.440
<v Speaker 1>where I was like, wait is this for like Todd,

0:14:31.480 --> 0:14:33.200
<v Speaker 1>like should not be watching this? But it sucked me

0:14:33.240 --> 0:14:36.920
<v Speaker 1>and because it was like ugly, beautiful and crude. And

0:14:36.960 --> 0:14:40.960
<v Speaker 1>the humor was the humor doctor doctor lipshits was the

0:14:41.320 --> 0:14:43.680
<v Speaker 1>was the child psychiatrist that they were always listening to,

0:14:44.040 --> 0:14:47.400
<v Speaker 1>had all this innuendo and all these jokes. And Angelica's mom,

0:14:47.600 --> 0:14:51.840
<v Speaker 1>Angelica's was an alcoholic right then her and then her

0:14:52.160 --> 0:14:55.800
<v Speaker 1>always yelling at Jonathan, her assistant, and then Angelica herself

0:14:55.840 --> 0:15:00.120
<v Speaker 1>just being a diva brat, and then um Stu and Lou.

0:15:00.240 --> 0:15:04.600
<v Speaker 1>They had a lot of like adult humor between them. Um. Yeah.

0:15:04.680 --> 0:15:07.360
<v Speaker 1>But it's like it's like when you think, why would

0:15:07.600 --> 0:15:09.200
<v Speaker 1>Because here's the thing I was thinking about this on

0:15:09.240 --> 0:15:12.640
<v Speaker 1>the drive over. When you say names of brands, when

0:15:12.680 --> 0:15:15.560
<v Speaker 1>you say names of like studios or TV channels that

0:15:15.600 --> 0:15:18.520
<v Speaker 1>you recognize as a kid, When I say things like Disney,

0:15:18.640 --> 0:15:23.360
<v Speaker 1>Warner Brothers, Looney Tunes, Hannah Barbera, Nintendo, you can kind

0:15:23.400 --> 0:15:26.840
<v Speaker 1>of visualize what all these things sort of are, you know, Muppets,

0:15:26.920 --> 0:15:30.720
<v Speaker 1>Jim Henson, Sesame Street, uh, and if I say Nickelodeon,

0:15:31.240 --> 0:15:32.840
<v Speaker 1>you kind of know what that is too. Even though

0:15:32.840 --> 0:15:35.440
<v Speaker 1>from the very beginning to people at Nickelodeon sing we're saying,

0:15:35.480 --> 0:15:39.120
<v Speaker 1>we have no specific house style, you know, they they

0:15:39.120 --> 0:15:40.840
<v Speaker 1>sort of approach each one of their shows that they

0:15:40.880 --> 0:15:42.680
<v Speaker 1>green light is like, we don't know where we're looking

0:15:42.680 --> 0:15:45.320
<v Speaker 1>for until we see it, kind of They're usually You're

0:15:45.400 --> 0:15:48.160
<v Speaker 1>usually isn't mandates of like, well, you know, we're looking

0:15:48.200 --> 0:15:50.320
<v Speaker 1>for an action show, we're looking for a comedy show.

0:15:50.560 --> 0:15:53.480
<v Speaker 1>Usually there isn't the very creator driven and eventually the

0:15:54.120 --> 0:15:56.160
<v Speaker 1>process at Nickelodeon, as far as I know kind of

0:15:56.160 --> 0:15:59.000
<v Speaker 1>from an outsider looking in, I mean I interned there

0:15:59.040 --> 0:16:01.160
<v Speaker 1>for a summer and I and I sort of worked

0:16:01.160 --> 0:16:04.600
<v Speaker 1>there when I was doing the Nickelodeon Animation podcast, is

0:16:04.640 --> 0:16:07.760
<v Speaker 1>that they would have certain artists and creators working on

0:16:07.760 --> 0:16:09.880
<v Speaker 1>one show and then they have an opportunity to pitch

0:16:09.920 --> 0:16:13.000
<v Speaker 1>stuff later. The creator of SpongeBob SquarePants, Steve Hillenberg, he

0:16:13.000 --> 0:16:15.520
<v Speaker 1>worked on Rocco's Modern Life, The creator of Avatar, The

0:16:15.600 --> 0:16:17.480
<v Speaker 1>Last Airbender and then the Legend of Cora. One of

0:16:17.480 --> 0:16:20.520
<v Speaker 1>the creators Brian Kanitzko, he worked on Invader zim So

0:16:20.560 --> 0:16:22.360
<v Speaker 1>it's this thing where like these artists are encouraged to

0:16:22.400 --> 0:16:24.560
<v Speaker 1>like go home and work on stuff, and if they

0:16:24.560 --> 0:16:26.560
<v Speaker 1>have stuff, to go and pitch it and so so

0:16:26.600 --> 0:16:29.240
<v Speaker 1>it's like there's no Nickelodeon style, and yet there is.

0:16:29.800 --> 0:16:32.400
<v Speaker 1>And those first three cartoons you can look at I

0:16:32.440 --> 0:16:36.040
<v Speaker 1>think basically every Nicktoon except for a couple here and there,

0:16:36.040 --> 0:16:38.800
<v Speaker 1>one of them kind of being avatar, and you can

0:16:38.840 --> 0:16:41.680
<v Speaker 1>point to seeds being planted in either Ren and Stimpy,

0:16:41.800 --> 0:16:44.520
<v Speaker 1>Doug or rug Rats, you know what I mean. And

0:16:44.600 --> 0:16:46.920
<v Speaker 1>Rugrats especially is like I mean, Ren, Stimpy is but

0:16:47.000 --> 0:16:49.760
<v Speaker 1>all of them, especially Doug later influenced Hey Arnold and

0:16:49.800 --> 0:16:52.240
<v Speaker 1>things like as told by Ginger and all, you know,

0:16:52.240 --> 0:16:54.520
<v Speaker 1>all those kinds of things. But Rugrats was like that

0:16:54.600 --> 0:16:58.200
<v Speaker 1>classkey chupo style. That ugliness, that crudeness like that was

0:16:58.240 --> 0:17:00.200
<v Speaker 1>so appealing to us as kids, and it was out

0:17:00.200 --> 0:17:02.600
<v Speaker 1>of Disney beautiful stuff. It goes against with this type

0:17:02.600 --> 0:17:05.040
<v Speaker 1>of stuff you learned in art school. If you're trying

0:17:05.080 --> 0:17:09.440
<v Speaker 1>to design appealing characters, they're not appealing yet they are. Well.

0:17:09.480 --> 0:17:14.199
<v Speaker 1>What's also so interesting is everything about that show was

0:17:14.440 --> 0:17:17.640
<v Speaker 1>pretty disruptive. If you think of the theme song, where

0:17:17.640 --> 0:17:21.199
<v Speaker 1>it was like done done, Done done. Doo doom doom

0:17:21.280 --> 0:17:24.760
<v Speaker 1>doom doom, Like it's not an actual melody. It's almost

0:17:25.440 --> 0:17:29.879
<v Speaker 1>if you it's like uncomfortable, but as kids we've grown

0:17:29.880 --> 0:17:32.800
<v Speaker 1>to love it. And you bring up the music to

0:17:32.960 --> 0:17:34.840
<v Speaker 1>like Doug kind of similar. It had a very like

0:17:35.119 --> 0:17:38.080
<v Speaker 1>doe do Do Do Do Do Do Do do dode.

0:17:38.119 --> 0:17:40.320
<v Speaker 1>It was nice, but it was all mouth sounds, which

0:17:40.359 --> 0:17:42.960
<v Speaker 1>was weird and cool than you. And then Brent and

0:17:43.000 --> 0:17:48.320
<v Speaker 1>Stimpy was like like very disruptive and very loud, loud,

0:17:48.359 --> 0:17:50.919
<v Speaker 1>and it just set the stage for like these shows

0:17:50.960 --> 0:17:53.560
<v Speaker 1>had way different styles than the things that you're so

0:17:53.560 --> 0:17:55.480
<v Speaker 1>funny that you bring up that Doug kind of laid

0:17:55.520 --> 0:17:57.879
<v Speaker 1>the groundwork for Hey Arnold because Doug, I felt like

0:17:58.000 --> 0:18:00.760
<v Speaker 1>Doug that whole series is kind of like really smooth,

0:18:01.400 --> 0:18:04.560
<v Speaker 1>and that's how Hey Arnold is as well, and kind

0:18:04.560 --> 0:18:09.760
<v Speaker 1>of this like non confrontational character that's really intelligent and shy.

0:18:10.080 --> 0:18:11.480
<v Speaker 1>I was always mad at Doug when I was a

0:18:11.520 --> 0:18:13.560
<v Speaker 1>kid because I was like he never does homework. I

0:18:13.640 --> 0:18:15.240
<v Speaker 1>was like, I'm in middle school and I get homework.

0:18:15.280 --> 0:18:16.840
<v Speaker 1>I have to go home and work on this crap

0:18:16.880 --> 0:18:18.359
<v Speaker 1>and I can't go and just like hang out and

0:18:18.400 --> 0:18:21.680
<v Speaker 1>go to concerts, and Doug like, this show is unrealistic

0:18:21.680 --> 0:18:25.800
<v Speaker 1>because he never had home. Yeah, the what was the

0:18:25.840 --> 0:18:30.480
<v Speaker 1>name of his band, the beat Beat beat Sets was

0:18:30.520 --> 0:18:32.879
<v Speaker 1>the name of like the famous band. Yeah, and I forget,

0:18:32.920 --> 0:18:36.320
<v Speaker 1>what does more allowance you? Like, I can do this.

0:18:36.359 --> 0:18:38.760
<v Speaker 1>I was mad at Dug for a completely different reason

0:18:38.800 --> 0:18:41.160
<v Speaker 1>because I was like, why hasn't he just like clocked

0:18:41.240 --> 0:18:44.480
<v Speaker 1>Roger clocks? Like, I was like, I was team body

0:18:44.560 --> 0:18:48.040
<v Speaker 1>that dude very early on, Like Skeeter was never any backup,

0:18:48.200 --> 0:18:50.959
<v Speaker 1>you know, he was just there. Um. And that was

0:18:51.000 --> 0:18:54.120
<v Speaker 1>like the first kind of rendition of like race without race,

0:18:54.160 --> 0:18:58.080
<v Speaker 1>because yeah, the characters on Doug didn't really they were

0:18:58.160 --> 0:19:01.800
<v Speaker 1>just different colors. But everyone's like Skeeter's black, and Skeeter's

0:19:01.920 --> 0:19:06.280
<v Speaker 1>dad was so like just the coding in the design

0:19:06.320 --> 0:19:08.720
<v Speaker 1>of Skeeter's dad, I was like, oh no, this is

0:19:08.760 --> 0:19:11.200
<v Speaker 1>straight up a black dad. I'm looking at a bunch

0:19:11.240 --> 0:19:14.080
<v Speaker 1>of different characters right now from the from the show

0:19:14.119 --> 0:19:16.600
<v Speaker 1>and like Patty Mane like, yeah, they weren't supposed to

0:19:16.640 --> 0:19:19.359
<v Speaker 1>have skin tones, but Doug Funny just happens to be

0:19:19.520 --> 0:19:22.960
<v Speaker 1>light Peach and his parents how to be sort of tanned.

0:19:23.280 --> 0:19:25.199
<v Speaker 1>And then you have characters like Skeeter who were like

0:19:25.280 --> 0:19:28.520
<v Speaker 1>blue but everybody, like you said, if he like every

0:19:28.600 --> 0:19:31.760
<v Speaker 1>everyone was like like Skeeter's black. Roger was like a

0:19:31.880 --> 0:19:34.199
<v Speaker 1>rich white kid. Eventually he became rich. It was like

0:19:34.200 --> 0:19:36.400
<v Speaker 1>a poor like bully kid. He was like a white kid.

0:19:36.480 --> 0:19:39.920
<v Speaker 1>He reminds me of Sid from Toy Story. Patty Maynaise

0:19:40.000 --> 0:19:43.400
<v Speaker 1>was like like a tanned skin, you know, maybe like

0:19:43.840 --> 0:19:45.840
<v Speaker 1>probably she was probably white because you had a very

0:19:45.880 --> 0:19:47.720
<v Speaker 1>like kind of a Southern accent. I don't know if

0:19:47.880 --> 0:19:49.440
<v Speaker 1>I don't remember if she was a new kid or whatever.

0:19:49.480 --> 0:19:52.440
<v Speaker 1>But but this show was the sweetest show and as

0:19:52.440 --> 0:19:54.439
<v Speaker 1>a kids, it was sometimes difficult for me to connect

0:19:54.440 --> 0:19:56.320
<v Speaker 1>to it. But I did love the show because it

0:19:56.359 --> 0:19:59.119
<v Speaker 1>did actually teach me lessons and years later when I

0:19:59.160 --> 0:20:01.520
<v Speaker 1>actually got to meet the creator, Jim Jenkins, he's one

0:20:01.520 --> 0:20:03.640
<v Speaker 1>of the nicest human beings I've ever met in my life.

0:20:03.640 --> 0:20:05.920
<v Speaker 1>He has just like Mr Rogers quality to him. He's

0:20:05.920 --> 0:20:08.359
<v Speaker 1>just like a nice guy that I'm like, oh, of course,

0:20:08.440 --> 0:20:10.080
<v Speaker 1>Doug was the way that it was like, it's such

0:20:10.080 --> 0:20:12.280
<v Speaker 1>a nice show because Jim is nice like, and that's

0:20:12.320 --> 0:20:13.879
<v Speaker 1>what it was about. And it was great, and I

0:20:13.960 --> 0:20:16.320
<v Speaker 1>think the beautiful thing about all this is like we

0:20:16.480 --> 0:20:19.520
<v Speaker 1>just kind of like picked and choose what we thought

0:20:19.560 --> 0:20:22.399
<v Speaker 1>everyone was. And there's probably someone listening who's losing their

0:20:22.400 --> 0:20:24.919
<v Speaker 1>mind because it's like, no, I Doug was like, you know,

0:20:25.000 --> 0:20:29.280
<v Speaker 1>Indian American, and Roger was Latino, and of course it

0:20:29.480 --> 0:20:33.720
<v Speaker 1>was of course they were whatever you want, but like, yeah,

0:20:33.760 --> 0:20:36.399
<v Speaker 1>you're right. I really related to Doug because I was

0:20:36.400 --> 0:20:38.240
<v Speaker 1>a kid who doodled a lot and I wanted to

0:20:38.280 --> 0:20:41.480
<v Speaker 1>make comics. So he had Quailman, and I was like

0:20:41.600 --> 0:20:44.359
<v Speaker 1>that was always very cool to me. Uh, and I

0:20:44.400 --> 0:20:47.080
<v Speaker 1>really resonate we've we've sat in this because we're in

0:20:47.080 --> 0:20:50.920
<v Speaker 1>our nostalgia corner because this is like our show. But

0:20:51.720 --> 0:20:56.400
<v Speaker 1>let's talk about Snick. So almost a year later, Nick

0:20:56.440 --> 0:20:58.800
<v Speaker 1>went ahead and launched a prime time block called Snick,

0:20:58.880 --> 0:21:01.119
<v Speaker 1>which was Saturday Night ni Alodi in, which would go

0:21:01.200 --> 0:21:05.600
<v Speaker 1>on to be just housing so much it had eventually

0:21:05.880 --> 0:21:08.440
<v Speaker 1>are You Afraid of the Dark? We had all that

0:21:08.800 --> 0:21:13.240
<v Speaker 1>you had Nick News, which I thought, you know, that

0:21:13.600 --> 0:21:17.640
<v Speaker 1>show was really ahead of its time when I think

0:21:17.720 --> 0:21:20.080
<v Speaker 1>back on it, and it blows my mind that something

0:21:20.119 --> 0:21:23.560
<v Speaker 1>like that isn't around now because it was a show

0:21:23.640 --> 0:21:25.880
<v Speaker 1>that you know, it would talk about It wasn't like

0:21:26.520 --> 0:21:29.919
<v Speaker 1>slanted anyway. It talked more about world issues, but like

0:21:30.000 --> 0:21:32.960
<v Speaker 1>it kept kids grounded because you're talking about what's going

0:21:33.000 --> 0:21:35.880
<v Speaker 1>on in the rest of the world, other problems, and

0:21:35.960 --> 0:21:39.800
<v Speaker 1>like I remember, I forget her name, but there was Yes,

0:21:40.119 --> 0:21:43.960
<v Speaker 1>she was such a neutral, calm voice that it just

0:21:44.040 --> 0:21:47.560
<v Speaker 1>kind of pulled you in. And just remembering that and

0:21:47.600 --> 0:21:50.359
<v Speaker 1>just seeing the impact of like just a Saturday wrap

0:21:50.480 --> 0:21:54.280
<v Speaker 1>up of world news to go like, hey, you're watching

0:21:54.320 --> 0:21:57.040
<v Speaker 1>all this stuff, you're probably having fun. Why don't you

0:21:57.040 --> 0:21:59.480
<v Speaker 1>take a peek home what's going on all around the world.

0:22:00.000 --> 0:22:01.480
<v Speaker 1>I would love it if they brought that back. Yeah,

0:22:01.520 --> 0:22:03.399
<v Speaker 1>for sure. Also, I was going to say, because you

0:22:03.440 --> 0:22:05.000
<v Speaker 1>brought up all that, and a lot of people talk

0:22:05.040 --> 0:22:07.600
<v Speaker 1>about growing up with sketch comedy as far as SNL,

0:22:07.680 --> 0:22:12.199
<v Speaker 1>but dude, the kids on all that killed when you

0:22:12.320 --> 0:22:15.399
<v Speaker 1>think back to them being like thirteen years old and

0:22:15.520 --> 0:22:19.560
<v Speaker 1>doing sketch comedy in front of a live audience. They

0:22:19.600 --> 0:22:24.240
<v Speaker 1>were so talented, so talented, and Amanda Binds as much

0:22:24.240 --> 0:22:27.760
<v Speaker 1>as people you know, give her crap now, she was

0:22:27.920 --> 0:22:29.840
<v Speaker 1>amazed and then she went on to have her own show.

0:22:30.160 --> 0:22:33.040
<v Speaker 1>But she was so young and so good and obviously

0:22:33.160 --> 0:22:35.280
<v Speaker 1>that's spent off into Keenan and Kell, which gave us

0:22:35.280 --> 0:22:38.640
<v Speaker 1>a good burger, And we are going to get into

0:22:38.760 --> 0:22:49.280
<v Speaker 1>all of that right after the break and we are

0:22:49.320 --> 0:22:54.280
<v Speaker 1>back joined here with Hector Navarro. Yeah, I was gonna say,

0:22:54.320 --> 0:22:56.480
<v Speaker 1>if you had some things that you wanted to say

0:22:56.480 --> 0:22:58.520
<v Speaker 1>about all that, Well, it's so funny because you know,

0:22:58.600 --> 0:23:00.080
<v Speaker 1>you do go back and you're kind of like, this

0:23:00.200 --> 0:23:03.320
<v Speaker 1>is a very kid centric sketch show. But some of

0:23:03.359 --> 0:23:06.399
<v Speaker 1>the writers on the show turned out to be some

0:23:06.960 --> 0:23:09.000
<v Speaker 1>big names in the past. So you had Amy Berg,

0:23:09.080 --> 0:23:12.240
<v Speaker 1>who I think is one of the most outspoken, outspoken

0:23:12.280 --> 0:23:15.280
<v Speaker 1>television writers on Twitter right now. She did a dope

0:23:15.320 --> 0:23:19.600
<v Speaker 1>guide for People's First Writing And Neil Brennan, who went

0:23:19.640 --> 0:23:22.560
<v Speaker 1>on to create The Chapel Show, wrote for All That

0:23:22.720 --> 0:23:26.440
<v Speaker 1>he went from all that to creating The Chappelle Show.

0:23:26.560 --> 0:23:30.439
<v Speaker 1>It's and it's so wild to see just the jump

0:23:30.880 --> 0:23:35.240
<v Speaker 1>from these writers and and how like, when you think

0:23:35.240 --> 0:23:38.440
<v Speaker 1>about it, can you if you were watch both all

0:23:38.520 --> 0:23:40.600
<v Speaker 1>that in Chappelle Show and be like the same dude,

0:23:41.560 --> 0:23:44.240
<v Speaker 1>you would probably lose your mind. And then I feel

0:23:44.280 --> 0:23:46.600
<v Speaker 1>like the breakout star or ended up being the sort

0:23:46.640 --> 0:23:49.679
<v Speaker 1>of breakout success in the long run, not in the

0:23:49.720 --> 0:23:52.560
<v Speaker 1>short run and the long run was Keenan Thompson. Keenan

0:23:52.600 --> 0:23:56.199
<v Speaker 1>who in a lot of ways graduated to Saturday Night Live.

0:23:56.240 --> 0:23:58.320
<v Speaker 1>And I remember when he got on SNL, I was like,

0:23:58.640 --> 0:24:02.639
<v Speaker 1>holy crap, that's keen In from all That, from Good Burger,

0:24:02.680 --> 0:24:05.440
<v Speaker 1>from Nickelodeon, like, and he maybe made it like he's

0:24:05.440 --> 0:24:07.280
<v Speaker 1>gonna do comedy for the rest of his life because

0:24:07.280 --> 0:24:09.040
<v Speaker 1>a lot of the actors on that show, a lot

0:24:09.080 --> 0:24:11.879
<v Speaker 1>of the kid actors, like, they either didn't pursue it

0:24:12.000 --> 0:24:13.679
<v Speaker 1>for the rest of their career, or they did and

0:24:13.680 --> 0:24:16.919
<v Speaker 1>didn't find as much success or retired or for various reasons,

0:24:16.960 --> 0:24:19.040
<v Speaker 1>like you know when you're a kid actor, like are

0:24:19.040 --> 0:24:20.960
<v Speaker 1>you going to go to college and do something else?

0:24:21.040 --> 0:24:23.159
<v Speaker 1>Or do you want to keep acting or whatever. And

0:24:23.200 --> 0:24:25.320
<v Speaker 1>it was awesome to see Keenan actually make it. I

0:24:25.359 --> 0:24:27.680
<v Speaker 1>remember there was an episode of SNL where Shila Buff

0:24:27.760 --> 0:24:30.600
<v Speaker 1>hosted Yeah, and he stood up next to Keenan and

0:24:30.720 --> 0:24:32.720
<v Speaker 1>during the monologue and he was like, made it, man,

0:24:32.840 --> 0:24:36.720
<v Speaker 1>we made it Disney, Nickelodeon, Disney, and Keenan was like

0:24:36.800 --> 0:24:39.480
<v Speaker 1>not having it as part of the bed He's like yeah, man, okay, yeah, great,

0:24:39.680 --> 0:24:42.320
<v Speaker 1>but um, like Keenan, Like, I love Keenan. He's real

0:24:42.440 --> 0:24:45.520
<v Speaker 1>hit and miss with me. Sometimes sometimes his skits are

0:24:45.960 --> 0:24:48.320
<v Speaker 1>hysterical and I love them, and other times I'm like,

0:24:48.520 --> 0:24:50.399
<v Speaker 1>this isn't working for me. It's like a little too silly.

0:24:50.640 --> 0:24:53.399
<v Speaker 1>And sometimes still watching Kenan to this day, I can

0:24:53.440 --> 0:24:55.960
<v Speaker 1>still see a little bit of Keenan and kel all

0:24:56.000 --> 0:24:57.879
<v Speaker 1>that of his sort of like delivery and his like

0:24:58.040 --> 0:24:59.720
<v Speaker 1>especially when he has that like smile on his face

0:24:59.720 --> 0:25:02.040
<v Speaker 1>where he knows he's he's being funny and he's like,

0:25:02.320 --> 0:25:04.320
<v Speaker 1>you know, trying to be funny. Like when I was

0:25:04.359 --> 0:25:07.120
<v Speaker 1>a kid, I was real there's real snobby about all that.

0:25:07.200 --> 0:25:11.119
<v Speaker 1>I didn't like the show, and I didn't understand why.

0:25:11.200 --> 0:25:13.439
<v Speaker 1>And I never rooted against anybody in the show. I

0:25:13.480 --> 0:25:15.800
<v Speaker 1>know that, you know. When I was a kid, I

0:25:15.840 --> 0:25:18.200
<v Speaker 1>was absolutely jealous of those like other thirteen year olds

0:25:18.200 --> 0:25:20.200
<v Speaker 1>that got can you imagine, like, you know, where do

0:25:20.240 --> 0:25:21.760
<v Speaker 1>they shoot it with it? Was it in Hollywood or

0:25:21.760 --> 0:25:24.080
<v Speaker 1>was it in Florida? In Florida in front of a

0:25:24.440 --> 0:25:26.639
<v Speaker 1>studio audience used to say it after all of their

0:25:26.680 --> 0:25:29.840
<v Speaker 1>shows Universal Studios or Nickelodeon Studios, whatever it was called.

0:25:29.840 --> 0:25:31.960
<v Speaker 1>And I was super jealous, and I would love that job.

0:25:32.000 --> 0:25:35.119
<v Speaker 1>But I remember sometimes some sketches worked for me, some didn't.

0:25:35.200 --> 0:25:38.280
<v Speaker 1>Sometimes it was crossover. Keenan Thompson as a kid, did

0:25:38.280 --> 0:25:41.080
<v Speaker 1>a sketch with Chris Farley. Chris Farley showed up and

0:25:41.119 --> 0:25:44.480
<v Speaker 1>they both played the crazy Chefs, where where Keenan loved

0:25:44.520 --> 0:25:47.879
<v Speaker 1>chocolate on everything and Farley wanted want a catch up

0:25:47.920 --> 0:25:49.800
<v Speaker 1>on everything. And as a kid, since I knew who

0:25:49.840 --> 0:25:52.200
<v Speaker 1>Chris Farley was, my mind was blown. I'm like, this

0:25:52.240 --> 0:25:54.440
<v Speaker 1>guy gets to do a sketch with Chris Farley and

0:25:54.440 --> 0:25:56.720
<v Speaker 1>and I think Farley he may have passed away, like

0:25:56.800 --> 0:25:58.520
<v Speaker 1>not a year later, do you know what I mean?

0:25:58.560 --> 0:26:00.520
<v Speaker 1>Like it was this crazy thing. But but when I

0:26:00.560 --> 0:26:02.520
<v Speaker 1>was a kid, all that sometimes it was tough for me.

0:26:02.880 --> 0:26:05.240
<v Speaker 1>And then years later I tried to I think I learned.

0:26:05.240 --> 0:26:08.160
<v Speaker 1>I'm like, I think it's because in classic Saturday Night

0:26:08.160 --> 0:26:10.040
<v Speaker 1>Live sketches, which at the time is sort of what

0:26:10.080 --> 0:26:13.200
<v Speaker 1>I thought all comedy was, or any good sketch today,

0:26:13.280 --> 0:26:17.240
<v Speaker 1>there's always there's always kind of one element that's out

0:26:17.280 --> 0:26:20.199
<v Speaker 1>of the ordinary, one crazy character or one crazy idea

0:26:20.280 --> 0:26:22.760
<v Speaker 1>or theme or whatever, and everybody else is kind of

0:26:22.760 --> 0:26:25.200
<v Speaker 1>playing a grounded reality, like there's you know, and they're

0:26:25.200 --> 0:26:26.880
<v Speaker 1>like a voice of reason or like a straight man.

0:26:27.200 --> 0:26:29.000
<v Speaker 1>Sometimes in all that sketches there would be like two

0:26:29.119 --> 0:26:32.280
<v Speaker 1>or three or four crazy, you know characters, and there

0:26:32.320 --> 0:26:34.359
<v Speaker 1>was it was tough to like to like bring it

0:26:34.400 --> 0:26:40.760
<v Speaker 1>back down. It was repair man man man man, you know,

0:26:40.920 --> 0:26:45.080
<v Speaker 1>like Perrs Cargo, Keenan's Pierres Cargo, just like him trying

0:26:45.080 --> 0:26:47.879
<v Speaker 1>to do French accents in a bathtub. Yeah. No, but

0:26:47.920 --> 0:26:51.080
<v Speaker 1>the alumni was pretty good. I mean there's some like

0:26:51.320 --> 0:26:54.320
<v Speaker 1>deep cut alumni that I didn't know, Like it's season six.

0:26:54.840 --> 0:26:57.959
<v Speaker 1>Gabriel and Glaciers was part of the cast, remember that.

0:26:58.359 --> 0:27:01.880
<v Speaker 1>And you know, Cannon was one of the biggest ones

0:27:01.880 --> 0:27:04.280
<v Speaker 1>who came out of it. Keenan Thompson, we just talked

0:27:04.280 --> 0:27:07.040
<v Speaker 1>about him. Laurie Beth Dinburgh went on to the Steve

0:27:07.080 --> 0:27:09.480
<v Speaker 1>Harvey Show and then she did a few work after that.

0:27:09.560 --> 0:27:12.520
<v Speaker 1>I actually was in the big Freedom music video with her.

0:27:13.600 --> 0:27:15.520
<v Speaker 1>And then you had like Amanda Binds, even though you

0:27:15.560 --> 0:27:17.959
<v Speaker 1>know she kind of fell off a bit, but like

0:27:18.040 --> 0:27:24.359
<v Speaker 1>she was like, who's my neighbor, shout out to Josh.

0:27:24.720 --> 0:27:27.639
<v Speaker 1>So it was like this was also like brewing talent,

0:27:27.640 --> 0:27:30.480
<v Speaker 1>and you're right as someone who like all his life

0:27:30.480 --> 0:27:32.960
<v Speaker 1>wanted to act. This was the main source of my

0:27:33.119 --> 0:27:37.200
<v Speaker 1>sevening jealousy of like how do I do this? And

0:27:37.240 --> 0:27:42.280
<v Speaker 1>you have this Nigerian father who has one doesn't want

0:27:42.280 --> 0:27:46.199
<v Speaker 1>me to act to doesn't know how. And you know

0:27:46.280 --> 0:27:48.919
<v Speaker 1>my mom she's from the South, you know she she

0:27:49.040 --> 0:27:51.560
<v Speaker 1>also doesn't have any clue to where to send me.

0:27:51.600 --> 0:27:54.000
<v Speaker 1>But that's all I wanted to. I would watch these

0:27:54.040 --> 0:27:56.440
<v Speaker 1>kids and I was like, if I just had one shot,

0:27:56.560 --> 0:27:59.879
<v Speaker 1>it's inspiring. Yeah, it was inspiring, you know, like and

0:28:00.000 --> 0:28:01.960
<v Speaker 1>and I love so many of those classic sketches and

0:28:02.240 --> 0:28:04.840
<v Speaker 1>and uh yeah, Amanda Bindes was my favorite when I

0:28:04.880 --> 0:28:06.200
<v Speaker 1>was a kid, so that when she got her own

0:28:06.200 --> 0:28:08.000
<v Speaker 1>show and then later was showing up in movies, I

0:28:08.040 --> 0:28:09.439
<v Speaker 1>was like, yeah, that makes sense. Like she was like

0:28:09.480 --> 0:28:11.880
<v Speaker 1>the best on the show, Like she was fantastic. So

0:28:12.359 --> 0:28:14.840
<v Speaker 1>you know, it's so weird listening to y'all talk about

0:28:14.840 --> 0:28:16.960
<v Speaker 1>this is that you both saw them and like I

0:28:17.000 --> 0:28:19.240
<v Speaker 1>want to be them, And it's so weird because I

0:28:19.280 --> 0:28:21.600
<v Speaker 1>feel like growing up, for me it was a little

0:28:21.600 --> 0:28:24.800
<v Speaker 1>bit different. I didn't really see Latina's on screen at

0:28:24.840 --> 0:28:28.040
<v Speaker 1>all at all at all, And for me it was

0:28:28.080 --> 0:28:29.560
<v Speaker 1>more like, oh, I want to date them or I

0:28:29.560 --> 0:28:31.760
<v Speaker 1>want to marry them. You know that's funny, but that's

0:28:31.760 --> 0:28:33.280
<v Speaker 1>like how we're raised, like you need to find a

0:28:33.320 --> 0:28:35.400
<v Speaker 1>good husband, you need a husband, And so I grew

0:28:35.520 --> 0:28:39.200
<v Speaker 1>up wanting to marry these guys and then realizing when

0:28:39.240 --> 0:28:41.520
<v Speaker 1>I was in college ish like, oh no, I'm my

0:28:41.600 --> 0:28:44.680
<v Speaker 1>own thing. Like you didn't want to marry like members

0:28:44.680 --> 0:28:46.360
<v Speaker 1>of in Sync or bactually, but you wanted to marry

0:28:46.400 --> 0:28:48.720
<v Speaker 1>You wanted to marry the cast members. I wanted to

0:28:48.760 --> 0:28:53.240
<v Speaker 1>marry Brian from Backstreet Boys. I also had a crush

0:28:53.360 --> 0:28:57.360
<v Speaker 1>on Max Goof, as you do, because he was a

0:28:57.400 --> 0:29:00.480
<v Speaker 1>smooth teenager. I was very sexually confused by that, having

0:29:00.520 --> 0:29:02.760
<v Speaker 1>a crush on a dog. One of my ex girlfriends

0:29:02.800 --> 0:29:05.320
<v Speaker 1>told me that she had a crush on SpongeBob SquarePants

0:29:05.320 --> 0:29:08.479
<v Speaker 1>when she was much and told like classmates like, oh,

0:29:08.520 --> 0:29:10.880
<v Speaker 1>he's my boyfriend, Like SpongeBob is my boyfriend, and I

0:29:10.920 --> 0:29:12.760
<v Speaker 1>think that's what I call him, Bob. Yeah. I thought

0:29:12.800 --> 0:29:14.640
<v Speaker 1>it was like real cute and real funny that, like,

0:29:15.160 --> 0:29:17.520
<v Speaker 1>because because she went on to do comedy and stuff

0:29:17.520 --> 0:29:19.600
<v Speaker 1>like that, and I think it's real funny that, um,

0:29:19.640 --> 0:29:22.600
<v Speaker 1>you had a thing for Max Goof that she had

0:29:22.600 --> 0:29:25.840
<v Speaker 1>a thing for SpongeBob, like there's something about It's because

0:29:25.840 --> 0:29:29.480
<v Speaker 1>SpongeBob was like good and very funny. Yeah, I don't know,

0:29:29.600 --> 0:29:31.920
<v Speaker 1>that's I think that's really interesting. I know it is funny,

0:29:32.040 --> 0:29:35.320
<v Speaker 1>how like Yeah, for you to fall for like someone

0:29:35.360 --> 0:29:37.960
<v Speaker 1>like Max or SpongeBob, it has to be their good

0:29:37.960 --> 0:29:41.200
<v Speaker 1>personality features, where someone like Lola Bunny it's like, oh no,

0:29:41.280 --> 0:29:46.000
<v Speaker 1>she was drawn as a sex and that's why we're like, yeah,

0:29:46.040 --> 0:29:50.760
<v Speaker 1>that's my girl, like Jessica Rabbit, like right, right right.

0:29:51.200 --> 0:29:53.120
<v Speaker 1>It's just you know once again that you know all

0:29:53.160 --> 0:29:57.440
<v Speaker 1>the little ways that the patriarchy isn't work. I did

0:29:57.480 --> 0:30:00.160
<v Speaker 1>want to say before we fully move on. I just

0:30:00.200 --> 0:30:03.440
<v Speaker 1>had two points I needed to make in the um,

0:30:03.920 --> 0:30:06.960
<v Speaker 1>like we were saying, Nickelodeon studios opened at Universal Studios,

0:30:07.040 --> 0:30:09.400
<v Speaker 1>that's where they filmed a lot of their live stuff.

0:30:09.680 --> 0:30:14.000
<v Speaker 1>And then also in magazine, don't you remember those commercials?

0:30:14.520 --> 0:30:18.800
<v Speaker 1>Good Lord, like just begging. I'm sure that everybody of

0:30:18.880 --> 0:30:22.000
<v Speaker 1>parents existed everywhere to Jake Magazine, you're their kids, just

0:30:22.080 --> 0:30:27.920
<v Speaker 1>like god, Momzin, did either of you get them? No? No,

0:30:28.200 --> 0:30:31.880
<v Speaker 1>I did, oh my gosh, because you know when they

0:30:32.520 --> 0:30:34.880
<v Speaker 1>get it now. And I still fall for these traps

0:30:34.920 --> 0:30:37.360
<v Speaker 1>every time when it's like sign up, we're giving you

0:30:37.400 --> 0:30:41.080
<v Speaker 1>a free magazine. And so my dad was like he

0:30:41.200 --> 0:30:44.080
<v Speaker 1>got it, and he was like, okay, pick the magazine

0:30:44.200 --> 0:30:48.320
<v Speaker 1>and right there was Nick mag for free, and I

0:30:48.360 --> 0:30:49.960
<v Speaker 1>got to get it, and I that was the one

0:30:50.040 --> 0:30:53.640
<v Speaker 1>I would wait every month for it. It like drove

0:30:53.760 --> 0:30:56.280
<v Speaker 1>my childhood because it's a magazine. Yeah, it was like

0:30:56.440 --> 0:30:58.840
<v Speaker 1>good magazine had like little tongue to it. Also gave

0:30:58.880 --> 0:31:01.480
<v Speaker 1>you like the celeb updates for all the stars on

0:31:02.400 --> 0:31:04.480
<v Speaker 1>Oh my Gosh. When Yeah, when I was a kid,

0:31:04.520 --> 0:31:07.400
<v Speaker 1>my mom and dad would frequently get me Disney Adventures

0:31:07.680 --> 0:31:12.120
<v Speaker 1>were like little magazine, just highlights. And I really I

0:31:12.160 --> 0:31:14.760
<v Speaker 1>didn't want Nick Magazine as much as I think Zoo Books.

0:31:14.840 --> 0:31:16.440
<v Speaker 1>That was the other commercial as a kid where it

0:31:16.480 --> 0:31:19.600
<v Speaker 1>was like, oh my god, there's the like and it

0:31:19.720 --> 0:31:22.160
<v Speaker 1>was like I never got it. That was I got

0:31:22.200 --> 0:31:24.400
<v Speaker 1>close to Zoo Books. I got my dad to fill

0:31:24.440 --> 0:31:27.239
<v Speaker 1>out the form during a book fair and then at

0:31:27.240 --> 0:31:29.640
<v Speaker 1>the last second he was like, no, yeah, just go

0:31:29.720 --> 0:31:33.400
<v Speaker 1>to the library. Yeah, but yeah, I don't want to

0:31:33.440 --> 0:31:35.840
<v Speaker 1>skip over Good Burger because you mentioned it. And that

0:31:35.960 --> 0:31:40.000
<v Speaker 1>was a moment in history because we went from not

0:31:40.120 --> 0:31:44.840
<v Speaker 1>only because I liked the parallels between all that and SNL.

0:31:44.920 --> 0:31:47.760
<v Speaker 1>And this was one of the biggest steps that happened

0:31:47.760 --> 0:31:50.520
<v Speaker 1>in SNL was where a sketch is so popular it

0:31:50.560 --> 0:31:54.080
<v Speaker 1>turns into Brothers cone Heads. And then in the nineties

0:31:54.080 --> 0:31:56.720
<v Speaker 1>it was Wayne's World, That's what it was all about. Man. Yeah,

0:31:56.840 --> 0:32:01.000
<v Speaker 1>and even stuff like now at the Roxbury Yeah, the Ladies. Man,

0:32:01.120 --> 0:32:04.360
<v Speaker 1>it's Pat Stewart saves his family and my maybe my

0:32:04.400 --> 0:32:08.520
<v Speaker 1>personal favorite MC gruber, but I love the Yeah, I

0:32:08.520 --> 0:32:10.360
<v Speaker 1>love that when good Burger made that leap. And again

0:32:10.400 --> 0:32:12.600
<v Speaker 1>it just speaks to like Nickelodeon when they were sort

0:32:12.600 --> 0:32:14.960
<v Speaker 1>of on top of everything, they were branching out there

0:32:14.960 --> 0:32:17.600
<v Speaker 1>trying to do live action sketch shows, They're trying to

0:32:17.680 --> 0:32:21.120
<v Speaker 1>do news programs, they're doing Nick at Night programming, they're

0:32:21.120 --> 0:32:23.680
<v Speaker 1>doing a magazine, they're doing at Studio in in in

0:32:23.800 --> 0:32:28.040
<v Speaker 1>Universal down in Florida. They're doing a movie. And eventually

0:32:28.120 --> 0:32:30.960
<v Speaker 1>that led to, you know, there were other Nickelodeon movies

0:32:31.000 --> 0:32:34.440
<v Speaker 1>based on their cartoon properties. Um, you know, I think

0:32:34.520 --> 0:32:37.320
<v Speaker 1>Nick Nick games is a thing is another branch of

0:32:37.320 --> 0:32:39.920
<v Speaker 1>of Nickelodeon as a whole, like you know, like interactive

0:32:40.000 --> 0:32:42.640
<v Speaker 1>video games, eventually became a thing. The magazine we talked about,

0:32:43.120 --> 0:32:45.239
<v Speaker 1>uh nick dot com was a big website when we

0:32:45.240 --> 0:32:48.080
<v Speaker 1>were kids. Like it's cool that they were branching out

0:32:48.120 --> 0:32:50.600
<v Speaker 1>to just do other stuff that they weren't just like

0:32:50.760 --> 0:32:53.520
<v Speaker 1>content with, like no, we just have original cartoons and

0:32:53.520 --> 0:32:55.200
<v Speaker 1>wear a cable channel and that's it. Like they're trying

0:32:55.200 --> 0:32:56.760
<v Speaker 1>to do other stuff. And I think that it helped

0:32:57.120 --> 0:33:00.000
<v Speaker 1>cement them as being parts of our childhood and also

0:33:00.200 --> 0:33:04.040
<v Speaker 1>just being like a relevant and important brand to this day.

0:33:04.120 --> 0:33:09.520
<v Speaker 1>So yeah, so Good Burger came out and is still

0:33:09.760 --> 0:33:13.240
<v Speaker 1>one of my favorite films from my childhood. I always

0:33:13.280 --> 0:33:15.200
<v Speaker 1>if you follow me on Twitter, I'm always pitching a

0:33:15.200 --> 0:33:18.240
<v Speaker 1>Good Burger two. I think we just need Keenan to

0:33:18.320 --> 0:33:20.800
<v Speaker 1>come back, like I'm sure Kel is down. And also

0:33:20.800 --> 0:33:23.480
<v Speaker 1>I just want to say I've read interviews with Kel,

0:33:23.520 --> 0:33:26.000
<v Speaker 1>who also auditioned for SNL, but Um said that he

0:33:26.040 --> 0:33:28.440
<v Speaker 1>had a weird audition, that he took a risk and

0:33:28.480 --> 0:33:30.400
<v Speaker 1>it didn't it didn't really pay off. But he is

0:33:30.480 --> 0:33:33.680
<v Speaker 1>the nicest man. I have friends that that have performed

0:33:33.680 --> 0:33:36.000
<v Speaker 1>on shows with him. He still does stand up and

0:33:36.800 --> 0:33:39.880
<v Speaker 1>he said in this interview about how people like waiters

0:33:39.920 --> 0:33:43.000
<v Speaker 1>whenever they see him when he's ordering, they're like, oh,

0:33:43.520 --> 0:33:45.760
<v Speaker 1>do you want orange soda? You know, like they'll say

0:33:45.760 --> 0:33:47.880
<v Speaker 1>that and he'll be like yeah, sure, like and because

0:33:47.880 --> 0:33:49.400
<v Speaker 1>he doesn't want to ruin because that was such an

0:33:49.440 --> 0:33:51.640
<v Speaker 1>important part of their childhood that he when he goes

0:33:51.680 --> 0:33:53.800
<v Speaker 1>to restaurants, he's not like no, like just you know,

0:33:53.840 --> 0:33:56.280
<v Speaker 1>give me my beer or whatever. He is like yeah,

0:33:56.280 --> 0:33:58.680
<v Speaker 1>and he's like, they'll bring me orange soda, and I

0:33:58.960 --> 0:34:01.480
<v Speaker 1>like also order some an els, but like he doesn't

0:34:01.520 --> 0:34:03.880
<v Speaker 1>turn it down because he just like seeing how excited

0:34:03.920 --> 0:34:06.400
<v Speaker 1>people are that they still remember his character. And I

0:34:06.440 --> 0:34:08.399
<v Speaker 1>loved him in Mystery Man. He was so funny. Oh

0:34:08.440 --> 0:34:12.560
<v Speaker 1>my god. Yes, Mystery Man heavily slept on ahead of

0:34:12.600 --> 0:34:14.799
<v Speaker 1>its time. Yeah, also ahead of it. So yeah, what's

0:34:14.800 --> 0:34:16.840
<v Speaker 1>what's your pitch for Good Burger too, Danny? Can you

0:34:16.840 --> 0:34:20.480
<v Speaker 1>share it now? Um, we don't have time. No, we

0:34:20.520 --> 0:34:22.279
<v Speaker 1>don't have time. I would have to do like a

0:34:22.320 --> 0:34:24.560
<v Speaker 1>whole thing on on all that, which is another thing

0:34:24.600 --> 0:34:26.480
<v Speaker 1>I wanted to say, Like we didn't even really have

0:34:26.960 --> 0:34:29.399
<v Speaker 1>we might do a full episode on something like rennin Stip.

0:34:29.800 --> 0:34:33.520
<v Speaker 1>You don't actually get to talk about, yeah, the way

0:34:33.520 --> 0:34:35.840
<v Speaker 1>that we did with like teenage mutants and things that

0:34:35.920 --> 0:34:38.000
<v Speaker 1>like it. It had a comic like my dad used

0:34:38.000 --> 0:34:40.799
<v Speaker 1>to buy me the rennin Stippy comics, which you know,

0:34:40.840 --> 0:34:43.360
<v Speaker 1>and it's so like grotesque and I probably shouldn't have

0:34:43.400 --> 0:34:46.080
<v Speaker 1>had it when I was seven, but that reboot that

0:34:46.239 --> 0:34:51.839
<v Speaker 1>was yeah, yeah, yeah, that was weird. And then their

0:34:52.120 --> 0:34:57.000
<v Speaker 1>creator got outed as being a very very bad person. Yeah,

0:34:57.320 --> 0:34:59.880
<v Speaker 1>who had a sixteen year old girlfriend at a time

0:35:00.400 --> 0:35:04.719
<v Speaker 1>really oh yes, text her. He actually his lawyer like

0:35:04.840 --> 0:35:07.160
<v Speaker 1>came out with a statement saying, yes, there was a

0:35:07.160 --> 0:35:09.359
<v Speaker 1>period of time when he, as an adult man, had

0:35:09.360 --> 0:35:11.200
<v Speaker 1>a sixteen year old girlfriend when he was working at

0:35:11.200 --> 0:35:18.359
<v Speaker 1>the studio. And it's a lot um So maybe we'll

0:35:18.360 --> 0:35:21.640
<v Speaker 1>skip it or not. I mean, you know, we can't.

0:35:21.719 --> 0:35:23.960
<v Speaker 1>Just I would just like to say too that if

0:35:23.960 --> 0:35:26.000
<v Speaker 1>there's people listening to this right now and they're like

0:35:26.600 --> 0:35:29.480
<v Speaker 1>they're kind of going back and remembering certain stuff that

0:35:29.520 --> 0:35:31.319
<v Speaker 1>they grew up on, or they haven't had a chance

0:35:31.360 --> 0:35:34.520
<v Speaker 1>to check out Nickelodeon like currently, or you know, because

0:35:34.520 --> 0:35:36.840
<v Speaker 1>everybody talks about the nineties being the Golden Age, and

0:35:36.840 --> 0:35:39.400
<v Speaker 1>I think there's there's two reasons why that happens. Number One,

0:35:39.840 --> 0:35:42.080
<v Speaker 1>I think people our age just kind of did stop

0:35:42.080 --> 0:35:44.160
<v Speaker 1>watching cartoons at a certain so they did sort of

0:35:44.200 --> 0:35:46.719
<v Speaker 1>miss on a bunch of cartoons kind of around after

0:35:46.800 --> 0:35:49.920
<v Speaker 1>Invader Zim and Beyond and then maybe Avatar the Less

0:35:49.920 --> 0:35:51.600
<v Speaker 1>and Brander broke through and they check that out as

0:35:51.600 --> 0:35:54.520
<v Speaker 1>a cartoon watcher. But I think number two is I

0:35:54.560 --> 0:35:58.000
<v Speaker 1>think that there is some truth to Nickelodeon being in

0:35:58.040 --> 0:35:59.880
<v Speaker 1>its golden age in the nineties because they were so

0:36:00.040 --> 0:36:02.799
<v Speaker 1>all about taking risks, at least as far as their

0:36:03.000 --> 0:36:05.640
<v Speaker 1>cartoons were concerned, that it's kind of weird to make

0:36:05.640 --> 0:36:08.440
<v Speaker 1>your whole business model around taking a risk, because if

0:36:08.480 --> 0:36:10.200
<v Speaker 1>they would do that later and it didn't pay out,

0:36:10.560 --> 0:36:12.719
<v Speaker 1>then people are like, well, that's not like Nickelodeon enough.

0:36:12.719 --> 0:36:15.200
<v Speaker 1>And it's like, well, they're trying to take a risk,

0:36:15.239 --> 0:36:17.279
<v Speaker 1>and sometimes if they played it safe, because they're a

0:36:17.360 --> 0:36:21.399
<v Speaker 1>huge business, then it wouldn't be Nickelodeon enough. So I'll

0:36:21.440 --> 0:36:23.479
<v Speaker 1>just say to people listening to this right now again,

0:36:23.520 --> 0:36:25.840
<v Speaker 1>I encourage you too. If you feel like watching some

0:36:25.920 --> 0:36:28.360
<v Speaker 1>of these shows again, go back and watch them, go

0:36:28.760 --> 0:36:31.319
<v Speaker 1>and do the research. Go go get booked, or you know,

0:36:31.480 --> 0:36:33.799
<v Speaker 1>just look online and then do this kind of Nickelodeon

0:36:33.840 --> 0:36:36.080
<v Speaker 1>research about the history of the company. Because it is

0:36:36.440 --> 0:36:39.600
<v Speaker 1>fascinating and really cool. Dude. I bought a season of

0:36:39.920 --> 0:36:44.759
<v Speaker 1>All Real Monsters. That was my favorite Nickelodeon show. Got

0:36:44.760 --> 0:36:47.759
<v Speaker 1>canceled way too early. It only has four seasons. Good

0:36:47.840 --> 0:36:51.080
<v Speaker 1>concept and low key kind of was like, I mean,

0:36:53.680 --> 0:36:58.120
<v Speaker 1>it was very monsters inky. It's so good and funny

0:36:58.239 --> 0:37:02.479
<v Speaker 1>and I love it. And yeah, that premiere to Modern

0:37:02.560 --> 0:37:05.440
<v Speaker 1>Life was Rocker's Modern Life, of course, which we didn't

0:37:05.440 --> 0:37:09.359
<v Speaker 1>when we found out that he's a sex worker. Like

0:37:09.400 --> 0:37:13.319
<v Speaker 1>those are things when you go back and watching as

0:37:13.320 --> 0:37:16.439
<v Speaker 1>an adult, you're like, oh crap, they were sliding things

0:37:16.440 --> 0:37:19.000
<v Speaker 1>in here. Yeah, because I think it was the fun

0:37:19.080 --> 0:37:21.799
<v Speaker 1>thing of like trying to especially when which shows like

0:37:21.840 --> 0:37:24.160
<v Speaker 1>rent and stimpy, And I think that's why the reboot

0:37:24.600 --> 0:37:28.400
<v Speaker 1>was not as great as the original, was the constraint

0:37:28.480 --> 0:37:30.480
<v Speaker 1>of trying to see what you can get away with

0:37:30.960 --> 0:37:34.120
<v Speaker 1>while still making its acceptable for children out going full

0:37:34.160 --> 0:37:36.799
<v Speaker 1>on crass and disgusting, because if you do that then

0:37:36.800 --> 0:37:39.799
<v Speaker 1>it's not as funny. Yeah, it's not as funny. But

0:37:40.120 --> 0:37:42.040
<v Speaker 1>you were saying, how you know people look at the

0:37:42.080 --> 0:37:45.680
<v Speaker 1>nineties of the Golden Age because you know all the animation,

0:37:45.800 --> 0:37:47.759
<v Speaker 1>And I do think you have a point, because we

0:37:47.880 --> 0:37:50.680
<v Speaker 1>when we get to the late nineties and the early odds,

0:37:50.960 --> 0:37:54.400
<v Speaker 1>we start having the live action shows, your Ned's Declassified

0:37:54.400 --> 0:37:59.240
<v Speaker 1>school Books, You're Different stuff, And also they launched Noggin,

0:37:59.360 --> 0:38:02.080
<v Speaker 1>which was a big point because de Grassi was there.

0:38:02.320 --> 0:38:04.520
<v Speaker 1>We can jump in all of that fun stuff right

0:38:04.560 --> 0:38:16.719
<v Speaker 1>after these messages and we're back. So I don't want

0:38:16.760 --> 0:38:19.400
<v Speaker 1>to move on without talking about some more of the

0:38:19.480 --> 0:38:23.520
<v Speaker 1>really iconic live action slash light competition shows that we had,

0:38:23.920 --> 0:38:26.359
<v Speaker 1>which was Legends of the Hidden Temple. That was something

0:38:26.360 --> 0:38:28.520
<v Speaker 1>that I did want to compete and I always was wondering, like,

0:38:28.560 --> 0:38:30.960
<v Speaker 1>am I going to see someone from my school on this?

0:38:31.719 --> 0:38:33.839
<v Speaker 1>For some reason? I know, because maybe because they were

0:38:33.880 --> 0:38:38.960
<v Speaker 1>actors Global Guts Guts. So Legends of the Hidden Temple

0:38:38.960 --> 0:38:44.200
<v Speaker 1>of first episode aired on September eleven, and uh, you

0:38:44.320 --> 0:38:48.719
<v Speaker 1>also have Guts, which aired September nine, So a year

0:38:48.719 --> 0:38:51.600
<v Speaker 1>after Guts, they did Legend of the Hidden Tiple. Fun fact,

0:38:51.680 --> 0:38:54.040
<v Speaker 1>Michael Malley, who was a presenter, he's still out here.

0:38:54.239 --> 0:38:57.880
<v Speaker 1>He actually is the creator of the show Survivor's Remorse

0:38:58.160 --> 0:39:01.799
<v Speaker 1>on I think formerly Survivor's Remorse. I don't think it's

0:39:01.800 --> 0:39:03.440
<v Speaker 1>on the air right now, but that's the show that

0:39:03.480 --> 0:39:05.760
<v Speaker 1>he made with Lebron that was kind of like based

0:39:05.760 --> 0:39:08.759
<v Speaker 1>off of Lebron's life and yeah, so he's like still

0:39:08.800 --> 0:39:11.800
<v Speaker 1>out here making some dope moves and it's funny to

0:39:11.840 --> 0:39:15.280
<v Speaker 1>see how like that's funny with like the Neil Brennan

0:39:15.360 --> 0:39:18.040
<v Speaker 1>thing and now you have like he went the stuff

0:39:18.040 --> 0:39:21.439
<v Speaker 1>he works on is is so crazy when you think that,

0:39:21.480 --> 0:39:25.200
<v Speaker 1>you know, he went from guts to you know, working

0:39:25.239 --> 0:39:28.920
<v Speaker 1>with Lebron James. Those game shows were awesome. Yeah, And

0:39:28.920 --> 0:39:30.680
<v Speaker 1>I don't know if you all know, but Double Dare,

0:39:30.760 --> 0:39:36.600
<v Speaker 1>which was with Mark Summers, actually first aired in six Yeah,

0:39:36.640 --> 0:39:41.160
<v Speaker 1>I didn't know that. That's crazy. Yeah, that's what that means. Yeah.

0:39:41.400 --> 0:39:45.440
<v Speaker 1>And also back of course, the iconic green slime, the

0:39:45.520 --> 0:39:50.200
<v Speaker 1>slime covered in it actually first came out during a

0:39:50.320 --> 0:39:52.719
<v Speaker 1>skit that they did back in nineteen seventy nine where

0:39:52.760 --> 0:39:55.640
<v Speaker 1>a kids chained up for detention in a dungeon and

0:39:55.680 --> 0:39:57.920
<v Speaker 1>he's told not to pull on his shackles and when

0:39:57.920 --> 0:40:01.040
<v Speaker 1>he does, a toilet flushes and the signature green slime

0:40:01.480 --> 0:40:03.640
<v Speaker 1>comes down. And then that was a great gag that

0:40:03.680 --> 0:40:07.000
<v Speaker 1>they then later used throughout Nickelodeon, but also at their

0:40:07.080 --> 0:40:12.200
<v Speaker 1>Kids Choice Awards and getting slimed was an honor. I

0:40:12.239 --> 0:40:13.960
<v Speaker 1>love the Kid's Choice Awards. When I was a kid,

0:40:14.000 --> 0:40:16.520
<v Speaker 1>it was like the Oscars but for kids, and you know,

0:40:16.680 --> 0:40:18.480
<v Speaker 1>and and and like you said, if they would air

0:40:18.520 --> 0:40:21.360
<v Speaker 1>cool stuff right after, like the pilot episode of SpongeBob

0:40:21.400 --> 0:40:22.920
<v Speaker 1>and and I had a chance to go to a

0:40:23.000 --> 0:40:25.720
<v Speaker 1>taping of the Kid's Choice Awards, and it is insane.

0:40:25.880 --> 0:40:29.759
<v Speaker 1>I went as well. So this year, Ishmael Sahid of

0:40:29.960 --> 0:40:33.280
<v Speaker 1>White Women is on a Nickelodeon show called Cousins for Life,

0:40:33.640 --> 0:40:36.040
<v Speaker 1>and so I get a text room and goes. For

0:40:36.080 --> 0:40:38.360
<v Speaker 1>those who don't know, Ishmael is a very quiet dude

0:40:38.400 --> 0:40:41.520
<v Speaker 1>and he's very like Moby all the time. And he

0:40:41.600 --> 0:40:43.360
<v Speaker 1>was like, hey, if you want to come to the

0:40:43.440 --> 0:40:45.440
<v Speaker 1>Kid's Choice Awards, And I was like a hundred percent

0:40:45.800 --> 0:40:48.279
<v Speaker 1>a million times yes. And not only was I the

0:40:48.360 --> 0:40:51.840
<v Speaker 1>kids store, I was the v I P. And I

0:40:51.880 --> 0:40:55.160
<v Speaker 1>had the nosebleeds, so I was the v I P

0:40:55.360 --> 0:40:57.799
<v Speaker 1>in the back with all their snacks. And it was

0:40:57.920 --> 0:41:00.800
<v Speaker 1>wild because you'd see all these kids who I felt

0:41:00.800 --> 0:41:05.120
<v Speaker 1>bad because I didn't recognize any of them because they're

0:41:05.160 --> 0:41:09.680
<v Speaker 1>like current Nickelodeon stars. And then you had Kevin Bacon

0:41:11.280 --> 0:41:15.799
<v Speaker 1>and so so yeah, our buddy Ben Schwartz. He now,

0:41:15.840 --> 0:41:18.640
<v Speaker 1>I'll tell you my whole experience. I walked there, I

0:41:18.719 --> 0:41:22.359
<v Speaker 1>get my badge, and they remembered me because I just

0:41:22.440 --> 0:41:25.560
<v Speaker 1>got done doing my Blues Clues audition. I was like, oh,

0:41:25.800 --> 0:41:29.640
<v Speaker 1>please don't remember that because it went whack. It was

0:41:29.760 --> 0:41:32.640
<v Speaker 1>not like basically they I guess I had the voice

0:41:32.680 --> 0:41:34.640
<v Speaker 1>actor for Blue in there while I'm doing it. I

0:41:34.640 --> 0:41:37.280
<v Speaker 1>didn't know. I'm doing my lines. She does the Blue songs.

0:41:37.440 --> 0:41:42.239
<v Speaker 1>I physically jump back and they're like, okay, let's move

0:41:42.239 --> 0:41:43.360
<v Speaker 1>on to the next scene. I was like, wait, we

0:41:43.400 --> 0:41:46.040
<v Speaker 1>don't want to take that back. I literally got shocked

0:41:46.040 --> 0:41:48.840
<v Speaker 1>by what you're supposed to be my co star. So anyway,

0:41:49.120 --> 0:41:51.200
<v Speaker 1>he did not get that, but they're like, oh, yeah,

0:41:51.239 --> 0:41:55.680
<v Speaker 1>if you just came in for that, yes, that is

0:41:55.719 --> 0:41:58.920
<v Speaker 1>the exact sound she made. And I was like, because

0:41:58.960 --> 0:42:01.520
<v Speaker 1>you know, I'm thinking, you know, they're just gonna be like,

0:42:01.560 --> 0:42:05.000
<v Speaker 1>all right, you're just reacting to your imagination in retrospect.

0:42:05.000 --> 0:42:07.920
<v Speaker 1>That's a good thing to actually have something to react to. Anyway,

0:42:07.960 --> 0:42:10.520
<v Speaker 1>So we get there and Ishmael has to walk the

0:42:10.560 --> 0:42:14.160
<v Speaker 1>orange carpet with his fake family and I was like, yo,

0:42:14.239 --> 0:42:15.759
<v Speaker 1>we gotta do it together, and he was like, no,

0:42:17.080 --> 0:42:19.560
<v Speaker 1>it's like this my moment. And I was like, all right,

0:42:19.640 --> 0:42:21.840
<v Speaker 1>I understand. I really wanted to walk the orange carpet.

0:42:21.840 --> 0:42:24.000
<v Speaker 1>Though I will remember this for the rest of myne

0:42:25.120 --> 0:42:27.680
<v Speaker 1>never I will not be on a Nick show probably

0:42:28.239 --> 0:42:32.200
<v Speaker 1>you know who know who knows we'll see. So then

0:42:32.520 --> 0:42:35.279
<v Speaker 1>they were hanging out in the backstage and I'm looking

0:42:35.320 --> 0:42:38.839
<v Speaker 1>around and I see all these kids. Also I dressed down,

0:42:38.840 --> 0:42:41.920
<v Speaker 1>okay because I was thinking, well, yeah, because I was like,

0:42:41.920 --> 0:42:44.640
<v Speaker 1>I might get slimed, so let me dress down. These

0:42:44.680 --> 0:42:46.600
<v Speaker 1>kids are fresh to death looking fresher than me. So

0:42:46.600 --> 0:42:48.040
<v Speaker 1>now mad, I was like, I knew I should have

0:42:48.040 --> 0:42:50.319
<v Speaker 1>worn up good gear. But I'm like, I was like

0:42:50.360 --> 0:42:52.800
<v Speaker 1>these I'm talking about these kids are wearing off white.

0:42:53.000 --> 0:42:56.400
<v Speaker 1>These kids are wearing like yeazys, they're bape And I

0:42:56.440 --> 0:42:57.920
<v Speaker 1>was like, I got all this. I would have been

0:42:57.920 --> 0:43:00.920
<v Speaker 1>impressing these kids. But now I'm like a like a

0:43:01.000 --> 0:43:03.839
<v Speaker 1>herb standing over here in my light dressed down. I

0:43:03.880 --> 0:43:08.360
<v Speaker 1>was so salty. Uh So then I'm sitting no, of

0:43:08.360 --> 0:43:14.080
<v Speaker 1>course not why would exactly. I was looking at this

0:43:14.520 --> 0:43:17.080
<v Speaker 1>also like they slimed. There's all these kids who would

0:43:17.080 --> 0:43:19.200
<v Speaker 1>literally look weird if there was like all these kids

0:43:19.200 --> 0:43:24.560
<v Speaker 1>in big old If. He's like, yeah, we're slimed anyway,

0:43:24.719 --> 0:43:26.600
<v Speaker 1>I'm looking around. I was like, I don't know anyone.

0:43:26.680 --> 0:43:28.960
<v Speaker 1>And then I see Ben and I was like hey, buddy,

0:43:29.440 --> 0:43:31.920
<v Speaker 1>and I was like, wait, what are you doing here?

0:43:32.320 --> 0:43:35.800
<v Speaker 1>Because it was before they like officially announced it. I

0:43:35.840 --> 0:43:38.760
<v Speaker 1>mean they announced it, but like only if you're paying attention.

0:43:39.200 --> 0:43:41.160
<v Speaker 1>And he was like, oh, I'm a ninja turtle. And

0:43:41.200 --> 0:43:43.880
<v Speaker 1>then Omar Gooding was there as well, and I was

0:43:43.960 --> 0:43:47.799
<v Speaker 1>like this is tight because one you're a ninja turtle

0:43:47.880 --> 0:43:51.600
<v Speaker 1>to Omar Goodness that guy. I used to watch him

0:43:51.640 --> 0:43:54.560
<v Speaker 1>all the time. And and then long story slow, I

0:43:54.560 --> 0:43:58.400
<v Speaker 1>didn't get slimed, but the you know, it was fun.

0:43:58.600 --> 0:44:01.759
<v Speaker 1>I wish I got slimed. Yeah. Yeah, we still gotta

0:44:01.760 --> 0:44:03.520
<v Speaker 1>get slimed, y'all. What we we're going to do it?

0:44:03.560 --> 0:44:05.880
<v Speaker 1>I bet all of us will well. I technically have

0:44:06.000 --> 0:44:10.440
<v Speaker 1>been slimed, not offacially slimed. I did a it was

0:44:10.520 --> 0:44:15.919
<v Speaker 1>this like Turf Company. They did this Facebook live kind

0:44:15.920 --> 0:44:18.480
<v Speaker 1>of event where we did like a double Dare type

0:44:18.480 --> 0:44:22.040
<v Speaker 1>event and we actually had the who's the host of

0:44:22.120 --> 0:44:25.720
<v Speaker 1>Double Dare again? Marks? Yeah, Mark Summers actually came out

0:44:26.080 --> 0:44:29.040
<v Speaker 1>and like did it and they end so like they

0:44:29.040 --> 0:44:31.360
<v Speaker 1>did the one event where there's the balloon filled with

0:44:31.440 --> 0:44:34.960
<v Speaker 1>slime and you have to pop the most balloons. When

0:44:35.040 --> 0:44:37.600
<v Speaker 1>I say I wrecked that, When I say that, all

0:44:37.640 --> 0:44:39.520
<v Speaker 1>that energy I had as a kid, when I was

0:44:39.600 --> 0:44:41.680
<v Speaker 1>like I need to be out there. I had something

0:44:41.680 --> 0:44:44.399
<v Speaker 1>to prove. And me and the twenty people who were

0:44:44.440 --> 0:44:48.440
<v Speaker 1>watching that Turf Companies Facebook live video knows that I

0:44:48.560 --> 0:44:51.000
<v Speaker 1>the real cheat. I didn't get to walk the orange carpet,

0:44:51.000 --> 0:44:54.279
<v Speaker 1>but no, I'm going to get good for you if yeah,

0:44:54.440 --> 0:44:57.280
<v Speaker 1>you know, so I got slimed up. It's it's nice,

0:44:59.000 --> 0:45:02.120
<v Speaker 1>but yeah, no is so then uh yeah, so we

0:45:02.160 --> 0:45:07.640
<v Speaker 1>have July of Yes, this is the big one that

0:45:07.800 --> 0:45:11.319
<v Speaker 1>is when SpongeBob square Pants officially premiered. So for all

0:45:11.360 --> 0:45:16.440
<v Speaker 1>of us, like older people, I mean, SpongeBob is their moneymaker.

0:45:16.880 --> 0:45:22.160
<v Speaker 1>SpongeBob I think to this says as of late SpongeBob

0:45:22.280 --> 0:45:28.000
<v Speaker 1>has generated thirteen billion in merchandizing revenue for Nickelodeon. It's

0:45:28.040 --> 0:45:29.840
<v Speaker 1>so funny because, like you were saying, for us, it's like,

0:45:29.840 --> 0:45:31.640
<v Speaker 1>oh no, it's Rugrats and we grew up with a

0:45:31.680 --> 0:45:36.840
<v Speaker 1>grand and Steff no SpongeBob. Yeah, SpongeBob needs more credit

0:45:37.200 --> 0:45:40.399
<v Speaker 1>for everything that it's done. For that and how long

0:45:40.480 --> 0:45:43.560
<v Speaker 1>it's been because it's still running right actor. I think

0:45:43.560 --> 0:45:45.799
<v Speaker 1>as of right now it is and if if it's not,

0:45:45.840 --> 0:45:48.560
<v Speaker 1>they're at least doing another movie. Was there a time

0:45:48.600 --> 0:45:51.880
<v Speaker 1>when Tom Kenny, who's voice of the famous voice of SpongeBob,

0:45:51.920 --> 0:45:54.480
<v Speaker 1>did he drop out or piece out or like I

0:45:54.560 --> 0:45:56.600
<v Speaker 1>thought he wanted a piece out, but then they were like, well,

0:45:56.640 --> 0:45:58.480
<v Speaker 1>you can't do this without him. No. I think the

0:45:58.520 --> 0:46:01.520
<v Speaker 1>thing about Tom that people might not know is I

0:46:01.560 --> 0:46:02.879
<v Speaker 1>had a chance to talk to him for the Nick

0:46:02.960 --> 0:46:05.960
<v Speaker 1>podcast and he said that he tried out for SNL

0:46:06.400 --> 0:46:08.520
<v Speaker 1>and made it in the top three and he was

0:46:08.560 --> 0:46:12.239
<v Speaker 1>beat out I think by like David and Rob Schneider.

0:46:12.360 --> 0:46:14.440
<v Speaker 1>This is back in like the mid to early nineties.

0:46:15.200 --> 0:46:18.120
<v Speaker 1>And he so he got beaten out by two out

0:46:18.120 --> 0:46:19.960
<v Speaker 1>of the top three spots, so he couldn't get it

0:46:20.000 --> 0:46:22.160
<v Speaker 1>because it only had two spots or whatever. And he

0:46:22.280 --> 0:46:24.719
<v Speaker 1>goes on to talk about how devastated he was by that,

0:46:24.760 --> 0:46:26.880
<v Speaker 1>because when you're a comedian, when you're stand up comic,

0:46:27.360 --> 0:46:29.719
<v Speaker 1>that is the end goal. If you don't make that,

0:46:29.800 --> 0:46:32.440
<v Speaker 1>what then? Right? And I know, athletes deal with the

0:46:32.480 --> 0:46:34.760
<v Speaker 1>same thing, where like if they don't win the World Series,

0:46:34.800 --> 0:46:36.960
<v Speaker 1>if they don't win the World Cup, you know, this

0:46:37.120 --> 0:46:43.360
<v Speaker 1>kind of like horrifically depressing, um devastating thing happens. But

0:46:43.600 --> 0:46:45.839
<v Speaker 1>Tom goes on to describe it like if he had

0:46:45.840 --> 0:46:49.360
<v Speaker 1>gotten SNL, he wouldn't have gotten SpongeBob SquarePants. He wouldn't

0:46:49.360 --> 0:46:50.640
<v Speaker 1>have been there, he wouldn't have been in the room.

0:46:51.160 --> 0:46:54.680
<v Speaker 1>And ultimately he always wanted to do a thing like SpongeBob.

0:46:54.840 --> 0:46:58.600
<v Speaker 1>SpongeBob and voice acting was his dream job, that was

0:46:58.640 --> 0:47:02.239
<v Speaker 1>the end goal. And so he has always loved doing

0:47:02.280 --> 0:47:04.839
<v Speaker 1>the character and being the character. As far as I know,

0:47:04.920 --> 0:47:06.359
<v Speaker 1>I don't know if there was ever a time where

0:47:07.120 --> 0:47:08.719
<v Speaker 1>him or anybody else in the cast didn't want to

0:47:08.719 --> 0:47:11.480
<v Speaker 1>do it. I mean that cast is just insane. You've

0:47:11.480 --> 0:47:15.279
<v Speaker 1>got Bill FAGERBACKI who does Patrick Starr, who is underrated

0:47:15.360 --> 0:47:18.239
<v Speaker 1>as a smart, dumb character. It is tough to play

0:47:18.239 --> 0:47:21.920
<v Speaker 1>a dumb character, and Bill like Patrick is like next level.

0:47:22.200 --> 0:47:26.400
<v Speaker 1>Then you've got Clancy Brown, Clancy Brown from The Highlander,

0:47:26.840 --> 0:47:29.800
<v Speaker 1>from the voice of Lex Luthor from the DC Animated Universe,

0:47:29.800 --> 0:47:32.480
<v Speaker 1>Like who's got this amazing voice who sounds like this,

0:47:32.760 --> 0:47:36.200
<v Speaker 1>he's Mr Crabs and he loves doing Mr Crabs because

0:47:36.239 --> 0:47:38.520
<v Speaker 1>he loves to like surprise kids and people once they

0:47:38.560 --> 0:47:41.120
<v Speaker 1>learned that he is Mr Crabs. That's like his favorite

0:47:41.160 --> 0:47:43.560
<v Speaker 1>character that he does. And he's this this he is

0:47:43.600 --> 0:47:47.160
<v Speaker 1>this incredibly imposing, like very intimidating, super nice but like

0:47:47.200 --> 0:47:49.880
<v Speaker 1>intimidating guy. He's got this great presence and he's the

0:47:49.960 --> 0:47:52.279
<v Speaker 1>voice of Mr Crabs. So it's like, yeah, I mean

0:47:52.280 --> 0:47:54.560
<v Speaker 1>there was stuff that came before SpongeBob to round out

0:47:54.560 --> 0:47:56.960
<v Speaker 1>the rest of the nineties. It was Hey Arnold Blam

0:47:57.040 --> 0:47:59.719
<v Speaker 1>was another show that I loved as a kid, was

0:47:59.719 --> 0:48:04.359
<v Speaker 1>like a sketch shows well live action was The Kids

0:48:04.480 --> 0:48:08.279
<v Speaker 1>Robot Chicken. Before Yes, it was Angry Beavers was also

0:48:08.320 --> 0:48:11.319
<v Speaker 1>a lot of fun, and Angry Beaver is one of

0:48:11.320 --> 0:48:14.320
<v Speaker 1>those voice actors went on to voice Invader Zim So

0:48:14.360 --> 0:48:16.560
<v Speaker 1>again up there kind of you know, reusing their very

0:48:16.560 --> 0:48:20.839
<v Speaker 1>talented cast. Cat Dog premiered in a year before Tom

0:48:20.920 --> 0:48:23.680
<v Speaker 1>Kenny was the voice of Dog and Cat Dog there

0:48:23.680 --> 0:48:26.200
<v Speaker 1>you go. Also, I just want to talk about like

0:48:26.280 --> 0:48:29.600
<v Speaker 1>Tom Kenney still out there getting like he is most

0:48:29.600 --> 0:48:33.240
<v Speaker 1>famously known for SpongeBob, but he is also Commissioner Gordon.

0:48:33.560 --> 0:48:36.319
<v Speaker 1>He has also done a ton of different voices on

0:48:36.800 --> 0:48:40.640
<v Speaker 1>Rick and Morty, so you definitely heard him there. All

0:48:40.680 --> 0:48:43.600
<v Speaker 1>of the top tier voice over talent. You should do

0:48:43.640 --> 0:48:45.440
<v Speaker 1>yourself a favor if you like any of these characters,

0:48:45.560 --> 0:48:47.040
<v Speaker 1>find out who does the voice, and then go to

0:48:47.040 --> 0:48:51.200
<v Speaker 1>their IMDb and your jaw will drop. And how often

0:48:51.239 --> 0:48:54.520
<v Speaker 1>these people work it is insane. Yeah. Tom Kenny's also

0:48:54.800 --> 0:48:57.080
<v Speaker 1>Heifer and Rocco's Mardern Life. He plays the Ice King

0:48:57.120 --> 0:49:00.120
<v Speaker 1>in Adventure Time. He's a narrator and mayor in there

0:49:00.200 --> 0:49:04.919
<v Speaker 1>Puff Girls, who I love the mayor Well yeaheah. He's

0:49:04.960 --> 0:49:06.880
<v Speaker 1>done a ton of stuff. Yeah, it's it's great, and

0:49:06.920 --> 0:49:09.640
<v Speaker 1>it also lets you know why it's so hard to

0:49:09.680 --> 0:49:12.160
<v Speaker 1>break into the voice over industry, because really, because they

0:49:12.200 --> 0:49:15.680
<v Speaker 1>do it all. Yeah, they basically yeah everyone, once you're

0:49:15.719 --> 0:49:19.160
<v Speaker 1>in the family, you're you're bouncing around. But so yeah,

0:49:19.239 --> 0:49:21.960
<v Speaker 1>looking at you. Chris Sabbott voices every Dragon ball Z

0:49:22.080 --> 0:49:24.400
<v Speaker 1>character ever. Yeah. Another cool thing that I love that

0:49:24.480 --> 0:49:26.440
<v Speaker 1>Nickelodeon did, and I think Cartoon Network did the same

0:49:26.480 --> 0:49:28.799
<v Speaker 1>thing around the same time as Oh Yeah Cartoons, which

0:49:28.840 --> 0:49:31.799
<v Speaker 1>was like they're like pilot, you know, the thing that

0:49:31.840 --> 0:49:34.600
<v Speaker 1>where they would produce pilot shows where I think, like

0:49:34.960 --> 0:49:37.959
<v Speaker 1>fairly odd parents came from that chalk zone a bunch

0:49:37.960 --> 0:49:40.520
<v Speaker 1>of shows, you know, they were like trying things things out,

0:49:40.560 --> 0:49:43.520
<v Speaker 1>my life as a teenage robot the Wild. Thornberry's premiered

0:49:43.520 --> 0:49:46.960
<v Speaker 1>before SpongeBob, and that was the last show before SpongeBob.

0:49:47.200 --> 0:49:50.000
<v Speaker 1>Thornbury's was a great show. Tim Curry as Nigel Thornberry

0:49:50.040 --> 0:49:54.600
<v Speaker 1>was fantastic, so much so good so then SpongeBob even

0:49:54.600 --> 0:49:58.719
<v Speaker 1>though it premier so many people, even Nickelodeon itself, I

0:49:58.760 --> 0:50:00.719
<v Speaker 1>have a Nickelodeon backpack that didn't bring I should have

0:50:00.719 --> 0:50:03.800
<v Speaker 1>brought it. That is like nineties Nick and SpongeBob premiering

0:50:03.840 --> 0:50:06.680
<v Speaker 1>in the nineteen ninety ninety nine means it's a nineties

0:50:06.760 --> 0:50:09.520
<v Speaker 1>Nick show, but it's not. Nobody considers it that because

0:50:09.560 --> 0:50:11.759
<v Speaker 1>it because it took a few seasons to become what

0:50:11.880 --> 0:50:13.560
<v Speaker 1>it is. It took like three or four seasons for

0:50:13.600 --> 0:50:15.920
<v Speaker 1>people to catch on and the world to catch on.

0:50:16.040 --> 0:50:18.520
<v Speaker 1>But he represents that sort of shift of like, Okay,

0:50:18.640 --> 0:50:21.479
<v Speaker 1>Nickelodeon's back I get not that they were ever gone,

0:50:21.520 --> 0:50:25.160
<v Speaker 1>but like man, what a what a what a phenomenon? Also,

0:50:25.239 --> 0:50:31.319
<v Speaker 1>what that means is July sevent of next year, will

0:50:31.360 --> 0:50:34.200
<v Speaker 1>mean that it's been on the air twenty years. It

0:50:34.280 --> 0:50:36.919
<v Speaker 1>has been on the air longer than some people who

0:50:36.920 --> 0:50:39.560
<v Speaker 1>watch it. Oh he has been born absolutely, I mean

0:50:39.719 --> 0:50:43.400
<v Speaker 1>multigenerational at this point, which is crazy. You're on a

0:50:43.480 --> 0:50:46.600
<v Speaker 1>page because he's going through his nio. This was a

0:50:46.719 --> 0:50:51.680
<v Speaker 1>very formative for me as a California kid. Rocket wanted

0:50:51.840 --> 0:50:55.040
<v Speaker 1>so bad, I was everything. I would watch that show

0:50:55.440 --> 0:50:57.839
<v Speaker 1>and then go outside and yeah, remember when Tony Hawk

0:50:57.840 --> 0:51:00.840
<v Speaker 1>was on it. Oh that was after after Rocket Power,

0:51:00.880 --> 0:51:03.439
<v Speaker 1>which again came from like class Key Chupo, as told

0:51:03.480 --> 0:51:05.360
<v Speaker 1>by Ginger, was a show that I was not the

0:51:05.360 --> 0:51:07.480
<v Speaker 1>target demographic, but I was like, oh, this is awesome.

0:51:07.560 --> 0:51:10.160
<v Speaker 1>It's a great, great show. The Fairly Odd Parents was

0:51:10.200 --> 0:51:12.839
<v Speaker 1>a huge show premiere to two thousand one, huge show

0:51:12.880 --> 0:51:16.520
<v Speaker 1>and another huge money maker. I feel like if SpongeBob's one,

0:51:16.640 --> 0:51:20.719
<v Speaker 1>the Fairly Odd Parents has been consistently a solid sort

0:51:20.760 --> 0:51:23.880
<v Speaker 1>of number two to to the pop culture phenomenon that

0:51:23.960 --> 0:51:27.960
<v Speaker 1>is SpongeBob, because it's just it's just so consistent. Fairly

0:51:27.960 --> 0:51:31.279
<v Speaker 1>Odd Parents was so good and so funny. Two thousand one,

0:51:31.280 --> 0:51:35.120
<v Speaker 1>Invader Zim was a big deal. This show was canceled early,

0:51:35.719 --> 0:51:41.000
<v Speaker 1>uh famous famously because the creator could not compromise. And

0:51:41.120 --> 0:51:43.880
<v Speaker 1>it's so interesting because Joe Nenvasquez is a genius and

0:51:43.920 --> 0:51:45.719
<v Speaker 1>he had such a vision for what the show was.

0:51:45.840 --> 0:51:47.880
<v Speaker 1>He was in his early twenties when he got this show,

0:51:47.960 --> 0:51:51.000
<v Speaker 1>he was a young man. And famously, the story goes

0:51:51.040 --> 0:51:53.560
<v Speaker 1>that there was a meeting where there were and this

0:51:53.600 --> 0:51:55.440
<v Speaker 1>is all here say, I don't know what the actual

0:51:55.560 --> 0:51:57.120
<v Speaker 1>thing was, and this is all stuff that I did

0:51:57.160 --> 0:51:59.640
<v Speaker 1>not learn from anybody at Nickelodeon, but rather when I

0:51:59.640 --> 0:52:03.760
<v Speaker 1>was an at school for animation from two thousand six

0:52:03.840 --> 0:52:06.839
<v Speaker 1>two thousand nine, I was already hearing the lesson of

0:52:06.880 --> 0:52:08.920
<v Speaker 1>what happened to Invaders in when it was canceled in

0:52:08.920 --> 0:52:12.080
<v Speaker 1>two thousand two. Because it's only gone for a year,

0:52:12.080 --> 0:52:14.160
<v Speaker 1>that's twenty seven episodes, it's like a season and a half.

0:52:14.320 --> 0:52:16.600
<v Speaker 1>Because my our teachers were telling me, here's a lesson

0:52:16.640 --> 0:52:18.239
<v Speaker 1>you need to know if you want to work in

0:52:18.239 --> 0:52:19.960
<v Speaker 1>this industry, if you want to work in animation, it

0:52:20.040 --> 0:52:23.399
<v Speaker 1>is a collaborative process. It is not a rock star show.

0:52:23.680 --> 0:52:25.960
<v Speaker 1>You cannot get away with being a jerk. You cannot

0:52:25.960 --> 0:52:28.640
<v Speaker 1>get away with not being able to work with other people. Famously,

0:52:28.680 --> 0:52:32.239
<v Speaker 1>Walt Disney collaborated with Salvador Dolly on a project back

0:52:32.239 --> 0:52:33.920
<v Speaker 1>in the day, and then he fired him. Do you

0:52:33.920 --> 0:52:35.960
<v Speaker 1>know why? Because salvad Or Dolly was an asshole and

0:52:35.960 --> 0:52:38.000
<v Speaker 1>people are telling Walt, Walt, you can't fire him. He

0:52:38.080 --> 0:52:39.920
<v Speaker 1>salvad Or Dolly. He's like, I don't care. This guy

0:52:39.960 --> 0:52:41.680
<v Speaker 1>doesn't know how to work with other people. That that's

0:52:41.680 --> 0:52:43.319
<v Speaker 1>not what I'm interested in. You know, it doesn't matter

0:52:43.320 --> 0:52:45.880
<v Speaker 1>who the person is. So love Jon and and and

0:52:46.000 --> 0:52:47.640
<v Speaker 1>much love to him, and I'm so glad that he's

0:52:47.680 --> 0:52:50.520
<v Speaker 1>able to come back and do a made for TV

0:52:50.600 --> 0:52:53.520
<v Speaker 1>movie that's coming out hopefully soon ish. People don't know

0:52:53.520 --> 0:52:55.560
<v Speaker 1>when it's coming out yet, but like, but he talks

0:52:55.560 --> 0:52:57.160
<v Speaker 1>about it. He was a different man then, and the

0:52:57.200 --> 0:52:58.840
<v Speaker 1>famous lead. The story I heard when I was in

0:52:58.880 --> 0:53:02.200
<v Speaker 1>college was like the at work came with changes that

0:53:02.239 --> 0:53:04.680
<v Speaker 1>they wanted to make compromise because he has a very

0:53:04.840 --> 0:53:08.040
<v Speaker 1>dark humor style. Everybody knows that about Invader Zim and

0:53:08.360 --> 0:53:10.759
<v Speaker 1>apparently they were relatively minor and he said no way

0:53:10.800 --> 0:53:14.279
<v Speaker 1>and walked away, and it's like, look, man, there are

0:53:14.320 --> 0:53:16.320
<v Speaker 1>other people working on this show. There were the people

0:53:16.360 --> 0:53:19.960
<v Speaker 1>that like they are required, They need that paycheck to

0:53:20.200 --> 0:53:22.520
<v Speaker 1>get by, and it's and it was tough, but but

0:53:22.600 --> 0:53:24.560
<v Speaker 1>it got such a fan base and so much love

0:53:24.600 --> 0:53:26.520
<v Speaker 1>that like, the reason is he was even able to

0:53:26.520 --> 0:53:28.880
<v Speaker 1>come back is because so many people, especially of our generation,

0:53:29.320 --> 0:53:31.640
<v Speaker 1>loved it and kept asking for it to come back.

0:53:31.719 --> 0:53:35.080
<v Speaker 1>So I think also, like you know, Johan uh not

0:53:35.200 --> 0:53:38.560
<v Speaker 1>only had the show, but also at the time, he

0:53:38.560 --> 0:53:41.239
<v Speaker 1>was doing comics and he was crushing it there and

0:53:41.320 --> 0:53:43.680
<v Speaker 1>that kind of helped his ego and being like, Okay,

0:53:43.760 --> 0:53:45.319
<v Speaker 1>I just won't do this and I'll go back to

0:53:45.400 --> 0:53:48.840
<v Speaker 1>making you know, the comics, which, if you haven't squee

0:53:49.000 --> 0:53:52.680
<v Speaker 1>is amazing. I mean, I've remember when I liked it,

0:53:52.880 --> 0:53:56.440
<v Speaker 1>so I can't I can't attest that it holds up.

0:53:57.280 --> 0:53:59.840
<v Speaker 1>You know, what does hold up the Invader Zim comics

0:54:00.280 --> 0:54:02.120
<v Speaker 1>they've done in the past couple of years that Jonan

0:54:02.200 --> 0:54:04.120
<v Speaker 1>has has sort of overseen and like a lot of

0:54:04.160 --> 0:54:05.680
<v Speaker 1>the talent that worked on the show work on it now.

0:54:05.800 --> 0:54:09.200
<v Speaker 1>They're freaking great. They're really really great comics. After Invader Zim,

0:54:09.239 --> 0:54:11.400
<v Speaker 1>you had Choc Zone, which is kind of a this

0:54:11.440 --> 0:54:13.080
<v Speaker 1>is where it starts to get to where people that

0:54:13.200 --> 0:54:17.680
<v Speaker 1>forget the Nicktoons people choc Zone, but choc Zone was

0:54:17.719 --> 0:54:20.520
<v Speaker 1>it hit? It was cool. Two thousand two was Jimmy

0:54:20.520 --> 0:54:22.680
<v Speaker 1>Neutron boyg was This was a big deal because they

0:54:22.800 --> 0:54:24.960
<v Speaker 1>got they got a movie first and this was a

0:54:25.080 --> 0:54:26.799
<v Speaker 1>very came out in two thousand and one, came out

0:54:26.800 --> 0:54:28.560
<v Speaker 1>two doesn't one. It's very interesting deal where like they

0:54:28.600 --> 0:54:31.239
<v Speaker 1>had a show greenlit and part of the reason they

0:54:31.239 --> 0:54:33.399
<v Speaker 1>got the show was like, oh, but can you guys

0:54:33.480 --> 0:54:34.840
<v Speaker 1>also do and it was the first like c G

0:54:34.960 --> 0:54:37.759
<v Speaker 1>show on Nickelodeon, But can you also with all the

0:54:37.800 --> 0:54:39.640
<v Speaker 1>models that you guys created, everything you created with the

0:54:39.640 --> 0:54:41.160
<v Speaker 1>budget you have, if we gave you more of a budget,

0:54:41.200 --> 0:54:43.279
<v Speaker 1>could you also do like a full length feature film

0:54:43.320 --> 0:54:45.279
<v Speaker 1>to sort of kick it off and then do you

0:54:45.280 --> 0:54:47.839
<v Speaker 1>know our series order of however many we need. So

0:54:47.920 --> 0:54:50.160
<v Speaker 1>that was a big deal and that movie, even though

0:54:50.200 --> 0:54:52.640
<v Speaker 1>I didn't love it, got nominated for an OSCAR for

0:54:52.719 --> 0:54:56.600
<v Speaker 1>Best Animated Feature. That just to show like it's it

0:54:56.600 --> 0:54:59.719
<v Speaker 1>shouldn't it's not all about Disney or now Pixar every

0:54:59.800 --> 0:55:01.719
<v Speaker 1>year year in and year out witting it. It's like

0:55:01.880 --> 0:55:03.879
<v Speaker 1>you had Shrek, you had Dreamwork, yet all there's other

0:55:03.880 --> 0:55:06.319
<v Speaker 1>animation studios doing stuff. So that was cool that they

0:55:06.320 --> 0:55:08.120
<v Speaker 1>were able to branch out into movies, and I think

0:55:08.120 --> 0:55:10.320
<v Speaker 1>even before then rug Rats had a movie, which is

0:55:10.360 --> 0:55:12.680
<v Speaker 1>a big deal in the late nineties or the two thousands,

0:55:12.800 --> 0:55:15.560
<v Speaker 1>eventually found out about Chuckie's mom. It was very emotional,

0:55:15.680 --> 0:55:18.200
<v Speaker 1>very emotional. My Life as a teenage Robot premiered in

0:55:18.239 --> 0:55:21.400
<v Speaker 1>two thousand three, which had a real cool style Where's

0:55:21.680 --> 0:55:24.600
<v Speaker 1>Where's mega xlr Oh, I don't know if that's that's

0:55:24.600 --> 0:55:30.239
<v Speaker 1>not Nickelodeon, that's Cartoon Network. That I think goes to

0:55:30.280 --> 0:55:34.120
<v Speaker 1>a test when and I don't think it's necessarily a negative.

0:55:34.280 --> 0:55:37.640
<v Speaker 1>I feel like it's when you have competition, you borrow

0:55:37.719 --> 0:55:40.640
<v Speaker 1>from each other, and a lot of times that kind

0:55:40.680 --> 0:55:43.960
<v Speaker 1>of lens into a little bleeding of the lines. You

0:55:44.080 --> 0:55:46.080
<v Speaker 1>kind of go like, this could be either a nick

0:55:46.239 --> 0:55:49.000
<v Speaker 1>or Cartoon adventure time I think was a Nickelodeon short

0:55:49.120 --> 0:55:51.480
<v Speaker 1>that they passed on and then Cartoon Network picked it

0:55:51.560 --> 0:55:53.640
<v Speaker 1>up famously, So that was another like, oh, you guys

0:55:53.640 --> 0:55:55.839
<v Speaker 1>really missed the ball on this one. Rug Rats All

0:55:55.840 --> 0:56:00.520
<v Speaker 1>Grown Up premiered in two thousand not the same. I

0:56:00.560 --> 0:56:02.319
<v Speaker 1>was so geeked. I was like, Yep, this is what

0:56:02.400 --> 0:56:04.920
<v Speaker 1>I want, an adult version of a kid show. I

0:56:05.000 --> 0:56:08.440
<v Speaker 1>like Danny Phantom was a big deal. Danny. People loved

0:56:08.480 --> 0:56:11.360
<v Speaker 1>Danny Phantom premiered in two thousand four. Another Butch Hartman show,

0:56:11.840 --> 0:56:15.319
<v Speaker 1>which was just recently left Nick. He just it's true, Yeah,

0:56:15.320 --> 0:56:17.640
<v Speaker 1>he did very recently. I didn't click on the video

0:56:17.680 --> 0:56:19.360
<v Speaker 1>I followed Butch Hartmann on social I didn't click on

0:56:19.360 --> 0:56:21.080
<v Speaker 1>it where he's like, here's why I left Nickelodeon. But

0:56:21.440 --> 0:56:25.360
<v Speaker 1>he has been so prolific. Uh and um, yeah, you

0:56:25.360 --> 0:56:27.359
<v Speaker 1>know it's it's gonna be really interesting to see what

0:56:27.400 --> 0:56:29.360
<v Speaker 1>he does next. Because he clicked on the videos. I

0:56:29.400 --> 0:56:32.000
<v Speaker 1>was like, I need the draw. But it was he

0:56:32.520 --> 0:56:35.080
<v Speaker 1>has some drama going on on his Twitter account right now.

0:56:35.120 --> 0:56:36.600
<v Speaker 1>He's been there the whole He's been there like his

0:56:36.600 --> 0:56:41.799
<v Speaker 1>whole career. Twitter. We can then we gotta but yeah,

0:56:41.920 --> 0:56:44.520
<v Speaker 1>but Butch the only just for anyone who's like, why

0:56:44.520 --> 0:56:46.160
<v Speaker 1>did he leave, he was like, oh, I've just been

0:56:46.160 --> 0:56:49.440
<v Speaker 1>there long enough. It wasn't drama. It was click. Butch

0:56:49.800 --> 0:56:51.880
<v Speaker 1>maybe my favorite nicktoon of all time premieres in two

0:56:51.880 --> 0:56:54.400
<v Speaker 1>thousand five. So Different Avatar, The Last Amberender. You can,

0:56:54.400 --> 0:56:55.759
<v Speaker 1>guys can do a whole episode about that. If you

0:56:55.760 --> 0:56:57.719
<v Speaker 1>guys have not seen this show, you need to do

0:56:57.760 --> 0:56:59.759
<v Speaker 1>yourself a favorite and invest and watch those first three

0:56:59.800 --> 0:57:01.840
<v Speaker 1>seas into that first show, and then go watch the

0:57:01.880 --> 0:57:05.279
<v Speaker 1>Legend of Court because they're gorgeous. Here's amazing. This was

0:57:05.320 --> 0:57:07.200
<v Speaker 1>a big moment. The Avadar was a big moment in

0:57:07.239 --> 0:57:10.359
<v Speaker 1>the anime community because there was a schism. Yes, there

0:57:10.400 --> 0:57:16.040
<v Speaker 1>was a huge schism between all the anime elitist because

0:57:17.320 --> 0:57:22.840
<v Speaker 1>it garnered the argument is this anime and you had

0:57:22.880 --> 0:57:25.320
<v Speaker 1>people who believed it was people who believed it wasn't,

0:57:25.600 --> 0:57:28.240
<v Speaker 1>and they shot barbs at each other because of it.

0:57:28.680 --> 0:57:33.000
<v Speaker 1>Then they coined that weird term American aime. I've never heard.

0:57:33.560 --> 0:57:36.000
<v Speaker 1>We never heard that, dude. It was like it was

0:57:36.040 --> 0:57:41.360
<v Speaker 1>because of Avatar. They started calling like American produced anime,

0:57:41.600 --> 0:57:44.439
<v Speaker 1>American anime and uh, you know, a long time ago

0:57:44.600 --> 0:57:48.600
<v Speaker 1>on krillin Super we had Thomas Sean Thomas who was

0:57:48.640 --> 0:57:51.560
<v Speaker 1>who explained that anime is just Japanese for animation, so

0:57:51.600 --> 0:57:54.800
<v Speaker 1>there really is no difference to say what is anime.

0:57:55.560 --> 0:57:59.520
<v Speaker 1>I I'm under the belief that it is colloquial now

0:57:59.560 --> 0:58:02.200
<v Speaker 1>at this point of a certain art style, which would

0:58:02.200 --> 0:58:07.160
<v Speaker 1>mean by that banner you would look at Avatar's anime.

0:58:07.520 --> 0:58:10.480
<v Speaker 1>I remember having that same discussion about Boondocks. A lot

0:58:10.520 --> 0:58:15.080
<v Speaker 1>of the style of Boondocks very anime and overseas literally anime. Yeah,

0:58:15.160 --> 0:58:18.480
<v Speaker 1>Lashawan actually worked on Legend of Cora and Boondogs, and

0:58:18.560 --> 0:58:21.400
<v Speaker 1>he said, and now he is doing Children of Ether

0:58:21.480 --> 0:58:24.800
<v Speaker 1>and Cannon Busters and he works over there. And he

0:58:24.880 --> 0:58:28.360
<v Speaker 1>just was like, nobody has this conversation in Jared and

0:58:28.440 --> 0:58:32.000
<v Speaker 1>nobody cares. Only you guys care. Oh, that's only a

0:58:32.000 --> 0:58:36.160
<v Speaker 1>conversation I hear from Westerners. Literally, nobody says that or

0:58:36.320 --> 0:58:40.120
<v Speaker 1>cares or is busy or bothered or well, because there

0:58:40.200 --> 0:58:43.000
<v Speaker 1>is that line in anime fandom where there is a

0:58:43.080 --> 0:58:48.000
<v Speaker 1>level of fetishization of Japanese culture. And so that's where

0:58:48.080 --> 0:58:51.560
<v Speaker 1>that is the root of that, that is the route,

0:58:51.560 --> 0:58:54.640
<v Speaker 1>that's the whole root and why people are like, oh

0:58:54.680 --> 0:58:57.480
<v Speaker 1>my hero academia, no call it boku, no hero like

0:58:57.560 --> 0:59:01.000
<v Speaker 1>you know, like that that is where that is sources like,

0:59:01.240 --> 0:59:04.000
<v Speaker 1>and it is all under the veil of oh, I'm

0:59:04.040 --> 0:59:05.880
<v Speaker 1>just trying to respect. It was like, well, the way

0:59:05.880 --> 0:59:08.320
<v Speaker 1>you respect is just enjoying it. And they don't care

0:59:08.400 --> 0:59:09.800
<v Speaker 1>what you call it. They don't care if you say

0:59:09.840 --> 0:59:12.360
<v Speaker 1>hunter hunter or hunter x hunter. If you're watching it

0:59:12.400 --> 0:59:15.360
<v Speaker 1>and enjoying it their chill. Trust me as someone who

0:59:15.440 --> 0:59:19.120
<v Speaker 1>has interacted and a lot of these creators some of

0:59:19.160 --> 0:59:21.360
<v Speaker 1>them are not a lot, but like I don't want

0:59:21.360 --> 0:59:23.240
<v Speaker 1>to like guests, well, I would say like, yeah, I'm

0:59:23.280 --> 0:59:26.160
<v Speaker 1>curlling it. We would have Japanese American creators on our

0:59:26.200 --> 0:59:28.439
<v Speaker 1>show and it was so funny because they were like, yeah,

0:59:28.480 --> 0:59:31.760
<v Speaker 1>white people correct me about like how I should be

0:59:31.800 --> 0:59:34.760
<v Speaker 1>calling it yeah, you know, And it's just so like

0:59:34.800 --> 0:59:38.160
<v Speaker 1>you said, if he they fetishize this culture that isn't

0:59:38.200 --> 0:59:40.960
<v Speaker 1>their's and then try to correct people about how what

0:59:41.000 --> 0:59:42.800
<v Speaker 1>it is and what it's not. I think I I

0:59:43.240 --> 0:59:45.720
<v Speaker 1>learned a couple of years ago, which is really interesting,

0:59:45.840 --> 0:59:48.760
<v Speaker 1>is about cultural appropriation. What is it and what isn't

0:59:48.800 --> 0:59:51.000
<v Speaker 1>it is. I was talking to a comic book artist,

0:59:51.040 --> 0:59:53.800
<v Speaker 1>a guy named Philippe A. Smith who actually created co

0:59:53.880 --> 0:59:57.920
<v Speaker 1>created um the New Latino Ghostwriter. So he's been riding

0:59:57.920 --> 0:59:59.840
<v Speaker 1>that wave and he's so still he's like friends with

0:59:59.880 --> 1:00:02.280
<v Speaker 1>the actor and he's like so stoked about the Ghostwriter

1:00:02.360 --> 1:00:04.160
<v Speaker 1>appearing in like Agents of Shield and so on and

1:00:04.200 --> 1:00:07.920
<v Speaker 1>so forth. But Philippe A. Smith was born in South America,

1:00:08.840 --> 1:00:11.640
<v Speaker 1>raised in the US. I think he's like half black,

1:00:11.680 --> 1:00:15.680
<v Speaker 1>half white, and he is the first ever Westerner to

1:00:15.840 --> 1:00:19.080
<v Speaker 1>move to Japan and actually produce comics there at a

1:00:19.200 --> 1:00:22.520
<v Speaker 1>Japanese comic book company. So he was producing manga. And

1:00:22.560 --> 1:00:27.040
<v Speaker 1>this manga was about an American character who um is

1:00:27.080 --> 1:00:28.880
<v Speaker 1>obsessed with Japan and then he gets a chance to

1:00:28.880 --> 1:00:31.080
<v Speaker 1>go visit Japan and then like it's kind of different

1:00:31.080 --> 1:00:33.000
<v Speaker 1>than what he expects, and it's comedic and it's crazy,

1:00:33.000 --> 1:00:36.240
<v Speaker 1>and it's also about how Japanese people in Japanese culture

1:00:36.320 --> 1:00:39.479
<v Speaker 1>view American culture and like gangster lifestyle and all this

1:00:39.480 --> 1:00:43.240
<v Speaker 1>this really interesting intersection of like cultures. And because he's

1:00:43.280 --> 1:00:46.280
<v Speaker 1>this guy who's kind of worldly and grew up in

1:00:46.320 --> 1:00:48.560
<v Speaker 1>different places and moved to Japan and lived there for

1:00:48.640 --> 1:00:51.439
<v Speaker 1>years and actually does it, there was that argument back

1:00:51.480 --> 1:00:54.560
<v Speaker 1>then of like, hey, is it manga if um, if

1:00:54.600 --> 1:00:56.200
<v Speaker 1>you draw it and you do it here in the States, no,

1:00:56.320 --> 1:00:58.040
<v Speaker 1>it's not. Well is it manga if you produce it

1:00:58.040 --> 1:00:59.640
<v Speaker 1>in Japan? Yes it is. Well, what if it's done

1:00:59.680 --> 1:01:01.880
<v Speaker 1>by west Stern, No it's not. Well that's bullshit, because

1:01:01.920 --> 1:01:03.960
<v Speaker 1>that's what Philippe I did. And he was kind of,

1:01:04.000 --> 1:01:07.760
<v Speaker 1>you know, showing us like it doesn't really matter ultimately,

1:01:07.800 --> 1:01:10.840
<v Speaker 1>but what's interesting is the different combinations of cultures and

1:01:10.920 --> 1:01:12.760
<v Speaker 1>kind of what you can get. So, yes, Avatar the

1:01:12.800 --> 1:01:18.840
<v Speaker 1>Last Emberander hugely influenced by Eastern animation and animators themselves,

1:01:18.880 --> 1:01:21.280
<v Speaker 1>and they would send stuff, you know when you send

1:01:21.320 --> 1:01:24.640
<v Speaker 1>it over to the show they eventually had. It wasn't

1:01:24.680 --> 1:01:27.200
<v Speaker 1>just American produced and United you know producing the United States,

1:01:27.200 --> 1:01:29.800
<v Speaker 1>but eventually they had animation directors, like a lot of

1:01:29.840 --> 1:01:32.640
<v Speaker 1>these shows where they're in Korea or they're in Japan,

1:01:32.720 --> 1:01:35.280
<v Speaker 1>or they're in you know these places where you're in

1:01:35.360 --> 1:01:36.880
<v Speaker 1>charge of this whole sequence and then they do it,

1:01:36.920 --> 1:01:38.840
<v Speaker 1>and it's just as much there is as it is

1:01:39.120 --> 1:01:41.640
<v Speaker 1>the writers who wrote the English words that are gonna

1:01:41.680 --> 1:01:44.040
<v Speaker 1>be spoken by the American voice actors, you know that

1:01:44.040 --> 1:01:45.760
<v Speaker 1>are they're like that're sort of in the final mix

1:01:45.800 --> 1:01:49.640
<v Speaker 1>of the show. So it's this really beautiful and interesting combination. Um,

1:01:49.680 --> 1:01:51.720
<v Speaker 1>I think you guys nailed that. It's it's it's the

1:01:52.040 --> 1:01:54.320
<v Speaker 1>topic of like what is and what isn't is interesting

1:01:54.360 --> 1:01:57.200
<v Speaker 1>but doesn't matter. And I think as the years go on,

1:01:57.680 --> 1:01:59.560
<v Speaker 1>that kind of line is going to get blurred because

1:01:59.600 --> 1:02:01.520
<v Speaker 1>I can watch show that's on Cartoon Network right now,

1:02:01.520 --> 1:02:05.200
<v Speaker 1>like okay kao Let's Be Heroes clearly has animate influences.

1:02:05.240 --> 1:02:08.200
<v Speaker 1>It's not a show that is that is animated in

1:02:08.240 --> 1:02:11.040
<v Speaker 1>that style per se. It's a little cartoony show. And

1:02:11.120 --> 1:02:14.840
<v Speaker 1>yet here we are. So yeah. So then two thousand twelve,

1:02:15.160 --> 1:02:17.640
<v Speaker 1>after the SpongeBob, we went down a nice deep dive

1:02:17.720 --> 1:02:22.720
<v Speaker 1>of these young dope cartoons. But then the end launched

1:02:22.800 --> 1:02:25.480
<v Speaker 1>Ona and that was the moment that everything changed for

1:02:25.560 --> 1:02:27.840
<v Speaker 1>me because that is when we were able to watch

1:02:27.880 --> 1:02:32.440
<v Speaker 1>Degrassi in the US for too long, and that was

1:02:32.520 --> 1:02:38.280
<v Speaker 1>actually my first introduction to Aubrey Drake Graham, who eventually

1:02:38.280 --> 1:02:42.520
<v Speaker 1>went on to become the rapper known as Drake Drizzy

1:02:42.920 --> 1:02:47.600
<v Speaker 1>Drizzy Drake. But then from there it turned Nicktoons TV

1:02:47.760 --> 1:02:50.240
<v Speaker 1>came on when it was a channel just for Nick's

1:02:50.240 --> 1:02:53.840
<v Speaker 1>animated series which launched in two thousand five. Then you

1:02:53.920 --> 1:02:57.439
<v Speaker 1>had um, you know, a new logo in two thousand nine.

1:02:58.240 --> 1:03:01.240
<v Speaker 1>Then Nick Splatt was actually really fascinating that came out

1:03:01.240 --> 1:03:05.560
<v Speaker 1>in twenty which was like a block for Nick's like

1:03:05.640 --> 1:03:08.600
<v Speaker 1>golden era, the ones that we were just talking about shows.

1:03:08.720 --> 1:03:11.320
<v Speaker 1>And then they came out with like a crate essentially

1:03:11.600 --> 1:03:14.440
<v Speaker 1>of that Nick Box, the Nick Box, and it's just

1:03:14.520 --> 1:03:17.160
<v Speaker 1>so funny because we're all so like, I see a

1:03:17.160 --> 1:03:19.600
<v Speaker 1>lot of these companies trying to capitalize on nostalgia, and

1:03:19.640 --> 1:03:21.480
<v Speaker 1>I feel like that's exactly what that is. It was like,

1:03:21.560 --> 1:03:24.160
<v Speaker 1>here's here's all your old favorite shows and then here's

1:03:24.160 --> 1:03:26.520
<v Speaker 1>a box of like you can have Chucky, a doll

1:03:26.560 --> 1:03:29.040
<v Speaker 1>of Chucky from Regrets, you know, and I'm actually what

1:03:29.080 --> 1:03:31.400
<v Speaker 1>they had in there was a Cynthia doll from Regrets.

1:03:31.640 --> 1:03:36.840
<v Speaker 1>It was awesome. Well Angelica had. What's so wild too,

1:03:36.920 --> 1:03:40.120
<v Speaker 1>is just how much merchandizing nick did have in its

1:03:40.160 --> 1:03:43.560
<v Speaker 1>golden age. Like I remember Jack Boy, I wanted gag

1:03:43.680 --> 1:03:46.240
<v Speaker 1>so bad. All it was was just this kind of

1:03:46.240 --> 1:03:49.440
<v Speaker 1>like putty, but like because it was the Nickelodeon. Ghack,

1:03:50.160 --> 1:03:52.320
<v Speaker 1>I lost my mind about Then they had the Slime

1:03:52.400 --> 1:03:55.439
<v Speaker 1>that you that was basically just putty, Like they all

1:03:55.480 --> 1:03:59.200
<v Speaker 1>this Nickelodeon branded stuff, and then now it lives on

1:03:59.480 --> 1:04:05.240
<v Speaker 1>still creating dope cartoons like Ko that's also Cartoon Network.

1:04:05.320 --> 1:04:10.440
<v Speaker 1>And sorry, many didn't mean to if anyone knows, I

1:04:10.440 --> 1:04:12.480
<v Speaker 1>do want to bring up to that. Yes, I'm so sorry.

1:04:12.480 --> 1:04:14.280
<v Speaker 1>We're not gonna be able to mention all of your

1:04:14.320 --> 1:04:16.840
<v Speaker 1>shows on Nickelodeon. That would be a whole another hour,

1:04:17.320 --> 1:04:20.200
<v Speaker 1>but two major contenders. I would say I Carly was

1:04:20.280 --> 1:04:24.800
<v Speaker 1>a big deal in Victorious because that gave us are

1:04:24.920 --> 1:04:28.120
<v Speaker 1>On a Grande Victorious and then she went on to

1:04:28.360 --> 1:04:31.040
<v Speaker 1>have Salmon Kat or whatever, and that was our first

1:04:31.080 --> 1:04:34.040
<v Speaker 1>I feel like real introduction played someone totally different, didn't.

1:04:34.160 --> 1:04:37.240
<v Speaker 1>It's really funny because Victoria Justice was, you know, the

1:04:37.280 --> 1:04:40.720
<v Speaker 1>quote unquote like star of that show, but everyone kind

1:04:40.720 --> 1:04:44.440
<v Speaker 1>of like latched onto Ariana Grande who then completely broke

1:04:44.440 --> 1:04:47.160
<v Speaker 1>out and then end up dating snel cast member. It

1:04:47.200 --> 1:04:50.440
<v Speaker 1>all comes back together and now they're getting married. And

1:04:50.480 --> 1:04:53.600
<v Speaker 1>I also want to point out to when Nickelodeon acquired

1:04:53.720 --> 1:04:56.400
<v Speaker 1>the Teenage Mutant Ninja Turtles is a little scary for

1:04:56.440 --> 1:04:57.800
<v Speaker 1>Turtles fans. It's like, I don't know what are they

1:04:57.840 --> 1:05:00.480
<v Speaker 1>gonna do. So far as far as I'm concerned, Kelodeon

1:05:00.520 --> 1:05:02.920
<v Speaker 1>has been doing them right, and he's had some great shows,

1:05:02.960 --> 1:05:06.320
<v Speaker 1>great shorts. The movie side, that's a different story, Michael Bay,

1:05:06.360 --> 1:05:08.560
<v Speaker 1>But the cartoon stuff and the stuff that Nickelodeon has

1:05:08.560 --> 1:05:10.200
<v Speaker 1>been in charge of, I think that we're doing great,

1:05:10.280 --> 1:05:12.680
<v Speaker 1>and all the Turtle stuff since then has been awesome.

1:05:12.840 --> 1:05:14.880
<v Speaker 1>And of course we had Nick Jr. We had Little Bear,

1:05:15.000 --> 1:05:17.320
<v Speaker 1>We had as if he was saying Blues Clues. We

1:05:17.360 --> 1:05:19.840
<v Speaker 1>had my girl Dora trying to teach us all to

1:05:19.920 --> 1:05:22.200
<v Speaker 1>these kids. It was huge. We didn't even talk about

1:05:22.680 --> 1:05:25.360
<v Speaker 1>I didn't want to talk about Drake and Josh and

1:05:25.960 --> 1:05:30.800
<v Speaker 1>just how Drake, Yeah, the other Drake. But yeah, now

1:05:30.880 --> 1:05:32.800
<v Speaker 1>I feel like we did a pretty good job of

1:05:32.880 --> 1:05:35.680
<v Speaker 1>capture and everything. Just looking at the lineup, I mean

1:05:35.680 --> 1:05:37.680
<v Speaker 1>we had Zoe one oh one, you know, and p

1:05:38.040 --> 1:05:40.720
<v Speaker 1>Secret World of Alex Max Salute your Shorts. Yeah, there's

1:05:40.760 --> 1:05:43.360
<v Speaker 1>so many. We are going to do a deep dive

1:05:43.560 --> 1:05:46.680
<v Speaker 1>of some of these. Yeah, I feel like, yeah, especially

1:05:46.680 --> 1:05:50.520
<v Speaker 1>like some of these that we can really jump into it.

1:05:50.600 --> 1:05:52.840
<v Speaker 1>And of course Clarissa explains at all, which was my

1:05:52.920 --> 1:05:56.800
<v Speaker 1>first huge crush. You know, she was dope as hell.

1:05:56.840 --> 1:05:59.360
<v Speaker 1>But also now that I'm older, I'm like, my parents,

1:06:00.080 --> 1:06:01.880
<v Speaker 1>why did they let me watch this boy that had

1:06:01.880 --> 1:06:04.120
<v Speaker 1>a ladder that would crawl into her bedroom and gave

1:06:04.160 --> 1:06:07.000
<v Speaker 1>me some ideas inappropriate? Not my fault, Mom and Dad,

1:06:07.840 --> 1:06:10.480
<v Speaker 1>But yeah, no, it's been super great and it seems

1:06:10.520 --> 1:06:13.400
<v Speaker 1>like Nick's just keeping that fun train rolling and for

1:06:13.840 --> 1:06:16.480
<v Speaker 1>you know, little Naomi's gonna be watching nixt soon enough

1:06:16.480 --> 1:06:19.720
<v Speaker 1>and she's gonna have her shows. It's it's wild. I

1:06:19.760 --> 1:06:23.480
<v Speaker 1>think it's fun to see the generational stuff. But for everyone,

1:06:23.800 --> 1:06:25.680
<v Speaker 1>I think some of these shows to check out. I

1:06:25.680 --> 1:06:27.200
<v Speaker 1>think if there was one shows out of all the

1:06:27.240 --> 1:06:30.120
<v Speaker 1>shows we talked about that you can recommend, will go

1:06:30.200 --> 1:06:32.959
<v Speaker 1>around the table, let someone go back and watch one,

1:06:33.320 --> 1:06:35.400
<v Speaker 1>only one, I feel like it would it be Especially

1:06:35.480 --> 1:06:38.040
<v Speaker 1>for kids, I would pick Hey Arnold. I thought Hey

1:06:38.120 --> 1:06:40.200
<v Speaker 1>Arnold was it because, like Avatar is different. That's cool

1:06:40.240 --> 1:06:43.000
<v Speaker 1>when you're an adult, super different, super cool. But Hey

1:06:43.080 --> 1:06:45.360
<v Speaker 1>Arnold especially was like, here's a group of like inner

1:06:45.360 --> 1:06:48.560
<v Speaker 1>city kids, a bunch of different backgrounds. You learn things

1:06:48.600 --> 1:06:50.720
<v Speaker 1>like Harold the bully, he's not just a bully. He's

1:06:50.760 --> 1:06:52.760
<v Speaker 1>got his own troubles, He's got his own stuff, and

1:06:53.120 --> 1:06:55.080
<v Speaker 1>taught me lessons and maybe want to live in a

1:06:55.080 --> 1:06:57.760
<v Speaker 1>city and made city living cool. Whereas before Hay Arnold,

1:06:57.760 --> 1:06:59.720
<v Speaker 1>I felt like everything was in a suburb, everything was

1:06:59.840 --> 1:07:01.400
<v Speaker 1>the bit to Beaver. But then you get to hear

1:07:01.400 --> 1:07:03.360
<v Speaker 1>On and it's like, look, man, they got there. They

1:07:03.400 --> 1:07:05.400
<v Speaker 1>got a train in their backyard, just like we do.

1:07:05.560 --> 1:07:07.960
<v Speaker 1>So I would pick that. What about you? If you?

1:07:08.000 --> 1:07:10.440
<v Speaker 1>What would be your recommendation. Who if I had to

1:07:10.440 --> 1:07:13.480
<v Speaker 1>pick my recommendation, I'm sorry, I'm gonna say Invader Zim.

1:07:13.840 --> 1:07:17.960
<v Speaker 1>It's a fun watch. It was scary that spooky enough,

1:07:18.120 --> 1:07:20.680
<v Speaker 1>you know, and to me, I feel like it really

1:07:20.800 --> 1:07:24.600
<v Speaker 1>shaped the comedy in it was really ahead of its time,

1:07:24.840 --> 1:07:27.040
<v Speaker 1>just when they were fighting with the planets and it

1:07:27.200 --> 1:07:30.400
<v Speaker 1>drops on that guy's cup and he's freaking out, like

1:07:31.600 --> 1:07:33.920
<v Speaker 1>when he really could move, you know, like if he

1:07:34.080 --> 1:07:37.360
<v Speaker 1>just moved from that cup, he would be fine, but

1:07:37.480 --> 1:07:41.040
<v Speaker 1>he just was holding onto it and losing his mind.

1:07:41.240 --> 1:07:44.600
<v Speaker 1>And that made me laugh for so long in my life.

1:07:44.760 --> 1:07:47.160
<v Speaker 1>And I went and looked it up. It was. It

1:07:47.280 --> 1:07:50.080
<v Speaker 1>was very It was very reminiscent to the Austin Powers

1:07:50.160 --> 1:07:54.200
<v Speaker 1>bit with the car coming and the guy, yeah, move,

1:07:54.360 --> 1:07:59.360
<v Speaker 1>move out of the way. So yeah, man, this is hard.

1:07:59.440 --> 1:08:01.600
<v Speaker 1>I guess I have to go for all my little

1:08:01.640 --> 1:08:05.800
<v Speaker 1>horror babies that love Halloween. A real monsters. Yeah, it's

1:08:05.800 --> 1:08:08.400
<v Speaker 1>a good one, all real monsters. It's just it's fun.

1:08:08.480 --> 1:08:10.120
<v Speaker 1>I don't know. I had to like write one day

1:08:10.160 --> 1:08:11.440
<v Speaker 1>and I just like bought it and put it on

1:08:11.480 --> 1:08:15.160
<v Speaker 1>in the background. Um, but I just I loved it

1:08:15.240 --> 1:08:16.920
<v Speaker 1>so much and I'm a big fan of Halloween, and

1:08:16.960 --> 1:08:21.240
<v Speaker 1>it's Halloween all the time for them, So yeah, that's great, right, Well,

1:08:21.320 --> 1:08:23.280
<v Speaker 1>where can people find you, actors? You can find me

1:08:23.320 --> 1:08:25.240
<v Speaker 1>on the internet at Hector is Funny. Check out new

1:08:25.280 --> 1:08:28.559
<v Speaker 1>episodes of Animation Investigation that are appearing on YouTube dot com,

1:08:28.640 --> 1:08:31.519
<v Speaker 1>slash and Noticed every Thursday morning. And also listen for

1:08:31.600 --> 1:08:35.720
<v Speaker 1>the newest episode of the Five Greatest Films podcast for

1:08:35.920 --> 1:08:37.639
<v Speaker 1>me and my roommate and good buddy Keller not Black.

1:08:37.680 --> 1:08:40.080
<v Speaker 1>Watch a different movie each week with a different guest.

1:08:40.080 --> 1:08:41.559
<v Speaker 1>And it's going to take us ten years to complete

1:08:41.560 --> 1:08:45.559
<v Speaker 1>the list of the five greatest Huh. Yeah, that's a lot.

1:08:45.760 --> 1:08:48.080
<v Speaker 1>Yeah uh. And also you can go back and listen

1:08:48.120 --> 1:08:52.519
<v Speaker 1>to old episodes of the official Nickelodeon Animation podcast Hector

1:08:52.680 --> 1:08:54.720
<v Speaker 1>did because he spoke to a lot of creators and

1:08:54.840 --> 1:08:58.479
<v Speaker 1>voice actors. If you like this, go take a further

1:08:58.600 --> 1:09:01.360
<v Speaker 1>deep dive. Go do that, you go even deeper. I

1:09:01.479 --> 1:09:03.560
<v Speaker 1>appreciate that, Thank you. It would be cool. And you

1:09:03.680 --> 1:09:06.080
<v Speaker 1>know me. You can catch me here every Tuesday, right

1:09:06.160 --> 1:09:09.200
<v Speaker 1>where you are and Monday's on Candy Dinner, uh and

1:09:09.720 --> 1:09:13.400
<v Speaker 1>on Twitch ifties lots of hashtag nerd fam hashtag ify

1:09:13.479 --> 1:09:15.840
<v Speaker 1>Nation coming in with those Twitch Prime stubs and I

1:09:15.880 --> 1:09:18.120
<v Speaker 1>can't thank you enough, but I do have to remind

1:09:18.160 --> 1:09:20.519
<v Speaker 1>you that they do not auto route new and every

1:09:20.600 --> 1:09:23.880
<v Speaker 1>month your boy has to come through uh and give

1:09:23.960 --> 1:09:27.479
<v Speaker 1>me that love. Uh. So just a reminder. It's it's

1:09:27.640 --> 1:09:29.160
<v Speaker 1>I think it's a new month for some of y'all.

1:09:29.479 --> 1:09:35.200
<v Speaker 1>Come back if you wait. On Twitter and Instagram, I'm

1:09:35.280 --> 1:09:39.120
<v Speaker 1>at miss Danny Fernandez on all the socials. Check out

1:09:39.360 --> 1:09:42.639
<v Speaker 1>our t public site. We have merch and I actually

1:09:42.800 --> 1:09:45.519
<v Speaker 1>was wearing our Stay Nerdy shirt at the airport and

1:09:45.600 --> 1:09:48.519
<v Speaker 1>got multiple compliments on it, and I felt weird because

1:09:48.520 --> 1:09:50.360
<v Speaker 1>I want to be like thanks, it's my podcast, but

1:09:50.479 --> 1:09:52.920
<v Speaker 1>I didn't. I just said thanks. Oh man, I need

1:09:52.960 --> 1:09:54.680
<v Speaker 1>to get over and be like thanks, it's my it's

1:09:54.760 --> 1:09:57.519
<v Speaker 1>my podcast. Ounity. Um. But it's a dope and really

1:09:57.560 --> 1:09:59.360
<v Speaker 1>cool shirt. And we have new designs coming up, and

1:09:59.479 --> 1:10:01.719
<v Speaker 1>I believe eve that we are also going to allow

1:10:01.800 --> 1:10:04.360
<v Speaker 1>people to submit designs that you will get paid for,

1:10:04.640 --> 1:10:07.519
<v Speaker 1>so every shirt that's bought you will get a portion

1:10:07.560 --> 1:10:09.040
<v Speaker 1>of that as well. So I think we need to

1:10:09.240 --> 1:10:12.679
<v Speaker 1>tweet will tweet out the link to that. Yes, yes,

1:10:13.200 --> 1:10:15.479
<v Speaker 1>and yeah, by now our new design is up. It's

1:10:15.479 --> 1:10:18.640
<v Speaker 1>a real cool custom Ner difficent cover where Danny is

1:10:18.680 --> 1:10:21.040
<v Speaker 1>Batman and I am Robin. I looked like a little

1:10:21.120 --> 1:10:24.840
<v Speaker 1>bank robber. I like it, like yeah. Big shouts out

1:10:25.080 --> 1:10:28.880
<v Speaker 1>to Eve's Jeff Coat Christopher Hasiotis, our researchers who held

1:10:28.920 --> 1:10:32.479
<v Speaker 1>it down, got all this juicy info for us. Big

1:10:32.560 --> 1:10:34.880
<v Speaker 1>thanks to Hector for coming in. I think you know

1:10:35.000 --> 1:10:39.000
<v Speaker 1>super producer Anna, editor Dan Goodman, and you know our

1:10:39.080 --> 1:10:42.000
<v Speaker 1>man Zach McKeever and the booth holding it down and

1:10:42.120 --> 1:10:44.320
<v Speaker 1>as always staying hurt.