WEBVTT - Hola, Tanneritos!

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<v Speaker 1>How Rude Tanta Ritos with Jody Sweeten and Andrea Barber

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<v Speaker 1>and iHeartRadio podcast. Hello and welcome to the very first

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<v Speaker 1>episode of How Rude Tanta Ritos, a Full House rewatch podcast.

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<v Speaker 2>I'm Andrea Barber and I am Jody Sweeten, and I

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<v Speaker 2>am so excited to be here with you.

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<v Speaker 3>Ab Jody, are you ready? Are you ready for this?

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<v Speaker 2>I am so ready for this? Are are the Tanner

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<v Speaker 2>Ritos ready for this? And by Tanta Rito's, I'm referring

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<v Speaker 2>to the audience, are.

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<v Speaker 4>They ready for this?

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<v Speaker 3>Ritos? Get ready?

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<v Speaker 4>It's going to be so much fun.

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<v Speaker 3>It's going to be such a wild ride.

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<v Speaker 1>We are going to watch all one hundred and ninety

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<v Speaker 1>two episodes of Full House.

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<v Speaker 3>Jody, have you ever seen an episode of Full House? Ever?

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<v Speaker 2>Well, I mean, I feel like an episode maybe giving

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<v Speaker 2>it too much credit, but I've.

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<v Speaker 4>Seen bits and pieces here and there. For sure.

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<v Speaker 2>I think the pilot is one of the ones that

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<v Speaker 2>I've definitely watched all the way through, but it's been years.

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<v Speaker 2>But other than that, I didn't really watch the show

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<v Speaker 2>What about You.

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<v Speaker 1>I've watched several but like, okay, the narcissistic actor that

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<v Speaker 1>I am, I've only watched the scenes that I'm in, Like,

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<v Speaker 1>I don't watch anybody else's scenes, so, and I wasn't.

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<v Speaker 3>In every episode. I was in like one hundred and

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<v Speaker 3>forty something.

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<v Speaker 1>So I've only seen the episodes that I'm in, and

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<v Speaker 1>I've only seen the scenes that I'm in. So I'm

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<v Speaker 1>excited to see your work too, Jody and everybody.

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<v Speaker 2>Else do why, thank you. I'm really really looking forward

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<v Speaker 2>to this. And I you know, I can't believe what

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<v Speaker 2>are we coming up on the thirty seventh anniversary.

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<v Speaker 1>Now, it's been thirty seven years since the premiere of

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<v Speaker 1>the show, coming up on thirty seven years this seventh September.

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<v Speaker 2>Wow, So yeah, you know, it just it felt like

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<v Speaker 2>the time to come back and revisit. I mean, we've done,

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<v Speaker 2>we've done the fuller, We've done you know, the cons

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<v Speaker 2>and the meet and greets, and now it's time for

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<v Speaker 2>the recap.

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<v Speaker 3>It's time for the recap.

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<v Speaker 1>And I feel like this is the perfect time to

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<v Speaker 1>do a podcast because we got to get these memories

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<v Speaker 1>down while we're still lucid.

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<v Speaker 4>I mean it's slipping.

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<v Speaker 2>I feel like day by day sometimes I'm like, wait what, Yeah,

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<v Speaker 2>it's gonna be weird. To go back and definitely see things,

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<v Speaker 2>see things that spark memories that I probably that we

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<v Speaker 2>haven't thought about in thirty some odd years, but also

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<v Speaker 2>to actually remember some things, and like, I have absolutely

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<v Speaker 2>zero recollection of doing that, and I.

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<v Speaker 4>Probably should, but that's weird.

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<v Speaker 3>Yeah, exactly.

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<v Speaker 1>And I am so eager to get these memories recorded

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<v Speaker 1>because you know, ever since we lost Bob last year

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<v Speaker 1>and then you know, I lost my mom the year

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<v Speaker 1>before that, I have been feeling the sense of urgency

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<v Speaker 1>to capture these memories and get them down permanently so

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<v Speaker 1>that we will have them forever, our kids can listen

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<v Speaker 1>to them, our beloved fan base who is so loyal,

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<v Speaker 1>we listen to this forever.

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<v Speaker 2>And we have it.

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<v Speaker 1>We will have a recording of all of our memories

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<v Speaker 1>of what it was like to grow up on the

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<v Speaker 1>set of Full House.

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<v Speaker 4>Yeah, I am.

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<v Speaker 2>I am really really excited to uh, to be able

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<v Speaker 2>to go through this with.

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<v Speaker 4>You and talk about it.

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<v Speaker 2>I mean, what a you know what, It's an experience

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<v Speaker 2>that not a ton of people in the world have,

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<v Speaker 2>you know, and uh, and it's definitely you know, growing

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<v Speaker 2>up on a series like this together. I mean, we

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<v Speaker 2>have so many shared memories and weird family vacation stories

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<v Speaker 2>and so many fun behind the scenes things that are

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<v Speaker 2>gonna come out that I mean, I know, Oh, I

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<v Speaker 2>just know there are some great stories that we uh

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<v Speaker 2>that we haven't that we haven't told yet, some from

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<v Speaker 2>full House years, some from Fuller House years.

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<v Speaker 4>God remind remembering all of these. I mean, the gum wall.

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<v Speaker 1>Like, yes, that's gross, like when you describe it, and

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<v Speaker 1>when you describe it's pretty gros there.

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<v Speaker 3>We'll get there, We'll get there, We'll get there.

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<v Speaker 2>Well.

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<v Speaker 1>And you and I had a really unique relationship too.

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<v Speaker 1>I know there were seasons where I was closer to

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<v Speaker 1>you than anyone else in the cast, and we hung

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<v Speaker 1>out hot outside of the show too. I remember going

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<v Speaker 1>to Disneyland with you and the lead did.

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<v Speaker 2>We spent a lot of time together, you and I

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<v Speaker 2>and you and I also shared a classroom for most

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<v Speaker 2>of the series, that's right, so until I think you

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<v Speaker 2>went maybe high school, and then I think and then

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<v Speaker 2>we split off. But for the majority of those years,

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<v Speaker 2>you know, we had we shared teachers, we shared a classroom,

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<v Speaker 2>we shared I think a fish tank at some point

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<v Speaker 2>in the classroom.

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<v Speaker 4>The gutty greet.

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<v Speaker 3>Yeah, yeah, Now, how old were you when you started

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<v Speaker 3>the show?

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<v Speaker 2>I was I had just turned five. I think when

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<v Speaker 2>I started the show? What about you?

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<v Speaker 3>So you were you were a baby? You were?

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<v Speaker 4>Yeah, I was a literal I was a literal baby.

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<v Speaker 3>You were a little taught, Oh my gosh, it was.

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<v Speaker 3>And I was ten. So we were pretty young. I

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<v Speaker 3>got it.

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<v Speaker 1>I'm a little nervous about our memories here because we

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<v Speaker 1>were so young, and you know, I have this this

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<v Speaker 1>former child star amnesia, which I think is kind of

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<v Speaker 1>common with child actors from the nineties, where I don't

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<v Speaker 1>remember large chunks of my childhood because we Okay, I

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<v Speaker 1>have a theory.

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<v Speaker 2>Tell me, well, I also think that's I mean, not

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<v Speaker 2>to age us or anything, but you know, we're we're

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<v Speaker 2>we've been here longer, and I think more things have

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<v Speaker 2>happened that crowd the space in the brain, is what

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<v Speaker 2>I'm saying. I don't know that that's entirely unique to

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<v Speaker 2>child stars and and may just be something that happens

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<v Speaker 2>in our forties.

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<v Speaker 1>Well no, but here here's my specific theory about former

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<v Speaker 1>child stars from the nineties.

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<v Speaker 4>A theory. You know how I love a good theory.

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<v Speaker 3>You love a good theory. Well, it's not scandalous or anything.

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<v Speaker 2>But I feel like, does it involve a big bang

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<v Speaker 2>not big strong show, big bang.

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<v Speaker 3>Theory network too, Jody, stay on topic. Sorry.

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<v Speaker 1>So my theory is that we have very finely tuned

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<v Speaker 1>short term memories because we're used to memorizing large amounts

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<v Speaker 1>of dialogue every week, Like our scripts would change every

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<v Speaker 1>single night.

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<v Speaker 3>There was a new rewrite every single night for every

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<v Speaker 3>single stript.

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<v Speaker 1>And then even on show nights, we had already had

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<v Speaker 1>all our dialogue and all of our lines memorized, but

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<v Speaker 1>they would still be coming in with alts. They would

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<v Speaker 1>come in with alternate jokes if the jokes weren't working,

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<v Speaker 1>So we it was this pressure cooker situation where we

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<v Speaker 1>were memorizing large amounts of dialogue and then after the

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<v Speaker 1>show we wrapped on Friday nights, we would dump it all.

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<v Speaker 3>We would dump now.

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<v Speaker 2>If you asked me the next week, I'd be like,

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<v Speaker 2>I have no idea, what are we doing next week?

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<v Speaker 1>No clue, and then we would prepare to retrieve the

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<v Speaker 1>next and download the next right next our rindes the

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<v Speaker 1>next week. So I have very finely tuned short term memory.

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<v Speaker 1>My long term memory not so great, And I feel

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<v Speaker 1>like I feel like that's a thing with former child

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<v Speaker 1>actors from the nineties.

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<v Speaker 3>I don't know, that's the theory.

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<v Speaker 2>You know what. I appreciate that theory. I I yeah.

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<v Speaker 2>I think I'm also just losing my mind slowly as

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<v Speaker 2>we go, and so yeah, I think that's part of

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<v Speaker 2>why I'm like, I don't remember things. Also, you know,

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<v Speaker 2>extenuating circumstances that we won't go into. But uh.

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<v Speaker 3>We've got one hundred and ninety two of these, there's

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<v Speaker 3>plenty of time.

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<v Speaker 2>I'm like forty one and I'm like, wow, thirty six

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<v Speaker 2>years ago, we're gonna go, We're gonna travel. It's like

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<v Speaker 2>traveling back in time.

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<v Speaker 1>Yeah, do you remember do you remember meeting me? Like,

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<v Speaker 1>let's just let's just bring it back to me, right,

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<v Speaker 1>just bring Do you remember meeting me for the very

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<v Speaker 1>first time?

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<v Speaker 2>Not specifically, And I'm gonna and that sounds horrible. I'm rude,

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<v Speaker 2>I am a horrible friend.

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<v Speaker 3>I get it. I totally get it.

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<v Speaker 2>Uh No, but because I think I can't remember what

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<v Speaker 2>episode you came into the show on episode three, episode three,

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<v Speaker 2>that's right, because the first one they you're mentioned that

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<v Speaker 2>DJ's on the phone with Kimmy Gibler, and I don't

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<v Speaker 2>because I think I remember.

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<v Speaker 4>The pilot so specifically.

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<v Speaker 2>But I definitely remember like our jokes and our bits

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<v Speaker 2>and things. But you know, again, I may come all

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<v Speaker 2>rushing back to me when we watch episode three, because

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<v Speaker 2>I have no idea what happens in episode three other

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<v Speaker 2>than your character is introduced. But I don't remember anything,

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<v Speaker 2>so it be like, oh my gosh, that time. I

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<v Speaker 2>do remember that you loved tuna melts. Oh, you loved

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<v Speaker 2>a good tuna melt sandwich.

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<v Speaker 3>Why didn't I? I meant to eat a tuna melt

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<v Speaker 3>before we recorded this, just like.

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<v Speaker 1>That's been tradition, an homage to to our friendship and

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<v Speaker 1>this show, because I would eat a tuna melt before

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<v Speaker 1>every single live live.

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<v Speaker 3>Show and including the Fuller House too.

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<v Speaker 2>I would you would get when we would walk down

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<v Speaker 2>to the the catering truck, like the generic white food truck. Well,

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<v Speaker 2>the road trucks were cool, but like you know, when

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<v Speaker 2>they were just white generic thing and you could but

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<v Speaker 2>would go walk there with our moms at our lunch break,

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<v Speaker 2>and you would always get a tuna melt sandwich always

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<v Speaker 2>and a Martinelly's applesider.

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<v Speaker 3>Oh, I remember.

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<v Speaker 2>That memories for the most random, useless things. I go

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<v Speaker 2>to the gas station, I can't remember my zip code

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<v Speaker 2>for the credit card, but I can remember what your

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<v Speaker 2>lunch order was in nineteen eighty seven.

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<v Speaker 1>As long as you're focusing on the important memories, that's right.

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<v Speaker 4>You know what.

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<v Speaker 2>No one else is listening to a podcast about me

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<v Speaker 2>not remembering my gas station pin code, so hey, you

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<v Speaker 2>know it's more important to remember this stuff.

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<v Speaker 3>There's a podcast for everything now.

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<v Speaker 1>I don't remember the specific moment when I met you,

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<v Speaker 1>because I'm sure it.

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<v Speaker 3>Was a very overwhelming day coming into this set.

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<v Speaker 1>But I do remember just generally just thinking of you

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<v Speaker 1>as like the little kid.

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<v Speaker 3>Yeah, the Olsen twins.

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<v Speaker 1>Kid.

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<v Speaker 3>The Olsen twins.

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<v Speaker 1>Were only they were eighties. They were only they were

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<v Speaker 1>nine months old. Yeah, And so they weren't on the

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<v Speaker 1>set all the time.

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<v Speaker 2>They were.

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<v Speaker 1>There were very strict child labor laves, and they could

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<v Speaker 1>only work so many hours a day and probably have

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<v Speaker 1>what thirty minutes on the actual set or maybe any I.

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<v Speaker 2>Mean, it was the eighties, there was probably more than that,

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<v Speaker 2>you know what I mean. I'm sure since then they've

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<v Speaker 2>they've made it a considerably shorter amount of time. But

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<v Speaker 2>they they was like, sure, you could have a kid

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<v Speaker 2>around for forty five minutes.

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<v Speaker 1>Or so, right, since the oulcens weren't around all the time.

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<v Speaker 1>I thought of you as you were the little kid.

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<v Speaker 1>You were the little kid on the set, and so.

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<v Speaker 3>I was just like, oh, she's so cute, you know,

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<v Speaker 3>I was. So.

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<v Speaker 1>I don't remember specifically meeting you, but I remember my

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<v Speaker 1>general impressions of you, which was that you were an adorable,

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<v Speaker 1>curly haired, blonde little girl with these bangs.

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<v Speaker 3>Oh my gosh, the bang bangs.

0:10:27.320 --> 0:10:31.240
<v Speaker 2>Except my hair wasn't curly. What my hair was not

0:10:31.480 --> 0:10:35.800
<v Speaker 2>naturally curly, so they had to curl it my mom.

0:10:36.000 --> 0:10:39.400
<v Speaker 2>So your mom did put my hair in sponge rollers

0:10:39.440 --> 0:10:43.280
<v Speaker 2>every night, with dippity doo and the little papers and

0:10:43.320 --> 0:10:44.600
<v Speaker 2>the pink sponge rollers.

0:10:44.679 --> 0:10:44.880
<v Speaker 1>Yeah.

0:10:44.920 --> 0:10:48.200
<v Speaker 2>I slept in those things like every night, the sponge rollers.

0:10:48.520 --> 0:10:49.800
<v Speaker 2>Sure I still have dents in my head.

0:10:49.920 --> 0:10:54.720
<v Speaker 1>Oh absolutely, would you ever wake that problem like those things?

0:10:54.800 --> 0:10:57.520
<v Speaker 1>I would use the sponge rollers too, but I would

0:10:57.559 --> 0:10:58.720
<v Speaker 1>always wake up with a headache.

0:10:58.760 --> 0:10:59.640
<v Speaker 3>So I hated them.

0:11:00.200 --> 0:11:02.600
<v Speaker 2>Yeah, oh I didn't. Yeah I didn't love them.

0:11:02.800 --> 0:11:04.960
<v Speaker 3>But but you know it anyway, But I did it.

0:11:05.000 --> 0:11:07.840
<v Speaker 2>But the joke's gotta work, and Stephanie Tanner had curly hair.

0:11:08.280 --> 0:11:09.440
<v Speaker 3>The joke has to work.

0:11:09.559 --> 0:11:12.679
<v Speaker 1>That is a common phrase that you just said that.

0:11:12.800 --> 0:11:15.000
<v Speaker 1>That is a common phrase that I remember hearing.

0:11:14.880 --> 0:11:17.520
<v Speaker 4>Cross stitch that on a pillow. The jokes gotta work.

0:11:17.920 --> 0:11:21.360
<v Speaker 3>Yes, that's gonna be your Christmas gift this year.

0:11:22.360 --> 0:11:23.920
<v Speaker 2>Well, I have to give that on A Maria And

0:11:23.920 --> 0:11:26.000
<v Speaker 2>I always joke about that. Who was uh on a Maria?

0:11:26.240 --> 0:11:28.959
<v Speaker 2>Was the hairstylist on Fuller House, But we always joke

0:11:29.000 --> 0:11:31.000
<v Speaker 2>about that. If you work in sitcoms, you do learn

0:11:31.480 --> 0:11:33.280
<v Speaker 2>the jokes gotta work no matter what.

0:11:33.400 --> 0:11:36.400
<v Speaker 3>Do whatever you have to as long as the joke works.

0:11:37.520 --> 0:11:37.760
<v Speaker 1>Yep.

0:11:39.720 --> 0:11:41.839
<v Speaker 2>I am so excited to go into this though. I

0:11:42.200 --> 0:11:45.800
<v Speaker 2>really feel like the timing is right for it. I'm

0:11:45.840 --> 0:11:50.040
<v Speaker 2>excited to get to like go back and revisit my

0:11:50.160 --> 0:11:52.840
<v Speaker 2>childhood in a way and in a like in a

0:11:52.880 --> 0:11:56.439
<v Speaker 2>way where I think I have a different perspective of

0:11:56.480 --> 0:11:59.480
<v Speaker 2>like child stardom now a little bit, not in like

0:11:59.520 --> 0:12:01.800
<v Speaker 2>a negative way, but I think in a way where

0:12:01.840 --> 0:12:06.120
<v Speaker 2>it's I can look at it a little more objectively

0:12:06.200 --> 0:12:08.200
<v Speaker 2>and kind of sort through some of the things that

0:12:08.280 --> 0:12:10.840
<v Speaker 2>like maybe weren't so great or some of the things

0:12:10.880 --> 0:12:13.920
<v Speaker 2>that you know, stuck with me that I had to

0:12:14.000 --> 0:12:16.319
<v Speaker 2>learn how to undo at later points in my life.

0:12:16.360 --> 0:12:20.520
<v Speaker 2>But like also going back and seeing just what we

0:12:20.600 --> 0:12:23.160
<v Speaker 2>did as as young people as kids, and like how

0:12:23.679 --> 0:12:27.520
<v Speaker 2>crazy responsible we were, Like it's amazing to me.

0:12:28.400 --> 0:12:30.840
<v Speaker 1>I am definitely excited to go back and relive all

0:12:30.880 --> 0:12:36.120
<v Speaker 1>those memories and look at the show through an adult lens.

0:12:36.280 --> 0:12:36.679
<v Speaker 3>Finally.

0:12:36.800 --> 0:12:38.320
<v Speaker 1>I mean we felt some of this, I think on

0:12:38.400 --> 0:12:41.600
<v Speaker 1>Fuller House too, but getting to to view the show

0:12:41.679 --> 0:12:44.080
<v Speaker 1>from the perspective as an adult and we're moms now

0:12:44.200 --> 0:12:46.800
<v Speaker 1>we're adults, Like, I feel like our perspective is going

0:12:46.840 --> 0:12:47.840
<v Speaker 1>to be completely different.

0:12:48.760 --> 0:12:50.720
<v Speaker 3>And I I you called.

0:12:50.520 --> 0:12:52.960
<v Speaker 4>Me an adult, though, I thank you, thank you for that.

0:12:53.200 --> 0:12:58.839
<v Speaker 1>I mean, well myself, so we don't always act like

0:12:58.880 --> 0:13:02.439
<v Speaker 1>adults technical our charms that we are.

0:13:03.800 --> 0:13:05.240
<v Speaker 3>But yeah, I hope that it holds up.

0:13:05.280 --> 0:13:07.880
<v Speaker 1>Like I have such fond memories of being on the

0:13:07.880 --> 0:13:11.480
<v Speaker 1>set of full House, and I hope, I hope that

0:13:11.559 --> 0:13:12.040
<v Speaker 1>holds up.

0:13:12.240 --> 0:13:14.400
<v Speaker 3>Like I'm a little morvous.

0:13:13.960 --> 0:13:16.400
<v Speaker 2>But what are we gonna all come crashing down around

0:13:16.440 --> 0:13:18.080
<v Speaker 2>you and everything that was a lie?

0:13:18.320 --> 0:13:21.440
<v Speaker 1>What if I've blocked out like a lot of negative memories.

0:13:21.480 --> 0:13:23.560
<v Speaker 1>I don't I don't know, like, I guess we'll find out.

0:13:23.640 --> 0:13:26.720
<v Speaker 2>Oh no, I guess this is I mean, this is good.

0:13:27.080 --> 0:13:30.000
<v Speaker 2>I'm I'm willing to go on whatever and wherever this

0:13:30.080 --> 0:13:32.120
<v Speaker 2>journey takes us. I honestly do think there's gonna be

0:13:32.160 --> 0:13:36.360
<v Speaker 2>some moments though, where it's like oh wow, like things

0:13:37.040 --> 0:13:40.720
<v Speaker 2>hit in a different way, or remembering like, oh man,

0:13:40.800 --> 0:13:44.800
<v Speaker 2>I remember what was going on maybe outside of set

0:13:44.880 --> 0:13:46.640
<v Speaker 2>that week, you know what I mean, and watching that

0:13:46.679 --> 0:13:48.760
<v Speaker 2>and being like, man that you know, I don't know.

0:13:48.920 --> 0:13:52.439
<v Speaker 2>I'm I'm excited to get to have a different perspective of.

0:13:52.400 --> 0:13:54.920
<v Speaker 3>It though, me too. And we are going to be

0:13:54.920 --> 0:13:56.560
<v Speaker 3>bringing on some great.

0:13:56.360 --> 0:13:59.120
<v Speaker 1>Guests that will hopefully help us with the packing all

0:13:59.160 --> 0:14:02.760
<v Speaker 1>of these memories. I'm excited to talk to all of

0:14:02.760 --> 0:14:04.120
<v Speaker 1>our beloved cast members.

0:14:04.400 --> 0:14:09.400
<v Speaker 2>We've got cast members, We've got directors, we've got producers,

0:14:09.440 --> 0:14:11.120
<v Speaker 2>We're I mean, we're going to talk to all kinds

0:14:11.120 --> 0:14:12.240
<v Speaker 2>of behind the scenes.

0:14:12.280 --> 0:14:15.959
<v Speaker 4>People, are studio teachers, Oh my gosh.

0:14:16.000 --> 0:14:19.000
<v Speaker 2>We have so many fun guests that we're excited to

0:14:19.040 --> 0:14:22.960
<v Speaker 2>bring on and talk to, and people that really you

0:14:23.040 --> 0:14:24.920
<v Speaker 2>might not have seen in front of the camera, but

0:14:25.000 --> 0:14:27.920
<v Speaker 2>who full House would not have been possible without.

0:14:28.000 --> 0:14:30.440
<v Speaker 4>So I'm excited to get to bring some of those stories.

0:14:30.720 --> 0:14:31.960
<v Speaker 3>Me too too, Me too.

0:14:32.080 --> 0:14:34.440
<v Speaker 1>A lot of those people worked on Fuller House as well,

0:14:34.480 --> 0:14:36.320
<v Speaker 1>but not all of them, not all of them. So

0:14:36.520 --> 0:14:39.200
<v Speaker 1>I hope that this can be like one big reunion

0:14:40.200 --> 0:14:41.200
<v Speaker 1>full House casting.

0:14:41.200 --> 0:14:42.480
<v Speaker 4>Do you think we could get Comet?

0:14:43.680 --> 0:14:48.480
<v Speaker 1>Oh, Jody, I don't know. Commet was very busy back

0:14:48.520 --> 0:14:51.480
<v Speaker 1>in the day. Didn't he play on Airbud?

0:14:51.600 --> 0:14:53.880
<v Speaker 2>Was that the moment was also Airbud? Well, that was

0:14:53.920 --> 0:14:56.080
<v Speaker 2>where he got replaced by Bob the Dog?

0:14:56.240 --> 0:14:58.600
<v Speaker 3>Okay, Oh, I didn't know that.

0:14:59.320 --> 0:15:02.040
<v Speaker 2>Yes, that was why we got Bob the Dog.

0:15:01.960 --> 0:15:03.119
<v Speaker 4>Not Saggot.

0:15:03.200 --> 0:15:07.480
<v Speaker 2>But I mean, I I this comes later in the

0:15:07.600 --> 0:15:09.640
<v Speaker 2>in the series. Should we wait or didn't? I feel like,

0:15:09.680 --> 0:15:11.040
<v Speaker 2>now I've opened up what happened to.

0:15:11.240 --> 0:15:12.880
<v Speaker 3>You've opened up Pandora's box.

0:15:12.920 --> 0:15:15.520
<v Speaker 2>I did not know he was air Bud, but he

0:15:15.720 --> 0:15:18.160
<v Speaker 2>was like an Irish setter or something. So they had

0:15:18.240 --> 0:15:23.120
<v Speaker 2>to dye him like a reddish color, and his and

0:15:23.120 --> 0:15:25.680
<v Speaker 2>and and it hadn't come back, and he didn't look

0:15:25.880 --> 0:15:27.720
<v Speaker 2>like the same. He didn't looked like a Golden Retriever.

0:15:28.240 --> 0:15:32.000
<v Speaker 2>Hair was a little bit different, and so they brought

0:15:32.040 --> 0:15:37.560
<v Speaker 2>in a dog who also was named Bob which then

0:15:37.880 --> 0:15:42.080
<v Speaker 2>made things very confusing because you couldn't tell if people

0:15:42.120 --> 0:15:46.360
<v Speaker 2>were yelling at Bob, Bob Saggot or Bob the Dog.

0:15:47.280 --> 0:15:48.600
<v Speaker 2>And it really could have gone either way.

0:15:48.720 --> 0:15:50.920
<v Speaker 3>Which do you think was the better actor? Like, I

0:15:50.960 --> 0:15:53.040
<v Speaker 3>bet one of them listened to directions a little better.

0:15:53.240 --> 0:15:56.600
<v Speaker 2>One was more focused, that's for sure. The dog definitely

0:15:56.720 --> 0:16:01.280
<v Speaker 2>stayed on his mark. I love you, Bob, uh, but yeah,

0:16:01.320 --> 0:16:02.200
<v Speaker 2>that was Bob the Dog.

0:16:02.400 --> 0:16:04.720
<v Speaker 3>I'm already learning things and we're only ten minutes.

0:16:05.400 --> 0:16:08.920
<v Speaker 4>Random tangents brought to you by Well.

0:16:08.960 --> 0:16:12.400
<v Speaker 1>I figure we should start the same way that every

0:16:12.440 --> 0:16:17.400
<v Speaker 1>episode started, which is talking about that classic iconic opening

0:16:17.720 --> 0:16:20.160
<v Speaker 1>and the theme theme song.

0:16:20.320 --> 0:16:23.560
<v Speaker 2>Oh my gosh, I mean, I get, we definitely we have.

0:16:23.800 --> 0:16:27.440
<v Speaker 2>Let's we're covering the theme song in this episode because

0:16:28.080 --> 0:16:30.400
<v Speaker 2>I mean, it's obviously in every episode, so it would

0:16:30.440 --> 0:16:32.560
<v Speaker 2>be silly to cover it every time. But I feel

0:16:32.560 --> 0:16:36.480
<v Speaker 2>like it really needs a dedicated moment because the full

0:16:36.520 --> 0:16:42.480
<v Speaker 2>House theme song is beyond iconic. I mean, there are

0:16:42.720 --> 0:16:48.080
<v Speaker 2>I would say probably a handful, like a literal handful

0:16:48.200 --> 0:16:54.000
<v Speaker 2>of show like sitcom intro songs that are as popular

0:16:54.080 --> 0:16:55.800
<v Speaker 2>as as the full House theme song.

0:16:55.960 --> 0:16:59.600
<v Speaker 1>You can't not sing along when you hear the full

0:16:59.600 --> 0:17:02.320
<v Speaker 1>House theme song like it's it's almost like a tick.

0:17:02.640 --> 0:17:03.840
<v Speaker 3>Where you just have to sit it.

0:17:03.880 --> 0:17:05.280
<v Speaker 4>I mean, I actually I do.

0:17:05.440 --> 0:17:08.760
<v Speaker 2>I twitch sometimes when I sing it, but it is

0:17:09.160 --> 0:17:12.800
<v Speaker 2>I mean, people hear the beginning, like little beat of

0:17:12.880 --> 0:17:15.359
<v Speaker 2>it and they freak out when I heard it from

0:17:15.560 --> 0:17:17.879
<v Speaker 2>watching it, so we watched. I watched the pilot episode already.

0:17:17.880 --> 0:17:19.760
<v Speaker 2>We're not going to talk about that'll be next the

0:17:19.840 --> 0:17:25.680
<v Speaker 2>next after next week. But just hearing the original theme song,

0:17:25.720 --> 0:17:27.520
<v Speaker 2>I was like, oh my gosh, it took me back.

0:17:28.080 --> 0:17:32.920
<v Speaker 2>But one thing I will say is, did you realize

0:17:33.040 --> 0:17:37.480
<v Speaker 2>that it was so long? No, it was like the

0:17:37.560 --> 0:17:43.000
<v Speaker 2>extended cut music video drop of the full House theme

0:17:43.040 --> 0:17:44.560
<v Speaker 2>song in the pilot episode.

0:17:44.640 --> 0:17:47.040
<v Speaker 4>I like, I don't think it. I don't think it

0:17:47.080 --> 0:17:47.880
<v Speaker 4>was always that long.

0:17:47.920 --> 0:17:49.840
<v Speaker 2>I'm pretty sure it got edited at some point, but

0:17:49.880 --> 0:17:54.160
<v Speaker 2>I'll be interested to see when. Because there was stuff

0:17:54.359 --> 0:17:56.200
<v Speaker 2>happening in the opening credits.

0:17:56.200 --> 0:17:57.440
<v Speaker 4>I was like, I don't remember.

0:17:57.119 --> 0:17:58.840
<v Speaker 3>That it was unusually long.

0:17:58.880 --> 0:18:01.520
<v Speaker 1>I felt the exact same way because I was like, right,

0:18:01.720 --> 0:18:05.720
<v Speaker 1>I was, I'm still going it's still They definitely tightened

0:18:05.760 --> 0:18:08.040
<v Speaker 1>it up and shortened it as I don't know when,

0:18:08.160 --> 0:18:11.240
<v Speaker 1>like you said, but as as the seasons progressed, but

0:18:11.280 --> 0:18:13.399
<v Speaker 1>we should give credit where credit is due of who

0:18:13.440 --> 0:18:18.320
<v Speaker 1>who wrote the original theme song? Yes, which is Jesse, Frederick, Jesse,

0:18:18.400 --> 0:18:20.960
<v Speaker 1>Frederick and Bennett Bennett Salve.

0:18:20.920 --> 0:18:23.040
<v Speaker 3>Salve, I knew, yeah, pronounced it better than I would.

0:18:23.760 --> 0:18:29.159
<v Speaker 2>Yes, Jesse and Bennett and Jesse and Bennett wrote like

0:18:29.560 --> 0:18:35.200
<v Speaker 2>a ton of the the sitcom theme songs for Miller

0:18:35.240 --> 0:18:38.159
<v Speaker 2>Boyet shows. So I know they did family Matters. I

0:18:38.280 --> 0:18:42.280
<v Speaker 2>know they did step by step. So yeah, they you

0:18:42.320 --> 0:18:45.200
<v Speaker 2>can definitely hear. And when you listen to all of

0:18:45.240 --> 0:18:47.080
<v Speaker 2>the those theme songs, you're kind of like, oh, I

0:18:47.119 --> 0:18:48.960
<v Speaker 2>kind of get it's got a little of the same

0:18:49.200 --> 0:18:52.000
<v Speaker 2>moment to it. So but they were so incredibly talented

0:18:52.040 --> 0:18:55.520
<v Speaker 2>and continued to work with us through Fuller House.

0:18:55.320 --> 0:18:59.200
<v Speaker 4>And wrote wrote some of the songs that Stephanie sang on.

0:18:59.200 --> 0:19:01.639
<v Speaker 3>Fuller Oh that's right, that's right. I forgot about that.

0:19:02.080 --> 0:19:05.080
<v Speaker 1>Yes, Now, who was one of them singing the full

0:19:05.080 --> 0:19:07.480
<v Speaker 1>House theme song? Was that Bennett or Jesse?

0:19:07.880 --> 0:19:08.639
<v Speaker 4>That I don't know that.

0:19:08.720 --> 0:19:10.480
<v Speaker 3>I don't know. Okay, well maybe we'll.

0:19:10.440 --> 0:19:13.520
<v Speaker 2>In thirty and thirty somebody will yours. I've never Yeah,

0:19:13.560 --> 0:19:15.800
<v Speaker 2>someone will. Someone will find out if.

0:19:15.600 --> 0:19:16.240
<v Speaker 3>Not a producer.

0:19:16.280 --> 0:19:20.040
<v Speaker 1>Then a diehard fan will definitely emailing us to correct.

0:19:19.760 --> 0:19:22.400
<v Speaker 2>I am waiting for I'm sure we're going to get

0:19:22.960 --> 0:19:26.119
<v Speaker 2>plenty of dms that that say like that there's something

0:19:26.119 --> 0:19:28.160
<v Speaker 2>that we missed or screwed up, and I'm I'm looking

0:19:28.160 --> 0:19:31.200
<v Speaker 2>for I'm welcoming that. I mean, I'm excited to see

0:19:31.280 --> 0:19:33.040
<v Speaker 2>the things that I don't know, because I'm.

0:19:32.880 --> 0:19:33.560
<v Speaker 4>Sure there's a lot.

0:19:33.800 --> 0:19:36.399
<v Speaker 1>I welcome that too, because for thirty six years people

0:19:36.440 --> 0:19:40.480
<v Speaker 1>have been saying, do you remember this episode, and I'm like, don't.

0:19:40.800 --> 0:19:45.359
<v Speaker 2>Yeah, that's always I just always said, uh, oh, Jesse

0:19:45.520 --> 0:19:46.080
<v Speaker 2>did sing it.

0:19:46.720 --> 0:19:48.200
<v Speaker 3>Jesse did sing it. Oh.

0:19:48.440 --> 0:19:49.679
<v Speaker 4>By the way, our.

0:19:49.640 --> 0:19:53.240
<v Speaker 2>Incredibly thorough fact checker, Jensen, thank you so much. Yes

0:19:53.280 --> 0:19:57.520
<v Speaker 2>for sure to Jensen drops to Jenson keeping us factual.

0:19:57.640 --> 0:19:59.480
<v Speaker 4>I don't need I don't need.

0:19:59.359 --> 0:20:05.480
<v Speaker 2>To misspeak on this podcast. Share any misinformation, that's okay.

0:20:06.080 --> 0:20:08.000
<v Speaker 2>But yeah, I don't remember it being as long. I

0:20:08.000 --> 0:20:11.560
<v Speaker 2>do remember I had my little ballet moment right oh there,

0:20:11.840 --> 0:20:14.800
<v Speaker 2>when it was like and and I forgot. I mean,

0:20:14.840 --> 0:20:16.719
<v Speaker 2>I know it's kind of become a trope at this

0:20:16.760 --> 0:20:20.560
<v Speaker 2>point the sitcom, you know, moment look into the camera,

0:20:21.800 --> 0:20:27.040
<v Speaker 2>but I forgot, just really, how terrifically cheesy. It was like,

0:20:27.160 --> 0:20:35.399
<v Speaker 2>it's so cheesy, It's like so awesomely cheesy, and just

0:20:35.560 --> 0:20:39.119
<v Speaker 2>talking like you're talking to I want to do a

0:20:39.160 --> 0:20:42.080
<v Speaker 2>bad lip breeding of what Dave and Bob and John

0:20:42.119 --> 0:20:45.320
<v Speaker 2>are saying. So bad else because I can only imagine

0:20:45.400 --> 0:20:48.439
<v Speaker 2>what they were actually saying, knowing that no like audio

0:20:48.560 --> 0:20:49.360
<v Speaker 2>was going to be recorded.

0:20:49.440 --> 0:20:52.800
<v Speaker 1>Oh man, I'm sure it was not appropriate for all

0:20:52.840 --> 0:20:54.720
<v Speaker 1>ages and all ears for sure.

0:20:55.040 --> 0:20:56.040
<v Speaker 3>Yeah, okay, I.

0:20:55.960 --> 0:20:58.840
<v Speaker 1>Have so many questions about the opening credits, okay, because

0:20:58.880 --> 0:20:59.440
<v Speaker 1>I wasn't there.

0:20:59.800 --> 0:21:02.639
<v Speaker 3>So where did you shoot these? Did you go to

0:21:02.680 --> 0:21:05.800
<v Speaker 3>San Francisco to shoot these credits or were you well

0:21:06.040 --> 0:21:06.560
<v Speaker 3>somewhere else?

0:21:06.680 --> 0:21:12.679
<v Speaker 2>Yes? And no okay, well actually mostly no, okay, So

0:21:13.680 --> 0:21:16.480
<v Speaker 2>I did not go to San Francisco. The cast did

0:21:16.520 --> 0:21:20.560
<v Speaker 2>not go to San Francisco to shoot any of the

0:21:20.560 --> 0:21:24.000
<v Speaker 2>the exterior stuff. So like when you see the when

0:21:24.040 --> 0:21:26.359
<v Speaker 2>you see us in the car in the red car,

0:21:26.520 --> 0:21:29.359
<v Speaker 2>like the close up and it pulls out, that was

0:21:29.400 --> 0:21:33.280
<v Speaker 2>in Griffith Park. Oh, that was in Griffith Park. The

0:21:33.400 --> 0:21:36.080
<v Speaker 2>scene where we are like running down the hill with

0:21:36.080 --> 0:21:40.840
<v Speaker 2>the soccer ball or whatever, Yeah, that was also Griffith Park. Okay,

0:21:41.000 --> 0:21:44.840
<v Speaker 2>the where we're fishing. Oh yes, The close up shot

0:21:44.880 --> 0:21:49.080
<v Speaker 2>of that is as I believe Griffith Park or something,

0:21:49.680 --> 0:21:53.680
<v Speaker 2>and then the then the when you see it from

0:21:53.720 --> 0:21:56.680
<v Speaker 2>behind and it's like the three of them, that's not us.

0:21:56.760 --> 0:22:00.560
<v Speaker 2>Those were just stand ins actually in San Francisco at

0:22:00.600 --> 0:22:03.160
<v Speaker 2>the wharf, getting the like the wide shots. And then

0:22:03.200 --> 0:22:06.080
<v Speaker 2>they did like the shot you know, over the over

0:22:06.080 --> 0:22:08.560
<v Speaker 2>the Golden gate Bridge, which I'm not sure how.

0:22:08.480 --> 0:22:10.240
<v Speaker 3>How didn't they shoot that? Yeah, drone?

0:22:10.240 --> 0:22:12.480
<v Speaker 2>There was no drones. Then there was no it was

0:22:12.520 --> 0:22:13.359
<v Speaker 2>it a helicopter.

0:22:13.480 --> 0:22:15.720
<v Speaker 1>That's a good question for Jeff Franklin, the creator of

0:22:15.760 --> 0:22:17.879
<v Speaker 1>the show, when we get him, when we get him

0:22:17.880 --> 0:22:18.359
<v Speaker 1>on as a guest.

0:22:18.400 --> 0:22:19.919
<v Speaker 2>I mean, I would assume it would have to be

0:22:19.960 --> 0:22:23.080
<v Speaker 2>some sort of a helicopter shot, right. I don't know,

0:22:23.080 --> 0:22:26.040
<v Speaker 2>because it wasn't like we had, you know, great CGI

0:22:26.400 --> 0:22:28.680
<v Speaker 2>in nineteen eighty seven, and that would have been way

0:22:28.680 --> 0:22:31.520
<v Speaker 2>more expensive than actually flying a helicopter and flying seven

0:22:31.560 --> 0:22:33.600
<v Speaker 2>people up to San Francisco and getting a shot on

0:22:33.640 --> 0:22:35.960
<v Speaker 2>the Golden gate Bridge at that moment in time.

0:22:36.240 --> 0:22:39.560
<v Speaker 1>Speaking of CGI, my favorite shot of the opening credits

0:22:39.720 --> 0:22:43.280
<v Speaker 1>is you and Candace and one of the Olsen twins

0:22:43.359 --> 0:22:47.040
<v Speaker 1>in the back seat and that terrible green screen of

0:22:47.040 --> 0:22:49.480
<v Speaker 1>a trolley car behind you, Like it could not look

0:22:49.520 --> 0:22:49.960
<v Speaker 1>more fake.

0:22:51.119 --> 0:22:52.960
<v Speaker 3>It is absolutely hysterical.

0:22:53.520 --> 0:22:58.879
<v Speaker 2>Yeah, it's pretty bad because also like, yeah, is that

0:22:59.160 --> 0:23:01.840
<v Speaker 2>like the close then as it pulls to reveal in

0:23:01.880 --> 0:23:02.399
<v Speaker 2>the car.

0:23:02.760 --> 0:23:04.240
<v Speaker 3>No, this is just a shot.

0:23:04.680 --> 0:23:06.520
<v Speaker 2>Oh that's right, it's just the shot of the three

0:23:06.520 --> 0:23:08.000
<v Speaker 2>of us. Oh yeah, there's.

0:23:07.840 --> 0:23:10.080
<v Speaker 3>Another shot where it pulls out. It pulls out, you

0:23:10.119 --> 0:23:12.080
<v Speaker 3>see the five of you in the car, right?

0:23:12.119 --> 0:23:13.560
<v Speaker 4>And then no, I do I remember the one you

0:23:13.640 --> 0:23:14.400
<v Speaker 4>car on it? Yeah?

0:23:14.440 --> 0:23:17.000
<v Speaker 2>It was, I mean, someone just it was like a

0:23:17.040 --> 0:23:18.920
<v Speaker 2>hand painting of a trolley car stuck behind.

0:23:18.960 --> 0:23:19.880
<v Speaker 4>It was like nobody will notice.

0:23:20.080 --> 0:23:22.320
<v Speaker 2>Fine, I feel like a high schooler, you know, or

0:23:22.560 --> 0:23:25.680
<v Speaker 2>a film student props in the art departments.

0:23:25.760 --> 0:23:28.760
<v Speaker 4>Okay, in the eighties they were not working.

0:23:28.560 --> 0:23:32.399
<v Speaker 2>With the two. It was it was where everyone was

0:23:32.840 --> 0:23:37.879
<v Speaker 2>doing a great job at the moment. But I remember, like,

0:23:37.960 --> 0:23:40.919
<v Speaker 2>even looking at some of the backgrounds in the pilot episode,

0:23:40.960 --> 0:23:43.160
<v Speaker 2>I was like, wow, they really have come a long

0:23:43.200 --> 0:23:44.400
<v Speaker 2>way in that in that department.

0:23:45.680 --> 0:23:48.679
<v Speaker 1>Were you even wearing seat belts in the convertible? I

0:23:48.680 --> 0:23:50.200
<v Speaker 1>didn't see you wearing this car.

0:23:50.320 --> 0:23:53.399
<v Speaker 2>I'm sure we didn't. Didn't even have seat belts, you

0:23:53.440 --> 0:23:55.280
<v Speaker 2>know what I mean, like there was no, it was

0:23:55.359 --> 0:23:57.760
<v Speaker 2>not a thing at that point.

0:23:57.920 --> 0:23:58.440
<v Speaker 4>I don't think.

0:23:58.440 --> 0:24:01.600
<v Speaker 2>I mean, there were seat belt laws, but I remember

0:24:01.680 --> 0:24:02.760
<v Speaker 2>being a kid, it was like if it was a

0:24:02.840 --> 0:24:04.760
<v Speaker 2>vintage car, you still it was like, you know, the

0:24:04.760 --> 0:24:06.520
<v Speaker 2>work around you that doesn't have to do it. But

0:24:06.760 --> 0:24:08.960
<v Speaker 2>there certainly weren't enough seat belts for everyone that was

0:24:08.960 --> 0:24:12.600
<v Speaker 2>in that car. I mean, yeah, yeah, but it wasn't

0:24:12.640 --> 0:24:14.560
<v Speaker 2>like the stand I don't think Standards and Practices has

0:24:14.560 --> 0:24:16.159
<v Speaker 2>that thing yet where it was like you had to

0:24:16.280 --> 0:24:18.560
<v Speaker 2>watch someone buckle their seat belt and.

0:24:19.280 --> 0:24:20.320
<v Speaker 3>It's very different now.

0:24:20.440 --> 0:24:22.840
<v Speaker 1>The laws are much stricter now, and I'm like, they

0:24:22.840 --> 0:24:24.880
<v Speaker 1>would never get away with that now, right.

0:24:24.760 --> 0:24:27.439
<v Speaker 2>Oh, there's a whole lot in the first episode that

0:24:27.480 --> 0:24:28.760
<v Speaker 2>they would never get away with now.

0:24:30.280 --> 0:24:30.440
<v Speaker 1>Yeah.

0:24:30.480 --> 0:24:34.359
<v Speaker 2>Yeah, yeah, but yeah, that was it was sort of

0:24:34.359 --> 0:24:36.760
<v Speaker 2>a it was sort of a mishmash of Griffith Park

0:24:37.600 --> 0:24:40.600
<v Speaker 2>and other people in San Francisco.

0:24:40.880 --> 0:24:44.760
<v Speaker 1>Yeah, there's there's the one shot you mentioned where Danny

0:24:45.359 --> 0:24:49.120
<v Speaker 1>and DJ and Stefan you're fishing off the pier, right right, yeah,

0:24:49.119 --> 0:24:51.120
<v Speaker 1>and then the shot from behind, I'm like, that's.

0:24:50.920 --> 0:24:56.840
<v Speaker 2>Not Bob fishing. We were fishing, fishing fishing. Watch your diction.

0:24:57.320 --> 0:25:00.720
<v Speaker 1>Do you remember our dialogue coach saying that watch diction,

0:25:01.280 --> 0:25:02.679
<v Speaker 1>Watch your di what diction?

0:25:04.960 --> 0:25:06.320
<v Speaker 4>You watch your diption?

0:25:06.640 --> 0:25:08.320
<v Speaker 3>No, I'm trying to watch.

0:25:09.119 --> 0:25:12.199
<v Speaker 1>Sorry, this is going off the rails already, That's what

0:25:12.200 --> 0:25:13.919
<v Speaker 1>I'm This is just a.

0:25:13.800 --> 0:25:16.680
<v Speaker 2>Taste of the off the railedness that is to come.

0:25:16.840 --> 0:25:17.520
<v Speaker 3>And I just had a.

0:25:17.440 --> 0:25:20.159
<v Speaker 1>Flash of our dialogue coach always saying watch your diction,

0:25:20.880 --> 0:25:22.359
<v Speaker 1>Brian Cale, Brian Klee.

0:25:22.400 --> 0:25:25.560
<v Speaker 3>Yes, and and remind us to pronounce it. Don't be slopp.

0:25:25.600 --> 0:25:27.159
<v Speaker 3>You don't have a mush mouth. And so I was

0:25:27.160 --> 0:25:29.720
<v Speaker 3>telling you to watch your diction. And that's what I've.

0:25:29.720 --> 0:25:37.480
<v Speaker 2>I've never noticed, so my diction is atrocious, shall say anyway.

0:25:37.119 --> 0:25:38.400
<v Speaker 4>Okay, I was gonna say.

0:25:38.400 --> 0:25:41.560
<v Speaker 2>The one thing we were talking about is the how

0:25:41.920 --> 0:25:46.399
<v Speaker 2>the story of how the full House House came to

0:25:46.520 --> 0:25:49.320
<v Speaker 2>be the full House House, the exterior of it.

0:25:49.400 --> 0:25:50.160
<v Speaker 3>That's a great story.

0:25:50.800 --> 0:25:52.000
<v Speaker 4>It's a really cool story.

0:25:52.160 --> 0:25:55.640
<v Speaker 2>Uh. That Rich Correll, who is one of the executive

0:25:55.680 --> 0:26:00.119
<v Speaker 2>producers on Full House and also is a prolific direct or.

0:26:00.160 --> 0:26:01.600
<v Speaker 4>We're going to have him on at some point too.

0:26:01.920 --> 0:26:03.000
<v Speaker 4>He directed a ton.

0:26:02.920 --> 0:26:05.199
<v Speaker 2>Of the Fuller House episodes as well, and produced on

0:26:05.240 --> 0:26:07.480
<v Speaker 2>the show. I just love him. He's a dear friend

0:26:07.520 --> 0:26:10.359
<v Speaker 2>of ours. We go to Universal Horrorights with him all

0:26:10.359 --> 0:26:14.840
<v Speaker 2>the time. Anyway, he was producing at the time, and

0:26:14.880 --> 0:26:16.679
<v Speaker 2>it's funny if you see the credits, he went by

0:26:16.760 --> 0:26:17.719
<v Speaker 2>Richard Carrell.

0:26:18.080 --> 0:26:21.600
<v Speaker 3>I did notice that I was like Richard Carrell, very formal.

0:26:21.600 --> 0:26:26.080
<v Speaker 2>Very formal, and he was out there location scouting in

0:26:26.119 --> 0:26:32.199
<v Speaker 2>San Francisco and the house was the house that they

0:26:32.200 --> 0:26:34.920
<v Speaker 2>wound up choosing was one on a list of several

0:26:35.080 --> 0:26:37.760
<v Speaker 2>you know, that they were looking at, and I guess

0:26:37.960 --> 0:26:41.760
<v Speaker 2>they went to the house and rich went up to

0:26:42.280 --> 0:26:45.320
<v Speaker 2>the door to speak to the owner about like, hey,

0:26:45.480 --> 0:26:47.480
<v Speaker 2>we'd like to pay you for exterior shots at the house.

0:26:47.520 --> 0:26:47.800
<v Speaker 1>Whatever.

0:26:48.600 --> 0:26:50.000
<v Speaker 4>The dude opens the door.

0:26:51.440 --> 0:26:57.840
<v Speaker 2>It's Rich's sister's ex boyfriend from high school who they

0:26:57.880 --> 0:27:01.240
<v Speaker 2>went to high school in La Okay so years before,

0:27:01.520 --> 0:27:05.359
<v Speaker 2>who now owns the house. Rich will correct me on

0:27:05.400 --> 0:27:07.040
<v Speaker 2>the story of some I've missed something, but this is

0:27:07.240 --> 0:27:10.640
<v Speaker 2>but he like opened the thing. Was like what happens

0:27:10.640 --> 0:27:13.240
<v Speaker 2>to know the guy? It works out whatever, And that

0:27:13.520 --> 0:27:16.719
<v Speaker 2>was how the full House house came to be chosen,

0:27:16.800 --> 0:27:21.199
<v Speaker 2>which I find to be very serendipitous, just as so

0:27:21.280 --> 0:27:25.480
<v Speaker 2>many things about Full House and Fuller House and this

0:27:25.560 --> 0:27:29.240
<v Speaker 2>sort of magic that is on this little show that

0:27:29.280 --> 0:27:34.040
<v Speaker 2>we do. Yeah, it was kind of like knowing that story.

0:27:34.080 --> 0:27:37.440
<v Speaker 2>When Rich told me that, I was like, that absolutely

0:27:37.440 --> 0:27:40.720
<v Speaker 2>fits it. Just it all fell into place. All the

0:27:40.800 --> 0:27:43.160
<v Speaker 2>right people, the right things, the right places just all

0:27:43.160 --> 0:27:44.879
<v Speaker 2>fell into place with full House.

0:27:45.440 --> 0:27:48.119
<v Speaker 3>That's such a random connection. Is that a small world?

0:27:48.240 --> 0:27:48.400
<v Speaker 1>Right?

0:27:48.640 --> 0:27:52.520
<v Speaker 2>I even be honest, like what what are the odds?

0:27:52.720 --> 0:27:54.800
<v Speaker 1>And it's such a great house too, with like the

0:27:54.840 --> 0:27:57.479
<v Speaker 1>red door, Like do you think he picked that house?

0:27:57.560 --> 0:27:59.760
<v Speaker 2>Because I believe they picked the house. They really liked

0:27:59.760 --> 0:28:01.520
<v Speaker 2>the door, they liked the color scheme.

0:28:01.640 --> 0:28:04.520
<v Speaker 1>They Yeah, well you and I recently went to San

0:28:04.520 --> 0:28:08.879
<v Speaker 1>Francisco to promote promos for this podcast.

0:28:09.040 --> 0:28:11.280
<v Speaker 4>Oh did we Francisco?

0:28:11.840 --> 0:28:13.680
<v Speaker 3>Because I am still on.

0:28:13.840 --> 0:28:15.720
<v Speaker 2>The way, I still have do you know the Way

0:28:15.720 --> 0:28:18.400
<v Speaker 2>to San Jose in my head.

0:28:21.880 --> 0:28:24.320
<v Speaker 3>That I have no response for that.

0:28:24.400 --> 0:28:28.520
<v Speaker 2>Okay, on the flight home, I got a stupid song

0:28:28.560 --> 0:28:30.000
<v Speaker 2>stuck in my head and it was do you know

0:28:30.040 --> 0:28:31.960
<v Speaker 2>the Way to San Jose? Even though we were coming

0:28:32.000 --> 0:28:34.120
<v Speaker 2>from San Francisco, and I felt the need to lean

0:28:34.160 --> 0:28:35.520
<v Speaker 2>over to Andrey and tell her that. At the end

0:28:35.520 --> 0:28:37.719
<v Speaker 2>of the day, I found it to be hilarious and

0:28:37.800 --> 0:28:39.320
<v Speaker 2>she was just like, what is wrong with you?

0:28:39.480 --> 0:28:42.640
<v Speaker 1>We were so slap appy at that point. But no,

0:28:42.720 --> 0:28:45.200
<v Speaker 1>we flew up to San Francisco. We took a flight

0:28:45.280 --> 0:28:48.040
<v Speaker 1>to Oakland, not Land.

0:28:48.040 --> 0:28:50.760
<v Speaker 4>Not Oakland, not Auckland, check the spelling.

0:28:51.520 --> 0:28:52.400
<v Speaker 2>And we just.

0:28:52.440 --> 0:28:57.160
<v Speaker 1>Had the most delightful day driving around San Francisco in

0:28:57.160 --> 0:28:58.320
<v Speaker 1>our Hyundai Tucson.

0:28:58.560 --> 0:29:00.000
<v Speaker 2>It was so much.

0:29:00.400 --> 0:29:01.640
<v Speaker 4>We had so much fun.

0:29:01.760 --> 0:29:06.240
<v Speaker 2>We hit like other pretty much other than Alcatraz, and

0:29:06.280 --> 0:29:08.680
<v Speaker 2>like driving across the Golden gate Bridge, I feel like

0:29:08.760 --> 0:29:13.560
<v Speaker 2>we hit a lot like the Top five moments, particularly

0:29:13.600 --> 0:29:16.600
<v Speaker 2>full House related. We saw the full House house m hm.

0:29:17.320 --> 0:29:21.200
<v Speaker 2>We went fishing by the Golden gate Bridge and the marina. Yes,

0:29:21.720 --> 0:29:26.480
<v Speaker 2>we went to Fisherman's Wharf and the giant steering wheel

0:29:26.480 --> 0:29:29.920
<v Speaker 2>crab that y'all couldn't decide where it was if it

0:29:29.960 --> 0:29:30.720
<v Speaker 2>was Peer thirty.

0:29:30.640 --> 0:29:32.000
<v Speaker 4>Nine or twenty nine or whatever.

0:29:32.200 --> 0:29:33.680
<v Speaker 3>We got a little bit lost, That's okay, a little

0:29:33.720 --> 0:29:34.120
<v Speaker 3>bit lost.

0:29:34.920 --> 0:29:36.280
<v Speaker 2>You and I got lost a couple of times in

0:29:36.280 --> 0:29:42.160
<v Speaker 2>the Hundai. And most importantly was our multiple trips down

0:29:42.240 --> 0:29:43.040
<v Speaker 2>Lombard Street.

0:29:43.320 --> 0:29:46.080
<v Speaker 1>This was a dream come true for me driving down

0:29:46.200 --> 0:29:47.400
<v Speaker 1>Lombard Street with.

0:29:48.200 --> 0:29:50.520
<v Speaker 2>Lombard Street for those that for those that don't know,

0:29:50.720 --> 0:29:53.560
<v Speaker 2>is the Crooked Street, which there's also a sign that

0:29:53.600 --> 0:29:56.520
<v Speaker 2>says that in San Francisco the Crooked Street, because people

0:29:56.520 --> 0:29:57.760
<v Speaker 2>were probably like, I don't know what the name of

0:29:57.800 --> 0:30:00.520
<v Speaker 2>it is to the crooked Street. Yes, yes, it's called

0:30:00.600 --> 0:30:03.760
<v Speaker 2>Lombard Street. Is the actual name. And people live on.

0:30:03.680 --> 0:30:05.880
<v Speaker 3>This street, by the way, that blows my way.

0:30:05.840 --> 0:30:06.680
<v Speaker 4>Why, I don't know.

0:30:07.120 --> 0:30:10.960
<v Speaker 2>They have be just masochists to want to live amongst

0:30:11.560 --> 0:30:15.400
<v Speaker 2>people driving all day and night in their front yard

0:30:15.440 --> 0:30:17.720
<v Speaker 2>and troops up and down in their high ranges. So

0:30:17.760 --> 0:30:20.520
<v Speaker 2>many we had a great time ruining.

0:30:20.240 --> 0:30:21.320
<v Speaker 4>Their their day.

0:30:21.400 --> 0:30:23.720
<v Speaker 2>So now it was the great time driving up and

0:30:23.720 --> 0:30:28.200
<v Speaker 2>down it was Can I tell the story about honking?

0:30:28.360 --> 0:30:31.080
<v Speaker 3>Please? Please tell? Well, okay, I'll set it. Let me,

0:30:31.200 --> 0:30:31.880
<v Speaker 3>let me set it up.

0:30:32.440 --> 0:30:34.240
<v Speaker 2>Give me the setup and I'll set you and then

0:30:34.280 --> 0:30:35.040
<v Speaker 2>I'll do okay.

0:30:35.280 --> 0:30:40.280
<v Speaker 1>So we drove down Lombard Street at least four times,

0:30:40.320 --> 0:30:43.240
<v Speaker 1>maybe five times, because we had to get different angles,

0:30:43.240 --> 0:30:45.080
<v Speaker 1>different shots. We had photographers at the top of the

0:30:45.120 --> 0:30:48.000
<v Speaker 1>hill and at the bottom of the hill. And this

0:30:48.120 --> 0:30:49.760
<v Speaker 1>was a dream come true for me because not only

0:30:49.760 --> 0:30:52.000
<v Speaker 1>were you driving, but I was holding a Thomas Guide.

0:30:52.040 --> 0:30:54.440
<v Speaker 1>Because that's how we got to all of our auditions back.

0:30:54.320 --> 0:30:57.480
<v Speaker 3>In the nineties. Still seen a Thomas Guide before me.

0:30:57.720 --> 0:31:00.720
<v Speaker 2>GPS goes down US eighties and ninety. The child stars

0:31:00.720 --> 0:31:02.680
<v Speaker 2>are going to be fine, Like I got a map,

0:31:02.760 --> 0:31:03.360
<v Speaker 2>I can read it.

0:31:03.880 --> 0:31:06.440
<v Speaker 1>We are children of the nineties. We are fluent in

0:31:06.640 --> 0:31:07.520
<v Speaker 1>the Thomas Guide.

0:31:07.720 --> 0:31:08.040
<v Speaker 3>Yes.

0:31:08.440 --> 0:31:11.960
<v Speaker 1>So this was our last pass of going down Lombard Street.

0:31:12.080 --> 0:31:14.080
<v Speaker 1>And you know, there's a line of cars that are

0:31:14.080 --> 0:31:15.960
<v Speaker 1>waiting to go down Lombard Street. So we're at the

0:31:15.960 --> 0:31:18.400
<v Speaker 1>top of the hill waiting for our turn to go

0:31:18.440 --> 0:31:19.440
<v Speaker 1>down Lombard Street.

0:31:19.880 --> 0:31:23.160
<v Speaker 2>Right, Okay, So not only are we at the top

0:31:23.200 --> 0:31:26.000
<v Speaker 2>of the hill waiting, but there's like a four way

0:31:26.080 --> 0:31:29.800
<v Speaker 2>stop right at the top. I have pulled out into

0:31:29.880 --> 0:31:33.800
<v Speaker 2>the intersection, thinking I'm going to go just straight through,

0:31:34.160 --> 0:31:39.040
<v Speaker 2>but I hear honking, yes, and lots of honking, lots

0:31:39.080 --> 0:31:43.200
<v Speaker 2>of the unk just eh, And I'm looking around like

0:31:43.280 --> 0:31:46.760
<v Speaker 2>what is happening? Like there's pedestrians kind of like clearing

0:31:46.800 --> 0:31:48.960
<v Speaker 2>the way right, and I'm like, oh, it's someone behind.

0:31:49.000 --> 0:31:50.400
<v Speaker 3>All the tourists are staring at it.

0:31:50.560 --> 0:31:53.640
<v Speaker 2>I thought it was yeah, people are staring. The windows

0:31:53.640 --> 0:31:56.680
<v Speaker 2>are down, so it's also very loud. There's a car

0:31:56.760 --> 0:31:58.520
<v Speaker 2>behind and I'm like, oh my god, am I in

0:31:58.520 --> 0:32:00.640
<v Speaker 2>the way? Did I cut somebody off? Like when you

0:32:00.680 --> 0:32:02.600
<v Speaker 2>realize know there's a thousand things going on, did I

0:32:02.600 --> 0:32:03.520
<v Speaker 2>go into the interesting juice?

0:32:03.720 --> 0:32:03.880
<v Speaker 1>Right?

0:32:04.680 --> 0:32:09.280
<v Speaker 2>And then what I realized is is so when you're

0:32:09.280 --> 0:32:12.680
<v Speaker 2>going over such steep hills in San Francisco, you kind

0:32:12.720 --> 0:32:15.280
<v Speaker 2>of you have to look forward a little bit and

0:32:15.400 --> 0:32:19.120
<v Speaker 2>lean kind of because it's very steep, right, so you

0:32:19.160 --> 0:32:25.560
<v Speaker 2>can't see well as I'm leaning, certain parts of me

0:32:25.760 --> 0:32:29.600
<v Speaker 2>are also leaning forward and smashing into the car horn

0:32:30.880 --> 0:32:37.200
<v Speaker 2>and honking the car horn without my knowledge.

0:32:38.320 --> 0:32:41.680
<v Speaker 3>The look on your face when you realized it was

0:32:41.720 --> 0:32:42.280
<v Speaker 3>your boob.

0:32:44.200 --> 0:32:47.480
<v Speaker 2>I realized because I thought someone was following us, and

0:32:47.600 --> 0:32:54.760
<v Speaker 2>Honky No said just my boob, just and I was like,

0:32:54.840 --> 0:32:55.640
<v Speaker 2>oh my.

0:32:55.560 --> 0:33:01.680
<v Speaker 1>God, so talk about honkers. It was the greatest moment

0:33:01.920 --> 0:33:03.920
<v Speaker 1>of the whole day. Like it just that was such

0:33:03.920 --> 0:33:04.840
<v Speaker 1>a classic ing.

0:33:05.200 --> 0:33:06.520
<v Speaker 4>Oh it really was.

0:33:06.680 --> 0:33:09.440
<v Speaker 2>It really was scaring myself and having no idea why,

0:33:09.560 --> 0:33:10.160
<v Speaker 2>but just.

0:33:11.320 --> 0:33:16.040
<v Speaker 3>We're just such idiots honking at ourselves. Everyone's staring at us.

0:33:16.040 --> 0:33:18.360
<v Speaker 3>They're like, how are the girls from full House honking

0:33:18.600 --> 0:33:20.080
<v Speaker 3>at the top of Lombard.

0:33:19.720 --> 0:33:22.960
<v Speaker 2>Street that apparently we were, And all I keep saying

0:33:22.960 --> 0:33:25.160
<v Speaker 2>too is like, could you imagine people going down this

0:33:25.200 --> 0:33:27.360
<v Speaker 2>thing in front of your house every day honking horns

0:33:27.360 --> 0:33:30.480
<v Speaker 2>and stuff, And then I'm the idiot honking the horn.

0:33:31.120 --> 0:33:34.400
<v Speaker 2>But the best part was is that apparently also we

0:33:34.520 --> 0:33:39.880
<v Speaker 2>learned we were so loud in the car that they

0:33:39.880 --> 0:33:43.880
<v Speaker 2>could hear us at the bottom of the hill when

0:33:43.920 --> 0:33:46.720
<v Speaker 2>we were going down, and they would just yell to

0:33:46.760 --> 0:33:47.400
<v Speaker 2>each other.

0:33:47.320 --> 0:33:48.200
<v Speaker 4>Like, oh, here they come.

0:33:48.280 --> 0:33:52.120
<v Speaker 2>We hear them because the windows were down, and not

0:33:52.160 --> 0:33:55.640
<v Speaker 2>even the car honking, was it even the honking their voices,

0:33:55.720 --> 0:33:58.120
<v Speaker 2>just the honking from my mouth. And we were like.

0:33:58.080 --> 0:34:02.200
<v Speaker 3>Canaddling hens, just yes, all the way down the hill.

0:34:02.480 --> 0:34:04.719
<v Speaker 2>And they were like, up here they go them and

0:34:04.760 --> 0:34:08.759
<v Speaker 2>we were just announcing our rival completely downhill to all

0:34:08.800 --> 0:34:17.359
<v Speaker 2>of San Francisco. Because I wake up San Francisco, I.

0:34:17.320 --> 0:34:20.040
<v Speaker 3>Will hold that memory in my brain for the.

0:34:19.960 --> 0:34:22.640
<v Speaker 2>Rest of my So much fun. We had so much fun.

0:34:22.719 --> 0:34:25.480
<v Speaker 2>I think I definitely made a couple illegal lefts, and

0:34:25.520 --> 0:34:29.680
<v Speaker 2>I probably drove where a trolley car or a cable

0:34:29.719 --> 0:34:31.600
<v Speaker 2>car is supposed to be. And I don't know if

0:34:31.600 --> 0:34:33.120
<v Speaker 2>it was really a lane or not, but I made

0:34:33.160 --> 0:34:35.600
<v Speaker 2>it one. And we're here to tell the story. So

0:34:35.680 --> 0:34:36.880
<v Speaker 2>I guess we're fine.

0:34:37.040 --> 0:34:39.680
<v Speaker 1>Well, driving in San Francisco is very stressful, and you

0:34:39.719 --> 0:34:43.040
<v Speaker 1>handled it like a champ. Like. It's very confusing between

0:34:43.040 --> 0:34:45.000
<v Speaker 1>the one way streets and the bike lanes, which are

0:34:45.160 --> 0:34:46.000
<v Speaker 1>I've never driven.

0:34:46.200 --> 0:34:48.200
<v Speaker 2>Well, that's not true. I've driven in San Francisco before.

0:34:48.239 --> 0:34:50.000
<v Speaker 2>I drove. I took the kids up there on a

0:34:50.800 --> 0:34:53.400
<v Speaker 2>trip and I drove the minivan. Driving a minivan in

0:34:53.400 --> 0:34:56.080
<v Speaker 2>San Francisco on those hills. Let me tell you that

0:34:56.680 --> 0:35:00.719
<v Speaker 2>not easy on the brakes. But this was I mean,

0:35:00.800 --> 0:35:02.439
<v Speaker 2>I didn't want to get out of the car. They kept,

0:35:02.480 --> 0:35:03.880
<v Speaker 2>you know, they'd be like, Okay, we're gonna know you know,

0:35:03.920 --> 0:35:05.319
<v Speaker 2>you gotta get on. Was like, I like the car.

0:35:05.400 --> 0:35:06.440
<v Speaker 2>I want to get out.

0:35:06.560 --> 0:35:08.680
<v Speaker 3>It's a great car, great car. I was just.

0:35:09.239 --> 0:35:10.719
<v Speaker 4>I was having so much fun with.

0:35:10.680 --> 0:35:15.640
<v Speaker 2>You, just just being stupid in the car and having

0:35:15.640 --> 0:35:18.320
<v Speaker 2>fun and being silly and making fun of ourselves.

0:35:18.560 --> 0:35:20.080
<v Speaker 3>Oh, it was. It was the best.

0:35:20.120 --> 0:35:22.640
<v Speaker 1>That's what we do best, Jody, is just laugh and

0:35:22.680 --> 0:35:24.520
<v Speaker 1>make fun of each other and.

0:35:24.640 --> 0:35:25.520
<v Speaker 3>Laugh some more.

0:35:27.000 --> 0:35:27.640
<v Speaker 4>It's true.

0:35:28.280 --> 0:35:31.239
<v Speaker 1>So our next episode will be the first recap of

0:35:31.360 --> 0:35:34.399
<v Speaker 1>the pilot. So we want to get you ready with

0:35:34.520 --> 0:35:37.640
<v Speaker 1>some trivia. This is for all of you die hards

0:35:37.680 --> 0:35:40.480
<v Speaker 1>out there, let us know on our Instagram at how

0:35:40.560 --> 0:35:44.520
<v Speaker 1>Rude Podcast, and we'll give you the answers next week. Okay,

0:35:44.520 --> 0:35:45.600
<v Speaker 1>I'll take this first one here.

0:35:45.760 --> 0:35:46.960
<v Speaker 4>Okay, Okay, go for it.

0:35:47.080 --> 0:35:49.799
<v Speaker 1>In the first episode, DJ is on the phone with

0:35:49.920 --> 0:35:53.760
<v Speaker 1>Kimmy Gibbler and says she has three sisters. But later

0:35:53.960 --> 0:35:57.480
<v Speaker 1>in the show, this changes. How many siblings did Kimmy

0:35:57.680 --> 0:35:58.399
<v Speaker 1>actually have?

0:36:00.080 --> 0:36:04.040
<v Speaker 2>Hmmm, I don't even I'm married into the fan. No,

0:36:04.080 --> 0:36:05.640
<v Speaker 2>we're not gonna say the answer, but I married into

0:36:05.640 --> 0:36:08.000
<v Speaker 2>the family and I'm not even sure. So I'm interested

0:36:08.080 --> 0:36:11.319
<v Speaker 2>in what this in what this uh answer is too?

0:36:11.640 --> 0:36:13.600
<v Speaker 1>Yes, well, I will tell you that even to this day,

0:36:13.640 --> 0:36:16.880
<v Speaker 1>thirty six years later, people are still commenting to me

0:36:17.080 --> 0:36:18.759
<v Speaker 1>about this continuity.

0:36:19.239 --> 0:36:21.560
<v Speaker 4>This continuity. Well, we'll see.

0:36:21.719 --> 0:36:24.560
<v Speaker 2>Okay, maybe maybe that we can come up with an

0:36:24.600 --> 0:36:26.759
<v Speaker 2>explanation as to what happened to your other siblings.

0:36:27.040 --> 0:36:27.160
<v Speaker 1>What?

0:36:27.320 --> 0:36:28.240
<v Speaker 3>Yeah, okay, let's.

0:36:28.160 --> 0:36:31.239
<v Speaker 2>I'm willing to. Let's create our own shoot your own

0:36:31.280 --> 0:36:35.359
<v Speaker 2>adventure of the Gibbler family. And the second one is

0:36:36.000 --> 0:36:39.640
<v Speaker 2>what is the scene in the very first episode, the

0:36:39.640 --> 0:36:43.560
<v Speaker 2>pilot episode that sold the show to the network. So

0:36:43.680 --> 0:36:46.719
<v Speaker 2>what scene was it that the network absolutely loved and

0:36:46.840 --> 0:36:49.160
<v Speaker 2>was like, yes, we will. This is this is what

0:36:49.160 --> 0:36:51.680
<v Speaker 2>we love and what we want to see. I'm sure

0:36:51.719 --> 0:36:53.440
<v Speaker 2>there's some fans out there that are going to know this.

0:36:53.960 --> 0:36:54.399
<v Speaker 2>There are.

0:36:55.880 --> 0:36:59.040
<v Speaker 1>Iconic scenes though in that pilot, so there could be

0:36:59.080 --> 0:37:01.840
<v Speaker 1>several this is true, this is true.

0:37:01.840 --> 0:37:04.759
<v Speaker 2>Well, speaking of the first episode, we are gonna be

0:37:04.800 --> 0:37:09.560
<v Speaker 2>rewatching episode one, season one. Make sure you're catching up

0:37:09.600 --> 0:37:12.359
<v Speaker 2>and tuning into all of the episodes as we're watching them.

0:37:12.480 --> 0:37:16.200
<v Speaker 2>They are available everywhere you look. And let us know

0:37:16.360 --> 0:37:19.280
<v Speaker 2>what you guys want to know about. If there's stories

0:37:19.280 --> 0:37:22.239
<v Speaker 2>that you want, if there's questions that you have, tell

0:37:22.320 --> 0:37:25.680
<v Speaker 2>us let us know. Follow us at how Rude Podcast

0:37:25.760 --> 0:37:28.960
<v Speaker 2>on Instagram or you can DM us there or email

0:37:29.040 --> 0:37:31.360
<v Speaker 2>us at how Rude Podcast at.

0:37:31.200 --> 0:37:32.719
<v Speaker 4>Gmail dot com.

0:37:32.800 --> 0:37:35.280
<v Speaker 2>And I am so excited for next week for another

0:37:35.320 --> 0:37:38.040
<v Speaker 2>episode of How Rude, Tamrinos.

0:37:39.080 --> 0:37:40.880
<v Speaker 3>I love it, I love it, I love you, Jody.

0:37:40.920 --> 0:37:43.240
<v Speaker 3>I'm so excited to go on this adventure together.

0:37:45.239 --> 0:37:46.600
<v Speaker 4>Hopefully I wont hank the horn this time.

0:37:47.840 --> 0:37:49.359
<v Speaker 3>Keep your honkerds to yourself, girl,