1 00:00:04,360 --> 00:00:08,039 Speaker 1: How Rude Tanta Ritos with Jody Sweeten and Andrea Barber 2 00:00:08,080 --> 00:00:20,119 Speaker 1: and iHeartRadio podcast. Hello and welcome to the very first 3 00:00:20,160 --> 00:00:24,919 Speaker 1: episode of How Rude Tanta Ritos, a Full House rewatch podcast. 4 00:00:25,280 --> 00:00:28,920 Speaker 2: I'm Andrea Barber and I am Jody Sweeten, and I 5 00:00:29,000 --> 00:00:31,240 Speaker 2: am so excited to be here with you. 6 00:00:31,320 --> 00:00:34,120 Speaker 3: Ab Jody, are you ready? Are you ready for this? 7 00:00:34,320 --> 00:00:37,880 Speaker 2: I am so ready for this? Are are the Tanner 8 00:00:37,920 --> 00:00:41,240 Speaker 2: Ritos ready for this? And by Tanta Rito's, I'm referring 9 00:00:41,240 --> 00:00:42,160 Speaker 2: to the audience, are. 10 00:00:42,080 --> 00:00:42,720 Speaker 4: They ready for this? 11 00:00:43,720 --> 00:00:45,040 Speaker 3: Ritos? Get ready? 12 00:00:45,080 --> 00:00:47,320 Speaker 4: It's going to be so much fun. 13 00:00:47,400 --> 00:00:48,920 Speaker 3: It's going to be such a wild ride. 14 00:00:48,960 --> 00:00:51,760 Speaker 1: We are going to watch all one hundred and ninety 15 00:00:51,760 --> 00:00:53,519 Speaker 1: two episodes of Full House. 16 00:00:54,160 --> 00:00:57,280 Speaker 3: Jody, have you ever seen an episode of Full House? Ever? 17 00:00:58,600 --> 00:01:03,120 Speaker 2: Well, I mean, I feel like an episode maybe giving 18 00:01:03,120 --> 00:01:04,480 Speaker 2: it too much credit, but I've. 19 00:01:04,280 --> 00:01:06,640 Speaker 4: Seen bits and pieces here and there. For sure. 20 00:01:06,760 --> 00:01:08,640 Speaker 2: I think the pilot is one of the ones that 21 00:01:08,640 --> 00:01:11,720 Speaker 2: I've definitely watched all the way through, but it's been years. 22 00:01:12,040 --> 00:01:14,280 Speaker 2: But other than that, I didn't really watch the show 23 00:01:14,319 --> 00:01:15,440 Speaker 2: What about You. 24 00:01:16,319 --> 00:01:19,600 Speaker 1: I've watched several but like, okay, the narcissistic actor that 25 00:01:19,640 --> 00:01:22,160 Speaker 1: I am, I've only watched the scenes that I'm in, Like, 26 00:01:22,200 --> 00:01:26,120 Speaker 1: I don't watch anybody else's scenes, so, and I wasn't. 27 00:01:25,920 --> 00:01:27,760 Speaker 3: In every episode. I was in like one hundred and 28 00:01:27,760 --> 00:01:28,399 Speaker 3: forty something. 29 00:01:29,040 --> 00:01:31,080 Speaker 1: So I've only seen the episodes that I'm in, and 30 00:01:31,080 --> 00:01:33,720 Speaker 1: I've only seen the scenes that I'm in. So I'm 31 00:01:33,760 --> 00:01:36,800 Speaker 1: excited to see your work too, Jody and everybody. 32 00:01:36,319 --> 00:01:39,800 Speaker 2: Else do why, thank you. I'm really really looking forward 33 00:01:39,800 --> 00:01:43,760 Speaker 2: to this. And I you know, I can't believe what 34 00:01:43,800 --> 00:01:46,880 Speaker 2: are we coming up on the thirty seventh anniversary. 35 00:01:47,040 --> 00:01:50,040 Speaker 1: Now, it's been thirty seven years since the premiere of 36 00:01:50,080 --> 00:01:53,480 Speaker 1: the show, coming up on thirty seven years this seventh September. 37 00:01:54,200 --> 00:01:57,520 Speaker 2: Wow, So yeah, you know, it just it felt like 38 00:01:57,600 --> 00:02:00,560 Speaker 2: the time to come back and revisit. I mean, we've done, 39 00:02:01,360 --> 00:02:06,200 Speaker 2: we've done the fuller, We've done you know, the cons 40 00:02:06,240 --> 00:02:08,760 Speaker 2: and the meet and greets, and now it's time for 41 00:02:08,840 --> 00:02:09,400 Speaker 2: the recap. 42 00:02:09,880 --> 00:02:10,960 Speaker 3: It's time for the recap. 43 00:02:11,000 --> 00:02:13,280 Speaker 1: And I feel like this is the perfect time to 44 00:02:13,360 --> 00:02:15,600 Speaker 1: do a podcast because we got to get these memories 45 00:02:15,600 --> 00:02:16,920 Speaker 1: down while we're still lucid. 46 00:02:17,040 --> 00:02:19,000 Speaker 4: I mean it's slipping. 47 00:02:19,240 --> 00:02:22,679 Speaker 2: I feel like day by day sometimes I'm like, wait what, Yeah, 48 00:02:22,720 --> 00:02:25,240 Speaker 2: it's gonna be weird. To go back and definitely see things, 49 00:02:25,360 --> 00:02:28,360 Speaker 2: see things that spark memories that I probably that we 50 00:02:28,520 --> 00:02:31,160 Speaker 2: haven't thought about in thirty some odd years, but also 51 00:02:31,320 --> 00:02:34,480 Speaker 2: to actually remember some things, and like, I have absolutely 52 00:02:34,600 --> 00:02:36,960 Speaker 2: zero recollection of doing that, and I. 53 00:02:36,639 --> 00:02:38,160 Speaker 4: Probably should, but that's weird. 54 00:02:38,280 --> 00:02:39,399 Speaker 3: Yeah, exactly. 55 00:02:39,440 --> 00:02:43,200 Speaker 1: And I am so eager to get these memories recorded 56 00:02:43,280 --> 00:02:47,200 Speaker 1: because you know, ever since we lost Bob last year 57 00:02:47,280 --> 00:02:49,200 Speaker 1: and then you know, I lost my mom the year 58 00:02:49,240 --> 00:02:52,320 Speaker 1: before that, I have been feeling the sense of urgency 59 00:02:52,480 --> 00:02:57,200 Speaker 1: to capture these memories and get them down permanently so 60 00:02:57,240 --> 00:02:59,760 Speaker 1: that we will have them forever, our kids can listen 61 00:02:59,800 --> 00:03:03,079 Speaker 1: to them, our beloved fan base who is so loyal, 62 00:03:03,360 --> 00:03:05,239 Speaker 1: we listen to this forever. 63 00:03:05,280 --> 00:03:05,679 Speaker 2: And we have it. 64 00:03:05,800 --> 00:03:07,720 Speaker 1: We will have a recording of all of our memories 65 00:03:07,760 --> 00:03:09,400 Speaker 1: of what it was like to grow up on the 66 00:03:09,440 --> 00:03:10,880 Speaker 1: set of Full House. 67 00:03:11,560 --> 00:03:12,160 Speaker 4: Yeah, I am. 68 00:03:12,200 --> 00:03:15,800 Speaker 2: I am really really excited to uh, to be able 69 00:03:15,840 --> 00:03:17,320 Speaker 2: to go through this with. 70 00:03:17,240 --> 00:03:18,400 Speaker 4: You and talk about it. 71 00:03:18,440 --> 00:03:21,480 Speaker 2: I mean, what a you know what, It's an experience 72 00:03:21,560 --> 00:03:24,639 Speaker 2: that not a ton of people in the world have, 73 00:03:25,360 --> 00:03:28,520 Speaker 2: you know, and uh, and it's definitely you know, growing 74 00:03:28,600 --> 00:03:31,640 Speaker 2: up on a series like this together. I mean, we 75 00:03:31,720 --> 00:03:35,200 Speaker 2: have so many shared memories and weird family vacation stories 76 00:03:35,240 --> 00:03:38,880 Speaker 2: and so many fun behind the scenes things that are 77 00:03:38,880 --> 00:03:42,320 Speaker 2: gonna come out that I mean, I know, Oh, I 78 00:03:42,440 --> 00:03:45,000 Speaker 2: just know there are some great stories that we uh 79 00:03:45,280 --> 00:03:47,200 Speaker 2: that we haven't that we haven't told yet, some from 80 00:03:47,200 --> 00:03:49,200 Speaker 2: full House years, some from Fuller House years. 81 00:03:49,760 --> 00:03:52,920 Speaker 4: God remind remembering all of these. I mean, the gum wall. 82 00:03:53,160 --> 00:03:56,640 Speaker 1: Like, yes, that's gross, like when you describe it, and 83 00:03:56,640 --> 00:03:58,480 Speaker 1: when you describe it's pretty gros there. 84 00:03:58,560 --> 00:04:00,000 Speaker 3: We'll get there, We'll get there, We'll get there. 85 00:04:01,400 --> 00:04:01,560 Speaker 2: Well. 86 00:04:01,600 --> 00:04:04,240 Speaker 1: And you and I had a really unique relationship too. 87 00:04:05,040 --> 00:04:07,280 Speaker 1: I know there were seasons where I was closer to 88 00:04:07,360 --> 00:04:09,360 Speaker 1: you than anyone else in the cast, and we hung 89 00:04:09,360 --> 00:04:12,440 Speaker 1: out hot outside of the show too. I remember going 90 00:04:12,480 --> 00:04:15,000 Speaker 1: to Disneyland with you and the lead did. 91 00:04:15,360 --> 00:04:17,400 Speaker 2: We spent a lot of time together, you and I 92 00:04:17,440 --> 00:04:20,320 Speaker 2: and you and I also shared a classroom for most 93 00:04:20,360 --> 00:04:23,200 Speaker 2: of the series, that's right, so until I think you 94 00:04:23,279 --> 00:04:25,840 Speaker 2: went maybe high school, and then I think and then 95 00:04:25,880 --> 00:04:28,880 Speaker 2: we split off. But for the majority of those years, 96 00:04:28,960 --> 00:04:32,040 Speaker 2: you know, we had we shared teachers, we shared a classroom, 97 00:04:33,240 --> 00:04:35,719 Speaker 2: we shared I think a fish tank at some point 98 00:04:35,800 --> 00:04:36,600 Speaker 2: in the classroom. 99 00:04:37,120 --> 00:04:37,880 Speaker 4: The gutty greet. 100 00:04:38,279 --> 00:04:41,839 Speaker 3: Yeah, yeah, Now, how old were you when you started 101 00:04:41,839 --> 00:04:42,239 Speaker 3: the show? 102 00:04:43,360 --> 00:04:45,840 Speaker 2: I was I had just turned five. I think when 103 00:04:45,880 --> 00:04:47,640 Speaker 2: I started the show? What about you? 104 00:04:47,720 --> 00:04:49,280 Speaker 3: So you were you were a baby? You were? 105 00:04:49,440 --> 00:04:52,680 Speaker 4: Yeah, I was a literal I was a literal baby. 106 00:04:52,760 --> 00:04:54,800 Speaker 3: You were a little taught, Oh my gosh, it was. 107 00:04:55,440 --> 00:04:57,880 Speaker 3: And I was ten. So we were pretty young. I 108 00:04:57,880 --> 00:04:58,400 Speaker 3: got it. 109 00:04:58,480 --> 00:05:02,719 Speaker 1: I'm a little nervous about our memories here because we 110 00:05:02,800 --> 00:05:06,400 Speaker 1: were so young, and you know, I have this this 111 00:05:06,480 --> 00:05:09,039 Speaker 1: former child star amnesia, which I think is kind of 112 00:05:09,040 --> 00:05:13,479 Speaker 1: common with child actors from the nineties, where I don't 113 00:05:13,480 --> 00:05:17,760 Speaker 1: remember large chunks of my childhood because we Okay, I 114 00:05:17,839 --> 00:05:18,320 Speaker 1: have a theory. 115 00:05:18,360 --> 00:05:20,560 Speaker 2: Tell me, well, I also think that's I mean, not 116 00:05:20,720 --> 00:05:23,520 Speaker 2: to age us or anything, but you know, we're we're 117 00:05:23,600 --> 00:05:27,440 Speaker 2: we've been here longer, and I think more things have 118 00:05:27,600 --> 00:05:30,280 Speaker 2: happened that crowd the space in the brain, is what 119 00:05:30,320 --> 00:05:32,840 Speaker 2: I'm saying. I don't know that that's entirely unique to 120 00:05:32,960 --> 00:05:35,480 Speaker 2: child stars and and may just be something that happens 121 00:05:35,480 --> 00:05:36,719 Speaker 2: in our forties. 122 00:05:36,920 --> 00:05:39,640 Speaker 1: Well no, but here here's my specific theory about former 123 00:05:39,720 --> 00:05:41,040 Speaker 1: child stars from the nineties. 124 00:05:41,440 --> 00:05:43,120 Speaker 4: A theory. You know how I love a good theory. 125 00:05:43,160 --> 00:05:45,440 Speaker 3: You love a good theory. Well, it's not scandalous or anything. 126 00:05:45,480 --> 00:05:47,640 Speaker 2: But I feel like, does it involve a big bang 127 00:05:48,360 --> 00:05:50,200 Speaker 2: not big strong show, big bang. 128 00:05:50,120 --> 00:05:52,599 Speaker 3: Theory network too, Jody, stay on topic. Sorry. 129 00:05:53,600 --> 00:05:57,359 Speaker 1: So my theory is that we have very finely tuned 130 00:05:58,120 --> 00:06:01,920 Speaker 1: short term memories because we're used to memorizing large amounts 131 00:06:01,960 --> 00:06:05,719 Speaker 1: of dialogue every week, Like our scripts would change every 132 00:06:05,760 --> 00:06:06,160 Speaker 1: single night. 133 00:06:06,200 --> 00:06:08,240 Speaker 3: There was a new rewrite every single night for every 134 00:06:08,240 --> 00:06:08,839 Speaker 3: single stript. 135 00:06:08,880 --> 00:06:11,440 Speaker 1: And then even on show nights, we had already had 136 00:06:11,440 --> 00:06:14,479 Speaker 1: all our dialogue and all of our lines memorized, but 137 00:06:14,560 --> 00:06:16,279 Speaker 1: they would still be coming in with alts. They would 138 00:06:16,279 --> 00:06:18,200 Speaker 1: come in with alternate jokes if the jokes weren't working, 139 00:06:18,240 --> 00:06:20,680 Speaker 1: So we it was this pressure cooker situation where we 140 00:06:20,680 --> 00:06:23,599 Speaker 1: were memorizing large amounts of dialogue and then after the 141 00:06:23,640 --> 00:06:25,919 Speaker 1: show we wrapped on Friday nights, we would dump it all. 142 00:06:25,920 --> 00:06:27,160 Speaker 3: We would dump now. 143 00:06:27,200 --> 00:06:29,200 Speaker 2: If you asked me the next week, I'd be like, 144 00:06:29,240 --> 00:06:30,839 Speaker 2: I have no idea, what are we doing next week? 145 00:06:31,279 --> 00:06:33,479 Speaker 1: No clue, and then we would prepare to retrieve the 146 00:06:33,520 --> 00:06:36,400 Speaker 1: next and download the next right next our rindes the 147 00:06:36,440 --> 00:06:39,960 Speaker 1: next week. So I have very finely tuned short term memory. 148 00:06:40,080 --> 00:06:43,279 Speaker 1: My long term memory not so great, And I feel 149 00:06:43,279 --> 00:06:45,919 Speaker 1: like I feel like that's a thing with former child 150 00:06:45,920 --> 00:06:47,200 Speaker 1: actors from the nineties. 151 00:06:47,240 --> 00:06:48,520 Speaker 3: I don't know, that's the theory. 152 00:06:48,960 --> 00:06:52,080 Speaker 2: You know what. I appreciate that theory. I I yeah. 153 00:06:52,120 --> 00:06:55,520 Speaker 2: I think I'm also just losing my mind slowly as 154 00:06:55,560 --> 00:06:57,560 Speaker 2: we go, and so yeah, I think that's part of 155 00:06:57,560 --> 00:06:59,760 Speaker 2: why I'm like, I don't remember things. Also, you know, 156 00:07:00,080 --> 00:07:02,880 Speaker 2: extenuating circumstances that we won't go into. But uh. 157 00:07:04,480 --> 00:07:06,240 Speaker 3: We've got one hundred and ninety two of these, there's 158 00:07:06,279 --> 00:07:06,800 Speaker 3: plenty of time. 159 00:07:07,000 --> 00:07:10,760 Speaker 2: I'm like forty one and I'm like, wow, thirty six 160 00:07:10,880 --> 00:07:13,320 Speaker 2: years ago, we're gonna go, We're gonna travel. It's like 161 00:07:13,360 --> 00:07:14,360 Speaker 2: traveling back in time. 162 00:07:14,760 --> 00:07:18,000 Speaker 1: Yeah, do you remember do you remember meeting me? Like, 163 00:07:18,080 --> 00:07:19,520 Speaker 1: let's just let's just bring it back to me, right, 164 00:07:19,680 --> 00:07:22,280 Speaker 1: just bring Do you remember meeting me for the very 165 00:07:22,360 --> 00:07:22,880 Speaker 1: first time? 166 00:07:24,360 --> 00:07:28,720 Speaker 2: Not specifically, And I'm gonna and that sounds horrible. I'm rude, 167 00:07:29,320 --> 00:07:30,840 Speaker 2: I am a horrible friend. 168 00:07:30,880 --> 00:07:32,080 Speaker 3: I get it. I totally get it. 169 00:07:32,560 --> 00:07:36,440 Speaker 2: Uh No, but because I think I can't remember what 170 00:07:36,560 --> 00:07:42,040 Speaker 2: episode you came into the show on episode three, episode three, 171 00:07:42,360 --> 00:07:45,480 Speaker 2: that's right, because the first one they you're mentioned that 172 00:07:45,720 --> 00:07:50,920 Speaker 2: DJ's on the phone with Kimmy Gibler, and I don't 173 00:07:50,960 --> 00:07:52,240 Speaker 2: because I think I remember. 174 00:07:51,960 --> 00:07:53,600 Speaker 4: The pilot so specifically. 175 00:07:54,880 --> 00:07:57,640 Speaker 2: But I definitely remember like our jokes and our bits 176 00:07:57,680 --> 00:08:00,920 Speaker 2: and things. But you know, again, I may come all 177 00:08:01,000 --> 00:08:04,040 Speaker 2: rushing back to me when we watch episode three, because 178 00:08:04,160 --> 00:08:07,600 Speaker 2: I have no idea what happens in episode three other 179 00:08:07,720 --> 00:08:11,680 Speaker 2: than your character is introduced. But I don't remember anything, 180 00:08:11,720 --> 00:08:15,040 Speaker 2: so it be like, oh my gosh, that time. I 181 00:08:15,040 --> 00:08:20,320 Speaker 2: do remember that you loved tuna melts. Oh, you loved 182 00:08:20,360 --> 00:08:21,520 Speaker 2: a good tuna melt sandwich. 183 00:08:21,880 --> 00:08:24,320 Speaker 3: Why didn't I? I meant to eat a tuna melt 184 00:08:24,640 --> 00:08:26,320 Speaker 3: before we recorded this, just like. 185 00:08:27,000 --> 00:08:30,680 Speaker 1: That's been tradition, an homage to to our friendship and 186 00:08:30,720 --> 00:08:32,920 Speaker 1: this show, because I would eat a tuna melt before 187 00:08:32,920 --> 00:08:35,640 Speaker 1: every single live live. 188 00:08:35,400 --> 00:08:37,280 Speaker 3: Show and including the Fuller House too. 189 00:08:37,320 --> 00:08:41,280 Speaker 2: I would you would get when we would walk down 190 00:08:41,360 --> 00:08:45,880 Speaker 2: to the the catering truck, like the generic white food truck. Well, 191 00:08:45,880 --> 00:08:49,280 Speaker 2: the road trucks were cool, but like you know, when 192 00:08:49,280 --> 00:08:51,760 Speaker 2: they were just white generic thing and you could but 193 00:08:52,000 --> 00:08:54,679 Speaker 2: would go walk there with our moms at our lunch break, 194 00:08:54,760 --> 00:08:57,679 Speaker 2: and you would always get a tuna melt sandwich always 195 00:08:57,720 --> 00:08:59,000 Speaker 2: and a Martinelly's applesider. 196 00:08:59,200 --> 00:09:01,280 Speaker 3: Oh, I remember. 197 00:09:01,040 --> 00:09:05,680 Speaker 2: That memories for the most random, useless things. I go 198 00:09:05,760 --> 00:09:08,120 Speaker 2: to the gas station, I can't remember my zip code 199 00:09:08,240 --> 00:09:10,440 Speaker 2: for the credit card, but I can remember what your 200 00:09:10,520 --> 00:09:12,400 Speaker 2: lunch order was in nineteen eighty seven. 201 00:09:12,760 --> 00:09:16,000 Speaker 1: As long as you're focusing on the important memories, that's right. 202 00:09:16,080 --> 00:09:16,480 Speaker 4: You know what. 203 00:09:16,720 --> 00:09:20,800 Speaker 2: No one else is listening to a podcast about me 204 00:09:20,840 --> 00:09:24,200 Speaker 2: not remembering my gas station pin code, so hey, you 205 00:09:24,240 --> 00:09:25,800 Speaker 2: know it's more important to remember this stuff. 206 00:09:25,840 --> 00:09:27,240 Speaker 3: There's a podcast for everything now. 207 00:09:28,040 --> 00:09:32,040 Speaker 1: I don't remember the specific moment when I met you, 208 00:09:32,440 --> 00:09:33,400 Speaker 1: because I'm sure it. 209 00:09:33,320 --> 00:09:36,079 Speaker 3: Was a very overwhelming day coming into this set. 210 00:09:36,160 --> 00:09:39,120 Speaker 1: But I do remember just generally just thinking of you 211 00:09:39,160 --> 00:09:40,160 Speaker 1: as like the little kid. 212 00:09:40,800 --> 00:09:42,040 Speaker 3: Yeah, the Olsen twins. 213 00:09:42,280 --> 00:09:42,400 Speaker 1: Kid. 214 00:09:42,480 --> 00:09:43,600 Speaker 3: The Olsen twins. 215 00:09:43,320 --> 00:09:45,240 Speaker 1: Were only they were eighties. They were only they were 216 00:09:45,280 --> 00:09:47,400 Speaker 1: nine months old. Yeah, And so they weren't on the 217 00:09:47,440 --> 00:09:48,200 Speaker 1: set all the time. 218 00:09:48,240 --> 00:09:48,520 Speaker 2: They were. 219 00:09:48,559 --> 00:09:51,200 Speaker 1: There were very strict child labor laves, and they could 220 00:09:51,200 --> 00:09:53,360 Speaker 1: only work so many hours a day and probably have 221 00:09:53,400 --> 00:09:55,880 Speaker 1: what thirty minutes on the actual set or maybe any I. 222 00:09:55,920 --> 00:09:57,800 Speaker 2: Mean, it was the eighties, there was probably more than that, 223 00:09:57,920 --> 00:09:59,560 Speaker 2: you know what I mean. I'm sure since then they've 224 00:09:59,600 --> 00:10:02,040 Speaker 2: they've made it a considerably shorter amount of time. But 225 00:10:02,240 --> 00:10:04,160 Speaker 2: they they was like, sure, you could have a kid 226 00:10:04,200 --> 00:10:06,000 Speaker 2: around for forty five minutes. 227 00:10:05,880 --> 00:10:10,120 Speaker 1: Or so, right, since the oulcens weren't around all the time. 228 00:10:10,240 --> 00:10:11,800 Speaker 1: I thought of you as you were the little kid. 229 00:10:11,800 --> 00:10:13,679 Speaker 1: You were the little kid on the set, and so. 230 00:10:13,640 --> 00:10:15,320 Speaker 3: I was just like, oh, she's so cute, you know, 231 00:10:15,440 --> 00:10:16,080 Speaker 3: I was. So. 232 00:10:16,120 --> 00:10:18,360 Speaker 1: I don't remember specifically meeting you, but I remember my 233 00:10:18,440 --> 00:10:22,280 Speaker 1: general impressions of you, which was that you were an adorable, 234 00:10:22,720 --> 00:10:25,440 Speaker 1: curly haired, blonde little girl with these bangs. 235 00:10:25,480 --> 00:10:26,920 Speaker 3: Oh my gosh, the bang bangs. 236 00:10:27,320 --> 00:10:31,240 Speaker 2: Except my hair wasn't curly. What my hair was not 237 00:10:31,480 --> 00:10:35,800 Speaker 2: naturally curly, so they had to curl it my mom. 238 00:10:36,000 --> 00:10:39,400 Speaker 2: So your mom did put my hair in sponge rollers 239 00:10:39,440 --> 00:10:43,280 Speaker 2: every night, with dippity doo and the little papers and 240 00:10:43,320 --> 00:10:44,600 Speaker 2: the pink sponge rollers. 241 00:10:44,679 --> 00:10:44,880 Speaker 1: Yeah. 242 00:10:44,920 --> 00:10:48,200 Speaker 2: I slept in those things like every night, the sponge rollers. 243 00:10:48,520 --> 00:10:49,800 Speaker 2: Sure I still have dents in my head. 244 00:10:49,920 --> 00:10:54,720 Speaker 1: Oh absolutely, would you ever wake that problem like those things? 245 00:10:54,800 --> 00:10:57,520 Speaker 1: I would use the sponge rollers too, but I would 246 00:10:57,559 --> 00:10:58,720 Speaker 1: always wake up with a headache. 247 00:10:58,760 --> 00:10:59,640 Speaker 3: So I hated them. 248 00:11:00,200 --> 00:11:02,600 Speaker 2: Yeah, oh I didn't. Yeah I didn't love them. 249 00:11:02,800 --> 00:11:04,960 Speaker 3: But but you know it anyway, But I did it. 250 00:11:05,000 --> 00:11:07,840 Speaker 2: But the joke's gotta work, and Stephanie Tanner had curly hair. 251 00:11:08,280 --> 00:11:09,440 Speaker 3: The joke has to work. 252 00:11:09,559 --> 00:11:12,679 Speaker 1: That is a common phrase that you just said that. 253 00:11:12,800 --> 00:11:15,000 Speaker 1: That is a common phrase that I remember hearing. 254 00:11:14,880 --> 00:11:17,520 Speaker 4: Cross stitch that on a pillow. The jokes gotta work. 255 00:11:17,920 --> 00:11:21,360 Speaker 3: Yes, that's gonna be your Christmas gift this year. 256 00:11:22,360 --> 00:11:23,920 Speaker 2: Well, I have to give that on A Maria And 257 00:11:23,920 --> 00:11:26,000 Speaker 2: I always joke about that. Who was uh on a Maria? 258 00:11:26,240 --> 00:11:28,959 Speaker 2: Was the hairstylist on Fuller House, But we always joke 259 00:11:29,000 --> 00:11:31,000 Speaker 2: about that. If you work in sitcoms, you do learn 260 00:11:31,480 --> 00:11:33,280 Speaker 2: the jokes gotta work no matter what. 261 00:11:33,400 --> 00:11:36,400 Speaker 3: Do whatever you have to as long as the joke works. 262 00:11:37,520 --> 00:11:37,760 Speaker 1: Yep. 263 00:11:39,720 --> 00:11:41,839 Speaker 2: I am so excited to go into this though. I 264 00:11:42,200 --> 00:11:45,800 Speaker 2: really feel like the timing is right for it. I'm 265 00:11:45,840 --> 00:11:50,040 Speaker 2: excited to get to like go back and revisit my 266 00:11:50,160 --> 00:11:52,840 Speaker 2: childhood in a way and in a like in a 267 00:11:52,880 --> 00:11:56,439 Speaker 2: way where I think I have a different perspective of 268 00:11:56,480 --> 00:11:59,480 Speaker 2: like child stardom now a little bit, not in like 269 00:11:59,520 --> 00:12:01,800 Speaker 2: a negative way, but I think in a way where 270 00:12:01,840 --> 00:12:06,120 Speaker 2: it's I can look at it a little more objectively 271 00:12:06,200 --> 00:12:08,200 Speaker 2: and kind of sort through some of the things that 272 00:12:08,280 --> 00:12:10,840 Speaker 2: like maybe weren't so great or some of the things 273 00:12:10,880 --> 00:12:13,920 Speaker 2: that you know, stuck with me that I had to 274 00:12:14,000 --> 00:12:16,319 Speaker 2: learn how to undo at later points in my life. 275 00:12:16,360 --> 00:12:20,520 Speaker 2: But like also going back and seeing just what we 276 00:12:20,600 --> 00:12:23,160 Speaker 2: did as as young people as kids, and like how 277 00:12:23,679 --> 00:12:27,520 Speaker 2: crazy responsible we were, Like it's amazing to me. 278 00:12:28,400 --> 00:12:30,840 Speaker 1: I am definitely excited to go back and relive all 279 00:12:30,880 --> 00:12:36,120 Speaker 1: those memories and look at the show through an adult lens. 280 00:12:36,280 --> 00:12:36,679 Speaker 3: Finally. 281 00:12:36,800 --> 00:12:38,320 Speaker 1: I mean we felt some of this, I think on 282 00:12:38,400 --> 00:12:41,600 Speaker 1: Fuller House too, but getting to to view the show 283 00:12:41,679 --> 00:12:44,080 Speaker 1: from the perspective as an adult and we're moms now 284 00:12:44,200 --> 00:12:46,800 Speaker 1: we're adults, Like, I feel like our perspective is going 285 00:12:46,840 --> 00:12:47,840 Speaker 1: to be completely different. 286 00:12:48,760 --> 00:12:50,720 Speaker 3: And I I you called. 287 00:12:50,520 --> 00:12:52,960 Speaker 4: Me an adult, though, I thank you, thank you for that. 288 00:12:53,200 --> 00:12:58,839 Speaker 1: I mean, well myself, so we don't always act like 289 00:12:58,880 --> 00:13:02,439 Speaker 1: adults technical our charms that we are. 290 00:13:03,800 --> 00:13:05,240 Speaker 3: But yeah, I hope that it holds up. 291 00:13:05,280 --> 00:13:07,880 Speaker 1: Like I have such fond memories of being on the 292 00:13:07,880 --> 00:13:11,480 Speaker 1: set of full House, and I hope, I hope that 293 00:13:11,559 --> 00:13:12,040 Speaker 1: holds up. 294 00:13:12,240 --> 00:13:14,400 Speaker 3: Like I'm a little morvous. 295 00:13:13,960 --> 00:13:16,400 Speaker 2: But what are we gonna all come crashing down around 296 00:13:16,440 --> 00:13:18,080 Speaker 2: you and everything that was a lie? 297 00:13:18,320 --> 00:13:21,440 Speaker 1: What if I've blocked out like a lot of negative memories. 298 00:13:21,480 --> 00:13:23,560 Speaker 1: I don't I don't know, like, I guess we'll find out. 299 00:13:23,640 --> 00:13:26,720 Speaker 2: Oh no, I guess this is I mean, this is good. 300 00:13:27,080 --> 00:13:30,000 Speaker 2: I'm I'm willing to go on whatever and wherever this 301 00:13:30,080 --> 00:13:32,120 Speaker 2: journey takes us. I honestly do think there's gonna be 302 00:13:32,160 --> 00:13:36,360 Speaker 2: some moments though, where it's like oh wow, like things 303 00:13:37,040 --> 00:13:40,720 Speaker 2: hit in a different way, or remembering like, oh man, 304 00:13:40,800 --> 00:13:44,800 Speaker 2: I remember what was going on maybe outside of set 305 00:13:44,880 --> 00:13:46,640 Speaker 2: that week, you know what I mean, and watching that 306 00:13:46,679 --> 00:13:48,760 Speaker 2: and being like, man that you know, I don't know. 307 00:13:48,920 --> 00:13:52,439 Speaker 2: I'm I'm excited to get to have a different perspective of. 308 00:13:52,400 --> 00:13:54,920 Speaker 3: It though, me too. And we are going to be 309 00:13:54,920 --> 00:13:56,560 Speaker 3: bringing on some great. 310 00:13:56,360 --> 00:13:59,120 Speaker 1: Guests that will hopefully help us with the packing all 311 00:13:59,160 --> 00:14:02,760 Speaker 1: of these memories. I'm excited to talk to all of 312 00:14:02,760 --> 00:14:04,120 Speaker 1: our beloved cast members. 313 00:14:04,400 --> 00:14:09,400 Speaker 2: We've got cast members, We've got directors, we've got producers, 314 00:14:09,440 --> 00:14:11,120 Speaker 2: We're I mean, we're going to talk to all kinds 315 00:14:11,120 --> 00:14:12,240 Speaker 2: of behind the scenes. 316 00:14:12,280 --> 00:14:15,959 Speaker 4: People, are studio teachers, Oh my gosh. 317 00:14:16,000 --> 00:14:19,000 Speaker 2: We have so many fun guests that we're excited to 318 00:14:19,040 --> 00:14:22,960 Speaker 2: bring on and talk to, and people that really you 319 00:14:23,040 --> 00:14:24,920 Speaker 2: might not have seen in front of the camera, but 320 00:14:25,000 --> 00:14:27,920 Speaker 2: who full House would not have been possible without. 321 00:14:28,000 --> 00:14:30,440 Speaker 4: So I'm excited to get to bring some of those stories. 322 00:14:30,720 --> 00:14:31,960 Speaker 3: Me too too, Me too. 323 00:14:32,080 --> 00:14:34,440 Speaker 1: A lot of those people worked on Fuller House as well, 324 00:14:34,480 --> 00:14:36,320 Speaker 1: but not all of them, not all of them. So 325 00:14:36,520 --> 00:14:39,200 Speaker 1: I hope that this can be like one big reunion 326 00:14:40,200 --> 00:14:41,200 Speaker 1: full House casting. 327 00:14:41,200 --> 00:14:42,480 Speaker 4: Do you think we could get Comet? 328 00:14:43,680 --> 00:14:48,480 Speaker 1: Oh, Jody, I don't know. Commet was very busy back 329 00:14:48,520 --> 00:14:51,480 Speaker 1: in the day. Didn't he play on Airbud? 330 00:14:51,600 --> 00:14:53,880 Speaker 2: Was that the moment was also Airbud? Well, that was 331 00:14:53,920 --> 00:14:56,080 Speaker 2: where he got replaced by Bob the Dog? 332 00:14:56,240 --> 00:14:58,600 Speaker 3: Okay, Oh, I didn't know that. 333 00:14:59,320 --> 00:15:02,040 Speaker 2: Yes, that was why we got Bob the Dog. 334 00:15:01,960 --> 00:15:03,119 Speaker 4: Not Saggot. 335 00:15:03,200 --> 00:15:07,480 Speaker 2: But I mean, I I this comes later in the 336 00:15:07,600 --> 00:15:09,640 Speaker 2: in the series. Should we wait or didn't? I feel like, 337 00:15:09,680 --> 00:15:11,040 Speaker 2: now I've opened up what happened to. 338 00:15:11,240 --> 00:15:12,880 Speaker 3: You've opened up Pandora's box. 339 00:15:12,920 --> 00:15:15,520 Speaker 2: I did not know he was air Bud, but he 340 00:15:15,720 --> 00:15:18,160 Speaker 2: was like an Irish setter or something. So they had 341 00:15:18,240 --> 00:15:23,120 Speaker 2: to dye him like a reddish color, and his and 342 00:15:23,120 --> 00:15:25,680 Speaker 2: and and it hadn't come back, and he didn't look 343 00:15:25,880 --> 00:15:27,720 Speaker 2: like the same. He didn't looked like a Golden Retriever. 344 00:15:28,240 --> 00:15:32,000 Speaker 2: Hair was a little bit different, and so they brought 345 00:15:32,040 --> 00:15:37,560 Speaker 2: in a dog who also was named Bob which then 346 00:15:37,880 --> 00:15:42,080 Speaker 2: made things very confusing because you couldn't tell if people 347 00:15:42,120 --> 00:15:46,360 Speaker 2: were yelling at Bob, Bob Saggot or Bob the Dog. 348 00:15:47,280 --> 00:15:48,600 Speaker 2: And it really could have gone either way. 349 00:15:48,720 --> 00:15:50,920 Speaker 3: Which do you think was the better actor? Like, I 350 00:15:50,960 --> 00:15:53,040 Speaker 3: bet one of them listened to directions a little better. 351 00:15:53,240 --> 00:15:56,600 Speaker 2: One was more focused, that's for sure. The dog definitely 352 00:15:56,720 --> 00:16:01,280 Speaker 2: stayed on his mark. I love you, Bob, uh, but yeah, 353 00:16:01,320 --> 00:16:02,200 Speaker 2: that was Bob the Dog. 354 00:16:02,400 --> 00:16:04,720 Speaker 3: I'm already learning things and we're only ten minutes. 355 00:16:05,400 --> 00:16:08,920 Speaker 4: Random tangents brought to you by Well. 356 00:16:08,960 --> 00:16:12,400 Speaker 1: I figure we should start the same way that every 357 00:16:12,440 --> 00:16:17,400 Speaker 1: episode started, which is talking about that classic iconic opening 358 00:16:17,720 --> 00:16:20,160 Speaker 1: and the theme theme song. 359 00:16:20,320 --> 00:16:23,560 Speaker 2: Oh my gosh, I mean, I get, we definitely we have. 360 00:16:23,800 --> 00:16:27,440 Speaker 2: Let's we're covering the theme song in this episode because 361 00:16:28,080 --> 00:16:30,400 Speaker 2: I mean, it's obviously in every episode, so it would 362 00:16:30,440 --> 00:16:32,560 Speaker 2: be silly to cover it every time. But I feel 363 00:16:32,560 --> 00:16:36,480 Speaker 2: like it really needs a dedicated moment because the full 364 00:16:36,520 --> 00:16:42,480 Speaker 2: House theme song is beyond iconic. I mean, there are 365 00:16:42,720 --> 00:16:48,080 Speaker 2: I would say probably a handful, like a literal handful 366 00:16:48,200 --> 00:16:54,000 Speaker 2: of show like sitcom intro songs that are as popular 367 00:16:54,080 --> 00:16:55,800 Speaker 2: as as the full House theme song. 368 00:16:55,960 --> 00:16:59,600 Speaker 1: You can't not sing along when you hear the full 369 00:16:59,600 --> 00:17:02,320 Speaker 1: House theme song like it's it's almost like a tick. 370 00:17:02,640 --> 00:17:03,840 Speaker 3: Where you just have to sit it. 371 00:17:03,880 --> 00:17:05,280 Speaker 4: I mean, I actually I do. 372 00:17:05,440 --> 00:17:08,760 Speaker 2: I twitch sometimes when I sing it, but it is 373 00:17:09,160 --> 00:17:12,800 Speaker 2: I mean, people hear the beginning, like little beat of 374 00:17:12,880 --> 00:17:15,359 Speaker 2: it and they freak out when I heard it from 375 00:17:15,560 --> 00:17:17,879 Speaker 2: watching it, so we watched. I watched the pilot episode already. 376 00:17:17,880 --> 00:17:19,760 Speaker 2: We're not going to talk about that'll be next the 377 00:17:19,840 --> 00:17:25,680 Speaker 2: next after next week. But just hearing the original theme song, 378 00:17:25,720 --> 00:17:27,520 Speaker 2: I was like, oh my gosh, it took me back. 379 00:17:28,080 --> 00:17:32,920 Speaker 2: But one thing I will say is, did you realize 380 00:17:33,040 --> 00:17:37,480 Speaker 2: that it was so long? No, it was like the 381 00:17:37,560 --> 00:17:43,000 Speaker 2: extended cut music video drop of the full House theme 382 00:17:43,040 --> 00:17:44,560 Speaker 2: song in the pilot episode. 383 00:17:44,640 --> 00:17:47,040 Speaker 4: I like, I don't think it. I don't think it 384 00:17:47,080 --> 00:17:47,880 Speaker 4: was always that long. 385 00:17:47,920 --> 00:17:49,840 Speaker 2: I'm pretty sure it got edited at some point, but 386 00:17:49,880 --> 00:17:54,160 Speaker 2: I'll be interested to see when. Because there was stuff 387 00:17:54,359 --> 00:17:56,200 Speaker 2: happening in the opening credits. 388 00:17:56,200 --> 00:17:57,440 Speaker 4: I was like, I don't remember. 389 00:17:57,119 --> 00:17:58,840 Speaker 3: That it was unusually long. 390 00:17:58,880 --> 00:18:01,520 Speaker 1: I felt the exact same way because I was like, right, 391 00:18:01,720 --> 00:18:05,720 Speaker 1: I was, I'm still going it's still They definitely tightened 392 00:18:05,760 --> 00:18:08,040 Speaker 1: it up and shortened it as I don't know when, 393 00:18:08,160 --> 00:18:11,240 Speaker 1: like you said, but as as the seasons progressed, but 394 00:18:11,280 --> 00:18:13,399 Speaker 1: we should give credit where credit is due of who 395 00:18:13,440 --> 00:18:18,320 Speaker 1: who wrote the original theme song? Yes, which is Jesse, Frederick, Jesse, 396 00:18:18,400 --> 00:18:20,960 Speaker 1: Frederick and Bennett Bennett Salve. 397 00:18:20,920 --> 00:18:23,040 Speaker 3: Salve, I knew, yeah, pronounced it better than I would. 398 00:18:23,760 --> 00:18:29,159 Speaker 2: Yes, Jesse and Bennett and Jesse and Bennett wrote like 399 00:18:29,560 --> 00:18:35,200 Speaker 2: a ton of the the sitcom theme songs for Miller 400 00:18:35,240 --> 00:18:38,159 Speaker 2: Boyet shows. So I know they did family Matters. I 401 00:18:38,280 --> 00:18:42,280 Speaker 2: know they did step by step. So yeah, they you 402 00:18:42,320 --> 00:18:45,200 Speaker 2: can definitely hear. And when you listen to all of 403 00:18:45,240 --> 00:18:47,080 Speaker 2: the those theme songs, you're kind of like, oh, I 404 00:18:47,119 --> 00:18:48,960 Speaker 2: kind of get it's got a little of the same 405 00:18:49,200 --> 00:18:52,000 Speaker 2: moment to it. So but they were so incredibly talented 406 00:18:52,040 --> 00:18:55,520 Speaker 2: and continued to work with us through Fuller House. 407 00:18:55,320 --> 00:18:59,200 Speaker 4: And wrote wrote some of the songs that Stephanie sang on. 408 00:18:59,200 --> 00:19:01,639 Speaker 3: Fuller Oh that's right, that's right. I forgot about that. 409 00:19:02,080 --> 00:19:05,080 Speaker 1: Yes, Now, who was one of them singing the full 410 00:19:05,080 --> 00:19:07,480 Speaker 1: House theme song? Was that Bennett or Jesse? 411 00:19:07,880 --> 00:19:08,639 Speaker 4: That I don't know that. 412 00:19:08,720 --> 00:19:10,480 Speaker 3: I don't know. Okay, well maybe we'll. 413 00:19:10,440 --> 00:19:13,520 Speaker 2: In thirty and thirty somebody will yours. I've never Yeah, 414 00:19:13,560 --> 00:19:15,800 Speaker 2: someone will. Someone will find out if. 415 00:19:15,600 --> 00:19:16,240 Speaker 3: Not a producer. 416 00:19:16,280 --> 00:19:20,040 Speaker 1: Then a diehard fan will definitely emailing us to correct. 417 00:19:19,760 --> 00:19:22,400 Speaker 2: I am waiting for I'm sure we're going to get 418 00:19:22,960 --> 00:19:26,119 Speaker 2: plenty of dms that that say like that there's something 419 00:19:26,119 --> 00:19:28,160 Speaker 2: that we missed or screwed up, and I'm I'm looking 420 00:19:28,160 --> 00:19:31,200 Speaker 2: for I'm welcoming that. I mean, I'm excited to see 421 00:19:31,280 --> 00:19:33,040 Speaker 2: the things that I don't know, because I'm. 422 00:19:32,880 --> 00:19:33,560 Speaker 4: Sure there's a lot. 423 00:19:33,800 --> 00:19:36,399 Speaker 1: I welcome that too, because for thirty six years people 424 00:19:36,440 --> 00:19:40,480 Speaker 1: have been saying, do you remember this episode, and I'm like, don't. 425 00:19:40,800 --> 00:19:45,359 Speaker 2: Yeah, that's always I just always said, uh, oh, Jesse 426 00:19:45,520 --> 00:19:46,080 Speaker 2: did sing it. 427 00:19:46,720 --> 00:19:48,200 Speaker 3: Jesse did sing it. Oh. 428 00:19:48,440 --> 00:19:49,679 Speaker 4: By the way, our. 429 00:19:49,640 --> 00:19:53,240 Speaker 2: Incredibly thorough fact checker, Jensen, thank you so much. Yes 430 00:19:53,280 --> 00:19:57,520 Speaker 2: for sure to Jensen drops to Jenson keeping us factual. 431 00:19:57,640 --> 00:19:59,480 Speaker 4: I don't need I don't need. 432 00:19:59,359 --> 00:20:05,480 Speaker 2: To misspeak on this podcast. Share any misinformation, that's okay. 433 00:20:06,080 --> 00:20:08,000 Speaker 2: But yeah, I don't remember it being as long. I 434 00:20:08,000 --> 00:20:11,560 Speaker 2: do remember I had my little ballet moment right oh there, 435 00:20:11,840 --> 00:20:14,800 Speaker 2: when it was like and and I forgot. I mean, 436 00:20:14,840 --> 00:20:16,719 Speaker 2: I know it's kind of become a trope at this 437 00:20:16,760 --> 00:20:20,560 Speaker 2: point the sitcom, you know, moment look into the camera, 438 00:20:21,800 --> 00:20:27,040 Speaker 2: but I forgot, just really, how terrifically cheesy. It was like, 439 00:20:27,160 --> 00:20:35,399 Speaker 2: it's so cheesy, It's like so awesomely cheesy, and just 440 00:20:35,560 --> 00:20:39,119 Speaker 2: talking like you're talking to I want to do a 441 00:20:39,160 --> 00:20:42,080 Speaker 2: bad lip breeding of what Dave and Bob and John 442 00:20:42,119 --> 00:20:45,320 Speaker 2: are saying. So bad else because I can only imagine 443 00:20:45,400 --> 00:20:48,439 Speaker 2: what they were actually saying, knowing that no like audio 444 00:20:48,560 --> 00:20:49,360 Speaker 2: was going to be recorded. 445 00:20:49,440 --> 00:20:52,800 Speaker 1: Oh man, I'm sure it was not appropriate for all 446 00:20:52,840 --> 00:20:54,720 Speaker 1: ages and all ears for sure. 447 00:20:55,040 --> 00:20:56,040 Speaker 3: Yeah, okay, I. 448 00:20:55,960 --> 00:20:58,840 Speaker 1: Have so many questions about the opening credits, okay, because 449 00:20:58,880 --> 00:20:59,440 Speaker 1: I wasn't there. 450 00:20:59,800 --> 00:21:02,639 Speaker 3: So where did you shoot these? Did you go to 451 00:21:02,680 --> 00:21:05,800 Speaker 3: San Francisco to shoot these credits or were you well 452 00:21:06,040 --> 00:21:06,560 Speaker 3: somewhere else? 453 00:21:06,680 --> 00:21:12,679 Speaker 2: Yes? And no okay, well actually mostly no, okay, So 454 00:21:13,680 --> 00:21:16,480 Speaker 2: I did not go to San Francisco. The cast did 455 00:21:16,520 --> 00:21:20,560 Speaker 2: not go to San Francisco to shoot any of the 456 00:21:20,560 --> 00:21:24,000 Speaker 2: the exterior stuff. So like when you see the when 457 00:21:24,040 --> 00:21:26,359 Speaker 2: you see us in the car in the red car, 458 00:21:26,520 --> 00:21:29,359 Speaker 2: like the close up and it pulls out, that was 459 00:21:29,400 --> 00:21:33,280 Speaker 2: in Griffith Park. Oh, that was in Griffith Park. The 460 00:21:33,400 --> 00:21:36,080 Speaker 2: scene where we are like running down the hill with 461 00:21:36,080 --> 00:21:40,840 Speaker 2: the soccer ball or whatever, Yeah, that was also Griffith Park. Okay, 462 00:21:41,000 --> 00:21:44,840 Speaker 2: the where we're fishing. Oh yes, The close up shot 463 00:21:44,880 --> 00:21:49,080 Speaker 2: of that is as I believe Griffith Park or something, 464 00:21:49,680 --> 00:21:53,680 Speaker 2: and then the then the when you see it from 465 00:21:53,720 --> 00:21:56,680 Speaker 2: behind and it's like the three of them, that's not us. 466 00:21:56,760 --> 00:22:00,560 Speaker 2: Those were just stand ins actually in San Francisco at 467 00:22:00,600 --> 00:22:03,160 Speaker 2: the wharf, getting the like the wide shots. And then 468 00:22:03,200 --> 00:22:06,080 Speaker 2: they did like the shot you know, over the over 469 00:22:06,080 --> 00:22:08,560 Speaker 2: the Golden gate Bridge, which I'm not sure how. 470 00:22:08,480 --> 00:22:10,240 Speaker 3: How didn't they shoot that? Yeah, drone? 471 00:22:10,240 --> 00:22:12,480 Speaker 2: There was no drones. Then there was no it was 472 00:22:12,520 --> 00:22:13,359 Speaker 2: it a helicopter. 473 00:22:13,480 --> 00:22:15,720 Speaker 1: That's a good question for Jeff Franklin, the creator of 474 00:22:15,760 --> 00:22:17,879 Speaker 1: the show, when we get him, when we get him 475 00:22:17,880 --> 00:22:18,359 Speaker 1: on as a guest. 476 00:22:18,400 --> 00:22:19,919 Speaker 2: I mean, I would assume it would have to be 477 00:22:19,960 --> 00:22:23,080 Speaker 2: some sort of a helicopter shot, right. I don't know, 478 00:22:23,080 --> 00:22:26,040 Speaker 2: because it wasn't like we had, you know, great CGI 479 00:22:26,400 --> 00:22:28,680 Speaker 2: in nineteen eighty seven, and that would have been way 480 00:22:28,680 --> 00:22:31,520 Speaker 2: more expensive than actually flying a helicopter and flying seven 481 00:22:31,560 --> 00:22:33,600 Speaker 2: people up to San Francisco and getting a shot on 482 00:22:33,640 --> 00:22:35,960 Speaker 2: the Golden gate Bridge at that moment in time. 483 00:22:36,240 --> 00:22:39,560 Speaker 1: Speaking of CGI, my favorite shot of the opening credits 484 00:22:39,720 --> 00:22:43,280 Speaker 1: is you and Candace and one of the Olsen twins 485 00:22:43,359 --> 00:22:47,040 Speaker 1: in the back seat and that terrible green screen of 486 00:22:47,040 --> 00:22:49,480 Speaker 1: a trolley car behind you, Like it could not look 487 00:22:49,520 --> 00:22:49,960 Speaker 1: more fake. 488 00:22:51,119 --> 00:22:52,960 Speaker 3: It is absolutely hysterical. 489 00:22:53,520 --> 00:22:58,879 Speaker 2: Yeah, it's pretty bad because also like, yeah, is that 490 00:22:59,160 --> 00:23:01,840 Speaker 2: like the close then as it pulls to reveal in 491 00:23:01,880 --> 00:23:02,399 Speaker 2: the car. 492 00:23:02,760 --> 00:23:04,240 Speaker 3: No, this is just a shot. 493 00:23:04,680 --> 00:23:06,520 Speaker 2: Oh that's right, it's just the shot of the three 494 00:23:06,520 --> 00:23:08,000 Speaker 2: of us. Oh yeah, there's. 495 00:23:07,840 --> 00:23:10,080 Speaker 3: Another shot where it pulls out. It pulls out, you 496 00:23:10,119 --> 00:23:12,080 Speaker 3: see the five of you in the car, right? 497 00:23:12,119 --> 00:23:13,560 Speaker 4: And then no, I do I remember the one you 498 00:23:13,640 --> 00:23:14,400 Speaker 4: car on it? Yeah? 499 00:23:14,440 --> 00:23:17,000 Speaker 2: It was, I mean, someone just it was like a 500 00:23:17,040 --> 00:23:18,920 Speaker 2: hand painting of a trolley car stuck behind. 501 00:23:18,960 --> 00:23:19,880 Speaker 4: It was like nobody will notice. 502 00:23:20,080 --> 00:23:22,320 Speaker 2: Fine, I feel like a high schooler, you know, or 503 00:23:22,560 --> 00:23:25,680 Speaker 2: a film student props in the art departments. 504 00:23:25,760 --> 00:23:28,760 Speaker 4: Okay, in the eighties they were not working. 505 00:23:28,560 --> 00:23:32,399 Speaker 2: With the two. It was it was where everyone was 506 00:23:32,840 --> 00:23:37,879 Speaker 2: doing a great job at the moment. But I remember, like, 507 00:23:37,960 --> 00:23:40,919 Speaker 2: even looking at some of the backgrounds in the pilot episode, 508 00:23:40,960 --> 00:23:43,160 Speaker 2: I was like, wow, they really have come a long 509 00:23:43,200 --> 00:23:44,400 Speaker 2: way in that in that department. 510 00:23:45,680 --> 00:23:48,679 Speaker 1: Were you even wearing seat belts in the convertible? I 511 00:23:48,680 --> 00:23:50,200 Speaker 1: didn't see you wearing this car. 512 00:23:50,320 --> 00:23:53,399 Speaker 2: I'm sure we didn't. Didn't even have seat belts, you 513 00:23:53,440 --> 00:23:55,280 Speaker 2: know what I mean, like there was no, it was 514 00:23:55,359 --> 00:23:57,760 Speaker 2: not a thing at that point. 515 00:23:57,920 --> 00:23:58,440 Speaker 4: I don't think. 516 00:23:58,440 --> 00:24:01,600 Speaker 2: I mean, there were seat belt laws, but I remember 517 00:24:01,680 --> 00:24:02,760 Speaker 2: being a kid, it was like if it was a 518 00:24:02,840 --> 00:24:04,760 Speaker 2: vintage car, you still it was like, you know, the 519 00:24:04,760 --> 00:24:06,520 Speaker 2: work around you that doesn't have to do it. But 520 00:24:06,760 --> 00:24:08,960 Speaker 2: there certainly weren't enough seat belts for everyone that was 521 00:24:08,960 --> 00:24:12,600 Speaker 2: in that car. I mean, yeah, yeah, but it wasn't 522 00:24:12,640 --> 00:24:14,560 Speaker 2: like the stand I don't think Standards and Practices has 523 00:24:14,560 --> 00:24:16,159 Speaker 2: that thing yet where it was like you had to 524 00:24:16,280 --> 00:24:18,560 Speaker 2: watch someone buckle their seat belt and. 525 00:24:19,280 --> 00:24:20,320 Speaker 3: It's very different now. 526 00:24:20,440 --> 00:24:22,840 Speaker 1: The laws are much stricter now, and I'm like, they 527 00:24:22,840 --> 00:24:24,880 Speaker 1: would never get away with that now, right. 528 00:24:24,760 --> 00:24:27,439 Speaker 2: Oh, there's a whole lot in the first episode that 529 00:24:27,480 --> 00:24:28,760 Speaker 2: they would never get away with now. 530 00:24:30,280 --> 00:24:30,440 Speaker 1: Yeah. 531 00:24:30,480 --> 00:24:34,359 Speaker 2: Yeah, yeah, but yeah, that was it was sort of 532 00:24:34,359 --> 00:24:36,760 Speaker 2: a it was sort of a mishmash of Griffith Park 533 00:24:37,600 --> 00:24:40,600 Speaker 2: and other people in San Francisco. 534 00:24:40,880 --> 00:24:44,760 Speaker 1: Yeah, there's there's the one shot you mentioned where Danny 535 00:24:45,359 --> 00:24:49,120 Speaker 1: and DJ and Stefan you're fishing off the pier, right right, yeah, 536 00:24:49,119 --> 00:24:51,120 Speaker 1: and then the shot from behind, I'm like, that's. 537 00:24:50,920 --> 00:24:56,840 Speaker 2: Not Bob fishing. We were fishing, fishing fishing. Watch your diction. 538 00:24:57,320 --> 00:25:00,720 Speaker 1: Do you remember our dialogue coach saying that watch diction, 539 00:25:01,280 --> 00:25:02,679 Speaker 1: Watch your di what diction? 540 00:25:04,960 --> 00:25:06,320 Speaker 4: You watch your diption? 541 00:25:06,640 --> 00:25:08,320 Speaker 3: No, I'm trying to watch. 542 00:25:09,119 --> 00:25:12,199 Speaker 1: Sorry, this is going off the rails already, That's what 543 00:25:12,200 --> 00:25:13,919 Speaker 1: I'm This is just a. 544 00:25:13,800 --> 00:25:16,680 Speaker 2: Taste of the off the railedness that is to come. 545 00:25:16,840 --> 00:25:17,520 Speaker 3: And I just had a. 546 00:25:17,440 --> 00:25:20,159 Speaker 1: Flash of our dialogue coach always saying watch your diction, 547 00:25:20,880 --> 00:25:22,359 Speaker 1: Brian Cale, Brian Klee. 548 00:25:22,400 --> 00:25:25,560 Speaker 3: Yes, and and remind us to pronounce it. Don't be slopp. 549 00:25:25,600 --> 00:25:27,159 Speaker 3: You don't have a mush mouth. And so I was 550 00:25:27,160 --> 00:25:29,720 Speaker 3: telling you to watch your diction. And that's what I've. 551 00:25:29,720 --> 00:25:37,480 Speaker 2: I've never noticed, so my diction is atrocious, shall say anyway. 552 00:25:37,119 --> 00:25:38,400 Speaker 4: Okay, I was gonna say. 553 00:25:38,400 --> 00:25:41,560 Speaker 2: The one thing we were talking about is the how 554 00:25:41,920 --> 00:25:46,399 Speaker 2: the story of how the full House House came to 555 00:25:46,520 --> 00:25:49,320 Speaker 2: be the full House House, the exterior of it. 556 00:25:49,400 --> 00:25:50,160 Speaker 3: That's a great story. 557 00:25:50,800 --> 00:25:52,000 Speaker 4: It's a really cool story. 558 00:25:52,160 --> 00:25:55,640 Speaker 2: Uh. That Rich Correll, who is one of the executive 559 00:25:55,680 --> 00:26:00,119 Speaker 2: producers on Full House and also is a prolific direct or. 560 00:26:00,160 --> 00:26:01,600 Speaker 4: We're going to have him on at some point too. 561 00:26:01,920 --> 00:26:03,000 Speaker 4: He directed a ton. 562 00:26:02,920 --> 00:26:05,199 Speaker 2: Of the Fuller House episodes as well, and produced on 563 00:26:05,240 --> 00:26:07,480 Speaker 2: the show. I just love him. He's a dear friend 564 00:26:07,520 --> 00:26:10,359 Speaker 2: of ours. We go to Universal Horrorights with him all 565 00:26:10,359 --> 00:26:14,840 Speaker 2: the time. Anyway, he was producing at the time, and 566 00:26:14,880 --> 00:26:16,679 Speaker 2: it's funny if you see the credits, he went by 567 00:26:16,760 --> 00:26:17,719 Speaker 2: Richard Carrell. 568 00:26:18,080 --> 00:26:21,600 Speaker 3: I did notice that I was like Richard Carrell, very formal. 569 00:26:21,600 --> 00:26:26,080 Speaker 2: Very formal, and he was out there location scouting in 570 00:26:26,119 --> 00:26:32,199 Speaker 2: San Francisco and the house was the house that they 571 00:26:32,200 --> 00:26:34,920 Speaker 2: wound up choosing was one on a list of several 572 00:26:35,080 --> 00:26:37,760 Speaker 2: you know, that they were looking at, and I guess 573 00:26:37,960 --> 00:26:41,760 Speaker 2: they went to the house and rich went up to 574 00:26:42,280 --> 00:26:45,320 Speaker 2: the door to speak to the owner about like, hey, 575 00:26:45,480 --> 00:26:47,480 Speaker 2: we'd like to pay you for exterior shots at the house. 576 00:26:47,520 --> 00:26:47,800 Speaker 1: Whatever. 577 00:26:48,600 --> 00:26:50,000 Speaker 4: The dude opens the door. 578 00:26:51,440 --> 00:26:57,840 Speaker 2: It's Rich's sister's ex boyfriend from high school who they 579 00:26:57,880 --> 00:27:01,240 Speaker 2: went to high school in La Okay so years before, 580 00:27:01,520 --> 00:27:05,359 Speaker 2: who now owns the house. Rich will correct me on 581 00:27:05,400 --> 00:27:07,040 Speaker 2: the story of some I've missed something, but this is 582 00:27:07,240 --> 00:27:10,640 Speaker 2: but he like opened the thing. Was like what happens 583 00:27:10,640 --> 00:27:13,240 Speaker 2: to know the guy? It works out whatever, And that 584 00:27:13,520 --> 00:27:16,719 Speaker 2: was how the full House house came to be chosen, 585 00:27:16,800 --> 00:27:21,199 Speaker 2: which I find to be very serendipitous, just as so 586 00:27:21,280 --> 00:27:25,480 Speaker 2: many things about Full House and Fuller House and this 587 00:27:25,560 --> 00:27:29,240 Speaker 2: sort of magic that is on this little show that 588 00:27:29,280 --> 00:27:34,040 Speaker 2: we do. Yeah, it was kind of like knowing that story. 589 00:27:34,080 --> 00:27:37,440 Speaker 2: When Rich told me that, I was like, that absolutely 590 00:27:37,440 --> 00:27:40,720 Speaker 2: fits it. Just it all fell into place. All the 591 00:27:40,800 --> 00:27:43,160 Speaker 2: right people, the right things, the right places just all 592 00:27:43,160 --> 00:27:44,879 Speaker 2: fell into place with full House. 593 00:27:45,440 --> 00:27:48,119 Speaker 3: That's such a random connection. Is that a small world? 594 00:27:48,240 --> 00:27:48,400 Speaker 1: Right? 595 00:27:48,640 --> 00:27:52,520 Speaker 2: I even be honest, like what what are the odds? 596 00:27:52,720 --> 00:27:54,800 Speaker 1: And it's such a great house too, with like the 597 00:27:54,840 --> 00:27:57,479 Speaker 1: red door, Like do you think he picked that house? 598 00:27:57,560 --> 00:27:59,760 Speaker 2: Because I believe they picked the house. They really liked 599 00:27:59,760 --> 00:28:01,520 Speaker 2: the door, they liked the color scheme. 600 00:28:01,640 --> 00:28:04,520 Speaker 1: They Yeah, well you and I recently went to San 601 00:28:04,520 --> 00:28:08,879 Speaker 1: Francisco to promote promos for this podcast. 602 00:28:09,040 --> 00:28:11,280 Speaker 4: Oh did we Francisco? 603 00:28:11,840 --> 00:28:13,680 Speaker 3: Because I am still on. 604 00:28:13,840 --> 00:28:15,720 Speaker 2: The way, I still have do you know the Way 605 00:28:15,720 --> 00:28:18,400 Speaker 2: to San Jose in my head. 606 00:28:21,880 --> 00:28:24,320 Speaker 3: That I have no response for that. 607 00:28:24,400 --> 00:28:28,520 Speaker 2: Okay, on the flight home, I got a stupid song 608 00:28:28,560 --> 00:28:30,000 Speaker 2: stuck in my head and it was do you know 609 00:28:30,040 --> 00:28:31,960 Speaker 2: the Way to San Jose? Even though we were coming 610 00:28:32,000 --> 00:28:34,120 Speaker 2: from San Francisco, and I felt the need to lean 611 00:28:34,160 --> 00:28:35,520 Speaker 2: over to Andrey and tell her that. At the end 612 00:28:35,520 --> 00:28:37,719 Speaker 2: of the day, I found it to be hilarious and 613 00:28:37,800 --> 00:28:39,320 Speaker 2: she was just like, what is wrong with you? 614 00:28:39,480 --> 00:28:42,640 Speaker 1: We were so slap appy at that point. But no, 615 00:28:42,720 --> 00:28:45,200 Speaker 1: we flew up to San Francisco. We took a flight 616 00:28:45,280 --> 00:28:48,040 Speaker 1: to Oakland, not Land. 617 00:28:48,040 --> 00:28:50,760 Speaker 4: Not Oakland, not Auckland, check the spelling. 618 00:28:51,520 --> 00:28:52,400 Speaker 2: And we just. 619 00:28:52,440 --> 00:28:57,160 Speaker 1: Had the most delightful day driving around San Francisco in 620 00:28:57,160 --> 00:28:58,320 Speaker 1: our Hyundai Tucson. 621 00:28:58,560 --> 00:29:00,000 Speaker 2: It was so much. 622 00:29:00,400 --> 00:29:01,640 Speaker 4: We had so much fun. 623 00:29:01,760 --> 00:29:06,240 Speaker 2: We hit like other pretty much other than Alcatraz, and 624 00:29:06,280 --> 00:29:08,680 Speaker 2: like driving across the Golden gate Bridge, I feel like 625 00:29:08,760 --> 00:29:13,560 Speaker 2: we hit a lot like the Top five moments, particularly 626 00:29:13,600 --> 00:29:16,600 Speaker 2: full House related. We saw the full House house m hm. 627 00:29:17,320 --> 00:29:21,200 Speaker 2: We went fishing by the Golden gate Bridge and the marina. Yes, 628 00:29:21,720 --> 00:29:26,480 Speaker 2: we went to Fisherman's Wharf and the giant steering wheel 629 00:29:26,480 --> 00:29:29,920 Speaker 2: crab that y'all couldn't decide where it was if it 630 00:29:29,960 --> 00:29:30,720 Speaker 2: was Peer thirty. 631 00:29:30,640 --> 00:29:32,000 Speaker 4: Nine or twenty nine or whatever. 632 00:29:32,200 --> 00:29:33,680 Speaker 3: We got a little bit lost, That's okay, a little 633 00:29:33,720 --> 00:29:34,120 Speaker 3: bit lost. 634 00:29:34,920 --> 00:29:36,280 Speaker 2: You and I got lost a couple of times in 635 00:29:36,280 --> 00:29:42,160 Speaker 2: the Hundai. And most importantly was our multiple trips down 636 00:29:42,240 --> 00:29:43,040 Speaker 2: Lombard Street. 637 00:29:43,320 --> 00:29:46,080 Speaker 1: This was a dream come true for me driving down 638 00:29:46,200 --> 00:29:47,400 Speaker 1: Lombard Street with. 639 00:29:48,200 --> 00:29:50,520 Speaker 2: Lombard Street for those that for those that don't know, 640 00:29:50,720 --> 00:29:53,560 Speaker 2: is the Crooked Street, which there's also a sign that 641 00:29:53,600 --> 00:29:56,520 Speaker 2: says that in San Francisco the Crooked Street, because people 642 00:29:56,520 --> 00:29:57,760 Speaker 2: were probably like, I don't know what the name of 643 00:29:57,800 --> 00:30:00,520 Speaker 2: it is to the crooked Street. Yes, yes, it's called 644 00:30:00,600 --> 00:30:03,760 Speaker 2: Lombard Street. Is the actual name. And people live on. 645 00:30:03,680 --> 00:30:05,880 Speaker 3: This street, by the way, that blows my way. 646 00:30:05,840 --> 00:30:06,680 Speaker 4: Why, I don't know. 647 00:30:07,120 --> 00:30:10,960 Speaker 2: They have be just masochists to want to live amongst 648 00:30:11,560 --> 00:30:15,400 Speaker 2: people driving all day and night in their front yard 649 00:30:15,440 --> 00:30:17,720 Speaker 2: and troops up and down in their high ranges. So 650 00:30:17,760 --> 00:30:20,520 Speaker 2: many we had a great time ruining. 651 00:30:20,240 --> 00:30:21,320 Speaker 4: Their their day. 652 00:30:21,400 --> 00:30:23,720 Speaker 2: So now it was the great time driving up and 653 00:30:23,720 --> 00:30:28,200 Speaker 2: down it was Can I tell the story about honking? 654 00:30:28,360 --> 00:30:31,080 Speaker 3: Please? Please tell? Well, okay, I'll set it. Let me, 655 00:30:31,200 --> 00:30:31,880 Speaker 3: let me set it up. 656 00:30:32,440 --> 00:30:34,240 Speaker 2: Give me the setup and I'll set you and then 657 00:30:34,280 --> 00:30:35,040 Speaker 2: I'll do okay. 658 00:30:35,280 --> 00:30:40,280 Speaker 1: So we drove down Lombard Street at least four times, 659 00:30:40,320 --> 00:30:43,240 Speaker 1: maybe five times, because we had to get different angles, 660 00:30:43,240 --> 00:30:45,080 Speaker 1: different shots. We had photographers at the top of the 661 00:30:45,120 --> 00:30:48,000 Speaker 1: hill and at the bottom of the hill. And this 662 00:30:48,120 --> 00:30:49,760 Speaker 1: was a dream come true for me because not only 663 00:30:49,760 --> 00:30:52,000 Speaker 1: were you driving, but I was holding a Thomas Guide. 664 00:30:52,040 --> 00:30:54,440 Speaker 1: Because that's how we got to all of our auditions back. 665 00:30:54,320 --> 00:30:57,480 Speaker 3: In the nineties. Still seen a Thomas Guide before me. 666 00:30:57,720 --> 00:31:00,720 Speaker 2: GPS goes down US eighties and ninety. The child stars 667 00:31:00,720 --> 00:31:02,680 Speaker 2: are going to be fine, Like I got a map, 668 00:31:02,760 --> 00:31:03,360 Speaker 2: I can read it. 669 00:31:03,880 --> 00:31:06,440 Speaker 1: We are children of the nineties. We are fluent in 670 00:31:06,640 --> 00:31:07,520 Speaker 1: the Thomas Guide. 671 00:31:07,720 --> 00:31:08,040 Speaker 3: Yes. 672 00:31:08,440 --> 00:31:11,960 Speaker 1: So this was our last pass of going down Lombard Street. 673 00:31:12,080 --> 00:31:14,080 Speaker 1: And you know, there's a line of cars that are 674 00:31:14,080 --> 00:31:15,960 Speaker 1: waiting to go down Lombard Street. So we're at the 675 00:31:15,960 --> 00:31:18,400 Speaker 1: top of the hill waiting for our turn to go 676 00:31:18,440 --> 00:31:19,440 Speaker 1: down Lombard Street. 677 00:31:19,880 --> 00:31:23,160 Speaker 2: Right, Okay, So not only are we at the top 678 00:31:23,200 --> 00:31:26,000 Speaker 2: of the hill waiting, but there's like a four way 679 00:31:26,080 --> 00:31:29,800 Speaker 2: stop right at the top. I have pulled out into 680 00:31:29,880 --> 00:31:33,800 Speaker 2: the intersection, thinking I'm going to go just straight through, 681 00:31:34,160 --> 00:31:39,040 Speaker 2: but I hear honking, yes, and lots of honking, lots 682 00:31:39,080 --> 00:31:43,200 Speaker 2: of the unk just eh, And I'm looking around like 683 00:31:43,280 --> 00:31:46,760 Speaker 2: what is happening? Like there's pedestrians kind of like clearing 684 00:31:46,800 --> 00:31:48,960 Speaker 2: the way right, and I'm like, oh, it's someone behind. 685 00:31:49,000 --> 00:31:50,400 Speaker 3: All the tourists are staring at it. 686 00:31:50,560 --> 00:31:53,640 Speaker 2: I thought it was yeah, people are staring. The windows 687 00:31:53,640 --> 00:31:56,680 Speaker 2: are down, so it's also very loud. There's a car 688 00:31:56,760 --> 00:31:58,520 Speaker 2: behind and I'm like, oh my god, am I in 689 00:31:58,520 --> 00:32:00,640 Speaker 2: the way? Did I cut somebody off? Like when you 690 00:32:00,680 --> 00:32:02,600 Speaker 2: realize know there's a thousand things going on, did I 691 00:32:02,600 --> 00:32:03,520 Speaker 2: go into the interesting juice? 692 00:32:03,720 --> 00:32:03,880 Speaker 1: Right? 693 00:32:04,680 --> 00:32:09,280 Speaker 2: And then what I realized is is so when you're 694 00:32:09,280 --> 00:32:12,680 Speaker 2: going over such steep hills in San Francisco, you kind 695 00:32:12,720 --> 00:32:15,280 Speaker 2: of you have to look forward a little bit and 696 00:32:15,400 --> 00:32:19,120 Speaker 2: lean kind of because it's very steep, right, so you 697 00:32:19,160 --> 00:32:25,560 Speaker 2: can't see well as I'm leaning, certain parts of me 698 00:32:25,760 --> 00:32:29,600 Speaker 2: are also leaning forward and smashing into the car horn 699 00:32:30,880 --> 00:32:37,200 Speaker 2: and honking the car horn without my knowledge. 700 00:32:38,320 --> 00:32:41,680 Speaker 3: The look on your face when you realized it was 701 00:32:41,720 --> 00:32:42,280 Speaker 3: your boob. 702 00:32:44,200 --> 00:32:47,480 Speaker 2: I realized because I thought someone was following us, and 703 00:32:47,600 --> 00:32:54,760 Speaker 2: Honky No said just my boob, just and I was like, 704 00:32:54,840 --> 00:32:55,640 Speaker 2: oh my. 705 00:32:55,560 --> 00:33:01,680 Speaker 1: God, so talk about honkers. It was the greatest moment 706 00:33:01,920 --> 00:33:03,920 Speaker 1: of the whole day. Like it just that was such 707 00:33:03,920 --> 00:33:04,840 Speaker 1: a classic ing. 708 00:33:05,200 --> 00:33:06,520 Speaker 4: Oh it really was. 709 00:33:06,680 --> 00:33:09,440 Speaker 2: It really was scaring myself and having no idea why, 710 00:33:09,560 --> 00:33:10,160 Speaker 2: but just. 711 00:33:11,320 --> 00:33:16,040 Speaker 3: We're just such idiots honking at ourselves. Everyone's staring at us. 712 00:33:16,040 --> 00:33:18,360 Speaker 3: They're like, how are the girls from full House honking 713 00:33:18,600 --> 00:33:20,080 Speaker 3: at the top of Lombard. 714 00:33:19,720 --> 00:33:22,960 Speaker 2: Street that apparently we were, And all I keep saying 715 00:33:22,960 --> 00:33:25,160 Speaker 2: too is like, could you imagine people going down this 716 00:33:25,200 --> 00:33:27,360 Speaker 2: thing in front of your house every day honking horns 717 00:33:27,360 --> 00:33:30,480 Speaker 2: and stuff, And then I'm the idiot honking the horn. 718 00:33:31,120 --> 00:33:34,400 Speaker 2: But the best part was is that apparently also we 719 00:33:34,520 --> 00:33:39,880 Speaker 2: learned we were so loud in the car that they 720 00:33:39,880 --> 00:33:43,880 Speaker 2: could hear us at the bottom of the hill when 721 00:33:43,920 --> 00:33:46,720 Speaker 2: we were going down, and they would just yell to 722 00:33:46,760 --> 00:33:47,400 Speaker 2: each other. 723 00:33:47,320 --> 00:33:48,200 Speaker 4: Like, oh, here they come. 724 00:33:48,280 --> 00:33:52,120 Speaker 2: We hear them because the windows were down, and not 725 00:33:52,160 --> 00:33:55,640 Speaker 2: even the car honking, was it even the honking their voices, 726 00:33:55,720 --> 00:33:58,120 Speaker 2: just the honking from my mouth. And we were like. 727 00:33:58,080 --> 00:34:02,200 Speaker 3: Canaddling hens, just yes, all the way down the hill. 728 00:34:02,480 --> 00:34:04,719 Speaker 2: And they were like, up here they go them and 729 00:34:04,760 --> 00:34:08,759 Speaker 2: we were just announcing our rival completely downhill to all 730 00:34:08,800 --> 00:34:17,359 Speaker 2: of San Francisco. Because I wake up San Francisco, I. 731 00:34:17,320 --> 00:34:20,040 Speaker 3: Will hold that memory in my brain for the. 732 00:34:19,960 --> 00:34:22,640 Speaker 2: Rest of my So much fun. We had so much fun. 733 00:34:22,719 --> 00:34:25,480 Speaker 2: I think I definitely made a couple illegal lefts, and 734 00:34:25,520 --> 00:34:29,680 Speaker 2: I probably drove where a trolley car or a cable 735 00:34:29,719 --> 00:34:31,600 Speaker 2: car is supposed to be. And I don't know if 736 00:34:31,600 --> 00:34:33,120 Speaker 2: it was really a lane or not, but I made 737 00:34:33,160 --> 00:34:35,600 Speaker 2: it one. And we're here to tell the story. So 738 00:34:35,680 --> 00:34:36,880 Speaker 2: I guess we're fine. 739 00:34:37,040 --> 00:34:39,680 Speaker 1: Well, driving in San Francisco is very stressful, and you 740 00:34:39,719 --> 00:34:43,040 Speaker 1: handled it like a champ. Like. It's very confusing between 741 00:34:43,040 --> 00:34:45,000 Speaker 1: the one way streets and the bike lanes, which are 742 00:34:45,160 --> 00:34:46,000 Speaker 1: I've never driven. 743 00:34:46,200 --> 00:34:48,200 Speaker 2: Well, that's not true. I've driven in San Francisco before. 744 00:34:48,239 --> 00:34:50,000 Speaker 2: I drove. I took the kids up there on a 745 00:34:50,800 --> 00:34:53,400 Speaker 2: trip and I drove the minivan. Driving a minivan in 746 00:34:53,400 --> 00:34:56,080 Speaker 2: San Francisco on those hills. Let me tell you that 747 00:34:56,680 --> 00:35:00,719 Speaker 2: not easy on the brakes. But this was I mean, 748 00:35:00,800 --> 00:35:02,439 Speaker 2: I didn't want to get out of the car. They kept, 749 00:35:02,480 --> 00:35:03,880 Speaker 2: you know, they'd be like, Okay, we're gonna know you know, 750 00:35:03,920 --> 00:35:05,319 Speaker 2: you gotta get on. Was like, I like the car. 751 00:35:05,400 --> 00:35:06,440 Speaker 2: I want to get out. 752 00:35:06,560 --> 00:35:08,680 Speaker 3: It's a great car, great car. I was just. 753 00:35:09,239 --> 00:35:10,719 Speaker 4: I was having so much fun with. 754 00:35:10,680 --> 00:35:15,640 Speaker 2: You, just just being stupid in the car and having 755 00:35:15,640 --> 00:35:18,320 Speaker 2: fun and being silly and making fun of ourselves. 756 00:35:18,560 --> 00:35:20,080 Speaker 3: Oh, it was. It was the best. 757 00:35:20,120 --> 00:35:22,640 Speaker 1: That's what we do best, Jody, is just laugh and 758 00:35:22,680 --> 00:35:24,520 Speaker 1: make fun of each other and. 759 00:35:24,640 --> 00:35:25,520 Speaker 3: Laugh some more. 760 00:35:27,000 --> 00:35:27,640 Speaker 4: It's true. 761 00:35:28,280 --> 00:35:31,239 Speaker 1: So our next episode will be the first recap of 762 00:35:31,360 --> 00:35:34,399 Speaker 1: the pilot. So we want to get you ready with 763 00:35:34,520 --> 00:35:37,640 Speaker 1: some trivia. This is for all of you die hards 764 00:35:37,680 --> 00:35:40,480 Speaker 1: out there, let us know on our Instagram at how 765 00:35:40,560 --> 00:35:44,520 Speaker 1: Rude Podcast, and we'll give you the answers next week. Okay, 766 00:35:44,520 --> 00:35:45,600 Speaker 1: I'll take this first one here. 767 00:35:45,760 --> 00:35:46,960 Speaker 4: Okay, Okay, go for it. 768 00:35:47,080 --> 00:35:49,799 Speaker 1: In the first episode, DJ is on the phone with 769 00:35:49,920 --> 00:35:53,760 Speaker 1: Kimmy Gibbler and says she has three sisters. But later 770 00:35:53,960 --> 00:35:57,480 Speaker 1: in the show, this changes. How many siblings did Kimmy 771 00:35:57,680 --> 00:35:58,399 Speaker 1: actually have? 772 00:36:00,080 --> 00:36:04,040 Speaker 2: Hmmm, I don't even I'm married into the fan. No, 773 00:36:04,080 --> 00:36:05,640 Speaker 2: we're not gonna say the answer, but I married into 774 00:36:05,640 --> 00:36:08,000 Speaker 2: the family and I'm not even sure. So I'm interested 775 00:36:08,080 --> 00:36:11,319 Speaker 2: in what this in what this uh answer is too? 776 00:36:11,640 --> 00:36:13,600 Speaker 1: Yes, well, I will tell you that even to this day, 777 00:36:13,640 --> 00:36:16,880 Speaker 1: thirty six years later, people are still commenting to me 778 00:36:17,080 --> 00:36:18,759 Speaker 1: about this continuity. 779 00:36:19,239 --> 00:36:21,560 Speaker 4: This continuity. Well, we'll see. 780 00:36:21,719 --> 00:36:24,560 Speaker 2: Okay, maybe maybe that we can come up with an 781 00:36:24,600 --> 00:36:26,759 Speaker 2: explanation as to what happened to your other siblings. 782 00:36:27,040 --> 00:36:27,160 Speaker 1: What? 783 00:36:27,320 --> 00:36:28,240 Speaker 3: Yeah, okay, let's. 784 00:36:28,160 --> 00:36:31,239 Speaker 2: I'm willing to. Let's create our own shoot your own 785 00:36:31,280 --> 00:36:35,359 Speaker 2: adventure of the Gibbler family. And the second one is 786 00:36:36,000 --> 00:36:39,640 Speaker 2: what is the scene in the very first episode, the 787 00:36:39,640 --> 00:36:43,560 Speaker 2: pilot episode that sold the show to the network. So 788 00:36:43,680 --> 00:36:46,719 Speaker 2: what scene was it that the network absolutely loved and 789 00:36:46,840 --> 00:36:49,160 Speaker 2: was like, yes, we will. This is this is what 790 00:36:49,160 --> 00:36:51,680 Speaker 2: we love and what we want to see. I'm sure 791 00:36:51,719 --> 00:36:53,440 Speaker 2: there's some fans out there that are going to know this. 792 00:36:53,960 --> 00:36:54,399 Speaker 2: There are. 793 00:36:55,880 --> 00:36:59,040 Speaker 1: Iconic scenes though in that pilot, so there could be 794 00:36:59,080 --> 00:37:01,840 Speaker 1: several this is true, this is true. 795 00:37:01,840 --> 00:37:04,759 Speaker 2: Well, speaking of the first episode, we are gonna be 796 00:37:04,800 --> 00:37:09,560 Speaker 2: rewatching episode one, season one. Make sure you're catching up 797 00:37:09,600 --> 00:37:12,359 Speaker 2: and tuning into all of the episodes as we're watching them. 798 00:37:12,480 --> 00:37:16,200 Speaker 2: They are available everywhere you look. And let us know 799 00:37:16,360 --> 00:37:19,280 Speaker 2: what you guys want to know about. If there's stories 800 00:37:19,280 --> 00:37:22,239 Speaker 2: that you want, if there's questions that you have, tell 801 00:37:22,320 --> 00:37:25,680 Speaker 2: us let us know. Follow us at how Rude Podcast 802 00:37:25,760 --> 00:37:28,960 Speaker 2: on Instagram or you can DM us there or email 803 00:37:29,040 --> 00:37:31,360 Speaker 2: us at how Rude Podcast at. 804 00:37:31,200 --> 00:37:32,719 Speaker 4: Gmail dot com. 805 00:37:32,800 --> 00:37:35,280 Speaker 2: And I am so excited for next week for another 806 00:37:35,320 --> 00:37:38,040 Speaker 2: episode of How Rude, Tamrinos. 807 00:37:39,080 --> 00:37:40,880 Speaker 3: I love it, I love it, I love you, Jody. 808 00:37:40,920 --> 00:37:43,240 Speaker 3: I'm so excited to go on this adventure together. 809 00:37:45,239 --> 00:37:46,600 Speaker 4: Hopefully I wont hank the horn this time. 810 00:37:47,840 --> 00:37:49,359 Speaker 3: Keep your honkerds to yourself, girl,