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Speaker 1: When I writ y'all all across the USC Compton Watts

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Speaker 1: Bank to l A from on the California Valley. The

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Speaker 1: valley we represent that Kelly County. So if you're keeping

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Speaker 1: it reil on your side of your town, you tune

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Speaker 1: into Gangster Chronicles. Gangster the Goals are gonna tell you

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Speaker 1: how we go. If I line my nose a brol

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Speaker 1: like Pinocchio, We're gonna tell you the truth and nothing

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Speaker 1: but the truth. Gangster Chronic Goals. This is not your

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Speaker 1: average show. You're now tuned into the rail m c A,

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Speaker 1: Big James and Big Spills from the streets. Hello, everybody,

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Speaker 1: welcome to another episode Against the Chronicles podcasting up with

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Speaker 1: my home voice Nick Jay Jill and we got a

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Speaker 1: very very special guest to Night Man thirty albums in

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Speaker 1: a lot of people can't make it past two albums

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Speaker 1: one that little one album. You know. I've seen him

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Speaker 1: man like the late b I g C. I saw

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Speaker 1: my man go from Ashley Classy started out on hyper

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Speaker 1: Power Entertainment. Man back in the day. I don't knowing

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Speaker 1: meet him go back. Man. Don't done a lot of

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Speaker 1: things together. Man. You know one of my favorite rappers,

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Speaker 1: Man I can't put him in no category. You know

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Speaker 1: what I'm saying. One of my favorites. He hard man.

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Speaker 1: He've done songs to everybody. Man. We got my homeboy,

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Speaker 1: Mr Criminal looping here. What's what's up with you? Man?

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Speaker 1: I'm just keeping that yeah for show man. Were up here,

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Speaker 1: man in your brand new facility. Man, you know I

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Speaker 1: want to start off with obvious. Man. Everybody know you

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Speaker 1: put on gangster rap music. It ain't never been nothing,

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Speaker 1: no different. You ain't never compromise your style. You ain't

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Speaker 1: never did nothing. You kept from the day you came

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Speaker 1: up there, from the day to sea was planning. You

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Speaker 1: just kept a gangster. So I'm sitting in the crib

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Speaker 1: one night, man, and my daughter keeps telling me about

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Speaker 1: this movie with Will Smith is some aliens and stuff,

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Speaker 1: and I'm like, man, I don't really want to see this,

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Speaker 1: you know, but I mean having daddy and daughter time,

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Speaker 1: you know what I mean? So we got like movies.

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Speaker 1: She take it serious. I look up on the TV

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Speaker 1: and you know he've been about to fall asleep, and

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Speaker 1: I say, hold on, I've stopped thinking she getting mad

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Speaker 1: or one? Thats you on that man? Criminal? Man? How

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Speaker 1: did you do it? From putting off some of the

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Speaker 1: hardest gangster rep music in the world. Being on the

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Speaker 1: fields with Will Smith man man, it's uh ship, I

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Speaker 1: just walk the path that I feel like it's desk

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Speaker 1: it for me at the end of the Dad never

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Speaker 1: tried to act in my life. I never thought about acting,

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Speaker 1: never thought it was possible. Um. I got an email

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Speaker 1: one day. I was on the bus with the homies,

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Speaker 1: climbing around smoking blunts of Texas, and I just kept

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Speaker 1: getting these emails, a real, real persistent and like a

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Speaker 1: you know, uh, I wanted to get you in. This

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Speaker 1: movie with Will Smith is kind of bush and I'm like,

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Speaker 1: come on. I kept on racing that ship. I was like,

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Speaker 1: this is bullshit, nobody trying to get me in on movie.

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Speaker 1: It's kind of like those I always joke about, like yeah,

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Speaker 1: Nigerian prince trying to wire you a million dollars type

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Speaker 1: of email. And I'm sounding like some scamship, you know.

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Speaker 1: I kept out erasing and racing, and then finally the

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Speaker 1: fifth one was like urgent, we need We're just about

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Speaker 1: to start fitting and the ship. I'm like, man, let

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Speaker 1: me click this ship. So I clicked it and I

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Speaker 1: hit the text on it, you know, and went straight

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Speaker 1: to La like, oh criminal, we will trying to get

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Speaker 1: a hold of you. You You know, David are the one

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Speaker 1: that wrote and direct the Training Day. He's a huge,

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Speaker 1: huge family of music. He really wants to get you

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Speaker 1: in this movie. He has a speaking role for you

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Speaker 1: the whole nine. I still was like, is it's real?

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Speaker 1: And she's like yeah, we get your popping like right now,

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Speaker 1: and they just pull up. We'll talk about this ship

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Speaker 1: later or whatever. Next day, like two days later, I

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Speaker 1: was in Hollywood doing fitting and came back from torn

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Speaker 1: on On sat around whist me. So that's how I

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Speaker 1: can't even say other than that, Like, like you said, man,

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Speaker 1: some pastors be chosen, though you want one of them

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Speaker 1: chosen cats? Man, Man, you know it wasn't Independence Day, right, yeah,

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Speaker 1: the man, it was a pretty dope film. It was

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Speaker 1: a pretty dope picture. And then you know that Pete

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Speaker 1: curiosity right there. Man home you know, I'm proud was

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Speaker 1: I'm like, man, that's the home right there. So then

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Speaker 1: I look up. You don't do your stuff with shield

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Speaker 1: a buff and all kind of stuff, man, So as

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Speaker 1: they call it Hollywood man, man, they just started blowing

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Speaker 1: me up. The next thing all. A couple of weeks later,

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Speaker 1: I got an agent and then next you know, they

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Speaker 1: flew me to Mexico City. I shot a forty three

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Speaker 1: country in a national Spotify commercial and that ship did

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Speaker 1: really well for me. Uh really changed my life. And

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Speaker 1: then uh, I got a call maybe like two weeks

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Speaker 1: after I got back from there to go to Canada

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Speaker 1: to shoot from a month with Kate Dunk. I still um,

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Speaker 1: im me, they'll eve had fucking George Lopez. I would

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Speaker 1: basically one of the lead roles in the movie called

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Speaker 1: chickanover to the real Road East from my coach. Next

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Speaker 1: you know, that ship just started taking off. Box show

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Speaker 1: started putting me on. I'm a CBS reads. It's just

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Speaker 1: like non stop. I mean just the other dad just

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Speaker 1: did another one for spots, so we just not stop

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Speaker 1: out here. Man, I gotta give it up for your boy,

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Speaker 1: because that's like incredible ship man not I said, I'm

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Speaker 1: super proud of you, dog, because you get people out

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Speaker 1: here where we at, man, Hollywood disappointing the sunshine of dreams. Right,

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Speaker 1: You get people to spend their whole life calling themselves

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Speaker 1: actors and stuff. But then the ge home, you just

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Speaker 1: get a call. It's like people want this authentic ship

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Speaker 1: right here. So I think some stuff is just meant

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Speaker 1: to be. Yeah, yeah, sometimes you need uh that ambiance

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Speaker 1: of of real ship. You know, they sort of need

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Speaker 1: that in some of these films, especially these films that

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Speaker 1: depict or portrayed uh you know, real street life or

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Speaker 1: situations that arise like that. So I directors reach out

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Speaker 1: to you know, uh, brothers who associated to the streets

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Speaker 1: so to speak, you know what I'm saying, or got

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Speaker 1: that background that's been associated to the streets. They're just

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Speaker 1: looking for that authentic exactly like somebody can relate to

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Speaker 1: criminal you know what I'm saying. When people see him,

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Speaker 1: oh do some gags? You know what I'm saying. Did

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Speaker 1: he a real humboy? It is? He a real only man?

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Speaker 1: Like I said. Man, And so I'm gonna go back

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Speaker 1: to the very very beginning. Man, I'm We're gonna go

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Speaker 1: way back. Man. We're gonna go to step and as

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Speaker 1: Bill Walker days, motherfucker's had to come up to the

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Speaker 1: office and get their chicken chicken motherfucker's And you go

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Speaker 1: back to that man he was on there. Man. You

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Speaker 1: started with the Honi Camponi and y'all met a little

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Speaker 1: rider show, right, yes, sir, and we're rolling for them.

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Speaker 1: How long was How long was that process going? Ship?

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Speaker 1: I was signed a high power for the first seventeen

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Speaker 1: years of my career and six teen years of my career,

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Speaker 1: kept the loyal kept a solid did what I had

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Speaker 1: to do, and it just kept came to a point

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Speaker 1: where I was like, I appreciate playing my position and

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Speaker 1: I never tried to outshine my master. But at the

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Speaker 1: end of the day, it's like, you gotta upgrade and

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Speaker 1: get past that. For the year, a lot of mentality sometimes,

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Speaker 1: you know what I'm saying, because I don't read that

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Speaker 1: ship thirty three Strategies of War, and I'm like, funk

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Speaker 1: this not trying to shot outshine your master ship. It's

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Speaker 1: time for me to boss up into my ship, you

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Speaker 1: know what I'm saying. So once I shut that mentality home,

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Speaker 1: mean my my ship just opened up and it's been

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Speaker 1: blessing six Yeah, just opened up because I can't stepped

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Speaker 1: on nobody's toes. Not to cut you off, but a

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Speaker 1: lot of people step on toes and this people in

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Speaker 1: disrespect and feel like they gotta do that, Like we

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Speaker 1: didn't respect of what you didn't slammed the door going

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Speaker 1: up and saw men supposed to do it. You know,

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Speaker 1: it wasn't no beef because at the end of the day,

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Speaker 1: the homie help you start your career. I wouldn't be

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Speaker 1: where I was if I didn't get that opportunity. And

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Speaker 1: I always say that I would never a badmouth on

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Speaker 1: me because first of all, I ain't no bad blood

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Speaker 1: period and the second of all, fucking I wouldn't be

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Speaker 1: a household name in my community if it wasn't for

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Speaker 1: that opportunity. That's really stuff because company he was out

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Speaker 1: there getting you know this, and if you bought him,

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Speaker 1: but he was getting down for a ship, you have

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Speaker 1: to you have to respect him, you know what I mean.

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Speaker 1: You have to respect the hustle on the ground man.

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Speaker 1: So we gotta be both ways to you know what

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Speaker 1: I'm saying. The person got to allow you to spread

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Speaker 1: your wings and not hate, so to speak, so it

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Speaker 1: won't be no slamming up the door on the way

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Speaker 1: out and speaking on that. It was crazy because when

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Speaker 1: I posted him out, I still had to keep it real.

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Speaker 1: I still owe him threat and I just seen my

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Speaker 1: ship going a different questions I like mine I've been

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Speaker 1: putting in so much work for this, for this empire

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Speaker 1: for so long. I'm ready to do my ship, you know.

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Speaker 1: And when I and I hate him, that's why I

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Speaker 1: gotta keep it real. He was real with you, you

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Speaker 1: know what I'm saying. He was like, Man, I ain't

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Speaker 1: trying to hold you back. It's trying to do it.

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Speaker 1: You trying to do your thing, handling the ship. But

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Speaker 1: you know what doing you showed him a lot of

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Speaker 1: loyal because I'm pretty sure I hear the rumplings and stuff,

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Speaker 1: you know, like man, you know, sex sux, trying to

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Speaker 1: get that criminal. It was people because you wonder a

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Speaker 1: few and I don't like to use the terms to

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Speaker 1: kinda wrappers. You wanted the future kind of rappers that

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Speaker 1: people in the black community actually missed with. You know

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Speaker 1: what I'm saying that they like listen to I'm talking about.

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Speaker 1: I don't seen kids righting down street bumping your stuff.

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Speaker 1: So you kind of crossed over, man. And I always

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Speaker 1: knew that she was gonna be bigger than that, you know,

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Speaker 1: me and fingers just to talk about all the time, man,

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Speaker 1: you know, criminal man kind of you know what I'm

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Speaker 1: saying that I was shining the master stuff. Sometimes it's

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Speaker 1: just a natural progress and people just go like this

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Speaker 1: because your rhyme skills and starts just getting like, you know,

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Speaker 1: like his pain just a getting really dangerous because how

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Speaker 1: it was you when you first looked it with him.

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Speaker 1: I was a fresh out of my fourth term as

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Speaker 1: in the JUVENOCX Barding the States and Falls ten, So

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Speaker 1: I was like fresh out eighteen years also eighteen through ship. Yeah,

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Speaker 1: you gave him most of your doing life, you know

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Speaker 1: what I'm saying. So you was loyal. Yeah, I could

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Speaker 1: see that, you know what I'm saying, Nothing but that

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Speaker 1: you know it's say, man, let me go do your thing,

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Speaker 1: because you did it so stepping out on your own. Man,

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Speaker 1: you no longer head like that. That back and everything

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Speaker 1: was on you at that point. Did you have kind

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Speaker 1: of everything pre planned already? Did you already get together

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Speaker 1: with your crew and say this is what we're gonna

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Speaker 1: lay out and this is what we're gonna do. To

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Speaker 1: be honest with to a lot of my people were

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Speaker 1: telling me I should have been doing this ship for years,

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Speaker 1: and I don't. I didn't let the chicken chat to

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Speaker 1: get to me. But my team, my people were like

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Speaker 1: not I don't know hay shit about that. The team,

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Speaker 1: they're just like, man, you I grow the situation. We

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Speaker 1: could go get this money. We don't need nobody else,

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Speaker 1: you know what I'm saying. So when when we actually

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Speaker 1: put the trigger and executed it, my team was ready

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Speaker 1: to go. We didn't even talk about it was like, hey,

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Speaker 1: we got the show pulling up and whatever state when

218
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Speaker 1: we when we have four or five Carlos or home

219
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Speaker 1: is already ready, people flying in with merch, already whatever.

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Speaker 1: And even when we're going to like Beijing, Singapore, Chi

221
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Speaker 1: led Brazil, it's like motherfucker's just started putting a home

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Speaker 1: and got my ticket. We're about to be there. It's

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Speaker 1: like motherfucker's just support. You know what I'm saying. That's

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Speaker 1: dope right there. So what you say, man, because I

225
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Speaker 1: don't know what the movies and everything, but I'm gonna

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Speaker 1: be honest with you. I didn't wike it because I

227
00:10:01,280 --> 00:10:03,400
Speaker 1: would be in a McDonald somewhere. You get that one

228
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Speaker 1: dumbmass person to come to the side even stare at

229
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Speaker 1: you like this and say I know you from somewhere

230
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Speaker 1: right and you're trying to order your ship, and they're

231
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Speaker 1: just sitting there looking at you, and you don't know

232
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Speaker 1: if this motherfucker go reaching this pinions and pull out

233
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Speaker 1: the ham or what. You know. It's a trip. And

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Speaker 1: I tell people from being on both sides, ain't the

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Speaker 1: ship like the movie Ship. I'm in movies and ship.

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Speaker 1: It's a whole different pump to it, you know what

237
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Speaker 1: I mean, It's a whole different people because you get that,

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Speaker 1: especially when the movie first come out it's a major release,

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Speaker 1: and they stand on the side of you, did you

240
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Speaker 1: ever get into here? Man? Man, I've been nonstopped. It

241
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Speaker 1: hasn't stopped. It's like I used to get recognized a

242
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Speaker 1: lot from being like just just going anywhere people whole

243
00:10:37,480 --> 00:10:39,599
Speaker 1: ship was cracking crimes, you know. But now it's like,

244
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Speaker 1: like I said, I got a career about the at

245
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Speaker 1: the beach of the Marina del Rein. Sometimes I think

246
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Speaker 1: I'll be tucked away I can ordering pizza and ship

247
00:10:44,760 --> 00:10:46,640
Speaker 1: and walking to the front like, oh I got a

248
00:10:46,640 --> 00:10:48,600
Speaker 1: picture with you. I'm like, God, damn, Like I can't

249
00:10:48,600 --> 00:10:50,839
Speaker 1: even order down Uber pulpt makes nothing. I can't go

250
00:10:50,880 --> 00:10:52,559
Speaker 1: to the damn stores like no matter where I go

251
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Speaker 1: in the state. But that's a that's a blessing of

252
00:10:54,559 --> 00:10:56,839
Speaker 1: the at the that end of the day. That's what

253
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Speaker 1: we doing ship for it to be successful. Yeah, for sure.

254
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Speaker 1: And and it's cool. Man. I think if all of

255
00:11:02,040 --> 00:11:05,079
Speaker 1: us in this room have experienced the whole fee on

256
00:11:05,160 --> 00:11:08,160
Speaker 1: the street thing, what's the craziest experience you have? We

257
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Speaker 1: go around the room, we man, Honestly, I don't know

258
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Speaker 1: about crazy um shot. I'll tell you one off the

259
00:11:15,280 --> 00:11:16,760
Speaker 1: top of my head that right now, I could tell

260
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Speaker 1: you it was just some trippy ship. So the first

261
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Speaker 1: time I went to Japan, it was two thousand and four.

262
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Speaker 1: I was still fresh. I was still youngster, the knuckle headed,

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Speaker 1: fresh out of I wasn't out of the game bang

264
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Speaker 1: mentality I was. I was a kid that wrapped and

265
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Speaker 1: I was still My main goal was represent my neighborhood

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Speaker 1: and put it out there. You know, I didn't have

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Speaker 1: the business mentality yet. So I was over there like

268
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Speaker 1: naive to motherfucker's even knowing my ship. So when we

269
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Speaker 1: went out there, I was like, yeah, I'm just supporting

270
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Speaker 1: the label, you know what I'm saying, Like, I'm just

271
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Speaker 1: doing my things. So we got there and all these

272
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Speaker 1: people like pulling out my shirts, pulling out my ship,

273
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Speaker 1: and I'm like literally like cracking foods and the homes

274
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Speaker 1: are laughing, like, hey, don't chill out using your fans

275
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Speaker 1: so many don't treat them like that, you know. And

276
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Speaker 1: I'm not just this ship, you know, I'm like, fucking

277
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Speaker 1: put your hands on me, you know what the fund

278
00:11:51,120 --> 00:11:53,040
Speaker 1: is this ship? People pulling my shirts and you said ship,

279
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Speaker 1: you know. So next you know, uh, I gotta get

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Speaker 1: to the restroom and the fucking club has packed the

281
00:11:58,559 --> 00:12:01,160
Speaker 1: funk out. I mean, you can't even breathing that motherfucker

282
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Speaker 1: like you can't even walk, you know what I'm saying.

283
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Speaker 1: So I got to use the rest of the promoter

284
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Speaker 1: gets into the restroom and he's crazy ass motherfucking fans

285
00:12:08,040 --> 00:12:10,160
Speaker 1: follow me in the restaurant and they're like doing this

286
00:12:10,320 --> 00:12:12,520
Speaker 1: weird ass sounding and were there like three or forecast

287
00:12:12,600 --> 00:12:13,959
Speaker 1: doing it at the same time, like they were doing

288
00:12:14,000 --> 00:12:15,679
Speaker 1: in Doncing, And I was like, what then of these

289
00:12:15,720 --> 00:12:17,360
Speaker 1: dudes doing like I was getting to point I wanted

290
00:12:17,360 --> 00:12:18,920
Speaker 1: to like fire on these fools. I'm like, I'm trying

291
00:12:18,920 --> 00:12:20,559
Speaker 1: to take a piss. You guys are behind me making

292
00:12:20,640 --> 00:12:23,839
Speaker 1: some weird ass noise, you know. And after like four

293
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Speaker 1: or five minutes of the ships. I was trying to

294
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Speaker 1: get back out my homies sident was laugh He's like, dah,

295
00:12:27,679 --> 00:12:30,720
Speaker 1: that was crazy, Hony the lead to your fucking main

296
00:12:30,800 --> 00:12:32,439
Speaker 1: songn I'm like, what the funk you mean? He's like,

297
00:12:32,520 --> 00:12:34,240
Speaker 1: yeah that they were hummering and ship. And when I

298
00:12:34,320 --> 00:12:37,199
Speaker 1: put it back in myself, these motherfucker's were sucking humming

299
00:12:37,240 --> 00:12:39,480
Speaker 1: the lead with my ship A lout for a woman innocent,

300
00:12:39,559 --> 00:12:41,920
Speaker 1: like they're fucking bumps around the fucking fire pit. You

301
00:12:41,960 --> 00:12:43,480
Speaker 1: know what I'm saying. It was a trip. He was fun.

302
00:12:44,000 --> 00:12:45,880
Speaker 1: That ship blew my mind. I was on the airplane, like,

303
00:12:45,960 --> 00:12:47,600
Speaker 1: what the funk was that? You know what I'm saying?

304
00:12:47,960 --> 00:12:53,160
Speaker 1: That ship was crazy? What was your moment? Man? Man? Ship?

305
00:12:53,200 --> 00:12:57,240
Speaker 1: I got too many fuckers, Tomber, give me some. Give

306
00:12:57,280 --> 00:13:00,719
Speaker 1: me with one crazy one motherfucker they I had to

307
00:13:00,800 --> 00:13:02,920
Speaker 1: get into it with it. The godda have seven on

308
00:13:03,120 --> 00:13:10,240
Speaker 1: seven games? What the two weeks? And because everybody, man,

309
00:13:10,320 --> 00:13:13,679
Speaker 1: I'm telling you, crazy, motherfucking fan. I'm at my son

310
00:13:13,840 --> 00:13:18,000
Speaker 1: football game. I'm supporting the kid. You know, they're doing good.

311
00:13:18,559 --> 00:13:21,080
Speaker 1: And I guess Homebroad had them too many of drinks

312
00:13:21,120 --> 00:13:24,360
Speaker 1: in the car or something, and he wantn't get to

313
00:13:24,440 --> 00:13:27,040
Speaker 1: just telling me to take my ass home and get

314
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Speaker 1: the funk up out of here and shipped off because

315
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Speaker 1: I'm cheering on my son for the opposite team. So

316
00:13:32,200 --> 00:13:35,720
Speaker 1: it ended up in a crazy situation. But like I said,

317
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Speaker 1: fans and people or you know, it could be like

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Speaker 1: you said, gifting the curse. You know, sometimes they could

319
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Speaker 1: push the limits of their of their of their fan

320
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Speaker 1: whatever you want to call it, because they feel like

321
00:13:50,040 --> 00:13:52,400
Speaker 1: some of them just feel like their privileged to some

322
00:13:52,600 --> 00:13:56,440
Speaker 1: point that you have to you know, acknowledge them or whatever.

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00:13:56,640 --> 00:13:59,599
Speaker 1: But uh, when I'm out and not on the m

324
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Speaker 1: C eight tip, I just try to be normal and ship.

325
00:14:02,600 --> 00:14:04,640
Speaker 1: I feel that takes me a long way. That was

326
00:14:04,760 --> 00:14:07,440
Speaker 1: dealing with fans and ship it's crazy. Yeah, you ain't

327
00:14:07,480 --> 00:14:09,880
Speaker 1: Warring handled that, Wrange. You handled that pretty good because

328
00:14:09,880 --> 00:14:12,240
Speaker 1: you're kind of blend in because I don't see you

329
00:14:12,320 --> 00:14:14,120
Speaker 1: as stuff before and I don't think people even know

330
00:14:14,240 --> 00:14:17,120
Speaker 1: you had your head kind of what your coaches was.

331
00:14:17,200 --> 00:14:19,440
Speaker 1: The longest thing I try to blend in and ship.

332
00:14:19,520 --> 00:14:21,920
Speaker 1: I try to look as normal as possible to fit

333
00:14:22,000 --> 00:14:24,800
Speaker 1: in because I am I just like the average motherfucker.

334
00:14:24,920 --> 00:14:28,360
Speaker 1: So that's what I like to consider myself and even

335
00:14:28,400 --> 00:14:32,520
Speaker 1: though motherfucker's feel that we should be different than what

336
00:14:32,720 --> 00:14:34,800
Speaker 1: we are, I just try to tell them my fun man.

337
00:14:35,040 --> 00:14:38,760
Speaker 1: I'm just like you, dude. I put my shoes on left, right,

338
00:14:39,040 --> 00:14:41,480
Speaker 1: you know, get up, brush my teeth, you know, take

339
00:14:41,520 --> 00:14:45,200
Speaker 1: a ship shower, you know, all that good ship feel me? Yea,

340
00:14:45,520 --> 00:14:47,800
Speaker 1: how you James, you had some crazy moments. So for

341
00:14:48,400 --> 00:14:52,360
Speaker 1: when I really like really felt this right here, the

342
00:14:53,120 --> 00:14:56,440
Speaker 1: popularity of it. I'm in me and my age wife

343
00:14:56,560 --> 00:14:59,840
Speaker 1: is the wet green that ship come up with me.

344
00:15:00,040 --> 00:15:02,200
Speaker 1: He got tattoos all in his head and ship and

345
00:15:02,760 --> 00:15:07,960
Speaker 1: you're that guy ship. Yeah, I'm a name with ship.

346
00:15:08,440 --> 00:15:15,320
Speaker 1: You know. I'm like, oh ship what guy? Me like Shore.

347
00:15:16,080 --> 00:15:19,040
Speaker 1: I'm kind of relaxed now show I know what you're

348
00:15:19,040 --> 00:15:22,040
Speaker 1: talking about gainst the chronicles, chronicles, do you mind if

349
00:15:22,040 --> 00:15:24,440
Speaker 1: I get a picture with your homes? I'm like, I

350
00:15:24,560 --> 00:15:27,400
Speaker 1: can't say no because this was you know, I mean,

351
00:15:28,520 --> 00:15:31,240
Speaker 1: so we take the picture. I mean, my wife get

352
00:15:31,280 --> 00:15:33,600
Speaker 1: our ship now here outside. It's like four of them

353
00:15:33,600 --> 00:15:37,520
Speaker 1: outside now so oh, I'm like that is the motherfucker man.

354
00:15:38,520 --> 00:15:42,920
Speaker 1: I'm like, God damn, she like mabe I said, I

355
00:15:43,400 --> 00:15:46,600
Speaker 1: don't know, you know from gamest Chronicles. But that's when

356
00:15:46,640 --> 00:15:50,160
Speaker 1: it feels good to me because you know, and then

357
00:15:50,280 --> 00:15:55,640
Speaker 1: wouldn't come to exactly with you like that. Wait I

358
00:15:55,720 --> 00:15:59,080
Speaker 1: mean here gagst Yeah, you can tell his whole person,

359
00:15:59,160 --> 00:16:01,520
Speaker 1: of the whole nine and just him getting at me

360
00:16:01,680 --> 00:16:05,080
Speaker 1: like that and just recognize and making I get rs.

361
00:16:05,480 --> 00:16:10,880
Speaker 1: You know what I'm saying. Okay with me now, it's cool.

362
00:16:11,280 --> 00:16:13,680
Speaker 1: It was cool. Yes, what I'm saying. You know what.

363
00:16:13,840 --> 00:16:16,880
Speaker 1: The funniest one was a Gangster Chronicles. I was with

364
00:16:17,120 --> 00:16:19,560
Speaker 1: my daughter again and at seven to eleven, and for

365
00:16:19,680 --> 00:16:22,200
Speaker 1: some reason, I always get the people that just come

366
00:16:22,280 --> 00:16:24,280
Speaker 1: right in my face and you turn around, they're looking

367
00:16:24,360 --> 00:16:27,160
Speaker 1: at you and they just like and they never complaced

368
00:16:27,160 --> 00:16:29,680
Speaker 1: it where they know you're from. I know you from somewhere.

369
00:16:29,800 --> 00:16:32,720
Speaker 1: Say something and I'm like, say something? What you mean

370
00:16:32,960 --> 00:16:37,280
Speaker 1: like say something? So I said? They say, you do

371
00:16:37,520 --> 00:16:39,960
Speaker 1: the Gangster Chronicles. It's that, and then they want to

372
00:16:40,000 --> 00:16:42,280
Speaker 1: talk to you, and then with a trip but trips

373
00:16:42,360 --> 00:16:44,760
Speaker 1: me out. They feel like because they listen to your show,

374
00:16:44,840 --> 00:16:47,880
Speaker 1: well I got this idea for a cold thing, and

375
00:16:47,960 --> 00:16:49,920
Speaker 1: they have fought. They fought. This dude falling way off

376
00:16:49,960 --> 00:16:52,280
Speaker 1: of my car telling me what y'all should talk about

377
00:16:52,320 --> 00:16:54,240
Speaker 1: this one day. And doing this had a whole idea

378
00:16:54,400 --> 00:16:56,200
Speaker 1: take my number down, and I don't want you to

379
00:16:56,240 --> 00:16:58,240
Speaker 1: steal my ship. You gotta bring in and give me credit.

380
00:16:58,280 --> 00:16:59,960
Speaker 1: And I just skirt the funk off on his day.

381
00:17:00,000 --> 00:17:03,560
Speaker 1: It's just funny. But I appreciate it, though, dog, you know,

382
00:17:03,600 --> 00:17:06,040
Speaker 1: because people be like, you know, like and it tricks

383
00:17:06,080 --> 00:17:08,639
Speaker 1: me out all the time, like when we interviewing somebody like,

384
00:17:09,240 --> 00:17:11,560
Speaker 1: because you never know who listening and who's messing with

385
00:17:11,640 --> 00:17:14,560
Speaker 1: your content, and it never fails. Man, I'm going through

386
00:17:14,800 --> 00:17:17,640
Speaker 1: um because I got a bad habit of not checking

387
00:17:17,640 --> 00:17:20,600
Speaker 1: them in boxes because sometimes it just be bullshitting there. Right,

388
00:17:21,200 --> 00:17:23,160
Speaker 1: So I'm going in. I see two messages from Shack

389
00:17:23,240 --> 00:17:26,159
Speaker 1: and I'm like, this ain't the real motherfucker's Shack. And

390
00:17:26,240 --> 00:17:28,160
Speaker 1: then so the first what I said, Man, stopped playing

391
00:17:28,160 --> 00:17:30,240
Speaker 1: on my ship. This ain't Shack. I'm gonna report your head.

392
00:17:31,000 --> 00:17:33,280
Speaker 1: He said, no O, G it was everybody thinks it's

393
00:17:33,359 --> 00:17:35,720
Speaker 1: James on there, O, G Mark James. I really fun

394
00:17:35,840 --> 00:17:38,080
Speaker 1: was she? Then he sent the picture like, and I said,

395
00:17:38,119 --> 00:17:41,680
Speaker 1: the ship that's really motherfucky Shack. So shout out the Shack.

396
00:17:41,880 --> 00:17:43,560
Speaker 1: You know what I mean, and that ship just tricks

397
00:17:43,600 --> 00:17:45,920
Speaker 1: me out. I'm like, man, But like he said, going

398
00:17:45,960 --> 00:17:49,800
Speaker 1: back to its authenticity. Man, people know when stuff is real.

399
00:17:49,920 --> 00:17:51,840
Speaker 1: I guess you know what I mean. It's kind of different,

400
00:17:52,240 --> 00:17:57,800
Speaker 1: like especially with because they out there I'm talking about

401
00:17:57,840 --> 00:17:59,760
Speaker 1: out there rapping in front of the gang of people,

402
00:18:00,400 --> 00:18:04,080
Speaker 1: not only the guys, just the women. And I know

403
00:18:04,359 --> 00:18:08,360
Speaker 1: a lot of pushy came anyway, and just like being

404
00:18:08,440 --> 00:18:12,560
Speaker 1: on on up there with with shooting them, pushy was coming.

405
00:18:12,600 --> 00:18:14,080
Speaker 1: And when the just wants to get on the bus

406
00:18:14,200 --> 00:18:17,680
Speaker 1: just because you're associated with it, and by him being

407
00:18:17,840 --> 00:18:21,560
Speaker 1: him and and all of those guys, they had five

408
00:18:21,640 --> 00:18:24,920
Speaker 1: or six women at their motherfucked the move before motherfucker

409
00:18:24,960 --> 00:18:27,680
Speaker 1: even got up to elevator. So I mean, it has

410
00:18:27,760 --> 00:18:32,120
Speaker 1: this perse. But you know, goddamn, you know, they don't

411
00:18:32,119 --> 00:18:34,720
Speaker 1: get the time to just relax some wine. Like you said,

412
00:18:34,760 --> 00:18:37,280
Speaker 1: you're ready to you know, I'm touching me, you know

413
00:18:37,320 --> 00:18:40,760
Speaker 1: what I'm saying. And sometimes people don't understand that part.

414
00:18:41,240 --> 00:18:43,720
Speaker 1: But other than that, man, I don't like to do

415
00:18:43,880 --> 00:18:46,760
Speaker 1: too much mingle them in the club scene with the

416
00:18:47,119 --> 00:18:52,240
Speaker 1: you know, not to be uh uh not to be

417
00:18:52,320 --> 00:18:55,280
Speaker 1: a title uh try to you don't avoid the fans.

418
00:18:55,400 --> 00:18:57,960
Speaker 1: But I never like the hanging out at the clubs

419
00:18:58,040 --> 00:19:01,560
Speaker 1: after the ship was done. No, I'm talking to Motherfucker's

420
00:19:01,560 --> 00:19:04,399
Speaker 1: soul this. I'm done with the last song song on stage,

421
00:19:04,680 --> 00:19:06,760
Speaker 1: I'm off the stage and I'm straight to the car

422
00:19:07,000 --> 00:19:08,600
Speaker 1: where you know what I learned, man, because I used

423
00:19:08,640 --> 00:19:10,119
Speaker 1: to go over to London a lot, and when I

424
00:19:10,320 --> 00:19:12,280
Speaker 1: was performing this stuff, I would go over to London

425
00:19:12,400 --> 00:19:15,119
Speaker 1: and all these other look you know, remote places and

426
00:19:15,160 --> 00:19:17,679
Speaker 1: you've been in London before, right, Uh, you know they

427
00:19:17,760 --> 00:19:20,680
Speaker 1: clubs is down the basements and they're real small. So

428
00:19:20,760 --> 00:19:22,280
Speaker 1: he used to trick me out off on this one

429
00:19:22,280 --> 00:19:24,320
Speaker 1: spot out there. It's like you walked down some stairs

430
00:19:24,359 --> 00:19:26,560
Speaker 1: and you really like an a basement and it's like

431
00:19:26,720 --> 00:19:30,119
Speaker 1: the room was about two of these rooms maybe. So

432
00:19:30,200 --> 00:19:31,960
Speaker 1: when you go up on stage and stage only this

433
00:19:32,080 --> 00:19:34,320
Speaker 1: big and everybody right there in your face, and you

434
00:19:34,440 --> 00:19:37,520
Speaker 1: know in England they used them pokers. I was seeing that.

435
00:19:37,640 --> 00:19:40,000
Speaker 1: I don't know. I had this one song man, whenever

436
00:19:40,119 --> 00:19:42,920
Speaker 1: it would come home, and we did the MTV based

437
00:19:42,920 --> 00:19:45,600
Speaker 1: tour over there for MTV when the little stations over

438
00:19:45,640 --> 00:19:49,680
Speaker 1: there every So I did that song at Man Motherfucker's

439
00:19:49,800 --> 00:19:52,120
Speaker 1: and that motherfucker getting jugged. So I'm up there doing

440
00:19:52,200 --> 00:19:54,879
Speaker 1: my ship and motherfucker's just started shaning each other. To

441
00:19:54,960 --> 00:19:56,760
Speaker 1: this day, I don't know what the funk that was about.

442
00:19:56,840 --> 00:19:59,000
Speaker 1: I'm like, what the hell out some little ship for

443
00:19:59,160 --> 00:20:01,760
Speaker 1: me having a something? But they're crazy over They're just

444
00:20:01,880 --> 00:20:05,680
Speaker 1: different places. So when you traveling overseas and stuff, man,

445
00:20:06,800 --> 00:20:08,520
Speaker 1: I don't know if you can talk about this. Man.

446
00:20:08,600 --> 00:20:10,680
Speaker 1: I know you you're married, all right, you have to

447
00:20:10,840 --> 00:20:13,880
Speaker 1: married by time, but she wasn't at that time. I've

448
00:20:13,880 --> 00:20:16,120
Speaker 1: been I've been with my lady fags. Okay, so we're

449
00:20:16,119 --> 00:20:21,200
Speaker 1: gonna skip that. I don't even gonna talk off we

450
00:20:21,240 --> 00:20:34,040
Speaker 1: get that, man, so still trying to get Yeah, we

451
00:20:34,080 --> 00:20:36,000
Speaker 1: can talk about that at the word. I mean, but

452
00:20:38,119 --> 00:20:40,000
Speaker 1: you're seeing like in Japane. I know you had a

453
00:20:40,040 --> 00:20:43,560
Speaker 1: phone in Japane's being um last time I was out

454
00:20:43,600 --> 00:20:46,600
Speaker 1: there with glasses, y'all must have been following behind us,

455
00:20:46,600 --> 00:20:49,520
Speaker 1: because I saw all kinds of Mr Criminal posters be

456
00:20:49,560 --> 00:20:51,359
Speaker 1: a glass like look at the home. He got a problem.

457
00:20:51,640 --> 00:20:54,159
Speaker 1: You're doing bigger thing used than your glasses. And so

458
00:20:54,280 --> 00:20:57,160
Speaker 1: we was just you know, out there chilling, dug when

459
00:20:57,200 --> 00:20:59,359
Speaker 1: you saw that reception overseas, Man, how did that make

460
00:20:59,400 --> 00:21:01,480
Speaker 1: you feel when you like they kind of trip you

461
00:21:01,520 --> 00:21:03,680
Speaker 1: out a little bit? Man? It does every single time,

462
00:21:03,720 --> 00:21:05,600
Speaker 1: and it has since the first time I told overseas

463
00:21:05,680 --> 00:21:08,800
Speaker 1: to like right before the coronavirus starts, do you feel

464
00:21:10,480 --> 00:21:16,080
Speaker 1: the fan base or the connection to fans overseas? Sometimes

465
00:21:16,160 --> 00:21:19,200
Speaker 1: it's better than at home, absolutely because in l A

466
00:21:19,480 --> 00:21:22,480
Speaker 1: and casts out here there too, too too uptight. Motherfucker's

467
00:21:22,480 --> 00:21:24,399
Speaker 1: is too hard to give them prices. Motherfucker's is like, oh,

468
00:21:24,440 --> 00:21:26,000
Speaker 1: he ain't from my body and here from my hood.

469
00:21:26,080 --> 00:21:28,120
Speaker 1: I'm gonna show love for from a distance. I can't

470
00:21:28,119 --> 00:21:31,160
Speaker 1: be too too on them like that cast over seas

471
00:21:31,200 --> 00:21:32,800
Speaker 1: they don't give a funk. They don't got that product,

472
00:21:32,840 --> 00:21:34,800
Speaker 1: ain't from a different neighborhood, they ain't from They don't

473
00:21:34,800 --> 00:21:36,680
Speaker 1: got that pride nothing. It's just about the music, you

474
00:21:36,680 --> 00:21:38,280
Speaker 1: know what I'm saying. So it's like they don't give

475
00:21:38,280 --> 00:21:40,080
Speaker 1: a fuck. You see motherfucker's looking like they're ready to

476
00:21:40,080 --> 00:21:41,879
Speaker 1: come out there fucking panties and ship and they're man

477
00:21:41,960 --> 00:21:43,879
Speaker 1: and ships, Like, what the hell happened to you? Honey?

478
00:21:44,280 --> 00:21:45,760
Speaker 1: You have a little bit of pride, don't We got

479
00:21:45,800 --> 00:21:48,000
Speaker 1: some nuts between them? Lags, you know, but it's crazy.

480
00:21:48,119 --> 00:21:51,040
Speaker 1: It's crazy, y'a. I've learned the fan basis is a

481
00:21:51,119 --> 00:21:55,800
Speaker 1: little more extreme. Not to say that you don't get

482
00:21:55,920 --> 00:21:59,480
Speaker 1: love from home, yeah, you know, because let's face it,

483
00:21:59,680 --> 00:22:02,440
Speaker 1: you know a lot of them. What has happened here

484
00:22:02,880 --> 00:22:05,480
Speaker 1: is what got us to that that you know, that

485
00:22:05,720 --> 00:22:09,520
Speaker 1: latter decline, Uh, the fans that we have here at home.

486
00:22:09,840 --> 00:22:14,600
Speaker 1: But it's just something about being overseas. Uh. I don't

487
00:22:14,640 --> 00:22:17,800
Speaker 1: know if it's uh the acceptance of hip hop or

488
00:22:17,880 --> 00:22:21,720
Speaker 1: whatever it is that they feel, the rebellion or whatever. Uh,

489
00:22:22,080 --> 00:22:25,240
Speaker 1: but it seems like it's a little more appreciated, you

490
00:22:25,320 --> 00:22:27,440
Speaker 1: know what I'm saying when you go over there. And

491
00:22:27,680 --> 00:22:29,800
Speaker 1: not to say you can't go to clubs and concerts

492
00:22:29,880 --> 00:22:32,000
Speaker 1: here and people don't sing the words to your songs

493
00:22:32,040 --> 00:22:34,480
Speaker 1: and then but you just get that extra sitement. That's

494
00:22:34,520 --> 00:22:36,680
Speaker 1: just when you head over ship. It's just a little

495
00:22:36,720 --> 00:22:39,640
Speaker 1: bit more extra because I'm gonna tell you, and Japan,

496
00:22:40,400 --> 00:22:44,280
Speaker 1: England and Ireland, those places, I think, like you said,

497
00:22:44,320 --> 00:22:46,440
Speaker 1: they got a different appreciation because they ain't trying to

498
00:22:46,480 --> 00:22:48,760
Speaker 1: be hard. You gotta remember every motherfucker over here trying

499
00:22:48,800 --> 00:22:51,000
Speaker 1: to wrap everybody over here trying to do what you do.

500
00:22:51,119 --> 00:22:53,119
Speaker 1: So you got fifty niggas in the audience. Two of

501
00:22:53,160 --> 00:22:55,360
Speaker 1: them might be really fans that can't enjoy the show,

502
00:22:55,720 --> 00:22:58,000
Speaker 1: but you've got forty eight other motherfucker's looking like men,

503
00:22:58,320 --> 00:23:01,560
Speaker 1: I'm really to hells. You know, they're just standing back there,

504
00:23:01,640 --> 00:23:03,320
Speaker 1: just trying to be artist. Like lou Up. You pay

505
00:23:03,440 --> 00:23:07,240
Speaker 1: your money to getting this motherfucker different though, though. That's here.

506
00:23:08,000 --> 00:23:11,520
Speaker 1: You have motherfucker's don't like your hood you here, you

507
00:23:11,640 --> 00:23:14,520
Speaker 1: have motherfucker's that looking at you and just like, oh

508
00:23:14,680 --> 00:23:16,960
Speaker 1: fucking me, thank you, this and that. When you go

509
00:23:17,080 --> 00:23:21,040
Speaker 1: out of stating overseas, they don't know who you are.

510
00:23:21,600 --> 00:23:24,600
Speaker 1: They just love your music. It's totally different. While we

511
00:23:24,720 --> 00:23:29,159
Speaker 1: get that, James, that ship California has a tendency to

512
00:23:29,280 --> 00:23:32,879
Speaker 1: motherfucking pick and choose what they want to funk with

513
00:23:32,960 --> 00:23:35,280
Speaker 1: and how they funk with it, you know what I'm saying,

514
00:23:35,359 --> 00:23:38,240
Speaker 1: especially if they fucking if it's a gangs out there

515
00:23:38,359 --> 00:23:42,399
Speaker 1: rapping and he from the other side, the other side

516
00:23:42,560 --> 00:23:46,000
Speaker 1: is already uptight, you know what I'm saying. Instead of

517
00:23:46,080 --> 00:23:50,000
Speaker 1: motherfucker's getting alone and getting together and embracing ship, we

518
00:23:50,160 --> 00:23:53,719
Speaker 1: gotta fight. I mean we gotta have to deal with it. Right,

519
00:23:54,119 --> 00:23:57,439
Speaker 1: you wake up one morning, you check your little social media,

520
00:23:57,880 --> 00:24:00,440
Speaker 1: it's just a motherfucker from nowhere. I don't know, I

521
00:24:00,520 --> 00:24:04,479
Speaker 1: don't know, don't know you from like and and sometimes

522
00:24:04,520 --> 00:24:06,320
Speaker 1: I have to question myself and I have to go

523
00:24:06,440 --> 00:24:08,520
Speaker 1: into a nigga's DM and be like, do you know

524
00:24:09,560 --> 00:24:12,160
Speaker 1: I'm like, you just woke up just hating on the nigga,

525
00:24:12,280 --> 00:24:14,760
Speaker 1: just from nigga, fuck your music, just funk with you

526
00:24:14,920 --> 00:24:18,040
Speaker 1: about and nigga all nigga, you ain't the G. You

527
00:24:18,160 --> 00:24:20,080
Speaker 1: left out the G because the G ain't and you

528
00:24:20,480 --> 00:24:22,960
Speaker 1: and all this niggas doing their little and I'll be like,

529
00:24:23,080 --> 00:24:26,280
Speaker 1: do you know me, like, because you just woke up today,

530
00:24:26,440 --> 00:24:29,560
Speaker 1: just like you just said fun today and just woke up.

531
00:24:29,600 --> 00:24:31,920
Speaker 1: They get all on your Instagram lives and you see

532
00:24:31,920 --> 00:24:35,399
Speaker 1: a motherfucker poppy and be like, hey man, fuck you.

533
00:24:35,960 --> 00:24:38,520
Speaker 1: And I'll be like, man, what what what I would

534
00:24:38,560 --> 00:24:41,600
Speaker 1: happened today? But so I'm just trying to figure out

535
00:24:41,640 --> 00:24:44,520
Speaker 1: why we get that, Why we just get random niggas

536
00:24:44,560 --> 00:24:47,679
Speaker 1: who just wake up just like just like the perfect

537
00:24:48,960 --> 00:24:52,800
Speaker 1: perfect example, the motherfucker at the football game. You don't

538
00:24:52,840 --> 00:24:55,960
Speaker 1: know me for ship you just see me walking up

539
00:24:56,000 --> 00:24:59,520
Speaker 1: and down the sideline being the father, supporting, and all

540
00:24:59,520 --> 00:25:01,200
Speaker 1: of a sudden and you just turned around and go,

541
00:25:01,560 --> 00:25:06,720
Speaker 1: fuck you, homeboy, get a body here. I'm like, So,

542
00:25:07,600 --> 00:25:11,160
Speaker 1: it questions me sometime when a natural hate for motherfucker's

543
00:25:11,240 --> 00:25:13,120
Speaker 1: come from. You know what I'm saying. I know you've

544
00:25:13,160 --> 00:25:16,080
Speaker 1: been through it. We've all been through the scenario of

545
00:25:16,440 --> 00:25:19,520
Speaker 1: of you don't do nothing for the hood, You don't

546
00:25:19,560 --> 00:25:21,680
Speaker 1: do nothing for the hood, you don't do nothing like

547
00:25:21,960 --> 00:25:25,639
Speaker 1: It just puzzles me how motherfucker's just wake up with

548
00:25:25,840 --> 00:25:28,960
Speaker 1: natural fucking hate And and most of the time you

549
00:25:29,000 --> 00:25:31,720
Speaker 1: don't even know me, motherfucker from what you see on

550
00:25:31,800 --> 00:25:34,080
Speaker 1: a record or a video, that's all you know. But

551
00:25:34,240 --> 00:25:36,960
Speaker 1: hate moving, hate comes from that when you moved on

552
00:25:37,240 --> 00:25:40,520
Speaker 1: and you don't recognize come over there on the corner

553
00:25:40,520 --> 00:25:43,199
Speaker 1: of the movie because you're doing your thing having these

554
00:25:43,280 --> 00:25:46,399
Speaker 1: cats don't understand what grown up me. Well I grew up.

555
00:25:47,119 --> 00:25:49,200
Speaker 1: You know what I'm saying. You can be that you're

556
00:25:49,200 --> 00:25:52,119
Speaker 1: still against nobody. This ship is still in you. But

557
00:25:52,240 --> 00:25:55,000
Speaker 1: I just don't get down like that no more. Half

558
00:25:55,040 --> 00:25:58,240
Speaker 1: of halving the homies. Ain't got no motherfucking wives, ain't

559
00:25:58,240 --> 00:26:02,719
Speaker 1: got no kids because penigentries all that life. When they

560
00:26:02,920 --> 00:26:06,520
Speaker 1: when they see anything about you or anything that's when

561
00:26:06,560 --> 00:26:10,840
Speaker 1: you dress code, they're gonna take off on it. Motherfucker's

562
00:26:10,840 --> 00:26:13,800
Speaker 1: act like bitches too right, you know what I'm saying.

563
00:26:14,160 --> 00:26:16,840
Speaker 1: And they only hate because they see they ship in

564
00:26:16,880 --> 00:26:20,000
Speaker 1: a position but can't get to that position. And where

565
00:26:20,040 --> 00:26:22,800
Speaker 1: you act it out shine your whole bunch of motherfuckers,

566
00:26:23,600 --> 00:26:28,359
Speaker 1: and you have hated motherfuckers out there. I don't give black, brown, white,

567
00:26:29,040 --> 00:26:33,400
Speaker 1: I don't care they don't color. I think to chime

568
00:26:33,480 --> 00:26:35,400
Speaker 1: in on that, it also goes back to the top.

569
00:26:35,480 --> 00:26:37,560
Speaker 1: I could speak on real motherfucker's like us that really

570
00:26:37,840 --> 00:26:39,920
Speaker 1: from the soil, like I'm really from my body. We

571
00:26:40,040 --> 00:26:43,159
Speaker 1: are really from where we're from. We we obviously got enemies.

572
00:26:43,200 --> 00:26:45,639
Speaker 1: We obviously got people that we've done, they have funk with,

573
00:26:46,000 --> 00:26:48,800
Speaker 1: so they got it's a small world. Everyone knows that

574
00:26:48,880 --> 00:26:52,200
Speaker 1: you got cousin, uncle, something that's related. So I also

575
00:26:52,280 --> 00:26:54,720
Speaker 1: feel that percentage comes for that from some ship that

576
00:26:54,760 --> 00:26:57,240
Speaker 1: we might might have possibly did some of our homes. Gad,

577
00:26:57,400 --> 00:26:59,200
Speaker 1: we're always gonna get that natural hate where they see

578
00:26:59,240 --> 00:27:01,480
Speaker 1: us pop up and it's like this motherfucker's life ship

579
00:27:01,560 --> 00:27:03,960
Speaker 1: this motherfucking shot my home. I'm gonna come here and

580
00:27:04,320 --> 00:27:06,480
Speaker 1: hate and stop blessing a way that I just makes

581
00:27:06,520 --> 00:27:09,000
Speaker 1: this fucking ship look look stupid online because they ain't

582
00:27:09,000 --> 00:27:10,680
Speaker 1: got another way to get at you. They didn't handle

583
00:27:10,720 --> 00:27:12,320
Speaker 1: it back into the streets, so they're trying to do

584
00:27:12,400 --> 00:27:14,440
Speaker 1: it online. I know that for a fact that that's

585
00:27:14,480 --> 00:27:16,040
Speaker 1: some of the ship I've been gonna come at. That's

586
00:27:16,080 --> 00:27:18,520
Speaker 1: exactly what it is. Just like a female get mad

587
00:27:18,640 --> 00:27:21,320
Speaker 1: at she got a kid right she could do it

588
00:27:21,400 --> 00:27:30,440
Speaker 1: is called child boy up. I mean, everything has just

589
00:27:31,400 --> 00:27:33,760
Speaker 1: is ups and downs to it. But just just like

590
00:27:33,880 --> 00:27:37,280
Speaker 1: criminals said, that's pretty much it. We've all done the

591
00:27:37,440 --> 00:27:41,280
Speaker 1: checked or done something or happen to us where at

592
00:27:41,280 --> 00:27:42,840
Speaker 1: the end of the day, in the background minds, we

593
00:27:42,880 --> 00:27:45,520
Speaker 1: don't forget the ship, you know what I'm saying. So

594
00:27:45,680 --> 00:27:47,720
Speaker 1: when especially when they see you out there shine it,

595
00:27:48,800 --> 00:27:52,080
Speaker 1: they automatically hate you know what I'm saying. But they

596
00:27:52,160 --> 00:27:54,000
Speaker 1: take a real mother fucker to keep pushing and do

597
00:27:54,119 --> 00:27:57,000
Speaker 1: what you do because if you bote you into his bullshit,

598
00:27:57,440 --> 00:28:00,600
Speaker 1: you must believe this ship or it's gonna fuck you up.

599
00:28:01,720 --> 00:28:04,119
Speaker 1: Fun writing into that ship if you ain't physically in

600
00:28:04,200 --> 00:28:07,159
Speaker 1: front of me with the bullshit. It don't matter, It

601
00:28:07,280 --> 00:28:10,480
Speaker 1: don't matter. You can hit me on Instagram, do whatever

602
00:28:10,520 --> 00:28:12,359
Speaker 1: the funk you want, because you're gonna get a lot

603
00:28:12,480 --> 00:28:14,399
Speaker 1: of that, a lot of that ship. That's why I

604
00:28:14,440 --> 00:28:18,200
Speaker 1: don't look at none of that ship because I get mad. Yeah,

605
00:28:18,320 --> 00:28:20,400
Speaker 1: you keep and you're getting mad of the motherfucker that's

606
00:28:20,440 --> 00:28:22,720
Speaker 1: somewhere in his basement something. You like, you don't know

607
00:28:22,800 --> 00:28:25,920
Speaker 1: where these motherfucker's at, so you just like you even

608
00:28:26,000 --> 00:28:27,800
Speaker 1: waste the energy for that. Ain't like you can find

609
00:28:27,880 --> 00:28:29,600
Speaker 1: his motherfucker. You ain't gonna never find it. They don't

610
00:28:29,600 --> 00:28:31,760
Speaker 1: come outside, right, That's what I always say. It's like,

611
00:28:31,920 --> 00:28:34,000
Speaker 1: whenever I see ship like that, I'm like, motherfucking show

612
00:28:34,119 --> 00:28:36,520
Speaker 1: to myself. I'm everywhere I'm I ain't hard to find.

613
00:28:36,640 --> 00:28:38,600
Speaker 1: You ain't gonna show it to myself. And now times

614
00:28:38,640 --> 00:28:40,479
Speaker 1: I said, tell if they do, they're gonna be inligning

615
00:28:40,520 --> 00:28:42,760
Speaker 1: the VP. They paid extra money to come down exactly.

616
00:28:42,880 --> 00:28:45,120
Speaker 1: And that's what I'm saying. It'd be motherfucker's. Man, Like

617
00:28:45,240 --> 00:28:48,520
Speaker 1: this ship, there's a motherfucker Like if you used able

618
00:28:48,520 --> 00:28:50,800
Speaker 1: to really go find who these motherfucker's, if you were

619
00:28:50,880 --> 00:28:54,120
Speaker 1: laughing like I'm not doing it, and it's like you

620
00:28:54,240 --> 00:28:57,680
Speaker 1: get it from people. Man. What's crazy is people that

621
00:28:57,800 --> 00:29:00,480
Speaker 1: you might have came up with dog for some reason,

622
00:29:00,520 --> 00:29:03,040
Speaker 1: they feel like your success is their success. And then

623
00:29:03,120 --> 00:29:06,200
Speaker 1: he goes to extreme. I ain't talking about the homely

624
00:29:06,240 --> 00:29:07,680
Speaker 1: they're going to come in and say, let me make

625
00:29:07,720 --> 00:29:10,600
Speaker 1: the T shirts. That's gonna attribute something. It's always the

626
00:29:10,720 --> 00:29:13,040
Speaker 1: motherfucker don't have nothing to offer. You're not gonna bring

627
00:29:13,080 --> 00:29:14,920
Speaker 1: him to the table. But he feels like you're supposed

628
00:29:14,920 --> 00:29:17,440
Speaker 1: to just bring him along. It's like what you just

629
00:29:17,560 --> 00:29:19,720
Speaker 1: can't come like it cost money to bring the motherfucker

630
00:29:19,760 --> 00:29:21,760
Speaker 1: with you. I've learned that ship the first time I

631
00:29:21,880 --> 00:29:23,400
Speaker 1: got to England. But you get a lot of that

632
00:29:23,520 --> 00:29:26,920
Speaker 1: when it comes from like uh like my like, like

633
00:29:27,080 --> 00:29:30,280
Speaker 1: my man was saying, you get a lot of that

634
00:29:30,440 --> 00:29:34,400
Speaker 1: when you come from where we come from. You got

635
00:29:34,440 --> 00:29:38,240
Speaker 1: a lot of you know, whatever you've done or what

636
00:29:38,400 --> 00:29:41,320
Speaker 1: can you do or what are you gonna do? And

637
00:29:43,080 --> 00:29:46,880
Speaker 1: like for me, I had to transition out of that

638
00:29:47,480 --> 00:29:49,840
Speaker 1: wanting to bang for the hood, even though I was

639
00:29:49,960 --> 00:29:53,080
Speaker 1: making records in the beginning, like you said, everything was

640
00:29:53,080 --> 00:29:56,000
Speaker 1: about the hood still, so you have to learn how

641
00:29:56,040 --> 00:29:59,880
Speaker 1: to transition yourself from that to being that business, grow

642
00:30:00,000 --> 00:30:03,680
Speaker 1: on up man or whatever. But I know, like I said,

643
00:30:03,760 --> 00:30:06,160
Speaker 1: we've all had to come from that. You know what

644
00:30:06,280 --> 00:30:09,320
Speaker 1: if you done or motherfucker put me on and ain't

645
00:30:09,320 --> 00:30:12,440
Speaker 1: got shipped to contribute, I got I ain't got ship

646
00:30:12,560 --> 00:30:16,080
Speaker 1: to contribute. But we from the We from the sand

647
00:30:16,160 --> 00:30:19,360
Speaker 1: box fun So we from the sand box. So you know,

648
00:30:19,840 --> 00:30:21,719
Speaker 1: like I like I said, I used to get hit

649
00:30:21,800 --> 00:30:27,920
Speaker 1: up with. We need guns, we need dope, guns, and

650
00:30:28,080 --> 00:30:32,080
Speaker 1: we need dope. That's what we need. Fuck some fucking

651
00:30:32,240 --> 00:30:35,080
Speaker 1: rap shit, fuck some beats and ships and going on

652
00:30:35,320 --> 00:30:39,840
Speaker 1: tour and videos. Nigger, we need guns and we need dope.

653
00:30:40,160 --> 00:30:43,520
Speaker 1: That's what you can contribute. So it's a it's a

654
00:30:43,680 --> 00:30:48,280
Speaker 1: high stress and you're supposed to have if you're a

655
00:30:48,400 --> 00:30:51,760
Speaker 1: street motherfucker. Anyway, you gotta have a heat. I ain't

656
00:30:51,800 --> 00:30:55,040
Speaker 1: looking for them give me a gun, I kept exactly,

657
00:30:55,080 --> 00:30:57,520
Speaker 1: I got one. I ain't actual nobody to give me

658
00:30:57,560 --> 00:31:01,920
Speaker 1: the ship. But being successful and being out there, being

659
00:31:02,000 --> 00:31:04,760
Speaker 1: from the hood, the homies out of respect that one

660
00:31:04,840 --> 00:31:08,360
Speaker 1: hunt Bam, the homies know who I'm sucking with. All

661
00:31:08,440 --> 00:31:12,480
Speaker 1: the my rider dies the most of you. I can't

662
00:31:12,520 --> 00:31:15,080
Speaker 1: take the whole hood the whole hood wouldn't with me.

663
00:31:15,920 --> 00:31:18,160
Speaker 1: My journey was with that, my fucker, that my fuck

664
00:31:18,320 --> 00:31:22,040
Speaker 1: that motherfucker them the ones I'm loyal to. Just because

665
00:31:22,040 --> 00:31:24,240
Speaker 1: your homies don't mean you gotta be Are you loyal

666
00:31:24,360 --> 00:31:28,360
Speaker 1: to everybody? One? Honey, I got your bag, But I'm

667
00:31:28,440 --> 00:31:32,320
Speaker 1: not one hunt. This is what you know what I'm saying.

668
00:31:32,360 --> 00:31:34,320
Speaker 1: And a lot of cats in the hood don't understand that.

669
00:31:34,960 --> 00:31:37,760
Speaker 1: Like dealing with Sugar, you know, we had so many

670
00:31:37,840 --> 00:31:41,680
Speaker 1: motherfucker's I want to be a part of it. Just

671
00:31:41,880 --> 00:31:44,280
Speaker 1: because he brings your border, say come to the office,

672
00:31:44,640 --> 00:31:48,160
Speaker 1: don't mean I owe you what I'm giving him because

673
00:31:48,280 --> 00:31:50,960
Speaker 1: this is my This motherfucker is beating the motherfucker's. This

674
00:31:51,040 --> 00:31:54,480
Speaker 1: motherfucker don't win one hunt for me. I owe him.

675
00:31:54,640 --> 00:31:56,160
Speaker 1: You know what I'm saying. I gotta give him. I

676
00:31:56,240 --> 00:32:00,560
Speaker 1: got him. So motherfucker's don't understand the difference just because

677
00:32:00,600 --> 00:32:03,040
Speaker 1: we're homies, don't Maybe we funk with each other. How

678
00:32:03,080 --> 00:32:04,920
Speaker 1: many how many more fuckers you got in the hood

679
00:32:04,960 --> 00:32:07,600
Speaker 1: that you really don't know? Straight up? You know what

680
00:32:07,680 --> 00:32:10,400
Speaker 1: I'm saying. We only accepted the ones that was born

681
00:32:10,440 --> 00:32:13,240
Speaker 1: and raised in the hood. Now, I think mother fuckers

682
00:32:13,280 --> 00:32:16,480
Speaker 1: that came from watching now the claiming the hood or

683
00:32:16,600 --> 00:32:19,520
Speaker 1: you you're coming on. But when you get rich man,

684
00:32:19,600 --> 00:32:22,400
Speaker 1: everybody expected you to take them. You can't take everybody

685
00:32:22,480 --> 00:32:27,000
Speaker 1: with you. But showing love and respecting the homies is

686
00:32:27,880 --> 00:32:30,880
Speaker 1: I got the ones that was day one with me

687
00:32:31,600 --> 00:32:34,520
Speaker 1: and they're good, you know what I'm saying. That's that's

688
00:32:34,680 --> 00:32:37,480
Speaker 1: that's what the respect is. And if the homies see

689
00:32:37,520 --> 00:32:39,600
Speaker 1: your grind and seeing you come up from here to there,

690
00:32:40,200 --> 00:32:42,040
Speaker 1: them the ones gonna you don't know what the funk

691
00:32:42,040 --> 00:32:44,440
Speaker 1: you're talking about, watch them off. Don't speak on the

692
00:32:44,520 --> 00:32:47,479
Speaker 1: homies like that, you know what I'm saying. So that's

693
00:32:47,520 --> 00:32:51,360
Speaker 1: where the respect comes from. The homies that you funk

694
00:32:51,440 --> 00:32:53,560
Speaker 1: with that got you back, and you hear that type

695
00:32:53,600 --> 00:32:56,200
Speaker 1: of ship and you ain't got to worry about that bullship.

696
00:32:56,320 --> 00:32:59,920
Speaker 1: But you don't have that today because everybody want to come,

697
00:33:00,320 --> 00:33:06,560
Speaker 1: Everybody want free money, definitely, everybody like um. All these

698
00:33:06,640 --> 00:33:09,480
Speaker 1: experiences we're talking about, and I'm pretty sure earlier do

699
00:33:09,600 --> 00:33:11,400
Speaker 1: you have to deal with any of that stuff I've

700
00:33:11,400 --> 00:33:13,400
Speaker 1: been dealing with in my whole career. I've been dealing

701
00:33:13,440 --> 00:33:15,240
Speaker 1: with my whole career. I ain't gonna saying no, names,

702
00:33:15,280 --> 00:33:17,200
Speaker 1: but that was only from my neighborhood that was in

703
00:33:17,320 --> 00:33:19,800
Speaker 1: and out. The pen got a good name the whole night.

704
00:33:19,880 --> 00:33:23,160
Speaker 1: Everybody respected him. He was straight up came out, was

705
00:33:23,280 --> 00:33:26,320
Speaker 1: like calling mandatory meetings in my body or like everybody

706
00:33:26,400 --> 00:33:28,360
Speaker 1: had to pull up, or was motherfucker's just getting checked

707
00:33:28,400 --> 00:33:30,880
Speaker 1: like he was putting like that structure back in and uh,

708
00:33:31,080 --> 00:33:32,760
Speaker 1: he thought that I was some kind of sucker, and

709
00:33:32,760 --> 00:33:34,320
Speaker 1: I had told him at one point he put up

710
00:33:34,320 --> 00:33:35,960
Speaker 1: to my to my studio session, I'm gonna put it

711
00:33:36,040 --> 00:33:37,800
Speaker 1: out there. He put out a technolomy. You know what

712
00:33:37,800 --> 00:33:39,720
Speaker 1: I'm saying, my own homeboy from my hood, and I

713
00:33:39,760 --> 00:33:41,080
Speaker 1: told him, what you're gonna do with that? You ain't

714
00:33:41,080 --> 00:33:42,280
Speaker 1: gonna shoot me, you know what I'm saying. You think

715
00:33:42,280 --> 00:33:44,440
Speaker 1: I'm supposed to be intimidated from your body home? And

716
00:33:44,440 --> 00:33:46,080
Speaker 1: they came to criminal for Silver Leg for a reason.

717
00:33:46,120 --> 00:33:47,840
Speaker 1: I mean, you think I'm a bitch out because you

718
00:33:47,880 --> 00:33:50,000
Speaker 1: gotta strap him now, And he's like, oh, you gotta

719
00:33:50,080 --> 00:33:52,320
Speaker 1: do this, do that that. That motherfucker got checked out

720
00:33:52,320 --> 00:33:54,080
Speaker 1: of my head, and none of my homeboys claimed no more. So,

721
00:33:54,160 --> 00:33:56,000
Speaker 1: when you keep it authentic with your people, it doesn't

722
00:33:56,000 --> 00:33:58,480
Speaker 1: matter how much motherfucker try to go against you. Your

723
00:33:58,480 --> 00:34:00,360
Speaker 1: people are gonna write for you, you know, shame my

724
00:34:00,720 --> 00:34:02,880
Speaker 1: home My homeboy in the room right here, he just

725
00:34:02,960 --> 00:34:05,520
Speaker 1: got out from from beating the lifecense. He had a lifecense.

726
00:34:05,600 --> 00:34:08,640
Speaker 1: He wasn't coming out because it's whole everything that everything

727
00:34:08,719 --> 00:34:10,799
Speaker 1: going on in the world right now, coronavirus. My other

728
00:34:10,840 --> 00:34:13,280
Speaker 1: home Ikey just got off from seventeen years. He smoked

729
00:34:13,320 --> 00:34:15,719
Speaker 1: the motherfucker he got it from seventeen years. They parted,

730
00:34:15,880 --> 00:34:17,400
Speaker 1: you know what I'm saying. So, I mean he's in

731
00:34:17,440 --> 00:34:19,920
Speaker 1: the other room right now. I'm giving Homebusch my neighborhood

732
00:34:19,920 --> 00:34:22,640
Speaker 1: opportunites right now. So like that, my homeboys, don't forget

733
00:34:22,680 --> 00:34:25,160
Speaker 1: that ship. My motheruckers tried to come be salty. You

734
00:34:25,239 --> 00:34:26,960
Speaker 1: think my homeboys over here that I'm breaking read with it,

735
00:34:27,000 --> 00:34:28,800
Speaker 1: I'm taking care of it and helping feed their families,

736
00:34:28,840 --> 00:34:30,800
Speaker 1: are just gonna be like, oh yeah, criminal to I

737
00:34:30,880 --> 00:34:33,759
Speaker 1: don't go down like that, right. Yeah, that's crazy people

738
00:34:33,840 --> 00:34:37,279
Speaker 1: just thinking you did with that though. We're coming from

739
00:34:37,360 --> 00:34:40,960
Speaker 1: this walk of life. That's real loyalty. Yeah, when you

740
00:34:41,080 --> 00:34:44,879
Speaker 1: just explained real loyalty where you come from this walk

741
00:34:44,920 --> 00:34:48,399
Speaker 1: of life still and you come from this banging ship

742
00:34:48,680 --> 00:34:52,080
Speaker 1: and you make a name for yourself or you started.

743
00:34:52,320 --> 00:34:54,240
Speaker 1: I don't give a funk. Even if you're the neighbor

744
00:34:54,280 --> 00:34:57,680
Speaker 1: to the nigger with the sack and you it's gonna

745
00:34:57,719 --> 00:35:00,360
Speaker 1: be a motherfucker. They feel like, nigga, you call the

746
00:35:00,520 --> 00:35:03,239
Speaker 1: kicking in, right, I don't give a funk if I

747
00:35:03,360 --> 00:35:05,879
Speaker 1: didn't put it in on it or done what it? Nigga?

748
00:35:05,960 --> 00:35:09,480
Speaker 1: You from over here, so kicking in. So sometimes you

749
00:35:09,560 --> 00:35:14,279
Speaker 1: have to stay in your ground about ship. Yeah, you

750
00:35:14,400 --> 00:35:18,800
Speaker 1: start your own empire. When did you really know you

751
00:35:18,920 --> 00:35:21,560
Speaker 1: was on to some ship? Though? When my dad car

752
00:35:21,640 --> 00:35:24,239
Speaker 1: came from David Are, I knew it before because everyone's like, man,

753
00:35:24,719 --> 00:35:26,879
Speaker 1: this this, that this, and man, I'm keeping the real

754
00:35:26,960 --> 00:35:29,720
Speaker 1: my old label. There was a moment from two thousand

755
00:35:29,760 --> 00:35:32,120
Speaker 1: and ten, I think through two thousand and fifteen they

756
00:35:32,160 --> 00:35:34,480
Speaker 1: taught me straight out, nothing else in this label successful

757
00:35:34,560 --> 00:35:37,160
Speaker 1: right now, anything else is pretty much flopping my ship.

758
00:35:37,200 --> 00:35:39,080
Speaker 1: I'm not I'm not even fall back. And I dropped ship.

759
00:35:39,239 --> 00:35:42,440
Speaker 1: I'm resigning you criminal three albums a year, let's go.

760
00:35:42,680 --> 00:35:44,560
Speaker 1: And I was just dropping ship. I carried that label

761
00:35:44,560 --> 00:35:46,560
Speaker 1: for five years by myself, so I was like, man,

762
00:35:46,640 --> 00:35:48,760
Speaker 1: doing all this I'm doing all this work, I'm like, fuck,

763
00:35:49,080 --> 00:35:51,040
Speaker 1: other people are kicking back collecting, it's time for me

764
00:35:51,120 --> 00:35:52,400
Speaker 1: to do this ship. And then I got that call

765
00:35:52,440 --> 00:35:55,240
Speaker 1: from David. Are started getting the movies, agents started popping.

766
00:35:55,280 --> 00:35:57,040
Speaker 1: I'm like, yeah, it's time to do to do this

767
00:35:57,120 --> 00:35:59,399
Speaker 1: ship myself. You know what I'm saying, Yeah, man, because

768
00:35:59,440 --> 00:36:03,279
Speaker 1: this is cool, right, But that's what usually happened. You know,

769
00:36:03,920 --> 00:36:07,000
Speaker 1: you get another avenue, and that's what happened. You got

770
00:36:07,120 --> 00:36:10,799
Speaker 1: the other avenue outside of the music that that we're

771
00:36:10,920 --> 00:36:13,640
Speaker 1: able to show you. And I do this ship on

772
00:36:13,719 --> 00:36:16,840
Speaker 1: my own. Not to say it's any disrespect from what

773
00:36:17,000 --> 00:36:20,400
Speaker 1: I was doing, but at one point in time, you

774
00:36:20,520 --> 00:36:22,759
Speaker 1: gotta stand on your own two feet. You know what

775
00:36:22,800 --> 00:36:24,719
Speaker 1: I'm saying. You got it, especially if you've got a

776
00:36:24,840 --> 00:36:28,800
Speaker 1: family kids. You know, I can't be waiting on another

777
00:36:28,880 --> 00:36:30,719
Speaker 1: nega to tell me when I can put a record out.

778
00:36:31,360 --> 00:36:33,360
Speaker 1: I can't be waiting on another negat to hand me

779
00:36:33,440 --> 00:36:35,839
Speaker 1: a check. I need to be collecting that money every

780
00:36:35,960 --> 00:36:38,719
Speaker 1: month instead of every fucking six to seven eight months,

781
00:36:38,840 --> 00:36:41,680
Speaker 1: to feel me. So that's how we get it, especially

782
00:36:41,760 --> 00:36:44,160
Speaker 1: for us artists who were in this game. We're trying

783
00:36:44,200 --> 00:36:48,400
Speaker 1: to support ourselves. We see that light like funk that ship, Like,

784
00:36:48,840 --> 00:36:53,239
Speaker 1: no disrespect to you, but it's time for me to

785
00:36:53,320 --> 00:36:56,080
Speaker 1: start eating on and some people hate that. You want

786
00:36:56,080 --> 00:36:58,080
Speaker 1: to eat on your own too, on your own ship,

787
00:36:58,320 --> 00:37:01,440
Speaker 1: off your own plate. You get a lot of scenarios

788
00:37:01,520 --> 00:37:04,919
Speaker 1: with motherfucker's be like oh, they get mad, like Ship,

789
00:37:05,000 --> 00:37:07,799
Speaker 1: I was telling you about motherfucker's getting bread and then

790
00:37:07,840 --> 00:37:11,160
Speaker 1: you go, Okay, well'm gonna start collecting my own bread now, man,

791
00:37:11,200 --> 00:37:13,799
Speaker 1: I got a problem with that, Like, man, I got

792
00:37:13,880 --> 00:37:16,000
Speaker 1: a problem with you got a problem that I want

793
00:37:16,040 --> 00:37:20,120
Speaker 1: to collect my own fucking breath like that that's an issue,

794
00:37:20,320 --> 00:37:24,200
Speaker 1: like like it's my bread, Like you got a problem

795
00:37:24,280 --> 00:37:26,719
Speaker 1: that I want to collect my own fucking money. And

796
00:37:26,800 --> 00:37:28,560
Speaker 1: they don't feel that that's where you're supposed to go.

797
00:37:29,360 --> 00:37:32,440
Speaker 1: You asked me that the February that I heard, Oh

798
00:37:32,560 --> 00:37:37,799
Speaker 1: you don't trust me? Yeah, yeah, time, but you don't

799
00:37:37,800 --> 00:37:40,200
Speaker 1: trust me, you gotta go to somebody else. I'm not

800
00:37:40,360 --> 00:37:44,799
Speaker 1: trusting you though it's over, but you continue to dick

801
00:37:45,320 --> 00:37:47,279
Speaker 1: I'm gonna kid, I'm gonna continue to dick you. But

802
00:37:47,440 --> 00:37:49,000
Speaker 1: that's all I'm gonna tell you that you trust me?

803
00:37:50,080 --> 00:37:53,000
Speaker 1: I want ship? Uh yeah, well you know they give

804
00:37:53,000 --> 00:37:55,200
Speaker 1: you that slick, real story right quick, and you be

805
00:37:55,320 --> 00:37:59,839
Speaker 1: back like damn, this motherfucker just got me to I'm

806
00:38:00,000 --> 00:38:02,600
Speaker 1: I didn't face the same position I was in. I

807
00:38:02,680 --> 00:38:06,239
Speaker 1: did all the talking for nothing. So no, some my

808
00:38:06,360 --> 00:38:10,839
Speaker 1: fucker's hate, but it's it's cool when motherfucker's gonna respect that, Like, hey,

809
00:38:10,920 --> 00:38:14,000
Speaker 1: you want to go do your thing and it's opportunity

810
00:38:14,120 --> 00:38:15,640
Speaker 1: there and not they hate. But you man, I got

811
00:38:15,719 --> 00:38:17,680
Speaker 1: a family. I got a wife, I got kids, I

812
00:38:17,760 --> 00:38:20,719
Speaker 1: got bills, you get me. I could be getting all

813
00:38:20,760 --> 00:38:23,200
Speaker 1: of this instead of a portion of this because in

814
00:38:23,920 --> 00:38:28,040
Speaker 1: a sense, it's all me really a certain time in

815
00:38:28,239 --> 00:38:29,600
Speaker 1: you know what I mean. It's like as you build,

816
00:38:29,600 --> 00:38:33,000
Speaker 1: you pay your dudes. We all pay our dudes. When

817
00:38:33,080 --> 00:38:35,280
Speaker 1: you know what I'm saying, somebody let us in the door. Okay,

818
00:38:35,400 --> 00:38:38,000
Speaker 1: fuck it. You know, but at one point in time,

819
00:38:38,080 --> 00:38:40,080
Speaker 1: man funk that man, I didn't take my own trash

820
00:38:40,080 --> 00:38:43,439
Speaker 1: shop and that fun that ship, Yeah, that's real ship.

821
00:38:43,880 --> 00:38:49,439
Speaker 1: So tell me this man, this movie should go blow

822
00:38:49,480 --> 00:38:51,400
Speaker 1: your ship up to another level. And it's something of

823
00:38:51,480 --> 00:38:54,520
Speaker 1: a touch on because you know, you always rock with

824
00:38:54,640 --> 00:38:57,280
Speaker 1: the brothers, You always was who you was keeping gangster

825
00:38:57,320 --> 00:38:59,680
Speaker 1: and everything, but you fuck with you know you fun,

826
00:39:00,480 --> 00:39:03,520
Speaker 1: it would never know desension. You'll always make made motherfucker's

827
00:39:03,520 --> 00:39:05,960
Speaker 1: feel love, you know what I mean? And so you

828
00:39:06,239 --> 00:39:10,080
Speaker 1: pretty much did the song with everybody dog black community.

829
00:39:10,880 --> 00:39:13,480
Speaker 1: Did you go that purposeful man and see, I'm gonna

830
00:39:13,480 --> 00:39:15,560
Speaker 1: put out rap music and I'm not putting the label

831
00:39:15,600 --> 00:39:17,680
Speaker 1: on the ship. You know, I never liked the label.

832
00:39:17,800 --> 00:39:19,640
Speaker 1: I mean I always felt like That's why always said

833
00:39:19,640 --> 00:39:21,360
Speaker 1: I was a ladding the wrap. I didn't like the

834
00:39:21,480 --> 00:39:23,239
Speaker 1: terms she kinda wrap. I didn't feel like that that

835
00:39:23,360 --> 00:39:25,120
Speaker 1: needed to be put on us when I left that one.

836
00:39:25,120 --> 00:39:27,080
Speaker 1: I'm not in no dispect, But when I think that

837
00:39:27,120 --> 00:39:29,239
Speaker 1: you're gonna wrap, I think old motherfucker. That's rapping over

838
00:39:29,320 --> 00:39:31,400
Speaker 1: all debts with like some doctors, sus friends, you know

839
00:39:31,400 --> 00:39:34,120
Speaker 1: what I'm saying, like some rhyming the very last words

840
00:39:34,160 --> 00:39:36,040
Speaker 1: like now we don't do that, we get down. I

841
00:39:36,320 --> 00:39:38,960
Speaker 1: could spare. I can handle the best of my skins. Brown.

842
00:39:39,040 --> 00:39:40,960
Speaker 1: I got brown prout of my stomach on from my bottom.

843
00:39:41,200 --> 00:39:43,120
Speaker 1: But that only ship I could come in and spend

844
00:39:43,160 --> 00:39:45,640
Speaker 1: my everywhere I grew up, everywhere I went, no matter

845
00:39:45,719 --> 00:39:48,800
Speaker 1: what it's like, I always blamed with both sides. You

846
00:39:48,840 --> 00:39:53,160
Speaker 1: know what I'm saying, you always an Yeah, yes, I

847
00:39:53,280 --> 00:39:55,040
Speaker 1: blame it with both sides. To me, it was like

848
00:39:55,640 --> 00:39:57,520
Speaker 1: I didn't really feel like they needed to be a label,

849
00:39:57,600 --> 00:39:58,960
Speaker 1: you know what I'm saying. And then and then when

850
00:39:58,960 --> 00:40:01,680
Speaker 1: I started making tracks with with with artists that weren't brown,

851
00:40:02,040 --> 00:40:03,400
Speaker 1: and to me, I was like, Okay, this is a

852
00:40:03,480 --> 00:40:05,040
Speaker 1: level of like at the end of the day, we're

853
00:40:05,040 --> 00:40:07,560
Speaker 1: trying to get to that level where we're getting recognized mainstream,

854
00:40:07,719 --> 00:40:09,000
Speaker 1: and this is the way to do it. We gotta

855
00:40:09,040 --> 00:40:11,480
Speaker 1: be recognized that we're working together because out here we

856
00:40:11,600 --> 00:40:14,040
Speaker 1: lived together. Motherfucker's live in the same bodies, whether they

857
00:40:14,160 --> 00:40:16,600
Speaker 1: like it or not, the same hoods blocks, motherfuckers sharing,

858
00:40:16,640 --> 00:40:19,879
Speaker 1: you know what I'm saying. So it is what it is. Yeah,

859
00:40:19,880 --> 00:40:21,759
Speaker 1: Because so I got to see it. I saw to

860
00:40:21,840 --> 00:40:23,840
Speaker 1: come up man, and I was like, damn, he got

861
00:40:23,960 --> 00:40:25,759
Speaker 1: a song with him. He got a song with him,

862
00:40:25,800 --> 00:40:27,960
Speaker 1: and it was like crossing nobles. Like I said, everybody

863
00:40:28,120 --> 00:40:30,520
Speaker 1: working with the music. Man, did you ever get me

864
00:40:30,600 --> 00:40:32,480
Speaker 1: flex from your community for that, man? Because you know,

865
00:40:32,560 --> 00:40:34,239
Speaker 1: like you said, we go back to the hater ship

866
00:40:34,480 --> 00:40:36,759
Speaker 1: motherfucker's said you were sending. Did you ever have any

867
00:40:36,760 --> 00:40:38,520
Speaker 1: motherfucker's to hear the problem with what she was doing

868
00:40:38,640 --> 00:40:40,080
Speaker 1: quite a few times. With a matter of fact, I

869
00:40:40,080 --> 00:40:41,400
Speaker 1: ain't gon send in the name of the hood. But

870
00:40:41,880 --> 00:40:43,400
Speaker 1: there was a time when I did a song with

871
00:40:43,520 --> 00:40:47,160
Speaker 1: the Spoder local Ginua and uh, my fuckers started getting

872
00:40:47,160 --> 00:40:49,040
Speaker 1: on my line talking about they had a problem with it.

873
00:40:49,120 --> 00:40:51,560
Speaker 1: So I invited on my video shoot on some shot.

874
00:40:51,560 --> 00:40:53,160
Speaker 1: I said, we're about to shoot a video right here.

875
00:40:53,160 --> 00:40:54,719
Speaker 1: I got a gang of bodies that are pulling up.

876
00:40:54,840 --> 00:40:56,239
Speaker 1: You guys are more than welcome to pull up and

877
00:40:56,880 --> 00:40:58,480
Speaker 1: let me know your issue with personally. You know what

878
00:40:58,480 --> 00:41:00,480
Speaker 1: I'm saying. So they did. They all up and a

879
00:41:00,560 --> 00:41:02,000
Speaker 1: couple of old Jews pulled up and they try to

880
00:41:02,000 --> 00:41:04,040
Speaker 1: get at me strong and uh, I had a couple

881
00:41:04,040 --> 00:41:05,880
Speaker 1: of my homies with me and I tuk. They tried speaking.

882
00:41:05,880 --> 00:41:07,520
Speaker 1: I told now, I don't speaking for myself, so I

883
00:41:07,719 --> 00:41:09,320
Speaker 1: gotta told me on inside of say on me with

884
00:41:09,400 --> 00:41:12,680
Speaker 1: all due respect, whatever beef you guys got, that ain't

885
00:41:12,719 --> 00:41:13,920
Speaker 1: my ship. And at the end of the day, that's

886
00:41:13,960 --> 00:41:16,560
Speaker 1: how I feel. My family. I'm making music to put

887
00:41:16,600 --> 00:41:19,280
Speaker 1: on for our community to be recognized. So you expect

888
00:41:19,440 --> 00:41:22,319
Speaker 1: your your little petty beef and your issues to hold

889
00:41:22,360 --> 00:41:24,520
Speaker 1: back what I'm doing and sucking my ship homey, don't

890
00:41:24,520 --> 00:41:26,160
Speaker 1: come to me and try to tell me how to

891
00:41:26,200 --> 00:41:28,160
Speaker 1: run my business like on some respectful ship, you know.

892
00:41:28,719 --> 00:41:30,200
Speaker 1: And they see, you know, like ten minutes later there

893
00:41:30,200 --> 00:41:31,880
Speaker 1: in the video on the back doing the gangsher. But

894
00:41:32,080 --> 00:41:33,960
Speaker 1: you know what I'm saying, It was like, motherfucker's just

895
00:41:34,040 --> 00:41:36,279
Speaker 1: gotta be told like sometimes that they're stuck in the

896
00:41:36,360 --> 00:41:39,120
Speaker 1: mentality that that they were trained or it was instilled

897
00:41:39,160 --> 00:41:40,680
Speaker 1: in them, but they ain't thinking for themselves. You know

898
00:41:40,680 --> 00:41:42,759
Speaker 1: what I'm saying. I think for myself. Homi, I'm a

899
00:41:42,800 --> 00:41:45,080
Speaker 1: motherfuckering leader. Ain't following what I'm saying. You guys to

900
00:41:45,120 --> 00:41:47,640
Speaker 1: learn how to talk to a motherfucker telling straight up

901
00:41:47,719 --> 00:41:49,800
Speaker 1: this is what it is. I don't know, disrespect, but

902
00:41:50,400 --> 00:41:53,160
Speaker 1: I'm gonna grown ass man, and this is the rules

903
00:41:53,200 --> 00:41:56,800
Speaker 1: I set for myself. Now, whatever you got going on

904
00:41:56,920 --> 00:42:00,200
Speaker 1: the outside, that's your problem. But this ship right here here,

905
00:42:00,719 --> 00:42:03,480
Speaker 1: this ain't got nothing to do with that ship. This

906
00:42:03,760 --> 00:42:07,319
Speaker 1: is this is this is off track. So motherfucker's need

907
00:42:07,400 --> 00:42:09,399
Speaker 1: to learn that too, because niggas trying to they try

908
00:42:09,440 --> 00:42:12,320
Speaker 1: to infiltrate your ship with their little beefs. Yeah, and

909
00:42:12,400 --> 00:42:14,080
Speaker 1: at the end of the day, start hate anyways, because

910
00:42:14,080 --> 00:42:16,200
Speaker 1: they just hating because they little honey on the block

911
00:42:16,239 --> 00:42:17,719
Speaker 1: and doing that. You know what I'm saying, Because at

912
00:42:17,760 --> 00:42:19,440
Speaker 1: the end of the day, if they really could splash

913
00:42:19,520 --> 00:42:21,319
Speaker 1: that beef and get their people to wrap with them,

914
00:42:21,320 --> 00:42:22,800
Speaker 1: he probably would. They did it them down, so you

915
00:42:22,840 --> 00:42:24,640
Speaker 1: know what I'm saying. Yeah, And that's the thing. Like

916
00:42:25,080 --> 00:42:28,400
Speaker 1: a gamest chronicles the West Coast platform, we said we

917
00:42:28,480 --> 00:42:30,359
Speaker 1: would have everybody on here. If you're from the West

918
00:42:30,440 --> 00:42:32,520
Speaker 1: Coast and you're from the turf and you're putting on

919
00:42:32,719 --> 00:42:35,800
Speaker 1: for your ship, Nope, we w have you. Only we

920
00:42:35,800 --> 00:42:37,520
Speaker 1: don't give a funk what cod as long as you

921
00:42:37,640 --> 00:42:39,560
Speaker 1: represent for the streets, as long as you got some

922
00:42:39,680 --> 00:42:41,839
Speaker 1: history behind you, you know what I'm saying. Yeah, moms

923
00:42:41,960 --> 00:42:43,839
Speaker 1: got some history behind you. So it was like, man,

924
00:42:43,920 --> 00:42:47,000
Speaker 1: it's it's ship. Has me w here, dog man and

925
00:42:47,120 --> 00:42:50,160
Speaker 1: shi you overre man. So as far as your label go, Man,

926
00:42:50,400 --> 00:42:52,920
Speaker 1: how many artists on there? I mean artists never started

927
00:42:52,920 --> 00:42:56,000
Speaker 1: about trying. Got about seventeen artists. Um, we took some

928
00:42:56,120 --> 00:42:58,560
Speaker 1: really heaving blows this last year. One of my one

929
00:42:58,600 --> 00:43:00,479
Speaker 1: of my front the front and all it's my homie

930
00:43:00,520 --> 00:43:04,160
Speaker 1: g Ras um passed away my home bu Diablo, and

931
00:43:04,239 --> 00:43:06,480
Speaker 1: we just got locked up maybe about a month ago

932
00:43:06,560 --> 00:43:09,240
Speaker 1: on on a couple of murder charges. My homeboy center

933
00:43:09,480 --> 00:43:12,040
Speaker 1: he got he got locked up on it, like I

934
00:43:12,080 --> 00:43:14,920
Speaker 1: think it was like five attempted murders. So the problem is,

935
00:43:15,040 --> 00:43:17,160
Speaker 1: I'll be trying to give a lot of really my homeboys,

936
00:43:17,200 --> 00:43:19,600
Speaker 1: my real homies, not on streetcat not know like industry

937
00:43:19,640 --> 00:43:22,440
Speaker 1: motherfucker's like, well stitcats. I funk with opportunities because I

938
00:43:22,520 --> 00:43:24,360
Speaker 1: funk with him, you know what I'm saying. And some

939
00:43:24,480 --> 00:43:26,800
Speaker 1: of them don't take the opportunity serious or they're just

940
00:43:26,920 --> 00:43:29,320
Speaker 1: too deeply rooted in their their issues in the body,

941
00:43:29,400 --> 00:43:31,680
Speaker 1: you know. So it is what it is. But we

942
00:43:31,800 --> 00:43:33,960
Speaker 1: started off about seventeen and right now I think I

943
00:43:34,000 --> 00:43:36,360
Speaker 1: got about like seven eight artists left, you know what

944
00:43:36,360 --> 00:43:38,480
Speaker 1: I'm saying. I got my homily anemans like I'm homie

945
00:43:38,480 --> 00:43:41,759
Speaker 1: crazy Boy, got my homies. Mr Grangy in Brazil. Um,

946
00:43:41,840 --> 00:43:43,680
Speaker 1: We're working with a gang of different people, my homies,

947
00:43:43,680 --> 00:43:45,880
Speaker 1: sick money criminals, my homies and hood affiliates, you know

948
00:43:45,880 --> 00:43:50,480
Speaker 1: what I'm saying. So yeah, yeah, he's a bar spitting

949
00:43:50,560 --> 00:43:52,520
Speaker 1: and that's that's one of my homies. We keep him

950
00:43:52,560 --> 00:43:54,360
Speaker 1: touching the chamber right there, ready to go. You know,

951
00:43:54,560 --> 00:43:57,359
Speaker 1: let motherfucker's know. We got bars on all day. But yeah, yeah,

952
00:43:57,440 --> 00:43:59,400
Speaker 1: my homewies, Diablo and Senator, they're gonna be releasing some

953
00:43:59,400 --> 00:44:01,359
Speaker 1: ship from prey and I'm still helping him. I still working.

954
00:44:01,360 --> 00:44:03,560
Speaker 1: When am I just went in business and Lively then

955
00:44:04,120 --> 00:44:07,799
Speaker 1: in County. Where is that I heard? Yeah? Yeah, yeah, yeah,

956
00:44:09,880 --> 00:44:12,600
Speaker 1: yeah yeah, you got you got some dudes over you

957
00:44:12,680 --> 00:44:15,080
Speaker 1: guys meet over here. Man. So as far as like

958
00:44:16,200 --> 00:44:19,520
Speaker 1: the movies and stuff, man, do you see that something

959
00:44:19,560 --> 00:44:22,000
Speaker 1: man that you you empire, that you building? Man, you

960
00:44:22,040 --> 00:44:24,399
Speaker 1: see there's something that you would possibly get into um

961
00:44:24,880 --> 00:44:26,879
Speaker 1: and first producing him yourself and putting out your own

962
00:44:26,920 --> 00:44:29,480
Speaker 1: It's crazy to say that because five years ago, before

963
00:44:29,520 --> 00:44:31,640
Speaker 1: even David Are called me, before anything, I was shooting

964
00:44:31,640 --> 00:44:33,400
Speaker 1: a lot of videos like I produced. I put this

965
00:44:33,480 --> 00:44:35,120
Speaker 1: a lot of ship for a lot of cats, and

966
00:44:35,600 --> 00:44:37,120
Speaker 1: my fucker's would be like, hey man, you shoot it

967
00:44:37,320 --> 00:44:38,719
Speaker 1: was pretty dope, shoot some ship for me. So I

968
00:44:38,800 --> 00:44:40,600
Speaker 1: ended up shooting a lot of ships like bone Thugs,

969
00:44:40,719 --> 00:44:42,800
Speaker 1: t Q, I did some ship with ice Cube, just

970
00:44:42,880 --> 00:44:45,560
Speaker 1: a lot of different cats, you know, And uh, I

971
00:44:45,600 --> 00:44:47,400
Speaker 1: said fucking I could shoot for the cats, I should

972
00:44:47,400 --> 00:44:49,200
Speaker 1: be able to shoot some ship for myself. So my

973
00:44:49,280 --> 00:44:51,480
Speaker 1: humboy that I mentioned gras he was getting out of prisoner,

974
00:44:51,520 --> 00:44:53,440
Speaker 1: I made him a promise like five years before he

975
00:44:53,480 --> 00:44:55,439
Speaker 1: got locked up. I told, when you get out, because

976
00:44:55,440 --> 00:44:57,040
Speaker 1: he wanted to wrap bad and he reminded me like

977
00:44:57,160 --> 00:44:59,320
Speaker 1: his energy was just like mine, mine and my my

978
00:44:59,400 --> 00:45:01,320
Speaker 1: hunger when I was first trying to start. So I

979
00:45:01,400 --> 00:45:03,680
Speaker 1: promised him, I said, keep yourself out of trouble home.

980
00:45:03,760 --> 00:45:05,520
Speaker 1: I'm gonna give it you a deal. I'm sucking do

981
00:45:05,640 --> 00:45:07,600
Speaker 1: some shift for you. He got out and I wrote

982
00:45:07,640 --> 00:45:09,439
Speaker 1: him a role in the movie. It's called The Final Ride,

983
00:45:09,760 --> 00:45:12,760
Speaker 1: and we wrote it and unfortunately passed away. He actually

984
00:45:12,960 --> 00:45:16,000
Speaker 1: died like three days before it was released. But um,

985
00:45:16,320 --> 00:45:18,000
Speaker 1: I never got to see even see the movie. I

986
00:45:18,120 --> 00:45:19,759
Speaker 1: was saving the movie to show him. So that's a

987
00:45:19,800 --> 00:45:23,279
Speaker 1: surprising ship, and uh, unfortunately he didn't get to see it.

988
00:45:23,360 --> 00:45:25,480
Speaker 1: But that movie just got picked up by Amazon and

989
00:45:25,520 --> 00:45:28,280
Speaker 1: it's getting most likely going to be going to Hulu, Netflix, everything.

990
00:45:28,400 --> 00:45:30,919
Speaker 1: So even the ship, now that's my first director's credit,

991
00:45:31,040 --> 00:45:34,080
Speaker 1: you know IMDb. So it's like without even trying to

992
00:45:34,120 --> 00:45:37,360
Speaker 1: go and now I got I got directors, actors, credits, writers, credits,

993
00:45:38,000 --> 00:45:40,040
Speaker 1: scoring because I got in Crossing the Inn, the movies

994
00:45:40,080 --> 00:45:42,600
Speaker 1: and ship like the Hommyaden, the whole ship. Man, It's

995
00:45:42,600 --> 00:45:45,000
Speaker 1: just it's a blessing, you know. Well, you know something

996
00:45:45,160 --> 00:45:48,319
Speaker 1: makes up leaving God. I know sometimes, Man, when God

997
00:45:48,440 --> 00:45:52,320
Speaker 1: got something for you, can't nobody stuff to stop. You know,

998
00:45:54,440 --> 00:45:58,399
Speaker 1: stop it, you know what I'm saying. So what I'm saying, man,

999
00:45:59,000 --> 00:46:01,440
Speaker 1: it's like this king, you know, can't take that from you.

1000
00:46:01,520 --> 00:46:05,520
Speaker 1: You're definitely doing your thing. Man, what's next though, Ship,

1001
00:46:05,719 --> 00:46:09,160
Speaker 1: I'm starting this studio Ship, me and my Homi Critical.

1002
00:46:09,200 --> 00:46:11,000
Speaker 1: We're about to drop us sounds of about in Part

1003
00:46:11,080 --> 00:46:14,160
Speaker 1: three Urban legend Um. Should I got a car business

1004
00:46:14,239 --> 00:46:15,920
Speaker 1: that I just started. I'm in the middle of flipping

1005
00:46:16,200 --> 00:46:18,920
Speaker 1: classic cars about the first three for myself. So I'm

1006
00:46:18,960 --> 00:46:22,799
Speaker 1: keeping the mother yeah yeah, yeah, yeah yeah, but I'm

1007
00:46:22,840 --> 00:46:25,120
Speaker 1: doing that. I'm just going heavy on the march. The

1008
00:46:25,200 --> 00:46:28,040
Speaker 1: merch Uh. Ever since you know, the chronavirus stopped even before,

1009
00:46:28,120 --> 00:46:31,400
Speaker 1: but ever since the coronavirus started, Uh, it went like

1010
00:46:31,520 --> 00:46:35,560
Speaker 1: through the roof. You know what, has been crazy merchandise

1011
00:46:35,640 --> 00:46:40,080
Speaker 1: and it's been really good for US, US independent independence.

1012
00:46:40,160 --> 00:46:42,239
Speaker 1: You know what I'm saying and a street cats, that's

1013
00:46:42,360 --> 00:46:45,160
Speaker 1: that's pushing that line. It seems that people are getting

1014
00:46:45,320 --> 00:46:48,160
Speaker 1: out of the well on our level, they're getting out

1015
00:46:48,200 --> 00:46:51,600
Speaker 1: of buying all the fancy bullshit and and starting to

1016
00:46:51,719 --> 00:46:55,720
Speaker 1: wear their own lines and representing urban lines and because

1017
00:46:55,800 --> 00:46:59,160
Speaker 1: you know, lines like my man producing. So that's that's

1018
00:46:59,200 --> 00:47:01,520
Speaker 1: also a good I mean, you gotta make moves, man,

1019
00:47:01,719 --> 00:47:03,720
Speaker 1: that's it. That's it. And then one of the biggest

1020
00:47:03,719 --> 00:47:05,440
Speaker 1: things I'm focusing on them right now is my kennel.

1021
00:47:05,520 --> 00:47:07,839
Speaker 1: I got crying family kennels, and I'm changing the game

1022
00:47:07,880 --> 00:47:10,080
Speaker 1: with that. I got a gang of exoetics. I'm introducing

1023
00:47:10,440 --> 00:47:13,200
Speaker 1: uh fluffy frendcheo bulldogs to the game. I got sucking

1024
00:47:13,360 --> 00:47:16,239
Speaker 1: some colors and some bloodlines that my fucker's all around

1025
00:47:16,239 --> 00:47:21,719
Speaker 1: the world they're trying to get right now. Yeah, yeah, yeah,

1026
00:47:21,800 --> 00:47:23,960
Speaker 1: I got that right talking about it. Man, You see

1027
00:47:24,920 --> 00:47:26,960
Speaker 1: what you're doing when I know that you've got multiple

1028
00:47:27,040 --> 00:47:29,239
Speaker 1: streams of stuff coming, you know, not being in your

1029
00:47:29,280 --> 00:47:31,800
Speaker 1: business and stuff like that, but you're doing really bullshit

1030
00:47:32,080 --> 00:47:35,680
Speaker 1: boss level ship. You got this right here. How important

1031
00:47:35,719 --> 00:47:38,600
Speaker 1: is do you think that I don't rappers that versus

1032
00:47:38,600 --> 00:47:41,480
Speaker 1: Friday portfolios? I think it's the most important thing because

1033
00:47:41,480 --> 00:47:43,239
Speaker 1: we all know to be honest with you and the

1034
00:47:43,320 --> 00:47:45,319
Speaker 1: truth I come from from. I don't want to say

1035
00:47:45,320 --> 00:47:47,600
Speaker 1: the old school because now ship at the end of

1036
00:47:47,600 --> 00:47:49,640
Speaker 1: the day, it ain't that long ago. But from from

1037
00:47:49,680 --> 00:47:51,920
Speaker 1: old school compared to how it is now, ain't no streaming.

1038
00:47:51,920 --> 00:47:53,719
Speaker 1: I came from when it was physical CDs. You gotta

1039
00:47:53,719 --> 00:47:55,720
Speaker 1: get a gilt. But you know if the thumb records,

1040
00:47:55,800 --> 00:47:59,440
Speaker 1: build universal records for the distribution, so you had to

1041
00:47:59,480 --> 00:48:01,399
Speaker 1: actually have a deal. It wasn't just like you get

1042
00:48:01,440 --> 00:48:03,600
Speaker 1: on the iPhone, put it out and everybody sees that ship.

1043
00:48:03,640 --> 00:48:05,719
Speaker 1: You know what I'm saying. So um, I think I

1044
00:48:05,840 --> 00:48:08,680
Speaker 1: think more of the hunger from the beginning and seeing

1045
00:48:09,160 --> 00:48:11,640
Speaker 1: that side of it transferring to this side, it makes

1046
00:48:11,680 --> 00:48:14,440
Speaker 1: you just know how to how to go because, like

1047
00:48:14,480 --> 00:48:15,759
Speaker 1: I said, the reason why I bring that up is,

1048
00:48:15,800 --> 00:48:17,480
Speaker 1: back in the day's artists were always the lowest on

1049
00:48:17,480 --> 00:48:19,840
Speaker 1: the total poet We got the very least amount of anything.

1050
00:48:19,920 --> 00:48:22,279
Speaker 1: You know, we had to get up and from going

1051
00:48:22,440 --> 00:48:24,520
Speaker 1: to go do shows. So it's like I always was

1052
00:48:24,600 --> 00:48:26,359
Speaker 1: told back then. I remember one of the homies had

1053
00:48:26,400 --> 00:48:27,759
Speaker 1: told me way back in the day. He's like, you

1054
00:48:27,840 --> 00:48:29,840
Speaker 1: just wrap Ship. It's just a wait for them to

1055
00:48:29,920 --> 00:48:32,320
Speaker 1: know your name and they go bang them on different avenues,

1056
00:48:32,360 --> 00:48:33,719
Speaker 1: hit him with a clothing line, hit him with this

1057
00:48:33,800 --> 00:48:35,840
Speaker 1: and them with that, and Ship. I started producing. I

1058
00:48:35,920 --> 00:48:38,440
Speaker 1: started slinging versus I started doing my clothing line. I

1059
00:48:38,640 --> 00:48:41,120
Speaker 1: built my own studio like when I was like nineteen twenty,

1060
00:48:41,200 --> 00:48:42,960
Speaker 1: you know what I'm saying. So it's just it's just

1061
00:48:43,040 --> 00:48:46,920
Speaker 1: been a blessing ever since. You know, for man, this

1062
00:48:48,320 --> 00:48:52,440
Speaker 1: man out a hustle man. With all your ventures that

1063
00:48:52,560 --> 00:48:54,200
Speaker 1: you've got going on, Where can the people go find

1064
00:48:54,280 --> 00:48:59,040
Speaker 1: that stuff? That everything ship right now? Right now? Cry

1065
00:48:59,120 --> 00:49:01,880
Speaker 1: Family Entertainment com I mean that's where all my information to,

1066
00:49:01,960 --> 00:49:04,040
Speaker 1: all my avenues and my links and my strings, right.

1067
00:49:04,080 --> 00:49:06,799
Speaker 1: I mean you could book get at me direct, California

1068
00:49:06,880 --> 00:49:09,839
Speaker 1: Love Studios, my homie Critical. I mean, we're just working

1069
00:49:09,880 --> 00:49:12,759
Speaker 1: in so many different ways. Cran Family Kennels. I mean Ship.

1070
00:49:12,840 --> 00:49:14,640
Speaker 1: You could search me on IMDb if I'm trying to

1071
00:49:14,680 --> 00:49:16,319
Speaker 1: get at me for some active ship on the show

1072
00:49:16,400 --> 00:49:19,439
Speaker 1: up whatever. You know, my man, the world was greater man, Yeah,

1073
00:49:19,520 --> 00:49:22,160
Speaker 1: and he's doing it. Thirty thirty I was from thirty

1074
00:49:22,200 --> 00:49:24,840
Speaker 1: three albums. Dumb about thirty three albums a d how

1075
00:49:24,920 --> 00:49:30,000
Speaker 1: many records you think ship millions millions of my first

1076
00:49:30,000 --> 00:49:33,160
Speaker 1: album is criminal Mentality, Universal Thumb. I think that ship

1077
00:49:33,239 --> 00:49:35,520
Speaker 1: did like seven hundred fifty eight hundred thousand, and that's

1078
00:49:35,560 --> 00:49:37,600
Speaker 1: just ghetto, ghetto gold, you know what I'm saying. So yeah,

1079
00:49:37,640 --> 00:49:39,880
Speaker 1: because you know how it was building the bag over there, Man,

1080
00:49:39,920 --> 00:49:44,759
Speaker 1: you'd platinum, you don't know what you could use that

1081
00:49:44,840 --> 00:49:49,839
Speaker 1: same force, but you don't sold a thousands that I'm

1082
00:49:50,000 --> 00:49:51,640
Speaker 1: right there with all blue racks food, with the blue

1083
00:49:51,719 --> 00:49:53,360
Speaker 1: rack curb behind, we did a half a million in

1084
00:49:53,440 --> 00:49:55,880
Speaker 1: the streets. So I mean, I could tell you that

1085
00:49:56,040 --> 00:49:58,279
Speaker 1: right there, like we were just there was a point

1086
00:49:58,360 --> 00:50:00,719
Speaker 1: where this quote unquote you're gonna wrap was running ship.

1087
00:50:00,840 --> 00:50:02,239
Speaker 1: There was nothing that was sucking with it in the

1088
00:50:02,360 --> 00:50:04,719
Speaker 1: coast like period. I'm just keeping really now. I was

1089
00:50:04,800 --> 00:50:06,400
Speaker 1: there and hit his wave, you know what, just like

1090
00:50:06,560 --> 00:50:08,680
Speaker 1: they get thrown bulls didn't at the one point we

1091
00:50:08,800 --> 00:50:10,640
Speaker 1: were killing me and at that point we were running

1092
00:50:10,640 --> 00:50:13,440
Speaker 1: that ship, there was nobody sucking with us, just millions

1093
00:50:13,440 --> 00:50:15,040
Speaker 1: of records. Song. I was there because there was a

1094
00:50:15,120 --> 00:50:17,160
Speaker 1: whole bunch of the homies told about he was going

1095
00:50:17,200 --> 00:50:23,080
Speaker 1: to throw signs deals with criminals because he was gonna

1096
00:50:24,200 --> 00:50:27,000
Speaker 1: because they had the ship popping, and it was just

1097
00:50:27,120 --> 00:50:29,400
Speaker 1: like they had the streets on like see with the

1098
00:50:29,480 --> 00:50:32,160
Speaker 1: Messian homies figured out. They stuck to the script of

1099
00:50:32,200 --> 00:50:34,319
Speaker 1: how games reps thirty remember what easy and it used

1100
00:50:34,320 --> 00:50:37,400
Speaker 1: to be able to conten street. They kept there, They

1101
00:50:37,520 --> 00:50:40,359
Speaker 1: kept the streets. They wasn't trying to run the radio

1102
00:50:40,400 --> 00:50:42,200
Speaker 1: when you sunk with the streets, dog, That's what I

1103
00:50:42,320 --> 00:50:43,799
Speaker 1: tell people not to this day. And then you had

1104
00:50:43,840 --> 00:50:47,800
Speaker 1: the co following because it's that particular ship you know me,

1105
00:50:48,239 --> 00:50:51,600
Speaker 1: even though rap is you know here, you got that

1106
00:50:51,800 --> 00:50:55,279
Speaker 1: coke following them. When you got that co following, it's

1107
00:50:55,320 --> 00:50:58,040
Speaker 1: like you got the motherucker's here. You gotta near, you

1108
00:50:58,160 --> 00:51:02,560
Speaker 1: got a near. So everybody and that motherfucking criteria. They

1109
00:51:02,560 --> 00:51:06,719
Speaker 1: ain't buying nothing but that ship. They ain't buying, No eight,

1110
00:51:06,920 --> 00:51:10,480
Speaker 1: they ain't buying. No they buying They're following that code.

1111
00:51:10,680 --> 00:51:13,480
Speaker 1: So they ran the game to give me. Definitely he

1112
00:51:13,600 --> 00:51:16,080
Speaker 1: was because I knew me sugar free and high. She

1113
00:51:16,239 --> 00:51:21,600
Speaker 1: wanted to get the showing up for Bear and yeah,

1114
00:51:22,040 --> 00:51:24,239
Speaker 1: and we don't. It was living our stuff. We were

1115
00:51:24,280 --> 00:51:28,200
Speaker 1: getting some props. Man, Remember that I saw the Michigan

1116
00:51:28,280 --> 00:51:30,319
Speaker 1: home you started coming off there. I was like looking

1117
00:51:30,360 --> 00:51:39,560
Speaker 1: at them, the girl flashing, they get that co following,

1118
00:51:40,040 --> 00:51:43,440
Speaker 1: We get that Jim Jones co following. They own you.

1119
00:51:44,040 --> 00:51:46,719
Speaker 1: That's crazy, member, That's how I was supposed to be.

1120
00:51:47,040 --> 00:51:49,400
Speaker 1: Do you know what I'm saying? Yeah, you know what

1121
00:51:49,480 --> 00:51:52,359
Speaker 1: the candidate you know That's what I'm saying. Man, what y'all?

1122
00:51:52,400 --> 00:51:54,880
Speaker 1: Ha Man? We got to sit down man with my

1123
00:51:55,000 --> 00:52:00,279
Speaker 1: home legendary Mr Criminal Man. We appreciate it though, pleasures, mom,

1124
00:52:00,640 --> 00:52:02,960
Speaker 1: But that's just for blessing for sure. We got this.

1125
00:52:03,000 --> 00:52:06,360
Speaker 1: Ain't your last time. I'm not again. When you went along,

1126
00:52:06,520 --> 00:52:08,040
Speaker 1: I got to hiller at you by one of them,

1127
00:52:08,480 --> 00:52:12,640
Speaker 1: one of them fluffy dogs. That's all night. We will

1128
00:52:12,680 --> 00:52:14,080
Speaker 1: have you back on there again. We can be You

1129
00:52:14,080 --> 00:52:15,799
Speaker 1: can see this with a little booth over there, man,

1130
00:52:15,960 --> 00:52:21,839
Speaker 1: But I leave you gotta shide and smoke all day

1131
00:52:25,280 --> 00:52:29,280
Speaker 1: to let the rill one speak. Gangster crying the coast.

1132
00:52:30,239 --> 00:52:31,600
Speaker 1: What's the word on the streets.