1 00:00:00,240 --> 00:00:05,560 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio. 2 00:00:04,960 --> 00:00:07,640 Speaker 2: And welcome back to Coast to Coast George Nori with you. 3 00:00:07,800 --> 00:00:12,160 Speaker 2: Philip Center with us. He's a teacher, Orthodox Christian theologist. 4 00:00:12,640 --> 00:00:16,079 Speaker 2: Philip has published one hundred and three peered reviewed research 5 00:00:16,239 --> 00:00:20,840 Speaker 2: articles to date, with research specializing in paleontology with an 6 00:00:20,840 --> 00:00:26,040 Speaker 2: emphasis on dinosaurs, zoology with an emphasis on reptiles, and 7 00:00:26,079 --> 00:00:29,800 Speaker 2: an investigation of the Young Earth. Philip, I'm looking forward 8 00:00:29,800 --> 00:00:31,120 Speaker 2: to this, welcome to the show. 9 00:00:32,280 --> 00:00:34,040 Speaker 3: Thank you. 10 00:00:34,080 --> 00:00:35,320 Speaker 4: Tell me about the book? 11 00:00:36,159 --> 00:00:42,000 Speaker 3: Oh well, the title sums it up pretty well, the 12 00:00:42,040 --> 00:00:46,240 Speaker 3: real story of dinosaurs and dragons, because the fake story 13 00:00:46,320 --> 00:00:49,240 Speaker 3: is out there, promoted by answers in Genesis and other 14 00:00:49,320 --> 00:00:56,920 Speaker 3: anti evolution organizations, and the fake story has been given 15 00:00:56,960 --> 00:00:59,640 Speaker 3: a lot of credence in certain circles. And I would 16 00:00:59,680 --> 00:01:01,520 Speaker 3: like to get of you the real story. 17 00:01:01,640 --> 00:01:02,240 Speaker 4: We'll get to that. 18 00:01:02,320 --> 00:01:04,120 Speaker 2: When you were a little boy, did you have these 19 00:01:04,200 --> 00:01:06,120 Speaker 2: rubber little dinosaurs. 20 00:01:08,040 --> 00:01:11,720 Speaker 3: The plastic but yes, yes, I got a set of 21 00:01:11,760 --> 00:01:15,039 Speaker 3: those for the fifth birthday and the love of them 22 00:01:15,120 --> 00:01:15,920 Speaker 3: just never stopped. 23 00:01:16,040 --> 00:01:16,640 Speaker 4: Same with me. 24 00:01:16,720 --> 00:01:20,960 Speaker 2: I love the baranasaurces, the Tyrannosaurus rexes. They were just fantastic, 25 00:01:21,040 --> 00:01:21,600 Speaker 2: weren't they? 26 00:01:22,080 --> 00:01:26,119 Speaker 3: Yes, indeed, kids loved monsters and these are real ones. 27 00:01:26,880 --> 00:01:30,600 Speaker 4: Have you ever been to the Smithsonian many times? 28 00:01:30,680 --> 00:01:35,960 Speaker 3: In fact, I was there just recently conducting some research. 29 00:01:36,360 --> 00:01:38,760 Speaker 4: They've got some great structures there, don't they. 30 00:01:39,200 --> 00:01:43,040 Speaker 3: That they do, and so many really good displays, and 31 00:01:43,680 --> 00:01:45,560 Speaker 3: you'd be amazed how much of the good stuff is 32 00:01:45,800 --> 00:01:46,520 Speaker 3: off display. 33 00:01:46,840 --> 00:01:50,360 Speaker 4: What led you to write the book on dinosaurs and Dragons? 34 00:01:51,360 --> 00:01:59,320 Speaker 3: Well, one of my comparative anatomy students made a statement 35 00:01:59,360 --> 00:02:05,840 Speaker 3: in class that I just floored me. We were mentioning evolution, 36 00:02:06,120 --> 00:02:09,079 Speaker 3: and he came out with, I think evolution as a hoax. 37 00:02:09,919 --> 00:02:13,799 Speaker 3: And I almost didn't know how to respond to this 38 00:02:13,960 --> 00:02:18,440 Speaker 3: because this was a senior in college, and I thought, 39 00:02:19,040 --> 00:02:23,160 Speaker 3: how is it that a biology major makes it through 40 00:02:23,200 --> 00:02:27,919 Speaker 3: four years of college without knowing the evidence of evolution 41 00:02:29,240 --> 00:02:35,639 Speaker 3: to such a degree that it's obviously correct. And so 42 00:02:36,280 --> 00:02:41,760 Speaker 3: I began to look at the various arguments that the 43 00:02:41,800 --> 00:02:45,200 Speaker 3: anti evolution camp has come up with so that I 44 00:02:45,400 --> 00:02:49,920 Speaker 3: know how to answer things in class if stuff came up. Ultimately, 45 00:02:49,960 --> 00:02:54,160 Speaker 3: the book spun out of that because the dinosaur parts 46 00:02:54,600 --> 00:02:59,200 Speaker 3: of what answers in Genesis and so forth are promoting 47 00:02:59,400 --> 00:03:06,160 Speaker 3: are just so fun to devour, incorrect though they may 48 00:03:06,200 --> 00:03:10,639 Speaker 3: be that they just make for a fun read. 49 00:03:12,080 --> 00:03:15,400 Speaker 2: Intriguing to be sure, did the dinosaurs really get wiped 50 00:03:15,440 --> 00:03:16,680 Speaker 2: out by that asteroid? 51 00:03:18,760 --> 00:03:23,240 Speaker 3: Possibly? The juries still out on certain aspects of that, 52 00:03:23,360 --> 00:03:28,440 Speaker 3: but it appears that they were mostly wiped out by 53 00:03:28,520 --> 00:03:32,960 Speaker 3: other things by the time the asteroid hit, and it's 54 00:03:33,080 --> 00:03:35,760 Speaker 3: quite possible that it just dealt a death blow to 55 00:03:35,840 --> 00:03:37,400 Speaker 3: the few that were still there. 56 00:03:38,920 --> 00:03:39,960 Speaker 4: Exciting to be sure. 57 00:03:40,040 --> 00:03:43,000 Speaker 2: And you're still a professor of zoology, aren't you at 58 00:03:43,040 --> 00:03:46,120 Speaker 2: the Facial University State. 59 00:03:47,000 --> 00:03:50,840 Speaker 3: Yeah, that's correct, a Fatbelle State University and Fayetteville, North Carolina. 60 00:03:51,720 --> 00:03:53,480 Speaker 4: Good for you. How long you've been doing. 61 00:03:53,320 --> 00:03:55,880 Speaker 3: That since two thousand and seven? 62 00:03:57,320 --> 00:03:58,240 Speaker 4: What got you there? 63 00:03:59,480 --> 00:04:03,760 Speaker 3: A job opening? I think, I guess that's the short answer. 64 00:04:03,880 --> 00:04:08,000 Speaker 3: I was working as a professor in the biology department 65 00:04:08,120 --> 00:04:13,120 Speaker 3: at Lamar State College, Orange in southeastern Texas for four years. 66 00:04:14,280 --> 00:04:17,360 Speaker 3: But it's a great place to work. I loved it, 67 00:04:17,440 --> 00:04:21,080 Speaker 3: loved my colleagues, and there was an opening for a 68 00:04:21,200 --> 00:04:24,839 Speaker 3: zoology professor and that's that was right up my alley. 69 00:04:25,040 --> 00:04:30,680 Speaker 3: So I figured higher salary, a greater variety of course 70 00:04:30,720 --> 00:04:32,720 Speaker 3: work that I could teach, which makes it more fun. 71 00:04:33,160 --> 00:04:37,039 Speaker 3: And off we went. And also, North Carolina is where 72 00:04:37,279 --> 00:04:41,359 Speaker 3: most of the extended family live or is close to. 73 00:04:41,880 --> 00:04:45,160 Speaker 3: You know, I've got relatives in North and South Carolina 74 00:04:45,160 --> 00:04:49,040 Speaker 3: and Virginia, and that's a whole lot closer to them 75 00:04:49,080 --> 00:04:49,719 Speaker 3: than Texas. 76 00:04:49,880 --> 00:04:55,800 Speaker 2: Was always thought dragons were myth. I'll chime with the 77 00:04:55,839 --> 00:04:56,960 Speaker 2: Kimodo dragon. 78 00:04:57,040 --> 00:05:01,039 Speaker 3: Of course, you're partly right about dragons being myth, and 79 00:05:01,120 --> 00:05:04,760 Speaker 3: yet yet they're not a very cool thing. Is The 80 00:05:05,040 --> 00:05:10,240 Speaker 3: word dragon comes from the Latin draco and Greek racon, 81 00:05:10,400 --> 00:05:15,560 Speaker 3: and these words to the ancients meant serpent and serpents 82 00:05:15,560 --> 00:05:20,159 Speaker 3: are real, snakes are real. The ancients had kind of 83 00:05:20,200 --> 00:05:24,520 Speaker 3: like we do two different words. What we say snake 84 00:05:24,600 --> 00:05:28,440 Speaker 3: informally and serpent formally for if we're trying to be 85 00:05:28,480 --> 00:05:33,920 Speaker 3: poetic or or other formal situations. Likewise, the ancient Greeks 86 00:05:33,920 --> 00:05:39,279 Speaker 3: said opis for informal, an informal way to say snake, 87 00:05:39,360 --> 00:05:42,000 Speaker 3: and then racon was the formal way. That's what you 88 00:05:42,040 --> 00:05:45,520 Speaker 3: see in the poetry and in the myths. And the 89 00:05:46,320 --> 00:05:50,440 Speaker 3: Romans did this the same thing. They they said anguish 90 00:05:50,560 --> 00:05:53,800 Speaker 3: or serpents for as we would say snake, and then 91 00:05:54,000 --> 00:05:57,640 Speaker 3: draco as we would say serpent, and there were all 92 00:05:57,680 --> 00:06:06,200 Speaker 3: these stories and myths uh legends of serpents interacting with 93 00:06:07,040 --> 00:06:11,080 Speaker 3: people and with nature, and in the in the myths, 94 00:06:11,120 --> 00:06:14,640 Speaker 3: of course, they would use the formal term racon or draco. 95 00:06:15,279 --> 00:06:19,400 Speaker 3: And we see from the artwork that these animals in 96 00:06:19,440 --> 00:06:23,680 Speaker 3: the stories were in fact meant as snakes, because the 97 00:06:23,960 --> 00:06:27,200 Speaker 3: ancient Greeks and Romans they painted them as snakes, they 98 00:06:27,279 --> 00:06:29,719 Speaker 3: sculpted them as snakes. And it's not till the Middle 99 00:06:29,800 --> 00:06:35,000 Speaker 3: Ages that we see the dragon evolve into this monstrous 100 00:06:35,279 --> 00:06:38,640 Speaker 3: sort of thing with the feet and wings and did 101 00:06:38,680 --> 00:06:40,280 Speaker 3: the fire breathing and all that. 102 00:06:41,200 --> 00:06:44,039 Speaker 2: Yeah, where did that come from? 103 00:06:42,520 --> 00:06:45,760 Speaker 4: The wings? From the fire breathing. 104 00:06:46,360 --> 00:06:50,960 Speaker 3: M The fire breathing was the first thing that was 105 00:06:51,160 --> 00:06:55,840 Speaker 3: the first change to be made. And by the third 106 00:06:56,480 --> 00:07:02,320 Speaker 3: century of the Christian era, Christian giographers, that is to 107 00:07:02,320 --> 00:07:04,719 Speaker 3: say that the people who writing the stories of the 108 00:07:04,760 --> 00:07:12,000 Speaker 3: saints were starting to add fantastic elements and we're kind 109 00:07:12,000 --> 00:07:16,520 Speaker 3: of modeling the way they did the stories around the 110 00:07:17,240 --> 00:07:19,640 Speaker 3: classical that is to say, the Greek and Roman way 111 00:07:19,840 --> 00:07:24,120 Speaker 3: of writing writing myths and legends. And one of the 112 00:07:24,160 --> 00:07:28,840 Speaker 3: things they used to add was a Saints encounter with 113 00:07:28,960 --> 00:07:34,800 Speaker 3: some serpent, often a talking serpent, and kind of using 114 00:07:34,800 --> 00:07:40,240 Speaker 3: a similar formula to the Greek and Roman myths. And 115 00:07:40,440 --> 00:07:43,480 Speaker 3: part of that formula is that the the serpent in 116 00:07:43,520 --> 00:07:49,960 Speaker 3: these stories very often emits venom, and well, venom burns, 117 00:07:50,240 --> 00:07:52,800 Speaker 3: as anyone who's ever been bitten by a venomous snake 118 00:07:52,840 --> 00:07:55,720 Speaker 3: can attest, and so it was associated with fire. Well 119 00:07:55,720 --> 00:08:00,600 Speaker 3: that the early Christian stories that used the the serpent 120 00:08:00,640 --> 00:08:05,280 Speaker 3: motif traded venom for fire. So it's not much of 121 00:08:05,320 --> 00:08:07,720 Speaker 3: a stretch in the ancient mindset to go from venom 122 00:08:07,760 --> 00:08:14,200 Speaker 3: spitting to fire spitting. And that is how Christianity invented 123 00:08:14,280 --> 00:08:17,640 Speaker 3: the fire breathing dragon. And when it comes to the 124 00:08:17,720 --> 00:08:24,000 Speaker 3: wings and feet, that happened later. And yet not when 125 00:08:24,040 --> 00:08:28,400 Speaker 3: it comes to the wings, because there were certain dragons 126 00:08:28,400 --> 00:08:34,040 Speaker 3: and certain myths that could fly. The Witch media had 127 00:08:34,160 --> 00:08:41,400 Speaker 3: a flying dragon, and the hero Tryptolemos, who taught agriculture 128 00:08:41,480 --> 00:08:45,880 Speaker 3: to humans, would spread it around by going from place 129 00:08:45,920 --> 00:08:50,679 Speaker 3: to place on this chariot that was drawn by flying dragons. 130 00:08:50,720 --> 00:08:55,119 Speaker 3: But the thing is that the flying in these serpents 131 00:08:55,320 --> 00:08:59,240 Speaker 3: was considered abnormal, that they were flying dragons in the 132 00:08:59,240 --> 00:09:01,400 Speaker 3: same way that pay I guess this was a flying horse. 133 00:09:01,640 --> 00:09:03,920 Speaker 3: In other words, that's not normal for a horse, you know. 134 00:09:05,480 --> 00:09:11,600 Speaker 3: So in the Middle Ages, though, wings became the norm 135 00:09:11,760 --> 00:09:18,040 Speaker 3: in dragons by way of artistic creativity, because it wasn't 136 00:09:18,080 --> 00:09:23,640 Speaker 3: through the stories that dragons became habitually winged. It was 137 00:09:23,880 --> 00:09:30,360 Speaker 3: an art first. There was a period in the eighth 138 00:09:30,400 --> 00:09:40,360 Speaker 3: century when English artists were putting these fantastic animals as 139 00:09:40,440 --> 00:09:47,920 Speaker 3: a background background decoration to various items. And the animal 140 00:09:47,960 --> 00:09:52,480 Speaker 3: would have kind of the head of a mammal, and 141 00:09:52,800 --> 00:09:58,480 Speaker 3: the feet that kind of kind of looked like lion pause, 142 00:09:58,679 --> 00:10:00,679 Speaker 3: and then the wings on the back, and then this 143 00:10:00,840 --> 00:10:05,480 Speaker 3: really long sinuous tail that sort of resembled a serpent tail. 144 00:10:05,960 --> 00:10:09,920 Speaker 3: And in the following century we see that sort of 145 00:10:10,679 --> 00:10:17,120 Speaker 3: beast being placed into roles where the literature would put 146 00:10:17,160 --> 00:10:21,960 Speaker 3: a dragon like versus a saint or versus the archangel Michael. 147 00:10:22,679 --> 00:10:27,120 Speaker 3: And and by the time this tenth century rolls around, 148 00:10:27,160 --> 00:10:30,480 Speaker 3: it's starting to become standard to put dragons with this 149 00:10:31,640 --> 00:10:37,600 Speaker 3: bodily form. So how the dragon got associated with this 150 00:10:37,800 --> 00:10:40,199 Speaker 3: fantastic animal that they the English were using as a 151 00:10:40,240 --> 00:10:45,880 Speaker 3: background decoration, I can't say, but that's apparently what happened, 152 00:10:45,960 --> 00:10:47,480 Speaker 3: or at least it's what it looks like to me. 153 00:10:47,720 --> 00:10:50,520 Speaker 2: How did the garden of Eden become synonymous with the 154 00:10:50,559 --> 00:10:51,880 Speaker 2: devil the serpent? 155 00:10:53,400 --> 00:10:59,640 Speaker 3: Ah, There's a good question, because in Genesis the devil 156 00:10:59,720 --> 00:11:07,400 Speaker 3: is not mentioned. So now early Christian writers were equating 157 00:11:07,920 --> 00:11:15,600 Speaker 3: the Eden serpent with Satan. And I have a feeling 158 00:11:15,679 --> 00:11:19,439 Speaker 3: it has something to do with the Book of Revelation, 159 00:11:20,040 --> 00:11:25,480 Speaker 3: because in Revelation Satan is described metaphorically as a serpent 160 00:11:26,440 --> 00:11:30,080 Speaker 3: and a dragon. By the way, the writer uses the 161 00:11:30,080 --> 00:11:33,480 Speaker 3: Greek ophis, which means snake, and then the racon on 162 00:11:33,559 --> 00:11:39,160 Speaker 3: the next line, which means serpent, and it calls him 163 00:11:39,720 --> 00:11:43,559 Speaker 3: at one point that old serpent or that old dragon. 164 00:11:43,800 --> 00:11:48,080 Speaker 3: And I think the Christian writers ran with this and went, oh, okay, 165 00:11:49,040 --> 00:11:52,160 Speaker 3: that must be the Eden serpent. I think that's probably 166 00:11:52,200 --> 00:11:53,360 Speaker 3: where the connection came in. 167 00:11:54,400 --> 00:11:57,960 Speaker 2: Take away the flying wings, take away the fire breathing, 168 00:11:58,760 --> 00:12:00,360 Speaker 2: where dragons the real deal? 169 00:12:01,880 --> 00:12:04,840 Speaker 3: Well, take away the wings and feed and take away 170 00:12:04,880 --> 00:12:07,880 Speaker 3: the fire, and what you've got left is a snake. 171 00:12:08,280 --> 00:12:12,040 Speaker 3: And yes, snakes are real, so in a sense, Greek 172 00:12:12,120 --> 00:12:18,480 Speaker 3: dragons are indeed real. And in fact, I used to 173 00:12:19,720 --> 00:12:24,200 Speaker 3: have a PowerPoint presentation that I would excuse me do 174 00:12:24,400 --> 00:12:27,880 Speaker 3: in libraries with that title, and you know, not explaining, 175 00:12:28,160 --> 00:12:32,520 Speaker 3: just saying Greek dragons are real and then hoping that 176 00:12:32,640 --> 00:12:35,240 Speaker 3: would draw draw people in. 177 00:12:35,400 --> 00:12:40,240 Speaker 2: What about biblical monsters like Leviathon and things like that. 178 00:12:42,120 --> 00:12:46,640 Speaker 3: Leviathan is a fun one. There were serpent myths long 179 00:12:46,800 --> 00:12:53,079 Speaker 3: before the word dragon was ever used in them, as 180 00:12:53,360 --> 00:12:55,000 Speaker 3: that is as far as we know, as far as 181 00:12:55,040 --> 00:13:00,640 Speaker 3: the recorded use of the word dragon, and in the 182 00:13:00,920 --> 00:13:06,960 Speaker 3: ancient Near East, some of this involved a creature who 183 00:13:07,120 --> 00:13:12,160 Speaker 3: was known as lo tan or Litan in the Canaanite 184 00:13:12,240 --> 00:13:18,640 Speaker 3: tongue and Leviathan in Hebrew, and we've anglicized that to Leviathan, 185 00:13:19,240 --> 00:13:24,559 Speaker 3: and the the ancient literature calls Leviathan a tanine, which 186 00:13:24,640 --> 00:13:29,040 Speaker 3: is Hebrew for serpent. And see the Hebrews, just like 187 00:13:29,080 --> 00:13:33,160 Speaker 3: the Greeks and Romans and English speakers today had you know, 188 00:13:33,240 --> 00:13:36,320 Speaker 3: the informal way to say snake, which was nahash in 189 00:13:36,400 --> 00:13:39,840 Speaker 3: Hebrew and in the formal way which was tanin, and 190 00:13:39,960 --> 00:13:43,360 Speaker 3: Leviathan is called both things in the Hebrew text of 191 00:13:43,360 --> 00:13:53,240 Speaker 3: the Bible. And the Leviathan's story is pretty pretty cool. 192 00:13:53,320 --> 00:13:57,000 Speaker 3: He battles the supreme deity, and of course the supreme 193 00:13:57,040 --> 00:14:03,240 Speaker 3: Deity puts him down like a rabid dog. And there's 194 00:14:03,280 --> 00:14:05,959 Speaker 3: a bit more to it. In the Book of Job, 195 00:14:06,880 --> 00:14:12,360 Speaker 3: Leviathan is said to emit fire from his mouth, and 196 00:14:12,960 --> 00:14:17,240 Speaker 3: this may have helped inspire the fire spitting in the 197 00:14:17,280 --> 00:14:22,000 Speaker 3: early Christian dragon stories. But see an ancient Hebrew, it 198 00:14:22,080 --> 00:14:26,440 Speaker 3: might not have been meant literally, because fire breathing was 199 00:14:26,720 --> 00:14:30,200 Speaker 3: an ancient Hebrew idiom that means intent to cause harm. 200 00:14:31,160 --> 00:14:35,240 Speaker 3: So even the deity himself, God himself was said to 201 00:14:35,240 --> 00:14:37,960 Speaker 3: breathe fire in the Psalms. 202 00:14:38,560 --> 00:14:42,000 Speaker 2: What is the story about you when you were overseas 203 00:14:42,120 --> 00:14:42,920 Speaker 2: that you're always. 204 00:14:42,720 --> 00:14:44,000 Speaker 4: Had eaten by a dragon? 205 00:14:45,520 --> 00:14:45,680 Speaker 1: Oh? 206 00:14:45,760 --> 00:14:50,840 Speaker 3: Yes, I did that. That was a fun day. The 207 00:14:51,960 --> 00:14:56,960 Speaker 3: ancient Romans used the word draco not just for snakes 208 00:14:56,960 --> 00:15:03,680 Speaker 3: and stories, but for real life pythons. Pythons were imported 209 00:15:03,960 --> 00:15:08,400 Speaker 3: from further south in Africa into the temples of Asclepios 210 00:15:08,480 --> 00:15:14,800 Speaker 3: and Alexandria. And because they always kept sacred snakes in 211 00:15:14,840 --> 00:15:17,800 Speaker 3: the temples of Asclepios, and the species that they used 212 00:15:17,800 --> 00:15:20,640 Speaker 3: in Greece was not present in Alexandria, so they had 213 00:15:20,640 --> 00:15:26,360 Speaker 3: to import whatever large species was there, and they got 214 00:15:26,400 --> 00:15:30,120 Speaker 3: the megal large ones of the pythons, so Draco became 215 00:15:30,200 --> 00:15:35,600 Speaker 3: equivalent to python for a time when Latin was the 216 00:15:38,480 --> 00:15:43,080 Speaker 3: was so common in the Mediterranean world. Anyhow, I grew 217 00:15:43,160 --> 00:15:46,200 Speaker 3: up in Liberia where there are pythons, and yes, one 218 00:15:46,240 --> 00:15:47,080 Speaker 3: tried to eat me once. 219 00:15:47,400 --> 00:15:48,520 Speaker 4: Yeah how old are. 220 00:15:50,320 --> 00:15:54,040 Speaker 3: Yes? I was eighteen. The thing is it did not 221 00:15:54,200 --> 00:15:56,440 Speaker 3: succeed because it was only about three and a half 222 00:15:56,480 --> 00:16:02,360 Speaker 3: feet long, and which makes the story less exciting, of course. 223 00:16:02,680 --> 00:16:07,440 Speaker 3: But what was going on was this was a python 224 00:16:07,480 --> 00:16:13,000 Speaker 3: that was in my care and a friend of mine 225 00:16:13,400 --> 00:16:20,520 Speaker 3: was hoping to use it for a science fair and 226 00:16:21,120 --> 00:16:24,600 Speaker 3: the goal was to try and feed it to cold 227 00:16:24,640 --> 00:16:28,560 Speaker 3: blooded things, knowing it wouldn't eat them, and then try 228 00:16:28,600 --> 00:16:32,800 Speaker 3: to feed it something warm blooded in front of the 229 00:16:32,880 --> 00:16:38,160 Speaker 3: crowd at the science fair to show to test the 230 00:16:38,240 --> 00:16:44,160 Speaker 3: hypothesis whether pythons prefer warm blooded to cold blooded prey. 231 00:16:44,280 --> 00:16:46,880 Speaker 3: So anyhow, I had the smell of bird on my 232 00:16:46,960 --> 00:16:53,680 Speaker 3: hands because I was getting the sacrificial bird ready for 233 00:16:53,760 --> 00:16:58,200 Speaker 3: the event, and I didn't wash my hands before transferring 234 00:16:58,240 --> 00:17:04,280 Speaker 3: Bloodthirsty that was his name, from one cage to the next. 235 00:17:04,560 --> 00:17:08,480 Speaker 3: And when I reached in, Bloodthirsty since the heat of 236 00:17:08,520 --> 00:17:11,080 Speaker 3: my hands, probably because they can do that, they've got 237 00:17:11,080 --> 00:17:13,840 Speaker 3: heat sits and pits on their faces, smelled the bird 238 00:17:13,960 --> 00:17:19,360 Speaker 3: and went home. Dinner's here and bloodthirsty just shot out 239 00:17:19,560 --> 00:17:22,679 Speaker 3: or wrapped around my wrist, and in no time I 240 00:17:22,680 --> 00:17:27,600 Speaker 3: could feel the constriction. It was oh, super fast, and 241 00:17:27,880 --> 00:17:33,159 Speaker 3: the constriction was super powerful. This snake had wrapped around 242 00:17:33,240 --> 00:17:35,840 Speaker 3: my neck numerous times just to be carried from here 243 00:17:35,880 --> 00:17:39,919 Speaker 3: to there gently. But this was not gentle. This was 244 00:17:40,000 --> 00:17:44,200 Speaker 3: an attempt to squeeze the life out of my wrist, 245 00:17:44,240 --> 00:17:44,600 Speaker 3: which it. 246 00:17:46,680 --> 00:17:46,920 Speaker 2: Point. 247 00:17:47,880 --> 00:17:52,520 Speaker 3: Yeah, they they when when they are about to constrict, 248 00:17:52,560 --> 00:17:55,240 Speaker 3: that's the first thing they do. They they pop at 249 00:17:55,280 --> 00:17:58,159 Speaker 3: you with their mouth open. They grab you at the 250 00:17:58,200 --> 00:18:01,520 Speaker 3: open mouth, and then if you are a small enough 251 00:18:01,560 --> 00:18:03,800 Speaker 3: animal to do this, then they roll with you and 252 00:18:03,840 --> 00:18:06,440 Speaker 3: it's the rolling that wraps them around you and then 253 00:18:06,480 --> 00:18:10,879 Speaker 3: they just squeeze. So anyhow, he kind of rolled himself 254 00:18:11,359 --> 00:18:15,480 Speaker 3: in mid air around my wrist and squeezed. It was 255 00:18:15,520 --> 00:18:17,600 Speaker 3: easy to flick him off because he was so small, 256 00:18:17,880 --> 00:18:21,680 Speaker 3: so the attempt only lasted a second or two. But still, 257 00:18:21,920 --> 00:18:23,520 Speaker 3: I'm one of the few people who can say a 258 00:18:23,560 --> 00:18:26,639 Speaker 3: python did try to eat me and I survived. 259 00:18:27,000 --> 00:18:29,840 Speaker 4: If it were a ten footer, what would have happened. 260 00:18:29,960 --> 00:18:33,960 Speaker 3: Oh, that would have gone a different way. It wouldn't 261 00:18:33,960 --> 00:18:35,760 Speaker 3: be It wouldn't have been as easy to flick a 262 00:18:35,800 --> 00:18:40,080 Speaker 3: ten footer off off my body, but it I mean, 263 00:18:40,119 --> 00:18:43,080 Speaker 3: given the size of me at age eighteen, I don't 264 00:18:43,119 --> 00:18:45,879 Speaker 3: think it would have succeeded, but I might have needed help. 265 00:18:46,280 --> 00:18:48,879 Speaker 4: I'd be interviewing the python right about now about the 266 00:18:48,920 --> 00:18:49,800 Speaker 4: little kiddy. 267 00:18:49,600 --> 00:18:54,120 Speaker 3: Eight you might, yes, which which might even be more interesting. 268 00:18:54,600 --> 00:18:57,880 Speaker 1: Listen to more Coast to Coast AM every weeknight at 269 00:18:57,920 --> 00:19:00,520 Speaker 1: one am Eastern, and go to co to Coast a 270 00:19:00,720 --> 00:19:01,960 Speaker 1: m dot com for more