WEBVTT - Episode 454 w/ Linkin Park

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<v Speaker 1>He is drinks chests, motherfucking podcast man. He's a legendary

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<v Speaker 1>queens rapper. He ain't sagreed as your boy in O

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<v Speaker 1>R E.

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<v Speaker 2>He's a Miami hip hop pioneer. What up it's d

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<v Speaker 2>J E f N.

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<v Speaker 1>Together they drink it up with some of the biggest players,

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<v Speaker 1>you know what I mean and the most professional unprofessional

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<v Speaker 1>podcast and your number one source for drunk drink.

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<v Speaker 3>Chans day is New year c Listen, It's time for

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<v Speaker 3>drink Champs.

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<v Speaker 2>Drink up, motherfucker mother? Would it good?

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<v Speaker 1>Being? Is your boy in O R E? What up?

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<v Speaker 2>It is DJ E f N And.

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<v Speaker 1>It's Midle Tippa crazy for all kick champs make up

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<v Speaker 1>right now?

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<v Speaker 2>When we talk about legends, were talking.

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<v Speaker 4>About legendary groups, legendary things that happened legendary. These brothers

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<v Speaker 4>have transcended with rock and roll music.

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<v Speaker 2>Scenes.

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<v Speaker 1>They are.

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<v Speaker 2>To me, they are hip hop group.

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<v Speaker 1>That turned rock.

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<v Speaker 2>I feel like a lot of the roots are hip

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<v Speaker 2>hop because I'm not gonna lie.

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<v Speaker 4>I can rhyme to every one of the beats like

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<v Speaker 4>I'm listening to it today. I'm like I had a

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<v Speaker 4>rhyme to every single song, Like I wrote a rhyme

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<v Speaker 4>to it. These brothers, you beat me. I was in

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<v Speaker 4>the back of the car like that, I said, rhyme

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<v Speaker 4>to every one of these fucking beats. Let's get straight

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<v Speaker 4>to it, because we ain't playing around. We are introducing

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<v Speaker 4>the honorable one.

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<v Speaker 1>Only let you.

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<v Speaker 2>And that's barkling Water because.

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<v Speaker 1>That's that's the bad luck, you know.

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<v Speaker 4>I mean, you guys on a sixty five fucking tour athletes.

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<v Speaker 1>Fine city. I'm I was gonna say thank you for

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<v Speaker 1>bringing out the good Japanese with good Yeah.

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<v Speaker 4>Thanks, right, that's right. So let's explain this tour that's

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<v Speaker 4>going on right now. What what cities are you going?

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<v Speaker 4>What cities are you excited to go to?

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<v Speaker 1>Well, the thing is, it's such a big tour for us,

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<v Speaker 1>like we we we haven't done a tour with this

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<v Speaker 1>many days in more than ten years, maybe more than

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<v Speaker 1>fifteen usually told thirty days, correct, I mean for us,

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<v Speaker 1>probably longer in a year, but this one is like

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<v Speaker 1>sixty five. It's quite a bit longer.

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<v Speaker 2>And listen, is it worldwide? Because that's that's the thing.

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<v Speaker 1>I know.

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<v Speaker 4>I was joking with you guys off camera, but it's

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<v Speaker 4>something that I really do mean right, right, it's a

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<v Speaker 4>broader scale of the audience you guys have, right, So

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<v Speaker 4>what cities, what's what cities are you looking forward to?

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<v Speaker 1>Well, what do you think that? I mean, we know

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<v Speaker 1>the biggest ones, like the places where we have a

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<v Speaker 1>really crazy avid fan base, the ones you know, we

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<v Speaker 1>were German, Our German fan base is big. Are our

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<v Speaker 1>Chinese fan base is big Germany, lots of we do,

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<v Speaker 1>we go, we go to we go to Germany all

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<v Speaker 1>the time. Yeah, but you know, on each tour we

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<v Speaker 1>do real well in South South America. You said China, China,

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<v Speaker 1>that's crazy China. Yeah, Like so on this run we're

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<v Speaker 1>not even hitting China. We've got quite a big fan

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<v Speaker 1>base and.

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<v Speaker 2>Well we we.

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<v Speaker 1>We we booked the dates before all that stuff happened.

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<v Speaker 1>But yeah, we're not hitting China, we're not hitting Russia,

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<v Speaker 1>and we've got big fan bases in both those places.

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<v Speaker 1>It's funny because actually the US is one of our

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<v Speaker 1>like comparatively, it's one of our smaller markets.

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<v Speaker 2>Get from the beginning or has it evolved into that?

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<v Speaker 5>Uh?

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<v Speaker 1>Down? Yeah? Probably up and down. How about North Korea?

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<v Speaker 1>We haven't been uh no, we haven't been there yet.

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<v Speaker 1>Ever been there?

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<v Speaker 4>I like him Jones. Like I'm just saying, like, he's

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<v Speaker 4>like a cool dude to me.

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<v Speaker 1>See, like he's like, you know what I mean, he

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<v Speaker 1>liked basketball, he was out there with you know what

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<v Speaker 1>I'm saying.

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<v Speaker 6>He's a he's a he's a hair style influencer.

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<v Speaker 1>Right, did you see the movie the interview? I didn't

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<v Speaker 1>see it. Oh you didn't see it the movie the interview.

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<v Speaker 1>But they made fun of him. Yeah, like he put

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<v Speaker 1>a hit out on him.

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<v Speaker 4>So you guys have been able to do something that

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<v Speaker 4>other hip hop acts I haven't been able to do.

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<v Speaker 4>You guys collaborated full fledged with jay Z. Holy moly moly,

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<v Speaker 4>how the hell? But by the way, by the way,

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<v Speaker 4>he has to be one thing about jay that I know.

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<v Speaker 4>I know him his whole career. He has to be

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<v Speaker 4>into it. To be into it. He will not do

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<v Speaker 4>something for money. It's not like that's not him. How

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<v Speaker 4>what happened when y'all got together?

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<v Speaker 1>What? What? What? What was it? He had to be

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<v Speaker 1>a fan of you guys. Yeah, well, okay, so this

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<v Speaker 1>was after our second record, So first record came out.

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<v Speaker 1>Tybrid theory was was by the end of the cycle.

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<v Speaker 1>They told us it was the biggest record on the planet,

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<v Speaker 1>and I was like, oh, I didn't it didn't register

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<v Speaker 1>what that meant. Like I was just thinking big is big,

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<v Speaker 1>like but like Britney Spears and whatever, like those kinds

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<v Speaker 1>of groups. Pop groups were big, they were probably bigger.

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<v Speaker 1>And that our label and our manager was like, no, no,

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<v Speaker 1>your your record was bigger than those records. Wow, And

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<v Speaker 1>so good boy. It happened so fast that it didn't

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<v Speaker 1>we didn't wrap our heads around it. And then so

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<v Speaker 1>we were already going straight into the second record, did

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<v Speaker 1>a second record that did also really really well, and

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<v Speaker 1>then so that's where we were sitting in our career.

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<v Speaker 1>And then Jay was just getting to the point where

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<v Speaker 1>he was he was probably a few years from that

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<v Speaker 1>moment where he retired what was it unplugged or something

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<v Speaker 1>like that. So what they did is the the mashup

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<v Speaker 1>was like a hot thing the moment Danger Mouse ray album,

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<v Speaker 1>and MTV realized that a lot of DJs were doing mashups,

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<v Speaker 1>and so they went to Ja and they said, hey,

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<v Speaker 1>we want to do a show that's like a mash

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<v Speaker 1>up show. Would you kick off the first episode since

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<v Speaker 1>you're the like you were the first mashup that somebody

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<v Speaker 1>did really that blew up, and they said who do

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<v Speaker 1>you want to do it with? He said yes, and

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<v Speaker 1>then they said who do you want to do with?

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<v Speaker 1>And he came back to them and said, Lincoln Park.

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<v Speaker 1>That's crazy Jo and they told us so then they

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<v Speaker 1>His manager was John and Eely and and Jelly rowe

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<v Speaker 1>yeh yesterday yes. So John went to our manager and

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<v Speaker 1>he said, this is what they're thinking, and whatever do

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<v Speaker 1>you want to do it? And I the response Instead

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<v Speaker 1>of giving them a response, knowing that it would just

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<v Speaker 1>lead to like questions, I just made three mashups because

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<v Speaker 1>that's what I do like. So what they didn't know

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<v Speaker 1>is that's how I learned how to make music. That's

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<v Speaker 1>how I learned to make tracks. I didn't. I didn't

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<v Speaker 1>grow up like wrap making a track and rapping on it.

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<v Speaker 1>I grew up before that, taking stuff that I liked

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<v Speaker 1>and mashing them up in order to learn how to

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<v Speaker 1>make a beat. So i'd like mash up. It'd be

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<v Speaker 1>like a break beat, a whole break beat off of

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<v Speaker 1>like a soul record, and then like Wu Tang Clan vocals,

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<v Speaker 1>and then like rage against the machine and smashing pumpkins,

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<v Speaker 1>and then maybe some Jackson five thing like all these

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<v Speaker 1>fucked up things that didn't make any sense. But to

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<v Speaker 1>me it was just I was just vibingmixes. I was, yeah,

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<v Speaker 1>I was just like learning, And so that's how I

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<v Speaker 1>learned to make I did. I was, yeah, I was

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<v Speaker 1>doing it on this weird little sampler called a originally

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<v Speaker 1>called MS one. It was a role and piece of

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<v Speaker 1>shit and then eventually Aki S nine hundred and then

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<v Speaker 1>so yeah, it made those And that's how I learned

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<v Speaker 1>how to do it. And so when they called, when

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<v Speaker 1>they send us the message, it said Jay wants to

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<v Speaker 1>do mashups. I just made three mashups just as like

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<v Speaker 1>a proof of concept or whatever. I sent it to

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<v Speaker 1>them and Jay's response was oh shit, and he knew

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<v Speaker 1>immediately like yeah, we've got to do this is the

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<v Speaker 1>right thing to do. Oh yeah. There wasn't any conversation

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<v Speaker 1>that I was just like, what are they going to do?

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<v Speaker 1>The first thing I gonna say is like, well, how

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<v Speaker 1>should we go about I'm just I don't we don't

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<v Speaker 1>need to do how should we do this? Just the

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<v Speaker 1>music is either it's works or it doesn't work.

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<v Speaker 4>No, But you know Sins walked this way right, Yes,

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<v Speaker 4>run DMC walked this way, you know, the rock and

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<v Speaker 4>hip hop thing.

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<v Speaker 5>It was so perfect the Beastie Boys. Can't forget BC

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<v Speaker 5>boys doing it as well.

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<v Speaker 1>I actually think it went back further, Like to me,

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<v Speaker 1>the the things like like like led Zeppelin on their own,

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<v Speaker 1>Like I think if they had the power to sample

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<v Speaker 1>or they knew to collaborate with people, that they would

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<v Speaker 1>have done it. But they were just assimilating like soul

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<v Speaker 1>and R and B and older rock for sure, right,

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<v Speaker 1>and they were definitely they were making, they were making.

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<v Speaker 1>They were putting that into this rock thing that they

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<v Speaker 1>did as a British rock group. Right. So to me,

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<v Speaker 1>I listened to that and I heard hip hop because

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<v Speaker 1>I didn't know any better. It's like thirteen fourteen no.

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<v Speaker 4>But for me, I'm listening to the EP and I'm like,

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<v Speaker 4>this doesn't sound forced at oh, it sounds like I'm

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<v Speaker 4>going out on the line there. Did you guys record

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<v Speaker 4>in the same studio as Jay?

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<v Speaker 1>Yeah? Originally not the original material like but his he

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<v Speaker 1>had so much music out before, okay, Right, like I

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<v Speaker 1>grew up, we grew up listening to like what records

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<v Speaker 1>do you remember? Sometimes we would talk about Jay Jay's records,

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<v Speaker 1>like when you're just talking you're making songs, and you go, oh,

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<v Speaker 1>you know it's Stipe. Is the balance on? Like can

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<v Speaker 1>I get a what like that? That balance is so cool?

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<v Speaker 1>Like I wish we had a song that had that

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<v Speaker 1>kind of groove, you know, and so you'd just be

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<v Speaker 1>thinking about that and that would kind of influence the drums.

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<v Speaker 1>And then then we pulled from other things, like other

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<v Speaker 1>ideas we had. But that I think that sets up.

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<v Speaker 1>When we did the mashups, it was like, oh, it's

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<v Speaker 1>already the hip hop element's already in there, like I

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<v Speaker 1>just got the origins of it.

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<v Speaker 7>It's like a lot of times it just goes back

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<v Speaker 7>to these break beats that you know, Wow, they're just

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<v Speaker 7>part of the foundation of everything we're listening to.

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<v Speaker 1>Now. Is that something? Because I kid do not to me.

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<v Speaker 4>When I listen to you guys music, I can hear

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<v Speaker 4>the hip hop bass in there. I can hear it,

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<v Speaker 4>But then I also also understand that it's a whole

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<v Speaker 4>other crowd, you know.

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<v Speaker 1>What I mean.

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<v Speaker 4>But like I said, like I'm sitting there like I

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<v Speaker 4>don't want to be an artist no more, but I

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<v Speaker 4>can't help myself and the whole time, I'm sitting there

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<v Speaker 4>and I'm like, I'm rhyming to your shit. So is

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<v Speaker 4>that something you have did consciously? Like, because anybody who

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<v Speaker 4>loves hip hop has.

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<v Speaker 2>To love your music.

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<v Speaker 1>I feel like it's I feel like sometimes may have

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<v Speaker 1>been intentional, but other times it's just like it's baked

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<v Speaker 1>into like what we like is what we like, Like

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<v Speaker 1>this is what I grew up on. And we were

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<v Speaker 1>talking earlier, like it's like before we got into making

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<v Speaker 1>rock music, I probably listened to like two to five

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<v Speaker 1>percent of the music I listened to was probably rock. Okay,

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<v Speaker 1>it's probably like ninety percent hip.

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<v Speaker 5>Hop because you guys are like the hip hop heads

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<v Speaker 5>of the band. I wouldn't it seems like it, that's right.

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<v Speaker 2>Do you think that you.

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<v Speaker 5>Guys bring more of that perspective? And it's ever like

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<v Speaker 5>anybody will saying, nah, it's maybe is leaning too much

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<v Speaker 5>to hip hop.

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<v Speaker 7>Or well, I think if you're alive today, it's like

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<v Speaker 7>hip Hop's is undeniable.

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<v Speaker 1>It's everywhere, right.

0:11:12.520 --> 0:11:15.080
<v Speaker 7>And I think for us it's just a matter of

0:11:15.600 --> 0:11:17.920
<v Speaker 7>over time, doing a lot of work and focusing on

0:11:18.480 --> 0:11:20.720
<v Speaker 7>you know, in our case, especially in the early days

0:11:20.760 --> 0:11:24.480
<v Speaker 7>hip hop and then it's just like oftentimes more than.

0:11:24.440 --> 0:11:26.560
<v Speaker 1>That, you hit a wall, right, I want to do

0:11:26.600 --> 0:11:28.280
<v Speaker 1>this thing, I can't get it.

0:11:28.360 --> 0:11:33.000
<v Speaker 7>And actually where there was some old tapes I was

0:11:33.040 --> 0:11:36.040
<v Speaker 7>watching of us making this record. We're talking about some

0:11:36.080 --> 0:11:38.760
<v Speaker 7>vocal stuff that Mike's doing and he's like, ah, like

0:11:39.120 --> 0:11:41.600
<v Speaker 7>I felt like I I just like kind of hit

0:11:41.600 --> 0:11:43.800
<v Speaker 7>a ceiling on what I can do at this moment.

0:11:44.559 --> 0:11:47.320
<v Speaker 7>But then like magically, we just make the right track

0:11:47.360 --> 0:11:51.200
<v Speaker 7>a half year later and it's just automatically, it just flows.

0:11:52.120 --> 0:11:54.120
<v Speaker 1>Did you ever have a verse where like you did

0:11:54.120 --> 0:11:57.440
<v Speaker 1>the verse on a beat and it sounded okay, but

0:11:57.480 --> 0:12:00.839
<v Speaker 1>then you didn't release it or whatever. Then later you've

0:12:00.840 --> 0:12:02.640
<v Speaker 1>heard a different beat and you did the same verse

0:12:02.679 --> 0:12:03.560
<v Speaker 1>on the new beat, and you're.

0:12:03.400 --> 0:12:07.480
<v Speaker 2>Like, that's perfectly like what happens like that?

0:12:07.640 --> 0:12:09.280
<v Speaker 1>I have, you know, at this point in my career,

0:12:09.280 --> 0:12:12.080
<v Speaker 1>I got so many verses that are like almost they're

0:12:12.080 --> 0:12:15.679
<v Speaker 1>like maybe they're half baked but not quite done, but

0:12:15.720 --> 0:12:17.640
<v Speaker 1>they're close and they have a vibe, and then I

0:12:17.679 --> 0:12:20.319
<v Speaker 1>put them over the right track and it's it fits.

0:12:20.720 --> 0:12:23.679
<v Speaker 1>So let's talk sex and drugs and rock and roll. Okay,

0:12:24.559 --> 0:12:27.720
<v Speaker 1>I love that. That's where you talking to the.

0:12:27.760 --> 0:12:43.079
<v Speaker 3>Rock yes, because because rock and roll has a lot

0:12:43.120 --> 0:12:43.520
<v Speaker 3>of sex.

0:12:44.960 --> 0:12:46.400
<v Speaker 1>I got over cocaine yesterday.

0:12:46.400 --> 0:12:50.520
<v Speaker 2>It was crazy rock and roll.

0:12:50.600 --> 0:12:55.840
<v Speaker 4>Yes, how is that? How is that such thing that exists? Sex,

0:12:55.920 --> 0:12:59.920
<v Speaker 4>drugs and rock and roll? Absolutely industry in general.

0:13:00.440 --> 0:13:02.240
<v Speaker 1>My own answer, but what do you what would you say?

0:13:03.200 --> 0:13:04.319
<v Speaker 1>Look like you did a line before?

0:13:05.600 --> 0:13:12.560
<v Speaker 7>Actually no, not I haven't, but good Joe's in Miami,

0:13:12.640 --> 0:13:16.959
<v Speaker 7>now okay, yeah, go ahead. No, I feel I mean, yeah,

0:13:17.000 --> 0:13:18.840
<v Speaker 7>I know you don't want to answer it. I feel

0:13:18.880 --> 0:13:20.280
<v Speaker 7>like no, I feel like it.

0:13:20.280 --> 0:13:23.800
<v Speaker 1>It's funny because it was really notable when we came out.

0:13:24.240 --> 0:13:26.480
<v Speaker 1>One of the things people said about us all the

0:13:26.559 --> 0:13:31.040
<v Speaker 1>time was all these guys are so much less that. Wow,

0:13:31.200 --> 0:13:35.080
<v Speaker 1>Like the groups that were out before us were really

0:13:35.120 --> 0:13:39.480
<v Speaker 1>partying through the eighties and Motley Cruz in the eighties,

0:13:39.800 --> 0:13:42.280
<v Speaker 1>huge like that's what they were all known. They were

0:13:42.280 --> 0:13:45.520
<v Speaker 1>biting bats and ship like that, but they were they

0:13:45.520 --> 0:13:47.560
<v Speaker 1>were out on sunset. I don't know if you ever.

0:13:47.480 --> 0:13:50.160
<v Speaker 6>Spent much time in like probably like Hollywood, Holly.

0:13:50.000 --> 0:13:50.959
<v Speaker 2>I've never really got it.

0:13:51.080 --> 0:13:55.560
<v Speaker 1>So those guys they lived stories and they were just

0:13:55.679 --> 0:13:57.720
<v Speaker 1>constantly like back and forth between the club where they

0:13:57.720 --> 0:13:59.600
<v Speaker 1>played and the girls back to the place where they

0:13:59.600 --> 0:14:00.440
<v Speaker 1>stayed and they lived.

0:14:00.679 --> 0:14:02.959
<v Speaker 2>It was all day. It was a culture at that point.

0:14:03.160 --> 0:14:05.120
<v Speaker 1>So yeah, so that was their culture and I grew

0:14:05.240 --> 0:14:08.559
<v Speaker 1>when I grew up, it was the It was like that.

0:14:09.200 --> 0:14:12.280
<v Speaker 1>It was. I was little when that was ending. So

0:14:12.360 --> 0:14:14.960
<v Speaker 1>I was reacting to like I was looking at you

0:14:14.960 --> 0:14:17.680
<v Speaker 1>were talking about run DMC boys, like that was the earliest.

0:14:17.720 --> 0:14:21.920
<v Speaker 1>The first record I ever bought were those records. Yeah, yeah,

0:14:22.360 --> 0:14:28.320
<v Speaker 1>license to Ill, uh Hell Raisin Hell might have been.

0:14:29.280 --> 0:14:31.560
<v Speaker 1>I might have bought another Runny MC record before that. Anyway,

0:14:31.960 --> 0:14:33.720
<v Speaker 1>The point is that that was the beginning of me

0:14:33.840 --> 0:14:35.520
<v Speaker 1>listening to music, and so all the music I listened

0:14:35.520 --> 0:14:38.600
<v Speaker 1>to his hip hop and then those the kids at

0:14:38.600 --> 0:14:42.320
<v Speaker 1>my school at the time, everything was real separated if

0:14:42.320 --> 0:14:45.000
<v Speaker 1>you based on what music you listen to. So our

0:14:45.040 --> 0:14:47.680
<v Speaker 1>table we all listened to rap. Those dudes they all

0:14:47.680 --> 0:14:50.080
<v Speaker 1>listened to rock or metal or whatever. We had beef

0:14:50.120 --> 0:14:54.280
<v Speaker 1>with them, like we hated them. They fucking hated us. Yeah,

0:14:54.320 --> 0:14:56.240
<v Speaker 1>but that's how it was. Like we were growing up

0:14:56.240 --> 0:14:59.720
<v Speaker 1>in these like I was in you know, uh in

0:14:59.800 --> 0:15:02.560
<v Speaker 1>the in the San Fernano Valley, so like like it's

0:15:02.600 --> 0:15:05.960
<v Speaker 1>the joke is like that that school where ice Cube

0:15:06.000 --> 0:15:09.760
<v Speaker 1>goes to in in the movie. In the yeah, yeah, yeah,

0:15:09.800 --> 0:15:12.520
<v Speaker 1>it's it was basically he so So Cube and a

0:15:12.520 --> 0:15:14.520
<v Speaker 1>couple of other people, like it was known that that

0:15:14.880 --> 0:15:18.119
<v Speaker 1>he in particular went to uh school in my neighborhood.

0:15:18.440 --> 0:15:20.960
<v Speaker 1>He so d was up in the valley where all

0:15:20.960 --> 0:15:22.920
<v Speaker 1>the white kids. But it actually wasn't all white kids.

0:15:22.920 --> 0:15:24.440
<v Speaker 1>In the movie they show all white kids, but in

0:15:24.440 --> 0:15:27.440
<v Speaker 1>the reality it was there's a lot of Persians, a

0:15:27.480 --> 0:15:29.880
<v Speaker 1>lot of Jewish kids.

0:15:30.400 --> 0:15:32.000
<v Speaker 2>But that's where that's where Cube played.

0:15:32.360 --> 0:15:35.280
<v Speaker 1>So So in high school. High school. Yeah, so they

0:15:35.320 --> 0:15:37.400
<v Speaker 1>bust they bust all those kids up because they wanted

0:15:37.400 --> 0:15:39.120
<v Speaker 1>to get them out of the hood to get like

0:15:39.280 --> 0:15:42.160
<v Speaker 1>better teachers, better education, whatever, because they have more funding

0:15:42.240 --> 0:15:43.800
<v Speaker 1>up there. And so what happened is they all came

0:15:43.840 --> 0:15:46.200
<v Speaker 1>to our school and they all get got integrated. What

0:15:46.600 --> 0:15:50.120
<v Speaker 1>happened for me, for us was that he had already

0:15:50.160 --> 0:15:52.880
<v Speaker 1>graduated that point then. Yeah, but to say you went

0:15:52.880 --> 0:15:54.480
<v Speaker 1>to the high school with Cube, I know, I didn't.

0:15:54.480 --> 0:15:59.040
<v Speaker 1>We didn't. What happened was all those kids were still

0:15:59.040 --> 0:16:01.480
<v Speaker 1>getting busted up and they were bringing their music. So

0:16:01.520 --> 0:16:04.080
<v Speaker 1>the kids from downtown who listened to Iced Tea, who

0:16:04.080 --> 0:16:06.080
<v Speaker 1>listen to n WA, listen to all that king t

0:16:06.320 --> 0:16:08.760
<v Speaker 1>all that stuff. They came up and they're like, check

0:16:08.800 --> 0:16:10.520
<v Speaker 1>this out, check this out. And that's how I got

0:16:10.560 --> 0:16:14.400
<v Speaker 1>all the music I grew up listening to us from them.

0:16:12.800 --> 0:16:18.480
<v Speaker 2>M yeah, manakes noise? Do you have a story?

0:16:18.520 --> 0:16:22.160
<v Speaker 1>Short? No sex, but don't ask how the other thing

0:16:22.560 --> 0:16:24.440
<v Speaker 1>that by the time we got like since we were

0:16:24.480 --> 0:16:27.560
<v Speaker 1>the next generation after we were like people would say, like,

0:16:27.560 --> 0:16:29.360
<v Speaker 1>we're more about our business, Like we were trying to

0:16:29.400 --> 0:16:34.760
<v Speaker 1>be artists, get make interesting creative ship and handle our

0:16:35.000 --> 0:16:37.640
<v Speaker 1>business so that it stayed afloat, like so it didn't

0:16:37.640 --> 0:16:40.640
<v Speaker 1>fall apart because those dudes had already come out been

0:16:41.240 --> 0:16:44.280
<v Speaker 1>intoxicated whatever, and their business fell apart because the people

0:16:44.320 --> 0:16:49.000
<v Speaker 1>they handed it to like cheated them, Right.

0:16:48.680 --> 0:16:49.920
<v Speaker 2>There's story to deal with.

0:16:49.960 --> 0:16:52.280
<v Speaker 1>The stories are like all their attorney cheated them, their

0:16:52.280 --> 0:16:54.800
<v Speaker 1>business manager cheated them, were the label whatever. So we

0:16:54.800 --> 0:16:56.520
<v Speaker 1>didn't want to be victims of that. So we were

0:16:56.560 --> 0:16:59.560
<v Speaker 1>always like, well, let's be like clear headed and smart

0:16:59.600 --> 0:17:00.840
<v Speaker 1>and we so we didn't party so much.

0:17:00.880 --> 0:17:03.760
<v Speaker 5>From So, how did you guys come up with the

0:17:03.840 --> 0:17:05.920
<v Speaker 5>name Lincoln Park? Was you at Lincoln Park?

0:17:06.359 --> 0:17:09.200
<v Speaker 1>Oh? It was a park in Santa Monica, Uh huh

0:17:09.240 --> 0:17:12.679
<v Speaker 1>and uh Chester our singer. We were looking for a

0:17:12.720 --> 0:17:15.240
<v Speaker 1>new name. We were called Zero at the time. It

0:17:15.240 --> 0:17:16.760
<v Speaker 1>was x c r oh. That was our name, Man,

0:17:16.840 --> 0:17:19.000
<v Speaker 1>that was your name, Zero Zero. That could have worked.

0:17:19.000 --> 0:17:21.520
<v Speaker 1>And then our name was Hybrid Theory. And Chester was

0:17:21.520 --> 0:17:23.919
<v Speaker 1>a part of those early so Zero was with a

0:17:23.960 --> 0:17:27.639
<v Speaker 1>different singer, Michael friend Mark Uh and Mark became a

0:17:28.200 --> 0:17:30.360
<v Speaker 1>music manager. He man now manages a ton of great

0:17:30.800 --> 0:17:33.080
<v Speaker 1>rock artists, so he did. He ended up doing great.

0:17:34.600 --> 0:17:36.680
<v Speaker 1>And then we got Chester and we had changed the

0:17:36.760 --> 0:17:39.600
<v Speaker 1>name of Hybrid Theory, and then that wasn't gonna work

0:17:40.160 --> 0:17:42.119
<v Speaker 1>for whatever reason. And then we were looking for a

0:17:42.160 --> 0:17:45.320
<v Speaker 1>new name. And Chester was sleeping in his car. He

0:17:45.440 --> 0:17:47.520
<v Speaker 1>was out from Arizona. He didn't have a place to

0:17:47.560 --> 0:17:50.320
<v Speaker 1>stay yet, and for some for whatever reason, he didn't

0:17:50.320 --> 0:17:52.000
<v Speaker 1>decide to stay with me. I asked, I think I

0:17:52.040 --> 0:17:54.080
<v Speaker 1>offered it to him, but he didn't do it, and

0:17:54.160 --> 0:17:57.159
<v Speaker 1>he stayed near Lincoln Park and he brought it in

0:17:57.160 --> 0:17:58.880
<v Speaker 1>one day. He was like, what about this name? Wow,

0:17:59.119 --> 0:18:01.520
<v Speaker 1>And we changed the spelling because at the time, every

0:18:01.680 --> 0:18:04.280
<v Speaker 1>like a dot com was powerful, like having your own

0:18:04.359 --> 0:18:06.840
<v Speaker 1>name dot com was to do. So we changed the

0:18:06.840 --> 0:18:08.840
<v Speaker 1>spelling to l I N K I N in order

0:18:08.880 --> 0:18:12.159
<v Speaker 1>to get that dot com park dot com rest in

0:18:12.200 --> 0:18:15.520
<v Speaker 1>peace to thank you. Yes, sorry, so we're gonna gonna

0:18:15.640 --> 0:18:17.959
<v Speaker 1>do quick time as fine going already. Yeah, give them

0:18:17.960 --> 0:18:20.600
<v Speaker 1>the flowers first, man.

0:18:19.840 --> 0:18:22.240
<v Speaker 4>Show us about giving people today flowers, and we want

0:18:22.280 --> 0:18:24.400
<v Speaker 4>to give you y'all flowers face to face man and man,

0:18:24.440 --> 0:18:27.240
<v Speaker 4>tell you how great your people are, what y'all did,

0:18:27.440 --> 0:18:30.880
<v Speaker 4>what y'all doing to the industry, and continue to move.

0:18:30.960 --> 0:18:31.160
<v Speaker 1>Man.

0:18:31.520 --> 0:18:34.159
<v Speaker 4>We really respect y'all and we really was honored that

0:18:34.200 --> 0:18:37.240
<v Speaker 4>you guys chose us to speak to the public.

0:18:39.760 --> 0:18:44.400
<v Speaker 1>You want to give you so well, yeah, by the way,

0:18:44.400 --> 0:18:47.680
<v Speaker 1>this is this whiskey is gold fantastic.

0:18:47.119 --> 0:18:49.000
<v Speaker 5>And we know y'all represent the whole band, but you know,

0:18:49.280 --> 0:18:50.800
<v Speaker 5>thank you for for coming would.

0:18:50.560 --> 0:18:54.639
<v Speaker 1>Be yes, yes, I mean you know it's thank you.

0:18:55.000 --> 0:18:57.440
<v Speaker 2>So we're gonna do are we going to explain the game? Yeah?

0:18:57.520 --> 0:18:59.680
<v Speaker 5>So, well, you've got to get designated drinkers for you

0:18:59.720 --> 0:19:00.640
<v Speaker 5>guys me unless you're.

0:19:00.560 --> 0:19:02.000
<v Speaker 1>Gonna know, I could probably do it.

0:19:02.080 --> 0:19:04.760
<v Speaker 2>Yeah, you want to designate a drinker.

0:19:05.600 --> 0:19:06.040
<v Speaker 1>It's rare.

0:19:09.880 --> 0:19:16.320
<v Speaker 2>Come on, yeah yeah yeah, birthday pull up? Make it?

0:19:16.400 --> 0:19:17.240
<v Speaker 1>What are you drinking? Right?

0:19:19.040 --> 0:19:20.159
<v Speaker 2>You gotta drink what you know?

0:19:20.400 --> 0:19:23.160
<v Speaker 1>He has to drink? He has to drink with you pick. Okay,

0:19:23.640 --> 0:19:26.119
<v Speaker 1>what do you want him to drink? He has no choice,

0:19:26.280 --> 0:19:26.960
<v Speaker 1>He has no choice.

0:19:27.119 --> 0:19:36.200
<v Speaker 5>Yeah yeah Japanese okay, cool, yeah, ready Jamie, Yeah, it's

0:19:36.240 --> 0:19:39.439
<v Speaker 5>not like Okay, explain the rule.

0:19:39.680 --> 0:19:42.640
<v Speaker 6>Yeah yeah, yeah, you could have chosen something that'd be painful.

0:19:42.960 --> 0:19:46.360
<v Speaker 2>No, enjoyed his birthday.

0:19:46.920 --> 0:19:48.440
<v Speaker 1>That's what I would pick for myself.

0:19:48.560 --> 0:19:50.040
<v Speaker 5>So this is our drinking game. We're gonna give you

0:19:50.080 --> 0:19:53.800
<v Speaker 5>two choices. You pick one, we don't drink. If you

0:19:53.840 --> 0:19:56.359
<v Speaker 5>say both are neither, which is the politically correct answer,

0:19:56.600 --> 0:19:57.480
<v Speaker 5>then we all drink.

0:19:58.160 --> 0:19:58.440
<v Speaker 1>Got it?

0:19:58.840 --> 0:20:00.880
<v Speaker 2>And it's really just to bring up names and stories.

0:20:01.320 --> 0:20:04.919
<v Speaker 1>And by the way, this also is Yeah, we're going

0:20:05.000 --> 0:20:07.320
<v Speaker 1>to be bad at this. I think you're gonna be

0:20:07.560 --> 0:20:12.960
<v Speaker 1>very brilliantly, very glit good story. Decided to be a

0:20:13.000 --> 0:20:14.439
<v Speaker 1>little little politically correct.

0:20:14.600 --> 0:20:17.399
<v Speaker 5>It's all my best to not be Okay, if you

0:20:17.440 --> 0:20:19.840
<v Speaker 5>do that, but give us good stories too, I'll do

0:20:19.960 --> 0:20:20.359
<v Speaker 5>my best.

0:20:21.920 --> 0:20:25.920
<v Speaker 4>Jevity whiskey, Yeah, yeah, whiskey. Yeah, Okay, ready for the

0:20:25.920 --> 0:20:30.399
<v Speaker 4>first one. Yes, I know what you're gonna do. I

0:20:30.440 --> 0:20:33.600
<v Speaker 4>got a sense of what he's going to do. Jay

0:20:33.680 --> 0:20:35.080
<v Speaker 4>z or Nas.

0:20:37.600 --> 0:20:43.399
<v Speaker 1>Yeah, I'll go Jay. Okay, Jay Okay, we have to

0:20:43.440 --> 0:20:46.760
<v Speaker 1>explain why. Yeah, yeah, I've actually never met Nas. You

0:20:46.880 --> 0:20:51.200
<v Speaker 1>never meant that's which is like I feel like we

0:20:51.200 --> 0:20:53.400
<v Speaker 1>were like a degree of separation at a certain pay

0:20:53.480 --> 0:20:56.480
<v Speaker 1>that I just I could hear how I love it, by.

0:20:56.400 --> 0:20:57.400
<v Speaker 2>The way, what you guys love.

0:20:57.600 --> 0:21:00.560
<v Speaker 1>I love Na's work and I saw I went. I

0:21:00.600 --> 0:21:02.359
<v Speaker 1>bought tickets to his show when he came to l

0:21:02.400 --> 0:21:04.560
<v Speaker 1>A like a couple of years ago. Wow, I'm a fan.

0:21:05.000 --> 0:21:05.400
<v Speaker 2>Wow.

0:21:06.240 --> 0:21:18.360
<v Speaker 8>So okay, on Tupac or DMX, DMX, I was say

0:21:18.480 --> 0:21:23.600
<v Speaker 8>pack any any any reasons, any story.

0:21:24.480 --> 0:21:26.640
<v Speaker 1>I only say talk because well I mainly say talk

0:21:26.720 --> 0:21:30.880
<v Speaker 1>because I never met poc Tupac is it was such

0:21:30.960 --> 0:21:34.040
<v Speaker 1>a well rounded artist and like he was like he

0:21:34.160 --> 0:21:37.280
<v Speaker 1>had that that other level of like thoughtfulness, like the

0:21:37.320 --> 0:21:40.000
<v Speaker 1>way his mind worked it is crazy. And I think

0:21:40.040 --> 0:21:42.120
<v Speaker 1>DMX did too, But I just I think it really

0:21:42.160 --> 0:21:43.920
<v Speaker 1>came through in the in the songs.

0:21:43.960 --> 0:21:46.520
<v Speaker 5>When it came to you guys, ever interacted with X.

0:21:46.520 --> 0:21:47.919
<v Speaker 5>I feel like X might have been some of the

0:21:47.920 --> 0:21:49.360
<v Speaker 5>festivals you guys I met.

0:21:49.400 --> 0:21:51.800
<v Speaker 1>I met X play the show with them once. Yeah, yeah,

0:21:51.920 --> 0:21:54.560
<v Speaker 1>we played with I think were the ones. Actually I

0:21:54.600 --> 0:21:56.600
<v Speaker 1>was thinking of that one where he didn't notorious that

0:21:56.600 --> 0:21:58.879
<v Speaker 1>he always showed blate for everything. So we played one

0:21:58.880 --> 0:22:00.760
<v Speaker 1>of those shows where I remember we were saying backstage

0:22:00.800 --> 0:22:03.359
<v Speaker 1>like should we like go to the next show, or

0:22:03.400 --> 0:22:09.200
<v Speaker 1>like he's going to show up? But I did actually

0:22:09.280 --> 0:22:11.160
<v Speaker 1>end up meeting him. We did a song. I don't

0:22:11.160 --> 0:22:12.199
<v Speaker 1>know if you know this. We did a song with

0:22:12.320 --> 0:22:15.359
<v Speaker 1>rock Him. Yeah. Yeah, we had a song off of

0:22:15.359 --> 0:22:19.520
<v Speaker 1>our one of our heaviest metal records, and the song

0:22:19.640 --> 0:22:22.000
<v Speaker 1>was so it was a super song. Yeah, this is

0:22:22.000 --> 0:22:24.080
<v Speaker 1>a song like six minutes something that's about that. It's

0:22:24.080 --> 0:22:27.600
<v Speaker 1>like this Metallica style six minute song. And we displaced

0:22:27.640 --> 0:22:30.719
<v Speaker 1>in the middle where I was thinking of doing a verse. Actually,

0:22:30.720 --> 0:22:32.520
<v Speaker 1>they were saying like, you should do a rap verse

0:22:32.520 --> 0:22:35.280
<v Speaker 1>on this because that's the most unexpected thing you could do.

0:22:35.680 --> 0:22:37.280
<v Speaker 1>And my brain was like, well, what can we do

0:22:37.320 --> 0:22:40.960
<v Speaker 1>that be even more unexpected? And we managed to reach

0:22:41.000 --> 0:22:44.000
<v Speaker 1>out to rock Him and he drove because he doesn't fly,

0:22:44.760 --> 0:22:47.919
<v Speaker 1>you know, he drove out from New York all the

0:22:47.920 --> 0:22:49.520
<v Speaker 1>way out to l a verse.

0:22:49.880 --> 0:22:56.640
<v Speaker 7>Who's the best?

0:23:00.520 --> 0:23:02.600
<v Speaker 1>Talk about talk about tem about you? You went way

0:23:02.640 --> 0:23:05.960
<v Speaker 1>too fast, so you said, rock Kim drove from New York.

0:23:06.440 --> 0:23:07.240
<v Speaker 1>I couldn't believe it.

0:23:07.240 --> 0:23:13.679
<v Speaker 2>Either yo, that's leg I'm taking a shot. Even though

0:23:13.720 --> 0:23:14.399
<v Speaker 2>you ain't cute.

0:23:14.520 --> 0:23:18.480
<v Speaker 1>I mean, how did you work with the man? I mean,

0:23:18.640 --> 0:23:22.800
<v Speaker 1>look it all start. I'm not gonna there's not I

0:23:22.840 --> 0:23:24.199
<v Speaker 1>can tell you. I can talk about this for the

0:23:24.200 --> 0:23:27.080
<v Speaker 1>whole thing. But the moment when he got there, he

0:23:27.160 --> 0:23:29.080
<v Speaker 1>came in, I think he came with his wife, right,

0:23:29.560 --> 0:23:31.679
<v Speaker 1>and then he when he came in the door, the

0:23:31.800 --> 0:23:34.720
<v Speaker 1>engineer there was like a runner, like a lower level

0:23:34.760 --> 0:23:38.240
<v Speaker 1>engineer kid who got the door, open the door for him.

0:23:38.359 --> 0:23:41.240
<v Speaker 1>And this kid's got to be like seventeen eighteen, that's

0:23:41.280 --> 0:23:44.280
<v Speaker 1>no idea, eighteen nineteen, that's what I thought. That's what

0:23:44.320 --> 0:23:47.919
<v Speaker 1>I thought. And this kid opened the door and he practically,

0:23:48.119 --> 0:23:52.199
<v Speaker 1>he practically bowed to this man, like everybody knew. You

0:23:52.240 --> 0:23:55.679
<v Speaker 1>couldn't you couldn't avoid it. Like Kim came and he

0:23:55.800 --> 0:24:00.760
<v Speaker 1>literally the kid like like avoided his eyes, opened the door.

0:24:00.800 --> 0:24:02.639
<v Speaker 1>And when he left, the kid who was fucking shook

0:24:03.280 --> 0:24:09.680
<v Speaker 1>And that made me more nervous. I was so nervous.

0:24:10.640 --> 0:24:13.000
<v Speaker 1>But but the reason I mentioned is because like because

0:24:13.000 --> 0:24:14.880
<v Speaker 1>of that, so we did the thing with him, got

0:24:14.920 --> 0:24:17.480
<v Speaker 1>the single and whatever, and then Rock Kim came back

0:24:17.480 --> 0:24:19.400
<v Speaker 1>to town later to do a show, and he did

0:24:19.400 --> 0:24:21.520
<v Speaker 1>a hip hop like a like an old school show

0:24:21.840 --> 0:24:24.320
<v Speaker 1>that had EP m D on the bill and DMX

0:24:24.480 --> 0:24:25.840
<v Speaker 1>was on the bill and so on and so forth, and

0:24:25.880 --> 0:24:28.480
<v Speaker 1>so backstage I got to go say hi, and I

0:24:28.560 --> 0:24:30.879
<v Speaker 1>met all of that and it was one of the

0:24:31.160 --> 0:24:32.760
<v Speaker 1>as a band, just like one of the coolest.

0:24:33.640 --> 0:24:35.880
<v Speaker 4>I tell you, I'll tell you a cool story real

0:24:35.920 --> 0:24:39.359
<v Speaker 4>quick and we get right back to you, guys. I

0:24:39.480 --> 0:24:44.920
<v Speaker 4>see Nas fan out with rock Kim, and that made

0:24:44.920 --> 0:24:47.359
<v Speaker 4>me like, it made me say, don't ever not be

0:24:47.440 --> 0:24:50.080
<v Speaker 4>a fan. Of course, don't ever grow out of being

0:24:50.080 --> 0:24:51.000
<v Speaker 4>a fan like that.

0:24:51.000 --> 0:24:52.000
<v Speaker 2>That's the point of our show.

0:24:52.240 --> 0:24:53.680
<v Speaker 1>Yes, yes, yes, don't ever.

0:24:53.920 --> 0:24:56.080
<v Speaker 4>But when I got to see and what I'm saying

0:24:56.160 --> 0:24:57.480
<v Speaker 4>is rock Kim brings that out of everybody.

0:24:57.520 --> 0:24:58.720
<v Speaker 1>That's my point I'm trying to say.

0:24:59.359 --> 0:25:01.960
<v Speaker 4>But it was office and and Na says to be

0:25:02.840 --> 0:25:05.159
<v Speaker 4>you know, Eric being Rock Kim is doing a show tonight.

0:25:05.680 --> 0:25:08.040
<v Speaker 4>Do you think we should go? And I was like,

0:25:08.320 --> 0:25:11.320
<v Speaker 4>you're leaving the ship up to me. I was like,

0:25:12.119 --> 0:25:16.400
<v Speaker 4>we already there when we went, and it was crazy

0:25:16.480 --> 0:25:19.280
<v Speaker 4>because Nas is still like you know, Nas is very

0:25:19.440 --> 0:25:24.560
<v Speaker 4>you know, financially secure, He's very artist and secure but

0:25:24.640 --> 0:25:26.760
<v Speaker 4>I just watched him and I just I was like,

0:25:27.560 --> 0:25:30.200
<v Speaker 4>what do you call that ship? I was people talming

0:25:30.280 --> 0:25:32.359
<v Speaker 4>him almost like I was just like looking over like

0:25:33.400 --> 0:25:37.520
<v Speaker 4>and he knew every word. Like there was workers that

0:25:37.600 --> 0:25:40.159
<v Speaker 4>Rock Kim was performing that I've never heard of, like

0:25:40.960 --> 0:25:45.000
<v Speaker 4>an album to see nas like fan out to the

0:25:45.080 --> 0:25:48.000
<v Speaker 4>guard rock him Like you're saying, like, look like the

0:25:48.080 --> 0:25:50.400
<v Speaker 4>kid didn't want to make eye contact. That's that's who

0:25:50.400 --> 0:25:53.040
<v Speaker 4>he is. He's just like the ultimate guard. So I'm

0:25:53.040 --> 0:25:53.880
<v Speaker 4>gonna take a shot today.

0:25:53.880 --> 0:25:54.280
<v Speaker 1>I'm sorry.

0:25:54.240 --> 0:26:09.000
<v Speaker 5>I got got legal poking, all.

0:26:03.400 --> 0:26:06.000
<v Speaker 2>Right, rage against the machine or system of a down.

0:26:07.480 --> 0:26:08.120
<v Speaker 1>That's not fair.

0:26:08.560 --> 0:26:10.800
<v Speaker 4>Yeah, I know those are the two guys that right,

0:26:11.359 --> 0:26:12.800
<v Speaker 4>it's the Colombian and the Dominican.

0:26:12.960 --> 0:26:15.120
<v Speaker 1>They over there doing a lot of cocaine. We don't.

0:26:15.160 --> 0:26:18.920
<v Speaker 1>We don't judge them. They don't do We don't judge.

0:26:19.160 --> 0:26:22.480
<v Speaker 1>We don't do cocaine. I just took a shot for free. Yea, Yeah,

0:26:23.040 --> 0:26:25.680
<v Speaker 1>that was fun up, that was that was fans Paul. Yeah,

0:26:26.280 --> 0:26:28.760
<v Speaker 1>I can't. I can't do a shot. I can't. I

0:26:28.760 --> 0:26:29.119
<v Speaker 1>gotta do it.

0:26:29.840 --> 0:26:31.239
<v Speaker 2>Same for you. You're same both too.

0:26:31.800 --> 0:26:34.399
<v Speaker 1>Yeah, I think the world is a better place they

0:26:34.440 --> 0:26:37.920
<v Speaker 1>both exist. Yes, Yes, heavy birthday. So, by the way,

0:26:37.920 --> 0:26:40.880
<v Speaker 1>shout out to the System of Down, who I think

0:26:40.880 --> 0:26:43.840
<v Speaker 1>a couple of the guys probably see this, but I

0:26:43.920 --> 0:26:46.480
<v Speaker 1>know they're like touring again. They had they actually stopped

0:26:46.480 --> 0:26:48.320
<v Speaker 1>touring for a minute and they came back together and

0:26:48.800 --> 0:26:51.920
<v Speaker 1>it's it's an exciting time for those guys. They're playing

0:26:52.000 --> 0:26:54.679
<v Speaker 1>very big shows. Light our first show, System, our very

0:26:54.720 --> 0:26:56.520
<v Speaker 1>first show was with System of a Down. Really we

0:26:56.640 --> 0:26:59.320
<v Speaker 1>were first out of three, first of three at the

0:27:00.040 --> 0:27:02.800
<v Speaker 1>Whiskey with sx ten, same same area that all those

0:27:02.840 --> 0:27:06.520
<v Speaker 1>glam bands doing cocaine play that and we uh, we

0:27:07.000 --> 0:27:08.720
<v Speaker 1>were like, we played it?

0:27:09.119 --> 0:27:09.480
<v Speaker 2>What is it?

0:27:09.560 --> 0:27:11.639
<v Speaker 1>What did they call that? Like consignment? Like you have

0:27:11.720 --> 0:27:13.920
<v Speaker 1>to like buy your you know, like that you buy

0:27:13.960 --> 0:27:16.000
<v Speaker 1>it from the promoter for bucks and then you can

0:27:16.080 --> 0:27:18.520
<v Speaker 1>sell it for five bucks. Yeah the rest. That's how

0:27:18.560 --> 0:27:20.640
<v Speaker 1>we do that show. That was your very first show,

0:27:20.840 --> 0:27:24.200
<v Speaker 1>very first they had just gotten signed wow.

0:27:24.119 --> 0:27:26.879
<v Speaker 7>And another band was sx ten, which was that's right

0:27:27.320 --> 0:27:29.320
<v Speaker 7>send Doug from Cypresshill's band.

0:27:29.960 --> 0:27:30.160
<v Speaker 1>Yeah.

0:27:31.440 --> 0:27:33.639
<v Speaker 6>Yeah, so it was like Cypress Hill and System of

0:27:33.800 --> 0:27:34.640
<v Speaker 6>Down in Lincoln Park.

0:27:34.760 --> 0:27:35.720
<v Speaker 2>That's that's kind of dope.

0:27:39.320 --> 0:27:41.800
<v Speaker 4>This this is a super hip hop question right now?

0:27:42.040 --> 0:27:44.720
<v Speaker 4>All right, By the way. I don't think there's a

0:27:44.840 --> 0:27:46.879
<v Speaker 4>right or wrong answer to this. I'm leading the witness.

0:27:47.480 --> 0:27:51.520
<v Speaker 5>Just give them the question, Clan or n w A.

0:27:54.320 --> 0:27:57.040
<v Speaker 5>It's tough fun I don't think it's the right question.

0:27:57.359 --> 0:27:58.560
<v Speaker 2>I don't know what this is like.

0:27:58.680 --> 0:28:00.960
<v Speaker 1>I feel like I feel like I have I feel

0:28:01.000 --> 0:28:04.200
<v Speaker 1>like I have an answer that I feel like I feel.

0:28:04.359 --> 0:28:06.440
<v Speaker 6>But I feel like the Internet is going to fucking judge.

0:28:11.280 --> 0:28:13.040
<v Speaker 2>I don't want to tell I don't want to say it.

0:28:13.280 --> 0:28:15.520
<v Speaker 2>I whisper really loud in the microphone.

0:28:16.240 --> 0:28:18.760
<v Speaker 1>I'll be judged, So please let's be judge. You know

0:28:18.760 --> 0:28:21.120
<v Speaker 1>what's funny about this question too, I'll tell you my answer.

0:28:21.160 --> 0:28:24.680
<v Speaker 1>I love it when when? Because when I think of

0:28:24.800 --> 0:28:26.439
<v Speaker 1>n w A, I think of a period of time

0:28:26.480 --> 0:28:28.240
<v Speaker 1>when I was That was when I was younger. I

0:28:28.320 --> 0:28:30.960
<v Speaker 1>listened to the Way first, and at that time I

0:28:31.040 --> 0:28:34.520
<v Speaker 1>bought every single thing that Dre. Dre's name was on

0:28:34.960 --> 0:28:38.400
<v Speaker 1>everything he does, even though what was her name, Miche

0:28:39.200 --> 0:28:41.520
<v Speaker 1>about the Michelle record, which I didn't like. That wasn't like.

0:28:44.320 --> 0:28:46.800
<v Speaker 2>I Love you with the Voce Yeah.

0:28:48.880 --> 0:28:52.840
<v Speaker 1>Record. She was amazing all the way through like yeah,

0:28:53.480 --> 0:28:57.240
<v Speaker 1>well into death Row and all that. But I feel

0:28:57.240 --> 0:28:59.960
<v Speaker 1>like there was a But coming on, I my grew

0:29:00.120 --> 0:29:03.680
<v Speaker 1>of friends for some reason with with Wu Tang. We

0:29:04.960 --> 0:29:09.360
<v Speaker 1>My friend had an eighteen inch tall Wu tang w

0:29:09.960 --> 0:29:13.880
<v Speaker 1>in vinyl on the back of his Honda Civic. That's

0:29:13.920 --> 0:29:17.960
<v Speaker 1>how obsessed with my friends were that obsessed with Wu

0:29:18.040 --> 0:29:20.160
<v Speaker 1>Tang and I was as a function of just being

0:29:20.600 --> 0:29:23.600
<v Speaker 1>friends with all them. So that's a hard that's like

0:29:23.640 --> 0:29:25.760
<v Speaker 1>the hardest thing that you're saying me for me. Both

0:29:25.840 --> 0:29:28.360
<v Speaker 1>of the things we were formative, like they were important

0:29:28.400 --> 0:29:31.800
<v Speaker 1>in my like coming of age and music or whatever.

0:29:31.880 --> 0:29:34.800
<v Speaker 6>But the truth is that I probably listened to Dred's

0:29:34.840 --> 0:29:36.520
<v Speaker 6>ship to n w A and dra ship.

0:29:36.880 --> 0:29:40.760
<v Speaker 1>Does we Actually that's a does Dre When you say NWA,

0:29:40.840 --> 0:29:42.520
<v Speaker 1>do you just mean nw A as a group?

0:29:43.080 --> 0:29:44.840
<v Speaker 2>This is whatever crits here in your mind that you.

0:29:46.800 --> 0:29:50.200
<v Speaker 1>Yeah, oh, well, Dennis Wu Tang because there's only how

0:29:50.240 --> 0:29:53.360
<v Speaker 1>many NWA records are there? Only three? I believe it

0:29:53.400 --> 0:29:56.360
<v Speaker 1>was well, yeah, yeah, through record war if you want,

0:29:56.520 --> 0:29:57.520
<v Speaker 1>if you reconcruit thing.

0:29:57.560 --> 0:30:00.200
<v Speaker 2>That wouldn't count as an w A w see.

0:30:00.600 --> 0:30:04.800
<v Speaker 1>It was like that's the one that's one oh one

0:30:04.880 --> 0:30:08.480
<v Speaker 1>hundred miles months four But I but I yeah, but

0:30:08.640 --> 0:30:11.320
<v Speaker 1>then Wu Tang you've got the Wu Tang records and

0:30:11.360 --> 0:30:13.360
<v Speaker 1>you've got all their individual I listened to all those.

0:30:13.600 --> 0:30:15.720
<v Speaker 2>If you do the individu well yeah, there as a group.

0:30:18.000 --> 0:30:28.080
<v Speaker 1>Taking the shot. But he didn't answer. He was very confused. Yeah,

0:30:28.080 --> 0:30:32.560
<v Speaker 1>I went, I go, Yeah, I go, and who would you? Oh?

0:30:34.960 --> 0:30:38.280
<v Speaker 1>I think before n w A, I really liked hip

0:30:38.320 --> 0:30:40.280
<v Speaker 1>hop and then n W came out and then I

0:30:40.400 --> 0:30:45.080
<v Speaker 1>love hip hop. Wow, it was it was more. It

0:30:45.160 --> 0:30:46.040
<v Speaker 1>was more than just hip hop.

0:30:46.080 --> 0:30:47.040
<v Speaker 5>It was w A.

0:30:47.200 --> 0:30:48.920
<v Speaker 2>Right, Yeah, that's how I felt. N W in Public

0:30:49.000 --> 0:30:50.160
<v Speaker 2>Enemy did that there were a rock band.

0:30:50.200 --> 0:30:52.640
<v Speaker 1>They had something to say. They were bold and they

0:30:52.760 --> 0:30:54.840
<v Speaker 1>didn't give a funk, said the police. I was like,

0:30:54.880 --> 0:30:56.040
<v Speaker 1>holy ship did say.

0:30:55.920 --> 0:30:59.560
<v Speaker 5>That even in my opinion, like it.

0:30:59.680 --> 0:31:02.560
<v Speaker 1>Was in I think it was your show that when

0:31:02.600 --> 0:31:05.600
<v Speaker 1>you talked to Dre, he was talking about like he

0:31:05.840 --> 0:31:07.880
<v Speaker 1>treated it like I mean, I don't think he knew

0:31:07.880 --> 0:31:09.440
<v Speaker 1>at the time, but it was like he was actually

0:31:10.360 --> 0:31:13.480
<v Speaker 1>creating a world, like he was like expressing himself. That's

0:31:13.520 --> 0:31:15.320
<v Speaker 1>how he looks at it now as like a looking

0:31:15.360 --> 0:31:17.200
<v Speaker 1>back at it. He talked about how he, you know,

0:31:17.400 --> 0:31:20.520
<v Speaker 1>being creative, right, Like he wasn't like just oh here

0:31:20.560 --> 0:31:22.880
<v Speaker 1>it is like this is how oh yeah, no, are

0:31:23.160 --> 0:31:25.960
<v Speaker 1>He was like inventing this whole universe, right, and that's

0:31:26.080 --> 0:31:28.320
<v Speaker 1>I think that's what we what resonated so much with

0:31:28.480 --> 0:31:29.400
<v Speaker 1>us with the with.

0:31:29.440 --> 0:31:31.440
<v Speaker 5>The Wu Tang thing that I don't know what's banned,

0:31:31.440 --> 0:31:33.400
<v Speaker 5>but there was something that went viral somebody from a

0:31:33.480 --> 0:31:36.840
<v Speaker 5>legendary rock band saying that he heard Wu Tang and

0:31:36.920 --> 0:31:39.640
<v Speaker 5>it and he got something from it that he knows.

0:31:39.800 --> 0:31:42.680
<v Speaker 5>Was it Stone Tiple, Pilots or I know, you think

0:31:42.720 --> 0:31:44.560
<v Speaker 5>it was maybe more even older than them.

0:31:45.080 --> 0:31:47.360
<v Speaker 1>Was it was John Chi?

0:31:47.720 --> 0:31:48.800
<v Speaker 2>Okay, Yeah, that's right.

0:31:49.600 --> 0:31:51.240
<v Speaker 5>Yeah, it was like crazy, right because people are like

0:31:51.360 --> 0:31:53.440
<v Speaker 5>they didn't gather that from what he was saying, but.

0:31:53.680 --> 0:31:54.960
<v Speaker 2>He said that influenced them a lot.

0:31:55.120 --> 0:31:55.320
<v Speaker 1>Yeah.

0:31:55.360 --> 0:31:59.200
<v Speaker 7>And then with with Wu Tang, they were just especially Rizzo,

0:31:59.280 --> 0:32:00.640
<v Speaker 7>was just doing unusual usual stuff.

0:32:01.160 --> 0:32:03.360
<v Speaker 5>No, and the way they did when they came out,

0:32:03.440 --> 0:32:06.600
<v Speaker 5>they like brought brought it back to the essence, dirtied

0:32:06.680 --> 0:32:09.360
<v Speaker 5>it up, you know, and it was, Yeah, it was dope.

0:32:09.400 --> 0:32:11.960
<v Speaker 2>When Tank came on the scene, all right, so we

0:32:12.040 --> 0:32:13.560
<v Speaker 2>took a shot, right, we did.

0:32:13.720 --> 0:32:19.880
<v Speaker 1>Okay, you can have this one, sir, Okay, okay, let's

0:32:19.920 --> 0:32:24.960
<v Speaker 1>Zeppelin and Pink Floyd. Oh, Zeppeline, Damn I would have

0:32:24.960 --> 0:32:25.680
<v Speaker 1>went pink Floyd.

0:32:26.640 --> 0:32:29.000
<v Speaker 2>So why didn't you say that? Because I knew I

0:32:29.080 --> 0:32:32.600
<v Speaker 2>was wrong. The Beatles are rolling Stone.

0:32:33.800 --> 0:32:34.760
<v Speaker 1>Beatles for me.

0:32:35.040 --> 0:32:38.720
<v Speaker 5>Yeah, you said yeah, just because I mean the animation,

0:32:39.040 --> 0:32:40.880
<v Speaker 5>any interactions with these legends.

0:32:41.240 --> 0:32:43.400
<v Speaker 1>I would take acid with the Beatles, like if like

0:32:43.520 --> 0:32:46.680
<v Speaker 1>I've never take they won't take what you.

0:32:48.680 --> 0:32:51.040
<v Speaker 2>Want to know we did with Jay you took acid.

0:32:51.040 --> 0:32:54.160
<v Speaker 1>What we did, we did. We did the Grammys with

0:32:54.480 --> 0:32:58.560
<v Speaker 1>Paul McCartney, Like, oh, but let's clear the room. Not

0:32:58.720 --> 0:33:03.520
<v Speaker 1>on acid. Yeah, I'm gonna see the concert right there.

0:33:05.720 --> 0:33:06.360
<v Speaker 2>Than you've been.

0:33:08.920 --> 0:33:12.320
<v Speaker 1>And I can hear call me, like, what the fuck?

0:33:13.040 --> 0:33:14.280
<v Speaker 2>You just let them say we did that.

0:33:14.480 --> 0:33:16.680
<v Speaker 1>That's one of those things where they'll edit together something.

0:33:18.760 --> 0:33:21.880
<v Speaker 1>No acid with any but nobody. You look like you

0:33:21.920 --> 0:33:25.560
<v Speaker 1>would be a good accid god. Maybe. Yeah, I appreciate you.

0:33:25.640 --> 0:33:28.040
<v Speaker 4>The hardest strugg you ever did you did okay once

0:33:28.520 --> 0:33:30.360
<v Speaker 4>did not never never me neither.

0:33:30.680 --> 0:33:33.320
<v Speaker 1>I don't want to please me though my hand. Either

0:33:34.600 --> 0:33:35.000
<v Speaker 1>you've done.

0:33:35.720 --> 0:33:37.600
<v Speaker 2>That's why you show show ones under the door.

0:33:40.360 --> 0:33:42.560
<v Speaker 1>You've done cocaine before, right, that's why you drinking spark

0:33:42.600 --> 0:33:44.120
<v Speaker 1>on the water the.

0:33:44.200 --> 0:33:45.160
<v Speaker 2>Shirt that's cocaine.

0:33:47.280 --> 0:33:49.920
<v Speaker 1>He was selling it. Actually I'm not going to I.

0:33:49.920 --> 0:33:52.320
<v Speaker 4>Didn't want to say it earlier, but you definitely have

0:33:52.480 --> 0:33:53.360
<v Speaker 4>the best shirt.

0:33:53.120 --> 0:33:58.080
<v Speaker 1>On in the building. That's what you want shirt from

0:33:58.120 --> 0:34:01.080
<v Speaker 1>the beginning, so that's even I was like, dam my, wife,

0:34:01.320 --> 0:34:03.280
<v Speaker 1>that's the shirt I would like. I was like, in

0:34:03.400 --> 0:34:04.320
<v Speaker 1>my mind, I was jealous.

0:34:04.360 --> 0:34:07.120
<v Speaker 2>I was like that show I think I got in

0:34:07.240 --> 0:34:10.480
<v Speaker 2>MAUI holy ship. Oh are you you want to?

0:34:12.160 --> 0:34:16.200
<v Speaker 1>Yeah? Well, so we were talking about it was I

0:34:16.280 --> 0:34:16.880
<v Speaker 1>was so into it.

0:34:17.440 --> 0:34:19.759
<v Speaker 2>That you didn't do cocaine. Nobody believed, but you have

0:34:20.000 --> 0:34:27.080
<v Speaker 2>done No, no, not yet. Damn a looper or push

0:34:27.120 --> 0:34:27.640
<v Speaker 2>your tea.

0:34:28.640 --> 0:34:34.120
<v Speaker 1>That's fucked up up. They're both incredible. If I if

0:34:34.200 --> 0:34:38.680
<v Speaker 1>I feel like we just uh, a friend of us

0:34:38.920 --> 0:34:42.319
<v Speaker 1>just we just who we just saw at lunch said oh,

0:34:42.719 --> 0:34:45.520
<v Speaker 1>Mike like push us as high. So if not for that,

0:34:45.719 --> 0:34:47.799
<v Speaker 1>I would probably be like taking it shot right now.

0:34:48.000 --> 0:34:51.399
<v Speaker 1>But since I feel like it was an omen, I'm

0:34:51.400 --> 0:34:53.640
<v Speaker 1>supposed to, so we go and push your tea. I

0:34:53.680 --> 0:35:02.200
<v Speaker 1>mean Lupe didn't say hi, Okay, that was incredible. Made

0:35:02.239 --> 0:35:06.800
<v Speaker 1>me want to take a shot. How about you? I

0:35:06.920 --> 0:35:10.719
<v Speaker 1>had I had dinner once at Loope's mom's house, so

0:35:10.840 --> 0:35:12.480
<v Speaker 1>I think I got to pick I feel like we

0:35:12.560 --> 0:35:17.719
<v Speaker 1>got to get shot because of the confusion we have

0:35:17.840 --> 0:35:19.799
<v Speaker 1>to make up.

0:35:21.960 --> 0:35:25.520
<v Speaker 5>That's a bull shot. We're trying not to make you

0:35:25.600 --> 0:35:29.600
<v Speaker 5>make your flight. Just lett, we want to keep you here.

0:35:29.640 --> 0:35:33.279
<v Speaker 5>I'm sorry, I just we love you, an don't let's go.

0:35:33.400 --> 0:35:37.800
<v Speaker 5>Let's see on some DJ ship executioners mm or the

0:35:37.840 --> 0:35:38.600
<v Speaker 5>scratch Pickles.

0:35:39.920 --> 0:35:41.960
<v Speaker 1>Okay, we can't do this thing where if we if

0:35:42.000 --> 0:35:46.640
<v Speaker 1>we differ, we're going to take shots every time. Okay, Okay,

0:35:47.320 --> 0:35:50.960
<v Speaker 1>the rules are written hot somewhere right, He's right. I

0:35:51.280 --> 0:35:53.680
<v Speaker 1>don't know, I know, I know the scratch field pickles

0:35:53.680 --> 0:35:58.319
<v Speaker 1>a little bit. The X Men executioners are that's Rob Swift, Okay, yeah,

0:35:58.960 --> 0:36:01.680
<v Speaker 1>the clips and all. Yeah, so that's yeah executioners.

0:36:02.640 --> 0:36:05.319
<v Speaker 2>The DJ sid over here, time to take a drink?

0:36:08.640 --> 0:36:11.040
<v Speaker 1>Yeah yeah, yeah.

0:36:11.080 --> 0:36:13.800
<v Speaker 7>If it wasn't for them to just like trying to

0:36:13.840 --> 0:36:16.319
<v Speaker 7>one up each other. Yeah, back in the day, it's

0:36:16.400 --> 0:36:20.279
<v Speaker 7>like each of them individually and as cruise are just.

0:36:20.480 --> 0:36:22.440
<v Speaker 2>No, yeah, un incredible.

0:36:22.480 --> 0:36:24.320
<v Speaker 1>I mean for people watching who don't know about that,

0:36:24.520 --> 0:36:26.360
<v Speaker 1>Like I I didn't know about it when when I

0:36:26.520 --> 0:36:28.480
<v Speaker 1>met Joe, he was the one who told me, oh,

0:36:28.600 --> 0:36:30.920
<v Speaker 1>check this this battle out, check this DJ out like

0:36:31.080 --> 0:36:34.520
<v Speaker 1>it was that was around ninety five ninety six, I

0:36:34.600 --> 0:36:37.160
<v Speaker 1>think when it was really hot, like those those crews

0:36:37.200 --> 0:36:40.040
<v Speaker 1>were innovating every few it felt like every month.

0:36:40.280 --> 0:36:42.440
<v Speaker 5>Yeah, and shout shout out to the Allies from out here.

0:36:42.600 --> 0:36:45.080
<v Speaker 5>DJ Craze are Homie. They were part of that.

0:36:45.200 --> 0:36:47.360
<v Speaker 1>That was like that was that the same generation or

0:36:47.600 --> 0:36:51.200
<v Speaker 1>or slightly they were there were Yeah, they overlapped, but

0:36:51.440 --> 0:36:53.719
<v Speaker 1>there who I mentioned were a little earlier executioners.

0:36:53.880 --> 0:36:56.560
<v Speaker 5>Yes, Stress Pickles and Allies came shortly after and you

0:36:56.640 --> 0:36:57.920
<v Speaker 5>had eight tracks that comes out of the Ally.

0:36:58.400 --> 0:36:59.080
<v Speaker 1>Yeah, incredible.

0:36:59.520 --> 0:37:02.360
<v Speaker 4>This this is absolutely one of my favorite questions on

0:37:02.480 --> 0:37:05.680
<v Speaker 4>Quick Time Islam Analog or digital?

0:37:09.160 --> 0:37:13.239
<v Speaker 1>I probably do digital? Really, yeah, I would have lost this. Yeah,

0:37:13.640 --> 0:37:16.800
<v Speaker 1>I do digital because it's the it's what I'm the

0:37:16.880 --> 0:37:19.239
<v Speaker 1>most familiar with. Like I'm I'm I like the sound

0:37:19.280 --> 0:37:21.680
<v Speaker 1>of analog. It's it's there's nothing that can beat it.

0:37:21.800 --> 0:37:24.560
<v Speaker 1>But in terms of the way I make music, if

0:37:24.600 --> 0:37:27.719
<v Speaker 1>it if I was stuck the analog, i'd be I

0:37:27.800 --> 0:37:29.719
<v Speaker 1>would I wouldn't be able to make what I make.

0:37:31.160 --> 0:37:33.000
<v Speaker 5>It makes sense because because that's the way I was

0:37:33.040 --> 0:37:35.760
<v Speaker 5>watching something about you guys, the way you would produce music.

0:37:36.120 --> 0:37:38.200
<v Speaker 2>And He's from a group called Made, and it reminded

0:37:38.239 --> 0:37:39.719
<v Speaker 2>me of you guys. You guys don't do it like

0:37:39.719 --> 0:37:40.640
<v Speaker 2>a traditional.

0:37:40.480 --> 0:37:44.800
<v Speaker 1>Where I'm familiar. We we we uh. They opened for

0:37:45.239 --> 0:37:48.759
<v Speaker 1>for was it four minor? I opened for Yeah?

0:37:50.560 --> 0:37:55.440
<v Speaker 5>Yeah, yeah, So I would see their process and it

0:37:55.560 --> 0:37:57.440
<v Speaker 5>was in what I saw you guys is similar. It

0:37:57.520 --> 0:38:00.240
<v Speaker 5>was like not a traditional band that jams out together

0:38:00.360 --> 0:38:02.319
<v Speaker 5>like you guys are like with files and and put

0:38:02.400 --> 0:38:05.600
<v Speaker 5>like you know, like sampling and the sampling self, you know,

0:38:05.800 --> 0:38:07.040
<v Speaker 5>playing stuff and and it's dope.

0:38:07.080 --> 0:38:08.800
<v Speaker 2>It's like hip It's basically like hip hop production.

0:38:10.200 --> 0:38:10.640
<v Speaker 1>We learned.

0:38:10.680 --> 0:38:11.680
<v Speaker 2>That's how I learned.

0:38:12.160 --> 0:38:16.440
<v Speaker 1>I need a leak. We we got one of them.

0:38:17.800 --> 0:38:19.040
<v Speaker 2>Why did you wake with two eyes?

0:38:19.080 --> 0:38:19.200
<v Speaker 5>Man?

0:38:20.160 --> 0:38:20.759
<v Speaker 1>I didn't know.

0:38:25.560 --> 0:38:26.759
<v Speaker 2>I was like, I don't know what to do it

0:38:26.840 --> 0:38:30.439
<v Speaker 2>that week because you know why, I'm getting a music

0:38:30.560 --> 0:38:34.080
<v Speaker 2>balk come getting like you know, like yo, listen you

0:38:34.360 --> 0:38:34.960
<v Speaker 2>one of those like.

0:38:36.719 --> 0:38:39.040
<v Speaker 1>You know, you know when Super Thug came out, Okay,

0:38:39.440 --> 0:38:42.960
<v Speaker 1>we were like, oh wish we made that song. That's true,

0:38:43.200 --> 0:38:46.160
<v Speaker 1>that's true. We were like it felt like a punk song.

0:38:46.280 --> 0:38:48.719
<v Speaker 1>It felt like a rock song. There was so much

0:38:49.160 --> 0:38:53.200
<v Speaker 1>energy doing so much Oh my god. I was like

0:38:53.280 --> 0:38:57.200
<v Speaker 1>I was at the punk rock man. Yeah, I said that,

0:38:58.160 --> 0:39:00.640
<v Speaker 1>I said, did you really say that? I really did,

0:39:01.440 --> 0:39:03.759
<v Speaker 1>because you know what I like? I like the white

0:39:03.800 --> 0:39:09.480
<v Speaker 1>people crowd do likenest. Did you see how happy I

0:39:09.719 --> 0:39:10.960
<v Speaker 1>was yesterday? I'm like that.

0:39:11.640 --> 0:39:13.440
<v Speaker 2>I did it twice, Iran.

0:39:14.440 --> 0:39:17.120
<v Speaker 1>I like white people. White people, they're not a party.

0:39:19.320 --> 0:39:19.480
<v Speaker 8>Man.

0:39:19.840 --> 0:39:27.040
<v Speaker 1>I'm characterizing that and the most nonever. I like this

0:39:27.280 --> 0:39:27.839
<v Speaker 1>partying man.

0:39:27.880 --> 0:39:29.759
<v Speaker 2>Excuse I made a record my own boy.

0:39:30.000 --> 0:39:32.040
<v Speaker 1>I came to party because I meant that.

0:39:33.239 --> 0:39:35.239
<v Speaker 2>I like the party man, you don't like.

0:39:35.280 --> 0:39:42.200
<v Speaker 1>The I'm sorry.

0:39:42.239 --> 0:39:46.200
<v Speaker 5>I have fun back on some DJ ship rock Raider

0:39:46.400 --> 0:39:48.480
<v Speaker 5>rest in Peace, Mester J rest in Peace.

0:39:48.600 --> 0:39:50.919
<v Speaker 2>Oh that's a tough one. So rock Raider, jem Mess

0:39:51.719 --> 0:39:54.160
<v Speaker 2>That's tough, I get.

0:39:56.440 --> 0:39:57.800
<v Speaker 7>I mean it's it's kind of like the n W

0:39:58.000 --> 0:40:02.480
<v Speaker 7>A who tank questions, like different importance for different different eras.

0:40:02.920 --> 0:40:05.120
<v Speaker 7>For me, when I decided, Hey, I want to be

0:40:05.160 --> 0:40:07.279
<v Speaker 7>a DJ, I was like I was looking at rock

0:40:07.320 --> 0:40:12.000
<v Speaker 7>creator M like he was instrumental for you, Like how

0:40:12.080 --> 0:40:12.279
<v Speaker 7>do you.

0:40:12.360 --> 0:40:16.719
<v Speaker 1>Do anything that he does? But but jam aster J

0:40:17.080 --> 0:40:20.960
<v Speaker 1>came first, right, so like he I feel like DJ's

0:40:21.040 --> 0:40:23.200
<v Speaker 1>later wouldn't have existed without.

0:40:23.520 --> 0:40:25.920
<v Speaker 5>I think he was a big inspiration to turntablism to

0:40:25.960 --> 0:40:29.319
<v Speaker 5>an extent, like the Jordan or Lebron question.

0:40:29.760 --> 0:40:33.040
<v Speaker 6>Yeah, that's important different. So I differ with Joe.

0:40:33.160 --> 0:40:36.319
<v Speaker 1>I'd go with jam aster j just because I wasn't

0:40:36.360 --> 0:40:38.040
<v Speaker 1>a DJ, Like I didn't listen to it that way.

0:40:38.080 --> 0:40:40.480
<v Speaker 1>I just he was the first time I heard somebody

0:40:40.480 --> 0:40:43.799
<v Speaker 1>scratching records that I was like, oh, that's and he's yeah, yeah,

0:40:44.239 --> 0:40:46.600
<v Speaker 1>that's true too. Yeah. But he was also he was

0:40:46.680 --> 0:40:48.920
<v Speaker 1>doing the juggling like they'd wrap over the juggling, and

0:40:49.000 --> 0:40:51.600
<v Speaker 1>that was just like he was like like it felt

0:40:51.640 --> 0:40:53.440
<v Speaker 1>to me like he was inventing a new lane.

0:40:53.880 --> 0:40:56.239
<v Speaker 5>Which there was a lot of DJs for groups that

0:40:56.360 --> 0:40:58.120
<v Speaker 5>were doing that, but he was at that time run

0:40:58.200 --> 0:40:58.799
<v Speaker 5>DMC was.

0:40:58.800 --> 0:41:02.279
<v Speaker 1>Just the biggest. It went Proud Alive when he's just like, yeah,

0:41:02.440 --> 0:41:04.719
<v Speaker 1>what's the track that the Live at the Funhouse?

0:41:04.800 --> 0:41:06.759
<v Speaker 6>Right, isn't that the one where he does the big

0:41:06.880 --> 0:41:07.680
<v Speaker 6>beat joke?

0:41:07.760 --> 0:41:09.560
<v Speaker 1>Yeah, it's the same. Yeah.

0:41:10.160 --> 0:41:12.200
<v Speaker 6>So for the people listening who don't know what that is,

0:41:12.880 --> 0:41:15.360
<v Speaker 6>just most of you, go listen to.

0:41:15.480 --> 0:41:18.760
<v Speaker 2>It, go do the research. Digging in the crates.

0:41:19.560 --> 0:41:27.440
<v Speaker 5>That's my favorite ice question. That's Cuba iced team too

0:41:27.600 --> 0:41:32.640
<v Speaker 5>easy easy for me, see, although I did fall out

0:41:32.719 --> 0:41:34.440
<v Speaker 5>of love with Cube. For a moment when he did

0:41:34.480 --> 0:41:35.680
<v Speaker 5>that Black Korea song.

0:41:36.040 --> 0:41:39.719
<v Speaker 1>What's Black Korea? That was the that was the certificate. Yeah,

0:41:39.800 --> 0:41:41.399
<v Speaker 1>that's a racist one. That was the one where he's

0:41:41.640 --> 0:41:44.359
<v Speaker 1>making fun of Asian I'm half Japanese. He was making

0:41:44.600 --> 0:41:48.600
<v Speaker 1>Asians and all of the Asians in l a friends

0:41:48.640 --> 0:41:53.520
<v Speaker 1>and then do it like the supermarkets. Yeah. Yeah, for

0:41:53.600 --> 0:41:58.560
<v Speaker 1>a moment, we all got mad at what Yeah you know, yeah,

0:41:58.719 --> 0:41:59.799
<v Speaker 1>I think you were It was.

0:41:59.840 --> 0:42:00.400
<v Speaker 2>The you were in.

0:42:04.640 --> 0:42:06.279
<v Speaker 1>Okay, it makes sense.

0:42:08.440 --> 0:42:10.920
<v Speaker 2>Really he had a record it was it was Yeah,

0:42:10.920 --> 0:42:14.799
<v Speaker 2>it was a questionable moment. Did he apologize?

0:42:14.800 --> 0:42:17.879
<v Speaker 1>Did to make it right? I feel like he did

0:42:17.960 --> 0:42:21.560
<v Speaker 1>a version of an apology, which I don't know if

0:42:21.600 --> 0:42:23.759
<v Speaker 1>I was listening at that point, I think I think

0:42:23.760 --> 0:42:26.280
<v Speaker 1>he kind of did, but I didn't. I wasn't checking

0:42:26.440 --> 0:42:29.399
<v Speaker 1>for ice Cube and I came back.

0:42:29.800 --> 0:42:31.880
<v Speaker 5>That's crazy because that's one of his best albums. The

0:42:31.920 --> 0:42:34.360
<v Speaker 5>whole record is so good. I considered one of the

0:42:34.400 --> 0:42:34.920
<v Speaker 5>best albums.

0:42:35.000 --> 0:42:39.000
<v Speaker 1>Hip Conflicted. I was super conflicted. I was like, I

0:42:39.120 --> 0:42:42.759
<v Speaker 1>love this record so much. On that record that was

0:42:43.239 --> 0:42:46.839
<v Speaker 1>was a physical he was using slurs. Oh, okay, okay,

0:42:47.680 --> 0:42:50.239
<v Speaker 1>ship I'm so not prepared for this conversation.

0:42:55.360 --> 0:42:56.320
<v Speaker 2>He's like, I just want to go back to the

0:42:56.360 --> 0:42:56.880
<v Speaker 2>white people.

0:42:59.520 --> 0:42:59.920
<v Speaker 1>White one.

0:43:00.040 --> 0:43:06.280
<v Speaker 2>I like white, sorry, like white non guns and roses

0:43:06.320 --> 0:43:07.200
<v Speaker 2>are Motley Cruz.

0:43:07.880 --> 0:43:11.200
<v Speaker 1>Oh that's guns and roses from me. Yeah, I said

0:43:11.239 --> 0:43:12.800
<v Speaker 1>the same, I said guns and ruds.

0:43:13.840 --> 0:43:15.799
<v Speaker 2>The name is guns and roses man.

0:43:16.560 --> 0:43:18.359
<v Speaker 1>And it's funny because, like I said before, like when

0:43:18.360 --> 0:43:20.560
<v Speaker 1>it when it that was hot, like when it was first,

0:43:21.080 --> 0:43:23.160
<v Speaker 1>when it was as big as it could get. That

0:43:23.360 --> 0:43:25.680
<v Speaker 1>was the time when I hated it the most because

0:43:25.680 --> 0:43:28.960
<v Speaker 1>I was there was guns over our table, our table.

0:43:29.280 --> 0:43:32.640
<v Speaker 6>Our table was listening to rap the other guys other

0:43:32.719 --> 0:43:33.640
<v Speaker 6>table was the guns ru.

0:43:33.800 --> 0:43:34.719
<v Speaker 2>What's ill about them?

0:43:34.960 --> 0:43:35.000
<v Speaker 1>Is?

0:43:35.040 --> 0:43:37.880
<v Speaker 5>I remember I clearly remember the seeing Axle wearing the

0:43:37.960 --> 0:43:39.200
<v Speaker 5>n w A had on stage.

0:43:39.920 --> 0:43:41.880
<v Speaker 6>Back then, we didn't have Twitter, right, so like it

0:43:42.000 --> 0:43:43.480
<v Speaker 6>could all just be like bullshit like that.

0:43:43.600 --> 0:43:45.279
<v Speaker 2>Some kids said to me, well, even now, even worse,

0:43:45.320 --> 0:43:45.960
<v Speaker 2>we don't know what's real.

0:43:46.120 --> 0:43:49.600
<v Speaker 1>Yeah that's true. It's almost hundreds of information. I try

0:43:49.680 --> 0:43:52.520
<v Speaker 1>not to let me just tell you something. I love Twitter.

0:43:53.480 --> 0:43:58.840
<v Speaker 1>I go on there, fantastic, tell me more. Listen. I

0:43:58.960 --> 0:44:01.239
<v Speaker 1>will take a picture of.

0:44:01.440 --> 0:44:07.040
<v Speaker 2>Something that no one can hate on a white bunny rabbit.

0:44:07.640 --> 0:44:10.239
<v Speaker 4>Okay, I'll take that a white bunny rabbit and I

0:44:10.360 --> 0:44:12.480
<v Speaker 4>post it and they'll be like, that bitch is ugly.

0:44:14.800 --> 0:44:16.560
<v Speaker 1>You like, this ship makes me.

0:44:16.600 --> 0:44:19.799
<v Speaker 4>So happy because I'm like, your life is not great,

0:44:20.200 --> 0:44:24.600
<v Speaker 4>Like there's people out here who hate everything, and just

0:44:24.800 --> 0:44:25.719
<v Speaker 4>remind yourself of that.

0:44:26.040 --> 0:44:28.239
<v Speaker 1>So I will post a picture. I swear to God,

0:44:28.239 --> 0:44:30.840
<v Speaker 1>there's nothing there's nothing wrong about this, right, I'll just

0:44:30.920 --> 0:44:31.279
<v Speaker 1>post this.

0:44:32.680 --> 0:44:36.799
<v Speaker 2>Somebody will be like, fucking bitch, your cup is ugly.

0:44:40.480 --> 0:44:44.360
<v Speaker 1>Yo. Listen, now I can start my dad, like, I

0:44:44.560 --> 0:44:48.560
<v Speaker 1>know that there's someone somewhere that hats for no reason.

0:44:48.960 --> 0:44:51.960
<v Speaker 5>No usually they're happy as fuck, but they just their fucking.

0:44:51.760 --> 0:44:53.960
<v Speaker 2>Twitter fingers say some bullshit. Twitter is the best.

0:44:54.000 --> 0:44:56.279
<v Speaker 6>Actually, this is the thing that that I was thinking this.

0:44:56.440 --> 0:44:59.439
<v Speaker 1>I was thinking about this this morning because this show

0:44:59.480 --> 0:45:01.640
<v Speaker 1>you to Get he goes, Yeah, it's loose you talk

0:45:01.719 --> 0:45:07.279
<v Speaker 1>about about it's god damn, it's just banter. But it's

0:45:07.440 --> 0:45:12.960
<v Speaker 1>it's looser than most. So I was thinking about that,

0:45:13.400 --> 0:45:15.640
<v Speaker 1>and I was thinking about how one of the things

0:45:15.719 --> 0:45:19.520
<v Speaker 1>that about the social media thing that that kind of

0:45:19.880 --> 0:45:22.000
<v Speaker 1>that we don't ever talk about is the fact that

0:45:22.120 --> 0:45:24.520
<v Speaker 1>with our so we've got a new a new lineup

0:45:25.280 --> 0:45:28.080
<v Speaker 1>with our band We've got Chester Passed Away. We took

0:45:28.160 --> 0:45:31.640
<v Speaker 1>many years off basically as a band, and then eventually

0:45:32.400 --> 0:45:36.680
<v Speaker 1>we ended up meeting two new great members.

0:45:36.719 --> 0:45:38.760
<v Speaker 6>We met a new singer named Emily and a new drummer,

0:45:39.200 --> 0:45:40.080
<v Speaker 6>the girl Yeah.

0:45:40.640 --> 0:45:45.880
<v Speaker 1>And when we eventually relaunched the band, we did it

0:45:46.320 --> 0:45:49.160
<v Speaker 1>through a livestream show and they could hear like the

0:45:49.320 --> 0:45:53.000
<v Speaker 1>instead of it being like us giving you a pr

0:45:53.719 --> 0:45:56.960
<v Speaker 1>like press release statement or something, we just played music

0:45:57.080 --> 0:45:58.839
<v Speaker 1>and we played a new song and they could see

0:45:58.880 --> 0:46:02.239
<v Speaker 1>her singing the old songs, and just like everything else

0:46:02.280 --> 0:46:05.280
<v Speaker 1>on the internet, people just jumped up and like everybody's

0:46:05.400 --> 0:46:08.080
<v Speaker 1>gonna have Yeah, they're gonna have their opinion positive negative,

0:46:08.400 --> 0:46:11.000
<v Speaker 1>and then also in the middle like they didn't they

0:46:11.200 --> 0:46:14.200
<v Speaker 1>were still making up their mind. And what's been really

0:46:14.239 --> 0:46:16.759
<v Speaker 1>interesting to see is we go through all the tour

0:46:16.840 --> 0:46:20.560
<v Speaker 1>dates and more time passes, is you see like people

0:46:20.600 --> 0:46:23.520
<v Speaker 1>who were like super haters in the beginning, all of

0:46:23.520 --> 0:46:26.200
<v Speaker 1>a sudden they're like change their mind and now they're

0:46:26.239 --> 0:46:28.200
<v Speaker 1>like at the shows and talking about it. And then

0:46:28.239 --> 0:46:30.920
<v Speaker 1>other people who are like hearing that you're fucking stupid,

0:46:31.000 --> 0:46:34.279
<v Speaker 1>like they get so mad. Internet it's total chaos. So

0:46:34.280 --> 0:46:35.719
<v Speaker 1>I think That's one of the reasons why I don't

0:46:35.760 --> 0:46:40.840
<v Speaker 1>go on much personally. They're talking about the thing that

0:46:40.920 --> 0:46:44.600
<v Speaker 1>I love, Like I don't know this is actually this

0:46:44.719 --> 0:46:49.640
<v Speaker 1>is a separate set. Good do you feel because this

0:46:49.719 --> 0:46:53.000
<v Speaker 1>is almost like a question for another rapper, like do

0:46:53.160 --> 0:46:57.040
<v Speaker 1>you feel as do you feel so so passionate about

0:46:57.239 --> 0:47:00.399
<v Speaker 1>the things that you've made that if some they took

0:47:00.440 --> 0:47:02.560
<v Speaker 1>it away from you and said you can never make

0:47:03.520 --> 0:47:05.560
<v Speaker 1>another record, that you can never get in the studio,

0:47:05.640 --> 0:47:07.200
<v Speaker 1>you can never rap again, you can never make like

0:47:07.280 --> 0:47:09.640
<v Speaker 1>you want to somebody to do that you lost your voice,

0:47:09.680 --> 0:47:11.279
<v Speaker 1>and can they do that to me? Now?

0:47:11.719 --> 0:47:13.520
<v Speaker 5>I don't want to make another Bob Sorry, oh you

0:47:13.560 --> 0:47:16.640
<v Speaker 5>don't want to make It's to me.

0:47:17.360 --> 0:47:20.279
<v Speaker 1>Not being able to do Lincoln Park is like I

0:47:20.440 --> 0:47:22.520
<v Speaker 1>have like a hole in like I'm missing a piece

0:47:22.560 --> 0:47:25.560
<v Speaker 1>of my like like if you have not, I'm incomplete.

0:47:25.680 --> 0:47:28.440
<v Speaker 1>If you have a peace of mind, don't go on Twitter.

0:47:29.040 --> 0:47:31.000
<v Speaker 1>But I don't like my peace of mind right Like

0:47:31.239 --> 0:47:35.360
<v Speaker 1>I I'm fucked up. Like I kind of like this

0:47:35.520 --> 0:47:37.879
<v Speaker 1>negative ship because I'm from New York City.

0:47:40.920 --> 0:47:44.919
<v Speaker 4>Yeah, I know in New York City, negativity is positivity.

0:47:46.480 --> 0:47:48.719
<v Speaker 1>Just use it in the right way. So this is

0:47:48.920 --> 0:47:49.319
<v Speaker 1>my way.

0:47:49.600 --> 0:47:52.560
<v Speaker 4>When I go on Twitter, I will take a picture.

0:47:53.040 --> 0:47:55.440
<v Speaker 4>I promise you I'll take a picture like something innocent

0:47:55.560 --> 0:47:57.279
<v Speaker 4>like this. And I know they're going to find a

0:47:57.360 --> 0:48:02.400
<v Speaker 4>negative part of it, but some of though actually accurate.

0:48:03.520 --> 0:48:05.360
<v Speaker 1>Some of them will be like you should have, you

0:48:05.360 --> 0:48:09.960
<v Speaker 1>should have it's doubt this part. Did you look at it?

0:48:10.040 --> 0:48:14.600
<v Speaker 1>You're like, yo, he's right. Criticism, criticism, it's.

0:48:14.480 --> 0:48:17.800
<v Speaker 5>Fucking fucked up criticism. But so you've never been on Twitter?

0:48:18.440 --> 0:48:19.640
<v Speaker 5>No I have, I haven't, And.

0:48:21.440 --> 0:48:24.960
<v Speaker 1>Just just being honest with you, it's very dangerous. It's

0:48:24.960 --> 0:48:31.719
<v Speaker 1>a lot more crazy like you sound like, like like

0:48:32.560 --> 0:48:35.279
<v Speaker 1>Jerry Seinfeld, like when he talks about he was on

0:48:35.400 --> 0:48:39.000
<v Speaker 1>some night uh late night show talking about his wife,

0:48:39.160 --> 0:48:42.279
<v Speaker 1>like people don't understand, like when he likes something, it's

0:48:42.360 --> 0:48:46.880
<v Speaker 1>because he can complain about it, like he's the miserable.

0:48:46.960 --> 0:48:48.000
<v Speaker 1>Part is the part that he is.

0:48:48.320 --> 0:48:49.080
<v Speaker 2>Yes, I've seen that.

0:48:49.840 --> 0:48:51.480
<v Speaker 1>I don't remember. He said it better like I don't know,

0:48:51.640 --> 0:48:54.000
<v Speaker 1>I don't I'm not in his mind. But that's it

0:48:54.120 --> 0:48:58.560
<v Speaker 1>sounds like that he's in New Yorker too, right, Yeah,

0:48:59.200 --> 0:49:00.279
<v Speaker 1>what's wrong with you guys?

0:49:01.520 --> 0:49:08.439
<v Speaker 2>Yeah, look at them? Since you're happy, you know, I'm

0:49:08.520 --> 0:49:10.400
<v Speaker 2>being honest, let me just tell you something.

0:49:11.920 --> 0:49:13.600
<v Speaker 1>I haven't been in New York in a long time,

0:49:14.000 --> 0:49:16.399
<v Speaker 1>but every now and then I fly to New York

0:49:16.520 --> 0:49:18.080
<v Speaker 1>just to get negative and I just come back.

0:49:19.360 --> 0:49:21.279
<v Speaker 4>I just I just need a little bit of some

0:49:21.440 --> 0:49:24.600
<v Speaker 4>negativity in my life. And this is this is the

0:49:24.680 --> 0:49:29.600
<v Speaker 4>safest way to receive it. Negativity.

0:49:29.800 --> 0:49:32.160
<v Speaker 1>You just go to New York and you will be angry.

0:49:32.200 --> 0:49:33.040
<v Speaker 2>It's like a negative song.

0:49:33.320 --> 0:49:36.040
<v Speaker 4>You Even in Manhattan and the rich, they have a

0:49:36.239 --> 0:49:39.040
<v Speaker 4>place called being Ares Road. I stayed pretty much down.

0:49:39.200 --> 0:49:40.520
<v Speaker 4>Is that the restaurant that they touched it to you?

0:49:40.640 --> 0:49:43.960
<v Speaker 1>No? No, no, no, no, that's that's in Paris. That's no. No.

0:49:44.080 --> 0:49:45.359
<v Speaker 5>But there's one in New York that I I mean,

0:49:45.360 --> 0:49:46.640
<v Speaker 5>I saw doctor Spot.

0:49:47.080 --> 0:49:47.120
<v Speaker 1>No.

0:49:47.760 --> 0:49:48.600
<v Speaker 2>My people just being.

0:49:48.520 --> 0:49:52.200
<v Speaker 1>Fast people love. That's what's the name of that little

0:49:52.239 --> 0:49:55.120
<v Speaker 1>cafe cafe. It's not Cafe Habana.

0:49:55.320 --> 0:49:56.920
<v Speaker 2>It's in Paris.

0:49:57.080 --> 0:49:57.120
<v Speaker 7>No.

0:49:57.239 --> 0:50:00.160
<v Speaker 2>No, this is like in in New York City. Talk

0:50:00.160 --> 0:50:00.719
<v Speaker 2>ships to people.

0:50:00.920 --> 0:50:03.279
<v Speaker 1>They're so that's their thing. At least it was. I

0:50:03.320 --> 0:50:06.520
<v Speaker 1>don't I haven't been there recently, but they came down Cuban.

0:50:08.480 --> 0:50:10.239
<v Speaker 1>You go in and the and they'd be like they

0:50:10.360 --> 0:50:13.160
<v Speaker 1>just like point and you're supposed to know that they mean,

0:50:13.280 --> 0:50:15.560
<v Speaker 1>go sit and you sit down and they're like, what

0:50:15.640 --> 0:50:17.480
<v Speaker 1>do you want? And if you don't answer right away,

0:50:17.520 --> 0:50:20.600
<v Speaker 1>they just walk away and like they get five stars

0:50:20.640 --> 0:50:22.880
<v Speaker 1>because the food is so good that you'll put up

0:50:22.920 --> 0:50:25.600
<v Speaker 1>with the beating in order to eat the food.

0:50:25.800 --> 0:50:27.640
<v Speaker 2>Hey, maybe that's that's a business idea.

0:50:27.760 --> 0:50:27.880
<v Speaker 1>Man.

0:50:27.920 --> 0:50:32.160
<v Speaker 5>It's very New York though, Like I feel like there's well, no,

0:50:32.239 --> 0:50:34.680
<v Speaker 5>I saw a documentary but a diner in Manhattan. But

0:50:34.760 --> 0:50:36.600
<v Speaker 5>this is an old documentary, so maybe the spot's not

0:50:36.640 --> 0:50:39.279
<v Speaker 5>around where they that you sit down and you look

0:50:39.280 --> 0:50:42.200
<v Speaker 5>at the menu and then if you don't do anything

0:50:42.239 --> 0:50:43.520
<v Speaker 5>in a cera amount of times, like get the fuck

0:50:43.560 --> 0:50:43.880
<v Speaker 5>out of here.

0:50:44.080 --> 0:50:47.320
<v Speaker 2>Yeah, like they start screaming at you and talking shitt Okay.

0:50:49.560 --> 0:50:50.200
<v Speaker 1>That's what you like.

0:50:50.440 --> 0:50:52.359
<v Speaker 2>Yeah, so you mean that's not going to ship.

0:50:52.760 --> 0:50:55.239
<v Speaker 1>He's mean and if you if you don't comply to it,

0:50:55.719 --> 0:50:57.520
<v Speaker 1>it's like he kicks you out. I mean you do that.

0:50:57.640 --> 0:51:01.560
<v Speaker 1>It like Carnegie, that Carnegie Delli like right, my family

0:51:01.640 --> 0:51:04.560
<v Speaker 1>there and he wait, wait, you tactically did that to

0:51:04.640 --> 0:51:05.280
<v Speaker 1>my children.

0:51:05.320 --> 0:51:07.560
<v Speaker 2>I was like mad at him. Yeah, I'm sorry, I'm

0:51:07.600 --> 0:51:09.319
<v Speaker 2>not fucking with that. That ship dude.

0:51:10.040 --> 0:51:13.880
<v Speaker 4>You guys are both from California. Yes, California. So you

0:51:13.960 --> 0:51:16.320
<v Speaker 4>guys do not understand that New York Allison.

0:51:16.400 --> 0:51:17.800
<v Speaker 1>We've been in New York. You know.

0:51:18.000 --> 0:51:21.480
<v Speaker 5>You know what was my favorite group of all time

0:51:22.200 --> 0:51:28.040
<v Speaker 5>from California? And they were dropping disc records? Who the

0:51:28.120 --> 0:51:28.720
<v Speaker 5>Beach Boys?

0:51:29.440 --> 0:51:31.840
<v Speaker 1>Oh that's right, you've said this, Like, I actually like

0:51:32.160 --> 0:51:34.320
<v Speaker 1>his idea of this, go ahead. The Beach Boys was

0:51:34.400 --> 0:51:36.920
<v Speaker 1>dropping disc records. Back then, East.

0:51:36.760 --> 0:51:38.759
<v Speaker 5>Coast West Coast started with the Beach Boys, he says,

0:51:39.280 --> 0:51:41.040
<v Speaker 5>the East Coast West Coast beach.

0:51:43.760 --> 0:51:46.920
<v Speaker 1>You know, remember the records? Were they beating with the Beatles? No,

0:51:47.200 --> 0:51:51.440
<v Speaker 1>they was like the Beatles. I was saying that they

0:51:51.719 --> 0:51:53.319
<v Speaker 1>had a thing the Beatles and Beach Boys had.

0:51:53.600 --> 0:51:55.480
<v Speaker 2>Oh no, yeah, he's literally.

0:51:55.239 --> 0:51:58.160
<v Speaker 1>Saying that was so tell me about this was like

0:51:58.239 --> 0:52:01.640
<v Speaker 1>a creative competition, like who can make him more interesting? Okay,

0:52:02.680 --> 0:52:04.120
<v Speaker 1>that's different than what you're talking.

0:52:04.200 --> 0:52:04.560
<v Speaker 2>Do you you?

0:52:04.880 --> 0:52:06.480
<v Speaker 1>I don't do I look like a beach boys type

0:52:06.480 --> 0:52:09.440
<v Speaker 1>A gay an l A beach boy l A. I

0:52:09.520 --> 0:52:09.800
<v Speaker 1>don't know.

0:52:10.200 --> 0:52:17.520
<v Speaker 4>Okay, have you been to Venice? Yes, my friend Alchemist,

0:52:17.600 --> 0:52:19.839
<v Speaker 4>this is from Venice. I took a shot at him

0:52:19.840 --> 0:52:20.319
<v Speaker 4>the other day.

0:52:20.640 --> 0:52:21.279
<v Speaker 1>He sent it to me.

0:52:21.360 --> 0:52:24.520
<v Speaker 2>He's like, what he's not from Venice. He has a

0:52:24.520 --> 0:52:25.239
<v Speaker 2>studio in Venice.

0:52:25.280 --> 0:52:25.840
<v Speaker 1>He has a studio.

0:52:25.880 --> 0:52:28.799
<v Speaker 2>I don't think he's from Venice. I believe he's he's

0:52:29.880 --> 0:52:32.840
<v Speaker 2>go back to the beach boys this and he's goot beach.

0:52:32.719 --> 0:52:37.279
<v Speaker 4>Boys said, he's a He's like, could and make me

0:52:37.719 --> 0:52:39.239
<v Speaker 4>from California.

0:52:39.640 --> 0:52:42.840
<v Speaker 5>It's about the girls. All the pretty girls should be

0:52:42.880 --> 0:52:43.600
<v Speaker 5>from California.

0:52:47.080 --> 0:52:48.319
<v Speaker 1>How co dis respectful?

0:52:49.040 --> 0:52:50.560
<v Speaker 2>So that's automatic shots fire?

0:52:50.680 --> 0:52:54.680
<v Speaker 1>That was shot? Yes, then Tony, Tony, Tony did it?

0:52:55.080 --> 0:52:58.279
<v Speaker 1>Said you had a No, you had.

0:52:58.239 --> 0:52:58.879
<v Speaker 2>A better reason.

0:52:58.960 --> 0:53:02.440
<v Speaker 1>You didna directly from the.

0:53:06.320 --> 0:53:07.360
<v Speaker 2>Only one is connecting that.

0:53:07.719 --> 0:53:10.520
<v Speaker 4>Right then, California guys been taking shot to the East

0:53:10.560 --> 0:53:15.920
<v Speaker 4>coast for a long Yes, he was like, there's like

0:53:17.080 --> 0:53:19.360
<v Speaker 4>it might be cold on the East coast, but on

0:53:19.440 --> 0:53:26.480
<v Speaker 4>the southern tire of town it never rains in southern Coli.

0:53:26.800 --> 0:53:29.680
<v Speaker 4>How you why you got to say this East Coast.

0:53:30.600 --> 0:53:34.640
<v Speaker 4>We know we're freezing. We know that we're wearing Timberland's.

0:53:34.960 --> 0:53:37.759
<v Speaker 4>This is not a fashion statement. This is actually because

0:53:37.760 --> 0:53:41.840
<v Speaker 4>we're cold, sir, and they've been going at us, you

0:53:41.960 --> 0:53:43.279
<v Speaker 4>guys with your nice weather.

0:53:43.640 --> 0:53:48.719
<v Speaker 1>Let's finish quick. I'm sorry, I'm so happy man, I'm

0:53:48.760 --> 0:53:54.160
<v Speaker 1>just being we're here here in Miami. I'm gonna take

0:53:54.200 --> 0:53:55.600
<v Speaker 1>a shot to that Miami, definitely.

0:53:59.160 --> 0:54:01.239
<v Speaker 2>He came accordingly.

0:54:03.000 --> 0:54:07.399
<v Speaker 5>I do love the weather today, really really really I'm

0:54:07.440 --> 0:54:08.400
<v Speaker 5>matching too, are we?

0:54:08.640 --> 0:54:08.799
<v Speaker 7>Yeah?

0:54:08.840 --> 0:54:09.040
<v Speaker 1>Yeah?

0:54:09.080 --> 0:54:12.480
<v Speaker 2>Yeah in this lighting you are? That's fine?

0:54:12.520 --> 0:54:13.160
<v Speaker 5>And you l a.

0:54:15.520 --> 0:54:21.840
<v Speaker 1>Shot. No, no, he's no your rules. I love Miami, man, like, okay,

0:54:22.160 --> 0:54:29.560
<v Speaker 1>black Sabbath or a C D C skips? No? What

0:54:30.800 --> 0:54:35.960
<v Speaker 1>all right? I asked the question. I don't know.

0:54:36.040 --> 0:54:37.880
<v Speaker 7>I don't know the question is you said cypriscail or

0:54:37.960 --> 0:54:40.000
<v Speaker 7>this but no, no, like sabath of a C D C.

0:54:40.120 --> 0:54:43.400
<v Speaker 1>Is okay, pick cypresso okay, I don't know the wow,

0:54:43.480 --> 0:54:45.520
<v Speaker 1>the one is black.

0:54:45.400 --> 0:54:51.240
<v Speaker 2>Sabbath a c D a c DC for me, yeah okay?

0:54:51.520 --> 0:54:53.640
<v Speaker 5>And the one we skipped is what he's saying, Rick

0:54:53.760 --> 0:54:56.120
<v Speaker 5>Ruben or doctor Dre and I know you guys worked

0:54:56.120 --> 0:54:57.480
<v Speaker 5>with Rack and we want to talk about that.

0:54:58.400 --> 0:54:59.880
<v Speaker 1>That's so fun, I was, I.

0:55:00.280 --> 0:55:02.600
<v Speaker 6>I said to somebody literally the other day who asked

0:55:02.600 --> 0:55:03.560
<v Speaker 6>me name.

0:55:04.280 --> 0:55:07.759
<v Speaker 1>I don't know. However, many of your favorite like the

0:55:08.080 --> 0:55:11.600
<v Speaker 1>artists that if they didn't exist, you your music wouldn't exist,

0:55:11.640 --> 0:55:13.680
<v Speaker 1>and that those were my first two things out of

0:55:13.719 --> 0:55:18.000
<v Speaker 1>my mouth. Is Rick and then and then, like I said,

0:55:18.040 --> 0:55:20.800
<v Speaker 1>I owned everything Dre had, But I think Rick was first,

0:55:20.880 --> 0:55:23.279
<v Speaker 1>Like Rick was the first person that I went, oh,

0:55:23.360 --> 0:55:27.360
<v Speaker 1>his name's on all these records, Like he was the

0:55:27.440 --> 0:55:31.480
<v Speaker 1>first person that I paid attention to. I'd say it's

0:55:31.480 --> 0:55:34.920
<v Speaker 1>definitely Rick because he's he's the He's the first person

0:55:35.040 --> 0:55:37.239
<v Speaker 1>that made me wonder what a producer was.

0:55:38.440 --> 0:55:43.280
<v Speaker 5>He made beats of slippers. I mean he we did records.

0:55:43.320 --> 0:55:44.879
<v Speaker 5>We did a couple of albums with Rick.

0:55:45.200 --> 0:55:47.800
<v Speaker 1>So our experience with Rick was very different than what

0:55:48.480 --> 0:55:50.600
<v Speaker 1>you know, like the Beastie Boys experience would have been,

0:55:50.960 --> 0:55:53.239
<v Speaker 1>like the stories they tell her that was young Rick.

0:55:53.360 --> 0:55:55.880
<v Speaker 5>Yeah, No, he by the time you guys got a different,

0:55:56.480 --> 0:55:59.000
<v Speaker 5>very different Yeah. And and he has like he has

0:55:59.040 --> 0:55:59.440
<v Speaker 5>a book.

0:56:00.560 --> 0:56:03.920
<v Speaker 1>He's a book full of his what's it called the

0:56:04.080 --> 0:56:08.160
<v Speaker 1>Art of Creativity or creation or something, Yeah, I forget it,

0:56:08.239 --> 0:56:11.719
<v Speaker 1>something like that. And I love that book. Like I think,

0:56:11.880 --> 0:56:14.319
<v Speaker 1>like if you, for all the people that have never

0:56:14.840 --> 0:56:18.200
<v Speaker 1>met Rick or watched Rick work, like if you took

0:56:18.280 --> 0:56:21.440
<v Speaker 1>that book and just set it in your studio and

0:56:21.560 --> 0:56:23.600
<v Speaker 1>every single day before you started working, if you just

0:56:23.640 --> 0:56:26.040
<v Speaker 1>flipped it open and just read whatever it comes up on,

0:56:26.120 --> 0:56:27.440
<v Speaker 1>if you just read a couple of pages of that.

0:56:27.800 --> 0:56:29.680
<v Speaker 1>I feel like it'll set the tone in your mind,

0:56:29.920 --> 0:56:33.040
<v Speaker 1>like a better way of thinking about being created. He's

0:56:33.120 --> 0:56:35.600
<v Speaker 1>that good that it's like just by reading his words

0:56:35.640 --> 0:56:38.000
<v Speaker 1>in the book that you're you'd be in a better

0:56:38.080 --> 0:56:39.640
<v Speaker 1>position to make good stuff.

0:56:40.360 --> 0:56:42.440
<v Speaker 5>For people who don't understand, because I've seen things where

0:56:42.440 --> 0:56:45.120
<v Speaker 5>people try to criticize the way he produces, saying he

0:56:45.200 --> 0:56:47.480
<v Speaker 5>doesn't actually play instruments, he doesn't know how to write music.

0:56:48.080 --> 0:56:51.880
<v Speaker 2>What is his production stuff? How does he produce someone

0:56:51.960 --> 0:56:52.399
<v Speaker 2>like you guys?

0:56:53.560 --> 0:56:56.400
<v Speaker 7>I think for us it was a matter of us,

0:56:57.000 --> 0:57:00.239
<v Speaker 7>like if you think about the first two records, theory

0:57:00.280 --> 0:57:03.719
<v Speaker 7>of media, or to kind of go together like chapter

0:57:03.840 --> 0:57:06.240
<v Speaker 7>one and two, like this is part of the pairing.

0:57:07.080 --> 0:57:10.400
<v Speaker 7>At a certain point, we want to well, we were

0:57:10.480 --> 0:57:12.840
<v Speaker 7>fans of recrubment and it's like, oh shit, like we

0:57:12.960 --> 0:57:19.439
<v Speaker 7>can dig into his mind on hip hop and punk

0:57:19.560 --> 0:57:21.840
<v Speaker 7>rock all that stuff. But what he actually ended up

0:57:21.880 --> 0:57:25.080
<v Speaker 7>doing for us is getting to know us as people

0:57:25.440 --> 0:57:31.040
<v Speaker 7>as artists and knowing that we had to get over

0:57:31.160 --> 0:57:36.120
<v Speaker 7>a hump in more ways than one, and just help

0:57:36.240 --> 0:57:37.040
<v Speaker 7>help guide us along.

0:57:37.160 --> 0:57:38.760
<v Speaker 2>It's like it's very psychological with him.

0:57:39.360 --> 0:57:42.240
<v Speaker 1>Yeah, yeah, well we needed to like reinvent the band,

0:57:42.680 --> 0:57:45.560
<v Speaker 1>like we needed to be a different on our third record.

0:57:45.600 --> 0:57:47.720
<v Speaker 1>If we had done the same thing that we did

0:57:47.760 --> 0:57:50.000
<v Speaker 1>two albums, if we had done the same thing as

0:57:50.040 --> 0:57:52.600
<v Speaker 1>the first two albums on the next one, then we'd

0:57:52.640 --> 0:57:55.440
<v Speaker 1>be stuck doing that forever. So when we went to him,

0:57:55.480 --> 0:57:57.520
<v Speaker 1>we said, he said, what kind of album do you

0:57:57.600 --> 0:57:59.880
<v Speaker 1>want to make? And that's what we told him, is like,

0:58:00.120 --> 0:58:01.760
<v Speaker 1>want to make something really different and this is why.

0:58:02.440 --> 0:58:05.040
<v Speaker 1>And he went around the room and had each person answer,

0:58:05.360 --> 0:58:07.040
<v Speaker 1>so he heard it from each person in the band,

0:58:07.400 --> 0:58:09.720
<v Speaker 1>and then at the end of it he said, good,

0:58:09.920 --> 0:58:11.720
<v Speaker 1>I'm glad you said that, because that is the way

0:58:11.760 --> 0:58:13.240
<v Speaker 1>that I would want to work with you. Like if

0:58:13.240 --> 0:58:15.080
<v Speaker 1>you didn't say that, I wouldn't want to work with you.

0:58:15.240 --> 0:58:17.240
<v Speaker 1>This is the way, and I agree with you that

0:58:17.320 --> 0:58:19.320
<v Speaker 1>that's the thing for your band to do. So we

0:58:19.400 --> 0:58:22.200
<v Speaker 1>spent the whole time on that third record taking what

0:58:22.360 --> 0:58:25.480
<v Speaker 1>we thought was the park. We were actually not. We

0:58:25.560 --> 0:58:28.440
<v Speaker 1>were over on a street called Laurel Canyon. Did you

0:58:28.560 --> 0:58:31.440
<v Speaker 1>know who Harry Houdini the magician? Do you ever know?

0:58:31.600 --> 0:58:37.480
<v Speaker 6>Herebook stories about that? Actual Houdini had a mansion and.

0:58:37.680 --> 0:58:39.760
<v Speaker 1>This house was like there was a tunnel that went

0:58:39.800 --> 0:58:42.640
<v Speaker 1>to his health connected underneath to this other place. Did

0:58:42.680 --> 0:58:45.560
<v Speaker 1>you just say actual actual?

0:58:45.800 --> 0:58:48.120
<v Speaker 6>Yeah, this was across they were connected houses.

0:58:48.480 --> 0:58:53.280
<v Speaker 1>I think it was like his mistress. So Rick owns.

0:58:53.720 --> 0:58:56.600
<v Speaker 1>Rick owned, he doesn't anymore. He used to own that house.

0:58:57.040 --> 0:58:58.040
<v Speaker 1>And we made our.

0:58:57.960 --> 0:59:02.040
<v Speaker 2>Album in that house and house yeah with the tunnel.

0:59:02.280 --> 0:59:04.560
<v Speaker 1>Yeah. Yeah. By the way, that's the same place that

0:59:04.720 --> 0:59:07.800
<v Speaker 1>like system of down he mentioned before and read Hot

0:59:07.880 --> 0:59:09.720
<v Speaker 1>Chili Peppers, so you mentioned before, like all the people

0:59:09.760 --> 0:59:11.840
<v Speaker 1>that worked with Rich, a lot of them worked at

0:59:11.880 --> 0:59:14.160
<v Speaker 1>this house and there was there was good energy, good

0:59:14.200 --> 0:59:16.440
<v Speaker 1>vibes whatever there. We went there and we did it,

0:59:16.520 --> 0:59:18.240
<v Speaker 1>and that was the whole point, was to like get

0:59:18.280 --> 0:59:20.840
<v Speaker 1>outside of our what's normal. We were used to make

0:59:20.840 --> 0:59:22.680
<v Speaker 1>a record in a studio, so we went to this

0:59:22.760 --> 0:59:25.080
<v Speaker 1>house and made a record in this house and everything

0:59:25.120 --> 0:59:27.640
<v Speaker 1>felt very different. And at the end of the process, yeah,

0:59:27.680 --> 0:59:29.560
<v Speaker 1>I think that the whole point was to learn more

0:59:29.600 --> 0:59:31.360
<v Speaker 1>about who we were and who we wanted to be,

0:59:32.560 --> 0:59:35.360
<v Speaker 1>aspiring to be right not we weren't there yet, but

0:59:35.440 --> 0:59:37.880
<v Speaker 1>we wanted to be something that was bigger than what

0:59:38.000 --> 0:59:41.360
<v Speaker 1>we were, and he helped us kind of point us

0:59:41.360 --> 0:59:43.040
<v Speaker 1>in the right direct. It wasn't like here it is.

0:59:43.120 --> 0:59:45.360
<v Speaker 7>It was more like, here's the direction and it's new,

0:59:45.480 --> 0:59:48.000
<v Speaker 7>so go figure it it, go explore. Yeah, I think

0:59:48.040 --> 0:59:50.600
<v Speaker 7>it was more important than producing that record at the time.

0:59:51.080 --> 0:59:54.760
<v Speaker 7>It was unlocking these things that we had within us

0:59:55.400 --> 0:59:58.160
<v Speaker 7>that we could just easily become trapped in. So it

0:59:58.240 --> 1:00:02.040
<v Speaker 7>was almost like, Okay, go make the next record, but

1:00:03.080 --> 1:00:04.560
<v Speaker 7>make as many records as you want.

1:00:05.920 --> 1:00:09.680
<v Speaker 1>You guys ever worked at a lecture lady Jimmy Hendricks studio,

1:00:10.120 --> 1:00:12.080
<v Speaker 1>I don't think so. If I did, it was like

1:00:12.200 --> 1:00:14.320
<v Speaker 1>one day. I don't think I did, though, because it's

1:00:14.360 --> 1:00:17.040
<v Speaker 1>like I'm mixing it up with that. No, I don't

1:00:17.080 --> 1:00:17.240
<v Speaker 1>have it.

1:00:17.880 --> 1:00:20.120
<v Speaker 4>It's a cat, that's that's there, and they say that's

1:00:20.160 --> 1:00:22.960
<v Speaker 4>Jimmy Hendrix incarnated.

1:00:23.640 --> 1:00:24.960
<v Speaker 2>Listen, I just did blood work.

1:00:25.680 --> 1:00:28.240
<v Speaker 4>The first thing the doctor told me was you're super

1:00:28.280 --> 1:00:31.000
<v Speaker 4>allergic to cats, Like I can't even be in the

1:00:31.040 --> 1:00:35.160
<v Speaker 4>same But for some reason, this cat does not make

1:00:35.240 --> 1:00:35.760
<v Speaker 4>me break out.

1:00:36.040 --> 1:00:42.800
<v Speaker 2>It's Jimmy. I mean, did you answer?

1:00:44.120 --> 1:00:44.320
<v Speaker 1>Yeah?

1:00:44.440 --> 1:00:53.880
<v Speaker 5>Rick relaxed, buddy, all right? All right, Timblin or Farrell,

1:00:57.400 --> 1:00:59.880
<v Speaker 5>isn't that like the what came first the chicken? And

1:01:01.680 --> 1:01:02.600
<v Speaker 5>I don't know what came.

1:01:04.400 --> 1:01:04.520
<v Speaker 8>Well?

1:01:04.600 --> 1:01:07.880
<v Speaker 5>Timberland would have been first. Yeah, right, well I don't

1:01:07.880 --> 1:01:12.760
<v Speaker 5>know because was working right, but we don't know. The

1:01:12.840 --> 1:01:14.760
<v Speaker 5>thing is, I think that's they're very close. Let's just

1:01:14.800 --> 1:01:20.400
<v Speaker 5>say they're in the same wee Lego Virginia, so oh

1:01:21.240 --> 1:01:22.760
<v Speaker 5>we've seen that straight.

1:01:25.840 --> 1:01:26.080
<v Speaker 1>I like.

1:01:28.400 --> 1:01:28.960
<v Speaker 2>It's very dope.

1:01:28.960 --> 1:01:31.320
<v Speaker 7>I would say Timberland for me because there was a

1:01:31.400 --> 1:01:35.400
<v Speaker 7>certain period of time or everything Timberland made like made

1:01:35.440 --> 1:01:40.080
<v Speaker 7>such an impact that kind of helped me think a

1:01:40.120 --> 1:01:40.720
<v Speaker 7>little bit different.

1:01:40.760 --> 1:01:42.160
<v Speaker 2>Have you guys worked with Timberland. Don't know why. I

1:01:42.240 --> 1:01:45.720
<v Speaker 2>feel like we think makes sense to.

1:01:45.760 --> 1:01:49.040
<v Speaker 1>Me because Timberland worked on some of the J tracks,

1:01:49.760 --> 1:01:52.400
<v Speaker 1>but also we did he did like submit a thing

1:01:52.480 --> 1:01:54.920
<v Speaker 1>for that remix that one time. A yeah, he did,

1:01:55.040 --> 1:01:57.440
<v Speaker 1>like off of hybrid theory. When we were doing a

1:01:57.520 --> 1:02:02.920
<v Speaker 1>remix record called Reanimation. He Timberlin did send a loop

1:02:03.600 --> 1:02:07.400
<v Speaker 1>and it was almost like I wanted it to be great,

1:02:07.800 --> 1:02:10.480
<v Speaker 1>but everybody makes stuff that's like, you know, great to

1:02:10.760 --> 1:02:12.680
<v Speaker 1>not great, and he I don't. I feel like he

1:02:12.840 --> 1:02:15.440
<v Speaker 1>just put a thing, like put something in that was

1:02:15.560 --> 1:02:18.920
<v Speaker 1>like maybe not cooked. It was more like it was

1:02:18.920 --> 1:02:20.960
<v Speaker 1>almost like to see if we were interested. But it

1:02:21.040 --> 1:02:23.440
<v Speaker 1>didn't feel like the record. It didn't feel like our records.

1:02:24.080 --> 1:02:29.760
<v Speaker 1>I'd say I'll say Farrell though, just because of the scope, right,

1:02:29.880 --> 1:02:32.600
<v Speaker 1>like with all this time, like Pharrell is still the

1:02:34.000 --> 1:02:35.760
<v Speaker 1>he on his own and I think Chad, Yeah, I

1:02:35.760 --> 1:02:37.040
<v Speaker 1>think Chad is a genius.

1:02:37.480 --> 1:02:41.080
<v Speaker 5>I think we can never not say the neptune when

1:02:41.120 --> 1:02:43.320
<v Speaker 5>we meant but if you but you said you said

1:02:43.400 --> 1:02:45.880
<v Speaker 5>Forell for sure, I think Farrell on his own, like

1:02:46.040 --> 1:02:50.520
<v Speaker 5>is it's super accomplished, incredible, It's incredible what he's what

1:02:50.600 --> 1:02:51.000
<v Speaker 5>he's done.

1:02:51.600 --> 1:02:53.920
<v Speaker 1>I feel like because it wouldn't be like a like

1:02:54.040 --> 1:02:58.320
<v Speaker 1>a Tyler the Creator without him, right Forarrell? Mm hm.

1:03:00.160 --> 1:03:01.720
<v Speaker 2>Metallica, Iron Maiden.

1:03:01.880 --> 1:03:06.200
<v Speaker 1>Metallica Easy, Easy, But that was one of the best

1:03:06.240 --> 1:03:08.160
<v Speaker 1>tours we did his tour with them. We've done a

1:03:08.200 --> 1:03:10.040
<v Speaker 1>lot of shows with them, but we did a whole

1:03:10.080 --> 1:03:11.840
<v Speaker 1>summer tour with them at one point and it was

1:03:12.240 --> 1:03:12.520
<v Speaker 1>it was.

1:03:14.080 --> 1:03:15.840
<v Speaker 6>Top top three tours that.

1:03:15.880 --> 1:03:18.640
<v Speaker 1>We did with. Yeah, we spent the whole summer. Was

1:03:18.800 --> 1:03:20.520
<v Speaker 1>it was like in the era of like just at

1:03:20.520 --> 1:03:22.600
<v Speaker 1>the end of like the new metal thing, like they

1:03:22.640 --> 1:03:25.400
<v Speaker 1>still had the long hair. They all the rock bands

1:03:25.480 --> 1:03:27.200
<v Speaker 1>were out and then that was coming to a close

1:03:27.240 --> 1:03:32.240
<v Speaker 1>and Metallica put it was them Limp Biscuit Us there

1:03:33.680 --> 1:03:36.960
<v Speaker 1>and mud Vein and like and we since we were

1:03:36.960 --> 1:03:38.960
<v Speaker 1>in the middle of the bill, it was it felt

1:03:39.040 --> 1:03:42.560
<v Speaker 1>like we were underdogs a little bit. We weren't like

1:03:42.640 --> 1:03:45.320
<v Speaker 1>we knew we were coming with like a really big

1:03:45.440 --> 1:03:48.000
<v Speaker 1>show and just the performance like we felt we were

1:03:48.040 --> 1:03:49.880
<v Speaker 1>on fire, like we were just fuck great and the

1:03:49.960 --> 1:03:52.280
<v Speaker 1>fans loved our music. And so every single one of

1:03:52.280 --> 1:03:54.120
<v Speaker 1>those shows we went and we killed like it was

1:03:54.280 --> 1:03:56.360
<v Speaker 1>just so much fun. And then that and that's unusual

1:03:56.440 --> 1:03:58.040
<v Speaker 1>for Metallica fan. I don't know if you know this,

1:03:58.160 --> 1:04:01.680
<v Speaker 1>but their fans are their fans are can be very

1:04:01.800 --> 1:04:05.400
<v Speaker 1>rude to their openers. They can you know, like they

1:04:05.560 --> 1:04:07.480
<v Speaker 1>hit their fans. We we there was one show we

1:04:07.600 --> 1:04:10.240
<v Speaker 1>saw this is a very common thing for their shows.

1:04:10.640 --> 1:04:12.880
<v Speaker 1>Their fans will show up and turn their back to

1:04:12.960 --> 1:04:15.240
<v Speaker 1>the ship to the performance and put their middle fingers

1:04:15.600 --> 1:04:18.320
<v Speaker 1>and they'll throw beers at the stage while you're performing.

1:04:18.600 --> 1:04:20.800
<v Speaker 1>And we didn't get any of that. It was incredible,

1:04:21.640 --> 1:04:23.320
<v Speaker 1>So they didn't do it. They did not do that.

1:04:23.440 --> 1:04:28.440
<v Speaker 1>Time Metallica get hot to thet. I just feel like

1:04:28.520 --> 1:04:32.080
<v Speaker 1>I just feel like I think the day it was,

1:04:32.240 --> 1:04:34.320
<v Speaker 1>it was. It was what you were saying earlier. There

1:04:34.360 --> 1:04:35.760
<v Speaker 1>was always were beer.

1:04:35.800 --> 1:04:36.560
<v Speaker 2>Now I see them on some.

1:04:38.080 --> 1:04:39.840
<v Speaker 1>Jack Daniels or something like that. I just want to

1:04:39.880 --> 1:04:41.960
<v Speaker 1>go back in time and then you need to be

1:04:42.080 --> 1:04:47.160
<v Speaker 1>like an eighties glam rocknest you putt and glamor. I

1:04:47.200 --> 1:04:49.439
<v Speaker 1>don't know, I don't know, but he wants to drink

1:04:49.520 --> 1:04:52.160
<v Speaker 1>beers and like I want to, right, I want to

1:04:52.200 --> 1:04:55.640
<v Speaker 1>bite it back head o snake that ship maybe a

1:04:55.680 --> 1:04:57.240
<v Speaker 1>little earlier. I want to I want to back to

1:04:57.240 --> 1:04:57.600
<v Speaker 1>the seven.

1:04:57.720 --> 1:04:59.680
<v Speaker 2>I want to do all that ship like, like, I

1:04:59.720 --> 1:05:01.400
<v Speaker 2>don't know, in my past life while I was white.

1:05:01.600 --> 1:05:04.760
<v Speaker 2>I'm being honest, Yeah, you're I know, like like like

1:05:05.040 --> 1:05:05.240
<v Speaker 2>you know.

1:05:05.280 --> 1:05:07.800
<v Speaker 1>You know, I said everywhere like because because I'm like

1:05:07.960 --> 1:05:12.440
<v Speaker 1>I love Jaeger and ship. That's really funny because I

1:05:12.560 --> 1:05:15.320
<v Speaker 1>do like from my experience on tour, I do feel

1:05:15.360 --> 1:05:19.080
<v Speaker 1>like jager is a very white liquor. Very I only

1:05:19.200 --> 1:05:22.000
<v Speaker 1>think of I do only think of those tours where

1:05:22.120 --> 1:05:24.400
<v Speaker 1>where yeah, you're in the middle of the country, this

1:05:24.640 --> 1:05:29.560
<v Speaker 1>is the only only white people. That was our experience

1:05:29.640 --> 1:05:34.520
<v Speaker 1>on a probably that that that oz Fest we played

1:05:36.160 --> 1:05:49.560
<v Speaker 1>as all those all those exactly sponsored by right now,

1:05:49.920 --> 1:05:52.000
<v Speaker 1>we we like, I think we like learned how to

1:05:52.080 --> 1:05:55.680
<v Speaker 1>be a band on like a long how to show

1:05:55.760 --> 1:05:59.040
<v Speaker 1>our know that they were all they were all getting

1:05:59.640 --> 1:06:04.440
<v Speaker 1>drunk him waking up, drinking pedialyte like rehydrate and then

1:06:04.520 --> 1:06:06.280
<v Speaker 1>going again every single day.

1:06:06.320 --> 1:06:07.439
<v Speaker 2>That was the ivy of the time.

1:06:09.000 --> 1:06:11.160
<v Speaker 1>Again, like I said, think we were more focused on

1:06:11.360 --> 1:06:13.680
<v Speaker 1>like building our band and like being a little more.

1:06:13.800 --> 1:06:16.480
<v Speaker 1>We were focused. It sounds like you guys are so

1:06:16.760 --> 1:06:18.400
<v Speaker 1>that was not our environment. We had to learn to

1:06:18.440 --> 1:06:21.160
<v Speaker 1>go in there and like win those crowds over. We

1:06:21.240 --> 1:06:22.120
<v Speaker 1>had to learned how to like.

1:06:22.480 --> 1:06:24.720
<v Speaker 2>You know, so Ozzy Osbourne never came to he was like.

1:06:27.240 --> 1:06:30.920
<v Speaker 1>Some I don't think he ever. I don't think they came.

1:06:31.000 --> 1:06:36.880
<v Speaker 1>I don't think, by the way, that's not I'm not

1:06:37.120 --> 1:06:39.160
<v Speaker 1>I'm not like making fun of Ozzy. I'm just saying

1:06:39.360 --> 1:06:42.400
<v Speaker 1>that was their tour. They I didn't see him once,

1:06:42.600 --> 1:06:45.160
<v Speaker 1>like I really, he didn't come hang out. They were

1:06:45.200 --> 1:06:48.160
<v Speaker 1>the headliner. Yeah, I hear, he's I hear. They're all

1:06:48.240 --> 1:06:50.360
<v Speaker 1>perfectly nice, like but he comes.

1:06:50.520 --> 1:06:52.919
<v Speaker 5>I've seen some interviews seem likelish people.

1:06:52.960 --> 1:06:56.360
<v Speaker 2>They live forever, so like vampires. I don't think it's

1:06:56.360 --> 1:06:56.800
<v Speaker 2>I don't.

1:06:56.600 --> 1:07:01.120
<v Speaker 4>Think anybody from Britain dies like enough, like right, like

1:07:01.760 --> 1:07:03.080
<v Speaker 4>they get high, they get.

1:07:04.720 --> 1:07:07.000
<v Speaker 2>British, you bring ship.

1:07:06.920 --> 1:07:09.120
<v Speaker 1>I'm gonna be good to know you. He's gonna gonna be.

1:07:11.120 --> 1:07:12.600
<v Speaker 2>Honorable mention before we passes.

1:07:12.640 --> 1:07:15.280
<v Speaker 5>When Iron Maiden by Far, I think has one of

1:07:15.320 --> 1:07:17.320
<v Speaker 5>the best mascots ever in Eddie.

1:07:17.920 --> 1:07:18.640
<v Speaker 1>That's a great point.

1:07:18.760 --> 1:07:22.840
<v Speaker 5>Like I love their mascots though, and I never have

1:07:22.880 --> 1:07:28.880
<v Speaker 5>an opportunity to say that. That is funny because like.

1:07:29.000 --> 1:07:31.240
<v Speaker 6>That character when I was young, when I was little,

1:07:31.280 --> 1:07:32.520
<v Speaker 6>like it scared the hell out of me.

1:07:32.680 --> 1:07:34.960
<v Speaker 5>Oh yeah, it was a terrifying character. Yeah, and my

1:07:35.080 --> 1:07:37.680
<v Speaker 5>crew we created it. We have a character for crazier productions.

1:07:37.680 --> 1:07:40.760
<v Speaker 5>It's kind of based on that a little bit. The

1:07:40.880 --> 1:07:42.760
<v Speaker 5>next Styles of Beyond or Demigods.

1:07:43.800 --> 1:07:47.520
<v Speaker 1>Bro, that's kind the same thing.

1:07:49.200 --> 1:07:50.280
<v Speaker 2>You're taking a shot, I mean.

1:07:52.000 --> 1:07:52.200
<v Speaker 5>Cheers.

1:07:54.880 --> 1:07:57.640
<v Speaker 1>I mean I never kind kind of a I don't

1:07:57.640 --> 1:08:02.360
<v Speaker 1>think so. I think I mean shout out to Demigod's

1:08:02.360 --> 1:08:02.800
<v Speaker 1>no style of.

1:08:04.000 --> 1:08:06.880
<v Speaker 5>All right, no, take the last one. So that's the

1:08:06.960 --> 1:08:13.240
<v Speaker 5>last last one. It's my favorite. Loyalty or respect? Right,

1:08:14.240 --> 1:08:23.320
<v Speaker 5>I heard you ask this? Yeah, somebody said, uh, somebody

1:08:23.360 --> 1:08:23.960
<v Speaker 5>said on one.

1:08:23.840 --> 1:08:26.160
<v Speaker 1>Of your episodes about like you could you could pay

1:08:26.280 --> 1:08:28.559
<v Speaker 1>somebody to be loyal, but you can't pay them to respect.

1:08:28.600 --> 1:08:28.640
<v Speaker 7>You.

1:08:28.720 --> 1:08:31.040
<v Speaker 1>I thought that was wise. I think I think you

1:08:31.160 --> 1:08:38.360
<v Speaker 1>have to earn respect, so I pick respect. I'm very

1:08:38.400 --> 1:08:39.320
<v Speaker 1>confused by the question.

1:08:40.280 --> 1:08:43.040
<v Speaker 2>I like that, I like that ask you should be

1:08:43.320 --> 1:08:45.720
<v Speaker 2>What part of the question confuses I don't know.

1:08:45.800 --> 1:08:47.120
<v Speaker 1>I think they're just kind of you.

1:08:47.160 --> 1:08:48.920
<v Speaker 2>Could you say both? And that's why I think it

1:08:48.960 --> 1:08:49.920
<v Speaker 2>should be just both.

1:08:50.240 --> 1:08:52.600
<v Speaker 1>I think they're interfined, you know, because why wouldn't you

1:08:52.680 --> 1:08:53.080
<v Speaker 1>want both?

1:08:53.240 --> 1:08:55.120
<v Speaker 2>I'm honestly with you. Go ahead continue.

1:08:55.240 --> 1:08:58.280
<v Speaker 1>Yeah, you can't bet. You can't have one without the other.

1:08:59.360 --> 1:08:59.760
<v Speaker 2>You could.

1:09:00.560 --> 1:09:04.120
<v Speaker 1>You can make in the in the most genuine way, right.

1:09:04.360 --> 1:09:07.599
<v Speaker 5>Yeah, right, genuinely right, Yeah, and we're talking.

1:09:07.479 --> 1:09:10.880
<v Speaker 1>About being genuine, right. Yeah. It's hard to answer.

1:09:12.680 --> 1:09:14.599
<v Speaker 2>So you got to drink. We're drinking.

1:09:14.840 --> 1:09:19.880
<v Speaker 4>Yes, he said both, honestly, one of the greatest answers ever.

1:09:20.080 --> 1:09:22.680
<v Speaker 4>Like how you said it, because I believe that, like

1:09:22.760 --> 1:09:24.559
<v Speaker 4>I believe one coincide with the other.

1:09:24.600 --> 1:09:27.040
<v Speaker 1>That's why I always say both, drink.

1:09:28.560 --> 1:09:28.760
<v Speaker 2>Drink.

1:09:32.080 --> 1:09:32.400
<v Speaker 1>Just said.

1:09:38.680 --> 1:09:40.040
<v Speaker 2>I've said this earlier.

1:09:43.240 --> 1:09:48.080
<v Speaker 4>Because for me hip hop it's a very limited not

1:09:48.240 --> 1:09:49.640
<v Speaker 4>not I don't want to say limited, but.

1:09:51.880 --> 1:09:53.400
<v Speaker 2>It's a certain mountaintop.

1:09:54.320 --> 1:09:57.560
<v Speaker 4>H I want to take Biggie's line and say that

1:09:57.720 --> 1:09:59.720
<v Speaker 4>you ever think rock and roll will go this fall?

1:10:01.800 --> 1:10:03.720
<v Speaker 1>You know what I mean? Like rock and roll is like.

1:10:05.200 --> 1:10:07.160
<v Speaker 4>Like I'm just saying where rock and roll comes from

1:10:07.240 --> 1:10:10.880
<v Speaker 4>to be clear, you know what the ultimate and this

1:10:11.040 --> 1:10:13.439
<v Speaker 4>is gonna sound crazy and I know my fans, so

1:10:13.520 --> 1:10:16.320
<v Speaker 4>I'm gonna I'm gonna say it the proper way, but

1:10:16.520 --> 1:10:19.160
<v Speaker 4>one of our ultimate goals in hip hop is to

1:10:19.280 --> 1:10:21.639
<v Speaker 4>get inducted in the rock and roll hold.

1:10:23.040 --> 1:10:25.679
<v Speaker 2>When hip hop needs its own. Yeah, that's true.

1:10:25.760 --> 1:10:28.840
<v Speaker 1>I agree. I think that's weird. But what I'm saying

1:10:28.960 --> 1:10:29.960
<v Speaker 1>is it's an honor.

1:10:30.160 --> 1:10:32.519
<v Speaker 4>It's an honor like l L Like when we find

1:10:32.560 --> 1:10:35.960
<v Speaker 4>out l L crop Quest is getting inducted into it

1:10:36.120 --> 1:10:37.960
<v Speaker 4>right now, shout out to outcasts and so on. Pepper

1:10:38.000 --> 1:10:44.960
<v Speaker 4>who yes, like salut. But so that's it's in a

1:10:45.040 --> 1:10:50.040
<v Speaker 4>certain way saying we respect rock and roll. Yeah, so

1:10:50.640 --> 1:10:51.720
<v Speaker 4>what do you say about that?

1:10:51.880 --> 1:10:55.000
<v Speaker 1>Well, I've always said I've always said that I I

1:10:55.160 --> 1:10:59.000
<v Speaker 1>got into hip hop through the back door in terms

1:10:59.040 --> 1:11:01.880
<v Speaker 1>of my career, Like I could have.

1:11:03.360 --> 1:11:05.400
<v Speaker 6>Just like a little way of like explaining it is.

1:11:06.000 --> 1:11:08.600
<v Speaker 1>When I first started like making my own songs and

1:11:08.680 --> 1:11:13.040
<v Speaker 1>then Joe and I would make songs together, I had

1:11:13.120 --> 1:11:15.679
<v Speaker 1>met the guys from Styles of Beyond through our mutual

1:11:15.760 --> 1:11:20.880
<v Speaker 1>friend Double seven, and they they I realized I could

1:11:21.040 --> 1:11:23.519
<v Speaker 1>go that path and like start making rap records and

1:11:23.680 --> 1:11:26.559
<v Speaker 1>like trying to break in. And then at the same

1:11:26.640 --> 1:11:30.479
<v Speaker 1>time we had this rock rap electronic like with this

1:11:30.640 --> 1:11:33.880
<v Speaker 1>weird mashup thing going on with the band that started

1:11:33.960 --> 1:11:36.200
<v Speaker 1>to happen, and I realized, Oh, that's like a way

1:11:36.600 --> 1:11:39.479
<v Speaker 1>that I could rap and express that part of who

1:11:39.520 --> 1:11:41.840
<v Speaker 1>I am, but do it in a really creative and

1:11:41.960 --> 1:11:46.320
<v Speaker 1>different at the time, very different way. And so I

1:11:46.400 --> 1:11:49.200
<v Speaker 1>could be I could get into that scene and like

1:11:49.400 --> 1:11:52.240
<v Speaker 1>meet rappers that I admired and work with different people

1:11:52.640 --> 1:11:56.160
<v Speaker 1>through this like back door. So so yeah, for me,

1:11:56.320 --> 1:12:01.880
<v Speaker 1>it was very much like I never thought. I never

1:12:01.960 --> 1:12:03.840
<v Speaker 1>thought that that would lead me to where to all

1:12:03.920 --> 1:12:06.920
<v Speaker 1>the thing, to jay Z, to you know, Rick Rubin

1:12:07.040 --> 1:12:09.719
<v Speaker 1>and all the things we talked about today. I didn't

1:12:09.760 --> 1:12:10.719
<v Speaker 1>that wasn't like doing.

1:12:10.560 --> 1:12:13.040
<v Speaker 2>The most hip hop ship. Yeah, at a point, right and.

1:12:13.080 --> 1:12:17.559
<v Speaker 1>At a certain point like influencing influencing hip hop kids

1:12:17.680 --> 1:12:22.800
<v Speaker 1>to try other things, like to try other styles. That's true.

1:12:23.320 --> 1:12:24.880
<v Speaker 1>Like people who come up to us of the show

1:12:24.920 --> 1:12:28.800
<v Speaker 1>case you want to I'm good. I mean, you know

1:12:28.880 --> 1:12:35.120
<v Speaker 1>you gotta a great host. I'm sorry, you're good. No,

1:12:35.240 --> 1:12:39.960
<v Speaker 1>but it's it's it's you know the now there's so

1:12:40.439 --> 1:12:44.360
<v Speaker 1>there's really no like boundary between genres at all. Like everything,

1:12:45.000 --> 1:12:47.680
<v Speaker 1>virtually everything I listened to, I wouldn't call it a

1:12:47.760 --> 1:12:50.120
<v Speaker 1>genre anymore. I wouldn't call it rock. I wouldn't call

1:12:50.160 --> 1:12:52.920
<v Speaker 1>it any It's just music. So that's the type of

1:12:53.000 --> 1:12:57.200
<v Speaker 1>music I like. And we're at a point where almost

1:12:57.280 --> 1:13:00.560
<v Speaker 1>everything is that way. Like the biggest records in the

1:13:00.600 --> 1:13:03.600
<v Speaker 1>world are usually records that are like blending lots of

1:13:03.680 --> 1:13:04.080
<v Speaker 1>different Do.

1:13:04.120 --> 1:13:06.680
<v Speaker 2>You think that's always positive that there is?

1:13:06.880 --> 1:13:08.679
<v Speaker 1>Maybe not? I mean, because people can be a tourist

1:13:08.840 --> 1:13:10.560
<v Speaker 1>like that. The saddest part for me was when we

1:13:10.640 --> 1:13:13.000
<v Speaker 1>were doing when we were getting started and we realized

1:13:13.040 --> 1:13:16.639
<v Speaker 1>that there are groups who are doing adding hip hop

1:13:16.720 --> 1:13:21.560
<v Speaker 1>elements just because like, oh, now we've got scratching on this,

1:13:21.600 --> 1:13:24.519
<v Speaker 1>Oh we're rapping on this. But the guy felt he's

1:13:24.560 --> 1:13:26.120
<v Speaker 1>never listened to a rap record in his life. He's

1:13:26.160 --> 1:13:27.840
<v Speaker 1>rapping on this track, Like that's the type of thing

1:13:27.880 --> 1:13:30.080
<v Speaker 1>that we when we were making music, we thought that

1:13:30.200 --> 1:13:32.720
<v Speaker 1>was really corny, But now that doesn't really happen. Like

1:13:32.960 --> 1:13:36.000
<v Speaker 1>now everybody's heard everything, you've got access to everything in

1:13:36.040 --> 1:13:36.439
<v Speaker 1>the world.

1:13:40.080 --> 1:13:41.720
<v Speaker 2>You put your verses next to jay Z.

1:13:42.800 --> 1:13:46.080
<v Speaker 6>I mean, to be able to be on a record

1:13:46.120 --> 1:13:47.720
<v Speaker 6>with him at the time, that was like a you know,

1:13:47.840 --> 1:13:48.240
<v Speaker 6>like I.

1:13:48.280 --> 1:13:51.360
<v Speaker 4>Didn't realize how once you were like like on that

1:13:51.560 --> 1:13:53.800
<v Speaker 4>level with him. I was listening to it today and

1:13:53.840 --> 1:13:55.679
<v Speaker 4>I was like, wow, you really put this solf.

1:13:55.880 --> 1:13:57.920
<v Speaker 6>But I feel like my best verses are not those

1:13:58.000 --> 1:13:58.599
<v Speaker 6>verses at all.

1:14:00.080 --> 1:14:03.120
<v Speaker 1>The other way. Yeah, you understand how like how that

1:14:03.240 --> 1:14:04.960
<v Speaker 1>could have been tooken, Yeah.

1:14:05.200 --> 1:14:08.040
<v Speaker 4>The wrong way people could have just been But that

1:14:08.240 --> 1:14:11.240
<v Speaker 4>that lets you know that like that's really hip hop

1:14:11.360 --> 1:14:12.200
<v Speaker 4>in you you know what I mean?

1:14:12.600 --> 1:14:16.400
<v Speaker 1>Yeah, that makes yeah, I mean, do you consider yourself

1:14:16.640 --> 1:14:20.080
<v Speaker 1>or not in terms of being Yeah? Yeah, yeah, yeah,

1:14:20.840 --> 1:14:23.840
<v Speaker 1>like that's what That's how I started. Like I don't

1:14:23.880 --> 1:14:26.080
<v Speaker 1>even like we joke because I sing on the on

1:14:26.160 --> 1:14:28.000
<v Speaker 1>the new record, which by the way, I keep pointing here,

1:14:28.360 --> 1:14:31.000
<v Speaker 1>but it's like, actually on the I keep pointing at

1:14:31.040 --> 1:14:35.080
<v Speaker 1>the why do they keep pointing out here on the

1:14:35.120 --> 1:14:37.559
<v Speaker 1>new record, Like I sing a bunch? Of course I'm

1:14:37.600 --> 1:14:40.160
<v Speaker 1>still rapping a ton, but I sing a bunch. And

1:14:40.479 --> 1:14:42.519
<v Speaker 1>in spite of that, I don't usually call myself a

1:14:42.560 --> 1:14:45.800
<v Speaker 1>singer because I do think of myself as a rapper.

1:14:46.320 --> 1:14:55.120
<v Speaker 2>First, God, damn, let's talk Grammys.

1:14:55.160 --> 1:14:56.439
<v Speaker 1>You guys two.

1:14:56.360 --> 1:15:01.880
<v Speaker 4>Grammys nominated six times. I'm so I do have one

1:15:02.240 --> 1:15:04.560
<v Speaker 4>on one on my own. You got one on you

1:15:04.680 --> 1:15:08.840
<v Speaker 4>right now. You just get my own, but have one.

1:15:10.840 --> 1:15:12.400
<v Speaker 1>I just want to clear. I just will be clear.

1:15:12.840 --> 1:15:16.240
<v Speaker 2>Let's talk about it right now. I never liked to

1:15:22.760 --> 1:15:24.960
<v Speaker 2>do I gotta know I did.

1:15:25.080 --> 1:15:26.840
<v Speaker 1>I did ie one just a couple of years ago

1:15:26.920 --> 1:15:28.760
<v Speaker 1>for this like remix thing that I did that it

1:15:28.880 --> 1:15:30.880
<v Speaker 1>was it was a they had a category for a

1:15:31.000 --> 1:15:34.599
<v Speaker 1>remix and I did the remix. And oh it's crazy.

1:15:35.439 --> 1:15:37.280
<v Speaker 2>It's funny that you didn't want to like you felt

1:15:37.320 --> 1:15:37.960
<v Speaker 2>like we're like, you.

1:15:38.000 --> 1:15:42.479
<v Speaker 1>Know, bringing it up, and I don't. Yeah, yeah, how

1:15:42.560 --> 1:15:47.360
<v Speaker 1>does that feel? We actually, well, you can scull. You

1:15:47.479 --> 1:15:48.040
<v Speaker 1>got two.

1:15:48.600 --> 1:15:49.639
<v Speaker 2>Grammys, your Grammys.

1:15:50.040 --> 1:15:51.599
<v Speaker 7>How do you feel that we did We didn't finish

1:15:51.640 --> 1:15:54.360
<v Speaker 7>answering one of the earlier questions, bring back into it,

1:15:54.439 --> 1:15:55.639
<v Speaker 7>that's what question.

1:15:55.960 --> 1:15:57.400
<v Speaker 2>And if anybody has to take a pistous, you've been

1:15:57.439 --> 1:16:00.280
<v Speaker 2>drinking a lot of water. Here appreciates you. Just get

1:16:00.360 --> 1:16:02.479
<v Speaker 2>up and go take a pistole. No problems.

1:16:02.560 --> 1:16:05.759
<v Speaker 7>But you asked us about doing something with the Beatles. Okay,

1:16:05.840 --> 1:16:12.280
<v Speaker 7>so we did Collision Course with Jay and part of

1:16:12.320 --> 1:16:15.160
<v Speaker 7>that climate around that time was danger.

1:16:14.960 --> 1:16:17.439
<v Speaker 1>MOUs did the Gray album. The Gray Album, which is

1:16:17.479 --> 1:16:17.920
<v Speaker 1>the Beatles.

1:16:18.439 --> 1:16:21.280
<v Speaker 7>And then we're like, okay, they're asking us to perform

1:16:21.800 --> 1:16:25.120
<v Speaker 7>because we're nominated, which is a good sign that something

1:16:25.200 --> 1:16:27.160
<v Speaker 7>might happen. And then we're like, how do we top

1:16:27.240 --> 1:16:29.519
<v Speaker 7>this off? And we're like, oh wait, what if we

1:16:29.560 --> 1:16:33.040
<v Speaker 7>get a Beatle? So we ended up bringing Paul McCartney out.

1:16:33.320 --> 1:16:35.120
<v Speaker 1>On the song. But the crazy, but the crazy part

1:16:35.240 --> 1:16:38.320
<v Speaker 1>was that we asked him. We came up with the

1:16:38.400 --> 1:16:40.640
<v Speaker 1>idea like okay, well this brings it full circle right

1:16:40.720 --> 1:16:44.000
<v Speaker 1>like this this by the way, I can stop you

1:16:44.040 --> 1:16:47.840
<v Speaker 1>for a second. Please remember I just loveys.

1:16:47.920 --> 1:16:51.600
<v Speaker 2>It's just so nonchalantago the most legend.

1:16:54.320 --> 1:16:57.960
<v Speaker 1>Sitting there. My heart is like this and you guys

1:16:58.000 --> 1:17:00.479
<v Speaker 1>are talking about the most legendary ship in the most

1:17:00.560 --> 1:17:01.200
<v Speaker 1>common way.

1:17:01.680 --> 1:17:02.240
<v Speaker 2>I'm so sorry.

1:17:02.320 --> 1:17:03.000
<v Speaker 1>Please continue.

1:17:03.000 --> 1:17:04.280
<v Speaker 2>Well, I will say the the.

1:17:05.920 --> 1:17:08.240
<v Speaker 7>Ward itself is great, but like the experience of doing

1:17:08.320 --> 1:17:11.960
<v Speaker 7>that right, it allows you to do these things and

1:17:12.080 --> 1:17:14.120
<v Speaker 7>that's what it's all about.

1:17:14.439 --> 1:17:18.160
<v Speaker 1>And on top of that, you know, we asked we

1:17:18.560 --> 1:17:21.840
<v Speaker 1>had done the Collision course thing with Jay. We did

1:17:21.880 --> 1:17:24.120
<v Speaker 1>a couple performances, like we had gone on stage with

1:17:24.200 --> 1:17:27.280
<v Speaker 1>him a couple of times. The record was did what

1:17:27.400 --> 1:17:30.840
<v Speaker 1>it did. It was great, people really liked it, and

1:17:31.520 --> 1:17:34.759
<v Speaker 1>Jay was ready to Jay was starting retirement. He was retired,

1:17:35.160 --> 1:17:39.360
<v Speaker 1>so we had the idea to do this like full circle, like, oh,

1:17:39.520 --> 1:17:42.120
<v Speaker 1>the mashup thing is was big. Now it's coming to

1:17:42.240 --> 1:17:46.880
<v Speaker 1>a close, and so let's do let's bring it back

1:17:46.880 --> 1:17:48.559
<v Speaker 1>to the beginning of it and do something with Paul

1:17:48.600 --> 1:17:49.679
<v Speaker 1>McCartney and Jay.

1:17:50.200 --> 1:17:53.120
<v Speaker 6>And so first we went to Paul's people and.

1:17:53.240 --> 1:17:55.960
<v Speaker 1>Asked if he would be interested, because if he's not

1:17:56.000 --> 1:17:57.960
<v Speaker 1>going to be interested, then the conversation's over. But he

1:17:58.040 --> 1:18:02.760
<v Speaker 1>said yes, We're like okay, cool. And then we went

1:18:02.800 --> 1:18:04.960
<v Speaker 1>to Jay and said are you interested and they said no.

1:18:06.200 --> 1:18:09.560
<v Speaker 1>We were like what and obviously shocked, and they were like, no,

1:18:09.680 --> 1:18:12.000
<v Speaker 1>he retired, Like he's not making music anymore, he's not

1:18:12.000 --> 1:18:13.360
<v Speaker 1>going to get on stage. He just wants to be

1:18:13.439 --> 1:18:15.720
<v Speaker 1>the he's doing the Deaf Jam thing. He's just going

1:18:15.800 --> 1:18:18.360
<v Speaker 1>to do that. Yeah. Yeah, he was the president of

1:18:18.360 --> 1:18:20.920
<v Speaker 1>Deaf Jam and he just wants to be the executive,

1:18:21.080 --> 1:18:23.760
<v Speaker 1>not an artist. And so for us we were like no,

1:18:23.880 --> 1:18:27.040
<v Speaker 1>you don't understand, like this is it's a big deal,

1:18:27.560 --> 1:18:31.080
<v Speaker 1>it's the Grammys, it's Paul whatever. So eventually they they

1:18:32.240 --> 1:18:34.040
<v Speaker 1>he made an exception because it was such a big

1:18:34.080 --> 1:18:35.080
<v Speaker 1>thing that he made an exception.

1:18:36.280 --> 1:18:37.000
<v Speaker 2>That's a huge thing.

1:18:37.200 --> 1:18:37.439
<v Speaker 1>Huge.

1:18:37.960 --> 1:18:40.200
<v Speaker 6>And then we I mean we had to like, you know,

1:18:40.280 --> 1:18:41.000
<v Speaker 6>plead our case.

1:18:41.520 --> 1:18:45.200
<v Speaker 1>And then we go to the the rehearsals for it,

1:18:46.240 --> 1:18:51.280
<v Speaker 1>and the way this man Paul McCartney like Sir Paul right,

1:18:51.640 --> 1:18:56.200
<v Speaker 1>he's a knight, ye, he's literally Sir Paul McCartney. The

1:18:56.280 --> 1:18:58.760
<v Speaker 1>way this man comes in and talks to people and acts,

1:18:59.240 --> 1:19:02.880
<v Speaker 1>I kid you not, like we did the rehearsals, camera

1:19:03.000 --> 1:19:05.920
<v Speaker 1>blocking and what just practices. And he came off the

1:19:06.000 --> 1:19:09.120
<v Speaker 1>stage and he saw this guy standing against the wall

1:19:09.680 --> 1:19:11.400
<v Speaker 1>like he was holding a broom. He was just kind

1:19:11.400 --> 1:19:15.360
<v Speaker 1>of like staring, and Paul leaves everybody and goes over

1:19:15.439 --> 1:19:17.439
<v Speaker 1>there and just has like a one on one conversation

1:19:17.560 --> 1:19:20.160
<v Speaker 1>with a man who's literally the janitor, and he sat

1:19:20.200 --> 1:19:22.599
<v Speaker 1>there and talked to him for ten minutes. Just made

1:19:22.640 --> 1:19:24.880
<v Speaker 1>that guy's whole life like it was. It was like

1:19:25.240 --> 1:19:26.680
<v Speaker 1>you see stuff like that and you go, that's how

1:19:26.720 --> 1:19:28.960
<v Speaker 1>to be right, that's like this is the man's he's

1:19:29.000 --> 1:19:31.880
<v Speaker 1>giving us a lesson in like, if you were to

1:19:32.000 --> 1:19:37.840
<v Speaker 1>ever even conceivably be a portion as famous and important

1:19:38.560 --> 1:19:40.160
<v Speaker 1>as he is, Like this is how you treat people.

1:19:40.200 --> 1:19:41.880
<v Speaker 5>You'd hope he'd be like that because the era that

1:19:41.960 --> 1:19:44.400
<v Speaker 5>they came up in and the whole like hippie movement,

1:19:44.760 --> 1:19:47.760
<v Speaker 5>they were about that, like they were freeness, you know, Like, yeah,

1:19:47.840 --> 1:19:48.560
<v Speaker 5>so you would hold that.

1:19:50.360 --> 1:19:53.839
<v Speaker 1>Yeah, I think that's the way. That was the experience.

1:19:53.920 --> 1:19:55.280
<v Speaker 1>I got dope.

1:19:55.400 --> 1:19:56.599
<v Speaker 2>That's dope, that's legendary.

1:19:56.800 --> 1:19:57.320
<v Speaker 1>It was crazy.

1:19:58.320 --> 1:20:03.040
<v Speaker 4>I I just I'm blown away that you guys came.

1:20:03.120 --> 1:20:11.080
<v Speaker 4>He man, like, I'm really so ecstatic and happy because

1:20:12.360 --> 1:20:13.120
<v Speaker 4>guy's a legends.

1:20:13.240 --> 1:20:18.840
<v Speaker 1>Man. Thank you guys are out of this fucking world.

1:20:21.240 --> 1:20:25.439
<v Speaker 4>Yeah, accoladesia things that you've done in this and the

1:20:25.520 --> 1:20:28.200
<v Speaker 4>fact that you came to drink Champs and he's gonna

1:20:28.240 --> 1:20:29.760
<v Speaker 4>drink Japanese whiskey with me and I.

1:20:29.800 --> 1:20:30.959
<v Speaker 2>Did not know you was Japanese.

1:20:31.040 --> 1:20:35.439
<v Speaker 5>By the way, there is there any hip hop artists

1:20:36.600 --> 1:20:40.200
<v Speaker 5>past and today actually both that you you guys would.

1:20:40.000 --> 1:20:41.920
<v Speaker 2>Love to like do a collab with.

1:20:42.800 --> 1:20:45.240
<v Speaker 1>Oh my god, so many, so many will give me

1:20:45.320 --> 1:20:48.800
<v Speaker 1>like a top five listen, Yeah, my top five of

1:20:48.880 --> 1:20:51.960
<v Speaker 1>what comes to mind? Uh, beast Boys comes to mind?

1:20:52.640 --> 1:20:59.799
<v Speaker 1>Wu Tang comes to mind. Kendrick Tyler Tyler the creator.

1:21:00.000 --> 1:21:07.560
<v Speaker 1>Actually yeah, Andre Andre three thousand, Wow, Yeah Andre. I

1:21:08.080 --> 1:21:11.200
<v Speaker 1>most recently Andre like came I was on. I was like,

1:21:11.400 --> 1:21:14.120
<v Speaker 1>just I had it on random in my phone and

1:21:14.720 --> 1:21:18.000
<v Speaker 1>that's this Andre song with Rick Ross came on. I

1:21:18.040 --> 1:21:20.479
<v Speaker 1>don't remember what song it is. But Andre's verses like,

1:21:21.920 --> 1:21:23.840
<v Speaker 1>it's so crazy is that one that ends with that?

1:21:23.960 --> 1:21:26.920
<v Speaker 1>The fan comes up and it's just boring, boring really

1:21:27.560 --> 1:21:29.639
<v Speaker 1>like the whole idea being he pours his heart into

1:21:29.680 --> 1:21:31.720
<v Speaker 1>these verses and then doesn't really care.

1:21:32.080 --> 1:21:36.160
<v Speaker 2>I was like, wow, one of the all time.

1:21:37.040 --> 1:21:41.679
<v Speaker 5>He's incredible. No, I really seen Andre playing the flute

1:21:41.880 --> 1:21:42.479
<v Speaker 5>by himself.

1:21:42.680 --> 1:21:47.840
<v Speaker 1>Yeah, you actually witnessed him in physically in Brooklyn. Nah, sold,

1:21:49.320 --> 1:21:52.280
<v Speaker 1>did you ask for a female female artist on my list?

1:21:52.720 --> 1:21:56.760
<v Speaker 1>Let me, I should put a female artist, Like, that's

1:21:56.880 --> 1:21:59.960
<v Speaker 1>that's fair, that's fair. Well made you add to femal

1:22:00.040 --> 1:22:03.040
<v Speaker 1>well to the group. If I made a female only list,

1:22:03.160 --> 1:22:08.599
<v Speaker 1>then it would be let's oh, that's a good point.

1:22:08.960 --> 1:22:11.000
<v Speaker 1>Well let's just say female rappers, because I'd put I

1:22:11.080 --> 1:22:14.760
<v Speaker 1>put I put Lauren near the top. Yeah, actually I

1:22:14.800 --> 1:22:18.000
<v Speaker 1>loved Digga dude. You know, yeah, Jean Gray, I could

1:22:18.040 --> 1:22:27.320
<v Speaker 1>hear Jane Gray. I like that.

1:22:28.040 --> 1:22:33.160
<v Speaker 2>Really, So, who is the top five female?

1:22:33.360 --> 1:22:35.800
<v Speaker 1>I don't know, this is not this is not my

1:22:35.880 --> 1:22:38.080
<v Speaker 1>top five ever. This is just like just comes to mind.

1:22:38.320 --> 1:22:40.200
<v Speaker 1>I remember what. I also remember when I was a kid,

1:22:40.280 --> 1:22:42.040
<v Speaker 1>I heard Queen Latifa for the first time. I was

1:22:43.560 --> 1:22:46.720
<v Speaker 1>she's so confident and she's not like selling sex and

1:22:46.800 --> 1:22:49.519
<v Speaker 1>she's not selling that. She's like a real I don't know,

1:22:49.800 --> 1:22:53.280
<v Speaker 1>she felt like a like a yeah, she felt like

1:22:53.360 --> 1:22:54.840
<v Speaker 1>a role model.

1:22:56.040 --> 1:22:56.840
<v Speaker 2>That was three she is.

1:22:58.520 --> 1:23:00.720
<v Speaker 1>Where are we at rod Digga? Oh? Yeah, she was?

1:23:02.040 --> 1:23:05.920
<v Speaker 5>Really I think I can hear you for lol so

1:23:07.160 --> 1:23:08.200
<v Speaker 5>que for lower Hall?

1:23:08.320 --> 1:23:11.080
<v Speaker 1>What about that? What's the other two? Allien girl? Oh?

1:23:14.000 --> 1:23:18.680
<v Speaker 1>I think it's bas isn't it.

1:23:19.560 --> 1:23:23.840
<v Speaker 2>I should have said said she's Andre two.

1:23:23.680 --> 1:23:25.479
<v Speaker 1>Thousands of she's crazy.

1:23:25.960 --> 1:23:30.360
<v Speaker 5>She's Andre meets title the Creator, but better as a

1:23:30.560 --> 1:23:33.760
<v Speaker 5>as a female. You know, like, yeah, I like that, Yeah,

1:23:33.760 --> 1:23:37.920
<v Speaker 5>I agree with you. Yeah, I agree with my my

1:23:38.560 --> 1:23:42.120
<v Speaker 5>my friend event totality. That's a big word for me

1:23:42.200 --> 1:23:45.080
<v Speaker 5>to use. Spell it never.

1:23:49.040 --> 1:23:54.599
<v Speaker 1>But right here us for right he owes one more

1:23:54.840 --> 1:23:57.280
<v Speaker 1>two more more more female?

1:23:59.360 --> 1:23:59.519
<v Speaker 5>Oh?

1:24:01.320 --> 1:24:03.000
<v Speaker 1>Who with Joe. I have to look at my phone.

1:24:03.080 --> 1:24:05.040
<v Speaker 1>You got start your list. I feel by like hard

1:24:05.080 --> 1:24:08.400
<v Speaker 1>Driver is like, yeah, it's Radio range because I love

1:24:08.520 --> 1:24:14.680
<v Speaker 1>Lady of Rage who wraps? Yeah, he's dope? Are you

1:24:14.760 --> 1:24:16.640
<v Speaker 1>googling ship now? I'm just looking at my this is

1:24:16.720 --> 1:24:19.559
<v Speaker 1>my playlist, like it's not a real Okay, I got

1:24:19.600 --> 1:24:21.680
<v Speaker 1>all kinds of playlists. Who's new? Like?

1:24:24.240 --> 1:24:26.080
<v Speaker 2>And I'm sure there's a ton of doble artists that

1:24:26.120 --> 1:24:27.120
<v Speaker 2>we're not thinking of right.

1:24:27.040 --> 1:24:28.000
<v Speaker 1>Now, many so many.

1:24:28.080 --> 1:24:32.320
<v Speaker 5>I feel like there's a lot of good ones of course, Yeah, absolutely, Yeah,

1:24:33.000 --> 1:24:33.719
<v Speaker 5>you gotta pick.

1:24:33.600 --> 1:24:38.000
<v Speaker 1>What you want. Those just dope. What do you think? Joe?

1:24:38.880 --> 1:24:40.880
<v Speaker 1>What do you talk about? Who? Who do you want to?

1:24:41.400 --> 1:24:43.479
<v Speaker 4>Lots of y'all. I just wanted to throw this out there.

1:24:43.960 --> 1:24:47.040
<v Speaker 4>It is also a great coffee shop, Mike and Joe's.

1:24:48.040 --> 1:24:51.040
<v Speaker 1>Oh yo, wait, I.

1:24:51.200 --> 1:24:54.400
<v Speaker 2>Want to go to Michael Joe All that a cup

1:24:54.439 --> 1:24:57.360
<v Speaker 2>of Joe? I want you gotta go turntables there too.

1:24:57.400 --> 1:24:59.040
<v Speaker 2>It's got to be like a high five, like it's

1:24:59.040 --> 1:25:01.840
<v Speaker 2>a spinal bar. Yeah, that's a coffee shop.

1:25:01.880 --> 1:25:02.280
<v Speaker 1>I want to go.

1:25:02.680 --> 1:25:04.720
<v Speaker 2>I'm in let's go. You want to take a drink to?

1:25:06.080 --> 1:25:06.200
<v Speaker 7>Oh?

1:25:06.280 --> 1:25:08.160
<v Speaker 1>Yes, yes, I want to take a drink to that, Yes,

1:25:08.400 --> 1:25:08.720
<v Speaker 1>so I got.

1:25:08.720 --> 1:25:09.320
<v Speaker 2>A poor again guy.

1:25:09.439 --> 1:25:11.439
<v Speaker 1>Man, did see the line that people are you don't

1:25:11.439 --> 1:25:14.719
<v Speaker 1>get to drink right my drinks already?

1:25:14.840 --> 1:25:22.040
<v Speaker 2>No bro, you're not ready man, A right, no problem, bro, Yeah, I.

1:25:22.160 --> 1:25:24.280
<v Speaker 1>Just came from Tampa doing five ka.

1:25:24.720 --> 1:25:26.240
<v Speaker 5>He ran all the way from Tampa and then you

1:25:26.280 --> 1:25:28.200
<v Speaker 5>got a right here what you got?

1:25:28.439 --> 1:25:31.400
<v Speaker 1>The running thing is crazy? You know. I wish I could.

1:25:31.680 --> 1:25:33.920
<v Speaker 1>I Like you, remember you said the thing about being

1:25:33.920 --> 1:25:34.719
<v Speaker 1>allergic to cats.

1:25:34.800 --> 1:25:38.000
<v Speaker 6>I grew up with asthma. I was super allergic to cats.

1:25:38.560 --> 1:25:38.840
<v Speaker 1>I like.

1:25:40.320 --> 1:25:42.639
<v Speaker 2>You were allergic to running. I'm allergic.

1:25:43.439 --> 1:25:47.200
<v Speaker 1>That's about taking his answer. That's much funnier I had.

1:25:47.320 --> 1:25:50.240
<v Speaker 1>I had like asthma all the time. So like running running,

1:25:50.360 --> 1:25:52.439
<v Speaker 1>like maybe it's like you the harder, the guy with

1:25:52.520 --> 1:25:54.160
<v Speaker 1>the used to be opposed to be. But I've got

1:25:54.200 --> 1:25:56.439
<v Speaker 1>like scar tissue in my lungs. So like breath control

1:25:56.520 --> 1:25:59.400
<v Speaker 1>on stage, damn is a thing. I always have to

1:25:59.439 --> 1:26:02.920
<v Speaker 1>be very how I'm doing in terms of like I'm

1:26:02.960 --> 1:26:06.040
<v Speaker 1>in my mind as I'm performing, I'm thinking like, okay,

1:26:06.120 --> 1:26:08.320
<v Speaker 1>am I am? I running on empty a little bit?

1:26:08.400 --> 1:26:10.040
<v Speaker 1>Like slow down a little bit so you have enough

1:26:10.120 --> 1:26:15.599
<v Speaker 1>to you versus where it is blank. That's your okay,

1:26:16.120 --> 1:26:19.400
<v Speaker 1>all right, but it's it's super good for as.

1:26:19.800 --> 1:26:23.880
<v Speaker 2>Super that's what they said. It cures as well.

1:26:23.960 --> 1:26:24.240
<v Speaker 1>Here's it.

1:26:25.800 --> 1:26:29.479
<v Speaker 4>I'm gonna be honest, man, don't don't us appreciate you

1:26:29.600 --> 1:26:33.360
<v Speaker 4>brothers for coming here. I appreciate you brothers for doing this.

1:26:33.920 --> 1:26:36.880
<v Speaker 4>I'm going to take another shot with you. Okay, this

1:26:36.920 --> 1:26:42.080
<v Speaker 4>is Japanese whiskeys. Do not know that you are Japanese?

1:26:44.080 --> 1:26:49.160
<v Speaker 4>Japanese you know that this is a slang. It's a yeah,

1:26:49.680 --> 1:26:53.320
<v Speaker 4>why have you been to Japan?

1:26:53.800 --> 1:26:55.560
<v Speaker 2>I mean, I'm assuming you have, but like how is

1:26:55.920 --> 1:26:57.720
<v Speaker 2>like have you followed your roots in Japan? Like do

1:26:57.760 --> 1:26:58.320
<v Speaker 2>you have family that?

1:26:58.600 --> 1:27:01.719
<v Speaker 1>It's funny, I've never been to this the town in Korea.

1:27:02.120 --> 1:27:04.040
<v Speaker 1>I've never been to the town where I don't even know.

1:27:04.040 --> 1:27:07.400
<v Speaker 1>If I didn't, I knew this town where my family

1:27:07.479 --> 1:27:19.680
<v Speaker 1>came from, which is it's down He's mister, by the way,

1:27:19.720 --> 1:27:20.960
<v Speaker 1>I love when I grow up.

1:27:21.040 --> 1:27:23.720
<v Speaker 2>I love. Wait.

1:27:23.840 --> 1:27:25.880
<v Speaker 1>Yeah, my family is from down South, which is more

1:27:26.479 --> 1:27:32.280
<v Speaker 1>close to there Miami literally literally yeah, the it's more humid,

1:27:32.439 --> 1:27:36.000
<v Speaker 1>it's former like fishing villages and stuff like that. That's

1:27:36.000 --> 1:27:38.200
<v Speaker 1>where they were from. I haven't been there. My brother,

1:27:38.640 --> 1:27:42.280
<v Speaker 1>a brother. He went down there, told me everything is okay.

1:27:42.840 --> 1:27:47.120
<v Speaker 2>I was number one in in ok Now for seven years?

1:27:48.000 --> 1:27:48.680
<v Speaker 1>What they called me?

1:27:52.120 --> 1:27:53.280
<v Speaker 2>Wait what number one?

1:27:54.360 --> 1:27:54.600
<v Speaker 1>I was?

1:27:54.800 --> 1:27:56.280
<v Speaker 2>I was what song? He's saying what song?

1:27:56.720 --> 1:27:57.479
<v Speaker 1>What? What? What? What?

1:27:59.000 --> 1:28:01.479
<v Speaker 5>From that until was it because of the military base

1:28:01.560 --> 1:28:02.799
<v Speaker 5>or was it the local population?

1:28:03.080 --> 1:28:05.240
<v Speaker 2>That's a great question, you know that.

1:28:05.680 --> 1:28:09.519
<v Speaker 6>I mean, yeah, Okinawa, that's a big US military base.

1:28:09.560 --> 1:28:10.760
<v Speaker 2>You know what, that's a great question.

1:28:10.880 --> 1:28:13.840
<v Speaker 4>And you know what, people that's traveling outside of the

1:28:14.040 --> 1:28:15.920
<v Speaker 4>US that you still want.

1:28:15.760 --> 1:28:18.080
<v Speaker 5>To actually be a part of the US. All you

1:28:18.200 --> 1:28:21.280
<v Speaker 5>have to do is tap into the fucking military, which

1:28:21.320 --> 1:28:23.600
<v Speaker 5>is a big problem for over there. Locally, there's a

1:28:23.640 --> 1:28:27.920
<v Speaker 5>big issue. There's there's the issues there with the base

1:28:28.040 --> 1:28:29.000
<v Speaker 5>and things.

1:28:29.320 --> 1:28:30.920
<v Speaker 6>Is a World War two thing.

1:28:31.080 --> 1:28:35.760
<v Speaker 1>Yeah, they can't have recently. This is for a long time. Yeah.

1:28:35.760 --> 1:28:37.920
<v Speaker 2>I don't think it's like they're trying they would like

1:28:38.280 --> 1:28:42.439
<v Speaker 2>the base to leave. The local population's issues. Get that

1:28:43.200 --> 1:28:44.839
<v Speaker 2>was with the soldiers we played.

1:28:44.760 --> 1:28:47.120
<v Speaker 1>So we played down there. We played down there one time.

1:28:47.200 --> 1:28:51.720
<v Speaker 1>It's really funny to play down there because in Okinawa,

1:28:52.800 --> 1:28:54.680
<v Speaker 1>I don't remember the name of them, but but we

1:28:54.760 --> 1:28:59.000
<v Speaker 1>played near a base and the local Japanese population is

1:28:59.120 --> 1:29:03.680
<v Speaker 1>much shorter than the white Marines or whatever. They are

1:29:03.960 --> 1:29:07.360
<v Speaker 1>like soldiers there, and so the crowd looks like it

1:29:07.520 --> 1:29:10.120
<v Speaker 1>looks like this, like these are the short Japanese and

1:29:11.600 --> 1:29:15.000
<v Speaker 1>to be taller than regular We played that show and

1:29:15.120 --> 1:29:18.400
<v Speaker 1>it's like there's five Japanese people this tall, and there's

1:29:18.479 --> 1:29:21.320
<v Speaker 1>one white guy that's this tall, and it's just the

1:29:21.520 --> 1:29:24.160
<v Speaker 1>entire crowd. You got these white heads like sticking out

1:29:24.200 --> 1:29:26.439
<v Speaker 1>because that's that's who lives there. It's like all these

1:29:26.520 --> 1:29:29.080
<v Speaker 1>Japanese people who are shorter and then white people who

1:29:29.080 --> 1:29:31.800
<v Speaker 1>are taller. There's a funny show in Korea. Have you

1:29:32.000 --> 1:29:32.160
<v Speaker 1>have you?

1:29:32.360 --> 1:29:34.760
<v Speaker 2>Have you guys had a chance to play, like yeah,

1:29:34.800 --> 1:29:35.040
<v Speaker 2>we just.

1:29:35.360 --> 1:29:41.519
<v Speaker 7>We played Korea last October, right, that's part of our

1:29:41.800 --> 1:29:46.160
<v Speaker 7>launch hitting into many places and different continents around the world.

1:29:46.200 --> 1:29:48.679
<v Speaker 1>And then we just played two nights in Tokyo.

1:29:49.160 --> 1:29:51.519
<v Speaker 2>And you have been able to follow your roots and

1:29:51.600 --> 1:29:54.200
<v Speaker 2>like go to uh no, not too deeply.

1:29:54.479 --> 1:29:56.840
<v Speaker 7>Most of my family moved to the States, so you

1:29:56.960 --> 1:29:59.839
<v Speaker 7>got no family with or nothing, just some distant relatives.

1:30:00.439 --> 1:30:02.560
<v Speaker 1>He's American, dude, what do you what are you to

1:30:02.640 --> 1:30:04.960
<v Speaker 1>do right now? Listen? I went a cube, I followed

1:30:04.960 --> 1:30:09.080
<v Speaker 1>my roots it's hard for me to go to Africa.

1:30:09.200 --> 1:30:13.760
<v Speaker 1>I'm sorry too, Ferto Rican. We don't even know where

1:30:13.760 --> 1:30:13.920
<v Speaker 1>to go.

1:30:15.920 --> 1:30:16.439
<v Speaker 2>It's called.

1:30:18.439 --> 1:30:18.919
<v Speaker 1>Exactly.

1:30:19.040 --> 1:30:22.040
<v Speaker 6>It was funny when we were talking about about super Thug.

1:30:22.720 --> 1:30:24.720
<v Speaker 5>Really, what was your what was your so? What was

1:30:24.720 --> 1:30:28.360
<v Speaker 5>your experience with Pharrell? How did that unfolded? I love

1:30:28.439 --> 1:30:31.000
<v Speaker 5>how you switched it on me. I respect you so much.

1:30:38.120 --> 1:30:39.120
<v Speaker 5>It's crazy.

1:30:42.000 --> 1:30:45.320
<v Speaker 4>Because now that I've had so much historical moments in

1:30:45.400 --> 1:30:49.519
<v Speaker 4>my life, I could actually see one of the early ones,

1:30:49.920 --> 1:30:52.160
<v Speaker 4>and I could see how I saw it that day.

1:30:54.200 --> 1:30:56.280
<v Speaker 2>Pharrell was destined to be who is going to be?

1:30:56.880 --> 1:31:01.840
<v Speaker 1>Is going to be Chad? You going as well? But

1:31:02.000 --> 1:31:03.880
<v Speaker 1>when he gave me that CD and.

1:31:03.960 --> 1:31:05.880
<v Speaker 5>He said, don't listen to this ship until you get

1:31:05.920 --> 1:31:08.280
<v Speaker 5>to Miami, and I did it, and I said they

1:31:08.280 --> 1:31:08.880
<v Speaker 5>can't hotel.

1:31:10.600 --> 1:31:12.360
<v Speaker 2>When I listened, I just knew.

1:31:15.479 --> 1:31:17.920
<v Speaker 1>That life. I just knew it.

1:31:18.200 --> 1:31:20.879
<v Speaker 4>I just heard it, and I wrote this ship immediately,

1:31:20.960 --> 1:31:25.200
<v Speaker 4>and I went right back to New York Right Track

1:31:25.240 --> 1:31:28.760
<v Speaker 4>Recording Studios, forty seventh Street. Believe Madison, I don't. I

1:31:28.800 --> 1:31:32.080
<v Speaker 4>don't know if it is. And I went and I

1:31:32.160 --> 1:31:35.160
<v Speaker 4>recorded that whole track straight but.

1:31:35.200 --> 1:31:36.519
<v Speaker 2>You got it in Miami, right to beat.

1:31:37.080 --> 1:31:37.280
<v Speaker 1>Yeah.

1:31:37.960 --> 1:31:40.240
<v Speaker 5>Because the reason why I say is because I always

1:31:40.400 --> 1:31:40.720
<v Speaker 5>wanted to.

1:31:40.720 --> 1:31:44.160
<v Speaker 1>Get Miami is no no no, no, no, no no no.

1:31:45.120 --> 1:31:50.200
<v Speaker 5>Sonically, when he came out with Super Thug, we hadn't

1:31:50.240 --> 1:31:50.679
<v Speaker 5>met yet.

1:31:50.760 --> 1:31:52.920
<v Speaker 2>No, no, I did because I met you. I met

1:31:52.960 --> 1:31:54.120
<v Speaker 2>you was on the CNN run.

1:31:54.200 --> 1:31:56.600
<v Speaker 5>But still when he came out with that record, the

1:31:56.760 --> 1:32:01.439
<v Speaker 5>bounce on it felt very Southern, very relatable, very like

1:32:01.520 --> 1:32:05.640
<v Speaker 5>that bounce like, it felt that bounce was there, and

1:32:05.720 --> 1:32:07.280
<v Speaker 5>I was like, oh, that's not coming out of New

1:32:07.320 --> 1:32:08.640
<v Speaker 5>York and and he was doing that.

1:32:09.320 --> 1:32:13.599
<v Speaker 1>Yeah, and now I live in the South, so you're one.

1:32:14.200 --> 1:32:17.200
<v Speaker 1>I have a funny. I have a weird I think

1:32:17.240 --> 1:32:21.120
<v Speaker 1>the first time I ever like so we we going

1:32:21.240 --> 1:32:24.719
<v Speaker 1>way back to like the first record. It was probably

1:32:24.760 --> 1:32:28.200
<v Speaker 1>before we ever got signed. We're probably just doing demos

1:32:28.240 --> 1:32:32.280
<v Speaker 1>at this point. My friend, do you remember buzz Tone Records? Yeah?

1:32:33.479 --> 1:32:34.960
<v Speaker 6>So I had a friend who worked at buzz Tone

1:32:35.600 --> 1:32:38.000
<v Speaker 6>and he invited me to a couple.

1:32:37.800 --> 1:32:38.760
<v Speaker 2>Of sorry, you just got a shot.

1:32:38.800 --> 1:32:40.960
<v Speaker 1>I got a shot. It's just like just because let's

1:32:41.000 --> 1:32:41.120
<v Speaker 1>do it.

1:32:41.160 --> 1:32:41.640
<v Speaker 2>Bro, I'm in.

1:32:43.160 --> 1:32:46.920
<v Speaker 1>To buzz town calling them people bro and dude. For

1:32:47.040 --> 1:32:51.639
<v Speaker 1>a whole week, we land and grow. I can't tell

1:32:51.680 --> 1:32:54.200
<v Speaker 1>if you're if you're from l A or if you're

1:32:54.280 --> 1:33:00.960
<v Speaker 1>just like a millennial. It's like Jen Alpha, I let

1:33:01.400 --> 1:33:04.040
<v Speaker 1>christ you gotta work for the roll and I'm like,

1:33:04.200 --> 1:33:06.360
<v Speaker 1>I'm like, I'm like, I've been white for a week.

1:33:07.560 --> 1:33:10.000
<v Speaker 1>I've been full flazed.

1:33:09.640 --> 1:33:15.080
<v Speaker 5>White, full fledged all right, So okay, so I'm so sorry.

1:33:15.280 --> 1:33:18.960
<v Speaker 1>So we were we were not signed or whatever, just

1:33:19.160 --> 1:33:21.640
<v Speaker 1>like trying to get experiences and my friends said, come

1:33:21.720 --> 1:33:24.720
<v Speaker 1>to this video shoot just for fun. And I think

1:33:25.320 --> 1:33:27.559
<v Speaker 1>the first one I went to was a funk dubious

1:33:28.120 --> 1:33:34.320
<v Speaker 1>shoot do with was in the was the feature with? Yeah?

1:33:34.360 --> 1:33:37.800
<v Speaker 2>They had this random bab pop that wasn't on their

1:33:37.840 --> 1:33:39.720
<v Speaker 2>album though I think it was was it? Yeah?

1:33:40.600 --> 1:33:41.839
<v Speaker 1>I was at the video.

1:33:41.680 --> 1:33:44.639
<v Speaker 5>Shoot for Poppy Chulo, but that that record albums though,

1:33:44.920 --> 1:33:48.000
<v Speaker 5>I was like, is and Corrupt was so was one

1:33:48.000 --> 1:33:50.160
<v Speaker 5>of those season that time like coming out.

1:33:50.360 --> 1:33:52.040
<v Speaker 1>So I did. I went to that. I was like, oh,

1:33:52.640 --> 1:33:55.479
<v Speaker 1>you know, Chris can I got it like any other Later,

1:33:55.560 --> 1:33:58.040
<v Speaker 1>I was like, any other video shoots coming up that

1:33:58.080 --> 1:33:59.880
<v Speaker 1>I could go to, and he said, yeah, he has

1:34:00.040 --> 1:34:01.840
<v Speaker 1>one for the Alcoholics coming up. I was a big

1:34:01.920 --> 1:34:05.040
<v Speaker 1>alcoholics fan, so he's like, you know, Lincoln Park had

1:34:05.080 --> 1:34:07.560
<v Speaker 1>kind of started happening, and so he's like, can you

1:34:07.640 --> 1:34:10.320
<v Speaker 1>get can we get? You got the dude from the

1:34:10.400 --> 1:34:13.280
<v Speaker 1>singer from this band called Deftones that we love Chino

1:34:13.479 --> 1:34:15.760
<v Speaker 1>was gonna be in it. We got you And he's like,

1:34:15.800 --> 1:34:18.080
<v Speaker 1>have you heard of this student named Pharrell? And I

1:34:18.240 --> 1:34:20.400
<v Speaker 1>was like, yeah, I think so. He was kind of

1:34:20.520 --> 1:34:23.360
<v Speaker 1>newer at the time, like I wasn't super familiar, and

1:34:23.479 --> 1:34:26.599
<v Speaker 1>so there it's a super weird track. I don't even

1:34:26.640 --> 1:34:28.400
<v Speaker 1>know if it's still like if you could put up

1:34:28.400 --> 1:34:30.920
<v Speaker 1>pull it up on YouTube or Spotify or whatever. But

1:34:32.200 --> 1:34:35.320
<v Speaker 1>on YouTube you'd see that the video had a cameo

1:34:35.439 --> 1:34:38.719
<v Speaker 1>by me. I think there was somebody else and Chino

1:34:38.800 --> 1:34:42.880
<v Speaker 1>from Deftones and Pharrell playing as the house band at

1:34:42.920 --> 1:34:45.760
<v Speaker 1>this like frat party that Jay Row and Tash are

1:34:45.840 --> 1:34:48.679
<v Speaker 1>like rapping at. It was the weirdest shit, Like even

1:34:48.720 --> 1:34:50.360
<v Speaker 1>this here here come out of my mouth, I'm like,

1:34:50.439 --> 1:34:53.599
<v Speaker 1>who fucking who put this together? Like if you did

1:34:53.640 --> 1:34:57.320
<v Speaker 1>this ten years later, it'd be like a very expensive video.

1:34:58.040 --> 1:35:00.840
<v Speaker 1>But at the time everyone was just kind of like

1:35:01.680 --> 1:35:05.720
<v Speaker 1>starting to like their careers were all started, except for

1:35:05.760 --> 1:35:08.280
<v Speaker 1>the Lecks, the legs were all already established. That's why

1:35:08.320 --> 1:35:10.320
<v Speaker 1>that was their song. You guys ever did anything with

1:35:10.360 --> 1:35:14.680
<v Speaker 1>the Alcoholics? No, No, I don't think i've even that day.

1:35:14.720 --> 1:35:17.160
<v Speaker 1>I didn't really meet. I think i'm that.

1:35:17.400 --> 1:35:19.519
<v Speaker 5>I think I talked to for Like, can I connect

1:35:19.560 --> 1:35:24.280
<v Speaker 5>y'all for future? I mean, because is on it right now?

1:35:24.360 --> 1:35:27.120
<v Speaker 5>He's killing it really. Yeah, they're coming out with the Doggs,

1:35:27.120 --> 1:35:29.439
<v Speaker 5>coming on a new album. Like I would love to

1:35:29.479 --> 1:35:32.080
<v Speaker 5>connect y'all. I love the alcoholic Yeah.

1:35:32.479 --> 1:35:33.200
<v Speaker 1>You know what's crazy.

1:35:33.280 --> 1:35:33.719
<v Speaker 2>I'm sorry.

1:35:33.840 --> 1:35:35.920
<v Speaker 4>I have so many notes, but I know you guys

1:35:36.000 --> 1:35:41.639
<v Speaker 4>got a flight. Look, I haven't thank you. I really

1:35:41.720 --> 1:35:47.160
<v Speaker 4>want to thank y'all because think about it, we're all one.

1:35:50.760 --> 1:35:53.599
<v Speaker 4>I love doing these type of these type of interviews.

1:35:53.640 --> 1:35:56.920
<v Speaker 1>I love. I love, like, you know, connected with people

1:35:57.040 --> 1:36:02.040
<v Speaker 1>that don't know that we're connected. And I want to

1:36:02.080 --> 1:36:05.240
<v Speaker 1>thank you once again. Man gave them their flowers.

1:36:06.560 --> 1:36:10.680
<v Speaker 5>Take these great pictures, right, and if you want to

1:36:10.720 --> 1:36:14.960
<v Speaker 5>take us some champagne whishes, I'll take some champagne.

1:36:15.120 --> 1:36:22.639
<v Speaker 1>Take some champagne. Sorry, singer Emily's birthday coming up tomorrow,

1:36:22.760 --> 1:36:23.280
<v Speaker 1>so we'll take some.

1:36:25.400 --> 1:36:27.280
<v Speaker 5>I don't know if she'll drink it, but shout out

1:36:27.280 --> 1:36:31.080
<v Speaker 5>to shout out a little man, yes, yes, yes, please you.

1:36:31.200 --> 1:36:35.400
<v Speaker 2>Put it in your luggage. Luggage oh so out? Okay,

1:36:36.400 --> 1:36:45.880
<v Speaker 2>well Lincoln motherfucker park makes some everybody here has memory.

1:36:46.240 --> 1:36:49.360
<v Speaker 2>Thank you, fellow, Thank you so much, Thank you.

1:36:50.120 --> 1:36:53.439
<v Speaker 5>Drink Champs is a Drink Champs ll C production hosts

1:36:53.479 --> 1:36:56.320
<v Speaker 5>and executive producers n O r E and d j

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