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Speaker 1: He is drinks chests, motherfucking podcast man. He's a legendary

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Speaker 1: queens rapper. He ain't sagreed as your boy in O

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Speaker 1: R E.

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Speaker 2: He's a Miami hip hop pioneer. What up it's d

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Speaker 2: J E f N.

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Speaker 1: Together they drink it up with some of the biggest players,

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Speaker 1: you know what I mean and the most professional unprofessional

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Speaker 1: podcast and your number one source for drunk drink.

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Speaker 3: Chans day is New year c Listen, It's time for

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Speaker 3: drink Champs.

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Speaker 2: Drink up, motherfucker mother? Would it good?

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Speaker 1: Being? Is your boy in O R E? What up?

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Speaker 2: It is DJ E f N And.

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Speaker 1: It's Midle Tippa crazy for all kick champs make up

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Speaker 1: right now?

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Speaker 2: When we talk about legends, were talking.

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Speaker 4: About legendary groups, legendary things that happened legendary. These brothers

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Speaker 4: have transcended with rock and roll music.

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Speaker 2: Scenes.

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Speaker 1: They are.

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Speaker 2: To me, they are hip hop group.

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Speaker 1: That turned rock.

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Speaker 2: I feel like a lot of the roots are hip

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Speaker 2: hop because I'm not gonna lie.

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Speaker 4: I can rhyme to every one of the beats like

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Speaker 4: I'm listening to it today. I'm like I had a

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Speaker 4: rhyme to every single song, Like I wrote a rhyme

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Speaker 4: to it. These brothers, you beat me. I was in

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Speaker 4: the back of the car like that, I said, rhyme

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Speaker 4: to every one of these fucking beats. Let's get straight

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Speaker 4: to it, because we ain't playing around. We are introducing

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Speaker 4: the honorable one.

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Speaker 1: Only let you.

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Speaker 2: And that's barkling Water because.

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Speaker 1: That's that's the bad luck, you know.

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Speaker 4: I mean, you guys on a sixty five fucking tour athletes.

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Speaker 1: Fine city. I'm I was gonna say thank you for

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Speaker 1: bringing out the good Japanese with good Yeah.

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Speaker 4: Thanks, right, that's right. So let's explain this tour that's

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Speaker 4: going on right now. What what cities are you going?

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Speaker 4: What cities are you excited to go to?

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Speaker 1: Well, the thing is, it's such a big tour for us,

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Speaker 1: like we we we haven't done a tour with this

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Speaker 1: many days in more than ten years, maybe more than

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Speaker 1: fifteen usually told thirty days, correct, I mean for us,

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Speaker 1: probably longer in a year, but this one is like

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Speaker 1: sixty five. It's quite a bit longer.

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Speaker 2: And listen, is it worldwide? Because that's that's the thing.

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Speaker 1: I know.

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Speaker 4: I was joking with you guys off camera, but it's

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Speaker 4: something that I really do mean right, right, it's a

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Speaker 4: broader scale of the audience you guys have, right, So

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Speaker 4: what cities, what's what cities are you looking forward to?

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Speaker 1: Well, what do you think that? I mean, we know

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Speaker 1: the biggest ones, like the places where we have a

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Speaker 1: really crazy avid fan base, the ones you know, we

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Speaker 1: were German, Our German fan base is big. Are our

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Speaker 1: Chinese fan base is big Germany, lots of we do,

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Speaker 1: we go, we go to we go to Germany all

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Speaker 1: the time. Yeah, but you know, on each tour we

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Speaker 1: do real well in South South America. You said China, China,

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Speaker 1: that's crazy China. Yeah, Like so on this run we're

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Speaker 1: not even hitting China. We've got quite a big fan

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Speaker 1: base and.

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Speaker 2: Well we we.

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Speaker 1: We we booked the dates before all that stuff happened.

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Speaker 1: But yeah, we're not hitting China, we're not hitting Russia,

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Speaker 1: and we've got big fan bases in both those places.

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Speaker 1: It's funny because actually the US is one of our

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Speaker 1: like comparatively, it's one of our smaller markets.

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Speaker 2: Get from the beginning or has it evolved into that?

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Speaker 5: Uh?

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Speaker 1: Down? Yeah? Probably up and down. How about North Korea?

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Speaker 1: We haven't been uh no, we haven't been there yet.

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Speaker 1: Ever been there?

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Speaker 4: I like him Jones. Like I'm just saying, like, he's

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Speaker 4: like a cool dude to me.

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Speaker 1: See, like he's like, you know what I mean, he

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Speaker 1: liked basketball, he was out there with you know what

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Speaker 1: I'm saying.

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Speaker 6: He's a he's a he's a hair style influencer.

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Speaker 1: Right, did you see the movie the interview? I didn't

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Speaker 1: see it. Oh you didn't see it the movie the interview.

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Speaker 1: But they made fun of him. Yeah, like he put

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Speaker 1: a hit out on him.

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Speaker 4: So you guys have been able to do something that

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Speaker 4: other hip hop acts I haven't been able to do.

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Speaker 4: You guys collaborated full fledged with jay Z. Holy moly moly,

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Speaker 4: how the hell? But by the way, by the way,

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Speaker 4: he has to be one thing about jay that I know.

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Speaker 4: I know him his whole career. He has to be

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Speaker 4: into it. To be into it. He will not do

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Speaker 4: something for money. It's not like that's not him. How

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Speaker 4: what happened when y'all got together?

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Speaker 1: What? What? What? What was it? He had to be

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Speaker 1: a fan of you guys. Yeah, well, okay, so this

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Speaker 1: was after our second record, So first record came out.

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Speaker 1: Tybrid theory was was by the end of the cycle.

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Speaker 1: They told us it was the biggest record on the planet,

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Speaker 1: and I was like, oh, I didn't it didn't register

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Speaker 1: what that meant. Like I was just thinking big is big,

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Speaker 1: like but like Britney Spears and whatever, like those kinds

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Speaker 1: of groups. Pop groups were big, they were probably bigger.

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Speaker 1: And that our label and our manager was like, no, no,

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Speaker 1: your your record was bigger than those records. Wow, And

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Speaker 1: so good boy. It happened so fast that it didn't

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Speaker 1: we didn't wrap our heads around it. And then so

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Speaker 1: we were already going straight into the second record, did

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Speaker 1: a second record that did also really really well, and

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Speaker 1: then so that's where we were sitting in our career.

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Speaker 1: And then Jay was just getting to the point where

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Speaker 1: he was he was probably a few years from that

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Speaker 1: moment where he retired what was it unplugged or something

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Speaker 1: like that. So what they did is the the mashup

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Speaker 1: was like a hot thing the moment Danger Mouse ray album,

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Speaker 1: and MTV realized that a lot of DJs were doing mashups,

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Speaker 1: and so they went to Ja and they said, hey,

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Speaker 1: we want to do a show that's like a mash

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Speaker 1: up show. Would you kick off the first episode since

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Speaker 1: you're the like you were the first mashup that somebody

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Speaker 1: did really that blew up, and they said who do

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Speaker 1: you want to do it with? He said yes, and

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Speaker 1: then they said who do you want to do with?

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Speaker 1: And he came back to them and said, Lincoln Park.

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Speaker 1: That's crazy Jo and they told us so then they

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Speaker 1: His manager was John and Eely and and Jelly rowe

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Speaker 1: yeh yesterday yes. So John went to our manager and

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Speaker 1: he said, this is what they're thinking, and whatever do

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Speaker 1: you want to do it? And I the response Instead

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Speaker 1: of giving them a response, knowing that it would just

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Speaker 1: lead to like questions, I just made three mashups because

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Speaker 1: that's what I do like. So what they didn't know

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Speaker 1: is that's how I learned how to make music. That's

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Speaker 1: how I learned to make tracks. I didn't. I didn't

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Speaker 1: grow up like wrap making a track and rapping on it.

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Speaker 1: I grew up before that, taking stuff that I liked

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Speaker 1: and mashing them up in order to learn how to

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Speaker 1: make a beat. So i'd like mash up. It'd be

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Speaker 1: like a break beat, a whole break beat off of

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Speaker 1: like a soul record, and then like Wu Tang Clan vocals,

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Speaker 1: and then like rage against the machine and smashing pumpkins,

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Speaker 1: and then maybe some Jackson five thing like all these

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Speaker 1: fucked up things that didn't make any sense. But to

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Speaker 1: me it was just I was just vibingmixes. I was, yeah,

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Speaker 1: I was just like learning, And so that's how I

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Speaker 1: learned to make I did. I was, yeah, I was

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Speaker 1: doing it on this weird little sampler called a originally

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Speaker 1: called MS one. It was a role and piece of

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Speaker 1: shit and then eventually Aki S nine hundred and then

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Speaker 1: so yeah, it made those And that's how I learned

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Speaker 1: how to do it. And so when they called, when

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Speaker 1: they send us the message, it said Jay wants to

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Speaker 1: do mashups. I just made three mashups just as like

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Speaker 1: a proof of concept or whatever. I sent it to

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Speaker 1: them and Jay's response was oh shit, and he knew

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Speaker 1: immediately like yeah, we've got to do this is the

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Speaker 1: right thing to do. Oh yeah. There wasn't any conversation

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Speaker 1: that I was just like, what are they going to do?

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Speaker 1: The first thing I gonna say is like, well, how

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Speaker 1: should we go about I'm just I don't we don't

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Speaker 1: need to do how should we do this? Just the

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Speaker 1: music is either it's works or it doesn't work.

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Speaker 4: No, But you know Sins walked this way right, Yes,

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Speaker 4: run DMC walked this way, you know, the rock and

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Speaker 4: hip hop thing.

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Speaker 5: It was so perfect the Beastie Boys. Can't forget BC

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Speaker 5: boys doing it as well.

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Speaker 1: I actually think it went back further, Like to me,

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Speaker 1: the the things like like like led Zeppelin on their own,

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Speaker 1: Like I think if they had the power to sample

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Speaker 1: or they knew to collaborate with people, that they would

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Speaker 1: have done it. But they were just assimilating like soul

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Speaker 1: and R and B and older rock for sure, right,

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Speaker 1: and they were definitely they were making, they were making.

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Speaker 1: They were putting that into this rock thing that they

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Speaker 1: did as a British rock group. Right. So to me,

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Speaker 1: I listened to that and I heard hip hop because

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Speaker 1: I didn't know any better. It's like thirteen fourteen no.

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Speaker 4: But for me, I'm listening to the EP and I'm like,

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Speaker 4: this doesn't sound forced at oh, it sounds like I'm

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Speaker 4: going out on the line there. Did you guys record

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Speaker 4: in the same studio as Jay?

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Speaker 1: Yeah? Originally not the original material like but his he

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Speaker 1: had so much music out before, okay, Right, like I

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Speaker 1: grew up, we grew up listening to like what records

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Speaker 1: do you remember? Sometimes we would talk about Jay Jay's records,

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Speaker 1: like when you're just talking you're making songs, and you go, oh,

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Speaker 1: you know it's Stipe. Is the balance on? Like can

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Speaker 1: I get a what like that? That balance is so cool?

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Speaker 1: Like I wish we had a song that had that

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Speaker 1: kind of groove, you know, and so you'd just be

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Speaker 1: thinking about that and that would kind of influence the drums.

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Speaker 1: And then then we pulled from other things, like other

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Speaker 1: ideas we had. But that I think that sets up.

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Speaker 1: When we did the mashups, it was like, oh, it's

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Speaker 1: already the hip hop element's already in there, like I

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Speaker 1: just got the origins of it.

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Speaker 7: It's like a lot of times it just goes back

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Speaker 7: to these break beats that you know, Wow, they're just

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Speaker 7: part of the foundation of everything we're listening to.

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Speaker 1: Now. Is that something? Because I kid do not to me.

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Speaker 4: When I listen to you guys music, I can hear

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Speaker 4: the hip hop bass in there. I can hear it,

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Speaker 4: But then I also also understand that it's a whole

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Speaker 4: other crowd, you know.

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Speaker 1: What I mean.

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Speaker 4: But like I said, like I'm sitting there like I

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Speaker 4: don't want to be an artist no more, but I

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Speaker 4: can't help myself and the whole time, I'm sitting there

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Speaker 4: and I'm like, I'm rhyming to your shit. So is

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Speaker 4: that something you have did consciously? Like, because anybody who

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Speaker 4: loves hip hop has.

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Speaker 2: To love your music.

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Speaker 1: I feel like it's I feel like sometimes may have

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Speaker 1: been intentional, but other times it's just like it's baked

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Speaker 1: into like what we like is what we like, Like

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Speaker 1: this is what I grew up on. And we were

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Speaker 1: talking earlier, like it's like before we got into making

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Speaker 1: rock music, I probably listened to like two to five

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Speaker 1: percent of the music I listened to was probably rock. Okay,

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Speaker 1: it's probably like ninety percent hip.

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Speaker 5: Hop because you guys are like the hip hop heads

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Speaker 5: of the band. I wouldn't it seems like it, that's right.

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Speaker 2: Do you think that you.

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Speaker 5: Guys bring more of that perspective? And it's ever like

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Speaker 5: anybody will saying, nah, it's maybe is leaning too much

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Speaker 5: to hip hop.

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Speaker 7: Or well, I think if you're alive today, it's like

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Speaker 7: hip Hop's is undeniable.

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Speaker 1: It's everywhere, right.

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Speaker 7: And I think for us it's just a matter of

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Speaker 7: over time, doing a lot of work and focusing on

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Speaker 7: you know, in our case, especially in the early days

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Speaker 7: hip hop and then it's just like oftentimes more than.

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Speaker 1: That, you hit a wall, right, I want to do

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Speaker 1: this thing, I can't get it.

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Speaker 7: And actually where there was some old tapes I was

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Speaker 7: watching of us making this record. We're talking about some

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Speaker 7: vocal stuff that Mike's doing and he's like, ah, like

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Speaker 7: I felt like I I just like kind of hit

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Speaker 7: a ceiling on what I can do at this moment.

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Speaker 7: But then like magically, we just make the right track

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Speaker 7: a half year later and it's just automatically, it just flows.

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Speaker 1: Did you ever have a verse where like you did

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Speaker 1: the verse on a beat and it sounded okay, but

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Speaker 1: then you didn't release it or whatever. Then later you've

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Speaker 1: heard a different beat and you did the same verse

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Speaker 1: on the new beat, and you're.

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Speaker 2: Like, that's perfectly like what happens like that?

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Speaker 1: I have, you know, at this point in my career,

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Speaker 1: I got so many verses that are like almost they're

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Speaker 1: like maybe they're half baked but not quite done, but

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Speaker 1: they're close and they have a vibe, and then I

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Speaker 1: put them over the right track and it's it fits.

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Speaker 1: So let's talk sex and drugs and rock and roll. Okay,

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Speaker 1: I love that. That's where you talking to the.

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Speaker 3: Rock yes, because because rock and roll has a lot

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Speaker 3: of sex.

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Speaker 1: I got over cocaine yesterday.

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Speaker 2: It was crazy rock and roll.

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Speaker 4: Yes, how is that? How is that such thing that exists? Sex,

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Speaker 4: drugs and rock and roll? Absolutely industry in general.

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Speaker 1: My own answer, but what do you what would you say?

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Speaker 1: Look like you did a line before?

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Speaker 7: Actually no, not I haven't, but good Joe's in Miami,

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Speaker 7: now okay, yeah, go ahead. No, I feel I mean, yeah,

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Speaker 7: I know you don't want to answer it. I feel

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Speaker 7: like no, I feel like it.

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Speaker 1: It's funny because it was really notable when we came out.

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Speaker 1: One of the things people said about us all the

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Speaker 1: time was all these guys are so much less that. Wow,

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Speaker 1: Like the groups that were out before us were really

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Speaker 1: partying through the eighties and Motley Cruz in the eighties,

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Speaker 1: huge like that's what they were all known. They were

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Speaker 1: biting bats and ship like that, but they were they

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Speaker 1: were out on sunset. I don't know if you ever.

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Speaker 6: Spent much time in like probably like Hollywood, Holly.

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Speaker 2: I've never really got it.

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Speaker 1: So those guys they lived stories and they were just

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Speaker 1: constantly like back and forth between the club where they

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Speaker 1: played and the girls back to the place where they

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Speaker 1: stayed and they lived.

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Speaker 2: It was all day. It was a culture at that point.

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Speaker 1: So yeah, so that was their culture and I grew

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Speaker 1: when I grew up, it was the It was like that.

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Speaker 1: It was. I was little when that was ending. So

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Speaker 1: I was reacting to like I was looking at you

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Speaker 1: were talking about run DMC boys, like that was the earliest.

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Speaker 1: The first record I ever bought were those records. Yeah, yeah,

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Speaker 1: license to Ill, uh Hell Raisin Hell might have been.

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Speaker 1: I might have bought another Runny MC record before that. Anyway,

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Speaker 1: The point is that that was the beginning of me

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Speaker 1: listening to music, and so all the music I listened

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Speaker 1: to his hip hop and then those the kids at

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Speaker 1: my school at the time, everything was real separated if

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Speaker 1: you based on what music you listen to. So our

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Speaker 1: table we all listened to rap. Those dudes they all

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Speaker 1: listened to rock or metal or whatever. We had beef

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Speaker 1: with them, like we hated them. They fucking hated us. Yeah,

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Speaker 1: but that's how it was. Like we were growing up

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Speaker 1: in these like I was in you know, uh in

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Speaker 1: the in the San Fernano Valley, so like like it's

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Speaker 1: the joke is like that that school where ice Cube

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Speaker 1: goes to in in the movie. In the yeah, yeah, yeah,

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Speaker 1: it's it was basically he so So Cube and a

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Speaker 1: couple of other people, like it was known that that

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Speaker 1: he in particular went to uh school in my neighborhood.

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Speaker 1: He so d was up in the valley where all

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Speaker 1: the white kids. But it actually wasn't all white kids.

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Speaker 1: In the movie they show all white kids, but in

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Speaker 1: the reality it was there's a lot of Persians, a

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Speaker 1: lot of Jewish kids.

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Speaker 2: But that's where that's where Cube played.

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Speaker 1: So So in high school. High school. Yeah, so they

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Speaker 1: bust they bust all those kids up because they wanted

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Speaker 1: to get them out of the hood to get like

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Speaker 1: better teachers, better education, whatever, because they have more funding

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Speaker 1: up there. And so what happened is they all came

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Speaker 1: to our school and they all get got integrated. What

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Speaker 1: happened for me, for us was that he had already

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Speaker 1: graduated that point then. Yeah, but to say you went

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Speaker 1: to the high school with Cube, I know, I didn't.

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Speaker 1: We didn't. What happened was all those kids were still

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Speaker 1: getting busted up and they were bringing their music. So

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Speaker 1: the kids from downtown who listened to Iced Tea, who

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Speaker 1: listen to n WA, listen to all that king t

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Speaker 1: all that stuff. They came up and they're like, check

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Speaker 1: this out, check this out. And that's how I got

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Speaker 1: all the music I grew up listening to us from them.

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Speaker 2: M yeah, manakes noise? Do you have a story?

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Speaker 1: Short? No sex, but don't ask how the other thing

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Speaker 1: that by the time we got like since we were

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Speaker 1: the next generation after we were like people would say, like,

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Speaker 1: we're more about our business, Like we were trying to

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Speaker 1: be artists, get make interesting creative ship and handle our

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Speaker 1: business so that it stayed afloat, like so it didn't

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Speaker 1: fall apart because those dudes had already come out been

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Speaker 1: intoxicated whatever, and their business fell apart because the people

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Speaker 1: they handed it to like cheated them, Right.

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Speaker 2: There's story to deal with.

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Speaker 1: The stories are like all their attorney cheated them, their

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Speaker 1: business manager cheated them, were the label whatever. So we

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Speaker 1: didn't want to be victims of that. So we were

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Speaker 1: always like, well, let's be like clear headed and smart

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Speaker 1: and we so we didn't party so much.

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Speaker 5: From So, how did you guys come up with the

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Speaker 5: name Lincoln Park? Was you at Lincoln Park?

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Speaker 1: Oh? It was a park in Santa Monica, Uh huh

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Speaker 1: and uh Chester our singer. We were looking for a

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Speaker 1: new name. We were called Zero at the time. It

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Speaker 1: was x c r oh. That was our name, Man,

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Speaker 1: that was your name, Zero Zero. That could have worked.

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Speaker 1: And then our name was Hybrid Theory. And Chester was

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Speaker 1: a part of those early so Zero was with a

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Speaker 1: different singer, Michael friend Mark Uh and Mark became a

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Speaker 1: music manager. He man now manages a ton of great

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Speaker 1: rock artists, so he did. He ended up doing great.

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Speaker 1: And then we got Chester and we had changed the

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Speaker 1: name of Hybrid Theory, and then that wasn't gonna work

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Speaker 1: for whatever reason. And then we were looking for a

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Speaker 1: new name. And Chester was sleeping in his car. He

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Speaker 1: was out from Arizona. He didn't have a place to

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Speaker 1: stay yet, and for some for whatever reason, he didn't

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Speaker 1: decide to stay with me. I asked, I think I

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Speaker 1: offered it to him, but he didn't do it, and

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Speaker 1: he stayed near Lincoln Park and he brought it in

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Speaker 1: one day. He was like, what about this name? Wow,

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Speaker 1: And we changed the spelling because at the time, every

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Speaker 1: like a dot com was powerful, like having your own

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Speaker 1: name dot com was to do. So we changed the

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Speaker 1: spelling to l I N K I N in order

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Speaker 1: to get that dot com park dot com rest in

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Speaker 1: peace to thank you. Yes, sorry, so we're gonna gonna

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Speaker 1: do quick time as fine going already. Yeah, give them

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Speaker 1: the flowers first, man.

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Speaker 4: Show us about giving people today flowers, and we want

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Speaker 4: to give you y'all flowers face to face man and man,

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Speaker 4: tell you how great your people are, what y'all did,

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Speaker 4: what y'all doing to the industry, and continue to move.

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Speaker 1: Man.

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Speaker 4: We really respect y'all and we really was honored that

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Speaker 4: you guys chose us to speak to the public.

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Speaker 1: You want to give you so well, yeah, by the way,

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Speaker 1: this is this whiskey is gold fantastic.

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Speaker 5: And we know y'all represent the whole band, but you know,

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Speaker 5: thank you for for coming would.

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Speaker 1: Be yes, yes, I mean you know it's thank you.

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Speaker 2: So we're gonna do are we going to explain the game? Yeah?

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Speaker 5: So, well, you've got to get designated drinkers for you

390
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Speaker 5: guys me unless you're.

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Speaker 1: Gonna know, I could probably do it.

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Speaker 2: Yeah, you want to designate a drinker.

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Speaker 1: It's rare.

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Speaker 2: Come on, yeah yeah yeah, birthday pull up? Make it?

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Speaker 1: What are you drinking? Right?

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Speaker 2: You gotta drink what you know?

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Speaker 1: He has to drink? He has to drink with you pick. Okay,

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Speaker 1: what do you want him to drink? He has no choice,

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Speaker 1: He has no choice.

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Speaker 5: Yeah yeah Japanese okay, cool, yeah, ready Jamie, Yeah, it's

401
00:19:36,240 --> 00:19:39,439
Speaker 5: not like Okay, explain the rule.

402
00:19:39,680 --> 00:19:42,640
Speaker 6: Yeah yeah, yeah, you could have chosen something that'd be painful.

403
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Speaker 2: No, enjoyed his birthday.

404
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Speaker 1: That's what I would pick for myself.

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Speaker 5: So this is our drinking game. We're gonna give you

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Speaker 5: two choices. You pick one, we don't drink. If you

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Speaker 5: say both are neither, which is the politically correct answer,

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Speaker 5: then we all drink.

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Speaker 1: Got it?

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Speaker 2: And it's really just to bring up names and stories.

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Speaker 1: And by the way, this also is Yeah, we're going

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Speaker 1: to be bad at this. I think you're gonna be

413
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Speaker 1: very brilliantly, very glit good story. Decided to be a

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Speaker 1: little little politically correct.

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Speaker 5: It's all my best to not be Okay, if you

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Speaker 5: do that, but give us good stories too, I'll do

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Speaker 5: my best.

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Speaker 4: Jevity whiskey, Yeah, yeah, whiskey. Yeah, Okay, ready for the

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Speaker 4: first one. Yes, I know what you're gonna do. I

420
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Speaker 4: got a sense of what he's going to do. Jay

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Speaker 4: z or Nas.

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Speaker 1: Yeah, I'll go Jay. Okay, Jay Okay, we have to

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Speaker 1: explain why. Yeah, yeah, I've actually never met Nas. You

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Speaker 1: never meant that's which is like I feel like we

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Speaker 1: were like a degree of separation at a certain pay

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Speaker 1: that I just I could hear how I love it, by.

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Speaker 2: The way, what you guys love.

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Speaker 1: I love Na's work and I saw I went. I

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Speaker 1: bought tickets to his show when he came to l

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Speaker 1: A like a couple of years ago. Wow, I'm a fan.

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Speaker 2: Wow.

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Speaker 8: So okay, on Tupac or DMX, DMX, I was say

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Speaker 8: pack any any any reasons, any story.

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Speaker 1: I only say talk because well I mainly say talk

435
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Speaker 1: because I never met poc Tupac is it was such

436
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Speaker 1: a well rounded artist and like he was like he

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Speaker 1: had that that other level of like thoughtfulness, like the

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Speaker 1: way his mind worked it is crazy. And I think

439
00:21:40,040 --> 00:21:42,120
Speaker 1: DMX did too, But I just I think it really

440
00:21:42,160 --> 00:21:43,920
Speaker 1: came through in the in the songs.

441
00:21:43,960 --> 00:21:46,520
Speaker 5: When it came to you guys, ever interacted with X.

442
00:21:46,520 --> 00:21:47,919
Speaker 5: I feel like X might have been some of the

443
00:21:47,920 --> 00:21:49,360
Speaker 5: festivals you guys I met.

444
00:21:49,400 --> 00:21:51,800
Speaker 1: I met X play the show with them once. Yeah, yeah,

445
00:21:51,920 --> 00:21:54,560
Speaker 1: we played with I think were the ones. Actually I

446
00:21:54,600 --> 00:21:56,600
Speaker 1: was thinking of that one where he didn't notorious that

447
00:21:56,600 --> 00:21:58,879
Speaker 1: he always showed blate for everything. So we played one

448
00:21:58,880 --> 00:22:00,760
Speaker 1: of those shows where I remember we were saying backstage

449
00:22:00,800 --> 00:22:03,359
Speaker 1: like should we like go to the next show, or

450
00:22:03,400 --> 00:22:09,200
Speaker 1: like he's going to show up? But I did actually

451
00:22:09,280 --> 00:22:11,160
Speaker 1: end up meeting him. We did a song. I don't

452
00:22:11,160 --> 00:22:12,199
Speaker 1: know if you know this. We did a song with

453
00:22:12,320 --> 00:22:15,359
Speaker 1: rock Him. Yeah. Yeah, we had a song off of

454
00:22:15,359 --> 00:22:19,520
Speaker 1: our one of our heaviest metal records, and the song

455
00:22:19,640 --> 00:22:22,000
Speaker 1: was so it was a super song. Yeah, this is

456
00:22:22,000 --> 00:22:24,080
Speaker 1: a song like six minutes something that's about that. It's

457
00:22:24,080 --> 00:22:27,600
Speaker 1: like this Metallica style six minute song. And we displaced

458
00:22:27,640 --> 00:22:30,719
Speaker 1: in the middle where I was thinking of doing a verse. Actually,

459
00:22:30,720 --> 00:22:32,520
Speaker 1: they were saying like, you should do a rap verse

460
00:22:32,520 --> 00:22:35,280
Speaker 1: on this because that's the most unexpected thing you could do.

461
00:22:35,680 --> 00:22:37,280
Speaker 1: And my brain was like, well, what can we do

462
00:22:37,320 --> 00:22:40,960
Speaker 1: that be even more unexpected? And we managed to reach

463
00:22:41,000 --> 00:22:44,000
Speaker 1: out to rock Him and he drove because he doesn't fly,

464
00:22:44,760 --> 00:22:47,919
Speaker 1: you know, he drove out from New York all the

465
00:22:47,920 --> 00:22:49,520
Speaker 1: way out to l a verse.

466
00:22:49,880 --> 00:22:56,640
Speaker 7: Who's the best?

467
00:23:00,520 --> 00:23:02,600
Speaker 1: Talk about talk about tem about you? You went way

468
00:23:02,640 --> 00:23:05,960
Speaker 1: too fast, so you said, rock Kim drove from New York.

469
00:23:06,440 --> 00:23:07,240
Speaker 1: I couldn't believe it.

470
00:23:07,240 --> 00:23:13,679
Speaker 2: Either yo, that's leg I'm taking a shot. Even though

471
00:23:13,720 --> 00:23:14,399
Speaker 2: you ain't cute.

472
00:23:14,520 --> 00:23:18,480
Speaker 1: I mean, how did you work with the man? I mean,

473
00:23:18,640 --> 00:23:22,800
Speaker 1: look it all start. I'm not gonna there's not I

474
00:23:22,840 --> 00:23:24,199
Speaker 1: can tell you. I can talk about this for the

475
00:23:24,200 --> 00:23:27,080
Speaker 1: whole thing. But the moment when he got there, he

476
00:23:27,160 --> 00:23:29,080
Speaker 1: came in, I think he came with his wife, right,

477
00:23:29,560 --> 00:23:31,679
Speaker 1: and then he when he came in the door, the

478
00:23:31,800 --> 00:23:34,720
Speaker 1: engineer there was like a runner, like a lower level

479
00:23:34,760 --> 00:23:38,240
Speaker 1: engineer kid who got the door, open the door for him.

480
00:23:38,359 --> 00:23:41,240
Speaker 1: And this kid's got to be like seventeen eighteen, that's

481
00:23:41,280 --> 00:23:44,280
Speaker 1: no idea, eighteen nineteen, that's what I thought. That's what

482
00:23:44,320 --> 00:23:47,919
Speaker 1: I thought. And this kid opened the door and he practically,

483
00:23:48,119 --> 00:23:52,199
Speaker 1: he practically bowed to this man, like everybody knew. You

484
00:23:52,240 --> 00:23:55,679
Speaker 1: couldn't you couldn't avoid it. Like Kim came and he

485
00:23:55,800 --> 00:24:00,760
Speaker 1: literally the kid like like avoided his eyes, opened the door.

486
00:24:00,800 --> 00:24:02,639
Speaker 1: And when he left, the kid who was fucking shook

487
00:24:03,280 --> 00:24:09,680
Speaker 1: And that made me more nervous. I was so nervous.

488
00:24:10,640 --> 00:24:13,000
Speaker 1: But but the reason I mentioned is because like because

489
00:24:13,000 --> 00:24:14,880
Speaker 1: of that, so we did the thing with him, got

490
00:24:14,920 --> 00:24:17,480
Speaker 1: the single and whatever, and then Rock Kim came back

491
00:24:17,480 --> 00:24:19,400
Speaker 1: to town later to do a show, and he did

492
00:24:19,400 --> 00:24:21,520
Speaker 1: a hip hop like a like an old school show

493
00:24:21,840 --> 00:24:24,320
Speaker 1: that had EP m D on the bill and DMX

494
00:24:24,480 --> 00:24:25,840
Speaker 1: was on the bill and so on and so forth, and

495
00:24:25,880 --> 00:24:28,480
Speaker 1: so backstage I got to go say hi, and I

496
00:24:28,560 --> 00:24:30,879
Speaker 1: met all of that and it was one of the

497
00:24:31,160 --> 00:24:32,760
Speaker 1: as a band, just like one of the coolest.

498
00:24:33,640 --> 00:24:35,880
Speaker 4: I tell you, I'll tell you a cool story real

499
00:24:35,920 --> 00:24:39,359
Speaker 4: quick and we get right back to you, guys. I

500
00:24:39,480 --> 00:24:44,920
Speaker 4: see Nas fan out with rock Kim, and that made

501
00:24:44,920 --> 00:24:47,359
Speaker 4: me like, it made me say, don't ever not be

502
00:24:47,440 --> 00:24:50,080
Speaker 4: a fan. Of course, don't ever grow out of being

503
00:24:50,080 --> 00:24:51,000
Speaker 4: a fan like that.

504
00:24:51,000 --> 00:24:52,000
Speaker 2: That's the point of our show.

505
00:24:52,240 --> 00:24:53,680
Speaker 1: Yes, yes, yes, don't ever.

506
00:24:53,920 --> 00:24:56,080
Speaker 4: But when I got to see and what I'm saying

507
00:24:56,160 --> 00:24:57,480
Speaker 4: is rock Kim brings that out of everybody.

508
00:24:57,520 --> 00:24:58,720
Speaker 1: That's my point I'm trying to say.

509
00:24:59,359 --> 00:25:01,960
Speaker 4: But it was office and and Na says to be

510
00:25:02,840 --> 00:25:05,159
Speaker 4: you know, Eric being Rock Kim is doing a show tonight.

511
00:25:05,680 --> 00:25:08,040
Speaker 4: Do you think we should go? And I was like,

512
00:25:08,320 --> 00:25:11,320
Speaker 4: you're leaving the ship up to me. I was like,

513
00:25:12,119 --> 00:25:16,400
Speaker 4: we already there when we went, and it was crazy

514
00:25:16,480 --> 00:25:19,280
Speaker 4: because Nas is still like you know, Nas is very

515
00:25:19,440 --> 00:25:24,560
Speaker 4: you know, financially secure, He's very artist and secure but

516
00:25:24,640 --> 00:25:26,760
Speaker 4: I just watched him and I just I was like,

517
00:25:27,560 --> 00:25:30,200
Speaker 4: what do you call that ship? I was people talming

518
00:25:30,280 --> 00:25:32,359
Speaker 4: him almost like I was just like looking over like

519
00:25:33,400 --> 00:25:37,520
Speaker 4: and he knew every word. Like there was workers that

520
00:25:37,600 --> 00:25:40,159
Speaker 4: Rock Kim was performing that I've never heard of, like

521
00:25:40,960 --> 00:25:45,000
Speaker 4: an album to see nas like fan out to the

522
00:25:45,080 --> 00:25:48,000
Speaker 4: guard rock him Like you're saying, like, look like the

523
00:25:48,080 --> 00:25:50,400
Speaker 4: kid didn't want to make eye contact. That's that's who

524
00:25:50,400 --> 00:25:53,040
Speaker 4: he is. He's just like the ultimate guard. So I'm

525
00:25:53,040 --> 00:25:53,880
Speaker 4: gonna take a shot today.

526
00:25:53,880 --> 00:25:54,280
Speaker 1: I'm sorry.

527
00:25:54,240 --> 00:26:09,000
Speaker 5: I got got legal poking, all.

528
00:26:03,400 --> 00:26:06,000
Speaker 2: Right, rage against the machine or system of a down.

529
00:26:07,480 --> 00:26:08,120
Speaker 1: That's not fair.

530
00:26:08,560 --> 00:26:10,800
Speaker 4: Yeah, I know those are the two guys that right,

531
00:26:11,359 --> 00:26:12,800
Speaker 4: it's the Colombian and the Dominican.

532
00:26:12,960 --> 00:26:15,120
Speaker 1: They over there doing a lot of cocaine. We don't.

533
00:26:15,160 --> 00:26:18,920
Speaker 1: We don't judge them. They don't do We don't judge.

534
00:26:19,160 --> 00:26:22,480
Speaker 1: We don't do cocaine. I just took a shot for free. Yea, Yeah,

535
00:26:23,040 --> 00:26:25,680
Speaker 1: that was fun up, that was that was fans Paul. Yeah,

536
00:26:26,280 --> 00:26:28,760
Speaker 1: I can't. I can't do a shot. I can't. I

537
00:26:28,760 --> 00:26:29,119
Speaker 1: gotta do it.

538
00:26:29,840 --> 00:26:31,239
Speaker 2: Same for you. You're same both too.

539
00:26:31,800 --> 00:26:34,399
Speaker 1: Yeah, I think the world is a better place they

540
00:26:34,440 --> 00:26:37,920
Speaker 1: both exist. Yes, Yes, heavy birthday. So, by the way,

541
00:26:37,920 --> 00:26:40,880
Speaker 1: shout out to the System of Down, who I think

542
00:26:40,880 --> 00:26:43,840
Speaker 1: a couple of the guys probably see this, but I

543
00:26:43,920 --> 00:26:46,480
Speaker 1: know they're like touring again. They had they actually stopped

544
00:26:46,480 --> 00:26:48,320
Speaker 1: touring for a minute and they came back together and

545
00:26:48,800 --> 00:26:51,920
Speaker 1: it's it's an exciting time for those guys. They're playing

546
00:26:52,000 --> 00:26:54,679
Speaker 1: very big shows. Light our first show, System, our very

547
00:26:54,720 --> 00:26:56,520
Speaker 1: first show was with System of a Down. Really we

548
00:26:56,640 --> 00:26:59,320
Speaker 1: were first out of three, first of three at the

549
00:27:00,040 --> 00:27:02,800
Speaker 1: Whiskey with sx ten, same same area that all those

550
00:27:02,840 --> 00:27:06,520
Speaker 1: glam bands doing cocaine play that and we uh, we

551
00:27:07,000 --> 00:27:08,720
Speaker 1: were like, we played it?

552
00:27:09,119 --> 00:27:09,480
Speaker 2: What is it?

553
00:27:09,560 --> 00:27:11,639
Speaker 1: What did they call that? Like consignment? Like you have

554
00:27:11,720 --> 00:27:13,920
Speaker 1: to like buy your you know, like that you buy

555
00:27:13,960 --> 00:27:16,000
Speaker 1: it from the promoter for bucks and then you can

556
00:27:16,080 --> 00:27:18,520
Speaker 1: sell it for five bucks. Yeah the rest. That's how

557
00:27:18,560 --> 00:27:20,640
Speaker 1: we do that show. That was your very first show,

558
00:27:20,840 --> 00:27:24,200
Speaker 1: very first they had just gotten signed wow.

559
00:27:24,119 --> 00:27:26,879
Speaker 7: And another band was sx ten, which was that's right

560
00:27:27,320 --> 00:27:29,320
Speaker 7: send Doug from Cypresshill's band.

561
00:27:29,960 --> 00:27:30,160
Speaker 1: Yeah.

562
00:27:31,440 --> 00:27:33,639
Speaker 6: Yeah, so it was like Cypress Hill and System of

563
00:27:33,800 --> 00:27:34,640
Speaker 6: Down in Lincoln Park.

564
00:27:34,760 --> 00:27:35,720
Speaker 2: That's that's kind of dope.

565
00:27:39,320 --> 00:27:41,800
Speaker 4: This this is a super hip hop question right now?

566
00:27:42,040 --> 00:27:44,720
Speaker 4: All right, By the way. I don't think there's a

567
00:27:44,840 --> 00:27:46,879
Speaker 4: right or wrong answer to this. I'm leading the witness.

568
00:27:47,480 --> 00:27:51,520
Speaker 5: Just give them the question, Clan or n w A.

569
00:27:54,320 --> 00:27:57,040
Speaker 5: It's tough fun I don't think it's the right question.

570
00:27:57,359 --> 00:27:58,560
Speaker 2: I don't know what this is like.

571
00:27:58,680 --> 00:28:00,960
Speaker 1: I feel like I feel like I have I feel

572
00:28:01,000 --> 00:28:04,200
Speaker 1: like I have an answer that I feel like I feel.

573
00:28:04,359 --> 00:28:06,440
Speaker 6: But I feel like the Internet is going to fucking judge.

574
00:28:11,280 --> 00:28:13,040
Speaker 2: I don't want to tell I don't want to say it.

575
00:28:13,280 --> 00:28:15,520
Speaker 2: I whisper really loud in the microphone.

576
00:28:16,240 --> 00:28:18,760
Speaker 1: I'll be judged, So please let's be judge. You know

577
00:28:18,760 --> 00:28:21,120
Speaker 1: what's funny about this question too, I'll tell you my answer.

578
00:28:21,160 --> 00:28:24,680
Speaker 1: I love it when when? Because when I think of

579
00:28:24,800 --> 00:28:26,439
Speaker 1: n w A, I think of a period of time

580
00:28:26,480 --> 00:28:28,240
Speaker 1: when I was That was when I was younger. I

581
00:28:28,320 --> 00:28:30,960
Speaker 1: listened to the Way first, and at that time I

582
00:28:31,040 --> 00:28:34,520
Speaker 1: bought every single thing that Dre. Dre's name was on

583
00:28:34,960 --> 00:28:38,400
Speaker 1: everything he does, even though what was her name, Miche

584
00:28:39,200 --> 00:28:41,520
Speaker 1: about the Michelle record, which I didn't like. That wasn't like.

585
00:28:44,320 --> 00:28:46,800
Speaker 2: I Love you with the Voce Yeah.

586
00:28:48,880 --> 00:28:52,840
Speaker 1: Record. She was amazing all the way through like yeah,

587
00:28:53,480 --> 00:28:57,240
Speaker 1: well into death Row and all that. But I feel

588
00:28:57,240 --> 00:28:59,960
Speaker 1: like there was a But coming on, I my grew

589
00:29:00,120 --> 00:29:03,680
Speaker 1: of friends for some reason with with Wu Tang. We

590
00:29:04,960 --> 00:29:09,360
Speaker 1: My friend had an eighteen inch tall Wu tang w

591
00:29:09,960 --> 00:29:13,880
Speaker 1: in vinyl on the back of his Honda Civic. That's

592
00:29:13,920 --> 00:29:17,960
Speaker 1: how obsessed with my friends were that obsessed with Wu

593
00:29:18,040 --> 00:29:20,160
Speaker 1: Tang and I was as a function of just being

594
00:29:20,600 --> 00:29:23,600
Speaker 1: friends with all them. So that's a hard that's like

595
00:29:23,640 --> 00:29:25,760
Speaker 1: the hardest thing that you're saying me for me. Both

596
00:29:25,840 --> 00:29:28,360
Speaker 1: of the things we were formative, like they were important

597
00:29:28,400 --> 00:29:31,800
Speaker 1: in my like coming of age and music or whatever.

598
00:29:31,880 --> 00:29:34,800
Speaker 6: But the truth is that I probably listened to Dred's

599
00:29:34,840 --> 00:29:36,520
Speaker 6: ship to n w A and dra ship.

600
00:29:36,880 --> 00:29:40,760
Speaker 1: Does we Actually that's a does Dre When you say NWA,

601
00:29:40,840 --> 00:29:42,520
Speaker 1: do you just mean nw A as a group?

602
00:29:43,080 --> 00:29:44,840
Speaker 2: This is whatever crits here in your mind that you.

603
00:29:46,800 --> 00:29:50,200
Speaker 1: Yeah, oh, well, Dennis Wu Tang because there's only how

604
00:29:50,240 --> 00:29:53,360
Speaker 1: many NWA records are there? Only three? I believe it

605
00:29:53,400 --> 00:29:56,360
Speaker 1: was well, yeah, yeah, through record war if you want,

606
00:29:56,520 --> 00:29:57,520
Speaker 1: if you reconcruit thing.

607
00:29:57,560 --> 00:30:00,200
Speaker 2: That wouldn't count as an w A w see.

608
00:30:00,600 --> 00:30:04,800
Speaker 1: It was like that's the one that's one oh one

609
00:30:04,880 --> 00:30:08,480
Speaker 1: hundred miles months four But I but I yeah, but

610
00:30:08,640 --> 00:30:11,320
Speaker 1: then Wu Tang you've got the Wu Tang records and

611
00:30:11,360 --> 00:30:13,360
Speaker 1: you've got all their individual I listened to all those.

612
00:30:13,600 --> 00:30:15,720
Speaker 2: If you do the individu well yeah, there as a group.

613
00:30:18,000 --> 00:30:28,080
Speaker 1: Taking the shot. But he didn't answer. He was very confused. Yeah,

614
00:30:28,080 --> 00:30:32,560
Speaker 1: I went, I go, Yeah, I go, and who would you? Oh?

615
00:30:34,960 --> 00:30:38,280
Speaker 1: I think before n w A, I really liked hip

616
00:30:38,320 --> 00:30:40,280
Speaker 1: hop and then n W came out and then I

617
00:30:40,400 --> 00:30:45,080
Speaker 1: love hip hop. Wow, it was it was more. It

618
00:30:45,160 --> 00:30:46,040
Speaker 1: was more than just hip hop.

619
00:30:46,080 --> 00:30:47,040
Speaker 5: It was w A.

620
00:30:47,200 --> 00:30:48,920
Speaker 2: Right, Yeah, that's how I felt. N W in Public

621
00:30:49,000 --> 00:30:50,160
Speaker 2: Enemy did that there were a rock band.

622
00:30:50,200 --> 00:30:52,640
Speaker 1: They had something to say. They were bold and they

623
00:30:52,760 --> 00:30:54,840
Speaker 1: didn't give a funk, said the police. I was like,

624
00:30:54,880 --> 00:30:56,040
Speaker 1: holy ship did say.

625
00:30:55,920 --> 00:30:59,560
Speaker 5: That even in my opinion, like it.

626
00:30:59,680 --> 00:31:02,560
Speaker 1: Was in I think it was your show that when

627
00:31:02,600 --> 00:31:05,600
Speaker 1: you talked to Dre, he was talking about like he

628
00:31:05,840 --> 00:31:07,880
Speaker 1: treated it like I mean, I don't think he knew

629
00:31:07,880 --> 00:31:09,440
Speaker 1: at the time, but it was like he was actually

630
00:31:10,360 --> 00:31:13,480
Speaker 1: creating a world, like he was like expressing himself. That's

631
00:31:13,520 --> 00:31:15,320
Speaker 1: how he looks at it now as like a looking

632
00:31:15,360 --> 00:31:17,200
Speaker 1: back at it. He talked about how he, you know,

633
00:31:17,400 --> 00:31:20,520
Speaker 1: being creative, right, Like he wasn't like just oh here

634
00:31:20,560 --> 00:31:22,880
Speaker 1: it is like this is how oh yeah, no, are

635
00:31:23,160 --> 00:31:25,960
Speaker 1: He was like inventing this whole universe, right, and that's

636
00:31:26,080 --> 00:31:28,320
Speaker 1: I think that's what we what resonated so much with

637
00:31:28,480 --> 00:31:29,400
Speaker 1: us with the with.

638
00:31:29,440 --> 00:31:31,440
Speaker 5: The Wu Tang thing that I don't know what's banned,

639
00:31:31,440 --> 00:31:33,400
Speaker 5: but there was something that went viral somebody from a

640
00:31:33,480 --> 00:31:36,840
Speaker 5: legendary rock band saying that he heard Wu Tang and

641
00:31:36,920 --> 00:31:39,640
Speaker 5: it and he got something from it that he knows.

642
00:31:39,800 --> 00:31:42,680
Speaker 5: Was it Stone Tiple, Pilots or I know, you think

643
00:31:42,720 --> 00:31:44,560
Speaker 5: it was maybe more even older than them.

644
00:31:45,080 --> 00:31:47,360
Speaker 1: Was it was John Chi?

645
00:31:47,720 --> 00:31:48,800
Speaker 2: Okay, Yeah, that's right.

646
00:31:49,600 --> 00:31:51,240
Speaker 5: Yeah, it was like crazy, right because people are like

647
00:31:51,360 --> 00:31:53,440
Speaker 5: they didn't gather that from what he was saying, but.

648
00:31:53,680 --> 00:31:54,960
Speaker 2: He said that influenced them a lot.

649
00:31:55,120 --> 00:31:55,320
Speaker 1: Yeah.

650
00:31:55,360 --> 00:31:59,200
Speaker 7: And then with with Wu Tang, they were just especially Rizzo,

651
00:31:59,280 --> 00:32:00,640
Speaker 7: was just doing unusual usual stuff.

652
00:32:01,160 --> 00:32:03,360
Speaker 5: No, and the way they did when they came out,

653
00:32:03,440 --> 00:32:06,600
Speaker 5: they like brought brought it back to the essence, dirtied

654
00:32:06,680 --> 00:32:09,360
Speaker 5: it up, you know, and it was, Yeah, it was dope.

655
00:32:09,400 --> 00:32:11,960
Speaker 2: When Tank came on the scene, all right, so we

656
00:32:12,040 --> 00:32:13,560
Speaker 2: took a shot, right, we did.

657
00:32:13,720 --> 00:32:19,880
Speaker 1: Okay, you can have this one, sir, Okay, okay, let's

658
00:32:19,920 --> 00:32:24,960
Speaker 1: Zeppelin and Pink Floyd. Oh, Zeppeline, Damn I would have

659
00:32:24,960 --> 00:32:25,680
Speaker 1: went pink Floyd.

660
00:32:26,640 --> 00:32:29,000
Speaker 2: So why didn't you say that? Because I knew I

661
00:32:29,080 --> 00:32:32,600
Speaker 2: was wrong. The Beatles are rolling Stone.

662
00:32:33,800 --> 00:32:34,760
Speaker 1: Beatles for me.

663
00:32:35,040 --> 00:32:38,720
Speaker 5: Yeah, you said yeah, just because I mean the animation,

664
00:32:39,040 --> 00:32:40,880
Speaker 5: any interactions with these legends.

665
00:32:41,240 --> 00:32:43,400
Speaker 1: I would take acid with the Beatles, like if like

666
00:32:43,520 --> 00:32:46,680
Speaker 1: I've never take they won't take what you.

667
00:32:48,680 --> 00:32:51,040
Speaker 2: Want to know we did with Jay you took acid.

668
00:32:51,040 --> 00:32:54,160
Speaker 1: What we did, we did. We did the Grammys with

669
00:32:54,480 --> 00:32:58,560
Speaker 1: Paul McCartney, Like, oh, but let's clear the room. Not

670
00:32:58,720 --> 00:33:03,520
Speaker 1: on acid. Yeah, I'm gonna see the concert right there.

671
00:33:05,720 --> 00:33:06,360
Speaker 2: Than you've been.

672
00:33:08,920 --> 00:33:12,320
Speaker 1: And I can hear call me, like, what the fuck?

673
00:33:13,040 --> 00:33:14,280
Speaker 2: You just let them say we did that.

674
00:33:14,480 --> 00:33:16,680
Speaker 1: That's one of those things where they'll edit together something.

675
00:33:18,760 --> 00:33:21,880
Speaker 1: No acid with any but nobody. You look like you

676
00:33:21,920 --> 00:33:25,560
Speaker 1: would be a good accid god. Maybe. Yeah, I appreciate you.

677
00:33:25,640 --> 00:33:28,040
Speaker 4: The hardest strugg you ever did you did okay once

678
00:33:28,520 --> 00:33:30,360
Speaker 4: did not never never me neither.

679
00:33:30,680 --> 00:33:33,320
Speaker 1: I don't want to please me though my hand. Either

680
00:33:34,600 --> 00:33:35,000
Speaker 1: you've done.

681
00:33:35,720 --> 00:33:37,600
Speaker 2: That's why you show show ones under the door.

682
00:33:40,360 --> 00:33:42,560
Speaker 1: You've done cocaine before, right, that's why you drinking spark

683
00:33:42,600 --> 00:33:44,120
Speaker 1: on the water the.

684
00:33:44,200 --> 00:33:45,160
Speaker 2: Shirt that's cocaine.

685
00:33:47,280 --> 00:33:49,920
Speaker 1: He was selling it. Actually I'm not going to I.

686
00:33:49,920 --> 00:33:52,320
Speaker 4: Didn't want to say it earlier, but you definitely have

687
00:33:52,480 --> 00:33:53,360
Speaker 4: the best shirt.

688
00:33:53,120 --> 00:33:58,080
Speaker 1: On in the building. That's what you want shirt from

689
00:33:58,120 --> 00:34:01,080
Speaker 1: the beginning, so that's even I was like, dam my, wife,

690
00:34:01,320 --> 00:34:03,280
Speaker 1: that's the shirt I would like. I was like, in

691
00:34:03,400 --> 00:34:04,320
Speaker 1: my mind, I was jealous.

692
00:34:04,360 --> 00:34:07,120
Speaker 2: I was like that show I think I got in

693
00:34:07,240 --> 00:34:10,480
Speaker 2: MAUI holy ship. Oh are you you want to?

694
00:34:12,160 --> 00:34:16,200
Speaker 1: Yeah? Well, so we were talking about it was I

695
00:34:16,280 --> 00:34:16,880
Speaker 1: was so into it.

696
00:34:17,440 --> 00:34:19,759
Speaker 2: That you didn't do cocaine. Nobody believed, but you have

697
00:34:20,000 --> 00:34:27,080
Speaker 2: done No, no, not yet. Damn a looper or push

698
00:34:27,120 --> 00:34:27,640
Speaker 2: your tea.

699
00:34:28,640 --> 00:34:34,120
Speaker 1: That's fucked up up. They're both incredible. If I if

700
00:34:34,200 --> 00:34:38,680
Speaker 1: I feel like we just uh, a friend of us

701
00:34:38,920 --> 00:34:42,319
Speaker 1: just we just who we just saw at lunch said oh,

702
00:34:42,719 --> 00:34:45,520
Speaker 1: Mike like push us as high. So if not for that,

703
00:34:45,719 --> 00:34:47,799
Speaker 1: I would probably be like taking it shot right now.

704
00:34:48,000 --> 00:34:51,399
Speaker 1: But since I feel like it was an omen, I'm

705
00:34:51,400 --> 00:34:53,640
Speaker 1: supposed to, so we go and push your tea. I

706
00:34:53,680 --> 00:35:02,200
Speaker 1: mean Lupe didn't say hi, Okay, that was incredible. Made

707
00:35:02,239 --> 00:35:06,800
Speaker 1: me want to take a shot. How about you? I

708
00:35:06,920 --> 00:35:10,719
Speaker 1: had I had dinner once at Loope's mom's house, so

709
00:35:10,840 --> 00:35:12,480
Speaker 1: I think I got to pick I feel like we

710
00:35:12,560 --> 00:35:17,719
Speaker 1: got to get shot because of the confusion we have

711
00:35:17,840 --> 00:35:19,799
Speaker 1: to make up.

712
00:35:21,960 --> 00:35:25,520
Speaker 5: That's a bull shot. We're trying not to make you

713
00:35:25,600 --> 00:35:29,600
Speaker 5: make your flight. Just lett, we want to keep you here.

714
00:35:29,640 --> 00:35:33,279
Speaker 5: I'm sorry, I just we love you, an don't let's go.

715
00:35:33,400 --> 00:35:37,800
Speaker 5: Let's see on some DJ ship executioners mm or the

716
00:35:37,840 --> 00:35:38,600
Speaker 5: scratch Pickles.

717
00:35:39,920 --> 00:35:41,960
Speaker 1: Okay, we can't do this thing where if we if

718
00:35:42,000 --> 00:35:46,640
Speaker 1: we differ, we're going to take shots every time. Okay, Okay,

719
00:35:47,320 --> 00:35:50,960
Speaker 1: the rules are written hot somewhere right, He's right. I

720
00:35:51,280 --> 00:35:53,680
Speaker 1: don't know, I know, I know the scratch field pickles

721
00:35:53,680 --> 00:35:58,319
Speaker 1: a little bit. The X Men executioners are that's Rob Swift, Okay, yeah,

722
00:35:58,960 --> 00:36:01,680
Speaker 1: the clips and all. Yeah, so that's yeah executioners.

723
00:36:02,640 --> 00:36:05,319
Speaker 2: The DJ sid over here, time to take a drink?

724
00:36:08,640 --> 00:36:11,040
Speaker 1: Yeah yeah, yeah.

725
00:36:11,080 --> 00:36:13,800
Speaker 7: If it wasn't for them to just like trying to

726
00:36:13,840 --> 00:36:16,319
Speaker 7: one up each other. Yeah, back in the day, it's

727
00:36:16,400 --> 00:36:20,279
Speaker 7: like each of them individually and as cruise are just.

728
00:36:20,480 --> 00:36:22,440
Speaker 2: No, yeah, un incredible.

729
00:36:22,480 --> 00:36:24,320
Speaker 1: I mean for people watching who don't know about that,

730
00:36:24,520 --> 00:36:26,360
Speaker 1: Like I I didn't know about it when when I

731
00:36:26,520 --> 00:36:28,480
Speaker 1: met Joe, he was the one who told me, oh,

732
00:36:28,600 --> 00:36:30,920
Speaker 1: check this this battle out, check this DJ out like

733
00:36:31,080 --> 00:36:34,520
Speaker 1: it was that was around ninety five ninety six, I

734
00:36:34,600 --> 00:36:37,160
Speaker 1: think when it was really hot, like those those crews

735
00:36:37,200 --> 00:36:40,040
Speaker 1: were innovating every few it felt like every month.

736
00:36:40,280 --> 00:36:42,440
Speaker 5: Yeah, and shout shout out to the Allies from out here.

737
00:36:42,600 --> 00:36:45,080
Speaker 5: DJ Craze are Homie. They were part of that.

738
00:36:45,200 --> 00:36:47,360
Speaker 1: That was like that was that the same generation or

739
00:36:47,600 --> 00:36:51,200
Speaker 1: or slightly they were there were Yeah, they overlapped, but

740
00:36:51,440 --> 00:36:53,719
Speaker 1: there who I mentioned were a little earlier executioners.

741
00:36:53,880 --> 00:36:56,560
Speaker 5: Yes, Stress Pickles and Allies came shortly after and you

742
00:36:56,640 --> 00:36:57,920
Speaker 5: had eight tracks that comes out of the Ally.

743
00:36:58,400 --> 00:36:59,080
Speaker 1: Yeah, incredible.

744
00:36:59,520 --> 00:37:02,360
Speaker 4: This this is absolutely one of my favorite questions on

745
00:37:02,480 --> 00:37:05,680
Speaker 4: Quick Time Islam Analog or digital?

746
00:37:09,160 --> 00:37:13,239
Speaker 1: I probably do digital? Really, yeah, I would have lost this. Yeah,

747
00:37:13,640 --> 00:37:16,800
Speaker 1: I do digital because it's the it's what I'm the

748
00:37:16,880 --> 00:37:19,239
Speaker 1: most familiar with. Like I'm I'm I like the sound

749
00:37:19,280 --> 00:37:21,680
Speaker 1: of analog. It's it's there's nothing that can beat it.

750
00:37:21,800 --> 00:37:24,560
Speaker 1: But in terms of the way I make music, if

751
00:37:24,600 --> 00:37:27,719
Speaker 1: it if I was stuck the analog, i'd be I

752
00:37:27,800 --> 00:37:29,719
Speaker 1: would I wouldn't be able to make what I make.

753
00:37:31,160 --> 00:37:33,000
Speaker 5: It makes sense because because that's the way I was

754
00:37:33,040 --> 00:37:35,760
Speaker 5: watching something about you guys, the way you would produce music.

755
00:37:36,120 --> 00:37:38,200
Speaker 2: And He's from a group called Made, and it reminded

756
00:37:38,239 --> 00:37:39,719
Speaker 2: me of you guys. You guys don't do it like

757
00:37:39,719 --> 00:37:40,640
Speaker 2: a traditional.

758
00:37:40,480 --> 00:37:44,800
Speaker 1: Where I'm familiar. We we we uh. They opened for

759
00:37:45,239 --> 00:37:48,759
Speaker 1: for was it four minor? I opened for Yeah?

760
00:37:50,560 --> 00:37:55,440
Speaker 5: Yeah, yeah, So I would see their process and it

761
00:37:55,560 --> 00:37:57,440
Speaker 5: was in what I saw you guys is similar. It

762
00:37:57,520 --> 00:38:00,240
Speaker 5: was like not a traditional band that jams out together

763
00:38:00,360 --> 00:38:02,319
Speaker 5: like you guys are like with files and and put

764
00:38:02,400 --> 00:38:05,600
Speaker 5: like you know, like sampling and the sampling self, you know,

765
00:38:05,800 --> 00:38:07,040
Speaker 5: playing stuff and and it's dope.

766
00:38:07,080 --> 00:38:08,800
Speaker 2: It's like hip It's basically like hip hop production.

767
00:38:10,200 --> 00:38:10,640
Speaker 1: We learned.

768
00:38:10,680 --> 00:38:11,680
Speaker 2: That's how I learned.

769
00:38:12,160 --> 00:38:16,440
Speaker 1: I need a leak. We we got one of them.

770
00:38:17,800 --> 00:38:19,040
Speaker 2: Why did you wake with two eyes?

771
00:38:19,080 --> 00:38:19,200
Speaker 5: Man?

772
00:38:20,160 --> 00:38:20,759
Speaker 1: I didn't know.

773
00:38:25,560 --> 00:38:26,759
Speaker 2: I was like, I don't know what to do it

774
00:38:26,840 --> 00:38:30,439
Speaker 2: that week because you know why, I'm getting a music

775
00:38:30,560 --> 00:38:34,080
Speaker 2: balk come getting like you know, like yo, listen you

776
00:38:34,360 --> 00:38:34,960
Speaker 2: one of those like.

777
00:38:36,719 --> 00:38:39,040
Speaker 1: You know, you know when Super Thug came out, Okay,

778
00:38:39,440 --> 00:38:42,960
Speaker 1: we were like, oh wish we made that song. That's true,

779
00:38:43,200 --> 00:38:46,160
Speaker 1: that's true. We were like it felt like a punk song.

780
00:38:46,280 --> 00:38:48,719
Speaker 1: It felt like a rock song. There was so much

781
00:38:49,160 --> 00:38:53,200
Speaker 1: energy doing so much Oh my god. I was like

782
00:38:53,280 --> 00:38:57,200
Speaker 1: I was at the punk rock man. Yeah, I said that,

783
00:38:58,160 --> 00:39:00,640
Speaker 1: I said, did you really say that? I really did,

784
00:39:01,440 --> 00:39:03,759
Speaker 1: because you know what I like? I like the white

785
00:39:03,800 --> 00:39:09,480
Speaker 1: people crowd do likenest. Did you see how happy I

786
00:39:09,719 --> 00:39:10,960
Speaker 1: was yesterday? I'm like that.

787
00:39:11,640 --> 00:39:13,440
Speaker 2: I did it twice, Iran.

788
00:39:14,440 --> 00:39:17,120
Speaker 1: I like white people. White people, they're not a party.

789
00:39:19,320 --> 00:39:19,480
Speaker 8: Man.

790
00:39:19,840 --> 00:39:27,040
Speaker 1: I'm characterizing that and the most nonever. I like this

791
00:39:27,280 --> 00:39:27,839
Speaker 1: partying man.

792
00:39:27,880 --> 00:39:29,759
Speaker 2: Excuse I made a record my own boy.

793
00:39:30,000 --> 00:39:32,040
Speaker 1: I came to party because I meant that.

794
00:39:33,239 --> 00:39:35,239
Speaker 2: I like the party man, you don't like.

795
00:39:35,280 --> 00:39:42,200
Speaker 1: The I'm sorry.

796
00:39:42,239 --> 00:39:46,200
Speaker 5: I have fun back on some DJ ship rock Raider

797
00:39:46,400 --> 00:39:48,480
Speaker 5: rest in Peace, Mester J rest in Peace.

798
00:39:48,600 --> 00:39:50,919
Speaker 2: Oh that's a tough one. So rock Raider, jem Mess

799
00:39:51,719 --> 00:39:54,160
Speaker 2: That's tough, I get.

800
00:39:56,440 --> 00:39:57,800
Speaker 7: I mean it's it's kind of like the n W

801
00:39:58,000 --> 00:40:02,480
Speaker 7: A who tank questions, like different importance for different different eras.

802
00:40:02,920 --> 00:40:05,120
Speaker 7: For me, when I decided, Hey, I want to be

803
00:40:05,160 --> 00:40:07,279
Speaker 7: a DJ, I was like I was looking at rock

804
00:40:07,320 --> 00:40:12,000
Speaker 7: creator M like he was instrumental for you, Like how

805
00:40:12,080 --> 00:40:12,279
Speaker 7: do you.

806
00:40:12,360 --> 00:40:16,719
Speaker 1: Do anything that he does? But but jam aster J

807
00:40:17,080 --> 00:40:20,960
Speaker 1: came first, right, so like he I feel like DJ's

808
00:40:21,040 --> 00:40:23,200
Speaker 1: later wouldn't have existed without.

809
00:40:23,520 --> 00:40:25,920
Speaker 5: I think he was a big inspiration to turntablism to

810
00:40:25,960 --> 00:40:29,319
Speaker 5: an extent, like the Jordan or Lebron question.

811
00:40:29,760 --> 00:40:33,040
Speaker 6: Yeah, that's important different. So I differ with Joe.

812
00:40:33,160 --> 00:40:36,319
Speaker 1: I'd go with jam aster j just because I wasn't

813
00:40:36,360 --> 00:40:38,040
Speaker 1: a DJ, Like I didn't listen to it that way.

814
00:40:38,080 --> 00:40:40,480
Speaker 1: I just he was the first time I heard somebody

815
00:40:40,480 --> 00:40:43,799
Speaker 1: scratching records that I was like, oh, that's and he's yeah, yeah,

816
00:40:44,239 --> 00:40:46,600
Speaker 1: that's true too. Yeah. But he was also he was

817
00:40:46,680 --> 00:40:48,920
Speaker 1: doing the juggling like they'd wrap over the juggling, and

818
00:40:49,000 --> 00:40:51,600
Speaker 1: that was just like he was like like it felt

819
00:40:51,640 --> 00:40:53,440
Speaker 1: to me like he was inventing a new lane.

820
00:40:53,880 --> 00:40:56,239
Speaker 5: Which there was a lot of DJs for groups that

821
00:40:56,360 --> 00:40:58,120
Speaker 5: were doing that, but he was at that time run

822
00:40:58,200 --> 00:40:58,799
Speaker 5: DMC was.

823
00:40:58,800 --> 00:41:02,279
Speaker 1: Just the biggest. It went Proud Alive when he's just like, yeah,

824
00:41:02,440 --> 00:41:04,719
Speaker 1: what's the track that the Live at the Funhouse?

825
00:41:04,800 --> 00:41:06,759
Speaker 6: Right, isn't that the one where he does the big

826
00:41:06,880 --> 00:41:07,680
Speaker 6: beat joke?

827
00:41:07,760 --> 00:41:09,560
Speaker 1: Yeah, it's the same. Yeah.

828
00:41:10,160 --> 00:41:12,200
Speaker 6: So for the people listening who don't know what that is,

829
00:41:12,880 --> 00:41:15,360
Speaker 6: just most of you, go listen to.

830
00:41:15,480 --> 00:41:18,760
Speaker 2: It, go do the research. Digging in the crates.

831
00:41:19,560 --> 00:41:27,440
Speaker 5: That's my favorite ice question. That's Cuba iced team too

832
00:41:27,600 --> 00:41:32,640
Speaker 5: easy easy for me, see, although I did fall out

833
00:41:32,719 --> 00:41:34,440
Speaker 5: of love with Cube. For a moment when he did

834
00:41:34,480 --> 00:41:35,680
Speaker 5: that Black Korea song.

835
00:41:36,040 --> 00:41:39,719
Speaker 1: What's Black Korea? That was the that was the certificate. Yeah,

836
00:41:39,800 --> 00:41:41,399
Speaker 1: that's a racist one. That was the one where he's

837
00:41:41,640 --> 00:41:44,359
Speaker 1: making fun of Asian I'm half Japanese. He was making

838
00:41:44,600 --> 00:41:48,600
Speaker 1: Asians and all of the Asians in l a friends

839
00:41:48,640 --> 00:41:53,520
Speaker 1: and then do it like the supermarkets. Yeah. Yeah, for

840
00:41:53,600 --> 00:41:58,560
Speaker 1: a moment, we all got mad at what Yeah you know, yeah,

841
00:41:58,719 --> 00:41:59,799
Speaker 1: I think you were It was.

842
00:41:59,840 --> 00:42:00,400
Speaker 2: The you were in.

843
00:42:04,640 --> 00:42:06,279
Speaker 1: Okay, it makes sense.

844
00:42:08,440 --> 00:42:10,920
Speaker 2: Really he had a record it was it was Yeah,

845
00:42:10,920 --> 00:42:14,799
Speaker 2: it was a questionable moment. Did he apologize?

846
00:42:14,800 --> 00:42:17,879
Speaker 1: Did to make it right? I feel like he did

847
00:42:17,960 --> 00:42:21,560
Speaker 1: a version of an apology, which I don't know if

848
00:42:21,600 --> 00:42:23,759
Speaker 1: I was listening at that point, I think I think

849
00:42:23,760 --> 00:42:26,280
Speaker 1: he kind of did, but I didn't. I wasn't checking

850
00:42:26,440 --> 00:42:29,399
Speaker 1: for ice Cube and I came back.

851
00:42:29,800 --> 00:42:31,880
Speaker 5: That's crazy because that's one of his best albums. The

852
00:42:31,920 --> 00:42:34,360
Speaker 5: whole record is so good. I considered one of the

853
00:42:34,400 --> 00:42:34,920
Speaker 5: best albums.

854
00:42:35,000 --> 00:42:39,000
Speaker 1: Hip Conflicted. I was super conflicted. I was like, I

855
00:42:39,120 --> 00:42:42,759
Speaker 1: love this record so much. On that record that was

856
00:42:43,239 --> 00:42:46,839
Speaker 1: was a physical he was using slurs. Oh, okay, okay,

857
00:42:47,680 --> 00:42:50,239
Speaker 1: ship I'm so not prepared for this conversation.

858
00:42:55,360 --> 00:42:56,320
Speaker 2: He's like, I just want to go back to the

859
00:42:56,360 --> 00:42:56,880
Speaker 2: white people.

860
00:42:59,520 --> 00:42:59,920
Speaker 1: White one.

861
00:43:00,040 --> 00:43:06,280
Speaker 2: I like white, sorry, like white non guns and roses

862
00:43:06,320 --> 00:43:07,200
Speaker 2: are Motley Cruz.

863
00:43:07,880 --> 00:43:11,200
Speaker 1: Oh that's guns and roses from me. Yeah, I said

864
00:43:11,239 --> 00:43:12,800
Speaker 1: the same, I said guns and ruds.

865
00:43:13,840 --> 00:43:15,799
Speaker 2: The name is guns and roses man.

866
00:43:16,560 --> 00:43:18,359
Speaker 1: And it's funny because, like I said before, like when

867
00:43:18,360 --> 00:43:20,560
Speaker 1: it when it that was hot, like when it was first,

868
00:43:21,080 --> 00:43:23,160
Speaker 1: when it was as big as it could get. That

869
00:43:23,360 --> 00:43:25,680
Speaker 1: was the time when I hated it the most because

870
00:43:25,680 --> 00:43:28,960
Speaker 1: I was there was guns over our table, our table.

871
00:43:29,280 --> 00:43:32,640
Speaker 6: Our table was listening to rap the other guys other

872
00:43:32,719 --> 00:43:33,640
Speaker 6: table was the guns ru.

873
00:43:33,800 --> 00:43:34,719
Speaker 2: What's ill about them?

874
00:43:34,960 --> 00:43:35,000
Speaker 1: Is?

875
00:43:35,040 --> 00:43:37,880
Speaker 5: I remember I clearly remember the seeing Axle wearing the

876
00:43:37,960 --> 00:43:39,200
Speaker 5: n w A had on stage.

877
00:43:39,920 --> 00:43:41,880
Speaker 6: Back then, we didn't have Twitter, right, so like it

878
00:43:42,000 --> 00:43:43,480
Speaker 6: could all just be like bullshit like that.

879
00:43:43,600 --> 00:43:45,279
Speaker 2: Some kids said to me, well, even now, even worse,

880
00:43:45,320 --> 00:43:45,960
Speaker 2: we don't know what's real.

881
00:43:46,120 --> 00:43:49,600
Speaker 1: Yeah that's true. It's almost hundreds of information. I try

882
00:43:49,680 --> 00:43:52,520
Speaker 1: not to let me just tell you something. I love Twitter.

883
00:43:53,480 --> 00:43:58,840
Speaker 1: I go on there, fantastic, tell me more. Listen. I

884
00:43:58,960 --> 00:44:01,239
Speaker 1: will take a picture of.

885
00:44:01,440 --> 00:44:07,040
Speaker 2: Something that no one can hate on a white bunny rabbit.

886
00:44:07,640 --> 00:44:10,239
Speaker 4: Okay, I'll take that a white bunny rabbit and I

887
00:44:10,360 --> 00:44:12,480
Speaker 4: post it and they'll be like, that bitch is ugly.

888
00:44:14,800 --> 00:44:16,560
Speaker 1: You like, this ship makes me.

889
00:44:16,600 --> 00:44:19,799
Speaker 4: So happy because I'm like, your life is not great,

890
00:44:20,200 --> 00:44:24,600
Speaker 4: Like there's people out here who hate everything, and just

891
00:44:24,800 --> 00:44:25,719
Speaker 4: remind yourself of that.

892
00:44:26,040 --> 00:44:28,239
Speaker 1: So I will post a picture. I swear to God,

893
00:44:28,239 --> 00:44:30,840
Speaker 1: there's nothing there's nothing wrong about this, right, I'll just

894
00:44:30,920 --> 00:44:31,279
Speaker 1: post this.

895
00:44:32,680 --> 00:44:36,799
Speaker 2: Somebody will be like, fucking bitch, your cup is ugly.

896
00:44:40,480 --> 00:44:44,360
Speaker 1: Yo. Listen, now I can start my dad, like, I

897
00:44:44,560 --> 00:44:48,560
Speaker 1: know that there's someone somewhere that hats for no reason.

898
00:44:48,960 --> 00:44:51,960
Speaker 5: No usually they're happy as fuck, but they just their fucking.

899
00:44:51,760 --> 00:44:53,960
Speaker 2: Twitter fingers say some bullshit. Twitter is the best.

900
00:44:54,000 --> 00:44:56,279
Speaker 6: Actually, this is the thing that that I was thinking this.

901
00:44:56,440 --> 00:44:59,439
Speaker 1: I was thinking about this this morning because this show

902
00:44:59,480 --> 00:45:01,640
Speaker 1: you to Get he goes, Yeah, it's loose you talk

903
00:45:01,719 --> 00:45:07,279
Speaker 1: about about it's god damn, it's just banter. But it's

904
00:45:07,440 --> 00:45:12,960
Speaker 1: it's looser than most. So I was thinking about that,

905
00:45:13,400 --> 00:45:15,640
Speaker 1: and I was thinking about how one of the things

906
00:45:15,719 --> 00:45:19,520
Speaker 1: that about the social media thing that that kind of

907
00:45:19,880 --> 00:45:22,000
Speaker 1: that we don't ever talk about is the fact that

908
00:45:22,120 --> 00:45:24,520
Speaker 1: with our so we've got a new a new lineup

909
00:45:25,280 --> 00:45:28,080
Speaker 1: with our band We've got Chester Passed Away. We took

910
00:45:28,160 --> 00:45:31,640
Speaker 1: many years off basically as a band, and then eventually

911
00:45:32,400 --> 00:45:36,680
Speaker 1: we ended up meeting two new great members.

912
00:45:36,719 --> 00:45:38,760
Speaker 6: We met a new singer named Emily and a new drummer,

913
00:45:39,200 --> 00:45:40,080
Speaker 6: the girl Yeah.

914
00:45:40,640 --> 00:45:45,880
Speaker 1: And when we eventually relaunched the band, we did it

915
00:45:46,320 --> 00:45:49,160
Speaker 1: through a livestream show and they could hear like the

916
00:45:49,320 --> 00:45:53,000
Speaker 1: instead of it being like us giving you a pr

917
00:45:53,719 --> 00:45:56,960
Speaker 1: like press release statement or something, we just played music

918
00:45:57,080 --> 00:45:58,839
Speaker 1: and we played a new song and they could see

919
00:45:58,880 --> 00:46:02,239
Speaker 1: her singing the old songs, and just like everything else

920
00:46:02,280 --> 00:46:05,280
Speaker 1: on the internet, people just jumped up and like everybody's

921
00:46:05,400 --> 00:46:08,080
Speaker 1: gonna have Yeah, they're gonna have their opinion positive negative,

922
00:46:08,400 --> 00:46:11,000
Speaker 1: and then also in the middle like they didn't they

923
00:46:11,200 --> 00:46:14,200
Speaker 1: were still making up their mind. And what's been really

924
00:46:14,239 --> 00:46:16,759
Speaker 1: interesting to see is we go through all the tour

925
00:46:16,840 --> 00:46:20,560
Speaker 1: dates and more time passes, is you see like people

926
00:46:20,600 --> 00:46:23,520
Speaker 1: who were like super haters in the beginning, all of

927
00:46:23,520 --> 00:46:26,200
Speaker 1: a sudden they're like change their mind and now they're

928
00:46:26,239 --> 00:46:28,200
Speaker 1: like at the shows and talking about it. And then

929
00:46:28,239 --> 00:46:30,920
Speaker 1: other people who are like hearing that you're fucking stupid,

930
00:46:31,000 --> 00:46:34,279
Speaker 1: like they get so mad. Internet it's total chaos. So

931
00:46:34,280 --> 00:46:35,719
Speaker 1: I think That's one of the reasons why I don't

932
00:46:35,760 --> 00:46:40,840
Speaker 1: go on much personally. They're talking about the thing that

933
00:46:40,920 --> 00:46:44,600
Speaker 1: I love, Like I don't know this is actually this

934
00:46:44,719 --> 00:46:49,640
Speaker 1: is a separate set. Good do you feel because this

935
00:46:49,719 --> 00:46:53,000
Speaker 1: is almost like a question for another rapper, like do

936
00:46:53,160 --> 00:46:57,040
Speaker 1: you feel as do you feel so so passionate about

937
00:46:57,239 --> 00:47:00,399
Speaker 1: the things that you've made that if some they took

938
00:47:00,440 --> 00:47:02,560
Speaker 1: it away from you and said you can never make

939
00:47:03,520 --> 00:47:05,560
Speaker 1: another record, that you can never get in the studio,

940
00:47:05,640 --> 00:47:07,200
Speaker 1: you can never rap again, you can never make like

941
00:47:07,280 --> 00:47:09,640
Speaker 1: you want to somebody to do that you lost your voice,

942
00:47:09,680 --> 00:47:11,279
Speaker 1: and can they do that to me? Now?

943
00:47:11,719 --> 00:47:13,520
Speaker 5: I don't want to make another Bob Sorry, oh you

944
00:47:13,560 --> 00:47:16,640
Speaker 5: don't want to make It's to me.

945
00:47:17,360 --> 00:47:20,279
Speaker 1: Not being able to do Lincoln Park is like I

946
00:47:20,440 --> 00:47:22,520
Speaker 1: have like a hole in like I'm missing a piece

947
00:47:22,560 --> 00:47:25,560
Speaker 1: of my like like if you have not, I'm incomplete.

948
00:47:25,680 --> 00:47:28,440
Speaker 1: If you have a peace of mind, don't go on Twitter.

949
00:47:29,040 --> 00:47:31,000
Speaker 1: But I don't like my peace of mind right Like

950
00:47:31,239 --> 00:47:35,360
Speaker 1: I I'm fucked up. Like I kind of like this

951
00:47:35,520 --> 00:47:37,879
Speaker 1: negative ship because I'm from New York City.

952
00:47:40,920 --> 00:47:44,919
Speaker 4: Yeah, I know in New York City, negativity is positivity.

953
00:47:46,480 --> 00:47:48,719
Speaker 1: Just use it in the right way. So this is

954
00:47:48,920 --> 00:47:49,319
Speaker 1: my way.

955
00:47:49,600 --> 00:47:52,560
Speaker 4: When I go on Twitter, I will take a picture.

956
00:47:53,040 --> 00:47:55,440
Speaker 4: I promise you I'll take a picture like something innocent

957
00:47:55,560 --> 00:47:57,279
Speaker 4: like this. And I know they're going to find a

958
00:47:57,360 --> 00:48:02,400
Speaker 4: negative part of it, but some of though actually accurate.

959
00:48:03,520 --> 00:48:05,360
Speaker 1: Some of them will be like you should have, you

960
00:48:05,360 --> 00:48:09,960
Speaker 1: should have it's doubt this part. Did you look at it?

961
00:48:10,040 --> 00:48:14,600
Speaker 1: You're like, yo, he's right. Criticism, criticism, it's.

962
00:48:14,480 --> 00:48:17,800
Speaker 5: Fucking fucked up criticism. But so you've never been on Twitter?

963
00:48:18,440 --> 00:48:19,640
Speaker 5: No I have, I haven't, And.

964
00:48:21,440 --> 00:48:24,960
Speaker 1: Just just being honest with you, it's very dangerous. It's

965
00:48:24,960 --> 00:48:31,719
Speaker 1: a lot more crazy like you sound like, like like

966
00:48:32,560 --> 00:48:35,279
Speaker 1: Jerry Seinfeld, like when he talks about he was on

967
00:48:35,400 --> 00:48:39,000
Speaker 1: some night uh late night show talking about his wife,

968
00:48:39,160 --> 00:48:42,279
Speaker 1: like people don't understand, like when he likes something, it's

969
00:48:42,360 --> 00:48:46,880
Speaker 1: because he can complain about it, like he's the miserable.

970
00:48:46,960 --> 00:48:48,000
Speaker 1: Part is the part that he is.

971
00:48:48,320 --> 00:48:49,080
Speaker 2: Yes, I've seen that.

972
00:48:49,840 --> 00:48:51,480
Speaker 1: I don't remember. He said it better like I don't know,

973
00:48:51,640 --> 00:48:54,000
Speaker 1: I don't I'm not in his mind. But that's it

974
00:48:54,120 --> 00:48:58,560
Speaker 1: sounds like that he's in New Yorker too, right, Yeah,

975
00:48:59,200 --> 00:49:00,279
Speaker 1: what's wrong with you guys?

976
00:49:01,520 --> 00:49:08,439
Speaker 2: Yeah, look at them? Since you're happy, you know, I'm

977
00:49:08,520 --> 00:49:10,400
Speaker 2: being honest, let me just tell you something.

978
00:49:11,920 --> 00:49:13,600
Speaker 1: I haven't been in New York in a long time,

979
00:49:14,000 --> 00:49:16,399
Speaker 1: but every now and then I fly to New York

980
00:49:16,520 --> 00:49:18,080
Speaker 1: just to get negative and I just come back.

981
00:49:19,360 --> 00:49:21,279
Speaker 4: I just I just need a little bit of some

982
00:49:21,440 --> 00:49:24,600
Speaker 4: negativity in my life. And this is this is the

983
00:49:24,680 --> 00:49:29,600
Speaker 4: safest way to receive it. Negativity.

984
00:49:29,800 --> 00:49:32,160
Speaker 1: You just go to New York and you will be angry.

985
00:49:32,200 --> 00:49:33,040
Speaker 2: It's like a negative song.

986
00:49:33,320 --> 00:49:36,040
Speaker 4: You Even in Manhattan and the rich, they have a

987
00:49:36,239 --> 00:49:39,040
Speaker 4: place called being Ares Road. I stayed pretty much down.

988
00:49:39,200 --> 00:49:40,520
Speaker 4: Is that the restaurant that they touched it to you?

989
00:49:40,640 --> 00:49:43,960
Speaker 1: No? No, no, no, no, that's that's in Paris. That's no. No.

990
00:49:44,080 --> 00:49:45,359
Speaker 5: But there's one in New York that I I mean,

991
00:49:45,360 --> 00:49:46,640
Speaker 5: I saw doctor Spot.

992
00:49:47,080 --> 00:49:47,120
Speaker 1: No.

993
00:49:47,760 --> 00:49:48,600
Speaker 2: My people just being.

994
00:49:48,520 --> 00:49:52,200
Speaker 1: Fast people love. That's what's the name of that little

995
00:49:52,239 --> 00:49:55,120
Speaker 1: cafe cafe. It's not Cafe Habana.

996
00:49:55,320 --> 00:49:56,920
Speaker 2: It's in Paris.

997
00:49:57,080 --> 00:49:57,120
Speaker 7: No.

998
00:49:57,239 --> 00:50:00,160
Speaker 2: No, this is like in in New York City. Talk

999
00:50:00,160 --> 00:50:00,719
Speaker 2: ships to people.

1000
00:50:00,920 --> 00:50:03,279
Speaker 1: They're so that's their thing. At least it was. I

1001
00:50:03,320 --> 00:50:06,520
Speaker 1: don't I haven't been there recently, but they came down Cuban.

1002
00:50:08,480 --> 00:50:10,239
Speaker 1: You go in and the and they'd be like they

1003
00:50:10,360 --> 00:50:13,160
Speaker 1: just like point and you're supposed to know that they mean,

1004
00:50:13,280 --> 00:50:15,560
Speaker 1: go sit and you sit down and they're like, what

1005
00:50:15,640 --> 00:50:17,480
Speaker 1: do you want? And if you don't answer right away,

1006
00:50:17,520 --> 00:50:20,600
Speaker 1: they just walk away and like they get five stars

1007
00:50:20,640 --> 00:50:22,880
Speaker 1: because the food is so good that you'll put up

1008
00:50:22,920 --> 00:50:25,600
Speaker 1: with the beating in order to eat the food.

1009
00:50:25,800 --> 00:50:27,640
Speaker 2: Hey, maybe that's that's a business idea.

1010
00:50:27,760 --> 00:50:27,880
Speaker 1: Man.

1011
00:50:27,920 --> 00:50:32,160
Speaker 5: It's very New York though, Like I feel like there's well, no,

1012
00:50:32,239 --> 00:50:34,680
Speaker 5: I saw a documentary but a diner in Manhattan. But

1013
00:50:34,760 --> 00:50:36,600
Speaker 5: this is an old documentary, so maybe the spot's not

1014
00:50:36,640 --> 00:50:39,279
Speaker 5: around where they that you sit down and you look

1015
00:50:39,280 --> 00:50:42,200
Speaker 5: at the menu and then if you don't do anything

1016
00:50:42,239 --> 00:50:43,520
Speaker 5: in a cera amount of times, like get the fuck

1017
00:50:43,560 --> 00:50:43,880
Speaker 5: out of here.

1018
00:50:44,080 --> 00:50:47,320
Speaker 2: Yeah, like they start screaming at you and talking shitt Okay.

1019
00:50:49,560 --> 00:50:50,200
Speaker 1: That's what you like.

1020
00:50:50,440 --> 00:50:52,359
Speaker 2: Yeah, so you mean that's not going to ship.

1021
00:50:52,760 --> 00:50:55,239
Speaker 1: He's mean and if you if you don't comply to it,

1022
00:50:55,719 --> 00:50:57,520
Speaker 1: it's like he kicks you out. I mean you do that.

1023
00:50:57,640 --> 00:51:01,560
Speaker 1: It like Carnegie, that Carnegie Delli like right, my family

1024
00:51:01,640 --> 00:51:04,560
Speaker 1: there and he wait, wait, you tactically did that to

1025
00:51:04,640 --> 00:51:05,280
Speaker 1: my children.

1026
00:51:05,320 --> 00:51:07,560
Speaker 2: I was like mad at him. Yeah, I'm sorry, I'm

1027
00:51:07,600 --> 00:51:09,319
Speaker 2: not fucking with that. That ship dude.

1028
00:51:10,040 --> 00:51:13,880
Speaker 4: You guys are both from California. Yes, California. So you

1029
00:51:13,960 --> 00:51:16,320
Speaker 4: guys do not understand that New York Allison.

1030
00:51:16,400 --> 00:51:17,800
Speaker 1: We've been in New York. You know.

1031
00:51:18,000 --> 00:51:21,480
Speaker 5: You know what was my favorite group of all time

1032
00:51:22,200 --> 00:51:28,040
Speaker 5: from California? And they were dropping disc records? Who the

1033
00:51:28,120 --> 00:51:28,720
Speaker 5: Beach Boys?

1034
00:51:29,440 --> 00:51:31,840
Speaker 1: Oh that's right, you've said this, Like, I actually like

1035
00:51:32,160 --> 00:51:34,320
Speaker 1: his idea of this, go ahead. The Beach Boys was

1036
00:51:34,400 --> 00:51:36,920
Speaker 1: dropping disc records. Back then, East.

1037
00:51:36,760 --> 00:51:38,759
Speaker 5: Coast West Coast started with the Beach Boys, he says,

1038
00:51:39,280 --> 00:51:41,040
Speaker 5: the East Coast West Coast beach.

1039
00:51:43,760 --> 00:51:46,920
Speaker 1: You know, remember the records? Were they beating with the Beatles? No,

1040
00:51:47,200 --> 00:51:51,440
Speaker 1: they was like the Beatles. I was saying that they

1041
00:51:51,719 --> 00:51:53,319
Speaker 1: had a thing the Beatles and Beach Boys had.

1042
00:51:53,600 --> 00:51:55,480
Speaker 2: Oh no, yeah, he's literally.

1043
00:51:55,239 --> 00:51:58,160
Speaker 1: Saying that was so tell me about this was like

1044
00:51:58,239 --> 00:52:01,640
Speaker 1: a creative competition, like who can make him more interesting? Okay,

1045
00:52:02,680 --> 00:52:04,120
Speaker 1: that's different than what you're talking.

1046
00:52:04,200 --> 00:52:04,560
Speaker 2: Do you you?

1047
00:52:04,880 --> 00:52:06,480
Speaker 1: I don't do I look like a beach boys type

1048
00:52:06,480 --> 00:52:09,440
Speaker 1: A gay an l A beach boy l A. I

1049
00:52:09,520 --> 00:52:09,800
Speaker 1: don't know.

1050
00:52:10,200 --> 00:52:17,520
Speaker 4: Okay, have you been to Venice? Yes, my friend Alchemist,

1051
00:52:17,600 --> 00:52:19,839
Speaker 4: this is from Venice. I took a shot at him

1052
00:52:19,840 --> 00:52:20,319
Speaker 4: the other day.

1053
00:52:20,640 --> 00:52:21,279
Speaker 1: He sent it to me.

1054
00:52:21,360 --> 00:52:24,520
Speaker 2: He's like, what he's not from Venice. He has a

1055
00:52:24,520 --> 00:52:25,239
Speaker 2: studio in Venice.

1056
00:52:25,280 --> 00:52:25,840
Speaker 1: He has a studio.

1057
00:52:25,880 --> 00:52:28,799
Speaker 2: I don't think he's from Venice. I believe he's he's

1058
00:52:29,880 --> 00:52:32,840
Speaker 2: go back to the beach boys this and he's goot beach.

1059
00:52:32,719 --> 00:52:37,279
Speaker 4: Boys said, he's a He's like, could and make me

1060
00:52:37,719 --> 00:52:39,239
Speaker 4: from California.

1061
00:52:39,640 --> 00:52:42,840
Speaker 5: It's about the girls. All the pretty girls should be

1062
00:52:42,880 --> 00:52:43,600
Speaker 5: from California.

1063
00:52:47,080 --> 00:52:48,319
Speaker 1: How co dis respectful?

1064
00:52:49,040 --> 00:52:50,560
Speaker 2: So that's automatic shots fire?

1065
00:52:50,680 --> 00:52:54,680
Speaker 1: That was shot? Yes, then Tony, Tony, Tony did it?

1066
00:52:55,080 --> 00:52:58,279
Speaker 1: Said you had a No, you had.

1067
00:52:58,239 --> 00:52:58,879
Speaker 2: A better reason.

1068
00:52:58,960 --> 00:53:02,440
Speaker 1: You didna directly from the.

1069
00:53:06,320 --> 00:53:07,360
Speaker 2: Only one is connecting that.

1070
00:53:07,719 --> 00:53:10,520
Speaker 4: Right then, California guys been taking shot to the East

1071
00:53:10,560 --> 00:53:15,920
Speaker 4: coast for a long Yes, he was like, there's like

1072
00:53:17,080 --> 00:53:19,360
Speaker 4: it might be cold on the East coast, but on

1073
00:53:19,440 --> 00:53:26,480
Speaker 4: the southern tire of town it never rains in southern Coli.

1074
00:53:26,800 --> 00:53:29,680
Speaker 4: How you why you got to say this East Coast.

1075
00:53:30,600 --> 00:53:34,640
Speaker 4: We know we're freezing. We know that we're wearing Timberland's.

1076
00:53:34,960 --> 00:53:37,759
Speaker 4: This is not a fashion statement. This is actually because

1077
00:53:37,760 --> 00:53:41,840
Speaker 4: we're cold, sir, and they've been going at us, you

1078
00:53:41,960 --> 00:53:43,279
Speaker 4: guys with your nice weather.

1079
00:53:43,640 --> 00:53:48,719
Speaker 1: Let's finish quick. I'm sorry, I'm so happy man, I'm

1080
00:53:48,760 --> 00:53:54,160
Speaker 1: just being we're here here in Miami. I'm gonna take

1081
00:53:54,200 --> 00:53:55,600
Speaker 1: a shot to that Miami, definitely.

1082
00:53:59,160 --> 00:54:01,239
Speaker 2: He came accordingly.

1083
00:54:03,000 --> 00:54:07,399
Speaker 5: I do love the weather today, really really really I'm

1084
00:54:07,440 --> 00:54:08,400
Speaker 5: matching too, are we?

1085
00:54:08,640 --> 00:54:08,799
Speaker 7: Yeah?

1086
00:54:08,840 --> 00:54:09,040
Speaker 1: Yeah?

1087
00:54:09,080 --> 00:54:12,480
Speaker 2: Yeah in this lighting you are? That's fine?

1088
00:54:12,520 --> 00:54:13,160
Speaker 5: And you l a.

1089
00:54:15,520 --> 00:54:21,840
Speaker 1: Shot. No, no, he's no your rules. I love Miami, man, like, okay,

1090
00:54:22,160 --> 00:54:29,560
Speaker 1: black Sabbath or a C D C skips? No? What

1091
00:54:30,800 --> 00:54:35,960
Speaker 1: all right? I asked the question. I don't know.

1092
00:54:36,040 --> 00:54:37,880
Speaker 7: I don't know the question is you said cypriscail or

1093
00:54:37,960 --> 00:54:40,000
Speaker 7: this but no, no, like sabath of a C D C.

1094
00:54:40,120 --> 00:54:43,400
Speaker 1: Is okay, pick cypresso okay, I don't know the wow,

1095
00:54:43,480 --> 00:54:45,520
Speaker 1: the one is black.

1096
00:54:45,400 --> 00:54:51,240
Speaker 2: Sabbath a c D a c DC for me, yeah okay?

1097
00:54:51,520 --> 00:54:53,640
Speaker 5: And the one we skipped is what he's saying, Rick

1098
00:54:53,760 --> 00:54:56,120
Speaker 5: Ruben or doctor Dre and I know you guys worked

1099
00:54:56,120 --> 00:54:57,480
Speaker 5: with Rack and we want to talk about that.

1100
00:54:58,400 --> 00:54:59,880
Speaker 1: That's so fun, I was, I.

1101
00:55:00,280 --> 00:55:02,600
Speaker 6: I said to somebody literally the other day who asked

1102
00:55:02,600 --> 00:55:03,560
Speaker 6: me name.

1103
00:55:04,280 --> 00:55:07,759
Speaker 1: I don't know. However, many of your favorite like the

1104
00:55:08,080 --> 00:55:11,600
Speaker 1: artists that if they didn't exist, you your music wouldn't exist,

1105
00:55:11,640 --> 00:55:13,680
Speaker 1: and that those were my first two things out of

1106
00:55:13,719 --> 00:55:18,000
Speaker 1: my mouth. Is Rick and then and then, like I said,

1107
00:55:18,040 --> 00:55:20,800
Speaker 1: I owned everything Dre had, But I think Rick was first,

1108
00:55:20,880 --> 00:55:23,279
Speaker 1: Like Rick was the first person that I went, oh,

1109
00:55:23,360 --> 00:55:27,360
Speaker 1: his name's on all these records, Like he was the

1110
00:55:27,440 --> 00:55:31,480
Speaker 1: first person that I paid attention to. I'd say it's

1111
00:55:31,480 --> 00:55:34,920
Speaker 1: definitely Rick because he's he's the He's the first person

1112
00:55:35,040 --> 00:55:37,239
Speaker 1: that made me wonder what a producer was.

1113
00:55:38,440 --> 00:55:43,280
Speaker 5: He made beats of slippers. I mean he we did records.

1114
00:55:43,320 --> 00:55:44,879
Speaker 5: We did a couple of albums with Rick.

1115
00:55:45,200 --> 00:55:47,800
Speaker 1: So our experience with Rick was very different than what

1116
00:55:48,480 --> 00:55:50,600
Speaker 1: you know, like the Beastie Boys experience would have been,

1117
00:55:50,960 --> 00:55:53,239
Speaker 1: like the stories they tell her that was young Rick.

1118
00:55:53,360 --> 00:55:55,880
Speaker 5: Yeah, No, he by the time you guys got a different,

1119
00:55:56,480 --> 00:55:59,000
Speaker 5: very different Yeah. And and he has like he has

1120
00:55:59,040 --> 00:55:59,440
Speaker 5: a book.

1121
00:56:00,560 --> 00:56:03,920
Speaker 1: He's a book full of his what's it called the

1122
00:56:04,080 --> 00:56:08,160
Speaker 1: Art of Creativity or creation or something, Yeah, I forget it,

1123
00:56:08,239 --> 00:56:11,719
Speaker 1: something like that. And I love that book. Like I think,

1124
00:56:11,880 --> 00:56:14,319
Speaker 1: like if you, for all the people that have never

1125
00:56:14,840 --> 00:56:18,200
Speaker 1: met Rick or watched Rick work, like if you took

1126
00:56:18,280 --> 00:56:21,440
Speaker 1: that book and just set it in your studio and

1127
00:56:21,560 --> 00:56:23,600
Speaker 1: every single day before you started working, if you just

1128
00:56:23,640 --> 00:56:26,040
Speaker 1: flipped it open and just read whatever it comes up on,

1129
00:56:26,120 --> 00:56:27,440
Speaker 1: if you just read a couple of pages of that.

1130
00:56:27,800 --> 00:56:29,680
Speaker 1: I feel like it'll set the tone in your mind,

1131
00:56:29,920 --> 00:56:33,040
Speaker 1: like a better way of thinking about being created. He's

1132
00:56:33,120 --> 00:56:35,600
Speaker 1: that good that it's like just by reading his words

1133
00:56:35,640 --> 00:56:38,000
Speaker 1: in the book that you're you'd be in a better

1134
00:56:38,080 --> 00:56:39,640
Speaker 1: position to make good stuff.

1135
00:56:40,360 --> 00:56:42,440
Speaker 5: For people who don't understand, because I've seen things where

1136
00:56:42,440 --> 00:56:45,120
Speaker 5: people try to criticize the way he produces, saying he

1137
00:56:45,200 --> 00:56:47,480
Speaker 5: doesn't actually play instruments, he doesn't know how to write music.

1138
00:56:48,080 --> 00:56:51,880
Speaker 2: What is his production stuff? How does he produce someone

1139
00:56:51,960 --> 00:56:52,399
Speaker 2: like you guys?

1140
00:56:53,560 --> 00:56:56,400
Speaker 7: I think for us it was a matter of us,

1141
00:56:57,000 --> 00:57:00,239
Speaker 7: like if you think about the first two records, theory

1142
00:57:00,280 --> 00:57:03,719
Speaker 7: of media, or to kind of go together like chapter

1143
00:57:03,840 --> 00:57:06,240
Speaker 7: one and two, like this is part of the pairing.

1144
00:57:07,080 --> 00:57:10,400
Speaker 7: At a certain point, we want to well, we were

1145
00:57:10,480 --> 00:57:12,840
Speaker 7: fans of recrubment and it's like, oh shit, like we

1146
00:57:12,960 --> 00:57:19,439
Speaker 7: can dig into his mind on hip hop and punk

1147
00:57:19,560 --> 00:57:21,840
Speaker 7: rock all that stuff. But what he actually ended up

1148
00:57:21,880 --> 00:57:25,080
Speaker 7: doing for us is getting to know us as people

1149
00:57:25,440 --> 00:57:31,040
Speaker 7: as artists and knowing that we had to get over

1150
00:57:31,160 --> 00:57:36,120
Speaker 7: a hump in more ways than one, and just help

1151
00:57:36,240 --> 00:57:37,040
Speaker 7: help guide us along.

1152
00:57:37,160 --> 00:57:38,760
Speaker 2: It's like it's very psychological with him.

1153
00:57:39,360 --> 00:57:42,240
Speaker 1: Yeah, yeah, well we needed to like reinvent the band,

1154
00:57:42,680 --> 00:57:45,560
Speaker 1: like we needed to be a different on our third record.

1155
00:57:45,600 --> 00:57:47,720
Speaker 1: If we had done the same thing that we did

1156
00:57:47,760 --> 00:57:50,000
Speaker 1: two albums, if we had done the same thing as

1157
00:57:50,040 --> 00:57:52,600
Speaker 1: the first two albums on the next one, then we'd

1158
00:57:52,640 --> 00:57:55,440
Speaker 1: be stuck doing that forever. So when we went to him,

1159
00:57:55,480 --> 00:57:57,520
Speaker 1: we said, he said, what kind of album do you

1160
00:57:57,600 --> 00:57:59,880
Speaker 1: want to make? And that's what we told him, is like,

1161
00:58:00,120 --> 00:58:01,760
Speaker 1: want to make something really different and this is why.

1162
00:58:02,440 --> 00:58:05,040
Speaker 1: And he went around the room and had each person answer,

1163
00:58:05,360 --> 00:58:07,040
Speaker 1: so he heard it from each person in the band,

1164
00:58:07,400 --> 00:58:09,720
Speaker 1: and then at the end of it he said, good,

1165
00:58:09,920 --> 00:58:11,720
Speaker 1: I'm glad you said that, because that is the way

1166
00:58:11,760 --> 00:58:13,240
Speaker 1: that I would want to work with you. Like if

1167
00:58:13,240 --> 00:58:15,080
Speaker 1: you didn't say that, I wouldn't want to work with you.

1168
00:58:15,240 --> 00:58:17,240
Speaker 1: This is the way, and I agree with you that

1169
00:58:17,320 --> 00:58:19,320
Speaker 1: that's the thing for your band to do. So we

1170
00:58:19,400 --> 00:58:22,200
Speaker 1: spent the whole time on that third record taking what

1171
00:58:22,360 --> 00:58:25,480
Speaker 1: we thought was the park. We were actually not. We

1172
00:58:25,560 --> 00:58:28,440
Speaker 1: were over on a street called Laurel Canyon. Did you

1173
00:58:28,560 --> 00:58:31,440
Speaker 1: know who Harry Houdini the magician? Do you ever know?

1174
00:58:31,600 --> 00:58:37,480
Speaker 6: Herebook stories about that? Actual Houdini had a mansion and.

1175
00:58:37,680 --> 00:58:39,760
Speaker 1: This house was like there was a tunnel that went

1176
00:58:39,800 --> 00:58:42,640
Speaker 1: to his health connected underneath to this other place. Did

1177
00:58:42,680 --> 00:58:45,560
Speaker 1: you just say actual actual?

1178
00:58:45,800 --> 00:58:48,120
Speaker 6: Yeah, this was across they were connected houses.

1179
00:58:48,480 --> 00:58:53,280
Speaker 1: I think it was like his mistress. So Rick owns.

1180
00:58:53,720 --> 00:58:56,600
Speaker 1: Rick owned, he doesn't anymore. He used to own that house.

1181
00:58:57,040 --> 00:58:58,040
Speaker 1: And we made our.

1182
00:58:57,960 --> 00:59:02,040
Speaker 2: Album in that house and house yeah with the tunnel.

1183
00:59:02,280 --> 00:59:04,560
Speaker 1: Yeah. Yeah. By the way, that's the same place that

1184
00:59:04,720 --> 00:59:07,800
Speaker 1: like system of down he mentioned before and read Hot

1185
00:59:07,880 --> 00:59:09,720
Speaker 1: Chili Peppers, so you mentioned before, like all the people

1186
00:59:09,760 --> 00:59:11,840
Speaker 1: that worked with Rich, a lot of them worked at

1187
00:59:11,880 --> 00:59:14,160
Speaker 1: this house and there was there was good energy, good

1188
00:59:14,200 --> 00:59:16,440
Speaker 1: vibes whatever there. We went there and we did it,

1189
00:59:16,520 --> 00:59:18,240
Speaker 1: and that was the whole point, was to like get

1190
00:59:18,280 --> 00:59:20,840
Speaker 1: outside of our what's normal. We were used to make

1191
00:59:20,840 --> 00:59:22,680
Speaker 1: a record in a studio, so we went to this

1192
00:59:22,760 --> 00:59:25,080
Speaker 1: house and made a record in this house and everything

1193
00:59:25,120 --> 00:59:27,640
Speaker 1: felt very different. And at the end of the process, yeah,

1194
00:59:27,680 --> 00:59:29,560
Speaker 1: I think that the whole point was to learn more

1195
00:59:29,600 --> 00:59:31,360
Speaker 1: about who we were and who we wanted to be,

1196
00:59:32,560 --> 00:59:35,360
Speaker 1: aspiring to be right not we weren't there yet, but

1197
00:59:35,440 --> 00:59:37,880
Speaker 1: we wanted to be something that was bigger than what

1198
00:59:38,000 --> 00:59:41,360
Speaker 1: we were, and he helped us kind of point us

1199
00:59:41,360 --> 00:59:43,040
Speaker 1: in the right direct. It wasn't like here it is.

1200
00:59:43,120 --> 00:59:45,360
Speaker 7: It was more like, here's the direction and it's new,

1201
00:59:45,480 --> 00:59:48,000
Speaker 7: so go figure it it, go explore. Yeah, I think

1202
00:59:48,040 --> 00:59:50,600
Speaker 7: it was more important than producing that record at the time.

1203
00:59:51,080 --> 00:59:54,760
Speaker 7: It was unlocking these things that we had within us

1204
00:59:55,400 --> 00:59:58,160
Speaker 7: that we could just easily become trapped in. So it

1205
00:59:58,240 --> 01:00:02,040
Speaker 7: was almost like, Okay, go make the next record, but

1206
01:00:03,080 --> 01:00:04,560
Speaker 7: make as many records as you want.

1207
01:00:05,920 --> 01:00:09,680
Speaker 1: You guys ever worked at a lecture lady Jimmy Hendricks studio,

1208
01:00:10,120 --> 01:00:12,080
Speaker 1: I don't think so. If I did, it was like

1209
01:00:12,200 --> 01:00:14,320
Speaker 1: one day. I don't think I did, though, because it's

1210
01:00:14,360 --> 01:00:17,040
Speaker 1: like I'm mixing it up with that. No, I don't

1211
01:00:17,080 --> 01:00:17,240
Speaker 1: have it.

1212
01:00:17,880 --> 01:00:20,120
Speaker 4: It's a cat, that's that's there, and they say that's

1213
01:00:20,160 --> 01:00:22,960
Speaker 4: Jimmy Hendrix incarnated.

1214
01:00:23,640 --> 01:00:24,960
Speaker 2: Listen, I just did blood work.

1215
01:00:25,680 --> 01:00:28,240
Speaker 4: The first thing the doctor told me was you're super

1216
01:00:28,280 --> 01:00:31,000
Speaker 4: allergic to cats, Like I can't even be in the

1217
01:00:31,040 --> 01:00:35,160
Speaker 4: same But for some reason, this cat does not make

1218
01:00:35,240 --> 01:00:35,760
Speaker 4: me break out.

1219
01:00:36,040 --> 01:00:42,800
Speaker 2: It's Jimmy. I mean, did you answer?

1220
01:00:44,120 --> 01:00:44,320
Speaker 1: Yeah?

1221
01:00:44,440 --> 01:00:53,880
Speaker 5: Rick relaxed, buddy, all right? All right, Timblin or Farrell,

1222
01:00:57,400 --> 01:00:59,880
Speaker 5: isn't that like the what came first the chicken? And

1223
01:01:01,680 --> 01:01:02,600
Speaker 5: I don't know what came.

1224
01:01:04,400 --> 01:01:04,520
Speaker 8: Well?

1225
01:01:04,600 --> 01:01:07,880
Speaker 5: Timberland would have been first. Yeah, right, well I don't

1226
01:01:07,880 --> 01:01:12,760
Speaker 5: know because was working right, but we don't know. The

1227
01:01:12,840 --> 01:01:14,760
Speaker 5: thing is, I think that's they're very close. Let's just

1228
01:01:14,800 --> 01:01:20,400
Speaker 5: say they're in the same wee Lego Virginia, so oh

1229
01:01:21,240 --> 01:01:22,760
Speaker 5: we've seen that straight.

1230
01:01:25,840 --> 01:01:26,080
Speaker 1: I like.

1231
01:01:28,400 --> 01:01:28,960
Speaker 2: It's very dope.

1232
01:01:28,960 --> 01:01:31,320
Speaker 7: I would say Timberland for me because there was a

1233
01:01:31,400 --> 01:01:35,400
Speaker 7: certain period of time or everything Timberland made like made

1234
01:01:35,440 --> 01:01:40,080
Speaker 7: such an impact that kind of helped me think a

1235
01:01:40,120 --> 01:01:40,720
Speaker 7: little bit different.

1236
01:01:40,760 --> 01:01:42,160
Speaker 2: Have you guys worked with Timberland. Don't know why. I

1237
01:01:42,240 --> 01:01:45,720
Speaker 2: feel like we think makes sense to.

1238
01:01:45,760 --> 01:01:49,040
Speaker 1: Me because Timberland worked on some of the J tracks,

1239
01:01:49,760 --> 01:01:52,400
Speaker 1: but also we did he did like submit a thing

1240
01:01:52,480 --> 01:01:54,920
Speaker 1: for that remix that one time. A yeah, he did,

1241
01:01:55,040 --> 01:01:57,440
Speaker 1: like off of hybrid theory. When we were doing a

1242
01:01:57,520 --> 01:02:02,920
Speaker 1: remix record called Reanimation. He Timberlin did send a loop

1243
01:02:03,600 --> 01:02:07,400
Speaker 1: and it was almost like I wanted it to be great,

1244
01:02:07,800 --> 01:02:10,480
Speaker 1: but everybody makes stuff that's like, you know, great to

1245
01:02:10,760 --> 01:02:12,680
Speaker 1: not great, and he I don't. I feel like he

1246
01:02:12,840 --> 01:02:15,440
Speaker 1: just put a thing, like put something in that was

1247
01:02:15,560 --> 01:02:18,920
Speaker 1: like maybe not cooked. It was more like it was

1248
01:02:18,920 --> 01:02:20,960
Speaker 1: almost like to see if we were interested. But it

1249
01:02:21,040 --> 01:02:23,440
Speaker 1: didn't feel like the record. It didn't feel like our records.

1250
01:02:24,080 --> 01:02:29,760
Speaker 1: I'd say I'll say Farrell though, just because of the scope, right,

1251
01:02:29,880 --> 01:02:32,600
Speaker 1: like with all this time, like Pharrell is still the

1252
01:02:34,000 --> 01:02:35,760
Speaker 1: he on his own and I think Chad, Yeah, I

1253
01:02:35,760 --> 01:02:37,040
Speaker 1: think Chad is a genius.

1254
01:02:37,480 --> 01:02:41,080
Speaker 5: I think we can never not say the neptune when

1255
01:02:41,120 --> 01:02:43,320
Speaker 5: we meant but if you but you said you said

1256
01:02:43,400 --> 01:02:45,880
Speaker 5: Forell for sure, I think Farrell on his own, like

1257
01:02:46,040 --> 01:02:50,520
Speaker 5: is it's super accomplished, incredible, It's incredible what he's what

1258
01:02:50,600 --> 01:02:51,000
Speaker 5: he's done.

1259
01:02:51,600 --> 01:02:53,920
Speaker 1: I feel like because it wouldn't be like a like

1260
01:02:54,040 --> 01:02:58,320
Speaker 1: a Tyler the Creator without him, right Forarrell? Mm hm.

1261
01:03:00,160 --> 01:03:01,720
Speaker 2: Metallica, Iron Maiden.

1262
01:03:01,880 --> 01:03:06,200
Speaker 1: Metallica Easy, Easy, But that was one of the best

1263
01:03:06,240 --> 01:03:08,160
Speaker 1: tours we did his tour with them. We've done a

1264
01:03:08,200 --> 01:03:10,040
Speaker 1: lot of shows with them, but we did a whole

1265
01:03:10,080 --> 01:03:11,840
Speaker 1: summer tour with them at one point and it was

1266
01:03:12,240 --> 01:03:12,520
Speaker 1: it was.

1267
01:03:14,080 --> 01:03:15,840
Speaker 6: Top top three tours that.

1268
01:03:15,880 --> 01:03:18,640
Speaker 1: We did with. Yeah, we spent the whole summer. Was

1269
01:03:18,800 --> 01:03:20,520
Speaker 1: it was like in the era of like just at

1270
01:03:20,520 --> 01:03:22,600
Speaker 1: the end of like the new metal thing, like they

1271
01:03:22,640 --> 01:03:25,400
Speaker 1: still had the long hair. They all the rock bands

1272
01:03:25,480 --> 01:03:27,200
Speaker 1: were out and then that was coming to a close

1273
01:03:27,240 --> 01:03:32,240
Speaker 1: and Metallica put it was them Limp Biscuit Us there

1274
01:03:33,680 --> 01:03:36,960
Speaker 1: and mud Vein and like and we since we were

1275
01:03:36,960 --> 01:03:38,960
Speaker 1: in the middle of the bill, it was it felt

1276
01:03:39,040 --> 01:03:42,560
Speaker 1: like we were underdogs a little bit. We weren't like

1277
01:03:42,640 --> 01:03:45,320
Speaker 1: we knew we were coming with like a really big

1278
01:03:45,440 --> 01:03:48,000
Speaker 1: show and just the performance like we felt we were

1279
01:03:48,040 --> 01:03:49,880
Speaker 1: on fire, like we were just fuck great and the

1280
01:03:49,960 --> 01:03:52,280
Speaker 1: fans loved our music. And so every single one of

1281
01:03:52,280 --> 01:03:54,120
Speaker 1: those shows we went and we killed like it was

1282
01:03:54,280 --> 01:03:56,360
Speaker 1: just so much fun. And then that and that's unusual

1283
01:03:56,440 --> 01:03:58,040
Speaker 1: for Metallica fan. I don't know if you know this,

1284
01:03:58,160 --> 01:04:01,680
Speaker 1: but their fans are their fans are can be very

1285
01:04:01,800 --> 01:04:05,400
Speaker 1: rude to their openers. They can you know, like they

1286
01:04:05,560 --> 01:04:07,480
Speaker 1: hit their fans. We we there was one show we

1287
01:04:07,600 --> 01:04:10,240
Speaker 1: saw this is a very common thing for their shows.

1288
01:04:10,640 --> 01:04:12,880
Speaker 1: Their fans will show up and turn their back to

1289
01:04:12,960 --> 01:04:15,240
Speaker 1: the ship to the performance and put their middle fingers

1290
01:04:15,600 --> 01:04:18,320
Speaker 1: and they'll throw beers at the stage while you're performing.

1291
01:04:18,600 --> 01:04:20,800
Speaker 1: And we didn't get any of that. It was incredible,

1292
01:04:21,640 --> 01:04:23,320
Speaker 1: So they didn't do it. They did not do that.

1293
01:04:23,440 --> 01:04:28,440
Speaker 1: Time Metallica get hot to thet. I just feel like

1294
01:04:28,520 --> 01:04:32,080
Speaker 1: I just feel like I think the day it was,

1295
01:04:32,240 --> 01:04:34,320
Speaker 1: it was. It was what you were saying earlier. There

1296
01:04:34,360 --> 01:04:35,760
Speaker 1: was always were beer.

1297
01:04:35,800 --> 01:04:36,560
Speaker 2: Now I see them on some.

1298
01:04:38,080 --> 01:04:39,840
Speaker 1: Jack Daniels or something like that. I just want to

1299
01:04:39,880 --> 01:04:41,960
Speaker 1: go back in time and then you need to be

1300
01:04:42,080 --> 01:04:47,160
Speaker 1: like an eighties glam rocknest you putt and glamor. I

1301
01:04:47,200 --> 01:04:49,439
Speaker 1: don't know, I don't know, but he wants to drink

1302
01:04:49,520 --> 01:04:52,160
Speaker 1: beers and like I want to, right, I want to

1303
01:04:52,200 --> 01:04:55,640
Speaker 1: bite it back head o snake that ship maybe a

1304
01:04:55,680 --> 01:04:57,240
Speaker 1: little earlier. I want to I want to back to

1305
01:04:57,240 --> 01:04:57,600
Speaker 1: the seven.

1306
01:04:57,720 --> 01:04:59,680
Speaker 2: I want to do all that ship like, like, I

1307
01:04:59,720 --> 01:05:01,400
Speaker 2: don't know, in my past life while I was white.

1308
01:05:01,600 --> 01:05:04,760
Speaker 2: I'm being honest, Yeah, you're I know, like like like

1309
01:05:05,040 --> 01:05:05,240
Speaker 2: you know.

1310
01:05:05,280 --> 01:05:07,800
Speaker 1: You know, I said everywhere like because because I'm like

1311
01:05:07,960 --> 01:05:12,440
Speaker 1: I love Jaeger and ship. That's really funny because I

1312
01:05:12,560 --> 01:05:15,320
Speaker 1: do like from my experience on tour, I do feel

1313
01:05:15,360 --> 01:05:19,080
Speaker 1: like jager is a very white liquor. Very I only

1314
01:05:19,200 --> 01:05:22,000
Speaker 1: think of I do only think of those tours where

1315
01:05:22,120 --> 01:05:24,400
Speaker 1: where yeah, you're in the middle of the country, this

1316
01:05:24,640 --> 01:05:29,560
Speaker 1: is the only only white people. That was our experience

1317
01:05:29,640 --> 01:05:34,520
Speaker 1: on a probably that that that oz Fest we played

1318
01:05:36,160 --> 01:05:49,560
Speaker 1: as all those all those exactly sponsored by right now,

1319
01:05:49,920 --> 01:05:52,000
Speaker 1: we we like, I think we like learned how to

1320
01:05:52,080 --> 01:05:55,680
Speaker 1: be a band on like a long how to show

1321
01:05:55,760 --> 01:05:59,040
Speaker 1: our know that they were all they were all getting

1322
01:05:59,640 --> 01:06:04,440
Speaker 1: drunk him waking up, drinking pedialyte like rehydrate and then

1323
01:06:04,520 --> 01:06:06,280
Speaker 1: going again every single day.

1324
01:06:06,320 --> 01:06:07,439
Speaker 2: That was the ivy of the time.

1325
01:06:09,000 --> 01:06:11,160
Speaker 1: Again, like I said, think we were more focused on

1326
01:06:11,360 --> 01:06:13,680
Speaker 1: like building our band and like being a little more.

1327
01:06:13,800 --> 01:06:16,480
Speaker 1: We were focused. It sounds like you guys are so

1328
01:06:16,760 --> 01:06:18,400
Speaker 1: that was not our environment. We had to learn to

1329
01:06:18,440 --> 01:06:21,160
Speaker 1: go in there and like win those crowds over. We

1330
01:06:21,240 --> 01:06:22,120
Speaker 1: had to learned how to like.

1331
01:06:22,480 --> 01:06:24,720
Speaker 2: You know, so Ozzy Osbourne never came to he was like.

1332
01:06:27,240 --> 01:06:30,920
Speaker 1: Some I don't think he ever. I don't think they came.

1333
01:06:31,000 --> 01:06:36,880
Speaker 1: I don't think, by the way, that's not I'm not

1334
01:06:37,120 --> 01:06:39,160
Speaker 1: I'm not like making fun of Ozzy. I'm just saying

1335
01:06:39,360 --> 01:06:42,400
Speaker 1: that was their tour. They I didn't see him once,

1336
01:06:42,600 --> 01:06:45,160
Speaker 1: like I really, he didn't come hang out. They were

1337
01:06:45,200 --> 01:06:48,160
Speaker 1: the headliner. Yeah, I hear, he's I hear. They're all

1338
01:06:48,240 --> 01:06:50,360
Speaker 1: perfectly nice, like but he comes.

1339
01:06:50,520 --> 01:06:52,919
Speaker 5: I've seen some interviews seem likelish people.

1340
01:06:52,960 --> 01:06:56,360
Speaker 2: They live forever, so like vampires. I don't think it's

1341
01:06:56,360 --> 01:06:56,800
Speaker 2: I don't.

1342
01:06:56,600 --> 01:07:01,120
Speaker 4: Think anybody from Britain dies like enough, like right, like

1343
01:07:01,760 --> 01:07:03,080
Speaker 4: they get high, they get.

1344
01:07:04,720 --> 01:07:07,000
Speaker 2: British, you bring ship.

1345
01:07:06,920 --> 01:07:09,120
Speaker 1: I'm gonna be good to know you. He's gonna gonna be.

1346
01:07:11,120 --> 01:07:12,600
Speaker 2: Honorable mention before we passes.

1347
01:07:12,640 --> 01:07:15,280
Speaker 5: When Iron Maiden by Far, I think has one of

1348
01:07:15,320 --> 01:07:17,320
Speaker 5: the best mascots ever in Eddie.

1349
01:07:17,920 --> 01:07:18,640
Speaker 1: That's a great point.

1350
01:07:18,760 --> 01:07:22,840
Speaker 5: Like I love their mascots though, and I never have

1351
01:07:22,880 --> 01:07:28,880
Speaker 5: an opportunity to say that. That is funny because like.

1352
01:07:29,000 --> 01:07:31,240
Speaker 6: That character when I was young, when I was little,

1353
01:07:31,280 --> 01:07:32,520
Speaker 6: like it scared the hell out of me.

1354
01:07:32,680 --> 01:07:34,960
Speaker 5: Oh yeah, it was a terrifying character. Yeah, and my

1355
01:07:35,080 --> 01:07:37,680
Speaker 5: crew we created it. We have a character for crazier productions.

1356
01:07:37,680 --> 01:07:40,760
Speaker 5: It's kind of based on that a little bit. The

1357
01:07:40,880 --> 01:07:42,760
Speaker 5: next Styles of Beyond or Demigods.

1358
01:07:43,800 --> 01:07:47,520
Speaker 1: Bro, that's kind the same thing.

1359
01:07:49,200 --> 01:07:50,280
Speaker 2: You're taking a shot, I mean.

1360
01:07:52,000 --> 01:07:52,200
Speaker 5: Cheers.

1361
01:07:54,880 --> 01:07:57,640
Speaker 1: I mean I never kind kind of a I don't

1362
01:07:57,640 --> 01:08:02,360
Speaker 1: think so. I think I mean shout out to Demigod's

1363
01:08:02,360 --> 01:08:02,800
Speaker 1: no style of.

1364
01:08:04,000 --> 01:08:06,880
Speaker 5: All right, no, take the last one. So that's the

1365
01:08:06,960 --> 01:08:13,240
Speaker 5: last last one. It's my favorite. Loyalty or respect? Right,

1366
01:08:14,240 --> 01:08:23,320
Speaker 5: I heard you ask this? Yeah, somebody said, uh, somebody

1367
01:08:23,360 --> 01:08:23,960
Speaker 5: said on one.

1368
01:08:23,840 --> 01:08:26,160
Speaker 1: Of your episodes about like you could you could pay

1369
01:08:26,280 --> 01:08:28,559
Speaker 1: somebody to be loyal, but you can't pay them to respect.

1370
01:08:28,600 --> 01:08:28,640
Speaker 7: You.

1371
01:08:28,720 --> 01:08:31,040
Speaker 1: I thought that was wise. I think I think you

1372
01:08:31,160 --> 01:08:38,360
Speaker 1: have to earn respect, so I pick respect. I'm very

1373
01:08:38,400 --> 01:08:39,320
Speaker 1: confused by the question.

1374
01:08:40,280 --> 01:08:43,040
Speaker 2: I like that, I like that ask you should be

1375
01:08:43,320 --> 01:08:45,720
Speaker 2: What part of the question confuses I don't know.

1376
01:08:45,800 --> 01:08:47,120
Speaker 1: I think they're just kind of you.

1377
01:08:47,160 --> 01:08:48,920
Speaker 2: Could you say both? And that's why I think it

1378
01:08:48,960 --> 01:08:49,920
Speaker 2: should be just both.

1379
01:08:50,240 --> 01:08:52,600
Speaker 1: I think they're interfined, you know, because why wouldn't you

1380
01:08:52,680 --> 01:08:53,080
Speaker 1: want both?

1381
01:08:53,240 --> 01:08:55,120
Speaker 2: I'm honestly with you. Go ahead continue.

1382
01:08:55,240 --> 01:08:58,280
Speaker 1: Yeah, you can't bet. You can't have one without the other.

1383
01:08:59,360 --> 01:08:59,760
Speaker 2: You could.

1384
01:09:00,560 --> 01:09:04,120
Speaker 1: You can make in the in the most genuine way, right.

1385
01:09:04,360 --> 01:09:07,599
Speaker 5: Yeah, right, genuinely right, Yeah, and we're talking.

1386
01:09:07,479 --> 01:09:10,880
Speaker 1: About being genuine, right. Yeah. It's hard to answer.

1387
01:09:12,680 --> 01:09:14,599
Speaker 2: So you got to drink. We're drinking.

1388
01:09:14,840 --> 01:09:19,880
Speaker 4: Yes, he said both, honestly, one of the greatest answers ever.

1389
01:09:20,080 --> 01:09:22,680
Speaker 4: Like how you said it, because I believe that, like

1390
01:09:22,760 --> 01:09:24,559
Speaker 4: I believe one coincide with the other.

1391
01:09:24,600 --> 01:09:27,040
Speaker 1: That's why I always say both, drink.

1392
01:09:28,560 --> 01:09:28,760
Speaker 2: Drink.

1393
01:09:32,080 --> 01:09:32,400
Speaker 1: Just said.

1394
01:09:38,680 --> 01:09:40,040
Speaker 2: I've said this earlier.

1395
01:09:43,240 --> 01:09:48,080
Speaker 4: Because for me hip hop it's a very limited not

1396
01:09:48,240 --> 01:09:49,640
Speaker 4: not I don't want to say limited, but.

1397
01:09:51,880 --> 01:09:53,400
Speaker 2: It's a certain mountaintop.

1398
01:09:54,320 --> 01:09:57,560
Speaker 4: H I want to take Biggie's line and say that

1399
01:09:57,720 --> 01:09:59,720
Speaker 4: you ever think rock and roll will go this fall?

1400
01:10:01,800 --> 01:10:03,720
Speaker 1: You know what I mean? Like rock and roll is like.

1401
01:10:05,200 --> 01:10:07,160
Speaker 4: Like I'm just saying where rock and roll comes from

1402
01:10:07,240 --> 01:10:10,880
Speaker 4: to be clear, you know what the ultimate and this

1403
01:10:11,040 --> 01:10:13,439
Speaker 4: is gonna sound crazy and I know my fans, so

1404
01:10:13,520 --> 01:10:16,320
Speaker 4: I'm gonna I'm gonna say it the proper way, but

1405
01:10:16,520 --> 01:10:19,160
Speaker 4: one of our ultimate goals in hip hop is to

1406
01:10:19,280 --> 01:10:21,639
Speaker 4: get inducted in the rock and roll hold.

1407
01:10:23,040 --> 01:10:25,679
Speaker 2: When hip hop needs its own. Yeah, that's true.

1408
01:10:25,760 --> 01:10:28,840
Speaker 1: I agree. I think that's weird. But what I'm saying

1409
01:10:28,960 --> 01:10:29,960
Speaker 1: is it's an honor.

1410
01:10:30,160 --> 01:10:32,519
Speaker 4: It's an honor like l L Like when we find

1411
01:10:32,560 --> 01:10:35,960
Speaker 4: out l L crop Quest is getting inducted into it

1412
01:10:36,120 --> 01:10:37,960
Speaker 4: right now, shout out to outcasts and so on. Pepper

1413
01:10:38,000 --> 01:10:44,960
Speaker 4: who yes, like salut. But so that's it's in a

1414
01:10:45,040 --> 01:10:50,040
Speaker 4: certain way saying we respect rock and roll. Yeah, so

1415
01:10:50,640 --> 01:10:51,720
Speaker 4: what do you say about that?

1416
01:10:51,880 --> 01:10:55,000
Speaker 1: Well, I've always said I've always said that I I

1417
01:10:55,160 --> 01:10:59,000
Speaker 1: got into hip hop through the back door in terms

1418
01:10:59,040 --> 01:11:01,880
Speaker 1: of my career, Like I could have.

1419
01:11:03,360 --> 01:11:05,400
Speaker 6: Just like a little way of like explaining it is.

1420
01:11:06,000 --> 01:11:08,600
Speaker 1: When I first started like making my own songs and

1421
01:11:08,680 --> 01:11:13,040
Speaker 1: then Joe and I would make songs together, I had

1422
01:11:13,120 --> 01:11:15,679
Speaker 1: met the guys from Styles of Beyond through our mutual

1423
01:11:15,760 --> 01:11:20,880
Speaker 1: friend Double seven, and they they I realized I could

1424
01:11:21,040 --> 01:11:23,519
Speaker 1: go that path and like start making rap records and

1425
01:11:23,680 --> 01:11:26,559
Speaker 1: like trying to break in. And then at the same

1426
01:11:26,640 --> 01:11:30,479
Speaker 1: time we had this rock rap electronic like with this

1427
01:11:30,640 --> 01:11:33,880
Speaker 1: weird mashup thing going on with the band that started

1428
01:11:33,960 --> 01:11:36,200
Speaker 1: to happen, and I realized, Oh, that's like a way

1429
01:11:36,600 --> 01:11:39,479
Speaker 1: that I could rap and express that part of who

1430
01:11:39,520 --> 01:11:41,840
Speaker 1: I am, but do it in a really creative and

1431
01:11:41,960 --> 01:11:46,320
Speaker 1: different at the time, very different way. And so I

1432
01:11:46,400 --> 01:11:49,200
Speaker 1: could be I could get into that scene and like

1433
01:11:49,400 --> 01:11:52,240
Speaker 1: meet rappers that I admired and work with different people

1434
01:11:52,640 --> 01:11:56,160
Speaker 1: through this like back door. So so yeah, for me,

1435
01:11:56,320 --> 01:12:01,880
Speaker 1: it was very much like I never thought. I never

1436
01:12:01,960 --> 01:12:03,840
Speaker 1: thought that that would lead me to where to all

1437
01:12:03,920 --> 01:12:06,920
Speaker 1: the thing, to jay Z, to you know, Rick Rubin

1438
01:12:07,040 --> 01:12:09,719
Speaker 1: and all the things we talked about today. I didn't

1439
01:12:09,760 --> 01:12:10,719
Speaker 1: that wasn't like doing.

1440
01:12:10,560 --> 01:12:13,040
Speaker 2: The most hip hop ship. Yeah, at a point, right and.

1441
01:12:13,080 --> 01:12:17,559
Speaker 1: At a certain point like influencing influencing hip hop kids

1442
01:12:17,680 --> 01:12:22,800
Speaker 1: to try other things, like to try other styles. That's true.

1443
01:12:23,320 --> 01:12:24,880
Speaker 1: Like people who come up to us of the show

1444
01:12:24,920 --> 01:12:28,800
Speaker 1: case you want to I'm good. I mean, you know

1445
01:12:28,880 --> 01:12:35,120
Speaker 1: you gotta a great host. I'm sorry, you're good. No,

1446
01:12:35,240 --> 01:12:39,960
Speaker 1: but it's it's it's you know the now there's so

1447
01:12:40,439 --> 01:12:44,360
Speaker 1: there's really no like boundary between genres at all. Like everything,

1448
01:12:45,000 --> 01:12:47,680
Speaker 1: virtually everything I listened to, I wouldn't call it a

1449
01:12:47,760 --> 01:12:50,120
Speaker 1: genre anymore. I wouldn't call it rock. I wouldn't call

1450
01:12:50,160 --> 01:12:52,920
Speaker 1: it any It's just music. So that's the type of

1451
01:12:53,000 --> 01:12:57,200
Speaker 1: music I like. And we're at a point where almost

1452
01:12:57,280 --> 01:13:00,560
Speaker 1: everything is that way. Like the biggest records in the

1453
01:13:00,600 --> 01:13:03,600
Speaker 1: world are usually records that are like blending lots of

1454
01:13:03,680 --> 01:13:04,080
Speaker 1: different Do.

1455
01:13:04,120 --> 01:13:06,680
Speaker 2: You think that's always positive that there is?

1456
01:13:06,880 --> 01:13:08,679
Speaker 1: Maybe not? I mean, because people can be a tourist

1457
01:13:08,840 --> 01:13:10,560
Speaker 1: like that. The saddest part for me was when we

1458
01:13:10,640 --> 01:13:13,000
Speaker 1: were doing when we were getting started and we realized

1459
01:13:13,040 --> 01:13:16,639
Speaker 1: that there are groups who are doing adding hip hop

1460
01:13:16,720 --> 01:13:21,560
Speaker 1: elements just because like, oh, now we've got scratching on this,

1461
01:13:21,600 --> 01:13:24,519
Speaker 1: Oh we're rapping on this. But the guy felt he's

1462
01:13:24,560 --> 01:13:26,120
Speaker 1: never listened to a rap record in his life. He's

1463
01:13:26,160 --> 01:13:27,840
Speaker 1: rapping on this track, Like that's the type of thing

1464
01:13:27,880 --> 01:13:30,080
Speaker 1: that we when we were making music, we thought that

1465
01:13:30,200 --> 01:13:32,720
Speaker 1: was really corny, But now that doesn't really happen. Like

1466
01:13:32,960 --> 01:13:36,000
Speaker 1: now everybody's heard everything, you've got access to everything in

1467
01:13:36,040 --> 01:13:36,439
Speaker 1: the world.

1468
01:13:40,080 --> 01:13:41,720
Speaker 2: You put your verses next to jay Z.

1469
01:13:42,800 --> 01:13:46,080
Speaker 6: I mean, to be able to be on a record

1470
01:13:46,120 --> 01:13:47,720
Speaker 6: with him at the time, that was like a you know,

1471
01:13:47,840 --> 01:13:48,240
Speaker 6: like I.

1472
01:13:48,280 --> 01:13:51,360
Speaker 4: Didn't realize how once you were like like on that

1473
01:13:51,560 --> 01:13:53,800
Speaker 4: level with him. I was listening to it today and

1474
01:13:53,840 --> 01:13:55,679
Speaker 4: I was like, wow, you really put this solf.

1475
01:13:55,880 --> 01:13:57,920
Speaker 6: But I feel like my best verses are not those

1476
01:13:58,000 --> 01:13:58,599
Speaker 6: verses at all.

1477
01:14:00,080 --> 01:14:03,120
Speaker 1: The other way. Yeah, you understand how like how that

1478
01:14:03,240 --> 01:14:04,960
Speaker 1: could have been tooken, Yeah.

1479
01:14:05,200 --> 01:14:08,040
Speaker 4: The wrong way people could have just been But that

1480
01:14:08,240 --> 01:14:11,240
Speaker 4: that lets you know that like that's really hip hop

1481
01:14:11,360 --> 01:14:12,200
Speaker 4: in you you know what I mean?

1482
01:14:12,600 --> 01:14:16,400
Speaker 1: Yeah, that makes yeah, I mean, do you consider yourself

1483
01:14:16,640 --> 01:14:20,080
Speaker 1: or not in terms of being Yeah? Yeah, yeah, yeah,

1484
01:14:20,840 --> 01:14:23,840
Speaker 1: like that's what That's how I started. Like I don't

1485
01:14:23,880 --> 01:14:26,080
Speaker 1: even like we joke because I sing on the on

1486
01:14:26,160 --> 01:14:28,000
Speaker 1: the new record, which by the way, I keep pointing here,

1487
01:14:28,360 --> 01:14:31,000
Speaker 1: but it's like, actually on the I keep pointing at

1488
01:14:31,040 --> 01:14:35,080
Speaker 1: the why do they keep pointing out here on the

1489
01:14:35,120 --> 01:14:37,559
Speaker 1: new record, Like I sing a bunch? Of course I'm

1490
01:14:37,600 --> 01:14:40,160
Speaker 1: still rapping a ton, but I sing a bunch. And

1491
01:14:40,479 --> 01:14:42,519
Speaker 1: in spite of that, I don't usually call myself a

1492
01:14:42,560 --> 01:14:45,800
Speaker 1: singer because I do think of myself as a rapper.

1493
01:14:46,320 --> 01:14:55,120
Speaker 2: First, God, damn, let's talk Grammys.

1494
01:14:55,160 --> 01:14:56,439
Speaker 1: You guys two.

1495
01:14:56,360 --> 01:15:01,880
Speaker 4: Grammys nominated six times. I'm so I do have one

1496
01:15:02,240 --> 01:15:04,560
Speaker 4: on one on my own. You got one on you

1497
01:15:04,680 --> 01:15:08,840
Speaker 4: right now. You just get my own, but have one.

1498
01:15:10,840 --> 01:15:12,400
Speaker 1: I just want to clear. I just will be clear.

1499
01:15:12,840 --> 01:15:16,240
Speaker 2: Let's talk about it right now. I never liked to

1500
01:15:22,760 --> 01:15:24,960
Speaker 2: do I gotta know I did.

1501
01:15:25,080 --> 01:15:26,840
Speaker 1: I did ie one just a couple of years ago

1502
01:15:26,920 --> 01:15:28,760
Speaker 1: for this like remix thing that I did that it

1503
01:15:28,880 --> 01:15:30,880
Speaker 1: was it was a they had a category for a

1504
01:15:31,000 --> 01:15:34,599
Speaker 1: remix and I did the remix. And oh it's crazy.

1505
01:15:35,439 --> 01:15:37,280
Speaker 2: It's funny that you didn't want to like you felt

1506
01:15:37,320 --> 01:15:37,960
Speaker 2: like we're like, you.

1507
01:15:38,000 --> 01:15:42,479
Speaker 1: Know, bringing it up, and I don't. Yeah, yeah, how

1508
01:15:42,560 --> 01:15:47,360
Speaker 1: does that feel? We actually, well, you can scull. You

1509
01:15:47,479 --> 01:15:48,040
Speaker 1: got two.

1510
01:15:48,600 --> 01:15:49,639
Speaker 2: Grammys, your Grammys.

1511
01:15:50,040 --> 01:15:51,599
Speaker 7: How do you feel that we did We didn't finish

1512
01:15:51,640 --> 01:15:54,360
Speaker 7: answering one of the earlier questions, bring back into it,

1513
01:15:54,439 --> 01:15:55,639
Speaker 7: that's what question.

1514
01:15:55,960 --> 01:15:57,400
Speaker 2: And if anybody has to take a pistous, you've been

1515
01:15:57,439 --> 01:16:00,280
Speaker 2: drinking a lot of water. Here appreciates you. Just get

1516
01:16:00,360 --> 01:16:02,479
Speaker 2: up and go take a pistole. No problems.

1517
01:16:02,560 --> 01:16:05,759
Speaker 7: But you asked us about doing something with the Beatles. Okay,

1518
01:16:05,840 --> 01:16:12,280
Speaker 7: so we did Collision Course with Jay and part of

1519
01:16:12,320 --> 01:16:15,160
Speaker 7: that climate around that time was danger.

1520
01:16:14,960 --> 01:16:17,439
Speaker 1: MOUs did the Gray album. The Gray Album, which is

1521
01:16:17,479 --> 01:16:17,920
Speaker 1: the Beatles.

1522
01:16:18,439 --> 01:16:21,280
Speaker 7: And then we're like, okay, they're asking us to perform

1523
01:16:21,800 --> 01:16:25,120
Speaker 7: because we're nominated, which is a good sign that something

1524
01:16:25,200 --> 01:16:27,160
Speaker 7: might happen. And then we're like, how do we top

1525
01:16:27,240 --> 01:16:29,519
Speaker 7: this off? And we're like, oh wait, what if we

1526
01:16:29,560 --> 01:16:33,040
Speaker 7: get a Beatle? So we ended up bringing Paul McCartney out.

1527
01:16:33,320 --> 01:16:35,120
Speaker 1: On the song. But the crazy, but the crazy part

1528
01:16:35,240 --> 01:16:38,320
Speaker 1: was that we asked him. We came up with the

1529
01:16:38,400 --> 01:16:40,640
Speaker 1: idea like okay, well this brings it full circle right

1530
01:16:40,720 --> 01:16:44,000
Speaker 1: like this this by the way, I can stop you

1531
01:16:44,040 --> 01:16:47,840
Speaker 1: for a second. Please remember I just loveys.

1532
01:16:47,920 --> 01:16:51,600
Speaker 2: It's just so nonchalantago the most legend.

1533
01:16:54,320 --> 01:16:57,960
Speaker 1: Sitting there. My heart is like this and you guys

1534
01:16:58,000 --> 01:17:00,479
Speaker 1: are talking about the most legendary ship in the most

1535
01:17:00,560 --> 01:17:01,200
Speaker 1: common way.

1536
01:17:01,680 --> 01:17:02,240
Speaker 2: I'm so sorry.

1537
01:17:02,320 --> 01:17:03,000
Speaker 1: Please continue.

1538
01:17:03,000 --> 01:17:04,280
Speaker 2: Well, I will say the the.

1539
01:17:05,920 --> 01:17:08,240
Speaker 7: Ward itself is great, but like the experience of doing

1540
01:17:08,320 --> 01:17:11,960
Speaker 7: that right, it allows you to do these things and

1541
01:17:12,080 --> 01:17:14,120
Speaker 7: that's what it's all about.

1542
01:17:14,439 --> 01:17:18,160
Speaker 1: And on top of that, you know, we asked we

1543
01:17:18,560 --> 01:17:21,840
Speaker 1: had done the Collision course thing with Jay. We did

1544
01:17:21,880 --> 01:17:24,120
Speaker 1: a couple performances, like we had gone on stage with

1545
01:17:24,200 --> 01:17:27,280
Speaker 1: him a couple of times. The record was did what

1546
01:17:27,400 --> 01:17:30,840
Speaker 1: it did. It was great, people really liked it, and

1547
01:17:31,520 --> 01:17:34,759
Speaker 1: Jay was ready to Jay was starting retirement. He was retired,

1548
01:17:35,160 --> 01:17:39,360
Speaker 1: so we had the idea to do this like full circle, like, oh,

1549
01:17:39,520 --> 01:17:42,120
Speaker 1: the mashup thing is was big. Now it's coming to

1550
01:17:42,240 --> 01:17:46,880
Speaker 1: a close, and so let's do let's bring it back

1551
01:17:46,880 --> 01:17:48,559
Speaker 1: to the beginning of it and do something with Paul

1552
01:17:48,600 --> 01:17:49,679
Speaker 1: McCartney and Jay.

1553
01:17:50,200 --> 01:17:53,120
Speaker 6: And so first we went to Paul's people and.

1554
01:17:53,240 --> 01:17:55,960
Speaker 1: Asked if he would be interested, because if he's not

1555
01:17:56,000 --> 01:17:57,960
Speaker 1: going to be interested, then the conversation's over. But he

1556
01:17:58,040 --> 01:18:02,760
Speaker 1: said yes, We're like okay, cool. And then we went

1557
01:18:02,800 --> 01:18:04,960
Speaker 1: to Jay and said are you interested and they said no.

1558
01:18:06,200 --> 01:18:09,560
Speaker 1: We were like what and obviously shocked, and they were like, no,

1559
01:18:09,680 --> 01:18:12,000
Speaker 1: he retired, Like he's not making music anymore, he's not

1560
01:18:12,000 --> 01:18:13,360
Speaker 1: going to get on stage. He just wants to be

1561
01:18:13,439 --> 01:18:15,720
Speaker 1: the he's doing the Deaf Jam thing. He's just going

1562
01:18:15,800 --> 01:18:18,360
Speaker 1: to do that. Yeah. Yeah, he was the president of

1563
01:18:18,360 --> 01:18:20,920
Speaker 1: Deaf Jam and he just wants to be the executive,

1564
01:18:21,080 --> 01:18:23,760
Speaker 1: not an artist. And so for us we were like no,

1565
01:18:23,880 --> 01:18:27,040
Speaker 1: you don't understand, like this is it's a big deal,

1566
01:18:27,560 --> 01:18:31,080
Speaker 1: it's the Grammys, it's Paul whatever. So eventually they they

1567
01:18:32,240 --> 01:18:34,040
Speaker 1: he made an exception because it was such a big

1568
01:18:34,080 --> 01:18:35,080
Speaker 1: thing that he made an exception.

1569
01:18:36,280 --> 01:18:37,000
Speaker 2: That's a huge thing.

1570
01:18:37,200 --> 01:18:37,439
Speaker 1: Huge.

1571
01:18:37,960 --> 01:18:40,200
Speaker 6: And then we I mean we had to like, you know,

1572
01:18:40,280 --> 01:18:41,000
Speaker 6: plead our case.

1573
01:18:41,520 --> 01:18:45,200
Speaker 1: And then we go to the the rehearsals for it,

1574
01:18:46,240 --> 01:18:51,280
Speaker 1: and the way this man Paul McCartney like Sir Paul right,

1575
01:18:51,640 --> 01:18:56,200
Speaker 1: he's a knight, ye, he's literally Sir Paul McCartney. The

1576
01:18:56,280 --> 01:18:58,760
Speaker 1: way this man comes in and talks to people and acts,

1577
01:18:59,240 --> 01:19:02,880
Speaker 1: I kid you not, like we did the rehearsals, camera

1578
01:19:03,000 --> 01:19:05,920
Speaker 1: blocking and what just practices. And he came off the

1579
01:19:06,000 --> 01:19:09,120
Speaker 1: stage and he saw this guy standing against the wall

1580
01:19:09,680 --> 01:19:11,400
Speaker 1: like he was holding a broom. He was just kind

1581
01:19:11,400 --> 01:19:15,360
Speaker 1: of like staring, and Paul leaves everybody and goes over

1582
01:19:15,439 --> 01:19:17,439
Speaker 1: there and just has like a one on one conversation

1583
01:19:17,560 --> 01:19:20,160
Speaker 1: with a man who's literally the janitor, and he sat

1584
01:19:20,200 --> 01:19:22,599
Speaker 1: there and talked to him for ten minutes. Just made

1585
01:19:22,640 --> 01:19:24,880
Speaker 1: that guy's whole life like it was. It was like

1586
01:19:25,240 --> 01:19:26,680
Speaker 1: you see stuff like that and you go, that's how

1587
01:19:26,720 --> 01:19:28,960
Speaker 1: to be right, that's like this is the man's he's

1588
01:19:29,000 --> 01:19:31,880
Speaker 1: giving us a lesson in like, if you were to

1589
01:19:32,000 --> 01:19:37,840
Speaker 1: ever even conceivably be a portion as famous and important

1590
01:19:38,560 --> 01:19:40,160
Speaker 1: as he is, Like this is how you treat people.

1591
01:19:40,200 --> 01:19:41,880
Speaker 5: You'd hope he'd be like that because the era that

1592
01:19:41,960 --> 01:19:44,400
Speaker 5: they came up in and the whole like hippie movement,

1593
01:19:44,760 --> 01:19:47,760
Speaker 5: they were about that, like they were freeness, you know, Like, yeah,

1594
01:19:47,840 --> 01:19:48,560
Speaker 5: so you would hold that.

1595
01:19:50,360 --> 01:19:53,839
Speaker 1: Yeah, I think that's the way. That was the experience.

1596
01:19:53,920 --> 01:19:55,280
Speaker 1: I got dope.

1597
01:19:55,400 --> 01:19:56,599
Speaker 2: That's dope, that's legendary.

1598
01:19:56,800 --> 01:19:57,320
Speaker 1: It was crazy.

1599
01:19:58,320 --> 01:20:03,040
Speaker 4: I I just I'm blown away that you guys came.

1600
01:20:03,120 --> 01:20:11,080
Speaker 4: He man, like, I'm really so ecstatic and happy because

1601
01:20:12,360 --> 01:20:13,120
Speaker 4: guy's a legends.

1602
01:20:13,240 --> 01:20:18,840
Speaker 1: Man. Thank you guys are out of this fucking world.

1603
01:20:21,240 --> 01:20:25,439
Speaker 4: Yeah, accoladesia things that you've done in this and the

1604
01:20:25,520 --> 01:20:28,200
Speaker 4: fact that you came to drink Champs and he's gonna

1605
01:20:28,240 --> 01:20:29,760
Speaker 4: drink Japanese whiskey with me and I.

1606
01:20:29,800 --> 01:20:30,959
Speaker 2: Did not know you was Japanese.

1607
01:20:31,040 --> 01:20:35,439
Speaker 5: By the way, there is there any hip hop artists

1608
01:20:36,600 --> 01:20:40,200
Speaker 5: past and today actually both that you you guys would.

1609
01:20:40,000 --> 01:20:41,920
Speaker 2: Love to like do a collab with.

1610
01:20:42,800 --> 01:20:45,240
Speaker 1: Oh my god, so many, so many will give me

1611
01:20:45,320 --> 01:20:48,800
Speaker 1: like a top five listen, Yeah, my top five of

1612
01:20:48,880 --> 01:20:51,960
Speaker 1: what comes to mind? Uh, beast Boys comes to mind?

1613
01:20:52,640 --> 01:20:59,799
Speaker 1: Wu Tang comes to mind. Kendrick Tyler Tyler the creator.

1614
01:21:00,000 --> 01:21:07,560
Speaker 1: Actually yeah, Andre Andre three thousand, Wow, Yeah Andre. I

1615
01:21:08,080 --> 01:21:11,200
Speaker 1: most recently Andre like came I was on. I was like,

1616
01:21:11,400 --> 01:21:14,120
Speaker 1: just I had it on random in my phone and

1617
01:21:14,720 --> 01:21:18,000
Speaker 1: that's this Andre song with Rick Ross came on. I

1618
01:21:18,040 --> 01:21:20,479
Speaker 1: don't remember what song it is. But Andre's verses like,

1619
01:21:21,920 --> 01:21:23,840
Speaker 1: it's so crazy is that one that ends with that?

1620
01:21:23,960 --> 01:21:26,920
Speaker 1: The fan comes up and it's just boring, boring really

1621
01:21:27,560 --> 01:21:29,639
Speaker 1: like the whole idea being he pours his heart into

1622
01:21:29,680 --> 01:21:31,720
Speaker 1: these verses and then doesn't really care.

1623
01:21:32,080 --> 01:21:36,160
Speaker 2: I was like, wow, one of the all time.

1624
01:21:37,040 --> 01:21:41,679
Speaker 5: He's incredible. No, I really seen Andre playing the flute

1625
01:21:41,880 --> 01:21:42,479
Speaker 5: by himself.

1626
01:21:42,680 --> 01:21:47,840
Speaker 1: Yeah, you actually witnessed him in physically in Brooklyn. Nah, sold,

1627
01:21:49,320 --> 01:21:52,280
Speaker 1: did you ask for a female female artist on my list?

1628
01:21:52,720 --> 01:21:56,760
Speaker 1: Let me, I should put a female artist, Like, that's

1629
01:21:56,880 --> 01:21:59,960
Speaker 1: that's fair, that's fair. Well made you add to femal

1630
01:22:00,040 --> 01:22:03,040
Speaker 1: well to the group. If I made a female only list,

1631
01:22:03,160 --> 01:22:08,599
Speaker 1: then it would be let's oh, that's a good point.

1632
01:22:08,960 --> 01:22:11,000
Speaker 1: Well let's just say female rappers, because I'd put I

1633
01:22:11,080 --> 01:22:14,760
Speaker 1: put I put Lauren near the top. Yeah, actually I

1634
01:22:14,800 --> 01:22:18,000
Speaker 1: loved Digga dude. You know, yeah, Jean Gray, I could

1635
01:22:18,040 --> 01:22:27,320
Speaker 1: hear Jane Gray. I like that.

1636
01:22:28,040 --> 01:22:33,160
Speaker 2: Really, So, who is the top five female?

1637
01:22:33,360 --> 01:22:35,800
Speaker 1: I don't know, this is not this is not my

1638
01:22:35,880 --> 01:22:38,080
Speaker 1: top five ever. This is just like just comes to mind.

1639
01:22:38,320 --> 01:22:40,200
Speaker 1: I remember what. I also remember when I was a kid,

1640
01:22:40,280 --> 01:22:42,040
Speaker 1: I heard Queen Latifa for the first time. I was

1641
01:22:43,560 --> 01:22:46,720
Speaker 1: she's so confident and she's not like selling sex and

1642
01:22:46,800 --> 01:22:49,519
Speaker 1: she's not selling that. She's like a real I don't know,

1643
01:22:49,800 --> 01:22:53,280
Speaker 1: she felt like a like a yeah, she felt like

1644
01:22:53,360 --> 01:22:54,840
Speaker 1: a role model.

1645
01:22:56,040 --> 01:22:56,840
Speaker 2: That was three she is.

1646
01:22:58,520 --> 01:23:00,720
Speaker 1: Where are we at rod Digga? Oh? Yeah, she was?

1647
01:23:02,040 --> 01:23:05,920
Speaker 5: Really I think I can hear you for lol so

1648
01:23:07,160 --> 01:23:08,200
Speaker 5: que for lower Hall?

1649
01:23:08,320 --> 01:23:11,080
Speaker 1: What about that? What's the other two? Allien girl? Oh?

1650
01:23:14,000 --> 01:23:18,680
Speaker 1: I think it's bas isn't it.

1651
01:23:19,560 --> 01:23:23,840
Speaker 2: I should have said said she's Andre two.

1652
01:23:23,680 --> 01:23:25,479
Speaker 1: Thousands of she's crazy.

1653
01:23:25,960 --> 01:23:30,360
Speaker 5: She's Andre meets title the Creator, but better as a

1654
01:23:30,560 --> 01:23:33,760
Speaker 5: as a female. You know, like, yeah, I like that, Yeah,

1655
01:23:33,760 --> 01:23:37,920
Speaker 5: I agree with you. Yeah, I agree with my my

1656
01:23:38,560 --> 01:23:42,120
Speaker 5: my friend event totality. That's a big word for me

1657
01:23:42,200 --> 01:23:45,080
Speaker 5: to use. Spell it never.

1658
01:23:49,040 --> 01:23:54,599
Speaker 1: But right here us for right he owes one more

1659
01:23:54,840 --> 01:23:57,280
Speaker 1: two more more more female?

1660
01:23:59,360 --> 01:23:59,519
Speaker 5: Oh?

1661
01:24:01,320 --> 01:24:03,000
Speaker 1: Who with Joe. I have to look at my phone.

1662
01:24:03,080 --> 01:24:05,040
Speaker 1: You got start your list. I feel by like hard

1663
01:24:05,080 --> 01:24:08,400
Speaker 1: Driver is like, yeah, it's Radio range because I love

1664
01:24:08,520 --> 01:24:14,680
Speaker 1: Lady of Rage who wraps? Yeah, he's dope? Are you

1665
01:24:14,760 --> 01:24:16,640
Speaker 1: googling ship now? I'm just looking at my this is

1666
01:24:16,720 --> 01:24:19,559
Speaker 1: my playlist, like it's not a real Okay, I got

1667
01:24:19,600 --> 01:24:21,680
Speaker 1: all kinds of playlists. Who's new? Like?

1668
01:24:24,240 --> 01:24:26,080
Speaker 2: And I'm sure there's a ton of doble artists that

1669
01:24:26,120 --> 01:24:27,120
Speaker 2: we're not thinking of right.

1670
01:24:27,040 --> 01:24:28,000
Speaker 1: Now, many so many.

1671
01:24:28,080 --> 01:24:32,320
Speaker 5: I feel like there's a lot of good ones of course, Yeah, absolutely, Yeah,

1672
01:24:33,000 --> 01:24:33,719
Speaker 5: you gotta pick.

1673
01:24:33,600 --> 01:24:38,000
Speaker 1: What you want. Those just dope. What do you think? Joe?

1674
01:24:38,880 --> 01:24:40,880
Speaker 1: What do you talk about? Who? Who do you want to?

1675
01:24:41,400 --> 01:24:43,479
Speaker 4: Lots of y'all. I just wanted to throw this out there.

1676
01:24:43,960 --> 01:24:47,040
Speaker 4: It is also a great coffee shop, Mike and Joe's.

1677
01:24:48,040 --> 01:24:51,040
Speaker 1: Oh yo, wait, I.

1678
01:24:51,200 --> 01:24:54,400
Speaker 2: Want to go to Michael Joe All that a cup

1679
01:24:54,439 --> 01:24:57,360
Speaker 2: of Joe? I want you gotta go turntables there too.

1680
01:24:57,400 --> 01:24:59,040
Speaker 2: It's got to be like a high five, like it's

1681
01:24:59,040 --> 01:25:01,840
Speaker 2: a spinal bar. Yeah, that's a coffee shop.

1682
01:25:01,880 --> 01:25:02,280
Speaker 1: I want to go.

1683
01:25:02,680 --> 01:25:04,720
Speaker 2: I'm in let's go. You want to take a drink to?

1684
01:25:06,080 --> 01:25:06,200
Speaker 7: Oh?

1685
01:25:06,280 --> 01:25:08,160
Speaker 1: Yes, yes, I want to take a drink to that, Yes,

1686
01:25:08,400 --> 01:25:08,720
Speaker 1: so I got.

1687
01:25:08,720 --> 01:25:09,320
Speaker 2: A poor again guy.

1688
01:25:09,439 --> 01:25:11,439
Speaker 1: Man, did see the line that people are you don't

1689
01:25:11,439 --> 01:25:14,719
Speaker 1: get to drink right my drinks already?

1690
01:25:14,840 --> 01:25:22,040
Speaker 2: No bro, you're not ready man, A right, no problem, bro, Yeah, I.

1691
01:25:22,160 --> 01:25:24,280
Speaker 1: Just came from Tampa doing five ka.

1692
01:25:24,720 --> 01:25:26,240
Speaker 5: He ran all the way from Tampa and then you

1693
01:25:26,280 --> 01:25:28,200
Speaker 5: got a right here what you got?

1694
01:25:28,439 --> 01:25:31,400
Speaker 1: The running thing is crazy? You know. I wish I could.

1695
01:25:31,680 --> 01:25:33,920
Speaker 1: I Like you, remember you said the thing about being

1696
01:25:33,920 --> 01:25:34,719
Speaker 1: allergic to cats.

1697
01:25:34,800 --> 01:25:38,000
Speaker 6: I grew up with asthma. I was super allergic to cats.

1698
01:25:38,560 --> 01:25:38,840
Speaker 1: I like.

1699
01:25:40,320 --> 01:25:42,639
Speaker 2: You were allergic to running. I'm allergic.

1700
01:25:43,439 --> 01:25:47,200
Speaker 1: That's about taking his answer. That's much funnier I had.

1701
01:25:47,320 --> 01:25:50,240
Speaker 1: I had like asthma all the time. So like running running,

1702
01:25:50,360 --> 01:25:52,439
Speaker 1: like maybe it's like you the harder, the guy with

1703
01:25:52,520 --> 01:25:54,160
Speaker 1: the used to be opposed to be. But I've got

1704
01:25:54,200 --> 01:25:56,439
Speaker 1: like scar tissue in my lungs. So like breath control

1705
01:25:56,520 --> 01:25:59,400
Speaker 1: on stage, damn is a thing. I always have to

1706
01:25:59,439 --> 01:26:02,920
Speaker 1: be very how I'm doing in terms of like I'm

1707
01:26:02,960 --> 01:26:06,040
Speaker 1: in my mind as I'm performing, I'm thinking like, okay,

1708
01:26:06,120 --> 01:26:08,320
Speaker 1: am I am? I running on empty a little bit?

1709
01:26:08,400 --> 01:26:10,040
Speaker 1: Like slow down a little bit so you have enough

1710
01:26:10,120 --> 01:26:15,599
Speaker 1: to you versus where it is blank. That's your okay,

1711
01:26:16,120 --> 01:26:19,400
Speaker 1: all right, but it's it's super good for as.

1712
01:26:19,800 --> 01:26:23,880
Speaker 2: Super that's what they said. It cures as well.

1713
01:26:23,960 --> 01:26:24,240
Speaker 1: Here's it.

1714
01:26:25,800 --> 01:26:29,479
Speaker 4: I'm gonna be honest, man, don't don't us appreciate you

1715
01:26:29,600 --> 01:26:33,360
Speaker 4: brothers for coming here. I appreciate you brothers for doing this.

1716
01:26:33,920 --> 01:26:36,880
Speaker 4: I'm going to take another shot with you. Okay, this

1717
01:26:36,920 --> 01:26:42,080
Speaker 4: is Japanese whiskeys. Do not know that you are Japanese?

1718
01:26:44,080 --> 01:26:49,160
Speaker 4: Japanese you know that this is a slang. It's a yeah,

1719
01:26:49,680 --> 01:26:53,320
Speaker 4: why have you been to Japan?

1720
01:26:53,800 --> 01:26:55,560
Speaker 2: I mean, I'm assuming you have, but like how is

1721
01:26:55,920 --> 01:26:57,720
Speaker 2: like have you followed your roots in Japan? Like do

1722
01:26:57,760 --> 01:26:58,320
Speaker 2: you have family that?

1723
01:26:58,600 --> 01:27:01,719
Speaker 1: It's funny, I've never been to this the town in Korea.

1724
01:27:02,120 --> 01:27:04,040
Speaker 1: I've never been to the town where I don't even know.

1725
01:27:04,040 --> 01:27:07,400
Speaker 1: If I didn't, I knew this town where my family

1726
01:27:07,479 --> 01:27:19,680
Speaker 1: came from, which is it's down He's mister, by the way,

1727
01:27:19,720 --> 01:27:20,960
Speaker 1: I love when I grow up.

1728
01:27:21,040 --> 01:27:23,720
Speaker 2: I love. Wait.

1729
01:27:23,840 --> 01:27:25,880
Speaker 1: Yeah, my family is from down South, which is more

1730
01:27:26,479 --> 01:27:32,280
Speaker 1: close to there Miami literally literally yeah, the it's more humid,

1731
01:27:32,439 --> 01:27:36,000
Speaker 1: it's former like fishing villages and stuff like that. That's

1732
01:27:36,000 --> 01:27:38,200
Speaker 1: where they were from. I haven't been there. My brother,

1733
01:27:38,640 --> 01:27:42,280
Speaker 1: a brother. He went down there, told me everything is okay.

1734
01:27:42,840 --> 01:27:47,120
Speaker 2: I was number one in in ok Now for seven years?

1735
01:27:48,000 --> 01:27:48,680
Speaker 1: What they called me?

1736
01:27:52,120 --> 01:27:53,280
Speaker 2: Wait what number one?

1737
01:27:54,360 --> 01:27:54,600
Speaker 1: I was?

1738
01:27:54,800 --> 01:27:56,280
Speaker 2: I was what song? He's saying what song?

1739
01:27:56,720 --> 01:27:57,479
Speaker 1: What? What? What? What?

1740
01:27:59,000 --> 01:28:01,479
Speaker 5: From that until was it because of the military base

1741
01:28:01,560 --> 01:28:02,799
Speaker 5: or was it the local population?

1742
01:28:03,080 --> 01:28:05,240
Speaker 2: That's a great question, you know that.

1743
01:28:05,680 --> 01:28:09,519
Speaker 6: I mean, yeah, Okinawa, that's a big US military base.

1744
01:28:09,560 --> 01:28:10,760
Speaker 2: You know what, that's a great question.

1745
01:28:10,880 --> 01:28:13,840
Speaker 4: And you know what, people that's traveling outside of the

1746
01:28:14,040 --> 01:28:15,920
Speaker 4: US that you still want.

1747
01:28:15,760 --> 01:28:18,080
Speaker 5: To actually be a part of the US. All you

1748
01:28:18,200 --> 01:28:21,280
Speaker 5: have to do is tap into the fucking military, which

1749
01:28:21,320 --> 01:28:23,600
Speaker 5: is a big problem for over there. Locally, there's a

1750
01:28:23,640 --> 01:28:27,920
Speaker 5: big issue. There's there's the issues there with the base

1751
01:28:28,040 --> 01:28:29,000
Speaker 5: and things.

1752
01:28:29,320 --> 01:28:30,920
Speaker 6: Is a World War two thing.

1753
01:28:31,080 --> 01:28:35,760
Speaker 1: Yeah, they can't have recently. This is for a long time. Yeah.

1754
01:28:35,760 --> 01:28:37,920
Speaker 2: I don't think it's like they're trying they would like

1755
01:28:38,280 --> 01:28:42,439
Speaker 2: the base to leave. The local population's issues. Get that

1756
01:28:43,200 --> 01:28:44,839
Speaker 2: was with the soldiers we played.

1757
01:28:44,760 --> 01:28:47,120
Speaker 1: So we played down there. We played down there one time.

1758
01:28:47,200 --> 01:28:51,720
Speaker 1: It's really funny to play down there because in Okinawa,

1759
01:28:52,800 --> 01:28:54,680
Speaker 1: I don't remember the name of them, but but we

1760
01:28:54,760 --> 01:28:59,000
Speaker 1: played near a base and the local Japanese population is

1761
01:28:59,120 --> 01:29:03,680
Speaker 1: much shorter than the white Marines or whatever. They are

1762
01:29:03,960 --> 01:29:07,360
Speaker 1: like soldiers there, and so the crowd looks like it

1763
01:29:07,520 --> 01:29:10,120
Speaker 1: looks like this, like these are the short Japanese and

1764
01:29:11,600 --> 01:29:15,000
Speaker 1: to be taller than regular We played that show and

1765
01:29:15,120 --> 01:29:18,400
Speaker 1: it's like there's five Japanese people this tall, and there's

1766
01:29:18,479 --> 01:29:21,320
Speaker 1: one white guy that's this tall, and it's just the

1767
01:29:21,520 --> 01:29:24,160
Speaker 1: entire crowd. You got these white heads like sticking out

1768
01:29:24,200 --> 01:29:26,439
Speaker 1: because that's that's who lives there. It's like all these

1769
01:29:26,520 --> 01:29:29,080
Speaker 1: Japanese people who are shorter and then white people who

1770
01:29:29,080 --> 01:29:31,800
Speaker 1: are taller. There's a funny show in Korea. Have you

1771
01:29:32,000 --> 01:29:32,160
Speaker 1: have you?

1772
01:29:32,360 --> 01:29:34,760
Speaker 2: Have you guys had a chance to play, like yeah,

1773
01:29:34,800 --> 01:29:35,040
Speaker 2: we just.

1774
01:29:35,360 --> 01:29:41,519
Speaker 7: We played Korea last October, right, that's part of our

1775
01:29:41,800 --> 01:29:46,160
Speaker 7: launch hitting into many places and different continents around the world.

1776
01:29:46,200 --> 01:29:48,679
Speaker 1: And then we just played two nights in Tokyo.

1777
01:29:49,160 --> 01:29:51,519
Speaker 2: And you have been able to follow your roots and

1778
01:29:51,600 --> 01:29:54,200
Speaker 2: like go to uh no, not too deeply.

1779
01:29:54,479 --> 01:29:56,840
Speaker 7: Most of my family moved to the States, so you

1780
01:29:56,960 --> 01:29:59,839
Speaker 7: got no family with or nothing, just some distant relatives.

1781
01:30:00,439 --> 01:30:02,560
Speaker 1: He's American, dude, what do you what are you to

1782
01:30:02,640 --> 01:30:04,960
Speaker 1: do right now? Listen? I went a cube, I followed

1783
01:30:04,960 --> 01:30:09,080
Speaker 1: my roots it's hard for me to go to Africa.

1784
01:30:09,200 --> 01:30:13,760
Speaker 1: I'm sorry too, Ferto Rican. We don't even know where

1785
01:30:13,760 --> 01:30:13,920
Speaker 1: to go.

1786
01:30:15,920 --> 01:30:16,439
Speaker 2: It's called.

1787
01:30:18,439 --> 01:30:18,919
Speaker 1: Exactly.

1788
01:30:19,040 --> 01:30:22,040
Speaker 6: It was funny when we were talking about about super Thug.

1789
01:30:22,720 --> 01:30:24,720
Speaker 5: Really, what was your what was your so? What was

1790
01:30:24,720 --> 01:30:28,360
Speaker 5: your experience with Pharrell? How did that unfolded? I love

1791
01:30:28,439 --> 01:30:31,000
Speaker 5: how you switched it on me. I respect you so much.

1792
01:30:38,120 --> 01:30:39,120
Speaker 5: It's crazy.

1793
01:30:42,000 --> 01:30:45,320
Speaker 4: Because now that I've had so much historical moments in

1794
01:30:45,400 --> 01:30:49,519
Speaker 4: my life, I could actually see one of the early ones,

1795
01:30:49,920 --> 01:30:52,160
Speaker 4: and I could see how I saw it that day.

1796
01:30:54,200 --> 01:30:56,280
Speaker 2: Pharrell was destined to be who is going to be?

1797
01:30:56,880 --> 01:31:01,840
Speaker 1: Is going to be Chad? You going as well? But

1798
01:31:02,000 --> 01:31:03,880
Speaker 1: when he gave me that CD and.

1799
01:31:03,960 --> 01:31:05,880
Speaker 5: He said, don't listen to this ship until you get

1800
01:31:05,920 --> 01:31:08,280
Speaker 5: to Miami, and I did it, and I said they

1801
01:31:08,280 --> 01:31:08,880
Speaker 5: can't hotel.

1802
01:31:10,600 --> 01:31:12,360
Speaker 2: When I listened, I just knew.

1803
01:31:15,479 --> 01:31:17,920
Speaker 1: That life. I just knew it.

1804
01:31:18,200 --> 01:31:20,879
Speaker 4: I just heard it, and I wrote this ship immediately,

1805
01:31:20,960 --> 01:31:25,200
Speaker 4: and I went right back to New York Right Track

1806
01:31:25,240 --> 01:31:28,760
Speaker 4: Recording Studios, forty seventh Street. Believe Madison, I don't. I

1807
01:31:28,800 --> 01:31:32,080
Speaker 4: don't know if it is. And I went and I

1808
01:31:32,160 --> 01:31:35,160
Speaker 4: recorded that whole track straight but.

1809
01:31:35,200 --> 01:31:36,519
Speaker 2: You got it in Miami, right to beat.

1810
01:31:37,080 --> 01:31:37,280
Speaker 1: Yeah.

1811
01:31:37,960 --> 01:31:40,240
Speaker 5: Because the reason why I say is because I always

1812
01:31:40,400 --> 01:31:40,720
Speaker 5: wanted to.

1813
01:31:40,720 --> 01:31:44,160
Speaker 1: Get Miami is no no no, no, no, no no no.

1814
01:31:45,120 --> 01:31:50,200
Speaker 5: Sonically, when he came out with Super Thug, we hadn't

1815
01:31:50,240 --> 01:31:50,679
Speaker 5: met yet.

1816
01:31:50,760 --> 01:31:52,920
Speaker 2: No, no, I did because I met you. I met

1817
01:31:52,960 --> 01:31:54,120
Speaker 2: you was on the CNN run.

1818
01:31:54,200 --> 01:31:56,600
Speaker 5: But still when he came out with that record, the

1819
01:31:56,760 --> 01:32:01,439
Speaker 5: bounce on it felt very Southern, very relatable, very like

1820
01:32:01,520 --> 01:32:05,640
Speaker 5: that bounce like, it felt that bounce was there, and

1821
01:32:05,720 --> 01:32:07,280
Speaker 5: I was like, oh, that's not coming out of New

1822
01:32:07,320 --> 01:32:08,640
Speaker 5: York and and he was doing that.

1823
01:32:09,320 --> 01:32:13,599
Speaker 1: Yeah, and now I live in the South, so you're one.

1824
01:32:14,200 --> 01:32:17,200
Speaker 1: I have a funny. I have a weird I think

1825
01:32:17,240 --> 01:32:21,120
Speaker 1: the first time I ever like so we we going

1826
01:32:21,240 --> 01:32:24,719
Speaker 1: way back to like the first record. It was probably

1827
01:32:24,760 --> 01:32:28,200
Speaker 1: before we ever got signed. We're probably just doing demos

1828
01:32:28,240 --> 01:32:32,280
Speaker 1: at this point. My friend, do you remember buzz Tone Records? Yeah?

1829
01:32:33,479 --> 01:32:34,960
Speaker 6: So I had a friend who worked at buzz Tone

1830
01:32:35,600 --> 01:32:38,000
Speaker 6: and he invited me to a couple.

1831
01:32:37,800 --> 01:32:38,760
Speaker 2: Of sorry, you just got a shot.

1832
01:32:38,800 --> 01:32:40,960
Speaker 1: I got a shot. It's just like just because let's

1833
01:32:41,000 --> 01:32:41,120
Speaker 1: do it.

1834
01:32:41,160 --> 01:32:41,640
Speaker 2: Bro, I'm in.

1835
01:32:43,160 --> 01:32:46,920
Speaker 1: To buzz town calling them people bro and dude. For

1836
01:32:47,040 --> 01:32:51,639
Speaker 1: a whole week, we land and grow. I can't tell

1837
01:32:51,680 --> 01:32:54,200
Speaker 1: if you're if you're from l A or if you're

1838
01:32:54,280 --> 01:33:00,960
Speaker 1: just like a millennial. It's like Jen Alpha, I let

1839
01:33:01,400 --> 01:33:04,040
Speaker 1: christ you gotta work for the roll and I'm like,

1840
01:33:04,200 --> 01:33:06,360
Speaker 1: I'm like, I'm like, I've been white for a week.

1841
01:33:07,560 --> 01:33:10,000
Speaker 1: I've been full flazed.

1842
01:33:09,640 --> 01:33:15,080
Speaker 5: White, full fledged all right, So okay, so I'm so sorry.

1843
01:33:15,280 --> 01:33:18,960
Speaker 1: So we were we were not signed or whatever, just

1844
01:33:19,160 --> 01:33:21,640
Speaker 1: like trying to get experiences and my friends said, come

1845
01:33:21,720 --> 01:33:24,720
Speaker 1: to this video shoot just for fun. And I think

1846
01:33:25,320 --> 01:33:27,559
Speaker 1: the first one I went to was a funk dubious

1847
01:33:28,120 --> 01:33:34,320
Speaker 1: shoot do with was in the was the feature with? Yeah?

1848
01:33:34,360 --> 01:33:37,800
Speaker 2: They had this random bab pop that wasn't on their

1849
01:33:37,840 --> 01:33:39,720
Speaker 2: album though I think it was was it? Yeah?

1850
01:33:40,600 --> 01:33:41,839
Speaker 1: I was at the video.

1851
01:33:41,680 --> 01:33:44,639
Speaker 5: Shoot for Poppy Chulo, but that that record albums though,

1852
01:33:44,920 --> 01:33:48,000
Speaker 5: I was like, is and Corrupt was so was one

1853
01:33:48,000 --> 01:33:50,160
Speaker 5: of those season that time like coming out.

1854
01:33:50,360 --> 01:33:52,040
Speaker 1: So I did. I went to that. I was like, oh,

1855
01:33:52,640 --> 01:33:55,479
Speaker 1: you know, Chris can I got it like any other Later,

1856
01:33:55,560 --> 01:33:58,040
Speaker 1: I was like, any other video shoots coming up that

1857
01:33:58,080 --> 01:33:59,880
Speaker 1: I could go to, and he said, yeah, he has

1858
01:34:00,040 --> 01:34:01,840
Speaker 1: one for the Alcoholics coming up. I was a big

1859
01:34:01,920 --> 01:34:05,040
Speaker 1: alcoholics fan, so he's like, you know, Lincoln Park had

1860
01:34:05,080 --> 01:34:07,560
Speaker 1: kind of started happening, and so he's like, can you

1861
01:34:07,640 --> 01:34:10,320
Speaker 1: get can we get? You got the dude from the

1862
01:34:10,400 --> 01:34:13,280
Speaker 1: singer from this band called Deftones that we love Chino

1863
01:34:13,479 --> 01:34:15,760
Speaker 1: was gonna be in it. We got you And he's like,

1864
01:34:15,800 --> 01:34:18,080
Speaker 1: have you heard of this student named Pharrell? And I

1865
01:34:18,240 --> 01:34:20,400
Speaker 1: was like, yeah, I think so. He was kind of

1866
01:34:20,520 --> 01:34:23,360
Speaker 1: newer at the time, like I wasn't super familiar, and

1867
01:34:23,479 --> 01:34:26,599
Speaker 1: so there it's a super weird track. I don't even

1868
01:34:26,640 --> 01:34:28,400
Speaker 1: know if it's still like if you could put up

1869
01:34:28,400 --> 01:34:30,920
Speaker 1: pull it up on YouTube or Spotify or whatever. But

1870
01:34:32,200 --> 01:34:35,320
Speaker 1: on YouTube you'd see that the video had a cameo

1871
01:34:35,439 --> 01:34:38,719
Speaker 1: by me. I think there was somebody else and Chino

1872
01:34:38,800 --> 01:34:42,880
Speaker 1: from Deftones and Pharrell playing as the house band at

1873
01:34:42,920 --> 01:34:45,760
Speaker 1: this like frat party that Jay Row and Tash are

1874
01:34:45,840 --> 01:34:48,679
Speaker 1: like rapping at. It was the weirdest shit, Like even

1875
01:34:48,720 --> 01:34:50,360
Speaker 1: this here here come out of my mouth, I'm like,

1876
01:34:50,439 --> 01:34:53,599
Speaker 1: who fucking who put this together? Like if you did

1877
01:34:53,640 --> 01:34:57,320
Speaker 1: this ten years later, it'd be like a very expensive video.

1878
01:34:58,040 --> 01:35:00,840
Speaker 1: But at the time everyone was just kind of like

1879
01:35:01,680 --> 01:35:05,720
Speaker 1: starting to like their careers were all started, except for

1880
01:35:05,760 --> 01:35:08,280
Speaker 1: the Lecks, the legs were all already established. That's why

1881
01:35:08,320 --> 01:35:10,320
Speaker 1: that was their song. You guys ever did anything with

1882
01:35:10,360 --> 01:35:14,680
Speaker 1: the Alcoholics? No, No, I don't think i've even that day.

1883
01:35:14,720 --> 01:35:17,160
Speaker 1: I didn't really meet. I think i'm that.

1884
01:35:17,400 --> 01:35:19,519
Speaker 5: I think I talked to for Like, can I connect

1885
01:35:19,560 --> 01:35:24,280
Speaker 5: y'all for future? I mean, because is on it right now?

1886
01:35:24,360 --> 01:35:27,120
Speaker 5: He's killing it really. Yeah, they're coming out with the Doggs,

1887
01:35:27,120 --> 01:35:29,439
Speaker 5: coming on a new album. Like I would love to

1888
01:35:29,479 --> 01:35:32,080
Speaker 5: connect y'all. I love the alcoholic Yeah.

1889
01:35:32,479 --> 01:35:33,200
Speaker 1: You know what's crazy.

1890
01:35:33,280 --> 01:35:33,719
Speaker 2: I'm sorry.

1891
01:35:33,840 --> 01:35:35,920
Speaker 4: I have so many notes, but I know you guys

1892
01:35:36,000 --> 01:35:41,639
Speaker 4: got a flight. Look, I haven't thank you. I really

1893
01:35:41,720 --> 01:35:47,160
Speaker 4: want to thank y'all because think about it, we're all one.

1894
01:35:50,760 --> 01:35:53,599
Speaker 4: I love doing these type of these type of interviews.

1895
01:35:53,640 --> 01:35:56,920
Speaker 1: I love. I love, like, you know, connected with people

1896
01:35:57,040 --> 01:36:02,040
Speaker 1: that don't know that we're connected. And I want to

1897
01:36:02,080 --> 01:36:05,240
Speaker 1: thank you once again. Man gave them their flowers.

1898
01:36:06,560 --> 01:36:10,680
Speaker 5: Take these great pictures, right, and if you want to

1899
01:36:10,720 --> 01:36:14,960
Speaker 5: take us some champagne whishes, I'll take some champagne.

1900
01:36:15,120 --> 01:36:22,639
Speaker 1: Take some champagne. Sorry, singer Emily's birthday coming up tomorrow,

1901
01:36:22,760 --> 01:36:23,280
Speaker 1: so we'll take some.

1902
01:36:25,400 --> 01:36:27,280
Speaker 5: I don't know if she'll drink it, but shout out

1903
01:36:27,280 --> 01:36:31,080
Speaker 5: to shout out a little man, yes, yes, yes, please you.

1904
01:36:31,200 --> 01:36:35,400
Speaker 2: Put it in your luggage. Luggage oh so out? Okay,

1905
01:36:36,400 --> 01:36:45,880
Speaker 2: well Lincoln motherfucker park makes some everybody here has memory.

1906
01:36:46,240 --> 01:36:49,360
Speaker 2: Thank you, fellow, Thank you so much, Thank you.

1907
01:36:50,120 --> 01:36:53,439
Speaker 5: Drink Champs is a Drink Champs ll C production hosts

1908
01:36:53,479 --> 01:36:56,320
Speaker 5: and executive producers n O r E and d j

1909
01:36:56,520 --> 01:36:59,920
Speaker 5: e f f N. Listen to Drink Champs on Apple, Pod,

1910
01:37:00,560 --> 01:37:05,679
Speaker 5: Amazon Music, Spotify, or wherever you get your podcasts. Thanks

1911
01:37:05,720 --> 01:37:08,200
Speaker 5: for joining us for another episode of Drink Champs hosted

1912
01:37:08,280 --> 01:37:10,600
Speaker 5: by yours truly, dj e f N and n O

1913
01:37:10,760 --> 01:37:12,800
Speaker 5: r E. Please make sure to follow us on all

1914
01:37:12,840 --> 01:37:16,479
Speaker 5: our socials that's at drink Champs across all platforms at

1915
01:37:16,560 --> 01:37:20,800
Speaker 5: the Real Noriagon ig at Noriega on Twitter, mineus at

1916
01:37:20,840 --> 01:37:24,559
Speaker 5: Who's Crazy on ig at dj e f N on Twitter,

1917
01:37:24,920 --> 01:37:27,479
Speaker 5: and most importantly, stay up to date with the latest releases,

1918
01:37:27,920 --> 01:37:31,080
Speaker 5: news and merch by going to drink champs dot com